WEBVTT - Anthony Hamilton

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<v Speaker 1>This is cut to It with Steve Smith Senior at

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<v Speaker 1>production of The Black Effect and I Heart Radio. I'm

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<v Speaker 1>Steve Smith Senior and I'm a little John and this

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<v Speaker 1>is cut to It. Good do it, Good do it.

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<v Speaker 1>They's getting down to do it. Good do it. We

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<v Speaker 1>asked the questions you always want to know, but no

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<v Speaker 1>one ever asked, let's cut to it. You ain't heard

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<v Speaker 1>about it, then we're about to let you know. It's all.

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<v Speaker 1>Let's go. Man coming up. I'm super excited. We've got

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<v Speaker 1>Anthony Hamilton's R and B singer, Grammy Award winner, and

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<v Speaker 1>he's here in studio for cut to It. He's your name, Brittany,

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<v Speaker 1>Yeah he is, and it was It was wonderful to

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<v Speaker 1>sit down with him, but also um to be able

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<v Speaker 1>to see you and go through the process of how

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<v Speaker 1>creative genius, how you could just take something small and

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<v Speaker 1>making just something huge like that. And he did to

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<v Speaker 1>cut to an intro song. So I'm really excited to

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<v Speaker 1>talk about that as well. Yeah, that's what I was

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<v Speaker 1>talking about. I don't know, I don't know anything else

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<v Speaker 1>that you were talking about, Anthony, How you know, how

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<v Speaker 1>did this go? I was scared to to talk to

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<v Speaker 1>you and ask you. Um, I was nervous. I was like, man,

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<v Speaker 1>because we were thinking about music and um, and I

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<v Speaker 1>was just like, man, I know Anthony, I gotta I

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<v Speaker 1>think I got a pretty good relationshipship with him. I'm

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<v Speaker 1>kind of scared to ask him because I know how

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<v Speaker 1>how many people ask ask me things, ask things of me,

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<v Speaker 1>and I'm just like, man, I want to be that dude.

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<v Speaker 1>And you served it up as a possible because we

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<v Speaker 1>were just thinking of like just some some just regular

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<v Speaker 1>leading music and he's like, oh, I got a tie

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<v Speaker 1>to Anthony. Were like okay, and then it showed the

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<v Speaker 1>tie when I mentioned it. I think it was like

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<v Speaker 1>two it was. It was like a month and a half. Damn,

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<v Speaker 1>I'm scared, and I just I was. It was scared

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<v Speaker 1>to be rejected, but I was also scared to for

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<v Speaker 1>you not to feel used. You know, I was on it, um,

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<v Speaker 1>and I knew you were coming from a place, not

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<v Speaker 1>like that cousin who keeps asking for the cash. You know,

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<v Speaker 1>it was from a different place than the cash I

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<v Speaker 1>asked or the you know, man, I don't know what

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<v Speaker 1>I'm gonna do. So it wasn't that you know, you

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<v Speaker 1>put in a lot of work. I'm a big fan

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<v Speaker 1>of who you are and what you represent as a

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<v Speaker 1>not only a football player, but the fall him. So

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<v Speaker 1>I knew it was coming from a different place. Um,

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<v Speaker 1>and then you know, I want to know, what do

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<v Speaker 1>you have music? Because do I need to get music

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<v Speaker 1>or do you have music? All those things, you know,

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<v Speaker 1>made it even easier for me to go, And I said,

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<v Speaker 1>all right, I was in the studio. I was like,

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<v Speaker 1>let me listen to this music. I was like, okay. First, actually, yeah,

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<v Speaker 1>we had we had a few tracks that my brother

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<v Speaker 1>in law actually is as a producer, so he made

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<v Speaker 1>he made some beats, and so we sent him over

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<v Speaker 1>and we went back in fore phones and which one

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<v Speaker 1>sounds good? Which ones are are worthy enough for for

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<v Speaker 1>you to grace is with your presence on him? And

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<v Speaker 1>so we sent him over to you. Yeah, this this

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<v Speaker 1>one stood out, Yeah, because it sounded you know, I

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<v Speaker 1>had a good energy about it. And so I was like,

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<v Speaker 1>all right, I can see myself you know, doing something

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<v Speaker 1>to this one. Yeah. I was like, uh, who was

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<v Speaker 1>June slap in the middle of a pandemic? Also, yeah,

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<v Speaker 1>because we kept seeing each each other, we kept seeing

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<v Speaker 1>each other on walks. They store. Oh. We was in

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<v Speaker 1>the grocery store, was in the neighborhood taking walks. Man,

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<v Speaker 1>we was walking all the time, and uh, and I

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<v Speaker 1>taught us him, Man, this is fire. Yeah. And it

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<v Speaker 1>was a lot of conversation going on. And then I

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<v Speaker 1>was like, he's like, man, I haven't see you. I

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<v Speaker 1>was like, well, we also moved. It was like what yeah,

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<v Speaker 1>and so it was and so he said it to

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<v Speaker 1>me and I still have it so June and then

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<v Speaker 1>that's when we did. Uh. That's when he's Anthony sent

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<v Speaker 1>it back to me. I want you to hear and

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<v Speaker 1>he was like, yo, I can't tell you all all

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<v Speaker 1>of the other parts of it too. So he gave

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<v Speaker 1>he gave you a preview. So yeah, yeah, I wanted

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<v Speaker 1>it to have that old R and B like yeah,

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<v Speaker 1>I kind of all right cool that. Yeah, it gave

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<v Speaker 1>me a feeling like the old good R and B.

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<v Speaker 1>I don't want it to sound good. I want people

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<v Speaker 1>to be like, what is this. I listened to it

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<v Speaker 1>so missing my kids. My kids was finally like all right, dad,

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<v Speaker 1>that's enough. Yeah. So but I love it. The fact

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<v Speaker 1>that we have it on the podcast. You can download

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<v Speaker 1>it just the intro, like it's just it's you know,

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<v Speaker 1>like it ain't like, oh this is something we did know,

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<v Speaker 1>this is this is Anthony. I'm just shoo. I'm just

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<v Speaker 1>a good look at that handsome guys. Subjectives. We had

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<v Speaker 1>people I want to download the song, like is there

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<v Speaker 1>more to it? Wow? Yeah? People hit this up. I'm

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<v Speaker 1>happy to Yeah, we cash out that. Yeah. So who track?

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<v Speaker 1>Who produced that people? Yeah, Alex Johnson. So it's my

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<v Speaker 1>brother in law's he's a producer. He lives up in

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<v Speaker 1>d C. Okay, about to bless it with the whole thing. Okay, yeah,

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<v Speaker 1>we'll link it up. We'll link it up. Whoa, whoa,

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<v Speaker 1>whoa whoa. Steve you your this this this is a

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<v Speaker 1>Grammy winner, he said. He want to he want to

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<v Speaker 1>link something up. You know, I understand, but I own it.

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<v Speaker 1>We ain't got four gram in the budget. I'm gonna

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<v Speaker 1>be way more than four. Ain't talking like oh my my,

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<v Speaker 1>my business in contracts. You just said it up all

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<v Speaker 1>I said. All I said, like he's like we hooked

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<v Speaker 1>U up. I'm like this hooking up. I got to

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<v Speaker 1>write the check just to see where I would go creatively.

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<v Speaker 1>You know, I'll be like, let me see what you

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<v Speaker 1>want to background. Oh that's like a temptate. Yeah, we

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<v Speaker 1>gotta come up with a routine. Routine. You gotta wash

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<v Speaker 1>the hamstring with that movie. Now they're still good. I

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<v Speaker 1>know I'm running it. I took off running the other day.

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<v Speaker 1>My boys didn't know I ran track. Yeah, ran the hurdles.

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<v Speaker 1>The first one tine tin hurdles and another fellow mention

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<v Speaker 1>and yeah, yeah hurdles long jump. Now I say fellow

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<v Speaker 1>mention because he will tell you generally the high hurdlers

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<v Speaker 1>are not five nine and below. They usually six ten

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<v Speaker 1>and above. Yeah. Yeah, now you just murder that did

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<v Speaker 1>you play us play football? That played football? Is tail

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<v Speaker 1>back in the safety? How long? When did you discover

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<v Speaker 1>you no longer? We're good in football? When I broke

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<v Speaker 1>my legs back, broke my leg makeing a tack, let

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<v Speaker 1>me let me let me guess tall sweet ye making

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<v Speaker 1>a tackle? You always it's just like you know why

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<v Speaker 1>because that running to the side. Yeah, safety blew up,

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<v Speaker 1>that d gap tackle got tripped up. Yeah that's what

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<v Speaker 1>it was. I'm like, I'm make a pile, but I'm

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<v Speaker 1>coming up like ah, you said, I'm done. I'm done.

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<v Speaker 1>I'm to where's the mike. Where's the microphone? The microphone? Yeah? Yeah,

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<v Speaker 1>all right, well Anthony. Our first segments called get ice

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<v Speaker 1>stuck just icebreaker questions. They're randomly select super random ahead,

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<v Speaker 1>give the first You're ready? Would you rather lose the

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<v Speaker 1>ability to read or lose the ability to speak the

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<v Speaker 1>ability to read? At fourth singer, I already know what

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<v Speaker 1>I'm sact tired of it. I don't want no more.

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<v Speaker 1>I got to read that to do? Uh, I go

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<v Speaker 1>with losibility to speak. I need to be able to

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<v Speaker 1>read some contracts I can. I can deal with that.

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<v Speaker 1>I don't want to. I don't want to lose. I

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<v Speaker 1>don't want to lose my literacy. You gotta have a

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<v Speaker 1>really good threat when you like if this eventually, I don't,

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<v Speaker 1>eventually I find out that this ain't what it is all.

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<v Speaker 1>You gotta have a real one of them and make

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<v Speaker 1>good on one or two. Uh, they have you don't

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<v Speaker 1>have to read? Have your money that James had a pistol?

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<v Speaker 1>Which one would you choose? I'm gonna just say what

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<v Speaker 1>some of these folks taking. Hell, if you look on

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<v Speaker 1>the back of some of the containers and the ingredients

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<v Speaker 1>of food ship, I can't read anywhere. Yeah, you gotta

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<v Speaker 1>look at the word, then look it up to see

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<v Speaker 1>what it is. So I'm gonna speak because I do

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<v Speaker 1>agree with you, and this is people listening would understand.

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<v Speaker 1>All you gotta do is molly whapp a few people

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<v Speaker 1>and then when you throw it out there that it's

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<v Speaker 1>a possibility you're gonna molly whapp them. Man, your track

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<v Speaker 1>record shows that you are mopper. Yeah, then you start

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<v Speaker 1>you just like you ever seen you ever seen a

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<v Speaker 1>you ever seen a mute? Molly whopper? Don't go too well,

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<v Speaker 1>it's probably a hard lick, all right. What long shot

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<v Speaker 1>have you taken that really paid off? Long shot have taken? Yeah?

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<v Speaker 1>Your version of long shot? Because they're all there, um

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<v Speaker 1>betting on this music thing. Yeah yeah, betting on this

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<v Speaker 1>and and going through with it and and taking all

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<v Speaker 1>the steps, just putting all my all this betting on

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<v Speaker 1>it hard. Yeah, and it's paying off. That's cool. Yeah.

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<v Speaker 1>What food do you love that a lot of people

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<v Speaker 1>might find a little odd? What food? I love that

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<v Speaker 1>most people will find a little odd? M as you're

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<v Speaker 1>thinking about I can tell you Mineu's I don't know

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<v Speaker 1>what it is, bro, but I really enjoy sometimes just

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<v Speaker 1>make it some some fruity pebble rice, crispy trees. I

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<v Speaker 1>don't know why, Like I like, it's some people for

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<v Speaker 1>two year old man. Some people say, no, you're still

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<v Speaker 1>eating Cereal. I mean I love Cereal, do too, but

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<v Speaker 1>I still look at the box. They got Whole Cereal bars.

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<v Speaker 1>Now you can just go in there and whatever. It's

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<v Speaker 1>sugar some of that stuff on there. Molly's the backup

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<v Speaker 1>looks like what's wrong with Anthony? You know some of them.

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<v Speaker 1>I'm gonna say, um, Vegan beat loaf that some people

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<v Speaker 1>would say like Vegan Lona, like go beyond is what's

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<v Speaker 1>the what's the us beyond? And this one called something life. Yeah,

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<v Speaker 1>you're talking about butters got him. That tickled him to

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<v Speaker 1>that South met right even like, man, I tell you,

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<v Speaker 1>I used that. I'm telling I don't care how old is,

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<v Speaker 1>I don't care where are you from? What you think?

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<v Speaker 1>When I was when I was in Baltimore, at least

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<v Speaker 1>once a week, in the middle of either team meetings

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<v Speaker 1>or or offensive meets, I would say it and I

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<v Speaker 1>don't know, I don't care how old you all you mate,

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<v Speaker 1>it's always a tickler. Yeah, So I'll continue with your

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<v Speaker 1>and you said being a meat loaf. Yeah, some people

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<v Speaker 1>feel I guess they feel like, um, if it's not meat,

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<v Speaker 1>has it meat loaf? Yeah? They don't understand, Like why

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<v Speaker 1>would you not either perfectly good turkey meat loaf or

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<v Speaker 1>or beef meat loaf? And you want to play around

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<v Speaker 1>pretend like you eating meat loaf, but it's it's it's

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<v Speaker 1>pretty good. You cook it. Because I heard pretty I

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<v Speaker 1>cook it. I got a question in so that just

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<v Speaker 1>makes oxtails sometime and beef ribs. Oh, so you're vegan now.

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<v Speaker 1>I wasn't for two and a half years. I'm still

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<v Speaker 1>back on seafood now. And believe it or not, there

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<v Speaker 1>was a moment once I had COVID really bad and decent.

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<v Speaker 1>You know, we'll probably get into it. But after that,

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<v Speaker 1>I was like, you know what, almost die. I won't wings.

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<v Speaker 1>I must have bought the biggest bag from Giant Penny

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<v Speaker 1>on Friday, every last one on the back porch until

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<v Speaker 1>I didn't want it no more. Man, I hate so many. Yeah,

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<v Speaker 1>I was gonna You're gonna die big God, Ha's gotta

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<v Speaker 1>be born on the way hole. You had a whole

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<v Speaker 1>conversation with self yea, oh yeah, you was right there,

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<v Speaker 1>you're about to the white light in your mind. It was, Yeah,

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<v Speaker 1>it was kind of cruel. So I got a question, man,

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<v Speaker 1>is a hot dog considered a sandwich? Hot dog is

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<v Speaker 1>a hot dog. It's kind of a sundward but it

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<v Speaker 1>ain't really. I don't I don't want to call a

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<v Speaker 1>hot dog a sandwich. It's kind of it's in the

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<v Speaker 1>way of all the other a lot of other great

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<v Speaker 1>sandwiches that that's like, you keep pushing. The hot dog

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<v Speaker 1>is here, so it's gonna put sandwich back. What there's

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<v Speaker 1>a hierarchy. Yeah, yeah, that's see turkey sound. Yeah, that's

0:15:05.760 --> 0:15:08.560
<v Speaker 1>the sandwich sound. You know ham soundwich. You know you

0:15:08.640 --> 0:15:14.040
<v Speaker 1>got all these great sandwiches blog blonely sounded sound. And

0:15:14.120 --> 0:15:18.600
<v Speaker 1>I ain't gone to you fried bologney, that Webber's bread

0:15:18.120 --> 0:15:21.080
<v Speaker 1>that got us through a lot when I was a kid.

0:15:22.080 --> 0:15:30.560
<v Speaker 1>Now some smack the salting crackers. First listen. Listen when

0:15:30.640 --> 0:15:32.280
<v Speaker 1>you were broke and that's all we had on a

0:15:32.360 --> 0:15:37.640
<v Speaker 1>Friday buying the soft I was, I was broke. But

0:15:37.680 --> 0:15:40.040
<v Speaker 1>I don't know what potted meat is. Can it's a

0:15:40.160 --> 0:15:43.840
<v Speaker 1>can of just scrambled brains. I don't know where it's from.

0:15:44.520 --> 0:15:48.120
<v Speaker 1>It's stuff. It's pink. It's usually right beside where the

0:15:48.160 --> 0:15:53.520
<v Speaker 1>spam look. But it's it's it's a can of something. Yeah.

0:15:53.920 --> 0:16:03.040
<v Speaker 1>I don't know how to explain because I take myself

0:16:03.040 --> 0:16:08.480
<v Speaker 1>out of the game. I wrote both ankles colts. I

0:16:08.520 --> 0:16:10.440
<v Speaker 1>don't know. I don't know where it's from. I don't know,

0:16:10.480 --> 0:16:12.600
<v Speaker 1>but it's it's just in a can. It was beside

0:16:12.600 --> 0:16:16.560
<v Speaker 1>of spam away and it had like jelly, and I

0:16:16.600 --> 0:16:20.520
<v Speaker 1>am like spam had spam. And I've ate Vienna sausage.

0:16:20.600 --> 0:16:27.600
<v Speaker 1>I've never needed meat tunas I eat tuna. That's not pot.

0:16:28.080 --> 0:16:29.480
<v Speaker 1>But I'm just saying all that was on the same

0:16:29.520 --> 0:16:31.880
<v Speaker 1>as all that was on the same broke out broke.

0:16:32.440 --> 0:16:40.040
<v Speaker 1>I'm just making sure where I ate a sausage and

0:16:40.360 --> 0:16:45.440
<v Speaker 1>tuna chicken. But I never I never browsed the pot

0:16:45.560 --> 0:16:49.440
<v Speaker 1>of meat. So okay, last one, then last one, And

0:16:49.480 --> 0:16:53.360
<v Speaker 1>this is damn it. This is the most important. Yeah, sugar,

0:16:53.520 --> 0:17:00.240
<v Speaker 1>salt in your grits, man, Salt and pepper and butter. Yeah, yeah,

0:17:00.760 --> 0:17:02.840
<v Speaker 1>you like sugar. You come on, man, I've been speaking

0:17:02.840 --> 0:17:06.000
<v Speaker 1>to you all these years. What what what? What complex?

0:17:06.000 --> 0:17:10.360
<v Speaker 1>Your emma know that we are not the same, don't

0:17:10.119 --> 0:17:14.520
<v Speaker 1>salt and co host King. That's that's that's that's fine.

0:17:14.640 --> 0:17:17.040
<v Speaker 1>But hey, listen, I'm not you can't. You can't speak

0:17:17.080 --> 0:17:22.040
<v Speaker 1>for all light skin the committee, your your your your

0:17:22.080 --> 0:17:24.680
<v Speaker 1>status is in question. You drive like you like salt

0:17:24.680 --> 0:17:27.280
<v Speaker 1>and pepper, butter and your grips man, you laying to

0:17:27.359 --> 0:17:30.920
<v Speaker 1>the you laying with it, sugar, sugar for the West

0:17:30.960 --> 0:17:34.200
<v Speaker 1>Coast to sugar drive. Go ahead, go ahead, go ahead

0:17:34.200 --> 0:17:36.240
<v Speaker 1>and get his ass up today if you have, to

0:17:36.320 --> 0:17:38.280
<v Speaker 1>go ahead and get him back hand just a little,

0:17:39.680 --> 0:17:42.520
<v Speaker 1>a little up on them, you know, on the steering wheels.

0:17:42.600 --> 0:17:46.600
<v Speaker 1>Stern roll, roll it all the way up there, Alex

0:17:47.040 --> 0:17:50.840
<v Speaker 1>and small guy. That's that's what y'all going. That's what

0:17:51.000 --> 0:17:53.640
<v Speaker 1>that's what's left in your bag. I got a hold.

0:17:55.200 --> 0:18:04.360
<v Speaker 1>That was the one that kept this podcasting stiff. So

0:18:04.680 --> 0:18:06.760
<v Speaker 1>you know, let's jump into it because I think it's

0:18:06.800 --> 0:18:09.000
<v Speaker 1>gonna be fun, and I and I want to ask

0:18:09.160 --> 0:18:11.280
<v Speaker 1>we want to ask you some things and really just

0:18:11.320 --> 0:18:15.919
<v Speaker 1>get your fans opportunity. And then also, you know, you

0:18:16.000 --> 0:18:21.080
<v Speaker 1>know how it is man so much the podcast or media,

0:18:21.160 --> 0:18:25.320
<v Speaker 1>there's so much information out there. You sometimes are lazy

0:18:25.440 --> 0:18:29.959
<v Speaker 1>enough not to really just dive into it. And so

0:18:30.000 --> 0:18:32.760
<v Speaker 1>I found myself just down if it's just go on

0:18:32.800 --> 0:18:35.880
<v Speaker 1>your Wikipedia, and then I just saw all the things

0:18:36.720 --> 0:18:38.720
<v Speaker 1>and all that stuff, and it just made me think

0:18:38.760 --> 0:18:42.200
<v Speaker 1>about all these questions. And we've had some of these

0:18:42.560 --> 0:18:45.280
<v Speaker 1>dialogues and talks, but I think some people really don't

0:18:45.280 --> 0:18:54.400
<v Speaker 1>know how intriguing, discouraging, tough it is too. I want

0:18:54.440 --> 0:18:58.520
<v Speaker 1>to have a career and what it and really what

0:18:58.560 --> 0:19:00.840
<v Speaker 1>it goes through. So um, so I thought I was

0:19:01.440 --> 0:19:03.920
<v Speaker 1>is it would be really cool. So we always asked,

0:19:04.000 --> 0:19:05.439
<v Speaker 1>you know, where are you from in the place you

0:19:05.480 --> 0:19:09.000
<v Speaker 1>call your hometown. I'm from Charlotte, North Carolina, born and

0:19:09.080 --> 0:19:12.840
<v Speaker 1>raised here, and I called this home. Um, I went

0:19:12.840 --> 0:19:15.760
<v Speaker 1>away to New York. I lived in Harlem for about

0:19:15.840 --> 0:19:19.920
<v Speaker 1>eight years, in New Jersey, Inglewood and Teenack, New Jersey.

0:19:20.119 --> 0:19:23.919
<v Speaker 1>So it's going about fourteen fifteen years, and uh, but

0:19:24.000 --> 0:19:28.160
<v Speaker 1>I came back home because this this is just home now.

0:19:28.200 --> 0:19:31.800
<v Speaker 1>Not to aid you, but being born in the seventies

0:19:33.359 --> 0:19:36.000
<v Speaker 1>living in North Carolina, I know in my nineteen years,

0:19:36.960 --> 0:19:41.560
<v Speaker 1>I'm amazed at how how it changed. I'm interested to here.

0:19:42.640 --> 0:19:46.639
<v Speaker 1>How was North Carolina? Charlotte, North Carolina. You went to

0:19:47.280 --> 0:19:50.720
<v Speaker 1>South Mack High School, Yeah, and finished up at Harden right,

0:19:51.040 --> 0:19:59.240
<v Speaker 1>and I'm imagining and in in assuming here in the

0:19:59.280 --> 0:20:08.200
<v Speaker 1>South late seventies, early eighties, it was different here, yeah, definitely.

0:20:08.320 --> 0:20:12.840
<v Speaker 1>You know, coming up, I didn't have an experience with

0:20:12.960 --> 0:20:18.199
<v Speaker 1>a lot of outside of my neighborhood encounters. Um. But

0:20:18.320 --> 0:20:20.200
<v Speaker 1>you know, you hear the stories and you you see

0:20:20.200 --> 0:20:23.040
<v Speaker 1>the news and everything. As you get older, you started

0:20:23.040 --> 0:20:27.160
<v Speaker 1>to pay attention to what's going on and just um,

0:20:27.200 --> 0:20:29.840
<v Speaker 1>you know my side of town and different side of towns,

0:20:30.040 --> 0:20:33.120
<v Speaker 1>which was what side of town west Boulevard, the western side,

0:20:33.240 --> 0:20:36.320
<v Speaker 1>south side, and I grew up there, but they look

0:20:36.359 --> 0:20:39.840
<v Speaker 1>different than deal Worth, you know. So my grandmother would

0:20:40.040 --> 0:20:44.919
<v Speaker 1>she used to clean houses and she would get us,

0:20:45.080 --> 0:20:46.840
<v Speaker 1>put us on the city bus, me and my sister,

0:20:47.000 --> 0:20:49.320
<v Speaker 1>and drive us through the real nice neighborhoods and let

0:20:49.359 --> 0:20:52.159
<v Speaker 1>us see which were were neighborhoods at that deal Worth

0:20:52.760 --> 0:20:55.800
<v Speaker 1>Um bound time didn't exist. No, it was just a

0:20:55.880 --> 0:21:00.359
<v Speaker 1>dairy farm deal Worth yeah, right right where you lived.

0:21:00.720 --> 0:21:05.399
<v Speaker 1>You know, that neighborhood was a dairy farm. That's crazy.

0:21:05.840 --> 0:21:09.080
<v Speaker 1>And then Male Graham and some of his people, for

0:21:09.200 --> 0:21:12.280
<v Speaker 1>the Graham's and nephew, they brought it up and turned it,

0:21:12.400 --> 0:21:16.600
<v Speaker 1>you know, developed it into what it is now. Um,

0:21:16.640 --> 0:21:19.119
<v Speaker 1>but yeah, a lot of that was fiels. So we

0:21:19.119 --> 0:21:22.199
<v Speaker 1>should go out there rave and raise hell can you

0:21:22.200 --> 0:21:25.680
<v Speaker 1>say hell? Yeah said, I mean not everything you want

0:21:25.720 --> 0:21:31.239
<v Speaker 1>to but not everything I was internalize it if they

0:21:31.240 --> 0:21:36.360
<v Speaker 1>don't get therapy, you know, makes me better. Um. But yeah,

0:21:36.480 --> 0:21:39.359
<v Speaker 1>you see a lot a lot of there's a lot

0:21:39.400 --> 0:21:44.720
<v Speaker 1>of opportunities that came, um, you know, with a with

0:21:44.760 --> 0:21:47.600
<v Speaker 1>a lot of hard work. Um. But then there's some

0:21:47.840 --> 0:21:53.080
<v Speaker 1>still some similarities as in you know, being able to

0:21:53.080 --> 0:21:56.760
<v Speaker 1>to have the better jobs and certain things being you

0:21:56.800 --> 0:22:01.560
<v Speaker 1>know of color. Um, it's a little different, um, but

0:22:01.680 --> 0:22:05.480
<v Speaker 1>I see some growth in different areas. Would you call

0:22:07.880 --> 0:22:16.880
<v Speaker 1>your career in music business an industry or another word?

0:22:17.920 --> 0:22:24.040
<v Speaker 1>It's an industry. Um that's operated you know with business.

0:22:24.560 --> 0:22:31.359
<v Speaker 1>And it's also a place for me to to really

0:22:31.520 --> 0:22:37.199
<v Speaker 1>um exhale. So it's kind of therapeutic for me and

0:22:38.320 --> 0:22:42.000
<v Speaker 1>in so many ways, UM, I get to take the

0:22:42.119 --> 0:22:45.560
<v Speaker 1>chance to to to handle business in this industry, to

0:22:45.600 --> 0:22:49.480
<v Speaker 1>put my thoughts out there and to to you know,

0:22:49.520 --> 0:22:52.280
<v Speaker 1>ad out some laundry. So I use it for a

0:22:52.280 --> 0:22:56.120
<v Speaker 1>little bit of everything. Yeah, how were you first introduced

0:22:56.119 --> 0:22:59.920
<v Speaker 1>to music man from the womb? It it goes back

0:23:00.040 --> 0:23:04.800
<v Speaker 1>that deep. My mother and father both love music, and

0:23:05.000 --> 0:23:07.600
<v Speaker 1>you know, we heard it a lot. My grandmother it

0:23:07.680 --> 0:23:13.320
<v Speaker 1>was just gospel. She was so saved and uh, you

0:23:13.400 --> 0:23:18.760
<v Speaker 1>know that's pretty. That's pretty, that's that's a unique, that's

0:23:18.760 --> 0:23:21.760
<v Speaker 1>a pretty. What kind of gospel? Though? Who are we talking?

0:23:22.760 --> 0:23:27.280
<v Speaker 1>Don't feel New Easter? James Cleveland all that kind of

0:23:27.280 --> 0:23:32.200
<v Speaker 1>Oh James Cleveland. Now, James Cleveland, his church I grew up.

0:23:32.640 --> 0:23:36.400
<v Speaker 1>His church was like four blocks from my house. James Cleveland,

0:23:36.440 --> 0:23:39.359
<v Speaker 1>Los Angeles. James Cleveland had died and they realized he

0:23:39.440 --> 0:23:43.720
<v Speaker 1>was doing at that James Cleveland, Yeah, yeah, I was.

0:23:44.320 --> 0:23:46.480
<v Speaker 1>They churched that church into a at one point of

0:23:46.520 --> 0:23:52.560
<v Speaker 1>picking safe yeah, and no respect when you're taking things

0:23:52.640 --> 0:23:59.320
<v Speaker 1>in the Lord's name. That was such a churchy response. Hey,

0:24:00.240 --> 0:24:02.919
<v Speaker 1>you know in the regular world, you take stuff like that,

0:24:02.960 --> 0:24:11.800
<v Speaker 1>you go to jail. We have to take a break

0:24:12.240 --> 0:24:15.440
<v Speaker 1>and the morning thing, we gotta pay some bills. You

0:24:15.520 --> 0:24:22.960
<v Speaker 1>got checks. I love cut to It, and I love

0:24:22.960 --> 0:24:27.119
<v Speaker 1>it even more when you download us and subscribe and

0:24:27.560 --> 0:24:29.760
<v Speaker 1>you can follow us on social media too. Smithie, where

0:24:29.800 --> 0:24:32.760
<v Speaker 1>where at that's at? Cut to It on Instagram? What

0:24:32.880 --> 0:24:38.000
<v Speaker 1>about Twitter? At? Cut to It? Facebook? Cut to It

0:24:38.040 --> 0:24:41.919
<v Speaker 1>featuring Steve Smith singr what about online and you can

0:24:41.920 --> 0:24:44.600
<v Speaker 1>follow us at cut to It podcast dot com where

0:24:44.800 --> 0:24:47.720
<v Speaker 1>you can buy merch and you can subscribe to us

0:24:47.760 --> 0:24:51.600
<v Speaker 1>wherever you listen to podcasts. I got all my answers questions.

0:24:51.640 --> 0:24:56.000
<v Speaker 1>Uh yeah, I got all my questions answered. That's what

0:24:56.040 --> 0:25:00.000
<v Speaker 1>I'm here for, a brother, cut to a podcast dot com.

0:25:00.280 --> 0:25:04.199
<v Speaker 1>Describe your journey from from your perspective of getting into

0:25:04.280 --> 0:25:08.720
<v Speaker 1>the business world and the industry of music, but also

0:25:08.760 --> 0:25:11.320
<v Speaker 1>you're saying it's your therapy and you get the air

0:25:11.440 --> 0:25:14.280
<v Speaker 1>your dirty laundry and are your good laundry as well,

0:25:14.840 --> 0:25:19.679
<v Speaker 1>and it is a career because early on I knew, okay,

0:25:19.720 --> 0:25:23.280
<v Speaker 1>this is what I want to do. You know, you

0:25:23.359 --> 0:25:27.640
<v Speaker 1>dream about being a musician, singer, songwriter, and every all

0:25:27.680 --> 0:25:32.560
<v Speaker 1>of my steps were toward anything musical, from school, from

0:25:32.680 --> 0:25:38.120
<v Speaker 1>church first being on the choir, to school choir singing

0:25:38.320 --> 0:25:42.360
<v Speaker 1>or just in the chord. I led a few songs.

0:25:42.760 --> 0:25:44.480
<v Speaker 1>You know when you when you're young, you don't want

0:25:44.480 --> 0:25:46.880
<v Speaker 1>all that attention at the time, and then you start

0:25:46.880 --> 0:25:51.640
<v Speaker 1>getting older, I said, I started singing out more twelve thirteen,

0:25:52.080 --> 0:25:55.000
<v Speaker 1>girls start saying you oh the sing sing for me?

0:25:55.320 --> 0:25:59.520
<v Speaker 1>She will absolutely look at that game. Yeah, you start

0:26:00.119 --> 0:26:04.200
<v Speaker 1>getting more are comfortable with your gifts, and you start

0:26:04.480 --> 0:26:07.640
<v Speaker 1>trying to find um ways to ticket to the next level.

0:26:07.920 --> 0:26:11.440
<v Speaker 1>So I to get into talent shows, form little groups

0:26:11.480 --> 0:26:17.840
<v Speaker 1>around town, um, start harmonizing and before YouTube, before the Yeah,

0:26:19.359 --> 0:26:22.679
<v Speaker 1>it was just you know at school, when you know,

0:26:23.040 --> 0:26:25.679
<v Speaker 1>lunch time. But you you go back though, you said,

0:26:27.560 --> 0:26:29.760
<v Speaker 1>confident in your gift and when did you know it

0:26:29.800 --> 0:26:33.800
<v Speaker 1>was a gift when you when you dream about it

0:26:33.800 --> 0:26:37.280
<v Speaker 1>and you feel so connected to something like that is

0:26:37.640 --> 0:26:42.360
<v Speaker 1>almost magical feeling, and you can't you can't stop doing

0:26:42.400 --> 0:26:45.080
<v Speaker 1>it or thinking about it. And you know something birth

0:26:45.119 --> 0:26:49.720
<v Speaker 1>than you that that's special and those things that gifts um,

0:26:49.800 --> 0:26:51.760
<v Speaker 1>because you didn't ask for it, you didn't train for it,

0:26:52.320 --> 0:26:54.960
<v Speaker 1>so it's kind of given to you. UM. So I

0:26:55.000 --> 0:26:59.520
<v Speaker 1>knew then to continue with it because if I hadn't,

0:27:00.480 --> 0:27:03.840
<v Speaker 1>you know, taking it that serious that early on, and

0:27:03.880 --> 0:27:07.000
<v Speaker 1>got swayed away from it, I would be miserable, probably

0:27:07.040 --> 0:27:09.640
<v Speaker 1>on trucks somewhere or something, just miserable because that's who

0:27:09.680 --> 0:27:12.679
<v Speaker 1>I am, truly. So I made I made every step

0:27:12.880 --> 0:27:15.280
<v Speaker 1>to to get to the next level of it. I

0:27:15.320 --> 0:27:19.440
<v Speaker 1>started performing in talent shows, and want a few got

0:27:19.480 --> 0:27:23.120
<v Speaker 1>booed a few times. Yeah, right here in Charlotte. What's

0:27:23.160 --> 0:27:27.639
<v Speaker 1>that do for you? Um? The booing and and and

0:27:27.680 --> 0:27:31.200
<v Speaker 1>the winning. You know, winning is good. It's always good

0:27:31.240 --> 0:27:35.320
<v Speaker 1>to win. But sometimes you when you get booed, if

0:27:35.359 --> 0:27:39.480
<v Speaker 1>you're smart, you'll you'll try to see why, try to

0:27:39.480 --> 0:27:42.199
<v Speaker 1>look back and say, Okay, maybe I was doing too

0:27:42.280 --> 0:27:45.280
<v Speaker 1>much vocally. Maybe I was trying to be something that

0:27:45.320 --> 0:27:46.960
<v Speaker 1>I wasn't and I was trying to do some job

0:27:47.000 --> 0:27:50.959
<v Speaker 1>to your runs or some r Kelly runs or some

0:27:51.200 --> 0:27:53.639
<v Speaker 1>you know, different runs, and that's not my voice. So

0:27:53.680 --> 0:27:55.879
<v Speaker 1>it made me pay attention to how can I present

0:27:55.960 --> 0:27:59.600
<v Speaker 1>this the next song in a way that I'm doing

0:27:59.640 --> 0:28:03.600
<v Speaker 1>truly me, at least try it different and see what

0:28:03.720 --> 0:28:05.840
<v Speaker 1>the outcome would be. And so I started doing that.

0:28:05.880 --> 0:28:08.720
<v Speaker 1>It's you know, one man was like, quit bullshit, and

0:28:08.760 --> 0:28:12.080
<v Speaker 1>this same big dude. It was actually at a little

0:28:12.200 --> 0:28:13.920
<v Speaker 1>I don't even know how I got to go down

0:28:13.960 --> 0:28:16.600
<v Speaker 1>there by myself. It was across the street. What's Boulevard

0:28:16.720 --> 0:28:19.520
<v Speaker 1>was a busy, busy street, and I crossed from my

0:28:19.560 --> 0:28:23.000
<v Speaker 1>neighborhood over the busy street. I used to have to

0:28:23.040 --> 0:28:24.840
<v Speaker 1>go to the store all the time for my mother

0:28:24.880 --> 0:28:28.000
<v Speaker 1>and grandmother anyway, So maybe I was just that good

0:28:28.040 --> 0:28:31.320
<v Speaker 1>at crossing the street and I could run fast track.

0:28:31.880 --> 0:28:35.399
<v Speaker 1>But I would go down there sitting. It was like

0:28:35.440 --> 0:28:39.680
<v Speaker 1>a look at house, a bar. They sold hot dogs

0:28:39.760 --> 0:28:44.800
<v Speaker 1>and just and tires. Is this place on what's Bulevard

0:28:44.800 --> 0:28:46.080
<v Speaker 1>And I will go down there and they had to

0:28:46.160 --> 0:28:49.480
<v Speaker 1>live music, not live music, but they had the speakers

0:28:49.480 --> 0:28:52.360
<v Speaker 1>out and they had a microphone. And I go down there,

0:28:52.440 --> 0:28:56.640
<v Speaker 1>just start singing and I chord to Yeah. Definitely, that

0:28:56.680 --> 0:29:02.440
<v Speaker 1>long black cord can go from house speaker to concert

0:29:03.120 --> 0:29:06.200
<v Speaker 1>many concert speaker. I don't know where they got him from.

0:29:06.280 --> 0:29:09.920
<v Speaker 1>It was a lot of illegal something got at the

0:29:09.920 --> 0:29:13.080
<v Speaker 1>local barber shop, probably because it was three or four

0:29:13.080 --> 0:29:15.520
<v Speaker 1>of them. Yeah, but yeah, I'd go down and sing

0:29:15.520 --> 0:29:17.400
<v Speaker 1>and he was like quick bullshot and San, you got

0:29:17.440 --> 0:29:20.760
<v Speaker 1>a nice voice, sang and that was the last time

0:29:21.000 --> 0:29:30.520
<v Speaker 1>I tried that wiggle voice. What wiggle voice a wig voice? Yeah,

0:29:30.800 --> 0:29:33.560
<v Speaker 1>they were like stopped putting on stop lamber lambder lamb

0:29:33.600 --> 0:29:39.080
<v Speaker 1>in the horse. And so I started singing a different way.

0:29:39.120 --> 0:29:42.280
<v Speaker 1>I was like, okay, this has been told to me.

0:29:43.040 --> 0:29:46.360
<v Speaker 1>And when I started doing that, I developed developed my

0:29:46.520 --> 0:29:50.960
<v Speaker 1>voice into something my old school where they sang Teddy

0:29:51.000 --> 0:29:54.800
<v Speaker 1>Pentagrass would just sing tell the story. Luther Vandross was

0:29:54.920 --> 0:30:01.560
<v Speaker 1>singing so Luthor, Yeah you perked up? Now I love

0:30:02.600 --> 0:30:06.160
<v Speaker 1>you know who I don't like? Damn you don't like?

0:30:07.200 --> 0:30:09.200
<v Speaker 1>My mom used to play that every shurterday that you

0:30:09.240 --> 0:30:12.520
<v Speaker 1>know what that meant? Clean it up? You got to

0:30:12.520 --> 0:30:15.040
<v Speaker 1>give us a second chance every time I hear shot

0:30:16.080 --> 0:30:22.360
<v Speaker 1>just grabbed my broom stick, his hands and the toilet.

0:30:23.600 --> 0:30:25.720
<v Speaker 1>Who else? Who are some of your other musical influence

0:30:25.720 --> 0:30:29.200
<v Speaker 1>You talked about Teddy Luke Man, Steve, Bill Withers, Steved

0:30:29.240 --> 0:30:33.800
<v Speaker 1>Wander up for us, Um, Curtis blow heck yeah big.

0:30:35.960 --> 0:30:42.880
<v Speaker 1>I wasn't expecting Curtis wrap his music to me. Yeah, Man,

0:30:43.240 --> 0:30:46.440
<v Speaker 1>Fat Boys is one of my favorite groups. Yeah yeah,

0:30:46.520 --> 0:30:48.120
<v Speaker 1>you had the Beast two Boys. You had a lot

0:30:48.160 --> 0:30:51.760
<v Speaker 1>of great talent back in the day. Ep M D

0:30:52.640 --> 0:30:54.800
<v Speaker 1>Cool Mo D's. There's a lot of these, like there's

0:30:54.800 --> 0:30:58.280
<v Speaker 1>a lot of the babies, little baby baby baby babies,

0:30:58.840 --> 0:31:02.080
<v Speaker 1>or slide slide the family stones, sliding the family stone.

0:31:02.120 --> 0:31:04.760
<v Speaker 1>You know what I do? Love though, man, I was

0:31:04.800 --> 0:31:07.520
<v Speaker 1>one to fire and I was gonna say Osley Brothers

0:31:07.560 --> 0:31:10.840
<v Speaker 1>that that versus the other school brothers. So I kind

0:31:10.840 --> 0:31:13.400
<v Speaker 1>of throche every time you went to school with one

0:31:13.440 --> 0:31:16.600
<v Speaker 1>of the one of the one of the one of

0:31:16.640 --> 0:31:21.640
<v Speaker 1>the brothers, to say, you know you nowhere near that age. No,

0:31:21.720 --> 0:31:25.480
<v Speaker 1>it's you went to school with Rodley. No, absolutely, no,

0:31:25.520 --> 0:31:36.480
<v Speaker 1>I'm not one of the Oley brothers. Several times one

0:31:36.520 --> 0:31:42.240
<v Speaker 1>of the Oley brothers Benjamin Button Button fly button fly

0:31:43.160 --> 0:31:48.920
<v Speaker 1>point five. Yeah, man, I just old school music is

0:31:49.000 --> 0:31:53.960
<v Speaker 1>so old scoo music. You go back to it and

0:31:54.120 --> 0:31:58.320
<v Speaker 1>you knew what they were singing about. Ship. Now you

0:31:58.440 --> 0:32:01.760
<v Speaker 1>mess right, unrelatable. You messed around a single song, you

0:32:01.840 --> 0:32:05.400
<v Speaker 1>go to jail. It's not. And the older I get,

0:32:05.440 --> 0:32:08.040
<v Speaker 1>the more I have appreciation for the earth winding fires,

0:32:08.160 --> 0:32:14.840
<v Speaker 1>the Osley brothers like all that stuff just because busy

0:32:15.400 --> 0:32:18.600
<v Speaker 1>down the street. So I got way more appreciated for

0:32:18.640 --> 0:32:21.240
<v Speaker 1>that stuff now, the older I get just for real

0:32:21.360 --> 0:32:24.120
<v Speaker 1>music because it was real back then. I'm not saying

0:32:24.160 --> 0:32:27.080
<v Speaker 1>it's nothing now, but you just felt it. Now it's different.

0:32:27.120 --> 0:32:29.400
<v Speaker 1>I mean, like one of the songs I loved that

0:32:29.600 --> 0:32:33.640
<v Speaker 1>by Luther and Ro's Danced with my Father. He talks

0:32:33.720 --> 0:32:39.080
<v Speaker 1>about his relationship with his dad that got cut short

0:32:39.200 --> 0:32:42.440
<v Speaker 1>through his mom and even now me and my son,

0:32:42.560 --> 0:32:46.560
<v Speaker 1>my oldest we will like that same song came on

0:32:46.760 --> 0:32:49.040
<v Speaker 1>I I shared it with him, said, man, just made

0:32:49.040 --> 0:32:51.400
<v Speaker 1>me think about you. I teared up just having that

0:32:51.480 --> 0:32:56.600
<v Speaker 1>fun and father and son connection. There are so many

0:32:56.760 --> 0:33:03.560
<v Speaker 1>old school songs that you can actually sing along with

0:33:03.600 --> 0:33:06.760
<v Speaker 1>it and you really know what they're saying. There's no

0:33:06.960 --> 0:33:10.960
<v Speaker 1>subliminal messages. You know exactly what they're talking about, and

0:33:11.000 --> 0:33:12.800
<v Speaker 1>you remember that point in time that you like. Yeah,

0:33:12.840 --> 0:33:15.160
<v Speaker 1>because even I mean I'll even use Anthony some some

0:33:15.200 --> 0:33:17.040
<v Speaker 1>of his music, like point of It All that that

0:33:17.120 --> 0:33:19.840
<v Speaker 1>came out right when I believe me and my wife

0:33:19.840 --> 0:33:22.880
<v Speaker 1>were dating and we were right about two, I was

0:33:23.040 --> 0:33:26.480
<v Speaker 1>about the proposal, so like that's that's our song, right,

0:33:26.520 --> 0:33:29.320
<v Speaker 1>like we uh that song was that all with? Right?

0:33:29.360 --> 0:33:34.640
<v Speaker 1>So just those you remember songs that take you to

0:33:34.680 --> 0:33:36.800
<v Speaker 1>that point in time because it has substance and is

0:33:36.880 --> 0:33:39.640
<v Speaker 1>substantial for you. Yeah, And you know, I try to

0:33:39.680 --> 0:33:44.000
<v Speaker 1>write and create music that that has that timeless um

0:33:44.120 --> 0:33:49.160
<v Speaker 1>connection to people and it's it's it's something that's kind

0:33:49.160 --> 0:33:52.000
<v Speaker 1>of easy for me because I can identify. I mean,

0:33:52.120 --> 0:33:55.640
<v Speaker 1>I can remember life and things that I've been through

0:33:55.720 --> 0:33:58.280
<v Speaker 1>and moments that made me feel good, the moments that

0:33:58.440 --> 0:34:01.760
<v Speaker 1>didn't feel so good or things I have experienced through

0:34:02.720 --> 0:34:07.040
<v Speaker 1>my parents and aunts and uncles and just being in

0:34:07.080 --> 0:34:09.280
<v Speaker 1>school and being a young love and all these things

0:34:09.280 --> 0:34:12.640
<v Speaker 1>that you feel. When it's time to write and the

0:34:12.760 --> 0:34:15.480
<v Speaker 1>music is playing. I was like, man, I remember this

0:34:15.600 --> 0:34:20.960
<v Speaker 1>reminded me of because everything comes from what's been here before.

0:34:21.200 --> 0:34:25.520
<v Speaker 1>This is all recycled. A lot of stuff is recycled. Um. Wow,

0:34:25.600 --> 0:34:29.000
<v Speaker 1>that court reminds me of this. Let me tell my

0:34:29.120 --> 0:34:31.839
<v Speaker 1>version of this story, and that's what it is like.

0:34:31.920 --> 0:34:34.640
<v Speaker 1>You know, if you can connect to it and tell

0:34:34.680 --> 0:34:38.520
<v Speaker 1>your version of the story, people pretty much can identify

0:34:38.880 --> 0:34:42.560
<v Speaker 1>what you're saying and they'll start listening to different So

0:34:42.640 --> 0:34:48.480
<v Speaker 1>when you're talking about the recycling of things, how walk

0:34:48.560 --> 0:34:52.880
<v Speaker 1>us through this? This industry of music? How you know

0:34:52.960 --> 0:34:57.160
<v Speaker 1>you hear different versions, different stories. You know, some people say, no,

0:34:57.360 --> 0:34:59.480
<v Speaker 1>this is how money is made, this is how it's not.

0:34:59.600 --> 0:35:04.279
<v Speaker 1>But is country music how they make their music? How

0:35:04.640 --> 0:35:07.799
<v Speaker 1>tours are successful? Even just as simple as what does

0:35:07.840 --> 0:35:10.040
<v Speaker 1>it mean to be signed to a record label? What

0:35:10.080 --> 0:35:12.239
<v Speaker 1>does that? What does that mean today? And even what

0:35:12.280 --> 0:35:14.920
<v Speaker 1>did it mean back when you signed with what Uptown

0:35:14.960 --> 0:35:17.239
<v Speaker 1>back in the in the day. Yeah, I mean you've

0:35:17.280 --> 0:35:20.560
<v Speaker 1>signed You've been with a number of record labels, not

0:35:20.600 --> 0:35:24.399
<v Speaker 1>necessarily by choice or something you did wrong, but just

0:35:24.480 --> 0:35:32.400
<v Speaker 1>how the business has morphed and changed. But yet the

0:35:32.480 --> 0:35:37.200
<v Speaker 1>common Denominator's music still needs to be made. Yeah, it

0:35:37.320 --> 0:35:41.040
<v Speaker 1>definitely has to be made. UM being signed to a label,

0:35:41.440 --> 0:35:49.040
<v Speaker 1>it's like having Harvard or or or going to one

0:35:49.080 --> 0:35:54.880
<v Speaker 1>of these these amazing colleges like Johnson C. Smith, having

0:35:54.920 --> 0:36:00.000
<v Speaker 1>them backing you up and and just going to uh

0:36:00.040 --> 0:36:04.400
<v Speaker 1>Rudy's Academy where nobody really knows who they are and

0:36:04.400 --> 0:36:06.560
<v Speaker 1>what they stand for. It's almost like you get co

0:36:06.680 --> 0:36:10.920
<v Speaker 1>signed by the greats people who've who've been signed to

0:36:10.960 --> 0:36:15.080
<v Speaker 1>those labels, like the James Browns or the Jodices, and

0:36:15.200 --> 0:36:17.400
<v Speaker 1>you're still You're You're signed to these labels. So it

0:36:17.640 --> 0:36:19.640
<v Speaker 1>said something about who you are and what you have

0:36:20.560 --> 0:36:24.240
<v Speaker 1>UM as a talent, you looked at in a different

0:36:24.320 --> 0:36:26.800
<v Speaker 1>in a different light. It's like I made it from

0:36:26.840 --> 0:36:30.359
<v Speaker 1>just the streets and the talent shows. Here I am

0:36:30.400 --> 0:36:35.200
<v Speaker 1>now amongst the greatest UM. You know, you go to

0:36:35.239 --> 0:36:37.640
<v Speaker 1>the office, you see Andre Horrell, you see Russell Simmons,

0:36:37.640 --> 0:36:40.319
<v Speaker 1>and then Puppy walking through the hallway and Mary J.

0:36:40.400 --> 0:36:42.600
<v Speaker 1>Blide is coming in and out, and I'm like, wow,

0:36:43.040 --> 0:36:46.880
<v Speaker 1>I really really made a big step, um, you know,

0:36:47.000 --> 0:36:49.200
<v Speaker 1>leaving Charlotte and going to the to the big league.

0:36:49.600 --> 0:36:53.560
<v Speaker 1>So it's it's different. You can put music out now independently,

0:36:54.480 --> 0:36:58.759
<v Speaker 1>but you still want them majors too, sport, you know,

0:36:59.000 --> 0:37:03.239
<v Speaker 1>just to allogic. Um. I think we're all trained to

0:37:03.320 --> 0:37:09.520
<v Speaker 1>think that these big corporations they they they are the

0:37:09.560 --> 0:37:12.799
<v Speaker 1>ones who dictate what's what's really popular and what's really

0:37:12.840 --> 0:37:16.319
<v Speaker 1>successful because they have the relationship with radio and all

0:37:16.320 --> 0:37:19.120
<v Speaker 1>these people. So you want to get there almost like

0:37:19.120 --> 0:37:24.319
<v Speaker 1>getting their blessings or you know, getting me Okay, that's

0:37:24.400 --> 0:37:26.680
<v Speaker 1>that's when you know you're doing something. When you can

0:37:27.680 --> 0:37:31.320
<v Speaker 1>get the attention of those majors, whether it's independent or

0:37:31.360 --> 0:37:35.200
<v Speaker 1>signed to one of them, you have to getting signed obviously,

0:37:35.239 --> 0:37:38.840
<v Speaker 1>that should mountaintop. It can be. I was signed, and

0:37:39.719 --> 0:37:41.880
<v Speaker 1>I was signed for ten years before the first album

0:37:41.920 --> 0:37:46.480
<v Speaker 1>came out, So you can be signed and years I

0:37:46.560 --> 0:37:49.640
<v Speaker 1>was signing ninety three to Uptown. The first album didn't

0:37:49.680 --> 0:37:53.520
<v Speaker 1>come out to two thousand and three. Yeah. I have

0:37:53.640 --> 0:37:56.279
<v Speaker 1>worked on a few of them in between there, but

0:37:56.680 --> 0:38:00.840
<v Speaker 1>it was always the record labels falling out saying falling

0:38:00.880 --> 0:38:05.759
<v Speaker 1>out hometown. Uptown was distributed through m c A. So

0:38:05.800 --> 0:38:10.560
<v Speaker 1>they had a falling Now, so I was on. I

0:38:10.640 --> 0:38:13.160
<v Speaker 1>was in there, you know, I was about to come out.

0:38:13.760 --> 0:38:16.120
<v Speaker 1>So when they separate time, it's just kind of like, well,

0:38:16.960 --> 0:38:19.480
<v Speaker 1>what we're gonna do with him? They're not letting Andre

0:38:19.560 --> 0:38:23.319
<v Speaker 1>take me. He wanted to, but m c A didn't

0:38:23.360 --> 0:38:26.800
<v Speaker 1>have anything invested in me a little, you know, just money,

0:38:26.880 --> 0:38:30.160
<v Speaker 1>but nobody wanted to adopt the project to be their own.

0:38:30.880 --> 0:38:33.240
<v Speaker 1>So I sat around and sat around, and it happened

0:38:33.239 --> 0:38:37.680
<v Speaker 1>a few times with Andrew Herrell again to Sony Um

0:38:37.760 --> 0:38:40.800
<v Speaker 1>and then Soul Life through Atlantic Records. They had a

0:38:40.840 --> 0:38:43.879
<v Speaker 1>falling out and here I am again. This happened three

0:38:44.120 --> 0:38:46.880
<v Speaker 1>major times on now and you still sit and you

0:38:46.920 --> 0:38:49.839
<v Speaker 1>were sitting on that album. Yeah, I sat on a few.

0:38:50.080 --> 0:38:53.359
<v Speaker 1>I just have a lot of music. Um, Soul Life

0:38:53.400 --> 0:38:58.040
<v Speaker 1>came out afterwards. One of the investors put it out. UM,

0:38:58.800 --> 0:39:03.400
<v Speaker 1>Southern Comfort came out. The first album, Ecstasy from Uptown.

0:39:04.360 --> 0:39:07.680
<v Speaker 1>It hadn't come out yet, UM, but some people have

0:39:07.800 --> 0:39:11.800
<v Speaker 1>they got their hands on it. I'm gonna reredo, re

0:39:11.800 --> 0:39:18.200
<v Speaker 1>release it because I own the masters now now now

0:39:18.280 --> 0:39:21.800
<v Speaker 1>as in well after in my contract I had it

0:39:21.880 --> 0:39:25.440
<v Speaker 1>set to after so many years, it reverts back to me,

0:39:26.880 --> 0:39:28.959
<v Speaker 1>you gotta be smart about it. You gotta, you gotta

0:39:29.000 --> 0:39:30.960
<v Speaker 1>if you don't know that, you don't know that to

0:39:31.080 --> 0:39:33.919
<v Speaker 1>ask for it. Um. But if it had come out

0:39:34.040 --> 0:39:36.320
<v Speaker 1>back then, I would have been robbed up because the contract,

0:39:36.360 --> 0:39:39.279
<v Speaker 1>it wasn't the best contract. I ate a little bit,

0:39:40.040 --> 0:39:45.239
<v Speaker 1>but they would ate a lot, some of the people involved. Um,

0:39:45.239 --> 0:39:48.120
<v Speaker 1>but you learned from that. That's what keeps you, what

0:39:48.239 --> 0:39:50.600
<v Speaker 1>keeps you motivated in those in those ten years to

0:39:50.640 --> 0:39:52.839
<v Speaker 1>where you don't just decide, you know what, I'm done

0:39:52.840 --> 0:39:54.960
<v Speaker 1>with that business and I don't and I don't I

0:39:55.080 --> 0:39:57.520
<v Speaker 1>want to do this anymore. Yeah, I had that moment

0:39:58.080 --> 0:40:01.799
<v Speaker 1>uh once or twice and it's almost like something would

0:40:01.800 --> 0:40:05.520
<v Speaker 1>happen good Like I wrote that. Doniel Jones co wrote

0:40:05.520 --> 0:40:09.200
<v Speaker 1>doniel Jones same, what's what? Yeah? Um, we was playing

0:40:09.280 --> 0:40:11.880
<v Speaker 1>actually I was. I was looking at that and me

0:40:12.320 --> 0:40:15.120
<v Speaker 1>and and you were playing that though last night I

0:40:15.280 --> 0:40:19.000
<v Speaker 1>just kind of just grow into it because it's it's

0:40:19.040 --> 0:40:22.759
<v Speaker 1>one of those it's really cool, as I believe two

0:40:22.760 --> 0:40:27.240
<v Speaker 1>thousand and six, two thousand six, that came out Donielle Jones. However,

0:40:27.880 --> 0:40:31.520
<v Speaker 1>the guy who's saying it my freaking neighbor, right, and

0:40:32.320 --> 0:40:34.920
<v Speaker 1>you're not. You know. I think that's one of the

0:40:34.960 --> 0:40:41.319
<v Speaker 1>interesting things as well, is as as as little boys man,

0:40:41.360 --> 0:40:47.280
<v Speaker 1>we inspire to be something so much and we see

0:40:47.360 --> 0:40:51.520
<v Speaker 1>the pine the sky or like for me, it's always

0:40:51.600 --> 0:40:53.879
<v Speaker 1>wanted to play in the NFL, but I never thought

0:40:53.880 --> 0:41:00.120
<v Speaker 1>about college. And so hearing you just be on one

0:41:03.160 --> 0:41:05.359
<v Speaker 1>a album and then I go back and I see

0:41:05.400 --> 0:41:10.520
<v Speaker 1>that you were part of Thugs Mansion of the remix

0:41:10.560 --> 0:41:14.080
<v Speaker 1>on Tupac, you know, just hearing all this, all this

0:41:14.239 --> 0:41:18.880
<v Speaker 1>music on what Nappy roots, all of just all of

0:41:18.920 --> 0:41:23.880
<v Speaker 1>those little bitty in the grand scheme of things, little

0:41:23.880 --> 0:41:29.239
<v Speaker 1>bitty songs, however, you know, and you're sitting down and

0:41:29.320 --> 0:41:34.759
<v Speaker 1>those are the the barbecue classics songs. You're sitting down,

0:41:34.760 --> 0:41:38.239
<v Speaker 1>when you're playing spades, where you're playing tonk, were you

0:41:38.320 --> 0:41:41.800
<v Speaker 1>playing dominoes, and when you're cooking, and those are the songs.

0:41:43.560 --> 0:41:49.399
<v Speaker 1>And when you they come on, everybody becomes inner jib.

0:41:50.520 --> 0:41:52.880
<v Speaker 1>Everybody's sitting there. You you know, you got old You

0:41:52.960 --> 0:41:55.880
<v Speaker 1>got that old uncle, start to be that old uncle.

0:41:55.960 --> 0:41:59.319
<v Speaker 1>Joe backstage, got the old uncle. He got that same

0:41:59.400 --> 0:42:02.280
<v Speaker 1>moved right. They call you, they call your g now, Yeah,

0:42:02.320 --> 0:42:05.480
<v Speaker 1>they tell him, all you just got that when you're

0:42:05.520 --> 0:42:08.520
<v Speaker 1>gonna change up the move and I look at hey,

0:42:08.560 --> 0:42:10.120
<v Speaker 1>I'm getting that to the age where I'll be able

0:42:10.120 --> 0:42:13.560
<v Speaker 1>to tell the niece and nephew, your auntie ain't got

0:42:13.560 --> 0:42:20.880
<v Speaker 1>a problem with that. You know. It's just those songs

0:42:21.000 --> 0:42:25.960
<v Speaker 1>and those hooks and just you writing that. You take

0:42:26.040 --> 0:42:32.520
<v Speaker 1>us through the process of writing writing a song that

0:42:32.600 --> 0:42:36.960
<v Speaker 1>does that's melodies and music to people's ears, but they

0:42:36.960 --> 0:42:40.960
<v Speaker 1>don't really know how much goes into it. You know,

0:42:41.480 --> 0:42:45.160
<v Speaker 1>sometimes we're going in to write a song for somebody

0:42:45.200 --> 0:42:48.920
<v Speaker 1>else's a little harder than writing for yourself. Um, because

0:42:48.920 --> 0:42:52.600
<v Speaker 1>you have to get into this person's into their mind

0:42:52.640 --> 0:42:55.239
<v Speaker 1>and too. You know, it's good to kind of know

0:42:55.280 --> 0:42:58.480
<v Speaker 1>a little bit about them their life. Or you can

0:42:58.520 --> 0:43:02.279
<v Speaker 1>take previous songs that they they've done and try to

0:43:02.360 --> 0:43:07.880
<v Speaker 1>mimic something about it. Um. For me, the music speaks

0:43:08.480 --> 0:43:12.160
<v Speaker 1>and then the lyrics, you know, lyrics will come. Um.

0:43:12.200 --> 0:43:18.640
<v Speaker 1>I like to find something that's okay, this is this song.

0:43:18.760 --> 0:43:21.600
<v Speaker 1>It needs to say this. This beat that Donielle Jones

0:43:21.680 --> 0:43:25.640
<v Speaker 1>beat was up like this has to be up song. Um.

0:43:25.680 --> 0:43:28.360
<v Speaker 1>So when they send you to I was in the

0:43:28.360 --> 0:43:36.319
<v Speaker 1>studio with producers, Um, Chris Lity, Um Darren and Chris

0:43:36.360 --> 0:43:40.480
<v Speaker 1>Litty and uh dude named Blawa. We were actually in

0:43:41.120 --> 0:43:43.520
<v Speaker 1>New Jersey and this is something I needed at the

0:43:43.560 --> 0:43:46.839
<v Speaker 1>time because I was down, you know, about to give up,

0:43:46.880 --> 0:43:51.439
<v Speaker 1>and I got this opportunity and so um, this gave

0:43:51.440 --> 0:43:54.239
<v Speaker 1>me a little bit more hope. When I heard the song,

0:43:57.000 --> 0:44:05.799
<v Speaker 1>there's a train, short train and then again it's calm

0:44:07.120 --> 0:44:11.600
<v Speaker 1>trained there. Um was that the midnight train to Georgia

0:44:12.120 --> 0:44:15.880
<v Speaker 1>in the daytime, it was like confused, you know, you

0:44:15.880 --> 0:44:19.640
<v Speaker 1>can do what you want now, like you know, you

0:44:19.640 --> 0:44:23.680
<v Speaker 1>can do what you want. That train in the daytime,

0:44:23.719 --> 0:44:27.239
<v Speaker 1>it's well in Charlotte, so it's going to Georgea. You

0:44:27.239 --> 0:44:32.359
<v Speaker 1>know what I'm saying. You got you uh but yeah,

0:44:32.640 --> 0:44:35.600
<v Speaker 1>you just try to write something that you feel melodically

0:44:35.680 --> 0:44:41.000
<v Speaker 1>people could they want to repeat um and you wanted

0:44:41.040 --> 0:44:43.640
<v Speaker 1>to be catchy, but you want to be saying something

0:44:43.680 --> 0:44:46.759
<v Speaker 1>that they feel like, Okay, I can identify. Just this

0:44:46.840 --> 0:44:50.680
<v Speaker 1>feels good. I think it's about that time. Just take

0:44:50.719 --> 0:44:59.040
<v Speaker 1>a little breatherd do it. Let's get down to do it. Hey, Gerard,

0:44:59.160 --> 0:45:01.959
<v Speaker 1>why did you get that T shirts? You mean this thing? Oh? Yes,

0:45:02.320 --> 0:45:04.279
<v Speaker 1>I got it from cut to a podcast dot com

0:45:04.320 --> 0:45:07.439
<v Speaker 1>where we have exclusive merchandise. Shout out to our guys

0:45:07.440 --> 0:45:09.279
<v Speaker 1>at seven or four shot. But yeah, you can go on,

0:45:09.640 --> 0:45:11.960
<v Speaker 1>buy you a T shirt, subscribe to us wherever you

0:45:12.000 --> 0:45:19.040
<v Speaker 1>listen to podcasts. What do you mean you were down?

0:45:19.840 --> 0:45:22.000
<v Speaker 1>All my record deals seem like they kept falling apart.

0:45:22.440 --> 0:45:25.880
<v Speaker 1>You just need something to make you feel good. Um,

0:45:25.920 --> 0:45:32.959
<v Speaker 1>a placement, doing backgrounds or something to let you know, like, okay,

0:45:31.360 --> 0:45:35.279
<v Speaker 1>sounds like a lot of the well was starting to

0:45:35.360 --> 0:45:37.680
<v Speaker 1>dry up a little bit. A little ask you around,

0:45:40.000 --> 0:45:43.239
<v Speaker 1>little ask you around. Top your bricks care need a

0:45:43.239 --> 0:45:49.560
<v Speaker 1>little lotion, Yeah, they need a little We got egg

0:45:52.000 --> 0:45:59.200
<v Speaker 1>getting a litttle eggs to me, you know, and uh yeah,

0:45:59.280 --> 0:46:01.160
<v Speaker 1>and you know you don't have a lot of money

0:46:02.080 --> 0:46:05.239
<v Speaker 1>so to do backgrounds or saying for you know, same backgrounds,

0:46:05.320 --> 0:46:08.960
<v Speaker 1>or get a writing gig. You know that you could

0:46:09.280 --> 0:46:13.880
<v Speaker 1>you can turn that into money. Um, the backgrounds you

0:46:13.920 --> 0:46:16.560
<v Speaker 1>go through a union, they pay you, you could pay

0:46:16.800 --> 0:46:19.360
<v Speaker 1>you get paid pretty good doing backgrounds. So if I

0:46:19.400 --> 0:46:25.600
<v Speaker 1>do four notes, if I do if I do four

0:46:25.640 --> 0:46:30.759
<v Speaker 1>those and put so those are four different tracks. If

0:46:30.800 --> 0:46:34.880
<v Speaker 1>I put three different voices under those, stack them and

0:46:35.000 --> 0:46:38.239
<v Speaker 1>that's like you know, that's twelve notes you get. That's

0:46:38.320 --> 0:46:40.960
<v Speaker 1>about four dollars when you're going through the union. So

0:46:41.560 --> 0:46:44.840
<v Speaker 1>I'll learned that game, you know. So I got it,

0:46:44.920 --> 0:46:47.239
<v Speaker 1>I got I got robbed up. Somebody paid me like

0:46:47.560 --> 0:46:50.680
<v Speaker 1>four hundred dollars to do all those notes. Yeah, he

0:46:50.719 --> 0:46:53.720
<v Speaker 1>knows who he is. You know, I can go collect

0:46:53.800 --> 0:46:59.319
<v Speaker 1>for you. How much do you need na, because I'll

0:46:59.360 --> 0:47:01.400
<v Speaker 1>get you your need the extra. Don't worry about none

0:47:01.440 --> 0:47:04.719
<v Speaker 1>of that. Look, he's I just I like seeing him.

0:47:04.719 --> 0:47:06.840
<v Speaker 1>I like seeing him trying to put that ponytail together.

0:47:07.920 --> 0:47:10.600
<v Speaker 1>Now I get my payback watching them trying to slick

0:47:10.640 --> 0:47:24.719
<v Speaker 1>that hair into a ponytail. So you you brought up

0:47:24.760 --> 0:47:27.839
<v Speaker 1>something really important that I wanted to hit on. Why

0:47:27.960 --> 0:47:31.279
<v Speaker 1>you were a background singer, whether it's for D'Angelo, I

0:47:31.280 --> 0:47:32.680
<v Speaker 1>know you opened up for joy to see as well.

0:47:32.719 --> 0:47:35.719
<v Speaker 1>Another another sharlot that but what did that teach you

0:47:35.760 --> 0:47:38.200
<v Speaker 1>about the industry? When you were doing the background stuff?

0:47:38.239 --> 0:47:39.960
<v Speaker 1>What that teach you about the industry? You get a

0:47:40.040 --> 0:47:43.640
<v Speaker 1>chance to see how how the lead man is moving

0:47:43.680 --> 0:47:45.719
<v Speaker 1>and what it takes to get him from point A

0:47:45.840 --> 0:47:50.759
<v Speaker 1>to point B. All the the team players that it

0:47:50.840 --> 0:47:55.920
<v Speaker 1>takes too, you know, to facilitate success and then make

0:47:55.960 --> 0:47:59.760
<v Speaker 1>it move a certain way. Um. The tour manager, actually

0:48:00.040 --> 0:48:04.040
<v Speaker 1>my tour manager now was the lighting director for D'Angelo.

0:48:04.960 --> 0:48:07.439
<v Speaker 1>But I knew he knew how to move on the road,

0:48:07.520 --> 0:48:11.040
<v Speaker 1>so I went to hire him to be my tour manager.

0:48:11.120 --> 0:48:14.360
<v Speaker 1>Has been wow, twenty years. I know we hit you

0:48:14.400 --> 0:48:15.880
<v Speaker 1>with a lot. But what's the state of R and

0:48:15.880 --> 0:48:19.040
<v Speaker 1>B music? Right? You know? They're still some R and B.

0:48:19.400 --> 0:48:23.759
<v Speaker 1>I think her straddles. She doesn't in a way that does.

0:48:24.080 --> 0:48:27.400
<v Speaker 1>You know, the new and the old pretty good. Daniel

0:48:27.440 --> 0:48:32.919
<v Speaker 1>Cesar had some really good songs. Um Collead he kind

0:48:32.920 --> 0:48:34.480
<v Speaker 1>of R and BSh but kind of more on the

0:48:34.520 --> 0:48:37.560
<v Speaker 1>newer side. Jasmine Sullivan definitely is R and B and

0:48:37.680 --> 0:48:43.279
<v Speaker 1>so um she does it. Well. There's a few, you know,

0:48:43.360 --> 0:48:46.480
<v Speaker 1>like Tank R. Kelly was really I know people mad

0:48:46.520 --> 0:48:51.400
<v Speaker 1>about you know, but he was just stay away from

0:48:51.440 --> 0:48:55.560
<v Speaker 1>I was listening to James Brown, you know, you know,

0:48:56.640 --> 0:48:59.959
<v Speaker 1>just hearing it and how and what it what it meant.

0:49:00.800 --> 0:49:04.319
<v Speaker 1>It's so different now you can't now everybody's singing that

0:49:04.360 --> 0:49:07.839
<v Speaker 1>you got. They gotta have their little signature start right,

0:49:08.960 --> 0:49:19.279
<v Speaker 1>it's just out yeah you know, yeah you got all

0:49:19.320 --> 0:49:25.919
<v Speaker 1>these starters man or yeah, yeah, yeah, that's true. Take

0:49:27.840 --> 0:49:30.680
<v Speaker 1>just like all this stuff now, it's but man, it's

0:49:30.719 --> 0:49:36.279
<v Speaker 1>just sometimes just sitting down and I think, especially with

0:49:36.560 --> 0:49:40.000
<v Speaker 1>COVID and you're sitting around you know, we I don't know.

0:49:40.120 --> 0:49:43.719
<v Speaker 1>I just I look at how COVID has made our

0:49:43.800 --> 0:49:46.279
<v Speaker 1>young men and women where they they're stuck in the house,

0:49:46.320 --> 0:49:48.800
<v Speaker 1>sitting in there. And I remember I used to I

0:49:49.080 --> 0:49:54.000
<v Speaker 1>used to sit at home, turn on the radio and

0:49:55.440 --> 0:49:59.320
<v Speaker 1>think about playing football listening to music. Now, that music

0:49:59.400 --> 0:50:01.839
<v Speaker 1>triggers me to remember back when I was a young man.

0:50:03.160 --> 0:50:08.759
<v Speaker 1>How did that music exists right now? So much? So

0:50:08.920 --> 0:50:21.560
<v Speaker 1>much repetitive, you know. I mean it's melody, but it's

0:50:21.560 --> 0:50:24.879
<v Speaker 1>just like you get trapped in up like a mental zone.

0:50:25.640 --> 0:50:27.800
<v Speaker 1>And it affects the kids, man, And a lot of

0:50:27.880 --> 0:50:32.640
<v Speaker 1>it has some I don't know, like not suicidal, but

0:50:32.840 --> 0:50:35.360
<v Speaker 1>like some dog undertones to it if you're not careful.

0:50:35.880 --> 0:50:39.239
<v Speaker 1>You know, my younger three they really love music, and

0:50:39.560 --> 0:50:45.759
<v Speaker 1>uh you know they know, okay, well that can you

0:50:45.840 --> 0:50:49.279
<v Speaker 1>play such and such the clean version because they know

0:50:49.400 --> 0:50:53.320
<v Speaker 1>that the other version is not welcomed, you know, amongst

0:50:53.360 --> 0:50:55.719
<v Speaker 1>family and and things like that. So you bet with

0:50:55.760 --> 0:50:57.839
<v Speaker 1>a new single, you made a fool of me. Tell

0:50:57.920 --> 0:51:00.680
<v Speaker 1>us about that and you got an album coming up? Yeah.

0:51:00.719 --> 0:51:03.640
<v Speaker 1>In August, I got in with j D Jamaine dupri

0:51:04.040 --> 0:51:08.480
<v Speaker 1>Um and we were working on a project. Actually, we

0:51:08.560 --> 0:51:12.000
<v Speaker 1>started working on a music for this new album, and

0:51:12.080 --> 0:51:15.880
<v Speaker 1>then everybody on the internet, um, Facebook and I G

0:51:16.120 --> 0:51:18.440
<v Speaker 1>were like, man, so good to see y'all back together.

0:51:19.400 --> 0:51:23.000
<v Speaker 1>When is this project coming out? He was like, he said,

0:51:23.000 --> 0:51:26.640
<v Speaker 1>you think what I'm thinking? I said, nah, but what

0:51:27.040 --> 0:51:28.919
<v Speaker 1>you know? What are you? What are you thinking? He said,

0:51:28.960 --> 0:51:32.759
<v Speaker 1>we should do a project together. You and I be

0:51:32.840 --> 0:51:34.680
<v Speaker 1>on the same you know the album cover bet you

0:51:34.760 --> 0:51:38.879
<v Speaker 1>and I and put out this music for the people

0:51:38.960 --> 0:51:42.759
<v Speaker 1>who are chiming in every night watching us to create

0:51:42.840 --> 0:51:47.080
<v Speaker 1>this music. And that's how it started. But this particular song,

0:51:47.400 --> 0:51:49.240
<v Speaker 1>you Made a Fool of Me was one of those songs.

0:51:49.800 --> 0:51:54.160
<v Speaker 1>But I'm working on the album for my fans, my

0:51:54.440 --> 0:51:58.200
<v Speaker 1>true fans, um who just want to hear Anthony Hamilton's

0:51:59.400 --> 0:52:02.480
<v Speaker 1>so Our Bar, that song from the Jamatic pre project,

0:52:02.800 --> 0:52:05.200
<v Speaker 1>because it was I felt like being gone so long.

0:52:05.800 --> 0:52:08.200
<v Speaker 1>I wanted to come back with something real, real, R

0:52:08.239 --> 0:52:12.840
<v Speaker 1>and B, not straddling the fence, not halfway doing it,

0:52:13.680 --> 0:52:17.160
<v Speaker 1>but this and I wanted to bring back that Charlene

0:52:17.760 --> 0:52:20.080
<v Speaker 1>an emotion that the connection that people had to Charlene

0:52:20.800 --> 0:52:22.920
<v Speaker 1>and so j D produced this music and he had

0:52:23.000 --> 0:52:24.960
<v Speaker 1>never produced He said, I never made a record like this.

0:52:26.640 --> 0:52:29.520
<v Speaker 1>It's so old school. But the fans of you know,

0:52:29.920 --> 0:52:34.000
<v Speaker 1>Rady Goo starting to eat it up. Um, you know,

0:52:34.120 --> 0:52:35.759
<v Speaker 1>meet him and Eddie came. We went in and we

0:52:35.880 --> 0:52:40.759
<v Speaker 1>did it, and uh, I'll go back in later on

0:52:40.920 --> 0:52:44.520
<v Speaker 1>this week to finish recording some some new stuff for

0:52:44.600 --> 0:52:47.640
<v Speaker 1>the for the new album. You know, talk us through

0:52:48.480 --> 0:52:57.360
<v Speaker 1>how how COVID in fact, that the music industry people

0:52:57.480 --> 0:53:01.120
<v Speaker 1>were feeling like they lost craft and they were gonna

0:53:01.239 --> 0:53:05.840
<v Speaker 1>lose their lives too. In their livelihood. Well, you know,

0:53:06.840 --> 0:53:10.279
<v Speaker 1>like you said, people think that money is gonna keep

0:53:10.400 --> 0:53:14.360
<v Speaker 1>rolling and rolling and rolling and nothing nobody, nobody foreseen

0:53:15.640 --> 0:53:21.000
<v Speaker 1>foresaw this coming. This is happening, COVID, And you out

0:53:21.040 --> 0:53:25.560
<v Speaker 1>there spending tricking off thirty thou dollars, twenty thou dollars,

0:53:25.680 --> 0:53:28.480
<v Speaker 1>buying all these cars and doing all these things that

0:53:28.680 --> 0:53:31.560
<v Speaker 1>take money. If you're not saved up, then you're go

0:53:31.640 --> 0:53:34.319
<v Speaker 1>into a state of panic and you start to try

0:53:34.360 --> 0:53:38.120
<v Speaker 1>to figure it out. I saved you know, I drive

0:53:38.200 --> 0:53:42.200
<v Speaker 1>one car at the time, you know, and uh, just

0:53:42.520 --> 0:53:46.000
<v Speaker 1>just being smart and saving my money. Some people felt

0:53:46.640 --> 0:53:48.680
<v Speaker 1>that it was never gonna end like you said, and

0:53:49.400 --> 0:53:53.640
<v Speaker 1>they didn't. They didn't put nothing aside. So doing COVID,

0:53:54.200 --> 0:53:56.480
<v Speaker 1>you're trying to figure it out. If you didn't, if

0:53:56.520 --> 0:53:59.120
<v Speaker 1>you weren't savvy enough to go to the internet and

0:53:59.200 --> 0:54:02.400
<v Speaker 1>start doing live absent creating streams of income for yourself,

0:54:02.440 --> 0:54:07.360
<v Speaker 1>then he was shout, um, and you know, some people

0:54:07.440 --> 0:54:10.040
<v Speaker 1>turn the drugs, some people turn to alcohol. Some people

0:54:10.200 --> 0:54:16.319
<v Speaker 1>just like you know, I'll ride it out. Um And uh,

0:54:16.719 --> 0:54:18.600
<v Speaker 1>you know you couldn't do concerts now that she did

0:54:18.640 --> 0:54:22.240
<v Speaker 1>it on on live. And it's a difference when people

0:54:22.320 --> 0:54:28.040
<v Speaker 1>come to your certain certain artists can still have an

0:54:28.120 --> 0:54:33.400
<v Speaker 1>audience doing yeah, doing COVID, you know, like d Nice did,

0:54:33.600 --> 0:54:37.800
<v Speaker 1>Greg Tabitha Brown who was online cooking, she did amazing.

0:54:38.320 --> 0:54:42.239
<v Speaker 1>I did great My first show. Uh during COVID had

0:54:42.480 --> 0:54:46.160
<v Speaker 1>like eighty tho people chimed in, Wow, you know you

0:54:46.280 --> 0:54:48.880
<v Speaker 1>have to pay for that? Did I have to say no, no,

0:54:49.360 --> 0:54:53.640
<v Speaker 1>this is I gave that one for free live. Yeah.

0:54:53.680 --> 0:54:56.200
<v Speaker 1>I did it on i G live and uh streamed

0:54:56.239 --> 0:55:01.040
<v Speaker 1>it from my actually in my living room and eight people. Um.

0:55:01.920 --> 0:55:04.120
<v Speaker 1>So when you have true music and you connected to

0:55:04.239 --> 0:55:08.560
<v Speaker 1>the people. They'll they'll come, Yeah, because they needed that outlet, absolutely,

0:55:08.640 --> 0:55:11.040
<v Speaker 1>But if you've been feeding them garbage and they've been

0:55:11.080 --> 0:55:14.480
<v Speaker 1>following your hype, then that's nothing for them. Like right now,

0:55:14.600 --> 0:55:18.520
<v Speaker 1>they don't need hype. It's like, you know, it's hard.

0:55:18.600 --> 0:55:21.759
<v Speaker 1>We can't breathe, you know what I mean, we can't

0:55:21.800 --> 0:55:24.640
<v Speaker 1>go outside. I've been they have with a more chiming.

0:55:25.760 --> 0:55:32.000
<v Speaker 1>You know, I'm not about to chime in too. I'm

0:55:32.040 --> 0:55:34.240
<v Speaker 1>not about to. I'm not about to chime in too.

0:55:35.200 --> 0:55:37.800
<v Speaker 1>You know. Now you have to be selective. Well, I

0:55:37.880 --> 0:55:41.560
<v Speaker 1>spend my money on this, this is a necessity, and

0:55:41.719 --> 0:55:45.360
<v Speaker 1>this is just as bull and so you started weaving

0:55:45.400 --> 0:55:48.360
<v Speaker 1>out what was really real and people, you know, some

0:55:48.480 --> 0:55:50.359
<v Speaker 1>people panicked. Do you think it's gonna have a long

0:55:50.440 --> 0:55:52.799
<v Speaker 1>term effect on the music business. I think people are

0:55:52.880 --> 0:55:55.719
<v Speaker 1>so ready to go out and do something, but they're

0:55:55.719 --> 0:55:58.799
<v Speaker 1>gonna be selective. Um you hope or is they gonna

0:55:58.840 --> 0:56:02.239
<v Speaker 1>fall into the trap or start buying the same I

0:56:02.360 --> 0:56:06.440
<v Speaker 1>hope hopefully they you know, continue to to pouring the

0:56:06.480 --> 0:56:11.000
<v Speaker 1>stuff that's really real and invest in and this stuff

0:56:11.000 --> 0:56:13.719
<v Speaker 1>that's really real. What were you going through? You said

0:56:13.800 --> 0:56:17.560
<v Speaker 1>you got COVID and obvious and getting COVID and you

0:56:17.680 --> 0:56:21.640
<v Speaker 1>have some you have some deep conversations with yourself. Yeah,

0:56:21.960 --> 0:56:24.400
<v Speaker 1>I had COVID in December. How did you get it?

0:56:25.080 --> 0:56:28.920
<v Speaker 1>Do you know? In Atlanta? I went to Atlanta. Actually,

0:56:29.000 --> 0:56:31.400
<v Speaker 1>when I was down there working with j D. It

0:56:31.560 --> 0:56:35.520
<v Speaker 1>wasn't from the studio. I did a video although they

0:56:35.560 --> 0:56:39.840
<v Speaker 1>were taking everybody's temperature and doing things like that and

0:56:39.960 --> 0:56:43.839
<v Speaker 1>keeping people distant. That was a scene where the main

0:56:43.960 --> 0:56:51.239
<v Speaker 1>league girl person, yeah, person, she was in close proximity

0:56:51.320 --> 0:56:55.120
<v Speaker 1>of we were there close, and I'm pretty sure it

0:56:55.239 --> 0:56:59.480
<v Speaker 1>was probably from that, you know, although she didn't have

0:56:59.520 --> 0:57:04.840
<v Speaker 1>a temperatre, she probably had symptoms. Yeah, something you know,

0:57:05.120 --> 0:57:08.200
<v Speaker 1>underlying waiting on and it jumped on me. So I

0:57:08.239 --> 0:57:11.359
<v Speaker 1>was in the hospital two weeks. You're in hospital? Yeah,

0:57:11.440 --> 0:57:14.920
<v Speaker 1>two weeks? Yeah, in in the hospital and uh on

0:57:15.080 --> 0:57:18.360
<v Speaker 1>oxygen and so you know, when you lay in there,

0:57:18.400 --> 0:57:22.280
<v Speaker 1>it's like, damn, I ain't ready, Like what am I

0:57:22.560 --> 0:57:25.400
<v Speaker 1>young boys gonna do? What am I gonna do? Is

0:57:25.440 --> 0:57:28.240
<v Speaker 1>it gonna affect my voice? And there were nights when

0:57:28.280 --> 0:57:31.200
<v Speaker 1>I was like, damn, I'm in tears, Like man, I

0:57:31.240 --> 0:57:33.520
<v Speaker 1>gotta get out of here. So I would do all

0:57:33.600 --> 0:57:35.680
<v Speaker 1>I could do that was a breathing a little plastic

0:57:35.960 --> 0:57:39.080
<v Speaker 1>look like a little piece of junk, A little breathing thing.

0:57:39.640 --> 0:57:42.920
<v Speaker 1>Did she how you volumes? Yeah? Yeah, yeah, So I

0:57:43.240 --> 0:57:45.920
<v Speaker 1>do it. I do it a couple of times a day,

0:57:46.800 --> 0:57:49.400
<v Speaker 1>like around on every hour, and I get up and

0:57:49.440 --> 0:57:53.800
<v Speaker 1>moving around, move around. I was really weak. Um. I

0:57:53.880 --> 0:57:56.560
<v Speaker 1>lost a lot of weight, probably like fifteen pounds. Um.

0:57:58.400 --> 0:58:01.400
<v Speaker 1>And you know, you just started rethink things. And so

0:58:01.840 --> 0:58:04.000
<v Speaker 1>I sang Charlene landing in the bed, and I san

0:58:04.160 --> 0:58:08.160
<v Speaker 1>Charlene and it sounded pretty good. But but you weren't

0:58:08.160 --> 0:58:10.560
<v Speaker 1>saying it to sound good. Now. I was saying if

0:58:10.600 --> 0:58:14.000
<v Speaker 1>I had it still, why did it? Because that mattered,

0:58:14.040 --> 0:58:17.880
<v Speaker 1>Like like sometimes you're like, I know I'm somebody without

0:58:17.920 --> 0:58:20.320
<v Speaker 1>the music. I know, I'm you know, still a father

0:58:20.400 --> 0:58:23.240
<v Speaker 1>and still a man and and all these great you know,

0:58:23.360 --> 0:58:26.280
<v Speaker 1>other qualities I have. But I've invested so much in

0:58:26.360 --> 0:58:30.320
<v Speaker 1>being Anthony Hamilton's the singer for that to be scripted

0:58:30.320 --> 0:58:36.120
<v Speaker 1>away without a warning could be devastating. You were singing

0:58:36.120 --> 0:58:37.560
<v Speaker 1>a little bit to see if you still had it,

0:58:37.600 --> 0:58:41.120
<v Speaker 1>but you but you also singing it for for at

0:58:41.200 --> 0:58:44.520
<v Speaker 1>that time, laying on the bed for hope. Yeah, let

0:58:44.560 --> 0:58:50.000
<v Speaker 1>me ask you if you at some point didn't feel

0:58:50.080 --> 0:58:53.000
<v Speaker 1>like you can still sing? What? What? What? What were

0:58:53.040 --> 0:58:56.800
<v Speaker 1>you thinking? Where you feel man? Because you're so weak.

0:58:56.920 --> 0:58:58.920
<v Speaker 1>And he was like, man, this thing is you know,

0:58:59.680 --> 0:59:04.720
<v Speaker 1>I don't feel like myself. Um. And I just when

0:59:04.880 --> 0:59:07.320
<v Speaker 1>I hadn't even tried it up until that moment that

0:59:07.440 --> 0:59:11.640
<v Speaker 1>I did for the fear of it not being that um.

0:59:12.200 --> 0:59:14.440
<v Speaker 1>So I just tried and nobody was around. I just

0:59:14.640 --> 0:59:18.320
<v Speaker 1>kind of just sunk it and it came out. But

0:59:18.400 --> 0:59:20.200
<v Speaker 1>when I got out of the hospital and I tried

0:59:20.240 --> 0:59:23.560
<v Speaker 1>to sing it a little full, I can tell my

0:59:23.680 --> 0:59:26.720
<v Speaker 1>lungs that being compromised, and it just was not a

0:59:26.800 --> 0:59:32.040
<v Speaker 1>good thing. So that was that was another, uh, another

0:59:33.600 --> 0:59:40.120
<v Speaker 1>you know, moment of slight depression for just a little

0:59:40.120 --> 0:59:45.120
<v Speaker 1>while until I worked my lungs out and uh, you

0:59:45.200 --> 0:59:47.880
<v Speaker 1>know could sing out. I was laying there like they

0:59:48.000 --> 0:59:51.120
<v Speaker 1>give you anti viral stuff and give you all, you know,

0:59:51.160 --> 0:59:55.160
<v Speaker 1>stuff to try to help your body fight this this virus. UM,

0:59:55.480 --> 0:59:56.920
<v Speaker 1>It's like, am I gonna be able to get off

0:59:56.960 --> 1:00:00.440
<v Speaker 1>oxygen today? So it started going down a little bit,

1:00:00.720 --> 1:00:02.400
<v Speaker 1>work my way down and then I was off of

1:00:02.480 --> 1:00:05.760
<v Speaker 1>it for the last two or three days. It's like,

1:00:05.840 --> 1:00:08.960
<v Speaker 1>I hope you know it stays up so I can

1:00:09.040 --> 1:00:11.280
<v Speaker 1>get out of here and turned into be you know,

1:00:11.400 --> 1:00:15.400
<v Speaker 1>turned out uh to be two weeks you said you

1:00:15.480 --> 1:00:18.280
<v Speaker 1>started thinking about your your eating and all that stuff.

1:00:19.480 --> 1:00:22.480
<v Speaker 1>You just sound like you were sitting in that bad

1:00:23.920 --> 1:00:28.000
<v Speaker 1>and you started almost literally going like a budget of

1:00:28.120 --> 1:00:32.080
<v Speaker 1>your life line item reconciling. Yeah, like what's important? Like

1:00:32.720 --> 1:00:36.480
<v Speaker 1>like you've been wasting time doing this. This right here

1:00:36.640 --> 1:00:39.240
<v Speaker 1>is not that important. I'm definitely not. I don't have

1:00:39.360 --> 1:00:42.400
<v Speaker 1>any energy for this or any energy energy for this.

1:00:43.280 --> 1:00:48.520
<v Speaker 1>Certain things became really apparent that they were bs. But

1:00:48.680 --> 1:00:50.880
<v Speaker 1>you know I could have died. Did I want to

1:00:50.880 --> 1:00:54.480
<v Speaker 1>go to heaven and beg when they have all that

1:00:54.680 --> 1:01:02.000
<v Speaker 1>good fried chicken? But must be weeks before that? You cry? Yeah,

1:01:02.160 --> 1:01:04.920
<v Speaker 1>I definitely cry. Yeah, I cry. Yeah, just trying to

1:01:04.920 --> 1:01:07.000
<v Speaker 1>get your voice by trying to get that back and

1:01:07.120 --> 1:01:09.520
<v Speaker 1>just want to be alive for my younger three boys,

1:01:09.600 --> 1:01:12.720
<v Speaker 1>who I was like, so what have you done and

1:01:12.760 --> 1:01:14.400
<v Speaker 1>what do you continue to do for your mental health?

1:01:15.320 --> 1:01:18.120
<v Speaker 1>You know, just you wake up and you breathe, and

1:01:18.200 --> 1:01:22.000
<v Speaker 1>you realize what you have access to and what you don't,

1:01:22.680 --> 1:01:26.720
<v Speaker 1>and that you know you have you have an option.

1:01:28.640 --> 1:01:31.440
<v Speaker 1>What I don't have access to and I am I

1:01:31.520 --> 1:01:36.120
<v Speaker 1>capable of you know, getting access and you make the

1:01:36.160 --> 1:01:38.360
<v Speaker 1>steps toward it. Just do the work each day to

1:01:39.200 --> 1:01:41.520
<v Speaker 1>kind of get to where you need to be. Um.

1:01:43.080 --> 1:01:44.720
<v Speaker 1>You know, I take time out. I ride my bike.

1:01:45.040 --> 1:01:46.840
<v Speaker 1>We did, We did a lot of bike riding before

1:01:46.960 --> 1:01:49.160
<v Speaker 1>we had COVID. My younger three boys had it as well,

1:01:49.400 --> 1:01:52.480
<v Speaker 1>and they did pretty good. Um, but you rod you

1:01:52.720 --> 1:01:54.520
<v Speaker 1>you don't wrap my bike and make sure I take

1:01:54.640 --> 1:01:59.160
<v Speaker 1>time out to to just decompress, stay off on the

1:01:59.200 --> 1:02:02.160
<v Speaker 1>internet as much as you can with you know, you

1:02:02.240 --> 1:02:04.280
<v Speaker 1>can take into a lot of the political stuff and

1:02:04.320 --> 1:02:06.240
<v Speaker 1>a lot of the racial stuff that happened, but you

1:02:06.320 --> 1:02:08.960
<v Speaker 1>have to balance even that. So going through all that

1:02:09.200 --> 1:02:12.080
<v Speaker 1>with COVID, what's your outlook now on life and with

1:02:12.240 --> 1:02:15.440
<v Speaker 1>your career? Um, you know, be as healthy as you

1:02:15.520 --> 1:02:24.560
<v Speaker 1>can mentally, spiritually and physically. UM, enjoy it. Enjoy every day. UM,

1:02:24.680 --> 1:02:26.960
<v Speaker 1>and love on the people like you know it sounds cliche,

1:02:27.120 --> 1:02:30.040
<v Speaker 1>love on you know, love on the loved ones and family,

1:02:31.080 --> 1:02:33.880
<v Speaker 1>and really do it from a sincere place. And the

1:02:33.960 --> 1:02:37.280
<v Speaker 1>people that you don't have with, don't if with them.

1:02:38.000 --> 1:02:41.560
<v Speaker 1>I have no energy for X, Y and Z. And

1:02:41.920 --> 1:02:46.080
<v Speaker 1>you know I'm not explaining it anymore, So you just

1:02:46.160 --> 1:02:49.280
<v Speaker 1>kind of move on from with garbage. Would you want

1:02:49.320 --> 1:02:51.760
<v Speaker 1>your kids for following your footsteps? I want them to

1:02:51.840 --> 1:02:55.560
<v Speaker 1>be the best version of who they are with this music. Yeah,

1:02:55.600 --> 1:02:58.480
<v Speaker 1>with this with this music, because you know, you've been

1:02:58.560 --> 1:03:01.560
<v Speaker 1>through a lot. Yeah, you know, but I think they

1:03:01.640 --> 1:03:04.760
<v Speaker 1>have an advantage now that I'm I'm in it. So

1:03:04.840 --> 1:03:07.800
<v Speaker 1>it's like, all right, I went through all that for you,

1:03:09.200 --> 1:03:12.080
<v Speaker 1>So don't don't do it the dumb with you. You know,

1:03:12.200 --> 1:03:14.520
<v Speaker 1>they ain't gonna you know, you don't know nothing. Yeah,

1:03:14.720 --> 1:03:17.680
<v Speaker 1>because uh, you don't know nothing about music. Yeah, I've

1:03:17.720 --> 1:03:20.760
<v Speaker 1>been told I don't know. You don't know. My older

1:03:23.920 --> 1:03:28.439
<v Speaker 1>they're they're starting to listen now it's going for yelper. Yeah,

1:03:29.880 --> 1:03:32.320
<v Speaker 1>because they think it's a new school. Yeah, we want

1:03:32.360 --> 1:03:33.480
<v Speaker 1>to kind of do it this way. I can just

1:03:33.640 --> 1:03:35.200
<v Speaker 1>you know, do it through the internet. I said, well,

1:03:35.680 --> 1:03:38.560
<v Speaker 1>don't put music out there until you have some people listening,

1:03:39.160 --> 1:03:41.440
<v Speaker 1>because if not, it's just out there for nothing. You

1:03:41.520 --> 1:03:43.480
<v Speaker 1>know how much stuff is out there, you know, it's

1:03:43.480 --> 1:03:47.880
<v Speaker 1>a lot. Don't do it like wake, make sure they're

1:03:47.920 --> 1:03:50.960
<v Speaker 1>listening and then put it out. You know, so they

1:03:51.040 --> 1:03:54.280
<v Speaker 1>tried it once or twice, how do they work for crickets,

1:03:56.280 --> 1:03:59.240
<v Speaker 1>you know, and how did you handle when they came

1:03:59.280 --> 1:04:03.520
<v Speaker 1>back to you? This t is good. This is a

1:04:03.560 --> 1:04:21.800
<v Speaker 1>good tea. This is a real good tea to Wilma woman.

1:04:22.080 --> 1:04:24.720
<v Speaker 1>And it is just you know, it's been honored, but

1:04:24.880 --> 1:04:26.680
<v Speaker 1>just has it's just been cool to talk to you.

1:04:26.840 --> 1:04:31.960
<v Speaker 1>Laugh Yeah, man joking, this is fat. You are a

1:04:32.120 --> 1:04:36.880
<v Speaker 1>unique person. You are well worth it, You are competent

1:04:37.440 --> 1:04:41.680
<v Speaker 1>and most of all your lovable. I'm Steve Smith, Singer,

1:04:41.880 --> 1:04:43.960
<v Speaker 1>I'm Gerard Little John and this is cut to It.

1:04:48.120 --> 1:04:50.760
<v Speaker 1>Cut to It with Steve Smith singor That Is Me

1:04:51.800 --> 1:04:55.920
<v Speaker 1>is a production of Cut to It, LLC ball Told

1:04:56.000 --> 1:04:59.640
<v Speaker 1>Creative Media, The Black Effect and I Heart Radio. For

1:04:59.800 --> 1:05:03.280
<v Speaker 1>more podcast from I Heart Radio, visit the I Heart

1:05:03.360 --> 1:05:07.200
<v Speaker 1>Radio Apple Apple Podcast or wherever you listen to your

1:05:07.280 --> 1:05:12.280
<v Speaker 1>favorite shows from Cut to It. Executive producer Steve Smith,

1:05:12.400 --> 1:05:16.680
<v Speaker 1>singr co host Gerard Little John, talent in booking manager

1:05:16.920 --> 1:05:21.439
<v Speaker 1>Joe Fusci, Social media team Wesley Robinson and John Show

1:05:21.840 --> 1:05:24.920
<v Speaker 1>from Balto Creative Media. Cut to It is produced by

1:05:25.000 --> 1:05:29.360
<v Speaker 1>Brian Falka Chevic and Meredith Carter, with production assistance by

1:05:29.400 --> 1:05:34.520
<v Speaker 1>Alex Labrek. Production coordinator Taylor Robinson. Theme music by Alex Johnson,

1:05:34.720 --> 1:05:39.560
<v Speaker 1>Lyrics and vocals by Anthony Hamilton. You ain't heard about it,

1:05:39.680 --> 1:05:45.000
<v Speaker 1>then we're about to let you know. It's all