WEBVTT - Symba Talks "Results Take Time", Working With Dr. Dre, Label Switch, & More

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<v Speaker 1>Wait that ass up in the morning Breakfast Club Morning,

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<v Speaker 1>everybody is DJ Envy, Angela Yee, Charlemagne the guy. We

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<v Speaker 1>are to Breakfast Club. We got a special guest in

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<v Speaker 1>the building that Angela is already offering alcohol. Yes, well

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<v Speaker 1>he's already still drunk from last night. So you know

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<v Speaker 1>what they say that I'm taking all shots to do

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<v Speaker 1>another one. Come on, let's do Simba, ladies and gentlemen,

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<v Speaker 1>Let's do it. Man. Simba is one of the most

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<v Speaker 1>phenomenal lyricists rapping today. First and that is not an understatement.

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<v Speaker 1>First off, I got to send this shout out to

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<v Speaker 1>my dog because you've been supporting me for a minute,

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<v Speaker 1>and it's it's a lot of people that's, you know,

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<v Speaker 1>at your stature, that feel like they gotta wait to

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<v Speaker 1>something blow up to post it or support somebody. So

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<v Speaker 1>I truly respect you on another level, not only just

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<v Speaker 1>what you did for me, what you do in the

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<v Speaker 1>therapy community, your book, everything. I really got a lot

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<v Speaker 1>of respect for you YouTube. I respect what you do

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<v Speaker 1>a lot. And also my wiffle color a friend over.

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<v Speaker 1>He's a legend in the game. And I saw Dave

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<v Speaker 1>Chappelle showing you a lot of love too. That's my guy,

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<v Speaker 1>that's my god. Dave actually brought me on stage. He

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<v Speaker 1>had me like rapping for ten minutes or one of

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<v Speaker 1>the specials. I think it's about to come out soon.

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<v Speaker 1>How you meet Dave? Just so. I got a friend

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<v Speaker 1>named Bum who I know through my homie cast and

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<v Speaker 1>he works with Dave a lot, and he sent Dave

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<v Speaker 1>one of my freestyles. So Dave had like this, uh

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<v Speaker 1>this premiere he was doing in Los Angeles. He was like, Mandell,

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<v Speaker 1>somebody come tell her nigga pull up. So I came

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<v Speaker 1>through and then we had a good night. We had

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<v Speaker 1>a few drinks, and then he went back to the

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<v Speaker 1>comedy store to do like a little private show. And

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<v Speaker 1>then I'm just sitting on side of the stage. He

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<v Speaker 1>was like, somebody, nigga come up here and rap. So

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<v Speaker 1>I went up there a rap for like ten minutes.

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<v Speaker 1>So it was it was dope shut out to Dave Man.

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<v Speaker 1>And it's not the fact that you just you can

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<v Speaker 1>wrap that. You always have socially redeeming value in your wraps,

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<v Speaker 1>Like there's always some content in that that makes you

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<v Speaker 1>think when you that big meatch line, when you say

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<v Speaker 1>big meat changed somewhere dope and Big Farmer Like god

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<v Speaker 1>d I got that from. I shouldn't even be shouting

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<v Speaker 1>them out because I'm giving them a free ad. Uh,

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<v Speaker 1>y'all seem Dope Sick Hulu. It's a show called Dope

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<v Speaker 1>Sick on Hulu and it's about basically how they created

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<v Speaker 1>oxycotton and it was showing how many people die from

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<v Speaker 1>how it was prescribed. So they was trying to basically

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<v Speaker 1>say that people was abusing the drug, but really they

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<v Speaker 1>was taking the drug to how I was prescribed to

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<v Speaker 1>them and people was dying from it in the eighties.

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<v Speaker 1>So I was watching and I'm like, these motherfuckers so

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<v Speaker 1>more dope than Big be the ones getting in troubles.

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<v Speaker 1>I felt like I had a responsibility to say something

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<v Speaker 1>about it. So let's go back. Let's put because I

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<v Speaker 1>don't know who Simba is. Yes, sir, where are you from?

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<v Speaker 1>How'd you get into rapping? And you always say I

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<v Speaker 1>know they say that you you. I guess growing up

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<v Speaker 1>you love jay Z and Nas and Big, So let's

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<v Speaker 1>start from there. So, so where are you from? So

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<v Speaker 1>in front of the the Bay Area, front of the Bay Area,

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<v Speaker 1>and my mom was a real estate agent, so My

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<v Speaker 1>mom moved around a lot. She used to move around

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<v Speaker 1>from Trenton, New Jersey. I lived in Ben Salem for

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<v Speaker 1>a little bit, Um Atlantic City, Vegas, LA. So we

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<v Speaker 1>moved around a lot, and I would always notice that,

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<v Speaker 1>like Bay Area music, it would hit a ceiling like

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<v Speaker 1>it wouldn't really go past. So when I moved around

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<v Speaker 1>as a kid, I'm like, damn, Like, I start wanting

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<v Speaker 1>to write music and everything, and I was like, you

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<v Speaker 1>know what, I gotta make my music connect to everybody,

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<v Speaker 1>and um being on this side as a kid, I

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<v Speaker 1>gravitated the whole a lot, just how he moved, the

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<v Speaker 1>things he said. I related to it, um big al

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<v Speaker 1>even sauce money. I used to listen to a lot

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<v Speaker 1>of money, you know what I mean. And that's just

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<v Speaker 1>something that I wanted to incorporate in my music when

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<v Speaker 1>I started creating for myself. What got you into rapping?

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<v Speaker 1>Because they said you were nice in sports? Yeah? Man,

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<v Speaker 1>I got caught cheating on my SAT test? How'd you

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<v Speaker 1>get caught cheating? We ain't gonna talk about that. I

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<v Speaker 1>had a nice young lady that was doing something for

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<v Speaker 1>me and we both got caught up. So I couldn't

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<v Speaker 1>I couldn't go play ball after that. So through that process,

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<v Speaker 1>I was sitting at the homie crib for a year,

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<v Speaker 1>um stubborn, not trying to listen to my coach and everything.

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<v Speaker 1>And I didn't even like my coach at the time.

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<v Speaker 1>I still think that Nigga was racistaasketball, But um yeah,

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<v Speaker 1>I just I was stuck in the crib and my

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<v Speaker 1>homie crib, and he had a studio, so I just

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<v Speaker 1>start rapping in his studio every day, and I fell

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<v Speaker 1>in love with music more than I did with basketball.

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<v Speaker 1>At the time, I got tired of waking up at

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<v Speaker 1>six in the morning going to shoot, so I was like,

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<v Speaker 1>you know what, I'm gonna just do this and I

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<v Speaker 1>just stayed at it, got good at it. I'm more

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<v Speaker 1>concerned about the young lady, man, what happened to her?

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<v Speaker 1>Don't don't talk about her. You gotta give her a

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<v Speaker 1>job or something. Man, she cheated on me. You were

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<v Speaker 1>cheating off. She could go to hill see all this

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<v Speaker 1>cheating down. So let me ask you this. So you

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<v Speaker 1>also wrote for a lot of artists too, right, So

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<v Speaker 1>what's your goal always for you to be the artist

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<v Speaker 1>or did you enjoy being in the background more at first,

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<v Speaker 1>my goal was just to get the job done like

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<v Speaker 1>it was. It was times I used to be in studios,

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<v Speaker 1>people thought I was just the weed man, but I

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<v Speaker 1>used to just come through with the weed be talking

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<v Speaker 1>to everybody rolling up. They'd be like, oh, that's the

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<v Speaker 1>weed man. They ain't even know our rap. So my

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<v Speaker 1>job was just like I always looked at it, like

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<v Speaker 1>do what you gotta do to get to where you

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<v Speaker 1>want to be. So if I had to write for somebody,

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<v Speaker 1>if I had to hold somebody bags, if I had

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<v Speaker 1>to turn the session up and just be the fun

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<v Speaker 1>person in the room, I was down to do whatever

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<v Speaker 1>I had to do to get to where I want

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<v Speaker 1>to be. So that's how I ended up writing because

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<v Speaker 1>a lot of people, you know, don't write their wraps.

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<v Speaker 1>So you know, I came in to write a lot

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<v Speaker 1>of rape people. You're surprised by that, the amount of

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<v Speaker 1>people I didn't write their own music, I would say,

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<v Speaker 1>what surprised me more was, um, people that can't rap

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<v Speaker 1>not writing their rapscause they got a good Yeah, That's

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<v Speaker 1>that's what shocked me the most. But at the same time,

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<v Speaker 1>as I'm learning this is a business, right, So you

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<v Speaker 1>got shows, interviews, you on the road sometimes you really

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<v Speaker 1>ain't got time to sit down and write, dog write

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<v Speaker 1>or goddamn day like that. So I had to learn that. Um,

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<v Speaker 1>just even for myself. I'm starting to look for writers

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<v Speaker 1>to write for me because I ain't got time to

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<v Speaker 1>just be sitting in the studio no more. You have

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<v Speaker 1>hooks and just ideas period. Yeah, not versus. I talked

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<v Speaker 1>to Quentin Miller last night. Shut up, man, I'm serious,

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<v Speaker 1>I talked to him last night. You're talking. No, I'm

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<v Speaker 1>gonna always write my verses. I just out everything. I

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<v Speaker 1>write everything, like all my verses, all my freestyles. I

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<v Speaker 1>write everything. But at the same time, it's things I

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<v Speaker 1>may miss. Somebody might have an idea or something that

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<v Speaker 1>I'm not thinking of, you know what I mean, And

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<v Speaker 1>if that could compliment me. It's a business. We need

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<v Speaker 1>to hit records. I just ain't trying to be freestyle man, mom.

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<v Speaker 1>And I'm so glad you said that, because I always

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<v Speaker 1>when I first heard you, right, this is a while ago,

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<v Speaker 1>I'm like, Yo, this dude is really dope. But I

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<v Speaker 1>hope he can make songs. And I'm old enough to

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<v Speaker 1>remember these super lyricists that we used to love day

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<v Speaker 1>freestyles on the coupe, mixtapes and everything, but then they

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<v Speaker 1>couldn't make songs. Where are they now? Where are they now?

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<v Speaker 1>Right at the end of the day, this is a business.

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<v Speaker 1>People know I could rap, but I'm growing, and it's

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<v Speaker 1>like at this point, I gotta deliver records, you know,

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<v Speaker 1>And that's what we're giving them. What results take time?

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<v Speaker 1>This Friday is actual songs. I'm not just rapping on beats.

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<v Speaker 1>I'm rapping on records. I love the meaning behind the

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<v Speaker 1>title of results take time. Then you got songs like

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<v Speaker 1>Overnight and find a Way and Sacrifice. It all tells

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<v Speaker 1>this story of results taking time that you feel like

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<v Speaker 1>you're getting the results you're looking for. Definitely, Definitely. I'm

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<v Speaker 1>somebody that embraced the process all the way around. So

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<v Speaker 1>it's like I remember doing shows in the Bay I

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<v Speaker 1>had like three people in there. Moved la ain't nobody

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<v Speaker 1>knew me. I do shows at the Roxy be about

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<v Speaker 1>fifteen people in there. I just sold the Roxy y'ard

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<v Speaker 1>last month. Wow. So that was a real like accomplishment

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<v Speaker 1>for me because it was letting me know, like, Okay,

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<v Speaker 1>things is working and you're growing as an artist. Let's

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<v Speaker 1>just continue to get better. You go from a sound

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<v Speaker 1>like a own to go yeah you know, and so

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<v Speaker 1>first it's unknomber. Now the status is you are striving

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<v Speaker 1>to be the goat of all of this, and that

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<v Speaker 1>should be the goal for anybody that who wanted to

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<v Speaker 1>be second or third, or fourth or fifth. We all

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<v Speaker 1>in this to be number one. I'm sure when y'all

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<v Speaker 1>got in this game, you all didn't look like I'm

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<v Speaker 1>gonna be the third best person on you know what

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<v Speaker 1>I'm saying. Content media is like, no, I'm here to

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<v Speaker 1>be the best. That's that's what it's about. I was

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<v Speaker 1>gonna ask you with moving around, of course, rest in

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<v Speaker 1>peace to PMB. Yes, sir, we're moving around. You know.

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<v Speaker 1>You said you were in Trenton, You said you were

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<v Speaker 1>in Vegas, you were in Atlantic City, were in California.

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<v Speaker 1>You've been in New York the last couple of days.

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<v Speaker 1>Talk to the people about New LA culture when it

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<v Speaker 1>comes to streets in Lafite. Sometimes I think people when

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<v Speaker 1>they go to La, it's sunny, it's beautiful, it's palm trees,

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<v Speaker 1>it's nice cars, beautiful people, expensive stores, But they don't

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<v Speaker 1>understand that it's it could get nasty. So the first

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<v Speaker 1>thing you got to realize. I'm from the Bay Area,

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<v Speaker 1>So the first thing I learned about LA is it's

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<v Speaker 1>a different between LA and Hollywood. A lot of us

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<v Speaker 1>think Hollywood is LA. Hollywood is not La. That's Hollywood.

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<v Speaker 1>LA is something different. It's protocol. It's people you gotta

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<v Speaker 1>tap in with. You can't just move around LA thinking

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<v Speaker 1>everything's gonna be cool, especially right now. You know, we

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<v Speaker 1>just got out this pandemic. Niggas don't hit for that

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<v Speaker 1>PPP money. They didn't got them loans, they didn't created

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<v Speaker 1>a new lifestyle, got new cars and new cribs, and

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<v Speaker 1>they gotta pay for this ship. So everybody outside looking

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<v Speaker 1>for somebody to get So we as artists, we gotta

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<v Speaker 1>be more responsible about the things we do. Like security

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<v Speaker 1>only costs shiit three four hundred dollars, you know what

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<v Speaker 1>I mean, Like make sure you got a security guard

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<v Speaker 1>with you. I think when you say tapping, you know

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<v Speaker 1>that that term tapping has affected people for years, especially artists,

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<v Speaker 1>because niggas got egos, right, they got egos and too

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<v Speaker 1>much pride. But I'm never too pride for to protect myself.

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<v Speaker 1>I got a kid. I gotta get back home too,

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<v Speaker 1>I got a mama, you know what I mean. So

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<v Speaker 1>it's like I'm never gonna just be out here moving

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<v Speaker 1>reckless or doing things that I just think I'm free.

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<v Speaker 1>I got ship one hundred and fifty thousand dollars worth

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<v Speaker 1>for jury on. I'm not just feeling go. I don't

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<v Speaker 1>even know if you want to say that. I'm just look,

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<v Speaker 1>I wasn't wearing it last night at the Brooklyn jop out.

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<v Speaker 1>That's right, you're in the interview. That's real. That's right.

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<v Speaker 1>That's what I'm saying. I'm gonna leave it the word

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<v Speaker 1>needed to be. It's like, I'm not trying to flex

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<v Speaker 1>on nobody to keep it real. I don't even like

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<v Speaker 1>wearing this shit. It's just like a rapper costume for real.

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<v Speaker 1>It's like a business card, you know what I mean.

0:10:25.200 --> 0:10:27.200
<v Speaker 1>But I don't like wearing it because it's really kind

0:10:27.200 --> 0:10:29.480
<v Speaker 1>of like a symbol, like stunting on your own people.

0:10:29.960 --> 0:10:31.920
<v Speaker 1>It's like we get money to show people I got

0:10:32.000 --> 0:10:34.160
<v Speaker 1>more than you. It's like, I think that's some lame shit.

0:10:34.280 --> 0:10:37.040
<v Speaker 1>I think I'm gonna stop wearing jury. I feel like

0:10:37.040 --> 0:10:38.400
<v Speaker 1>you're saying, you know what, I want us to start

0:10:38.400 --> 0:10:42.000
<v Speaker 1>flexing about, Like how many people were we were causing

0:10:42.080 --> 0:10:43.920
<v Speaker 1>to get the work, you know, I mean, how many

0:10:44.000 --> 0:10:46.720
<v Speaker 1>jobs are you creating backs for people? How many businesses

0:10:46.720 --> 0:10:48.720
<v Speaker 1>are you creating to create an opportunity for the folks.

0:10:48.720 --> 0:10:50.280
<v Speaker 1>That's what we need to start talking to backs, And

0:10:50.360 --> 0:10:52.600
<v Speaker 1>that's that's the most important thing. Like I got my

0:10:52.640 --> 0:10:57.600
<v Speaker 1>best friend right here. We've been together since forever, you

0:10:57.640 --> 0:10:59.840
<v Speaker 1>know what I'm saying. But it's like now he comes

0:11:00.200 --> 0:11:02.440
<v Speaker 1>the streets like the street streets. He didn't been in

0:11:02.480 --> 0:11:04.719
<v Speaker 1>a lot of ship jail, he'd been shot everything, but

0:11:04.960 --> 0:11:07.400
<v Speaker 1>his mind on being an executive now, you know what

0:11:07.440 --> 0:11:08.960
<v Speaker 1>I mean. He was in the room last night with

0:11:09.040 --> 0:11:11.480
<v Speaker 1>Julie Greenwald, you know what I mean, talking to Mike

0:11:11.559 --> 0:11:14.200
<v Speaker 1>Kaiser now, So it's it's different, Like that's the goal

0:11:14.320 --> 0:11:16.319
<v Speaker 1>is for us to make it out of these circumstances

0:11:16.320 --> 0:11:19.080
<v Speaker 1>to provide more opportunities for the people we around and

0:11:19.120 --> 0:11:21.840
<v Speaker 1>people we could bring up as well. Atlantic records that

0:11:21.880 --> 0:11:25.160
<v Speaker 1>you just brought up, right, yes, um, so before that

0:11:25.200 --> 0:11:29.439
<v Speaker 1>you were signed to Columbia. It was terrible, all right?

0:11:29.440 --> 0:11:32.240
<v Speaker 1>What makes it terrible? And what made you feel like, Okay,

0:11:32.280 --> 0:11:34.559
<v Speaker 1>I'm ready to sign to another major Because sometimes people

0:11:34.920 --> 0:11:37.079
<v Speaker 1>do a major label deal, they get so turned off

0:11:37.080 --> 0:11:39.480
<v Speaker 1>They're like, I'm not doing that again. So how did

0:11:39.480 --> 0:11:41.240
<v Speaker 1>you know that was the right situation? And what was

0:11:41.320 --> 0:11:44.600
<v Speaker 1>terrible about Columbia? So when you when you're a new artist,

0:11:44.720 --> 0:11:47.480
<v Speaker 1>like this ship don't come with no brochure, so the

0:11:47.520 --> 0:11:49.360
<v Speaker 1>only way for you to get the information is to

0:11:49.400 --> 0:11:53.880
<v Speaker 1>fuck up a little bit. So when I could, I customer. Okay.

0:11:55.600 --> 0:11:58.480
<v Speaker 1>So when I first got my deal, I realized fast

0:11:58.600 --> 0:12:01.720
<v Speaker 1>like I'm not a priority, and I played this room.

0:12:02.120 --> 0:12:04.640
<v Speaker 1>So I got my advance and I blew my money

0:12:04.679 --> 0:12:07.720
<v Speaker 1>like in like three weeks old people. I had to

0:12:07.760 --> 0:12:10.560
<v Speaker 1>pay certain things back when bar closed, when and bought

0:12:10.559 --> 0:12:15.480
<v Speaker 1>a Maserati, when and got a new apartment. Everything. It

0:12:15.520 --> 0:12:23.240
<v Speaker 1>was nice that it was nice, But at the same time,

0:12:23.360 --> 0:12:25.480
<v Speaker 1>what I was supposed to do with that advance was

0:12:25.520 --> 0:12:29.520
<v Speaker 1>created infrastructure for myself. So when I got out of

0:12:29.559 --> 0:12:31.480
<v Speaker 1>that deal and I got my new deal, the first

0:12:31.480 --> 0:12:34.720
<v Speaker 1>thing I did bought a laptop, bought my cameraman a camera,

0:12:35.480 --> 0:12:38.240
<v Speaker 1>hired a digital team, hired my own pr hied my

0:12:38.280 --> 0:12:40.520
<v Speaker 1>own people around me that could help advise me to

0:12:40.559 --> 0:12:43.200
<v Speaker 1>move forward rather than just spending the money on myself.

0:12:43.520 --> 0:12:45.920
<v Speaker 1>And I think it's artists sometimes we gotta realize, like

0:12:45.960 --> 0:12:49.240
<v Speaker 1>we just not rappers, were business right, and as a business,

0:12:49.720 --> 0:12:51.959
<v Speaker 1>you gotta run it like a business. You need people

0:12:52.000 --> 0:12:54.240
<v Speaker 1>and play to help you sustain where you're trying to go.

0:12:54.760 --> 0:12:57.480
<v Speaker 1>So that was one thing I learned. But also it

0:12:57.559 --> 0:13:01.360
<v Speaker 1>was a regime change, so I can't say it was

0:13:01.520 --> 0:13:03.760
<v Speaker 1>terrible because the people who brought me in was great.

0:13:03.800 --> 0:13:05.680
<v Speaker 1>They just had left at the time. They went to

0:13:05.720 --> 0:13:08.920
<v Speaker 1>a different label. So when they left, Columbia was going

0:13:08.960 --> 0:13:11.400
<v Speaker 1>into a new business model to where they only wanted

0:13:11.559 --> 0:13:14.559
<v Speaker 1>like TikTok artists, and they wanted like social media artists

0:13:14.600 --> 0:13:16.200
<v Speaker 1>and shit like that. And I feel like I'm a

0:13:16.200 --> 0:13:18.839
<v Speaker 1>word of mouth artist. I'm somebody that you gotta meet,

0:13:18.920 --> 0:13:20.680
<v Speaker 1>you gotta touch me, you gotta smell me, you gotta

0:13:20.720 --> 0:13:22.840
<v Speaker 1>feel me. I'm not just gonna get on there and

0:13:25.040 --> 0:13:28.000
<v Speaker 1>do a dance and then go up. So they ended

0:13:28.080 --> 0:13:30.640
<v Speaker 1>up letting me go. I was independent for a little while,

0:13:30.760 --> 0:13:33.240
<v Speaker 1>me and my homie trying to figure it out, spending money,

0:13:33.240 --> 0:13:36.160
<v Speaker 1>and I ran into Dallas Martin, and Dallas Martin kind

0:13:36.200 --> 0:13:38.320
<v Speaker 1>of changed my life for real. That's like the first

0:13:38.320 --> 0:13:40.960
<v Speaker 1>A and R that really like set with me and

0:13:41.000 --> 0:13:43.160
<v Speaker 1>gave me the game and be with me to this day.

0:13:43.200 --> 0:13:46.000
<v Speaker 1>We was together last night till four this morning, and

0:13:46.040 --> 0:13:48.880
<v Speaker 1>he up at the office right now. That's my dog

0:13:48.920 --> 0:13:50.880
<v Speaker 1>shout out to Dallas. You know, I like what you

0:13:50.920 --> 0:13:53.160
<v Speaker 1>were saying earlier too, just about how you move as

0:13:53.160 --> 0:13:56.640
<v Speaker 1>an artist, saying saying it's okay to have security, because

0:13:57.000 --> 0:14:00.800
<v Speaker 1>we're a culture that literally bragged about being in the

0:14:00.840 --> 0:14:05.640
<v Speaker 1>hood with all our jewry on. With no security, yes,

0:14:05.840 --> 0:14:08.839
<v Speaker 1>we'd be bragging about the wrong shit, Like, um, it's

0:14:08.960 --> 0:14:12.360
<v Speaker 1>stupid to go around a bunch of kids and young

0:14:12.440 --> 0:14:15.680
<v Speaker 1>men who fighting for these things, like they can't even

0:14:15.679 --> 0:14:17.800
<v Speaker 1>really feed themselves, you know what I mean, and you

0:14:17.960 --> 0:14:19.960
<v Speaker 1>round them with this big ass chain that's gonna make

0:14:20.000 --> 0:14:23.000
<v Speaker 1>them feel some type of way. So you gotta protect yourself.

0:14:23.080 --> 0:14:25.840
<v Speaker 1>You ain't being no sucker or you ain't being dumb.

0:14:25.960 --> 0:14:28.360
<v Speaker 1>You know you're being smart, you know what I mean.

0:14:28.400 --> 0:14:31.320
<v Speaker 1>So you gotta protect yourself, like I have eyes, everybody

0:14:31.320 --> 0:14:34.720
<v Speaker 1>to get security, especially today, because these young boys today

0:14:34.760 --> 0:14:38.440
<v Speaker 1>like they different, they different, gonna run up on you

0:14:38.480 --> 0:14:45.040
<v Speaker 1>any place anytime, y'all. Seeing y'all seeing Philly, Philly, Reddit man,

0:14:45.080 --> 0:14:48.560
<v Speaker 1>I was just in Philly with will on Gilly, my

0:14:48.600 --> 0:14:51.480
<v Speaker 1>brothers Um, and they showed me this YouTube page called

0:14:51.480 --> 0:14:54.080
<v Speaker 1>Philly Reddit, and it's like all these kids that's just

0:14:54.120 --> 0:14:56.400
<v Speaker 1>like dissing each other and killing each other, like they

0:14:56.520 --> 0:14:59.800
<v Speaker 1>literally doing the police job for him, literally don't care.

0:15:00.040 --> 0:15:03.200
<v Speaker 1>They grabbing like ring footage from people's doors, stopped showing

0:15:03.240 --> 0:15:05.800
<v Speaker 1>the person that walked the dude down four blocks. Then

0:15:06.080 --> 0:15:09.720
<v Speaker 1>it's like a whole investigation. Dan on YouTube, it's like,

0:15:09.760 --> 0:15:12.640
<v Speaker 1>we gotta we gotta do better, man, we gotta do better.

0:15:12.680 --> 0:15:14.600
<v Speaker 1>What's your thoughts on you know that this was big

0:15:15.000 --> 0:15:18.200
<v Speaker 1>in the last couple of months where artists they're using

0:15:18.240 --> 0:15:21.000
<v Speaker 1>the artist lyrics in court. I don't agree with telling

0:15:21.040 --> 0:15:23.560
<v Speaker 1>them on each other though themselves. So it's two sides

0:15:23.640 --> 0:15:27.800
<v Speaker 1>to that, right, Um, I don't agree with that because

0:15:27.840 --> 0:15:30.600
<v Speaker 1>at the end of the day, as a detective or

0:15:30.640 --> 0:15:33.280
<v Speaker 1>police whatever, you still gotta do your job. So I

0:15:33.280 --> 0:15:37.240
<v Speaker 1>don't think your job should be minimized to what somebody

0:15:37.320 --> 0:15:40.800
<v Speaker 1>saying in their song. Now, the problem with that is

0:15:41.280 --> 0:15:44.200
<v Speaker 1>if somebody actually dies and you get on a song

0:15:44.880 --> 0:15:47.520
<v Speaker 1>and say where this person died and what you did

0:15:47.560 --> 0:15:50.400
<v Speaker 1>and how I went down, that's your fault. That's what's

0:15:50.440 --> 0:15:52.680
<v Speaker 1>happening though, that's your fault. It's not like people. It's

0:15:52.680 --> 0:15:54.360
<v Speaker 1>not like they just listening to the wraps and saying, oh,

0:15:54.360 --> 0:15:57.120
<v Speaker 1>he just talked about killing somebody. Let's go it actually happened,

0:15:57.120 --> 0:16:00.000
<v Speaker 1>actually happen. It actually happened. So if it's actually happened,

0:16:00.040 --> 0:16:03.160
<v Speaker 1>and you can't you can't get mad at than people

0:16:03.200 --> 0:16:05.880
<v Speaker 1>because you're making it a lot more easier. But if

0:16:05.920 --> 0:16:08.360
<v Speaker 1>if they're using this against you and this is something

0:16:08.400 --> 0:16:11.200
<v Speaker 1>you was enhancing or something that didn't really happen, and

0:16:11.360 --> 0:16:13.800
<v Speaker 1>I canna understand where it could feel unfair. But at

0:16:13.840 --> 0:16:15.920
<v Speaker 1>the same time, if you're just getting on there just

0:16:16.440 --> 0:16:19.160
<v Speaker 1>saying what actually happened, it's like, bro, that's your fault.

0:16:19.680 --> 0:16:21.680
<v Speaker 1>I don't I don't feel bad for you at all. Now,

0:16:21.840 --> 0:16:24.880
<v Speaker 1>what's your relationship with stat quote? Because on the project, say, man,

0:16:25.640 --> 0:16:27.320
<v Speaker 1>you said he told you something that you wasn't feeling.

0:16:27.360 --> 0:16:28.760
<v Speaker 1>I don't. I don't want to say, I don't want

0:16:28.800 --> 0:16:30.600
<v Speaker 1>to make it say it. I don't want to. I

0:16:30.600 --> 0:16:33.040
<v Speaker 1>can't remember what told me my music would never hit

0:16:33.160 --> 0:16:35.040
<v Speaker 1>And if I ain't have a gimmick, then people wouldn't

0:16:35.040 --> 0:16:37.280
<v Speaker 1>give him a ship. Yes, it's crazy how nigga who

0:16:37.280 --> 0:16:39.920
<v Speaker 1>ain't list to make you feel like you can't go

0:16:39.960 --> 0:16:41.840
<v Speaker 1>where you trying to get. Now watch that quote, get

0:16:41.840 --> 0:16:45.720
<v Speaker 1>that shot man, because stat and I got a love

0:16:45.760 --> 0:16:48.640
<v Speaker 1>for Stat. Right. It wasn't like me trying to like

0:16:48.760 --> 0:16:51.160
<v Speaker 1>tear him down or nothing. But at the same time, right,

0:16:51.480 --> 0:16:53.920
<v Speaker 1>he's an older black man and I was a young

0:16:54.000 --> 0:16:56.400
<v Speaker 1>black man, still a young black man, but at the time,

0:16:56.440 --> 0:16:58.880
<v Speaker 1>it's like, bro, don't just tell me where I'm going

0:16:58.920 --> 0:17:01.200
<v Speaker 1>wrong without giving me some advice on how to get

0:17:01.240 --> 0:17:04.320
<v Speaker 1>it right. You just tearing me down in front of people.

0:17:04.520 --> 0:17:06.280
<v Speaker 1>So we used to be in these offices and he

0:17:06.320 --> 0:17:08.840
<v Speaker 1>had just oh, you ain't got no identity. Oh you

0:17:08.880 --> 0:17:10.679
<v Speaker 1>need to grow your hair out, you need to do this,

0:17:10.760 --> 0:17:12.679
<v Speaker 1>you need to do it. I'm like, bro, why I

0:17:12.720 --> 0:17:14.840
<v Speaker 1>gotta do that? Like, what's what's another way we could

0:17:14.880 --> 0:17:17.600
<v Speaker 1>do it? You can never tell me. He didn't know

0:17:17.640 --> 0:17:20.959
<v Speaker 1>though exactly exactly, you know what I mean. So it's like,

0:17:21.119 --> 0:17:24.040
<v Speaker 1>don't put what happened to you on me, Like, help

0:17:24.080 --> 0:17:25.920
<v Speaker 1>me get it right as a young black man. Don't

0:17:25.960 --> 0:17:27.560
<v Speaker 1>just tear me down in front of these people and

0:17:27.680 --> 0:17:30.680
<v Speaker 1>ruined my opportunity because yours didn't work, you know what

0:17:30.760 --> 0:17:32.440
<v Speaker 1>I mean. So it was like I had to say

0:17:32.480 --> 0:17:34.400
<v Speaker 1>something about that because I feel like this the first

0:17:34.400 --> 0:17:36.000
<v Speaker 1>time in the world watching me, and I want them

0:17:36.000 --> 0:17:37.760
<v Speaker 1>to know what I've been through. So what's the connection? Though,

0:17:37.800 --> 0:17:39.520
<v Speaker 1>I was like, what's doing The Stat worked at the

0:17:39.600 --> 0:17:42.600
<v Speaker 1>label I was originally, yet before last he was at

0:17:42.600 --> 0:17:46.520
<v Speaker 1>Colombia Zan over there. Yeah, he had Little zan as

0:17:46.520 --> 0:17:49.920
<v Speaker 1>his artists. I used to imagine me coming in office,

0:17:50.000 --> 0:17:52.400
<v Speaker 1>rapping high wrapping. He got little Zan and you're telling

0:17:52.440 --> 0:17:55.120
<v Speaker 1>me what the funk I'm doing wrong? You got a point?

0:17:55.119 --> 0:17:58.480
<v Speaker 1>You know what I'm saying, bro, get it right. You

0:17:58.520 --> 0:18:02.600
<v Speaker 1>have to He heard that I heard recently. It ain't

0:18:02.840 --> 0:18:05.120
<v Speaker 1>but my boy sent it to him because he cool.

0:18:05.240 --> 0:18:08.040
<v Speaker 1>Was that he out there Marcus, but he sent it

0:18:08.080 --> 0:18:09.720
<v Speaker 1>to him and he felt the way. But it's like

0:18:09.920 --> 0:18:12.040
<v Speaker 1>I felt the way, you know what I mean when

0:18:12.040 --> 0:18:14.080
<v Speaker 1>he was putting me on blast in front of these people,

0:18:14.160 --> 0:18:16.360
<v Speaker 1>rather than like helping me trying to get it right,

0:18:16.400 --> 0:18:18.639
<v Speaker 1>he was just tearing me down. It's kind of crazy

0:18:18.800 --> 0:18:21.600
<v Speaker 1>Stack called he's a rapper rapper, so it's like, I'm like,

0:18:21.640 --> 0:18:24.840
<v Speaker 1>I thought I would feel like he would see you. Man.

0:18:24.960 --> 0:18:28.120
<v Speaker 1>Stat used to tell me I'll never sell a ticket.

0:18:27.760 --> 0:18:30.680
<v Speaker 1>I can't please that was talking like that. You ain't

0:18:30.680 --> 0:18:32.679
<v Speaker 1>got no identity. You need to learn how to do this.

0:18:32.760 --> 0:18:37.400
<v Speaker 1>You your clothes is terrible. What are you wearing? I'm like, bro, Okay,

0:18:37.640 --> 0:18:40.360
<v Speaker 1>help me get it right. Don't just tell me where

0:18:40.359 --> 0:18:42.639
<v Speaker 1>I'm going wrong. Help me get it right. Jo for Stat,

0:18:42.680 --> 0:18:44.280
<v Speaker 1>and I don't know the brother, but he might have

0:18:44.280 --> 0:18:46.640
<v Speaker 1>been That's what they might have been telling him, for sure,

0:18:46.720 --> 0:18:48.800
<v Speaker 1>he was coming up. For sure. I actually know Stat

0:18:48.840 --> 0:18:52.080
<v Speaker 1>quote pretty well because I worked with on tour together

0:18:52.119 --> 0:18:55.199
<v Speaker 1>and everything, and I remember his manager, Zeke, and you

0:18:55.200 --> 0:18:57.639
<v Speaker 1>know the things that Stat went through. And then I

0:18:57.640 --> 0:19:00.119
<v Speaker 1>thought it was interesting when he did start going on

0:19:00.200 --> 0:19:02.280
<v Speaker 1>the other side of things and being an A and R. No,

0:19:02.400 --> 0:19:06.000
<v Speaker 1>but that was dope as as that making that transition.

0:19:06.040 --> 0:19:07.920
<v Speaker 1>I feel like that's something we got we all got

0:19:07.920 --> 0:19:10.560
<v Speaker 1>to understand. As artist is like music ain't gonna last forever,

0:19:11.080 --> 0:19:14.520
<v Speaker 1>so you gotta do it again someplace else. Fifty did

0:19:14.560 --> 0:19:17.080
<v Speaker 1>it in film and television, Jay did it in business,

0:19:17.200 --> 0:19:20.200
<v Speaker 1>Kanye doing it in fashion. Stat did it in an

0:19:20.200 --> 0:19:23.640
<v Speaker 1>executive role, right, but as an executive. Bro, don't just

0:19:23.680 --> 0:19:25.920
<v Speaker 1>tearing me down right, you know what I mean. Don't

0:19:25.960 --> 0:19:28.480
<v Speaker 1>just tell me what I'm doing wrong. Tell me how

0:19:28.480 --> 0:19:30.560
<v Speaker 1>I could get it right. I'm not no sensitive ass

0:19:30.600 --> 0:19:32.959
<v Speaker 1>person I see, because I mean, you would like, just

0:19:32.960 --> 0:19:34.680
<v Speaker 1>tell me what to do, just tell me what they're doing.

0:19:34.680 --> 0:19:36.480
<v Speaker 1>I'm gonna get it right. But he would never tell

0:19:36.520 --> 0:19:38.159
<v Speaker 1>me that he had just tearing me down. But not

0:19:38.160 --> 0:19:40.240
<v Speaker 1>only that, you, I guess you look at it like

0:19:40.520 --> 0:19:42.080
<v Speaker 1>he was in your position. So the fact that he

0:19:42.080 --> 0:19:44.520
<v Speaker 1>got power, he should be pulling up all the Yeah,

0:19:45.240 --> 0:19:47.080
<v Speaker 1>I watch you do it with people like you were

0:19:47.119 --> 0:19:49.680
<v Speaker 1>giving people real estate game. You know what I mean,

0:19:49.720 --> 0:19:51.560
<v Speaker 1>you tell people where to get it right. There's a

0:19:51.560 --> 0:19:53.160
<v Speaker 1>lot of people I didn't talk to this to say

0:19:53.200 --> 0:19:55.160
<v Speaker 1>you Envy put me on this. So Envy didn't put

0:19:55.160 --> 0:19:56.960
<v Speaker 1>me on that. That's what we got to do as

0:19:56.960 --> 0:19:59.879
<v Speaker 1>a people. We already like what we like thirteen per

0:20:00.040 --> 0:20:03.760
<v Speaker 1>senator population, so we already out numbered. So it's important

0:20:03.760 --> 0:20:05.479
<v Speaker 1>for us to kind of like give each other the

0:20:05.480 --> 0:20:07.680
<v Speaker 1>information so we could get it right to move forward.

0:20:07.760 --> 0:20:10.080
<v Speaker 1>You talk about Dallas and how as an an R

0:20:10.280 --> 0:20:12.080
<v Speaker 1>he's really helped you a lot. So what are some

0:20:12.160 --> 0:20:14.920
<v Speaker 1>things that Dallas told you that have helped you? Dallas

0:20:15.000 --> 0:20:18.560
<v Speaker 1>is like, first off, I don't think No. A and

0:20:18.680 --> 0:20:22.480
<v Speaker 1>R work harder than Dallas. Dallas, don't Dallas be at

0:20:22.520 --> 0:20:25.280
<v Speaker 1>the studio longer than the artist. It's times I didn't

0:20:25.280 --> 0:20:27.080
<v Speaker 1>went home and went to sleep and he calling me

0:20:27.119 --> 0:20:28.880
<v Speaker 1>at five in the morning with a feature he didn't

0:20:28.920 --> 0:20:32.120
<v Speaker 1>put on the song. It's times where he didn't told me, Bro,

0:20:32.160 --> 0:20:34.200
<v Speaker 1>you shouldn't put this in the video because you're gonna

0:20:34.200 --> 0:20:37.359
<v Speaker 1>come across this certain way. You shouldn't speak about these things.

0:20:37.680 --> 0:20:42.199
<v Speaker 1>Say it in a different way. Having an identity, understanding

0:20:42.200 --> 0:20:44.440
<v Speaker 1>who you are as an artist, what's your message? Who

0:20:44.480 --> 0:20:47.639
<v Speaker 1>you speaking? To build your underbelly out first before you

0:20:47.720 --> 0:20:50.720
<v Speaker 1>chase a hit record. So imagine A and R telling

0:20:50.760 --> 0:20:53.120
<v Speaker 1>you that when they usually gonna tell you we need

0:20:53.119 --> 0:20:55.320
<v Speaker 1>to hit, we need to hit, but atlantic they allow

0:20:55.359 --> 0:20:58.359
<v Speaker 1>you time to develop. So Dallas always gave me the

0:20:58.480 --> 0:21:01.359
<v Speaker 1>time to develop my family base and develop who who

0:21:01.359 --> 0:21:03.840
<v Speaker 1>I was, especially within the pandemic because I had a

0:21:03.880 --> 0:21:08.080
<v Speaker 1>big moment with the freestyles, Lebron posting me, Shaq posting me.

0:21:08.280 --> 0:21:10.560
<v Speaker 1>But I can't go outside and do a show. I

0:21:10.560 --> 0:21:13.240
<v Speaker 1>can't go outside and host nothing. I can't go meet y'all.

0:21:13.400 --> 0:21:15.000
<v Speaker 1>You know what I mean. I can't do nothing song.

0:21:15.000 --> 0:21:17.560
<v Speaker 1>I'm stuck. So he had put me back in the studio. Okay,

0:21:17.640 --> 0:21:20.720
<v Speaker 1>let's move forward, Let's try this, Let's try this type

0:21:20.720 --> 0:21:23.400
<v Speaker 1>of song. People feeling this type of way in the house.

0:21:23.480 --> 0:21:25.639
<v Speaker 1>Let's make something for that. Let's do a freestyle for that.

0:21:25.920 --> 0:21:28.399
<v Speaker 1>So he's been with me like every step of the way,

0:21:28.560 --> 0:21:31.040
<v Speaker 1>just giving me game, telling me when I'm wrong, telling

0:21:31.080 --> 0:21:33.879
<v Speaker 1>me when I'm right, and I appreciating for that, and

0:21:34.000 --> 0:21:36.960
<v Speaker 1>I love never end up broke, you know. And on

0:21:37.040 --> 0:21:38.960
<v Speaker 1>that record, you know, the hook is money can't buy

0:21:39.000 --> 0:21:41.920
<v Speaker 1>back time, my nigga. Yeah, what does that line mean

0:21:41.960 --> 0:21:47.000
<v Speaker 1>to you? Like sometimes like sometimes we get money and

0:21:47.040 --> 0:21:48.879
<v Speaker 1>think we could go back and correct the things in

0:21:48.920 --> 0:21:52.159
<v Speaker 1>the past, right, but it already happened. So it's like

0:21:52.280 --> 0:21:54.840
<v Speaker 1>you gotta get that money and move forward and make

0:21:54.880 --> 0:21:56.920
<v Speaker 1>sure you don't make them say mistakes that you made

0:21:56.920 --> 0:21:59.560
<v Speaker 1>in the past. You can't. Just like most people get

0:21:59.600 --> 0:22:01.280
<v Speaker 1>brand try to go back and get the girl that

0:22:01.359 --> 0:22:04.639
<v Speaker 1>turned them down. Like nigga, she passed you. You know

0:22:04.680 --> 0:22:06.840
<v Speaker 1>what I'm saying, She run around with Julio Jones, like,

0:22:07.000 --> 0:22:09.240
<v Speaker 1>go let her go, let her do. That sounds very personal,

0:22:09.680 --> 0:22:16.520
<v Speaker 1>No it's not. I'm just saying. You know, I'm a

0:22:16.600 --> 0:22:18.960
<v Speaker 1>time Brady fan, so I know you got Julio now,

0:22:19.080 --> 0:22:21.120
<v Speaker 1>you know what I mean, So shout out the time

0:22:21.160 --> 0:22:23.679
<v Speaker 1>of Julio Jones. But um, you can't go back in

0:22:23.720 --> 0:22:25.880
<v Speaker 1>the in the past and change things because you got

0:22:25.920 --> 0:22:28.359
<v Speaker 1>money now. But you could learn from those things and

0:22:28.440 --> 0:22:30.480
<v Speaker 1>let your money be applied to where it is you

0:22:30.760 --> 0:22:33.480
<v Speaker 1>trying to move forward to. So that's that's really where

0:22:33.520 --> 0:22:36.080
<v Speaker 1>it came. If you could buy it back time, what

0:22:36.240 --> 0:22:38.960
<v Speaker 1>time would you buy it back time in your life?

0:22:38.960 --> 0:22:41.440
<v Speaker 1>Would you buy Trying to build a relationship with my dad,

0:22:42.320 --> 0:22:44.560
<v Speaker 1>I never got to really meet my dad. My dad

0:22:44.600 --> 0:22:46.880
<v Speaker 1>went to jail when I was one, and he died

0:22:46.920 --> 0:22:51.600
<v Speaker 1>in prison, and he died on some like some jankie

0:22:51.640 --> 0:22:54.119
<v Speaker 1>shit Like we're still trying to figure it out, you

0:22:54.160 --> 0:22:56.120
<v Speaker 1>know what I mean. So I never really got like

0:22:56.160 --> 0:22:58.679
<v Speaker 1>a father figure in my life. My mama was like

0:22:58.760 --> 0:23:01.600
<v Speaker 1>both roles. So it's a lot that I feel like

0:23:01.680 --> 0:23:04.480
<v Speaker 1>I could have. Um, I probably wouldn't have been a

0:23:04.520 --> 0:23:06.880
<v Speaker 1>rapper if I had my dad in my life. I think, yeah,

0:23:06.880 --> 0:23:10.040
<v Speaker 1>I probably would have done something different. But um me

0:23:10.200 --> 0:23:13.080
<v Speaker 1>looking for a male father figure, I looked up the rappers,

0:23:13.400 --> 0:23:14.720
<v Speaker 1>you know what I mean. I looked up the whole

0:23:14.840 --> 0:23:17.280
<v Speaker 1>Hove taught me how to talk to women. Both taught

0:23:17.280 --> 0:23:19.600
<v Speaker 1>me how to represent myself, and I learned that from

0:23:19.680 --> 0:23:22.479
<v Speaker 1>hip hop. Um, but not having a dad in my life,

0:23:22.600 --> 0:23:25.000
<v Speaker 1>it kind of like hindered me a little bit. You know,

0:23:25.119 --> 0:23:27.280
<v Speaker 1>I didn't go to college. That's something I probably would

0:23:27.320 --> 0:23:32.359
<v Speaker 1>have did. Um. Respecting women a lot more, you know

0:23:32.400 --> 0:23:34.040
<v Speaker 1>what I mean. Coming from the Bay, we kind of

0:23:34.040 --> 0:23:37.120
<v Speaker 1>come from this pimp culture, you know, and ogs tell

0:23:37.200 --> 0:23:40.639
<v Speaker 1>us do that. But it's like, man, that ain't it

0:23:40.720 --> 0:23:43.280
<v Speaker 1>ain't really the way we should be operating now here

0:23:43.280 --> 0:23:45.679
<v Speaker 1>as black men. You right, we did a lip service

0:23:45.760 --> 0:23:47.639
<v Speaker 1>live in the Bay, and let me tell you it

0:23:47.720 --> 0:23:49.920
<v Speaker 1>was wow. I the guys and us, like all of

0:23:50.000 --> 0:23:52.440
<v Speaker 1>us going back and forth. Ye just how they were

0:23:52.480 --> 0:23:54.720
<v Speaker 1>talking and how we were talking about it. It was

0:23:54.760 --> 0:23:57.000
<v Speaker 1>like a cultural thing. Yeah. No, we we got a

0:23:57.040 --> 0:23:59.920
<v Speaker 1>crazy uh mentality the way we kind of seat the

0:24:00.000 --> 0:24:03.040
<v Speaker 1>things in the Bay. Um. But I'm trying to like

0:24:03.080 --> 0:24:05.240
<v Speaker 1>break that cycle a little bit because we gotta we

0:24:05.280 --> 0:24:08.520
<v Speaker 1>gotta respect our people more. It ain't just about you know,

0:24:09.359 --> 0:24:12.480
<v Speaker 1>women or men. It's about us as a hole, as

0:24:12.520 --> 0:24:15.359
<v Speaker 1>a community. So we gotta respect our people more. I

0:24:15.400 --> 0:24:17.440
<v Speaker 1>don't think people should P and B Rock, you know

0:24:17.480 --> 0:24:19.040
<v Speaker 1>what I mean? Rest in peace, P and B rock.

0:24:19.359 --> 0:24:21.680
<v Speaker 1>I don't think somebody should lose their life because they

0:24:21.720 --> 0:24:24.040
<v Speaker 1>gotta chain on, you know what I mean. You're gonna

0:24:24.040 --> 0:24:27.520
<v Speaker 1>grab this chain, get what five ten thousand dollars from

0:24:27.600 --> 0:24:29.239
<v Speaker 1>and spend that ship in two weeks and then you're

0:24:29.240 --> 0:24:31.280
<v Speaker 1>gonna be looking to rob and kill somebody else. Like,

0:24:31.520 --> 0:24:33.960
<v Speaker 1>we gotta put more respect on our people. And that's

0:24:34.040 --> 0:24:36.280
<v Speaker 1>only if you stay free, which I doubt's gonna happen,

0:24:36.320 --> 0:24:39.680
<v Speaker 1>which exactly trying to find out they're looking at all

0:24:39.680 --> 0:24:41.800
<v Speaker 1>the pun shops now to see who is going to

0:24:41.880 --> 0:24:44.960
<v Speaker 1>turn in this chain and try to get that just

0:24:45.000 --> 0:24:46.639
<v Speaker 1>made me feel like the cops don't have a have

0:24:46.720 --> 0:24:49.159
<v Speaker 1>a lead, which is wild for something like that to

0:24:49.200 --> 0:24:51.760
<v Speaker 1>happen in Roscols and the like with all them cameras,

0:24:51.800 --> 0:24:55.440
<v Speaker 1>they've got to go wild Roscos though, they say people

0:24:55.520 --> 0:24:57.040
<v Speaker 1>normally when they do that, they try to sell it

0:24:57.080 --> 0:25:00.320
<v Speaker 1>really fast. They're not gonna go to no pun shot.

0:25:00.400 --> 0:25:03.520
<v Speaker 1>But the problem is they'll sell it to somebody. Somebody

0:25:03.600 --> 0:25:05.440
<v Speaker 1>gonna say that they sold it to him. This person

0:25:05.520 --> 0:25:08.119
<v Speaker 1>gonna tell somebody, that person gonna tell somebody, and before

0:25:08.119 --> 0:25:10.560
<v Speaker 1>you know it, they caught up in an indictment. They

0:25:10.560 --> 0:25:12.760
<v Speaker 1>didn't lost their life. Yeah, I was gonna ask, no,

0:25:13.280 --> 0:25:14.919
<v Speaker 1>I'll go back to your father recause I'm glad that

0:25:15.000 --> 0:25:17.760
<v Speaker 1>you you said that because there's so many men that

0:25:17.840 --> 0:25:20.280
<v Speaker 1>are starting to have that conversation now about wanting that

0:25:20.359 --> 0:25:22.720
<v Speaker 1>connection with their fathers, you know. I mean I told

0:25:22.720 --> 0:25:24.080
<v Speaker 1>people all the time. First time I had to break

0:25:24.080 --> 0:25:26.760
<v Speaker 1>through in therapy was realizing that the daddy issues that

0:25:27.040 --> 0:25:28.520
<v Speaker 1>I that I had. And I'm just like, I'm just

0:25:28.560 --> 0:25:31.360
<v Speaker 1>glad that you're saying that out loud, because man, we'd

0:25:31.359 --> 0:25:33.919
<v Speaker 1>be backing like fathers are disposable. Nah, bro we eat that.

0:25:34.040 --> 0:25:36.120
<v Speaker 1>Like I just had a son, like my son two

0:25:36.200 --> 0:25:38.359
<v Speaker 1>years old, so I'll be watching him just do little

0:25:38.400 --> 0:25:41.600
<v Speaker 1>things I do. Um, So it'd be making me aware

0:25:41.760 --> 0:25:45.560
<v Speaker 1>of like, Okay, let me not smoking my videos, you

0:25:45.600 --> 0:25:47.880
<v Speaker 1>know what I mean, let me not drink so much

0:25:47.920 --> 0:25:49.800
<v Speaker 1>around him, Like, let me do certain things to where

0:25:49.840 --> 0:25:51.600
<v Speaker 1>he could look at me as a role model. I

0:25:51.600 --> 0:25:53.520
<v Speaker 1>ain't had it. I used to look to other men

0:25:53.640 --> 0:25:57.440
<v Speaker 1>for that. Like I remember when the All Star Game

0:25:57.520 --> 0:26:00.520
<v Speaker 1>in two thousand, it came to Oakland, and Um, I

0:26:00.560 --> 0:26:03.520
<v Speaker 1>went to the game with my cuddie h David and

0:26:03.600 --> 0:26:07.400
<v Speaker 1>his dad, right, um, and I was just watching them,

0:26:07.600 --> 0:26:09.160
<v Speaker 1>you know, what I mean, Like he like, look, son,

0:26:09.520 --> 0:26:12.480
<v Speaker 1>we're getting autographs from like Kevin Gardonett and Shack and everybody.

0:26:12.480 --> 0:26:14.520
<v Speaker 1>But he running up on him like, hey, you could

0:26:14.560 --> 0:26:17.160
<v Speaker 1>sign this for my son? Who And I'm just like, damn,

0:26:17.240 --> 0:26:19.280
<v Speaker 1>I wish I had that, you know what I mean?

0:26:19.320 --> 0:26:21.399
<v Speaker 1>Like I wish I had somebody to do that for me.

0:26:21.480 --> 0:26:23.960
<v Speaker 1>But it was always my mama. And there's a woman

0:26:24.560 --> 0:26:27.160
<v Speaker 1>like they ain't in the sports, you know what I mean,

0:26:27.280 --> 0:26:29.520
<v Speaker 1>or like they've been in certain things we into as

0:26:29.560 --> 0:26:31.560
<v Speaker 1>young black men. So it's like it's only so much

0:26:31.640 --> 0:26:34.800
<v Speaker 1>she could tell me. So not having that in my life,

0:26:34.840 --> 0:26:37.359
<v Speaker 1>I feel like it it hindered me a little bit

0:26:37.400 --> 0:26:39.439
<v Speaker 1>to where I learned a lot of things later that

0:26:39.520 --> 0:26:42.560
<v Speaker 1>I had to unlearn what things I had to unlearn.

0:26:42.560 --> 0:26:44.000
<v Speaker 1>It I thought was the right thing you should do

0:26:44.040 --> 0:26:45.840
<v Speaker 1>because I didn't have a male figure in my life

0:26:45.840 --> 0:26:47.320
<v Speaker 1>to tell me that. So is that why you took

0:26:47.359 --> 0:26:50.240
<v Speaker 1>the name Symbol? Nah? That shit just came from me

0:26:50.280 --> 0:26:52.159
<v Speaker 1>watching The Lion King too much, That's what I mean.

0:26:52.200 --> 0:26:56.680
<v Speaker 1>Symbol lost move Fossil had to figure it out for sure.

0:26:56.800 --> 0:26:59.199
<v Speaker 1>Still never watch the Lion King. You never seen the

0:26:59.280 --> 0:27:01.480
<v Speaker 1>Lion King and she's never been to Disneylan. I went

0:27:01.480 --> 0:27:08.840
<v Speaker 1>to the play out of Pocket, but I just haven't

0:27:08.880 --> 0:27:10.919
<v Speaker 1>seen the movie. But you ain't never seen the movie.

0:27:11.400 --> 0:27:13.040
<v Speaker 1>And they got a new one. You ain't even seen

0:27:13.040 --> 0:27:15.439
<v Speaker 1>the new one. The new ones trash you out of pocket?

0:27:15.840 --> 0:27:17.800
<v Speaker 1>So why why why did you take the name Simbo?

0:27:17.800 --> 0:27:20.679
<v Speaker 1>What about that character resonated with you? Well, originally I

0:27:20.760 --> 0:27:22.400
<v Speaker 1>used to just watch the line King a lot as

0:27:22.400 --> 0:27:25.880
<v Speaker 1>a kid. So my mom used to work like three

0:27:25.960 --> 0:27:28.080
<v Speaker 1>different jobs. So I will always go to my grandma

0:27:28.160 --> 0:27:32.520
<v Speaker 1>house and I had all my cousins over there, shut Out, Sway, Kenny, Danny,

0:27:33.320 --> 0:27:36.040
<v Speaker 1>baby Al. I used to always be in Berkeley with

0:27:36.080 --> 0:27:39.399
<v Speaker 1>my family and um. I used to watch just the

0:27:39.480 --> 0:27:41.359
<v Speaker 1>Lion King a lot, and everybody to just be like

0:27:41.840 --> 0:27:43.800
<v Speaker 1>you little Simba, Like that's all you wanted to watch,

0:27:43.800 --> 0:27:45.480
<v Speaker 1>a little Simba. So that was my name. When I

0:27:45.520 --> 0:27:48.040
<v Speaker 1>was playing basketball, they'd be like little Simba. So when

0:27:48.080 --> 0:27:50.199
<v Speaker 1>I stopped playing, already had the nickname, and I just

0:27:50.280 --> 0:27:52.359
<v Speaker 1>ran with it. Wow, you know that movie is really

0:27:52.359 --> 0:27:54.440
<v Speaker 1>if you know, I wrote about this in the last

0:27:54.480 --> 0:27:57.040
<v Speaker 1>chapter in my book. It that's really the play of

0:27:57.119 --> 0:27:59.480
<v Speaker 1>the black person in America. You know what I mean?

0:27:59.520 --> 0:28:01.760
<v Speaker 1>If you watched if you watch the linking. But you

0:28:01.800 --> 0:28:05.439
<v Speaker 1>know what's crazy too, I'll be noticing, like he noticed,

0:28:05.440 --> 0:28:08.280
<v Speaker 1>like all Disney movies be kind of starting off with death,

0:28:10.040 --> 0:28:12.160
<v Speaker 1>like the character be dying in the beginning, and then

0:28:12.200 --> 0:28:14.160
<v Speaker 1>the kid just kind of be trying to figure it out.

0:28:14.560 --> 0:28:17.240
<v Speaker 1>Like I always wonder why that is. It's a good

0:28:17.240 --> 0:28:19.679
<v Speaker 1>story arc, you know, because you get stay especially in

0:28:19.720 --> 0:28:22.520
<v Speaker 1>the Lion King like that story in particular, like he's

0:28:22.520 --> 0:28:24.800
<v Speaker 1>supposed to be king, like he was born to be

0:28:25.119 --> 0:28:28.040
<v Speaker 1>king King. It's like, yo, nobody taught him to be

0:28:28.119 --> 0:28:30.720
<v Speaker 1>that king, you know so, but once he was just reminded.

0:28:30.760 --> 0:28:32.960
<v Speaker 1>It was kind of like in his DNA, you know,

0:28:33.560 --> 0:28:40.400
<v Speaker 1>they figured it out. We're going always fine. Words came

0:28:40.440 --> 0:28:42.360
<v Speaker 1>out in the bay. Was the babe very supportive? Hell,

0:28:43.360 --> 0:28:46.800
<v Speaker 1>because you don't have a bait a babe. Man, I

0:28:46.880 --> 0:28:50.040
<v Speaker 1>went through so much, I say a line on the project.

0:28:50.360 --> 0:28:53.120
<v Speaker 1>Kar told me I needed a feature from Cafani if

0:28:53.120 --> 0:28:56.360
<v Speaker 1>I wanted to support Canar. Was this program director in

0:28:56.400 --> 0:28:59.640
<v Speaker 1>the bay from the time, and um, like I said,

0:28:59.640 --> 0:29:01.560
<v Speaker 1>I would move around with my mom and I would

0:29:01.600 --> 0:29:04.240
<v Speaker 1>notice we kept hitting the ceiling, So I'll bring my

0:29:04.400 --> 0:29:06.800
<v Speaker 1>music up there, like yo, I'm trying to expand our salve.

0:29:06.880 --> 0:29:09.240
<v Speaker 1>I'm trying to touch every region. They'd be like, Nah,

0:29:09.280 --> 0:29:11.320
<v Speaker 1>that ain't it. That ain't it. You need something faster,

0:29:11.440 --> 0:29:14.120
<v Speaker 1>You need a club record, you need this. I'm like, bro,

0:29:14.160 --> 0:29:15.760
<v Speaker 1>that ain't who I am. You know what I mean?

0:29:15.800 --> 0:29:17.920
<v Speaker 1>We got artists to make music for the club. Let

0:29:17.920 --> 0:29:19.600
<v Speaker 1>me make music for when they own the way home.

0:29:20.120 --> 0:29:21.880
<v Speaker 1>Let me make music for when they're getting up in

0:29:21.880 --> 0:29:24.320
<v Speaker 1>the morning and going to work. And people just used

0:29:24.360 --> 0:29:26.360
<v Speaker 1>to like bash me for that a little bit, like

0:29:26.400 --> 0:29:28.880
<v Speaker 1>I was doing something wrong. But the people rocked with

0:29:28.920 --> 0:29:32.120
<v Speaker 1>me though, like the people in the bay always rocked

0:29:32.160 --> 0:29:34.479
<v Speaker 1>with me. It was just the politics that looked at

0:29:34.520 --> 0:29:36.600
<v Speaker 1>me like a weirdo, like I was doing something wrong

0:29:36.720 --> 0:29:38.800
<v Speaker 1>or breaking culture when I was just trying to expand

0:29:38.800 --> 0:29:40.480
<v Speaker 1>it for real. Put us on the who Kafani is?

0:29:40.520 --> 0:29:42.800
<v Speaker 1>Because I thought, you said, Ki, see how crazy that

0:29:42.960 --> 0:29:47.960
<v Speaker 1>is and shout out to Kafani. Kafani is an artist.

0:29:48.040 --> 0:29:50.160
<v Speaker 1>But like you just said, you don't even know who

0:29:50.160 --> 0:29:52.600
<v Speaker 1>that is. But when I heard that line, I was like, Kalani,

0:29:52.720 --> 0:29:54.680
<v Speaker 1>But they made me feel like I had to be

0:29:54.840 --> 0:29:57.040
<v Speaker 1>him to make it up here. So he's an artist

0:29:57.040 --> 0:30:00.560
<v Speaker 1>from the artists. Remember that song fast, like the NASCAR

0:30:00.720 --> 0:30:04.320
<v Speaker 1>NASCAR NASCAR fast. Oh yeah, yeah, okay, So they used

0:30:04.320 --> 0:30:06.360
<v Speaker 1>to tell me make records like that when I'm rapping

0:30:06.400 --> 0:30:10.480
<v Speaker 1>like this, everybody had it, they had because I'm filled

0:30:10.560 --> 0:30:17.440
<v Speaker 1>up feeling I'm fee they put me through it all.

0:30:17.760 --> 0:30:20.760
<v Speaker 1>Do you still write for other artists now? Hell yeah,

0:30:20.920 --> 0:30:24.880
<v Speaker 1>I can't tell you who, but yeah, I'm writing people's

0:30:24.880 --> 0:30:31.560
<v Speaker 1>freestyles now when they go to the radio. Is it

0:30:31.680 --> 0:30:33.680
<v Speaker 1>easier for you to write for other people than to

0:30:33.760 --> 0:30:36.360
<v Speaker 1>write for yourself, like to tell made up fictional things.

0:30:36.440 --> 0:30:39.760
<v Speaker 1>It's way easier because a lot of artists, like with me,

0:30:39.920 --> 0:30:42.920
<v Speaker 1>I have trouble making songs about nothing. So you know,

0:30:43.120 --> 0:30:45.320
<v Speaker 1>some artists could just be in there talk about their car,

0:30:45.520 --> 0:30:48.640
<v Speaker 1>how many women they got, how many shoes they didn't bought.

0:30:48.840 --> 0:30:51.160
<v Speaker 1>I have a hard time making songs about that. So

0:30:51.200 --> 0:30:54.240
<v Speaker 1>I'll be needing like a concept, what I'm gonna say,

0:30:54.480 --> 0:30:57.280
<v Speaker 1>how I'm going to approach this. And then for some artists,

0:30:57.320 --> 0:30:59.280
<v Speaker 1>like they just want some dope lyrics, you know what

0:30:59.280 --> 0:31:00.720
<v Speaker 1>I mean? So I just make a bunch of shit

0:31:00.840 --> 0:31:02.520
<v Speaker 1>rhyme and give it to him and they rock with it.

0:31:02.600 --> 0:31:05.000
<v Speaker 1>So who is your favorite MSS lyricists that you love?

0:31:05.080 --> 0:31:09.440
<v Speaker 1>To listen to now Future Future Future is probably my

0:31:09.480 --> 0:31:12.200
<v Speaker 1>favorite rapper ever. People sleep on Future so much. Remember

0:31:12.200 --> 0:31:14.760
<v Speaker 1>remember when it was having that Mount Rushmore conversation and

0:31:14.760 --> 0:31:18.440
<v Speaker 1>it was like Kendrick Drake J Cole, I'm like future

0:31:18.560 --> 0:31:22.000
<v Speaker 1>facts of the last decade facts, no respecting nobody else

0:31:22.040 --> 0:31:25.360
<v Speaker 1>for future change culture facts. And I think because it's

0:31:25.440 --> 0:31:29.080
<v Speaker 1>not the traditional way of hip hop, people look at

0:31:29.120 --> 0:31:32.280
<v Speaker 1>it as if he not lyrical. But he's very lyrical.

0:31:32.360 --> 0:31:35.320
<v Speaker 1>Like you really listen in detail what he say. He's

0:31:35.520 --> 0:31:37.920
<v Speaker 1>very lyrical, and it's a lot that I learned from him,

0:31:37.920 --> 0:31:40.040
<v Speaker 1>just slowing my pockets down, you know what I mean,

0:31:40.080 --> 0:31:42.800
<v Speaker 1>how to reroute my words in certain things. So shout

0:31:42.840 --> 0:31:45.280
<v Speaker 1>out the Future man. He definitely in my top five.

0:31:45.800 --> 0:31:47.400
<v Speaker 1>I ain't reach out to him. Four re gonna take time.

0:31:47.400 --> 0:31:49.720
<v Speaker 1>I see you got a key glout going. Then you

0:31:49.760 --> 0:31:53.240
<v Speaker 1>see Megan Stallion two fifty four feature. I ain't got that.

0:31:57.080 --> 0:31:59.120
<v Speaker 1>You got Roddy Rich, but I guess y'all understand that's

0:31:59.200 --> 0:32:01.560
<v Speaker 1>my dog. Though me and Roddy had a song before

0:32:01.600 --> 0:32:04.200
<v Speaker 1>this one, we just couldn't get the sample cleared, so

0:32:04.360 --> 0:32:06.360
<v Speaker 1>it never came out. But I've been knowing Roddy for

0:32:06.400 --> 0:32:08.440
<v Speaker 1>a minute, and he always just rocked with me. Like

0:32:08.520 --> 0:32:11.280
<v Speaker 1>Roddy was the one person that allowed me to like

0:32:12.120 --> 0:32:15.040
<v Speaker 1>have a course side seat to his success. So I

0:32:15.160 --> 0:32:17.760
<v Speaker 1>was in there when he made every season, you know

0:32:17.760 --> 0:32:20.120
<v Speaker 1>what I mean. Like I was in certain sessions Kifa,

0:32:20.360 --> 0:32:22.360
<v Speaker 1>which is a part of his team, that's my dog.

0:32:22.720 --> 0:32:24.920
<v Speaker 1>So I was able to actually see him go from

0:32:24.960 --> 0:32:28.320
<v Speaker 1>like nothing to a diamond record, you know what I mean.

0:32:28.360 --> 0:32:30.760
<v Speaker 1>And he allowed me to be in certain studio sessions

0:32:30.800 --> 0:32:34.760
<v Speaker 1>and everything. And the way the record happened was through Dallas.

0:32:35.520 --> 0:32:37.800
<v Speaker 1>You know. I had just came back from New York.

0:32:37.840 --> 0:32:40.480
<v Speaker 1>I was doing this what was he doing? Me? And

0:32:40.560 --> 0:32:44.200
<v Speaker 1>Drama was in the studio doing them the Gangster Grills.

0:32:44.440 --> 0:32:46.760
<v Speaker 1>I came back, I had this photo shoot that was

0:32:46.800 --> 0:32:50.000
<v Speaker 1>like it was like a twelve hour photo shoot. I

0:32:50.080 --> 0:32:52.720
<v Speaker 1>went to the studio, I was tired, went home, went

0:32:52.760 --> 0:32:55.960
<v Speaker 1>to sleep. Dallas called me at like four in the morning.

0:32:56.120 --> 0:32:58.840
<v Speaker 1>Roddy had just pulled up and he listened to the

0:32:58.880 --> 0:33:01.560
<v Speaker 1>whole project front to back. He was like, Bromby to

0:33:01.640 --> 0:33:03.920
<v Speaker 1>jump on this right now. And that's actually one of

0:33:03.960 --> 0:33:07.760
<v Speaker 1>my favorite verses on the project because he's actually telling

0:33:07.760 --> 0:33:10.680
<v Speaker 1>me what happens at the next level, you know what

0:33:10.720 --> 0:33:12.200
<v Speaker 1>I mean. So he telling me, when you get your

0:33:12.240 --> 0:33:14.360
<v Speaker 1>Richard takes some time to process. You got to keep

0:33:14.360 --> 0:33:16.880
<v Speaker 1>it prolific through the progress, stay solid for your dog

0:33:16.920 --> 0:33:18.920
<v Speaker 1>on the foe yard, even if you pjed up with

0:33:18.960 --> 0:33:21.400
<v Speaker 1>the gold yard, you know what I mean. So like

0:33:21.480 --> 0:33:23.440
<v Speaker 1>that was that meant a lot to me, just because

0:33:23.440 --> 0:33:25.840
<v Speaker 1>Bro always rock with me, always rock with him, and

0:33:25.880 --> 0:33:28.560
<v Speaker 1>for like mom moment he gave me that verse. Who's

0:33:28.560 --> 0:33:31.320
<v Speaker 1>you connect with? Fronk? I know Roddy. Roddy was under

0:33:31.400 --> 0:33:33.400
<v Speaker 1>Nip as well at one point. So who you connect with? First?

0:33:33.440 --> 0:33:35.480
<v Speaker 1>Nipper ridycause I saw you on the Fax podcast The

0:33:35.520 --> 0:33:37.760
<v Speaker 1>Fuzzy and Q shout out the fuzz and que for sure.

0:33:37.840 --> 0:33:41.720
<v Speaker 1>I met Nip in like twenty twelve in Atlanta. I

0:33:41.840 --> 0:33:47.360
<v Speaker 1>met Nip twenty twelve. And this one, like, uh, cookies

0:33:47.400 --> 0:33:50.840
<v Speaker 1>first came out, y'all know, burning so in the bay

0:33:50.840 --> 0:33:53.360
<v Speaker 1>we had the cookies before anybody knew it. So Cookies,

0:33:53.400 --> 0:33:55.800
<v Speaker 1>if you ever smoke it, it got this distinct smell,

0:33:56.000 --> 0:33:58.360
<v Speaker 1>like you could just smell it. You could tell from

0:33:58.400 --> 0:34:00.520
<v Speaker 1>anywhere it said, you know what it is? And we

0:34:00.560 --> 0:34:02.720
<v Speaker 1>was in Atlanta and we were smoking in the club

0:34:02.840 --> 0:34:05.360
<v Speaker 1>and then Nip kind of came over. He was like, hey, bro,

0:34:06.080 --> 0:34:10.000
<v Speaker 1>He's like, what what's that y'all smoking? You know, It's

0:34:10.040 --> 0:34:11.520
<v Speaker 1>like it's because he's like, let me get some of that.

0:34:11.600 --> 0:34:13.480
<v Speaker 1>I'm like, boy, you Nipsy, I ain't about to tell

0:34:13.520 --> 0:34:15.799
<v Speaker 1>you know, weed, you got this ship? You feel me?

0:34:15.840 --> 0:34:19.640
<v Speaker 1>So uh, we ended up smoking. He gave me his number.

0:34:19.680 --> 0:34:21.719
<v Speaker 1>He was like, if you ever get back to La,

0:34:21.840 --> 0:34:24.160
<v Speaker 1>hitting me up. And I straight up live to him.

0:34:24.360 --> 0:34:29.840
<v Speaker 1>It was like, I live in La, live in La.

0:34:30.040 --> 0:34:31.440
<v Speaker 1>And he was like, all right, well hit me when

0:34:31.440 --> 0:34:33.960
<v Speaker 1>you get there. So I flew back to the Bay

0:34:34.280 --> 0:34:37.160
<v Speaker 1>like two days later, and my car was parked at

0:34:37.200 --> 0:34:39.759
<v Speaker 1>the airport and I got in the car and I

0:34:39.800 --> 0:34:42.040
<v Speaker 1>didn't even go home and get closed. I just drove

0:34:42.120 --> 0:34:44.279
<v Speaker 1>straight to LA. And from the Bay to lais a

0:34:44.320 --> 0:34:46.799
<v Speaker 1>six hour drive, so I just jumped on the road

0:34:46.840 --> 0:34:48.799
<v Speaker 1>to LA and I got through the grape Vine. I

0:34:48.880 --> 0:34:51.520
<v Speaker 1>texted him like, what's up, Broad, just landed back in La.

0:34:51.640 --> 0:34:55.120
<v Speaker 1>Let me do. He was like, we're in there to night.

0:34:55.200 --> 0:34:58.800
<v Speaker 1>Pull up. Pulled up. He had the studio downtown knocked

0:34:58.800 --> 0:35:01.479
<v Speaker 1>the verse out and he had this this wall full

0:35:01.480 --> 0:35:03.920
<v Speaker 1>of books right and one of the books he was

0:35:04.000 --> 0:35:07.759
<v Speaker 1>telling my cameraman demandre at the time, like, uh, pick

0:35:07.800 --> 0:35:10.359
<v Speaker 1>any book you want, and Demandra picked the twenty two

0:35:10.360 --> 0:35:13.919
<v Speaker 1>Immutable Laws of Brandon and that book changed all our life.

0:35:13.920 --> 0:35:16.359
<v Speaker 1>That's when I figured out how to sell myself right,

0:35:16.440 --> 0:35:18.680
<v Speaker 1>what my identity was, what I was gonna stand on.

0:35:19.080 --> 0:35:21.440
<v Speaker 1>So that whole day of just meeting him was like

0:35:21.480 --> 0:35:24.359
<v Speaker 1>a whole life changing experience for me. And then every

0:35:24.400 --> 0:35:27.080
<v Speaker 1>time when I moved to La I would see him.

0:35:27.080 --> 0:35:29.600
<v Speaker 1>He remembered me. He always showed me love. It was

0:35:29.600 --> 0:35:31.480
<v Speaker 1>a seven to eleven by the studio. I always see

0:35:31.520 --> 0:35:32.879
<v Speaker 1>him there. He be like, what's up, bro, You're still

0:35:32.880 --> 0:35:36.160
<v Speaker 1>doing your thing. I'd be like yeah. So he always

0:35:36.280 --> 0:35:38.200
<v Speaker 1>rocked with me. Man, rest in peace to Nip. That's

0:35:38.400 --> 0:35:40.800
<v Speaker 1>that's a real legend right there. You know you FaceTime

0:35:40.800 --> 0:35:42.759
<v Speaker 1>me one day, man and you you you put me

0:35:42.800 --> 0:35:48.880
<v Speaker 1>on the FaceTime with the super legend. Ain't even word

0:35:49.760 --> 0:35:52.120
<v Speaker 1>what what what? What? What's getting? That called me? When

0:35:52.160 --> 0:35:53.880
<v Speaker 1>Drake called you and say you'll come to the studio,

0:35:54.000 --> 0:35:58.800
<v Speaker 1>let's do something. Everybody shut up and sit down. Feeling

0:35:58.880 --> 0:36:01.920
<v Speaker 1>me could telling me I need to make a hifie record.

0:36:04.760 --> 0:36:08.360
<v Speaker 1>Let me do me but nah, it was special because

0:36:08.719 --> 0:36:11.840
<v Speaker 1>I actually met dre Um through key On, which is

0:36:11.840 --> 0:36:14.680
<v Speaker 1>his nephew. I met Keian at the studio session. He

0:36:14.800 --> 0:36:17.240
<v Speaker 1>was in the room playing beats, and I was somebody

0:36:17.280 --> 0:36:21.719
<v Speaker 1>that's like I'm open to everything, like my uh my

0:36:21.760 --> 0:36:24.120
<v Speaker 1>big dog that I'm signed to Donnie Meadows. He always

0:36:24.120 --> 0:36:26.040
<v Speaker 1>be telling me like, boy, you're too nice, like you

0:36:26.120 --> 0:36:28.279
<v Speaker 1>talk to Indie and everybody. Like it'd be interns in

0:36:28.320 --> 0:36:30.520
<v Speaker 1>the studio sometimes playing beats. I'll just come in there

0:36:30.520 --> 0:36:33.280
<v Speaker 1>and start rapping on their beats. But Keian was playing

0:36:33.320 --> 0:36:35.160
<v Speaker 1>beats and I just went in there and start freestyle,

0:36:35.200 --> 0:36:36.840
<v Speaker 1>and he was like, man, I gotta introduce you to

0:36:36.920 --> 0:36:40.000
<v Speaker 1>my uncle. I'm like, who your uncle? He like, doctor Dre.

0:36:40.120 --> 0:36:45.440
<v Speaker 1>I'm like, man, come on, you know somebody knows somebody

0:36:45.440 --> 0:36:48.359
<v Speaker 1>that knows somebody to actually know the person. So I'm like, man,

0:36:48.440 --> 0:36:50.680
<v Speaker 1>come on, bro. Like He're like, Noah, that's really my uncle.

0:36:50.719 --> 0:36:52.719
<v Speaker 1>I'm like, all right, bet take my number. I give

0:36:52.800 --> 0:36:56.000
<v Speaker 1>him my number. The next day he faced time me

0:36:56.280 --> 0:36:58.920
<v Speaker 1>with Drake on the phone and dre was like, man,

0:36:58.960 --> 0:37:01.279
<v Speaker 1>I seen your La Leaker freestyle, Like I didn't heard

0:37:01.320 --> 0:37:03.920
<v Speaker 1>a few things about you, Like when I finished with

0:37:03.920 --> 0:37:05.680
<v Speaker 1>this Super Bowl, I want to get in the studio

0:37:05.719 --> 0:37:09.200
<v Speaker 1>with you. So I'm like, bet. So the super Bowl happened,

0:37:09.640 --> 0:37:11.200
<v Speaker 1>and I think it was two days later. It was

0:37:11.239 --> 0:37:13.279
<v Speaker 1>like a Wednesday or Tuesday or something. I was in

0:37:13.280 --> 0:37:16.239
<v Speaker 1>the studio with some people and Kean hit me. He

0:37:16.320 --> 0:37:18.319
<v Speaker 1>was like, want you to pull up? He sent me

0:37:18.320 --> 0:37:20.399
<v Speaker 1>the address. I ain't even tell nobody where I was going.

0:37:20.480 --> 0:37:22.640
<v Speaker 1>I think they thought I was going in the bathroom

0:37:22.719 --> 0:37:26.279
<v Speaker 1>or something. I just got up and I just got up,

0:37:26.960 --> 0:37:31.200
<v Speaker 1>drove straight over there. I still ye straight by myself.

0:37:31.920 --> 0:37:36.239
<v Speaker 1>I ain't bringing nobody over there. Hell nah. But I

0:37:36.320 --> 0:37:38.040
<v Speaker 1>went over there and I was over there for about

0:37:38.160 --> 0:37:41.600
<v Speaker 1>four days and we just was cooking, cooking, cooking, cooking,

0:37:41.640 --> 0:37:45.440
<v Speaker 1>and then everything he taught me. It's really what motivated

0:37:45.480 --> 0:37:47.800
<v Speaker 1>this project because I didn't really know where I wanted

0:37:47.800 --> 0:37:50.000
<v Speaker 1>to go with it. I knew that I wanted to

0:37:50.080 --> 0:37:52.719
<v Speaker 1>have some type of resemblance of like where I was

0:37:52.760 --> 0:37:55.359
<v Speaker 1>at in my career right now, right like I ain't

0:37:55.400 --> 0:37:57.439
<v Speaker 1>got no number one album, I ain't got no number

0:37:57.480 --> 0:37:59.800
<v Speaker 1>one record, but I'm gonna get it. And I wanted

0:37:59.840 --> 0:38:03.320
<v Speaker 1>to express what that feels like being in this moment

0:38:03.400 --> 0:38:06.040
<v Speaker 1>right now. So being around Dre, he kind of like

0:38:06.120 --> 0:38:08.239
<v Speaker 1>taught me how to act out my lyrics and say

0:38:08.320 --> 0:38:10.760
<v Speaker 1>things different. It's a song called king Win for Nothing

0:38:10.920 --> 0:38:14.640
<v Speaker 1>that Charlotta Magne told me the production sound cheap, so

0:38:14.680 --> 0:38:16.520
<v Speaker 1>he had to beef up the mix a little bit.

0:38:16.840 --> 0:38:20.480
<v Speaker 1>But I don't know, and I appreciate that. I appreciate that.

0:38:21.160 --> 0:38:22.839
<v Speaker 1>But it's a song on there. If you listen to it.

0:38:23.400 --> 0:38:25.400
<v Speaker 1>Before I was with Drake, I would have wrapped the

0:38:25.480 --> 0:38:28.200
<v Speaker 1>first lyrics like I woke up this morning with all

0:38:28.239 --> 0:38:30.080
<v Speaker 1>these starts in my head, jumped out the bed and

0:38:30.080 --> 0:38:32.440
<v Speaker 1>stuff my tone nage. But Drake taught me how to

0:38:32.480 --> 0:38:35.160
<v Speaker 1>say it like I woke up this morning when Harley

0:38:35.280 --> 0:38:37.840
<v Speaker 1>starts in my head, jumped out the bed and stuck

0:38:37.920 --> 0:38:41.200
<v Speaker 1>my tone nage so you can actually feel me hitting

0:38:41.239 --> 0:38:43.000
<v Speaker 1>my toe. He taught me how to act out my

0:38:43.080 --> 0:38:45.799
<v Speaker 1>lyrics and stuff like that. And he also taught me that,

0:38:45.920 --> 0:38:52.960
<v Speaker 1>like a lot of people, beats be terrible. And when

0:38:53.000 --> 0:38:55.399
<v Speaker 1>you get around him and we start hearing the beach,

0:38:55.440 --> 0:38:57.759
<v Speaker 1>he'd be like, damn, why do even wrap on these

0:38:57.760 --> 0:39:00.279
<v Speaker 1>other niggas? You know what I mean. But he's a goat.

0:39:00.400 --> 0:39:03.200
<v Speaker 1>That's what made Kim Drake so shout out to Drake man.

0:39:03.239 --> 0:39:05.000
<v Speaker 1>He always teach me a lot. He gave me a

0:39:05.000 --> 0:39:06.680
<v Speaker 1>lot of game. It be times where I'd be lost

0:39:06.719 --> 0:39:08.120
<v Speaker 1>on what to do in our text him when he

0:39:08.200 --> 0:39:10.160
<v Speaker 1>hit me right back, do this, do that? Say this?

0:39:10.840 --> 0:39:14.600
<v Speaker 1>You know what I mean, be a man of integrity together.

0:39:15.760 --> 0:39:18.200
<v Speaker 1>You're probably gonna kill me for saying this. Uh, they

0:39:18.280 --> 0:39:20.879
<v Speaker 1>don't do it. Now we're on the breakfast club, I'm

0:39:20.880 --> 0:39:25.680
<v Speaker 1>saying it. I think we got about six Okay, okay,

0:39:25.640 --> 0:39:28.120
<v Speaker 1>yea about six. You know what they're going I don't.

0:39:28.560 --> 0:39:30.359
<v Speaker 1>I don't let me ask you this. Earlier we were

0:39:30.360 --> 0:39:33.320
<v Speaker 1>talking about never change featuring Rowdy Rich. Do you feel

0:39:33.360 --> 0:39:35.640
<v Speaker 1>that people around you sometimes change? Because I know that's

0:39:35.640 --> 0:39:39.000
<v Speaker 1>a common thing. I hear like you, they'll tell you change,

0:39:39.239 --> 0:39:42.000
<v Speaker 1>but really he would treat you differently. Facts when things

0:39:42.040 --> 0:39:44.239
<v Speaker 1>start to happen. Facts. I'm going through that right now.

0:39:44.320 --> 0:39:46.759
<v Speaker 1>Like I got a bunch of people on that A

0:39:46.880 --> 0:39:49.440
<v Speaker 1>look at like all my attraction and all my movement,

0:39:49.880 --> 0:39:52.160
<v Speaker 1>and they just think because we're friends, they're supposed to

0:39:52.200 --> 0:39:58.480
<v Speaker 1>be there. But it's like grab a flight, you know

0:39:58.480 --> 0:40:00.680
<v Speaker 1>what I mean, put up, get here. As long as

0:40:00.680 --> 0:40:02.160
<v Speaker 1>you get here, I'm gonna make sure it's cool. But

0:40:02.200 --> 0:40:04.520
<v Speaker 1>it's like I can't just be funding everybody flights in

0:40:04.600 --> 0:40:07.000
<v Speaker 1>everybody room and everybody food right now. I know it

0:40:07.080 --> 0:40:09.160
<v Speaker 1>looked nice, you know what I mean, But that ain't

0:40:09.160 --> 0:40:12.160
<v Speaker 1>where were yet, Like everybody playing their role. That's why

0:40:12.200 --> 0:40:13.960
<v Speaker 1>I keep my dog with me. Feet he'd been with

0:40:14.000 --> 0:40:15.840
<v Speaker 1>me from the beginning, you know what I mean. He

0:40:15.880 --> 0:40:19.480
<v Speaker 1>ain't never asked for nothing. We've been rocking from the beginning.

0:40:19.520 --> 0:40:21.759
<v Speaker 1>But it's so many people that feel like because they

0:40:21.920 --> 0:40:24.000
<v Speaker 1>know you, they feel like they're entitled to get something

0:40:24.040 --> 0:40:27.640
<v Speaker 1>from you. And it's like, bro, like help me, don't

0:40:27.680 --> 0:40:29.680
<v Speaker 1>just always try to take from me, Like this is

0:40:29.719 --> 0:40:33.399
<v Speaker 1>a tough business. It's very tough. Like it's artists get

0:40:33.440 --> 0:40:38.040
<v Speaker 1>like what two three years at the MAC Sometimes yeah,

0:40:38.120 --> 0:40:40.080
<v Speaker 1>it's that bar like from that joint you got where

0:40:40.120 --> 0:40:42.640
<v Speaker 1>you be like um and when when when they want more,

0:40:42.680 --> 0:40:45.200
<v Speaker 1>you act like they act like you never did nothing. Yeah,

0:40:45.520 --> 0:40:48.120
<v Speaker 1>you could do everything for somebody. I didn't gave people

0:40:48.280 --> 0:40:51.120
<v Speaker 1>versus wrote them songs. And then they come to the

0:40:51.160 --> 0:40:53.200
<v Speaker 1>show and be like, bro, I don't want to pay

0:40:53.239 --> 0:40:57.640
<v Speaker 1>for no ticket. It's like, bro, support me, you know

0:40:57.680 --> 0:40:59.920
<v Speaker 1>what I mean, Support me, Like I don't look good too,

0:41:00.440 --> 0:41:03.440
<v Speaker 1>I got sell tickets. I got a booking agent. They

0:41:03.560 --> 0:41:06.080
<v Speaker 1>looking at how many tickets this nigga selling? You know

0:41:06.160 --> 0:41:08.160
<v Speaker 1>what I mean? Like I wouldn't bring a bunch of

0:41:08.160 --> 0:41:10.840
<v Speaker 1>people to people, but they want to come with everybody,

0:41:10.880 --> 0:41:12.880
<v Speaker 1>get their people in free to make them look like

0:41:12.920 --> 0:41:15.919
<v Speaker 1>the man. So sometimes people be around you to really

0:41:15.960 --> 0:41:18.520
<v Speaker 1>benefit where it is they're trying to do. Yeah, you

0:41:18.520 --> 0:41:20.200
<v Speaker 1>know what I mean. So that's something I'm dealing with

0:41:20.360 --> 0:41:23.160
<v Speaker 1>right now, just like learning like where to place people,

0:41:23.239 --> 0:41:25.600
<v Speaker 1>learning who could come and who can't. We going on

0:41:25.680 --> 0:41:27.680
<v Speaker 1>tour with Joining Lucas. Yeah and shut Out my dog

0:41:27.800 --> 0:41:31.160
<v Speaker 1>Joining shut Out Joining were going toward this Friday. It's

0:41:31.200 --> 0:41:34.839
<v Speaker 1>my first tour. Yeah, it's my first tour too. I'm graduations.

0:41:34.920 --> 0:41:38.040
<v Speaker 1>How did that even happen? Um? So, Joinder had hit

0:41:38.120 --> 0:41:41.000
<v Speaker 1>me back in June and he was like, UM, I

0:41:41.040 --> 0:41:43.880
<v Speaker 1>appreciate like you keeping bars a lot, you know what

0:41:43.880 --> 0:41:45.680
<v Speaker 1>I mean, Like it's very few of us that's like

0:41:45.760 --> 0:41:48.680
<v Speaker 1>really trying to stand on rapping. And he was telling

0:41:48.680 --> 0:41:50.160
<v Speaker 1>me he was getting ready to go on this tour

0:41:50.400 --> 0:41:52.520
<v Speaker 1>and um, if I wanted to come out, you know,

0:41:52.600 --> 0:41:54.680
<v Speaker 1>he was extending this in I'm like, hell, yeah, I

0:41:54.719 --> 0:41:58.319
<v Speaker 1>ain't never been on no tour, covid got in my way. So, um,

0:41:58.320 --> 0:42:00.440
<v Speaker 1>this is actually the first artist to bring me along

0:42:00.480 --> 0:42:03.360
<v Speaker 1>and share share his platform women. A lot of artists

0:42:03.400 --> 0:42:05.600
<v Speaker 1>don't do that. They feel like you're gonna you know,

0:42:05.680 --> 0:42:07.680
<v Speaker 1>still they shine or you know what I mean, take

0:42:07.719 --> 0:42:09.760
<v Speaker 1>from what it is they do. But he really extended

0:42:09.800 --> 0:42:12.319
<v Speaker 1>his hand and brought me on. He even offered for

0:42:12.360 --> 0:42:14.520
<v Speaker 1>me to go on his bus, you know what I mean.

0:42:14.520 --> 0:42:16.160
<v Speaker 1>When I was like, man, I'm about to pull up

0:42:16.160 --> 0:42:17.880
<v Speaker 1>with a couple of big niggas, ain't bringing all these

0:42:21.440 --> 0:42:24.440
<v Speaker 1>So it's I'm excited about this just to see, like

0:42:24.520 --> 0:42:27.040
<v Speaker 1>the fans, how they react to them music, when music

0:42:27.080 --> 0:42:29.680
<v Speaker 1>they liked the most. So I'm excited about it. And

0:42:29.840 --> 0:42:32.400
<v Speaker 1>are you and Larrussell doing a project? Man, because I'm

0:42:32.400 --> 0:42:33.600
<v Speaker 1>trying to figure out what First of all, I want

0:42:33.600 --> 0:42:34.880
<v Speaker 1>to know what's in the water that got you in

0:42:34.920 --> 0:42:36.839
<v Speaker 1>the Russell sounding the way y'all do. That's number one.

0:42:36.920 --> 0:42:40.200
<v Speaker 1>First off, that's my dog. Look that dude, that's my

0:42:40.440 --> 0:42:44.279
<v Speaker 1>dog right there. I literally, um, anytime I'm in the bait.

0:42:44.360 --> 0:42:48.080
<v Speaker 1>What's crazy is Larrussell lived not too far from my mom,

0:42:48.080 --> 0:42:50.400
<v Speaker 1>So every time I'm in the bay, damn, I shouldn't

0:42:50.400 --> 0:42:55.920
<v Speaker 1>have said that because everybody be in his backyard now, right,

0:42:56.239 --> 0:42:59.520
<v Speaker 1>But every time I'm out there, I hit him, and um,

0:43:00.040 --> 0:43:04.360
<v Speaker 1>it's just motivating because it's like he really running a

0:43:04.600 --> 0:43:08.439
<v Speaker 1>business with his family. Like literally, like I went over there,

0:43:08.440 --> 0:43:12.320
<v Speaker 1>like they pressing up their own teas, they having marketing conversations.

0:43:12.400 --> 0:43:15.360
<v Speaker 1>They in the backyard, having rehearsal, and it'd be making

0:43:15.360 --> 0:43:18.080
<v Speaker 1>me wish, Like, damn, I wish I had this before

0:43:18.840 --> 0:43:21.120
<v Speaker 1>I was going to major route. But it was hard

0:43:21.160 --> 0:43:23.520
<v Speaker 1>for me to build a team because everybody was thinking

0:43:23.560 --> 0:43:26.200
<v Speaker 1>for self. He got a bunch of people that's literally

0:43:26.239 --> 0:43:28.920
<v Speaker 1>supporting him, like they wanted to see him win. I

0:43:28.920 --> 0:43:30.839
<v Speaker 1>had a bunch of niggas around me that just wanted

0:43:30.880 --> 0:43:33.200
<v Speaker 1>to see us win rather than see me win, so

0:43:33.200 --> 0:43:36.359
<v Speaker 1>we could all get the win. And Um, he just

0:43:36.440 --> 0:43:39.160
<v Speaker 1>inspired me. Bro, he like really inspired me. We've been

0:43:39.160 --> 0:43:42.400
<v Speaker 1>talking about this project. Um, I was actually supposed to

0:43:42.400 --> 0:43:44.719
<v Speaker 1>come to his residency that he just did, but I

0:43:44.760 --> 0:43:47.440
<v Speaker 1>had to, um go out of town and film this video.

0:43:48.040 --> 0:43:54.040
<v Speaker 1>But it's in his backyard. It's incredible, though, ain't It's incredible?

0:43:54.239 --> 0:43:57.160
<v Speaker 1>Like he literally just had like four hundred people in

0:43:57.200 --> 0:43:59.359
<v Speaker 1>the backyard that is crib. You know what I mean

0:43:59.360 --> 0:44:02.680
<v Speaker 1>that Tick gets and bought merch. It's incredible, especially for

0:44:02.760 --> 0:44:05.399
<v Speaker 1>a Bay artist. It's tough for us. And he went

0:44:05.440 --> 0:44:07.719
<v Speaker 1>through the same thing I went through. People telling him

0:44:07.760 --> 0:44:10.200
<v Speaker 1>you need this type of song, you need that. Certain

0:44:10.239 --> 0:44:12.280
<v Speaker 1>blogs in the Bay didn't want to post him because

0:44:12.280 --> 0:44:14.879
<v Speaker 1>he don't play into the politics. And he cut through.

0:44:15.600 --> 0:44:18.160
<v Speaker 1>He cut through, his music expanded. It was bigger than

0:44:18.200 --> 0:44:20.799
<v Speaker 1>the Bay. So we definitely, I don't know when it's

0:44:20.840 --> 0:44:23.840
<v Speaker 1>gonna come, but we definitely gonna gonna put that together.

0:44:23.920 --> 0:44:26.279
<v Speaker 1>We didn't talk to about it a few times. Um,

0:44:26.400 --> 0:44:28.200
<v Speaker 1>so it's it's gonna come. It's just you know, he

0:44:28.280 --> 0:44:30.040
<v Speaker 1>got a lot going on. I got a lot going on.

0:44:30.080 --> 0:44:32.520
<v Speaker 1>But once we get some downtime to really knock it out,

0:44:32.520 --> 0:44:35.160
<v Speaker 1>it's gonna come together. Let's play a song off the

0:44:35.200 --> 0:44:38.040
<v Speaker 1>album and what you want to hear never change feature

0:44:38.160 --> 0:44:42.000
<v Speaker 1>Nahomie Roddy Rich. Here there is Simba's albums out. Don't

0:44:42.040 --> 0:44:44.640
<v Speaker 1>take time. I think they pick it up. Yes, sir, Simba,

0:44:44.680 --> 0:44:47.160
<v Speaker 1>you're going places my brother, Come on, man. I appreciate

0:44:47.239 --> 0:44:50.680
<v Speaker 1>y'all for having me. Um. Also, you know I always

0:44:50.680 --> 0:44:53.040
<v Speaker 1>tell y'all appreciate what you do with the Black Effect

0:44:53.120 --> 0:44:57.000
<v Speaker 1>Network because it's important for us to have black media.

0:44:57.320 --> 0:44:58.960
<v Speaker 1>You know what I mean. We always get hot and

0:44:58.960 --> 0:45:00.880
<v Speaker 1>feel like we gotta run the other man, not the

0:45:00.920 --> 0:45:03.440
<v Speaker 1>brother man. You know what I'm meaning. So everything you

0:45:03.520 --> 0:45:08.000
<v Speaker 1>do from all the smoke to to every every podcast

0:45:08.040 --> 0:45:10.799
<v Speaker 1>you got, man, I salute you. Also salute you on

0:45:10.840 --> 0:45:13.719
<v Speaker 1>your future endeavors. I actually like one of your co hosts,

0:45:13.719 --> 0:45:17.080
<v Speaker 1>I'm gonna get it hurt later now you guys here,

0:45:17.160 --> 0:45:25.399
<v Speaker 1>yeah she she find it hell Um, you guys, shout

0:45:25.440 --> 0:45:27.440
<v Speaker 1>out to you two envy man. You you're a real

0:45:27.600 --> 0:45:29.400
<v Speaker 1>legend out here. Man. You got a lot of people

0:45:29.400 --> 0:45:31.839
<v Speaker 1>on the bait that always speak highly or you. You

0:45:31.840 --> 0:45:33.000
<v Speaker 1>know what I mean. I got a lot of people

0:45:33.040 --> 0:45:35.600
<v Speaker 1>from Hampton that always talk about you. So you're a

0:45:35.680 --> 0:45:38.759
<v Speaker 1>legend man. And everything y'all do for this culture, you know,

0:45:38.840 --> 0:45:43.000
<v Speaker 1>for the last what I want to say twelve You

0:45:43.040 --> 0:45:45.279
<v Speaker 1>know what I mean, We always, as young artists wake

0:45:45.400 --> 0:45:48.080
<v Speaker 1>up and watch this show, um to get information to

0:45:48.160 --> 0:45:50.000
<v Speaker 1>learn what it is we should be doing. I learned

0:45:50.000 --> 0:45:51.799
<v Speaker 1>a lot from this show. So it's a blessing to

0:45:51.800 --> 0:45:54.200
<v Speaker 1>be here. And I appreciate y'all for having me. Yes well,

0:45:54.239 --> 0:45:56.200
<v Speaker 1>Sember it's the Breakfast Club. Good morning,