WEBVTT - Visas Revoked & Dua Lipa Wins Twice

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<v Speaker 1>This is Bloomberg Law with June Brossel from Bloomberg Radio.

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<v Speaker 2>We have a right, like every country in the world

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<v Speaker 2>has a right to remove you from our country. So

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<v Speaker 2>it's just that simple.

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<v Speaker 3>And Secretary of State Marco Rubio said that under his direction,

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<v Speaker 3>at least three hundred visas, primarily student visas and some

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<v Speaker 3>visitor visas have been revoked.

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<v Speaker 2>Why would any country in the world allow people to

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<v Speaker 2>come and disrupt We gave you a visa to come

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<v Speaker 2>and study and get a degree, not to become a

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<v Speaker 2>social activist that tears up our university campuses.

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<v Speaker 3>Rubio acknowledge that he revoked the student visa of a

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<v Speaker 3>toughs PhD student due to her views on the Israel

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<v Speaker 3>Hamas War. My guest is immigration law expertly on Fresco,

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<v Speaker 3>a partner at Hollanden Knight. Leon Rubio said, if they're

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<v Speaker 3>taking activities that our counter to our national interest, to

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<v Speaker 3>our foreign policy, will revoke the visa. Are most of

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<v Speaker 3>the student arrests that we've been here about due to

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<v Speaker 3>revoking their visas due to a revocation of their visas well?

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<v Speaker 4>Yes, So there's two steps in the visa revocation process.

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<v Speaker 4>There's a first step, where what can happen is you

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<v Speaker 4>have a visa, you enter the United States, you're here legally,

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<v Speaker 4>and you get an email from the State Department. And

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<v Speaker 4>this actually is quite common. It's not just about this issue.

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<v Speaker 4>It happens if someone gets arrested or for other issues.

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<v Speaker 4>You'll get an email from the State Department that says

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<v Speaker 4>your visa has been canceled. And what that means is

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<v Speaker 4>that if you leave the United States, even though you

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<v Speaker 4>have this thing in your passport which says you can

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<v Speaker 4>travel let's say through twenty twenty eight or twenty twenty nine,

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<v Speaker 4>when it actually gets sweite, it won't work. It's canceled.

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<v Speaker 4>That doesn't mean just because your visa has been canceled

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<v Speaker 4>that you have to leave at that moment. It just

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<v Speaker 4>means that you are subject to being told you have

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<v Speaker 4>to leave. So then there's a second step, which is

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<v Speaker 4>if the government actually wants you to leave, then ICE

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<v Speaker 4>has to actually come and place you in deportation proceedings

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<v Speaker 4>to say, because your visa was canceled and we don't

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<v Speaker 4>think you have a right to remain in the United States,

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<v Speaker 4>we're going to place you in deportation proceedings. That's the

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<v Speaker 4>new one that's happening more often now than ever happened before.

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<v Speaker 4>Before you were just told if you left, you couldn't

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<v Speaker 4>come back. But now people are actually being affirmatively placed

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<v Speaker 4>into removal proceedings that are trying to get an outcome

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<v Speaker 4>where they actually are forced to leave the United States.

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<v Speaker 3>Now, the Palestinian student at Columbia who was arrested had

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<v Speaker 3>a Green card. Do we know if there are a

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<v Speaker 3>lot of arrests involving green card holders?

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<v Speaker 4>We now know of a handful of those of students

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<v Speaker 4>who have green cards. There was a South Korean student

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<v Speaker 4>who also was at Columbia who also had a green card,

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<v Speaker 4>and there are a couple others where what's happened is

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<v Speaker 4>for those individos that have green cards, it's much harder.

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<v Speaker 4>You can't just give them an email canceling their visa

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<v Speaker 4>because there is nothing to cancel. At that point. You

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<v Speaker 4>actually have to say that one of the grounds of

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<v Speaker 4>removal in section two thirty seven of the Immigration and

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<v Speaker 4>Nationality Act actually applies to this person. And so usually

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<v Speaker 4>what you would want to say is that they did

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<v Speaker 4>something where they supported terrorist organizations and that's why they

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<v Speaker 4>were going to be placed in removal proceedings, but here

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<v Speaker 4>they're trying to skip that step because they don't want

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<v Speaker 4>to actually have a trial in immigration court about whether

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<v Speaker 4>you supported terrorists or not. They want to try to

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<v Speaker 4>rely on the provision that says that if Secretary Rubio

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<v Speaker 4>says that your very existence and presence here in the

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<v Speaker 4>United States is bad for American foreign policy, then he

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<v Speaker 4>can just order you deported. He doesn't actually need to

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<v Speaker 4>prove anything in that situation. And so that was the

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<v Speaker 4>ground that was originally used for Mahmoud Khalia, the Colombian student,

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<v Speaker 4>and supposedly they've added some others. Now we'll have to

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<v Speaker 4>wait and see how that plays out. And it's unclear

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<v Speaker 4>because all of these are private documents. Unless the foreign

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<v Speaker 4>nationals want to release them to the press, then nobody

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<v Speaker 4>sees them. So it's unclear with some of these other

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<v Speaker 4>students are being given. But if they are being given

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<v Speaker 4>this category where Secretary Rubio is saying that it's against

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<v Speaker 4>the foreign policy interests of the United States, well in

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<v Speaker 4>that situation, then theoretically there's going to be a lot

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<v Speaker 4>of litigation about whether you even get a trial here

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<v Speaker 4>or not. And that's where the courts have really not

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<v Speaker 4>given us any idea yet. I mean, there was a

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<v Speaker 4>case where when President Trump's sister was alive, she said

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<v Speaker 4>that was an unconstitutional provision that couldn't be applied, but

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<v Speaker 4>that ultimately didn't make its way into an appellate court

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<v Speaker 4>legal president, and so we just don't know how that's

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<v Speaker 4>going to be resolved when it gets to the courts.

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<v Speaker 3>Well, let's talk about Khalil for a minute. The New

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<v Speaker 3>York federal judge ordered that his case be transferred to

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<v Speaker 3>New Jersey, but it hasn't been transferred yet.

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<v Speaker 4>Well, what happened was the New York judge, Jesse Furman, said,

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<v Speaker 4>I'm ordering the case be transferred to New Jersey, and

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<v Speaker 4>he actually, oddly enough, still claims to have an injunction

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<v Speaker 4>even though he's transferred the case. So unclear who enforces

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<v Speaker 4>this injunction that prevents the removal of mister Khalil while

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<v Speaker 4>his case is pending. So he put that injunction in

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<v Speaker 4>and then transferred the case. But then there was a

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<v Speaker 4>hearing in the New Jersey courts. And so there's a

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<v Speaker 4>judge there, Michael Farbiars, who had a hearing in New Jersey,

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<v Speaker 4>and there there was a dispute between the Department of

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<v Speaker 4>Justice and mister Khalil's attorneys. Mister Khalil's attorneys want him

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<v Speaker 4>to have that jurisdiction in New Jersey, and the federal

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<v Speaker 4>government wants them to have that jersey in Louisiana, and

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<v Speaker 4>so that issue has not yet been decided by Judge

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<v Speaker 4>Farbars in New Jersey.

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<v Speaker 3>It seems like in a lot of these cases where

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<v Speaker 3>students are being detained by ice, there's very little or

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<v Speaker 3>no information about why they're being detained. So, for example,

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<v Speaker 3>in the case of a University of Minnesota graduate student

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<v Speaker 3>being detained, officials in Minnesota, including the governor, are asking why.

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<v Speaker 4>So here's what happens. So the foreign national who's detained

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<v Speaker 4>is supposed to be served at that moment with a

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<v Speaker 4>warrant and with a document called a Notice to Appear

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<v Speaker 4>that explains why they're being apprehended and what the ground

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<v Speaker 4>is that they're being placed in removal proceedings for now.

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<v Speaker 4>How that document then gets transmitted to the rest of

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<v Speaker 4>the world becomes a problem because if the person then

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<v Speaker 4>gets put in a detention facility, they would need to

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<v Speaker 4>have access to a fax machine or a lawyer would

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<v Speaker 4>need to come down and make copy of that document

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<v Speaker 4>in order for anyone else to find out what is

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<v Speaker 4>in it. And so that's why people don't know because

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<v Speaker 4>until finally that person who is detained ends up making

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<v Speaker 4>human contact with an attorney or someone else, no one

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<v Speaker 4>will know anything about this person's case.

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<v Speaker 3>And can a person even get a hearing for cancelation

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<v Speaker 3>of a visa.

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<v Speaker 4>It's going to depend what the grounds were for removals.

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<v Speaker 4>There's a thing called INA section two fourteen B. It's

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<v Speaker 4>like a catch all provision that says, if we don't

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<v Speaker 4>think you're doing the things you're supposed to be doing

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<v Speaker 4>here on your visa, you can cancel your visa. So

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<v Speaker 4>if the Secretary Ruvio is canceling visas, pursue it to

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<v Speaker 4>two fourteen B, then what can happen in those visitor

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<v Speaker 4>visa cases is that the reason for the removal is

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<v Speaker 4>just that you have a canceled visa and that's it.

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<v Speaker 4>So then you would just have a case about whether

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<v Speaker 4>your visa was canceled in the entry would be yes.

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<v Speaker 4>So in those situations, there's not really anything to have

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<v Speaker 4>a hearing about for those people, and they will lose.

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<v Speaker 4>But that cannot be done to the Green card holders.

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<v Speaker 4>So for the Green card holders, an actual ground of

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<v Speaker 4>removability is going to need to be asserted, and so

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<v Speaker 4>for that, if it's terrorism, then there will need to

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<v Speaker 4>be a trial and immigration court about terrorism, or if

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<v Speaker 4>it's some other ground of crime, and there will need

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<v Speaker 4>to be a trial inst of that. The only one

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<v Speaker 4>where there will be an argument about whether a trial

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<v Speaker 4>is valid is this issue of whether the Secretary thinks

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<v Speaker 4>your presence is contrary to the interest of US foreign policy,

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<v Speaker 4>And that's where there are these habeases being filed saying, Look,

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<v Speaker 4>they're trying to pre ent this argument, say you can't

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<v Speaker 4>put me in a process where I don't get to

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<v Speaker 4>have some sort of due process and trial, or that

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<v Speaker 4>that statue in and of itself is unconstitutional because it

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<v Speaker 4>can be used without any guard rails of any kind,

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<v Speaker 4>meaning it could just be used on anybody for any reason.

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<v Speaker 4>And if that's true, is that really what Congress intended there?

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<v Speaker 3>And so their best bet is then challenging the constitutionality

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<v Speaker 3>of a statute.

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<v Speaker 4>Because really, at the end of the day, it's hard

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<v Speaker 4>to have a trial on whether the Secretary of State

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<v Speaker 4>should think or shouldn't think that your presence is contrary

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<v Speaker 4>to the interest of foreign policy. That's a tougher one,

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<v Speaker 4>because how are the courts going to substitute their judgment

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<v Speaker 4>for the secretary. It seems like the more promising argument

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<v Speaker 4>there is just that that statute is unconstitutional because it's

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<v Speaker 4>too vague and it's basically a violation of someone's due

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<v Speaker 4>process right because there's no way to get yourself out

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<v Speaker 4>from under such a thing. The only thing there will

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<v Speaker 4>be hot is one challenge that can one challenge that prehmptively,

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<v Speaker 4>like the people are trying to challenge, which I think

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<v Speaker 4>they're finding sympathetic judges right now, but most likely that's

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<v Speaker 4>going to be viewed as not valid. What's probably going

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<v Speaker 4>to have to happen is they're going to have to

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<v Speaker 4>go through the removal process and then challenge it at

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<v Speaker 4>the end as what's called the petition for review of

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<v Speaker 4>a final Order of removal, and then the courts will

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<v Speaker 4>get to these cases and decide whether those statutes are

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<v Speaker 4>constitutional or not.

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<v Speaker 3>There's been a lot of litigation over the hundreds of

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<v Speaker 3>Venezuelan's alleged gang members deported to prison in El Salvador.

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<v Speaker 3>Where does that stand?

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<v Speaker 4>So there's currently an injunction that was issued by the

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<v Speaker 4>District Court in DC Judge Bozburg, and that's actually been

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<v Speaker 4>affirmed two to one by the Court of Appeals of

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<v Speaker 4>the DC Circuits that says that you can't deport anyone

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<v Speaker 4>using the Alien Enemies Act. And there's actually a different

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<v Speaker 4>injunction issued by a different court which says you can't

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<v Speaker 4>do these third country deportations, meaning you can't send people

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<v Speaker 4>to a third country just willy nilly without giving them

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<v Speaker 4>some ability and due process to challenge that removal to

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<v Speaker 4>a different country. Those two injunctions should operate theoretically to

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<v Speaker 4>prevent deportations to Alsovodor right now, Venezuelan, But there was

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<v Speaker 4>just a deportation today of seventeen people to Alsavodor who

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<v Speaker 4>were claimed to be Venezuelan gang members. The interesting question

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<v Speaker 4>would be whether those people all had findal orders of

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<v Speaker 4>removal and were not Alien Enemies Act deportations, whether they

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<v Speaker 4>were people who could have been deported.

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<v Speaker 1>And then the.

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<v Speaker 4>Question also is did this deportation violate this third country

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<v Speaker 4>removal injunction that was issued, And so that's going to

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<v Speaker 4>be an issue that's going to be scrutinized as Well,

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<v Speaker 4>but we're gonna have to see where these new seventeen

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<v Speaker 4>people who were deported fit into this puzzle and whether

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<v Speaker 4>an injunction was actually violated.

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<v Speaker 3>There coming up panic about traveling among Green card holders.

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<v Speaker 3>This is Bloomberg. There's a lot of litigation concerning the

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<v Speaker 3>deportations of alleged Venezuelan gang members to prison in El Salvador.

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<v Speaker 3>A federal district court judge has put a temporary halt

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<v Speaker 3>on the deportations, and a federal appeals court has upheld

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<v Speaker 3>that order. And now the Trump administration is asking the

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<v Speaker 3>Supreme Court to allow it to resume deportations of the

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<v Speaker 3>alleged gang members without hearings. I've been talking to Leon

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<v Speaker 3>Fresco of Honda Knight. So Judge Bosburg ruled that the

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<v Speaker 3>Trump administration can't deport the five Venezuelan plaintiffs in the case.

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<v Speaker 3>What about the Venezuelans who are already.

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<v Speaker 4>There, Well, that's going to be an issue for later

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<v Speaker 4>this week. The court is going to have to decide

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<v Speaker 4>the fate of those individuals and whether those individuals can

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<v Speaker 4>be brought back to the United States. And also the

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<v Speaker 4>Supreme Court is also being oustd the way in on

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<v Speaker 4>this injunction, and they're being asked to say his injunctions

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<v Speaker 4>so that more deportations can happen in El Salvador. So

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<v Speaker 4>we're going to have court rule ins coming from both directions,

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<v Speaker 4>both from the Supreme Court and from the District Court.

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<v Speaker 4>The District Court on whether it's injunction means that it

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<v Speaker 4>should bring people back to the United States, and the

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<v Speaker 4>Supreme Court on whether all of this was improvidently done

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<v Speaker 4>and the Trump administration can continue just as it started,

0:13:22.559 --> 0:13:27.000
<v Speaker 4>the porting whoever it says is an alien enemy into

0:13:27.080 --> 0:13:28.640
<v Speaker 4>these prisons in El Salvador.

0:13:29.520 --> 0:13:34.760
<v Speaker 3>And also attorneys hired by the Venezuelan government have filed

0:13:34.800 --> 0:13:39.520
<v Speaker 3>an action in El Salvador to get the imprisoned Venezuelans

0:13:39.720 --> 0:13:44.800
<v Speaker 3>released or transferred and repatriated. The question is whether there's

0:13:44.840 --> 0:13:48.240
<v Speaker 3>a basis for holding them even under El Salvador law.

0:13:48.679 --> 0:13:52.240
<v Speaker 4>The issue here is the following. Both Al Salvador and

0:13:52.360 --> 0:13:55.640
<v Speaker 4>the United States have similar laws which say that at

0:13:55.640 --> 0:13:58.520
<v Speaker 4>the end of the day, you can't have people in

0:13:58.640 --> 0:14:02.559
<v Speaker 4>detention if they didn't actually commit a crime and were

0:14:02.600 --> 0:14:08.360
<v Speaker 4>punished for detention, unless the purpose is to create some

0:14:08.480 --> 0:14:12.160
<v Speaker 4>sort of very minimal backstop in order to secure the

0:14:12.200 --> 0:14:15.839
<v Speaker 4>removal of individuals. And so the question is for Alsavador,

0:14:16.200 --> 0:14:19.800
<v Speaker 4>why are these individuals being detained in Alsavador If they

0:14:19.840 --> 0:14:24.040
<v Speaker 4>can be moved quickly to Venezuela, then the point from

0:14:24.040 --> 0:14:28.480
<v Speaker 4>the Venezuelan standpoint is these individuals should be moved because

0:14:28.640 --> 0:14:32.360
<v Speaker 4>there's no basis for Alsavador to be detaining these individuals.

0:14:32.440 --> 0:14:35.880
<v Speaker 4>They were not punished for any crimes they committed in Alsavador,

0:14:36.560 --> 0:14:40.320
<v Speaker 4>and they did not actually commit any crimes. There's no

0:14:40.400 --> 0:14:44.280
<v Speaker 4>reason legally that the Asavador government would be detaining them,

0:14:44.680 --> 0:14:47.280
<v Speaker 4>and so that's the issue that the Venezuelan government is

0:14:47.280 --> 0:14:49.560
<v Speaker 4>going to try to get to. But then the issue

0:14:49.600 --> 0:14:52.040
<v Speaker 4>is does that mean that Venezuela is going to agree

0:14:52.320 --> 0:14:55.640
<v Speaker 4>to start taking these individuals. And if it does, then

0:14:55.680 --> 0:14:58.520
<v Speaker 4>it'll have a much stronger case. But if it doesn't

0:14:58.560 --> 0:15:02.040
<v Speaker 4>agree to start taking these individ visuals, then what Alsavador

0:15:02.080 --> 0:15:05.840
<v Speaker 4>would say is we can't have these violent gang members

0:15:06.080 --> 0:15:10.040
<v Speaker 4>free in Alsavador. They will create instability in Alsavador. So

0:15:10.120 --> 0:15:12.360
<v Speaker 4>we have no choice that they're going to be deported here.

0:15:12.720 --> 0:15:15.640
<v Speaker 4>We have to have them detained until Nzuela agreed to

0:15:15.680 --> 0:15:16.280
<v Speaker 4>accept them.

0:15:16.760 --> 0:15:20.720
<v Speaker 3>There are about twelve point eight million Green card holders

0:15:21.160 --> 0:15:24.000
<v Speaker 3>living in the United States, and there are a lot

0:15:24.000 --> 0:15:28.440
<v Speaker 3>of concerns with these high profile arrests of some Green

0:15:28.480 --> 0:15:32.720
<v Speaker 3>card holders, including at least one who was returning to

0:15:32.800 --> 0:15:36.920
<v Speaker 3>the United States and arrested at Logan International. And there

0:15:36.960 --> 0:15:40.840
<v Speaker 3>are reports of shall we say, stepped up activity at

0:15:40.880 --> 0:15:43.520
<v Speaker 3>the airports by customs and border patrol.

0:15:43.920 --> 0:15:47.960
<v Speaker 4>There is much more press scrutiny, for sure, being given

0:15:48.480 --> 0:15:54.600
<v Speaker 4>to airport actions. Statistically, the numbers are still pretty low,

0:15:54.800 --> 0:15:57.560
<v Speaker 4>just because there's only so much capacity at these airports

0:15:57.960 --> 0:16:00.800
<v Speaker 4>to be doing this. The airports aren't taking in tens

0:16:00.800 --> 0:16:03.720
<v Speaker 4>of thousands of people a day on these flights, and

0:16:03.880 --> 0:16:07.200
<v Speaker 4>they're debating at the end of the day a handful

0:16:07.320 --> 0:16:11.280
<v Speaker 4>maybe ten or twenty individuals per day. But these ten

0:16:11.360 --> 0:16:14.200
<v Speaker 4>or twenty individuals per day, some of them have become

0:16:14.320 --> 0:16:19.240
<v Speaker 4>very high profile cases recently French scientists coming for conventions,

0:16:19.480 --> 0:16:24.600
<v Speaker 4>British tourists, Canadian tourists, German tourists who aren't people typically

0:16:25.280 --> 0:16:30.600
<v Speaker 4>detained at these facilities and moreover, the problem is it's

0:16:30.720 --> 0:16:34.560
<v Speaker 4>very typical for the border patrol when they detain someone

0:16:34.640 --> 0:16:38.480
<v Speaker 4>to take their phone and to basically find what's in

0:16:38.520 --> 0:16:41.160
<v Speaker 4>their phone and see if there's something in their phone

0:16:41.200 --> 0:16:46.760
<v Speaker 4>that's incriminating. And so there's much more this sort of

0:16:46.880 --> 0:16:48.880
<v Speaker 4>stuff coming out in the news where they say that

0:16:48.920 --> 0:16:51.720
<v Speaker 4>the CBP found something on the phone, and this is

0:16:51.800 --> 0:16:55.680
<v Speaker 4>creating a lot of nervousness from people traveling into the

0:16:55.800 --> 0:16:58.120
<v Speaker 4>United States. What I would say is this, which is

0:16:58.160 --> 0:17:03.480
<v Speaker 4>statistically traveling into the United States is still ninety nine

0:17:03.520 --> 0:17:05.440
<v Speaker 4>percent of the time not going to be a problem

0:17:05.480 --> 0:17:10.480
<v Speaker 4>for most people. But if you are traveling in, for instance,

0:17:10.560 --> 0:17:13.639
<v Speaker 4>one of these visa waiver program situations, which is that

0:17:13.680 --> 0:17:16.520
<v Speaker 4>you don't need a visa, many people have used these

0:17:16.560 --> 0:17:20.679
<v Speaker 4>programs who may have done something slightly questionable. They've worn't

0:17:21.320 --> 0:17:24.000
<v Speaker 4>or they're married and they're traveling they're married to a

0:17:24.080 --> 0:17:27.400
<v Speaker 4>US citizen. If there's anything questionable like that, and it's

0:17:27.480 --> 0:17:31.880
<v Speaker 4>not a truly normal visit where someone is just going

0:17:31.920 --> 0:17:34.920
<v Speaker 4>to Disney World, or they're going for a brief trip

0:17:35.000 --> 0:17:38.440
<v Speaker 4>of a business convention or conference or something like that,

0:17:38.800 --> 0:17:41.280
<v Speaker 4>if there's something more to it, where there's a work

0:17:41.400 --> 0:17:47.840
<v Speaker 4>component involved, or the person is somehow trying to skirt

0:17:47.880 --> 0:17:50.680
<v Speaker 4>just the normal travel, those are the people that need

0:17:50.760 --> 0:17:53.879
<v Speaker 4>to start being a little bit more careful about what

0:17:53.920 --> 0:17:56.880
<v Speaker 4>they're doing, because the CBP is letting a lot less

0:17:56.880 --> 0:18:00.000
<v Speaker 4>of that slide than previously.

0:18:00.440 --> 0:18:02.880
<v Speaker 3>Residents are they questioning them at the airports too.

0:18:03.040 --> 0:18:05.800
<v Speaker 4>If you're a lawful permanent resident of the United States,

0:18:05.880 --> 0:18:08.800
<v Speaker 4>you are entitled to be admitted into the United States.

0:18:08.840 --> 0:18:11.840
<v Speaker 4>The only times where this gets a little bit tricky

0:18:12.600 --> 0:18:16.119
<v Speaker 4>is there are people who have had convictions from maybe

0:18:16.160 --> 0:18:19.240
<v Speaker 4>twenty or thirty years ago that don't realize that those

0:18:19.280 --> 0:18:23.160
<v Speaker 4>convictions are deportable offenses, and when they're traveling in they're

0:18:23.160 --> 0:18:26.159
<v Speaker 4>now being told, hey, you have this deportable offense in

0:18:26.200 --> 0:18:30.240
<v Speaker 4>your background, we're going to be placed into deportation proceedings.

0:18:30.440 --> 0:18:34.080
<v Speaker 4>There's some of that, but also, look, if you are

0:18:34.160 --> 0:18:36.840
<v Speaker 4>one of these people that's subject to a random inspection

0:18:37.520 --> 0:18:40.560
<v Speaker 4>and then they find on your phone all kinds of

0:18:40.600 --> 0:18:45.199
<v Speaker 4>stuff that's very questionable for the purposes of what the

0:18:45.240 --> 0:18:50.160
<v Speaker 4>government is finding questionable these days, then they could potentially say, look,

0:18:50.240 --> 0:18:54.760
<v Speaker 4>this is a person who is someone that Secretary Rubio

0:18:54.880 --> 0:18:58.880
<v Speaker 4>wants to then say is subject to the foreign policy

0:18:58.960 --> 0:19:03.240
<v Speaker 4>Exception and be deported. Now, that person might be detained

0:19:03.240 --> 0:19:06.639
<v Speaker 4>for a while before such an exemption is made, and

0:19:06.720 --> 0:19:10.320
<v Speaker 4>so that is theoretically possible in those situations, And so

0:19:10.440 --> 0:19:13.560
<v Speaker 4>what does that mean. It means that it's a different

0:19:13.680 --> 0:19:17.879
<v Speaker 4>environment for travelers now, and travelers need to start assessing

0:19:17.920 --> 0:19:20.320
<v Speaker 4>are they at high risk based on things they've said

0:19:20.440 --> 0:19:23.840
<v Speaker 4>or done in terms of the priorities of this administration.

0:19:24.000 --> 0:19:28.240
<v Speaker 4>And that's definitely a new frontier that didn't exist previously.

0:19:28.520 --> 0:19:30.760
<v Speaker 3>It's a lot to take in. Thanks so much. Leon.

0:19:31.080 --> 0:19:39.639
<v Speaker 3>That's Leon Fresco, a partner at Holland and Knightay with

0:19:39.680 --> 0:19:40.800
<v Speaker 3>me and.

0:19:43.040 --> 0:19:45.439
<v Speaker 4>I had a premission with them with the.

0:19:47.800 --> 0:19:51.919
<v Speaker 3>Pop singer Dua Lipa has won a second copyright infringement

0:19:52.000 --> 0:19:56.159
<v Speaker 3>lawsuit over her mega hit Levitating, which became a viral

0:19:56.240 --> 0:20:01.040
<v Speaker 3>sensation used on millions of TikTok videos. The plaintiffs accused

0:20:01.040 --> 0:20:05.200
<v Speaker 3>her of copying two disco songs, their nineteen seventy nine

0:20:05.280 --> 0:20:08.680
<v Speaker 3>song Wiggle and Giggle All Night and their nineteen eighty

0:20:08.800 --> 0:20:13.120
<v Speaker 3>song Don Diablo, but a judge tossed the lawsuit, granting

0:20:13.200 --> 0:20:17.160
<v Speaker 3>summary judgment after finding that the plaintiffs failed to back

0:20:17.280 --> 0:20:21.240
<v Speaker 3>up their allegations that Levitating was substantially similar to the

0:20:21.280 --> 0:20:25.320
<v Speaker 3>protectable aspects of their works. Joining me is entertainment attorney

0:20:25.400 --> 0:20:29.480
<v Speaker 3>Ronald Beinstock, a partner at Scarrency hollinbeck Ron start by

0:20:29.520 --> 0:20:33.840
<v Speaker 3>telling us about the first copyright infringement lawsuit Dua LiPo

0:20:33.960 --> 0:20:35.800
<v Speaker 3>one involving a reggae group.

0:20:36.080 --> 0:20:40.159
<v Speaker 1>Always my favorite topics, because you know, these are relatives

0:20:40.160 --> 0:20:42.240
<v Speaker 1>calling you, sending you texts, hey man, what do you

0:20:42.280 --> 0:20:45.200
<v Speaker 1>think about this kind of stuff. Everybody has all the

0:20:45.320 --> 0:20:47.679
<v Speaker 1>layman's versions of these things, but there's some you know,

0:20:47.720 --> 0:20:50.000
<v Speaker 1>there's some deep dive on some law and also fast

0:20:50.200 --> 0:20:54.200
<v Speaker 1>there's a twenty seventeen song by a relatively and I

0:20:54.240 --> 0:20:57.680
<v Speaker 1>don't want to result anybody, it's relatively unknown reggae group

0:20:57.720 --> 0:21:00.920
<v Speaker 1>in Florida. And this first case of person fingering case

0:21:01.480 --> 0:21:04.240
<v Speaker 1>was that you got to prove access. As you know

0:21:04.280 --> 0:21:06.959
<v Speaker 1>on all of these cases, two step process. The giant

0:21:07.000 --> 0:21:10.600
<v Speaker 1>hurdle is access. Then you've got substantial similarity. If you

0:21:10.760 --> 0:21:13.359
<v Speaker 1>don't have access and you can't really prove it, you

0:21:13.400 --> 0:21:15.360
<v Speaker 1>can't say somebody heard of this, or it was a hit,

0:21:15.680 --> 0:21:18.000
<v Speaker 1>someone should have heard of it, or you're on touris them,

0:21:18.080 --> 0:21:20.320
<v Speaker 1>or you shared the same manager, or you shared the

0:21:20.320 --> 0:21:24.720
<v Speaker 1>same producers or all those different check the box for access.

0:21:24.960 --> 0:21:28.000
<v Speaker 1>Then you've got to have some striking similarity to go further,

0:21:28.280 --> 0:21:30.639
<v Speaker 1>and that's where the subtle chords usually go. Okay, there's

0:21:30.640 --> 0:21:34.400
<v Speaker 1>your bar right, and this doesn't strike similar So back

0:21:34.440 --> 0:21:37.440
<v Speaker 1>to our reggae claim. So you've got effectively a four

0:21:37.560 --> 0:21:43.159
<v Speaker 1>chord pattern that is in minor key. The song levitatings

0:21:43.160 --> 0:21:45.679
<v Speaker 1>and B minor and the chord sort of match up.

0:21:45.720 --> 0:21:48.000
<v Speaker 1>But that's not how this works musically. If you don't

0:21:48.000 --> 0:21:51.399
<v Speaker 1>mind me singing, I hope I don't ruin. Everybody's still ahead.

0:21:51.600 --> 0:21:54.119
<v Speaker 1>But there are two things that are very clear in

0:21:54.200 --> 0:21:58.000
<v Speaker 1>both cases involving the song levitating. It's this pattern data

0:21:58.080 --> 0:21:59.439
<v Speaker 1>da da da da da da da da da da

0:21:59.480 --> 0:22:04.600
<v Speaker 1>da da data descending chromatic across the four chords. Here

0:22:04.640 --> 0:22:06.080
<v Speaker 1>you go da da da da da da da da

0:22:06.160 --> 0:22:07.680
<v Speaker 1>da da da da da da. And that's going to

0:22:07.760 --> 0:22:10.520
<v Speaker 1>be what somebody's got to hang their legal hat on

0:22:10.640 --> 0:22:14.000
<v Speaker 1>and say that is not a common element. You don't

0:22:14.000 --> 0:22:16.520
<v Speaker 1>hear that very often. And these things match up when

0:22:16.560 --> 0:22:19.080
<v Speaker 1>you do this analysis the way we do with courts.

0:22:19.280 --> 0:22:21.720
<v Speaker 1>When we take these melodies and we put them into

0:22:21.760 --> 0:22:24.120
<v Speaker 1>the TSC or you match them up in the relative key,

0:22:24.520 --> 0:22:26.479
<v Speaker 1>those notes are in a match up, and then they

0:22:26.480 --> 0:22:29.720
<v Speaker 1>talk about harmonic you know, styling and all these well,

0:22:30.280 --> 0:22:32.439
<v Speaker 1>that's staying alive. Dada da da da da da da

0:22:32.480 --> 0:22:34.320
<v Speaker 1>da da da da da da da da. Right, we've

0:22:34.320 --> 0:22:38.879
<v Speaker 1>heard that before. So immediately when you start seeing the

0:22:39.080 --> 0:22:43.000
<v Speaker 1>judge saying Mozart and Gilbert and Sullivan, Gilbert and Sullivan

0:22:43.160 --> 0:22:47.720
<v Speaker 1>and mentions the begs, you know, starting with both starts,

0:22:47.760 --> 0:22:51.960
<v Speaker 1>that's a pretty common element. So when people say, hey,

0:22:53.080 --> 0:22:55.240
<v Speaker 1>I've heard that before, Sure you did. You heard it

0:22:55.320 --> 0:22:59.080
<v Speaker 1>probably six centuries ago. And the dgs da da da

0:22:59.119 --> 0:23:01.879
<v Speaker 1>da da da da da da da statalized, you know,

0:23:02.080 --> 0:23:05.639
<v Speaker 1>these are sort of common elements. So the first part

0:23:05.840 --> 0:23:09.639
<v Speaker 1>is that the planets in the first case involving the

0:23:09.680 --> 0:23:12.880
<v Speaker 1>reggae event couldn't prove access. And then it really fell

0:23:12.880 --> 0:23:16.000
<v Speaker 1>apart once you start talking about common elements. These two

0:23:16.000 --> 0:23:18.960
<v Speaker 1>things sounds so much alike and they're strikingly similar, and

0:23:19.200 --> 0:23:22.239
<v Speaker 1>it got dismissed and that was the end. And if

0:23:22.280 --> 0:23:25.440
<v Speaker 1>I'm going to give you one more pop culture reference,

0:23:26.200 --> 0:23:29.280
<v Speaker 1>the chords are the same things to ELO's Evil Women.

0:23:29.440 --> 0:23:33.359
<v Speaker 1>These are common and four chord patterns and songs. We

0:23:33.400 --> 0:23:35.880
<v Speaker 1>could be here all day. I mean, they're really common.

0:23:36.119 --> 0:23:41.120
<v Speaker 1>So the first case really rested upon if you will

0:23:41.160 --> 0:23:43.119
<v Speaker 1>and dismissal rested upon the idea that you had no

0:23:43.160 --> 0:23:44.800
<v Speaker 1>access and they're not strikingly similar.

0:23:45.200 --> 0:23:48.960
<v Speaker 3>So we go from reggae to the second case, which

0:23:49.000 --> 0:23:50.679
<v Speaker 3>involves two disco songs.

0:23:50.840 --> 0:23:54.639
<v Speaker 1>The second case is interesting because I think this was

0:23:54.840 --> 0:23:57.760
<v Speaker 1>a slightly more sophisticated approach to it, right they still

0:23:57.800 --> 0:23:59.560
<v Speaker 1>it kind of didn't work on the first matter that

0:23:59.760 --> 0:24:01.720
<v Speaker 1>they that precedence, So now you can kind of roll

0:24:01.720 --> 0:24:04.520
<v Speaker 1>into what what should we do that's different? Here, still

0:24:04.560 --> 0:24:07.199
<v Speaker 1>the same issues. It's in B minor, and now you

0:24:07.280 --> 0:24:11.920
<v Speaker 1>have this nineteen seventy nine wiggle and giggle in E

0:24:12.160 --> 0:24:16.720
<v Speaker 1>flat major, and then this Don Diablo only in Spanish,

0:24:16.720 --> 0:24:20.520
<v Speaker 1>stung in Spanish, also in a major case B flat major.

0:24:20.720 --> 0:24:24.520
<v Speaker 1>So you already start with some variations right right. Getting started.

0:24:24.640 --> 0:24:26.800
<v Speaker 1>The other thing that the lay person generally, and they

0:24:26.840 --> 0:24:28.879
<v Speaker 1>discussed this with me, and I'm sure discussed this with you,

0:24:29.680 --> 0:24:33.919
<v Speaker 1>is it's about publishers. This is not about dualalipa. This

0:24:34.040 --> 0:24:37.480
<v Speaker 1>is about the publishers, the lawsuits involved, who controls the copyright.

0:24:37.640 --> 0:24:42.280
<v Speaker 1>So these are major publishers, you know, Warners, Sony, Universal Music.

0:24:42.520 --> 0:24:45.920
<v Speaker 1>So they're going to get some really powerful teams of

0:24:46.200 --> 0:24:49.320
<v Speaker 1>really experienced copyright lawyers. I know some of these people.

0:24:49.359 --> 0:24:52.040
<v Speaker 1>They're great at what they do. They've enters before. So

0:24:52.520 --> 0:24:56.359
<v Speaker 1>you start already with the concept of all right, where's

0:24:56.359 --> 0:24:59.000
<v Speaker 1>our access. Where's that giant hurdle you've got to get

0:24:59.000 --> 0:25:03.000
<v Speaker 1>over a nineteen seventy nine disco tunes called Wiggle and Giggle.

0:25:03.040 --> 0:25:05.760
<v Speaker 1>And then you have the Spanish only Don Diablo. When

0:25:05.840 --> 0:25:08.520
<v Speaker 1>would these writers which is for writers, it's not just

0:25:08.520 --> 0:25:11.920
<v Speaker 1>Stu Aliva, when would these people have access to that song?

0:25:12.000 --> 0:25:14.520
<v Speaker 1>So that's a huge hurtle. If you don't prove fa,

0:25:15.240 --> 0:25:19.000
<v Speaker 1>you're right back to this, what's strikingly similar? So the

0:25:19.040 --> 0:25:23.120
<v Speaker 1>plaintiff said the opening melody was duplicated throughout the song

0:25:23.240 --> 0:25:26.119
<v Speaker 1>and gave a retro field. Well, okay, that doesn't count.

0:25:26.600 --> 0:25:31.320
<v Speaker 1>Retro feel is not substantive. Again, we're not talking about

0:25:31.320 --> 0:25:34.040
<v Speaker 1>the copyright and the sound recording. This is where the

0:25:34.240 --> 0:25:36.760
<v Speaker 1>average lay person pulls off the cliff on this. We're

0:25:36.800 --> 0:25:39.880
<v Speaker 1>talking only about the composition, the idea that things may

0:25:40.119 --> 0:25:42.600
<v Speaker 1>sound similar because they are of the same beat and

0:25:42.680 --> 0:25:46.720
<v Speaker 1>other elements not controlling here, it's the song. So you

0:25:46.800 --> 0:25:49.760
<v Speaker 1>had this claim that the opening melody was duplicated, and

0:25:49.800 --> 0:25:52.119
<v Speaker 1>then the defense was well, wait a second, these are

0:25:52.240 --> 0:25:57.080
<v Speaker 1>non copyrightable elements, just like our last case, right, common elements,

0:25:57.280 --> 0:26:00.959
<v Speaker 1>common flour chords and that common descent pattern of da

0:26:01.000 --> 0:26:02.280
<v Speaker 1>da da da da da da da da da da

0:26:02.320 --> 0:26:04.560
<v Speaker 1>da da da da da, And so these are not

0:26:04.920 --> 0:26:08.880
<v Speaker 1>enough to prove it strikingly similar. And the judge dismissed

0:26:09.040 --> 0:26:12.280
<v Speaker 1>and said, no, I'm giving you some rejudgment to defendant.

0:26:12.680 --> 0:26:15.480
<v Speaker 1>And I took a look at the experts, and we

0:26:15.520 --> 0:26:18.200
<v Speaker 1>had the delbert claims about whether they were acting as

0:26:18.200 --> 0:26:21.000
<v Speaker 1>experts in their opinion. You know, all the infighting will

0:26:21.040 --> 0:26:23.840
<v Speaker 1>go on in federal court about experts and copyright. But

0:26:23.920 --> 0:26:26.760
<v Speaker 1>ultimately the judge said, hey, these are common elements. I

0:26:26.760 --> 0:26:29.760
<v Speaker 1>can't let this case proceed and using some rejudgment.

0:26:30.240 --> 0:26:33.800
<v Speaker 3>Some are saying that this case benefited from the precedent

0:26:33.960 --> 0:26:35.600
<v Speaker 3>set in the ed Seering case.

0:26:35.800 --> 0:26:39.280
<v Speaker 1>All right, So the ed Scheering case it went a verdict, right,

0:26:39.440 --> 0:26:43.560
<v Speaker 1>It was not decided in a summary rejudgment or dismissal.

0:26:43.800 --> 0:26:48.200
<v Speaker 1>The jury got to hear Ed Sheeran play his song

0:26:48.280 --> 0:26:51.960
<v Speaker 1>in his version live. That to me was an error

0:26:52.080 --> 0:26:55.560
<v Speaker 1>by the plinker because then he got to interpret any

0:26:55.560 --> 0:26:58.480
<v Speaker 1>way he wanted in front of this court how he

0:26:58.840 --> 0:27:01.760
<v Speaker 1>would present that song. So that's a problem with just

0:27:01.800 --> 0:27:04.919
<v Speaker 1>the presentation of evidence in control of that. The second

0:27:04.920 --> 0:27:08.440
<v Speaker 1>part was throughout his case they said there are some

0:27:08.480 --> 0:27:12.119
<v Speaker 1>common elements in music, right, there are common patterns and

0:27:12.280 --> 0:27:15.879
<v Speaker 1>common things. You don't own an idea for a song,

0:27:16.240 --> 0:27:20.600
<v Speaker 1>and that runs two ways. One it's the sound recording,

0:27:20.720 --> 0:27:24.440
<v Speaker 1>which is the problematic. Cases always have the idea that

0:27:24.480 --> 0:27:26.920
<v Speaker 1>someone got to hear it. That's not what we're talking about,

0:27:26.920 --> 0:27:29.760
<v Speaker 1>big X through that only talking about the songs. So

0:27:29.920 --> 0:27:33.520
<v Speaker 1>if you have a song that has common elements, we're

0:27:33.520 --> 0:27:36.920
<v Speaker 1>not talking about other audio similarities. We're just talking about

0:27:36.920 --> 0:27:41.000
<v Speaker 1>the common elements in the composition. And yet you can't

0:27:41.800 --> 0:27:46.880
<v Speaker 1>prove that these common elements are listed right, they're not protectable.

0:27:47.240 --> 0:27:49.160
<v Speaker 1>Then that you get the same results that you had

0:27:49.160 --> 0:27:51.280
<v Speaker 1>with as Sharon right, they're not protectable. He has his

0:27:51.320 --> 0:27:54.320
<v Speaker 1>own he has his own interpretation of that does not

0:27:54.960 --> 0:27:58.600
<v Speaker 1>match up to your claims. And so eventually that case

0:27:58.640 --> 0:28:01.440
<v Speaker 1>went its way. An element scene comes to play in

0:28:01.520 --> 0:28:03.680
<v Speaker 1>all free of these to some extent. The first one

0:28:04.119 --> 0:28:07.160
<v Speaker 1>really is just based upon no access at all. So

0:28:07.440 --> 0:28:10.280
<v Speaker 1>we kind of get that running through all these cases.

0:28:10.400 --> 0:28:13.119
<v Speaker 1>Those are all Southern districts are all here in New

0:28:13.200 --> 0:28:16.000
<v Speaker 1>York season you can get the same circus decisions to

0:28:16.040 --> 0:28:19.160
<v Speaker 1>get some unanimity as to the decision making.

0:28:19.680 --> 0:28:21.800
<v Speaker 3>What does it say about the song if you have

0:28:22.119 --> 0:28:24.560
<v Speaker 3>two different copyright suits.

0:28:24.200 --> 0:28:26.639
<v Speaker 1>It says that the song made a lot of money,

0:28:28.400 --> 0:28:31.720
<v Speaker 1>and no one would care unless it's made a lot

0:28:31.720 --> 0:28:36.800
<v Speaker 1>of money. So this is a popular artist, and everybody

0:28:36.840 --> 0:28:40.440
<v Speaker 1>wants a piece of what is to be a hit.

0:28:40.960 --> 0:28:42.880
<v Speaker 1>And you know, all we got to do is talk

0:28:42.880 --> 0:28:45.360
<v Speaker 1>about the Mariah Carry lawsuit and we're right into rolling

0:28:45.400 --> 0:28:49.000
<v Speaker 1>right into that series. But everybody wants a piece of

0:28:49.080 --> 0:28:52.280
<v Speaker 1>something that's been popular or stay popular or has some

0:28:52.480 --> 0:28:54.680
<v Speaker 1>type of longevity as a hit. I don't know if

0:28:54.680 --> 0:28:57.480
<v Speaker 1>the song stays in the world of longevity it hits

0:28:57.600 --> 0:28:59.800
<v Speaker 1>or not. That magic a ball answer I don't have.

0:29:00.320 --> 0:29:04.040
<v Speaker 1>But these lawsites just don't happen unless there's money, and

0:29:04.200 --> 0:29:08.280
<v Speaker 1>real money involved. And every time there's a hit, you're

0:29:08.320 --> 0:29:11.040
<v Speaker 1>gonna have a couple of different issues here in incomes

0:29:11.160 --> 0:29:14.760
<v Speaker 1>in music, publishers still be performance for OLP income to

0:29:14.880 --> 0:29:18.840
<v Speaker 1>the writers and publishers. You're gonna have synchronization licenses for

0:29:18.880 --> 0:29:22.280
<v Speaker 1>a successful song that gets onto TV and film. You

0:29:22.320 --> 0:29:24.280
<v Speaker 1>can have sect, so you start with radio. Now you're

0:29:24.280 --> 0:29:26.600
<v Speaker 1>down to film and TV. You're gonna have that song

0:29:26.760 --> 0:29:30.880
<v Speaker 1>placed in songs in movies and TV shows. There's mechanical

0:29:30.920 --> 0:29:34.640
<v Speaker 1>income from downloading, if you sell the physical vinyl or

0:29:34.720 --> 0:29:36.480
<v Speaker 1>if they're still selling TVs. I don't know if he

0:29:36.520 --> 0:29:39.080
<v Speaker 1>does that anymore, but if they did, you have mechanical incomes,

0:29:39.200 --> 0:29:42.160
<v Speaker 1>and then you could get the covers for a successful song.

0:29:42.440 --> 0:29:46.080
<v Speaker 1>The party payments of their mechanical income. If there's a

0:29:46.080 --> 0:29:49.120
<v Speaker 1>sheet music world here that still buys sheet songbooks for

0:29:49.240 --> 0:29:51.880
<v Speaker 1>dua lipa, that means money. And if it makes its

0:29:51.920 --> 0:29:55.280
<v Speaker 1>way to a Broadway production, that's a grand right. That's

0:29:55.280 --> 0:29:56.640
<v Speaker 1>why people still oversease.

0:29:57.280 --> 0:29:59.880
<v Speaker 3>Let's turn to Mariah Carey, who beat a twenty million

0:30:00.080 --> 0:30:04.120
<v Speaker 3>dollar copyright case over her Christmas hit All I Want

0:30:04.200 --> 0:30:08.480
<v Speaker 3>for Christmas Is You? Was this lawsuit not based on

0:30:08.560 --> 0:30:11.480
<v Speaker 3>the music but on the words of the songs?

0:30:11.520 --> 0:30:14.320
<v Speaker 1>Probably the best question anyone's asked about that, because everybody

0:30:14.400 --> 0:30:16.960
<v Speaker 1>kind of lifts the wrong page in that result. So

0:30:17.040 --> 0:30:19.479
<v Speaker 1>let's go back to your question, because it's just right

0:30:19.560 --> 0:30:22.840
<v Speaker 1>on point. First. I don't often get to say someone's

0:30:22.840 --> 0:30:26.000
<v Speaker 1>taking a hit, had an evergreen hit? Evergreen hit my

0:30:26.160 --> 0:30:30.760
<v Speaker 1>pun there meets me. It's a Christmas it's and you

0:30:30.800 --> 0:30:34.000
<v Speaker 1>can't protect the title. First level of analysis. I'm not

0:30:34.040 --> 0:30:37.160
<v Speaker 1>sure what people were thinking. We have the same title. Okay,

0:30:37.800 --> 0:30:41.000
<v Speaker 1>that's not protectable. So they were to really start and

0:30:41.040 --> 0:30:44.920
<v Speaker 1>then the common element melody and other, we're not here

0:30:45.440 --> 0:30:47.640
<v Speaker 1>back to your lyric question. Want to hear it's the

0:30:47.640 --> 0:30:50.120
<v Speaker 1>common lyrics flurry at the bust out laugh and on this.

0:30:50.200 --> 0:30:53.440
<v Speaker 1>I'm sorry, I'm insulting any attorneys on this, but get ready,

0:30:53.640 --> 0:31:00.160
<v Speaker 1>here the common lyrics this wiletoe, Santa Stocking, snow and Christmas.

0:31:00.640 --> 0:31:05.400
<v Speaker 1>Oh ooh when you put it like that, ooh, that's

0:31:05.440 --> 0:31:09.600
<v Speaker 1>not going very far. That is just just not going

0:31:09.680 --> 0:31:12.440
<v Speaker 1>to carry the day. You can't protect the title. You've

0:31:12.440 --> 0:31:15.720
<v Speaker 1>got common elements and lyrics. You've got no question that

0:31:15.760 --> 0:31:19.400
<v Speaker 1>you're claiming with the melodies are exactly the same. And

0:31:19.600 --> 0:31:23.560
<v Speaker 1>here's sort of a sidebar moment. They claimed access and

0:31:23.680 --> 0:31:26.440
<v Speaker 1>got the case rolling through the process in the closest

0:31:26.720 --> 0:31:29.800
<v Speaker 1>because they claimed access that it had been a big

0:31:29.880 --> 0:31:32.840
<v Speaker 1>hit in the country chart, a kid or not. Their

0:31:33.160 --> 0:31:35.920
<v Speaker 1>song called Well I Went for Christmas View was a

0:31:35.960 --> 0:31:39.320
<v Speaker 1>country hit roughly the same time, so their access was

0:31:39.320 --> 0:31:42.920
<v Speaker 1>based upon yeah, it was a charting song, whether a

0:31:43.000 --> 0:31:46.560
<v Speaker 1>country hit yet listened to by a pop star and

0:31:46.600 --> 0:31:51.480
<v Speaker 1>her co writer, whilst says and don't know, but this

0:31:51.520 --> 0:31:54.560
<v Speaker 1>one fell down the stairs pretty quickly in the ninth

0:31:54.560 --> 0:31:59.240
<v Speaker 1>circuits in California because it wasn't provable. And I want

0:31:59.240 --> 0:32:02.880
<v Speaker 1>to add also get sanctions and partial attorney fees were

0:32:02.880 --> 0:32:05.680
<v Speaker 1>granted against the flankiffs on.

0:32:05.720 --> 0:32:08.280
<v Speaker 3>The back to do Aleapa from for a minute. It

0:32:08.400 --> 0:32:12.440
<v Speaker 3>sort of always surprises me that that judges, and I

0:32:12.520 --> 0:32:15.479
<v Speaker 3>don't know if this judge has any musical background or not,

0:32:16.000 --> 0:32:19.600
<v Speaker 3>are able to come to these decisions, you know, to

0:32:19.640 --> 0:32:21.960
<v Speaker 3>figure out really the musical notes.

0:32:21.840 --> 0:32:25.040
<v Speaker 1>You're going to rely on. You're going to rely on

0:32:25.920 --> 0:32:29.680
<v Speaker 1>the musicologists, right because the judges are going to make

0:32:29.720 --> 0:32:33.960
<v Speaker 1>the decision based upon their own Even though judges in

0:32:34.000 --> 0:32:37.880
<v Speaker 1>the past, go back to the George Harrison case with

0:32:38.000 --> 0:32:40.240
<v Speaker 1>Pisa find my Street Lord, way way way way back,

0:32:40.280 --> 0:32:42.360
<v Speaker 1>the judge kind of said, hey, I'm a musician, I

0:32:42.400 --> 0:32:45.280
<v Speaker 1>get this. That is actually a little bit of that case.

0:32:45.480 --> 0:32:49.520
<v Speaker 1>And I've had judges in federal court who, you know,

0:32:49.800 --> 0:32:51.920
<v Speaker 1>kind of made reference to the fact that they played

0:32:51.920 --> 0:32:54.800
<v Speaker 1>an instrument. Me as a musician, I don't get to testify.

0:32:54.960 --> 0:32:58.240
<v Speaker 1>I'm the lawyer, so I can only use my musicologist,

0:32:58.560 --> 0:33:01.160
<v Speaker 1>which I hope never gets that far and it seldom does,

0:33:01.280 --> 0:33:04.400
<v Speaker 1>should say even more than seldom does rarely if it

0:33:04.440 --> 0:33:08.160
<v Speaker 1>ever does, to get that far. Because there's always this

0:33:08.280 --> 0:33:13.440
<v Speaker 1>idea that what the judge is listening to are battling experts, right,

0:33:13.480 --> 0:33:16.160
<v Speaker 1>and the judge gave in this particular case, the judge

0:33:16.160 --> 0:33:19.360
<v Speaker 1>gave credence to both sides and waited and said, look,

0:33:19.640 --> 0:33:22.120
<v Speaker 1>I don't really find the access here, so it's got

0:33:22.120 --> 0:33:27.160
<v Speaker 1>to be strikingly similar your your plaintiffs experts. They're making

0:33:27.200 --> 0:33:29.560
<v Speaker 1>some good points here, but not carrying the day that

0:33:30.000 --> 0:33:32.360
<v Speaker 1>they didn't get over the common elements of these two things.

0:33:32.920 --> 0:33:35.120
<v Speaker 1>And the expert on the other side has said, look,

0:33:35.120 --> 0:33:37.680
<v Speaker 1>these are really common and with pointing because most are

0:33:37.840 --> 0:33:41.200
<v Speaker 1>going forward, and I have in my amazing singing voice

0:33:41.280 --> 0:33:44.200
<v Speaker 1>for you that it's data da da da da da

0:33:44.280 --> 0:33:46.920
<v Speaker 1>da da da da da data data, right. And you

0:33:46.960 --> 0:33:49.640
<v Speaker 1>know that's ultimately what it came down to, is that

0:33:49.640 --> 0:33:52.440
<v Speaker 1>these of common elements and thank you for playing, but no,

0:33:52.560 --> 0:33:55.160
<v Speaker 1>I'm going to dismiss it. You get to somebody judgment

0:33:55.440 --> 0:33:59.160
<v Speaker 1>and they rely on the musicologists to get there. But

0:33:59.480 --> 0:34:01.640
<v Speaker 1>between you and I and anyone who might be listening

0:34:01.680 --> 0:34:04.800
<v Speaker 1>to this, I think some of the judges quietly don't

0:34:04.920 --> 0:34:07.680
<v Speaker 1>stay it out loud, but they say, you know, I

0:34:07.680 --> 0:34:10.439
<v Speaker 1>have an opinion on this, you know, I think there's

0:34:10.440 --> 0:34:13.560
<v Speaker 1>something I want to probably I have a position I'm

0:34:13.560 --> 0:34:15.320
<v Speaker 1>going to take, maybe on some of my own knowledge,

0:34:15.360 --> 0:34:16.960
<v Speaker 1>if but they generally don't say that.

0:34:18.440 --> 0:34:21.480
<v Speaker 3>I expected more singing. Ron you did da da da

0:34:21.560 --> 0:34:23.200
<v Speaker 3>da da da. That's not singing, you know.

0:34:23.480 --> 0:34:26.080
<v Speaker 1>But you and that's that's the melody, right and right.

0:34:26.640 --> 0:34:28.520
<v Speaker 1>The do a leaf apart. And this is the thing

0:34:28.560 --> 0:34:30.920
<v Speaker 1>about any time they're sort of hip hop oriented or

0:34:30.960 --> 0:34:33.319
<v Speaker 1>spoken work things, because the melodies can be you know,

0:34:33.520 --> 0:34:36.120
<v Speaker 1>just the rhythmic. So in here a lot of what

0:34:36.239 --> 0:34:41.239
<v Speaker 1>the issues were. We're rhythmics, right da da da. The lyrics,

0:34:41.600 --> 0:34:45.480
<v Speaker 1>the lyrics really were not matching up. I mean that

0:34:45.560 --> 0:34:48.440
<v Speaker 1>you just didn't have these common elements of lyrics like

0:34:48.840 --> 0:34:51.760
<v Speaker 1>and and then it fell really short on the Mariah carry.

0:34:51.840 --> 0:34:53.560
<v Speaker 1>I mean, they just didn't mind up. And I think

0:34:53.600 --> 0:34:56.680
<v Speaker 1>that's that judge clearly said, wait a second, you're not

0:34:57.120 --> 0:35:00.279
<v Speaker 1>You should never approbably a broster. Maybe one day will

0:35:00.320 --> 0:35:04.400
<v Speaker 1>have professional juries like they do in some other countries

0:35:04.440 --> 0:35:07.480
<v Speaker 1>with commercial works like this where they are earning income,

0:35:08.000 --> 0:35:10.759
<v Speaker 1>and there'll be a professional jury where we have not

0:35:11.200 --> 0:35:14.840
<v Speaker 1>had that proposed yet. So here we are going to

0:35:14.840 --> 0:35:18.640
<v Speaker 1>be generally in jurisdiction where these cases pop up more

0:35:18.680 --> 0:35:21.719
<v Speaker 1>often than others. Southern District of New York, you know,

0:35:21.880 --> 0:35:24.880
<v Speaker 1>Middle District, California, and the ninth speak of judges that

0:35:24.880 --> 0:35:29.400
<v Speaker 1>have seen these, heard these experience in them, and I

0:35:29.400 --> 0:35:32.880
<v Speaker 1>think you're getting a reasoned opinion on all of these capes.

0:35:33.200 --> 0:35:37.040
<v Speaker 3>Thanks so much for your analysis and your singing. That's entertainment.

0:35:37.040 --> 0:35:41.200
<v Speaker 3>Attorney Ron Beanstock, Obscurency Hollindbeck, and that's it for this

0:35:41.360 --> 0:35:44.080
<v Speaker 3>edition of The Bloomberg Law Show. Remember you can always

0:35:44.120 --> 0:35:47.040
<v Speaker 3>get the latest legal news on our Bloomberg Law Podcast.

0:35:47.320 --> 0:35:50.359
<v Speaker 3>You can find them on Apple Podcasts, Spotify, and at

0:35:50.520 --> 0:35:55.520
<v Speaker 3>www dot Bloomberg dot com, slash podcast Slash Law, And

0:35:55.600 --> 0:35:58.680
<v Speaker 3>remember to tune into The Bloomberg Law Show every weeknight

0:35:58.760 --> 0:36:02.200
<v Speaker 3>at ten pm Wall Street Time. I'm June Grosso and

0:36:02.280 --> 0:36:08.440
<v Speaker 3>you're listening to Bloomberg m