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Speaker 1: First of all, you don't know me.

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Speaker 2: All about that high school drama Girl Drama, Girl, all about.

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Speaker 3: Them high school queens forever. We'll take you for a

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Speaker 3: ride and our comic girl sharing for the right teams.

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Speaker 2: Drama, Queens jays, my girl of girl Fashion, what your

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Speaker 2: tough girl? You could sit with us Girl Drama, Queens Drama,

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Speaker 2: Queens Drama, Queens Drama, Drama, Queens drama Queens.

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Speaker 3: Hey, what's up everybody? We have a very special episode

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Speaker 3: for you today, and it's not just because I found

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Speaker 3: out who's been catfishing me all this time. No, today

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Speaker 3: we are joined by not one, but two of the

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Speaker 3: founding fathers of One Tree Hill. Today we are lucky

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Speaker 3: enough to have with us one Lee Michael Norris and

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Speaker 3: Sir Antoine Tanner. Welcome, gentlemen. Yes, sir, hey, buddy, he twine?

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Speaker 3: What's up?

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Speaker 4: Guys?

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Speaker 5: And I can't call it if I had your hand

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Speaker 5: out though money and I got the poker ground.

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Speaker 3: Today we do not have Soaf and Joy as they

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Speaker 3: are no doubt out making the world a better and

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Speaker 3: brighter place. So this is a bit of a boy's

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Speaker 3: night in which is rather aprop sure given the episode

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Speaker 3: we watched.

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Speaker 1: Yeah, I just realized this is like, I mean, I'm

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Speaker 1: sad not to see the girls, and it's kind of

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Speaker 1: like Boytree Hill, but it's also like drama, Dad's drama,

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Speaker 1: Daddy's We can't say that.

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Speaker 3: Let's never call ourselves that. Yeah, it's it's great. I

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Speaker 3: do wish soph and Joy were here because they were

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Speaker 3: so freaking funny in this episode. Of course. Dude, Okay, well,

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Speaker 3: before we get into it, let me just let the

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Speaker 3: us know where we're at. We watched season eight, episode seven,

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Speaker 3: Luck Be a Lady. It aired November two, twenty ten,

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Speaker 3: and the summary reads, as the wedding approaches, Brooke tries

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Speaker 3: to connect with Sylvia while Julian looks for his best

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Speaker 3: man at a guy's poker night. Meanwhile, Nathan struggles in

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Speaker 3: his new job, while Hayley's counseling abilities are challenged, and

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Speaker 3: Skills returns to town with a new friend. It was

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Speaker 3: directed by a less Butler and written by the incomparable

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Speaker 3: David Strauss and Mike Harrow. That would explain the funny, Yes,

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Speaker 3: for sure, I was gonna say.

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Speaker 1: Every time we got a script with their names on

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Speaker 1: the cover, I was always excited because you know, we

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Speaker 1: always did the drama well, but I feel like that

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Speaker 1: that energy in that comedy is kind of the unique

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Speaker 1: balance that that kind of you know, helped us stand

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Speaker 1: apart from some of the other shows. And they those

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Speaker 1: guys are the best.

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Speaker 3: And and everyone kills the comedy. I don't know if

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Speaker 3: it's just because there's so few opportunities for it, yeah,

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Speaker 3: just proportionally the show is much more sort of melodramatic

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Speaker 3: and drama heavy. But man, everyone when they get a

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Speaker 3: moment to shine, I feel like all of it sings. Lee,

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Speaker 3: you had some incredible stuff last episode where Julian comes

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Speaker 3: over to record you and you like, tell me more.

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Speaker 3: I don't remember any of it. Oh my gosh, it's hilarious.

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Speaker 3: So it's when it's when mouth is ruggling, which just

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Speaker 3: like he has nothing going on, and Julian's like, I'll yeah, lately,

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Speaker 3: yes he is. And Julian comes over and he's like, oh,

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Speaker 3: record or I'll tape you for my documentary. And you're like, great,

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Speaker 3: give me a moment. And you come out of your

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Speaker 3: room with your hair slipped back like some wanna be

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Speaker 3: nineteen eighties Wall Street guy, a suit that still has

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Speaker 3: the tag on it and just oh, yes he is

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Speaker 3: douche energy possible. Yes, like where you're on the phone

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Speaker 3: chases finally.

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Speaker 6: Really had to dig deep, really had to dig deep?

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Speaker 3: Yes, yeah, clearly a far departure from you, but it

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Speaker 3: ends the button of it is mouth feeling. He just

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Speaker 3: like reaches into his pocket and then goes like oops

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Speaker 3: in a roll of like twelve magnum condoms fall out,

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Speaker 3: and he goes, oops, my magnums fall out? How'd that happen?

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Speaker 1: Oh my god, you guys, I have a six year

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Speaker 1: old and it's going to be a long time before

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Speaker 1: he can watch this show a long time as you're

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Speaker 1: reminding me of of storylines that I've completely forgotten about.

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Speaker 3: But no, you're exactly right.

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Speaker 1: And Twine, you always killed the comedy, like even if

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Speaker 1: it wasn't there, you made comedy and found it, which was,

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Speaker 1: you know, part of what makes you so great.

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Speaker 3: But yeah, Buddy and Rob, what did.

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Speaker 1: You think because this was still like you're still getting acclimated, right,

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Speaker 1: I mean, were you surprised to see kind of like

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Speaker 1: a funnier Did you know that that we did that

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Speaker 1: or did you think it was.

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Speaker 3: All drama coming in?

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Speaker 5: Or no?

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Speaker 3: I thought it was all drama. I thought it was

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Speaker 3: pretty people staring out windows for forty two minutes. Yeah,

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Speaker 3: so anytime we got that because the thing is there's

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Speaker 3: we had a really good writer, so like there was

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Speaker 3: something like this one. Half of my notes for this

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Speaker 3: episode are just quotes like. So when we got the stuff,

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Speaker 3: it was a a treat because comedy is much more

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Speaker 3: my preferred strike zone than drama. And then you got

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Speaker 3: I got to see everyone work.

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Speaker 5: Oh is it?

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Speaker 3: Everyone was so good? You know what's funny? I didn't

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Speaker 3: really realize until this episode twe when you do comedy,

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Speaker 3: are you generally the straight man?

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Speaker 5: Well? You know what is just the show was so

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Speaker 5: full of drama and it was like, you know, I

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Speaker 5: felt like I had to stand out. So it was

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Speaker 5: just like it was like anytime we was on in scenes,

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Speaker 5: I just did what felt right, what felt like, you

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Speaker 5: know what I'm saying. So it was like and if

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Speaker 5: it was it's something, a lot of it ended up

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Speaker 5: just being funny because you know what I'm saying, I

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Speaker 5: found the funny in it. So it was like, but

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Speaker 5: a lot of the comedy would always get cut, and

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Speaker 5: we used to always make fun of that. We used

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Speaker 5: to always be like I'll be like, well, skills, got

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Speaker 5: a bunch of stuff, guess it, it get cut because

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Speaker 5: they want to cry, because everybody wanted to cry. So

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Speaker 5: it was like, okay, So I was always the guy

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Speaker 5: that would you know, and like I said, a lot

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Speaker 5: of times, I wasn't even wouldn't even try to do it.

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Speaker 5: It just would. It would just be happening because that

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Speaker 5: was our personalities because we all, you know, we always

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Speaker 5: hung out and like you know, me and Lee, we

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Speaker 5: didn't hung out so damn much. You know what I'm saying,

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Speaker 5: Like we'll go places and we'll be sitting back and

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Speaker 5: just like what people really wanted to say, what they

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Speaker 5: was thinking, I would just.

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Speaker 3: Say that's all right.

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Speaker 1: Yeah, And I think I think Rob's right, twe you're

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Speaker 1: just naturally funny, so you don't even really have to try.

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Speaker 1: Like the way that you just deliver stuff. You can

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Speaker 1: just deliver it straight, but it's the look on your

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Speaker 1: face and the dryness which you delivered is so just

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Speaker 1: naturally funny that you don't, whereas some of us were

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Speaker 1: having to ham it up or do dances.

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Speaker 5: I won't, Yeah, you won't.

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Speaker 3: Actually, Rob, you were dancing episode well, no, I was talking.

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Speaker 3: I was talking about me.

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Speaker 1: Normally I was the one doing the crazy dances, but

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Speaker 1: but it was it was you and this how was

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Speaker 1: that did you?

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Speaker 3: I mean you know you were you were killing it

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Speaker 3: in a way. Listen, stupid dancing is also my wheelhouse.

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Speaker 3: That's how I got my sad card for a Ross commercial.

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Speaker 3: They were they said, can you dance so bad? You

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Speaker 3: make us laugh? And I was like, just just turn

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Speaker 3: the turn the music on, and I just freestyled Ross commercial.

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Speaker 1: I'm writing this down so I can google it and

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Speaker 1: watch it uh later, Ross Okay.

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Speaker 3: But yeah, to one, you're great at letting letting the

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Speaker 3: funny come to you and then just reacting to it

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Speaker 3: as opposed to reaching for it and the whole Lucas Dolphing. Well,

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Speaker 3: first of all, it was so nice to have YouTube

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Speaker 3: back together on the screen, and before we even get

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Speaker 3: into that, because this became a real like hot button

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Speaker 3: issue for me on the show because like I basically

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Speaker 3: am watching the show for the first time, Like when

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Speaker 3: we wrapped, I didn't rewatch it. I kind of shut

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Speaker 3: the door on it was like cool later, So a

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Speaker 3: lot of this I'm seeing with fresh eyes. I thought

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Speaker 3: the Miss Lauren storyline was so interesting, and I was

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Speaker 3: really lobbying hard for Mouth and Miss Lauren to work out,

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Speaker 3: and I'm very and then obviously then things got a

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Speaker 3: little crazy. I'm so curious to know what you two

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Speaker 3: thought of that storyline.

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Speaker 5: Oh, I was like, well, damn when I'm mightna have

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Speaker 5: my own girlfriend, Like I was like, I I just

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Speaker 5: can't have my own girlfriend. It took me forever to

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Speaker 5: get one, and and it was always something happening when

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Speaker 5: my girl would just go away. So we was like

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Speaker 5: I was like right on the cusp with like because

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Speaker 5: all the girlfriends that I had, all my storylines was funny.

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Speaker 5: It was like never romantic, like you know what I'm saying.

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Speaker 5: The Mouth had Millie and they was you know, theirs

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Speaker 5: was romantic, like you know what I'm saying. They could

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Speaker 5: do things. Me and Lauren was kind of like we

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Speaker 5: had our moments, but it wasn't like consistent because they

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Speaker 5: just bounced me around. I went from bevn Bevin to

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Speaker 5: Nanny deb to you know what I'm saying, and then

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Speaker 5: to Miss Lauren. So it was like they just kept

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Speaker 5: bouncing me around. I never had like one where it

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Speaker 5: was just kind of stuck and we had like a

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Speaker 5: you know, an ongoing storyline, you know what I'm saying.

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Speaker 5: So it was just like with me, it was just like, well,

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Speaker 5: did we just gonna have fun?

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Speaker 3: Did you bump it all on? When you do return

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Speaker 3: to Tree Hill?

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Speaker 4: That?

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Speaker 3: Like, because here was my issue? Like you just in

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Speaker 3: this said there's nothing new with you. The way they

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Speaker 3: wrote it was like Skills just basically dips without like

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Speaker 3: including miss Lauren. He's not checking in, but he's playing

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Speaker 3: video games with mouth and it's sort of it's this

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Speaker 3: like main character energy where like he left and he

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Speaker 3: came back and expected everyone to still like just be

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Speaker 3: exactly as they were and like welcome him back. So

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Speaker 3: when you excuse me, when Skills punch his mouth and

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Speaker 3: he like the first time we see Skills puts his

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Speaker 3: arm around Miss Lauren's waist, He's like, how's my girl?

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Speaker 3: And I'm like, what the hell You've been gone for

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Speaker 3: like three months without calling anyone.

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Speaker 5: Yeah, but it's bro it's bro code, it's broke cod.

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Speaker 5: You know, that's just what it is. It's like me,

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Speaker 5: I always tell my boys, I'd be like, listen, if

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Speaker 5: you ever told a girl that you loved her at

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Speaker 5: any point in your life. That is cis for me, period.

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Speaker 5: So I think they you know, that's just bro code.

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Speaker 5: That's just how they wrote it because that was what

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Speaker 5: they would you know, that's what they believed in, and

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Speaker 5: that's that's what it was. But I mean that's how

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Speaker 5: I am anyway, So.

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Speaker 6: Yeah, I'll plead the fifth.

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Speaker 1: I don't really remember the specifics of how they got

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Speaker 1: together and all that. This was the first time I'd

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Speaker 1: watched it in a couple of years, rob, but I

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Speaker 1: just I have to say, like Alison Munn shout out

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Speaker 1: like the best, the very best. We had so much

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Speaker 1: fun with her in her real life husband Scott you know,

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Speaker 1: who came on the show too, So just getting to

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Speaker 1: play with her, like regardless of whatever the story was.

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Speaker 1: I know, Twana and I both love that because there

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Speaker 1: are people that come in as guest stars and it's

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Speaker 1: a really hard as you know, coming in later to

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Speaker 1: the show, it's hard to do that, and she came

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Speaker 1: in seamlessly and was so much fun, like consummate professional,

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Speaker 1: so easy, there was no awkwardness or weirdness at all.

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Speaker 1: So to get to play with her for whatever reason

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Speaker 1: was just the best.

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Speaker 3: No, I love Ellen, You're so right, because now that

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Speaker 3: I'm thinking about it, I wonder how much of me

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Speaker 3: lobbying four Mouth and miss Lauren was actually just about

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Speaker 3: wanting to see more of Miss Lauren. Yeah, because the

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Speaker 3: problem was when Skills left town. So did this absolutely

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Speaker 3: for the viewers purposes at least, like she disappeared. So

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Speaker 3: I wonder if part of what was wrapped up and

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Speaker 3: that was just because, like you said, every time she

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Speaker 3: came on the screen, I was like, oh, sure, she's great.

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Speaker 1: Yeah, She's just solid, yeah and funny and all the

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Speaker 1: emotion is there and made our jobs way easier. So yeah,

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Speaker 1: anything that brought her back I was always for.

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Speaker 3: So yeah, what did you Having not watched these episodes

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Speaker 3: a long time, what did you guys think of this?

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Speaker 5: Up? I was cracking up up joy and self was

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Speaker 5: so funny. I was cracking up. I was like, they

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Speaker 5: were hilarious at the the damn wadding thing. Yeah, yeah,

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Speaker 5: they were hilarious. I was Craig. I was like, damn,

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Speaker 5: they are so good. They was so funny. Though.

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Speaker 1: Yeah, I was nervous, I'll be honest going into it.

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Speaker 3: It's hard.

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Speaker 1: It's hard to go back and watch yourself and when

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Speaker 1: you have some distance from it for a little while,

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Speaker 1: you're there's always this fear, at least for me, that

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Speaker 1: when you dip back into it, you're gonna be like, oh,

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Speaker 1: that's not how I remembered it, and oh god, why

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Speaker 1: you know, why am I doing this? So I was

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Speaker 1: a little anxious about it. But once we got back

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Speaker 1: into it, and at first I was a little like

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Speaker 1: I couldn't quite place what was happening. But then when

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Speaker 1: I kind of got back into it and I realized

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Speaker 1: what was happening, I was like, oh, yeah, I'm in

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Speaker 1: and then we can get to this maybe at the end.

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Speaker 1: But like once the coda came, like one Tree Hill

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Speaker 1: does a coda like nobody's business, and you know, for

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Speaker 1: listeners at home, I'm sure they're savvy enough to know

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Speaker 1: the code is the end of the episode with the

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Speaker 1: big song, and you know, but by the end, Andrea

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Speaker 1: was watching it with me, and we were on the

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Speaker 1: couch and like at first, I would say, when the

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Speaker 1: episode started, we were like snacking and just like whatever,

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Speaker 1: and then by the time the coda came on, we

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Speaker 1: were like what what.

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Speaker 3: I was like, I don't remember.

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Speaker 6: What happens, Like I got to keep going, you know.

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Speaker 6: So it was great.

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Speaker 1: I loved it, and I love this episode too because

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Speaker 1: we got to see I think pairings that didn't or

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Speaker 1: groups of people that didn't always get to play together.

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Speaker 1: Like Rob, I feel like we barely ever got to

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Speaker 1: cross paths.

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Speaker 5: You know, with you, we did with them, they kept us.

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Speaker 3: Didn't we all do Tahoe together?

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Speaker 5: Yeah?

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Speaker 3: Or Park City?

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Speaker 5: Yeah?

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Speaker 1: Yeah, yeah that's right, yes, yeah, yeah yes, and you know,

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Speaker 1: same with them. I think we were always in couples

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Speaker 1: a lot, right.

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Speaker 6: And I love.

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Speaker 1: Lisa gold scene, like I missed her in this desperately.

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Speaker 1: But it was nice to be able to play with,

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Speaker 1: you know, a group of people who I didn't always

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Speaker 1: get to see. It was so great to see Junk

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Speaker 1: and Fergie back with everybody at the poker table and

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Speaker 1: those one liners between like Janna and and Junk where

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Speaker 1: I was like, oh my god, this is it.

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Speaker 5: Yeah.

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Speaker 3: I mean the Alex Duprey of it all. She is, dude,

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Speaker 3: She is just like I've always said, like she's so manic,

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Speaker 3: you know. And there was the perfect Alex moment when

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Speaker 3: Julian starts he puts her on camp and she's she's like, Hi,

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Speaker 3: I'm Alex Dupre. You might recognize me from tabloids. We

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Speaker 3: have an internet porn, but I also do the occasional movie.

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Speaker 3: And Julian's like, whoa, let's let's just grow serious, and

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Speaker 3: she takes a beat and she goes, yeah, not long ago,

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Speaker 3: I tried to alive myself and he's like.

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Speaker 5: Whoa, whoa.

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Speaker 3: So it's it's this funny mix of her. It's like

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Speaker 3: it's either one far end of the extreme or it's

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Speaker 3: all the way the other.

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Speaker 5: Yea, Jenna was good.

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Speaker 1: She was funny, and she is another one who's great

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Speaker 1: at that comedy, like again that she she can do

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Speaker 1: the drama obviously they're really really tumultuous storyline that she

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Speaker 1: was referring to, and play that so well, but then

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Speaker 1: come in and bring sort of a lot like Sophia

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Speaker 1: and the Brook character kind of brings that energy and god,

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Speaker 1: I love that. And I was just reminded too, you

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Speaker 1: know Antoninia were talking about sof Brooke and the wedding expo,

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Speaker 1: I mean, all of that stuff. And with Sharon Lawrence

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Speaker 1: again another pairing that at that point we probably hadn't

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Speaker 1: gotten to see a lot of.

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Speaker 3: I don't was this Sharon's first episode. I had to

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Speaker 3: be one of.

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Speaker 5: Her first, right, she had Thanksgiving one. Yeah, that's Thanksgiving one.

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Speaker 6: There you go.

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Speaker 1: Yeah, but I mean again to see that, you know,

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Speaker 1: that's not appearing that we're used to sing a whole

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Speaker 1: lot of at that point, and Sharon's obviously like a

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Speaker 1: legend and so good. I mean when she's like passed

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Speaker 1: out on the bench and and Brooke is like talking

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Speaker 1: to herself wandering through the expo, I was just like

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Speaker 1: I was. It made me remember, you know, all the

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Speaker 1: things that I loved about this show, that these characters

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Speaker 1: are so are just so rich, and that we've spent

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Speaker 1: so much time with them. I mean I was looking

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Speaker 1: at I was looking at the show and I was

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Speaker 1: like season eight. I was like, this aired in twenty ten.

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Speaker 1: You know, at this point there are kids who were

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Speaker 1: probably freshmen in high school who started watching season one

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Speaker 1: of One Tree Hill, and if they'd stayed at watching

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Speaker 1: the whole time, by this point, they're like about to

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Speaker 1: graduate from college. And you think about like the amount

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Speaker 1: of life that happens in those eight years, and that

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Speaker 1: people were invested in these characters for so long, And

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Speaker 1: when I see sof doing what she was doing, in

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Speaker 1: the expo, even though the dialogue is not you know,

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Speaker 1: all of this is just kind of uh, you know,

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Speaker 1: nothing really super high brow. You really care about these characters,

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Speaker 1: and it was just a great reminder of why I

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Speaker 1: love the show so much.

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Speaker 5: Lee. Is there a picture behind you downtown Wilmington?

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Speaker 3: Yes, it is.

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Speaker 5: Looking at it, I'm like, is that Marcus Street? Is

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Speaker 5: that that's looking out out of the window from a

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Speaker 5: liquor room? That's right, Okay, I just kept bothering me.

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Speaker 6: I painted it just for you, Tuan.

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Speaker 1: No.

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Speaker 3: I didn't paint that an artist.

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Speaker 1: The local artist in Wilmington did that, but I thought

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Speaker 1: it was fitting for today to have that as my backdrop.

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Speaker 4: Yeah.

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Speaker 3: Another person who we don't get all the time that

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Speaker 3: I absolutely love seeing is Stephen Coletti, and he's been

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Speaker 3: in so much more of the season, which I'm grateful

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Speaker 3: for because he's just so funny. And then there's a

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Speaker 3: moment in Red Bedroom Records when it's kind of his

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Speaker 3: Maya Kolpa. He shows up and he's like coffee break,

365
00:17:21,680 --> 00:17:23,800
Speaker 3: and it's funny because he's only brought coffee for Haley,

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Speaker 3: excuse me, for me. But at the end of it,

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Speaker 3: after it gets awkward. He goes Chase out and I

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Speaker 3: was like, oh, this happened during this the Ryan Seacrest era,

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Speaker 3: the man who pioneered seacrest out. Yes, yeah, okay, I

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Speaker 3: know when this happened, right right, yeah, yes, yes, oh

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Speaker 3: yeah it was. He was so good and and.

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Speaker 1: He was you know, it was really fun to watch

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Speaker 1: him in this episode because he's he I watched him

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Speaker 1: grow a lot as an actor. I mean, I remember

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Speaker 1: when he came on, he was nervous about coming from

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Speaker 1: Laguna and and and coming from the reality show background,

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Speaker 1: and like in this episode, I mean, he's got to

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Speaker 1: meet with the girls and you know, this whole battle

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Speaker 1: and he it was great to kind of watch him

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Speaker 1: come into his own.

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Speaker 3: So I have a bit of an issue with a

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Speaker 3: later scene involving him and the women. So I'm just

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Speaker 3: gonna I'm gonna Tarantino this. We're gonna start with the

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Speaker 3: end of it. Chase. After the poker night, he goes

385
00:18:20,480 --> 00:18:25,120
Speaker 3: back to Trick. Alex and Mia are there, and Alex

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Speaker 3: comes to him sincerely and is like, hey, my bad.

387
00:18:28,040 --> 00:18:31,600
Speaker 3: You know hat in hand. He's buzzed, he's pissed, and

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Speaker 3: so he just he just turns and kisses Mia right

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Speaker 3: in front of her and uh right, yeah, and it's

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Speaker 3: as soon as they're done kissing. I think it's like

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Speaker 3: Mia clocks what's happening and she slaps him. Here is

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Speaker 3: my beef. Earlier in the episode, she literally says to Chase, Hey,

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Speaker 3: if you ever want to make that be Ith jealous,

394
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Speaker 3: I'm your girl, and I'm like you you literally told

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Speaker 3: him I'd be happy to make her jealous. He actually

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00:19:04,760 --> 00:19:08,200
Speaker 3: takes you up on it and he gets slapped. Did

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Speaker 3: either of you catch that or bump on that?

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00:19:10,520 --> 00:19:13,720
Speaker 5: I caught it? Yeah I did. I mean I want

399
00:19:13,720 --> 00:19:18,600
Speaker 5: to jous I'm your girl, and yeah, yeah.

400
00:19:18,520 --> 00:19:19,280
Speaker 6: I mean it.

401
00:19:19,400 --> 00:19:22,960
Speaker 1: And in her defense, sometimes we say things that we

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00:19:23,040 --> 00:19:25,919
Speaker 1: think we're okay with and then when it happens and

403
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Speaker 1: you're faced with the reality of it, you're like, well maybe.

404
00:19:28,680 --> 00:19:32,399
Speaker 6: Not so I get it, but you know, it was tough.

405
00:19:32,600 --> 00:19:34,520
Speaker 6: It was tough. I felt I felt for him. Didn't

406
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Speaker 6: he get slapped twice? Didn't they both slap with it?

407
00:19:36,760 --> 00:19:36,960
Speaker 5: Yes?

408
00:19:37,480 --> 00:19:40,560
Speaker 3: He did first. Alex slaps it well, because listen, he's

409
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Speaker 3: an absolute jerk about it. He kisses me, which is

410
00:19:45,320 --> 00:19:47,640
Speaker 3: bad enough, and then he like pulls back and goes

411
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Speaker 3: the truth hurts, doesn't it. So he fully deserved the

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Speaker 3: first slap. Yeah, just kind of felt like, you know,

413
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Speaker 3: like listen boys were dumb, especially when we're drinking. So

414
00:20:00,480 --> 00:20:02,800
Speaker 3: I felt like there was a certain amount of leeway

415
00:20:02,880 --> 00:20:05,919
Speaker 3: he should have gotten in that situation that he didn't.

416
00:20:06,720 --> 00:20:09,879
Speaker 3: He also had another great line. There was an amazing

417
00:20:09,960 --> 00:20:14,280
Speaker 3: moment where when Julian shows up at poker Night and

418
00:20:14,320 --> 00:20:16,240
Speaker 3: he walks in first, it's hilarious because he has his

419
00:20:16,320 --> 00:20:20,320
Speaker 3: fantasy sequence of everyone being like jamn, what's up? And

420
00:20:20,359 --> 00:20:25,399
Speaker 3: then he comes into just the coldest reception and it's, Uh,

421
00:20:25,480 --> 00:20:29,080
Speaker 3: it's because everyone's pissed that Alex is there. And I

422
00:20:29,080 --> 00:20:31,720
Speaker 3: think it's like junk Is saying like, hey, you brought

423
00:20:31,760 --> 00:20:34,920
Speaker 3: a girl to poker Knight. Great, and then just from

424
00:20:34,960 --> 00:20:39,840
Speaker 3: the back row, Chaseo's good going Julian and like cheers

425
00:20:39,840 --> 00:20:42,480
Speaker 3: as him with his beer, and I was like, that's

426
00:20:42,600 --> 00:20:44,399
Speaker 3: he had one line in that scene and that was

427
00:20:44,440 --> 00:20:47,120
Speaker 3: the most memorable part for me. It was like, wait

428
00:20:47,200 --> 00:20:50,840
Speaker 3: to steal a scene, Stevie.

429
00:20:51,400 --> 00:20:55,000
Speaker 1: Yeah, buddy, Yeah, that was great and I love that too,

430
00:20:55,040 --> 00:20:58,400
Speaker 1: Like the whole dream. I was watching the intro sequence

431
00:20:58,440 --> 00:21:01,000
Speaker 1: and I'm like oh wait, this is he's dreaming, Like

432
00:21:01,080 --> 00:21:03,120
Speaker 1: this is not you know, this can't be real.

433
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Speaker 3: But then I was like, did we do stuff like that?

434
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Speaker 6: And I was like, yeah, we did.

435
00:21:06,160 --> 00:21:08,000
Speaker 1: And it reminded me again of one of the things,

436
00:21:08,119 --> 00:21:09,960
Speaker 1: just again not having come to the show in a

437
00:21:10,000 --> 00:21:13,359
Speaker 1: long time, Like I love that, especially in their episodes

438
00:21:13,440 --> 00:21:17,119
Speaker 1: Tara and Strauss, that we didn't take ourselves too seriously

439
00:21:17,280 --> 00:21:19,720
Speaker 1: all the time, Right, it'd be very easy to do that,

440
00:21:20,080 --> 00:21:24,359
Speaker 1: And I love that we're in on the joke for

441
00:21:24,960 --> 00:21:27,040
Speaker 1: you know, in a sense, it just made it that

442
00:21:27,119 --> 00:21:30,240
Speaker 1: much more entertaining to me. Same thing with the mannequin.

443
00:21:30,680 --> 00:21:35,720
Speaker 1: And I will say I called Mike Carro yesterday. I

444
00:21:35,760 --> 00:21:38,520
Speaker 1: told him that I watched this episode and so I said,

445
00:21:38,560 --> 00:21:40,399
Speaker 1: you got to tell me, like, what's the you know,

446
00:21:41,240 --> 00:21:43,320
Speaker 1: what was going on with the manic? Like I don't

447
00:21:43,359 --> 00:21:44,679
Speaker 1: you know, I didn't remember that, And I thought it

448
00:21:44,720 --> 00:21:47,840
Speaker 1: was hysterical when I like, wake up and I scream

449
00:21:48,000 --> 00:21:50,040
Speaker 1: when I'm in bed, when Mount's in bed with him

450
00:21:50,080 --> 00:21:54,280
Speaker 1: a little Godfather homage, yes, yes, And then when twin

451
00:21:54,400 --> 00:21:57,560
Speaker 1: when you scream and it overlaps with Jana's scream. I

452
00:21:57,640 --> 00:22:01,399
Speaker 1: literally laughed out loud, which I probably haven't done in

453
00:22:01,440 --> 00:22:04,280
Speaker 1: my own living room and in a long time. I mean,

454
00:22:04,359 --> 00:22:07,960
Speaker 1: I thought it was really funny and totally absurd, but

455
00:22:08,520 --> 00:22:12,120
Speaker 1: Harrow said that, you know, I think they were kind

456
00:22:12,119 --> 00:22:15,280
Speaker 1: of joking about it, as often happens in the writer's room,

457
00:22:15,840 --> 00:22:18,160
Speaker 1: joking about like, well we need you know, the River

458
00:22:18,200 --> 00:22:21,240
Speaker 1: Court guys. They missed their buddy, and so maybe Twan

459
00:22:21,359 --> 00:22:22,719
Speaker 1: does something and brings this mankin.

460
00:22:22,760 --> 00:22:24,000
Speaker 3: I don't know what your job was.

461
00:22:23,840 --> 00:22:24,080
Speaker 5: He was.

462
00:22:24,440 --> 00:22:27,159
Speaker 3: He was doing coordinating stunts, so it was a stunt

463
00:22:27,160 --> 00:22:29,640
Speaker 3: doll coordinating. It was a stunt doll.

464
00:22:29,800 --> 00:22:30,720
Speaker 5: Okay, all right.

465
00:22:31,480 --> 00:22:33,399
Speaker 1: So he was saying, that's kind of where the idea

466
00:22:33,440 --> 00:22:35,760
Speaker 1: came from. And I think he said they called it

467
00:22:35,960 --> 00:22:38,600
Speaker 1: Chad Michael Mannikin when they were referred.

468
00:22:38,240 --> 00:22:41,120
Speaker 3: To listen Chad Michael Manniquin. And then later in the episode,

469
00:22:41,359 --> 00:22:45,560
Speaker 3: Brook goes, fine, it's best mannequin. Just make sure you

470
00:22:45,560 --> 00:22:48,560
Speaker 3: get that Dummia tucks or something like that, that those

471
00:22:48,560 --> 00:22:53,639
Speaker 3: are two terrific punts. Yes, yeah, I I'm glad that

472
00:22:53,840 --> 00:22:57,080
Speaker 3: you did that bit of research because I was very

473
00:22:57,160 --> 00:23:00,000
Speaker 3: curious about that because yeah, and I think it was

474
00:23:00,160 --> 00:23:05,320
Speaker 3: in season seven there was a moment where our boss

475
00:23:05,480 --> 00:23:08,680
Speaker 3: clearly took a shot at Chad. It's where like Dan

476
00:23:08,840 --> 00:23:14,040
Speaker 3: is backstage at his show, yeah, and uh, Danil comes

477
00:23:14,040 --> 00:23:16,240
Speaker 3: in and is like, hey, we got to figure out

478
00:23:16,240 --> 00:23:20,640
Speaker 3: something for Sweeps week, and Dan just says, uh, why

479
00:23:20,640 --> 00:23:22,480
Speaker 3: don't we Why don't we get Lucas to come? I

480
00:23:22,520 --> 00:23:26,920
Speaker 3: know he's not doing anything, and and it was just

481
00:23:27,119 --> 00:23:31,239
Speaker 3: so lame and uncool and obvious and heavy handed. And

482
00:23:31,280 --> 00:23:34,480
Speaker 3: so when when I first saw the Chad Michael mannequin,

483
00:23:34,760 --> 00:23:38,159
Speaker 3: I was like, Oh, is this gonna turn into another

484
00:23:38,320 --> 00:23:40,040
Speaker 3: And I was glad when it wasn't. It was just

485
00:23:40,080 --> 00:23:43,199
Speaker 3: guys missing their buddy. And yeah, you two are hilarious

486
00:23:43,240 --> 00:23:46,359
Speaker 3: with it. Twan you leaving the scene saying he needs

487
00:23:46,400 --> 00:23:49,320
Speaker 3: a bath and then the look on Lee's face like

488
00:23:49,400 --> 00:23:53,320
Speaker 3: I don't know whether I actually am expected to do

489
00:23:53,359 --> 00:23:53,840
Speaker 3: that or not.

490
00:23:56,480 --> 00:23:56,680
Speaker 5: Great.

491
00:23:57,080 --> 00:23:59,280
Speaker 1: Yeah, No, I would not have been okay if that,

492
00:23:59,440 --> 00:24:01,439
Speaker 1: If it had turned into like a punching doll, so

493
00:24:01,480 --> 00:24:03,720
Speaker 1: to speak for Chad, I wouldn't have been okay with that.

494
00:24:03,760 --> 00:24:04,880
Speaker 3: I didn't read it that way.

495
00:24:04,920 --> 00:24:07,240
Speaker 1: And I think, you know, we were in this kind

496
00:24:07,240 --> 00:24:11,439
Speaker 1: of weird position of we lost these central characters, you know,

497
00:24:11,840 --> 00:24:16,520
Speaker 1: and that he you know, Lucas had been an integral

498
00:24:16,680 --> 00:24:19,879
Speaker 1: part of Twine. You're of our dynamic right with the

499
00:24:19,960 --> 00:24:22,919
Speaker 1: Rivercrek guys. And so there is this weird balance of

500
00:24:22,960 --> 00:24:26,320
Speaker 1: like the show continues on and we can't just you know,

501
00:24:26,480 --> 00:24:30,200
Speaker 1: pretend like these characters didn't exist, and you know, I

502
00:24:30,400 --> 00:24:32,879
Speaker 1: wouldn't have necessarily come up with this way to do it,

503
00:24:32,920 --> 00:24:36,440
Speaker 1: but it wasn't acknowledgment there of this kind of this

504
00:24:36,440 --> 00:24:39,199
Speaker 1: this friend that they missed, and if anything, it just

505
00:24:39,200 --> 00:24:40,119
Speaker 1: made me miss Chad.

506
00:24:40,200 --> 00:24:41,520
Speaker 3: Honestly, in the episode, I was.

507
00:24:41,480 --> 00:24:44,200
Speaker 1: Like, oh I miss I miss I miss our buddy,

508
00:24:44,280 --> 00:24:47,880
Speaker 1: you know. But so yeah, it was that was that.

509
00:24:47,960 --> 00:24:49,800
Speaker 3: Was interesting to see for sure. But I wanted to

510
00:24:49,880 --> 00:24:50,159
Speaker 3: let you know.

511
00:24:50,200 --> 00:24:52,160
Speaker 1: I talked to Harrow and he was excited we were

512
00:24:52,160 --> 00:24:56,399
Speaker 1: doing their episode and he sends as the best everybody.

513
00:24:56,160 --> 00:24:57,400
Speaker 5: So he ro.

514
00:25:11,560 --> 00:25:14,199
Speaker 3: And another thing that Heron Strauss did really well is

515
00:25:14,240 --> 00:25:17,960
Speaker 3: that thing of the way one scene will end is

516
00:25:17,960 --> 00:25:20,240
Speaker 3: how another scene begins, like you were saying with the

517
00:25:20,680 --> 00:25:23,720
Speaker 3: screaming you know, or what is it? I think like

518
00:25:23,840 --> 00:25:25,960
Speaker 3: James is coming back being like I'm an idiot and

519
00:25:26,000 --> 00:25:27,920
Speaker 3: then like someone else has just said like, oh I'm

520
00:25:27,920 --> 00:25:28,720
Speaker 3: an idiot.

521
00:25:29,480 --> 00:25:34,840
Speaker 1: Great transitions, Yeah, yeah, very good transitions. You could see

522
00:25:34,880 --> 00:25:37,520
Speaker 1: all of that through the episode, and yeah, it all

523
00:25:37,560 --> 00:25:39,479
Speaker 1: did a great job of just tying it all together.

524
00:25:39,560 --> 00:25:42,639
Speaker 1: And I sort of remembered, like what the style of

525
00:25:42,680 --> 00:25:45,000
Speaker 1: the show was, right, it was those transitions with the

526
00:25:45,160 --> 00:25:50,159
Speaker 1: music driving it all, and yeah, it was it was.

527
00:25:50,240 --> 00:25:51,560
Speaker 6: It was really nice to see.

528
00:25:51,560 --> 00:25:53,239
Speaker 5: I know what, I like that that I that I

529
00:25:53,320 --> 00:25:56,600
Speaker 5: see from what we did as are like our original cast.

530
00:25:57,920 --> 00:26:00,879
Speaker 5: We made all of the guest stars and co stars

531
00:26:00,920 --> 00:26:02,919
Speaker 5: and the new the new people that came, we always

532
00:26:02,920 --> 00:26:06,320
Speaker 5: made them feel they didn't feel like outsiders, like you

533
00:26:06,320 --> 00:26:07,639
Speaker 5: know what I'm saying, Like I got to come in

534
00:26:07,680 --> 00:26:10,320
Speaker 5: and prove myself on this show because they are already here.

535
00:26:10,320 --> 00:26:12,800
Speaker 5: And I think we made everybody feel like family because

536
00:26:12,800 --> 00:26:15,200
Speaker 5: we was in that little small town, you know what

537
00:26:15,240 --> 00:26:17,280
Speaker 5: I'm saying. Everybody was kind of together and we just

538
00:26:17,359 --> 00:26:19,440
Speaker 5: kind of welcomed everybody with open arms. So I think

539
00:26:19,520 --> 00:26:23,000
Speaker 5: that gave them a lot of more, you know, confidence

540
00:26:23,040 --> 00:26:25,440
Speaker 5: to come in and make the scenes like organic, you

541
00:26:25,520 --> 00:26:28,800
Speaker 5: know what I'm saying, because everybody was like, oh, they're cool,

542
00:26:28,840 --> 00:26:30,199
Speaker 5: because you know how it might be you go to

543
00:26:30,240 --> 00:26:31,680
Speaker 5: a show like you know what I'm saying, and you're

544
00:26:31,720 --> 00:26:33,640
Speaker 5: just like, damn, I'm the guest I'm the guest star

545
00:26:33,720 --> 00:26:36,520
Speaker 5: this week, and I'm just in my dressing room until

546
00:26:36,520 --> 00:26:38,080
Speaker 5: they call me. And when I get there, it's like

547
00:26:38,119 --> 00:26:40,720
Speaker 5: everybody's quiet, nobody's really you know. You do your singing

548
00:26:40,760 --> 00:26:42,200
Speaker 5: and then it's like all right, then, you know what

549
00:26:42,240 --> 00:26:44,600
Speaker 5: I'm saying. It's like everybody's talking with you in the

550
00:26:44,600 --> 00:26:47,480
Speaker 5: corner by yourself. I don't think we did that. Everybody

551
00:26:47,560 --> 00:26:50,280
Speaker 5: was always kind of like you know, in a group.

552
00:26:50,720 --> 00:26:53,440
Speaker 3: Yeah, or at least we tried, I think as much as.

553
00:26:53,400 --> 00:26:54,120
Speaker 5: We can think.

554
00:26:54,119 --> 00:26:56,080
Speaker 3: You guys were great at that. I can say from

555
00:26:56,080 --> 00:26:58,520
Speaker 3: my own experience, and I would say, Antoine, you are

556
00:26:58,560 --> 00:27:00,800
Speaker 3: the leader of that parade like you were. You were

557
00:27:00,840 --> 00:27:04,960
Speaker 3: definitely the social in terms of like, hey, everyone like

558
00:27:05,280 --> 00:27:06,960
Speaker 3: you guys want to do this tonight, Like you would

559
00:27:06,960 --> 00:27:10,359
Speaker 3: be the sort of the the initiator of the like

560
00:27:10,480 --> 00:27:12,720
Speaker 3: group hang and you were great at that. And also

561
00:27:13,560 --> 00:27:15,879
Speaker 3: it's that is not only is that just a great

562
00:27:15,880 --> 00:27:17,760
Speaker 3: way to be as a human being, just to be

563
00:27:17,880 --> 00:27:20,800
Speaker 3: welcoming and kind to people, but it's also such a

564
00:27:20,840 --> 00:27:25,119
Speaker 3: smart thing to do because it is a big show.

565
00:27:25,680 --> 00:27:28,600
Speaker 3: It was very successful. I can tell your firsthand. It

566
00:27:28,680 --> 00:27:31,119
Speaker 3: is very stressful. I mean, all of us know, it's

567
00:27:31,119 --> 00:27:33,160
Speaker 3: stressful to be guests on anything because you're a guest

568
00:27:33,160 --> 00:27:35,480
Speaker 3: in someone else's home. You don't know the flow, the vibe,

569
00:27:35,480 --> 00:27:37,840
Speaker 3: all of it. But like when I joined our show,

570
00:27:37,880 --> 00:27:40,840
Speaker 3: I was so nervous, you know. And but when you

571
00:27:40,920 --> 00:27:43,280
Speaker 3: are welcome with people like that, then all of a

572
00:27:43,320 --> 00:27:45,440
Speaker 3: sudden they kind of like take a breath, they drop

573
00:27:45,520 --> 00:27:48,000
Speaker 3: their shoulders, and as actors, like that's when they're that's

574
00:27:48,000 --> 00:27:50,679
Speaker 3: when you're going to do better work, you know. So

575
00:27:50,800 --> 00:27:53,119
Speaker 3: it was just it was a cool kind thing and

576
00:27:53,119 --> 00:27:58,080
Speaker 3: it was also a very smart, sort of like beneficial

577
00:27:58,119 --> 00:28:01,320
Speaker 3: thing to do for the show. Yeah, it benefits everybody.

578
00:28:01,440 --> 00:28:04,080
Speaker 1: Yeah, yeah, it makes this the fabric of the stronger show,

579
00:28:04,119 --> 00:28:07,159
Speaker 1: and the relationships feel more real and you can do

580
00:28:07,240 --> 00:28:09,760
Speaker 1: better work when you trust the people that you're opposite

581
00:28:09,840 --> 00:28:10,399
Speaker 1: on camera.

582
00:28:10,600 --> 00:28:13,960
Speaker 3: Yeah. I loved so. I really wish Joy and so

583
00:28:14,080 --> 00:28:17,760
Speaker 3: for here because there was so many just gems from

584
00:28:17,960 --> 00:28:21,479
Speaker 3: the bride Expo, the bridal Expo.

585
00:28:22,440 --> 00:28:25,120
Speaker 1: Yes, yeah, where was that? I was trying to figure

586
00:28:25,119 --> 00:28:25,800
Speaker 1: out where that was?

587
00:28:25,960 --> 00:28:30,000
Speaker 3: Where things were. James actually went to the Falcon Stadium

588
00:28:30,040 --> 00:28:31,240
Speaker 3: right to it.

589
00:28:31,600 --> 00:28:33,520
Speaker 6: I saw, I know, I was like, well, I guess James,

590
00:28:33,560 --> 00:28:34,400
Speaker 6: got to go to Atlanta.

591
00:28:34,440 --> 00:28:35,359
Speaker 3: That must have been fun.

592
00:28:36,359 --> 00:28:37,040
Speaker 4: I don't know how.

593
00:28:37,080 --> 00:28:39,000
Speaker 3: I don't remember that, but i'd same as you, Lee.

594
00:28:39,040 --> 00:28:40,960
Speaker 3: I went back and rewound, I don't looking for like

595
00:28:41,080 --> 00:28:44,880
Speaker 3: a green screen giveaway, and yes, it's like, no, he

596
00:28:45,120 --> 00:28:47,200
Speaker 3: just got to go there. Which was odd because I

597
00:28:47,240 --> 00:28:51,160
Speaker 3: thought you flew him in a crew to Atlanta and

598
00:28:51,200 --> 00:28:53,200
Speaker 3: you shot one scene.

599
00:28:53,880 --> 00:28:55,640
Speaker 1: Yeah, what if it was like just James and like

600
00:28:55,680 --> 00:29:00,600
Speaker 1: a steady cam, like he's just like holding it and it's.

601
00:28:59,720 --> 00:29:03,400
Speaker 3: Point on the escalator too. Yeah, what a cool thing

602
00:29:03,440 --> 00:29:05,600
Speaker 3: for him. No, that was really cool.

603
00:29:05,600 --> 00:29:07,719
Speaker 1: I had a moment too where I was like, because

604
00:29:07,720 --> 00:29:09,960
Speaker 1: we did always feel sort of like this small show

605
00:29:10,040 --> 00:29:12,040
Speaker 1: and we were, you know, we didn't have this big,

606
00:29:12,080 --> 00:29:14,320
Speaker 1: grand budget. And then suddenly I was like, wait, he's

607
00:29:14,360 --> 00:29:17,360
Speaker 1: in the in the stadium in Atlanta, Like that's incredible.

608
00:29:17,880 --> 00:29:20,680
Speaker 5: Yeah, did he do right? He went to the to

609
00:29:20,720 --> 00:29:23,760
Speaker 5: the Panthers stadium too, Right, did he did he?

610
00:29:24,040 --> 00:29:28,520
Speaker 1: Or he went to Charlotte for the or yeah, yeah,

611
00:29:28,560 --> 00:29:29,160
Speaker 1: something like that.

612
00:29:29,480 --> 00:29:31,920
Speaker 3: Yeah, the bridal ex bo stuff. Yeah, like you had said, Lee,

613
00:29:32,640 --> 00:29:36,760
Speaker 3: Sharon Lawrence, that is national treasure. Sharon Lawrence is just

614
00:29:36,840 --> 00:29:40,920
Speaker 3: in assassage. Yeah, and she crushes the whole mom' Zillow thing.

615
00:29:42,200 --> 00:29:44,920
Speaker 3: Soph is so funny, so good, and there's so many

616
00:29:45,000 --> 00:29:47,520
Speaker 3: great moments that, Like when she's walking down the hallway,

617
00:29:47,520 --> 00:29:50,680
Speaker 3: it's I think it's right before she discovers Mama Baker

618
00:29:50,960 --> 00:29:54,719
Speaker 3: passed out and she's like, yeah, she's she's referencing Diehard

619
00:29:54,760 --> 00:29:57,640
Speaker 3: and she's like, come to the bridle ex boo. They'd say,

620
00:29:57,680 --> 00:30:00,120
Speaker 3: have a few laughs. I said it'll be fun you

621
00:30:00,240 --> 00:30:03,360
Speaker 3: be ka Mama Baker or something like that, and then.

622
00:30:03,280 --> 00:30:06,320
Speaker 1: She's like, I've been hanging out. Yes, yes, yes, it

623
00:30:06,360 --> 00:30:10,800
Speaker 1: was so good man. Yeah, she's so good. It reminds

624
00:30:10,800 --> 00:30:12,800
Speaker 1: me why she is the star she is. I just

625
00:30:12,840 --> 00:30:14,880
Speaker 1: love her and she's so good at that. And she's

626
00:30:14,880 --> 00:30:18,520
Speaker 1: so good what what she's so good at is being

627
00:30:18,600 --> 00:30:21,840
Speaker 1: funny and bringing that energy. But it all feels so grounded,

628
00:30:22,000 --> 00:30:25,880
Speaker 1: like similarly to Utwine, it doesn't it feels grounded, It

629
00:30:25,880 --> 00:30:29,239
Speaker 1: doesn't feel forced in any way. And I love that

630
00:30:29,280 --> 00:30:32,640
Speaker 1: whole arc because, like you you were saying, Rob, Sharon

631
00:30:33,080 --> 00:30:37,680
Speaker 1: is just masterful, like very fine line that you have

632
00:30:37,760 --> 00:30:40,720
Speaker 1: to walk there like to because you're coming and playing

633
00:30:40,720 --> 00:30:42,880
Speaker 1: this character right and she kind of has to be

634
00:30:42,920 --> 00:30:44,800
Speaker 1: this mom and like it could be very easy for

635
00:30:44,840 --> 00:30:47,880
Speaker 1: her to just come off as annoying and like not

636
00:30:48,040 --> 00:30:50,520
Speaker 1: feel for her in any way, shape or form, because

637
00:30:50,520 --> 00:30:52,840
Speaker 1: you're you're as a viewer, you're used to rooting and

638
00:30:53,160 --> 00:30:56,840
Speaker 1: seeing brook right, and here's this new character and she's

639
00:30:56,840 --> 00:30:58,880
Speaker 1: supposed to be this kind of like mom and getting

640
00:30:58,880 --> 00:31:02,400
Speaker 1: on Brooks' nerves. But by the end of the arc,

641
00:31:02,560 --> 00:31:04,320
Speaker 1: you know, you see more of where she's coming from.

642
00:31:04,360 --> 00:31:07,040
Speaker 1: You see the humanities and the struggles that she's dealing with.

643
00:31:07,520 --> 00:31:09,360
Speaker 1: And she just did such a great job of like

644
00:31:09,400 --> 00:31:11,840
Speaker 1: playing the comedy but still having that depth to it.

645
00:31:12,200 --> 00:31:16,040
Speaker 1: And then what I love is the unexpected middle of

646
00:31:16,080 --> 00:31:19,360
Speaker 1: the arc where you know, Haley comes think and you think,

647
00:31:19,840 --> 00:31:21,800
Speaker 1: you think you know what's gonna happen as a viewer,

648
00:31:21,840 --> 00:31:24,920
Speaker 1: you think Haley's gonna, you know, say brook and then

649
00:31:25,040 --> 00:31:28,840
Speaker 1: suddenly it's it's the opposite. She's on the mom's side

650
00:31:28,880 --> 00:31:31,800
Speaker 1: with the pregnancy hormones, and it was just so it

651
00:31:31,880 --> 00:31:34,680
Speaker 1: was joyful, like I I and Joy is so good,

652
00:31:34,840 --> 00:31:39,600
Speaker 1: Like she's such a great just actress and always so

653
00:31:39,800 --> 00:31:43,560
Speaker 1: natural and just like I would I remember just watching Joy,

654
00:31:44,200 --> 00:31:46,440
Speaker 1: you know, on set, I'd stand a video village and

655
00:31:46,520 --> 00:31:48,280
Speaker 1: just watch her and just I would just try to

656
00:31:48,320 --> 00:31:50,520
Speaker 1: like absorb what she was doing because she was just

657
00:31:50,640 --> 00:31:55,360
Speaker 1: so in it always and the choices she makes her

658
00:31:55,400 --> 00:31:58,480
Speaker 1: always so interesting, you know, as an actress and real

659
00:31:59,560 --> 00:32:02,160
Speaker 1: and she you know, I bought that she's on the

660
00:32:02,200 --> 00:32:04,480
Speaker 1: mom's side and not on Brooks, but not meaning to

661
00:32:04,520 --> 00:32:08,640
Speaker 1: do it intentionally. She just she she you know, sees

662
00:32:08,680 --> 00:32:11,240
Speaker 1: a lot of what she wanted in a relationship with her.

663
00:32:11,280 --> 00:32:13,040
Speaker 3: That's the best part is that she's not going in

664
00:32:13,080 --> 00:32:15,640
Speaker 3: there to be like a jerk or thinking she's funny.

665
00:32:15,680 --> 00:32:18,360
Speaker 3: She's in earnest trying to support her friend, but her

666
00:32:18,400 --> 00:32:20,240
Speaker 3: hormones are getting the better of her, and she's like,

667
00:32:20,280 --> 00:32:23,920
Speaker 3: I'm so sorry, I'm aware I'm ruining this. What's interesting

668
00:32:24,000 --> 00:32:25,760
Speaker 3: is that we had there was a moment, I think

669
00:32:25,760 --> 00:32:31,280
Speaker 3: in last season where Julian basically explains that his mom,

670
00:32:31,840 --> 00:32:33,719
Speaker 3: you know, he was worried about her and how she

671
00:32:33,760 --> 00:32:35,959
Speaker 3: watched her go through a depression and how he couldn't

672
00:32:36,000 --> 00:32:37,680
Speaker 3: save her. And then what's weird, right is at this

673
00:32:37,720 --> 00:32:41,320
Speaker 3: season Sharon Lawrence shows up and she's Sharon Lawrence, so

674
00:32:41,360 --> 00:32:44,520
Speaker 3: she's like floating through the room. She is quick on

675
00:32:44,560 --> 00:32:47,840
Speaker 3: her feet, she's well spoken, and we were doing the

676
00:32:47,880 --> 00:32:50,760
Speaker 3: episode covering, I was like, I'm a little confused. I

677
00:32:50,800 --> 00:32:53,160
Speaker 3: don't see the woman I thought we were learning about.

678
00:32:53,640 --> 00:32:56,080
Speaker 3: And at the end of this episode, yeah, it was

679
00:32:56,160 --> 00:32:58,880
Speaker 3: great that she gets too hammered, passes out and then

680
00:32:58,920 --> 00:33:02,760
Speaker 3: tells me to reveal Yeah, don't tell Julian. He worries

681
00:33:03,760 --> 00:33:06,800
Speaker 3: And I thought, what would you guys do if that

682
00:33:06,840 --> 00:33:09,440
Speaker 3: if you were in that spot? You're married, man, Yeah,

683
00:33:09,480 --> 00:33:12,040
Speaker 3: I mean if we're in whose spot and who shoes?

684
00:33:12,480 --> 00:33:15,640
Speaker 3: Like basically who who gets priority? Is it? Do you

685
00:33:15,640 --> 00:33:17,840
Speaker 3: tell your partner or do you keep.

686
00:33:18,400 --> 00:33:20,320
Speaker 1: I well, that's part of why I wanted to keep going.

687
00:33:20,520 --> 00:33:23,320
Speaker 1: I was like, how is she going to handle this? Because,

688
00:33:23,400 --> 00:33:27,400
Speaker 1: you know, you enter that delicate space of it was

689
00:33:27,480 --> 00:33:31,080
Speaker 1: cleared by the end of the episode that she recognized

690
00:33:31,120 --> 00:33:32,920
Speaker 1: that she could have just gone to Julian and been

691
00:33:33,160 --> 00:33:35,680
Speaker 1: blatantly honest about how horrible it all was. And you

692
00:33:35,720 --> 00:33:38,720
Speaker 1: can see her pulling back and realizing that that's a

693
00:33:38,760 --> 00:33:42,200
Speaker 1: special relationship for him and it may not be a

694
00:33:42,240 --> 00:33:45,160
Speaker 1: perfect one, and very obviously isn't, but she wants to

695
00:33:45,440 --> 00:33:48,040
Speaker 1: She doesn't want to tear that down, and she wants,

696
00:33:48,280 --> 00:33:52,280
Speaker 1: you know, to give the mom a chance. But it

697
00:33:52,320 --> 00:33:54,560
Speaker 1: also lets her know that like, oh, maybe you know,

698
00:33:54,640 --> 00:33:57,160
Speaker 1: there's there's more to this that we may have to

699
00:33:57,160 --> 00:33:59,400
Speaker 1: deal with, you know, eventually as a family, and the

700
00:33:59,440 --> 00:34:00,320
Speaker 1: repercussion of.

701
00:34:00,280 --> 00:34:02,280
Speaker 3: This swan what would you do?

702
00:34:02,480 --> 00:34:07,200
Speaker 5: I wouldn't snitch on her her. I would probably, That's

703
00:34:07,240 --> 00:34:10,840
Speaker 5: what I meant to say. Yeah, I would probably you know,

704
00:34:11,239 --> 00:34:13,239
Speaker 5: have my own conversation with her, and you know what

705
00:34:13,280 --> 00:34:15,879
Speaker 5: I'm saying, like on the side, like between us, then

706
00:34:15,880 --> 00:34:18,200
Speaker 5: I think that would probably strengthen the relationship. But I

707
00:34:18,239 --> 00:34:22,360
Speaker 5: definitely wouldn't. I wouldn't snitch on her to you know,

708
00:34:23,200 --> 00:34:25,600
Speaker 5: give away our confidence, you know what I'm saying, to

709
00:34:25,680 --> 00:34:27,279
Speaker 5: let her know like she could hope she could tell

710
00:34:27,320 --> 00:34:29,680
Speaker 5: me things and I wouldn't, you know, they wouldn't go anywhere.

711
00:34:30,560 --> 00:34:30,719
Speaker 4: Well.

712
00:34:30,760 --> 00:34:33,680
Speaker 1: And also Brooke has this very complicated dynamic with her

713
00:34:33,680 --> 00:34:38,480
Speaker 1: own mother, right, and so I think she can recognize

714
00:34:38,520 --> 00:34:41,320
Speaker 1: in a different way, you know, Victoria is not I

715
00:34:41,360 --> 00:34:44,080
Speaker 1: don't think it, you know, battling alcoholism or anything, but

716
00:34:44,160 --> 00:34:49,839
Speaker 1: she's got Victoria is a very unique, complicated mother. And

717
00:34:49,920 --> 00:34:55,440
Speaker 1: so I think Brooke understands, you know, the tenuous relationship

718
00:34:55,520 --> 00:35:00,440
Speaker 1: of that, and and maybe maybe she feels like that's

719
00:35:00,600 --> 00:35:02,480
Speaker 1: you know, something she'll be able to help Julian with.

720
00:35:02,560 --> 00:35:03,880
Speaker 1: You know, I don't know, I don't know.

721
00:35:04,000 --> 00:35:05,160
Speaker 6: It's it's that again.

722
00:35:05,200 --> 00:35:07,320
Speaker 1: I just wanted to keep watching, and now I'm gonna

723
00:35:07,360 --> 00:35:11,359
Speaker 1: have to we such you back in, you Dan, I'm

724
00:35:11,440 --> 00:35:12,240
Speaker 1: back in guys.

725
00:35:12,560 --> 00:35:15,840
Speaker 3: Like four episodes into doing this podcast, I I it

726
00:35:15,880 --> 00:35:18,360
Speaker 3: was like I either was I missed a podcast, so

727
00:35:19,400 --> 00:35:21,880
Speaker 3: there was one I was able to just watch without

728
00:35:21,880 --> 00:35:25,200
Speaker 3: having to take notes and I was able to just

729
00:35:25,280 --> 00:35:28,719
Speaker 3: be a viewer and dude, I enjoyed the heck out

730
00:35:28,760 --> 00:35:30,560
Speaker 3: of it. So when I came on the next episode,

731
00:35:30,560 --> 00:35:33,440
Speaker 3: I was, oh, good, I get it. I caught one

732
00:35:33,480 --> 00:35:35,920
Speaker 3: tree hill feet Yeah, and I, I mean I already

733
00:35:35,920 --> 00:35:38,080
Speaker 3: could tell, already knew why the show was such a success.

734
00:35:38,239 --> 00:35:41,440
Speaker 3: But when you get to just be a viewer and

735
00:35:41,560 --> 00:35:43,480
Speaker 3: just enjoy it, it's a great ride.

736
00:35:43,880 --> 00:35:46,800
Speaker 1: Yeah, you gotta have you You haven't seen any of the

737
00:35:46,840 --> 00:35:48,919
Speaker 1: earlier seasons, have you. You're gonna have to go back

738
00:35:48,960 --> 00:35:51,319
Speaker 1: and do a deep dive with all your free time.

739
00:35:51,840 --> 00:35:55,360
Speaker 3: Drum A queen's two point would just be me talking

740
00:35:55,400 --> 00:36:00,560
Speaker 3: about seasons one through five maybe with you guys. Yeah, Yeah,

741
00:36:00,640 --> 00:36:04,360
Speaker 3: there was a great moment in that Bridal expo where

742
00:36:04,920 --> 00:36:08,960
Speaker 3: uh there. I mean, of course, like, uh, Sharon just

743
00:36:09,320 --> 00:36:11,600
Speaker 3: ruins every every plan of hers, like, oh, I was

744
00:36:11,600 --> 00:36:17,080
Speaker 3: gonna have my friend Quinn take photos. She's like, who that.

745
00:36:17,160 --> 00:36:23,520
Speaker 3: She goes, uh, yes, yeah, un yes, Quinn James. She

746
00:36:23,600 --> 00:36:26,400
Speaker 3: just goes, never heard of it. Yes, And then when

747
00:36:26,440 --> 00:36:29,399
Speaker 3: it comes to bridesmaids, she says, uh because I think

748
00:36:29,400 --> 00:36:31,960
Speaker 3: Brooks like, I'm gonna design my own bridesmaid stuff, and

749
00:36:32,000 --> 00:36:34,600
Speaker 3: she says, oh, honey, the whole point is for them

750
00:36:34,600 --> 00:36:38,120
Speaker 3: to look ugly so that you look pretty. And I thought,

751
00:36:38,719 --> 00:36:39,359
Speaker 3: what's so good?

752
00:36:39,360 --> 00:36:39,600
Speaker 5: There's that?

753
00:36:39,680 --> 00:36:42,959
Speaker 3: There's that works on two levels. One, I don't know why,

754
00:36:43,000 --> 00:36:48,400
Speaker 3: but bridesmaids dresses usually are pretty horrible. But it's also

755
00:36:48,480 --> 00:36:52,480
Speaker 3: such a hilarious backhanded insult, like you need them to

756
00:36:52,560 --> 00:36:58,560
Speaker 3: look ugly, like you need you need that, right, yeah, yeah, yeah, exactly, Yeah, No,

757
00:36:58,680 --> 00:36:59,040
Speaker 3: I love it.

758
00:36:59,080 --> 00:37:00,800
Speaker 1: And I do have to shout out out another behind

759
00:37:00,800 --> 00:37:04,759
Speaker 1: the scenes fact. At one point they I think she

760
00:37:04,920 --> 00:37:07,520
Speaker 1: mentions Matt McGraw photography. She was like, oh, you should

761
00:37:07,520 --> 00:37:10,200
Speaker 1: have Matt McGraw photography, and they show his booth. He's

762
00:37:10,200 --> 00:37:14,200
Speaker 1: an actual real photographer in Wilmington. So I remember we

763
00:37:14,320 --> 00:37:16,200
Speaker 1: used to see Matt out and about around town, and

764
00:37:16,440 --> 00:37:19,880
Speaker 1: he's actually a real wedding photographer, so like a Wilmington local.

765
00:37:20,000 --> 00:37:22,520
Speaker 1: So just you know, fun fact, just bring in the

766
00:37:22,719 --> 00:37:35,759
Speaker 1: Wilmington knowledge today.

767
00:37:36,800 --> 00:37:39,680
Speaker 3: Totally off topic and unrelated, but I referenced this in

768
00:37:39,719 --> 00:37:43,279
Speaker 3: an earlier episode. Lee. It's when you and Matt and

769
00:37:43,320 --> 00:37:46,400
Speaker 3: Milly have just had like a one night stand, like

770
00:37:46,440 --> 00:37:50,000
Speaker 3: it's their first time being back together. And I was like, Lee,

771
00:37:51,000 --> 00:37:54,160
Speaker 3: looks like Captain America, Like, you look great. I think

772
00:37:54,160 --> 00:37:56,719
Speaker 3: we even even became an Instagram clip that you commented on.

773
00:37:56,760 --> 00:37:59,000
Speaker 3: So you're aware of what I'm talking about. Yeah, oh yes,

774
00:37:59,320 --> 00:37:59,719
Speaker 3: thank god.

775
00:37:59,760 --> 00:38:03,959
Speaker 1: Yeah, you know, somehow, the magical the algorithm like knew

776
00:38:04,000 --> 00:38:05,880
Speaker 1: that I needed a self esteem boos that day and

777
00:38:05,880 --> 00:38:08,120
Speaker 1: it landed in my feed and I was like, thank you,

778
00:38:08,239 --> 00:38:10,800
Speaker 1: Rob Buckley, you know, And I was it meant a

779
00:38:10,840 --> 00:38:13,440
Speaker 1: lot that you that you noticed and that you, you know,

780
00:38:13,800 --> 00:38:15,680
Speaker 1: made a point of it pointing it out.

781
00:38:15,760 --> 00:38:16,279
Speaker 3: Yeah, I was.

782
00:38:16,800 --> 00:38:18,200
Speaker 6: I was working hard that season.

783
00:38:18,239 --> 00:38:18,799
Speaker 5: I was just.

784
00:38:22,000 --> 00:38:24,920
Speaker 1: Well, I'll tell you, when you go to set every

785
00:38:25,000 --> 00:38:28,759
Speaker 1: day with James Lafferty and yourself and Antoine Tanner and

786
00:38:29,239 --> 00:38:31,799
Speaker 1: Austin Nichols, you you got to set u up your

787
00:38:31,800 --> 00:38:35,120
Speaker 1: game and you feel you feel some pressure there, but no,

788
00:38:35,200 --> 00:38:37,719
Speaker 1: I mean I think the reality was I think maybe

789
00:38:37,760 --> 00:38:40,120
Speaker 1: I was engaged around this point and the wedding. You know,

790
00:38:40,160 --> 00:38:41,960
Speaker 1: we were starting to get to that, and I was like,

791
00:38:42,000 --> 00:38:44,960
Speaker 1: I want to feel good about myself, so I was

792
00:38:44,960 --> 00:38:47,400
Speaker 1: putting in some extra reps and then you know, I

793
00:38:47,520 --> 00:38:50,879
Speaker 1: noticed the shirt started to come off more on the show,

794
00:38:51,040 --> 00:38:53,359
Speaker 1: so I thought they must be paying attention. But then

795
00:38:53,360 --> 00:38:55,520
Speaker 1: that all went out the window next season when they

796
00:38:55,840 --> 00:38:57,040
Speaker 1: made mouth gain a bunch.

797
00:38:56,840 --> 00:39:00,440
Speaker 5: Of weight, So that was crazy.

798
00:39:00,800 --> 00:39:04,440
Speaker 3: Yes, yeah, there is this weird thing that happens on

799
00:39:04,480 --> 00:39:10,080
Speaker 3: our show where it's like the emasculation of Austin, where

800
00:39:10,120 --> 00:39:12,320
Speaker 3: when he first came in he was like this slick,

801
00:39:12,600 --> 00:39:15,600
Speaker 3: cool producer and then as soon as he becomes a

802
00:39:15,640 --> 00:39:19,120
Speaker 3: love interest, it's at every turn that they can make

803
00:39:19,200 --> 00:39:23,360
Speaker 3: him as unleading man as possible. They try, and it like,

804
00:39:23,719 --> 00:39:27,759
Speaker 3: for example, he doesn't know how to high five that

805
00:39:27,800 --> 00:39:31,040
Speaker 3: was in the episode prior, Like what thirty year old

806
00:39:31,160 --> 00:39:34,759
Speaker 3: guy doesn't know how to high five? The thing is

807
00:39:34,800 --> 00:39:38,960
Speaker 3: Austin is so immensely likable and charming that it never was.

808
00:39:39,120 --> 00:39:40,200
Speaker 3: That's what I was gonna say.

809
00:39:40,440 --> 00:39:43,759
Speaker 1: Yeah, it doesn't he's just so funny that I just

810
00:39:43,880 --> 00:39:46,640
Speaker 1: I remember that as just being like a goof He's

811
00:39:47,040 --> 00:39:49,279
Speaker 1: just laughing at it, because he was so goofy doing

812
00:39:49,320 --> 00:39:51,719
Speaker 1: the like yeah, I can't even remember, you know. He

813
00:39:51,880 --> 00:39:55,120
Speaker 1: just made it work to his credit, and I think

814
00:39:55,160 --> 00:39:58,520
Speaker 1: we all had instances where we felt like, you know,

815
00:39:58,640 --> 00:40:00,840
Speaker 1: we didn't quite know what to do, and we just

816
00:40:00,880 --> 00:40:04,560
Speaker 1: had to commit and make it work. And he was

817
00:40:04,600 --> 00:40:08,439
Speaker 1: always nobody better than him at doing that. But yeah,

818
00:40:08,440 --> 00:40:10,840
Speaker 1: I noticed that in this episode too. It was interesting

819
00:40:10,880 --> 00:40:13,759
Speaker 1: to see the the kind of dynamic of him with

820
00:40:13,800 --> 00:40:17,520
Speaker 1: all the guys right and not used to being with them.

821
00:40:17,560 --> 00:40:19,239
Speaker 3: But I loved it.

822
00:40:19,280 --> 00:40:21,600
Speaker 1: I love that the stereotype was kind of flipped on

823
00:40:21,640 --> 00:40:22,960
Speaker 1: its head and then it's not you know, that he

824
00:40:23,040 --> 00:40:24,840
Speaker 1: is sort of uncomfortable at a poker knight and that

825
00:40:24,880 --> 00:40:27,200
Speaker 1: he'd done all the decorations in the back, you.

826
00:40:27,080 --> 00:40:29,200
Speaker 3: Know, And I love that.

827
00:40:29,320 --> 00:40:32,719
Speaker 1: I mean, I'm not your stereotypical guys guy who had

828
00:40:32,760 --> 00:40:34,600
Speaker 1: like a poker knight, and so I could kind of

829
00:40:34,640 --> 00:40:37,319
Speaker 1: relate to him in that sense of like wanting to

830
00:40:37,320 --> 00:40:41,239
Speaker 1: win people over, and so I did find that interesting

831
00:40:41,320 --> 00:40:43,640
Speaker 1: and likable in a way that he's not just your

832
00:40:43,680 --> 00:40:47,240
Speaker 1: average bro but also, yeah, I'm not for it masculating anybody.

833
00:40:47,280 --> 00:40:49,640
Speaker 1: I don't just to do it. But I thought in

834
00:40:49,680 --> 00:40:53,160
Speaker 1: this instance, it was interesting to see you know, kind

835
00:40:53,200 --> 00:40:53,400
Speaker 1: of that.

836
00:40:54,440 --> 00:40:54,680
Speaker 5: Yeah.

837
00:40:54,880 --> 00:40:59,200
Speaker 3: And I say that because it wasn't until I watched,

838
00:40:59,520 --> 00:41:02,200
Speaker 3: like I said, episode where Mouth and Millie hook back

839
00:41:02,280 --> 00:41:05,440
Speaker 3: up and and then they started to kind of have

840
00:41:05,520 --> 00:41:08,520
Speaker 3: you like being around in a tank top and and

841
00:41:08,520 --> 00:41:11,839
Speaker 3: and you you were looking great. And then my brain went, oh,

842
00:41:11,920 --> 00:41:15,960
Speaker 3: but next season is the fat Suit. And I just wondered,

843
00:41:16,840 --> 00:41:21,000
Speaker 3: is there a chance that, like the the super glow up,

844
00:41:21,040 --> 00:41:26,200
Speaker 3: the Captain America glow up inspired a random storyline because

845
00:41:26,239 --> 00:41:28,520
Speaker 3: I remember at the time even being like, what like

846
00:41:28,760 --> 00:41:31,680
Speaker 3: trying to politely ask you, like what the hell? And

847
00:41:31,719 --> 00:41:35,840
Speaker 3: you and you're basically like, I don't know, dude, do

848
00:41:35,920 --> 00:41:38,000
Speaker 3: you to this day do you know what that was about?

849
00:41:39,400 --> 00:41:43,400
Speaker 6: I don't. I can speculate, but I mean calculating place.

850
00:41:45,400 --> 00:41:47,720
Speaker 5: I think with some like I think they were saying

851
00:41:47,719 --> 00:41:51,640
Speaker 5: some about how Lee, how your character or some lost

852
00:41:51,640 --> 00:41:55,919
Speaker 5: a job or something. He was depressed. Yeah, that's why. Yeah,

853
00:41:56,200 --> 00:41:59,359
Speaker 5: you went away. You went away right and to some

854
00:41:59,480 --> 00:42:02,319
Speaker 5: job and came back right. Maybe I know, I don't

855
00:42:02,360 --> 00:42:03,360
Speaker 5: remember what this sad.

856
00:42:03,360 --> 00:42:07,160
Speaker 3: Happened, and this happened like like now this has already happened.

857
00:42:07,280 --> 00:42:13,160
Speaker 3: Is that at the start of season seven, yes, uh,

858
00:42:13,800 --> 00:42:17,400
Speaker 3: Nathan is accused by this woman of getting her pregnant

859
00:42:17,440 --> 00:42:20,920
Speaker 3: on a one night stand and it's about to make

860
00:42:21,000 --> 00:42:25,680
Speaker 3: news and Nathan's like, hey, this is untrue, and Mouth,

861
00:42:25,880 --> 00:42:29,080
Speaker 3: being the stand up guy he is, isn't reporting, and

862
00:42:29,120 --> 00:42:33,319
Speaker 3: Mouth's boss is like, hey, man, report the story, and

863
00:42:33,360 --> 00:42:36,440
Speaker 3: then Mouth bon Air is basically like, no, I'm not

864
00:42:36,480 --> 00:42:39,120
Speaker 3: going to report this story because it's hearsay and that's

865
00:42:39,120 --> 00:42:43,000
Speaker 3: a person's life and it costs his job, even though

866
00:42:43,000 --> 00:42:45,040
Speaker 3: he ends up being right. So what you're seeing now

867
00:42:45,160 --> 00:42:48,680
Speaker 3: is like, so he's already been unemployed. He's kind of right,

868
00:42:48,719 --> 00:42:51,000
Speaker 3: which is which is why he's why he's working as

869
00:42:51,040 --> 00:42:55,040
Speaker 3: the bar back at at Trick You. To Mouth's credit,

870
00:42:55,160 --> 00:42:57,960
Speaker 3: he did start a podcast, which I was I was

871
00:42:58,000 --> 00:43:01,719
Speaker 3: remarking that he was way before for his time. Where

872
00:43:01,760 --> 00:43:02,759
Speaker 3: are my royalties guys?

873
00:43:02,800 --> 00:43:03,040
Speaker 5: Come on?

874
00:43:04,640 --> 00:43:07,239
Speaker 3: So again, it just like I said, the fatsuit of it.

875
00:43:07,239 --> 00:43:09,200
Speaker 1: All, I kind of was like, was this just I

876
00:43:09,239 --> 00:43:11,439
Speaker 1: don't know, you know, I don't know where it came from.

877
00:43:11,600 --> 00:43:14,800
Speaker 1: I do know that, you know, there was some notice

878
00:43:14,800 --> 00:43:16,440
Speaker 1: that I've been working out more and stuff like that.

879
00:43:16,560 --> 00:43:19,120
Speaker 1: But and I think there was this kind of reminder

880
00:43:19,160 --> 00:43:21,640
Speaker 1: of like, oh, yes you are. You're supposed to be

881
00:43:22,120 --> 00:43:24,799
Speaker 1: the nice guy, the average guy, you know. But I

882
00:43:24,880 --> 00:43:28,279
Speaker 1: never felt like any amount of working out was ever

883
00:43:28,320 --> 00:43:31,319
Speaker 1: going to make me look like Chad or James or

884
00:43:31,400 --> 00:43:34,120
Speaker 1: you know. I always felt like I was who I was.

885
00:43:35,239 --> 00:43:38,759
Speaker 1: So I don't know where the plot line came from.

886
00:43:38,960 --> 00:43:44,000
Speaker 1: I do remember being just extremely concerned obviously about wanting

887
00:43:44,040 --> 00:43:46,120
Speaker 1: to get it right and tell it in a respectful way.

888
00:43:46,360 --> 00:43:50,920
Speaker 1: And you know, we had a lot of problems with

889
00:43:50,960 --> 00:43:53,600
Speaker 1: the makeup test for that. The makeup didn't end up

890
00:43:53,640 --> 00:43:56,120
Speaker 1: looking right. I think they needed to spend more money

891
00:43:56,200 --> 00:43:58,920
Speaker 1: on it, and you know, I just said a certain

892
00:43:58,920 --> 00:44:01,640
Speaker 1: point felt like, gosh, I just my prayer is that

893
00:44:01,680 --> 00:44:04,239
Speaker 1: people watch this and they see that I'm trying to

894
00:44:04,440 --> 00:44:08,520
Speaker 1: honor what is a very real struggle for so many people,

895
00:44:09,000 --> 00:44:11,440
Speaker 1: and that there is no trying to make a light

896
00:44:11,480 --> 00:44:13,279
Speaker 1: of this. So that's the way that I approached it

897
00:44:13,320 --> 00:44:18,120
Speaker 1: in every instance that I could. But you know, it's

898
00:44:18,200 --> 00:44:20,040
Speaker 1: just one of those things where I think season nine,

899
00:44:20,040 --> 00:44:24,880
Speaker 1: they're listen. It is hard to spend yarn and stories

900
00:44:24,920 --> 00:44:28,160
Speaker 1: for this many characters for that long, and I think

901
00:44:28,160 --> 00:44:29,959
Speaker 1: this was just one of those things where they thought,

902
00:44:29,960 --> 00:44:33,879
Speaker 1: we'll just put him in this situation and see what happens.

903
00:44:34,120 --> 00:44:37,680
Speaker 1: But you know, I ultimately loved where it ended up

904
00:44:38,920 --> 00:44:40,520
Speaker 1: at the end of that season the.

905
00:44:40,440 --> 00:44:42,480
Speaker 3: Way the spoilers because I do not remember.

906
00:44:42,760 --> 00:44:45,279
Speaker 1: Okay, all right, all right, but it goes back more

907
00:44:45,320 --> 00:44:48,600
Speaker 1: into his reporting and Jimmy and all of that, which

908
00:44:48,640 --> 00:44:52,359
Speaker 1: were the Jimmy Edwards, which you know, that whole relationship

909
00:44:52,880 --> 00:44:56,120
Speaker 1: was just really a driving factor for my character and

910
00:44:56,239 --> 00:44:58,759
Speaker 1: one of the things that I loved the most about

911
00:44:58,840 --> 00:44:59,840
Speaker 1: his storylines.

912
00:45:00,360 --> 00:45:01,200
Speaker 3: It all worked out.

913
00:45:01,320 --> 00:45:04,600
Speaker 5: But yeah, yeah, y'all lot the Bird part yet, And

914
00:45:04,680 --> 00:45:07,239
Speaker 5: I was with when I was working at the at

915
00:45:07,239 --> 00:45:10,600
Speaker 5: the network with Lee was when I was the Bird.

916
00:45:11,560 --> 00:45:14,000
Speaker 3: That must have been right before season seven.

917
00:45:14,680 --> 00:45:15,880
Speaker 5: I can't remember when it was.

918
00:45:15,960 --> 00:45:18,720
Speaker 1: It was, Yeah, they always had you doing something silly, twine.

919
00:45:18,719 --> 00:45:20,680
Speaker 1: You always had a costume with a kind of.

920
00:45:21,600 --> 00:45:24,480
Speaker 3: Well, I think that that's part of the frustration is listen,

921
00:45:24,520 --> 00:45:26,759
Speaker 3: it's an ensemble show. It is so hard to do

922
00:45:27,040 --> 00:45:29,440
Speaker 3: well because at the end of the day, you know,

923
00:45:29,480 --> 00:45:32,400
Speaker 3: you're given something like four and a half minutes of

924
00:45:32,440 --> 00:45:37,120
Speaker 3: screen time. Per character, you know. And it's also because

925
00:45:37,200 --> 00:45:41,160
Speaker 3: like I, everyone on the show is so good. Like

926
00:45:41,360 --> 00:45:44,520
Speaker 3: everyone is, there's not a weak link. And so when

927
00:45:44,600 --> 00:45:46,879
Speaker 3: you know someone's good and capable of so much, it's

928
00:45:46,880 --> 00:45:49,440
Speaker 3: hard to watch them do a storyline that is just

929
00:45:50,760 --> 00:45:54,000
Speaker 3: it's not it's not like it's not interesting or it's

930
00:45:54,040 --> 00:45:57,480
Speaker 3: not capitalizing on any of their their superpowers.

931
00:45:57,880 --> 00:46:00,880
Speaker 1: Well and two, you know, I was another just observation

932
00:46:01,920 --> 00:46:04,400
Speaker 1: of coming back into this and looking at it. I

933
00:46:04,440 --> 00:46:06,680
Speaker 1: pulled it up on you know, Hulu or HBO Max

934
00:46:06,760 --> 00:46:09,240
Speaker 1: or whatever it was, and I saw all the seasons

935
00:46:09,280 --> 00:46:11,520
Speaker 1: and I was like, god, twenty three episodes, like.

936
00:46:11,680 --> 00:46:14,480
Speaker 3: There was so much to fill and it was.

937
00:46:14,840 --> 00:46:17,759
Speaker 6: It made me kind of nostalgic for that time in

938
00:46:17,800 --> 00:46:18,320
Speaker 6: a way.

939
00:46:18,320 --> 00:46:21,160
Speaker 1: Where you had more room to breathe and kind of

940
00:46:21,800 --> 00:46:24,840
Speaker 1: really dive in deep with characters. Now sometimes that resulted

941
00:46:24,880 --> 00:46:29,000
Speaker 1: in episodes that were more filler episodes, but it was nice.

942
00:46:29,239 --> 00:46:31,040
Speaker 1: It just made me a little bit nostalgic for that

943
00:46:31,080 --> 00:46:33,120
Speaker 1: time where you really had time to sit and get

944
00:46:33,120 --> 00:46:37,040
Speaker 1: invested in characters. And nowadays you get six seven episodes,

945
00:46:37,080 --> 00:46:39,680
Speaker 1: and yes, each episode is jam packed with stuff and

946
00:46:39,719 --> 00:46:42,400
Speaker 1: it keeps you sort of glued to it, but you

947
00:46:42,920 --> 00:46:46,319
Speaker 1: just don't get that time to really sit with the.

948
00:46:46,360 --> 00:46:47,239
Speaker 6: Characters as much.

949
00:46:47,400 --> 00:46:47,600
Speaker 5: You know.

950
00:46:48,480 --> 00:46:50,920
Speaker 1: It's just it's all different now. You know that twine

951
00:46:50,960 --> 00:46:54,080
Speaker 1: it's a different it's a different rhythm now.

952
00:46:54,280 --> 00:46:56,560
Speaker 5: Yeah, it's totally different. I just did you know, I

953
00:46:56,600 --> 00:46:58,960
Speaker 5: just did those two movies on the East Coast when

954
00:46:58,960 --> 00:47:02,319
Speaker 5: I went and worked with with the guys who did

955
00:47:02,520 --> 00:47:06,520
Speaker 5: The Irishman, you know, yeah, yeah, and that was it

956
00:47:06,640 --> 00:47:09,480
Speaker 5: was so different. It was like the industry has changed

957
00:47:09,520 --> 00:47:12,720
Speaker 5: so much, so much, so different. I was like, wow,

958
00:47:13,080 --> 00:47:17,520
Speaker 5: Like it was like shall shocking, how much like super

959
00:47:17,520 --> 00:47:21,520
Speaker 5: shell shocking? How much has changed. So it's just like, yeah,

960
00:47:21,560 --> 00:47:22,560
Speaker 5: but I get it, you know.

961
00:47:22,680 --> 00:47:25,000
Speaker 1: Yes, yeah, but I did miss that, Like, you know,

962
00:47:25,239 --> 00:47:26,680
Speaker 1: it made me think back to when you used to

963
00:47:26,719 --> 00:47:28,920
Speaker 1: have to wait a whole week in between shows, right,

964
00:47:29,000 --> 00:47:31,960
Speaker 1: and so that's why that coda had to be so good.

965
00:47:32,440 --> 00:47:34,440
Speaker 1: It was because you had to get people hooked and

966
00:47:34,480 --> 00:47:36,920
Speaker 1: wait another six days to come back and find out

967
00:47:36,960 --> 00:47:37,759
Speaker 1: what happened, you know.

968
00:47:38,040 --> 00:47:39,319
Speaker 5: So I just ad it.

969
00:47:39,760 --> 00:47:43,040
Speaker 3: Yeah, our show's undefeated when it comes to music, so good.

970
00:47:43,200 --> 00:47:43,520
Speaker 5: Yeah.

971
00:47:44,280 --> 00:47:46,920
Speaker 3: Did you guys find it odd that Julian didn't have

972
00:47:46,960 --> 00:47:49,840
Speaker 3: a single friend from back home that he could.

973
00:47:49,640 --> 00:47:53,600
Speaker 1: Have called you're overthinking it, Rob, You're overthinking it.

974
00:47:53,680 --> 00:47:56,399
Speaker 3: Well, and apparently a behind the scenes thing was our

975
00:47:56,440 --> 00:47:59,200
Speaker 3: boss did not want to have a bunch of like

976
00:48:00,440 --> 00:48:06,080
Speaker 3: hot hot friends like show up, which is a whole

977
00:48:06,320 --> 00:48:12,919
Speaker 3: other weird thing. But yeah, poor Julian, you know, he's

978
00:48:13,000 --> 00:48:16,879
Speaker 3: trying in earnest. Alex kind of kind of bones him

979
00:48:17,480 --> 00:48:20,000
Speaker 3: by cheating and rigging the game so that he wins

980
00:48:20,040 --> 00:48:25,560
Speaker 3: because everyone leaves super pissed at him, which is why

981
00:48:25,560 --> 00:48:30,759
Speaker 3: he's literally left with a mannequin as his best Man's it.

982
00:48:32,160 --> 00:48:34,920
Speaker 1: Yeah, yeah, the one liners that were flying at that

983
00:48:35,080 --> 00:48:41,799
Speaker 1: table where it got brutal and it was it was

984
00:48:41,840 --> 00:48:44,879
Speaker 1: again the unexpected. You know, they did a great job

985
00:48:44,920 --> 00:48:46,480
Speaker 1: of setting it up as like, oh, it's going to

986
00:48:46,520 --> 00:48:48,200
Speaker 1: be this fun boys night and then it all just

987
00:48:48,239 --> 00:48:51,480
Speaker 1: goes awry. But but I loved again that they brought

988
00:48:51,560 --> 00:48:54,800
Speaker 1: Junk and Fergiando all of that. You know, two characters

989
00:48:54,800 --> 00:48:58,239
Speaker 1: that are criminally underused, and then you know, suddenly they're

990
00:48:58,280 --> 00:49:01,360
Speaker 1: trading barbs with Janna, And yeah, as far as the

991
00:49:01,360 --> 00:49:04,440
Speaker 1: Austin and the best man thing of it all.

992
00:49:04,440 --> 00:49:08,839
Speaker 3: I mean it just yeah, who ends up being his

993
00:49:08,840 --> 00:49:09,239
Speaker 3: best man?

994
00:49:09,320 --> 00:49:09,560
Speaker 4: Does he?

995
00:49:10,120 --> 00:49:14,120
Speaker 3: I think? Is it Jamie. Ah, that would be great,

996
00:49:14,520 --> 00:49:15,200
Speaker 3: that would be great.

997
00:49:15,239 --> 00:49:17,719
Speaker 5: I think it was. Yeah, I think it was.

998
00:49:18,040 --> 00:49:20,400
Speaker 3: I don't recall, but I just after seeing that I

999
00:49:20,400 --> 00:49:22,879
Speaker 3: didn't remember it being one of us, and after seeing

1000
00:49:22,880 --> 00:49:26,280
Speaker 3: how terrible went tonight, it would make sense that it's Jamie,

1001
00:49:26,280 --> 00:49:28,680
Speaker 3: which would also be so incredibly endearing.

1002
00:49:29,440 --> 00:49:31,400
Speaker 1: I did love the through line of Jamie found a

1003
00:49:31,440 --> 00:49:32,880
Speaker 1: frog throughout the episode.

1004
00:49:32,920 --> 00:49:36,040
Speaker 3: That was great. That was so funny. That's one of

1005
00:49:36,080 --> 00:49:42,239
Speaker 3: my favorite runners that Clay is. Clay is talking to

1006
00:49:42,400 --> 00:49:44,560
Speaker 3: Nathan at his house and he goes, hey, I got

1007
00:49:44,600 --> 00:49:48,960
Speaker 3: an interesting call last night, and Nathan goes, yes, sorry,

1008
00:49:49,000 --> 00:49:51,920
Speaker 3: Jamie's been calling everyone about the about the frog that

1009
00:49:52,000 --> 00:49:55,200
Speaker 3: he found. And Clay's like, no, Jamie found a frog.

1010
00:49:56,080 --> 00:49:58,760
Speaker 3: That's awesome. And I was like, yes, that's a perfect

1011
00:49:58,800 --> 00:50:01,239
Speaker 3: moment of seeing like a grown dude just like he's

1012
00:50:01,280 --> 00:50:04,960
Speaker 3: still a little boy. Yeah, he found a frog. That's incredible.

1013
00:50:05,680 --> 00:50:08,440
Speaker 1: Well, and also now, like you know, going back and

1014
00:50:08,440 --> 00:50:10,760
Speaker 1: watching this as a dad now right at this stage

1015
00:50:10,760 --> 00:50:14,160
Speaker 1: of my life, Like it's funny because now as a dad,

1016
00:50:14,200 --> 00:50:16,800
Speaker 1: I identify with it so much more. And it's like

1017
00:50:16,840 --> 00:50:19,880
Speaker 1: when our kids do something anything that we find funny,

1018
00:50:19,920 --> 00:50:22,480
Speaker 1: Like we tell our friends about it and other Like

1019
00:50:22,600 --> 00:50:25,480
Speaker 1: if you were just dropping in on that conversation from no,

1020
00:50:25,560 --> 00:50:27,279
Speaker 1: you'd be like, oh, a kid found a frog, But

1021
00:50:27,320 --> 00:50:29,080
Speaker 1: like when you're talking to your friends about your kids,

1022
00:50:29,080 --> 00:50:31,280
Speaker 1: it's like, oh, we found a frog, Like you're rooting

1023
00:50:31,320 --> 00:50:33,600
Speaker 1: for them and you're you're in that stage of life.

1024
00:50:33,640 --> 00:50:35,879
Speaker 1: And so to see that kind of evolution of these

1025
00:50:35,960 --> 00:50:38,279
Speaker 1: characters who we started with in high school and now

1026
00:50:38,400 --> 00:50:40,920
Speaker 1: their parents, and to be watching it now as a

1027
00:50:40,960 --> 00:50:43,759
Speaker 1: real parent myself, like I just approached this from a

1028
00:50:43,840 --> 00:50:46,960
Speaker 1: whole new lens. That made this show that much more interesting.

1029
00:50:47,360 --> 00:50:49,799
Speaker 1: And I will say too, like I loved at the

1030
00:50:49,920 --> 00:50:53,680
Speaker 1: end when Nathan and Hayley are in bed yes and

1031
00:50:53,960 --> 00:50:56,319
Speaker 1: crash and they're like you picked up Jamie right and

1032
00:50:56,360 --> 00:50:58,359
Speaker 1: they're like nope and got up, and like I really

1033
00:50:58,560 --> 00:51:01,160
Speaker 1: I was just I really laid into that so much more,

1034
00:51:01,200 --> 00:51:02,920
Speaker 1: Whereas I think at the time when we filmed it,

1035
00:51:02,960 --> 00:51:05,600
Speaker 1: I was like, gosh, it's their parents. That's so you know,

1036
00:51:05,680 --> 00:51:07,399
Speaker 1: I just wasn't at that stage in my life.

1037
00:51:07,440 --> 00:51:08,919
Speaker 3: Twan you were you you're old.

1038
00:51:09,360 --> 00:51:12,040
Speaker 5: Yeah I was deady I was dead.

1039
00:51:12,440 --> 00:51:14,120
Speaker 3: Yeah you knew all about it. But it's the truth.

1040
00:51:14,120 --> 00:51:16,799
Speaker 3: It's like parenting. It's you know, it's for trash Can's

1041
00:51:16,840 --> 00:51:18,960
Speaker 3: three lids, so it's like you never really have all

1042
00:51:19,000 --> 00:51:21,719
Speaker 3: of it taken care of. And so I love that.

1043
00:51:21,760 --> 00:51:25,520
Speaker 3: They're also like victory lapping themselves, where she's like, right, yeah,

1044
00:51:25,520 --> 00:51:28,799
Speaker 3: I may have found a new client, and it's like

1045
00:51:28,840 --> 00:51:31,600
Speaker 3: I signed a new client. We're incredible. Oh my god,

1046
00:51:31,640 --> 00:51:35,600
Speaker 3: we forgot to pick up our only child. It's that perfect,

1047
00:51:35,760 --> 00:51:37,720
Speaker 3: that perfect turn.

1048
00:51:38,080 --> 00:51:38,239
Speaker 6: Yeah.

1049
00:51:38,280 --> 00:51:41,279
Speaker 3: I mean the poker game was wild. Obviously, Nathan's mad

1050
00:51:41,280 --> 00:51:43,680
Speaker 3: at Clay rightfully, So I don't know why Clay would

1051
00:51:43,680 --> 00:51:45,359
Speaker 3: bury the lead and not tell him till the end

1052
00:51:45,400 --> 00:51:45,839
Speaker 3: of the night.

1053
00:51:46,000 --> 00:51:47,239
Speaker 6: I couldn't figure that out either.

1054
00:51:47,280 --> 00:51:49,839
Speaker 1: I was like, so he must have known that it

1055
00:51:49,880 --> 00:51:52,440
Speaker 1: was okay, right, And then in the like I was

1056
00:51:52,480 --> 00:51:54,480
Speaker 1: trying to figure and I was talking to Andrew about that,

1057
00:51:54,560 --> 00:51:56,359
Speaker 1: and they were like, he must have known, so why

1058
00:51:56,360 --> 00:51:57,200
Speaker 1: did he wait.

1059
00:51:57,160 --> 00:52:00,120
Speaker 3: That I didn't get because Clay, if and if anything,

1060
00:52:00,160 --> 00:52:05,040
Speaker 3: maybe I maybe I could have played it differently because

1061
00:52:05,040 --> 00:52:06,799
Speaker 3: it almost looks like some of the looks I'm giving

1062
00:52:06,920 --> 00:52:11,279
Speaker 3: him are a little contentious back like I couldn't. So

1063
00:52:11,320 --> 00:52:13,239
Speaker 3: that's why when I I had when Clay has good

1064
00:52:13,239 --> 00:52:15,080
Speaker 3: news f him, I was like, why wouldn't you have

1065
00:52:15,200 --> 00:52:18,520
Speaker 3: led with that? Your buddy was obviously genuinely upset, and

1066
00:52:18,560 --> 00:52:21,640
Speaker 3: that's a huge piece of great news. But I was

1067
00:52:21,680 --> 00:52:25,760
Speaker 3: also surprised by, uh the reveal that Alex had actually

1068
00:52:25,840 --> 00:52:28,760
Speaker 3: slept with Clay because we never saw that on camera.

1069
00:52:29,120 --> 00:52:31,279
Speaker 5: Yeah, I was. I was shocked about that too. I

1070
00:52:31,400 --> 00:52:33,719
Speaker 5: was shocked. I was like, because what I caught it

1071
00:52:33,760 --> 00:52:36,560
Speaker 5: when she said, oh, why would you want to leave

1072
00:52:36,560 --> 00:52:38,520
Speaker 5: when you could see the ocean from your bed?

1073
00:52:38,800 --> 00:52:41,400
Speaker 1: And I was, Yeah, the looks that went around the table,

1074
00:52:43,719 --> 00:52:44,720
Speaker 1: somebody did something.

1075
00:52:44,920 --> 00:52:49,880
Speaker 3: And I loved the junken Fergie throwing the the Lauren

1076
00:52:50,719 --> 00:52:53,280
Speaker 3: barb at both of you guys, just throwing the awkward

1077
00:52:53,320 --> 00:52:55,319
Speaker 3: bomb in the middle of the table and watching you

1078
00:52:55,360 --> 00:52:56,879
Speaker 3: guys just have to deal with it.

1079
00:52:57,360 --> 00:53:00,920
Speaker 5: Yeah, your character has some had some what he didn't like,

1080
00:53:01,000 --> 00:53:03,040
Speaker 5: you didn't like skills and he didn't like forty two.

1081
00:53:04,200 --> 00:53:06,239
Speaker 5: He was like, oh yeah, he got four two. Yeah.

1082
00:53:08,239 --> 00:53:10,160
Speaker 6: So one more one more fun fact from Harrow.

1083
00:53:10,440 --> 00:53:13,200
Speaker 1: He said, the conversation about the naming of the agency

1084
00:53:13,400 --> 00:53:16,320
Speaker 1: Adobe and forty two, that actually was a real conversation

1085
00:53:16,400 --> 00:53:18,560
Speaker 1: that happened in the writer's room when they were trying

1086
00:53:18,600 --> 00:53:21,960
Speaker 1: to figure out what to name the agency. So that

1087
00:53:22,160 --> 00:53:25,560
Speaker 1: was literally verbatim he said, almost a real conversation that

1088
00:53:25,640 --> 00:53:28,560
Speaker 1: happened between several writers and then they just decided to

1089
00:53:28,560 --> 00:53:30,600
Speaker 1: put it in uh the episode.

1090
00:53:30,680 --> 00:53:32,680
Speaker 3: See, that's fascinating to me because I got to say

1091
00:53:32,680 --> 00:53:38,080
Speaker 3: when she said that, I thought, that's actually genius, Like

1092
00:53:38,400 --> 00:53:42,719
Speaker 3: because fortitude. The inception inception of that was actually the

1093
00:53:42,760 --> 00:53:48,080
Speaker 3: first time Dan Scott drowns Clay at the beach and

1094
00:53:48,200 --> 00:53:51,000
Speaker 3: he's like you, you're responsible for your own life. You're

1095
00:53:51,000 --> 00:53:53,120
Speaker 3: the one who has to like fix it, and he says,

1096
00:53:53,120 --> 00:53:55,680
Speaker 3: you got to have fortitude, and then it's like that

1097
00:53:55,680 --> 00:53:56,880
Speaker 3: that's sort of the inception of it.

1098
00:53:57,000 --> 00:53:57,239
Speaker 4: I know.

1099
00:53:57,320 --> 00:53:59,440
Speaker 1: But I love that that was a real because it

1100
00:53:59,440 --> 00:54:02,160
Speaker 1: did sound so like real and conversational in it was like, yeah,

1101
00:54:02,160 --> 00:54:04,239
Speaker 1: it was a real thought, you know, like debate we

1102
00:54:04,239 --> 00:54:05,520
Speaker 1: were having about how to do it.

1103
00:54:05,600 --> 00:54:10,960
Speaker 3: So I love that. Yeah, buddy, nice peak behind the curtain. Norris.

1104
00:54:11,760 --> 00:54:14,279
Speaker 3: All right, before we do wrap this up, I need

1105
00:54:14,280 --> 00:54:16,239
Speaker 3: to get honorable mentions from you guys. This can be

1106
00:54:16,680 --> 00:54:19,760
Speaker 3: a line, a moment, anything from the episode that stood

1107
00:54:19,800 --> 00:54:20,960
Speaker 3: out to you that you really liked.

1108
00:54:21,120 --> 00:54:23,319
Speaker 5: Okay, I liked the part when he said I think

1109
00:54:23,400 --> 00:54:26,120
Speaker 5: Lucas needs a bath, but I was still wondering who

1110
00:54:26,160 --> 00:54:29,120
Speaker 5: the hell was gonna give him the bath? Was it

1111
00:54:29,200 --> 00:54:32,840
Speaker 5: me or you Lee? Who was to give Lucas de bath?

1112
00:54:33,680 --> 00:54:33,759
Speaker 4: Me?

1113
00:54:35,640 --> 00:54:37,359
Speaker 3: The way you played it, I thought you were saying

1114
00:54:37,360 --> 00:54:38,200
Speaker 3: it was had to be mouth.

1115
00:54:38,560 --> 00:54:40,319
Speaker 5: Yeah, that's what I thought. I was like, Okay, well

1116
00:54:40,400 --> 00:54:42,880
Speaker 5: Lucas needs a bath, and he's like, uh nah, So

1117
00:54:42,920 --> 00:54:44,239
Speaker 5: I didn't know who the hell was supposed to give

1118
00:54:44,280 --> 00:54:44,760
Speaker 5: him a bath.

1119
00:54:46,160 --> 00:54:53,000
Speaker 1: Yeah, honorable mention goes to my friend Vaughn aka Fergie.

1120
00:54:53,239 --> 00:54:56,480
Speaker 1: He got to talk about his nickname and explain that

1121
00:54:56,520 --> 00:54:57,719
Speaker 1: his real name is Ferguson.

1122
00:54:58,360 --> 00:54:59,520
Speaker 3: So shout out to Vaughan.

1123
00:54:59,640 --> 00:55:03,759
Speaker 1: Shout out also to Colin Moss are intrepid junk who

1124
00:55:03,840 --> 00:55:06,879
Speaker 1: was explains his name his nickname was from his parents

1125
00:55:06,960 --> 00:55:10,160
Speaker 1: owned a junkyard. So, you know, these are characters that

1126
00:55:10,200 --> 00:55:14,759
Speaker 1: have been around since the pilot, and they were faithful

1127
00:55:14,920 --> 00:55:19,200
Speaker 1: actors and friends to us and showed up, you know,

1128
00:55:19,280 --> 00:55:23,799
Speaker 1: whenever they were called, and they didn't always get as

1129
00:55:23,840 --> 00:55:25,520
Speaker 1: much of the love as the rest of us got,

1130
00:55:25,560 --> 00:55:27,719
Speaker 1: and so I just was so happy to see those

1131
00:55:27,719 --> 00:55:30,920
Speaker 1: guys and get to hear more about their characters, and

1132
00:55:31,160 --> 00:55:35,480
Speaker 1: you know, they're both such great guys and I just loved,

1133
00:55:35,760 --> 00:55:37,279
Speaker 1: love that that moment for them.

1134
00:55:37,320 --> 00:55:38,759
Speaker 6: So they're they're my honorable mention.

1135
00:55:39,440 --> 00:55:43,920
Speaker 3: Yes, yes, yeah, those guys are great. I've got a

1136
00:55:43,960 --> 00:55:50,080
Speaker 3: three way honorable mention. Chad Michael Manniquin would be my first.

1137
00:55:50,160 --> 00:55:53,320
Speaker 3: That that name is so freaking funny. I'm so glad

1138
00:55:53,320 --> 00:55:55,480
Speaker 3: that that you you knew that. And then there was

1139
00:55:55,520 --> 00:56:01,160
Speaker 3: two one liners that were so so good. One was

1140
00:56:01,960 --> 00:56:06,640
Speaker 3: it's when Alex goes to trick and she sees Chase

1141
00:56:06,680 --> 00:56:11,600
Speaker 3: and Mia talking and she says, excuse me, bar manager,

1142
00:56:12,040 --> 00:56:14,600
Speaker 3: when they're done helping that little boy, can I get

1143
00:56:14,640 --> 00:56:19,200
Speaker 3: a drink? That cracks me up? And then shortly thereafter,

1144
00:56:20,440 --> 00:56:23,360
Speaker 3: when Alex is trying to get Julian's trying, she's helping

1145
00:56:23,400 --> 00:56:26,120
Speaker 3: him organize the card Night's He's like, I don't know,

1146
00:56:26,160 --> 00:56:29,680
Speaker 3: it's late, it's last minute, and she says, just organize

1147
00:56:29,719 --> 00:56:31,680
Speaker 3: it and say it's for Clay, who turned that guy

1148
00:56:31,719 --> 00:56:35,759
Speaker 3: down he almost died, and he goes in Austin's perfect way,

1149
00:56:35,800 --> 00:56:39,360
Speaker 3: so sincerely, he goes, that's you're really good at trapping people.

1150
00:56:39,719 --> 00:56:41,759
Speaker 3: Get what a compliment?

1151
00:56:41,920 --> 00:56:42,960
Speaker 4: I know?

1152
00:56:42,719 --> 00:56:44,200
Speaker 5: I love that.

1153
00:56:45,760 --> 00:56:49,719
Speaker 3: Our listener question this actually dovetails perfectly into it. Karina

1154
00:56:49,800 --> 00:56:52,440
Speaker 3: asks who do you think is a better match for Chase,

1155
00:56:52,880 --> 00:56:56,680
Speaker 3: Alex or Mia? Do either of you remember enough to

1156
00:56:56,760 --> 00:56:57,320
Speaker 3: even answer?

1157
00:56:57,560 --> 00:56:59,839
Speaker 5: Oh No, I don't remember. They love story like Dick.

1158
00:57:00,480 --> 00:57:03,160
Speaker 5: You know, I knew how I went, you know, I

1159
00:57:03,239 --> 00:57:05,400
Speaker 5: was busy doing my own thing, trying to trying to

1160
00:57:05,440 --> 00:57:08,279
Speaker 5: figure out my love life on the show, because and

1161
00:57:08,360 --> 00:57:10,280
Speaker 5: I was all over the place, I was scattered.

1162
00:57:11,239 --> 00:57:14,160
Speaker 1: I want to say, I want to say that Mia

1163
00:57:15,320 --> 00:57:19,640
Speaker 1: and Chase, for me, I think felt like a natural fit.

1164
00:57:20,400 --> 00:57:24,920
Speaker 1: But in terms of like actually seeing it play out,

1165
00:57:25,160 --> 00:57:28,400
Speaker 1: like you know, Alex is just so entertaining and fun

1166
00:57:28,760 --> 00:57:31,000
Speaker 1: that that kind of banter between them two was always

1167
00:57:31,040 --> 00:57:33,680
Speaker 1: so great. So it's a win win for me either way,

1168
00:57:33,680 --> 00:57:36,360
Speaker 1: because either I'm getting to watch like this great Alex

1169
00:57:36,440 --> 00:57:39,880
Speaker 1: Chase manter, but then also I think from a real

1170
00:57:40,440 --> 00:57:42,800
Speaker 1: life point of view, Mia feels like a better fit

1171
00:57:43,880 --> 00:57:45,560
Speaker 1: for him. What do you think, Rob, what's your what's

1172
00:57:45,600 --> 00:57:47,440
Speaker 1: your take on that? We need COLLETTI to hear to

1173
00:57:47,680 --> 00:57:49,000
Speaker 1: here to do a deep dive.

1174
00:57:49,320 --> 00:57:52,280
Speaker 3: Yeah, I mean the question is who do we think

1175
00:57:52,360 --> 00:57:55,919
Speaker 3: is a better So I would say better match is Mia?

1176
00:57:56,880 --> 00:58:03,320
Speaker 3: More interesting to watch is Alex? Because she is like

1177
00:58:03,360 --> 00:58:06,400
Speaker 3: a firecracker. You just don't know what's gonna happen next.

1178
00:58:06,480 --> 00:58:08,520
Speaker 3: I mean it's super high high, super low.

1179
00:58:08,400 --> 00:58:11,640
Speaker 1: Lows exactly, So better for him, Mia, better for us.

1180
00:58:12,040 --> 00:58:17,640
Speaker 1: Alex solved, Yes, agreed.

1181
00:58:17,680 --> 00:58:22,360
Speaker 3: Well, I gotta say I'm I'm sad that Sof and

1182
00:58:22,480 --> 00:58:25,360
Speaker 3: Joy couldn't be here to hang with you guys, but selfishly,

1183
00:58:25,880 --> 00:58:28,400
Speaker 3: I loved getting to have you all to myself. I've

1184
00:58:28,440 --> 00:58:30,640
Speaker 3: said before on this podcast that if there was one

1185
00:58:30,720 --> 00:58:32,480
Speaker 3: job I could go back and do over again, it

1186
00:58:32,480 --> 00:58:35,880
Speaker 3: would be this one. And a large reason for that

1187
00:58:36,120 --> 00:58:39,120
Speaker 3: is because I felt like I didn't really get to

1188
00:58:39,280 --> 00:58:41,760
Speaker 3: know so many of you guys while we were doing it,

1189
00:58:41,880 --> 00:58:43,720
Speaker 3: And it's not until we kind of all grew up

1190
00:58:43,760 --> 00:58:45,800
Speaker 3: and started doing these conventions and seeing each other that

1191
00:58:46,560 --> 00:58:49,600
Speaker 3: I've like discovered how awesome you are and like you

1192
00:58:50,160 --> 00:58:53,360
Speaker 3: Both of you like are big examples of that where

1193
00:58:53,400 --> 00:58:55,520
Speaker 3: it's like I just sort of knew you when we

1194
00:58:55,520 --> 00:58:58,400
Speaker 3: were doing it, but now I'm like, oh, like every

1195
00:58:58,400 --> 00:59:01,040
Speaker 3: time I see you guys at a convention, and it's like,

1196
00:59:01,440 --> 00:59:03,520
Speaker 3: I'm so excited to give you hug because you're just

1197
00:59:03,680 --> 00:59:07,320
Speaker 3: you're such great guys and you're good friends and I

1198
00:59:07,440 --> 00:59:09,640
Speaker 3: really I got a lot of love for you, and

1199
00:59:09,680 --> 00:59:11,680
Speaker 3: I appreciate you taking the time out of your day

1200
00:59:11,720 --> 00:59:14,600
Speaker 3: to come and uh and join me in the drama dojo.

1201
00:59:15,520 --> 00:59:16,680
Speaker 5: Oh man, it's nothing.

1202
00:59:16,720 --> 00:59:16,919
Speaker 4: Man.

1203
00:59:16,960 --> 00:59:19,960
Speaker 5: I appreciate you having me so does that same. I

1204
00:59:20,000 --> 00:59:22,160
Speaker 5: saw the request, I was like, oh, yeah, I'm dead,

1205
00:59:22,600 --> 00:59:25,120
Speaker 5: what's good? What time? At eight thirty? That was usually

1206
00:59:25,120 --> 00:59:26,720
Speaker 5: my gym time. But I was like, you know what,

1207
00:59:26,760 --> 00:59:28,480
Speaker 5: I'll do it at ten thirty. I'll just sleep in

1208
00:59:28,520 --> 00:59:30,280
Speaker 5: the day and.

1209
00:59:29,800 --> 00:59:31,000
Speaker 3: And thank you Buddy and Robi.

1210
00:59:31,040 --> 00:59:32,560
Speaker 1: You know, I know I told you this when you

1211
00:59:32,960 --> 00:59:35,479
Speaker 1: when you joined the Queens, But you're doing a great job,

1212
00:59:35,560 --> 00:59:38,720
Speaker 1: and you're you're repping for us guys, and you're bringing

1213
00:59:38,760 --> 00:59:41,240
Speaker 1: a great perspective to it. So thanks for you know,

1214
00:59:41,960 --> 00:59:44,520
Speaker 1: being a voice for us and for having us on

1215
00:59:44,680 --> 00:59:46,720
Speaker 1: and I can't wait to see you both, hopefully soon

1216
00:59:46,760 --> 00:59:49,720
Speaker 1: at one of these you know reunions that we're doing somewhere.

1217
00:59:50,280 --> 00:59:53,400
Speaker 3: Yeah, March and June, there's some, so hopefully I'll see

1218
00:59:53,400 --> 00:59:53,880
Speaker 3: you guys there.

1219
00:59:54,040 --> 00:59:54,240
Speaker 5: Yeah.

1220
00:59:54,400 --> 00:59:57,400
Speaker 3: To to lease credit, this is what eventually is. After

1221
00:59:57,440 --> 01:00:01,280
Speaker 3: my first episode aired, Lee sent me a text out

1222
01:00:01,320 --> 01:00:03,320
Speaker 3: of the blue, and we text each other about a

1223
01:00:03,320 --> 01:00:07,680
Speaker 3: little bitiness every several years just to say yeah, yeah,

1224
01:00:07,760 --> 01:00:11,400
Speaker 3: we got our dad hands full, just to say like, hey, buddy,

1225
01:00:11,480 --> 01:00:13,800
Speaker 3: that was great. You did a good job. And much

1226
01:00:13,880 --> 01:00:15,600
Speaker 3: like when I started on One Tree Hill and I

1227
01:00:15,680 --> 01:00:19,040
Speaker 3: was the new kid on an already successful thing that

1228
01:00:19,080 --> 01:00:21,760
Speaker 3: can be stressful and worrisome, and getting that message from

1229
01:00:21,800 --> 01:00:24,600
Speaker 3: you man was being so kind. It meant so much

1230
01:00:24,640 --> 01:00:24,840
Speaker 3: to me.

1231
01:00:25,200 --> 01:00:27,120
Speaker 6: Well, tell the girls we miss him and we love them.

1232
01:00:27,080 --> 01:00:30,320
Speaker 3: And we'll see you all very soon. Yes, sounds like

1233
01:00:30,320 --> 01:00:35,160
Speaker 3: a planned boys next episode we have season eight, Episode eight,

1234
01:00:35,600 --> 01:00:39,440
Speaker 3: Mouthful of Diamonds. Thanks for joining us, gang, have a

1235
01:00:39,440 --> 01:00:39,960
Speaker 3: good one.

1236
01:00:40,360 --> 01:00:41,520
Speaker 6: Hey, thanks for listening.

1237
01:00:41,640 --> 01:00:43,040
Speaker 3: Don't forget to leave us a review.

1238
01:00:43,280 --> 01:00:46,360
Speaker 2: You can also follow us on Instagram at Drama Queen's

1239
01:00:46,480 --> 01:00:51,680
Speaker 2: ot or email us at Drama Queens at iHeartRadio dot com.

1240
01:00:52,000 --> 01:00:56,600
Speaker 3: See you next time. We all about that high school drama.

1241
01:00:56,640 --> 01:00:58,000
Speaker 5: Girl Drama Girl, all.

1242
01:00:57,880 --> 01:01:00,800
Speaker 2: About them high School Queens Forever will take you for

1243
01:01:00,920 --> 01:01:04,000
Speaker 2: a ride. And our comic girl Cheering for the Right

1244
01:01:04,040 --> 01:01:07,600
Speaker 2: Teams Drama Queens, Chelise my girl of girl fashion with

1245
01:01:07,760 --> 01:01:10,560
Speaker 2: your tough girl, you could sit with us Girl Drama Queens,

1246
01:01:10,600 --> 01:01:15,320
Speaker 2: Drama Queens, Drama Queens, Drama Drama Queens drama queens,