1 00:00:06,960 --> 00:00:10,320 Speaker 1: How does a twenty three year old woman go into 2 00:00:10,440 --> 00:00:15,000 Speaker 1: a bar and then seemingly vanish off the face of 3 00:00:15,120 --> 00:00:28,080 Speaker 1: the earth. What happened to Marisela? Crime Stories with Nancy 4 00:00:28,120 --> 00:00:37,040 Speaker 1: Grace Take a listen to our friend Karin Borta at 5 00:00:37,040 --> 00:00:41,200 Speaker 1: CBS eleven. Dallas Police are looking for a missing woman 6 00:00:41,320 --> 00:00:44,480 Speaker 1: last scene three weeks ago. Twenty three year old Marty 7 00:00:44,520 --> 00:00:49,000 Speaker 1: Cellaboteo arrived in Dallas from Seattle on Sunday, October fourth 8 00:00:49,080 --> 00:00:51,959 Speaker 1: to visit her ex boyfriend. She was last seen at 9 00:00:51,960 --> 00:00:55,080 Speaker 1: one am Monday, October fifth, leaving a bar in Deep 10 00:00:55,120 --> 00:00:58,440 Speaker 1: Elum wearing a purple dress. If you've seen her or 11 00:00:58,520 --> 00:01:01,600 Speaker 1: have any information about this case, you're asked to contact 12 00:01:01,800 --> 00:01:07,399 Speaker 1: Dallas Police. This young girl still missing. Absolutely stunning. Twenty 13 00:01:07,480 --> 00:01:13,759 Speaker 1: three year old Maricella Battello caught on video at the 14 00:01:13,840 --> 00:01:17,680 Speaker 1: bar wearing a purple dress and seemingly after that she 15 00:01:18,240 --> 00:01:22,559 Speaker 1: just vanishes into thin air. With me an all star 16 00:01:22,600 --> 00:01:24,400 Speaker 1: panel to break it down and put it back together 17 00:01:24,440 --> 00:01:27,600 Speaker 1: again in the hopes that we can find Maracella. The 18 00:01:27,800 --> 00:01:31,399 Speaker 1: tipline is two on four six seven one four two 19 00:01:31,560 --> 00:01:35,119 Speaker 1: six to eight repeat two one four six seven one 20 00:01:35,400 --> 00:01:40,000 Speaker 1: four two six eight with me judge, trial lawyer anchor 21 00:01:40,040 --> 00:01:43,800 Speaker 1: at Court TV. You can find her at Ashley Willcot 22 00:01:44,080 --> 00:01:50,920 Speaker 1: dot com. Doctor Joffe Ellis, psychologist, adjunct professor at Columbia University. 23 00:01:51,000 --> 00:01:55,360 Speaker 1: She is at Debbie Joffe Ellis dot com. Former police 24 00:01:55,440 --> 00:01:58,600 Speaker 1: chief John's Creek joining me twenty five years on the 25 00:01:58,640 --> 00:02:03,000 Speaker 1: fours now at PI. Poligrapher Chris Buyers at Chris Buyers 26 00:02:03,080 --> 00:02:08,320 Speaker 1: Investigations and polygraph dot com. Professor Forensics, Jacksonville State University. 27 00:02:08,400 --> 00:02:12,160 Speaker 1: Author of Blood Beneath My Feet on Amazon Now, the 28 00:02:12,200 --> 00:02:15,640 Speaker 1: star of hit series on the True Crime Network, Poisonous 29 00:02:15,680 --> 00:02:20,359 Speaker 1: Liaison's Joseph Scott Morgan. But first to Crime online dot 30 00:02:20,400 --> 00:02:25,240 Speaker 1: Com investigative reporter Dave mac Dave MC, this twenty three 31 00:02:25,280 --> 00:02:28,919 Speaker 1: year old woman from Seattle flies to go see her 32 00:02:29,040 --> 00:02:33,120 Speaker 1: ex ex boyfriend in Dallas, and from what we know, 33 00:02:33,919 --> 00:02:37,040 Speaker 1: they didn't have any kind of an argument, nothing went wrong. 34 00:02:38,440 --> 00:02:40,880 Speaker 1: Why does she go out to the bar that night 35 00:02:40,919 --> 00:02:44,080 Speaker 1: by herself? Nancy? It was her last night in town 36 00:02:44,240 --> 00:02:46,480 Speaker 1: and she just wanted to go out and go downtown. 37 00:02:47,360 --> 00:02:49,680 Speaker 1: Her ex boyfriend just didn't want to We wanted to 38 00:02:49,680 --> 00:02:52,760 Speaker 1: stay in. That's why she went by herself. And you know, 39 00:02:53,080 --> 00:02:55,960 Speaker 1: very often, as she willcott, judge and trial lawyer, a 40 00:02:56,040 --> 00:03:00,600 Speaker 1: court TV anchor, you look at the one most closest 41 00:03:00,639 --> 00:03:03,920 Speaker 1: to the victim. That would be the husband, the boyfriend, 42 00:03:04,360 --> 00:03:08,840 Speaker 1: the lover, the ex lover. But here it seems to 43 00:03:08,919 --> 00:03:11,760 Speaker 1: me like they have established the boyfriend that she went 44 00:03:11,840 --> 00:03:14,400 Speaker 1: to go visit, did not go out with her that night. 45 00:03:14,720 --> 00:03:18,040 Speaker 1: I think they have absolutely established that she ordered a lift, 46 00:03:18,240 --> 00:03:20,680 Speaker 1: she was alone when she got in the lift and 47 00:03:20,720 --> 00:03:22,799 Speaker 1: went to the nightclub and Deep Bellum. I've been to 48 00:03:22,880 --> 00:03:25,080 Speaker 1: Deep Bellum. I go there still if I go to Dallas. 49 00:03:25,560 --> 00:03:28,440 Speaker 1: It's a really fun area, seemingly safe, upbeat. But I 50 00:03:28,480 --> 00:03:31,360 Speaker 1: need to suggest this. It's a little odd to me that, 51 00:03:31,480 --> 00:03:33,799 Speaker 1: even if it's an ex boyfriend, that they're going to 52 00:03:33,919 --> 00:03:36,840 Speaker 1: send off a twenty three year old female in a 53 00:03:36,920 --> 00:03:40,200 Speaker 1: lift to go clubbing by themselves without saying maybe that's 54 00:03:40,240 --> 00:03:43,280 Speaker 1: not a great idea, you know, as she Wilcott, I 55 00:03:43,320 --> 00:03:47,360 Speaker 1: see women out parting by themselves all the time. And 56 00:03:47,680 --> 00:03:50,080 Speaker 1: if he didn't want to go, says I worked all day, 57 00:03:50,080 --> 00:03:51,920 Speaker 1: I don't want to go, you go ahead. I mean 58 00:03:51,960 --> 00:03:54,440 Speaker 1: there could be a million explanations of why he didn't 59 00:03:54,440 --> 00:03:58,640 Speaker 1: want to go. Yes, was it a bad decision, obviously 60 00:03:58,720 --> 00:04:03,720 Speaker 1: a bad decision. But my point, Ash is that are 61 00:04:03,760 --> 00:04:07,120 Speaker 1: we ruling him out right now? It seems like we are. 62 00:04:07,480 --> 00:04:11,080 Speaker 1: Take a listen to Alex Roser w FAA on a 63 00:04:11,120 --> 00:04:14,520 Speaker 1: Sunday in Dallas. Deep Bellum is one of the city's 64 00:04:14,520 --> 00:04:18,080 Speaker 1: most popular spots. That's what I've been doing down here 65 00:04:18,080 --> 00:04:21,360 Speaker 1: in the past few days. But it's a place Patrick 66 00:04:21,400 --> 00:04:24,160 Speaker 1: Helmbrech never planned to visit as she was in here 67 00:04:24,240 --> 00:04:27,760 Speaker 1: and I've been missing since before. He's looking for his 68 00:04:27,839 --> 00:04:31,000 Speaker 1: friend Marie Sella Bouteil. She missed her schedule fight back 69 00:04:31,040 --> 00:04:34,640 Speaker 1: to Seattle on the fifth as well. Visiting from Seattle 70 00:04:34,680 --> 00:04:37,200 Speaker 1: after a weekend with her ex boyfriend, she went drinking 71 00:04:37,240 --> 00:04:41,760 Speaker 1: alone on Monday, October fifth, just after midnight. A lift 72 00:04:41,800 --> 00:04:44,440 Speaker 1: dropped her on Elm Street and surveillance video showed her 73 00:04:44,520 --> 00:04:48,279 Speaker 1: leaving Select Start, but she hasn't been seen since from there. 74 00:04:48,920 --> 00:04:51,520 Speaker 1: She just never came back. And that's around the same time. 75 00:04:51,560 --> 00:04:56,280 Speaker 1: Also that we seem the last cell phone activity last time. 76 00:04:56,320 --> 00:04:59,080 Speaker 1: Her demo card was ever Hure you are hearing the 77 00:04:59,160 --> 00:05:04,400 Speaker 1: voice of friend Maricela's It's Patrick Hellenbrick. He's the one 78 00:05:04,440 --> 00:05:07,440 Speaker 1: out putting up posters have you seen this woman with 79 00:05:07,520 --> 00:05:10,040 Speaker 1: the tip line two one four eight two one four 80 00:05:10,200 --> 00:05:13,440 Speaker 1: six seven one four two six eight. Where they went, 81 00:05:14,520 --> 00:05:16,800 Speaker 1: Joe Scott Morgan, I want to talk to you about forensics. 82 00:05:17,080 --> 00:05:21,800 Speaker 1: Where she went was an arcade. She was in an 83 00:05:21,960 --> 00:05:26,400 Speaker 1: arcade and that was as you know, at Elm Street. 84 00:05:26,440 --> 00:05:29,760 Speaker 1: The lift dropped her off there. So we can't blame 85 00:05:29,760 --> 00:05:33,760 Speaker 1: the lift driver. We can't look to the driver because 86 00:05:33,760 --> 00:05:40,520 Speaker 1: she was last seen getting out and then leaving the arcade. 87 00:05:41,240 --> 00:05:45,239 Speaker 1: What can we find out about the arcade, Joe Scott Morgan? 88 00:05:45,360 --> 00:05:48,400 Speaker 1: What potential forensics can we get from there? Well? I 89 00:05:48,440 --> 00:05:53,320 Speaker 1: think that if there is CCTV that is available, we 90 00:05:53,760 --> 00:05:57,080 Speaker 1: might be able to if the video is sufficiently enhanced, 91 00:05:57,480 --> 00:06:00,360 Speaker 1: be able to see what her movements were like tained 92 00:06:00,600 --> 00:06:04,360 Speaker 1: in there, and that's sometimes that's a big if it's 93 00:06:04,360 --> 00:06:09,840 Speaker 1: a hit or miss many times with CCTV. Also, individuals 94 00:06:09,880 --> 00:06:14,400 Speaker 1: that she may have contacted along the way, individuals whose 95 00:06:14,440 --> 00:06:17,000 Speaker 1: space she was in. Did she have any kind of 96 00:06:17,040 --> 00:06:22,039 Speaker 1: conversations with these individuals within this arcade? And I don't 97 00:06:22,080 --> 00:06:26,120 Speaker 1: really understand what the structure of the arcade is. Let's say, 98 00:06:26,120 --> 00:06:28,600 Speaker 1: for instance, in typical fashion, if you think about an 99 00:06:28,600 --> 00:06:31,839 Speaker 1: old fashioned arcade where they've got games like ski ball 100 00:06:31,880 --> 00:06:33,880 Speaker 1: and all those sorts of things. Maybe a trace of 101 00:06:33,920 --> 00:06:37,120 Speaker 1: her was left behind if she actually contacted the surfaces 102 00:06:37,160 --> 00:06:40,480 Speaker 1: in there, and that could in fact prove that she 103 00:06:40,760 --> 00:06:44,520 Speaker 1: was in that environment. You know you're talking about closed 104 00:06:44,520 --> 00:06:48,760 Speaker 1: circuit TV, and you're absolutely right. Guys. Do you recall 105 00:06:48,800 --> 00:06:52,200 Speaker 1: the case of Kelsey Smith And we have worked with 106 00:06:52,240 --> 00:06:57,719 Speaker 1: her dad many many times. Kelsey was a young teen 107 00:06:57,800 --> 00:07:02,880 Speaker 1: girl who goes shopping and closed circuit TV shows something 108 00:07:03,040 --> 00:07:05,599 Speaker 1: very interesting and I'm pretty sure it was at a target. 109 00:07:07,000 --> 00:07:10,520 Speaker 1: In every graph where she went around the store, she 110 00:07:10,600 --> 00:07:13,080 Speaker 1: was talking to her mom on the cell phone basically 111 00:07:13,120 --> 00:07:17,239 Speaker 1: the whole time until she left the store. At different 112 00:07:17,400 --> 00:07:22,440 Speaker 1: spots in the CCTV, you see a guy, the same 113 00:07:22,520 --> 00:07:26,520 Speaker 1: guy no matter where she goes. She's in the men's department, 114 00:07:26,600 --> 00:07:30,800 Speaker 1: she's buying a gift for her then boyfriend six month anniversary. 115 00:07:31,640 --> 00:07:34,000 Speaker 1: If she's in the sock department there, he is looking 116 00:07:34,040 --> 00:07:37,240 Speaker 1: at socks. If she goes to the popcorn makers there 117 00:07:37,280 --> 00:07:40,320 Speaker 1: he is looking at a waffle iron. Everywhere she goes, 118 00:07:40,400 --> 00:07:44,640 Speaker 1: he's somehow he's not really looking at her, but he's 119 00:07:44,760 --> 00:07:51,080 Speaker 1: in every frame where she is. I mean, doctor Debbie 120 00:07:51,120 --> 00:07:55,520 Speaker 1: Joffe Ellis you run into hundreds of people, you pass 121 00:07:55,640 --> 00:07:59,280 Speaker 1: them all the time on the street, in the grocery store. 122 00:07:59,760 --> 00:08:03,679 Speaker 1: But for someone to be popping up in every frame 123 00:08:04,280 --> 00:08:08,600 Speaker 1: the closed circuit TV is a huge red flag. It 124 00:08:08,880 --> 00:08:15,760 Speaker 1: certainly is. It's indicative of stalking to former police shaved 125 00:08:15,880 --> 00:08:20,480 Speaker 1: John's Creek, Chris Buyers, what do you make of her 126 00:08:20,560 --> 00:08:24,080 Speaker 1: being in an arcade? My point is what evidence can 127 00:08:24,120 --> 00:08:27,160 Speaker 1: I get from the arcade? Well, again, just really what 128 00:08:27,320 --> 00:08:30,200 Speaker 1: Joe said. You know, you're looking for that CCTV. You're 129 00:08:30,240 --> 00:08:33,360 Speaker 1: looking for different things. She touched um, you know touch 130 00:08:33,480 --> 00:08:37,120 Speaker 1: DNA is it's something that can be used. You're you're 131 00:08:37,160 --> 00:08:39,680 Speaker 1: looking for the interactions. What you wanted to see on 132 00:08:39,720 --> 00:08:42,800 Speaker 1: those videos? Or did she have words with somebody? Did 133 00:08:42,840 --> 00:08:45,600 Speaker 1: she have any type of confrontation? Just like you said, 134 00:08:45,679 --> 00:08:49,079 Speaker 1: is there's somebody that seemed to be marking her within 135 00:08:49,120 --> 00:08:53,360 Speaker 1: the arcade that might have followed her out and you 136 00:08:53,760 --> 00:09:09,440 Speaker 1: had something to do with her disappearance. Time stories with 137 00:09:09,559 --> 00:09:16,120 Speaker 1: Nancy Grace. Guys, we're talking about a bar in arcade 138 00:09:16,200 --> 00:09:20,240 Speaker 1: for this twenty three year old girl was last seen alive. 139 00:09:21,559 --> 00:09:24,280 Speaker 1: Let me understand this, Dave Mac, is it the Select 140 00:09:24,679 --> 00:09:29,520 Speaker 1: Start Arcade there in Texas. Is that the name of it? Yes, man, 141 00:09:29,840 --> 00:09:32,960 Speaker 1: it's called Select Start, Select Start. What do we know 142 00:09:33,040 --> 00:09:35,880 Speaker 1: about it? We know that it is an arcade slash bar. 143 00:09:36,040 --> 00:09:38,199 Speaker 1: It's a place where people go in and they can 144 00:09:38,240 --> 00:09:40,880 Speaker 1: play video games, some of the old school video games 145 00:09:40,920 --> 00:09:43,120 Speaker 1: that we had back in the day. But also it's 146 00:09:43,120 --> 00:09:45,720 Speaker 1: an adult beverage place and people go there and they 147 00:09:45,760 --> 00:09:48,839 Speaker 1: hang out, play games and socialize. I've been looking at 148 00:09:48,880 --> 00:09:50,840 Speaker 1: it and trying to find out what I can. Here's 149 00:09:50,880 --> 00:09:53,080 Speaker 1: what people say. I love it. I want to have 150 00:09:53,160 --> 00:09:56,719 Speaker 1: my birthday party here. Thanks to the bartender. We all 151 00:09:56,760 --> 00:10:01,200 Speaker 1: had a great time to services, great atmosphere, you're great 152 00:10:01,280 --> 00:10:06,800 Speaker 1: for a birthday party, awesome games, amazing staff. And many 153 00:10:06,840 --> 00:10:10,720 Speaker 1: people compare it to Dave and Busters. Are you guys 154 00:10:10,760 --> 00:10:13,400 Speaker 1: familiar with that. It's an arcade where I guess you 155 00:10:13,480 --> 00:10:16,960 Speaker 1: can drink and get bar food like wings. You're shaking 156 00:10:16,960 --> 00:10:20,280 Speaker 1: your head, yes, right, So that's what many people can 157 00:10:20,320 --> 00:10:23,960 Speaker 1: compare it too. And you know what's interesting to you, 158 00:10:24,320 --> 00:10:28,080 Speaker 1: Joe Scott Morgan, When you think of Dave and Busters, 159 00:10:28,160 --> 00:10:30,520 Speaker 1: you don't think of anything nefarious. I mean, I've taken 160 00:10:30,559 --> 00:10:33,679 Speaker 1: my children to Dave and Busters, yeah, yeah, you don't. 161 00:10:33,760 --> 00:10:35,800 Speaker 1: But the thing about it is is that you don't 162 00:10:35,800 --> 00:10:39,160 Speaker 1: know who is inhabiting those spaces with you. If you 163 00:10:39,640 --> 00:10:44,560 Speaker 1: want to sugar sent up your spot, particularly if you 164 00:10:44,679 --> 00:10:48,400 Speaker 1: have an environment where people's gay, people's guards down. Nancy, 165 00:10:48,640 --> 00:10:51,679 Speaker 1: you're playing games, you're distracted. I've been to David Busters. 166 00:10:51,679 --> 00:10:54,599 Speaker 1: They've got TVs everywhere. You can watch all kinds of games. 167 00:10:54,600 --> 00:10:59,400 Speaker 1: So if somebody is looking as a predator to target somebody, 168 00:10:58,920 --> 00:11:02,920 Speaker 1: it's a perfect hunting ground because you're completely taken unawares. 169 00:11:03,480 --> 00:11:07,000 Speaker 1: You've got her leaving as well, or did she take 170 00:11:07,000 --> 00:11:10,920 Speaker 1: a listen to our friends at w FAA Dallas. She 171 00:11:11,160 --> 00:11:13,400 Speaker 1: just never came back. And that's around the same time 172 00:11:13,400 --> 00:11:17,960 Speaker 1: also that we seem the last cell phone activity, last 173 00:11:18,000 --> 00:11:20,520 Speaker 1: time her demit carter was ever used. Are Sala's aunt 174 00:11:20,520 --> 00:11:24,120 Speaker 1: to Nestley Castillo said, Dallas police haven't started investigating. They're 175 00:11:24,120 --> 00:11:26,920 Speaker 1: desperate to find her niece. Well, she's not a new traveler, 176 00:11:27,240 --> 00:11:29,600 Speaker 1: which is why this is also odd to us that 177 00:11:29,679 --> 00:11:33,079 Speaker 1: this happened to her because she's always in contact, she's 178 00:11:33,080 --> 00:11:35,040 Speaker 1: always in concept of the family, at least one of 179 00:11:35,120 --> 00:11:37,439 Speaker 1: us letting us know what she's doing. So for us 180 00:11:37,440 --> 00:11:39,200 Speaker 1: to not know anything. She got off the face of 181 00:11:39,280 --> 00:11:44,480 Speaker 1: the earth, and it's completely you know, it's worrisome. We 182 00:11:44,520 --> 00:11:48,479 Speaker 1: know that something's wrong. After learning of his friend's disappearance. 183 00:11:48,720 --> 00:11:51,760 Speaker 1: She's just a good person. Helmbrecht made the two thousand 184 00:11:51,760 --> 00:11:54,520 Speaker 1: mile drive from Seattle. Just kind of been piecing together 185 00:11:54,679 --> 00:11:57,440 Speaker 1: like a bunch of videos, just going from bar to 186 00:11:57,480 --> 00:12:00,520 Speaker 1: bar and kind of just putting it together myself. He's 187 00:12:00,559 --> 00:12:03,800 Speaker 1: hoping posters and publicity helped bring Marie Sella home. We 188 00:12:03,960 --> 00:12:06,559 Speaker 1: just want some answers, at the very least, what's going 189 00:12:06,640 --> 00:12:11,800 Speaker 1: on where she's at. I'm thinking about what the aunt 190 00:12:11,920 --> 00:12:16,840 Speaker 1: said to judge and trial lawyer Court Tov anchor at 191 00:12:16,880 --> 00:12:21,440 Speaker 1: Ashley Wilcot dot com. Ashley Hugh and I have discussed 192 00:12:21,440 --> 00:12:24,600 Speaker 1: this on other occasions as it relates to proving a 193 00:12:24,679 --> 00:12:28,400 Speaker 1: case now for a lot of people. The fact that 194 00:12:28,440 --> 00:12:31,520 Speaker 1: the aunt says this isn't like her. She's always in 195 00:12:31,559 --> 00:12:35,120 Speaker 1: touch with family. I know something's wrong. We saw that 196 00:12:35,520 --> 00:12:40,360 Speaker 1: with Vanessa again and the fort Hood debacle where her 197 00:12:40,480 --> 00:12:46,600 Speaker 1: sister Marcel tells me that she excuse me. Her sister 198 00:12:46,679 --> 00:12:49,560 Speaker 1: Myra tells me that she knew that night, her and 199 00:12:49,600 --> 00:12:52,920 Speaker 1: her mom they knew something was wrong because they couldn't 200 00:12:52,960 --> 00:12:56,160 Speaker 1: get Vanessa on the phone and that was unlike her, 201 00:12:56,480 --> 00:13:00,200 Speaker 1: and as hours passed they knew something was wrong. I mean, 202 00:13:00,200 --> 00:13:02,520 Speaker 1: I'll drop everything if I can pick up if I 203 00:13:02,559 --> 00:13:09,160 Speaker 1: see a family member calling me. So it's called routine evidence, 204 00:13:09,200 --> 00:13:13,079 Speaker 1: and I don't mean it's ordinary. Routine evidence is very 205 00:13:13,160 --> 00:13:18,640 Speaker 1: valuable at trial. Ashley explain, sure, absolutely so. The routine evidence, 206 00:13:18,679 --> 00:13:21,240 Speaker 1: So the things that people do as a matter of 207 00:13:21,280 --> 00:13:24,800 Speaker 1: course in their every day that they can be relied 208 00:13:24,920 --> 00:13:29,280 Speaker 1: on to do, that's typical. So it's presenting evidence when 209 00:13:29,360 --> 00:13:32,959 Speaker 1: something out of the ordinary happens. And when a person 210 00:13:33,040 --> 00:13:36,000 Speaker 1: who's accustomed to reaching out to family on a super 211 00:13:36,160 --> 00:13:40,120 Speaker 1: regular basis stops doing it, that's what that is out 212 00:13:40,160 --> 00:13:44,600 Speaker 1: of the ordinary, and that's significant in terms of proving 213 00:13:45,800 --> 00:13:49,160 Speaker 1: something has happened, something is amiss. This is not what 214 00:13:49,280 --> 00:13:52,960 Speaker 1: she typically does in her everyday life. You know, there 215 00:13:53,040 --> 00:13:55,240 Speaker 1: is a program that my son loves. It is called 216 00:13:55,240 --> 00:13:59,720 Speaker 1: Brooklyn ninety nine and it's kind of a comedy about 217 00:14:00,040 --> 00:14:03,200 Speaker 1: the ninety ninth Precinct. In book Brooklyn the Cops and 218 00:14:03,280 --> 00:14:05,800 Speaker 1: they've got a very let me just say, buttoned up 219 00:14:06,160 --> 00:14:09,720 Speaker 1: commander and in an episode, John Dave was watching the 220 00:14:09,720 --> 00:14:15,480 Speaker 1: commander Captain Holt walks in wearing a red Derby hat. 221 00:14:16,400 --> 00:14:19,880 Speaker 1: I mean, he always has his shirt buttoned up to here. 222 00:14:19,880 --> 00:14:23,520 Speaker 1: He's very formal, and everybody actually stops what they're doing 223 00:14:23,720 --> 00:14:27,280 Speaker 1: and they watch him walk in. That may mean nothing 224 00:14:27,600 --> 00:14:32,360 Speaker 1: to investigators or anybody else, but that is not his routine. 225 00:14:32,400 --> 00:14:34,680 Speaker 1: That would be alike of Jackie here walked in one 226 00:14:34,760 --> 00:14:41,480 Speaker 1: morning and she had on a black sequined mermaid evening gown. No, 227 00:14:42,080 --> 00:14:46,160 Speaker 1: something would be horribly wrong. So, you know, when we're 228 00:14:46,200 --> 00:14:52,480 Speaker 1: talking about routine evidence, it's very significant. What else do 229 00:14:52,560 --> 00:14:56,560 Speaker 1: we know? We know that she's out of town to 230 00:14:56,720 --> 00:15:01,760 Speaker 1: doctor Debbie Joffe Ellis Psychologists joining US Columbia University at 231 00:15:01,800 --> 00:15:06,160 Speaker 1: Debbie Jaffeelis dot com. When you're out of town that 232 00:15:06,400 --> 00:15:10,320 Speaker 1: changes your routine? Does it not? Well? It often does. 233 00:15:10,440 --> 00:15:14,360 Speaker 1: It's her chance to enjoy greater freedom or doing things 234 00:15:14,400 --> 00:15:17,320 Speaker 1: you don't do normally. Do you know? Answer at Nancy. 235 00:15:17,360 --> 00:15:21,880 Speaker 1: While listening, I'm wondering whether anyone has asked any of 236 00:15:21,920 --> 00:15:26,040 Speaker 1: her family or close friends what was her mood like 237 00:15:26,680 --> 00:15:31,600 Speaker 1: before she traveled? Was she in a pretty stable state 238 00:15:31,640 --> 00:15:35,040 Speaker 1: of mind? Was she somewhat depressed? Why did she visit 239 00:15:35,480 --> 00:15:40,560 Speaker 1: her ex boyfriend? Was she nostalgic lonely? So I wonder 240 00:15:40,600 --> 00:15:46,280 Speaker 1: if that's been looked into, and might that lead investigators 241 00:15:46,360 --> 00:15:50,760 Speaker 1: to in addition to seeing if there any suspects and 242 00:15:50,960 --> 00:15:57,280 Speaker 1: how play consider whether she wandered off and was not 243 00:15:57,400 --> 00:16:00,640 Speaker 1: in a good space. Let's follow through what you're saying, 244 00:16:00,680 --> 00:16:05,560 Speaker 1: doctor Dabby to it's largical conclusion. Are you trying to say, 245 00:16:05,560 --> 00:16:07,640 Speaker 1: did she commit suicide? I mean, just come out with it. 246 00:16:07,720 --> 00:16:10,080 Speaker 1: Is that what you're saying? No, it's not what I'm saying. 247 00:16:10,240 --> 00:16:16,600 Speaker 1: What are you saying? I'm just suggesting another area to consider. 248 00:16:16,840 --> 00:16:20,840 Speaker 1: I don't have some notion this is what happened. But 249 00:16:21,040 --> 00:16:23,840 Speaker 1: you're saying what was her state of mind? Was she sad? 250 00:16:24,080 --> 00:16:26,920 Speaker 1: Does she wander off in a bad frame of mind? 251 00:16:27,080 --> 00:16:29,760 Speaker 1: So what's the largical conclusion to that question? What are 252 00:16:29,800 --> 00:16:32,440 Speaker 1: you asking? I'm sorry, I look at everything as it 253 00:16:32,600 --> 00:16:35,720 Speaker 1: is evidence. Okay, So what is that helping me prove 254 00:16:35,800 --> 00:16:39,040 Speaker 1: or disprove? Because I think you're on to something? Well, 255 00:16:39,080 --> 00:16:42,360 Speaker 1: what are you trying to tell me? So, in addition 256 00:16:42,440 --> 00:16:46,840 Speaker 1: to looking for suspects, it might be worthwhile to see 257 00:16:46,920 --> 00:16:52,000 Speaker 1: whether she acted in an irresponsible or reckless way. I 258 00:16:52,080 --> 00:16:55,680 Speaker 1: don't say that as a criticism of her, but sometimes 259 00:16:55,720 --> 00:16:59,560 Speaker 1: when people are depressed, they may or may not be suicidal, 260 00:17:00,040 --> 00:17:04,040 Speaker 1: but may not be mindful in what they do. So 261 00:17:04,080 --> 00:17:09,600 Speaker 1: you brought up suicidal Okay you did, Yes, I did so, 262 00:17:09,840 --> 00:17:14,199 Speaker 1: not mindful of what they do? Yeah, okay, let's try 263 00:17:14,280 --> 00:17:17,520 Speaker 1: to decipher what she is saying. Oh, Nancy, this is Ashley. 264 00:17:17,520 --> 00:17:20,440 Speaker 1: Can I jump in really quickly? Jump? I have to say, 265 00:17:20,440 --> 00:17:23,920 Speaker 1: do you remember the Runaway Bride and Jorge? Oh dear, 266 00:17:25,440 --> 00:17:28,080 Speaker 1: how can I ever forget Bart? Exactly? So, to me, 267 00:17:28,200 --> 00:17:30,359 Speaker 1: that's a good example of what the doctor was just saying. 268 00:17:30,359 --> 00:17:33,880 Speaker 1: Is that exactly she disappeared and everyone's like, oh my gosh, 269 00:17:33,920 --> 00:17:36,359 Speaker 1: something's happened to her. Well, guess what. She just chose 270 00:17:36,440 --> 00:17:41,280 Speaker 1: to run away exactly. So, Doctor Debbie Joffe ellis, under 271 00:17:41,359 --> 00:17:44,480 Speaker 1: an intense grilling by myself, has come up with two 272 00:17:44,560 --> 00:17:48,160 Speaker 1: theories that I can identify. One is what she depressed 273 00:17:48,200 --> 00:17:51,440 Speaker 1: a suicidal and the other did she intend to do 274 00:17:51,480 --> 00:17:55,000 Speaker 1: as I like to say, oh, walk about and just 275 00:17:55,240 --> 00:18:00,720 Speaker 1: lead just drop off the grid. It's possible. Take a 276 00:18:00,760 --> 00:18:05,280 Speaker 1: listen now to our friend Rebecca Oipez. It's one of 277 00:18:05,320 --> 00:18:08,360 Speaker 1: the most popular entertainment districts in Dallas. On the night 278 00:18:08,400 --> 00:18:11,520 Speaker 1: of October fourth, Mighty Sella Botello came here to deep 279 00:18:11,560 --> 00:18:14,239 Speaker 1: Ellam to hang out, and that's the last anyone has 280 00:18:14,280 --> 00:18:17,919 Speaker 1: seen of her. Her mom, as Nestina Valadez, says, every 281 00:18:18,000 --> 00:18:21,360 Speaker 1: day that passes is very difficult. Mighty Sella's family says 282 00:18:21,400 --> 00:18:24,359 Speaker 1: she flew to Dallas from Seattle to visit her ex boyfriend, 283 00:18:24,680 --> 00:18:27,320 Speaker 1: but she went to deep Ellam alone, taking a lift ride. 284 00:18:27,640 --> 00:18:29,600 Speaker 1: If she went to visit him, why did he let 285 00:18:29,680 --> 00:18:32,600 Speaker 1: her go alone that night? That's the number one question 286 00:18:32,680 --> 00:18:37,040 Speaker 1: I have. Police say her ex boyfriend is not a suspect. 287 00:18:37,200 --> 00:18:39,600 Speaker 1: Her family released a video they got from a bar 288 00:18:39,720 --> 00:18:43,600 Speaker 1: on Elm Street. They say surveillance cameras outside captured Mighty 289 00:18:43,640 --> 00:18:47,160 Speaker 1: Sella with an unknown man. Dallas police have not verified 290 00:18:47,200 --> 00:18:50,240 Speaker 1: the tape, but her family says it's her and the 291 00:18:50,320 --> 00:18:53,400 Speaker 1: man is the key to helping find her. Who is 292 00:18:53,600 --> 00:19:13,479 Speaker 1: this guy? Time Stories with Nancy Grace. Where is twenty 293 00:19:13,480 --> 00:19:18,879 Speaker 1: three year old Maricela Btello. She's absolutely stunning, long, beautiful, 294 00:19:19,000 --> 00:19:23,760 Speaker 1: dark hair, beautiful complexion. She looks like a model. The 295 00:19:24,080 --> 00:19:27,840 Speaker 1: family putting pressure on the ex boyfriend, Why did you 296 00:19:27,960 --> 00:19:31,160 Speaker 1: let her go out by herself. She's a grown woman. 297 00:19:31,520 --> 00:19:34,239 Speaker 1: She can go out if she wants. To explain Dave 298 00:19:34,320 --> 00:19:37,600 Speaker 1: Matt what happened, Nanthy, I understand that, you know saying, well, 299 00:19:37,680 --> 00:19:39,239 Speaker 1: she's a grown woman, can do what she wants. This 300 00:19:39,320 --> 00:19:42,160 Speaker 1: is a young woman who likes to travel. She traveled 301 00:19:42,200 --> 00:19:44,760 Speaker 1: to see her ex boyfriend, and when he didn't want 302 00:19:44,760 --> 00:19:46,400 Speaker 1: to go out, obviously, this is a woman that's got 303 00:19:46,400 --> 00:19:48,480 Speaker 1: her own mind. She got her own game plan here 304 00:19:48,640 --> 00:19:50,560 Speaker 1: and she said, I'm going out, he said I don't 305 00:19:50,560 --> 00:19:53,760 Speaker 1: want to. She goes anyway. This is a woman who 306 00:19:53,800 --> 00:19:55,800 Speaker 1: pops on a plane to go see an ex boyfriend 307 00:19:55,800 --> 00:19:58,600 Speaker 1: for the weekend. So probably not out of character for 308 00:19:58,680 --> 00:20:01,520 Speaker 1: her to just go do some being by herself. You know, 309 00:20:01,600 --> 00:20:04,399 Speaker 1: we're acting like she has to have a chaperone, but 310 00:20:04,840 --> 00:20:07,919 Speaker 1: reality check, this is twenty twenty. You don't need a 311 00:20:08,000 --> 00:20:10,640 Speaker 1: chaperone to go out to an arcade or throw back 312 00:20:10,640 --> 00:20:14,919 Speaker 1: a drink on your own. I get it. I have 313 00:20:15,160 --> 00:20:19,879 Speaker 1: preached to the choir a million times using cases chief 314 00:20:19,920 --> 00:20:25,160 Speaker 1: buyers like Natalie Holloway, who I personally think had been 315 00:20:25,200 --> 00:20:33,719 Speaker 1: given gsbu Gama hydroxy b rate and excuse me, I 316 00:20:33,760 --> 00:20:39,800 Speaker 1: don't think she realized the critical nature of leaving a 317 00:20:39,800 --> 00:20:43,000 Speaker 1: bar out of town with the guy she didn't know, 318 00:20:44,000 --> 00:20:48,040 Speaker 1: and ended up dead at the hands of yourn Vanderslute. 319 00:20:49,880 --> 00:20:55,399 Speaker 1: In this case, we know it's bad to leave a 320 00:20:55,400 --> 00:20:59,879 Speaker 1: bar with somebody you don't know, but it happens every night, 321 00:21:00,080 --> 00:21:03,200 Speaker 1: night of the year, Chris, it does. And yeah, it's 322 00:21:03,240 --> 00:21:07,440 Speaker 1: it's definitely something extremely dangerous, especially when you're in a town, 323 00:21:07,840 --> 00:21:09,720 Speaker 1: when you're when you're out of townting and you don't 324 00:21:10,119 --> 00:21:13,199 Speaker 1: you know, aren't its familiar with your surroundings. Um, you know, 325 00:21:13,320 --> 00:21:16,880 Speaker 1: you're talking to the FBI statistics stay about twenty five 326 00:21:16,960 --> 00:21:20,600 Speaker 1: hundred people go missing in the United States every day 327 00:21:20,640 --> 00:21:23,080 Speaker 1: every day. You know, you multiply that a parent sixty 328 00:21:23,119 --> 00:21:26,760 Speaker 1: five and there's a lot of a lot of nefarious 329 00:21:26,800 --> 00:21:29,679 Speaker 1: things going on. So it is never wise to go 330 00:21:29,760 --> 00:21:34,199 Speaker 1: out alone. I always have preached to my kids, my 331 00:21:34,320 --> 00:21:36,919 Speaker 1: son when he went off to college, always have a buddy, 332 00:21:37,119 --> 00:21:40,879 Speaker 1: Always have somebody to go with. Never walk alone. You know. Also, 333 00:21:41,000 --> 00:21:46,600 Speaker 1: I'm curious why to you, Jess got Morgan, the family 334 00:21:46,760 --> 00:21:51,360 Speaker 1: is the one getting the surveillance video from the arcade. 335 00:21:51,480 --> 00:21:54,200 Speaker 1: Why is it them and not the police? I can 336 00:21:54,200 --> 00:21:57,479 Speaker 1: tell you precisely why it is. Uh, you know, you 337 00:21:57,520 --> 00:21:59,960 Speaker 1: have so many of these missing persons calls that come in, 338 00:22:00,040 --> 00:22:04,000 Speaker 1: and the police departments too, they're not quick to react, 339 00:22:04,160 --> 00:22:08,159 Speaker 1: particularly in a city the size of Dallas. You know, 340 00:22:08,200 --> 00:22:10,800 Speaker 1: you can only imagine how many of these calls come in. 341 00:22:11,320 --> 00:22:14,439 Speaker 1: And the classic line has been, well, they're an adult. 342 00:22:14,520 --> 00:22:17,399 Speaker 1: We've already stated that they can make free will decisions. 343 00:22:18,600 --> 00:22:21,199 Speaker 1: She's she's a grown woman. She can go off and 344 00:22:21,240 --> 00:22:24,199 Speaker 1: do whatever she wants. That doesn't necessarily make this a 345 00:22:24,240 --> 00:22:27,880 Speaker 1: missing person's case the way we might define it as 346 00:22:28,000 --> 00:22:31,199 Speaker 1: a police department. So the families left with no choice. 347 00:22:31,480 --> 00:22:35,639 Speaker 1: They understand that she might be a very responsible person 348 00:22:35,720 --> 00:22:39,520 Speaker 1: and this she's acting outside of the norms. That's why, 349 00:22:39,560 --> 00:22:41,359 Speaker 1: you know, you start to think about all these things. 350 00:22:41,400 --> 00:22:44,600 Speaker 1: You know, as as an investigator, you think about things like, well, 351 00:22:44,760 --> 00:22:47,240 Speaker 1: my god, did she go ahead and commit suicide? Did 352 00:22:47,280 --> 00:22:50,960 Speaker 1: somebody's snatch her? You know what, she didn't just vanish 353 00:22:51,040 --> 00:22:54,680 Speaker 1: and to thin air. So the onust comes onto the shoulders. 354 00:22:54,680 --> 00:22:57,040 Speaker 1: How many times have we heard this, you know, even 355 00:22:57,080 --> 00:22:59,800 Speaker 1: with a ford Hood cases, Nancy, how many times we 356 00:23:00,000 --> 00:23:02,679 Speaker 1: hear this where it falls to the family to have 357 00:23:02,880 --> 00:23:05,639 Speaker 1: to take the initiative with the case. Let's look at 358 00:23:05,680 --> 00:23:08,200 Speaker 1: what we know. We also know that all of her 359 00:23:08,240 --> 00:23:12,280 Speaker 1: belongings were still back at the ex boyfriend's place. He 360 00:23:12,359 --> 00:23:14,760 Speaker 1: says he simply did not want to go out that night. 361 00:23:14,880 --> 00:23:18,400 Speaker 1: She wanted to go to Deep Ellum. It's a popular 362 00:23:19,040 --> 00:23:23,520 Speaker 1: night life area there in Dallas. Everything was still there 363 00:23:23,600 --> 00:23:27,600 Speaker 1: except for two things, her cell phone and her debit card. 364 00:23:29,040 --> 00:23:32,280 Speaker 1: That tells me she was planning on coming back. Now 365 00:23:32,400 --> 00:23:34,919 Speaker 1: to you, Joe Scott, what does that tell you? Yeah, 366 00:23:35,119 --> 00:23:39,160 Speaker 1: it means that she's not planning on, you know, leaving 367 00:23:39,280 --> 00:23:42,440 Speaker 1: town anytime soon. She's going out for an evening. Yeah. 368 00:23:42,440 --> 00:23:44,880 Speaker 1: It's like when we go out, you know, my wife 369 00:23:44,880 --> 00:23:46,359 Speaker 1: and I go out for dinner, I don't pack a 370 00:23:46,400 --> 00:23:49,400 Speaker 1: bag before a plan of coming back to my home. 371 00:23:49,560 --> 00:23:52,480 Speaker 1: If we're on vacation somewhere, I'm coming back to get 372 00:23:52,520 --> 00:23:54,840 Speaker 1: my stuff, all right, But we're just gonna go out. 373 00:23:54,880 --> 00:23:56,919 Speaker 1: I got my debit card with me, I got my 374 00:23:56,960 --> 00:23:59,520 Speaker 1: phone with me, we got the car keys. We're gonna 375 00:23:59,560 --> 00:24:02,680 Speaker 1: go out for nice evening. So that tells us quite 376 00:24:02,720 --> 00:24:05,280 Speaker 1: a bit. These things that she brought with her, and 377 00:24:05,320 --> 00:24:07,760 Speaker 1: granted she didn't bring her whole house with her from Seattle. 378 00:24:08,080 --> 00:24:11,840 Speaker 1: These are things that she valued, okay, because she brought 379 00:24:11,920 --> 00:24:15,680 Speaker 1: them with her on a two thousand mile journey to Dallas. 380 00:24:15,720 --> 00:24:19,119 Speaker 1: So you would think the right thinking person would think, well, 381 00:24:19,200 --> 00:24:20,679 Speaker 1: she's going to go back and pick this stuff up 382 00:24:20,720 --> 00:24:22,840 Speaker 1: before she bounces out of town. I'm looking at her 383 00:24:22,920 --> 00:24:28,560 Speaker 1: right now. She's got I would say, chest length, dark 384 00:24:28,760 --> 00:24:32,440 Speaker 1: brown hair, very dark brown eyes. She has her hair 385 00:24:32,640 --> 00:24:36,399 Speaker 1: up and kind of a bun that then it cascades down. 386 00:24:37,680 --> 00:24:43,320 Speaker 1: She is wearing a shiny, sleeveless purple top and it 387 00:24:43,320 --> 00:24:47,159 Speaker 1: looks like a black skirt. That's what she's wearing the 388 00:24:47,320 --> 00:24:51,680 Speaker 1: night that she was last seen alive there in Dallas. 389 00:24:51,720 --> 00:24:55,800 Speaker 1: She has with her her white cell phone, and somewhere 390 00:24:55,840 --> 00:24:59,000 Speaker 1: on her person is her debit card that she used 391 00:24:59,080 --> 00:25:02,119 Speaker 1: as a debit card a card take a listen to 392 00:25:02,440 --> 00:25:05,560 Speaker 1: Dave Matt Maricello. Botello went on a plan trip to 393 00:25:05,640 --> 00:25:08,199 Speaker 1: Dallas on October second to see an ex boyfriend and 394 00:25:08,280 --> 00:25:11,359 Speaker 1: was scheduled to return to Seattle, Washington Monday, October fifth. 395 00:25:11,720 --> 00:25:14,560 Speaker 1: When she didn't arrive, her family started looking for her. 396 00:25:14,560 --> 00:25:17,000 Speaker 1: And what they have found is this. Her family has 397 00:25:17,000 --> 00:25:19,080 Speaker 1: a lift re seat showing she was dropped off on 398 00:25:19,119 --> 00:25:22,639 Speaker 1: Elm Street. Just after midnight Monday morning, October fifth, she 399 00:25:22,760 --> 00:25:25,880 Speaker 1: went to a bar cult like start, and surveillance video 400 00:25:25,920 --> 00:25:29,240 Speaker 1: captured her leaving the bar wearing a purple dress. According 401 00:25:29,280 --> 00:25:33,639 Speaker 1: to Maricela's aunt, Danesly Castile, the surveillance video shows Maricela 402 00:25:33,760 --> 00:25:36,439 Speaker 1: leaving with an unknown mail and it's time stamped at 403 00:25:36,480 --> 00:25:39,480 Speaker 1: one fifteen am. Further, the Anne was able to get 404 00:25:39,520 --> 00:25:42,640 Speaker 1: into her niece's T mobile account and determined that Botello 405 00:25:42,800 --> 00:25:45,680 Speaker 1: used her phone at about four am. According to Castillo, 406 00:25:45,960 --> 00:25:48,040 Speaker 1: there has been no activity on her cell phone or 407 00:25:48,119 --> 00:25:51,520 Speaker 1: bank cards since then. You know, I'm curious to just 408 00:25:51,680 --> 00:25:55,439 Speaker 1: got morgun Professor Forensics, Jacksonville State University, if we know 409 00:25:55,640 --> 00:25:58,280 Speaker 1: her last card. By the way, she only stayed in 410 00:25:58,280 --> 00:26:01,480 Speaker 1: the arcade for about one hour, isn't that right, Jackie? 411 00:26:01,680 --> 00:26:04,879 Speaker 1: About one hour? And from what I can see in 412 00:26:04,880 --> 00:26:08,159 Speaker 1: the photo, it's a purple top and a black skirt. 413 00:26:08,320 --> 00:26:10,080 Speaker 1: Check that out, jack and see if you're seeing the 414 00:26:10,119 --> 00:26:12,520 Speaker 1: same way I'm seeing it. Not a purple dress. But 415 00:26:12,960 --> 00:26:17,120 Speaker 1: back to the cell phone. If she used her cell 416 00:26:17,119 --> 00:26:20,480 Speaker 1: phone at four am, is there some reason j Scott 417 00:26:20,520 --> 00:26:23,040 Speaker 1: Morgan that we can't figure out who she called? I 418 00:26:23,119 --> 00:26:25,520 Speaker 1: wouldn't think so, Nancy. If you can go back and 419 00:26:25,560 --> 00:26:29,800 Speaker 1: you can pull those records provided by you know, by 420 00:26:29,840 --> 00:26:32,160 Speaker 1: the company, as those things are bouncing off the tower, 421 00:26:32,400 --> 00:26:34,919 Speaker 1: they got to go somewhere, all right. So if you 422 00:26:34,920 --> 00:26:37,520 Speaker 1: can pull that list of numbers, it would be pretty 423 00:26:37,560 --> 00:26:40,800 Speaker 1: simple to kind of track that information down. And that's 424 00:26:40,800 --> 00:26:42,280 Speaker 1: going to be a big key here. You know, who 425 00:26:42,320 --> 00:26:44,480 Speaker 1: the hell you're going to call at that time of 426 00:26:44,560 --> 00:26:49,000 Speaker 1: the morning, or well somebody else calling it. And also 427 00:26:49,080 --> 00:26:52,879 Speaker 1: you combine that information would say, for instance, where the 428 00:26:52,880 --> 00:26:56,080 Speaker 1: phone was paying at that particular time, you know, get 429 00:26:56,119 --> 00:26:59,440 Speaker 1: that triangulated space in there, try to find out where 430 00:26:59,480 --> 00:27:02,760 Speaker 1: geograph ethically, the phone, not her, but the phone is 431 00:27:02,840 --> 00:27:06,800 Speaker 1: located when it does ring. Okay, Jackie's telling me that 432 00:27:06,920 --> 00:27:11,240 Speaker 1: is a shadow in the picture. It is one full dress, 433 00:27:11,560 --> 00:27:14,439 Speaker 1: a purple dress. Now that you're saying that in another photo, 434 00:27:14,480 --> 00:27:19,960 Speaker 1: I can see it's a dress, a solid purple, deep purple, 435 00:27:20,200 --> 00:27:23,440 Speaker 1: kind of a metallic looking dress. So we know her 436 00:27:23,440 --> 00:27:26,840 Speaker 1: phone is still working at four am. I'm curious do 437 00:27:26,920 --> 00:27:30,320 Speaker 1: we know to Dave mac Weather, cops are have continued 438 00:27:30,359 --> 00:27:34,080 Speaker 1: to triangulate it after the night she went missing. Where 439 00:27:34,200 --> 00:27:37,320 Speaker 1: was it used at four am? Was it there near 440 00:27:37,359 --> 00:27:40,320 Speaker 1: the bar. We absolutely know nothing from the police with 441 00:27:40,440 --> 00:27:44,359 Speaker 1: regard to that phone. Nancy, we got that information from 442 00:27:44,960 --> 00:27:47,440 Speaker 1: the end Vanestlie to steal. She's the one who said 443 00:27:47,520 --> 00:27:51,560 Speaker 1: she was able to access the phone and her snapchat 444 00:27:51,600 --> 00:27:54,240 Speaker 1: and other things. We're not getting that from the police. 445 00:27:54,520 --> 00:27:59,000 Speaker 1: Take a listen to this. Marisella Botello's family tells Dayline 446 00:27:59,160 --> 00:28:01,080 Speaker 1: that the twenty three year old went missing on the 447 00:28:01,160 --> 00:28:04,400 Speaker 1: last night of her trip, Sunday, October fourth. Her aunt says, 448 00:28:04,480 --> 00:28:07,000 Speaker 1: because it was her last night in Dallas, Betela wanted 449 00:28:07,040 --> 00:28:09,560 Speaker 1: to go out, but the ex boyfriend wanted to stay home, 450 00:28:09,680 --> 00:28:12,480 Speaker 1: so she went alone. Betela didn't return to her ex 451 00:28:12,520 --> 00:28:16,720 Speaker 1: boyfriend's house that night. Worried, he called her parents. Her belongings, 452 00:28:16,800 --> 00:28:19,520 Speaker 1: except for her cell phone and debit card, are still there. 453 00:28:19,760 --> 00:28:22,240 Speaker 1: Botela's father and aunt flew to Dallas to file a 454 00:28:22,240 --> 00:28:42,120 Speaker 1: missing person's report. Crime Stories with Nancy Grace. Guys are 455 00:28:42,120 --> 00:28:45,720 Speaker 1: talking about the disappearance of a gorgeous young girl, Marisella Betela, 456 00:28:45,720 --> 00:28:49,480 Speaker 1: age twenty three tipline two one four six seven one 457 00:28:49,880 --> 00:28:54,080 Speaker 1: four two six eight repeat two one four six seven 458 00:28:54,200 --> 00:29:03,160 Speaker 1: one four two six eight. Where is Marasella interesting? Straight 459 00:29:03,160 --> 00:29:07,000 Speaker 1: out to Chris Buyers, Foreign Police Chief John's Creek now 460 00:29:07,080 --> 00:29:11,760 Speaker 1: PI Chief Buyers. The reality is I believe if the 461 00:29:11,840 --> 00:29:16,239 Speaker 1: ex boyfriend had anything to do with Marcella's disappearance, he 462 00:29:16,280 --> 00:29:20,080 Speaker 1: would not be calling her parents and raising the alarm 463 00:29:20,120 --> 00:29:23,080 Speaker 1: that she's missing. Yeah, totally agree with that, and I'm 464 00:29:23,120 --> 00:29:27,400 Speaker 1: sure investigators he's the first person that they looked into. 465 00:29:27,960 --> 00:29:29,440 Speaker 1: Just like if you get a call to a home 466 00:29:29,480 --> 00:29:31,280 Speaker 1: of a missing child, the first thing you do is 467 00:29:31,320 --> 00:29:33,880 Speaker 1: you search their bedroom and then you work your way out. 468 00:29:34,120 --> 00:29:36,520 Speaker 1: The same thing with suspects. You find those closest to 469 00:29:36,600 --> 00:29:39,040 Speaker 1: him who had contacts, and you begin to work your 470 00:29:39,080 --> 00:29:42,640 Speaker 1: way out. But I would completely agree that it makes 471 00:29:42,800 --> 00:29:45,920 Speaker 1: him sound like he is not a suspect. I'm very curious. 472 00:29:46,040 --> 00:29:50,280 Speaker 1: I get the sense that this case is not a 473 00:29:50,320 --> 00:29:54,080 Speaker 1: priority there with the Dallas PD, and I don't know 474 00:29:54,200 --> 00:29:58,240 Speaker 1: why we're finding out more from the family than we're 475 00:29:58,280 --> 00:30:00,800 Speaker 1: finding out from police. I mean, if she's caught on 476 00:30:01,080 --> 00:30:06,160 Speaker 1: video leaving the arcade after one hour with a guy 477 00:30:06,680 --> 00:30:11,840 Speaker 1: that is not the boyfriend, then who's the guy? Can't 478 00:30:11,880 --> 00:30:16,120 Speaker 1: we tell from credit card receives or transactions or close 479 00:30:16,160 --> 00:30:19,960 Speaker 1: circuit TV inside the arcade who she was with? Who 480 00:30:20,040 --> 00:30:22,640 Speaker 1: she shuck up a conversation with. Can't we get an 481 00:30:22,680 --> 00:30:25,120 Speaker 1: idea of how tall he is, how much he weighs, 482 00:30:25,400 --> 00:30:27,560 Speaker 1: what color he is, what color his hair is, what 483 00:30:27,680 --> 00:30:31,959 Speaker 1: he was wearing. I mean, Joe Scott Morgan. It's not 484 00:30:32,160 --> 00:30:35,719 Speaker 1: rocket science, Okay. For instance, if Jackie were walking out 485 00:30:35,720 --> 00:30:37,640 Speaker 1: of the studio door right now, and I took a 486 00:30:37,680 --> 00:30:41,600 Speaker 1: picture of it, I could then measure the door and 487 00:30:41,720 --> 00:30:46,400 Speaker 1: figure out exactly how tall, exactly how tall Jackie is. 488 00:30:46,840 --> 00:30:50,160 Speaker 1: I could then figure out how much she weighed. I 489 00:30:50,160 --> 00:30:52,479 Speaker 1: could see what color she is, what color her hair is. 490 00:30:52,800 --> 00:30:57,960 Speaker 1: There's gotta be cameras inside that arcade. Why aren't we 491 00:30:58,040 --> 00:31:02,520 Speaker 1: hearing about who this guy is? Well, you're absolutely right. However, 492 00:31:03,080 --> 00:31:07,360 Speaker 1: oh there you go. I gotta say, Nancy, I don't 493 00:31:07,400 --> 00:31:11,320 Speaker 1: put a lot of faith in CCTV footage, particularly when 494 00:31:11,320 --> 00:31:14,120 Speaker 1: it comes to being inside of a bar. All right. 495 00:31:14,960 --> 00:31:17,680 Speaker 1: You know we talked about David Busters or places like 496 00:31:17,840 --> 00:31:20,880 Speaker 1: that earlier. Yeah, you got TV screens that are up, 497 00:31:20,920 --> 00:31:23,440 Speaker 1: and you've got ambient light that's coming off. But for 498 00:31:23,480 --> 00:31:26,080 Speaker 1: the most part, there's a lot of dark areas in there, 499 00:31:26,120 --> 00:31:29,360 Speaker 1: so it's really hard to pick up on specific details. However, 500 00:31:29,560 --> 00:31:32,040 Speaker 1: you know, what I wonder watching what you're saying. I 501 00:31:32,080 --> 00:31:36,320 Speaker 1: don't like it because think about the case of Savannah Spurlock. 502 00:31:37,280 --> 00:31:41,400 Speaker 1: Remember she walked out and we see the purp Okay, 503 00:31:41,600 --> 00:31:46,400 Speaker 1: think about wrong Way, Lois Reese. She was spotted in 504 00:31:46,640 --> 00:31:51,920 Speaker 1: many establishments on surveillance video at darkened bars, as you 505 00:31:51,960 --> 00:31:54,720 Speaker 1: were saying, and I could clearly see her sitting at 506 00:31:54,720 --> 00:31:58,880 Speaker 1: a bar chatting up her next victim, a doppel gang 507 00:31:58,960 --> 00:32:02,000 Speaker 1: or that looks a lot like her, Lois Reese. Yeah, 508 00:32:02,360 --> 00:32:06,760 Speaker 1: it's not perfect. It's not at you know, a portrait studio. 509 00:32:07,160 --> 00:32:09,760 Speaker 1: But I can see if the person is white, black, 510 00:32:10,200 --> 00:32:13,320 Speaker 1: maybe I can tell more about them based on where 511 00:32:13,320 --> 00:32:15,440 Speaker 1: they're standing or sitting. I can tell how tall they are. 512 00:32:15,920 --> 00:32:17,640 Speaker 1: I can tell if it's a man or a woman. 513 00:32:17,680 --> 00:32:20,240 Speaker 1: I can tell what color their hair is, what generally 514 00:32:20,280 --> 00:32:23,640 Speaker 1: they're wearing. Come on, why are you? Why are you 515 00:32:23,760 --> 00:32:26,360 Speaker 1: whipping out on me? J Scott Morgan, Well, you know 516 00:32:26,480 --> 00:32:28,400 Speaker 1: I'm trying to give you somebody to beat up on 517 00:32:28,440 --> 00:32:32,080 Speaker 1: here today. Nancy. Yeah, hell, I gotta tell. I mean, 518 00:32:32,120 --> 00:32:34,680 Speaker 1: don't you remember that Survellis video of Tom mom JC 519 00:32:34,800 --> 00:32:38,000 Speaker 1: Anthony buying the push up bras and the beer while 520 00:32:38,480 --> 00:32:41,800 Speaker 1: I was missing that was great Survillis video. Plus you 521 00:32:41,880 --> 00:32:44,520 Speaker 1: used it for a check. Well, yeah, and you can 522 00:32:44,520 --> 00:32:47,480 Speaker 1: tie those things back together. And wouldn't it be interesting 523 00:32:47,600 --> 00:32:53,360 Speaker 1: that if you had a time stamp on this CCTV footage, 524 00:32:53,680 --> 00:32:57,480 Speaker 1: if there was, you could look back to all of say, 525 00:32:57,520 --> 00:33:02,240 Speaker 1: for instance, the transactions electronic transaction that took place in 526 00:33:02,280 --> 00:33:05,080 Speaker 1: that bar at that specific time. You know, we're handing 527 00:33:05,080 --> 00:33:07,200 Speaker 1: over your card, you're using it, and you can kind 528 00:33:07,200 --> 00:33:10,320 Speaker 1: of pair those up. Now back to the physical description, Yeah, 529 00:33:10,560 --> 00:33:13,120 Speaker 1: you can come up with maybe a generalized description of 530 00:33:13,160 --> 00:33:16,640 Speaker 1: the individuals. If the footage is not good. You can 531 00:33:16,640 --> 00:33:20,040 Speaker 1: do height. You can even do like width of shoulders. 532 00:33:20,120 --> 00:33:24,080 Speaker 1: You know, you can talk about hair color. Now you're 533 00:33:24,120 --> 00:33:27,880 Speaker 1: telling me something. Don't make me hold you in contipt, 534 00:33:27,960 --> 00:33:31,080 Speaker 1: Joseph Scott Morgan. You know it's serious when I say, Joseph, 535 00:33:31,200 --> 00:33:33,760 Speaker 1: you're right. You can tell with the shoulders, you know 536 00:33:33,840 --> 00:33:37,320 Speaker 1: the truth. You can tell shoe size, you certainly can 537 00:33:38,960 --> 00:33:41,640 Speaker 1: go ahead. Yeah, by the relative space of everything else. 538 00:33:41,760 --> 00:33:44,640 Speaker 1: Let's say, for instance, that we have a marker, for instance, 539 00:33:44,720 --> 00:33:47,760 Speaker 1: like a bar stool, Well, we know what type of 540 00:33:47,760 --> 00:33:49,760 Speaker 1: bar stool that is, and we can look at that 541 00:33:49,800 --> 00:33:53,400 Speaker 1: and we understand the width between the legs. Say, for instance, 542 00:33:53,440 --> 00:33:57,160 Speaker 1: if the tube in this instance is immediately adjacent to that, 543 00:33:57,280 --> 00:33:59,600 Speaker 1: you can do kind of a compare and contrast here, 544 00:34:00,240 --> 00:34:03,120 Speaker 1: what's going to put us in the ballpark? And so yeah, 545 00:34:03,160 --> 00:34:06,800 Speaker 1: that's quite possible. And this goes back to this practice 546 00:34:06,840 --> 00:34:10,040 Speaker 1: with in forensics, it's called biometrics. You know, you hear 547 00:34:10,040 --> 00:34:12,760 Speaker 1: about it relative to the face, where you can police 548 00:34:12,760 --> 00:34:15,800 Speaker 1: dimensions off and it's very specific, but you can also 549 00:34:16,239 --> 00:34:21,600 Speaker 1: biometrically evaluate an individual by these dimensions of their body 550 00:34:21,800 --> 00:34:25,640 Speaker 1: arm linked, shoulder, shoulder with even way sauce to a 551 00:34:25,680 --> 00:34:29,560 Speaker 1: certain to a certain degree. Take a listen to this. 552 00:34:30,360 --> 00:34:33,120 Speaker 1: During the search for Marisella Botella, the family has been 553 00:34:33,160 --> 00:34:36,160 Speaker 1: able to access her email, social media and bank accounts. 554 00:34:36,400 --> 00:34:38,760 Speaker 1: They discovered a lifter re seat showing she was dropped 555 00:34:38,800 --> 00:34:41,200 Speaker 1: off on Elm Street in the Deep Elam area just 556 00:34:41,320 --> 00:34:45,080 Speaker 1: after midnight on Monday, October fifth. Herrant Denesse La Castillo 557 00:34:45,400 --> 00:34:49,080 Speaker 1: says security video from outside the Select Start bar shows 558 00:34:49,120 --> 00:34:51,680 Speaker 1: an unknown man who they believe to be the person 559 00:34:51,760 --> 00:34:55,239 Speaker 1: Botela left the bar with at one fifteen am. Botella's 560 00:34:55,280 --> 00:34:58,680 Speaker 1: camera roll and Snapchat account have pictures of her wearing 561 00:34:58,719 --> 00:35:02,400 Speaker 1: a purple dress the same dress seen in the surveillance video. 562 00:35:03,560 --> 00:35:07,560 Speaker 1: Did he buy her a drink? Did he slip GHB 563 00:35:07,920 --> 00:35:11,920 Speaker 1: in the drink? What many people think happened to for instance, 564 00:35:12,320 --> 00:35:17,759 Speaker 1: Natalie Holloway, Josh S. Gott Morgan. What does gama hydroxybuterated 565 00:35:18,000 --> 00:35:22,120 Speaker 1: to your system? That's something that we refer to as 566 00:35:22,160 --> 00:35:25,479 Speaker 1: a hypnotic nancy. It can actually drive your system down 567 00:35:25,719 --> 00:35:29,400 Speaker 1: and your awareness of your surroundings so that the individual 568 00:35:29,480 --> 00:35:35,080 Speaker 1: almost becomes in a zombie like condition. They're easily easily manipulated. 569 00:35:35,480 --> 00:35:38,280 Speaker 1: You can guide them around almost like a small child. 570 00:35:38,640 --> 00:35:43,560 Speaker 1: Some people and in many cases find themselves losing total consciousness, 571 00:35:43,560 --> 00:35:45,719 Speaker 1: but they still haven't awareness. There are any number of 572 00:35:45,800 --> 00:35:49,120 Speaker 1: stories out there where these poor women that are applied 573 00:35:49,160 --> 00:35:52,359 Speaker 1: with the strug will kind of have this moment where 574 00:35:52,360 --> 00:35:54,360 Speaker 1: they come to and they realize can you imagine this 575 00:35:55,160 --> 00:35:58,359 Speaker 1: where they realize they're actually being sexually assaulted and there's 576 00:35:58,520 --> 00:36:00,719 Speaker 1: nothing they can do about it. It's almost like their 577 00:36:00,760 --> 00:36:04,200 Speaker 1: limbs are frozen. It almost works like a sedative that 578 00:36:04,239 --> 00:36:07,080 Speaker 1: would be applied to somebody prior to surgery. You know, 579 00:36:07,120 --> 00:36:11,359 Speaker 1: when you're ramping up into anesthesia, you know what you're 580 00:36:11,400 --> 00:36:15,120 Speaker 1: saying reminds me of what many of Bill Cosby's victims 581 00:36:15,160 --> 00:36:19,680 Speaker 1: said how they felt after he had given them a qualude. 582 00:36:19,920 --> 00:36:22,640 Speaker 1: Do you remember that, Joe Scott? Yes, I do, Nancy, 583 00:36:22,719 --> 00:36:26,520 Speaker 1: And it works much the same way, only now with 584 00:36:26,680 --> 00:36:29,600 Speaker 1: this generation of drugs. You know you commonly here refer 585 00:36:29,680 --> 00:36:33,759 Speaker 1: too as we're hibb and all. It's much much more 586 00:36:33,840 --> 00:36:38,000 Speaker 1: fast acting. And keep this in mind, it's odorless, it's colorless, 587 00:36:38,280 --> 00:36:40,360 Speaker 1: and it can be applied in liquids. So if you 588 00:36:40,400 --> 00:36:43,840 Speaker 1: take this and you just put the smallest dropper amount 589 00:36:44,160 --> 00:36:46,840 Speaker 1: into a drink, so you're just kind of cruising up 590 00:36:46,880 --> 00:36:50,520 Speaker 1: beside her at the bar, you drop this into her 591 00:36:50,600 --> 00:36:52,759 Speaker 1: drink that she's sipping on. She's not going to have 592 00:36:52,760 --> 00:36:54,640 Speaker 1: an awareness that this thing that's going to hit her. 593 00:36:54,880 --> 00:36:57,840 Speaker 1: But the individual is using this is practiced at it, Nancy. 594 00:36:57,960 --> 00:37:01,280 Speaker 1: They're practiced at it, so they can actually almost predict 595 00:37:01,719 --> 00:37:04,799 Speaker 1: what is going to happen in this short period of Tom. 596 00:37:04,880 --> 00:37:07,200 Speaker 1: Now they've got their arm around her almost it looks 597 00:37:07,200 --> 00:37:10,520 Speaker 1: like they're in an intimate setting together because the person's 598 00:37:10,560 --> 00:37:14,560 Speaker 1: not fighting that you know that he's embracing at that moment, Tom, 599 00:37:14,719 --> 00:37:16,880 Speaker 1: and you can literally walk him out the door to 600 00:37:17,120 --> 00:37:21,600 Speaker 1: doctor W. Joffe Ella, Psychologist, Professor, Columbia University, Doctor Debbie, 601 00:37:21,600 --> 00:37:25,520 Speaker 1: there's also the possibility that this guy was charming and 602 00:37:25,719 --> 00:37:31,280 Speaker 1: she felt safe leaving with him. That is a great possibility. 603 00:37:31,320 --> 00:37:36,200 Speaker 1: You know, people who have psychopathic tendencies can be incredibly charming. 604 00:37:37,080 --> 00:37:42,759 Speaker 1: And if someone there is in a state of I 605 00:37:42,840 --> 00:37:45,520 Speaker 1: want to have fun, they're not going to think things 606 00:37:45,640 --> 00:37:50,400 Speaker 1: through or necessarily be suspicious. They're charmed. So yeah, that 607 00:37:50,600 --> 00:37:53,319 Speaker 1: is a likelihood. And the reality is she is a 608 00:37:53,360 --> 00:37:56,799 Speaker 1: young girl. She's just twenty three years old, out in 609 00:37:56,880 --> 00:38:01,439 Speaker 1: a strange city, not her home, although she's traveled a lot. Yeah. Yeah, 610 00:38:01,560 --> 00:38:06,320 Speaker 1: George Bernard Shure that has once wrote used his waisted 611 00:38:06,360 --> 00:38:09,719 Speaker 1: on the young, And I know when I was young, 612 00:38:10,040 --> 00:38:12,880 Speaker 1: you know, you feel you can tend to feel invincible. 613 00:38:13,080 --> 00:38:17,160 Speaker 1: You don't think ahead of what might happen, you know, 614 00:38:17,239 --> 00:38:21,080 Speaker 1: true orris were never spoken, Doctor Debbie Joffe Ellis. And 615 00:38:21,120 --> 00:38:23,480 Speaker 1: I'm thinking about her all dressed up in her a 616 00:38:23,560 --> 00:38:26,960 Speaker 1: cute little purple dress that night, going out to see 617 00:38:27,000 --> 00:38:32,800 Speaker 1: the town. Where is this girl? Marisella Bateello to applyne 618 00:38:32,880 --> 00:38:37,160 Speaker 1: two on four six seven one two sixty eight. We 619 00:38:37,280 --> 00:38:41,560 Speaker 1: wait as justice unfalse Nancy Gray's crime story, signing off 620 00:38:42,120 --> 00:38:42,840 Speaker 1: goodbye friend,