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Speaker 1: And it's Drink Chas motherfucking podcast. Mason, he's a legendary

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Speaker 1: queen's rapper. He's like, that's your boy in o R.

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Speaker 1: He's a Miami hippop pioneer. Up his dj e FN.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in the most professional, unprofessional podcast. And your number

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Speaker 1: one source for drunk drinks, motherfucking Poda every day is

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Speaker 1: New Year's ele It's time for drink Champs, drink up,

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Speaker 1: motherfuck motherfu Hey, Hey said Green, I hope you're sife

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Speaker 1: for you. It's your boy in R. What up is

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Speaker 1: dj e f N And it's motherfuckering drink Chats podcast

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Speaker 1: right now. When you talk Ah the greatest rapper alive

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Speaker 1: in hip hop, this guy was the closest person to him.

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Speaker 1: I always wanted to ask him the little c's cripple him.

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Speaker 1: He said that in the rhyme. I've seen that the

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Speaker 1: other day, he said, cripple me. You was a part

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Speaker 1: of a legendary group. Junior Mafia, also one of the

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Speaker 1: odd time best female mcs ever, was close to her

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Speaker 1: as world as well. You've been a part of the

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Speaker 1: bad boy movement. But Junior mafia movement. You've been a

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Speaker 1: part of this hip hop thing for so long. Right now,

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Speaker 1: we got a big up little seeds in the motherfucking buildings.

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Speaker 1: That was one of my favorite to pickle me to

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Speaker 1: Little CS crippled me to Little C's crippled me. What happened?

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Speaker 1: He was in a car accident, okay, because you was

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Speaker 1: like the drive. I not heard big never drove, never

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Speaker 1: drove okay, So what happened he was we had got

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Speaker 1: arrested um day before that. Let's make some noise of

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Speaker 1: Little C is a big getting got arrested downtown Brooklyn

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Speaker 1: or some bud and they took our truck. When we

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Speaker 1: got the truck back that that Alexis. We got it

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Speaker 1: back and ship didn't work, so they had to ship

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Speaker 1: the ship to the car dealership. We went to the

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Speaker 1: next morning to pick up a loan. This car. It

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Speaker 1: was a luminum van. Yeah, we we trade an Alexis

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Speaker 1: car for a Lumino van. And I was like, b

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Speaker 1: I shouldn't we get Alexus Like he was like, no,

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Speaker 1: I'm gonna ride low. Let's just take this drop. And

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Speaker 1: I jumped in that ship and were driving around this

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Speaker 1: little just still a fork and the ship just sped

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Speaker 1: out of control. I ran into a rail. How old

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Speaker 1: were you at that out sixteen driving? Had no elves?

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Speaker 1: Driving dirty? This k Rose would answer, yeah, yeah, so

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Speaker 1: that's what happened, and he funked up his leg. I

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Speaker 1: had to get these gold fronts, took a place two

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Speaker 1: joints that was sucked up. That's why he had to

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Speaker 1: put down the rhyme. And uh time in the raid

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Speaker 1: the station when he said that rhyme, was that the

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Speaker 1: first time you heard that rhyme? I heard the song.

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Speaker 1: She already he already killed me. I had to accept

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Speaker 1: that one though, you know what I mean. I took

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Speaker 1: one for the team, right so now also right? Uh?

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Speaker 1: I wanted to ask this question. Um this this comes

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Speaker 1: via shot he read. I believe he said, what were

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Speaker 1: big his plans for the Commission album with j who

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Speaker 1: else was supposed to be in that group? What label

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Speaker 1: was supposed to be on? And who was supposed to

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Speaker 1: be in the commission Commission? He had no label idea

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Speaker 1: for it yet, so he didn't know what label he's

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Speaker 1: gonna do it on. It probably gonna be on Unda,

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Speaker 1: that was his label on He probably gonna do it

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Speaker 1: on that depending on what Jay was gonna do. But

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Speaker 1: the commission was me Jay Z Charlie Baltimore, Big and No.

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Speaker 1: But he just don't play like the boss of it.

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Speaker 1: But his way I like pushing Charlie out. He was

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Speaker 1: gonna push Charlie through the through the commission ships. So

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Speaker 1: that's how he was gonna break that down. I actually

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Speaker 1: spoke to the other day and it was crazy because

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Speaker 1: unset to me, he said, you know, it's a crazy ship, Nori.

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Speaker 1: Nobody's never interviewed him about Big, like he was his

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Speaker 1: business far enough and people didn't. This is so you know,

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Speaker 1: you know, doing drink chance. He's like he had to

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Speaker 1: sit there and just think about it. And it was like, Yo,

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Speaker 1: you know what, Nobody never really asked me about Big

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Speaker 1: because well, I guess what happened after Big because Cam

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Speaker 1: was supposed to be signed to you guys, and yeah,

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Speaker 1: because Cam was actually BIGS artist and yes, yes, I'm

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Speaker 1: taking too. I was so scared. I was so scared

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Speaker 1: of of Big because that's all I listened to. That's

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Speaker 1: all I was listening to Jail, so I've seen him

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Speaker 1: from the Hot tighty seven and he was like, yo,

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Speaker 1: he asked something he asked to rhyme and that was

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Speaker 1: schilk but comp own dead Rome and he was like, yo,

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Speaker 1: I'm making you junior Mafia jam words. And I was

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Speaker 1: so hated. I was like he was trying to he

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Speaker 1: was trying to get the squad. Now she was always yeah,

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Speaker 1: she used to always put us, put us on your

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Speaker 1: you know what. The crazy ship was, um been Big

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Speaker 1: been Big In the movie when Big is making these

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Speaker 1: last phone calls, the crazy ship was Big had called

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Speaker 1: me and he played me t or and why And

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Speaker 1: I was like, he called you. He called me and

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Speaker 1: was like be our favorite records, Moe, I'm working with this.

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Speaker 1: And at the time two or was not that I'm

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Speaker 1: figging me bag And I told he didn't put two

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Speaker 1: and two together. That was a bad way to do something.

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Speaker 1: So I didn't know. So you're imagine that like getting

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Speaker 1: that call, I'm worried about. My ship is bootleg. It's

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Speaker 1: all over me. But so now you didn't Big your

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Speaker 1: whole childhood, So did you? Was he always the best

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Speaker 1: rap or you knew? You knew he was? He was

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Speaker 1: nice back then. I just knew from the rip he

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Speaker 1: was dope. I'm saying, you know what, I mean, like,

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Speaker 1: we didn't think he was gonna be to the level

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Speaker 1: of what it is now or when he became even

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Speaker 1: when he was like when he was out, you know,

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Speaker 1: I mean, we didn't think it was that, but he

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Speaker 1: was nice and he was to come through a difference

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Speaker 1: between five years. So he uh yeah, when he was twenty,

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Speaker 1: I was fifteen years old, just running them out. He

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Speaker 1: took me out of the street since I was eleven.

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Speaker 1: I knew him since I was like five six years

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Speaker 1: old and I was in public school him on Ponton Street.

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Speaker 1: And then the number five years, I was on that

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Speaker 1: same strip trying to hustle and do all that ship

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Speaker 1: and he seen that ship in me like that, ain't

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Speaker 1: you the funk out of here? Now, I'm gonna ta

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Speaker 1: took me out and took me out of that, took

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Speaker 1: me out of that his own sad. And you know

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Speaker 1: what's funny. A lot of people give jay Z credit

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Speaker 1: for like, you know, putting like a lot of his

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Speaker 1: friends on, but a lot of people don't really realize

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Speaker 1: that Big did that first from that camp camera on

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Speaker 1: Little Ceds the bought to more A little kid want

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Speaker 1: some ship. Um, he got carew chain and all that

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Speaker 1: big He had the club in Atlanta, he was doing

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Speaker 1: checkob out there doing big Ship, and all that came

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Speaker 1: from just be I getting put on shut up for

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Speaker 1: all the pipelines for anybody to do. What's that sta

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Speaker 1: From the beginning was like I'm gonna get on. And

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Speaker 1: then because then you had you had that album. What's

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Speaker 1: that album? That was like one of the most stept

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Speaker 1: on albums. Why do you think people slept on that album?

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Speaker 1: I just think Atlantic then push it. I don't think

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Speaker 1: they push it the right way, you know what I'm saying.

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Speaker 1: And the money that we had that they gave us,

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Speaker 1: we used it wrong. We expensive videos, dollars eight thousand

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Speaker 1: dollar videos. And once you do that first video don't work,

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Speaker 1: they don't want to shoot no more videos. They're like, no,

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Speaker 1: let's see what happened in another two weeks, another month,

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Speaker 1: ship don't move and they just kind of just let

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Speaker 1: it go, you know what I mean. But as long

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Speaker 1: as people liked it and accepted it, it was cool

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Speaker 1: with that, you know what I'm saying. I always wanted

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Speaker 1: to ask, like, crush on you video? Right? That was

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Speaker 1: like the first time we a female change wigs, Like

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Speaker 1: did you like she like like like like was was

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Speaker 1: was that's something that y'all was like this is dope

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Speaker 1: or was he? Because you know sometimes you be skeptic

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Speaker 1: or something didn't work, you'd be like, yeah, oh I

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Speaker 1: knew it all along, but you know down the stop

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Speaker 1: like this is a risk us as a little niggers.

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Speaker 1: We just sat around and just let that was that

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Speaker 1: was big game Undershot like to do the partnership with

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Speaker 1: unders and under one that was doing the ideas for

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Speaker 1: the videos? Did all our videos get money? Players? Anthem

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Speaker 1: much on you? We just we just did whatever he

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Speaker 1: said to do. Yeah, he directed all those videos. That

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Speaker 1: was that was that was his way in the business.

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Speaker 1: You know, I'm saying, experience nothing straight. Then it came

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Speaker 1: straight from the streets, straight trapped and went from hustling

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Speaker 1: and went behind the cambra and was like y'all got

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Speaker 1: some ideas and big trusted them, and all them ships

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Speaker 1: just happened to pop and they and they rocked fords.

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Speaker 1: We didn't say no, We just played opposition. Do you

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Speaker 1: want me to go go ahead? Go ahead, and just

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Speaker 1: so happened to ship. Actually the ship blew up what

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Speaker 1: I'm saying, and I was just all with the nuts.

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Speaker 1: That was all the fam team. We was like big.

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Speaker 1: We was like big Guinea. We was his creation. He

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Speaker 1: was learning all that ship from Puff and was like, no,

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Speaker 1: I ain't taking drin your moufia the Puff. I mean

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Speaker 1: it's gonna be my own thing. Let me see if

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Speaker 1: I couldn't learn without learned from him. And interest was

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Speaker 1: on atlantic alight. Everybody was like, why you didn't sound bad?

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Speaker 1: Even at that time he was trying to spread rumors

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Speaker 1: like big, but I always seem big cool. He's just

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Speaker 1: always been like a second family that you know that

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Speaker 1: was big. That was be ship and I'm trying to

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Speaker 1: be I created us through and the whole another pant line.

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Speaker 1: Everything he learned from Puff, he kind of tested it

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Speaker 1: with us and the ship working. God, damn it. What

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Speaker 1: do you think? What do you think b O's next

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Speaker 1: move would have been? Like? Like because like because like

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Speaker 1: he was doing things monumental, So what was his next

185
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Speaker 1: move would have been? Had he he's been on his

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Speaker 1: whole thing was the music. That's all that was a

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Speaker 1: fan of music. It's just next thing was k and

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Speaker 1: another drin your Manfia project. He want to be the

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Speaker 1: commission ship. He was a he was gonna sign cam

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Speaker 1: he was, you know he was. This ship was about music.

191
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Speaker 1: He wanted to set up his own their party. That

192
00:10:03,880 --> 00:10:05,679
Speaker 1: was a big whole thing, Like you want to give

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00:10:05,679 --> 00:10:07,920
Speaker 1: it a bunch of nice niggers and put some ship

194
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Speaker 1: together and just let it run from there. He wanted

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Speaker 1: to do five albums and retire. He's gonna write my

196
00:10:11,920 --> 00:10:13,400
Speaker 1: albums after that. I'm sure to write a bunch of

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Speaker 1: Little Seeds albums. You got, you gotta relax. He he

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Speaker 1: didn't need my whole life so easy for him to

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Speaker 1: write for me. Like I got built into being that ship.

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Speaker 1: I didn't sit back. I didn't want to be a rapper.

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Speaker 1: I want ten years old, eleven years old to my y'all.

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Speaker 1: I'm ready to spin, I'm ready to get busy. I

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Speaker 1: love the music. I love listening to it. You know

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Speaker 1: that was my thing. But I never thought about rapping.

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Speaker 1: It was just a thing for him, Like all right,

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Speaker 1: this little nigga, he he got the wave. He knows

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Speaker 1: what to do. He came. You even knew it. He

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Speaker 1: told you you're gonna be ryn write your album right

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Speaker 1: all right? Cool? Say no more? Yeah you want me

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Speaker 1: to do? Because I was rocking with him, doing the

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Speaker 1: hype man stuff with him. So we all do like

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Speaker 1: colleges and ship like that, and he's a little watching that. Okay.

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Speaker 1: The only thing I need to do it just write

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Speaker 1: him some runs what I'm saying, writ him some little

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Speaker 1: cool rhyme. You wanna be this little cool kid with

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Speaker 1: the knapsat Tommy Hill finger? Did you tell me went

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Speaker 1: on niggas? Like just all that's why he was on

218
00:11:06,760 --> 00:11:10,960
Speaker 1: a chip with That's why the crush on you? Yeah,

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Speaker 1: that was my creation, a beau. Don't like my album

220
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Speaker 1: supposed been so straight. Wow, puppy Love. That's a big

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Speaker 1: name of album, Puppy Love. It's a real cool a

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Speaker 1: bunch of crush. Now, when he died, I can't My

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Speaker 1: old ship was like the wonderful world of Season Leo.

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Speaker 1: That was me with the king, but as with the

225
00:11:29,520 --> 00:11:32,319
Speaker 1: bitch's hands covered with me, that was She's the leal idea, Like, alright,

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Speaker 1: I need I need to make a different kind of

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Speaker 1: approach to my ship now. The movie, I heard Little

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Speaker 1: kim Um express some feelings that she thought it wasn't

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Speaker 1: accurate or something. Then I heard people speak on the

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Speaker 1: movie and they say, why I see so young in

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Speaker 1: the movie. But I heard you address that and say

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Speaker 1: a lot of people don't know he was fifteen sixteen

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Speaker 1: at that time. So that's to that character. But how

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Speaker 1: did you feel it was the movie accurate to you? Na,

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Speaker 1: not all of it, you know, I mean sixty percent

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Speaker 1: of the movie. You ain't gonna never be able get

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Speaker 1: a hundred percent of the real movie. It's just something

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Speaker 1: you're just gonna would be able to say and put

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Speaker 1: out there. People got to understand what was something you

240
00:12:03,880 --> 00:12:07,520
Speaker 1: wish they didn't put it in there, Like that wasn't accurate? Well,

241
00:12:07,600 --> 00:12:09,599
Speaker 1: that was accurate that you didn't want in there. I

242
00:12:09,679 --> 00:12:12,240
Speaker 1: mean a lot of it wasn't about what wasn't accurate

243
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Speaker 1: in the movie, you know. I mean they don't feel

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Speaker 1: like anything like anything, like they put a lot of

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Speaker 1: fake in it. It's just that a lot of this

246
00:12:16,240 --> 00:12:18,240
Speaker 1: ship they didn't put in it, and he just added

247
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Speaker 1: a little ship to some parts that was real, you

248
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Speaker 1: know what I'm saying. So it was kind of like

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Speaker 1: basically real. It was just more of a outside outside

250
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Speaker 1: to the big like you know, his mom shot that movie.

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Speaker 1: She wanted to show people just how big was outside

252
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Speaker 1: of the music more or less, but just happened. You

253
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Speaker 1: had to put some monumental moments in there that people

254
00:12:33,520 --> 00:12:35,800
Speaker 1: already know about. You know about the Tupac ship, what

255
00:12:35,800 --> 00:12:37,600
Speaker 1: I'm saying, you know about the East Coast and West Coote.

256
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Speaker 1: Shit like that you can't straight away from you gotta

257
00:12:39,280 --> 00:12:40,800
Speaker 1: put in there. His moms didn't want none of that

258
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Speaker 1: in there. She straight just wanted to be about her

259
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Speaker 1: son outside of the music. You know what I'm saying.

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Speaker 1: You get to see the Tupoc movie yet? Nah? I

261
00:12:46,600 --> 00:12:49,000
Speaker 1: want to see it though, Yeah, because um was something

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Speaker 1: very interesting going on in the game right now, flex

263
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Speaker 1: taking our approach. You actually said on the podcast and

264
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Speaker 1: not the podcast. Give me what did you say? Act?

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Speaker 1: Because now your name is in this. Yeah, so what happened.

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Speaker 1: What happened was he was he was talking about the

267
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Speaker 1: whole incident and he wanted to know if student at

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Speaker 1: Cross Studio. He wanted to know if if Pox shot

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Speaker 1: himself resistance. I just when he asked me, I was there,

270
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Speaker 1: and I just said that from what I know, I

271
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Speaker 1: never said it was truthful of it's the fact I

272
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Speaker 1: wasn't there when he said when when that situation happened,

273
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Speaker 1: I was coming downstairs and the elevator, and I just

274
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Speaker 1: stated that and just that one little line I said

275
00:13:26,960 --> 00:13:28,559
Speaker 1: when I said, from what I know, you wrote it,

276
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Speaker 1: he put my ship on blast and I just got

277
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Speaker 1: five next to my ship. My ship. But I'm thinking

278
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Speaker 1: it just some light ship like that, not just people.

279
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Speaker 1: People been knew about this. I'm talking about this ship

280
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Speaker 1: when your time, nobody never to know it's it's been ahead.

281
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Speaker 1: Everybody said, he did not shoot himself five times shop

282
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Speaker 1: from what from what has heard on the streets through

283
00:13:55,320 --> 00:13:58,400
Speaker 1: the birds and birds they said, let me stepped on.

284
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Speaker 1: I guess he tried to rap and he was pulling out.

285
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Speaker 1: So when they heard the shot, that's how they shot him.

286
00:14:03,800 --> 00:14:06,040
Speaker 1: Because they were reacting. They were thinking, you know what

287
00:14:06,080 --> 00:14:09,120
Speaker 1: I'm saying that they would think he was shooting. That's

288
00:14:09,120 --> 00:14:12,839
Speaker 1: shot first. That's the rule, and that's what everything you

289
00:14:12,880 --> 00:14:14,760
Speaker 1: know what I'm saying. So that's what happened. And people

290
00:14:14,840 --> 00:14:16,120
Speaker 1: kind of took it like we was you know, they

291
00:14:16,240 --> 00:14:18,120
Speaker 1: was cracking jokes. So I was in. I was in

292
00:14:18,240 --> 00:14:19,920
Speaker 1: with that now. I just answered the question that was it,

293
00:14:19,960 --> 00:14:21,560
Speaker 1: and then my name got thrown up in that ship.

294
00:14:21,640 --> 00:14:26,760
Speaker 1: But I ain't really know this part of the industry

295
00:14:26,800 --> 00:14:28,920
Speaker 1: ship with social media. Now, you gotta just understand that's

296
00:14:28,920 --> 00:14:30,360
Speaker 1: just what it is. It would have been you know,

297
00:14:30,640 --> 00:14:31,920
Speaker 1: you know who they had, you know, you know the

298
00:14:32,000 --> 00:14:35,080
Speaker 1: cut social media though, Pun and Big because their nigger's

299
00:14:35,080 --> 00:14:38,000
Speaker 1: personalities was ill like like like those fact niggers got

300
00:14:38,000 --> 00:14:43,360
Speaker 1: good personality. I think I would have been acphole cry

301
00:14:43,480 --> 00:14:47,520
Speaker 1: on social media work after that, definitely been terrorizing people. Yeah,

302
00:14:48,760 --> 00:14:50,600
Speaker 1: how was the How was the transit? Because you knew pop,

303
00:14:51,400 --> 00:14:54,160
Speaker 1: you knew Pop and Big when they were cool, Like

304
00:14:54,280 --> 00:14:56,400
Speaker 1: even in the movie, it's like you see Big and

305
00:14:56,440 --> 00:14:58,760
Speaker 1: you say, yo, I pockets in the joint and that

306
00:14:58,880 --> 00:15:01,720
Speaker 1: was that was all love like, So how was that

307
00:15:01,960 --> 00:15:05,440
Speaker 1: to see that transition because I mean it was it

308
00:15:05,520 --> 00:15:07,840
Speaker 1: was sucked up because they know Big really had genuine

309
00:15:07,920 --> 00:15:09,920
Speaker 1: love for him, and we all know he had genuine

310
00:15:10,000 --> 00:15:11,720
Speaker 1: love for Big two. Let me let me let you

311
00:15:11,760 --> 00:15:14,440
Speaker 1: know something, if something, if something wanted, if something wanted

312
00:15:14,480 --> 00:15:16,560
Speaker 1: to happen, it could have happened. What I'm saying, nothing

313
00:15:16,600 --> 00:15:18,200
Speaker 1: could have stopped that though we was we were seeing

314
00:15:18,200 --> 00:15:20,800
Speaker 1: each other in plenty of places and if something because

315
00:15:20,800 --> 00:15:23,440
Speaker 1: it happened, it was So you're saying, whoa whoa, whoa whoa, whoa.

316
00:15:23,840 --> 00:15:26,520
Speaker 1: You're saying as these records is out, y'all were seeing

317
00:15:26,680 --> 00:15:28,080
Speaker 1: each other to each other a few times and the

318
00:15:28,160 --> 00:15:30,800
Speaker 1: sole training awards when they want something could have happened

319
00:15:30,800 --> 00:15:34,560
Speaker 1: at that time if they wanted to, Like yeah, situations

320
00:15:34,600 --> 00:15:36,680
Speaker 1: happened before, but it just never went there. And I

321
00:15:36,800 --> 00:15:38,240
Speaker 1: just think he didn't He didn't really want that. I

322
00:15:38,360 --> 00:15:39,920
Speaker 1: just think he had a lot of people behind him

323
00:15:39,920 --> 00:15:41,760
Speaker 1: pushing him, and it was vice versa. You know, you

324
00:15:41,840 --> 00:15:44,600
Speaker 1: had people are not here too because in us too,

325
00:15:44,640 --> 00:15:46,280
Speaker 1: you know what I'm saying. But they never would have

326
00:15:46,320 --> 00:15:48,600
Speaker 1: did nothing to each other because genuinely he knew big

327
00:15:48,680 --> 00:15:50,360
Speaker 1: Head love for him, you know, and Big new he

328
00:15:50,400 --> 00:15:51,880
Speaker 1: had love for him. He would he I just think

329
00:15:51,920 --> 00:15:54,080
Speaker 1: he was just going with a situation. I mean, you

330
00:15:54,160 --> 00:15:55,800
Speaker 1: got niggas that just bails you out of jail, and

331
00:15:56,120 --> 00:15:58,240
Speaker 1: you owe your loyal teacher that he didn't do nothing

332
00:15:58,320 --> 00:16:00,680
Speaker 1: wrong by that you know, out to and took you

333
00:16:00,760 --> 00:16:04,760
Speaker 1: out of a situation beyond. And they both died the

334
00:16:04,840 --> 00:16:06,600
Speaker 1: same way. That ship is like so crazy, like six

335
00:16:06,680 --> 00:16:10,359
Speaker 1: months apart, the same kind of situation. The album's Nackavelli

336
00:16:11,480 --> 00:16:14,320
Speaker 1: die all. That ship is just like a whole weird thing,

337
00:16:14,360 --> 00:16:15,480
Speaker 1: and I was just thinking it was just that, just

338
00:16:15,600 --> 00:16:17,240
Speaker 1: I was meant to beat dog. You can't change it.

339
00:16:17,320 --> 00:16:19,520
Speaker 1: You can't like do the wood ifs. And it was

340
00:16:19,560 --> 00:16:21,480
Speaker 1: just they both got caught up in a bad situation.

341
00:16:23,560 --> 00:16:28,440
Speaker 1: People beyond I always I always wish they had passed

342
00:16:28,480 --> 00:16:30,160
Speaker 1: it up, because I think that would have been It

343
00:16:30,360 --> 00:16:34,280
Speaker 1: was they was because we did a record together for

344
00:16:34,640 --> 00:16:36,800
Speaker 1: case Lay called very the Hatchet I did with the Outlaws.

345
00:16:37,160 --> 00:16:38,880
Speaker 1: And you know, it took us fifteen years for us

346
00:16:38,920 --> 00:16:41,200
Speaker 1: to sit down and talk about you know what I'm saying, Like,

347
00:16:41,240 --> 00:16:42,800
Speaker 1: we ain't like each other for fifteen years and none

348
00:16:42,840 --> 00:16:44,400
Speaker 1: of us haven't even met each other and knew each

349
00:16:44,400 --> 00:16:47,240
Speaker 1: other none. And one day we spoke to a female.

350
00:16:48,160 --> 00:16:50,560
Speaker 1: One day, I'm talking to this chicken. She must have

351
00:16:50,600 --> 00:16:52,480
Speaker 1: said my name real loud and young know were already

352
00:16:52,520 --> 00:16:56,160
Speaker 1: grabbed the phone from her. Yo, who this real aggressive?

353
00:16:56,600 --> 00:17:00,200
Speaker 1: And I'm just like this, see Outlaws. I'm like, I

354
00:17:00,280 --> 00:17:05,160
Speaker 1: heard you. It was up. I heard you. What's good?

355
00:17:05,640 --> 00:17:07,520
Speaker 1: And we sat there. We talked for about two hours.

356
00:17:07,560 --> 00:17:09,240
Speaker 1: We got a chance to really speak on ship. He

357
00:17:09,280 --> 00:17:10,480
Speaker 1: ain't know a lot of ship that was going on

358
00:17:10,560 --> 00:17:13,960
Speaker 1: the outside. I ain't know was this, and we spoke,

359
00:17:14,040 --> 00:17:15,320
Speaker 1: and then he came to New York on Damn, we

360
00:17:15,359 --> 00:17:17,280
Speaker 1: got up and set down and kicked it them my niggas.

361
00:17:17,320 --> 00:17:20,080
Speaker 1: To this day he said, yo, when when Uh Pop

362
00:17:20,160 --> 00:17:21,800
Speaker 1: was going to Vegas before that, he was like, yo,

363
00:17:22,000 --> 00:17:23,520
Speaker 1: when he come back from Vegas, he was gonna sell

364
00:17:23,520 --> 00:17:26,119
Speaker 1: with that ship with Bedow, you know what I mean.

365
00:17:26,200 --> 00:17:27,520
Speaker 1: So that ship was gonna get dead it you know,

366
00:17:27,560 --> 00:17:28,800
Speaker 1: I mean eventually, you know what I mean, it was

367
00:17:28,840 --> 00:17:30,760
Speaker 1: gonna get squashed. He really knew what happened. He knew

368
00:17:30,760 --> 00:17:32,199
Speaker 1: what was going on. He knew Big didn't have nothing

369
00:17:32,240 --> 00:17:33,440
Speaker 1: to do with that. He knew we didn't have nothing

370
00:17:33,440 --> 00:17:34,800
Speaker 1: to do with that. I just think he was just

371
00:17:34,880 --> 00:17:36,720
Speaker 1: caught up in a situation and it was vice versa.

372
00:17:36,800 --> 00:17:38,400
Speaker 1: Two of the things that did pretty did to change

373
00:17:38,440 --> 00:17:40,400
Speaker 1: it was they was young. We don't realize that time.

374
00:17:40,680 --> 00:17:43,080
Speaker 1: They were dog like, you know, when his forties making

375
00:17:43,119 --> 00:17:47,920
Speaker 1: this spe of mistakes up at day we were kids.

376
00:17:48,240 --> 00:17:49,880
Speaker 1: I look at it now because I'm over thirty, I'm

377
00:17:49,920 --> 00:17:52,000
Speaker 1: over thirty years old. I'm on with forty. So I

378
00:17:52,080 --> 00:17:53,440
Speaker 1: looked at it. I look at it there like, damn,

379
00:17:53,480 --> 00:17:56,000
Speaker 1: these niggles actually babies. Dog We didn't niggas ain't know

380
00:17:56,080 --> 00:17:59,440
Speaker 1: no better, and we didn't go on and let me

381
00:17:59,520 --> 00:18:03,880
Speaker 1: daft tell you about. Let's tell you something. What's good man? Man?

382
00:18:04,000 --> 00:18:06,400
Speaker 1: You know these days, man, stamps dot Com is making

383
00:18:06,400 --> 00:18:08,520
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384
00:18:08,600 --> 00:18:11,280
Speaker 1: days you can get practically everything on demand, that's right, man.

385
00:18:11,359 --> 00:18:13,480
Speaker 1: So who who's still going to the post office when

386
00:18:13,520 --> 00:18:15,120
Speaker 1: you get it on demand? It comes to your career

387
00:18:15,200 --> 00:18:17,240
Speaker 1: picking up and all that. Stamps dot Com that's it,

388
00:18:17,400 --> 00:18:19,600
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389
00:18:19,720 --> 00:18:22,280
Speaker 1: at the post office you can now do right from

390
00:18:22,320 --> 00:18:24,760
Speaker 1: your desk with stamps dot Com. Stamps dot Com buy

391
00:18:24,840 --> 00:18:27,880
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392
00:18:27,920 --> 00:18:30,840
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393
00:18:30,880 --> 00:18:33,719
Speaker 1: stamps dot Com never closes, so you can get posted

394
00:18:33,840 --> 00:18:37,000
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395
00:18:37,119 --> 00:18:40,040
Speaker 1: to deliver you know, expensive jury, to deliver my cats,

396
00:18:40,119 --> 00:18:43,680
Speaker 1: you know, food, to deliver my dogs, toe nails. I

397
00:18:43,680 --> 00:18:46,000
Speaker 1: would do things like that with stamps dot Com. Yeah, man,

398
00:18:46,040 --> 00:18:47,359
Speaker 1: you know, I just don't want to deal with the

399
00:18:47,400 --> 00:18:49,399
Speaker 1: lines at the post office. I love the post office,

400
00:18:49,440 --> 00:18:51,119
Speaker 1: but man, if I could just use stamps dot Com,

401
00:18:51,200 --> 00:18:52,800
Speaker 1: it's gonna save me a lot of time, a lot

402
00:18:52,880 --> 00:18:54,719
Speaker 1: of headache and just a lot of just a lot

403
00:18:54,720 --> 00:18:55,960
Speaker 1: of time I could be doing other things, you know,

404
00:18:56,200 --> 00:18:58,680
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405
00:18:59,040 --> 00:19:02,159
Speaker 1: That's Champs. C h A m p s. Tell him

406
00:19:02,320 --> 00:19:05,840
Speaker 1: if four week trial includes postage and digital scale, don't

407
00:19:05,880 --> 00:19:08,000
Speaker 1: wait to go to Stamps dot com before you do

408
00:19:08,119 --> 00:19:10,639
Speaker 1: anything else. Click on the radio microphone at the top

409
00:19:10,680 --> 00:19:13,640
Speaker 1: of the homepage and type in Champs that Stamps dot com.

410
00:19:13,920 --> 00:19:17,120
Speaker 1: Enter Champs Stamps dot com. Never go to the post

411
00:19:17,200 --> 00:19:21,880
Speaker 1: office again. That's chance c A mp S. Pree chance, baby,

412
00:19:22,000 --> 00:19:25,359
Speaker 1: let's do. When we dropped l A l A, I

413
00:19:25,480 --> 00:19:27,760
Speaker 1: stepped to Big and I told him that and he said,

414
00:19:27,800 --> 00:19:29,840
Speaker 1: he said, Yo, I don't want to be um. I

415
00:19:29,880 --> 00:19:31,959
Speaker 1: don't want that record to come out because what they

416
00:19:32,040 --> 00:19:34,560
Speaker 1: accusing me for Nori, I ain't do so I gotta

417
00:19:34,800 --> 00:19:37,200
Speaker 1: like he always knew to take the high roll like

418
00:19:37,320 --> 00:19:39,320
Speaker 1: it was ill he was. He'll tell you like, no,

419
00:19:39,520 --> 00:19:41,360
Speaker 1: dog ain't ain't the way. But you know, to each

420
00:19:41,400 --> 00:19:43,280
Speaker 1: his own, you want to do that, you don't do that.

421
00:19:43,440 --> 00:19:45,000
Speaker 1: We couldn't stop them from doing that, but we was

422
00:19:45,080 --> 00:19:46,480
Speaker 1: loving them for doing it. You know what I'm saying

423
00:19:46,560 --> 00:19:48,240
Speaker 1: like that was like, man, we stepped up to the plate.

424
00:19:48,520 --> 00:19:50,359
Speaker 1: But it's like, let's not, well, we don't want to

425
00:19:50,400 --> 00:19:51,680
Speaker 1: do that. We're trying to get some money, you know,

426
00:19:51,880 --> 00:19:54,080
Speaker 1: like you know that ship was don't we're trying to

427
00:19:54,119 --> 00:19:55,639
Speaker 1: get money. We ain't in this ship for that. And

428
00:19:55,680 --> 00:19:58,040
Speaker 1: if you're gonna be beef, don't make it hot. You're

429
00:19:58,040 --> 00:20:00,840
Speaker 1: gonna make it hot. You make I'm gonna do some

430
00:20:00,920 --> 00:20:05,080
Speaker 1: real ship. Don't. Don't sponser your reaction to nothing. Yeah,

431
00:20:05,440 --> 00:20:07,600
Speaker 1: big ain't say nothing. You don't know what's gonna happen

432
00:20:07,600 --> 00:20:10,600
Speaker 1: when you see I ain't saying nothing, no response you bigger,

433
00:20:10,640 --> 00:20:13,200
Speaker 1: cut you off. You're spawning anything you make a record,

434
00:20:13,280 --> 00:20:16,679
Speaker 1: don't call me no more, don't come to you're you're done, finish.

435
00:20:16,920 --> 00:20:19,159
Speaker 1: We don't do that now For the record, day that

436
00:20:20,040 --> 00:20:25,639
Speaker 1: the rumor is who Shot You was recorded way before

437
00:20:25,800 --> 00:20:29,679
Speaker 1: that as a vinyl like like, yeah, it didn't make

438
00:20:29,760 --> 00:20:32,159
Speaker 1: sense before any that's supposed to been from Mary j

439
00:20:32,320 --> 00:20:34,399
Speaker 1: album for her. That's supposed to an intro to her

440
00:20:34,400 --> 00:20:36,399
Speaker 1: first album, Get the Funk Out. Who Shots You My

441
00:20:36,560 --> 00:20:38,520
Speaker 1: Life is in the second album intro to the second

442
00:20:38,560 --> 00:20:42,640
Speaker 1: album It was Too Hard for It was your kids

443
00:20:42,680 --> 00:20:45,479
Speaker 1: to the you know, we gotta put you over there.

444
00:20:47,400 --> 00:20:48,879
Speaker 1: You gotta put you over there again. So I've been

445
00:20:48,920 --> 00:20:50,840
Speaker 1: hanging out with my man for about the week. Kiss

446
00:20:51,000 --> 00:20:52,840
Speaker 1: serious and you go to the gym to every day.

447
00:20:54,480 --> 00:20:57,800
Speaker 1: Got out. He don't play those games and with drink

448
00:20:57,880 --> 00:21:00,760
Speaker 1: with you. So you said who shot you? Was? Was

449
00:21:00,840 --> 00:21:02,800
Speaker 1: done for? What? That was from Mary J Blide That

450
00:21:02,880 --> 00:21:05,760
Speaker 1: was ant to her second album and it was it

451
00:21:05,840 --> 00:21:09,520
Speaker 1: was Keith Baby, Let's Keith Murray LLL COOJ and Big

452
00:21:09,600 --> 00:21:14,600
Speaker 1: on it. Who Yeah, that's the originally Keith Murray m J.

453
00:21:15,160 --> 00:21:19,080
Speaker 1: Originally was Keith, MARYJ and b I and it was

454
00:21:19,119 --> 00:21:20,800
Speaker 1: from Mary. It was the intro to Mary j My

455
00:21:20,880 --> 00:21:22,520
Speaker 1: Life album. I never heard of it and it was

456
00:21:22,520 --> 00:21:25,240
Speaker 1: like hard, this is too hard to be just to

457
00:21:25,320 --> 00:21:27,320
Speaker 1: start off for R and B album. And once they

458
00:21:27,400 --> 00:21:29,240
Speaker 1: scratched it, b I was like, give me the record.

459
00:21:29,320 --> 00:21:31,000
Speaker 1: I'm su with it, and b I added the second

460
00:21:31,119 --> 00:21:32,520
Speaker 1: version to it and took it. It was a B

461
00:21:32,640 --> 00:21:34,159
Speaker 1: side record and put it on the B side to

462
00:21:34,480 --> 00:21:36,200
Speaker 1: I Wish it what Big pop on One more chance?

463
00:21:36,240 --> 00:21:38,680
Speaker 1: It was on and we just ran with HERD was

464
00:21:38,760 --> 00:21:41,520
Speaker 1: way before that, but it did feel like big was

465
00:21:41,560 --> 00:21:45,760
Speaker 1: coming at it. It's a coincidence that I mean that

466
00:21:45,920 --> 00:21:48,920
Speaker 1: that had me at that time, No, I know I noticed,

467
00:21:49,800 --> 00:21:51,760
Speaker 1: but like that, Why would people think that when they

468
00:21:51,840 --> 00:21:54,680
Speaker 1: know they already heard this record before because stuff was

469
00:21:54,760 --> 00:21:59,640
Speaker 1: just big generation stupid. Now they've been stupid. Say I'm

470
00:21:59,680 --> 00:22:01,840
Speaker 1: like that, Why y'all, Why would y'all think that? But

471
00:22:01,880 --> 00:22:04,879
Speaker 1: I understand just from the situation at that time, I

472
00:22:05,000 --> 00:22:07,399
Speaker 1: knew how it was. But we you know, Big this

473
00:22:07,480 --> 00:22:09,119
Speaker 1: sweat it though Big News, Big new what it was.

474
00:22:09,160 --> 00:22:11,440
Speaker 1: Bigger that's you know, he like man, he know that

475
00:22:11,520 --> 00:22:13,320
Speaker 1: song and about you know that song. We're done before that,

476
00:22:13,400 --> 00:22:15,840
Speaker 1: you know what I mean? So big that when Big

477
00:22:15,960 --> 00:22:19,000
Speaker 1: is on stage and they kind of born them and

478
00:22:19,359 --> 00:22:24,320
Speaker 1: oh that was real. That was We was in Safer

479
00:22:24,359 --> 00:22:27,159
Speaker 1: Mano and ship Sermento. It was a bunch of like

480
00:22:27,240 --> 00:22:30,119
Speaker 1: West Coast on his booked on that show not you

481
00:22:30,240 --> 00:22:36,600
Speaker 1: for his be legit. We was getting love out there.

482
00:22:36,640 --> 00:22:39,000
Speaker 1: You know, we didn't know about this interview, Uh this

483
00:22:39,160 --> 00:22:41,119
Speaker 1: interview that Bigger Post did with this dude from Toronto.

484
00:22:41,200 --> 00:22:42,560
Speaker 1: He put a bunch of ships and saying Big was

485
00:22:42,640 --> 00:22:45,280
Speaker 1: this and while West Coast all this ship and uh,

486
00:22:45,640 --> 00:22:47,600
Speaker 1: I remember walking through that ship the nigga Mac Tim

487
00:22:47,640 --> 00:22:50,040
Speaker 1: bumped me and Ship well, you know, I walked through

488
00:22:50,040 --> 00:22:51,639
Speaker 1: the spot like the circus spot he was in there.

489
00:22:51,680 --> 00:22:53,880
Speaker 1: S was type of bitches in here walked through one time.

490
00:22:54,040 --> 00:22:56,480
Speaker 1: I just get the film. I turned out. I looked

491
00:22:56,480 --> 00:22:59,000
Speaker 1: back to Nick Nacktin like that screwed me. So you know,

492
00:22:59,040 --> 00:23:03,840
Speaker 1: I looked a big funk or something like big this

493
00:23:03,880 --> 00:23:08,360
Speaker 1: ship though it don't feel like that that love. When

494
00:23:08,400 --> 00:23:14,040
Speaker 1: we got on stage, they started going coins at us

495
00:23:14,040 --> 00:23:15,960
Speaker 1: and ship man, you're that coins throwing that you on

496
00:23:16,040 --> 00:23:20,720
Speaker 1: stage and Ship's hurt my nigga coins that shoots and

497
00:23:20,800 --> 00:23:22,520
Speaker 1: big guy mad I was like, your fun that throwing

498
00:23:22,560 --> 00:23:25,080
Speaker 1: who shots you? About who shot shot? And when you

499
00:23:25,160 --> 00:23:27,320
Speaker 1: do who shot you? On they just start going nuts.

500
00:23:27,440 --> 00:23:30,359
Speaker 1: They stopped throwing want they want that, But I did

501
00:23:30,440 --> 00:23:32,240
Speaker 1: that Ship. I didn't want to do that right here,

502
00:23:33,000 --> 00:23:37,840
Speaker 1: listen dog say that you get a little guy but

503
00:23:38,359 --> 00:23:45,760
Speaker 1: requested it like like you shooting me, butch like it's

504
00:23:45,800 --> 00:23:49,240
Speaker 1: crazy and annyway, it's crazy like like but sometimes you

505
00:23:49,320 --> 00:23:52,560
Speaker 1: gotta take those. It's just stand out. They just didn't

506
00:23:52,560 --> 00:23:54,040
Speaker 1: want to feel like you know, they was getting to

507
00:23:54,119 --> 00:23:56,159
Speaker 1: them where they was intimidating them, like I fuck them

508
00:23:56,200 --> 00:23:59,360
Speaker 1: I want to do that shot you enough, like trying

509
00:23:59,400 --> 00:24:05,280
Speaker 1: to hold that another guy like who shot you? Who

510
00:24:05,400 --> 00:24:09,600
Speaker 1: shot you? On that ship just changed the whole momentum.

511
00:24:09,640 --> 00:24:11,879
Speaker 1: Ship we got followed back to be Legit followed us

512
00:24:11,880 --> 00:24:13,560
Speaker 1: back to the hotel that day and all that ship. Man,

513
00:24:13,600 --> 00:24:15,320
Speaker 1: they thought Big was trying to diss the whole city.

514
00:24:15,760 --> 00:24:17,719
Speaker 1: Some bullshit that's interviewed. Somebody put out. But then they

515
00:24:17,720 --> 00:24:19,800
Speaker 1: squashed that ship right there. Big on the phone Efty

516
00:24:19,800 --> 00:24:23,320
Speaker 1: and talk talked about it. You know that hit. It

517
00:24:23,400 --> 00:24:24,399
Speaker 1: was like, yo, man, let me know, y'all get to

518
00:24:24,440 --> 00:24:26,560
Speaker 1: the town. You get to their port. Satan that the

519
00:24:27,119 --> 00:24:28,960
Speaker 1: stairs and anything stayed in the hotel a lot before

520
00:24:29,000 --> 00:24:31,119
Speaker 1: us to the whole to the next morning, took us

521
00:24:31,119 --> 00:24:33,280
Speaker 1: to their port. Anything, well, Nixon Rose took you know.

522
00:24:33,280 --> 00:24:35,080
Speaker 1: That's what we do here. We can get Nick is drunk.

523
00:24:35,080 --> 00:24:37,960
Speaker 1: Imagine you gonna talk about from my bad I was,

524
00:24:38,600 --> 00:24:42,440
Speaker 1: I was like four episodes before we did this. You

525
00:24:42,520 --> 00:24:45,600
Speaker 1: got prepared for something. You didn't have a eddy special

526
00:24:45,640 --> 00:24:48,280
Speaker 1: today in by building, they must have sent a flyer

527
00:24:48,400 --> 00:24:51,000
Speaker 1: that said there's no hot water after certain times. So

528
00:24:51,119 --> 00:24:53,800
Speaker 1: my whole family gets up, takes a shower, They forget

529
00:24:53,880 --> 00:24:57,920
Speaker 1: to tell me. So I'm like, oh, I can't take

530
00:24:57,960 --> 00:24:59,560
Speaker 1: a showl. So I had to go to them. You

531
00:24:59,640 --> 00:25:06,440
Speaker 1: just do co water. No, I can't do it. So

532
00:25:06,480 --> 00:25:08,919
Speaker 1: I had to the w quick. It's my wife birthday too,

533
00:25:08,960 --> 00:25:16,439
Speaker 1: let me throw that out there. So I had plotform here, right,

534
00:25:17,400 --> 00:25:20,600
Speaker 1: And I told Paul, I asked him, I said, it

535
00:25:20,720 --> 00:25:25,800
Speaker 1: seems like his smile was fake after Big past away, right,

536
00:25:26,720 --> 00:25:31,480
Speaker 1: and to me, outside of looking in, his smile kind

537
00:25:31,560 --> 00:25:38,280
Speaker 1: of got authentic again when I see the funding He's

538
00:25:38,280 --> 00:25:42,119
Speaker 1: happening with French Montana. For years, I've seen your smile.

539
00:25:42,320 --> 00:25:44,879
Speaker 1: Was you know, you lost it, homie, But now I

540
00:25:44,960 --> 00:25:48,000
Speaker 1: see you back. Was it getting into shape that makes

541
00:25:48,040 --> 00:25:51,800
Speaker 1: you feel better? Yeah? That Wasn't that just put me

542
00:25:51,800 --> 00:25:54,919
Speaker 1: in a whole different I'm about to say that I God,

543
00:25:55,000 --> 00:25:58,960
Speaker 1: damn it, just all that ship alone, just give you

544
00:25:59,000 --> 00:26:00,639
Speaker 1: know what I mean, getting back, just getting back in

545
00:26:00,680 --> 00:26:02,040
Speaker 1: the field of work. You know, I didn't do that

546
00:26:02,080 --> 00:26:03,159
Speaker 1: type of work for a while, you know what I

547
00:26:03,200 --> 00:26:05,680
Speaker 1: mean for a minute, I was just really just letting it,

548
00:26:06,440 --> 00:26:08,080
Speaker 1: trying to figure the ship out, you know, because that's

549
00:26:08,080 --> 00:26:09,960
Speaker 1: how that's how im point. Big was to me, my nigga,

550
00:26:10,000 --> 00:26:11,520
Speaker 1: Like I said, I got thrown into this ship as

551
00:26:11,520 --> 00:26:13,440
Speaker 1: an artist, and that's a wrapper. It's like, you know,

552
00:26:13,560 --> 00:26:15,359
Speaker 1: once Big, once b I died, I didn't really know.

553
00:26:15,920 --> 00:26:17,800
Speaker 1: I't really know what to do after that. A lot

554
00:26:17,840 --> 00:26:19,960
Speaker 1: of you think Quba is the one that held me

555
00:26:20,040 --> 00:26:22,159
Speaker 1: down after that, you know, I mean she didn't want

556
00:26:22,160 --> 00:26:24,520
Speaker 1: that did everything big what it did for me, and

557
00:26:24,840 --> 00:26:27,560
Speaker 1: we we gotta fix that relationship. We got we gotta

558
00:26:27,600 --> 00:26:30,679
Speaker 1: fix that. I'm putting this on the podcast. I've been

559
00:26:30,680 --> 00:26:33,120
Speaker 1: shooting it up, not cast. I'm gout to be positive energy.

560
00:26:33,280 --> 00:26:36,000
Speaker 1: Of course, it's very and you know I got to

561
00:26:36,000 --> 00:26:40,080
Speaker 1: see little Kim since I saw this situation. I saw yeah,

562
00:26:40,080 --> 00:26:44,040
Speaker 1: because you know, I was with kids. I thought I've

563
00:26:44,080 --> 00:26:45,440
Speaker 1: never met a little Kim. That's the first thing she

564
00:26:45,440 --> 00:26:48,000
Speaker 1: screamed them been mad. I said, oh my lad. You

565
00:26:48,040 --> 00:26:49,960
Speaker 1: know what I'm like. You know, I got got years.

566
00:26:50,000 --> 00:26:51,399
Speaker 1: I blaked out, caim. You know what I'm saying like

567
00:26:51,440 --> 00:26:54,879
Speaker 1: I was taking extasy for a little while. You know

568
00:26:54,920 --> 00:26:56,720
Speaker 1: what I'm saying, Like I don't know you know what

569
00:26:56,720 --> 00:26:59,680
Speaker 1: I'm saying, But um yeah, so I really I was.

570
00:26:59,720 --> 00:27:02,240
Speaker 1: Because you know, before we interview an artist, we always

571
00:27:02,440 --> 00:27:05,960
Speaker 1: um go through a playlist. So we had a playlist

572
00:27:06,080 --> 00:27:08,560
Speaker 1: just now and just hearing y'all two together, it's like

573
00:27:08,920 --> 00:27:11,600
Speaker 1: if and as a person, like you know, we were

574
00:27:11,720 --> 00:27:14,280
Speaker 1: opposed at one point, I would like to throw that

575
00:27:14,400 --> 00:27:16,320
Speaker 1: energy in the air that I think that y'all should

576
00:27:16,359 --> 00:27:17,920
Speaker 1: work it out. I don't know what what is it? Oh,

577
00:27:18,280 --> 00:27:20,360
Speaker 1: you're fixing, You're gonna fix, gonna get it fixed. It's

578
00:27:20,359 --> 00:27:22,399
Speaker 1: gonna get it's gonna get fixed. I gotta fix that.

579
00:27:24,920 --> 00:27:26,480
Speaker 1: She had made you part of the she had made

580
00:27:26,560 --> 00:27:28,040
Speaker 1: part of that mouth stone with us one, you know

581
00:27:28,080 --> 00:27:30,000
Speaker 1: what I mean? So and so right, we gotta do

582
00:27:30,040 --> 00:27:32,000
Speaker 1: it again and get out proper respect and our proper dudes.

583
00:27:32,000 --> 00:27:33,760
Speaker 1: And it's only gonna get right if we do it together.

584
00:27:34,200 --> 00:27:36,680
Speaker 1: That's just how it is. Like you gotta do it

585
00:27:36,760 --> 00:27:40,159
Speaker 1: for be I too. Monday killing us right now. You

586
00:27:40,200 --> 00:27:43,320
Speaker 1: know he managed, he's gonna make sure be good. But

587
00:27:43,640 --> 00:27:45,320
Speaker 1: he balking on us too at the same time, Like,

588
00:27:45,359 --> 00:27:47,119
Speaker 1: come on, man, I gotta get it right. And I

589
00:27:47,280 --> 00:27:49,119
Speaker 1: think and do tithing. We're gonna get it together. How

590
00:27:49,119 --> 00:27:52,240
Speaker 1: about how about come on, you know what you signed

591
00:27:52,320 --> 00:27:58,240
Speaker 1: up for. I come how about how about the rock

592
00:28:00,240 --> 00:28:03,400
Speaker 1: was gonna be a big brother? All of them money else,

593
00:28:04,960 --> 00:28:07,280
Speaker 1: all those big brothers. You know what I mean, it

594
00:28:07,359 --> 00:28:10,520
Speaker 1: falls to most. I mean we all that's all day Monday.

595
00:28:10,560 --> 00:28:12,119
Speaker 1: You know you still we grew up together. You know

596
00:28:12,160 --> 00:28:14,119
Speaker 1: what that is? Like you do you want poem like

597
00:28:14,440 --> 00:28:18,240
Speaker 1: him in a lot all day? We all give you fuss,

598
00:28:18,280 --> 00:28:20,160
Speaker 1: But that's what makes you that connection, that's what makes

599
00:28:20,200 --> 00:28:21,520
Speaker 1: you family like you know, I mean we know each

600
00:28:21,560 --> 00:28:24,280
Speaker 1: other aunties and mama's and nieces and nephews and kids

601
00:28:24,400 --> 00:28:27,760
Speaker 1: like dat. Straight after you, after you got like ten

602
00:28:27,880 --> 00:28:30,840
Speaker 1: years with that's your family. If you're funking up with

603
00:28:30,920 --> 00:28:32,359
Speaker 1: him or not, you gotta make it work. It's not

604
00:28:32,359 --> 00:28:34,560
Speaker 1: about to deal with somebody I know, then have a

605
00:28:34,640 --> 00:28:36,760
Speaker 1: new stranger and then trying to figure something lest I

606
00:28:36,840 --> 00:28:38,840
Speaker 1: know what I'm dealing with. I know how to all right.

607
00:28:38,840 --> 00:28:40,080
Speaker 1: I can sunk with my man on this, but I

608
00:28:40,120 --> 00:28:41,640
Speaker 1: can't fun with him here because he get you know,

609
00:28:41,880 --> 00:28:44,120
Speaker 1: you know how to deal with your people. I'm at

610
00:28:44,160 --> 00:28:45,520
Speaker 1: that age and I'm at that time of my life.

611
00:28:45,520 --> 00:28:47,400
Speaker 1: We ain't trying to figure out nothing new. I'm not

612
00:28:47,440 --> 00:28:50,360
Speaker 1: having deal with what I got and just fire about

613
00:28:50,400 --> 00:28:52,760
Speaker 1: them trying to take down that biggie wall that was

614
00:28:52,800 --> 00:28:55,240
Speaker 1: awkward for me. It wasn't let me just let me

615
00:28:55,280 --> 00:28:56,480
Speaker 1: just cut you off, let me just say something. But

616
00:28:56,600 --> 00:28:59,360
Speaker 1: I've been trying to do. It's form a hip hop union,

617
00:28:59,560 --> 00:29:03,920
Speaker 1: right kid, Now what I mean. Now, what I mean

618
00:29:04,200 --> 00:29:08,000
Speaker 1: hip hop union is if Seeds gets sick, we come

619
00:29:08,160 --> 00:29:10,360
Speaker 1: and we take care of that. Kiss gets sick, we

620
00:29:10,440 --> 00:29:12,040
Speaker 1: come and take care of that. So that to me,

621
00:29:12,200 --> 00:29:14,280
Speaker 1: that was a perfect hip hop moment. When they tried

622
00:29:14,320 --> 00:29:17,240
Speaker 1: to take down b I g Um the wall, I

623
00:29:17,320 --> 00:29:19,920
Speaker 1: felt like the hip hop union should have been there

624
00:29:20,240 --> 00:29:23,640
Speaker 1: obviously luckily and bought the building. The worst case scenario

625
00:29:24,080 --> 00:29:29,640
Speaker 1: for sure. What area in Brooklyn is that that is

626
00:29:29,680 --> 00:29:33,400
Speaker 1: in best style, that is investing like what you obviously

627
00:29:33,480 --> 00:29:36,280
Speaker 1: the freestyle of Big we're doing the free it's right

628
00:29:36,320 --> 00:29:39,040
Speaker 1: there on that corner. Yeah, that's where the DJ is

629
00:29:39,080 --> 00:29:42,160
Speaker 1: from brand his first DJ and ship he's from that

630
00:29:42,240 --> 00:29:44,240
Speaker 1: corner right. There's not just seeing the NIGGI he was

631
00:29:44,320 --> 00:29:51,440
Speaker 1: battling right when he did that battle and it's three

632
00:29:51,520 --> 00:29:53,000
Speaker 1: floors high, you know what I mean. Like that ship

633
00:29:53,160 --> 00:29:56,360
Speaker 1: is Like the building is on that corner, right, it's

634
00:29:56,400 --> 00:29:58,200
Speaker 1: right outside of the stores, the corner store right there

635
00:29:58,240 --> 00:30:02,800
Speaker 1: on the side of it. There he's just dude name

636
00:30:03,320 --> 00:30:07,520
Speaker 1: I think you know his name a gram Spread New York,

637
00:30:07,600 --> 00:30:10,240
Speaker 1: the one that did depend And know what I'm saying,

638
00:30:10,280 --> 00:30:12,520
Speaker 1: So once that ship came out, like the Brooklyn Nets

639
00:30:13,000 --> 00:30:14,640
Speaker 1: even t I you know what I mean, like people

640
00:30:14,680 --> 00:30:16,160
Speaker 1: came through. They won't go let that happen. We were

641
00:30:16,440 --> 00:30:18,400
Speaker 1: knocking his doing every day. Well he did the right

642
00:30:18,440 --> 00:30:20,640
Speaker 1: but he just said no, it's like you you know,

643
00:30:20,800 --> 00:30:24,160
Speaker 1: He's like, yeah, I didn't know you He trying to

644
00:30:24,240 --> 00:30:29,800
Speaker 1: get some bread. That's what he first once he seen

645
00:30:29,880 --> 00:30:32,200
Speaker 1: what was going on without there, because he knew somebody

646
00:30:32,280 --> 00:30:34,720
Speaker 1: with bread was gonna be offered. And look at the

647
00:30:34,760 --> 00:30:37,280
Speaker 1: time he did it a big birthday I'm saying, He's say,

648
00:30:37,560 --> 00:30:39,720
Speaker 1: there's a hundreds of people out there. People go there,

649
00:30:39,760 --> 00:30:41,880
Speaker 1: even going that moral one. Just go out there and

650
00:30:41,920 --> 00:30:44,840
Speaker 1: take pictures, put candles down there. They did a big

651
00:30:44,960 --> 00:30:47,560
Speaker 1: crip to you know what I'm saying, you're trying to

652
00:30:47,600 --> 00:30:51,200
Speaker 1: get that check from That's what he right. Yeah, big birthday,

653
00:30:51,800 --> 00:30:56,000
Speaker 1: big big birthdays, like a week at the big So

654
00:30:56,640 --> 00:31:01,280
Speaker 1: I always celebrate his birthday. This hit on his birthday.

655
00:31:01,400 --> 00:31:04,440
Speaker 1: His birthday came out straight in the year with born

656
00:31:04,600 --> 00:31:10,200
Speaker 1: came out number the number Wow, that's one nineteen seventy

657
00:31:10,200 --> 00:31:16,400
Speaker 1: two about his birthday, the number on his birthday, his

658
00:31:16,520 --> 00:31:20,840
Speaker 1: born days, that's nuts and because he because I don't

659
00:31:20,880 --> 00:31:22,560
Speaker 1: play numbers. But I wish I had play that dead

660
00:31:22,640 --> 00:31:24,480
Speaker 1: damn I was damn damn. I wish you I had

661
00:31:24,520 --> 00:31:25,880
Speaker 1: played number with that that I had have been up.

662
00:31:26,120 --> 00:31:28,120
Speaker 1: But what's what's the best? What's the best? Arrow? Hip

663
00:31:28,160 --> 00:31:38,200
Speaker 1: hop to you? Ever a dog cool his badly with

664
00:31:38,280 --> 00:31:45,800
Speaker 1: the surround? Yeah we lo the cover of TJJ sex

665
00:31:45,880 --> 00:31:54,360
Speaker 1: to ship ever pushed keys through the pet got a ring?

666
00:31:54,680 --> 00:31:58,160
Speaker 1: We don't bad were playing plugging your ship, you got

667
00:31:58,320 --> 00:32:01,280
Speaker 1: our ship? Yeah you see what you let me see

668
00:32:01,320 --> 00:32:04,440
Speaker 1: what you know what you want a bad boy to him? Na, okay,

669
00:32:04,480 --> 00:32:06,200
Speaker 1: I did like I did two shows. I just did

670
00:32:06,240 --> 00:32:08,600
Speaker 1: the two in Brooklyn. That was okay. Didn't let me

671
00:32:08,680 --> 00:32:11,480
Speaker 1: on that so so it was great. It was Now

672
00:32:11,960 --> 00:32:13,920
Speaker 1: what what is what? I'm not bringing the broom to

673
00:32:14,000 --> 00:32:17,040
Speaker 1: both for both of y'all? What is sees and kiss

674
00:32:17,200 --> 00:32:19,720
Speaker 1: listening to? Oh you're not listening to all my friends

675
00:32:19,760 --> 00:32:23,760
Speaker 1: out there? Get lock, let me tell you, let me

676
00:32:23,800 --> 00:32:28,000
Speaker 1: take let me take to do that, let me take

677
00:32:28,600 --> 00:32:32,760
Speaker 1: everybody my friend back getting mad at me right now,

678
00:32:33,160 --> 00:32:40,160
Speaker 1: I don't care. Artist, that's his music sounds good. It's different.

679
00:32:40,200 --> 00:32:42,200
Speaker 1: But if you talk to if you have it, you

680
00:32:42,280 --> 00:32:45,320
Speaker 1: gotta talk to him. I never met he's gotta go,

681
00:32:45,480 --> 00:32:50,320
Speaker 1: y'all know, he blows. He's rather do you go. You're

682
00:32:50,320 --> 00:32:53,800
Speaker 1: not gonna see you person, okay, And that's why I mean,

683
00:32:53,840 --> 00:32:57,440
Speaker 1: he's gonna like us. When you speak to him, you

684
00:32:57,560 --> 00:32:59,920
Speaker 1: gon like him even more, you know. I told I

685
00:33:00,040 --> 00:33:02,440
Speaker 1: told Dj John, I said, he won me over. Like

686
00:33:02,520 --> 00:33:05,560
Speaker 1: the music or straight music along because all my friends out, Dad,

687
00:33:05,640 --> 00:33:11,720
Speaker 1: I'm like, the worst is the worst water of the song.

688
00:33:14,200 --> 00:33:20,720
Speaker 1: I'm fox with it. My friend hung out with us.

689
00:33:21,440 --> 00:33:23,240
Speaker 1: I said, your dog, I foxed with you because I

690
00:33:23,320 --> 00:33:25,200
Speaker 1: like that fun the music ship. I like who you

691
00:33:25,320 --> 00:33:28,160
Speaker 1: are as a person. Sometimes music is just entertainment sometimes,

692
00:33:28,160 --> 00:33:31,360
Speaker 1: you know, because ain't everything you are. Because if I

693
00:33:31,480 --> 00:33:35,680
Speaker 1: judged that job, never one. It's all different. Are you

694
00:33:35,920 --> 00:33:38,400
Speaker 1: when you go in the booth and create what you create,

695
00:33:38,640 --> 00:33:42,120
Speaker 1: that's on you. But if I wouldn't judge the person

696
00:33:42,120 --> 00:33:43,719
Speaker 1: of my honey love, then I would have never had

697
00:33:43,720 --> 00:33:46,320
Speaker 1: super Dog because Morell dressed weird from the beginning. He's

698
00:33:46,360 --> 00:33:48,440
Speaker 1: not he's not he's not a you know, he's been

699
00:33:48,560 --> 00:33:50,640
Speaker 1: weird like he's not you know, what I'm saying. By

700
00:33:50,680 --> 00:33:54,320
Speaker 1: the way, me and for All got some God you

701
00:33:54,360 --> 00:33:59,800
Speaker 1: got over my famorite record I've ever made the old times.

702
00:34:00,160 --> 00:34:05,560
Speaker 1: He's in a different drink from different zone day wine.

703
00:34:05,960 --> 00:34:09,800
Speaker 1: I told him, I said, listen, he played me against

704
00:34:09,800 --> 00:34:12,560
Speaker 1: the record. I said, I gotta relax. For All, I

705
00:34:12,640 --> 00:34:17,600
Speaker 1: can't do gangster record. I got both. Let's throw that

706
00:34:17,680 --> 00:34:23,560
Speaker 1: out there still. But this is what I need. I

707
00:34:23,680 --> 00:34:27,759
Speaker 1: need frighting and I'm happy to have a baby and

708
00:34:27,880 --> 00:34:32,000
Speaker 1: I'm delivering it. I'm the one saying, push, you can

709
00:34:32,160 --> 00:34:35,680
Speaker 1: do it. Keep coming that's a crazy marriage. Keep coming

710
00:34:35,760 --> 00:34:39,359
Speaker 1: out happy in front. It's crazy because you know why,

711
00:34:39,920 --> 00:34:42,680
Speaker 1: I needed a happy record, my version, my version. So

712
00:34:42,800 --> 00:34:45,000
Speaker 1: we finally got it twenty years later. I've been trying

713
00:34:45,000 --> 00:34:46,720
Speaker 1: to get for All to give me a girl record forever.

714
00:34:47,040 --> 00:34:48,839
Speaker 1: He has never gave me one. He do always wanted

715
00:34:48,840 --> 00:34:50,279
Speaker 1: to keep you in the hood. He's a foul mainker.

716
00:34:50,320 --> 00:34:53,320
Speaker 1: But now but now he's drinking red wine and we

717
00:34:53,400 --> 00:34:58,360
Speaker 1: are having a great time. And I also him for

718
00:34:58,840 --> 00:35:02,799
Speaker 1: at the Roots picking it recently. Great, y'all. I want

719
00:35:02,800 --> 00:35:04,480
Speaker 1: to pick up the Roots my first like a second

720
00:35:04,560 --> 00:35:07,440
Speaker 1: or third time with a live band, you know. Um

721
00:35:07,719 --> 00:35:09,319
Speaker 1: so a lot of people thought I forgot my words.

722
00:35:09,360 --> 00:35:11,640
Speaker 1: I didn't forget my words. Yeah, just going buch faster

723
00:35:11,800 --> 00:35:18,120
Speaker 1: later going different with your DJ DJ very different. Yeah,

724
00:35:18,160 --> 00:35:21,520
Speaker 1: we DJE. That's some people hitting us on Instagram, like

725
00:35:22,200 --> 00:35:23,840
Speaker 1: Sharlot Man I said, I haven't got my words. No,

726
00:35:24,120 --> 00:35:26,680
Speaker 1: Charlotte Man, I was like, I doing the bands like

727
00:35:27,560 --> 00:35:32,560
Speaker 1: take that one the top favorite they gonna be. I

728
00:35:32,719 --> 00:35:36,480
Speaker 1: was like, started over, started ill about the roots. They

729
00:35:36,520 --> 00:35:39,600
Speaker 1: could start over like a year. They don't want to

730
00:35:39,600 --> 00:35:41,560
Speaker 1: beginning that. They looked at me like nigger. I just

731
00:35:41,640 --> 00:35:44,239
Speaker 1: performed with but with them big and I just did

732
00:35:44,280 --> 00:35:46,080
Speaker 1: my first I did my first live band because I

733
00:35:46,120 --> 00:35:47,879
Speaker 1: can tell with faith, look what you're doing. I did.

734
00:35:48,520 --> 00:35:52,680
Speaker 1: I went, I went out. I went out there and

735
00:35:52,840 --> 00:35:54,839
Speaker 1: so bea festival out there with her usher the roots.

736
00:35:55,680 --> 00:35:57,600
Speaker 1: When I came out with just and joined her set,

737
00:35:57,640 --> 00:35:59,319
Speaker 1: but that ship was she was loved. That's the first

738
00:35:59,360 --> 00:36:05,759
Speaker 1: time I rock with band ID just different. At least

739
00:36:05,800 --> 00:36:09,240
Speaker 1: a month rehearsal, just still rehearsed it. That's what happened. Rehearsed.

740
00:36:10,840 --> 00:36:12,279
Speaker 1: I was gonna do it because they just wanted to

741
00:36:12,320 --> 00:36:21,480
Speaker 1: give me an I didn't have. I didn't have an

742
00:36:22,120 --> 00:36:26,640
Speaker 1: I never show at the ball Place. I never performed

743
00:36:26,760 --> 00:36:29,960
Speaker 1: the Grammys. Uh, the Oscars, don't know who the funk

744
00:36:30,000 --> 00:36:34,440
Speaker 1: I am? Um, yeah, I deserve to go to the Oscars.

745
00:36:36,400 --> 00:36:41,320
Speaker 1: Don't give a funk about that about so sees me.

746
00:36:41,440 --> 00:36:46,800
Speaker 1: I actually the best era of hip hop right it

747
00:36:46,960 --> 00:36:49,680
Speaker 1: was alive right now? Oh man, who's the artist? You

748
00:36:49,719 --> 00:36:52,640
Speaker 1: think he would be working for it? Now? Kids out

749
00:36:52,680 --> 00:36:55,520
Speaker 1: to that, but never you want to go with I

750
00:36:55,600 --> 00:37:08,399
Speaker 1: think he colds good coal. Yeah, I think you don't count.

751
00:37:08,960 --> 00:37:11,480
Speaker 1: They don't count. That don't That's why I said the

752
00:37:11,520 --> 00:37:14,360
Speaker 1: new ones they don't count. That was that was that

753
00:37:14,480 --> 00:37:16,759
Speaker 1: was the only one. So that how many collaps on

754
00:37:16,800 --> 00:37:18,440
Speaker 1: the Locks out? Course that was going to be our album,

755
00:37:18,880 --> 00:37:23,600
Speaker 1: didn't you say? I wouldn't be that Big win at y'all? Yeah,

756
00:37:23,760 --> 00:37:27,799
Speaker 1: you will see first what you'll see the first it's

757
00:37:27,800 --> 00:37:30,960
Speaker 1: actually the locks first feature with Big We never met him,

758
00:37:31,680 --> 00:37:35,400
Speaker 1: and I know what happened. Puff Winning told him some

759
00:37:35,520 --> 00:37:38,400
Speaker 1: ship puff Winning. Y'all got these niggas from Yunker is

760
00:37:38,440 --> 00:37:41,680
Speaker 1: they dirty on me? So queering niggas. They're coming crazy,

761
00:37:41,760 --> 00:37:46,320
Speaker 1: They're coming for you. That's like he came crazy. He

762
00:37:46,520 --> 00:37:51,160
Speaker 1: came from the first time. Niggas talking it. But ain't that.

763
00:37:52,719 --> 00:37:59,759
Speaker 1: I don't know, crazy back. Just listen to because you

764
00:38:00,480 --> 00:38:10,480
Speaker 1: was coming, coming, coming. He could actually broke out Smith

765
00:38:15,320 --> 00:38:24,080
Speaker 1: till between the legs and kiss that. Let me just crib.

766
00:38:25,280 --> 00:38:28,080
Speaker 1: So y'all come to the lab nor. I know you

767
00:38:28,200 --> 00:38:30,160
Speaker 1: got your shipment and I just got mine from my

768
00:38:30,239 --> 00:38:33,520
Speaker 1: monthly plan with bomb Fell, and I'm man, I'm excited

769
00:38:33,520 --> 00:38:35,960
Speaker 1: about this service. Man. We need that, we need that.

770
00:38:36,120 --> 00:38:37,920
Speaker 1: These guys killed it. The gear that they sent me,

771
00:38:38,000 --> 00:38:40,840
Speaker 1: the outfit is on point. I mean, it's so easy.

772
00:38:41,320 --> 00:38:44,680
Speaker 1: You just go online to bomb fell dot com. I

773
00:38:44,760 --> 00:38:47,600
Speaker 1: heard it got amazing website, and they have this survey

774
00:38:47,719 --> 00:38:49,520
Speaker 1: there that you first fill out and you tell them

775
00:38:49,560 --> 00:38:52,359
Speaker 1: you know how you dress, your style casual, you wear

776
00:38:52,400 --> 00:38:55,399
Speaker 1: the skinny jeans, the loose fit, whatever you your your

777
00:38:55,520 --> 00:38:58,719
Speaker 1: your style is. And then then they personalize it by

778
00:38:58,719 --> 00:39:01,640
Speaker 1: a stylus reaching out to you one on one and

779
00:39:01,840 --> 00:39:04,720
Speaker 1: even more personalizing what your style is and what outfits

780
00:39:04,760 --> 00:39:06,239
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781
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Speaker 1: all budget types and then they send you outfits and

782
00:39:09,800 --> 00:39:11,960
Speaker 1: I think, man, it's incredible. I mean, I really love

783
00:39:12,000 --> 00:39:13,120
Speaker 1: it so far. I mean they hit it on the

784
00:39:13,200 --> 00:39:15,160
Speaker 1: nail with the with the first outfit I got, and

785
00:39:15,239 --> 00:39:18,320
Speaker 1: I can't wait to see what other you know outfits

786
00:39:18,320 --> 00:39:19,800
Speaker 1: they sent me in. And it's just really good for

787
00:39:19,880 --> 00:39:22,479
Speaker 1: people like me. I mean, I'm I'm horrible at style.

788
00:39:22,520 --> 00:39:25,280
Speaker 1: You see me just rocking Drink Champs and Crazyhood shirts

789
00:39:25,280 --> 00:39:27,520
Speaker 1: all the time on the show. I'm just not the

790
00:39:27,640 --> 00:39:30,319
Speaker 1: style dude. So you know, to to to have someone

791
00:39:30,400 --> 00:39:32,439
Speaker 1: help me pick out some outfits, you know, that helps

792
00:39:32,520 --> 00:39:34,680
Speaker 1: me with time necessarily have time to go to the

793
00:39:34,760 --> 00:39:37,520
Speaker 1: mall go shopping. So I really like the service and

794
00:39:37,600 --> 00:39:39,960
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795
00:39:40,080 --> 00:39:43,840
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796
00:39:43,920 --> 00:39:47,239
Speaker 1: get twenty five dollars off their first purchase. When you

797
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798
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799
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800
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801
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802
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804
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805
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806
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Speaker 1: do it for you. Drink Champ's army, check him out,

807
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808
00:40:25,880 --> 00:40:30,719
Speaker 1: looking at each other. We didn't even see. That's why

809
00:40:30,840 --> 00:40:36,239
Speaker 1: Puffy foul. We never met a thing. You'll see it

810
00:40:36,400 --> 00:40:39,440
Speaker 1: was done. It was like a big did he loves us.

811
00:40:39,520 --> 00:40:43,200
Speaker 1: So that's probably why we we were still good because

812
00:40:43,280 --> 00:40:47,239
Speaker 1: once he met he like nice that he said, But

813
00:40:47,320 --> 00:40:49,520
Speaker 1: I still have to come at y'all. But you listen

814
00:40:49,600 --> 00:40:52,160
Speaker 1: to it. He's coming. He's trying to rip out his

815
00:40:52,320 --> 00:40:58,520
Speaker 1: next to shreds first join me, like this is how

816
00:40:58,600 --> 00:41:03,960
Speaker 1: you ship was getting busy, you know what I mean?

817
00:41:04,080 --> 00:41:08,920
Speaker 1: Like the big seam mad competitive he you know what else?

818
00:41:08,960 --> 00:41:10,640
Speaker 1: A big seemed like I'm gonna tell you what. Big

819
00:41:10,719 --> 00:41:14,400
Speaker 1: seemed like big if he was dope under the ground

820
00:41:14,920 --> 00:41:19,960
Speaker 1: he was. He loved underground Ship. He was into him

821
00:41:20,040 --> 00:41:23,360
Speaker 1: and Math that record, I can't I don't know how

822
00:41:24,000 --> 00:41:27,680
Speaker 1: that came up with that. That record seems like they

823
00:41:27,800 --> 00:41:31,520
Speaker 1: were going it like and and at that time, Meth

824
00:41:31,640 --> 00:41:33,640
Speaker 1: was considered the best because he had the m at

825
00:41:33,840 --> 00:41:37,719
Speaker 1: h o d Man. He was. He was cooking. He

826
00:41:37,840 --> 00:41:40,759
Speaker 1: was he was ripping everything that was that math name

827
00:41:40,840 --> 00:41:43,040
Speaker 1: was every everywhere, and that was going to be on

828
00:41:43,160 --> 00:41:46,680
Speaker 1: came him and old dirty. I still can't say who

829
00:41:46,760 --> 00:41:54,399
Speaker 1: won that. I still I may certain days different styles too,

830
00:41:57,920 --> 00:42:02,080
Speaker 1: Like now you got me he said that j John,

831
00:42:02,120 --> 00:42:05,120
Speaker 1: he said, Jake Gott what I'm booking finance. I gotta disagree.

832
00:42:05,880 --> 00:42:08,480
Speaker 1: I told me he was. I don't think so you're bucking.

833
00:42:08,840 --> 00:42:12,120
Speaker 1: He's bucking dog. See, I didn't understand Jay in the beginning.

834
00:42:12,120 --> 00:42:13,880
Speaker 1: He was using all them big words and that that

835
00:42:13,920 --> 00:42:17,160
Speaker 1: school nine great niggers. Yeah, I didn't know all that scientific,

836
00:42:17,320 --> 00:42:20,480
Speaker 1: replical and orlean. Uh. I understand that. I understand the

837
00:42:20,520 --> 00:42:22,759
Speaker 1: color ship direct to the point and b I was

838
00:42:22,840 --> 00:42:25,560
Speaker 1: more like a direct but bad Now would it be?

839
00:42:25,719 --> 00:42:27,960
Speaker 1: He bodied something going and Philly. He never had a

840
00:42:29,040 --> 00:42:34,400
Speaker 1: oh Man come out to Kison events. He should have.

841
00:42:34,600 --> 00:42:38,919
Speaker 1: He should have, man like somebody should have told him, no, big,

842
00:42:40,719 --> 00:42:46,680
Speaker 1: it's still work. I'm still you know, I'm still killed him. Now.

843
00:42:46,719 --> 00:42:52,879
Speaker 1: That was more hurt from Get speaking his defense. He's

844
00:42:52,880 --> 00:43:01,759
Speaker 1: a lawyer, he's a way rappid and win helped to

845
00:43:01,840 --> 00:43:07,439
Speaker 1: a lawyer to sue. You know, I always like music

846
00:43:07,520 --> 00:43:14,239
Speaker 1: is still I sorry like that that they had. No

847
00:43:14,680 --> 00:43:20,640
Speaker 1: he even destroyed Shock, but he's found destroy He said Shock,

848
00:43:20,719 --> 00:43:23,319
Speaker 1: you get it too. That that was the only record

849
00:43:23,360 --> 00:43:25,160
Speaker 1: with him and Nas on it. One of those versus

850
00:43:25,280 --> 00:43:29,320
Speaker 1: was four Shacks versus that he said was for Shocks

851
00:43:29,560 --> 00:43:31,880
Speaker 1: shot winning and wrote his own couldn't say he couldn't

852
00:43:31,880 --> 00:43:34,560
Speaker 1: say the basketball politics. You're dog, I can't. I can't

853
00:43:34,600 --> 00:43:37,640
Speaker 1: say nothing that you got but sneakers, right, I was

854
00:43:37,719 --> 00:43:41,879
Speaker 1: there with kids. So on that record the who World

855
00:43:42,440 --> 00:43:44,759
Speaker 1: he came back, he had a verse there we was going,

856
00:43:44,880 --> 00:43:46,600
Speaker 1: we was at the hotel. It wasn't Nas on that

857
00:43:46,719 --> 00:43:49,560
Speaker 1: record as well. I don't know. I believe it's a

858
00:43:49,719 --> 00:43:53,200
Speaker 1: virgin the only version between Big and Nas. I only

859
00:43:53,280 --> 00:43:55,360
Speaker 1: heard that one we did We went to Sack and

860
00:43:55,400 --> 00:43:57,359
Speaker 1: that ship got a QUORDO is at the same time

861
00:43:57,400 --> 00:43:59,640
Speaker 1: that they're talking about it, it's the same record. But no,

862
00:43:59,760 --> 00:44:01,839
Speaker 1: it ain't something that they're talking ship Nas and Big.

863
00:44:02,880 --> 00:44:06,520
Speaker 1: What record did Big guard Nas kicking the door? Kicking

864
00:44:06,600 --> 00:44:10,520
Speaker 1: the door? What was that line? Because Nas came back

865
00:44:10,600 --> 00:44:12,800
Speaker 1: he said some ship but it was a hole. He

866
00:44:13,080 --> 00:44:15,920
Speaker 1: was like, he was like niggas Champagne last year. They

867
00:44:15,960 --> 00:44:18,879
Speaker 1: wasn't a Champagna said the line he said, he took

868
00:44:18,960 --> 00:44:21,000
Speaker 1: the crown off the so called king and lock it down,

869
00:44:21,480 --> 00:44:24,560
Speaker 1: reached out. He did it big people, and that was

870
00:44:24,680 --> 00:44:28,080
Speaker 1: big response to the the third verse to kicking the door?

871
00:44:28,320 --> 00:44:30,879
Speaker 1: What did he say? Again? This goes out for those

872
00:44:30,960 --> 00:44:34,239
Speaker 1: that choose to use disrespectful views on the king. And

873
00:44:34,400 --> 00:44:38,880
Speaker 1: why fun that? Why don't bleat? Now you was railing it,

874
00:44:39,080 --> 00:44:43,719
Speaker 1: snatch that lightship, scaling it, conscience of your nonsense? Eight

875
00:44:43,920 --> 00:44:50,240
Speaker 1: so more powdered and Johnson than Johnson. I never laughed.

876
00:44:52,960 --> 00:44:54,800
Speaker 1: That is crazy. I used to have to catch you

877
00:44:54,880 --> 00:44:57,239
Speaker 1: on this ship. I still catch you onto some ship now,

878
00:44:57,800 --> 00:44:59,920
Speaker 1: a damn dog. I ain't know what that I said

879
00:44:59,920 --> 00:45:02,480
Speaker 1: to that's big what you mean by that's that? But

880
00:45:02,880 --> 00:45:05,600
Speaker 1: that's where that came from. Where that came from? He

881
00:45:05,719 --> 00:45:08,880
Speaker 1: he played the free style was like Listen's even using

882
00:45:08,960 --> 00:45:12,600
Speaker 1: big words. It's his flow, it's his delivery. And the

883
00:45:12,680 --> 00:45:14,600
Speaker 1: way he said the words, man, it was just so

884
00:45:14,880 --> 00:45:25,560
Speaker 1: clear yourself, you're nunsense. We never laxed back big. I

885
00:45:25,880 --> 00:45:29,719
Speaker 1: went to you to catch that back there. Now, she's

886
00:45:29,800 --> 00:45:33,359
Speaker 1: my sister, that's my family right there but I never

887
00:45:33,440 --> 00:45:36,520
Speaker 1: seen nobody never messed with Charlie. Both everybody she messed with,

888
00:45:36,719 --> 00:45:48,759
Speaker 1: she turns them out. Yeah, when I got quiet, just like,

889
00:45:49,880 --> 00:45:52,920
Speaker 1: I don't know what I'm just saying, like, girl, she's

890
00:45:52,960 --> 00:45:56,080
Speaker 1: my sister. I love her. But you know, it seems

891
00:45:56,080 --> 00:46:01,719
Speaker 1: like when a man messed with Charlie. Huh, which which

892
00:46:02,000 --> 00:46:10,560
Speaker 1: these is called the slim Lennons slim? Change the subject quick?

893
00:46:15,360 --> 00:46:21,640
Speaker 1: You know that was you feel right about that? Let

894
00:46:21,680 --> 00:46:25,800
Speaker 1: me take the question another way, question another way, because

895
00:46:25,960 --> 00:46:28,960
Speaker 1: Charlie was messing with Big at the same time, right

896
00:46:29,000 --> 00:46:30,400
Speaker 1: back to that, you don't know, but but in a

897
00:46:30,440 --> 00:46:33,719
Speaker 1: different way different. Yeah, but he was messing with Big

898
00:46:33,840 --> 00:46:35,920
Speaker 1: at the same time as little Kim. So that was

899
00:46:36,000 --> 00:46:39,160
Speaker 1: where they turmorial started. Not really, they don't really have

900
00:46:39,239 --> 00:46:42,000
Speaker 1: no tomboy. It wasn't They weren't really no situation when

901
00:46:42,040 --> 00:46:44,879
Speaker 1: they came to faith at the same faith and Kim

902
00:46:45,000 --> 00:46:47,640
Speaker 1: just squashed it and they're cool again. That's hard be

903
00:46:48,360 --> 00:46:50,319
Speaker 1: I had all that situated, b I was real cool

904
00:46:50,400 --> 00:46:52,920
Speaker 1: like that, sitting down like that that was going on

905
00:46:53,040 --> 00:46:55,239
Speaker 1: with you wouldn't people, You wouldn't notice it. He was

906
00:46:55,280 --> 00:47:03,920
Speaker 1: smashing that's noise, A big wonderful love. It was a

907
00:47:04,000 --> 00:47:08,200
Speaker 1: wonderful big, big fat black motherfucker. Thin must be romantics.

908
00:47:08,280 --> 00:47:13,040
Speaker 1: You just feel like big fat nigg I think Punney

909
00:47:13,120 --> 00:47:16,960
Speaker 1: was a very romantic. I'm just doing I used to

910
00:47:17,000 --> 00:47:22,359
Speaker 1: see the nigga with roses all the time, just no reason.

911
00:47:22,440 --> 00:47:25,080
Speaker 1: What are you doing with my brother? Little A little

912
00:47:25,080 --> 00:47:30,959
Speaker 1: sick of looking at that like it was just cool. Yeah,

913
00:47:31,800 --> 00:47:35,520
Speaker 1: so got a little awkward. This dope was dope. It's good.

914
00:47:35,560 --> 00:47:38,160
Speaker 1: It's good. It's good to get the akers. Sometimes he

915
00:47:38,280 --> 00:47:41,760
Speaker 1: was really big pimping dog. He was, now let's describe

916
00:47:42,960 --> 00:47:45,520
Speaker 1: at that time, right, because at that time you're just

917
00:47:45,680 --> 00:47:48,680
Speaker 1: getting the notice guy right and in according to the movie,

918
00:47:48,800 --> 00:47:52,120
Speaker 1: it's like he gave bigger check and he gave big

919
00:47:52,200 --> 00:47:55,920
Speaker 1: all these promises, but he really had no accolades to

920
00:47:56,080 --> 00:47:59,200
Speaker 1: match that as a pole. Like I mean, he worked up,

921
00:47:59,239 --> 00:48:01,920
Speaker 1: but not for him self. But still he had something

922
00:48:02,080 --> 00:48:09,840
Speaker 1: he had he had Joe, he didn't he did what

923
00:48:09,920 --> 00:48:13,439
Speaker 1: I'm saying that he was his first label, bad boy.

924
00:48:13,560 --> 00:48:18,160
Speaker 1: So but it was he was gonna make his career.

925
00:48:18,320 --> 00:48:20,880
Speaker 1: So what made what do you think made y'all? In general?

926
00:48:20,960 --> 00:48:24,320
Speaker 1: When Big even trust this guy, b I funk just

927
00:48:24,360 --> 00:48:25,839
Speaker 1: be I just knew he knew what he was doing,

928
00:48:25,920 --> 00:48:28,719
Speaker 1: and he was he was he was devoted to be I.

929
00:48:28,960 --> 00:48:31,120
Speaker 1: That's one thing I couldn't say about he was wanting

930
00:48:31,160 --> 00:48:32,759
Speaker 1: when it came to be I. He was straight up

931
00:48:32,800 --> 00:48:34,759
Speaker 1: with Big. I mean, I can't knock that. I can't

932
00:48:34,840 --> 00:48:36,800
Speaker 1: check that away. It wouldn't be no b I on

933
00:48:36,920 --> 00:48:39,640
Speaker 1: his phone. It one for Pepe, straight up. It's just

934
00:48:39,719 --> 00:48:41,719
Speaker 1: a real ship ever and be our funk with him.

935
00:48:41,840 --> 00:48:45,480
Speaker 1: And then the day we did you know, the end

936
00:48:45,480 --> 00:48:47,479
Speaker 1: of the day, if he said it's cool, it's cool.

937
00:48:47,560 --> 00:48:49,960
Speaker 1: Who am I to say I don't funk with him?

938
00:48:50,800 --> 00:48:52,120
Speaker 1: Be I was the one that got us on this

939
00:48:52,239 --> 00:48:56,960
Speaker 1: flight right now. So I was puff having beef with Big.

940
00:48:57,040 --> 00:48:59,840
Speaker 1: Can you just can you hey just squashed that for us.

941
00:49:00,239 --> 00:49:01,960
Speaker 1: Know it wasn't no beef with him and him and

942
00:49:02,000 --> 00:49:06,200
Speaker 1: Big And was there an animosity between Big Craig Mac

943
00:49:06,320 --> 00:49:13,239
Speaker 1: and Big Big finished finished him the finished him? No,

944
00:49:13,400 --> 00:49:15,320
Speaker 1: I don't think there was. But Matt used to be

945
00:49:15,400 --> 00:49:17,960
Speaker 1: doing a bunch of funny style ship and b I

946
00:49:18,040 --> 00:49:19,600
Speaker 1: used to just catch wind of it, and then b

947
00:49:19,719 --> 00:49:21,959
Speaker 1: I just started blowing him like, all right, my nigger,

948
00:49:22,000 --> 00:49:24,800
Speaker 1: you want some real bullshit? Uh? Do you hating on

949
00:49:24,840 --> 00:49:27,880
Speaker 1: the road because outside looks crazy. This one artist launches

950
00:49:27,920 --> 00:49:30,400
Speaker 1: the lady finished him. And then the next artist that

951
00:49:30,520 --> 00:49:34,879
Speaker 1: was over the flaving Matt, Matt Big, he was coming.

952
00:49:34,920 --> 00:49:36,279
Speaker 1: He used to be throwing a little ship at b

953
00:49:36,400 --> 00:49:39,880
Speaker 1: I wanting the blue and no juicy wasn't as compatible

954
00:49:40,040 --> 00:49:43,600
Speaker 1: as as flavoring Year, and I had a whole album

955
00:49:43,680 --> 00:49:47,759
Speaker 1: full of ship. Once Big Popa came and get Down

956
00:49:49,000 --> 00:49:51,160
Speaker 1: was the one more chance. And then now Matt sitt

957
00:49:51,200 --> 00:49:52,719
Speaker 1: in the back and he used to be doing a

958
00:49:52,719 --> 00:49:54,839
Speaker 1: little funny style ship. Big was peeping it. And Big

959
00:49:54,960 --> 00:49:57,560
Speaker 1: just started like I'm gonna start blowing the snigger. I mean,

960
00:49:58,600 --> 00:50:00,640
Speaker 1: that was gonna be b He did what he wanted

961
00:50:00,640 --> 00:50:01,840
Speaker 1: to do, He say what you want to say. We

962
00:50:02,000 --> 00:50:04,520
Speaker 1: had to just sit back and just whatever he saying,

963
00:50:04,520 --> 00:50:06,400
Speaker 1: whatever he doing, were riding with it. I said, you know,

964
00:50:06,520 --> 00:50:08,120
Speaker 1: nobody had no problems with Mac, and it wasn't no

965
00:50:08,160 --> 00:50:10,719
Speaker 1: real situation. But Matt would just used to do like

966
00:50:10,760 --> 00:50:12,960
Speaker 1: a little funny ship and Big was peeping it, and

967
00:50:13,120 --> 00:50:15,520
Speaker 1: Big just addressed that. One interview we did in Holland,

968
00:50:15,560 --> 00:50:17,160
Speaker 1: it was like Big, it's Craig Mac on the album.

969
00:50:17,400 --> 00:50:21,120
Speaker 1: They said, Nah, Noah, I don't sunk with him, totally

970
00:50:26,480 --> 00:50:28,160
Speaker 1: put my head down, and I'm like, I look at

971
00:50:28,160 --> 00:50:30,120
Speaker 1: my home while looking rocking them. They're all sitting over

972
00:50:30,160 --> 00:50:32,800
Speaker 1: there like remind you like Meek and Wile, almost like

973
00:50:32,880 --> 00:50:37,160
Speaker 1: how they beat from the same they like. It happens though.

974
00:50:37,719 --> 00:50:40,439
Speaker 1: It's just industry. It's nothing to be personal. It's nothing.

975
00:50:41,480 --> 00:50:44,000
Speaker 1: I mean, listen, Big was making those records that the

976
00:50:44,080 --> 00:50:46,359
Speaker 1: label had to pay attention to him, and it's automatically

977
00:50:46,800 --> 00:50:49,360
Speaker 1: when when you when you get it not shipped on,

978
00:50:49,520 --> 00:50:51,920
Speaker 1: but when you're getting ignored for somebody that I both

979
00:50:51,960 --> 00:50:53,840
Speaker 1: came in the game together, it's it's it's it's It

980
00:50:54,000 --> 00:50:55,920
Speaker 1: wasn't Craig max Fad. It was just I'm sure he

981
00:50:56,000 --> 00:50:57,759
Speaker 1: felt a certain way, but it wasn't big for me.

982
00:50:57,920 --> 00:51:06,560
Speaker 1: He just going going again, so a little yeah, yeah,

983
00:51:06,600 --> 00:51:10,640
Speaker 1: he running some ship. Yeah he's doing something. It's that.

984
00:51:11,000 --> 00:51:14,839
Speaker 1: That's wards. We had pufform on here. Puff said when

985
00:51:14,920 --> 00:51:17,480
Speaker 1: Choke said that he could have shut it, damn was

986
00:51:17,560 --> 00:51:20,880
Speaker 1: you there? He said, we could have he endited it.

987
00:51:22,320 --> 00:51:28,120
Speaker 1: He ed it out. Yeah, we're gonna put that, gonna

988
00:51:28,120 --> 00:51:32,879
Speaker 1: put that shut down the ship. He was going six

989
00:51:32,920 --> 00:51:35,759
Speaker 1: sizes of rocket this time too. No I wasn't jail.

990
00:51:35,800 --> 00:51:38,480
Speaker 1: I'm sorry, jail. I wasn't jail. Yeah, I missed that.

991
00:51:38,680 --> 00:51:46,040
Speaker 1: Yeah I thought I was. In my mind, I forgot you. Yeah,

992
00:51:46,040 --> 00:51:47,919
Speaker 1: you picked to a lot of ships. I forgot about.

993
00:51:48,120 --> 00:51:51,200
Speaker 1: That's award. That was probably the most dangerous award ever

994
00:51:51,280 --> 00:51:53,560
Speaker 1: for hip hop. And Zino said that. Boys, he said

995
00:51:53,600 --> 00:51:55,520
Speaker 1: he didn't have security. He was too bold, he said,

996
00:51:55,560 --> 00:51:58,520
Speaker 1: he said in his words, they was, They wasn't on

997
00:51:58,640 --> 00:52:01,520
Speaker 1: point till Is this the same one? The whole tribe

998
00:52:01,560 --> 00:52:03,239
Speaker 1: and tuopark things the same. That's the next that's the

999
00:52:03,320 --> 00:52:05,640
Speaker 1: year after the first year of the Source of Ward

1000
00:52:05,640 --> 00:52:07,839
Speaker 1: as the first, the very first one still said, Yo,

1001
00:52:07,880 --> 00:52:11,239
Speaker 1: I don't want y'all all in the video. Yeah, it's

1002
00:52:11,239 --> 00:52:13,399
Speaker 1: a meme right now, like what they saying. I bet

1003
00:52:13,440 --> 00:52:21,120
Speaker 1: he was wishing. That's bad, that means terrible. Don't don't

1004
00:52:21,120 --> 00:52:25,239
Speaker 1: do that, don't do that, big love. When that ship was,

1005
00:52:25,560 --> 00:52:27,640
Speaker 1: I mean ship could have got Yeah, she could have

1006
00:52:27,680 --> 00:52:29,919
Speaker 1: got hectic that I mean it was already that coind

1007
00:52:29,920 --> 00:52:32,160
Speaker 1: of shut it down. Yeah, it could have got bad

1008
00:52:32,200 --> 00:52:35,040
Speaker 1: in that because I wasn't. Yeah that the garden, that

1009
00:52:35,280 --> 00:52:37,359
Speaker 1: the garden. They never gave a guarden back to hip

1010
00:52:37,400 --> 00:52:39,560
Speaker 1: hop since Yeah, we ain't never had no more there.

1011
00:52:39,719 --> 00:52:42,040
Speaker 1: But that was that was a real dangerous award show man.

1012
00:52:42,160 --> 00:52:45,759
Speaker 1: It was uncensored man, no security. That ship was that

1013
00:52:45,840 --> 00:52:48,879
Speaker 1: nigga that guns in the front road. Niggas had guns

1014
00:52:48,920 --> 00:52:53,719
Speaker 1: in the front road seats. Some ships the ward shows

1015
00:52:54,000 --> 00:52:58,200
Speaker 1: to be crazy. Some will restraint. Actually they were restraining. Yeah,

1016
00:52:58,320 --> 00:52:59,879
Speaker 1: I mean because a lot of Cambridgs. You know, you're

1017
00:53:00,040 --> 00:53:02,400
Speaker 1: get on the spot back then, everything about you of

1018
00:53:02,440 --> 00:53:05,359
Speaker 1: weptation back then. Yeah, one, that's when I'm private. Yeah

1019
00:53:05,440 --> 00:53:07,759
Speaker 1: that should be up for two months right over and

1020
00:53:07,840 --> 00:53:09,520
Speaker 1: the source and the ship. You know you want ship

1021
00:53:09,680 --> 00:53:14,680
Speaker 1: like that back then? Sipped, Yeah, they just getting whipped

1022
00:53:14,719 --> 00:53:17,399
Speaker 1: this in public. Now, Yeah, it's better way with ship down,

1023
00:53:17,440 --> 00:53:18,520
Speaker 1: you know what I mean. You got all the social

1024
00:53:18,560 --> 00:53:21,600
Speaker 1: media get away with nothing, no another way you get

1025
00:53:21,760 --> 00:53:24,600
Speaker 1: splain you got a different kind of footage and all that,

1026
00:53:25,040 --> 00:53:29,279
Speaker 1: and that you do have one side, one story. You're

1027
00:53:29,280 --> 00:53:32,360
Speaker 1: like that, you know what I mean? Yeah, look in

1028
00:53:32,480 --> 00:53:34,799
Speaker 1: front you think I walked right into a pole looking

1029
00:53:34,880 --> 00:53:38,799
Speaker 1: bows over you gotta stop it. That was on live

1030
00:53:38,920 --> 00:53:40,799
Speaker 1: counting the money and they ran right in the ship.

1031
00:53:42,840 --> 00:53:47,840
Speaker 1: You see this, Yeah, you counting money and in the

1032
00:53:47,880 --> 00:53:50,680
Speaker 1: sp back in the closet post some more than came

1033
00:53:50,880 --> 00:53:55,880
Speaker 1: right in the boys and they left the live for

1034
00:53:56,000 --> 00:54:03,360
Speaker 1: like to the lost this ship yesterday turned it. You

1035
00:54:03,440 --> 00:54:05,680
Speaker 1: see the top, go to the phone and turn the

1036
00:54:05,719 --> 00:54:09,040
Speaker 1: shot off like this nig was taping his shots and

1037
00:54:09,160 --> 00:54:11,520
Speaker 1: social media were in the hip hop. Hell yeah, it

1038
00:54:11,600 --> 00:54:18,200
Speaker 1: is social media. It's not just the rap game. That

1039
00:54:18,239 --> 00:54:20,239
Speaker 1: ship ruined in life. You don't know what to do

1040
00:54:20,360 --> 00:54:23,279
Speaker 1: with it, man, Nobody they say self no more. They

1041
00:54:23,280 --> 00:54:25,440
Speaker 1: don't know. They just do it for the gram. They

1042
00:54:25,480 --> 00:54:28,480
Speaker 1: don't do it for their fans no more. They don't

1043
00:54:28,480 --> 00:54:31,880
Speaker 1: do it for the for the likes. You can just

1044
00:54:31,960 --> 00:54:37,080
Speaker 1: snap it. Stop it yo ya. I see the nigga

1045
00:54:37,120 --> 00:54:38,680
Speaker 1: the other day. They just came up to me with

1046
00:54:38,840 --> 00:54:43,000
Speaker 1: just like yeo. They ain't say hi already. You ain't

1047
00:54:43,000 --> 00:54:45,239
Speaker 1: give me a five? Can't you tell me he liked

1048
00:54:45,280 --> 00:54:49,440
Speaker 1: my ship? Was like, I'm gonna sleeping tape. You know

1049
00:54:49,600 --> 00:54:51,200
Speaker 1: they're gonna be sitting with his phone up to his

1050
00:54:51,280 --> 00:54:55,400
Speaker 1: face like this. Yeah, like nigger dog, see you my nigga.

1051
00:54:55,400 --> 00:54:57,800
Speaker 1: I'm just yeah, peace one. They gotta see it. And

1052
00:54:57,920 --> 00:55:00,759
Speaker 1: I think we're doing that yesterday and the joint like

1053
00:55:00,920 --> 00:55:04,040
Speaker 1: this one's fault what are you doing? What's that? Three

1054
00:55:04,160 --> 00:55:12,320
Speaker 1: D nigga? We cool niggers we're doing? That's what game like,

1055
00:55:13,040 --> 00:55:14,920
Speaker 1: It's something that's not used to that type of ship,

1056
00:55:15,000 --> 00:55:16,759
Speaker 1: like the cool with that, Like I don't know, it's

1057
00:55:16,800 --> 00:55:18,080
Speaker 1: not nice like that. You can't just woke up to

1058
00:55:18,160 --> 00:55:21,839
Speaker 1: him and should be used to that. You can shop

1059
00:55:22,600 --> 00:55:27,840
Speaker 1: screen today right now. Back in the days, choked slammed

1060
00:55:27,880 --> 00:55:34,680
Speaker 1: the girl who elliot Oh, let's big up time of

1061
00:55:34,760 --> 00:55:37,840
Speaker 1: the creative security. Why did you say that? Like you

1062
00:55:37,880 --> 00:55:41,680
Speaker 1: say he is cool? Not really, I don't know. Man,

1063
00:55:43,080 --> 00:55:45,360
Speaker 1: you ever meet somebody you just don't know? Like I

1064
00:55:45,480 --> 00:55:49,839
Speaker 1: don't know, I don't I don't know. Like that's all

1065
00:55:49,880 --> 00:55:53,719
Speaker 1: I can say about that moment. What gave it was

1066
00:55:53,800 --> 00:55:55,920
Speaker 1: like it's mad, like you ever meet up, like I know,

1067
00:55:56,120 --> 00:55:57,680
Speaker 1: me and him have nothing in calm but to give

1068
00:55:57,680 --> 00:55:59,680
Speaker 1: you a cold hand shake. Well, I don't know, I

1069
00:55:59,719 --> 00:56:02,160
Speaker 1: don't know. It's just like I don't think it's meant

1070
00:56:02,160 --> 00:56:04,360
Speaker 1: to get home. It's just cool, like I accept that,

1071
00:56:04,560 --> 00:56:06,360
Speaker 1: Like you know, I just can't get along with everybody.

1072
00:56:06,360 --> 00:56:09,520
Speaker 1: I'm talking anybody. It was just it was like I

1073
00:56:09,600 --> 00:56:11,839
Speaker 1: had to see your milk, like don't go it can

1074
00:56:11,880 --> 00:56:14,400
Speaker 1: still you can still drink. You can take that. If

1075
00:56:14,440 --> 00:56:17,640
Speaker 1: you can take that, you can do drink it. But yeah,

1076
00:56:17,680 --> 00:56:19,799
Speaker 1: and I was just like and security just kept looking

1077
00:56:19,800 --> 00:56:22,000
Speaker 1: at me because the security felt like I felt awkward,

1078
00:56:22,040 --> 00:56:23,839
Speaker 1: and it's just like, I feel awkward that I might

1079
00:56:24,440 --> 00:56:29,320
Speaker 1: be aggressive. So I had to relax. So I relaxed myself.

1080
00:56:29,480 --> 00:56:31,680
Speaker 1: It's good to relax. Get like that. Now though I'm

1081
00:56:31,680 --> 00:56:33,440
Speaker 1: a very I'm a very professional when it comes to

1082
00:56:33,480 --> 00:56:35,360
Speaker 1: the music. Very cool guy. You could hit me with

1083
00:56:35,440 --> 00:56:36,960
Speaker 1: the stuff. You can do all that ship with me now,

1084
00:56:37,120 --> 00:56:38,719
Speaker 1: but I'm a little older. Now I'll get irritated by

1085
00:56:38,760 --> 00:56:40,719
Speaker 1: that ship. No, you gotta get irritated. You gotta get

1086
00:56:40,760 --> 00:56:45,000
Speaker 1: some want to come up to you, respectively. Don't manage

1087
00:56:45,160 --> 00:56:49,319
Speaker 1: that ship not to Cleveland to eat. And I got

1088
00:56:49,400 --> 00:56:53,759
Speaker 1: my knife and they just came up, yo, yo, Like,

1089
00:56:53,840 --> 00:56:57,439
Speaker 1: come on, we at least say I know you're eating,

1090
00:56:57,680 --> 00:57:01,520
Speaker 1: then give me a choice. You might want to. They

1091
00:57:01,600 --> 00:57:03,359
Speaker 1: didn't do nothing that they wouldn't want une to them.

1092
00:57:03,400 --> 00:57:05,080
Speaker 1: They don't want while they eat, a camera come up

1093
00:57:05,120 --> 00:57:07,280
Speaker 1: and they face and ship. Now we now I'm flipping

1094
00:57:07,320 --> 00:57:09,480
Speaker 1: on you because like we had to be used to.

1095
00:57:09,480 --> 00:57:11,840
Speaker 1: You've always been like a DJ behind the scene totally.

1096
00:57:12,000 --> 00:57:14,480
Speaker 1: And now you're up front. I see nas come up

1097
00:57:14,520 --> 00:57:21,520
Speaker 1: to you. I see these you gotta snapchat. You relax,

1098
00:57:23,840 --> 00:57:26,000
Speaker 1: but listen. But how have they been lately like when

1099
00:57:26,080 --> 00:57:29,960
Speaker 1: people coming up. Honestly, I don't know, but people have

1100
00:57:30,000 --> 00:57:34,080
Speaker 1: been respectful, right because because so far, because you have

1101
00:57:34,160 --> 00:57:36,880
Speaker 1: the Cuman face on like your head by somebody. That's true.

1102
00:57:38,000 --> 00:57:41,080
Speaker 1: You get you said the other day in New York

1103
00:57:41,120 --> 00:57:44,640
Speaker 1: and the dudes were behind the glass joint the stages

1104
00:57:44,640 --> 00:57:48,360
Speaker 1: and they just went to me. I'm like, yeah, I

1105
00:57:48,400 --> 00:57:53,800
Speaker 1: guess drink. It's a day getting a lot of that.

1106
00:57:55,040 --> 00:57:56,800
Speaker 1: Get used to that. But if you come to me

1107
00:57:56,880 --> 00:57:59,320
Speaker 1: disrespectful and they fust me, the white beard don't mean

1108
00:57:59,360 --> 00:58:03,360
Speaker 1: ship and for real, try for real trying to convice

1109
00:58:03,440 --> 00:58:04,920
Speaker 1: you in the studio to get on his side. No,

1110
00:58:05,040 --> 00:58:08,120
Speaker 1: I wasn't inside. I was not Come on you think no,

1111
00:58:08,320 --> 00:58:10,720
Speaker 1: you think that he was intimidating me. No, I never

1112
00:58:10,800 --> 00:58:14,880
Speaker 1: said that. I believe his side. I was on his

1113
00:58:15,000 --> 00:58:18,040
Speaker 1: side to make your maker better. I gotta relax, You

1114
00:58:18,120 --> 00:58:26,760
Speaker 1: gotta relax. We had that epic debate slash argument. Let

1115
00:58:26,800 --> 00:58:30,600
Speaker 1: me tell the argument to everybody, to everybody who is

1116
00:58:30,680 --> 00:58:33,160
Speaker 1: in the I have not had the bull for music.

1117
00:58:33,240 --> 00:58:36,520
Speaker 1: For quite some time, I've been, you know, falling back,

1118
00:58:36,680 --> 00:58:39,880
Speaker 1: enjoying my my, my different life or another life life.

1119
00:58:40,080 --> 00:58:43,280
Speaker 1: But I spoke to for Real. It was because I

1120
00:58:43,360 --> 00:58:45,760
Speaker 1: had knew I was gonna be here. How much you

1121
00:58:45,800 --> 00:58:51,960
Speaker 1: got for that all my life? Tell us something that

1122
00:58:52,080 --> 00:58:55,680
Speaker 1: come on, let me just say something. So it's different

1123
00:58:55,680 --> 00:58:59,040
Speaker 1: phases and different producers, lives that they go through, and

1124
00:58:59,200 --> 00:59:01,760
Speaker 1: I feel I can be wrong. Every time for Real

1125
00:59:01,880 --> 00:59:05,520
Speaker 1: gives me one, he has one of the craziest ones ever,

1126
00:59:06,280 --> 00:59:08,520
Speaker 1: even if it don't work. If you noticed, like every

1127
00:59:08,600 --> 00:59:11,560
Speaker 1: time he gives me run, he has a crazy run.

1128
00:59:13,280 --> 00:59:18,080
Speaker 1: You know, I'm dyslexic, so he has an ill run.

1129
00:59:18,600 --> 00:59:21,000
Speaker 1: Like whether the be he gave me works or not.

1130
00:59:21,280 --> 00:59:23,040
Speaker 1: I just feel like, maybe it's me in my head

1131
00:59:23,120 --> 00:59:25,240
Speaker 1: just thinking I because you be successful, you know what

1132
00:59:25,240 --> 00:59:29,480
Speaker 1: I mean? Maybe it is all. Maybe it's not. Maybe

1133
00:59:29,640 --> 00:59:35,600
Speaker 1: I have maybe, but listen his energy right now, it's

1134
00:59:35,720 --> 00:59:38,400
Speaker 1: so good. It was so like the first day was awkward.

1135
00:59:38,920 --> 00:59:40,520
Speaker 1: The first day it was off with you know, because

1136
00:59:40,520 --> 00:59:42,280
Speaker 1: you ain't see anything in six years, don't see anything

1137
00:59:42,280 --> 00:59:44,040
Speaker 1: in six years. It's just always aking a little bit.

1138
00:59:44,120 --> 00:59:45,800
Speaker 1: She's like, all right, cool, yo, you're still all right,

1139
00:59:45,880 --> 00:59:53,080
Speaker 1: were I still yeah you yeah, you know it's talking

1140
00:59:53,160 --> 00:59:55,680
Speaker 1: for the first you know, a couple of hours. But

1141
00:59:55,840 --> 00:59:59,880
Speaker 1: the next day he drank with us, has some red wine,

1142
01:00:00,520 --> 01:00:03,760
Speaker 1: he said, and he came in. He chilled with us.

1143
01:00:03,960 --> 01:00:06,280
Speaker 1: He wrote his bike around the studio. It was weird.

1144
01:00:08,600 --> 01:00:12,120
Speaker 1: That was crazy, like and I'm like, this is us.

1145
01:00:14,480 --> 01:00:17,280
Speaker 1: It is weird. Accummindation is weird from the beginning. But

1146
01:00:17,400 --> 01:00:19,280
Speaker 1: he finally gave me a girl record, So I definitely

1147
01:00:19,320 --> 01:00:23,400
Speaker 1: sold out. That's want to throw that out there, sold out.

1148
01:00:23,480 --> 01:00:25,800
Speaker 1: You know, it's a big record. It's a big record

1149
01:00:30,600 --> 01:00:36,800
Speaker 1: you gade. But there's the craziest sees. For years, I

1150
01:00:36,920 --> 01:00:40,320
Speaker 1: felt like he's been coming into my world. And the

1151
01:00:40,440 --> 01:00:43,840
Speaker 1: thing about that us as being street dudes, that world

1152
01:00:43,960 --> 01:00:46,400
Speaker 1: is always be there for me. I don't have to

1153
01:00:46,600 --> 01:00:48,640
Speaker 1: always please that world. Sometimes I want to go to

1154
01:00:48,760 --> 01:00:54,080
Speaker 1: your world. That's a fact. Like that got hot waters

1155
01:00:54,160 --> 01:00:57,640
Speaker 1: on that young world. That's hard. I can't even put

1156
01:00:57,680 --> 01:01:00,919
Speaker 1: them the high waters, y'all. They don't fit me, y'all.

1157
01:01:02,480 --> 01:01:04,480
Speaker 1: It's not that I don't dance because I don't want to.

1158
01:01:04,840 --> 01:01:11,320
Speaker 1: I just think got that much random. You gave him

1159
01:01:11,360 --> 01:01:15,280
Speaker 1: something crazy crazy, Yeah, yeah, yeah, I gotta mean to

1160
01:01:15,480 --> 01:01:18,440
Speaker 1: step down. It's a big record. It's the biggest, the

1161
01:01:18,440 --> 01:01:20,240
Speaker 1: biggest record of my career. And we got to see

1162
01:01:20,640 --> 01:01:24,920
Speaker 1: Genius and we got to Gus on the spot and

1163
01:01:25,360 --> 01:01:27,320
Speaker 1: I just wanted to, you know, send some positive energy.

1164
01:01:27,360 --> 01:01:29,680
Speaker 1: We've been speaking since then, even calling me telling me

1165
01:01:29,720 --> 01:01:31,520
Speaker 1: about how we want to go to Puerto Rico and

1166
01:01:31,920 --> 01:01:34,680
Speaker 1: you know for the video. So I want to be

1167
01:01:34,720 --> 01:01:38,840
Speaker 1: a big time So if you guys were us is

1168
01:01:38,880 --> 01:01:41,320
Speaker 1: the name of the record, we were doing some real ship,

1169
01:01:41,440 --> 01:01:44,720
Speaker 1: you know what. Man. So with that, it sees sees

1170
01:01:45,040 --> 01:01:47,040
Speaker 1: sees dropping the album on D block, I just feel

1171
01:01:47,040 --> 01:01:52,160
Speaker 1: like it feels like that, Wow, I let's do it.

1172
01:01:52,280 --> 01:01:56,000
Speaker 1: I got I got. That's awesome fulfillments that are oh big,

1173
01:01:58,200 --> 01:02:01,440
Speaker 1: Like when you're talking about that earlier got straight digital

1174
01:02:01,600 --> 01:02:04,840
Speaker 1: right now, that's that's that's that's really you know, Empire

1175
01:02:04,920 --> 01:02:14,800
Speaker 1: cutting them. Brad dude, I think he knows this Empire

1176
01:02:14,960 --> 01:02:24,680
Speaker 1: Empire showline. The first shout out, the last last on

1177
01:02:24,800 --> 01:02:30,280
Speaker 1: the Locks was on here Styles was independent, Yeah, she

1178
01:02:30,680 --> 01:02:37,000
Speaker 1: was in the middle. Kiss was major only straight was

1179
01:02:37,120 --> 01:02:42,520
Speaker 1: kissing like you want I want to go back and

1180
01:02:44,000 --> 01:02:47,880
Speaker 1: still still depend major major deal money is it is different.

1181
01:02:48,000 --> 01:02:49,720
Speaker 1: I just did that King and Out promo with face

1182
01:02:49,800 --> 01:02:56,520
Speaker 1: she had right. They brought the Masters to the b

1183
01:02:56,680 --> 01:02:58,480
Speaker 1: I Ship. That's how she got That's how she did

1184
01:02:58,520 --> 01:03:00,280
Speaker 1: the whole. I was wondering how that would the King

1185
01:03:00,320 --> 01:03:03,320
Speaker 1: and Ship. It was a budget, you know, when you

1186
01:03:03,400 --> 01:03:05,160
Speaker 1: got that major deal. With that budget, you get that,

1187
01:03:05,440 --> 01:03:08,360
Speaker 1: you get the Vands Warner Brothers, right, yeah, yeah, I think,

1188
01:03:08,440 --> 01:03:13,440
Speaker 1: so go to negotiate with them, nigger. Yeah, I want

1189
01:03:13,480 --> 01:03:16,520
Speaker 1: the War Report back, so you know the difference when

1190
01:03:16,560 --> 01:03:19,760
Speaker 1: you're doing you know, you know that difference, sir. I

1191
01:03:19,840 --> 01:03:22,440
Speaker 1: want the War Report. But there's the difference the percentage.

1192
01:03:23,600 --> 01:03:25,920
Speaker 1: You want to own your own album, your first one.

1193
01:03:26,640 --> 01:03:29,800
Speaker 1: It's your first album. Always the most special is the

1194
01:03:30,440 --> 01:03:32,880
Speaker 1: is the ship that got to send again. You know

1195
01:03:33,040 --> 01:03:35,760
Speaker 1: that now you you like me. You got the first

1196
01:03:35,840 --> 01:03:39,000
Speaker 1: group album and the first solo album. I want vote

1197
01:03:39,040 --> 01:03:41,720
Speaker 1: of mine, y'all you want both. I don't want those two,

1198
01:03:41,760 --> 01:03:45,520
Speaker 1: and you can have everything nothing. I just want to sorry, man,

1199
01:03:45,600 --> 01:03:54,080
Speaker 1: that's the way back. I would love doing We Are

1200
01:03:54,160 --> 01:03:56,560
Speaker 1: the Streets and I would love Don't Kissing Death, though

1201
01:03:58,000 --> 01:04:01,480
Speaker 1: I could get the Masters then an album. Michael Jackson,

1202
01:04:01,600 --> 01:04:06,600
Speaker 1: you want to get one album. I want mine. I

1203
01:04:06,720 --> 01:04:08,520
Speaker 1: want because I don't think my album was that could

1204
01:04:08,640 --> 01:04:10,760
Speaker 1: I didn't think that was class that was a class

1205
01:04:12,080 --> 01:04:16,080
Speaker 1: said that earlier, the classics. That's a fact. I didn't

1206
01:04:16,120 --> 01:04:19,280
Speaker 1: think that. But after the years went by and sitting

1207
01:04:19,320 --> 01:04:22,000
Speaker 1: with a nigger like this five or somebody like you,

1208
01:04:22,120 --> 01:04:24,840
Speaker 1: I'm like, and he you got a dope album. That's

1209
01:04:25,680 --> 01:04:28,720
Speaker 1: all right? That it reflected it reflected with b I

1210
01:04:28,800 --> 01:04:31,200
Speaker 1: g next project would have been like it reflected that

1211
01:04:31,360 --> 01:04:34,160
Speaker 1: like it totally felt like that. It felt like an

1212
01:04:34,200 --> 01:04:37,160
Speaker 1: offspring of Big Ship. And that was my challenge because

1213
01:04:37,160 --> 01:04:39,360
Speaker 1: that was my first time really like happened to use

1214
01:04:39,440 --> 01:04:43,200
Speaker 1: everything that Big chaunt me for the first time. Atlantic

1215
01:04:43,280 --> 01:04:45,600
Speaker 1: then yeah, he was a part of that album was

1216
01:04:45,640 --> 01:04:48,120
Speaker 1: under Queen Bee and it was do Atlantic. But that

1217
01:04:48,240 --> 01:04:50,480
Speaker 1: was my album doing it without a big gum was

1218
01:04:50,600 --> 01:04:52,840
Speaker 1: that what I'm saying. So that was my first time

1219
01:04:53,000 --> 01:04:56,000
Speaker 1: like trying to learn everything and really put it together,

1220
01:04:56,120 --> 01:04:59,160
Speaker 1: and I put a dope pass album together. K that

1221
01:04:59,280 --> 01:05:01,080
Speaker 1: came through for me. That Ship, you know what I'm saying.

1222
01:05:04,120 --> 01:05:06,760
Speaker 1: That's the happy New Years joined joining they got tager

1223
01:05:06,840 --> 01:05:11,240
Speaker 1: bone o Ship. I didn't want that to show up

1224
01:05:11,360 --> 01:05:19,160
Speaker 1: right where that come from. We made it, We made it. Yeah,

1225
01:05:19,200 --> 01:05:21,320
Speaker 1: you're gonna get into the Eddie and Branson. We used

1226
01:05:21,320 --> 01:05:25,200
Speaker 1: to see how all the time. Listen, A lot of

1227
01:05:25,240 --> 01:05:28,040
Speaker 1: people don't know if we gonna get into this. Take

1228
01:05:28,040 --> 01:05:32,360
Speaker 1: this shotten me. I used to see season Big in

1229
01:05:32,520 --> 01:05:36,040
Speaker 1: Branson more than I've seen the like Yo, I swear

1230
01:05:36,080 --> 01:05:38,400
Speaker 1: to god, I say one time it was behind the counter.

1231
01:05:38,480 --> 01:05:40,800
Speaker 1: I said, you got red man, if you do that

1232
01:05:40,840 --> 01:05:44,000
Speaker 1: ship too, they could be right behind the counter in

1233
01:05:44,120 --> 01:05:47,040
Speaker 1: the West. Speaky. This is and I'm not talking a

1234
01:05:47,080 --> 01:05:50,600
Speaker 1: little big. I'm talking plat a little biggie. This nigg

1235
01:05:50,680 --> 01:05:53,520
Speaker 1: is platinum. So so wait, wait, so our listeners, is

1236
01:05:53,560 --> 01:05:55,560
Speaker 1: this this dude that was portrayed in Half Big, that

1237
01:05:55,760 --> 01:05:59,040
Speaker 1: that character. I felt like they were trying. But what

1238
01:05:59,160 --> 01:06:02,000
Speaker 1: Branson didn't look like that? He definitely he did have

1239
01:06:02,120 --> 01:06:05,960
Speaker 1: dreads though inspired. But I guess it was Samson you're

1240
01:06:05,960 --> 01:06:10,200
Speaker 1: talking about. Yeah, I guess it was. But yeah, that's

1241
01:06:10,200 --> 01:06:12,640
Speaker 1: how I used to run Big Big. They made that

1242
01:06:12,720 --> 01:06:15,480
Speaker 1: over Briton. Yeah, I think I think so. I think so, Sam.

1243
01:06:16,320 --> 01:06:17,920
Speaker 1: And I'm gonna tell you it seemed like the way

1244
01:06:18,000 --> 01:06:19,760
Speaker 1: you're talking about it was the first person to put

1245
01:06:19,840 --> 01:06:21,840
Speaker 1: me on the hash for you. But I'm talking about

1246
01:06:21,840 --> 01:06:24,920
Speaker 1: this is back then like hash Ore was popular. Now

1247
01:06:25,440 --> 01:06:29,080
Speaker 1: he had liquid Claire my nigga. That ship had me

1248
01:06:29,400 --> 01:06:37,360
Speaker 1: tall the fuck b I g my dude. A lot

1249
01:06:37,400 --> 01:06:42,840
Speaker 1: of people queens and see Big in the tunnel with

1250
01:06:43,040 --> 01:06:45,680
Speaker 1: just him, and see he's my nigger. This nigg is

1251
01:06:45,720 --> 01:06:49,400
Speaker 1: double blatinum, y'all, he's just him, And see it going

1252
01:06:49,440 --> 01:06:54,040
Speaker 1: to be that sixteen years old. I'm going to be

1253
01:06:54,160 --> 01:06:58,280
Speaker 1: in the tunnel. We still running around this week, run

1254
01:06:58,320 --> 01:07:00,960
Speaker 1: around there about fifty queens. Let me just say something,

1255
01:07:01,040 --> 01:07:02,560
Speaker 1: right because you gotta take a shot. Come on, you're

1256
01:07:02,560 --> 01:07:04,840
Speaker 1: gonna take a shot. Yeah, we all. I gotta be

1257
01:07:04,920 --> 01:07:07,400
Speaker 1: in too high. I guess, I guess I can. I guess.

1258
01:07:07,760 --> 01:07:10,280
Speaker 1: We don't have to do kiss. We don't have to

1259
01:07:10,400 --> 01:07:13,480
Speaker 1: do Did you see how did you see kids just

1260
01:07:13,560 --> 01:07:19,400
Speaker 1: stop doing it? Table movement? It was like out you

1261
01:07:19,440 --> 01:07:21,400
Speaker 1: did light by the way. You want a shot? Twin?

1262
01:07:21,640 --> 01:07:23,360
Speaker 1: Come on? Are you coming here for a second? Come on,

1263
01:07:24,240 --> 01:07:26,720
Speaker 1: get my shot? No, we can't do no, you gotta

1264
01:07:26,760 --> 01:07:35,200
Speaker 1: take your can we sell a brand on? Yeah, we

1265
01:07:35,280 --> 01:07:39,280
Speaker 1: had a warm this thing in my head. How we

1266
01:07:39,560 --> 01:07:43,280
Speaker 1: watched we gotta talk. Let's tiger bone it first. Yeah

1267
01:07:43,320 --> 01:07:49,600
Speaker 1: we got because listen how we squashed. It was ill.

1268
01:07:49,680 --> 01:07:53,000
Speaker 1: You know what I'm talking about in the court four. Look,

1269
01:07:53,160 --> 01:07:56,320
Speaker 1: we both got the same law here. We were in

1270
01:07:56,400 --> 01:07:59,920
Speaker 1: the paper's kiss. We're in the Paper's kiss. John's outside

1271
01:08:00,000 --> 01:08:02,840
Speaker 1: a hagh nine seven. But we got the same lawyer.

1272
01:08:03,240 --> 01:08:06,320
Speaker 1: Niggas like y'all got a song because someone's going on

1273
01:08:08,240 --> 01:08:11,040
Speaker 1: and well, yo, listen, kiss me made to call house.

1274
01:08:11,120 --> 01:08:13,360
Speaker 1: We got to celebrate seams. It's for scenes. Come on,

1275
01:08:13,480 --> 01:08:18,040
Speaker 1: for seeds. That's a little we can't a dog. Come on, dog,

1276
01:08:18,240 --> 01:08:24,880
Speaker 1: come on, dog, please come on. I'm doing it for

1277
01:08:25,040 --> 01:08:42,960
Speaker 1: DC to itwhere as well, little hip hop night you

1278
01:08:43,680 --> 01:08:46,479
Speaker 1: gotta get I'm getting that. So let me just say

1279
01:08:47,240 --> 01:08:50,360
Speaker 1: for the record, I'm getting some pushing in life. You

1280
01:08:50,479 --> 01:08:54,559
Speaker 1: better get some pushing. The most embarrassing be I haven't

1281
01:08:54,600 --> 01:08:57,040
Speaker 1: had was what you guys like. It was embarrassing because

1282
01:08:57,040 --> 01:08:59,160
Speaker 1: how we both have had no beat. We wasn'tupposed to

1283
01:08:59,160 --> 01:09:03,280
Speaker 1: have to be the back. Were the back that an't happened.

1284
01:09:03,360 --> 01:09:07,640
Speaker 1: I say, let me this way. I come in the

1285
01:09:07,800 --> 01:09:10,519
Speaker 1: song bang bang right, and I was in the studio

1286
01:09:10,640 --> 01:09:13,639
Speaker 1: it was a boot this song. I love that song though.

1287
01:09:14,000 --> 01:09:16,800
Speaker 1: That's what's so crazy, because the song is going great.

1288
01:09:17,560 --> 01:09:20,680
Speaker 1: The fox come on in her parts, beautiful you. But

1289
01:09:20,840 --> 01:09:23,040
Speaker 1: the bad thing is she's just talking about you know,

1290
01:09:23,160 --> 01:09:29,080
Speaker 1: the family, right, but nothing, nothing to do with nothing.

1291
01:09:29,400 --> 01:09:31,760
Speaker 1: And the crazy ship was Papa told me. Papa said, Yo,

1292
01:09:32,240 --> 01:09:33,720
Speaker 1: you shouldn't have let her dissed me on you on

1293
01:09:33,840 --> 01:09:35,600
Speaker 1: your joint. And I never looked at it like that,

1294
01:09:35,760 --> 01:09:38,120
Speaker 1: like because quiet Storm. I think quiet Storm had came

1295
01:09:38,320 --> 01:09:43,439
Speaker 1: came up, so she used us. But we canna come

1296
01:09:43,520 --> 01:09:45,559
Speaker 1: this out if you don't want to see. I love

1297
01:09:46,160 --> 01:09:49,840
Speaker 1: Criteria Studios, which you were showing me Foxy's verse. Well, no,

1298
01:09:49,920 --> 01:09:55,519
Speaker 1: it was bad. You said it was like ship ship

1299
01:09:55,640 --> 01:09:57,840
Speaker 1: she's going in. Yeah, it was bad. It was no,

1300
01:09:57,960 --> 01:09:59,719
Speaker 1: it was it was a different version. It was worse.

1301
01:10:00,040 --> 01:10:02,280
Speaker 1: There's a different version. It was worst. A version that

1302
01:10:02,600 --> 01:10:07,760
Speaker 1: actually was the worst verse. He had six verses. I

1303
01:10:07,800 --> 01:10:09,800
Speaker 1: think you heard the crazy version, brother, Yeah, I think

1304
01:10:09,840 --> 01:10:12,880
Speaker 1: you didn't hear this. I hear that one. I tried

1305
01:10:12,920 --> 01:10:16,400
Speaker 1: to listen because I know people have been hitting Foxy

1306
01:10:16,479 --> 01:10:18,000
Speaker 1: up every time we say a name, this is, this is,

1307
01:10:18,280 --> 01:10:20,880
Speaker 1: this is in respect to her. You know, we all

1308
01:10:20,960 --> 01:10:23,320
Speaker 1: didn't know. He was young people. We were young, we

1309
01:10:23,400 --> 01:10:25,760
Speaker 1: were young people. We didn't know. And it was two

1310
01:10:25,880 --> 01:10:29,320
Speaker 1: girls they were both bosses. They were both our people

1311
01:10:29,880 --> 01:10:33,439
Speaker 1: had teams behind and we weren't playing. They were playing

1312
01:10:33,560 --> 01:10:36,200
Speaker 1: with all due respectable for them, well all due respectableth

1313
01:10:36,200 --> 01:10:38,639
Speaker 1: for them. So so something happening from the hot ninety

1314
01:10:38,640 --> 01:10:43,320
Speaker 1: seven right whatever? Right, so man, this is the crazy Yeah,

1315
01:10:43,400 --> 01:10:49,680
Speaker 1: you know, come on everybody, anybody google it. But so

1316
01:10:49,880 --> 01:10:53,120
Speaker 1: now the beef is circling and it's like yo yo,

1317
01:10:53,200 --> 01:10:55,160
Speaker 1: but we know we gotta speak to each other, but

1318
01:10:55,280 --> 01:10:57,840
Speaker 1: we can't hit each other. We both got the same lawyer,

1319
01:10:57,960 --> 01:11:01,400
Speaker 1: Bob Khaleena called one day for both our cases to

1320
01:11:01,479 --> 01:11:04,719
Speaker 1: say what we both got walking see this this after

1321
01:11:04,840 --> 01:11:10,360
Speaker 1: we all had the malays you walk in you gonna

1322
01:11:10,400 --> 01:11:19,320
Speaker 1: have on us and say that's just like hit me.

1323
01:11:20,560 --> 01:11:23,160
Speaker 1: This was some real mafia ship. This was not a

1324
01:11:23,240 --> 01:11:26,840
Speaker 1: mall niggas meat like your nigga like yeall seen I

1325
01:11:26,920 --> 01:11:29,760
Speaker 1: see or sopranos. Once they met, it made each other

1326
01:11:29,880 --> 01:11:33,400
Speaker 1: at the airport because because they met him after the

1327
01:11:33,479 --> 01:11:36,160
Speaker 1: middle of the detector, so knew that was good. You know,

1328
01:11:36,439 --> 01:11:39,160
Speaker 1: you know we're good. It's like doing to have a fight,

1329
01:11:39,240 --> 01:11:41,920
Speaker 1: that's it doing. I know you don't want to say

1330
01:11:42,040 --> 01:11:44,640
Speaker 1: specific can't because no, we won't. We won't. Let's just

1331
01:11:44,720 --> 01:11:48,880
Speaker 1: explain shots five shots Fieri. Yes, it was something crazy

1332
01:11:48,880 --> 01:11:52,800
Speaker 1: in front of Hot Records band and someone didn't know

1333
01:11:53,120 --> 01:11:58,840
Speaker 1: Polish records lay between your records. It changed Hot night

1334
01:11:58,960 --> 01:12:04,920
Speaker 1: sevens protocol, the truth power one on five at that time.

1335
01:12:05,160 --> 01:12:07,439
Speaker 1: If power one on five didn't exist. I don't think

1336
01:12:07,479 --> 01:12:10,479
Speaker 1: Hot would have still forgave us. What happened was Hot

1337
01:12:10,600 --> 01:12:13,679
Speaker 1: realize who did whatever whatever, and then they put us back.

1338
01:12:13,880 --> 01:12:16,280
Speaker 1: Then they said, okay, but to tell you the truth,

1339
01:12:16,680 --> 01:12:19,840
Speaker 1: but speak up to Hot ninety seven. But why did

1340
01:12:19,880 --> 01:12:22,599
Speaker 1: they do it? The weak power roles? Like the weak

1341
01:12:22,640 --> 01:12:26,200
Speaker 1: power came because remember we didn't have power when she

1342
01:12:26,400 --> 01:12:28,880
Speaker 1: having problems with each other, right, and they booked us.

1343
01:12:29,200 --> 01:12:34,280
Speaker 1: We were three and the three in the five. Let's

1344
01:12:34,280 --> 01:12:35,920
Speaker 1: start the room and then you know, we ain't know

1345
01:12:36,040 --> 01:12:40,080
Speaker 1: we had We always expecting to see them as soon

1346
01:12:40,080 --> 01:12:41,920
Speaker 1: as we come out. Were even the station, they're gonna

1347
01:12:41,960 --> 01:12:45,600
Speaker 1: come in. Ye what showed up? He just said that

1348
01:12:45,680 --> 01:12:49,400
Speaker 1: he's three three or five and three? Who's who's the

1349
01:12:49,439 --> 01:12:51,479
Speaker 1: host of the show. I believe we was Clue and

1350
01:12:51,560 --> 01:12:54,160
Speaker 1: y'all were somebody else? Yeah, because yeah, because it was

1351
01:12:54,200 --> 01:12:56,799
Speaker 1: like like more of the weekends. One of them weekends,

1352
01:12:56,920 --> 01:12:59,599
Speaker 1: different people coming up. Why would just set up something

1353
01:12:59,760 --> 01:13:03,000
Speaker 1: like that and you already know the situation it did

1354
01:13:03,960 --> 01:13:08,679
Speaker 1: about it? You never like Yeah, I'm like, yo, after

1355
01:13:08,800 --> 01:13:11,400
Speaker 1: all the ship send transpot, We're like, yo, did they

1356
01:13:11,800 --> 01:13:13,960
Speaker 1: do that? They knew the situation ship was going on,

1357
01:13:14,400 --> 01:13:17,120
Speaker 1: This was world going on through that. No, I agree

1358
01:13:17,160 --> 01:13:19,120
Speaker 1: with that. You knew they was gonna come and we

1359
01:13:20,120 --> 01:13:24,080
Speaker 1: was gonna be there. We all we was all right,

1360
01:13:26,240 --> 01:13:28,720
Speaker 1: come he did. For the record, Yeah, he wasn't there,

1361
01:13:29,320 --> 01:13:34,400
Speaker 1: go there, nor he never showed. I saw normally in court, Yes,

1362
01:13:34,560 --> 01:13:41,120
Speaker 1: I seen after her. We had other cases. But the

1363
01:13:41,200 --> 01:13:44,439
Speaker 1: great saying lawyer, here's the great ship. When they when

1364
01:13:44,479 --> 01:13:46,960
Speaker 1: they came for the HIGHNY seven ship, they had locked

1365
01:13:47,400 --> 01:13:49,559
Speaker 1: a couple of niggas up on the spot. What happened

1366
01:13:49,680 --> 01:13:52,040
Speaker 1: was we didn't know we had the same lawyer, so

1367
01:13:52,200 --> 01:13:57,320
Speaker 1: I had to send the lawyer down and they they

1368
01:13:57,400 --> 01:14:05,680
Speaker 1: did the same. He was great man, old case. That

1369
01:14:05,720 --> 01:14:07,479
Speaker 1: ship was so crazy. Got everybody out of jail on

1370
01:14:07,520 --> 01:14:09,479
Speaker 1: that day that she was so crazy. The FETs came

1371
01:14:09,520 --> 01:14:11,800
Speaker 1: in and said, you can't be a part of this

1372
01:14:12,040 --> 01:14:18,680
Speaker 1: at all. Yeah, because that's my stat he was in

1373
01:14:18,760 --> 01:14:22,880
Speaker 1: our ship. This case went there for five years, like

1374
01:14:23,120 --> 01:14:25,960
Speaker 1: this should happened with us in two thousand one. This

1375
01:14:26,000 --> 01:14:28,760
Speaker 1: shouldn't happened to two thousand and five, like what I'm saying,

1376
01:14:29,080 --> 01:14:32,880
Speaker 1: But Bob Cleet always said, hey, don't talk on phones.

1377
01:14:33,439 --> 01:14:37,040
Speaker 1: Save you some money, because that case is still open. Yes,

1378
01:14:40,360 --> 01:14:42,599
Speaker 1: every show I did put two hundred to the side

1379
01:14:43,400 --> 01:14:45,760
Speaker 1: all that because that case didn't go. That ship ain't

1380
01:14:45,800 --> 01:14:51,200
Speaker 1: cold case. That ship's still crazy. This is crazy hip

1381
01:14:51,240 --> 01:14:56,439
Speaker 1: hop history, right, I'm waiting, Yeah, this history, and we've

1382
01:14:56,479 --> 01:14:59,160
Speaker 1: always been cool in between and before that it was

1383
01:14:59,240 --> 01:15:01,800
Speaker 1: just we underst still what happened? They were cool, like

1384
01:15:01,880 --> 01:15:05,840
Speaker 1: when that happened or did we up before that? But

1385
01:15:05,960 --> 01:15:09,160
Speaker 1: when it happened, did have we know immediately? We knew

1386
01:15:09,160 --> 01:15:12,280
Speaker 1: immediately whatever that what had, whatever had happened. We need

1387
01:15:12,320 --> 01:15:14,760
Speaker 1: to work that ship out because it was us the fat.

1388
01:15:14,840 --> 01:15:17,120
Speaker 1: When the fats come, you gotta relax, You chill out.

1389
01:15:17,920 --> 01:15:27,280
Speaker 1: My friends every day they don't, Ye wouldn't have no problem.

1390
01:15:28,040 --> 01:15:32,479
Speaker 1: What's that ship. Let's let's go. I'm gonna be honest

1391
01:15:32,520 --> 01:15:35,439
Speaker 1: with your thinking. But everybody don't when I got sepeded, right,

1392
01:15:35,439 --> 01:15:38,840
Speaker 1: I'm gonna be honest with you game, Like twenty thirty

1393
01:15:38,920 --> 01:15:42,479
Speaker 1: minutes early right, they weren't posed to let me in

1394
01:15:42,560 --> 01:15:45,240
Speaker 1: the room. These niggers had a chart like we was

1395
01:15:45,360 --> 01:15:48,880
Speaker 1: the mafia, folks. I swear like that black book that

1396
01:15:49,040 --> 01:15:51,760
Speaker 1: ran around it in the stream making the documentary about that.

1397
01:15:52,600 --> 01:15:55,720
Speaker 1: But that was that that state. This is fats. I

1398
01:15:55,840 --> 01:15:58,000
Speaker 1: walked in on they chop board. They had me at

1399
01:15:58,040 --> 01:16:00,600
Speaker 1: the top of this ship and they had these. Then

1400
01:16:00,640 --> 01:16:03,519
Speaker 1: they had Nigga's position. I said, you got over lave.

1401
01:16:04,320 --> 01:16:07,479
Speaker 1: It's not even a serious. This is not what y'all

1402
01:16:07,520 --> 01:16:17,160
Speaker 1: thinking your conversations. They had us when the crazy ship

1403
01:16:17,240 --> 01:16:19,439
Speaker 1: and it is like the quote uncote hip hop police. No,

1404
01:16:19,560 --> 01:16:24,000
Speaker 1: this is the fans, the fancy. The fans had them

1405
01:16:24,160 --> 01:16:26,120
Speaker 1: like they must didn't do a show on Queens in

1406
01:16:26,200 --> 01:16:29,519
Speaker 1: two years, but just just maybe Queens. They had the

1407
01:16:30,320 --> 01:16:33,000
Speaker 1: money to pay them, so they bring that up. They're

1408
01:16:33,000 --> 01:16:34,920
Speaker 1: like Nori and do a show in Brooklyn. I said,

1409
01:16:34,960 --> 01:16:36,640
Speaker 1: I had I don't know if I had the glasses on,

1410
01:16:36,800 --> 01:16:38,400
Speaker 1: but in my mind I had a glasses, right, and

1411
01:16:38,520 --> 01:16:44,000
Speaker 1: I said, money to pay me, you idiots like I

1412
01:16:44,280 --> 01:16:47,080
Speaker 1: could have. The fans is so smart. They dun't like

1413
01:16:47,160 --> 01:16:50,760
Speaker 1: because I like the way they had this scrushed like

1414
01:16:51,560 --> 01:16:53,560
Speaker 1: they really looked at us like we were someone like

1415
01:16:53,640 --> 01:16:59,240
Speaker 1: the lawyer, name is Valerie? Answerdam value, answerdam federal lawyer.

1416
01:16:59,560 --> 01:17:01,479
Speaker 1: I had to get federal lawyers. But I couldn't have

1417
01:17:01,800 --> 01:17:05,080
Speaker 1: no my lawyer. She had to come to me and

1418
01:17:05,200 --> 01:17:12,760
Speaker 1: say are you are you really like this? Are you

1419
01:17:12,920 --> 01:17:16,479
Speaker 1: like that? And I'm like, you gotta relax. It's not

1420
01:17:17,040 --> 01:17:20,960
Speaker 1: we're not wrapp up baby. But they the way they

1421
01:17:21,080 --> 01:17:23,400
Speaker 1: described us, like we were supposed to go to jail

1422
01:17:23,439 --> 01:17:27,120
Speaker 1: for fifty years. They had us and you know what

1423
01:17:27,240 --> 01:17:29,080
Speaker 1: it is, you got probably cases and all that ship.

1424
01:17:29,160 --> 01:17:32,519
Speaker 1: So now yes, your tax bracket is different. So they're

1425
01:17:32,520 --> 01:17:34,960
Speaker 1: just looking at you like and then yeah, I got

1426
01:17:35,280 --> 01:17:37,760
Speaker 1: man's that. You know, that's dumb. I don't know what

1427
01:17:37,920 --> 01:17:42,720
Speaker 1: these niggers do, but they're trying. That's what they're trying to.

1428
01:17:42,800 --> 01:17:44,800
Speaker 1: But they try to chew and two together. They're trying

1429
01:17:44,840 --> 01:17:48,840
Speaker 1: to all the all of us sping. I'm I think

1430
01:17:48,920 --> 01:17:52,560
Speaker 1: I think me and him meeting the courtroom saved it

1431
01:17:52,720 --> 01:17:54,400
Speaker 1: saved it all because we had to sat back and

1432
01:17:54,439 --> 01:17:56,880
Speaker 1: I'm like, yo, is these people coming. They're like Yo,

1433
01:17:57,040 --> 01:17:59,400
Speaker 1: it's fast now, like oh no, this is serious, we

1434
01:17:59,520 --> 01:18:03,360
Speaker 1: got that, but like, yo, you tell your gonna that's

1435
01:18:03,439 --> 01:18:09,800
Speaker 1: my friends, and a chance to see that studio when

1436
01:18:09,840 --> 01:18:11,920
Speaker 1: I see what happened. Is this what we didn't know

1437
01:18:12,280 --> 01:18:15,400
Speaker 1: is anything that happens on a federal ground defeats coming

1438
01:18:15,439 --> 01:18:21,639
Speaker 1: to immigration buildings across the state. So when the state,

1439
01:18:21,840 --> 01:18:23,960
Speaker 1: when the state didn't want to carry it on, the

1440
01:18:24,040 --> 01:18:26,439
Speaker 1: FETT took over that case. That's why I never went dead.

1441
01:18:27,320 --> 01:18:30,280
Speaker 1: That's why ball Cleaner always said, hey, y'all, that case

1442
01:18:30,360 --> 01:18:33,920
Speaker 1: ain't dead. Save your money. Yes, don't talk, don't talk

1443
01:18:33,920 --> 01:18:37,080
Speaker 1: about that, don't say this. We couldn't say, be careful,

1444
01:18:37,400 --> 01:18:39,680
Speaker 1: that ship ain't over. And were just sitting that the

1445
01:18:39,800 --> 01:18:43,680
Speaker 1: audience having fun. And five years later I went to

1446
01:18:43,760 --> 01:18:46,599
Speaker 1: my I was on probation. I want in my probation officer.

1447
01:18:46,640 --> 01:18:52,400
Speaker 1: One day they bathed. It served me show up and

1448
01:18:52,520 --> 01:18:55,560
Speaker 1: the side and for the record, for the record, what

1449
01:18:55,720 --> 01:18:58,680
Speaker 1: the funk about? What ship that? You don't forgot you?

1450
01:18:59,240 --> 01:19:00,960
Speaker 1: I don't know nothing about No that ship man, that

1451
01:19:01,000 --> 01:19:03,280
Speaker 1: ship don't I don't know about that day. No more

1452
01:19:03,720 --> 01:19:09,400
Speaker 1: like five six years ago. I wasn't. That's my friends, goddam,

1453
01:19:09,840 --> 01:19:16,120
Speaker 1: I was just drinking. Years ago. We were talking about

1454
01:19:17,920 --> 01:19:23,680
Speaker 1: good one we were doing when I seen it. When

1455
01:19:23,680 --> 01:19:25,880
Speaker 1: I see what they was trying to say that we

1456
01:19:26,160 --> 01:19:33,439
Speaker 1: were I calmed it old the way. I almost agree

1457
01:19:33,479 --> 01:19:36,280
Speaker 1: with them, like yes, I say, I think like and

1458
01:19:36,400 --> 01:19:41,160
Speaker 1: I'm like, we gotta relax, like the whole thing had

1459
01:19:41,200 --> 01:19:43,400
Speaker 1: to change, like it was so much steak. But what

1460
01:19:43,479 --> 01:19:45,160
Speaker 1: I'm trying to tell you is they're not playing with

1461
01:19:45,280 --> 01:19:47,200
Speaker 1: us in hip hop. So you know we used me

1462
01:19:47,320 --> 01:19:49,320
Speaker 1: in season because I don't know about you. I can't

1463
01:19:49,360 --> 01:19:52,080
Speaker 1: speak about you and Kim Side. But for that whole

1464
01:19:52,160 --> 01:19:55,479
Speaker 1: two and a half years that I was banned from seven,

1465
01:19:55,800 --> 01:19:59,400
Speaker 1: it was probably the worst money in my life that

1466
01:19:59,520 --> 01:20:02,280
Speaker 1: I was made because ain't nobody trying to hire you

1467
01:20:03,040 --> 01:20:06,360
Speaker 1: when you ain't got no record spending Like this industry

1468
01:20:06,479 --> 01:20:08,560
Speaker 1: is about what do you do right now, not what

1469
01:20:08,720 --> 01:20:11,360
Speaker 1: have been done for me in the past. So I'm

1470
01:20:11,360 --> 01:20:13,479
Speaker 1: gonna tell you as a person that was banned. So

1471
01:20:14,040 --> 01:20:16,599
Speaker 1: so what happened with Hot ninety seven is they didn't

1472
01:20:16,640 --> 01:20:18,960
Speaker 1: just banned me from Hot ninety seven. They banned me

1473
01:20:19,040 --> 01:20:24,320
Speaker 1: from MS broadcast, which means every kid you can't because

1474
01:20:24,960 --> 01:20:28,920
Speaker 1: like it's thet ships don't want to book. You don't

1475
01:20:28,920 --> 01:20:37,280
Speaker 1: know at that time, but I was fucked. I didn't

1476
01:20:37,800 --> 01:20:41,320
Speaker 1: I didn't keep playing. I didn't give you know, but

1477
01:20:41,640 --> 01:20:43,519
Speaker 1: it was rough. I don't know how it was. No,

1478
01:20:43,680 --> 01:20:47,360
Speaker 1: he didn't. That's what it was supposed to be. Your image.

1479
01:20:47,400 --> 01:20:49,840
Speaker 1: We're supposed to be like Naine. We that's what we

1480
01:20:51,160 --> 01:20:53,120
Speaker 1: get busy. But at the end of the day, now

1481
01:20:53,240 --> 01:20:58,439
Speaker 1: clubs ain't booking. Club can't. They's so bad kiss that

1482
01:20:58,520 --> 01:21:01,040
Speaker 1: the club can't book. You ain't even book add on

1483
01:21:01,120 --> 01:21:03,960
Speaker 1: Hot ninety seven. We can't say his name. We can't

1484
01:21:04,000 --> 01:21:06,320
Speaker 1: say so in other states it was nobody want to

1485
01:21:06,400 --> 01:21:09,080
Speaker 1: do nothing to you and whatever other stations and his

1486
01:21:09,240 --> 01:21:11,400
Speaker 1: own and they were trying to book me for a show.

1487
01:21:11,439 --> 01:21:15,120
Speaker 1: They would be like like that that was a rough period,

1488
01:21:15,880 --> 01:21:17,800
Speaker 1: like that was bad about this in my life. But

1489
01:21:17,920 --> 01:21:19,760
Speaker 1: I don't know how it w And that's how that

1490
01:21:19,840 --> 01:21:22,240
Speaker 1: ship got shu up, you know, saying like we really

1491
01:21:22,479 --> 01:21:24,280
Speaker 1: we had to workout way back in there. You had

1492
01:21:24,280 --> 01:21:26,280
Speaker 1: to see a lot of please, a lot of free shows.

1493
01:21:27,160 --> 01:21:29,240
Speaker 1: You have to get back and get braces of that,

1494
01:21:29,439 --> 01:21:31,280
Speaker 1: you know what I'm saying. But we were smart from

1495
01:21:31,320 --> 01:21:33,080
Speaker 1: the gate when we saw each other in that quart

1496
01:21:33,120 --> 01:21:38,400
Speaker 1: I'll change that meaning that we did my nigger, we

1497
01:21:38,479 --> 01:21:50,080
Speaker 1: got beef. No, that's my whole together community about this ship.

1498
01:21:50,680 --> 01:21:54,200
Speaker 1: Let's do a lining about this ship. We havings. Where

1499
01:21:54,280 --> 01:21:56,680
Speaker 1: was our community service that we had to clean that

1500
01:21:56,800 --> 01:22:06,400
Speaker 1: the building on the park. Yeah, it's a choice, yo side.

1501
01:22:11,000 --> 01:22:20,240
Speaker 1: We had two days commuted service all that and like,

1502
01:22:20,320 --> 01:22:22,200
Speaker 1: yo dog, what're we gonna through? And we went to

1503
01:22:22,240 --> 01:22:27,479
Speaker 1: the studio Peanot Grigio, drank and we sucked around. I

1504
01:22:27,560 --> 01:22:30,800
Speaker 1: got a call from my lawyer that day, right the

1505
01:22:30,880 --> 01:22:33,560
Speaker 1: day after that, because the fans wants you to come in.

1506
01:22:35,160 --> 01:22:37,080
Speaker 1: And they came in and asked me, Hey, you know

1507
01:22:37,880 --> 01:22:41,240
Speaker 1: when the last time you've spoken in so Noriega? What

1508
01:22:43,200 --> 01:22:47,519
Speaker 1: yesterday we coolt He didn't have beef with somebody I'm

1509
01:22:47,600 --> 01:22:50,360
Speaker 1: friends with. Well, I'm thinking that on yesterday we ate

1510
01:22:50,479 --> 01:22:54,120
Speaker 1: Peanot Grigio. We drank, went the studio, were just backings,

1511
01:22:54,160 --> 01:22:57,040
Speaker 1: were cooling. How can we have a situation if we

1512
01:22:57,320 --> 01:22:59,479
Speaker 1: were sitting there and we were kicking and be chilling.

1513
01:22:59,479 --> 01:23:01,519
Speaker 1: But that's what you had to do, and look and

1514
01:23:01,600 --> 01:23:03,519
Speaker 1: let me just let me. I want to clarify something

1515
01:23:03,960 --> 01:23:06,800
Speaker 1: because um, lately you like, well not lately, but back

1516
01:23:06,880 --> 01:23:10,120
Speaker 1: then your poem will see the bad rap because what

1517
01:23:10,280 --> 01:23:13,479
Speaker 1: happened was going to court, right, So let me explain

1518
01:23:13,680 --> 01:23:16,080
Speaker 1: from from my point of view, I wasn't there, so

1519
01:23:16,160 --> 01:23:19,280
Speaker 1: nobody couldn't really subpoena because my testimony doesn't mean ship

1520
01:23:19,360 --> 01:23:22,360
Speaker 1: because I really wasn't there, right, So they didn't that

1521
01:23:23,200 --> 01:23:25,639
Speaker 1: they didn't want to subpoena Foxy Brown. But the reason

1522
01:23:25,720 --> 01:23:29,720
Speaker 1: why they subpoenaed Poem and they subpoened Sees because Poe

1523
01:23:29,840 --> 01:23:32,920
Speaker 1: and Sees was there. So the minute you say the

1524
01:23:33,040 --> 01:23:36,679
Speaker 1: government subpoenas you, it's called a government's witness. So people

1525
01:23:36,720 --> 01:23:39,320
Speaker 1: from the hood who don't know no better, they automatically say,

1526
01:23:39,560 --> 01:23:42,640
Speaker 1: he's the government's witness, he's a snitch. That's not the

1527
01:23:42,760 --> 01:23:45,960
Speaker 1: way it is. What it is it is. You get

1528
01:23:46,080 --> 01:23:48,400
Speaker 1: you get a list of people who you can subpoena.

1529
01:23:48,800 --> 01:23:51,400
Speaker 1: Kim could have easily or anybody could have easily said

1530
01:23:51,439 --> 01:23:53,560
Speaker 1: I mustn't been a poem. I must and you know

1531
01:23:53,680 --> 01:23:54,960
Speaker 1: what that would have been. It would have been the

1532
01:23:55,000 --> 01:23:57,280
Speaker 1: defendants witness. You know what I say. I'm saying, oh

1533
01:23:57,320 --> 01:24:00,640
Speaker 1: whatever and whatever that is. So they could have got

1534
01:24:00,720 --> 01:24:03,240
Speaker 1: on the stand and said nothing. But nobody who covers

1535
01:24:03,280 --> 01:24:04,880
Speaker 1: that part. This is the fact that they you know,

1536
01:24:07,960 --> 01:24:09,960
Speaker 1: people don't They don't know because they don't have been

1537
01:24:10,000 --> 01:24:11,320
Speaker 1: through that because he's gonna have got on the stand

1538
01:24:11,360 --> 01:24:13,720
Speaker 1: and said nothing. But they don't care about that. They

1539
01:24:13,720 --> 01:24:15,439
Speaker 1: don't care about that, the fact that you got out

1540
01:24:15,479 --> 01:24:17,400
Speaker 1: there going man, they push you in the you have

1541
01:24:17,640 --> 01:24:20,120
Speaker 1: to go when the fans say, nigger, you got out

1542
01:24:20,120 --> 01:24:23,760
Speaker 1: of you. There's nothing. You're going on there and say,

1543
01:24:23,800 --> 01:24:25,240
Speaker 1: I plead the fifth year. You could do all that,

1544
01:24:26,160 --> 01:24:29,080
Speaker 1: but you ain't saying nothing to criminate or put nobody

1545
01:24:29,120 --> 01:24:32,479
Speaker 1: in No, no bad predicament or nothing. I don't know nothing.

1546
01:24:32,560 --> 01:24:35,680
Speaker 1: Nobody got arrested from that situation, No, no, no, how

1547
01:24:35,720 --> 01:24:38,040
Speaker 1: many people got stapoena from that ship d it was

1548
01:24:41,680 --> 01:24:47,160
Speaker 1: this ship was seven got stupoenas. She was a bad situation,

1549
01:24:47,400 --> 01:24:49,679
Speaker 1: it was, But we was not. We was not acting

1550
01:24:49,760 --> 01:24:52,679
Speaker 1: like rappers. Were people that like who we are today's

1551
01:24:53,160 --> 01:24:56,120
Speaker 1: drinking and this is who we've been. This that's why

1552
01:24:56,320 --> 01:24:58,479
Speaker 1: ever is the best because we grew up and you

1553
01:24:58,560 --> 01:25:01,880
Speaker 1: know what they ship was. There's no disk records, there's

1554
01:25:01,920 --> 01:25:05,880
Speaker 1: no toys, no history, there's no there's no like you know,

1555
01:25:06,000 --> 01:25:08,519
Speaker 1: there's one like you look at you look at look

1556
01:25:08,520 --> 01:25:11,120
Speaker 1: at people be it's like seventeen things like No, there's

1557
01:25:11,160 --> 01:25:13,240
Speaker 1: just one thing that's done. We was all streets and

1558
01:25:13,520 --> 01:25:17,360
Speaker 1: and and and smart enough to know. Relax, it's bigger

1559
01:25:17,400 --> 01:25:20,679
Speaker 1: than us. That's cool. But but there's no like disk

1560
01:25:20,800 --> 01:25:23,439
Speaker 1: records and all this like nowadays, that's the first thing.

1561
01:25:24,360 --> 01:25:27,840
Speaker 1: They go straight to the studio and part two and

1562
01:25:28,640 --> 01:25:31,320
Speaker 1: now we don't have we have one part that wasn't

1563
01:25:31,400 --> 01:25:34,439
Speaker 1: realized was that steak. Yeah said your dog. That's typen

1564
01:25:34,560 --> 01:25:39,160
Speaker 1: up cool man dog were straight. But come on, let's

1565
01:25:39,160 --> 01:25:44,400
Speaker 1: do that. Let make noise that. Look kids, kids like man,

1566
01:25:44,520 --> 01:25:49,519
Speaker 1: I shouldn't have took that tyger shot face. It took

1567
01:25:49,600 --> 01:25:54,680
Speaker 1: that tag. Yeah, you change since the tight age, not

1568
01:25:54,880 --> 01:25:58,080
Speaker 1: tyger bone. That's let's describe tyger bone. People that list.

1569
01:25:59,120 --> 01:26:01,080
Speaker 1: Nobody don't want to know what time. We all want

1570
01:26:01,120 --> 01:26:04,439
Speaker 1: to do that with me because your experience with me

1571
01:26:04,960 --> 01:26:07,599
Speaker 1: craziest shy. Yeah we already did you already blew bell.

1572
01:26:07,640 --> 01:26:12,160
Speaker 1: What's the whole combination with the tiger around the world. Yeah,

1573
01:26:14,240 --> 01:26:20,240
Speaker 1: an remix of this? Yeah, yeah, you die right this

1574
01:26:20,360 --> 01:26:24,479
Speaker 1: shi we didn't do that. We do that. No, we

1575
01:26:24,600 --> 01:26:26,760
Speaker 1: didn't do that here around the world. Those ships is

1576
01:26:26,960 --> 01:26:29,040
Speaker 1: super strong. No, I ain't an out of you. Now

1577
01:26:29,120 --> 01:26:32,280
Speaker 1: we should rivet and just the second to a seconds

1578
01:26:32,320 --> 01:26:35,400
Speaker 1: you remix to come back to life. All seconds though

1579
01:26:35,400 --> 01:26:40,920
Speaker 1: you're dead. Sorry, ship is disgusting. I'm not gonna and

1580
01:26:41,080 --> 01:26:43,120
Speaker 1: barrows all tide. I felt like he almost died. She

1581
01:26:43,160 --> 01:26:46,040
Speaker 1: took it like an take it like a truth. Many shot.

1582
01:26:46,120 --> 01:26:49,240
Speaker 1: She did one, Yeah, let do one more. Let's do

1583
01:26:49,320 --> 01:27:05,800
Speaker 1: one more. Yeah, I come talking about he had four

1584
01:27:05,920 --> 01:27:09,599
Speaker 1: bad nights his birthday. I'm having up a kiss for kiss.

1585
01:27:09,640 --> 01:27:12,680
Speaker 1: I totally you have for a week. Gemmen, Oh we

1586
01:27:12,800 --> 01:27:18,559
Speaker 1: gem night. I'm a Gemini two seven oh make seven God,

1587
01:27:21,960 --> 01:27:29,479
Speaker 1: I love geminized man lost the best posts j kiss

1588
01:27:29,520 --> 01:27:32,479
Speaker 1: the Cuba, I'm losing shot. Make some noise for Cuba,

1589
01:27:32,720 --> 01:27:35,720
Speaker 1: the Cruiser, Jade kiss in the Black Train c Q

1590
01:27:35,880 --> 01:27:38,840
Speaker 1: and the raise your train. I hit him, got my

1591
01:27:38,920 --> 01:27:40,960
Speaker 1: dramer head. Thank you. You can't be pouring shots like that.

1592
01:27:41,040 --> 01:27:42,960
Speaker 1: They'll see it's come on, come on, you're gonna relaxing

1593
01:27:43,400 --> 01:27:50,840
Speaker 1: community serves. Kid. You gotta poll my shot this one time.

1594
01:27:50,960 --> 01:27:53,760
Speaker 1: It might be the best one to last one. You

1595
01:27:53,840 --> 01:28:00,400
Speaker 1: gotta do. Damn that. Damn that's that's almost madness, yo.

1596
01:28:00,520 --> 01:28:06,920
Speaker 1: See to hip hop BC twin twins. I'm only doing

1597
01:28:07,800 --> 01:28:10,360
Speaker 1: that's right, That's right. DC Twitter the man I'll be

1598
01:28:10,840 --> 01:28:13,439
Speaker 1: the hour. This is for hip hop, This is for

1599
01:28:13,880 --> 01:28:17,240
Speaker 1: b I g This for history, This is for your history.

1600
01:28:17,479 --> 01:28:23,160
Speaker 1: This is for crazyhood. History has it a sound rich

1601
01:28:23,240 --> 01:28:27,240
Speaker 1: block History Kate Rosewood and everybody History Beat The OS

1602
01:28:27,320 --> 01:28:34,080
Speaker 1: podcast coming soon. We doubt Yeah, what let's don't let's go.

1603
01:28:34,439 --> 01:28:41,640
Speaker 1: You got a good new port, Let me get one. No, No,

1604
01:28:41,800 --> 01:28:47,680
Speaker 1: don't come for that. Did Oh, I'm not gonna lie

1605
01:28:47,680 --> 01:28:50,880
Speaker 1: to gonna get better. It's nick It never gets better. Man.

1606
01:28:51,000 --> 01:28:53,000
Speaker 1: We didn't understand what the fund that she says of

1607
01:28:53,120 --> 01:28:57,200
Speaker 1: the label right ship ship? So what's up? What's the

1608
01:28:57,280 --> 01:28:59,799
Speaker 1: most girls you want? Big train on the night, Jesus,

1609
01:29:01,560 --> 01:29:04,320
Speaker 1: I felt like I felt like way, I felt like

1610
01:29:04,720 --> 01:29:08,080
Speaker 1: a lot of trains that he got. If you're tiking

1611
01:29:08,120 --> 01:29:10,800
Speaker 1: boats and just bot, we just got you just gotta

1612
01:29:11,080 --> 01:29:14,040
Speaker 1: because because Big was smashing a lot of things out there,

1613
01:29:14,080 --> 01:29:15,640
Speaker 1: I was I was so proud of my nigga one

1614
01:29:15,720 --> 01:29:17,800
Speaker 1: day and you gotta answer that question. But one day,

1615
01:29:17,880 --> 01:29:21,599
Speaker 1: one of my w one of my man and Big

1616
01:29:22,880 --> 01:29:29,479
Speaker 1: and with balling, and we were at the club and

1617
01:29:29,760 --> 01:29:31,400
Speaker 1: then Big and Jay walked in and he left with

1618
01:29:31,560 --> 01:29:34,120
Speaker 1: the two drug dealer bitches from my hood, and I

1619
01:29:34,280 --> 01:29:35,680
Speaker 1: was like, that is good. I want to be a

1620
01:29:35,760 --> 01:29:39,280
Speaker 1: rapper now drunk dealing and it's big. So they were

1621
01:29:39,320 --> 01:29:41,640
Speaker 1: taking down a lot of things. Yea, let's talk about that.

1622
01:29:43,120 --> 01:29:47,439
Speaker 1: How much how much busy? And you had to run

1623
01:29:47,479 --> 01:29:49,160
Speaker 1: the train with Big. You had to do it. He

1624
01:29:49,320 --> 01:29:53,800
Speaker 1: was rude. I did a few you knocked down. I

1625
01:29:53,800 --> 01:29:57,519
Speaker 1: can't speak on his ship, but I didn't speak quick.

1626
01:29:57,720 --> 01:30:03,160
Speaker 1: Nobody can't get mad at Big. Ain't who he smashed?

1627
01:30:03,200 --> 01:30:05,560
Speaker 1: What's the lefty chicken smack? Come on series, I'm not

1628
01:30:05,720 --> 01:30:21,880
Speaker 1: checking shot No no try no, no, don't no doing that.

1629
01:30:22,800 --> 01:30:26,439
Speaker 1: But no, you gotta tell me how the same we

1630
01:30:26,520 --> 01:30:28,960
Speaker 1: have that bit you stuff. You have to you have

1631
01:30:29,040 --> 01:30:32,599
Speaker 1: to focus on lab tell me I sucked the I'm

1632
01:30:32,640 --> 01:30:34,519
Speaker 1: not going to say their name because I'm good friends

1633
01:30:34,560 --> 01:30:37,120
Speaker 1: with them. Still, let's that's homny song. Let's see if

1634
01:30:37,120 --> 01:30:41,920
Speaker 1: we get guess yeah, homy song. I have my ship,

1635
01:30:43,040 --> 01:30:50,479
Speaker 1: I have fun. Let's make some Oh we just still breathing. Man,

1636
01:30:50,920 --> 01:30:54,519
Speaker 1: Listen from those questions, how did y'all feel? No, real,

1637
01:30:56,400 --> 01:31:00,800
Speaker 1: this is serious, like I'm going serious serious. When Sean

1638
01:31:00,920 --> 01:31:03,360
Speaker 1: came in, how did y'all feel about that? Like when

1639
01:31:03,880 --> 01:31:08,000
Speaker 1: when they were comparing him to Big being junior mafia too. No, no,

1640
01:31:08,120 --> 01:31:11,640
Speaker 1: you wanted that's what it wasn't around at that time. No,

1641
01:31:11,760 --> 01:31:13,320
Speaker 1: you want to point to be in junior mafia. But

1642
01:31:13,720 --> 01:31:16,000
Speaker 1: we ain't never No, we ain't never had no situations

1643
01:31:16,080 --> 01:31:18,320
Speaker 1: or it was there any feelings about his comparison to

1644
01:31:18,439 --> 01:31:20,760
Speaker 1: bid anything. He ain't never trip off that Shan Sean

1645
01:31:21,320 --> 01:31:27,960
Speaker 1: like just for the people. No, no, no, that was

1646
01:31:28,040 --> 01:31:33,280
Speaker 1: something totally diffic That was not put me. You know

1647
01:31:33,439 --> 01:31:37,960
Speaker 1: too much that that one. That that was something totally

1648
01:31:38,000 --> 01:31:40,240
Speaker 1: differ I don't know it. It was nothing to do

1649
01:31:40,320 --> 01:31:42,280
Speaker 1: and it wasn't. It was nothing to do with no

1650
01:31:42,360 --> 01:31:44,840
Speaker 1: personal ship with Sean. Shan was always fan whatever, you

1651
01:31:44,840 --> 01:31:46,519
Speaker 1: know what I mean. We never looked at that no way.

1652
01:31:46,600 --> 01:31:49,320
Speaker 1: Sean was from Brooklyn. He wrapped that ship. I mean,

1653
01:31:49,439 --> 01:31:52,400
Speaker 1: big was Jamaican. Sean was beliefe is still that Caribbean

1654
01:31:52,840 --> 01:31:54,680
Speaker 1: And we gotta go to belife and check Sean act. Yeah,

1655
01:31:54,680 --> 01:31:57,600
Speaker 1: we're gonna go to believe. It was nothing. It was

1656
01:31:57,640 --> 01:32:00,760
Speaker 1: just yeah I need that trip. It was no, it

1657
01:32:00,840 --> 01:32:03,760
Speaker 1: was no situation. Come back. That's what I'm saying. You're

1658
01:32:03,760 --> 01:32:06,240
Speaker 1: gonna come back. It's your your passport, you got you

1659
01:32:06,320 --> 01:32:11,439
Speaker 1: got your green guards from at least I'm from Cuba.

1660
01:32:11,680 --> 01:32:16,240
Speaker 1: You know I'm not. I'm not cut Trump about this

1661
01:32:16,520 --> 01:32:19,120
Speaker 1: dad Cuba. No, he's gonna kill dad. Not to go

1662
01:32:20,280 --> 01:32:23,400
Speaker 1: to the dead, y'all my family. I'm Cuban. I was

1663
01:32:23,439 --> 01:32:25,800
Speaker 1: born in l A. But I'm Cuban. Yeah, and I

1664
01:32:25,840 --> 01:32:28,639
Speaker 1: went to Cuba. He might not come back on people

1665
01:32:28,680 --> 01:32:40,639
Speaker 1: and got let I'm worried. I can't let Trump do kids, can't.

1666
01:32:40,720 --> 01:32:43,160
Speaker 1: I don't think he could come back. How people is

1667
01:32:43,200 --> 01:32:47,519
Speaker 1: eating right now? Yo yo, real no real food, not

1668
01:32:47,760 --> 01:32:50,439
Speaker 1: eating like the way we know eating. They're getting to eat.

1669
01:32:50,520 --> 01:32:55,599
Speaker 1: They is Mr Lee ever coming back? I don't think.

1670
01:32:55,680 --> 01:32:59,400
Speaker 1: I think the Trump was is going on. That's gonna

1671
01:32:59,479 --> 01:33:01,639
Speaker 1: show up when he put his fast corn and say

1672
01:33:01,760 --> 01:33:05,519
Speaker 1: drink it's not allowed. No, you don't staying here. To me,

1673
01:33:05,640 --> 01:33:08,400
Speaker 1: the Girlfrica Trump said drink tims is definitely not allow.

1674
01:33:09,520 --> 01:33:12,800
Speaker 1: I'm not careful. He should have he should have hit

1675
01:33:12,960 --> 01:33:14,880
Speaker 1: He should have hit me. I would have said, it's

1676
01:33:14,880 --> 01:33:22,320
Speaker 1: not a good idea right now to the immigration you're

1677
01:33:22,360 --> 01:33:25,840
Speaker 1: not missing league, and they're gonna say, and you're not

1678
01:33:25,960 --> 01:33:32,439
Speaker 1: going to the US, and you as American that you're

1679
01:33:32,479 --> 01:33:35,640
Speaker 1: gonna tell him to go back there? You stay there

1680
01:33:36,040 --> 01:33:39,840
Speaker 1: that got dot y'all. Don't want no problems with none

1681
01:33:39,840 --> 01:33:42,240
Speaker 1: of that ship. But you came back from But we

1682
01:33:42,280 --> 01:33:44,479
Speaker 1: spoke about that earlier. I spoke about that. You spoke

1683
01:33:44,520 --> 01:33:49,280
Speaker 1: about it here. You spoke about that. Yeah, yeah, I

1684
01:33:49,320 --> 01:33:51,400
Speaker 1: don't want no problems with none of that ship. Don't

1685
01:33:51,479 --> 01:33:54,599
Speaker 1: green cars. I don't buy liquor. I don't buy cigarettes.

1686
01:33:54,640 --> 01:33:56,080
Speaker 1: I don't buy none of that shipping. I'm over there.

1687
01:33:56,680 --> 01:34:00,439
Speaker 1: Every time we travel, we're draining that DrAk pulled. Yo.

1688
01:34:00,640 --> 01:34:03,839
Speaker 1: You got that sport. You gotta lax because he's British

1689
01:34:04,160 --> 01:34:06,439
Speaker 1: of British anywhere. They got to ask me for my passport.

1690
01:34:06,479 --> 01:34:09,360
Speaker 1: I'm nervous. I use my life. What about I can't

1691
01:34:09,680 --> 01:34:12,760
Speaker 1: use my license for nowhere? I gotta go. I'm nervous, yo, Bro.

1692
01:34:12,920 --> 01:34:14,720
Speaker 1: We come from out of the country, my band, you

1693
01:34:14,880 --> 01:34:18,240
Speaker 1: drain you nevers. We come fromat dream assport. But it's

1694
01:34:18,280 --> 01:34:24,400
Speaker 1: not it's not. Don't worry like the crap I've seen.

1695
01:34:25,120 --> 01:34:32,600
Speaker 1: She was there. I don't like like blue right, it's

1696
01:34:32,640 --> 01:34:36,840
Speaker 1: like a blue. It's like it's like English blues. Like, oh, nigga,

1697
01:34:36,880 --> 01:34:39,400
Speaker 1: you're then you did you better than us. They're gonna

1698
01:34:39,439 --> 01:34:42,320
Speaker 1: get you black British. No, you gotta you know what

1699
01:34:42,360 --> 01:34:44,920
Speaker 1: you gotta do. Actually, domestic you gotta get a Miami.

1700
01:34:45,040 --> 01:34:47,960
Speaker 1: I d stop pulling out that thing. Domestically. You know

1701
01:34:48,120 --> 01:34:50,720
Speaker 1: they're gonna get that. You a citizen ship. You're not

1702
01:34:50,840 --> 01:34:56,320
Speaker 1: a citizen, y'all. That's what I just said. You're ros

1703
01:34:56,479 --> 01:35:03,880
Speaker 1: how you're doing a citizens your citizen yo? The round.

1704
01:35:04,520 --> 01:35:09,880
Speaker 1: We got some illegality and do ship scam scam our

1705
01:35:09,920 --> 01:35:14,000
Speaker 1: logo scan bit our logo scam z he When Trump

1706
01:35:14,040 --> 01:35:16,000
Speaker 1: got elected, he came, how do I get my past?

1707
01:35:16,200 --> 01:35:17,960
Speaker 1: How do I get my CITI? I said, that's where

1708
01:35:17,960 --> 01:35:27,000
Speaker 1: are you from? Some Jamaican? I said, Chris asked Chris, Yeah,

1709
01:35:27,560 --> 01:35:33,240
Speaker 1: that yeah, sound Jerry. I think you're safe. No Boris

1710
01:35:33,280 --> 01:35:36,920
Speaker 1: bors down, we're Boris sources arresting on the jail. Boars

1711
01:35:37,160 --> 01:35:40,559
Speaker 1: where you at? Come in here? Where you from? Rule them?

1712
01:35:40,640 --> 01:35:43,400
Speaker 1: Nigga ain't got noticed? Come on here if you don't

1713
01:35:43,400 --> 01:35:47,559
Speaker 1: make some say come oh yeah. I just want them

1714
01:35:47,600 --> 01:35:53,120
Speaker 1: to hear your your accent. Listen, they're gonna fish fry

1715
01:35:53,200 --> 01:36:00,360
Speaker 1: this nigger, oh man to tell them are you from

1716
01:36:00,439 --> 01:36:03,720
Speaker 1: in Peru? Your hood? And now all that? Why? What

1717
01:36:04,800 --> 01:36:08,720
Speaker 1: where are people my hoodie? And brush that's why he's

1718
01:36:08,720 --> 01:36:17,880
Speaker 1: getting departed. Yeah, kissing, you wouldn't have seen. He's showing

1719
01:36:17,920 --> 01:36:27,360
Speaker 1: you my little you're gonna get me. We're too good important.

1720
01:36:27,360 --> 01:36:30,960
Speaker 1: We don't want to get deported as I think. That's

1721
01:36:31,000 --> 01:36:35,280
Speaker 1: the island. Man, get the cup water we go. Oh yeah,

1722
01:36:36,080 --> 01:36:40,080
Speaker 1: about to go bank for which sounds gonna be apport

1723
01:36:40,439 --> 01:36:42,720
Speaker 1: some ball of ship. Maybe hearing with none of us.

1724
01:36:43,720 --> 01:36:48,640
Speaker 1: He's world world. That isn't Jamaicans. We're in trouble right now.

1725
01:36:49,080 --> 01:36:52,840
Speaker 1: We're all fun in trouble now. It's got it's more

1726
01:36:52,880 --> 01:36:55,760
Speaker 1: of us and that easy. We'll be all right. We

1727
01:36:55,880 --> 01:36:59,000
Speaker 1: just gotta keep fighting. Let's just say, stop promoting that nigga.

1728
01:36:59,040 --> 01:37:02,040
Speaker 1: Anybody promoting Trump, not too much. That's how he won.

1729
01:37:03,280 --> 01:37:05,400
Speaker 1: I never put a meme up that nigg even if

1730
01:37:05,439 --> 01:37:12,479
Speaker 1: it was funny or whack. Everybody promoted him. But yeah,

1731
01:37:12,560 --> 01:37:15,360
Speaker 1: but you're giving him even if if it's a funny meme.

1732
01:37:15,760 --> 01:37:19,360
Speaker 1: Stop giving them attention. And people don't see ship like that.

1733
01:37:19,439 --> 01:37:23,080
Speaker 1: We like they get more fire when they see people.

1734
01:37:23,120 --> 01:37:26,160
Speaker 1: This in them always more. It's always awkward. And I

1735
01:37:26,240 --> 01:37:28,160
Speaker 1: walked through the airport and I see somebody with make

1736
01:37:28,200 --> 01:37:30,080
Speaker 1: America great again. It's like, I just know I don't

1737
01:37:30,080 --> 01:37:32,440
Speaker 1: get along with you, so I just I just automatically

1738
01:37:32,479 --> 01:37:34,439
Speaker 1: go to the other side of the bar. I'd be like, ship,

1739
01:37:36,680 --> 01:37:38,600
Speaker 1: I'll sit down. He was like, hey, buddy, I'm like,

1740
01:37:38,640 --> 01:37:43,000
Speaker 1: ohne whatever, And I just go to the other side

1741
01:37:43,000 --> 01:37:45,000
Speaker 1: of the ball. Like and it's always like the whitest

1742
01:37:45,040 --> 01:37:46,880
Speaker 1: of the white guy. Like it's like, you know, he

1743
01:37:46,920 --> 01:37:50,080
Speaker 1: don't like hip hop. He just he just ride camels

1744
01:37:50,200 --> 01:37:59,840
Speaker 1: and cows. Camels. Horses got weird, not camels. Yeah's definitely no.

1745
01:38:00,680 --> 01:38:03,240
Speaker 1: But that's so good. I should be whack. That's why

1746
01:38:03,320 --> 01:38:06,080
Speaker 1: we can't. You know, we we we helped him, We

1747
01:38:06,200 --> 01:38:10,400
Speaker 1: helped him win. Well, it wasn't we. Our system was

1748
01:38:10,400 --> 01:38:13,000
Speaker 1: already broken, and that's why you want but we helped

1749
01:38:13,040 --> 01:38:15,680
Speaker 1: him to Anybody thought the memes was funny, come on,

1750
01:38:16,439 --> 01:38:19,479
Speaker 1: got real? When she got real, everybody was up there somebody, Oh,

1751
01:38:19,520 --> 01:38:22,280
Speaker 1: I can't believe he's winning. Why you can't believe he's winning?

1752
01:38:22,280 --> 01:38:28,000
Speaker 1: You just put every name ever, all our people getting vote.

1753
01:38:28,200 --> 01:38:33,320
Speaker 1: Did you vote all of us? Hell? Because that's it

1754
01:38:33,439 --> 01:38:37,439
Speaker 1: don't matter too, I understand. But that's the reason why

1755
01:38:37,520 --> 01:38:40,000
Speaker 1: he wants to because all of us, all of them,

1756
01:38:40,040 --> 01:38:42,880
Speaker 1: we really don't know why. We really don't know why

1757
01:38:43,000 --> 01:38:47,160
Speaker 1: he want I want Hillary, And I was like, Hillary,

1758
01:38:47,479 --> 01:38:49,960
Speaker 1: I'm not gonna A lot of people don't Nobody was Obama.

1759
01:38:50,320 --> 01:38:52,200
Speaker 1: And not only did I try to vote that they

1760
01:38:52,400 --> 01:38:54,800
Speaker 1: would let me, but I brung people out to vote.

1761
01:38:54,880 --> 01:38:58,240
Speaker 1: Like I didn't do that. Can't be like I had

1762
01:38:58,280 --> 01:39:00,960
Speaker 1: everybody come to Holly Check the Hollywood at the time,

1763
01:39:01,200 --> 01:39:05,320
Speaker 1: so everybody come to know Florida. I never really about you.

1764
01:39:05,920 --> 01:39:08,679
Speaker 1: You know, you ain't been in my house seventeen times. Yeah,

1765
01:39:08,760 --> 01:39:10,479
Speaker 1: but I have lived here that time. I had set

1766
01:39:10,600 --> 01:39:13,920
Speaker 1: up um you know, my nephew, my um, my wife,

1767
01:39:14,320 --> 01:39:17,320
Speaker 1: everybody you know, and and other people come in come

1768
01:39:17,360 --> 01:39:19,360
Speaker 1: and vote. You know what I'm saying that we hadn't

1769
01:39:19,360 --> 01:39:22,400
Speaker 1: got a friendly in Florida. So um, if I didn't

1770
01:39:22,560 --> 01:39:24,519
Speaker 1: I have had a friendly just in New York, they

1771
01:39:24,560 --> 01:39:26,519
Speaker 1: wouldn't let me vote. But the fact that I asked,

1772
01:39:27,040 --> 01:39:29,800
Speaker 1: you gotta flow the front, Yeah, I gotta flows. It's terrible.

1773
01:39:29,840 --> 01:39:32,280
Speaker 1: We don't want to talk about it. It's terrible. What

1774
01:39:33,240 --> 01:39:37,240
Speaker 1: what's the harder from me? I feling And I was like, well, man, man,

1775
01:39:37,320 --> 01:39:39,680
Speaker 1: let's do that. Let's have that to let's have that too.

1776
01:39:40,040 --> 01:39:46,320
Speaker 1: So sees what is next? What is next for seeds

1777
01:39:46,640 --> 01:39:55,599
Speaker 1: in hip hop? Wonderful World? It is Leo too? Got something?

1778
01:39:57,200 --> 01:39:59,240
Speaker 1: You got something? But that that's that's my next project

1779
01:39:59,280 --> 01:40:01,120
Speaker 1: I'm working on. I got a little project coming out

1780
01:40:01,160 --> 01:40:02,559
Speaker 1: called The Hall of the City. I'm gonna put together.

1781
01:40:02,640 --> 01:40:05,679
Speaker 1: That's the heart of the city. You on that? Okay,

1782
01:40:05,920 --> 01:40:09,080
Speaker 1: the record we did we're having for Okay, cool one

1783
01:40:09,120 --> 01:40:10,920
Speaker 1: too because I feel like that's old. So you know,

1784
01:40:11,280 --> 01:40:13,639
Speaker 1: I'm reaching the world. I'll do a new one. You're

1785
01:40:13,680 --> 01:40:17,120
Speaker 1: doing one, no problem, no problem that we put that

1786
01:40:17,160 --> 01:40:21,120
Speaker 1: together the first step. That's it. You know. We got

1787
01:40:21,200 --> 01:40:23,519
Speaker 1: the documentary coming out for B I G. For A

1788
01:40:23,640 --> 01:40:27,920
Speaker 1: and E's coming out. Yeah, we'll be out here next

1789
01:40:27,960 --> 01:40:30,840
Speaker 1: week for the film festival put me and doing the

1790
01:40:30,880 --> 01:40:33,000
Speaker 1: screening for us. And did you see the final project

1791
01:40:33,720 --> 01:40:36,400
Speaker 1: that's the premise of the documentary. Yeah, it's just about

1792
01:40:36,439 --> 01:40:39,280
Speaker 1: B B out life. And it's like, yeah, but it's

1793
01:40:39,320 --> 01:40:44,720
Speaker 1: a more exclusive one. But is it like it's the

1794
01:40:44,840 --> 01:40:46,840
Speaker 1: day one people from the gate. It's people that you

1795
01:40:46,920 --> 01:40:48,920
Speaker 1: probably ain't never did an interview about big You want

1796
01:40:48,920 --> 01:40:50,960
Speaker 1: to see you on this one, you know, So just

1797
01:40:51,080 --> 01:40:54,200
Speaker 1: a real dope one. His mom's produced it Faith produced

1798
01:40:54,240 --> 01:40:57,840
Speaker 1: it your series or it's just not. It's just one

1799
01:40:57,880 --> 01:41:02,040
Speaker 1: serious that's coming on and it comes out j We're

1800
01:41:02,080 --> 01:41:04,639
Speaker 1: gonna be doing the music conference out here June sixteenth

1801
01:41:04,680 --> 01:41:06,640
Speaker 1: for it, so I mean, and I'm working on the

1802
01:41:06,680 --> 01:41:08,680
Speaker 1: hardest city project I got coming out, one of for

1803
01:41:08,720 --> 01:41:12,920
Speaker 1: world Ships Neo to uh what else. I don't know

1804
01:41:13,600 --> 01:41:17,680
Speaker 1: because you know, um, Like I said, I had a

1805
01:41:18,120 --> 01:41:20,360
Speaker 1: session with Farrel the other day and Farrell had told

1806
01:41:20,360 --> 01:41:23,599
Speaker 1: me something very interesting. He said, he threw Happy out

1807
01:41:23,800 --> 01:41:29,840
Speaker 1: six months prior and the record didn't actually work till

1808
01:41:29,880 --> 01:41:36,000
Speaker 1: he actually put out the video. So with the movie, no,

1809
01:41:36,240 --> 01:41:38,599
Speaker 1: he said, the movie was out too. The movie was out.

1810
01:41:38,600 --> 01:41:40,280
Speaker 1: It was that was a part of the movie. Yeah,

1811
01:41:40,360 --> 01:41:44,040
Speaker 1: it was. And he said the people just called on

1812
01:41:44,120 --> 01:41:45,599
Speaker 1: one day and said I wanted to do the video.

1813
01:41:45,760 --> 01:41:48,120
Speaker 1: And when he did the video, that visual was actually

1814
01:41:49,040 --> 01:41:54,080
Speaker 1: what made all this come to Do you think our

1815
01:41:54,200 --> 01:42:00,040
Speaker 1: era it should be more just this period are it

1816
01:42:00,080 --> 01:42:05,320
Speaker 1: should be more visual driven nowadays? I think so. I

1817
01:42:05,479 --> 01:42:08,200
Speaker 1: think our history can kind of show people how to

1818
01:42:08,280 --> 01:42:11,160
Speaker 1: adapt to what's going on today. I think I ever

1819
01:42:11,360 --> 01:42:13,560
Speaker 1: was more important now than it was when we was

1820
01:42:13,640 --> 01:42:15,599
Speaker 1: living in you know what I mean, because we're seeing

1821
01:42:15,720 --> 01:42:17,920
Speaker 1: with everybody doing today is what we did years ago,

1822
01:42:18,200 --> 01:42:22,280
Speaker 1: flat tops and the datas and broke change, broke change.

1823
01:42:22,360 --> 01:42:25,519
Speaker 1: This is something that that lived through between other I

1824
01:42:25,640 --> 01:42:28,439
Speaker 1: think we we just started to see how important our

1825
01:42:28,520 --> 01:42:31,400
Speaker 1: situation was now because especially when you see a young

1826
01:42:31,479 --> 01:42:33,160
Speaker 1: cat that's coming up in the game, embrace what we

1827
01:42:33,240 --> 01:42:35,439
Speaker 1: came through because he comes from a different you know,

1828
01:42:36,080 --> 01:42:38,760
Speaker 1: was dog. We our ship was real. Think about what

1829
01:42:38,880 --> 01:42:40,920
Speaker 1: we went through and you had to be real, like, yeah,

1830
01:42:42,479 --> 01:42:46,519
Speaker 1: it takes it's real for y'all to last this long, kids,

1831
01:42:46,720 --> 01:42:49,599
Speaker 1: and you like to you gotta we gotta learn how

1832
01:42:49,640 --> 01:42:52,080
Speaker 1: to we create ourselves and to make ourselves better. And

1833
01:42:52,479 --> 01:42:54,240
Speaker 1: these are the only Niggers could live off. It's just

1834
01:42:54,360 --> 01:42:56,880
Speaker 1: something that's just media, all right, you know what I'm saying.

1835
01:42:56,960 --> 01:42:59,200
Speaker 1: Like we really had to hustle and strive and and

1836
01:42:59,439 --> 01:43:02,680
Speaker 1: do ship for our ship, like and go through real situations.

1837
01:43:03,000 --> 01:43:05,559
Speaker 1: And I think the new generation they get it. They

1838
01:43:05,600 --> 01:43:08,640
Speaker 1: get an easy pass. We see on the line. The

1839
01:43:08,720 --> 01:43:10,920
Speaker 1: new generation get to get the easy Remember, you have

1840
01:43:11,040 --> 01:43:13,360
Speaker 1: to have a dope show and all that, like everything

1841
01:43:15,400 --> 01:43:20,320
Speaker 1: the shows. You want to maintain a leverage of being

1842
01:43:20,360 --> 01:43:22,599
Speaker 1: around that long. How many rappers you know today it's

1843
01:43:22,600 --> 01:43:25,479
Speaker 1: gonna be around another twenty years, like huh. But I

1844
01:43:25,560 --> 01:43:28,599
Speaker 1: think the balance is recreating yourself and not losing yourself.

1845
01:43:29,439 --> 01:43:32,680
Speaker 1: That is the balance, because the motherfucker's lose themselves. But

1846
01:43:32,760 --> 01:43:34,960
Speaker 1: we gotta learn how to adapt to something that's totally

1847
01:43:35,040 --> 01:43:37,920
Speaker 1: different that we're not hit for. I'm not I don't

1848
01:43:37,920 --> 01:43:40,479
Speaker 1: want to get up every day post on Facebook, Twitter,

1849
01:43:40,880 --> 01:43:43,880
Speaker 1: tumbler this and that, and I gotta do too much

1850
01:43:43,920 --> 01:43:46,719
Speaker 1: ship like we I want to get up and just smoke,

1851
01:43:47,120 --> 01:43:49,760
Speaker 1: put the record out, sit it out this way. I'm

1852
01:43:49,760 --> 01:43:52,120
Speaker 1: way too tumbler. I don't know. I don't know how

1853
01:43:52,160 --> 01:43:56,479
Speaker 1: to do that. Just these all these ships that my

1854
01:43:56,640 --> 01:44:00,120
Speaker 1: nephews and my people is around too. You gotta, you know,

1855
01:44:00,160 --> 01:44:02,519
Speaker 1: on this and when I post them on Instagram, I gotta,

1856
01:44:03,400 --> 01:44:05,639
Speaker 1: I gotta do Twitter, I gotta do Facebook, I gotta

1857
01:44:05,680 --> 01:44:08,920
Speaker 1: do snapchat on Twitter, Instagram and said that said I'm

1858
01:44:08,960 --> 01:44:11,160
Speaker 1: a d D and I'm dyslexic. That's all I can

1859
01:44:11,200 --> 01:44:13,920
Speaker 1: actually handle, is it? But we that But that's how

1860
01:44:14,000 --> 01:44:16,000
Speaker 1: what we gotta do, you know what. I'm like, that's

1861
01:44:16,040 --> 01:44:18,000
Speaker 1: the ship. But we didn't have to do with that

1862
01:44:18,240 --> 01:44:20,160
Speaker 1: type of ship back then when we came up. It

1863
01:44:20,240 --> 01:44:22,400
Speaker 1: was all about just dope music. As long as you

1864
01:44:22,479 --> 01:44:25,200
Speaker 1: was dope, we searched for you. Well, actually you did

1865
01:44:25,360 --> 01:44:27,439
Speaker 1: do it, you just didn't know it. The label did

1866
01:44:27,479 --> 01:44:30,240
Speaker 1: it as a publicist. There was no social media. But

1867
01:44:30,439 --> 01:44:33,880
Speaker 1: that was the same difference as the difference is now

1868
01:44:34,040 --> 01:44:36,560
Speaker 1: is that it's personalized. You're doing it for your We

1869
01:44:36,600 --> 01:44:40,360
Speaker 1: went to sound autographic record stores. Nowadays you do interviews online.

1870
01:44:40,840 --> 01:44:44,000
Speaker 1: It's things that trade. So this streaming hurt the game

1871
01:44:44,120 --> 01:44:49,720
Speaker 1: or helped the game? Kiss heard it for all this.

1872
01:44:49,920 --> 01:44:54,360
Speaker 1: I think it helped it for the because they got

1873
01:44:54,439 --> 01:44:58,760
Speaker 1: to spend money. Yeah, yeah, help. But they're saying it's

1874
01:44:58,840 --> 01:45:01,400
Speaker 1: changing now for the artist, that it's helping the artist. Now,

1875
01:45:01,960 --> 01:45:04,120
Speaker 1: that's what they're saying. Just let me tell you this.

1876
01:45:06,040 --> 01:45:12,760
Speaker 1: Fifteen hundred streams on ye, I'm just saying that's what

1877
01:45:12,840 --> 01:45:17,599
Speaker 1: they're saying. That I don't want Spotify by the way

1878
01:45:17,640 --> 01:45:29,759
Speaker 1: that this streams. One that's got they got to relax.

1879
01:45:35,200 --> 01:45:36,880
Speaker 1: I don't know. I don't know how this reflects on

1880
01:45:36,880 --> 01:45:39,080
Speaker 1: the artists. I don't know, but what I've heard is

1881
01:45:39,200 --> 01:45:47,439
Speaker 1: that not heard. This is actually facts and Devil's Advocate

1882
01:45:47,800 --> 01:45:51,880
Speaker 1: like the d A for the artists on your side.

1883
01:45:51,960 --> 01:45:54,880
Speaker 1: But I have the Devil's advocate. They're saying that for

1884
01:45:54,960 --> 01:45:59,880
Speaker 1: the first time in years, record industry has made profits. Now,

1885
01:46:00,040 --> 01:46:03,680
Speaker 1: obviously that might not mean the artist. You know, you

1886
01:46:03,760 --> 01:46:09,960
Speaker 1: just feeled me. Okay, that definitely don't mean artist. I'm

1887
01:46:10,000 --> 01:46:12,599
Speaker 1: gonna tell you where I come from. Anybody. I mean,

1888
01:46:13,200 --> 01:46:15,880
Speaker 1: let me tell you what I call that's the artist.

1889
01:46:15,960 --> 01:46:21,600
Speaker 1: We on the bottom of the Yeah, we get it

1890
01:46:21,680 --> 01:46:24,439
Speaker 1: is Octa pus hands in it and then we get this.

1891
01:46:25,640 --> 01:46:28,120
Speaker 1: But I'm gonna say what I'm gonna say something. You're

1892
01:46:28,439 --> 01:46:32,360
Speaker 1: also both y'all are on the I'm a major label

1893
01:46:32,520 --> 01:46:35,240
Speaker 1: artist advocate. I want to be on a major. I

1894
01:46:35,360 --> 01:46:38,720
Speaker 1: just want the bag. Listen, listen. The reason why I'm

1895
01:46:38,760 --> 01:46:41,640
Speaker 1: saying this is because I have I managed artists, and

1896
01:46:41,720 --> 01:46:44,559
Speaker 1: there's something I have an artist signed a strange music. Technology.

1897
01:46:45,880 --> 01:46:51,200
Speaker 1: These guys in and they're they're always like looking at

1898
01:46:51,240 --> 01:46:52,920
Speaker 1: the industry and trying to figure out how they can

1899
01:46:52,960 --> 01:46:58,160
Speaker 1: make money. Bless you, but they do. Yeah, technology is independent,

1900
01:46:58,320 --> 01:47:01,320
Speaker 1: that's damn damn bend it in a major. Well, that's

1901
01:47:01,320 --> 01:47:11,080
Speaker 1: what different. I'm not n't not understand it totally, but

1902
01:47:11,240 --> 01:47:13,800
Speaker 1: I'm rather me on a major. Absolutely. If you don't

1903
01:47:13,800 --> 01:47:16,400
Speaker 1: want if you boiled kind, there you go. That's what

1904
01:47:16,439 --> 01:47:21,519
Speaker 1: you need to be said. But but it's fucked up. Now.

1905
01:47:21,840 --> 01:47:26,559
Speaker 1: I'm spoiled from when they was given. They was giving

1906
01:47:26,720 --> 01:47:29,920
Speaker 1: us every day. But those days don't exist, and we

1907
01:47:30,000 --> 01:47:33,480
Speaker 1: still love those days and we still got what you meant.

1908
01:47:33,640 --> 01:47:40,120
Speaker 1: Those we got to survive, created out of ship. Never

1909
01:47:40,200 --> 01:47:45,080
Speaker 1: gave us the baggage. You lose ownership because at the

1910
01:47:45,200 --> 01:47:47,760
Speaker 1: end of the day, wealth is built your truly ownership.

1911
01:47:47,800 --> 01:47:51,479
Speaker 1: You're right, Wealth is built an ownership. You're right, We're right.

1912
01:47:51,600 --> 01:47:57,120
Speaker 1: But these kids know sometimes sometimes you can own something

1913
01:47:57,160 --> 01:48:01,360
Speaker 1: that's worth nothing. But that's the risk. That's the risk,

1914
01:48:01,520 --> 01:48:08,800
Speaker 1: that's the way, and that's what we were saying. Don't

1915
01:48:08,800 --> 01:48:10,640
Speaker 1: gonna gamble. They know what they're gonna do to the

1916
01:48:11,960 --> 01:48:13,960
Speaker 1: it's already doing. They don't got nothing to risk because

1917
01:48:13,960 --> 01:48:17,160
Speaker 1: they're doing money in studio. They just put out the

1918
01:48:17,160 --> 01:48:22,080
Speaker 1: cloud during their crib last the last few projects we

1919
01:48:22,240 --> 01:48:26,519
Speaker 1: dropped as the locks. We own it, we made ship

1920
01:48:26,680 --> 01:48:30,280
Speaker 1: off of it. It's good that we owned it. But

1921
01:48:30,880 --> 01:48:34,200
Speaker 1: it's a flip side. They figured out how to fund

1922
01:48:34,320 --> 01:48:38,000
Speaker 1: the game. Now that they're letting niggas get their masters.

1923
01:48:38,280 --> 01:48:42,680
Speaker 1: It's always a flip side. Always. At one time it

1924
01:48:42,920 --> 01:48:49,960
Speaker 1: was impossible. Only niggas like Mike Jackson was getting Yeah.

1925
01:48:50,320 --> 01:48:54,360
Speaker 1: So now that they're letting regular blackhood niggas get masters,

1926
01:48:55,000 --> 01:48:58,599
Speaker 1: they figured out they don't even mean nothing. It made

1927
01:48:58,680 --> 01:49:01,640
Speaker 1: something to you as the older War Report and the

1928
01:49:01,760 --> 01:49:05,280
Speaker 1: old New all the streets is special ship, but the

1929
01:49:05,360 --> 01:49:09,160
Speaker 1: ship is so digital now. Yeah, black boy, you gotta

1930
01:49:09,160 --> 01:49:12,920
Speaker 1: have this. You gotta have that. Nobody want to sign,

1931
01:49:13,040 --> 01:49:18,360
Speaker 1: nobody in the chance to run. And I don't think

1932
01:49:18,439 --> 01:49:20,640
Speaker 1: gonna change that as the fact that anybody could make

1933
01:49:20,760 --> 01:49:27,360
Speaker 1: music right now, anybody that's true you up. So now

1934
01:49:27,439 --> 01:49:31,519
Speaker 1: your ship don't mean because the other motherfucker's making ship too. Yeah,

1935
01:49:31,560 --> 01:49:36,519
Speaker 1: and we did, like she she back then when the

1936
01:49:36,640 --> 01:49:39,880
Speaker 1: album came out, you lived at the album studio was

1937
01:49:39,960 --> 01:49:44,599
Speaker 1: hard back in the day. Now you got two days

1938
01:49:44,760 --> 01:49:46,519
Speaker 1: was the same ship. Yeah, you got two days and

1939
01:49:46,960 --> 01:49:50,040
Speaker 1: listen to here and you can kind of like they

1940
01:49:50,120 --> 01:49:56,760
Speaker 1: want another one. I think it come me three days.

1941
01:49:58,920 --> 01:50:02,519
Speaker 1: That's why I got off that the albums like that,

1942
01:50:02,840 --> 01:50:05,720
Speaker 1: they just won't work. They just want to work for me. Yea.

1943
01:50:06,800 --> 01:50:10,800
Speaker 1: You look under the common and they won another Let

1944
01:50:11,800 --> 01:50:14,880
Speaker 1: you're coming out. I don't even my nigga I even

1945
01:50:14,920 --> 01:50:16,920
Speaker 1: start working on that. Yet does what they do with

1946
01:50:16,960 --> 01:50:23,200
Speaker 1: thet He's like, everything you put out something, what's the

1947
01:50:23,320 --> 01:50:27,960
Speaker 1: next one? Fam? I just dropped it, and they all you,

1948
01:50:28,080 --> 01:50:31,760
Speaker 1: you promote something, your ship, everything you don't happen to

1949
01:50:31,840 --> 01:50:34,479
Speaker 1: that locks and block my ship. They all you. You

1950
01:50:34,720 --> 01:50:37,519
Speaker 1: can't sell nothing nothing and not live up to the

1951
01:50:37,560 --> 01:50:41,040
Speaker 1: expectation with this error. You can't say nothing's coming out

1952
01:50:41,120 --> 01:50:45,600
Speaker 1: to its ready run to have a whole guy. So

1953
01:50:45,680 --> 01:50:49,960
Speaker 1: where's that project? I get that every every minutes old

1954
01:50:50,000 --> 01:50:52,400
Speaker 1: before it came out, and see you were smashing and

1955
01:50:52,439 --> 01:50:58,920
Speaker 1: shortly from a law to right. No, no, I wasn't.

1956
01:51:00,000 --> 01:51:03,599
Speaker 1: Are you talking about what he was just going through?

1957
01:51:04,439 --> 01:51:10,080
Speaker 1: Why your phone is someone fighting? These dudes? Don't find them? No, season,

1958
01:51:11,439 --> 01:51:14,320
Speaker 1: I haven't done nothing. That was very cool. I was

1959
01:51:14,360 --> 01:51:16,240
Speaker 1: just getting out of your next episode. Next next you

1960
01:51:16,280 --> 01:51:21,880
Speaker 1: don't worry. You can ripple beat a little cripple. That's

1961
01:51:21,880 --> 01:51:23,880
Speaker 1: when I started the interview with that's my favorite line

1962
01:51:24,080 --> 01:51:26,200
Speaker 1: that started the interview with in my life season, I

1963
01:51:26,320 --> 01:51:29,840
Speaker 1: just say that about that line, not even that he

1964
01:51:29,960 --> 01:51:35,080
Speaker 1: crashed crashed the card ripple with some strong ship. That

1965
01:51:35,240 --> 01:51:37,160
Speaker 1: was a hell of looking parents. That's just your friends

1966
01:51:37,200 --> 01:51:40,679
Speaker 1: and who was Big his favorite rapper in your opinion

1967
01:51:40,760 --> 01:51:50,160
Speaker 1: back then? Yeah, hell a lot, oh dirty, oh oh,

1968
01:51:53,920 --> 01:52:04,280
Speaker 1: any West Coast artists stop that. See that was his

1969
01:52:04,400 --> 01:52:09,800
Speaker 1: name right here, just the locks, I mean b I

1970
01:52:09,920 --> 01:52:11,960
Speaker 1: was a fan of music, man nigga. We listen to

1971
01:52:12,040 --> 01:52:16,040
Speaker 1: everybody mind niggas, we listen to Ship. I'm a fan

1972
01:52:16,120 --> 01:52:18,320
Speaker 1: of ship. I can sit there and tell you about

1973
01:52:18,360 --> 01:52:22,840
Speaker 1: a bunch of I'm a music. It was to come

1974
01:52:22,880 --> 01:52:26,040
Speaker 1: to the studio or Bigger be shagging about Ship that

1975
01:52:26,200 --> 01:52:31,360
Speaker 1: we just laid like you come before Big play, before

1976
01:52:31,400 --> 01:52:37,960
Speaker 1: I even had you come. I can't in plenty of

1977
01:52:38,080 --> 01:52:42,080
Speaker 1: sessions if they knocking out Ship like a royal version

1978
01:52:42,120 --> 01:52:44,760
Speaker 1: that cannot live. I just took a purpose tacke of bone.

1979
01:52:44,800 --> 01:52:50,600
Speaker 1: It was not it was big knock smoke. Now. I

1980
01:52:50,680 --> 01:52:52,639
Speaker 1: was supposed to be on ready to die? Is that true?

1981
01:52:52,960 --> 01:52:58,479
Speaker 1: One more chance? Right? Yeah? Big? What happened with Nis

1982
01:52:58,520 --> 01:53:01,160
Speaker 1: got too high? That was a more chance remix he

1983
01:53:01,200 --> 01:53:07,720
Speaker 1: was supposed to build. You ever see that. It was

1984
01:53:07,800 --> 01:53:15,320
Speaker 1: in the smoking a chance remix with everybody on that's

1985
01:53:15,360 --> 01:53:20,439
Speaker 1: got too high? They said, be I smoked him out

1986
01:53:20,479 --> 01:53:24,760
Speaker 1: too much and he never late. He said that we

1987
01:53:25,080 --> 01:53:36,120
Speaker 1: sucked every question if he made questions when he got

1988
01:53:36,240 --> 01:53:42,760
Speaker 1: his house. I was like drink champs every question. And

1989
01:53:43,160 --> 01:53:48,040
Speaker 1: once I got cool with Big enough to smoking everything,

1990
01:53:48,680 --> 01:53:51,120
Speaker 1: and once I knew he wasn't he wasn't gonna say

1991
01:53:51,160 --> 01:53:54,439
Speaker 1: get the funk out of Once I got the ability

1992
01:53:54,520 --> 01:53:57,680
Speaker 1: to ask some ship a thing. You asked that nick

1993
01:53:58,560 --> 01:54:01,400
Speaker 1: word bubble as I actually, let's get this story straight.

1994
01:54:02,000 --> 01:54:05,200
Speaker 1: One more chance remix session is because the regular one

1995
01:54:05,320 --> 01:54:10,040
Speaker 1: is already to the regular produced a remix because that's

1996
01:54:10,040 --> 01:54:15,040
Speaker 1: such an incredible record. Yeah, come on, has google it, DONJ.

1997
01:54:15,920 --> 01:54:18,800
Speaker 1: I don't know who did that. A lot of people,

1998
01:54:18,840 --> 01:54:22,040
Speaker 1: which Big had that same sample the hook. You had

1999
01:54:22,040 --> 01:54:25,599
Speaker 1: a lot of people on it. Everybody had that record

2000
01:54:27,600 --> 01:54:30,800
Speaker 1: record b I B I record so before that, but

2001
01:54:30,960 --> 01:54:33,480
Speaker 1: Nas was supposed to be on that record been crazy,

2002
01:54:33,840 --> 01:54:35,400
Speaker 1: so they got not supposed to have been to the

2003
01:54:35,480 --> 01:54:37,480
Speaker 1: record that it's that one picture with him and Big

2004
01:54:37,560 --> 01:54:39,400
Speaker 1: in the studio. You just see you can see all

2005
01:54:39,440 --> 01:54:41,800
Speaker 1: the ship in the studio, but there was no recording

2006
01:54:41,880 --> 01:54:44,960
Speaker 1: for But it was also another studio session with Q

2007
01:54:45,200 --> 01:54:49,280
Speaker 1: Tip Q Tip song oh Wow, and Nas and Big

2008
01:54:49,440 --> 01:54:53,840
Speaker 1: was one was Big it has been Big Buster and

2009
01:54:54,360 --> 01:55:00,040
Speaker 1: Buster was still sneaking his dick and everything. Bust is

2010
01:55:00,120 --> 01:55:05,240
Speaker 1: the great stabbing, but still for being in the game.

2011
01:55:06,480 --> 01:55:12,560
Speaker 1: I watched I went to Sea in about eleventh grade

2012
01:55:12,680 --> 01:55:18,080
Speaker 1: or something. For him to still be rocking. Have ot

2013
01:55:19,360 --> 01:55:28,560
Speaker 1: think he's a yeah, yeah, what it says puff daddy,

2014
01:55:28,560 --> 01:55:30,960
Speaker 1: But just woman, I don't believe that it was it

2015
01:55:31,080 --> 01:55:34,320
Speaker 1: was he did that with somebody. He did that with somebody.

2016
01:55:34,600 --> 01:55:38,840
Speaker 1: John Smith, the hitmaker. Oh yeah, that's what. A lot

2017
01:55:38,840 --> 01:55:41,000
Speaker 1: of producers that prospect. A lot of ship going on

2018
01:55:41,160 --> 01:55:45,920
Speaker 1: that I can't remember. I understand that. But when remixes came,

2019
01:55:46,280 --> 01:55:48,680
Speaker 1: that was secondhand ship, like the ready of that album

2020
01:55:48,880 --> 01:55:54,720
Speaker 1: something totally different like Easy Movie didn't easy, it was

2021
01:55:55,280 --> 01:55:58,080
Speaker 1: heavy too. That's how That's how Big and Part got

2022
01:55:58,160 --> 01:56:04,480
Speaker 1: cool very I just learned something. Yeah big think about

2023
01:56:04,520 --> 01:56:08,560
Speaker 1: easy Mobi did damn near of ray that died one

2024
01:56:08,640 --> 01:56:13,480
Speaker 1: in Machine Guns Funk and album podcast. It is the

2025
01:56:13,560 --> 01:56:19,000
Speaker 1: same thing he did teations. He the only bigger first

2026
01:56:19,280 --> 01:56:23,080
Speaker 1: Easy Mobi was the one that glued that shipped together

2027
01:56:23,600 --> 01:56:29,040
Speaker 1: with Bigger and Stretch Stretch from Queen something like Stress.

2028
01:56:29,720 --> 01:56:31,680
Speaker 1: It's a lot of history from that ship. It's a

2029
01:56:31,680 --> 01:56:33,440
Speaker 1: lot of ship to recollect now because I can't come

2030
01:56:33,480 --> 01:56:36,640
Speaker 1: off and with that ship. But Tiger. It all up

2031
01:56:38,000 --> 01:56:40,960
Speaker 1: all that ship, and we got a party tonight too,

2032
01:56:41,000 --> 01:56:42,920
Speaker 1: so I gotta make sure we got to back out

2033
01:56:42,920 --> 01:56:45,520
Speaker 1: of my wife dinner. I'm out of line. But the

2034
01:56:45,560 --> 01:56:51,440
Speaker 1: Blackbird were Black Girl up back. I thought we took

2035
01:56:51,480 --> 01:56:53,600
Speaker 1: care of that first. My bad, Jerry, I'm sorry. But

2036
01:56:53,720 --> 01:56:55,680
Speaker 1: now let me ask you, where's the produce on Life

2037
01:56:55,720 --> 01:56:59,440
Speaker 1: After Death? Right? And that was awkward because it seemed

2038
01:56:59,480 --> 01:57:06,160
Speaker 1: like Ray and and now I was a ghost. It

2039
01:57:06,320 --> 01:57:09,080
Speaker 1: was it was a ghost you said, nas and go No,

2040
01:57:09,160 --> 01:57:11,400
Speaker 1: they were talking about that hole. Yeah, it was that

2041
01:57:15,160 --> 01:57:20,480
Speaker 1: wasumulationship the album, nass on that record, No, the record

2042
01:57:20,520 --> 01:57:24,280
Speaker 1: that plas after the album, but we're in the Yeah,

2043
01:57:24,280 --> 01:57:27,200
Speaker 1: you're correct. But what I'm saying is, so, how was

2044
01:57:27,280 --> 01:57:30,240
Speaker 1: that awkward getting risid in the studio because be I

2045
01:57:30,280 --> 01:57:32,480
Speaker 1: ain't trip off that ship. I knew just that it

2046
01:57:32,600 --> 01:57:35,320
Speaker 1: was just a situation. Man. He understand what he understood

2047
01:57:35,320 --> 01:57:37,720
Speaker 1: what it was seeing we was bumping at the album.

2048
01:57:37,880 --> 01:57:40,000
Speaker 1: The new about that ship, and they knew about it.

2049
01:57:40,120 --> 01:57:42,240
Speaker 1: And you know, after the Source of Wars because I

2050
01:57:42,320 --> 01:57:44,760
Speaker 1: met that day at the tell them all right, Ray

2051
01:57:44,800 --> 01:57:46,280
Speaker 1: Corn and them at the Source of Wars. You know

2052
01:57:46,360 --> 01:57:48,800
Speaker 1: that whole ship I'll beef. We didn't have nothing to

2053
01:57:48,800 --> 01:57:51,040
Speaker 1: do with the Death Road beef situation that day was

2054
01:57:51,160 --> 01:57:57,920
Speaker 1: with that day, no sees you're giving some good simes

2055
01:57:58,720 --> 01:58:04,000
Speaker 1: not now I don't know, I don't know beef ship,

2056
01:58:04,120 --> 01:58:06,360
Speaker 1: but you know they had that, they had that ship.

2057
01:58:06,960 --> 01:58:10,839
Speaker 1: That was our first time with us seeing everybody together,

2058
01:58:11,000 --> 01:58:16,720
Speaker 1: because yeah, and that's the first time Big that day

2059
01:58:16,720 --> 01:58:18,560
Speaker 1: and almost like, yeah, we're gonna meet at the tunnel.

2060
01:58:19,560 --> 01:58:21,240
Speaker 1: We never want to go into the club that day,

2061
01:58:21,240 --> 01:58:23,360
Speaker 1: but that's the first time Big, that's the first time

2062
01:58:23,440 --> 01:58:27,000
Speaker 1: we had interactions with them. Besides me, meth was always

2063
01:58:27,040 --> 01:58:31,480
Speaker 1: our nigga Methin, but Bay used to funk with him.

2064
01:58:31,520 --> 01:58:33,920
Speaker 1: His footage on YouTube a big bumping that album, so

2065
01:58:34,360 --> 01:58:36,960
Speaker 1: Big thing was never aggressive. We want to aggressive ship.

2066
01:58:36,960 --> 01:58:38,320
Speaker 1: They didn't just see it and then go, yo, dog,

2067
01:58:38,360 --> 01:58:42,520
Speaker 1: what's up, Like nigga funk with you? It was good. Yeah,

2068
01:58:43,120 --> 01:58:45,400
Speaker 1: my nigga, I ain't know you. We're gonna meet later.

2069
01:58:45,480 --> 01:58:48,520
Speaker 1: Let's kick it. And but that was our real situation.

2070
01:58:48,640 --> 01:58:50,600
Speaker 1: That that whole Death Roll ship was just something that

2071
01:58:50,680 --> 01:58:52,120
Speaker 1: just happened from that, you know what I mean. But

2072
01:58:52,520 --> 01:58:55,000
Speaker 1: that was our situation that was going on around. That's

2073
01:58:55,600 --> 01:58:57,560
Speaker 1: that time where that source of ward ship like that

2074
01:58:57,720 --> 01:58:59,880
Speaker 1: was the first like hip Hop Awards show. It was

2075
01:59:00,000 --> 01:59:03,760
Speaker 1: a bunch of niggas running around beef and embugging about

2076
01:59:03,760 --> 01:59:06,120
Speaker 1: ship like that. And we're talking from a respective like

2077
01:59:06,200 --> 01:59:10,360
Speaker 1: we just reminiscent. It's not nothing to read. This are

2078
01:59:10,440 --> 01:59:13,120
Speaker 1: just real situations. That's why I have it was really

2079
01:59:13,360 --> 01:59:15,720
Speaker 1: the darkest hour. Dog you had to be about that

2080
01:59:15,840 --> 01:59:19,240
Speaker 1: ship and be real and authentic about But then Big

2081
01:59:19,840 --> 01:59:23,800
Speaker 1: um risule on the olbum because it was all a love,

2082
01:59:23,920 --> 01:59:27,760
Speaker 1: it was all respect. It was just about sometimes it's miscommunications, misunderstanding.

2083
01:59:27,760 --> 01:59:31,000
Speaker 1: It ain't nothing wrong to say that. He still loved

2084
01:59:31,040 --> 01:59:34,120
Speaker 1: the culture of the music and it was big with

2085
01:59:34,240 --> 01:59:35,760
Speaker 1: niggas like Big. At the end of the day, Big

2086
01:59:35,880 --> 01:59:38,120
Speaker 1: was a fan of the art or the world. He

2087
01:59:38,480 --> 01:59:44,360
Speaker 1: loved us. He seemed like he was smarter than all

2088
01:59:44,440 --> 01:59:48,000
Speaker 1: of us, like meaning like he knew like what I

2089
01:59:48,080 --> 01:59:53,280
Speaker 1: mean by that he was he was waiting nothing that

2090
01:59:54,600 --> 01:59:59,080
Speaker 1: Yeah Nigga said about that what I'm saying, he didn't.

2091
01:59:59,080 --> 02:00:02,560
Speaker 1: Trumpe seemed like he petty j J still good Jay,

2092
02:00:02,640 --> 02:00:08,520
Speaker 1: still be going a niggas was on his third grade sneakers.

2093
02:00:09,120 --> 02:00:17,480
Speaker 1: He's something prospect, Your pettyness, Jay, But come on there,

2094
02:00:20,640 --> 02:00:23,640
Speaker 1: it was real ship. There was both two different people.

2095
02:00:23,720 --> 02:00:26,760
Speaker 1: Big thing stress about distant people. Even if you said

2096
02:00:26,800 --> 02:00:29,120
Speaker 1: something about Big, he wouldn't even stress it. But he

2097
02:00:29,160 --> 02:00:33,080
Speaker 1: had light tap you without you even knowing. It's not rounds.

2098
02:00:33,120 --> 02:00:37,760
Speaker 1: He tackled niggas in it. He won't know. You gotta

2099
02:00:37,840 --> 02:00:39,920
Speaker 1: figure out that ship. But that's how he figured out

2100
02:00:39,920 --> 02:00:42,560
Speaker 1: when they was talking about them. Nobody never blatantly says

2101
02:00:42,640 --> 02:00:45,240
Speaker 1: something about Big, but they read between the line. Because

2102
02:00:45,280 --> 02:00:50,879
Speaker 1: he's an artist. Yeah, he's a rap. He listened to everything,

2103
02:00:50,960 --> 02:00:53,560
Speaker 1: he studied it. That's why you got grace like this.

2104
02:00:53,760 --> 02:00:55,760
Speaker 1: That's why you got niggas that lift that long, because

2105
02:00:55,760 --> 02:00:57,480
Speaker 1: we studied this game. You gotta be a part of

2106
02:00:57,520 --> 02:01:00,320
Speaker 1: this ship. You got game. You gotta be. You won't

2107
02:01:00,400 --> 02:01:02,200
Speaker 1: never know how to come about it. If you ain't,

2108
02:01:02,800 --> 02:01:05,640
Speaker 1: you don't understand itig gotta love this motherfucker. I ain't

2109
02:01:05,680 --> 02:01:08,400
Speaker 1: know why biggers say certain things, but he understood ship

2110
02:01:08,480 --> 02:01:12,320
Speaker 1: that I didn't catch dope. Niggas is dope like you

2111
02:01:12,760 --> 02:01:15,160
Speaker 1: may not understand what y'all about. You made worries up

2112
02:01:15,240 --> 02:01:19,200
Speaker 1: right now, making up today, niggle still problem, make one

2113
02:01:19,280 --> 02:01:24,400
Speaker 1: up by a Ping Pong sing song, Ching Chong sing song.

2114
02:01:25,160 --> 02:01:29,560
Speaker 1: Let's go that's this cousin that Ching Chong sing song.

2115
02:01:32,560 --> 02:01:36,120
Speaker 1: You know, it's certain people that created something that made landmarks.

2116
02:01:36,160 --> 02:01:37,880
Speaker 1: My nigga, you ain't gotta be the biggest ship ever,

2117
02:01:38,000 --> 02:01:41,240
Speaker 1: but yeah, your landmark stamp you for being what you

2118
02:01:41,320 --> 02:01:45,960
Speaker 1: stood for what I'm saying, and that's what it's about. Goddamnit.

2119
02:01:46,000 --> 02:01:52,560
Speaker 1: Seas that was so makes it much more. But I'm

2120
02:01:52,600 --> 02:01:56,920
Speaker 1: not the only problem I'm having right now? What is

2121
02:01:57,040 --> 02:02:00,880
Speaker 1: I can't leave on drunker ship three, use my lucky number.

2122
02:02:00,920 --> 02:02:04,040
Speaker 1: I can't leave to Urina and then I'll come back. No,

2123
02:02:04,400 --> 02:02:07,320
Speaker 1: let's get the three and then urinate. Yo. Kiss you

2124
02:02:07,360 --> 02:02:12,000
Speaker 1: gotta relax. Come, we're gonna start spreading the rumor that

2125
02:02:12,080 --> 02:02:14,200
Speaker 1: you only have a dream. Chaps. You've been on here

2126
02:02:14,240 --> 02:02:19,680
Speaker 1: like seven times. Listen to kiss you alcoholic too. You've

2127
02:02:19,720 --> 02:02:22,080
Speaker 1: been fighting it, but I just want to put you

2128
02:02:22,200 --> 02:02:26,760
Speaker 1: on any seven times like the turin my first time.

2129
02:02:27,960 --> 02:02:31,520
Speaker 1: You like the drink? Kids, come on? Or you love

2130
02:02:32,120 --> 02:02:38,760
Speaker 1: you love? I love you? Okay. I got more questions, nigga.

2131
02:02:39,720 --> 02:02:44,960
Speaker 1: How many he's got a top five, top ten? I

2132
02:02:44,960 --> 02:02:48,080
Speaker 1: don't gotta top five, okay, because five. It's a lot.

2133
02:02:48,160 --> 02:02:51,760
Speaker 1: It's a I'm a music head, my nigger, I funk

2134
02:02:51,800 --> 02:02:54,200
Speaker 1: with a lot of people. I can't you want my

2135
02:02:54,320 --> 02:03:03,280
Speaker 1: top ten? You gotta she rap cool g cane me

2136
02:03:03,800 --> 02:03:10,480
Speaker 1: starting off me came came cane Madonna. You gotta you

2137
02:03:10,520 --> 02:03:14,440
Speaker 1: gotta respect that came with the ship before a lot

2138
02:03:14,480 --> 02:03:25,720
Speaker 1: of cane, that nigga. Did you say, everybody break cam? Wait?

2139
02:03:25,760 --> 02:03:31,200
Speaker 1: Wait wait, so we got g rap cane rock Cam, Um,

2140
02:03:33,280 --> 02:03:37,040
Speaker 1: you got pocket and top ten? Yeah before Big there's

2141
02:03:37,040 --> 02:03:41,280
Speaker 1: there's no no no. I just got my chop tin

2142
02:03:41,400 --> 02:03:46,520
Speaker 1: and just keep on guarantee the locks as a whole,

2143
02:03:47,240 --> 02:03:52,360
Speaker 1: a whole, yeah, all three of them. Um, they all

2144
02:03:52,400 --> 02:03:55,880
Speaker 1: the streets, Big al Big, you got big a hell,

2145
02:04:00,840 --> 02:04:04,560
Speaker 1: it's you definitely got you definitely got gum under your

2146
02:04:04,600 --> 02:04:10,280
Speaker 1: timberlance your top. It's gum under your sneakers. It's so much.

2147
02:04:10,840 --> 02:04:12,920
Speaker 1: It's a bunch of people. I could keep going, keep going.

2148
02:04:13,040 --> 02:04:16,320
Speaker 1: This is hip hop. I't how many I'm at. I

2149
02:04:16,400 --> 02:04:25,200
Speaker 1: think Wait, Cool gig Rock, Kim g R. Locks, Kane,

2150
02:04:25,440 --> 02:04:34,680
Speaker 1: Big Al Kane, Kane, big al b, I ain't big.

2151
02:04:34,760 --> 02:04:39,240
Speaker 1: It is my last Okay, okay, no, it's no question

2152
02:04:39,280 --> 02:04:41,160
Speaker 1: about that. We don't even count Big in this right,

2153
02:04:41,480 --> 02:04:44,720
Speaker 1: You shouldn't even be in this all right, of course,

2154
02:04:45,280 --> 02:04:53,960
Speaker 1: nas it's my nigger hole. That question. You got two left?

2155
02:04:55,400 --> 02:05:00,320
Speaker 1: See this one? My chicken tricky yet scarface. It's like

2156
02:05:01,640 --> 02:05:03,960
Speaker 1: I listened to a lot of scar face, like, Ghello

2157
02:05:04,120 --> 02:05:13,000
Speaker 1: boys ship, Diary of a bad scarfaces my dog damn

2158
02:05:14,240 --> 02:05:20,920
Speaker 1: mm hmmm noo. Yeah, because you're mad East coach with

2159
02:05:21,000 --> 02:05:24,680
Speaker 1: it right now? No beside scarf face scarfaces Houston, Yeah,

2160
02:05:24,680 --> 02:05:27,840
Speaker 1: that scar face ship. You're about to say the brad

2161
02:05:27,920 --> 02:05:36,640
Speaker 1: on that face? Yeah, pop um yeah. Not Honestly, I

2162
02:05:36,760 --> 02:05:40,320
Speaker 1: might be buying snoop as my man. I thought you're

2163
02:05:40,320 --> 02:05:43,480
Speaker 1: gonna say a little Kim, little kid Kim j Mafia.

2164
02:05:43,520 --> 02:05:46,880
Speaker 1: I don't count. I'm not counting that. I'm not a

2165
02:05:47,040 --> 02:05:51,080
Speaker 1: part of. I'm counting something that outside this ship. It's

2166
02:05:51,120 --> 02:05:53,840
Speaker 1: like I can't put certain people I'm connected to like

2167
02:05:54,360 --> 02:05:57,840
Speaker 1: the certain people don't connect that don't count. It's a order.

2168
02:05:58,160 --> 02:06:00,880
Speaker 1: You ever see somebody say that Big isn't number one?

2169
02:06:01,240 --> 02:06:03,440
Speaker 1: Do you ever? Do you ever? Big is my favorite

2170
02:06:03,440 --> 02:06:05,800
Speaker 1: because Big cover all grounds of ship. I feel like,

2171
02:06:05,840 --> 02:06:09,320
Speaker 1: as an artist be I covered every part of the

2172
02:06:09,480 --> 02:06:18,440
Speaker 1: rapp component. You wanna do you want to put down storytelling, flows, melodies, cadence, uh, metaphors.

2173
02:06:19,240 --> 02:06:22,160
Speaker 1: I think Big covered all parts of that. He did

2174
02:06:22,240 --> 02:06:27,560
Speaker 1: too positive. It's so many I don't like having them

2175
02:06:27,600 --> 02:06:33,640
Speaker 1: check Gotti. He just did. Um, I'm not don't talking

2176
02:06:33,640 --> 02:06:37,000
Speaker 1: about that. He got a show called tales. He actually

2177
02:06:37,240 --> 02:06:40,960
Speaker 1: um takes a artist record and he makes a whole

2178
02:06:41,040 --> 02:06:44,600
Speaker 1: movie out of it. He did. Um. I think I

2179
02:06:44,680 --> 02:06:48,120
Speaker 1: think the idea is dope. He did. He did uh

2180
02:06:49,600 --> 02:06:52,960
Speaker 1: story to tell? B I g So I followed him

2181
02:06:52,960 --> 02:06:55,680
Speaker 1: on Instagram, so I've been checking it and um, it's

2182
02:06:55,720 --> 02:07:00,080
Speaker 1: a whole story, like like the whole movie, basically my

2183
02:07:00,240 --> 02:07:03,120
Speaker 1: story to tell. But do you not feel like he

2184
02:07:03,160 --> 02:07:05,320
Speaker 1: should have like you know, I mean all due spect

2185
02:07:05,320 --> 02:07:06,520
Speaker 1: to him, but you don't feel like he should have

2186
02:07:06,560 --> 02:07:09,120
Speaker 1: holided at you and said because you you probably was

2187
02:07:09,160 --> 02:07:11,560
Speaker 1: in that second session. I don't even know about I

2188
02:07:11,560 --> 02:07:13,080
Speaker 1: ain't never hear about it til you just told me

2189
02:07:13,120 --> 02:07:15,680
Speaker 1: about it. Just about the shot you're gonna get you

2190
02:07:15,760 --> 02:07:19,880
Speaker 1: up the date with day to name, I never heard of.

2191
02:07:20,760 --> 02:07:22,360
Speaker 1: I didn't hear about that. I don't know about the

2192
02:07:22,400 --> 02:07:30,000
Speaker 1: series was about that drink Champs God damn it. Yeah,

2193
02:07:30,040 --> 02:07:31,680
Speaker 1: but um, that's what that's what's happening right now. So

2194
02:07:31,760 --> 02:07:34,160
Speaker 1: what he's doing this is a whole movie based upon

2195
02:07:34,880 --> 02:07:37,080
Speaker 1: it's a record. No, it's it's like a movie. Yeah,

2196
02:07:37,160 --> 02:07:41,040
Speaker 1: it's like an actual movie based upon like the record.

2197
02:07:41,080 --> 02:07:43,360
Speaker 1: So that like I think he did story to tell

2198
02:07:43,400 --> 02:07:47,360
Speaker 1: about Big. I think he got something from Jap, Queen

2199
02:07:47,480 --> 02:07:50,320
Speaker 1: from M got trapped Queen from Freddie Robs. So it's

2200
02:07:50,320 --> 02:07:54,520
Speaker 1: a whole like a whole production, like a movie. From

2201
02:07:54,600 --> 02:07:58,560
Speaker 1: his interpretation, I'm guessing what he thought that they was

2202
02:07:58,600 --> 02:08:00,360
Speaker 1: trying to do. I think it's dope. I just want

2203
02:08:00,360 --> 02:08:02,640
Speaker 1: to know did he actually reach out to the artist

2204
02:08:02,760 --> 02:08:04,600
Speaker 1: to say, do you have any input on this? Because

2205
02:08:04,600 --> 02:08:06,720
Speaker 1: I know as me like me, like if you just

2206
02:08:06,800 --> 02:08:10,120
Speaker 1: do super dogs like and you just like you gotta relax,

2207
02:08:10,360 --> 02:08:14,320
Speaker 1: like you look like like coming, I wouldn't have And

2208
02:08:14,400 --> 02:08:16,960
Speaker 1: it's crazy because it's BT. So BT automatically has the

2209
02:08:17,120 --> 02:08:20,320
Speaker 1: rights because they gave you whenever you signed off on

2210
02:08:20,480 --> 02:08:22,400
Speaker 1: your ship, you signed off for them to have the

2211
02:08:22,520 --> 02:08:25,440
Speaker 1: rights to your video, so they can do what they want. Actually,

2212
02:08:25,560 --> 02:08:29,880
Speaker 1: but I would think, I don't know, am I the

2213
02:08:29,960 --> 02:08:33,480
Speaker 1: song from the label? Maybe, but I would think, like

2214
02:08:33,840 --> 02:08:36,240
Speaker 1: like if the dude did a movie to knock yourself out.

2215
02:08:37,320 --> 02:08:41,200
Speaker 1: You would want to. I'll have yeah, like I mean,

2216
02:08:41,240 --> 02:08:44,480
Speaker 1: I'm asked what I was asking? Um because they did

2217
02:08:44,960 --> 02:08:47,600
Speaker 1: b I g s. They probably did that through the steak.

2218
02:08:48,040 --> 02:08:53,800
Speaker 1: I'm pulling shots. They're gonna be like, they're gonna be different. Oh,

2219
02:08:53,960 --> 02:08:56,640
Speaker 1: it's the cup. It's the cup is to set us. Yes,

2220
02:08:56,880 --> 02:08:59,920
Speaker 1: it's not nig No, it's that ship. It's the cup.

2221
02:09:00,280 --> 02:09:06,400
Speaker 1: On the last shot. Yeah, last one. We gotta do three.

2222
02:09:06,560 --> 02:09:09,160
Speaker 1: Three is my lucky number. I know you had to, sir.

2223
02:09:09,840 --> 02:09:11,920
Speaker 1: I count very well. I'm sorry, I don't be good,

2224
02:09:12,000 --> 02:09:14,200
Speaker 1: but I count very well. Come on, let me get

2225
02:09:14,240 --> 02:09:17,280
Speaker 1: the other. Yeah, I'm gonna do light shots. Listen, I'm

2226
02:09:17,280 --> 02:09:19,400
Speaker 1: gonna do. I'm gonna stay quiet. Don't make minds like

2227
02:09:19,480 --> 02:09:23,240
Speaker 1: I made him. Look I'm right there. Look at that.

2228
02:09:23,400 --> 02:09:25,240
Speaker 1: Look at that. That's good. That's good money. That's a

2229
02:09:25,280 --> 02:09:27,840
Speaker 1: baby one. That's goods. Go by the way. Look at

2230
02:09:28,600 --> 02:09:31,680
Speaker 1: this is like teenager I got because I'm celebrating little seeds.

2231
02:09:31,720 --> 02:09:37,160
Speaker 1: Got you. Look at that kiss I got? Be kind?

2232
02:09:37,280 --> 02:09:41,960
Speaker 1: Be kind, Yes, every one, and let's pick up Jerry

2233
02:09:42,040 --> 02:09:45,720
Speaker 1: at Blackbird again, Jerry Blackbird. Cont Look at that I got.

2234
02:09:45,880 --> 02:09:50,160
Speaker 1: I got the most disrespectful shot little Seed, DC Twin

2235
02:09:50,400 --> 02:09:56,240
Speaker 1: and DC Twinter Yo, we love you, DC Twin. You're

2236
02:09:56,240 --> 02:09:59,160
Speaker 1: gonna be back in a minute. No, no, I got disrespecting.

2237
02:10:00,240 --> 02:10:07,080
Speaker 1: Don't don't do him. Don't he like he does. Pick

2238
02:10:07,200 --> 02:10:11,440
Speaker 1: up the cows and pancake gang Solu Louis. We want

2239
02:10:11,480 --> 02:10:15,680
Speaker 1: to celebrate you. You had one of the craziest positions

2240
02:10:17,000 --> 02:10:21,839
Speaker 1: every day hip hop, the best ever. Did it alive?

2241
02:10:22,960 --> 02:10:25,640
Speaker 1: It was your right hand man. You go with him. Yeah,

2242
02:10:25,680 --> 02:10:28,520
Speaker 1: it's very different. Yeah, the chest, the chest he has

2243
02:10:28,640 --> 02:10:35,400
Speaker 1: is growing. He brushes. The last one was a little

2244
02:10:43,920 --> 02:10:46,200
Speaker 1: so sees anything. You want to tell the people what

2245
02:10:46,320 --> 02:10:51,560
Speaker 1: you're about him. Not to drink tabo was cool, was

2246
02:10:51,680 --> 02:10:54,880
Speaker 1: very That's a very cool. Healthy jay. Kids see me

2247
02:10:54,960 --> 02:10:58,360
Speaker 1: jump on somebody's back and just don't drink too much

2248
02:10:58,400 --> 02:11:01,040
Speaker 1: of it. But now you shot to congratulations, don't be

2249
02:11:03,720 --> 02:11:05,680
Speaker 1: really big, Thank you, my brother. You got something really

2250
02:11:05,680 --> 02:11:07,640
Speaker 1: big going on, man, hip hop. This is what hip hop.

2251
02:11:07,760 --> 02:11:12,160
Speaker 1: Hip hop. Hip hop needs, song running song like for real,

2252
02:11:12,320 --> 02:11:15,760
Speaker 1: like to think about it. Um um. We need the

2253
02:11:15,800 --> 02:11:19,480
Speaker 1: inmates running the building. Yep. Finally we got the inmates

2254
02:11:19,560 --> 02:11:22,520
Speaker 1: running the buildings. Let's pick up a vault because we're leaving.

2255
02:11:22,760 --> 02:11:25,440
Speaker 1: We're leading as a TV show. Now we blew up,

2256
02:11:25,440 --> 02:11:27,200
Speaker 1: we sold out. Yeah, let's just start it out there. No,

2257
02:11:27,400 --> 02:11:29,040
Speaker 1: don't say we sold that. No, we ain't set up

2258
02:11:33,120 --> 02:11:36,000
Speaker 1: because we're gonna maintain our integrity. No, we're definitely gonna

2259
02:11:36,000 --> 02:11:42,000
Speaker 1: manage that blood set up a little bit. You know,

2260
02:11:42,760 --> 02:11:45,320
Speaker 1: we lead it as a TV show. Now have the CBS,

2261
02:11:45,360 --> 02:11:47,920
Speaker 1: but we lead the TBS. Shout out to them, but

2262
02:11:48,280 --> 02:11:51,120
Speaker 1: they missed the bucket and they my nigga still big

2263
02:11:51,200 --> 02:11:53,240
Speaker 1: up to hold the people. I forgot their name. No,

2264
02:11:53,320 --> 02:11:56,840
Speaker 1: we can't see them because you know, Greg hooked up

2265
02:11:56,840 --> 02:12:02,200
Speaker 1: audio Boone's big a way to the other side set.

2266
02:12:02,280 --> 02:12:05,960
Speaker 1: Let's go get Spotify. Girl, That's what I meant. Oh

2267
02:12:06,080 --> 02:12:15,400
Speaker 1: my god, are you're talking craziness? You a little bit

2268
02:12:15,520 --> 02:12:18,800
Speaker 1: just leaving out there? So they mixed up. That's trunk facts.

2269
02:12:19,040 --> 02:12:22,440
Speaker 1: I love drunks. Trump facts. It's general Trump facts. It's

2270
02:12:22,440 --> 02:12:26,400
Speaker 1: alternative worse than drum facts. So drunk facts have some

2271
02:12:27,200 --> 02:12:31,480
Speaker 1: alternative fact. But don't think think a lot of money.

2272
02:12:31,520 --> 02:12:37,320
Speaker 1: You gotta relax, but listen, you know what it is.

2273
02:12:37,360 --> 02:12:40,800
Speaker 1: We celebrating hips. We're leading as a TV show. Now,

2274
02:12:41,360 --> 02:12:45,280
Speaker 1: I know there's words out there Charlotte Maagne and Joe

2275
02:12:45,360 --> 02:12:50,520
Speaker 1: Buttons trying to disrovolt our interiom right now, they're not

2276
02:12:50,600 --> 02:12:52,600
Speaker 1: they're not gonna see what we're gonna do it with vote.

2277
02:12:52,960 --> 02:12:55,560
Speaker 1: You know what we're gonna do. We we're taking old

2278
02:12:55,640 --> 02:12:59,840
Speaker 1: I told I told Diddy, relax, let us take it.

2279
02:13:00,280 --> 02:13:03,240
Speaker 1: This we got but shallo man and Joe Buddys, we

2280
02:13:03,280 --> 02:13:05,360
Speaker 1: got love for you. But we're gonna show you how

2281
02:13:05,600 --> 02:13:08,480
Speaker 1: powerful that we're gonna work with these young people, these

2282
02:13:08,600 --> 02:13:12,560
Speaker 1: young and they innovative at the vote. They they enthusiastic,

2283
02:13:12,640 --> 02:13:16,200
Speaker 1: they vigorous, and that's just what we need. Well, groundbreaking

2284
02:13:16,240 --> 02:13:18,280
Speaker 1: show and we're gonna just go out and we're gonna

2285
02:13:18,280 --> 02:13:21,200
Speaker 1: have motherfucking fun. People are sitting there and like kind

2286
02:13:21,240 --> 02:13:23,320
Speaker 1: of blame it on. Did this ain't did he? This

2287
02:13:23,400 --> 02:13:26,400
Speaker 1: ain't just hamming? Like there's there's people like Derek Ferguson

2288
02:13:26,480 --> 02:13:30,919
Speaker 1: and where Mom Dukes and Shoheim reading and Zach Baggers

2289
02:13:30,920 --> 02:13:32,560
Speaker 1: claimed I don't know his last name. I just gave

2290
02:13:32,600 --> 02:13:51,200
Speaker 1: him Baggs claim it felt right. I'm saying, like last name,

2291
02:13:54,040 --> 02:14:02,720
Speaker 1: that's not what baggage ladies, that's my man on the edits.

2292
02:14:03,040 --> 02:14:05,320
Speaker 1: So you know it's like he's not editing. By the way,

2293
02:14:05,480 --> 02:14:09,080
Speaker 1: it's not even know my drunk sacks. I thought it

2294
02:14:09,200 --> 02:14:12,839
Speaker 1: was him. I gotta I gotta relax. Was a dangerous

2295
02:14:12,880 --> 02:14:16,160
Speaker 1: show man. So that's this is this dangerous show celebrate

2296
02:14:16,240 --> 02:14:20,320
Speaker 1: hip hop CEO. I mean by that by how your

2297
02:14:20,400 --> 02:14:23,120
Speaker 1: setup is. Yeah, we were, it's dangerous. You're definitely talking.

2298
02:14:23,720 --> 02:14:25,920
Speaker 1: It definitely wants you to say something supposed to say.

2299
02:14:26,800 --> 02:14:31,280
Speaker 1: We do that. But it's all in the celebration of

2300
02:14:31,400 --> 02:14:34,720
Speaker 1: hip because we can, because because you don't care. I

2301
02:14:34,880 --> 02:14:40,360
Speaker 1: can sometimes I care about this culture. Let's not the coach.

2302
02:14:41,640 --> 02:14:46,760
Speaker 1: Individuals may not want the questions he's saying. Yeah, they're like,

2303
02:14:47,000 --> 02:14:48,280
Speaker 1: we want to get it out of you. We want

2304
02:14:48,280 --> 02:14:50,840
Speaker 1: to get it out. I want you to feel good too, man,

2305
02:14:51,000 --> 02:14:53,560
Speaker 1: we want to feel good. That's what it is. I

2306
02:14:53,760 --> 02:14:56,200
Speaker 1: want you to feel like you gotel do you do

2307
02:14:56,400 --> 02:15:02,160
Speaker 1: drink this great spake? And that's like I'm a DJ,

2308
02:15:02,480 --> 02:15:05,240
Speaker 1: like like I'm the I'm the unseen person, Like nobody

2309
02:15:05,280 --> 02:15:09,640
Speaker 1: gives a DJ. DJ is the pinnacle of hip. That's right.

2310
02:15:10,120 --> 02:15:20,080
Speaker 1: I gotta say, we do get about I'm I'm so cutious,

2311
02:15:20,560 --> 02:15:25,480
Speaker 1: I'm so cute, and my girl feels the same way

2312
02:15:25,560 --> 02:15:28,560
Speaker 1: when I get tracked. I'm cubid, I'm mad. That's the

2313
02:15:28,640 --> 02:15:32,880
Speaker 1: DJ respected as hardest like that. That was every DJ

2314
02:15:33,120 --> 02:15:42,680
Speaker 1: in the world because nobody gives about we give a

2315
02:15:42,760 --> 02:15:45,720
Speaker 1: look about I know, I know, I know. It's very time.

2316
02:15:45,960 --> 02:15:48,880
Speaker 1: I come from that. Every week ya matter. Yes, we

2317
02:15:49,000 --> 02:15:52,840
Speaker 1: come from the era out here for this era, we matter.

2318
02:15:53,280 --> 02:15:56,920
Speaker 1: But nowadays this I park DJ s thought, that's not

2319
02:15:57,000 --> 02:15:59,840
Speaker 1: the DJ, it's from DJ, but they have a d

2320
02:16:00,040 --> 02:16:04,920
Speaker 1: J in the name he Frank t J doubles this

2321
02:16:05,040 --> 02:16:07,960
Speaker 1: out there with it shouldn't be d J anybody. Yeah,

2322
02:16:09,280 --> 02:16:11,120
Speaker 1: you ain't look cranze and I'm not just in the

2323
02:16:11,200 --> 02:16:14,400
Speaker 1: digital DJ talk about it, but looking about it. Come on,

2324
02:16:14,560 --> 02:16:17,120
Speaker 1: that's something that's paying your dude. That's something different. That's

2325
02:16:17,160 --> 02:16:21,360
Speaker 1: not craz Us doing demos, playing on dude, there's no

2326
02:16:21,520 --> 02:16:27,760
Speaker 1: dudes paying you go SoundCloud, you you open new artists. Yeah,

2327
02:16:27,800 --> 02:16:31,120
Speaker 1: you listen artist development. It's terrible for this new generation.

2328
02:16:31,440 --> 02:16:33,520
Speaker 1: These guys gotta get up percos that I don't think

2329
02:16:33,520 --> 02:16:39,480
Speaker 1: that development Molly purpose, never chase Molly Purpose. They gotta

2330
02:16:39,480 --> 02:16:41,200
Speaker 1: get off. They can't singing. Brother, Then he'd be like

2331
02:16:41,320 --> 02:16:43,840
Speaker 1: yo yo yo, So how have you doing? How do

2332
02:16:43,879 --> 02:16:47,960
Speaker 1: you like the game. It's cool. We call it yo.

2333
02:16:48,080 --> 02:16:53,520
Speaker 1: Yeah yeah, what like I can't tell you how you know,

2334
02:16:53,720 --> 02:16:57,039
Speaker 1: Charlotte May is my friend. I can't I see interview.

2335
02:16:58,160 --> 02:17:00,040
Speaker 1: Uh we want the new I don't want to it

2336
02:17:00,280 --> 02:17:04,200
Speaker 1: one of the most popular arts and they they actually

2337
02:17:04,800 --> 02:17:08,120
Speaker 1: like it was on purpose that you can't do that.

2338
02:17:08,200 --> 02:17:09,960
Speaker 1: You gotta sell like this is one thing, that the

2339
02:17:10,080 --> 02:17:12,959
Speaker 1: music is one thing, but you gotta sell yourself sure,

2340
02:17:13,520 --> 02:17:16,000
Speaker 1: like you know, that's why Angie Martinez was important to

2341
02:17:16,080 --> 02:17:18,280
Speaker 1: the coaching back then. Like back then, you do an

2342
02:17:18,520 --> 02:17:20,960
Speaker 1: interview with Antie Martinez that it was all over and

2343
02:17:21,040 --> 02:17:23,600
Speaker 1: we didn't have the internet, but it was all over

2344
02:17:23,840 --> 02:17:26,400
Speaker 1: reached to certain people like you do an interview with Flacks,

2345
02:17:26,480 --> 02:17:29,000
Speaker 1: you do an interview with DJ. It was certain ones

2346
02:17:29,040 --> 02:17:31,640
Speaker 1: that went viral for that era. But you actually had

2347
02:17:31,720 --> 02:17:33,520
Speaker 1: to have something to say that these kids are so

2348
02:17:33,760 --> 02:17:37,280
Speaker 1: drunk and high now that they're drinking high and I'm

2349
02:17:37,360 --> 02:17:40,320
Speaker 1: still talking because there was a motherfucker like there's no

2350
02:17:40,440 --> 02:17:44,640
Speaker 1: artist development, no more, right, we don't know how to be.

2351
02:17:44,840 --> 02:17:48,520
Speaker 1: You just gotta just st freestyle now just we should

2352
02:17:48,560 --> 02:17:51,119
Speaker 1: think it's cool. No, we don't got to because we don't.

2353
02:17:51,160 --> 02:17:55,200
Speaker 1: We don't have no we got history sub like you.

2354
02:17:55,360 --> 02:17:57,360
Speaker 1: You're rich in history. Brother, If you don't know that,

2355
02:17:57,440 --> 02:18:01,600
Speaker 1: you don't some of the richest history have. I'm blessed

2356
02:18:01,640 --> 02:18:03,520
Speaker 1: for that. And that's all. If if I get, if

2357
02:18:03,560 --> 02:18:06,080
Speaker 1: I gained nothing else from it, cools long as I

2358
02:18:06,200 --> 02:18:08,520
Speaker 1: get love and he's a part of a legacy and

2359
02:18:09,000 --> 02:18:12,720
Speaker 1: get and get hip hop. Come on, as long as

2360
02:18:12,720 --> 02:18:14,080
Speaker 1: I get to do what we do right here to

2361
02:18:14,160 --> 02:18:17,280
Speaker 1: sit around people amongst us. Cool with that? Not that

2362
02:18:17,440 --> 02:18:20,920
Speaker 1: a ship man, you know this is cool and deep

2363
02:18:21,080 --> 02:18:24,000
Speaker 1: on deep block. I'm throwing that in the air. There's

2364
02:18:24,000 --> 02:18:27,959
Speaker 1: too much pressure just kissing. Went to what's my big

2365
02:18:28,000 --> 02:18:32,920
Speaker 1: brother right there that I want to see that got

2366
02:18:32,959 --> 02:18:36,120
Speaker 1: me through this ship right now? That's my that's my

2367
02:18:36,280 --> 02:18:38,480
Speaker 1: coach through this ship. Now, that's that's my b I

2368
02:18:38,600 --> 02:18:41,520
Speaker 1: through this ship right now. This guy right that's all

2369
02:18:43,640 --> 02:18:46,680
Speaker 1: that's that's that's facts in the building. How you doing side?

2370
02:18:48,040 --> 02:18:50,680
Speaker 1: Got thicker? That's my that's my b that's my be

2371
02:18:50,840 --> 02:18:52,959
Speaker 1: I through this That's that's somebody you consider the top

2372
02:18:53,080 --> 02:18:56,160
Speaker 1: five the best of the best. And yeah, I was

2373
02:18:56,240 --> 02:18:58,400
Speaker 1: that at me. So when I get that love and

2374
02:18:58,520 --> 02:19:02,480
Speaker 1: recollection from somebody like he humbling himself to me, and

2375
02:19:02,640 --> 02:19:06,160
Speaker 1: I'm like, nigga, no, do you my nigga give you that?

2376
02:19:06,280 --> 02:19:10,000
Speaker 1: He going on, niggat you don't don't challenge me to that.

2377
02:19:10,200 --> 02:19:13,600
Speaker 1: You be out of me like you're you're top five,

2378
02:19:13,720 --> 02:19:17,480
Speaker 1: you're one of them niggas. That's hard, crown man, you

2379
02:19:17,520 --> 02:19:22,120
Speaker 1: know what I'm saying. No, that's my dog. That's cut

2380
02:19:22,200 --> 02:19:27,920
Speaker 1: that off. No, no, no realist compliment like you would

2381
02:19:27,959 --> 02:19:33,320
Speaker 1: say that. It just said you knew that basically look

2382
02:19:33,400 --> 02:19:36,840
Speaker 1: at that. That's hard. That's like a comp kiss. So

2383
02:19:37,400 --> 02:19:40,080
Speaker 1: as a person who's sparred with jay Z right like

2384
02:19:40,200 --> 02:19:44,160
Speaker 1: you actually straight at bars and then now you went

2385
02:19:44,240 --> 02:19:46,880
Speaker 1: to rock Nation, but that was the independent because Rock

2386
02:19:46,959 --> 02:19:49,920
Speaker 1: Nation giving up their independent deals. How is how is

2387
02:19:50,200 --> 02:19:53,040
Speaker 1: you know it bringing it all to fruition? Was it

2388
02:19:53,160 --> 02:19:55,960
Speaker 1: what you thought it was? Actually, I'm still I ain't

2389
02:19:55,959 --> 02:20:01,000
Speaker 1: signed my soul rock Nation. You get wo mother mother?

2390
02:20:01,600 --> 02:20:05,440
Speaker 1: Do mother do with myself? Jam is No, no, no, no,

2391
02:20:05,640 --> 02:20:12,720
Speaker 1: this is just management management. I'm not leaving major labels.

2392
02:20:13,240 --> 02:20:24,360
Speaker 1: That's what you like that, But I think it's not me.

2393
02:20:24,520 --> 02:20:33,880
Speaker 1: It's so you know you're not leaving the major You're

2394
02:20:33,879 --> 02:20:39,520
Speaker 1: gonna sign your soul on because Christy, Christy is rock Nation.

2395
02:20:39,600 --> 02:20:43,400
Speaker 1: It's Rockney, that's y'all manager. She's the lock Sta Nation.

2396
02:20:45,120 --> 02:20:48,560
Speaker 1: They don't took your manager made them know. But that's

2397
02:20:48,600 --> 02:20:51,959
Speaker 1: what they do. That's what they do when you they take.

2398
02:20:52,600 --> 02:20:55,440
Speaker 1: They buy in the manage. When you say, if you

2399
02:20:55,560 --> 02:20:59,280
Speaker 1: go to rock Nation and you I'll leave him to

2400
02:20:59,440 --> 02:21:02,680
Speaker 1: be over the too. Yeah, scoping so they can run, Yo,

2401
02:21:02,879 --> 02:21:07,720
Speaker 1: how your ship run? They just they behind it. You

2402
02:21:07,760 --> 02:21:09,480
Speaker 1: know what I mean that you told me the best

2403
02:21:09,520 --> 02:21:11,760
Speaker 1: ship about rock Nation. I can't blow it up because

2404
02:21:11,760 --> 02:21:14,080
Speaker 1: I don't know if he's a private conversation, but he

2405
02:21:14,160 --> 02:21:16,560
Speaker 1: told me some great ship about rock Nation. You know,

2406
02:21:16,760 --> 02:21:18,080
Speaker 1: I'm not going to blow it up. It's good that

2407
02:21:18,120 --> 02:21:20,600
Speaker 1: I can't blow the but beautiful, it was beautiful. It

2408
02:21:20,680 --> 02:21:24,720
Speaker 1: was beautiful one the shotgun big up the top to

2409
02:21:24,879 --> 02:21:35,320
Speaker 1: see too. And yeah they say there's no place. I

2410
02:21:35,320 --> 02:21:39,720
Speaker 1: don't know anybody. They say, I gotta get to that buildings.

2411
02:21:39,800 --> 02:21:47,879
Speaker 1: You sell the blocks a good but corporate? Whynot's take

2412
02:21:47,920 --> 02:21:50,480
Speaker 1: that out of contin I don't want to see this one.

2413
02:21:50,520 --> 02:21:53,480
Speaker 1: Then quiet right? Right? Right? But so big up? So

2414
02:21:53,560 --> 02:21:55,440
Speaker 1: are we ending it on? Big en up? Rock Nation?

2415
02:21:55,640 --> 02:22:01,800
Speaker 1: Is that it's a big thing. It respect him, I respect,

2416
02:22:02,160 --> 02:22:09,560
Speaker 1: I respect selective who has recently been Na. Yeah, it's

2417
02:22:09,560 --> 02:22:12,400
Speaker 1: all about progressing man. Anything to make the game bigger

2418
02:22:12,440 --> 02:22:14,320
Speaker 1: in the feed the people that deserve to be fed.

2419
02:22:14,920 --> 02:22:18,720
Speaker 1: How can we hate that? How can you hate somebody? Yeah,

2420
02:22:18,920 --> 02:22:22,080
Speaker 1: it's I can't hate that, man. Anybody that's progressing, man

2421
02:22:22,200 --> 02:22:25,280
Speaker 1: that you respect that came from our error or beyond

2422
02:22:25,680 --> 02:22:29,400
Speaker 1: or after. I can't shoot nothing down like that, anything

2423
02:22:29,480 --> 02:22:31,480
Speaker 1: that for us to progress? Why we why we got

2424
02:22:31,600 --> 02:22:35,000
Speaker 1: to shoot that down that salute that and have fun

2425
02:22:35,040 --> 02:22:38,640
Speaker 1: of that and celebrate to that that that fact. Everybody.

2426
02:22:39,840 --> 02:22:43,520
Speaker 1: What would your mother saying with with jay z one? No,

2427
02:22:43,640 --> 02:22:52,400
Speaker 1: I'm just saying didn't because he always got to know

2428
02:22:52,560 --> 02:22:54,960
Speaker 1: because that was real, like like at the end of

2429
02:22:55,000 --> 02:22:58,280
Speaker 1: the day, how did that even start? I don't even

2430
02:22:58,400 --> 02:23:00,920
Speaker 1: know because I was outside. Look then't like old man

2431
02:23:02,320 --> 02:23:08,400
Speaker 1: man asked me? Because no, no, this is like a

2432
02:23:08,720 --> 02:23:14,800
Speaker 1: story that I need to hear. I think Steve Stout

2433
02:23:14,959 --> 02:23:18,560
Speaker 1: was doing something like both sides of the Fenshion, And

2434
02:23:18,640 --> 02:23:21,200
Speaker 1: I think he was because it was doing that with

2435
02:23:21,440 --> 02:23:24,560
Speaker 1: nas and Home too. He ain't thinking he was gonna

2436
02:23:24,600 --> 02:23:27,840
Speaker 1: get that serious and they got I mean it wasn't

2437
02:23:28,200 --> 02:23:32,720
Speaker 1: it wasn't really serious. But you know, but yeah, but

2438
02:23:33,040 --> 02:23:35,240
Speaker 1: you know at the time he was doing, he was

2439
02:23:35,360 --> 02:23:39,680
Speaker 1: remixing everything I was doing. Remember that, like the Maya song,

2440
02:23:40,560 --> 02:23:42,880
Speaker 1: I was on original one. Then he came with the

2441
02:23:43,000 --> 02:23:49,920
Speaker 1: other one Fiesta. I was on original Fiesta, the Big Fiesta.

2442
02:23:50,280 --> 02:23:55,160
Speaker 1: It was just like it wasn't he wasn't saying nothing

2443
02:23:55,280 --> 02:23:57,600
Speaker 1: about me. He was just but just the fact that

2444
02:23:57,720 --> 02:24:01,680
Speaker 1: it was on. Why was he doing every day? You know?

2445
02:24:02,000 --> 02:24:06,680
Speaker 1: And stop was setting me up with the joint set

2446
02:24:06,800 --> 02:24:11,560
Speaker 1: him up with that. I think that was the competitive

2447
02:24:11,720 --> 02:24:15,280
Speaker 1: nature of ever coming up. It wasn't so which she

2448
02:24:15,400 --> 02:24:20,000
Speaker 1: washing and fortune hugger than all that. Yeah, it wasn't.

2449
02:24:20,240 --> 02:24:22,800
Speaker 1: It wasn't be it was bars. It was. It wasn't

2450
02:24:22,840 --> 02:24:28,160
Speaker 1: no beat. He can laugh at b and you're trying

2451
02:24:28,200 --> 02:24:30,360
Speaker 1: to catch the waves to everything that's going on. So

2452
02:24:30,480 --> 02:24:32,480
Speaker 1: we have a jump on it because the big and

2453
02:24:32,640 --> 02:24:35,120
Speaker 1: Jay star as like a competitive but well would I

2454
02:24:35,200 --> 02:24:39,560
Speaker 1: would say, and that he wasn't scared though anywhere like

2455
02:24:39,760 --> 02:24:46,400
Speaker 1: now it's more I bottle down to nobody, but about

2456
02:24:46,440 --> 02:24:50,120
Speaker 1: down that I supposed about that now anybody bottle down

2457
02:24:50,160 --> 02:24:55,119
Speaker 1: to anybody? What the niggers don't deserve him? But explains

2458
02:24:55,160 --> 02:24:58,920
Speaker 1: that no Jap because he don't understand what you mean

2459
02:24:58,959 --> 02:25:02,360
Speaker 1: by that. No, was Kpey was more competitive, and it

2460
02:25:02,520 --> 02:25:05,640
Speaker 1: was more like the whole it was we was the lock.

2461
02:25:05,760 --> 02:25:10,600
Speaker 1: He probably who who would you be still trying to

2462
02:25:11,280 --> 02:25:16,200
Speaker 1: We ain't looking at success. We're looking at we're trying

2463
02:25:16,240 --> 02:25:22,520
Speaker 1: to go through. Yeah, Now, accolades and money and accomplishments

2464
02:25:23,040 --> 02:25:25,680
Speaker 1: get you about quicker than you ain't been seeing. If

2465
02:25:25,680 --> 02:25:28,080
Speaker 1: you could knock the snig out just because he got

2466
02:25:28,200 --> 02:25:34,680
Speaker 1: it rolling on, and you gotta shock because you got

2467
02:25:34,800 --> 02:25:38,960
Speaker 1: a shot, he got a roll that was. That's just

2468
02:25:39,840 --> 02:25:43,320
Speaker 1: a comparison to used from, however, to to what's going

2469
02:25:43,440 --> 02:25:49,560
Speaker 1: on now. You can't getting around a certain you couldn't

2470
02:25:49,600 --> 02:25:53,400
Speaker 1: even get in a certain studio with them type of niggers.

2471
02:25:53,440 --> 02:26:00,080
Speaker 1: If he wasn't one of the studios, he couldn't like

2472
02:26:00,840 --> 02:26:05,960
Speaker 1: no phone ship. I had a three fifty seven on

2473
02:26:06,160 --> 02:26:08,560
Speaker 1: me when I went to do right where you stand

2474
02:26:09,440 --> 02:26:15,320
Speaker 1: for for um prem and Guru and yeah, because he

2475
02:26:15,320 --> 02:26:17,800
Speaker 1: didn't know what I was going to shop, they had

2476
02:26:17,959 --> 02:26:25,840
Speaker 1: rats And it's a fact. Fact and studio. You didn't

2477
02:26:25,840 --> 02:26:29,680
Speaker 1: make a song me, you might not make it a

2478
02:26:29,720 --> 02:26:33,920
Speaker 1: hole in the wall my studio. You've been right that

2479
02:26:35,920 --> 02:26:40,760
Speaker 1: you have in your seven. I went to dn D

2480
02:26:40,959 --> 02:26:42,800
Speaker 1: with all of me is and did that song with

2481
02:26:43,800 --> 02:26:51,120
Speaker 1: the same seven. Rosewood got knocked with Let's make some noise. Yeah,

2482
02:26:51,200 --> 02:26:54,640
Speaker 1: but it took it was their feet everywhere it was.

2483
02:26:55,280 --> 02:26:59,360
Speaker 1: It was a machine. It was a machine that had fellies,

2484
02:27:00,120 --> 02:27:16,640
Speaker 1: old English machine. She was they what borrows it down.

2485
02:27:18,640 --> 02:27:21,400
Speaker 1: We boarded after that and turned it in the headquarters

2486
02:27:21,480 --> 02:27:25,840
Speaker 1: rested Peace King headquarters. Man got and then they took

2487
02:27:26,240 --> 02:27:28,720
Speaker 1: is no longer there, no more now no no. That's

2488
02:27:28,760 --> 02:27:32,080
Speaker 1: what was prime real estate. It wasn't in like a hood.

2489
02:27:32,600 --> 02:27:37,720
Speaker 1: She was down down made the hood premo like I thought.

2490
02:27:37,720 --> 02:27:40,920
Speaker 1: I thought that ship was really hell though. That ship

2491
02:27:41,080 --> 02:27:47,200
Speaker 1: was all the way down, but it was hip hop.

2492
02:27:47,280 --> 02:27:50,000
Speaker 1: You're going that ship with everything you're going there. We

2493
02:27:50,200 --> 02:27:52,800
Speaker 1: was actually making our demo. And then when hold was

2494
02:27:52,920 --> 02:27:55,840
Speaker 1: doing reasonable down that's why we got history. We was

2495
02:27:56,600 --> 02:27:59,600
Speaker 1: in the playing food and were making the demo. He

2496
02:27:59,720 --> 02:28:03,800
Speaker 1: was made can reason and that's what that's what make

2497
02:28:03,840 --> 02:28:06,840
Speaker 1: I ever specially, that's why that's my favorite ever. Know

2498
02:28:07,120 --> 02:28:09,880
Speaker 1: else studios Niggers don't know about what we went through. Man,

2499
02:28:10,040 --> 02:28:14,120
Speaker 1: when I don't know what, I don't know what um uh,

2500
02:28:15,480 --> 02:28:17,640
Speaker 1: but it was it was like for like two months.

2501
02:28:17,800 --> 02:28:20,920
Speaker 1: Big used to rent sound on sound, remember sound on Sounds,

2502
02:28:23,440 --> 02:28:25,680
Speaker 1: and Big would have upstairs and me and for where

2503
02:28:25,720 --> 02:28:29,960
Speaker 1: I would have down That was a quiet studio running

2504
02:28:29,959 --> 02:28:33,359
Speaker 1: around the strea. Biggie was upstairs and I was there downstairs,

2505
02:28:33,480 --> 02:28:36,040
Speaker 1: my nigga, I kid you, not for real, for real

2506
02:28:36,160 --> 02:28:38,280
Speaker 1: for me wanting to the joint. That's why I was

2507
02:28:39,480 --> 02:28:41,760
Speaker 1: still like buggling that for real. Never had did a

2508
02:28:41,879 --> 02:28:44,240
Speaker 1: joint for vague because we I was like, I spent

2509
02:28:44,360 --> 02:28:46,840
Speaker 1: two months at least in the studio sound on sound

2510
02:28:46,959 --> 02:28:50,320
Speaker 1: right from bad Boy identical, like you like, and it

2511
02:28:50,440 --> 02:28:52,360
Speaker 1: was it was just quiet though it's only two It

2512
02:28:52,440 --> 02:28:54,400
Speaker 1: was like you come in there, it's like a house

2513
02:28:54,480 --> 02:29:00,080
Speaker 1: mass And I had downstairs. I didn't have. Don't that

2514
02:29:00,280 --> 02:29:03,600
Speaker 1: studio that's when you come through it. When he couldn't

2515
02:29:03,640 --> 02:29:05,560
Speaker 1: have no rooms to his studio. It was that studio

2516
02:29:05,600 --> 02:29:08,320
Speaker 1: around the corner. And I think Big started liking it

2517
02:29:08,360 --> 02:29:12,600
Speaker 1: because he was like he couldn't see nobody cut cool.

2518
02:29:13,200 --> 02:29:16,160
Speaker 1: Only other things that I had. It was talking a lot,

2519
02:29:16,240 --> 02:29:20,520
Speaker 1: like walking a lot right there in that ship. Nobody

2520
02:29:20,560 --> 02:29:24,560
Speaker 1: didn't know you in there. Yeah, and the strip club

2521
02:29:24,640 --> 02:29:26,080
Speaker 1: was right next to it too. We got to relax.

2522
02:29:26,120 --> 02:29:29,560
Speaker 1: The white Spot, White Spot. I used to go in there,

2523
02:29:29,879 --> 02:29:33,080
Speaker 1: the salt Spot. It was nice. It was not like

2524
02:29:33,200 --> 02:29:34,440
Speaker 1: you got you got my light at one of your

2525
02:29:35,000 --> 02:29:36,880
Speaker 1: your foul. One of y'all got my light up. I'm

2526
02:29:36,920 --> 02:29:40,960
Speaker 1: just gonna throw that off there. It's ready funny. It

2527
02:29:41,240 --> 02:29:44,320
Speaker 1: was one of y'all. It was the other version in

2528
02:29:44,400 --> 02:29:48,440
Speaker 1: my mind. Listen, man, this is old rap ship right

2529
02:29:48,480 --> 02:29:50,400
Speaker 1: here now. But you know what, these fans love it

2530
02:29:50,440 --> 02:29:53,800
Speaker 1: because you know why I get drunk. You know why

2531
02:29:53,879 --> 02:29:56,440
Speaker 1: these fans love it because I think about it is

2532
02:29:56,560 --> 02:29:59,279
Speaker 1: we'd be sitting around thinking that they don't care about

2533
02:29:59,320 --> 02:30:02,360
Speaker 1: the error Wars, and we're living proof. We hit twenty

2534
02:30:02,400 --> 02:30:05,119
Speaker 1: five million and that and that was four months ago.

2535
02:30:05,800 --> 02:30:08,400
Speaker 1: So that lets you know that they actually do care.

2536
02:30:08,840 --> 02:30:10,680
Speaker 1: They just want to learn. They need a platform to

2537
02:30:10,840 --> 02:30:14,520
Speaker 1: learn from. This is the platform they learn from. They

2538
02:30:14,600 --> 02:30:18,160
Speaker 1: be educated, They get drunk, they smoke some weed, and

2539
02:30:18,280 --> 02:30:20,440
Speaker 1: we talked to ship and we have fun man and

2540
02:30:20,520 --> 02:30:23,200
Speaker 1: little Seeds. You needed to be celebrated in the hip hop.

2541
02:30:23,400 --> 02:30:25,840
Speaker 1: That's what the fun we did today. And the kiss

2542
02:30:25,879 --> 02:30:33,720
Speaker 1: came to hiphop. Take the kids, we can't give Jay.

2543
02:30:33,760 --> 02:30:36,920
Speaker 1: The kiss came to about and drink chance. If you

2544
02:30:37,000 --> 02:30:41,120
Speaker 1: ain't getting some house in the world, thank you, but

2545
02:30:41,320 --> 02:30:43,240
Speaker 1: it's about you today. I'm gonna let you know. If

2546
02:30:43,240 --> 02:30:45,760
Speaker 1: you ain't getting congratulated anywhere else in the world, I said,

2547
02:30:45,840 --> 02:30:49,440
Speaker 1: drink chance. We continue to support. We give all people

2548
02:30:49,560 --> 02:30:52,080
Speaker 1: they flowers when they can smell them, and we smoke

2549
02:30:52,200 --> 02:30:57,960
Speaker 1: trees with them when they can. In hell, we ain't

2550
02:30:57,959 --> 02:31:01,560
Speaker 1: gonna be you when you asked away, you'll go away.

2551
02:31:01,879 --> 02:31:07,360
Speaker 1: You here now, we're gonna be yours now. You can't

2552
02:31:07,440 --> 02:31:14,800
Speaker 1: do that though, like yes, Hippop, we got to celebrate

2553
02:31:14,879 --> 02:31:18,960
Speaker 1: all legends. This is my this motherfucker plays show. He

2554
02:31:19,080 --> 02:31:23,760
Speaker 1: plays find doesn't like the MP three ship because he's real.

2555
02:31:23,920 --> 02:31:26,720
Speaker 1: He's really the real. He must to go on there

2556
02:31:26,800 --> 02:31:33,240
Speaker 1: with Crates and for it. I got my crazy but

2557
02:31:33,320 --> 02:31:35,800
Speaker 1: I'm not going. But listen, he's from the real hour

2558
02:31:35,920 --> 02:31:37,959
Speaker 1: of hip hop. That's the real essence of hip hop

2559
02:31:38,000 --> 02:31:41,920
Speaker 1: the whole time I did motherfucker's records. Yes, and he's

2560
02:31:42,480 --> 02:31:46,720
Speaker 1: team Street Team this show in Miami. Tell him I

2561
02:31:47,360 --> 02:31:50,240
Speaker 1: got to relax. Yeah, and Big poured me a glass

2562
02:31:50,320 --> 02:32:00,200
Speaker 1: of champagne. Coolest motherfucker ever been just now small Sor

2563
02:32:01,040 --> 02:32:03,680
Speaker 1: I was looking at you, No no, I don't see

2564
02:32:03,680 --> 02:32:06,960
Speaker 1: it as a story. It's not that Sorry, I was

2565
02:32:07,000 --> 02:32:11,080
Speaker 1: just talking for two hours. You say nothing. I'm not

2566
02:32:11,280 --> 02:32:16,040
Speaker 1: a story. That story story. I'm just saying I always

2567
02:32:16,080 --> 02:32:17,800
Speaker 1: tell people. I was like, yo, I was there, I

2568
02:32:17,920 --> 02:32:20,680
Speaker 1: was spitting the party. It was the first of your

2569
02:32:20,760 --> 02:32:26,480
Speaker 1: mafia in Miami at all the club. Just to bring

2570
02:32:26,520 --> 02:32:30,320
Speaker 1: it up. Now, why are you just saying nothing? He

2571
02:32:30,800 --> 02:32:34,400
Speaker 1: break down the story. All I'm saying is what happened.

2572
02:32:34,440 --> 02:32:37,200
Speaker 1: I wasn't v IP, wasn't really v I P. So

2573
02:32:37,440 --> 02:32:39,680
Speaker 1: I was in v I P and Big there he

2574
02:32:39,800 --> 02:32:43,520
Speaker 1: had to pumping mash champagne. We never drink champagne back then.

2575
02:32:44,120 --> 02:32:47,520
Speaker 1: And then he's just like you want a cup. I'm

2576
02:32:47,600 --> 02:32:50,400
Speaker 1: like sure, brand he poured it and I was like,

2577
02:32:50,800 --> 02:32:56,360
Speaker 1: just hello, cool bro, and I's story. That's it. It's

2578
02:32:56,440 --> 02:33:00,680
Speaker 1: not that crazy. It's not investing of let's jump him

2579
02:33:00,720 --> 02:33:08,160
Speaker 1: on the way people that happened. He was just cool.

2580
02:33:08,600 --> 02:33:12,000
Speaker 1: We used the biggest, always been the coolest guy. But no, no,

2581
02:33:12,160 --> 02:33:15,520
Speaker 1: Big let me. He was there promoting like that's a

2582
02:33:15,600 --> 02:33:19,560
Speaker 1: crazy ship like it was. Then he was there for them,

2583
02:33:19,640 --> 02:33:21,440
Speaker 1: and I could see it. I was like, he don't

2584
02:33:21,480 --> 02:33:25,640
Speaker 1: even do this for them. He was there for them story.

2585
02:33:26,520 --> 02:33:30,960
Speaker 1: I got to have a talking. You got a big story,

2586
02:33:31,280 --> 02:33:37,400
Speaker 1: it's not read. I mean this mort you're blowing up

2587
02:33:37,440 --> 02:33:39,800
Speaker 1: too much when you when you got a big story

2588
02:33:39,840 --> 02:33:43,280
Speaker 1: and say it's not the story. Yes, I mean that's

2589
02:33:43,320 --> 02:33:46,080
Speaker 1: my story with big that's the only stor that's the

2590
02:33:46,160 --> 02:33:48,560
Speaker 1: best story. By the way, that was one of the

2591
02:33:48,640 --> 02:33:52,240
Speaker 1: best stories, the big stories. The b was one of

2592
02:33:52,320 --> 02:33:57,360
Speaker 1: the coolest on the in the world. Dog. I missed

2593
02:33:57,400 --> 02:34:00,040
Speaker 1: that nigger. He was like, he was really like a

2594
02:34:00,120 --> 02:34:04,120
Speaker 1: cool nigga, hip hop nigga. He embraced niggas. That was dope,

2595
02:34:04,240 --> 02:34:06,680
Speaker 1: you know what I mean. He was just like he

2596
02:34:06,840 --> 02:34:10,680
Speaker 1: taught me everything about this music ship. Like just I'm

2597
02:34:10,720 --> 02:34:13,960
Speaker 1: everything that he was. What I'm saying, that's who I mimic.

2598
02:34:14,000 --> 02:34:16,680
Speaker 1: I wanted to be like that nigga that he was

2599
02:34:16,760 --> 02:34:18,640
Speaker 1: that black. Yeah, I wanted to be like him. I

2600
02:34:18,760 --> 02:34:21,600
Speaker 1: thought he was the coolest nigger on earth, what I'm saying. Like,

2601
02:34:22,720 --> 02:34:24,560
Speaker 1: and the only thing he did was introduced me to

2602
02:34:24,680 --> 02:34:26,720
Speaker 1: this type of ship. It's like a world, you know

2603
02:34:26,720 --> 02:34:29,320
Speaker 1: what I'm saying. So I just try to embrace it.

2604
02:34:29,480 --> 02:34:32,160
Speaker 1: And he was a music head. Dog he embraced it.

2605
02:34:32,240 --> 02:34:33,920
Speaker 1: He loved all this ship right here, Like you know

2606
02:34:33,959 --> 02:34:36,360
Speaker 1: what I'm saying. He would have did Drink Champs. He

2607
02:34:36,480 --> 02:34:46,560
Speaker 1: would ship. I would have went seven that it was

2608
02:34:46,560 --> 02:34:50,640
Speaker 1: funny too, had shot. He would love this Sepond show.

2609
02:34:51,040 --> 02:34:54,520
Speaker 1: He was cool like that like this. He liked to

2610
02:34:54,560 --> 02:34:57,120
Speaker 1: get high and bug out. This was this regular ship

2611
02:34:57,240 --> 02:34:59,240
Speaker 1: right here. I think Big would have permitted his new

2612
02:34:59,320 --> 02:35:05,920
Speaker 1: single was it's just there, just out there. He's on

2613
02:35:06,000 --> 02:35:08,640
Speaker 1: Drink Chaps. You're saying, hell, yeah, no, let's go. He

2614
02:35:08,680 --> 02:35:10,520
Speaker 1: would have definitely did that. He would definitely with this

2615
02:35:10,600 --> 02:35:12,920
Speaker 1: type of show Little Cy's. I can't thank you enough,

2616
02:35:13,040 --> 02:35:16,480
Speaker 1: Jada Kiss. I can't thank you enough being yo, Jada Kiss,

2617
02:35:16,520 --> 02:35:18,920
Speaker 1: you really support Drink Champs. I think you own it

2618
02:35:18,959 --> 02:35:26,560
Speaker 1: on Let spread the light wing Man's su for the

2619
02:35:26,640 --> 02:35:29,720
Speaker 1: rum with Jada Kiss gave us on a part owner

2620
02:35:31,160 --> 02:35:39,880
Speaker 1: drink Sad. You know what I'm saying, on some humble ship,

2621
02:35:40,000 --> 02:35:43,200
Speaker 1: not even music ship, just on some real, a real

2622
02:35:43,760 --> 02:35:46,040
Speaker 1: person type of ship with Kiss the other day for

2623
02:35:46,160 --> 02:35:48,760
Speaker 1: six hours and it was crazy, like we got on dog.

2624
02:35:50,120 --> 02:35:51,920
Speaker 1: Fact that he on that with you for six hours,

2625
02:35:52,360 --> 02:35:57,280
Speaker 1: So much respect for you, man A shot at me.

2626
02:36:00,120 --> 02:36:02,600
Speaker 1: But look it was crazy because at some point, I

2627
02:36:02,720 --> 02:36:05,520
Speaker 1: was like, I think we should have security because it

2628
02:36:05,680 --> 02:36:08,040
Speaker 1: was like it was like he got some wild fans.

2629
02:36:08,160 --> 02:36:13,000
Speaker 1: I got some wild I'm trying to book him that

2630
02:36:13,120 --> 02:36:16,480
Speaker 1: all the time. Man, get you. I feel like we

2631
02:36:16,520 --> 02:36:20,800
Speaker 1: gotta get security. Kiss. I feel like we got a

2632
02:36:20,840 --> 02:36:25,400
Speaker 1: little bit at a little bit a little bit up,

2633
02:36:25,800 --> 02:36:29,520
Speaker 1: but little cities. I can't think good enough listening, man,

2634
02:36:29,600 --> 02:36:31,880
Speaker 1: hip hop got to continue to celebrate our legends. We

2635
02:36:31,920 --> 02:36:34,120
Speaker 1: got give them the flowers where can give them the

2636
02:36:34,160 --> 02:36:36,240
Speaker 1: trees where they can help them. And the thing about

2637
02:36:36,280 --> 02:36:40,320
Speaker 1: it is, so many other generations, so many other people rock.

2638
02:36:40,560 --> 02:36:42,440
Speaker 1: You know, the rolling Stones get older, they're go on

2639
02:36:42,560 --> 02:36:45,360
Speaker 1: toll they do it. Why hip hop we can't do that.

2640
02:36:45,480 --> 02:36:47,760
Speaker 1: You know why hip hop can't do it because we

2641
02:36:47,879 --> 02:36:50,240
Speaker 1: didn't have drink champs, and drink champs are gonna celebrate

2642
02:36:50,600 --> 02:36:53,840
Speaker 1: continue salute people that the older you get, the black

2643
02:36:53,879 --> 02:36:55,880
Speaker 1: of the veritive street, of the juice, you know, you

2644
02:36:55,959 --> 02:37:07,520
Speaker 1: know what I meant. But no, they take the drunk

2645
02:37:07,560 --> 02:37:11,720
Speaker 1: of the marria. You know what we got, we got

2646
02:37:12,400 --> 02:37:15,920
Speaker 1: we got supposed to get. We gotta continue to support

2647
02:37:16,080 --> 02:37:19,960
Speaker 1: ours because sometimes we forget, like that ship don't take me, No,

2648
02:37:20,680 --> 02:37:23,280
Speaker 1: it don't take it. Don't take no money out of

2649
02:37:23,280 --> 02:37:26,920
Speaker 1: my pocket to say Jayda kisses a real nigga. He

2650
02:37:27,120 --> 02:37:29,640
Speaker 1: has to be supported every project in the Locks and

2651
02:37:29,720 --> 02:37:33,560
Speaker 1: everybody and a little CS and d Rock and a

2652
02:37:33,640 --> 02:37:37,800
Speaker 1: little Kim and Foxy Brown Nas and Ezy and uh

2653
02:37:38,400 --> 02:37:41,119
Speaker 1: Rapper Nord and marb Deep And it don't don't cost

2654
02:37:41,200 --> 02:37:43,800
Speaker 1: me nothing to say that, you know what, these guys

2655
02:37:43,879 --> 02:37:46,440
Speaker 1: came through the errors minds not like you know, I

2656
02:37:46,600 --> 02:37:48,200
Speaker 1: might look at it as the best everror, but if

2657
02:37:48,240 --> 02:37:49,800
Speaker 1: you don't look at it the best ever, it's okay.

2658
02:37:50,440 --> 02:37:52,720
Speaker 1: It's all legends for support, the people that came in

2659
02:37:53,240 --> 02:37:55,800
Speaker 1: for a little oozy Burden, for a little Yaxis and

2660
02:37:55,879 --> 02:37:59,880
Speaker 1: for a little um yahman Kazi's and and you know,

2661
02:38:00,080 --> 02:38:05,000
Speaker 1: say I'm a Cozi, don't refer I'm trying to sign him.

2662
02:38:05,080 --> 02:38:14,400
Speaker 1: Yam a conzie. Come on like Manzizi Kazima and Nagging

2663
02:38:14,480 --> 02:38:22,920
Speaker 1: Baggage Clip Baggage Sack Baggas Claire, you got a big

2664
02:38:23,000 --> 02:38:29,440
Speaker 1: choice of Zack Baggage plays an executives clus face. This

2665
02:38:29,879 --> 02:38:32,200
Speaker 1: was his middle name, exactly what I don't know, No,

2666
02:38:32,280 --> 02:38:36,720
Speaker 1: what's last bag baggage Sack? I don't know it's last

2667
02:38:36,800 --> 02:38:45,560
Speaker 1: namest slop slop. What's next? Name or slow that? Nobody

2668
02:38:45,640 --> 02:38:49,400
Speaker 1: know that nigga shut up and Zack from her bo baggs,

2669
02:38:50,440 --> 02:38:52,920
Speaker 1: but sack baggage. Jack is about to be the Ellis

2670
02:38:53,040 --> 02:39:02,560
Speaker 1: Rapper ever Yoga cool accident, you still got to ask you, Twin.

2671
02:39:03,120 --> 02:39:08,800
Speaker 1: You know yo, yo, Twin. We love you. You know

2672
02:39:08,920 --> 02:39:14,039
Speaker 1: we got you. Salute, We love you brother. Yes, that's right, baby,

2673
02:39:14,560 --> 02:39:16,920
Speaker 1: and we're gonna train Diego because we're gonna get you

2674
02:39:16,959 --> 02:39:18,760
Speaker 1: back on the road to you know what I'm saying

2675
02:39:20,480 --> 02:39:27,280
Speaker 1: once again? Birthday? What are you sober today? Right? Come

2676
02:39:27,320 --> 02:39:30,160
Speaker 1: over here, Come over here, so over on your birthday.

2677
02:39:30,200 --> 02:39:33,760
Speaker 1: We're proud of you. Come over here, Diego. What's your Instagram?

2678
02:39:33,840 --> 02:39:37,200
Speaker 1: Shout him out? Don Diego for your gonna hear that?

2679
02:39:38,760 --> 02:39:45,920
Speaker 1: S that out there, no doubt, I'm out of Come over,

2680
02:39:46,120 --> 02:39:48,160
Speaker 1: t You gotta get to him, Mike. Don't nobody hear you? Then?

2681
02:39:48,240 --> 02:39:52,480
Speaker 1: Come over man, come through, come through. For everybody that's

2682
02:39:52,560 --> 02:39:55,080
Speaker 1: drink chance family. You know, Twin has been with us

2683
02:39:55,120 --> 02:40:00,280
Speaker 1: from the day one. He's our fucking brother. You know

2684
02:40:00,320 --> 02:40:02,920
Speaker 1: what I'm saying. It got to our accident. We don't care.

2685
02:40:03,000 --> 02:40:05,320
Speaker 1: We're holding them down the same way we're gonna hold

2686
02:40:05,360 --> 02:40:07,440
Speaker 1: them down before the accident, We're gonna hold them down

2687
02:40:07,520 --> 02:40:17,160
Speaker 1: after the accident. And family. Man, I appreciate the support man.

2688
02:40:17,280 --> 02:40:21,199
Speaker 1: The Friends is loyal. Man. I'm in therapy every day, grinding,

2689
02:40:21,280 --> 02:40:24,160
Speaker 1: and they just showed me mad love talking people from

2690
02:40:24,440 --> 02:40:29,520
Speaker 1: like Pakistan. I've had people from Yo, like the Netherlands.

2691
02:40:29,640 --> 02:40:32,400
Speaker 1: Like it's crazy, It's like worldwide. The love is real, man,

2692
02:40:32,840 --> 02:40:36,000
Speaker 1: because all all it is this show, this show is authentic.

2693
02:40:37,000 --> 02:40:40,000
Speaker 1: We are ourselves, you know what I'm saying. Look how

2694
02:40:40,120 --> 02:40:42,040
Speaker 1: far it got us, you know what I mean? And

2695
02:40:42,560 --> 02:40:44,560
Speaker 1: this is amazing. I'm so blessed to be here. I'm

2696
02:40:44,600 --> 02:40:47,119
Speaker 1: so happy to be here. Man. I'm still eating assing.

2697
02:40:47,280 --> 02:41:00,680
Speaker 1: I'm just on the chair you already, man, Carol Ceazy guys,

2698
02:41:02,240 --> 02:41:05,880
Speaker 1: Days to night, the little Yeah, I feel like you.

2699
02:41:06,040 --> 02:41:08,720
Speaker 1: Your face says everything. You don't see I feel like

2700
02:41:08,800 --> 02:41:12,360
Speaker 1: you definitely. Yeah, I'm gonna be honest. I'm gonna be

2701
02:41:12,400 --> 02:41:18,480
Speaker 1: honest with you. See, I don't eat. Yeah, we gotta

2702
02:41:18,480 --> 02:41:24,480
Speaker 1: eat the booty like Grostries. No they once, no, No.

2703
02:41:26,640 --> 02:41:41,600
Speaker 1: Everything I leave you, your face says it. Yeah, you

2704
02:41:42,040 --> 02:41:45,240
Speaker 1: get a nice spoke my frist. I swear, I honest,

2705
02:41:45,560 --> 02:41:53,360
Speaker 1: I never no, no, maybe once. I don't remember. I

2706
02:41:53,480 --> 02:41:56,360
Speaker 1: licked around. I licked around. Yeah, I'm gonna be honest.

2707
02:41:56,800 --> 02:42:00,720
Speaker 1: I licked them around. Y'all Know what When I went there,

2708
02:42:00,760 --> 02:42:08,160
Speaker 1: I was like, WHOA, you're nicking around. Listen, takes a penny,

2709
02:42:11,480 --> 02:42:14,280
Speaker 1: s see, it tastes like a penny, right, it tastes

2710
02:42:14,320 --> 02:42:35,960
Speaker 1: like it's alright. Drop. Before we get out of here,

2711
02:42:36,000 --> 02:42:37,840
Speaker 1: we just want to remind you that you can buy

2712
02:42:37,959 --> 02:42:40,880
Speaker 1: Drink Champs gear at your local detail our store, so

2713
02:42:41,000 --> 02:42:43,119
Speaker 1: look up the store nearest to you. You can also

2714
02:42:43,200 --> 02:42:46,320
Speaker 1: buy drink Champs gear and other merch at drink Champs

2715
02:42:46,400 --> 02:42:49,040
Speaker 1: dot com or eight and nine dot com. Check us

2716
02:42:49,040 --> 02:42:52,200
Speaker 1: on Revolt TV every Thursday night at ten pm, then

2717
02:42:52,320 --> 02:42:56,240
Speaker 1: unedited audio drops Monday nights going into Tuesday at midnight.

2718
02:42:56,640 --> 02:42:59,640
Speaker 1: Then check for the United video Wednesday's on Revolt dot Tv,

2719
02:43:00,200 --> 02:43:03,000
Speaker 1: drink Champs dot com, or you can go directly to YouTube.

2720
02:43:03,360 --> 02:43:06,240
Speaker 1: Look out for Nori's new food show coming soon, as

2721
02:43:06,320 --> 02:43:09,120
Speaker 1: well as new project featuring the upcoming single Uno mass

2722
02:43:09,400 --> 02:43:13,279
Speaker 1: Produced and featuring Farrell check from My Coming Home documentaries

2723
02:43:13,440 --> 02:43:16,720
Speaker 1: Coming Home Vietnam documentary right now currently airing on Revolt

2724
02:43:16,800 --> 02:43:21,040
Speaker 1: TV and coming soon Coming Home Columbia. Follow us at

2725
02:43:21,120 --> 02:43:24,600
Speaker 1: Drink Champs on I G, Twitter, and Facebook, and Nori

2726
02:43:24,840 --> 02:43:28,120
Speaker 1: at the Real Noriega on Instagram, at Noriega on Twitter,

2727
02:43:28,400 --> 02:43:30,960
Speaker 1: and me e f N at Who's Crazy on i

2728
02:43:31,120 --> 02:43:33,160
Speaker 1: G and at d j e f n on Twitter.

2729
02:43:33,440 --> 02:43:35,400
Speaker 1: And until next week, we had to hear peace