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Speaker 1: Listen, we're giving away a free hounday Tucson. I cannot

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Speaker 1: believe this is happening, and we need to make this

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Speaker 1: a little bit louder so the people out there know

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Speaker 1: what is happening. Yes, you only have until when Joel,

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Speaker 1: Saturday September twenty fifth midnight, So Friday into Saturday midnight.

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Speaker 1: All right, you're gonna go, and you're going to write

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Speaker 1: an essay that's a maximum one hundred words about why

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Speaker 1: you or someone you love should get this free unday

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Speaker 1: twoson and I have breaking news for you. You might

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Speaker 1: say that would be cool, Zack and Donald, but I

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Speaker 1: can't pay the taxes on the gift. Oh Zach, why

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Speaker 1: don't you tell them what is going to happen with

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Speaker 1: the taxes? Yes, Donald, we are covering the taxes. You

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Speaker 1: will not pay a dime in taxes if you win

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Speaker 1: this free hunday Tucson. Just so I'm clear, Yes, Donald,

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Speaker 1: go ahead, we're paying the taxes. Yes, we're paying the

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Speaker 1: taxes on. Yes. So what you're gonna do is, let's

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Speaker 1: say you or someone you know in your life really

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Speaker 1: could have their life change with a car. You can't

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Speaker 1: get to that job that you really wanted. You can't

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Speaker 1: visit that family member that really needs help being taken

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Speaker 1: care of. This is not for someone who wants a

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Speaker 1: car upgrade. Okay, please don't waste our time or Iheart's

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Speaker 1: time or Hunday's time. This is for someone who has

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Speaker 1: a true story that will be verified. So please don't

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Speaker 1: lie where your life will really really be changed with

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Speaker 1: the car and the good people at hunday are going

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Speaker 1: to give one winner a free Unday Tucson. I'm very

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Speaker 1: excited about this, and I'm very excited to read all

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Speaker 1: of your letters because you know I'm going to read

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Speaker 1: them all. I'll bet you will. Joel is going to

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Speaker 1: tell you right now the website where you go to

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Speaker 1: write your hundred word essay on why you should win

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Speaker 1: the free and I mean free, no taxes paid Hunday

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Speaker 1: Tucson for you or one of your loved ones. Joel

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Speaker 1: tell them where to go. Okay, guys, here's what you're

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Speaker 1: going to do. You're gonna go to www. Dot Fake

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Speaker 1: Doc's Hunday giveaway dot com Again. The address is www.

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Speaker 1: Dot fake docs. Like this podcast, UNDA, like the car

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Speaker 1: you could get giveaway that thing we're doing dot com.

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Speaker 1: Check it out apply for you or a friend in

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Speaker 1: need today. Yeah. Yeah, I just gotta say one thing

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Speaker 1: real quick. Yes, cute to motherfucking music. Hi, Casey, I

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Speaker 1: know you're hear my theme song. Oh you ever heard

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Speaker 1: it at all? No? If you put on the headphones,

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Speaker 1: I can play it for you. I think, hold on

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Speaker 1: one second, one second. Let me just make sure, make sure,

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Speaker 1: hold on, hold on, hold on audio assets segments, Casey local, Okay,

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Speaker 1: let's see here. Sure, open it up. Oh if it

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Speaker 1: takes you this long, Dan, I'll no wonder coming with

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Speaker 1: the fire? Jeez, maybe I won't play it, Casey, come

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Speaker 1: down here, and that's what it is. Fire, that's a hit.

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Speaker 1: That's a bob. That's that should be your ring tone?

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Speaker 1: Are you making that a ring tone? Yes? Is it

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Speaker 1: available yet or no? It is not available yet, but

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Speaker 1: we're hoping early next week. Okay, there you go. Everybody.

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Speaker 1: You're gonna have that ring tone, Casey, that needs to

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Speaker 1: be your ring tone. Yes, it will be. Um. I

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Speaker 1: have to tell you guys, and then I'll let y'all start.

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Speaker 1: But I just bawled my eyes out watching this damn episode. Obba. Yeah,

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Speaker 1: they need to play that like right now on I know, well,

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Speaker 1: you know, interestingly enough when when all I'm just gonna

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Speaker 1: say this, but um but since you're here, i'll say it.

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Speaker 1: When all of COVID started, this ending was sort of

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Speaker 1: the this explanation of how a virus spreads was sort

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Speaker 1: of going around the internet, and it's such a beautiful

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Speaker 1: uh well, in this case, it's a beautiful articulation of

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Speaker 1: how things spread. And then of course they play cold place,

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Speaker 1: fix you. Then you're done. Yeah, no, it's true because

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Speaker 1: it's like, it's not saying anyone's an asshole. It's just

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Speaker 1: it's that easy to just hurt someone without even knowing

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Speaker 1: you know, it's right, and and and and just like

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Speaker 1: what's happened, I'm sure with COVID, so many times someone

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Speaker 1: doesn't know that they have anything dangerous, they don't feel

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Speaker 1: any symptoms, and then they unknowingly pass it on to

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Speaker 1: somebody else who is perhaps an old woman who could

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Speaker 1: die from it, and that person never knows. They go, oh,

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Speaker 1: I wasn't sick. They don't know that they were a

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Speaker 1: carrier that gave it to an elderly person that died. Yeah,

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Speaker 1: well it's worse than that now. Man, So sad, this

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Speaker 1: delta version. I mean, I don't want to make I

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Speaker 1: don't want to make this episode about COVID. I mean,

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Speaker 1: well we can talk about it a little bit, because

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Speaker 1: that's what comes up. You know, this, this this green

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Speaker 1: thing that that flies around the hospital is really the

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Speaker 1: perfect example of how COVID spreads. Yeah, and now and

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Speaker 1: now the delta version, it's you know, it's in kids now,

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Speaker 1: and kids are getting sick and that's really scary being

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Speaker 1: a father of two young children. Well that well, if

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Speaker 1: you have people in your life, listener, who who are sorry?

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Speaker 1: Are you talking to me? Or her to her? Okay,

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Speaker 1: if you have people in your life, listener, dear listener

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Speaker 1: that are are I don't know, not believing the science

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Speaker 1: of it all, show them this episode because it I

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Speaker 1: think it does, in a very creative way, show how

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Speaker 1: a virus is so easily transmitted. How are you? I'm great.

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Speaker 1: I just want to say one last thing. It has

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Speaker 1: nothing to do with She left her sunglasses. She'll be back.

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Speaker 1: Maybe I should go and get her. Hold on Cassie

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Speaker 1: down here. Don't no nothing male raising these fools, So

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Speaker 1: tell me what to do. I don't know. Oh Jesus,

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Speaker 1: we don't need to hear you screaming. Yeah. I also

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Speaker 1: need to ask him about the room that he's recording in,

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Speaker 1: because that room is echoe. Well, we lost the magic

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Speaker 1: of Donald in his closet, we did. Unfortunately it sounds

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Speaker 1: sounding so so good, so dead. A last, let's give

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Speaker 1: him his notes. Daniel wants to talk to you about

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Speaker 1: how shitty your new room sounds. Go ahead, Daniel, Okay,

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Speaker 1: Well it's just a little bit more echoe in there,

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Speaker 1: um is it is there potentially like a different corner

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Speaker 1: of the room you could use or um, yeah, I

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Speaker 1: mean not this episode, but yeah, for sure, of course,

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Speaker 1: of course I'll get Yeah, I'll get one of those things.

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Speaker 1: I'll get one of those things. I think I have

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Speaker 1: one too, a sound panel with some foam nipples on it,

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Speaker 1: yea to surround him mic. That could work the you know,

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Speaker 1: optimally this is not you know, preferable, of course, but

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Speaker 1: it's like getting the corners of the actual room itself,

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Speaker 1: because it's like, yes, that will deaden it right around

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Speaker 1: the mic, but your voice is still echoing off the

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Speaker 1: you know, the walls of the room. Um. But you know,

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Speaker 1: then again, I'll see how much I can fix with

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Speaker 1: just effects. Maybe it's not gonna matter at all. And

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Speaker 1: when I get to editing episode four eleven or five eleven,

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Speaker 1: then we'll, you know, we'll see what we we really need

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Speaker 1: to do. Anyway, just want to put that out there. Yeah, yes,

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Speaker 1: you're very echoy. It sounds like when we have Johnny

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Speaker 1: c and he won't move from his dining room table,

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Speaker 1: and he sounds very echoy. But even with this microphone,

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Speaker 1: it's like that. Yes, I mean on our function of

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Speaker 1: the microphone, Donald, it's a function of the sound waves

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Speaker 1: bouncing off the corners. Shut the fuck up. Let's go five, six, seven,

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Speaker 1: eight about show nurses. Yeah, that was a whacky beginning

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Speaker 1: of it. We're gonna keep all that, Yeah, keep it

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Speaker 1: all all keep Donald even screaming at the top of

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Speaker 1: his lungs for casey, My Cabbage, My cabbage. Very wacky, whacky,

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Speaker 1: whacky episode, whacky episode, and very predictable episode. Maybe because

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Speaker 1: I remember it predicted at all. I remembered this, Maybe

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Speaker 1: because I remembered the episode so well. But when you said,

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Speaker 1: you know, I have an intern that keeps fucking up,

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Speaker 1: I knew right then and Air it's cabbage. You know

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Speaker 1: that was clear when you were saying I have interns

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Speaker 1: that are doing all these things. I knew it was

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Speaker 1: just one person. Um well, I remembered the green thing

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Speaker 1: solely because it went you know, viral no no pun

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Speaker 1: intended on the internet when covid started, because people thought,

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Speaker 1: oh my god, this is a really good representation of

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Speaker 1: showing that. So I remember seeing that I forgot that

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Speaker 1: cabbage on his way out takes out missus will Yeah,

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Speaker 1: fucker cabbage. Cabbage takes out a bunch of people. Actually,

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Speaker 1: but we don't even know cabbage. That's what so fucked up.

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Speaker 1: His cabbage doesn't know that he I forgot. When Missus

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Speaker 1: Wilke dies, I think she does, but he's yeah, yeah,

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Speaker 1: so he doesn't know that he did it. Yeah. So

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Speaker 1: Keith climbs into bed with me, and um, he gives

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Speaker 1: me a kiss because he's intoxicated and he thinks he's

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Speaker 1: climbing into me with Elliott and I thought you were

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Speaker 1: going to push him off. Well, all I say is tender. Yeah, tender,

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Speaker 1: What a weird thing to say. Like he might haven't

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Speaker 1: had a dating app that's Tinder, you might. You might say,

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Speaker 1: if someone culled you different, is that different? It's a

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Speaker 1: different way it's tender and Tinder different. Yeah, Tinder is

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Speaker 1: spelled t I n d R Okay, like tinder for

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Speaker 1: a fire. And he's said tender like a chicken tender

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Speaker 1: or being tenderly. Sh I thought tender was like, oh,

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Speaker 1: you thought a dating app was tender. I thought it

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Speaker 1: was like a sexual way of saying find your chicken. No,

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Speaker 1: he's saying that because it's a dating app, like you're

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Speaker 1: gonna be tender with your lover, like tender tender moments.

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Speaker 1: It's more like tinder fuck buddies. That's right, right, Okay,

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Speaker 1: I get that now, right. Isn't tender the most of

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Speaker 1: all the apps? Daniel, I'm asking you because you're in

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Speaker 1: the know. Um, isn't tender the most? Like hook up

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Speaker 1: E one for straights for the straits for the Yes,

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Speaker 1: that shit made me laugh so hard on Ted Lasso?

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Speaker 1: Oh like Grinder And everybody's like, yeah, yeah, just like Grinder.

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Speaker 1: That shit's funny, you guys. Yes, I don't know. Bill.

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Speaker 1: I told Bill that you've that you came clean, um,

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Speaker 1: and then you you've been lying the whole time about

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Speaker 1: watching Ted Lasso. What did he say? He thought it

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Speaker 1: was very funny? I said, that tunneled came clean, and

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Speaker 1: then now he thinks it's the greatest shoe ever made.

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Speaker 1: And he said, oh, I got to come on and

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Speaker 1: uh and talk about that and make fun of him.

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Speaker 1: Can't wait anytime. Yeah, man's on fire Man so proud

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Speaker 1: of him. He's killing it. Yeah, okay, So then I

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Speaker 1: see you and I say, he's a decent In my defense,

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Speaker 1: Keith's a decent kisser. Right. So when I when I

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Speaker 1: it's I guess when I woke up, I left out

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Speaker 1: a pleasure moan, right. I mean it's a little bit

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Speaker 1: it's a little bit unclear, but it sounds like when

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Speaker 1: I want it wasn't just a cuddle. It sounds like

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Speaker 1: I woke up and we made out a little and

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Speaker 1: then I let out a pleasure moan. And and then

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Speaker 1: I say something like you say something like, whoa, don't

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Speaker 1: you have any college things where you almost hooked up

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Speaker 1: with a guy or were you drunkenly hooked up with

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Speaker 1: the guy. And then we look at each other, yes,

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Speaker 1: and we realize we can't hang out for about Yeah,

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Speaker 1: this is just a stupid story point to have you

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Speaker 1: hang out with Elliott and not me, I guess, But

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Speaker 1: we learned that we must have made out in college

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Speaker 1: and drunk, drunk out of our minds. We totally hooked up, shocking.

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Speaker 1: We had a sword fight. Have you ever had a

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Speaker 1: drunken sword fight with a man? No, I've never had

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Speaker 1: a drunken sword fight with a man. Sober, sober sword

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Speaker 1: fight story. Have you cross streams? Have you crossed streams? Well? Yeah,

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Speaker 1: when your kids, you always cross streams, don't you. Okay, Well,

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Speaker 1: we're all standing at the urinals. I've been there, I've been.

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Speaker 1: I used to try and freaking make it. I was like,

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Speaker 1: let's make it sort. When it connects, it looks like one.

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Speaker 1: Let's make our ropey streams one. Well, I don't know

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Speaker 1: about rope. Have you found that your stream isn't as

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Speaker 1: strong as it once was? Oh no, it's nowhere near

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Speaker 1: Like when I was in my twenties or early in

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Speaker 1: my teens, that ship was like fucking I know, I

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Speaker 1: miss a thick stream. I listen to my kid go

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Speaker 1: to the bathroom. That dude sounds like I know, it

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Speaker 1: sounds like a thunderous, Like it's raining and thunder and

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Speaker 1: lightning is outside. This is like and we're only forty

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Speaker 1: six and forty seven. What the fuck my ship comes

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Speaker 1: out and it's like droop, triple drop, triple dripple dripple drop,

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Speaker 1: especially in the morning when you wake up, Daniel, why

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Speaker 1: are you making that face? You're headed to this. So

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Speaker 1: if you haven't happened to you yet, just wait. I mean,

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Speaker 1: I'm certainly ready for it. I'm just saying, if it's

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Speaker 1: really dribble drop, you should probably talk to you know,

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Speaker 1: But that's what happens to seniors. But we're definitely definitely

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Speaker 1: at HASHTAGT six. You don't have a thick ropey stream.

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Speaker 1: Oh my god, it's like ropes. Yeah. All right, so

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Speaker 1: Cabbage is really a fucking mess as a doctor, right, yeah,

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Speaker 1: Well he's not only a mess as a doctor. He's

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Speaker 1: like he's I wouldn't say he's aloof because a loof

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Speaker 1: you kind of have a you have some would have

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Speaker 1: a knowledge that you're that you're fucking up. This dude

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Speaker 1: is oblivious completely to the fact though I did laugh

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Speaker 1: when he when he fucks up the IVY and I

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Speaker 1: got some one you look out a no, no, that's

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Speaker 1: some of of the fun that you can have, right,

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Speaker 1: but no, but look and the fact that Jad's covering

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Speaker 1: for this dude because he kind of reminds him of himself,

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Speaker 1: and you know, it's it's a very dangerous game that

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Speaker 1: he's playing because he does he doesn't like Keith because

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Speaker 1: Keith's banging Elliott. Like we're not really clear on why

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Speaker 1: he doesn't like Keith. Keith obviously because Keith's um. You know,

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Speaker 1: he's jealous that he's with Elliott, even though he wouldn't

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Speaker 1: say that. Keith's very handsome. He looks like a ken doll.

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Speaker 1: He's ripped, he's got abs and dynamite, ariolas and um.

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Speaker 1: We also learn from Cox that he's the best intern

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Speaker 1: that the hospital has. So for all these reasons, JD

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Speaker 1: is green with envy and uh and and wants to

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Speaker 1: wants to take him down right when real this dude

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Speaker 1: is probably going to be his I don't know if

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Speaker 1: Keith ever becomes an ally an ally or just JD

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Speaker 1: hate him throughout their whole, this whole relationship. We'll have

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Speaker 1: to watch the rest of the show. And now I'm

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Speaker 1: wondering how they break up because I knew they I

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Speaker 1: know they get serious at some point too. Well. Travis

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Speaker 1: did a good job. Travis did you know how you know,

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Speaker 1: you know how you know you're doing a good job

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Speaker 1: to keep giving you more and more episodes. Yeah, he's

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Speaker 1: really come a long way in like the three four

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Speaker 1: episodes that he's been in so far, he's already starting

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Speaker 1: to fit in pretty well, you can and yeah, and

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Speaker 1: you can also see that the actor himself gained confidence

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Speaker 1: and which, yeah, of course that would happen. You know.

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Speaker 1: You you come into this cast that's been doing this

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Speaker 1: for four and a half years and you're asked to

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Speaker 1: just you know, get up to speed and join them,

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Speaker 1: and it's it's intimidating, and I think Travis did a

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Speaker 1: really good job. Yes he did. Um missus Wilke is

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Speaker 1: finally going home and Judy gets her a giant card.

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Speaker 1: I give a courtesy laugh, but I'm way more excited

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Speaker 1: to present my present, which is a DVD of famous

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Speaker 1: centers because she likes basketball. And you even got it signed,

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Speaker 1: got it signed by Kareem Abdul Jabbar. And everything's going

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Speaker 1: great until Keith comes in and his father plays flag

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Speaker 1: football with the actual Kareem Abdul Jabbar. I guess so

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Speaker 1: that which is hilarious, which is hilarious in itself. Karema

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Speaker 1: Abdul Jabbar playing flag football? First? How long are the

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Speaker 1: flags too? Who's he playing with? Because how is anybody

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Speaker 1: going to even be able to reach up and grab

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Speaker 1: said flags? I don't know, but I love the Kareem

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Speaker 1: Abdul Jabbar likes to act because, as we know, he

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Speaker 1: was in the airplane films. Yes, he was just on

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Speaker 1: Dave the TV show. I don't know, so did you?

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Speaker 1: By the way, you see the most recent Dave. It's

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Speaker 1: really bizarre and good where he goes to work with

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Speaker 1: the famous Yeah, great episode. I love that, really good episode.

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Speaker 1: You're not watching it again? Huh? I have yet to

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Speaker 1: watch Dave. I can't listen. Have you learned any lesson

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Speaker 1: from us begging you to watch so and now you

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Speaker 1: love it? Is there any lesson that you could learn

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Speaker 1: that maybe you'd try Dave? I mean, it's about rap,

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Speaker 1: it's about rap. That mean that doesn't mean much to me.

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Speaker 1: It's not Wu tang, it's Wu tang on it no

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Speaker 1: woo tanks forever. Remember that Dave is temporary. I'm gonna

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Speaker 1: guess tang. Let me guess the pads are still not labeled.

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Speaker 1: Let me guess what you're trying to get into no

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Speaker 1: Wu Tang forever, Woo Tang forever until little Dickie has

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Speaker 1: Wou Tang on the show. I'm not interested. Okay, I

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Speaker 1: don't know. I don't know. I don't doubt bullshit. I

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Speaker 1: just haven't think. I just I just thought you may

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Speaker 1: have learned a lesson when you got when you had

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Speaker 1: this epiphany you went. You guys begged me for so long,

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Speaker 1: and I loved Ted Lasso. You know what I did

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Speaker 1: start watching was Doogie Howser. Why because why not? That

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Speaker 1: shit holds up? Man? That shit is a freaking that shit.

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Speaker 1: Of all the things on television, I don't understand why,

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Speaker 1: of all things, you chose Dougie hows Or no offense

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Speaker 1: to Dogie Dodd Dude, that ship is fire. Yeah, it

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Speaker 1: literally it really does hold up. What doesn't hold up

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Speaker 1: is the little uh typing at the end. Yeah, when

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Speaker 1: he writes in his journal. Yeah, it's it's good in

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Speaker 1: the beginning, like in the first season and the second

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Speaker 1: season by the end of it not so much. But

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Speaker 1: why you decided to binge Dougie Howser, I just don't know.

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Speaker 1: I don't know if you tried any adult programs. Doogie

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Speaker 1: houses not for adults. I think Dougie Howser is meant

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Speaker 1: to inspire teens. I like. I don't know then what

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Speaker 1: you like. You like what I like? What I like?

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Speaker 1: I think you might like Dave because it has a

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Speaker 1: lot of things you like. You said that about Atlanta

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Speaker 1: I didn't like. I didn't like Atlanta. Okay, you don't

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Speaker 1: like a little well, look, Joel almost fell off her chair.

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Speaker 1: Look at it. I don't go fuck how everybody feels

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Speaker 1: about that shit. I like what I like. It's just

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Speaker 1: that simple, allowed Joe, you need a fan. Joel is

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Speaker 1: like a woman who needs to be fans right now,

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Speaker 1: I feel like I didn't need any fan a little

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Speaker 1: bit because it's maybe one of the most ingenious original shows.

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Speaker 1: Degree I didn't. I didn't hate Atlanta. I just didn't

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Speaker 1: have time for it. You know that's how it goes.

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Speaker 1: Let's move onward. Okay, Okay, listen, doogie howser all day

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Speaker 1: every day, just like Wu Tang forever. Baby, I'm gonna

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00:19:28,359 --> 00:19:30,879
Speaker 1: need doogie howser all day every day on the soundboard.

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00:19:33,480 --> 00:19:35,639
Speaker 1: We could. I'm sure we could get Neil Patrick Harris

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Speaker 1: to come on and talk. I would love to have

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Speaker 1: Neil Patrick Harris on the show to talk about I

340
00:19:40,200 --> 00:19:42,520
Speaker 1: told him to his face. I told him to his face.

341
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Speaker 1: I was like, listen, man, you don't know doogie howser.

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Speaker 1: When I was a kid, I fucking wrote for real.

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Speaker 1: I was righte and die doogie howser fan man Like, okay,

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Speaker 1: well everything. He went on to his representatives and see

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Speaker 1: if he'll come on. He's busy. That dude works, he

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Speaker 1: does so much. But if he does, I'll be married.

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Speaker 1: There's a lot of things, but this is a very

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Speaker 1: popular po podcast. Donald, we can get anyone you what

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Speaker 1: do you want the rock? Tom Cruise, We can get anybody.

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00:20:04,960 --> 00:20:07,040
Speaker 1: You could get the rock. We can be sure we

351
00:20:07,080 --> 00:20:09,040
Speaker 1: could get the rock. Yes, Joelle, don't make that face.

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00:20:09,119 --> 00:20:12,359
Speaker 1: I could get the rock. I know the rock. You know.

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Speaker 1: I would love to have the face was could the

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Speaker 1: rock and I'd be on the same zoom call. That

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00:20:17,320 --> 00:20:20,399
Speaker 1: was blowing my mind a little bit. Yeah, that automatically

356
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Speaker 1: makes me want to smile like my kids, like just

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Speaker 1: the rock on the same zoom call as me and

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Speaker 1: me be I just it's just okay, get the rock.

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Speaker 1: If you could get the rock, if you could get

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Speaker 1: this would be The Rock has nothing to do with

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Speaker 1: Scrubs at least you've brought on. You brought up Neil

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Speaker 1: Patrick Carris as a show you loved and are binging

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Speaker 1: now for some reason, I could get him. But if

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Speaker 1: you can get The Rock and Kevin Hart, that would

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Speaker 1: make my life. If you like to do the impossible,

366
00:20:50,520 --> 00:20:52,200
Speaker 1: I like to do the impossible. Or if you could

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Speaker 1: get Snoop Dog that would be the best day of them. Now.

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Speaker 1: I don't think Snoop Dogs right, I would smoke weed

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Speaker 1: with Snoop Dog and you all. That would be the

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Speaker 1: I don't know if the I don't know if the

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Speaker 1: listeners really want to listen to you baked talking to

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Speaker 1: Snoop Dogg. But maybe they don't they do. How could

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Speaker 1: you not want to listen to me baked with Snoop

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Speaker 1: Dog all right? For chizzel? So then, um, it turns

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Speaker 1: out that Keith Kareem i'mszl Jabar says that that's not

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Speaker 1: my signature on the DVD. Apparently JD has forged his signature.

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Speaker 1: He's giving this will a DVD present and he's he's

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Speaker 1: chosen to forge Kareem I'm Duel Jabbar's signature. Yes, and uh,

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Speaker 1: and then I pretend that he's mentally disturbed, and I

380
00:21:34,760 --> 00:21:38,840
Speaker 1: say back to the psych ward mister Rosenberg, is that

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Speaker 1: what that joke was? You didn't understand it. I didn't

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00:21:41,960 --> 00:21:45,320
Speaker 1: get it because he said, I think everybody knew that

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Speaker 1: that was Kareem abdul Jabbar. So I don't know. That's

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Speaker 1: why JD's pretending that he's a mentally ill man who's

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Speaker 1: pretending to be Kareem. I'm Duel Jabbar. So I say

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Speaker 1: back to the psych ward mister Rosenberg, Oh my gosh,

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00:21:58,560 --> 00:22:02,119
Speaker 1: you're just getting that. Gosh. I just didn't see the

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00:22:02,240 --> 00:22:05,000
Speaker 1: connection because it's clear that it's Kareem abdul Jabbar. And

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Speaker 1: I know that's what's so stupid about the joke. That's

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00:22:07,280 --> 00:22:10,440
Speaker 1: what's so stupid about JD Man j D. Does JD

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Speaker 1: not realize that it's Kareem abdul Jabar. J D feels

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Speaker 1: that he can he can sway the room. Yes, he

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00:22:18,000 --> 00:22:23,119
Speaker 1: can say the room. He can he can plant a

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Speaker 1: seed of doubt in Miss Wild's mind. Why do we

395
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Speaker 1: Miss Wolke is not nearly is impressed, and she should

396
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Speaker 1: have been that Kareem abdul Jabar walked into it. He

397
00:22:32,000 --> 00:22:34,520
Speaker 1: seemed pretty impressed. He was real happy, I know, but

398
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Speaker 1: I mean then the subject got changed and we're all

399
00:22:36,520 --> 00:22:39,760
Speaker 1: just talking to Kareem. No one's flipping out. I mean,

400
00:22:40,119 --> 00:22:43,080
Speaker 1: he's such a cool dude too, man like after scrub

401
00:22:43,160 --> 00:22:45,200
Speaker 1: I met him once before Scrubs and he was nice.

402
00:22:45,240 --> 00:22:48,280
Speaker 1: But after Scrubs, every time I see him, he always

403
00:22:48,359 --> 00:22:51,919
Speaker 1: says high And if you know Kareem, he doesn't always

404
00:22:52,000 --> 00:22:54,399
Speaker 1: do that, you know what I mean, Like, hell, there

405
00:22:54,440 --> 00:22:55,960
Speaker 1: are a lot of people that have asked Kareem for

406
00:22:56,040 --> 00:22:58,119
Speaker 1: autographs and stuff, and he doesn't do that. He's like,

407
00:22:58,160 --> 00:23:01,280
Speaker 1: I'd rather shake your hand because that feels more personable,

408
00:23:01,440 --> 00:23:05,199
Speaker 1: Like that's more, that's more of a connection, right, And uh,

409
00:23:05,400 --> 00:23:07,080
Speaker 1: every time I see him, I'll be like, hey, Kareem,

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00:23:07,240 --> 00:23:09,160
Speaker 1: and he'll stop and go, hey man, how's it going,

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Speaker 1: And then he'll turn around and keep going. But and

412
00:23:11,880 --> 00:23:15,239
Speaker 1: keep walking. That's a that's a luxury. Not a lot

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Speaker 1: of people get that, and I'm very happy to say

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00:23:17,040 --> 00:23:19,800
Speaker 1: I get that. And I hope you've reached hello. How

415
00:23:19,880 --> 00:23:22,359
Speaker 1: are you status? Yeah? Yeah, yeah, with the with the

416
00:23:22,680 --> 00:23:24,840
Speaker 1: great I know you're not going to watch the show.

417
00:23:24,880 --> 00:23:28,200
Speaker 1: But he also get a very funny cameo bizarre bizarre

418
00:23:28,400 --> 00:23:31,200
Speaker 1: guest appearance on Dave. But apparently the man, I mean, clearly,

419
00:23:31,240 --> 00:23:33,520
Speaker 1: the man likes to act because he's he's on a

420
00:23:33,600 --> 00:23:37,159
Speaker 1: lot of stuff. He's a fabulous writer. He's a wonderful writer, right,

421
00:23:37,200 --> 00:23:40,680
Speaker 1: and he's a wonderful, wonderful activist too, like an amazing activist.

422
00:23:41,840 --> 00:23:46,680
Speaker 1: Mick Head is out of prison and handing out orange jumpsuits, yes,

423
00:23:47,240 --> 00:23:50,080
Speaker 1: which makes it so that you know, we're in California.

424
00:23:52,359 --> 00:23:55,600
Speaker 1: California is can't be the only place with orange jumpsuits

425
00:23:55,640 --> 00:23:59,800
Speaker 1: in New York. It's like stripes with freaking the jail,

426
00:24:00,160 --> 00:24:02,159
Speaker 1: but orange jumpsuit is sort of like a trope of

427
00:24:02,280 --> 00:24:05,520
Speaker 1: a prison guard. But I think I don't know, you

428
00:24:05,600 --> 00:24:07,720
Speaker 1: know what, I don't know, but I believe that's the color.

429
00:24:07,800 --> 00:24:09,639
Speaker 1: You're Well's gonna look it up for you. But I

430
00:24:10,200 --> 00:24:12,760
Speaker 1: feel like there's a lot of that's just you know,

431
00:24:12,800 --> 00:24:14,360
Speaker 1: when people say they want someone to go to jail,

432
00:24:14,400 --> 00:24:15,719
Speaker 1: they're like, oh, I can't wait to see that guy

433
00:24:15,760 --> 00:24:19,440
Speaker 1: in orange jumpsuit. Okay, I truly believe I could be wrong,

434
00:24:20,000 --> 00:24:22,080
Speaker 1: but I do believe that it is You're Well is

435
00:24:22,160 --> 00:24:27,800
Speaker 1: researching where orange jumpsuits come from. Yeah, Arizona Department of

436
00:24:27,880 --> 00:24:33,119
Speaker 1: Corrections has it, and also in Australia. That's it. Arizona,

437
00:24:33,200 --> 00:24:36,040
Speaker 1: California and Australia are the only places where they have

438
00:24:36,119 --> 00:24:38,880
Speaker 1: orange jumps Why are you so sure about that? According

439
00:24:38,920 --> 00:24:41,600
Speaker 1: to Wikipedia, in the United States, to make a skate

440
00:24:41,680 --> 00:24:44,600
Speaker 1: more difficult, prison uniforms in the United States often consists

441
00:24:44,640 --> 00:24:47,840
Speaker 1: of a distinctive orange jumpsuit, and then they have different

442
00:24:47,840 --> 00:24:52,080
Speaker 1: colors for different levels of Uh. I never I never

443
00:24:52,160 --> 00:24:54,200
Speaker 1: put two and two together. That was to prevent escape.

444
00:24:54,280 --> 00:24:56,560
Speaker 1: That's that's part of it, and that's why they The

445
00:24:56,680 --> 00:24:59,200
Speaker 1: other one is striped so you stand out. I bought

446
00:24:59,359 --> 00:25:03,240
Speaker 1: I bought an orange sweatsuit. I immediately decided I wasn't

447
00:25:03,280 --> 00:25:07,359
Speaker 1: gonna wear it anymore because people were looking at me

448
00:25:07,400 --> 00:25:10,439
Speaker 1: a little funny. I think you escaped like I escaped

449
00:25:10,480 --> 00:25:13,200
Speaker 1: from the jail, from the prison system. Okay, Now, this

450
00:25:13,400 --> 00:25:16,120
Speaker 1: crow thing is so fucking stupid. I mean, I don't

451
00:25:16,160 --> 00:25:20,080
Speaker 1: even understand. Far be it from me to criticize the

452
00:25:20,240 --> 00:25:22,520
Speaker 1: master Bill, but this was the funniest part of the

453
00:25:22,520 --> 00:25:25,959
Speaker 1: episode to me. You didn't like it. The crow then

454
00:25:26,080 --> 00:25:28,960
Speaker 1: fucking through the pin at cocks and dropped and then

455
00:25:29,280 --> 00:25:32,520
Speaker 1: cox those the bed, pant at your face. Yeah, the

456
00:25:32,640 --> 00:25:35,120
Speaker 1: crow comes into the wrong room. The crow comes into

457
00:25:35,160 --> 00:25:37,280
Speaker 1: the wrong room, and he turned from he said, I

458
00:25:37,280 --> 00:25:39,600
Speaker 1: said one thirty six, and then he looks at the

459
00:25:39,680 --> 00:25:42,280
Speaker 1: sign and it's one thirty six and he stands. Corrected.

460
00:25:42,880 --> 00:25:46,920
Speaker 1: You didn't laugh at this ship, dude, I'm always stone

461
00:25:46,920 --> 00:25:48,240
Speaker 1: when I watched this show. This is one of the

462
00:25:48,320 --> 00:25:50,720
Speaker 1: best shows to watch. The Okay, but I thought you

463
00:25:50,800 --> 00:25:52,680
Speaker 1: said you were on a weed break, so I was like,

464
00:25:52,800 --> 00:25:55,000
Speaker 1: I am on a weed break. I don't smoke it

465
00:25:55,080 --> 00:25:58,440
Speaker 1: when we do the podcast anymore. Oh okay. You told

466
00:25:58,560 --> 00:26:00,760
Speaker 1: me that you liked it better when I didn't smoke

467
00:26:00,840 --> 00:26:04,119
Speaker 1: on the podcast, because I do. I do, yes, right,

468
00:26:04,440 --> 00:26:08,600
Speaker 1: So I decided before the podcast, I'm not going to smoke. Smoke. Okay,

469
00:26:08,720 --> 00:26:12,800
Speaker 1: good now, I said, I I'm just conflating my watching

470
00:26:12,960 --> 00:26:15,800
Speaker 1: viewing experience with yours because I usually watch right before

471
00:26:15,920 --> 00:26:18,960
Speaker 1: we I do not. I okay, all right, yeah, now, yes,

472
00:26:19,160 --> 00:26:21,639
Speaker 1: this is very stern or friendly. The crow and I

473
00:26:21,920 --> 00:26:25,760
Speaker 1: was not partaking. I'm not surprised that you found it

474
00:26:25,960 --> 00:26:34,280
Speaker 1: hilarious that shit was fucking the janitor the trains. The

475
00:26:34,320 --> 00:26:36,320
Speaker 1: crow was already trained because he said, let's see what

476
00:26:36,359 --> 00:26:39,560
Speaker 1: else you can do. The crow made tiny furniture freeze.

477
00:26:41,240 --> 00:26:44,800
Speaker 1: The crow lives in an old Christmas wreath. Yes, and

478
00:26:45,320 --> 00:26:51,040
Speaker 1: the crow, amongst many things, understands English, understands commands. I

479
00:26:51,119 --> 00:26:55,080
Speaker 1: also understand the art of mine, free me, the art

480
00:26:55,119 --> 00:26:58,040
Speaker 1: of mine. The fucking crow pretended to be dead at

481
00:26:58,080 --> 00:26:59,800
Speaker 1: the end of the I wouldn't have said the art

482
00:26:59,840 --> 00:27:04,280
Speaker 1: of the crow. The crow knows how to prodicta. The

483
00:27:04,320 --> 00:27:06,440
Speaker 1: crow knows how to play possum. And it got like

484
00:27:06,560 --> 00:27:09,479
Speaker 1: flicked in the head by Kelso and even getting plucked,

485
00:27:09,680 --> 00:27:17,040
Speaker 1: and even gets plucked and freaking stays still. I wish

486
00:27:17,040 --> 00:27:20,120
Speaker 1: the chrome made more episode appearances. Oh my god, why

487
00:27:20,160 --> 00:27:22,760
Speaker 1: does the crow? Why does the janitor speak Spanish to

488
00:27:22,840 --> 00:27:25,960
Speaker 1: the crow? Because he named the crow Sanchez? How do

489
00:27:26,040 --> 00:27:38,119
Speaker 1: we not Sanchez Sanchez, just like raccoon, cent Chez, raccoon,

490
00:27:38,920 --> 00:27:42,040
Speaker 1: raccoon and Sentez. Dear listener, I hope that if you

491
00:27:42,480 --> 00:27:45,439
Speaker 1: need to say the word raccoon, you say it raccoon,

492
00:27:45,880 --> 00:27:48,800
Speaker 1: right that shit have me roll? And I wish sin

493
00:27:48,840 --> 00:27:52,399
Speaker 1: Chez would make more episode appearances. Well, here you go, guys,

494
00:27:52,520 --> 00:27:56,560
Speaker 1: this is the difference between two different viewing experiences. But Sanchez,

495
00:28:00,440 --> 00:28:08,200
Speaker 1: how about when Todd comes in. Funniest part of the

496
00:28:08,240 --> 00:28:12,720
Speaker 1: episode by far is Todd coming in with the green

497
00:28:12,840 --> 00:28:17,000
Speaker 1: infection um tint on his anus and his mouth and

498
00:28:17,119 --> 00:28:20,040
Speaker 1: this and this and his crotch area. I didn't see

499
00:28:20,040 --> 00:28:21,639
Speaker 1: it on his crotch. I saw him his butt cheeps

500
00:28:21,760 --> 00:28:24,480
Speaker 1: and his mouth. So and then he says, he says

501
00:28:24,480 --> 00:28:28,040
Speaker 1: he loves Chinatown. Now that this is where I have issues.

502
00:28:28,680 --> 00:28:32,040
Speaker 1: Was this his first time ever going to Chinatown? Well,

503
00:28:32,119 --> 00:28:35,159
Speaker 1: what I inferred was that he went to Chinatown and

504
00:28:35,280 --> 00:28:38,920
Speaker 1: went to a brothel and partook with both men and

505
00:28:39,120 --> 00:28:48,680
Speaker 1: women for the first time. Yes, because he's he said,

506
00:28:48,840 --> 00:28:52,520
Speaker 1: he acts like he's never been to Chinatown. Chinatown is awesome.

507
00:28:52,800 --> 00:28:55,440
Speaker 1: That's pretty much. And I guess, I guess it could

508
00:28:55,480 --> 00:28:57,240
Speaker 1: have only been a woman, but there was clearly ass

509
00:28:57,360 --> 00:29:01,040
Speaker 1: play so ay and made me. It made me think

510
00:29:01,160 --> 00:29:04,160
Speaker 1: that there was also some male. We know that Todd

511
00:29:04,280 --> 00:29:10,040
Speaker 1: is is fluid, so I assumed in my mind that

512
00:29:11,120 --> 00:29:14,160
Speaker 1: the Todd went to a brothel that had both um

513
00:29:15,160 --> 00:29:20,040
Speaker 1: Asian men and women and he hung out with them both. Yes,

514
00:29:20,240 --> 00:29:27,560
Speaker 1: and yes, all right, So I won't let Keith, because

515
00:29:27,560 --> 00:29:32,520
Speaker 1: I'm such a prick, go to his grandmother's funeral. Yeah,

516
00:29:32,920 --> 00:29:35,320
Speaker 1: I say, Keith, Keith, I realize you'd like to go

517
00:29:35,440 --> 00:29:38,480
Speaker 1: to your grandmother's funeral on Saturday. Heck, we all would.

518
00:29:39,040 --> 00:29:41,080
Speaker 1: But you can't just take a day off whenever you

519
00:29:41,200 --> 00:29:46,160
Speaker 1: feel like it. And then we learned that Cabbage is

520
00:29:46,200 --> 00:29:49,960
Speaker 1: allowed to go to what the zoo? No see No

521
00:29:50,120 --> 00:29:54,719
Speaker 1: to see King Kong? Yeah, something like that. Yeah, because

522
00:29:54,840 --> 00:29:58,400
Speaker 1: he's an ape enthusiast. Yes, because well he's an ape enthusiast.

523
00:29:58,680 --> 00:30:04,040
Speaker 1: And then Cabbage does a very funny guerrilla impression. By

524
00:30:04,080 --> 00:30:06,280
Speaker 1: the way, this episode was directed by John Itedwood, our

525
00:30:06,320 --> 00:30:11,840
Speaker 1: cinematographer for All eight In eight years. Yeah, um, I

526
00:30:11,920 --> 00:30:14,120
Speaker 1: have a question to ask you. Is it John's first

527
00:30:14,360 --> 00:30:17,880
Speaker 1: episode directing? Probably not, you look that up for me.

528
00:30:18,440 --> 00:30:20,880
Speaker 1: I imagine he was directing, but he got to direct before.

529
00:30:22,400 --> 00:30:24,280
Speaker 1: But there's some cool trick shots, you know, with the

530
00:30:24,360 --> 00:30:27,760
Speaker 1: bed pan and and the crow that John came up with. Obviously,

531
00:30:27,880 --> 00:30:30,640
Speaker 1: King he did a really good job on this. Um. Yeah,

532
00:30:31,680 --> 00:30:34,360
Speaker 1: I just want to ask you one question. You I

533
00:30:34,480 --> 00:30:36,840
Speaker 1: need you to be honest with me. Go ahead. When

534
00:30:36,960 --> 00:30:43,680
Speaker 1: Cox mentioned doctor Acula, did you get excited? Yes? Me, yeah,

535
00:30:45,760 --> 00:30:49,000
Speaker 1: so excited, got so excited and it doesn't go anywhere.

536
00:30:49,000 --> 00:30:52,240
Speaker 1: I don't know why Bill decided to have Why in

537
00:30:52,320 --> 00:30:55,480
Speaker 1: what a world would Cox read the Doctor Acula screenplay?

538
00:30:56,240 --> 00:30:59,520
Speaker 1: I have no idea, but the fact that he doesn't

539
00:30:59,560 --> 00:31:02,160
Speaker 1: think it's no. And then I asked him if he

540
00:31:02,280 --> 00:31:05,240
Speaker 1: liked I asked him if he liked the Transylvania dream sequence.

541
00:31:06,320 --> 00:31:08,840
Speaker 1: He didn't want to talk about it. No, he was

542
00:31:08,880 --> 00:31:11,680
Speaker 1: out of compliments after that. Yeah, that was it. But

543
00:31:11,760 --> 00:31:15,280
Speaker 1: I imagine he did. I think he wonder why. I

544
00:31:15,440 --> 00:31:19,360
Speaker 1: really wonder why Cox took the time to read Doctor Acula.

545
00:31:19,520 --> 00:31:22,560
Speaker 1: He read the whole screenplay. Yeah, but he but that

546
00:31:22,640 --> 00:31:24,120
Speaker 1: was all he was gonna give JD. He was not

547
00:31:24,200 --> 00:31:30,160
Speaker 1: going to comment on the Transylvania dreams. All right, speaking

548
00:31:30,200 --> 00:31:34,440
Speaker 1: of dream sequence, this this is arguably the best in

549
00:31:34,520 --> 00:31:38,640
Speaker 1: the world, last, the best, and the weirdest. I laughed

550
00:31:38,680 --> 00:31:40,480
Speaker 1: so hard at the fact that these two are bathing

551
00:31:40,520 --> 00:31:44,240
Speaker 1: a pumpkin. All Right, Wait, we gotta go slowly. This

552
00:31:44,400 --> 00:31:47,280
Speaker 1: is John's fourth episode. Sorry, he did My Lucky Night,

553
00:31:47,400 --> 00:31:49,920
Speaker 1: her Story and my boss's free haircut. That shows you

554
00:31:50,360 --> 00:31:53,520
Speaker 1: how I'm no Trevor WICKI everybody, this is John's fourth episode.

555
00:31:53,720 --> 00:31:56,800
Speaker 1: We're going to talk about probably the weirdest fantasy in

556
00:31:56,880 --> 00:32:00,600
Speaker 1: Scrub's history. Maybe up there top ten me come right

557
00:32:00,640 --> 00:32:12,720
Speaker 1: back after this break and we're bad, bad from bad break.

558
00:32:13,240 --> 00:32:21,040
Speaker 1: Welcome ever, Welcome back break, doctors, real friends, welcomes you

559
00:32:21,280 --> 00:32:27,160
Speaker 1: back from that break. Did you like um? Did I

560
00:32:27,240 --> 00:32:30,280
Speaker 1: send you me singing um? Lame is with my friend Preston?

561
00:32:30,440 --> 00:32:34,360
Speaker 1: I really did enjoy that. Preston, Well, it's clear who's

562
00:32:34,400 --> 00:32:36,520
Speaker 1: the Broadway performer and who Why do you gotta Why

563
00:32:36,520 --> 00:32:38,320
Speaker 1: do you gonna fucking turn this into a diss of me?

564
00:32:38,880 --> 00:32:41,000
Speaker 1: It's not a disc it's just a Preston is really

565
00:32:41,080 --> 00:32:44,440
Speaker 1: fucking good. Yeah, but he's playing fucking javert on the

566
00:32:44,560 --> 00:32:46,960
Speaker 1: national tour. I can't sing like that, but I thought

567
00:32:47,000 --> 00:32:51,320
Speaker 1: I held my decent owned community theater self. I wouldn't

568
00:32:51,360 --> 00:32:56,760
Speaker 1: say community, I would say more high school. Oh my god,

569
00:32:57,400 --> 00:32:59,720
Speaker 1: I'm pissed. You know what, Joel and Daniel, I'm gonna

570
00:32:59,720 --> 00:33:02,600
Speaker 1: send you this video, my buddy. It's it's really good,

571
00:33:02,720 --> 00:33:04,720
Speaker 1: It really it's good. And here's it. No, here's the

572
00:33:04,760 --> 00:33:07,040
Speaker 1: honest and goodness thing. Zach sings on it. And when

573
00:33:07,080 --> 00:33:09,880
Speaker 1: he sings, I was like, very good, Zach. But then

574
00:33:09,920 --> 00:33:12,440
Speaker 1: he made the mistake of sending his buddy singing on

575
00:33:12,560 --> 00:33:15,520
Speaker 1: it too, and then it was like, oh no, here's

576
00:33:15,560 --> 00:33:18,840
Speaker 1: what happened, my buddy. The difference, My buddy Preston is

577
00:33:18,880 --> 00:33:22,920
Speaker 1: staying with me. Okay. He is an amazing Broadway singer

578
00:33:23,160 --> 00:33:26,720
Speaker 1: and piano player and tap dancer, and he can do anything.

579
00:33:26,960 --> 00:33:29,200
Speaker 1: He's a he's like a straight up like a straight

580
00:33:29,280 --> 00:33:31,320
Speaker 1: up performer. There's nothing you can do. When he walks

581
00:33:31,360 --> 00:33:33,880
Speaker 1: into a room and they say, oh, which park you sing?

582
00:33:34,160 --> 00:33:39,080
Speaker 1: Barrett's owe tenor soprano, He's like, which sing? He has

583
00:33:39,120 --> 00:33:42,640
Speaker 1: the sickest range ever. And he before COVID shut earth

584
00:33:42,720 --> 00:33:46,040
Speaker 1: down was playing Javert in limb Is on the national tour.

585
00:33:47,080 --> 00:33:50,560
Speaker 1: He has he has that, he has that kind of voice.

586
00:33:50,920 --> 00:33:53,960
Speaker 1: So we're hanging out on my piano and we start

587
00:33:54,040 --> 00:33:59,360
Speaker 1: singing one of the confrontation between Jean Valjean scenes together

588
00:34:00,160 --> 00:34:02,880
Speaker 1: and Josh Raden was here and he started videotaping it

589
00:34:03,200 --> 00:34:06,080
Speaker 1: and I kind of did okay, And I didn't know

590
00:34:06,240 --> 00:34:09,480
Speaker 1: you did great. Hold on, don't get it twisted. You

591
00:34:09,680 --> 00:34:15,160
Speaker 1: did great. It's just that when he sings, it's a jump.

592
00:34:15,360 --> 00:34:18,640
Speaker 1: That's all. Okay, I get it. I'm not saying you suck.

593
00:34:18,920 --> 00:34:22,120
Speaker 1: I was very impressed. I was like, look gone, Zach gone.

594
00:34:22,520 --> 00:34:25,400
Speaker 1: That's like saying when you if you're hanging out with

595
00:34:25,520 --> 00:34:28,440
Speaker 1: your buddy Savion Glover and you're doing moves and it

596
00:34:28,520 --> 00:34:33,960
Speaker 1: looks goods when I'm so easy, I'm see. That's the

597
00:34:34,040 --> 00:34:36,799
Speaker 1: difference between you and Isaac. I know when to say, yea,

598
00:34:36,800 --> 00:34:38,960
Speaker 1: you're absolutely right about that. He did fucking shut me down.

599
00:34:39,520 --> 00:34:42,960
Speaker 1: I could take it. You can't. You're Zach. You're you're

600
00:34:43,080 --> 00:34:45,759
Speaker 1: Zach Braff. It can't be that way. I'm gonna send

601
00:34:45,880 --> 00:34:48,880
Speaker 1: Daniel and Joel this video and their response is not

602
00:34:48,960 --> 00:34:52,680
Speaker 1: going to be yes. Your voice is not as good

603
00:34:52,680 --> 00:34:55,640
Speaker 1: as Preston's. Their reaction is going to be not bad, Zach.

604
00:34:56,360 --> 00:34:57,879
Speaker 1: But I didn't say you were bad. I didn't say

605
00:34:58,040 --> 00:35:01,000
Speaker 1: not bad. I said it was great. I said great.

606
00:35:02,560 --> 00:35:04,680
Speaker 1: I should eat you know what you should eat? Let

607
00:35:04,719 --> 00:35:07,520
Speaker 1: me guess a bag of dicks. No, it's gonna say

608
00:35:07,600 --> 00:35:12,800
Speaker 1: d's nuts, all right, the pumpkin fantasy. So let's just

609
00:35:12,880 --> 00:35:18,240
Speaker 1: go through this, Okay, after dicks, Donald, let's go slow. Okay,

610
00:35:18,800 --> 00:35:21,440
Speaker 1: your character, JD is a fantasy that Turk won't be

611
00:35:21,520 --> 00:35:24,840
Speaker 1: a good parent. Because Carlos says Turk won't be a

612
00:35:24,920 --> 00:35:28,359
Speaker 1: good parent Carlos says it, Oh, sometimes I worry about

613
00:35:28,360 --> 00:35:31,320
Speaker 1: you being a father's Yes, okay, So in the fantasy,

614
00:35:32,480 --> 00:35:35,560
Speaker 1: you I'm on my way home from picking up the

615
00:35:35,760 --> 00:35:38,759
Speaker 1: hollow on the pumpkin from the pumpkin patch, and you

616
00:35:38,920 --> 00:35:41,640
Speaker 1: leave the baby at the pumpkin patch, where another person

617
00:35:41,800 --> 00:35:44,240
Speaker 1: finds the baby and takes them and raises the baby

618
00:35:44,320 --> 00:35:48,400
Speaker 1: on its own right. Bring the baby home, yes, Carla.

619
00:35:48,920 --> 00:35:53,320
Speaker 1: When Turk brings the baby home, Carlos says, well, it

620
00:35:53,600 --> 00:35:56,920
Speaker 1: is cute. Yes, And you use a couple decide that

621
00:35:57,160 --> 00:36:00,520
Speaker 1: you're not concerned about your real human baby no longer

622
00:36:00,680 --> 00:36:03,520
Speaker 1: gonna You're gonna raise this pumpkin as your child. We're

623
00:36:03,560 --> 00:36:09,240
Speaker 1: gonna raise this pumpkin. Okay, So you raise the pumpkin.

624
00:36:09,320 --> 00:36:12,480
Speaker 1: We see the first bath, We see the first we

625
00:36:12,600 --> 00:36:16,040
Speaker 1: see the pumpkin playing little League and get by a pitch. Yes,

626
00:36:16,200 --> 00:36:17,800
Speaker 1: a lot, by the way, a lot of time was

627
00:36:17,840 --> 00:36:19,920
Speaker 1: put into this fantasy, but usually the fantasies are like

628
00:36:20,040 --> 00:36:23,279
Speaker 1: quick pops. This was this took a lot of photography.

629
00:36:23,440 --> 00:36:26,120
Speaker 1: This was a day of filming. It plays little League

630
00:36:26,280 --> 00:36:29,879
Speaker 1: and then and then we see at the college graduation

631
00:36:30,480 --> 00:36:34,160
Speaker 1: with the pumpkin. No, the high school graduation with the pumpkin.

632
00:36:34,239 --> 00:36:38,839
Speaker 1: I think it is okay, I think yes, high school graduation, right,

633
00:36:39,160 --> 00:36:42,520
Speaker 1: and you're it's wearing a it's wearing a cap. Yes,

634
00:36:42,719 --> 00:36:48,279
Speaker 1: it's it's graduated. It's graduating. And then you dropped the pumpkin. Yes,

635
00:36:48,480 --> 00:36:52,880
Speaker 1: and the pumpkins splatters all or shattered, right, whatever it is.

636
00:36:53,000 --> 00:36:56,520
Speaker 1: Pumpkin's destroyed. And while you and Judy are mourning the

637
00:36:56,719 --> 00:36:59,319
Speaker 1: death of the pumpkin, well, we think we could save

638
00:36:59,400 --> 00:37:04,200
Speaker 1: it by putting back together. Right, Turk's actual kid, Junior,

639
00:37:04,960 --> 00:37:08,560
Speaker 1: Christopher Junior comes around this corner. Yes, he comes and

640
00:37:08,680 --> 00:37:11,520
Speaker 1: recognizes his mother and dead father. Yes, he while he

641
00:37:11,640 --> 00:37:15,600
Speaker 1: looks exactly like his father, right, And he recognizes them,

642
00:37:15,680 --> 00:37:18,360
Speaker 1: and he's so thrilled there's finally going to be a reunion.

643
00:37:18,480 --> 00:37:20,680
Speaker 1: All of this. He doesn't seem upset that he was

644
00:37:20,760 --> 00:37:22,800
Speaker 1: left to the pumpkin patch. He's just too excited to

645
00:37:22,880 --> 00:37:25,439
Speaker 1: see them, and they're excited to see him, also knowing,

646
00:37:26,239 --> 00:37:29,160
Speaker 1: holy shit, Okay, the pumpkin died. The pumpkin that we

647
00:37:29,280 --> 00:37:31,200
Speaker 1: decided we were going to raise instead of looking for

648
00:37:31,320 --> 00:37:33,799
Speaker 1: our son, the pumpkin that we decided we were going

649
00:37:33,840 --> 00:37:36,240
Speaker 1: to raise instead of looking for our son has now died.

650
00:37:36,800 --> 00:37:39,680
Speaker 1: Fuck that thing. Yeah, the real deal has finally real.

651
00:37:40,000 --> 00:37:44,319
Speaker 1: The prodigy son returned. Yes, and you lovingly because you're

652
00:37:44,360 --> 00:37:47,879
Speaker 1: so thrilled, call him towards you. Yeah, come to me, Son,

653
00:37:48,440 --> 00:37:50,840
Speaker 1: You get your butt right over here. And then in

654
00:37:51,000 --> 00:37:53,120
Speaker 1: crossing the street, he gets run over by a bus.

655
00:37:56,760 --> 00:37:59,239
Speaker 1: And it makes the day even worse because not only

656
00:37:59,320 --> 00:38:01,920
Speaker 1: did we lose was the pumpkin that we decided to

657
00:38:02,040 --> 00:38:06,440
Speaker 1: raise instead of looking for our kidnaps son. Yeah, we

658
00:38:06,600 --> 00:38:09,879
Speaker 1: also lost the son that returned to us. You've lost

659
00:38:09,960 --> 00:38:14,320
Speaker 1: both sons? Yes, Donald, can you remember you well? Daniel,

660
00:38:14,360 --> 00:38:17,120
Speaker 1: can you remember another fantasy that went on that long

661
00:38:17,239 --> 00:38:20,600
Speaker 1: in Scrub's history. I think that's the longest one. Yeah.

662
00:38:21,280 --> 00:38:23,960
Speaker 1: Maybe no, no, because I can't remember any of that

663
00:38:24,040 --> 00:38:28,279
Speaker 1: change location even dude. It goes from it's in the car.

664
00:38:28,880 --> 00:38:31,080
Speaker 1: It's not only in the car, it's at the pumpkin patch.

665
00:38:31,360 --> 00:38:34,640
Speaker 1: The shot it for a full day, full day of work.

666
00:38:34,680 --> 00:38:37,359
Speaker 1: I remember, I remember you. You never forget this ship.

667
00:38:37,520 --> 00:38:41,440
Speaker 1: You never forget when you're like wait, I didn't understand it.

668
00:38:41,480 --> 00:38:44,760
Speaker 1: I was like, let me get this straight. The pumpkin

669
00:38:44,920 --> 00:38:48,239
Speaker 1: is our kid and they were like yeah. I was like,

670
00:38:48,320 --> 00:38:52,520
Speaker 1: all right, whatever you say. I liked him in this

671
00:38:52,600 --> 00:38:57,239
Speaker 1: little uh graduation gown. Yeah, cut the fact that the

672
00:38:57,400 --> 00:39:01,000
Speaker 1: fucker graduated high school. What about when the picture hits

673
00:39:01,080 --> 00:39:03,279
Speaker 1: him in the in the helmet, in the head, and

674
00:39:03,719 --> 00:39:06,080
Speaker 1: you and Judy get all mad like and tell him

675
00:39:06,120 --> 00:39:08,439
Speaker 1: to rush the mount. That pumpkin is not gonna rush

676
00:39:08,480 --> 00:39:11,200
Speaker 1: the mount. Yeah, the pumpkin can't move. How did the

677
00:39:11,280 --> 00:39:14,360
Speaker 1: pumpkin get up to bat? I'm sure someone placed him there.

678
00:39:14,440 --> 00:39:16,200
Speaker 1: How did the pumpkin? How did the pumpkin get the

679
00:39:16,239 --> 00:39:18,799
Speaker 1: hat on and the bat and the tense like? How

680
00:39:19,760 --> 00:39:24,560
Speaker 1: did the pumpkin successfully attend high school? Let's let's let's

681
00:39:24,640 --> 00:39:27,080
Speaker 1: let's let me let me let's just say this. Let's

682
00:39:27,120 --> 00:39:31,160
Speaker 1: say the pumpkin does get a hit. Let's just let's

683
00:39:31,160 --> 00:39:34,120
Speaker 1: just say that this happens. How does the probably it'll

684
00:39:34,160 --> 00:39:36,600
Speaker 1: probably a bunt. How did the pumpkin get from first

685
00:39:36,640 --> 00:39:39,600
Speaker 1: base to from home plate to first base? Maybe they're

686
00:39:39,640 --> 00:39:43,600
Speaker 1: allowed to roll him like a bowling ball. There you go.

687
00:39:44,800 --> 00:39:47,840
Speaker 1: Maybe that maybe because he's special, they have an agreement

688
00:39:48,000 --> 00:39:50,520
Speaker 1: that they can roll him to first base. The pumpkin

689
00:39:50,600 --> 00:39:53,920
Speaker 1: graduated high school? How the fun did the pumpkin make

690
00:39:54,000 --> 00:39:57,040
Speaker 1: it through math? I don't know, but I just gotta

691
00:39:57,120 --> 00:40:00,399
Speaker 1: say this. This, I think in five years that we've

692
00:40:00,440 --> 00:40:03,280
Speaker 1: watched so far, is uh one of the most bizarre.

693
00:40:03,640 --> 00:40:05,719
Speaker 1: I know. We've got other one in Bizarre's other more

694
00:40:05,760 --> 00:40:08,160
Speaker 1: bizarre ones coming up, including when you're a goat turk.

695
00:40:08,480 --> 00:40:16,720
Speaker 1: Goat Turk's coming through. Not only goat turk, I'm fucking

696
00:40:17,239 --> 00:40:22,080
Speaker 1: don't I become a plant too. There's plant turk too. Yeah, yeah,

697
00:40:23,640 --> 00:40:33,719
Speaker 1: there's plant turks, plant turk. I don't know, I don't know.

698
00:40:33,960 --> 00:40:36,919
Speaker 1: I think I think they grew him from my missing nut.

699
00:40:37,360 --> 00:40:39,960
Speaker 1: Oh that's right. We plant your nuts. Yeah, that's right,

700
00:40:40,080 --> 00:40:45,879
Speaker 1: that's right. We plant your we we plant your your

701
00:40:45,920 --> 00:40:49,440
Speaker 1: removed testicle, and and it grows into plant turk. And

702
00:40:50,520 --> 00:40:54,520
Speaker 1: in one episode, don't I have a testicle that is uh,

703
00:40:55,120 --> 00:40:58,160
Speaker 1: that's warm, that's warm, that's like a radiator. And Robin

704
00:40:58,400 --> 00:41:00,920
Speaker 1: and Rob and I Rob you and and and Cox

705
00:41:01,120 --> 00:41:04,920
Speaker 1: and doctor Cox we gather around it for her camping.

706
00:41:12,239 --> 00:41:16,080
Speaker 1: He said that he doesn't have a nickname, and he says,

707
00:41:17,000 --> 00:41:19,720
Speaker 1: Jad says not everyone can just come up with the nickname.

708
00:41:19,760 --> 00:41:23,520
Speaker 1: He says, my last name is dude meister, and then

709
00:41:23,640 --> 00:41:26,239
Speaker 1: Cox says, you think the dude meister. You wait, you're

710
00:41:26,239 --> 00:41:28,040
Speaker 1: talking about the dude March. He's one of the best

711
00:41:28,200 --> 00:41:30,399
Speaker 1: in turns in here and you go, the name's too long.

712
00:41:30,600 --> 00:41:35,320
Speaker 1: It's never gonna stick. It's too long. Yeah. Amongst showing

713
00:41:35,719 --> 00:41:39,400
Speaker 1: Cabbage's mistakes, they do a little riff on the X

714
00:41:39,520 --> 00:41:43,160
Speaker 1: ray being backwards, which comes from our title sequence where

715
00:41:43,239 --> 00:41:46,120
Speaker 1: the where everyone in the medical community likes to tell

716
00:41:46,200 --> 00:41:49,440
Speaker 1: us that the X ray in the title sequence is backwards.

717
00:41:50,520 --> 00:41:53,239
Speaker 1: I like to believe. I know that we've had Bill

718
00:41:53,320 --> 00:41:54,759
Speaker 1: on here and we've asked him about it, and he

719
00:41:54,840 --> 00:41:57,320
Speaker 1: said it was an accident, but then it turned. But

720
00:41:57,440 --> 00:42:01,520
Speaker 1: then he said that they you know, it's always well,

721
00:42:01,560 --> 00:42:04,239
Speaker 1: I've always said purpose, I've I think it was not

722
00:42:04,400 --> 00:42:06,359
Speaker 1: on purpose, There's no way, but I think that I've

723
00:42:06,360 --> 00:42:08,920
Speaker 1: always said, well, I've rationalized it by saying, oh, that

724
00:42:08,960 --> 00:42:12,280
Speaker 1: makes sense because they're interns. They're fucking up. Also, it's scrubs,

725
00:42:12,280 --> 00:42:14,920
Speaker 1: it's a comedy, right, But this I thought it was

726
00:42:14,960 --> 00:42:18,279
Speaker 1: a clever comeback. When they were brainstorming for ideas for

727
00:42:18,760 --> 00:42:20,800
Speaker 1: Cabbage to have a fuck up, one of them involved

728
00:42:20,960 --> 00:42:25,640
Speaker 1: a lung X ray backwards. Right. Um, when we see

729
00:42:25,840 --> 00:42:29,480
Speaker 1: Rob his peep, you can see a bounce again. Um

730
00:42:30,280 --> 00:42:32,399
Speaker 1: in the locker room. I don't know if you notice,

731
00:42:32,440 --> 00:42:36,279
Speaker 1: it's not it's not held down, it's not it's not like, um,

732
00:42:36,400 --> 00:42:37,719
Speaker 1: what do you know when you have a pickup truck

733
00:42:37,760 --> 00:42:40,839
Speaker 1: and you sort of ratchet strap things to the bed. Yeah,

734
00:42:41,600 --> 00:42:49,360
Speaker 1: well Rob's cock needs ratchet straps because it's bouncing. Joel,

735
00:42:49,400 --> 00:42:53,520
Speaker 1: didn't you notice it bounces? It was definitely doing a

736
00:42:53,600 --> 00:42:59,239
Speaker 1: lot of work. Yeah, this is like, this is this

737
00:42:59,400 --> 00:43:02,200
Speaker 1: is what I but this is crazy man. On NBC

738
00:43:02,480 --> 00:43:05,239
Speaker 1: they allowed this. You wouldn't be able to see this

739
00:43:05,360 --> 00:43:08,200
Speaker 1: on ABC Man NBC they were like, it's bouncing in

740
00:43:08,400 --> 00:43:11,160
Speaker 1: it's bouncing in the banana hammock. So what we don't care.

741
00:43:11,560 --> 00:43:13,239
Speaker 1: I would have thought that they would have tied it

742
00:43:13,400 --> 00:43:17,080
Speaker 1: down to his leg or just really somehow braced it.

743
00:43:20,400 --> 00:43:23,359
Speaker 1: But in this scene where he's doing the rat tail. Yeah,

744
00:43:24,120 --> 00:43:25,800
Speaker 1: and I told you guys. I told you guys that

745
00:43:25,840 --> 00:43:30,200
Speaker 1: there's a picture out there of a Loma and fucking

746
00:43:31,239 --> 00:43:37,200
Speaker 1: Judy looking at that penis. I thought on Instagram that

747
00:43:37,320 --> 00:43:44,000
Speaker 1: wasn't even straight straight at ye listen, don't at me.

748
00:43:44,200 --> 00:43:46,520
Speaker 1: But fix You is one of the most beautiful songs ever.

749
00:43:46,960 --> 00:43:50,520
Speaker 1: Oh it's great. Oh, such a good song. I just

750
00:43:50,960 --> 00:43:53,920
Speaker 1: I just like how many I've heard Fix You an

751
00:43:54,000 --> 00:43:57,759
Speaker 1: infinite number of times, And I started playing in this

752
00:43:57,880 --> 00:44:00,640
Speaker 1: episode and I got goose bumps down all my legs.

753
00:44:01,800 --> 00:44:04,120
Speaker 1: It's just such a noble song, you know what I mean.

754
00:44:04,200 --> 00:44:09,080
Speaker 1: It's so noble. It's a it's a man realizing that

755
00:44:11,000 --> 00:44:13,680
Speaker 1: the love of his life is hurting so bad because

756
00:44:13,719 --> 00:44:15,920
Speaker 1: of her loss. Right, is that what it's about? It

757
00:44:16,040 --> 00:44:18,520
Speaker 1: that he wrote for Gwyneth Paltrow when her father died, right, Yes,

758
00:44:19,320 --> 00:44:22,320
Speaker 1: And he's trying to and he's like, I'll fix you,

759
00:44:22,560 --> 00:44:25,680
Speaker 1: knowing that he can't. The only thing that I'll try, Yeah,

760
00:44:25,920 --> 00:44:28,520
Speaker 1: the only thing that can fix her is time, you know. Yeah.

761
00:44:29,040 --> 00:44:31,080
Speaker 1: It's such a beautiful song. And I've seen a lot

762
00:44:31,120 --> 00:44:35,520
Speaker 1: of Coldplay concerts, and it's you know how bands rotate

763
00:44:36,520 --> 00:44:38,960
Speaker 1: all their songs. They always play fix You, and they

764
00:44:39,000 --> 00:44:42,200
Speaker 1: do it in the most amazing way. Because actually, if

765
00:44:42,239 --> 00:44:45,160
Speaker 1: you've never seen the video for fix You, go on

766
00:44:45,280 --> 00:44:47,839
Speaker 1: YouTube and check it out because it's really cool. It's

767
00:44:47,880 --> 00:44:50,239
Speaker 1: sort of shows you a little bit about what they

768
00:44:50,360 --> 00:44:52,879
Speaker 1: do in the show because the videos. As the song

769
00:44:53,080 --> 00:44:56,600
Speaker 1: starts slow, Chris Martin's alone and he's sort of walking

770
00:44:56,600 --> 00:44:59,600
Speaker 1: in through the streets and he's singing, you know, very simply.

771
00:45:00,160 --> 00:45:02,640
Speaker 1: And then as the as it builds and builds, he

772
00:45:02,800 --> 00:45:06,040
Speaker 1: starts sprinting right, and he sprints and then he sprints

773
00:45:06,120 --> 00:45:09,600
Speaker 1: into the arena and he runs out on stage to

774
00:45:09,800 --> 00:45:13,080
Speaker 1: like eighty thousand people just as the song kicks in

775
00:45:13,239 --> 00:45:17,040
Speaker 1: and Pyro goes off, and it's thrilling, And that's kind

776
00:45:17,080 --> 00:45:19,840
Speaker 1: of what happens in the show. Um So look up

777
00:45:19,880 --> 00:45:22,560
Speaker 1: the music video on YouTube. It's really really good. You know.

778
00:45:22,640 --> 00:45:24,960
Speaker 1: I would love to be a musician just to recreate

779
00:45:25,080 --> 00:45:27,319
Speaker 1: that for myself, Like I'd love to be a rock

780
00:45:27,360 --> 00:45:30,279
Speaker 1: star just for that alone. Oh my god, just in

781
00:45:30,360 --> 00:45:33,160
Speaker 1: this scene, you're gonna run in and everybody's gonna scream

782
00:45:33,239 --> 00:45:35,600
Speaker 1: for you, and you wrote the song. And that's what's

783
00:45:35,600 --> 00:45:37,360
Speaker 1: so crazy about it. In the in the in the

784
00:45:37,760 --> 00:45:39,800
Speaker 1: in the in the in the stadiums when he does it,

785
00:45:40,120 --> 00:45:43,200
Speaker 1: he'll there's like usually like you know how big bands

786
00:45:43,239 --> 00:45:46,040
Speaker 1: will have like a long runway, you know, down through

787
00:45:46,120 --> 00:45:50,120
Speaker 1: the stadium. He'll he'll be down at the end of

788
00:45:50,160 --> 00:45:52,960
Speaker 1: the runway, uh, you know, in the in the audience,

789
00:45:53,080 --> 00:45:56,400
Speaker 1: and then he runs runs, runs down and then leaps

790
00:45:56,480 --> 00:45:59,000
Speaker 1: up into the air. And then pyrotechniques go off and

791
00:45:59,120 --> 00:46:01,799
Speaker 1: the whole fucking eighty thousand people are singing a song.

792
00:46:01,960 --> 00:46:03,880
Speaker 1: I can't think of a higher I can't think of

793
00:46:03,920 --> 00:46:06,759
Speaker 1: a higher or high a human being could have. Right,

794
00:46:07,239 --> 00:46:09,480
Speaker 1: and it's not and and and and the kicker you

795
00:46:09,560 --> 00:46:15,560
Speaker 1: wrote it, and everyone is that that is an unbelievable

796
00:46:15,680 --> 00:46:17,719
Speaker 1: high man. It has to be. I remember I did.

797
00:46:17,800 --> 00:46:20,840
Speaker 1: I I walked out on stage and sang with Gloria

798
00:46:21,040 --> 00:46:24,520
Speaker 1: Estefan coming out of the Dark when I was in

799
00:46:24,719 --> 00:46:27,960
Speaker 1: high school and I was a part of a repertory company,

800
00:46:28,080 --> 00:46:31,080
Speaker 1: and she chose my repertory company to sing with her

801
00:46:31,360 --> 00:46:34,239
Speaker 1: at Madison Square Garden for three nights. So for three

802
00:46:34,360 --> 00:46:37,440
Speaker 1: nights I would walk out on stage during Coming out

803
00:46:37,480 --> 00:46:40,440
Speaker 1: of the Dark with Gloria Estefan. And when I tell you,

804
00:46:41,120 --> 00:46:44,040
Speaker 1: it's like you cannot imagine the feeling. And I'm in

805
00:46:44,120 --> 00:46:46,680
Speaker 1: the back, like we're background, since she's in front singing

806
00:46:46,719 --> 00:46:48,640
Speaker 1: a shit and we're background. I don't even think the

807
00:46:48,680 --> 00:46:51,520
Speaker 1: mic was turned on, you know what I mean. But

808
00:46:51,680 --> 00:46:54,360
Speaker 1: just the feeling of the crowd going nuts as you

809
00:46:54,560 --> 00:46:57,120
Speaker 1: walk out, even if they're not screaming for you, it

810
00:46:57,280 --> 00:47:00,360
Speaker 1: just felt so good, you know it feels so amazing. Like,

811
00:47:00,480 --> 00:47:03,319
Speaker 1: I know, Josh gets a rush when that happens to him.

812
00:47:03,360 --> 00:47:06,200
Speaker 1: I know something extra. I mean, we've been in plays

813
00:47:06,280 --> 00:47:09,000
Speaker 1: and stuff. But and that's obviously a small audience. But

814
00:47:09,239 --> 00:47:12,680
Speaker 1: I always think about like singers, particularly singers that write

815
00:47:12,719 --> 00:47:15,319
Speaker 1: their own music, like the idea of being up there

816
00:47:15,400 --> 00:47:17,160
Speaker 1: and then they hold the mic to the crowd and

817
00:47:17,360 --> 00:47:20,520
Speaker 1: like eighty thousand people sing their lyrics to them. Yeah,

818
00:47:20,560 --> 00:47:23,239
Speaker 1: I just think I can't imagine a higher high than that. No,

819
00:47:23,400 --> 00:47:25,440
Speaker 1: there is no such thing that it can't be. I

820
00:47:25,520 --> 00:47:30,120
Speaker 1: mean maybe maybe Jalio White's purple urkle diesel, whatever the

821
00:47:30,480 --> 00:47:32,640
Speaker 1: weed is that he has out. Have you tried Jalil

822
00:47:32,719 --> 00:47:36,000
Speaker 1: White's weed. He's supposed to come hook me up, man, Jalio,

823
00:47:36,280 --> 00:47:38,480
Speaker 1: where are you at? I don't know if Julia listens

824
00:47:38,480 --> 00:47:41,200
Speaker 1: to the show. Yeah he does. He said, we we

825
00:47:42,320 --> 00:47:45,239
Speaker 1: Delio hook hook hook us up. What's the waffle iron?

826
00:47:46,560 --> 00:47:49,920
Speaker 1: He got a waffle iron and everything? Bro, what's a

827
00:47:50,000 --> 00:47:53,000
Speaker 1: waffle iron? He got a waffle iron for the purple urkle,

828
00:47:53,080 --> 00:47:59,920
Speaker 1: so you can make waffles with the urkle face all right? Well,

829
00:48:00,080 --> 00:48:02,480
Speaker 1: more importantly, he has his own line of Ganja and

830
00:48:02,600 --> 00:48:05,080
Speaker 1: I think that, Jalil, if you do listen, I think

831
00:48:05,080 --> 00:48:06,560
Speaker 1: it would be nice if you brought some over to

832
00:48:06,640 --> 00:48:10,040
Speaker 1: Donald's house. Since you guys are friends and Joel lives

833
00:48:10,040 --> 00:48:12,160
Speaker 1: in the bye, you can dry and Daniel and Daniel

834
00:48:12,200 --> 00:48:14,560
Speaker 1: and Joel, they both they both got real close to

835
00:48:14,600 --> 00:48:18,759
Speaker 1: the camera, like dude, A ready, happily, all right, we

836
00:48:18,840 --> 00:48:22,480
Speaker 1: have a guest, right Joel, let's go to break. Let's

837
00:48:22,480 --> 00:48:24,160
Speaker 1: go right back, and we have a fun guest for

838
00:48:24,200 --> 00:48:32,879
Speaker 1: you to right back for you. And we're by, We're by,

839
00:48:33,920 --> 00:48:39,800
Speaker 1: We're back from break. Welcome back, and oh man, welcome

840
00:48:39,880 --> 00:48:45,480
Speaker 1: back from break. Welcome back, welcome back, welcome back, welcome back,

841
00:48:45,920 --> 00:48:47,839
Speaker 1: welcome back. When I want to rock, I really want

842
00:48:47,880 --> 00:48:49,200
Speaker 1: to rock and rocking because I'm meck in rock and

843
00:48:49,280 --> 00:48:51,000
Speaker 1: rock and to the party. I am to pisom to

844
00:48:51,040 --> 00:48:53,359
Speaker 1: wisdom to win on one number. Okay, ready, okay, let's

845
00:48:53,360 --> 00:48:59,840
Speaker 1: bring in guest. Let's let's bring in the guests. Games

846
00:49:00,080 --> 00:49:08,799
Speaker 1: hollow talks dudes, you know, like a bottle maybe talking

847
00:49:08,800 --> 00:49:12,319
Speaker 1: about the episode. So come on, let's get the show.

848
00:49:14,960 --> 00:49:25,239
Speaker 1: Give it up for April. Hi, guys, welcome to the program. Hi,

849
00:49:26,719 --> 00:49:28,120
Speaker 1: very nice to meet you. Where are you? Where are you?

850
00:49:28,200 --> 00:49:32,960
Speaker 1: All calling from April. Oh, we're from Portland, Oregon, Oregon

851
00:49:33,040 --> 00:49:38,120
Speaker 1: into Portlands, Donald Donald, do you know any restaurants in Portland?

852
00:49:38,200 --> 00:49:41,239
Speaker 1: Since you like to often reference restaurants in people's neighborhoods.

853
00:49:41,480 --> 00:49:43,759
Speaker 1: I don't know any restaurants in Portland, but I've never

854
00:49:43,840 --> 00:49:46,399
Speaker 1: been to Portland. That Voodoo Donuts come from Portland, isn't

855
00:49:46,440 --> 00:49:50,000
Speaker 1: that from Portland? It does. There's some other contenders. Blue

856
00:49:50,040 --> 00:49:52,440
Speaker 1: Stars are really good when Voodoo Nuts is where like

857
00:49:52,480 --> 00:49:55,000
Speaker 1: the tourists go. But there's a thousand good ones now,

858
00:49:55,080 --> 00:49:57,560
Speaker 1: all in that area too. It's it's like, don't hear them.

859
00:49:57,760 --> 00:50:00,919
Speaker 1: But Voodoo Donuts was the first, right, Voodoo Donuts the first.

860
00:50:01,080 --> 00:50:03,560
Speaker 1: I've never been to Portland. I don't know anything about

861
00:50:03,560 --> 00:50:06,319
Speaker 1: it other than what I've learned from watching Portlandia. There's

862
00:50:06,360 --> 00:50:10,000
Speaker 1: the Blazers. They have the Blazers shout out. The Blazers

863
00:50:10,400 --> 00:50:13,960
Speaker 1: shout out. They called, and they called the Blazers because

864
00:50:14,040 --> 00:50:16,879
Speaker 1: people like to blaze there. No, it's a trail. They're

865
00:50:17,200 --> 00:50:23,239
Speaker 1: they're the trail. They're the trail blazers, blazers. But yeah, yeah,

866
00:50:23,239 --> 00:50:26,360
Speaker 1: I just thought I think of my sweeping stereotypes that

867
00:50:26,640 --> 00:50:29,040
Speaker 1: they like Ganja and Oregon, so it might be um

868
00:50:30,280 --> 00:50:32,719
Speaker 1: the Blazers. They should change their their mascot to a

869
00:50:32,760 --> 00:50:39,960
Speaker 1: guy smoking a giant blunt. April, Are you a gamer, April?

870
00:50:40,000 --> 00:50:42,160
Speaker 1: Because you're in a gaming chair? I think that's her

871
00:50:42,239 --> 00:50:46,080
Speaker 1: boyfriend's gaming chair. Yeah, my boyfriend, he's a videographer, so

872
00:50:46,239 --> 00:50:47,919
Speaker 1: he was nice enough to let me use his set

873
00:50:48,000 --> 00:50:51,960
Speaker 1: up today. Oh okay, does your boyfriend also play video

874
00:50:52,000 --> 00:50:54,240
Speaker 1: games or is he just do video editing and stuff?

875
00:50:54,840 --> 00:50:58,800
Speaker 1: He also plays video games? Yeah, because that's that chairs, Daniel.

876
00:50:58,840 --> 00:51:00,800
Speaker 1: You know, doesn't that chair? Daniel? Do you when you

877
00:51:01,080 --> 00:51:03,200
Speaker 1: when you're on your pole on Twitch, do you use

878
00:51:03,239 --> 00:51:05,239
Speaker 1: a chair like that? I know I use the chair

879
00:51:05,280 --> 00:51:06,520
Speaker 1: that I'm sitting in right now. I got my Ham

880
00:51:06,600 --> 00:51:09,600
Speaker 1: and Mila. But why don't you get something like April's

881
00:51:09,600 --> 00:51:12,920
Speaker 1: in because that's what I associate gamers have. It's really comfortable,

882
00:51:13,239 --> 00:51:15,320
Speaker 1: it's hard to it's it's a little bit harder to

883
00:51:15,840 --> 00:51:20,799
Speaker 1: twerk in. And when you're naked. When you're naked, Daniel,

884
00:51:20,840 --> 00:51:22,680
Speaker 1: your butt cheeks might stick to that kind of chair.

885
00:51:22,880 --> 00:51:25,120
Speaker 1: I really need the air ration up in here. Yes,

886
00:51:26,000 --> 00:51:30,920
Speaker 1: yes do Wait wait a second, I wasn't aware of this, Danil.

887
00:51:31,400 --> 00:51:34,600
Speaker 1: You're naked during your last straight Yes, yes, of course.

888
00:51:34,719 --> 00:51:40,160
Speaker 1: Why do you think people are tuning in? Daniel? Honestly,

889
00:51:40,280 --> 00:51:42,520
Speaker 1: you honestly thought he was playing games with clothes on.

890
00:51:42,880 --> 00:51:45,799
Speaker 1: I'm late to I'm late to this. That's why people

891
00:51:45,920 --> 00:51:48,480
Speaker 1: tune in. He's got a hairy chest and he plays naked.

892
00:51:49,360 --> 00:51:53,960
Speaker 1: Got it right there. His his tag is gamer bear.

893
00:52:01,440 --> 00:52:06,000
Speaker 1: Nailed it all right? Sorry, Mikey and April m tell

894
00:52:06,080 --> 00:52:08,520
Speaker 1: us what why you're called in? And how did question? Well,

895
00:52:08,520 --> 00:52:09,960
Speaker 1: how do you two know each other? Yeah? What's the

896
00:52:10,000 --> 00:52:16,200
Speaker 1: connection is tied together? So? I was actually in a

897
00:52:16,360 --> 00:52:19,839
Speaker 1: high school math teacher at an all girls private school

898
00:52:19,880 --> 00:52:22,840
Speaker 1: see Mary's Academy here in downtown Portland. And I was

899
00:52:22,880 --> 00:52:27,080
Speaker 1: April's math teacher when she was a sophomore, right, April. Yeah,

900
00:52:27,360 --> 00:52:30,760
Speaker 1: And then and then it was actually one day in classes,

901
00:52:30,840 --> 00:52:33,360
Speaker 1: kind of randomly that she asked, oh, mister Benny, do

902
00:52:33,440 --> 00:52:36,680
Speaker 1: you like Scrubs? The TV show Scrubs? Like, oh yeah,

903
00:52:36,800 --> 00:52:38,759
Speaker 1: And then we just started talking because it's, you know,

904
00:52:39,040 --> 00:52:41,719
Speaker 1: like Scrubs and that I'm not sure if a lot

905
00:52:41,760 --> 00:52:43,719
Speaker 1: of your peers were watching Scrubs, you probably just kind

906
00:52:43,719 --> 00:52:46,040
Speaker 1: of assumed no, no, I mean, you were the first

907
00:52:46,080 --> 00:52:48,520
Speaker 1: person I really actually had a conversation with about the show,

908
00:52:48,840 --> 00:52:50,920
Speaker 1: and I think that that's kind of what cemented us

909
00:52:50,960 --> 00:52:54,040
Speaker 1: still talking to this day. Oh wow, how old are

910
00:52:54,080 --> 00:52:58,360
Speaker 1: you now at April? I will be twenty six in October. Okay,

911
00:52:58,400 --> 00:53:02,439
Speaker 1: so ten years ago. Ten years ago roughly, right, yep. Yeah,

912
00:53:02,960 --> 00:53:06,280
Speaker 1: and you guys and you formed a friendship over scrubs.

913
00:53:07,200 --> 00:53:10,680
Speaker 1: That's amazing, amazing, that's so cool. April's the kind of

914
00:53:10,719 --> 00:53:13,320
Speaker 1: person so it's like she's an amazing human being. But

915
00:53:13,920 --> 00:53:16,320
Speaker 1: like she also she kind of slow plays you a

916
00:53:16,320 --> 00:53:18,399
Speaker 1: little bit, right, Like she she can start out real quiet.

917
00:53:18,400 --> 00:53:19,600
Speaker 1: At least you did in the day. It might have

918
00:53:19,680 --> 00:53:22,160
Speaker 1: changed April, but like she started really quiet, and then

919
00:53:22,239 --> 00:53:24,480
Speaker 1: once we started talking about that, then it was like

920
00:53:24,560 --> 00:53:26,279
Speaker 1: kind of an opportunity to get to know her more.

921
00:53:26,760 --> 00:53:28,120
Speaker 1: And it's like, okay, well I want to learn more

922
00:53:28,120 --> 00:53:30,000
Speaker 1: about this person and all that sort of stuff too.

923
00:53:30,160 --> 00:53:33,479
Speaker 1: That's great. Was it was April a good student? Yeah?

924
00:53:33,640 --> 00:53:35,759
Speaker 1: I think so you were already weren't April? You were

925
00:53:35,760 --> 00:53:37,640
Speaker 1: also in we don't have to get too nerdy, but

926
00:53:37,719 --> 00:53:39,319
Speaker 1: like you were in the second year of algebra as

927
00:53:39,360 --> 00:53:43,960
Speaker 1: a sophomore, which is not right, that's right, but I

928
00:53:44,160 --> 00:53:46,319
Speaker 1: was not very good at math. I will say I'm

929
00:53:46,360 --> 00:53:49,200
Speaker 1: better at other things. Maybe she was taking algebra for

930
00:53:49,280 --> 00:53:54,279
Speaker 1: the second time, Mikey, you don't remember now she's prank,

931
00:53:54,360 --> 00:53:56,560
Speaker 1: she's it's like a skill, so you know she was

932
00:53:56,600 --> 00:53:58,480
Speaker 1: in the right place. Yes, I would say that she's

933
00:53:58,560 --> 00:54:03,080
Speaker 1: good at math. Mike. I never liked proofs. I thought

934
00:54:03,120 --> 00:54:06,279
Speaker 1: that was a waste of everybody's time. Yeah, I think

935
00:54:06,360 --> 00:54:09,120
Speaker 1: it's too early to introduce it at that age. I

936
00:54:09,280 --> 00:54:11,520
Speaker 1: know what they're going for. They're trying to get you

937
00:54:11,640 --> 00:54:14,200
Speaker 1: to use logic in a different way, right, But I

938
00:54:14,800 --> 00:54:16,520
Speaker 1: do agree, like it was the way I remember going

939
00:54:16,560 --> 00:54:18,840
Speaker 1: through it was painful. Do they still do that to

940
00:54:18,920 --> 00:54:20,920
Speaker 1: poor high school kids? I mean it's one thing for

941
00:54:21,000 --> 00:54:23,719
Speaker 1: like AP students, but why is like a like a

942
00:54:24,680 --> 00:54:27,000
Speaker 1: my school was level four, which like not AP but

943
00:54:27,160 --> 00:54:29,360
Speaker 1: right below Like why do I have to learn to

944
00:54:29,480 --> 00:54:31,720
Speaker 1: do that? So here's why I told all my students,

945
00:54:31,719 --> 00:54:33,520
Speaker 1: because you give in and everybody will tell you if

946
00:54:33,560 --> 00:54:35,959
Speaker 1: they hate math or they love it, especially the parents

947
00:54:36,000 --> 00:54:38,160
Speaker 1: just step yi. So what I tell them is like,

948
00:54:38,920 --> 00:54:41,960
Speaker 1: it's all just training you how to think. So math

949
00:54:42,120 --> 00:54:45,880
Speaker 1: is teaching how to practice logic versus you know, music

950
00:54:46,000 --> 00:54:49,080
Speaker 1: and arts and stuff. So I think that is the

951
00:54:49,239 --> 00:54:52,120
Speaker 1: intention behind learning proofs. It's like we're just trying to

952
00:54:52,239 --> 00:54:54,919
Speaker 1: build your logic in a different way. Oh that didn't work, Okay,

953
00:54:55,000 --> 00:54:57,880
Speaker 1: let's try it with a different way. I wish I

954
00:54:58,000 --> 00:55:01,000
Speaker 1: wish math would have been explained like that when I

955
00:55:01,200 --> 00:55:04,840
Speaker 1: was a kid, and that it was you know, I

956
00:55:04,920 --> 00:55:08,400
Speaker 1: try to explain to my kid now he plays soccer.

957
00:55:08,600 --> 00:55:11,120
Speaker 1: He doesn't necessarily want to be a soccer player. He

958
00:55:11,200 --> 00:55:14,320
Speaker 1: wants to play basketball. But I tell him the lessons

959
00:55:14,400 --> 00:55:19,080
Speaker 1: that he's learning in soccer will transcend into basketball later on. Right,

960
00:55:19,560 --> 00:55:23,920
Speaker 1: And if things are explained and so automatically, he's like, well,

961
00:55:23,960 --> 00:55:25,440
Speaker 1: I'm gonna trying to be the best soccer player I

962
00:55:25,520 --> 00:55:26,800
Speaker 1: can be because that is going to make me a

963
00:55:26,880 --> 00:55:29,960
Speaker 1: better basketball player. If things are explained to you like

964
00:55:30,120 --> 00:55:33,000
Speaker 1: that when you're a kid, at least I find when

965
00:55:33,080 --> 00:55:35,960
Speaker 1: there's a bigger picture involved instead of the right Now,

966
00:55:36,400 --> 00:55:41,320
Speaker 1: if a kid is really intuitive, they it's easier to

967
00:55:43,000 --> 00:55:45,560
Speaker 1: sign in. I'm not signing. It's easy to get it's

968
00:55:45,600 --> 00:55:48,080
Speaker 1: easier to get invested, you know what I mean. Like

969
00:55:48,880 --> 00:55:50,600
Speaker 1: I wish somebody would have said to me, this will

970
00:55:50,680 --> 00:55:56,960
Speaker 1: build your logic based skills. This will build those skills.

971
00:55:57,000 --> 00:55:59,120
Speaker 1: I wish somebody would have said that to me instead

972
00:55:59,120 --> 00:56:01,319
Speaker 1: of you're gonna need a so you can count fuck

973
00:56:01,840 --> 00:56:07,360
Speaker 1: what you act therefore by the transitive property of association.

974
00:56:07,520 --> 00:56:09,600
Speaker 1: And I was like, you guys gotta kidnapped. I'm not

975
00:56:09,680 --> 00:56:11,800
Speaker 1: going to need this. Come on, come on, teach me

976
00:56:11,840 --> 00:56:14,440
Speaker 1: how to change my oil. That'll be more useful. Right.

977
00:56:15,160 --> 00:56:16,920
Speaker 1: That was the way when people would always ask to

978
00:56:17,080 --> 00:56:19,080
Speaker 1: like mister bennybody would to use this. When are we

979
00:56:19,120 --> 00:56:20,960
Speaker 1: going to use this? And that was again It's like, no,

980
00:56:21,040 --> 00:56:22,279
Speaker 1: of course you're gonna be able to look it up

981
00:56:22,320 --> 00:56:23,520
Speaker 1: later and know you might not be able to do

982
00:56:23,560 --> 00:56:27,040
Speaker 1: this again. Focus on the big picture. We're building skills

983
00:56:27,120 --> 00:56:30,080
Speaker 1: like problem solving with the logic. Well, but I understand,

984
00:56:30,160 --> 00:56:32,480
Speaker 1: by the way, but but I do understand, like, okay,

985
00:56:32,600 --> 00:56:35,960
Speaker 1: so I think I took some logic classes in college

986
00:56:35,960 --> 00:56:38,680
Speaker 1: and stuff, but I do now understand why you might

987
00:56:38,760 --> 00:56:42,040
Speaker 1: want to introduce the idea of the transitive property. But

988
00:56:42,120 --> 00:56:44,120
Speaker 1: it just felt a little young for it. I mean,

989
00:56:44,200 --> 00:56:47,640
Speaker 1: unless you're like a super genius like maybe April was,

990
00:56:47,760 --> 00:56:50,800
Speaker 1: but I wasn't. Um. I also found it funny, like

991
00:56:50,840 --> 00:56:52,759
Speaker 1: when I went to take an SAT Prep course. They

992
00:56:52,800 --> 00:56:55,120
Speaker 1: were like, okay, I know how they touched you how

993
00:56:55,160 --> 00:56:57,759
Speaker 1: to multiplied fractions like this in school. That's not how

994
00:56:57,800 --> 00:57:00,560
Speaker 1: we do it. That's that's that's slow. Don't don't do

995
00:57:00,600 --> 00:57:02,440
Speaker 1: that anymore, do it like this? And I was like, well,

996
00:57:02,440 --> 00:57:06,840
Speaker 1: why didn't they teach me like the way that I

997
00:57:07,160 --> 00:57:09,400
Speaker 1: a lot of the stuff that I now and occasionally

998
00:57:09,400 --> 00:57:11,160
Speaker 1: I have to multiply a fraction or figure out a

999
00:57:11,239 --> 00:57:13,399
Speaker 1: fraction is like the thing I learned an SAT Prep

1000
00:57:13,560 --> 00:57:16,200
Speaker 1: not what I learned in the public high school system

1001
00:57:16,240 --> 00:57:17,920
Speaker 1: of New Jersey. But that's not your fault, Mike, I

1002
00:57:17,960 --> 00:57:21,120
Speaker 1: don't blame you. And also he's an Oregon. He's an Oregon,

1003
00:57:21,280 --> 00:57:23,080
Speaker 1: I know in a private school. I think probably, So

1004
00:57:23,360 --> 00:57:26,880
Speaker 1: there's lots of different Yeah, I've since moved from teaching.

1005
00:57:27,000 --> 00:57:29,440
Speaker 1: I now work in a different field, but oh what

1006
00:57:29,560 --> 00:57:32,400
Speaker 1: do you do now? I work in the tech world.

1007
00:57:32,600 --> 00:57:34,320
Speaker 1: This is also like I don't want to push the

1008
00:57:34,360 --> 00:57:36,360
Speaker 1: gun here because, like you know, there's this whole life

1009
00:57:36,360 --> 00:57:38,520
Speaker 1: advice piece I can ask you about late. Okay, so

1010
00:57:38,680 --> 00:57:40,480
Speaker 1: you got let's go to normal order of things. Do

1011
00:57:40,520 --> 00:57:43,080
Speaker 1: you guys either want to you have a question for us? Yes,

1012
00:57:43,840 --> 00:57:48,400
Speaker 1: I do, really Holes. Cop is one of my favorite

1013
00:57:48,440 --> 00:57:53,480
Speaker 1: movies mine too, and we referenced it too much on here,

1014
00:57:53,560 --> 00:57:57,240
Speaker 1: too much. I don't complain, okay, but my question to

1015
00:57:57,280 --> 00:57:59,800
Speaker 1: you guys is what is your favorite song off of

1016
00:58:00,000 --> 00:58:07,080
Speaker 1: a soundtrack from Beverly Hills Cop. Neutron Dancer? I'm so happy?

1017
00:58:08,120 --> 00:58:12,040
Speaker 1: Ann is it Neutron or New Town? I'm not sure

1018
00:58:13,080 --> 00:58:15,720
Speaker 1: it's Neutron, don't even need my favorite. My favorite song

1019
00:58:15,920 --> 00:58:23,920
Speaker 1: is Tonight Vanity. It's when, yeah, when Prince comes in.

1020
00:58:24,520 --> 00:58:28,720
Speaker 1: That's that Prince music. Yeah Vanity, right, yeah, it's vanity.

1021
00:58:28,800 --> 00:58:35,000
Speaker 1: But Prince wrote that song to night to meet you.

1022
00:58:35,680 --> 00:58:38,120
Speaker 1: I think they got water on the brain. I think

1023
00:58:38,160 --> 00:58:40,439
Speaker 1: they got more vanity. I think they got more water

1024
00:58:40,600 --> 00:58:43,600
Speaker 1: upstairs than they got sugar on the candy cane. Oh

1025
00:58:44,040 --> 00:58:51,080
Speaker 1: that shit fire baby to Night, that's your vanity. Oh,

1026
00:58:51,160 --> 00:58:55,040
Speaker 1: man's your good question, April. You gotta singing the Beverly

1027
00:58:55,120 --> 00:58:58,880
Speaker 1: Hills Cop soundtrack. He's like, hey, tagging, what is he saying?

1028
00:58:58,960 --> 00:59:00,680
Speaker 1: What does he goes? He? Can you make sure that

1029
00:59:00,880 --> 00:59:02,440
Speaker 1: I don't get club short because if I drink that,

1030
00:59:02,440 --> 00:59:10,120
Speaker 1: I'm gonna throw up. He didn't make sure to park

1031
00:59:10,200 --> 00:59:12,000
Speaker 1: this in a good place because all this shit happened

1032
00:59:12,080 --> 00:59:19,880
Speaker 1: last time I parked? All right, next question, go ahead.

1033
00:59:21,560 --> 00:59:24,720
Speaker 1: Another question that I had for you guys is I

1034
00:59:24,800 --> 00:59:27,320
Speaker 1: know that you both have worked on like, quote unquote

1035
00:59:27,400 --> 00:59:31,480
Speaker 1: kids songs like you know, Big Fat Liar, Chick a Little.

1036
00:59:31,800 --> 00:59:34,120
Speaker 1: What was it like working on those sets and was

1037
00:59:34,160 --> 00:59:36,440
Speaker 1: it different than other sets that you've been on. So

1038
00:59:36,600 --> 00:59:38,680
Speaker 1: with Big Fat Liar, I got to work with Sean

1039
00:59:38,800 --> 00:59:42,440
Speaker 1: Levy on his first project ever. He had directed maybe

1040
00:59:42,760 --> 00:59:48,960
Speaker 1: a episode of What's the Action show? That the the

1041
00:59:49,080 --> 00:59:50,960
Speaker 1: kid he was, he's going to be on the show

1042
00:59:51,000 --> 00:59:54,320
Speaker 1: eventually as an intern, but he had a television show

1043
00:59:54,440 --> 00:59:57,760
Speaker 1: back in the day where he was like an action hero.

1044
00:59:57,880 --> 01:00:00,200
Speaker 1: And I think Sean Levy directed one episode of and

1045
01:00:00,240 --> 01:00:04,360
Speaker 1: then he directed Big Fat Liar, and I just remember thinking, Wow,

1046
01:00:04,400 --> 01:00:06,840
Speaker 1: this dude hasn't directed much and he's you know, this

1047
01:00:07,080 --> 01:00:09,680
Speaker 1: movie seems like it's going to be so big. Sean

1048
01:00:09,800 --> 01:00:12,240
Speaker 1: Levy's now grown to be has gone on to be

1049
01:00:12,360 --> 01:00:16,640
Speaker 1: one of the biggest power players in Hollywood and director,

1050
01:00:16,760 --> 01:00:21,040
Speaker 1: and he's a great director and producer actually, But in hindsight,

1051
01:00:21,160 --> 01:00:23,240
Speaker 1: being twenty twenty, I just thought it was really I

1052
01:00:23,320 --> 01:00:25,320
Speaker 1: think it's really cool now that I got to work

1053
01:00:25,400 --> 01:00:28,200
Speaker 1: with somebody when they first started, and now they're like

1054
01:00:28,360 --> 01:00:30,320
Speaker 1: one of the you know, they've gone on to create

1055
01:00:30,400 --> 01:00:33,760
Speaker 1: some great things. I think she's asking, how how was

1056
01:00:33,800 --> 01:00:37,160
Speaker 1: a set different when you're working on something that's for children. Oh,

1057
01:00:37,240 --> 01:00:39,680
Speaker 1: it's not different. Kids curse just as much as adults do.

1058
01:00:39,880 --> 01:00:42,959
Speaker 1: That's not true. Yeah, it is what you're talking about.

1059
01:00:43,400 --> 01:00:46,000
Speaker 1: You're trying to tell me Frankie Munez don't curse. You're

1060
01:00:46,040 --> 01:00:47,960
Speaker 1: trying to tell me a Manda Bindes didn't curse while

1061
01:00:48,000 --> 01:00:51,400
Speaker 1: we was making that movie. Oh oh, I see you're saying,

1062
01:00:51,440 --> 01:00:54,600
Speaker 1: in your instance, the kids had potty mouths. I mean,

1063
01:00:54,960 --> 01:00:58,800
Speaker 1: not really, but I'm just saying kids. It's funny that

1064
01:00:58,880 --> 01:01:01,120
Speaker 1: you say that because Chicken was animated, so we're just

1065
01:01:01,280 --> 01:01:04,000
Speaker 1: you know, we're in a sound booth, so doesn't just recently,

1066
01:01:04,080 --> 01:01:06,400
Speaker 1: I know, and the Six Degrees of Sean Leeby as

1067
01:01:06,400 --> 01:01:08,800
Speaker 1: you started talking, Sean Levy directed the original or not

1068
01:01:08,880 --> 01:01:11,600
Speaker 1: the original, the Steve Martin version of of Cheaper by

1069
01:01:11,640 --> 01:01:14,160
Speaker 1: the Dozen and is the executive producer of the Cheaper

1070
01:01:14,200 --> 01:01:17,960
Speaker 1: by the Dozen that I just did alongside Kenya Barris. Um.

1071
01:01:18,320 --> 01:01:21,080
Speaker 1: What's the difference, Um? The kids have very limited hours

1072
01:01:21,160 --> 01:01:24,480
Speaker 1: depending on how old they are. As you get older,

1073
01:01:24,520 --> 01:01:27,000
Speaker 1: obviously they allow you to work longer, but very young

1074
01:01:27,080 --> 01:01:30,200
Speaker 1: children have very limited hours, so that's always tricky trying

1075
01:01:30,240 --> 01:01:32,720
Speaker 1: to get the scene that you need to get with

1076
01:01:32,920 --> 01:01:36,280
Speaker 1: even less time than you normally have. People definitely watch

1077
01:01:36,400 --> 01:01:40,320
Speaker 1: their cursing, although your human beings like parents in front

1078
01:01:40,320 --> 01:01:43,040
Speaker 1: of children and you slip up and there's often a

1079
01:01:43,080 --> 01:01:47,480
Speaker 1: swear jar it gets filled. Yeah, there is. I don't

1080
01:01:47,520 --> 01:01:49,360
Speaker 1: know if there's any other real difference. Yeah, I think,

1081
01:01:49,360 --> 01:01:52,080
Speaker 1: you know, I think you know. Those are those are

1082
01:01:52,080 --> 01:01:53,919
Speaker 1: the main ones. I think the adults do their best

1083
01:01:53,960 --> 01:01:57,240
Speaker 1: to not accidentally curse around the kids. And then that's

1084
01:01:57,280 --> 01:01:59,600
Speaker 1: dealing with the kids hours. I think that's the only

1085
01:01:59,640 --> 01:02:01,960
Speaker 1: thing I can think of. I like kids hours though. Man,

1086
01:02:02,120 --> 01:02:04,000
Speaker 1: when you got kids on set, you know, okay, I'm

1087
01:02:05,040 --> 01:02:10,880
Speaker 1: I'm eight hours whatever it is. Yeah, yeah, anyway, anyway, Also,

1088
01:02:10,920 --> 01:02:12,720
Speaker 1: the kids have to go to school if you're during

1089
01:02:12,800 --> 01:02:15,680
Speaker 1: the school years, so that's also tricky. In addition to

1090
01:02:15,680 --> 01:02:19,280
Speaker 1: the limited hours, I think for three hours a day

1091
01:02:19,360 --> 01:02:21,200
Speaker 1: they have to be in school, you know, they have

1092
01:02:21,240 --> 01:02:24,600
Speaker 1: a tutor in the trailer or something, So that's really

1093
01:02:24,680 --> 01:02:28,640
Speaker 1: tricky for them too, because obviously they have to be educated.

1094
01:02:29,320 --> 01:02:31,919
Speaker 1: It kind of That's where it's really crazy too. They'll

1095
01:02:32,160 --> 01:02:35,640
Speaker 1: come to work and then go to school for literally

1096
01:02:35,760 --> 01:02:38,720
Speaker 1: thirty minutes in between setups and then come back to

1097
01:02:38,800 --> 01:02:41,120
Speaker 1: set Yeah, they have to keep they have to bank

1098
01:02:41,200 --> 01:02:43,120
Speaker 1: all the time, and you can't do it in too

1099
01:02:43,160 --> 01:02:46,240
Speaker 1: shortened increments obviously, so they'll be like, Okay, I gotta

1100
01:02:46,240 --> 01:02:47,800
Speaker 1: put them in school for a half hour or way

1101
01:02:47,880 --> 01:02:50,440
Speaker 1: behind on school today. So right, have either of you

1102
01:02:51,240 --> 01:02:54,240
Speaker 1: established sort of like a mentor ship relationship with any

1103
01:02:54,280 --> 01:02:58,160
Speaker 1: of those kids over the course of years, everyone of

1104
01:02:58,240 --> 01:03:01,720
Speaker 1: Zac's projects, he always has kids, and so I've seen

1105
01:03:02,240 --> 01:03:05,200
Speaker 1: I've seen a lot of like I'm not going to

1106
01:03:05,240 --> 01:03:07,640
Speaker 1: speak for him, but there are a lot of young

1107
01:03:07,800 --> 01:03:11,680
Speaker 1: people in Zach's life that I would say he mentors. Well.

1108
01:03:11,840 --> 01:03:13,840
Speaker 1: Joey King, you know, was was a bit of a

1109
01:03:14,360 --> 01:03:16,800
Speaker 1: mentee to not mentee, but I felt like her uncle,

1110
01:03:16,880 --> 01:03:18,439
Speaker 1: and you know, we did a bunch of products together.

1111
01:03:18,480 --> 01:03:20,320
Speaker 1: I met her first on as the Great and Powerful

1112
01:03:20,400 --> 01:03:23,960
Speaker 1: when she was China Doll and I was the monkey,

1113
01:03:24,680 --> 01:03:27,040
Speaker 1: and then I just was blown away by her talent

1114
01:03:27,160 --> 01:03:30,040
Speaker 1: and I cast her in Wish I was here, and

1115
01:03:30,160 --> 01:03:33,200
Speaker 1: then again every you know, every year, the girl got older,

1116
01:03:33,480 --> 01:03:35,320
Speaker 1: her acting was getting better and better and better. And

1117
01:03:35,400 --> 01:03:38,200
Speaker 1: then when I made Going in Style, it was actually

1118
01:03:38,240 --> 01:03:41,840
Speaker 1: written for a young boy. And I said to Ted Malfie,

1119
01:03:41,880 --> 01:03:44,680
Speaker 1: who wrote it, you know, this young girl is so talented.

1120
01:03:44,880 --> 01:03:46,800
Speaker 1: I think it'd be more interesting to see Michael Caine

1121
01:03:46,920 --> 01:03:49,800
Speaker 1: interact with a teenage girl than a than a young boy.

1122
01:03:49,880 --> 01:03:51,640
Speaker 1: You know, what's it like for a grandfather to try

1123
01:03:51,680 --> 01:03:55,560
Speaker 1: and you know, be a part of a teenage girl's life.

1124
01:03:56,240 --> 01:03:59,120
Speaker 1: And now she's taken off. In fact, I think Kissing

1125
01:03:59,160 --> 01:04:03,560
Speaker 1: Booth the third the third movie of Kissing Booth, it

1126
01:04:03,720 --> 01:04:06,200
Speaker 1: just came out and she's you know, she's gonna have

1127
01:04:06,280 --> 01:04:08,560
Speaker 1: a huge career. She's in a new Brad Pitt movie

1128
01:04:08,600 --> 01:04:12,200
Speaker 1: and she's she's on fire. It's crazy. We knew her

1129
01:04:12,240 --> 01:04:15,040
Speaker 1: when she was twelve, when she was Yeah, when she

1130
01:04:15,160 --> 01:04:17,080
Speaker 1: was in with the movie that the scene when Donald

1131
01:04:17,120 --> 01:04:19,520
Speaker 1: in which I was here, Donald, you remember her? Yeah?

1132
01:04:20,200 --> 01:04:21,840
Speaker 1: She was in Um do you guys remember in one

1133
01:04:21,880 --> 01:04:24,280
Speaker 1: of the Batman movies when is it supposed to be

1134
01:04:24,400 --> 01:04:29,760
Speaker 1: young Bane? You think it's a boy, but that was

1135
01:04:29,880 --> 01:04:33,480
Speaker 1: Joey too. She's young tallya algol or something like that, right,

1136
01:04:34,200 --> 01:04:36,640
Speaker 1: that is correct? And then there's another boy. There's a

1137
01:04:36,680 --> 01:04:38,640
Speaker 1: young boy and cheaper by the dozen, who I took

1138
01:04:38,720 --> 01:04:41,720
Speaker 1: under my wing a little bit. Actually these three met

1139
01:04:41,800 --> 01:04:43,920
Speaker 1: him too, because I brought him to Disneyland with us.

1140
01:04:44,560 --> 01:04:49,440
Speaker 1: So sweet, very sweet, young boy, very talented that I

1141
01:04:49,880 --> 01:04:52,480
Speaker 1: took under my wing. And apparently he occasionally listens to

1142
01:04:52,600 --> 01:04:55,400
Speaker 1: this podcast even though it's so inappropriate and he shouldn't

1143
01:04:55,440 --> 01:04:59,480
Speaker 1: be so Leo, if you're listening, turn it off now.

1144
01:05:00,280 --> 01:05:02,320
Speaker 1: I sound like those parents at the award shows. Go

1145
01:05:02,480 --> 01:05:07,200
Speaker 1: to sleep, honey, go to sleep. All right, it's time

1146
01:05:07,280 --> 01:05:12,440
Speaker 1: for Portland, Oregon's favorite segment. It's time too, pi Yo.

1147
01:05:19,280 --> 01:05:22,960
Speaker 1: All right, go ahead, Mikey. Yeah. So, so I was

1148
01:05:23,000 --> 01:05:25,160
Speaker 1: at a teacher for eight years and then I switched

1149
01:05:25,200 --> 01:05:28,880
Speaker 1: careers in the tech because it's just it's all encompassing.

1150
01:05:29,080 --> 01:05:30,919
Speaker 1: Like when I was working, I would have to work

1151
01:05:31,040 --> 01:05:33,520
Speaker 1: several extra jobs to make ends me, couldn't afford to

1152
01:05:33,560 --> 01:05:35,520
Speaker 1: have my wife on health insurance, and we wanted to

1153
01:05:35,560 --> 01:05:38,600
Speaker 1: start a family in the future, like it's just insistance

1154
01:05:38,600 --> 01:05:41,400
Speaker 1: an hours. So I was lucky enough to be able

1155
01:05:41,440 --> 01:05:43,480
Speaker 1: to switch in the tech. So I'm now trying to

1156
01:05:43,520 --> 01:05:46,320
Speaker 1: figure out like there's nothing and I've sort of accepted this.

1157
01:05:46,440 --> 01:05:48,800
Speaker 1: There might be nothing I will ever do again that

1158
01:05:48,960 --> 01:05:51,920
Speaker 1: is that meaningful, Like you go home and you feel

1159
01:05:51,960 --> 01:05:59,120
Speaker 1: like good. So what should I look for? Like something that,

1160
01:05:59,520 --> 01:06:02,280
Speaker 1: you know, tech brings me the ability to support my family.

1161
01:06:02,320 --> 01:06:05,680
Speaker 1: I've got a toddler now upstairs, and but I'm looking

1162
01:06:05,720 --> 01:06:08,040
Speaker 1: for someone that also brings that level of fulfillment that

1163
01:06:08,160 --> 01:06:10,240
Speaker 1: teaching did back in the day. I got an idea,

1164
01:06:11,000 --> 01:06:12,960
Speaker 1: go for your Zach, you know, when we were talking

1165
01:06:13,000 --> 01:06:15,360
Speaker 1: about you as a math teacher earlier. I was also

1166
01:06:15,520 --> 01:06:18,880
Speaker 1: something I didn't say, but was that I would occasionally

1167
01:06:18,960 --> 01:06:21,919
Speaker 1: get really lost in math class and my parents would

1168
01:06:22,000 --> 01:06:25,360
Speaker 1: hire a tutor. We were blessed that we had enough

1169
01:06:25,440 --> 01:06:27,760
Speaker 1: money that they could hire a tutor. The tutor would

1170
01:06:27,760 --> 01:06:29,440
Speaker 1: come over and I'd be so confused and like on

1171
01:06:29,520 --> 01:06:31,720
Speaker 1: the verge of tears, And because it was one on

1172
01:06:31,840 --> 01:06:35,200
Speaker 1: one and he was a brilliant teacher, like within thirty seconds,

1173
01:06:35,280 --> 01:06:38,480
Speaker 1: he'd explain it to me and I'd be like, wow,

1174
01:06:38,720 --> 01:06:40,040
Speaker 1: well we have the rest of the hour, what else

1175
01:06:40,040 --> 01:06:41,480
Speaker 1: should we do? And he would just teach me more

1176
01:06:41,520 --> 01:06:43,400
Speaker 1: stuff And it made such a difference. And I was

1177
01:06:43,440 --> 01:06:47,680
Speaker 1: always acutely aware that that access to someone like that

1178
01:06:48,000 --> 01:06:52,920
Speaker 1: was a function of my parents having money to afford

1179
01:06:53,000 --> 01:06:55,960
Speaker 1: such a thing. So what's the first thing that came

1180
01:06:56,000 --> 01:06:59,080
Speaker 1: in my brain is if there's a way for you

1181
01:06:59,240 --> 01:07:04,000
Speaker 1: to volunteer your your genius and expertise for children, high

1182
01:07:04,040 --> 01:07:09,640
Speaker 1: school kids who don't have the economic access to someone

1183
01:07:09,760 --> 01:07:12,480
Speaker 1: like you who's cool and be friends students and can

1184
01:07:12,560 --> 01:07:16,120
Speaker 1: talk at their level, and then also break it down,

1185
01:07:16,320 --> 01:07:19,000
Speaker 1: break things down that are super complicated that they're not getting.

1186
01:07:19,440 --> 01:07:22,000
Speaker 1: And I think the epiphanies you'd see in these kids'

1187
01:07:22,080 --> 01:07:25,280
Speaker 1: brains that would never have access to one on one

1188
01:07:25,400 --> 01:07:28,120
Speaker 1: like you would be very fulfilling. I'm getting lit up

1189
01:07:28,160 --> 01:07:30,400
Speaker 1: just by thinking about it. I agree. I think I

1190
01:07:30,440 --> 01:07:31,920
Speaker 1: don't know what you do in tech, but if there

1191
01:07:32,000 --> 01:07:34,000
Speaker 1: was a way that you could. What are you do

1192
01:07:34,080 --> 01:07:35,800
Speaker 1: in tech? Let me ask you that first. But right

1193
01:07:35,880 --> 01:07:39,280
Speaker 1: now I test software. The goal was to be able

1194
01:07:39,320 --> 01:07:41,800
Speaker 1: to move over to be a developer. But I've got

1195
01:07:41,840 --> 01:07:43,840
Speaker 1: an extra spin that I could tell you about after that.

1196
01:07:44,800 --> 01:07:47,280
Speaker 1: I like your idea. I think about well. I mean,

1197
01:07:48,480 --> 01:07:50,160
Speaker 1: I was going to say, if you're in tech and

1198
01:07:50,280 --> 01:07:53,600
Speaker 1: you're developing, why not develop some type of teaching software

1199
01:07:53,680 --> 01:07:56,600
Speaker 1: where you can, you know, put something out there for

1200
01:07:58,000 --> 01:08:01,760
Speaker 1: students like April was to learn how to do math,

1201
01:08:01,920 --> 01:08:04,000
Speaker 1: you know what I mean? There are fun ways. That's

1202
01:08:04,000 --> 01:08:06,000
Speaker 1: this game now my kid plays now called push the

1203
01:08:06,040 --> 01:08:10,400
Speaker 1: Button and it's a math game on the phone. And

1204
01:08:10,960 --> 01:08:15,200
Speaker 1: and you know, before you know it, he's multiplying by

1205
01:08:15,440 --> 01:08:17,840
Speaker 1: nine and you know he's not even thinking about it,

1206
01:08:18,040 --> 01:08:22,080
Speaker 1: you know. Um, and so, um, there's something, there's something

1207
01:08:22,120 --> 01:08:25,040
Speaker 1: in that like I would I would look into, you know,

1208
01:08:25,880 --> 01:08:28,320
Speaker 1: once you get into the developing side. When you do

1209
01:08:28,640 --> 01:08:32,200
Speaker 1: get into that side, develop your passion. You said you

1210
01:08:32,320 --> 01:08:35,200
Speaker 1: like teaching, develop that thing developed, right, if you wanted

1211
01:08:35,200 --> 01:08:38,679
Speaker 1: to combine it with your with your knowledge of software development,

1212
01:08:38,720 --> 01:08:42,040
Speaker 1: Donald's right, you could. You could use your skill set

1213
01:08:42,479 --> 01:08:45,439
Speaker 1: as being a teacher for all those years clearly good

1214
01:08:45,479 --> 01:08:48,840
Speaker 1: at it because um, you know your students like you

1215
01:08:49,040 --> 01:08:52,280
Speaker 1: and um, you know, maybe you could develop some sort

1216
01:08:52,280 --> 01:08:55,760
Speaker 1: of game that would that would help kids. You know.

1217
01:08:55,840 --> 01:08:58,240
Speaker 1: One of the things that a lot of students don't

1218
01:08:58,240 --> 01:09:00,479
Speaker 1: have when they get out of school is direction. And

1219
01:09:00,560 --> 01:09:03,680
Speaker 1: you seem to have found another direction after teaching, you know,

1220
01:09:04,240 --> 01:09:06,640
Speaker 1: and maybe your tea maybe you teach them how to

1221
01:09:07,360 --> 01:09:10,120
Speaker 1: develop software. Maybe that's something you do. Maybe you teach

1222
01:09:10,160 --> 01:09:13,679
Speaker 1: your old students that skill set. You know, I'm sure

1223
01:09:13,800 --> 01:09:16,439
Speaker 1: not everyone. I'm sure not everyone is as put together

1224
01:09:16,479 --> 01:09:18,320
Speaker 1: as April. I'm sure you have students out there right

1225
01:09:18,360 --> 01:09:19,960
Speaker 1: now that they're like, I'm so confused at what I'm

1226
01:09:20,000 --> 01:09:23,040
Speaker 1: gonna do you introduce them to your new world? You know,

1227
01:09:23,280 --> 01:09:25,960
Speaker 1: I'm just thinking if you went to I know COVID

1228
01:09:26,280 --> 01:09:28,360
Speaker 1: is tricky, so if it's maybe it has to be

1229
01:09:28,439 --> 01:09:31,960
Speaker 1: zoomed if not in person, would have you but pretend

1230
01:09:32,000 --> 01:09:35,800
Speaker 1: the apocalypse is over. If you went to guidance counselors

1231
01:09:36,040 --> 01:09:39,240
Speaker 1: of some local public schools and said, hey, I used

1232
01:09:39,240 --> 01:09:41,320
Speaker 1: to teach, I used to um, and I'm willing to

1233
01:09:41,800 --> 01:09:44,400
Speaker 1: volunteer some of my time if you have students. I

1234
01:09:44,439 --> 01:09:46,000
Speaker 1: don't want to deal with student I'm not trying to

1235
01:09:46,040 --> 01:09:47,720
Speaker 1: force anyone to learn. If they don't want to learn,

1236
01:09:47,800 --> 01:09:49,920
Speaker 1: then if you know, I'm not here to try and

1237
01:09:50,040 --> 01:09:52,040
Speaker 1: force anyone. But if you have kids that really have

1238
01:09:52,160 --> 01:09:55,320
Speaker 1: potential but need a little extra help, I'm willing to

1239
01:09:55,439 --> 01:09:59,280
Speaker 1: volunteer and and help get them over some math humps.

1240
01:09:59,560 --> 01:10:02,000
Speaker 1: I just that would be so incredibly rewarding for you.

1241
01:10:02,200 --> 01:10:05,280
Speaker 1: You you would see the difference in a child that

1242
01:10:05,320 --> 01:10:09,320
Speaker 1: would never parents can't afford to high a tutor, and

1243
01:10:09,640 --> 01:10:11,720
Speaker 1: I just think that would if it was me and

1244
01:10:11,800 --> 01:10:13,360
Speaker 1: I was a Matt teacher. I just think that would

1245
01:10:13,400 --> 01:10:15,000
Speaker 1: light me up. That would like made me so high

1246
01:10:15,040 --> 01:10:17,960
Speaker 1: on life. Nice. Yeah, I like that. Thank you that

1247
01:10:18,160 --> 01:10:22,160
Speaker 1: those are all actually legit. Hey Mikey, Mikey, You're welcome.

1248
01:10:22,280 --> 01:10:25,679
Speaker 1: You're welcome. You're welcome. You're welcome, You're welcome, You're welcome.

1249
01:10:29,360 --> 01:10:36,439
Speaker 1: You guys were great guests, and um, I wish that

1250
01:10:36,560 --> 01:10:39,200
Speaker 1: we could end the episode with Chris Martin's Fix You,

1251
01:10:39,320 --> 01:10:41,760
Speaker 1: but we're not allowed to. They will suit a shit

1252
01:10:41,840 --> 01:10:43,640
Speaker 1: out of us. No, I don't know. If they'd come,

1253
01:10:43,680 --> 01:10:45,200
Speaker 1: it would be the last. It would be this would

1254
01:10:45,200 --> 01:10:47,760
Speaker 1: be the last episode of Fake Doctors because we would

1255
01:10:47,840 --> 01:10:53,000
Speaker 1: be now focused on I'm gonna since we're not how

1256
01:10:53,040 --> 01:10:55,040
Speaker 1: to play it, and Donald mentioned that my voice is

1257
01:10:55,120 --> 01:10:57,480
Speaker 1: fine as long as I'm not next to a professional.

1258
01:10:58,240 --> 01:11:04,400
Speaker 1: I will sing it for will God you Home, Doom

1259
01:11:05,320 --> 01:11:11,439
Speaker 1: and it night your Bone Doom Doom, and I will try.

1260
01:11:16,000 --> 01:11:18,240
Speaker 1: All Right, you guys have an awesome guests. We'll see

1261
01:11:18,240 --> 01:11:20,200
Speaker 1: you next time. Everybody, We love you, Donald Kunna sound

1262
01:11:20,400 --> 01:11:26,240
Speaker 1: five six seven eyes about show we made about a

1263
01:11:26,320 --> 01:11:31,600
Speaker 1: bunch of docs and nurses, and I said, he's the stories.

1264
01:11:32,360 --> 01:11:38,920
Speaker 1: Never should so gather around you. Here are gado around you,

1265
01:11:39,080 --> 01:11:44,599
Speaker 1: Here are spect for you while you mm hmmm