WEBVTT - Julia Beverly Interview

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<v Speaker 1>Real people, real celebrity joined the Breakfast. Yeah, it's the

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<v Speaker 1>world most dangerous morning to show the Breakfast Club Charlomagne

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<v Speaker 1>and God Angelie. And he's still in Vegas. Yes he

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<v Speaker 1>is Jesus Christ. He's living a life God bless. I

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<v Speaker 1>want to see his check. We have a Julia Beverly Hill,

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<v Speaker 1>a former publisher of Ozone. Now he was more than

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<v Speaker 1>a publisher of oz On Maga. Wasn't the publisher, he

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<v Speaker 1>was the owner of oz ONWN magazine. I was the owner, publisher, editor, photographer, money,

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<v Speaker 1>advertising director. Yeah, I mean we had for a minute. Yeah,

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<v Speaker 1>Charlomagne used to do a monthly column called the Chin Check. Yeah, yeah,

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<v Speaker 1>and it was very informative. Actually did he get paid? Man?

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<v Speaker 1>But it was good. Yeah, we hadn't arranged. I think

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<v Speaker 1>Olson was huge because there was no World Star and

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<v Speaker 1>all that stuff back then. The only way to get

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<v Speaker 1>to know about sovereign wrappers through Oldzone magazine. Even I

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<v Speaker 1>read Ozone magazine. I grew up in Brooklyn and I

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<v Speaker 1>was I was into it. But you know, my favorite

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<v Speaker 1>party was always group because fashions. I bet, I bet.

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<v Speaker 1>I used to be some lip service. We did some

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<v Speaker 1>lip service interviews. Yeah, I was actually in those magazine

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<v Speaker 1>a couple of times lip service when I used to

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<v Speaker 1>do that. You know, Angelo was one of the first

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<v Speaker 1>people in New York really too. I don't want to

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<v Speaker 1>say embrace the South, but I just felt like she

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<v Speaker 1>treated us like people human, yeah, rather than you know,

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<v Speaker 1>you'd always get good that attitude from people in New York, like, oh,

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<v Speaker 1>y'all are not part of us. Yeah. I think part

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<v Speaker 1>of it was being on satellite radio though, because satellite

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<v Speaker 1>radio wasn't just regional, it was you know, nationwide. Yeah,

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<v Speaker 1>that's true too, so I got to hear a lot

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<v Speaker 1>of different things from all over. But I've always liked

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<v Speaker 1>music from other places besides New York too, Yeah, but

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<v Speaker 1>just in general, like you go all over the country.

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<v Speaker 1>And I'm not just saying this because I'm on the show,

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<v Speaker 1>but you were really one of the first people like

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<v Speaker 1>in New York to really like embrace people from other

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<v Speaker 1>parts of the country as far as a music business,

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<v Speaker 1>and me and Julia was always cool. Now a lot

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<v Speaker 1>of people used to be like, oh, Julia is so dry.

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<v Speaker 1>I try to be nice to her. She always acts

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<v Speaker 1>like she don't know me every time she sees me,

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<v Speaker 1>you know how girls me, Yeah, we get very offendive.

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<v Speaker 1>I get that, you know, but it's it's funny because like,

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<v Speaker 1>once you get in a certain posh people expect you

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<v Speaker 1>to be very like outgoing and happy and friendly, and

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<v Speaker 1>that's never been my personality. Like I am very I

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<v Speaker 1>have like a drive since the humor. So when people,

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<v Speaker 1>like somebody came to the in store the other day

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<v Speaker 1>that we did and she was like like literally crying

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<v Speaker 1>to like meet me, that she was excited to meet me,

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<v Speaker 1>and I was like, you're excited to meet me? Like

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<v Speaker 1>for real, like Julia Beverley, I'm like, I'm just now

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<v Speaker 1>where you're dressed at because you're dressed up today and

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<v Speaker 1>I'm not used to seeing you like this. Angela always

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<v Speaker 1>teases me because I'm always the one in the club

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<v Speaker 1>in the jeans and the sneakers, and you know, Angel's

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<v Speaker 1>got the shoe game on points, so she always wants

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<v Speaker 1>me to go shoe shopping and step it up. So actually,

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<v Speaker 1>like what your camera taking pictures? Yeah, yeah, exactly exactly,

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<v Speaker 1>And you can't when you're in heels and a dress,

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<v Speaker 1>like you can't maneuver the way you Like I'm at

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<v Speaker 1>a concert, I'm like taking pictures and I'm like hopping

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<v Speaker 1>on speakers, and you know you can't really maneuver the

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<v Speaker 1>way that you that you wouldn't will come to me close.

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<v Speaker 1>What made you all want to do a magazine focused

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<v Speaker 1>solely on down South hip? Like? What made you say

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<v Speaker 1>this is what I want? It really wasn't a decision. Initially,

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<v Speaker 1>I wanted to be a photographer, so I would look

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<v Speaker 1>in like Vibe and the Source and I'd be like,

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<v Speaker 1>who how do they get these jobs? Like how do

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<v Speaker 1>you get a job going to a concert and taking

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<v Speaker 1>pictures that looks like fun? So at first Ozone was

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<v Speaker 1>going to be like my portfolio to take to other magazines.

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<v Speaker 1>And at the time when I started doing Ozone, that's

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<v Speaker 1>when you had the Rick Rosses, the Thugs, the Jeezys,

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<v Speaker 1>Like there was a real movement building. And I would

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<v Speaker 1>go to all these cities with the magazine and I'd

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<v Speaker 1>be like, how is nobody seeing this? Like? Why am

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<v Speaker 1>I the only everybody? Ozone? Yeah, we really had a

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<v Speaker 1>great run. We did eight years two thousand and two

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<v Speaker 1>to twenty ten. It was a monthly publication ozonemag dot

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<v Speaker 1>com and it just took off. I mean, we were

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<v Speaker 1>really just in the right place at the right time, because,

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<v Speaker 1>like if you look back at the very first issues

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<v Speaker 1>we did were more like all genres of music we did,

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<v Speaker 1>like reggaetone, Latino music because it Orlando's very heavily focused

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<v Speaker 1>on that. But um, as it grew, that's when the

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<v Speaker 1>South was really taking off. So we were just kind

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<v Speaker 1>of naturally covering what was that comes into play exactly exactly.

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<v Speaker 1>I mean, people you actually knew were cool. Yeah, we

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<v Speaker 1>were friends. Um he told me one time. I was

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<v Speaker 1>I was the only journalist he talked to. I mean,

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<v Speaker 1>he did some great interviews with a few other people,

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<v Speaker 1>but he in general, he didn't really like doing interviews

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<v Speaker 1>because he felt like he had been you know, misquoted

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<v Speaker 1>or people didn't really understand him. And so we kind

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<v Speaker 1>of gave him like kind of how Charlotmagne did the column,

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<v Speaker 1>like he was doing a month's column, Like we gave

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<v Speaker 1>him a platform to just say whatever he wanted to say,

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<v Speaker 1>and we didn't edit it, we didn't censor it or

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<v Speaker 1>anything like that. So I think he appreciated that. And

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<v Speaker 1>this is Pimpsy's son right here by the way, shout

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<v Speaker 1>out the core just so you know, so you guys,

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<v Speaker 1>it's not her security. I was like, damn, I knew

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<v Speaker 1>Julia like black guys, that are right, you can't tell

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<v Speaker 1>us Sonny he kind of a favor now. He definitely

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<v Speaker 1>looked like him. Now let's talk about this book though,

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<v Speaker 1>because I posted a picture, I was excited to get

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<v Speaker 1>it early. And congratulations on you. I know this too.

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<v Speaker 1>You're a long time to do. You couldn't even get

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<v Speaker 1>a publisher to do the But for you, you did

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<v Speaker 1>everything yourself. Why couldn't you get a publisher for a book?

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<v Speaker 1>That's a great question. I mean I I approached publishers.

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<v Speaker 1>I talked to book agents when I first initially decided

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<v Speaker 1>to do the project, and they would just be like,

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<v Speaker 1>who is pimp C Like maybe my book proposal wasn't

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<v Speaker 1>good enough. I don't know, but I didn't get much interest,

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<v Speaker 1>if any, And I think they just don't understand, you know,

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<v Speaker 1>the way that um, the way that a New Yorker

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<v Speaker 1>might react like to a jay Z. That's the way

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<v Speaker 1>someone in Texas would react to it, what I see,

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<v Speaker 1>And but they don't know that if they're not there.

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<v Speaker 1>So if you're not in Texas or you're not in

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<v Speaker 1>the South, like you may not understand. Like I knew

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<v Speaker 1>from doing Ozone, people love to read about Pimsel, like

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<v Speaker 1>even jay Z. I mean, I knew there was an

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<v Speaker 1>audience for it, but I wasn't finding anyone really who

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<v Speaker 1>understood that. So I got to a certain point in

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<v Speaker 1>the project and I said, I'm just gonna do it myself.

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<v Speaker 1>I mean that's I said, what would pimp do? Pimp

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<v Speaker 1>would have just done Kim, Yeah, what would pimp do? Now? Why?

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<v Speaker 1>Seven hundred pages? And it's definitely on my last three

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<v Speaker 1>because I do enjoy reading. I'm glad you've seen it

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<v Speaker 1>to me early. But his seven Corey was born around

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<v Speaker 1>page you know. I tried to trim it down. I mean,

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<v Speaker 1>it really is. I've had people say that they were

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<v Speaker 1>able to get through it quickly because it's an easy read.

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<v Speaker 1>It's not like, yeah, it's not a hard it's not

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<v Speaker 1>a hard read. I tried to write it like almost

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<v Speaker 1>like a movie script, so you're going from like scene

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<v Speaker 1>to scene and you're kind of following the story. So

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<v Speaker 1>it's not a dry, you know, textbook. But um, at

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<v Speaker 1>first at the very beginning with his mom. Yeah, it's

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<v Speaker 1>really based around his mom basically narrated the book for me,

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<v Speaker 1>and his mom was awesome. She she passed away unexpectedly

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<v Speaker 1>before we could actually put the book out, but we

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<v Speaker 1>had finished, you know, going through his whole life. And

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<v Speaker 1>what I found was that she was a major part

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<v Speaker 1>of his success and just you know, his the attitude

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<v Speaker 1>that he had and these these funny catchphrases that he had,

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<v Speaker 1>like he got all that from his mom. Like so,

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<v Speaker 1>so hanging out with her was basically like hanging out

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<v Speaker 1>with him. So I would just go to her house.

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<v Speaker 1>She would just cook for me all day, tell me stories.

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<v Speaker 1>He would be stealing my iPad running around the house,

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<v Speaker 1>and um so she you know, she really was, She

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<v Speaker 1>really was the story. Like that's ultimately. Ultimately, what I

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<v Speaker 1>found was that the story was him and his mom.

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<v Speaker 1>You know, it's it's about rap, but I feel like

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<v Speaker 1>it's something that anybody could relate to because it's really

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<v Speaker 1>about family. And his mom was their manager, Ugk's manager

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<v Speaker 1>for ten fifteen years. Like she was very involved, like

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<v Speaker 1>not only in his life, within his rap career as well.

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<v Speaker 1>Because people worp sat Now posted the picture of the

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<v Speaker 1>book and people started going in saying that his you know,

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<v Speaker 1>his wife would have a problem with this book coming out.

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<v Speaker 1>They didn't want it to come out, and how dare

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<v Speaker 1>you and so on and so forth. But you had

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<v Speaker 1>his mother's approval, right obviously, because she cooperated with it.

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<v Speaker 1>So explain a little bit about what went on behind

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<v Speaker 1>the scenes and trying to put something like this out,

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<v Speaker 1>because people don't understand you can still even without the

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<v Speaker 1>consent of the family, you can still put out a book. Yeah.

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<v Speaker 1>I mean, you have a lot more freedom with a

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<v Speaker 1>you know, we have freedom of speech in Americas. You

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<v Speaker 1>have a lot more freedom with a book than maybe

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<v Speaker 1>say an album or something like that. But you know,

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<v Speaker 1>it's complicated. There's there's division in Pemp's family. So when

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<v Speaker 1>you talk about Pimp's family, it's not like it's one entity.

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<v Speaker 1>I have a great relationship with most of the family. Yeah,

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<v Speaker 1>well he had. You know, he has two older sons

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<v Speaker 1>prior to him getting married, and so his his wife

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<v Speaker 1>and his mom never got along. So initially, when I

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<v Speaker 1>had the idea, you know, I called Bun, I called

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<v Speaker 1>his wife, I called his mom and said, you know,

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<v Speaker 1>how would you feel about me doing this book? Everybody

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<v Speaker 1>said it was a good idea. I moved forward. This

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<v Speaker 1>was a four or five year process doing the research.

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<v Speaker 1>So over that time, you know, as I got closer

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<v Speaker 1>to his mom, his wife just kind of stopped communicating,

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<v Speaker 1>I think because of whatever issues they had, and um,

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<v Speaker 1>and you got to think too. I mean, it would

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<v Speaker 1>be hard, I think, to read a book like this

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<v Speaker 1>because Pim pad he had other relationships with other women,

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<v Speaker 1>you know, and so that might be hard to read.

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<v Speaker 1>But it's still it's the truth, you know. It's not

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<v Speaker 1>like I made it up. I could be wrong, but

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<v Speaker 1>I remember, didn't Y'll start working on this before Pim died. No,

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<v Speaker 1>I mean we did interviews. He would do interviews for

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<v Speaker 1>the magazine like pretty much every month, so we had

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<v Speaker 1>you know, anytime I needed anything, like any type of

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<v Speaker 1>content or I need a rapper to comment on this topic,

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<v Speaker 1>like he would just always he would just always called

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<v Speaker 1>me anyway, and I'd be like, hey, we're doing If

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<v Speaker 1>I didn't ask him, yeah, well he would call me

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<v Speaker 1>at like three four in the morning all the time,

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<v Speaker 1>which that was like his his mo. He would call

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<v Speaker 1>everybody at like four in the morning and just be like, hey,

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<v Speaker 1>what are you doing and just start talking. So he

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<v Speaker 1>would just call me and say, hey, I want to

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<v Speaker 1>do a column. I want to put this in the book.

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<v Speaker 1>So I had probably you know, twenty interviews with him,

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<v Speaker 1>and I was able to use a lot of that content.

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<v Speaker 1>So we had never actually talked about like doing a book.

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<v Speaker 1>But um, when I approached his mom with the idea,

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<v Speaker 1>like he had told her so much about me that

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<v Speaker 1>she was already like totally on board with it. You know,

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<v Speaker 1>she was like, Oh, he told me, you know, he

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<v Speaker 1>told me all about you, and he loved you and

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<v Speaker 1>your you know, your work ethic and all that. So

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<v Speaker 1>I feel like he would have wanted me to do it.

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<v Speaker 1>Why pimp C specifically, because I mean you came up

0:09:42.480 --> 0:09:45.800
<v Speaker 1>around everybody, I mean from the cash Runnies too, you know,

0:09:45.880 --> 0:09:49.160
<v Speaker 1>the Jezs Rosses. Whoever, Why t I? Why pimp C?

0:09:49.360 --> 0:09:50.719
<v Speaker 1>What drew to Pi? He has it? He has a

0:09:50.840 --> 0:09:53.000
<v Speaker 1>great story, and he was just such a character. And

0:09:53.160 --> 0:09:55.439
<v Speaker 1>he had so many other characters in his life, Like

0:09:55.720 --> 0:09:57.800
<v Speaker 1>even just sitting down with his friends and family, like

0:09:57.920 --> 0:09:59.959
<v Speaker 1>I got into their story. He's like, they're telling me

0:10:00.120 --> 0:10:02.520
<v Speaker 1>their story, and right, you should write a book. You know.

0:10:02.720 --> 0:10:04.839
<v Speaker 1>He just had a lot of really interesting characters in

0:10:04.920 --> 0:10:07.160
<v Speaker 1>his life. And I almost called it. I was going

0:10:07.200 --> 0:10:09.640
<v Speaker 1>to call it the Six Degrees of Pempsley because in

0:10:09.840 --> 0:10:12.319
<v Speaker 1>throughout the book you have the Dungeon family story, you

0:10:12.360 --> 0:10:14.640
<v Speaker 1>have the No Limit story, the cash money story, the

0:10:14.880 --> 0:10:17.319
<v Speaker 1>Little Boosey story, the TI story, like all kind of

0:10:17.360 --> 0:10:20.600
<v Speaker 1>weave weaved into the book because he touched all those

0:10:20.640 --> 0:10:22.839
<v Speaker 1>people in one way or another. So I didn't actually

0:10:22.920 --> 0:10:26.120
<v Speaker 1>realize like just how connected he was to everybody. Now, Cray,

0:10:26.160 --> 0:10:28.360
<v Speaker 1>did you read the whole book? Not check? I'm getting

0:10:28.400 --> 0:10:30.880
<v Speaker 1>through it. How is it difficult for you to read that?

0:10:30.880 --> 0:10:32.640
<v Speaker 1>How you learn any things you didn't know about your dad?

0:10:32.880 --> 0:10:34.520
<v Speaker 1>I'm learning a lot of stuff that I didn't know.

0:10:34.679 --> 0:10:38.480
<v Speaker 1>But it's not really difficult. But at some part, so

0:10:38.800 --> 0:10:41.160
<v Speaker 1>you know, like you said, I put it down, but

0:10:41.240 --> 0:10:43.520
<v Speaker 1>I think it back up, like get through it. So,

0:10:43.800 --> 0:10:45.360
<v Speaker 1>but it's some things that you learned that you didn't

0:10:45.360 --> 0:10:52.319
<v Speaker 1>know that you were surprised a lot, like like some

0:10:52.520 --> 0:10:55.360
<v Speaker 1>of his day you know, he had a pocket full

0:10:55.400 --> 0:10:58.480
<v Speaker 1>of do you know that used to be my favorite song?

0:10:58.520 --> 0:11:02.760
<v Speaker 1>And I was little still mine mind? Now right? You said,

0:11:02.800 --> 0:11:04.040
<v Speaker 1>you said you found out a lot of dirt, But

0:11:04.120 --> 0:11:09.240
<v Speaker 1>what about personality wise? Here was a character? No, but

0:11:09.400 --> 0:11:11.760
<v Speaker 1>my mama always Tim, I'm just like him. Now see

0:11:11.760 --> 0:11:17.040
<v Speaker 1>what she's talking about? Just know not how I let yet,

0:11:17.120 --> 0:11:24.920
<v Speaker 1>but let So what's your relationship like with Bombing? Who

0:11:25.480 --> 0:11:28.440
<v Speaker 1>we talked? I mean if we see each other, we speak,

0:11:28.960 --> 0:11:33.160
<v Speaker 1>but in that we don't really communicate. Okay, but you

0:11:33.240 --> 0:11:35.280
<v Speaker 1>know it's not how it feelings and nothing, but just

0:11:35.360 --> 0:11:37.480
<v Speaker 1>how it is. Were you excited for this book to

0:11:37.520 --> 0:11:42.959
<v Speaker 1>come out? Yes? What about so other family members besides Corey?

0:11:43.080 --> 0:11:45.559
<v Speaker 1>And um, his mom was on board? Who else do

0:11:45.640 --> 0:11:47.800
<v Speaker 1>you feel like was really? Because I'm sure with the

0:11:47.920 --> 0:11:50.880
<v Speaker 1>other artists that you interviewed in this book. When his

0:11:51.120 --> 0:11:53.320
<v Speaker 1>wife then had a change of heart, did that make

0:11:53.360 --> 0:11:55.600
<v Speaker 1>other people have a change of heart too? I mean,

0:11:55.720 --> 0:11:59.440
<v Speaker 1>some people definitely are putting a hard position, I feel like, Um,

0:12:00.000 --> 0:12:01.560
<v Speaker 1>but all I can say, you know, as a writer,

0:12:01.840 --> 0:12:04.080
<v Speaker 1>what I what I always try to do is get

0:12:04.160 --> 0:12:08.720
<v Speaker 1>everyone's input. So I definitely gave his wife plenty of opportunities. Hey,

0:12:08.760 --> 0:12:11.200
<v Speaker 1>if you want to, you know, I'm not I'm not biased.

0:12:11.200 --> 0:12:14.000
<v Speaker 1>I'm not on anybody's side. If you want to give input,

0:12:14.640 --> 0:12:16.600
<v Speaker 1>that's fine. But you know, if I interview two hundred

0:12:16.600 --> 0:12:18.640
<v Speaker 1>and fifty people, and two hundred and forty of them

0:12:18.720 --> 0:12:22.240
<v Speaker 1>say negative things about you. I don't really have too

0:12:22.320 --> 0:12:24.400
<v Speaker 1>much of a choice of what to write. So um,

0:12:24.880 --> 0:12:26.679
<v Speaker 1>I could see why maybe she would be, you know,

0:12:27.559 --> 0:12:29.679
<v Speaker 1>concerned about the way that she would come across in

0:12:29.720 --> 0:12:32.120
<v Speaker 1>the book. But if I if I'm just repeating what

0:12:32.240 --> 0:12:35.000
<v Speaker 1>I'm told, you know, a couple of stories that are

0:12:35.040 --> 0:12:36.960
<v Speaker 1>in the book for people who haven't gotten yet, because

0:12:37.000 --> 0:12:40.400
<v Speaker 1>it is gonna be quite a readism a million stories

0:12:40.440 --> 0:12:42.679
<v Speaker 1>in here. It's over seven hundred pages, so just give

0:12:42.760 --> 0:12:46.360
<v Speaker 1>us like a couple of highlights situation in that it

0:12:46.559 --> 0:12:51.280
<v Speaker 1>is like the details of that that actually started that

0:12:51.720 --> 0:12:54.520
<v Speaker 1>was partly my fault. Um Pimple would just call me,

0:12:54.640 --> 0:12:56.200
<v Speaker 1>you know, as I said, like at four or five

0:12:56.240 --> 0:12:58.400
<v Speaker 1>in the morning. So he calls me one time and

0:12:58.520 --> 0:13:00.240
<v Speaker 1>he says, uh, I want to do a call him,

0:13:00.760 --> 0:13:03.040
<v Speaker 1>So okay, cool. So he was like, call me tonight,

0:13:03.080 --> 0:13:04.560
<v Speaker 1>you know, we'll do the interview whatever. So I finally

0:13:04.559 --> 0:13:06.600
<v Speaker 1>get him on the phone and it's like five six

0:13:06.679 --> 0:13:08.719
<v Speaker 1>in the morning or whatever. He was just on one

0:13:08.800 --> 0:13:10.640
<v Speaker 1>like he was just going off. He said he had

0:13:10.679 --> 0:13:13.199
<v Speaker 1>just seen the little Troy had made a video like

0:13:13.320 --> 0:13:15.400
<v Speaker 1>talking about rap a lot or something. He was mad

0:13:15.440 --> 0:13:17.679
<v Speaker 1>about something he had seen, so he just started going

0:13:17.720 --> 0:13:21.760
<v Speaker 1>off and he said something about he was like dissing somebody,

0:13:21.800 --> 0:13:23.840
<v Speaker 1>but didn't say a name, and I think I had

0:13:23.880 --> 0:13:26.200
<v Speaker 1>asked him, like, was he talking about Jeez. He was like, oh,

0:13:26.200 --> 0:13:28.000
<v Speaker 1>I didn't say Jeezy's name or whatever, So I didn't

0:13:28.040 --> 0:13:30.079
<v Speaker 1>think he was actually dissing Jeezy. But then when the

0:13:30.200 --> 0:13:32.920
<v Speaker 1>article came out, you know, the hot one oh seven

0:13:33.240 --> 0:13:35.600
<v Speaker 1>in Atlanta called him. He did that crazy radio interview

0:13:35.640 --> 0:13:38.520
<v Speaker 1>that a lot of people heard, and Jeez, I guess,

0:13:38.760 --> 0:13:40.760
<v Speaker 1>found out that he was dissing him, or you know,

0:13:41.920 --> 0:13:43.679
<v Speaker 1>took it, took offense to it, and that's kind of

0:13:43.720 --> 0:13:46.120
<v Speaker 1>how that started. But I think he was upset because

0:13:46.160 --> 0:13:48.360
<v Speaker 1>he had done a verse for Jeez for free, and

0:13:48.440 --> 0:13:50.839
<v Speaker 1>then Jeez's label like sent him an invoice when he

0:13:50.960 --> 0:13:54.199
<v Speaker 1>wanted to get the favor reciprocated. So it was kind

0:13:54.240 --> 0:13:56.640
<v Speaker 1>of he was upset with a few artists over similar

0:13:56.880 --> 0:14:00.520
<v Speaker 1>ludicrous and you know, sometimes it's it's like record label business.

0:14:00.640 --> 0:14:02.760
<v Speaker 1>Now the label might send an invoice and maybe it's

0:14:02.800 --> 0:14:04.880
<v Speaker 1>not coming from the artists directly. But when he came

0:14:04.920 --> 0:14:07.120
<v Speaker 1>out of prison, it was like a huge transition had

0:14:07.160 --> 0:14:09.480
<v Speaker 1>taken place in the music industry because prior to him

0:14:09.520 --> 0:14:11.520
<v Speaker 1>going in, It was like, Okay, you're my friend, we're

0:14:11.520 --> 0:14:14.000
<v Speaker 1>gonna get in the studio, we're gonna work. And it

0:14:14.160 --> 0:14:17.680
<v Speaker 1>wasn't like a money you know, financial transaction um type

0:14:17.720 --> 0:14:19.040
<v Speaker 1>of thing. And then when he came out, you know,

0:14:19.480 --> 0:14:22.320
<v Speaker 1>hip hop is a huge, like billion dollar industry and

0:14:22.440 --> 0:14:24.920
<v Speaker 1>it's all about you know, the labels sending this person

0:14:25.000 --> 0:14:27.640
<v Speaker 1>an invoice and there's clearances and stuff like that. So

0:14:27.720 --> 0:14:30.080
<v Speaker 1>I think he took offense to that in a number

0:14:30.120 --> 0:14:35.480
<v Speaker 1>of situations, did a reconcile before His mom told me

0:14:35.600 --> 0:14:38.240
<v Speaker 1>that he had intended to Like one of their last conversations,

0:14:38.280 --> 0:14:39.760
<v Speaker 1>he said, I want to reach out to him and

0:14:40.040 --> 0:14:42.160
<v Speaker 1>make it right. So she said that he intended to

0:14:43.000 --> 0:14:45.440
<v Speaker 1>smooth things over with Jez and he kind of regretted

0:14:45.480 --> 0:14:49.320
<v Speaker 1>that he had made those comments, and um, Jess actually

0:14:49.320 --> 0:14:51.400
<v Speaker 1>shouted pimp out on stage the other night he did

0:14:51.480 --> 0:14:53.960
<v Speaker 1>his tenure anniversary concert in Atlanta. So I think that

0:14:54.120 --> 0:15:00.240
<v Speaker 1>situation probably would have been fixed had he not. Yeah, yeah, yeah, love,

0:15:01.360 --> 0:15:03.440
<v Speaker 1>I think they're they're they're good. You going with his

0:15:03.520 --> 0:15:06.280
<v Speaker 1>relationship with master P as well, Yeah that. I mean

0:15:06.320 --> 0:15:07.840
<v Speaker 1>a lot of people have heard there was always like

0:15:07.920 --> 0:15:11.480
<v Speaker 1>rumors of you know, Masterp, like pistol whipping him and

0:15:11.600 --> 0:15:13.480
<v Speaker 1>kidnapping him, and so I really wanted to get to

0:15:13.520 --> 0:15:15.360
<v Speaker 1>the bottom of like what actually happened. So I actually

0:15:15.440 --> 0:15:18.160
<v Speaker 1>talked to the people who were at the hotel that night,

0:15:18.320 --> 0:15:21.360
<v Speaker 1>is what actually did happen. So yeah, that actually I

0:15:21.360 --> 0:15:23.560
<v Speaker 1>don't know if i'd say kidnapped, but yeah, master P

0:15:24.320 --> 0:15:26.840
<v Speaker 1>ran up in his hotel room with four people held

0:15:26.920 --> 0:15:32.000
<v Speaker 1>him down, pistol whipped him. Yeah, yeah, you might want

0:15:32.000 --> 0:15:35.880
<v Speaker 1>to read this. Well, Pimp had kind of and then

0:15:35.920 --> 0:15:37.440
<v Speaker 1>Pimp kind of fell back because he said, well, I

0:15:37.520 --> 0:15:39.880
<v Speaker 1>kind of started it because I was I was talking crazy.

0:15:39.920 --> 0:15:42.320
<v Speaker 1>What what spark that was? You know, they had some

0:15:42.480 --> 0:15:44.440
<v Speaker 1>issues to begin with. There was a dispute over like

0:15:44.560 --> 0:15:46.760
<v Speaker 1>some some money or some equipment that was supposed to

0:15:46.840 --> 0:15:50.520
<v Speaker 1>take place, and um, he had master Pa cussed out

0:15:50.640 --> 0:15:53.160
<v Speaker 1>see his mom on the phone, but she was the manager,

0:15:53.640 --> 0:15:55.120
<v Speaker 1>you know, she she had a mouth on her too,

0:15:55.200 --> 0:15:56.720
<v Speaker 1>So I guess they had gotten into some kind of

0:15:56.760 --> 0:15:59.600
<v Speaker 1>spat and Masterp said, you know, said something crazy to her,

0:15:59.680 --> 0:16:01.960
<v Speaker 1>And so Pim got on stage that night and he said,

0:16:02.160 --> 0:16:04.720
<v Speaker 1>had the crowd say, you know, a limit and just

0:16:05.200 --> 0:16:09.480
<v Speaker 1>went off. So, um, master he eventually found him, and

0:16:09.920 --> 0:16:12.480
<v Speaker 1>I guess somebody said it was it was a love whipping,

0:16:12.600 --> 0:16:15.040
<v Speaker 1>like he you know, wanted to let him know he

0:16:15.120 --> 0:16:18.280
<v Speaker 1>could be touched, but not you know her. But his

0:16:18.360 --> 0:16:19.960
<v Speaker 1>mom said that that really that was part of the

0:16:20.000 --> 0:16:21.920
<v Speaker 1>reason that Dirty Money took so long to take out

0:16:22.360 --> 0:16:25.640
<v Speaker 1>to come out, because it kind of threw off his whole,

0:16:25.840 --> 0:16:28.760
<v Speaker 1>Like she said, he was just very upset for like

0:16:28.840 --> 0:16:30.440
<v Speaker 1>a couple of months after that, like it just killed

0:16:30.480 --> 0:16:35.480
<v Speaker 1>his whole like creative, yeah, yeah, yeah, um. And then

0:16:35.560 --> 0:16:37.720
<v Speaker 1>of course there are other scenarios in here of him

0:16:37.800 --> 0:16:40.880
<v Speaker 1>his relationship with other women and everything. So yeah, I

0:16:40.960 --> 0:16:43.160
<v Speaker 1>try not to get I tried not to be messy,

0:16:43.600 --> 0:16:47.040
<v Speaker 1>you know, I try not to get to the book.

0:16:47.040 --> 0:16:50.880
<v Speaker 1>You might as well put in getting some poo poom too. Well,

0:16:50.920 --> 0:16:54.200
<v Speaker 1>it's not it's not a salacious it's not, um right,

0:16:54.400 --> 0:16:56.360
<v Speaker 1>not like graphic. But yeah, he had other women in

0:16:56.440 --> 0:16:59.160
<v Speaker 1>his life. Um, there's an interesting story. He went to

0:16:59.240 --> 0:17:01.960
<v Speaker 1>a psychic about a couple of months before he passed,

0:17:02.040 --> 0:17:04.919
<v Speaker 1>and the psychic was his like one of his girlfriend's sisters,

0:17:05.520 --> 0:17:08.560
<v Speaker 1>and um, their stories was was interesting. He was just

0:17:08.640 --> 0:17:10.760
<v Speaker 1>asking it was it was weird. He was asking questions

0:17:10.800 --> 0:17:13.600
<v Speaker 1>about like different people around him like trying to. You

0:17:13.640 --> 0:17:17.440
<v Speaker 1>could sense that he was maybe he was, um not

0:17:17.560 --> 0:17:19.280
<v Speaker 1>trusting some of the people around him, so he was

0:17:19.320 --> 0:17:21.720
<v Speaker 1>he went to a psychic actually asking about these people,

0:17:21.800 --> 0:17:23.840
<v Speaker 1>like what do you see when you when I say

0:17:23.920 --> 0:17:25.680
<v Speaker 1>this name? And that was like his girlfriend's sister. She

0:17:25.720 --> 0:17:26.879
<v Speaker 1>could have been like, I think you need to be

0:17:26.960 --> 0:17:30.880
<v Speaker 1>with my sister. All right, Well the book is available

0:17:34.440 --> 0:17:37.840
<v Speaker 1>rap at chapter Yeah. Um, well that was very interesting

0:17:37.880 --> 0:17:40.160
<v Speaker 1>to me because I didn't get into hip hop until

0:17:40.440 --> 0:17:42.880
<v Speaker 1>two thousand and two, so I didn't know that there

0:17:43.080 --> 0:17:45.320
<v Speaker 1>had been this huge like the DA was really trying

0:17:45.400 --> 0:17:48.159
<v Speaker 1>for like a decade to get rab A Lot, you know,

0:17:48.760 --> 0:17:52.119
<v Speaker 1>get j Prince On under federal indictment basically. And so

0:17:52.200 --> 0:17:53.640
<v Speaker 1>what they tried to do was set up a lot

0:17:53.680 --> 0:17:55.840
<v Speaker 1>of people that worked for rap a Lot or were

0:17:55.840 --> 0:17:58.280
<v Speaker 1>affiliated with rap a Lot. They would they would set

0:17:58.359 --> 0:18:00.479
<v Speaker 1>up situations where they have somebody calling and say, hey,

0:18:00.520 --> 0:18:03.320
<v Speaker 1>there's a cooler in a hotel with with ninety thousand

0:18:03.320 --> 0:18:05.000
<v Speaker 1>dollars in it, and I'll leave the room key for you.

0:18:05.119 --> 0:18:07.119
<v Speaker 1>You can come steal it. You know. They come get

0:18:07.160 --> 0:18:09.800
<v Speaker 1>the cooler and there's six kilos of cocaine in there,

0:18:09.840 --> 0:18:12.159
<v Speaker 1>and then they try to entrap them and get them

0:18:12.280 --> 0:18:15.440
<v Speaker 1>to provide information or whatever. So it was a whole

0:18:15.480 --> 0:18:18.680
<v Speaker 1>crazy situation. And UM, I don't know if I don't

0:18:18.720 --> 0:18:20.760
<v Speaker 1>know if I should have just let I know. Jay

0:18:20.840 --> 0:18:22.840
<v Speaker 1>has a book coming out from when I heard and um,

0:18:22.960 --> 0:18:24.080
<v Speaker 1>so I don't know if I should have just let

0:18:24.200 --> 0:18:26.960
<v Speaker 1>him tell his story. But I was so fascinated, you know,

0:18:27.040 --> 0:18:29.280
<v Speaker 1>once I came across um that a story, I just

0:18:29.400 --> 0:18:32.439
<v Speaker 1>felt like it needed to be included. And it plays

0:18:32.480 --> 0:18:35.200
<v Speaker 1>into Yeah, I'm sure, I'm sure he'll have a whole

0:18:35.240 --> 0:18:39.159
<v Speaker 1>perspective on it. But the reason, yeah, he didn't he

0:18:39.200 --> 0:18:40.760
<v Speaker 1>didn't want to do an interview. I mean, he's he's

0:18:40.800 --> 0:18:42.760
<v Speaker 1>not really a he doesn't really do interviews. But I

0:18:42.800 --> 0:18:46.160
<v Speaker 1>would love to read book, Yeah, exactly. Um, I would

0:18:46.200 --> 0:18:47.960
<v Speaker 1>love to read his book. But the reason I included

0:18:48.000 --> 0:18:51.399
<v Speaker 1>it was because it helps you understand why pimps went

0:18:51.440 --> 0:18:53.760
<v Speaker 1>to prison. Um. Part of the reason why pimpsy went

0:18:53.800 --> 0:18:56.360
<v Speaker 1>to prison because at the time when he got arrested,

0:18:56.480 --> 0:18:59.560
<v Speaker 1>it was he got arrested a week after the congressional

0:18:59.640 --> 0:19:02.639
<v Speaker 1>hearing when they about rap a lot, So it was

0:19:02.920 --> 0:19:05.040
<v Speaker 1>when you understand all the things that had led up

0:19:05.080 --> 0:19:08.480
<v Speaker 1>to that point. So here PIMC gets arrested. He's affiliated

0:19:08.600 --> 0:19:11.199
<v Speaker 1>with rap a Lot. The FBI comes to see him

0:19:11.240 --> 0:19:13.119
<v Speaker 1>while he's in the county jail and says, hey, if

0:19:13.119 --> 0:19:14.840
<v Speaker 1>you can tell us something about Jay Prince, we'll let

0:19:14.840 --> 0:19:18.159
<v Speaker 1>you go. So he was. He said that he was

0:19:18.160 --> 0:19:22.520
<v Speaker 1>approached with offers. FBI had paperwork on him, you know,

0:19:22.760 --> 0:19:26.160
<v Speaker 1>they had, that's all. There was several times where people

0:19:26.160 --> 0:19:28.440
<v Speaker 1>tried to set him up or tried to, you know,

0:19:29.000 --> 0:19:31.119
<v Speaker 1>say that he was selling drugs and things like that.

0:19:31.440 --> 0:19:34.480
<v Speaker 1>See had a crazy life. But when you understand the

0:19:34.600 --> 0:19:37.119
<v Speaker 1>rap a Lot situation, it helps you understand why he

0:19:37.280 --> 0:19:40.280
<v Speaker 1>decided to go to court and plead guilty to aggravated

0:19:40.280 --> 0:19:41.959
<v Speaker 1>assault when all he had done was he got an

0:19:42.040 --> 0:19:44.760
<v Speaker 1>argument with a woman at the mall and he thought

0:19:44.800 --> 0:19:46.840
<v Speaker 1>she was reaching for a weapon, like she reaching her purse,

0:19:47.119 --> 0:19:49.000
<v Speaker 1>and he had a pistol. So he lifted his shirt

0:19:49.040 --> 0:19:51.040
<v Speaker 1>and showed he had a pistol. So in Texas that's

0:19:51.440 --> 0:19:53.440
<v Speaker 1>aggravated asault. You can get twenty years for that. And

0:19:53.520 --> 0:19:56.439
<v Speaker 1>there's a lot in there about their situation with Jive Records.

0:19:56.520 --> 0:19:59.480
<v Speaker 1>They always had, yeah, a lot of issues with the label,

0:19:59.560 --> 0:20:02.760
<v Speaker 1>and he compare being signed to a record label or

0:20:02.800 --> 0:20:06.200
<v Speaker 1>the music industry to prostitution. Yeah, he made that comparison

0:20:06.240 --> 0:20:08.480
<v Speaker 1>a lot. Well, they made They made a mistake, I

0:20:08.520 --> 0:20:11.000
<v Speaker 1>would say, because they didn't really understand like when they

0:20:11.320 --> 0:20:14.200
<v Speaker 1>the song took off, they sold forty thousand units independently,

0:20:14.640 --> 0:20:17.280
<v Speaker 1>so they didn't really understand yet how to leverage that

0:20:17.480 --> 0:20:20.320
<v Speaker 1>success to get a better record deal. Because somebody like

0:20:20.520 --> 0:20:22.639
<v Speaker 1>you know, E forty talked about how he went to

0:20:22.760 --> 0:20:24.600
<v Speaker 1>job he had already sold like I don't know, two

0:20:24.640 --> 0:20:26.560
<v Speaker 1>hundred and two und fifty thousand units and said hey,

0:20:26.600 --> 0:20:28.639
<v Speaker 1>I need a better deal. So once you already have

0:20:28.720 --> 0:20:31.280
<v Speaker 1>success independently, then you can negotiate it for a better

0:20:31.359 --> 0:20:33.480
<v Speaker 1>deal with the record label. But at the time, you

0:20:33.520 --> 0:20:36.480
<v Speaker 1>gotta think they were I think seventeen eighteen years old.

0:20:37.080 --> 0:20:38.680
<v Speaker 1>His mom said, when they came to New York to

0:20:38.720 --> 0:20:41.200
<v Speaker 1>sign the deal, they got a youth discount ticket. That's

0:20:41.200 --> 0:20:42.840
<v Speaker 1>how young he was, Like at the time they gave

0:20:43.320 --> 0:20:45.479
<v Speaker 1>discount airfare. Yeah, I think he was eighteen when they

0:20:45.480 --> 0:20:47.439
<v Speaker 1>actually signed their deal. But they were just very young.

0:20:47.480 --> 0:20:49.640
<v Speaker 1>They're from Port Arthur, Texas. They don't know anything about

0:20:49.640 --> 0:20:52.560
<v Speaker 1>the music business. They're big time records. Who doesn't know

0:20:52.600 --> 0:20:54.520
<v Speaker 1>anything about the music business. So they were just very

0:20:55.040 --> 0:20:57.359
<v Speaker 1>He said, there were some sheep getting ready for the slaughter.

0:20:57.480 --> 0:21:00.720
<v Speaker 1>That's that's how pimps described it. So think about the book.

0:21:01.520 --> 0:21:04.560
<v Speaker 1>I saw a Bun the other day. Um, I interviewed him.

0:21:04.560 --> 0:21:06.119
<v Speaker 1>I mean he was one of the first people I interviewed.

0:21:06.160 --> 0:21:09.840
<v Speaker 1>He provided a lot of information, I think. Um. The

0:21:09.960 --> 0:21:11.840
<v Speaker 1>last thing he told me was that he's preparing to

0:21:11.880 --> 0:21:13.760
<v Speaker 1>put out a book. I don't know how far along

0:21:13.840 --> 0:21:15.480
<v Speaker 1>he is in that process, but he said, Hey, I

0:21:15.560 --> 0:21:17.879
<v Speaker 1>got to save some of my stories, you know, from

0:21:17.920 --> 0:21:19.680
<v Speaker 1>my own book, and I would love to read his

0:21:19.760 --> 0:21:22.320
<v Speaker 1>book too. But um, so I don't know what his

0:21:22.640 --> 0:21:27.360
<v Speaker 1>You'd have to ask him what his position is. Rabbi, Yeah,

0:21:27.440 --> 0:21:33.600
<v Speaker 1>shout out, shout out the bun rabbit. I think he

0:21:33.640 --> 0:21:39.600
<v Speaker 1>probably his family. Yeah, his family. I don't know if

0:21:39.640 --> 0:21:41.879
<v Speaker 1>he's happy for me about me putting that out there,

0:21:41.920 --> 0:21:44.080
<v Speaker 1>but yeah, that was his that was like his childhood nickname.

0:21:44.119 --> 0:21:47.000
<v Speaker 1>That's how he got Bundy. I would text him a

0:21:47.040 --> 0:21:51.280
<v Speaker 1>bunch of bunny rabbit to see what he said, just

0:21:51.440 --> 0:21:55.960
<v Speaker 1>the emolji nothing else. Well, the book is came out tuesday. Yeah,

0:21:56.359 --> 0:21:58.040
<v Speaker 1>Amazon is the best place to pick it up. We're

0:21:58.080 --> 0:22:02.240
<v Speaker 1>setting up for a book signing tour. We already hit Houston, Dallas, Atlanta,

0:22:02.320 --> 0:22:04.920
<v Speaker 1>but we'll be coming through doing a pretty extensive tour

0:22:05.240 --> 0:22:08.440
<v Speaker 1>um signing books. Corey will be with me and some

0:22:08.440 --> 0:22:09.720
<v Speaker 1>of the days Corey gonna be able to pay for

0:22:09.760 --> 0:22:12.760
<v Speaker 1>college off to sales it. These books' getting some money. Yeah, yeah,

0:22:12.840 --> 0:22:16.000
<v Speaker 1>Corey's Uh, Corey's out there hustling too, Coy. Corey's a

0:22:16.080 --> 0:22:18.560
<v Speaker 1>hustler like his dad. He was selling Uh, he was

0:22:18.600 --> 0:22:26.440
<v Speaker 1>selling DVDs at the at the Washington Say, did you

0:22:26.520 --> 0:22:28.440
<v Speaker 1>have one? Like did you ever used to experience like

0:22:28.720 --> 0:22:31.200
<v Speaker 1>people saying like you're a culture vulture? Because you know

0:22:31.280 --> 0:22:35.960
<v Speaker 1>they said, you've heard that. But you know what PEPSI saying,

0:22:36.040 --> 0:22:39.199
<v Speaker 1>Let's see, you wrote the book that you ain't got

0:22:39.320 --> 0:22:41.720
<v Speaker 1>to like it, but you guys to respect me. So okay,

0:22:41.800 --> 0:22:43.520
<v Speaker 1>if you don't like me, I don't really care. I

0:22:43.600 --> 0:22:45.560
<v Speaker 1>like the way you did that too, with your swing.

0:22:45.800 --> 0:22:49.640
<v Speaker 1>You ain't got to like. I can't say I can't

0:22:50.000 --> 0:22:52.560
<v Speaker 1>do the PIMPSI invitation. His mom could do it perfect,

0:22:52.720 --> 0:22:54.800
<v Speaker 1>Like everybody at interview would try to do the Pimpsie.

0:22:55.080 --> 0:22:57.680
<v Speaker 1>Can you do it? Corey? I can't even do it.

0:22:58.760 --> 0:23:02.040
<v Speaker 1>It's somewhere so I can do it. You're gonna try

0:23:02.560 --> 0:23:06.320
<v Speaker 1>like his Uh. You might have to pay for that.

0:23:06.359 --> 0:23:07.639
<v Speaker 1>You might have to charge for that. Idel lived a

0:23:07.640 --> 0:23:11.160
<v Speaker 1>little bron all right, Julia Beverly, thank you for joining us, Corey,

0:23:11.200 --> 0:23:13.520
<v Speaker 1>appreciate you for having me. It's the Breakfast Club.