1 00:00:00,320 --> 00:00:04,439 Speaker 1: Dream Sequence is a production of iHeart Podcasts, Blumhouse Television, 2 00:00:04,559 --> 00:00:15,960 Speaker 1: and Realm. 3 00:00:16,120 --> 00:00:18,400 Speaker 2: What do you remember of your dream last night? 4 00:00:18,640 --> 00:00:19,000 Speaker 3: Josie? 5 00:00:21,480 --> 00:00:22,160 Speaker 4: A river? 6 00:00:25,200 --> 00:00:27,800 Speaker 2: Was there anything unique about the river? 7 00:00:27,840 --> 00:00:29,280 Speaker 4: So do we have to do this every time? 8 00:00:30,440 --> 00:00:30,640 Speaker 3: Yes? 9 00:00:31,400 --> 00:00:37,159 Speaker 2: We do? Was there anything unique? 10 00:00:37,840 --> 00:00:48,280 Speaker 4: It was filled with blood? What else? There were pones? 11 00:00:49,800 --> 00:00:54,600 Speaker 5: And then I was somewhere else. There was a woman crying. 12 00:00:55,320 --> 00:01:01,280 Speaker 5: I think it was my mom. There was a fire. 13 00:01:01,360 --> 00:01:02,000 Speaker 2: And then. 14 00:01:04,400 --> 00:01:10,080 Speaker 4: And then I saw it and I had this feeling 15 00:01:10,360 --> 00:01:18,200 Speaker 4: like what like it wants something from me? 16 00:01:38,840 --> 00:01:41,320 Speaker 6: Transition back to end to beginning, activate, mayor not? 17 00:01:41,920 --> 00:01:46,319 Speaker 7: Mayor not on? Power stabilized at eighty five percent. 18 00:01:48,320 --> 00:01:49,240 Speaker 8: What am I listening to? 19 00:01:49,760 --> 00:01:52,880 Speaker 2: The brain is creating puzzle pieces to be put together 20 00:01:53,000 --> 00:01:57,760 Speaker 2: during ram It's the birth of a dream. Is there 21 00:01:57,760 --> 00:01:59,040 Speaker 2: are more beautiful sound? 22 00:01:59,560 --> 00:02:01,360 Speaker 7: How about the sound of your daughter's voice? 23 00:02:01,920 --> 00:02:05,040 Speaker 2: Would you judge me? If I said yes, then I 24 00:02:05,040 --> 00:02:06,080 Speaker 2: shouldn't need as a question. 25 00:02:06,160 --> 00:02:10,799 Speaker 3: I'm answered, moving the rum, hook us up? Here we go, 26 00:02:10,800 --> 00:02:14,440 Speaker 3: get down, turn it up? 27 00:02:18,080 --> 00:02:21,760 Speaker 6: What's going on? I'm going with them? 28 00:02:21,840 --> 00:02:24,960 Speaker 9: It's not on my ends? 29 00:02:25,840 --> 00:02:26,760 Speaker 2: Better than normal? 30 00:02:28,800 --> 00:02:33,880 Speaker 6: So everything's perfect. We built a five million dollar static machine. No, 31 00:02:34,480 --> 00:02:37,639 Speaker 6: no one has anything to say, but I don't care 32 00:02:37,639 --> 00:02:39,560 Speaker 6: who it was. I want it fixed. 33 00:02:40,360 --> 00:02:43,560 Speaker 3: Who Morgan? 34 00:02:43,600 --> 00:02:44,400 Speaker 6: Did you just throw up. 35 00:02:44,320 --> 00:02:44,800 Speaker 2: On my feet? 36 00:02:51,520 --> 00:02:54,040 Speaker 8: Morgan? Are you feeling better much? 37 00:02:54,320 --> 00:02:55,080 Speaker 7: Thanks for asking? 38 00:02:56,280 --> 00:02:58,040 Speaker 8: I was wondering if you had a minute to talk. 39 00:02:58,480 --> 00:03:00,480 Speaker 8: I'd love for the listeners to get to know you better. 40 00:03:00,919 --> 00:03:03,680 Speaker 7: Oh, they don't care about me, Sadie's the one that 41 00:03:03,720 --> 00:03:07,079 Speaker 7: always talks to people. I'm just someone who goes into 42 00:03:07,080 --> 00:03:07,760 Speaker 7: work every day. 43 00:03:07,919 --> 00:03:12,880 Speaker 8: There's more to you than work. Not really, you have hobbies, right? 44 00:03:13,480 --> 00:03:14,639 Speaker 7: Does work count? 45 00:03:14,960 --> 00:03:15,040 Speaker 5: No? 46 00:03:15,720 --> 00:03:15,880 Speaker 10: Then? 47 00:03:15,919 --> 00:03:16,000 Speaker 7: No? 48 00:03:18,840 --> 00:03:20,720 Speaker 8: Hey, diego, is now a good time? 49 00:03:21,360 --> 00:03:21,960 Speaker 3: Good time for? 50 00:03:22,000 --> 00:03:22,080 Speaker 11: What? 51 00:03:23,320 --> 00:03:24,520 Speaker 8: Did you get the note I left? 52 00:03:25,240 --> 00:03:25,320 Speaker 11: No? 53 00:03:26,480 --> 00:03:27,919 Speaker 8: It said I was going to come by to ask 54 00:03:27,919 --> 00:03:29,760 Speaker 8: you some questions about yourself or to let me know 55 00:03:29,760 --> 00:03:31,000 Speaker 8: if there was a better time to chat. 56 00:03:31,160 --> 00:03:32,359 Speaker 3: I didn't get the note. 57 00:03:34,360 --> 00:03:34,760 Speaker 4: You did. 58 00:03:35,440 --> 00:03:36,800 Speaker 8: I just found it right here in the trash. 59 00:03:36,880 --> 00:03:38,360 Speaker 3: Can oh that? 60 00:03:38,960 --> 00:03:39,200 Speaker 12: Yeah? 61 00:03:39,240 --> 00:03:41,160 Speaker 9: I needed to work and you put it on my keyboard. 62 00:03:41,320 --> 00:03:42,960 Speaker 9: It was in the trash before I knew what it was. 63 00:03:43,280 --> 00:03:46,600 Speaker 9: Kind of your fault, really, Sadie. 64 00:03:46,280 --> 00:03:48,760 Speaker 6: Fuck off? Sorry, I didn't mean that. 65 00:03:49,920 --> 00:03:52,160 Speaker 8: Then can I come in and you can be the 66 00:03:52,200 --> 00:03:54,280 Speaker 8: first person to actually let me interview them? 67 00:03:54,440 --> 00:03:56,240 Speaker 6: When I say I didn't mean that, what I meant 68 00:03:56,320 --> 00:03:58,400 Speaker 6: is I didn't mean to phrase it that harshly. However, 69 00:03:58,480 --> 00:04:02,520 Speaker 6: the general fuck off sentiment that I did mean sorry, 70 00:04:02,560 --> 00:04:04,280 Speaker 6: I didn't mean that either. Just give me some time. 71 00:04:04,680 --> 00:04:09,839 Speaker 8: I'm trying, okay, but I'm getting really annoyed because you're 72 00:04:09,840 --> 00:04:12,200 Speaker 8: trying looks an awful lot like you're not trying at all. 73 00:04:15,040 --> 00:04:17,159 Speaker 6: If I don't fix this problem, you'll have nothing to 74 00:04:17,200 --> 00:04:21,080 Speaker 6: document anyway. Fixing this has to come first. 75 00:04:35,880 --> 00:04:44,239 Speaker 4: Hey, hey me, Yeah, who are you? I'm Sadie's sister. 76 00:04:45,440 --> 00:04:47,080 Speaker 4: Is that what you want me to call you? Or 77 00:04:47,320 --> 00:04:51,520 Speaker 4: do you have a name? I'm okay, Hey, I'm Josie. 78 00:04:52,000 --> 00:04:53,839 Speaker 4: Are you just visiting Sadie. 79 00:04:53,480 --> 00:04:56,360 Speaker 8: Or kind of documenting the project? 80 00:04:56,880 --> 00:04:57,360 Speaker 4: Okay? 81 00:04:57,360 --> 00:04:57,680 Speaker 8: Cool? 82 00:04:57,760 --> 00:04:59,680 Speaker 4: Are you like super smart too? 83 00:05:00,120 --> 00:05:02,440 Speaker 8: You'd think so, but no, I guess there was not 84 00:05:02,440 --> 00:05:04,320 Speaker 8: any smart love for me after Sadie was born. 85 00:05:04,800 --> 00:05:06,000 Speaker 4: What did you get instead? 86 00:05:06,320 --> 00:05:08,160 Speaker 8: Self awareness and credit card debt? 87 00:05:09,279 --> 00:05:11,360 Speaker 4: I can relate what brings you. 88 00:05:11,320 --> 00:05:16,599 Speaker 5: Here, well, desperation mostly. I've been having nightmares every night 89 00:05:16,640 --> 00:05:20,039 Speaker 5: for years. When I tried therapy, I tried drugs and 90 00:05:20,160 --> 00:05:22,800 Speaker 5: nothing's worked, So I figured why not give a super 91 00:05:22,839 --> 00:05:24,520 Speaker 5: secret experimental treatment a try? 92 00:05:25,040 --> 00:05:25,320 Speaker 2: Cool? 93 00:05:26,160 --> 00:05:29,520 Speaker 5: I mean, we'll see I've been sleeping under observation every 94 00:05:29,560 --> 00:05:32,039 Speaker 5: night and talking to that Swedish guy. But I haven't 95 00:05:32,040 --> 00:05:37,080 Speaker 5: gotten any better. They haven't even told me what they're doing. Honestly, 96 00:05:37,200 --> 00:05:39,520 Speaker 5: I'm starting to wonder if they're doing anything at all. 97 00:05:56,040 --> 00:05:58,960 Speaker 7: I've run every possible test, I've checked every wire. 98 00:05:59,040 --> 00:06:00,680 Speaker 3: I've been on a bug hunt with Vaux alone for 99 00:06:00,680 --> 00:06:02,400 Speaker 3: forty eight hours. Haven't found one. 100 00:06:02,560 --> 00:06:05,719 Speaker 6: That's gotta be something we're not thinking of, obviously, don't 101 00:06:05,760 --> 00:06:06,479 Speaker 6: be an asshole. 102 00:06:08,560 --> 00:06:10,200 Speaker 3: What is your sister doing here exactly? 103 00:06:11,600 --> 00:06:13,839 Speaker 6: She's documenting dream sequence. 104 00:06:13,920 --> 00:06:15,680 Speaker 3: And the day after she gets here the Mayor Nott 105 00:06:15,680 --> 00:06:16,359 Speaker 3: stops working. 106 00:06:17,400 --> 00:06:19,000 Speaker 6: You think she sabotaged it. 107 00:06:19,440 --> 00:06:21,000 Speaker 3: Maybe she wants to steal our work and sell it 108 00:06:21,040 --> 00:06:21,599 Speaker 3: to Nextech. 109 00:06:22,960 --> 00:06:25,479 Speaker 6: Let me get this straight. My sister, who used to 110 00:06:25,480 --> 00:06:27,960 Speaker 6: think the periodic table was about her menstrual cycle in 111 00:06:28,000 --> 00:06:30,400 Speaker 6: one day under our noses, sabotage one of the most 112 00:06:30,400 --> 00:06:33,640 Speaker 6: sophisticated machines ever invented, and she did it so ingeniously 113 00:06:33,680 --> 00:06:36,360 Speaker 6: that it no longer works but still appears fully operational. 114 00:06:37,320 --> 00:06:40,839 Speaker 9: That's what you think, not necessarily, but I don't think 115 00:06:40,839 --> 00:06:43,680 Speaker 9: that someone with like one failed podcast is the right person. 116 00:06:43,440 --> 00:06:44,359 Speaker 3: To share this with the world. 117 00:06:44,440 --> 00:06:47,000 Speaker 8: Diego be nice that was me being nice? 118 00:06:48,000 --> 00:06:51,400 Speaker 7: I love Kay, But why does she need to interview us? 119 00:06:51,880 --> 00:06:54,640 Speaker 6: Is that a big deal? What if people actually listen 120 00:06:54,680 --> 00:06:54,960 Speaker 6: to this. 121 00:06:55,480 --> 00:06:56,960 Speaker 8: I don't want to be made fun of online. 122 00:06:58,120 --> 00:06:59,240 Speaker 6: What do you hate about my sister? 123 00:06:59,680 --> 00:07:02,800 Speaker 2: Nothing? But I do think it's questionable and ethically that 124 00:07:02,880 --> 00:07:05,080 Speaker 2: you want me to discuss patient progress with her. 125 00:07:05,880 --> 00:07:07,800 Speaker 6: We paid our lawyer a lot of money to write 126 00:07:07,839 --> 00:07:10,600 Speaker 6: their contracts so that they're not technically your patients. They 127 00:07:10,640 --> 00:07:11,800 Speaker 6: know this. You know this. 128 00:07:12,200 --> 00:07:14,360 Speaker 2: A contract may say you one thing, but my heart 129 00:07:14,400 --> 00:07:15,000 Speaker 2: says another. 130 00:07:16,960 --> 00:07:22,560 Speaker 6: Okay, diego. Kay is not a criminal mastermind. She's not vindictive, 131 00:07:22,600 --> 00:07:24,840 Speaker 6: and she's not a hack. It just seems like she 132 00:07:24,960 --> 00:07:27,080 Speaker 6: is to you because you're the least funny person in 133 00:07:27,120 --> 00:07:30,360 Speaker 6: the world. Morgan, You're an amazing, accomplished woman. You can't 134 00:07:30,360 --> 00:07:33,360 Speaker 6: be afraid of the internet. Anders. I respect your integrity 135 00:07:33,440 --> 00:07:35,600 Speaker 6: up until the point where interferes with what I want. 136 00:07:35,680 --> 00:07:40,600 Speaker 6: I'm sorry contracts supersede your heart. Now can we please 137 00:07:40,640 --> 00:07:43,040 Speaker 6: fix the fucking machine? 138 00:07:55,120 --> 00:07:57,960 Speaker 8: So you've been here two months? 139 00:07:58,280 --> 00:07:59,120 Speaker 6: Two months? 140 00:07:59,120 --> 00:08:00,840 Speaker 4: Holy shit, I've lived in. 141 00:08:00,840 --> 00:08:03,440 Speaker 8: Worse What did you grow up in the Amityville House? 142 00:08:05,280 --> 00:08:07,480 Speaker 5: After my dad left me and my mom lived in 143 00:08:07,520 --> 00:08:08,640 Speaker 5: Wakem Tower for a bit. 144 00:08:08,880 --> 00:08:11,480 Speaker 8: No way, were you there when it happened? 145 00:08:12,120 --> 00:08:12,280 Speaker 11: No? 146 00:08:12,800 --> 00:08:14,120 Speaker 4: Uh, we got lucky. 147 00:08:14,920 --> 00:08:16,760 Speaker 5: My mom got a promotion and we moved out the 148 00:08:16,880 --> 00:08:17,760 Speaker 5: night before the fire. 149 00:08:18,520 --> 00:08:20,560 Speaker 6: Whoa yeah. 150 00:08:20,600 --> 00:08:23,400 Speaker 5: So whenever I'm feeling sorry for myself because of this 151 00:08:23,440 --> 00:08:26,520 Speaker 5: stream stuff or my voice or whatever, I just remember 152 00:08:26,560 --> 00:08:29,320 Speaker 5: that kids my age died in that fire, like a 153 00:08:29,360 --> 00:08:29,920 Speaker 5: lot of them. 154 00:08:31,280 --> 00:08:32,920 Speaker 8: What do you mean, what's wrong with your voice? 155 00:08:33,559 --> 00:08:33,760 Speaker 11: Oh? 156 00:08:34,480 --> 00:08:36,079 Speaker 4: Just that I can't sing anymore? 157 00:08:37,000 --> 00:08:37,320 Speaker 8: Why not? 158 00:08:38,960 --> 00:08:40,560 Speaker 4: It's kind of a crazy story. 159 00:08:41,240 --> 00:08:42,880 Speaker 8: Well I got time tell me. 160 00:08:45,280 --> 00:08:45,720 Speaker 4: Okay. 161 00:08:46,000 --> 00:08:48,240 Speaker 5: So when I was twenty one years old, I was 162 00:08:48,280 --> 00:08:51,320 Speaker 5: studying to take the MCAT and in my free time 163 00:08:51,360 --> 00:08:53,320 Speaker 5: back then, I used to sing and play guitar, and 164 00:08:53,360 --> 00:08:55,680 Speaker 5: I loved it. The m Cat was to make my 165 00:08:55,760 --> 00:08:59,000 Speaker 5: mom happy, and the singing was just for me. The 166 00:08:59,160 --> 00:09:01,280 Speaker 5: night before the test, though, I got a phone call 167 00:09:01,320 --> 00:09:03,720 Speaker 5: from this booker who had a last minute cancelation and 168 00:09:03,840 --> 00:09:05,800 Speaker 5: wanted to know if I could play the gig, which 169 00:09:05,800 --> 00:09:08,080 Speaker 5: would have been my first paying show, and I was 170 00:09:08,120 --> 00:09:10,920 Speaker 5: so excited about it. But there was no way I 171 00:09:10,920 --> 00:09:12,959 Speaker 5: could do that and still make the test. 172 00:09:13,320 --> 00:09:15,640 Speaker 8: Oh my god, what did you do? Well? 173 00:09:15,720 --> 00:09:19,880 Speaker 4: I'm not a doctor. Yes, you almost wanted to kill you. 174 00:09:19,679 --> 00:09:22,360 Speaker 5: But no, I'm not a doctor because I told the 175 00:09:22,360 --> 00:09:24,559 Speaker 5: booker I couldn't make it, and then I failed the 176 00:09:24,679 --> 00:09:30,720 Speaker 5: mcat anyway, shit, Yeah, And that night I had a 177 00:09:30,800 --> 00:09:33,000 Speaker 5: dream that I was in this big, dark forest and 178 00:09:33,400 --> 00:09:37,280 Speaker 5: I was running from something. I could hear people screaming, 179 00:09:37,360 --> 00:09:40,319 Speaker 5: but I didn't know what was chasing me, but I 180 00:09:40,400 --> 00:09:42,040 Speaker 5: knew that if it caught me, I was going to 181 00:09:42,080 --> 00:09:45,720 Speaker 5: be screaming too. And I'm running so fast and I 182 00:09:45,720 --> 00:09:47,520 Speaker 5: don't look where I'm going and I fall into this 183 00:09:48,320 --> 00:09:52,360 Speaker 5: pit of black tar and all this tars going down 184 00:09:52,440 --> 00:09:56,520 Speaker 5: my throat and I'm drowning, and right before I go under, 185 00:09:56,559 --> 00:09:59,920 Speaker 5: something grabs my hand and it's the dark thing that 186 00:10:00,160 --> 00:10:04,320 Speaker 5: was chasing me. But it says it wasn't trying to 187 00:10:04,440 --> 00:10:08,200 Speaker 5: kill me. It was trying to save me, and it 188 00:10:08,240 --> 00:10:10,920 Speaker 5: can wake me up if I want, and I know 189 00:10:10,960 --> 00:10:16,800 Speaker 5: it's lying, but I'm like so so scared. I mean, 190 00:10:16,960 --> 00:10:19,920 Speaker 5: I know this was just a dream, but I'm telling you, 191 00:10:20,000 --> 00:10:24,040 Speaker 5: this fear was not like anything I had ever experienced before. 192 00:10:26,120 --> 00:10:33,240 Speaker 5: And I say, okay, And then I woke up and 193 00:10:33,280 --> 00:10:36,480 Speaker 5: my mom was standing over me, and she said I 194 00:10:36,520 --> 00:10:40,720 Speaker 5: had been screaming for almost an hour and she couldn't 195 00:10:40,720 --> 00:10:44,400 Speaker 5: wake me up. I screamed for so long I messed 196 00:10:44,480 --> 00:10:47,800 Speaker 5: up my vocal cords, and now I can't sing anymore. 197 00:10:52,440 --> 00:11:00,360 Speaker 8: Jesus Christ, Josie. 198 00:10:57,200 --> 00:11:02,800 Speaker 5: And this dark thing that pulled me out. Now I 199 00:11:02,920 --> 00:11:08,160 Speaker 5: dream about it every night, and the dreams are always different. 200 00:11:09,200 --> 00:11:09,880 Speaker 4: I'm in new. 201 00:11:09,760 --> 00:11:15,840 Speaker 5: Places, people move in and out, but it's always there, 202 00:11:15,880 --> 00:11:17,400 Speaker 5: in one form or another. 203 00:11:19,800 --> 00:11:20,600 Speaker 6: I call it. 204 00:11:21,960 --> 00:11:30,160 Speaker 5: Manifold, and it's not chasing me anymore because it knows 205 00:11:30,200 --> 00:11:34,080 Speaker 5: that I owe it, and if I don't give it 206 00:11:34,160 --> 00:11:39,120 Speaker 5: what it wants, I'll find myself back in the forest 207 00:11:40,120 --> 00:11:45,440 Speaker 5: with the fear, and nobody will be around to wake 208 00:11:45,480 --> 00:11:45,880 Speaker 5: me up. 209 00:12:07,240 --> 00:12:08,440 Speaker 8: Talk got a minute. 210 00:12:09,120 --> 00:12:11,280 Speaker 2: I'm happy to be engaged within my domain. 211 00:12:13,280 --> 00:12:16,400 Speaker 8: The patients before Josie, what did they dream about? 212 00:12:17,480 --> 00:12:21,840 Speaker 2: They all had different preoccupations. Hectorymenez dreams of his teeth 213 00:12:21,880 --> 00:12:25,319 Speaker 2: falling out, or his nails or his hair. John Brakes 214 00:12:25,400 --> 00:12:28,520 Speaker 2: Dreamps are being trapped in a coffin or a room 215 00:12:28,559 --> 00:12:30,680 Speaker 2: where the doors and windows would disappear and the walls 216 00:12:30,679 --> 00:12:32,120 Speaker 2: would close in. 217 00:12:32,520 --> 00:12:36,120 Speaker 8: So you record them, right, right? Could I hear one? 218 00:12:36,679 --> 00:12:36,719 Speaker 11: No? 219 00:12:36,920 --> 00:12:42,840 Speaker 2: Of course they're here on the sheared drive. I can 220 00:12:42,920 --> 00:12:47,600 Speaker 2: find it. Just give me a sick. Sorry, that's not 221 00:12:47,640 --> 00:12:48,080 Speaker 2: the right thing. 222 00:12:48,120 --> 00:12:50,400 Speaker 8: Wait what is that? Is that Sadie's dream? 223 00:12:51,040 --> 00:12:54,240 Speaker 2: No, that's a live recording. Sadie is training herself to 224 00:12:54,320 --> 00:12:55,079 Speaker 2: lucid dream. 225 00:12:55,280 --> 00:12:56,200 Speaker 8: Can I hear the rest? 226 00:12:57,920 --> 00:13:00,600 Speaker 11: It's dimly lit. The document it's in front of me 227 00:13:00,640 --> 00:13:04,120 Speaker 11: are written in English Times New Roman, font size twelve. 228 00:13:05,240 --> 00:13:08,040 Speaker 11: I'm now pushing my hand into the documents and I'm 229 00:13:08,120 --> 00:13:13,160 Speaker 11: hitting firm resistance from the wood table underneath. I'm moving 230 00:13:13,200 --> 00:13:16,439 Speaker 11: my hand to touch the wood directly. It is smooth. 231 00:13:18,040 --> 00:13:19,640 Speaker 11: It is now four h two am. 232 00:13:21,400 --> 00:13:22,040 Speaker 8: Huh. 233 00:13:22,280 --> 00:13:23,400 Speaker 2: Let me find the right session. 234 00:13:27,360 --> 00:13:29,760 Speaker 8: Please don't be offended by this. But you don't have 235 00:13:29,800 --> 00:13:31,920 Speaker 8: any idea what a shared drive is, do you? 236 00:13:33,040 --> 00:13:34,959 Speaker 2: I promise myself I wouldn't get old. 237 00:13:35,280 --> 00:13:38,880 Speaker 8: But no, no, no, look it's confusing. I can help you. 238 00:13:38,880 --> 00:13:41,320 Speaker 8: You're in the local drive and this one here is 239 00:13:41,360 --> 00:13:42,040 Speaker 8: the shared drive. 240 00:13:42,400 --> 00:13:47,400 Speaker 2: Ah, thank you. These are my files. This is Annabel Roft. 241 00:13:47,400 --> 00:13:50,920 Speaker 13: And it comes after me every night and it won't 242 00:13:50,960 --> 00:13:53,240 Speaker 13: leave me alone. And I don't know what to do. 243 00:13:54,960 --> 00:13:58,280 Speaker 13: When you said it, what are you referring to? 244 00:14:00,120 --> 00:14:02,599 Speaker 2: Going to laugh? I will not. 245 00:14:06,920 --> 00:14:11,360 Speaker 13: I call it the dream stalker. But you know it's stupid. 246 00:14:13,280 --> 00:14:20,120 Speaker 13: It is not stupid. But you described multiple scenarios. Yes, snakes, paralysis, 247 00:14:20,320 --> 00:14:23,880 Speaker 13: men with knights, they're all the dream stalker. They're all 248 00:14:23,880 --> 00:14:26,280 Speaker 13: the same thing, or it's some other thing pretending to 249 00:14:26,280 --> 00:14:27,880 Speaker 13: be those things so it can learn from me. 250 00:14:29,240 --> 00:14:30,920 Speaker 2: What is it trying to learn. 251 00:14:32,720 --> 00:14:34,240 Speaker 8: What scares me most? 252 00:14:36,320 --> 00:14:44,040 Speaker 2: This is one of her dreams, sir? 253 00:14:45,560 --> 00:14:46,920 Speaker 10: Oh, what's wrong? A little miss? 254 00:14:46,960 --> 00:14:47,960 Speaker 3: It's after me again? 255 00:14:48,760 --> 00:14:50,000 Speaker 10: What is a monster? 256 00:14:50,160 --> 00:14:51,080 Speaker 2: I don't know something. 257 00:14:51,520 --> 00:14:54,239 Speaker 10: I'm going to take care of you. I hunt monsters. 258 00:14:55,400 --> 00:14:57,760 Speaker 10: Why don't you just take a seat, take. 259 00:14:57,600 --> 00:14:59,640 Speaker 12: A seat, give me a weapon or something. 260 00:15:00,400 --> 00:15:02,359 Speaker 10: It won't do you any good. 261 00:15:04,000 --> 00:15:05,720 Speaker 6: Then why do you have a machete? 262 00:15:06,280 --> 00:15:09,280 Speaker 10: I was once like you, afraid of the wrong things. 263 00:15:09,320 --> 00:15:12,560 Speaker 10: I wasn't lying. I am a monster hunter. The thing 264 00:15:12,680 --> 00:15:14,920 Speaker 10: is the monster is you? 265 00:15:22,840 --> 00:15:26,280 Speaker 8: Did you hear that when she was in the liquor store? Hear? 266 00:15:26,320 --> 00:15:26,480 Speaker 3: What? 267 00:15:27,800 --> 00:15:28,840 Speaker 8: Can you send me that file? 268 00:15:42,840 --> 00:15:44,560 Speaker 6: Did you go through the code base from the beginning? 269 00:15:44,840 --> 00:15:45,280 Speaker 4: Yeah? 270 00:15:45,440 --> 00:15:46,880 Speaker 7: I can't find any errors? 271 00:15:47,040 --> 00:15:47,400 Speaker 2: Do you go? 272 00:15:47,520 --> 00:15:49,640 Speaker 6: Is it possible the new vauxlaon paps? I know what's 273 00:15:49,640 --> 00:15:50,720 Speaker 6: wrong with the mayonad. 274 00:15:52,080 --> 00:15:54,120 Speaker 8: I was listening to one of the Annabel Rough nightmares 275 00:15:54,160 --> 00:15:56,120 Speaker 8: and I recognize something playing from the TV in the 276 00:15:56,160 --> 00:15:59,240 Speaker 8: liquor store, and it's the same static from Josie's scream. 277 00:16:00,000 --> 00:16:02,120 Speaker 8: I don't think it's malfunctioning at all. I think it's 278 00:16:02,160 --> 00:16:03,800 Speaker 8: recording exactly what she's dreaming. 279 00:16:04,760 --> 00:16:06,400 Speaker 7: She's dreaming of static. 280 00:16:06,400 --> 00:16:17,520 Speaker 8: Sort of listen. So what there was a tiny spike 281 00:16:17,560 --> 00:16:19,640 Speaker 8: at the end, And if it's static from a malfunction, 282 00:16:19,840 --> 00:16:22,400 Speaker 8: there shouldn't be a spike. And if there's no malfunction, 283 00:16:22,480 --> 00:16:24,880 Speaker 8: then like, what is it? So I slowed it down 284 00:16:25,600 --> 00:16:33,400 Speaker 8: and this is what I got. I think it's subliminal messaging. 285 00:16:34,560 --> 00:16:36,960 Speaker 2: It's very nice the work you've put into this, but 286 00:16:37,080 --> 00:16:39,080 Speaker 2: dreams don't have subliminal messaging. 287 00:16:39,440 --> 00:16:42,239 Speaker 8: Maybe that's the wrong term, but I think the subliminal 288 00:16:42,280 --> 00:16:45,400 Speaker 8: aspect is why Morgan threw up. The sound was messing 289 00:16:45,400 --> 00:16:47,280 Speaker 8: with her head. And if that's what's hiding in the spike, 290 00:16:47,520 --> 00:17:02,720 Speaker 8: then what's in the rest of the static that was 291 00:17:02,800 --> 00:17:05,920 Speaker 8: Josie's nightmare? First low down by twenty five percent, then 292 00:17:06,080 --> 00:17:10,120 Speaker 8: fifty percent them back to normal. The static is in static, 293 00:17:11,160 --> 00:17:12,280 Speaker 8: it's voices. 294 00:17:14,080 --> 00:17:15,560 Speaker 3: All right, fine, that's interesting. 295 00:17:15,960 --> 00:17:17,400 Speaker 7: How is this even possible? 296 00:17:18,800 --> 00:17:22,960 Speaker 6: Maybe the dream wasn't meant for Josie, it was meant. 297 00:17:22,800 --> 00:17:27,359 Speaker 7: For us, as in something created this dream, so we'd 298 00:17:27,400 --> 00:17:31,359 Speaker 7: record it and it would scramble our brains, head, nose. 299 00:17:31,400 --> 00:17:33,200 Speaker 3: We're there, not this shit again. 300 00:17:33,359 --> 00:17:35,520 Speaker 2: We don't non chest at water, So why don't we 301 00:17:35,600 --> 00:17:37,000 Speaker 2: try to be respectful and open? 302 00:17:37,119 --> 00:17:39,399 Speaker 8: What if it's in the other nightmares too, Morgan? 303 00:17:40,680 --> 00:17:45,120 Speaker 2: Are you all right? Mine? 304 00:17:45,440 --> 00:17:46,080 Speaker 3: Grab our head? 305 00:17:46,200 --> 00:17:46,960 Speaker 10: What the fuck? 306 00:17:47,280 --> 00:18:40,879 Speaker 12: Turn off the fucking static you're listening to? 307 00:18:41,000 --> 00:18:45,480 Speaker 1: Dream sequence written and created by Andrew Martin Robinson, directed 308 00:18:45,600 --> 00:18:50,200 Speaker 1: by Dave Beasley and John Brooks. Executive producers are Molly Barton, 309 00:18:50,440 --> 00:18:55,000 Speaker 1: John Brooks, Dave Beasley and Marcy Wiseman for realm Alex Williams, 310 00:18:55,359 --> 00:18:59,160 Speaker 1: Matt Frederick and Trevor Young for iHeart Podcasts, Chris Dicky 311 00:18:59,240 --> 00:19:03,000 Speaker 1: and Noah Finber for Blumhouse Television, Starring Jesse Case and 312 00:19:03,040 --> 00:19:09,119 Speaker 1: Alice Kremelberg, with performances by Shalini, Bethina Einer, Gunn, Nick Osborne, 313 00:19:09,520 --> 00:19:16,040 Speaker 1: Winifred Anne Kincannon, Tara Brown, Emily Barry, Linnelle Scott, Shannon McClung, 314 00:19:16,520 --> 00:19:23,040 Speaker 1: Dave Huber, Hugo Armstrong, Cooper, Tomilson, Joel Haberley, Simaj Miller, 315 00:19:23,720 --> 00:19:28,119 Speaker 1: Dean Simone, and Brian Finney. Additional voices by Patrick Higney, 316 00:19:28,359 --> 00:19:33,240 Speaker 1: Fred Greenhalg, John Brooks, Christina Teleska, and Kaylan West. Casting 317 00:19:33,320 --> 00:19:38,160 Speaker 1: by Sunday Bowling, Kennedy CSA and Meg Mormon CSA. Producers 318 00:19:38,200 --> 00:19:42,480 Speaker 1: for Realm are Fred Greenhoalg, Marcus Thorne Bagala and Rhoda Bayessa. 319 00:19:43,040 --> 00:19:49,040 Speaker 1: Associate producer Michael Colter, Production manager Devin Shepherd, Production coordinator 320 00:19:49,119 --> 00:19:53,320 Speaker 1: Angela Yee. Dialogue editing by Corey Barton, Sound designed by 321 00:19:53,400 --> 00:19:56,879 Speaker 1: Rory O'Shea and Dan Powell. Final mixed by Kaylin West. 322 00:19:57,400 --> 00:20:01,320 Speaker 1: Original score composed by Marcus Thorne Begala, Songs for Josie 323 00:20:01,359 --> 00:20:05,480 Speaker 1: by Kaylan West. Recorded at Real Voice, Los Angeles and Cityvox, 324 00:20:05,600 --> 00:20:08,560 Speaker 1: New York City. This podcast was recorded under a SAG 325 00:20:08,640 --> 00:20:12,440 Speaker 1: after collective bargaining agreement. Dream Sequence is a production of 326 00:20:12,520 --> 00:20:17,080 Speaker 1: iHeart Podcasts, Blumhouse Television, and Realm. Find more great podcasts 327 00:20:17,119 --> 00:20:20,800 Speaker 1: by visiting the iHeartRadio app, Apple Podcasts, or wherever you 328 00:20:20,920 --> 00:20:22,120 Speaker 1: listen to your favorite show.