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Speaker 1: Hi, Casey. How's it going. How are you? You sound

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Speaker 1: like shit? Thank you? I know I do. I've been

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Speaker 1: listening to old episodes of our podcast, which we're doing

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Speaker 1: right now, and you know, I had a long drive

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Speaker 1: to uh Tampa, Florida, yeah, recently, and it's roughly like

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Speaker 1: six and a half hours from where I'm at. Damn. Yeah,

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Speaker 1: it's long.

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Speaker 2: I mean that's like Minneapolis to Chicago.

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Speaker 1: Yeah, the drive to my parents and they live like

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Speaker 1: across the state pretty much on the other side, like

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Speaker 1: almost directly, and it takes longer for some reason, I

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Speaker 1: think because it sucks more.

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Speaker 2: Yeah.

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Speaker 1: Yeah. But anyway, I was like, I very rarely go

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Speaker 1: back and listen to things that I've done, yeah, because

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Speaker 1: you always have that moment of assessment and you're just like,

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Speaker 1: why did I say that? Why did I do that?

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Speaker 1: You know, we should joke about this all the time.

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Speaker 1: And I saw what you did, how it just kind

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Speaker 1: of comes out of our bodies. Then we just leave it,

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Speaker 1: we don't return. But for some reason, I was like,

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Speaker 1: oh shit, I'm gonna listen to it, and I was

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Speaker 1: like cringing. I was like going, why do I say

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Speaker 1: the word like so much? Why do I sound like

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Speaker 1: I have COPD. Why don't I get my nose replaced?

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Speaker 1: Why don't I have my personality replaced?

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Speaker 2: Yeah, I think you know. I think you and I

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Speaker 2: are both coming at the show sort of similarly. I

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Speaker 2: don't think I think you're perfect, and I think I

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Speaker 2: am an atrocity to the audio medium, and I think

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Speaker 2: we both we kind of were talking before we started recording,

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Speaker 2: how both of us would like to change our personalities,

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Speaker 2: our voices, how we say words, our senses of humor,

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Speaker 2: everything essentially, once we listened to the show. Once we

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Speaker 2: listened back to the show, well, and I.

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Speaker 1: Was listening to the episode that we did about Materialist,

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Speaker 1: and you were so goddamn funny, and I was getting jealous.

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Speaker 1: I was getting jealous where I was like, oh, I

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Speaker 1: have to keep rewinding Casey because he's saying funny things

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Speaker 1: about how Macaulay Kulkin is his favorite actor of all time.

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Speaker 1: And I actually left you. I was like, you know what,

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Speaker 1: I'm going to be the bigger person that I'm gonna

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Speaker 1: leave you a voice message to tell you how much

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Speaker 1: I laughed at you in that episode, like genuinely laughed.

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Speaker 1: And then I started getting in my head about it,

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Speaker 1: and I'm like, god, I wish I could be his

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Speaker 1: funniest Casey. What the hell's Oh my god, shut the

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Speaker 1: fuck up. We're bad self esteem dating right now.

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Speaker 2: Well, you know, if you take a look at our

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Speaker 2: you know, Apple reviews, I would say that most of

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Speaker 2: them say, I love Millie and I hate Casey and

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Speaker 2: wish he was dead and was she was a piece

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Speaker 2: of roadkill on the side of the road. That's basically

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Speaker 2: what our reviews say.

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Speaker 1: It's just because I'm a dynamic woman and you're simply

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Speaker 1: a man.

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Speaker 2: Well it's hard to refute that, you know, but this

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Speaker 2: is in some ways, you know, a promise to our

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Speaker 2: listeners that Milli and I are, from this point moving forward,

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Speaker 2: are changing ourselves entirely.

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Speaker 1: The show is going to be.

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Speaker 2: It was bad now it will be good and we'll

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Speaker 2: be different people moving forward. So that's a promise to

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Speaker 2: our listeners.

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Speaker 1: Can I get a voice replacement surgery? How does that work? Yeah?

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Speaker 2: You know, I got the leg lengthening surgery a few

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Speaker 2: episodes ago. Is there a way?

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Speaker 1: Yeah? Is there a way?

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Speaker 2: You know? Joseph Gordon Levitt and a lot of men

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Speaker 2: do this and movie they talk with them, they kind

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Speaker 2: of pitch down their voices and they kind of talk.

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Speaker 2: So maybe I'll start doing that.

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Speaker 1: Mar I need to talk slower and less annoying. I

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Speaker 1: should literally get my nose replaced, maybe my throat replaced

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Speaker 1: as well.

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Speaker 2: Okay, we can see an e nt YES specialist.

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Speaker 1: And just I need a complete and utter overhaul. Do

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Speaker 1: we both do.

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Speaker 2: Well? Speaking of things that need an overhaul, we're talking

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Speaker 2: about a movie this week, Jurassic World Rebirth from twenty

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Speaker 2: twenty five, and we're also going to talk about some

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Speaker 2: summer blockbusters and the concept of the summer blockbuster and

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Speaker 2: what means to the culture.

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Speaker 1: Yeah, even like if it is as important as it

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Speaker 1: was before.

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Speaker 2: Yeah, you know, I'm going to say the answer is no,

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Speaker 2: I don't know.

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Speaker 1: There's certainly chucking them out as they used to. Are

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Speaker 1: they hidden? Is the question we'll see.

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Speaker 2: And we also have another segment we're going to do

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Speaker 2: which I literally forgot to even mention to Milly before

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Speaker 2: recording right now, But Millie, I thought it would good

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Speaker 2: if we talked about some movie theater etiquette. I have

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Speaker 2: some questions for you actually, specifically your takes on kind

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Speaker 2: of like movie theater etiquette and where you stand on

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Speaker 2: them because I don't know.

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Speaker 1: Oh, I'm ready. I mean, okay, we got to talk

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Speaker 1: because I do. This gets brought up a lot in

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Speaker 1: these parts about the movie theater that I go to.

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Speaker 1: So let's let's get into it, all right. Well, listen,

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Speaker 1: let's just try to feel good about ourselves and get

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Speaker 1: through this podcast without wanting voice replacement surgery or personality overhaul.

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Speaker 2: Okay, yeah, some sort of lobotomy.

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Speaker 1: Yeah, let's just feel good. You're good, I'm good. Okay,

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Speaker 1: let's let's fresh start. Keep this gravy trainer rolling. All right.

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Speaker 1: On that note, you're listening to the podcast to your movies.

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Speaker 1: I Love you, Love you, and I've got to.

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Speaker 2: Love me to check the books.

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Speaker 1: Yes, we're back. This is Dear Movies, I Love You.

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Speaker 1: This is the podcast for those who are in a

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Speaker 1: relationship with movies. Perhaps they're out one night, they're having

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Speaker 1: a few cut waters and they start thinking about that

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Speaker 1: old flame, that old movie that they haven't talked to

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Speaker 1: in a while, and then they get on the phone

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Speaker 1: and they're texting, like at two thirty in the morning,

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Speaker 1: being like, what you're doing? You know who this is?

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Speaker 1: You still have my number?

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Speaker 2: Been on both the receiving and the sending side of

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Speaker 2: those text messages.

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Speaker 1: You know, I gotta tell you, I'm not trying to

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Speaker 1: gasp myself up. I get them more than I than I.

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Speaker 1: That's the grets. That's the golden ratio.

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Speaker 2: You don't want to be sending those more than if

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Speaker 2: you're sending I mean, yeah, that's good.

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Speaker 1: Well, because I whenever I'm trash, I don't want to

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Speaker 1: like remember people. I just don't want to like be

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Speaker 1: in the moment or whatever. I don't get sentimental. I

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Speaker 1: guess that's maybe what it is. I just kind of

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Speaker 1: fall on my face in the moment. So Casey, Yeah,

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Speaker 1: our episode this week is kind of crazy because we're

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Speaker 1: doing another new film. Yeah, wild, it is wild. We've

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Speaker 1: done a couple that materialist episode that we did. I

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Speaker 1: mentioned it in the open, was like very like, I

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Speaker 1: got a lot of texts from actually got a voice

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Speaker 1: message from one of my friends, Maggie Thrash, who was

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Speaker 1: a great author, wrote a great book called Rainbow Black.

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Speaker 1: She was like activated. She sent me a message and

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Speaker 1: was like it was like a three minute message, maing,

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Speaker 1: like I have to talk about this episode with you.

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Speaker 1: And it was great because I that I got to

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Speaker 1: just like have conversations with people about the movie. So

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Speaker 1: I don't know, I feel like now I'm inspired to

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Speaker 1: look more new films. That's great.

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Speaker 2: And just recently it was announced that Selene Song is

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Speaker 2: going to be doing My Best Friend's Wedding sequel, which

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Speaker 2: is kind of like crazy.

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Speaker 1: See that movie to me is also kind of.

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Speaker 2: Strange, it it I it is? I Like, I do

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Speaker 2: like that movie. Yeah, and I love the soundtrack. That

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Speaker 2: was a beloved soundtrack in my house growing up.

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Speaker 1: Who's on the soundtrack?

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Speaker 2: Like there's songs like you know, say a Little Prayer

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Speaker 2: is on there, and like the if you want to

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Speaker 2: be Happy for the rest of your life.

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Speaker 1: Oh so it's like a boomer sixties. Yeah, yeah, cute. Okay, Okay,

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Speaker 1: well that tracks. I guess the whole Selene Song doing

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Speaker 1: another Yeah, I mean it does. But I'm just surprised

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Speaker 1: she's going back to that well a little bit. Oh

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Speaker 1: by the way, before we get into a film diaries,

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Speaker 1: I have to ask because we when I was at

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Speaker 1: the movie seeing Jurassic World, colon rebirth? Is there a colon?

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Speaker 1: Is it a dash? Is it an ellipses?

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Speaker 2: There's nothing, It's it's there's no punctuation. It's Jurassic World rebirth.

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Speaker 1: That drives me. It's nothing that drives me nutty for

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Speaker 1: some reason. Why is it like that?

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Speaker 2: I don't know, could continue anyway, That's a film, Grape.

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Speaker 2: Did you see the trailer for the New Naked Gun

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Speaker 2: Movie with Liam Neeson? I it's so funny you bring

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Speaker 2: this up because I, just before recording brought it up

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Speaker 2: to Trisha, my wife, how I was excited for the

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Speaker 2: New Naked Gun movie and the trailer I laughed out loud.

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Speaker 2: I was really like, this is hitting and I want

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Speaker 2: to see it. I'm excited.

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Speaker 1: I do too. And it's like I kept thinking to myself,

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Speaker 1: am I crazy for laughing at this thing so hard?

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Speaker 1: Like because I was looking around and everybody that was

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Speaker 1: in the theater was like pretty much between the ages

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Speaker 1: of like eleven and thirty or something. There was a

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Speaker 1: lot of young people my screening, and they were probably like,

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Speaker 1: this is some stupid old people shit.

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Speaker 2: Yeah. I but the thing it felt electric watching it

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Speaker 2: because I was like, you know what, we don't have

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Speaker 2: silly comedies anymore. Like there aren't movies like The Naked

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Speaker 2: Gun or even movies like Austin powers that are just

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Speaker 2: like silly and kind of stupid, but just pure comedy fun,

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Speaker 2: you know what I mean. It's like they don't have

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Speaker 2: just like dumb stupid comedies like that anymore. And so

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Speaker 2: it was refreshing to see that trailer in the theaters.

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Speaker 1: So my question is, Okay, So you know, the original

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Speaker 1: Naked Gun movies were done by Zucker Abrams and Zucker.

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Speaker 1: This kind of like classic trio of filmmakers and writers.

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Speaker 1: They were kind of in, you know, they did like

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Speaker 1: Top Secret and Kentucky Airplane. So this new Naked Gun

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Speaker 1: is not affiliated with them, right, They're not involved. I

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Speaker 1: don't know.

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Speaker 2: I don't think I think.

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Speaker 1: So either, So, but I think it's interesting that Akiva

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Speaker 1: Schaeffer from What Lonely Island is directing, and then Seth

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Speaker 1: McFarland is involved. They think somehow Okay, So I'm kind

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Speaker 1: of going, I don't know, it feels like those Lowly

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Speaker 1: Island guys are maybe the new Zazz if you don't.

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Speaker 2: Well, I did love pop Star Never Stop, Never Stopping,

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Speaker 2: which is directed by Akiva Shaeffer.

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Speaker 1: Yeah, I loved that movie too, and I loved Hot Rod.

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Speaker 1: I liked everything. What's the one those guys. Yeah. See,

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Speaker 1: that's what I'm thinking, is I like, I don't know,

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Speaker 1: it's kind of exciting. I think, my po Yeah, that

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Speaker 1: there's kind of like new blood in these uh.

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Speaker 2: Slapstick comedy streets. Yeah, I'm all I'm excited about it.

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Speaker 2: I want comedy like the the comedy. They don't make

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Speaker 2: comedies anymore. I mean, we just saw Materialists. Is that

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Speaker 2: what we're calling a comedy these days? I mean that's dark,

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Speaker 2: I know.

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Speaker 1: I want something extremely silly again. Is this Is this

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Speaker 1: the movie where Liam connected with your girl Pam Anderson. Yeah,

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Speaker 1: and now they're a couple. She's in it. She's the

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Speaker 1: femme fatale. Ye make a gun. But that's how they

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Speaker 1: got together is because I believe. So.

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Speaker 2: Yeah, they're dating now, and I'm I love it.

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Speaker 1: Oh my god, I love it too. I love that

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Speaker 1: Meryl Streep and Martin Short are dating, even though I

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Speaker 1: always thought Martin Shore was gay. Well, of course, but.

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Speaker 2: He could be gay and Street, I mean just because

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Speaker 2: he's a you know, a fabulous short, little dandy.

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Speaker 1: You know that doesn't but Barnin Short is not like

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Speaker 1: he's comes from a generation where somebody of that persuasion

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Speaker 1: is most likely. Okay, yes, what you say, just basically,

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Speaker 1: you know, I'm just saying I feel like, in the

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Speaker 1: modern context you could make that argument, but I don't know.

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Speaker 1: I'm like, he's fron the old school, the old closet school,

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Speaker 1: yes exactly, but whatever, whatever his persuasion, I'm happy for

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Speaker 1: him and happy for all of these. It's kind of

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Speaker 1: like stars who are just like getting together later in life, yes,

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Speaker 1: which I think is lovely. I love that. Listen. I

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Speaker 1: am possibly going through perimenopause right now. I don't really know.

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Speaker 1: All I know is that literally everything makes me cry,

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Speaker 1: especially when it comes to like love. Yeah, we'll talk

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Speaker 1: about this in a second where we get in a

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Speaker 1: Jurassic World rebirth. Oh boy, I know, I can't even

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Speaker 1: believe I'm teasing that.

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Speaker 2: I don't even know what you could be referring to.

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Speaker 2: And I have seen that movie.

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Speaker 1: Well, all will be revealed. Okay, So do you want

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Speaker 1: to do film diary or what? Yes?

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Speaker 2: I do, and I have something too, Well, first of all,

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Speaker 2: let's open up the filmy.

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Speaker 1: Oh heavy, motherfucker.

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Speaker 2: So okay, I watched a lot of movies this week

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Speaker 2: because I was on vacation quote not really on vacation.

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Speaker 2: But every year we go, I go up north with

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Speaker 2: my family and some of my extended family and we

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Speaker 2: my parents have a cabin up north and there's a

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Speaker 2: little resort nearby where extended families stay. So it's like

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Speaker 2: this week long thing that we've been doing for over

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Speaker 2: thirty years.

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Speaker 1: Wow.

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Speaker 2: And a big part of it is we watch movies

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Speaker 2: every night, and so we watch a lot of movies.

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Speaker 2: But I guess I wanted to kind of get your

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Speaker 2: thoughts about this because the movie picking. I don't remember

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Speaker 2: even how we picked what movie to watch, you know,

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Speaker 2: when we were children, but it has become so contentious

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Speaker 2: and there has been there's like arguments and fights every

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Speaker 2: single night. It almost like ruins the entire movie night watching.

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Speaker 2: So I just wanted to I think this has been

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Speaker 2: a question of some kind in the past, But how

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Speaker 2: do you decide when you're in a group of people

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Speaker 2: what movie to watch? Are you the leader in being

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Speaker 2: like we should watch this movie or are you more

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Speaker 2: laid back and like, let's let the chips fall where

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Speaker 2: they may. What's your kind of attitude?

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Speaker 1: Oh, I'm absolutely not the leader. I'm absolutely uh, I'll

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Speaker 1: do whatever you want to do. I have realized that

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Speaker 1: about myself in pretty much every group setting. I think

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Speaker 1: I've talked to you about how I think I told

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Speaker 1: the story. Maybe on I saw what you did about

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Speaker 1: the time that Danielle and I went to an escape

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Speaker 1: room with some other folks and I had never been

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Speaker 1: to one before, and I just assumed that I would

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Speaker 1: be a real type a personality and want to, you know,

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Speaker 1: get everything going, like wanting to find out clues and stuff.

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Speaker 1: Hell no, I was actually the opposite. When put in

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Speaker 1: the situation, I just kind of sat there and let

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Speaker 1: everybody else do the work. I don't really know why

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Speaker 1: that happened. And that's kind of how I feel about

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Speaker 1: group movie choosing.

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Speaker 2: I am quite forceful. I take control. It pisses people off,

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Speaker 2: including members of my family. We have gotten in like

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Speaker 2: shouting matches this year. I recommended because there was a

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Speaker 2: smaller group up there, because me and my brother's and

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Speaker 2: a few cousins, I recommended, Hey, why don't we just

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Speaker 2: take a turn every night? There's like few enough people

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Speaker 2: where each of us could just take a turn. Because

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Speaker 2: I'm tired of this, yes, and my brother goes, I

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Speaker 2: don't want to do that because I think you guys

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Speaker 2: are going to pick a shitty movie.

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Speaker 1: I don't trust you, guys, all.

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Speaker 2: Right, and then my other brother goes to that brother,

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Speaker 2: I don't trust you. And this is the kind of

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Speaker 2: thing weren't dealing with. This is like Love Island, Yes,

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Speaker 2: very yes, it's just like love Isolentce.

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Speaker 1: Well, everybody's fighting and everybody's like thinks that they're out

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Speaker 1: to get each other. Can I get some demographic info?

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Speaker 2: Yeah, okay, So currently it's me and my two brothers,

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Speaker 2: who are both in their thirties. My youngest brother is

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Speaker 2: thirty one, I believe, and my other brother is thirty four,

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Speaker 2: and I am thirty seven. And then okay, so it's

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Speaker 2: like ridiculous. So you're the oldest, I'm the oldest. And

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Speaker 2: then occasionally my wife Trisha will be there or Brady's

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Speaker 2: wife Jade will be there.

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Speaker 1: But they weren't.

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Speaker 2: They didn't like attend to any movie watching, maybe because

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Speaker 2: of the fighting. Then the other two people that joined

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Speaker 2: movie night this year were not even my cousin. My

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Speaker 2: cousin's children who one is nineteen and one is twelve,

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Speaker 2: and they're not they're kind of getting involved. Well with

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Speaker 2: a nineteen year old, I was like you need to

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Speaker 2: pick and she's like, that's too much pressure because of

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Speaker 2: you know how much fighting there is it goes on.

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Speaker 2: So wow, I don't know, it's like a big to

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Speaker 2: do and I need help. I need have I need

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Speaker 2: film advice.

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Speaker 1: As part of the problem that because this happens to

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Speaker 1: me quite a bit, is that you're the only sounds

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Speaker 1: so pampas. But I'm gonna say, like, people are like,

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Speaker 1: you're the film professional in the like you know about

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Speaker 1: movies more than anybody.

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Speaker 2: There is zero respect for my film Knowledgeah. I kind

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Speaker 2: of love that, Actually there is there is. I am

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Speaker 2: probably the least respected opinion wise of the group.

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Speaker 1: That is so fucking funny because I think this leads

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Speaker 1: back because I always try to pick a fun movie

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Speaker 1: and so a few years ago I was like, we

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Speaker 1: should watch water World because it's outrageous and it's stupid

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Speaker 1: and it'll be fun.

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Speaker 2: Yeah, that movie is like two and a half hours long,

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Speaker 2: and my cousin who's nineteen, she is still so mad

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Speaker 2: that I made her watch it and she brings it

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Speaker 2: up all the time.

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Speaker 1: Well, I mean I will just generally, I feel like

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Speaker 1: if you want real advice, off the rip, I think

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Speaker 1: taking turns. Choosing is like probably the only thing you

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Speaker 1: can do, that's what But they wouldn't.

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Speaker 2: But the thing is, I'm so not respected that even

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Speaker 2: my suggestion at the solution to the problem was ridiculed

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Speaker 2: and thrown away.

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Speaker 1: So well, why don't you consider then taking a little

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Speaker 1: zanny or something or like, you know, just like de

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Speaker 1: escalating your involvement.

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Speaker 2: I need to de escalate. But it's for me. I

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Speaker 2: like to be involved. I like i'm I like to lead,

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Speaker 2: I like to think. I like things to be efficient.

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Speaker 2: I like to make decisions.

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Speaker 1: And you know, you got big Capricorn energy.

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Speaker 2: I know, I know.

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Speaker 1: That's why I'm suggesting. What about a xanax? What about

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Speaker 1: I need to drink ball? Yeah, but I need to

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Speaker 1: drink a couple more buzzballs. That's the that's the that's

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Speaker 1: what will help. Okay, can I go first? Because I

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Speaker 1: have like I was gonna suggest that.

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Speaker 2: Actually, Okay, so I'm just gonna I'm just gonna throw

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Speaker 2: out a bunch of these movies. I don't really want

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Speaker 2: to discuss them because there's not much to say about them,

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Speaker 2: but these are what I watched. Fine, Okay, Yeah, so

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Speaker 2: I watched Beetle juice Beetle Juice from twenty twenty four Beetlejuice.

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Speaker 2: It was fine. I don't know if it needs to

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Speaker 2: get made. I watched I watched Napoleon Dynamite, which is

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Speaker 2: a move from two thousand and four. I actually I

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Speaker 2: have such a strong affinity for Napoleon Dynamite and I

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Speaker 2: like watching it every time. Sure, so I liked watching that.

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Speaker 2: Then I watched a movie I'd never heard of. My

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Speaker 2: brother picked this. It's a movie from nineteen eighty five

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Speaker 2: called Volunteers with John Candy, Rita Wilson, and Tom Hanks.

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Speaker 2: Oh and it was kind of fun. I'd never heard

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Speaker 2: of this movie. It's like Tom Hanks and John Candy,

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Speaker 2: Rita Wilson, they're in the Peace Corps and it's kind

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Speaker 2: of zany. Okay, it was fine. There's a good cabin movie.

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Speaker 2: Then this was my choice. We watched Chopping Mall from

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Speaker 2: nineteen eighty six. I love this movie. Sure, and I

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Speaker 2: think people had a lot of fun. And it's only

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Speaker 2: like an hour and fifteen minutes. Oh so they they

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Speaker 2: liked that one.

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Speaker 1: Okay, that's great.

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Speaker 2: And then on the last night, my brother was so

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Speaker 2: excited to watch this. My brother Brady. The whole week

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Speaker 2: was kind of catered around this. We watched a movie

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Speaker 2: that came out on Netflix Friday night, and that movie

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Speaker 2: is from twenty twenty five and it's called Happy Gilmore two.

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Speaker 1: Oh.

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00:21:58,560 --> 00:22:03,200
Speaker 2: Now I like Happy Gilmore sure, and there were things

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Speaker 2: that were working for this movie, I thought. But I

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Speaker 2: mean everyone is saying this, there are like eight billion

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Speaker 2: cameos in this movie. Should Gavin in it? Yes, Shooter mcgavern,

394
00:22:15,880 --> 00:22:17,080
Speaker 2: Shooter McGavin is in it.

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Speaker 1: God, and but millily you would the the the amount

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Speaker 1: of cameos per minute is so insane and it's terrible.

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Speaker 2: I mean it's really bad. So uh and it almost

398
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Speaker 2: doesn't feel like a movie at the end.

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Speaker 1: Okay, okay, anyways, Yeah, there's nothing else to say about

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00:22:37,119 --> 00:22:37,920
Speaker 1: Happy Gilmore too.

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Speaker 2: Uh.

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Speaker 1: But that's all the movies I watched is last week. Wow,

403
00:22:42,160 --> 00:22:46,080
Speaker 1: So that's interesting. So yeah, I was on vacation a

404
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Speaker 1: little bit over the same week that you were on vacation.

405
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Speaker 1: Like I said, I was in Tampa, Florida for like

406
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Speaker 1: a weekend. Uh huh we uh. We had an airbnb.

407
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Speaker 1: I was with two of my friends and we instead

408
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Speaker 1: of watching a movie, and I watch movies with these

409
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Speaker 1: two a lot, like maybe at least once a week

410
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Speaker 1: we get together, we have this, you know, scenario play

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Speaker 1: out of who gets to pick the movie? And I

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Speaker 1: never knew because I just was like, guess what. I

413
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Speaker 1: don't give a shit. If I don't want to watch it,

414
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Speaker 1: I'll just text, yeah, I'm watching. Oh.

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Speaker 2: You won't even voice an opinion if it's something you

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00:23:23,119 --> 00:23:26,880
Speaker 2: don't want to watch, You just like I just take

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Speaker 2: yourself out.

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Speaker 1: I just feel like I think it's what do they

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Speaker 1: call it, It's choice exhaustion.

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Speaker 2: Yes, I feel like, yeah, that is there's a term

421
00:23:40,240 --> 00:23:41,639
Speaker 2: for that that I can't think of.

422
00:23:41,800 --> 00:23:46,440
Speaker 1: I can't think of it either decision fatigue, decision fatigue,

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Speaker 1: or choice exhaustion, whatever you want to call it. My

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Speaker 1: whole life is choosing movies. So what I'm like in

425
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Speaker 1: the streets, like hanging out with friends, I don't give

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Speaker 1: a fuck. I like, do you not want to choose?

427
00:24:00,200 --> 00:24:02,320
Speaker 1: If I'm at your house and you've got like a

428
00:24:02,640 --> 00:24:05,959
Speaker 1: nice couch set up and there's a lot of snacks,

429
00:24:06,119 --> 00:24:08,760
Speaker 1: and you know, like the mood lighting is great, there's

430
00:24:08,840 --> 00:24:12,159
Speaker 1: like some nice candles, I'll just literally watch whatever the

431
00:24:12,200 --> 00:24:13,720
Speaker 1: hell you put in front of me. I don't want

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Speaker 1: to choose. I just want to.

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Speaker 2: I mean, like you, choosing a movie is like someone

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Speaker 2: going up to a doctor while they're at a dinner

435
00:24:20,720 --> 00:24:22,119
Speaker 2: party and asking them to, like look.

436
00:24:22,000 --> 00:24:22,520
Speaker 1: At a mole.

437
00:24:22,960 --> 00:24:26,280
Speaker 2: You know, you don't want to, like you're off the clock.

438
00:24:26,480 --> 00:24:28,639
Speaker 1: I'm off no lock, I'm like, I just want to

439
00:24:29,160 --> 00:24:33,000
Speaker 1: brain rot. I don't give a shit. And so that

440
00:24:33,600 --> 00:24:35,960
Speaker 1: having said that, we decided not to watch a movie

441
00:24:35,960 --> 00:24:39,000
Speaker 1: in the airbnb. We had staid watch And I've never

442
00:24:39,080 --> 00:24:43,560
Speaker 1: seen this show before, the show Pretty Little Liars. Have

443
00:24:43,640 --> 00:24:44,639
Speaker 1: you ever seen the show?

444
00:24:45,080 --> 00:24:47,399
Speaker 2: Yeah, I've seen a lot of Pretty Little Liars when

445
00:24:47,440 --> 00:24:51,680
Speaker 2: it came out. I can't remember too much. Ashley Benson

446
00:24:51,760 --> 00:24:55,280
Speaker 2: is in that show. Correct, Okay, so I've seen I

447
00:24:55,320 --> 00:24:58,160
Speaker 2: would say fifty percent of the episodes of that entire series. Okay,

448
00:24:58,240 --> 00:25:00,399
Speaker 2: I've seen a lot of it. But it's been I

449
00:25:00,440 --> 00:25:02,080
Speaker 2: watched it when it came out, so it's been over

450
00:25:02,119 --> 00:25:02,639
Speaker 2: ten years.

451
00:25:02,720 --> 00:25:05,639
Speaker 1: Well, we watched like the first maybe two or three episodes.

452
00:25:06,800 --> 00:25:08,520
Speaker 2: It's like a Gossip Girl ripoff.

453
00:25:08,760 --> 00:25:12,720
Speaker 1: Yeah, but it's it's so nutty, Like it's.

454
00:25:12,640 --> 00:25:15,040
Speaker 2: So very nutty and like.

455
00:25:16,680 --> 00:25:21,520
Speaker 1: Ridiculous, and just a lot of storylines, a lot of

456
00:25:21,560 --> 00:25:24,480
Speaker 1: like dumb things happening. I enjoyed it. I want to

457
00:25:24,680 --> 00:25:26,520
Speaker 1: I'm kind of on the fence. I want whether or

458
00:25:26,520 --> 00:25:27,800
Speaker 1: not I want to commit to it because I know

459
00:25:27,840 --> 00:25:28,920
Speaker 1: it was on for a long time.

460
00:25:29,400 --> 00:25:32,080
Speaker 2: Yeah, but I'm also think there's a storyline about a

461
00:25:32,160 --> 00:25:33,520
Speaker 2: student dating a teacher.

462
00:25:33,800 --> 00:25:37,399
Speaker 1: Yes, there's there's a line student. There's the like I

463
00:25:37,440 --> 00:25:39,879
Speaker 1: know what you did last summary type of vive of

464
00:25:39,960 --> 00:25:43,879
Speaker 1: like these random texts coming from a possible dead person.

465
00:25:43,920 --> 00:25:44,840
Speaker 1: I mean, it's just a.

466
00:25:44,760 --> 00:25:47,960
Speaker 2: Lot that takes me back.

467
00:25:48,040 --> 00:25:50,560
Speaker 1: I love that Sidney from Melrose Place the place one

468
00:25:50,600 --> 00:25:53,160
Speaker 1: of the moms. So I don't know we'll see I

469
00:25:53,160 --> 00:25:56,479
Speaker 1: I but I enjoyed it. But that we watched Pretty

470
00:25:56,480 --> 00:26:00,119
Speaker 1: Little Liars in lieu of a vacation movie. Okay, However,

471
00:26:00,440 --> 00:26:02,880
Speaker 1: in my film diary this week, I do have three.

472
00:26:03,640 --> 00:26:06,119
Speaker 1: The first movie that I saw this week was a

473
00:26:06,119 --> 00:26:09,080
Speaker 1: movie from nineteen eighty one. It's a West German film

474
00:26:09,119 --> 00:26:14,080
Speaker 1: called Christian f I know it well great because I

475
00:26:14,240 --> 00:26:17,639
Speaker 1: did an intro for it at the Plaza Theater. You know,

476
00:26:17,720 --> 00:26:20,040
Speaker 1: it was restored by Janis most.

477
00:26:19,840 --> 00:26:22,280
Speaker 2: Recently, and it was very hard to find for a

478
00:26:22,320 --> 00:26:24,760
Speaker 2: long time. I had to I had to rent a

479
00:26:24,760 --> 00:26:27,040
Speaker 2: physical copy for my local video store when I lived

480
00:26:27,080 --> 00:26:29,400
Speaker 2: in la I had to rent it from Video Tech.

481
00:26:30,040 --> 00:26:37,639
Speaker 1: Yeah, and that's my suspicion is that Janice, who is

482
00:26:37,800 --> 00:26:42,760
Speaker 1: the distribution arm of the Criterion Collection, is going to

483
00:26:42,880 --> 00:26:47,239
Speaker 1: release it on a Blu Ray. Cool. So I mean,

484
00:26:47,280 --> 00:26:50,200
Speaker 1: I don't know, MAKA not one hundred percent confident, but

485
00:26:50,240 --> 00:26:54,879
Speaker 1: I'm like ninety nine point two percent confident. So anyway,

486
00:26:55,920 --> 00:26:57,000
Speaker 1: that movie still hits.

487
00:26:57,480 --> 00:27:02,399
Speaker 2: Tidjellomy famously wore a shirt Christian F t shirt a

488
00:27:02,440 --> 00:27:05,919
Speaker 2: few years ago. Yeah, it's great. It's one of the

489
00:27:05,920 --> 00:27:12,119
Speaker 2: best drug movies. It's a very terrifying stark stark film,

490
00:27:12,400 --> 00:27:17,919
Speaker 2: but it also has some beautiful David Bowie music moments

491
00:27:17,960 --> 00:27:18,320
Speaker 2: in it.

492
00:27:18,880 --> 00:27:20,960
Speaker 1: Yeah, the scene where they're like running through the train

493
00:27:21,040 --> 00:27:26,560
Speaker 1: station and Heroes is playing, Yes, so beautiful. Although I

494
00:27:26,640 --> 00:27:29,399
Speaker 1: was told later by somebody that's in the crowd I

495
00:27:29,440 --> 00:27:34,200
Speaker 1: believe this person was possibly gen Z or maybe late Millennial,

496
00:27:34,920 --> 00:27:37,880
Speaker 1: that there were people in the audience going, well, this

497
00:27:37,920 --> 00:27:40,000
Speaker 1: isn't that big of a deal. I mean, the Safti

498
00:27:40,119 --> 00:27:42,600
Speaker 1: brothers made bla blah blah blah blah, and I'm like,

499
00:27:43,080 --> 00:27:45,880
Speaker 1: shut up, shut up. If you were one of those

500
00:27:45,920 --> 00:27:49,960
Speaker 1: people to downplay the importance of Christian F because the

501
00:27:50,040 --> 00:27:54,679
Speaker 1: Safti Brothers exist. Yeah, you could go kiss my ass

502
00:27:54,720 --> 00:27:58,800
Speaker 1: at Dear Movies at Exactlyrightmedia dot Com. Okay, so Christian F.

503
00:27:59,720 --> 00:28:05,080
Speaker 1: Then with my other friends, my aforementioned Airbnb friends, I

504
00:28:05,119 --> 00:28:09,240
Speaker 1: did watch something earlier in The Little Liars. Yeah, my

505
00:28:09,280 --> 00:28:12,560
Speaker 1: pretty Little Liar's friends. We watch actually something earlier in

506
00:28:12,600 --> 00:28:17,560
Speaker 1: the week before we left. We watched Clueless nineteen ninety

507
00:28:17,600 --> 00:28:24,760
Speaker 1: five anniversary. I love that movie, but it too, it's

508
00:28:24,800 --> 00:28:28,720
Speaker 1: so funny, Like it's so funny and like, I mean,

509
00:28:28,800 --> 00:28:33,080
Speaker 1: it just rolls off the tongue, like every line. Paul

510
00:28:33,160 --> 00:28:37,520
Speaker 1: Rudd looks effectively the same as he does now. Donald

511
00:28:37,520 --> 00:28:39,240
Speaker 1: Faison is the funniest too.

512
00:28:40,080 --> 00:28:42,960
Speaker 2: What a charming man. I loved him in That, loved

513
00:28:43,000 --> 00:28:45,600
Speaker 2: him on Scrubs. I love when he's like because I'm

514
00:28:45,680 --> 00:28:47,479
Speaker 2: keeping it real, because I'm keeping it real, because I'm

515
00:28:47,520 --> 00:28:49,680
Speaker 2: keeping it real when he's getting his head shaked.

516
00:28:49,720 --> 00:28:51,400
Speaker 1: Oh, it's my favorite. I clipped it out and put

517
00:28:51,400 --> 00:28:55,920
Speaker 1: it on my Instagram, as will you. That's what his

518
00:28:55,920 --> 00:29:00,959
Speaker 1: friend says. But it's a good I mean, it's so

519
00:29:02,760 --> 00:29:05,280
Speaker 1: it's just so easy. It's such an easy watch. And

520
00:29:05,320 --> 00:29:11,000
Speaker 1: then my biggest My biggest hit for the week is

521
00:29:11,040 --> 00:29:15,360
Speaker 1: that I watched two thousand and one, A Space Odyssey

522
00:29:15,400 --> 00:29:21,080
Speaker 1: from nineteen sixty eight in seventy millimeter in Atlanta. I

523
00:29:21,160 --> 00:29:23,600
Speaker 1: have never seen that movie in a movie theater before,

524
00:29:23,960 --> 00:29:24,200
Speaker 1: have you.

525
00:29:24,280 --> 00:29:28,600
Speaker 2: Wow, I've seen it in seventy millimeter uh at the

526
00:29:28,680 --> 00:29:30,440
Speaker 2: Aero Theater in Santa Monica.

527
00:29:30,720 --> 00:29:34,560
Speaker 1: Amazing. It's a good one. It's a good one. I'm

528
00:29:34,640 --> 00:29:37,120
Speaker 1: so glad I watched it at seventy mili because I was, like,

529
00:29:38,760 --> 00:29:43,160
Speaker 1: I am like, first of all, it's three hours. It

530
00:29:43,200 --> 00:29:45,800
Speaker 1: doesn't feel like three hours. And I think that part

531
00:29:45,840 --> 00:29:50,440
Speaker 1: of that fact is because there's an intermission. And part

532
00:29:50,440 --> 00:29:53,120
Speaker 1: of what I want to propose is that if your

533
00:29:53,240 --> 00:29:56,960
Speaker 1: movie is over, maybe even two and a half hours,

534
00:29:57,040 --> 00:30:00,920
Speaker 1: if it's if it's pushing three minutes, you an intermission.

535
00:30:01,240 --> 00:30:05,560
Speaker 1: I'm sorry. If it's pushing three hours, you need an intermission.

536
00:30:06,520 --> 00:30:09,840
Speaker 2: I think two and a half hours, definitely you need

537
00:30:09,840 --> 00:30:11,960
Speaker 2: an intermission, because that's really long.

538
00:30:12,360 --> 00:30:16,080
Speaker 1: God, it's so long. And I feel like the intermission

539
00:30:16,160 --> 00:30:19,680
Speaker 1: is such a perfect thing that needs to come back

540
00:30:19,800 --> 00:30:23,200
Speaker 1: because it gives people the chance to pee and to

541
00:30:23,360 --> 00:30:27,280
Speaker 1: reset and to like, you know, a hot dog go

542
00:30:27,360 --> 00:30:30,160
Speaker 1: outside and vape whatever it is that they have to do.

543
00:30:30,640 --> 00:30:35,400
Speaker 1: And I'm just like, I think it makes people like

544
00:30:35,480 --> 00:30:38,760
Speaker 1: the movie more in a weird way. Does that make sense?

545
00:30:38,760 --> 00:30:41,120
Speaker 2: You're it's more of an experience, and you're like, I'm

546
00:30:41,160 --> 00:30:43,800
Speaker 2: having a good time. Yeah, I'm here to party.

547
00:30:44,520 --> 00:30:48,960
Speaker 1: I will say that saying two thousand and one and

548
00:30:49,000 --> 00:30:53,320
Speaker 1: seventy millimeter made me realize how how much of a

549
00:30:53,320 --> 00:30:58,280
Speaker 1: horror movie that movie is, and that how is a

550
00:30:58,360 --> 00:31:05,560
Speaker 1: movie villain? Yeah, so not out there. I can feel it.

551
00:31:05,640 --> 00:31:09,880
Speaker 1: I was like, you little bitch. I was so pissed.

552
00:31:10,160 --> 00:31:12,520
Speaker 1: I was like, oh, he's unplugging you, and now you're like,

553
00:31:12,880 --> 00:31:18,320
Speaker 1: I have feelings. Yeah, Kierre Dulay, don't unplug me because

554
00:31:18,360 --> 00:31:22,040
Speaker 1: then I will be sad. I'm like, no, motherfucker, you're

555
00:31:22,080 --> 00:31:22,960
Speaker 1: a machine.

556
00:31:23,720 --> 00:31:26,560
Speaker 2: It's really what an effective movie, and it is scary,

557
00:31:26,640 --> 00:31:29,600
Speaker 2: like you said, like that where that shot of the

558
00:31:29,760 --> 00:31:36,120
Speaker 2: other astronaut getting like jettisoned out of the Gary lockewood. Yeah,

559
00:31:36,160 --> 00:31:37,440
Speaker 2: and it's completely silent.

560
00:31:37,560 --> 00:31:42,920
Speaker 1: That's freaky. Yeah, the look the Kubrick silence stuff really

561
00:31:43,000 --> 00:31:46,920
Speaker 1: hits in the theater. And then also just that whole

562
00:31:47,320 --> 00:31:50,880
Speaker 1: like sequence of Jupiter and it's real trippy and it

563
00:31:50,880 --> 00:31:53,200
Speaker 1: looks like they shot it at like Death Valley National

564
00:31:53,320 --> 00:31:57,520
Speaker 1: Park and it's all like LSD colors. I mean, I

565
00:31:57,560 --> 00:31:59,880
Speaker 1: was like, well, there you go. That's nineteen sixty eight

566
00:32:00,080 --> 00:32:03,920
Speaker 1: slash nineteen sixty nine four or so. But great, what

567
00:32:04,000 --> 00:32:07,080
Speaker 1: an experience. I recommend everybody see two thousand and one

568
00:32:07,120 --> 00:32:09,520
Speaker 1: in the theater in preferably in seventy mili.

569
00:32:09,600 --> 00:32:12,720
Speaker 2: So yeah, it's well, yeah, it's fabulous. That's great.

570
00:32:12,840 --> 00:32:14,160
Speaker 1: Ye, well, I'm done.

571
00:32:14,160 --> 00:32:15,840
Speaker 2: All right, that's the diary.

572
00:32:16,000 --> 00:32:16,800
Speaker 1: Hose that shit.

573
00:32:17,480 --> 00:32:17,880
Speaker 2: Close it.

574
00:32:34,160 --> 00:32:34,479
Speaker 1: All right.

575
00:32:34,520 --> 00:32:37,120
Speaker 2: We're back for our main discussion today, which is about

576
00:32:37,360 --> 00:32:42,080
Speaker 2: summer blockbusters, and we're focusing in on Jurassic World Rebirth,

577
00:32:42,120 --> 00:32:45,760
Speaker 2: which came out this year in twenty twenty five, and

578
00:32:45,800 --> 00:32:47,640
Speaker 2: by the time this episode comes out, I feel like

579
00:32:47,640 --> 00:32:53,360
Speaker 2: people have completely forgotten about this movie. Uh, Millie, what's

580
00:32:53,400 --> 00:32:57,880
Speaker 2: your relation chip? You know, Jurassic Park, huge summer blockbuster,

581
00:32:58,120 --> 00:33:02,720
Speaker 2: But what's your relation to the summer to Jurassic Park

582
00:33:03,000 --> 00:33:05,960
Speaker 2: and the Jurassic Park franchise as a whole. Do you

583
00:33:05,960 --> 00:33:08,960
Speaker 2: have any affinity or love for these movies or the

584
00:33:09,000 --> 00:33:09,760
Speaker 2: original one.

585
00:33:09,880 --> 00:33:15,040
Speaker 1: Well, this is an interesting question because I did see

586
00:33:15,440 --> 00:33:19,160
Speaker 1: and enjoy the original Jurassic Park nineteen ninety three, Am

587
00:33:19,200 --> 00:33:23,120
Speaker 1: I right about that? That's correct? Okay. When you get

588
00:33:23,120 --> 00:33:26,640
Speaker 1: into this period though, of like ninety three to like

589
00:33:26,880 --> 00:33:31,479
Speaker 1: ninety seven, all right, those are my high school years,

590
00:33:32,960 --> 00:33:40,960
Speaker 1: and I I was a burgeoning shithead. And that's why

591
00:33:41,480 --> 00:33:45,880
Speaker 1: there is a gap in like family classics in this

592
00:33:46,000 --> 00:33:50,840
Speaker 1: time period. For me, this is why Titanic was never

593
00:33:51,360 --> 00:33:55,920
Speaker 1: seen back when it came out. This like I can't,

594
00:33:56,400 --> 00:34:03,560
Speaker 1: I cannot stress enough how being a teenager for me specifically,

595
00:34:03,680 --> 00:34:09,120
Speaker 1: was about purposely trying to watch things that were not commercial,

596
00:34:09,960 --> 00:34:16,879
Speaker 1: not family oriented, not blockbustering, Okay, and that maybe has

597
00:34:17,080 --> 00:34:21,799
Speaker 1: changed for children of the new generations, because I mean

598
00:34:21,840 --> 00:34:23,799
Speaker 1: I was I grew up, you know, I was a

599
00:34:23,800 --> 00:34:28,759
Speaker 1: teenager in the nineties, and I was very much not

600
00:34:29,400 --> 00:34:31,520
Speaker 1: you know, I was a shithead. I was, like I thought,

601
00:34:31,560 --> 00:34:36,880
Speaker 1: I was, you know, a Marxist, you know, was punk

602
00:34:37,000 --> 00:34:40,400
Speaker 1: rock and hanging out with people who huffed and things

603
00:34:40,440 --> 00:34:42,759
Speaker 1: of that nature. So I was not, you know, like

604
00:34:43,680 --> 00:34:47,319
Speaker 1: the original Jurassic Park I saw. I might have seen

605
00:34:47,320 --> 00:34:49,839
Speaker 1: that one in the theater. I definitely saw it on

606
00:34:50,000 --> 00:34:53,040
Speaker 1: video and I enjoyed it, but then I just kind

607
00:34:53,040 --> 00:34:56,640
Speaker 1: of forgot about it. Afterwards, and then by the time

608
00:34:57,120 --> 00:35:00,560
Speaker 1: the Chris Pratt stuff was happening, I was like, I

609
00:35:00,600 --> 00:35:04,880
Speaker 1: don't even know. I feel so lost. I feel like

610
00:35:04,920 --> 00:35:07,600
Speaker 1: it's a lost world. But I you know what I mean.

611
00:35:07,719 --> 00:35:10,279
Speaker 1: So I have this weird I have an appreciation for

612
00:35:10,320 --> 00:35:15,080
Speaker 1: the first one. Then I completely fell off. So how

613
00:35:15,120 --> 00:35:15,560
Speaker 1: about you.

614
00:35:15,680 --> 00:35:20,319
Speaker 2: Well, I was a little boy when Jurassic Park came

615
00:35:20,320 --> 00:35:23,880
Speaker 2: out and it was so huge with children. Yeah, of course,

616
00:35:24,160 --> 00:35:26,960
Speaker 2: and it was the first PG thirteen movie I ever saw,

617
00:35:28,120 --> 00:35:32,200
Speaker 2: and I was obsessed with it, and I would say

618
00:35:32,600 --> 00:35:34,879
Speaker 2: that love for that movie carries on to this day.

619
00:35:35,000 --> 00:35:38,560
Speaker 2: I think it's my favorite Steven Spielberg movie. Wow, I

620
00:35:38,640 --> 00:35:41,920
Speaker 2: love Jurassic Park, and it has grown into something different

621
00:35:43,040 --> 00:35:51,840
Speaker 2: because I really love movies about men being destroyed by

622
00:35:52,080 --> 00:35:57,799
Speaker 2: their own technological inventions, like the Fly, and also like

623
00:35:58,560 --> 00:36:01,879
Speaker 2: a lot of David Cronenberg movies. More on that later,

624
00:36:02,440 --> 00:36:07,560
Speaker 2: but that's like one of my favorite types of movies.

625
00:36:07,640 --> 00:36:12,240
Speaker 2: And so my love for Jurassic Park has only grown,

626
00:36:12,920 --> 00:36:15,880
Speaker 2: I think and there and I just think it's kind

627
00:36:15,920 --> 00:36:20,279
Speaker 2: of a marvel of filmmaking. Like those dinosaurs still look

628
00:36:20,480 --> 00:36:25,480
Speaker 2: really good and scary in that movie. And so I

629
00:36:25,520 --> 00:36:27,880
Speaker 2: love Jurassic Park. I watch it all the time. We

630
00:36:28,000 --> 00:36:31,520
Speaker 2: watched it in the delivery room when Trisha was giving

631
00:36:31,520 --> 00:36:36,480
Speaker 2: birth to our daughter. Wos true story, radical amazing. And

632
00:36:37,840 --> 00:36:44,680
Speaker 2: I really loathe all of the sequels. I think they're all.

633
00:36:45,360 --> 00:36:47,920
Speaker 2: I really don't really like any of them, Okay, And

634
00:36:47,960 --> 00:36:50,520
Speaker 2: it's kind of a bummer because I like love Jurassic Park,

635
00:36:51,520 --> 00:36:53,759
Speaker 2: and I just feel like none of the sequels have

636
00:36:53,840 --> 00:36:55,919
Speaker 2: captured recaptured that one.

637
00:36:56,080 --> 00:36:58,880
Speaker 1: So that's sort of my relationship. Okay, So explain to me.

638
00:37:00,040 --> 00:37:03,239
Speaker 1: Explain to me what happened. So you have the original,

639
00:37:04,800 --> 00:37:10,759
Speaker 1: then you've got the ones that feature Well, Spielberg did

640
00:37:10,760 --> 00:37:11,320
Speaker 1: the first.

641
00:37:11,160 --> 00:37:14,640
Speaker 2: Two, so he did, so Steven Spielberg did the Lost World.

642
00:37:15,600 --> 00:37:19,640
Speaker 2: Then I can't even remember who did Jurassic Park three,

643
00:37:20,080 --> 00:37:24,160
Speaker 2: but Johnson Jones, Yes, Joe john he did that. And

644
00:37:24,960 --> 00:37:28,279
Speaker 2: doctor Ellen Grant is kidnapped and brought back to the

645
00:37:28,320 --> 00:37:32,600
Speaker 2: island to find this couple's son who ended up on

646
00:37:32,640 --> 00:37:37,560
Speaker 2: the Jurassic Park island because he was para sailing and

647
00:37:37,640 --> 00:37:42,480
Speaker 2: accidentally landed on the island. That's Sam Nil's character, Yes,

648
00:37:42,600 --> 00:37:47,399
Speaker 2: Sam Neil's character. And then this Jurassic World movies came

649
00:37:47,440 --> 00:37:51,799
Speaker 2: out with Chris Pratt and these all are bad. Well,

650
00:37:51,960 --> 00:37:55,200
Speaker 2: I say I shouldn't say there, I just I don't.

651
00:37:56,000 --> 00:38:01,799
Speaker 2: These kind of feel more like kitty action movies to

652
00:38:01,880 --> 00:38:07,880
Speaker 2: me and aren't really about anything. And when Chris Pratt

653
00:38:07,920 --> 00:38:10,560
Speaker 2: was on Parks in Wreck, I really loved him, and

654
00:38:10,600 --> 00:38:15,880
Speaker 2: I just feel like he's so bland in these Jurassic

655
00:38:15,920 --> 00:38:20,319
Speaker 2: World movies. And there's three of them. Yeah, and uh

656
00:38:20,840 --> 00:38:22,160
Speaker 2: there was those all came out.

657
00:38:22,400 --> 00:38:24,719
Speaker 1: Yeah, there was a huge jump from so like, you know,

658
00:38:24,800 --> 00:38:26,839
Speaker 1: two thousand and one was Jurassic Park three and then

659
00:38:26,880 --> 00:38:30,279
Speaker 1: it you know, the first Chris Pratt iteration came out

660
00:38:30,320 --> 00:38:33,560
Speaker 1: in twenty fifteen. So are they so? I guess my

661
00:38:33,719 --> 00:38:38,440
Speaker 1: question to you is they're not really continuations of the

662
00:38:38,480 --> 00:38:40,799
Speaker 1: original story at some point. They're just kind of their

663
00:38:40,840 --> 00:38:41,800
Speaker 1: own little world.

664
00:38:42,640 --> 00:38:46,200
Speaker 2: The three Jeff Goldbloom, Laura Dern, and Sam Neil all

665
00:38:46,239 --> 00:38:51,000
Speaker 2: returned for the last Jurassic World that came out a

666
00:38:51,000 --> 00:38:53,680
Speaker 2: few years ago, Dominion Dominion.

667
00:38:54,600 --> 00:38:59,000
Speaker 1: Those have colon's by the way, Jurassic World Colon Fallen Kingdom,

668
00:38:59,280 --> 00:39:04,640
Speaker 1: Jurassic World Colon Dominion. Oh my, I'm just saying that

669
00:39:04,840 --> 00:39:07,600
Speaker 1: consistency is fucked up at this point.

670
00:39:07,760 --> 00:39:11,279
Speaker 2: So it says Jurassic World Colon Rebirth on the IMDb,

671
00:39:11,320 --> 00:39:14,800
Speaker 2: but on the Wikipedia there is no colon, so I

672
00:39:15,560 --> 00:39:20,520
Speaker 2: was wrong about that. But the Wikipedia there is no colon.

673
00:39:20,840 --> 00:39:23,960
Speaker 2: There is no colon. But anyways, these are all just

674
00:39:24,840 --> 00:39:28,640
Speaker 2: these are like kind of boring sequels, and I feel

675
00:39:28,680 --> 00:39:31,040
Speaker 2: like it's sort of disappointing because we're kind of in

676
00:39:31,120 --> 00:39:33,960
Speaker 2: the age of when people kind of figured out how

677
00:39:33,960 --> 00:39:36,520
Speaker 2: to make sequels good. I feel like in the last

678
00:39:36,640 --> 00:39:41,400
Speaker 2: twenty to thirty years, because previously sequels were like always terrible.

679
00:39:41,640 --> 00:39:44,719
Speaker 2: But I just feel like Jurassic World and Jurassic Park

680
00:39:44,760 --> 00:39:48,120
Speaker 2: has never really figured it out. So that's where we're at.

681
00:39:48,680 --> 00:39:52,080
Speaker 1: Yeah, I mean, I feel like we're going to get

682
00:39:52,080 --> 00:39:57,719
Speaker 1: into the new film for sure. Maybe it's useful if

683
00:39:57,719 --> 00:39:59,680
Speaker 1: we take a little step back and talk about the

684
00:39:59,680 --> 00:40:03,680
Speaker 1: blow blockbuster, the summer blockbusters love too, Okay, love to

685
00:40:03,880 --> 00:40:10,000
Speaker 1: if we talk about summer blockbusters in terms of like

686
00:40:10,040 --> 00:40:14,400
Speaker 1: the financial component or the tone, right, because you can

687
00:40:14,480 --> 00:40:16,160
Speaker 1: kind of think of it as two separate things. Right,

688
00:40:16,680 --> 00:40:19,080
Speaker 1: You can kind of see a summer blockbuster as a

689
00:40:19,160 --> 00:40:23,040
Speaker 1: movie that is being made for mass markets. It's usually

690
00:40:23,440 --> 00:40:28,920
Speaker 1: very easy entrees into plot, huge stars, lots of action.

691
00:40:29,840 --> 00:40:33,720
Speaker 1: Do you have a famous summer blockbuster that you love, love.

692
00:40:33,600 --> 00:40:36,239
Speaker 2: Love, so in the nineties when I was growing up,

693
00:40:36,920 --> 00:40:40,000
Speaker 2: I would say Will Smith had a run of summer

694
00:40:40,040 --> 00:40:43,839
Speaker 2: blockbusters that felt very big and important to me. Men

695
00:40:43,920 --> 00:40:47,680
Speaker 2: in Black Independence Day, and then I will throw Wild

696
00:40:47,760 --> 00:40:50,000
Speaker 2: Wild West in there. Sure, Sure, even though that movie

697
00:40:51,040 --> 00:40:53,960
Speaker 2: is worse than those other two, I would say they

698
00:40:54,000 --> 00:40:57,600
Speaker 2: all were like will Smith sort of owned summers for

699
00:40:57,680 --> 00:41:02,560
Speaker 2: a stretch there. And I have such a joyful affinity

700
00:41:02,840 --> 00:41:05,360
Speaker 2: for will Smith movies of the nineties.

701
00:41:05,560 --> 00:41:09,279
Speaker 1: Well, and that's exactly what they're made for. Is they're

702
00:41:09,280 --> 00:41:13,480
Speaker 1: made for people's affinities and and that, and they have

703
00:41:13,600 --> 00:41:17,680
Speaker 1: their place. And then there's also the idea of a

704
00:41:17,800 --> 00:41:21,480
Speaker 1: movie that comes out in the summer. And I think

705
00:41:21,480 --> 00:41:25,439
Speaker 1: that that's the Berbenheimer example of a movie that made

706
00:41:25,440 --> 00:41:28,480
Speaker 1: I mean it was obviously these are two movies that

707
00:41:28,520 --> 00:41:32,240
Speaker 1: were obviously made to make as much money as possible. Sure,

708
00:41:34,160 --> 00:41:38,160
Speaker 1: but at least they were they were kind of quirky.

709
00:41:38,320 --> 00:41:41,040
Speaker 1: I mean, I would never expect that they would become

710
00:41:41,120 --> 00:41:45,719
Speaker 1: blockbusters on their own, much less together. Yeah, I mean,

711
00:41:45,760 --> 00:41:48,560
Speaker 1: these are not Men in Black films. I mean, no,

712
00:41:48,680 --> 00:41:52,319
Speaker 1: Greta Gerwig mad making a summer blockbuster and you know,

713
00:41:52,640 --> 00:41:58,799
Speaker 1: Christopher Nolan making a historical drama biography, right, So that's

714
00:41:58,840 --> 00:42:01,719
Speaker 1: an interesting thing, and I I feel like it. You know,

715
00:42:02,040 --> 00:42:06,440
Speaker 1: Obviously a huge part of why movies become blockbusters, specifically

716
00:42:06,440 --> 00:42:09,360
Speaker 1: in the summertime is because there's people are out of school,

717
00:42:09,400 --> 00:42:12,239
Speaker 1: and the people are Yeah, it's hot, nobody wants to

718
00:42:12,560 --> 00:42:14,680
Speaker 1: go outside. They want to go to into a movie,

719
00:42:14,880 --> 00:42:17,680
Speaker 1: and they're trying to watch as many things as possible

720
00:42:17,680 --> 00:42:19,759
Speaker 1: because they're on vacation and this kind of stuff. So

721
00:42:20,080 --> 00:42:23,239
Speaker 1: you know, it's kind of, I don't know, it's kind

722
00:42:23,239 --> 00:42:27,280
Speaker 1: of a nice place to be if you're a film

723
00:42:27,600 --> 00:42:28,240
Speaker 1: in that way.

724
00:42:28,760 --> 00:42:31,640
Speaker 2: Yeah, to come out in the summer, I think also

725
00:42:31,840 --> 00:42:34,560
Speaker 2: I have such a connection to a type of movie

726
00:42:34,920 --> 00:42:38,000
Speaker 2: that would then have a hit song on their soundtrack

727
00:42:38,239 --> 00:42:41,200
Speaker 2: that was featured in the movie. Will Smith certainly had

728
00:42:41,200 --> 00:42:43,480
Speaker 2: this in a lot of his movies. But also, like

729
00:42:43,680 --> 00:42:46,520
Speaker 2: I remember when Armageddon came out and I don't want

730
00:42:46,520 --> 00:42:48,400
Speaker 2: to miss a Thing by Aerosmith was all over the

731
00:42:48,520 --> 00:42:54,320
Speaker 2: radio airwaves and it just felt like a cultural event

732
00:42:54,719 --> 00:42:58,600
Speaker 2: that was bigger than the movie itself, you know, And

733
00:42:58,640 --> 00:43:02,680
Speaker 2: that sort of my memory of summer blockbusters.

734
00:43:03,320 --> 00:43:05,880
Speaker 1: So you're saying, bring back the original song.

735
00:43:06,960 --> 00:43:11,320
Speaker 2: Yes, I think you know Top Gun had original songs

736
00:43:11,400 --> 00:43:14,879
Speaker 2: attached to it Titanic. Did I want people to bring

737
00:43:14,920 --> 00:43:17,400
Speaker 2: back the original song? And I actually think the Barbie

738
00:43:17,440 --> 00:43:20,120
Speaker 2: movie kind of did do that.

739
00:43:20,480 --> 00:43:27,000
Speaker 1: Yeah, you need to have Bad Bunny doing a sweeping,

740
00:43:27,800 --> 00:43:32,600
Speaker 1: romantic power ballad for your new super Bad movie, is

741
00:43:32,640 --> 00:43:33,160
Speaker 1: what you're saying?

742
00:43:33,239 --> 00:43:40,920
Speaker 2: Yes, Bad Bunny the star of Happy Gilmore two. Yes, well,

743
00:43:41,480 --> 00:43:42,720
Speaker 2: I actually.

744
00:43:42,360 --> 00:43:45,239
Speaker 1: Like that idea too, because I was a huge soundtrack

745
00:43:45,320 --> 00:43:48,560
Speaker 1: girly when I mean, I love those soundtracks, So you know,

746
00:43:48,640 --> 00:43:51,439
Speaker 1: of course I'm with you on that, do you fool?

747
00:43:51,520 --> 00:43:51,759
Speaker 1: I guess?

748
00:43:51,800 --> 00:43:55,080
Speaker 2: I want to ask you, Millie? Do you feel like

749
00:43:55,239 --> 00:44:02,680
Speaker 2: we still have what's like the current state of blockbusters

750
00:44:02,960 --> 00:44:07,600
Speaker 2: right now? Is it like it was twenty thirty years ago?

751
00:44:07,840 --> 00:44:09,600
Speaker 2: Or how does it compare to now?

752
00:44:10,080 --> 00:44:14,120
Speaker 1: Well? No, I mean because the viewing is so fractured now,

753
00:44:15,000 --> 00:44:21,960
Speaker 1: you know, people are watching, They're not coming in mass

754
00:44:22,080 --> 00:44:24,680
Speaker 1: to the movie theater as they were thirty years ago.

755
00:44:24,920 --> 00:44:25,160
Speaker 2: Right.

756
00:44:26,360 --> 00:44:30,800
Speaker 1: I still think that movies bring people to movie theaters. Yes,

757
00:44:31,000 --> 00:44:34,120
Speaker 1: I definitely think superhero movies. Do I definitely think big

758
00:44:34,160 --> 00:44:41,000
Speaker 1: movies like yeah, Jurassic Park, you know, Marvel things, horror

759
00:44:41,040 --> 00:44:44,440
Speaker 1: horror is always brings people to movie theaters, and so

760
00:44:44,600 --> 00:44:48,319
Speaker 1: those will persist. But in terms of it being this

761
00:44:49,920 --> 00:44:56,000
Speaker 1: extremely bankable, no question about it, We're making our money

762
00:44:56,040 --> 00:44:59,720
Speaker 1: back no matter fucking what scenario. I think that that's

763
00:44:59,840 --> 00:45:02,040
Speaker 1: not the case as much as it was back then.

764
00:45:02,760 --> 00:45:05,960
Speaker 2: I think you're right. I think that it can still happen.

765
00:45:06,080 --> 00:45:10,560
Speaker 2: Like with the Barbenheimer effect, it was like achieved a

766
00:45:10,800 --> 00:45:13,239
Speaker 2: heightened frenzy of people wanting to go to the theater,

767
00:45:13,360 --> 00:45:16,560
Speaker 2: dressing up to go to the theater, and that can

768
00:45:16,600 --> 00:45:20,920
Speaker 2: still happen. But before it just happened regardless of the

769
00:45:20,960 --> 00:45:23,239
Speaker 2: movies kind of being put out. I feel like, where

770
00:45:23,280 --> 00:45:26,239
Speaker 2: now it feels more like it has to be sort

771
00:45:26,239 --> 00:45:28,839
Speaker 2: of a special case or like a movie people are

772
00:45:28,880 --> 00:45:30,200
Speaker 2: really hyped about.

773
00:45:31,400 --> 00:45:34,120
Speaker 1: It's just not a guarantee anymore, right, I mean, and

774
00:45:34,160 --> 00:45:36,640
Speaker 1: the big I think the best example of that from

775
00:45:36,680 --> 00:45:40,799
Speaker 1: the from the kind of maybe opposite end of this

776
00:45:41,520 --> 00:45:46,319
Speaker 1: conversation is something like Top Gun Maverick, which I mean,

777
00:45:46,360 --> 00:45:47,759
Speaker 1: when I saw the trailer fight, I was like, who

778
00:45:47,760 --> 00:45:50,719
Speaker 1: the fuck is gonna see this? Apparently everybody around the

779
00:45:50,760 --> 00:45:56,120
Speaker 1: world Sawyone's dade. Yeah, I certainly wouldn't have predicted that

780
00:45:56,320 --> 00:46:00,440
Speaker 1: to happen, even even with it being a Tom Cruise

781
00:46:01,000 --> 00:46:04,960
Speaker 1: top gun idea. But then there are movies where you think, oh,

782
00:46:05,000 --> 00:46:08,440
Speaker 1: that's absolutely gonna hit, it's no question that are like

783
00:46:08,680 --> 00:46:12,040
Speaker 1: not making any money, and so now I feel like

784
00:46:12,160 --> 00:46:16,080
Speaker 1: that's a weird variable, like you can't count on it anymore,

785
00:46:16,840 --> 00:46:21,160
Speaker 1: whereas I think, especially in the nineties, you're like, we're

786
00:46:21,160 --> 00:46:23,160
Speaker 1: gonna do another Men in Black, We're gonna make another

787
00:46:23,560 --> 00:46:24,920
Speaker 1: five hundred million dollars.

788
00:46:24,760 --> 00:46:27,239
Speaker 2: No problem, yeah, yeah, or you know, I think this

789
00:46:27,320 --> 00:46:29,440
Speaker 2: would happen a lot too with blockbusters. It was kind

790
00:46:29,440 --> 00:46:31,839
Speaker 2: of like, like I was saying with Will Smith, it's like, oh,

791
00:46:31,880 --> 00:46:34,879
Speaker 2: what's the what's the Will Smith movie this summer? Yeah,

792
00:46:34,920 --> 00:46:36,680
Speaker 2: you know, Or like in the eighties it was like,

793
00:46:36,880 --> 00:46:40,360
Speaker 2: what's the Arnold Schwarzenegger movie this summer? What's the Sylvester

794
00:46:40,480 --> 00:46:42,839
Speaker 2: Stallone movie this summer. There was a kind of these

795
00:46:43,560 --> 00:46:47,600
Speaker 2: actors that you would be like, kind of blockbuster actors

796
00:46:47,600 --> 00:46:49,560
Speaker 2: that would just like have a movie every summer and

797
00:46:49,560 --> 00:46:51,560
Speaker 2: you're like, I'm gonna go see it, yeah, you know,

798
00:46:51,600 --> 00:46:54,839
Speaker 2: And we don't have And I think Tom Cruise has

799
00:46:54,880 --> 00:46:57,200
Speaker 2: had that in the past too, but we don't have

800
00:46:58,560 --> 00:47:03,440
Speaker 2: actors that are like that carry that weight as much.

801
00:47:03,920 --> 00:47:06,120
Speaker 2: Now I would say, yeah.

802
00:47:05,920 --> 00:47:09,040
Speaker 1: There are summer girls from the LFO song summer girls

803
00:47:09,640 --> 00:47:10,080
Speaker 1: we don't have.

804
00:47:10,440 --> 00:47:16,160
Speaker 2: I mean I do like girls that wear abercromy and fish.

805
00:47:16,719 --> 00:47:17,759
Speaker 2: I take her if I had one.

806
00:47:17,840 --> 00:47:21,640
Speaker 1: Wish. Well, this is interesting because yeah, that's a good

807
00:47:21,719 --> 00:47:28,319
Speaker 1: question to ask, because ultimately you wonder whether or not

808
00:47:28,680 --> 00:47:31,600
Speaker 1: this tradition is going to persist in another twenty years.

809
00:47:31,960 --> 00:47:36,760
Speaker 2: Yeah, yeah, you know, so we'll see interesting, interesting stuff.

810
00:47:36,800 --> 00:47:42,480
Speaker 2: All Right, I'm gonna give a brief synopsis on the

811
00:47:42,520 --> 00:47:45,759
Speaker 2: movie Jurassic World Rebirth.

812
00:47:47,040 --> 00:47:47,680
Speaker 1: And here we go.

813
00:47:48,040 --> 00:47:49,840
Speaker 2: So this is, like we said, this is a sequel

814
00:47:49,840 --> 00:47:52,920
Speaker 2: to the Chris Pratt Jurassic World movies. And something you

815
00:47:52,960 --> 00:47:55,200
Speaker 2: have to understand is at the end of those movies,

816
00:47:56,239 --> 00:48:00,279
Speaker 2: dinosaurs have gotten out of their cages and they like

817
00:48:00,400 --> 00:48:03,200
Speaker 2: live out in the world. And now by the time

818
00:48:03,280 --> 00:48:05,960
Speaker 2: this movie starts, a lot of them have died off,

819
00:48:06,280 --> 00:48:09,160
Speaker 2: but there's still like a pocket of them that live

820
00:48:09,440 --> 00:48:14,800
Speaker 2: around the equator for some bullshit reason. So this movie

821
00:48:14,920 --> 00:48:19,840
Speaker 2: is about a pharmaceutical company called Engen. They hire Zora

822
00:48:20,000 --> 00:48:24,359
Speaker 2: Bennett played by Scarlett Johansson, who is a covert operation

823
00:48:24,680 --> 00:48:29,160
Speaker 2: expert whatever that is. And they also hire doctor Henry

824
00:48:29,239 --> 00:48:32,640
Speaker 2: Loomis played by Jonathan Bailey in some very fun Little Glasses.

825
00:48:32,920 --> 00:48:36,560
Speaker 2: He's a paleontologist and they are to go to the

826
00:48:36,600 --> 00:48:42,360
Speaker 2: Equator to extract some bio material from the three largest

827
00:48:42,400 --> 00:48:48,719
Speaker 2: dinosaurs to create a new heart medicine. And then they

828
00:48:49,520 --> 00:48:54,160
Speaker 2: go with Duncan Kincaid, who is like Scarlett Johanson's pal

829
00:48:54,280 --> 00:48:58,000
Speaker 2: played by Marsha Ali. And yeah, they go down there

830
00:48:58,200 --> 00:49:03,399
Speaker 2: and they go get that bio material and some people

831
00:49:03,480 --> 00:49:05,480
Speaker 2: get eaten by dinosaurs along the way.

832
00:49:08,200 --> 00:49:10,319
Speaker 1: That was an amazing.

833
00:49:11,480 --> 00:49:16,480
Speaker 2: There's also a family that gets kind of tied up,

834
00:49:16,520 --> 00:49:18,040
Speaker 2: but I can't even remember them.

835
00:49:18,160 --> 00:49:22,160
Speaker 1: Oh it's I don't know where they're from. They seem

836
00:49:22,200 --> 00:49:24,239
Speaker 1: to be from the Caribbean. I don't know if they're

837
00:49:24,239 --> 00:49:26,719
Speaker 1: from I don't know if they're from the Caribbean, if

838
00:49:26,719 --> 00:49:30,160
Speaker 1: they're from Mexico or what. I know. They're people of color.

839
00:49:32,800 --> 00:49:35,040
Speaker 1: This is one thing that I will say that I

840
00:49:35,080 --> 00:49:41,799
Speaker 1: appreciated about this Jurassic Park film is that most of

841
00:49:41,880 --> 00:49:44,240
Speaker 1: the people of color did not die in this movie.

842
00:49:46,320 --> 00:49:49,840
Speaker 1: Some did, some we won't tell you who not. Most,

843
00:49:50,239 --> 00:49:53,400
Speaker 1: by the way spoils learn from the rest of this episode.

844
00:49:53,560 --> 00:49:53,960
Speaker 1: If you have.

845
00:49:54,400 --> 00:49:57,920
Speaker 2: Spoiler, big spoil. We're going to spoil this movie. I'm sorry,

846
00:49:57,920 --> 00:49:58,560
Speaker 2: we just are.

847
00:50:00,120 --> 00:50:06,239
Speaker 1: Something that I feel is possibly inherent to this franchise

848
00:50:07,200 --> 00:50:09,719
Speaker 1: is the children in peril scenario.

849
00:50:10,480 --> 00:50:10,719
Speaker 2: Huh.

850
00:50:10,840 --> 00:50:13,880
Speaker 1: There always seems to be children in peril in the

851
00:50:14,000 --> 00:50:16,120
Speaker 1: Jurassic Park multiverse.

852
00:50:16,520 --> 00:50:21,640
Speaker 2: And as a father, as a girl dad, I wouldn't

853
00:50:21,719 --> 00:50:22,880
Speaker 2: let her near a dinosaur.

854
00:50:24,360 --> 00:50:28,400
Speaker 1: Okay, this is another component to this specific film that

855
00:50:28,600 --> 00:50:32,200
Speaker 1: we gotta talk about. Now. You got me chomping at

856
00:50:32,239 --> 00:50:35,440
Speaker 1: the bit. Okay, let me go back and say this

857
00:50:35,520 --> 00:50:37,640
Speaker 1: before we move on to this other thing. But I

858
00:50:37,880 --> 00:50:43,840
Speaker 1: just tease you with this family is sensibly a single

859
00:50:43,880 --> 00:50:46,320
Speaker 1: father or the father. The mother's not on the trip

860
00:50:46,320 --> 00:50:48,640
Speaker 1: with them, but it's a father and his two daughters.

861
00:50:48,680 --> 00:50:52,800
Speaker 1: One's a teenager who's included her boyfriend on the trip,

862
00:50:52,840 --> 00:50:56,720
Speaker 1: who is like bad Bunny. He's like a bad Bunny

863
00:50:56,960 --> 00:51:02,000
Speaker 1: esque looking stoner boyfriend, and this little girl who's probably like,

864
00:51:02,040 --> 00:51:04,640
Speaker 1: I don't know, eight or nine or something. They're on

865
00:51:04,760 --> 00:51:09,760
Speaker 1: a sailboat trip, and of course they're in the middle

866
00:51:09,800 --> 00:51:13,080
Speaker 1: of the ocean somewhere, and all of a sudden, he's

867
00:51:14,520 --> 00:51:17,319
Speaker 1: dinosaurs are kicking up and they capsize the boat and

868
00:51:17,320 --> 00:51:21,520
Speaker 1: then they get rescued by the Mahershaw Ali boat. Yes,

869
00:51:21,560 --> 00:51:24,440
Speaker 1: which is how they're even in this fan bang go

870
00:51:24,480 --> 00:51:27,319
Speaker 1: to the beginning, so they're basically innocent bystanders that got

871
00:51:27,480 --> 00:51:36,359
Speaker 1: roped into this ridiculous Henry Loomis scenario. Yes, So there's

872
00:51:36,520 --> 00:51:39,319
Speaker 1: kind of two stories happening at the same time in

873
00:51:39,320 --> 00:51:41,960
Speaker 1: this weird way. And I kept thinking to myself, I

874
00:51:42,000 --> 00:51:46,319
Speaker 1: think I care about the family more than anything else.

875
00:51:48,040 --> 00:51:52,120
Speaker 2: I mean, you're supposed to, yes, you're supposed to be.

876
00:51:52,320 --> 00:51:55,319
Speaker 2: Like that's like tugs at the heartstrings because the other

877
00:51:55,600 --> 00:51:58,040
Speaker 2: side of the story, with the Scarlett Johansson marsha A

878
00:51:58,080 --> 00:52:02,760
Speaker 2: Lie and Jonathan Bailey's Little Glassy, they barely get any

879
00:52:02,920 --> 00:52:07,200
Speaker 2: character development at all. Scarlett Johansson recently suffered some loss

880
00:52:07,200 --> 00:52:09,359
Speaker 2: and you see her getting teary at some but it's

881
00:52:09,360 --> 00:52:12,960
Speaker 2: like so not discussed and there's not really any emotional

882
00:52:13,000 --> 00:52:14,600
Speaker 2: stakes with those people at all.

883
00:52:14,640 --> 00:52:15,160
Speaker 1: So they just.

884
00:52:15,200 --> 00:52:17,880
Speaker 2: Crammed this family storyline in there to kind of like

885
00:52:18,560 --> 00:52:21,480
Speaker 2: give it some heart. But I don't know that was

886
00:52:21,520 --> 00:52:22,480
Speaker 2: not working for me.

887
00:52:23,640 --> 00:52:25,440
Speaker 1: What was it working for you? The family?

888
00:52:25,880 --> 00:52:27,080
Speaker 2: The family I didn't care.

889
00:52:28,320 --> 00:52:31,399
Speaker 1: I beg to differ. I feel this is why I'm

890
00:52:31,400 --> 00:52:35,480
Speaker 1: not a producer in Hollywood is because if it were

891
00:52:35,600 --> 00:52:39,120
Speaker 1: up to me, I would scrap all of the people

892
00:52:39,400 --> 00:52:44,440
Speaker 1: on the Scarlett Johansson's side only focus on the family.

893
00:52:44,480 --> 00:52:51,080
Speaker 1: And then it becomes this like Ruben Usland movie race. Sure,

894
00:52:51,239 --> 00:52:55,319
Speaker 1: I see, it's like another trigle of sadness if you will. Yeah,

895
00:52:55,320 --> 00:52:59,960
Speaker 1: but with some dinosaurs, with dinosaur trigle of sadness with dinasa.

896
00:53:00,200 --> 00:53:03,360
Speaker 1: That's my elevator pitch. Who wants to get pretty much good?

897
00:53:03,760 --> 00:53:08,160
Speaker 1: That's pretty good. Uh So let's move on to this

898
00:53:08,200 --> 00:53:11,040
Speaker 1: other thing I want to talk about. Yes, interrupt, no, no, no,

899
00:53:11,640 --> 00:53:15,520
Speaker 1: I love an interruption, especially on this podcast. And when

900
00:53:15,600 --> 00:53:22,760
Speaker 1: we're talking about Jurassic Park. Here's the thing. Okay, this movie,

901
00:53:23,840 --> 00:53:32,719
Speaker 1: very early on presupposes this idea I guess that the

902
00:53:32,840 --> 00:53:40,800
Speaker 1: world has become bored of dinosaurs. Yes, and they're like, oh,

903
00:53:40,920 --> 00:53:46,920
Speaker 1: the like people of the world are so bloh about

904
00:53:47,400 --> 00:53:52,360
Speaker 1: the idea that dinosaurs love among us and are around

905
00:53:52,600 --> 00:53:57,000
Speaker 1: in some capacity. And we got to get these people

906
00:53:57,160 --> 00:54:05,000
Speaker 1: reinterested in dinosaurs. So let's create mutant dinosaurs so that

907
00:54:05,040 --> 00:54:09,000
Speaker 1: they're like, whoas crazy? Like this? It's like a dinosaur

908
00:54:09,040 --> 00:54:11,840
Speaker 1: that I used to like back in the day except

909
00:54:11,920 --> 00:54:15,319
Speaker 1: a little weird and now I love them again. It

910
00:54:15,320 --> 00:54:18,920
Speaker 1: was this weird. I guess it was like a fact

911
00:54:19,920 --> 00:54:22,319
Speaker 1: of the film that propelled the film, which is that

912
00:54:22,800 --> 00:54:28,480
Speaker 1: generally really like in this universe, we have hung out

913
00:54:28,480 --> 00:54:32,200
Speaker 1: with dinosaurs so much on the rags that now were

914
00:54:32,360 --> 00:54:36,000
Speaker 1: bored of them. Yeah, And I just kept thinking that

915
00:54:36,360 --> 00:54:40,000
Speaker 1: is absolutely never gonna happen, Like, who would be bored

916
00:54:40,239 --> 00:54:44,919
Speaker 1: of if you live amongst a dinosaur? You're telling me that,

917
00:54:45,000 --> 00:54:46,560
Speaker 1: You're like, oh, this fucker.

918
00:54:47,280 --> 00:54:49,640
Speaker 2: It's like this movie it does suffer from kind of

919
00:54:49,640 --> 00:54:52,279
Speaker 2: like the dinosaur industrial complex, where it's like, well, how

920
00:54:52,280 --> 00:54:56,000
Speaker 2: many like bigger dinosaurs can make? You know, It's like,

921
00:54:56,239 --> 00:54:59,840
Speaker 2: dinosaurs are fine just as they are. This is something

922
00:54:59,840 --> 00:55:02,920
Speaker 2: that was brought up in the previous Jurassic World movies.

923
00:55:02,960 --> 00:55:05,279
Speaker 2: This is a concept that was introduced in the first

924
00:55:05,360 --> 00:55:09,160
Speaker 2: Jurassic World with Chris Pratt. There are like mutant dinosaurs

925
00:55:09,160 --> 00:55:14,959
Speaker 2: that they make to like heighten the frightening nature of dinosaurs.

926
00:55:14,960 --> 00:55:17,040
Speaker 2: But I'm like, like, I one hundred percent agree with

927
00:55:17,080 --> 00:55:22,879
Speaker 2: you that it's like dinosaurs are fine. They're scary and interesting.

928
00:55:23,760 --> 00:55:26,879
Speaker 2: We're not going to get bored with them.

929
00:55:27,280 --> 00:55:31,520
Speaker 1: You know, if you were just like if you were

930
00:55:31,560 --> 00:55:37,400
Speaker 1: in the Jurassic World universe, where we've become so integrated

931
00:55:37,480 --> 00:55:39,759
Speaker 1: with life with dinosaurs. Let's just say that, say like

932
00:55:39,840 --> 00:55:44,400
Speaker 1: a dinosaur was producing this episode right now. Yeah, sure,

933
00:55:44,520 --> 00:55:47,640
Speaker 1: there would never be a moment in my brain where

934
00:55:47,640 --> 00:55:49,399
Speaker 1: I thought I would not think that that was an

935
00:55:49,400 --> 00:55:54,520
Speaker 1: incredible fact, Like I'd be like, a fucking stegosaurus produces

936
00:55:54,560 --> 00:56:00,840
Speaker 1: our podcast, or a brontosaurus is my coworker or my neighbors.

937
00:56:01,400 --> 00:56:03,520
Speaker 1: This is and this is why it goes down this

938
00:56:03,600 --> 00:56:06,200
Speaker 1: rabbit hole of like, oh well, we have to create

939
00:56:06,239 --> 00:56:06,680
Speaker 1: these musics.

940
00:56:06,680 --> 00:56:08,960
Speaker 2: Wait, I have one more picture that a pterodactyl is

941
00:56:09,040 --> 00:56:13,360
Speaker 2: using pro tools, So sorry, continue from your.

942
00:56:13,160 --> 00:56:16,680
Speaker 1: Film school days? Is your buddy from your film school days.

943
00:56:17,200 --> 00:56:20,360
Speaker 1: I the idea that people got sick to death of

944
00:56:20,400 --> 00:56:22,799
Speaker 1: dinosaurs and then they were like, well, let's juice them.

945
00:56:22,840 --> 00:56:25,400
Speaker 1: We gotta we gotta juice the you gotta make them better,

946
00:56:25,880 --> 00:56:28,719
Speaker 1: and then everything goes rogue is probably one of the

947
00:56:28,880 --> 00:56:32,719
Speaker 1: stupidest ideas to me, and I realized that this movie

948
00:56:32,760 --> 00:56:36,640
Speaker 1: wouldn't exist if that weren't the fact. But I maybe

949
00:56:36,640 --> 00:56:39,040
Speaker 1: I shouldn't have existed. I don't know. It just seems

950
00:56:39,080 --> 00:56:42,200
Speaker 1: so crazy to me, I feel like there is You

951
00:56:42,200 --> 00:56:44,239
Speaker 1: bring up a good point, though, there is so much

952
00:56:44,400 --> 00:56:50,320
Speaker 1: like interesting concepts to mine from people that brought back dinosaurs.

953
00:56:50,640 --> 00:56:54,080
Speaker 2: Yeah, there's just more to do with that. We don't

954
00:56:54,120 --> 00:56:56,200
Speaker 2: have to be like the dinosaurs need to be bigger,

955
00:56:56,280 --> 00:56:58,919
Speaker 2: it needs to have more heads or whatever. Like it's

956
00:56:59,000 --> 00:57:04,160
Speaker 2: it's just such a weird storytelling thing to do well.

957
00:57:04,200 --> 00:57:07,719
Speaker 1: And like, Okay, spoiler alert for those who need it.

958
00:57:08,960 --> 00:57:13,440
Speaker 1: The baddie, the final boss, the baddie of this film

959
00:57:13,520 --> 00:57:14,720
Speaker 1: is the d Rex.

960
00:57:15,719 --> 00:57:18,200
Speaker 2: Did the d Rex exist in the Chris Pratt films,

961
00:57:18,200 --> 00:57:19,320
Speaker 2: by the way, I don't think So.

962
00:57:19,520 --> 00:57:24,360
Speaker 1: Okay, let me talk about a d Rex. First of all,

963
00:57:24,400 --> 00:57:27,480
Speaker 1: the name d Rex, I mean, are you kidding Jesus?

964
00:57:27,800 --> 00:57:32,960
Speaker 1: That's a magic Mike Stripper name. Oh my god, the

965
00:57:33,240 --> 00:57:41,400
Speaker 1: d e Rex. I this fucker is the most mutated

966
00:57:41,560 --> 00:57:44,480
Speaker 1: out of all of them. And so imagine this is

967
00:57:44,560 --> 00:57:47,080
Speaker 1: what a d Rex looks like a t rex, a

968
00:57:47,160 --> 00:57:51,560
Speaker 1: Trenosaurus rex, except a smooth head, sort of like the

969
00:57:51,640 --> 00:57:56,240
Speaker 1: Zeno morph from Alien. It's a good description. And then

970
00:57:57,040 --> 00:58:01,000
Speaker 1: has two sets of arms. Okay, so it as the

971
00:58:01,080 --> 00:58:04,720
Speaker 1: little t rex arms, which we've all joked about them

972
00:58:04,800 --> 00:58:09,680
Speaker 1: being kind of inefficient. I'm assuming if you're a palaeontologist

973
00:58:09,720 --> 00:58:14,240
Speaker 1: you will disagree with me. But you know, we all think, oh,

974
00:58:14,320 --> 00:58:17,360
Speaker 1: tiny arms, what can this monster do with tiny arms?

975
00:58:17,880 --> 00:58:21,640
Speaker 1: But it also has big arms? And I just kept thinking,

976
00:58:22,000 --> 00:58:25,760
Speaker 1: this is insane, that this that this d rex has

977
00:58:25,880 --> 00:58:30,920
Speaker 1: two sets of arms, little and big. And who was

978
00:58:31,000 --> 00:58:39,800
Speaker 1: the scientists that decided why not give them both things? Yeah? Yeah,

979
00:58:39,840 --> 00:58:42,360
Speaker 1: what does the little ones do? The little ones are

980
00:58:42,520 --> 00:58:44,880
Speaker 1: close up stuff, and then the long ones are for

981
00:58:45,000 --> 00:58:46,120
Speaker 1: the other thing. I don't know.

982
00:58:47,240 --> 00:58:50,200
Speaker 2: The little arms are for like eating, like tiny cookies

983
00:58:50,200 --> 00:58:52,840
Speaker 2: and biscuits, and then the big arms are for like

984
00:58:53,680 --> 00:58:56,040
Speaker 2: manual labor, hammering stuff.

985
00:59:01,240 --> 00:59:04,120
Speaker 1: For two dinosaurs in this entire film.

986
00:59:04,680 --> 00:59:06,400
Speaker 2: Well, I think I know one of them.

987
00:59:06,760 --> 00:59:09,800
Speaker 1: I think I do too, right, little Dolores, the little

988
00:59:09,880 --> 00:59:13,280
Speaker 1: jar jar of the film. Yeah, was Dolores around for anything?

989
00:59:13,360 --> 00:59:14,400
Speaker 1: I keep asking you about this.

990
00:59:15,400 --> 00:59:17,120
Speaker 2: I've never seen I've seen all of them, so I

991
00:59:17,120 --> 00:59:20,960
Speaker 2: can tell you, No, the little the little baby, Yeah,

992
00:59:20,960 --> 00:59:21,640
Speaker 2: where'd she go?

993
00:59:22,040 --> 00:59:24,480
Speaker 1: Okay, first of all, I feel like Dolores needed more

994
00:59:24,480 --> 00:59:26,880
Speaker 1: screen time, just throwing it out there. Well, and then

995
00:59:27,400 --> 00:59:29,560
Speaker 1: spoiler alert, but you know, at the end of the movie,

996
00:59:29,640 --> 00:59:32,840
Speaker 1: she escapes with the girl that she you know, because

997
00:59:33,120 --> 00:59:35,840
Speaker 1: as Baylets gets there is the little girl is the

998
00:59:35,840 --> 00:59:39,360
Speaker 1: one that connects with Dolores. And it was a lot

999
00:59:39,400 --> 00:59:45,360
Speaker 1: of snack placement, product placement involved with their bonding. Yes,

1000
00:59:46,840 --> 00:59:49,200
Speaker 1: so Dolores is like this tiny little dinosaur that fits

1001
00:59:49,200 --> 00:59:51,480
Speaker 1: in her backpack and then at the end of the

1002
00:59:51,480 --> 00:59:55,240
Speaker 1: movie their only escapeboat together. And then I just kept

1003
00:59:55,520 --> 00:59:59,400
Speaker 1: I just imagine like this little girl taking this baby

1004
00:59:59,440 --> 01:00:04,439
Speaker 1: dinosaur with her and if that, I just imagine those

1005
01:00:04,440 --> 01:00:09,760
Speaker 1: people on TikTok that basically taken wild animals and they

1006
01:00:09,800 --> 01:00:15,000
Speaker 1: create these insane videos with that fucking tender song that

1007
01:00:15,040 --> 01:00:19,440
Speaker 1: they always play on TikTok where it's like heart beat fest,

1008
01:00:20,320 --> 01:00:24,439
Speaker 1: trying to be brave, trying to be this, and it's

1009
01:00:24,480 --> 01:00:29,360
Speaker 1: like this, you know, these people found like a wild

1010
01:00:29,880 --> 01:00:32,919
Speaker 1: fucking bore or something, and they're like trying to they're

1011
01:00:33,000 --> 01:00:36,320
Speaker 1: trying to like trade it to be like a baby

1012
01:00:36,400 --> 01:00:40,240
Speaker 1: that drinks from a bottle, and like they're they're making

1013
01:00:40,280 --> 01:00:42,560
Speaker 1: this tender hearted video and that everybody in the conference

1014
01:00:42,640 --> 01:00:45,040
Speaker 1: is like, are you fucking insane? You're not supposed to

1015
01:00:45,040 --> 01:00:48,360
Speaker 1: domesticate a wild boar or whatever. I just imagine this

1016
01:00:48,400 --> 01:00:50,160
Speaker 1: is what this little girl was gonna do it's gonna

1017
01:00:50,200 --> 01:00:58,760
Speaker 1: make this dinosaur or TikTok heads, God almighty, the other dinosaurs.

1018
01:01:00,120 --> 01:01:04,800
Speaker 1: And I've alluded to this earlier, is there was a

1019
01:01:04,920 --> 01:01:08,080
Speaker 1: part of this movie. God, I feel so embarrassed about

1020
01:01:08,080 --> 01:01:08,640
Speaker 1: to tell you this.

1021
01:01:09,160 --> 01:01:12,880
Speaker 2: Please I there was a.

1022
01:01:12,840 --> 01:01:17,360
Speaker 1: Part of the film where they were because they basically

1023
01:01:17,400 --> 01:01:21,480
Speaker 1: have to extract juice or blood or whatever from three

1024
01:01:21,680 --> 01:01:28,360
Speaker 1: sets of dinosaurs biomaterial biomaterial one of them. The second

1025
01:01:28,360 --> 01:01:31,520
Speaker 1: one was supposed to be sort of this like I

1026
01:01:31,560 --> 01:01:33,560
Speaker 1: don't know, it felt like this kind of plant eating

1027
01:01:33,640 --> 01:01:39,680
Speaker 1: gentle bronosaurs with this like long whiptail. Yeah. And there

1028
01:01:39,760 --> 01:01:45,520
Speaker 1: was this moment where they basically encountered this dinosaur and

1029
01:01:45,640 --> 01:01:49,600
Speaker 1: it was the dinosaur was in love with this other dinosaur.

1030
01:01:50,000 --> 01:01:59,480
Speaker 3: Yes, I teared up, Casey, I swear, God, I think

1031
01:01:59,520 --> 01:02:00,840
Speaker 3: it's fair metopause.

1032
01:02:01,600 --> 01:02:05,640
Speaker 1: Why did I tear up? Watching these dinosaurs in love?

1033
01:02:06,400 --> 01:02:09,040
Speaker 1: Like they were like tenderly They had their like little

1034
01:02:09,120 --> 01:02:10,040
Speaker 1: mechs wrapped.

1035
01:02:09,720 --> 01:02:13,400
Speaker 2: Around each other, and that's how they got the bio material.

1036
01:02:13,440 --> 01:02:15,560
Speaker 2: They took advantage of their love because they were distracted.

1037
01:02:15,680 --> 01:02:19,480
Speaker 1: They shot one in the ass while it was having

1038
01:02:19,520 --> 01:02:23,720
Speaker 1: a fucking tender snuggle. With their beloved.

1039
01:02:23,840 --> 01:02:27,520
Speaker 2: I listen mellly, I'm not I would never yuck your yum.

1040
01:02:27,920 --> 01:02:31,600
Speaker 2: Sometimes being in a movie theater is like such an

1041
01:02:31,640 --> 01:02:35,880
Speaker 2: emotional experience that it can't help. But I get teary

1042
01:02:35,880 --> 01:02:39,280
Speaker 2: eyed during trailers sometimes of movies I've never seen, and

1043
01:02:39,400 --> 01:02:44,520
Speaker 2: like it's a highly emotional place. So I understand, you're

1044
01:02:44,600 --> 01:02:45,360
Speaker 2: safe here.

1045
01:02:45,160 --> 01:02:48,120
Speaker 1: Thank you. I very much appreciate that I was alone.

1046
01:02:48,680 --> 01:02:51,480
Speaker 1: When I was, I was alone in the movie theater

1047
01:02:51,560 --> 01:02:55,280
Speaker 1: with other twelve year olds, but I I don't know.

1048
01:02:55,480 --> 01:02:57,760
Speaker 1: It just tugged my heartstrings. I tear it up. But

1049
01:02:57,960 --> 01:03:01,120
Speaker 1: that that's the other time that I was. But for

1050
01:03:01,160 --> 01:03:03,480
Speaker 1: the most part, yes, I didn't connect with any of

1051
01:03:03,520 --> 01:03:07,360
Speaker 1: these others, any of the other dinosaurs. I felt nothing for.

1052
01:03:08,160 --> 01:03:12,520
Speaker 2: Yeah, I mean, this movie I feel like has had

1053
01:03:12,720 --> 01:03:16,640
Speaker 2: zero cultural impact. I feel like people never really talked

1054
01:03:16,640 --> 01:03:20,240
Speaker 2: about it online or had any reaction to it. I

1055
01:03:20,240 --> 01:03:23,640
Speaker 2: think it made like seven hundred and fifty million dollars,

1056
01:03:23,640 --> 01:03:25,440
Speaker 2: so I think it did okay, But like.

1057
01:03:26,600 --> 01:03:27,080
Speaker 1: I don't know.

1058
01:03:27,280 --> 01:03:29,480
Speaker 2: Here's what I have. I have a question, what's your

1059
01:03:29,600 --> 01:03:33,280
Speaker 2: pitch for the next Jurassic World movie.

1060
01:03:34,800 --> 01:03:38,040
Speaker 1: Well, I have a side pitch, A side quest pitch.

1061
01:03:38,200 --> 01:03:46,200
Speaker 1: First cool. I would love to see Scarlett Johansson joined

1062
01:03:46,280 --> 01:03:56,720
Speaker 1: the Expendables. I think she would should do great. She's

1063
01:03:57,240 --> 01:04:00,840
Speaker 1: she's a mercenary in this film, by the way. Yeah, yeah,

1064
01:04:01,000 --> 01:04:05,439
Speaker 1: slightly believable At times, I could see it, but I

1065
01:04:05,480 --> 01:04:07,880
Speaker 1: was just thinking, well, shit, they need a woman in

1066
01:04:07,920 --> 01:04:10,040
Speaker 1: the Expendables pretty badly like her.

1067
01:04:10,160 --> 01:04:11,520
Speaker 2: They don't have any women in there.

1068
01:04:12,720 --> 01:04:16,120
Speaker 1: I don't think so. It's pretty macho. But I also

1069
01:04:16,240 --> 01:04:21,680
Speaker 1: think that star power is her well, I mean yes,

1070
01:04:21,800 --> 01:04:24,880
Speaker 1: I think she would bring a lot of that to

1071
01:04:24,960 --> 01:04:27,240
Speaker 1: the table. I don't know if there's ever been right

1072
01:04:27,320 --> 01:04:31,560
Speaker 1: in I've never seen an expendable you have speaking of.

1073
01:04:32,800 --> 01:04:36,680
Speaker 1: I mean you were talking about people like Arnold. I

1074
01:04:36,680 --> 01:04:40,480
Speaker 1: mean they're fun, they're fun of shit, I'm sure, but

1075
01:04:41,000 --> 01:04:45,000
Speaker 1: I would say, make one, make her an expendable. I

1076
01:04:45,040 --> 01:04:48,680
Speaker 1: don't think she's too young to be honest. You could

1077
01:04:48,760 --> 01:04:53,600
Speaker 1: use some ladies in there, and then she can wear

1078
01:04:54,920 --> 01:04:59,919
Speaker 1: her little tight tank tops for all you boys.

1079
01:04:58,560 --> 01:04:59,880
Speaker 2: For all you boas.

1080
01:05:00,120 --> 01:05:03,240
Speaker 1: So I feel like that's my side pitch. Now you're

1081
01:05:03,920 --> 01:05:06,880
Speaker 1: asking me what is the next Jurassic Park?

1082
01:05:07,160 --> 01:05:10,080
Speaker 2: Yeah, what would you What would your idea be for

1083
01:05:10,120 --> 01:05:11,480
Speaker 2: the next Jurassic Park?

1084
01:05:12,280 --> 01:05:17,240
Speaker 1: I say the next Jurassic Park is doctor Henry Loomis

1085
01:05:18,080 --> 01:05:25,520
Speaker 1: being Jonathan Bailey being very emotional about dinosaurs. Okay, I

1086
01:05:25,560 --> 01:05:30,040
Speaker 1: feel like we could maybe pitch it as I don't know,

1087
01:05:30,160 --> 01:05:36,880
Speaker 1: some sort of tender love story of him falling in

1088
01:05:36,960 --> 01:05:43,200
Speaker 1: love with his job of being a museum researcher. I

1089
01:05:43,240 --> 01:05:47,320
Speaker 1: see he cried, did you know? Did you sestion it?

1090
01:05:47,440 --> 01:05:50,800
Speaker 1: He cried when he saw the dinosaur eggs? Was it

1091
01:05:50,840 --> 01:05:51,880
Speaker 1: when he saw the eggs?

1092
01:05:52,680 --> 01:05:55,200
Speaker 2: He was charming. You have to admit he was kind

1093
01:05:55,200 --> 01:05:56,720
Speaker 2: of fun to watch on the screen.

1094
01:05:56,800 --> 01:05:58,280
Speaker 1: Who was that? By the way, I don't even know

1095
01:05:58,280 --> 01:05:59,040
Speaker 1: who that actor is.

1096
01:05:59,360 --> 01:06:07,320
Speaker 2: Jonathan He's a theater guy. I believe he was in Wicked.

1097
01:06:08,440 --> 01:06:11,840
Speaker 2: He was in Bridgerton and Wicked. Yeah, Bridgerton and Wicked,

1098
01:06:11,920 --> 01:06:12,520
Speaker 2: So that's.

1099
01:06:12,440 --> 01:06:14,880
Speaker 1: Kind of I don't know. I don't know anything about him.

1100
01:06:15,080 --> 01:06:17,560
Speaker 1: Of course, they were sort of teasing at the idea

1101
01:06:17,600 --> 01:06:22,080
Speaker 1: that him and Scarlett character were kind of connecting, although

1102
01:06:22,440 --> 01:06:26,320
Speaker 1: yes I didn't I didn't get that didn't play for me,

1103
01:06:26,400 --> 01:06:30,200
Speaker 1: and I actually thought he was not in the women

1104
01:06:30,600 --> 01:06:32,360
Speaker 1: if Yeah, he is gay in real life?

1105
01:06:32,440 --> 01:06:33,000
Speaker 2: Yeah?

1106
01:06:33,040 --> 01:06:35,720
Speaker 1: Well, and like then I was like, well, she can't

1107
01:06:36,120 --> 01:06:39,160
Speaker 1: get with this guy. He's gonna slow her down and

1108
01:06:39,440 --> 01:06:41,920
Speaker 1: she needs to be the expendables that maybe that's right,

1109
01:06:42,440 --> 01:06:49,200
Speaker 1: make money for herself parachuting out of airplanes. Now the

1110
01:06:49,240 --> 01:06:53,480
Speaker 1: other guy, here's the thing, Hersila. No, no oh, I'm

1111
01:06:53,520 --> 01:06:56,760
Speaker 1: talking about the evil capital.

1112
01:06:58,560 --> 01:07:01,920
Speaker 2: He works for engine, the pharmaceutical, the farmer bro, the

1113
01:07:02,000 --> 01:07:02,560
Speaker 2: farmer bro.

1114
01:07:03,320 --> 01:07:06,720
Speaker 1: I am not joking when I say this, Dude, I

1115
01:07:06,800 --> 01:07:11,720
Speaker 1: did not realize that that was not Orlando Bloom until

1116
01:07:11,760 --> 01:07:13,680
Speaker 1: like five minutes before the movie ended.

1117
01:07:14,280 --> 01:07:14,600
Speaker 2: Mmmm.

1118
01:07:16,040 --> 01:07:17,360
Speaker 1: That he is, of course played.

1119
01:07:17,400 --> 01:07:21,040
Speaker 2: It's the character of Martin Krebs, played by the British

1120
01:07:21,120 --> 01:07:25,840
Speaker 2: actor Rupert Friend, who I do really like. He was

1121
01:07:25,920 --> 01:07:31,040
Speaker 2: in the movie Death of Stalin. Have you ever saw

1122
01:07:31,080 --> 01:07:33,200
Speaker 2: that movie? So he is good, but he does look

1123
01:07:33,240 --> 01:07:34,880
Speaker 2: like should I.

1124
01:07:35,080 --> 01:07:37,560
Speaker 1: Know more British actors? I feel like I don't know

1125
01:07:37,680 --> 01:07:41,680
Speaker 1: any of That's so sad, you know, the British.

1126
01:07:41,800 --> 01:07:46,440
Speaker 2: They they are way over represented in our movies. They're

1127
01:07:46,720 --> 01:07:55,960
Speaker 2: taking our jobs and they're doing perfect American accents and wow, No,

1128
01:07:56,040 --> 01:07:57,240
Speaker 2: I don't think you need to know anymore.

1129
01:07:57,240 --> 01:08:00,000
Speaker 1: Okay, Well, he dies, His character died with no love loss,

1130
01:08:00,120 --> 01:08:04,520
Speaker 1: as all farmer bros should. So I don't know anything

1131
01:08:04,560 --> 01:08:07,680
Speaker 1: else to say about Jurassic Park rebirth.

1132
01:08:08,200 --> 01:08:11,600
Speaker 2: I'm going to do my pitch for the next Drassic Park.

1133
01:08:12,000 --> 01:08:16,040
Speaker 2: I think number one, there should be some guy living

1134
01:08:16,040 --> 01:08:19,840
Speaker 2: on the island, like some hermit. Oh sure, living among

1135
01:08:19,880 --> 01:08:24,360
Speaker 2: the dinosaurs. Okay, that's one one. Idea. Number two, I

1136
01:08:24,400 --> 01:08:26,719
Speaker 2: think it should be like a bunch of TikTok bros

1137
01:08:27,160 --> 01:08:29,639
Speaker 2: Are going you know how there was like those Urban

1138
01:08:29,720 --> 01:08:33,599
Speaker 2: Explorer YouTube TikTok pages. This would be like the same

1139
01:08:33,640 --> 01:08:36,160
Speaker 2: thing where they're going to the island to like check

1140
01:08:36,160 --> 01:08:39,320
Speaker 2: out the dinosaurs and a bunch of them get eaten.

1141
01:08:39,640 --> 01:08:41,720
Speaker 1: So that's my pitch. So you want to see a

1142
01:08:41,800 --> 01:08:44,920
Speaker 1: guy's voice and voiceoverc come with me as I'm here

1143
01:08:45,320 --> 01:08:48,840
Speaker 1: in Jurassic Park. Exactly. Look at this cool dinosaur egg

1144
01:08:49,280 --> 01:08:53,800
Speaker 1: crunchy body exactly. See this is good, mill this is good.

1145
01:08:53,960 --> 01:08:56,160
Speaker 1: That's good. That's a good idea. That's why.

1146
01:08:58,640 --> 01:09:01,600
Speaker 2: Castor and not a No, there's nothing more to be

1147
01:09:01,640 --> 01:09:04,240
Speaker 2: said about this or Blockbusters. I think we've kind of

1148
01:09:04,320 --> 01:09:07,759
Speaker 2: exhausted it. I'm exhausted, so I think it'd probably be best

1149
01:09:07,680 --> 01:09:08,280
Speaker 2: to move on.

1150
01:09:09,040 --> 01:09:09,680
Speaker 1: We can do that.

1151
01:09:19,240 --> 01:09:23,200
Speaker 2: Our final segment for today is movie theater etiquette. Mainly,

1152
01:09:23,280 --> 01:09:25,080
Speaker 2: this is something I wanted to talk to you about

1153
01:09:25,680 --> 01:09:28,080
Speaker 2: because I have some questions. You know, I am kind

1154
01:09:28,120 --> 01:09:30,400
Speaker 2: of particular when it comes to movie theater etiquette. I

1155
01:09:30,439 --> 01:09:33,519
Speaker 2: have ideas about how things should go down in there.

1156
01:09:33,600 --> 01:09:38,000
Speaker 2: But I was just curious about you, you know me.

1157
01:09:38,280 --> 01:09:38,920
Speaker 1: You know, you're not.

1158
01:09:38,880 --> 01:09:41,200
Speaker 2: Supposed to talk in the movie theater, but people do.

1159
01:09:41,960 --> 01:09:45,320
Speaker 2: Are you a suture? And how do you handle talking

1160
01:09:45,360 --> 01:09:48,479
Speaker 2: if there's like someone behind you talking throughout the whole movie?

1161
01:09:48,640 --> 01:09:51,960
Speaker 1: Oh god, this is really hard for me because I

1162
01:09:52,040 --> 01:10:00,320
Speaker 1: hate conflict. Yeah, although I do. I mean, there have

1163
01:10:00,400 --> 01:10:02,720
Speaker 1: been times, I think in the past where I just

1164
01:10:02,760 --> 01:10:05,960
Speaker 1: have had to say something because something is just so ridiculous.

1165
01:10:06,320 --> 01:10:10,000
Speaker 1: I think that's my my fear. Well, my fear is

1166
01:10:10,040 --> 01:10:14,280
Speaker 1: being killed by someone over an altercation in public that

1167
01:10:14,320 --> 01:10:21,439
Speaker 1: has no, no, nothing to do with your life. I'm

1168
01:10:21,479 --> 01:10:26,880
Speaker 1: always afraid to incite like a really violent reaction from someone.

1169
01:10:27,760 --> 01:10:30,479
Speaker 2: It is hard because sometimes even if you're like, hey,

1170
01:10:30,680 --> 01:10:32,760
Speaker 2: do you think you could be quiet, or like if

1171
01:10:32,760 --> 01:10:35,840
Speaker 2: you slightly recommenced, sometimes people go insane. Well, and that

1172
01:10:35,960 --> 01:10:37,439
Speaker 2: is the scary part. That's the scary part.

1173
01:10:37,479 --> 01:10:39,960
Speaker 1: And like I think I told the story about when

1174
01:10:39,960 --> 01:10:45,880
Speaker 1: I once saw Lisa Fraanketstein with my friends and one

1175
01:10:45,960 --> 01:10:49,519
Speaker 1: of them, these girls were teenage girls, were behind us

1176
01:10:49,520 --> 01:10:55,040
Speaker 1: and they were throwing things and people were getting crazy,

1177
01:10:55,160 --> 01:10:57,840
Speaker 1: like in the audience, like they were turning around being like,

1178
01:10:57,880 --> 01:11:03,679
Speaker 1: oh my god, who's throwing popcorn? And somebody finally said, hey,

1179
01:11:04,360 --> 01:11:10,519
Speaker 1: stop talking, and one of the girls screamed, fuck you bitch.

1180
01:11:11,880 --> 01:11:17,719
Speaker 1: That was like, oh, okay, wow, I'm scared, Like I'm

1181
01:11:17,920 --> 01:11:21,840
Speaker 1: officially scared just to be a shusher, but.

1182
01:11:21,800 --> 01:11:24,160
Speaker 2: There because that can happen. Oh my god, you could

1183
01:11:24,160 --> 01:11:26,479
Speaker 2: get a fuck you bitch right thrown right at.

1184
01:11:26,320 --> 01:11:27,840
Speaker 1: You and then what do you do? Oh? I know,

1185
01:11:27,920 --> 01:11:30,400
Speaker 1: and you know then I'm that I'm sitting there thinking

1186
01:11:30,400 --> 01:11:33,640
Speaker 1: about it all day long, like this teenager. Oh I

1187
01:11:33,680 --> 01:11:38,559
Speaker 1: would leave, uh huh. But there have been times, maybe

1188
01:11:38,560 --> 01:11:40,400
Speaker 1: not in a movie theater necessarily, but there have been

1189
01:11:40,400 --> 01:11:42,600
Speaker 1: times in life where you just, I don't know, you

1190
01:11:42,680 --> 01:11:44,320
Speaker 1: just have to say something because it's the right thing

1191
01:11:44,360 --> 01:11:46,240
Speaker 1: to do. So I think it has to be an

1192
01:11:46,280 --> 01:11:52,000
Speaker 1: extremely elevated case for me to shush. I know people

1193
01:11:52,080 --> 01:11:57,920
Speaker 1: who shush with no hesitation whatsoever. Maybe I might have

1194
01:11:58,000 --> 01:12:01,559
Speaker 1: done a podcast with one of those people. Oh it's

1195
01:12:01,600 --> 01:12:05,559
Speaker 1: kind of I like it. Oh, Dan Yelle would tell

1196
01:12:05,680 --> 01:12:08,559
Speaker 1: anybody it like. She is amazing in that regard, and

1197
01:12:08,600 --> 01:12:09,520
Speaker 1: as a weak.

1198
01:12:09,320 --> 01:12:10,960
Speaker 2: Person like that, we need her.

1199
01:12:11,080 --> 01:12:13,040
Speaker 1: We need need her to protect us, so.

1200
01:12:14,960 --> 01:12:17,120
Speaker 2: Protect us from the teenage girls out there.

1201
01:12:19,120 --> 01:12:19,920
Speaker 1: Do you like it.

1202
01:12:19,840 --> 01:12:23,320
Speaker 2: When because it sometimes it happens in a theater. Also,

1203
01:12:23,400 --> 01:12:26,320
Speaker 2: I will say, I'm in agreeing with you. I shush

1204
01:12:26,560 --> 01:12:29,160
Speaker 2: very sparingly. I want to do it more, but I'm scared.

1205
01:12:29,960 --> 01:12:30,559
Speaker 1: That's the answer.

1206
01:12:31,280 --> 01:12:34,240
Speaker 2: Uh. Do you like it when an audience member makes

1207
01:12:34,280 --> 01:12:38,880
Speaker 2: a MST three K style joke during a movie? Have

1208
01:12:38,920 --> 01:12:40,599
Speaker 2: you ever been one of those movies where there's someone

1209
01:12:41,360 --> 01:12:43,679
Speaker 2: making kind of jokes at the screen.

1210
01:12:44,560 --> 01:12:46,880
Speaker 1: I'm shaking my head or like, at the minute you

1211
01:12:46,920 --> 01:12:49,320
Speaker 1: started talking and I knew it was going in this direction,

1212
01:12:49,400 --> 01:12:55,000
Speaker 1: my head starts shaking. No, I hate improv shit like

1213
01:12:55,040 --> 01:13:00,599
Speaker 1: that is so. And there was a time I was

1214
01:13:00,640 --> 01:13:05,599
Speaker 1: hosting a movie screening here in Atlanta, many many years ago.

1215
01:13:07,200 --> 01:13:10,000
Speaker 1: I can't remember the movie. It was something like it

1216
01:13:10,040 --> 01:13:13,120
Speaker 1: wasn't the Room, but it was something. I think it

1217
01:13:13,160 --> 01:13:16,760
Speaker 1: was like an Andy Sedaris movie or something like Hard

1218
01:13:16,800 --> 01:13:21,080
Speaker 1: Ticket to Hawaii or something like that. And I watched

1219
01:13:21,080 --> 01:13:23,519
Speaker 1: a little bit of it and could hear somebody just

1220
01:13:23,920 --> 01:13:29,320
Speaker 1: riff it like doing their whole improv routine. I wanted

1221
01:13:29,320 --> 01:13:32,479
Speaker 1: to go up to them and scream in their face,

1222
01:13:32,600 --> 01:13:36,280
Speaker 1: fuck you bitch. Basically, I was so upset by it

1223
01:13:37,720 --> 01:13:43,600
Speaker 1: because it just felt like their stage, like they just

1224
01:13:43,720 --> 01:13:45,559
Speaker 1: kind of said, well, I don't care if anybody else

1225
01:13:45,600 --> 01:13:49,240
Speaker 1: wants to actually see this movie. I'm gonna like provide

1226
01:13:48,800 --> 01:13:52,479
Speaker 1: the comedy of it. And I just hate that. I

1227
01:13:52,560 --> 01:13:56,880
Speaker 1: hate that me too. In public. Hell no, it's crazy.

1228
01:13:57,000 --> 01:13:58,719
Speaker 1: You could do it in your home with your buddies,

1229
01:13:58,720 --> 01:13:59,759
Speaker 1: but not in a theater.

1230
01:14:00,760 --> 01:14:01,000
Speaker 3: I know.

1231
01:14:02,280 --> 01:14:05,000
Speaker 2: I was in a movie theater. I was seeing a

1232
01:14:05,000 --> 01:14:08,200
Speaker 2: Mission Impossible movie. And you know how I hold those

1233
01:14:08,200 --> 01:14:10,759
Speaker 2: movies in such high regards, so this is a special experience.

1234
01:14:11,120 --> 01:14:13,040
Speaker 2: And there was like a twelve year old boy. He

1235
01:14:13,160 --> 01:14:16,320
Speaker 2: was drinking a big old icy and eat a big

1236
01:14:16,360 --> 01:14:21,799
Speaker 2: thing of milk duds, and he was riffing away making

1237
01:14:21,880 --> 01:14:23,880
Speaker 2: jokes and I was like, oh my god, this kid

1238
01:14:23,920 --> 01:14:26,719
Speaker 2: is driving me nuts. And cause he got a big laugh.

1239
01:14:26,720 --> 01:14:28,000
Speaker 2: I don't remember what he said, but he got a

1240
01:14:28,080 --> 01:14:31,439
Speaker 2: big laugh with a comment and that really emboldened him. Oh,

1241
01:14:31,479 --> 01:14:37,679
Speaker 2: of course it does. And I could feel him charging

1242
01:14:37,800 --> 01:14:45,640
Speaker 2: up for a big one. And there was some he

1243
01:14:45,760 --> 01:14:48,960
Speaker 2: was waiting for something I could tell and I don't

1244
01:14:48,960 --> 01:14:51,840
Speaker 2: even exactly remember what happened on screen, but like let's

1245
01:14:51,840 --> 01:14:55,120
Speaker 2: say Tom Cruise got like crashed a motorcycle or whatever,

1246
01:14:56,840 --> 01:14:59,880
Speaker 2: and Tom Cruise crashes the motorcycle and the kid go,

1247
01:15:00,640 --> 01:15:05,800
Speaker 2: he's He tried to say, that's gotta hurt, but I

1248
01:15:05,920 --> 01:15:08,280
Speaker 2: was ready for him, and so he went. I shushed

1249
01:15:08,360 --> 01:15:10,080
Speaker 2: him right in the middle of it, so it came

1250
01:15:10,080 --> 01:15:13,640
Speaker 2: out like this. He was like, that's gotta hurt. So

1251
01:15:13,720 --> 01:15:18,439
Speaker 2: I like deflated him because I shushed him mid riff

1252
01:15:19,520 --> 01:15:22,519
Speaker 2: and he didn't talk for the rest because I was

1253
01:15:22,560 --> 01:15:24,840
Speaker 2: sitting right next to him, and I like, you know,

1254
01:15:25,160 --> 01:15:27,400
Speaker 2: but this is me being brave against a twelve year

1255
01:15:27,439 --> 01:15:27,880
Speaker 2: old boy.

1256
01:15:28,120 --> 01:15:28,360
Speaker 1: You know.

1257
01:15:28,560 --> 01:15:32,200
Speaker 2: Yeah, there's I'm prepared to take that kid on, But

1258
01:15:32,360 --> 01:15:34,439
Speaker 2: like if it was a full grown adult, I don't

1259
01:15:34,439 --> 01:15:36,360
Speaker 2: know if I would have been as ready.

1260
01:15:36,520 --> 01:15:39,200
Speaker 1: You know, there's gonna be a TikTok of you tomorrow

1261
01:15:39,920 --> 01:15:42,479
Speaker 1: in slow motion of you shushing a kid, and then

1262
01:15:42,520 --> 01:15:46,679
Speaker 1: that song is gonna be trying to be prayed try

1263
01:15:48,600 --> 01:15:57,360
Speaker 1: Oh my god, you killed that kid. He's never gotta comedy,

1264
01:15:57,560 --> 01:16:00,360
Speaker 1: he's never gonna he's gonna think about this for the

1265
01:16:00,400 --> 01:16:02,320
Speaker 1: rest of his fucking life.

1266
01:16:02,760 --> 01:16:05,120
Speaker 2: Well, I hope he does. I hope he does, because

1267
01:16:05,120 --> 01:16:07,920
Speaker 2: he was really being annoying. Wow, what now?

1268
01:16:07,960 --> 01:16:08,479
Speaker 1: What to you?

1269
01:16:09,000 --> 01:16:11,760
Speaker 2: Are you not allowed to eat in the movie theater?

1270
01:16:11,880 --> 01:16:14,360
Speaker 2: And what are you allowed to eat in the movie theater?

1271
01:16:15,160 --> 01:16:19,559
Speaker 1: Listen? This is gonna be an unpopular opinion. Perhaps I

1272
01:16:19,560 --> 01:16:21,320
Speaker 1: think you can eat whatever the fuck you want to eat.

1273
01:16:21,920 --> 01:16:22,719
Speaker 2: Oh, I disagree.

1274
01:16:22,760 --> 01:16:24,960
Speaker 1: I think you could eat Thanksgiving dinner in there if

1275
01:16:24,960 --> 01:16:25,680
Speaker 1: you want.

1276
01:16:26,439 --> 01:16:28,320
Speaker 2: I don't want a stinky I don't want to smell

1277
01:16:28,360 --> 01:16:29,360
Speaker 2: your Chipotle burrito.

1278
01:16:29,439 --> 01:16:33,280
Speaker 1: Oh I don't care. This is the thing. Movie theater

1279
01:16:33,720 --> 01:16:38,320
Speaker 1: food is so terrible and so expensive that to me,

1280
01:16:39,040 --> 01:16:44,280
Speaker 1: it's a class uprising to bring delicious food from your

1281
01:16:44,320 --> 01:16:48,080
Speaker 1: home or wherever into you want.

1282
01:16:48,120 --> 01:16:51,519
Speaker 2: People bringing in chicken Kiev and eating it in the

1283
01:16:51,560 --> 01:16:55,439
Speaker 2: movie theater. This is outrageous. I don't think you should.

1284
01:16:55,520 --> 01:16:59,760
Speaker 2: I think hot dog is like the smelliest food. I

1285
01:16:59,760 --> 01:17:01,719
Speaker 2: think you should be able to eat in the theater.

1286
01:17:01,920 --> 01:17:02,519
Speaker 1: I just don't.

1287
01:17:02,560 --> 01:17:04,320
Speaker 2: I don't like because I've been in the theater where

1288
01:17:04,360 --> 01:17:08,320
Speaker 2: I'm like, someone brought in something and it's stink. I

1289
01:17:08,360 --> 01:17:10,120
Speaker 2: just don't like it. It's like being on an airplane.

1290
01:17:10,200 --> 01:17:13,559
Speaker 1: Sure, I mean there's another place where you're like, I'm

1291
01:17:13,600 --> 01:17:15,960
Speaker 1: not I'm not against bringing in food, but I just

1292
01:17:16,400 --> 01:17:17,280
Speaker 1: there's certain type.

1293
01:17:17,280 --> 01:17:19,880
Speaker 2: I just feel like it needs to be like candy

1294
01:17:20,439 --> 01:17:23,040
Speaker 2: pop something that doesn't that isn' like a bit like

1295
01:17:23,080 --> 01:17:24,040
Speaker 2: a turkey dinner.

1296
01:17:24,120 --> 01:17:31,240
Speaker 1: Like listen. I feel as though leaving the house is

1297
01:17:31,320 --> 01:17:34,719
Speaker 1: just basically being an opener market for anything to happen

1298
01:17:35,200 --> 01:17:40,439
Speaker 1: at this point, And to me, I'm like, I will

1299
01:17:40,840 --> 01:17:46,280
Speaker 1: allow for the stinky limburger, cheese and crackers, whatever you got.

1300
01:17:46,320 --> 01:17:48,799
Speaker 1: I'm fine with it. It's like it has to happen.

1301
01:17:49,760 --> 01:17:55,040
Speaker 1: We're not eating these goddamn flat bread margarita shits that

1302
01:17:55,080 --> 01:17:59,600
Speaker 1: they put in a microwave. They're not good. The upscale

1303
01:17:59,680 --> 01:18:02,960
Speaker 1: food that they have a like Chains or whatever, where

1304
01:18:03,000 --> 01:18:08,280
Speaker 1: it's like nachos or flatbread pizzas or anything are so

1305
01:18:08,680 --> 01:18:14,920
Speaker 1: terrible that I'm like, no, like, bring in Chipotle, bring

1306
01:18:15,000 --> 01:18:20,200
Speaker 1: in whatever you got. As long as you can nourish yourself,

1307
01:18:20,280 --> 01:18:21,120
Speaker 1: I'm fine with it.

1308
01:18:21,520 --> 01:18:24,120
Speaker 2: Okay, Okay, have you ever been in a movie theater

1309
01:18:24,160 --> 01:18:26,360
Speaker 2: where the police came in and took somebody out.

1310
01:18:26,560 --> 01:18:37,120
Speaker 1: Who absolutely happened? Christmas Day twenty twenty four, Nos Faratu, Melbourne, Florida.

1311
01:18:37,240 --> 01:18:38,400
Speaker 2: Did you tell this on the pod?

1312
01:18:38,640 --> 01:18:40,840
Speaker 1: Sure as fuck did. I said that the police came

1313
01:18:40,880 --> 01:18:47,240
Speaker 1: in because they were looking for somebody. They stopped the movie.

1314
01:18:47,680 --> 01:18:51,760
Speaker 1: They stopped the movie. Oh, they stopped nos Faratu, and

1315
01:18:52,760 --> 01:18:58,200
Speaker 1: the theater manager and a police officer came in and

1316
01:18:58,240 --> 01:19:03,480
Speaker 1: were like looking at people's faces. It was insane.

1317
01:19:04,160 --> 01:19:06,160
Speaker 2: Whoa, It's like a movie.

1318
01:19:06,200 --> 01:19:09,640
Speaker 1: It lasted probably about five five to seven minutes, but

1319
01:19:09,840 --> 01:19:10,840
Speaker 1: it was insane.

1320
01:19:10,960 --> 01:19:13,880
Speaker 2: I was like, Okay, did ever talk about my screening

1321
01:19:13,960 --> 01:19:17,040
Speaker 2: of the movie Mother, Darren Aronovski's Mother.

1322
01:19:17,479 --> 01:19:19,000
Speaker 1: No, I don't think so.

1323
01:19:19,000 --> 01:19:21,680
Speaker 2: So we saw this at the I can't remember the

1324
01:19:21,720 --> 01:19:23,599
Speaker 2: name of the movie theater it was. It's like right

1325
01:19:23,640 --> 01:19:26,160
Speaker 2: next to the Staples Center in downtown LA, which is

1326
01:19:26,200 --> 01:19:27,559
Speaker 2: like a cuckoo kind.

1327
01:19:27,360 --> 01:19:29,439
Speaker 1: Of okay, okay movie theater.

1328
01:19:29,840 --> 01:19:32,800
Speaker 2: We were like the only people in there seeing Mother

1329
01:19:33,040 --> 01:19:37,080
Speaker 2: exclamation Point, which is an insane movie. Yes, And like

1330
01:19:37,479 --> 01:19:41,080
Speaker 2: fifteen minutes into it, this couple comes in and I'm like, ooh,

1331
01:19:41,160 --> 01:19:45,880
Speaker 2: I can really smell alcohol. They are drunk, and they

1332
01:19:45,960 --> 01:19:51,840
Speaker 2: sit directly behind us, and the guy leans forward like

1333
01:19:51,960 --> 01:19:54,720
Speaker 2: and whispers in my ear. He's like, hey, can you

1334
01:19:54,960 --> 01:19:58,760
Speaker 2: move over a couple seats and I'm like, no one

1335
01:19:58,880 --> 01:20:03,559
Speaker 2: is in here, and I smells like stinky breath and

1336
01:20:03,600 --> 01:20:05,920
Speaker 2: I'm like and I said, I was like pissed off

1337
01:20:06,000 --> 01:20:08,439
Speaker 2: because I was like, why don't you move? Like there's

1338
01:20:08,439 --> 01:20:13,639
Speaker 2: no one in here? And then I go no. Two

1339
01:20:13,680 --> 01:20:20,240
Speaker 2: seconds later, a bare foot comes and rests on my

1340
01:20:20,439 --> 01:20:23,679
Speaker 2: seat and is touching my head. It's like right next

1341
01:20:23,680 --> 01:20:28,800
Speaker 2: to my head, and I'm like, ah, And so that

1342
01:20:28,920 --> 01:20:32,479
Speaker 2: did get me to move far away from this man.

1343
01:20:33,200 --> 01:20:35,080
Speaker 2: But I would say about twenty minutes later the police

1344
01:20:35,080 --> 01:20:37,800
Speaker 2: came in and took them out. Oh, and I had

1345
01:20:37,840 --> 01:20:42,480
Speaker 2: not reported them, so like, obviously they were doing hijinks

1346
01:20:42,520 --> 01:20:43,439
Speaker 2: outside the field.

1347
01:20:43,800 --> 01:20:47,439
Speaker 1: Yeah, I'm sure that that wasn't the first or last stop.

1348
01:20:47,680 --> 01:20:54,240
Speaker 1: Really hear wow, would oh if a barefoot came into

1349
01:20:54,280 --> 01:20:59,000
Speaker 1: my face from Oh my god, Casey.

1350
01:21:00,560 --> 01:21:03,360
Speaker 2: Gives me chills still. It also sort of felt like

1351
01:21:03,439 --> 01:21:05,519
Speaker 2: the vibe of the movie because the movie is so

1352
01:21:05,800 --> 01:21:09,519
Speaker 2: outrageously insane. I felt, I don't know, it was a

1353
01:21:09,600 --> 01:21:13,559
Speaker 2: memorable experience. Okay, here's the last question I have for you. Okay,

1354
01:21:13,800 --> 01:21:17,280
Speaker 2: movie etiquette. Okay, when is the last, the absolute last

1355
01:21:17,280 --> 01:21:18,719
Speaker 2: moment you're allowed to use your phone?

1356
01:21:19,040 --> 01:21:23,160
Speaker 1: Okay, this is an interesting one. Because I feel like

1357
01:21:23,840 --> 01:21:27,559
Speaker 1: it is for me. It was based on the city.

1358
01:21:29,360 --> 01:21:35,400
Speaker 1: I will say, La, they don't want once the trailers begin,

1359
01:21:35,600 --> 01:21:36,879
Speaker 1: you cannot touch.

1360
01:21:36,720 --> 01:21:40,200
Speaker 2: Your phone in La. In La, you know that's interesting.

1361
01:21:41,000 --> 01:21:44,120
Speaker 2: You're one hundred percent right. And I noticed a shift

1362
01:21:44,240 --> 01:21:47,439
Speaker 2: when I moved back to Minneapogolies. I was like, ooh, Also,

1363
01:21:48,120 --> 01:21:50,720
Speaker 2: the lights stay on during the trailers at all my

1364
01:21:50,800 --> 01:21:51,840
Speaker 2: theaters here.

1365
01:21:52,200 --> 01:21:55,200
Speaker 1: Me too, Me too. I gotta tell you, I think

1366
01:21:55,240 --> 01:21:59,880
Speaker 1: the La film etiquette is a different animal. I just

1367
01:22:00,080 --> 01:22:05,400
Speaker 1: things it's based on. It's the center of movies. Everybody

1368
01:22:05,479 --> 01:22:10,680
Speaker 1: is super respectful, and their culture of seeing movies is

1369
01:22:10,800 --> 01:22:13,280
Speaker 1: just at a high level, and they won't let you

1370
01:22:13,400 --> 01:22:15,800
Speaker 1: get away with shit. I feel like Austin is probably

1371
01:22:15,880 --> 01:22:19,000
Speaker 1: the only other town where that's true. Maybe New York,

1372
01:22:19,040 --> 01:22:21,720
Speaker 1: but it's it really has to be. You have to

1373
01:22:21,760 --> 01:22:25,960
Speaker 1: be shamed into acting that way. I gotta say it.

1374
01:22:26,000 --> 01:22:28,960
Speaker 1: You've got to be shamed in doing it. Atlanta is

1375
01:22:29,000 --> 01:22:32,680
Speaker 1: not that. Atlanta is full on. I'm going to film

1376
01:22:33,040 --> 01:22:36,800
Speaker 1: this movie as it's playing. There's no rules just right here,

1377
01:22:36,960 --> 01:22:43,679
Speaker 1: Like it's it's absolutely rules. Oh, it's it's like god

1378
01:22:44,400 --> 01:22:49,240
Speaker 1: smackingly bad here. And I, like I said, I think

1379
01:22:49,280 --> 01:22:53,640
Speaker 1: that you have to be you basically have to organize

1380
01:22:53,680 --> 01:22:57,680
Speaker 1: everybody to be a shusher and a complainer, and you

1381
01:22:57,760 --> 01:23:00,720
Speaker 1: have to put trailers in front of the movies that

1382
01:23:00,800 --> 01:23:04,559
Speaker 1: feature prominent celebrities telling you that you will die if

1383
01:23:04,600 --> 01:23:06,719
Speaker 1: you take your phone out, like they do at Draft House.

1384
01:23:07,560 --> 01:23:11,800
Speaker 1: It's it's a it's a problem. If so, there's the reality,

1385
01:23:11,880 --> 01:23:15,040
Speaker 1: which is that I feel like people are using their

1386
01:23:15,040 --> 01:23:18,320
Speaker 1: phones wherever in in my life at this point, but

1387
01:23:18,560 --> 01:23:24,439
Speaker 1: in my preference, I feel like trail like once, maybe

1388
01:23:24,479 --> 01:23:27,160
Speaker 1: once Maria Mnunos is gone.

1389
01:23:27,280 --> 01:23:28,719
Speaker 2: Once she says bye bye.

1390
01:23:28,880 --> 01:23:31,400
Speaker 1: When she's like, my bye, go and listen to my

1391
01:23:31,439 --> 01:23:38,240
Speaker 1: wellness podcast, why would you say that? Sorry?

1392
01:23:38,840 --> 01:23:42,200
Speaker 2: Maria Manunos did like a genie trap you in the

1393
01:23:42,240 --> 01:23:46,920
Speaker 2: movie theater pre screening things. It's like I haven't seen

1394
01:23:46,920 --> 01:23:49,639
Speaker 2: her anywhere else, and all of a sudden she's popping

1395
01:23:49,720 --> 01:23:53,879
Speaker 2: up in this weird pre movie entertainment. It's very odd.

1396
01:23:54,200 --> 01:23:58,000
Speaker 1: I I think once she tells you about the wellness podcast,

1397
01:23:58,040 --> 01:24:00,640
Speaker 1: you are you got to turn your phone off. I

1398
01:24:00,680 --> 01:24:06,439
Speaker 1: feel trailers are important to people, Okay, cer not filler

1399
01:24:06,760 --> 01:24:09,840
Speaker 1: before the movie. I think people love seeing trailers and

1400
01:24:09,920 --> 01:24:12,840
Speaker 1: so respect that shit and don't.

1401
01:24:13,040 --> 01:24:16,760
Speaker 2: I think the movie industry also is to blame for this,

1402
01:24:16,960 --> 01:24:20,280
Speaker 2: or the movie theater industry, because now you know, Ria

1403
01:24:20,360 --> 01:24:23,439
Speaker 2: Minunos is bouncing all over the screen, there's that bullshit.

1404
01:24:23,760 --> 01:24:28,599
Speaker 2: There's commercials, and then there are like these like fake trailers,

1405
01:24:28,640 --> 01:24:32,320
Speaker 2: which are like commercials for movies, but they're not the trailers. Yes,

1406
01:24:32,400 --> 01:24:34,200
Speaker 2: you know, it's like this weird in between and then

1407
01:24:34,240 --> 01:24:37,879
Speaker 2: it's like and then it's the trailers. But as a viewer,

1408
01:24:37,960 --> 01:24:40,200
Speaker 2: it gets kind of gobbled up, so I can there

1409
01:24:40,280 --> 01:24:44,240
Speaker 2: doesn't feel like there's a a delineation mark for people

1410
01:24:44,280 --> 01:24:46,559
Speaker 2: to be like, Okay, now we're entering a sacred space,

1411
01:24:47,040 --> 01:24:49,920
Speaker 2: which I think the trailers is a sacred space, but

1412
01:24:50,120 --> 01:24:50,639
Speaker 2: I do too.

1413
01:24:50,760 --> 01:24:54,760
Speaker 1: And the craziest part about when I saw Jurassic I said,

1414
01:24:54,840 --> 01:24:59,400
Speaker 1: just Jurassic this one that we just talked about rebirth.

1415
01:25:00,080 --> 01:25:01,800
Speaker 1: I don't know if this was your experience, but they

1416
01:25:01,800 --> 01:25:04,759
Speaker 1: did the whole trailer run, then they did the AMC

1417
01:25:05,160 --> 01:25:10,760
Speaker 1: branded stuff pre roll, they did Nicole Kimmen, you know,

1418
01:25:10,920 --> 01:25:14,679
Speaker 1: the whole song hands, and then they played the new

1419
01:25:14,720 --> 01:25:18,920
Speaker 1: trailer for their new Christopher Nolan movie. Yeah, okay, I

1420
01:25:18,960 --> 01:25:21,000
Speaker 1: think that was weird because I was like oh, I've

1421
01:25:21,000 --> 01:25:23,240
Speaker 1: already set up for the movie to start because I

1422
01:25:23,280 --> 01:25:27,760
Speaker 1: saw Nicole Kimmen's pants suit. So now they're tucking into

1423
01:25:27,760 --> 01:25:30,360
Speaker 1: the Christopher Nolan trailer. So what ended up happening is

1424
01:25:30,680 --> 01:25:33,240
Speaker 1: someone in front of me pulled out their phone and

1425
01:25:33,320 --> 01:25:36,880
Speaker 1: started taking pictures of the Christopher Nolan trailer and then

1426
01:25:36,960 --> 01:25:40,559
Speaker 1: texting them to their friend, and I'm just like, fuck

1427
01:25:40,720 --> 01:25:41,960
Speaker 1: this are you kidding?

1428
01:25:42,080 --> 01:25:47,120
Speaker 2: Yeah? See that that shows that like there's like a

1429
01:25:47,240 --> 01:25:49,120
Speaker 2: now a new section where it's like, well, this is

1430
01:25:49,240 --> 01:25:52,880
Speaker 2: the real trailer section, like the Christopher Nolan movie. It's

1431
01:25:52,920 --> 01:25:57,639
Speaker 2: like the trailer section has gotten so disrespected that now

1432
01:25:57,680 --> 01:26:01,840
Speaker 2: we have to like create this new category for like

1433
01:26:02,560 --> 01:26:04,559
Speaker 2: more elevated movies like.

1434
01:26:04,600 --> 01:26:06,120
Speaker 1: Christopher Nolan movies.

1435
01:26:06,240 --> 01:26:10,639
Speaker 2: You know. So it's just it's sickening. It's sickening, well

1436
01:26:11,280 --> 01:26:13,760
Speaker 2: at any And you know, I don't like talking during

1437
01:26:13,800 --> 01:26:17,639
Speaker 2: trailers either. I like that pisces me off almost more

1438
01:26:17,680 --> 01:26:20,960
Speaker 2: than the phones during the trailers, is when people are

1439
01:26:20,960 --> 01:26:24,000
Speaker 2: having full on conversations during the trailers.

1440
01:26:24,160 --> 01:26:26,400
Speaker 1: I agree. I agree. I mean, I'm not saying you

1441
01:26:26,439 --> 01:26:30,920
Speaker 1: can't laugh if you see a funny trailer, but you

1442
01:26:30,960 --> 01:26:33,760
Speaker 1: also can have a convers I feel like that is

1443
01:26:33,800 --> 01:26:39,559
Speaker 1: the line of demarcation trailers is movie time. Yeah, if

1444
01:26:39,560 --> 01:26:43,160
Speaker 1: you need to, like do your improv routine, do it

1445
01:26:43,439 --> 01:26:45,920
Speaker 1: during Maria Maronunos.

1446
01:26:46,400 --> 01:26:50,160
Speaker 2: Yes, please, Well mainly maybe we'll bring up more movie

1447
01:26:50,160 --> 01:26:52,799
Speaker 2: theater etiquette in the future. I have many more thoughts,

1448
01:26:52,840 --> 01:26:54,320
Speaker 2: so I'm glad we were able to discuss this a

1449
01:26:54,360 --> 01:26:55,080
Speaker 2: little bit today.

1450
01:26:55,680 --> 01:26:58,360
Speaker 1: I did too. This was great. Also, if you have

1451
01:26:58,400 --> 01:27:00,680
Speaker 1: any Filmdican rules, you should em right.

1452
01:27:00,960 --> 01:27:04,920
Speaker 2: Yes, please, I want to hear your rules because it's important.

1453
01:27:05,040 --> 01:27:10,800
Speaker 2: This is important. Moving on employees picks film recommendations based

1454
01:27:10,800 --> 01:27:15,080
Speaker 2: on the theme of the discussion today, Millie, do you

1455
01:27:15,160 --> 01:27:17,639
Speaker 2: have a employees picks for us today?

1456
01:27:18,320 --> 01:27:20,920
Speaker 1: I was just thinking about this. I don't know, this

1457
01:27:20,960 --> 01:27:23,880
Speaker 1: is going to possibly be inflammatory. I don't know. I'm

1458
01:27:23,920 --> 01:27:28,400
Speaker 1: gonna recoit right now. I'm currently I'm looking. I just

1459
01:27:28,479 --> 01:27:34,599
Speaker 1: googled list of films featuring dinosaurs. Sure, because I was like,

1460
01:27:34,680 --> 01:27:36,679
Speaker 1: do I want to recommend another Jurassic Park movie?

1461
01:27:36,800 --> 01:27:36,840
Speaker 3: No?

1462
01:27:37,640 --> 01:27:40,640
Speaker 1: Do I need to recommend another Steven Spielberg movie No?

1463
01:27:41,200 --> 01:27:44,840
Speaker 1: Or Chris Pratt movie absolutely not, or anyone I don't know, Like,

1464
01:27:45,640 --> 01:27:48,000
Speaker 1: you know, I was like, what about another dinosaur movie

1465
01:27:48,000 --> 01:27:51,320
Speaker 1: that I enjoy? And I enjoy quite a few. However,

1466
01:27:51,880 --> 01:27:55,960
Speaker 1: I feel like my most favorites, and this is the

1467
01:27:56,040 --> 01:27:59,280
Speaker 1: inflammatory part, is that I'm not even sure if this

1468
01:27:59,400 --> 01:28:01,680
Speaker 1: is an actual dinosaur, if it would be classified as

1469
01:28:02,120 --> 01:28:05,160
Speaker 1: a dinosaur. Really, I don't know. I'm a huge fan

1470
01:28:05,200 --> 01:28:09,360
Speaker 1: of the Godzilla movies, the old ones. Hell, yeah, so

1471
01:28:11,000 --> 01:28:14,559
Speaker 1: they look like dinosaurs. I think they're classified as monsters.

1472
01:28:14,560 --> 01:28:16,919
Speaker 1: I mean, like I said, I don't know some Godzilla.

1473
01:28:17,040 --> 01:28:19,400
Speaker 1: There's a lot of hardcore Godzilla fans. Maybe they're gonna

1474
01:28:19,400 --> 01:28:19,680
Speaker 1: tell me.

1475
01:28:20,080 --> 01:28:22,799
Speaker 2: I think they would be classified as kaiju.

1476
01:28:23,880 --> 01:28:24,960
Speaker 1: Okay, and what is that?

1477
01:28:25,080 --> 01:28:30,160
Speaker 2: It's like a monster, big strange beast monster.

1478
01:28:30,920 --> 01:28:34,479
Speaker 1: They are a They come from eggs from a remote islands,

1479
01:28:34,560 --> 01:28:36,400
Speaker 1: so it feels like, okay, well maybe that's sort of

1480
01:28:36,760 --> 01:28:42,519
Speaker 1: close enough to a dinosaur. Somebody is gonna call, gonna

1481
01:28:42,600 --> 01:28:47,080
Speaker 1: tell me what a what Godzilla actually is for the

1482
01:28:47,120 --> 01:28:50,559
Speaker 1: purposes of this film recommendation. The only reason why I'm

1483
01:28:50,560 --> 01:28:52,599
Speaker 1: bringing up because I really wants you to see Son

1484
01:28:52,640 --> 01:28:56,120
Speaker 1: of Godzilla from nineteen sixty seven, and it's because Godzilla's

1485
01:28:56,120 --> 01:29:00,880
Speaker 1: sun is amazing, blows fucking dolor us out of the water.

1486
01:29:00,920 --> 01:29:03,960
Speaker 1: If you want to get really serious, He's so cute.

1487
01:29:04,000 --> 01:29:09,519
Speaker 1: He's a little little chunky fucker so funny looking and

1488
01:29:09,760 --> 01:29:13,559
Speaker 1: cute and aw, I am obsessed.

1489
01:29:13,640 --> 01:29:16,479
Speaker 2: He kind of looks like my daughters, so cute.

1490
01:29:16,880 --> 01:29:22,000
Speaker 1: What. I love that for you. And also I just

1491
01:29:22,200 --> 01:29:28,760
Speaker 1: love baby versions of like famous monsters. I love you know,

1492
01:29:29,400 --> 01:29:32,519
Speaker 1: you know whatever, the baby versions of everybody, like Muppet

1493
01:29:32,560 --> 01:29:36,960
Speaker 1: babies was great for a reason, folks. So anyway, Son

1494
01:29:37,040 --> 01:29:40,559
Speaker 1: of Godzilla nineteen sixty seven. I think it's the eighth

1495
01:29:40,760 --> 01:29:45,320
Speaker 1: movie in the original Godzilla franchise. It is, Yes, it

1496
01:29:45,400 --> 01:29:50,639
Speaker 1: is so freaking funny and cute. So anyway, you can

1497
01:29:51,040 --> 01:29:52,920
Speaker 1: come to battle with me if you want it. Dear

1498
01:29:52,920 --> 01:29:54,880
Speaker 1: moves and exactly what media dot com of whether or

1499
01:29:54,880 --> 01:29:57,360
Speaker 1: not I should be recommending this movie as part of

1500
01:29:57,400 --> 01:29:59,519
Speaker 1: this episode, but I'm just doing it, so I think

1501
01:29:59,520 --> 01:30:01,559
Speaker 1: it's great. Thank you. What about yours?

1502
01:30:01,600 --> 01:30:05,040
Speaker 2: I'm not gonna okay, so we didn't get into this

1503
01:30:05,760 --> 01:30:11,599
Speaker 2: for one second, but Garrett, But Jurassic World Rebirth is

1504
01:30:11,720 --> 01:30:15,960
Speaker 2: directed by a guy named Gareth Edwards. Now, this guy

1505
01:30:16,160 --> 01:30:21,759
Speaker 2: has directed a few movies about big monsters. He directed

1506
01:30:21,800 --> 01:30:26,360
Speaker 2: a Godzilla movie in twenty fourteen, which I thought was fine,

1507
01:30:27,280 --> 01:30:31,160
Speaker 2: But his first movie he ever directed, and he was

1508
01:30:31,160 --> 01:30:37,320
Speaker 2: the cinematographer, editor, visual effects artist on it. He did everything. Basically.

1509
01:30:38,640 --> 01:30:42,880
Speaker 2: It's called Monsters from twenty ten. Okay, have you seen

1510
01:30:42,880 --> 01:30:43,240
Speaker 2: this movie?

1511
01:30:43,240 --> 01:30:43,720
Speaker 1: I have not.

1512
01:30:44,640 --> 01:30:48,839
Speaker 2: It is really good. It is really good. It stars

1513
01:30:49,000 --> 01:30:57,080
Speaker 2: Scoot McNairy and Whitney abel and it takes place in Mexico.

1514
01:30:58,040 --> 01:31:03,439
Speaker 2: And basically there are these giant, tentacled monsters that appear

1515
01:31:04,640 --> 01:31:07,559
Speaker 2: after a NASA probe crashes in Mexico.

1516
01:31:08,400 --> 01:31:09,639
Speaker 1: And it's really.

1517
01:31:09,479 --> 01:31:15,360
Speaker 2: Kind of slow and interesting and methodical, and the creatures

1518
01:31:15,400 --> 01:31:19,320
Speaker 2: look really good. And Scoot McNairy and Whitney Abele are

1519
01:31:19,400 --> 01:31:23,320
Speaker 2: kind of these drifters through Mexico and I think he's

1520
01:31:23,360 --> 01:31:28,160
Speaker 2: a Yeah, he's a photojournalist and he is tasked with

1521
01:31:28,479 --> 01:31:32,400
Speaker 2: escorting his employer's daughter back to the United States by

1522
01:31:32,680 --> 01:31:36,519
Speaker 2: crossing through Mexico's infected zone where the creatures reside. And

1523
01:31:36,560 --> 01:31:40,439
Speaker 2: it's a really good movie. I really loved it and

1524
01:31:41,280 --> 01:31:43,320
Speaker 2: highly recommend it so well.

1525
01:31:43,439 --> 01:31:48,880
Speaker 1: Great Scoot McNary. Fans of Scoot here, you're a fan

1526
01:31:48,920 --> 01:31:50,880
Speaker 1: of Scoot, aren't you? Did we talk about him?

1527
01:31:51,960 --> 01:31:53,880
Speaker 2: I haven't talked about him, but I like scooming shit.

1528
01:31:54,040 --> 01:31:57,840
Speaker 1: Maybe I'm forgetting everything I've had my brains apped at

1529
01:31:57,920 --> 01:31:58,719
Speaker 1: Jurassic Park.

1530
01:32:00,240 --> 01:32:02,680
Speaker 2: I kind of feel I feel like there was a

1531
01:32:02,680 --> 01:32:07,120
Speaker 2: little bit of an energy that you were mad at

1532
01:32:07,160 --> 01:32:09,040
Speaker 2: me for making you see this movie.

1533
01:32:09,520 --> 01:32:15,240
Speaker 1: Because no, I mean, listen, I am here for love

1534
01:32:15,280 --> 01:32:20,960
Speaker 1: of the game. Like I said, I'll see like any movie.

1535
01:32:20,920 --> 01:32:21,960
Speaker 2: And I just want to say I'm sorry.

1536
01:32:24,560 --> 01:32:26,760
Speaker 1: I will pay you back. I'm sure if I have

1537
01:32:26,880 --> 01:32:33,240
Speaker 1: not already, I will. But I actually it's fun to

1538
01:32:33,360 --> 01:32:37,400
Speaker 1: watch these movies because then we can have this very buoyant,

1539
01:32:37,880 --> 01:32:42,479
Speaker 1: fun convo about the ridiculousness of these types of movies

1540
01:32:42,520 --> 01:32:43,479
Speaker 1: in a way, you know what I mean.

1541
01:32:44,080 --> 01:32:46,880
Speaker 2: Yeah, And I love going to like I love going

1542
01:32:46,880 --> 01:32:50,680
Speaker 2: to the AMC theater to see a big movie. You know.

1543
01:32:50,760 --> 01:32:53,720
Speaker 2: That's the joy of the summer blockbuster. It really is

1544
01:32:54,080 --> 01:32:58,439
Speaker 2: a ride. And so I enjoyed my experience. I do too.

1545
01:32:58,640 --> 01:33:02,360
Speaker 1: I mean, I'm never gonna be mad to see something

1546
01:33:03,680 --> 01:33:06,439
Speaker 1: like this. I mean, you know, despite the fact that

1547
01:33:06,479 --> 01:33:10,720
Speaker 1: it was probably too long and had a lot of

1548
01:33:10,920 --> 01:33:14,840
Speaker 1: things that probably didn't make much sense, for the most part,

1549
01:33:14,920 --> 01:33:16,479
Speaker 1: it was fun to be able to just talk about

1550
01:33:16,479 --> 01:33:19,080
Speaker 1: it with you. So don't apologize.

1551
01:33:19,120 --> 01:33:24,840
Speaker 2: Bruh, bruh. Well, Millie, we did it.

1552
01:33:24,880 --> 01:33:25,320
Speaker 1: We did it.

1553
01:33:26,000 --> 01:33:33,360
Speaker 2: Another episode of our podcast recorded Unbelievable, So well, if

1554
01:33:33,400 --> 01:33:35,760
Speaker 2: you like, you know, we give out film advice on

1555
01:33:35,800 --> 01:33:37,960
Speaker 2: this show. We also talk about movie etiquette. If you

1556
01:33:38,000 --> 01:33:41,640
Speaker 2: have any you know movie etiquette rules, please write in.

1557
01:33:41,680 --> 01:33:45,280
Speaker 2: If you have any movie gripes, If you have any

1558
01:33:45,280 --> 01:33:48,719
Speaker 2: movie regrets, please write into Deer Movies at exactly rightmedia

1559
01:33:48,760 --> 01:33:52,200
Speaker 2: dot com. You can also ask advice by sending us

1560
01:33:52,400 --> 01:33:55,040
Speaker 2: a voicemail. Just record a voicemail on your phone that's

1561
01:33:55,120 --> 01:33:57,160
Speaker 2: under a minute and email it to Deer Movies at

1562
01:33:57,160 --> 01:33:58,439
Speaker 2: exactly rightmedia dot com.

1563
01:33:58,479 --> 01:34:01,439
Speaker 1: I decided that I like the term consensual movie group.

1564
01:34:02,600 --> 01:34:04,160
Speaker 1: I did too. I actually was thinking about that the

1565
01:34:04,240 --> 01:34:06,840
Speaker 1: other day. Let's let's grape or.

1566
01:34:06,880 --> 01:34:09,960
Speaker 2: Grope parentheses consensual sensual group.

1567
01:34:11,800 --> 01:34:16,840
Speaker 1: Also, we have social media. Unfortunately, we are at their

1568
01:34:16,920 --> 01:34:20,879
Speaker 1: movies I Love You on Instagram and Facebook. Our letterbox

1569
01:34:20,920 --> 01:34:25,880
Speaker 1: titles are Casey, Lee O'Brien and m de Jericho. And

1570
01:34:25,920 --> 01:34:28,400
Speaker 1: if you want to listen to us, we are on

1571
01:34:28,479 --> 01:34:32,639
Speaker 1: the iHeartRadio app, Apple Podcasts or wherever you get your podcast.

1572
01:34:34,040 --> 01:34:35,160
Speaker 1: That's right.

1573
01:34:35,520 --> 01:34:37,439
Speaker 2: And you know, at the top of the show, we

1574
01:34:37,439 --> 01:34:40,600
Speaker 2: were bemoaning the fact that we suck and hate ourselves.

1575
01:34:40,640 --> 01:34:42,599
Speaker 2: So if anyone wants to leave us like a review

1576
01:34:42,720 --> 01:34:45,960
Speaker 2: or an email, that's like saying they have a crush

1577
01:34:46,040 --> 01:34:47,920
Speaker 2: on us. You know, I think we were kind of

1578
01:34:47,960 --> 01:34:50,439
Speaker 2: bemoaning the fact that not enough people are commenting on

1579
01:34:50,600 --> 01:34:56,559
Speaker 2: how hot we are. We'd love that too, So, you know,

1580
01:34:56,600 --> 01:35:01,440
Speaker 2: the these types of reviews help the show because it

1581
01:35:01,520 --> 01:35:03,519
Speaker 2: helps the hosts feel better about.

1582
01:35:03,280 --> 01:35:06,240
Speaker 1: Them, raise our self esteem when you tell us that

1583
01:35:06,280 --> 01:35:08,840
Speaker 1: we're hot. So please please do that.

1584
01:35:13,200 --> 01:35:15,719
Speaker 2: Next week. Millie, Ooh, I'm excited.

1585
01:35:15,800 --> 01:35:17,760
Speaker 1: This isn't gonna be a well it's both of our

1586
01:35:17,800 --> 01:35:21,879
Speaker 1: episodes because I think we're both in love with us director.

1587
01:35:22,000 --> 01:35:24,360
Speaker 1: But if it's gonna feel like you are gonna go.

1588
01:35:24,400 --> 01:35:29,120
Speaker 2: Off, cis, I might go off. Okay, And I mean

1589
01:35:29,160 --> 01:35:33,120
Speaker 2: we're talking about he's in my I would say, like

1590
01:35:33,160 --> 01:35:37,240
Speaker 2: my top three favorite directors of all time. Really, yeah,

1591
01:35:37,360 --> 01:35:37,960
Speaker 2: I love him.

1592
01:35:38,000 --> 01:35:38,800
Speaker 1: I can see that for you.

1593
01:35:40,760 --> 01:35:45,400
Speaker 2: We're talking about The Shrouds, which came out last year

1594
01:35:45,520 --> 01:35:48,080
Speaker 2: twenty twenty four. We're gonna be talking about the work

1595
01:35:48,120 --> 01:35:51,719
Speaker 2: of David Cronenberg strap in God.

1596
01:35:51,800 --> 01:35:54,160
Speaker 1: We're doing a lot of new movies recently.

1597
01:35:55,120 --> 01:35:58,360
Speaker 2: Yeah, this one is. This one's interesting because it's streaming

1598
01:35:58,400 --> 01:36:00,320
Speaker 2: on the Criterion channel. And I think that's the only

1599
01:36:00,360 --> 01:36:01,759
Speaker 2: place you can watch it right now.

1600
01:36:02,160 --> 01:36:04,479
Speaker 1: Listen, I'm fine with it. It's just the next week

1601
01:36:04,560 --> 01:36:09,599
Speaker 1: we're gonna have to do a freakin' Harold Lloyd. I'm kidding.

1602
01:36:09,920 --> 01:36:13,360
Speaker 2: We're gonna do a surgery. EISs. We're gonna battleship, but.

1603
01:36:16,360 --> 01:36:22,759
Speaker 1: We're gonna do disivertivs Man with the movie camera from

1604
01:36:23,120 --> 01:36:25,920
Speaker 1: nineteen whatever. I don't even remember when that came out.

1605
01:36:26,720 --> 01:36:27,559
Speaker 2: So we.

1606
01:36:29,400 --> 01:36:39,160
Speaker 1: Brothers. Oh, it's gonna be a spicy one. Oh god,

1607
01:36:39,360 --> 01:36:41,760
Speaker 1: all right, I feel like we should only record a

1608
01:36:41,880 --> 01:36:46,240
Speaker 1: night from now on and we should alway dinosaurs forever.

1609
01:36:46,560 --> 01:36:50,880
Speaker 1: So oh my god, thank you Millie for a great

1610
01:36:50,920 --> 01:36:54,760
Speaker 1: app YEP. It was a blast, and thank everybody. See

1611
01:36:54,800 --> 01:37:01,960
Speaker 1: you soon. Bye. This has been exactly right production hosted

1612
01:37:02,000 --> 01:37:05,000
Speaker 1: by me Milli to Cherico and produced by my co

1613
01:37:05,120 --> 01:37:06,440
Speaker 1: host Casey O'Brien.

1614
01:37:06,640 --> 01:37:10,400
Speaker 2: This episode was mixed by Tom Bryfogel. Our associate producer

1615
01:37:10,439 --> 01:37:13,800
Speaker 2: is Christina Chamberlain, our guest booker is Patrick Cottner, and

1616
01:37:13,880 --> 01:37:15,759
Speaker 2: our artwork is by Vanessa Lilac.

1617
01:37:15,920 --> 01:37:18,800
Speaker 1: Our incredible theme music is by the best band in

1618
01:37:18,840 --> 01:37:20,720
Speaker 1: the entire world, The Softies.

1619
01:37:21,000 --> 01:37:24,920
Speaker 2: Thank you to our executive Producers Karen Kilgarriff, Georgia Hartstark,

1620
01:37:25,080 --> 01:37:27,040
Speaker 2: Daniel Kramer and Milli to Jericho

1621
01:37:27,320 --> 01:37:33,120
Speaker 1: We Love you, Goodbye Beker