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Speaker 1: Welcome back to another episode of Alchemy. This I'm your guest,

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Speaker 1: tost cool Strap and filling in for KT. Let's me

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Speaker 1: and Alchemist to say, shall we, in no particular orders,

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Speaker 1: say hello to Jackie Gonzalez to Ruthie. Jackie, what do

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Speaker 1: you think the currency will be in the apocalypse? Let's

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Speaker 1: give me the hot thing. Probably. I just think we're

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Speaker 1: going primal. Everything else is out the window. We've used

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Speaker 1: everything else weet and now it's just it's primal. Is

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Speaker 1: That's what came to me immediately to have to go

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Speaker 1: with my gut. I think it's going to be a

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Speaker 1: print rank. That ship is so expensive. There you go,

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Speaker 1: that makes a little more sense, Prince. I mean, I

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Speaker 1: like your answer. Yours a good answer, but I feel embarrassed.

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Speaker 1: I should filter myself. Next up, it's Chris Anthony Alvarado. Chris,

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Speaker 1: you can have a dream dinner with anybody. Who would

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Speaker 1: it be? Anybody? I guess sex a dream dinner with anybody.

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Speaker 1: I think. I don't know my dad, which he's alive.

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Speaker 1: I see him pretty often, but like, I just love

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Speaker 1: hanging out with him. Where you guys gonna go, right, Lobster,

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Speaker 1: what's up? That's yeah? He's still only an impression that

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Speaker 1: that's that's a fancy place. No, we want uh, we

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Speaker 1: want some Mexican food, you know what I mean. Just

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Speaker 1: a little couple of couple Enchilada's will probably get the

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Speaker 1: weird fish plate and just talk. You know. I love it.

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Speaker 1: It's realistic and low steaks. I like it. Next up

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Speaker 1: say hello to Gary Anthony Will. Yeah, speaking a low

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Speaker 1: Steaks though, Cole I just opened up a very It's

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Speaker 1: a crawl space steak restaurant called low Stakes. It's all

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Speaker 1: in the crawl space. I had one of those at

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Speaker 1: sea level, but this is this is a little bit better.

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Speaker 1: I guess you can tell you later. But like atmospheric

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Speaker 1: pressure down low, it sells in the flavor, silver moisture.

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Speaker 1: It's a natural ceiling. Gary, you're known for your jazz

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Speaker 1: scatting ability. Sc to demonstrate a little bit of that

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Speaker 1: that Yes, Ran right like that Ran. It takes a

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Speaker 1: fool to not like that. A Rans a living pool.

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Speaker 1: That was their advertising slogan for a little This is

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Speaker 1: a good one. Uh. Next up, James Horatio Heeney. James, Uh,

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Speaker 1: you're a breakfast guy. Build out your dream cereal What

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Speaker 1: would be in it cereal. Yeah, well, first I'd start

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Speaker 1: with ice cream, and then I would put the cereal

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Speaker 1: on top of the ice cream. And when I say

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Speaker 1: my dream cereal, I fucking live the dream. So you

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Speaker 1: put the ice cream at the bottom of the bowl.

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Speaker 1: You put the Recys peanut butter puffs or any cereal

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Speaker 1: on top of the ice cream, and then you pour

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Speaker 1: almond milk on top, and you give it a good

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Speaker 1: two or three minutes to settle, and then the ice

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Speaker 1: cream and the almond milk become one any will do,

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Speaker 1: but I prefer a chocolate peanut butter moose. Hold on, James, Jeames,

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Speaker 1: I've never eaten you once. I do this like two

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Speaker 1: or three times a week, but it's usually at night.

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Speaker 1: And then I put nutty buddy bars on top of

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Speaker 1: the No, you don't know, you don't that a locking do?

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Speaker 1: I do? I do? And I like, hold on, this

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Speaker 1: is this is dangerous, James. That's what you just described

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Speaker 1: is very dangerous. You understand, My my big sweet tree

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Speaker 1: at the end of the night. It's like dried mango.

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Speaker 1: The idea of having everything you just said, have a

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Speaker 1: sleeve of like chips away every night? All right, fine,

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Speaker 1: I mean there has to be a middle ground between

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Speaker 1: Chris's mango and he needs like diabetes nightmare. Like, there

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Speaker 1: has to be something in the middle there that we

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Speaker 1: can all feel with. You know, James, I admire your enthusiasm.

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Speaker 1: Or I put a scoop of peanut butter on top

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Speaker 1: of all of that too, James. For the ProTem, James,

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Speaker 1: I'm only I'm only attacking you because I'm jealous. Yeah,

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Speaker 1: I love it. It's it makes me so happy. Well,

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Speaker 1: then it's perfect if it does that. Finally, guys, last up,

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Speaker 1: Joey Greer. Joey, I hear you're giving the commencement speech

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Speaker 1: at your old high school. Can we have a taste

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Speaker 1: of it? Uh, Well, a little heads up on that.

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Speaker 1: I actually got banned Apparently the email that was sent

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Speaker 1: that was through hackers, not through anonymous, but through uh

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Speaker 1: a subsidiary of there's abdominance or something that it's just

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Speaker 1: like the lower part of the anonymous being. It's just

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Speaker 1: the abdominal section, and they they reached out to me

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Speaker 1: and they were just they pranked me. But if you

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Speaker 1: think that's gonna stop me from going to my old

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Speaker 1: high school and giving that commencement speech, I'm gonna do it,

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Speaker 1: and yeah, I guess what it's gonna be for the

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Speaker 1: freshman class. But they're still graduating, right the show, graduating

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Speaker 1: into sophomore year. So yeah, I'm gonna do it. How

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Speaker 1: do I have something written? Out? Of course I do.

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Speaker 1: Do you want to hear a piece of it? I

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Speaker 1: bet you do? But cool, here's my question. Did you

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Speaker 1: graduate freshman year in my high school? Right right? I didn't.

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Speaker 1: Then you don't get to hear it front of the club.

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Speaker 1: Then you don't get to hear it, i'd said, disappointed,

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Speaker 1: But let's go ahead and do a show, shall we.

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Speaker 1: All of our scene suggestions are gathered from listeners, emails,

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Speaker 1: or from our Patreon v I P. S. To become

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Speaker 1: a Patreon supporter of the show and enjoy exclusive content

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Speaker 1: and other perks, just head on over to Patreon dot

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Speaker 1: com slash alchemy this. If you'd like to submit a

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Speaker 1: scene suggestion via email, please write to the podcast at

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Speaker 1: our new email address, alchemy this email at gmail dot com.

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Speaker 1: That's alchemy dot com. See the emails there now and now,

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Speaker 1: because the Gmail I don't, we'll figure it out. Scene

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Speaker 1: one is from Patreon and v I P. David the Joho,

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Speaker 1: who wrote a scene suggestion if you don't mind, a

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Speaker 1: eating card writer is sent to anger management training. Sit down,

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Speaker 1: is it? I don't. I'm trying to read your first

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Speaker 1: name on here, and it is very difficult to read.

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Speaker 1: Um Dan, it's d. Hold on, please please? Then this

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Speaker 1: is a place of place of peace. Slow down with

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Speaker 1: your spelling. It's it's d Dan as in and and

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Speaker 1: it's in. Now can we just get started? I don't.

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Speaker 1: I think this is not for me. I've been forced

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Speaker 1: to come here. Of course you have, then, I think

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Speaker 1: most of us have forced many things in life from

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Speaker 1: the very birth, were forced down the birth canal launch.

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Speaker 1: I guess. Then we're forced into first grade, we're forced

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Speaker 1: into our freshwoman graduation, and we're forced into marriage. And

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Speaker 1: then we were forced into the grave kicking and screaming

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Speaker 1: in case you're buried a lot. I mean, I could

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Speaker 1: argue with some of those points, but sure knew you

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Speaker 1: could argue. But don't forget that you don't have to

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Speaker 1: get married. I'm not married. I begged a difference. Now

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Speaker 1: let's go. Well, hold on a second, I'm not married.

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Speaker 1: I'm not married. Then I I'm sorry you're here for

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Speaker 1: your anger management, and then they're writing some slogans on

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Speaker 1: you a greeting card, but I have news for you, Dan,

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Speaker 1: you you're a married man. What let me call my secretary?

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Speaker 1: But that was his card, Claire, what is this? Are

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Speaker 1: you serious? Yeah? I thought it was funny. You thought

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Speaker 1: it was funny. Yeah, Hey, why don't I chop off

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Speaker 1: my pp and stick it in my eye? That was

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Speaker 1: a joke, a joke, A funny joke, A funny joke

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Speaker 1: for my birthday. It was in the greeting card section

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Speaker 1: that said funny and you can use it for any occasion.

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Speaker 1: I wrote happy birthday in it with my own take

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Speaker 1: some time apart what I think we should take some

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Speaker 1: time apart. I want you to have the house, I

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Speaker 1: want you to have the car, but I'm gonna take

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Speaker 1: all the clothes inside of the home, My clothes, all

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Speaker 1: the clothes. That's that's that's. It doesn't matter, Claire. It's

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Speaker 1: a personal thing. You have the home, you have the car.

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Speaker 1: I'm taking all the clothes. Happy Father's Day, Dad. I

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Speaker 1: know you don't want much, but I got your the

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Speaker 1: wine you love and a personal card. Oh thanks, but hey,

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Speaker 1: you know the real gift is spending more time with

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Speaker 1: you at like a dream dinner. Oh yeah, well, go

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Speaker 1: ahead read the card. Okay, let me sealed pretty tightly here?

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Speaker 1: Let me okay? Oh to my dad, why don't you

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Speaker 1: cut off your peep and stick it in your eye? Oh? Son?

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Speaker 1: You remember? Then we'll go over this whole marriage thing

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Speaker 1: that you didn't realize later. But I'm gonna have to

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Speaker 1: ask you something. Where did you get these pictures of

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Speaker 1: me with these people? That's not most of this is

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Speaker 1: not important, but I do have to ask you this. Damn,

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Speaker 1: I do have to ask you this. Would you take

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Speaker 1: off your eye patch and also drop your pants? I

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Speaker 1: have a theory about I mean, I'm embarrassed. What's behind

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Speaker 1: the eye patch? May I? Then? This is a place

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Speaker 1: of knowing and understanding. Okay, okay, okay, go ahead, you

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Speaker 1: do Huh? Someone just came in the door. Hold on, yes,

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Speaker 1: who is it? Who's hello? This is edible arrangements, edible arrangements? Something?

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Speaker 1: Are you looking for? My office? Franklin delabar anger manager everything? Many? Yeah, yeah,

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Speaker 1: then please sit it down on my desk and sit

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Speaker 1: down yourself if you would, if you're like got my

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Speaker 1: pants around my ankles? All right, everybody I know what

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Speaker 1: your lunch break, but come on, get around, Get around

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Speaker 1: for a second. You know we are welcoming back Dan today.

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Speaker 1: What is it? Are we on the clock now or not? No,

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Speaker 1: this is your personal time. But I think it's worth

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Speaker 1: what we're doing. Well. I appreciate listen, guys, Dan, Yeah,

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Speaker 1: I appreciate us. This is what we got a unionize.

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Speaker 1: Listen is what I'm telling you right now. This is

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Speaker 1: what we gotta have. A union. Will send you to

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Speaker 1: those classes, Bob, I'll send you. Look at this, Claire,

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Speaker 1: send me away for talking about talking about unions. Huh,

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Speaker 1: what are we going to get the same thing? Okay, everybody, everybody,

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Speaker 1: you can do what you want. All I wanted to

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Speaker 1: say quickly, just give me ten seconds and I'll give you.

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Speaker 1: I'll give you a dime, eat better be paid better.

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Speaker 1: Dan obviously had that blow up, um the famous blow up,

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Speaker 1: and he's been to classes and he is now a

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Speaker 1: better and happier man. As a matter of fact, Dan,

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Speaker 1: I don't want to put you on the Okay, I'll

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Speaker 1: give you a quarter. I'll give you a quarter for

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Speaker 1: ten I need a fucking punch that guy. You know what,

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Speaker 1: you come up here Derek, did you want to come

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Speaker 1: up here? Derek, come up here? What Hilaire? Claire? Can

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Speaker 1: you hear me? Hello? Claire? Yeah, Claire? Can you hear me? Yeah?

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Speaker 1: I can hear you. My god, no, my phone is

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Speaker 1: not I can't hear you. If you're talking to me,

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Speaker 1: can you hear me? If you're talking to me? Connective services?

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Speaker 1: Can you hear me? I heard there was a disruption

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Speaker 1: in the service. This is a T and T connective services.

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Speaker 1: Can you hear me? There was a disruption in the service.

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Speaker 1: I can hear you. I was trying to call my

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Speaker 1: friend Claire. Claire noticed she's been dressing four to nine

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Speaker 1: four or four nine four four? Is that is plan

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Speaker 1: Dyke for nine four four Yeah, that's the number. I

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Speaker 1: haven't that's Claire. Is that you are you show on

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Speaker 1: the line, Claire Klondyke. Yeah, so I can. Okay, so

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Speaker 1: you can hear Cla, then I can speak to you.

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Speaker 1: This is a T T Connected Services. You all right? Tina, Tina, um, Look,

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Speaker 1: your job is to sell mobile packages. We don't have

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Speaker 1: a service called connective services. Okay. This is not the

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Speaker 1: old timey plug and play, you know, patch me through

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Speaker 1: type stuff. Now we appreciate your enthusiasts. But you're you're

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Speaker 1: you're Frankly, you're breaking rules here. I didn't know huge rules.

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Speaker 1: I'm talking like government rules, and I might have to

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Speaker 1: turn you in. Oh my god. I mean you can't

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Speaker 1: listen on people's conversations. You can't talk to them. This

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Speaker 1: is Homeland Security stuff. Now. A member from the Homeland

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Speaker 1: Security is already here. He just wants to ask you

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Speaker 1: a few questions. Okay, I didn't turn you in necessarily.

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Speaker 1: I just had to report what I heard here. He is.

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Speaker 1: I'm not I'm not talk to can not talk now? Yes, Hi,

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Speaker 1: y'all going. I have my lawyer here. Um, you're You're

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Speaker 1: welcome to have in a legal representation. However, do know

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Speaker 1: that if you do have legal representation, that will be

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Speaker 1: declad an admission of your guilt. So I don't need

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Speaker 1: a lawyer. I don't say anything you want. My name

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Speaker 1: is Frank Thomas. Noticed I have a dick in my eye.

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Speaker 1: I'm from home Land Security. Could I'm sorry? May I finished?

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Speaker 1: I'm from home Damn it, man, I just say it myself. Sorry.

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Speaker 1: I just wanted to talk to you one on one.

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Speaker 1: I know that we're supposed to be welcoming Dan back

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Speaker 1: into the office. Um, but I don't feel comfortable doing that.

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Speaker 1: You made that very clear when you and Derek had

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Speaker 1: those outbursts in the break room. Yeah, I wouldn't really

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Speaker 1: call it an outburst. First of all. Um, just because

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Speaker 1: I'm I'm a woman doesn't mean that when I get

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Speaker 1: emotional it's an outburst. I said Derek as well. But

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Speaker 1: I hear you. Okay, It's just like I'm just gonna

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Speaker 1: I'm gonna take that as the way that I'm going

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Speaker 1: to take it. Yes, and that's going to call it

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Speaker 1: an outburst. But I just wanted to clarify that Dan's

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Speaker 1: original incident and we're not even going to take into

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Speaker 1: account what he did today when I apparently had an outburst,

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Speaker 1: a female outburst. Wow, Like we're we're going to hold

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Speaker 1: a vigil, Derek. They don't know how he's doing at

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Speaker 1: the I c U. So we're just gonna be holding

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Speaker 1: a vigil tonight at the office. Forgive me if I'm sorry.

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Speaker 1: I heard an outburst in here. I didn't know what

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Speaker 1: was going on. I just walked by the door. Are

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Speaker 1: we waiting for him to I? Are we just going

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Speaker 1: to hold the visual and wait for him to die

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Speaker 1: or how long is this We're gonna hold a visual

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Speaker 1: for hopes that he doesn't. We're not going to be

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Speaker 1: about the fact that he stuck a letter opener up

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Speaker 1: his own asshole and said I'm going to make it

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Speaker 1: lead and then did that and then comes the cat clause.

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Speaker 1: I'm just saying, what happened, Dan? Dan? Is that is

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Speaker 1: that you? Dan? Yeah? You? Hey, I heard you were

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Speaker 1: back in the office. Can you help me find a chair?

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Speaker 1: I don't see so well. Not that I've been stabbed

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Speaker 1: in the eyes so many times with all those dicks. Oh,

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Speaker 1: I'm not honestly supposed to be here. You need a cheer,

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Speaker 1: a cheer, that's yeah. I'm literally wandering around. I've been

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Speaker 1: I don't even know where my office is anymore. Put

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Speaker 1: your hands out. Put your hands out. This is a

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Speaker 1: rolling chair. That's my chair. Don't take it from crazy pill.

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Speaker 1: Um No, this is fine, this is fine here. Thank you.

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Speaker 1: Do you feel steady? I don't know. My equilibrium is

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Speaker 1: all messed up. You know the chair and just roll

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Speaker 1: rule yourself. It would be like a wheelchair. Okay, Dan,

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Speaker 1: You know I have really mixed feelings with you being here.

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Speaker 1: You were my mentor, and you were my friend, and

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Speaker 1: I honestly didn't understand what was going on with you.

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Speaker 1: And I'm glad you've gotten help, but I can't dismiss

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Speaker 1: the fact that you were the one that took all

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Speaker 1: those different dicks of varying shapes and sizes and jam

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Speaker 1: them into my eyes. Yeah, I feel bad about that,

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Speaker 1: but I went to class. I'm sorry. I didn't mean

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Speaker 1: to interrupt. You go ahead, but I class, I know,

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Speaker 1: and then I'm very happy for you, and I just hey,

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Speaker 1: sorry to interrupt. We're just doing donations for Derek for

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Speaker 1: the funeral services. He's actually did he actually passed, So

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Speaker 1: we're just taking donations for the funeral service. I'm sorry

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Speaker 1: I didn't hear an outbursting here, but did I get

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Speaker 1: it right? Individual work? We were actually but kill him.

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Speaker 1: The prayers work. It looks like we were able to

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Speaker 1: talk to the other side and they were able to

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Speaker 1: rip your soul from his corporate body. So we're just

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Speaker 1: can we go ahead and take click I don't know,

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Speaker 1: like take a collection for me, so I could, you know,

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Speaker 1: get my office up. I can't see very well and

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Speaker 1: I can this is ridiculous. That's a lot man work work. Hey, Hello,

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Speaker 1: I'm trying to reach a t n T Connective Services.

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Speaker 1: It's Claire. Oh, Claire, I'm sorry, it's Claire. Hey, hey, Claire.

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Speaker 1: I was trying to reach you last time, but I

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Speaker 1: met somebody at a t n T Connective Services. I

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Speaker 1: still want to speak to you, but it seems like

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Speaker 1: there's gonna be such an easier conversation if I could

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Speaker 1: do it through a t n T Connective services. Um, honestly,

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Speaker 1: I really need to talk. Honestly, I could really use

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Speaker 1: an ear Zoe Land Security Connective Services are gonna help you. Yeah, hey,

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Speaker 1: do you guys? Can you hear them too? Is it

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Speaker 1: just me? It's Claire? Oh, she can't hear you? Hi? Yeah,

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Speaker 1: how are you? I'm Gary Anthony Williams. Yeah, I know

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Speaker 1: who you are? Okay, her, Yeah, I know I hear you.

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Speaker 1: Another to know who you are because of the phone.

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Speaker 1: I have your dad. I don't know a lot of

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Speaker 1: people know I am because of some illegal things done. Um,

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Speaker 1: did you did you air quote on the phone? Because

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Speaker 1: I can't see you? Did you did you pump some

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Speaker 1: a quotes legal things I've done? Yeah? Yeah, did you

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Speaker 1: hear That's fine? That's fine. I feel it. I couldn't

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Speaker 1: see it, did you wait, Claire? So Dan doesn't recognize

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Speaker 1: your union as an actual marriage. This is what I'm saying.

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Speaker 1: How am I supposed to? And then when I I

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Speaker 1: get emotional about it, then I'm having an outburst and

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Speaker 1: it's really hard for me. And then he's allowed to

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Speaker 1: just rip off his dick and punch me in the

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Speaker 1: face of it. That's that's all kinds of fucked. That's abuse. Well,

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Speaker 1: here in this meeting domestic violence. Whether we're married, whether

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Speaker 1: he recognizes our union or not, at the very least,

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Speaker 1: we're common law married. We've been living together for seven years. Yeah,

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Speaker 1: he just sounds like he doesn't remember. Now you look

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Speaker 1: around this room. We're all holding hands right as we

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Speaker 1: all take this opportunity to share. Yeah, is a sharing circle.

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Speaker 1: I thought this was like a vigil and I was

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Speaker 1: hoping to pray for Dan's honest demise after the after

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Speaker 1: the sharing service. We can hold any vigil you like,

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Speaker 1: Oh great, Okay, this is just sharing everybody. Can we say,

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Speaker 1: Claire report that you should report that? Claire, what you

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Speaker 1: should report that? I'm totally down to have that vision

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Speaker 1: right now to bring this guy to the seventh. Later,

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Speaker 1: I tried to report it, and every time I was

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Speaker 1: calling the police, the Homeland Security Connectivity people, and then

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Speaker 1: they got all jumbled, and I think, would we gotta

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Speaker 1: handle this talking about are we having a death vigil

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Speaker 1: or not? Because if we're not, I gotta get back

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Speaker 1: vigilante differences? Is there really a difference? A Dan went

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Speaker 1: to class, Claire, you went damn class to class? Right?

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Speaker 1: But then oh man, everybody left the office. I don't

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Speaker 1: know how to get to my car. And that's our

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Speaker 1: first scene. Everybody. Scene two comes from listener Ben, who

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Speaker 1: wrote Hello Lovely Ladies, and Gent's longtime listener first time writer.

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Speaker 1: The show is amazing and I recommended it to everyone

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Speaker 1: I've ever met. As for Master Pollock's instructions, any who,

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Speaker 1: I have a scene suggestion based on Mark Gagliardi's answer

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Speaker 1: to Kevin's opening question. A door to door salesperson selling

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Speaker 1: time slots for Public Access TV. Thank you for everything

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Speaker 1: that you guys do. I um, I would like to

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Speaker 1: talk to you about my son's great I'm sorry, I'm

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Speaker 1: just a teacher's assistant. Go ahead, you know I'm also

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Speaker 1: the teacher's assistant. Do you want to think. Sorry, I

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Speaker 1: did want the teacher. Oh, um, I will. I'll be right,

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Speaker 1: I'll go get the teacher. No, that way, if you

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Speaker 1: mix it like this, you're gonna get more of a

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Speaker 1: martini taste, you know, traditional martini taste. Get what what

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Speaker 1: do you? What do you guys want? Aren't you be

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Speaker 1: in the classroom? What's going on? Yeah? There's no't you

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Speaker 1: going on here? Uh? There's one of you are at

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Speaker 1: one of your students mothers? God, I can if you

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Speaker 1: don't want to be a teachers someday I will, yes, Okay,

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Speaker 1: Then what the hell is going on here? If you

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Speaker 1: can't tell me what's going to have? Am I supposed

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Speaker 1: understand that you're gonna be able to give a lesson

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Speaker 1: on the Civil War or maybe what Napoleon did? Right? Yeah?

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Speaker 1: One of the mothers, one of the mothers of your students?

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Speaker 1: What's the mother? What is the subject? English? English? English? Okay, great,

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Speaker 1: let's go down there. Okay, so let's go what's the

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Speaker 1: nouns here? Mother? Students and nown talk? Okay? Great? I

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Speaker 1: did I want to talk to you? Then? Um? You

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Speaker 1: the teacher. I'm Bankston's mother. Oh this is strong? Is

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Speaker 1: that juice. Okay, it's not just a well there's all

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Speaker 1: there's dirty, dirty as all hell. It's um, I came

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Speaker 1: during school. It's just school. Still. It is always a school. Okay, Well, um,

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Speaker 1: maybe I don't want to talk to you about my

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Speaker 1: son's greats. Then okay, Mom, did you go down to

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Speaker 1: the school. He talked to my teachers did for you?

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Speaker 1: For you? Bankston, I wish you hadn't done that. Mom.

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Speaker 1: It's hard enough for me. Everybody beats me up every

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Speaker 1: day because my name is Bankston. All right, I can

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Speaker 1: pause it right there, so if you see, this is

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Speaker 1: an entire sixteen said DVD series that we can upload

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Speaker 1: the PBS any time. All right, Now, I know what

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Speaker 1: you're thinking, I already have public access. What do I

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Speaker 1: need the sixteen DVD set of this? Say that? Yeah, look,

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Speaker 1: I already have public access. Why do I need this

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Speaker 1: sixteen set of this month? Borrow? Because what does public

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Speaker 1: access give you? Really? Access to the public, right exactly,

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Speaker 1: but not all the public. So what we've done here

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Speaker 1: Clarence County is we've got all these go pros everywhere,

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Speaker 1: and we've like outsources different families so they record all

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Speaker 1: this stuff. We get all the images. We we just truncated,

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Speaker 1: cut it down to sixteen DVD sets just for you. Okay,

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Speaker 1: I'm gonna stop you. I'm gonna stop you right there now.

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Speaker 1: My husband and I are interested in making content. Look

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Speaker 1: at his face and show your face, hello faces at

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Speaker 1: the opposite side of the back of my head. What

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Speaker 1: can you do to get us? So you want to

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Speaker 1: get on BBS? Okay, well, right now, we have a

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Speaker 1: time slot available. Uh, it's it's it's it's right now.

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Speaker 1: It's from two am to two thirty am. I speak

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Speaker 1: privately with my beautiful one. Can score on a second

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Speaker 1: maybe to a M to two am. I think it's perfect.

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Speaker 1: I think it's golden, golden. I think it's called the

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Speaker 1: Golden Time, the golden time. Okay, but let's not let's

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Speaker 1: not let him know that we're that interested. Okay, you

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Speaker 1: do all the talking and I'll just rugged face of yours.

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Speaker 1: Do you belong on television? It's a it's a quarter

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Speaker 1: of the way from that, so we don't. Love. I'm sorry,

401
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Speaker 1: I cut myself. I'm I'm bleeding on yourself. Just hold

402
00:24:56,560 --> 00:24:58,800
Speaker 1: on for one ticket. I'm sorry, I just cut myself.

403
00:24:59,000 --> 00:25:02,600
Speaker 1: Love the times it is workable for Do you have

404
00:25:03,280 --> 00:25:07,040
Speaker 1: a towel or something that you can get this in

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Speaker 1: writing that we now have the time slot two am

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Speaker 1: to two thirty am. What do you say? Yeah, that's fine.

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Speaker 1: Just I just just a towel would be great. I

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Speaker 1: just cut my hand. Yes, it's me Bankston's mother. Um,

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Speaker 1: I just I'm just trying to get a whopper. I

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Speaker 1: just I'm trying to get a whopper and get out

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Speaker 1: of here. Okay, if you want a photo, I can

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Speaker 1: take a quick photo. But sure you do you want

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Speaker 1: a BLEPSI yeah, i'd love aleps. Think Yeah, where's Braxton? Um,

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Speaker 1: Bankston's Thankston's at home? He's BoNT. My son's name is

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Speaker 1: Bankston Bankston. Yeah maybe Okay, I'm a little bit famous,

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Speaker 1: just a little bit. You turn up a of access

417
00:26:00,560 --> 00:26:04,680
Speaker 1: at four thirty in the morning. Guys, ma'am, I could

418
00:26:04,720 --> 00:26:08,200
Speaker 1: you just step I just want to I want to blep.

419
00:26:08,320 --> 00:26:12,159
Speaker 1: I want to blep? See could you just step aside?

420
00:26:12,880 --> 00:26:18,000
Speaker 1: You smell like black like what Blaxton? That kids school? Blackston.

421
00:26:19,600 --> 00:26:21,560
Speaker 1: It's actually a real name. I didn't make it up.

422
00:26:21,880 --> 00:26:24,280
Speaker 1: I named him after a famous character in a book

423
00:26:24,280 --> 00:26:28,080
Speaker 1: that I love. Anyways, I want to I want to

424
00:26:28,119 --> 00:26:32,840
Speaker 1: blep see and you smell like Blaxton. Okay, yeah, Mom,

425
00:26:32,960 --> 00:26:36,240
Speaker 1: is true. I go by Blaxton. Now. I just thought

426
00:26:36,240 --> 00:26:40,359
Speaker 1: it gave me more street crime. It made me cool. Okay,

427
00:26:41,840 --> 00:26:44,800
Speaker 1: can you come out and play? Wait a second, I'm

428
00:26:44,840 --> 00:26:46,679
Speaker 1: fine with you changing your name, but how old are

429
00:26:46,680 --> 00:26:48,960
Speaker 1: the people that you're playing with? Excuse me? It is

430
00:26:49,000 --> 00:26:50,840
Speaker 1: black in the side of the house. Can he come

431
00:26:50,840 --> 00:26:57,520
Speaker 1: out for some gunplay? Play cruin? Mom. I feel like

432
00:26:57,560 --> 00:26:59,639
Speaker 1: I'm losing you. I feel like ever since we agreed

433
00:26:59,720 --> 00:27:02,680
Speaker 1: to do the public Access TV, ever since I put

434
00:27:02,720 --> 00:27:06,560
Speaker 1: the go pro on my forehead, I've just I've lost you.

435
00:27:06,560 --> 00:27:09,200
Speaker 1: You can't take eye contact with me. You're constantly looking

436
00:27:09,280 --> 00:27:12,359
Speaker 1: up blacks that we're only gonna wait for you five

437
00:27:12,440 --> 00:27:16,760
Speaker 1: more hours. I mean, I hate to say it, but

438
00:27:17,359 --> 00:27:20,240
Speaker 1: the two to two third in the morning slot, it's

439
00:27:20,280 --> 00:27:23,239
Speaker 1: just not doing well. You guys. I I'm you know,

440
00:27:23,359 --> 00:27:26,040
Speaker 1: I'm I was really hopeful that this could have worked out,

441
00:27:26,040 --> 00:27:28,439
Speaker 1: but I'm the numbers aren't there. Let me let me

442
00:27:28,480 --> 00:27:30,480
Speaker 1: talk privately with my wife if you want to sit

443
00:27:30,480 --> 00:27:35,240
Speaker 1: down on our very sharp couch over there while we speak. Um, darling,

444
00:27:35,280 --> 00:27:36,919
Speaker 1: I don't know. I mean, I thought that too. I

445
00:27:36,960 --> 00:27:39,800
Speaker 1: thought that was golden. It is. It isn't the time slot.

446
00:27:39,840 --> 00:27:42,800
Speaker 1: It's that we're doing a slow rollout. It's about to

447
00:27:42,840 --> 00:27:44,600
Speaker 1: get good, baby, you know it's about to get so

448
00:27:44,720 --> 00:27:47,119
Speaker 1: just stick, as you like to say, just ride the

449
00:27:47,119 --> 00:27:49,600
Speaker 1: horse that we came in well, I because I always say,

450
00:27:49,720 --> 00:27:51,480
Speaker 1: just ride the horse that we came in on. Look

451
00:27:51,480 --> 00:27:58,359
Speaker 1: at you, look at you. Okay, okay, okay, Oh my god,

452
00:27:58,480 --> 00:28:02,840
Speaker 1: my shin. So we're blaming the time, but we're willing

453
00:28:02,880 --> 00:28:08,360
Speaker 1: to stick. Oh god, we're gonna bring horses. We're gonna

454
00:28:08,480 --> 00:28:11,280
Speaker 1: towel or something. You have a beach towel. Thank you

455
00:28:11,359 --> 00:28:17,600
Speaker 1: so much, Oh my god, thank you so much. What

456
00:28:17,680 --> 00:28:22,359
Speaker 1: do you I can't be canceled. Were you one of

457
00:28:22,400 --> 00:28:26,879
Speaker 1: your best hours? You were one of our best hours. Okay, listen,

458
00:28:26,960 --> 00:28:30,040
Speaker 1: I know, I know, I know that I went to

459
00:28:30,080 --> 00:28:32,360
Speaker 1: the bathroom, but I don't know how to turn this

460
00:28:32,600 --> 00:28:37,840
Speaker 1: camera's And now I have an issue and I need

461
00:28:37,880 --> 00:28:40,080
Speaker 1: to use both my hands when I go to Brisbane,

462
00:28:40,120 --> 00:28:44,720
Speaker 1: new issue. It's Brisbane and it's Brisbane. Now he wants

463
00:28:44,720 --> 00:28:46,320
Speaker 1: to spin off and he got it feel like I

464
00:28:46,320 --> 00:28:50,520
Speaker 1: don't even know him. I'm sorry, we're cutting thing I

465
00:28:50,560 --> 00:28:54,360
Speaker 1: have no friends. I have no husband. I moved here

466
00:28:54,760 --> 00:28:57,560
Speaker 1: after both of my parents died. I have no family,

467
00:28:58,080 --> 00:29:05,000
Speaker 1: and now you're telling me my son is bricks. It's Brisbane, Brisbane, Brisbane. Mom,

468
00:29:05,040 --> 00:29:10,080
Speaker 1: I'm sorry, good day's Look it's hard growing up in

469
00:29:10,120 --> 00:29:12,760
Speaker 1: the public spotlight. All right, I'm going through a lot

470
00:29:12,760 --> 00:29:18,840
Speaker 1: of trouble here. I was Braxton, Bankston, Blaxton, Brisbane. Um,

471
00:29:19,240 --> 00:29:24,360
Speaker 1: maybe not Walton Matilda. Anything you want, as long as

472
00:29:24,360 --> 00:29:28,120
Speaker 1: we're together. As long as we're together, we will be

473
00:29:28,160 --> 00:29:32,320
Speaker 1: maybe one day, mom. Right now, Brisbane's gotta fly. Whoa,

474
00:29:32,360 --> 00:29:43,000
Speaker 1: whoa what? Hello, sir, come in. I I don't usually

475
00:29:43,320 --> 00:29:48,080
Speaker 1: you see. I'm hearing a briefcase. I'm here in official

476
00:29:48,120 --> 00:29:50,920
Speaker 1: business now okay, well I don't know who you are.

477
00:29:50,960 --> 00:29:53,040
Speaker 1: And so hold this paper and hold it up to

478
00:29:53,120 --> 00:29:55,560
Speaker 1: your face. Now that's good coloring. Let me ask you

479
00:29:55,560 --> 00:29:58,440
Speaker 1: a question. When's the last time you saw yourself on television.

480
00:29:59,440 --> 00:30:03,400
Speaker 1: I've never been on television. Get out of town, definitely, no,

481
00:30:03,440 --> 00:30:05,680
Speaker 1: I'm being serious. Get out of town and go to Hollywood,

482
00:30:05,920 --> 00:30:09,560
Speaker 1: or don't bring Hollywood to you. I can't go to Hollywood.

483
00:30:09,600 --> 00:30:13,840
Speaker 1: I've got try. I'll bring it to you. Oh yeah, yeah,

484
00:30:15,920 --> 00:30:18,440
Speaker 1: but I don't have a face for TV. You got

485
00:30:18,560 --> 00:30:20,280
Speaker 1: a face, you got a voice. Can you see this

486
00:30:20,280 --> 00:30:23,360
Speaker 1: line for me? Please read this line right there? HM

487
00:30:24,320 --> 00:30:30,480
Speaker 1: coming soon to Did you feel that? Uh? Yeah, yeah

488
00:30:30,800 --> 00:30:35,600
Speaker 1: yeah yeah? And for twelve nine a month. Hey guys,

489
00:30:35,880 --> 00:30:38,360
Speaker 1: everybody together around the people of Valley Village is can

490
00:30:38,320 --> 00:30:42,440
Speaker 1: I get everybody around is wet? Yes? We're getting paid

491
00:30:42,480 --> 00:30:45,280
Speaker 1: for this in a way. I just got a letter

492
00:30:45,320 --> 00:30:50,040
Speaker 1: that everyone in Valley Village east east of Valley Village

493
00:30:50,200 --> 00:30:53,400
Speaker 1: all the way to um Eagle Rock, we all have

494
00:30:53,560 --> 00:30:57,600
Speaker 1: to move to this town too much. It's what it is.

495
00:30:57,600 --> 00:30:59,520
Speaker 1: There's some guy who's got a great face and a

496
00:30:59,520 --> 00:31:01,760
Speaker 1: great and they got to move us all there to

497
00:31:01,760 --> 00:31:04,080
Speaker 1: Claren's County. What the world where is it? I don't

498
00:31:04,080 --> 00:31:06,040
Speaker 1: know where that is. I do not know what it is.

499
00:31:06,040 --> 00:31:08,800
Speaker 1: There's more, they're paying for us all to move there.

500
00:31:09,000 --> 00:31:11,680
Speaker 1: They're going to relocate us all the water. Is there

501
00:31:11,720 --> 00:31:15,040
Speaker 1: even water there? I suppose there's as much water as

502
00:31:15,040 --> 00:31:17,920
Speaker 1: there is here in in the greater Hollywood area. This

503
00:31:18,040 --> 00:31:21,120
Speaker 1: is crazy. I mean I I've been here in Eagle

504
00:31:21,200 --> 00:31:24,480
Speaker 1: Rock for six years. I mean, here's what they're willing

505
00:31:24,560 --> 00:31:27,680
Speaker 1: to do to you, Jamison. They're willing to dig up

506
00:31:27,800 --> 00:31:31,920
Speaker 1: the lawn around your home and carry your home. They

507
00:31:31,920 --> 00:31:35,080
Speaker 1: said they will relocate your swimming pool to this. It's

508
00:31:35,120 --> 00:31:36,840
Speaker 1: not it's George, it's not about that. I've been here

509
00:31:36,880 --> 00:31:40,320
Speaker 1: for six years. Okay, this is home. Were the papers signed.

510
00:31:41,400 --> 00:31:46,080
Speaker 1: We're going. It's signed. Now we can get happy about this,

511
00:31:46,320 --> 00:31:48,760
Speaker 1: or we can keep fighting about this. But it's signed.

512
00:31:49,000 --> 00:31:53,160
Speaker 1: We're relocating. I don't know what to say. I I

513
00:31:53,200 --> 00:31:56,920
Speaker 1: have an improv show tonight. I can't just is moving

514
00:31:57,000 --> 00:31:59,800
Speaker 1: as do you not understand? They're moving us all there

515
00:32:00,560 --> 00:32:04,440
Speaker 1: and there's water, so it can't be bad. I just

516
00:32:04,760 --> 00:32:08,080
Speaker 1: I don't need your permission, sir, sir. If you'll look

517
00:32:08,080 --> 00:32:10,520
Speaker 1: out the window, you'll see we're sitting up shop, my shop,

518
00:32:10,600 --> 00:32:13,360
Speaker 1: I mean town, in my town, I mean Hollywood, the

519
00:32:13,400 --> 00:32:16,560
Speaker 1: greater Hollywood area, even Eagle Rock, just like this is

520
00:32:18,880 --> 00:32:22,160
Speaker 1: this is definitely need to worry about that. Now. You

521
00:32:22,200 --> 00:32:23,720
Speaker 1: do need to worry about the people that spend time

522
00:32:23,720 --> 00:32:25,640
Speaker 1: in Eagle Rock. But we'll talk about that later. Okay,

523
00:32:25,640 --> 00:32:27,600
Speaker 1: there's a bit of a different over there. It's give

524
00:32:27,640 --> 00:32:32,280
Speaker 1: me sure I'm ready for this. Of course. Of course,

525
00:32:32,640 --> 00:32:38,800
Speaker 1: here read this line. God, that feels not even better,

526
00:32:39,200 --> 00:32:41,560
Speaker 1: I guess practice makes perfect. Okay, now it's type of

527
00:32:41,600 --> 00:32:43,280
Speaker 1: you didn't meet all of Hollywood. I'm gonna open the

528
00:32:43,320 --> 00:32:47,520
Speaker 1: front door and welcome them in. Okay, Okay, in wait,

529
00:32:47,560 --> 00:33:02,000
Speaker 1: I don't have that. Come on, Oh we got probably Dylan.

530
00:33:02,080 --> 00:33:03,880
Speaker 1: I show. You had a lot of people at the

531
00:33:03,920 --> 00:33:06,880
Speaker 1: place the other day. I'm gonna raise your rent. Okay,

532
00:33:09,280 --> 00:33:11,680
Speaker 1: I didn't. Those were my friends, say that was It

533
00:33:11,720 --> 00:33:13,840
Speaker 1: was kind of. It was a spur of the moment thing.

534
00:33:13,840 --> 00:33:17,120
Speaker 1: I didn't invite them. It was pretty much a home invasion.

535
00:33:18,120 --> 00:33:19,720
Speaker 1: So you're gonna you want to make a police case

536
00:33:19,720 --> 00:33:23,080
Speaker 1: of this. No, you want to make a point. No?

537
00:33:23,640 --> 00:33:25,960
Speaker 1: And then how about this, since you've gone to Hollywood

538
00:33:25,960 --> 00:33:28,680
Speaker 1: on us and you're wearing a really tight leather denim,

539
00:33:28,760 --> 00:33:30,960
Speaker 1: you know, why don't we do this? Why don't we

540
00:33:32,280 --> 00:33:36,200
Speaker 1: excuse me, sir, I'm reading your eviction notice for your client,

541
00:33:37,000 --> 00:33:39,640
Speaker 1: and you I don't know why you laid out such

542
00:33:39,680 --> 00:33:43,000
Speaker 1: a great, uh, such a great step by step of

543
00:33:43,120 --> 00:33:45,960
Speaker 1: that day that you evicted him. And I just want

544
00:33:46,000 --> 00:33:51,480
Speaker 1: to go back to the clothing description of him he

545
00:33:51,640 --> 00:33:57,480
Speaker 1: was wearing. And I'm reading this, I'm reading this not

546
00:33:57,520 --> 00:34:02,040
Speaker 1: only word for word, but also verbatim. Yeah, tight leather,

547
00:34:02,280 --> 00:34:06,240
Speaker 1: leather denom. Do you have a sample of the clothing

548
00:34:06,240 --> 00:34:11,480
Speaker 1: he was wearing. Of course, keep it on my feel it,

549
00:34:12,160 --> 00:34:15,560
Speaker 1: hold on, let me just call it dors and Heydaris. Yeah,

550
00:34:15,880 --> 00:34:17,920
Speaker 1: remember when you bet me a hundred and fifty dollars.

551
00:34:17,920 --> 00:34:21,839
Speaker 1: There's no such thing as tight leather denim. Where's your

552
00:34:21,840 --> 00:34:25,520
Speaker 1: fucking purse doors, Look to your left and get out

553
00:34:25,560 --> 00:34:33,439
Speaker 1: your fucking purse. Keep it on my right, Mom, it's me.

554
00:34:33,600 --> 00:34:38,520
Speaker 1: It's breast. Back to Bankston. I've done a lot of

555
00:34:38,560 --> 00:34:42,720
Speaker 1: growing up, Mom. You look amazing, and the wings they've

556
00:34:42,800 --> 00:34:48,239
Speaker 1: calmed down. Yeah, you know, it's been weird growing up

557
00:34:48,239 --> 00:34:50,799
Speaker 1: in the public eye. And you know, I had so

558
00:34:50,840 --> 00:34:54,360
Speaker 1: many ups and downs in my career. I've been terrible

559
00:34:54,719 --> 00:34:59,759
Speaker 1: leather denim phase. I went through, you know, the time

560
00:34:59,800 --> 00:35:02,600
Speaker 1: that I I got the host masterpiece when Laura Lenny

561
00:35:02,600 --> 00:35:06,560
Speaker 1: couldn't make it. That was great, Um, but I just

562
00:35:06,600 --> 00:35:09,799
Speaker 1: realized the whole time, I just I missed you. You're

563
00:35:09,800 --> 00:35:12,360
Speaker 1: the You're the one who made me mom and and

564
00:35:12,360 --> 00:35:16,960
Speaker 1: and I wouldn't be who I am without you his

565
00:35:17,160 --> 00:35:24,399
Speaker 1: bank since Mama's side, I am friends, I have people now.

566
00:35:25,360 --> 00:35:30,040
Speaker 1: I don't need you anymore. I realized that it's not

567
00:35:30,120 --> 00:35:32,279
Speaker 1: that I loved you, it's it's that I needed you

568
00:35:32,360 --> 00:35:40,080
Speaker 1: and now that I don't and cut. That's a wrap

569
00:35:40,160 --> 00:35:44,080
Speaker 1: on this season of your Life. We're gonna move time slots.

570
00:35:46,040 --> 00:35:49,440
Speaker 1: This has been an incredible season. Everybody, Hollywood, come on

571
00:35:49,520 --> 00:35:54,560
Speaker 1: in here, come on. That's a rap on the making

572
00:35:54,840 --> 00:35:59,160
Speaker 1: of this season. Thank you, h Yeah, no, you did it.

573
00:35:59,400 --> 00:36:02,759
Speaker 1: Great job. We're gonna move you to that to O

574
00:36:03,000 --> 00:36:10,640
Speaker 1: eight to time slot. Uh. This has been an incredible season.

575
00:36:11,560 --> 00:36:19,439
Speaker 1: And that's our second scene see three or final scene

576
00:36:19,440 --> 00:36:23,000
Speaker 1: today is from Patreon al Comedia Kevin Prado or Prado,

577
00:36:23,120 --> 00:36:26,000
Speaker 1: who wrote, Hey ka Peeve, I hear you have a pool.

578
00:36:26,400 --> 00:36:28,160
Speaker 1: Do you ever need someone to come out and maintain

579
00:36:28,200 --> 00:36:30,760
Speaker 1: your pool. I don't mind driving the three thousand miles

580
00:36:30,760 --> 00:36:32,719
Speaker 1: each week to take care of it. Just give me

581
00:36:32,760 --> 00:36:34,840
Speaker 1: a place to stay in a healthy weekly allowance in

582
00:36:34,880 --> 00:36:37,440
Speaker 1: your pool lookingmaculate. Just give me a call at and

583
00:36:37,520 --> 00:36:39,239
Speaker 1: there's an actual phone number that I'm not going to read.

584
00:36:40,360 --> 00:36:45,120
Speaker 1: Seen suggestion National Yo yo competition. You are all the

585
00:36:45,160 --> 00:36:52,480
Speaker 1: best kaph oh ship God. I knew Nationals was going

586
00:36:52,520 --> 00:36:56,200
Speaker 1: to be important. I didn't know all the best. Don't

587
00:36:56,280 --> 00:36:58,839
Speaker 1: freak out. You've trained for this. Who by talking to

588
00:36:58,880 --> 00:37:00,600
Speaker 1: my dad or my coach, don't know who you are

589
00:37:00,600 --> 00:37:03,920
Speaker 1: any talking to your dad and your coach. Okay, your

590
00:37:04,000 --> 00:37:06,680
Speaker 1: dad says you, I'm so proud of you even if

591
00:37:06,680 --> 00:37:09,879
Speaker 1: you lose, and your coach says, you've trained for this

592
00:37:10,040 --> 00:37:13,320
Speaker 1: for years. Look who it is though. It's Blenda Blades,

593
00:37:13,880 --> 00:37:19,840
Speaker 1: it's Stephen Slices, and it's Chuck. But just keep in

594
00:37:19,880 --> 00:37:23,160
Speaker 1: mind every one of those yo yo's is attached to

595
00:37:23,160 --> 00:37:28,160
Speaker 1: a string to Belinda Blades. That's right. I'm here to

596
00:37:28,239 --> 00:37:36,320
Speaker 1: walk the dog on my inline. WoT it before Jesus

597
00:37:36,320 --> 00:37:42,479
Speaker 1: fucking dance? It's my intro. Yeah, we all got an intro, Belinda. Yeah,

598
00:37:43,920 --> 00:37:47,759
Speaker 1: get ready to go round the world with chalk round

599
00:37:47,800 --> 00:37:54,000
Speaker 1: the world. I go home. Alright, let Belinda Blades your head.

600
00:37:54,560 --> 00:37:59,440
Speaker 1: That's right here, extra tall with my inline skates, Blenda,

601
00:37:59,480 --> 00:38:04,400
Speaker 1: you look fantastic and the skates look great. Stevens wheels.

602
00:38:04,440 --> 00:38:07,480
Speaker 1: The wheels are yo Yo's too. They're actually not even wheels,

603
00:38:07,480 --> 00:38:12,080
Speaker 1: they're also yo yo's. Belinda, that is it's actually not

604
00:38:12,160 --> 00:38:15,120
Speaker 1: even laces. It's yo Yo's streak. I actually had these

605
00:38:15,160 --> 00:38:20,840
Speaker 1: made special for the occasion. They're custom Humble. That's great.

606
00:38:21,320 --> 00:38:29,800
Speaker 1: That's great. Stevens slices. How thick you want it? Made

607
00:38:29,840 --> 00:38:33,400
Speaker 1: of pizza? I guess its stick as you'd like it, Steven.

608
00:38:33,480 --> 00:38:35,200
Speaker 1: I just want to let you know, Belinda, you're going

609
00:38:35,239 --> 00:38:39,600
Speaker 1: to be up first. Slices, you're going to be third, Chuck,

610
00:38:40,320 --> 00:38:43,279
Speaker 1: you are going to be hold on, let me get

611
00:38:43,320 --> 00:38:47,520
Speaker 1: my numbers right, be Linda number one, number one, Stephen slices,

612
00:38:47,560 --> 00:38:51,839
Speaker 1: you're gonna go second. Shock, You're gonna be third. And

613
00:38:53,080 --> 00:38:58,799
Speaker 1: it's chalk okay, chop. That's why your hairs get so

614
00:38:58,880 --> 00:39:01,360
Speaker 1: dirty whenever you touch him. He's serious. I thought it

615
00:39:01,440 --> 00:39:06,399
Speaker 1: was chick chalk okay, chalk your third and the kid

616
00:39:06,480 --> 00:39:13,640
Speaker 1: with the to coach coach Dad over that, James, Matt Johnson.

617
00:39:13,719 --> 00:39:17,400
Speaker 1: His name Matt Johnson. Matt Johnson. You are new to

618
00:39:17,520 --> 00:39:20,000
Speaker 1: the National GLU. Take it, Matt, Yes, sir? Think it

619
00:39:20,080 --> 00:39:23,640
Speaker 1: happy to be here. You are going to be fourth.

620
00:39:25,160 --> 00:39:27,360
Speaker 1: I just want to say, it's really cool to meet you, Belinda.

621
00:39:27,440 --> 00:39:29,560
Speaker 1: It's really cool to make you. Stephen, really cool to

622
00:39:29,560 --> 00:39:32,160
Speaker 1: meet you. Chalk. Yeah, what's your thing? Talk to me

623
00:39:32,200 --> 00:39:36,919
Speaker 1: after I win? All right? Okay, awesome, Dad, you hear that? Yeah?

624
00:39:36,920 --> 00:39:38,239
Speaker 1: I heard that? So I get to talk to him

625
00:39:38,239 --> 00:39:42,080
Speaker 1: after he wins back. We don't know who's gonna wine.

626
00:39:43,040 --> 00:39:45,520
Speaker 1: You want to you want to even contended this thing.

627
00:39:45,680 --> 00:39:47,600
Speaker 1: You gotta have a thing, you know what I mean.

628
00:39:47,920 --> 00:39:50,680
Speaker 1: We've got splices over here. His entire jumpsuits made out

629
00:39:50,680 --> 00:39:54,560
Speaker 1: of pizza. We got chalk over here. He's never moisturized

630
00:39:54,560 --> 00:39:56,719
Speaker 1: in his life. You touch him that that skin's just

631
00:39:56,800 --> 00:39:59,760
Speaker 1: fallen right off. He's coming off right onto your hands.

632
00:39:59,840 --> 00:40:03,120
Speaker 1: You got. I've got these amazing it like skates that

633
00:40:03,160 --> 00:40:08,480
Speaker 1: I've made special they. I mean, some people call me

634
00:40:08,560 --> 00:40:12,840
Speaker 1: something's coach. Can I tell him we were going to

635
00:40:12,920 --> 00:40:22,200
Speaker 1: make it a surprise, But okay, Massacre Matthew, Holy crap,

636
00:40:22,320 --> 00:40:23,799
Speaker 1: how'd you get all those in here? This is not

637
00:40:23,880 --> 00:40:27,600
Speaker 1: an open carry state. This is Tim Timmerson with the

638
00:40:27,680 --> 00:40:31,960
Speaker 1: eleven o'clock News. The tragedy has struck for the first

639
00:40:32,000 --> 00:40:36,960
Speaker 1: time in the hundred and fifty year goings on at

640
00:40:36,960 --> 00:40:41,839
Speaker 1: the National Yo Yo Competition. The words can be described

641
00:40:41,920 --> 00:40:46,320
Speaker 1: as no less than a massacre. As a young fellow

642
00:40:46,520 --> 00:40:53,360
Speaker 1: first comer, Massacre Matthew Johnson thrilled the crowd with laser

643
00:40:53,800 --> 00:40:59,279
Speaker 1: sharpened yo yo's and decapitated what described now as over

644
00:40:59,480 --> 00:41:05,600
Speaker 1: fifty percent of the onlookers and fifty of the competitors.

645
00:41:06,200 --> 00:41:12,080
Speaker 1: We'll have more after this commissage. Actually, I was gonna

646
00:41:12,080 --> 00:41:15,400
Speaker 1: stop you before that. Anyways, we gotta re record that

647
00:41:15,480 --> 00:41:22,359
Speaker 1: you are smiling, you know, appropriately this whole time. I may,

648
00:41:22,400 --> 00:41:27,320
Speaker 1: I may, I say this. I hated of that crownd

649
00:41:28,280 --> 00:41:30,959
Speaker 1: So there I can see very little. I can see

650
00:41:31,160 --> 00:41:33,440
Speaker 1: very little problem. And what happened down there. And they

651
00:41:33,480 --> 00:41:35,880
Speaker 1: call it a massacre. I call it a happy massacre.

652
00:41:36,960 --> 00:41:39,360
Speaker 1: But we just need you to We just want a

653
00:41:39,480 --> 00:41:42,960
Speaker 1: stray face for you, guys. I am happy to re

654
00:41:42,960 --> 00:41:46,160
Speaker 1: record for me, there will be a smile on inside.

655
00:41:46,960 --> 00:41:49,279
Speaker 1: On the inside is fine. And also clean up that

656
00:41:49,400 --> 00:41:51,680
Speaker 1: last part. You're slearning like you're drunk. Okay, No, I'm

657
00:41:51,719 --> 00:41:53,719
Speaker 1: not drunk, and I am dead serious about this. I

658
00:41:53,760 --> 00:42:01,040
Speaker 1: had a little mouse joke, just a little acute win. Alright, alright,

659
00:42:01,080 --> 00:42:04,960
Speaker 1: everybody gathering on survivors at the n Y y C massacre.

660
00:42:05,920 --> 00:42:09,400
Speaker 1: It's been a year. Um, I know a lot of

661
00:42:09,520 --> 00:42:14,000
Speaker 1: us haven't touched strings yet alone. Yo, yo's sense and um,

662
00:42:15,120 --> 00:42:16,680
Speaker 1: you know this is a safe foreum for us to

663
00:42:16,719 --> 00:42:21,160
Speaker 1: just move on. Hell's he doing here? Hell am I

664
00:42:21,200 --> 00:42:25,200
Speaker 1: doing here? Not? You know? I mean, Matt Johnson's dead.

665
00:42:25,480 --> 00:42:28,080
Speaker 1: My son has a right. My my son had a

666
00:42:28,200 --> 00:42:30,600
Speaker 1: right to do those moves there. He didn't know it

667
00:42:30,680 --> 00:42:32,840
Speaker 1: was so dangerous. It's the first time we did it

668
00:42:32,880 --> 00:42:35,160
Speaker 1: in the crowd. He served time. I hadn't make punished

669
00:42:35,200 --> 00:42:37,280
Speaker 1: for that. May I speak because one of the coaches

670
00:42:37,320 --> 00:42:41,000
Speaker 1: at the event on that faithful day. Even though he

671
00:42:41,080 --> 00:42:44,520
Speaker 1: did kill fifty of the crowd and fifty percent of

672
00:42:44,560 --> 00:42:48,239
Speaker 1: the participants, this performance worth so good that he was

673
00:42:48,320 --> 00:42:52,600
Speaker 1: actually a champion. So let us at least so some respect.

674
00:42:52,719 --> 00:42:59,560
Speaker 1: Thank you, champion, champion the killing people fIF Wow, blended.

675
00:43:00,120 --> 00:43:03,399
Speaker 1: You came to visit me in prison. Yeah, I came

676
00:43:03,480 --> 00:43:06,239
Speaker 1: to give you a piece of my fucking mind. I

677
00:43:06,320 --> 00:43:09,880
Speaker 1: may have survived, but you fucking ruined my blades, and

678
00:43:09,960 --> 00:43:15,040
Speaker 1: that's like ruining my soul. Tell me you love me

679
00:43:15,160 --> 00:43:18,840
Speaker 1: or something. Are you out of your bind? That occur bathew,

680
00:43:19,360 --> 00:43:29,120
Speaker 1: that's your thing. You're sick. No, you are fun. I'm

681
00:43:29,120 --> 00:43:31,040
Speaker 1: mean to put it back together because I believe you

682
00:43:31,040 --> 00:43:35,920
Speaker 1: are sick. Fuck, what do you want for me? Sorry?

683
00:43:39,320 --> 00:43:45,200
Speaker 1: I said, I'm sorry. So yeah, it's okay that he's here. Everybody, Okay,

684
00:43:45,280 --> 00:43:49,880
Speaker 1: let's just relax it because I knew he'd be here,

685
00:43:49,920 --> 00:43:52,600
Speaker 1: and I have new information that I'd like to bring

686
00:43:52,640 --> 00:43:57,200
Speaker 1: to light. What mattoon I dug. I went through micro

687
00:43:57,360 --> 00:43:59,480
Speaker 1: Facional library, you know they have that. I went through

688
00:43:59,520 --> 00:44:03,799
Speaker 1: all this. My crow looked up stuff and it's it's news,

689
00:44:03,840 --> 00:44:06,759
Speaker 1: real print from never mind. Anyways, I looked at it all.

690
00:44:08,080 --> 00:44:11,400
Speaker 1: His last name might be Johnson, but it really isn't.

691
00:44:12,160 --> 00:44:16,200
Speaker 1: It's Duncan. He's a Duncan. Wait is it? Wait? Wait?

692
00:44:16,239 --> 00:44:21,879
Speaker 1: Is it? Wait? Dunking like the Yo Yo birt wait

693
00:44:22,800 --> 00:44:27,399
Speaker 1: like the Yo Yo brand? Is it the donswer no

694
00:44:32,719 --> 00:44:41,120
Speaker 1: fucking dunking donuts and burn it down? Welcome to donuts

695
00:44:41,160 --> 00:44:49,680
Speaker 1: and get you the sweet tragedy has struck in and

696
00:44:49,960 --> 00:44:56,440
Speaker 1: outside the local Duncan doughnut shop when a rolling band

697
00:44:56,560 --> 00:45:03,640
Speaker 1: of don't nut burt you know what this is? Can

698
00:45:03,680 --> 00:45:06,600
Speaker 1: I just take these segments because this is insane? How

699
00:45:06,640 --> 00:45:09,279
Speaker 1: many times does he get to redo it? First of all,

700
00:45:09,280 --> 00:45:11,160
Speaker 1: he didn't even finish it. We can't put that up.

701
00:45:11,480 --> 00:45:16,160
Speaker 1: I know he's smiling alright. Survivors of the d D

702
00:45:16,320 --> 00:45:22,000
Speaker 1: Donuts on Street, It's spent a year since our Dunkin

703
00:45:22,040 --> 00:45:26,440
Speaker 1: Donuts was burned down by a confused I just wanted

704
00:45:26,440 --> 00:45:31,400
Speaker 1: the donut here. I know he shouldn't be here. I know,

705
00:45:31,520 --> 00:45:34,000
Speaker 1: I know, I know, but he's technically a survivor of

706
00:45:34,040 --> 00:45:37,680
Speaker 1: it on the day. He's just he's just a regular

707
00:45:37,719 --> 00:45:44,080
Speaker 1: who I knew he'd be here, But I found out

708
00:45:44,120 --> 00:45:50,560
Speaker 1: that his last name isn't Smithson, It's Midgy, as in Duncan.

709
00:45:50,640 --> 00:45:53,320
Speaker 1: Midgy's the donut hole. He's a donut guy, the tiny

710
00:45:53,360 --> 00:45:58,600
Speaker 1: little hole. Yeah, but my last name is Midgy. But

711
00:45:58,640 --> 00:46:02,000
Speaker 1: why do you call him donut holes? As you that's

712
00:46:02,040 --> 00:46:06,120
Speaker 1: what do we here exactly? That work for homeland security.

713
00:46:06,680 --> 00:46:08,400
Speaker 1: I haven't been tabbed on all of you. You are

714
00:46:08,440 --> 00:46:14,680
Speaker 1: all yeah, you're all agents. All right, you're all agents.

715
00:46:15,280 --> 00:46:18,920
Speaker 1: Understand you're working. Can you hear me or not? You

716
00:46:22,400 --> 00:46:27,840
Speaker 1: can hear you? Ready, let me say it's Claire. Let

717
00:46:27,920 --> 00:46:31,040
Speaker 1: me move around. Can you hear me? Now? Hey, Dad,

718
00:46:31,920 --> 00:46:34,000
Speaker 1: thanks for coming to visit me. But can I talk

719
00:46:34,080 --> 00:46:39,880
Speaker 1: to my coach? I okay, I guess I'm the same

720
00:46:39,920 --> 00:46:42,520
Speaker 1: person though, Matt. But you know, like that side of you?

721
00:46:44,320 --> 00:46:48,960
Speaker 1: All right? All right, all right, now, I know it's

722
00:46:48,960 --> 00:46:52,400
Speaker 1: been down and out. We've had some some down parts.

723
00:46:52,440 --> 00:46:55,760
Speaker 1: But to walk the dog, you gotta be at the bottom.

724
00:46:55,760 --> 00:47:02,480
Speaker 1: Thanks coach. We did good right, Oh, I mean it

725
00:47:02,600 --> 00:47:08,120
Speaker 1: was fifty It was really good massacre which turned out

726
00:47:08,200 --> 00:47:10,680
Speaker 1: not to be a good thing. I just heard names

727
00:47:10,680 --> 00:47:14,200
Speaker 1: like blades and slices, and I thought, I when I

728
00:47:14,239 --> 00:47:16,680
Speaker 1: was training you, I thought, you know, we gotta up that.

729
00:47:17,400 --> 00:47:22,440
Speaker 1: And as a Duncan remember the Duncan family, I wanted

730
00:47:22,480 --> 00:47:27,880
Speaker 1: to be it's my fault. Yeah, talking cut that is

731
00:47:27,920 --> 00:47:33,960
Speaker 1: a wrap on Braxon's directorial debut. Yo yo's in the

732
00:47:34,000 --> 00:47:41,760
Speaker 1: donut shops. Every nice? That seriously was nice? Yeah, bright buddy,

733
00:47:42,440 --> 00:47:45,000
Speaker 1: that was That was more than I ever hoped for.

734
00:47:45,200 --> 00:47:47,920
Speaker 1: Like this, Nobody had hired me in years, and you

735
00:47:47,960 --> 00:47:51,840
Speaker 1: gave me. You gave me a chance to play play

736
00:47:52,000 --> 00:47:53,920
Speaker 1: the role of my life. So I just want I

737
00:47:53,960 --> 00:47:55,759
Speaker 1: want to say personally thank you for that. Thank you.

738
00:47:55,960 --> 00:47:58,759
Speaker 1: You're You're welcome, You're amazing. I can't wait to see

739
00:47:58,760 --> 00:48:02,720
Speaker 1: this premiere in the two am slot next Thursday. Um,

740
00:48:02,920 --> 00:48:04,920
Speaker 1: we should have a watch party or something, you know,

741
00:48:05,040 --> 00:48:10,120
Speaker 1: just really blow it out. Excuse me, sorry, you played

742
00:48:10,200 --> 00:48:15,960
Speaker 1: Claire right. Yeah? And also blades, Yes, I can. I

743
00:48:16,040 --> 00:48:18,319
Speaker 1: just had to change my voice a little bit. I

744
00:48:18,360 --> 00:48:19,840
Speaker 1: know we had I think we had a couple of

745
00:48:19,880 --> 00:48:21,719
Speaker 1: scenes together. But when I say it was like real

746
00:48:21,800 --> 00:48:24,040
Speaker 1: cool working with you, yeah, it was really cool working

747
00:48:24,080 --> 00:48:28,440
Speaker 1: with you. Thank you. I thought everybody except me was

748
00:48:28,760 --> 00:48:32,600
Speaker 1: like with the actual real you're not really Belinda Blades,

749
00:48:32,680 --> 00:48:37,200
Speaker 1: You're not really her? No, oh my god, I thought both. Yeah.

750
00:48:37,280 --> 00:48:41,840
Speaker 1: I just wore my hair in a ponytail for this,

751
00:48:42,200 --> 00:48:45,280
Speaker 1: for the only real person here is the actual massacre

752
00:48:45,400 --> 00:48:48,000
Speaker 1: matt You know, because I wanted authenticity. Why do you

753
00:48:48,000 --> 00:48:51,319
Speaker 1: show while we like wind down and stuff? You got it,

754
00:48:55,920 --> 00:49:06,759
Speaker 1: both of my characters. Welcome to the nude tragedy with

755
00:49:06,920 --> 00:49:10,759
Speaker 1: a capital T and a timing y at the end.

756
00:49:10,760 --> 00:49:17,520
Speaker 1: And the y is really a big why murder or massacre?

757
00:49:18,000 --> 00:49:24,160
Speaker 1: Matthew Johnson has done it again. Um look, look, look,

758
00:49:24,280 --> 00:49:27,680
Speaker 1: I'm the president of this of this broadcasting network. I

759
00:49:27,719 --> 00:49:30,520
Speaker 1: gotta tell you. When you said tragedy with the coin

760
00:49:31,719 --> 00:49:35,600
Speaker 1: was gonna I'm the president of this broadcasting network. Oh

761
00:49:35,640 --> 00:49:38,600
Speaker 1: my bad, I'm the vice president of this broadcasting network.

762
00:49:39,160 --> 00:49:43,600
Speaker 1: When you said tragedy with a capital president of this

763
00:49:43,719 --> 00:49:48,319
Speaker 1: broadcasting network, I'm so sorry. I'm the CEO of this

764
00:49:48,360 --> 00:49:52,200
Speaker 1: broadcasting company. Now I had heard capital T tragedy. That's funny.

765
00:49:52,400 --> 00:50:01,839
Speaker 1: Good second, I'm the c oh this God, guys, there's

766
00:50:01,880 --> 00:50:04,080
Speaker 1: been a bit of confusion down at the radio station.

767
00:50:04,120 --> 00:50:09,440
Speaker 1: Apparently a female sperm Well has declared herself the CEO

768
00:50:09,840 --> 00:50:13,360
Speaker 1: of the broadcasting network. We have her here with us today.

769
00:50:13,480 --> 00:50:20,239
Speaker 1: Let me just put the mic underwater. Hello, So, apparently

770
00:50:20,320 --> 00:50:24,640
Speaker 1: you you claim to be the CELO. Do you have

771
00:50:24,680 --> 00:50:29,359
Speaker 1: any paperwork is showing that you are? I know the

772
00:50:29,480 --> 00:50:37,120
Speaker 1: letters c oh oh they look very similar, but one

773
00:50:37,360 --> 00:50:51,480
Speaker 1: is missing a chunk. Oh work. It was hard. You're

774
00:50:51,520 --> 00:51:05,919
Speaker 1: never here anymore to say. I try my boof turn

775
00:51:05,960 --> 00:51:08,920
Speaker 1: off of that goddamn TV. Are you watching Corporate Whales again?

776
00:51:10,680 --> 00:51:14,479
Speaker 1: It's my favorite? Oh, I understand, and it's a great show.

777
00:51:14,520 --> 00:51:16,120
Speaker 1: But your mom and I are trying to get a

778
00:51:16,200 --> 00:51:18,960
Speaker 1: little bit of napping before our sexual section. Do you

779
00:51:19,040 --> 00:51:25,040
Speaker 1: understand I have to sleep before I have sexual section.

780
00:51:26,600 --> 00:51:28,520
Speaker 1: You boys are old enough to talk to you about this.

781
00:51:28,600 --> 00:51:32,640
Speaker 1: You know, either we don't want to hear you're old

782
00:51:32,760 --> 00:51:35,319
Speaker 1: enough to see our sketch pads that we sketch of

783
00:51:35,360 --> 00:51:38,400
Speaker 1: each other while we're having our sexual We don't want

784
00:51:38,440 --> 00:51:41,360
Speaker 1: to see that. We have to be honest with you

785
00:51:41,400 --> 00:51:43,080
Speaker 1: about the way that the world works and the way

786
00:51:43,080 --> 00:51:46,320
Speaker 1: that the bodies are all right, here's your mom's foot.

787
00:51:46,880 --> 00:51:55,879
Speaker 1: Oh my god, it's so bad. It's my shoulder that's

788
00:51:55,920 --> 00:52:03,280
Speaker 1: not so bad. I can't tell what that scratch and sniffs,

789
00:52:03,320 --> 00:52:05,200
Speaker 1: so maybe I can sniffing and see what that part

790
00:52:05,440 --> 00:52:10,120
Speaker 1: isn't now, Darling, I can't identify. All right, Well, good

791
00:52:10,160 --> 00:52:12,880
Speaker 1: news and bad news. The bad news is we're going

792
00:52:12,960 --> 00:52:22,239
Speaker 1: to cancel corporate whales. The good news is we got

793
00:52:22,320 --> 00:52:26,320
Speaker 1: you to a nice, a nice condo down in San Diego.

794
00:52:27,760 --> 00:52:37,719
Speaker 1: See oh something something, Oh god, and that's our show boy.

795
00:52:38,480 --> 00:52:43,160
Speaker 1: Let's uh, alchemists, see what's going on with James ead

796
00:52:44,480 --> 00:52:46,840
Speaker 1: Thanks for having me on it. It's just been a

797
00:52:46,840 --> 00:52:50,120
Speaker 1: real damn pleasure. Um. I wouldn't remind everybody. On the

798
00:52:50,200 --> 00:52:53,480
Speaker 1: last Saturday of every month at eleven am, you can

799
00:52:53,560 --> 00:52:57,360
Speaker 1: tune in to Alchemy. This is live stream on twitch

800
00:52:57,400 --> 00:53:03,400
Speaker 1: dot tv Alchemy. This slash of nice Joey Greer. I

801
00:53:03,440 --> 00:53:06,160
Speaker 1: wanna echo that and say that you can also go

802
00:53:06,239 --> 00:53:09,759
Speaker 1: do at the real James Heeney. I think on any

803
00:53:09,840 --> 00:53:13,400
Speaker 1: social media or streaming services and you and you'll probably

804
00:53:13,400 --> 00:53:17,239
Speaker 1: find James doing something. So I wanna on any day

805
00:53:17,280 --> 00:53:23,280
Speaker 1: of the week, all right, Gary, cute stuff. Anthony Williams. Hey. Uh,

806
00:53:23,440 --> 00:53:27,600
Speaker 1: first of all, all all shoutouts to James social Media's

807
00:53:27,600 --> 00:53:31,680
Speaker 1: all shout out. I'm gonna start doing live shows again

808
00:53:31,719 --> 00:53:34,759
Speaker 1: with my improv comedy too. The Black Version will be

809
00:53:34,760 --> 00:53:39,880
Speaker 1: at the ground July thirty one. Uh. Come, especially if

810
00:53:39,920 --> 00:53:43,320
Speaker 1: you're not vaccinated. Come in and get real close and

811
00:53:44,719 --> 00:53:49,080
Speaker 1: laugh loud, laugh loud with some aspirate while while you're

812
00:53:49,120 --> 00:53:53,240
Speaker 1: at it, Why don't you nice? Jackie Gonzalez to Ruthie.

813
00:53:53,520 --> 00:53:57,040
Speaker 1: I gotta say the Black Version is uh one of

814
00:53:57,080 --> 00:53:59,520
Speaker 1: my favorite shows. Is a great show, but you can't

815
00:53:59,560 --> 00:54:01,840
Speaker 1: compare it to James is Social. They can't compare to

816
00:54:01,880 --> 00:54:04,200
Speaker 1: James a social So definitely check out James is Social

817
00:54:04,440 --> 00:54:08,160
Speaker 1: and the most wonderful pot of the years, celebrating Christmas

818
00:54:08,160 --> 00:54:12,680
Speaker 1: in July and watching some pretty interesting movies. So you

819
00:54:12,680 --> 00:54:16,359
Speaker 1: can listen to U episodes of of that. It's about

820
00:54:16,400 --> 00:54:21,319
Speaker 1: Christmas movies. Nice, Chris Alvarado. Yeah, big shout out to

821
00:54:21,440 --> 00:54:24,680
Speaker 1: the real James Heeney on socials. It's funny too when

822
00:54:24,680 --> 00:54:26,319
Speaker 1: you when you when you come up with that name James, right,

823
00:54:26,360 --> 00:54:29,000
Speaker 1: you're like all these motherfucking James Heeney's out there. I

824
00:54:29,000 --> 00:54:30,759
Speaker 1: gotta make sure that people know they're coming to the

825
00:54:30,840 --> 00:54:33,600
Speaker 1: right one. I love that. Also, it's I love what

826
00:54:33,680 --> 00:54:35,560
Speaker 1: I'm tagging you in one of our posts. It's the

827
00:54:35,600 --> 00:54:38,200
Speaker 1: longest name. I feel like it's spending more time with

828
00:54:38,239 --> 00:54:41,160
Speaker 1: you really quickly. Um, as we're recording the podcast, my

829
00:54:41,200 --> 00:54:43,960
Speaker 1: mom called me. So, I said, recording alchemy this, I

830
00:54:44,440 --> 00:54:46,440
Speaker 1: think I think she's doing voice text, but I'm just

831
00:54:46,480 --> 00:54:50,520
Speaker 1: gonna read you what. Her reply was, Oh love that show.

832
00:54:50,920 --> 00:54:53,759
Speaker 1: My neighbors think I'm crazy laughing in the sweltering weather

833
00:54:53,760 --> 00:54:57,640
Speaker 1: because I'm listening to your podcast. I love only everyone

834
00:54:57,719 --> 00:55:00,680
Speaker 1: on this podcast. I do have a fa favorite son,

835
00:55:00,760 --> 00:55:06,120
Speaker 1: oh mine, and it's Joey x Oh, there's no I

836
00:55:06,480 --> 00:55:09,680
Speaker 1: can't imagine that. She was saying, I have a favorite

837
00:55:09,719 --> 00:55:11,880
Speaker 1: and it's I just it's gotta be there's gonna be

838
00:55:11,920 --> 00:55:17,160
Speaker 1: a calm situation there right where it's that's what what

839
00:55:17,239 --> 00:55:19,399
Speaker 1: do you? I don't see any other way you could

840
00:55:19,520 --> 00:55:23,800
Speaker 1: read his favorite son and her favorite son is Joey.

841
00:55:25,000 --> 00:55:26,680
Speaker 1: I do have to love your mom son of mine

842
00:55:26,680 --> 00:55:33,160
Speaker 1: and it's Joey. Yes, where is the mistaken that? Because

843
00:55:33,160 --> 00:55:36,080
Speaker 1: it's right? Because it's maybe it's I love your mom

844
00:55:36,120 --> 00:55:39,480
Speaker 1: because it's got to be a mistake, right, Gary, buddy,

845
00:55:39,600 --> 00:55:43,880
Speaker 1: you should go in a voice over. That's all I

846
00:55:43,920 --> 00:55:47,840
Speaker 1: got to say that one for last. I'm at Cold

847
00:55:47,880 --> 00:55:50,759
Speaker 1: Stratton or at Stratton Cold, depending on the social service. UM.

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00:55:50,760 --> 00:55:52,719
Speaker 1: I've started using Letterbox a lot. I don't know if

849
00:55:52,719 --> 00:55:55,000
Speaker 1: people know that thing, but it's a cool service where

850
00:55:55,000 --> 00:55:56,879
Speaker 1: you can go and like log all the movies you've

851
00:55:56,880 --> 00:55:59,879
Speaker 1: watched or watching, you can review them, um, all sorts

852
00:55:59,880 --> 00:56:03,359
Speaker 1: of it's great. It's really cool. I'm just at Cold Strattona. There.

853
00:56:03,480 --> 00:56:05,799
Speaker 1: You can follow people and they'll follow you back or whatever,

854
00:56:05,840 --> 00:56:07,120
Speaker 1: and you can check out reviews and it's a good

855
00:56:07,120 --> 00:56:09,000
Speaker 1: way to find out new movies and things like that

856
00:56:09,040 --> 00:56:11,120
Speaker 1: too and track everything. So go check out letter Box.

857
00:56:11,120 --> 00:56:12,920
Speaker 1: It's just like it's letter but the box doesn't have

858
00:56:12,960 --> 00:56:14,719
Speaker 1: any EI, so it's b O x D so it's

859
00:56:14,800 --> 00:56:17,440
Speaker 1: letter boxed like that. So go check that out. I

860
00:56:17,480 --> 00:56:21,040
Speaker 1: think it's really cool service and it's neat like somebody's

861
00:56:21,040 --> 00:56:25,279
Speaker 1: getting paid by letter Hello, I've paid them to be

862
00:56:25,600 --> 00:56:30,359
Speaker 1: part of it, us a patron, which is like nothing anyways. Uh,

863
00:56:30,680 --> 00:56:35,400
Speaker 1: let's thank our engineering producer guys Doug Bam and the

864
00:56:35,480 --> 00:56:41,799
Speaker 1: fine folks at I heart media dot com. Please write

865
00:56:41,800 --> 00:56:45,840
Speaker 1: to us at Alchemy, this email at gmail dot com.

866
00:56:45,880 --> 00:57:02,640
Speaker 1: That's Alchemy, this email email Until next time. NoHo and

867
00:57:02,800 --> 00:57:03,280
Speaker 1: a Foot