WEBVTT - The Murder Years S2: Ep. 6, Only Happy When It Rains

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<v Speaker 1>The following podcast contains explicit descriptions of violence, including sexual violence,

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<v Speaker 1>that some listeners may find upsetting. Continue at your own risk.

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<v Speaker 1>In the nineteen nineties, it seemed like serial killers were

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<v Speaker 1>really having a moment. For whatever reason, the public was

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<v Speaker 1>fascinated by them. We couldn't get enough think about it.

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<v Speaker 1>One of the most successful movies of nineteen ninety one

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<v Speaker 1>was Silence of the Lambs. It even went Best Picture

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<v Speaker 1>and pretty much everything else at the Oscars that year.

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<v Speaker 1>And then over the next few years we got inundated

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<v Speaker 1>with serial killer movies Jennifer Aids California and Natural Born Killers.

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<v Speaker 1>Then in nineteen ninety five you had two big serial

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<v Speaker 1>killer movies in theaters at the same time, Copycat and Seven.

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<v Speaker 1>Serial Killers were box office gold. The more sick and twisted,

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<v Speaker 1>the better. And then there was Real Life inteen ninety four.

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<v Speaker 1>The same year, the Milwaukee cannibal Jeffrey Dahmer was beaten

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<v Speaker 1>to death in prison by another inmate. The notorious killer

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<v Speaker 1>clown John Wayne Gacy was put to death by lethal injection.

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<v Speaker 1>And then you had your active serial killers of the nineties,

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<v Speaker 1>like the Green River Killer and the I ninety five Killer.

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<v Speaker 1>In addition to our own personal hometown horror, the Domino

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<v Speaker 1>Beach Killer living in a serial killer's hunting ground. At

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<v Speaker 1>the time of all this serial killer fever was a

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<v Speaker 1>bit surreal.

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<v Speaker 2>See.

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<v Speaker 1>It was also a time when the Internet was just

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<v Speaker 1>starting to catch on in a big way, and we

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<v Speaker 1>were all getting exposed to what goes on in the

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<v Speaker 1>darkest corners of the darkest minds of our fellow men

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<v Speaker 1>and women, well mostly men. The early adopters of the Internet,

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<v Speaker 1>the first people to figure out how to build and

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<v Speaker 1>publicize these new things called websites, seemed to love two

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<v Speaker 1>things above all else, celebrities and serial killers. By the

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<v Speaker 1>fall of nineteen ninety five, as I was learning to

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<v Speaker 1>navigate this new and incredible resource, my research led me

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<v Speaker 1>to theories about the Domino Beach Killer from all over

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<v Speaker 1>the country, all over the globe for that matter.

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<v Speaker 3>A lot of the.

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<v Speaker 1>People behind these theories wanted the killer to have some

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<v Speaker 1>kind of Hollywood gimmick, like the way Kevin Spacey was

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<v Speaker 1>using the Deadly Sins to make statements about his victims

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<v Speaker 1>in seven, or how the guy in Silence of the

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<v Speaker 1>Lambs was trying to make himself a suit out of

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<v Speaker 1>human skin. The most common fantasy I found was that

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<v Speaker 1>the murders were part of some ritual intended to subvert

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<v Speaker 1>the apocalypse that was destined to befall our planet at

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<v Speaker 1>the dawn of the millennium. But that kind of thing

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<v Speaker 1>was everywhere you looked back in the nineties. It's true

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<v Speaker 1>the Domino Beach Killer had written about the imminent end

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<v Speaker 1>of the world in his second letter to me, but

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<v Speaker 1>I never got the feeling he was on some kind

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<v Speaker 1>of a holy mission or whatever. As far as I

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<v Speaker 1>could tell, he had no adgea and no greater calling.

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<v Speaker 1>It was just a monster, a monster that I had

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<v Speaker 1>become convinced was the rich, privileged son of the most

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<v Speaker 1>powerful man in town. I'm Courtney Barnes, and this is

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<v Speaker 1>the Murder Years, Episode six, Only Happy when it rains.

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<v Speaker 1>We the jury and the above and title action find

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<v Speaker 1>the defendant, Orenthal James Simpson not guilty of the crime

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<v Speaker 1>of murder. November nineteen ninety five, one month after O. J.

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<v Speaker 1>Simpson was found not guilty by a jury of his

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<v Speaker 1>peers for the murders of his ex wife Nicole Brown

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<v Speaker 1>and her friend Ron Goldman, was when the Domino Beach

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<v Speaker 1>Killer struck one final time. The victim was Trudy Masterson,

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<v Speaker 1>the twenty eight year old singer, songwriter and rising star

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<v Speaker 1>in the music world who was doing a week's worth

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<v Speaker 1>of performances at Triple B's, the most popular bar and

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<v Speaker 1>music venue in town. November wasn't normally a time of

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<v Speaker 1>year that attracted notable performers to Domino Beach, but Trudy

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<v Speaker 1>was just on the cusp of breaking out in a

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<v Speaker 1>big way. She had recorded an album that was due

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<v Speaker 1>to come out in March of ninety six, and had

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<v Speaker 1>been invited to take part in a big New Year's

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<v Speaker 1>Eve show at the Wiltern in Los Angeles that featured

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<v Speaker 1>a bunch of major nineties rock bands and folk singers.

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<v Speaker 1>She was amazingly talented. I saw her play myself three

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<v Speaker 1>nights before she died. But hold on, let's back up

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<v Speaker 1>a second last episode. I told you how I began

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<v Speaker 1>to suspect Connor Langford was the Domino Beach killer months earlier,

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<v Speaker 1>in late April nineteen ninety five.

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<v Speaker 4>To be honest with you, Connor Langford was one of

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<v Speaker 4>the first people I looked at way back in fall

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<v Speaker 4>of ninety two.

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<v Speaker 1>That's Damon Stokes, retired Sheriff of Delsall County.

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<v Speaker 4>Some things about his original story just seemed a little

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<v Speaker 4>too coincidental to me. First of all, I found it strange,

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<v Speaker 4>with his history with a victim, that he and his

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<v Speaker 4>friend were the first ones to find Virick Hendrick's body.

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<v Speaker 4>He claimed he saw what he thought was some trash

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<v Speaker 4>over by the rocks, and that's why he came over

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<v Speaker 4>to investigate.

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<v Speaker 5>But far as I could tell.

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<v Speaker 4>You couldn't see her body until you got right up

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<v Speaker 4>on the rocks. And he said he spotted her from,

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<v Speaker 4>you know, maybe two hundred yards away. Now, it's true

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<v Speaker 4>that the body had been knocked around by the waves

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<v Speaker 4>a little before I got there, so it's possible he

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<v Speaker 4>saw something I didn't. But then when he told me

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<v Speaker 4>I knew her, and later when I found out that

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<v Speaker 4>he'd had sexual relations.

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<v Speaker 5>With her, I mean, I don't know. It just didn't

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<v Speaker 5>sit right.

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<v Speaker 4>But he did seem genuinely saddened by her death, and

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<v Speaker 4>maybe that's how he was able to convince me of

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<v Speaker 4>his innocence.

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<v Speaker 6>I don't know.

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<v Speaker 1>I'm sure you never had any reason to question him.

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<v Speaker 1>In the nineteen ninety three death of Billy Boy Reeves.

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<v Speaker 1>But what about the ASU students in ninety four? Was

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<v Speaker 1>he ever questioned?

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<v Speaker 4>Well, sure, he'd been seen at those girl's house that week.

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<v Speaker 4>He even admitted to being there the night that they

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<v Speaker 4>were murdered. But you know, about two or three other

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<v Speaker 4>dozen people were there, you know, And Connor answered all

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<v Speaker 4>my questions.

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<v Speaker 5>To my satisfactions.

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<v Speaker 4>I didn't suspect him of those murders any more than

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<v Speaker 4>I suspected Stan Majors, who ended up taking the charges

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<v Speaker 4>for them posthumously.

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<v Speaker 1>As you say, you know, and Angela Bowers. You may

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<v Speaker 1>remember Angela Bowers from episode four, the only person to

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<v Speaker 1>ever escape from the Domino Beach Killer with her life.

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<v Speaker 4>I brought in just about every white male between the

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<v Speaker 4>ages of twenty one and thirty five I could get

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<v Speaker 4>my hands on to put in a lineup who would

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<v Speaker 4>say the words. Angela remembered him saying.

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<v Speaker 3>Scream and you die right here, and now yeah.

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<v Speaker 5>Those other ones.

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<v Speaker 4>Unfortunately, she was not the greatest witness in the world.

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<v Speaker 4>I mean, she identified eight people before she admitted, I say,

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<v Speaker 4>realized she just couldn't remember what the guy sounded like.

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<v Speaker 1>Was Connor Langford one of the men in those lineups?

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<v Speaker 4>No, I tried to bring him in, but his father

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<v Speaker 4>got him out of it.

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<v Speaker 1>In defense of the retired sheriff, Angela did tell me

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<v Speaker 1>when I was interviewing her the morning after her attack,

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<v Speaker 1>that she didn't think she'd be able to identify the

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<v Speaker 1>man who tried to abduct her. She never got a

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<v Speaker 1>good look at him, and all she could remember about

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<v Speaker 1>his voice was that he was disguising it. But what

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<v Speaker 1>if Connor Langford had been forced to go into the

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<v Speaker 1>sheriff station stand in a lineup with a bunch of

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<v Speaker 1>other guys his age, and read that line in a

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<v Speaker 1>gravelly voice like everyone else Sheriff's Stokes brought in. Would

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<v Speaker 1>that little light bulb have gone off for her? Would

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<v Speaker 1>Angela have been able to identify him? Would one Fsice

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<v Speaker 1>and Trudy Masterson still be alive? We'll never know. It's

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<v Speaker 1>easy to blame Sheriff Stokes for missing what he missed,

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<v Speaker 1>especially with the benefit of hindsight, But I'm equally to blame.

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<v Speaker 1>My own investigation into Connor Langford wasn't exactly turning up

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<v Speaker 1>any new evidence. In fact, all I had was my

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<v Speaker 1>gut telling me it was him, and after a few

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<v Speaker 1>months I was starting to doubt myself. I didn't dare

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<v Speaker 1>share my thoughts with anyone, not Sheriff Stokes and certainly

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<v Speaker 1>not my editor or anyone else at the Soochul Journal.

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<v Speaker 1>If it had gotten back to Counselman Langford that I

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<v Speaker 1>was investigating his son for multiple homicides, it would have

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<v Speaker 1>been very difficult for me to continue living and working

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<v Speaker 1>in Domino Beach. So much to my regret, I kept

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<v Speaker 1>my mouth shut, and my cowardice may have cost Trudy

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<v Speaker 1>masters in her life.

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<v Speaker 6>I saw her last show, you know.

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<v Speaker 1>Speak of the Devil. That's Connor Langford himself, the man who,

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<v Speaker 1>in November nineteen ninety five, at the time of Trudy

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<v Speaker 1>Masterson's death, I believe to be the Domino Beach killer.

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<v Speaker 6>I was working as.

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<v Speaker 7>A bar back in Triple B's, you know, washing glasses,

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<v Speaker 7>changing out the kegs.

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<v Speaker 2>Big change for you. Back in April of that year.

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<v Speaker 2>You were performing at Triple B's with your band.

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<v Speaker 6>That wasn't my band. My band died months before that.

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<v Speaker 7>Those guys just thought I'd help pull in some extra

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<v Speaker 7>bodies to hear them play. But I guess I turned

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<v Speaker 7>out to be more trouble than I was worth. They

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<v Speaker 7>kicked me out of the band in early July. Can

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<v Speaker 7>you believe that what a pain I must have been

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<v Speaker 7>if they were willing to lose their singer and guitarists

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<v Speaker 7>at the peak of the summer tourist season.

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<v Speaker 2>Although tourism was down that year, well, the.

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<v Speaker 7>Peak is still the peak, even if it's not as

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<v Speaker 7>high as it used to be.

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<v Speaker 2>What made you want to get a job as a

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<v Speaker 2>bar back?

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<v Speaker 6>I was fucking broke.

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<v Speaker 7>I was still crashing at my parents' poolhouse, but my

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<v Speaker 7>dad had frozen me out. I could get my mom

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<v Speaker 7>to slide me a little cash every now and then,

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<v Speaker 7>but that all went towards weed and.

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<v Speaker 1>H strange to witness. Honor Langford had been everyone's favorite

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<v Speaker 1>surfer dude in Domino Beach for years, but in late

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<v Speaker 1>nineteen ninety five he was already washed up, and he

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<v Speaker 1>wasn't even thirty years old.

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<v Speaker 7>I'd sold almost everything I owned for drug money by

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<v Speaker 7>that point, even my guitar. The only thing I held

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<v Speaker 7>on to was my surfboard, and I don't even know why.

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<v Speaker 7>I never surfed anymore. I never did anything. They gave

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<v Speaker 7>me that job at Triple Bee's out of pity, you know,

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<v Speaker 7>I had never had a job in my life before

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<v Speaker 7>that fucking pathetic man Christ would a goddamn mess I was,

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<v Speaker 7>I guess I don't blame you for believing I was

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<v Speaker 7>some piece of shit serial killer like Ted Bundy or whoever,

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<v Speaker 7>although those guys usually have a pretty serious sense of

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<v Speaker 7>self importance, right, and I think it should have been

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<v Speaker 7>obvious to anyone that I lacked any kind of ambition.

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<v Speaker 2>So can we get back to Trudy's final show?

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<v Speaker 6>Yeah? Yeah, sorry.

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<v Speaker 7>He was quiet that night, even quieter than usual. I mean,

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<v Speaker 7>the bar was practically empty. They didn't really need me there,

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<v Speaker 7>but then again, they never needed me. Trudy was up

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<v Speaker 7>on stage with her acoustic guitar. You know, she was

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<v Speaker 7>way better than I could have ever hoped to be.

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<v Speaker 7>She was a real musician. I was just playing at it.

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<v Speaker 6>She just had a.

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<v Speaker 7>Presence, you know, just her and her guitar, and somehow

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<v Speaker 7>it felt more full and complete than.

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<v Speaker 6>Like a five man band. She had a soulful voice,

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<v Speaker 6>kind of husky, full of emotion.

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<v Speaker 2>Sounds like you were jealous of her.

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<v Speaker 6>God damn right, I was jealous of her.

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<v Speaker 7>But I can't even imagine who would want to take

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<v Speaker 7>someone like her away from the world. She was gonna

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<v Speaker 7>be a star. So at the end of the night

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<v Speaker 7>she started playing a few popular songs, but not like

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<v Speaker 7>the ones I.

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<v Speaker 6>Played in that cover band I was in.

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<v Speaker 7>We were trying to sound just like whoever you know,

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<v Speaker 7>Nirvana up Pearl Jammed the Chili's.

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<v Speaker 6>We were trying to replicate their sound. Not Trudy.

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<v Speaker 7>She took a song and she made it her own

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<v Speaker 7>and it was usually better than the original. Fucking amazing

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<v Speaker 7>how she could do that. The final song she did

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<v Speaker 7>that night, well ever, I guess, was this slow down

0:12:38.160 --> 0:12:41.319
<v Speaker 7>acoustic version of Only Happy When It Rains by Garbage.

0:12:41.600 --> 0:12:42.280
<v Speaker 6>Remember that one?

0:12:42.840 --> 0:12:43.520
<v Speaker 2>I remember it?

0:12:43.800 --> 0:12:46.040
<v Speaker 7>Good song I'm too bad? You never heard it played

0:12:46.040 --> 0:12:49.280
<v Speaker 7>by Trudy Masterson. It was fucking haunting.

0:12:51.960 --> 0:12:55.679
<v Speaker 1>So here's what happened after Trudy wrapped up her final show.

0:12:56.640 --> 0:12:59.240
<v Speaker 4>According to Jeffrey Franklin, the owner of the Triple B's,

0:13:00.080 --> 0:13:03.720
<v Speaker 4>Prudy Masterson finished her set just after eleven pm on Thursday,

0:13:03.760 --> 0:13:05.680
<v Speaker 4>November sixteenth, nineteen ninety five.

0:13:07.679 --> 0:13:10.720
<v Speaker 6>Jeff tried hitting on her every night, even though she

0:13:10.800 --> 0:13:14.360
<v Speaker 6>made it crystal clear she was playing for a different team, you.

0:13:14.240 --> 0:13:17.800
<v Speaker 2>Know, So you're saying she was gay, How did you know?

0:13:17.960 --> 0:13:19.440
<v Speaker 6>It wasn't like it was a secret.

0:13:20.280 --> 0:13:21.880
<v Speaker 7>I mean, I talked to her a few times, and

0:13:21.920 --> 0:13:24.080
<v Speaker 7>it's not like she ever told me. But she could

0:13:24.120 --> 0:13:26.240
<v Speaker 7>have given a shit about me or any other guy

0:13:26.280 --> 0:13:29.200
<v Speaker 7>in the bar. But if there was a cute girl there,

0:13:29.800 --> 0:13:32.480
<v Speaker 7>Judy was eyeing her and smiling at her through her

0:13:32.480 --> 0:13:36.040
<v Speaker 7>whole set. But Jeff must have missed that, because whenever

0:13:36.160 --> 0:13:38.080
<v Speaker 7>she got to the bar, or right before she left,

0:13:38.200 --> 0:13:40.080
<v Speaker 7>he'd find some reason to go over and talk to

0:13:40.120 --> 0:13:41.360
<v Speaker 7>her and try to flirt.

0:13:41.400 --> 0:13:41.600
<v Speaker 6>You know.

0:13:42.440 --> 0:13:44.400
<v Speaker 7>That night he was asking her if she mightded playing

0:13:44.400 --> 0:13:46.480
<v Speaker 7>more covers, you know, because tomorrow's Friday and there'll be

0:13:46.520 --> 0:13:50.240
<v Speaker 7>more customers and people like music they already know. And

0:13:50.280 --> 0:13:52.000
<v Speaker 7>like I said, that garbage cover she did with some

0:13:52.040 --> 0:13:56.000
<v Speaker 7>fucking next level shit. So while I was cleaning up

0:13:56.000 --> 0:13:58.000
<v Speaker 7>behind the bar, I watched her and Jeff talk for

0:13:58.040 --> 0:14:00.760
<v Speaker 7>a while, and she's smiling and nod along, but it's

0:14:00.800 --> 0:14:02.440
<v Speaker 7>so obvious she just wants to get out of there

0:14:02.480 --> 0:14:05.320
<v Speaker 7>and go back to her motel. She couldn't pack her

0:14:05.320 --> 0:14:07.400
<v Speaker 7>guitar away fast enough. She was out the door by

0:14:07.600 --> 0:14:09.280
<v Speaker 7>eleven twenty eleven thirty latest.

0:14:10.000 --> 0:14:12.520
<v Speaker 4>Mister Franklin said that within minutes of Trudy masters and

0:14:12.679 --> 0:14:16.640
<v Speaker 4>leaving the bar, he told Connor Langford to clock out.

0:14:17.880 --> 0:14:20.360
<v Speaker 7>Yeah, I'd broken a couple of glasses and he got mad,

0:14:20.440 --> 0:14:21.960
<v Speaker 7>told me to go home and sleep it off.

0:14:22.240 --> 0:14:22.880
<v Speaker 2>You were high.

0:14:23.560 --> 0:14:26.920
<v Speaker 7>I don't even remember. I was always either high or

0:14:27.040 --> 0:14:29.360
<v Speaker 7>chones in back then. I just don't remember which I

0:14:29.520 --> 0:14:30.200
<v Speaker 7>was that night.

0:14:31.760 --> 0:14:34.320
<v Speaker 4>Franklin said he didn't think Connor was on anything that night.

0:14:35.000 --> 0:14:37.520
<v Speaker 4>He said he seemed Connor high many times, but that

0:14:37.720 --> 0:14:40.880
<v Speaker 4>night he was stone cold, sober. He left the bar

0:14:41.360 --> 0:14:42.880
<v Speaker 4>no more than fifteen minutes.

0:14:42.640 --> 0:14:46.320
<v Speaker 1>After Trudy, So maybe he broke the glasses on purpose,

0:14:46.560 --> 0:14:48.120
<v Speaker 1>like he was trying to get sent home.

0:14:48.240 --> 0:14:49.240
<v Speaker 5>Oh that's what I believe you.

0:14:51.320 --> 0:14:54.000
<v Speaker 1>It was four blocks to the motel where Trudy was staying,

0:14:54.120 --> 0:14:56.440
<v Speaker 1>and she walked to it every night after she played

0:14:56.480 --> 0:15:00.000
<v Speaker 1>at Triple B's, but she didn't make it there that night.

0:15:02.040 --> 0:15:03.800
<v Speaker 4>It was the same time of year as the attack

0:15:03.840 --> 0:15:06.680
<v Speaker 4>on Angela Bauers in nineteen ninety four, and I know

0:15:06.760 --> 0:15:09.600
<v Speaker 4>Miss Masterson had been told it wasn't the best idea

0:15:09.640 --> 0:15:11.040
<v Speaker 4>to walk along late at night.

0:15:12.120 --> 0:15:14.480
<v Speaker 5>But that was the thing about Domino Beach.

0:15:15.720 --> 0:15:18.720
<v Speaker 4>It was clean, the streets were well lit, you hear

0:15:18.760 --> 0:15:20.240
<v Speaker 4>the sound of the waves in the distance.

0:15:21.080 --> 0:15:22.240
<v Speaker 5>It felt perfectly safe.

0:15:22.880 --> 0:15:25.480
<v Speaker 3>Did anyone see Trudy after she left Triple Be's.

0:15:25.640 --> 0:15:28.880
<v Speaker 4>Nope, no one saw, you know, no, no one. I

0:15:28.920 --> 0:15:31.920
<v Speaker 4>talked too, Sar. We don't know if she tried to

0:15:31.920 --> 0:15:34.160
<v Speaker 4>go straight to the motel, or if she tried to

0:15:34.160 --> 0:15:35.960
<v Speaker 4>go for a walk on the beach or the boardwalk

0:15:36.040 --> 0:15:39.920
<v Speaker 4>or what. But we just don't know what time she

0:15:40.000 --> 0:15:42.400
<v Speaker 4>was abducted or from exactly where.

0:15:43.240 --> 0:15:45.440
<v Speaker 1>What we do know is when her body was found

0:15:45.760 --> 0:15:47.800
<v Speaker 1>at roughly three point thirty am on the morning of

0:15:47.840 --> 0:15:51.040
<v Speaker 1>November seventeenth. Trudy was found in a small park that

0:15:51.160 --> 0:15:53.240
<v Speaker 1>ran along the beach on the north end of the city.

0:15:53.840 --> 0:15:56.120
<v Speaker 1>It's really not much of a park. It's a strip

0:15:56.160 --> 0:15:58.840
<v Speaker 1>of grass, a few benches and palm trees, and it's

0:15:58.920 --> 0:16:01.120
<v Speaker 1>right next to the main road that separates the beach

0:16:01.160 --> 0:16:05.000
<v Speaker 1>from the downtown area a little further south. She had

0:16:05.000 --> 0:16:08.400
<v Speaker 1>been raped, beaten, and strangled to death, just like Vera

0:16:08.440 --> 0:16:12.840
<v Speaker 1>Kendrick in nineteen ninety two. Whether the killer intended to

0:16:12.880 --> 0:16:15.120
<v Speaker 1>spray paint some song lyrics near the body, like he

0:16:15.200 --> 0:16:17.800
<v Speaker 1>had done with Vera and Billy Boy Reeves, or whether

0:16:17.840 --> 0:16:20.040
<v Speaker 1>he wanted to leave some music playing, like he had

0:16:20.040 --> 0:16:23.440
<v Speaker 1>with Mary Crouch, Sandra Gerard, and Hally Blake. Will never

0:16:23.520 --> 0:16:27.160
<v Speaker 1>know because this murder had something none of the others had.

0:16:28.040 --> 0:16:29.240
<v Speaker 1>A witness.

0:16:31.040 --> 0:16:33.920
<v Speaker 4>Henrietta Jones had lived in Domino Beach for at least

0:16:34.000 --> 0:16:36.720
<v Speaker 4>ten years. She's always been homeless, at least as long

0:16:36.760 --> 0:16:39.360
<v Speaker 4>as I've known her, and she was in Domino Beach

0:16:39.400 --> 0:16:39.840
<v Speaker 4>before me.

0:16:40.400 --> 0:16:41.360
<v Speaker 3>Did you know Henrietta?

0:16:41.400 --> 0:16:45.240
<v Speaker 5>Well, yeah, pretty well, God rest her soul.

0:16:45.560 --> 0:16:47.840
<v Speaker 4>I wouldn't say we always got along, but you know

0:16:47.920 --> 0:16:49.360
<v Speaker 4>she never gave me any trouble either.

0:16:50.160 --> 0:16:52.120
<v Speaker 5>Did you know her? I mean, you know before this.

0:16:53.440 --> 0:16:56.440
<v Speaker 1>I know, not really. I kind of remember giving her

0:16:56.520 --> 0:16:57.680
<v Speaker 1>change a couple of times.

0:16:57.760 --> 0:16:59.360
<v Speaker 5>But you should have gotten to know her.

0:17:00.120 --> 0:17:02.000
<v Speaker 4>She might have been homeless, but she was sharp as

0:17:02.040 --> 0:17:06.000
<v Speaker 4>attack and she had eyes everywhere apparently, so you know

0:17:06.119 --> 0:17:08.280
<v Speaker 4>she might have been useful to you as a source.

0:17:08.320 --> 0:17:11.080
<v Speaker 5>I mean, you know, this wasn't the first time she'd

0:17:11.119 --> 0:17:11.800
<v Speaker 5>been useful to me.

0:17:12.800 --> 0:17:14.240
<v Speaker 3>I was still really young back then.

0:17:14.480 --> 0:17:17.719
<v Speaker 1>I was probably scared of her, but you're right, as

0:17:17.760 --> 0:17:20.160
<v Speaker 1>a journalist I should have been more open minded about

0:17:20.200 --> 0:17:21.200
<v Speaker 1>the help she could offer.

0:17:21.480 --> 0:17:23.000
<v Speaker 4>Well, like you said, you were young, you know you

0:17:23.080 --> 0:17:24.560
<v Speaker 4>were trying to do it all yourself.

0:17:24.680 --> 0:17:27.360
<v Speaker 3>I'm not disagreeing with you anyway.

0:17:27.640 --> 0:17:33.280
<v Speaker 4>Yeah, anyway, Well it got cool in November, so Henrietta

0:17:33.320 --> 0:17:35.080
<v Speaker 4>would set up a camp in the park, you know,

0:17:35.119 --> 0:17:38.720
<v Speaker 4>where the wind wasn't so bad. And Henriette was real

0:17:38.720 --> 0:17:40.720
<v Speaker 4>good at playing the game. She knew we'd have to

0:17:40.760 --> 0:17:42.679
<v Speaker 4>run her off if she was too visible, so she

0:17:42.720 --> 0:17:46.399
<v Speaker 4>always tucked herself away behind some bushes or trees or

0:17:46.440 --> 0:17:48.840
<v Speaker 4>whatever was around. And as long as she was making

0:17:48.880 --> 0:17:51.120
<v Speaker 4>an effort to stay out of sight, you know, out

0:17:51.119 --> 0:17:54.439
<v Speaker 4>of side of the tourists, we mostly let her be.

0:17:58.320 --> 0:18:01.480
<v Speaker 1>Somewhat ironically, Henry Edta Jones had been something of a

0:18:01.480 --> 0:18:04.080
<v Speaker 1>mother figure to the Killer's first victim, Vera Hendrick.

0:18:04.720 --> 0:18:06.080
<v Speaker 3>She had given Vera the lay of the.

0:18:06.080 --> 0:18:08.919
<v Speaker 1>Land, todd her where the best panhandling spots were and

0:18:09.000 --> 0:18:11.120
<v Speaker 1>the best times to be there, you know that sort

0:18:11.119 --> 0:18:14.760
<v Speaker 1>of thing. She was a friend to the Killer's first victim,

0:18:14.880 --> 0:18:18.359
<v Speaker 1>and she would help make sure Trudy Masterson was the last.

0:18:28.359 --> 0:18:31.959
<v Speaker 4>According to Henrietta's statement, she heard a car pull up

0:18:31.960 --> 0:18:34.919
<v Speaker 4>and stop at the curb right by the park, and

0:18:35.000 --> 0:18:37.440
<v Speaker 4>someone in her situation knows that when you hear something

0:18:37.520 --> 0:18:39.560
<v Speaker 4>that late at night, it's best to check and make

0:18:39.600 --> 0:18:40.720
<v Speaker 4>sure that it's not a threat.

0:18:41.400 --> 0:18:42.280
<v Speaker 5>So that's what she did.

0:18:43.320 --> 0:18:46.040
<v Speaker 4>And she had set herself up near a little island

0:18:46.080 --> 0:18:48.800
<v Speaker 4>of palm trees and would have been hard to see

0:18:48.800 --> 0:18:52.879
<v Speaker 4>from the road, you know. So she looks out with

0:18:52.960 --> 0:18:56.679
<v Speaker 4>this little makeshift tent and she sees a light colored

0:18:56.720 --> 0:19:00.640
<v Speaker 4>band sitting on the curb by the park. She sees

0:19:00.680 --> 0:19:03.840
<v Speaker 4>a man, although she says she can't identify her. He's

0:19:03.840 --> 0:19:07.000
<v Speaker 4>wearing a hoodie something like that. But she sees him

0:19:07.040 --> 0:19:09.800
<v Speaker 4>open up the back doors of the van and pull

0:19:09.840 --> 0:19:13.240
<v Speaker 4>out a naked body, a naked body of Trudy Masterson.

0:19:14.080 --> 0:19:16.520
<v Speaker 3>She knew it was a body right away, Oh, she

0:19:16.640 --> 0:19:17.240
<v Speaker 3>said she did.

0:19:18.080 --> 0:19:19.959
<v Speaker 4>I mean, she didn't know the woman's name, but she

0:19:20.000 --> 0:19:24.200
<v Speaker 4>said she knew it was a dead person. He got

0:19:24.200 --> 0:19:26.920
<v Speaker 4>Trudy out of the van, grabbed her ankles, and dragged

0:19:26.960 --> 0:19:29.639
<v Speaker 4>her into the grass. Well, I guess it got a

0:19:29.640 --> 0:19:32.480
<v Speaker 4>little too close to Henrietta for comfort, because that's when

0:19:32.520 --> 0:19:32.920
<v Speaker 4>she hit.

0:19:32.840 --> 0:19:33.480
<v Speaker 5>Her air horn.

0:19:33.960 --> 0:19:35.640
<v Speaker 3>Her air horn or air horn.

0:19:35.720 --> 0:19:35.920
<v Speaker 6>Yeah.

0:19:35.960 --> 0:19:38.119
<v Speaker 4>I mean, like I said, she'd been homeless for a

0:19:38.160 --> 0:19:40.640
<v Speaker 4>while and she knew how to take care of herself.

0:19:41.400 --> 0:19:43.920
<v Speaker 4>She had this nasty, rusty old knife of worse came

0:19:43.960 --> 0:19:45.959
<v Speaker 4>to worse, but I never knew where to use it.

0:19:46.240 --> 0:19:48.600
<v Speaker 5>That airhorn, though I'd heard.

0:19:48.440 --> 0:19:51.879
<v Speaker 4>It myself multiple times if someone tried to rob her,

0:19:52.040 --> 0:19:55.280
<v Speaker 4>or she saw someone she didn't like, that thing was

0:19:55.359 --> 0:20:00.280
<v Speaker 4>so loud it would split the night wide open. And

0:20:00.440 --> 0:20:01.240
<v Speaker 4>that's what happened.

0:20:02.080 --> 0:20:02.960
<v Speaker 3>What did the killer do?

0:20:03.480 --> 0:20:05.800
<v Speaker 4>She said, He froze, you know, for about a second,

0:20:06.480 --> 0:20:10.760
<v Speaker 4>looked back, saw her, and did she see him his face, No,

0:20:11.160 --> 0:20:13.480
<v Speaker 4>But she did hit the airhorn again, and he ran

0:20:13.560 --> 0:20:15.679
<v Speaker 4>for his van and peeled off without even bothering to

0:20:15.680 --> 0:20:18.160
<v Speaker 4>close the back doors. When she was sure he was gone,

0:20:18.280 --> 0:20:22.119
<v Speaker 4>Henrietta went to Trudy's body, confirmed or dead, and then

0:20:22.160 --> 0:20:27.840
<v Speaker 4>went to the nearest payphone called nine one one.

0:20:27.880 --> 0:20:30.000
<v Speaker 1>Henrietta Jones may not have gotten a good look at

0:20:30.040 --> 0:20:32.399
<v Speaker 1>the killer, but at this point she was only the

0:20:32.480 --> 0:20:35.000
<v Speaker 1>second person to lay eyes on him at all and

0:20:35.040 --> 0:20:38.520
<v Speaker 1>lived to tell the tale, the first being Angela Bowers

0:20:38.640 --> 0:20:42.919
<v Speaker 1>almost exactly one year earlier. When Angela was attacked, she

0:20:43.040 --> 0:20:45.160
<v Speaker 1>was forced into the back seat of her own car,

0:20:45.480 --> 0:20:48.679
<v Speaker 1>but Henrietta saw the killer driving his own vehicle. A

0:20:48.760 --> 0:20:51.400
<v Speaker 1>light colored van could be white, could be pale blue,

0:20:51.480 --> 0:20:54.879
<v Speaker 1>or yellow, even beige she wasn't sure, but it was

0:20:54.920 --> 0:20:57.360
<v Speaker 1>the best clue police had gotten yet.

0:20:58.240 --> 0:21:00.800
<v Speaker 4>Prudy Masterson's offtopsy showed traces.

0:21:00.440 --> 0:21:03.720
<v Speaker 3>Of rohypnal, the date rate drug Rufie's exactly.

0:21:03.760 --> 0:21:03.960
<v Speaker 6>You know.

0:21:04.200 --> 0:21:06.520
<v Speaker 4>It had been gaining popularity in the US since the

0:21:06.560 --> 0:21:08.960
<v Speaker 4>early nineties, but most people weren't too aware of it,

0:21:09.040 --> 0:21:12.320
<v Speaker 4>I mean, not aware to be on the lookout. Anyway,

0:21:12.480 --> 0:21:15.040
<v Speaker 4>we suspect someone approached her while she was walking back

0:21:15.080 --> 0:21:17.679
<v Speaker 4>to the motel, since all the bars were closed at

0:21:17.680 --> 0:21:20.199
<v Speaker 4>eleven during the off season. Maybe this person convinced her

0:21:20.240 --> 0:21:22.520
<v Speaker 4>to go have a drink on the beach, watch.

0:21:22.359 --> 0:21:23.119
<v Speaker 5>The waves, you know.

0:21:23.359 --> 0:21:25.040
<v Speaker 3>So it might have been someone she knew.

0:21:25.480 --> 0:21:28.639
<v Speaker 4>Might have been, but remember she was a musician and

0:21:28.680 --> 0:21:32.840
<v Speaker 4>she didn't exactly live a risk free lifestyle. Could have

0:21:32.880 --> 0:21:35.000
<v Speaker 4>been that whoever approached or just charmed her.

0:21:35.200 --> 0:21:38.240
<v Speaker 3>However it happened. He somehow slipped her a roofie.

0:21:37.840 --> 0:21:41.080
<v Speaker 4>Right, and it doesn't take long to start feeling the effects.

0:21:41.840 --> 0:21:45.960
<v Speaker 4>And she was raped, yeah, and strangled, and she was

0:21:46.000 --> 0:21:47.679
<v Speaker 4>too out of it to fight back. So again, no

0:21:47.760 --> 0:21:51.560
<v Speaker 4>defense wounds, no skin, hair or blood under the fingernails,

0:21:51.640 --> 0:21:55.280
<v Speaker 4>nothing like that. And when he was done, tried to

0:21:55.280 --> 0:21:57.800
<v Speaker 4>get rid of the body. We were working off the

0:21:57.800 --> 0:22:00.600
<v Speaker 4>theory that the rape and murder occurred inside the van.

0:22:00.680 --> 0:22:02.840
<v Speaker 5>Henrietta saw Pirah.

0:22:02.640 --> 0:22:06.560
<v Speaker 4>Kendrick, Juan Costas, and the other three ASU students were

0:22:06.560 --> 0:22:09.119
<v Speaker 4>all found where they were killed. Only the bodies of

0:22:09.160 --> 0:22:13.679
<v Speaker 4>Billy Boy Reeves and now Trudy Masterson were transported and

0:22:13.720 --> 0:22:14.920
<v Speaker 4>disposed of somewhere else.

0:22:15.880 --> 0:22:17.800
<v Speaker 3>So you really wanted to find that van.

0:22:18.720 --> 0:22:21.080
<v Speaker 5>We wanted to, and we did.

0:22:23.720 --> 0:22:26.919
<v Speaker 1>The van was found the next day, roughly eighty miles

0:22:26.960 --> 0:22:30.199
<v Speaker 1>north of Los Angeles on the Pacific Coast Highway. It

0:22:30.240 --> 0:22:32.639
<v Speaker 1>had been driven off the road into a deep ditch,

0:22:32.960 --> 0:22:36.439
<v Speaker 1>only partially hidden by branches and leaves. Some of Trudy

0:22:36.480 --> 0:22:38.880
<v Speaker 1>Masterson's hair and blood was found in the back.

0:22:40.760 --> 0:22:44.200
<v Speaker 4>That was the day that changed everything, November eighteenth, nineteen

0:22:44.280 --> 0:22:44.840
<v Speaker 4>ninety five.

0:22:45.400 --> 0:22:47.280
<v Speaker 3>Why did everything change that day.

0:22:47.320 --> 0:22:49.639
<v Speaker 4>Because the day we got our first real suspect in

0:22:49.680 --> 0:22:53.840
<v Speaker 4>the case. The van we found was registered to Connor Langford.

0:22:54.920 --> 0:22:59.120
<v Speaker 1>It had finally happened. I started suspecting Connor Langford five

0:22:59.160 --> 0:23:03.480
<v Speaker 1>months earlier. I never voiced my suspicions to anyone. I

0:23:03.560 --> 0:23:05.480
<v Speaker 1>know what you're thinking. It's really easy for me to

0:23:05.480 --> 0:23:07.680
<v Speaker 1>say I knew it was Connor all Along now thirty

0:23:07.760 --> 0:23:09.440
<v Speaker 1>years later, But you're wrong.

0:23:09.840 --> 0:23:12.320
<v Speaker 3>It's not easy. I didn't want to.

0:23:12.359 --> 0:23:15.240
<v Speaker 1>Risk my job by voicing my suspicions about Connor and

0:23:15.280 --> 0:23:18.439
<v Speaker 1>then having his father the counselmansue me and the paper

0:23:18.480 --> 0:23:21.720
<v Speaker 1>into oblivion. And sure that might have happened if I'd

0:23:21.760 --> 0:23:24.440
<v Speaker 1>have been vocal. You know what else might have happened.

0:23:25.240 --> 0:23:32.800
<v Speaker 1>Trudy Masterson might still be alive. Yeah, I understand how

0:23:32.840 --> 0:23:34.840
<v Speaker 1>it looked again, Connor Langford.

0:23:36.320 --> 0:23:39.400
<v Speaker 7>I know why everyone believes I'm guilty. I know why

0:23:39.440 --> 0:23:41.879
<v Speaker 7>almost everyone I cared about turn their backs on me.

0:23:44.160 --> 0:23:45.320
<v Speaker 6>And I'm not saying.

0:23:45.119 --> 0:23:48.199
<v Speaker 7>I didn't deserve the universe to throw some shit in

0:23:48.240 --> 0:23:52.560
<v Speaker 7>my way. I was a fuck up, sure, but I'm

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<v Speaker 7>no killer. I'm saying it now and I said it

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<v Speaker 7>back then. I'm an innocent man.

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<v Speaker 1>The Murder Years is a production of AYR Media and

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<v Speaker 1>iHeartMedia Executive producer Elisa Rosen for AYR Media. Written by

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<v Speaker 1>Tim Huddleston, directed by Elisa Rosen, Editing and sound designed

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<v Speaker 1>by Tristan Bankston, Consulting producer Jean Chandil, coordinator Olive Goldberg.

0:24:34.520 --> 0:24:41.520
<v Speaker 1>Audio engineering and mastering by Justin longerbein studio engineer Josh Hook.

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<v Speaker 1>Original music by Nathan Bankston. Original concept developed in partnership

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<v Speaker 1>with Anne, Margaret Johns, and Greg Spring. Executive producer for iHeartMedia,

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<v Speaker 1>Maya Howard. Performances for this episode by Erica Leniac as

0:25:00.240 --> 0:25:06.520
<v Speaker 1>Courtney Barnes, Tom Virtue as Sheriff Damon Stokes, Alex Salem

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<v Speaker 1>as Connor Langford