1 00:00:00,520 --> 00:00:02,760 Speaker 1: Hi, Curse Up listeners, I know you miss me on 2 00:00:02,800 --> 00:00:05,560 Speaker 1: your feed. Don't worry. We're working on an all new 3 00:00:05,600 --> 00:00:08,520 Speaker 1: season of Curse Of coming out later this year. In 4 00:00:08,560 --> 00:00:11,879 Speaker 1: the meantime, if you can't stop thinking about the shocking 5 00:00:11,920 --> 00:00:15,320 Speaker 1: stories you heard about America's Next Top Model, you'll definitely 6 00:00:15,360 --> 00:00:18,320 Speaker 1: want to check out our new docuseries from E Dirty 7 00:00:18,400 --> 00:00:21,840 Speaker 1: Rotten Scandals. In the series, you'll hear from the America's 8 00:00:21,840 --> 00:00:24,279 Speaker 1: Next Top Model participants you heard from on Curse Of, 9 00:00:24,680 --> 00:00:27,240 Speaker 1: and a few you didn't like. Former A and TM 10 00:00:27,320 --> 00:00:32,080 Speaker 1: judge Janis Dickinson. Dirty Rotten Scandals unveils the dark underbelly 11 00:00:32,080 --> 00:00:35,159 Speaker 1: of the long running TV series through the untold stories 12 00:00:35,200 --> 00:00:38,519 Speaker 1: of former contestants, and shows what happens when a golden 13 00:00:38,560 --> 00:00:43,640 Speaker 1: opportunity for aspiring models unravels into a harrowing saga of exploitation, 14 00:00:44,120 --> 00:00:47,560 Speaker 1: shattered dreams, and resilience. You can find the two part 15 00:00:47,640 --> 00:00:51,919 Speaker 1: docuseries Dirty Rotten Scandals America's Next Top Model on E Network. 16 00:00:52,280 --> 00:00:58,480 Speaker 1: Check your local TV provider schedule for the last episode. 17 00:00:58,600 --> 00:01:01,200 Speaker 1: I want to share may be the best story I 18 00:01:01,240 --> 00:01:04,520 Speaker 1: heard from the A and TM Models talk magazine. That's 19 00:01:04,640 --> 00:01:07,240 Speaker 1: my dream to be on the Congress. The story came 20 00:01:07,280 --> 00:01:10,240 Speaker 1: from Jazel Sampson, the model you've been hearing from who 21 00:01:10,280 --> 00:01:13,039 Speaker 1: competed on cycle one. She thought being on A and 22 00:01:13,080 --> 00:01:15,080 Speaker 1: TM was gonna be her big break. 23 00:01:15,160 --> 00:01:19,080 Speaker 2: Again, like that cool with just Zelle if she is 24 00:01:19,600 --> 00:01:22,639 Speaker 2: so beautifully present the whole time. 25 00:01:23,680 --> 00:01:28,000 Speaker 1: On cycle one, the contestants did a sexy swimwear photoshoot. 26 00:01:28,120 --> 00:01:31,160 Speaker 1: The photos were featured in a men's magazine called Stuff 27 00:01:31,440 --> 00:01:34,680 Speaker 1: It's no longer in print. The pictures were accompanied by 28 00:01:34,720 --> 00:01:36,720 Speaker 1: a little Q and A from each of the models. 29 00:01:37,400 --> 00:01:39,399 Speaker 3: I think one of the questions was what was the 30 00:01:39,440 --> 00:01:41,440 Speaker 3: craziest thing you ever did? 31 00:01:42,120 --> 00:01:45,640 Speaker 1: Gazelle was only eighteen. She hadn't done much, but there 32 00:01:45,840 --> 00:01:48,280 Speaker 1: was one time she and a friend did something a 33 00:01:48,280 --> 00:01:50,840 Speaker 1: little crazy to try to meet their favorite musician. 34 00:01:51,680 --> 00:01:55,400 Speaker 3: I convinced my best friend to drive us to Santinez 35 00:01:55,840 --> 00:02:00,520 Speaker 3: Santa Barbara area, where Michael Jackson lived, and we were 36 00:02:00,560 --> 00:02:04,320 Speaker 3: going to like just knock on the gates of Neverland 37 00:02:04,520 --> 00:02:06,920 Speaker 3: and just be greeted and walk in there and meet 38 00:02:06,920 --> 00:02:09,000 Speaker 3: Michael Jackson, or. 39 00:02:09,120 --> 00:02:12,040 Speaker 1: At least that's what they hoped would happen. This was 40 00:02:12,120 --> 00:02:14,880 Speaker 1: back in two thousand and three, when Michael Jackson was 41 00:02:15,000 --> 00:02:18,000 Speaker 1: arguably the most famous person on the planet. So when 42 00:02:18,040 --> 00:02:20,600 Speaker 1: they arrived at the gates of the Neverland Ranch, his 43 00:02:20,680 --> 00:02:24,920 Speaker 1: sprawling twenty seven hundred acre theme park slash home, things 44 00:02:25,080 --> 00:02:27,720 Speaker 1: didn't quite pan out the way Jazelle and her friend planned. 45 00:02:29,200 --> 00:02:31,120 Speaker 3: Well, we got there, obviously, they're like, you need to 46 00:02:31,160 --> 00:02:34,400 Speaker 3: turn around and go home. We spoke to the speaker 47 00:02:34,400 --> 00:02:37,480 Speaker 3: box and it was a three hour drive and then 48 00:02:37,560 --> 00:02:39,359 Speaker 3: three hours back, so it was a six hour round trip. 49 00:02:39,840 --> 00:02:43,639 Speaker 1: So Gazelle unfortunately did not get to meet Michael Jackson 50 00:02:43,760 --> 00:02:46,920 Speaker 1: that day. Gazelle shared this story with the people at 51 00:02:46,960 --> 00:02:49,440 Speaker 1: Stuff magazine and they printed it beside her A and 52 00:02:49,480 --> 00:02:53,799 Speaker 1: TM photo. Gazelle was eliminated from the competition three episodes 53 00:02:53,800 --> 00:02:55,760 Speaker 1: after the shoot. She had to go back home to 54 00:02:55,800 --> 00:02:59,000 Speaker 1: her regular life. She was under an NBA and couldn't 55 00:02:59,040 --> 00:03:01,840 Speaker 1: even talk about being on A and TM yet. She 56 00:03:01,960 --> 00:03:04,960 Speaker 1: tried going back to college, but eventually had to drop 57 00:03:05,000 --> 00:03:07,560 Speaker 1: out because she missed too much of the semester. She 58 00:03:07,680 --> 00:03:09,760 Speaker 1: did at least still have her old job. 59 00:03:10,360 --> 00:03:12,799 Speaker 4: I went back to Disney. Thank god I had a 60 00:03:12,880 --> 00:03:13,560 Speaker 4: job there still. 61 00:03:14,000 --> 00:03:17,080 Speaker 1: Jazelle signed with a small modeling agency and waited for 62 00:03:17,120 --> 00:03:20,520 Speaker 1: the gigs to start rolling in. Then a few months later, 63 00:03:20,720 --> 00:03:23,880 Speaker 1: her agency got a vague phone call from someone asking 64 00:03:23,880 --> 00:03:24,560 Speaker 1: about Gazelle. 65 00:03:26,760 --> 00:03:29,560 Speaker 3: I received a voicemail from them and they were like, hey, 66 00:03:29,600 --> 00:03:32,440 Speaker 3: give us a call back because something's weird with like 67 00:03:32,600 --> 00:03:34,840 Speaker 3: Michael Jackson and you need a call. So I called 68 00:03:34,840 --> 00:03:40,160 Speaker 3: my manager agent and they're like, well, some guy named 69 00:03:40,200 --> 00:03:43,880 Speaker 3: Frank Tyson called here and they were looking for you, 70 00:03:43,960 --> 00:03:45,280 Speaker 3: and they asked for your phone number. 71 00:03:45,880 --> 00:03:50,120 Speaker 1: Frank was claiming to be Michael Jackson's assistant. Now, I 72 00:03:50,200 --> 00:03:52,440 Speaker 1: thought it was an agent's job to vet the calls 73 00:03:52,440 --> 00:03:55,200 Speaker 1: that came in about their clients, but Gazelle told me 74 00:03:55,360 --> 00:03:58,760 Speaker 1: she wasn't exactly signed to a premier agency. They did 75 00:03:58,880 --> 00:04:01,320 Speaker 1: at least no not to give out Gazelle's number to 76 00:04:01,400 --> 00:04:04,920 Speaker 1: any rando claiming to be Michael Jackson's rep. Gazelle thought 77 00:04:04,960 --> 00:04:07,360 Speaker 1: it might be a prank, but she decided to call 78 00:04:07,400 --> 00:04:08,560 Speaker 1: this Frank Tyson back. 79 00:04:09,440 --> 00:04:14,800 Speaker 3: I call the number and Frank Tyson answers, but he 80 00:04:14,920 --> 00:04:17,159 Speaker 3: was like, Hi, Hello, this is Frank. 81 00:04:18,560 --> 00:04:21,520 Speaker 1: If you're wondering why Gizelle is doing that voice, it's 82 00:04:21,560 --> 00:04:26,039 Speaker 1: because she says, Frank Tyson weirdly sounded just like Michael Jackson. 83 00:04:26,920 --> 00:04:28,880 Speaker 4: He was like, we're in a session right now, but 84 00:04:28,880 --> 00:04:31,200 Speaker 4: I'm gonna give you a callback. And I was like okay. 85 00:04:31,760 --> 00:04:34,240 Speaker 4: So I was like ah, and I'm like freaking out. 86 00:04:34,640 --> 00:04:37,520 Speaker 3: The phone's in my hand, my Nokia at the time, 87 00:04:38,360 --> 00:04:40,400 Speaker 3: and I'm sitting in biology class. 88 00:04:40,839 --> 00:04:43,560 Speaker 1: This was before Gazelle dropped out. And I know Gazelle 89 00:04:43,560 --> 00:04:45,880 Speaker 1: said she left college because she was too far behind, 90 00:04:46,240 --> 00:04:49,839 Speaker 1: but I'm sure making phone calls in biology class didn't help. 91 00:04:50,240 --> 00:04:54,160 Speaker 4: They called me back. I run outside and I took 92 00:04:54,240 --> 00:04:55,680 Speaker 4: the call and he was like, yeah, you know, so 93 00:04:56,839 --> 00:04:58,560 Speaker 4: Michael read your article. 94 00:04:58,760 --> 00:05:01,120 Speaker 3: Girl, I had butterflies my stomach and I was like, 95 00:05:01,200 --> 00:05:03,560 Speaker 3: my god, what's happening now. 96 00:05:03,640 --> 00:05:06,320 Speaker 1: I know this story might sound made up, but it 97 00:05:06,520 --> 00:05:10,400 Speaker 1: is true. Michael Jackson was trying to get in touch 98 00:05:10,400 --> 00:05:16,120 Speaker 1: with Gazelle, which is wild. Apparently Michael Jackson was a 99 00:05:16,160 --> 00:05:19,760 Speaker 1: fan of that Men's magazine stuff. He'd seen Jazelle's A 100 00:05:19,839 --> 00:05:22,720 Speaker 1: and TM photo and read her story about driving six 101 00:05:22,760 --> 00:05:24,919 Speaker 1: hours to try to meet him at his Neverland ranch. 102 00:05:25,760 --> 00:05:28,200 Speaker 3: He was like, he feels bad that you didn't make 103 00:05:28,240 --> 00:05:29,800 Speaker 3: it to never Land, so you'd like to invite you 104 00:05:29,839 --> 00:05:31,320 Speaker 3: and whoever you'd like to bring with you. 105 00:05:31,320 --> 00:05:33,880 Speaker 4: You could bring one person to come back up to Neverland. 106 00:05:35,960 --> 00:05:39,239 Speaker 1: She couldn't believe it. Jazelle had wanted to meet Michael 107 00:05:39,320 --> 00:05:42,479 Speaker 1: Jackson since she was a kid. A few weeks later, 108 00:05:42,600 --> 00:05:45,480 Speaker 1: she got all dressed up and headed to the Neverland Ranch. 109 00:05:46,000 --> 00:05:48,320 Speaker 1: She brought the friend she'd originally driven up there with. 110 00:05:51,560 --> 00:05:54,000 Speaker 1: They pulled into the driveway and talked to someone through 111 00:05:54,000 --> 00:05:58,520 Speaker 1: that little speaker box. But this time the gates opened. 112 00:06:01,520 --> 00:06:02,640 Speaker 1: It was the real. 113 00:06:04,120 --> 00:06:08,200 Speaker 4: We went up there. We did the ferris wheel, the rides, 114 00:06:08,440 --> 00:06:09,679 Speaker 4: we fed Joe Rafts. 115 00:06:09,880 --> 00:06:12,960 Speaker 3: We saw the tiger. He named his little baby tiger Thriller. 116 00:06:13,560 --> 00:06:16,120 Speaker 3: He had cousins there. We made friends with one of 117 00:06:16,120 --> 00:06:19,200 Speaker 3: the cousins. He was so nice. The cousin took us 118 00:06:19,200 --> 00:06:20,640 Speaker 3: around in a golf cart and he was like, I 119 00:06:20,640 --> 00:06:22,320 Speaker 3: don't normally do this, but do you want to see 120 00:06:22,320 --> 00:06:23,960 Speaker 3: where he keeps all of his memorabilia. 121 00:06:24,680 --> 00:06:26,400 Speaker 4: And he has a cottage. 122 00:06:26,320 --> 00:06:28,400 Speaker 3: All the way back in the hills, Like you have 123 00:06:28,480 --> 00:06:31,719 Speaker 3: to like drive up into the hills. We saw the 124 00:06:31,760 --> 00:06:35,240 Speaker 3: werewolf mask and Thriller jacket on a statue. We saw 125 00:06:35,279 --> 00:06:38,080 Speaker 3: all of his gloves, his belts, his records, all of 126 00:06:38,120 --> 00:06:38,920 Speaker 3: his awards. 127 00:06:38,960 --> 00:06:40,760 Speaker 4: Oh my gosh, that was so freaking cool. 128 00:06:41,640 --> 00:06:44,320 Speaker 1: But up to that point, they hadn't seen the King 129 00:06:44,440 --> 00:06:45,560 Speaker 1: of pop himself. 130 00:06:46,560 --> 00:06:48,680 Speaker 4: The cousin was like, so you haven't met my cousin 131 00:06:48,680 --> 00:06:50,560 Speaker 4: then yet, huh. 132 00:06:50,960 --> 00:06:54,440 Speaker 1: Then he drove them to meet Michael Jackson, who was 133 00:06:54,480 --> 00:06:57,960 Speaker 1: in a theater on his property working on an upcoming project. 134 00:06:58,360 --> 00:07:00,560 Speaker 3: It was laying on the floor of his theater and 135 00:07:00,600 --> 00:07:02,360 Speaker 3: there was a bunch of people and all you could 136 00:07:02,360 --> 00:07:05,000 Speaker 3: see was like the back of his hair. He was 137 00:07:05,000 --> 00:07:08,960 Speaker 3: wearing his usual stuff, the white sox, the loafers, black pants. 138 00:07:09,320 --> 00:07:11,600 Speaker 4: When we were sitting in the theater seats and we could 139 00:07:11,640 --> 00:07:13,200 Speaker 4: hear him like he was Okay, we're gonna need to 140 00:07:13,280 --> 00:07:15,760 Speaker 4: change this, and da da da da da dad. Then 141 00:07:15,840 --> 00:07:17,280 Speaker 4: he finished and he got up and we. 142 00:07:17,280 --> 00:07:21,160 Speaker 1: Met Michael Jackson actually came over to meet Jaselle and 143 00:07:21,200 --> 00:07:24,679 Speaker 1: her friend. 144 00:07:24,000 --> 00:07:26,200 Speaker 4: E really sinks Michael's short, but he was taller. 145 00:07:26,400 --> 00:07:28,520 Speaker 3: He was like, he's like six feet and he was 146 00:07:28,640 --> 00:07:31,400 Speaker 3: very nice and gracious, and he said, you know wonderful 147 00:07:31,400 --> 00:07:33,000 Speaker 3: things about saving the world. 148 00:07:33,680 --> 00:07:37,120 Speaker 1: For Jazelle, just meeting Michael Jackson what have been enough 149 00:07:37,120 --> 00:07:39,960 Speaker 1: to make the trip worth it. But then he told 150 00:07:39,960 --> 00:07:44,480 Speaker 1: her he wanted her to be involved in his next project. 151 00:07:45,120 --> 00:07:49,360 Speaker 3: Michael was working on a sequel to Thriller called Threatened 152 00:07:49,400 --> 00:07:50,920 Speaker 3: off of his Invincible album. 153 00:07:51,600 --> 00:07:54,080 Speaker 1: He needed someone to play the love interest in his 154 00:07:54,200 --> 00:07:57,680 Speaker 1: Thriller video sequel, and he thought Jaselle was the perfect 155 00:07:57,720 --> 00:08:03,280 Speaker 1: fit after seeing her photos and stuff magazine. I mean, 156 00:08:03,440 --> 00:08:07,560 Speaker 1: can you imagine you're eighteen, fresh out of high school. 157 00:08:08,000 --> 00:08:10,280 Speaker 1: Then you get cast on a new reality show, and 158 00:08:10,320 --> 00:08:14,440 Speaker 1: because of your appearance on that show, Michael Jackson himself, 159 00:08:14,760 --> 00:08:18,080 Speaker 1: one of the biggest stars in the world, calls you 160 00:08:18,200 --> 00:08:20,560 Speaker 1: to invite you to his house and tells you he 161 00:08:20,720 --> 00:08:23,960 Speaker 1: wants you to start in his next video. All of 162 00:08:24,000 --> 00:08:26,280 Speaker 1: this happened in the span of a year. It was 163 00:08:26,280 --> 00:08:29,760 Speaker 1: the sub Jazelle's dreams were made of. Now, if you 164 00:08:29,840 --> 00:08:32,520 Speaker 1: picked up your phone to google the Threatned music video, 165 00:08:32,920 --> 00:08:38,200 Speaker 1: you can put it back down. It doesn't exist. Before 166 00:08:38,200 --> 00:08:41,160 Speaker 1: they could shoot the video, new allegations came out against 167 00:08:41,200 --> 00:08:45,000 Speaker 1: Michael Jackson. In two thousand and three, he was charged 168 00:08:45,040 --> 00:08:49,120 Speaker 1: and later acquitted of child molestation. Soon after his acquittal, 169 00:08:49,200 --> 00:08:51,880 Speaker 1: he left the country and went to Bahrain. The video 170 00:08:51,920 --> 00:08:56,840 Speaker 1: shoot never happened. Giselle was bummed about the video, but 171 00:08:57,000 --> 00:09:00,520 Speaker 1: she thought, surely if Michael Jackson, of all all people, 172 00:09:00,559 --> 00:09:04,240 Speaker 1: had noticed her, other big opportunities would start rolling in soon. 173 00:09:05,040 --> 00:09:11,120 Speaker 1: Those calls never came. Gazelle found out after A and 174 00:09:11,160 --> 00:09:15,360 Speaker 1: TU Michael Jackson was the only person checking for her. 175 00:09:16,640 --> 00:09:18,920 Speaker 1: By that point, Gazelle had given up a year of 176 00:09:18,920 --> 00:09:21,000 Speaker 1: her life and dropped out of school for A and TOM. 177 00:09:21,520 --> 00:09:23,800 Speaker 1: But the show wasn't going to be her big break 178 00:09:24,080 --> 00:09:26,960 Speaker 1: or the thing that launched her modeling career. It turned 179 00:09:26,960 --> 00:09:28,160 Speaker 1: out to be her curse. 180 00:09:29,720 --> 00:09:35,280 Speaker 3: The show was no help to me whatsoever. Besides the 181 00:09:35,280 --> 00:09:39,880 Speaker 3: whole Michael Jackson stuff, there was no help. I sent 182 00:09:39,920 --> 00:09:44,480 Speaker 3: out postcards to agencies and casting directors to watch America's 183 00:09:44,520 --> 00:09:47,600 Speaker 3: next top model, like back in the day, like mailers, 184 00:09:47,640 --> 00:09:48,800 Speaker 3: nothing had got nothing. 185 00:09:49,480 --> 00:09:52,920 Speaker 1: Gazelle didn't know it because reality TV was still new, 186 00:09:53,240 --> 00:09:55,760 Speaker 1: but those agencies were never going to see her as 187 00:09:55,760 --> 00:09:56,200 Speaker 1: a model. 188 00:09:57,240 --> 00:10:00,320 Speaker 3: Back then, if you're a reality person, you were bottom 189 00:10:00,360 --> 00:10:01,800 Speaker 3: of the barrel, piece of crap. 190 00:10:03,160 --> 00:10:07,240 Speaker 1: To a teenager, getting invited to Michael Jackson's house might 191 00:10:07,520 --> 00:10:10,880 Speaker 1: almost make being exploited for a TV show worth it. 192 00:10:11,720 --> 00:10:15,199 Speaker 1: But these days, when Giselle looks back, she realizes the 193 00:10:15,240 --> 00:10:17,280 Speaker 1: only thing she got out of being on A and 194 00:10:17,320 --> 00:10:20,360 Speaker 1: TM was a cool story to tell the podcast host 195 00:10:21,000 --> 00:10:27,800 Speaker 1: and a lifetime of trauma. Meanwhile, Tyra Banks built a 196 00:10:27,880 --> 00:10:31,199 Speaker 1: multi million dollar industry, and she did it in part 197 00:10:31,440 --> 00:10:34,840 Speaker 1: by exploiting the dreams of young women like Gazelle. The 198 00:10:34,880 --> 00:10:38,640 Speaker 1: show aired in one hundred and seventy countries. Reruns are 199 00:10:38,679 --> 00:10:42,719 Speaker 1: still airing to this day. Franchises around the world are 200 00:10:42,840 --> 00:10:46,880 Speaker 1: still being produced, and Tyra's making money on all of it. 201 00:10:48,160 --> 00:10:48,400 Speaker 5: Now. 202 00:10:48,520 --> 00:10:51,000 Speaker 1: Gizelle and a lot of other models I spoke to 203 00:10:51,120 --> 00:10:52,559 Speaker 1: said they want to reckoning. 204 00:10:53,679 --> 00:10:58,400 Speaker 3: This is unjust. We should be given some sort of compensation. 205 00:11:00,160 --> 00:11:00,720 Speaker 6: On some. 206 00:11:04,280 --> 00:11:07,079 Speaker 1: Welcome to the Curse of America's Next Top Model. I'm 207 00:11:07,080 --> 00:11:18,320 Speaker 1: Bridget Armstrong. And the years since A and TM aired, 208 00:11:18,760 --> 00:11:21,680 Speaker 1: the contestants have grown up, so have we, and we 209 00:11:21,840 --> 00:11:24,480 Speaker 1: all see the show in Tyra Banks in a different light. 210 00:11:25,400 --> 00:11:28,559 Speaker 1: The contestants may not have become top models, but their 211 00:11:28,600 --> 00:11:32,040 Speaker 1: lives went on. They chased new dreams and started families. 212 00:11:32,720 --> 00:11:35,720 Speaker 1: But even though they moved on, there's still a part 213 00:11:35,760 --> 00:11:41,079 Speaker 1: of them that can't just get over it. They accepted 214 00:11:41,160 --> 00:11:43,760 Speaker 1: that not everyone was going to make it big, but 215 00:11:44,000 --> 00:11:46,520 Speaker 1: what they can't accept is how they were treated by 216 00:11:46,559 --> 00:11:51,800 Speaker 1: A and TM. Some of them say the show took 217 00:11:51,840 --> 00:11:58,000 Speaker 1: advantage of their youth, naivete and trauma. Some say the 218 00:11:58,000 --> 00:12:01,400 Speaker 1: show calls new trauma, and they still carry those scars 219 00:12:01,440 --> 00:12:04,840 Speaker 1: to this day. And A and TM's second wind on 220 00:12:04,920 --> 00:12:08,720 Speaker 1: streaming services opened up new wounds. I'm sure seeing Tyra 221 00:12:08,760 --> 00:12:11,439 Speaker 1: Banks become even more rich and famous didn't help either. 222 00:12:13,320 --> 00:12:16,480 Speaker 1: Contestants like Giselle look at the millions of dollars they 223 00:12:16,520 --> 00:12:20,319 Speaker 1: made for Tyra, Kenmock and the network, and they want compensation, 224 00:12:21,240 --> 00:12:25,640 Speaker 1: Others want accountability, and others just want an apology from Tyra. 225 00:12:26,600 --> 00:12:30,360 Speaker 1: But does Tyra Banks owe them anything at all? The 226 00:12:30,440 --> 00:12:33,360 Speaker 1: answer to that question depends on how you see Tyra's 227 00:12:33,440 --> 00:12:37,000 Speaker 1: role in all of this. Was Tyra the fashion industry 228 00:12:37,000 --> 00:12:39,560 Speaker 1: fairy godmother she tried to portray on A and TM? 229 00:12:40,200 --> 00:12:43,600 Speaker 1: Was she the ultimate reality TV villain? Or was she 230 00:12:43,800 --> 00:12:50,360 Speaker 1: just another albeit bigger cog in the reality TV machine. 231 00:12:50,600 --> 00:12:54,240 Speaker 1: Then there's a matter of us, the audience, the people 232 00:12:54,240 --> 00:12:57,480 Speaker 1: who watched this show season after season. Do we have 233 00:12:57,559 --> 00:13:04,080 Speaker 1: any faults? Are we complicit? On this last episode of 234 00:13:04,120 --> 00:13:06,920 Speaker 1: the Curse of America's Next Top Model, we're going to 235 00:13:06,960 --> 00:13:10,400 Speaker 1: explore A and TM's legacy from the model's perspective and 236 00:13:10,520 --> 00:13:14,680 Speaker 1: from ours. We've been talking all season about the dubious 237 00:13:14,720 --> 00:13:17,719 Speaker 1: things that happened behind the scenes on A and TM. 238 00:13:18,080 --> 00:13:22,480 Speaker 1: We've looked at the manipulation, exploitation, and humiliation that took 239 00:13:22,520 --> 00:13:25,680 Speaker 1: place to achieve the drama and storylines, and the effect 240 00:13:25,760 --> 00:13:28,600 Speaker 1: it had on the contestants. But a lot of that 241 00:13:28,720 --> 00:13:31,520 Speaker 1: conversation has been framed as what A and TM as 242 00:13:31,559 --> 00:13:35,480 Speaker 1: an entity did or what producers did. And it's true 243 00:13:35,640 --> 00:13:39,160 Speaker 1: A and TM was a big production. Tyra wasn't the 244 00:13:39,200 --> 00:13:41,920 Speaker 1: only one in charge. She was of course there for 245 00:13:42,000 --> 00:13:44,280 Speaker 1: most of it and participated in a lot of it. 246 00:13:44,600 --> 00:13:47,560 Speaker 1: But she has some plausible deniability for a lot of 247 00:13:47,600 --> 00:13:50,679 Speaker 1: the stuff we've talked about. That's why I want to 248 00:13:50,720 --> 00:13:53,440 Speaker 1: look at a part of the show. Tyra took full 249 00:13:53,640 --> 00:13:54,240 Speaker 1: credit for. 250 00:13:56,360 --> 00:13:58,640 Speaker 4: Okay, serverycycle of America's Next Top Model. 251 00:13:58,679 --> 00:14:00,760 Speaker 7: A line of girls off line on all the pictures 252 00:14:00,800 --> 00:14:02,280 Speaker 7: up and I go one by one and try to 253 00:14:02,280 --> 00:14:05,640 Speaker 7: decide what would be the best makeover to make them edgy, 254 00:14:05,760 --> 00:14:08,120 Speaker 7: take them, you know, over the edge. 255 00:14:08,280 --> 00:14:11,440 Speaker 1: I'm talking about the A and TM makeovers, or as 256 00:14:11,480 --> 00:14:16,360 Speaker 1: they eventually became known as the tieovers, as in Tyra's makeovers. 257 00:14:17,240 --> 00:14:20,440 Speaker 1: Those episodes are my favorite and inevitably the most dramatic. 258 00:14:21,120 --> 00:14:25,040 Speaker 1: Every season, Tyra would take some poor, unsuspecting paget girl 259 00:14:25,120 --> 00:14:28,120 Speaker 1: with big, long hair and give her a pixie cut 260 00:14:28,200 --> 00:14:32,240 Speaker 1: that would induce a full on meltdown. It was truly 261 00:14:32,280 --> 00:14:35,760 Speaker 1: the best thing on television. Half of the time, those 262 00:14:35,760 --> 00:14:38,080 Speaker 1: girls were forced to do a big chop and eliminated 263 00:14:38,200 --> 00:14:42,440 Speaker 1: soon after. A handful were eliminated the same day. Sometimes 264 00:14:42,440 --> 00:14:45,600 Speaker 1: at the salon, there are some who say the lace 265 00:14:45,680 --> 00:14:48,680 Speaker 1: front beard she gave a male contestant on cycle twenty 266 00:14:48,720 --> 00:14:50,640 Speaker 1: one is enough to put her in the Villain Hall 267 00:14:50,640 --> 00:14:53,360 Speaker 1: of Fame. I didn't even know they made fake beards 268 00:14:53,400 --> 00:14:58,360 Speaker 1: until I saw that episode. But the makeovers weren't always 269 00:14:58,600 --> 00:15:02,960 Speaker 1: just about hair. On cycle six, Tyra famously encouraged that 270 00:15:03,120 --> 00:15:06,200 Speaker 1: season's winner, Danny Evans to get the gap and her 271 00:15:06,240 --> 00:15:07,080 Speaker 1: teeth closed. 272 00:15:07,920 --> 00:15:10,600 Speaker 8: So, Danielle, you went to the dentist, but she refused 273 00:15:10,600 --> 00:15:11,840 Speaker 8: to have your gap closed. 274 00:15:12,680 --> 00:15:14,440 Speaker 9: Do you really think you can have a CoverGirl contract 275 00:15:14,440 --> 00:15:15,280 Speaker 9: with the gap in your mouth? 276 00:15:15,440 --> 00:15:15,640 Speaker 10: Yes? 277 00:15:15,720 --> 00:15:16,080 Speaker 7: Why not? 278 00:15:16,400 --> 00:15:19,120 Speaker 4: This is all people say Injury's beautiful cover girl. It's 279 00:15:19,200 --> 00:15:20,360 Speaker 4: not marketable, yeah, just. 280 00:15:20,440 --> 00:15:22,200 Speaker 1: A little bit of okay, but I don't want to 281 00:15:23,160 --> 00:15:24,080 Speaker 1: completely clothing. 282 00:15:24,320 --> 00:15:26,960 Speaker 11: Well, I guess she just left the gap wide open 283 00:15:27,040 --> 00:15:29,320 Speaker 11: for another girl, baby, I agree. 284 00:15:29,760 --> 00:15:33,680 Speaker 1: Thank god she said no. In the years since, Danny 285 00:15:33,720 --> 00:15:36,480 Speaker 1: said she refused to get her gap closed because she 286 00:15:36,520 --> 00:15:39,520 Speaker 1: felt like Tyra and the producers were trying to pressure 287 00:15:39,560 --> 00:15:42,920 Speaker 1: her for a TV moment. In twenty twenty, after getting 288 00:15:42,960 --> 00:15:46,480 Speaker 1: some backlash about her comments, Tyra tweeted that she agreed 289 00:15:46,720 --> 00:15:49,400 Speaker 1: what she said about Danny's gap was insensitive and that 290 00:15:49,480 --> 00:15:54,640 Speaker 1: her choices were off. But on cycle fifteen, Tyra actually 291 00:15:54,680 --> 00:15:58,800 Speaker 1: got another girl, Chelsea Hursley, to have her gap widened. 292 00:15:59,760 --> 00:16:03,320 Speaker 1: Why Tyra thought it was marketable for Chelsea and not Danny, 293 00:16:03,680 --> 00:16:04,240 Speaker 1: I don't know. 294 00:16:04,720 --> 00:16:07,200 Speaker 12: My makeover started a lot earlier than everybody else's. 295 00:16:07,320 --> 00:16:08,640 Speaker 1: I had to get my. 296 00:16:08,760 --> 00:16:11,320 Speaker 4: Gaff on my teeth whitened, so I went to the 297 00:16:11,360 --> 00:16:12,160 Speaker 4: dentists and. 298 00:16:12,080 --> 00:16:15,640 Speaker 1: He actually shaved off each tooth. Of course, I. 299 00:16:15,680 --> 00:16:18,040 Speaker 4: Will do anything that she thinks looks good. 300 00:16:19,080 --> 00:16:23,280 Speaker 1: They shaved off parts of her teeth. Hair grows back, 301 00:16:23,480 --> 00:16:28,480 Speaker 1: but teeth don't. As the seasons went on, it became 302 00:16:28,520 --> 00:16:31,520 Speaker 1: clear Tyra chose some of these makeovers just to get 303 00:16:31,520 --> 00:16:34,120 Speaker 1: a reaction from the models, and she knew a lot 304 00:16:34,160 --> 00:16:37,880 Speaker 1: of them would do anything she said. But while trying 305 00:16:37,920 --> 00:16:41,240 Speaker 1: to make Tyra happy. Some of the models got hurt. 306 00:16:42,440 --> 00:16:45,800 Speaker 1: Freelance journalists Kate Taylor talked to contestants who said they 307 00:16:45,840 --> 00:16:49,720 Speaker 1: were hospitalized because of the makeovers they received on Top Model. 308 00:16:51,600 --> 00:16:53,040 Speaker 4: People got actually hurt. 309 00:16:53,280 --> 00:16:56,320 Speaker 9: People had to go to the hospital for burns, People 310 00:16:56,680 --> 00:16:59,200 Speaker 9: had permanent hair loss that took years and years to 311 00:16:59,240 --> 00:17:04,320 Speaker 9: recover from. In season sixteen, it's totally off camera, but 312 00:17:04,480 --> 00:17:07,879 Speaker 9: Mikayla she has to go to the emergency room because 313 00:17:07,920 --> 00:17:09,480 Speaker 9: she develops the severe. 314 00:17:09,200 --> 00:17:11,000 Speaker 1: Rash and she just soars on her head that. 315 00:17:11,000 --> 00:17:12,240 Speaker 4: Just are bleeding. 316 00:17:12,680 --> 00:17:15,080 Speaker 9: It's a medical emergency, and that is just totally not 317 00:17:15,160 --> 00:17:17,720 Speaker 9: mentioned on the show because it doesn't fit the narrative 318 00:17:17,840 --> 00:17:21,560 Speaker 9: of you need to trust Tyra's vision, if you trust Hira, 319 00:17:21,760 --> 00:17:23,520 Speaker 9: then this is going to work out. 320 00:17:24,359 --> 00:17:28,000 Speaker 1: On season twelve, though, with a black contestant name Amina Allende, 321 00:17:28,320 --> 00:17:31,480 Speaker 1: who wore her hair natural, she was pressured into getting 322 00:17:31,520 --> 00:17:35,080 Speaker 1: it chemically straightened with a relaxer. Amina didn't want to 323 00:17:35,160 --> 00:17:38,080 Speaker 1: use a relaxer, and she had valid reasons she shared 324 00:17:38,119 --> 00:17:40,840 Speaker 1: with the producers and the silists, but she told Kate 325 00:17:41,119 --> 00:17:41,800 Speaker 1: they didn't care. 326 00:17:42,160 --> 00:17:44,720 Speaker 9: In season twelve, she basically went in and was like, 327 00:17:44,760 --> 00:17:47,560 Speaker 9: I don't use relaxers. It does not work for me, 328 00:17:47,680 --> 00:17:50,240 Speaker 9: Like I'm worried if you use this, this is going 329 00:17:50,320 --> 00:17:55,600 Speaker 9: to create scabs. I'm going to get burns. But the 330 00:17:55,920 --> 00:17:58,480 Speaker 9: person who was doing the makeover told her this is 331 00:17:58,480 --> 00:18:02,080 Speaker 9: what Tyra wants. What Tyer wants, Tyra gets in this situation. 332 00:18:03,640 --> 00:18:06,360 Speaker 4: This is something where she knew if she kept pushing. 333 00:18:06,080 --> 00:18:08,159 Speaker 9: Back like she'd watch the show, she knew she was 334 00:18:08,160 --> 00:18:10,440 Speaker 9: going to get eliminated and told she had a bad attitude. 335 00:18:10,760 --> 00:18:14,040 Speaker 9: So she bit her tongue and she feels her scalp 336 00:18:14,080 --> 00:18:19,320 Speaker 9: burning when she eventually removes her extensions. After completing the season, 337 00:18:19,840 --> 00:18:22,520 Speaker 9: she has a two inch bald spot and it took 338 00:18:22,560 --> 00:18:24,280 Speaker 9: her three years to grow her hair bag. 339 00:18:27,920 --> 00:18:30,879 Speaker 1: The contestants Kay talked to said they felt powerless in 340 00:18:30,920 --> 00:18:31,840 Speaker 1: these situations. 341 00:18:32,680 --> 00:18:35,760 Speaker 9: You're eighteen years old, You've signed this contract. Everyone on 342 00:18:35,840 --> 00:18:38,880 Speaker 9: production is saying, we can't push back against Tyra. You're 343 00:18:38,880 --> 00:18:41,360 Speaker 9: not in a position where you can really advocate for yourself. 344 00:18:42,440 --> 00:18:45,760 Speaker 1: Tyra wanted to see how far these contestants would go 345 00:18:45,920 --> 00:18:49,760 Speaker 1: to impress her. She was willing to literally cause them 346 00:18:49,840 --> 00:18:55,760 Speaker 1: injury to carry out her almighty vision. These tieovers seem 347 00:18:55,840 --> 00:19:00,280 Speaker 1: to be less about fashion and more about humiliation. One 348 00:19:00,320 --> 00:19:03,159 Speaker 1: of the most disturbing stories I heard about an A 349 00:19:03,320 --> 00:19:06,879 Speaker 1: and TM makeover came from Gina Turner, the runner up 350 00:19:06,880 --> 00:19:10,240 Speaker 1: on Cycle twenty four. Gina's kind of known for her 351 00:19:10,280 --> 00:19:13,760 Speaker 1: bald head, but how that haircut came about puts a 352 00:19:13,800 --> 00:19:18,160 Speaker 1: point in the villain column for Tyra. Gina has alopecia. 353 00:19:18,640 --> 00:19:21,840 Speaker 1: It's something she's battled since she was a kid. Before 354 00:19:21,920 --> 00:19:25,320 Speaker 1: coming on A and TM, Gina wore wigs all the time. 355 00:19:25,720 --> 00:19:27,480 Speaker 1: She told me if she had to go outside to 356 00:19:27,520 --> 00:19:30,640 Speaker 1: the mailbox, she would put a wig on. She thought 357 00:19:30,680 --> 00:19:33,080 Speaker 1: there was a possibility A and TM would want to 358 00:19:33,119 --> 00:19:35,879 Speaker 1: take her wig off, but she was relieved when Tyra 359 00:19:36,080 --> 00:19:40,119 Speaker 1: revealed what her makeover would be on GENA season, Tyra 360 00:19:40,240 --> 00:19:43,240 Speaker 1: had the model's watch a video before going to the salon, 361 00:19:43,440 --> 00:19:45,440 Speaker 1: where if she explained the new look, each one of 362 00:19:45,480 --> 00:19:47,720 Speaker 1: them would be getting. Here's what Gina says. 363 00:19:47,880 --> 00:19:51,840 Speaker 12: She was told, we're gonna give you your natural hair. 364 00:19:52,000 --> 00:19:54,440 Speaker 12: We're gonna give you your hair back from childhood as 365 00:19:54,440 --> 00:19:58,280 Speaker 12: what she told me, and I was like, if there's 366 00:19:58,520 --> 00:20:01,280 Speaker 12: anyone that can do it. I have seen so many 367 00:20:01,320 --> 00:20:04,119 Speaker 12: different makeovers and Tyra with all kinds of different hair 368 00:20:04,160 --> 00:20:07,440 Speaker 12: and wigs and everything else. I was like, if there's 369 00:20:07,520 --> 00:20:11,679 Speaker 12: anyone who can give me back my red, gold blonde, 370 00:20:11,800 --> 00:20:15,760 Speaker 12: crazy lion main mixed girl hair and make it look real. 371 00:20:16,720 --> 00:20:18,520 Speaker 12: It's this show. They have the money to do it, 372 00:20:18,600 --> 00:20:20,080 Speaker 12: so I got really excited about that. 373 00:20:22,760 --> 00:20:26,639 Speaker 1: At the time, Gina was wearing a long, straight black wig. 374 00:20:27,200 --> 00:20:29,680 Speaker 1: She thought antm was going to make her a wig 375 00:20:29,720 --> 00:20:32,280 Speaker 1: that would look like her natural hair if she didn't 376 00:20:32,280 --> 00:20:35,400 Speaker 1: have alopecia. I will say in the edit that made 377 00:20:35,400 --> 00:20:37,720 Speaker 1: it to the show, Tyra doesn't say any of that. 378 00:20:38,240 --> 00:20:40,960 Speaker 1: All she says is Gina's wig is coming off. 379 00:20:42,080 --> 00:20:46,040 Speaker 12: There's my perspective and the truth, and then there's what 380 00:20:46,080 --> 00:20:47,040 Speaker 12: happened on reality TV. 381 00:20:47,960 --> 00:20:50,720 Speaker 1: Gina went to the salon thinking her wig was coming 382 00:20:50,760 --> 00:20:54,239 Speaker 1: off and being replaced with another wig, but that is 383 00:20:54,280 --> 00:20:58,399 Speaker 1: not what happened. Rather than replacing her old wig with 384 00:20:58,480 --> 00:21:01,320 Speaker 1: a new one, she was told they were cutting her 385 00:21:01,359 --> 00:21:06,760 Speaker 1: hair completely bald. That was her makeover. She felt blindsided. 386 00:21:07,840 --> 00:21:10,680 Speaker 4: Can we take your wig off now? Because I don't 387 00:21:10,680 --> 00:21:12,080 Speaker 4: even know what's under off? 388 00:21:12,800 --> 00:21:12,879 Speaker 12: Do? 389 00:21:12,960 --> 00:21:14,960 Speaker 13: I so gray? 390 00:21:15,160 --> 00:21:17,280 Speaker 14: And this world that's going to look at you and 391 00:21:17,400 --> 00:21:19,120 Speaker 14: say if she can do it, I can do it. 392 00:21:19,520 --> 00:21:22,440 Speaker 14: You just don't understand for me how courageous and how 393 00:21:22,560 --> 00:21:30,240 Speaker 14: powerful what you're doing is. It's scary, It's okay, you ready, 394 00:21:30,640 --> 00:21:31,960 Speaker 14: they're going to solve the process. 395 00:21:32,680 --> 00:21:39,880 Speaker 1: I wasn't how to doing meself. That's celebrity Silas law 396 00:21:39,960 --> 00:21:42,480 Speaker 1: Roach talking to Gina in that clip. He was a 397 00:21:42,560 --> 00:21:46,920 Speaker 1: judge on Gina's season. Gina's wig was removed on camera 398 00:21:47,160 --> 00:21:50,399 Speaker 1: while she was in tears. Some of her closest friends 399 00:21:50,400 --> 00:21:53,119 Speaker 1: had never seen her take her wig off. Now she 400 00:21:53,240 --> 00:21:56,000 Speaker 1: was in a room full of cameras and her patchy 401 00:21:56,040 --> 00:22:00,320 Speaker 1: wisps of hair were exposed for everyone to see. 402 00:22:00,400 --> 00:22:02,600 Speaker 12: I just kind of froze, but I remember everyone else 403 00:22:02,640 --> 00:22:06,080 Speaker 12: going because they all saw in the house that they 404 00:22:06,080 --> 00:22:09,000 Speaker 12: didn't say that they were shaving my head. I stopped talking, 405 00:22:10,040 --> 00:22:13,560 Speaker 12: and then I started crying because I was angry. Most 406 00:22:13,560 --> 00:22:15,480 Speaker 12: people who know me would look at that and be like, Oh, 407 00:22:15,480 --> 00:22:18,440 Speaker 12: she's fucking pissed. Like she's not crying about the situation. 408 00:22:18,520 --> 00:22:21,320 Speaker 12: She's not sad, she's not poor, pitiful meeting herself like 409 00:22:21,520 --> 00:22:22,280 Speaker 12: she's pissed. 410 00:22:22,560 --> 00:22:24,359 Speaker 4: And I was mad. I was mad that they sat 411 00:22:24,359 --> 00:22:24,959 Speaker 4: there and did that. 412 00:22:25,080 --> 00:22:26,639 Speaker 12: I was mad that they couldn't tell me the truth 413 00:22:26,640 --> 00:22:28,840 Speaker 12: that they couldn't like, just tell me that you're gonna 414 00:22:28,840 --> 00:22:30,639 Speaker 12: shave my head because I also had never had my 415 00:22:30,680 --> 00:22:32,080 Speaker 12: head shaved. That was still going to give you the 416 00:22:32,080 --> 00:22:36,359 Speaker 12: same emotional response, maybe even better. But here you guys 417 00:22:36,359 --> 00:22:38,679 Speaker 12: are trying to like outthink me and outsmart me in 418 00:22:38,720 --> 00:22:39,760 Speaker 12: my own emotions. 419 00:22:41,760 --> 00:22:44,040 Speaker 1: Gina told me when she was a kid, she was 420 00:22:44,080 --> 00:22:47,640 Speaker 1: picked on a lot for having alopecia A and TM 421 00:22:47,800 --> 00:22:50,800 Speaker 1: taking her wig off on camera brought back all of 422 00:22:50,800 --> 00:22:55,240 Speaker 1: those memories. Plus she got really upset because they framed 423 00:22:55,240 --> 00:22:58,760 Speaker 1: her haircut as an empowerment story, even though she had 424 00:22:58,800 --> 00:23:04,359 Speaker 1: no power in that situation. She says, the producers and 425 00:23:04,440 --> 00:23:06,000 Speaker 1: judges kept telling her. 426 00:23:06,600 --> 00:23:10,800 Speaker 12: You don't have any clue how courageous what you're doing is. 427 00:23:11,160 --> 00:23:14,160 Speaker 12: But in reality, I'm not doing something courageous. You guys 428 00:23:14,160 --> 00:23:17,359 Speaker 12: are sitting here manipulating a girl who's actually gone through this, 429 00:23:17,520 --> 00:23:20,320 Speaker 12: and then sitting here and preaching this now to a 430 00:23:20,359 --> 00:23:23,479 Speaker 12: whole audience. Who's gonna think that girl sat there and 431 00:23:23,560 --> 00:23:23,920 Speaker 12: did it. 432 00:23:24,320 --> 00:23:25,080 Speaker 1: I can too. 433 00:23:25,480 --> 00:23:29,000 Speaker 12: No, No, that is not the narrative that I'm trying 434 00:23:29,000 --> 00:23:32,080 Speaker 12: to project. Society also conditions us as women to think 435 00:23:32,080 --> 00:23:32,720 Speaker 12: a certain way. 436 00:23:32,560 --> 00:23:33,120 Speaker 4: About our hair. 437 00:23:33,600 --> 00:23:36,560 Speaker 12: My job is not to sit here and suffer so 438 00:23:36,600 --> 00:23:39,760 Speaker 12: that you guys can manipulate an entire audience. That now, girl, 439 00:23:39,800 --> 00:23:41,920 Speaker 12: you can take your wig off and do it too, because. 440 00:23:41,640 --> 00:23:43,720 Speaker 4: I did it. I didn't want to do it like that. 441 00:23:43,760 --> 00:23:46,600 Speaker 12: You guys actually changed that narrative for me. Why not 442 00:23:46,680 --> 00:23:49,520 Speaker 12: put it in my hands for it to be truthful. 443 00:23:49,880 --> 00:23:53,480 Speaker 1: Because putting it in Gina's hands wouldn't get the breakdown 444 00:23:53,560 --> 00:23:57,320 Speaker 1: and the tears. A and TM wanted to add insult 445 00:23:57,359 --> 00:24:01,080 Speaker 1: to injury. Gina says the wig they promised her was 446 00:24:01,119 --> 00:24:04,080 Speaker 1: there in the salon right behind her, and she was 447 00:24:04,119 --> 00:24:10,720 Speaker 1: getting her hair shaved off. Gina eventually embraced the bald look. 448 00:24:11,160 --> 00:24:13,840 Speaker 1: These days she goes back and forth between Wiggs and 449 00:24:13,880 --> 00:24:17,600 Speaker 1: her bald head, but she says she resents A ANDTM 450 00:24:17,920 --> 00:24:20,520 Speaker 1: for exploiting her trauma and forcing her to have a 451 00:24:20,560 --> 00:24:25,920 Speaker 1: moment she wasn't ready for. Tyra acknowledged her comments about 452 00:24:26,000 --> 00:24:29,600 Speaker 1: Danny Evans's gap, but she never apologized to Gina or 453 00:24:29,680 --> 00:24:32,480 Speaker 1: any of the other girls who say they were traumatized 454 00:24:32,480 --> 00:24:37,120 Speaker 1: by their makeovers. After the break we'll talk more about 455 00:24:37,200 --> 00:24:40,720 Speaker 1: Tyra's so called apologies and why the ANTM contestants I 456 00:24:40,720 --> 00:24:53,040 Speaker 1: spoke with say it isn't enough. There's another moment from 457 00:24:53,160 --> 00:24:55,879 Speaker 1: A and TM I want to revisit. It's one of 458 00:24:55,920 --> 00:24:58,440 Speaker 1: those moments we can't let Tyra off the hook for. 459 00:24:59,160 --> 00:25:02,160 Speaker 1: And it happened to cycle for contestant Kenya Hill. 460 00:25:02,920 --> 00:25:05,399 Speaker 15: I needed to feel carefree and I need you to 461 00:25:05,440 --> 00:25:07,200 Speaker 15: stop posing for the camera. 462 00:25:08,080 --> 00:25:09,000 Speaker 4: Kind of get into it. 463 00:25:09,200 --> 00:25:14,480 Speaker 16: And I hear Bertini moaning, Uh, I feel him like 464 00:25:14,520 --> 00:25:16,919 Speaker 16: breathing on me, touching me, and it's not comfortable at all. 465 00:25:17,960 --> 00:25:21,240 Speaker 1: On Cycle four, during the international trip to South Africa, 466 00:25:21,600 --> 00:25:24,480 Speaker 1: the models did a shoot for Caress bodywa Wash. The 467 00:25:24,560 --> 00:25:27,920 Speaker 1: contestants had to dance with three male models, but one 468 00:25:27,920 --> 00:25:31,000 Speaker 1: of those models, his name was Bertini, took it too 469 00:25:31,080 --> 00:25:35,160 Speaker 1: far with Kenya. He was touching her, grabbing her, grunting 470 00:25:35,240 --> 00:25:38,920 Speaker 1: and moaning. Kinga told me she already went into the 471 00:25:38,960 --> 00:25:42,320 Speaker 1: shoot uncomfortable because Bertini tried to hit on her before 472 00:25:42,320 --> 00:25:45,600 Speaker 1: they started shooting, but when he crossed the line during 473 00:25:45,640 --> 00:25:49,960 Speaker 1: the shoot, Kingya decided to say something stop. 474 00:25:51,640 --> 00:25:52,560 Speaker 4: What's the issue. 475 00:25:52,720 --> 00:25:54,720 Speaker 16: I know it's not about feeling comfortable with what I 476 00:25:54,920 --> 00:25:57,080 Speaker 16: hear him moaning. It's just strew me off. I'm sorry, 477 00:25:57,080 --> 00:26:00,480 Speaker 16: I'm sorry. I don't feel bad about stop to shoot 478 00:26:00,480 --> 00:26:03,679 Speaker 16: it up. Bertini has cross that professional online and I 479 00:26:03,720 --> 00:26:05,240 Speaker 16: feel extremely uncomfortable. 480 00:26:05,440 --> 00:26:06,960 Speaker 4: We're here in a professional situation. 481 00:26:07,119 --> 00:26:09,600 Speaker 17: If they're like fifty of us in here right right, 482 00:26:09,680 --> 00:26:11,560 Speaker 17: we're going with the flood. 483 00:26:14,520 --> 00:26:17,359 Speaker 4: Here's a Bertini guy. He didn't catch the hint. He 484 00:26:17,520 --> 00:26:18,159 Speaker 4: kept doing it. 485 00:26:18,440 --> 00:26:20,680 Speaker 2: Yeah, yeah, yeah, yeah, So this is for the guys. 486 00:26:20,760 --> 00:26:25,679 Speaker 18: Let's try and be interested without literally grabbing her button. 487 00:26:27,200 --> 00:26:30,639 Speaker 1: In the clip, you hear Jay Manual acknowledge that Kenya 488 00:26:30,680 --> 00:26:34,600 Speaker 1: was being groped, but other than Kenya saying stop, they 489 00:26:34,640 --> 00:26:38,640 Speaker 1: didn't actually stop the shoot or remove Bertini from the set. 490 00:26:38,760 --> 00:26:41,280 Speaker 1: And Kinga told me it was way worse than what 491 00:26:41,320 --> 00:26:42,080 Speaker 1: we saw on the show. 492 00:26:43,359 --> 00:26:47,480 Speaker 19: This dude is grabbing me and moaning, and he's got 493 00:26:47,520 --> 00:26:50,880 Speaker 19: on a loin cloth over his member and he's getting 494 00:26:50,880 --> 00:26:54,719 Speaker 19: an erection like he is really overly enjoying this. 495 00:26:54,800 --> 00:26:57,440 Speaker 4: Yeah, it was just an awful moment. 496 00:26:58,880 --> 00:27:01,840 Speaker 1: Kenya completed the show and was later forced to sit 497 00:27:01,880 --> 00:27:05,080 Speaker 1: through an awkward, tense dinner with the other contestants and 498 00:27:05,119 --> 00:27:09,159 Speaker 1: the male models. Bertini was there at the panel. The 499 00:27:09,280 --> 00:27:14,840 Speaker 1: judges said Kenya's photo was good, but not great. Kenya 500 00:27:14,920 --> 00:27:16,800 Speaker 1: told them what happened with the male model. 501 00:27:17,280 --> 00:27:21,240 Speaker 16: The thing is that this male model Bertini, he was 502 00:27:21,280 --> 00:27:23,520 Speaker 16: flirting with me, he was grinding on me. I felt 503 00:27:23,520 --> 00:27:24,720 Speaker 16: like he really crossed the line. 504 00:27:24,760 --> 00:27:26,480 Speaker 4: That has to be a way that you can handle it. 505 00:27:26,480 --> 00:27:28,680 Speaker 4: You know, you have to be able to be in control, 506 00:27:28,880 --> 00:27:29,160 Speaker 4: like with. 507 00:27:29,119 --> 00:27:31,480 Speaker 12: Your feminine wiles, like boy, you besta back up before 508 00:27:31,520 --> 00:27:33,359 Speaker 12: I knock you out side the head, and you do 509 00:27:33,400 --> 00:27:34,840 Speaker 12: it in a fun way where he. 510 00:27:34,880 --> 00:27:36,120 Speaker 4: Knows to back the heck up. 511 00:27:36,720 --> 00:27:38,800 Speaker 8: But it doesn't really put static in the air because 512 00:27:38,920 --> 00:27:42,520 Speaker 8: it makes you uncomfortable, Tyra. 513 00:27:42,320 --> 00:27:46,159 Speaker 1: Told Kenya, speaking of advocating for herself and bringing the 514 00:27:46,200 --> 00:27:49,280 Speaker 1: situation to the attention of others, you know, handling it 515 00:27:49,359 --> 00:27:53,879 Speaker 1: the right way was actually wrong. Tyra wanted her to 516 00:27:54,000 --> 00:27:59,040 Speaker 1: use her quote feminine wiles. Kenya was hurt and surprised 517 00:27:59,040 --> 00:28:02,920 Speaker 1: by Tyra's reaction because she said when she called Brittany out, 518 00:28:03,359 --> 00:28:05,320 Speaker 1: she thought she was channeling Tira. 519 00:28:07,000 --> 00:28:10,280 Speaker 20: I'm thinking of what would Tyra do in this instance. 520 00:28:11,440 --> 00:28:14,320 Speaker 21: And there have been other moments earlier in the show 521 00:28:14,440 --> 00:28:17,959 Speaker 21: where Tira was trying to teach us about how to 522 00:28:18,640 --> 00:28:21,359 Speaker 21: make sure we're not sigitning back contracts, make sure we 523 00:28:21,560 --> 00:28:26,080 Speaker 21: are smart business women. She was like empowering us the 524 00:28:26,240 --> 00:28:31,680 Speaker 21: entire show, and so I thought Tyra would probably professionally 525 00:28:31,720 --> 00:28:36,280 Speaker 21: and politely stop the shoot and just express her feelings 526 00:28:36,280 --> 00:28:37,639 Speaker 21: that she's a little uncomfortable. 527 00:28:38,240 --> 00:28:40,040 Speaker 4: That's what I genuinely thought. 528 00:28:40,000 --> 00:28:43,480 Speaker 1: When Tyra told Kingya she handled the situation poorly. She 529 00:28:43,560 --> 00:28:45,440 Speaker 1: didn't know what to say, so she kind of just 530 00:28:45,560 --> 00:28:48,840 Speaker 1: took the advice. But watching it back today, as a 531 00:28:48,880 --> 00:28:53,120 Speaker 1: person who coaches young models, Kingya knows Tyra was wrong 532 00:28:53,520 --> 00:28:55,240 Speaker 1: and she wishes she would have pushed back. 533 00:28:55,720 --> 00:28:58,040 Speaker 20: It's actually kind of tough to watch back because I 534 00:28:58,120 --> 00:29:03,720 Speaker 20: feel so bad for myself at that time. I should 535 00:29:03,720 --> 00:29:06,400 Speaker 20: have really stood on business at panel and been like, 536 00:29:07,320 --> 00:29:11,000 Speaker 20: I can't believe that you guys are not agreeing with 537 00:29:11,040 --> 00:29:14,000 Speaker 20: me on speaking up and standing up for myself. I 538 00:29:14,080 --> 00:29:15,959 Speaker 20: just feel it was handled very poorly. 539 00:29:21,160 --> 00:29:24,880 Speaker 1: The contestants on A ANDTM trusted Tyra. They were young 540 00:29:25,000 --> 00:29:29,000 Speaker 1: and looked up to her. Some even idolized Tyra. Tyra 541 00:29:29,160 --> 00:29:32,760 Speaker 1: presented herself as a big sister figure, a mentor who 542 00:29:32,840 --> 00:29:35,160 Speaker 1: was guiding them through what it took to be a model. 543 00:29:35,720 --> 00:29:37,880 Speaker 1: It was part of the appeal of A and TM. 544 00:29:38,720 --> 00:29:41,320 Speaker 1: But when I watch moments like this, it makes me 545 00:29:41,400 --> 00:29:46,200 Speaker 1: realize how insidious that was. Tyra's advice to a teenager 546 00:29:46,240 --> 00:29:49,040 Speaker 1: who was being sexually harassed on set was to be 547 00:29:49,160 --> 00:29:53,800 Speaker 1: cute and flirty while somehow also being firm. Think about 548 00:29:53,800 --> 00:29:57,360 Speaker 1: how dangerous that advice is in an industry that's known 549 00:29:57,440 --> 00:30:00,520 Speaker 1: to prey on young women. Think about how dangerous that 550 00:30:00,600 --> 00:30:04,480 Speaker 1: advice is for the show's mostly young woman audience. But 551 00:30:04,600 --> 00:30:08,880 Speaker 1: moments like these where Tyra says something alarming are common 552 00:30:08,920 --> 00:30:11,800 Speaker 1: on A ANDTM. It's why she has such a vocal 553 00:30:11,840 --> 00:30:16,600 Speaker 1: backlash today. Back in February, Tyra was honored with the 554 00:30:16,640 --> 00:30:20,480 Speaker 1: first ever Luminary Spotlight Award from Essence. The award was 555 00:30:20,520 --> 00:30:23,640 Speaker 1: given to Tyra because of her legacy and fashion, film 556 00:30:23,680 --> 00:30:28,440 Speaker 1: and television. Tyra gave a heartfelt acceptance speech. You heard 557 00:30:28,440 --> 00:30:31,440 Speaker 1: a few clips a bit on this podcast. She started 558 00:30:31,440 --> 00:30:34,320 Speaker 1: by thanking her mom. Then she talked about her early 559 00:30:34,440 --> 00:30:37,120 Speaker 1: years in Paris when she wanted to give up on fashion. 560 00:30:37,760 --> 00:30:40,480 Speaker 1: Then tyraturned to her A and TM legacy. 561 00:30:40,840 --> 00:30:43,680 Speaker 8: Over twenty years ago, I created a television show called 562 00:30:43,720 --> 00:30:51,280 Speaker 8: America's Next Top Model, and I fought, and you guys 563 00:30:51,320 --> 00:30:55,400 Speaker 8: have no idea how hard we fought to bring the 564 00:30:55,480 --> 00:30:58,640 Speaker 8: diversity to that television show at a time where it 565 00:30:58,640 --> 00:31:01,360 Speaker 8: didn't exist, but we made it happen. 566 00:31:02,240 --> 00:31:03,200 Speaker 4: Did we get it right? 567 00:31:03,400 --> 00:31:08,160 Speaker 1: Hell no, I said some dumb shit, But I refuse 568 00:31:08,920 --> 00:31:09,560 Speaker 1: to have my. 569 00:31:09,640 --> 00:31:13,160 Speaker 5: Legacy be about some stuff. 570 00:31:13,240 --> 00:31:17,800 Speaker 8: Linked together on the Internet when there were twenty four 571 00:31:18,120 --> 00:31:20,280 Speaker 8: cycles of changing the world. 572 00:31:25,240 --> 00:31:29,200 Speaker 1: I found Tyro's comments about her ANTM legacy to be odd. 573 00:31:29,960 --> 00:31:34,080 Speaker 1: She acknowledged that she'd done something wrong, but she belittled 574 00:31:34,080 --> 00:31:37,200 Speaker 1: the criticism she received, as if the backlash agets her 575 00:31:37,360 --> 00:31:41,160 Speaker 1: is just a few Internet trolls. Clips of this speech 576 00:31:41,240 --> 00:31:44,480 Speaker 1: started going viral around the time I started interviewing A 577 00:31:44,560 --> 00:31:48,040 Speaker 1: ANDTM contestants for this podcast, so I asked a bunch 578 00:31:48,040 --> 00:31:52,600 Speaker 1: of them what they thought about Tyra's comments. Jessline Gonzalez, 579 00:31:52,640 --> 00:31:54,880 Speaker 1: the winner of Cycle eight, who was in an abusive 580 00:31:54,880 --> 00:31:58,280 Speaker 1: relationship and went to therapy at A ANDTM suggestion was 581 00:31:58,320 --> 00:31:59,080 Speaker 1: the most kind. 582 00:31:59,680 --> 00:32:03,280 Speaker 22: It was refreshing to hear her talk about the show. 583 00:32:03,960 --> 00:32:07,040 Speaker 22: You know, it's been so long since I've heard from mother. 584 00:32:07,560 --> 00:32:10,960 Speaker 22: You know, that's the mother to us of the show, 585 00:32:11,640 --> 00:32:14,800 Speaker 22: and she hit it right on the nail as to 586 00:32:15,080 --> 00:32:17,960 Speaker 22: what the show represented and what she was doing with 587 00:32:18,080 --> 00:32:20,800 Speaker 22: the show. She's gotten a lot of BackFlash, and I 588 00:32:20,840 --> 00:32:23,960 Speaker 22: think she's a human being. She's seeming with those issues 589 00:32:24,000 --> 00:32:24,560 Speaker 22: on her own. 590 00:32:24,920 --> 00:32:25,800 Speaker 1: We don't know how. 591 00:32:26,600 --> 00:32:28,920 Speaker 22: It is not our job to know how, and it 592 00:32:29,040 --> 00:32:31,880 Speaker 22: is not our job to help her heal. That is 593 00:32:31,920 --> 00:32:34,160 Speaker 22: on her. What she feels is right and what she 594 00:32:34,200 --> 00:32:35,760 Speaker 22: feels as wrong is all on her. 595 00:32:36,720 --> 00:32:40,720 Speaker 1: The other models I asked, weren't so forgiving here? Cycle 596 00:32:40,800 --> 00:32:44,160 Speaker 1: for is Uvigomez. She's like, yeah, did I see a 597 00:32:44,160 --> 00:32:45,680 Speaker 1: lot of messed up things? 598 00:32:45,760 --> 00:32:50,760 Speaker 18: Sure, but she was kind of deflecting, like not wanting 599 00:32:50,800 --> 00:32:55,600 Speaker 18: to own up to, you know, the very not good 600 00:32:55,640 --> 00:32:58,080 Speaker 18: things that she did. Like it was almost like, but 601 00:32:58,160 --> 00:33:00,640 Speaker 18: I did all these really good stuff, So why are 602 00:33:00,680 --> 00:33:04,200 Speaker 18: you guys focusing on the bad stuff. It's like, nah, 603 00:33:04,400 --> 00:33:10,120 Speaker 18: take accountability. We basically sold our souls and they got rich. 604 00:33:13,240 --> 00:33:16,200 Speaker 1: This is what Giselle Sampson had to say about Tyra's statements. 605 00:33:16,920 --> 00:33:22,280 Speaker 3: While you're actually doubling down on the things you've done 606 00:33:22,520 --> 00:33:29,160 Speaker 3: and said to everyone, Well, that's that's pretty fierce, I guess. 607 00:33:30,120 --> 00:33:33,120 Speaker 1: But the answer that really captured what felt so off 608 00:33:33,200 --> 00:33:37,800 Speaker 1: about Tyra's comments came from Cycle nine Sarah Hartshorn. Sarah's 609 00:33:37,800 --> 00:33:39,760 Speaker 1: the one who just released the book about her time 610 00:33:39,800 --> 00:33:40,440 Speaker 1: on A and t M. 611 00:33:41,760 --> 00:33:46,560 Speaker 15: What Tyra said is fair and true. She has a big, huge, 612 00:33:47,200 --> 00:33:52,680 Speaker 15: complex legacy, and I understand that she would not want 613 00:33:52,680 --> 00:33:56,920 Speaker 15: that to get reduced to clips on the internet. I 614 00:33:56,920 --> 00:33:59,480 Speaker 15: think what is also true is that the people in 615 00:33:59,480 --> 00:34:02,960 Speaker 15: those clips who were experiencing those things at that time 616 00:34:03,440 --> 00:34:07,720 Speaker 15: are real people, and those were real experiences. What she 617 00:34:07,960 --> 00:34:12,239 Speaker 15: is reducing to clips on the internet are things that 618 00:34:12,280 --> 00:34:13,160 Speaker 15: people went through. 619 00:34:14,960 --> 00:34:17,600 Speaker 1: What Tyra is reducing to a few clips on the 620 00:34:17,640 --> 00:34:23,080 Speaker 1: Internet is a pattern of manipulation, exploitation, and humiliation, and 621 00:34:23,160 --> 00:34:27,839 Speaker 1: Tira was at the center of all of it. Don't 622 00:34:27,840 --> 00:34:30,680 Speaker 1: get me wrong. There are contestants who say they had 623 00:34:30,719 --> 00:34:35,120 Speaker 1: good experiences on ANTM. Jaslene Gonzalez is one of them. 624 00:34:35,760 --> 00:34:39,279 Speaker 1: Psyco three winner Eva Marcel has defended Tyra publicly more 625 00:34:39,320 --> 00:34:42,239 Speaker 1: than once. There are even contestants who went on to 626 00:34:42,280 --> 00:34:45,560 Speaker 1: have big careers in entertainment after the show. But what 627 00:34:45,680 --> 00:34:48,480 Speaker 1: about the contestants who feel like they didn't get anything 628 00:34:48,520 --> 00:34:51,920 Speaker 1: out of it but trauma. Did their desire for fame 629 00:34:52,160 --> 00:34:55,919 Speaker 1: or a modeling career give ANTM and Tyra the right 630 00:34:56,000 --> 00:35:00,480 Speaker 1: to treat them the way they did. Gazelle Sampson doesn't 631 00:35:00,520 --> 00:35:03,600 Speaker 1: think so, and these days she wants to do something 632 00:35:03,640 --> 00:35:04,120 Speaker 1: about it. 633 00:35:06,000 --> 00:35:08,040 Speaker 3: I think that is pretty fair that this needs to 634 00:35:08,080 --> 00:35:10,560 Speaker 3: be looked back at and that we should be given 635 00:35:10,600 --> 00:35:14,200 Speaker 3: some sort of compensation. Can I petition and put together 636 00:35:14,520 --> 00:35:18,879 Speaker 3: all the girls and say this is unjust and let's 637 00:35:18,920 --> 00:35:21,120 Speaker 3: make this right and get this in the courts. 638 00:35:21,560 --> 00:35:23,000 Speaker 4: This isn't about making it or not. 639 00:35:23,280 --> 00:35:27,879 Speaker 3: We are a part of something that became history off 640 00:35:27,920 --> 00:35:31,560 Speaker 3: of our backs and to our detriment, and we were hurt, 641 00:35:31,600 --> 00:35:34,120 Speaker 3: and we were bullied, and we suffered some psychological issues 642 00:35:34,160 --> 00:35:34,480 Speaker 3: from it. 643 00:35:35,280 --> 00:35:36,400 Speaker 4: That's what we're talking about. 644 00:35:36,520 --> 00:35:39,160 Speaker 3: We're not talking about whether we're famous or we made 645 00:35:39,200 --> 00:35:41,080 Speaker 3: this much money from doing this and that because of 646 00:35:41,120 --> 00:35:41,399 Speaker 3: the show. 647 00:35:41,480 --> 00:35:42,360 Speaker 4: That's not what we're saying. 648 00:35:43,160 --> 00:35:46,879 Speaker 15: Faraharts Horn again, I think people deserve to be paid 649 00:35:46,880 --> 00:35:47,959 Speaker 15: for their work and their time. 650 00:35:48,400 --> 00:35:51,399 Speaker 1: Are not bitter that I didn't win. I'm bitter that. 651 00:35:51,680 --> 00:35:53,400 Speaker 15: There were a lot of girls who couldn't afford the 652 00:35:53,400 --> 00:35:55,600 Speaker 15: mental health help that they needed after the show. 653 00:35:58,840 --> 00:36:02,719 Speaker 1: Brandy Brower looks at all the money Tyra and the 654 00:36:02,800 --> 00:36:06,880 Speaker 1: network are still making by licensing the show to streaming services. 655 00:36:07,480 --> 00:36:10,480 Speaker 1: Then she looks at the hate messages and embarrassment some 656 00:36:10,520 --> 00:36:13,920 Speaker 1: of the contestants are still receiving as a result, and thanks, 657 00:36:14,160 --> 00:36:18,360 Speaker 1: they're old a lot more. Remember Brittany, who was white, 658 00:36:18,680 --> 00:36:20,960 Speaker 1: was put in black face on her cycle for the 659 00:36:20,960 --> 00:36:21,800 Speaker 1: Got Milk shoot. 660 00:36:22,719 --> 00:36:24,560 Speaker 6: I mean, you're putting your life out in the world. 661 00:36:24,960 --> 00:36:27,960 Speaker 6: Perfect example is me two thousand and five, the episode 662 00:36:28,040 --> 00:36:31,879 Speaker 6: Got Milk. It's real life, it's not a script, it's 663 00:36:31,920 --> 00:36:34,799 Speaker 6: not a fake. And you don't know when things are 664 00:36:34,800 --> 00:36:37,279 Speaker 6: going to come back and cancel you or something. And 665 00:36:37,320 --> 00:36:40,480 Speaker 6: it's hurtful, it's stressful. It's your real life, it's your 666 00:36:40,480 --> 00:36:44,360 Speaker 6: real reputation. And then they rerun your episodes over and 667 00:36:44,440 --> 00:36:46,840 Speaker 6: over and over and over again on Hulu, on Netflix 668 00:36:46,840 --> 00:36:49,040 Speaker 6: and everything else for the rest of your life. And 669 00:36:49,080 --> 00:36:53,120 Speaker 6: you know how much money you see, zilch nothing. I 670 00:36:53,160 --> 00:36:55,440 Speaker 6: still get comments in people emailing me a message me 671 00:36:55,480 --> 00:36:57,800 Speaker 6: on Instagram and TikTok all the time like they're showing 672 00:36:57,800 --> 00:36:59,160 Speaker 6: you are like, oh, I just watch your season, hil 673 00:37:00,160 --> 00:37:00,640 Speaker 6: just it's. 674 00:37:00,480 --> 00:37:04,360 Speaker 4: Such an unfair industry. 675 00:37:04,440 --> 00:37:08,360 Speaker 6: They're making it all the money still just laughing all 676 00:37:08,400 --> 00:37:10,120 Speaker 6: the way to the bank and we don't get anything 677 00:37:10,280 --> 00:37:13,360 Speaker 6: like nothing, like it's just gosh through me one thousand 678 00:37:13,440 --> 00:37:14,439 Speaker 6: dollars per year. 679 00:37:14,920 --> 00:37:15,520 Speaker 1: I'll take it. 680 00:37:15,760 --> 00:37:18,560 Speaker 6: We give me some thing like it's so insulting, like 681 00:37:18,600 --> 00:37:20,880 Speaker 6: we do this stuff and we get nothing nothing. 682 00:37:22,120 --> 00:37:24,759 Speaker 1: Sharon Brown was a high school student when she got 683 00:37:24,800 --> 00:37:28,880 Speaker 1: sent home embarrassed on Cycle eleven. Remember Sharon says she 684 00:37:29,040 --> 00:37:32,160 Speaker 1: was made to look like a bigoted bully by the producers. 685 00:37:32,480 --> 00:37:35,520 Speaker 1: Now what she wants is for Tyra to finally show 686 00:37:35,640 --> 00:37:39,160 Speaker 1: up as that big sister that mentor the one Tyra 687 00:37:39,400 --> 00:37:40,600 Speaker 1: seemed to be on the show. 688 00:37:42,040 --> 00:37:44,160 Speaker 23: I chose to be a part of America's Next Time All, 689 00:37:44,560 --> 00:37:47,319 Speaker 23: and I used and noted it to the most that 690 00:37:47,360 --> 00:37:51,160 Speaker 23: I can would It had been great to get compensated 691 00:37:51,239 --> 00:37:53,520 Speaker 23: or when things were sold to different networks. Is enough 692 00:37:53,560 --> 00:37:57,120 Speaker 23: to have a playing your residuals and that, yes that 693 00:37:57,200 --> 00:38:00,600 Speaker 23: I would love to see a beautiful conversation had with 694 00:38:00,760 --> 00:38:03,520 Speaker 23: t and all of the other contestants on Top Model, 695 00:38:03,560 --> 00:38:06,080 Speaker 23: either in a private senit or filmed a recorded so 696 00:38:06,160 --> 00:38:09,520 Speaker 23: we can just talk. I would love to see there 697 00:38:09,560 --> 00:38:13,560 Speaker 23: being like more sisterhood and connection, even just her taking 698 00:38:13,600 --> 00:38:15,800 Speaker 23: the time just to reach out to some of us 699 00:38:15,960 --> 00:38:19,280 Speaker 23: or to offer any type of tips are guided even 700 00:38:19,360 --> 00:38:22,000 Speaker 23: like okay, how can you use your platform now? 701 00:38:25,040 --> 00:38:27,640 Speaker 1: But that big sister role Tyra played on A and 702 00:38:27,680 --> 00:38:33,440 Speaker 1: TM was just that a role. Here's former creative producer 703 00:38:33,640 --> 00:38:34,520 Speaker 1: Andrew Patterson. 704 00:38:35,040 --> 00:38:38,400 Speaker 2: Tyra Banks played a character called Tara Banks on Top Model. 705 00:38:39,160 --> 00:38:40,960 Speaker 2: She would walk out on judging, she would sit in 706 00:38:41,040 --> 00:38:43,200 Speaker 2: a chair, she wouldn't talk to the other judges, but 707 00:38:43,480 --> 00:38:46,160 Speaker 2: she would sit down focused because you know, that's just 708 00:38:46,880 --> 00:38:47,920 Speaker 2: her getting into character. 709 00:38:48,760 --> 00:38:53,000 Speaker 1: Several contestants told me about bizarre interactions with Tyra when 710 00:38:53,000 --> 00:38:55,880 Speaker 1: the cameras were rolling. She was the warm, bubbly person 711 00:38:55,960 --> 00:38:58,839 Speaker 1: we knew from the show. But Juli Gomez told me 712 00:38:58,960 --> 00:39:02,160 Speaker 1: that when the director would yale cut, it. 713 00:39:02,239 --> 00:39:05,160 Speaker 18: Was like she was vacant, like she was churning it 714 00:39:05,200 --> 00:39:09,960 Speaker 18: on for filming, like she wasn't there. That's how I 715 00:39:10,000 --> 00:39:17,520 Speaker 18: would explain her, explain how I viewed her on the show. Now, 716 00:39:17,560 --> 00:39:21,120 Speaker 18: when I went on the Tyra Show, completely different person 717 00:39:21,520 --> 00:39:24,399 Speaker 18: like hugged us, gave us kisses, Oh my. 718 00:39:24,360 --> 00:39:26,480 Speaker 4: Gosh, so good to see you. You look great, And 719 00:39:26,520 --> 00:39:30,239 Speaker 4: I was like so confused. I was like, now you're 720 00:39:30,280 --> 00:39:31,560 Speaker 4: acting like a normal human. 721 00:39:31,880 --> 00:39:34,640 Speaker 18: But on the show it was there was like such 722 00:39:34,680 --> 00:39:36,440 Speaker 18: a disconnect. 723 00:39:37,000 --> 00:39:40,759 Speaker 1: Even though some contestants like UV understand that Tyra was 724 00:39:40,800 --> 00:39:44,480 Speaker 1: playing a character, they still want the real Tyra Banks 725 00:39:44,520 --> 00:39:49,760 Speaker 1: to acknowledge what A and TM did. Cycle two Winner 726 00:39:49,840 --> 00:39:52,279 Speaker 1: you want to have, and a lot of other contestants 727 00:39:52,680 --> 00:39:54,480 Speaker 1: just want an apology from Tyra. 728 00:39:55,960 --> 00:39:58,640 Speaker 7: I think one of the things people are wanting from 729 00:39:58,680 --> 00:40:03,640 Speaker 7: Tyra is accountability and an apology instead of standing behind 730 00:40:03,719 --> 00:40:07,080 Speaker 7: the franchise. Where I think people are getting frustrated with 731 00:40:07,160 --> 00:40:10,279 Speaker 7: her continual response is that I know a lot of 732 00:40:10,320 --> 00:40:13,640 Speaker 7: the girls had probably gone through a lot of things 733 00:40:13,680 --> 00:40:16,120 Speaker 7: after the show or during the show, you know. I 734 00:40:16,160 --> 00:40:20,319 Speaker 7: think having more of an empathy instead of a combative 735 00:40:20,440 --> 00:40:23,920 Speaker 7: like no, no no, I did my best, and maybe 736 00:40:23,960 --> 00:40:26,719 Speaker 7: giving girls their names that have come up against her. 737 00:40:26,840 --> 00:40:29,719 Speaker 7: I had no idea that so and so had struggled 738 00:40:29,719 --> 00:40:31,799 Speaker 7: so much. I had no idea that I had made 739 00:40:31,880 --> 00:40:35,280 Speaker 7: that person feel that way. Putting a name behind somebody 740 00:40:35,880 --> 00:40:38,400 Speaker 7: helps make that person human. 741 00:40:40,160 --> 00:40:42,640 Speaker 1: If Tyra wanted to at least seem like she was 742 00:40:42,680 --> 00:40:45,480 Speaker 1: atoning for the harm A and TM cost, you want 743 00:40:45,480 --> 00:40:48,120 Speaker 1: to think Tyra should make personal apologies. 744 00:40:49,239 --> 00:40:52,080 Speaker 4: A lot of the girls felt they were just discarded. 745 00:40:52,520 --> 00:40:56,600 Speaker 7: They were just a prop for financial gain, for popularity, 746 00:40:56,680 --> 00:40:58,000 Speaker 7: for network ratings. 747 00:40:58,360 --> 00:41:00,520 Speaker 4: And I think when you can put a name. 748 00:41:00,200 --> 00:41:04,560 Speaker 7: And you can listen and admit you know what was 749 00:41:04,600 --> 00:41:07,760 Speaker 7: done wrong and apologize. 750 00:41:08,040 --> 00:41:09,200 Speaker 4: That's real growth. 751 00:41:13,160 --> 00:41:16,920 Speaker 1: Tyra has made public apologies, but they're usually couched in 752 00:41:16,960 --> 00:41:20,480 Speaker 1: her intention, like this time when she addressed the second 753 00:41:20,560 --> 00:41:21,759 Speaker 1: blackface challenge. 754 00:41:22,360 --> 00:41:25,239 Speaker 24: I mean, we felt like our skins beautiful, let's paint 755 00:41:25,280 --> 00:41:28,000 Speaker 24: the world our color, and then we saw it and 756 00:41:28,080 --> 00:41:32,080 Speaker 24: we're like, oh no, this excuses other people to do 757 00:41:32,160 --> 00:41:33,520 Speaker 24: this in a negative way. 758 00:41:35,000 --> 00:41:37,480 Speaker 1: Or the time she's addressed the body shaming on the 759 00:41:37,520 --> 00:41:40,040 Speaker 1: show where she blamed it on it being a different 760 00:41:40,080 --> 00:41:41,560 Speaker 1: time back. 761 00:41:41,360 --> 00:41:44,520 Speaker 5: In the day, nobody complained about it, but as we 762 00:41:44,600 --> 00:41:49,200 Speaker 5: all evolve twenty years later, people like what the hell? 763 00:41:50,080 --> 00:41:53,120 Speaker 1: Or Tyra brings up her altruistic reason for creating A 764 00:41:53,200 --> 00:41:56,920 Speaker 1: and TM, you know, changing the fashion industry and expanding 765 00:41:56,920 --> 00:42:00,719 Speaker 1: the definition of beauty. Her apologies also seemed to be 766 00:42:00,840 --> 00:42:03,719 Speaker 1: directed at the public at her audience, not to the 767 00:42:03,800 --> 00:42:06,239 Speaker 1: models who say they were harmed by the show, and 768 00:42:06,280 --> 00:42:09,080 Speaker 1: they're rarely specific in the way Yo Wanna is suggesting. 769 00:42:11,960 --> 00:42:14,920 Speaker 1: When A and TM started over twenty years ago, I 770 00:42:14,960 --> 00:42:18,720 Speaker 1: think Tyra's intentions were in the right place. She wanted 771 00:42:18,800 --> 00:42:22,160 Speaker 1: to showcase diversity and beauty. She wanted to usher in 772 00:42:22,280 --> 00:42:24,960 Speaker 1: a new generation of models who wouldn't have to go 773 00:42:25,000 --> 00:42:28,160 Speaker 1: through some of the things she went through alone. I 774 00:42:28,239 --> 00:42:31,640 Speaker 1: really think she wanted to be that fashion fairy godmother, 775 00:42:32,239 --> 00:42:35,960 Speaker 1: but somewhere along the way, her purpose got lost and 776 00:42:36,000 --> 00:42:40,040 Speaker 1: took a back seat to her blind ambition. That blind 777 00:42:40,080 --> 00:42:43,000 Speaker 1: ambition is what made her body shame these young women, 778 00:42:43,520 --> 00:42:47,359 Speaker 1: even though she knew personally how painful that is. Her 779 00:42:47,480 --> 00:42:50,600 Speaker 1: ambition is what made her go along with dangerous and 780 00:42:50,680 --> 00:42:55,640 Speaker 1: humiliating photoshoots. Her ambition is what made her plan disastrous 781 00:42:55,719 --> 00:43:00,520 Speaker 1: and embarrassing makeovers. Her ambition pushed her to put young 782 00:43:00,560 --> 00:43:04,480 Speaker 1: women in uncomfortable situations and then blame them for not 783 00:43:04,760 --> 00:43:08,560 Speaker 1: going along with it. Her ambition is what allowed her 784 00:43:08,640 --> 00:43:11,560 Speaker 1: to look the other way when women who looked like 785 00:43:11,640 --> 00:43:16,000 Speaker 1: her were being labeled angry or divus. Her ambition is 786 00:43:16,040 --> 00:43:18,880 Speaker 1: what drove her to do this season after season for 787 00:43:18,960 --> 00:43:23,200 Speaker 1: fifteen years. I think her blind ambition is what's keeping 788 00:43:23,200 --> 00:43:26,200 Speaker 1: her from taking real accountability the way you want to 789 00:43:26,200 --> 00:43:30,279 Speaker 1: suggest it, And there are contestants who agree with me. 790 00:43:30,840 --> 00:43:34,720 Speaker 1: Psycho seven's Eugena Washington posted a video on social media 791 00:43:35,040 --> 00:43:37,040 Speaker 1: where she said kind of the same thing. 792 00:43:37,800 --> 00:43:43,440 Speaker 12: I think the fact that she refuses to apologize is 793 00:43:43,520 --> 00:43:45,960 Speaker 12: what's going to keep her failing. 794 00:43:52,840 --> 00:43:56,640 Speaker 1: If Tyra really wanted to take accountability, she would put 795 00:43:56,680 --> 00:43:59,520 Speaker 1: as much effort into righting her wrongs as she did 796 00:43:59,560 --> 00:44:03,319 Speaker 1: into making A and TM. But instead she's cashing in 797 00:44:03,360 --> 00:44:06,360 Speaker 1: on her fame with her bizarre passion projects. 798 00:44:06,800 --> 00:44:09,239 Speaker 5: I feel like I'm going crazy. I don't sleep these 799 00:44:09,239 --> 00:44:11,880 Speaker 5: ideas you keep coming in my head. I'm talking about 800 00:44:12,160 --> 00:44:16,319 Speaker 5: hot ice cream innovation that took me over a year 801 00:44:16,440 --> 00:44:17,719 Speaker 5: to get right. 802 00:44:19,880 --> 00:44:23,200 Speaker 1: I have a sneaking suspicion that Hot Mama ice Cream 803 00:44:23,400 --> 00:44:26,400 Speaker 1: ain't gonna be as big as A ANDTM. It seems 804 00:44:26,480 --> 00:44:28,880 Speaker 1: like she's still surrounded by people who are afraid to 805 00:44:28,920 --> 00:44:35,520 Speaker 1: tell her no, and at this point she's unstoppable. Remember 806 00:44:35,520 --> 00:44:38,200 Speaker 1: that clip you heard on the first episode of this podcast. 807 00:44:38,480 --> 00:44:39,640 Speaker 4: Now, I mean I always want more. 808 00:44:39,680 --> 00:44:40,600 Speaker 16: I always want to do more. 809 00:44:40,640 --> 00:44:42,959 Speaker 4: I never like just stop and get satisfied with something. 810 00:44:43,000 --> 00:44:46,920 Speaker 1: So this interview was in nineteen ninety six, before Tyra 811 00:44:47,040 --> 00:44:51,359 Speaker 1: started A ANDTM, but she kept that same ambition. It's 812 00:44:51,400 --> 00:44:53,600 Speaker 1: what pushed her to do A and TM for twenty 813 00:44:53,640 --> 00:44:57,000 Speaker 1: four seasons, even after it was obvious that it wasn't 814 00:44:57,040 --> 00:45:01,160 Speaker 1: living up to her so called mission. But ambition can 815 00:45:01,200 --> 00:45:06,279 Speaker 1: be your downfall. I think Tyra's ambition is keeping her 816 00:45:06,360 --> 00:45:10,359 Speaker 1: from truly acknowledging what happened on ANTM and her role 817 00:45:10,440 --> 00:45:14,000 Speaker 1: in it. She doesn't want to tarnish her legacy, but 818 00:45:14,080 --> 00:45:22,080 Speaker 1: avoiding accountability is also the thing that's ruining it. After 819 00:45:22,120 --> 00:45:25,440 Speaker 1: the break, we'll explore A and TM's legacy with one 820 00:45:25,480 --> 00:45:28,160 Speaker 1: of the few people who's talked more contestants than me. 821 00:45:28,840 --> 00:45:41,920 Speaker 1: I'm talking about superfan and content creator Oliver TwixT. Around 822 00:45:41,960 --> 00:45:44,960 Speaker 1: twenty twenty, A and TM had a bit of a revival. 823 00:45:45,400 --> 00:45:48,600 Speaker 1: People were looking for something nostalgic to watch, something that 824 00:45:48,640 --> 00:45:52,040 Speaker 1: took them back to simpler times. Oliver TwixT was one 825 00:45:52,040 --> 00:45:52,680 Speaker 1: of those people. 826 00:45:53,560 --> 00:45:56,879 Speaker 11: So I started watching A and TM as a jit 827 00:45:57,560 --> 00:46:01,279 Speaker 11: as a little boy in Fort Lauderdale, Florida. My earliest 828 00:46:01,320 --> 00:46:06,200 Speaker 11: memory of Top Model has to be seeing Eva and 829 00:46:06,360 --> 00:46:10,080 Speaker 11: ya Ya in the finale because my female relatives would 830 00:46:10,120 --> 00:46:13,560 Speaker 11: watch it. But actually becoming a fan of it was 831 00:46:13,640 --> 00:46:16,680 Speaker 11: birth out of the marathons that used to run on 832 00:46:16,840 --> 00:46:21,480 Speaker 11: VH one every weekend. I would sit there in my 833 00:46:21,600 --> 00:46:25,400 Speaker 11: room and watch the cycles and the episodes back to 834 00:46:25,440 --> 00:46:27,839 Speaker 11: back to back to back to back, and I just 835 00:46:27,920 --> 00:46:31,319 Speaker 11: became so enthralled with the creativity of it. All. 836 00:46:34,040 --> 00:46:37,200 Speaker 1: Oliver is an A and TM super fan. He's watched 837 00:46:37,320 --> 00:46:40,120 Speaker 1: every season and can rattle off winners and specific photo 838 00:46:40,120 --> 00:46:43,560 Speaker 1: shoots and runways like his ABC's. Oliver is also a 839 00:46:43,600 --> 00:46:47,360 Speaker 1: content creator, artist, and entertainer. Back in twenty twenty, he 840 00:46:47,480 --> 00:46:50,440 Speaker 1: was on a reality show called The TS Madison Experience. 841 00:46:50,840 --> 00:46:53,600 Speaker 1: The EP of that show, David Saint John had been 842 00:46:53,640 --> 00:46:55,080 Speaker 1: a producer on A and TM. 843 00:46:55,600 --> 00:46:58,480 Speaker 11: Him and I on set in between scenes talking about 844 00:46:58,480 --> 00:47:01,000 Speaker 11: Top Model, and I'm just running running down the cycles. 845 00:47:01,000 --> 00:47:02,440 Speaker 11: You know, I'm da da da da da da. He's like, 846 00:47:02,480 --> 00:47:04,600 Speaker 11: oh my god, you really love this show. 847 00:47:05,280 --> 00:47:07,920 Speaker 1: And David was still good friends with A and TM 848 00:47:08,000 --> 00:47:09,560 Speaker 1: judge j Manuel. 849 00:47:09,719 --> 00:47:15,040 Speaker 11: And so from there, David connected me with Ja Manuel, 850 00:47:15,400 --> 00:47:19,600 Speaker 11: where Jay sent me his book that he did loosely 851 00:47:19,640 --> 00:47:21,360 Speaker 11: inspired on his time on Top Model. 852 00:47:22,200 --> 00:47:24,800 Speaker 1: Jay was doing these lives in which he would revisit 853 00:47:24,880 --> 00:47:27,400 Speaker 1: old seasons and sometimes be joined by former A and 854 00:47:27,400 --> 00:47:31,520 Speaker 1: TM judges, contestants and super fans. Jay invited Oliver to 855 00:47:31,640 --> 00:47:34,120 Speaker 1: do an Instagram live with him about his book. 856 00:47:35,640 --> 00:47:39,560 Speaker 11: So I'm all live Instagram with Jay Manuel and I'm 857 00:47:39,640 --> 00:47:42,719 Speaker 11: asking him all these questions and the comments are like, 858 00:47:43,400 --> 00:47:45,640 Speaker 11: oh my god, who is this Oliver God. 859 00:47:46,640 --> 00:47:50,239 Speaker 1: Oliver got so many responses from that Instagram live, he 860 00:47:50,320 --> 00:47:52,680 Speaker 1: thought he could keep it going and interview some of 861 00:47:52,680 --> 00:47:56,160 Speaker 1: the A and TM contestants he loved. Luckily, for Oliver, 862 00:47:56,480 --> 00:47:59,160 Speaker 1: it was COVID lockdown and everybody was bored in the 863 00:47:59,160 --> 00:48:00,600 Speaker 1: house and the houseboard. 864 00:48:01,520 --> 00:48:05,680 Speaker 11: So originally I started just dming people. I like, look 865 00:48:05,760 --> 00:48:08,040 Speaker 11: them up on social media and I would DM them 866 00:48:08,120 --> 00:48:10,080 Speaker 11: and I was like, hey, do you want to be 867 00:48:10,120 --> 00:48:13,400 Speaker 11: interviewed by me? I used to do them on Instagram only, 868 00:48:13,680 --> 00:48:15,799 Speaker 11: but then once I started putting them on YouTube, that's 869 00:48:15,800 --> 00:48:18,920 Speaker 11: when it went to a whole another level of people 870 00:48:19,120 --> 00:48:24,400 Speaker 11: watching and viewing and chiming in and supporting and taking notice. 871 00:48:24,760 --> 00:48:27,200 Speaker 1: Oliver didn't set out to be the person A and 872 00:48:27,200 --> 00:48:29,879 Speaker 1: TM models came to when they wanted to tell never 873 00:48:29,920 --> 00:48:32,760 Speaker 1: before heard stories or talk about their trauma from the show. 874 00:48:33,320 --> 00:48:35,560 Speaker 1: He just wanted to have fun and gossip about his 875 00:48:35,640 --> 00:48:39,120 Speaker 1: favorite A and TM moments. But Oliver started doing these 876 00:48:39,160 --> 00:48:42,440 Speaker 1: interviews around the same time many of us realized A 877 00:48:42,560 --> 00:48:46,640 Speaker 1: ANDTM wasn't as wholesome as we remembered. His interviews gave 878 00:48:46,719 --> 00:48:49,440 Speaker 1: us the backstories on a lot of the disturbing things 879 00:48:49,480 --> 00:48:53,719 Speaker 1: we were revisiting and even though he didn't mean to. 880 00:48:54,400 --> 00:48:57,840 Speaker 1: Oliver's interviews helped spark the A and TM reckoning. 881 00:48:58,040 --> 00:49:01,640 Speaker 11: I'm genuinely just interested in fanning out for this hour, 882 00:49:01,760 --> 00:49:04,320 Speaker 11: two hours or three hours that I have this person 883 00:49:04,360 --> 00:49:06,239 Speaker 11: with me, you know, about my favorite show that I 884 00:49:06,280 --> 00:49:10,120 Speaker 11: absolutely love. And so my intentions were always just rooted 885 00:49:10,239 --> 00:49:13,399 Speaker 11: in wanting to hear them and hear what they had 886 00:49:13,440 --> 00:49:18,200 Speaker 11: to say, without no filter, without no judgment, allowing these 887 00:49:18,239 --> 00:49:21,520 Speaker 11: people to tell their story their way, whether I like it, 888 00:49:21,600 --> 00:49:25,120 Speaker 11: agree with it, believe it, whatever it is. And so 889 00:49:25,280 --> 00:49:31,040 Speaker 11: as people are talking, I'm seeing tears, I'm seeing mood changes, 890 00:49:31,200 --> 00:49:34,520 Speaker 11: I'm seeing people say I've never shared this before. I'm 891 00:49:34,560 --> 00:49:37,480 Speaker 11: hearing people use words such as this was so healing. 892 00:49:37,600 --> 00:49:38,719 Speaker 11: I appreciate this. 893 00:49:39,560 --> 00:49:43,760 Speaker 1: Oliver was one of antm's biggest fans. He knew every word, 894 00:49:44,320 --> 00:49:47,120 Speaker 1: but hearing about the dark side of the show directly 895 00:49:47,160 --> 00:49:50,239 Speaker 1: from the models forced him to think more critically about 896 00:49:50,280 --> 00:49:51,040 Speaker 1: Tyra Banks. 897 00:49:51,440 --> 00:49:54,359 Speaker 11: She's a human too, She had never had no show 898 00:49:54,440 --> 00:49:57,040 Speaker 11: as big as Top Model ever in her life to 899 00:49:57,200 --> 00:50:01,719 Speaker 11: base her actions off of. But unfortunately for Tyra and 900 00:50:01,760 --> 00:50:07,280 Speaker 11: people like Tyra, when you get into that position of power, 901 00:50:08,400 --> 00:50:10,080 Speaker 11: it does come with responsibilities. 902 00:50:12,840 --> 00:50:15,920 Speaker 1: Tira is not only a superstar with a huge platform, 903 00:50:16,320 --> 00:50:18,799 Speaker 1: She's a black woman with a lot of power, and 904 00:50:18,840 --> 00:50:22,400 Speaker 1: black women in positions of power often face unfair criticism. 905 00:50:23,680 --> 00:50:26,520 Speaker 1: When I started this podcast, I was thinking a lot 906 00:50:26,560 --> 00:50:30,200 Speaker 1: about if the public criticism of Tyra is fair or 907 00:50:30,239 --> 00:50:33,279 Speaker 1: if she's being held to a different standard. I ask 908 00:50:33,280 --> 00:50:35,680 Speaker 1: still Professor rockhal Gates what she thinks about this. 909 00:50:36,680 --> 00:50:39,560 Speaker 25: Tyra Banks is in a very weird bind because I 910 00:50:39,560 --> 00:50:44,640 Speaker 25: think there's this way that, you know, like everyone wants 911 00:50:44,719 --> 00:50:49,000 Speaker 25: to make her uniquely accountable for everything that happened on 912 00:50:49,040 --> 00:50:50,959 Speaker 25: that show. And again, some of that makes sense because 913 00:50:51,000 --> 00:50:53,640 Speaker 25: it's her show, right and because she is the figurehead, right, 914 00:50:53,960 --> 00:50:55,200 Speaker 25: and it's built. 915 00:50:54,960 --> 00:50:55,520 Speaker 1: On her back. 916 00:50:55,600 --> 00:50:58,480 Speaker 25: But I think there's a way where sometimes I think 917 00:50:58,520 --> 00:51:01,640 Speaker 25: the call for accountability feels a little dishonest to me, 918 00:51:01,760 --> 00:51:07,200 Speaker 25: because it's asking her to be accountable for an entire network, 919 00:51:07,280 --> 00:51:11,239 Speaker 25: for a production company, for decisions made by sponsors, by 920 00:51:11,239 --> 00:51:14,279 Speaker 25: cover girl, by magazines, by advertisers. And I think that 921 00:51:14,320 --> 00:51:17,560 Speaker 25: what we're seeing is sort of her refusal to be 922 00:51:17,719 --> 00:51:21,240 Speaker 25: scapegoaded for all of those decisions, even though that seems 923 00:51:21,280 --> 00:51:23,880 Speaker 25: to be what our society is constantly demanding of black women. 924 00:51:24,640 --> 00:51:27,439 Speaker 1: When I talked to freelance reporter Bethany Butler, she brought 925 00:51:27,520 --> 00:51:28,360 Speaker 1: up something similar. 926 00:51:29,600 --> 00:51:34,799 Speaker 10: I think it's a little unfair for people to say, like, well, 927 00:51:34,880 --> 00:51:39,640 Speaker 10: Tyra should have, you know, taken care of these big 928 00:51:39,719 --> 00:51:44,160 Speaker 10: personalities within the franchise. You know, you can't really say 929 00:51:44,160 --> 00:51:47,279 Speaker 10: that anymore than we could say Simon cow should have 930 00:51:47,320 --> 00:51:52,640 Speaker 10: done that or Donald Trump, even which sounds hilarious right now, 931 00:51:52,680 --> 00:51:54,000 Speaker 10: But just. 932 00:51:54,000 --> 00:51:55,080 Speaker 4: The idea that like. 933 00:51:56,800 --> 00:52:00,600 Speaker 10: Tyra would be almost held accountable in a way that 934 00:52:00,760 --> 00:52:07,400 Speaker 10: other non black, certainly non black women host creators of 935 00:52:07,480 --> 00:52:08,600 Speaker 10: franchises are. 936 00:52:09,680 --> 00:52:13,000 Speaker 1: There's truth in what Bethany and Raquel are saying. Black 937 00:52:13,040 --> 00:52:16,080 Speaker 1: women are held to a different standard, and I do 938 00:52:16,160 --> 00:52:19,799 Speaker 1: think that's happening to Tyra. She shouldn't be the only 939 00:52:19,840 --> 00:52:23,279 Speaker 1: one held responsible for A and TM's failures. But I've 940 00:52:23,320 --> 00:52:26,520 Speaker 1: also talked to the people Top Model Hurt, many of 941 00:52:26,520 --> 00:52:29,279 Speaker 1: whom are black and brown women who are so young. 942 00:52:29,320 --> 00:52:32,400 Speaker 1: When they went on the show, they trusted Tyra, and 943 00:52:32,440 --> 00:52:40,239 Speaker 1: they were left feeling used after having those conversations. I 944 00:52:40,280 --> 00:52:43,719 Speaker 1: think Tyra deserves the smoke. It's just that so do 945 00:52:43,920 --> 00:52:47,000 Speaker 1: a lot of other people. Here's Oliver TwixT again. 946 00:52:47,480 --> 00:52:50,840 Speaker 11: I feel like when you're in the game of people 947 00:52:50,920 --> 00:52:56,920 Speaker 11: as your currency, you do have to answer to those expectations, 948 00:52:57,280 --> 00:53:00,920 Speaker 11: especially when you are a black woman and black women 949 00:53:01,080 --> 00:53:05,799 Speaker 11: are in the conversation. Now. Ultimately, to be fair, does 950 00:53:05,840 --> 00:53:10,280 Speaker 11: Tara have to No, you know, y'all sign this paper. 951 00:53:11,040 --> 00:53:12,239 Speaker 11: Y'all just signed it all the way. 952 00:53:13,120 --> 00:53:16,480 Speaker 1: He's talking about Tyra's legal responsibility to the contestants based 953 00:53:16,480 --> 00:53:17,759 Speaker 1: on the A and TM contract. 954 00:53:18,560 --> 00:53:22,400 Speaker 11: But I do believe you should try to answer to 955 00:53:22,560 --> 00:53:25,600 Speaker 11: those conversations. And I think the problem with Tyra is 956 00:53:26,000 --> 00:53:31,040 Speaker 11: she's never done that. She's never really directly answered questions 957 00:53:31,680 --> 00:53:34,640 Speaker 11: or specific things. She's never really had this type of moment, 958 00:53:35,120 --> 00:53:38,120 Speaker 11: you know, with someone who's saying, well what about this, 959 00:53:38,320 --> 00:53:41,279 Speaker 11: what about this, and being truthful in that moment. You know, 960 00:53:41,360 --> 00:53:44,919 Speaker 11: She's always done these blanket statements and not saying that's 961 00:53:44,960 --> 00:53:48,120 Speaker 11: not good enough or whatever. Only she and her God 962 00:53:48,200 --> 00:53:51,120 Speaker 11: can determine that. But I think when it comes to 963 00:53:51,160 --> 00:53:55,000 Speaker 11: the people, people just want to hear her answer things directly. 964 00:53:58,760 --> 00:54:02,319 Speaker 1: We started this podcast asking Perez Hilton why A and 965 00:54:02,320 --> 00:54:05,279 Speaker 1: TM was such a hit when it premiered twenty years ago. 966 00:54:05,520 --> 00:54:07,840 Speaker 1: They also asked him what he thinks the show in 967 00:54:07,960 --> 00:54:09,560 Speaker 1: Tyra's legacy is today. 968 00:54:10,680 --> 00:54:17,960 Speaker 13: They made memorable television that had cultural impact, and that's 969 00:54:18,200 --> 00:54:23,000 Speaker 13: hard to do. The show is awesome, like you also 970 00:54:23,000 --> 00:54:25,920 Speaker 13: have to celebrate what it got right, and that's you know, 971 00:54:26,000 --> 00:54:26,800 Speaker 13: making good TV. 972 00:54:27,840 --> 00:54:30,160 Speaker 1: And Pareses is a lot of that had to do 973 00:54:30,239 --> 00:54:31,520 Speaker 1: with Tyra Banks herself. 974 00:54:32,400 --> 00:54:37,319 Speaker 13: The people that are talked about often most of them 975 00:54:38,080 --> 00:54:42,600 Speaker 13: want to be talked about and play the game. It's 976 00:54:42,600 --> 00:54:44,560 Speaker 13: a game, and Tyra played the game. 977 00:54:46,200 --> 00:54:50,040 Speaker 1: Tyra and A and TM sold a fantasy, a fairy tale. 978 00:54:50,640 --> 00:54:53,680 Speaker 1: Oliver Twigs believed in it, but now he can't even 979 00:54:53,719 --> 00:54:55,200 Speaker 1: bring himself to watch the show. 980 00:54:56,200 --> 00:54:59,239 Speaker 11: I do not watch the show anymore. I think for me, 981 00:54:59,400 --> 00:55:02,680 Speaker 11: the curtain has just been pulled back all the way 982 00:55:03,280 --> 00:55:05,200 Speaker 11: and the fantasy is now gone for me. 983 00:55:06,960 --> 00:55:10,400 Speaker 1: That happened to me too. It's not that A and 984 00:55:10,440 --> 00:55:14,560 Speaker 1: TM isn't still entertaining, but I can't enjoy the show 985 00:55:14,680 --> 00:55:19,000 Speaker 1: because after hosting this podcast, I'm constantly questioning the reality 986 00:55:19,080 --> 00:55:22,800 Speaker 1: A and TM presents. Now I know it's all manufactured, 987 00:55:23,320 --> 00:55:25,920 Speaker 1: and watching a show where you're second guessing everything you 988 00:55:26,000 --> 00:55:31,440 Speaker 1: see isn't fun. I asked Oliver the question at the 989 00:55:31,440 --> 00:55:35,600 Speaker 1: center of this podcast. Knowing all we know today, what 990 00:55:35,920 --> 00:55:37,680 Speaker 1: is A andtm's legacy. 991 00:55:38,880 --> 00:55:42,200 Speaker 11: I definitely do believe a part of their legacy is 992 00:55:42,520 --> 00:55:48,440 Speaker 11: being one of the reality TV shows that shaped the genre. Definitely, 993 00:55:49,800 --> 00:55:53,520 Speaker 11: people like to demonize the show, and they can do that, 994 00:55:54,840 --> 00:55:59,640 Speaker 11: but from that crop of reality TV shows birth during 995 00:55:59,680 --> 00:56:05,880 Speaker 11: that time on Top Model has had the longest lasting effects. 996 00:56:06,480 --> 00:56:11,120 Speaker 11: People still watch that show like it just came on yesterday. 997 00:56:11,280 --> 00:56:16,440 Speaker 11: People still spend thousands of dollars to produce content talking 998 00:56:16,440 --> 00:56:20,360 Speaker 11: about that show because it's still so relevant until the 999 00:56:20,480 --> 00:56:25,360 Speaker 11: show definitely is I believe the face of staying power 1000 00:56:26,320 --> 00:56:29,520 Speaker 11: within this genre and the entertainment business, and I think 1001 00:56:29,520 --> 00:56:32,799 Speaker 11: for it to be held by a black woman is 1002 00:56:32,800 --> 00:56:36,400 Speaker 11: also powerful. I also think the legacy of Top Model 1003 00:56:36,920 --> 00:56:41,040 Speaker 11: keeps us having these types of important discussions about how 1004 00:56:41,040 --> 00:56:45,960 Speaker 11: do we treat people within entertainment, How do we treat 1005 00:56:46,360 --> 00:56:49,920 Speaker 11: people who are just starting out, who are green to 1006 00:56:50,000 --> 00:56:52,120 Speaker 11: the industry, how do we treat them, how do we 1007 00:56:52,200 --> 00:56:56,760 Speaker 11: inform them? I believe it's also an example for people 1008 00:56:56,920 --> 00:57:01,560 Speaker 11: just starting out what could happen? You know, what could 1009 00:57:01,600 --> 00:57:05,680 Speaker 11: happen in your own career if you come in contact 1010 00:57:05,719 --> 00:57:09,120 Speaker 11: with someone who you thought was going to answer all 1011 00:57:09,120 --> 00:57:11,239 Speaker 11: of your dreams and it doesn't happen that way. 1012 00:57:11,320 --> 00:57:11,919 Speaker 4: What do you do? 1013 00:57:12,320 --> 00:57:17,280 Speaker 11: It's definitely a shining example on what to do and 1014 00:57:17,280 --> 00:57:17,960 Speaker 11: what not to do. 1015 00:57:22,240 --> 00:57:24,800 Speaker 1: You might be surprised, but when my team and I 1016 00:57:24,840 --> 00:57:28,120 Speaker 1: started working on this podcast, I actually resisted the name 1017 00:57:28,200 --> 00:57:31,520 Speaker 1: Curse of I wanted this podcast to be more about 1018 00:57:31,680 --> 00:57:36,400 Speaker 1: A andtm's iconic legacy than the cursed aspect. Nostalgia can 1019 00:57:36,440 --> 00:57:40,040 Speaker 1: do that to you. It makes you romanticized and sometimes 1020 00:57:40,160 --> 00:57:44,280 Speaker 1: misremember what actually happened. It can make you rigid in 1021 00:57:44,320 --> 00:57:47,160 Speaker 1: your thinking. We don't want to confront the truth about 1022 00:57:47,160 --> 00:57:50,440 Speaker 1: the things we used to love. But after being confronted 1023 00:57:50,480 --> 00:57:54,000 Speaker 1: with the reality of ANTM, I had to think differently. 1024 00:57:56,320 --> 00:57:59,760 Speaker 1: I realized the curse isn't just on the contestants or 1025 00:57:59,800 --> 00:58:03,760 Speaker 1: their careers. The curse of America's next top model is 1026 00:58:03,840 --> 00:58:10,400 Speaker 1: on us too. A and TM birthed an entire generation 1027 00:58:10,520 --> 00:58:13,919 Speaker 1: of reality TV and taught the audience that as long 1028 00:58:13,960 --> 00:58:17,320 Speaker 1: as it's in the name of entertainment, people are disposable. 1029 00:58:19,040 --> 00:58:22,840 Speaker 1: According to Perez Hilton, expert in base human nature, that's 1030 00:58:22,880 --> 00:58:24,520 Speaker 1: part of A and TM's legacy too. 1031 00:58:25,120 --> 00:58:28,760 Speaker 13: I don't want reality TV to be nice, we want messiness. 1032 00:58:28,960 --> 00:58:34,400 Speaker 13: The reality TV viewers want drama. That's what reality TV is. 1033 00:58:34,440 --> 00:58:38,160 Speaker 13: They want the housewives fighting. It's harsh, but it's like 1034 00:58:38,440 --> 00:58:42,480 Speaker 13: they want these people to be exploited. 1035 00:58:43,200 --> 00:58:46,320 Speaker 1: And when those exploited people start speaking out, we look 1036 00:58:46,360 --> 00:58:49,440 Speaker 1: for someone to blame. When I was talking to Cycle 1037 00:58:49,440 --> 00:58:52,439 Speaker 1: twenty contestant Corey Wade about the backlash A and TM 1038 00:58:52,480 --> 00:58:55,400 Speaker 1: has gotten over the past few years, I expected him 1039 00:58:55,440 --> 00:58:58,000 Speaker 1: to join the hate train, but he surprised me. 1040 00:58:58,760 --> 00:59:04,160 Speaker 17: We all tend to want to point the finger at Tyra, 1041 00:59:05,040 --> 00:59:07,400 Speaker 17: and we all want to try to find a villain 1042 00:59:07,440 --> 00:59:11,640 Speaker 17: in her. I think it's more important now more than ever, 1043 00:59:11,880 --> 00:59:15,000 Speaker 17: that we kind of look at ourselves, that we kind 1044 00:59:15,000 --> 00:59:20,400 Speaker 17: of take some responsibility, that we take responsibility for ourselves, 1045 00:59:20,920 --> 00:59:26,400 Speaker 17: so to speak. We are the consumers, the people who 1046 00:59:26,480 --> 00:59:30,800 Speaker 17: love that show, who watched it every single week. Its 1047 00:59:30,840 --> 00:59:34,200 Speaker 17: success was due to us and how much we supported it, 1048 00:59:34,280 --> 00:59:37,120 Speaker 17: how much we loved it. So take a look at 1049 00:59:37,120 --> 00:59:42,560 Speaker 17: what you are entertained by today. 1050 00:59:43,640 --> 00:59:46,640 Speaker 1: Don't worry. This isn't a soapbox moment where I urge 1051 00:59:46,640 --> 00:59:50,120 Speaker 1: you to stop watching reality TV. I'm certainly not gonna stop, 1052 00:59:50,720 --> 00:59:52,840 Speaker 1: but I do wonder if it's because I grew up 1053 00:59:52,880 --> 00:59:56,480 Speaker 1: watching a show that prime me to believe exploiting people 1054 00:59:56,560 --> 00:59:59,320 Speaker 1: is okay as long as there's a good story or 1055 00:59:59,400 --> 01:00:02,880 Speaker 1: prize at the finish line. A and TM and shows 1056 01:00:03,080 --> 01:00:05,960 Speaker 1: like It made us believe that the price of pursuing 1057 01:00:06,080 --> 01:00:10,760 Speaker 1: instant fame is humiliation. There are a lot of people 1058 01:00:10,800 --> 01:00:14,280 Speaker 1: who say we're judging the show too harshly. Perez Hilton 1059 01:00:14,440 --> 01:00:15,280 Speaker 1: is one of those people. 1060 01:00:16,280 --> 01:00:19,640 Speaker 13: There's this new trend of revisiting the past with the 1061 01:00:19,720 --> 01:00:22,280 Speaker 13: lens of today that I don't know if it's fair. 1062 01:00:23,840 --> 01:00:27,680 Speaker 1: Honestly, I wouldn't expect anything different from Perez, but this 1063 01:00:27,760 --> 01:00:31,320 Speaker 1: is one thing I disagree with him on. Thinking critically 1064 01:00:31,360 --> 01:00:35,720 Speaker 1: about the past pushes pop culture forward. Our entertainment has 1065 01:00:35,760 --> 01:00:40,000 Speaker 1: to evolve with us ideally. Talking about how far we've 1066 01:00:40,040 --> 01:00:43,200 Speaker 1: come is what keeps us from making the same mistakes. 1067 01:00:43,720 --> 01:00:46,120 Speaker 1: Don't get me wrong. In twenty years, when we open 1068 01:00:46,160 --> 01:00:49,200 Speaker 1: The Love Island or Love is Blind, Capsule will probably 1069 01:00:49,240 --> 01:00:53,920 Speaker 1: be horrified all over again, but hopefully by then we 1070 01:00:54,000 --> 01:00:57,080 Speaker 1: will have learned enough not to repeat the curse of 1071 01:00:57,120 --> 01:01:06,160 Speaker 1: America's Next Top Model. Thanks for listening to the Curse 1072 01:01:06,200 --> 01:01:09,040 Speaker 1: of America's Next Top Model. We're grateful for your support. 1073 01:01:09,480 --> 01:01:11,840 Speaker 1: We'd love for you to really show your support by 1074 01:01:11,880 --> 01:01:15,280 Speaker 1: subscribing to our show on Apple Podcast. Don't forget to 1075 01:01:15,280 --> 01:01:17,959 Speaker 1: give us a five star review. If you love the show, 1076 01:01:18,120 --> 01:01:21,040 Speaker 1: tell your group, chat your friends, your mama to check 1077 01:01:21,120 --> 01:01:23,600 Speaker 1: us out, and if you don't, maybe keep that one 1078 01:01:23,600 --> 01:01:27,760 Speaker 1: to yourself. The Curse of America's Next Top Model is 1079 01:01:27,840 --> 01:01:31,600 Speaker 1: a production of Glass Podcast, a division of Glass Entertainment Group, 1080 01:01:31,760 --> 01:01:35,840 Speaker 1: in partnership with iHeart Podcast. The show is executive produced 1081 01:01:35,840 --> 01:01:39,680 Speaker 1: by Nancy Glass, hosted and senior produced by me Bridget Armstrong. 1082 01:01:40,120 --> 01:01:43,480 Speaker 1: Our story editor is Monique Leboard, also produced by Ben 1083 01:01:43,520 --> 01:01:48,360 Speaker 1: Fetterman and Andrea Gunning. Associate producers are Alisha Key, Kristin Melciriy, 1084 01:01:48,480 --> 01:01:52,440 Speaker 1: and Curry Richmond. Consulting producers on this podcast are Oliver 1085 01:01:52,480 --> 01:01:55,800 Speaker 1: TwixT and Kate Taylor. Our iHeart team is Ali Perry 1086 01:01:55,800 --> 01:01:59,920 Speaker 1: and Jessica Crincheck. Audio editing on this episode by Mat 1087 01:02:00,440 --> 01:02:04,400 Speaker 1: Vechio and Tanner Robbins. The Curse of America's Next Top 1088 01:02:04,400 --> 01:02:08,360 Speaker 1: Model theme was composed by Oliver Bains music library provided 1089 01:02:08,360 --> 01:02:12,440 Speaker 1: by myb Music. Special Thanks to everyone we interviewed, especially 1090 01:02:12,520 --> 01:02:16,320 Speaker 1: the former contestants, and for more podcasts from iHeart, visit 1091 01:02:16,360 --> 01:02:20,360 Speaker 1: the iHeartRadio app Apple Podcasts or wherever you get your podcasts. 1092 01:02:20,800 --> 01:02:23,760 Speaker 1: Also check out the Etglass Podcast Instagram for Curse of 1093 01:02:23,840 --> 01:02:26,240 Speaker 1: America's Next Top Model, behind the scenes content,