1 00:00:00,280 --> 00:00:04,400 Speaker 1: McAllen. Sure thing here one a two point seven Kiss FM. 2 00:00:04,480 --> 00:00:05,800 Speaker 1: So I'm just looking ahead if you're going to be 3 00:00:05,840 --> 00:00:09,280 Speaker 1: around till ten. Sam Smith tickets coming up, also a 4 00:00:09,320 --> 00:00:11,959 Speaker 1: bunch of music fifty minutes of NonStop music at the 5 00:00:12,000 --> 00:00:14,200 Speaker 1: morning Hack on the Way, as well as a quote 6 00:00:14,680 --> 00:00:18,080 Speaker 1: for your midweek Wednesday. So, I mean, it is really 7 00:00:18,800 --> 00:00:21,520 Speaker 1: remarkable to see what Taylor Swift has done on this 8 00:00:21,560 --> 00:00:24,080 Speaker 1: world tour, and I guess it raises the bar. I mean, 9 00:00:24,079 --> 00:00:26,920 Speaker 1: if you're a touring artist, you look at that and say, 10 00:00:26,960 --> 00:00:30,160 Speaker 1: I gotta do more, right, I mean some people probably do. 11 00:00:30,240 --> 00:00:31,920 Speaker 1: They look at it and go, I need to probably 12 00:00:32,400 --> 00:00:35,240 Speaker 1: kick it out an more. Well, if fans are expecting 13 00:00:35,280 --> 00:00:38,240 Speaker 1: that when they go to a show Taylor, Beyonce, whatever, 14 00:00:38,240 --> 00:00:41,800 Speaker 1: they're they're pouring in three hours of all these songs 15 00:00:41,880 --> 00:00:45,640 Speaker 1: and these performances and the merch, don't others have to 16 00:00:45,720 --> 00:00:47,599 Speaker 1: kind of like push it a little bit? 17 00:00:47,680 --> 00:00:51,680 Speaker 2: I think I would say, But this actually when Miley's 18 00:00:51,680 --> 00:00:54,840 Speaker 2: story makes me think about Taylor and I'm worried for 19 00:00:54,880 --> 00:00:55,560 Speaker 2: her a little bit. 20 00:00:56,920 --> 00:00:59,760 Speaker 1: Wow. I don't think you can connect the two because 21 00:00:59,800 --> 00:01:02,000 Speaker 1: Taylor seems to be doing just great pushing through all 22 00:01:02,080 --> 00:01:04,880 Speaker 1: these dates. But Miley's saying it's not healthy for Miley. 23 00:01:04,680 --> 00:01:10,200 Speaker 2: Gohead correct because of what it does to her. So 24 00:01:10,240 --> 00:01:13,000 Speaker 2: Miley said, there's a level of ego that has to 25 00:01:13,000 --> 00:01:15,679 Speaker 2: play a part that I feel gets overused when I'm 26 00:01:15,720 --> 00:01:19,120 Speaker 2: on tour, and once that switches on, it's hard to 27 00:01:19,160 --> 00:01:23,200 Speaker 2: turn off. She said, having every day the relationship between 28 00:01:23,240 --> 00:01:27,280 Speaker 2: you and other humans being subject and observer isn't healthy 29 00:01:27,360 --> 00:01:27,760 Speaker 2: for me. 30 00:01:27,880 --> 00:01:29,480 Speaker 1: So interesting and it's. 31 00:01:29,319 --> 00:01:31,800 Speaker 2: So interesting, and I feel like artists don't talk about 32 00:01:31,800 --> 00:01:35,920 Speaker 2: that enough because think about it. Every night you're going 33 00:01:35,920 --> 00:01:39,560 Speaker 2: on a stage and you're having thousands of people. You're 34 00:01:39,600 --> 00:01:43,320 Speaker 2: the subject, they're the observer. They're just giving you all 35 00:01:43,520 --> 00:01:46,959 Speaker 2: this love and praise. Imagine what that does to your ego. 36 00:01:47,560 --> 00:01:49,400 Speaker 1: Well, how many artists, if we talked to that say 37 00:01:49,440 --> 00:01:51,840 Speaker 1: my favorite parts being on the road because it feels good. 38 00:01:52,160 --> 00:01:54,559 Speaker 2: Yeah, it feels good. And then when she was saying 39 00:01:54,560 --> 00:01:57,800 Speaker 2: it's it does something to your ego that she can't 40 00:01:57,840 --> 00:02:01,040 Speaker 2: quite turn off, and I'll thinking about it and I 41 00:02:01,080 --> 00:02:03,480 Speaker 2: was like, that is so so much self awareness to 42 00:02:03,640 --> 00:02:07,400 Speaker 2: really think that through and realize that that can be 43 00:02:07,440 --> 00:02:10,040 Speaker 2: really damaging. You know, like your ego gets inflated, your 44 00:02:10,080 --> 00:02:11,560 Speaker 2: ego gets inflayed, and then you get off tour and 45 00:02:11,639 --> 00:02:14,400 Speaker 2: you have this come down and you expect people to 46 00:02:14,440 --> 00:02:16,680 Speaker 2: be praising you all the time when they're like telling 47 00:02:16,680 --> 00:02:18,000 Speaker 2: you to do your laundry, you know what I mean. 48 00:02:18,040 --> 00:02:19,400 Speaker 2: Like when you come back to real life. 49 00:02:20,000 --> 00:02:24,920 Speaker 1: Why, it's a such a huge swing of emotion too 50 00:02:25,120 --> 00:02:28,280 Speaker 1: and pressure. But like if we walked into this studio 51 00:02:28,480 --> 00:02:31,040 Speaker 1: and Mark in the back room clap for us every day, that. 52 00:02:31,120 --> 00:02:33,520 Speaker 2: Probably go to my head totally, and you're getting just 53 00:02:33,680 --> 00:02:34,160 Speaker 2: three day. 54 00:02:34,919 --> 00:02:37,160 Speaker 1: Yeah, And if they wore t shirts with our names 55 00:02:37,200 --> 00:02:39,600 Speaker 1: on them and stuff, yes, and paid for them, that 56 00:02:40,280 --> 00:02:41,519 Speaker 1: might change the way we look at things. 57 00:02:41,600 --> 00:02:44,600 Speaker 2: It would it totally would Mark, which. 58 00:02:44,400 --> 00:02:46,919 Speaker 1: Is come to Mike forst say, I'm curious, why don't 59 00:02:46,960 --> 00:02:48,720 Speaker 1: you clap when we want happy to do that? I 60 00:02:49,480 --> 00:02:53,040 Speaker 1: mean whenever they let's let's just let's simulate. So here 61 00:02:53,040 --> 00:03:01,440 Speaker 1: we are, we've all arrived. Oh see when I get 62 00:03:01,440 --> 00:03:06,320 Speaker 1: a shout out from him, that plumps me up. Actually, right, 63 00:03:06,919 --> 00:03:10,480 Speaker 1: a better show. Why couldn't we start like that? Yeah, 64 00:03:10,760 --> 00:03:14,320 Speaker 1: I'm glad that Miley has been honest about it because 65 00:03:14,360 --> 00:03:16,639 Speaker 1: and also that's how they make their money, right, they tour, 66 00:03:16,760 --> 00:03:19,400 Speaker 1: they make that's where they're good. Yeah. 67 00:03:19,520 --> 00:03:21,320 Speaker 2: But I think also that's where a lot of artists 68 00:03:21,320 --> 00:03:23,160 Speaker 2: get into like get into try, especially if. 69 00:03:23,080 --> 00:03:25,560 Speaker 1: You're in a relationship that's where you. Then you're on 70 00:03:25,600 --> 00:03:28,600 Speaker 1: the road, then you're just like you. It's probably lonely. 71 00:03:28,800 --> 00:03:35,920 Speaker 1: Mm hmmm. Good job. Good more bringing that up. You 72 00:03:36,040 --> 00:03:38,480 Speaker 1: all go. Oh Tubbs just walked in. He wants to 73 00:03:38,480 --> 00:03:44,120 Speaker 1: be clapped. Oh, Tubsy, thank you. It's good to be here. 74 00:03:44,880 --> 00:03:49,840 Speaker 1: I know. We didn't ask for a speech. Whoa fifty 75 00:03:49,880 --> 00:03:51,800 Speaker 1: minutes of non stop kiss music? 76 00:03:52,000 --> 00:03:52,640 Speaker 2: This is it? 77 00:03:52,720 --> 00:03:53,240 Speaker 1: Next? Hang on,