WEBVTT - Michael Mauldin Full Interview

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<v Speaker 1>This podcast is sponsored by Better Help Online Therapy. I'm

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<v Speaker 1>T T E R dot Ai. You're coming to bed hunt? Yep, honey,

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<v Speaker 1>I'll be right there. Just gotta turn out the light.

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<v Speaker 1>Oh hey, some things now or change, like your kids

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<v Speaker 1>always leaving tiny toys on the floor for you to

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<v Speaker 1>step on, and Gan saving folks lots of money on

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<v Speaker 1>their car insurance. Sweetie, I think I left the downstairs

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<v Speaker 1>light on. Please don't make me go. Fifteen minutes could

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<v Speaker 1>save you or more. Welcome to Money Making Conversations. I'm

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<v Speaker 1>your host with Sean McDonald. Each Money Making Conversation talk

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<v Speaker 1>show is about entrepreneurship and entertainment. I provide the consumer

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<v Speaker 1>and business owner access to celebrity CEOs, entrepreneurs and industry

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<v Speaker 1>decision makers. I recognized that we all have different definitions

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<v Speaker 1>of success. For some exercisable paycheck, mine is helping people

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<v Speaker 1>wake up and inspiring them to accomplish their goals and

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<v Speaker 1>live their very best life. These are my passions and

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<v Speaker 1>that's what I'm going to do for you as a listener.

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<v Speaker 1>I want you to stop tripping over small challenges and

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<v Speaker 1>prepared to rise above the bigger obstacles that life will

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<v Speaker 1>present to you. The Money Making Conversation interviews provide relatable

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<v Speaker 1>information to the listener, bout career and financial planning, entrepreneurship, motivation, leadership,

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<v Speaker 1>overcoming the art, and how to live a balance life.

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<v Speaker 1>My next guest is the CEO Or malden Brand Incorporated

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<v Speaker 1>and Chairman of Black American Music Association BAM. His impact

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<v Speaker 1>on the global music industry has been felt for over

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<v Speaker 1>forty plus years. I know I've been right there with

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<v Speaker 1>this young brother. Artists Management created branding and executive leadership

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<v Speaker 1>and has earned him the Living Legend Foundation Highest Honor

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<v Speaker 1>Lifetime Achievment Award. Music may be in his first love,

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<v Speaker 1>but he's also passionate about his community, family, and the

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<v Speaker 1>next generation. Whether it's helping to develop superstar talent, educating

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<v Speaker 1>the next generation of leaders, directing a culturally inspired campaign,

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<v Speaker 1>or using philanthropic efforts to evoke change. This is what

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<v Speaker 1>my man does. Please welcome to money Making Conversations. Michael Malden,

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<v Speaker 1>oh Man, thank you so much for Sean. That's that's

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<v Speaker 1>uh interesting. But I hear that myself. I'm like, you're

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<v Speaker 1>talking about me. But but now I appreciate being on

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<v Speaker 1>here with you man, and congratulations only your talk show.

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<v Speaker 1>I really love what you're what you're about with Well, Mike,

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<v Speaker 1>you know, you and I sitting on Mania or radio studios,

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<v Speaker 1>sitting on a many accouch, you know, just you know,

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<v Speaker 1>different cities on the run backstage talk about the music

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<v Speaker 1>industry when we were talking and about the music industry

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<v Speaker 1>now right, well, you know we've seen a lot man,

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<v Speaker 1>obviously I've been doing it for you know, four decades,

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<v Speaker 1>which is crazy, over four decades and one way or

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<v Speaker 1>the other. Starting out as a ROADI and being working

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<v Speaker 1>with a lot of those artists in the early days

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<v Speaker 1>Funk card Is, you know, from Brick to Cameo, and

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<v Speaker 1>then going on to work with Luther Van Ross and

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<v Speaker 1>the Nita Bakers and having an opportunity to work with,

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<v Speaker 1>you know, some of the biggest and most prominent artists

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<v Speaker 1>in the game. UM. And then in the nineties, you know,

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<v Speaker 1>I went up to Columbia Records. I was drafted, as

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<v Speaker 1>I would say, you know, from a management arm of

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<v Speaker 1>just having a good deal of success with the artists

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<v Speaker 1>and stuff I was working with, and I was asked

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<v Speaker 1>to come in to Sony and do my thing. And

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<v Speaker 1>I think, um, you know, I took on a roll

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<v Speaker 1>of of of you know, I was not bragging, but

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<v Speaker 1>I felt like we could get a lot done. But

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<v Speaker 1>I had never been on the inside of the label before,

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<v Speaker 1>so I had the idea of being cooming a division

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<v Speaker 1>that could operate on its own accord and that kind

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<v Speaker 1>of thing. So I went in pushing for that. UM

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<v Speaker 1>and and I go to that because when you say

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<v Speaker 1>where the music was in the in the nine is

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<v Speaker 1>we were really striving breaking the walls down regarding releases

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<v Speaker 1>and hip hop that really kicked in and the mainstream,

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<v Speaker 1>and we were starting to do amazing stuff, and some

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<v Speaker 1>of us that was controlling budgets and really had our

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<v Speaker 1>own full staffs of people. We were doing exceptionally well,

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<v Speaker 1>and we did there at Columbia, and and we watched

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<v Speaker 1>the movement happened come to two thousand's. I was no

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<v Speaker 1>longer in the system, not because of me not being there,

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<v Speaker 1>but it changed. We saw that change coming. It changed

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<v Speaker 1>back to all of a sudden being cold trolled from within,

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<v Speaker 1>being considered a department. No longer were um black divisions

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<v Speaker 1>or black music arms being given their own budgets and

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<v Speaker 1>they had to go to their white counterparts to get

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<v Speaker 1>budgets approved and stuff like that. And I think a

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<v Speaker 1>lot of that started to change and started to create

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<v Speaker 1>a level of control that we've been fighting to get

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<v Speaker 1>back for the last twenty years. And even though right

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<v Speaker 1>now Black American music, which obviously is hip hop, R

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<v Speaker 1>and D funk, any of that fits right in there,

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<v Speaker 1>is leading the entire globe in regards to streams. I

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<v Speaker 1>think Spotify. It was just it was just reported reported

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<v Speaker 1>that Spotify, for example. Now I think it's sixty five

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<v Speaker 1>to of the streaming income comes from Black American music

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<v Speaker 1>and the number one stream music, isn't it. There's no

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<v Speaker 1>doubt about it, no doubt about it. And then when

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<v Speaker 1>you take the mergence you know of of of R

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<v Speaker 1>and being hip hop, which little people know had a

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<v Speaker 1>lot to do with cording the term urban back in

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<v Speaker 1>the nineties. The combination of R and B meeting where

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<v Speaker 1>you'd have a singing song that would have a rap

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<v Speaker 1>breakout and you have a wrap with a singing hook.

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<v Speaker 1>Those things started to change up the landscape so that

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<v Speaker 1>they could be worked from a different perspective on Top

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<v Speaker 1>forty or rhythmic radio, which no black, very few black

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<v Speaker 1>promotion guys was able to work those records there. So

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<v Speaker 1>that started to change up the climate. But I think

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<v Speaker 1>that where we are now, uh we are it's a

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<v Speaker 1>different day and no citings and stuff for not being sold.

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<v Speaker 1>Obviously with the COVID you know out here, live engagements

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<v Speaker 1>are harder. But we are streaming more music in Black

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<v Speaker 1>American music than we've ever done. And it's just matter

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<v Speaker 1>now trying to get more control and create a better

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<v Speaker 1>level of ownership and and priority inside these buildings and

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<v Speaker 1>the outside in the community. You know absolutely. Now, so

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<v Speaker 1>let's back up a little bit because I said a

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<v Speaker 1>lot when it introduced you, because you've done a lot

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<v Speaker 1>and you are a lot, And now I didn't I

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<v Speaker 1>didn't Nick meant any words that I said in my credits.

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<v Speaker 1>You are a phenomenal person. I've always enjoyed talking to year.

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<v Speaker 1>We laugh, we are. We talked about doing things together

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<v Speaker 1>with NASCAR. I remember back in the day you was NASCAR.

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<v Speaker 1>We're talking about broadcasting right now from Atlanta. So you said, Richard,

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<v Speaker 1>I got something I'm gonna do with NASCAR, talking about

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<v Speaker 1>that NASCAR diversity experience that you were dealing about that

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<v Speaker 1>about ten years ago, and now we're there now. Yeah, well,

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<v Speaker 1>you know it goes back away to your point. It

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<v Speaker 1>was a while back and I started working in association

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<v Speaker 1>with them. I grew up around the sport. I'm from

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<v Speaker 1>North Carolina. I grew up around it. My dad nickname

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<v Speaker 1>was they called everybody called him Lightning. I say, nickname

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<v Speaker 1>was almost like his name. And my dad was a

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<v Speaker 1>he wasn't a moonshiner. But you tell everybody he he was.

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<v Speaker 1>He was one of them. He was close to one

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<v Speaker 1>of those guys who carried carried the shine, and so

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<v Speaker 1>he was well known in the in the mountain. This

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<v Speaker 1>is real conversation. And I was always around motorsports, dirt

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<v Speaker 1>track racing, that kind of thing. I was one of

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<v Speaker 1>those black kids that loved cars and I was very

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<v Speaker 1>much into it. So NASCAR was a big part of that,

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<v Speaker 1>and a lot of times people didn't really understand it,

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<v Speaker 1>but I was going to racist from the time that

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<v Speaker 1>I was six years old on. So in two thousand

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<v Speaker 1>and four, through my love for it, I ended up

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<v Speaker 1>reaching out with my company, Maldon Brand. At the time,

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<v Speaker 1>we was referred to as Mallon Brand Agency, and with

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<v Speaker 1>that we, uh, you know, our whole thing was about

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<v Speaker 1>branding and and and having a having an ethical system.

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<v Speaker 1>That really meant, you know, taking the quote unquote black brand,

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<v Speaker 1>black community brand, and we actually referred to it as

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<v Speaker 1>the urban brand at the time, taking that and moving

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<v Speaker 1>that into mainstream and then taking those um assets and

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<v Speaker 1>things that we got from that and bringing it back

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<v Speaker 1>into the community. So that was always kind of our formula,

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<v Speaker 1>and so I went after NASCAR. I went after dinner

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<v Speaker 1>way to say, hey, y'all need some help, not just

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<v Speaker 1>from a diverse standpoint of black folks being there or

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<v Speaker 1>black driver being there, but from a youth perspective of

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<v Speaker 1>young people and making sure because the climate is changing,

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<v Speaker 1>most of your audience is older. You know, I knew

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<v Speaker 1>my age and I'm like, you know, I'm a fan. However,

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<v Speaker 1>it's hard for me to get these young kids to

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<v Speaker 1>go to the track with me, you know. And I've

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<v Speaker 1>taken Bow and I've taken German and a bunch of

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<v Speaker 1>artists over years, White club gen and different people to

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<v Speaker 1>the tracks given that experience, because the experience is amazing,

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<v Speaker 1>but on official the big track, but just trying to

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<v Speaker 1>really work it in and create more symmetry. And I

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<v Speaker 1>think that, um, you know, because it was in all

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<v Speaker 1>honestly being viewed for years. It's kind of that good

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<v Speaker 1>old boy type of networking that takes place in our world. Um,

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<v Speaker 1>you know, a lot of people, uh from the black

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<v Speaker 1>community felt like it was on the outside of us

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<v Speaker 1>and we didn't really drill down. I got involved story

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<v Speaker 1>to create some program, start to create the things. We

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<v Speaker 1>We ended up doing a couple of events around the

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<v Speaker 1>country and in Atlanta, Atlanta Motor Speedway Ed Clark, who

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<v Speaker 1>was the president of a a truck and turns a great guy. Um,

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<v Speaker 1>we did something on Friday nights called Welcome Fast Car Weekend,

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<v Speaker 1>Welcome to Atlanta, Fast Car Weekend, and we would end up.

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<v Speaker 1>Um we had fast Life Fridays and we had music played,

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<v Speaker 1>and we did a little drag race on Pit Road

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<v Speaker 1>down there, and I even had some of the ladies

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<v Speaker 1>from the Real Housewives Atlanta participated one year and had

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<v Speaker 1>a good audience, and it was just it was a

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<v Speaker 1>great blend of just getting people. We'd have fashion shows.

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<v Speaker 1>So we realized that black people and our community spends

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<v Speaker 1>more money for a capital on on automotive and and

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<v Speaker 1>and an automotive after parts than anybody. So it's like, well, wow,

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<v Speaker 1>you know, we love speed, we love all that. Why

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<v Speaker 1>aren't we more involved? And so the idea was to

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<v Speaker 1>try to really drill down I will sell you. Uh.

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<v Speaker 1>NASCAR is a family owned business and it is not

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<v Speaker 1>public yet, but it does great, has great television ratings

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<v Speaker 1>and all that, and in a way they've been able

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<v Speaker 1>to survive without really having that stampard approval, unlike so

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<v Speaker 1>many other sports with the ball or or football or whatever.

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<v Speaker 1>It's an expensive sport to get into. So unless you've

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<v Speaker 1>got somebody financing you and and and that can afford

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<v Speaker 1>you to go out and positar your car up two

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<v Speaker 1>or three laps and have to rebuild it, it's a

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<v Speaker 1>hard thing for black kids to participate in. So we

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<v Speaker 1>were just trying to find ways to get that go

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<v Speaker 1>kart racing other things to add not just about being racing,

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<v Speaker 1>but also there's a lot of mathematics and stuff went

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<v Speaker 1>involved because of just engineering that kind of thing with

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<v Speaker 1>the way these cards or today. So it was all

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<v Speaker 1>done around education. And that's why I wanted to bring

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<v Speaker 1>it up in our interview because the fact that you know,

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<v Speaker 1>I'd just say that the NASCAR has always wanted to diversified,

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<v Speaker 1>and but that that flag, that flag, and it's like

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<v Speaker 1>it's like, you know, you go there, you see that,

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<v Speaker 1>and the flag was there, y'all. I went to some NASCAR,

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<v Speaker 1>it was there. It was there a lot, especially when

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<v Speaker 1>they had those those It's just an experience just to

0:12:14.840 --> 0:12:17.240
<v Speaker 1>go because those RVs, it's like a new city out

0:12:17.240 --> 0:12:19.959
<v Speaker 1>there that got the private gets be coming in. It's

0:12:20.000 --> 0:12:22.600
<v Speaker 1>a lot of money at NASCAR. And a hundred thousand

0:12:22.679 --> 0:12:26.880
<v Speaker 1>people ever pretty much every Sunday, and I'm just let's

0:12:27.480 --> 0:12:30.280
<v Speaker 1>I've went to it, Steve Harvey not We went several times.

0:12:30.640 --> 0:12:32.760
<v Speaker 1>And if you just if you just put your eyes

0:12:32.840 --> 0:12:35.679
<v Speaker 1>just just look straight ahead, don't even look left for right,

0:12:36.120 --> 0:12:42.840
<v Speaker 1>that car goes by your eyes so fast. It is

0:12:42.880 --> 0:12:49.120
<v Speaker 1>an amazing event to go to fresh air, good food. Uh,

0:12:49.320 --> 0:12:52.400
<v Speaker 1>it's a great atmosphere. And to see now that they've

0:12:52.440 --> 0:12:56.040
<v Speaker 1>taken down the flag, you know, with with with with

0:12:56.160 --> 0:12:59.360
<v Speaker 1>the president who's been resistant to that, which is incredible.

0:13:00.120 --> 0:13:04.520
<v Speaker 1>And because NASCAR made this decision, it was the right decision.

0:13:04.800 --> 0:13:08.560
<v Speaker 1>And seeing a driver like a very humble and courageous

0:13:08.640 --> 0:13:13.160
<v Speaker 1>and talented, good looking, articulate driver like Bubba Wallace out there, Yeah,

0:13:13.559 --> 0:13:16.360
<v Speaker 1>knowing what you tried to do back then and seeing

0:13:16.360 --> 0:13:19.800
<v Speaker 1>what's happened now, what do you think the possibilities of

0:13:19.840 --> 0:13:24.160
<v Speaker 1>it really becoming an engaging level of participation for African Americans.

0:13:25.120 --> 0:13:27.320
<v Speaker 1>I think it's huge, But I think we also got

0:13:27.440 --> 0:13:29.720
<v Speaker 1>to look beyond. We gotta look at the sport itself

0:13:29.760 --> 0:13:32.640
<v Speaker 1>because there's a lot of marketing, a lot of stuff involved,

0:13:32.960 --> 0:13:34.920
<v Speaker 1>and and you know, and at one point they tapped

0:13:34.920 --> 0:13:36.960
<v Speaker 1>into a lot of the schools, the ant and a

0:13:36.960 --> 0:13:40.760
<v Speaker 1>lot of the HBCUs talent. As a matter of fact, Uh,

0:13:41.040 --> 0:13:44.360
<v Speaker 1>Terrence that used to be on B. T. Wall Sitching

0:13:44.400 --> 0:13:48.480
<v Speaker 1>park En, j. You know, it's from he went to Anti.

0:13:48.880 --> 0:13:52.040
<v Speaker 1>Terence was actually I met parents working for NASCAR. He

0:13:52.160 --> 0:13:54.480
<v Speaker 1>was working for NASCAR as an intern, believe it or not,

0:13:54.880 --> 0:13:56.760
<v Speaker 1>and we used to talk about it, so, you know,

0:13:56.800 --> 0:13:59.240
<v Speaker 1>when he went to Triumph for that job. But the

0:13:59.280 --> 0:14:01.480
<v Speaker 1>point of it is they they have constantly for year

0:14:01.480 --> 0:14:03.920
<v Speaker 1>a year been going after it. But I don't feel

0:14:03.920 --> 0:14:06.000
<v Speaker 1>I think it's all been about being on the pit

0:14:06.120 --> 0:14:08.880
<v Speaker 1>crew beyond some of these other things and some of

0:14:08.880 --> 0:14:12.200
<v Speaker 1>the more executive leaning roles, even though there are a

0:14:12.200 --> 0:14:16.679
<v Speaker 1>few brothers and sisters involved, could be much more inclusive,

0:14:16.720 --> 0:14:19.160
<v Speaker 1>I believe, and some of the teams and and you know,

0:14:19.200 --> 0:14:20.800
<v Speaker 1>and even I was just talking to some friends from

0:14:20.800 --> 0:14:23.520
<v Speaker 1>North Carolina this morning, even for North Carolina, which is

0:14:23.600 --> 0:14:26.880
<v Speaker 1>kind of the hub of NASCAR, Charlotte. Um, you know,

0:14:26.960 --> 0:14:29.800
<v Speaker 1>I think that it's Uh, there's opportunities that we have

0:14:29.960 --> 0:14:34.800
<v Speaker 1>to investigate or get more involved in to understand what

0:14:34.840 --> 0:14:37.240
<v Speaker 1>those other jobs are. But I think it's high. I mean,

0:14:37.280 --> 0:14:40.880
<v Speaker 1>Bubba Darryl Wallace. Everybody refers tom as Bubba. I've known

0:14:40.960 --> 0:14:44.040
<v Speaker 1>him for you know, since he got started. A great driver,

0:14:44.120 --> 0:14:46.440
<v Speaker 1>I mean really a talented talent guy. And he just

0:14:46.520 --> 0:14:49.360
<v Speaker 1>happened to be driving for Richard Petty, which is probably

0:14:49.400 --> 0:14:52.200
<v Speaker 1>he's one of the most famous names and motorsports ever

0:14:52.680 --> 0:14:56.440
<v Speaker 1>Petty family. Uh so he has he has the tools

0:14:56.800 --> 0:14:59.160
<v Speaker 1>still looking for you know, he struggles like a lot

0:14:59.200 --> 0:15:01.880
<v Speaker 1>of these other drivers, but he struggles to get partnerships

0:15:01.880 --> 0:15:04.840
<v Speaker 1>and sponsorship, which is what makes these cars go around

0:15:04.840 --> 0:15:07.880
<v Speaker 1>that track. Um, that's an exclusive sport. It basically cost

0:15:07.960 --> 0:15:10.920
<v Speaker 1>you twenty million dollars a year to pretty much run

0:15:11.000 --> 0:15:13.720
<v Speaker 1>one of these cars. So you have to you have

0:15:13.840 --> 0:15:17.240
<v Speaker 1>to have a bank with you somewhat to be able

0:15:17.280 --> 0:15:20.040
<v Speaker 1>to support being out there. And I think that with

0:15:20.280 --> 0:15:23.240
<v Speaker 1>that support with now and so much attention or even

0:15:23.280 --> 0:15:25.320
<v Speaker 1>on him and the support and the sport is given

0:15:25.600 --> 0:15:27.520
<v Speaker 1>as well as some of these young drivers coming up,

0:15:27.800 --> 0:15:30.440
<v Speaker 1>I think it's a great opportunity. And I also think

0:15:30.440 --> 0:15:33.800
<v Speaker 1>there's a way to combine our music, particularly hip hop,

0:15:34.240 --> 0:15:38.080
<v Speaker 1>with this sport more right now obviously country music is

0:15:38.120 --> 0:15:41.640
<v Speaker 1>mostly associated with the sport, but over the even since

0:15:41.680 --> 0:15:44.240
<v Speaker 1>I've gotten involved, h not to say I had anything

0:15:44.280 --> 0:15:46.480
<v Speaker 1>to do with it, but it definitely started, you know,

0:15:46.560 --> 0:15:50.680
<v Speaker 1>gradually getting better over time. It's finally here, the season

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0:16:34.400 --> 0:16:37.560
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<v Speaker 1>E R. Dot ai. You know when you meet people

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<v Speaker 1>in your life and we have always we all have

0:17:50.040 --> 0:17:52.560
<v Speaker 1>different journeys, and you just sit down and you just

0:17:53.000 --> 0:17:55.800
<v Speaker 1>have a conversation and you were last day you're talking

0:17:55.840 --> 0:17:58.320
<v Speaker 1>to a difference maker and then ten years later, he's

0:17:58.320 --> 0:18:00.959
<v Speaker 1>still making a difference. That's what I love. Difference makers.

0:18:01.000 --> 0:18:03.760
<v Speaker 1>You know they do they pivot, they pivot. You know,

0:18:03.800 --> 0:18:06.720
<v Speaker 1>they an opportunity and they pivot and uh and that's

0:18:06.760 --> 0:18:08.960
<v Speaker 1>really you in a lot of ways. You know, that's

0:18:08.960 --> 0:18:11.320
<v Speaker 1>what I do all the time too. People always say, man,

0:18:11.359 --> 0:18:13.760
<v Speaker 1>you do this this, Hey man, I see an opportunity,

0:18:13.800 --> 0:18:16.600
<v Speaker 1>I pivot. I don't. I don't question the opportunity. I pivot.

0:18:16.840 --> 0:18:20.280
<v Speaker 1>That's that's the value that you carry strong to your heart, correct, Michael,

0:18:21.640 --> 0:18:25.160
<v Speaker 1>It really is, John Um. You know, however, I think

0:18:25.200 --> 0:18:27.880
<v Speaker 1>the way I view it is I've always been one

0:18:28.000 --> 0:18:31.200
<v Speaker 1>that if I believed in it, if I genuinely had

0:18:31.280 --> 0:18:35.920
<v Speaker 1>the untending feeling of it, meaning that it was real,

0:18:36.240 --> 0:18:38.960
<v Speaker 1>whether it started with me or took it as a

0:18:39.000 --> 0:18:42.639
<v Speaker 1>handoffer someone told me about it, if I passionately failed it,

0:18:43.040 --> 0:18:46.600
<v Speaker 1>I was gonna go far. But however, most of us,

0:18:46.800 --> 0:18:49.040
<v Speaker 1>so much in our lives, we have that same element.

0:18:49.520 --> 0:18:51.439
<v Speaker 1>It's just that a lot of times we're in front

0:18:51.560 --> 0:18:54.720
<v Speaker 1>of you know, nobody else thinks it's cool, nobody else

0:18:54.720 --> 0:18:58.440
<v Speaker 1>thinks it's valid, nobody else feels like there's anything to it.

0:18:58.520 --> 0:19:02.200
<v Speaker 1>So often we are in front of things that are

0:19:02.240 --> 0:19:05.439
<v Speaker 1>taking place. So when we introduced them, like when you

0:19:05.480 --> 0:19:08.560
<v Speaker 1>mentioned the NASCAR thing earlier, when you do those things

0:19:08.600 --> 0:19:11.080
<v Speaker 1>along the way, I did that out of passion and

0:19:11.160 --> 0:19:13.959
<v Speaker 1>out of something I saw was needed. I don't believe

0:19:14.040 --> 0:19:17.200
<v Speaker 1>everyone saw the same thing needed. They saw that there

0:19:17.280 --> 0:19:21.480
<v Speaker 1>was things about it that was needed, There was opportunities

0:19:21.480 --> 0:19:23.760
<v Speaker 1>that the right person or the right group, or all

0:19:23.760 --> 0:19:26.800
<v Speaker 1>of a sudden we had twenty thousand people showed up

0:19:26.840 --> 0:19:30.760
<v Speaker 1>the track today that was black, or or or or

0:19:30.800 --> 0:19:34.679
<v Speaker 1>some other minority group. Then yeah, but the fact of

0:19:34.720 --> 0:19:37.800
<v Speaker 1>digging down and understanding I don't think it did. However,

0:19:38.440 --> 0:19:41.760
<v Speaker 1>now you go from when that time was the last

0:19:41.760 --> 0:19:46.119
<v Speaker 1>event I think I did was probably twenty seventeen or

0:19:46.200 --> 0:19:50.200
<v Speaker 1>ear and so you look now and you're like, wow,

0:19:50.520 --> 0:19:53.640
<v Speaker 1>what look at the change, or look at the attention

0:19:53.680 --> 0:19:55.400
<v Speaker 1>that it's getting, or look at some of the things

0:19:55.440 --> 0:19:57.840
<v Speaker 1>that NASCAR as an organizations haven to stand up for.

0:19:58.960 --> 0:20:02.680
<v Speaker 1>I had someone from the Sporting News of NASCAR hit

0:20:02.720 --> 0:20:04.680
<v Speaker 1>me that one of the top guys that ever race

0:20:05.080 --> 0:20:07.399
<v Speaker 1>hit me last week that's always been a believer, a

0:20:07.440 --> 0:20:11.480
<v Speaker 1>white guy. Uh in what I am representing? That did?

0:20:11.640 --> 0:20:14.280
<v Speaker 1>And he asked me, Michael's longtime. I hadn't talked to

0:20:14.320 --> 0:20:16.760
<v Speaker 1>you a couple of years, man, But um, has anyone

0:20:16.840 --> 0:20:19.359
<v Speaker 1>reached out the youth from the NASCAR regarding what's going on,

0:20:19.400 --> 0:20:21.440
<v Speaker 1>because they seem like, to me, now is the time

0:20:21.480 --> 0:20:24.920
<v Speaker 1>they really need you. I was so taken back by that.

0:20:25.720 --> 0:20:28.480
<v Speaker 1>I appreciate them saying it, but at the same time,

0:20:28.600 --> 0:20:30.800
<v Speaker 1>it's just me, Michael Mala. I'm just trying to do

0:20:30.920 --> 0:20:34.760
<v Speaker 1>what I do so to understand that someone thinking about

0:20:35.359 --> 0:20:39.800
<v Speaker 1>the sport that they really are believer in needing help

0:20:39.880 --> 0:20:42.280
<v Speaker 1>and say wow or feeling like, Okay, there's a lot

0:20:42.359 --> 0:20:45.399
<v Speaker 1>going on. What is our position. Now, let's go to

0:20:45.440 --> 0:20:47.800
<v Speaker 1>somebody we trust that knows that loves the sport the

0:20:47.840 --> 0:20:50.679
<v Speaker 1>genuinely is in it, that can help us out. That

0:20:50.840 --> 0:20:54.600
<v Speaker 1>was his thought. Now, don't get wrong, Nobody NASCAR that

0:20:55.000 --> 0:20:57.240
<v Speaker 1>has reached out to me that I know of. But

0:20:57.640 --> 0:21:01.239
<v Speaker 1>I know all those guys and I know the Let

0:21:01.280 --> 0:21:02.960
<v Speaker 1>me let me read something I just said in your

0:21:03.000 --> 0:21:07.399
<v Speaker 1>credit see see music maybe his first love, but he

0:21:07.480 --> 0:21:11.679
<v Speaker 1>is also passionate about his community, family and the next generation,

0:21:12.119 --> 0:21:16.600
<v Speaker 1>whether it is helping to develop superstar talent, educating the

0:21:16.640 --> 0:21:23.000
<v Speaker 1>next generation of leaders, directing a culturally inspired campaign or

0:21:23.160 --> 0:21:27.200
<v Speaker 1>using philanthropic efforts to evoke change. I said that about

0:21:27.240 --> 0:21:32.360
<v Speaker 1>you in my credits, so please don't be confused why

0:21:32.440 --> 0:21:35.919
<v Speaker 1>he called you. Yeah, no, I appreciate that, man, and

0:21:36.000 --> 0:21:39.360
<v Speaker 1>sometimes we do people. Man, just it is what it is.

0:21:39.480 --> 0:21:43.120
<v Speaker 1>But I listen, I genuinely what you just said. That

0:21:43.320 --> 0:21:46.840
<v Speaker 1>is me, man. I I live by this little quote

0:21:46.840 --> 0:21:51.159
<v Speaker 1>I say, and we even you sometime with baum um

0:21:51.280 --> 0:21:56.280
<v Speaker 1>you have to acknowledge your history to inspire the future period.

0:21:56.640 --> 0:21:59.359
<v Speaker 1>And I lived by that because I believe that everything

0:21:59.400 --> 0:22:02.320
<v Speaker 1>that is trying spiring, some of it is biblical. But

0:22:02.440 --> 0:22:05.720
<v Speaker 1>everything that's transferring today, whether it's in COVID nineteen or

0:22:05.760 --> 0:22:09.040
<v Speaker 1>whether it's the social injustice has taken place in the streets,

0:22:09.040 --> 0:22:13.399
<v Speaker 1>and that here, it has been here before, and a

0:22:13.440 --> 0:22:16.280
<v Speaker 1>lot of it we're just seeing, you know, being replicated

0:22:16.359 --> 0:22:21.359
<v Speaker 1>or coming back around. And unfortunately we addressed it many

0:22:21.400 --> 0:22:25.240
<v Speaker 1>times like it's all brand new, like it and and

0:22:25.240 --> 0:22:28.159
<v Speaker 1>and and for those of us that know, as we

0:22:28.200 --> 0:22:31.600
<v Speaker 1>get older, we have to learn how to pass the baton.

0:22:32.080 --> 0:22:34.639
<v Speaker 1>We have to learn how to listen to the young folks.

0:22:34.960 --> 0:22:37.840
<v Speaker 1>You know right now, the stuff going on, Uh you know,

0:22:37.920 --> 0:22:41.280
<v Speaker 1>I'm I'm I'm consulting or talking to different people because

0:22:41.320 --> 0:22:44.120
<v Speaker 1>of the black music association with the labels and all

0:22:44.160 --> 0:22:47.119
<v Speaker 1>that regarding everything's going on, and again that's debate between

0:22:47.160 --> 0:22:50.080
<v Speaker 1>black and urban and all that stuff. And some of

0:22:50.119 --> 0:22:53.200
<v Speaker 1>the young people, I love their energy and their fire,

0:22:53.280 --> 0:22:56.120
<v Speaker 1>but they're ready to Damnia burned some stuff down. They

0:22:56.200 --> 0:22:59.040
<v Speaker 1>just they just angry, and they feel like they've been

0:22:59.040 --> 0:23:01.080
<v Speaker 1>taking advantage of and they feel like they're making hit

0:23:01.119 --> 0:23:04.040
<v Speaker 1>songs and nobody really give them the credit or ultimately

0:23:04.080 --> 0:23:05.720
<v Speaker 1>find out they could have got a better deal, or

0:23:05.760 --> 0:23:08.440
<v Speaker 1>their white counterpart had a better deal than them, or

0:23:09.359 --> 0:23:13.360
<v Speaker 1>we have seen that over and over over the years,

0:23:13.520 --> 0:23:15.560
<v Speaker 1>and some of us have lived it, and some of

0:23:15.640 --> 0:23:18.800
<v Speaker 1>us has been in the seats of the highest position

0:23:19.160 --> 0:23:21.439
<v Speaker 1>we could have been in at the time for the

0:23:21.560 --> 0:23:24.919
<v Speaker 1>role in which we were playing. And I think that

0:23:24.920 --> 0:23:29.560
<v Speaker 1>that being said up, we forget sometimes how to hand

0:23:29.600 --> 0:23:33.120
<v Speaker 1>off to our young folks or how to pull them together. UM.

0:23:33.480 --> 0:23:35.800
<v Speaker 1>I was just reading something this morning, and I'm so

0:23:35.880 --> 0:23:39.679
<v Speaker 1>proud of you there in Atlanta, UM to read that

0:23:39.840 --> 0:23:44.440
<v Speaker 1>all the black radio stations and personalities or personnel was

0:23:44.560 --> 0:23:48.200
<v Speaker 1>coming together as one to see Black radio Atlanta speak

0:23:48.200 --> 0:23:50.919
<v Speaker 1>on behalf. And obviously we're talking about the voting. It's

0:23:50.960 --> 0:23:53.480
<v Speaker 1>all centered around voting. But the truth of the matter

0:23:53.560 --> 0:23:58.520
<v Speaker 1>is we needed anyway Sean. Radio media has always been

0:23:58.560 --> 0:24:01.000
<v Speaker 1>our voice. When I grew there was a thing called

0:24:01.080 --> 0:24:03.119
<v Speaker 1>Randy's Record Mark, which is where I listened to all

0:24:03.160 --> 0:24:06.160
<v Speaker 1>other Nashville Tennessee, which is where I listened to where

0:24:06.160 --> 0:24:09.119
<v Speaker 1>actually it is Gallatin, Tennessee. Out of Nashville. I listened

0:24:09.119 --> 0:24:11.080
<v Speaker 1>to every music I grew up in North Carolina. But

0:24:11.160 --> 0:24:13.919
<v Speaker 1>after nine o'clock at night, that's what you get. You

0:24:13.920 --> 0:24:16.720
<v Speaker 1>can get AM radio and then though this makes you

0:24:16.760 --> 0:24:19.480
<v Speaker 1>sound old as heck, but you could get AM radio

0:24:19.800 --> 0:24:25.280
<v Speaker 1>and it was always music, R and B, blues, you know,

0:24:25.359 --> 0:24:28.159
<v Speaker 1>whatever it may been at the time. Otris Rea and

0:24:28.240 --> 0:24:30.920
<v Speaker 1>James Brown, you name it, but they were always talking

0:24:30.960 --> 0:24:35.720
<v Speaker 1>about community and support and building up. Radio in Atlanta

0:24:35.800 --> 0:24:38.360
<v Speaker 1>has always talked about community and support, and we kind

0:24:38.400 --> 0:24:40.879
<v Speaker 1>of got away from that. So we sound like sometimes

0:24:40.920 --> 0:24:43.760
<v Speaker 1>we just soundtrack that goes on and which music been played,

0:24:44.000 --> 0:24:46.520
<v Speaker 1>and that's great, but there's very little back talk, very

0:24:46.520 --> 0:24:49.080
<v Speaker 1>little conversation. That's why I love what you're doing, because

0:24:49.080 --> 0:24:51.560
<v Speaker 1>I think if we don't introduce or talk to our

0:24:51.640 --> 0:24:54.680
<v Speaker 1>community more or share with them more about what's going on.

0:24:55.400 --> 0:24:58.320
<v Speaker 1>We will continue to have lost minds and lost soul

0:24:58.800 --> 0:25:02.359
<v Speaker 1>and our next general nation will be the one to

0:25:02.520 --> 0:25:05.920
<v Speaker 1>lead this nation, lead this world, lead this globe. If

0:25:05.920 --> 0:25:12.720
<v Speaker 1>we've got anything that we will have you. You man,

0:25:13.040 --> 0:25:16.080
<v Speaker 1>I'm loving you, hearing you, because this is why I

0:25:16.160 --> 0:25:18.679
<v Speaker 1>created this, because I go back to AM radio. You

0:25:18.680 --> 0:25:20.520
<v Speaker 1>know when when they used to when they used to

0:25:20.600 --> 0:25:24.199
<v Speaker 1>let you talk, before radio became music became keen and

0:25:24.240 --> 0:25:27.960
<v Speaker 1>the PPM said you can't talk, you can't talk. And

0:25:28.720 --> 0:25:30.719
<v Speaker 1>when they ran p S A S on the radio,

0:25:30.920 --> 0:25:32.640
<v Speaker 1>you know you you could have a little thing happened

0:25:32.680 --> 0:25:34.879
<v Speaker 1>in the community. They read it on the radio for you.

0:25:35.400 --> 0:25:38.239
<v Speaker 1>That's when radio was real radio, you know. And so

0:25:38.320 --> 0:25:41.399
<v Speaker 1>that was right. I created money making conversations because you know,

0:25:41.680 --> 0:25:43.679
<v Speaker 1>people don't want to they won't let this happen. When

0:25:43.720 --> 0:25:45.840
<v Speaker 1>I'm talking about on the radio. They shove it up

0:25:45.840 --> 0:25:50.119
<v Speaker 1>on Sunday when nobody can hear it on on Sunday morning. Yeah,

0:25:50.200 --> 0:25:53.240
<v Speaker 1>it's a it's it's you know, offend of mine. The

0:25:53.320 --> 0:25:56.520
<v Speaker 1>late La Baron Taylor was an executive attorney for many

0:25:56.600 --> 0:25:59.160
<v Speaker 1>years and part of the Black concuss and really helped

0:25:59.160 --> 0:26:01.640
<v Speaker 1>me tremendously, you know, got me to the White House

0:26:01.640 --> 0:26:04.679
<v Speaker 1>a couple of times, and just amazing guy. But he

0:26:04.760 --> 0:26:06.840
<v Speaker 1>used to use the term and some of them that

0:26:07.040 --> 0:26:10.159
<v Speaker 1>people that know him is from Philadelphia and he's like, Michael,

0:26:11.480 --> 0:26:13.760
<v Speaker 1>this has all happened before before you came here to

0:26:13.840 --> 0:26:16.960
<v Speaker 1>Sony and you're kicking butt right now and you are amazing.

0:26:17.040 --> 0:26:19.879
<v Speaker 1>You're you've turned this company around, he said, But before

0:26:19.920 --> 0:26:23.920
<v Speaker 1>you came here, we were doing similar to the same thing.

0:26:24.160 --> 0:26:28.720
<v Speaker 1>We had these and one day they decided they whoever

0:26:28.760 --> 0:26:31.159
<v Speaker 1>they may be, decided they did they didn't want to

0:26:31.200 --> 0:26:33.600
<v Speaker 1>do it no more. And we were successful. So you

0:26:33.640 --> 0:26:37.160
<v Speaker 1>need to be careful and and his word was always

0:26:37.200 --> 0:26:42.359
<v Speaker 1>trying to don't be bamboozle because we allow the trick

0:26:42.440 --> 0:26:44.800
<v Speaker 1>bag to be put into play. And that's what's going

0:26:44.880 --> 0:26:47.960
<v Speaker 1>on now. Like imagine this, for Sean. If what you're

0:26:48.000 --> 0:26:50.520
<v Speaker 1>talking about, what you're doing right now, if all the

0:26:50.600 --> 0:26:53.160
<v Speaker 1>radio stage, how much is gonna talk about Atlanta? If

0:26:53.200 --> 0:26:56.840
<v Speaker 1>you take the radio stations that as the general public

0:26:56.920 --> 0:26:59.640
<v Speaker 1>knows them from what's going on to kiss or what's

0:26:59.640 --> 0:27:01.600
<v Speaker 1>going on it the one h three or what's going

0:27:01.640 --> 0:27:05.199
<v Speaker 1>on over it seth or whatever it may be. You know,

0:27:05.440 --> 0:27:09.240
<v Speaker 1>and you allow those jobs and those programmers to talk

0:27:09.280 --> 0:27:12.840
<v Speaker 1>around their records and to be able to share information

0:27:12.880 --> 0:27:16.280
<v Speaker 1>with the community in the public. This election wouldn't be

0:27:16.800 --> 0:27:19.560
<v Speaker 1>It would, trust me, would be in a much better

0:27:19.600 --> 0:27:25.040
<v Speaker 1>place come the end of November, come January twenty if

0:27:25.119 --> 0:27:27.760
<v Speaker 1>that was able to happen, because when you start to

0:27:27.840 --> 0:27:32.920
<v Speaker 1>minimize our voice, you start to minimize the outreach to community.

0:27:33.160 --> 0:27:35.840
<v Speaker 1>When you cut that off, all of a sudden is

0:27:35.880 --> 0:27:38.040
<v Speaker 1>touch point. All of a sudden, you don't have to

0:27:38.080 --> 0:27:41.200
<v Speaker 1>be black and from the culture and from the community

0:27:41.440 --> 0:27:44.720
<v Speaker 1>to play quote unquote black music or hip hop music,

0:27:45.160 --> 0:27:47.840
<v Speaker 1>but open your mouth and start talking about the issues

0:27:47.880 --> 0:27:50.520
<v Speaker 1>on our community. Now you've got to be black. Now

0:27:50.600 --> 0:27:54.000
<v Speaker 1>you're needed, so people position us where we're not needed

0:27:54.320 --> 0:27:57.160
<v Speaker 1>or and then we buy into it and don't think

0:27:57.160 --> 0:27:59.520
<v Speaker 1>we are like anybody can do that, you know. The

0:27:59.600 --> 0:28:01.440
<v Speaker 1>thing is the thing that bothers me the most. And

0:28:01.480 --> 0:28:04.440
<v Speaker 1>then you're absolutely right. But now the jocks that they

0:28:04.440 --> 0:28:07.959
<v Speaker 1>have on radio now they are so music driven and

0:28:07.960 --> 0:28:10.120
<v Speaker 1>and and don't have a point of view at all.

0:28:10.560 --> 0:28:14.560
<v Speaker 1>Then when they talk about community change, it's almost like,

0:28:14.640 --> 0:28:18.240
<v Speaker 1>why are you talking to me? Okay, you have now

0:28:18.320 --> 0:28:21.360
<v Speaker 1>developed a history to talk to me like that. You're

0:28:21.359 --> 0:28:23.359
<v Speaker 1>not developed a history to tell me to go vote

0:28:23.720 --> 0:28:26.760
<v Speaker 1>or tell me about COVID nineteen, because they weren't allowed

0:28:26.800 --> 0:28:30.920
<v Speaker 1>that to happen. And so they've they stripped the personalities

0:28:31.480 --> 0:28:34.040
<v Speaker 1>of of the of the of these afternoon drive guys,

0:28:34.080 --> 0:28:35.880
<v Speaker 1>these mid days mid days that let them to talk

0:28:35.880 --> 0:28:38.040
<v Speaker 1>a little bit. But hey, afternoon in the morning, ain't

0:28:38.080 --> 0:28:43.120
<v Speaker 1>nobody talking. Ain't nobody talking afternoon morning, bro, You know that,

0:28:43.240 --> 0:28:45.800
<v Speaker 1>And so so it's really it's really crazy. But before

0:28:45.800 --> 0:28:49.440
<v Speaker 1>I want to definitely talk about the new digital series

0:28:49.480 --> 0:28:52.800
<v Speaker 1>that you have, Amplified the State of Black American Music.

0:28:52.960 --> 0:28:55.200
<v Speaker 1>Tell us about that and what's the direction and what's

0:28:55.200 --> 0:28:58.080
<v Speaker 1>the what's the overall big goal the global impact of

0:28:58.120 --> 0:29:01.080
<v Speaker 1>what you're trying to do with it. Well, first of all,

0:29:01.200 --> 0:29:04.880
<v Speaker 1>and again I appreciate that we're excited about Amplified. Amplified

0:29:05.080 --> 0:29:07.960
<v Speaker 1>is a it is a we call it provocative, but

0:29:08.400 --> 0:29:12.520
<v Speaker 1>more than anything, it really focuses on our culture and

0:29:12.600 --> 0:29:15.280
<v Speaker 1>on Black American music and the influence that it has

0:29:15.320 --> 0:29:20.040
<v Speaker 1>on a global basis, particularly economic influence in controlling I mean,

0:29:20.080 --> 0:29:23.960
<v Speaker 1>whether it's automotive, whether it's fashion, whether it's apparel, some

0:29:24.040 --> 0:29:28.520
<v Speaker 1>way somehow music and our culture gets involved. We as

0:29:28.560 --> 0:29:33.560
<v Speaker 1>a black community drive drives global culture. So you can say, oh,

0:29:33.560 --> 0:29:37.200
<v Speaker 1>it's black, and is this is black, but black music,

0:29:37.360 --> 0:29:43.280
<v Speaker 1>black culture is global culture is transferred now into quote

0:29:43.320 --> 0:29:48.240
<v Speaker 1>unquote Western culture. It has became the conduit to mainstream America.

0:29:48.640 --> 0:29:51.680
<v Speaker 1>And that's what that similar to what you're doing here,

0:29:51.720 --> 0:29:54.480
<v Speaker 1>that's what we do, but from a little more entertaining

0:29:54.520 --> 0:29:57.240
<v Speaker 1>aspect of it. Whether we take some of the artists,

0:29:57.320 --> 0:30:01.240
<v Speaker 1>our platform is all about the foundation of Black American

0:30:01.320 --> 0:30:04.440
<v Speaker 1>music and what it represents. And people like myself and

0:30:04.480 --> 0:30:07.560
<v Speaker 1>people like l A. Read or Captain grouping up at

0:30:07.560 --> 0:30:10.280
<v Speaker 1>b m I, or the met did Dry who works

0:30:10.320 --> 0:30:12.200
<v Speaker 1>along with me and that, or some of the more

0:30:12.920 --> 0:30:15.000
<v Speaker 1>folks that we know. They're on John Platt over at

0:30:15.000 --> 0:30:18.880
<v Speaker 1>Sony atv UH, people that are really on the ground

0:30:18.880 --> 0:30:22.080
<v Speaker 1>that's doing stuff. But it also taps in not just music,

0:30:22.120 --> 0:30:25.280
<v Speaker 1>but it's also taps in the film and taps into

0:30:25.560 --> 0:30:30.360
<v Speaker 1>you know, social consciousness at the same time. After foundation,

0:30:30.680 --> 0:30:34.160
<v Speaker 1>then we talk about the preservation. Preservation is all about

0:30:34.160 --> 0:30:36.680
<v Speaker 1>those that came before us, those things that happened before us,

0:30:36.920 --> 0:30:39.440
<v Speaker 1>and how important it is. We watched my man Little

0:30:39.520 --> 0:30:41.800
<v Speaker 1>Richard who is from the state of Georgia from may

0:30:41.840 --> 0:30:46.400
<v Speaker 1>Can die recently and get very little a claim that,

0:30:47.040 --> 0:30:50.760
<v Speaker 1>you know, very very little attention to what he did.

0:30:50.840 --> 0:30:53.480
<v Speaker 1>Now this was he was a self proclaimed architect of

0:30:53.600 --> 0:30:56.640
<v Speaker 1>rock and roll. But he genuinely was that guy. He

0:30:56.720 --> 0:30:59.760
<v Speaker 1>really really was that guy. He had Jimmy Hendricks playing

0:30:59.760 --> 0:31:02.160
<v Speaker 1>get her hand for him, he had all these people

0:31:02.200 --> 0:31:04.880
<v Speaker 1>that looked up to him, but yet and still he

0:31:05.120 --> 0:31:10.920
<v Speaker 1>never got his just do. So for us, this whole

0:31:10.960 --> 0:31:14.600
<v Speaker 1>idea of Amplified is to bring it out and then

0:31:14.640 --> 0:31:17.600
<v Speaker 1>we talk about the new artists, artists like her, who

0:31:17.800 --> 0:31:21.600
<v Speaker 1>is amazing young girl, plays all these innswerts, but she's

0:31:21.680 --> 0:31:24.560
<v Speaker 1>doing things. She's doing things in the community. She's doing

0:31:24.600 --> 0:31:27.240
<v Speaker 1>things in her street. Uh No different than an Alicia

0:31:27.320 --> 0:31:31.200
<v Speaker 1>Keys doing things in community. All about family. We are

0:31:31.400 --> 0:31:33.440
<v Speaker 1>wanting to show that and there are some hip hop

0:31:33.720 --> 0:31:35.959
<v Speaker 1>guys as well that is really doing that. So we

0:31:36.000 --> 0:31:38.840
<v Speaker 1>refer to that as the innovation because that is the

0:31:38.840 --> 0:31:42.400
<v Speaker 1>next step. So our platforms for that show, which is

0:31:42.440 --> 0:31:45.720
<v Speaker 1>hosted by a Waka and Woosa and Waka is an

0:31:45.720 --> 0:31:49.600
<v Speaker 1>amazing young thirty four year old lady uh from California,

0:31:49.680 --> 0:31:51.720
<v Speaker 1>but she's now up at the Rock and Roll Hall

0:31:51.760 --> 0:31:57.800
<v Speaker 1>of Fame. UM heading up tutorial. She's she's she UM

0:31:58.040 --> 0:32:03.480
<v Speaker 1>handles all of the areas that relates to umxx X

0:32:04.240 --> 0:32:07.760
<v Speaker 1>expeditions and and and just different things that she has

0:32:07.920 --> 0:32:09.360
<v Speaker 1>up there at the Rock and Roll Hall of Fame.

0:32:09.440 --> 0:32:12.520
<v Speaker 1>So she's in charge of that. She's amazing, amazing individual,

0:32:12.600 --> 0:32:14.800
<v Speaker 1>you know. I mean, you know, I'm so glad you

0:32:14.880 --> 0:32:17.360
<v Speaker 1>called me. I'm glad to hear your voice. I'm glad

0:32:17.360 --> 0:32:19.800
<v Speaker 1>to hear the things that we talked about. You still

0:32:19.960 --> 0:32:23.680
<v Speaker 1>you body is motivated. This me still Michael time, you

0:32:23.720 --> 0:32:25.600
<v Speaker 1>know before we going to know it. Time we gotta

0:32:25.640 --> 0:32:28.280
<v Speaker 1>get off rushan. But if I can't say that. The

0:32:28.320 --> 0:32:33.640
<v Speaker 1>Black American Music Association is a nonprofit trade association very

0:32:33.680 --> 0:32:36.880
<v Speaker 1>similar to the to the Country Music Association, very similar

0:32:36.920 --> 0:32:40.360
<v Speaker 1>to the Grammars are narrows, but we're the We're the

0:32:40.440 --> 0:32:44.000
<v Speaker 1>governing body from music and culture, and we are bringing

0:32:44.040 --> 0:32:47.360
<v Speaker 1>people together like crazy, uh, you know, around the country

0:32:47.440 --> 0:32:50.360
<v Speaker 1>and through music. And we want to be that boys,

0:32:50.400 --> 0:32:52.080
<v Speaker 1>to be that face. So you're gonna be hearing about it.

0:32:52.400 --> 0:32:54.000
<v Speaker 1>I'm you know, I'm gonna have a It's a great

0:32:54.280 --> 0:32:58.320
<v Speaker 1>decative group of people, all black, Uh, doing some really

0:32:58.360 --> 0:33:00.600
<v Speaker 1>amazing things. So I appreciate you taking it time to

0:33:00.640 --> 0:33:03.719
<v Speaker 1>interview with look out for that. I know him. Wakam man,

0:33:03.720 --> 0:33:05.720
<v Speaker 1>I'm gonna, We're gonna, let's get a schedule on the

0:33:05.720 --> 0:33:07.480
<v Speaker 1>show Shock and Interview. I'm looking at it that I

0:33:07.520 --> 0:33:09.960
<v Speaker 1>know that I know her. Yeah, oh yeah, no do

0:33:10.720 --> 0:33:13.040
<v Speaker 1>Grammy Museum. Absolutely, I know her. Let's get on the

0:33:13.120 --> 0:33:15.080
<v Speaker 1>show and Michael, you be safe now, brother, thank you

0:33:15.120 --> 0:33:18.480
<v Speaker 1>for calling on the show conversation. All right, thank you brother.

0:33:18.640 --> 0:33:21.040
<v Speaker 1>How about my friend. You want to hear more interviews,

0:33:21.360 --> 0:33:24.240
<v Speaker 1>go to Money Making Conversation dot com. I'm ra Sean McDonald.

0:33:24.320 --> 0:33:29.240
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