1 00:00:00,120 --> 00:00:03,440 Speaker 1: Yo, Yo, Yo Yo. Welcome to another episode of It's 2 00:00:03,560 --> 00:00:06,880 Speaker 1: Up There The Experience formally It's Up There Podcast. I 3 00:00:06,960 --> 00:00:08,560 Speaker 1: go by the name of Big Lord. I want to 4 00:00:08,560 --> 00:00:12,799 Speaker 1: welcome everybody to a safe space for think us. It's 5 00:00:12,880 --> 00:00:17,040 Speaker 1: up There The Experience travels through the culture in a 6 00:00:17,120 --> 00:00:19,440 Speaker 1: way that we rarely see a show be able to do. 7 00:00:19,480 --> 00:00:21,360 Speaker 1: I want to say thank you to everyone. If you're 8 00:00:21,400 --> 00:00:23,439 Speaker 1: listening to the audio side of this, I want to 9 00:00:23,440 --> 00:00:26,000 Speaker 1: send a shout out to revote, and I also want 10 00:00:26,040 --> 00:00:28,360 Speaker 1: to tell you if you want to see the videohead 11 00:00:28,440 --> 00:00:32,080 Speaker 1: the Patreon dot com slash this up their podcast and 12 00:00:32,120 --> 00:00:34,559 Speaker 1: tap in with me. If you call yourself supporting me, 13 00:00:35,240 --> 00:00:39,159 Speaker 1: this is a creative space. And what happens is we 14 00:00:39,200 --> 00:00:42,239 Speaker 1: need support from the people that call themselves supporting us, 15 00:00:42,280 --> 00:00:46,040 Speaker 1: because we don't really understand what support looks like. I 16 00:00:46,159 --> 00:00:49,120 Speaker 1: need people who I'm speaking to the understand you looking 17 00:00:49,159 --> 00:00:51,879 Speaker 1: and speaking with who built it, not who bought it. 18 00:00:52,400 --> 00:00:54,680 Speaker 1: So you're talking to the guy that put the legs 19 00:00:54,720 --> 00:00:57,360 Speaker 1: on the table, not the guy to sat down at 20 00:00:57,400 --> 00:01:00,480 Speaker 1: the table. Fortunate for you, I was able to set 21 00:01:00,480 --> 00:01:03,040 Speaker 1: the table up as well. Let's sit down and cook 22 00:01:03,080 --> 00:01:06,000 Speaker 1: and prepare the meal. So I'm kind of instrumental in 23 00:01:06,120 --> 00:01:09,760 Speaker 1: everything that's going on on this side. But what I 24 00:01:09,800 --> 00:01:14,440 Speaker 1: won't allow them to do is to marginalize and categorize 25 00:01:14,480 --> 00:01:17,960 Speaker 1: what I do as a podcast. And so people know 26 00:01:18,040 --> 00:01:20,399 Speaker 1: that I look at the market and I'm inspired by 27 00:01:20,400 --> 00:01:24,720 Speaker 1: the actions of things and not necessarily by the conversations 28 00:01:24,760 --> 00:01:27,360 Speaker 1: just being had. And so as I take and extract 29 00:01:27,360 --> 00:01:30,800 Speaker 1: the business from what I see, you know, I take 30 00:01:30,840 --> 00:01:32,760 Speaker 1: this from over there, take there from over there in 31 00:01:32,800 --> 00:01:35,600 Speaker 1: regards to business, and I just think it's up there. 32 00:01:35,640 --> 00:01:39,880 Speaker 1: The experience is a good name for the show, Joe 33 00:01:39,959 --> 00:01:42,520 Speaker 1: Rogan being the number one show. You know, we're chasing that. 34 00:01:43,040 --> 00:01:45,840 Speaker 1: You know we're chasing that spot. Got a long way 35 00:01:45,840 --> 00:01:48,120 Speaker 1: to go, but we you know, we're in the fighting. 36 00:01:48,200 --> 00:01:51,560 Speaker 1: We understand what we're up against. Ain't nothing small thing 37 00:01:51,640 --> 00:01:54,680 Speaker 1: to a giant number one. I know they underestimating us. 38 00:01:55,480 --> 00:01:58,000 Speaker 1: No matter how many words I put together, how smooth 39 00:01:58,040 --> 00:02:00,400 Speaker 1: they come out, how I never start enough under that 40 00:02:00,400 --> 00:02:05,160 Speaker 1: don't matter to them. They still doubt it. They don't 41 00:02:05,200 --> 00:02:07,760 Speaker 1: respect their eyes no more. They only respect what's being 42 00:02:07,760 --> 00:02:11,359 Speaker 1: wrote on the paper, the numbers, the interpretation of some data. 43 00:02:11,760 --> 00:02:14,400 Speaker 1: I keep telling you, man, the more that I dig 44 00:02:14,440 --> 00:02:17,359 Speaker 1: and dig I start to understand all they can. It's 45 00:02:17,600 --> 00:02:20,000 Speaker 1: you can take the same that and interpret that more 46 00:02:20,200 --> 00:02:24,120 Speaker 1: the different ways. I'm learning that by scientists, right, because 47 00:02:24,160 --> 00:02:27,600 Speaker 1: before scientists can really present something, it has to go 48 00:02:27,720 --> 00:02:31,280 Speaker 1: through critical peer review, you understand. And so what I'm 49 00:02:31,320 --> 00:02:34,000 Speaker 1: saying is that a lot of times people are take 50 00:02:34,080 --> 00:02:36,760 Speaker 1: that same da and have a totally different argument. So 51 00:02:36,800 --> 00:02:38,560 Speaker 1: then it started to be like, oh who can then 52 00:02:39,080 --> 00:02:42,000 Speaker 1: who can talk about it the best or who can 53 00:02:42,120 --> 00:02:44,520 Speaker 1: articulate it in the best way. Even when you look 54 00:02:44,560 --> 00:02:46,960 Speaker 1: at Fox and C. And then sometime they're talking about 55 00:02:47,000 --> 00:02:50,480 Speaker 1: the same situation from a different perspective, especially when they 56 00:02:50,560 --> 00:02:53,440 Speaker 1: was riding with Trump. It'll be like, on this side, 57 00:02:53,480 --> 00:02:55,400 Speaker 1: Trump is being looked at for this, and then on 58 00:02:55,440 --> 00:02:58,799 Speaker 1: this side, we think Trump is being misrepresented and mistreated 59 00:02:58,800 --> 00:03:01,760 Speaker 1: by the federal government. And sometimes as I speak to 60 00:03:01,800 --> 00:03:03,800 Speaker 1: my audience, I sit back and I say, alone, you're 61 00:03:03,880 --> 00:03:06,000 Speaker 1: leading the charge, right, so you better make sure you're 62 00:03:06,000 --> 00:03:10,240 Speaker 1: paying attention the people you talk to. They're talking to 63 00:03:10,320 --> 00:03:12,680 Speaker 1: some people that can't be spoken with by most of 64 00:03:12,680 --> 00:03:16,960 Speaker 1: the people, right, So you're dealing with a specific set 65 00:03:17,000 --> 00:03:20,160 Speaker 1: of people on that side, although your audience is broad, 66 00:03:20,240 --> 00:03:23,600 Speaker 1: but you're raking in some people that ain't nobody else 67 00:03:23,720 --> 00:03:26,480 Speaker 1: able to communicate to, and there's something that's happening there, 68 00:03:26,480 --> 00:03:29,440 Speaker 1: and that's a weird thing that they're gonna underestimate. But 69 00:03:29,480 --> 00:03:32,680 Speaker 1: I understand the power wall. When I saw Tyler Pierr 70 00:03:32,720 --> 00:03:35,960 Speaker 1: and he spoke about working the chilling circuit, what they 71 00:03:36,040 --> 00:03:39,400 Speaker 1: considered the chilling circuit. See, I saw Boosty get rich 72 00:03:39,480 --> 00:03:41,920 Speaker 1: from the chilling circuit. I know Hustle. I know what 73 00:03:42,040 --> 00:03:44,680 Speaker 1: you did, so I understand a little bit plus a 74 00:03:44,680 --> 00:03:47,520 Speaker 1: little bit is a lot. But what that allows you 75 00:03:47,600 --> 00:03:50,600 Speaker 1: to do is you bag a creator in the coin 76 00:03:50,680 --> 00:03:53,800 Speaker 1: and you figure way out. Now he empowers himself. Now 77 00:03:53,840 --> 00:03:57,440 Speaker 1: that makes him triple powerful. You don't understand that they 78 00:03:57,480 --> 00:04:00,920 Speaker 1: were vulnerable and needing a push at certain time. Had 79 00:04:00,920 --> 00:04:03,440 Speaker 1: you took advantage of that, you will be up with them, 80 00:04:03,480 --> 00:04:06,480 Speaker 1: because they're going up. Some things are undeniable if you 81 00:04:06,600 --> 00:04:09,000 Speaker 1: understand them and they roars for them, and you respect 82 00:04:09,000 --> 00:04:12,400 Speaker 1: the future. I heard Carlos Miller say something shut out 83 00:04:12,440 --> 00:04:15,240 Speaker 1: to Carlos shut out to the whole eighty five South 84 00:04:15,360 --> 00:04:19,400 Speaker 1: Chad all y'all. But he was speaking about how some 85 00:04:19,480 --> 00:04:23,719 Speaker 1: of these old comedians want to attack the way that 86 00:04:23,800 --> 00:04:27,599 Speaker 1: some of these new guys are getting paid for disrupting 87 00:04:27,640 --> 00:04:30,680 Speaker 1: the industry. And I was gonna talk about this later, 88 00:04:30,720 --> 00:04:34,640 Speaker 1: but we'll kind of get into this right now. And 89 00:04:34,760 --> 00:04:40,320 Speaker 1: Carlos was saying, like, Yo, man, whatever then folk like 90 00:04:40,480 --> 00:04:42,600 Speaker 1: you for, man, when you show up to the comedy 91 00:04:42,600 --> 00:04:44,960 Speaker 1: club or wherever they're booking you at. Man, you need 92 00:04:45,000 --> 00:04:46,840 Speaker 1: to do that right there, what they like you for. 93 00:04:49,000 --> 00:04:52,120 Speaker 1: But see he did the one information because oftentimes what 94 00:04:52,279 --> 00:04:54,800 Speaker 1: happens is either the people ahead of you or the 95 00:04:54,839 --> 00:04:58,000 Speaker 1: people that's falling under you, or try to trick you 96 00:04:58,160 --> 00:05:02,200 Speaker 1: out of not being you because ever deadly you're moving up. 97 00:05:02,240 --> 00:05:03,720 Speaker 1: So they'll tell you, boy, you know where you're going 98 00:05:03,760 --> 00:05:05,840 Speaker 1: there ain't wor hey, that ain't gonna work, or keep 99 00:05:05,880 --> 00:05:08,280 Speaker 1: doing that. Boy, you're going that way. I don't think 100 00:05:08,320 --> 00:05:10,279 Speaker 1: any gonna book you from with that. Man, they ain't 101 00:05:10,279 --> 00:05:13,400 Speaker 1: really doing that. They're gonna try to throw yea off you. 102 00:05:13,720 --> 00:05:18,120 Speaker 1: But you gotta know, man, this ship working. Jel Tyler Pierre, 103 00:05:18,160 --> 00:05:20,360 Speaker 1: I dress up as mcdilla. They called him out all 104 00:05:20,440 --> 00:05:23,960 Speaker 1: kind of shot there. But boy, I'm making forty sixty 105 00:05:24,040 --> 00:05:26,440 Speaker 1: seven the eighty million any time they dropped, So what 106 00:05:26,560 --> 00:05:28,840 Speaker 1: they're telling me is working. Just shut up about what 107 00:05:28,880 --> 00:05:32,640 Speaker 1: they're saying. Emotions are fickle, they change. Let them say 108 00:05:32,680 --> 00:05:35,160 Speaker 1: whatever they want to say, and let's deal with the information. 109 00:05:35,520 --> 00:05:38,159 Speaker 1: We win it. Because they were speaking about how phase 110 00:05:38,200 --> 00:05:41,320 Speaker 1: are in love. And again some of these other comedians 111 00:05:41,400 --> 00:05:44,080 Speaker 1: will speak to being in some of these classic movies 112 00:05:44,160 --> 00:05:46,560 Speaker 1: like Friday, and I understand what they're saying, but they 113 00:05:46,600 --> 00:05:50,640 Speaker 1: sound like Mama them. You know, don't you get your 114 00:05:50,760 --> 00:05:53,000 Speaker 1: don't you put your money? No, big corn, you better 115 00:05:53,080 --> 00:05:56,280 Speaker 1: get you a job. You're a nice lunch box, or 116 00:05:56,400 --> 00:05:58,719 Speaker 1: get you a nice hard head and put you forty 117 00:05:58,839 --> 00:06:01,960 Speaker 1: years in son, that's the safest route. That's a lot 118 00:06:02,000 --> 00:06:05,320 Speaker 1: of unseen happened. Sound like Mamin them. You got to 119 00:06:05,400 --> 00:06:07,720 Speaker 1: tell mamin them. Now, Look, they got the Internet. I 120 00:06:07,760 --> 00:06:09,800 Speaker 1: can drop ship man. They got the way I can 121 00:06:09,839 --> 00:06:12,119 Speaker 1: create some hit it over here. And then they're sitting 122 00:06:12,200 --> 00:06:15,640 Speaker 1: I'm making eighteen percent of n ain't even involved in it. 123 00:06:15,720 --> 00:06:18,960 Speaker 1: Then they got affiliated marketing man. I got eighteen million 124 00:06:19,040 --> 00:06:22,120 Speaker 1: people over all these platforms they've done, interacted with them 125 00:06:22,160 --> 00:06:24,000 Speaker 1: over the last nine months. What I can do with 126 00:06:24,080 --> 00:06:27,080 Speaker 1: that ain't the right. So they don't even You're talking 127 00:06:27,160 --> 00:06:30,560 Speaker 1: over the head until they see the money. But he 128 00:06:30,680 --> 00:06:36,000 Speaker 1: sounded like someone that's disconnected from the current industry, and 129 00:06:36,120 --> 00:06:38,719 Speaker 1: that will speak to your ability to be booked, because 130 00:06:38,760 --> 00:06:40,800 Speaker 1: if you're being booked on some of these high level 131 00:06:41,440 --> 00:06:45,320 Speaker 1: shows or some of these high priced movie sets, you're 132 00:06:45,360 --> 00:06:49,480 Speaker 1: running into these internet guys. These guys you would call 133 00:06:49,640 --> 00:06:53,080 Speaker 1: internet guys. What they paid you, they probably paying him 134 00:06:53,120 --> 00:06:57,120 Speaker 1: more and he on the same set if you're being booked. 135 00:06:57,120 --> 00:07:00,920 Speaker 1: But if you're just doing your same look fan base 136 00:07:01,000 --> 00:07:03,200 Speaker 1: and you ain't getting outside of that, you probably don't 137 00:07:03,240 --> 00:07:07,040 Speaker 1: know how effective that that crossover is. Now they don't 138 00:07:07,040 --> 00:07:08,880 Speaker 1: add to that cross over to the game. You probably 139 00:07:08,880 --> 00:07:11,400 Speaker 1: don't know how effective that muffle wanted thank you going 140 00:07:11,480 --> 00:07:14,280 Speaker 1: that when you hung is more? Yeah, you ain't never 141 00:07:14,360 --> 00:07:16,760 Speaker 1: done that, So you're you just want to want to 142 00:07:16,840 --> 00:07:23,280 Speaker 1: dribble like his hell high percentage shots. You know, we'll 143 00:07:23,360 --> 00:07:26,920 Speaker 1: throw oop over here, home boy. In regards to hustling, 144 00:07:27,400 --> 00:07:31,200 Speaker 1: yeah over here, why man, we're through behind the back. 145 00:07:31,320 --> 00:07:34,480 Speaker 1: We'll do yeah, we'll do some month conventional to get 146 00:07:34,480 --> 00:07:36,760 Speaker 1: the skull over here. We won't sell our soul, a 147 00:07:36,840 --> 00:07:41,160 Speaker 1: compromise our integrity. But I approach you be unconventional in 148 00:07:41,200 --> 00:07:43,960 Speaker 1: regards to the market, because we come with a different 149 00:07:43,960 --> 00:07:47,480 Speaker 1: set of skills, the skills that they have in the market. 150 00:07:47,520 --> 00:07:50,160 Speaker 1: And that's when I say when people talk about some 151 00:07:50,240 --> 00:07:53,360 Speaker 1: of these guys being booked off the internet, they don't understand. 152 00:07:53,440 --> 00:07:56,320 Speaker 1: Number One, they gotta be doing something because they cutting 153 00:07:56,360 --> 00:08:00,440 Speaker 1: into your money. If they're in the town the night 154 00:08:00,520 --> 00:08:02,960 Speaker 1: you in the town, you got a conversation, they probably 155 00:08:03,000 --> 00:08:05,320 Speaker 1: need to be had. They might need to give a 156 00:08:05,320 --> 00:08:08,480 Speaker 1: few more tickets away for free if we being honest, 157 00:08:10,480 --> 00:08:13,560 Speaker 1: and that don't speak to your legendary status. That speaks 158 00:08:13,600 --> 00:08:16,280 Speaker 1: to your current value in the market. And that's just 159 00:08:16,400 --> 00:08:19,960 Speaker 1: being honest, right, So if you don't understand it, they 160 00:08:19,960 --> 00:08:22,840 Speaker 1: didn't added the cross over that they didn't added the 161 00:08:22,920 --> 00:08:26,160 Speaker 1: play action. Say they got a little play now they 162 00:08:26,240 --> 00:08:28,920 Speaker 1: called the play action where they act like they handed off. 163 00:08:28,920 --> 00:08:33,760 Speaker 1: You look up and the wide receiver running. Y'all. If 164 00:08:33,800 --> 00:08:37,480 Speaker 1: you didn't know that, that's on you. And if you're 165 00:08:37,480 --> 00:08:39,840 Speaker 1: not tapped into that, you're leaving a bunch of yards 166 00:08:39,880 --> 00:08:44,480 Speaker 1: on the field. So even like Colos was speaking on like, 167 00:08:44,760 --> 00:08:47,560 Speaker 1: while he talking, he got fans waiting on him to 168 00:08:47,600 --> 00:08:49,720 Speaker 1: do something on the net or do something kind of 169 00:08:50,240 --> 00:08:53,160 Speaker 1: evolving in regards to his brain. That's the thing about 170 00:08:53,200 --> 00:08:55,280 Speaker 1: people that's been in the industry a long time. A 171 00:08:55,320 --> 00:08:58,520 Speaker 1: lot of times that captured in regards to the way 172 00:08:58,520 --> 00:09:02,280 Speaker 1: that they think. A lot of times you run into 173 00:09:02,280 --> 00:09:05,080 Speaker 1: the people that's in position to change lives and also 174 00:09:05,280 --> 00:09:11,080 Speaker 1: empower creatives, and you're disappointed in their discernment. They have 175 00:09:11,360 --> 00:09:15,480 Speaker 1: no attention to details. You know, the direction is just off. 176 00:09:15,559 --> 00:09:17,800 Speaker 1: But I think it's hard for human being to look 177 00:09:17,840 --> 00:09:20,520 Speaker 1: at what worked for them and say that this ain't 178 00:09:20,559 --> 00:09:24,120 Speaker 1: working no more, especially if it's some little flashes in 179 00:09:24,160 --> 00:09:26,840 Speaker 1: the pain where you still might get booked for a 180 00:09:26,880 --> 00:09:30,280 Speaker 1: good number once a year and you're still doing seving 181 00:09:30,320 --> 00:09:32,480 Speaker 1: the shows a year for a good number in your 182 00:09:32,480 --> 00:09:35,400 Speaker 1: house still so sometimes you still there. Now when I'm 183 00:09:35,440 --> 00:09:39,400 Speaker 1: doing it's still working. And them young bad mansions, young 184 00:09:39,760 --> 00:09:43,680 Speaker 1: buying yachts and young tennex and they net worth. But 185 00:09:43,760 --> 00:09:45,600 Speaker 1: I think half of it man. And I was telling 186 00:09:45,640 --> 00:09:47,600 Speaker 1: my young homie this the other day, you know, I 187 00:09:47,679 --> 00:09:49,719 Speaker 1: had a few minutes to be able to talk to him, 188 00:09:49,800 --> 00:09:53,680 Speaker 1: and I was telling them it's all about mindset. You know, 189 00:09:53,760 --> 00:09:56,480 Speaker 1: the glass had empty, the glass had full. We all 190 00:09:56,480 --> 00:09:59,320 Speaker 1: see life through the leads of our experiences, and me 191 00:09:59,400 --> 00:10:02,880 Speaker 1: as I try at State Farm, we're committed to uplifting 192 00:10:02,920 --> 00:10:07,400 Speaker 1: black futures. In collaboration with organizations like one hundred Black 193 00:10:07,400 --> 00:10:10,960 Speaker 1: Men and National Urban League, State Farm provides high school 194 00:10:10,960 --> 00:10:14,319 Speaker 1: students with the opportunity to learn and apply best practice 195 00:10:14,360 --> 00:10:18,760 Speaker 1: strategies for saving and investing, all while offering academic support, 196 00:10:19,160 --> 00:10:22,600 Speaker 1: life skills, and exposure to college access programs to prepare 197 00:10:22,720 --> 00:10:26,280 Speaker 1: these students for life after high school. Check out one 198 00:10:26,360 --> 00:10:30,400 Speaker 1: hundred black Men dot org and NUL dot org to 199 00:10:30,559 --> 00:10:33,640 Speaker 1: donate and learn more. Like a good neighbor, State Farm 200 00:10:33,720 --> 00:10:40,280 Speaker 1: is there plain my involvement in life to my children 201 00:10:40,400 --> 00:10:43,080 Speaker 1: right as they as I try to understand, as I 202 00:10:43,160 --> 00:10:47,680 Speaker 1: try to help them understand. Listen, you gotta shadow world 203 00:10:47,760 --> 00:10:50,040 Speaker 1: with some people that may not be as way of 204 00:10:50,120 --> 00:10:54,120 Speaker 1: put together as you. You gotta shadow world will people 205 00:10:54,120 --> 00:10:57,160 Speaker 1: that may be more put together in you. You gotta 206 00:10:57,200 --> 00:11:02,240 Speaker 1: be comfortable with what you are to What will happen 207 00:11:02,440 --> 00:11:05,280 Speaker 1: is you get called chasing other people money, You get 208 00:11:05,280 --> 00:11:09,440 Speaker 1: called chasing other people houses, chasing other people women, chasing 209 00:11:09,520 --> 00:11:12,240 Speaker 1: other people dreams. You get caught in there, and then 210 00:11:12,320 --> 00:11:16,600 Speaker 1: you go through an identity crisis. You ain't dealing with information, 211 00:11:16,679 --> 00:11:20,280 Speaker 1: you ain't dealing with wantson needs, you're dealing with trying 212 00:11:20,280 --> 00:11:22,280 Speaker 1: to keep up with him. Do what they doing, make 213 00:11:22,320 --> 00:11:24,640 Speaker 1: sure you're doing them? Am I looking like them? Look 214 00:11:24,679 --> 00:11:27,640 Speaker 1: the South belong in the job. Man. You can't find 215 00:11:27,679 --> 00:11:31,080 Speaker 1: yourself chasing in that way. Once you're comfortable with the 216 00:11:31,120 --> 00:11:33,640 Speaker 1: age ooe saying that what God has for you, it 217 00:11:33,760 --> 00:11:37,200 Speaker 1: is for you. I think you're elevating a way that's unseen. 218 00:11:38,520 --> 00:11:40,959 Speaker 1: I look at life, man, and it's hard. Right. Your 219 00:11:41,000 --> 00:11:44,280 Speaker 1: emotions are getting involved and you'll start to be like, hey, yo, 220 00:11:44,360 --> 00:11:46,520 Speaker 1: how they're making money? Man, They're making more money at 221 00:11:46,559 --> 00:11:49,559 Speaker 1: the same time by nothing. Then folks, hey, you say that, 222 00:11:50,200 --> 00:11:53,880 Speaker 1: ain't say you'll be thinking, Man, I put it. I'm 223 00:11:53,880 --> 00:11:56,040 Speaker 1: putting numbers. I'm putting numbers up on the board. How 224 00:11:56,400 --> 00:11:58,560 Speaker 1: what are you talking about? They said, what about Liza 225 00:11:59,280 --> 00:12:02,800 Speaker 1: top ten? But that's emotions. The other side of that 226 00:12:02,960 --> 00:12:07,720 Speaker 1: is information. This is the industry, right, you're on the house. 227 00:12:08,320 --> 00:12:10,679 Speaker 1: You're just now being inserted in the industry. And then 228 00:12:10,720 --> 00:12:13,360 Speaker 1: you got to move around in a very effective way. 229 00:12:13,920 --> 00:12:16,559 Speaker 1: Number One, you gotta remember you don't know no about it. 230 00:12:17,520 --> 00:12:19,400 Speaker 1: I was sitting next to the lady that was the 231 00:12:19,920 --> 00:12:23,440 Speaker 1: motown people not knowing this is the lady that's in 232 00:12:23,559 --> 00:12:26,520 Speaker 1: the documentary. I mean, I know I'm with the people, 233 00:12:26,600 --> 00:12:29,600 Speaker 1: but I didn't know, right, So I'm saying, you don't 234 00:12:29,600 --> 00:12:32,280 Speaker 1: know who is who, and you've been inserted in here. 235 00:12:32,280 --> 00:12:36,160 Speaker 1: And make sure that you understand the magnitude when I 236 00:12:36,280 --> 00:12:38,800 Speaker 1: deal with people who are in those positions. I know 237 00:12:39,280 --> 00:12:42,080 Speaker 1: when you're in one of them positions where you look 238 00:12:42,160 --> 00:12:44,920 Speaker 1: like an opportunity to outside us, I know that you 239 00:12:44,960 --> 00:12:48,360 Speaker 1: are overwhelmed with people just coming up to you about things. 240 00:12:48,400 --> 00:12:49,800 Speaker 1: Can you help me out? Man? Look, I do this, 241 00:12:49,920 --> 00:12:51,880 Speaker 1: I do that. So I try my best not to 242 00:12:51,960 --> 00:12:54,680 Speaker 1: bother the people. Even when me and Pete were talking, 243 00:12:55,200 --> 00:12:59,800 Speaker 1: say it will people interrupting the conversation. But Pete understanding, 244 00:13:00,160 --> 00:13:02,680 Speaker 1: you know this is how this high idea. So he 245 00:13:02,880 --> 00:13:07,080 Speaker 1: talking to the younger. Will you say, now, you know, 246 00:13:07,160 --> 00:13:09,800 Speaker 1: giving them whatever game he can give them in that time? 247 00:13:10,640 --> 00:13:15,000 Speaker 1: You understand. For me, it says, leave people along, don't 248 00:13:15,000 --> 00:13:18,920 Speaker 1: bother the folk. As I watched ball players, athletes, rappers, 249 00:13:19,679 --> 00:13:23,680 Speaker 1: entrepreneurs get money and fumble bags, I always say there's 250 00:13:23,679 --> 00:13:27,200 Speaker 1: a unique interaction between fame and money because if you 251 00:13:27,240 --> 00:13:30,600 Speaker 1: get one before the other, things can get slippery. I 252 00:13:30,760 --> 00:13:34,959 Speaker 1: was thinking about this and then I sit down. Sometimes 253 00:13:34,960 --> 00:13:39,160 Speaker 1: if you get the money before the fame, the fame 254 00:13:39,160 --> 00:13:41,920 Speaker 1: will make you spend all the money. But then if 255 00:13:41,960 --> 00:13:44,200 Speaker 1: you flip that coin and you get the fame before 256 00:13:44,240 --> 00:13:47,320 Speaker 1: the money, the fame won't let you do the things 257 00:13:47,360 --> 00:13:51,160 Speaker 1: that's necessary to get the money right. So famous Nick 258 00:13:51,240 --> 00:13:53,240 Speaker 1: won't go get that job to pay the little six 259 00:13:53,320 --> 00:13:55,959 Speaker 1: figures based on that they might look a little funny. 260 00:13:56,000 --> 00:13:58,840 Speaker 1: They ain't on TV. This is what y'all don't know. 261 00:13:58,880 --> 00:14:00,800 Speaker 1: A lot of times, when they get them on TV, 262 00:14:01,360 --> 00:14:04,079 Speaker 1: the fan faed that come along with that, they can 263 00:14:04,120 --> 00:14:10,040 Speaker 1: negotiate them people down. Then people are so high strong 264 00:14:10,200 --> 00:14:12,560 Speaker 1: on being seen on TV and a part of some 265 00:14:12,600 --> 00:14:15,440 Speaker 1: of these networks and things that once they've given you 266 00:14:15,520 --> 00:14:18,720 Speaker 1: that level of exposure for your forty thousand a month, 267 00:14:19,040 --> 00:14:21,320 Speaker 1: they can now say that's no longer in the budget. 268 00:14:21,360 --> 00:14:23,760 Speaker 1: We have fifteen and then people are saying, let's do 269 00:14:23,840 --> 00:14:26,440 Speaker 1: it now. If you look at the business of that, 270 00:14:26,720 --> 00:14:29,680 Speaker 1: cant can you evolve the brand right? You can probably 271 00:14:29,760 --> 00:14:31,960 Speaker 1: use to reach a TV and do a lot of things. So, 272 00:14:32,000 --> 00:14:34,640 Speaker 1: I mean, it's a business conversation to be had. But 273 00:14:34,760 --> 00:14:38,400 Speaker 1: I'm speaking directly to the people who are living in 274 00:14:38,440 --> 00:14:41,320 Speaker 1: that space where they are trade to fame. They are 275 00:14:41,400 --> 00:14:45,840 Speaker 1: trade the emotional attachment to non tangible things with the 276 00:14:45,960 --> 00:14:50,400 Speaker 1: results and the income that can expand the luxury lifestyle 277 00:14:50,440 --> 00:14:53,720 Speaker 1: of that family. For me, that's like training peace for war. 278 00:14:54,000 --> 00:14:56,320 Speaker 1: But on the other side, let's say you come from money. 279 00:14:56,440 --> 00:15:00,600 Speaker 1: You come from a father, grandfather, something with money, and 280 00:15:00,680 --> 00:15:03,240 Speaker 1: they passed it down you three four generation. You ain't 281 00:15:03,240 --> 00:15:06,320 Speaker 1: had to do none. You just woke up rich. I 282 00:15:06,440 --> 00:15:09,040 Speaker 1: hope my children's children didn't wake up rich. But we 283 00:15:09,080 --> 00:15:12,120 Speaker 1: got to teach a skill set. See, we come from 284 00:15:12,160 --> 00:15:14,760 Speaker 1: being post so I ability to steal morph in, the 285 00:15:14,920 --> 00:15:17,360 Speaker 1: understanding what it was like to eat in a way 286 00:15:17,440 --> 00:15:20,120 Speaker 1: that we may not know when the next meal coming. 287 00:15:20,240 --> 00:15:22,720 Speaker 1: Steal kick in, even though dealing with a high level 288 00:15:22,720 --> 00:15:25,480 Speaker 1: of income. So when we look at the babies, we 289 00:15:25,600 --> 00:15:29,360 Speaker 1: understand how some of the people ahead of us, some 290 00:15:29,440 --> 00:15:32,400 Speaker 1: of the white people's children and black people's children, but 291 00:15:32,480 --> 00:15:36,200 Speaker 1: mostly I've been studying the white people's children, how when 292 00:15:36,200 --> 00:15:39,320 Speaker 1: they come in the money, and this is the third 293 00:15:39,400 --> 00:15:42,360 Speaker 1: or fourth generation, they negligent with the money. They don't 294 00:15:42,360 --> 00:15:45,240 Speaker 1: care nothing about the money. So if you get the 295 00:15:45,280 --> 00:15:47,320 Speaker 1: money before the fame, and let's say you're rich and 296 00:15:47,440 --> 00:15:53,040 Speaker 1: running in the fame. Guess what happens. Then sometime then 297 00:15:53,120 --> 00:15:56,160 Speaker 1: you do anything and getting them circles. Then they start 298 00:15:56,240 --> 00:15:58,160 Speaker 1: figuring out, oh he got a bag and he'll pay 299 00:15:58,240 --> 00:15:59,880 Speaker 1: two hundred thousand to come over here with us B 300 00:16:01,000 --> 00:16:03,160 Speaker 1: you're sending the wire man. They got the call five 301 00:16:03,240 --> 00:16:06,320 Speaker 1: hundred racks to be over here. Yeah, it's six hundred 302 00:16:06,320 --> 00:16:08,840 Speaker 1: thousands to show up a little kim house over here. 303 00:16:08,880 --> 00:16:12,200 Speaker 1: Man in folk. Need we need the extra security, you know. 304 00:16:12,200 --> 00:16:16,040 Speaker 1: They started to hustle off his ability to chase the fame. 305 00:16:16,200 --> 00:16:20,520 Speaker 1: That's why chasing is never good. I advised people, even me, 306 00:16:20,600 --> 00:16:23,320 Speaker 1: I gotta check myself sometime. I ad ass people. Don't 307 00:16:23,400 --> 00:16:26,920 Speaker 1: chase nothing. Put the work in and you'll be compensated 308 00:16:26,920 --> 00:16:31,320 Speaker 1: for your commitment. One thing about hard work, it can't 309 00:16:31,360 --> 00:16:36,680 Speaker 1: go unnotice if it's quality hard work. If it's quality 310 00:16:36,800 --> 00:16:40,080 Speaker 1: hard work, it can't go unnoticed, especially in this industry 311 00:16:40,080 --> 00:16:42,400 Speaker 1: that we in. And so it's all about what you're 312 00:16:42,440 --> 00:16:44,560 Speaker 1: willing to put in, how far you're willing to go. Me, 313 00:16:44,680 --> 00:16:46,880 Speaker 1: I don't want the Christler. They look like the Bendley 314 00:16:47,760 --> 00:16:50,960 Speaker 1: I'm coming through. I want the Bendley. You know, when 315 00:16:50,960 --> 00:16:53,120 Speaker 1: we hustle, when we go for some wo don't play 316 00:16:53,120 --> 00:16:54,920 Speaker 1: with it. I don't play with it. I get up 317 00:16:54,920 --> 00:16:57,880 Speaker 1: earlier than and I respect universal law. I'm up with 318 00:16:57,880 --> 00:17:01,800 Speaker 1: the sun, Sun, the hard working thing in the world, 319 00:17:01,800 --> 00:17:04,159 Speaker 1: and you got to get up with the sun. And 320 00:17:04,240 --> 00:17:07,200 Speaker 1: that's just out of respect for universal law. Y'all playing 321 00:17:07,200 --> 00:17:10,040 Speaker 1: with the hustle, see me, I understand it so once 322 00:17:10,080 --> 00:17:12,800 Speaker 1: in lifetime opportunity. And I know my kids may not 323 00:17:12,920 --> 00:17:15,879 Speaker 1: have what I have in regards to greeting, grind and 324 00:17:15,960 --> 00:17:18,280 Speaker 1: wanting to go get it. They kids may not have it. 325 00:17:18,359 --> 00:17:21,480 Speaker 1: This may be the last time, right, we may not be. 326 00:17:21,600 --> 00:17:23,640 Speaker 1: And when I heard this is why I got there 327 00:17:23,640 --> 00:17:26,120 Speaker 1: from I heard Willow say it might be a honey 328 00:17:26,200 --> 00:17:29,399 Speaker 1: years for the hell another hustler like you and this 329 00:17:29,560 --> 00:17:32,200 Speaker 1: opportunity like this, and that stuck with me. And I've 330 00:17:32,200 --> 00:17:35,119 Speaker 1: been thinking about that every since because I look around, 331 00:17:35,119 --> 00:17:38,600 Speaker 1: don't nobody understand what I'm doing, And it ain't for 332 00:17:38,720 --> 00:17:41,520 Speaker 1: them to understand. Right, I went and done something, got 333 00:17:41,600 --> 00:17:44,520 Speaker 1: some information on my own, you know what I'm saying. 334 00:17:44,560 --> 00:17:48,880 Speaker 1: So sometimes you are the black sheep, but a family 335 00:17:50,680 --> 00:17:54,840 Speaker 1: based on you're understanding or your dream. Sometime your dream 336 00:17:54,880 --> 00:17:58,120 Speaker 1: too be for people to grasp. Man that boy said 337 00:17:58,119 --> 00:18:01,760 Speaker 1: he want to be a mother on overclothing brand. What 338 00:18:01,840 --> 00:18:05,800 Speaker 1: the hell is he talking about? Look up, I got easy. 339 00:18:08,160 --> 00:18:11,960 Speaker 1: He said he want to say a luggage. The boy 340 00:18:12,000 --> 00:18:13,919 Speaker 1: said he wanted to do clothe and I don't know 341 00:18:13,960 --> 00:18:16,160 Speaker 1: what got into him. I told him he get him 342 00:18:16,160 --> 00:18:18,600 Speaker 1: a nice lunch box, get him a good hart had 343 00:18:18,640 --> 00:18:21,159 Speaker 1: a good pair of boots, and a nice truck, and 344 00:18:21,240 --> 00:18:23,480 Speaker 1: get on that. Then go to work and take that 345 00:18:23,560 --> 00:18:25,919 Speaker 1: thirty minutes lunch break. They want you to hang on 346 00:18:25,960 --> 00:18:31,080 Speaker 1: that same hang on and forty years. It's worth more 347 00:18:31,119 --> 00:18:35,879 Speaker 1: than five thousand in a month. When I retied, all right, 348 00:18:35,920 --> 00:18:38,240 Speaker 1: let's get into the show. Let's deal with Kanye West 349 00:18:38,359 --> 00:18:40,960 Speaker 1: and of Didas. Last week I spoke about Kanye dealing 350 00:18:40,960 --> 00:18:44,760 Speaker 1: with gaping, his interaction with them that I found an 351 00:18:44,760 --> 00:18:48,040 Speaker 1: interesting moment in his career. Right this week, he's winning 352 00:18:48,040 --> 00:18:51,080 Speaker 1: at of Didas. Now, let me not act like I 353 00:18:51,119 --> 00:18:53,600 Speaker 1: don't see the other side of the argument that says, Yo, 354 00:18:53,640 --> 00:18:56,119 Speaker 1: this is what Kanye does is a marketing thing. I 355 00:18:56,160 --> 00:18:58,600 Speaker 1: don't know if that's the case, but I do see 356 00:18:58,640 --> 00:19:01,040 Speaker 1: that information being present, and I do see this as 357 00:19:01,080 --> 00:19:04,080 Speaker 1: being a habit of Kanye's. But I also know that 358 00:19:04,119 --> 00:19:07,399 Speaker 1: you do what's working. And also it's affecting people in 359 00:19:07,440 --> 00:19:10,560 Speaker 1: an unintentional way. Even if he playing, people are being 360 00:19:10,600 --> 00:19:14,240 Speaker 1: inspired what Kanye West is able to do and explain 361 00:19:14,320 --> 00:19:17,040 Speaker 1: And again I told you how he's able to move 362 00:19:17,080 --> 00:19:21,000 Speaker 1: into this space that Dame was for him because he 363 00:19:21,119 --> 00:19:24,400 Speaker 1: worked close enough to Dame the Poor. That spirit not 364 00:19:24,440 --> 00:19:27,000 Speaker 1: only from Dame, probably from other people in his family, 365 00:19:27,280 --> 00:19:30,080 Speaker 1: but some of that that courage, some of that ability 366 00:19:30,080 --> 00:19:32,320 Speaker 1: to get in front of those board members is a 367 00:19:32,359 --> 00:19:35,680 Speaker 1: spirit of Dame Dad. So Kanye is having a dispute 368 00:19:35,720 --> 00:19:38,119 Speaker 1: with the diatas in my opinion, for blatantly copy in 369 00:19:38,119 --> 00:19:40,960 Speaker 1: this style. Now they say, long, why do you think 370 00:19:40,960 --> 00:19:43,760 Speaker 1: that copy in this style? Number one is evident in 371 00:19:43,800 --> 00:19:46,600 Speaker 1: regards to the design And he even said his material 372 00:19:46,640 --> 00:19:49,120 Speaker 1: approaches and things like that, And you have to understand 373 00:19:49,160 --> 00:19:51,720 Speaker 1: the gravity of that. That's like taking a melody from 374 00:19:51,720 --> 00:19:54,200 Speaker 1: a beat. It's like taking a melody in a hook. 375 00:19:54,400 --> 00:19:56,840 Speaker 1: In my opinion, they're doing this because of his deal 376 00:19:56,880 --> 00:20:00,520 Speaker 1: with Gap. See I look at it and say, all right, 377 00:20:00,760 --> 00:20:03,560 Speaker 1: a Dita's thought that they gave him a certain amount 378 00:20:03,600 --> 00:20:05,600 Speaker 1: of money for him to stop. At that point, they 379 00:20:05,640 --> 00:20:09,160 Speaker 1: don't understand they're dealing with a man, they got certain dreams, 380 00:20:09,920 --> 00:20:12,600 Speaker 1: and even if they did understand that, I don't think 381 00:20:12,640 --> 00:20:17,320 Speaker 1: that they consider Gap stepping in with that level of interests, 382 00:20:17,520 --> 00:20:20,280 Speaker 1: with him being so tied up in a data's contract 383 00:20:20,320 --> 00:20:22,560 Speaker 1: mass because Gap had to comb through some stuff to 384 00:20:23,040 --> 00:20:26,520 Speaker 1: even get him, I imagine because I know that contract. 385 00:20:26,800 --> 00:20:29,480 Speaker 1: The thing about these contracts that I find interesting is 386 00:20:29,520 --> 00:20:31,520 Speaker 1: that it says that we can do everything with you, 387 00:20:32,200 --> 00:20:35,920 Speaker 1: and you can't do nothing without a lot of these 388 00:20:35,920 --> 00:20:38,760 Speaker 1: contracts literally say that, like for Kanye Yo, we can 389 00:20:40,000 --> 00:20:45,400 Speaker 1: copy your make knockoffs similar styles to it, even attach 390 00:20:45,560 --> 00:20:48,720 Speaker 1: different celebrities and different markets to it, and brand these 391 00:20:48,800 --> 00:20:51,760 Speaker 1: shoes for real that look similar to your shoe, and 392 00:20:51,800 --> 00:20:53,560 Speaker 1: it's nothing you can do about it. But if you 393 00:20:53,640 --> 00:20:55,920 Speaker 1: go get another deal or you do something over there, 394 00:20:56,320 --> 00:20:58,600 Speaker 1: we need to take a look at that. But if 395 00:20:58,600 --> 00:21:01,280 Speaker 1: you look into this, you see some of it started 396 00:21:01,280 --> 00:21:04,320 Speaker 1: with Easy. They took Easy they according to Kanye, and 397 00:21:04,320 --> 00:21:07,000 Speaker 1: they did it without his approach or approval. And on 398 00:21:07,119 --> 00:21:10,040 Speaker 1: top of Easy that he's having issues with the handling 399 00:21:10,080 --> 00:21:13,600 Speaker 1: of his Easy line with Adidas. And when you talk 400 00:21:13,640 --> 00:21:16,119 Speaker 1: about the line, you talk about even the color waves. 401 00:21:16,160 --> 00:21:19,399 Speaker 1: They brought back color waves that he might didn't intend 402 00:21:19,440 --> 00:21:22,119 Speaker 1: to come back so quick, and that's without his permission. 403 00:21:22,119 --> 00:21:24,760 Speaker 1: And you have to understand the gravity of that because 404 00:21:25,000 --> 00:21:27,720 Speaker 1: the blueprint that Jordan put down was take them out 405 00:21:27,720 --> 00:21:31,240 Speaker 1: the market for a while, that increases the value bring 406 00:21:31,280 --> 00:21:34,359 Speaker 1: them back. And so if they interrupt the plans, you 407 00:21:34,359 --> 00:21:36,960 Speaker 1: don't know how they tied into something else that tied 408 00:21:37,040 --> 00:21:40,200 Speaker 1: into something else that I'm doing. With Gapping, I'm all 409 00:21:40,359 --> 00:21:44,960 Speaker 1: quarterbacking all this shit right. Adidas is at quarterback. Gap 410 00:21:45,119 --> 00:21:48,800 Speaker 1: is my running back, Donda Sports is my linement. Yeasy 411 00:21:48,880 --> 00:21:52,800 Speaker 1: Slides is my full back. You know, I'm putting all 412 00:21:52,800 --> 00:21:56,000 Speaker 1: this together. So I'm orchestrating owledge, and here y'all come interrupting. 413 00:21:56,080 --> 00:21:58,640 Speaker 1: That could be a problem for someone that's hands on 414 00:21:58,720 --> 00:22:01,560 Speaker 1: with the creative process. See when you say a celebrity, 415 00:22:01,600 --> 00:22:03,520 Speaker 1: you can sit back and let yeah, y'all do what 416 00:22:03,640 --> 00:22:07,520 Speaker 1: y'all want. Just make sure to check clear. But when 417 00:22:07,520 --> 00:22:09,800 Speaker 1: you say no, no, no no, I'm tying that in 418 00:22:09,880 --> 00:22:12,960 Speaker 1: with that. Damn y'all on the steppedn't listen, don't interrupt 419 00:22:12,960 --> 00:22:17,280 Speaker 1: me when I'm talking. I'm going somewhere. Don't never disrespect 420 00:22:17,320 --> 00:22:21,440 Speaker 1: my dialogue. I'm going somewhere. I might start way over here. 421 00:22:21,520 --> 00:22:23,919 Speaker 1: Just give me a second. I'm taking you somewhere. And 422 00:22:24,040 --> 00:22:29,919 Speaker 1: sometimes we earned in that respect from my audience. And 423 00:22:30,080 --> 00:22:33,159 Speaker 1: Kanye is thinking that he's earned that respect with his 424 00:22:33,600 --> 00:22:36,720 Speaker 1: partnerships and his business relationships in a way where it's like, 425 00:22:36,840 --> 00:22:41,760 Speaker 1: look go through me about my let's look at some 426 00:22:41,840 --> 00:22:43,359 Speaker 1: of the things. We'll look at what did he He He 427 00:22:43,400 --> 00:22:46,800 Speaker 1: posted about it? So here's a tweet from Diddy that says, 428 00:22:46,800 --> 00:22:49,520 Speaker 1: since the era run DMC, and he added, Adidas has 429 00:22:49,560 --> 00:22:52,920 Speaker 1: always used hiphop culture to build his brand and make 430 00:22:52,960 --> 00:22:55,760 Speaker 1: billions off of our culture. But we are more than 431 00:22:55,840 --> 00:22:59,400 Speaker 1: this consumers now, we're owners at Kanye West and Yez 432 00:22:59,440 --> 00:23:02,360 Speaker 1: are to read since Adidas is relevant to the culture, 433 00:23:02,640 --> 00:23:04,719 Speaker 1: I want you guys to take a look at this picture. 434 00:23:05,920 --> 00:23:14,800 Speaker 1: This is clearly some kind of version of a Kanye shoe, right, 435 00:23:15,000 --> 00:23:17,240 Speaker 1: that whole style. And this is the thing about a 436 00:23:18,000 --> 00:23:21,679 Speaker 1: yeazel or a Kanye shoe. He makes sure he brings 437 00:23:21,680 --> 00:23:25,159 Speaker 1: it to the market in such a different way that 438 00:23:25,320 --> 00:23:27,159 Speaker 1: first it's like, Yo, what the hell is in ug? 439 00:23:27,200 --> 00:23:32,200 Speaker 1: Little mum? Do they got them in red in red 440 00:23:32,280 --> 00:23:36,239 Speaker 1: muff looking a little yeah? Then red muffucking a little yeah? 441 00:23:36,359 --> 00:23:39,120 Speaker 1: Oh them black hard? Right? It go it go from 442 00:23:39,200 --> 00:23:43,800 Speaker 1: that to that, and that style is so unique that 443 00:23:43,840 --> 00:23:46,600 Speaker 1: when you bite out for it, it's like rapping fast, 444 00:23:47,280 --> 00:23:49,639 Speaker 1: like oh man, he trying to do the twister or 445 00:23:49,640 --> 00:23:52,480 Speaker 1: to bust the rhyme thing. You know, we can kind 446 00:23:52,520 --> 00:23:54,640 Speaker 1: of hear the little baby in some of you when 447 00:23:54,640 --> 00:23:57,560 Speaker 1: you're wrapping. You know what I'm saying. I hear that, 448 00:23:57,880 --> 00:24:00,920 Speaker 1: I hear that money bag yo bouncing and you trying 449 00:24:00,920 --> 00:24:03,240 Speaker 1: to do over. I head over. I know what you're 450 00:24:03,280 --> 00:24:08,359 Speaker 1: trying to do. And so it's obvious when you deal 451 00:24:08,400 --> 00:24:13,280 Speaker 1: with something that's so original, even with these Stella McCarthy's 452 00:24:13,320 --> 00:24:22,360 Speaker 1: Adidas slides. Look at that, look at the easy both 453 00:24:22,400 --> 00:24:25,880 Speaker 1: of them together. Is this so you see these blatant 454 00:24:25,880 --> 00:24:29,480 Speaker 1: attacks on a black man's creativity, whether his approach is 455 00:24:29,480 --> 00:24:32,440 Speaker 1: feasible for you or not, we canna leave that off 456 00:24:32,480 --> 00:24:36,240 Speaker 1: the table. Clearly there's an attack on the creative approach 457 00:24:36,240 --> 00:24:39,200 Speaker 1: of Kanye West. But I noticed after the gap thing, 458 00:24:39,280 --> 00:24:42,399 Speaker 1: the yeasy started to slow down. Then he started to 459 00:24:42,440 --> 00:24:45,080 Speaker 1: come out, yo, they ain't making my yo. Then to 460 00:24:45,160 --> 00:24:47,560 Speaker 1: slow down my manufacturing. I don't know what's going on. 461 00:24:47,760 --> 00:24:49,800 Speaker 1: Then they making some shit that ain't like my shit. 462 00:24:50,040 --> 00:24:55,080 Speaker 1: They copy it my style and then they slow mine down. Yeah, 463 00:24:55,119 --> 00:24:57,639 Speaker 1: because you got involved with somebody that's involved with some 464 00:24:57,720 --> 00:25:00,480 Speaker 1: people that we ain't involved with and ain't used to 465 00:25:00,520 --> 00:25:03,200 Speaker 1: black people doing no budding with three four big companies 466 00:25:03,240 --> 00:25:06,240 Speaker 1: like that. We don't slow you down a little bit. 467 00:25:06,280 --> 00:25:09,800 Speaker 1: Who you think you will. This is the thinking of 468 00:25:09,840 --> 00:25:12,399 Speaker 1: people that's in positions like that, because you're dealing with 469 00:25:12,520 --> 00:25:15,480 Speaker 1: families at that point, he kind of coming there body 470 00:25:15,520 --> 00:25:17,560 Speaker 1: itself with his team, but he going up against the 471 00:25:17,680 --> 00:25:22,320 Speaker 1: such and such family that owned some of these brands 472 00:25:22,320 --> 00:25:24,680 Speaker 1: that got stores in every model and something like a 473 00:25:24,840 --> 00:25:29,159 Speaker 1: Deda's like that ain't no small battle. But that's his 474 00:25:29,320 --> 00:25:35,240 Speaker 1: Leo Korn, that's his Steve style. How damn dash was 475 00:25:35,359 --> 00:25:38,840 Speaker 1: going there and try to That's that's his fight now. 476 00:25:39,200 --> 00:25:41,400 Speaker 1: And when you look into it, you say it's blatantly 477 00:25:41,400 --> 00:25:44,640 Speaker 1: disrespectful because sixty eight percent of the sales come from 478 00:25:44,800 --> 00:25:50,120 Speaker 1: easy online, so we're dealing with more than one out 479 00:25:50,119 --> 00:25:52,840 Speaker 1: of two people that come to your site. It's dealing 480 00:25:52,840 --> 00:25:55,879 Speaker 1: with something that has to do with easy and you 481 00:25:55,960 --> 00:25:58,640 Speaker 1: slow that down so you know that ain't a business move. 482 00:25:59,400 --> 00:26:02,120 Speaker 1: And we know we're dealing with capitalism in this country, 483 00:26:02,160 --> 00:26:04,800 Speaker 1: so we understand that it Ain't that help us understand 484 00:26:04,800 --> 00:26:07,840 Speaker 1: why you'll slow down something that's hard for the reason 485 00:26:07,920 --> 00:26:13,000 Speaker 1: why people are there. It's like hald for the reason 486 00:26:13,080 --> 00:26:15,240 Speaker 1: you come to this restaurant is for the lemonade, and 487 00:26:15,240 --> 00:26:18,240 Speaker 1: they ain't never got lemonade. Having the reason you come 488 00:26:18,240 --> 00:26:20,320 Speaker 1: to this chicken shake, it's because of the hot wings, 489 00:26:20,359 --> 00:26:23,160 Speaker 1: and ain't never got hot wings. It just it don't 490 00:26:23,200 --> 00:26:26,280 Speaker 1: make business sense. They do whatever they need to do 491 00:26:26,320 --> 00:26:28,600 Speaker 1: to make sure they stocked up on what the market 492 00:26:28,760 --> 00:26:31,960 Speaker 1: is calling for. So when you slow that down, tell 493 00:26:32,040 --> 00:26:35,960 Speaker 1: me what they're speaking to because every move speaks to something. 494 00:26:36,520 --> 00:26:38,520 Speaker 1: Then you look at it as a business and say, oh, 495 00:26:38,560 --> 00:26:40,960 Speaker 1: I see what they're doing. They're trying to serve both people. 496 00:26:41,280 --> 00:26:44,880 Speaker 1: They trying to have the redos and tortilla cheddar chips. 497 00:26:46,400 --> 00:26:49,280 Speaker 1: I see what they're trying to do. So they're saying, Kanye, 498 00:26:49,880 --> 00:26:52,960 Speaker 1: look what's happening on the resale market, and Kanye saying, no, 499 00:26:53,080 --> 00:26:55,080 Speaker 1: I don't want to shoot when I'm dealing with child. 500 00:26:55,240 --> 00:26:57,480 Speaker 1: I'm going globe. I need to shoot and be low 501 00:26:57,880 --> 00:27:01,439 Speaker 1: price point, low price point at least howardly that's what 502 00:27:01,560 --> 00:27:05,359 Speaker 1: he presents, right. I need low price point on the 503 00:27:05,400 --> 00:27:07,720 Speaker 1: shoe because what I'm trying to do is go global, 504 00:27:08,080 --> 00:27:10,120 Speaker 1: and I can't have it there having They're saying, way 505 00:27:10,160 --> 00:27:13,040 Speaker 1: the business standpoint man, the resale marketing doing so much. 506 00:27:13,080 --> 00:27:17,680 Speaker 1: So I guess what, We'll start making our own knock calls. 507 00:27:19,160 --> 00:27:21,480 Speaker 1: Anything in the contract speak to that note, but don't 508 00:27:21,520 --> 00:27:23,480 Speaker 1: say nothing about it. Start making some of them. We 509 00:27:23,560 --> 00:27:25,960 Speaker 1: got this blueprint, We got access to all this stuff 510 00:27:26,000 --> 00:27:30,320 Speaker 1: because his manufacturing now which through us. So take his 511 00:27:30,520 --> 00:27:33,360 Speaker 1: take the bottom off that style, take the shoe lay 512 00:27:33,480 --> 00:27:35,840 Speaker 1: style off that wouldn't take the top off that style, 513 00:27:35,920 --> 00:27:38,840 Speaker 1: put all them together. Them's the top top twenty two. 514 00:27:40,800 --> 00:27:42,280 Speaker 1: You know what I'm saying. It's a little piece of 515 00:27:42,280 --> 00:27:45,440 Speaker 1: the yeasy slide, a little piece of the yeasy boots, 516 00:27:45,440 --> 00:27:47,560 Speaker 1: a little piece of the tending shoe of the yeasy 517 00:27:47,640 --> 00:27:50,600 Speaker 1: and the yeasy boot on there. You know what I'm 518 00:27:50,640 --> 00:27:53,679 Speaker 1: saying in Boom. I'm also a firm believer that in 519 00:27:53,720 --> 00:27:58,120 Speaker 1: any industry, value needs to be negotiated. And I'm so 520 00:27:58,240 --> 00:28:01,480 Speaker 1: much of a believer that value needs to be negotiated. 521 00:28:01,520 --> 00:28:04,560 Speaker 1: I think that that's nonegotiable, and I believe that he 522 00:28:04,640 --> 00:28:09,760 Speaker 1: added so much value to a datas that, Yeah, he 523 00:28:09,800 --> 00:28:11,960 Speaker 1: didn't create a dead as the brand. He didn't create 524 00:28:12,000 --> 00:28:14,439 Speaker 1: the phone, he created the phone charger, or he created 525 00:28:14,440 --> 00:28:17,040 Speaker 1: an ability for someone to do something with that brain 526 00:28:17,160 --> 00:28:19,680 Speaker 1: that you didn't, and he did it in a way 527 00:28:19,720 --> 00:28:24,160 Speaker 1: that's undeniable. And now although it's undeniable, it's so distinguishable. 528 00:28:26,520 --> 00:28:28,600 Speaker 1: He was smart enough not to make it like a 529 00:28:29,359 --> 00:28:31,879 Speaker 1: like a Nike kind of shoe. It's just it's a 530 00:28:32,080 --> 00:28:34,879 Speaker 1: easy and that's what that is. That kind of shoe. 531 00:28:34,960 --> 00:28:37,560 Speaker 1: That's a easy And so when you start to see 532 00:28:37,600 --> 00:28:40,320 Speaker 1: other shoes in that market, you speak to me creating 533 00:28:40,320 --> 00:28:43,720 Speaker 1: that industry. Nobody will be wearing that style of shoe 534 00:28:43,720 --> 00:28:47,480 Speaker 1: had I not presented that to the market. And now 535 00:28:47,560 --> 00:28:49,920 Speaker 1: you want to jump in that market and eat off 536 00:28:49,960 --> 00:28:53,280 Speaker 1: that market and stand next to me and for us 537 00:28:53,320 --> 00:28:55,480 Speaker 1: on the outside, we say that and we see that. 538 00:28:55,600 --> 00:29:00,560 Speaker 1: But here's the hard part. Now you gotta put yourself 539 00:29:00,600 --> 00:29:04,760 Speaker 1: in a position to quantify and qualify the value you added, 540 00:29:04,840 --> 00:29:07,520 Speaker 1: because now it gets rougher when you get in that ballroom, 541 00:29:07,840 --> 00:29:10,080 Speaker 1: because what they're looking to do in that ballroom is 542 00:29:10,200 --> 00:29:14,040 Speaker 1: argue against whatever value that you created. When you say, 543 00:29:14,040 --> 00:29:16,560 Speaker 1: well we from eighteen to twenty four, they wasn't interested 544 00:29:16,640 --> 00:29:18,560 Speaker 1: in Then they say, well, no, we usually run a 545 00:29:18,560 --> 00:29:21,120 Speaker 1: campaign every two years that boost is and we ain't 546 00:29:21,160 --> 00:29:25,080 Speaker 1: ran it because of COVID. They'll figure way to And 547 00:29:25,160 --> 00:29:28,240 Speaker 1: so you find yourself like Kanye to what now they 548 00:29:28,280 --> 00:29:30,160 Speaker 1: give you some big and say they give you one 549 00:29:30,240 --> 00:29:34,640 Speaker 1: point eight or something. They give you some stocks and 550 00:29:34,720 --> 00:29:38,280 Speaker 1: some money, put you up about one point eight. Now 551 00:29:38,360 --> 00:29:41,000 Speaker 1: you now you're with the big boss in the metaverse. 552 00:29:41,200 --> 00:29:44,120 Speaker 1: Now I keep telling people to catch a big fish, 553 00:29:44,160 --> 00:29:46,840 Speaker 1: to take big bait. So now the level of games 554 00:29:46,840 --> 00:29:50,840 Speaker 1: and trickery is at all time high for the one 555 00:29:50,920 --> 00:29:53,520 Speaker 1: point eight big and so the level of games that's 556 00:29:53,560 --> 00:29:56,120 Speaker 1: now being played is Hey, the contract that we got 557 00:29:56,160 --> 00:29:59,400 Speaker 1: you in You got some good lawyers, but the contract 558 00:29:59,520 --> 00:30:01,840 Speaker 1: is is in it and ritten up in a way 559 00:30:01,880 --> 00:30:04,160 Speaker 1: to lock you out of a lot of and let 560 00:30:04,280 --> 00:30:06,720 Speaker 1: us into a lot of it. So it let us 561 00:30:06,800 --> 00:30:10,280 Speaker 1: us into your manufacturing, your structure. Who does the shirts? 562 00:30:10,320 --> 00:30:12,080 Speaker 1: What kind of shirts are you picking? Why is he 563 00:30:12,120 --> 00:30:15,480 Speaker 1: picking them shirts? Anybody asked him? Make sure we recording 564 00:30:15,520 --> 00:30:18,440 Speaker 1: them when he's talking to anytime he comes up to 565 00:30:18,480 --> 00:30:21,160 Speaker 1: the headquarters, Put cameras on and make sure all mics 566 00:30:21,160 --> 00:30:23,560 Speaker 1: are on. We need to right, Ain't no telling what 567 00:30:23,680 --> 00:30:26,160 Speaker 1: level they're going to because they're playing a different game 568 00:30:26,240 --> 00:30:30,959 Speaker 1: now they've been around a hundred years. Man, it's information 569 00:30:31,040 --> 00:30:34,000 Speaker 1: involved with being around the loan. But if you pay 570 00:30:34,000 --> 00:30:37,800 Speaker 1: attention to Kanye, he seemed to have put Adidas on 571 00:30:37,840 --> 00:30:39,640 Speaker 1: the back. And again, this is why I think that 572 00:30:39,680 --> 00:30:42,200 Speaker 1: they're kind of frustrated in there picking at him and 573 00:30:42,240 --> 00:30:46,560 Speaker 1: agitating him. It's because if you look at you, you know, 574 00:30:46,680 --> 00:30:49,560 Speaker 1: he's like a walking commercial. Right. What he wears people 575 00:30:49,600 --> 00:30:51,640 Speaker 1: take pitch boom, boom boom. That's a colorway. But the 576 00:30:51,720 --> 00:30:54,360 Speaker 1: yeases that ain't came out. He used to always wear yeases. 577 00:30:54,440 --> 00:30:58,440 Speaker 1: Then being in big black boots and Balencia, y'allain gap. 578 00:30:58,480 --> 00:31:02,400 Speaker 1: He ain't been having no Adidas a phone. They understand 579 00:31:02,440 --> 00:31:04,800 Speaker 1: the word for him doing that. They understanding when he 580 00:31:04,880 --> 00:31:07,120 Speaker 1: pops out with a color wave that ain't o what 581 00:31:07,240 --> 00:31:10,520 Speaker 1: that does for them in the consumer market. Don't take 582 00:31:10,600 --> 00:31:12,800 Speaker 1: light on that. They didn't give him that money just 583 00:31:12,920 --> 00:31:16,600 Speaker 1: for him to make shoes. They understand a lot goes 584 00:31:16,640 --> 00:31:20,520 Speaker 1: with that with this guy, right, and also he is 585 00:31:20,560 --> 00:31:24,280 Speaker 1: a marketing machine. But if I'm let's say, I'm addas, 586 00:31:24,280 --> 00:31:27,040 Speaker 1: I gave you one point a B now you're rocking 587 00:31:27,080 --> 00:31:30,360 Speaker 1: this gap? How confident am I? Though, what do I 588 00:31:30,440 --> 00:31:33,560 Speaker 1: feel like I gave you one point a bi you see. 589 00:31:33,600 --> 00:31:36,120 Speaker 1: I fit to feel when g Uni was rocking down 590 00:31:36,240 --> 00:31:39,160 Speaker 1: lit the other ship, like, Yo, this is a qure 591 00:31:39,280 --> 00:31:41,440 Speaker 1: to me and I gave y'all dudes man with up. 592 00:31:41,520 --> 00:31:43,280 Speaker 1: Y'all even been in this with me while y'all a 593 00:31:43,520 --> 00:31:47,600 Speaker 1: rocking and a dita sitting back probably saying that because 594 00:31:47,640 --> 00:31:49,840 Speaker 1: you messed with us and we're doing so well, Gap 595 00:31:49,920 --> 00:31:52,640 Speaker 1: wanted to and Yea saying that, Yo, I did this 596 00:31:52,760 --> 00:31:55,640 Speaker 1: before you. I did this with Nike. Now, I do 597 00:31:55,800 --> 00:31:59,000 Speaker 1: see people on Twitter and other platforms calling inside and saying, Yo, 598 00:31:59,120 --> 00:32:02,520 Speaker 1: Kanye is tricking people. Man, it's a publicity stunt. He 599 00:32:02,640 --> 00:32:04,880 Speaker 1: behind the scene, working with the companies. And I'm gonna 600 00:32:04,880 --> 00:32:07,959 Speaker 1: say this, in my opinion, if they if Kanye has 601 00:32:08,000 --> 00:32:11,200 Speaker 1: allowed these companies to trick him into coming out with 602 00:32:11,280 --> 00:32:14,880 Speaker 1: these kind of things and he's not eating off them 603 00:32:14,880 --> 00:32:19,480 Speaker 1: providing the market with his own knockoffs. If he's involved 604 00:32:19,520 --> 00:32:23,720 Speaker 1: in that, I think that's that's speaking volumes. That said 605 00:32:23,840 --> 00:32:27,560 Speaker 1: something that speaks volumes. But I won't create this man 606 00:32:27,640 --> 00:32:29,520 Speaker 1: to be wall even me. As I look at it 607 00:32:29,560 --> 00:32:32,080 Speaker 1: and watch I navigates, I say, yo, lord see that 608 00:32:32,480 --> 00:32:34,840 Speaker 1: every time you think you conquered the problem, there's a 609 00:32:34,880 --> 00:32:38,160 Speaker 1: new problem. So first I say, Yo, they think I 610 00:32:38,240 --> 00:32:42,280 Speaker 1: can't make clothes. Then I make clothes. Damn, Okay, I'm 611 00:32:42,320 --> 00:32:44,600 Speaker 1: popping with clothes. Why they ain't let me on no board? 612 00:32:44,680 --> 00:32:47,240 Speaker 1: Then I get on the board. The Okay, now I'm 613 00:32:47,240 --> 00:32:49,959 Speaker 1: final on the board. We're here now. But damn, they 614 00:32:49,960 --> 00:32:52,320 Speaker 1: don't slow my show, and they ain't making knockoffs of 615 00:32:52,440 --> 00:32:55,120 Speaker 1: my ship. Now I'm working with Gab Dann. Gab, you 616 00:32:55,240 --> 00:32:58,320 Speaker 1: ain't never did a fashion show? What all the dreams 617 00:32:58,360 --> 00:33:01,160 Speaker 1: that I had sometimes to create his dreams and what 618 00:33:01,240 --> 00:33:04,120 Speaker 1: he thinks should be happening. Sometimes they can lead you 619 00:33:04,160 --> 00:33:06,160 Speaker 1: in a little area too where you will be like, Yo, 620 00:33:06,160 --> 00:33:08,239 Speaker 1: why y'all ain't come home and let's go. We got 621 00:33:08,280 --> 00:33:11,520 Speaker 1: an opportunity to hear what we're doing. And sometimes they're like, yo, 622 00:33:11,680 --> 00:33:13,720 Speaker 1: we got we gotta do it in a certain way. 623 00:33:14,080 --> 00:33:16,040 Speaker 1: And he ready to go for what he go for. 624 00:33:17,160 --> 00:33:18,960 Speaker 1: You know, I don't know how this turns out. I 625 00:33:19,000 --> 00:33:22,120 Speaker 1: believe that Kanye is not gonna leave with didas they 626 00:33:22,240 --> 00:33:26,760 Speaker 1: a tank the company. If Kanye and a Dita splits, 627 00:33:26,840 --> 00:33:29,120 Speaker 1: I believe it a tank the company. He is sixty 628 00:33:29,160 --> 00:33:31,840 Speaker 1: eight percent of the online sales. In regards to what 629 00:33:31,960 --> 00:33:35,320 Speaker 1: they bring in, I don't believe that they can afford 630 00:33:35,360 --> 00:33:39,040 Speaker 1: to ruin that relationship. I do believe that they will 631 00:33:39,160 --> 00:33:43,520 Speaker 1: not stop making some version of a Kanye West shoe 632 00:33:43,840 --> 00:33:46,320 Speaker 1: on the back end because of the market. I think 633 00:33:46,360 --> 00:33:50,480 Speaker 1: that they understand how that shoe is rarely available, and 634 00:33:50,600 --> 00:33:54,000 Speaker 1: because it's Adidas, it's the closest thing next to the Easy, 635 00:33:55,240 --> 00:33:57,440 Speaker 1: And although they can just turn around and make that 636 00:33:57,640 --> 00:34:01,360 Speaker 1: Easy available in place of that, they would rather cut 637 00:34:01,440 --> 00:34:03,920 Speaker 1: him out of making some of what they can make 638 00:34:04,040 --> 00:34:06,960 Speaker 1: off that other shoe and still do business with him 639 00:34:07,000 --> 00:34:12,439 Speaker 1: and make money as his shoe makes money. Again, they're 640 00:34:12,520 --> 00:34:16,280 Speaker 1: doing a double dip, and this is an old fashioned 641 00:34:16,320 --> 00:34:18,600 Speaker 1: trick in business. You would just think that when we 642 00:34:18,680 --> 00:34:21,280 Speaker 1: have so much at stake that this wouldn't be the case. 643 00:34:23,160 --> 00:34:27,319 Speaker 1: But the disrespect of the creator does not stop. The 644 00:34:27,440 --> 00:34:30,719 Speaker 1: disrespect of the creator doesn't disappear because you get rich, 645 00:34:31,400 --> 00:34:33,960 Speaker 1: even because you've been effective in the market and you 646 00:34:34,000 --> 00:34:37,440 Speaker 1: may be a megastar, of disrespect of the creator still exists. 647 00:34:39,040 --> 00:34:42,440 Speaker 1: The disrespect of the creator because of the show business 648 00:34:43,960 --> 00:34:47,759 Speaker 1: and entertainment business is a byproduct or that which podcasting, 649 00:34:47,920 --> 00:34:51,120 Speaker 1: music and all those things live somewhere in that. It's 650 00:34:51,200 --> 00:34:57,359 Speaker 1: embedded in the understanding. It's gonna be trickery involved, it's 651 00:34:57,400 --> 00:35:01,640 Speaker 1: gonna be games played. And because as I navigate and 652 00:35:01,760 --> 00:35:04,560 Speaker 1: people say what they won't, I believe that. I believe 653 00:35:04,600 --> 00:35:07,600 Speaker 1: that you're looking at the biggest play in podcast history. 654 00:35:07,760 --> 00:35:10,640 Speaker 1: That's what I believe. But with that feeling, I got 655 00:35:10,640 --> 00:35:17,040 Speaker 1: to always remember, man, that's monuments. There's monuments among your 656 00:35:17,120 --> 00:35:24,160 Speaker 1: movement that you cannot mismanage. Take very little manipulation from you. 657 00:35:26,120 --> 00:35:27,960 Speaker 1: But then when you get to the big boss, like 658 00:35:28,040 --> 00:35:30,920 Speaker 1: somebody like Kanye is dealing with, like get up there way, 659 00:35:30,960 --> 00:35:33,200 Speaker 1: it's like, all right, this information, this was a real 660 00:35:33,280 --> 00:35:36,240 Speaker 1: information that so if they do let me on the board, 661 00:35:36,239 --> 00:35:39,080 Speaker 1: they can't talk without me. I get to hear what 662 00:35:39,160 --> 00:35:41,040 Speaker 1: they say and I get to see how they approach 663 00:35:41,280 --> 00:35:44,440 Speaker 1: is again a lot of this is technique. That's why 664 00:35:44,480 --> 00:35:47,879 Speaker 1: they calling him and yeah, no problem, we'll produce your stuff. Man, 665 00:35:47,920 --> 00:35:50,879 Speaker 1: you won't have an issue. Just Bran sent over your designs. 666 00:35:52,120 --> 00:35:55,400 Speaker 1: As we've been struggling in the last twenty years designing things, 667 00:35:57,120 --> 00:36:00,359 Speaker 1: Hey Loan sent over your topics. I hate to see 668 00:36:00,440 --> 00:36:03,080 Speaker 1: us be took advantage of on any level, especially when 669 00:36:03,120 --> 00:36:08,160 Speaker 1: we deal with creatively, emotionally, and in some of these 670 00:36:08,160 --> 00:36:10,440 Speaker 1: other things that keep us in a situation where we 671 00:36:10,520 --> 00:36:15,080 Speaker 1: gotta defend ourselves and defend what we created and not 672 00:36:15,239 --> 00:36:20,359 Speaker 1: be duped out of whatever contract we into that don't 673 00:36:20,400 --> 00:36:22,839 Speaker 1: give y'all access to all of us, and we get 674 00:36:22,960 --> 00:36:26,040 Speaker 1: little access to you. It's like a weird thing that happens. 675 00:36:27,520 --> 00:36:29,799 Speaker 1: Let me spend a second speaking about this. I think 676 00:36:29,840 --> 00:36:32,040 Speaker 1: this is interesting and I want to put my audience 677 00:36:32,080 --> 00:36:36,040 Speaker 1: on the importance of our culture, especially in this time 678 00:36:36,040 --> 00:36:39,080 Speaker 1: when in this market that win. And you know, as 679 00:36:39,120 --> 00:36:42,480 Speaker 1: I look at podcasting again, I'm always someone that understands 680 00:36:42,560 --> 00:36:46,040 Speaker 1: that I'm competing with the market. I come in by myself. 681 00:36:46,080 --> 00:36:48,640 Speaker 1: I really don't have no co host. I got a 682 00:36:48,640 --> 00:36:50,759 Speaker 1: lot of guests, though people fuck with me. So I'm 683 00:36:50,760 --> 00:36:53,839 Speaker 1: starting to put that emotion right, So my ability to 684 00:36:53,840 --> 00:36:56,240 Speaker 1: cut through is out. It's been high, but I still 685 00:36:56,280 --> 00:37:01,040 Speaker 1: have to understand I'm competing with catalog, I'm competing with celebrity, right, 686 00:37:01,120 --> 00:37:03,960 Speaker 1: So what happens is I go back into bat cave 687 00:37:04,520 --> 00:37:06,680 Speaker 1: and I had to watch these guys the same way 688 00:37:06,719 --> 00:37:09,799 Speaker 1: a football player watch game take So I know when 689 00:37:09,840 --> 00:37:13,400 Speaker 1: they over exaggerating their deals. I know about what they're making. 690 00:37:13,840 --> 00:37:16,400 Speaker 1: I know when they land because the information gives me 691 00:37:16,480 --> 00:37:20,240 Speaker 1: certain routes around the things that they're saying that leads 692 00:37:20,280 --> 00:37:24,120 Speaker 1: me to the truth. So it's an interesting dynamic coming 693 00:37:24,160 --> 00:37:26,400 Speaker 1: from nothing. But you know, I always say what we 694 00:37:26,480 --> 00:37:29,520 Speaker 1: started with it wasn't fail, but what we took it 695 00:37:29,560 --> 00:37:32,600 Speaker 1: was a blessing. But as I look over the landscape 696 00:37:32,640 --> 00:37:35,640 Speaker 1: of podcasting, it's like a subdivision for me. As I 697 00:37:35,680 --> 00:37:38,520 Speaker 1: come through, everybody's building the house, and some mansions are 698 00:37:38,560 --> 00:37:41,799 Speaker 1: bigger than other. Some people's foundations now are just getting up. 699 00:37:42,160 --> 00:37:46,080 Speaker 1: Some people are already in the inside decorating, so we 700 00:37:46,280 --> 00:37:48,840 Speaker 1: know about how big they home me or some people 701 00:37:48,880 --> 00:37:51,040 Speaker 1: you don't even know how big they home is. They 702 00:37:51,120 --> 00:37:53,640 Speaker 1: just got a big piece of land in this subdivision. 703 00:37:53,640 --> 00:37:55,719 Speaker 1: And you gotta keep up, you knowice how we talk 704 00:37:55,800 --> 00:37:58,560 Speaker 1: over here. But as I come into podcast and I say, 705 00:37:58,600 --> 00:38:03,239 Speaker 1: look how effective our audiences. You gotta be very specific 706 00:38:03,360 --> 00:38:07,719 Speaker 1: to appeal to other audiences in this podcast space. That's 707 00:38:07,719 --> 00:38:11,320 Speaker 1: why you see crime podcasts are so high, and murdering 708 00:38:11,800 --> 00:38:15,919 Speaker 1: certain things unsolved, mystery type of podcasts are so high 709 00:38:15,960 --> 00:38:19,319 Speaker 1: because it serves a very specific niche in a very 710 00:38:19,360 --> 00:38:25,640 Speaker 1: specific way. Podcasting calls for that any infantile stages of it. 711 00:38:25,719 --> 00:38:29,120 Speaker 1: And so when I see people who start podcasting, they 712 00:38:29,200 --> 00:38:31,600 Speaker 1: run to us because we have that only audience that 713 00:38:31,680 --> 00:38:36,279 Speaker 1: as long as you stand next to somebody cool our 714 00:38:36,360 --> 00:38:39,080 Speaker 1: podcasts or your brand or whatever it is that you're 715 00:38:39,120 --> 00:38:43,319 Speaker 1: trying to sell us, I e Board eight gets into 716 00:38:43,360 --> 00:38:46,120 Speaker 1: the culture in a way where it's acceptable, and that 717 00:38:46,320 --> 00:38:50,000 Speaker 1: rings true in podcasting. So I look at full seeing podcasts, 718 00:38:50,040 --> 00:38:53,879 Speaker 1: and of course I've always watched them because I see 719 00:38:53,880 --> 00:38:56,880 Speaker 1: they moving really fast and getting really really good guests. 720 00:38:56,880 --> 00:38:59,960 Speaker 1: I knew from back in the day, way before Pivot 721 00:39:00,080 --> 00:39:03,640 Speaker 1: went over there. I knew that Dana White had something 722 00:39:03,640 --> 00:39:05,560 Speaker 1: to do with it. I knew that Bob dude and 723 00:39:05,680 --> 00:39:08,799 Speaker 1: Dana was pretty cool and they had some business going on. 724 00:39:08,840 --> 00:39:10,919 Speaker 1: And those other guys with a nil boy, I kind 725 00:39:10,920 --> 00:39:13,600 Speaker 1: of knew who they were because I was watching the 726 00:39:13,719 --> 00:39:16,360 Speaker 1: part from the beginning, because again that just the guest 727 00:39:16,480 --> 00:39:19,240 Speaker 1: thing was they were getting those kind of guests throughout 728 00:39:19,360 --> 00:39:21,879 Speaker 1: COVID when it was like high risk, So I knew 729 00:39:21,920 --> 00:39:23,960 Speaker 1: they were paying, that was number one. I knew they 730 00:39:24,000 --> 00:39:27,440 Speaker 1: were moving through with a budget and sometimes in this business. 731 00:39:27,520 --> 00:39:29,640 Speaker 1: When people see you moving through with a budget, they're like, 732 00:39:29,680 --> 00:39:31,600 Speaker 1: can we get some of it? But what they got over, 733 00:39:32,320 --> 00:39:34,279 Speaker 1: what they're doing, what they're paying over the right, that 734 00:39:34,440 --> 00:39:36,880 Speaker 1: becomes a conversation. So I kind of I kind of 735 00:39:36,880 --> 00:39:39,640 Speaker 1: watched them now said that to the side they built 736 00:39:39,680 --> 00:39:43,200 Speaker 1: their thing off of. You know, they got a high 737 00:39:43,239 --> 00:39:45,359 Speaker 1: level of interest from us on there some of our 738 00:39:45,360 --> 00:39:49,160 Speaker 1: biggest rappers, which our fans, some of our rap fans 739 00:39:49,239 --> 00:39:51,880 Speaker 1: like a little baby, like a dirt you know, like 740 00:39:51,960 --> 00:39:55,719 Speaker 1: a dub baby. Those fans overlap. So you start to 741 00:39:55,760 --> 00:39:58,359 Speaker 1: deal with some of the white college kids and some 742 00:39:58,440 --> 00:40:01,640 Speaker 1: of the suburban kids, and also some of the people 743 00:40:01,640 --> 00:40:04,839 Speaker 1: who may be on the outskirts of the trap. Right, 744 00:40:04,920 --> 00:40:06,719 Speaker 1: you get to reach some of them people that's kind 745 00:40:06,719 --> 00:40:08,600 Speaker 1: of small enough to keep up with three or four 746 00:40:08,680 --> 00:40:11,200 Speaker 1: white boards doing the park. I kind of like his show, 747 00:40:11,520 --> 00:40:13,920 Speaker 1: So they bite into that apple and bring some of 748 00:40:13,920 --> 00:40:17,040 Speaker 1: that along with him. Then they got the college going on. Right. 749 00:40:17,080 --> 00:40:20,080 Speaker 1: I'm explaining to y'all the way that people are garnering 750 00:40:20,120 --> 00:40:26,600 Speaker 1: and harnessing their audience. Here's the conundrum. They had a 751 00:40:26,640 --> 00:40:30,440 Speaker 1: break up with Bob left. Bob is the one that 752 00:40:30,560 --> 00:40:33,200 Speaker 1: has on Instagram. He kind of has the funny voice 753 00:40:33,239 --> 00:40:36,480 Speaker 1: when he does a voice over over like certain sports 754 00:40:36,520 --> 00:40:39,279 Speaker 1: things and it be outlandis, but it really sounds like 755 00:40:39,320 --> 00:40:43,040 Speaker 1: a commentators but it's Instagram stuff. I think he did 756 00:40:43,120 --> 00:40:45,759 Speaker 1: that too as well, prior to him doing whatever he does. 757 00:40:45,880 --> 00:40:50,040 Speaker 1: Now here's what I noticed, though. He leaves Full Sin, 758 00:40:50,120 --> 00:40:52,399 Speaker 1: which is a hard fall for him because Full Sin 759 00:40:52,560 --> 00:40:55,080 Speaker 1: is one of the biggest podcasts and get some of 760 00:40:55,080 --> 00:40:58,120 Speaker 1: the best guests. They just had Donald Trump, Elon Musk 761 00:40:58,880 --> 00:41:03,680 Speaker 1: the Board eight book. You know, people like that because again, 762 00:41:04,000 --> 00:41:06,400 Speaker 1: now they can operate and pick and choose which black 763 00:41:06,400 --> 00:41:09,719 Speaker 1: people that they messed with, which which any people that 764 00:41:09,719 --> 00:41:12,319 Speaker 1: they messed with for that fact, because they're a big now. 765 00:41:12,640 --> 00:41:15,480 Speaker 1: But I think it's important to acknowledge that when Bob 766 00:41:15,600 --> 00:41:18,000 Speaker 1: was kicked off for Sin. Now he's trying to build 767 00:41:18,040 --> 00:41:21,719 Speaker 1: a podcast. Guess who we go get You guessed it, 768 00:41:22,480 --> 00:41:28,399 Speaker 1: Bobby Schmurder, Dave Vs, Antonio, o'brown, He come get us 769 00:41:28,880 --> 00:41:31,960 Speaker 1: then Mother Interviews. Ain't gonna do nothing until you go 770 00:41:32,040 --> 00:41:35,279 Speaker 1: get you a Donald Trump or Elon muss a big 771 00:41:35,320 --> 00:41:38,080 Speaker 1: boy UFC fighter. But see, you can get it like 772 00:41:38,320 --> 00:41:42,120 Speaker 1: Dave VS and get twenty thousand new fans. You can 773 00:41:42,120 --> 00:41:44,920 Speaker 1: get an like Antonio o'brown and tap in the fifty 774 00:41:44,920 --> 00:41:48,919 Speaker 1: thousand new fans. You understand me, Bobby Schmurder twenty five 775 00:41:49,000 --> 00:41:51,719 Speaker 1: thousand new right, you can, And I'm saying that leave 776 00:41:51,840 --> 00:41:54,160 Speaker 1: with you, because that's what a lot of this being 777 00:41:54,200 --> 00:41:58,440 Speaker 1: about the conversion. Right, they understand that everybody looking. Some 778 00:41:58,480 --> 00:42:00,279 Speaker 1: of them people gonna gone by the big it, but 779 00:42:00,320 --> 00:42:02,440 Speaker 1: others gonna say, yo, that's a cool hole. So this 780 00:42:02,520 --> 00:42:05,040 Speaker 1: is a cool little show and they're gonna stick around. 781 00:42:05,360 --> 00:42:09,279 Speaker 1: But to build his now new podcasts, he come get us. 782 00:42:09,880 --> 00:42:13,319 Speaker 1: And sometimes I get frustrated because sometimes we can't get us. 783 00:42:13,440 --> 00:42:15,839 Speaker 1: We can't even make a call and be like, hey, yo, 784 00:42:15,880 --> 00:42:18,080 Speaker 1: I need you on the show Monday. Da da da 785 00:42:18,160 --> 00:42:20,919 Speaker 1: da da. But then they can step right in, Hey, 786 00:42:20,960 --> 00:42:23,319 Speaker 1: come on through, and then people are made money with him. 787 00:42:23,360 --> 00:42:26,359 Speaker 1: It's cool, make money with us. We're all making money 788 00:42:26,400 --> 00:42:29,600 Speaker 1: in this game. It's money to be made in this game. 789 00:42:30,280 --> 00:42:32,400 Speaker 1: But you know what, all money ain't good money. So 790 00:42:32,520 --> 00:42:34,920 Speaker 1: some money we ain't even interested in. And it's a 791 00:42:34,920 --> 00:42:37,080 Speaker 1: certain part of this interview I want to show y'all, 792 00:42:37,080 --> 00:42:39,560 Speaker 1: and this is not to paint anyone in bad faith. 793 00:42:39,680 --> 00:42:42,400 Speaker 1: This is to deal with the information I need my audience, 794 00:42:42,560 --> 00:42:46,360 Speaker 1: my people, to create us, even us to understand our power, 795 00:42:46,560 --> 00:42:49,640 Speaker 1: because people who eat outside of our kitchen understand the 796 00:42:49,719 --> 00:42:53,520 Speaker 1: flavor come out of our kitchen right when they look 797 00:42:53,520 --> 00:42:55,160 Speaker 1: on the APT When I look at him, I see 798 00:42:55,200 --> 00:42:57,759 Speaker 1: they I see that they understand that. Ay, to build 799 00:42:57,800 --> 00:43:00,399 Speaker 1: a podcast, I need to go get some rapper, get 800 00:43:00,400 --> 00:43:03,960 Speaker 1: some people that's influential Black culture. Let me get them people, 801 00:43:04,160 --> 00:43:08,400 Speaker 1: and that don't exclude nobody except Rogan. Rogan probably the 802 00:43:08,480 --> 00:43:11,200 Speaker 1: only one in all his people that come from under him. 803 00:43:11,360 --> 00:43:14,040 Speaker 1: They still biting it in a certain way, shouts bid 804 00:43:14,040 --> 00:43:16,920 Speaker 1: in't it? But I'm talking about Rogan real people. Shots 805 00:43:17,000 --> 00:43:22,000 Speaker 1: has moved surprisingly into a real friendship space with Rogan. 806 00:43:22,680 --> 00:43:25,279 Speaker 1: That dude's the psychologist. Dude, man, he's a hey, that 807 00:43:25,360 --> 00:43:27,759 Speaker 1: boy's a wizard. But all of his guys kind of 808 00:43:28,360 --> 00:43:30,879 Speaker 1: ate off for his treat But most people, they gotta 809 00:43:30,920 --> 00:43:34,240 Speaker 1: come get old Kevin Hard, old comic, hen that old rapper, 810 00:43:34,320 --> 00:43:36,319 Speaker 1: old you know what I mean to kind of push 811 00:43:36,400 --> 00:43:39,680 Speaker 1: that shown through. But let's take a look at a 812 00:43:39,800 --> 00:43:42,560 Speaker 1: specific part of this, and just so we clear again, 813 00:43:42,600 --> 00:43:44,480 Speaker 1: the reason I want to look at this is because 814 00:43:44,800 --> 00:43:47,759 Speaker 1: I want you to understand that these people again, who 815 00:43:47,920 --> 00:43:50,279 Speaker 1: eat outside of our kitchen, That don't mean they don't 816 00:43:50,280 --> 00:43:53,719 Speaker 1: get the fool from us. Again, understand what I'm saying. 817 00:43:53,760 --> 00:43:57,040 Speaker 1: I put high level game down. These people eat outside 818 00:43:57,040 --> 00:43:59,279 Speaker 1: of our kitchen, That don't mean the food don't come 819 00:43:59,320 --> 00:44:02,160 Speaker 1: from us. There come in our kitchen. Get our fool, 820 00:44:02,600 --> 00:44:06,040 Speaker 1: get our cooking, get our flavor, take it and leave 821 00:44:06,160 --> 00:44:08,879 Speaker 1: with it and go eat it with their people. And 822 00:44:08,960 --> 00:44:12,360 Speaker 1: that's what we gotta start understanding. Ain't it. Ain't no 823 00:44:12,440 --> 00:44:18,080 Speaker 1: more recycling our residuals. Yeah, we're done with the recycling 824 00:44:18,160 --> 00:44:22,080 Speaker 1: of our residuals. We are now owners and creators, which 825 00:44:22,160 --> 00:44:24,759 Speaker 1: makes us hybrid and you better know what that means 826 00:44:24,800 --> 00:44:28,319 Speaker 1: to the market. That's a disruptor. When you do more 827 00:44:28,360 --> 00:44:31,560 Speaker 1: than one things in a powerful position, that makes you 828 00:44:31,600 --> 00:44:34,239 Speaker 1: a disruptor in my opinion. But I want to look 829 00:44:34,280 --> 00:44:36,640 Speaker 1: at a specific part of this because I need again 830 00:44:36,840 --> 00:44:41,399 Speaker 1: us to understand that they understand how to get into 831 00:44:41,440 --> 00:44:44,759 Speaker 1: the market and be effective and creator, show we're value 832 00:44:45,080 --> 00:44:47,600 Speaker 1: and if we're not paying attention to that, will continue 833 00:44:47,640 --> 00:44:49,960 Speaker 1: to be dupe. I all due respect the dude, I 834 00:44:49,960 --> 00:44:52,960 Speaker 1: think he's a good dude. What I honestly believe, and 835 00:44:53,040 --> 00:44:56,320 Speaker 1: I'll say this before we play the clip. What I 836 00:44:56,320 --> 00:44:58,920 Speaker 1: honestly believe is happening, that is, you're dealing with a 837 00:44:58,960 --> 00:45:03,920 Speaker 1: goads panicking right he has. He's been dropped out one 838 00:45:03,960 --> 00:45:06,080 Speaker 1: of the biggest podcasts in the world, so he can't 839 00:45:06,160 --> 00:45:08,719 Speaker 1: just go sit down with his homies. He understand them 840 00:45:08,760 --> 00:45:11,240 Speaker 1: numbers ain't gonna look right against the people they're comparing 841 00:45:11,320 --> 00:45:14,920 Speaker 1: them to. But when you're busy building, you don't care 842 00:45:14,960 --> 00:45:18,040 Speaker 1: what the numbers look like. But then the market you 843 00:45:18,120 --> 00:45:21,680 Speaker 1: gotta do what's called consumer facing and look good for 844 00:45:21,719 --> 00:45:24,960 Speaker 1: the brand's sake. That's why a lot of record labels 845 00:45:25,000 --> 00:45:28,319 Speaker 1: do corporate gifting, and they upgrade they are as soon 846 00:45:28,360 --> 00:45:30,720 Speaker 1: as they get them, because it's important you to look 847 00:45:30,760 --> 00:45:33,680 Speaker 1: like you part of this family. I need them to know. 848 00:45:33,800 --> 00:45:40,920 Speaker 1: Every fruit on my tree is healthy, everything in my 849 00:45:41,040 --> 00:45:45,160 Speaker 1: possession is well to care, and every woman I got 850 00:45:45,239 --> 00:45:48,920 Speaker 1: is well kill. I need people to understand that. Right 851 00:45:49,080 --> 00:45:51,920 Speaker 1: They say, a man is only strong when they's strong everywhere, 852 00:45:53,080 --> 00:45:55,080 Speaker 1: so they got to keep up that appearance. Or what 853 00:45:55,200 --> 00:45:57,520 Speaker 1: he won't do is just go try to build something 854 00:45:57,640 --> 00:46:01,400 Speaker 1: slow grinding because he chasing them boy and again that 855 00:46:01,520 --> 00:46:06,680 Speaker 1: competitive spears shines too, So I think he's panicking, and 856 00:46:06,680 --> 00:46:10,080 Speaker 1: then the spirit of panicking, you see him disregard things 857 00:46:10,920 --> 00:46:13,000 Speaker 1: that we may view a weight. Let's take a little. 858 00:46:13,320 --> 00:46:16,040 Speaker 1: I can do that. I can be like that. But 859 00:46:16,120 --> 00:46:18,120 Speaker 1: I'm gonna get you on a beat and you're going 860 00:46:18,160 --> 00:46:20,839 Speaker 1: to rap. We just keep it. We got to release 861 00:46:20,880 --> 00:46:23,200 Speaker 1: it first and foremost. If we if we, if we 862 00:46:23,239 --> 00:46:25,600 Speaker 1: shut the blinds right now, if we shut the blinds 863 00:46:25,600 --> 00:46:28,239 Speaker 1: and put on some instrumental show, will go hard. See 864 00:46:28,480 --> 00:46:30,600 Speaker 1: all right, I've been hanging around a lot of y'all 865 00:46:30,719 --> 00:46:34,080 Speaker 1: lately and I'm feeling the vibe. That's all I'm saying. 866 00:46:34,160 --> 00:46:38,440 Speaker 1: You smoke whatever you want. There's no rules here. Actually 867 00:46:39,160 --> 00:46:41,239 Speaker 1: I'm gonna partake because a lot of people in the 868 00:46:41,320 --> 00:46:44,359 Speaker 1: hip hop game sometimes they don't share, like Rick Ross 869 00:46:44,360 --> 00:46:46,080 Speaker 1: didn't share with us. What do you mean the Delhi? 870 00:46:46,239 --> 00:46:48,319 Speaker 1: Is that rap sling? Or is that? No? You see 871 00:46:48,320 --> 00:46:50,680 Speaker 1: this FTD. This is my brand. So this stands for 872 00:46:51,000 --> 00:46:55,279 Speaker 1: from the dirt? Okay, basically from nothing? Is that where 873 00:46:55,320 --> 00:46:58,640 Speaker 1: you came from? I took nothing and made a lot 874 00:46:58,640 --> 00:47:01,080 Speaker 1: out of it. You did. So my company is called 875 00:47:01,080 --> 00:47:05,120 Speaker 1: from the Dirt and actually has another origin. But I'll 876 00:47:05,120 --> 00:47:08,840 Speaker 1: tell you that off camera. Um so I bought a 877 00:47:08,920 --> 00:47:12,040 Speaker 1: bodega and hallm thank you boys. How do we in 878 00:47:12,200 --> 00:47:14,960 Speaker 1: rap slung? How do we roll this up? I personally 879 00:47:15,080 --> 00:47:22,799 Speaker 1: rolled Faranto leaf and and buy Morley paper leaf all right, 880 00:47:22,800 --> 00:47:25,360 Speaker 1: word because I never was able. You got the papers 881 00:47:25,360 --> 00:47:27,000 Speaker 1: on you. I got the papers on me anywhere. That's 882 00:47:27,080 --> 00:47:29,919 Speaker 1: rolling if we're talking here. So music is going good, 883 00:47:30,440 --> 00:47:32,440 Speaker 1: Music is going is excellent right now. A new album 884 00:47:32,440 --> 00:47:36,239 Speaker 1: on the way, def jam Master Pill. It's the first 885 00:47:36,280 --> 00:47:38,000 Speaker 1: time I'm gonna say the title. It is called No 886 00:47:38,120 --> 00:47:42,440 Speaker 1: Place Like Home. Okay, Um, I've been I announced the 887 00:47:42,520 --> 00:47:44,279 Speaker 1: tour with the same name, but this is the first 888 00:47:44,280 --> 00:47:46,680 Speaker 1: time I announced the actual title of the album. The 889 00:47:46,680 --> 00:47:49,319 Speaker 1: album No Place Like Home? No Place Like Home? Is there? 890 00:47:49,360 --> 00:47:51,200 Speaker 1: Ship behind that? Is there? Anything? Like? Why are you 891 00:47:51,280 --> 00:47:56,680 Speaker 1: named it? That? Most comfortable where? I feel like? Um anyway, 892 00:47:56,760 --> 00:48:00,439 Speaker 1: I feel like has has has added or had something 893 00:48:00,440 --> 00:48:03,879 Speaker 1: to do with my success. But I spent time there 894 00:48:04,040 --> 00:48:05,400 Speaker 1: or you know what I mean, or just added to 895 00:48:05,440 --> 00:48:07,839 Speaker 1: what I got who I am as a person. That's 896 00:48:07,880 --> 00:48:09,239 Speaker 1: home to me. And I feel like that's just a 897 00:48:09,320 --> 00:48:13,040 Speaker 1: title that resonates with a lot of people. I mean, 898 00:48:13,080 --> 00:48:15,400 Speaker 1: like no Place Like Home, A lot of people are 899 00:48:15,400 --> 00:48:17,040 Speaker 1: gonna be able to think back to where they grew 900 00:48:17,120 --> 00:48:20,000 Speaker 1: up at, or where they from or things they've done 901 00:48:20,000 --> 00:48:21,640 Speaker 1: in their life. That you know what I mean. I 902 00:48:21,680 --> 00:48:23,480 Speaker 1: just feel like that just goes full circle. So that's 903 00:48:23,480 --> 00:48:25,279 Speaker 1: why name what was your what was your greatest piece 904 00:48:25,320 --> 00:48:28,320 Speaker 1: of work? That your most product out of all my tapes, 905 00:48:28,320 --> 00:48:33,040 Speaker 1: out of everything everything I've done, everything you've done number one, 906 00:48:33,080 --> 00:48:35,000 Speaker 1: most thing of your product that you've done in your career? 907 00:48:36,120 --> 00:48:40,960 Speaker 1: Um being a far to my kids? Really yeah, music wise, 908 00:48:41,520 --> 00:48:46,560 Speaker 1: music wise, who was your favorite? Did you never get 909 00:48:46,600 --> 00:48:49,400 Speaker 1: sick of bumping? Just that little poor right there? I 910 00:48:49,480 --> 00:48:54,640 Speaker 1: said to me, Damn that black dude celebrating taking kids kids. See, 911 00:48:54,680 --> 00:48:57,680 Speaker 1: sometimes the people are disconnected from what they mean to 912 00:48:57,760 --> 00:48:59,800 Speaker 1: a black man. Man being able to take care of 913 00:48:59,840 --> 00:49:03,879 Speaker 1: my kids, man, man, my kids, man, just being able 914 00:49:03,880 --> 00:49:06,640 Speaker 1: to man. Man. I'm just now, it's some music and 915 00:49:06,719 --> 00:49:09,640 Speaker 1: your biggest, your biggest music. They move right past that 916 00:49:09,760 --> 00:49:12,880 Speaker 1: because what they don't understand is that my dad didn't 917 00:49:12,920 --> 00:49:16,880 Speaker 1: take care of me. I'm telling you that now money 918 00:49:16,920 --> 00:49:20,120 Speaker 1: off the table. My lifestyle now is in a way 919 00:49:20,160 --> 00:49:22,239 Speaker 1: where I can now be there for my kid on 920 00:49:22,320 --> 00:49:25,839 Speaker 1: the daily. I can take him to school and pick 921 00:49:25,920 --> 00:49:30,680 Speaker 1: him up even if you come from a job type lifestyle. 922 00:49:30,719 --> 00:49:33,160 Speaker 1: You gotta work all day, you miss your kids, stuff, 923 00:49:33,200 --> 00:49:36,000 Speaker 1: you'd be tired, might gotta work on saturdays and days. 924 00:49:36,080 --> 00:49:38,960 Speaker 1: This game, you're working, working, working, working for the years, 925 00:49:39,000 --> 00:49:40,839 Speaker 1: and they give you two thousand dollars a month when 926 00:49:40,840 --> 00:49:43,719 Speaker 1: it's old. And so when you hear a black dude saying, 927 00:49:43,760 --> 00:49:45,760 Speaker 1: man taking care of my kids, we could have lived 928 00:49:45,760 --> 00:49:49,799 Speaker 1: there for thirty minute. You know the fight that is 929 00:49:49,800 --> 00:49:52,239 Speaker 1: coming from where we come from, the opportunities that it 930 00:49:52,440 --> 00:49:56,560 Speaker 1: mean to come from, especially somebody probably like him. Man say, Brock, 931 00:49:56,680 --> 00:50:00,000 Speaker 1: I'm in New York. Bro you know what it comes 932 00:50:00,239 --> 00:50:02,040 Speaker 1: to live up Hill. Man, I'm taking care of a 933 00:50:02,040 --> 00:50:04,920 Speaker 1: couple of people up Hire. Mama straight pee they straight man, 934 00:50:05,000 --> 00:50:07,239 Speaker 1: I'm talking about. That's the biggest blessing God could ever 935 00:50:07,280 --> 00:50:11,080 Speaker 1: send my way. I was telling my homeboy, Man, listen, 936 00:50:11,160 --> 00:50:15,000 Speaker 1: God booking me right now. So I ain't worried about 937 00:50:15,000 --> 00:50:17,640 Speaker 1: who talking about me high Field, when they see me, 938 00:50:17,880 --> 00:50:20,440 Speaker 1: whether they can deal with whether or not my elevation 939 00:50:20,600 --> 00:50:23,239 Speaker 1: is within they reach. I don't care nothing about that 940 00:50:23,440 --> 00:50:26,400 Speaker 1: right now. They gotta deal with God booking me, The 941 00:50:26,640 --> 00:50:30,799 Speaker 1: universe booking me right now. I'll be checking my email man, 942 00:50:30,840 --> 00:50:35,200 Speaker 1: they booking me, God putting in my life that I 943 00:50:35,280 --> 00:50:39,560 Speaker 1: ain't even understanding, right, So they gotta deal with divine direction. 944 00:50:41,200 --> 00:50:45,840 Speaker 1: You're dealing with the highest power, booking me to be aware. 945 00:50:45,880 --> 00:50:48,640 Speaker 1: I always tell God, don't give me things, put me 946 00:50:48,680 --> 00:50:54,480 Speaker 1: in positions. What things are, I'll get them myself. And 947 00:50:54,600 --> 00:50:58,200 Speaker 1: these hater's got to deal with that. Ain't nobody in 948 00:50:58,239 --> 00:51:01,959 Speaker 1: the coach you can talk like me, And if they can, 949 00:51:01,960 --> 00:51:04,160 Speaker 1: I salute them. And ain't no hatred. Ain't none of 950 00:51:04,160 --> 00:51:07,800 Speaker 1: that going on. We got competitive spirit and the spirit 951 00:51:07,800 --> 00:51:11,720 Speaker 1: of taking care of our family. I thought I wasted 952 00:51:11,760 --> 00:51:13,759 Speaker 1: my life with the little information I got out of 953 00:51:13,760 --> 00:51:16,040 Speaker 1: the street delicihip I read. I thought I was gonna 954 00:51:16,040 --> 00:51:17,919 Speaker 1: be spending my wheels. I was gonna have to find 955 00:51:18,120 --> 00:51:21,520 Speaker 1: one the company and begin a little supervisor gig for 956 00:51:21,760 --> 00:51:25,640 Speaker 1: us all over with. My little boys need me to 957 00:51:25,680 --> 00:51:27,799 Speaker 1: be out here. I gotta be effective in a way 958 00:51:27,840 --> 00:51:31,960 Speaker 1: that they understand that is effective, not effective at the job. 959 00:51:32,040 --> 00:51:34,480 Speaker 1: And my family don't know a lot of you is 960 00:51:34,480 --> 00:51:36,960 Speaker 1: effective in that warehouse. And your little boy don't know 961 00:51:37,000 --> 00:51:39,880 Speaker 1: how effective you is in real life. Mama don't know 962 00:51:39,920 --> 00:51:41,960 Speaker 1: if you can cut grass. Old lady don't know if 963 00:51:42,000 --> 00:51:44,360 Speaker 1: you could take the trash out but the job. Know 964 00:51:44,520 --> 00:51:46,960 Speaker 1: you could stack for the full palace in the hour 965 00:51:48,120 --> 00:51:53,680 Speaker 1: for fourteen dollars an hour. And sometimes it's just mismanaged ambition. 966 00:51:54,239 --> 00:51:56,719 Speaker 1: I just wish we live in the world where entrepreneurs 967 00:51:56,800 --> 00:51:58,879 Speaker 1: knew that they can get that same fight they get 968 00:51:58,920 --> 00:52:02,640 Speaker 1: these companies to pay them pennies on the owl, they 969 00:52:02,680 --> 00:52:05,640 Speaker 1: can get that same fight to understanding that market that 970 00:52:05,719 --> 00:52:08,360 Speaker 1: they in and start to evolve outside of that. And 971 00:52:08,440 --> 00:52:11,200 Speaker 1: I never say quit your job without a plan. I 972 00:52:11,320 --> 00:52:15,680 Speaker 1: just tell you the plan to quit your job. I'm 973 00:52:15,719 --> 00:52:20,279 Speaker 1: freestyling too, That's why they can't with this. I ain't 974 00:52:20,360 --> 00:52:22,799 Speaker 1: never said this. I don't write nothing down, I don't 975 00:52:22,840 --> 00:52:25,920 Speaker 1: look at none. I'm literally just talking to my people. 976 00:52:26,280 --> 00:52:28,720 Speaker 1: And that's what make this podcast one of the best 977 00:52:28,719 --> 00:52:31,120 Speaker 1: that the culture has right now. Thank for to y'all 978 00:52:31,160 --> 00:52:34,239 Speaker 1: guard the universe and all things are landing in my faith. 979 00:52:34,920 --> 00:52:37,120 Speaker 1: But I think a lot of people that dance outside 980 00:52:37,160 --> 00:52:39,719 Speaker 1: of our culture don't understand. For the black man just 981 00:52:39,840 --> 00:52:43,080 Speaker 1: to have a clear mind is a blessing. It's a 982 00:52:43,239 --> 00:52:45,680 Speaker 1: constant fight for us to get out this project that 983 00:52:45,800 --> 00:52:50,600 Speaker 1: they made, this trapped that they created. This is a 984 00:52:50,719 --> 00:52:55,400 Speaker 1: constant thing for us to become untrapped, to unleash the 985 00:52:55,600 --> 00:52:59,960 Speaker 1: barriers and the shackles that they had on our mentality, 986 00:53:00,040 --> 00:53:03,319 Speaker 1: and the ceilings that they have put up for us 987 00:53:03,360 --> 00:53:06,080 Speaker 1: to realize that those are glass and if we travel 988 00:53:06,120 --> 00:53:10,800 Speaker 1: with a hammer will be okay. The circumstances and misfortune 989 00:53:10,800 --> 00:53:14,799 Speaker 1: and we was handed when we was young. I always say, boy, 990 00:53:14,840 --> 00:53:18,120 Speaker 1: where we started wasn't fair. Boy, what we took it 991 00:53:18,160 --> 00:53:23,279 Speaker 1: was a blessing. We was handed a hand in this 992 00:53:23,480 --> 00:53:26,800 Speaker 1: game that was designed for us, not to understand that 993 00:53:26,920 --> 00:53:31,479 Speaker 1: it was a winning hand. Sometimes they give you all 994 00:53:31,600 --> 00:53:35,000 Speaker 1: eights and sixes and just low numbers, but they don't 995 00:53:35,000 --> 00:53:37,000 Speaker 1: tell you that their my all spade. You ain't got 996 00:53:37,160 --> 00:53:41,680 Speaker 1: no you come out to gate cutting. So we gotta 997 00:53:41,719 --> 00:53:44,360 Speaker 1: start to understand how to play the game that we 998 00:53:44,440 --> 00:53:48,680 Speaker 1: are in. And sometimes it's an underrated blessing to just 999 00:53:48,760 --> 00:53:53,280 Speaker 1: take care of your family. Sometimes it's the best feeling 1000 00:53:53,280 --> 00:53:55,560 Speaker 1: in the world. People you look and depend on you 1001 00:53:56,239 --> 00:53:59,880 Speaker 1: that hit different A little boys say, man, Dad, I 1002 00:54:00,080 --> 00:54:02,000 Speaker 1: want it now, Yet that ain't nothing man within the 1003 00:54:02,080 --> 00:54:05,200 Speaker 1: order that now. Mom said, well I showed man thing 1004 00:54:05,320 --> 00:54:09,960 Speaker 1: now for show that that's done. That making sleep better, 1005 00:54:10,040 --> 00:54:12,920 Speaker 1: All that jeering changes ship. What I'm saying, Bro, I'm 1006 00:54:13,000 --> 00:54:16,360 Speaker 1: hustling for my kids, kids, kids, Right, it's a process. 1007 00:54:16,400 --> 00:54:21,200 Speaker 1: I secure my future, secure their future, secure their kids future, 1008 00:54:21,440 --> 00:54:24,359 Speaker 1: secure their kids kids future. Right. We're talking about as 1009 00:54:24,360 --> 00:54:26,480 Speaker 1: far as you go up on the Forbes, the most 1010 00:54:26,560 --> 00:54:29,399 Speaker 1: futures you're looking at, you securing. And so as I'm 1011 00:54:29,400 --> 00:54:31,600 Speaker 1: looking at it, I want them to think they're just 1012 00:54:31,680 --> 00:54:34,560 Speaker 1: a little old podcast. But they're dealing with a marksman. 1013 00:54:35,440 --> 00:54:39,840 Speaker 1: You're dealing with a sent man, You're dealing with a 1014 00:54:40,000 --> 00:54:45,960 Speaker 1: sit man. You understand me. This ain't by coincidence. I've 1015 00:54:45,960 --> 00:54:49,920 Speaker 1: been sitting here, but I just found it interesting that 1016 00:54:50,000 --> 00:54:52,880 Speaker 1: this guy man can look over the fact that this 1017 00:54:53,080 --> 00:54:56,200 Speaker 1: dude said and this ain't personal to him. Again, I 1018 00:54:56,280 --> 00:54:59,480 Speaker 1: know he's hustling. So, Bob, when you see this, because 1019 00:54:59,480 --> 00:55:01,840 Speaker 1: I know you see this, were powerful in the coach. 1020 00:55:02,400 --> 00:55:06,040 Speaker 1: This ain't really about you. This about just everybody that 1021 00:55:06,840 --> 00:55:08,840 Speaker 1: comes into our kitchen and get a little bit of 1022 00:55:08,880 --> 00:55:12,920 Speaker 1: our cooking. But what we also need y'all to know, 1023 00:55:13,120 --> 00:55:18,319 Speaker 1: people on the outside, we got place for sale. Just 1024 00:55:18,360 --> 00:55:20,640 Speaker 1: don't try to sneak past our calm and sense. But 1025 00:55:20,719 --> 00:55:23,160 Speaker 1: we got we got place for sale. This fool ain't 1026 00:55:23,200 --> 00:55:25,919 Speaker 1: just for us. You know, we got to eat off 1027 00:55:25,960 --> 00:55:27,719 Speaker 1: this too. We don't turn this to a bit and 1028 00:55:27,719 --> 00:55:30,799 Speaker 1: then we understand what it is. But we're saying there, 1029 00:55:30,880 --> 00:55:34,000 Speaker 1: don't come over the cookout like family, taking taking all 1030 00:55:34,080 --> 00:55:39,120 Speaker 1: them plates to leave. Yeah, a lot of these podcast 1031 00:55:39,280 --> 00:55:42,759 Speaker 1: coaching statum people sure that degrill at the at the 1032 00:55:42,800 --> 00:55:45,360 Speaker 1: cookout and they don't took five or six place and 1033 00:55:45,400 --> 00:55:47,960 Speaker 1: they ain't bolting none. That what they're doing to our culture, 1034 00:55:48,200 --> 00:55:51,120 Speaker 1: to our content, to our rappers, to our athletes, to 1035 00:55:51,200 --> 00:55:54,719 Speaker 1: our people, our entrepreneurs, our voices, that's what they're doing. 1036 00:55:55,520 --> 00:55:59,319 Speaker 1: They're coming in. They're coming in our cook out. They 1037 00:55:59,360 --> 00:56:02,360 Speaker 1: ain't bring nothing, they're taking place to leave And so 1038 00:56:02,480 --> 00:56:05,200 Speaker 1: this ain't specific to do. I just want ya to 1039 00:56:05,239 --> 00:56:07,160 Speaker 1: know that's how they view us. And if we can't 1040 00:56:07,200 --> 00:56:10,760 Speaker 1: empower us to empower each other, I have a problem 1041 00:56:10,800 --> 00:56:14,440 Speaker 1: with seeing them be empowered by us and them being 1042 00:56:14,560 --> 00:56:19,400 Speaker 1: anyone that's eating outside of our kitchen. Let's talk about 1043 00:56:19,440 --> 00:56:24,160 Speaker 1: this man. In a turn of unfortunate events, after Quando 1044 00:56:24,280 --> 00:56:30,360 Speaker 1: Rondo found itself under ambushing California, he takes to the 1045 00:56:30,400 --> 00:56:33,000 Speaker 1: Internet to do what's called in the culture, drop his 1046 00:56:33,120 --> 00:56:35,880 Speaker 1: flag for those who are unaware about what that means. 1047 00:56:36,360 --> 00:56:38,200 Speaker 1: That means I was a part of a gang and 1048 00:56:38,239 --> 00:56:41,720 Speaker 1: now I'm retiring. It's almost like leaving the job, quitting. 1049 00:56:41,880 --> 00:56:44,880 Speaker 1: I'm done. This is it, But I want people to 1050 00:56:45,000 --> 00:56:49,759 Speaker 1: understand something humans have trouble with inconvenience. Let's take a 1051 00:56:49,800 --> 00:56:52,120 Speaker 1: look at some of the stuff that he tweeted and 1052 00:56:52,239 --> 00:56:56,000 Speaker 1: we'll come back with some game. So here's a post 1053 00:56:56,080 --> 00:57:00,839 Speaker 1: from Quando Rondo gad about I mean select few people 1054 00:57:00,960 --> 00:57:04,080 Speaker 1: my circle super tight, and he named a bunch of 1055 00:57:04,160 --> 00:57:06,560 Speaker 1: dudes I don't know him. He named a little tim. 1056 00:57:06,560 --> 00:57:09,279 Speaker 1: I know him. That's the dude that allegedly killed King Vaughan. 1057 00:57:09,360 --> 00:57:12,600 Speaker 1: It's too much going on, too many fingers pointing, too 1058 00:57:12,680 --> 00:57:15,239 Speaker 1: many people talking behind my back. I got too much 1059 00:57:15,239 --> 00:57:18,320 Speaker 1: weight on my shoulders. I'm standing on on ten. I 1060 00:57:18,440 --> 00:57:22,480 Speaker 1: love pad like a but I'm not going to confroneral. 1061 00:57:23,000 --> 00:57:25,240 Speaker 1: I know what me and could stand that. I pay 1062 00:57:25,320 --> 00:57:28,040 Speaker 1: everybody feel keep this to yourself. Know what the hell 1063 00:57:28,080 --> 00:57:30,280 Speaker 1: I'm going through. I watched my homie down. I want 1064 00:57:30,280 --> 00:57:31,880 Speaker 1: to see a lot of y'all wake up and keep 1065 00:57:31,920 --> 00:57:34,840 Speaker 1: a level head. After that, I'm focusing on myself and 1066 00:57:34,920 --> 00:57:37,640 Speaker 1: my little girl. That's who I'm living for all the 1067 00:57:37,680 --> 00:57:39,840 Speaker 1: times I missed with home. Top of all this, I'm 1068 00:57:39,880 --> 00:57:42,280 Speaker 1: not in a relationship. I'm not tied to no girl. 1069 00:57:42,800 --> 00:57:46,720 Speaker 1: Me and how have a mutual understanding. I'm solo rocket 1070 00:57:46,760 --> 00:57:49,320 Speaker 1: and I mean that ship you and whoever feel hit 1071 00:57:49,680 --> 00:57:52,400 Speaker 1: my bag up. I don't need no hand out. Here's 1072 00:57:52,440 --> 00:57:55,160 Speaker 1: the second post. I'm not jump out gang either. Ain't 1073 00:57:55,160 --> 00:57:58,360 Speaker 1: no lords in it. I'm my own man. I laid 1074 00:57:58,360 --> 00:58:00,880 Speaker 1: my flag down. I'm not neighborhood of y'all. Ain't gonna 1075 00:58:00,960 --> 00:58:03,120 Speaker 1: ride for for real, Ain't no sense of me being 1076 00:58:03,160 --> 00:58:06,560 Speaker 1: a part of y'all. Y'all for the opposition. I don't 1077 00:58:06,600 --> 00:58:09,680 Speaker 1: give who feel hit you? And if you can't feel 1078 00:58:09,720 --> 00:58:13,240 Speaker 1: why I'm coming from on this, then your chest because 1079 00:58:13,240 --> 00:58:15,240 Speaker 1: they don't take a rocket scientist to see what the 1080 00:58:15,600 --> 00:58:18,160 Speaker 1: going on. Everybody already hate me. I ain't tripping on 1081 00:58:18,200 --> 00:58:20,480 Speaker 1: the extra hate. I'm about to focus on my family, 1082 00:58:20,560 --> 00:58:23,880 Speaker 1: the ones who really gonna drop a tied if I die. Unfortunately, 1083 00:58:23,920 --> 00:58:27,400 Speaker 1: that ain't had a gang politics work. I understand what 1084 00:58:27,480 --> 00:58:30,600 Speaker 1: he's going through. He going through immense pressure, but this 1085 00:58:30,800 --> 00:58:33,920 Speaker 1: wold this part of this, the other side of that corn. 1086 00:58:34,240 --> 00:58:37,440 Speaker 1: I honestly think that it'll have been a different atmosphere 1087 00:58:37,440 --> 00:58:42,320 Speaker 1: around his whole situation in regards to his status with 1088 00:58:42,440 --> 00:58:45,640 Speaker 1: that stuff. If he hadn't a win outside of his 1089 00:58:45,720 --> 00:58:48,440 Speaker 1: neck of the wood. See, it's all funny games when 1090 00:58:48,440 --> 00:58:51,480 Speaker 1: you're a little woodoo woo. You know, you gang banging 1091 00:58:51,480 --> 00:58:53,480 Speaker 1: in your little city. Then you don't blew up in 1092 00:58:53,560 --> 00:58:55,640 Speaker 1: the music then and they tie you in. Would have 1093 00:58:55,680 --> 00:58:58,600 Speaker 1: got it like a big you that Donet gave his 1094 00:58:58,720 --> 00:59:01,800 Speaker 1: life today. Really it's around when it first start, like 1095 00:59:01,880 --> 00:59:04,480 Speaker 1: now you tied in with the generals. Now it's a 1096 00:59:04,520 --> 00:59:09,560 Speaker 1: certain expectation on your cripping. Now and you come running 1097 00:59:09,560 --> 00:59:12,000 Speaker 1: to us telling us how serious you is about it 1098 00:59:12,040 --> 00:59:14,040 Speaker 1: and you're gonna die about it and we're really living 1099 00:59:14,120 --> 00:59:16,080 Speaker 1: like it and look at it like it. And then 1100 00:59:16,120 --> 00:59:18,040 Speaker 1: you come and say you're gonna get off. It ain't 1101 00:59:18,080 --> 00:59:22,720 Speaker 1: working like that. You mightn't pay. Some people might have 1102 00:59:22,840 --> 00:59:25,200 Speaker 1: let you pay. They might now, but some people slide 1103 00:59:25,200 --> 00:59:28,800 Speaker 1: a bag through his business. Ain't you're don't disrespected us 1104 00:59:28,800 --> 00:59:31,840 Speaker 1: in public? Double that up. You don't came out saying 1105 00:59:31,880 --> 00:59:33,640 Speaker 1: some man, come on, man. You could have hit one 1106 00:59:33,640 --> 00:59:35,280 Speaker 1: of us and said, look, I'm trying to get up. 1107 00:59:35,800 --> 00:59:38,480 Speaker 1: You know, when you're right like so like sometimes, but 1108 00:59:38,760 --> 00:59:41,040 Speaker 1: I'm not saying that's even with quando. I'm telling you 1109 00:59:41,200 --> 00:59:45,800 Speaker 1: politics like that take place if you pay attention. Again, 1110 00:59:45,840 --> 00:59:48,840 Speaker 1: I think this Internet has affected everything. You used to say. 1111 00:59:48,840 --> 00:59:50,680 Speaker 1: You can't day to girl off the internet. You ain't 1112 00:59:50,680 --> 00:59:52,640 Speaker 1: finding a woman on that. And then like man, I 1113 00:59:52,720 --> 00:59:55,200 Speaker 1: met my wife off. My soul made off the internet. 1114 00:59:56,600 --> 00:59:58,720 Speaker 1: The Internet affecting thing. Bro. You should be like, you 1115 00:59:58,760 --> 01:00:01,360 Speaker 1: can't quit a job on and then people quitting jobs 1116 01:00:01,360 --> 01:00:04,080 Speaker 1: on there and winning presidents is from the internet. So 1117 01:00:04,120 --> 01:00:07,720 Speaker 1: you see people try to get away from street politics 1118 01:00:07,720 --> 01:00:09,760 Speaker 1: on the Internet, and it just ain't like that. I 1119 01:00:09,800 --> 01:00:13,240 Speaker 1: saw Takashi do that. His situation was a little different, 1120 01:00:13,280 --> 01:00:15,240 Speaker 1: the fiends that came and got him. So he going 1121 01:00:15,320 --> 01:00:17,120 Speaker 1: brother club Man, I ain't in no gang. I ain't 1122 01:00:17,120 --> 01:00:19,360 Speaker 1: got nothing to do with nothing no more. Because he 1123 01:00:19,480 --> 01:00:21,960 Speaker 1: said he wasn't going to the home in funeral. See, 1124 01:00:22,000 --> 01:00:24,360 Speaker 1: because this happened in the hood, somebody died with you. 1125 01:00:24,440 --> 01:00:27,800 Speaker 1: They want to know, aid bro Die, what happened Bro, Well, 1126 01:00:27,800 --> 01:00:30,400 Speaker 1: he was out of LA, but you plugged in with them, La, 1127 01:00:30,720 --> 01:00:33,760 Speaker 1: bro what happened with bro Man? Ain't nobody saying nothing. 1128 01:00:33,760 --> 01:00:36,360 Speaker 1: They ain't telling me nothing. Now they kind of shifting 1129 01:00:36,440 --> 01:00:38,680 Speaker 1: the blame on you. Now, you gotta stay away from 1130 01:00:38,840 --> 01:00:41,120 Speaker 1: this because you don't yo what they trying to say. 1131 01:00:41,280 --> 01:00:44,520 Speaker 1: You know, I would never do that, but damn they don't. 1132 01:00:44,560 --> 01:00:46,560 Speaker 1: Now I'm reaching out to my California. This is what 1133 01:00:46,760 --> 01:00:49,680 Speaker 1: made me think he'd done this. He reaching out trying 1134 01:00:49,680 --> 01:00:52,320 Speaker 1: to get man, who was that? What happened? What was 1135 01:00:52,360 --> 01:00:54,640 Speaker 1: that just about? And can't nobody telling the man, Well, 1136 01:00:55,920 --> 01:00:58,120 Speaker 1: I don't really know what happened. Could I don't really know. 1137 01:00:58,880 --> 01:01:00,680 Speaker 1: I don't know what that was about. Like he can't 1138 01:01:00,680 --> 01:01:04,160 Speaker 1: get no answers, you know what I mean? Because funerals 1139 01:01:04,200 --> 01:01:06,400 Speaker 1: ain't safe as they used to be. Him talk about 1140 01:01:06,480 --> 01:01:09,560 Speaker 1: not going to the funeral its homeboard funeral. I'm going 1141 01:01:09,640 --> 01:01:11,800 Speaker 1: to my people funeral. If it's like he died on 1142 01:01:11,880 --> 01:01:17,040 Speaker 1: my watch, I'm going. But funerals ain't just safe. People 1143 01:01:17,080 --> 01:01:21,400 Speaker 1: know at his people at the funeral slide and that's disrespectful. 1144 01:01:21,400 --> 01:01:24,640 Speaker 1: It's all kind of old people, kids, loved ones like, 1145 01:01:24,760 --> 01:01:28,640 Speaker 1: come on, respect some my here, universal law and effect 1146 01:01:28,680 --> 01:01:31,200 Speaker 1: on you though they're shooting the funeral. But let me 1147 01:01:31,280 --> 01:01:33,400 Speaker 1: kind of get y'all some understanding those that may not 1148 01:01:33,560 --> 01:01:36,760 Speaker 1: understand how this usually works. If you do want to 1149 01:01:36,800 --> 01:01:41,600 Speaker 1: get put off what they call it, from whatever gang 1150 01:01:41,680 --> 01:01:43,560 Speaker 1: you in, you're supposed to reach out. Hey, y'all want 1151 01:01:43,560 --> 01:01:45,360 Speaker 1: to get put off, They're gonna put you off the 1152 01:01:45,400 --> 01:01:48,040 Speaker 1: same way you got put in. But see, when you 1153 01:01:48,080 --> 01:01:50,280 Speaker 1: get famous, you start to believe you can pay your 1154 01:01:50,320 --> 01:01:53,000 Speaker 1: way out of you know, you can get in some 1155 01:01:53,080 --> 01:01:55,120 Speaker 1: people that's trying to kind of let the nigga pay 1156 01:01:55,120 --> 01:01:58,280 Speaker 1: their way in. It's business. At the end of the day. 1157 01:01:58,440 --> 01:02:02,160 Speaker 1: It's the same thing in Hindsok here the paying gang bangers. 1158 01:02:02,720 --> 01:02:05,920 Speaker 1: So they're just pay the gang and don't And sometimes 1159 01:02:05,920 --> 01:02:09,320 Speaker 1: that contract you got with them gang members, everybody don't 1160 01:02:09,400 --> 01:02:12,160 Speaker 1: respect that contract because everybody didn't get a piece of that. 1161 01:02:12,960 --> 01:02:15,640 Speaker 1: It ain't like the security people they sent you. All 1162 01:02:15,680 --> 01:02:19,840 Speaker 1: these seventeen people they sent you. Every all seventeen been paid. 1163 01:02:20,080 --> 01:02:22,800 Speaker 1: When you deal with the gang banger security, and not 1164 01:02:23,000 --> 01:02:25,280 Speaker 1: all of them, but when you usually deal with the 1165 01:02:25,320 --> 01:02:29,720 Speaker 1: gang bang security, you pay and they send seventeen before 1166 01:02:29,840 --> 01:02:34,320 Speaker 1: them really got the money. Their mother thirteen is really 1167 01:02:34,360 --> 01:02:37,560 Speaker 1: just down on the strength. And because politics say they 1168 01:02:37,600 --> 01:02:39,520 Speaker 1: gotta be there and all this kind of they just 1169 01:02:39,600 --> 01:02:43,640 Speaker 1: get blurry. Man, I understand what a young dude living 1170 01:02:43,680 --> 01:02:45,640 Speaker 1: there man, because he feels like he ain't got no 1171 01:02:45,760 --> 01:02:49,520 Speaker 1: help if you pay attention. Man, he left from Savannah 1172 01:02:49,560 --> 01:02:51,960 Speaker 1: right after killing go out there and then that happened, 1173 01:02:52,600 --> 01:02:55,200 Speaker 1: and then he probably reaching over there and ain't not happening. 1174 01:02:55,640 --> 01:02:58,720 Speaker 1: But it was interesting to see how enthused the Wards 1175 01:02:58,720 --> 01:03:01,120 Speaker 1: are be in front of Big. You see, Big, you 1176 01:03:01,240 --> 01:03:04,320 Speaker 1: got a lot of respect in that car because he 1177 01:03:04,400 --> 01:03:06,440 Speaker 1: did a lot for that and he was around and 1178 01:03:06,680 --> 01:03:09,080 Speaker 1: he's a dude that it don't change in life and 1179 01:03:09,200 --> 01:03:11,720 Speaker 1: dealing with them children on the level where he's saying, Yo, 1180 01:03:11,800 --> 01:03:14,640 Speaker 1: we know that's the crash course. And y'all know who 1181 01:03:14,720 --> 01:03:17,560 Speaker 1: I am. Ask any one of your uncles who I am. 1182 01:03:17,760 --> 01:03:19,960 Speaker 1: They know who I am, But y'all know that's the 1183 01:03:20,040 --> 01:03:22,840 Speaker 1: crash course. We're playing football. Were in La. We got 1184 01:03:22,880 --> 01:03:26,000 Speaker 1: the best schools out here, good colleges. Let's really get 1185 01:03:26,000 --> 01:03:27,880 Speaker 1: it done. If we can get it done, I'm talking 1186 01:03:27,880 --> 01:03:30,560 Speaker 1: about if we can work ye out of the ghettold 1187 01:03:30,640 --> 01:03:32,680 Speaker 1: system that they try to try buzzy in and get 1188 01:03:32,760 --> 01:03:36,600 Speaker 1: you athletically involved somewhere else. Man, you got a real shot, 1189 01:03:36,640 --> 01:03:38,720 Speaker 1: and we got a few connections. Don't go the way 1190 01:03:38,800 --> 01:03:43,120 Speaker 1: we win. It ain't buy none. You know what I'm saying, 1191 01:03:43,120 --> 01:03:45,920 Speaker 1: so he doesn't change to that, and you see him 1192 01:03:45,960 --> 01:03:48,320 Speaker 1: will play a little bit of him, have a conversation 1193 01:03:48,400 --> 01:03:51,720 Speaker 1: with Quando and try to explain the Quando some of 1194 01:03:51,760 --> 01:03:53,960 Speaker 1: these things. And when you look back on it, I 1195 01:03:54,080 --> 01:03:56,320 Speaker 1: just think it's a real eye opener. Let's look at 1196 01:03:56,320 --> 01:03:58,440 Speaker 1: a little bit of it. But you gotta just be 1197 01:03:58,560 --> 01:04:02,800 Speaker 1: conscious is and what you put out like for the 1198 01:04:02,920 --> 01:04:07,280 Speaker 1: next year or two, because they're gonna play everything you 1199 01:04:07,440 --> 01:04:09,600 Speaker 1: every word you say. It's gonna be a shock to 1200 01:04:09,640 --> 01:04:12,400 Speaker 1: the other side. Man, Like myn I ain't trying to 1201 01:04:12,440 --> 01:04:15,240 Speaker 1: be like, ain't trying to know for none of this, 1202 01:04:15,400 --> 01:04:18,080 Speaker 1: no mode, I mean what, I understand what you're saying, 1203 01:04:18,080 --> 01:04:20,840 Speaker 1: because I mean I've been through some bullshit still was 1204 01:04:20,880 --> 01:04:24,040 Speaker 1: going through it. Just put the documentary out explain a 1205 01:04:24,040 --> 01:04:26,800 Speaker 1: lot of things, so I actually know what you're going 1206 01:04:26,840 --> 01:04:30,160 Speaker 1: through without us even verbalizing. Now I can actually feel 1207 01:04:30,600 --> 01:04:32,919 Speaker 1: your situation. But I can tell you this much though. 1208 01:04:33,480 --> 01:04:35,680 Speaker 1: Let me get y'all a little context as well. This 1209 01:04:35,760 --> 01:04:38,080 Speaker 1: was right after the killing of King Vaughan R. I 1210 01:04:38,160 --> 01:04:42,720 Speaker 1: p Vaughan with that running and happened, and he had 1211 01:04:42,720 --> 01:04:45,080 Speaker 1: a situation where I guess things that got a little 1212 01:04:45,120 --> 01:04:48,400 Speaker 1: slippery on him and big you as a person that 1213 01:04:48,720 --> 01:04:51,640 Speaker 1: you know, people got a certain level of respect for 1214 01:04:51,760 --> 01:04:55,160 Speaker 1: his aura, right, So he reached to you because he 1215 01:04:55,440 --> 01:04:58,400 Speaker 1: is on the same you know, lying as him. And 1216 01:04:58,440 --> 01:05:00,760 Speaker 1: then you like, man a little, I try to book 1217 01:05:00,760 --> 01:05:02,280 Speaker 1: you or get you on this little tour and you 1218 01:05:02,320 --> 01:05:04,360 Speaker 1: ain't even do nothing. Then when they get like as 1219 01:05:04,400 --> 01:05:06,720 Speaker 1: you reach out to him so big you felt the way. 1220 01:05:06,840 --> 01:05:08,760 Speaker 1: But after that big you say, you know what, I'm 1221 01:05:08,800 --> 01:05:11,400 Speaker 1: a big home I can't be involved with that emotional 1222 01:05:11,920 --> 01:05:14,920 Speaker 1: I'm information based, right, this is how I'm thinking. He 1223 01:05:15,040 --> 01:05:17,080 Speaker 1: look at it, so he's squashing man. Look it ain't 1224 01:05:17,120 --> 01:05:19,880 Speaker 1: buy nothing. Come let me. They do this interview, So 1225 01:05:19,960 --> 01:05:21,920 Speaker 1: this is on the heels of that. This is when 1226 01:05:21,960 --> 01:05:25,560 Speaker 1: the tension was real thick. Right. I want you to 1227 01:05:25,600 --> 01:05:27,960 Speaker 1: see and just pay attention that this. I just want 1228 01:05:27,960 --> 01:05:30,040 Speaker 1: to lay that out because I think that's important to 1229 01:05:30,080 --> 01:05:32,440 Speaker 1: where it is we stand right now. Let's pay attention. 1230 01:05:33,640 --> 01:05:36,760 Speaker 1: What you gotta just be conscious is and what you 1231 01:05:36,840 --> 01:05:40,640 Speaker 1: put out they're they're gonna find a way to say that. 1232 01:05:41,520 --> 01:05:43,280 Speaker 1: You know, you talk, but you just gotta be And 1233 01:05:43,360 --> 01:05:46,360 Speaker 1: if you remember, as week I spoke about don't fan 1234 01:05:46,560 --> 01:05:49,439 Speaker 1: that flame, it didn't make sense to me. You see 1235 01:05:49,480 --> 01:05:52,440 Speaker 1: big you being a real big home. I met some 1236 01:05:52,520 --> 01:05:55,360 Speaker 1: violence going on in their life, whether with damn, whether 1237 01:05:55,400 --> 01:05:58,440 Speaker 1: they sun doing it, whether they live nephew doing it. 1238 01:05:58,720 --> 01:06:04,040 Speaker 1: Somebody knows something about blush your feel me and balance 1239 01:06:04,120 --> 01:06:08,040 Speaker 1: gonna happen multiple times, So it might be boom down 1240 01:06:09,040 --> 01:06:12,440 Speaker 1: stove got broken the day on crunshyall such such, just 1241 01:06:12,600 --> 01:06:16,080 Speaker 1: did it? You feel me? Right? Everybody know he just 1242 01:06:16,080 --> 01:06:20,280 Speaker 1: did that, but too much not passing. He broke in 1243 01:06:20,480 --> 01:06:22,640 Speaker 1: a whole another house and then he got an in 1244 01:06:22,640 --> 01:06:25,320 Speaker 1: another saying, yeah, I broke in this house. People don't 1245 01:06:25,360 --> 01:06:27,720 Speaker 1: think you're talking about the house he broke in on crunshyall, 1246 01:06:27,760 --> 01:06:30,400 Speaker 1: But in his mind he talking about the second house 1247 01:06:30,400 --> 01:06:33,920 Speaker 1: he broke in. You feel me? So, I really let 1248 01:06:33,960 --> 01:06:36,720 Speaker 1: a lot of stuff go. But I'm really just pick 1249 01:06:36,920 --> 01:06:38,560 Speaker 1: like i'd be saying, like a lot of stuff I 1250 01:06:38,680 --> 01:06:40,960 Speaker 1: say like a songs and stuff like this ain't the 1251 01:06:41,040 --> 01:06:43,760 Speaker 1: only person I have a problem with, Like I ain't 1252 01:06:43,800 --> 01:06:46,040 Speaker 1: talking to this person like it would be a lot 1253 01:06:46,080 --> 01:06:48,680 Speaker 1: of stuff happening like and I tell like the hoods 1254 01:06:48,720 --> 01:06:51,280 Speaker 1: that's the job. Like I wasn't even talking about you 1255 01:06:51,400 --> 01:06:54,200 Speaker 1: feeling me? Look with it so I really just figured 1256 01:06:54,240 --> 01:06:58,360 Speaker 1: that out. Anything, Hey, they put it that way, you 1257 01:06:58,560 --> 01:07:01,400 Speaker 1: feel me again, just kind of speaking of what I 1258 01:07:01,440 --> 01:07:04,040 Speaker 1: was saying, don't fan the flame like because anything you say, 1259 01:07:04,080 --> 01:07:06,480 Speaker 1: they're gonna take it away. At this time, I think 1260 01:07:06,520 --> 01:07:08,680 Speaker 1: you feel he kind of felt a little stronger. He 1261 01:07:08,760 --> 01:07:11,560 Speaker 1: was next to Big You, but Big You was trying 1262 01:07:11,560 --> 01:07:14,280 Speaker 1: to coach him on. Look, we don't crab shout because 1263 01:07:14,320 --> 01:07:17,760 Speaker 1: it's too much money involved in this. Like, bro, you 1264 01:07:17,800 --> 01:07:20,600 Speaker 1: got you can make some paper. Let this blow over, 1265 01:07:21,320 --> 01:07:23,280 Speaker 1: you know what I mean? And you can really make 1266 01:07:23,320 --> 01:07:25,680 Speaker 1: some money if we just do this the right way. 1267 01:07:25,840 --> 01:07:29,200 Speaker 1: But I think that when they start to incorporate the 1268 01:07:29,320 --> 01:07:32,720 Speaker 1: dis and of that or carrying that like a badger honor, 1269 01:07:33,320 --> 01:07:35,720 Speaker 1: you know, I think that's when he got a little slippery. 1270 01:07:35,920 --> 01:07:39,080 Speaker 1: And hey, a soldier is a soldier, but you got 1271 01:07:39,080 --> 01:07:41,400 Speaker 1: to have a mind of a soldier to operate on 1272 01:07:41,480 --> 01:07:43,720 Speaker 1: the field, you know what I mean. Now, let's take 1273 01:07:43,720 --> 01:07:46,000 Speaker 1: a look at this little part they had went viral. 1274 01:07:46,280 --> 01:07:49,360 Speaker 1: Just want to pay attention to something. He give me 1275 01:07:49,400 --> 01:07:52,240 Speaker 1: the questions. How about we figure out what he want 1276 01:07:52,240 --> 01:07:55,360 Speaker 1: to say, and then we're together, we'll have a conversation. 1277 01:07:55,880 --> 01:07:57,200 Speaker 1: You know what I mean? I don't want to be 1278 01:07:57,240 --> 01:07:59,520 Speaker 1: sitting around the couch interviewing you because I know you 1279 01:07:59,520 --> 01:08:02,000 Speaker 1: got set to say, and I feel like the people 1280 01:08:03,160 --> 01:08:07,320 Speaker 1: need to overstand your side. Man, listen when it I 1281 01:08:07,440 --> 01:08:10,080 Speaker 1: say this all the time, like all the time, because 1282 01:08:10,240 --> 01:08:15,760 Speaker 1: I'm real heavy, like on cripping period. I'm gonna do 1283 01:08:15,840 --> 01:08:18,320 Speaker 1: that to the day I die. Sometimes I ask the North. 1284 01:08:18,360 --> 01:08:20,840 Speaker 1: When I be asking the North and forget, this first 1285 01:08:20,880 --> 01:08:23,360 Speaker 1: thing pop up in my head is why I can't 1286 01:08:23,400 --> 01:08:27,000 Speaker 1: stop me in the cruel though you be me. That's 1287 01:08:27,040 --> 01:08:29,040 Speaker 1: the first thing popped up in my head, Like that's 1288 01:08:29,040 --> 01:08:32,880 Speaker 1: just something about you feel me. But no, man, I 1289 01:08:33,000 --> 01:08:35,759 Speaker 1: tell my folks this all the time, even love homies, 1290 01:08:35,800 --> 01:08:37,760 Speaker 1: because I don't feel like big on me nothing. But 1291 01:08:37,800 --> 01:08:40,680 Speaker 1: when I be seeing little crops like in my hometown, 1292 01:08:41,040 --> 01:08:44,160 Speaker 1: I always tell them like, cause you don't have to 1293 01:08:44,200 --> 01:08:46,640 Speaker 1: be a killer to be a cruel. You don't have 1294 01:08:46,680 --> 01:08:48,960 Speaker 1: to be no shooter to be no cruel. You ain't 1295 01:08:48,960 --> 01:08:52,160 Speaker 1: gotta be no. It's importantly he recognized that at the end. 1296 01:08:52,200 --> 01:08:54,680 Speaker 1: But again, I just want to kind of focus on 1297 01:08:54,720 --> 01:08:56,720 Speaker 1: the gravity of what I don't even think the young 1298 01:08:56,800 --> 01:08:59,240 Speaker 1: boy himself understood what he would doing. You wouldn't he 1299 01:08:59,280 --> 01:09:02,439 Speaker 1: said with Big You and said that I can't never 1300 01:09:02,479 --> 01:09:07,680 Speaker 1: stop cripping. Somebody that lifing on the line for that, 1301 01:09:07,760 --> 01:09:10,800 Speaker 1: and then all of a sudden, via the Internet, announced 1302 01:09:10,800 --> 01:09:12,960 Speaker 1: that you not involved with it no more, like you 1303 01:09:13,000 --> 01:09:16,880 Speaker 1: gotta see how that's a little funny situation. I believe 1304 01:09:16,960 --> 01:09:18,800 Speaker 1: he might have been what he said at that time. 1305 01:09:19,000 --> 01:09:21,280 Speaker 1: He may have been under the impression of some things 1306 01:09:21,320 --> 01:09:24,080 Speaker 1: that made him come to fluition or his understanding of 1307 01:09:24,160 --> 01:09:27,559 Speaker 1: a few things. Right, I'm not sure you understand how 1308 01:09:27,640 --> 01:09:30,120 Speaker 1: you have to anchor yourself for the gag really to 1309 01:09:30,280 --> 01:09:33,959 Speaker 1: build that FOURD around you. A lot of these rabbles 1310 01:09:34,040 --> 01:09:35,880 Speaker 1: or people with money thing they can't come in these 1311 01:09:35,880 --> 01:09:38,280 Speaker 1: games with money and skip the line and just be 1312 01:09:38,439 --> 01:09:41,760 Speaker 1: top doll. And the gangs smart enough to make you think, 1313 01:09:41,800 --> 01:09:45,720 Speaker 1: now you top doll foam the whole time. They might 1314 01:09:45,800 --> 01:09:49,240 Speaker 1: take y'all, you know, the here quando sitting next to 1315 01:09:49,280 --> 01:09:51,600 Speaker 1: Big You and say that I never stopped cribbing, I 1316 01:09:51,640 --> 01:09:54,400 Speaker 1: can't never stop cribbing, and then then be dropping his flag. 1317 01:09:54,439 --> 01:09:57,160 Speaker 1: It speaks volumes to me. I see it just a 1318 01:09:57,160 --> 01:09:59,800 Speaker 1: little bit different, only because I've been involved on both 1319 01:10:00,240 --> 01:10:02,120 Speaker 1: and I'm always here to try to show people the 1320 01:10:02,160 --> 01:10:04,839 Speaker 1: other side exists. Number one, I want to be cleared 1321 01:10:04,880 --> 01:10:06,760 Speaker 1: that ain't how you get out of a a game, right. 1322 01:10:06,800 --> 01:10:09,040 Speaker 1: So look, they want to join the gang and throw 1323 01:10:09,120 --> 01:10:10,840 Speaker 1: it up because it's cool. I want you to know 1324 01:10:10,920 --> 01:10:13,320 Speaker 1: that when you get out the gag or you call 1325 01:10:13,400 --> 01:10:16,720 Speaker 1: yourself exit in the building, ain'tber one exit, right, So 1326 01:10:16,800 --> 01:10:19,879 Speaker 1: you better understand that you're going out the exit depending 1327 01:10:19,960 --> 01:10:22,240 Speaker 1: on who you involved with, and it's on you if 1328 01:10:22,280 --> 01:10:23,960 Speaker 1: you can handle it. It ain't if you try to 1329 01:10:24,040 --> 01:10:26,880 Speaker 1: run from it, then calm or chase you because having 1330 01:10:26,960 --> 01:10:31,880 Speaker 1: that having that running spirit, having that on the run 1331 01:10:32,080 --> 01:10:36,200 Speaker 1: spirit ain't a good spirit. But seeing Quando saying that 1332 01:10:36,240 --> 01:10:38,520 Speaker 1: he no longer want to be a part of neighborhood 1333 01:10:39,120 --> 01:10:42,559 Speaker 1: further convinces and convicts me of what I've already know. 1334 01:10:42,680 --> 01:10:47,160 Speaker 1: That death changes you, especially up close, specially compounding experiences 1335 01:10:47,240 --> 01:10:51,200 Speaker 1: like bad situation on top of bad situation on top 1336 01:10:51,240 --> 01:10:54,679 Speaker 1: of bad situation. Out he's in a blur now blur 1337 01:10:54,840 --> 01:10:57,439 Speaker 1: it form. But guess what this is? What we rap about, 1338 01:10:58,120 --> 01:11:00,519 Speaker 1: did what we celebrate, did what we out? Ain't this 1339 01:11:00,640 --> 01:11:04,200 Speaker 1: what we're about? Caller due this style right, tap tap right? 1340 01:11:04,680 --> 01:11:07,080 Speaker 1: This is what we are on around here, ain't ye 1341 01:11:07,960 --> 01:11:10,400 Speaker 1: take one of man, I take three of yours. Ain't 1342 01:11:10,439 --> 01:11:12,639 Speaker 1: there what were on? That's why I try to tell 1343 01:11:12,720 --> 01:11:15,439 Speaker 1: y'all it's a lot of off brand involved with this 1344 01:11:15,439 --> 01:11:20,000 Speaker 1: ship in all aspects of life. It's off brands every 1345 01:11:20,080 --> 01:11:24,000 Speaker 1: motherfucking what. He just blending in with the real they're 1346 01:11:24,040 --> 01:11:26,280 Speaker 1: blending in in a way. And I don't think it's 1347 01:11:26,320 --> 01:11:29,120 Speaker 1: real to be criminal. I think it's real to stand 1348 01:11:29,160 --> 01:11:31,720 Speaker 1: on your word and be about what you saying. If 1349 01:11:31,760 --> 01:11:34,640 Speaker 1: you say that's the thing, that's what it is. You know. 1350 01:11:34,720 --> 01:11:37,000 Speaker 1: I think he's probably dealing with his mama and people 1351 01:11:37,080 --> 01:11:38,599 Speaker 1: like get tell him, boy, you need to get out 1352 01:11:38,680 --> 01:11:41,679 Speaker 1: that stuff. Boy, you was out there and that haven't 1353 01:11:41,680 --> 01:11:43,320 Speaker 1: you need to get out of that stuff. That stuff 1354 01:11:43,400 --> 01:11:45,760 Speaker 1: is dang Like he's dealing with somebody telling him that, 1355 01:11:46,520 --> 01:11:48,160 Speaker 1: you know what I mean, He going through that now. 1356 01:11:48,280 --> 01:11:51,080 Speaker 1: But it's a lot of off brands involved in the streets. 1357 01:11:51,080 --> 01:11:54,640 Speaker 1: There's a lot of the the hollers shooting and they 1358 01:11:54,640 --> 01:11:57,720 Speaker 1: ain't never had a gun. They got a gun and 1359 01:11:57,840 --> 01:12:01,559 Speaker 1: won't shoot him, shoot that the fair. You ain't never 1360 01:12:01,640 --> 01:12:03,640 Speaker 1: noticed that when the rabbits running to each other, they 1361 01:12:03,680 --> 01:12:07,000 Speaker 1: always say they hear somebody screaming, shoot him. See anybody 1362 01:12:07,040 --> 01:12:08,800 Speaker 1: else gonna tell you to do it. He'll shoot that 1363 01:12:09,320 --> 01:12:11,960 Speaker 1: get that getting you ain't playing with it like it? 1364 01:12:12,760 --> 01:12:14,800 Speaker 1: You know what I'm saying. That's why people on the 1365 01:12:14,880 --> 01:12:17,839 Speaker 1: West Coast see they politics different. They they gonna respond 1366 01:12:17,960 --> 01:12:22,439 Speaker 1: a certain thing immediately, its obligation attached to it. If 1367 01:12:22,479 --> 01:12:24,800 Speaker 1: I was a leader of a game, you might get 1368 01:12:24,880 --> 01:12:27,720 Speaker 1: paid me to make us make you thank you part 1369 01:12:27,760 --> 01:12:30,760 Speaker 1: of the game. I ain't gonna lie. If you're all 1370 01:12:30,880 --> 01:12:32,600 Speaker 1: rapping and you come through it, you want to be 1371 01:12:32,720 --> 01:12:34,720 Speaker 1: part of the game, we'll tax you, man. Yeah you 1372 01:12:34,800 --> 01:12:37,720 Speaker 1: part yeah well yeah, yeah, yeah, we out here with bro. Yeah, 1373 01:12:38,520 --> 01:12:41,200 Speaker 1: they'll play you like it. And why you hear certain 1374 01:12:41,240 --> 01:12:44,240 Speaker 1: people saying no, no, we'll we'll what you just gotta 1375 01:12:44,320 --> 01:12:47,599 Speaker 1: make sense. They saying, yeah you got to pay now, Yeah, 1376 01:12:47,680 --> 01:12:50,240 Speaker 1: get that chick right, bring it through. He gotta make sense. 1377 01:12:50,400 --> 01:12:52,599 Speaker 1: Yeah yeah, get that check right, bring it through? Will 1378 01:12:52,680 --> 01:12:54,320 Speaker 1: let you throw the band down? I don't shoot the 1379 01:12:54,439 --> 01:12:57,719 Speaker 1: video over him? Yeah tho, yeah yeah. Get the money 1380 01:12:57,760 --> 01:13:00,599 Speaker 1: together though. But it ain't no real little in the streets. 1381 01:13:00,600 --> 01:13:03,479 Speaker 1: I want to tell the people that like in the streets, bro, 1382 01:13:03,600 --> 01:13:06,479 Speaker 1: it ain't no real love. It's fame in the streets though, 1383 01:13:07,280 --> 01:13:09,840 Speaker 1: But we know on this side, famous fake love at 1384 01:13:09,880 --> 01:13:13,160 Speaker 1: the highest power. So when you mix that street fame 1385 01:13:13,520 --> 01:13:17,880 Speaker 1: with the industry, he gets fogged. For a nigga, boy, 1386 01:13:18,200 --> 01:13:21,080 Speaker 1: you got to be a swift nigga to swatch some 1387 01:13:21,200 --> 01:13:23,439 Speaker 1: of that shelf and still be able to move through 1388 01:13:23,520 --> 01:13:25,479 Speaker 1: this game because there ain't just no walk in the 1389 01:13:25,600 --> 01:13:28,400 Speaker 1: park and there ain't something just to wink at. You 1390 01:13:28,520 --> 01:13:32,559 Speaker 1: gotta be highly involved with everything you at a level 1391 01:13:32,680 --> 01:13:37,560 Speaker 1: that you are not being manipulated, mismanaged, misused or misrepresented. 1392 01:13:37,840 --> 01:13:40,280 Speaker 1: And you can only do that because you only know 1393 01:13:40,439 --> 01:13:42,800 Speaker 1: what you need to look like to the people that's 1394 01:13:42,840 --> 01:13:47,000 Speaker 1: dealing with you. So they throw you in this tornado 1395 01:13:47,080 --> 01:13:49,640 Speaker 1: of all this ship happening, and you gotta figure a 1396 01:13:49,720 --> 01:13:51,760 Speaker 1: way to navigate and put people next to you that 1397 01:13:51,800 --> 01:13:54,200 Speaker 1: I trust you, you know about how I feel about things. 1398 01:13:54,560 --> 01:13:57,200 Speaker 1: Go handle that. I trust you too, you know by 1399 01:13:57,840 --> 01:13:59,920 Speaker 1: go handle that. But a lot of people were saying 1400 01:14:00,080 --> 01:14:02,720 Speaker 1: because Kuando Rondo spoke to the police, and again I 1401 01:14:02,760 --> 01:14:04,599 Speaker 1: don't know this to be the case, but they're saying, 1402 01:14:04,640 --> 01:14:07,080 Speaker 1: with the gang politics, the way he was interacting what 1403 01:14:07,200 --> 01:14:12,240 Speaker 1: the police was unacceptable, saying, ain't no communication. And we've 1404 01:14:12,280 --> 01:14:15,400 Speaker 1: seen with crypt mac and other people that are violation 1405 01:14:15,479 --> 01:14:17,720 Speaker 1: can be handed out on behalf for the gang if 1406 01:14:17,760 --> 01:14:20,760 Speaker 1: you're doing the wrong thing, and so you had to 1407 01:14:20,840 --> 01:14:23,120 Speaker 1: deal with the consequences of me and telling you that 1408 01:14:23,240 --> 01:14:26,960 Speaker 1: you made some sort of mistake, even at the highest 1409 01:14:27,000 --> 01:14:30,280 Speaker 1: of emotions. But you need them, you need them for 1410 01:14:30,360 --> 01:14:33,320 Speaker 1: your protection. Let me speak on the COSI. This is 1411 01:14:33,360 --> 01:14:37,560 Speaker 1: a very confusing matter amongst men and women of all ages, 1412 01:14:37,640 --> 01:14:43,680 Speaker 1: all racing ethnicities. Co parenting ain't spending money when you 1413 01:14:43,800 --> 01:14:46,400 Speaker 1: asked the other parent to spend money. Co parenton is 1414 01:14:46,479 --> 01:14:50,160 Speaker 1: being available, taking care of the child and making sure 1415 01:14:51,560 --> 01:14:56,880 Speaker 1: the child has what it needs in any situation. But 1416 01:14:57,040 --> 01:14:59,879 Speaker 1: co parenton ain't just at the drop over dime senten 1417 01:15:00,080 --> 01:15:01,880 Speaker 1: grand or at the drop over a dime and do 1418 01:15:02,080 --> 01:15:05,240 Speaker 1: this drop over diame do that. That ain't co parents 1419 01:15:05,280 --> 01:15:07,640 Speaker 1: And a lot of people are misframed co parents and 1420 01:15:07,720 --> 01:15:10,880 Speaker 1: in frame some of these mothers off fathers like they're 1421 01:15:10,960 --> 01:15:13,599 Speaker 1: not doing the job that they should be doing because 1422 01:15:13,680 --> 01:15:20,240 Speaker 1: they don't acquiesce to someone's demands. So it's an interesting conundrum. 1423 01:15:20,280 --> 01:15:22,679 Speaker 1: If you just pay attention, because a lot of times 1424 01:15:22,840 --> 01:15:29,160 Speaker 1: bitterness shine through people's actions. You know there's a couple 1425 01:15:29,200 --> 01:15:31,600 Speaker 1: of people I never met, right, I'm dealing with some 1426 01:15:31,760 --> 01:15:34,200 Speaker 1: things right now that I'm confused. But that's a couple 1427 01:15:34,200 --> 01:15:37,560 Speaker 1: of people I never met that got a disdain for 1428 01:15:37,720 --> 01:15:41,280 Speaker 1: me about some information that they got second and third hand. 1429 01:15:42,600 --> 01:15:45,040 Speaker 1: And of course there ain't no men so that you know, 1430 01:15:45,120 --> 01:15:50,519 Speaker 1: it'll be something that we'll address. But it's just interesting, bro, 1431 01:15:51,960 --> 01:15:55,800 Speaker 1: let's talk about this. A lot of people suffer in 1432 01:15:55,960 --> 01:15:59,719 Speaker 1: silence relationships all those such a powerful tool and something 1433 01:15:59,760 --> 01:16:03,760 Speaker 1: we need as human beings. To human interaction and contact 1434 01:16:04,479 --> 01:16:07,519 Speaker 1: on that level is a very prominent thing for us. 1435 01:16:08,320 --> 01:16:10,799 Speaker 1: But at the same time and with the same token, 1436 01:16:10,840 --> 01:16:13,439 Speaker 1: when you view a relationship, it leaves you vulnerable, it 1437 01:16:13,520 --> 01:16:16,040 Speaker 1: leaves you open. It's almost like throwing a wild hook 1438 01:16:17,680 --> 01:16:20,160 Speaker 1: if you know anything about boxing, whenever you throw a 1439 01:16:20,240 --> 01:16:22,679 Speaker 1: hook or you leave yourself open for some kind of punch. 1440 01:16:22,720 --> 01:16:25,200 Speaker 1: And what happens with me and a lot of times 1441 01:16:25,360 --> 01:16:27,800 Speaker 1: is that we start to do a risk assessment on 1442 01:16:27,960 --> 01:16:30,280 Speaker 1: that and start to say it's not worth me opening 1443 01:16:30,439 --> 01:16:32,439 Speaker 1: up for what could happened if she let me down. 1444 01:16:33,360 --> 01:16:35,400 Speaker 1: And I think on the other side, you got women 1445 01:16:35,479 --> 01:16:38,080 Speaker 1: trying to prove that they're worthy of being with certain 1446 01:16:38,200 --> 01:16:41,800 Speaker 1: kind of men in a way that's ineffective. So you're 1447 01:16:41,840 --> 01:16:43,880 Speaker 1: talking to me about you make the same kind of 1448 01:16:43,960 --> 01:16:45,599 Speaker 1: money as me, and I just want to know, as 1449 01:16:45,640 --> 01:16:50,000 Speaker 1: you nice? Can you cook? Do you understand peace? You 1450 01:16:50,160 --> 01:16:52,400 Speaker 1: keep telling me about your degrees, and I like that 1451 01:16:52,520 --> 01:16:54,720 Speaker 1: you're smart than you read. But I just I want 1452 01:16:54,760 --> 01:16:56,760 Speaker 1: to know what we're gonna do Saturday night. Will it 1453 01:16:56,880 --> 01:17:00,960 Speaker 1: be a vibe at the house? I know you can 1454 01:17:01,040 --> 01:17:03,080 Speaker 1: read two hundred books a year, You've been doing it 1455 01:17:03,160 --> 01:17:05,320 Speaker 1: for the last four years. I'm just worried about this 1456 01:17:05,479 --> 01:17:10,560 Speaker 1: forghet it that you may right. So, ambition is a 1457 01:17:10,640 --> 01:17:16,040 Speaker 1: beautiful thing, and unfortunately for human beings it can't be 1458 01:17:16,160 --> 01:17:19,360 Speaker 1: left unsaid because if I don't hold you to those 1459 01:17:19,439 --> 01:17:22,760 Speaker 1: standards and say, yo, you gotta be ambitious, ambitious, if 1460 01:17:22,800 --> 01:17:26,440 Speaker 1: I don't mention it, then they're think it ain't necessary. 1461 01:17:27,800 --> 01:17:31,200 Speaker 1: Because the human being has something that they do man 1462 01:17:31,320 --> 01:17:33,639 Speaker 1: and it has a tendency to want to get over, 1463 01:17:34,280 --> 01:17:37,599 Speaker 1: a tendency to abuse power or certain things that it's 1464 01:17:37,680 --> 01:17:40,519 Speaker 1: just embedded in being a human being. But I'm a 1465 01:17:40,600 --> 01:17:43,680 Speaker 1: firm believer relationships are supposed to compliment each other. It's 1466 01:17:43,720 --> 01:17:45,840 Speaker 1: not supposed to be a situation where you seem like 1467 01:17:45,920 --> 01:17:48,280 Speaker 1: it's a tennis match, like boom, hit over there, you 1468 01:17:48,400 --> 01:17:50,360 Speaker 1: do it, hit over here, do to it's supposed to 1469 01:17:50,400 --> 01:17:53,559 Speaker 1: be we're on the same team. Somewhere along the lines 1470 01:17:53,600 --> 01:17:55,640 Speaker 1: we start competing with each other. And I said this 1471 01:17:56,439 --> 01:17:59,840 Speaker 1: a year ago, right because I understood and I saw 1472 01:18:00,200 --> 01:18:02,880 Speaker 1: that you got people coming out. If a man say, yo, 1473 01:18:02,920 --> 01:18:04,439 Speaker 1: I would just want you to be nice, then you 1474 01:18:04,520 --> 01:18:07,040 Speaker 1: got people coming out now they want you to be 1475 01:18:07,160 --> 01:18:10,400 Speaker 1: a puppy. They want you to be submissive, they want 1476 01:18:10,439 --> 01:18:14,840 Speaker 1: you to submit, be under them. And I'm like, nah, nah, 1477 01:18:15,840 --> 01:18:18,320 Speaker 1: But I want to tell y'all why I struggle with forgiveness. 1478 01:18:19,160 --> 01:18:21,120 Speaker 1: And I'm not in my best form. I'm still a 1479 01:18:21,160 --> 01:18:24,680 Speaker 1: work in progress, but I'm still a person that understands 1480 01:18:24,760 --> 01:18:28,040 Speaker 1: that situations need to be analyzed in a way that's 1481 01:18:28,080 --> 01:18:30,560 Speaker 1: effective for both parties. A lot of times, when you 1482 01:18:30,720 --> 01:18:34,639 Speaker 1: deal with takers and beggars, they'll trick you into making 1483 01:18:34,720 --> 01:18:40,040 Speaker 1: these transactional type of relationships all about them. Then you 1484 01:18:40,120 --> 01:18:42,200 Speaker 1: don't give a rich man money, But that don't mean 1485 01:18:42,240 --> 01:18:46,920 Speaker 1: a rich man don't need nothing. Oftentimes they think, because 1486 01:18:46,920 --> 01:18:51,840 Speaker 1: you got money, what do I get you? And they 1487 01:18:51,960 --> 01:18:55,280 Speaker 1: think that's a flex They think that they think it's 1488 01:18:55,280 --> 01:18:57,400 Speaker 1: a flex to tell you that I don't know what 1489 01:18:57,520 --> 01:19:00,880 Speaker 1: to get you. You got everything, and every time something 1490 01:19:00,920 --> 01:19:03,280 Speaker 1: turn around, you making sure that they don't top the game. 1491 01:19:03,360 --> 01:19:05,679 Speaker 1: They looking like they post a look when it's daytime 1492 01:19:05,760 --> 01:19:08,000 Speaker 1: of the year, But when it come down to you 1493 01:19:08,120 --> 01:19:10,280 Speaker 1: as always well what do I do? I really don't 1494 01:19:11,240 --> 01:19:13,040 Speaker 1: And so I'm just one of them dudes that deal 1495 01:19:13,120 --> 01:19:15,680 Speaker 1: with results and then dealing with those results. I've been 1496 01:19:16,479 --> 01:19:19,400 Speaker 1: put in positions where I just can't exhibit forgiveness in 1497 01:19:19,439 --> 01:19:22,639 Speaker 1: the way that I would like to. I've been let 1498 01:19:22,760 --> 01:19:26,719 Speaker 1: down by people that I lifted up. I've been talked 1499 01:19:26,760 --> 01:19:30,200 Speaker 1: about by people that I talked with that I spoke 1500 01:19:30,320 --> 01:19:36,120 Speaker 1: on behalf or I've been misrepresented by motherfuckers that should 1501 01:19:36,160 --> 01:19:40,000 Speaker 1: have kept a gangst on to push up. They've put 1502 01:19:40,120 --> 01:19:44,679 Speaker 1: things on me that I didn't earn. They've put titles 1503 01:19:44,760 --> 01:19:49,120 Speaker 1: on me that didn't fit. They believed things with the 1504 01:19:49,240 --> 01:19:52,920 Speaker 1: lack of evidence down and I've had to sit back 1505 01:19:52,960 --> 01:19:55,040 Speaker 1: and hustle through it all because at the end of 1506 01:19:55,160 --> 01:19:57,120 Speaker 1: the day, I got people that believe in me that 1507 01:19:57,240 --> 01:20:00,600 Speaker 1: what y'all say has no effect on whether or not 1508 01:20:00,720 --> 01:20:02,720 Speaker 1: they get a meal or night, whether or not they 1509 01:20:02,800 --> 01:20:04,640 Speaker 1: get to go to the school I need them in, 1510 01:20:05,280 --> 01:20:07,000 Speaker 1: whether or not they get a call when they get 1511 01:20:07,040 --> 01:20:09,240 Speaker 1: a certain aide, whether or not moms get the house 1512 01:20:09,320 --> 01:20:11,960 Speaker 1: she need, whether I get the mansion I won't, whether 1513 01:20:12,040 --> 01:20:14,120 Speaker 1: or not baby girding them get the things they need, 1514 01:20:14,280 --> 01:20:18,120 Speaker 1: my family able to fly to Italy for two weeks 1515 01:20:18,280 --> 01:20:21,640 Speaker 1: like but I always find myself in this weird situation 1516 01:20:21,720 --> 01:20:23,679 Speaker 1: where I say, man, what I give them, they won't 1517 01:20:23,720 --> 01:20:26,720 Speaker 1: get me back. And so it always puts me in 1518 01:20:26,800 --> 01:20:29,439 Speaker 1: a situation where I have so much trouble trying to 1519 01:20:29,520 --> 01:20:32,639 Speaker 1: exhibit forgiveness because I know what you're gonna do based 1520 01:20:32,680 --> 01:20:36,040 Speaker 1: off what you've done. You're asking me to ignore what 1521 01:20:36,200 --> 01:20:39,719 Speaker 1: you're done. You're asking me to view it through your lens, 1522 01:20:40,040 --> 01:20:41,760 Speaker 1: even though it a fixed me in a way that 1523 01:20:41,880 --> 01:20:48,880 Speaker 1: you don't have to deal with. And the older I get, 1524 01:20:49,200 --> 01:20:52,320 Speaker 1: and also the much more money I get, because what 1525 01:20:52,479 --> 01:20:54,560 Speaker 1: the money is doing to me is making me have 1526 01:20:54,640 --> 01:20:58,080 Speaker 1: a certain level of responsibility. Why I can't ignore these 1527 01:20:58,200 --> 01:21:01,400 Speaker 1: mistakes I used to ignore when I was y'all when 1528 01:21:01,439 --> 01:21:04,200 Speaker 1: it didn't call Schmidt, and these mistakes now coll Schmidt 1529 01:21:04,200 --> 01:21:07,640 Speaker 1: a little more. So I've been able to transition to 1530 01:21:07,800 --> 01:21:10,519 Speaker 1: a place while I live in a place based on 1531 01:21:10,720 --> 01:21:16,559 Speaker 1: results and not ridicule the people that as a part 1532 01:21:16,600 --> 01:21:21,240 Speaker 1: of my life that I gave the ultimate Disney World pass, 1533 01:21:21,360 --> 01:21:24,559 Speaker 1: meaning they had all access to loan on all levels, 1534 01:21:24,640 --> 01:21:26,760 Speaker 1: and they played and they fumbled that they could never 1535 01:21:26,880 --> 01:21:29,639 Speaker 1: get that again. I'm just a man that believes the results. 1536 01:21:31,000 --> 01:21:34,320 Speaker 1: I gave you what you asked of me, and you 1537 01:21:34,479 --> 01:21:36,920 Speaker 1: fumbled the ball, and then you ask it for me 1538 01:21:37,040 --> 01:21:38,920 Speaker 1: to give you the ball again that I had to 1539 01:21:38,960 --> 01:21:43,720 Speaker 1: pick it up off the ground. What you're asking me 1540 01:21:43,800 --> 01:21:46,000 Speaker 1: to do is ignore what I know to be the case. 1541 01:21:47,360 --> 01:21:49,960 Speaker 1: You asking me to give a second chance to a 1542 01:21:50,120 --> 01:21:54,639 Speaker 1: third time offender, and you don't understand why. I don't 1543 01:21:54,760 --> 01:21:57,760 Speaker 1: understand that because I come from a place where, Yo, 1544 01:21:58,000 --> 01:22:01,240 Speaker 1: my decision maker had to be spot on. I didn't 1545 01:22:01,280 --> 01:22:03,479 Speaker 1: come from the well to do family. I didn't come 1546 01:22:03,720 --> 01:22:07,120 Speaker 1: I don't come to the city with five or six differences. 1547 01:22:07,240 --> 01:22:10,400 Speaker 1: They got platforms. This is just me straight out to 1548 01:22:10,479 --> 01:22:12,920 Speaker 1: get oh, straight out of the street, dealer with information, 1549 01:22:13,040 --> 01:22:15,439 Speaker 1: read plenty of books, made a killing in the street, 1550 01:22:16,439 --> 01:22:19,639 Speaker 1: Just me, family depending on me, trying to figure out 1551 01:22:19,680 --> 01:22:21,960 Speaker 1: what the next way here. But I know people have 1552 01:22:22,120 --> 01:22:26,200 Speaker 1: to understand that. For me, to resonate with them in 1553 01:22:26,320 --> 01:22:31,320 Speaker 1: that way. And that's the thing about familiarity. I'm familiar 1554 01:22:31,400 --> 01:22:33,920 Speaker 1: with what you mother do when y'all got the ball. 1555 01:22:34,040 --> 01:22:35,600 Speaker 1: I know what you would do with the ball in 1556 01:22:35,720 --> 01:22:38,439 Speaker 1: your corner. You're gonna take the shot every time. You're 1557 01:22:38,479 --> 01:22:40,680 Speaker 1: not gonna pass the ball. Why would when we get 1558 01:22:40,760 --> 01:22:43,160 Speaker 1: the ball over here? Why wouldn't we pass the ball 1559 01:22:43,320 --> 01:22:46,720 Speaker 1: over there? You already donna exhibit what you're gonna do. 1560 01:22:46,840 --> 01:22:48,800 Speaker 1: You're gonna run off with the salt. You're gonna steal 1561 01:22:48,880 --> 01:22:52,120 Speaker 1: the vibe. You go take a mother for interior approaches. 1562 01:22:53,760 --> 01:22:55,600 Speaker 1: You're gonna do whatever it takes to make sure that 1563 01:22:55,720 --> 01:22:58,080 Speaker 1: you come out looking like the head and not to tell. 1564 01:22:58,280 --> 01:23:00,560 Speaker 1: And then I can remember being in a relationship with 1565 01:23:00,640 --> 01:23:02,759 Speaker 1: a girl that thought she could just flip out whenever 1566 01:23:02,880 --> 01:23:07,760 Speaker 1: she won't like th shit, hit shit though, water throw this, 1567 01:23:08,000 --> 01:23:13,960 Speaker 1: and and I'll just be sitting back. Uh okay, So 1568 01:23:14,040 --> 01:23:16,559 Speaker 1: I'm like a quarterback reading the defense with a big 1569 01:23:16,840 --> 01:23:21,719 Speaker 1: acting crazy. I sit back like Peyton Manning in the pocket. 1570 01:23:23,560 --> 01:23:30,439 Speaker 1: Are you are ze slant? Huh egg sluggo what you 1571 01:23:30,600 --> 01:23:35,160 Speaker 1: try to run? But I've learned that when people go 1572 01:23:35,240 --> 01:23:37,280 Speaker 1: to acting crazy like that and you don't give them 1573 01:23:37,320 --> 01:23:41,720 Speaker 1: a reaction. Sometimes they act even more crazy because they 1574 01:23:41,840 --> 01:23:45,120 Speaker 1: know you hold now you hold no on And if 1575 01:23:45,160 --> 01:23:48,440 Speaker 1: I just keep putting, he gonna break. And that's stuff 1576 01:23:48,479 --> 01:23:51,200 Speaker 1: to live in that way. But you got toxics relationships, 1577 01:23:51,240 --> 01:23:53,240 Speaker 1: And if I had to talk about toxic relationships, I 1578 01:23:53,320 --> 01:23:55,000 Speaker 1: can stay there for a while, but I'd be wanting 1579 01:23:55,000 --> 01:23:57,360 Speaker 1: to have a girl that we can go back and 1580 01:23:57,479 --> 01:24:01,680 Speaker 1: forth about what that kind of looks like, because what 1581 01:24:01,960 --> 01:24:04,200 Speaker 1: is toxic and why we owned that. I was talking 1582 01:24:04,240 --> 01:24:06,599 Speaker 1: to my homeboy about this. I'm gonna present this question 1583 01:24:06,680 --> 01:24:08,599 Speaker 1: to all my people, and I want you to answer 1584 01:24:08,680 --> 01:24:12,280 Speaker 1: this for all my men or women. Could you date 1585 01:24:12,720 --> 01:24:18,320 Speaker 1: someone and or share someone who was Magic Johnson. Now 1586 01:24:18,560 --> 01:24:22,760 Speaker 1: here's the caveat Magic Johnson. It is known that had 1587 01:24:22,840 --> 01:24:26,200 Speaker 1: had a certain disease, but it's no longer showing up, 1588 01:24:26,360 --> 01:24:29,840 Speaker 1: and it hasn't showed up in a while. Could you 1589 01:24:30,120 --> 01:24:34,800 Speaker 1: share in that that relationship with that individual that's dealt 1590 01:24:34,840 --> 01:24:37,080 Speaker 1: with someone that may have had a situation like that 1591 01:24:37,240 --> 01:24:42,280 Speaker 1: that was no longer detectable, and that was an extremely 1592 01:24:42,360 --> 01:24:46,160 Speaker 1: beneficial situation, meaning they were kind of like Magic is 1593 01:24:46,439 --> 01:24:50,920 Speaker 1: super wealthy, like really really wealthy, and you could could 1594 01:24:50,960 --> 01:24:54,000 Speaker 1: you share woman with that? Would you share somebody that 1595 01:24:54,200 --> 01:24:57,320 Speaker 1: has been involved with that? Right? You got to ask 1596 01:24:57,400 --> 01:24:59,599 Speaker 1: yourself that question for me is no. But I want 1597 01:24:59,640 --> 01:25:03,720 Speaker 1: to present that. Will come back next week with an 1598 01:25:03,760 --> 01:25:05,640 Speaker 1: answer to that, or at least without thinking of that, 1599 01:25:05,760 --> 01:25:07,360 Speaker 1: and with some of what the fans start of that. 1600 01:25:07,439 --> 01:25:09,719 Speaker 1: So Lee, y'all comments below what we'll do and start 1601 01:25:09,800 --> 01:25:11,479 Speaker 1: to add that into the part. Make it kind of 1602 01:25:11,560 --> 01:25:15,840 Speaker 1: interactive and speak about what y'all think next week. Also 1603 01:25:15,960 --> 01:25:18,880 Speaker 1: what relationships. I've been thinking kind of hard at man, 1604 01:25:19,080 --> 01:25:22,920 Speaker 1: that people are confused things. Right, you're thinking, Yo, man, 1605 01:25:23,720 --> 01:25:26,080 Speaker 1: this person do all this for me? Nah, that's the 1606 01:25:26,160 --> 01:25:30,200 Speaker 1: skills that they came to you with. See, certain people 1607 01:25:30,320 --> 01:25:32,360 Speaker 1: come to you with certain skills. Like if I come 1608 01:25:32,400 --> 01:25:35,120 Speaker 1: into relationship, shout, I come in as loan with money, 1609 01:25:35,880 --> 01:25:40,200 Speaker 1: with a certain level of intellect, problem solving skills, certain 1610 01:25:40,320 --> 01:25:43,400 Speaker 1: level of access in the world, certain ability in the world. Right, 1611 01:25:43,520 --> 01:25:46,360 Speaker 1: I come in with that, and I'm kind of it's 1612 01:25:46,360 --> 01:25:49,559 Speaker 1: a problem solver. So the problem solver can seep into 1613 01:25:49,600 --> 01:25:52,839 Speaker 1: the relationship in a way where you think that caters 1614 01:25:52,880 --> 01:25:55,959 Speaker 1: to you. And the same thing with the woman. Sometimes 1615 01:25:56,040 --> 01:25:58,519 Speaker 1: she could be a freak, she could be a good cook. 1616 01:25:58,600 --> 01:26:01,080 Speaker 1: She could be someone that's just a nice woman, and 1617 01:26:01,240 --> 01:26:04,200 Speaker 1: you could think, oh, she's dumped it down and catered 1618 01:26:04,240 --> 01:26:06,640 Speaker 1: this to me. And I take at some point you 1619 01:26:06,800 --> 01:26:09,560 Speaker 1: can't be confused with skills that people come into a 1620 01:26:09,640 --> 01:26:14,600 Speaker 1: relationship with, skills that they develop to make the relationship 1621 01:26:14,840 --> 01:26:18,440 Speaker 1: more comparable for you, because along the way of the relationship, 1622 01:26:18,520 --> 01:26:22,759 Speaker 1: what will happen is is that you'll develop certain skills 1623 01:26:23,320 --> 01:26:26,560 Speaker 1: to coincide what your mate and make things easier for 1624 01:26:26,640 --> 01:26:29,519 Speaker 1: your mate or just make life for you guys more 1625 01:26:29,640 --> 01:26:33,360 Speaker 1: compatible for each other. Right, And so those skills, there 1626 01:26:33,520 --> 01:26:37,920 Speaker 1: are skills that are developed on your behalf, right, but 1627 01:26:38,120 --> 01:26:41,120 Speaker 1: certain things come into that relationship. She comes in with 1628 01:26:41,360 --> 01:26:45,080 Speaker 1: those skills, and sometimes that line gets blurred, so you're like, yo, 1629 01:26:45,200 --> 01:26:47,519 Speaker 1: she could every Sunday, Gad do this, Gad do that, 1630 01:26:47,680 --> 01:26:50,599 Speaker 1: Gad done that for you got there? And I believe 1631 01:26:50,680 --> 01:26:53,160 Speaker 1: that that confusion that lives. Oh right, what have you 1632 01:26:53,280 --> 01:26:56,200 Speaker 1: developed for this relationship to work? And what did you 1633 01:26:56,320 --> 01:27:00,639 Speaker 1: come into this relationship with? And a human beings urged 1634 01:27:00,680 --> 01:27:04,479 Speaker 1: for a relationship is so overwhelming. Even when I was 1635 01:27:04,560 --> 01:27:07,320 Speaker 1: watching the documentary on Netflix about the guy that faked 1636 01:27:07,360 --> 01:27:09,880 Speaker 1: the relationship or had to fake girlfriend. It was like 1637 01:27:10,400 --> 01:27:13,720 Speaker 1: one of the biggest forms of catfish that we've ever 1638 01:27:13,840 --> 01:27:16,360 Speaker 1: seen it. For me when I watched it, I'm like, Yo, 1639 01:27:16,680 --> 01:27:20,880 Speaker 1: the human beings craving for that, it's probably next to none, 1640 01:27:21,080 --> 01:27:23,439 Speaker 1: especially if they had a piece of it. Then don't 1641 01:27:23,479 --> 01:27:25,800 Speaker 1: let Lust drive a vehicle. You're really in trouble once 1642 01:27:25,920 --> 01:27:29,200 Speaker 1: LUs go to driving. Yo, Yo, decision you're making, You're 1643 01:27:29,240 --> 01:27:31,560 Speaker 1: in trouble. Now here's the problem. Men. You don't have 1644 01:27:31,680 --> 01:27:34,680 Speaker 1: a point where you Lus's gonna take over. You just 1645 01:27:34,800 --> 01:27:36,800 Speaker 1: can't let it take over all day. It might be 1646 01:27:36,920 --> 01:27:40,200 Speaker 1: this little two hours a Friday night. You don't got 1647 01:27:40,280 --> 01:27:42,280 Speaker 1: bullet and from one to four if she cats you 1648 01:27:42,439 --> 01:27:45,799 Speaker 1: right now, you wide open. But boy comes six am 1649 01:27:45,880 --> 01:27:48,000 Speaker 1: next morning. Yo, you back thinking like man, I went 1650 01:27:48,400 --> 01:27:50,559 Speaker 1: lad man, I want telling guys she can come get 1651 01:27:50,600 --> 01:27:55,040 Speaker 1: a dub playing, you know what I mean? But sometimes 1652 01:27:55,120 --> 01:27:59,120 Speaker 1: LUSS to take over. But let's talk about this and 1653 01:27:59,200 --> 01:28:02,920 Speaker 1: we'll get back into the Quando Rundo stuff in a second, 1654 01:28:03,640 --> 01:28:05,000 Speaker 1: you know. But I got a lot more stuff to 1655 01:28:05,040 --> 01:28:07,160 Speaker 1: talk about, even with the sauce Walker thing. We're about 1656 01:28:07,160 --> 01:28:09,240 Speaker 1: to get into that, and how a lot of these 1657 01:28:10,280 --> 01:28:13,920 Speaker 1: media people are just Internet people like I even saw 1658 01:28:13,920 --> 01:28:15,760 Speaker 1: it when Suce Walker put it out, I didn't even 1659 01:28:15,840 --> 01:28:17,720 Speaker 1: bite into it. I knew, like, you don't kill a 1660 01:28:17,800 --> 01:28:19,760 Speaker 1: man that ain't gonna camera. That ain't how they worked. 1661 01:28:20,040 --> 01:28:22,679 Speaker 1: But y'all don't know that because y'all aren't involved in nothing. 1662 01:28:23,479 --> 01:28:26,519 Speaker 1: But before I get there, let's talk about this. Young 1663 01:28:26,640 --> 01:28:29,080 Speaker 1: Turk went on Drink Chimps. Shout out Drink Chimps. Also 1664 01:28:29,160 --> 01:28:33,120 Speaker 1: shout out to Karissia, please revolt. She's killing it. That's 1665 01:28:33,200 --> 01:28:35,880 Speaker 1: my label mate, she's killing it. Every time she dropped 1666 01:28:35,920 --> 01:28:39,479 Speaker 1: his number one. It's killing it. Great conversations, great guests, 1667 01:28:39,600 --> 01:28:42,960 Speaker 1: get great shot. In regards to production, they're killing it 1668 01:28:43,040 --> 01:28:44,720 Speaker 1: with that show. I just want to give kudos to 1669 01:28:44,840 --> 01:28:47,720 Speaker 1: them as they are someone that's a label made him 1670 01:28:47,760 --> 01:28:50,880 Speaker 1: man and also part of the QC family too, so 1671 01:28:51,080 --> 01:28:53,719 Speaker 1: that's a double webbit. But Turk was on Drink Champs 1672 01:28:53,760 --> 01:28:57,479 Speaker 1: and he was talking about his run in with bird 1673 01:28:57,560 --> 01:29:00,040 Speaker 1: Man and how they was in a compromised state for 1674 01:29:00,160 --> 01:29:04,439 Speaker 1: a certain amount of time. He spoke to a lot 1675 01:29:04,520 --> 01:29:07,759 Speaker 1: of rappers being fake, even spoke to kind of wayne 1676 01:29:07,840 --> 01:29:09,960 Speaker 1: them not reaching back as much as he would like to. 1677 01:29:10,080 --> 01:29:12,280 Speaker 1: But he started to speak about rappers in the industry, 1678 01:29:12,320 --> 01:29:14,519 Speaker 1: how they use his name and don't reach out to him. 1679 01:29:15,000 --> 01:29:17,880 Speaker 1: Find it's a bit interesting, but I understand, especially when 1680 01:29:17,920 --> 01:29:20,479 Speaker 1: you win the water and you need somebody to throw 1681 01:29:20,560 --> 01:29:24,280 Speaker 1: you a boat, you need somebody to throw your life jacket. 1682 01:29:25,120 --> 01:29:26,640 Speaker 1: You know what I'm saying. You're coming out of pre 1683 01:29:26,800 --> 01:29:29,439 Speaker 1: probably felt like, man, I am who I am? These 1684 01:29:29,520 --> 01:29:31,840 Speaker 1: dudes won't reach back to me. But that's how this 1685 01:29:32,000 --> 01:29:34,200 Speaker 1: game go. And everybody see that when they get on 1686 01:29:34,280 --> 01:29:36,679 Speaker 1: the on the back end, or that's how this game here. 1687 01:29:37,080 --> 01:29:39,960 Speaker 1: But here's the thing. He was speaking about Rick Ross 1688 01:29:40,280 --> 01:29:42,000 Speaker 1: and a run in he had with Rick Ross and 1689 01:29:42,080 --> 01:29:45,000 Speaker 1: how he didn't feel like Rass should have spoke on 1690 01:29:45,200 --> 01:29:48,280 Speaker 1: his business with bird Man and Wayne because Ross didn't 1691 01:29:48,280 --> 01:29:50,680 Speaker 1: do nothing to help either. Let's take a little look 1692 01:29:50,720 --> 01:29:53,800 Speaker 1: at it and we'll come back with some information Ring 1693 01:29:53,840 --> 01:29:55,560 Speaker 1: and Ross. I had some people, you know, like you 1694 01:29:55,680 --> 01:29:58,160 Speaker 1: have fans, right, so I had fans that were reached out, 1695 01:29:58,200 --> 01:30:00,840 Speaker 1: that was tapped in. You had certain people that be fans, 1696 01:30:00,920 --> 01:30:05,599 Speaker 1: and them fans be holding you down out. Them fans 1697 01:30:05,720 --> 01:30:07,880 Speaker 1: hold you down. They gonna they want you out the 1698 01:30:08,000 --> 01:30:11,240 Speaker 1: same way how they support you out. You know what 1699 01:30:11,280 --> 01:30:15,559 Speaker 1: I'm saying, And that's what it is, Yeah, not far 1700 01:30:15,680 --> 01:30:18,479 Speaker 1: as the real Rick Ross. You know he spoke on 1701 01:30:18,640 --> 01:30:23,080 Speaker 1: my business right, Gil live Bro Now my three piece? 1702 01:30:24,200 --> 01:30:27,599 Speaker 1: You got all the wing stock? No, we ain't going 1703 01:30:27,720 --> 01:30:36,080 Speaker 1: too far there. Who told you? Okay? Because Miami count yeah, 1704 01:30:36,200 --> 01:30:40,680 Speaker 1: and I'm in Miami real. I felt like if you 1705 01:30:40,840 --> 01:30:43,920 Speaker 1: got all the give Turkey three turk three piece. But 1706 01:30:44,000 --> 01:30:47,280 Speaker 1: at the same time, I didn't reached out to this, 1707 01:30:47,520 --> 01:30:50,599 Speaker 1: and I had my verified check. I'm I'm baying now 1708 01:30:50,720 --> 01:30:52,760 Speaker 1: they didn't. I don't know what they did. They didn't 1709 01:30:52,800 --> 01:30:55,559 Speaker 1: they activated my account. But I reached out to homely 1710 01:30:55,680 --> 01:30:59,920 Speaker 1: right and he ain't reached out. So what you cloud chasing? 1711 01:31:01,240 --> 01:31:03,080 Speaker 1: Just like you speaking on my name, that means you 1712 01:31:03,160 --> 01:31:06,200 Speaker 1: know who I am, same way you meet meals you 1713 01:31:06,320 --> 01:31:09,320 Speaker 1: put them in a song on your intro. Y'all don't 1714 01:31:09,360 --> 01:31:12,040 Speaker 1: know who Turke is. So when I reach out to y'all, 1715 01:31:13,439 --> 01:31:15,880 Speaker 1: you don't mention my name. I got the right to say, 1716 01:31:15,920 --> 01:31:18,519 Speaker 1: don't mention my mouth name. I'm gonna have my money. 1717 01:31:18,560 --> 01:31:22,240 Speaker 1: Y'all got don't mention my name if you ain't gonna 1718 01:31:23,360 --> 01:31:25,720 Speaker 1: you feel me. Don't try to say what bird Man 1719 01:31:25,800 --> 01:31:27,880 Speaker 1: ain't doing it? You put think it doing the same 1720 01:31:28,000 --> 01:31:31,240 Speaker 1: thing That's how I feel, dogcause y'all cloud chasing. But 1721 01:31:31,360 --> 01:31:34,240 Speaker 1: how you know they know you reaching though? Because I 1722 01:31:34,320 --> 01:31:37,840 Speaker 1: got a blue check and I'm direct at you. You 1723 01:31:38,120 --> 01:31:45,720 Speaker 1: know that you see that sometimes? No, okay, they know 1724 01:31:45,840 --> 01:31:48,640 Speaker 1: it not because you know you mentioned my name, you 1725 01:31:48,720 --> 01:31:51,800 Speaker 1: put them in your songs. I gotta right to say 1726 01:31:51,920 --> 01:31:56,439 Speaker 1: something because that's fake. If you put Turkey, you concerned 1727 01:31:56,439 --> 01:32:00,040 Speaker 1: about Turkey's hell, don't go through the order name. I 1728 01:32:00,040 --> 01:32:02,880 Speaker 1: think I'm reach out to Lord to look out for 1729 01:32:02,960 --> 01:32:06,280 Speaker 1: you by speaking to your husk because you can't speak 1730 01:32:06,360 --> 01:32:08,599 Speaker 1: on my behalf if I reach out after you did 1731 01:32:08,680 --> 01:32:12,360 Speaker 1: that because I like what you said. I like what 1732 01:32:12,520 --> 01:32:15,600 Speaker 1: you said. But then I got to getting mad at 1733 01:32:15,640 --> 01:32:18,200 Speaker 1: me because I'm like, Ross, what's happening? You're speaking on 1734 01:32:18,320 --> 01:32:23,559 Speaker 1: my name? You feel me? Faith man? Ross a cloud 1735 01:32:23,680 --> 01:32:27,600 Speaker 1: chaser to me, straighten it up because I stand on 1736 01:32:27,760 --> 01:32:32,240 Speaker 1: it is because it was a trending topic. Bro, he 1737 01:32:32,680 --> 01:32:35,680 Speaker 1: don't ain't down one of these niggas out to me. 1738 01:32:36,160 --> 01:32:39,160 Speaker 1: You know how I got money, nor I had to, 1739 01:32:40,280 --> 01:32:44,200 Speaker 1: so I kind of understand what he's saying. Right. You know, 1740 01:32:44,360 --> 01:32:47,560 Speaker 1: you saved my name with me. I think what the 1741 01:32:47,640 --> 01:32:50,080 Speaker 1: opportunity for Turk comes in that is, he may not 1742 01:32:50,280 --> 01:32:53,880 Speaker 1: understand that. Number One, this industry operates on budgets. So 1743 01:32:54,040 --> 01:32:56,280 Speaker 1: when you somewhere in the corner I'm broke, ain't pay 1744 01:32:56,360 --> 01:32:59,559 Speaker 1: me nothing for me money. I ain't got nothing. Everybody 1745 01:32:59,640 --> 01:33:02,639 Speaker 1: stop want to talk to you. Niggas hate you when 1746 01:33:02,640 --> 01:33:04,760 Speaker 1: you big. My mama used to say, stop big and 1747 01:33:04,840 --> 01:33:06,760 Speaker 1: make people hate you. And it ain't that you big 1748 01:33:06,840 --> 01:33:09,800 Speaker 1: and out your mouth. But they know about your circumstances, 1749 01:33:09,880 --> 01:33:11,439 Speaker 1: and they know what they take to live, how they 1750 01:33:11,560 --> 01:33:13,800 Speaker 1: live in and they ain't trying to fund that, and 1751 01:33:13,880 --> 01:33:15,840 Speaker 1: they ain't got no real business with you. So they 1752 01:33:15,960 --> 01:33:18,439 Speaker 1: think it's speaking on it, even though I do believe 1753 01:33:18,520 --> 01:33:21,400 Speaker 1: create a relationship cool, but they thinking speaking on it, 1754 01:33:21,680 --> 01:33:24,439 Speaker 1: it's speaking to the fans, activating some of them fans 1755 01:33:24,520 --> 01:33:27,640 Speaker 1: out there. So ever did hopefully you are able to 1756 01:33:27,800 --> 01:33:30,240 Speaker 1: tap into some more them new fans. And what I 1757 01:33:30,320 --> 01:33:32,519 Speaker 1: think happened with rappers or people that get a certain 1758 01:33:32,600 --> 01:33:35,120 Speaker 1: level of success. What it's like is it's like going 1759 01:33:35,200 --> 01:33:38,280 Speaker 1: from college to the pros. Then when you're getting the pros, 1760 01:33:38,320 --> 01:33:41,800 Speaker 1: you gotta check back into college. Sometimes in regards to lifestyle, 1761 01:33:41,920 --> 01:33:46,400 Speaker 1: living standards, living arrangements, girls that you're dating, level of access. 1762 01:33:46,520 --> 01:33:49,240 Speaker 1: All that goes back down to college level in regards 1763 01:33:49,280 --> 01:33:53,360 Speaker 1: to entertainment industry and standard right, So just picture that 1764 01:33:53,479 --> 01:33:56,880 Speaker 1: they don't win pro they're checking in to play for Duke, 1765 01:33:57,560 --> 01:34:00,720 Speaker 1: he plays some years in the league, he back at 1766 01:34:00,800 --> 01:34:03,880 Speaker 1: Duke playing. It feel funny to the rappers, it feel 1767 01:34:03,920 --> 01:34:06,920 Speaker 1: funny the people that's been diluted with fame, so they 1768 01:34:06,960 --> 01:34:09,439 Speaker 1: don't want to never go back. And so therefore there 1769 01:34:09,479 --> 01:34:13,640 Speaker 1: scratching claw and bought. Desperation in need is not a negotiator, 1770 01:34:14,160 --> 01:34:16,720 Speaker 1: you see what I'm saying. So you somewhere may come man, 1771 01:34:16,800 --> 01:34:19,000 Speaker 1: you saying my name, you need be They like, nah 1772 01:34:19,160 --> 01:34:22,120 Speaker 1: bro thein' they' oh oh he must need something, don't 1773 01:34:22,160 --> 01:34:25,519 Speaker 1: they don't tell them, don't answer, dude, car That's how 1774 01:34:25,560 --> 01:34:27,800 Speaker 1: they're doing. But a lot of people want to stand 1775 01:34:27,800 --> 01:34:30,479 Speaker 1: in the pros just because of the girls in the fame, 1776 01:34:31,640 --> 01:34:34,120 Speaker 1: because reverting back to college ball for some of you 1777 01:34:34,600 --> 01:34:37,160 Speaker 1: at least get you back the way you're living and 1778 01:34:37,320 --> 01:34:40,479 Speaker 1: getting some money, going to back down and taking your 1779 01:34:40,520 --> 01:34:43,200 Speaker 1: show number down and taking a fifteen or twin that 1780 01:34:43,280 --> 01:34:46,519 Speaker 1: get you back book eight times a month. You know 1781 01:34:46,560 --> 01:34:48,120 Speaker 1: what I'm saying. But you want to keep it at 1782 01:34:48,120 --> 01:34:50,080 Speaker 1: a certain number to keep looking a certain way. So 1783 01:34:50,240 --> 01:34:52,320 Speaker 1: then you book once a month, the damn then you 1784 01:34:52,400 --> 01:34:56,000 Speaker 1: swapping the booking for your bills, you know what I'm saying. 1785 01:34:57,080 --> 01:35:00,960 Speaker 1: So again, sometimes you gotta downgrade just standard so you 1786 01:35:01,040 --> 01:35:04,400 Speaker 1: can upgrade your lifestyle, you know, for this month, for 1787 01:35:04,479 --> 01:35:07,120 Speaker 1: the next year. Man, I ain't gonna see me, Gucha, 1788 01:35:07,160 --> 01:35:09,800 Speaker 1: ain't gonna see me. Way, ain't checking into tom Ford, 1789 01:35:09,880 --> 01:35:12,920 Speaker 1: wa ain't working around and blissy y'all getting boat taker. 1790 01:35:13,040 --> 01:35:16,439 Speaker 1: Right now, we're working with the business right now. We're 1791 01:35:16,479 --> 01:35:20,280 Speaker 1: focused on the outcome. We're having enough dripping the closet. 1792 01:35:20,320 --> 01:35:22,680 Speaker 1: We ain't really looking into them store right now. We're 1793 01:35:22,720 --> 01:35:25,040 Speaker 1: trying to put some money up and put some together. 1794 01:35:25,240 --> 01:35:27,240 Speaker 1: But it was like he heard them say his name. 1795 01:35:27,280 --> 01:35:29,800 Speaker 1: He reaches out to like yo, women do a song, 1796 01:35:29,960 --> 01:35:32,920 Speaker 1: women do something like that, and they like, I ain't 1797 01:35:32,960 --> 01:35:35,360 Speaker 1: trying to do out this. So it's that cloud chasing. 1798 01:35:35,840 --> 01:35:38,320 Speaker 1: If you say somebody's name and don't with them, is 1799 01:35:38,360 --> 01:35:43,320 Speaker 1: that cloud chasing? I don't think it's cloud chasing if 1800 01:35:43,320 --> 01:35:46,640 Speaker 1: you're just saying the name or explaining the circumstances. If 1801 01:35:46,680 --> 01:35:49,080 Speaker 1: you're putting it in a song. How do y'all feel 1802 01:35:49,080 --> 01:35:52,200 Speaker 1: about that? If you're putting somebody's name in a song 1803 01:35:52,360 --> 01:35:55,679 Speaker 1: that you won't even answer they call because they're into 1804 01:35:55,760 --> 01:35:58,800 Speaker 1: it with your enemy or somebody that you're going up 1805 01:35:58,800 --> 01:36:01,639 Speaker 1: against right now, is that cloud chaser? Turk say, that's 1806 01:36:01,680 --> 01:36:04,640 Speaker 1: cloud chasing? How you gonna say my name and no 1807 01:36:04,800 --> 01:36:07,240 Speaker 1: answer my call? Before we get to the next topic, 1808 01:36:07,360 --> 01:36:09,240 Speaker 1: let me say this. Sometimes you got to trust the 1809 01:36:09,360 --> 01:36:12,080 Speaker 1: product and your information that you've got right. Sometimes you 1810 01:36:12,160 --> 01:36:14,600 Speaker 1: know what you're looking at, you've been put to work in, 1811 01:36:14,760 --> 01:36:17,560 Speaker 1: you studied so long, you know exactly the infrastructure and 1812 01:36:17,600 --> 01:36:21,000 Speaker 1: the industry that you've involved yourself with. Sometimes you gotta 1813 01:36:21,040 --> 01:36:24,080 Speaker 1: trust your creativity and trust the process. When I take 1814 01:36:24,120 --> 01:36:26,200 Speaker 1: a look at some of the biggest businesses in the world, 1815 01:36:26,520 --> 01:36:30,040 Speaker 1: even something like Twitter, something like social media, let's not 1816 01:36:30,160 --> 01:36:33,960 Speaker 1: even say Twitter, that whole thing wasn't necessarily such a 1817 01:36:34,120 --> 01:36:37,880 Speaker 1: great idea in its Rawi's form, right, But what happened 1818 01:36:38,120 --> 01:36:40,840 Speaker 1: was they put that out and then the market defined it. 1819 01:36:41,280 --> 01:36:43,560 Speaker 1: The way that we communicated on that was not in 1820 01:36:43,680 --> 01:36:46,880 Speaker 1: its current form, right. It was a very boring type 1821 01:36:46,880 --> 01:36:49,360 Speaker 1: of the way they designed it. And I'm only speaking 1822 01:36:49,400 --> 01:36:52,960 Speaker 1: to that design, not the utility of it. And that's 1823 01:36:53,000 --> 01:36:55,280 Speaker 1: what you got to understand that there's things that you're 1824 01:36:55,360 --> 01:36:57,960 Speaker 1: designing that you don't even understand. The market is going 1825 01:36:58,040 --> 01:37:00,160 Speaker 1: to figure out that. Ay yo, we're gonna use that 1826 01:37:00,280 --> 01:37:02,920 Speaker 1: to do this with and you're gonna say, whoa. They 1827 01:37:03,000 --> 01:37:06,840 Speaker 1: figured out something different than what we were thinking, because 1828 01:37:06,960 --> 01:37:10,040 Speaker 1: first on Facebook and all of that, that was a 1829 01:37:10,120 --> 01:37:12,799 Speaker 1: totally different way of communicating. I was listening to Rogan 1830 01:37:13,240 --> 01:37:15,000 Speaker 1: and they kind of hit on it. It was more 1831 01:37:15,080 --> 01:37:19,200 Speaker 1: so like at Big Loon, is that the Titans game 1832 01:37:20,280 --> 01:37:24,040 Speaker 1: at Big Loon is at the Little Baby concert, you 1833 01:37:24,160 --> 01:37:26,920 Speaker 1: know what I'm saying, Or at Big Loon is feeling 1834 01:37:27,000 --> 01:37:30,439 Speaker 1: great today. They didn't have it in the form that 1835 01:37:30,600 --> 01:37:35,200 Speaker 1: the market defined it at right now, meaning the way 1836 01:37:35,280 --> 01:37:38,639 Speaker 1: we currently use it. Hey yo, man, such it's such 1837 01:37:38,680 --> 01:37:43,320 Speaker 1: a land at such a and what it was was 1838 01:37:43,439 --> 01:37:47,040 Speaker 1: he came through, he was over at such and such 1839 01:37:47,120 --> 01:37:50,360 Speaker 1: house and stole at such and such, and that really 1840 01:37:50,439 --> 01:37:53,200 Speaker 1: comes from at Kroger And what we really should have 1841 01:37:53,280 --> 01:37:56,040 Speaker 1: got it from was at Walmart. But this acts so 1842 01:37:56,200 --> 01:37:59,120 Speaker 1: much like Jamie Fox that it ain't you see what 1843 01:37:59,200 --> 01:38:03,599 Speaker 1: I'm saying that that's how they or communicate amongst other ways. 1844 01:38:03,680 --> 01:38:05,800 Speaker 1: But what I'm telling you is sometimes you gotta trust 1845 01:38:05,840 --> 01:38:08,200 Speaker 1: that the product is the product. Right, We've put so 1846 01:38:08,439 --> 01:38:11,880 Speaker 1: much into this that we can't even imagine what the 1847 01:38:12,040 --> 01:38:15,080 Speaker 1: market will develop on behalf of what we're going to 1848 01:38:15,200 --> 01:38:18,160 Speaker 1: present to the market. I remember fidget spellers, and this 1849 01:38:18,320 --> 01:38:21,200 Speaker 1: is just me talking. Those are made for stress, These 1850 01:38:21,240 --> 01:38:23,120 Speaker 1: things right here, great for stress. That's kind of what 1851 01:38:23,200 --> 01:38:27,080 Speaker 1: they're made for. A Nope, when now they made for kids? Brother, Yeah, 1852 01:38:27,120 --> 01:38:30,719 Speaker 1: now these made for kids. Now now they put lights 1853 01:38:30,840 --> 01:38:34,160 Speaker 1: on them, a USB. They to start putting speakers on them. Yeah. 1854 01:38:34,160 --> 01:38:36,760 Speaker 1: They had to the market determine what we were gonna 1855 01:38:36,800 --> 01:38:39,320 Speaker 1: do with that. We know, throw that little idea, y'all 1856 01:38:39,360 --> 01:38:42,000 Speaker 1: had throw that in the trade. The market determined what 1857 01:38:42,160 --> 01:38:45,360 Speaker 1: we were gonna do with that. So sometimes you gotta 1858 01:38:45,400 --> 01:38:48,040 Speaker 1: trust the market. And I'm learning, Like when I'm throwing 1859 01:38:48,080 --> 01:38:50,559 Speaker 1: some of these little interviews out them seeing the market react, 1860 01:38:50,640 --> 01:38:53,040 Speaker 1: I'm like, oh, man, why did I wait for? Like 1861 01:38:53,200 --> 01:38:57,960 Speaker 1: this is Yoh they're waiting on this, like right, this 1862 01:38:58,200 --> 01:39:03,000 Speaker 1: is it? Bro like not talk about but sometimes the 1863 01:39:03,120 --> 01:39:06,040 Speaker 1: marketer defined what it is you're working with. Let's talk 1864 01:39:06,080 --> 01:39:09,599 Speaker 1: about this. Sauce Walker has been involved in the shooting 1865 01:39:09,600 --> 01:39:12,840 Speaker 1: out in La California. The shooter was framed that someone 1866 01:39:12,920 --> 01:39:15,400 Speaker 1: has came and tried to guess, snatch his chain or 1867 01:39:15,439 --> 01:39:18,400 Speaker 1: do something weird. I know, because I'm from the streets 1868 01:39:18,439 --> 01:39:20,240 Speaker 1: that you don't commit a murder and go right on 1869 01:39:20,439 --> 01:39:22,920 Speaker 1: camera and talk about it. So I knew it wasn't that. 1870 01:39:23,080 --> 01:39:25,040 Speaker 1: I knew something may have happened, but it wasn't what 1871 01:39:25,600 --> 01:39:28,400 Speaker 1: it was presented as. But we're gonna deal with this 1872 01:39:28,560 --> 01:39:31,040 Speaker 1: information as it was presented to us and try to 1873 01:39:32,160 --> 01:39:35,280 Speaker 1: deal with it in that current status and then evolved 1874 01:39:35,360 --> 01:39:40,120 Speaker 1: with the information as we presented. So apparently, according to Sucewalker, 1875 01:39:40,600 --> 01:39:42,760 Speaker 1: that was an encounter between him and the man, and 1876 01:39:42,840 --> 01:39:44,840 Speaker 1: then after that the man was dead. Let's listen. Know 1877 01:39:44,880 --> 01:39:47,320 Speaker 1: what he said. Hey man, I really ain't want to 1878 01:39:47,320 --> 01:39:51,120 Speaker 1: speak on this, but I know it's too many young 1879 01:39:51,200 --> 01:39:54,160 Speaker 1: Black kings and young kings out there. It's being mislead 1880 01:39:54,240 --> 01:39:56,679 Speaker 1: and misguided. Wrong. Let learn a half of the game 1881 01:39:56,720 --> 01:39:59,040 Speaker 1: and not the whole game. So y'all need to learn 1882 01:39:59,160 --> 01:40:01,640 Speaker 1: from this experience that I went to tonight because being 1883 01:40:01,680 --> 01:40:04,080 Speaker 1: a rappers do one of the most dangerous jobs in America. 1884 01:40:04,120 --> 01:40:05,680 Speaker 1: There's a lot of young men. I either want to 1885 01:40:05,720 --> 01:40:07,840 Speaker 1: do this, but I don't know everything that come with it, 1886 01:40:07,960 --> 01:40:09,599 Speaker 1: but I want to speak on this part right here. 1887 01:40:09,760 --> 01:40:14,719 Speaker 1: Understand this. Everybody don't go. Everybody don't go, and everybody 1888 01:40:14,760 --> 01:40:17,639 Speaker 1: ain't going, and I'm one of them people that's not going. 1889 01:40:18,560 --> 01:40:21,599 Speaker 1: So unfortunately, tonight somebody that loves their life or doing 1890 01:40:21,720 --> 01:40:24,360 Speaker 1: something stupid and I don't know how it happened, of 1891 01:40:24,439 --> 01:40:26,720 Speaker 1: what was going on, but I really would like all 1892 01:40:26,800 --> 01:40:29,080 Speaker 1: the young black men around here to learn before all 1893 01:40:29,120 --> 01:40:31,680 Speaker 1: the tab bloods and the bulls fake stories get out there. 1894 01:40:31,960 --> 01:40:33,920 Speaker 1: I want you to learn from this expends and I'm 1895 01:40:33,960 --> 01:40:36,960 Speaker 1: still standing here Tintoes down all my Jerry and everything 1896 01:40:37,000 --> 01:40:38,840 Speaker 1: that I worked hard for. I don't want you to 1897 01:40:38,920 --> 01:40:42,120 Speaker 1: go through these dumb situations. But doing something stupid that 1898 01:40:42,200 --> 01:40:44,080 Speaker 1: somebody told you and led you to do that, you 1899 01:40:44,160 --> 01:40:46,599 Speaker 1: can go be a king, you can gonna be Lebron James, 1900 01:40:46,640 --> 01:40:48,280 Speaker 1: you can go be a lawyer, you can go be 1901 01:40:48,360 --> 01:40:52,320 Speaker 1: sous Walker. But understand this, but being just right here, 1902 01:40:53,840 --> 01:40:56,720 Speaker 1: you can live up all right, So let's kind of 1903 01:40:56,800 --> 01:41:00,640 Speaker 1: deal with the presentation of that. This is you know, 1904 01:41:01,240 --> 01:41:03,400 Speaker 1: I know he you know Sauce Walker. You know, I 1905 01:41:03,600 --> 01:41:05,479 Speaker 1: really don't know Sauce, but I know he wanted them 1906 01:41:05,560 --> 01:41:08,759 Speaker 1: guys that understand communication because you come from the pimp world. 1907 01:41:09,160 --> 01:41:11,679 Speaker 1: You know they if you even look up the pimps, 1908 01:41:11,720 --> 01:41:15,479 Speaker 1: you gotta understand communication, right, That's that's communication in his 1909 01:41:15,680 --> 01:41:18,760 Speaker 1: raw's form like it's wrapping. It's a certain vibration. You 1910 01:41:18,800 --> 01:41:20,760 Speaker 1: know what I'm saying. Let me say, baby, turn around, 1911 01:41:20,840 --> 01:41:23,479 Speaker 1: let me see. Hey, I say, baby, turn around. See 1912 01:41:23,520 --> 01:41:25,360 Speaker 1: what you're turning down? I'm talking about your Give you 1913 01:41:25,400 --> 01:41:26,960 Speaker 1: some tools you can you you know what I'm saying. 1914 01:41:27,000 --> 01:41:28,720 Speaker 1: Some tools and fuge you can you you know what 1915 01:41:28,760 --> 01:41:31,880 Speaker 1: I'm talking about. You know, man, I don't care if 1916 01:41:31,920 --> 01:41:34,240 Speaker 1: she gets your buzz long. She stopped a sun Trust. 1917 01:41:34,280 --> 01:41:37,640 Speaker 1: You did what I'm saying, right, It's a certain frequency 1918 01:41:37,720 --> 01:41:40,960 Speaker 1: and vibe that they communicate on it. Yeah, I could 1919 01:41:41,000 --> 01:41:42,760 Speaker 1: have been a pimp. We could say that to the side, 1920 01:41:42,840 --> 01:41:46,040 Speaker 1: but that it's a certain frequency that they communicate on, 1921 01:41:46,160 --> 01:41:48,920 Speaker 1: and not saying that he has that level of it. 1922 01:41:49,280 --> 01:41:53,800 Speaker 1: But he's somewhere up there like he understands it. That's 1923 01:41:53,840 --> 01:41:57,080 Speaker 1: why you him talk on a rhythm, I say, man, hey, 1924 01:41:57,160 --> 01:42:00,920 Speaker 1: man say right, it's it's it's just rhythm me doing. 1925 01:42:01,200 --> 01:42:03,519 Speaker 1: And I'm only pointing that out to let you know 1926 01:42:03,680 --> 01:42:07,120 Speaker 1: that he's he understands communication. In the way that I 1927 01:42:07,280 --> 01:42:09,680 Speaker 1: know he know he was conflating those stories, but he 1928 01:42:10,040 --> 01:42:14,679 Speaker 1: probably felt like I didn't lie right now, but I'm 1929 01:42:14,760 --> 01:42:18,160 Speaker 1: definitely conflating stories, but I ain't lying. But they say, 1930 01:42:18,360 --> 01:42:21,600 Speaker 1: if the truth is a lie, you do with that 1931 01:42:21,720 --> 01:42:23,920 Speaker 1: what you made When he first said that, you know, 1932 01:42:24,040 --> 01:42:26,200 Speaker 1: his face is scratched up. For those of you listening, 1933 01:42:26,280 --> 01:42:27,960 Speaker 1: I'll kind of try to give you a visual what 1934 01:42:28,080 --> 01:42:33,000 Speaker 1: he looks like. Faces scratched up, his eye black, but 1935 01:42:33,080 --> 01:42:35,720 Speaker 1: he got all his jurl run. So everybody looked at it, 1936 01:42:35,800 --> 01:42:38,360 Speaker 1: even me when I first saw it. I'm like, you know, 1937 01:42:38,520 --> 01:42:41,920 Speaker 1: he giving Warrior a spirit. Everybody ain't gone he giving 1938 01:42:42,000 --> 01:42:44,719 Speaker 1: Warrior a spirit, you know what I mean? So people 1939 01:42:44,800 --> 01:42:49,040 Speaker 1: took that out. Sauce Walk at stood on business and 1940 01:42:49,200 --> 01:42:52,240 Speaker 1: we'll address Adam twenty two and Joe Button right how 1941 01:42:52,360 --> 01:42:55,240 Speaker 1: Joe said Adam does these click baity things and deals 1942 01:42:55,280 --> 01:43:00,600 Speaker 1: with streets the Homeboy Academics put Sauce Walker called a 1943 01:43:00,720 --> 01:43:04,000 Speaker 1: body on a trying to rob some weird like some 1944 01:43:04,240 --> 01:43:08,400 Speaker 1: outland this title that I understand that those other kind 1945 01:43:08,439 --> 01:43:10,599 Speaker 1: of titles that Joe was talking about dealing with Adam 1946 01:43:10,640 --> 01:43:12,960 Speaker 1: twenty two, but said that to the side and that's 1947 01:43:13,000 --> 01:43:17,120 Speaker 1: just me pointing out the hypocrisy in regards to the 1948 01:43:17,360 --> 01:43:21,920 Speaker 1: standard of content creation through the lens of Joe in 1949 01:43:22,040 --> 01:43:26,200 Speaker 1: regards to Adam and academics. But that's a totally different situation. 1950 01:43:26,320 --> 01:43:29,760 Speaker 1: When he put this out and said I ain't going, 1951 01:43:29,920 --> 01:43:32,880 Speaker 1: everybody ain't going. So somebody lost their life or doing 1952 01:43:32,960 --> 01:43:37,519 Speaker 1: something stupid. See go he go very detailed in vague, 1953 01:43:37,680 --> 01:43:41,280 Speaker 1: then very detailed in vague, then very DC. You don't 1954 01:43:41,320 --> 01:43:43,720 Speaker 1: know where he at with it. You don't know where 1955 01:43:43,760 --> 01:43:46,360 Speaker 1: he at, you don't know what part is what you know. 1956 01:43:46,560 --> 01:43:51,400 Speaker 1: But when I seen it, I said, nah, can't be right. 1957 01:43:53,520 --> 01:43:55,439 Speaker 1: I'd have been on the scene when a body drop. 1958 01:43:55,720 --> 01:43:58,479 Speaker 1: Can't be right. You don't get on camera right after that. 1959 01:43:59,280 --> 01:44:01,360 Speaker 1: Matter of fact, if you was involved, they probably didn't 1960 01:44:01,360 --> 01:44:03,320 Speaker 1: take you with him. They gotta do some tests on you, 1961 01:44:03,479 --> 01:44:07,280 Speaker 1: some gun burned tests and this that in the third light, right, 1962 01:44:07,600 --> 01:44:09,439 Speaker 1: and they're trying to get you away from other people 1963 01:44:09,479 --> 01:44:11,759 Speaker 1: in case you're trying to collaborate some kind of story 1964 01:44:11,880 --> 01:44:14,320 Speaker 1: right quick, Like, I don't see grabbing the phone, so 1965 01:44:14,439 --> 01:44:16,120 Speaker 1: I knew that that was a red flame. That's why 1966 01:44:16,120 --> 01:44:17,840 Speaker 1: I said, I'm not really I'm not reporting on that 1967 01:44:17,920 --> 01:44:22,160 Speaker 1: because something's off. I didn't know what was off, but 1968 01:44:22,320 --> 01:44:25,560 Speaker 1: it is also a blessing that he called it. He 1969 01:44:25,960 --> 01:44:28,720 Speaker 1: kept his life because he did get into it with 1970 01:44:28,840 --> 01:44:32,240 Speaker 1: this guy um after he put that out. I mean, 1971 01:44:32,400 --> 01:44:34,760 Speaker 1: every blog, and this is another thing about blogs. They 1972 01:44:34,880 --> 01:44:38,720 Speaker 1: never post capturing Sauce Walker in this raws for him 1973 01:44:38,800 --> 01:44:41,439 Speaker 1: doing music when it's something like that, or we get 1974 01:44:41,520 --> 01:44:43,920 Speaker 1: into it with this person there post him. So every 1975 01:44:44,000 --> 01:44:47,400 Speaker 1: blog posted this. When Craig's house walk caught a body 1976 01:44:47,439 --> 01:44:49,400 Speaker 1: in La. They trying to take his time chain. He 1977 01:44:49,600 --> 01:44:52,599 Speaker 1: wasn't going. He wasn't going. You know, they start posting 1978 01:44:52,640 --> 01:44:56,559 Speaker 1: certain things and I'm like, yo, you still in La 1979 01:44:56,760 --> 01:45:00,280 Speaker 1: doing that this and that's this is the second red 1980 01:45:00,360 --> 01:45:04,479 Speaker 1: flag from me. You went live, You're still in La. 1981 01:45:04,840 --> 01:45:07,400 Speaker 1: He live in La. So somebody who live in LA 1982 01:45:07,600 --> 01:45:10,120 Speaker 1: just died at the heads of out of town and 1983 01:45:10,240 --> 01:45:13,759 Speaker 1: he went on live about it like ain't no smoke 1984 01:45:13,920 --> 01:45:16,880 Speaker 1: or retaliation or nobody looking for nobody, Like, ain't no 1985 01:45:17,040 --> 01:45:20,800 Speaker 1: consequences behind a dead body. That's that rap And that's 1986 01:45:20,840 --> 01:45:22,720 Speaker 1: what I hate about the wrap shit. They try to 1987 01:45:22,800 --> 01:45:25,519 Speaker 1: make you think a body drop, move on to the 1988 01:45:25,600 --> 01:45:28,240 Speaker 1: next like call of duty, bro run around the quartify 1989 01:45:28,360 --> 01:45:34,000 Speaker 1: you another op call of duty style. They won't make 1990 01:45:34,040 --> 01:45:37,240 Speaker 1: you think that now bodies drop his consequences, whether those 1991 01:45:37,280 --> 01:45:39,600 Speaker 1: consequences come from the police or from the people that 1992 01:45:39,760 --> 01:45:42,880 Speaker 1: love that person that you just put in that up situation. 1993 01:45:43,160 --> 01:45:45,640 Speaker 1: I always know if there's a certain level of interaction 1994 01:45:45,720 --> 01:45:50,320 Speaker 1: between me and another adult male, things may have to change. 1995 01:45:51,080 --> 01:45:53,120 Speaker 1: Right if there's a shooting that takes place in the 1996 01:45:53,240 --> 01:45:55,640 Speaker 1: area of the special line, ain't from where, ain't going, Like, 1997 01:45:55,760 --> 01:45:57,519 Speaker 1: we gotta get out of here, Yo, we just smoked it. 1998 01:45:57,840 --> 01:46:00,439 Speaker 1: Ain't bout out of here. Hey, whole team head right 1999 01:46:00,520 --> 01:46:03,200 Speaker 1: to the airport now, yo, you book everything right now, 2000 01:46:03,280 --> 01:46:05,760 Speaker 1: get us out of here, like, we ain't going. I 2001 01:46:05,920 --> 01:46:08,519 Speaker 1: haven't talking about it. So that's the second thing. When 2002 01:46:08,560 --> 01:46:11,559 Speaker 1: he went live, I'm like, oh, sum ain't right, he said, 2003 01:46:11,600 --> 01:46:14,080 Speaker 1: I ain't going all. I'm like, how many then foka 2004 01:46:14,320 --> 01:46:17,160 Speaker 1: come looking for him? That he posted this on the 2005 01:46:17,280 --> 01:46:19,600 Speaker 1: social media. It's another rapper. I think he's from the 2006 01:46:19,680 --> 01:46:21,840 Speaker 1: West Coast or somewhere. I'm not sure where you're from. 2007 01:46:22,439 --> 01:46:25,240 Speaker 1: The saucewalker happened to be at a BT vent like 2008 01:46:25,400 --> 01:46:28,519 Speaker 1: some sightful for the BT Awards that's coming up, and 2009 01:46:28,800 --> 01:46:32,320 Speaker 1: all this took place somewhere around around there. So there 2010 01:46:32,400 --> 01:46:34,360 Speaker 1: was a rap dude by the name of Kid Blue. 2011 01:46:34,479 --> 01:46:36,800 Speaker 1: Not sure if you guys know who he is. I'm 2012 01:46:36,880 --> 01:46:39,160 Speaker 1: not that familiar with him, but of course, being a 2013 01:46:39,520 --> 01:46:42,280 Speaker 1: culture curator, I know who he is and know of 2014 01:46:43,680 --> 01:46:47,200 Speaker 1: him in a very minute way. So and but then 2015 01:46:47,280 --> 01:46:49,960 Speaker 1: less Saucewalker had ran in here right before this happened, 2016 01:46:50,520 --> 01:46:52,840 Speaker 1: maybe an hour or two hours before it happened. They 2017 01:46:52,880 --> 01:46:55,040 Speaker 1: had gotten number. Sauce knew who he was. I think 2018 01:46:55,120 --> 01:46:57,240 Speaker 1: he may have been at the bt VET as well. 2019 01:46:58,040 --> 01:47:01,080 Speaker 1: And so the young man come under the post with 2020 01:47:01,240 --> 01:47:03,680 Speaker 1: Sauce Walker put that because everybody's under there, and the 2021 01:47:03,800 --> 01:47:06,240 Speaker 1: upbro like Sauce called a body they played. They was 2022 01:47:06,280 --> 01:47:09,960 Speaker 1: even posted Sauce Walker's old records from Texas, like he 2023 01:47:10,080 --> 01:47:12,840 Speaker 1: got some mold the way it was some I think 2024 01:47:12,920 --> 01:47:15,519 Speaker 1: some homicide, some shooting, you know how this should go 2025 01:47:16,160 --> 01:47:18,439 Speaker 1: some of that ship his background. So they were posting that, 2026 01:47:18,520 --> 01:47:20,479 Speaker 1: Oh they didn't know they were playing with a stepper 2027 01:47:20,560 --> 01:47:23,880 Speaker 1: and this and that right they were. So the aura 2028 01:47:24,080 --> 01:47:29,760 Speaker 1: surrounding the incident was almost like it created some sort 2029 01:47:29,800 --> 01:47:35,080 Speaker 1: of fire where it validated Sauce Walker for like ten hours. 2030 01:47:37,080 --> 01:47:39,599 Speaker 1: Then I've seen feet from gossip been the city started 2031 01:47:39,640 --> 01:47:45,760 Speaker 1: to post a hold on here, lying about that he 2032 01:47:45,840 --> 01:47:48,280 Speaker 1: ain't shot nobody, he ain't nothing, he had nothing to 2033 01:47:48,360 --> 01:47:51,640 Speaker 1: do with that. I said, oh, here we go, so 2034 01:47:51,760 --> 01:47:54,080 Speaker 1: it's about to come out. The internet is undefeated. So 2035 01:47:54,160 --> 01:47:56,880 Speaker 1: all right, So then we're about to see what actually happened. 2036 01:47:56,920 --> 01:47:59,479 Speaker 1: Because I knew, based on the phone calling, based on 2037 01:47:59,560 --> 01:48:03,479 Speaker 1: the area surrounding the incident, that something was off right. 2038 01:48:03,920 --> 01:48:06,439 Speaker 1: But I believe Sauce Walker to be a stand up guy. 2039 01:48:06,560 --> 01:48:09,679 Speaker 1: So I said, something happened, but it wasn't him murdering nothing. 2040 01:48:11,439 --> 01:48:15,000 Speaker 1: I heard academics, and academics said, well, I think he's 2041 01:48:15,040 --> 01:48:16,840 Speaker 1: doing this to try to help this guy with a 2042 01:48:17,439 --> 01:48:19,920 Speaker 1: self defense plea. So a guy got a tool with 2043 01:48:20,040 --> 01:48:23,200 Speaker 1: him and then shot and then shot shot Souce Walker 2044 01:48:23,600 --> 01:48:25,960 Speaker 1: bodyguard shot their dude, and so they kind of trying 2045 01:48:26,000 --> 01:48:29,800 Speaker 1: to get their self defense thing or self can that 2046 01:48:30,200 --> 01:48:33,639 Speaker 1: maybe maybe, but I still don't see online that being 2047 01:48:33,720 --> 01:48:37,960 Speaker 1: the place for that. So gots have been the city feat. 2048 01:48:38,080 --> 01:48:40,200 Speaker 1: Now she comes with a picture. Here's the guy running 2049 01:48:40,360 --> 01:48:42,639 Speaker 1: from the shooting. He got on the all black. Souce 2050 01:48:42,680 --> 01:48:44,920 Speaker 1: Walker ain't got black, Oh, he ain't got no jun 2051 01:48:45,120 --> 01:48:50,600 Speaker 1: or he's the guy that kills somebody. So in a 2052 01:48:51,240 --> 01:48:56,720 Speaker 1: strange twist of events, the rapper Kid Blue goes under 2053 01:48:56,720 --> 01:48:59,600 Speaker 1: the Souce Walker post and put the emoji of the 2054 01:49:01,120 --> 01:49:03,479 Speaker 1: zip your lips. And I think he's kind of cloud 2055 01:49:03,560 --> 01:49:07,360 Speaker 1: chasing two because when he does to zip your lips, 2056 01:49:07,400 --> 01:49:10,080 Speaker 1: he really liked I was there, zip your lips like, 2057 01:49:10,280 --> 01:49:14,280 Speaker 1: no ranting, but he ended up switching that to saying, no, 2058 01:49:14,560 --> 01:49:16,840 Speaker 1: I'm gonna tell people what happened because you learned about that. 2059 01:49:16,960 --> 01:49:19,160 Speaker 1: Let's take a look at that video. It's too much 2060 01:49:19,200 --> 01:49:20,720 Speaker 1: the type. So I'm gonna just go out there and 2061 01:49:20,760 --> 01:49:25,519 Speaker 1: say it. Right before this incident happened, I just ran 2062 01:49:25,600 --> 01:49:28,719 Speaker 1: into Saucewalker. He asked me from my number. We exchanged numbers. 2063 01:49:28,720 --> 01:49:30,000 Speaker 1: I said, yeah, we are you about to get into 2064 01:49:30,520 --> 01:49:33,679 Speaker 1: He said, I'm going upstairs and do the BT cipher. 2065 01:49:34,200 --> 01:49:36,240 Speaker 1: I mean he can't do some freestyle stuff or BT 2066 01:49:36,439 --> 01:49:40,760 Speaker 1: or whatever and whatnot. Doctor up. I left. I walked 2067 01:49:40,800 --> 01:49:45,400 Speaker 1: towards the spot where the incident occurred. An altercation. I've 2068 01:49:45,400 --> 01:49:49,680 Speaker 1: been treating two dudes, one of lost his life. It 2069 01:49:49,840 --> 01:49:52,880 Speaker 1: was broad daylight and again I had just left from 2070 01:49:52,960 --> 01:49:57,639 Speaker 1: seeing Sauce Walker two blocks away in the opposite direction, 2071 01:49:58,320 --> 01:50:01,639 Speaker 1: so I knew he was nowhere near the vicenter. Later 2072 01:50:01,760 --> 01:50:03,320 Speaker 1: that night, when he asked me for the video, I 2073 01:50:03,400 --> 01:50:05,200 Speaker 1: assumed it was because he didn't want to go through 2074 01:50:05,280 --> 01:50:07,479 Speaker 1: like the screen recording, to have to share it with someone, 2075 01:50:07,520 --> 01:50:09,760 Speaker 1: a friend or something, maybe show his boys. I thought 2076 01:50:09,800 --> 01:50:11,680 Speaker 1: he just wanted it for the sole purpose of that, 2077 01:50:11,920 --> 01:50:14,040 Speaker 1: just to view it or something else. I did not 2078 01:50:14,160 --> 01:50:16,559 Speaker 1: have any idea that he was gonna take that video. Okay, 2079 01:50:16,640 --> 01:50:18,840 Speaker 1: just so we cleared the video he's speaking about. It 2080 01:50:18,880 --> 01:50:22,800 Speaker 1: is this rapper took a video of someone that was 2081 01:50:22,920 --> 01:50:25,200 Speaker 1: dead outside of the place he was at because he 2082 01:50:25,479 --> 01:50:28,439 Speaker 1: was on the scene of the person that got killed. 2083 01:50:28,960 --> 01:50:31,280 Speaker 1: So he took a video and then all of a sudden, 2084 01:50:31,520 --> 01:50:34,360 Speaker 1: sauce Walker hit him up. Ao sent me that video, 2085 01:50:35,560 --> 01:50:38,679 Speaker 1: and then I believe sauce Walker posted it to add 2086 01:50:38,800 --> 01:50:43,519 Speaker 1: to the validity that this actually happened. Right now, he 2087 01:50:43,680 --> 01:50:46,400 Speaker 1: made a mistake by saying in the video, don't try 2088 01:50:46,479 --> 01:50:49,439 Speaker 1: to rob people, bro, And this dude here on the 2089 01:50:49,479 --> 01:50:52,400 Speaker 1: ground is an innocent man in a strange twist of events. 2090 01:50:52,720 --> 01:50:54,519 Speaker 1: But let's listen to a little bit more. The whole 2091 01:50:54,560 --> 01:50:57,760 Speaker 1: campaign to make people believe that he is some sort 2092 01:50:57,800 --> 01:51:00,760 Speaker 1: of gangstore killer. That someone lost the life for trying 2093 01:51:00,800 --> 01:51:03,560 Speaker 1: to take his jewelry. That's not what happened. That is 2094 01:51:03,560 --> 01:51:06,080 Speaker 1: definitely not the case at all. This guy was not 2095 01:51:07,040 --> 01:51:09,519 Speaker 1: a bad person, first of all, from what I heard 2096 01:51:09,520 --> 01:51:12,639 Speaker 1: from the family, he attended college, he was a business owner, 2097 01:51:12,960 --> 01:51:15,960 Speaker 1: and he was a ladies man. And allegedly that's what 2098 01:51:16,120 --> 01:51:18,880 Speaker 1: went down, is that an angry pimp got pissed off 2099 01:51:19,200 --> 01:51:22,639 Speaker 1: and took this man's life. And that's who actually took 2100 01:51:22,680 --> 01:51:24,840 Speaker 1: his life. It had nothing to do with anything about 2101 01:51:24,840 --> 01:51:27,800 Speaker 1: stealing jury from anybody or trying to steal jury. In fact, 2102 01:51:28,080 --> 01:51:30,439 Speaker 1: before the police covered his body, this man had his 2103 01:51:30,520 --> 01:51:33,400 Speaker 1: own jury on his own goal jury, his own watch 2104 01:51:33,520 --> 01:51:35,280 Speaker 1: in the whole nine and everything like that. So I 2105 01:51:35,280 --> 01:51:37,760 Speaker 1: already knew it was Cat from the jump. I tried 2106 01:51:37,840 --> 01:51:39,960 Speaker 1: to tell you guys, it's been a long time since 2107 01:51:40,040 --> 01:51:42,200 Speaker 1: I exposed somebody. I've been really quiet and staying out 2108 01:51:42,240 --> 01:51:44,360 Speaker 1: the way. But Kidbou is not gonna sit around and 2109 01:51:44,439 --> 01:51:46,720 Speaker 1: do that no more. If I expose people now, it's 2110 01:51:46,760 --> 01:51:49,200 Speaker 1: gonna be for something like this. And so I was Walker, 2111 01:51:49,280 --> 01:51:51,280 Speaker 1: I know you're probably gonna be pissed mad at me 2112 01:51:51,840 --> 01:51:54,240 Speaker 1: for using my platform and my voice to help air 2113 01:51:54,360 --> 01:51:57,040 Speaker 1: out your fake news. But it is what it is. Man, 2114 01:51:58,120 --> 01:52:00,400 Speaker 1: It's not bad, but I can't respect the integrity of 2115 01:52:00,439 --> 01:52:04,559 Speaker 1: a man's character for doing something like that. It's just wrong. Bro, 2116 01:52:05,400 --> 01:52:07,880 Speaker 1: you wrote yourself your own death note with this type 2117 01:52:07,880 --> 01:52:09,880 Speaker 1: of stuff, because don't you think that for one second 2118 01:52:09,920 --> 01:52:12,320 Speaker 1: the man that lost his life, then you consider the 2119 01:52:12,360 --> 01:52:15,400 Speaker 1: fact that he has family and he has friends that's 2120 01:52:15,400 --> 01:52:19,479 Speaker 1: gonna want revenge. I don't know what possessed you to 2121 01:52:19,560 --> 01:52:21,880 Speaker 1: do that. Cloud and fam is not worth that much. 2122 01:52:22,800 --> 01:52:24,479 Speaker 1: And to a lot of the other rappers that's talking 2123 01:52:24,479 --> 01:52:26,560 Speaker 1: all this same stuff about drilling this and killing that, 2124 01:52:27,920 --> 01:52:31,000 Speaker 1: stop the cap, Stop the rap caps, I'll trying to 2125 01:52:31,000 --> 01:52:33,040 Speaker 1: influence these kids to pick up guns and really take 2126 01:52:33,080 --> 01:52:35,160 Speaker 1: each other's lives. And it's more than just like us 2127 01:52:35,200 --> 01:52:37,479 Speaker 1: black people killing each other. It's just people in general 2128 01:52:37,640 --> 01:52:40,599 Speaker 1: in the culture that listen to hip hop. This gotta stop. 2129 01:52:41,240 --> 01:52:44,439 Speaker 1: This has got to stop. Man. So again, in a 2130 01:52:44,640 --> 01:52:48,400 Speaker 1: strange turn of events, you see that the outcome now 2131 01:52:48,560 --> 01:52:55,680 Speaker 1: has been verified. So now what we're looking at is 2132 01:52:55,760 --> 01:52:58,519 Speaker 1: that someone ran up on Salsa Walker try to steal 2133 01:52:58,560 --> 01:53:01,960 Speaker 1: his chain or rob him. He got into a scuffle 2134 01:53:02,040 --> 01:53:06,240 Speaker 1: with him. That same dude end up running into this 2135 01:53:06,439 --> 01:53:11,400 Speaker 1: young man who end up getting killed by that same guy. 2136 01:53:13,280 --> 01:53:16,920 Speaker 1: But again, this was framed in such a way what 2137 01:53:17,080 --> 01:53:19,960 Speaker 1: the Internet ran with it, like he caught him a 2138 01:53:20,040 --> 01:53:24,200 Speaker 1: body and stood on business. One thing about a rapper, 2139 01:53:24,479 --> 01:53:27,400 Speaker 1: bro that make it rough, and I think he rappers 2140 01:53:27,479 --> 01:53:30,559 Speaker 1: to understand this is you the man where you're from. 2141 01:53:30,680 --> 01:53:33,320 Speaker 1: But it feel different when you die another the town. 2142 01:53:34,680 --> 01:53:37,280 Speaker 1: When you die another town, you might can't get no 2143 01:53:37,400 --> 01:53:41,400 Speaker 1: information on that. Everybody bag think man, my bag can 2144 01:53:41,479 --> 01:53:44,320 Speaker 1: get it done. They might can, depending on who you is, 2145 01:53:44,439 --> 01:53:46,960 Speaker 1: but some of your rappers have died another town and 2146 01:53:47,040 --> 01:53:51,759 Speaker 1: it's just that on that so I don't you know. Again, 2147 01:53:51,920 --> 01:53:54,679 Speaker 1: fanning the flames in this culture has become a sport. 2148 01:53:56,479 --> 01:53:59,560 Speaker 1: The consequences attached to some of the communication, or some 2149 01:53:59,720 --> 01:54:01,720 Speaker 1: of the rapping, or some of the talking or some 2150 01:54:01,840 --> 01:54:04,640 Speaker 1: of the posturing by some of these guys has just 2151 01:54:04,840 --> 01:54:09,439 Speaker 1: been looked over. But King Blue basically like, oh this 2152 01:54:09,640 --> 01:54:11,519 Speaker 1: dude trying to act like he a killer. He ain't 2153 01:54:11,520 --> 01:54:13,519 Speaker 1: had nothing to do with it. I was there. But 2154 01:54:13,640 --> 01:54:15,920 Speaker 1: I do think a conversation needs to be head in 2155 01:54:15,960 --> 01:54:18,839 Speaker 1: the culture that all rappers ain't criminals, and all criminals 2156 01:54:18,920 --> 01:54:21,479 Speaker 1: ain't rappers and all black people ain't criminals, and all 2157 01:54:21,520 --> 01:54:25,519 Speaker 1: criminals ain't black people. Somewhere along the lines, they're trying 2158 01:54:25,600 --> 01:54:28,599 Speaker 1: to almost like they wrapping the whole rap world up 2159 01:54:28,680 --> 01:54:33,040 Speaker 1: into this y'all the problem and that it couldn't be 2160 01:54:33,120 --> 01:54:36,360 Speaker 1: further from the truth. But King Blue comes out like, Yo, 2161 01:54:36,440 --> 01:54:38,280 Speaker 1: we're not gonna let you get away with that, bro. 2162 01:54:38,400 --> 01:54:41,200 Speaker 1: You're not gonna be acting like that's you again. For me, 2163 01:54:41,360 --> 01:54:43,280 Speaker 1: I think it's a little cloud in that for him 2164 01:54:43,320 --> 01:54:45,440 Speaker 1: as well, where it's like, nah, I was there, people 2165 01:54:45,480 --> 01:54:47,600 Speaker 1: go want to talk to me about this. Now, I 2166 01:54:47,680 --> 01:54:49,960 Speaker 1: can get booked for interviews and stuff now, and it's 2167 01:54:50,040 --> 01:54:51,880 Speaker 1: his story, so maybe he can do with that what 2168 01:54:52,040 --> 01:54:58,000 Speaker 1: he made. But the aura surroundingness now has started to change. 2169 01:54:59,120 --> 01:55:02,360 Speaker 1: Now you start this see what people call captain trying 2170 01:55:02,360 --> 01:55:05,320 Speaker 1: to add like he got somebody killed, like he kills somethingbody. 2171 01:55:06,160 --> 01:55:08,280 Speaker 1: But again, when you got high level game and you're 2172 01:55:08,280 --> 01:55:12,360 Speaker 1: a communicator, he never really spoke direct to that. He 2173 01:55:12,440 --> 01:55:17,280 Speaker 1: went in and out vague direct, vague direct, so he 2174 01:55:17,400 --> 01:55:20,560 Speaker 1: kind of spoke around the topic. It spoke directly to 2175 01:55:20,680 --> 01:55:23,600 Speaker 1: certain things in vague about others. So then he had 2176 01:55:23,640 --> 01:55:26,400 Speaker 1: to come out and post this video after this rapper 2177 01:55:27,920 --> 01:55:31,040 Speaker 1: quote unquote puts out that he's telling a lie about 2178 01:55:31,080 --> 01:55:34,040 Speaker 1: what happened. He didn't drops this boy because it was 2179 01:55:34,040 --> 01:55:36,640 Speaker 1: out of the dumbing it happened. But the only reason 2180 01:55:36,640 --> 01:55:39,240 Speaker 1: why I'm even consider doing this is because I want 2181 01:55:39,280 --> 01:55:43,280 Speaker 1: to bring some closure and some clarification to the families 2182 01:55:43,480 --> 01:55:46,400 Speaker 1: and the sister of his brother that mistakenly, tragically and 2183 01:55:46,480 --> 01:55:49,000 Speaker 1: lost his life in his dumba situation for no reason 2184 01:55:49,240 --> 01:55:51,560 Speaker 1: and put a family helping to see the feminine member 2185 01:55:51,840 --> 01:55:54,760 Speaker 1: body slain and slender all over the internet for no 2186 01:55:54,920 --> 01:55:58,600 Speaker 1: mother reason. But it also I also was trying to 2187 01:55:58,680 --> 01:56:00,760 Speaker 1: keep it so g in the city that I didn't 2188 01:56:00,760 --> 01:56:03,520 Speaker 1: even want to incriminate or put the person in trouble 2189 01:56:03,600 --> 01:56:05,640 Speaker 1: that could have harmed my life and it took this 2190 01:56:05,800 --> 01:56:08,040 Speaker 1: other man's life in this situation. But since all the 2191 01:56:08,120 --> 01:56:11,440 Speaker 1: information is already publican out now we can speak on it. 2192 01:56:12,400 --> 01:56:15,720 Speaker 1: What happened was and what I said in the original video. 2193 01:56:15,800 --> 01:56:18,040 Speaker 1: Like I told you, I don't know what's going on 2194 01:56:18,560 --> 01:56:20,600 Speaker 1: and how it went on. We all trying to find 2195 01:56:20,640 --> 01:56:22,360 Speaker 1: out the rest of this information. But what I do 2196 01:56:22,600 --> 01:56:26,840 Speaker 1: know is that everybody ain't going guns kill everybody. But 2197 01:56:27,240 --> 01:56:30,520 Speaker 1: everybody is not scared of guns. And tragically, what happened, 2198 01:56:30,560 --> 01:56:32,280 Speaker 1: just like you see on my figuring they gonna take 2199 01:56:32,360 --> 01:56:33,920 Speaker 1: up a black eye and I'll just don't see. What 2200 01:56:34,080 --> 01:56:37,360 Speaker 1: happened was I fought for my life and fought for 2201 01:56:37,440 --> 01:56:39,960 Speaker 1: my jury and my belongings and got me and my 2202 01:56:40,200 --> 01:56:43,080 Speaker 1: men about the situation and about it there, and it 2203 01:56:43,440 --> 01:56:46,600 Speaker 1: squabbled myself out of a situation where a file on 2204 01:56:46,800 --> 01:56:48,400 Speaker 1: was put in my face. Half for you, half for you. 2205 01:56:48,520 --> 01:56:51,480 Speaker 1: Motherfuck wouldn't even fight a motherful with a butter knife 2206 01:56:51,520 --> 01:56:55,480 Speaker 1: in a hand. And tragically, after that situation, the same 2207 01:56:55,560 --> 01:56:58,960 Speaker 1: motherfucker that then I've made dispersion, run off from the 2208 01:56:59,040 --> 01:57:03,800 Speaker 1: situation from fail robbery attempt, ran out and rented to 2209 01:57:03,880 --> 01:57:06,280 Speaker 1: another man and tried to rob this man. And this 2210 01:57:06,480 --> 01:57:08,280 Speaker 1: man did the same thing that I did, because he 2211 01:57:08,360 --> 01:57:10,800 Speaker 1: was a black king, a black warrior, somebody that fought 2212 01:57:10,840 --> 01:57:12,400 Speaker 1: harp or whatever. He had a life, he had his 2213 01:57:12,480 --> 01:57:15,680 Speaker 1: fire on him and he wasn't going, and unfortunately, in 2214 01:57:15,800 --> 01:57:18,080 Speaker 1: his situation, he lost his life. I could have lost 2215 01:57:18,120 --> 01:57:21,720 Speaker 1: my life as well. We both made the same erratic, 2216 01:57:21,800 --> 01:57:25,640 Speaker 1: irrational decision because we wanted we're not going and we're 2217 01:57:25,640 --> 01:57:29,880 Speaker 1: trying to live. Doctor, what we have, so unfortunately somebody 2218 01:57:30,000 --> 01:57:33,120 Speaker 1: did something stupid and a man lost his life, and 2219 01:57:33,240 --> 01:57:34,840 Speaker 1: I could have been that man lose his life too 2220 01:57:34,920 --> 01:57:37,760 Speaker 1: because I made I'm also somebody to do stupid sh 2221 01:57:38,000 --> 01:57:40,560 Speaker 1: that's gonna fight for fight for what I have, because 2222 01:57:40,560 --> 01:57:42,600 Speaker 1: like this man tried to fight for what he had, 2223 01:57:42,840 --> 01:57:46,080 Speaker 1: and unfortunately this man had a quicker draw and it 2224 01:57:46,200 --> 01:57:48,280 Speaker 1: will have or whatever went owners, whatever it went on, 2225 01:57:48,720 --> 01:57:50,840 Speaker 1: and I apologize and I'm sorry for this man and 2226 01:57:50,960 --> 01:57:52,720 Speaker 1: his family and everything that went on. But what y're 2227 01:57:52,800 --> 01:57:54,840 Speaker 1: not gonna do it switched on narrative and trying to 2228 01:57:54,880 --> 01:57:57,560 Speaker 1: make me look like amongst my people and people that 2229 01:57:57,720 --> 01:57:59,920 Speaker 1: love me, like I'm out here slanting and trying to 2230 01:58:00,000 --> 01:58:01,800 Speaker 1: get some Cramer cutter to clough for none of that. 2231 01:58:02,000 --> 01:58:04,880 Speaker 1: What I spoke on is I fought, and I didn't 2232 01:58:04,880 --> 01:58:07,800 Speaker 1: even want to speak on that, but with the bitness 2233 01:58:07,840 --> 01:58:09,560 Speaker 1: that we stood on this that I fought for my life, 2234 01:58:09,600 --> 01:58:11,240 Speaker 1: for myself and my butters, and I left without my 2235 01:58:11,360 --> 01:58:13,920 Speaker 1: jury on his blood on my body, black on my 2236 01:58:13,960 --> 01:58:15,640 Speaker 1: eye that man, and no one went on between me 2237 01:58:15,680 --> 01:58:17,800 Speaker 1: and the man. You know, we went only went dying, 2238 01:58:18,120 --> 01:58:19,440 Speaker 1: just like you know we went on and whatever it 2239 01:58:19,520 --> 01:58:21,320 Speaker 1: was went dn and just like here, you know, you 2240 01:58:21,400 --> 01:58:22,680 Speaker 1: looked me in my eyes like I looked you in 2241 01:58:22,800 --> 01:58:24,160 Speaker 1: my eyes before I went with my mood, like you 2242 01:58:24,200 --> 01:58:25,960 Speaker 1: went with your mood. Hey man, I could have been 2243 01:58:26,040 --> 01:58:27,720 Speaker 1: laying on the ground like that last man. But at 2244 01:58:27,760 --> 01:58:29,480 Speaker 1: the end of the day, it wasn't what you was expecting. 2245 01:58:29,560 --> 01:58:31,800 Speaker 1: Just like the same thing it wasn't with him. So unfortunately, 2246 01:58:31,880 --> 01:58:34,360 Speaker 1: because somebody did something stupid and our young kings is 2247 01:58:34,480 --> 01:58:37,240 Speaker 1: being mislaied it wrong to do dumb thing for greed 2248 01:58:37,440 --> 01:58:40,360 Speaker 1: and fortunate money. Were kidding ourselves and losing our lives 2249 01:58:40,440 --> 01:58:42,400 Speaker 1: with the pop miss is y'all looking for the miss 2250 01:58:42,920 --> 01:58:47,560 Speaker 1: and not the message and the rest of you cloud 2251 01:58:47,680 --> 01:58:50,080 Speaker 1: chase the p and there like he was scared because 2252 01:58:50,160 --> 01:58:54,760 Speaker 1: y'all putting bodies on the internet. You're trying to clarify yourself. 2253 01:58:55,280 --> 01:59:01,560 Speaker 1: You are You're I slept the show boot. Let me 2254 01:59:01,640 --> 01:59:03,800 Speaker 1: say this too. It is important that he was able 2255 01:59:03,840 --> 01:59:06,720 Speaker 1: to keep his life. I think that's a blessing. But 2256 01:59:06,880 --> 01:59:09,040 Speaker 1: I do know when he first started speaking on it, 2257 01:59:09,160 --> 01:59:11,160 Speaker 1: he wasn't speaking on it like it was a situation. 2258 01:59:11,200 --> 01:59:13,280 Speaker 1: He didn't really know nothing about it. He just happened. 2259 01:59:13,280 --> 01:59:15,080 Speaker 1: He kind of spoke on it like, yo, we're staying 2260 01:59:15,120 --> 01:59:18,480 Speaker 1: on business and it is again it's it's just a 2261 01:59:18,560 --> 01:59:21,880 Speaker 1: weird thing. It just gets slippery right there because you 2262 01:59:22,000 --> 01:59:25,400 Speaker 1: misrepresented what happened and you didn't clear it up when 2263 01:59:25,440 --> 01:59:27,680 Speaker 1: they were saying Southwalker called a body. He called a 2264 01:59:27,760 --> 01:59:31,160 Speaker 1: body he hadn't cleared up. But it's consequences for catching 2265 01:59:31,200 --> 01:59:34,520 Speaker 1: the body. So you don't wan't know fake body consequences 2266 01:59:34,600 --> 01:59:39,240 Speaker 1: like that's somebody little like bro I don't want know. 2267 01:59:39,440 --> 01:59:42,760 Speaker 1: Free smoke man. But again that's yourself why he's doing 2268 01:59:42,840 --> 01:59:45,640 Speaker 1: that video. He's doing that video because the blogs have 2269 01:59:45,800 --> 01:59:47,840 Speaker 1: now started to run because a lot of these blog 2270 01:59:47,960 --> 01:59:50,880 Speaker 1: guys never been through nothing. They just kind of like squares, 2271 01:59:51,320 --> 01:59:54,280 Speaker 1: so they are just believed whatever whatever happens and what 2272 01:59:54,800 --> 01:59:57,320 Speaker 1: they felt like they got tricked on this one, like 2273 01:59:57,480 --> 02:00:01,440 Speaker 1: even DJ Academics. Academics don't post people on his real YouTube, 2274 02:00:01,640 --> 02:00:04,240 Speaker 1: Sucewalker only going there when there's a fight going their 2275 02:00:04,320 --> 02:00:07,440 Speaker 1: young thug some wild like that. He ain't posted souce 2276 02:00:07,560 --> 02:00:11,400 Speaker 1: Walk on now, but this happened. He went right on 2277 02:00:11,520 --> 02:00:15,680 Speaker 1: there with the Soucewalker quickly, Sucewalker called a body from 2278 02:00:15,720 --> 02:00:18,720 Speaker 1: a knee gro this Dan and the third matter of fact, 2279 02:00:18,800 --> 02:00:20,520 Speaker 1: let's look at what he because I want to be 2280 02:00:20,600 --> 02:00:22,680 Speaker 1: clear this and have a little brief conversation on it. 2281 02:00:22,800 --> 02:00:25,960 Speaker 1: You see how he go ain't going dj Academics reacts 2282 02:00:26,000 --> 02:00:30,040 Speaker 1: to Sucewalker going live at the allegedly clapping a robber. 2283 02:00:30,440 --> 02:00:32,880 Speaker 1: And I only speak on that is because last week 2284 02:00:33,160 --> 02:00:35,240 Speaker 1: I spoke on the Adam twenty two and Joe Budden 2285 02:00:35,360 --> 02:00:37,200 Speaker 1: encounter and how they kind of spoke to how he 2286 02:00:37,400 --> 02:00:40,160 Speaker 1: titles things, and Adam even brought up academics say, he said, 2287 02:00:40,160 --> 02:00:44,240 Speaker 1: academics don't do that. Academics say, I think academics is 2288 02:00:44,320 --> 02:00:47,960 Speaker 1: that fished in this pond that Joe can still look 2289 02:00:48,040 --> 02:00:50,800 Speaker 1: at like I got something to do with that one. 2290 02:00:51,840 --> 02:00:56,040 Speaker 1: That's my young boy. I think academics don't look at 2291 02:00:56,080 --> 02:01:00,200 Speaker 1: it like that. When academics talk about a man into 2292 02:01:00,400 --> 02:01:03,360 Speaker 1: he speak about Charlotmagne. And I'm not saying this to 2293 02:01:03,480 --> 02:01:09,400 Speaker 1: create any disdain between these individuals. I'm just identifying the information. 2294 02:01:10,160 --> 02:01:15,000 Speaker 1: Academics I think at first had a very very very 2295 02:01:15,200 --> 02:01:21,960 Speaker 1: healthy infatuation with Joe Button. But I think when Joe 2296 02:01:22,120 --> 02:01:24,720 Speaker 1: left him in the water to sink and left complex 2297 02:01:24,800 --> 02:01:30,240 Speaker 1: in that way, I think that changed academics. So even 2298 02:01:30,320 --> 02:01:33,280 Speaker 1: when Adam went on that act, comeback out and take 2299 02:01:33,360 --> 02:01:38,520 Speaker 1: Adams side, like, talk about mad like, It's just certain 2300 02:01:38,600 --> 02:01:41,400 Speaker 1: things that I pay attention to. Right the savvy man 2301 02:01:41,520 --> 02:01:43,760 Speaker 1: probably is already said, I'll be peeping that too, Loom. 2302 02:01:43,880 --> 02:01:47,200 Speaker 1: If not, we'll keep it moving. They're accused of Adam 2303 02:01:47,280 --> 02:01:50,120 Speaker 1: twitter to a clickbait journalism or oh man, you're talking 2304 02:01:50,160 --> 02:01:54,200 Speaker 1: about dead ops and just this whole culture of violence 2305 02:01:54,240 --> 02:01:58,920 Speaker 1: and things like that, and academic lives in that place. Right, 2306 02:01:59,040 --> 02:02:01,960 Speaker 1: So again I wanted to just kind of look at that. 2307 02:02:02,080 --> 02:02:04,920 Speaker 1: We can spend time on that next week. But back 2308 02:02:04,960 --> 02:02:10,000 Speaker 1: to the sous Walker thing. So shortly after that encounter, 2309 02:02:10,440 --> 02:02:13,839 Speaker 1: suce Walker pulls up on club House kid boy stopping 2310 02:02:13,880 --> 02:02:16,240 Speaker 1: the little rap dude that was then he's not stopping. 2311 02:02:16,320 --> 02:02:19,080 Speaker 1: He going on every platform and speaking about how he 2312 02:02:19,320 --> 02:02:22,720 Speaker 1: was in the environment that Soucewalker wasn't in the video 2313 02:02:22,800 --> 02:02:25,240 Speaker 1: of the dude lading that was from him, and saus 2314 02:02:25,320 --> 02:02:28,200 Speaker 1: Walker was nowhere around, so he couldn't have had nothing 2315 02:02:28,200 --> 02:02:30,440 Speaker 1: to do with that murder. Let's listen to a little 2316 02:02:30,440 --> 02:02:31,880 Speaker 1: bit of what he had to say. I would have 2317 02:02:31,960 --> 02:02:33,520 Speaker 1: hit a world start and say yo, delete that that's 2318 02:02:33,560 --> 02:02:35,400 Speaker 1: not right, and I would have followed up with another video. 2319 02:02:35,440 --> 02:02:38,520 Speaker 1: I wouldn't have waited till after Kid Boo started posting 2320 02:02:38,560 --> 02:02:43,040 Speaker 1: shit no and ain't because of no, because of you nothing. 2321 02:02:43,080 --> 02:02:45,840 Speaker 1: There's too much others. It's too much others going on. 2322 02:02:46,560 --> 02:02:48,640 Speaker 1: What are you talking about? Working and living life and 2323 02:02:48,720 --> 02:02:51,760 Speaker 1: getting money for this is going on out here? What 2324 02:02:51,880 --> 02:02:54,240 Speaker 1: are you talking? You sound stupid? Well, first of all, 2325 02:02:54,320 --> 02:02:56,200 Speaker 1: it's not even a situation that you apposed to go 2326 02:02:56,280 --> 02:02:59,120 Speaker 1: into perbatim details on the internet. Anyway, all didn't matter 2327 02:02:59,240 --> 02:03:01,960 Speaker 1: in this situation from the beginning before we knew that. 2328 02:03:02,080 --> 02:03:04,120 Speaker 1: You know, you know why it became my problem is 2329 02:03:04,160 --> 02:03:06,480 Speaker 1: because my video that I posted like a black and dumb, 2330 02:03:07,160 --> 02:03:08,600 Speaker 1: because I thought it had to do with something else. 2331 02:03:08,640 --> 02:03:10,400 Speaker 1: I had have thought it would do with somebody exactly 2332 02:03:11,480 --> 02:03:15,280 Speaker 1: there you go, family, Their family saw your post it 2333 02:03:15,520 --> 02:03:17,720 Speaker 1: that went up and saw all the social media sites 2334 02:03:18,040 --> 02:03:19,600 Speaker 1: and was like, he had nothing to do with that. 2335 02:03:19,760 --> 02:03:21,480 Speaker 1: This had to do with side, don't have nothing to 2336 02:03:21,520 --> 02:03:26,880 Speaker 1: do not completely and I can this man's well, I 2337 02:03:26,960 --> 02:03:28,520 Speaker 1: don't got nothing to do it. What happened to this 2338 02:03:28,640 --> 02:03:30,360 Speaker 1: man's life. But at the end of the day, I 2339 02:03:30,480 --> 02:03:33,320 Speaker 1: went through the exact same situation, in the exact same instance, 2340 02:03:33,360 --> 02:03:37,440 Speaker 1: and it could have happened to me, and therefore therefore 2341 02:03:37,680 --> 02:03:40,280 Speaker 1: therefore if I if therefore but and then this point 2342 02:03:40,360 --> 02:03:43,360 Speaker 1: that par but this was public information where it's videos 2343 02:03:43,360 --> 02:03:45,680 Speaker 1: flying around everywhere with all I'm not gonna get on 2344 02:03:45,760 --> 02:03:47,960 Speaker 1: the internet, and it's like, what happened to me? And 2345 02:03:48,080 --> 02:03:49,640 Speaker 1: what I'm up trying to do to me? What I'm 2346 02:03:49,640 --> 02:03:52,400 Speaker 1: gonna get on the internet, everybody. I'm not somebody that 2347 02:03:52,480 --> 02:03:58,160 Speaker 1: believes in coincidences. I'm sorry, I'm not that naive. Hol on, 2348 02:03:58,280 --> 02:04:01,080 Speaker 1: hold on, nobody believed you a clown food? What's what's 2349 02:04:01,080 --> 02:04:05,040 Speaker 1: the difference? I don't care. So what come on you believe? 2350 02:04:05,360 --> 02:04:08,920 Speaker 1: Let me ask you a question, kid booth to this 2351 02:04:09,040 --> 02:04:11,800 Speaker 1: young man's life. Man, stop, hey man, you look up. 2352 02:04:11,840 --> 02:04:14,600 Speaker 1: You're trying to go instra politically. Now we've already atone 2353 02:04:15,160 --> 02:04:17,920 Speaker 1: and gave the blissings and the graces to this family 2354 02:04:17,960 --> 02:04:20,160 Speaker 1: and that life stopped trying to go Barack Obama out 2355 02:04:20,200 --> 02:04:22,680 Speaker 1: here like you. That's not who you are. Brother. You 2356 02:04:22,720 --> 02:04:24,920 Speaker 1: don't know who I am. That's the problem. That's what 2357 02:04:24,960 --> 02:04:28,080 Speaker 1: I'm saying. The Internet fool you thinking who I am? Anybody. 2358 02:04:28,080 --> 02:04:30,160 Speaker 1: I just had a conversation. See this The thing about me. 2359 02:04:30,240 --> 02:04:31,760 Speaker 1: Everybody know what it is and me, I'm gonna keep 2360 02:04:31,760 --> 02:04:33,720 Speaker 1: it all the way all the other Damn, I'm gonna 2361 02:04:33,760 --> 02:04:37,320 Speaker 1: what I bro look here, I all due respect to 2362 02:04:37,400 --> 02:04:41,720 Speaker 1: the family and everybody answers, and I love everybody. I'm 2363 02:04:42,360 --> 02:04:46,880 Speaker 1: of of my family or stuff, and just started this 2364 02:04:46,960 --> 02:04:48,720 Speaker 1: situation happened that I had to be a part of it. 2365 02:04:48,800 --> 02:04:50,800 Speaker 1: All I care about cleaning. Ain't was it, Ain't nobody, 2366 02:04:51,040 --> 02:04:53,760 Speaker 1: ain't nobody text us the chain because because in the 2367 02:04:54,560 --> 02:04:57,400 Speaker 1: original thing of the conversation, when the blog start calling, 2368 02:04:57,640 --> 02:05:00,840 Speaker 1: the blog start calling, was asking happened somebody say they 2369 02:05:00,880 --> 02:05:03,120 Speaker 1: took your chance. Somebody said that, Roger, we want to 2370 02:05:03,160 --> 02:05:06,120 Speaker 1: ask you what went on before somebody said they took 2371 02:05:06,160 --> 02:05:08,480 Speaker 1: your change. I'm not been going to the internet and 2372 02:05:08,560 --> 02:05:11,400 Speaker 1: say none of that. I've been an Intellet everybody that 2373 02:05:11,480 --> 02:05:15,240 Speaker 1: I got all my jewry on. I stood on my 2374 02:05:15,400 --> 02:05:18,760 Speaker 1: toes ten toes nine. I still I still have. You 2375 02:05:18,800 --> 02:05:20,680 Speaker 1: have to say what the professionally event I was in. 2376 02:05:20,880 --> 02:05:23,200 Speaker 1: I don't want to put nobody up under the bus. 2377 02:05:23,720 --> 02:05:26,040 Speaker 1: I said, I ain't nobody too. Before the blogs come 2378 02:05:26,040 --> 02:05:28,640 Speaker 1: out and before the fake tabboard stories come out, ain't 2379 02:05:28,680 --> 02:05:33,600 Speaker 1: nobody techtokaper Jews whatever. This dude situation more than likely 2380 02:05:33,680 --> 02:05:38,520 Speaker 1: he came from a situation because he previously, I don't 2381 02:05:38,520 --> 02:05:42,960 Speaker 1: know when, had a situation with the same individual. He 2382 02:05:43,080 --> 02:05:46,760 Speaker 1: ain't saying his legs, that's all I think he was 2383 02:05:46,840 --> 02:05:49,640 Speaker 1: trying to do. And he just he ain't never say 2384 02:05:49,800 --> 02:05:51,880 Speaker 1: his change. He said say he don't know what happened 2385 02:05:51,920 --> 02:05:55,240 Speaker 1: down there, but somebody long stay life. And I think 2386 02:05:55,520 --> 02:05:59,360 Speaker 1: the internet, the blocks listen gain the blogs gonna do 2387 02:05:59,520 --> 02:06:01,640 Speaker 1: it narrow rated and how they want to narrate. It 2388 02:06:02,080 --> 02:06:03,760 Speaker 1: is like a shade room. It's like a wall star. 2389 02:06:03,840 --> 02:06:08,920 Speaker 1: He could have I think, hold on the video you 2390 02:06:09,040 --> 02:06:12,040 Speaker 1: posted today. The video you posted today could have got 2391 02:06:12,080 --> 02:06:16,240 Speaker 1: posted yesterday. Bro, No, that's more incriminated before the information 2392 02:06:16,320 --> 02:06:20,840 Speaker 1: is that nigga guy going on gang. He posted a 2393 02:06:21,000 --> 02:06:25,720 Speaker 1: video to follow up with that, beyond you. His video 2394 02:06:25,920 --> 02:06:28,760 Speaker 1: followed up behind you about first about before this man 2395 02:06:28,880 --> 02:06:31,640 Speaker 1: even existed. It made that dumb video. I was gonna 2396 02:06:31,680 --> 02:06:34,120 Speaker 1: make the video Claire, find this for the sister in 2397 02:06:34,240 --> 02:06:38,440 Speaker 1: the family off the drifters. Really, because I spoke to 2398 02:06:38,520 --> 02:06:40,520 Speaker 1: the system, that's not what I heard. You know, it 2399 02:06:40,600 --> 02:06:42,880 Speaker 1: don't matter about what you had, because this girl already 2400 02:06:42,920 --> 02:06:46,000 Speaker 1: got this understood. She already know. We weak again, I 2401 02:06:46,080 --> 02:06:49,640 Speaker 1: can add, I can try to add. Oh it is bro, 2402 02:06:51,280 --> 02:06:54,840 Speaker 1: I don't care. Bro, this is because a kid. I 2403 02:06:54,840 --> 02:06:57,320 Speaker 1: didn't know that you posted to that video up though, Bro, 2404 02:06:57,440 --> 02:07:00,640 Speaker 1: we didn't know. I didn't know you posted. Una tell you, 2405 02:07:04,360 --> 02:07:08,520 Speaker 1: I call that somebody was getting robbed by somebody else. Man, 2406 02:07:08,600 --> 02:07:17,040 Speaker 1: you didn't even stop left stop no, when you post 2407 02:07:17,120 --> 02:07:18,760 Speaker 1: the video of the man's body on the ground, you 2408 02:07:18,920 --> 02:07:22,960 Speaker 1: immediately came to my page. I didn't even you. First 2409 02:07:22,960 --> 02:07:25,200 Speaker 1: of all, you didn't even know to post nobody. You 2410 02:07:25,240 --> 02:07:27,080 Speaker 1: didn't even huld on. Yeah, let's let's put the room 2411 02:07:27,160 --> 02:07:29,320 Speaker 1: on these. You didn't even know the post nobody and 2412 02:07:29,400 --> 02:07:31,280 Speaker 1: post to getting up powd off it it until you 2413 02:07:31,320 --> 02:07:33,040 Speaker 1: see me make the post. You didn't even make it. 2414 02:07:33,120 --> 02:07:35,760 Speaker 1: You made the post at nighttime, My posts at daytime. 2415 02:07:36,120 --> 02:07:39,680 Speaker 1: Make it make sense? Be huh huh making if you 2416 02:07:39,720 --> 02:07:42,080 Speaker 1: can hear and make it make sense, sir. Your video 2417 02:07:42,200 --> 02:07:44,200 Speaker 1: was at nighttime. My video was in the daytime. The 2418 02:07:44,280 --> 02:07:47,480 Speaker 1: man I stopped after Maybe okay, well, maybe I could 2419 02:07:47,480 --> 02:07:49,520 Speaker 1: be wrong on the I don't follow you or to 2420 02:07:49,640 --> 02:07:51,360 Speaker 1: know that, but I know but what I know for 2421 02:07:51,720 --> 02:07:53,440 Speaker 1: but you've seen the video of the man's body and 2422 02:07:53,480 --> 02:07:57,360 Speaker 1: broad daylight. Okay, okay, you reposted it. You reposted it. 2423 02:07:58,280 --> 02:07:59,760 Speaker 1: I mean you posted it it because you would put 2424 02:07:59,800 --> 02:08:03,320 Speaker 1: it that I knew we posted on your story. I didn't. 2425 02:08:03,360 --> 02:08:06,400 Speaker 1: Oh no no no, no, no no no no, no, 2426 02:08:06,560 --> 02:08:09,600 Speaker 1: we are did you report? You reposted the ingle of 2427 02:08:09,680 --> 02:08:12,320 Speaker 1: somebody who was filming from like several words up and 2428 02:08:12,440 --> 02:08:15,480 Speaker 1: nobody was pushed out with no blanket on it. That's 2429 02:08:16,240 --> 02:08:19,720 Speaker 1: for that noose, stupid nose, stupid You was trying to 2430 02:08:19,760 --> 02:08:21,800 Speaker 1: take the conversation from the fact of the matter of 2431 02:08:21,880 --> 02:08:24,400 Speaker 1: what's going on, what's going on as you posted a 2432 02:08:24,440 --> 02:08:28,040 Speaker 1: body on Instagram for whatever reasons? Be it be it 2433 02:08:28,120 --> 02:08:31,400 Speaker 1: that you posted the body on Instagram after after the 2434 02:08:31,520 --> 02:08:33,720 Speaker 1: fact of you, after the fact of you was knowing 2435 02:08:33,800 --> 02:08:36,400 Speaker 1: it saying what's going on with the situation? Because you 2436 02:08:36,480 --> 02:08:38,720 Speaker 1: didn't heard what's going on? Because you asked about what's 2437 02:08:38,720 --> 02:08:41,320 Speaker 1: going on? So I talk about that picture of my 2438 02:08:41,520 --> 02:08:44,640 Speaker 1: picture yard, that one you jumped. You jumped on my 2439 02:08:44,800 --> 02:08:46,840 Speaker 1: page and left for coming. It was like, yeah, bro, 2440 02:08:47,000 --> 02:08:48,840 Speaker 1: I was there. You jumped on my page and left. 2441 02:08:49,400 --> 02:08:50,880 Speaker 1: I said that, I said I was there with the 2442 02:08:50,960 --> 02:08:53,000 Speaker 1: emoji of my moth clothes in other words, I was, 2443 02:08:53,200 --> 02:08:54,880 Speaker 1: I was. That was me hinting to you. I'm not 2444 02:08:54,960 --> 02:08:57,440 Speaker 1: gonna air you up. I'm gonna give you the opportunity 2445 02:08:57,520 --> 02:08:59,240 Speaker 1: to speak about the real ship because the way you 2446 02:08:59,320 --> 02:09:00,840 Speaker 1: was talking about it, it was making it seem like 2447 02:09:00,920 --> 02:09:03,000 Speaker 1: you have something to do with you didn't. So I'm 2448 02:09:03,280 --> 02:09:04,800 Speaker 1: I'm like, I'm gonna give it twenty four hours, bro, 2449 02:09:04,840 --> 02:09:06,200 Speaker 1: because I like this guy and I don't think he's 2450 02:09:06,240 --> 02:09:08,120 Speaker 1: like that. I would like to think that you're not 2451 02:09:08,200 --> 02:09:10,400 Speaker 1: a piece of to try to get called old somebody's 2452 02:09:10,680 --> 02:09:12,640 Speaker 1: I would like to think that about you because I 2453 02:09:12,760 --> 02:09:15,160 Speaker 1: see that you're a good person. Asked my opinion on 2454 02:09:15,320 --> 02:09:20,040 Speaker 1: you down. Yeah, but listen, just y'all just doing the most, bro. 2455 02:09:20,240 --> 02:09:22,920 Speaker 1: That's why I lived my nig same street at the 2456 02:09:23,040 --> 02:09:26,920 Speaker 1: exact same time, five minutes after the for for a fail, 2457 02:09:27,000 --> 02:09:29,000 Speaker 1: miss and fail mission. You running down the street, you 2458 02:09:29,080 --> 02:09:31,240 Speaker 1: see somebody else say I'm gonna go for him because 2459 02:09:31,240 --> 02:09:37,600 Speaker 1: I didn't work out. You didn't say that not wait 2460 02:09:37,640 --> 02:09:39,800 Speaker 1: wait wait wait wait wait. The man Boo see me 2461 02:09:39,920 --> 02:09:43,520 Speaker 1: on this scene in front of the place. What's going on? 2462 02:09:44,920 --> 02:09:55,520 Speaker 1: He came up and said, that's happened. Eight flocks, this 2463 02:09:55,520 --> 02:09:57,320 Speaker 1: is gonna be one of my final statements, and I 2464 02:09:57,400 --> 02:10:02,760 Speaker 1: literally said, I saw him on fifth. Then the springs 2465 02:10:02,880 --> 02:10:05,200 Speaker 1: is the shree that happened. Now what are you talking about? Yeah, 2466 02:10:05,320 --> 02:10:08,040 Speaker 1: Springing eighth and springing fifth is what I saw you 2467 02:10:09,240 --> 02:10:12,760 Speaker 1: three blocks down, Bro, that's not no, three blocks down 2468 02:10:12,920 --> 02:10:14,480 Speaker 1: next and you walk out the door and look, we 2469 02:10:14,600 --> 02:10:16,960 Speaker 1: find out the man was dead directly after the sh happened. 2470 02:10:16,960 --> 02:10:19,320 Speaker 1: When the compolice officers come and try to question it, 2471 02:10:19,480 --> 02:10:22,880 Speaker 1: and ever we tell them we don't know. They only 2472 02:10:22,960 --> 02:10:27,960 Speaker 1: question people in the building. Bro, They was not the 2473 02:10:28,040 --> 02:10:32,360 Speaker 1: lis We don't know, stupid, we're in it's the fuck 2474 02:10:32,640 --> 02:10:35,000 Speaker 1: video of us in the building after the altercation. Tell 2475 02:10:35,000 --> 02:10:36,920 Speaker 1: them the lows that we don't know. I'm waiting for 2476 02:10:37,000 --> 02:10:42,920 Speaker 1: that video to come out. It's on, y'all. Yes, this 2477 02:10:43,080 --> 02:10:45,040 Speaker 1: is why I'm so confident to get her internet and 2478 02:10:45,120 --> 02:10:47,200 Speaker 1: not give a because I already know then to told 2479 02:10:47,240 --> 02:10:49,440 Speaker 1: of the lows and not told them because I don't know. 2480 02:10:50,080 --> 02:10:52,360 Speaker 1: But whatever comes to internet, y'all. It came me mad 2481 02:10:52,360 --> 02:10:54,280 Speaker 1: at me because I told y'all I don't know, because y'all, 2482 02:10:54,360 --> 02:10:56,040 Speaker 1: I'm not telling the loss, but I'm gonna type of 2483 02:10:56,080 --> 02:10:58,120 Speaker 1: people what the people didn't know at the end of 2484 02:10:58,160 --> 02:11:00,120 Speaker 1: the day. The people need to know that it is 2485 02:11:00,120 --> 02:11:02,120 Speaker 1: because the families and these people are hurting. These kids 2486 02:11:02,160 --> 02:11:15,040 Speaker 1: need to learn. Kid blow. It sounds like you kids brot. 2487 02:11:15,480 --> 02:11:17,560 Speaker 1: If anybody just on this ship, they want to see 2488 02:11:17,600 --> 02:11:20,040 Speaker 1: the video of me and pay so telling the longs. 2489 02:11:20,120 --> 02:11:22,360 Speaker 1: We don't know, we don't know. I couldn't wait for 2490 02:11:22,440 --> 02:11:24,880 Speaker 1: the police report to come out where they say they 2491 02:11:25,120 --> 02:11:28,720 Speaker 1: release that jet. I can't can't wait. My name is 2492 02:11:28,760 --> 02:11:31,360 Speaker 1: Calvin Walker Mundane. I don't give a man, I don't 2493 02:11:31,400 --> 02:11:34,960 Speaker 1: give a dumb don't understand is this the same incident? 2494 02:11:35,120 --> 02:11:38,000 Speaker 1: A man? What group of people? But it was most 2495 02:11:38,040 --> 02:11:39,520 Speaker 1: of the people out there, It was other people out there, 2496 02:11:39,560 --> 02:11:40,960 Speaker 1: had nothing to do with this wasn't even my croup. 2497 02:11:41,160 --> 02:11:43,720 Speaker 1: First of all, we wasn't even on it. That man. 2498 02:11:43,800 --> 02:11:49,960 Speaker 1: Don't kill the messenger. The family asked me to because 2499 02:11:50,000 --> 02:11:53,200 Speaker 1: you wanted now, because you wanted to get this powder 2500 02:11:53,240 --> 02:11:57,120 Speaker 1: sauce Walker this giggle out, shut up souce Walkers. One 2501 02:11:57,160 --> 02:11:59,240 Speaker 1: of them isn't that don't have no PR team and 2502 02:11:59,280 --> 02:12:00,800 Speaker 1: nobody to tell me to not get on this live 2503 02:12:00,880 --> 02:12:04,200 Speaker 1: with you the same. So like I am saying, is 2504 02:12:04,280 --> 02:12:06,920 Speaker 1: that it is a spellish So you can read this 2505 02:12:07,040 --> 02:12:12,360 Speaker 1: ship on young why oh u e g d e 2506 02:12:12,760 --> 02:12:17,480 Speaker 1: j I underscore blue check young daj. The laws is 2507 02:12:17,560 --> 02:12:19,560 Speaker 1: in my face. After I had a fight with it, 2508 02:12:19,760 --> 02:12:21,480 Speaker 1: they put a gun in my face. I bet you 2509 02:12:21,920 --> 02:12:23,720 Speaker 1: a lot of people on this phone they never pushed 2510 02:12:23,760 --> 02:12:25,560 Speaker 1: then put a gun in their face. I pushed, then 2511 02:12:25,680 --> 02:12:27,360 Speaker 1: put a gun in my face and from my partners, 2512 02:12:27,680 --> 02:12:30,080 Speaker 1: since we are gonna be right here, we here, I pushed, 2513 02:12:30,240 --> 02:12:34,400 Speaker 1: they draw on me and grab my Earlier, you said 2514 02:12:34,440 --> 02:12:36,200 Speaker 1: I you earlier, you said I had nothing to do 2515 02:12:36,280 --> 02:12:39,360 Speaker 1: with the altercation that went on in life period. Listen, bro, 2516 02:12:39,480 --> 02:12:41,680 Speaker 1: there's two situations. There's yours with the fight, and then 2517 02:12:41,720 --> 02:12:44,840 Speaker 1: there's the same. If it's from the same If it's 2518 02:12:44,840 --> 02:12:48,280 Speaker 1: from the same in whoever is on the same street, 2519 02:12:48,280 --> 02:12:50,120 Speaker 1: what do you what makes it different? Besides there's two 2520 02:12:50,120 --> 02:12:53,000 Speaker 1: different lives. It's a bunch of people lives got risk 2521 02:12:53,000 --> 02:12:54,720 Speaker 1: of somebody comes to war and do a man shooting. 2522 02:12:54,880 --> 02:12:56,440 Speaker 1: I started on this corner, but I ended on the 2523 02:12:56,520 --> 02:13:01,880 Speaker 1: other corner. It's in the same situation. Only told me otherwise. Hey, 2524 02:13:01,920 --> 02:13:06,400 Speaker 1: so that's why I don't know. Family, you are not 2525 02:13:06,520 --> 02:13:08,440 Speaker 1: involved in the situation. Used to not speak on it 2526 02:13:08,560 --> 02:13:10,760 Speaker 1: at all. Nobody can speak on the situation if you 2527 02:13:10,920 --> 02:13:15,800 Speaker 1: was not car a sauce a sauce Church. Look, I 2528 02:13:15,960 --> 02:13:18,360 Speaker 1: think the kid blew. I think since you hit him 2529 02:13:18,440 --> 02:13:21,200 Speaker 1: up for the video, he using this as an opportunity 2530 02:13:21,280 --> 02:13:25,160 Speaker 1: to get some cut back off. I think that's what 2531 02:13:25,280 --> 02:13:30,640 Speaker 1: he's done. Man, stupid, hey, man playing blank pig. How 2532 02:13:30,680 --> 02:13:32,600 Speaker 1: to my wrong for pushing it in the face that 2533 02:13:32,680 --> 02:13:34,480 Speaker 1: put a gun out on me and moving out the 2534 02:13:34,520 --> 02:13:36,920 Speaker 1: white plant? Blank too? How to my wrong? Because I 2535 02:13:36,960 --> 02:13:38,600 Speaker 1: didn't want to tell the internet or the police that 2536 02:13:38,680 --> 02:13:40,560 Speaker 1: the situation happened. To take me to jail for that? 2537 02:13:40,600 --> 02:13:43,440 Speaker 1: I don't know do is? Hey, everybody that's birds, please 2538 02:13:43,440 --> 02:13:47,080 Speaker 1: stop talking, and I don't mean this with notice, Hey 2539 02:13:47,080 --> 02:13:49,680 Speaker 1: about listening, Hey about listening. This man just to say, 2540 02:13:49,800 --> 02:13:54,280 Speaker 1: everything white except for one detail, the only you you right, 2541 02:13:54,400 --> 02:13:57,120 Speaker 1: you right on the money, except miss the only thing 2542 02:13:57,200 --> 02:14:00,080 Speaker 1: that you're missing this day. This man saw me at 2543 02:14:00,160 --> 02:14:03,720 Speaker 1: least maybe an hour or two before the situation happened. 2544 02:14:03,720 --> 02:14:05,880 Speaker 1: You saw me a whole hour in my mind, at 2545 02:14:05,960 --> 02:14:07,720 Speaker 1: least an hour or two before them, and went on 2546 02:14:07,920 --> 02:14:10,360 Speaker 1: bro and after you left and went whenever you left 2547 02:14:10,400 --> 02:14:12,360 Speaker 1: and went back home, I have it went after went house, 2548 02:14:12,560 --> 02:14:14,560 Speaker 1: everything that popped out when you saw whatever you saw 2549 02:14:14,680 --> 02:14:18,200 Speaker 1: Joe friend do still, so you hit a situation for me. 2550 02:14:18,360 --> 02:14:22,200 Speaker 1: I just again, I think it's just it was misrepresented. 2551 02:14:22,280 --> 02:14:25,240 Speaker 1: Whether he poorly spoke or not, it was misrepresented. And 2552 02:14:27,600 --> 02:14:30,680 Speaker 1: what he spoke about actually did happen. It just didn't 2553 02:14:30,720 --> 02:14:37,200 Speaker 1: happen in the way that people interpret interpreted his communication. Right. 2554 02:14:37,920 --> 02:14:40,280 Speaker 1: So again, I always tell y'all listen to what people say. 2555 02:14:40,560 --> 02:14:43,280 Speaker 1: Same thing. A couple of weeks ago, we saw angela 2556 02:14:43,400 --> 02:14:46,080 Speaker 1: ye when she came out the breakfast club. As you know, 2557 02:14:46,160 --> 02:14:49,600 Speaker 1: it is officially over right. These words are so important 2558 02:14:49,680 --> 02:14:53,000 Speaker 1: because in this game that we're in, your job is 2559 02:14:53,040 --> 02:14:57,360 Speaker 1: to try to capitalize on a moment. I know, people 2560 02:14:57,400 --> 02:15:00,160 Speaker 1: to sit down for like an hour or t to 2561 02:15:00,200 --> 02:15:03,520 Speaker 1: figure out the title names, like that's a real thing. 2562 02:15:03,840 --> 02:15:06,520 Speaker 1: That's a fight even behind the scenes for creators. What's 2563 02:15:06,520 --> 02:15:08,600 Speaker 1: the title name? How many characters we got to work with? 2564 02:15:08,720 --> 02:15:11,640 Speaker 1: What about the thumbnail? Like all these other things. I'm 2565 02:15:11,720 --> 02:15:14,280 Speaker 1: not sure about intentions because I can't speak to him. 2566 02:15:14,480 --> 02:15:17,320 Speaker 1: What I do know is fortunate for Sauce, he was 2567 02:15:17,360 --> 02:15:21,040 Speaker 1: able to keep his life move forward. Unfortunate for the 2568 02:15:21,200 --> 02:15:25,200 Speaker 1: young man he was killed that day and hopefully he 2569 02:15:25,280 --> 02:15:28,320 Speaker 1: cleared out. Let me make this point too about rappers 2570 02:15:28,360 --> 02:15:30,720 Speaker 1: going to other cities and how important it is to 2571 02:15:30,880 --> 02:15:33,280 Speaker 1: understand and have your head on a swivel. Number One, 2572 02:15:33,360 --> 02:15:37,160 Speaker 1: you die another town. You got tough homeboys back at home, 2573 02:15:37,240 --> 02:15:39,200 Speaker 1: but now you're asking them to travel with guns and 2574 02:15:39,320 --> 02:15:41,320 Speaker 1: go han on some smoke. Or you're asking that money 2575 02:15:41,400 --> 02:15:44,400 Speaker 1: to be distributed in an area where these people are 2576 02:15:44,480 --> 02:15:48,400 Speaker 1: from and not being any backdoor activity or something to happen, 2577 02:15:48,520 --> 02:15:52,400 Speaker 1: and or you need the police to investigate a murder 2578 02:15:52,480 --> 02:15:54,960 Speaker 1: of a rapper that they can frame as some sort 2579 02:15:55,000 --> 02:15:59,160 Speaker 1: of bad person based on these lyrics. I'm not sure 2580 02:15:59,200 --> 02:16:02,760 Speaker 1: how much least work is going into something like that 2581 02:16:02,920 --> 02:16:05,960 Speaker 1: unless it's a beloved rapper. So you fan the flames 2582 02:16:06,000 --> 02:16:08,480 Speaker 1: on some of these situations going these other cities. Dudes, 2583 02:16:08,560 --> 02:16:12,280 Speaker 1: try to bake your cake. It's just an unfortunate situation. 2584 02:16:12,480 --> 02:16:14,480 Speaker 1: Like you here to make money, you here to put 2585 02:16:14,560 --> 02:16:16,640 Speaker 1: the money down, you here to pick the game up, 2586 02:16:16,920 --> 02:16:20,760 Speaker 1: and you're here to get some information and secure futures. Right, 2587 02:16:20,920 --> 02:16:23,720 Speaker 1: I'm looking at it like this, I bom my future secure. 2588 02:16:23,800 --> 02:16:25,560 Speaker 1: Now I'm working on my kids. Once I get to 2589 02:16:25,720 --> 02:16:28,440 Speaker 1: this amount, you know, once I get to this amount, 2590 02:16:28,480 --> 02:16:31,240 Speaker 1: they future secure. Once I get to this amount, they kids, kids, 2591 02:16:31,280 --> 02:16:33,720 Speaker 1: future secure. Once I get to this amount, they kids, kids, 2592 02:16:33,879 --> 02:16:37,400 Speaker 1: kids for you. Right, so it never stops. And closing 2593 02:16:37,480 --> 02:16:40,840 Speaker 1: up today's podcasts, I want to tell people have people 2594 02:16:40,920 --> 02:16:46,760 Speaker 1: around you that's support, that are chasing dreams for themselves. Right, 2595 02:16:46,879 --> 02:16:49,800 Speaker 1: you are the company you keep. My friend group now 2596 02:16:50,000 --> 02:16:52,000 Speaker 1: not the same friend group by head when I was 2597 02:16:52,040 --> 02:16:55,240 Speaker 1: selling dope. I'd be a fool to still attach myself 2598 02:16:55,320 --> 02:16:58,280 Speaker 1: to things that don't involve themselves with things that I'm 2599 02:16:58,320 --> 02:17:02,119 Speaker 1: trying to involve myself with. I'm a man of information, 2600 02:17:02,200 --> 02:17:04,560 Speaker 1: I'm a man of prosperity. I want to go places 2601 02:17:04,600 --> 02:17:07,560 Speaker 1: and do things that rarely people get to do where 2602 02:17:07,560 --> 02:17:10,720 Speaker 1: I come from, I'm not afraid of change. I stand 2603 02:17:10,840 --> 02:17:16,240 Speaker 1: up in the face of fear. I embrace innovation, and 2604 02:17:16,360 --> 02:17:19,880 Speaker 1: I believe in myself contrary to popular belief, I'll take 2605 02:17:20,000 --> 02:17:24,240 Speaker 1: and make something out of nothing. Where we started with 2606 02:17:24,400 --> 02:17:26,720 Speaker 1: it wasn't foul, but what we was able to take 2607 02:17:26,760 --> 02:17:30,199 Speaker 1: it was a blessing. Another episode of It's Up There podcast. 2608 02:17:30,280 --> 02:17:33,760 Speaker 1: I appreciate y'all come to Patron right now Patreon dot com. 2609 02:17:33,879 --> 02:17:38,680 Speaker 1: It's up There podcast video FOFO TV on YouTube as well, 2610 02:17:38,840 --> 02:17:42,520 Speaker 1: staggered like a month out, so if you want video, 2611 02:17:42,640 --> 02:17:44,520 Speaker 1: So did you get out of your you head? The 2612 02:17:44,600 --> 02:17:48,640 Speaker 1: patroon biggest podcasts in history. You know the vibes,