1 00:00:00,320 --> 00:00:00,640 Speaker 1: Morning. 2 00:00:00,680 --> 00:00:03,920 Speaker 2: Everybody is DJ en V, Charlamagne the God. We are 3 00:00:03,960 --> 00:00:06,560 Speaker 2: the Breakfast Club. We got some special guests joining us today. 4 00:00:07,040 --> 00:00:12,200 Speaker 2: We got Yo, Gottay and Young DD. Welcome, Welcome, Welcome. 5 00:00:13,080 --> 00:00:15,600 Speaker 2: As you feel like how you feel like Gotty? You 6 00:00:15,720 --> 00:00:17,320 Speaker 2: just went on a tour for your birthday? 7 00:00:17,320 --> 00:00:17,520 Speaker 1: Man? 8 00:00:18,040 --> 00:00:20,720 Speaker 3: Yeah, I like you know, I like traveling though. 9 00:00:21,280 --> 00:00:23,000 Speaker 1: Yeah, so do you enjoy now? 10 00:00:23,239 --> 00:00:24,280 Speaker 3: Just now? Just nothing? 11 00:00:24,360 --> 00:00:24,520 Speaker 1: Yeah? 12 00:00:24,560 --> 00:00:26,520 Speaker 3: You know what, I used to travel a lot because 13 00:00:26,560 --> 00:00:29,200 Speaker 3: I don't really like planes like that. So I was 14 00:00:29,240 --> 00:00:31,560 Speaker 3: like late to like going overseas and stuff like that 15 00:00:31,600 --> 00:00:33,680 Speaker 3: because I didn't like to be on the planes for 16 00:00:33,680 --> 00:00:34,240 Speaker 3: a long time. 17 00:00:34,320 --> 00:00:36,519 Speaker 1: So he was missing out on mad money then just 18 00:00:36,560 --> 00:00:37,560 Speaker 1: off shows and everything. 19 00:00:38,800 --> 00:00:41,559 Speaker 2: It's so every time we have Gotti up here. I 20 00:00:41,600 --> 00:00:44,320 Speaker 2: just loved the first interview of Gotti where Gotty. We 21 00:00:44,320 --> 00:00:46,320 Speaker 2: had Gotty for thirty minutes. He might have said five words. 22 00:00:46,320 --> 00:00:48,880 Speaker 2: And now God has opened up, he's traveling, he's just 23 00:00:48,960 --> 00:00:51,920 Speaker 2: a CEO. I just love to see the transformation of Gotty. 24 00:00:51,960 --> 00:00:54,040 Speaker 2: So how's it been being ceo less music? I know 25 00:00:54,040 --> 00:00:59,920 Speaker 2: you got a mixtape out now, but really your shot man? 26 00:01:00,080 --> 00:01:01,640 Speaker 3: He executive produced that joint. 27 00:01:02,400 --> 00:01:05,600 Speaker 2: Yeah, that's have been developing those acts opposed to diving 28 00:01:05,640 --> 00:01:07,240 Speaker 2: into the music as much as you were before. 29 00:01:07,959 --> 00:01:10,080 Speaker 3: I mean, I think I got the same passion for both, 30 00:01:10,480 --> 00:01:11,840 Speaker 3: you know what I mean. I always had it from 31 00:01:11,880 --> 00:01:14,360 Speaker 3: the beginning. I just knew, like you know, it's a 32 00:01:14,400 --> 00:01:16,240 Speaker 3: time for everything. I had to get to a certain 33 00:01:16,280 --> 00:01:19,240 Speaker 3: point and the artistry point to you know what I'm saying, 34 00:01:19,240 --> 00:01:21,319 Speaker 3: to go to the executive. But I think it's the 35 00:01:21,360 --> 00:01:23,640 Speaker 3: same satisfaction for me, you know what I'm saying, Like 36 00:01:23,680 --> 00:01:26,280 Speaker 3: seeing an artist winning that I work with is like 37 00:01:26,880 --> 00:01:30,000 Speaker 3: I get the same like validation of seeing myself. I 38 00:01:30,000 --> 00:01:32,880 Speaker 3: think that's why I'm so like passionate about it, you 39 00:01:32,959 --> 00:01:34,840 Speaker 3: know what I mean. It's so into it, into the 40 00:01:34,920 --> 00:01:39,520 Speaker 3: details of artists I work with. It's just like if 41 00:01:39,560 --> 00:01:43,000 Speaker 3: it was myself, I'm like selfless when it comes to that, 42 00:01:43,040 --> 00:01:44,440 Speaker 3: you know what I mean. Like I see it as 43 00:01:44,520 --> 00:01:44,839 Speaker 3: the same. 44 00:01:45,840 --> 00:01:47,120 Speaker 4: How do you know when it's time to take the 45 00:01:47,200 --> 00:01:49,919 Speaker 4: executive jacket off and get back into trenches as an artist? 46 00:01:50,280 --> 00:01:51,560 Speaker 1: Like how did you know this is time to do? 47 00:01:51,600 --> 00:01:52,120 Speaker 1: I showed you. 48 00:01:52,120 --> 00:01:56,600 Speaker 3: Show It's just energy. I go off energy. I'm still 49 00:01:56,640 --> 00:01:59,040 Speaker 3: like a fan of music at the same time, so 50 00:01:59,360 --> 00:02:01,600 Speaker 3: when I'm listening in the music, I can hear when 51 00:02:01,640 --> 00:02:04,360 Speaker 3: I feel like something is missing, you know what I mean? 52 00:02:04,480 --> 00:02:06,360 Speaker 3: So you know, if I feel like I can, you know, 53 00:02:06,440 --> 00:02:09,400 Speaker 3: try to deliver it. I tried, you know what I'm saying. 54 00:02:09,480 --> 00:02:12,520 Speaker 3: So and I feel like to me, like this mixtape 55 00:02:12,520 --> 00:02:14,959 Speaker 3: to me is like outside music. You know. I feel 56 00:02:15,000 --> 00:02:17,919 Speaker 3: like a lot of music like laid back and your 57 00:02:17,919 --> 00:02:22,240 Speaker 3: feelings and get high music or you know what I'm saying, 58 00:02:22,320 --> 00:02:26,119 Speaker 3: Like I feel like it's a hustle music is kind 59 00:02:26,120 --> 00:02:28,440 Speaker 3: of like missing you know. So what I do? What jeez? 60 00:02:28,639 --> 00:02:30,720 Speaker 3: Do you know what I'm saying? Like in that era, 61 00:02:30,880 --> 00:02:33,120 Speaker 3: I feel like I ain't no like get money music. 62 00:02:33,960 --> 00:02:36,880 Speaker 3: You feel me? I feel like, you know, you need 63 00:02:36,919 --> 00:02:37,960 Speaker 3: to get money music out. 64 00:02:38,080 --> 00:02:39,320 Speaker 1: I can feel it with this one. 65 00:02:39,480 --> 00:02:40,720 Speaker 2: I was gonna say, what made you go back to 66 00:02:40,760 --> 00:02:42,120 Speaker 2: the element of the mixtape because you could have did 67 00:02:42,160 --> 00:02:43,520 Speaker 2: an album, We could have did an EP, but you 68 00:02:43,560 --> 00:02:46,320 Speaker 2: decided to link up with with drama and do a 69 00:02:46,320 --> 00:02:47,240 Speaker 2: gangster grill version. 70 00:02:47,360 --> 00:02:49,520 Speaker 3: When I think about that whole get Money error that 71 00:02:49,639 --> 00:02:52,120 Speaker 3: this word took me back to, you know what I'm saying, 72 00:02:52,200 --> 00:02:54,480 Speaker 3: Like it's that whole era. I'm like, you make it 73 00:02:54,520 --> 00:02:57,040 Speaker 3: fun like it ain't that serious really for me? At 74 00:02:57,040 --> 00:02:59,280 Speaker 3: this point, like I want to make like like it 75 00:02:59,280 --> 00:03:01,320 Speaker 3: ain't number ten songs on her so that it's like 76 00:03:02,320 --> 00:03:04,880 Speaker 3: it's like the shortest project I ever put out since 77 00:03:04,880 --> 00:03:08,000 Speaker 3: I've been doing music. So it ain't about like, you know, 78 00:03:08,080 --> 00:03:10,040 Speaker 3: putting a lot of tracks on another trucks, you know why, 79 00:03:10,120 --> 00:03:12,480 Speaker 3: you know the tricks of the game. You know. It 80 00:03:12,600 --> 00:03:15,519 Speaker 3: was just about making it like an art piece, you 81 00:03:15,560 --> 00:03:18,320 Speaker 3: know what I mean? Ten songs only to write ten songs, 82 00:03:18,919 --> 00:03:21,080 Speaker 3: not nothing, that's just filling me in. Like if we 83 00:03:21,120 --> 00:03:22,880 Speaker 3: felt like it want hard, don't put it on there. 84 00:03:23,400 --> 00:03:25,480 Speaker 3: So we felt like we had number eight hard song, 85 00:03:25,520 --> 00:03:26,280 Speaker 3: we don't put eight. 86 00:03:27,040 --> 00:03:28,880 Speaker 4: You know you said on the project that you're not 87 00:03:28,919 --> 00:03:33,000 Speaker 4: doing no more albums. Yeah you don't care about the 88 00:03:33,080 --> 00:03:34,320 Speaker 4: charge you feel that way? 89 00:03:34,360 --> 00:03:37,320 Speaker 3: Yeah of course, yeah, of course why. 90 00:03:37,160 --> 00:03:38,960 Speaker 1: You don't got no, clearly you don't have no more 91 00:03:39,120 --> 00:03:40,480 Speaker 1: album obligations. 92 00:03:40,080 --> 00:03:43,720 Speaker 3: Then no, no, no, I'm one hundred percent independent. 93 00:03:43,840 --> 00:03:47,160 Speaker 1: Wow, So why not do an album? Too much pressure? 94 00:03:47,920 --> 00:03:49,880 Speaker 3: Nah? I just think like I think that's a mental 95 00:03:49,920 --> 00:03:52,400 Speaker 3: thing to though for me too. It's like when I 96 00:03:52,440 --> 00:03:54,600 Speaker 3: say I'm doing a mixtape, I don't know. It's just 97 00:03:54,640 --> 00:03:57,120 Speaker 3: like I've been a different mad state when I say 98 00:03:57,160 --> 00:03:59,320 Speaker 3: I'm doing an album. You know, most of time when 99 00:03:59,320 --> 00:04:00,800 Speaker 3: I do a mixtap, I don't spend a lot of 100 00:04:00,800 --> 00:04:03,320 Speaker 3: time on it. Like I may do it in a week, 101 00:04:03,640 --> 00:04:06,119 Speaker 3: you know what I'm saying, ten days nowadays something like that. 102 00:04:06,600 --> 00:04:08,280 Speaker 3: You know, you may be working on your album for 103 00:04:08,920 --> 00:04:11,520 Speaker 3: six months, eight months, you know what I'm saying, like 104 00:04:11,920 --> 00:04:13,720 Speaker 3: going bagging forth. So I think it's kind of like, 105 00:04:14,360 --> 00:04:17,200 Speaker 3: you know, when I came up in the mixtape era, 106 00:04:17,800 --> 00:04:20,480 Speaker 3: mixtape was almost like practice. He was like, Man, I'm 107 00:04:20,520 --> 00:04:23,520 Speaker 3: gonna do this before the album, Like it's kind of like, yeah, 108 00:04:23,560 --> 00:04:25,600 Speaker 3: this is a warm up before the album. But they 109 00:04:25,640 --> 00:04:27,960 Speaker 3: always be special, you know what I mean. So it's 110 00:04:28,000 --> 00:04:30,320 Speaker 3: kind of like what I'm all, you. 111 00:04:30,279 --> 00:04:33,080 Speaker 2: Feel any pressure with you know, with you so many artists, right, 112 00:04:33,080 --> 00:04:35,560 Speaker 2: we're just seeing you Gorilla's birthday. You brought a main 113 00:04:35,600 --> 00:04:37,840 Speaker 2: back truck, right, So now do you have any pressure 114 00:04:37,839 --> 00:04:39,919 Speaker 2: with every artist's birth because you got a lot of artists. 115 00:04:40,000 --> 00:04:41,240 Speaker 5: Now, you got producers. 116 00:04:41,240 --> 00:04:42,760 Speaker 2: Now, now do you got that pressure with every time 117 00:04:42,800 --> 00:04:44,479 Speaker 2: and a artists come out, you got to say, got 118 00:04:44,480 --> 00:04:45,080 Speaker 2: to spend a bag. 119 00:04:46,640 --> 00:04:49,200 Speaker 3: I mean not really, you know what I mean, Because 120 00:04:49,400 --> 00:04:52,159 Speaker 3: me and all me and my artists got special, you know, 121 00:04:52,279 --> 00:04:54,680 Speaker 3: relationships and buzz and we do so much for each other. 122 00:04:54,839 --> 00:04:56,560 Speaker 3: You know, some of it it's seen, some of it's 123 00:04:56,600 --> 00:04:59,360 Speaker 3: not seen. So everybody know I rock with them a thousand. 124 00:04:59,400 --> 00:05:01,320 Speaker 5: What made you get realer? A mayback truck? 125 00:05:01,400 --> 00:05:01,919 Speaker 1: Was it? You know? 126 00:05:01,960 --> 00:05:03,000 Speaker 5: The fact that she's. 127 00:05:02,800 --> 00:05:05,040 Speaker 2: Been, you know successful the last couple of months. She's 128 00:05:05,040 --> 00:05:07,360 Speaker 2: been putting records on the charge. She's she's out here. 129 00:05:08,200 --> 00:05:09,880 Speaker 3: Yeah, and I and I like to see it. I 130 00:05:09,960 --> 00:05:11,400 Speaker 3: like to see it. Like you know what I'm saying. 131 00:05:11,680 --> 00:05:15,600 Speaker 3: Low Glow bought her first car not too long ago, 132 00:05:15,720 --> 00:05:18,200 Speaker 3: like you know, it's crazy, like the whole like probably 133 00:05:18,400 --> 00:05:20,560 Speaker 3: your run. She didn't even have a car, you know 134 00:05:20,600 --> 00:05:22,120 Speaker 3: what I'm saying. Not that she can't afford it. The 135 00:05:22,200 --> 00:05:24,480 Speaker 3: course she could buy a car, and she wasn't even 136 00:05:24,560 --> 00:05:26,760 Speaker 3: like glowing. Really, she don't really be on that, you 137 00:05:26,839 --> 00:05:29,600 Speaker 3: know what I'm saying. So I wanted to buy that 138 00:05:29,680 --> 00:05:32,120 Speaker 3: type of cockca she probably wouldn't even bought it staking 139 00:05:32,120 --> 00:05:32,520 Speaker 3: the paper. 140 00:05:34,000 --> 00:05:36,200 Speaker 1: That's going real money anyway. So you just spend the 141 00:05:36,240 --> 00:05:37,120 Speaker 1: money out her budget. 142 00:05:37,440 --> 00:05:41,000 Speaker 3: I mean, I mean we don't have budgets, but uh, 143 00:05:41,160 --> 00:05:42,560 Speaker 3: it's more definitely my money. 144 00:05:42,839 --> 00:05:45,920 Speaker 4: Yeah, I'm saying you feel Yeah, she's not gonna she's 145 00:05:45,920 --> 00:05:47,480 Speaker 4: not gonna look at a statement later on and be. 146 00:05:47,480 --> 00:05:51,680 Speaker 3: Like, uh and if and if you know, I'm the 147 00:05:51,720 --> 00:05:53,800 Speaker 3: type of person that, like, wh don't really have the 148 00:05:53,920 --> 00:05:55,479 Speaker 3: type of issues. I'm the type of person that, like, 149 00:05:57,640 --> 00:05:59,120 Speaker 3: we just don't have the type of issues. You know 150 00:05:59,120 --> 00:06:01,719 Speaker 3: what I'm saying. It's too much, it's too much paper 151 00:06:01,720 --> 00:06:04,520 Speaker 3: flowing around. Have money issues. 152 00:06:05,240 --> 00:06:08,800 Speaker 2: Another time you put it on social media that I 153 00:06:08,800 --> 00:06:10,640 Speaker 2: think it was a couple million dollars for any lawyer 154 00:06:10,640 --> 00:06:11,360 Speaker 2: that can help you get. 155 00:06:11,279 --> 00:06:13,040 Speaker 3: Four two outake sure it too. 156 00:06:13,520 --> 00:06:16,400 Speaker 5: How did anybody called and anybody reach out? What's the process? 157 00:06:16,400 --> 00:06:18,400 Speaker 3: What's going on for everybody reached out? You know what 158 00:06:18,400 --> 00:06:20,440 Speaker 3: I'm saying, But they can't really do nothing. You know 159 00:06:20,480 --> 00:06:23,840 Speaker 3: what I'm saying. But Doug already you know we rock 160 00:06:23,920 --> 00:06:26,440 Speaker 3: with who Doug lawyer? Is he good? He was good 161 00:06:26,440 --> 00:06:28,520 Speaker 3: from the beginning, you know what I'm saying. Just we 162 00:06:28,560 --> 00:06:30,480 Speaker 3: thought we could get him home earlier. We were to 163 00:06:30,480 --> 00:06:31,320 Speaker 3: bust the move. 164 00:06:31,240 --> 00:06:32,760 Speaker 1: You said, he shure, So you're coming on soon. 165 00:06:32,839 --> 00:06:36,359 Speaker 3: Yeah, we know, like sixty eighty days or something like 166 00:06:36,839 --> 00:06:37,240 Speaker 3: oh world. 167 00:06:37,279 --> 00:06:39,160 Speaker 4: Well okay, okay, So before the end of the year, 168 00:06:39,680 --> 00:06:41,080 Speaker 4: young d did this whole project. 169 00:06:41,320 --> 00:06:43,920 Speaker 3: It well most of he executive produced it. He produced 170 00:06:43,920 --> 00:06:47,080 Speaker 3: most of the records, but the executive produced the whole project, 171 00:06:47,120 --> 00:06:49,520 Speaker 3: meaning like I worked with him, like, you know, even 172 00:06:49,560 --> 00:06:51,960 Speaker 3: if I got to be from another producer on you know, 173 00:06:52,040 --> 00:06:55,400 Speaker 3: the type of energy and tempos and stuff like that 174 00:06:55,440 --> 00:06:56,200 Speaker 3: we was going at. 175 00:06:56,600 --> 00:06:59,560 Speaker 1: Was it a lot of pressure up? A lot of pressure. Okay, 176 00:07:00,000 --> 00:07:01,840 Speaker 1: I'm just always just mixing my style with his style. 177 00:07:02,080 --> 00:07:06,440 Speaker 1: Where you're from, d Jackson, Tennessee, Tennessee. How y'all connect 178 00:07:06,720 --> 00:07:08,920 Speaker 1: on what year there was? 179 00:07:10,240 --> 00:07:11,840 Speaker 3: Yeah? You know we found him he was he was 180 00:07:11,880 --> 00:07:12,880 Speaker 3: fourteen years old. 181 00:07:12,920 --> 00:07:14,160 Speaker 5: I wouldn't say d look young. 182 00:07:14,360 --> 00:07:18,280 Speaker 3: Yeah, he's seventeen, sixteen or seventeen now seventeen, he's seventeen 183 00:07:18,320 --> 00:07:21,840 Speaker 3: now we mail him. He was fourteen on Instagram live. 184 00:07:22,360 --> 00:07:23,880 Speaker 5: She made on Instagram like he was on live and 185 00:07:23,920 --> 00:07:24,480 Speaker 5: he said I'm. 186 00:07:24,360 --> 00:07:26,360 Speaker 3: Up to the beat, and he sent them some beats. 187 00:07:26,880 --> 00:07:29,400 Speaker 3: Oh and he count of rock from there like and 188 00:07:29,440 --> 00:07:31,760 Speaker 3: he sent bags some beats And then me and Bag 189 00:07:31,840 --> 00:07:34,000 Speaker 3: was talking about him like, you know you number fourteen 190 00:07:34,400 --> 00:07:37,120 Speaker 3: and me and Bad actually collaborated and signed them together 191 00:07:37,760 --> 00:07:38,720 Speaker 3: when he was fourteen? 192 00:07:39,000 --> 00:07:40,680 Speaker 5: What did your what did your parents say when when 193 00:07:40,680 --> 00:07:42,800 Speaker 5: you have the most parents. Look at the rap game. 194 00:07:43,160 --> 00:07:45,400 Speaker 2: The rap game is as now, it's not gonna be 195 00:07:45,520 --> 00:07:47,080 Speaker 2: It's gonna take a long time and you're not gonna 196 00:07:47,080 --> 00:07:48,760 Speaker 2: be successful. So what did your parents say when both 197 00:07:48,840 --> 00:07:50,760 Speaker 2: these platinum martis at the time, So I want to 198 00:07:50,760 --> 00:07:51,200 Speaker 2: sign you. 199 00:07:51,880 --> 00:07:53,560 Speaker 5: They will lead in front of jump and they let 200 00:07:53,600 --> 00:07:54,400 Speaker 5: you go at me? 201 00:07:55,000 --> 00:07:56,240 Speaker 1: Really, all do we do? 202 00:07:56,520 --> 00:07:58,120 Speaker 3: You need to travel with us him and his dad 203 00:07:58,120 --> 00:08:00,840 Speaker 3: to pull up to the studio. Yeah, they're young. 204 00:08:01,440 --> 00:08:03,320 Speaker 1: You got to have a conversations with the parents just 205 00:08:03,360 --> 00:08:03,920 Speaker 1: to let them know. 206 00:08:04,960 --> 00:08:07,120 Speaker 3: Yeah, you know, you got to even when you're doing 207 00:08:07,200 --> 00:08:09,320 Speaker 3: business at that young the parents got to be involved 208 00:08:09,320 --> 00:08:11,840 Speaker 3: in all that. But dadd it was, you know, super supportive. 209 00:08:11,840 --> 00:08:14,920 Speaker 3: Would travel with them to the studio sessions and everything. 210 00:08:15,040 --> 00:08:17,480 Speaker 3: When we would cook up. We had these CMG sessions 211 00:08:17,840 --> 00:08:19,480 Speaker 3: and he'll come to them where you cook up live 212 00:08:19,560 --> 00:08:21,960 Speaker 3: in the studio. It's dead to bring them down there. 213 00:08:22,400 --> 00:08:24,160 Speaker 4: Man, one record you got on the album Man with 214 00:08:24,520 --> 00:08:27,560 Speaker 4: money Bag, Yo, mind my business, I swear man, that's 215 00:08:27,560 --> 00:08:29,800 Speaker 4: how you feel. That's how everybody feel when they come 216 00:08:29,800 --> 00:08:30,880 Speaker 4: from a certain environment. 217 00:08:31,040 --> 00:08:32,360 Speaker 1: You know what I mean. Because you want to. 218 00:08:32,280 --> 00:08:35,560 Speaker 4: Help, but sometimes you don't feel like your help is appreciated, 219 00:08:36,000 --> 00:08:37,560 Speaker 4: then you don't really know what you can do. So 220 00:08:37,760 --> 00:08:39,720 Speaker 4: sometimes you just like, I'm just gonna mind my business. 221 00:08:40,240 --> 00:08:41,200 Speaker 1: People. 222 00:08:41,520 --> 00:08:44,560 Speaker 3: It's always been me. Ye, It's always been me. I 223 00:08:44,559 --> 00:08:46,760 Speaker 3: think that's like one of the things streets teach you 224 00:08:46,800 --> 00:08:49,920 Speaker 3: in the beginning. Like you know, like I call it 225 00:08:50,000 --> 00:08:52,280 Speaker 3: just survivor skills. You know what I'm saying, Like a 226 00:08:52,320 --> 00:08:54,480 Speaker 3: lot of people survive long. It's just staying out of 227 00:08:54,520 --> 00:08:57,199 Speaker 3: people business, you know what I'm saying. Like, just man, 228 00:08:57,400 --> 00:08:59,960 Speaker 3: just I don't hear nothing on see nothing, know nothing. 229 00:09:00,800 --> 00:09:03,240 Speaker 3: I ain't even got no opinion on nothing, you know 230 00:09:03,280 --> 00:09:06,079 Speaker 3: what I'm saying, which absolute. 231 00:09:06,120 --> 00:09:08,560 Speaker 4: But then when you somebody like yourself, who is a 232 00:09:08,600 --> 00:09:11,400 Speaker 4: figure you know what I mean, and comes from the street, 233 00:09:11,720 --> 00:09:14,439 Speaker 4: you probably can't change a lot of the next generation's 234 00:09:14,480 --> 00:09:16,040 Speaker 4: lives are shown a better way. 235 00:09:16,320 --> 00:09:19,040 Speaker 3: I think we we we put we put in work 236 00:09:19,080 --> 00:09:21,079 Speaker 3: to make change is what we can's. It's still a 237 00:09:21,160 --> 00:09:23,319 Speaker 3: lot of stuff we do do you know what I'm saying. 238 00:09:23,640 --> 00:09:25,640 Speaker 3: It's a lot of stuff we do do that we 239 00:09:25,679 --> 00:09:29,120 Speaker 3: do think is effective to help, you know what I mean. 240 00:09:30,080 --> 00:09:32,600 Speaker 3: But I think that's a it's a it's a it's 241 00:09:32,640 --> 00:09:34,440 Speaker 3: a line, right, it's a land where you can do 242 00:09:34,480 --> 00:09:37,120 Speaker 3: that and it's a line where like you know what 243 00:09:37,120 --> 00:09:41,840 Speaker 3: I mean, it's almost like it can be uh almost 244 00:09:41,920 --> 00:09:45,200 Speaker 3: backfound you or you just you need to stay man, 245 00:09:45,200 --> 00:09:46,599 Speaker 3: you're beating this, you know what I'm saying. 246 00:09:47,160 --> 00:09:50,760 Speaker 4: So I feel like Memphis, Manphis, Memphis got everything to 247 00:09:50,800 --> 00:09:54,280 Speaker 4: be that next hip hop hub, but for some reason, 248 00:09:54,320 --> 00:09:57,400 Speaker 4: it's still feels like it ain't there yet, which is 249 00:09:57,440 --> 00:09:59,600 Speaker 4: strange to me because you got so much artists coming 250 00:09:59,600 --> 00:09:59,880 Speaker 4: out of me. 251 00:10:00,120 --> 00:10:01,320 Speaker 1: What do you think the problem is. 252 00:10:01,720 --> 00:10:04,000 Speaker 3: I think it's the hip hop hub. I think we created, 253 00:10:04,120 --> 00:10:06,240 Speaker 3: We always had our sound. I think people just got 254 00:10:06,280 --> 00:10:08,920 Speaker 3: on tire sound late, you know. I think from I 255 00:10:08,960 --> 00:10:11,680 Speaker 3: think it finally get the respect from a record label 256 00:10:11,720 --> 00:10:13,920 Speaker 3: stand and put all the a and rs and executives. 257 00:10:14,440 --> 00:10:16,800 Speaker 3: You know, look, look for Memphis artists. Man, So many 258 00:10:16,880 --> 00:10:19,920 Speaker 3: people call me about different Memphis artists. You know what 259 00:10:19,920 --> 00:10:21,840 Speaker 3: I'm saying. They be knowing some of them more than 260 00:10:22,040 --> 00:10:24,800 Speaker 3: quicker than I do. That's how That's how the microscope 261 00:10:24,880 --> 00:10:26,600 Speaker 3: is on the city, you know what I'm saying. So 262 00:10:26,640 --> 00:10:28,440 Speaker 3: I'm proud of that because I think it's a lot 263 00:10:28,480 --> 00:10:31,320 Speaker 3: of opportunity for a lot of people that come out 264 00:10:31,320 --> 00:10:34,480 Speaker 3: of her I just think that man, we just like 265 00:10:35,240 --> 00:10:39,720 Speaker 3: if it's just street street like, so even with the opportunity, 266 00:10:40,800 --> 00:10:43,640 Speaker 3: you know, I think most people just be street dudes 267 00:10:43,760 --> 00:10:45,680 Speaker 3: more than they be artists, you know what I'm saying. 268 00:10:45,720 --> 00:10:50,520 Speaker 3: So it's more like, you know what I mean, It's 269 00:10:50,559 --> 00:10:52,640 Speaker 3: more like I had to do this at one point. 270 00:10:52,720 --> 00:10:56,520 Speaker 3: I think you have to just accept that. Man, I'm 271 00:10:56,520 --> 00:10:59,840 Speaker 3: an artist now and I'm gonna put that to the side. 272 00:11:00,520 --> 00:11:02,839 Speaker 3: You feel me. I think when more people do that, 273 00:11:02,840 --> 00:11:06,640 Speaker 3: that's what probably, you know, you'll see the artistry turn 274 00:11:06,720 --> 00:11:10,400 Speaker 3: into more of like really the industry artists, and then 275 00:11:10,440 --> 00:11:12,079 Speaker 3: that probably be an answer. 276 00:11:11,800 --> 00:11:13,440 Speaker 1: On the album you say, you're still riding around with 277 00:11:13,440 --> 00:11:15,400 Speaker 1: the pistol. The pistol in the rose rights though. 278 00:11:15,840 --> 00:11:21,240 Speaker 3: I mean, you know, we gotta survive. 279 00:11:22,280 --> 00:11:24,440 Speaker 2: I was gonnass with with fifty years of hip hop 280 00:11:24,480 --> 00:11:28,199 Speaker 2: being this week. You know what got you into hip hop? 281 00:11:28,320 --> 00:11:31,520 Speaker 2: Being a young hustler from Memphis, Like, what made you 282 00:11:31,559 --> 00:11:33,000 Speaker 2: say this is where I want to be? What made 283 00:11:33,000 --> 00:11:33,880 Speaker 2: you fall in love with it? 284 00:11:34,600 --> 00:11:36,520 Speaker 3: I mean I was just a fan of it from 285 00:11:36,559 --> 00:11:38,439 Speaker 3: the gate since a kid, you know what I'm saying. 286 00:11:38,600 --> 00:11:41,920 Speaker 3: I remember standing in front of the Flow Model TV's 287 00:11:42,040 --> 00:11:44,920 Speaker 3: just looking at videos that was out, and I just 288 00:11:44,960 --> 00:11:48,679 Speaker 3: always thought it was dope and fly. I just was, 289 00:11:48,800 --> 00:11:50,720 Speaker 3: you know, a fan of hip hop from the beginning, 290 00:11:51,120 --> 00:11:52,440 Speaker 3: you know what I'm saying. Before I even knew that 291 00:11:52,480 --> 00:11:54,280 Speaker 3: I would be in it, I was a fan of it. 292 00:11:54,360 --> 00:11:56,040 Speaker 5: And did you did you know that was gonna be 293 00:11:56,080 --> 00:11:57,920 Speaker 5: your way out of what you were doing or it was. 294 00:11:58,080 --> 00:11:59,920 Speaker 3: Just actually didn't know, you know what I'm saying. Even 295 00:12:00,040 --> 00:12:01,800 Speaker 3: when I first started rapping, I didn't believe that it 296 00:12:01,840 --> 00:12:05,040 Speaker 3: was possible actually happened because coming from where I'm from, 297 00:12:05,080 --> 00:12:08,240 Speaker 3: we didn't know anybody famous. We didn't know like nobody 298 00:12:08,240 --> 00:12:10,600 Speaker 3: that had made it, like from rapping, from being an 299 00:12:10,720 --> 00:12:14,640 Speaker 3: NFL player, being an NBA player talk host. You know 300 00:12:14,679 --> 00:12:17,640 Speaker 3: what I'm saying. We didn't know like anybody that made it, 301 00:12:18,080 --> 00:12:19,720 Speaker 3: you know what I'm saying, other than you know, the 302 00:12:19,800 --> 00:12:22,040 Speaker 3: dope boys from my neighborhood. We had fly Calls and 303 00:12:22,160 --> 00:12:25,920 Speaker 3: Juror and Felile Fitz and you know what I'm saying. Like, so, 304 00:12:26,600 --> 00:12:28,199 Speaker 3: you know, even when I was doing it, it was kind 305 00:12:28,200 --> 00:12:30,360 Speaker 3: of like it was just something to do. I didn't 306 00:12:30,360 --> 00:12:32,400 Speaker 3: really think that like it can really, you know what 307 00:12:32,400 --> 00:12:34,280 Speaker 3: I'm saying, turn into what it turned too, and. 308 00:12:34,679 --> 00:12:35,920 Speaker 1: I felt like think you could do it? Was it 309 00:12:36,320 --> 00:12:37,600 Speaker 1: who made you believe you could do it? 310 00:12:37,600 --> 00:12:37,840 Speaker 3: With it? 311 00:12:37,840 --> 00:12:38,880 Speaker 1: Three six or who was it? 312 00:12:39,080 --> 00:12:42,800 Speaker 3: Oh? Well, it started off being started off being a 313 00:12:42,880 --> 00:12:45,720 Speaker 3: DUDEO KC from my neighborhood. He was a rapper. He 314 00:12:45,760 --> 00:12:48,360 Speaker 3: was the only rapper in our neighborhood. He used to rapping. 315 00:12:48,400 --> 00:12:50,240 Speaker 3: We used to always just listen to him rap. Then 316 00:12:50,280 --> 00:12:52,720 Speaker 3: he wrote my first rap for me, and I just 317 00:12:52,760 --> 00:12:54,760 Speaker 3: recite the rap he wrote me until I started like 318 00:12:54,800 --> 00:12:57,640 Speaker 3: putting my own words in it into the exact same pattern, 319 00:12:58,240 --> 00:13:00,880 Speaker 3: you know what I'm saying. And so that was like 320 00:13:00,920 --> 00:13:02,800 Speaker 3: the first person that made me like really want to 321 00:13:02,840 --> 00:13:07,640 Speaker 3: be a rapper. Other than that, uh, Skinny Pimp. I 322 00:13:07,720 --> 00:13:09,640 Speaker 3: used to see Skinny Pimp riding through Memphis and the 323 00:13:09,720 --> 00:13:12,360 Speaker 3: drop Top five point h. That was like the first 324 00:13:12,480 --> 00:13:16,240 Speaker 3: artist ice scene back in the day with the Mustang 325 00:13:16,400 --> 00:13:19,120 Speaker 3: drop You feel me because I didn't really see three 326 00:13:19,200 --> 00:13:21,599 Speaker 3: six that much, like physically see them, you know what 327 00:13:21,600 --> 00:13:25,760 Speaker 3: I'm saying. And then when Project Pet came home, I started, Yeah, 328 00:13:25,840 --> 00:13:28,920 Speaker 3: Project Pet came on and he used to be like 329 00:13:28,960 --> 00:13:30,280 Speaker 3: on the E side of town. So I used to 330 00:13:30,280 --> 00:13:35,120 Speaker 3: see Project Pat Ball of G Then bolling. But I'm saying, 331 00:13:35,160 --> 00:13:38,240 Speaker 3: like I listened to Balling G Music and three six music, 332 00:13:38,280 --> 00:13:40,480 Speaker 3: But I'm saying, like physically seeing it, because I'm the 333 00:13:40,520 --> 00:13:43,120 Speaker 3: type of person that like, if I don't see you, 334 00:13:43,200 --> 00:13:45,240 Speaker 3: I don't really believe it. You know what I'm saying, 335 00:13:45,320 --> 00:13:47,160 Speaker 3: I really like seeing this, like you gotta be able 336 00:13:47,160 --> 00:13:49,480 Speaker 3: to see it to believe it's possible, you know what 337 00:13:49,520 --> 00:13:52,080 Speaker 3: I'm saying. So skinning him project pet is what I've seen. 338 00:13:52,240 --> 00:13:54,800 Speaker 2: What made you state the independent route because you know, 339 00:13:54,840 --> 00:13:57,120 Speaker 2: most when people want to be a rapper, a lot 340 00:13:57,160 --> 00:13:58,920 Speaker 2: of people's dreams is to sign to a major. 341 00:13:58,960 --> 00:14:00,800 Speaker 5: They want to sign to a But I. 342 00:14:00,760 --> 00:14:02,079 Speaker 3: Did all of it. I did all of it. You 343 00:14:02,120 --> 00:14:04,560 Speaker 3: know what I'm saying. I was independent, I was signed back, 344 00:14:04,600 --> 00:14:07,120 Speaker 3: independent sign. I mean even right now, I'm doing all 345 00:14:07,160 --> 00:14:08,600 Speaker 3: of it. You know what I'm saying. I gotta you know, 346 00:14:08,640 --> 00:14:11,920 Speaker 3: my labor and independent one hundred percent in a partnership, 347 00:14:11,960 --> 00:14:13,640 Speaker 3: you know what I'm saying. But men as an artist 348 00:14:13,760 --> 00:14:16,000 Speaker 3: is independent. So you know what I'm saying, it's you know, 349 00:14:16,080 --> 00:14:19,200 Speaker 3: I don't think it's no. I don't think it's like no, 350 00:14:19,200 --> 00:14:23,440 Speaker 3: no big reward or no big thing to be independent. 351 00:14:23,440 --> 00:14:25,280 Speaker 3: I think it's like you have to do, like what 352 00:14:26,000 --> 00:14:28,560 Speaker 3: makes sense for your business. You know, I think being 353 00:14:28,600 --> 00:14:30,800 Speaker 3: independent for me at this level in the game makes 354 00:14:30,840 --> 00:14:33,800 Speaker 3: sense for me today. You know what I'm saying, because 355 00:14:33,920 --> 00:14:36,400 Speaker 3: I ain't even you know how, I may drop a 356 00:14:36,440 --> 00:14:40,160 Speaker 3: project whenever I feel like it. So I mean, I 357 00:14:40,240 --> 00:14:43,240 Speaker 3: need the same resources that a new artist may need. 358 00:14:43,440 --> 00:14:46,800 Speaker 3: So I think you gotta align yourself for what you 359 00:14:46,880 --> 00:14:49,200 Speaker 3: need for you to have a big shot, to be 360 00:14:49,240 --> 00:14:51,360 Speaker 3: the biggest artist in the world, if that's what you 361 00:14:51,400 --> 00:14:52,080 Speaker 3: want to be now. 362 00:14:52,120 --> 00:14:54,400 Speaker 2: You also said that you know you didn't see you know, 363 00:14:54,440 --> 00:14:57,600 Speaker 2: eight ball and JG. You didn't see three six month field. 364 00:14:58,080 --> 00:14:59,880 Speaker 2: When did you realize to be like, you know what, 365 00:15:00,080 --> 00:15:02,480 Speaker 2: I gotta move where people don't see me because a 366 00:15:02,520 --> 00:15:04,240 Speaker 2: lot of people don't want what's best for me. 367 00:15:05,680 --> 00:15:07,800 Speaker 3: It took me a while to understand that, you know 368 00:15:07,800 --> 00:15:09,800 Speaker 3: what I'm saying, And I think it's older. I gotta 369 00:15:09,880 --> 00:15:14,000 Speaker 3: understood them more, you know what I'm saying, because you know, 370 00:15:14,080 --> 00:15:16,120 Speaker 3: because like like you just said, like I didn't understand 371 00:15:16,160 --> 00:15:18,840 Speaker 3: when I was young why I didn't see them, you 372 00:15:18,880 --> 00:15:20,200 Speaker 3: know what I mean, Like I remember being in Miffic 373 00:15:20,280 --> 00:15:22,120 Speaker 3: and they were telling me, like I'm staying in LA 374 00:15:22,200 --> 00:15:27,360 Speaker 3: and I'm like, you feel me Like I'm like like 375 00:15:27,400 --> 00:15:30,320 Speaker 3: imbut you know what I'm saying. But now I get it, 376 00:15:30,800 --> 00:15:35,120 Speaker 3: say like, but I ain't. When I was young, I 377 00:15:35,120 --> 00:15:37,760 Speaker 3: ain't really ain't. You know what I'm saying? Like you 378 00:15:37,760 --> 00:15:39,440 Speaker 3: you know, like I'm mad enough to say that, Like 379 00:15:39,520 --> 00:15:42,720 Speaker 3: you know, it's like you just change mindset. You know 380 00:15:42,720 --> 00:15:44,400 Speaker 3: what I'm saying, and you learn and mature and you 381 00:15:44,400 --> 00:15:47,440 Speaker 3: see things differently, you know what I'm saying. So, but 382 00:15:47,520 --> 00:15:49,560 Speaker 3: when I was younger, I most definitely was one of them. 383 00:15:49,640 --> 00:15:53,800 Speaker 3: Uh you feel me like you know, probably like what 384 00:15:53,920 --> 00:15:56,440 Speaker 3: the young guys just tell you. You feel me, you 385 00:15:56,480 --> 00:15:58,040 Speaker 3: know what I'm saying. So I was I used to 386 00:15:58,080 --> 00:16:02,200 Speaker 3: think like that and then understand some of the things. 387 00:16:02,360 --> 00:16:04,080 Speaker 2: I want to talk about. You your pockets a little bit. 388 00:16:05,040 --> 00:16:07,320 Speaker 2: You're part owner of an MLS. 389 00:16:06,800 --> 00:16:08,320 Speaker 1: Team, money right there. 390 00:16:09,440 --> 00:16:12,040 Speaker 5: Did you ever have any like maybe I should invest. 391 00:16:11,800 --> 00:16:12,720 Speaker 1: In DC United? 392 00:16:13,400 --> 00:16:15,960 Speaker 2: Yeah, he said, he said, I ever have because back 393 00:16:15,960 --> 00:16:17,960 Speaker 2: then this is this is before I mean, it's a 394 00:16:18,000 --> 00:16:20,040 Speaker 2: soccer team. Did you ever think to yourself, maybe I 395 00:16:20,080 --> 00:16:21,840 Speaker 2: should invest in this? What made you say this is 396 00:16:21,920 --> 00:16:23,080 Speaker 2: I'm gonna put my money in this. 397 00:16:23,720 --> 00:16:25,520 Speaker 3: I never thought I shouldn't invest it, and it was 398 00:16:25,560 --> 00:16:28,320 Speaker 3: more so like can I invest more? You know what 399 00:16:28,320 --> 00:16:30,440 Speaker 3: I'm saying. I knew it was to play, you know 400 00:16:30,480 --> 00:16:32,520 Speaker 3: what I'm saying, for multiple reasons, Like you know, I 401 00:16:32,560 --> 00:16:35,280 Speaker 3: do my research. For one, I got the right business 402 00:16:35,280 --> 00:16:38,560 Speaker 3: team around me, so we do all the right you know, 403 00:16:39,720 --> 00:16:42,800 Speaker 3: fact checking and making sure that the business and the 404 00:16:42,880 --> 00:16:46,280 Speaker 3: right standpoint, so that alone, on paper, it was the 405 00:16:46,360 --> 00:16:52,840 Speaker 3: right business move. But my passion for diversifying and growing 406 00:16:52,960 --> 00:17:00,160 Speaker 3: and accomplishing different things as a hustler also was a 407 00:17:00,200 --> 00:17:02,640 Speaker 3: part of it. And then soccer was like the only 408 00:17:02,680 --> 00:17:05,439 Speaker 3: sport my son ever played. So that's how I even know. 409 00:17:06,680 --> 00:17:09,240 Speaker 3: You didn't seem like I never even seen it. And 410 00:17:09,280 --> 00:17:11,199 Speaker 3: I told them that when we were when I was 411 00:17:11,200 --> 00:17:14,359 Speaker 3: getting into the team, that I never even seen a 412 00:17:14,400 --> 00:17:17,560 Speaker 3: soccer field when I was a kid. When I seen 413 00:17:17,600 --> 00:17:19,640 Speaker 3: a soccer ball, I thought it was a flat football. 414 00:17:19,680 --> 00:17:21,960 Speaker 3: We used to shoot basketball with a soccer ball because 415 00:17:22,000 --> 00:17:23,520 Speaker 3: just because it was a ball, you know what I'm saying, 416 00:17:23,760 --> 00:17:25,640 Speaker 3: And we just thought like, man, why the ball flat? 417 00:17:28,280 --> 00:17:31,680 Speaker 3: So we had no exposure to soccer and the way 418 00:17:31,720 --> 00:17:34,520 Speaker 3: I grew up, you know. So, but my son differently 419 00:17:34,600 --> 00:17:36,359 Speaker 3: went to different type of schools, right, So they had 420 00:17:36,359 --> 00:17:38,720 Speaker 3: a soccer field in his school and it's the sport 421 00:17:38,760 --> 00:17:42,919 Speaker 3: he plays. So between going to practices and games, you know, 422 00:17:42,960 --> 00:17:45,240 Speaker 3: I learned what the sporty or so on the opportunity 423 00:17:45,760 --> 00:17:48,880 Speaker 3: presenting itself out familiar with the sport. 424 00:17:48,800 --> 00:17:50,439 Speaker 4: And being in DC all the time. Keep you in 425 00:17:50,440 --> 00:17:53,000 Speaker 4: the White House. Let the record show got it. They 426 00:17:53,000 --> 00:17:55,560 Speaker 4: found cocaine in the White House, and you know, oh boy, 427 00:17:55,800 --> 00:17:57,679 Speaker 4: I don't think they found it before you started going to. 428 00:18:03,200 --> 00:18:09,680 Speaker 1: Do but you know, you do get invited to the 429 00:18:09,680 --> 00:18:10,320 Speaker 1: White House a lot. 430 00:18:10,440 --> 00:18:12,480 Speaker 3: Yeah, I want a couple of times. I want a 431 00:18:12,480 --> 00:18:13,240 Speaker 3: couple of times. 432 00:18:13,400 --> 00:18:14,040 Speaker 1: What's that like? 433 00:18:15,119 --> 00:18:21,119 Speaker 3: I mean, you know, it's it's it's a surreal moment. Again. 434 00:18:21,160 --> 00:18:22,959 Speaker 3: I was just telling one of my partners, like just 435 00:18:23,000 --> 00:18:26,000 Speaker 3: coming from again, coming from where we come from, we 436 00:18:26,040 --> 00:18:27,800 Speaker 3: ain't never expect to be at the White House, you 437 00:18:27,840 --> 00:18:30,080 Speaker 3: know what I'm saying, period, you know what I mean? 438 00:18:30,200 --> 00:18:32,359 Speaker 3: So to be actually walking through the White House, and 439 00:18:33,720 --> 00:18:36,120 Speaker 3: you know, I think that's just for me. I don't 440 00:18:36,119 --> 00:18:37,639 Speaker 3: know what it is for other people, But that's an 441 00:18:37,640 --> 00:18:40,679 Speaker 3: accomplishment within itself, you know what I mean? Because I 442 00:18:40,680 --> 00:18:44,160 Speaker 3: feel like everything is like you're an example of a coach, right, 443 00:18:44,880 --> 00:18:47,080 Speaker 3: you know what I mean. And I was like pass 444 00:18:47,160 --> 00:18:49,359 Speaker 3: knee deep in the screech, like you feel me. So 445 00:18:49,400 --> 00:18:53,600 Speaker 3: I think that like for the next young hustler. That's 446 00:18:53,600 --> 00:18:55,119 Speaker 3: how I look at it for the next young hustle. 447 00:18:55,160 --> 00:18:56,960 Speaker 3: If you see me at the White House and you 448 00:18:57,000 --> 00:18:58,639 Speaker 3: if you really do your research, you know where I 449 00:18:58,720 --> 00:19:00,560 Speaker 3: come from, you could be the White House and you 450 00:19:00,600 --> 00:19:02,080 Speaker 3: could be doing more than what I was doing at 451 00:19:02,119 --> 00:19:04,240 Speaker 3: the White House. Because that's how I look at Jay 452 00:19:04,320 --> 00:19:05,840 Speaker 3: and different people, you know what I'm saying. I look 453 00:19:05,840 --> 00:19:08,159 Speaker 3: at them like, oh, you know what I'm saying and 454 00:19:08,960 --> 00:19:10,520 Speaker 3: doing this, he's doing that, So they would give me 455 00:19:10,560 --> 00:19:12,879 Speaker 3: an inspiration that I can do it, you know what 456 00:19:12,880 --> 00:19:15,520 Speaker 3: I'm saying. So I hope that you know, the other 457 00:19:15,600 --> 00:19:17,640 Speaker 3: young hustle see is something like that. 458 00:19:17,840 --> 00:19:19,400 Speaker 1: How far you move? Do you feel like you are 459 00:19:19,560 --> 00:19:21,120 Speaker 1: from the street all the way? 460 00:19:21,119 --> 00:19:23,760 Speaker 4: Because then the album you talk, you you say some things, 461 00:19:23,840 --> 00:19:25,720 Speaker 4: you know, I let people find it on theself, you 462 00:19:25,760 --> 00:19:26,160 Speaker 4: know what I mean. 463 00:19:26,160 --> 00:19:28,320 Speaker 1: But it feels like you still feel like you got 464 00:19:28,400 --> 00:19:28,840 Speaker 1: some pressure. 465 00:19:28,960 --> 00:19:31,280 Speaker 3: No, I'm all the way removed. Okay, Okay, what I'm saying, 466 00:19:31,320 --> 00:19:36,879 Speaker 3: I'm all removed from the street. One thousand two two thousands. 467 00:19:37,440 --> 00:19:40,480 Speaker 3: You know what I mean. But I think I think 468 00:19:40,600 --> 00:19:43,600 Speaker 3: streets is not like an action, you know what I'm saying. 469 00:19:43,760 --> 00:19:47,840 Speaker 3: I think it's a way of thinking, meaning like I 470 00:19:47,840 --> 00:19:52,080 Speaker 3: don't think there's a certain way of thinking whatever, like 471 00:19:53,040 --> 00:19:55,760 Speaker 3: leave my mindset, meaning like and it's just from like 472 00:19:55,760 --> 00:20:02,920 Speaker 3: a protection standpoint or coming sense standpoint or street sense standpoint, 473 00:20:02,960 --> 00:20:05,480 Speaker 3: meaning like just knowing how to move right so I 474 00:20:05,520 --> 00:20:10,040 Speaker 3: can stay behind three security guard gates or whatever. I 475 00:20:10,080 --> 00:20:12,919 Speaker 3: still pull up to the house the same way. You 476 00:20:12,920 --> 00:20:15,199 Speaker 3: know what I'm saying. I still look, but I pull up. 477 00:20:15,200 --> 00:20:17,040 Speaker 3: If it's too dog, I may not go in the house. 478 00:20:17,800 --> 00:20:19,160 Speaker 3: You know what I'm saying. That that's what I mean 479 00:20:19,200 --> 00:20:21,040 Speaker 3: by street mentality. You know what I'm saying. I mean 480 00:20:21,200 --> 00:20:23,520 Speaker 3: like it's a feel, you know what I mean. It's 481 00:20:23,560 --> 00:20:25,240 Speaker 3: still to today, ro I pull up to the house 482 00:20:25,280 --> 00:20:27,840 Speaker 3: sometimes and I just look and I keep going. I 483 00:20:27,920 --> 00:20:30,080 Speaker 3: just don't feel it safe to go in. Tonight, I 484 00:20:30,240 --> 00:20:32,600 Speaker 3: go to the hotel room. But there's somebody that's a 485 00:20:32,640 --> 00:20:36,080 Speaker 3: trade I got from in the street. 486 00:20:36,080 --> 00:20:37,040 Speaker 5: But do you still feel that way? 487 00:20:37,119 --> 00:20:39,840 Speaker 1: Like after this day, you got cameras and you look 488 00:20:39,840 --> 00:20:40,280 Speaker 1: at your phone. 489 00:20:40,320 --> 00:20:42,280 Speaker 3: I got everything. You know what I'm saying, you got cameras, 490 00:20:42,280 --> 00:20:45,400 Speaker 3: I got twenty four hour guards, I got animals. 491 00:20:45,480 --> 00:20:46,080 Speaker 1: You know what I'm saying. 492 00:20:46,440 --> 00:20:48,720 Speaker 3: I got every form of protection you have. You know 493 00:20:48,760 --> 00:20:50,480 Speaker 3: what I'm saying, I still move like that. 494 00:20:50,800 --> 00:20:53,480 Speaker 1: Damn that's PTSD. Bro's exactly. 495 00:20:54,320 --> 00:20:58,479 Speaker 5: I was gonna ask, what with everything that's that's going on? 496 00:20:58,560 --> 00:21:00,920 Speaker 2: And you look at your your career and you look 497 00:21:00,920 --> 00:21:02,720 Speaker 2: at your life and I remember you putting out the 498 00:21:02,720 --> 00:21:05,159 Speaker 2: record and you just threw a shot out there for 499 00:21:05,280 --> 00:21:07,880 Speaker 2: Angela Simmons and to see it three sixty and now 500 00:21:07,920 --> 00:21:10,639 Speaker 2: that you're actually dating, what was that original conversation? 501 00:21:10,760 --> 00:21:10,920 Speaker 1: Like? 502 00:21:11,880 --> 00:21:12,400 Speaker 5: Was it a joke? 503 00:21:12,560 --> 00:21:14,439 Speaker 3: Was it like what you mean, the original like the 504 00:21:14,520 --> 00:21:18,800 Speaker 3: first first coming? Absolutely, Oh, the very first time I 505 00:21:18,800 --> 00:21:21,359 Speaker 3: ever said anything to it was Uh, it was after 506 00:21:21,400 --> 00:21:24,600 Speaker 3: the song and I just told I was serious, you 507 00:21:24,640 --> 00:21:26,439 Speaker 3: know what I'm saying, because I seen her and you know, 508 00:21:26,600 --> 00:21:29,640 Speaker 3: like a joke and I'm like, nah, like, ain't find 509 00:21:29,680 --> 00:21:40,320 Speaker 3: I'm serious, serious joke, you know what I'm saying. Yeah, 510 00:21:40,440 --> 00:21:41,879 Speaker 3: that was the first thing I ever told her the 511 00:21:41,920 --> 00:21:42,320 Speaker 3: first time. 512 00:21:42,920 --> 00:21:45,240 Speaker 1: Did you take you seriously? So? 513 00:21:46,600 --> 00:21:47,119 Speaker 3: I think so? 514 00:21:47,240 --> 00:21:49,240 Speaker 4: On the album you say I ain't never I ain't 515 00:21:49,280 --> 00:21:51,040 Speaker 4: never lost the crush. I miss the follow up. 516 00:21:52,600 --> 00:21:56,880 Speaker 3: I'm pretty consistent. I'm pretty consistent. 517 00:21:57,000 --> 00:21:58,959 Speaker 1: If the record is the one? Is that about her? 518 00:22:00,040 --> 00:22:02,320 Speaker 3: Oh yeah, yeah, it was inspired pot for shure. You 519 00:22:02,359 --> 00:22:03,879 Speaker 3: know what I'm saying. She was in the studio with 520 00:22:03,920 --> 00:22:06,800 Speaker 3: me when I actually, like, you know, when I record, 521 00:22:07,400 --> 00:22:10,240 Speaker 3: I come off the top on right. So when I 522 00:22:10,400 --> 00:22:12,680 Speaker 3: loaded the beat up and I was in the booth 523 00:22:12,760 --> 00:22:14,320 Speaker 3: like she was in the studio, won nobody in the studio? 524 00:22:14,440 --> 00:22:17,560 Speaker 3: Me huhunt somebody else? You know, That's what came out. 525 00:22:18,520 --> 00:22:20,840 Speaker 2: I was it being to be so public because usually 526 00:22:20,880 --> 00:22:23,400 Speaker 2: you have been very private about your private life, whether 527 00:22:23,440 --> 00:22:25,600 Speaker 2: it's whoever you would date, you know, family members. So 528 00:22:25,840 --> 00:22:28,720 Speaker 2: how was it to have your life on Front Street 529 00:22:29,680 --> 00:22:30,280 Speaker 2: been difficult? 530 00:22:30,480 --> 00:22:32,360 Speaker 3: It's different. I mean, I ain't gonna say it's difficult, 531 00:22:32,400 --> 00:22:35,800 Speaker 3: but it's different, you know what I'm saying. It's different. 532 00:22:36,720 --> 00:22:37,680 Speaker 5: People judge you too much? 533 00:22:37,760 --> 00:22:38,760 Speaker 1: Or is it always? 534 00:22:38,800 --> 00:22:40,639 Speaker 3: Don't come on about none of that, bro Again, I 535 00:22:40,680 --> 00:22:42,800 Speaker 3: come from with like you know what I'm saying, Like, 536 00:22:43,119 --> 00:22:45,760 Speaker 3: I don't think these type of like judgments and opinion, 537 00:22:45,760 --> 00:22:47,280 Speaker 3: like none of that can really hurt me. I come 538 00:22:47,280 --> 00:22:50,640 Speaker 3: from like the worst already, you know what I mean. 539 00:22:50,720 --> 00:22:54,000 Speaker 3: So it ain't it's just different. It's just different. And 540 00:22:54,000 --> 00:22:57,720 Speaker 3: I think the reason why I was never public it 541 00:22:57,840 --> 00:23:00,320 Speaker 3: wasn't because an issue with the people that you know 542 00:23:00,320 --> 00:23:03,080 Speaker 3: what I'm saying, more like a safety thing, you know 543 00:23:03,080 --> 00:23:04,800 Speaker 3: what I'm saying. You know what I'm saying, More like 544 00:23:04,840 --> 00:23:06,960 Speaker 3: you don't really want nobody to know where your family is. 545 00:23:07,440 --> 00:23:09,320 Speaker 3: You know. I think the difference is you already know 546 00:23:09,440 --> 00:23:10,640 Speaker 3: she is, you already know who I am. 547 00:23:10,720 --> 00:23:13,800 Speaker 1: And you know what I'm saying, You think you would 548 00:23:13,800 --> 00:23:14,280 Speaker 1: get married? 549 00:23:15,480 --> 00:23:20,680 Speaker 3: I don't know one is you know what I'm saying. 550 00:23:20,760 --> 00:23:22,600 Speaker 3: So we got we gotta see. 551 00:23:23,680 --> 00:23:26,240 Speaker 4: It's about time got you that you listen to you 552 00:23:26,280 --> 00:23:27,920 Speaker 4: that dude right now you bossed up on. 553 00:23:27,840 --> 00:23:30,840 Speaker 1: A different level. Ain't nothing like having that whole unit together, 554 00:23:30,880 --> 00:23:31,360 Speaker 1: you know what I mean? 555 00:23:31,680 --> 00:23:34,600 Speaker 3: Yeah, hopefully you married. You can give me some pointers 556 00:23:34,600 --> 00:23:36,080 Speaker 3: and some information about that, you know what. 557 00:23:36,119 --> 00:23:37,080 Speaker 1: I'm just got good at it. 558 00:23:40,520 --> 00:23:48,359 Speaker 3: Give me some give me some I'm looking for, you know. Unfortunately, again, 559 00:23:48,520 --> 00:23:51,119 Speaker 3: coming from where we come from, and a lot of 560 00:23:51,160 --> 00:23:53,760 Speaker 3: our people ever does really. So it's like, you know 561 00:23:53,800 --> 00:23:55,439 Speaker 3: what I'm saying, Like, I ain't got nothing against it, 562 00:23:55,560 --> 00:23:57,600 Speaker 3: you know what I'm saying. I'm just saying like We're 563 00:23:57,640 --> 00:24:00,000 Speaker 3: still coming for where we come from and what we know. 564 00:23:59,840 --> 00:24:02,439 Speaker 3: You know what I'm saying, So we know love, we 565 00:24:02,560 --> 00:24:06,159 Speaker 3: know loyalty. You know what I'm saying. And and but 566 00:24:06,359 --> 00:24:06,720 Speaker 3: just the. 567 00:24:06,760 --> 00:24:09,080 Speaker 4: End goal I can say, I can say being married 568 00:24:09,119 --> 00:24:11,080 Speaker 4: and actually doing right by my wife, you know in 569 00:24:11,080 --> 00:24:12,960 Speaker 4: color purple and sei he pointed you and see he 570 00:24:12,960 --> 00:24:14,520 Speaker 4: s ain't no good gonna come to you till you 571 00:24:14,520 --> 00:24:15,240 Speaker 4: do right by me. 572 00:24:15,560 --> 00:24:17,480 Speaker 1: When you do right by your wife. 573 00:24:17,520 --> 00:24:20,680 Speaker 4: Absolutely, your life, just man, you think you're doing it now? 574 00:24:20,760 --> 00:24:24,600 Speaker 4: Oh my god, everything everything else, everything. 575 00:24:25,040 --> 00:24:32,639 Speaker 5: Have you had a conversation with run Can because it's 576 00:24:32,640 --> 00:24:36,480 Speaker 5: still gotta be awkward. Nobody does he does? He put 577 00:24:36,480 --> 00:24:38,520 Speaker 5: his you know, his arm around you, like, look, young man. 578 00:24:39,359 --> 00:24:42,640 Speaker 3: Uh, I gotta I gotta sit down with him. 579 00:24:42,880 --> 00:24:43,160 Speaker 1: Mhm. 580 00:24:43,200 --> 00:24:45,840 Speaker 3: So okay, yeah it's lined up though. 581 00:24:46,040 --> 00:24:48,280 Speaker 1: All yeah, I have to see that. That mean it's 582 00:24:48,280 --> 00:24:50,040 Speaker 1: about to get serious. 583 00:24:50,600 --> 00:24:51,640 Speaker 3: I respect. 584 00:24:53,040 --> 00:24:55,520 Speaker 4: The song No fake love, Man, you feel like, uh 585 00:24:55,800 --> 00:24:57,120 Speaker 4: do you feel like all love is fake? 586 00:24:57,240 --> 00:25:00,680 Speaker 3: For real? Not all, but a lot of it, most 587 00:25:00,680 --> 00:25:03,480 Speaker 3: of it? You know what I'm saying. I think we're 588 00:25:03,480 --> 00:25:06,399 Speaker 3: in an opportunities world. I feel like, you know, people 589 00:25:06,440 --> 00:25:08,600 Speaker 3: love you for what you could do for them and 590 00:25:08,680 --> 00:25:10,679 Speaker 3: once you stop doing it, or once you can't do it, 591 00:25:10,680 --> 00:25:14,040 Speaker 3: you will see that soon that it's a different relationship, 592 00:25:14,080 --> 00:25:16,800 Speaker 3: with a different type of relationship. Where are y'all hustling 593 00:25:16,800 --> 00:25:19,919 Speaker 3: together or are y'all just friends? You know, in a 594 00:25:19,960 --> 00:25:23,920 Speaker 3: lot of situations, you know what I'm saying, People confuse 595 00:25:24,440 --> 00:25:25,480 Speaker 3: love and opportunity. 596 00:25:26,480 --> 00:25:28,679 Speaker 4: What do you think when you have an artist, right, 597 00:25:28,720 --> 00:25:31,440 Speaker 4: because you've had so much success with different artists, if 598 00:25:31,440 --> 00:25:34,560 Speaker 4: one of the artists don't take off, what's that conversation? 599 00:25:34,760 --> 00:25:37,439 Speaker 3: Like we tried, you know what I mean? Like I 600 00:25:37,520 --> 00:25:40,040 Speaker 3: tell all my artists from the beginning. You know what 601 00:25:40,080 --> 00:25:43,439 Speaker 3: I'm saying, Like we can win together, we can lose together. 602 00:25:43,920 --> 00:25:45,359 Speaker 3: Like if I can go to the bank with you, 603 00:25:45,440 --> 00:25:47,639 Speaker 3: I can lose with you too. I ain't tripping, you 604 00:25:47,640 --> 00:25:49,760 Speaker 3: know what I'm saying. Long as we both tried our 605 00:25:49,840 --> 00:25:52,720 Speaker 3: best to do what we thought were win you know 606 00:25:52,760 --> 00:25:55,600 Speaker 3: what I mean. And you win some, you lose some. 607 00:25:55,760 --> 00:25:57,879 Speaker 3: You know what I'm saying, Like, I ain't tripping, you. 608 00:25:57,920 --> 00:25:59,159 Speaker 1: Know how you know when it's time to move on 609 00:25:59,200 --> 00:26:00,400 Speaker 1: though from an artist? 610 00:26:01,920 --> 00:26:05,480 Speaker 3: Well, most time, most time I only move on if 611 00:26:05,560 --> 00:26:09,000 Speaker 3: like we ain't like seeing on the same page. It 612 00:26:09,040 --> 00:26:12,600 Speaker 3: ain't really a monetarial standpoint, you know what I'm saying, 613 00:26:12,640 --> 00:26:15,240 Speaker 3: Because we can figure out how to adjust the numbers 614 00:26:15,680 --> 00:26:18,960 Speaker 3: to keep getting the artist shots and it still makes sense. 615 00:26:19,000 --> 00:26:22,000 Speaker 3: So we not you know, you're not losing too much, 616 00:26:22,400 --> 00:26:24,680 Speaker 3: you feel me as long as I feel like we're 617 00:26:24,720 --> 00:26:27,760 Speaker 3: still in it together and we're still trying together. You 618 00:26:27,800 --> 00:26:30,879 Speaker 3: know what I'm saying that if we ain't on the 619 00:26:30,920 --> 00:26:33,000 Speaker 3: same page, we just wasting each other time. 620 00:26:33,240 --> 00:26:36,600 Speaker 2: You look at artist as ever being a little lazy 621 00:26:37,480 --> 00:26:39,159 Speaker 2: because of the social media era, they got a lot 622 00:26:39,160 --> 00:26:41,080 Speaker 2: of things that you didn't have right. So I remember 623 00:26:41,400 --> 00:26:43,240 Speaker 2: seeing you come up and the things that you had 624 00:26:43,240 --> 00:26:46,000 Speaker 2: to do, whether it was going to every homecoming All 625 00:26:46,040 --> 00:26:48,399 Speaker 2: Star event, super Bowl where you would travel with all 626 00:26:48,400 --> 00:26:49,639 Speaker 2: your cars to make it a movie. 627 00:26:49,680 --> 00:26:52,520 Speaker 5: Like I remember seeing that, and it's seeing the grind. 628 00:26:52,640 --> 00:26:55,560 Speaker 3: I talk about this all the time, partnering them. They're like, 629 00:26:55,560 --> 00:26:58,760 Speaker 3: it's just a different eraror like what we done, what 630 00:26:58,840 --> 00:27:01,920 Speaker 3: we done to remote and what we're done to get 631 00:27:01,960 --> 00:27:04,720 Speaker 3: in position. I just don't think new artists today could 632 00:27:04,760 --> 00:27:07,280 Speaker 3: even do that, you know what I'm saying, Like, bro, 633 00:27:07,359 --> 00:27:09,560 Speaker 3: I remember I used to go to New Orleans to 634 00:27:09,640 --> 00:27:14,520 Speaker 3: Holly burd Man. We used to wait ten hours just 635 00:27:14,560 --> 00:27:16,879 Speaker 3: to talk to him, Like you know what I mean, Like, 636 00:27:16,920 --> 00:27:18,600 Speaker 3: imagine if you tell the artists come to meet you 637 00:27:18,680 --> 00:27:21,080 Speaker 3: today and it takes take you ten hours to talk 638 00:27:21,080 --> 00:27:27,600 Speaker 3: to him. Gott it of that, you know what I'm saying, disrespect. 639 00:27:27,640 --> 00:27:31,200 Speaker 3: They're like, man, wait thirty minutes. You know what I'm saying, 640 00:27:31,359 --> 00:27:33,840 Speaker 3: Like you know, we would go to a video shoot 641 00:27:34,520 --> 00:27:36,520 Speaker 3: and beat her all day to be in a two 642 00:27:36,560 --> 00:27:40,520 Speaker 3: second cameo. You know what I mean. We ain't have 643 00:27:40,640 --> 00:27:45,480 Speaker 3: no trailer, no budget, styling budget. Again, man invite a 644 00:27:45,560 --> 00:27:48,000 Speaker 3: artist to the video and he ain't ready shoot them 645 00:27:48,000 --> 00:27:51,119 Speaker 3: when he pull up. You know what I'm saying. You 646 00:27:51,119 --> 00:27:53,439 Speaker 3: know what I'm saying, Like it's just it's just a 647 00:27:53,480 --> 00:27:56,080 Speaker 3: different like you know what I mean. But I also 648 00:27:56,119 --> 00:27:58,960 Speaker 3: think those things that those are the thing that make 649 00:27:59,080 --> 00:28:02,560 Speaker 3: people like me, like stronger on a different level, Like 650 00:28:02,600 --> 00:28:05,920 Speaker 3: I can take more. I can Like I'm not bothered easily, 651 00:28:06,720 --> 00:28:08,320 Speaker 3: you know what I'm saying, Like I'm not really like 652 00:28:08,840 --> 00:28:11,040 Speaker 3: I ain't phased by nothing. I already done it the 653 00:28:11,080 --> 00:28:13,760 Speaker 3: hardest way you can do it. I haven't already been 654 00:28:13,800 --> 00:28:16,679 Speaker 3: through the you know what I mean. Like, so like 655 00:28:16,840 --> 00:28:20,320 Speaker 3: everything is like what's something serious to somebody's like it's 656 00:28:20,320 --> 00:28:22,320 Speaker 3: a joke to be I'm tripping off of like you 657 00:28:22,480 --> 00:28:24,639 Speaker 3: paid it, you're fitted by it. 658 00:28:24,880 --> 00:28:27,960 Speaker 1: Like what what's Young d done that made you be 659 00:28:28,040 --> 00:28:28,400 Speaker 1: like come. 660 00:28:28,320 --> 00:28:32,240 Speaker 3: On, bro, Young d ain't done nothing, bro, Like yeah, 661 00:28:32,320 --> 00:28:34,560 Speaker 3: Young d like just getting started and he onto a 662 00:28:34,600 --> 00:28:37,160 Speaker 3: great start. You know what I'm saying. He done like 663 00:28:38,120 --> 00:28:42,040 Speaker 3: Doug record made Bag of Future a lot of money 664 00:28:42,040 --> 00:28:45,080 Speaker 3: Bag records at an early age. So I think he 665 00:28:45,240 --> 00:28:47,400 Speaker 3: kind of ahead of his time, you know what I'm saying. 666 00:28:47,440 --> 00:28:49,320 Speaker 3: I think he creating a sound that's probably gonna be 667 00:28:49,360 --> 00:28:52,440 Speaker 3: like this CMG sound for the next you know next way. 668 00:28:52,600 --> 00:29:00,760 Speaker 4: You got your first home the bands yet, yeah, that's 669 00:29:00,800 --> 00:29:02,680 Speaker 4: what That's what God. He said on the First hundred 670 00:29:02,680 --> 00:29:04,240 Speaker 4: Band said his first hundred band felt like a million, 671 00:29:04,240 --> 00:29:05,280 Speaker 4: So what did a million feel like? 672 00:29:05,280 --> 00:29:05,680 Speaker 1: Then? Got? 673 00:29:06,120 --> 00:29:09,160 Speaker 3: Man? You know it's crazy because it's like, I mean, y'all, 674 00:29:09,280 --> 00:29:13,200 Speaker 3: y'all got a lot of money many but it's like, 675 00:29:13,280 --> 00:29:16,840 Speaker 3: you know, uh, when you first get that first hunting 676 00:29:16,920 --> 00:29:19,960 Speaker 3: that hunted in the hood, you were like a millionaire 677 00:29:19,960 --> 00:29:21,760 Speaker 3: in the hood, you know what I'm saying. Then in Memphis, 678 00:29:22,680 --> 00:29:25,120 Speaker 3: you know, yeah, like you might be one point five 679 00:29:26,640 --> 00:29:29,920 Speaker 3: you know what I'm saying, because it's like it's, uh, 680 00:29:30,200 --> 00:29:32,080 Speaker 3: that's how I feel, you know what I'm saying. When 681 00:29:32,160 --> 00:29:34,560 Speaker 3: when you get it the first time, it's a it's 682 00:29:34,600 --> 00:29:37,400 Speaker 3: a special feeling. And I think, you know, it's crazy 683 00:29:37,440 --> 00:29:40,240 Speaker 3: that I think we all from a coach that just 684 00:29:40,280 --> 00:29:43,120 Speaker 3: wanted to be a millionaire at some point because that 685 00:29:43,240 --> 00:29:45,120 Speaker 3: seemed like the end goal, like, man, if I can 686 00:29:45,160 --> 00:29:48,320 Speaker 3: become a millionaire, that was it, right until you get 687 00:29:48,320 --> 00:29:53,560 Speaker 3: the million then you realize like, oh man, yeah, like 688 00:29:53,640 --> 00:29:55,640 Speaker 3: this ain't the same what I thought it was, like 689 00:29:56,120 --> 00:29:58,720 Speaker 3: you feel me, I need a lot more than you. 690 00:29:58,800 --> 00:30:01,320 Speaker 3: You know what I'm saying. So I just think it's 691 00:30:01,360 --> 00:30:06,120 Speaker 3: it's it's different, uh tempoles you hit Like I think 692 00:30:06,160 --> 00:30:09,000 Speaker 3: the Hondred band, the first hundred bands is special. You 693 00:30:09,040 --> 00:30:11,000 Speaker 3: know what I'm saying. In the street really too, I 694 00:30:11,000 --> 00:30:13,120 Speaker 3: think it's also different. I don't know this, but I 695 00:30:13,160 --> 00:30:16,320 Speaker 3: think if you got one hundred thousand dollars job, you 696 00:30:16,400 --> 00:30:19,280 Speaker 3: may don't feel the same at the one hundred thousand dollars, 697 00:30:19,280 --> 00:30:22,080 Speaker 3: five tens and twenties in your hand in the street 698 00:30:22,200 --> 00:30:24,560 Speaker 3: like what I'm breakfasting to, you know what I'm saying, 699 00:30:24,600 --> 00:30:26,920 Speaker 3: Because then what I think you know what I mean. 700 00:30:26,960 --> 00:30:28,840 Speaker 3: I never had a six fiet job. You know, like 701 00:30:29,040 --> 00:30:30,280 Speaker 3: they paid it, because if. 702 00:30:30,160 --> 00:30:31,960 Speaker 4: You get a hundreds a year a job, there's really 703 00:30:32,040 --> 00:30:34,040 Speaker 4: like fifty sixty six. 704 00:30:35,000 --> 00:30:35,920 Speaker 1: Never all that money. 705 00:30:35,920 --> 00:30:39,200 Speaker 3: I wanted their first hundred bands and five tens and 706 00:30:39,240 --> 00:30:41,920 Speaker 3: twenties and it looked good. And you gotta you know how, 707 00:30:42,040 --> 00:30:43,920 Speaker 3: you got to stack up, whether it's in ten thousand 708 00:30:43,920 --> 00:30:46,560 Speaker 3: dollars stacks or one thousand dollar stacks. You know what 709 00:30:46,600 --> 00:30:48,920 Speaker 3: I'm saying. You know, I can't wait the fields to man, 710 00:30:49,000 --> 00:30:51,040 Speaker 3: we used to earn them. I used to earn my money. 711 00:30:51,120 --> 00:30:54,160 Speaker 3: Put the small bills over here and yeah, you feel me? 712 00:30:54,240 --> 00:30:56,480 Speaker 1: So I can't spends you. 713 00:30:57,400 --> 00:31:01,600 Speaker 3: Got one hundred thousand, a hundred down time. You know, 714 00:31:02,560 --> 00:31:04,600 Speaker 3: Come on, man, what do you learning. 715 00:31:04,440 --> 00:31:06,000 Speaker 4: From Hole at this point in the game? Because on 716 00:31:06,040 --> 00:31:07,600 Speaker 4: the album you say you feel like you're right there 717 00:31:07,600 --> 00:31:08,040 Speaker 4: with Hold. 718 00:31:08,720 --> 00:31:11,200 Speaker 3: Yeah, I said, uh, what did I say? 719 00:31:11,320 --> 00:31:12,920 Speaker 1: I said, you feel like you're right there? 720 00:31:13,480 --> 00:31:16,320 Speaker 3: I'm your rappers favorite rappers something like that. Uh, I'm 721 00:31:16,400 --> 00:31:17,160 Speaker 3: damned on Jay. 722 00:31:17,160 --> 00:31:18,280 Speaker 1: Level, but not literally. 723 00:31:18,600 --> 00:31:20,800 Speaker 3: Yeah, but then I make sure I tell you not literally, 724 00:31:20,840 --> 00:31:22,360 Speaker 3: because that's that's. 725 00:31:22,160 --> 00:31:24,800 Speaker 5: A different level bion billion conversations. 726 00:31:24,880 --> 00:31:29,360 Speaker 3: Yeah, but you know I say that in a well 727 00:31:29,360 --> 00:31:31,800 Speaker 3: I'm learning from Jay now is I think it's about 728 00:31:31,840 --> 00:31:34,800 Speaker 3: and it's my opinion. I think everything with Jay rock 729 00:31:34,880 --> 00:31:36,960 Speaker 3: Nation is about impact at this point, you know what 730 00:31:36,960 --> 00:31:39,080 Speaker 3: I mean. I feel like, of course, there are all 731 00:31:39,120 --> 00:31:41,120 Speaker 3: the money in the world, right, you know what I'm saying. 732 00:31:41,160 --> 00:31:44,920 Speaker 3: So I think for me too, it's like trying to 733 00:31:44,920 --> 00:31:47,760 Speaker 3: see how much impact can you give? You know what 734 00:31:47,760 --> 00:31:49,760 Speaker 3: I'm saying, whatever it's happened a young deal, that's helping 735 00:31:49,840 --> 00:31:53,000 Speaker 3: a little artist, or whether it's creating jobs in the city, 736 00:31:53,080 --> 00:31:56,680 Speaker 3: or whether it's uh just you know, helping somebody with information. 737 00:31:57,160 --> 00:31:58,960 Speaker 3: You know, I do a lot of that. That's only 738 00:31:59,280 --> 00:32:01,480 Speaker 3: they're probably never be public, you know what I mean. 739 00:32:01,480 --> 00:32:03,640 Speaker 3: It's so many artists. It's not signing me that I 740 00:32:03,800 --> 00:32:06,719 Speaker 3: get nothing off of that. I talk to every week 741 00:32:07,200 --> 00:32:09,920 Speaker 3: different artists that I just you know, get information, to 742 00:32:10,000 --> 00:32:12,800 Speaker 3: give advice, to help them with different situations, you know 743 00:32:12,800 --> 00:32:14,760 Speaker 3: what I'm saying, or try to help them go to 744 00:32:14,800 --> 00:32:17,080 Speaker 3: the next level. That I have no financial interest in, 745 00:32:17,920 --> 00:32:21,880 Speaker 3: h just impact. I think everything is information. I take 746 00:32:21,920 --> 00:32:24,600 Speaker 3: in a lot of information, but I also give the 747 00:32:24,720 --> 00:32:27,200 Speaker 3: information back out, you know what I mean. So I 748 00:32:27,240 --> 00:32:28,840 Speaker 3: think I'm just at a point where I'm trying to 749 00:32:28,840 --> 00:32:33,200 Speaker 3: figure out how much impact I can I can, how 750 00:32:33,200 --> 00:32:35,239 Speaker 3: many things I can touch, how much impact I can 751 00:32:35,360 --> 00:32:36,960 Speaker 3: lead in the legacy. 752 00:32:37,640 --> 00:32:37,960 Speaker 1: I can't. 753 00:32:38,000 --> 00:32:40,960 Speaker 4: I can't think of no artists who's got a better 754 00:32:41,080 --> 00:32:42,280 Speaker 4: roster of. 755 00:32:42,400 --> 00:32:45,959 Speaker 1: Artists right now? I can't. I can't think of it. 756 00:32:46,520 --> 00:32:48,760 Speaker 4: You know, when we've seen different people have different rosters 757 00:32:48,800 --> 00:32:50,920 Speaker 4: at certain times. I'm talking about right now, at this moment, 758 00:32:51,640 --> 00:32:53,320 Speaker 4: I can't think of nobody who got CMG. 759 00:32:54,280 --> 00:32:57,920 Speaker 3: Mm hmm, yeah, were blessed. 760 00:32:59,000 --> 00:33:00,600 Speaker 4: They always say that in myth if it's if it 761 00:33:00,600 --> 00:33:03,440 Speaker 4: ain't c MG, if if you're not with CMG, is 762 00:33:03,480 --> 00:33:04,680 Speaker 4: not gonna not Cowork. 763 00:33:04,840 --> 00:33:07,120 Speaker 3: No, that's not true. There's a lot of artists it's 764 00:33:07,120 --> 00:33:09,080 Speaker 3: not c MG from Memphis, their work, you know what 765 00:33:09,080 --> 00:33:11,440 Speaker 3: I'm saying. You know, we like them too, you know 766 00:33:11,480 --> 00:33:13,320 Speaker 3: what I'm saying. Like, you know, it's a lot of 767 00:33:13,480 --> 00:33:15,280 Speaker 3: up there's a lot of young cats right now that's 768 00:33:15,400 --> 00:33:17,400 Speaker 3: killing it. You know. You know what I'm saying. Who 769 00:33:17,440 --> 00:33:19,520 Speaker 3: I think they're killing it on the street already. Who 770 00:33:19,520 --> 00:33:22,000 Speaker 3: I think they're gonna be the next wave? And they 771 00:33:22,040 --> 00:33:23,080 Speaker 3: signed to different people. 772 00:33:23,080 --> 00:33:27,719 Speaker 1: You know what I'm saying, Uh, you give them information? 773 00:33:27,800 --> 00:33:29,640 Speaker 1: Do you give like that those other labels? 774 00:33:29,680 --> 00:33:33,040 Speaker 3: Anybody, bro, anybody who hit me like I'm an open book. 775 00:33:33,680 --> 00:33:35,560 Speaker 3: I'm an open book, you know what I'm saying. Like 776 00:33:36,080 --> 00:33:41,560 Speaker 3: I ain't hard to reach, so anybody can get information 777 00:33:41,600 --> 00:33:41,840 Speaker 3: from me. 778 00:33:41,920 --> 00:33:43,520 Speaker 1: Do you want new artists? Do you want more people? 779 00:33:44,640 --> 00:33:48,240 Speaker 3: The right ones? The right one? We got a lot 780 00:33:48,320 --> 00:33:50,880 Speaker 3: going on and so a bunch of artists we can't 781 00:33:50,880 --> 00:33:53,920 Speaker 3: afford to be like if you ain't really like serious, 782 00:33:53,960 --> 00:33:56,520 Speaker 3: you know what I'm saying, If you ain't serious about hustling, 783 00:33:56,560 --> 00:33:58,560 Speaker 3: we ain't. We ain't trying to get no quick check 784 00:33:58,680 --> 00:33:59,160 Speaker 3: or no just. 785 00:33:59,400 --> 00:34:01,680 Speaker 2: You remember on your you've been all this gout sign 786 00:34:01,720 --> 00:34:04,800 Speaker 2: Glorrella money back, Yo is t G four two Doug Blacks? 787 00:34:05,240 --> 00:34:07,960 Speaker 3: What all of all this? Anybody we forgetting a big 788 00:34:08,040 --> 00:34:12,040 Speaker 3: buggy ladies, christ I forgot big boogy with something Yeah, 789 00:34:12,160 --> 00:34:17,120 Speaker 3: pop off, popping off man. I just was on the 790 00:34:17,120 --> 00:34:21,560 Speaker 3: phone you a minute ago. He's good youngster business man, bro. 791 00:34:21,600 --> 00:34:24,000 Speaker 3: He like you actually work on a lot of other stuff, 792 00:34:24,520 --> 00:34:26,160 Speaker 3: you know what I'm saying, a lot of real estate stuff, 793 00:34:26,160 --> 00:34:30,520 Speaker 3: a lot of different different hustles. Yeah, all right, well, 794 00:34:30,840 --> 00:34:34,360 Speaker 3: little Papa, we got a little popper, little pop from Jacksonville, Florida. 795 00:34:35,080 --> 00:34:38,760 Speaker 3: H Maasi from the West Coast. 796 00:34:38,920 --> 00:34:40,000 Speaker 1: Ain't nobody with CMG. 797 00:34:40,200 --> 00:34:46,759 Speaker 3: Yeah, MASI uh uh man, it's a lot. 798 00:34:47,200 --> 00:34:48,959 Speaker 1: You need somebody from the Carolinas. Man, you need somebody 799 00:34:48,960 --> 00:34:49,720 Speaker 1: from South Carolina. 800 00:34:50,520 --> 00:34:55,280 Speaker 3: Well, you know we uh we're looking you got Okay, Okay, 801 00:34:55,320 --> 00:35:00,279 Speaker 3: you're looking looking. I can't say that they might ever 802 00:35:00,360 --> 00:35:04,480 Speaker 3: before me over here, but we won't work somebody for Carolina, 803 00:35:04,560 --> 00:35:09,000 Speaker 3: New York. We won't work with somebody from New York, Atlanta, 804 00:35:09,680 --> 00:35:12,080 Speaker 3: them certain markets. We always wanted to like find the 805 00:35:12,160 --> 00:35:13,600 Speaker 3: right artists because. 806 00:35:13,400 --> 00:35:16,720 Speaker 4: You know, South Carolina got always had big love for you. 807 00:35:16,719 --> 00:35:17,200 Speaker 1: You know what I mean. 808 00:35:17,200 --> 00:35:20,319 Speaker 3: South Carolina like a big part of our like our 809 00:35:20,440 --> 00:35:23,160 Speaker 3: success for real, you know what I'm saying. Like if 810 00:35:23,200 --> 00:35:26,520 Speaker 3: you if you took the Carolina's out of the picture, man, 811 00:35:26,600 --> 00:35:31,279 Speaker 3: you'll take a lot of high paper, you take a 812 00:35:31,280 --> 00:35:34,160 Speaker 3: lot of paper out there. After what are we what 813 00:35:34,200 --> 00:35:36,160 Speaker 3: are you talking about? Show money? We're talking about record 814 00:35:36,160 --> 00:35:38,719 Speaker 3: sale streams. A lot of it comes from the. 815 00:35:38,680 --> 00:35:42,000 Speaker 1: Carolina because Arnold Taylor was a big part of your early. 816 00:35:41,840 --> 00:35:44,200 Speaker 3: My dog, My Dog's my dog for sure. 817 00:35:45,040 --> 00:35:45,359 Speaker 1: All right. 818 00:35:45,400 --> 00:35:48,560 Speaker 2: Well, the album Watching the Gangster Girls mixtape showed you 819 00:35:48,600 --> 00:35:50,560 Speaker 2: so you could pick it up now, Young d We 820 00:35:50,600 --> 00:35:53,040 Speaker 2: appreciate you for joining us and. 821 00:35:53,040 --> 00:35:56,000 Speaker 5: Of course YO got it. Thank you brother. 822 00:35:56,360 --> 00:35:57,399 Speaker 3: Sure it's the Breakfast Club. 823 00:35:57,400 --> 00:35:57,799 Speaker 5: Good morning,