WEBVTT - Drama Daddies  • EP 807 

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<v Speaker 1>First of all, you don't know me.

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<v Speaker 2>All about that high school drama Girl Drama, Girl, all about.

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<v Speaker 3>Them high school queens forever. We'll take you for a

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<v Speaker 3>ride and our comic girl sharing for the right teams.

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<v Speaker 2>Drama, Queens jays, my girl of girl Fashion, what your

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<v Speaker 2>tough girl? You could sit with us Girl Drama, Queens Drama,

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<v Speaker 2>Queens Drama, Queens Drama, Drama, Queens drama Queens.

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<v Speaker 3>Hey, what's up everybody? We have a very special episode

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<v Speaker 3>for you today, and it's not just because I found

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<v Speaker 3>out who's been catfishing me all this time. No, today

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<v Speaker 3>we are joined by not one, but two of the

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<v Speaker 3>founding fathers of One Tree Hill. Today we are lucky

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<v Speaker 3>enough to have with us one Lee Michael Norris and

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<v Speaker 3>Sir Antoine Tanner. Welcome, gentlemen. Yes, sir, hey, buddy, he twine?

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<v Speaker 3>What's up?

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<v Speaker 4>Guys?

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<v Speaker 5>And I can't call it if I had your hand

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<v Speaker 5>out though money and I got the poker ground.

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<v Speaker 3>Today we do not have Soaf and Joy as they

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<v Speaker 3>are no doubt out making the world a better and

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<v Speaker 3>brighter place. So this is a bit of a boy's

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<v Speaker 3>night in which is rather aprop sure given the episode

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<v Speaker 3>we watched.

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<v Speaker 1>Yeah, I just realized this is like, I mean, I'm

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<v Speaker 1>sad not to see the girls, and it's kind of

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<v Speaker 1>like Boytree Hill, but it's also like drama, Dad's drama,

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<v Speaker 1>Daddy's We can't say that.

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<v Speaker 3>Let's never call ourselves that. Yeah, it's it's great. I

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<v Speaker 3>do wish soph and Joy were here because they were

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<v Speaker 3>so freaking funny in this episode. Of course. Dude, Okay, well,

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<v Speaker 3>before we get into it, let me just let the

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<v Speaker 3>us know where we're at. We watched season eight, episode seven,

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<v Speaker 3>Luck Be a Lady. It aired November two, twenty ten,

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<v Speaker 3>and the summary reads, as the wedding approaches, Brooke tries

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<v Speaker 3>to connect with Sylvia while Julian looks for his best

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<v Speaker 3>man at a guy's poker night. Meanwhile, Nathan struggles in

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<v Speaker 3>his new job, while Hayley's counseling abilities are challenged, and

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<v Speaker 3>Skills returns to town with a new friend. It was

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<v Speaker 3>directed by a less Butler and written by the incomparable

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<v Speaker 3>David Strauss and Mike Harrow. That would explain the funny, Yes,

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<v Speaker 3>for sure, I was gonna say.

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<v Speaker 1>Every time we got a script with their names on

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<v Speaker 1>the cover, I was always excited because you know, we

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<v Speaker 1>always did the drama well, but I feel like that

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<v Speaker 1>that energy in that comedy is kind of the unique

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<v Speaker 1>balance that that kind of you know, helped us stand

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<v Speaker 1>apart from some of the other shows. And they those

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<v Speaker 1>guys are the best.

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<v Speaker 3>And and everyone kills the comedy. I don't know if

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<v Speaker 3>it's just because there's so few opportunities for it, yeah,

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<v Speaker 3>just proportionally the show is much more sort of melodramatic

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<v Speaker 3>and drama heavy. But man, everyone when they get a

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<v Speaker 3>moment to shine, I feel like all of it sings. Lee,

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<v Speaker 3>you had some incredible stuff last episode where Julian comes

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<v Speaker 3>over to record you and you like, tell me more.

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<v Speaker 3>I don't remember any of it. Oh my gosh, it's hilarious.

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<v Speaker 3>So it's when it's when mouth is ruggling, which just

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<v Speaker 3>like he has nothing going on, and Julian's like, I'll yeah, lately,

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<v Speaker 3>yes he is. And Julian comes over and he's like, oh,

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<v Speaker 3>record or I'll tape you for my documentary. And you're like, great,

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<v Speaker 3>give me a moment. And you come out of your

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<v Speaker 3>room with your hair slipped back like some wanna be

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<v Speaker 3>nineteen eighties Wall Street guy, a suit that still has

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<v Speaker 3>the tag on it and just oh, yes he is

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<v Speaker 3>douche energy possible. Yes, like where you're on the phone

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<v Speaker 3>chases finally.

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<v Speaker 6>Really had to dig deep, really had to dig deep?

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<v Speaker 3>Yes, yeah, clearly a far departure from you, but it

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<v Speaker 3>ends the button of it is mouth feeling. He just

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<v Speaker 3>like reaches into his pocket and then goes like oops

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<v Speaker 3>in a roll of like twelve magnum condoms fall out,

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<v Speaker 3>and he goes, oops, my magnums fall out? How'd that happen?

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<v Speaker 1>Oh my god, you guys, I have a six year

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<v Speaker 1>old and it's going to be a long time before

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<v Speaker 1>he can watch this show a long time as you're

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<v Speaker 1>reminding me of of storylines that I've completely forgotten about.

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<v Speaker 3>But no, you're exactly right.

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<v Speaker 1>And Twine, you always killed the comedy, like even if

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<v Speaker 1>it wasn't there, you made comedy and found it, which was,

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<v Speaker 1>you know, part of what makes you so great.

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<v Speaker 3>But yeah, Buddy and Rob, what did.

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<v Speaker 1>You think because this was still like you're still getting acclimated, right,

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<v Speaker 1>I mean, were you surprised to see kind of like

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<v Speaker 1>a funnier Did you know that that we did that

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<v Speaker 1>or did you think it was.

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<v Speaker 3>All drama coming in?

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<v Speaker 5>Or no?

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<v Speaker 3>I thought it was all drama. I thought it was

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<v Speaker 3>pretty people staring out windows for forty two minutes. Yeah,

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<v Speaker 3>so anytime we got that because the thing is there's

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<v Speaker 3>we had a really good writer, so like there was

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<v Speaker 3>something like this one. Half of my notes for this

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<v Speaker 3>episode are just quotes like. So when we got the stuff,

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<v Speaker 3>it was a a treat because comedy is much more

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<v Speaker 3>my preferred strike zone than drama. And then you got

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<v Speaker 3>I got to see everyone work.

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<v Speaker 5>Oh is it?

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<v Speaker 3>Everyone was so good? You know what's funny? I didn't

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<v Speaker 3>really realize until this episode twe when you do comedy,

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<v Speaker 3>are you generally the straight man?

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<v Speaker 5>Well? You know what is just the show was so

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<v Speaker 5>full of drama and it was like, you know, I

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<v Speaker 5>felt like I had to stand out. So it was

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<v Speaker 5>just like it was like anytime we was on in scenes,

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<v Speaker 5>I just did what felt right, what felt like, you

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<v Speaker 5>know what I'm saying. So it was like and if

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<v Speaker 5>it was it's something, a lot of it ended up

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<v Speaker 5>just being funny because you know what I'm saying, I

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<v Speaker 5>found the funny in it. So it was like, but

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<v Speaker 5>a lot of the comedy would always get cut, and

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<v Speaker 5>we used to always make fun of that. We used

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<v Speaker 5>to always be like I'll be like, well, skills, got

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<v Speaker 5>a bunch of stuff, guess it, it get cut because

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<v Speaker 5>they want to cry, because everybody wanted to cry. So

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<v Speaker 5>it was like, okay, So I was always the guy

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<v Speaker 5>that would you know, and like I said, a lot

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<v Speaker 5>of times, I wasn't even wouldn't even try to do it.

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<v Speaker 5>It just would. It would just be happening because that

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<v Speaker 5>was our personalities because we all, you know, we always

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<v Speaker 5>hung out and like you know, me and Lee, we

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<v Speaker 5>didn't hung out so damn much. You know what I'm saying,

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<v Speaker 5>Like we'll go places and we'll be sitting back and

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<v Speaker 5>just like what people really wanted to say, what they

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<v Speaker 5>was thinking, I would just.

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<v Speaker 3>Say that's all right.

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<v Speaker 1>Yeah, And I think I think Rob's right, twe you're

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<v Speaker 1>just naturally funny, so you don't even really have to try.

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<v Speaker 1>Like the way that you just deliver stuff. You can

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<v Speaker 1>just deliver it straight, but it's the look on your

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<v Speaker 1>face and the dryness which you delivered is so just

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<v Speaker 1>naturally funny that you don't, whereas some of us were

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<v Speaker 1>having to ham it up or do dances.

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<v Speaker 5>I won't, Yeah, you won't.

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<v Speaker 3>Actually, Rob, you were dancing episode well, no, I was talking.

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<v Speaker 3>I was talking about me.

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<v Speaker 1>Normally I was the one doing the crazy dances, but

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<v Speaker 1>but it was it was you and this how was

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<v Speaker 1>that did you?

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<v Speaker 3>I mean you know you were you were killing it

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<v Speaker 3>in a way. Listen, stupid dancing is also my wheelhouse.

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<v Speaker 3>That's how I got my sad card for a Ross commercial.

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<v Speaker 3>They were they said, can you dance so bad? You

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<v Speaker 3>make us laugh? And I was like, just just turn

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<v Speaker 3>the turn the music on, and I just freestyled Ross commercial.

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<v Speaker 1>I'm writing this down so I can google it and

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<v Speaker 1>watch it uh later, Ross Okay.

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<v Speaker 3>But yeah, to one, you're great at letting letting the

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<v Speaker 3>funny come to you and then just reacting to it

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<v Speaker 3>as opposed to reaching for it and the whole Lucas Dolphing. Well,

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<v Speaker 3>first of all, it was so nice to have YouTube

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<v Speaker 3>back together on the screen, and before we even get

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<v Speaker 3>into that, because this became a real like hot button

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<v Speaker 3>issue for me on the show because like I basically

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<v Speaker 3>am watching the show for the first time, Like when

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<v Speaker 3>we wrapped, I didn't rewatch it. I kind of shut

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<v Speaker 3>the door on it was like cool later, So a

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<v Speaker 3>lot of this I'm seeing with fresh eyes. I thought

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<v Speaker 3>the Miss Lauren storyline was so interesting, and I was

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<v Speaker 3>really lobbying hard for Mouth and Miss Lauren to work out,

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<v Speaker 3>and I'm very and then obviously then things got a

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<v Speaker 3>little crazy. I'm so curious to know what you two

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<v Speaker 3>thought of that storyline.

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<v Speaker 5>Oh, I was like, well, damn when I'm mightna have

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<v Speaker 5>my own girlfriend, Like I was like, I I just

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<v Speaker 5>can't have my own girlfriend. It took me forever to

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<v Speaker 5>get one, and and it was always something happening when

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<v Speaker 5>my girl would just go away. So we was like

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<v Speaker 5>I was like right on the cusp with like because

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<v Speaker 5>all the girlfriends that I had, all my storylines was funny.

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<v Speaker 5>It was like never romantic, like you know what I'm saying.

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<v Speaker 5>The Mouth had Millie and they was you know, theirs

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<v Speaker 5>was romantic, like you know what I'm saying. They could

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<v Speaker 5>do things. Me and Lauren was kind of like we

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<v Speaker 5>had our moments, but it wasn't like consistent because they

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<v Speaker 5>just bounced me around. I went from bevn Bevin to

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<v Speaker 5>Nanny deb to you know what I'm saying, and then

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<v Speaker 5>to Miss Lauren. So it was like they just kept

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<v Speaker 5>bouncing me around. I never had like one where it

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<v Speaker 5>was just kind of stuck and we had like a

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<v Speaker 5>you know, an ongoing storyline, you know what I'm saying.

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<v Speaker 5>So it was just like with me, it was just like, well,

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<v Speaker 5>did we just gonna have fun?

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<v Speaker 3>Did you bump it all on? When you do return

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<v Speaker 3>to Tree Hill?

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<v Speaker 4>That?

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<v Speaker 3>Like, because here was my issue? Like you just in

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<v Speaker 3>this said there's nothing new with you. The way they

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<v Speaker 3>wrote it was like Skills just basically dips without like

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<v Speaker 3>including miss Lauren. He's not checking in, but he's playing

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<v Speaker 3>video games with mouth and it's sort of it's this

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<v Speaker 3>like main character energy where like he left and he

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<v Speaker 3>came back and expected everyone to still like just be

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<v Speaker 3>exactly as they were and like welcome him back. So

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<v Speaker 3>when you excuse me, when Skills punch his mouth and

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<v Speaker 3>he like the first time we see Skills puts his

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<v Speaker 3>arm around Miss Lauren's waist, He's like, how's my girl?

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<v Speaker 3>And I'm like, what the hell You've been gone for

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<v Speaker 3>like three months without calling anyone.

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<v Speaker 5>Yeah, but it's bro it's bro code, it's broke cod.

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<v Speaker 5>You know, that's just what it is. It's like me,

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<v Speaker 5>I always tell my boys, I'd be like, listen, if

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<v Speaker 5>you ever told a girl that you loved her at

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<v Speaker 5>any point in your life. That is cis for me, period.

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<v Speaker 5>So I think they you know, that's just bro code.

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<v Speaker 5>That's just how they wrote it because that was what

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<v Speaker 5>they would you know, that's what they believed in, and

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<v Speaker 5>that's that's what it was. But I mean that's how

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<v Speaker 5>I am anyway, So.

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<v Speaker 6>Yeah, I'll plead the fifth.

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<v Speaker 1>I don't really remember the specifics of how they got

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<v Speaker 1>together and all that. This was the first time I'd

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<v Speaker 1>watched it in a couple of years, rob, but I

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<v Speaker 1>just I have to say, like Alison Munn shout out

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<v Speaker 1>like the best, the very best. We had so much

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<v Speaker 1>fun with her in her real life husband Scott you know,

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<v Speaker 1>who came on the show too, So just getting to

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<v Speaker 1>play with her, like regardless of whatever the story was.

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<v Speaker 1>I know, Twana and I both love that because there

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<v Speaker 1>are people that come in as guest stars and it's

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<v Speaker 1>a really hard as you know, coming in later to

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<v Speaker 1>the show, it's hard to do that, and she came

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<v Speaker 1>in seamlessly and was so much fun, like consummate professional,

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<v Speaker 1>so easy, there was no awkwardness or weirdness at all.

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<v Speaker 1>So to get to play with her for whatever reason

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<v Speaker 1>was just the best.

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<v Speaker 3>No, I love Ellen, You're so right, because now that

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<v Speaker 3>I'm thinking about it, I wonder how much of me

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<v Speaker 3>lobbying four Mouth and miss Lauren was actually just about

0:10:58.240 --> 0:11:01.320
<v Speaker 3>wanting to see more of Miss Lauren. Yeah, because the

0:11:01.360 --> 0:11:04.840
<v Speaker 3>problem was when Skills left town. So did this absolutely

0:11:05.040 --> 0:11:08.200
<v Speaker 3>for the viewers purposes at least, like she disappeared. So

0:11:08.280 --> 0:11:09.959
<v Speaker 3>I wonder if part of what was wrapped up and

0:11:10.000 --> 0:11:11.760
<v Speaker 3>that was just because, like you said, every time she

0:11:11.800 --> 0:11:14.480
<v Speaker 3>came on the screen, I was like, oh, sure, she's great.

0:11:15.360 --> 0:11:19.760
<v Speaker 1>Yeah, She's just solid, yeah and funny and all the

0:11:19.840 --> 0:11:23.439
<v Speaker 1>emotion is there and made our jobs way easier. So yeah,

0:11:23.480 --> 0:11:25.640
<v Speaker 1>anything that brought her back I was always for.

0:11:26.000 --> 0:11:28.640
<v Speaker 3>So yeah, what did you Having not watched these episodes

0:11:28.640 --> 0:11:30.120
<v Speaker 3>a long time, what did you guys think of this?

0:11:30.240 --> 0:11:35.440
<v Speaker 5>Up? I was cracking up up joy and self was

0:11:35.559 --> 0:11:38.800
<v Speaker 5>so funny. I was cracking up. I was like, they

0:11:38.840 --> 0:11:44.280
<v Speaker 5>were hilarious at the the damn wadding thing. Yeah, yeah,

0:11:44.760 --> 0:11:46.760
<v Speaker 5>they were hilarious. I was Craig. I was like, damn,

0:11:46.800 --> 0:11:49.320
<v Speaker 5>they are so good. They was so funny. Though.

0:11:50.040 --> 0:11:53.360
<v Speaker 1>Yeah, I was nervous, I'll be honest going into it.

0:11:53.360 --> 0:11:53.920
<v Speaker 3>It's hard.

0:11:54.000 --> 0:11:56.760
<v Speaker 1>It's hard to go back and watch yourself and when

0:11:56.760 --> 0:11:59.520
<v Speaker 1>you have some distance from it for a little while,

0:11:59.760 --> 0:12:02.000
<v Speaker 1>you're there's always this fear, at least for me, that

0:12:02.040 --> 0:12:03.679
<v Speaker 1>when you dip back into it, you're gonna be like, oh,

0:12:03.720 --> 0:12:06.600
<v Speaker 1>that's not how I remembered it, and oh god, why

0:12:06.640 --> 0:12:09.120
<v Speaker 1>you know, why am I doing this? So I was

0:12:09.160 --> 0:12:12.160
<v Speaker 1>a little anxious about it. But once we got back

0:12:12.160 --> 0:12:14.400
<v Speaker 1>into it, and at first I was a little like

0:12:14.640 --> 0:12:17.559
<v Speaker 1>I couldn't quite place what was happening. But then when

0:12:17.600 --> 0:12:19.320
<v Speaker 1>I kind of got back into it and I realized

0:12:19.360 --> 0:12:22.560
<v Speaker 1>what was happening, I was like, oh, yeah, I'm in

0:12:22.720 --> 0:12:24.640
<v Speaker 1>and then we can get to this maybe at the end.

0:12:24.679 --> 0:12:26.839
<v Speaker 1>But like once the coda came, like one Tree Hill

0:12:26.880 --> 0:12:30.440
<v Speaker 1>does a coda like nobody's business, and you know, for

0:12:30.600 --> 0:12:32.960
<v Speaker 1>listeners at home, I'm sure they're savvy enough to know

0:12:33.000 --> 0:12:34.760
<v Speaker 1>the code is the end of the episode with the

0:12:35.000 --> 0:12:37.760
<v Speaker 1>big song, and you know, but by the end, Andrea

0:12:37.840 --> 0:12:39.160
<v Speaker 1>was watching it with me, and we were on the

0:12:39.160 --> 0:12:41.280
<v Speaker 1>couch and like at first, I would say, when the

0:12:41.320 --> 0:12:44.360
<v Speaker 1>episode started, we were like snacking and just like whatever,

0:12:44.440 --> 0:12:46.040
<v Speaker 1>and then by the time the coda came on, we

0:12:46.040 --> 0:12:46.920
<v Speaker 1>were like what what.

0:12:47.320 --> 0:12:48.479
<v Speaker 3>I was like, I don't remember.

0:12:48.240 --> 0:12:50.240
<v Speaker 6>What happens, Like I got to keep going, you know.

0:12:51.520 --> 0:12:52.280
<v Speaker 6>So it was great.

0:12:52.360 --> 0:12:55.560
<v Speaker 1>I loved it, and I love this episode too because

0:12:56.000 --> 0:12:59.000
<v Speaker 1>we got to see I think pairings that didn't or

0:12:59.040 --> 0:13:01.440
<v Speaker 1>groups of people that didn't always get to play together.

0:13:01.520 --> 0:13:04.520
<v Speaker 1>Like Rob, I feel like we barely ever got to

0:13:04.800 --> 0:13:06.160
<v Speaker 1>cross paths.

0:13:05.720 --> 0:13:11.520
<v Speaker 5>You know, with you, we did with them, they kept us.

0:13:11.600 --> 0:13:12.880
<v Speaker 3>Didn't we all do Tahoe together?

0:13:13.360 --> 0:13:13.560
<v Speaker 5>Yeah?

0:13:13.720 --> 0:13:14.320
<v Speaker 3>Or Park City?

0:13:14.400 --> 0:13:14.600
<v Speaker 5>Yeah?

0:13:14.640 --> 0:13:19.280
<v Speaker 1>Yeah, yeah that's right, yes, yeah, yeah yes, and you know,

0:13:19.400 --> 0:13:22.160
<v Speaker 1>same with them. I think we were always in couples

0:13:22.160 --> 0:13:22.719
<v Speaker 1>a lot, right.

0:13:22.760 --> 0:13:23.360
<v Speaker 6>And I love.

0:13:23.240 --> 0:13:26.199
<v Speaker 1>Lisa gold scene, like I missed her in this desperately.

0:13:26.320 --> 0:13:29.480
<v Speaker 1>But it was nice to be able to play with,

0:13:29.679 --> 0:13:31.840
<v Speaker 1>you know, a group of people who I didn't always

0:13:31.840 --> 0:13:33.480
<v Speaker 1>get to see. It was so great to see Junk

0:13:33.520 --> 0:13:36.319
<v Speaker 1>and Fergie back with everybody at the poker table and

0:13:36.440 --> 0:13:41.120
<v Speaker 1>those one liners between like Janna and and Junk where

0:13:41.200 --> 0:13:42.920
<v Speaker 1>I was like, oh my god, this is it.

0:13:43.040 --> 0:13:45.800
<v Speaker 5>Yeah.

0:13:45.880 --> 0:13:51.200
<v Speaker 3>I mean the Alex Duprey of it all. She is, dude,

0:13:51.320 --> 0:13:53.959
<v Speaker 3>She is just like I've always said, like she's so manic,

0:13:54.320 --> 0:13:56.959
<v Speaker 3>you know. And there was the perfect Alex moment when

0:13:57.040 --> 0:14:03.360
<v Speaker 3>Julian starts he puts her on camp and she's she's like, Hi,

0:14:03.400 --> 0:14:06.360
<v Speaker 3>I'm Alex Dupre. You might recognize me from tabloids. We

0:14:06.440 --> 0:14:09.040
<v Speaker 3>have an internet porn, but I also do the occasional movie.

0:14:09.080 --> 0:14:11.720
<v Speaker 3>And Julian's like, whoa, let's let's just grow serious, and

0:14:11.760 --> 0:14:14.600
<v Speaker 3>she takes a beat and she goes, yeah, not long ago,

0:14:14.640 --> 0:14:16.839
<v Speaker 3>I tried to alive myself and he's like.

0:14:16.880 --> 0:14:18.720
<v Speaker 5>Whoa, whoa.

0:14:18.840 --> 0:14:20.840
<v Speaker 3>So it's it's this funny mix of her. It's like

0:14:20.880 --> 0:14:23.960
<v Speaker 3>it's either one far end of the extreme or it's

0:14:24.120 --> 0:14:24.920
<v Speaker 3>all the way the other.

0:14:25.760 --> 0:14:27.160
<v Speaker 5>Yea, Jenna was good.

0:14:27.400 --> 0:14:29.560
<v Speaker 1>She was funny, and she is another one who's great

0:14:29.600 --> 0:14:32.200
<v Speaker 1>at that comedy, like again that she she can do

0:14:32.280 --> 0:14:36.360
<v Speaker 1>the drama obviously they're really really tumultuous storyline that she

0:14:36.520 --> 0:14:40.160
<v Speaker 1>was referring to, and play that so well, but then

0:14:40.280 --> 0:14:42.320
<v Speaker 1>come in and bring sort of a lot like Sophia

0:14:42.760 --> 0:14:47.760
<v Speaker 1>and the Brook character kind of brings that energy and god,

0:14:47.840 --> 0:14:50.000
<v Speaker 1>I love that. And I was just reminded too, you

0:14:50.000 --> 0:14:54.000
<v Speaker 1>know Antoninia were talking about sof Brooke and the wedding expo,

0:14:54.120 --> 0:14:56.520
<v Speaker 1>I mean, all of that stuff. And with Sharon Lawrence

0:14:56.560 --> 0:14:59.640
<v Speaker 1>again another pairing that at that point we probably hadn't

0:14:59.640 --> 0:15:01.360
<v Speaker 1>gotten to see a lot of.

0:15:01.440 --> 0:15:03.200
<v Speaker 3>I don't was this Sharon's first episode. I had to

0:15:03.320 --> 0:15:03.720
<v Speaker 3>be one of.

0:15:03.640 --> 0:15:09.480
<v Speaker 5>Her first, right, she had Thanksgiving one. Yeah, that's Thanksgiving one.

0:15:09.720 --> 0:15:10.200
<v Speaker 6>There you go.

0:15:10.360 --> 0:15:12.480
<v Speaker 1>Yeah, but I mean again to see that, you know,

0:15:12.520 --> 0:15:14.320
<v Speaker 1>that's not appearing that we're used to sing a whole

0:15:14.360 --> 0:15:16.560
<v Speaker 1>lot of at that point, and Sharon's obviously like a

0:15:16.640 --> 0:15:19.680
<v Speaker 1>legend and so good. I mean when she's like passed

0:15:19.760 --> 0:15:22.760
<v Speaker 1>out on the bench and and Brooke is like talking

0:15:22.840 --> 0:15:25.960
<v Speaker 1>to herself wandering through the expo, I was just like

0:15:26.560 --> 0:15:31.280
<v Speaker 1>I was. It made me remember, you know, all the

0:15:31.280 --> 0:15:34.840
<v Speaker 1>things that I loved about this show, that these characters

0:15:35.520 --> 0:15:39.360
<v Speaker 1>are so are just so rich, and that we've spent

0:15:39.520 --> 0:15:41.560
<v Speaker 1>so much time with them. I mean I was looking

0:15:41.640 --> 0:15:43.400
<v Speaker 1>at I was looking at the show and I was

0:15:43.440 --> 0:15:46.240
<v Speaker 1>like season eight. I was like, this aired in twenty ten.

0:15:46.880 --> 0:15:49.680
<v Speaker 1>You know, at this point there are kids who were

0:15:49.680 --> 0:15:52.720
<v Speaker 1>probably freshmen in high school who started watching season one

0:15:52.720 --> 0:15:55.160
<v Speaker 1>of One Tree Hill, and if they'd stayed at watching

0:15:55.160 --> 0:15:57.400
<v Speaker 1>the whole time, by this point, they're like about to

0:15:57.440 --> 0:16:01.120
<v Speaker 1>graduate from college. And you think about like the amount

0:16:01.120 --> 0:16:04.440
<v Speaker 1>of life that happens in those eight years, and that

0:16:04.560 --> 0:16:06.960
<v Speaker 1>people were invested in these characters for so long, And

0:16:07.040 --> 0:16:08.800
<v Speaker 1>when I see sof doing what she was doing, in

0:16:08.840 --> 0:16:11.520
<v Speaker 1>the expo, even though the dialogue is not you know,

0:16:11.560 --> 0:16:14.040
<v Speaker 1>all of this is just kind of uh, you know,

0:16:14.280 --> 0:16:17.960
<v Speaker 1>nothing really super high brow. You really care about these characters,

0:16:18.080 --> 0:16:21.400
<v Speaker 1>and it was just a great reminder of why I

0:16:21.440 --> 0:16:23.040
<v Speaker 1>love the show so much.

0:16:23.480 --> 0:16:26.360
<v Speaker 5>Lee. Is there a picture behind you downtown Wilmington?

0:16:26.840 --> 0:16:27.520
<v Speaker 3>Yes, it is.

0:16:28.760 --> 0:16:30.840
<v Speaker 5>Looking at it, I'm like, is that Marcus Street? Is

0:16:30.840 --> 0:16:33.480
<v Speaker 5>that that's looking out out of the window from a

0:16:33.720 --> 0:16:38.600
<v Speaker 5>liquor room? That's right, Okay, I just kept bothering me.

0:16:39.000 --> 0:16:40.320
<v Speaker 6>I painted it just for you, Tuan.

0:16:40.440 --> 0:16:40.480
<v Speaker 1>No.

0:16:40.560 --> 0:16:42.480
<v Speaker 3>I didn't paint that an artist.

0:16:42.600 --> 0:16:44.640
<v Speaker 1>The local artist in Wilmington did that, but I thought

0:16:44.640 --> 0:16:47.840
<v Speaker 1>it was fitting for today to have that as my backdrop.

0:16:48.080 --> 0:17:01.160
<v Speaker 4>Yeah.

0:17:01.200 --> 0:17:03.760
<v Speaker 3>Another person who we don't get all the time that

0:17:03.840 --> 0:17:08.320
<v Speaker 3>I absolutely love seeing is Stephen Coletti, and he's been

0:17:08.440 --> 0:17:10.159
<v Speaker 3>in so much more of the season, which I'm grateful

0:17:10.200 --> 0:17:13.280
<v Speaker 3>for because he's just so funny. And then there's a

0:17:13.320 --> 0:17:17.800
<v Speaker 3>moment in Red Bedroom Records when it's kind of his

0:17:17.920 --> 0:17:21.119
<v Speaker 3>Maya Kolpa. He shows up and he's like coffee break,

0:17:21.680 --> 0:17:23.800
<v Speaker 3>and it's funny because he's only brought coffee for Haley,

0:17:24.160 --> 0:17:26.240
<v Speaker 3>excuse me, for me. But at the end of it,

0:17:26.280 --> 0:17:29.520
<v Speaker 3>after it gets awkward. He goes Chase out and I

0:17:29.560 --> 0:17:32.640
<v Speaker 3>was like, oh, this happened during this the Ryan Seacrest era,

0:17:33.880 --> 0:17:38.479
<v Speaker 3>the man who pioneered seacrest out. Yes, yeah, okay, I

0:17:38.520 --> 0:17:43.600
<v Speaker 3>know when this happened, right right, yeah, yes, yes, oh

0:17:43.640 --> 0:17:46.320
<v Speaker 3>yeah it was. He was so good and and.

0:17:46.280 --> 0:17:49.080
<v Speaker 1>He was you know, it was really fun to watch

0:17:49.119 --> 0:17:51.560
<v Speaker 1>him in this episode because he's he I watched him

0:17:51.600 --> 0:17:53.119
<v Speaker 1>grow a lot as an actor. I mean, I remember

0:17:53.119 --> 0:17:55.200
<v Speaker 1>when he came on, he was nervous about coming from

0:17:55.280 --> 0:17:59.000
<v Speaker 1>Laguna and and and coming from the reality show background,

0:17:59.040 --> 0:18:01.720
<v Speaker 1>and like in this episode, I mean, he's got to

0:18:01.760 --> 0:18:04.679
<v Speaker 1>meet with the girls and you know, this whole battle

0:18:04.720 --> 0:18:06.919
<v Speaker 1>and he it was great to kind of watch him

0:18:06.920 --> 0:18:07.640
<v Speaker 1>come into his own.

0:18:07.760 --> 0:18:09.800
<v Speaker 3>So I have a bit of an issue with a

0:18:09.880 --> 0:18:14.560
<v Speaker 3>later scene involving him and the women. So I'm just

0:18:14.600 --> 0:18:16.800
<v Speaker 3>gonna I'm gonna Tarantino this. We're gonna start with the

0:18:16.880 --> 0:18:20.440
<v Speaker 3>end of it. Chase. After the poker night, he goes

0:18:20.480 --> 0:18:25.120
<v Speaker 3>back to Trick. Alex and Mia are there, and Alex

0:18:25.320 --> 0:18:27.720
<v Speaker 3>comes to him sincerely and is like, hey, my bad.

0:18:28.040 --> 0:18:31.600
<v Speaker 3>You know hat in hand. He's buzzed, he's pissed, and

0:18:31.640 --> 0:18:35.240
<v Speaker 3>so he just he just turns and kisses Mia right

0:18:35.280 --> 0:18:40.280
<v Speaker 3>in front of her and uh right, yeah, and it's

0:18:40.680 --> 0:18:42.679
<v Speaker 3>as soon as they're done kissing. I think it's like

0:18:42.760 --> 0:18:46.520
<v Speaker 3>Mia clocks what's happening and she slaps him. Here is

0:18:46.560 --> 0:18:52.359
<v Speaker 3>my beef. Earlier in the episode, she literally says to Chase, Hey,

0:18:52.560 --> 0:18:56.640
<v Speaker 3>if you ever want to make that be Ith jealous,

0:18:57.000 --> 0:19:01.359
<v Speaker 3>I'm your girl, and I'm like you you literally told

0:19:01.440 --> 0:19:04.720
<v Speaker 3>him I'd be happy to make her jealous. He actually

0:19:04.760 --> 0:19:08.200
<v Speaker 3>takes you up on it and he gets slapped. Did

0:19:08.480 --> 0:19:10.199
<v Speaker 3>either of you catch that or bump on that?

0:19:10.520 --> 0:19:13.720
<v Speaker 5>I caught it? Yeah I did. I mean I want

0:19:13.720 --> 0:19:18.600
<v Speaker 5>to jous I'm your girl, and yeah, yeah.

0:19:18.520 --> 0:19:19.280
<v Speaker 6>I mean it.

0:19:19.400 --> 0:19:22.960
<v Speaker 1>And in her defense, sometimes we say things that we

0:19:23.040 --> 0:19:25.919
<v Speaker 1>think we're okay with and then when it happens and

0:19:25.960 --> 0:19:28.919
<v Speaker 1>you're faced with the reality of it, you're like, well maybe.

0:19:28.680 --> 0:19:32.399
<v Speaker 6>Not so I get it, but you know, it was tough.

0:19:32.600 --> 0:19:34.520
<v Speaker 6>It was tough. I felt I felt for him. Didn't

0:19:34.520 --> 0:19:36.639
<v Speaker 6>he get slapped twice? Didn't they both slap with it?

0:19:36.760 --> 0:19:36.960
<v Speaker 5>Yes?

0:19:37.480 --> 0:19:40.560
<v Speaker 3>He did first. Alex slaps it well, because listen, he's

0:19:40.600 --> 0:19:45.240
<v Speaker 3>an absolute jerk about it. He kisses me, which is

0:19:45.320 --> 0:19:47.640
<v Speaker 3>bad enough, and then he like pulls back and goes

0:19:47.720 --> 0:19:51.760
<v Speaker 3>the truth hurts, doesn't it. So he fully deserved the

0:19:51.800 --> 0:19:56.639
<v Speaker 3>first slap. Yeah, just kind of felt like, you know,

0:19:56.720 --> 0:20:00.399
<v Speaker 3>like listen boys were dumb, especially when we're drinking. So

0:20:00.480 --> 0:20:02.800
<v Speaker 3>I felt like there was a certain amount of leeway

0:20:02.880 --> 0:20:05.919
<v Speaker 3>he should have gotten in that situation that he didn't.

0:20:06.720 --> 0:20:09.879
<v Speaker 3>He also had another great line. There was an amazing

0:20:09.960 --> 0:20:14.280
<v Speaker 3>moment where when Julian shows up at poker Night and

0:20:14.320 --> 0:20:16.240
<v Speaker 3>he walks in first, it's hilarious because he has his

0:20:16.320 --> 0:20:20.320
<v Speaker 3>fantasy sequence of everyone being like jamn, what's up? And

0:20:20.359 --> 0:20:25.399
<v Speaker 3>then he comes into just the coldest reception and it's, Uh,

0:20:25.480 --> 0:20:29.080
<v Speaker 3>it's because everyone's pissed that Alex is there. And I

0:20:29.080 --> 0:20:31.720
<v Speaker 3>think it's like junk Is saying like, hey, you brought

0:20:31.760 --> 0:20:34.920
<v Speaker 3>a girl to poker Knight. Great, and then just from

0:20:34.960 --> 0:20:39.840
<v Speaker 3>the back row, Chaseo's good going Julian and like cheers

0:20:39.840 --> 0:20:42.480
<v Speaker 3>as him with his beer, and I was like, that's

0:20:42.600 --> 0:20:44.399
<v Speaker 3>he had one line in that scene and that was

0:20:44.440 --> 0:20:47.120
<v Speaker 3>the most memorable part for me. It was like, wait

0:20:47.200 --> 0:20:50.840
<v Speaker 3>to steal a scene, Stevie.

0:20:51.400 --> 0:20:55.000
<v Speaker 1>Yeah, buddy, Yeah, that was great and I love that too,

0:20:55.040 --> 0:20:58.400
<v Speaker 1>Like the whole dream. I was watching the intro sequence

0:20:58.440 --> 0:21:01.000
<v Speaker 1>and I'm like oh wait, this is he's dreaming, Like

0:21:01.080 --> 0:21:03.120
<v Speaker 1>this is not you know, this can't be real.

0:21:03.600 --> 0:21:05.199
<v Speaker 3>But then I was like, did we do stuff like that?

0:21:05.240 --> 0:21:06.080
<v Speaker 6>And I was like, yeah, we did.

0:21:06.160 --> 0:21:08.000
<v Speaker 1>And it reminded me again of one of the things,

0:21:08.119 --> 0:21:09.960
<v Speaker 1>just again not having come to the show in a

0:21:10.000 --> 0:21:13.359
<v Speaker 1>long time, Like I love that, especially in their episodes

0:21:13.440 --> 0:21:17.119
<v Speaker 1>Tara and Strauss, that we didn't take ourselves too seriously

0:21:17.280 --> 0:21:19.720
<v Speaker 1>all the time, Right, it'd be very easy to do that,

0:21:20.080 --> 0:21:24.359
<v Speaker 1>And I love that we're in on the joke for

0:21:24.960 --> 0:21:27.040
<v Speaker 1>you know, in a sense, it just made it that

0:21:27.119 --> 0:21:30.240
<v Speaker 1>much more entertaining to me. Same thing with the mannequin.

0:21:30.680 --> 0:21:35.720
<v Speaker 1>And I will say I called Mike Carro yesterday. I

0:21:35.760 --> 0:21:38.520
<v Speaker 1>told him that I watched this episode and so I said,

0:21:38.560 --> 0:21:40.399
<v Speaker 1>you got to tell me, like, what's the you know,

0:21:41.240 --> 0:21:43.320
<v Speaker 1>what was going on with the manic? Like I don't

0:21:43.359 --> 0:21:44.679
<v Speaker 1>you know, I didn't remember that, And I thought it

0:21:44.720 --> 0:21:47.840
<v Speaker 1>was hysterical when I like, wake up and I scream

0:21:48.000 --> 0:21:50.040
<v Speaker 1>when I'm in bed, when Mount's in bed with him

0:21:50.080 --> 0:21:54.280
<v Speaker 1>a little Godfather homage, yes, yes, And then when twin

0:21:54.400 --> 0:21:57.560
<v Speaker 1>when you scream and it overlaps with Jana's scream. I

0:21:57.640 --> 0:22:01.399
<v Speaker 1>literally laughed out loud, which I probably haven't done in

0:22:01.440 --> 0:22:04.280
<v Speaker 1>my own living room and in a long time. I mean,

0:22:04.359 --> 0:22:07.960
<v Speaker 1>I thought it was really funny and totally absurd, but

0:22:08.520 --> 0:22:12.120
<v Speaker 1>Harrow said that, you know, I think they were kind

0:22:12.119 --> 0:22:15.280
<v Speaker 1>of joking about it, as often happens in the writer's room,

0:22:15.840 --> 0:22:18.160
<v Speaker 1>joking about like, well we need you know, the River

0:22:18.200 --> 0:22:21.240
<v Speaker 1>Court guys. They missed their buddy, and so maybe Twan

0:22:21.359 --> 0:22:22.719
<v Speaker 1>does something and brings this mankin.

0:22:22.760 --> 0:22:24.000
<v Speaker 3>I don't know what your job was.

0:22:23.840 --> 0:22:24.080
<v Speaker 5>He was.

0:22:24.440 --> 0:22:27.159
<v Speaker 3>He was doing coordinating stunts, so it was a stunt

0:22:27.160 --> 0:22:29.640
<v Speaker 3>doll coordinating. It was a stunt doll.

0:22:29.800 --> 0:22:30.720
<v Speaker 5>Okay, all right.

0:22:31.480 --> 0:22:33.399
<v Speaker 1>So he was saying, that's kind of where the idea

0:22:33.440 --> 0:22:35.760
<v Speaker 1>came from. And I think he said they called it

0:22:35.960 --> 0:22:38.600
<v Speaker 1>Chad Michael Mannikin when they were referred.

0:22:38.240 --> 0:22:41.120
<v Speaker 3>To listen Chad Michael Manniquin. And then later in the episode,

0:22:41.359 --> 0:22:45.560
<v Speaker 3>Brook goes, fine, it's best mannequin. Just make sure you

0:22:45.560 --> 0:22:48.560
<v Speaker 3>get that Dummia tucks or something like that, that those

0:22:48.560 --> 0:22:53.639
<v Speaker 3>are two terrific punts. Yes, yeah, I I'm glad that

0:22:53.840 --> 0:22:57.080
<v Speaker 3>you did that bit of research because I was very

0:22:57.160 --> 0:23:00.000
<v Speaker 3>curious about that because yeah, and I think it was

0:23:00.160 --> 0:23:05.320
<v Speaker 3>in season seven there was a moment where our boss

0:23:05.480 --> 0:23:08.680
<v Speaker 3>clearly took a shot at Chad. It's where like Dan

0:23:08.840 --> 0:23:14.040
<v Speaker 3>is backstage at his show, yeah, and uh, Danil comes

0:23:14.040 --> 0:23:16.240
<v Speaker 3>in and is like, hey, we got to figure out

0:23:16.240 --> 0:23:20.640
<v Speaker 3>something for Sweeps week, and Dan just says, uh, why

0:23:20.640 --> 0:23:22.480
<v Speaker 3>don't we Why don't we get Lucas to come? I

0:23:22.520 --> 0:23:26.920
<v Speaker 3>know he's not doing anything, and and it was just

0:23:27.119 --> 0:23:31.239
<v Speaker 3>so lame and uncool and obvious and heavy handed. And

0:23:31.280 --> 0:23:34.480
<v Speaker 3>so when when I first saw the Chad Michael mannequin,

0:23:34.760 --> 0:23:38.159
<v Speaker 3>I was like, Oh, is this gonna turn into another

0:23:38.320 --> 0:23:40.040
<v Speaker 3>And I was glad when it wasn't. It was just

0:23:40.080 --> 0:23:43.199
<v Speaker 3>guys missing their buddy. And yeah, you two are hilarious

0:23:43.240 --> 0:23:46.359
<v Speaker 3>with it. Twan you leaving the scene saying he needs

0:23:46.400 --> 0:23:49.320
<v Speaker 3>a bath and then the look on Lee's face like

0:23:49.400 --> 0:23:53.320
<v Speaker 3>I don't know whether I actually am expected to do

0:23:53.359 --> 0:23:53.840
<v Speaker 3>that or not.

0:23:56.480 --> 0:23:56.680
<v Speaker 5>Great.

0:23:57.080 --> 0:23:59.280
<v Speaker 1>Yeah, No, I would not have been okay if that,

0:23:59.440 --> 0:24:01.439
<v Speaker 1>If it had turned into like a punching doll, so

0:24:01.480 --> 0:24:03.720
<v Speaker 1>to speak for Chad, I wouldn't have been okay with that.

0:24:03.760 --> 0:24:04.880
<v Speaker 3>I didn't read it that way.

0:24:04.920 --> 0:24:07.240
<v Speaker 1>And I think, you know, we were in this kind

0:24:07.240 --> 0:24:11.439
<v Speaker 1>of weird position of we lost these central characters, you know,

0:24:11.840 --> 0:24:16.520
<v Speaker 1>and that he you know, Lucas had been an integral

0:24:16.680 --> 0:24:19.879
<v Speaker 1>part of Twine. You're of our dynamic right with the

0:24:19.960 --> 0:24:22.919
<v Speaker 1>Rivercrek guys. And so there is this weird balance of

0:24:22.960 --> 0:24:26.320
<v Speaker 1>like the show continues on and we can't just you know,

0:24:26.480 --> 0:24:30.200
<v Speaker 1>pretend like these characters didn't exist, and you know, I

0:24:30.400 --> 0:24:32.879
<v Speaker 1>wouldn't have necessarily come up with this way to do it,

0:24:32.920 --> 0:24:36.440
<v Speaker 1>but it wasn't acknowledgment there of this kind of this

0:24:36.440 --> 0:24:39.199
<v Speaker 1>this friend that they missed, and if anything, it just

0:24:39.200 --> 0:24:40.119
<v Speaker 1>made me miss Chad.

0:24:40.200 --> 0:24:41.520
<v Speaker 3>Honestly, in the episode, I was.

0:24:41.480 --> 0:24:44.200
<v Speaker 1>Like, oh I miss I miss I miss our buddy,

0:24:44.280 --> 0:24:47.880
<v Speaker 1>you know. But so yeah, it was that was that.

0:24:47.960 --> 0:24:49.800
<v Speaker 3>Was interesting to see for sure. But I wanted to

0:24:49.880 --> 0:24:50.159
<v Speaker 3>let you know.

0:24:50.200 --> 0:24:52.160
<v Speaker 1>I talked to Harrow and he was excited we were

0:24:52.160 --> 0:24:56.399
<v Speaker 1>doing their episode and he sends as the best everybody.

0:24:56.160 --> 0:24:57.400
<v Speaker 5>So he ro.

0:25:11.560 --> 0:25:14.199
<v Speaker 3>And another thing that Heron Strauss did really well is

0:25:14.240 --> 0:25:17.960
<v Speaker 3>that thing of the way one scene will end is

0:25:17.960 --> 0:25:20.240
<v Speaker 3>how another scene begins, like you were saying with the

0:25:20.680 --> 0:25:23.720
<v Speaker 3>screaming you know, or what is it? I think like

0:25:23.840 --> 0:25:25.960
<v Speaker 3>James is coming back being like I'm an idiot and

0:25:26.000 --> 0:25:27.920
<v Speaker 3>then like someone else has just said like, oh I'm

0:25:27.920 --> 0:25:28.720
<v Speaker 3>an idiot.

0:25:29.480 --> 0:25:34.840
<v Speaker 1>Great transitions, Yeah, yeah, very good transitions. You could see

0:25:34.880 --> 0:25:37.520
<v Speaker 1>all of that through the episode, and yeah, it all

0:25:37.560 --> 0:25:39.479
<v Speaker 1>did a great job of just tying it all together.

0:25:39.560 --> 0:25:42.639
<v Speaker 1>And I sort of remembered, like what the style of

0:25:42.680 --> 0:25:45.000
<v Speaker 1>the show was, right, it was those transitions with the

0:25:45.160 --> 0:25:50.159
<v Speaker 1>music driving it all, and yeah, it was it was.

0:25:50.240 --> 0:25:51.560
<v Speaker 6>It was really nice to see.

0:25:51.560 --> 0:25:53.239
<v Speaker 5>I know what, I like that that I that I

0:25:53.320 --> 0:25:56.600
<v Speaker 5>see from what we did as are like our original cast.

0:25:57.920 --> 0:26:00.879
<v Speaker 5>We made all of the guest stars and co stars

0:26:00.920 --> 0:26:02.919
<v Speaker 5>and the new the new people that came, we always

0:26:02.920 --> 0:26:06.320
<v Speaker 5>made them feel they didn't feel like outsiders, like you

0:26:06.320 --> 0:26:07.639
<v Speaker 5>know what I'm saying, Like I got to come in

0:26:07.680 --> 0:26:10.320
<v Speaker 5>and prove myself on this show because they are already here.

0:26:10.320 --> 0:26:12.800
<v Speaker 5>And I think we made everybody feel like family because

0:26:12.800 --> 0:26:15.200
<v Speaker 5>we was in that little small town, you know what

0:26:15.240 --> 0:26:17.280
<v Speaker 5>I'm saying. Everybody was kind of together and we just

0:26:17.359 --> 0:26:19.440
<v Speaker 5>kind of welcomed everybody with open arms. So I think

0:26:19.520 --> 0:26:23.000
<v Speaker 5>that gave them a lot of more, you know, confidence

0:26:23.040 --> 0:26:25.440
<v Speaker 5>to come in and make the scenes like organic, you

0:26:25.520 --> 0:26:28.800
<v Speaker 5>know what I'm saying, because everybody was like, oh, they're cool,

0:26:28.840 --> 0:26:30.199
<v Speaker 5>because you know how it might be you go to

0:26:30.240 --> 0:26:31.680
<v Speaker 5>a show like you know what I'm saying, and you're

0:26:31.720 --> 0:26:33.640
<v Speaker 5>just like, damn, I'm the guest I'm the guest star

0:26:33.720 --> 0:26:36.520
<v Speaker 5>this week, and I'm just in my dressing room until

0:26:36.520 --> 0:26:38.080
<v Speaker 5>they call me. And when I get there, it's like

0:26:38.119 --> 0:26:40.720
<v Speaker 5>everybody's quiet, nobody's really you know. You do your singing

0:26:40.760 --> 0:26:42.200
<v Speaker 5>and then it's like all right, then, you know what

0:26:42.240 --> 0:26:44.600
<v Speaker 5>I'm saying. It's like everybody's talking with you in the

0:26:44.600 --> 0:26:47.480
<v Speaker 5>corner by yourself. I don't think we did that. Everybody

0:26:47.560 --> 0:26:50.280
<v Speaker 5>was always kind of like you know, in a group.

0:26:50.720 --> 0:26:53.440
<v Speaker 3>Yeah, or at least we tried, I think as much as.

0:26:53.400 --> 0:26:54.120
<v Speaker 5>We can think.

0:26:54.119 --> 0:26:56.080
<v Speaker 3>You guys were great at that. I can say from

0:26:56.080 --> 0:26:58.520
<v Speaker 3>my own experience, and I would say, Antoine, you are

0:26:58.560 --> 0:27:00.800
<v Speaker 3>the leader of that parade like you were. You were

0:27:00.840 --> 0:27:04.960
<v Speaker 3>definitely the social in terms of like, hey, everyone like

0:27:05.280 --> 0:27:06.960
<v Speaker 3>you guys want to do this tonight, Like you would

0:27:06.960 --> 0:27:10.359
<v Speaker 3>be the sort of the the initiator of the like

0:27:10.480 --> 0:27:12.720
<v Speaker 3>group hang and you were great at that. And also

0:27:13.560 --> 0:27:15.879
<v Speaker 3>it's that is not only is that just a great

0:27:15.880 --> 0:27:17.760
<v Speaker 3>way to be as a human being, just to be

0:27:17.880 --> 0:27:20.800
<v Speaker 3>welcoming and kind to people, but it's also such a

0:27:20.840 --> 0:27:25.119
<v Speaker 3>smart thing to do because it is a big show.

0:27:25.680 --> 0:27:28.600
<v Speaker 3>It was very successful. I can tell your firsthand. It

0:27:28.680 --> 0:27:31.119
<v Speaker 3>is very stressful. I mean, all of us know, it's

0:27:31.119 --> 0:27:33.160
<v Speaker 3>stressful to be guests on anything because you're a guest

0:27:33.160 --> 0:27:35.480
<v Speaker 3>in someone else's home. You don't know the flow, the vibe,

0:27:35.480 --> 0:27:37.840
<v Speaker 3>all of it. But like when I joined our show,

0:27:37.880 --> 0:27:40.840
<v Speaker 3>I was so nervous, you know. And but when you

0:27:40.920 --> 0:27:43.280
<v Speaker 3>are welcome with people like that, then all of a

0:27:43.320 --> 0:27:45.440
<v Speaker 3>sudden they kind of like take a breath, they drop

0:27:45.520 --> 0:27:48.000
<v Speaker 3>their shoulders, and as actors, like that's when they're that's

0:27:48.000 --> 0:27:50.679
<v Speaker 3>when you're going to do better work, you know. So

0:27:50.800 --> 0:27:53.119
<v Speaker 3>it was just it was a cool kind thing and

0:27:53.119 --> 0:27:58.080
<v Speaker 3>it was also a very smart, sort of like beneficial

0:27:58.119 --> 0:28:01.320
<v Speaker 3>thing to do for the show. Yeah, it benefits everybody.

0:28:01.440 --> 0:28:04.080
<v Speaker 1>Yeah, yeah, it makes this the fabric of the stronger show,

0:28:04.119 --> 0:28:07.159
<v Speaker 1>and the relationships feel more real and you can do

0:28:07.240 --> 0:28:09.760
<v Speaker 1>better work when you trust the people that you're opposite

0:28:09.840 --> 0:28:10.399
<v Speaker 1>on camera.

0:28:10.600 --> 0:28:13.960
<v Speaker 3>Yeah. I loved so. I really wish Joy and so

0:28:14.080 --> 0:28:17.760
<v Speaker 3>for here because there was so many just gems from

0:28:17.960 --> 0:28:21.479
<v Speaker 3>the bride Expo, the bridal Expo.

0:28:22.440 --> 0:28:25.120
<v Speaker 1>Yes, yeah, where was that? I was trying to figure

0:28:25.119 --> 0:28:25.800
<v Speaker 1>out where that was?

0:28:25.960 --> 0:28:30.000
<v Speaker 3>Where things were. James actually went to the Falcon Stadium

0:28:30.040 --> 0:28:31.240
<v Speaker 3>right to it.

0:28:31.600 --> 0:28:33.520
<v Speaker 6>I saw, I know, I was like, well, I guess James,

0:28:33.560 --> 0:28:34.400
<v Speaker 6>got to go to Atlanta.

0:28:34.440 --> 0:28:35.359
<v Speaker 3>That must have been fun.

0:28:36.359 --> 0:28:37.040
<v Speaker 4>I don't know how.

0:28:37.080 --> 0:28:39.000
<v Speaker 3>I don't remember that, but i'd same as you, Lee.

0:28:39.040 --> 0:28:40.960
<v Speaker 3>I went back and rewound, I don't looking for like

0:28:41.080 --> 0:28:44.880
<v Speaker 3>a green screen giveaway, and yes, it's like, no, he

0:28:45.120 --> 0:28:47.200
<v Speaker 3>just got to go there. Which was odd because I

0:28:47.240 --> 0:28:51.160
<v Speaker 3>thought you flew him in a crew to Atlanta and

0:28:51.200 --> 0:28:53.200
<v Speaker 3>you shot one scene.

0:28:53.880 --> 0:28:55.640
<v Speaker 1>Yeah, what if it was like just James and like

0:28:55.680 --> 0:29:00.600
<v Speaker 1>a steady cam, like he's just like holding it and it's.

0:28:59.720 --> 0:29:03.400
<v Speaker 3>Point on the escalator too. Yeah, what a cool thing

0:29:03.440 --> 0:29:05.600
<v Speaker 3>for him. No, that was really cool.

0:29:05.600 --> 0:29:07.719
<v Speaker 1>I had a moment too where I was like, because

0:29:07.720 --> 0:29:09.960
<v Speaker 1>we did always feel sort of like this small show

0:29:10.040 --> 0:29:12.040
<v Speaker 1>and we were, you know, we didn't have this big,

0:29:12.080 --> 0:29:14.320
<v Speaker 1>grand budget. And then suddenly I was like, wait, he's

0:29:14.360 --> 0:29:17.360
<v Speaker 1>in the in the stadium in Atlanta, Like that's incredible.

0:29:17.880 --> 0:29:20.680
<v Speaker 5>Yeah, did he do right? He went to the to

0:29:20.720 --> 0:29:23.760
<v Speaker 5>the Panthers stadium too, Right, did he did he?

0:29:24.040 --> 0:29:28.520
<v Speaker 1>Or he went to Charlotte for the or yeah, yeah,

0:29:28.560 --> 0:29:29.160
<v Speaker 1>something like that.

0:29:29.480 --> 0:29:31.920
<v Speaker 3>Yeah, the bridal ex bo stuff. Yeah, like you had said, Lee,

0:29:32.640 --> 0:29:36.760
<v Speaker 3>Sharon Lawrence, that is national treasure. Sharon Lawrence is just

0:29:36.840 --> 0:29:40.920
<v Speaker 3>in assassage. Yeah, and she crushes the whole mom' Zillow thing.

0:29:42.200 --> 0:29:44.920
<v Speaker 3>Soph is so funny, so good, and there's so many

0:29:45.000 --> 0:29:47.520
<v Speaker 3>great moments that, Like when she's walking down the hallway,

0:29:47.520 --> 0:29:50.680
<v Speaker 3>it's I think it's right before she discovers Mama Baker

0:29:50.960 --> 0:29:54.719
<v Speaker 3>passed out and she's like, yeah, she's she's referencing Diehard

0:29:54.760 --> 0:29:57.640
<v Speaker 3>and she's like, come to the bridle ex boo. They'd say,

0:29:57.680 --> 0:30:00.120
<v Speaker 3>have a few laughs. I said it'll be fun you

0:30:00.240 --> 0:30:03.360
<v Speaker 3>be ka Mama Baker or something like that, and then.

0:30:03.280 --> 0:30:06.320
<v Speaker 1>She's like, I've been hanging out. Yes, yes, yes, it

0:30:06.360 --> 0:30:10.800
<v Speaker 1>was so good man. Yeah, she's so good. It reminds

0:30:10.800 --> 0:30:12.800
<v Speaker 1>me why she is the star she is. I just

0:30:12.840 --> 0:30:14.880
<v Speaker 1>love her and she's so good at that. And she's

0:30:14.880 --> 0:30:18.520
<v Speaker 1>so good what what she's so good at is being

0:30:18.600 --> 0:30:21.840
<v Speaker 1>funny and bringing that energy. But it all feels so grounded,

0:30:22.000 --> 0:30:25.880
<v Speaker 1>like similarly to Utwine, it doesn't it feels grounded, It

0:30:25.880 --> 0:30:29.239
<v Speaker 1>doesn't feel forced in any way. And I love that

0:30:29.280 --> 0:30:32.640
<v Speaker 1>whole arc because, like you you were saying, Rob, Sharon

0:30:33.080 --> 0:30:37.680
<v Speaker 1>is just masterful, like very fine line that you have

0:30:37.760 --> 0:30:40.720
<v Speaker 1>to walk there like to because you're coming and playing

0:30:40.720 --> 0:30:42.880
<v Speaker 1>this character right and she kind of has to be

0:30:42.920 --> 0:30:44.800
<v Speaker 1>this mom and like it could be very easy for

0:30:44.840 --> 0:30:47.880
<v Speaker 1>her to just come off as annoying and like not

0:30:48.040 --> 0:30:50.520
<v Speaker 1>feel for her in any way, shape or form, because

0:30:50.520 --> 0:30:52.840
<v Speaker 1>you're you're as a viewer, you're used to rooting and

0:30:53.160 --> 0:30:56.840
<v Speaker 1>seeing brook right, and here's this new character and she's

0:30:56.840 --> 0:30:58.880
<v Speaker 1>supposed to be this kind of like mom and getting

0:30:58.880 --> 0:31:02.400
<v Speaker 1>on Brooks' nerves. But by the end of the arc,

0:31:02.560 --> 0:31:04.320
<v Speaker 1>you know, you see more of where she's coming from.

0:31:04.360 --> 0:31:07.040
<v Speaker 1>You see the humanities and the struggles that she's dealing with.

0:31:07.520 --> 0:31:09.360
<v Speaker 1>And she just did such a great job of like

0:31:09.400 --> 0:31:11.840
<v Speaker 1>playing the comedy but still having that depth to it.

0:31:12.200 --> 0:31:16.040
<v Speaker 1>And then what I love is the unexpected middle of

0:31:16.080 --> 0:31:19.360
<v Speaker 1>the arc where you know, Haley comes think and you think,

0:31:19.840 --> 0:31:21.800
<v Speaker 1>you think you know what's gonna happen as a viewer,

0:31:21.840 --> 0:31:24.920
<v Speaker 1>you think Haley's gonna, you know, say brook and then

0:31:25.040 --> 0:31:28.840
<v Speaker 1>suddenly it's it's the opposite. She's on the mom's side

0:31:28.880 --> 0:31:31.800
<v Speaker 1>with the pregnancy hormones, and it was just so it

0:31:31.880 --> 0:31:34.680
<v Speaker 1>was joyful, like I I and Joy is so good,

0:31:34.840 --> 0:31:39.600
<v Speaker 1>Like she's such a great just actress and always so

0:31:39.800 --> 0:31:43.560
<v Speaker 1>natural and just like I would I remember just watching Joy,

0:31:44.200 --> 0:31:46.440
<v Speaker 1>you know, on set, I'd stand a video village and

0:31:46.520 --> 0:31:48.280
<v Speaker 1>just watch her and just I would just try to

0:31:48.320 --> 0:31:50.520
<v Speaker 1>like absorb what she was doing because she was just

0:31:50.640 --> 0:31:55.360
<v Speaker 1>so in it always and the choices she makes her

0:31:55.400 --> 0:31:58.480
<v Speaker 1>always so interesting, you know, as an actress and real

0:31:59.560 --> 0:32:02.160
<v Speaker 1>and she you know, I bought that she's on the

0:32:02.200 --> 0:32:04.480
<v Speaker 1>mom's side and not on Brooks, but not meaning to

0:32:04.520 --> 0:32:08.640
<v Speaker 1>do it intentionally. She just she she you know, sees

0:32:08.680 --> 0:32:11.240
<v Speaker 1>a lot of what she wanted in a relationship with her.

0:32:11.280 --> 0:32:13.040
<v Speaker 3>That's the best part is that she's not going in

0:32:13.080 --> 0:32:15.640
<v Speaker 3>there to be like a jerk or thinking she's funny.

0:32:15.680 --> 0:32:18.360
<v Speaker 3>She's in earnest trying to support her friend, but her

0:32:18.400 --> 0:32:20.240
<v Speaker 3>hormones are getting the better of her, and she's like,

0:32:20.280 --> 0:32:23.920
<v Speaker 3>I'm so sorry, I'm aware I'm ruining this. What's interesting

0:32:24.000 --> 0:32:25.760
<v Speaker 3>is that we had there was a moment, I think

0:32:25.760 --> 0:32:31.280
<v Speaker 3>in last season where Julian basically explains that his mom,

0:32:31.840 --> 0:32:33.719
<v Speaker 3>you know, he was worried about her and how she

0:32:33.760 --> 0:32:35.959
<v Speaker 3>watched her go through a depression and how he couldn't

0:32:36.000 --> 0:32:37.680
<v Speaker 3>save her. And then what's weird, right is at this

0:32:37.720 --> 0:32:41.320
<v Speaker 3>season Sharon Lawrence shows up and she's Sharon Lawrence, so

0:32:41.360 --> 0:32:44.520
<v Speaker 3>she's like floating through the room. She is quick on

0:32:44.560 --> 0:32:47.840
<v Speaker 3>her feet, she's well spoken, and we were doing the

0:32:47.880 --> 0:32:50.760
<v Speaker 3>episode covering, I was like, I'm a little confused. I

0:32:50.800 --> 0:32:53.160
<v Speaker 3>don't see the woman I thought we were learning about.

0:32:53.640 --> 0:32:56.080
<v Speaker 3>And at the end of this episode, yeah, it was

0:32:56.160 --> 0:32:58.880
<v Speaker 3>great that she gets too hammered, passes out and then

0:32:58.920 --> 0:33:02.760
<v Speaker 3>tells me to reveal Yeah, don't tell Julian. He worries

0:33:03.760 --> 0:33:06.800
<v Speaker 3>And I thought, what would you guys do if that

0:33:06.840 --> 0:33:09.440
<v Speaker 3>if you were in that spot? You're married, man, Yeah,

0:33:09.480 --> 0:33:12.040
<v Speaker 3>I mean if we're in whose spot and who shoes?

0:33:12.480 --> 0:33:15.640
<v Speaker 3>Like basically who who gets priority? Is it? Do you

0:33:15.640 --> 0:33:17.840
<v Speaker 3>tell your partner or do you keep.

0:33:18.400 --> 0:33:20.320
<v Speaker 1>I well, that's part of why I wanted to keep going.

0:33:20.520 --> 0:33:23.320
<v Speaker 1>I was like, how is she going to handle this? Because,

0:33:23.400 --> 0:33:27.400
<v Speaker 1>you know, you enter that delicate space of it was

0:33:27.480 --> 0:33:31.080
<v Speaker 1>cleared by the end of the episode that she recognized

0:33:31.120 --> 0:33:32.920
<v Speaker 1>that she could have just gone to Julian and been

0:33:33.160 --> 0:33:35.680
<v Speaker 1>blatantly honest about how horrible it all was. And you

0:33:35.720 --> 0:33:38.720
<v Speaker 1>can see her pulling back and realizing that that's a

0:33:38.760 --> 0:33:42.200
<v Speaker 1>special relationship for him and it may not be a

0:33:42.240 --> 0:33:45.160
<v Speaker 1>perfect one, and very obviously isn't, but she wants to

0:33:45.440 --> 0:33:48.040
<v Speaker 1>She doesn't want to tear that down, and she wants,

0:33:48.280 --> 0:33:52.280
<v Speaker 1>you know, to give the mom a chance. But it

0:33:52.320 --> 0:33:54.560
<v Speaker 1>also lets her know that like, oh, maybe you know,

0:33:54.640 --> 0:33:57.160
<v Speaker 1>there's there's more to this that we may have to

0:33:57.160 --> 0:33:59.400
<v Speaker 1>deal with, you know, eventually as a family, and the

0:33:59.440 --> 0:34:00.320
<v Speaker 1>repercussion of.

0:34:00.280 --> 0:34:02.280
<v Speaker 3>This swan what would you do?

0:34:02.480 --> 0:34:07.200
<v Speaker 5>I wouldn't snitch on her her. I would probably, That's

0:34:07.240 --> 0:34:10.840
<v Speaker 5>what I meant to say. Yeah, I would probably you know,

0:34:11.239 --> 0:34:13.239
<v Speaker 5>have my own conversation with her, and you know what

0:34:13.280 --> 0:34:15.879
<v Speaker 5>I'm saying, like on the side, like between us, then

0:34:15.880 --> 0:34:18.200
<v Speaker 5>I think that would probably strengthen the relationship. But I

0:34:18.239 --> 0:34:22.360
<v Speaker 5>definitely wouldn't. I wouldn't snitch on her to you know,

0:34:23.200 --> 0:34:25.600
<v Speaker 5>give away our confidence, you know what I'm saying, to

0:34:25.680 --> 0:34:27.279
<v Speaker 5>let her know like she could hope she could tell

0:34:27.320 --> 0:34:29.680
<v Speaker 5>me things and I wouldn't, you know, they wouldn't go anywhere.

0:34:30.560 --> 0:34:30.719
<v Speaker 4>Well.

0:34:30.760 --> 0:34:33.680
<v Speaker 1>And also Brooke has this very complicated dynamic with her

0:34:33.680 --> 0:34:38.480
<v Speaker 1>own mother, right, and so I think she can recognize

0:34:38.520 --> 0:34:41.320
<v Speaker 1>in a different way, you know, Victoria is not I

0:34:41.360 --> 0:34:44.080
<v Speaker 1>don't think it, you know, battling alcoholism or anything, but

0:34:44.160 --> 0:34:49.839
<v Speaker 1>she's got Victoria is a very unique, complicated mother. And

0:34:49.920 --> 0:34:55.440
<v Speaker 1>so I think Brooke understands, you know, the tenuous relationship

0:34:55.520 --> 0:35:00.440
<v Speaker 1>of that, and and maybe maybe she feels like that's

0:35:00.600 --> 0:35:02.480
<v Speaker 1>you know, something she'll be able to help Julian with.

0:35:02.560 --> 0:35:03.880
<v Speaker 1>You know, I don't know, I don't know.

0:35:04.000 --> 0:35:05.160
<v Speaker 6>It's it's that again.

0:35:05.200 --> 0:35:07.320
<v Speaker 1>I just wanted to keep watching, and now I'm gonna

0:35:07.360 --> 0:35:11.359
<v Speaker 1>have to we such you back in, you Dan, I'm

0:35:11.440 --> 0:35:12.240
<v Speaker 1>back in guys.

0:35:12.560 --> 0:35:15.840
<v Speaker 3>Like four episodes into doing this podcast, I I it

0:35:15.880 --> 0:35:18.360
<v Speaker 3>was like I either was I missed a podcast, so

0:35:19.400 --> 0:35:21.880
<v Speaker 3>there was one I was able to just watch without

0:35:21.880 --> 0:35:25.200
<v Speaker 3>having to take notes and I was able to just

0:35:25.280 --> 0:35:28.719
<v Speaker 3>be a viewer and dude, I enjoyed the heck out

0:35:28.760 --> 0:35:30.560
<v Speaker 3>of it. So when I came on the next episode,

0:35:30.560 --> 0:35:33.440
<v Speaker 3>I was, oh, good, I get it. I caught one

0:35:33.480 --> 0:35:35.920
<v Speaker 3>tree hill feet Yeah, and I, I mean I already

0:35:35.920 --> 0:35:38.080
<v Speaker 3>could tell, already knew why the show was such a success.

0:35:38.239 --> 0:35:41.440
<v Speaker 3>But when you get to just be a viewer and

0:35:41.560 --> 0:35:43.480
<v Speaker 3>just enjoy it, it's a great ride.

0:35:43.880 --> 0:35:46.800
<v Speaker 1>Yeah, you gotta have you You haven't seen any of the

0:35:46.840 --> 0:35:48.919
<v Speaker 1>earlier seasons, have you. You're gonna have to go back

0:35:48.960 --> 0:35:51.319
<v Speaker 1>and do a deep dive with all your free time.

0:35:51.840 --> 0:35:55.360
<v Speaker 3>Drum A queen's two point would just be me talking

0:35:55.400 --> 0:36:00.560
<v Speaker 3>about seasons one through five maybe with you guys. Yeah, Yeah,

0:36:00.640 --> 0:36:04.360
<v Speaker 3>there was a great moment in that Bridal expo where

0:36:04.920 --> 0:36:08.960
<v Speaker 3>uh there. I mean, of course, like, uh, Sharon just

0:36:09.320 --> 0:36:11.600
<v Speaker 3>ruins every every plan of hers, like, oh, I was

0:36:11.600 --> 0:36:17.080
<v Speaker 3>gonna have my friend Quinn take photos. She's like, who that.

0:36:17.160 --> 0:36:23.520
<v Speaker 3>She goes, uh, yes, yeah, un yes, Quinn James. She

0:36:23.600 --> 0:36:26.400
<v Speaker 3>just goes, never heard of it. Yes, And then when

0:36:26.440 --> 0:36:29.399
<v Speaker 3>it comes to bridesmaids, she says, uh because I think

0:36:29.400 --> 0:36:31.960
<v Speaker 3>Brooks like, I'm gonna design my own bridesmaid stuff, and

0:36:32.000 --> 0:36:34.600
<v Speaker 3>she says, oh, honey, the whole point is for them

0:36:34.600 --> 0:36:38.120
<v Speaker 3>to look ugly so that you look pretty. And I thought,

0:36:38.719 --> 0:36:39.359
<v Speaker 3>what's so good?

0:36:39.360 --> 0:36:39.600
<v Speaker 5>There's that?

0:36:39.680 --> 0:36:42.959
<v Speaker 3>There's that works on two levels. One, I don't know why,

0:36:43.000 --> 0:36:48.400
<v Speaker 3>but bridesmaids dresses usually are pretty horrible. But it's also

0:36:48.480 --> 0:36:52.480
<v Speaker 3>such a hilarious backhanded insult, like you need them to

0:36:52.560 --> 0:36:58.560
<v Speaker 3>look ugly, like you need you need that, right, yeah, yeah, yeah, exactly, Yeah, No,

0:36:58.680 --> 0:36:59.040
<v Speaker 3>I love it.

0:36:59.080 --> 0:37:00.800
<v Speaker 1>And I do have to shout out out another behind

0:37:00.800 --> 0:37:04.759
<v Speaker 1>the scenes fact. At one point they I think she

0:37:04.920 --> 0:37:07.520
<v Speaker 1>mentions Matt McGraw photography. She was like, oh, you should

0:37:07.520 --> 0:37:10.200
<v Speaker 1>have Matt McGraw photography, and they show his booth. He's

0:37:10.200 --> 0:37:14.200
<v Speaker 1>an actual real photographer in Wilmington. So I remember we

0:37:14.320 --> 0:37:16.200
<v Speaker 1>used to see Matt out and about around town, and

0:37:16.440 --> 0:37:19.880
<v Speaker 1>he's actually a real wedding photographer, so like a Wilmington local.

0:37:20.000 --> 0:37:22.520
<v Speaker 1>So just you know, fun fact, just bring in the

0:37:22.719 --> 0:37:35.759
<v Speaker 1>Wilmington knowledge today.

0:37:36.800 --> 0:37:39.680
<v Speaker 3>Totally off topic and unrelated, but I referenced this in

0:37:39.719 --> 0:37:43.279
<v Speaker 3>an earlier episode. Lee. It's when you and Matt and

0:37:43.320 --> 0:37:46.400
<v Speaker 3>Milly have just had like a one night stand, like

0:37:46.440 --> 0:37:50.000
<v Speaker 3>it's their first time being back together. And I was like, Lee,

0:37:51.000 --> 0:37:54.160
<v Speaker 3>looks like Captain America, Like, you look great. I think

0:37:54.160 --> 0:37:56.719
<v Speaker 3>we even even became an Instagram clip that you commented on.

0:37:56.760 --> 0:37:59.000
<v Speaker 3>So you're aware of what I'm talking about. Yeah, oh yes,

0:37:59.320 --> 0:37:59.719
<v Speaker 3>thank god.

0:37:59.760 --> 0:38:03.959
<v Speaker 1>Yeah, you know, somehow, the magical the algorithm like knew

0:38:04.000 --> 0:38:05.880
<v Speaker 1>that I needed a self esteem boos that day and

0:38:05.880 --> 0:38:08.120
<v Speaker 1>it landed in my feed and I was like, thank you,

0:38:08.239 --> 0:38:10.800
<v Speaker 1>Rob Buckley, you know, And I was it meant a

0:38:10.840 --> 0:38:13.440
<v Speaker 1>lot that you that you noticed and that you, you know,

0:38:13.800 --> 0:38:15.680
<v Speaker 1>made a point of it pointing it out.

0:38:15.760 --> 0:38:16.279
<v Speaker 3>Yeah, I was.

0:38:16.800 --> 0:38:18.200
<v Speaker 6>I was working hard that season.

0:38:18.239 --> 0:38:18.799
<v Speaker 5>I was just.

0:38:22.000 --> 0:38:24.920
<v Speaker 1>Well, I'll tell you, when you go to set every

0:38:25.000 --> 0:38:28.759
<v Speaker 1>day with James Lafferty and yourself and Antoine Tanner and

0:38:29.239 --> 0:38:31.799
<v Speaker 1>Austin Nichols, you you got to set u up your

0:38:31.800 --> 0:38:35.120
<v Speaker 1>game and you feel you feel some pressure there, but no,

0:38:35.200 --> 0:38:37.719
<v Speaker 1>I mean I think the reality was I think maybe

0:38:37.760 --> 0:38:40.120
<v Speaker 1>I was engaged around this point and the wedding. You know,

0:38:40.160 --> 0:38:41.960
<v Speaker 1>we were starting to get to that, and I was like,

0:38:42.000 --> 0:38:44.960
<v Speaker 1>I want to feel good about myself, so I was

0:38:44.960 --> 0:38:47.400
<v Speaker 1>putting in some extra reps and then you know, I

0:38:47.520 --> 0:38:50.879
<v Speaker 1>noticed the shirt started to come off more on the show,

0:38:51.040 --> 0:38:53.359
<v Speaker 1>so I thought they must be paying attention. But then

0:38:53.360 --> 0:38:55.520
<v Speaker 1>that all went out the window next season when they

0:38:55.840 --> 0:38:57.040
<v Speaker 1>made mouth gain a bunch.

0:38:56.840 --> 0:39:00.440
<v Speaker 5>Of weight, So that was crazy.

0:39:00.800 --> 0:39:04.440
<v Speaker 3>Yes, yeah, there is this weird thing that happens on

0:39:04.480 --> 0:39:10.080
<v Speaker 3>our show where it's like the emasculation of Austin, where

0:39:10.120 --> 0:39:12.320
<v Speaker 3>when he first came in he was like this slick,

0:39:12.600 --> 0:39:15.600
<v Speaker 3>cool producer and then as soon as he becomes a

0:39:15.640 --> 0:39:19.120
<v Speaker 3>love interest, it's at every turn that they can make

0:39:19.200 --> 0:39:23.360
<v Speaker 3>him as unleading man as possible. They try, and it like,

0:39:23.719 --> 0:39:27.759
<v Speaker 3>for example, he doesn't know how to high five that

0:39:27.800 --> 0:39:31.040
<v Speaker 3>was in the episode prior, Like what thirty year old

0:39:31.160 --> 0:39:34.759
<v Speaker 3>guy doesn't know how to high five? The thing is

0:39:34.800 --> 0:39:38.960
<v Speaker 3>Austin is so immensely likable and charming that it never was.

0:39:39.120 --> 0:39:40.200
<v Speaker 3>That's what I was gonna say.

0:39:40.440 --> 0:39:43.759
<v Speaker 1>Yeah, it doesn't he's just so funny that I just

0:39:43.880 --> 0:39:46.640
<v Speaker 1>I remember that as just being like a goof He's

0:39:47.040 --> 0:39:49.279
<v Speaker 1>just laughing at it, because he was so goofy doing

0:39:49.320 --> 0:39:51.719
<v Speaker 1>the like yeah, I can't even remember, you know. He

0:39:51.880 --> 0:39:55.120
<v Speaker 1>just made it work to his credit, and I think

0:39:55.160 --> 0:39:58.520
<v Speaker 1>we all had instances where we felt like, you know,

0:39:58.640 --> 0:40:00.840
<v Speaker 1>we didn't quite know what to do, and we just

0:40:00.880 --> 0:40:04.560
<v Speaker 1>had to commit and make it work. And he was

0:40:04.600 --> 0:40:08.439
<v Speaker 1>always nobody better than him at doing that. But yeah,

0:40:08.440 --> 0:40:10.840
<v Speaker 1>I noticed that in this episode too. It was interesting

0:40:10.880 --> 0:40:13.759
<v Speaker 1>to see the the kind of dynamic of him with

0:40:13.800 --> 0:40:17.520
<v Speaker 1>all the guys right and not used to being with them.

0:40:17.560 --> 0:40:19.239
<v Speaker 3>But I loved it.

0:40:19.280 --> 0:40:21.600
<v Speaker 1>I love that the stereotype was kind of flipped on

0:40:21.640 --> 0:40:22.960
<v Speaker 1>its head and then it's not you know, that he

0:40:23.040 --> 0:40:24.840
<v Speaker 1>is sort of uncomfortable at a poker knight and that

0:40:24.880 --> 0:40:27.200
<v Speaker 1>he'd done all the decorations in the back, you.

0:40:27.080 --> 0:40:29.200
<v Speaker 3>Know, And I love that.

0:40:29.320 --> 0:40:32.719
<v Speaker 1>I mean, I'm not your stereotypical guys guy who had

0:40:32.760 --> 0:40:34.600
<v Speaker 1>like a poker knight, and so I could kind of

0:40:34.640 --> 0:40:37.319
<v Speaker 1>relate to him in that sense of like wanting to

0:40:37.320 --> 0:40:41.239
<v Speaker 1>win people over, and so I did find that interesting

0:40:41.320 --> 0:40:43.640
<v Speaker 1>and likable in a way that he's not just your

0:40:43.680 --> 0:40:47.240
<v Speaker 1>average bro but also, yeah, I'm not for it masculating anybody.

0:40:47.280 --> 0:40:49.640
<v Speaker 1>I don't just to do it. But I thought in

0:40:49.680 --> 0:40:53.160
<v Speaker 1>this instance, it was interesting to see you know, kind

0:40:53.200 --> 0:40:53.400
<v Speaker 1>of that.

0:40:54.440 --> 0:40:54.680
<v Speaker 5>Yeah.

0:40:54.880 --> 0:40:59.200
<v Speaker 3>And I say that because it wasn't until I watched,

0:40:59.520 --> 0:41:02.200
<v Speaker 3>like I said, episode where Mouth and Millie hook back

0:41:02.280 --> 0:41:05.440
<v Speaker 3>up and and then they started to kind of have

0:41:05.520 --> 0:41:08.520
<v Speaker 3>you like being around in a tank top and and

0:41:08.520 --> 0:41:11.839
<v Speaker 3>and you you were looking great. And then my brain went, oh,

0:41:11.920 --> 0:41:15.960
<v Speaker 3>but next season is the fat Suit. And I just wondered,

0:41:16.840 --> 0:41:21.000
<v Speaker 3>is there a chance that, like the the super glow up,

0:41:21.040 --> 0:41:26.200
<v Speaker 3>the Captain America glow up inspired a random storyline because

0:41:26.239 --> 0:41:28.520
<v Speaker 3>I remember at the time even being like, what like

0:41:28.760 --> 0:41:31.680
<v Speaker 3>trying to politely ask you, like what the hell? And

0:41:31.719 --> 0:41:35.840
<v Speaker 3>you and you're basically like, I don't know, dude, do

0:41:35.920 --> 0:41:38.000
<v Speaker 3>you to this day do you know what that was about?

0:41:39.400 --> 0:41:43.400
<v Speaker 6>I don't. I can speculate, but I mean calculating place.

0:41:45.400 --> 0:41:47.720
<v Speaker 5>I think with some like I think they were saying

0:41:47.719 --> 0:41:51.640
<v Speaker 5>some about how Lee, how your character or some lost

0:41:51.640 --> 0:41:55.919
<v Speaker 5>a job or something. He was depressed. Yeah, that's why. Yeah,

0:41:56.200 --> 0:41:59.359
<v Speaker 5>you went away. You went away right and to some

0:41:59.480 --> 0:42:02.319
<v Speaker 5>job and came back right. Maybe I know, I don't

0:42:02.360 --> 0:42:03.360
<v Speaker 5>remember what this sad.

0:42:03.360 --> 0:42:07.160
<v Speaker 3>Happened, and this happened like like now this has already happened.

0:42:07.280 --> 0:42:13.160
<v Speaker 3>Is that at the start of season seven, yes, uh,

0:42:13.800 --> 0:42:17.400
<v Speaker 3>Nathan is accused by this woman of getting her pregnant

0:42:17.440 --> 0:42:20.920
<v Speaker 3>on a one night stand and it's about to make

0:42:21.000 --> 0:42:25.680
<v Speaker 3>news and Nathan's like, hey, this is untrue, and Mouth,

0:42:25.880 --> 0:42:29.080
<v Speaker 3>being the stand up guy he is, isn't reporting, and

0:42:29.120 --> 0:42:33.319
<v Speaker 3>Mouth's boss is like, hey, man, report the story, and

0:42:33.360 --> 0:42:36.440
<v Speaker 3>then Mouth bon Air is basically like, no, I'm not

0:42:36.480 --> 0:42:39.120
<v Speaker 3>going to report this story because it's hearsay and that's

0:42:39.120 --> 0:42:43.000
<v Speaker 3>a person's life and it costs his job, even though

0:42:43.000 --> 0:42:45.040
<v Speaker 3>he ends up being right. So what you're seeing now

0:42:45.160 --> 0:42:48.680
<v Speaker 3>is like, so he's already been unemployed. He's kind of right,

0:42:48.719 --> 0:42:51.000
<v Speaker 3>which is which is why he's why he's working as

0:42:51.040 --> 0:42:55.040
<v Speaker 3>the bar back at at Trick You. To Mouth's credit,

0:42:55.160 --> 0:42:57.960
<v Speaker 3>he did start a podcast, which I was I was

0:42:58.000 --> 0:43:01.719
<v Speaker 3>remarking that he was way before for his time. Where

0:43:01.760 --> 0:43:02.759
<v Speaker 3>are my royalties guys?

0:43:02.800 --> 0:43:03.040
<v Speaker 5>Come on?

0:43:04.640 --> 0:43:07.239
<v Speaker 3>So again, it just like I said, the fatsuit of it.

0:43:07.239 --> 0:43:09.200
<v Speaker 1>All, I kind of was like, was this just I

0:43:09.239 --> 0:43:11.439
<v Speaker 1>don't know, you know, I don't know where it came from.

0:43:11.600 --> 0:43:14.800
<v Speaker 1>I do know that, you know, there was some notice

0:43:14.800 --> 0:43:16.440
<v Speaker 1>that I've been working out more and stuff like that.

0:43:16.560 --> 0:43:19.120
<v Speaker 1>But and I think there was this kind of reminder

0:43:19.160 --> 0:43:21.640
<v Speaker 1>of like, oh, yes you are. You're supposed to be

0:43:22.120 --> 0:43:24.799
<v Speaker 1>the nice guy, the average guy, you know. But I

0:43:24.880 --> 0:43:28.279
<v Speaker 1>never felt like any amount of working out was ever

0:43:28.320 --> 0:43:31.319
<v Speaker 1>going to make me look like Chad or James or

0:43:31.400 --> 0:43:34.120
<v Speaker 1>you know. I always felt like I was who I was.

0:43:35.239 --> 0:43:38.759
<v Speaker 1>So I don't know where the plot line came from.

0:43:38.960 --> 0:43:44.000
<v Speaker 1>I do remember being just extremely concerned obviously about wanting

0:43:44.040 --> 0:43:46.120
<v Speaker 1>to get it right and tell it in a respectful way.

0:43:46.360 --> 0:43:50.920
<v Speaker 1>And you know, we had a lot of problems with

0:43:50.960 --> 0:43:53.600
<v Speaker 1>the makeup test for that. The makeup didn't end up

0:43:53.640 --> 0:43:56.120
<v Speaker 1>looking right. I think they needed to spend more money

0:43:56.200 --> 0:43:58.920
<v Speaker 1>on it, and you know, I just said a certain

0:43:58.920 --> 0:44:01.640
<v Speaker 1>point felt like, gosh, I just my prayer is that

0:44:01.680 --> 0:44:04.239
<v Speaker 1>people watch this and they see that I'm trying to

0:44:04.440 --> 0:44:08.520
<v Speaker 1>honor what is a very real struggle for so many people,

0:44:09.000 --> 0:44:11.440
<v Speaker 1>and that there is no trying to make a light

0:44:11.480 --> 0:44:13.279
<v Speaker 1>of this. So that's the way that I approached it

0:44:13.320 --> 0:44:18.120
<v Speaker 1>in every instance that I could. But you know, it's

0:44:18.200 --> 0:44:20.040
<v Speaker 1>just one of those things where I think season nine,

0:44:20.040 --> 0:44:24.880
<v Speaker 1>they're listen. It is hard to spend yarn and stories

0:44:24.920 --> 0:44:28.160
<v Speaker 1>for this many characters for that long, and I think

0:44:28.160 --> 0:44:29.959
<v Speaker 1>this was just one of those things where they thought,

0:44:29.960 --> 0:44:33.879
<v Speaker 1>we'll just put him in this situation and see what happens.

0:44:34.120 --> 0:44:37.680
<v Speaker 1>But you know, I ultimately loved where it ended up

0:44:38.920 --> 0:44:40.520
<v Speaker 1>at the end of that season the.

0:44:40.440 --> 0:44:42.480
<v Speaker 3>Way the spoilers because I do not remember.

0:44:42.760 --> 0:44:45.279
<v Speaker 1>Okay, all right, all right, but it goes back more

0:44:45.320 --> 0:44:48.600
<v Speaker 1>into his reporting and Jimmy and all of that, which

0:44:48.640 --> 0:44:52.359
<v Speaker 1>were the Jimmy Edwards, which you know, that whole relationship

0:44:52.880 --> 0:44:56.120
<v Speaker 1>was just really a driving factor for my character and

0:44:56.239 --> 0:44:58.759
<v Speaker 1>one of the things that I loved the most about

0:44:58.840 --> 0:44:59.840
<v Speaker 1>his storylines.

0:45:00.360 --> 0:45:01.200
<v Speaker 3>It all worked out.

0:45:01.320 --> 0:45:04.600
<v Speaker 5>But yeah, yeah, y'all lot the Bird part yet, And

0:45:04.680 --> 0:45:07.239
<v Speaker 5>I was with when I was working at the at

0:45:07.239 --> 0:45:10.600
<v Speaker 5>the network with Lee was when I was the Bird.

0:45:11.560 --> 0:45:14.000
<v Speaker 3>That must have been right before season seven.

0:45:14.680 --> 0:45:15.880
<v Speaker 5>I can't remember when it was.

0:45:15.960 --> 0:45:18.720
<v Speaker 1>It was, Yeah, they always had you doing something silly, twine.

0:45:18.719 --> 0:45:20.680
<v Speaker 1>You always had a costume with a kind of.

0:45:21.600 --> 0:45:24.480
<v Speaker 3>Well, I think that that's part of the frustration is listen,

0:45:24.520 --> 0:45:26.759
<v Speaker 3>it's an ensemble show. It is so hard to do

0:45:27.040 --> 0:45:29.440
<v Speaker 3>well because at the end of the day, you know,

0:45:29.480 --> 0:45:32.400
<v Speaker 3>you're given something like four and a half minutes of

0:45:32.440 --> 0:45:37.120
<v Speaker 3>screen time. Per character, you know. And it's also because

0:45:37.200 --> 0:45:41.160
<v Speaker 3>like I, everyone on the show is so good. Like

0:45:41.360 --> 0:45:44.520
<v Speaker 3>everyone is, there's not a weak link. And so when

0:45:44.600 --> 0:45:46.879
<v Speaker 3>you know someone's good and capable of so much, it's

0:45:46.880 --> 0:45:49.440
<v Speaker 3>hard to watch them do a storyline that is just

0:45:50.760 --> 0:45:54.000
<v Speaker 3>it's not it's not like it's not interesting or it's

0:45:54.040 --> 0:45:57.480
<v Speaker 3>not capitalizing on any of their their superpowers.

0:45:57.880 --> 0:46:00.880
<v Speaker 1>Well and two, you know, I was another just observation

0:46:01.920 --> 0:46:04.400
<v Speaker 1>of coming back into this and looking at it. I

0:46:04.440 --> 0:46:06.680
<v Speaker 1>pulled it up on you know, Hulu or HBO Max

0:46:06.760 --> 0:46:09.240
<v Speaker 1>or whatever it was, and I saw all the seasons

0:46:09.280 --> 0:46:11.520
<v Speaker 1>and I was like, god, twenty three episodes, like.

0:46:11.680 --> 0:46:14.480
<v Speaker 3>There was so much to fill and it was.

0:46:14.840 --> 0:46:17.759
<v Speaker 6>It made me kind of nostalgic for that time in

0:46:17.800 --> 0:46:18.320
<v Speaker 6>a way.

0:46:18.320 --> 0:46:21.160
<v Speaker 1>Where you had more room to breathe and kind of

0:46:21.800 --> 0:46:24.840
<v Speaker 1>really dive in deep with characters. Now sometimes that resulted

0:46:24.880 --> 0:46:29.000
<v Speaker 1>in episodes that were more filler episodes, but it was nice.

0:46:29.239 --> 0:46:31.040
<v Speaker 1>It just made me a little bit nostalgic for that

0:46:31.080 --> 0:46:33.120
<v Speaker 1>time where you really had time to sit and get

0:46:33.120 --> 0:46:37.040
<v Speaker 1>invested in characters. And nowadays you get six seven episodes,

0:46:37.080 --> 0:46:39.680
<v Speaker 1>and yes, each episode is jam packed with stuff and

0:46:39.719 --> 0:46:42.400
<v Speaker 1>it keeps you sort of glued to it, but you

0:46:42.920 --> 0:46:46.319
<v Speaker 1>just don't get that time to really sit with the.

0:46:46.360 --> 0:46:47.239
<v Speaker 6>Characters as much.

0:46:47.400 --> 0:46:47.600
<v Speaker 5>You know.

0:46:48.480 --> 0:46:50.920
<v Speaker 1>It's just it's all different now. You know that twine

0:46:50.960 --> 0:46:54.080
<v Speaker 1>it's a different it's a different rhythm now.

0:46:54.280 --> 0:46:56.560
<v Speaker 5>Yeah, it's totally different. I just did you know, I

0:46:56.600 --> 0:46:58.960
<v Speaker 5>just did those two movies on the East Coast when

0:46:58.960 --> 0:47:02.319
<v Speaker 5>I went and worked with with the guys who did

0:47:02.520 --> 0:47:06.520
<v Speaker 5>The Irishman, you know, yeah, yeah, and that was it

0:47:06.640 --> 0:47:09.480
<v Speaker 5>was so different. It was like the industry has changed

0:47:09.520 --> 0:47:12.720
<v Speaker 5>so much, so much, so different. I was like, wow,

0:47:13.080 --> 0:47:17.520
<v Speaker 5>Like it was like shall shocking, how much like super

0:47:17.520 --> 0:47:21.520
<v Speaker 5>shell shocking? How much has changed. So it's just like, yeah,

0:47:21.560 --> 0:47:22.560
<v Speaker 5>but I get it, you know.

0:47:22.680 --> 0:47:25.000
<v Speaker 1>Yes, yeah, but I did miss that, Like, you know,

0:47:25.239 --> 0:47:26.680
<v Speaker 1>it made me think back to when you used to

0:47:26.719 --> 0:47:28.920
<v Speaker 1>have to wait a whole week in between shows, right,

0:47:29.000 --> 0:47:31.960
<v Speaker 1>and so that's why that coda had to be so good.

0:47:32.440 --> 0:47:34.440
<v Speaker 1>It was because you had to get people hooked and

0:47:34.480 --> 0:47:36.920
<v Speaker 1>wait another six days to come back and find out

0:47:36.960 --> 0:47:37.759
<v Speaker 1>what happened, you know.

0:47:38.040 --> 0:47:39.319
<v Speaker 5>So I just ad it.

0:47:39.760 --> 0:47:43.040
<v Speaker 3>Yeah, our show's undefeated when it comes to music, so good.

0:47:43.200 --> 0:47:43.520
<v Speaker 5>Yeah.

0:47:44.280 --> 0:47:46.920
<v Speaker 3>Did you guys find it odd that Julian didn't have

0:47:46.960 --> 0:47:49.840
<v Speaker 3>a single friend from back home that he could.

0:47:49.640 --> 0:47:53.600
<v Speaker 1>Have called you're overthinking it, Rob, You're overthinking it.

0:47:53.680 --> 0:47:56.399
<v Speaker 3>Well, and apparently a behind the scenes thing was our

0:47:56.440 --> 0:47:59.200
<v Speaker 3>boss did not want to have a bunch of like

0:48:00.440 --> 0:48:06.080
<v Speaker 3>hot hot friends like show up, which is a whole

0:48:06.320 --> 0:48:12.919
<v Speaker 3>other weird thing. But yeah, poor Julian, you know, he's

0:48:13.000 --> 0:48:16.879
<v Speaker 3>trying in earnest. Alex kind of kind of bones him

0:48:17.480 --> 0:48:20.000
<v Speaker 3>by cheating and rigging the game so that he wins

0:48:20.040 --> 0:48:25.560
<v Speaker 3>because everyone leaves super pissed at him, which is why

0:48:25.560 --> 0:48:30.759
<v Speaker 3>he's literally left with a mannequin as his best Man's it.

0:48:32.160 --> 0:48:34.920
<v Speaker 1>Yeah, yeah, the one liners that were flying at that

0:48:35.080 --> 0:48:41.799
<v Speaker 1>table where it got brutal and it was it was

0:48:41.840 --> 0:48:44.879
<v Speaker 1>again the unexpected. You know, they did a great job

0:48:44.920 --> 0:48:46.480
<v Speaker 1>of setting it up as like, oh, it's going to

0:48:46.520 --> 0:48:48.200
<v Speaker 1>be this fun boys night and then it all just

0:48:48.239 --> 0:48:51.480
<v Speaker 1>goes awry. But but I loved again that they brought

0:48:51.560 --> 0:48:54.800
<v Speaker 1>Junk and Fergiando all of that. You know, two characters

0:48:54.800 --> 0:48:58.239
<v Speaker 1>that are criminally underused, and then you know, suddenly they're

0:48:58.280 --> 0:49:01.360
<v Speaker 1>trading barbs with Janna, And yeah, as far as the

0:49:01.360 --> 0:49:04.440
<v Speaker 1>Austin and the best man thing of it all.

0:49:04.440 --> 0:49:08.839
<v Speaker 3>I mean it just yeah, who ends up being his

0:49:08.840 --> 0:49:09.239
<v Speaker 3>best man?

0:49:09.320 --> 0:49:09.560
<v Speaker 4>Does he?

0:49:10.120 --> 0:49:14.120
<v Speaker 3>I think? Is it Jamie. Ah, that would be great,

0:49:14.520 --> 0:49:15.200
<v Speaker 3>that would be great.

0:49:15.239 --> 0:49:17.719
<v Speaker 5>I think it was. Yeah, I think it was.

0:49:18.040 --> 0:49:20.400
<v Speaker 3>I don't recall, but I just after seeing that I

0:49:20.400 --> 0:49:22.879
<v Speaker 3>didn't remember it being one of us, and after seeing

0:49:22.880 --> 0:49:26.280
<v Speaker 3>how terrible went tonight, it would make sense that it's Jamie,

0:49:26.280 --> 0:49:28.680
<v Speaker 3>which would also be so incredibly endearing.

0:49:29.440 --> 0:49:31.400
<v Speaker 1>I did love the through line of Jamie found a

0:49:31.440 --> 0:49:32.880
<v Speaker 1>frog throughout the episode.

0:49:32.920 --> 0:49:36.040
<v Speaker 3>That was great. That was so funny. That's one of

0:49:36.080 --> 0:49:42.239
<v Speaker 3>my favorite runners that Clay is. Clay is talking to

0:49:42.400 --> 0:49:44.560
<v Speaker 3>Nathan at his house and he goes, hey, I got

0:49:44.600 --> 0:49:48.960
<v Speaker 3>an interesting call last night, and Nathan goes, yes, sorry,

0:49:49.000 --> 0:49:51.920
<v Speaker 3>Jamie's been calling everyone about the about the frog that

0:49:52.000 --> 0:49:55.200
<v Speaker 3>he found. And Clay's like, no, Jamie found a frog.

0:49:56.080 --> 0:49:58.760
<v Speaker 3>That's awesome. And I was like, yes, that's a perfect

0:49:58.800 --> 0:50:01.239
<v Speaker 3>moment of seeing like a grown dude just like he's

0:50:01.280 --> 0:50:04.960
<v Speaker 3>still a little boy. Yeah, he found a frog. That's incredible.

0:50:05.680 --> 0:50:08.440
<v Speaker 1>Well, and also now, like you know, going back and

0:50:08.440 --> 0:50:10.760
<v Speaker 1>watching this as a dad now right at this stage

0:50:10.760 --> 0:50:14.160
<v Speaker 1>of my life, Like it's funny because now as a dad,

0:50:14.200 --> 0:50:16.800
<v Speaker 1>I identify with it so much more. And it's like

0:50:16.840 --> 0:50:19.880
<v Speaker 1>when our kids do something anything that we find funny,

0:50:19.920 --> 0:50:22.480
<v Speaker 1>Like we tell our friends about it and other Like

0:50:22.600 --> 0:50:25.480
<v Speaker 1>if you were just dropping in on that conversation from no,

0:50:25.560 --> 0:50:27.279
<v Speaker 1>you'd be like, oh, a kid found a frog, But

0:50:27.320 --> 0:50:29.080
<v Speaker 1>like when you're talking to your friends about your kids,

0:50:29.080 --> 0:50:31.280
<v Speaker 1>it's like, oh, we found a frog, Like you're rooting

0:50:31.320 --> 0:50:33.600
<v Speaker 1>for them and you're you're in that stage of life.

0:50:33.640 --> 0:50:35.879
<v Speaker 1>And so to see that kind of evolution of these

0:50:35.960 --> 0:50:38.279
<v Speaker 1>characters who we started with in high school and now

0:50:38.400 --> 0:50:40.920
<v Speaker 1>their parents, and to be watching it now as a

0:50:40.960 --> 0:50:43.759
<v Speaker 1>real parent myself, like I just approached this from a

0:50:43.840 --> 0:50:46.960
<v Speaker 1>whole new lens. That made this show that much more interesting.

0:50:47.360 --> 0:50:49.799
<v Speaker 1>And I will say too, like I loved at the

0:50:49.920 --> 0:50:53.680
<v Speaker 1>end when Nathan and Hayley are in bed yes and

0:50:53.960 --> 0:50:56.319
<v Speaker 1>crash and they're like you picked up Jamie right and

0:50:56.360 --> 0:50:58.359
<v Speaker 1>they're like nope and got up, and like I really

0:50:58.560 --> 0:51:01.160
<v Speaker 1>I was just I really laid into that so much more,

0:51:01.200 --> 0:51:02.920
<v Speaker 1>Whereas I think at the time when we filmed it,

0:51:02.960 --> 0:51:05.600
<v Speaker 1>I was like, gosh, it's their parents. That's so you know,

0:51:05.680 --> 0:51:07.399
<v Speaker 1>I just wasn't at that stage in my life.

0:51:07.440 --> 0:51:08.919
<v Speaker 3>Twan you were you you're old.

0:51:09.360 --> 0:51:12.040
<v Speaker 5>Yeah I was deady I was dead.

0:51:12.440 --> 0:51:14.120
<v Speaker 3>Yeah you knew all about it. But it's the truth.

0:51:14.120 --> 0:51:16.799
<v Speaker 3>It's like parenting. It's you know, it's for trash Can's

0:51:16.840 --> 0:51:18.960
<v Speaker 3>three lids, so it's like you never really have all

0:51:19.000 --> 0:51:21.719
<v Speaker 3>of it taken care of. And so I love that.

0:51:21.760 --> 0:51:25.520
<v Speaker 3>They're also like victory lapping themselves, where she's like, right, yeah,

0:51:25.520 --> 0:51:28.799
<v Speaker 3>I may have found a new client, and it's like

0:51:28.840 --> 0:51:31.600
<v Speaker 3>I signed a new client. We're incredible. Oh my god,

0:51:31.640 --> 0:51:35.600
<v Speaker 3>we forgot to pick up our only child. It's that perfect,

0:51:35.760 --> 0:51:37.720
<v Speaker 3>that perfect turn.

0:51:38.080 --> 0:51:38.239
<v Speaker 6>Yeah.

0:51:38.280 --> 0:51:41.279
<v Speaker 3>I mean the poker game was wild. Obviously, Nathan's mad

0:51:41.280 --> 0:51:43.680
<v Speaker 3>at Clay rightfully, So I don't know why Clay would

0:51:43.680 --> 0:51:45.359
<v Speaker 3>bury the lead and not tell him till the end

0:51:45.400 --> 0:51:45.839
<v Speaker 3>of the night.

0:51:46.000 --> 0:51:47.239
<v Speaker 6>I couldn't figure that out either.

0:51:47.280 --> 0:51:49.839
<v Speaker 1>I was like, so he must have known that it

0:51:49.880 --> 0:51:52.440
<v Speaker 1>was okay, right, And then in the like I was

0:51:52.480 --> 0:51:54.480
<v Speaker 1>trying to figure and I was talking to Andrew about that,

0:51:54.560 --> 0:51:56.359
<v Speaker 1>and they were like, he must have known, so why

0:51:56.360 --> 0:51:57.200
<v Speaker 1>did he wait.

0:51:57.160 --> 0:52:00.120
<v Speaker 3>That I didn't get because Clay, if and if anything,

0:52:00.160 --> 0:52:05.040
<v Speaker 3>maybe I maybe I could have played it differently because

0:52:05.040 --> 0:52:06.799
<v Speaker 3>it almost looks like some of the looks I'm giving

0:52:06.920 --> 0:52:11.279
<v Speaker 3>him are a little contentious back like I couldn't. So

0:52:11.320 --> 0:52:13.239
<v Speaker 3>that's why when I I had when Clay has good

0:52:13.239 --> 0:52:15.080
<v Speaker 3>news f him, I was like, why wouldn't you have

0:52:15.200 --> 0:52:18.520
<v Speaker 3>led with that? Your buddy was obviously genuinely upset, and

0:52:18.560 --> 0:52:21.640
<v Speaker 3>that's a huge piece of great news. But I was

0:52:21.680 --> 0:52:25.760
<v Speaker 3>also surprised by, uh the reveal that Alex had actually

0:52:25.840 --> 0:52:28.760
<v Speaker 3>slept with Clay because we never saw that on camera.

0:52:29.120 --> 0:52:31.279
<v Speaker 5>Yeah, I was. I was shocked about that too. I

0:52:31.400 --> 0:52:33.719
<v Speaker 5>was shocked. I was like, because what I caught it

0:52:33.760 --> 0:52:36.560
<v Speaker 5>when she said, oh, why would you want to leave

0:52:36.560 --> 0:52:38.520
<v Speaker 5>when you could see the ocean from your bed?

0:52:38.800 --> 0:52:41.400
<v Speaker 1>And I was, Yeah, the looks that went around the table,

0:52:43.719 --> 0:52:44.720
<v Speaker 1>somebody did something.

0:52:44.920 --> 0:52:49.880
<v Speaker 3>And I loved the junken Fergie throwing the the Lauren

0:52:50.719 --> 0:52:53.280
<v Speaker 3>barb at both of you guys, just throwing the awkward

0:52:53.320 --> 0:52:55.319
<v Speaker 3>bomb in the middle of the table and watching you

0:52:55.360 --> 0:52:56.879
<v Speaker 3>guys just have to deal with it.

0:52:57.360 --> 0:53:00.920
<v Speaker 5>Yeah, your character has some had some what he didn't like,

0:53:01.000 --> 0:53:03.040
<v Speaker 5>you didn't like skills and he didn't like forty two.

0:53:04.200 --> 0:53:06.239
<v Speaker 5>He was like, oh yeah, he got four two. Yeah.

0:53:08.239 --> 0:53:10.160
<v Speaker 6>So one more one more fun fact from Harrow.

0:53:10.440 --> 0:53:13.200
<v Speaker 1>He said, the conversation about the naming of the agency

0:53:13.400 --> 0:53:16.320
<v Speaker 1>Adobe and forty two, that actually was a real conversation

0:53:16.400 --> 0:53:18.560
<v Speaker 1>that happened in the writer's room when they were trying

0:53:18.600 --> 0:53:21.960
<v Speaker 1>to figure out what to name the agency. So that

0:53:22.160 --> 0:53:25.560
<v Speaker 1>was literally verbatim he said, almost a real conversation that

0:53:25.640 --> 0:53:28.560
<v Speaker 1>happened between several writers and then they just decided to

0:53:28.560 --> 0:53:30.600
<v Speaker 1>put it in uh the episode.

0:53:30.680 --> 0:53:32.680
<v Speaker 3>See, that's fascinating to me because I got to say

0:53:32.680 --> 0:53:38.080
<v Speaker 3>when she said that, I thought, that's actually genius, Like

0:53:38.400 --> 0:53:42.719
<v Speaker 3>because fortitude. The inception inception of that was actually the

0:53:42.760 --> 0:53:48.080
<v Speaker 3>first time Dan Scott drowns Clay at the beach and

0:53:48.200 --> 0:53:51.000
<v Speaker 3>he's like you, you're responsible for your own life. You're

0:53:51.000 --> 0:53:53.120
<v Speaker 3>the one who has to like fix it, and he says,

0:53:53.120 --> 0:53:55.680
<v Speaker 3>you got to have fortitude, and then it's like that

0:53:55.680 --> 0:53:56.880
<v Speaker 3>that's sort of the inception of it.

0:53:57.000 --> 0:53:57.239
<v Speaker 4>I know.

0:53:57.320 --> 0:53:59.440
<v Speaker 1>But I love that that was a real because it

0:53:59.440 --> 0:54:02.160
<v Speaker 1>did sound so like real and conversational in it was like, yeah,

0:54:02.160 --> 0:54:04.239
<v Speaker 1>it was a real thought, you know, like debate we

0:54:04.239 --> 0:54:05.520
<v Speaker 1>were having about how to do it.

0:54:05.600 --> 0:54:10.960
<v Speaker 3>So I love that. Yeah, buddy, nice peak behind the curtain. Norris.

0:54:11.760 --> 0:54:14.279
<v Speaker 3>All right, before we do wrap this up, I need

0:54:14.280 --> 0:54:16.239
<v Speaker 3>to get honorable mentions from you guys. This can be

0:54:16.680 --> 0:54:19.760
<v Speaker 3>a line, a moment, anything from the episode that stood

0:54:19.800 --> 0:54:20.960
<v Speaker 3>out to you that you really liked.

0:54:21.120 --> 0:54:23.319
<v Speaker 5>Okay, I liked the part when he said I think

0:54:23.400 --> 0:54:26.120
<v Speaker 5>Lucas needs a bath, but I was still wondering who

0:54:26.160 --> 0:54:29.120
<v Speaker 5>the hell was gonna give him the bath? Was it

0:54:29.200 --> 0:54:32.840
<v Speaker 5>me or you Lee? Who was to give Lucas de bath?

0:54:33.680 --> 0:54:33.759
<v Speaker 4>Me?

0:54:35.640 --> 0:54:37.359
<v Speaker 3>The way you played it, I thought you were saying

0:54:37.360 --> 0:54:38.200
<v Speaker 3>it was had to be mouth.

0:54:38.560 --> 0:54:40.319
<v Speaker 5>Yeah, that's what I thought. I was like, Okay, well

0:54:40.400 --> 0:54:42.880
<v Speaker 5>Lucas needs a bath, and he's like, uh nah, So

0:54:42.920 --> 0:54:44.239
<v Speaker 5>I didn't know who the hell was supposed to give

0:54:44.280 --> 0:54:44.760
<v Speaker 5>him a bath.

0:54:46.160 --> 0:54:53.000
<v Speaker 1>Yeah, honorable mention goes to my friend Vaughn aka Fergie.

0:54:53.239 --> 0:54:56.480
<v Speaker 1>He got to talk about his nickname and explain that

0:54:56.520 --> 0:54:57.719
<v Speaker 1>his real name is Ferguson.

0:54:58.360 --> 0:54:59.520
<v Speaker 3>So shout out to Vaughan.

0:54:59.640 --> 0:55:03.759
<v Speaker 1>Shout out also to Colin Moss are intrepid junk who

0:55:03.840 --> 0:55:06.879
<v Speaker 1>was explains his name his nickname was from his parents

0:55:06.960 --> 0:55:10.160
<v Speaker 1>owned a junkyard. So, you know, these are characters that

0:55:10.200 --> 0:55:14.759
<v Speaker 1>have been around since the pilot, and they were faithful

0:55:14.920 --> 0:55:19.200
<v Speaker 1>actors and friends to us and showed up, you know,

0:55:19.280 --> 0:55:23.799
<v Speaker 1>whenever they were called, and they didn't always get as

0:55:23.840 --> 0:55:25.520
<v Speaker 1>much of the love as the rest of us got,

0:55:25.560 --> 0:55:27.719
<v Speaker 1>and so I just was so happy to see those

0:55:27.719 --> 0:55:30.920
<v Speaker 1>guys and get to hear more about their characters, and

0:55:31.160 --> 0:55:35.480
<v Speaker 1>you know, they're both such great guys and I just loved,

0:55:35.760 --> 0:55:37.279
<v Speaker 1>love that that moment for them.

0:55:37.320 --> 0:55:38.759
<v Speaker 6>So they're they're my honorable mention.

0:55:39.440 --> 0:55:43.920
<v Speaker 3>Yes, yes, yeah, those guys are great. I've got a

0:55:43.960 --> 0:55:50.080
<v Speaker 3>three way honorable mention. Chad Michael Manniquin would be my first.

0:55:50.160 --> 0:55:53.320
<v Speaker 3>That that name is so freaking funny. I'm so glad

0:55:53.320 --> 0:55:55.480
<v Speaker 3>that that you you knew that. And then there was

0:55:55.520 --> 0:56:01.160
<v Speaker 3>two one liners that were so so good. One was

0:56:01.960 --> 0:56:06.640
<v Speaker 3>it's when Alex goes to trick and she sees Chase

0:56:06.680 --> 0:56:11.600
<v Speaker 3>and Mia talking and she says, excuse me, bar manager,

0:56:12.040 --> 0:56:14.600
<v Speaker 3>when they're done helping that little boy, can I get

0:56:14.640 --> 0:56:19.200
<v Speaker 3>a drink? That cracks me up? And then shortly thereafter,

0:56:20.440 --> 0:56:23.360
<v Speaker 3>when Alex is trying to get Julian's trying, she's helping

0:56:23.400 --> 0:56:26.120
<v Speaker 3>him organize the card Night's He's like, I don't know,

0:56:26.160 --> 0:56:29.680
<v Speaker 3>it's late, it's last minute, and she says, just organize

0:56:29.719 --> 0:56:31.680
<v Speaker 3>it and say it's for Clay, who turned that guy

0:56:31.719 --> 0:56:35.759
<v Speaker 3>down he almost died, and he goes in Austin's perfect way,

0:56:35.800 --> 0:56:39.360
<v Speaker 3>so sincerely, he goes, that's you're really good at trapping people.

0:56:39.719 --> 0:56:41.759
<v Speaker 3>Get what a compliment?

0:56:41.920 --> 0:56:42.960
<v Speaker 4>I know?

0:56:42.719 --> 0:56:44.200
<v Speaker 5>I love that.

0:56:45.760 --> 0:56:49.719
<v Speaker 3>Our listener question this actually dovetails perfectly into it. Karina

0:56:49.800 --> 0:56:52.440
<v Speaker 3>asks who do you think is a better match for Chase,

0:56:52.880 --> 0:56:56.680
<v Speaker 3>Alex or Mia? Do either of you remember enough to

0:56:56.760 --> 0:56:57.320
<v Speaker 3>even answer?

0:56:57.560 --> 0:56:59.839
<v Speaker 5>Oh No, I don't remember. They love story like Dick.

0:57:00.480 --> 0:57:03.160
<v Speaker 5>You know, I knew how I went, you know, I

0:57:03.239 --> 0:57:05.400
<v Speaker 5>was busy doing my own thing, trying to trying to

0:57:05.440 --> 0:57:08.279
<v Speaker 5>figure out my love life on the show, because and

0:57:08.360 --> 0:57:10.280
<v Speaker 5>I was all over the place, I was scattered.

0:57:11.239 --> 0:57:14.160
<v Speaker 1>I want to say, I want to say that Mia

0:57:15.320 --> 0:57:19.640
<v Speaker 1>and Chase, for me, I think felt like a natural fit.

0:57:20.400 --> 0:57:24.920
<v Speaker 1>But in terms of like actually seeing it play out,

0:57:25.160 --> 0:57:28.400
<v Speaker 1>like you know, Alex is just so entertaining and fun

0:57:28.760 --> 0:57:31.000
<v Speaker 1>that that kind of banter between them two was always

0:57:31.040 --> 0:57:33.680
<v Speaker 1>so great. So it's a win win for me either way,

0:57:33.680 --> 0:57:36.360
<v Speaker 1>because either I'm getting to watch like this great Alex

0:57:36.440 --> 0:57:39.880
<v Speaker 1>Chase manter, but then also I think from a real

0:57:40.440 --> 0:57:42.800
<v Speaker 1>life point of view, Mia feels like a better fit

0:57:43.880 --> 0:57:45.560
<v Speaker 1>for him. What do you think, Rob, what's your what's

0:57:45.600 --> 0:57:47.440
<v Speaker 1>your take on that? We need COLLETTI to hear to

0:57:47.680 --> 0:57:49.000
<v Speaker 1>here to do a deep dive.

0:57:49.320 --> 0:57:52.280
<v Speaker 3>Yeah, I mean the question is who do we think

0:57:52.360 --> 0:57:55.919
<v Speaker 3>is a better So I would say better match is Mia?

0:57:56.880 --> 0:58:03.320
<v Speaker 3>More interesting to watch is Alex? Because she is like

0:58:03.360 --> 0:58:06.400
<v Speaker 3>a firecracker. You just don't know what's gonna happen next.

0:58:06.480 --> 0:58:08.520
<v Speaker 3>I mean it's super high high, super low.

0:58:08.400 --> 0:58:11.640
<v Speaker 1>Lows exactly, So better for him, Mia, better for us.

0:58:12.040 --> 0:58:17.640
<v Speaker 1>Alex solved, Yes, agreed.

0:58:17.680 --> 0:58:22.360
<v Speaker 3>Well, I gotta say I'm I'm sad that Sof and

0:58:22.480 --> 0:58:25.360
<v Speaker 3>Joy couldn't be here to hang with you guys, but selfishly,

0:58:25.880 --> 0:58:28.400
<v Speaker 3>I loved getting to have you all to myself. I've

0:58:28.440 --> 0:58:30.640
<v Speaker 3>said before on this podcast that if there was one

0:58:30.720 --> 0:58:32.480
<v Speaker 3>job I could go back and do over again, it

0:58:32.480 --> 0:58:35.880
<v Speaker 3>would be this one. And a large reason for that

0:58:36.120 --> 0:58:39.120
<v Speaker 3>is because I felt like I didn't really get to

0:58:39.280 --> 0:58:41.760
<v Speaker 3>know so many of you guys while we were doing it,

0:58:41.880 --> 0:58:43.720
<v Speaker 3>And it's not until we kind of all grew up

0:58:43.760 --> 0:58:45.800
<v Speaker 3>and started doing these conventions and seeing each other that

0:58:46.560 --> 0:58:49.600
<v Speaker 3>I've like discovered how awesome you are and like you

0:58:50.160 --> 0:58:53.360
<v Speaker 3>Both of you like are big examples of that where

0:58:53.400 --> 0:58:55.520
<v Speaker 3>it's like I just sort of knew you when we

0:58:55.520 --> 0:58:58.400
<v Speaker 3>were doing it, but now I'm like, oh, like every

0:58:58.400 --> 0:59:01.040
<v Speaker 3>time I see you guys at a convention, and it's like,

0:59:01.440 --> 0:59:03.520
<v Speaker 3>I'm so excited to give you hug because you're just

0:59:03.680 --> 0:59:07.320
<v Speaker 3>you're such great guys and you're good friends and I

0:59:07.440 --> 0:59:09.640
<v Speaker 3>really I got a lot of love for you, and

0:59:09.680 --> 0:59:11.680
<v Speaker 3>I appreciate you taking the time out of your day

0:59:11.720 --> 0:59:14.600
<v Speaker 3>to come and uh and join me in the drama dojo.

0:59:15.520 --> 0:59:16.680
<v Speaker 5>Oh man, it's nothing.

0:59:16.720 --> 0:59:16.919
<v Speaker 4>Man.

0:59:16.960 --> 0:59:19.960
<v Speaker 5>I appreciate you having me so does that same. I

0:59:20.000 --> 0:59:22.160
<v Speaker 5>saw the request, I was like, oh, yeah, I'm dead,

0:59:22.600 --> 0:59:25.120
<v Speaker 5>what's good? What time? At eight thirty? That was usually

0:59:25.120 --> 0:59:26.720
<v Speaker 5>my gym time. But I was like, you know what,

0:59:26.760 --> 0:59:28.480
<v Speaker 5>I'll do it at ten thirty. I'll just sleep in

0:59:28.520 --> 0:59:30.280
<v Speaker 5>the day and.

0:59:29.800 --> 0:59:31.000
<v Speaker 3>And thank you Buddy and Robi.

0:59:31.040 --> 0:59:32.560
<v Speaker 1>You know, I know I told you this when you

0:59:32.960 --> 0:59:35.479
<v Speaker 1>when you joined the Queens, But you're doing a great job,

0:59:35.560 --> 0:59:38.720
<v Speaker 1>and you're you're repping for us guys, and you're bringing

0:59:38.760 --> 0:59:41.240
<v Speaker 1>a great perspective to it. So thanks for you know,

0:59:41.960 --> 0:59:44.520
<v Speaker 1>being a voice for us and for having us on

0:59:44.680 --> 0:59:46.720
<v Speaker 1>and I can't wait to see you both, hopefully soon

0:59:46.760 --> 0:59:49.720
<v Speaker 1>at one of these you know reunions that we're doing somewhere.

0:59:50.280 --> 0:59:53.400
<v Speaker 3>Yeah, March and June, there's some, so hopefully I'll see

0:59:53.400 --> 0:59:53.880
<v Speaker 3>you guys there.

0:59:54.040 --> 0:59:54.240
<v Speaker 5>Yeah.

0:59:54.400 --> 0:59:57.400
<v Speaker 3>To to lease credit, this is what eventually is. After

0:59:57.440 --> 1:00:01.280
<v Speaker 3>my first episode aired, Lee sent me a text out

1:00:01.320 --> 1:00:03.320
<v Speaker 3>of the blue, and we text each other about a

1:00:03.320 --> 1:00:07.680
<v Speaker 3>little bitiness every several years just to say yeah, yeah,

1:00:07.760 --> 1:00:11.400
<v Speaker 3>we got our dad hands full, just to say like, hey, buddy,

1:00:11.480 --> 1:00:13.800
<v Speaker 3>that was great. You did a good job. And much

1:00:13.880 --> 1:00:15.600
<v Speaker 3>like when I started on One Tree Hill and I

1:00:15.680 --> 1:00:19.040
<v Speaker 3>was the new kid on an already successful thing that

1:00:19.080 --> 1:00:21.760
<v Speaker 3>can be stressful and worrisome, and getting that message from

1:00:21.800 --> 1:00:24.600
<v Speaker 3>you man was being so kind. It meant so much

1:00:24.640 --> 1:00:24.840
<v Speaker 3>to me.

1:00:25.200 --> 1:00:27.120
<v Speaker 6>Well, tell the girls we miss him and we love them.

1:00:27.080 --> 1:00:30.320
<v Speaker 3>And we'll see you all very soon. Yes, sounds like

1:00:30.320 --> 1:00:35.160
<v Speaker 3>a planned boys next episode we have season eight, Episode eight,

1:00:35.600 --> 1:00:39.440
<v Speaker 3>Mouthful of Diamonds. Thanks for joining us, gang, have a

1:00:39.440 --> 1:00:39.960
<v Speaker 3>good one.

1:00:40.360 --> 1:00:41.520
<v Speaker 6>Hey, thanks for listening.

1:00:41.640 --> 1:00:43.040
<v Speaker 3>Don't forget to leave us a review.

1:00:43.280 --> 1:00:46.360
<v Speaker 2>You can also follow us on Instagram at Drama Queen's

1:00:46.480 --> 1:00:51.680
<v Speaker 2>ot or email us at Drama Queens at iHeartRadio dot com.

1:00:52.000 --> 1:00:56.600
<v Speaker 3>See you next time. We all about that high school drama.

1:00:56.640 --> 1:00:58.000
<v Speaker 5>Girl Drama Girl, all.

1:00:57.880 --> 1:01:00.800
<v Speaker 2>About them high School Queens Forever will take you for

1:01:00.920 --> 1:01:04.000
<v Speaker 2>a ride. And our comic girl Cheering for the Right

1:01:04.040 --> 1:01:07.600
<v Speaker 2>Teams Drama Queens, Chelise my girl of girl fashion with

1:01:07.760 --> 1:01:10.560
<v Speaker 2>your tough girl, you could sit with us Girl Drama Queens,

1:01:10.600 --> 1:01:15.320
<v Speaker 2>Drama Queens, Drama Queens, Drama Drama Queens drama queens,