WEBVTT - Episode 2

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<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television,

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<v Speaker 1>and Realm.

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<v Speaker 2>What do you remember of your dream last night?

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<v Speaker 3>Josie?

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<v Speaker 4>A river?

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<v Speaker 2>Was there anything unique about the river?

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<v Speaker 4>So do we have to do this every time?

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<v Speaker 3>Yes?

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<v Speaker 2>We do? Was there anything unique?

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<v Speaker 4>It was filled with blood? What else? There were pones?

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<v Speaker 5>And then I was somewhere else. There was a woman crying.

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<v Speaker 5>I think it was my mom. There was a fire.

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<v Speaker 2>And then.

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<v Speaker 4>And then I saw it and I had this feeling

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<v Speaker 4>like what like it wants something from me?

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<v Speaker 6>Transition back to end to beginning, activate, mayor not?

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<v Speaker 7>Mayor not on? Power stabilized at eighty five percent.

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<v Speaker 8>What am I listening to?

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<v Speaker 2>The brain is creating puzzle pieces to be put together

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<v Speaker 2>during ram It's the birth of a dream. Is there

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<v Speaker 2>are more beautiful sound?

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<v Speaker 7>How about the sound of your daughter's voice?

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<v Speaker 2>Would you judge me? If I said yes, then I

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<v Speaker 2>shouldn't need as a question.

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<v Speaker 3>I'm answered, moving the rum, hook us up? Here we go,

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<v Speaker 3>get down, turn it up?

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<v Speaker 6>What's going on? I'm going with them?

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<v Speaker 9>It's not on my ends?

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<v Speaker 2>Better than normal?

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<v Speaker 6>So everything's perfect. We built a five million dollar static machine. No,

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<v Speaker 6>no one has anything to say, but I don't care

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<v Speaker 6>who it was. I want it fixed.

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<v Speaker 3>Who Morgan?

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<v Speaker 6>Did you just throw up.

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<v Speaker 2>On my feet?

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<v Speaker 8>Morgan? Are you feeling better much?

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<v Speaker 7>Thanks for asking?

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<v Speaker 8>I was wondering if you had a minute to talk.

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<v Speaker 8>I'd love for the listeners to get to know you better.

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<v Speaker 7>Oh, they don't care about me, Sadie's the one that

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<v Speaker 7>always talks to people. I'm just someone who goes into

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<v Speaker 7>work every day.

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<v Speaker 8>There's more to you than work. Not really, you have hobbies, right?

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<v Speaker 7>Does work count?

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<v Speaker 5>No?

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<v Speaker 10>Then?

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<v Speaker 7>No?

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<v Speaker 8>Hey, diego, is now a good time?

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<v Speaker 3>Good time for?

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<v Speaker 11>What?

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<v Speaker 8>Did you get the note I left?

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<v Speaker 11>No?

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<v Speaker 8>It said I was going to come by to ask

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<v Speaker 8>you some questions about yourself or to let me know

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<v Speaker 8>if there was a better time to chat.

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<v Speaker 3>I didn't get the note.

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<v Speaker 4>You did.

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<v Speaker 8>I just found it right here in the trash.

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<v Speaker 3>Can oh that?

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<v Speaker 12>Yeah?

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<v Speaker 9>I needed to work and you put it on my keyboard.

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<v Speaker 9>It was in the trash before I knew what it was.

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<v Speaker 9>Kind of your fault, really, Sadie.

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<v Speaker 6>Fuck off? Sorry, I didn't mean that.

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<v Speaker 8>Then can I come in and you can be the

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<v Speaker 8>first person to actually let me interview them?

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<v Speaker 6>When I say I didn't mean that, what I meant

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<v Speaker 6>is I didn't mean to phrase it that harshly. However,

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<v Speaker 6>the general fuck off sentiment that I did mean sorry,

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<v Speaker 6>I didn't mean that either. Just give me some time.

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<v Speaker 8>I'm trying, okay, but I'm getting really annoyed because you're

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<v Speaker 8>trying looks an awful lot like you're not trying at all.

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<v Speaker 6>If I don't fix this problem, you'll have nothing to

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<v Speaker 6>document anyway. Fixing this has to come first.

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<v Speaker 4>Hey, hey me, Yeah, who are you? I'm Sadie's sister.

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<v Speaker 4>Is that what you want me to call you? Or

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<v Speaker 4>do you have a name? I'm okay, Hey, I'm Josie.

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<v Speaker 4>Are you just visiting Sadie.

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<v Speaker 8>Or kind of documenting the project?

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<v Speaker 4>Okay?

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<v Speaker 8>Cool?

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<v Speaker 4>Are you like super smart too?

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<v Speaker 8>You'd think so, but no, I guess there was not

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<v Speaker 8>any smart love for me after Sadie was born.

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<v Speaker 4>What did you get instead?

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<v Speaker 8>Self awareness and credit card debt?

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<v Speaker 4>I can relate what brings you.

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<v Speaker 5>Here, well, desperation mostly. I've been having nightmares every night

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<v Speaker 5>for years. When I tried therapy, I tried drugs and

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<v Speaker 5>nothing's worked, So I figured why not give a super

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<v Speaker 5>secret experimental treatment a try?

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<v Speaker 2>Cool?

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<v Speaker 5>I mean, we'll see I've been sleeping under observation every

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<v Speaker 5>night and talking to that Swedish guy. But I haven't

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<v Speaker 5>gotten any better. They haven't even told me what they're doing. Honestly,

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<v Speaker 5>I'm starting to wonder if they're doing anything at all.

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<v Speaker 7>I've run every possible test, I've checked every wire.

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<v Speaker 3>I've been on a bug hunt with Vaux alone for

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<v Speaker 3>forty eight hours. Haven't found one.

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<v Speaker 6>That's gotta be something we're not thinking of, obviously, don't

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<v Speaker 6>be an asshole.

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<v Speaker 3>What is your sister doing here exactly?

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<v Speaker 6>She's documenting dream sequence.

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<v Speaker 3>And the day after she gets here the Mayor Nott

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<v Speaker 3>stops working.

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<v Speaker 6>You think she sabotaged it.

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<v Speaker 3>Maybe she wants to steal our work and sell it

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<v Speaker 3>to Nextech.

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<v Speaker 6>Let me get this straight. My sister, who used to

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<v Speaker 6>think the periodic table was about her menstrual cycle in

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<v Speaker 6>one day under our noses, sabotage one of the most

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<v Speaker 6>sophisticated machines ever invented, and she did it so ingeniously

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<v Speaker 6>that it no longer works but still appears fully operational.

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<v Speaker 9>That's what you think, not necessarily, but I don't think

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<v Speaker 9>that someone with like one failed podcast is the right person.

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<v Speaker 3>To share this with the world.

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<v Speaker 8>Diego be nice that was me being nice?

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<v Speaker 7>I love Kay, But why does she need to interview us?

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<v Speaker 6>Is that a big deal? What if people actually listen

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<v Speaker 6>to this.

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<v Speaker 8>I don't want to be made fun of online.

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<v Speaker 6>What do you hate about my sister?

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<v Speaker 2>Nothing? But I do think it's questionable and ethically that

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<v Speaker 2>you want me to discuss patient progress with her.

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<v Speaker 6>We paid our lawyer a lot of money to write

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<v Speaker 6>their contracts so that they're not technically your patients. They

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<v Speaker 6>know this. You know this.

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<v Speaker 2>A contract may say you one thing, but my heart

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<v Speaker 2>says another.

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<v Speaker 6>Okay, diego. Kay is not a criminal mastermind. She's not vindictive,

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<v Speaker 6>and she's not a hack. It just seems like she

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<v Speaker 6>is to you because you're the least funny person in

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<v Speaker 6>the world. Morgan, You're an amazing, accomplished woman. You can't

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<v Speaker 6>be afraid of the internet. Anders. I respect your integrity

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<v Speaker 6>up until the point where interferes with what I want.

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<v Speaker 6>I'm sorry contracts supersede your heart. Now can we please

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<v Speaker 6>fix the fucking machine?

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<v Speaker 8>So you've been here two months?

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<v Speaker 6>Two months?

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<v Speaker 4>Holy shit, I've lived in.

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<v Speaker 8>Worse What did you grow up in the Amityville House?

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<v Speaker 5>After my dad left me and my mom lived in

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<v Speaker 5>Wakem Tower for a bit.

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<v Speaker 8>No way, were you there when it happened?

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<v Speaker 11>No?

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<v Speaker 4>Uh, we got lucky.

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<v Speaker 5>My mom got a promotion and we moved out the

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<v Speaker 5>night before the fire.

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<v Speaker 6>Whoa yeah.

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<v Speaker 5>So whenever I'm feeling sorry for myself because of this

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<v Speaker 5>stream stuff or my voice or whatever, I just remember

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<v Speaker 5>that kids my age died in that fire, like a

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<v Speaker 5>lot of them.

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<v Speaker 8>What do you mean, what's wrong with your voice?

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<v Speaker 11>Oh?

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<v Speaker 4>Just that I can't sing anymore?

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<v Speaker 8>Why not?

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<v Speaker 4>It's kind of a crazy story.

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<v Speaker 8>Well I got time tell me.

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<v Speaker 4>Okay.

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<v Speaker 5>So when I was twenty one years old, I was

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<v Speaker 5>studying to take the MCAT and in my free time

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<v Speaker 5>back then, I used to sing and play guitar, and

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<v Speaker 5>I loved it. The m Cat was to make my

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<v Speaker 5>mom happy, and the singing was just for me. The

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<v Speaker 5>night before the test, though, I got a phone call

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<v Speaker 5>from this booker who had a last minute cancelation and

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<v Speaker 5>wanted to know if I could play the gig, which

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<v Speaker 5>would have been my first paying show, and I was

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<v Speaker 5>so excited about it. But there was no way I

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<v Speaker 5>could do that and still make the test.

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<v Speaker 8>Oh my god, what did you do? Well?

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<v Speaker 4>I'm not a doctor. Yes, you almost wanted to kill you.

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<v Speaker 5>But no, I'm not a doctor because I told the

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<v Speaker 5>booker I couldn't make it, and then I failed the

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<v Speaker 5>mcat anyway, shit, Yeah, And that night I had a

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<v Speaker 5>dream that I was in this big, dark forest and

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<v Speaker 5>I was running from something. I could hear people screaming,

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<v Speaker 5>but I didn't know what was chasing me, but I

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<v Speaker 5>knew that if it caught me, I was going to

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<v Speaker 5>be screaming too. And I'm running so fast and I

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<v Speaker 5>don't look where I'm going and I fall into this

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<v Speaker 5>pit of black tar and all this tars going down

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<v Speaker 5>my throat and I'm drowning, and right before I go under,

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<v Speaker 5>something grabs my hand and it's the dark thing that

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<v Speaker 5>was chasing me. But it says it wasn't trying to

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<v Speaker 5>kill me. It was trying to save me, and it

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<v Speaker 5>can wake me up if I want, and I know

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<v Speaker 5>it's lying, but I'm like so so scared. I mean,

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<v Speaker 5>I know this was just a dream, but I'm telling you,

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<v Speaker 5>this fear was not like anything I had ever experienced before.

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<v Speaker 5>And I say, okay, And then I woke up and

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<v Speaker 5>my mom was standing over me, and she said I

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<v Speaker 5>had been screaming for almost an hour and she couldn't

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<v Speaker 5>wake me up. I screamed for so long I messed

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<v Speaker 5>up my vocal cords, and now I can't sing anymore.

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<v Speaker 8>Jesus Christ, Josie.

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<v Speaker 5>And this dark thing that pulled me out. Now I

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<v Speaker 5>dream about it every night, and the dreams are always different.

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<v Speaker 4>I'm in new.

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<v Speaker 5>Places, people move in and out, but it's always there,

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<v Speaker 5>in one form or another.

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<v Speaker 6>I call it.

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<v Speaker 5>Manifold, and it's not chasing me anymore because it knows

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<v Speaker 5>that I owe it, and if I don't give it

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<v Speaker 5>what it wants, I'll find myself back in the forest

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<v Speaker 5>with the fear, and nobody will be around to wake

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<v Speaker 5>me up.

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<v Speaker 8>Talk got a minute.

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<v Speaker 2>I'm happy to be engaged within my domain.

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<v Speaker 8>The patients before Josie, what did they dream about?

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<v Speaker 2>They all had different preoccupations. Hectorymenez dreams of his teeth

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<v Speaker 2>falling out, or his nails or his hair. John Brakes

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<v Speaker 2>Dreamps are being trapped in a coffin or a room

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<v Speaker 2>where the doors and windows would disappear and the walls

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<v Speaker 2>would close in.

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<v Speaker 8>So you record them, right, right? Could I hear one?

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<v Speaker 11>No?

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<v Speaker 2>Of course they're here on the sheared drive. I can

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<v Speaker 2>find it. Just give me a sick. Sorry, that's not

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<v Speaker 2>the right thing.

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<v Speaker 8>Wait what is that? Is that Sadie's dream?

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<v Speaker 2>No, that's a live recording. Sadie is training herself to

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<v Speaker 2>lucid dream.

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<v Speaker 8>Can I hear the rest?

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<v Speaker 11>It's dimly lit. The document it's in front of me

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<v Speaker 11>are written in English Times New Roman, font size twelve.

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<v Speaker 11>I'm now pushing my hand into the documents and I'm

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<v Speaker 11>hitting firm resistance from the wood table underneath. I'm moving

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<v Speaker 11>my hand to touch the wood directly. It is smooth.

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<v Speaker 11>It is now four h two am.

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<v Speaker 8>Huh.

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<v Speaker 2>Let me find the right session.

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<v Speaker 8>Please don't be offended by this. But you don't have

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<v Speaker 8>any idea what a shared drive is, do you?

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<v Speaker 2>I promise myself I wouldn't get old.

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<v Speaker 8>But no, no, no, look it's confusing. I can help you.

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<v Speaker 8>You're in the local drive and this one here is

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<v Speaker 8>the shared drive.

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<v Speaker 2>Ah, thank you. These are my files. This is Annabel Roft.

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<v Speaker 13>And it comes after me every night and it won't

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<v Speaker 13>leave me alone. And I don't know what to do.

0:13:54.960 --> 0:13:58.280
<v Speaker 13>When you said it, what are you referring to?

0:14:00.120 --> 0:14:02.599
<v Speaker 2>Going to laugh? I will not.

0:14:06.920 --> 0:14:11.360
<v Speaker 13>I call it the dream stalker. But you know it's stupid.

0:14:13.280 --> 0:14:20.120
<v Speaker 13>It is not stupid. But you described multiple scenarios. Yes, snakes, paralysis,

0:14:20.320 --> 0:14:23.880
<v Speaker 13>men with knights, they're all the dream stalker. They're all

0:14:23.880 --> 0:14:26.280
<v Speaker 13>the same thing, or it's some other thing pretending to

0:14:26.280 --> 0:14:27.880
<v Speaker 13>be those things so it can learn from me.

0:14:29.240 --> 0:14:30.920
<v Speaker 2>What is it trying to learn.

0:14:32.720 --> 0:14:34.240
<v Speaker 8>What scares me most?

0:14:36.320 --> 0:14:44.040
<v Speaker 2>This is one of her dreams, sir?

0:14:45.560 --> 0:14:46.920
<v Speaker 10>Oh, what's wrong? A little miss?

0:14:46.960 --> 0:14:47.960
<v Speaker 3>It's after me again?

0:14:48.760 --> 0:14:50.000
<v Speaker 10>What is a monster?

0:14:50.160 --> 0:14:51.080
<v Speaker 2>I don't know something.

0:14:51.520 --> 0:14:54.239
<v Speaker 10>I'm going to take care of you. I hunt monsters.

0:14:55.400 --> 0:14:57.760
<v Speaker 10>Why don't you just take a seat, take.

0:14:57.600 --> 0:14:59.640
<v Speaker 12>A seat, give me a weapon or something.

0:15:00.400 --> 0:15:02.359
<v Speaker 10>It won't do you any good.

0:15:04.000 --> 0:15:05.720
<v Speaker 6>Then why do you have a machete?

0:15:06.280 --> 0:15:09.280
<v Speaker 10>I was once like you, afraid of the wrong things.

0:15:09.320 --> 0:15:12.560
<v Speaker 10>I wasn't lying. I am a monster hunter. The thing

0:15:12.680 --> 0:15:14.920
<v Speaker 10>is the monster is you?

0:15:22.840 --> 0:15:26.280
<v Speaker 8>Did you hear that when she was in the liquor store? Hear?

0:15:26.320 --> 0:15:26.480
<v Speaker 3>What?

0:15:27.800 --> 0:15:28.840
<v Speaker 8>Can you send me that file?

0:15:42.840 --> 0:15:44.560
<v Speaker 6>Did you go through the code base from the beginning?

0:15:44.840 --> 0:15:45.280
<v Speaker 4>Yeah?

0:15:45.440 --> 0:15:46.880
<v Speaker 7>I can't find any errors?

0:15:47.040 --> 0:15:47.400
<v Speaker 2>Do you go?

0:15:47.520 --> 0:15:49.640
<v Speaker 6>Is it possible the new vauxlaon paps? I know what's

0:15:49.640 --> 0:15:50.720
<v Speaker 6>wrong with the mayonad.

0:15:52.080 --> 0:15:54.120
<v Speaker 8>I was listening to one of the Annabel Rough nightmares

0:15:54.160 --> 0:15:56.120
<v Speaker 8>and I recognize something playing from the TV in the

0:15:56.160 --> 0:15:59.240
<v Speaker 8>liquor store, and it's the same static from Josie's scream.

0:16:00.000 --> 0:16:02.120
<v Speaker 8>I don't think it's malfunctioning at all. I think it's

0:16:02.160 --> 0:16:03.800
<v Speaker 8>recording exactly what she's dreaming.

0:16:04.760 --> 0:16:06.400
<v Speaker 7>She's dreaming of static.

0:16:06.400 --> 0:16:17.520
<v Speaker 8>Sort of listen. So what there was a tiny spike

0:16:17.560 --> 0:16:19.640
<v Speaker 8>at the end, And if it's static from a malfunction,

0:16:19.840 --> 0:16:22.400
<v Speaker 8>there shouldn't be a spike. And if there's no malfunction,

0:16:22.480 --> 0:16:24.880
<v Speaker 8>then like, what is it? So I slowed it down

0:16:25.600 --> 0:16:33.400
<v Speaker 8>and this is what I got. I think it's subliminal messaging.

0:16:34.560 --> 0:16:36.960
<v Speaker 2>It's very nice the work you've put into this, but

0:16:37.080 --> 0:16:39.080
<v Speaker 2>dreams don't have subliminal messaging.

0:16:39.440 --> 0:16:42.239
<v Speaker 8>Maybe that's the wrong term, but I think the subliminal

0:16:42.280 --> 0:16:45.400
<v Speaker 8>aspect is why Morgan threw up. The sound was messing

0:16:45.400 --> 0:16:47.280
<v Speaker 8>with her head. And if that's what's hiding in the spike,

0:16:47.520 --> 0:17:02.720
<v Speaker 8>then what's in the rest of the static that was

0:17:02.800 --> 0:17:05.920
<v Speaker 8>Josie's nightmare? First low down by twenty five percent, then

0:17:06.080 --> 0:17:10.120
<v Speaker 8>fifty percent them back to normal. The static is in static,

0:17:11.160 --> 0:17:12.280
<v Speaker 8>it's voices.

0:17:14.080 --> 0:17:15.560
<v Speaker 3>All right, fine, that's interesting.

0:17:15.960 --> 0:17:17.400
<v Speaker 7>How is this even possible?

0:17:18.800 --> 0:17:22.960
<v Speaker 6>Maybe the dream wasn't meant for Josie, it was meant.

0:17:22.800 --> 0:17:27.359
<v Speaker 7>For us, as in something created this dream, so we'd

0:17:27.400 --> 0:17:31.359
<v Speaker 7>record it and it would scramble our brains, head, nose.

0:17:31.400 --> 0:17:33.200
<v Speaker 3>We're there, not this shit again.

0:17:33.359 --> 0:17:35.520
<v Speaker 2>We don't non chest at water, So why don't we

0:17:35.600 --> 0:17:37.000
<v Speaker 2>try to be respectful and open?

0:17:37.119 --> 0:17:39.399
<v Speaker 8>What if it's in the other nightmares too, Morgan?

0:17:40.680 --> 0:17:45.120
<v Speaker 2>Are you all right? Mine?

0:17:45.440 --> 0:17:46.080
<v Speaker 3>Grab our head?

0:17:46.200 --> 0:17:46.960
<v Speaker 10>What the fuck?

0:17:47.280 --> 0:18:40.879
<v Speaker 12>Turn off the fucking static you're listening to?

0:18:41.000 --> 0:18:45.480
<v Speaker 1>Dream sequence written and created by Andrew Martin Robinson, directed

0:18:45.600 --> 0:18:50.200
<v Speaker 1>by Dave Beasley and John Brooks. Executive producers are Molly Barton,

0:18:50.440 --> 0:18:55.000
<v Speaker 1>John Brooks, Dave Beasley and Marcy Wiseman for realm Alex Williams,

0:18:55.359 --> 0:18:59.160
<v Speaker 1>Matt Frederick and Trevor Young for iHeart Podcasts, Chris Dicky

0:18:59.240 --> 0:19:03.000
<v Speaker 1>and Noah Finber for Blumhouse Television, Starring Jesse Case and

0:19:03.040 --> 0:19:09.119
<v Speaker 1>Alice Kremelberg, with performances by Shalini, Bethina Einer, Gunn, Nick Osborne,

0:19:09.520 --> 0:19:16.040
<v Speaker 1>Winifred Anne Kincannon, Tara Brown, Emily Barry, Linnelle Scott, Shannon McClung,

0:19:16.520 --> 0:19:23.040
<v Speaker 1>Dave Huber, Hugo Armstrong, Cooper, Tomilson, Joel Haberley, Simaj Miller,

0:19:23.720 --> 0:19:28.119
<v Speaker 1>Dean Simone, and Brian Finney. Additional voices by Patrick Higney,

0:19:28.359 --> 0:19:33.240
<v Speaker 1>Fred Greenhalg, John Brooks, Christina Teleska, and Kaylan West. Casting

0:19:33.320 --> 0:19:38.160
<v Speaker 1>by Sunday Bowling, Kennedy CSA and Meg Mormon CSA. Producers

0:19:38.200 --> 0:19:42.480
<v Speaker 1>for Realm are Fred Greenhoalg, Marcus Thorne Bagala and Rhoda Bayessa.

0:19:43.040 --> 0:19:49.040
<v Speaker 1>Associate producer Michael Colter, Production manager Devin Shepherd, Production coordinator

0:19:49.119 --> 0:19:53.320
<v Speaker 1>Angela Yee. Dialogue editing by Corey Barton, Sound designed by

0:19:53.400 --> 0:19:56.879
<v Speaker 1>Rory O'Shea and Dan Powell. Final mixed by Kaylin West.

0:19:57.400 --> 0:20:01.320
<v Speaker 1>Original score composed by Marcus Thorne Begala, Songs for Josie

0:20:01.359 --> 0:20:05.480
<v Speaker 1>by Kaylan West. Recorded at Real Voice, Los Angeles and Cityvox,

0:20:05.600 --> 0:20:08.560
<v Speaker 1>New York City. This podcast was recorded under a SAG

0:20:08.640 --> 0:20:12.440
<v Speaker 1>after collective bargaining agreement. Dream Sequence is a production of

0:20:12.520 --> 0:20:17.080
<v Speaker 1>iHeart Podcasts, Blumhouse Television, and Realm. Find more great podcasts

0:20:17.119 --> 0:20:20.800
<v Speaker 1>by visiting the iHeartRadio app, Apple Podcasts, or wherever you

0:20:20.920 --> 0:20:22.120
<v Speaker 1>listen to your favorite show.