1 00:00:00,560 --> 00:00:02,800 Speaker 1: We should start right off because I have some ideas. 2 00:00:04,480 --> 00:00:07,720 Speaker 1: Go ahead, Johnny, go ahead, because you had you guys 3 00:00:07,720 --> 00:00:10,680 Speaker 1: have to grind this. And I'm so excited that some 4 00:00:10,760 --> 00:00:13,080 Speaker 1: things occurred to me while I was watching this thing. 5 00:00:13,680 --> 00:00:15,760 Speaker 1: I love it when you come on, you know why, 6 00:00:15,800 --> 00:00:18,720 Speaker 1: because you come prepared. You're like, you're as prepared as 7 00:00:18,760 --> 00:00:22,239 Speaker 1: Donald and I You're like, you're wound up. I am. 8 00:00:22,680 --> 00:00:25,959 Speaker 1: Look going back and watching this, first of all, it's 9 00:00:26,000 --> 00:00:30,880 Speaker 1: hard not to feel really proud of it. Yeah, and 10 00:00:31,160 --> 00:00:33,760 Speaker 1: this one I thought deserved some backdrop because the one 11 00:00:33,920 --> 00:00:37,800 Speaker 1: last Week one fifteen is a spectacular episode. Zach. You're 12 00:00:37,800 --> 00:00:40,760 Speaker 1: particularly great in that episode with Sarah and then the 13 00:00:40,840 --> 00:00:45,040 Speaker 1: monologues with the shrink let the whole ensemble just shine. 14 00:00:45,080 --> 00:00:48,600 Speaker 1: And I busted my ass on those monologues because the 15 00:00:48,760 --> 00:00:52,080 Speaker 1: writing was astonished. And you notice there's no cuts. I mean, 16 00:00:52,120 --> 00:00:55,840 Speaker 1: we were clearly all told that they'd be wonders. Yeah, 17 00:00:56,000 --> 00:00:59,240 Speaker 1: they were, especially since Donald knew it, So we were 18 00:00:59,280 --> 00:01:02,080 Speaker 1: clearly all hold that there would be no cuts. But 19 00:01:02,200 --> 00:01:05,560 Speaker 1: what I thought was really interesting and maybe interesting for 20 00:01:05,680 --> 00:01:09,759 Speaker 1: people listening is a little bit of context. And what 21 00:01:09,800 --> 00:01:13,479 Speaker 1: I mean is because in this episode it became clear 22 00:01:13,520 --> 00:01:17,039 Speaker 1: to me just how gelled the ensemble is. Whether it's 23 00:01:17,120 --> 00:01:21,400 Speaker 1: Kenny and Judy, You and me, Zaki, Donald and Sarah, 24 00:01:21,440 --> 00:01:26,040 Speaker 1: the thing is just water tight. And the reason is 25 00:01:26,080 --> 00:01:28,720 Speaker 1: because I think now, as we discussed already, nine to 26 00:01:28,760 --> 00:01:31,399 Speaker 1: eleven had already occurred. We're round about the middle of 27 00:01:31,440 --> 00:01:36,839 Speaker 1: December here, and so what happened in New York, which 28 00:01:36,840 --> 00:01:40,120 Speaker 1: I'll circle this back, was the New York Yankees lost 29 00:01:40,120 --> 00:01:43,280 Speaker 1: the World Series in seven games to the Arizona Diamondbacks. 30 00:01:43,840 --> 00:01:47,520 Speaker 1: And the only reason that's relevant is because they lost. 31 00:01:47,880 --> 00:01:50,800 Speaker 1: There was no ticker tape parade in New York City, 32 00:01:51,320 --> 00:01:55,320 Speaker 1: so we were invited to the Thanksgiving Parade in New 33 00:01:55,400 --> 00:01:59,120 Speaker 1: York City, and it was the first taste of real 34 00:01:59,320 --> 00:02:01,600 Speaker 1: rock star for all of us because we worked till 35 00:02:01,640 --> 00:02:05,080 Speaker 1: Wednesday night, till about nine twenty five, and this was 36 00:02:05,320 --> 00:02:08,120 Speaker 1: a week or two before this episode, and then we 37 00:02:08,120 --> 00:02:12,919 Speaker 1: were whisked off to Lax where we occupied the entire 38 00:02:13,160 --> 00:02:16,639 Speaker 1: front of first class. There was only one other person. 39 00:02:16,680 --> 00:02:19,160 Speaker 1: There were only one other, that's right, and it was 40 00:02:19,240 --> 00:02:23,040 Speaker 1: a boy band. It was like Otown or something like that. 41 00:02:23,080 --> 00:02:25,920 Speaker 1: We shared first class. It was the cast of Scrubs 42 00:02:26,120 --> 00:02:28,520 Speaker 1: and Otown. I remember. It might as well have been 43 00:02:28,560 --> 00:02:30,880 Speaker 1: a private plane. It wasn't. But it was first class. 44 00:02:30,880 --> 00:02:33,480 Speaker 1: It wasn't coach, it was first It wasn't business class, 45 00:02:33,760 --> 00:02:35,840 Speaker 1: it was first class. And we were going to New 46 00:02:35,919 --> 00:02:39,200 Speaker 1: York to participate in the Thanksgiving Day Parade. Now, remember 47 00:02:39,320 --> 00:02:42,920 Speaker 1: there had been no mass gatherings allowed in New York 48 00:02:43,480 --> 00:02:47,240 Speaker 1: since that Tuesday morning in September. There's just wasn't allowed. 49 00:02:47,240 --> 00:02:49,560 Speaker 1: The Yankees were supposed to be there, but they weren't. 50 00:02:50,040 --> 00:02:52,800 Speaker 1: So we fly overnight, and you guys can chime in, 51 00:02:52,880 --> 00:02:55,880 Speaker 1: but we fly overnight, we go, we're deposited at some 52 00:02:56,160 --> 00:02:58,760 Speaker 1: chapel on the Upper West Side somewhere. We didn't even 53 00:02:58,800 --> 00:03:01,040 Speaker 1: go to the hotel. We just they dropped us off 54 00:03:01,200 --> 00:03:04,160 Speaker 1: at the freaking parade. Yeah, we were like lying on 55 00:03:04,200 --> 00:03:07,920 Speaker 1: the on the ground in the chapel toutely. Yeah. And 56 00:03:08,000 --> 00:03:15,160 Speaker 1: we got sideways on the plane. Yeah, sideways as you do. 57 00:03:16,520 --> 00:03:19,520 Speaker 1: And then we got up and Zachie, I think you 58 00:03:19,600 --> 00:03:23,560 Speaker 1: brought your nephew onto the float. Yeah, I did. And 59 00:03:23,600 --> 00:03:27,880 Speaker 1: it was a quasi racist kind of Pocahona's float. Um. 60 00:03:28,400 --> 00:03:31,480 Speaker 1: And they've gotten they've gotten rid of some of those 61 00:03:31,520 --> 00:03:34,440 Speaker 1: since then, I think, Yeah, But I absolutely I think, well, 62 00:03:34,520 --> 00:03:37,840 Speaker 1: here's the Scrubs cast and a quasi racist of Pocahona's 63 00:03:37,880 --> 00:03:40,480 Speaker 1: float on the upper west side in the staging area. 64 00:03:40,560 --> 00:03:43,640 Speaker 1: And who pulls up behind us but the Wiggles in 65 00:03:43,680 --> 00:03:47,160 Speaker 1: the big red car. Now, I had gone to Wiggles 66 00:03:47,200 --> 00:03:50,400 Speaker 1: concerts with my son every time they were in Los 67 00:03:50,400 --> 00:03:53,400 Speaker 1: Angeles for the last couple of years. I was eating, sleeping, 68 00:03:53,400 --> 00:03:56,120 Speaker 1: and drinking the Wiggles. So I got off the float 69 00:03:56,360 --> 00:03:58,040 Speaker 1: and I went back to the big Red car and 70 00:03:58,040 --> 00:04:00,880 Speaker 1: induced myself to Murray and Jeff and I introduced myself 71 00:04:00,880 --> 00:04:04,600 Speaker 1: to everybody, and I became friends with the Wiggles, and 72 00:04:04,720 --> 00:04:07,000 Speaker 1: I am to this day. You hang out with the 73 00:04:07,000 --> 00:04:09,960 Speaker 1: Wiggles still not really, but I did a video for 74 00:04:10,040 --> 00:04:14,360 Speaker 1: them and they became my friends. There. My memory started 75 00:04:14,360 --> 00:04:16,960 Speaker 1: interrupt one second, Johnny. My memory is that my nephew 76 00:04:17,560 --> 00:04:21,640 Speaker 1: was a very outspoken kid and not shy at all. 77 00:04:21,839 --> 00:04:23,440 Speaker 1: And I don't know how old he was, but he 78 00:04:23,480 --> 00:04:26,080 Speaker 1: was little, and we had to be like nine, dude, 79 00:04:26,279 --> 00:04:28,640 Speaker 1: no younger or younger younger. He was a little kid. 80 00:04:28,880 --> 00:04:31,240 Speaker 1: And so Al Roker we're off the flow at one point, 81 00:04:31,240 --> 00:04:33,479 Speaker 1: and Al Roker's interviewing us, and he goes and I'm 82 00:04:33,480 --> 00:04:35,440 Speaker 1: here with the cast of Scrubs and I've got Johnny 83 00:04:35,480 --> 00:04:37,839 Speaker 1: ce McGinley and Donald Fazon is going around introducing the 84 00:04:37,839 --> 00:04:40,720 Speaker 1: whole cast, and my neph end this is live television 85 00:04:41,000 --> 00:04:47,120 Speaker 1: and my nephew goes, what about me and Al Roker? 86 00:04:47,200 --> 00:04:50,000 Speaker 1: It's awkward, and Al Roker ignores him and starts so 87 00:04:50,320 --> 00:04:53,560 Speaker 1: tell us about the show. Guy interrupts him again, what 88 00:04:53,880 --> 00:05:00,120 Speaker 1: about me? And finally Al feels bad enough that he's like, oh, 89 00:05:00,160 --> 00:05:02,800 Speaker 1: young I'm sorry, young man, you're right, and what's your name? 90 00:05:02,839 --> 00:05:04,840 Speaker 1: And then he introduces himself. But I was like, it 91 00:05:04,920 --> 00:05:09,520 Speaker 1: was my first knee throwing gang signs too, Like he didn't. 92 00:05:09,640 --> 00:05:11,920 Speaker 1: He didn't, he didn't know any like real gang signs, 93 00:05:11,920 --> 00:05:14,599 Speaker 1: but he had seen on TV how how how rappers 94 00:05:14,640 --> 00:05:17,119 Speaker 1: and whomever throw gang signs. So we're on the float 95 00:05:17,160 --> 00:05:22,080 Speaker 1: and he's like throwing these like almost gang signs. When 96 00:05:22,160 --> 00:05:25,760 Speaker 1: I when I spoke to Al Roker after after he cut, 97 00:05:26,200 --> 00:05:29,080 Speaker 1: I said, how, how is this for a turnout? And 98 00:05:29,160 --> 00:05:31,080 Speaker 1: he said, this will be the largest turnout in the 99 00:05:31,120 --> 00:05:33,280 Speaker 1: history of the Macy's Thanksgiving Day parade. And I said, 100 00:05:33,279 --> 00:05:34,919 Speaker 1: we'll give me an estimate, and he said, there'll be 101 00:05:34,920 --> 00:05:36,920 Speaker 1: about three and a half million people here, and so 102 00:05:37,040 --> 00:05:39,880 Speaker 1: every time we went through an intersection, and I'll wrap 103 00:05:39,960 --> 00:05:41,520 Speaker 1: the story up in a minute, but every time we 104 00:05:41,560 --> 00:05:44,880 Speaker 1: went down an intersection, you could see it was one 105 00:05:44,920 --> 00:05:48,520 Speaker 1: hundred to two hundred people deep at every intersection. I've 106 00:05:48,560 --> 00:05:52,320 Speaker 1: never seen that many people. I never will in my life. Yeah, 107 00:05:52,320 --> 00:05:54,400 Speaker 1: it was. That was. I remember being like, wow, there 108 00:05:54,400 --> 00:05:57,280 Speaker 1: are so many people here, and we were on the 109 00:05:57,320 --> 00:06:00,640 Speaker 1: float and every You're right, every time we passed an 110 00:06:00,680 --> 00:06:05,080 Speaker 1: intersection it looked like it went so deep into the intersection. 111 00:06:05,200 --> 00:06:07,800 Speaker 1: I remember thinking, how are all of these people? It 112 00:06:07,839 --> 00:06:11,559 Speaker 1: was like sardines too, like they were packed together because 113 00:06:11,600 --> 00:06:14,960 Speaker 1: nobody had been allowed nobody had been allowed to gather 114 00:06:15,200 --> 00:06:17,760 Speaker 1: since that Tuesday. Another thing I remember is that my 115 00:06:17,839 --> 00:06:20,280 Speaker 1: nephew was on the float and he I thought, Oh, 116 00:06:20,279 --> 00:06:22,359 Speaker 1: this will be fun for him. He was bored in 117 00:06:22,440 --> 00:06:24,599 Speaker 1: thirty seconds, right, and I was like, oh, fuck, I 118 00:06:24,600 --> 00:06:27,120 Speaker 1: gotta take care of this kid for a whole parade. Yeah, 119 00:06:27,120 --> 00:06:29,039 Speaker 1: we had to. And it's all the way from Uptown, 120 00:06:29,120 --> 00:06:30,760 Speaker 1: all the way to Macon. Yeah, and he's throwing his 121 00:06:30,800 --> 00:06:32,600 Speaker 1: sack gang signs for a while and then he got 122 00:06:32,640 --> 00:06:34,920 Speaker 1: bored of that. And then there was like an upstairs 123 00:06:34,960 --> 00:06:36,200 Speaker 1: in the float. I don't know if it was like 124 00:06:36,920 --> 00:06:39,200 Speaker 1: it was like in Pocahonas's head or something. Well, no, 125 00:06:39,240 --> 00:06:42,920 Speaker 1: it was a multi tiered ship. Yeah, but even in 126 00:06:43,000 --> 00:06:46,680 Speaker 1: the in the non outside area, there was some spot 127 00:06:46,720 --> 00:06:48,240 Speaker 1: he found and then he went up there and he 128 00:06:48,279 --> 00:06:50,559 Speaker 1: found bubble rap and I was like, okay, fucking bubble 129 00:06:50,640 --> 00:06:52,800 Speaker 1: rap will entertain him for a little while. Then he 130 00:06:52,839 --> 00:06:55,080 Speaker 1: got over the bull. He was stopping on the bubble wrap, 131 00:06:55,160 --> 00:06:57,040 Speaker 1: and I was like, this is I'm never having kids, 132 00:06:57,080 --> 00:07:02,160 Speaker 1: this is like the worst. What about my My only 133 00:07:02,200 --> 00:07:06,040 Speaker 1: point bringing this up and I'll circle it back, was that. 134 00:07:06,200 --> 00:07:09,559 Speaker 1: And also remember a couple of weeks earlier, actually about 135 00:07:09,560 --> 00:07:11,680 Speaker 1: a month earlier, we had been picked up for the 136 00:07:11,720 --> 00:07:14,600 Speaker 1: back nine, and we ran around the hospital with our 137 00:07:14,640 --> 00:07:18,480 Speaker 1: HUDs cut off, and so that meant you had paychecks 138 00:07:18,600 --> 00:07:22,080 Speaker 1: until May the first week of nine or so, because 139 00:07:22,120 --> 00:07:25,520 Speaker 1: in TV you only get paid for episodes produced, and 140 00:07:25,600 --> 00:07:27,680 Speaker 1: so they just you know, it just let's explain to 141 00:07:27,680 --> 00:07:30,800 Speaker 1: people who don't know the show was picked up for 142 00:07:30,840 --> 00:07:33,760 Speaker 1: the first thirteen episodes, and they kind of see how 143 00:07:33,760 --> 00:07:36,040 Speaker 1: you do in the ratings, and then if you do 144 00:07:36,120 --> 00:07:37,920 Speaker 1: well enough in the ratings, you get the rest of 145 00:07:37,920 --> 00:07:41,880 Speaker 1: the order, which which is in business talk is called 146 00:07:41,920 --> 00:07:44,720 Speaker 1: the back nine, meaning you get you get nine more episodes, 147 00:07:45,160 --> 00:07:47,600 Speaker 1: And we had been given that news about a month earlier, 148 00:07:47,640 --> 00:07:49,640 Speaker 1: and we ran around the hospital like we'd won the 149 00:07:49,680 --> 00:07:54,080 Speaker 1: Stanley Cuppers. I remember, yea. And my only point in 150 00:07:54,120 --> 00:07:56,800 Speaker 1: this is that between getting picked up and now about 151 00:07:56,920 --> 00:07:59,600 Speaker 1: fifteen or sixteen episodes into it, and I can see 152 00:07:59,600 --> 00:08:03,680 Speaker 1: it in this episode as we'll discuss, but the ensemble 153 00:08:03,880 --> 00:08:06,640 Speaker 1: is water tight, whether it meant going on a trip 154 00:08:06,680 --> 00:08:09,760 Speaker 1: together or getting picked up, people are starting to vibe 155 00:08:09,760 --> 00:08:12,440 Speaker 1: off each other. And it's as clear as day when 156 00:08:12,480 --> 00:08:15,600 Speaker 1: I was watching it, it's just what Donald and Sarah 157 00:08:15,600 --> 00:08:18,480 Speaker 1: are doing. As you guys know, I think the camera 158 00:08:18,520 --> 00:08:20,600 Speaker 1: is an X ray machine and it sees through all 159 00:08:20,640 --> 00:08:24,720 Speaker 1: the bullshit and what they're doing together there's zero bullshit. 160 00:08:24,960 --> 00:08:27,720 Speaker 1: And what Zach is doing at the end with Sarah 161 00:08:27,760 --> 00:08:32,760 Speaker 1: in that on that cot, there's no bullshit. It's it's 162 00:08:32,800 --> 00:08:35,600 Speaker 1: just tight and right. And I just got a chill. 163 00:08:35,840 --> 00:08:38,240 Speaker 1: It just it really got me. You gave me a 164 00:08:38,320 --> 00:08:40,040 Speaker 1: chill too, because I gotta tell you, I didn't remember 165 00:08:40,720 --> 00:08:42,719 Speaker 1: in that scene with Sarah what happened. I didn't know 166 00:08:42,760 --> 00:08:44,560 Speaker 1: if it was going to turn romantic. I didn't know 167 00:08:44,600 --> 00:08:48,199 Speaker 1: if I cried, I couldn't remember. And I was actually 168 00:08:48,240 --> 00:08:51,640 Speaker 1: moved by the two of us because nothing happens like 169 00:08:51,800 --> 00:08:55,120 Speaker 1: I agree, like I agree, like like you like would 170 00:08:55,120 --> 00:08:57,720 Speaker 1: happen in real life. You know, in the movies, we'd kiss. 171 00:08:57,840 --> 00:09:00,240 Speaker 1: In the movies, I break down and cry, But in 172 00:09:00,280 --> 00:09:02,760 Speaker 1: real life two friends might just sit there in silence 173 00:09:02,800 --> 00:09:04,960 Speaker 1: for a minute. And I just thought that was beautifully done. 174 00:09:05,400 --> 00:09:08,200 Speaker 1: I think it's the real privilege of friendship when nothing 175 00:09:08,280 --> 00:09:12,120 Speaker 1: does happen, so that I don't have to demonstrate to 176 00:09:12,160 --> 00:09:14,840 Speaker 1: you anything and you don't have to demonstrate anything to me. 177 00:09:15,200 --> 00:09:18,240 Speaker 1: And real friendship is when stuff is allowed. And it's 178 00:09:18,240 --> 00:09:21,600 Speaker 1: a tricky verb to settle, and you guys let it 179 00:09:21,640 --> 00:09:24,240 Speaker 1: settle in front of the lens. And as we'll discuss 180 00:09:24,320 --> 00:09:27,000 Speaker 1: Will mackenzie, he just let the scene play and the 181 00:09:27,000 --> 00:09:31,200 Speaker 1: two actors. It's really lovely. And on a primetime comedy, 182 00:09:31,600 --> 00:09:36,800 Speaker 1: it's spectacular. It's spectacular. Should we start the show, Yeah, 183 00:09:36,800 --> 00:09:38,599 Speaker 1: but we should show. But I think Johnny, because of 184 00:09:38,679 --> 00:09:42,080 Speaker 1: that beautiful prologue, should should have the honor of counting 185 00:09:42,120 --> 00:09:47,280 Speaker 1: us into the song. Johnny Bleef seven eight stories about 186 00:09:47,320 --> 00:09:55,480 Speaker 1: show we made about a bunch of doctor nurses stories. 187 00:09:59,240 --> 00:10:12,400 Speaker 1: So da yeah, So I've been using this Scrubs wiki. Johnny, 188 00:10:12,480 --> 00:10:15,120 Speaker 1: that that is scrubs. I've heard you reference it. By 189 00:10:15,120 --> 00:10:17,719 Speaker 1: the way, you guys are killing this podcast. Were a 190 00:10:17,760 --> 00:10:20,880 Speaker 1: lot of Scrubs Wiki. Scrubs wiki is uh. If you 191 00:10:20,960 --> 00:10:25,160 Speaker 1: just put in um scrubs wiki into into the Google machine, 192 00:10:25,200 --> 00:10:28,720 Speaker 1: it brings you up this um this thing that I 193 00:10:28,760 --> 00:10:31,640 Speaker 1: guess multiple fans are. One fan has curated. It's on 194 00:10:31,679 --> 00:10:33,800 Speaker 1: a website called fandom dot com. I guess it's a 195 00:10:33,800 --> 00:10:38,280 Speaker 1: place where where fans can collect trivia and share stories, 196 00:10:38,440 --> 00:10:40,640 Speaker 1: and you know, it's a fan site. But someone, and 197 00:10:40,679 --> 00:10:43,440 Speaker 1: I'm thinking it might be one person, has put a 198 00:10:43,480 --> 00:10:45,760 Speaker 1: lot of work into this because every episode it has 199 00:10:45,800 --> 00:10:48,520 Speaker 1: the synopsis, it has recurring themes, it has guest stars, 200 00:10:48,559 --> 00:10:51,640 Speaker 1: it has the famous quotes, and it has trivia from 201 00:10:51,679 --> 00:10:54,400 Speaker 1: each episode. And today and I often referenced it, and 202 00:10:54,440 --> 00:10:56,160 Speaker 1: today I went to look at the trivia and the 203 00:10:56,200 --> 00:10:59,840 Speaker 1: first line of trivia it says, Hi, Zach exclamation point, 204 00:11:00,200 --> 00:11:04,560 Speaker 1: glad you're enjoying Scrubs. Wicky have me on the podcast 205 00:11:04,720 --> 00:11:10,120 Speaker 1: question mark, have Joelle searched for my email? So I've 206 00:11:10,120 --> 00:11:13,079 Speaker 1: been discovered by the curator of Scrubs Wicky as a 207 00:11:13,160 --> 00:11:16,680 Speaker 1: as an avid fan. But I will have Joel seek 208 00:11:16,760 --> 00:11:18,640 Speaker 1: you out and I and I have to tell you've 209 00:11:18,679 --> 00:11:20,880 Speaker 1: done a fantastic job because it's very useful. I can 210 00:11:20,920 --> 00:11:25,040 Speaker 1: find out all sorts of trivia. Like Kelso mentions Baxter 211 00:11:25,240 --> 00:11:27,559 Speaker 1: for the very first time in this episode, there's a 212 00:11:27,600 --> 00:11:30,559 Speaker 1: lot of trivia in here. There's a lot of interesting stuff. 213 00:11:30,600 --> 00:11:32,960 Speaker 1: So I think, Yeah, Joel says she's gonna track him down, 214 00:11:33,000 --> 00:11:36,599 Speaker 1: and this Felon knows a lot about Scrubs, so I 215 00:11:36,640 --> 00:11:37,960 Speaker 1: think it might be fun to have him all we can. 216 00:11:38,000 --> 00:11:40,160 Speaker 1: We can try and stump him. Well, let me get 217 00:11:40,200 --> 00:11:43,040 Speaker 1: to you at at at early on, at a minute 218 00:11:43,080 --> 00:11:45,240 Speaker 1: or two in you and Sarah in the batting cage, 219 00:11:45,400 --> 00:11:48,040 Speaker 1: you Zach, Yeah, why am I? Why is Jadi at 220 00:11:48,040 --> 00:11:50,119 Speaker 1: the at the batting kige? Yeah? I know. Well it's 221 00:11:50,160 --> 00:11:52,720 Speaker 1: as Donald was. Donald knows. No one says you don't 222 00:11:52,720 --> 00:11:55,520 Speaker 1: even play sports. There's no no one's ever said that 223 00:11:55,559 --> 00:11:59,280 Speaker 1: in the history of the English language. Which is great writing, 224 00:11:59,320 --> 00:12:01,880 Speaker 1: and you deliver like you really know sports. But I'm 225 00:12:01,880 --> 00:12:05,160 Speaker 1: not even Sarah in there. You redeem yourself from early 226 00:12:05,240 --> 00:12:07,640 Speaker 1: on when you get bricks dropped on your head and 227 00:12:07,679 --> 00:12:11,280 Speaker 1: you anticipated it. You don't anticipate the bean ball in 228 00:12:11,320 --> 00:12:15,320 Speaker 1: this and neither to Sarah. Yeah, well I gotta tell 229 00:12:15,360 --> 00:12:17,839 Speaker 1: you I committed. Yeah we did. I did not flinch. 230 00:12:17,880 --> 00:12:19,800 Speaker 1: I was not gonna let that happen again, Johnny from 231 00:12:19,840 --> 00:12:23,160 Speaker 1: that from happen again, and and and it's hard to, 232 00:12:23,320 --> 00:12:27,400 Speaker 1: you know, to anticipate, to not anticipate a softball being 233 00:12:27,440 --> 00:12:30,360 Speaker 1: thrown at your head. Well, you both did it, and 234 00:12:30,679 --> 00:12:34,120 Speaker 1: as a result, it's it's Charlie Chaplin funny. But why 235 00:12:34,240 --> 00:12:35,840 Speaker 1: is why is j D at the batting gage? He's 236 00:12:35,840 --> 00:12:37,720 Speaker 1: not even with turk like maybe one thing, maybe one 237 00:12:37,760 --> 00:12:39,280 Speaker 1: thing if he's a good turk like turk made me 238 00:12:39,280 --> 00:12:41,760 Speaker 1: come I'm alone at the batting gages. Yeah, neither one 239 00:12:41,760 --> 00:12:44,520 Speaker 1: of you played sports. Neither one of you played baseball. 240 00:12:44,920 --> 00:12:49,839 Speaker 1: Neither one of you in real life too, I know, 241 00:12:49,960 --> 00:12:52,720 Speaker 1: But dude, why I think Sarah Like in high school, 242 00:12:53,080 --> 00:12:56,360 Speaker 1: Sarah was like on the shot put team. Yeah, who 243 00:12:56,480 --> 00:12:59,679 Speaker 1: is on the shot But I've never heard Sarah talk 244 00:12:59,720 --> 00:13:02,320 Speaker 1: about a single sport, have you. Oh she's a good 245 00:13:02,360 --> 00:13:06,560 Speaker 1: snowboard right, yeah, yeah, yeah, she's Canadian. I think that's 246 00:13:06,559 --> 00:13:08,160 Speaker 1: a rule up there. You gotta be able to ski 247 00:13:08,240 --> 00:13:12,040 Speaker 1: or snowboard, but she um, yeah, I just didn't understand 248 00:13:12,080 --> 00:13:14,480 Speaker 1: that bit of writing. Mike Schwartz, we should say he 249 00:13:14,520 --> 00:13:17,040 Speaker 1: was the writer of this episode, along with as Johnny mentioned, 250 00:13:17,040 --> 00:13:21,559 Speaker 1: Will McKenzie, who is a concredible director and directed Everybody's 251 00:13:21,760 --> 00:13:24,640 Speaker 1: a Lot of People's favorite episode, the musical episode. Will 252 00:13:24,760 --> 00:13:30,160 Speaker 1: mackenzie is famous on set for the way he says acciden, yeah, yeah, 253 00:13:30,200 --> 00:13:35,320 Speaker 1: and and cut. Yeah, dude, did you remember? Do you remember, Johnny? 254 00:13:35,760 --> 00:13:39,319 Speaker 1: He does cut, but he also does this, so Donald's 255 00:13:39,360 --> 00:13:44,000 Speaker 1: coming into the room. Yeah, he sums up the scene. 256 00:13:44,000 --> 00:13:46,000 Speaker 1: He's like, okay, and here comes Donald and he's mad 257 00:13:46,040 --> 00:13:51,600 Speaker 1: about what Carla just did. And action this is and cut. 258 00:13:52,760 --> 00:13:55,960 Speaker 1: I think he's he's directed a zillion sitcoms too. I 259 00:13:55,960 --> 00:13:58,559 Speaker 1: mean he was, he was, you know, he's a legendary 260 00:13:58,600 --> 00:14:01,880 Speaker 1: TV director. He is. I think he's retired, I imagine now, 261 00:14:01,920 --> 00:14:04,920 Speaker 1: but he is just a legend and a pretty good 262 00:14:04,960 --> 00:14:08,520 Speaker 1: tennis player, apparently very brilliant. Yeah that's what I heard. 263 00:14:08,840 --> 00:14:11,160 Speaker 1: That's what you heard. I heard. Will can make it 264 00:14:11,240 --> 00:14:13,760 Speaker 1: so you're running around while he's standing in one place. 265 00:14:14,080 --> 00:14:16,280 Speaker 1: There were a lot of directors that when you showed 266 00:14:16,320 --> 00:14:18,800 Speaker 1: up on set on Monday morning, you saw who it 267 00:14:18,920 --> 00:14:21,000 Speaker 1: was and you just had a big old smile on 268 00:14:21,040 --> 00:14:24,240 Speaker 1: your face. And Will mackenzie was always one of those 269 00:14:24,280 --> 00:14:26,160 Speaker 1: guys for all of us, we just would like he 270 00:14:26,280 --> 00:14:28,760 Speaker 1: was like, you know, he just just felt like a 271 00:14:28,880 --> 00:14:32,960 Speaker 1: grandfather figure because he was an older guy, but he 272 00:14:33,120 --> 00:14:35,600 Speaker 1: had so much experience and he had a big old 273 00:14:35,600 --> 00:14:38,000 Speaker 1: smile on his face and I just I love that guy. 274 00:14:38,520 --> 00:14:41,480 Speaker 1: Also in this in this episode, some of the I 275 00:14:41,480 --> 00:14:43,920 Speaker 1: don't know how to say this, some of the peripheral characters, 276 00:14:43,960 --> 00:14:45,920 Speaker 1: whether it's Sammy, which I'll get to in a minute, 277 00:14:46,360 --> 00:14:52,200 Speaker 1: or Neil as a janitor get to really shine. Yeah, 278 00:14:52,240 --> 00:14:55,600 Speaker 1: and and the janitor and I guess I think one 279 00:14:55,760 --> 00:14:59,520 Speaker 1: h three when he says girl problems. Uh, and then 280 00:14:59,560 --> 00:15:02,120 Speaker 1: you say, and then Cox says, I'd say they're a 281 00:15:02,160 --> 00:15:04,960 Speaker 1: beak up and the button is at least they're real 282 00:15:06,240 --> 00:15:09,920 Speaker 1: laugh out, I'm steal and Zachie's laugh out loud. I did. 283 00:15:10,200 --> 00:15:13,000 Speaker 1: I laughed out loud at that man. And uh, you know, 284 00:15:13,040 --> 00:15:16,320 Speaker 1: because it's funny because you know, we keep fucking with 285 00:15:16,320 --> 00:15:19,800 Speaker 1: Bill Johnny because he's he's hanging on by his fingernails 286 00:15:19,840 --> 00:15:23,120 Speaker 1: to this old lord that the Janitor barely talked to 287 00:15:23,160 --> 00:15:26,080 Speaker 1: anybody in season one, and and he was just still 288 00:15:26,120 --> 00:15:28,320 Speaker 1: deciding by the time he started season two if he 289 00:15:28,360 --> 00:15:31,680 Speaker 1: was gonna make the Janitor solely a figment of Jad's imagination. 290 00:15:31,800 --> 00:15:36,200 Speaker 1: He's not still hanging on it is and me and 291 00:15:36,440 --> 00:15:39,480 Speaker 1: every episode the Janitors talking to a different cast, and 292 00:15:39,560 --> 00:15:41,600 Speaker 1: Donald and I. Donald and I joked that were like 293 00:15:41,680 --> 00:15:45,440 Speaker 1: detective as being like, well, how would Bill possibly rationalize 294 00:15:45,480 --> 00:15:49,040 Speaker 1: this one? And uh, you know again, Bill would say, well, 295 00:15:49,080 --> 00:15:51,400 Speaker 1: he's not interacting with Johnny. See, he just he just 296 00:15:51,480 --> 00:15:53,560 Speaker 1: if he's a if he's a figure of Jad's imagination, 297 00:15:53,640 --> 00:15:55,920 Speaker 1: he hears what Cox says and just builds on it, 298 00:15:55,960 --> 00:15:59,720 Speaker 1: you know. But but also, I'm gonna keep circling back 299 00:15:59,720 --> 00:16:02,560 Speaker 1: with this, you could see. And in this case, it's 300 00:16:02,560 --> 00:16:05,960 Speaker 1: just a simple, clean scene. Donald and Zach at two 301 00:16:06,000 --> 00:16:07,880 Speaker 1: oh nine, when you take the phone call from your 302 00:16:07,880 --> 00:16:10,880 Speaker 1: mom and you find out about mister Peters, you two 303 00:16:10,920 --> 00:16:14,080 Speaker 1: are just it's in carpentry. It's called tongue in groove. 304 00:16:15,040 --> 00:16:18,000 Speaker 1: You guys are just effortless, And it sets up the 305 00:16:18,040 --> 00:16:22,560 Speaker 1: whole scene. There's a ton of narrow, expository stuff in it, 306 00:16:23,000 --> 00:16:28,640 Speaker 1: and it's just effortless and the And it's only because 307 00:16:28,680 --> 00:16:31,800 Speaker 1: of what you guys had become in those I guess 308 00:16:31,880 --> 00:16:35,720 Speaker 1: seventeen or eighteen weeks by then. Yeah, I remember, well, 309 00:16:35,760 --> 00:16:37,840 Speaker 1: I don't. I don't remember any of this episode except 310 00:16:37,840 --> 00:16:41,160 Speaker 1: for the handshake. And I had no idea even and 311 00:16:41,200 --> 00:16:43,320 Speaker 1: when we did the handshake, I had no clue what 312 00:16:43,480 --> 00:16:45,240 Speaker 1: Sarah and I like. I thought it was something that 313 00:16:45,360 --> 00:16:48,440 Speaker 1: Sarah and I made up on set and it turned 314 00:16:48,560 --> 00:16:52,160 Speaker 1: into something in the scene. But I think we made 315 00:16:52,200 --> 00:16:54,720 Speaker 1: it up for the scene and it turned into something 316 00:16:54,760 --> 00:16:57,520 Speaker 1: that we did on set. Yeah, we saw this handshake. 317 00:16:58,120 --> 00:17:00,800 Speaker 1: Johnny and I had to endure this handshake get longer 318 00:17:00,840 --> 00:17:02,400 Speaker 1: and longer. I think by the end of it. I 319 00:17:02,440 --> 00:17:04,000 Speaker 1: think by the end of nine years, it took them 320 00:17:04,000 --> 00:17:05,639 Speaker 1: an hour and a half to do the handshake, and 321 00:17:05,720 --> 00:17:08,480 Speaker 1: that was just to say hello to each other. Yeah. 322 00:17:08,560 --> 00:17:11,000 Speaker 1: During the Vietnam War, I found out it was called 323 00:17:11,040 --> 00:17:16,920 Speaker 1: a dap dapo up you adapt somebody, But wait now, Donald, 324 00:17:17,040 --> 00:17:19,200 Speaker 1: you don't remember if you guys were just fucking around 325 00:17:19,200 --> 00:17:20,600 Speaker 1: and made this up and then put it in the 326 00:17:20,600 --> 00:17:23,359 Speaker 1: show or it was I think it came from the 327 00:17:23,440 --> 00:17:27,400 Speaker 1: handshake in the show. I think our handshake we made 328 00:17:27,440 --> 00:17:30,240 Speaker 1: it up for the show, and then it turned into 329 00:17:30,280 --> 00:17:32,240 Speaker 1: something that we did all the time when we saw 330 00:17:32,280 --> 00:17:34,520 Speaker 1: each other. But that that, once again is what I'm 331 00:17:34,520 --> 00:17:39,399 Speaker 1: talking about. It's effortless. It doesn't did you us complete 332 00:17:39,560 --> 00:17:42,520 Speaker 1: with totally long and and then you guys throw it 333 00:17:42,560 --> 00:17:44,800 Speaker 1: away and go right into the scene and that that's 334 00:17:44,880 --> 00:17:49,160 Speaker 1: later on. But I was so struck by so many 335 00:17:49,200 --> 00:17:54,480 Speaker 1: of these vignettes. Yeah, completely tongue and groove. Yeah, I agree, man, 336 00:17:54,560 --> 00:17:57,760 Speaker 1: and and and and Donald. Did you make that up 337 00:17:57,840 --> 00:18:01,840 Speaker 1: or did Sarah contribute? Like it's pretty great some of it. 338 00:18:01,920 --> 00:18:03,240 Speaker 1: I made up a lot of it. I know I 339 00:18:03,320 --> 00:18:06,080 Speaker 1: made up because it's uh, it has it has rhythm 340 00:18:06,119 --> 00:18:08,440 Speaker 1: to it. That's why. Well there's that, and then there's 341 00:18:08,480 --> 00:18:13,720 Speaker 1: also that stuff. Yes you could there was. It was 342 00:18:13,760 --> 00:18:16,679 Speaker 1: also a like what is it that remember how we 343 00:18:16,680 --> 00:18:20,320 Speaker 1: were talking about the color purple and miss when Celia 344 00:18:20,320 --> 00:18:24,080 Speaker 1: and her sister are broken up and you're doing us 345 00:18:24,280 --> 00:18:28,560 Speaker 1: Patti kakeyah. So it also has a little bit of 346 00:18:28,560 --> 00:18:31,480 Speaker 1: that in it where it's like where we slap each 347 00:18:31,480 --> 00:18:35,040 Speaker 1: other's hand. I don't know, man, all I know is yeah, no, 348 00:18:35,240 --> 00:18:38,520 Speaker 1: that thing was made up for this episode and it 349 00:18:38,560 --> 00:18:40,560 Speaker 1: turned into I like, I like what Johnny said too 350 00:18:40,560 --> 00:18:42,400 Speaker 1: that you kind of go into the celabything and then 351 00:18:42,440 --> 00:18:44,720 Speaker 1: you just kind of go into the scene like nothing happened. 352 00:18:44,960 --> 00:18:46,879 Speaker 1: It's just you just did a high five. I thought that, 353 00:18:47,560 --> 00:18:49,679 Speaker 1: But it's the same way. It's the same way, and 354 00:18:49,800 --> 00:18:52,639 Speaker 1: I feel like, I'm maybe it sounds like I'm blown 355 00:18:52,640 --> 00:18:54,800 Speaker 1: too much smoke up your guy's asses, but I'll take it. 356 00:18:54,800 --> 00:18:56,800 Speaker 1: We'll take it. I'm like Donald, I don't remember any 357 00:18:56,840 --> 00:18:58,080 Speaker 1: of this stuff, so then I want to go back 358 00:18:58,080 --> 00:19:02,720 Speaker 1: and watch it. I'm I'm sincerely struck by different things. 359 00:19:02,840 --> 00:19:07,000 Speaker 1: And in this episode, unlike the last one we watched together, 360 00:19:07,520 --> 00:19:09,520 Speaker 1: I wasn't struck by as many things other than the 361 00:19:09,680 --> 00:19:13,639 Speaker 1: circumstances that were occurring outside of scrubs. In this I 362 00:19:13,720 --> 00:19:15,960 Speaker 1: was really struck by what was happening in front of 363 00:19:15,960 --> 00:19:18,920 Speaker 1: the lens and what the writers did. And then in 364 00:19:19,000 --> 00:19:21,959 Speaker 1: three minutes there's this great walking talk between Zachie and Cox, 365 00:19:22,440 --> 00:19:27,160 Speaker 1: and the writers let Cox be this fierce, fierce patient 366 00:19:27,240 --> 00:19:31,560 Speaker 1: advocate and it grounds him in a way that it's 367 00:19:31,600 --> 00:19:33,959 Speaker 1: just genius because it gives him license to then go 368 00:19:34,040 --> 00:19:36,960 Speaker 1: do what he's about to go do, which is destroy 369 00:19:37,160 --> 00:19:47,840 Speaker 1: a lab. Now, this is my first time we really 370 00:19:47,880 --> 00:19:52,080 Speaker 1: see Cox have this raw motion, Johnny, I think that 371 00:19:52,359 --> 00:19:54,720 Speaker 1: you know, we had seen him be upset. There's the 372 00:19:54,800 --> 00:19:57,919 Speaker 1: episode where he's where he's just saying, Jad, you need 373 00:19:57,960 --> 00:20:00,159 Speaker 1: to have a life. I have no fucking life. But 374 00:20:00,240 --> 00:20:02,639 Speaker 1: this is, you know, the first time we see how 375 00:20:02,720 --> 00:20:06,080 Speaker 1: much pain this man has and how dedicated he is 376 00:20:06,640 --> 00:20:09,639 Speaker 1: to his profession. So I just talked a bit about that, 377 00:20:09,680 --> 00:20:13,639 Speaker 1: and and of course destroying this lab. Pappard in the 378 00:20:13,720 --> 00:20:18,800 Speaker 1: background with Charles Pappard our steadicam operators back is the 379 00:20:18,880 --> 00:20:21,119 Speaker 1: one of the lab text. But I mean, do you 380 00:20:21,160 --> 00:20:24,080 Speaker 1: remember that day trashing that lab? That must have been cathartic. 381 00:20:24,119 --> 00:20:27,920 Speaker 1: I do, and I had I had been lucky enough 382 00:20:28,359 --> 00:20:32,640 Speaker 1: in nineteen ninety four, and lucky is in italics too. 383 00:20:32,760 --> 00:20:36,600 Speaker 1: Have been with Michael Caine, your actor in your Lovely 384 00:20:36,680 --> 00:20:42,320 Speaker 1: Movie up in Valdi's Alaska, and uh with Steven Seagal 385 00:20:42,480 --> 00:20:45,720 Speaker 1: directing an epic movie for Warner Brothers called on Deadly Ground. 386 00:20:45,720 --> 00:20:50,760 Speaker 1: Stephen was um and I got to destroy a house 387 00:20:51,400 --> 00:20:55,679 Speaker 1: and uh, halfway through it, I find a petrified walrus penis, 388 00:20:55,760 --> 00:20:59,680 Speaker 1: which is called an usk, and so well, slow down, 389 00:21:00,000 --> 00:21:03,400 Speaker 1: you're gonna you can't rush or you can't the listeners 390 00:21:03,440 --> 00:21:07,679 Speaker 1: that the listeners have questions, how did you find up? 391 00:21:08,320 --> 00:21:10,920 Speaker 1: Don't worry, We're gonna get back to destroying the lab. Everybody, 392 00:21:11,000 --> 00:21:12,960 Speaker 1: How did you How did you know that it was 393 00:21:13,000 --> 00:21:17,119 Speaker 1: a petrified Walter's penis? I asked, there's this long fallus 394 00:21:17,119 --> 00:21:19,400 Speaker 1: And I asked the production designer, I said, what's this? 395 00:21:19,840 --> 00:21:21,840 Speaker 1: And he goes, well, it's a petrified waters penis. And 396 00:21:21,920 --> 00:21:24,960 Speaker 1: he said, God old mighty, just call action and get 397 00:21:24,960 --> 00:21:29,199 Speaker 1: on my eyeline. If you don't think that's coming in 398 00:21:29,240 --> 00:21:32,840 Speaker 1: the frame, you're out of your mind. Look out, everybody. 399 00:21:34,000 --> 00:21:38,719 Speaker 1: And so I I what my takeaway from destroying a house, um, 400 00:21:39,240 --> 00:21:43,840 Speaker 1: just destroying it was go slow. If you destroy a 401 00:21:43,880 --> 00:21:47,280 Speaker 1: house or a lab too fast, the camera doesn't get it. 402 00:21:47,280 --> 00:21:50,240 Speaker 1: It's just like as Donald definitely knows, either taking or 403 00:21:50,280 --> 00:21:52,399 Speaker 1: throwing a punch in front of the lens. If you 404 00:21:52,480 --> 00:21:54,680 Speaker 1: go too fast, the camera doesn't see it. Yeah, And 405 00:21:55,240 --> 00:21:58,760 Speaker 1: it's the same same with destroying a room. You gotta 406 00:21:58,800 --> 00:22:03,919 Speaker 1: go slow. And it's funny Billy who or will ramped 407 00:22:03,920 --> 00:22:06,359 Speaker 1: it up to high speed for the throw through the window, 408 00:22:06,720 --> 00:22:10,560 Speaker 1: because otherwise that stuff happens too fast and you don't 409 00:22:10,560 --> 00:22:13,639 Speaker 1: get it. And I'm sure Zach. As a filmmaker, you know, 410 00:22:14,760 --> 00:22:19,560 Speaker 1: unless you cover a fight or destroying something pretty meticulously, 411 00:22:20,320 --> 00:22:23,080 Speaker 1: the lens misses it. And so my only thought in 412 00:22:23,240 --> 00:22:26,720 Speaker 1: destroying that lab was take your time. Yeah. Well, when 413 00:22:26,720 --> 00:22:29,840 Speaker 1: I watched that, I was like, how much trouble would 414 00:22:29,960 --> 00:22:32,000 Speaker 1: doctor coxby and if he were to do that, and 415 00:22:32,040 --> 00:22:35,440 Speaker 1: how much money did he just throw out the window 416 00:22:35,840 --> 00:22:38,000 Speaker 1: by doing all of that? I know, I was thinking 417 00:22:38,000 --> 00:22:40,159 Speaker 1: the same thing. I thought the same thing too. I 418 00:22:40,160 --> 00:22:42,520 Speaker 1: thought like, did they have some system or no one's 419 00:22:42,520 --> 00:22:46,600 Speaker 1: gonna tell kelso, because I mean, Carla implies that he 420 00:22:46,640 --> 00:22:48,760 Speaker 1: freaks out at least once a year, right, And I 421 00:22:48,880 --> 00:22:52,760 Speaker 1: was like, does everyone sort of protect him, because you know, 422 00:22:52,800 --> 00:22:55,439 Speaker 1: in the real world of a hospital, he'd be in 423 00:22:55,480 --> 00:23:01,439 Speaker 1: a phenomenal amount of trouble for this. Yeah, I could that. 424 00:23:01,640 --> 00:23:03,359 Speaker 1: That was the first thing I thought. And then I 425 00:23:03,359 --> 00:23:05,800 Speaker 1: thought when Carla said he does this once a year, 426 00:23:05,840 --> 00:23:09,719 Speaker 1: I was like, holy shit, yo, cox Is you know 427 00:23:09,800 --> 00:23:11,840 Speaker 1: it's clear that he's in pain, but he's in like 428 00:23:11,960 --> 00:23:14,399 Speaker 1: a lot of pain. And to build it up to 429 00:23:14,400 --> 00:23:17,639 Speaker 1: be able to just damage thousands of dollars of equipment, 430 00:23:18,280 --> 00:23:20,000 Speaker 1: you know what I mean? You have to really you 431 00:23:20,080 --> 00:23:23,240 Speaker 1: have to really be on that level of fucking. I'm 432 00:23:23,280 --> 00:23:26,320 Speaker 1: I don't care anymore. I just I just clearly doesn't 433 00:23:26,320 --> 00:23:29,000 Speaker 1: care care anymore. But they also really need Cox, you 434 00:23:29,000 --> 00:23:32,600 Speaker 1: know Cox. Everybody needs Cox. You're absolutely right. Well look 435 00:23:32,600 --> 00:23:34,880 Speaker 1: what you just said, Donald, that was that came out 436 00:23:34,880 --> 00:23:41,080 Speaker 1: a little different. I'm gonna, I'm gonna that's gonna be 437 00:23:41,080 --> 00:23:49,840 Speaker 1: my new ring tone, Donald yelling everybody needs Cox in 438 00:23:49,920 --> 00:23:55,680 Speaker 1: the hospital. In the hospital, I met the character. And 439 00:23:55,680 --> 00:23:58,200 Speaker 1: then and then at four thirty and nine, we get 440 00:23:58,240 --> 00:24:02,720 Speaker 1: to see the janitor do medical jargon. Yeah, yeah, and 441 00:24:02,840 --> 00:24:05,760 Speaker 1: he kills it. Yeah. I remember you know that Neil 442 00:24:05,800 --> 00:24:08,520 Speaker 1: audition for your part. You know that trivia, right, Johnny, 443 00:24:08,640 --> 00:24:11,600 Speaker 1: of course, But I mean he's such a spectacular actor, 444 00:24:11,640 --> 00:24:14,480 Speaker 1: but I've never seen him do. You Gotta remember, all 445 00:24:14,560 --> 00:24:18,000 Speaker 1: medical jargon is Latin based, so when you really get 446 00:24:18,080 --> 00:24:20,760 Speaker 1: into it, you're just talking Latin. And so if for 447 00:24:20,840 --> 00:24:23,800 Speaker 1: the janitor just to peel out some Latin questioned me, 448 00:24:23,960 --> 00:24:26,080 Speaker 1: by the way, I wondered, when I wondered, if I 449 00:24:26,119 --> 00:24:28,680 Speaker 1: think that might be the only time the janitors ever 450 00:24:28,800 --> 00:24:31,200 Speaker 1: in our apartment, I was going to ask that we 451 00:24:31,240 --> 00:24:34,280 Speaker 1: should ask Bill that if he remembers putting the janitor 452 00:24:34,400 --> 00:24:38,040 Speaker 1: in the apartment at any point. Okay, Donald has pulled 453 00:24:38,040 --> 00:24:41,840 Speaker 1: the lever for an ask Bill. Joel, Bill, you're not 454 00:24:41,880 --> 00:24:44,520 Speaker 1: gonna remember I bet the guy on WICKI Scrubs knows 455 00:24:44,560 --> 00:24:47,719 Speaker 1: better than you, but we're gonna ask you. By the way, 456 00:24:47,760 --> 00:24:49,560 Speaker 1: you know we should do We should also, Joel, that's 457 00:24:49,600 --> 00:24:51,000 Speaker 1: what we should do with that guy. We should have 458 00:24:51,040 --> 00:24:54,000 Speaker 1: an asked Bill button. But we should haven't also asked 459 00:24:54,040 --> 00:24:57,840 Speaker 1: the Scrubs Wick because that he knows he's the keeper 460 00:24:57,880 --> 00:24:59,680 Speaker 1: of the trivia more than Bill. Bill's gonna be like, 461 00:24:59,680 --> 00:25:04,880 Speaker 1: I don't five, six, seven, eight and Bill, Bill has 462 00:25:04,920 --> 00:25:08,280 Speaker 1: found is what you're talking about? Willis Johnny, He's found 463 00:25:08,320 --> 00:25:10,639 Speaker 1: his catchphrase. So now he just says five and the 464 00:25:10,720 --> 00:25:13,800 Speaker 1: fans think it's hilarious. He just starts hilarious, he starts 465 00:25:13,840 --> 00:25:15,840 Speaker 1: the theme song, and Donald and I have to stop 466 00:25:15,920 --> 00:25:20,120 Speaker 1: the damn thing. So um. Anyway, Joel, when we talk 467 00:25:20,200 --> 00:25:22,160 Speaker 1: to that guy, when we find him, let's ask him. 468 00:25:22,160 --> 00:25:24,320 Speaker 1: If he can, we can ask him a Scrubs tribute. 469 00:25:24,440 --> 00:25:26,919 Speaker 1: But for now, since we only have Bill, Bill, do 470 00:25:26,920 --> 00:25:29,160 Speaker 1: you think this is the only time that the janitor 471 00:25:29,240 --> 00:25:31,920 Speaker 1: is ever in our apartment? Even though it's a fantasy. 472 00:25:32,440 --> 00:25:35,440 Speaker 1: Neil I'm going buy memory here, guys. But Neil Flynn 473 00:25:35,720 --> 00:25:41,280 Speaker 1: was in Turk and JD's apartment when there's a fantasy 474 00:25:41,320 --> 00:25:44,520 Speaker 1: about him being a doctor, and I believe he returns 475 00:25:45,040 --> 00:25:49,960 Speaker 1: to try and fix their air conditioning or pipes or 476 00:25:50,040 --> 00:25:53,040 Speaker 1: something in a later season. But I think he was 477 00:25:53,119 --> 00:26:00,000 Speaker 1: only there twice except once I think he was implied 478 00:26:00,119 --> 00:26:01,639 Speaker 1: that he was there a third time, that he and 479 00:26:01,760 --> 00:26:05,959 Speaker 1: doctor Cox moved Jad's bed somewhere and they did it together, 480 00:26:06,600 --> 00:26:11,600 Speaker 1: Thank you, Bill. And once again at five forty nine 481 00:26:11,600 --> 00:26:15,879 Speaker 1: when when Kenny and when Kelso and and Uh and 482 00:26:16,080 --> 00:26:20,800 Speaker 1: Jude are together, they're butter. They're total butter. Oh gosh, yeah, 483 00:26:21,119 --> 00:26:24,120 Speaker 1: they're butter. Now how about Judy, Um, they're they they're great. 484 00:26:24,119 --> 00:26:26,280 Speaker 1: How about Judy? So it's for first Judy. I noticed, 485 00:26:26,320 --> 00:26:29,520 Speaker 1: because this is funny tracking when we shot this in 486 00:26:29,560 --> 00:26:32,320 Speaker 1: two thousand and one that Judy says I gotta get 487 00:26:32,359 --> 00:26:35,320 Speaker 1: a tape deck, which I thought was funny, and then 488 00:26:35,400 --> 00:26:38,080 Speaker 1: and then when she brings in it's actually a CD player. 489 00:26:38,920 --> 00:26:41,440 Speaker 1: It's just funny. Even now if you realize that you're 490 00:26:41,640 --> 00:26:44,800 Speaker 1: you're definitely pretty good show, dude. That's very good, because 491 00:26:44,840 --> 00:26:47,239 Speaker 1: I did not pick up on that well, I caught her. 492 00:26:47,440 --> 00:26:49,520 Speaker 1: I caught her saying tape deck, and then my brain went, 493 00:26:49,720 --> 00:26:51,800 Speaker 1: there's no way it was cassettes. I remember it was 494 00:26:51,840 --> 00:26:55,840 Speaker 1: at least CDs and uh and then and I guess 495 00:26:55,840 --> 00:26:58,520 Speaker 1: that was just still I'm imagining. In two thousand and one, 496 00:26:58,520 --> 00:27:00,880 Speaker 1: we were still using the expression tape deck, like I'll 497 00:27:00,880 --> 00:27:03,280 Speaker 1: get a tape deck. I have a I have a 498 00:27:03,320 --> 00:27:06,600 Speaker 1: question for you. On the heels of that, when Kenny says, 499 00:27:06,760 --> 00:27:09,760 Speaker 1: like Motley Crue and Winger, my son's a bit of 500 00:27:09,760 --> 00:27:12,960 Speaker 1: a headbanger, first of all, the crushed me. And second 501 00:27:12,960 --> 00:27:15,680 Speaker 1: of all, is that the first time, first of many 502 00:27:15,920 --> 00:27:18,879 Speaker 1: when he refers to his son, who turns out is 503 00:27:18,920 --> 00:27:25,480 Speaker 1: just a cavalcade of eccentricity. A cavalcade of eccentricities is 504 00:27:25,480 --> 00:27:29,919 Speaker 1: a great title for a screenplay, but um, that is funny. 505 00:27:30,520 --> 00:27:33,320 Speaker 1: The Scrubs wiki said, it's the first time he mentions bactor. 506 00:27:33,440 --> 00:27:34,840 Speaker 1: I don't know if it's the first time his son 507 00:27:34,880 --> 00:27:36,840 Speaker 1: comes up, but this might be the first time his 508 00:27:36,960 --> 00:27:40,720 Speaker 1: son comes up in terms of being a cavalcade of eccentricities. 509 00:27:43,160 --> 00:27:46,840 Speaker 1: His son, it turns out it's the single most tortured 510 00:27:46,840 --> 00:27:48,800 Speaker 1: person on the planet I know. And we never got 511 00:27:48,800 --> 00:27:50,800 Speaker 1: to meet him, and we never met his wife. I 512 00:27:50,840 --> 00:27:52,880 Speaker 1: think it was Eni, but it's so much better. It's 513 00:27:52,960 --> 00:27:55,200 Speaker 1: so much better. No, it was all Remember remember on 514 00:27:55,320 --> 00:27:59,880 Speaker 1: Cheers when you never saw what family? No, I think 515 00:28:00,040 --> 00:28:03,520 Speaker 1: it was Norm's wife, Vera. We never saw, Joel gave 516 00:28:03,560 --> 00:28:05,720 Speaker 1: me the thumbs up. Am I right, Joel? Wow? Well, 517 00:28:05,800 --> 00:28:09,119 Speaker 1: well we'll play Jackie play Zach. The bartender would always 518 00:28:09,480 --> 00:28:14,160 Speaker 1: alip him see sports reference, and and then he'd he'd 519 00:28:14,200 --> 00:28:16,640 Speaker 1: have a one liner and and dunk it if I blew, 520 00:28:16,720 --> 00:28:18,320 Speaker 1: I blew to one liner because I didn't remember it. 521 00:28:18,680 --> 00:28:21,600 Speaker 1: Vera does make an appearance on Cheers, though, I guess really, 522 00:28:21,600 --> 00:28:23,479 Speaker 1: And then well, I want, well, Joel, did you go 523 00:28:23,480 --> 00:28:25,920 Speaker 1: on the Cheers WICKI and find out that Vera does 524 00:28:26,000 --> 00:28:29,000 Speaker 1: make an appearance on the Thanksgiving Day as you guys, 525 00:28:29,119 --> 00:28:33,600 Speaker 1: As you guys have done so wonderfully. I do want 526 00:28:33,640 --> 00:28:37,680 Speaker 1: to look at Sammy for a second. Who U is? 527 00:28:38,160 --> 00:28:42,840 Speaker 1: Astonishing episode? This really is probably this probably is I 528 00:28:42,920 --> 00:28:46,680 Speaker 1: hate to say it, but probably his first real I mean, 529 00:28:46,720 --> 00:28:49,080 Speaker 1: other than one liners. This is the first episode where 530 00:28:49,080 --> 00:28:53,320 Speaker 1: Sammy really shined as and even even money and he 531 00:28:53,440 --> 00:28:58,000 Speaker 1: and Jude together are are completely money. Did you guys 532 00:28:58,080 --> 00:29:01,720 Speaker 1: get goosebumps when they sang together. Yes, yeah, absolutely. But 533 00:29:01,840 --> 00:29:05,080 Speaker 1: the first time we see Sammy, he does this thing 534 00:29:05,280 --> 00:29:07,920 Speaker 1: with his hand where he puts it way in the 535 00:29:07,920 --> 00:29:12,040 Speaker 1: back of his skull. Donald, My tricepts are too big 536 00:29:12,040 --> 00:29:18,400 Speaker 1: to even do that. Fucking arms arms. To you listeners 537 00:29:18,440 --> 00:29:20,760 Speaker 1: out there, I want you to know this guy is 538 00:29:20,840 --> 00:29:25,240 Speaker 1: still fucking ripped. He's got bigger biceps than than anyone 539 00:29:25,320 --> 00:29:27,680 Speaker 1: I I know. I think. Are you still doing a 540 00:29:27,720 --> 00:29:31,160 Speaker 1: lot of paddle surfing? Yeah? Every day, every day you 541 00:29:31,240 --> 00:29:36,840 Speaker 1: paddle surf, Johnny, Johnny, you are Let me say something, 542 00:29:36,920 --> 00:29:39,960 Speaker 1: you got, mister Miyagi body where it's like you're doing 543 00:29:40,400 --> 00:29:44,320 Speaker 1: you know active uh, you know, everything is for a purpose. 544 00:29:45,240 --> 00:29:50,480 Speaker 1: I wrote, I wrote a board in the ocean. I'm 545 00:29:50,560 --> 00:29:53,160 Speaker 1: using my hands to build. I thought you were saying. 546 00:29:53,200 --> 00:29:54,640 Speaker 1: I thought you were saying he had the body of 547 00:29:54,680 --> 00:29:58,040 Speaker 1: Pat Merita, and I was like, no, he does not, no, no, no, no, 548 00:29:58,040 --> 00:30:01,040 Speaker 1: no no. But when Sammy wax on whack off. The 549 00:30:01,120 --> 00:30:03,480 Speaker 1: first time we see Sammy, he's got that hand over 550 00:30:03,520 --> 00:30:06,480 Speaker 1: his head, and then the button on the scene with 551 00:30:06,600 --> 00:30:10,040 Speaker 1: Judy is he goes careful, I've been hurt before, h 552 00:30:11,120 --> 00:30:14,800 Speaker 1: drop me drop me. He loves Judy, he loves Carla, 553 00:30:14,920 --> 00:30:17,400 Speaker 1: he loves she hugs him, and he's like, don't let go. 554 00:30:18,040 --> 00:30:20,840 Speaker 1: And for those and and well that's later on and 555 00:30:20,920 --> 00:30:24,080 Speaker 1: for those who don't know asides, when you keep an 556 00:30:24,080 --> 00:30:28,959 Speaker 1: aside real, it's almost impossible because if you don't do 557 00:30:29,000 --> 00:30:31,520 Speaker 1: it right, you come off as a crazy person because 558 00:30:31,560 --> 00:30:34,360 Speaker 1: you're talking to yourself. And Sammy does it with careful 559 00:30:34,400 --> 00:30:37,360 Speaker 1: I've been hurt before. And then when he and Judy 560 00:30:37,400 --> 00:30:40,719 Speaker 1: get back together later on, he has two that are genius. 561 00:30:41,120 --> 00:30:45,600 Speaker 1: He says, she knows, she knows your name, he says 562 00:30:45,640 --> 00:30:51,360 Speaker 1: to himself, and then he says, don't let go. It 563 00:30:51,560 --> 00:30:55,760 Speaker 1: dropped me, and I can't tell you how hard that is. Yeah, 564 00:30:55,800 --> 00:30:57,520 Speaker 1: he has one more when he's like, I love you 565 00:30:57,560 --> 00:31:00,240 Speaker 1: and she turns roun like what, and he goes right 566 00:31:00,240 --> 00:31:03,520 Speaker 1: back to the song. Yeah, but that song you got, 567 00:31:03,560 --> 00:31:05,239 Speaker 1: I mean, we're jumping all over the place, but that 568 00:31:05,400 --> 00:31:09,520 Speaker 1: song moment was so beautiful and I forgot. I apologize 569 00:31:09,560 --> 00:31:12,200 Speaker 1: to the universe that I forgot. How pretty Judy's voice 570 00:31:12,240 --> 00:31:17,080 Speaker 1: is me too, Yeah, and she slays and it's beautiful, 571 00:31:17,080 --> 00:31:19,760 Speaker 1: and their harmonies, I mean, Sammy, we knew because sam 572 00:31:20,240 --> 00:31:21,719 Speaker 1: was an amazing singer, and it was in an a 573 00:31:21,760 --> 00:31:24,280 Speaker 1: cappella group, but the two of them together, their harmonies 574 00:31:24,280 --> 00:31:26,600 Speaker 1: were I got goose bumps all over my body. Yeah, 575 00:31:27,400 --> 00:31:30,600 Speaker 1: now let me ask you something, zeky, Yes, And I 576 00:31:30,600 --> 00:31:33,120 Speaker 1: could see you, I could see you ringing this one 577 00:31:33,120 --> 00:31:35,600 Speaker 1: out as hard as you could. Was this Billy or 578 00:31:35,680 --> 00:31:41,000 Speaker 1: you on Baker's beakos? It's probably me you were. You 579 00:31:41,000 --> 00:31:45,160 Speaker 1: were ringing everything out. I know there's certain is, there's 580 00:31:45,160 --> 00:31:50,800 Speaker 1: certain words. They're just funny becos. I think I think 581 00:31:50,840 --> 00:31:53,560 Speaker 1: it was probably not in the script because that wouldn't 582 00:31:53,560 --> 00:31:55,520 Speaker 1: probably been funny on the page. But I was probably 583 00:31:55,520 --> 00:31:59,440 Speaker 1: just riffing like words that sounded funny. And we should 584 00:31:59,440 --> 00:32:02,640 Speaker 1: say it's the appearance of Franklin played by Massioka yet 585 00:32:03,840 --> 00:32:07,680 Speaker 1: Oh before he went on to be time traveling star 586 00:32:07,800 --> 00:32:11,360 Speaker 1: of Heroes, right, he was the star of the show Heroes, 587 00:32:12,040 --> 00:32:16,160 Speaker 1: and I think this was his first juicy gig. He 588 00:32:16,520 --> 00:32:20,280 Speaker 1: recurred as Franklin for a while. He's very he's very good. Yeah, 589 00:32:20,280 --> 00:32:23,040 Speaker 1: he was funny, hugging is hugging his favorite microscope so 590 00:32:23,080 --> 00:32:26,800 Speaker 1: that you didn't destroy it. And then and then at 591 00:32:26,800 --> 00:32:29,760 Speaker 1: eight minutes, we go to what I referenced earlier is 592 00:32:29,800 --> 00:32:32,960 Speaker 1: Sarah and Donald, and it's it's what I started this 593 00:32:33,000 --> 00:32:37,400 Speaker 1: whole thing off with with. However, this ensemble gelled, whether 594 00:32:37,440 --> 00:32:40,959 Speaker 1: it was just time or traveling together and getting into it. 595 00:32:41,880 --> 00:32:44,240 Speaker 1: You guys are effortless, all right, but let's go a 596 00:32:44,280 --> 00:32:47,160 Speaker 1: little bit back. Johnny, you're going too fast. First of all, oh, 597 00:32:47,200 --> 00:32:53,360 Speaker 1: dear lord, please tell me that's not a onesie. And 598 00:32:53,480 --> 00:32:56,560 Speaker 1: now doctor Cox says, first of all, I'm wearing a onesie, 599 00:32:56,560 --> 00:32:59,400 Speaker 1: which I love a onesie. I don't wear a onesie 600 00:32:59,520 --> 00:33:01,440 Speaker 1: to bed man when I have a onesie on do 601 00:33:01,720 --> 00:33:04,840 Speaker 1: I love a onesie? And I guess JD really loved 602 00:33:04,840 --> 00:33:08,200 Speaker 1: one because he wears it to the bar with you. 603 00:33:08,440 --> 00:33:10,680 Speaker 1: And then and then Cox pulls over the two ladies 604 00:33:10,720 --> 00:33:13,200 Speaker 1: to flirt. Okay, before you go past what I had. 605 00:33:13,280 --> 00:33:16,120 Speaker 1: But that's that's aleven twenty eight. I'm an eight. I'm 606 00:33:16,160 --> 00:33:18,520 Speaker 1: an eight. I know, I'm I'm, I'm I'm. The onesie 607 00:33:18,520 --> 00:33:23,400 Speaker 1: occurs at seven oh six. Oh okay, but go ahead, Donald, 608 00:33:23,960 --> 00:33:27,360 Speaker 1: uh Mintie? First of all, what were you all drinking 609 00:33:27,400 --> 00:33:30,000 Speaker 1: in your shots? If that was mintie? No, the the 610 00:33:30,520 --> 00:33:33,880 Speaker 1: toothbrush was minte oh still from the after you dipped 611 00:33:33,880 --> 00:33:36,400 Speaker 1: it into I don't know, it doesn't track. I guess 612 00:33:36,440 --> 00:33:38,400 Speaker 1: you're right because the toothpaste would have been off of it. 613 00:33:38,440 --> 00:33:43,400 Speaker 1: But because and then right after that, yuck, yuck, yuck. Yeah, yeah, 614 00:33:43,720 --> 00:33:45,800 Speaker 1: you know what I was thinking of. Do you remember 615 00:33:46,120 --> 00:33:47,960 Speaker 1: do you remember I don't know if you remember this Donald, 616 00:33:47,960 --> 00:33:51,040 Speaker 1: but don Johnny, you definitely remember Easy Rider? When uh, 617 00:33:51,040 --> 00:33:55,320 Speaker 1: when ever Nicholson would do a shot, he would he 618 00:33:55,360 --> 00:33:57,920 Speaker 1: would just say a random word because the shot was 619 00:33:57,960 --> 00:33:59,640 Speaker 1: so bad. An Easy Rider, he'd do the shot and 620 00:33:59,680 --> 00:34:03,040 Speaker 1: he goes, but he would say like a random word 621 00:34:03,160 --> 00:34:05,560 Speaker 1: that would like help him recover from how bad the 622 00:34:05,600 --> 00:34:08,200 Speaker 1: shot was. And that's that's what I was thinking of 623 00:34:08,320 --> 00:34:10,479 Speaker 1: when I when I when I did it, I was like, yeah, 624 00:34:13,040 --> 00:34:15,560 Speaker 1: trying so hard to be manly in front of Cox, 625 00:34:16,000 --> 00:34:18,920 Speaker 1: but I'm in a onesie with a toothbrush. I thought 626 00:34:18,880 --> 00:34:20,400 Speaker 1: it was funny when you go yucky and then the 627 00:34:20,400 --> 00:34:23,480 Speaker 1: writers give Cox, Uh, oh great, I'm drinking with a mouse. 628 00:34:23,560 --> 00:34:28,160 Speaker 1: Get here. Like I said, I didn't remember this episode 629 00:34:28,160 --> 00:34:30,359 Speaker 1: at all, So I never knew that you guys had 630 00:34:30,400 --> 00:34:34,160 Speaker 1: a wingman uh situation going on the two of you. 631 00:34:34,680 --> 00:34:37,280 Speaker 1: What happened? I know that one girl blows it because 632 00:34:37,280 --> 00:34:41,319 Speaker 1: she's talking about her ex boyfriend. What happened to the 633 00:34:41,400 --> 00:34:43,680 Speaker 1: girl you were talking to? Well, I don't think Cox 634 00:34:43,719 --> 00:34:47,480 Speaker 1: has gives a flying fuck about. He's just like here, 635 00:34:47,520 --> 00:34:49,560 Speaker 1: if this If Cox is like here, you want you 636 00:34:49,600 --> 00:34:51,440 Speaker 1: want a reason to stay here, talk to these girls, 637 00:34:51,440 --> 00:34:53,839 Speaker 1: I'm gonna, I'm gonna, I'm gonna go. And then JD 638 00:34:54,080 --> 00:34:56,440 Speaker 1: is like, okay, now you're tonguing and he tries to 639 00:34:56,520 --> 00:34:58,719 Speaker 1: hit on that one woman, but she's just you know, 640 00:34:59,200 --> 00:35:03,760 Speaker 1: rambling and rambling and rambling. The hangman's noose is hilarious. Yeah, 641 00:35:03,800 --> 00:35:06,000 Speaker 1: it's kind of it's kind of stolen from airplane. Though, 642 00:35:06,280 --> 00:35:11,960 Speaker 1: um it doesn't matter, nobody remembers airplane. It's absolutely hilarious. Remember, 643 00:35:12,560 --> 00:35:16,360 Speaker 1: I know we're dinosaurs. No, But I think there's a 644 00:35:16,360 --> 00:35:18,840 Speaker 1: scene in a moment an airplane when someone's doing a 645 00:35:18,880 --> 00:35:21,600 Speaker 1: long speech about their past and and you you you 646 00:35:21,680 --> 00:35:24,799 Speaker 1: cut back and the passenger next to him has hung 647 00:35:24,960 --> 00:35:29,360 Speaker 1: himself on he's swinging. Anyway. I think it's really interesting. 648 00:35:29,400 --> 00:35:32,960 Speaker 1: After the two girls leave and JD and Cox were alone, 649 00:35:33,800 --> 00:35:37,400 Speaker 1: I don't remember Cox being that broken. Yeah, I was 650 00:35:37,400 --> 00:35:40,960 Speaker 1: gonna say, he's so broken, dude, he's so broken. Well, 651 00:35:40,960 --> 00:35:43,600 Speaker 1: it's like once a year. He you know, Carlo says 652 00:35:43,640 --> 00:35:45,560 Speaker 1: like once a year he pretty much has a breakdown. 653 00:35:46,400 --> 00:35:48,800 Speaker 1: And I went back and I went back. As I 654 00:35:48,840 --> 00:35:51,359 Speaker 1: told you guys, I keep composition books and it's kind 655 00:35:51,360 --> 00:35:54,040 Speaker 1: of how I learned my lines. And in the margins 656 00:35:54,040 --> 00:35:57,279 Speaker 1: I wrote notes to myself, and in that I the 657 00:35:57,320 --> 00:36:00,239 Speaker 1: first thing gig I'll digress for a second. The first 658 00:36:00,280 --> 00:36:03,359 Speaker 1: gig I gotta get at NYU was to understudy John 659 00:36:03,400 --> 00:36:06,680 Speaker 1: Taturo in Dannying the Deep Blue Sea and over at 660 00:36:06,719 --> 00:36:10,120 Speaker 1: Circle Rep, which was maybe I lived on Sullivan Street 661 00:36:10,160 --> 00:36:12,960 Speaker 1: and Circle was on Bleaker, so it was maybe a 662 00:36:13,000 --> 00:36:15,520 Speaker 1: half a block from my house, and I understudy John, 663 00:36:15,560 --> 00:36:17,759 Speaker 1: and I was the assistant stage manager, so I helped 664 00:36:17,760 --> 00:36:19,759 Speaker 1: call the lights and I made up the actors. But 665 00:36:19,840 --> 00:36:21,960 Speaker 1: I had keys to the theater. And because it's just 666 00:36:22,040 --> 00:36:24,440 Speaker 1: a two hander or two hander mean just two actors 667 00:36:24,480 --> 00:36:27,600 Speaker 1: on stage, it was June Stein and John, and John 668 00:36:27,640 --> 00:36:30,879 Speaker 1: went to do desperately seeking Susan. After about eight months, 669 00:36:30,880 --> 00:36:33,080 Speaker 1: he wouldn't. He wouldn't. It's eight shows a week off 670 00:36:33,120 --> 00:36:36,000 Speaker 1: Broadway and he wouldn't go down. It's a very violent play. 671 00:36:36,320 --> 00:36:38,319 Speaker 1: And so I had the keys to the theater. So 672 00:36:38,440 --> 00:36:41,839 Speaker 1: every day I would walk and do circles on the 673 00:36:41,840 --> 00:36:43,920 Speaker 1: stage because I had the keys, and I would do 674 00:36:44,000 --> 00:36:47,000 Speaker 1: both actors parts out loud a couple of times a day. 675 00:36:47,120 --> 00:36:50,200 Speaker 1: And this was all fear based, and you were afraid 676 00:36:50,239 --> 00:36:52,120 Speaker 1: to Johnny, you were afraid that you might have to 677 00:36:52,160 --> 00:36:54,120 Speaker 1: go on and you didn't want it. Yeah, I was 678 00:36:54,160 --> 00:36:58,440 Speaker 1: scared to death. And john finally went to go do 679 00:36:58,560 --> 00:37:02,359 Speaker 1: desperately seeking Susan and which every actor in New York 680 00:37:02,400 --> 00:37:04,040 Speaker 1: wanted to be in, and so I got to take 681 00:37:04,080 --> 00:37:07,840 Speaker 1: over for him for about a week. And there's a 682 00:37:07,880 --> 00:37:10,200 Speaker 1: line that Danny has at the end of the play 683 00:37:10,280 --> 00:37:13,680 Speaker 1: where he says everything hurts. And I worked backwards in 684 00:37:13,719 --> 00:37:17,640 Speaker 1: that play from everything hurts, and and what that must 685 00:37:17,680 --> 00:37:20,280 Speaker 1: mean for someone to actually say that that everything hurts. 686 00:37:20,880 --> 00:37:23,640 Speaker 1: And I gave it to Cox in this that when 687 00:37:23,640 --> 00:37:26,960 Speaker 1: we see him, there's that long profile shot of Cox 688 00:37:27,120 --> 00:37:31,480 Speaker 1: that will stays on it and everything hurts. Yeah, and 689 00:37:31,520 --> 00:37:35,120 Speaker 1: it resonates and it's not nothing said, it's underneath and 690 00:37:35,239 --> 00:37:37,960 Speaker 1: Zachy so lovely in the scene. But I just think 691 00:37:38,000 --> 00:37:42,600 Speaker 1: the guy's broken. Yeah, And well, so he's so incredibly 692 00:37:42,680 --> 00:37:47,440 Speaker 1: committed to this job, which is endlessly frustrating for him, 693 00:37:47,560 --> 00:37:50,680 Speaker 1: not only what would be normal dealing with so much 694 00:37:50,719 --> 00:37:54,520 Speaker 1: death and pain, but that this hospital, this this hospital 695 00:37:54,560 --> 00:38:01,200 Speaker 1: that's it seems, is barely surviving um with its finances. 696 00:38:01,600 --> 00:38:04,000 Speaker 1: And he opens the episode walking around, and I noticed 697 00:38:04,040 --> 00:38:06,080 Speaker 1: that Will made sure that the ceiling panels were all 698 00:38:06,080 --> 00:38:07,920 Speaker 1: fucked up. I don't know if you notice that, but 699 00:38:08,040 --> 00:38:09,920 Speaker 1: when you when you're looking around me, like everything is 700 00:38:09,960 --> 00:38:12,120 Speaker 1: here is fucking broken. I'm so sick of it. And 701 00:38:12,160 --> 00:38:14,000 Speaker 1: in that in that very walk and talk moment, you're 702 00:38:14,000 --> 00:38:17,640 Speaker 1: seeing like the ceilings all fucked up, and and he's 703 00:38:17,680 --> 00:38:21,799 Speaker 1: just just so frustrated, I imagine with trying to save 704 00:38:21,880 --> 00:38:25,200 Speaker 1: lives with no with no support, with no gear, like 705 00:38:25,320 --> 00:38:27,560 Speaker 1: so many by the way, like so many doctors and 706 00:38:27,680 --> 00:38:31,359 Speaker 1: nurses and people must be feeling now with the lack 707 00:38:31,440 --> 00:38:35,120 Speaker 1: of of ppe they had with with COVID. I think 708 00:38:35,120 --> 00:38:37,680 Speaker 1: it's really interested at what you were just referencing. That 709 00:38:37,719 --> 00:38:42,520 Speaker 1: the writers don't even have Cox reference it as the 710 00:38:42,560 --> 00:38:45,200 Speaker 1: hospital or or the name of the hospital. He just 711 00:38:45,239 --> 00:38:48,000 Speaker 1: calls it that place. He can't even he doesn't even 712 00:38:48,040 --> 00:38:50,240 Speaker 1: want it in his mouth. And he says, I can't, 713 00:38:50,360 --> 00:38:53,480 Speaker 1: I can't go back to that place. Yeah, And then 714 00:38:53,600 --> 00:38:56,319 Speaker 1: Jad at least feels like Wow, he I don't know 715 00:38:56,360 --> 00:38:58,759 Speaker 1: what to do. He broke down, what are we gonna do? 716 00:38:58,800 --> 00:39:00,400 Speaker 1: And Carl was like, oh, no, he just does that 717 00:39:00,400 --> 00:39:02,000 Speaker 1: once a year. He'll be fine today. And I'm like, 718 00:39:02,040 --> 00:39:04,080 Speaker 1: there's no way he's going to be fine. And you 719 00:39:04,160 --> 00:39:07,759 Speaker 1: come in like, hey, what, it's going to be a 720 00:39:07,800 --> 00:39:12,359 Speaker 1: great day. I stole I stole that from a brother 721 00:39:12,400 --> 00:39:15,680 Speaker 1: of my brother's friendship humph for you lives in Atlanta now. 722 00:39:15,880 --> 00:39:18,120 Speaker 1: He used to always go around and go, it's a 723 00:39:18,200 --> 00:39:23,160 Speaker 1: great dar. I put that one right in my back pocket. 724 00:39:23,520 --> 00:39:26,399 Speaker 1: You were so funny. All right, wait, yes, we're gonna 725 00:39:26,440 --> 00:39:28,480 Speaker 1: take a break. We always forget because we're having so 726 00:39:28,560 --> 00:39:42,120 Speaker 1: much fun. We'll be right back. M see, Donald, you're 727 00:39:42,120 --> 00:39:44,360 Speaker 1: giving the people what they want, which is the mmmmm. 728 00:39:44,760 --> 00:39:46,839 Speaker 1: They asked for it, so I might as well give 729 00:39:46,880 --> 00:39:48,640 Speaker 1: it to a man. A lot of chatter, a lot 730 00:39:48,640 --> 00:39:51,360 Speaker 1: of chatter on we got to just digress for a moment. 731 00:39:51,440 --> 00:39:55,319 Speaker 1: So much chatter on Instagram about this, about the washcloth conversation. 732 00:39:55,760 --> 00:39:57,680 Speaker 1: Well that was a conversation. That was the real deal. 733 00:39:57,719 --> 00:39:59,680 Speaker 1: Holy food, man, Johnny, did you do you use a 734 00:39:59,719 --> 00:40:02,080 Speaker 1: wash cloth in the shower? We need my wife. My 735 00:40:02,120 --> 00:40:04,480 Speaker 1: wife wanted to make sure that before we get into 736 00:40:04,560 --> 00:40:06,880 Speaker 1: Johnny using the washcloth. She wanted you guys all to 737 00:40:06,960 --> 00:40:09,920 Speaker 1: know that, yes, you are supposed to get rid of 738 00:40:09,920 --> 00:40:15,640 Speaker 1: the washcloth after shows at that one time, right period. 739 00:40:15,840 --> 00:40:20,439 Speaker 1: But you don't, I do you? You don't. You don't. 740 00:40:20,520 --> 00:40:22,400 Speaker 1: Your wife was like, you better fucking tell him we 741 00:40:22,480 --> 00:40:26,239 Speaker 1: change the wah cloths. There are too many fucking people 742 00:40:26,280 --> 00:40:28,920 Speaker 1: listen to this podcast. Donald, you put it, tell him 743 00:40:28,920 --> 00:40:31,279 Speaker 1: we change the wash cloth. I'm telling you right I'm 744 00:40:31,320 --> 00:40:34,520 Speaker 1: telling you right now. If he changed the wash cloths, baby, 745 00:40:34,719 --> 00:40:37,960 Speaker 1: I told everybody. See, I told everybody. Baby taken care of. 746 00:40:38,480 --> 00:40:40,440 Speaker 1: It's not like she listens to the show anyway. If 747 00:40:40,480 --> 00:40:42,239 Speaker 1: you want, we can have Dan go back and re 748 00:40:42,520 --> 00:40:45,600 Speaker 1: edit that that sentence into the original wash cloth to 749 00:40:45,640 --> 00:40:49,160 Speaker 1: be okay, okay, Jesus, that was funny. Well, I just 750 00:40:49,200 --> 00:40:51,000 Speaker 1: want you to know that. You know, in one in 751 00:40:51,000 --> 00:40:53,480 Speaker 1: that episode, we were talking about both what kind of 752 00:40:53,480 --> 00:40:55,680 Speaker 1: merch we should have and the washcloth to be and 753 00:40:55,719 --> 00:40:57,840 Speaker 1: son now my whole Instagram fee was like, how about 754 00:40:57,960 --> 00:41:05,640 Speaker 1: merch that says team washcloth on wash clothes? I love it. 755 00:41:07,120 --> 00:41:11,520 Speaker 1: So somebody said and that look, man, if you're man, 756 00:41:11,760 --> 00:41:15,920 Speaker 1: if you know me, this is how I am. But listen, 757 00:41:16,239 --> 00:41:18,839 Speaker 1: I accumulate a lot of spit in my mouth when 758 00:41:18,880 --> 00:41:25,920 Speaker 1: I talk, so sometimes I might when I'm talking. Listen, asshole, 759 00:41:26,640 --> 00:41:29,759 Speaker 1: that's how I talk. All right, accept it. I just 760 00:41:29,800 --> 00:41:32,200 Speaker 1: did it again, And if you got a problem with it, 761 00:41:32,800 --> 00:41:36,640 Speaker 1: you can kiss my ass, all right because maybe of 762 00:41:36,680 --> 00:41:40,799 Speaker 1: course for for Avid Liszards begs the question which instructor 763 00:41:40,840 --> 00:41:45,239 Speaker 1: did Donald? Yes, because she just went into aggressive guy. 764 00:41:45,320 --> 00:41:48,239 Speaker 1: All right, Johnny, good call. You know when I need 765 00:41:48,280 --> 00:41:50,600 Speaker 1: to protect how I sound on this thing. Everybody had 766 00:41:50,600 --> 00:41:52,200 Speaker 1: a problem with me saying you know what I mean? 767 00:41:52,520 --> 00:41:55,200 Speaker 1: And now somebody's talking about the way I slurp when 768 00:41:55,200 --> 00:42:00,960 Speaker 1: I'm done with my sentences. Why the way slur by 769 00:42:00,960 --> 00:42:03,280 Speaker 1: the way? You know they have those fancy spit guards 770 00:42:03,360 --> 00:42:05,359 Speaker 1: for the mic. We could get you, right, Dan, we could. 771 00:42:05,440 --> 00:42:06,960 Speaker 1: You know, it's like a little circle that goes in 772 00:42:06,960 --> 00:42:08,239 Speaker 1: front of the mic, so you don't have to be 773 00:42:08,320 --> 00:42:10,200 Speaker 1: spitting on the house. I don't need to do any 774 00:42:10,239 --> 00:42:11,920 Speaker 1: of it, all right, Well, why don't you reach behind 775 00:42:11,960 --> 00:42:18,800 Speaker 1: you and dab your mouth with some sweatpants? Fuck you? 776 00:42:19,600 --> 00:42:27,799 Speaker 1: Fuck um? Well anyway, it's just fun to see that 777 00:42:27,880 --> 00:42:30,520 Speaker 1: so many people are engaging, and we love to hear 778 00:42:30,560 --> 00:42:34,279 Speaker 1: from you, especially when it's uh debating things. We're debating here, 779 00:42:34,320 --> 00:42:36,000 Speaker 1: because I love seeing people weighing in and be like, 780 00:42:36,040 --> 00:42:38,440 Speaker 1: I'm team washcloth and I'm from the South. I was 781 00:42:38,480 --> 00:42:41,080 Speaker 1: about to say, right right, Well, a lot of white 782 00:42:41,080 --> 00:42:44,879 Speaker 1: people that got on the on the thing like, yo, 783 00:42:44,640 --> 00:42:47,560 Speaker 1: I do use a washcloth, but I am from the South. 784 00:42:47,760 --> 00:42:50,520 Speaker 1: So and then some women WoT me like, Zach, you 785 00:42:50,560 --> 00:42:52,520 Speaker 1: can put a loofa between your cheeks, you just have 786 00:42:52,600 --> 00:42:54,880 Speaker 1: to make sure you wash it. They're washable, and I'm not. 787 00:42:54,920 --> 00:42:59,120 Speaker 1: I'm still not gonna put a scratchy loofa between my cheeks. Johnny, 788 00:42:59,120 --> 00:43:03,120 Speaker 1: are you team washing cloth or team no washcloth? It's funny. 789 00:43:03,160 --> 00:43:07,680 Speaker 1: I use washcloths at hotels, but not at home. But 790 00:43:07,719 --> 00:43:09,520 Speaker 1: not at home, but I just surf. I just I 791 00:43:09,600 --> 00:43:11,680 Speaker 1: just there's a shower I put in outside the building, 792 00:43:12,000 --> 00:43:14,200 Speaker 1: and I just shower out there. And so no, there's 793 00:43:14,200 --> 00:43:17,680 Speaker 1: no wash cloths up. Yeah, but in hotels you use 794 00:43:17,719 --> 00:43:20,000 Speaker 1: the washcloths. You know why he does. You know why 795 00:43:20,040 --> 00:43:22,040 Speaker 1: he does because he doesn't have to worry about cleaning 796 00:43:22,040 --> 00:43:26,759 Speaker 1: that fucking pooh pooh stain up that that also is 797 00:43:26,800 --> 00:43:28,920 Speaker 1: a problem for me, Zach. I have a problem with 798 00:43:28,960 --> 00:43:32,719 Speaker 1: your pooh stain story. Now? Why why dude, you're rehashing 799 00:43:32,760 --> 00:43:34,520 Speaker 1: some shit right now? No, pun intender, Do you have 800 00:43:35,680 --> 00:43:38,960 Speaker 1: day hold on? Do you have itchy butt all the time? No? 801 00:43:39,080 --> 00:43:41,600 Speaker 1: You still don't understand what I'm saying. There's no way, dude, 802 00:43:41,719 --> 00:43:44,280 Speaker 1: I do understand what you're saying. I don't have pooh. 803 00:43:44,400 --> 00:43:47,600 Speaker 1: If I were to swipe the washcloth down the outside 804 00:43:47,920 --> 00:43:50,239 Speaker 1: of my balloon knot, there'd be no pooh on it. 805 00:43:50,560 --> 00:43:54,240 Speaker 1: But if I were to dig a quarter inch, there'd 806 00:43:54,320 --> 00:43:57,680 Speaker 1: be some remnants. Why are you digging in your ass? 807 00:43:57,719 --> 00:43:59,960 Speaker 1: Because that's what I feel The purpose of the wall 808 00:44:00,160 --> 00:44:03,600 Speaker 1: cloth is. I have a washcloth as my interface between 809 00:44:03,600 --> 00:44:05,880 Speaker 1: me and my rectum, and I can dig a little. 810 00:44:05,920 --> 00:44:08,960 Speaker 1: I can be aggressive. Do you check my prosonate while 811 00:44:08,960 --> 00:44:10,880 Speaker 1: I'm in there? Do you guys not have the magic 812 00:44:10,920 --> 00:44:13,680 Speaker 1: toilet seat that does the spray? I wish I had 813 00:44:13,800 --> 00:44:16,200 Speaker 1: to day. I'm gonna get you one of those. It's 814 00:44:16,200 --> 00:44:18,040 Speaker 1: a seat, it's a seat you put on, it's a sheet. 815 00:44:18,120 --> 00:44:19,960 Speaker 1: It's not even a day. It's the most genius thing 816 00:44:19,960 --> 00:44:22,080 Speaker 1: on the planet. Yeah, we got him. We got him 817 00:44:22,080 --> 00:44:25,359 Speaker 1: at the Design Center. It's some invited event that we yeah, yeah, 818 00:44:25,400 --> 00:44:27,160 Speaker 1: it just blasts a little. It's like a it's like 819 00:44:27,160 --> 00:44:30,480 Speaker 1: a water pick for your rainus. It's the single greatest 820 00:44:30,480 --> 00:44:32,399 Speaker 1: gift on the planet. It's lovely. Donald. I'm gonna get 821 00:44:32,400 --> 00:44:34,719 Speaker 1: you one for Hanaka can't wait. Well, what you have 822 00:44:34,760 --> 00:44:37,600 Speaker 1: to get him with with is you also get a 823 00:44:37,600 --> 00:44:41,080 Speaker 1: contractor to extend a water outlet and electricity to Oh 824 00:44:41,120 --> 00:44:42,800 Speaker 1: that's not coming with my honake. Well, maybe that'll be 825 00:44:42,800 --> 00:44:44,600 Speaker 1: the second night. The first night will be the water 826 00:44:44,640 --> 00:44:54,279 Speaker 1: pick for your rainus. Second night contractor? Could we could 827 00:44:54,320 --> 00:44:59,600 Speaker 1: we get back to la Vere? Welcome back, Welcome back, Johnny. 828 00:45:00,320 --> 00:45:03,840 Speaker 1: This is what happens, by the way, when you're into you, 829 00:45:04,280 --> 00:45:06,880 Speaker 1: when you're here, we can I love that Johnny's already 830 00:45:06,880 --> 00:45:08,720 Speaker 1: here being like, can we get back to the episode, 831 00:45:08,920 --> 00:45:10,399 Speaker 1: which is what I'm the one. I'm the one who's 832 00:45:10,400 --> 00:45:13,160 Speaker 1: always saying that we tried to digress several times, and 833 00:45:13,280 --> 00:45:16,880 Speaker 1: Johnny's like, but you know when yeah, six o two, 834 00:45:17,000 --> 00:45:20,080 Speaker 1: I wanted it. Yeah, all right, let's I thought in 835 00:45:20,120 --> 00:45:24,359 Speaker 1: twelve fifty two, Um, I thought Billy Billy likes to 836 00:45:24,360 --> 00:45:26,040 Speaker 1: take a swipe at Zachie every once in a while. 837 00:45:26,080 --> 00:45:30,560 Speaker 1: He always has, and and he Laverne says, you think 838 00:45:30,600 --> 00:45:34,960 Speaker 1: so with those ears, and it's just it's just Zachie 839 00:45:35,000 --> 00:45:37,520 Speaker 1: goes up totally. I'm called for so fucked up. I 840 00:45:37,600 --> 00:45:39,520 Speaker 1: must have done something that week that he wanted to 841 00:45:39,520 --> 00:45:42,719 Speaker 1: take me down and not. I've never really had my 842 00:45:42,800 --> 00:45:46,120 Speaker 1: ears disc before. I mean, obviously I have a large nose, 843 00:45:46,280 --> 00:45:48,840 Speaker 1: and I'm I'm used to you know, anytime a caricature 844 00:45:48,920 --> 00:45:51,120 Speaker 1: artist would draw me, it would be like ninety five 845 00:45:51,200 --> 00:45:54,680 Speaker 1: percent nose, So I'm used to that. Um, but I 846 00:45:54,960 --> 00:45:58,280 Speaker 1: never really had my ears disc before before Nurse Roberts 847 00:45:58,280 --> 00:46:01,520 Speaker 1: went after them. Yeah, she and she took She took 848 00:46:01,560 --> 00:46:04,239 Speaker 1: no small amount of pleasure in doing it too. No. Um, 849 00:46:04,360 --> 00:46:06,520 Speaker 1: Red Dawn fifteen forty, I've never seen Red Dawn. I 850 00:46:06,560 --> 00:46:08,600 Speaker 1: don't know anything about what you're fucking kidding me right now. 851 00:46:08,640 --> 00:46:13,239 Speaker 1: You've never seen Red Dawn. No, did you audition? No? 852 00:46:13,600 --> 00:46:16,520 Speaker 1: I wouldn't. I wouldn't up to that speed. Yet. Well 853 00:46:16,520 --> 00:46:18,680 Speaker 1: there's a part in that. Well you're probably you're probably 854 00:46:18,719 --> 00:46:21,120 Speaker 1: way too young. I have no idea what wolverines means. 855 00:46:21,320 --> 00:46:27,240 Speaker 1: Please tell us. Okay, So, uh, the Russians in Red Dawn, Yeah, 856 00:46:27,280 --> 00:46:31,200 Speaker 1: attack America, Yeah, Colorado. The trivia our trivia friend says 857 00:46:31,239 --> 00:46:34,320 Speaker 1: there's a mistake in the episode. One of you guys says, Michigan, 858 00:46:34,360 --> 00:46:37,120 Speaker 1: but it's actually Colorado. Yeah, because the Michigan. Because the 859 00:46:37,160 --> 00:46:41,120 Speaker 1: Michigan Michigan are the Wolverines. The Villege Team Michigan are 860 00:46:41,120 --> 00:46:43,520 Speaker 1: the Wolverines. But it actually takes place in Colorado. You're right, 861 00:46:43,880 --> 00:46:49,200 Speaker 1: and they attack and kids, students are the rebellion. They 862 00:46:49,200 --> 00:46:51,960 Speaker 1: wind up being like all the adults are gathered and 863 00:46:52,040 --> 00:46:58,520 Speaker 1: put into concentration camps. And yeah, see Thomas Howell, Charlie Sheen. 864 00:46:59,200 --> 00:47:03,080 Speaker 1: Uh hold up, I mean they tried to they tried 865 00:47:03,120 --> 00:47:05,520 Speaker 1: to remake it and stuff like that. The action is amazing. 866 00:47:05,960 --> 00:47:09,560 Speaker 1: Who who's the older brother? Oh my gosh, ghost Well, 867 00:47:09,600 --> 00:47:14,080 Speaker 1: Patrick Patrick, Crazy, Patrick Swayze. Just so many people are 868 00:47:14,120 --> 00:47:16,680 Speaker 1: in it. Uh. This is the first movie that Jennifer 869 00:47:16,719 --> 00:47:19,000 Speaker 1: Gray and Patrick Swayze did together. This is before Dirty 870 00:47:19,080 --> 00:47:22,840 Speaker 1: Dancing and Leah Thompson. Leah Thompson's in it all. Also, 871 00:47:23,160 --> 00:47:26,560 Speaker 1: what a cast. A lot of people went on to doctors. 872 00:47:26,920 --> 00:47:29,320 Speaker 1: It makes me think of another before you explain that 873 00:47:29,480 --> 00:47:32,040 Speaker 1: more um Taps. We were talking about Taps either. Do 874 00:47:32,040 --> 00:47:35,759 Speaker 1: you guys remember that good? Yeah, A lot of Vale 875 00:47:36,520 --> 00:47:39,760 Speaker 1: Valley Forge Military Academy. Yeah, and a lot of amazing actors. 876 00:47:40,120 --> 00:47:45,759 Speaker 1: It was their first big thing, Sean and Tom Cruise. Yeah. 877 00:47:45,760 --> 00:47:47,719 Speaker 1: But anyway, go back to the plot of Lorine. So 878 00:47:47,760 --> 00:47:49,960 Speaker 1: the kids fight back, the kids and the and the 879 00:47:50,080 --> 00:47:52,960 Speaker 1: school that the kids they're all like on the football 880 00:47:52,960 --> 00:47:55,400 Speaker 1: team and stuff like that. And the football team of 881 00:47:55,520 --> 00:47:58,359 Speaker 1: the school is called the Wolverines. And so when they're 882 00:47:59,040 --> 00:48:03,719 Speaker 1: when they're in the fight with the Russians, their victory 883 00:48:03,760 --> 00:48:08,040 Speaker 1: cry is Wolverines. Their battle cry is Wolverines. Like you know, 884 00:48:08,160 --> 00:48:13,480 Speaker 1: g I Joe was Yo Joe, There's was Wolverines. Okay, 885 00:48:13,680 --> 00:48:16,480 Speaker 1: got it. And in the world of Scrubs, Elliott knows 886 00:48:16,520 --> 00:48:19,320 Speaker 1: this movie. I don't believe it, but I believe I believe. 887 00:48:20,000 --> 00:48:22,160 Speaker 1: I believe Turk knows that. I don't believe it. Turke 888 00:48:22,160 --> 00:48:24,399 Speaker 1: would know it, so therefore j D would know it, right. 889 00:48:24,480 --> 00:48:27,360 Speaker 1: But Elliot walks in like, oh, I forget the homework assignment, 890 00:48:27,440 --> 00:48:30,680 Speaker 1: let's watch Red Dawn. I'm like, come on, buddy, Yeah, 891 00:48:30,680 --> 00:48:33,840 Speaker 1: but it's also great again. You guys both throw the 892 00:48:33,920 --> 00:48:36,480 Speaker 1: gesture away and it's great when Zachie comes in and goes, yeah, 893 00:48:36,480 --> 00:48:39,319 Speaker 1: Wolverines and he just throws it away and Sarah does too, 894 00:48:39,360 --> 00:48:41,200 Speaker 1: and it's great. You know, when I was first watching 895 00:48:41,239 --> 00:48:43,719 Speaker 1: this episode, before I got through it, I was like, 896 00:48:43,719 --> 00:48:46,959 Speaker 1: what a dick Turk is for inviting my newly ex 897 00:48:47,080 --> 00:48:50,360 Speaker 1: girlfriend over to do a homework assignment at the fucking 898 00:48:51,239 --> 00:48:54,640 Speaker 1: living room table. But he knew it happened. Done. Yeah, 899 00:48:54,680 --> 00:48:59,600 Speaker 1: But then yeah, there's a great thing later on at 900 00:48:59,680 --> 00:49:02,960 Speaker 1: ten forty five that Donald does this great thing where 901 00:49:03,000 --> 00:49:05,719 Speaker 1: Sarah goes, you and I can still hang out and 902 00:49:06,080 --> 00:49:09,040 Speaker 1: Donald goes, no, he's my best friend. Either you fix 903 00:49:09,080 --> 00:49:12,040 Speaker 1: it or and then there's an ellipsis. And for all 904 00:49:12,040 --> 00:49:16,640 Speaker 1: of us who have had divorced friends or friends who 905 00:49:16,640 --> 00:49:19,480 Speaker 1: have broken up, it's the way Donald lays it out. 906 00:49:19,560 --> 00:49:22,960 Speaker 1: You can't have both. It's just it's never you got 907 00:49:22,960 --> 00:49:26,000 Speaker 1: to be friends with either or the wife. It don't. 908 00:49:26,040 --> 00:49:29,320 Speaker 1: You can't have both. It doesn't work. People always choose 909 00:49:29,320 --> 00:49:33,520 Speaker 1: a side, don't they have to? Yeah, yeah, there's no 910 00:49:33,600 --> 00:49:36,080 Speaker 1: in between. You can't stay in between. You can't be like, 911 00:49:36,200 --> 00:49:39,759 Speaker 1: she's my friend and you're my friend. Right, right, I 912 00:49:39,800 --> 00:49:43,160 Speaker 1: got it? Now now now when? So what we learned 913 00:49:43,280 --> 00:49:46,839 Speaker 1: is that Turk did it in order to try and 914 00:49:46,920 --> 00:49:50,560 Speaker 1: get them to be friends again, right, well, I think 915 00:49:50,560 --> 00:49:53,200 Speaker 1: his intentions are really good, but it's so raw. I mean, 916 00:49:53,200 --> 00:49:56,239 Speaker 1: it's still so new, this breakup. You know, it's like, yeah, 917 00:49:56,239 --> 00:49:58,839 Speaker 1: but you guys are running to each running into each other. 918 00:49:59,640 --> 00:50:02,480 Speaker 1: Ellie and JD are running into each other every day 919 00:50:02,480 --> 00:50:07,160 Speaker 1: at work, and there's all of this animosity towards each other. Yeah, 920 00:50:07,160 --> 00:50:09,560 Speaker 1: it's how the show opens up. I felt sad about it, 921 00:50:09,600 --> 00:50:12,800 Speaker 1: you know, I have to say, I guess I'm these 922 00:50:12,800 --> 00:50:15,799 Speaker 1: old feelings of being so invested in these characters came up, 923 00:50:15,840 --> 00:50:19,800 Speaker 1: and of course, I'm sure you know, memories of times 924 00:50:19,800 --> 00:50:23,120 Speaker 1: in my own life of this stage of a relationship, 925 00:50:23,160 --> 00:50:25,279 Speaker 1: and sure, I don't know. I was so invested that 926 00:50:25,360 --> 00:50:29,279 Speaker 1: I genuinely was feeling sad for these two characters and 927 00:50:29,320 --> 00:50:32,040 Speaker 1: how they clearly love each other so much, and as 928 00:50:32,080 --> 00:50:34,759 Speaker 1: we learned in the series, they ultimately choose each other. 929 00:50:34,800 --> 00:50:39,120 Speaker 1: But but oh, that awkwardness of of you know, of 930 00:50:39,320 --> 00:50:42,920 Speaker 1: trying to be friends and having mutual friends and working together. 931 00:50:43,000 --> 00:50:45,239 Speaker 1: I mean, what a nightmare. Yeah, but what you just 932 00:50:45,280 --> 00:50:48,040 Speaker 1: said pays off in the final before you guys go 933 00:50:48,160 --> 00:50:50,200 Speaker 1: up on the roof and throw watermelons. When you guys 934 00:50:50,200 --> 00:50:55,319 Speaker 1: are on that cot, you Zachie your truth is that you. 935 00:50:55,680 --> 00:51:01,440 Speaker 1: It made you genuinely sad and it resonates, absolutely jumps 936 00:51:01,600 --> 00:51:05,280 Speaker 1: into the lens and it resonates, and it's so lovely. 937 00:51:05,600 --> 00:51:10,319 Speaker 1: I think I had There's nothing demonstrative, there's nothing showy. 938 00:51:10,480 --> 00:51:13,319 Speaker 1: It's just this guy sad and sad sucks. Sometimes. I 939 00:51:13,360 --> 00:51:15,720 Speaker 1: think that was easy to play because it was real, 940 00:51:15,960 --> 00:51:18,440 Speaker 1: and I think I had so much love for Sarah 941 00:51:18,480 --> 00:51:21,760 Speaker 1: and um, I just you know, I could just play 942 00:51:22,360 --> 00:51:24,719 Speaker 1: in my in my heart that we weren't going to 943 00:51:24,760 --> 00:51:27,279 Speaker 1: be friends anymore, and it was just easy to tap into, 944 00:51:27,400 --> 00:51:31,560 Speaker 1: you know, right it should it showed. It was very good. 945 00:51:32,000 --> 00:51:34,440 Speaker 1: I really you know, when in the beginning of the 946 00:51:34,480 --> 00:51:38,760 Speaker 1: episode when he said when JD says, my teacher died, 947 00:51:39,400 --> 00:51:40,840 Speaker 1: I was like, oh, this is this is going to 948 00:51:40,880 --> 00:51:44,280 Speaker 1: be the problem of the episode. And then when you know, Johnny, 949 00:51:44,280 --> 00:51:46,560 Speaker 1: when Cox goes into this rent, I was like, no, 950 00:51:46,680 --> 00:51:49,000 Speaker 1: this is the problem of the episode. And then how 951 00:51:49,040 --> 00:51:51,160 Speaker 1: you bring it full circle? It's always brought back to 952 00:51:51,200 --> 00:51:54,200 Speaker 1: one right and with our show, So at the end 953 00:51:54,200 --> 00:51:56,560 Speaker 1: of it all, you remind him, didn't you tell me 954 00:51:56,600 --> 00:51:59,880 Speaker 1: about your teacher that you know just passed away? How 955 00:52:00,000 --> 00:52:02,879 Speaker 1: are you gonna deal with that? Because I know you're 956 00:52:02,920 --> 00:52:04,799 Speaker 1: trying to hide it. What did you do when? What 957 00:52:04,880 --> 00:52:07,799 Speaker 1: did you do when you found out your teacher died? Oh, 958 00:52:07,800 --> 00:52:10,880 Speaker 1: that's right, you made a joke. That shit stings inside 959 00:52:11,080 --> 00:52:12,480 Speaker 1: and if you hold on to it, and if you 960 00:52:12,520 --> 00:52:14,960 Speaker 1: don't have an outlet, you wind up doing what I did. 961 00:52:15,360 --> 00:52:17,480 Speaker 1: You know what I mean. And there's not a bunch 962 00:52:17,480 --> 00:52:19,120 Speaker 1: of people at this hospital that are going to protect 963 00:52:19,120 --> 00:52:21,880 Speaker 1: you the way they protect me. That's that's the honest 964 00:52:21,880 --> 00:52:24,320 Speaker 1: to goodness truth. Get this shit out, you know, I 965 00:52:24,520 --> 00:52:26,879 Speaker 1: well said. I believe that too. I mean, I feel 966 00:52:26,920 --> 00:52:30,279 Speaker 1: like I do that in life. I try and dissipate 967 00:52:30,520 --> 00:52:33,719 Speaker 1: the emotion by making a joke, and then you're all, 968 00:52:34,160 --> 00:52:36,160 Speaker 1: you know, which is fine, it's a coping mechanism. But 969 00:52:36,200 --> 00:52:38,960 Speaker 1: then you're you're letting that shit fester and build up. 970 00:52:39,520 --> 00:52:42,440 Speaker 1: And then Johnny and Cox is saying, like, look what 971 00:52:42,560 --> 00:52:44,520 Speaker 1: happens if you let it build for three hundred and 972 00:52:44,520 --> 00:52:49,640 Speaker 1: sixty four days? You fucking destroy Franklin's lab. And I wrote, 973 00:52:49,760 --> 00:52:52,120 Speaker 1: I wrote, I wrote in my notebook because I've had 974 00:52:52,160 --> 00:52:57,359 Speaker 1: about a twenty year, ongoing, twenty year art crush on 975 00:52:57,440 --> 00:53:00,839 Speaker 1: a Welsh poet named Dylan Thomas and I didn't have 976 00:53:00,880 --> 00:53:03,400 Speaker 1: the spine to go down to the writer's room and 977 00:53:03,520 --> 00:53:05,600 Speaker 1: ask Billy if I could put this in. But I 978 00:53:05,640 --> 00:53:08,480 Speaker 1: did put it in the margins the poem that do 979 00:53:08,600 --> 00:53:11,240 Speaker 1: not go gently into that good night rage, rage against 980 00:53:11,239 --> 00:53:14,399 Speaker 1: the dying of the light. And that informs everything I'm 981 00:53:14,400 --> 00:53:17,960 Speaker 1: telling Zachie in that scene, that you don't go gently 982 00:53:17,960 --> 00:53:21,640 Speaker 1: into the good night rage, rage, rage against the dying 983 00:53:21,680 --> 00:53:23,520 Speaker 1: of the light. Oh, I got a chill and I 984 00:53:23,560 --> 00:53:25,719 Speaker 1: wanted to say it does Zachie so bad, but it 985 00:53:25,760 --> 00:53:29,080 Speaker 1: was a little too esoteric. And but it's underneath. You 986 00:53:29,400 --> 00:53:31,640 Speaker 1: need to John, because it was underneath your whole performance. 987 00:53:32,040 --> 00:53:35,280 Speaker 1: It floats it. And if you can get Dylan Thomas 988 00:53:35,320 --> 00:53:39,480 Speaker 1: to float something underneath what you're doing again, you're not lying, 989 00:53:39,640 --> 00:53:42,080 Speaker 1: you're telling your truth. Yeah. I really like that you 990 00:53:42,200 --> 00:53:47,480 Speaker 1: do that, John, the putting, putting thoughts and inspiration in 991 00:53:47,520 --> 00:53:52,200 Speaker 1: the margins and letting that sort of exist underneath the scene. 992 00:53:52,239 --> 00:53:57,080 Speaker 1: I think that's really a smart technique. It's completely selfish 993 00:53:57,120 --> 00:54:00,279 Speaker 1: and self serving. It helps me. I always mind that 994 00:54:00,320 --> 00:54:02,680 Speaker 1: if you can reduce, since we're lying in front of 995 00:54:02,680 --> 00:54:05,759 Speaker 1: the lens, everything most of it's a lie. In other words, 996 00:54:05,800 --> 00:54:08,239 Speaker 1: I'm not doctor Cox. I'm not. I'm not the guy. 997 00:54:08,280 --> 00:54:11,799 Speaker 1: I'm not Sergeant O'Neil and platoon. I'm not. I'm not 998 00:54:11,920 --> 00:54:15,200 Speaker 1: I'm some guy. I'm just the Irish jeckis. And if 999 00:54:15,280 --> 00:54:19,000 Speaker 1: you can, yeah, if you can reduce, if you can 1000 00:54:19,080 --> 00:54:23,160 Speaker 1: reduce the frequency of the lie, whether it's Oliver putting 1001 00:54:23,200 --> 00:54:25,920 Speaker 1: this through two weeks of boot camp or or putting 1002 00:54:26,000 --> 00:54:31,200 Speaker 1: Dylan Thomas underneath underneath a particular beat that reduces the lie. 1003 00:54:31,640 --> 00:54:36,080 Speaker 1: And if you can reduce the lie to a certain frequency, 1004 00:54:36,360 --> 00:54:38,640 Speaker 1: then the lens doesn't suffer it as a lie quite 1005 00:54:38,680 --> 00:54:41,279 Speaker 1: as much. And I think, and I think genuinely this 1006 00:54:41,400 --> 00:54:45,080 Speaker 1: might be a non sequitor, but for me, genuinely listen. 1007 00:54:45,280 --> 00:54:48,440 Speaker 1: You know a lot of times actors will ask me 1008 00:54:48,520 --> 00:54:51,560 Speaker 1: for and I'm sure this you guys get this as well. 1009 00:54:51,640 --> 00:54:54,080 Speaker 1: Young actors ask you for advice or or and you 1010 00:54:54,120 --> 00:54:55,799 Speaker 1: try and think of like something's the sync you can 1011 00:54:55,840 --> 00:54:59,239 Speaker 1: say because it's none of it's that easy. But when 1012 00:54:59,280 --> 00:55:01,560 Speaker 1: I do try and say the most basic thing that 1013 00:55:01,600 --> 00:55:07,320 Speaker 1: I've learned is genuinely listening. If I'm if the cameras 1014 00:55:07,360 --> 00:55:10,600 Speaker 1: on me and Johnny C playing Cox is saying all 1015 00:55:10,640 --> 00:55:13,279 Speaker 1: these things to me, and I can genuinely listen. I'm 1016 00:55:13,320 --> 00:55:15,440 Speaker 1: not looking in my periphery at the camera. I'm not 1017 00:55:15,480 --> 00:55:18,040 Speaker 1: looking at the jail on the light that's about to fall. 1018 00:55:18,640 --> 00:55:22,319 Speaker 1: I'm not distracted by something. I'm genuinely listening. Then I 1019 00:55:22,400 --> 00:55:26,279 Speaker 1: can't help but react naturally as a human being would. Now, 1020 00:55:26,320 --> 00:55:29,520 Speaker 1: that's not easy to do it. You can, I find 1021 00:55:29,520 --> 00:55:32,040 Speaker 1: I can only do it in spurts, which hopefully those 1022 00:55:32,080 --> 00:55:35,920 Speaker 1: spurts can be edited together into something good. But but 1023 00:55:36,000 --> 00:55:39,040 Speaker 1: that's the that's sort of my version of what you're saying, 1024 00:55:39,160 --> 00:55:43,240 Speaker 1: is being as present as you can and genuinely listening 1025 00:55:43,600 --> 00:55:46,960 Speaker 1: because you're telling the truth. Yeah, and then we react. 1026 00:55:47,000 --> 00:55:48,719 Speaker 1: I remember when I did this movie, The Last Kiss, 1027 00:55:48,760 --> 00:55:50,640 Speaker 1: and I was I had a sceneman, Tom Wilkinson, a 1028 00:55:50,640 --> 00:55:53,200 Speaker 1: wonderful actor, and it was one of those moments where 1029 00:55:53,239 --> 00:55:55,400 Speaker 1: this really worked for me. He was the cameras were 1030 00:55:55,480 --> 00:55:57,400 Speaker 1: kind of far back. I love that when when on 1031 00:55:57,440 --> 00:55:59,160 Speaker 1: the occasion when they can be sort of a little 1032 00:55:59,160 --> 00:56:02,600 Speaker 1: bit far away on longer lenses, and and he was 1033 00:56:02,640 --> 00:56:06,160 Speaker 1: just on the porch and he's giving me a speech 1034 00:56:06,520 --> 00:56:10,400 Speaker 1: about his daughter, and I just remember being so present. 1035 00:56:10,440 --> 00:56:12,399 Speaker 1: I didn't see the cameras. I just saw this man 1036 00:56:12,960 --> 00:56:15,200 Speaker 1: talking to me and giving me advice about how to 1037 00:56:15,239 --> 00:56:19,080 Speaker 1: deal with with my troubled relationship. And I just felt 1038 00:56:19,360 --> 00:56:22,279 Speaker 1: I was so in the moment that in spurts, I 1039 00:56:22,320 --> 00:56:25,200 Speaker 1: was able to just forget that it wasn't real, you 1040 00:56:25,239 --> 00:56:27,160 Speaker 1: know what I mean. No, I totally know to me 1041 00:56:27,239 --> 00:56:29,960 Speaker 1: when I did geez tripping, I got stone with my 1042 00:56:29,960 --> 00:56:43,040 Speaker 1: boy Dion right before when I was in homiees Pimoni. Oh, 1043 00:56:43,040 --> 00:56:45,640 Speaker 1: and there was you know, we were at a dance 1044 00:56:45,719 --> 00:56:47,880 Speaker 1: at a house party, and I was supposed to be 1045 00:56:48,000 --> 00:56:50,319 Speaker 1: dancing with this girl at the house party, and I 1046 00:56:50,400 --> 00:56:52,800 Speaker 1: was so stone that I forgot we were filming with 1047 00:56:52,840 --> 00:56:55,480 Speaker 1: a damn movie. You think this is bullshit, but I 1048 00:56:55,560 --> 00:56:57,799 Speaker 1: remember my direction was I thought you were by the way, 1049 00:56:57,800 --> 00:56:59,120 Speaker 1: I just want to stop for a second. I thought 1050 00:56:59,160 --> 00:57:01,600 Speaker 1: you were kidding and it was hilarious, but you're serious. 1051 00:57:01,640 --> 00:57:03,520 Speaker 1: You got so high you forgot you were doing a movie. 1052 00:57:03,640 --> 00:57:06,080 Speaker 1: I forgot that we were making This is how fucking 1053 00:57:07,040 --> 00:57:10,680 Speaker 1: I gotta see this movie now. So we're in a 1054 00:57:10,760 --> 00:57:13,240 Speaker 1: scene and we're you know, it's a the house party, 1055 00:57:13,400 --> 00:57:16,560 Speaker 1: and we're dancing, and I'm dancing with this girl and 1056 00:57:16,600 --> 00:57:19,800 Speaker 1: I remember my direction. My direction is tell her to 1057 00:57:19,840 --> 00:57:23,400 Speaker 1: come with you and you guys exit, So we're dancing 1058 00:57:23,400 --> 00:57:25,960 Speaker 1: and everything, and now I'm really fucking in and I'm 1059 00:57:26,000 --> 00:57:30,960 Speaker 1: looking around all boys and shit, oh you know what 1060 00:57:30,960 --> 00:57:33,080 Speaker 1: I mean. I'm waving to my boy you know what 1061 00:57:33,160 --> 00:57:35,360 Speaker 1: I mean in the movie and everything like that, and 1062 00:57:35,400 --> 00:57:38,200 Speaker 1: I remember Joe, oh, I'm supposed to tell us something. 1063 00:57:38,440 --> 00:57:40,440 Speaker 1: So I whispered in the ear like, yo, let's go 1064 00:57:40,480 --> 00:57:43,520 Speaker 1: to the other room. And she goes, okay, let's go. 1065 00:57:43,920 --> 00:57:46,720 Speaker 1: And so we're exiting, and as I'm walking out, I'm like, 1066 00:57:46,800 --> 00:57:52,440 Speaker 1: oh shit, I just pulled that check what I did? 1067 00:57:52,680 --> 00:57:54,760 Speaker 1: You know what I mean. I'm looking at my boys like, yeah, 1068 00:57:56,000 --> 00:57:58,400 Speaker 1: look how I did it. And then they said cut 1069 00:57:58,760 --> 00:58:01,960 Speaker 1: and I was like, no, I didn't. I didn't, but 1070 00:58:02,160 --> 00:58:04,120 Speaker 1: you know, I didn't go like how we were making 1071 00:58:04,160 --> 00:58:06,160 Speaker 1: a movie. But it was like cut and we walked away. 1072 00:58:06,240 --> 00:58:08,280 Speaker 1: My point was like, Yo, it really looked like you 1073 00:58:08,400 --> 00:58:14,920 Speaker 1: was taken unto the other room. Oh my god. That's 1074 00:58:14,960 --> 00:58:16,960 Speaker 1: so funny, man. So that one would get me. I 1075 00:58:16,960 --> 00:58:19,960 Speaker 1: would get hives if I ever found myself in that situation. 1076 00:58:20,280 --> 00:58:24,240 Speaker 1: I would. I'm worrying too much. How often how often 1077 00:58:24,280 --> 00:58:29,760 Speaker 1: were you stoned? Um while acting on scrubs? Um? A 1078 00:58:29,920 --> 00:58:32,919 Speaker 1: percentage of the time. It's not it's not as high. 1079 00:58:32,960 --> 00:58:35,080 Speaker 1: How to add it to the Scrubs Wiki, It's not 1080 00:58:35,160 --> 00:58:38,000 Speaker 1: as high as everybody, you know, as I made it 1081 00:58:38,000 --> 00:58:40,560 Speaker 1: out to be. But there were times where I came 1082 00:58:40,600 --> 00:58:44,280 Speaker 1: to work and I was like, fuck, didn't I did 1083 00:58:44,320 --> 00:58:46,600 Speaker 1: it in the morning. By the end of the day, 1084 00:58:46,680 --> 00:58:49,720 Speaker 1: I'll be fine, dude. I was problem. I had a problem. 1085 00:58:49,920 --> 00:58:51,840 Speaker 1: You know'd be funny if on the Scrub's wiki with 1086 00:58:51,920 --> 00:58:54,800 Speaker 1: each episode it has a little section where it says 1087 00:58:54,880 --> 00:58:57,680 Speaker 1: how high Donald was during the filming of this episode. 1088 00:58:58,320 --> 00:58:59,840 Speaker 1: You know, it has like a it has like a 1089 00:59:00,200 --> 00:59:01,840 Speaker 1: ed for very and there's like a there's like a 1090 00:59:01,880 --> 00:59:04,000 Speaker 1: there's like a color system, like how dangerous the water 1091 00:59:04,120 --> 00:59:07,360 Speaker 1: is at the beach. Those those days are over, though, 1092 00:59:07,400 --> 00:59:10,240 Speaker 1: those days are over. But I do remember. I remember thinking, 1093 00:59:10,640 --> 00:59:13,120 Speaker 1: you know, there's so many actors that are baked when 1094 00:59:13,120 --> 00:59:15,440 Speaker 1: they're working. And I'm sure there are there are, you 1095 00:59:15,480 --> 00:59:18,200 Speaker 1: know what I mean. But it really wasn't for me. 1096 00:59:18,520 --> 00:59:20,200 Speaker 1: Let me tell you something. I'm gonna get us back 1097 00:59:20,200 --> 00:59:24,040 Speaker 1: on track here at eight six Johnny Johnny. If Johnny 1098 00:59:24,120 --> 00:59:26,640 Speaker 1: was always on the show, we'd be much more on track. 1099 00:59:27,080 --> 00:59:29,160 Speaker 1: Let me tell you. Let me tell you something. The 1100 00:59:29,280 --> 00:59:31,920 Speaker 1: todd shows up in the eight o six hilarious, and 1101 00:59:31,960 --> 00:59:34,360 Speaker 1: he comes up from behind the couch and it's kind 1102 00:59:34,400 --> 00:59:38,600 Speaker 1: of creepy. Yeah, a lot creepy. The things he says 1103 00:59:38,720 --> 00:59:42,400 Speaker 1: to her as a little creepy, I know, but I 1104 00:59:42,480 --> 00:59:51,400 Speaker 1: laughed out loud when he said, um, so, is it 1105 00:59:51,560 --> 00:59:54,040 Speaker 1: safe to assume Donald that at eight fifty six, when 1106 00:59:54,080 --> 00:59:57,600 Speaker 1: you do a very graceful jump up under the nurses station, 1107 00:59:57,920 --> 01:00:00,560 Speaker 1: that you are not, in fact wearing silk box I 1108 01:00:00,600 --> 01:00:03,760 Speaker 1: am definitely not wearing silk boxers. Do you wear do 1109 01:00:03,800 --> 01:00:06,280 Speaker 1: you wear anything out of your scrubs? I did at 1110 01:00:06,280 --> 01:00:09,280 Speaker 1: the time because I was look man, he had I 1111 01:00:09,320 --> 01:00:14,440 Speaker 1: got a leaky oh ring and so loose gaskets. Sometimes 1112 01:00:14,480 --> 01:00:16,440 Speaker 1: when you go to the bathroom and come back and 1113 01:00:16,480 --> 01:00:19,040 Speaker 1: you got a little peace spot, it's embarrassing. So I 1114 01:00:19,080 --> 01:00:21,760 Speaker 1: don't think that you could. I mean, I don't think 1115 01:00:21,800 --> 01:00:24,240 Speaker 1: that it would be appropriate for you to not have 1116 01:00:25,480 --> 01:00:29,600 Speaker 1: your your what your situation contained. I'm sure there were 1117 01:00:29,640 --> 01:00:35,080 Speaker 1: people that put on their scrubs at this. Johnny's hand 1118 01:00:35,080 --> 01:00:37,520 Speaker 1: goes out, Oh really, Johnny, you freeball in your scrubs? 1119 01:00:38,320 --> 01:00:41,760 Speaker 1: Do One time in the Philippines we were shooting. We 1120 01:00:41,760 --> 01:00:44,480 Speaker 1: were shooting a flick and during boot camp I had 1121 01:00:44,520 --> 01:00:47,760 Speaker 1: to go through a river is called a blue, and 1122 01:00:47,800 --> 01:00:49,320 Speaker 1: so we had to go through a blue and hold 1123 01:00:49,320 --> 01:00:52,440 Speaker 1: our weapons above our heads and then we got out 1124 01:00:52,480 --> 01:00:55,360 Speaker 1: the other side. I took my fatigues off, and I 1125 01:00:55,400 --> 01:00:59,400 Speaker 1: had about nine leeches right near my power source, and 1126 01:00:59,720 --> 01:01:05,880 Speaker 1: so I decided and then die. We that our commandant 1127 01:01:05,960 --> 01:01:09,840 Speaker 1: told us that they like warm, wet places like under 1128 01:01:09,840 --> 01:01:12,560 Speaker 1: your arms and down in your crotch. And I haven't 1129 01:01:12,600 --> 01:01:16,160 Speaker 1: worn underwear since nineteen eighty six. Wow, And that's on 1130 01:01:16,240 --> 01:01:20,280 Speaker 1: the tuck and you can't say, you can't preface it 1131 01:01:20,280 --> 01:01:24,720 Speaker 1: with that's all. That's what It took. Seven leeches, seven 1132 01:01:24,840 --> 01:01:30,760 Speaker 1: leeches near my near my power's horse. I'm not no chance, Lance, 1133 01:01:31,960 --> 01:01:33,560 Speaker 1: And how do you pull him off? He just can't 1134 01:01:33,560 --> 01:01:35,360 Speaker 1: do you? Just can you just pull a leach off? 1135 01:01:35,360 --> 01:01:37,920 Speaker 1: I've never had a leach Stockdale Dale came and he 1136 01:01:38,040 --> 01:01:40,439 Speaker 1: used like a cigarette butt and and like he'd burned 1137 01:01:40,480 --> 01:01:42,960 Speaker 1: him and pull him at the same time. And it 1138 01:01:43,000 --> 01:01:45,560 Speaker 1: was very humiliating to take my you know, to have 1139 01:01:45,600 --> 01:01:48,320 Speaker 1: all twenty four guys looking at, you know, the Irish 1140 01:01:48,360 --> 01:01:53,520 Speaker 1: donkey with seven leeches. Wow, I'm not getting any leeches 1141 01:01:53,560 --> 01:01:55,760 Speaker 1: near my I guess jeans would be fine, but scrubs 1142 01:01:55,760 --> 01:01:58,880 Speaker 1: wouldn't work. No gross even ge oh man, I couldn't 1143 01:01:58,920 --> 01:02:01,960 Speaker 1: do it. My jeans h too much chaffing. All right, 1144 01:02:01,960 --> 01:02:03,840 Speaker 1: should we get back to the episode. Guys, are you 1145 01:02:03,920 --> 01:02:07,720 Speaker 1: boxers or tidy what do you guys? I'm straight up boxers, dude, 1146 01:02:07,800 --> 01:02:10,400 Speaker 1: tighty whities can't happen. No, no, I don't do tidy whities. 1147 01:02:10,440 --> 01:02:13,760 Speaker 1: But they're not boxers like traditional boxers, miners, sort of 1148 01:02:13,800 --> 01:02:21,160 Speaker 1: like clingy, tight soft boxers. They're they're stance if um if. 1149 01:02:21,400 --> 01:02:25,240 Speaker 1: I highly recommend this brand Sta NC. They're not a 1150 01:02:25,400 --> 01:02:28,480 Speaker 1: paid sponsor, but I'm giving the dance like the socks. Yes, 1151 01:02:28,520 --> 01:02:30,720 Speaker 1: they make really fun socks. But they also make this 1152 01:02:30,840 --> 01:02:35,840 Speaker 1: like butter It's called like butter undis, butter undis by stance. Yeah, 1153 01:02:35,920 --> 01:02:38,240 Speaker 1: there you go. There's a shout out for butter Undy's. 1154 01:02:38,240 --> 01:02:42,040 Speaker 1: Send Donald an XXXL every stance folks. I don't need 1155 01:02:42,080 --> 01:02:47,040 Speaker 1: an X. My waist isn't that big, dude? Oh quadruplex. Wow. 1156 01:02:48,240 --> 01:02:50,240 Speaker 1: We gotta get back to Kenny and Judy because we 1157 01:02:50,320 --> 01:02:52,920 Speaker 1: haven't given to them their due. Because the song, the 1158 01:02:53,000 --> 01:02:56,120 Speaker 1: song he turns off is in fact the song that 1159 01:02:56,320 --> 01:03:03,040 Speaker 1: then Sammy and Judy sing together acapella, beautiful, so pretty. 1160 01:03:03,480 --> 01:03:06,720 Speaker 1: That's so tough to do. Also, oh yes it was. 1161 01:03:06,880 --> 01:03:09,200 Speaker 1: You know, they must have practiced a lot. They had 1162 01:03:09,240 --> 01:03:12,000 Speaker 1: to have practiced that, because that's so like even the 1163 01:03:12,000 --> 01:03:17,320 Speaker 1: way luck, the cadence and everything was on fire, you 1164 01:03:17,320 --> 01:03:19,360 Speaker 1: know what I mean. That had to They had to 1165 01:03:19,360 --> 01:03:22,440 Speaker 1: remind everyone who's listening what the song was. It was 1166 01:03:23,120 --> 01:03:28,800 Speaker 1: talk dirty to me, Yeah, by poison. But they're not again, 1167 01:03:29,120 --> 01:03:32,760 Speaker 1: Uh gosh, I'm beating a dead horse here. But the 1168 01:03:32,840 --> 01:03:36,360 Speaker 1: two of them are. They're not showing off. They're not 1169 01:03:36,560 --> 01:03:38,600 Speaker 1: putting it off on a bill they're not putting it 1170 01:03:38,680 --> 01:03:41,560 Speaker 1: up on a billboard. They're so great, they're so graceful, 1171 01:03:41,640 --> 01:03:44,320 Speaker 1: and they're not doing um, can you believe this shit? 1172 01:03:44,360 --> 01:03:47,280 Speaker 1: Because Sammy never does that and Judy is the master 1173 01:03:47,760 --> 01:03:50,320 Speaker 1: of just navigating her way through a scene, and the 1174 01:03:50,400 --> 01:03:53,720 Speaker 1: two of them together are so money and that thing 1175 01:03:53,840 --> 01:03:55,920 Speaker 1: is just so lovely. And then when the same he 1176 01:03:56,000 --> 01:04:02,000 Speaker 1: says I love you, I dropped. Yeah, yeah, so good 1177 01:04:02,040 --> 01:04:05,320 Speaker 1: on this. It really made me miss him. Uh. I 1178 01:04:05,320 --> 01:04:07,640 Speaker 1: had just one of those moments of going fucking hell 1179 01:04:07,840 --> 01:04:11,080 Speaker 1: gone too soon. This guy is so funny and so talented, 1180 01:04:11,520 --> 01:04:16,120 Speaker 1: and I just wish more people got to know how 1181 01:04:16,160 --> 01:04:19,000 Speaker 1: talented he was. I mean, he was a successful working actor, 1182 01:04:19,080 --> 01:04:21,960 Speaker 1: but I you know, I watch him in this and 1183 01:04:22,000 --> 01:04:23,880 Speaker 1: I go, I just I wish everyone in the world 1184 01:04:23,960 --> 01:04:26,400 Speaker 1: knew how genius this guy. His abilities. Man, he just 1185 01:04:26,480 --> 01:04:28,600 Speaker 1: had so many great abilities, you know what I mean? 1186 01:04:28,640 --> 01:04:31,520 Speaker 1: He could make you did you know problem? Did you 1187 01:04:31,560 --> 01:04:35,120 Speaker 1: guys at the end of the show actually get to 1188 01:04:35,160 --> 01:04:38,280 Speaker 1: throw things off the roof? Yeah? I don't remember I 1189 01:04:38,360 --> 01:04:40,480 Speaker 1: do any of that because I remember that being a 1190 01:04:40,680 --> 01:04:42,560 Speaker 1: kind of a nightmare with all but it also people 1191 01:04:43,080 --> 01:04:45,720 Speaker 1: it also dates the show with Letterman talking about let 1192 01:04:45,760 --> 01:04:48,160 Speaker 1: you want to throw stuff off the roof? Like Letterman. Yeah, 1193 01:04:48,200 --> 01:04:51,920 Speaker 1: it's like Letterman hasn't been on for what ten years now. Well, 1194 01:04:52,160 --> 01:04:54,040 Speaker 1: for those of you who are too young to or 1195 01:04:54,160 --> 01:04:58,000 Speaker 1: didn't ever watch Letterman, he would often throw large objects 1196 01:04:58,000 --> 01:05:02,160 Speaker 1: off the roof of the Ed Sullivan Theater, and it 1197 01:05:02,280 --> 01:05:05,160 Speaker 1: was just before he moved to CBS. No, I think 1198 01:05:05,160 --> 01:05:07,200 Speaker 1: it was a bit he did for the whole his 1199 01:05:07,240 --> 01:05:09,360 Speaker 1: whole thing. I don't I don't remember. Yeah, I don't remember, 1200 01:05:09,800 --> 01:05:11,800 Speaker 1: but um, but I think we did. I have a 1201 01:05:11,800 --> 01:05:14,080 Speaker 1: weird memory. Of feeling like it was kind of dangerous. 1202 01:05:14,240 --> 01:05:16,080 Speaker 1: It's probably something they wouldn't let us do today, with 1203 01:05:16,120 --> 01:05:18,640 Speaker 1: all the with with the doubt, with the increase in 1204 01:05:18,720 --> 01:05:22,800 Speaker 1: set safety. Because the wall of that roof wasn't incredibly 1205 01:05:22,880 --> 01:05:29,080 Speaker 1: high and we were hurling watermelons over the side. I 1206 01:05:29,120 --> 01:05:32,040 Speaker 1: don't know that would be approved by uh by HR 1207 01:05:32,240 --> 01:05:34,120 Speaker 1: this at this day at age. By the way, my 1208 01:05:34,200 --> 01:05:36,840 Speaker 1: Bill Cosby that that made me laugh out loud, and 1209 01:05:37,520 --> 01:05:39,120 Speaker 1: I think it made me laugh. I think it made 1210 01:05:39,160 --> 01:05:41,840 Speaker 1: me laugh because of how bad my Bill co Yeah, 1211 01:05:41,880 --> 01:05:45,000 Speaker 1: it was like it was turned up to eleven. It was, 1212 01:05:45,280 --> 01:05:50,480 Speaker 1: it was turned up to eleven. I think, yeah, it was. 1213 01:05:51,240 --> 01:05:54,840 Speaker 1: It was almost like you were doing an impression of 1214 01:05:54,960 --> 01:05:58,960 Speaker 1: Eddie Murphy. Of Eddie Murphy doing his impression. Yeah, now, 1215 01:05:58,960 --> 01:06:01,040 Speaker 1: why Pudding, I didn't even that was such a non sequitor, 1216 01:06:01,200 --> 01:06:04,360 Speaker 1: like we put putting in medical gloves, yeah, and then 1217 01:06:04,400 --> 01:06:06,680 Speaker 1: toss them off the roof. Yeah, and then you went 1218 01:06:06,720 --> 01:06:09,600 Speaker 1: into a I wonder if that was in the script. 1219 01:06:09,680 --> 01:06:10,920 Speaker 1: Do you think I was in the script or you 1220 01:06:10,960 --> 01:06:13,360 Speaker 1: just riffed. No, that was definitely in the script. If 1221 01:06:13,360 --> 01:06:16,600 Speaker 1: we putting off the roof, they definitely put it in 1222 01:06:16,800 --> 01:06:21,440 Speaker 1: the show. I would like to talk to you about it, 1223 01:06:21,640 --> 01:06:25,400 Speaker 1: would like to talk to get about some of the 1224 01:06:25,440 --> 01:06:30,280 Speaker 1: things about some of the things that you do in 1225 01:06:30,440 --> 01:06:34,919 Speaker 1: your show now and then and then and then Neil 1226 01:06:34,960 --> 01:06:40,400 Speaker 1: at the end saying horror, yeah, like apocalypse now right. 1227 01:06:40,640 --> 01:06:43,480 Speaker 1: I think that was the I learned from Scrubs wiki 1228 01:06:43,560 --> 01:06:48,320 Speaker 1: that was the first time Neil's ever been alone in 1229 01:06:48,400 --> 01:06:54,040 Speaker 1: a scene. Really, Oh my goodness, Yeah, that's WICKI they 1230 01:06:54,120 --> 01:06:57,120 Speaker 1: really have but he gets Billy. Billy puts them alone 1231 01:06:57,200 --> 01:07:00,600 Speaker 1: more and more as the well, him building that squirrel 1232 01:07:00,640 --> 01:07:03,880 Speaker 1: thing in his garage, and I think that, um, I 1233 01:07:03,880 --> 01:07:06,400 Speaker 1: think it's more and more alone. Yeah, And I think 1234 01:07:06,440 --> 01:07:09,760 Speaker 1: that this was a shift in Neil, Like I think 1235 01:07:09,800 --> 01:07:13,560 Speaker 1: he entered the world of a regular cast member around here. 1236 01:07:13,880 --> 01:07:16,680 Speaker 1: And there is an episode where Neil's not going to 1237 01:07:16,760 --> 01:07:19,560 Speaker 1: be on this show in the first season, and that's 1238 01:07:19,560 --> 01:07:22,080 Speaker 1: how they got around him not being a regular. If 1239 01:07:22,080 --> 01:07:25,680 Speaker 1: I'm really if I recall correctly, all we can ask 1240 01:07:25,680 --> 01:07:28,320 Speaker 1: a Bill right now. That's a good ask Bill. Go ahead, 1241 01:07:28,360 --> 01:07:32,240 Speaker 1: Donald to ask Bill Bill coma If my memory serves 1242 01:07:32,280 --> 01:07:35,760 Speaker 1: me correctly, isn't there an episode where there's no janitor? 1243 01:07:36,120 --> 01:07:40,480 Speaker 1: And if so, was that related to tiptilling around his 1244 01:07:40,560 --> 01:07:43,080 Speaker 1: contract because he would have had to have been a 1245 01:07:43,120 --> 01:07:46,280 Speaker 1: regular of some sort. Do not say five to six, 1246 01:07:46,360 --> 01:07:50,480 Speaker 1: seven eighth bill, We'll shut it down. Neil Flynn did 1247 01:07:50,520 --> 01:07:52,320 Speaker 1: not have to test for the part of the janitor, 1248 01:07:52,560 --> 01:07:56,440 Speaker 1: so he was not listed as a regular. You know, 1249 01:07:56,440 --> 01:07:57,720 Speaker 1: I just cast him as a guest star in the 1250 01:07:57,760 --> 01:08:00,320 Speaker 1: pilot the intention of putting him in every episode, and 1251 01:08:00,360 --> 01:08:02,920 Speaker 1: then we did put him in every episode as a 1252 01:08:02,960 --> 01:08:06,480 Speaker 1: recur guy, and at the very end made him. You know, 1253 01:08:06,480 --> 01:08:08,840 Speaker 1: I was able to convince the networks they liked him 1254 01:08:08,840 --> 01:08:10,120 Speaker 1: a lot, that we needed to pay to make him 1255 01:08:10,160 --> 01:08:14,480 Speaker 1: a regular the second year. Originally um Dan only wanted 1256 01:08:14,560 --> 01:08:18,680 Speaker 1: him in a maximum of four episodes, but I was 1257 01:08:18,720 --> 01:08:20,400 Speaker 1: like four, you gotta have him in, like five, six, 1258 01:08:20,479 --> 01:08:27,160 Speaker 1: seven eight. Stop it, this fucking guy. Let's take a break. 1259 01:08:27,240 --> 01:08:37,880 Speaker 1: We'll be right back after these fine words. Hi, Hi, Hi, 1260 01:08:38,040 --> 01:08:43,679 Speaker 1: we're back in, back in quick. After a quick pea break, 1261 01:08:43,680 --> 01:08:50,320 Speaker 1: We're back. Joel introduced us. It's Jeremy. Lee nailed it. 1262 01:08:50,760 --> 01:08:53,720 Speaker 1: There's our Jeremy. You got the Oprah introduction. It's a 1263 01:08:53,760 --> 01:08:56,400 Speaker 1: it's a sacred rite that only Jeremy. Are you in 1264 01:08:56,520 --> 01:09:01,000 Speaker 1: an office. I'm in my home office right now. Yeah, Well, 1265 01:09:01,080 --> 01:09:07,080 Speaker 1: Jeremy like Hice. Okay, Oprah, can you chill for two seconds? Jeremy, 1266 01:09:07,160 --> 01:09:10,400 Speaker 1: We'll do that. Zach Bruff, you get a car, You 1267 01:09:10,400 --> 01:09:13,080 Speaker 1: get a car, You get a car. Jeremy, Um tell 1268 01:09:13,200 --> 01:09:15,960 Speaker 1: us you have a special special day to be on 1269 01:09:16,000 --> 01:09:19,400 Speaker 1: the podcast because the legendary, the living legend, Johnny C 1270 01:09:19,560 --> 01:09:22,320 Speaker 1: McGinley has joined us. So, who do you have a 1271 01:09:22,400 --> 01:09:25,400 Speaker 1: question for three of the cast members of the TV 1272 01:09:25,479 --> 01:09:28,320 Speaker 1: show Scrubs. I do have a question with if I 1273 01:09:28,360 --> 01:09:31,400 Speaker 1: don't mind, just a quick background, I work with children 1274 01:09:31,400 --> 01:09:36,320 Speaker 1: with autism, and so we actually did research at this 1275 01:09:36,479 --> 01:09:41,320 Speaker 1: my wonderful company and nonprofit Autism Partnership Foundation to research 1276 01:09:41,360 --> 01:09:44,040 Speaker 1: if we could change a kid with autism to like 1277 01:09:44,280 --> 01:09:47,479 Speaker 1: social things, not just toys or food. And so we 1278 01:09:47,520 --> 01:09:50,840 Speaker 1: actually stole from an episode that you guys did and 1279 01:09:51,640 --> 01:09:54,439 Speaker 1: got children to actually enjoy the social aspect of that 1280 01:09:54,520 --> 01:09:56,639 Speaker 1: instead of their favorite toy. So I guess my first 1281 01:09:56,680 --> 01:09:59,559 Speaker 1: question is wow. Yeah, and it's published in a journal, 1282 01:09:59,600 --> 01:10:01,760 Speaker 1: so you can look at it. Hungry chicken at all. 1283 01:10:02,240 --> 01:10:05,400 Speaker 1: That's incredible. Good for you. I guess the question is 1284 01:10:05,880 --> 01:10:07,800 Speaker 1: who came up with the hungry chicken? Because we use 1285 01:10:07,840 --> 01:10:10,599 Speaker 1: it all the time. Wow, I don't know. I think 1286 01:10:10,640 --> 01:10:13,240 Speaker 1: that's Bill Lawrence that came up with one of the writers, 1287 01:10:13,320 --> 01:10:16,200 Speaker 1: right am I? Right? Guys, Oh god, if you if 1288 01:10:16,200 --> 01:10:17,920 Speaker 1: you throw this to Billy, he's going to do a five. 1289 01:10:18,680 --> 01:10:20,280 Speaker 1: You know, we got a limit him. We got a 1290 01:10:20,320 --> 01:10:22,920 Speaker 1: limit him. He doesn't get too many. Um, that is 1291 01:10:22,920 --> 01:10:26,040 Speaker 1: a good question. I have no idea. I think it 1292 01:10:26,120 --> 01:10:29,240 Speaker 1: must have been one of the writers. I don't know. Yeah, 1293 01:10:29,320 --> 01:10:31,479 Speaker 1: we got to throw it to Bill. So wait, just 1294 01:10:31,560 --> 01:10:35,080 Speaker 1: explain a little bit more. Um, the children who have autism, 1295 01:10:35,120 --> 01:10:37,559 Speaker 1: you say that they would they would rather interact with 1296 01:10:37,560 --> 01:10:39,680 Speaker 1: the toy, and you use this to give them a 1297 01:10:39,680 --> 01:10:42,479 Speaker 1: way to interact without having a toy involved. We both 1298 01:10:42,520 --> 01:10:45,040 Speaker 1: think like children thoughts them only like toys or only 1299 01:10:45,040 --> 01:10:47,000 Speaker 1: want food, and they only use that to motivate them. 1300 01:10:47,280 --> 01:10:50,200 Speaker 1: But we know we can motivate them socially too, because 1301 01:10:50,479 --> 01:10:52,720 Speaker 1: they need to be social and it's a social disorder. 1302 01:10:53,160 --> 01:10:55,719 Speaker 1: So we would take the hungry chicken and we would 1303 01:10:56,280 --> 01:10:58,920 Speaker 1: have do it with a friend of theirs and then 1304 01:10:59,120 --> 01:11:00,920 Speaker 1: see if after we did it with them they would 1305 01:11:00,920 --> 01:11:04,559 Speaker 1: pick that or favorite or their favorite toy. And so 1306 01:11:05,120 --> 01:11:07,400 Speaker 1: we were able to show like by really selling it 1307 01:11:07,400 --> 01:11:09,960 Speaker 1: and really doing a lot of hungry chicken that they 1308 01:11:10,280 --> 01:11:13,760 Speaker 1: would pick a social motivator instead of like food or 1309 01:11:13,920 --> 01:11:18,120 Speaker 1: M and M's, which is, yeah, that's amazing. Well, now, 1310 01:11:18,160 --> 01:11:20,360 Speaker 1: I really wish I could take credit for inventing that, 1311 01:11:20,520 --> 01:11:24,400 Speaker 1: because that's a very inspiring story. Um wow, do you 1312 01:11:24,400 --> 01:11:27,479 Speaker 1: have another question for us? Yeah? I guess I do. Um. So, 1313 01:11:28,320 --> 01:11:30,880 Speaker 1: you've talked a little bit about the music on the show. Um, 1314 01:11:31,000 --> 01:11:33,360 Speaker 1: and I just think the music on the show is great. 1315 01:11:33,400 --> 01:11:37,120 Speaker 1: And Zach just to say, I think the Garden State 1316 01:11:37,200 --> 01:11:39,599 Speaker 1: soundtracks one of the best soundtracks ever. Thank you. It's 1317 01:11:39,600 --> 01:11:43,280 Speaker 1: a mixtape. Hold on, it's a mixtape. It's a mixtape. 1318 01:11:43,280 --> 01:11:45,800 Speaker 1: I want a Grammy for money? Yeah, but you Yeah, 1319 01:11:45,840 --> 01:11:48,640 Speaker 1: if you want a mixtape Grammy, you want a mixtape. 1320 01:11:49,000 --> 01:11:51,040 Speaker 1: I didn't even know they had a mixtape Grammy, but 1321 01:11:51,080 --> 01:11:53,280 Speaker 1: it turns out they do. And you won that shit 1322 01:11:53,760 --> 01:11:59,760 Speaker 1: I did. I did. You've held it, I have. I 1323 01:12:00,680 --> 01:12:04,519 Speaker 1: got the sound, I got the I got the fucking 1324 01:12:04,800 --> 01:12:07,880 Speaker 1: first award in my egot. I didn't think it was 1325 01:12:07,880 --> 01:12:09,439 Speaker 1: going to be my first. I thought it might be 1326 01:12:09,479 --> 01:12:14,240 Speaker 1: my last. Right. If you get when you get the egot, 1327 01:12:15,320 --> 01:12:17,720 Speaker 1: you already got the Grammy, right. I thought I was 1328 01:12:17,720 --> 01:12:23,439 Speaker 1: going to do like a book on tape. Jeremy, do 1329 01:12:23,479 --> 01:12:26,519 Speaker 1: you know what you got is? Of course? And Grammy 1330 01:12:26,600 --> 01:12:30,559 Speaker 1: Oscar Tony yes, sir, yeah, yes, but thank you, thank you, Jeremy. 1331 01:12:30,760 --> 01:12:33,960 Speaker 1: Um I Donald ruined my my praise from you, and 1332 01:12:34,000 --> 01:12:36,759 Speaker 1: I want to thank you. It was it was shocking 1333 01:12:36,840 --> 01:12:40,560 Speaker 1: to to everyone involved that that soundtrack was so successful, 1334 01:12:40,600 --> 01:12:43,160 Speaker 1: but I really appreciate it. It really is a good soundtrack. Though, 1335 01:12:43,880 --> 01:12:45,600 Speaker 1: do you guys just like already have a song in 1336 01:12:45,680 --> 01:12:48,519 Speaker 1: mind you know when that episode comes, or do you 1337 01:12:48,880 --> 01:12:50,960 Speaker 1: listen to a song and you know, oh, that'll be 1338 01:12:50,960 --> 01:12:53,639 Speaker 1: a great song to add to a soundtrack one day. 1339 01:12:53,840 --> 01:12:57,200 Speaker 1: I think what happens is, um there there were some 1340 01:12:57,280 --> 01:13:01,320 Speaker 1: writers that were involved. There was of course Christa Miller 1341 01:13:01,520 --> 01:13:04,599 Speaker 1: who plays Jordan and is Bill's wife, and she's very 1342 01:13:04,720 --> 01:13:07,040 Speaker 1: very into it and very good at it, and Bill 1343 01:13:07,120 --> 01:13:09,080 Speaker 1: and then the editors, and then I think what happens 1344 01:13:09,120 --> 01:13:10,320 Speaker 1: is you sort of this is the way I do 1345 01:13:10,360 --> 01:13:12,559 Speaker 1: it for my films as well. You sort of build 1346 01:13:12,560 --> 01:13:16,120 Speaker 1: a big ass playlist of potential songs. You feel like, oh, 1347 01:13:16,160 --> 01:13:18,439 Speaker 1: these would be great for a montage, or or oh 1348 01:13:18,520 --> 01:13:21,240 Speaker 1: this is a really moving song for somewhere. You don't 1349 01:13:21,280 --> 01:13:23,439 Speaker 1: really know, and then when you get in the edit, 1350 01:13:23,479 --> 01:13:26,360 Speaker 1: you start to go, let's try that song, and then 1351 01:13:26,400 --> 01:13:28,880 Speaker 1: you see and I just I always jokingly have a 1352 01:13:29,120 --> 01:13:33,280 Speaker 1: goosebump detector. You can listen to twenty five songs and 1353 01:13:33,320 --> 01:13:35,439 Speaker 1: they're like, Okay, that's okay, and then all of a 1354 01:13:35,479 --> 01:13:38,000 Speaker 1: sudden you watch it and you just get goosebumps up 1355 01:13:38,000 --> 01:13:39,639 Speaker 1: and down your arm and you go, Okay, well, that's 1356 01:13:39,680 --> 01:13:44,439 Speaker 1: obviously a contender. And that's a lot of trial and error, 1357 01:13:44,520 --> 01:13:47,320 Speaker 1: a lot of trial and error. And these days it's 1358 01:13:47,320 --> 01:13:49,960 Speaker 1: even harder because so many people are doing it that 1359 01:13:50,000 --> 01:13:52,640 Speaker 1: when I made my film Wish I Was Here, we 1360 01:13:52,680 --> 01:13:54,519 Speaker 1: would we would try it, and we'd fall in love 1361 01:13:54,520 --> 01:13:56,200 Speaker 1: with the song, and then we'd look up online. I 1362 01:13:56,280 --> 01:13:57,920 Speaker 1: was like, oh no, it's been used in grays Anatomy, 1363 01:13:57,960 --> 01:13:59,639 Speaker 1: It's been used on this It's been used in this movie. 1364 01:13:59,640 --> 01:14:02,639 Speaker 1: It was. So it's even harder now because you got 1365 01:14:02,640 --> 01:14:05,240 Speaker 1: to find music that hasn't been done to death in 1366 01:14:05,240 --> 01:14:09,080 Speaker 1: in uh in being used in with film Wow. Wow. 1367 01:14:09,360 --> 01:14:11,599 Speaker 1: I mean, I think a really a really good example 1368 01:14:11,680 --> 01:14:16,040 Speaker 1: that is Joshi is your friend Joshi and the different 1369 01:14:16,120 --> 01:14:20,480 Speaker 1: music he brought to the show Zachie was just astonishing. Yeah, 1370 01:14:20,520 --> 01:14:23,880 Speaker 1: Joshua Raiding was a a is an artist that we 1371 01:14:24,000 --> 01:14:26,439 Speaker 1: love a lot. And actually, Johnny, I don't even know 1372 01:14:26,439 --> 01:14:29,080 Speaker 1: if you know this trivia, that his song Winter, which 1373 01:14:29,120 --> 01:14:32,160 Speaker 1: is in that famous episode where we where we lose 1374 01:14:32,200 --> 01:14:37,599 Speaker 1: Brendan Frasier, was the first song you'd ever written. And yeah, yeah, wow, 1375 01:14:37,840 --> 01:14:39,840 Speaker 1: thank you because he wasn't the one hit wonder dude. 1376 01:14:39,880 --> 01:14:42,960 Speaker 1: Wow this many years yeah, this many years later. I 1377 01:14:43,000 --> 01:14:45,920 Speaker 1: loved his cover on Alex Sink that first episode. Just 1378 01:14:46,160 --> 01:14:48,720 Speaker 1: oh of Bob Dylan, thank you. You're you're the so 1379 01:14:48,800 --> 01:14:51,000 Speaker 1: you're the guy that was watching Alex Sink. Thank you 1380 01:14:51,080 --> 01:14:53,560 Speaker 1: so much. My wife and I who's really sad she 1381 01:14:53,600 --> 01:14:55,880 Speaker 1: couldn't be here, but she's actually a second year resident, 1382 01:14:56,080 --> 01:15:00,519 Speaker 1: so she's off at the hospital. Oh wow yeah yeah, well, 1383 01:15:00,560 --> 01:15:02,840 Speaker 1: thank you, and thank you for being such a fan 1384 01:15:02,960 --> 01:15:07,360 Speaker 1: of all things Scrubs and Alex Sink and Garden State. 1385 01:15:07,400 --> 01:15:11,160 Speaker 1: I really appreciate that. And all you guys guys are amazing. Man, 1386 01:15:11,200 --> 01:15:16,120 Speaker 1: you don't even know my name. That was Jeremie. No, 1387 01:15:16,240 --> 01:15:19,080 Speaker 1: we were just watching Can't Hardly Wait. My wife is 1388 01:15:19,320 --> 01:15:23,040 Speaker 1: not from America. We were watching Can't Hardly Wait, and 1389 01:15:23,080 --> 01:15:25,920 Speaker 1: we I forgot you were in it. Oh my gosh, 1390 01:15:25,920 --> 01:15:29,200 Speaker 1: that's the best way to that's great, that's great. Right, 1391 01:15:29,439 --> 01:15:32,000 Speaker 1: it was going right, and then you were like, he's like, 1392 01:15:32,080 --> 01:15:33,920 Speaker 1: he's like. I turned to my wife and I was like, 1393 01:15:34,000 --> 01:15:39,600 Speaker 1: did you remember the Taye Diggs is in this movie? 1394 01:15:41,880 --> 01:15:44,640 Speaker 1: All right, Jeremy give it up. Thunderous applause then for 1395 01:15:44,920 --> 01:15:49,639 Speaker 1: Jeremy le Jeremy, stay safe and keep doing the beautiful 1396 01:15:49,680 --> 01:15:52,160 Speaker 1: work you're doing with with autistic children. And thank you 1397 01:15:52,200 --> 01:15:54,360 Speaker 1: so much for for the kind words. Oh, thank you 1398 01:15:54,400 --> 01:15:58,479 Speaker 1: so much for having me. Hey, we appreciate it. Thanks buddy. Well, guys, 1399 01:15:58,520 --> 01:16:00,880 Speaker 1: I think we did it. We we've gone We've gone long. 1400 01:16:01,200 --> 01:16:03,000 Speaker 1: The people seem to love it. Whenever I say I've 1401 01:16:03,040 --> 01:16:05,400 Speaker 1: gotten a lot of chatter on my Insta saying stop, 1402 01:16:05,479 --> 01:16:07,880 Speaker 1: saying you've gone too long. We don't want you, guys 1403 01:16:07,880 --> 01:16:10,120 Speaker 1: to stop, but we want to. You know, I had 1404 01:16:10,160 --> 01:16:12,639 Speaker 1: a great acting teacher used to say, give him ten 1405 01:16:12,640 --> 01:16:15,639 Speaker 1: minutes less than they want. Was this great acting teacher 1406 01:16:15,680 --> 01:16:18,160 Speaker 1: that you have ever on scrubs? Yes, by the way, 1407 01:16:18,200 --> 01:16:21,320 Speaker 1: did you know that? Dude? Come on, man, I thought 1408 01:16:21,360 --> 01:16:23,320 Speaker 1: you may have forgotten with your stoner break. Who did 1409 01:16:23,479 --> 01:16:25,360 Speaker 1: who did? Who was your acting teacher? And who did 1410 01:16:25,360 --> 01:16:29,120 Speaker 1: he or I had I had the privilege to work 1411 01:16:29,200 --> 01:16:33,880 Speaker 1: with Zach's acting teacher though David Downs. David Downs I worked, 1412 01:16:33,920 --> 01:16:36,920 Speaker 1: and who did David play? He played the one whose 1413 01:16:37,000 --> 01:16:42,200 Speaker 1: kid was in a coma? Or uh broke his Uh? 1414 01:16:42,240 --> 01:16:44,600 Speaker 1: I don't, I don't remember. I directed the episode. It 1415 01:16:44,720 --> 01:16:48,040 Speaker 1: was this wasn't the epic Heather Graham one wasn't. No, 1416 01:16:48,080 --> 01:16:50,400 Speaker 1: it wasn't. It was like he broke his sonny that 1417 01:16:50,479 --> 01:16:54,479 Speaker 1: broke his back or I forget what it was. But 1418 01:16:54,640 --> 01:16:56,960 Speaker 1: you know, he asked me to be honest with him, 1419 01:16:57,560 --> 01:17:01,120 Speaker 1: and he was like his one line. I remember the 1420 01:17:01,200 --> 01:17:03,240 Speaker 1: part of the interaction we had. He said to me, 1421 01:17:03,520 --> 01:17:06,000 Speaker 1: do you shave your head because it's cool or because 1422 01:17:06,000 --> 01:17:11,080 Speaker 1: you're bold? And I go bold. Yeah, it was a 1423 01:17:11,080 --> 01:17:13,680 Speaker 1: really good episode. We'll have to figure out what it was. 1424 01:17:13,760 --> 01:17:16,680 Speaker 1: But yeah, David Downs was my acting teacher at Northwestern 1425 01:17:16,760 --> 01:17:21,519 Speaker 1: and also a beautiful actor, and so I had him 1426 01:17:21,920 --> 01:17:24,760 Speaker 1: do a guest star on Scrubs. Yes, I always. I 1427 01:17:24,760 --> 01:17:27,040 Speaker 1: always feel like one of the great gifts of being 1428 01:17:27,120 --> 01:17:31,200 Speaker 1: mister Boulger, either a hit show or producing a movie, 1429 01:17:31,760 --> 01:17:37,280 Speaker 1: is throwing talented friends, not just random friends, talented friends, 1430 01:17:37,320 --> 01:17:39,840 Speaker 1: putting them on your piece, and I did it with 1431 01:17:39,840 --> 01:17:42,439 Speaker 1: a half a dozen actors on Scrubs and then if 1432 01:17:42,760 --> 01:17:44,720 Speaker 1: people are right, I do it all the time of 1433 01:17:44,800 --> 01:17:47,599 Speaker 1: the movies I'm producing too. Yeah, you have some very 1434 01:17:47,640 --> 01:17:50,760 Speaker 1: talented friends. Yeah, you've got quite a posse of Sorry, 1435 01:17:50,800 --> 01:17:53,160 Speaker 1: I just don't interrupt. Oh, I know what it was 1436 01:17:53,200 --> 01:17:55,680 Speaker 1: why it was special? It was the Wizard of Oz episode, 1437 01:17:56,240 --> 01:17:58,200 Speaker 1: Joel is telling us in the chat. It was mister 1438 01:17:58,240 --> 01:18:01,080 Speaker 1: Boulger and his son was brain dead and someone's brand. 1439 01:18:01,080 --> 01:18:04,200 Speaker 1: It was the it was a season five episode seven. 1440 01:18:04,400 --> 01:18:07,679 Speaker 1: If you're if you're listening and are curious, um, it was. Yeah, 1441 01:18:07,720 --> 01:18:11,200 Speaker 1: it was that that epic was your devas episode. But Johnny, 1442 01:18:12,360 --> 01:18:16,479 Speaker 1: mister Boulger would be an homage to Ray Boulder, Yes, sir, 1443 01:18:16,520 --> 01:18:19,160 Speaker 1: it would be. Now, Johnny, Johnny, you have a lot 1444 01:18:19,200 --> 01:18:22,600 Speaker 1: of you have a lot of friends that like are 1445 01:18:22,640 --> 01:18:26,920 Speaker 1: almost like mentors to me, like Eric LaSalle, Michael Beach. 1446 01:18:27,320 --> 01:18:32,360 Speaker 1: These are people that you've known Cusack. Yeah, since you 1447 01:18:32,560 --> 01:18:34,880 Speaker 1: like out of college or you went to college with 1448 01:18:34,920 --> 01:18:36,720 Speaker 1: a lot of these guys. Eric and I, Eric and 1449 01:18:36,760 --> 01:18:39,840 Speaker 1: I went to college to go right, and uh, that's 1450 01:18:40,080 --> 01:18:43,400 Speaker 1: he's my guy, Johnny. And these guys are like these 1451 01:18:43,400 --> 01:18:47,439 Speaker 1: guys are like, you know, uh, mentors to me, like, 1452 01:18:47,520 --> 01:18:50,799 Speaker 1: you know, when I was a young actor, Michael Beach 1453 01:18:51,120 --> 01:18:52,559 Speaker 1: was one of the people. When I was doing Wait 1454 01:18:52,600 --> 01:18:54,240 Speaker 1: and Exhale, I was like, well, this is what you 1455 01:18:54,280 --> 01:18:56,320 Speaker 1: need to do if you want to be successful. Stop 1456 01:18:56,400 --> 01:18:58,760 Speaker 1: smoking that damn cigarette that you're holding onto like I 1457 01:18:58,840 --> 01:19:00,880 Speaker 1: was smoking sis, Like I want to be a movie star, 1458 01:19:01,120 --> 01:19:03,080 Speaker 1: smoking a cigarette a table read. He was like, oh, 1459 01:19:03,120 --> 01:19:04,679 Speaker 1: you want to be a movie star. Put the fucking 1460 01:19:04,680 --> 01:19:09,639 Speaker 1: cigarette down, dude, Mike, Mike, Mike is no lie, straight up, 1461 01:19:09,880 --> 01:19:12,240 Speaker 1: straight up, Johnny. I remember I was thinking the other 1462 01:19:12,280 --> 01:19:15,800 Speaker 1: day you were on a movie, a big movie, the 1463 01:19:15,880 --> 01:19:18,919 Speaker 1: one um that took place at the motel with Cusack 1464 01:19:19,120 --> 01:19:23,640 Speaker 1: and all it Identity Jim Jim Engel directed I Identity, 1465 01:19:23,680 --> 01:19:25,479 Speaker 1: and it's a really good movie. I recommend to you. 1466 01:19:25,600 --> 01:19:29,120 Speaker 1: I liked a lot, but I was. I remember you 1467 01:19:29,160 --> 01:19:31,120 Speaker 1: said you want to come visit the set because the 1468 01:19:31,120 --> 01:19:33,000 Speaker 1: set was really cool. Even though it looks like it's 1469 01:19:33,040 --> 01:19:35,439 Speaker 1: all outside, it was all in a giant sound stage 1470 01:19:36,360 --> 01:19:39,360 Speaker 1: and it was all pissing rain the whole time. And uh, 1471 01:19:39,400 --> 01:19:41,080 Speaker 1: and you said you got to You said you gotta 1472 01:19:41,120 --> 01:19:42,960 Speaker 1: come see this set. It's really cool. And I was like, 1473 01:19:43,080 --> 01:19:45,920 Speaker 1: I can't believe I'm allowed to and uh, And I 1474 01:19:45,960 --> 01:19:47,840 Speaker 1: came to visit you one day on set and it 1475 01:19:47,920 --> 01:19:49,960 Speaker 1: was just so cool. And I just I thought of 1476 01:19:49,960 --> 01:19:54,080 Speaker 1: that because I know a bunch of your buddies. Uh. 1477 01:19:54,120 --> 01:19:55,720 Speaker 1: You know, it feels like you and your posse you 1478 01:19:55,720 --> 01:19:58,880 Speaker 1: often cast each other in each other's films. I think 1479 01:19:58,880 --> 01:20:01,639 Speaker 1: it's I think if your posse's talented, I mean, there's 1480 01:20:01,720 --> 01:20:06,960 Speaker 1: there's some outliers, but then then yeah, good audience, it's 1481 01:20:07,000 --> 01:20:09,320 Speaker 1: gonna it's gonna make life easier. I like that too. 1482 01:20:09,320 --> 01:20:11,920 Speaker 1: I like to use the same people over and over again. 1483 01:20:12,080 --> 01:20:15,080 Speaker 1: But you didn't use Donald in Garden State. Oh Jesus, 1484 01:20:15,120 --> 01:20:18,920 Speaker 1: here you go. Thank God, thank you, John, thank you 1485 01:20:19,439 --> 01:20:22,920 Speaker 1: very much. Like Oliver Stone used John c McGinley, and yeah, 1486 01:20:22,960 --> 01:20:25,920 Speaker 1: so many times, so many times ever made you would 1487 01:20:25,920 --> 01:20:27,840 Speaker 1: think that Zach Braff would take Ah, you know what 1488 01:20:27,880 --> 01:20:30,640 Speaker 1: I mean? Like, you know, uh, I want you to 1489 01:20:30,720 --> 01:20:32,240 Speaker 1: be the I want you to be the Johnny c 1490 01:20:32,360 --> 01:20:39,920 Speaker 1: McGinley to my Oliver Stone. You say that now, but 1491 01:20:40,000 --> 01:20:42,000 Speaker 1: I don't think. I don't think. How many movies did 1492 01:20:42,000 --> 01:20:48,200 Speaker 1: you do with him? John? Six? Wow? I think incredible, incredible, 1493 01:20:49,200 --> 01:20:52,360 Speaker 1: And there's some and they're six of the best. What 1494 01:20:52,439 --> 01:20:54,479 Speaker 1: about talk radio? I always thinking about you and talk 1495 01:20:54,560 --> 01:20:57,439 Speaker 1: radio the other day, I always thinking about you. In seven, 1496 01:20:57,720 --> 01:20:59,960 Speaker 1: for those of you don't remember, Johnny's in one of 1497 01:21:00,160 --> 01:21:03,120 Speaker 1: my favorite movie Seven. I love them take the shot 1498 01:21:03,560 --> 01:21:05,120 Speaker 1: and then Johnny, you go, I don't know if you 1499 01:21:05,320 --> 01:21:08,880 Speaker 1: improv Did you improv this? When you go, somebody calls somebody? 1500 01:21:09,160 --> 01:21:11,920 Speaker 1: I did. Improve That was incredibly He's in the chopper 1501 01:21:12,400 --> 01:21:15,040 Speaker 1: right when, right when the ship goes down with there 1502 01:21:15,160 --> 01:21:19,599 Speaker 1: wasn't the box was in the box. And then David 1503 01:21:19,640 --> 01:21:21,800 Speaker 1: gave us as much rope as we wanted to hang 1504 01:21:21,840 --> 01:21:25,479 Speaker 1: ourselves with. He he lets the actors run and then 1505 01:21:25,520 --> 01:21:27,559 Speaker 1: he'll chop it together and post, but he lets you run. 1506 01:21:28,040 --> 01:21:29,720 Speaker 1: There were two scenes, so you're in the chopper, but 1507 01:21:29,760 --> 01:21:33,240 Speaker 1: you're also in when they bum rushed the room too, right, Yeah, 1508 01:21:32,760 --> 01:21:37,960 Speaker 1: with with the emaciated guy. Yeah, but out there forget. 1509 01:21:38,080 --> 01:21:40,320 Speaker 1: I remember getting goosebumps when you know this before I 1510 01:21:40,320 --> 01:21:42,519 Speaker 1: even knew you, Johnny, and and you were and you go, 1511 01:21:42,600 --> 01:21:45,920 Speaker 1: oh my god, somebody calls somebody, and I was like, 1512 01:21:45,960 --> 01:21:49,040 Speaker 1: that's such a good movie. With the emaciated guy. David 1513 01:21:49,080 --> 01:21:52,720 Speaker 1: found out there was asbestos in that building and he 1514 01:21:52,840 --> 01:21:54,519 Speaker 1: wasn't down with it. So we shut down for a 1515 01:21:54,520 --> 01:21:58,400 Speaker 1: while and found another building and that was a whole 1516 01:21:58,720 --> 01:22:02,519 Speaker 1: to do. Um. That was a complete clusterfuck. When he 1517 01:22:02,520 --> 01:22:04,720 Speaker 1: found out there was asbesist in that building. You know 1518 01:22:04,760 --> 01:22:06,360 Speaker 1: you have you know you have budget. When they're like, 1519 01:22:06,400 --> 01:22:12,240 Speaker 1: there's asbesist in the building, we're shutting down. I've never 1520 01:22:12,280 --> 01:22:14,320 Speaker 1: been on a movie or that had that power. But again, 1521 01:22:14,360 --> 01:22:17,000 Speaker 1: I'm no Fincher. Man. I love Fincher, and man I 1522 01:22:17,040 --> 01:22:19,920 Speaker 1: love that movie. That's one of my favorites. Yeah, everybody 1523 01:22:19,960 --> 01:22:24,120 Speaker 1: shines in that movie. What's in the Box? Um. On 1524 01:22:24,120 --> 01:22:26,879 Speaker 1: that note, we love you all for listening. Keep chatting 1525 01:22:26,920 --> 01:22:29,960 Speaker 1: us on and still you make us laugh. And if 1526 01:22:30,000 --> 01:22:34,320 Speaker 1: you have a question, scrubs iHeart at gmail dot com. 1527 01:22:34,400 --> 01:22:37,960 Speaker 1: Joel will decide if your question is worthy for air, 1528 01:22:38,240 --> 01:22:40,519 Speaker 1: right Joel, Joel yields all the power. Don't yell at 1529 01:22:40,520 --> 01:22:42,720 Speaker 1: me and Donald. We don't do anything, Joel. A lot 1530 01:22:42,760 --> 01:22:45,160 Speaker 1: of people like the fact that we talk Star Wars too. 1531 01:22:45,160 --> 01:22:47,960 Speaker 1: I'm just gonna put it out there. Yeah, I saw 1532 01:22:48,000 --> 01:22:49,360 Speaker 1: that too. I've been getting a lot of d n 1533 01:22:52,439 --> 01:22:55,479 Speaker 1: There was a lot of there was a lot of 1534 01:22:55,520 --> 01:22:58,960 Speaker 1: talk about I saw much to my dismay. I saw 1535 01:22:59,000 --> 01:23:02,040 Speaker 1: someone going. I really thought Donald and Joel's inside about 1536 01:23:02,200 --> 01:23:05,439 Speaker 1: Quigan Joe, whatever it is, was really interesting. Shut up. 1537 01:23:05,760 --> 01:23:11,599 Speaker 1: Five six seventy eight stories about Shure we made about 1538 01:23:11,640 --> 01:23:16,120 Speaker 1: a bunch of doctor nurses and Jannah I said, he's 1539 01:23:16,160 --> 01:23:23,719 Speaker 1: the stories. Neverew should so geta around you here, ire gato, 1540 01:23:23,800 --> 01:23:30,000 Speaker 1: around you. Here are spect for while show mm hmmm