1 00:00:00,160 --> 00:00:03,120 Speaker 1: All right, So Junior checked this out, Tommy, Shirley Monica. 2 00:00:03,200 --> 00:00:07,520 Speaker 1: It's the fiftieth anniversary of hip hop. Okay, so we've 3 00:00:07,520 --> 00:00:10,360 Speaker 1: been celebrating all year. So I guess what nineteen seventy three, 4 00:00:10,480 --> 00:00:14,640 Speaker 1: This is twenty twenty three, so yeah, you know, just hip. 5 00:00:14,480 --> 00:00:18,040 Speaker 2: Hop been around since seventy three, yeah, seventy three. 6 00:00:18,440 --> 00:00:21,720 Speaker 1: Yeah. So it's just like what Biggie said, you never 7 00:00:21,800 --> 00:00:26,800 Speaker 1: thought hip hop would take it this far coast right, west, coast, 8 00:00:26,800 --> 00:00:29,520 Speaker 1: dirty south, Midwest, all around the world. 9 00:00:29,680 --> 00:00:33,160 Speaker 2: So I'm gonna tell you my top hip hop pioneers. 10 00:00:33,600 --> 00:00:36,960 Speaker 1: So I guess we'll start off, you know, like we said, Tommy, 11 00:00:38,080 --> 00:00:40,960 Speaker 1: my first hip hop song, Sugarhill Gang. 12 00:00:41,000 --> 00:00:43,640 Speaker 2: That's the first one I heard. Rappers delight right, Rappers 13 00:00:43,720 --> 00:00:51,320 Speaker 2: delight right. That was party song that said hip hop exactly. Yeah, 14 00:00:51,640 --> 00:00:58,320 Speaker 2: jump rhythm, look at you, Okay, I got it. Yeah. 15 00:00:58,520 --> 00:01:02,880 Speaker 2: But then I bought that out exactly from sound waves 16 00:01:03,120 --> 00:01:07,039 Speaker 2: about it from sound waves raves in Houston, Texas. 17 00:01:07,360 --> 00:01:10,039 Speaker 1: So from there, though, when you heard that song, then 18 00:01:10,080 --> 00:01:15,560 Speaker 1: it got real serious. The message broken glass everywhere, you know, 19 00:01:15,920 --> 00:01:19,160 Speaker 1: it was. To me, that was a moment, Mellie mel 20 00:01:19,400 --> 00:01:22,600 Speaker 1: that was a moment that hip hop I guess it 21 00:01:22,680 --> 00:01:25,520 Speaker 1: was a telling real life social issues. It was telling 22 00:01:25,520 --> 00:01:29,000 Speaker 1: a story for the have nots and breaking down you know, 23 00:01:29,440 --> 00:01:32,040 Speaker 1: what was really going on. So you had this party 24 00:01:32,120 --> 00:01:34,520 Speaker 1: rappers of light. Then it got serious. So that's to 25 00:01:34,560 --> 00:01:36,959 Speaker 1: me how it all started, this hip hop thing. And 26 00:01:37,000 --> 00:01:42,040 Speaker 1: then we're gonna go into Run Run d C. That's 27 00:01:42,080 --> 00:01:44,080 Speaker 1: for me number two. You know, you had your B 28 00:01:44,240 --> 00:01:47,680 Speaker 1: boys stance ready, but they were a movement, and I 29 00:01:47,720 --> 00:01:51,840 Speaker 1: think for me Run DMC the importance of what they 30 00:01:51,840 --> 00:01:54,440 Speaker 1: were doing. It wasn't just about them rapping. It wasn't 31 00:01:54,480 --> 00:01:58,480 Speaker 1: just about the MC. They showed how important the DJ was, 32 00:02:00,040 --> 00:02:03,240 Speaker 1: you know what I'm saying. That's when we got exposed. 33 00:02:02,680 --> 00:02:06,440 Speaker 2: To do you know, they're like one of the first 34 00:02:06,440 --> 00:02:09,560 Speaker 2: groups to cross over into doing songs with rock star 35 00:02:09,800 --> 00:02:13,519 Speaker 2: right Eryl Smith. They were doing a man. 36 00:02:14,000 --> 00:02:15,600 Speaker 1: They were a movement, and then we got to see 37 00:02:15,639 --> 00:02:18,840 Speaker 1: their videos, you know, on TV and Adidas and what 38 00:02:18,880 --> 00:02:21,320 Speaker 1: they were wearing. So Run DMC, and then we can 39 00:02:21,400 --> 00:02:24,399 Speaker 1: go back to Tupac. Women love Tupac, and Tupac did 40 00:02:24,440 --> 00:02:28,800 Speaker 1: what he wanted to do. The poetry, his message thug 41 00:02:28,880 --> 00:02:31,480 Speaker 1: life tatted on his chest, so I mean he wrapped 42 00:02:32,040 --> 00:02:40,880 Speaker 1: keep your head up was dedicated to you. Yeah, let 43 00:02:40,880 --> 00:02:46,280 Speaker 1: me get this out. My female and Pepper's here get you. 44 00:02:48,360 --> 00:02:53,040 Speaker 2: Yes, and what a man? What a man? 45 00:02:53,520 --> 00:02:57,679 Speaker 1: Yeah, the female MC Salt and Pepper. Every party back 46 00:02:57,720 --> 00:03:01,799 Speaker 1: in the eighties you had have on Salt and Peppa. 47 00:03:02,120 --> 00:03:04,200 Speaker 1: They were like the first to me, the first all 48 00:03:04,280 --> 00:03:07,320 Speaker 1: female hip hop group that hit it big, you know, 49 00:03:07,440 --> 00:03:12,160 Speaker 1: in a male dominating genre type music. And then finally, 50 00:03:12,360 --> 00:03:16,760 Speaker 1: I'm just gonna close it out with jay Z Biggie 51 00:03:16,960 --> 00:03:21,480 Speaker 1: and the rapper's favorite rapper, the r rock Kim because 52 00:03:21,520 --> 00:03:22,799 Speaker 1: I think. 53 00:03:22,680 --> 00:03:24,880 Speaker 2: Did you not mention ice Cube on this whole thing? 54 00:03:28,560 --> 00:03:30,520 Speaker 2: We got to talk about all of this. Yeah, so 55 00:03:30,560 --> 00:03:33,040 Speaker 2: we can do part two. We can talk. Don't be 56 00:03:33,080 --> 00:03:38,400 Speaker 2: doing what I mentioned in ice Cube, L L Doctor Dre. 57 00:03:38,760 --> 00:03:43,640 Speaker 2: We got snoop. We come on now, snoop for me. 58 00:03:46,160 --> 00:03:46,720 Speaker 1: My list? 59 00:03:46,760 --> 00:03:48,520 Speaker 2: Tell me got a little attu about my list? Did 60 00:03:49,240 --> 00:03:51,840 Speaker 2: but on your list? That don't make no sense to me? 61 00:03:51,920 --> 00:03:55,800 Speaker 2: I'm sorry, Well I cut it off. I cut it off. 62 00:03:55,840 --> 00:03:59,680 Speaker 1: So I put J Biggie Rack Kim because I think 63 00:03:59,760 --> 00:04:03,480 Speaker 1: that the rappers look up to rack Camp. He transitioned 64 00:04:03,560 --> 00:04:06,720 Speaker 1: how they rhyme. If you ask any rapper, I bet 65 00:04:06,800 --> 00:04:10,680 Speaker 1: you he's like number one, Big Daddy Caye. We could 66 00:04:10,760 --> 00:04:13,120 Speaker 1: keep going on and on, but that's it. Fiftieth anniversary 67 00:04:13,160 --> 00:04:15,040 Speaker 1: and hip hop. You know, it gets heated every time 68 00:04:15,120 --> 00:04:19,400 Speaker 1: we talk about hip hop music. But happy anniversary to 69 00:04:19,520 --> 00:04:24,200 Speaker 1: hip hop, Thank y'all, Steve, Happy Morning Show. By the 70 00:04:24,400 --> 00:04:30,360 Speaker 1: death certificate, you know, Monica's salty right now,