1 00:00:01,240 --> 00:00:04,840 Speaker 1: Today's Daily Highlight from Elvis Duran in the Morning Show. 2 00:00:05,280 --> 00:00:07,560 Speaker 2: In the Morning Show, do Alipah on the way. You know, 3 00:00:09,000 --> 00:00:12,319 Speaker 2: I have almost mastered the dance that she performed at 4 00:00:12,320 --> 00:00:15,440 Speaker 2: the Grammys. Really, it's all over TikTok. All the kids 5 00:00:15,440 --> 00:00:15,840 Speaker 2: are doing it. 6 00:00:15,960 --> 00:00:16,799 Speaker 3: Please do it when she's. 7 00:00:17,120 --> 00:00:20,720 Speaker 2: No, No, I'm not. I'm not there yet. I'm close. I'm 8 00:00:20,840 --> 00:00:23,960 Speaker 2: very close. Anyway, do Alipa on the way. She had 9 00:00:24,000 --> 00:00:25,439 Speaker 2: a tattoo the other day. I want to ask her 10 00:00:25,440 --> 00:00:27,160 Speaker 2: where she got her tattoo. We've got all the deep 11 00:00:27,160 --> 00:00:31,560 Speaker 2: probing questions coming up, and here she is. 12 00:00:33,760 --> 00:00:34,240 Speaker 1: Love it. 13 00:00:36,800 --> 00:00:37,880 Speaker 2: Okay, thanks for being here. 14 00:00:38,200 --> 00:00:39,519 Speaker 1: Thank you so much for having me. 15 00:00:39,600 --> 00:00:42,840 Speaker 2: I'm so happy to be in New York City. Traffic sucks, doesn't. 16 00:00:42,600 --> 00:00:45,800 Speaker 1: It, ben Bananas? But I'm here. 17 00:00:47,800 --> 00:00:49,159 Speaker 2: We're saying it to do it. And if you come 18 00:00:49,159 --> 00:00:50,559 Speaker 2: to New York you know what we're talking about. If 19 00:00:50,560 --> 00:00:54,560 Speaker 2: you're if you're running early, then you're like, why did 20 00:00:54,560 --> 00:00:56,960 Speaker 2: we leave the hotel so early? If you're running lates, 21 00:00:56,960 --> 00:00:59,400 Speaker 2: like why didn't we leave? There is no happy media 22 00:00:59,400 --> 00:01:01,440 Speaker 2: and welcome to Hell. We call it home. 23 00:01:02,400 --> 00:01:04,399 Speaker 1: I'm very happy to be here. Thanks for having me here. 24 00:01:04,600 --> 00:01:06,920 Speaker 2: It's very interesting because when your first album came out. 25 00:01:07,680 --> 00:01:13,319 Speaker 2: What year was that seventeen? Okay, and that's when you're 26 00:01:13,480 --> 00:01:18,520 Speaker 2: getting that getting that motion going right. Second album Pandemic, Yes, 27 00:01:19,080 --> 00:01:21,959 Speaker 2: but we still loved it. Saying this the third album, 28 00:01:22,440 --> 00:01:26,800 Speaker 2: this is like, Okay, there's no excuses, there's no way 29 00:01:26,840 --> 00:01:29,280 Speaker 2: you can't hide, no not to do, and it sounds 30 00:01:29,319 --> 00:01:31,559 Speaker 2: so awesome. How proud of are you of your album? 31 00:01:31,760 --> 00:01:34,520 Speaker 1: Thank you? Yeah, I'm really proud. And also, is it 32 00:01:34,520 --> 00:01:38,760 Speaker 1: it's like a new experience, you know, doing I don't know, 33 00:01:38,800 --> 00:01:41,480 Speaker 1: the promotion side of things in a completely different way. 34 00:01:41,520 --> 00:01:43,960 Speaker 1: It's like, oh, I can actually go out there and 35 00:01:44,000 --> 00:01:46,560 Speaker 1: see the fans and hang out and do shows and 36 00:01:46,720 --> 00:01:48,440 Speaker 1: things that I didn't have the opportunity to do with 37 00:01:48,480 --> 00:01:52,040 Speaker 1: the last record until two years after it was released. Right, 38 00:01:52,400 --> 00:01:56,640 Speaker 1: So this is like it's it's new stomping ground. I 39 00:01:56,640 --> 00:01:58,000 Speaker 1: love it, really happy, it. 40 00:01:58,000 --> 00:02:01,560 Speaker 2: Is stomping, It's boots on the ground, you're running. I mean, 41 00:02:01,720 --> 00:02:03,440 Speaker 2: is it to the point now you're like, whoa is this? 42 00:02:04,520 --> 00:02:04,720 Speaker 2: Is this? 43 00:02:04,760 --> 00:02:04,880 Speaker 1: What? 44 00:02:05,040 --> 00:02:06,400 Speaker 2: This is like? Forevermore? 45 00:02:07,000 --> 00:02:09,360 Speaker 1: It's a lot of work, it's a lot, but it's fun. 46 00:02:09,440 --> 00:02:12,280 Speaker 1: I'm just it feels like such a release now as 47 00:02:12,320 --> 00:02:14,520 Speaker 1: we're getting closer and closer to the album coming out, 48 00:02:14,560 --> 00:02:15,600 Speaker 1: it just feels surreal. 49 00:02:16,200 --> 00:02:19,960 Speaker 4: You know, when you were sorry when you originally started writing, 50 00:02:20,240 --> 00:02:22,840 Speaker 4: didn't you go into CVS and buy like a notebook 51 00:02:22,880 --> 00:02:25,440 Speaker 4: and then songs in it because you loved CVS or 52 00:02:25,480 --> 00:02:26,359 Speaker 4: something out of story? 53 00:02:26,639 --> 00:02:28,960 Speaker 1: Well, yes, I definitely love CVS. I feel like I 54 00:02:29,040 --> 00:02:32,440 Speaker 1: got it. I end up going to CVS and just 55 00:02:32,440 --> 00:02:34,720 Speaker 1: buying a lot of random stuff I don't need. I 56 00:02:34,760 --> 00:02:37,480 Speaker 1: think that's really what happens with most of my CVS halls. 57 00:02:37,960 --> 00:02:40,720 Speaker 1: But I really needed a notebook, like I just needed 58 00:02:40,760 --> 00:02:43,359 Speaker 1: somewhere to write down my ideas. I didn't realize how 59 00:02:43,400 --> 00:02:45,720 Speaker 1: important that notebook when it ended up becoming. I was like, 60 00:02:45,760 --> 00:02:48,400 Speaker 1: I'm going into the studio. I need a notebook, And 61 00:02:48,440 --> 00:02:52,000 Speaker 1: it ended up becoming this like relic almost with all 62 00:02:52,040 --> 00:02:54,960 Speaker 1: my all my words and my lyrics and stories and 63 00:02:54,960 --> 00:02:57,760 Speaker 1: stuff for everything that I've written for this album. 64 00:02:57,880 --> 00:03:00,480 Speaker 2: So lock it up. Yeah yeah, Well so you know 65 00:03:00,800 --> 00:03:03,400 Speaker 2: every artist we have and we love asking about the 66 00:03:03,440 --> 00:03:06,600 Speaker 2: writing process. So yours is a Cervus notebook. A lot 67 00:03:06,639 --> 00:03:08,280 Speaker 2: of people use voice notes on the phone. 68 00:03:08,440 --> 00:03:11,200 Speaker 1: Yeah, I do voice notes too, but I think I 69 00:03:11,240 --> 00:03:13,360 Speaker 1: wanted to get off my phone as much as possible, 70 00:03:13,360 --> 00:03:15,360 Speaker 1: because I spend so much time on it that I 71 00:03:15,400 --> 00:03:16,880 Speaker 1: was like, I just want to put pen to paper 72 00:03:16,960 --> 00:03:18,960 Speaker 1: and kind of see the words. And it was just 73 00:03:19,240 --> 00:03:24,560 Speaker 1: a new, I don't know, experience, and I loved having something, 74 00:03:25,440 --> 00:03:27,440 Speaker 1: you know, to hold and to read and to see 75 00:03:27,440 --> 00:03:29,160 Speaker 1: if really felt like a diary that I. 76 00:03:29,240 --> 00:03:32,079 Speaker 2: It won't disappear in the toilet definitely. 77 00:03:32,760 --> 00:03:35,400 Speaker 1: Now I have it like I have it, you know, 78 00:03:35,480 --> 00:03:38,839 Speaker 1: photocoffeed and save very good, you know, scanned and I 79 00:03:39,000 --> 00:03:40,880 Speaker 1: you know, so nothing will happen to it. 80 00:03:41,120 --> 00:03:44,760 Speaker 2: You've been very busy to us. So the Grammy performance, 81 00:03:44,760 --> 00:03:47,440 Speaker 2: which was unbelievable than you have you been to tiktalk. 82 00:03:47,480 --> 00:03:51,640 Speaker 2: Have you seen all of the dances everyone's learning, because 83 00:03:51,640 --> 00:03:54,280 Speaker 2: that dance was fierce. You have to agree, thank you, 84 00:03:55,480 --> 00:03:55,840 Speaker 2: thank you. 85 00:03:55,880 --> 00:03:58,520 Speaker 1: In heels, In heels, you got to you've got to 86 00:03:58,560 --> 00:04:00,920 Speaker 1: give it some like sass or something. And I feel 87 00:04:00,960 --> 00:04:04,680 Speaker 1: like in heels, I just moved back right. But I 88 00:04:04,680 --> 00:04:07,080 Speaker 1: think it was really one of my dances. As he 89 00:04:07,160 --> 00:04:10,000 Speaker 1: had take took my mic and he goes, let's go. 90 00:04:10,760 --> 00:04:14,160 Speaker 1: That was like the hype excitement part that everyone kind 91 00:04:14,160 --> 00:04:16,279 Speaker 1: of latched onto and then they're like, all right, let's 92 00:04:16,920 --> 00:04:19,760 Speaker 1: recreate the dance routine. But it was just so much fun. 93 00:04:19,800 --> 00:04:22,120 Speaker 1: We had such a blast putting that together. 94 00:04:22,400 --> 00:04:25,160 Speaker 2: Did you see kiky Boots the musical? You've seen the 95 00:04:25,200 --> 00:04:28,080 Speaker 2: kinky boots, haven't she was along the tall red boots 96 00:04:28,080 --> 00:04:29,240 Speaker 2: with a high, fierce heel. 97 00:04:29,680 --> 00:04:31,119 Speaker 1: Maybe pull up a picture. 98 00:04:32,120 --> 00:04:36,160 Speaker 2: So at night I go home, I closed, I close 99 00:04:36,200 --> 00:04:39,080 Speaker 2: the blind. I pulled my kinky boots. I'm almost halfway 100 00:04:39,080 --> 00:04:41,599 Speaker 2: done learning your dance. And when it's done, did you 101 00:04:41,640 --> 00:04:42,720 Speaker 2: do a video? No? 102 00:04:42,720 --> 00:04:47,840 Speaker 1: No, no, no, come on, he. 103 00:04:47,800 --> 00:04:48,560 Speaker 3: Actually has them. 104 00:04:49,000 --> 00:04:51,840 Speaker 1: I gotta see it. I gotta see it. 105 00:04:51,920 --> 00:04:53,880 Speaker 2: You didn't go with that grandy station until you already 106 00:04:53,920 --> 00:04:57,840 Speaker 2: I will not show you my kiky grimy dance. So 107 00:04:58,120 --> 00:05:01,680 Speaker 2: you were you were with Myers and you got a tattoo? 108 00:05:01,920 --> 00:05:02,200 Speaker 1: Yes? 109 00:05:02,520 --> 00:05:04,440 Speaker 2: Were you really day drinking with Seth Myers? 110 00:05:04,600 --> 00:05:09,120 Speaker 1: I not only as I day drinking, I got blackout? 111 00:05:09,200 --> 00:05:11,440 Speaker 2: Okay, good? What was your cocktail of choice? I forgot? 112 00:05:11,680 --> 00:05:17,279 Speaker 1: Well, unfortunately it was like an involuntary cocktail of rum, vodka, gin, tequila, 113 00:05:17,400 --> 00:05:21,120 Speaker 1: oh my god, and all of the above. Well, it 114 00:05:21,200 --> 00:05:23,480 Speaker 1: was a blast. We had the best time, but I 115 00:05:23,560 --> 00:05:26,680 Speaker 1: should have paced myself. Well, I was like, I was like, 116 00:05:26,760 --> 00:05:32,159 Speaker 1: I can handle this, I can drink and it kind 117 00:05:32,160 --> 00:05:32,600 Speaker 1: of backfire. 118 00:05:32,680 --> 00:05:35,000 Speaker 2: It looked like a fun day. But are hitting a tattoo? 119 00:05:35,120 --> 00:05:35,600 Speaker 1: Yeah? We did. 120 00:05:35,880 --> 00:05:36,880 Speaker 2: Is this your first tattoo? 121 00:05:37,160 --> 00:05:42,320 Speaker 1: No, okay, it's my twenty Okay, whoa. I had a couple, 122 00:05:42,360 --> 00:05:44,039 Speaker 1: but they're all quite small, so I have lots on 123 00:05:44,120 --> 00:05:46,839 Speaker 1: my hands and my arm wasn't looking. 124 00:05:47,240 --> 00:05:50,320 Speaker 2: I'm I'm still I'm almost sixty years old. I still 125 00:05:50,320 --> 00:05:52,520 Speaker 2: don't hit my first tattoo because I can't make up 126 00:05:52,520 --> 00:05:52,960 Speaker 2: my mind. 127 00:05:53,120 --> 00:05:53,840 Speaker 1: But don't do it. 128 00:05:55,760 --> 00:05:58,480 Speaker 2: I want to do it. I want to do It's. 129 00:05:58,279 --> 00:06:01,599 Speaker 1: Cooler without No, it's not, yeah, I mean. 130 00:06:04,240 --> 00:06:04,760 Speaker 4: Cooler. 131 00:06:05,120 --> 00:06:07,360 Speaker 1: Yeah, because now I've like started, so I might as 132 00:06:07,360 --> 00:06:09,040 Speaker 1: well carry on. But if you don't have any, it's 133 00:06:09,040 --> 00:06:12,040 Speaker 1: almost like more rare not to have any. So I 134 00:06:12,080 --> 00:06:12,920 Speaker 1: wouldn't even stop. 135 00:06:13,000 --> 00:06:15,960 Speaker 2: I just want one. You don't look at my boobs, 136 00:06:15,960 --> 00:06:17,799 Speaker 2: so my boobs start to fall toward the ground. 137 00:06:17,880 --> 00:06:18,560 Speaker 1: Kinky boobs? 138 00:06:18,600 --> 00:06:23,960 Speaker 2: Absolutely? Why not? Yeah, let's get to the music. So 139 00:06:24,240 --> 00:06:26,479 Speaker 2: here you are if you're in the business orre if 140 00:06:26,480 --> 00:06:28,880 Speaker 2: you're not, just understand. This is the promotion time where 141 00:06:29,160 --> 00:06:31,760 Speaker 2: we have this album, we have this music we want 142 00:06:31,800 --> 00:06:33,239 Speaker 2: to share with the world. So we're going to travel 143 00:06:33,279 --> 00:06:35,840 Speaker 2: to every corner of the earth to make sure everyone 144 00:06:35,920 --> 00:06:39,360 Speaker 2: understands this, this album. What is the album talk? I 145 00:06:39,360 --> 00:06:41,960 Speaker 2: mean talk about radical optimism? What is it? I know 146 00:06:42,040 --> 00:06:45,240 Speaker 2: that's a stupid kind of broad based question. 147 00:06:45,480 --> 00:06:49,039 Speaker 1: Well, radical optimism, to me is a term that was 148 00:06:49,040 --> 00:06:52,800 Speaker 1: introduced to a friend of mine and it basically resonated 149 00:06:52,839 --> 00:06:55,200 Speaker 1: with me through the whole time I was writing the record, 150 00:06:55,279 --> 00:06:58,600 Speaker 1: which is about resilience. It's about rolling with the punches. 151 00:06:58,720 --> 00:07:01,480 Speaker 1: It's about when things don't go your way of keeping 152 00:07:01,520 --> 00:07:06,720 Speaker 1: like an optimistic mindset. It's thinking about when something goes wrong, 153 00:07:06,839 --> 00:07:09,600 Speaker 1: how you feel like a week later, a month later, 154 00:07:09,640 --> 00:07:11,800 Speaker 1: and you look at things in hindsight or with perspective 155 00:07:11,840 --> 00:07:14,040 Speaker 1: and you go, oh, like, I can't believe I was 156 00:07:14,080 --> 00:07:17,520 Speaker 1: that worried about this thing. You know, it's over, it's done, 157 00:07:17,720 --> 00:07:20,480 Speaker 1: you know. And I think with that in mind, that 158 00:07:20,560 --> 00:07:23,280 Speaker 1: kind of helps to have a more positive and optimistic 159 00:07:23,280 --> 00:07:25,240 Speaker 1: approach that when things are bad, they're not going to 160 00:07:25,240 --> 00:07:31,440 Speaker 1: be bad for forever. And having that kind of ideology 161 00:07:31,440 --> 00:07:34,880 Speaker 1: in your mind makes all the bad things okay because 162 00:07:35,160 --> 00:07:36,920 Speaker 1: you know that you just have to get through them. 163 00:07:37,040 --> 00:07:39,080 Speaker 1: That's how you learn, that's how you grow. It's outside 164 00:07:39,120 --> 00:07:42,240 Speaker 1: your comfort zone where you progress, and that's kind of 165 00:07:42,280 --> 00:07:45,360 Speaker 1: the radical optimism that I feel like we all need 166 00:07:46,000 --> 00:07:48,320 Speaker 1: in life to just keep it moving. 167 00:07:48,680 --> 00:07:50,920 Speaker 2: You have an advantage of musicians who put albums out 168 00:07:50,920 --> 00:07:52,880 Speaker 2: having advantage over the rest of us who don't, and 169 00:07:52,880 --> 00:07:55,360 Speaker 2: that is being able to chronicle where you were in life. 170 00:07:55,400 --> 00:07:57,600 Speaker 2: For instance, you were not the same to Alipa as 171 00:07:57,640 --> 00:08:00,440 Speaker 2: you were when you did your first album. You're not 172 00:08:00,480 --> 00:08:02,440 Speaker 2: even the same Dua Lipa you were when you when 173 00:08:02,480 --> 00:08:04,600 Speaker 2: you did Radical Optimism. You you have changed. 174 00:08:04,640 --> 00:08:08,360 Speaker 1: You're what I'm saying, I've grown so much. 175 00:08:08,440 --> 00:08:10,040 Speaker 2: So you can look you can look at your body 176 00:08:10,040 --> 00:08:12,080 Speaker 2: of work and goo, that's where I was then. I'm 177 00:08:12,120 --> 00:08:15,040 Speaker 2: not there anymore. I'm a different woman. 178 00:08:14,800 --> 00:08:17,040 Speaker 1: Now, Yeah, for sure. And I think I look at 179 00:08:17,040 --> 00:08:19,760 Speaker 1: it fondly because it's like a time capstule of a 180 00:08:19,960 --> 00:08:22,760 Speaker 1: point in my life where I was, and it's nice 181 00:08:22,760 --> 00:08:25,200 Speaker 1: to look back at it and be like, oh, I've 182 00:08:25,240 --> 00:08:27,520 Speaker 1: grown so much from that point to where I am now. 183 00:08:27,960 --> 00:08:30,240 Speaker 1: I guess that's the that's the fun of it. 184 00:08:30,760 --> 00:08:33,000 Speaker 3: I've read that not only are you having fun with 185 00:08:33,040 --> 00:08:35,439 Speaker 3: this tour because now you were these promotional tours that 186 00:08:35,480 --> 00:08:37,079 Speaker 3: you're doing now and going out and talking to people, 187 00:08:37,320 --> 00:08:39,680 Speaker 3: but that you also have a book club. I do, 188 00:08:39,800 --> 00:08:41,719 Speaker 3: and I find this fascinating. Do you actually read the 189 00:08:41,720 --> 00:08:43,000 Speaker 3: books or do you listen to audible? 190 00:08:43,120 --> 00:08:45,480 Speaker 1: No, I read you read them? Yeah, I love, I love. 191 00:08:45,520 --> 00:08:47,280 Speaker 1: I think maybe it's again the thing like the notebook, 192 00:08:47,280 --> 00:08:51,160 Speaker 1: Like I love to have the physical copy, and it's 193 00:08:51,240 --> 00:08:53,080 Speaker 1: just so fun. I love when like, I love when 194 00:08:53,080 --> 00:08:55,439 Speaker 1: a book's like really like no idea. 195 00:08:55,280 --> 00:08:57,280 Speaker 4: You are touching like such a special part of my 196 00:08:58,280 --> 00:09:00,440 Speaker 4: I have read what was I telling you to? Seven 197 00:09:00,960 --> 00:09:02,600 Speaker 4: fourteen books since January? 198 00:09:02,760 --> 00:09:03,760 Speaker 1: Oh wow, amazing. 199 00:09:04,000 --> 00:09:06,920 Speaker 4: And I have to have the physical copy as well. 200 00:09:07,160 --> 00:09:09,640 Speaker 4: I wasten audible too, but because I like to pass 201 00:09:09,679 --> 00:09:11,040 Speaker 4: them on like they're my babies to. 202 00:09:11,040 --> 00:09:13,000 Speaker 2: Be Yah, I love it. 203 00:09:13,880 --> 00:09:16,200 Speaker 1: I would like you to experience this. Here you go. 204 00:09:16,360 --> 00:09:20,240 Speaker 1: I love this so much. Yeah, yeah, I feel definitely. 205 00:09:19,800 --> 00:09:22,080 Speaker 3: And I would imagine that reading so much also helps 206 00:09:22,120 --> 00:09:22,959 Speaker 3: you in the writing. 207 00:09:22,679 --> 00:09:25,440 Speaker 1: Process one thousand percent. I think it just expands your 208 00:09:25,480 --> 00:09:28,679 Speaker 1: vocabulary and also just like your train of thought, your perspective, 209 00:09:28,760 --> 00:09:32,640 Speaker 1: you understand emotions in a completely different way, even things 210 00:09:32,640 --> 00:09:34,160 Speaker 1: that you haven't been through. You kind of see it 211 00:09:34,160 --> 00:09:37,559 Speaker 1: from someone else's eyes and it's yeah, it's moving. 212 00:09:37,760 --> 00:09:43,320 Speaker 2: Do you gravitate toward autobiographies or literature or trashy novels, 213 00:09:43,360 --> 00:09:45,640 Speaker 2: and no. I love fiction, okay mainly. 214 00:09:46,559 --> 00:09:49,160 Speaker 1: Something that I read recently that I loved so much 215 00:09:49,360 --> 00:09:53,640 Speaker 1: was Lincoln in the Bardo by George Saunders. And it's 216 00:09:53,720 --> 00:09:57,079 Speaker 1: just so quirky and interesting in the way that it's 217 00:09:57,120 --> 00:10:01,320 Speaker 1: written is just beautiful. It takes a second to kind 218 00:10:01,320 --> 00:10:03,040 Speaker 1: of get into the voice of it, but I think 219 00:10:03,040 --> 00:10:05,320 Speaker 1: you'd like it. If you, Oh yeah, just love to 220 00:10:05,360 --> 00:10:05,840 Speaker 1: read a lot. 221 00:10:05,960 --> 00:10:06,319 Speaker 2: You should. 222 00:10:06,360 --> 00:10:07,640 Speaker 1: You should give it a go. It's the kind of 223 00:10:07,640 --> 00:10:09,319 Speaker 1: book that you should sit through and read it in 224 00:10:09,760 --> 00:10:15,960 Speaker 1: two sittings. But it's Yeah, I love fiction because I 225 00:10:15,960 --> 00:10:18,040 Speaker 1: love to dive into a different world. 226 00:10:18,280 --> 00:10:19,680 Speaker 2: And when you said the title, a lot of people 227 00:10:19,720 --> 00:10:25,240 Speaker 2: listening going, oh my god, leave the d clap, the 228 00:10:25,280 --> 00:10:28,520 Speaker 2: double clap, the double class. 229 00:10:32,320 --> 00:10:38,160 Speaker 5: I love that, I said, there is there could be 230 00:10:38,160 --> 00:10:39,880 Speaker 5: a problem if you're doing a big concert in a 231 00:10:39,960 --> 00:10:43,080 Speaker 5: sold out arena and rather than standing up and applauding 232 00:10:43,080 --> 00:10:44,400 Speaker 5: it at the end of a song, they just stand 233 00:10:44,440 --> 00:10:46,480 Speaker 5: up and go and then then that's it. 234 00:10:48,440 --> 00:10:50,440 Speaker 1: I'm just like, I get it, but I don't get it. 235 00:10:51,400 --> 00:10:54,400 Speaker 2: I'm in, I'm in. Are you having fun? 236 00:10:54,480 --> 00:10:55,480 Speaker 1: I'm having the most fun. 237 00:10:55,559 --> 00:10:57,240 Speaker 2: What's the most fun about this? I know that may 238 00:10:57,240 --> 00:10:59,680 Speaker 2: be a stupid question, but in the answer will work. 239 00:10:59,840 --> 00:11:04,560 Speaker 1: I think it's just exciting. Every new experience is so fun. 240 00:11:04,920 --> 00:11:08,280 Speaker 1: And you know, since I've been able to talk about 241 00:11:08,320 --> 00:11:11,240 Speaker 1: the album title and like start releasing titles of the 242 00:11:11,280 --> 00:11:13,480 Speaker 1: songs and stuff, it's just been so freeing because I 243 00:11:13,480 --> 00:11:17,040 Speaker 1: can really explain what everything's been about. I think in 244 00:11:17,080 --> 00:11:18,920 Speaker 1: the beginning, when I'm just releasing singles and trying to 245 00:11:19,000 --> 00:11:23,920 Speaker 1: keep everything secret, that's so hard to talk in code. 246 00:11:24,000 --> 00:11:26,160 Speaker 1: So now I'm like it is, it's coming. 247 00:11:26,240 --> 00:11:28,800 Speaker 2: A lot of text are coming through. Do It presents 248 00:11:28,840 --> 00:11:31,240 Speaker 2: the best shows. Most of the artists these days just 249 00:11:31,280 --> 00:11:36,480 Speaker 2: sing and run across the stage. You dancers, choreography, everything amazing, 250 00:11:37,440 --> 00:11:39,880 Speaker 2: love do it. I just watched Argyle You can do 251 00:11:39,960 --> 00:11:41,240 Speaker 2: it All. How much fun was Argyle? 252 00:11:41,320 --> 00:11:44,040 Speaker 1: Oh? It was so much fun, so much fun. I 253 00:11:44,040 --> 00:11:48,679 Speaker 1: loved being on set. It was, yeah, again, an experience 254 00:11:48,840 --> 00:11:53,080 Speaker 1: I didn't know what to expect from, and everyone was lovely. 255 00:11:53,160 --> 00:11:55,600 Speaker 1: I worked a lot with Henry Cavill and John Cena 256 00:11:55,640 --> 00:11:59,360 Speaker 1: and my parts, and they were so lovely and generous 257 00:11:59,400 --> 00:12:02,640 Speaker 1: with their tie and just like patient with me while 258 00:12:02,640 --> 00:12:05,840 Speaker 1: I just kind of figured it out on the job, 259 00:12:05,960 --> 00:12:08,120 Speaker 1: and it was it was really fun. 260 00:12:08,440 --> 00:12:11,040 Speaker 2: It was so it was like reading a great book. 261 00:12:11,520 --> 00:12:14,480 Speaker 2: Obviously our guy was. It was just it was just 262 00:12:14,559 --> 00:12:17,920 Speaker 2: so beautifully done. The I'm just blown away at the 263 00:12:17,960 --> 00:12:21,040 Speaker 2: imagination and the creativity that people have because you start 264 00:12:21,040 --> 00:12:22,559 Speaker 2: watching arg I'm not gonna give anything away if you 265 00:12:22,559 --> 00:12:24,240 Speaker 2: haven't seen it, you start watching it and they're like, 266 00:12:24,280 --> 00:12:25,360 Speaker 2: whoa where are we going for? 267 00:12:25,600 --> 00:12:28,080 Speaker 1: So it's all who when it's such a ride? And 268 00:12:28,200 --> 00:12:33,480 Speaker 1: I guess that's like the that's the Matthew Vaughan, right mind. Yeah, 269 00:12:33,520 --> 00:12:38,040 Speaker 1: there's there's just like lots of ideas and it's it's 270 00:12:38,080 --> 00:12:39,760 Speaker 1: it's very much his thing. It's so cool. 271 00:12:39,840 --> 00:12:41,959 Speaker 2: Now you do take time to read books? Do you 272 00:12:42,000 --> 00:12:42,720 Speaker 2: do you watch film? 273 00:12:43,640 --> 00:12:47,319 Speaker 1: I do watch film, yeah, but I prefer to read. 274 00:12:47,360 --> 00:12:47,760 Speaker 1: I guess. 275 00:12:47,800 --> 00:12:49,439 Speaker 4: Oh gosh, I love her more and more. 276 00:12:50,920 --> 00:12:51,560 Speaker 2: The Gentleman. 277 00:12:52,120 --> 00:12:54,280 Speaker 1: Oh, yes, I seen I've seen the film, but I 278 00:12:54,280 --> 00:12:55,360 Speaker 1: haven't seen the series. 279 00:12:55,480 --> 00:12:57,439 Speaker 2: Oh it's so good. 280 00:12:57,480 --> 00:13:01,520 Speaker 1: It's really good. I love thee guy Richie. Yeah, it 281 00:13:01,559 --> 00:13:02,080 Speaker 1: was so good. 282 00:13:02,240 --> 00:13:04,280 Speaker 3: Is there a book that you've read that you just think, 283 00:13:04,320 --> 00:13:06,559 Speaker 3: oh my god, when and if this becomes a film. 284 00:13:06,600 --> 00:13:07,520 Speaker 1: I got to be part of it. 285 00:13:09,800 --> 00:13:13,760 Speaker 3: Oh, let's make it happen right now, speak it into existence. 286 00:13:14,240 --> 00:13:16,679 Speaker 1: I don't know. I don't know about like being in it. 287 00:13:16,760 --> 00:13:19,720 Speaker 1: I would love to, like maybe be in the behind 288 00:13:19,720 --> 00:13:21,680 Speaker 1: the scenes. I'm a really big fan of the author 289 00:13:21,720 --> 00:13:25,760 Speaker 1: Douglas Stewart, and he wrote this incredible book called Chuggy Bain, 290 00:13:26,720 --> 00:13:29,400 Speaker 1: And I mean I kind of know that that one's 291 00:13:29,440 --> 00:13:31,920 Speaker 1: in the works. Oh, I'd love to, like maybe make 292 00:13:32,000 --> 00:13:34,839 Speaker 1: music for it, get involved somehow for sure. 293 00:13:35,280 --> 00:13:37,280 Speaker 4: Do you love being a redhead? And how much die 294 00:13:37,280 --> 00:13:38,320 Speaker 4: do you see in the shower? 295 00:13:38,720 --> 00:13:42,479 Speaker 1: I love being a redhead. The maintenance is a nightmare. 296 00:13:44,400 --> 00:13:47,200 Speaker 1: It does look like I've murdered someone every time I 297 00:13:47,240 --> 00:13:51,520 Speaker 1: get into the shower, usually on the first wash, and 298 00:13:51,520 --> 00:13:54,720 Speaker 1: then it kind of calms down. But I love it. 299 00:13:54,760 --> 00:13:58,040 Speaker 1: I don't know. I have a lot of fun being 300 00:13:58,080 --> 00:13:58,920 Speaker 1: a red head. Nice. 301 00:13:58,960 --> 00:14:00,720 Speaker 3: How often do you have to keep up with it? 302 00:14:01,840 --> 00:14:04,319 Speaker 1: I have to die every like week and a half 303 00:14:04,440 --> 00:14:05,600 Speaker 1: to just kind of give it a. 304 00:14:06,200 --> 00:14:09,840 Speaker 2: G The payoff is very strong. 305 00:14:09,920 --> 00:14:11,040 Speaker 1: It's fun. It's fun. 306 00:14:11,080 --> 00:14:12,600 Speaker 2: I'm gonna go back to something you were talking about 307 00:14:12,640 --> 00:14:16,120 Speaker 2: a second ago about how life is basically paraphrasing, life 308 00:14:16,160 --> 00:14:19,840 Speaker 2: is just full of adventures, trying new things, doing doing 309 00:14:19,920 --> 00:14:23,840 Speaker 2: exciting things on your promotional tour, this and that. I'm 310 00:14:23,840 --> 00:14:27,640 Speaker 2: thinking of someone in their car in traffic going to 311 00:14:27,640 --> 00:14:31,080 Speaker 2: work right now, going gosh, how can that I apply 312 00:14:31,720 --> 00:14:34,400 Speaker 2: a life like that to me. Let's say you don't 313 00:14:34,440 --> 00:14:37,920 Speaker 2: have choreographers and you don't have Grammy performances, you don't 314 00:14:37,920 --> 00:14:43,160 Speaker 2: have a life full of studio recording sessions and writing sessions, 315 00:14:43,240 --> 00:14:45,720 Speaker 2: but you have a life where you, you know, whatever 316 00:14:45,760 --> 00:14:47,880 Speaker 2: your life is, there's got to be a way that 317 00:14:48,000 --> 00:14:50,280 Speaker 2: any of us can have the dua leap of life 318 00:14:50,360 --> 00:14:53,600 Speaker 2: where we are experiencing new things. How do you like 319 00:14:53,760 --> 00:14:56,920 Speaker 2: scratch the surface with like diving into things that are 320 00:14:56,960 --> 00:14:59,760 Speaker 2: almost frightening because they're so so new and different. 321 00:15:02,080 --> 00:15:04,360 Speaker 1: I think it's easy. I think it really just starts, 322 00:15:04,640 --> 00:15:07,480 Speaker 1: like you just have to stop by saying yes, you know. 323 00:15:08,240 --> 00:15:10,720 Speaker 1: I think whether it's trying a new restaurant and eating 324 00:15:10,760 --> 00:15:14,040 Speaker 1: something that you probably wouldn't do before, like that already 325 00:15:14,120 --> 00:15:16,600 Speaker 1: is like diving into the deep end and something maybe 326 00:15:16,600 --> 00:15:20,320 Speaker 1: that you wouldn't have thought you would have done before. 327 00:15:20,840 --> 00:15:24,040 Speaker 1: I think you can find different things exploring a new 328 00:15:24,080 --> 00:15:27,600 Speaker 1: part of town, a new bookstore, a new film, and 329 00:15:27,680 --> 00:15:30,480 Speaker 1: new like, there's so many different ways to kind of 330 00:15:31,320 --> 00:15:33,560 Speaker 1: include that discovery into your life. 331 00:15:33,880 --> 00:15:36,840 Speaker 2: You know, it's scary, though, I mean to show up 332 00:15:36,880 --> 00:15:40,200 Speaker 2: on set at Argyle to Argyle, were you a little nervous? 333 00:15:40,280 --> 00:15:43,400 Speaker 1: I mean, or you just definitely absolutely, But I get 334 00:15:43,440 --> 00:15:46,280 Speaker 1: nervous for even like my my everyday job that I 335 00:15:46,320 --> 00:15:49,120 Speaker 1: think I'm good at. You know, I'm like, I get 336 00:15:49,200 --> 00:15:53,200 Speaker 1: so nervous because I want to be I want to 337 00:15:53,240 --> 00:15:54,880 Speaker 1: be really good at it, and I want to like 338 00:15:54,960 --> 00:15:58,400 Speaker 1: be precise or like deliberate with my actions or you know, 339 00:15:58,520 --> 00:16:00,960 Speaker 1: make sure that I'm given one hundred and ten percent 340 00:16:01,000 --> 00:16:03,080 Speaker 1: of what I'm doing. So when I'm going into something 341 00:16:03,120 --> 00:16:08,200 Speaker 1: where really I'm on like shaky ground on my my 342 00:16:08,440 --> 00:16:10,440 Speaker 1: like my feet are dangling off the edges, I like 343 00:16:10,480 --> 00:16:12,320 Speaker 1: to kind of call it where it scares me, where 344 00:16:12,320 --> 00:16:14,600 Speaker 1: I'm out of my comfort zone, then of course I'm 345 00:16:14,680 --> 00:16:18,760 Speaker 1: much more nervous, but I'm willing and ready to just 346 00:16:18,840 --> 00:16:19,800 Speaker 1: kind of learn. 347 00:16:19,920 --> 00:16:22,240 Speaker 2: So anyone in life can do this, And that's the 348 00:16:22,280 --> 00:16:24,400 Speaker 2: magic thing. Can always say. They get turned to me 349 00:16:24,400 --> 00:16:26,120 Speaker 2: saying the same thing over and over. But there is 350 00:16:26,160 --> 00:16:29,160 Speaker 2: such a thin thin line between fright and excitement, right, 351 00:16:29,760 --> 00:16:33,000 Speaker 2: and it's good to be have that courage to go, Okay, 352 00:16:33,200 --> 00:16:37,680 Speaker 2: you know, I'm gonna do a pottery class. I'm going 353 00:16:37,760 --> 00:16:39,320 Speaker 2: to try to make a vase. It's gonna look like 354 00:16:39,400 --> 00:16:41,080 Speaker 2: a misshapen penis, but I'm gonna try. 355 00:16:41,160 --> 00:16:41,400 Speaker 4: No. 356 00:16:41,440 --> 00:16:44,560 Speaker 1: But it's true because you have to, like, for me, 357 00:16:44,640 --> 00:16:48,440 Speaker 1: for example, like I know, I can't draw, I can't paint. 358 00:16:48,520 --> 00:16:52,320 Speaker 1: I can't that's like stick people at the very best too. 359 00:16:52,880 --> 00:16:55,800 Speaker 1: But I would like throw myself into the experience and 360 00:16:55,920 --> 00:16:57,800 Speaker 1: just be like, all right, this is gonna look terrible, 361 00:16:57,880 --> 00:16:59,800 Speaker 1: but it's it's you just got to do it, you know, 362 00:17:00,200 --> 00:17:01,080 Speaker 1: jump into it. 363 00:17:01,280 --> 00:17:01,640 Speaker 2: Courage. 364 00:17:02,720 --> 00:17:05,200 Speaker 1: So the postery thing is a perfect example. I haven't 365 00:17:05,200 --> 00:17:07,200 Speaker 1: done that yet. I'm too scared, and I should. 366 00:17:07,359 --> 00:17:12,600 Speaker 2: It's a lot of misshaped penises. Morning here for a friend, 367 00:17:13,119 --> 00:17:14,920 Speaker 2: Well do it. Thank you for coming in here today. 368 00:17:15,080 --> 00:17:17,480 Speaker 2: Having first radical optimism. It's not it's more than just 369 00:17:17,480 --> 00:17:19,920 Speaker 2: a bunch of music on an album. It's a lot 370 00:17:19,920 --> 00:17:22,920 Speaker 2: of work. It's a lot of taking chances. It's the 371 00:17:23,440 --> 00:17:26,760 Speaker 2: feel and texture of different sounds with different collaborations. I mean, 372 00:17:26,800 --> 00:17:29,760 Speaker 2: there's so much more that goes into these things than 373 00:17:29,840 --> 00:17:32,480 Speaker 2: we all then we know that we were aware of. 374 00:17:32,520 --> 00:17:34,439 Speaker 2: And that's why it's important on this tour that you 375 00:17:34,480 --> 00:17:36,879 Speaker 2: remind everyone of what goes into this album. It's so 376 00:17:36,960 --> 00:17:37,760 Speaker 2: cool a lot, dude. 377 00:17:38,119 --> 00:17:41,000 Speaker 1: Thanks all right, thank you so much, thank you. 378 00:17:41,560 --> 00:17:41,919 Speaker 5: Great day. 379 00:17:42,680 --> 00:17:47,240 Speaker 2: Hey, what's up? This is Justin Bieber here. Hi. This 380 00:17:47,320 --> 00:17:50,240 Speaker 2: is Elton Jump, this is Britney Spears. Elvis in the 381 00:17:50,240 --> 00:17:50,800 Speaker 2: Morning Show.