1 00:00:00,480 --> 00:00:04,000 Speaker 1: This podcast is sponsored by Better Help Online Therapy. I'm 2 00:00:04,000 --> 00:00:07,680 Speaker 1: Michlene Maloof and I'm Nadi Adessi, licensed therapists and hosts 3 00:00:07,680 --> 00:00:10,200 Speaker 1: of Getting Better Stories of Mental Health. Join us for 4 00:00:10,240 --> 00:00:13,560 Speaker 1: discussions with Megan Trainer, Chris Bosh, Rebel Wilson, and more, 5 00:00:13,720 --> 00:00:17,400 Speaker 1: from discussing motherhood to immigrating to general mental health. Our 6 00:00:17,440 --> 00:00:20,720 Speaker 1: guests are awe inspiring. We all struggle with the same things, 7 00:00:20,840 --> 00:00:23,640 Speaker 1: so let's talk about it and de stigmatize them. Find 8 00:00:23,680 --> 00:00:26,840 Speaker 1: our new podcast, Getting Better Stories of Mental Health on 9 00:00:26,920 --> 00:00:32,920 Speaker 1: iHeart Apple Podcasts and Spotify. 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It wasn't built for ninety 20 00:01:00,080 --> 00:01:03,240 Speaker 1: percent of today's data. It can't handle modern use cases 21 00:01:03,280 --> 00:01:07,080 Speaker 1: like machine learning. It's time for new paradigm. The Data 22 00:01:07,120 --> 00:01:09,920 Speaker 1: Bricks lake House brings all your data together on one 23 00:01:10,000 --> 00:01:13,040 Speaker 1: open platform so you can tackle every use case from 24 00:01:13,080 --> 00:01:16,360 Speaker 1: b I to AI. Discovering lake House at data bricks 25 00:01:16,400 --> 00:01:23,560 Speaker 1: dot com. Wow. So excited to be talking. It's amazing 26 00:01:23,600 --> 00:01:26,640 Speaker 1: thing to be talking and delivering information. That's a beautiful thing. 27 00:01:26,680 --> 00:01:30,920 Speaker 1: Welcome to Money Making Conversation. I am your host, Rushan McDonald. 28 00:01:31,160 --> 00:01:35,320 Speaker 1: Each Money Making Conversations talk shows about entrepreneurship and entertainment. 29 00:01:35,520 --> 00:01:40,480 Speaker 1: I provide the consumer and business owner access to celebrities, CEOs, entrepreneurs, 30 00:01:40,680 --> 00:01:43,640 Speaker 1: and industry decision makers. I recognize that we all have 31 00:01:43,720 --> 00:01:47,200 Speaker 1: different definitions of success. For some, it's a sizeable paycheck. 32 00:01:47,440 --> 00:01:49,680 Speaker 1: Mine is helping people wake up and inspiring them to 33 00:01:49,680 --> 00:01:53,320 Speaker 1: accomplish their goals and live their very best life and 34 00:01:53,360 --> 00:01:56,280 Speaker 1: achieve their passions. And that's what I'm doing with you, 35 00:01:56,480 --> 00:01:58,800 Speaker 1: giving you information. I'm tied. Do you tripping over these 36 00:01:58,800 --> 00:02:01,360 Speaker 1: small challenges because you have so many bigger things you 37 00:02:01,360 --> 00:02:03,880 Speaker 1: have to accomplish in life. They have much bigger obstacles, 38 00:02:04,120 --> 00:02:06,880 Speaker 1: these smaller things. Let's just woke pass them, don't even 39 00:02:06,920 --> 00:02:09,720 Speaker 1: hop over just just walk normal, cross those and just 40 00:02:09,919 --> 00:02:13,400 Speaker 1: keep living. The money making conversation interviews provide relatable information 41 00:02:13,440 --> 00:02:18,440 Speaker 1: to listen about their career and financial planning, entrepreneurship, motivation, leadership, 42 00:02:18,720 --> 00:02:22,600 Speaker 1: overcoming the odds, and more importantly and most importantly, how 43 00:02:22,680 --> 00:02:25,240 Speaker 1: to live a balance life. My next guest, I am 44 00:02:25,280 --> 00:02:27,080 Speaker 1: a fan. You know, I'm kind of a fan. Everybody 45 00:02:27,120 --> 00:02:29,080 Speaker 1: comes up to the show, but she starts in one 46 00:02:29,080 --> 00:02:32,360 Speaker 1: of my shows. I watch a lot Supergirl, Okay, cool, 47 00:02:32,800 --> 00:02:34,359 Speaker 1: Just let you know I'm kind of like a sci 48 00:02:34,440 --> 00:02:37,720 Speaker 1: fi My next guest stars in the Tyler Perry produced 49 00:02:38,000 --> 00:02:40,560 Speaker 1: If Loving You Is Wrong. You know, back in the 50 00:02:40,639 --> 00:02:42,680 Speaker 1: day when I'm growing, if it was always finished, If 51 00:02:42,720 --> 00:02:44,639 Speaker 1: loving You is wrong, I don't want to be right. 52 00:02:44,880 --> 00:02:48,840 Speaker 1: That was my back in the day. But the title 53 00:02:48,840 --> 00:02:52,240 Speaker 1: of this drama is If Loving You Is Wrong. It's 54 00:02:52,280 --> 00:02:55,360 Speaker 1: a sexy drama that takes views in the lives of 55 00:02:55,400 --> 00:02:58,640 Speaker 1: a group of husbands, wives, and friends that live and 56 00:02:58,720 --> 00:03:02,080 Speaker 1: love in the same middle class neighborhood called Maxine. She 57 00:03:02,160 --> 00:03:04,959 Speaker 1: has been seen regularly on the c W Supergirl, t 58 00:03:05,120 --> 00:03:07,760 Speaker 1: n T S, The Last Ship, Free Forms, The Fosters, 59 00:03:07,919 --> 00:03:10,359 Speaker 1: and ABC's How To Get Away with Murder, but she's 60 00:03:10,400 --> 00:03:13,240 Speaker 1: on money making Conversations today. Please work on to money 61 00:03:13,240 --> 00:03:22,120 Speaker 1: making conversations. April Parker Jones a p J. Hello, Hello, Well, 62 00:03:22,200 --> 00:03:25,400 Speaker 1: thank you for coming on the show. Yes, thank you. 63 00:03:25,480 --> 00:03:29,160 Speaker 1: That's your energy I needed today. Well, it's good you 64 00:03:29,200 --> 00:03:31,560 Speaker 1: need it because first of all, it's a career. I 65 00:03:31,560 --> 00:03:33,600 Speaker 1: want to bring people on the money main conversation. You know, 66 00:03:33,639 --> 00:03:35,640 Speaker 1: they have success in their lives, and you have continued 67 00:03:35,680 --> 00:03:38,680 Speaker 1: success and very in a very difficult business and as entertainment, 68 00:03:39,600 --> 00:03:42,080 Speaker 1: uh you and a guy you know, I left IBM 69 00:03:42,160 --> 00:03:44,320 Speaker 1: and to pursue a career as a stand up comic, 70 00:03:44,480 --> 00:03:48,520 Speaker 1: and then that I became a sitcom writer on television shows. 71 00:03:48,760 --> 00:03:51,080 Speaker 1: That doesn't mean that that television show is gonna go 72 00:03:51,080 --> 00:03:54,360 Speaker 1: twenty two episodes or eight episodes or ten episodes two 73 00:03:54,480 --> 00:03:57,440 Speaker 1: years or three years. So you always operate in the 74 00:03:57,640 --> 00:04:02,080 Speaker 1: environment of uncertainty. So, but but your career, let's go 75 00:04:02,120 --> 00:04:06,240 Speaker 1: back to where it kind of started, Hbcuy, No Carolina, 76 00:04:08,360 --> 00:04:11,360 Speaker 1: talk about that experience a little you know, a little 77 00:04:11,360 --> 00:04:14,000 Speaker 1: a little little black girl, you know, and during a 78 00:04:14,000 --> 00:04:15,720 Speaker 1: lot of talk about the big dreams, and you know, 79 00:04:15,800 --> 00:04:18,000 Speaker 1: when you're talking when you from I would call DRM 80 00:04:18,000 --> 00:04:20,200 Speaker 1: a small town. But it's not a big city. And 81 00:04:20,240 --> 00:04:25,120 Speaker 1: when you're talking about big dreams, how did you manage 82 00:04:25,160 --> 00:04:31,520 Speaker 1: to believe they were possible from your environment? Well, you know, hey, listen, 83 00:04:31,600 --> 00:04:33,560 Speaker 1: let me let's just break it down. Let's strick it 84 00:04:33,600 --> 00:04:36,280 Speaker 1: all down with God. All takes possible. And you know, 85 00:04:36,920 --> 00:04:39,560 Speaker 1: you know again from a small town. Uh, you know, 86 00:04:39,680 --> 00:04:43,240 Speaker 1: I was, I was routed. Uh and and God and 87 00:04:43,279 --> 00:04:46,880 Speaker 1: the possitilities that the universe and can send your way. 88 00:04:47,000 --> 00:04:50,000 Speaker 1: And hey, I was a small town thrilled with big dreams. 89 00:04:50,040 --> 00:04:54,080 Speaker 1: And I just, uh, I chose career. It really excuse me, 90 00:04:54,120 --> 00:04:56,400 Speaker 1: The career kind of chose me. And uh and I 91 00:04:56,440 --> 00:04:59,440 Speaker 1: and we shall in love with each other and uh 92 00:04:59,480 --> 00:05:02,320 Speaker 1: and I just quick my person there, you know. And 93 00:05:02,600 --> 00:05:04,920 Speaker 1: I know that's kind of apprecie. But if it's one 94 00:05:04,960 --> 00:05:07,320 Speaker 1: of those things that you stick something long enough, you're 95 00:05:07,320 --> 00:05:09,440 Speaker 1: tints desist in it, if you're a passion for it. 96 00:05:09,760 --> 00:05:11,479 Speaker 1: And I have a passion for it. And and I 97 00:05:11,520 --> 00:05:14,520 Speaker 1: get thanks to that long town to term. I get 98 00:05:14,560 --> 00:05:18,479 Speaker 1: thanks to Hillside High School, thanks to um and I 99 00:05:18,520 --> 00:05:20,680 Speaker 1: just get thank you to to to those people who 100 00:05:21,000 --> 00:05:23,240 Speaker 1: poured into me in a little small town and through 101 00:05:23,400 --> 00:05:27,279 Speaker 1: my mom and my church shampoo and the ractations that 102 00:05:27,320 --> 00:05:31,280 Speaker 1: are there. And uh, I'm just grateful I'm to be 103 00:05:31,480 --> 00:05:33,680 Speaker 1: talking to you and still still being able to live 104 00:05:33,760 --> 00:05:37,120 Speaker 1: my dream and I still have so much more to do. Um. 105 00:05:37,240 --> 00:05:40,279 Speaker 1: I can't wait to see what the universe holds. Man. Well, well, 106 00:05:40,360 --> 00:05:43,159 Speaker 1: let's talking about this current universe. You know, if loving 107 00:05:43,320 --> 00:05:49,960 Speaker 1: you he's wrong, you know, saying own network Tyler pair 108 00:05:50,120 --> 00:05:52,719 Speaker 1: produced because you know it's gonna be selicious because I 109 00:05:52,760 --> 00:05:55,599 Speaker 1: watched all his shows. You know, I am a Tyler 110 00:05:55,600 --> 00:05:59,279 Speaker 1: Perry nut. Okay, oh no, thank you, just talking about 111 00:05:59,279 --> 00:06:01,520 Speaker 1: this thank here, this show here. I'm gonna let you 112 00:06:01,600 --> 00:06:04,000 Speaker 1: tell everybody about the show it did rou Sean McDonald 113 00:06:04,120 --> 00:06:06,160 Speaker 1: go come back and give his version. Okay, do you 114 00:06:06,240 --> 00:06:08,320 Speaker 1: know it's gonna be a little information, you know, let 115 00:06:08,320 --> 00:06:11,200 Speaker 1: your boy, let you know your boys and love what 116 00:06:11,279 --> 00:06:14,920 Speaker 1: you're doing and and love what show. So set us up. Well, 117 00:06:14,920 --> 00:06:17,560 Speaker 1: I'm telling us about to see it. I'm gonna keep 118 00:06:17,560 --> 00:06:19,920 Speaker 1: it short because I'm really excited to hear your take 119 00:06:19,960 --> 00:06:23,080 Speaker 1: on it. Listen, I could, I could, I could always 120 00:06:23,120 --> 00:06:26,000 Speaker 1: save a little bit of about the show. I just 121 00:06:26,000 --> 00:06:29,160 Speaker 1: have to think you have to experience it. So this show, 122 00:06:29,400 --> 00:06:32,080 Speaker 1: like you said, An introduction. Uh, it's so it's about 123 00:06:32,120 --> 00:06:34,760 Speaker 1: the lines to each five friends. We live in the 124 00:06:34,800 --> 00:06:38,360 Speaker 1: town called Next Thing. They're all from somewhat different walks 125 00:06:38,360 --> 00:06:40,839 Speaker 1: of life, um, but they live in the town where 126 00:06:40,839 --> 00:06:44,080 Speaker 1: there's a drama that ensues every day. But that drama 127 00:06:44,279 --> 00:06:49,920 Speaker 1: is pairs, murder, uh, scandal, all the things you can 128 00:06:49,960 --> 00:06:52,599 Speaker 1: think of when it comes to drama. This small town 129 00:06:52,720 --> 00:06:56,120 Speaker 1: has endured it By character who I play, I'm one 130 00:06:56,160 --> 00:06:58,800 Speaker 1: of because lady, your name is baddily hitmy I would 131 00:06:58,839 --> 00:07:02,880 Speaker 1: stake man is probably one of the more little up five. 132 00:07:03,320 --> 00:07:07,760 Speaker 1: And I say that in respect to that. She she's 133 00:07:07,800 --> 00:07:11,960 Speaker 1: one of the more relatable characters like kind of knows 134 00:07:12,000 --> 00:07:14,640 Speaker 1: he though you kind of kind of knows, and and 135 00:07:14,640 --> 00:07:17,920 Speaker 1: and protective. I'm like, I'm like a classic. I like 136 00:07:17,960 --> 00:07:23,080 Speaker 1: it categorize so more as protective. She can't get you 137 00:07:23,120 --> 00:07:27,160 Speaker 1: know what I'm trying. I'm saying I'm doing here, Randa. 138 00:07:27,400 --> 00:07:31,240 Speaker 1: You know I'm saying right right, you will cut your it, 139 00:07:31,400 --> 00:07:35,360 Speaker 1: need child children, whatever she has to do to protect 140 00:07:35,400 --> 00:07:38,600 Speaker 1: the ones she loves. And I enjoyed playing Natalie so much. 141 00:07:38,600 --> 00:07:40,280 Speaker 1: She's did a lot like me in a lot of ways, 142 00:07:40,280 --> 00:07:43,080 Speaker 1: but as don't very differant to in some ways, but 143 00:07:43,080 --> 00:07:45,480 Speaker 1: but a lot like many of the people watch her up, 144 00:07:45,680 --> 00:07:48,160 Speaker 1: you can really relate to her. Somebody in their family 145 00:07:48,280 --> 00:07:52,800 Speaker 1: is probably like family, Like, yeah, I did that a 146 00:07:52,840 --> 00:07:54,840 Speaker 1: lot to when I was you know, my life wants 147 00:07:54,880 --> 00:07:57,080 Speaker 1: the store. You know, I don't have people shop. Bet. 148 00:07:57,560 --> 00:08:01,000 Speaker 1: My auntie is just like you, you girl, your kids 149 00:08:01,200 --> 00:08:04,880 Speaker 1: family is just like Natalie's a stable farm. She's Uh, 150 00:08:05,080 --> 00:08:08,440 Speaker 1: she's in a relationship with Lucian, who was played by 151 00:08:08,520 --> 00:08:14,680 Speaker 1: Charles Lee Whitfield. Uh, wonderfool and just wander to you 152 00:08:14,800 --> 00:08:17,360 Speaker 1: to be um. So yeah, it's it's been a roller 153 00:08:17,400 --> 00:08:20,360 Speaker 1: coaster rode. She she one of the group who has 154 00:08:20,920 --> 00:08:23,120 Speaker 1: listed a lot of money. She lives on the outsource 155 00:08:23,160 --> 00:08:25,560 Speaker 1: of town before moving into Maxie, but now she lives 156 00:08:25,560 --> 00:08:27,880 Speaker 1: in max Name with Arrest of the Ladies and uh 157 00:08:27,920 --> 00:08:30,760 Speaker 1: and her and and as the seasons the great you 158 00:08:30,800 --> 00:08:33,480 Speaker 1: know her her life started to change and she was 159 00:08:33,520 --> 00:08:36,280 Speaker 1: on a little show feeling better and kind of living 160 00:08:36,280 --> 00:08:39,000 Speaker 1: out the three and her family with the drama scale 161 00:08:39,080 --> 00:08:41,600 Speaker 1: followers so and and it still follows up the tool 162 00:08:41,600 --> 00:08:44,000 Speaker 1: of the new season. And I can't wait to see 163 00:08:44,080 --> 00:08:47,200 Speaker 1: what viewers I'm gonna I'm gonna I'm gonna be able 164 00:08:47,200 --> 00:08:51,240 Speaker 1: to find out now I want to hear war take 165 00:08:52,000 --> 00:08:54,559 Speaker 1: come on Loving You the song okay, cool, pretty cool, 166 00:08:55,200 --> 00:08:59,560 Speaker 1: Thank you very much, April Parker Jones. If Loving You 167 00:08:59,720 --> 00:09:02,480 Speaker 1: is on is produced by Tyler Perry. It's a sexy 168 00:09:02,559 --> 00:09:05,080 Speaker 1: drawma that takes viewers into the lives of a group 169 00:09:05,080 --> 00:09:08,520 Speaker 1: of husbands, wives and friends that live and love in 170 00:09:08,520 --> 00:09:12,320 Speaker 1: the same middle class neighborhood or town called Maxine. This 171 00:09:12,400 --> 00:09:16,480 Speaker 1: is the fifth and final season. April, your character's Natalie. 172 00:09:16,800 --> 00:09:18,640 Speaker 1: I think she kind of knows he. I think she 173 00:09:18,800 --> 00:09:21,079 Speaker 1: bothered too many people. But guess what, I'm just a 174 00:09:21,160 --> 00:09:23,880 Speaker 1: viewer and just telling you what I see. You're married 175 00:09:23,920 --> 00:09:27,319 Speaker 1: to the Goody two Shoe police officer Lucien, which is 176 00:09:27,640 --> 00:09:31,880 Speaker 1: my name with an ail Rashaan Leshawn. That's it. Kelly. 177 00:09:32,360 --> 00:09:35,120 Speaker 1: Now Kelly is in jail for the murder of Travis 178 00:09:35,240 --> 00:09:39,199 Speaker 1: Kane and is being helped by Goody two Shoe police 179 00:09:39,280 --> 00:09:42,439 Speaker 1: officer Lution and Rick. Now. Rick has another agenda because 180 00:09:42,480 --> 00:09:44,520 Speaker 1: he kind of likes Kelly. I kind of noticed that 181 00:09:44,559 --> 00:09:46,800 Speaker 1: alone the show. He don't weigh too much for a 182 00:09:46,800 --> 00:09:48,880 Speaker 1: police officer, and then when he touched her hand a 183 00:09:48,920 --> 00:09:51,360 Speaker 1: little bit when her hand was on the in the jail, 184 00:09:51,400 --> 00:09:54,480 Speaker 1: cell I knows the look energy pushed on that. Now 185 00:09:54,520 --> 00:09:57,320 Speaker 1: Travis Kane, he's no longer in the show because he's dead. 186 00:09:57,760 --> 00:09:59,760 Speaker 1: He stoked a lot of women at the church the 187 00:10:00,000 --> 00:10:03,400 Speaker 1: each other with nine women. When the same allegations hit Kelly. 188 00:10:03,520 --> 00:10:05,439 Speaker 1: Now she in jail. They want to just put it 189 00:10:05,440 --> 00:10:08,000 Speaker 1: in jail for a double life. In fact, the d 190 00:10:08,120 --> 00:10:10,480 Speaker 1: A wants to kill him. That's what I'm just telling y'all. Strong. 191 00:10:10,800 --> 00:10:14,000 Speaker 1: Now Kelly is represented by a public defender because the 192 00:10:14,080 --> 00:10:16,960 Speaker 1: lawyer that they wanted to hire, Attorney In. I'm gonna 193 00:10:16,960 --> 00:10:19,320 Speaker 1: get to him later because he's very key to the 194 00:10:19,320 --> 00:10:21,920 Speaker 1: cliffhanger at the end of the show. Now, Attorney In 195 00:10:22,280 --> 00:10:26,600 Speaker 1: he worked for Larry. Larry, No everybody Larry is um. 196 00:10:26,880 --> 00:10:29,200 Speaker 1: We'll get to him a little bit later. So dr 197 00:10:29,280 --> 00:10:32,560 Speaker 1: turning in. He's playing a double agent for Larry because 198 00:10:32,640 --> 00:10:37,120 Speaker 1: Larry he actually represents the Kane family, so his firm does, 199 00:10:37,400 --> 00:10:41,959 Speaker 1: and Attorney In he cannot represent somebody in and be 200 00:10:42,120 --> 00:10:46,319 Speaker 1: like litigation drama. So he said, I won't represent but 201 00:10:46,400 --> 00:10:50,240 Speaker 1: I guide the college student public defender. You can say whatever. 202 00:10:50,360 --> 00:10:52,120 Speaker 1: He don't know nothing coming up with that nice little 203 00:10:52,160 --> 00:10:55,720 Speaker 1: tight sup and cleaning shoes. But he's never does any 204 00:10:55,760 --> 00:10:57,720 Speaker 1: big case in his life. Now let's go to the 205 00:10:57,760 --> 00:11:03,839 Speaker 1: sexy Esperanto Now, okay, let's talk about her. She went 206 00:11:03,880 --> 00:11:06,880 Speaker 1: to Larry Larry again. Everybody goes to Larry. I don't 207 00:11:06,880 --> 00:11:09,160 Speaker 1: know why everybody goes to last because Larry is as 208 00:11:09,200 --> 00:11:12,840 Speaker 1: messy as you come. He's a lawyer, know everybody business, Okay, 209 00:11:12,960 --> 00:11:16,719 Speaker 1: But Esperaza rolls up in there because everybody go to Larry. Right. 210 00:11:17,320 --> 00:11:19,800 Speaker 1: I want to get divorced from her crazy husband Eddie. 211 00:11:20,360 --> 00:11:22,480 Speaker 1: Eddie is also a police officer. What do you think 212 00:11:22,480 --> 00:11:25,280 Speaker 1: the Esperraza work at the police station. So we have 213 00:11:25,320 --> 00:11:28,000 Speaker 1: a problem right there. She's at the police station. She 214 00:11:28,040 --> 00:11:30,360 Speaker 1: can't get away from a crazy husband who's a crazy cop. 215 00:11:30,520 --> 00:11:32,320 Speaker 1: She wants to get a divorce from the crazy cop 216 00:11:32,559 --> 00:11:35,320 Speaker 1: and get sold custody. Right there. You know there's gonna 217 00:11:35,360 --> 00:11:41,280 Speaker 1: be a problem now, not through yet, because like I said, Randall, 218 00:11:41,480 --> 00:11:44,880 Speaker 1: that's my man. Randall's in shape. You know, pull off 219 00:11:44,880 --> 00:11:49,320 Speaker 1: that shirt, got everything working, six pack, chess puffed out 220 00:11:49,720 --> 00:11:52,959 Speaker 1: even in the shirts that he wears. You did he fine, fine, 221 00:11:53,160 --> 00:11:56,200 Speaker 1: fine five. That is a staple of all Tyler pair 222 00:11:56,200 --> 00:12:00,599 Speaker 1: of series. You're gonna have the five five five that 223 00:12:00,760 --> 00:12:04,520 Speaker 1: fits Randall's bill. He's fine, okay, but he's all, but 224 00:12:04,559 --> 00:12:07,000 Speaker 1: he also can act. He's also crazy. Let me tell 225 00:12:07,040 --> 00:12:09,760 Speaker 1: you a little thing. Abouts See, everybody lives right across 226 00:12:09,760 --> 00:12:11,800 Speaker 1: from each other, right next to each other, so you 227 00:12:11,920 --> 00:12:15,280 Speaker 1: have to walk far to get in trouble. Rand he 228 00:12:15,360 --> 00:12:18,280 Speaker 1: has had been having a sexual affair with the white 229 00:12:18,360 --> 00:12:22,640 Speaker 1: lady next though, who name is Alex. That's very key 230 00:12:22,640 --> 00:12:24,560 Speaker 1: that you hear the name Alex, because we're gonna throw 231 00:12:24,559 --> 00:12:26,480 Speaker 1: a little drama on that name a little bit later on, 232 00:12:26,720 --> 00:12:29,640 Speaker 1: because I am wrapping up the season, guiding you to 233 00:12:29,720 --> 00:12:33,920 Speaker 1: the cliffhanger, which is gonna be the start on Tuesday, 234 00:12:33,960 --> 00:12:37,440 Speaker 1: March thirty. First, when this series just takes off. Everybody 235 00:12:37,440 --> 00:12:40,360 Speaker 1: get crazy. Everybody got to get crazy on this series, okay, 236 00:12:40,400 --> 00:12:42,560 Speaker 1: because we're trying to mcdonals telling you you gotta watch 237 00:12:42,559 --> 00:12:47,600 Speaker 1: your serious now. Now, Random he thinks that Alex has 238 00:12:47,640 --> 00:12:51,080 Speaker 1: his child. Why does he think that? Because the baby 239 00:12:51,120 --> 00:12:56,440 Speaker 1: got black features, dot dog, he's a white guy. He 240 00:12:56,520 --> 00:12:58,880 Speaker 1: refused to take the DNA because he no, he has 241 00:12:58,880 --> 00:13:02,040 Speaker 1: no black incest three in his life. But here's the 242 00:13:02,080 --> 00:13:06,600 Speaker 1: funny part about it Brad who's mad to Alex who 243 00:13:06,679 --> 00:13:09,280 Speaker 1: wants to get a divorce for Alex, and Randy who's 244 00:13:09,320 --> 00:13:14,240 Speaker 1: having sex with Alex. Right next door, Brad is dating Marcy, 245 00:13:14,600 --> 00:13:20,440 Speaker 1: who used to be married to random U. At this 246 00:13:20,480 --> 00:13:23,120 Speaker 1: point in the store, you're going rushan kidn't get any 247 00:13:23,200 --> 00:13:27,120 Speaker 1: deeper you doing rooting to because there's a bipole white 248 00:13:27,200 --> 00:13:30,599 Speaker 1: lady that lives across the street, who walks across the 249 00:13:30,679 --> 00:13:33,560 Speaker 1: front of the windows all the time. Reason she told 250 00:13:33,640 --> 00:13:39,800 Speaker 1: Natalie Natalie, I walk around, I walk around the hawks 251 00:13:39,800 --> 00:13:42,240 Speaker 1: in the nude. Natalie said, she did you close the 252 00:13:42,240 --> 00:13:46,600 Speaker 1: curtain the crazy bo white ladys said, I'm afraid of 253 00:13:46,640 --> 00:13:57,360 Speaker 1: the dark, so you look perplexed. Okay, Obviously she likes 254 00:13:57,640 --> 00:14:01,240 Speaker 1: showing the black man who is Randall sitting across the 255 00:14:01,280 --> 00:14:04,240 Speaker 1: street with binoculars. I would day something that is what 256 00:14:04,320 --> 00:14:07,760 Speaker 1: you call an obvious peeping tongue to be sitting across 257 00:14:07,760 --> 00:14:12,040 Speaker 1: the street with some binoculars, stand across the street in 258 00:14:12,280 --> 00:14:15,280 Speaker 1: the house, or the bipolar white lady who walks around 259 00:14:15,280 --> 00:14:18,520 Speaker 1: buck naked. Okay, cool. Now I'm coming to the end. 260 00:14:18,880 --> 00:14:21,360 Speaker 1: Replace with I hope you hate with me. I hope 261 00:14:21,360 --> 00:14:23,720 Speaker 1: I have said nothing wrong yet have an April Parker Jones, 262 00:14:24,000 --> 00:14:28,880 Speaker 1: everything still okay, cool, bringing on to the end. Okay, 263 00:14:28,880 --> 00:14:33,800 Speaker 1: here we go, now ben It, he's married to the 264 00:14:33,840 --> 00:14:39,640 Speaker 1: bipolar white lady. Then millennials. Okay, one day ben It 265 00:14:39,760 --> 00:14:43,440 Speaker 1: comes home the bipolar white lady. I gotta tell you 266 00:14:43,480 --> 00:14:45,640 Speaker 1: what's going on because she refused to take a madge. 267 00:14:45,760 --> 00:14:47,760 Speaker 1: That's why I keep mentioning that, because that plays a 268 00:14:47,800 --> 00:14:50,520 Speaker 1: big role in the series. She did take a madge. 269 00:14:50,560 --> 00:14:52,720 Speaker 1: Shouldn't you take a madge? She refused to take a 270 00:14:52,760 --> 00:14:55,600 Speaker 1: madge because she won't stay have a child. Well, guess what, 271 00:14:55,960 --> 00:14:59,080 Speaker 1: you gotta keep taking these madge. So Benny walks in. 272 00:14:59,200 --> 00:15:03,800 Speaker 1: One day she's painting. Guess who she's painting. She's painting Randall, 273 00:15:04,040 --> 00:15:06,760 Speaker 1: and guess what he's wearing. Nothing in the painting. He's 274 00:15:06,800 --> 00:15:14,160 Speaker 1: bucked it. Well, guess what. Betty doesn't take this too kindly, 275 00:15:14,320 --> 00:15:18,200 Speaker 1: so he's wrong saying death thread bomb on Randall's house. 276 00:15:18,200 --> 00:15:21,040 Speaker 1: I'm gonna leave it at that, a death red bomb 277 00:15:21,120 --> 00:15:24,400 Speaker 1: on Randall's house. Okay, cool, We're coming to the end. Okay, now, 278 00:15:24,480 --> 00:15:27,280 Speaker 1: April Parker Jones, I have not made any mistakes chatting 279 00:15:27,280 --> 00:15:30,160 Speaker 1: the storytelling, Have I not? I'm leading you and guiding 280 00:15:30,200 --> 00:15:33,160 Speaker 1: you to the end of the fourth season, which is 281 00:15:33,200 --> 00:15:36,840 Speaker 1: gonna lead to a comatic and tremendous final fifth season. 282 00:15:37,120 --> 00:15:41,520 Speaker 1: Oh if Lover You was around produced by Tyler Packey. Now, okay, 283 00:15:41,840 --> 00:15:46,440 Speaker 1: Larry comes back into the picture, right Larry. Larry meets 284 00:15:46,480 --> 00:15:52,640 Speaker 1: with Eddie and we discover Larry likes Eddie. Dot do. 285 00:15:53,760 --> 00:15:56,840 Speaker 1: Eddie said, I don't roll like that. Larry said, yes, 286 00:15:56,880 --> 00:16:01,400 Speaker 1: you do. That's gonna happened in the fifth season. So 287 00:16:01,440 --> 00:16:04,400 Speaker 1: you gotta find out is Eddie like that or not 288 00:16:04,560 --> 00:16:07,760 Speaker 1: like that? Now? An he got bruises. Now if you 289 00:16:07,840 --> 00:16:10,360 Speaker 1: watch the end of the serious season and he got 290 00:16:10,360 --> 00:16:13,320 Speaker 1: bruises all over his face, you know why because Steven 291 00:16:13,480 --> 00:16:18,000 Speaker 1: beat him up. Who is stevens Esperanza. I don't want 292 00:16:18,000 --> 00:16:19,960 Speaker 1: to call him. I will not call him her man 293 00:16:20,640 --> 00:16:23,520 Speaker 1: because she's not having that type of relationship. But Stephen 294 00:16:23,600 --> 00:16:27,960 Speaker 1: has beating up with Eddie like like he wants to 295 00:16:27,960 --> 00:16:31,000 Speaker 1: pay man. Cool. Now we're coming down to the end here. 296 00:16:32,640 --> 00:16:36,360 Speaker 1: The DNA tests, the big DNA tests, So they give 297 00:16:36,400 --> 00:16:40,640 Speaker 1: him to the hospital. Alex is there, the doctor who 298 00:16:40,760 --> 00:16:43,920 Speaker 1: trying to maintain her license, is there to people who 299 00:16:43,960 --> 00:16:53,640 Speaker 1: can't speak there in the room, Larry walks in the room, 300 00:16:54,560 --> 00:16:57,920 Speaker 1: Randa walks in the room, reads the DNA tests. Randall 301 00:16:57,920 --> 00:17:01,840 Speaker 1: officially gets the word you're not a father. Randall stunned 302 00:17:01,880 --> 00:17:10,959 Speaker 1: because guess what the baby got black features. So to remember, 303 00:17:10,960 --> 00:17:14,679 Speaker 1: I said, somebody in turn doctor the attorney in. We're 304 00:17:14,720 --> 00:17:18,800 Speaker 1: about to bring him on back into the picture. At 305 00:17:18,840 --> 00:17:22,080 Speaker 1: the April's house, which is she plays the role of 306 00:17:22,200 --> 00:17:26,119 Speaker 1: Natalie and lu Shan Brad Co was into the house 307 00:17:26,240 --> 00:17:31,280 Speaker 1: with Alex, and Alex says, I don't want a divorce. 308 00:17:31,359 --> 00:17:33,680 Speaker 1: Brad said, you get a divorce. I need a witness. 309 00:17:34,880 --> 00:17:38,000 Speaker 1: Catches showing off guard, but he's a good at you 310 00:17:38,160 --> 00:17:41,080 Speaker 1: shoot cop, so he goes with the flow because MS 311 00:17:41,080 --> 00:17:45,640 Speaker 1: knows at April's character played by which is Natalie. She's 312 00:17:45,680 --> 00:17:48,800 Speaker 1: into everybody's to mix anyway, as they say, you know, 313 00:17:48,920 --> 00:17:52,199 Speaker 1: she's striking everybody coffee and nixing their teeth. That's what 314 00:17:52,280 --> 00:17:55,080 Speaker 1: she does on this show. Okay, because she stabbed pol 315 00:17:55,200 --> 00:17:58,600 Speaker 1: Randall even though that's another story. But that's enough. I digress. 316 00:17:59,320 --> 00:18:00,600 Speaker 1: Let me go to let me let me go to 317 00:18:00,600 --> 00:18:03,479 Speaker 1: the inn. As also wish you burned into fire too, 318 00:18:03,560 --> 00:18:06,159 Speaker 1: but that's another cease. That's another season we're trying to 319 00:18:06,200 --> 00:18:09,320 Speaker 1: get in the fifth season, It's finally here, the season 320 00:18:09,440 --> 00:18:12,679 Speaker 1: of celebration. And no matter how you celebrate with family 321 00:18:12,720 --> 00:18:16,240 Speaker 1: and friends, whether you're preparing for reys, magos or Karamu 322 00:18:16,520 --> 00:18:20,040 Speaker 1: lighting the Manura, are going to midnight mass, Coals has 323 00:18:20,080 --> 00:18:23,560 Speaker 1: just what you need to make those traditions special. Plus 324 00:18:23,680 --> 00:18:26,600 Speaker 1: you'll find gifts for all your loved ones. Send warm 325 00:18:26,640 --> 00:18:31,360 Speaker 1: wishes with cozy fleeces, sweaters, loungeware, blankets and throws. 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Still living in and manually taking notes start 345 00:19:36,200 --> 00:19:39,000 Speaker 1: the new year with auto dot ai to generate automatic 346 00:19:39,040 --> 00:19:42,600 Speaker 1: notes for meetings, interviews, or lectures. With auto dot ai, 347 00:19:42,680 --> 00:19:45,440 Speaker 1: you can search the meeting notes, insert images, play back 348 00:19:45,480 --> 00:19:47,840 Speaker 1: the audio, and share them with your friends or coworkers. 349 00:19:47,960 --> 00:19:51,160 Speaker 1: You can capture action items, remember meeting details, and keep 350 00:19:51,200 --> 00:19:54,440 Speaker 1: everyone informed. Auto dot ai works for in person or 351 00:19:54,520 --> 00:19:57,960 Speaker 1: virtual meetings like Zoom, Microsoft Teams, and Google meet. Sign 352 00:19:58,000 --> 00:20:00,240 Speaker 1: up for free at auto dot ai or don't know 353 00:20:00,400 --> 00:20:03,000 Speaker 1: the for free auto dot ai that's O T T 354 00:20:03,119 --> 00:20:08,760 Speaker 1: E R dot ai. So so officially, Brad has already 355 00:20:08,760 --> 00:20:11,800 Speaker 1: asked Marcy to marry him. Marcia is the ex wife 356 00:20:11,840 --> 00:20:16,480 Speaker 1: of Raddall. Okay, she said no Tom about Hey, let's 357 00:20:16,520 --> 00:20:18,960 Speaker 1: build this relationship a little longer. We've been you know, 358 00:20:19,040 --> 00:20:20,960 Speaker 1: get your freedom first, because he had not gotten his 359 00:20:21,000 --> 00:20:24,640 Speaker 1: freedom when he asked the marry even showed her to ring. 360 00:20:26,240 --> 00:20:30,640 Speaker 1: It's all official now in the House of Lashawn and Natalie. 361 00:20:31,160 --> 00:20:34,199 Speaker 1: Natalie plays the character characters played by April Parker Jones. 362 00:20:35,920 --> 00:20:38,400 Speaker 1: It's official. The divorce gives it to the guy who 363 00:20:38,440 --> 00:20:44,200 Speaker 1: can't speak. He walks out with the papers. Then we're 364 00:20:44,200 --> 00:20:49,480 Speaker 1: getting closer to the end. Attorney end. He had met 365 00:20:49,520 --> 00:20:54,359 Speaker 1: earlier in an episode he had met Jennifer and I 366 00:20:54,400 --> 00:20:57,240 Speaker 1: mean Alex and thought she was Jennifer, somebody he had 367 00:20:58,000 --> 00:21:03,240 Speaker 1: dated on Facebook or Tender or some dating site. She said, 368 00:21:03,280 --> 00:21:05,560 Speaker 1: I've never met you in my life. I've never met 369 00:21:05,560 --> 00:21:08,400 Speaker 1: you in my life. She's very adamant, I've never met 370 00:21:08,400 --> 00:21:14,080 Speaker 1: you in my life. Well guess what he knew that woman. 371 00:21:15,560 --> 00:21:17,520 Speaker 1: So at the end of the episode, we know the 372 00:21:17,560 --> 00:21:21,720 Speaker 1: baby's not Randols, even though in his black features. We 373 00:21:21,880 --> 00:21:26,440 Speaker 1: know not Brad because Brad claims to be one white 374 00:21:27,600 --> 00:21:33,160 Speaker 1: Cliffhanger is and walking on the sidewalk. Ian grabs her. 375 00:21:33,680 --> 00:21:36,679 Speaker 1: I know you. You say your name is Alex, but 376 00:21:36,800 --> 00:21:39,760 Speaker 1: you're Jennifer. She said, would you get out of my face? 377 00:21:40,080 --> 00:21:42,040 Speaker 1: He says, hard for me to get out of your face? 378 00:21:42,400 --> 00:21:45,080 Speaker 1: When I got a screenshot at you on my phone, 379 00:21:49,280 --> 00:21:53,760 Speaker 1: Attorney in it's the father of Alex Baby. That is 380 00:21:53,800 --> 00:21:57,480 Speaker 1: the cliffhanger, along with Randolph got his house with a 381 00:21:57,520 --> 00:21:59,760 Speaker 1: bomb dropped on it. You don't know what are you 382 00:21:59,800 --> 00:22:03,000 Speaker 1: gonna do. You don't know if Brad and Marcia're gonna 383 00:22:03,000 --> 00:22:06,399 Speaker 1: get together. You don't know, if Espiraza is gonna get divorce. 384 00:22:06,720 --> 00:22:09,359 Speaker 1: You don't know. Stephen gonna beat up Eddie again, you know, 385 00:22:09,440 --> 00:22:11,960 Speaker 1: and if Lago get together with Eddie. You don't know 386 00:22:12,040 --> 00:22:14,680 Speaker 1: if Kelly gonna get out of jail. If you get 387 00:22:14,680 --> 00:22:16,960 Speaker 1: out of jail, it offers a Rick gonna be way 388 00:22:17,040 --> 00:22:19,560 Speaker 1: not and LEAs Shan he almost with your jail to 389 00:22:19,640 --> 00:22:23,120 Speaker 1: himself because he thought Kelly had ran away. That's the 390 00:22:23,160 --> 00:22:28,080 Speaker 1: fourth season at all encompassing seasons. If loving you're wrong, 391 00:22:28,200 --> 00:22:32,040 Speaker 1: it's wrong. Come on, Amy, Joe, did I deliver? Did 392 00:22:32,040 --> 00:22:35,080 Speaker 1: I deliver for you? I might as well just hang 393 00:22:35,160 --> 00:22:39,000 Speaker 1: up the phone, because you have delivered more than I 394 00:22:39,000 --> 00:22:40,679 Speaker 1: could have ever done. You said that you got it 395 00:22:40,720 --> 00:22:43,200 Speaker 1: all up and left. I know you left me on 396 00:22:43,720 --> 00:22:47,320 Speaker 1: my seat with Chris Tomorrow getting here. I'll tell you. 397 00:22:47,320 --> 00:22:49,200 Speaker 1: I had to tell you I loved your girl when 398 00:22:49,280 --> 00:22:50,880 Speaker 1: we got finished. We're gonna come back from this break. 399 00:22:50,880 --> 00:22:53,320 Speaker 1: We're gonna talk about the other great things movie you 400 00:22:53,400 --> 00:22:57,000 Speaker 1: got coming out this year. Uh that, Sean McDonald. I 401 00:22:57,040 --> 00:22:58,920 Speaker 1: gotta take this little quick break so I can catch 402 00:22:58,960 --> 00:23:02,080 Speaker 1: my breath. But as you know, the Cliff Ager starting 403 00:23:02,280 --> 00:23:05,800 Speaker 1: If Loving You Is Wrong. It's a Tyler Perry masterpiece 404 00:23:05,840 --> 00:23:15,320 Speaker 1: starring April fun Jones. Hi this with Sean McDonald. You're 405 00:23:15,320 --> 00:23:17,360 Speaker 1: listening to money making conversations. I've been having a lot 406 00:23:17,359 --> 00:23:19,800 Speaker 1: of fun talking to a guests on my show who 407 00:23:19,840 --> 00:23:22,800 Speaker 1: I met for the first time on my radio show, 408 00:23:22,920 --> 00:23:26,840 Speaker 1: on my talk show, on my podcast show. She's special 409 00:23:26,920 --> 00:23:29,520 Speaker 1: because she's a working actress. I'm telling yourself when I 410 00:23:29,520 --> 00:23:33,720 Speaker 1: say that, that's very important to understand because in this business, 411 00:23:34,000 --> 00:23:37,080 Speaker 1: you always have you always hear the word you're juggling 412 00:23:37,119 --> 00:23:41,600 Speaker 1: opportunities or if somebody you know, especially in this business, 413 00:23:41,640 --> 00:23:43,560 Speaker 1: sometimes you get you get the same opportunity on the 414 00:23:43,680 --> 00:23:46,520 Speaker 1: same day. And so what I love about your career 415 00:23:46,560 --> 00:23:49,359 Speaker 1: is that you know, going into the fifth season of 416 00:23:49,359 --> 00:23:51,359 Speaker 1: Tyler Perry and you've been working all this time on 417 00:23:51,400 --> 00:23:56,240 Speaker 1: other projects ABC, free Form, c W talking about walk 418 00:23:56,320 --> 00:23:59,080 Speaker 1: us through that whole process, and when you realize that 419 00:23:59,119 --> 00:24:00,720 Speaker 1: things are starting to get a little bit better in 420 00:24:00,760 --> 00:24:03,280 Speaker 1: your career. And we also won't get back to the 421 00:24:03,359 --> 00:24:08,080 Speaker 1: grand finale of the grand premier of the final season 422 00:24:08,240 --> 00:24:12,080 Speaker 1: of Love. But you have a career that we need 423 00:24:12,080 --> 00:24:14,439 Speaker 1: to we need to tell the fans about and also 424 00:24:14,920 --> 00:24:19,520 Speaker 1: well also congratulate you on thank you, thank you so much. 425 00:24:19,680 --> 00:24:21,879 Speaker 1: And uh, it's been a it's been a journey and 426 00:24:21,920 --> 00:24:24,600 Speaker 1: it's it's it's a continuous journey. In this industry, there's 427 00:24:24,600 --> 00:24:29,080 Speaker 1: an uncertain journey journey um. But that's that's what we 428 00:24:29,280 --> 00:24:31,439 Speaker 1: should success when we decided we want to be in 429 00:24:31,440 --> 00:24:33,520 Speaker 1: the entertainment industry, that it does come up with a 430 00:24:33,560 --> 00:24:36,400 Speaker 1: lot of uncertainty. But I've been blessed. I've been very 431 00:24:36,400 --> 00:24:39,640 Speaker 1: blessed because I haven't given up UM. And I encourage 432 00:24:39,640 --> 00:24:42,960 Speaker 1: your listeners if they are looking to pursue a career 433 00:24:43,119 --> 00:24:45,479 Speaker 1: in the entertaining industry that the biggest thing is just 434 00:24:45,800 --> 00:24:49,080 Speaker 1: to don't just continue to persevere and listen. It's it 435 00:24:49,119 --> 00:24:52,960 Speaker 1: took me ten years in Hollywood before I book this 436 00:24:53,080 --> 00:24:56,000 Speaker 1: Tyler Perry Um shows let ar was wrong and which 437 00:24:56,000 --> 00:24:58,480 Speaker 1: I was a period regular offside season. But it took 438 00:24:58,520 --> 00:25:01,480 Speaker 1: ten years of working up of that, UM and Uh, 439 00:25:01,600 --> 00:25:03,560 Speaker 1: I'm doing great shows, a lot of guest stars, a 440 00:25:03,600 --> 00:25:06,080 Speaker 1: lot of co stars, a lot of return roles on 441 00:25:06,240 --> 00:25:10,280 Speaker 1: awesome major networks. But I know that even in those 442 00:25:10,320 --> 00:25:13,240 Speaker 1: two years, the best to feel yet to come. There's 443 00:25:13,240 --> 00:25:16,240 Speaker 1: still so much, so much, bigger roles to come for me. 444 00:25:16,480 --> 00:25:18,280 Speaker 1: But I'm so grateful that I had a chance to 445 00:25:18,320 --> 00:25:22,080 Speaker 1: work with actors like The Bottle Days and UM and 446 00:25:22,160 --> 00:25:25,000 Speaker 1: uh of course working with Tyler Perry and working under 447 00:25:25,800 --> 00:25:28,560 Speaker 1: opens network own. I can't wait to see what works 448 00:25:28,600 --> 00:25:30,920 Speaker 1: in store. But it has to come with work. It's 449 00:25:30,920 --> 00:25:33,440 Speaker 1: come with work. It's come with a lot of rejection 450 00:25:33,480 --> 00:25:37,480 Speaker 1: to um. You know, if everything glue, it ain't gold, 451 00:25:37,600 --> 00:25:39,320 Speaker 1: you know, it's it's a it's a lot of being 452 00:25:39,320 --> 00:25:43,800 Speaker 1: told no, but learning how to celebrate the guesses. UM. 453 00:25:43,840 --> 00:25:46,760 Speaker 1: So I'm just I'm just really grateful for this opportunity. 454 00:25:46,800 --> 00:25:50,600 Speaker 1: And UM, I feel like that I'm leaving UM I'm 455 00:25:50,600 --> 00:25:52,760 Speaker 1: a bit about bit. As years go by, I feel 456 00:25:52,800 --> 00:25:55,600 Speaker 1: like I'm starting to leave a mark in this industry 457 00:25:55,960 --> 00:25:59,000 Speaker 1: UM and and leaving a legacy for myself and for 458 00:25:59,080 --> 00:26:02,840 Speaker 1: my children, UM and for to those who who do 459 00:26:02,920 --> 00:26:06,200 Speaker 1: look to me for inspiration, those small town young women 460 00:26:06,480 --> 00:26:10,040 Speaker 1: from from from places like during North Carolina. Um, so yeah, 461 00:26:10,160 --> 00:26:12,280 Speaker 1: I'm just I'm just grateful they could be talking to 462 00:26:12,320 --> 00:26:15,679 Speaker 1: you and grateful to be promoting the final season of 463 00:26:15,840 --> 00:26:18,640 Speaker 1: its Loving You Is Wrong. It's basically, you know, you're 464 00:26:18,680 --> 00:26:20,639 Speaker 1: on the show five five years and it and it 465 00:26:20,960 --> 00:26:23,760 Speaker 1: changed my life. It changed my life, and so to 466 00:26:23,840 --> 00:26:26,560 Speaker 1: see it comes to an end is it's hard. But 467 00:26:27,119 --> 00:26:29,480 Speaker 1: this all things have to come to an end, and 468 00:26:29,560 --> 00:26:32,479 Speaker 1: this one's coming to an end to make room for 469 00:26:32,520 --> 00:26:35,320 Speaker 1: the new things that are coming hopefully in the in 470 00:26:35,359 --> 00:26:38,280 Speaker 1: your future. Absolutely, I'm talking to April Parker John when 471 00:26:38,320 --> 00:26:41,280 Speaker 1: she plays your character Natalie on the hit the own 472 00:26:41,400 --> 00:26:45,720 Speaker 1: series is OW and Oprah Winfrey's Network. Um, If Loving 473 00:26:45,760 --> 00:26:49,199 Speaker 1: You Is Wrong? It premiers March Tuesday, March verse at 474 00:26:49,200 --> 00:26:51,679 Speaker 1: ten pm, and if you missed a premier, you can 475 00:26:51,720 --> 00:26:55,960 Speaker 1: catch it every Tuesday on Network'tend Eastern and Pacific nine 476 00:26:55,960 --> 00:26:58,359 Speaker 1: pm Central. It's called If Loving You Is Wrong. I'm 477 00:26:58,400 --> 00:27:01,560 Speaker 1: a fan of the show because classic typle pair, it's 478 00:27:01,600 --> 00:27:06,720 Speaker 1: classic tyle, it's messy, it's sex as iteracial relationships. It 479 00:27:06,840 --> 00:27:09,840 Speaker 1: got to find black dude and and you know it's 480 00:27:09,840 --> 00:27:11,800 Speaker 1: a form of that that works. And then you got 481 00:27:11,840 --> 00:27:15,640 Speaker 1: the nose, and that the character that let's take a little, 482 00:27:15,640 --> 00:27:17,040 Speaker 1: a little moment here because I got you on the 483 00:27:17,040 --> 00:27:18,919 Speaker 1: phone here with him, you know, because you know you're 484 00:27:18,960 --> 00:27:21,119 Speaker 1: trying to you know, to see I know your character, 485 00:27:21,160 --> 00:27:23,040 Speaker 1: your character one of my sisters always be getting on 486 00:27:23,080 --> 00:27:25,360 Speaker 1: my nerve, you know, be call all of me about 487 00:27:25,400 --> 00:27:30,040 Speaker 1: information I don't want. Okay, because your whole husband, he's 488 00:27:30,040 --> 00:27:34,240 Speaker 1: a good two shoe cop. That's Leshan Police officer le Shan. Okay, 489 00:27:34,520 --> 00:27:37,000 Speaker 1: and she already told somebody on the show that if 490 00:27:37,000 --> 00:27:39,200 Speaker 1: anybody is trying to mess with her husband, take her husband, 491 00:27:39,320 --> 00:27:41,960 Speaker 1: She's gonna kill him. She alwously not nothing noticed this, 492 00:27:42,000 --> 00:27:44,320 Speaker 1: And I see her character is kind of weird because 493 00:27:44,359 --> 00:27:49,000 Speaker 1: she's she's she's she's she's a nice, violent woman. Okay, 494 00:27:49,200 --> 00:27:51,480 Speaker 1: when I say that, it's nice problem, you know what 495 00:27:51,480 --> 00:27:54,000 Speaker 1: I'm saying, because I've never met a kind of like 496 00:27:54,040 --> 00:27:56,920 Speaker 1: a kind of like the neighborhood watch lady, and you 497 00:27:57,080 --> 00:27:59,920 Speaker 1: kind of you know what, what you have a viole 498 00:28:00,000 --> 00:28:03,399 Speaker 1: of tendencies that pop up on or you or you 499 00:28:03,560 --> 00:28:07,200 Speaker 1: let people know, don't don't don't take this nice only 500 00:28:07,200 --> 00:28:10,040 Speaker 1: one push. Yeah, she she she didn't walk around violent. 501 00:28:10,119 --> 00:28:13,080 Speaker 1: It's only only one pushed, and she's pushed, she has 502 00:28:13,080 --> 00:28:16,560 Speaker 1: no problem to push back, that's all. Yeah, there we go. 503 00:28:16,840 --> 00:28:19,840 Speaker 1: But she's married to a cop. Okay, so which lets 504 00:28:19,840 --> 00:28:22,680 Speaker 1: you know that she has a little protection on the side, 505 00:28:22,920 --> 00:28:26,840 Speaker 1: Paula Shard, you really don't know all these things about her. Okay, 506 00:28:27,760 --> 00:28:31,520 Speaker 1: he don't know. She's just aggressive. He knows that when 507 00:28:31,520 --> 00:28:34,000 Speaker 1: he walked through that front door. If the neighborhood got 508 00:28:34,000 --> 00:28:36,520 Speaker 1: a problem, his wife is gonna tell him about it. 509 00:28:36,640 --> 00:28:40,200 Speaker 1: Am I right? Oh yeah, she's gonna know. She's gonna 510 00:28:40,240 --> 00:28:45,360 Speaker 1: have the tea and the coffee and okay, okay, So 511 00:28:45,480 --> 00:28:47,920 Speaker 1: if she's studs favor for the fans. If loving you 512 00:28:48,000 --> 00:28:50,240 Speaker 1: is wrong, because I would. I mentioned you had Randall 513 00:28:50,720 --> 00:28:53,040 Speaker 1: and right across the street has been in and his wife, 514 00:28:53,640 --> 00:28:58,080 Speaker 1: you know, and then next door to Randall is uh 515 00:28:58,280 --> 00:29:03,160 Speaker 1: Is Bradon and alex Or slast Jennifer. They lived there. Okay, 516 00:29:03,800 --> 00:29:06,480 Speaker 1: everybody else where does ian live? And where do you live? 517 00:29:06,760 --> 00:29:10,920 Speaker 1: In relationships to that? To those homes? You know, what's 518 00:29:10,920 --> 00:29:14,000 Speaker 1: a really good question. I know I lived pretty street 519 00:29:14,520 --> 00:29:21,200 Speaker 1: from kean um H Randall's house, maybe two houses down 520 00:29:21,320 --> 00:29:27,320 Speaker 1: on the list. We're we're all Kelly is right next 521 00:29:27,400 --> 00:29:32,600 Speaker 1: door is around the corner. We're all pretty pretty close 522 00:29:32,680 --> 00:29:35,360 Speaker 1: FLX sim if you throw all rock you you love 523 00:29:35,440 --> 00:29:37,720 Speaker 1: will hit one of those characters you just named. So 524 00:29:37,880 --> 00:29:40,400 Speaker 1: we were close enough to know each other's business. Let's 525 00:29:40,400 --> 00:29:43,200 Speaker 1: just say that. You know, you know, I travel a lot. 526 00:29:43,360 --> 00:29:45,760 Speaker 1: My friends always they always laugh at me, or they go, 527 00:29:46,400 --> 00:29:50,080 Speaker 1: how do you watch all that television? How do you do? 528 00:29:51,760 --> 00:29:54,960 Speaker 1: They always amazed? But what they was I was a 529 00:29:55,200 --> 00:29:58,760 Speaker 1: traveling comedian when I started out IBM, when started the 530 00:29:58,800 --> 00:30:02,400 Speaker 1: career of comedians. So in a done cruise shift, just 531 00:30:02,480 --> 00:30:04,560 Speaker 1: like you said, that's a journey to where you for 532 00:30:04,680 --> 00:30:06,840 Speaker 1: me to be able to happen. You have this conversation 533 00:30:06,880 --> 00:30:09,480 Speaker 1: with you on my show, money making conversations, you know, 534 00:30:09,560 --> 00:30:12,160 Speaker 1: be able to say to create a level of respect 535 00:30:12,240 --> 00:30:14,440 Speaker 1: that people book you on the show, and you come 536 00:30:14,480 --> 00:30:16,520 Speaker 1: on the show go okay, we're trying to make you know, 537 00:30:16,640 --> 00:30:18,960 Speaker 1: I talked to him okay, cool. And so that's that's 538 00:30:18,960 --> 00:30:20,880 Speaker 1: the journey. Didn't get to there, you know, their peaks 539 00:30:20,880 --> 00:30:22,800 Speaker 1: and valids and a lot more values, because when you 540 00:30:22,880 --> 00:30:25,240 Speaker 1: look at it, it's not all bad because life is 541 00:30:25,320 --> 00:30:28,600 Speaker 1: not about you know, it's a concept. It's about living 542 00:30:29,320 --> 00:30:31,760 Speaker 1: and that's what you're saying, that team year gap, you know, 543 00:30:32,080 --> 00:30:35,120 Speaker 1: because she knows what we're talking about. You know, I 544 00:30:35,240 --> 00:30:37,760 Speaker 1: played that role where I was on in a film 545 00:30:37,960 --> 00:30:40,160 Speaker 1: or I was in a television show and they said, look, 546 00:30:40,240 --> 00:30:45,120 Speaker 1: you cannot speak. You sit there and uh, maybe one 547 00:30:45,160 --> 00:30:47,160 Speaker 1: day we'll give you a five and nothder five and 548 00:30:47,200 --> 00:30:48,920 Speaker 1: nothers five lines and nothing. That's when you when you 549 00:30:49,000 --> 00:30:50,760 Speaker 1: get that five and under and then you really rocking 550 00:30:50,800 --> 00:30:53,040 Speaker 1: the roll and then you can put an actual acting 551 00:30:53,520 --> 00:30:56,840 Speaker 1: a role on your resume credit credit. So a lot 552 00:30:56,880 --> 00:30:59,800 Speaker 1: of people they put extra acting roles on the resume 553 00:30:59,880 --> 00:31:01,440 Speaker 1: in beginning. They're just trying to get in. They trying 554 00:31:01,440 --> 00:31:03,440 Speaker 1: to fit in where they can fit in. They say 555 00:31:03,480 --> 00:31:07,000 Speaker 1: they act. They were owned Spider Man three, four and six, okay, 556 00:31:07,480 --> 00:31:09,600 Speaker 1: and didn't say a word. But guess what they got 557 00:31:09,680 --> 00:31:12,880 Speaker 1: to build that? I know? I don't I know that, 558 00:31:13,040 --> 00:31:15,080 Speaker 1: you know, that's what I thought, Spider Man. Come on, now, 559 00:31:15,200 --> 00:31:17,520 Speaker 1: what you know, April, what you're not gonna do is 560 00:31:17,560 --> 00:31:19,760 Speaker 1: come on my show and act like I don't know 561 00:31:19,840 --> 00:31:22,240 Speaker 1: who I'm talking to. That's what you're not gonna do. Now. 562 00:31:23,160 --> 00:31:25,400 Speaker 1: You know you're not gonna do me like that. Now okay, 563 00:31:26,920 --> 00:31:28,720 Speaker 1: because you were doing you if you played me, I 564 00:31:28,800 --> 00:31:32,320 Speaker 1: was Spider Man three, So I just grabbed Spider Man 565 00:31:32,400 --> 00:31:36,520 Speaker 1: out of the sky, you know, you know, I just 566 00:31:36,640 --> 00:31:39,320 Speaker 1: want in order to try to drive home plane. I 567 00:31:39,400 --> 00:31:41,120 Speaker 1: just want to point that out. And it was a 568 00:31:41,240 --> 00:31:44,120 Speaker 1: very small rule until yet. Hey, but there was your 569 00:31:44,160 --> 00:31:48,680 Speaker 1: point exactly. You did speak. It went down on you 570 00:31:50,080 --> 00:31:54,200 Speaker 1: as a crack. And then and then you take these 571 00:31:54,280 --> 00:31:57,520 Speaker 1: opportunities and people look at it like, okay, let me 572 00:31:57,560 --> 00:31:59,760 Speaker 1: bring her in for an audition. And then when you 573 00:31:59,840 --> 00:32:02,560 Speaker 1: have that audition, that's when you have to make it 574 00:32:03,320 --> 00:32:05,240 Speaker 1: that that that little credit that brought you in that 575 00:32:05,400 --> 00:32:08,960 Speaker 1: door has to become a reality because they're asking you 576 00:32:09,600 --> 00:32:13,120 Speaker 1: to perform to a level because there's an investment. People 577 00:32:13,280 --> 00:32:16,400 Speaker 1: understand that when you when you hire actors and directors, 578 00:32:16,600 --> 00:32:20,600 Speaker 1: and especially actors, they are important because they're reading lines 579 00:32:21,120 --> 00:32:23,360 Speaker 1: and these lines have to come to life in a 580 00:32:23,520 --> 00:32:28,200 Speaker 1: very realistic manner. Okay. And that's the most the biggest 581 00:32:28,240 --> 00:32:30,880 Speaker 1: blessings that I've had in my life is watching people 582 00:32:31,320 --> 00:32:34,800 Speaker 1: take scripts that I've written and bring them to life. 583 00:32:35,680 --> 00:32:38,080 Speaker 1: That's that's a meaningful thing. Talk to us about that 584 00:32:38,200 --> 00:32:41,680 Speaker 1: whole function of getting the script and being able to 585 00:32:42,200 --> 00:32:46,040 Speaker 1: prepare your your mindset and deliver these deliver character that 586 00:32:46,200 --> 00:32:48,160 Speaker 1: you feel you can deliver all the character they want 587 00:32:48,160 --> 00:32:52,120 Speaker 1: you to deliver. Welcomes to those steps April Parca Jones. Well, 588 00:32:52,320 --> 00:32:55,640 Speaker 1: it's just the steps that I use the journey for me, 589 00:32:55,760 --> 00:32:58,239 Speaker 1: it's just then to read the scripts and find them 590 00:32:58,320 --> 00:33:01,880 Speaker 1: and and see if there is a connection to the character. Um. 591 00:33:02,000 --> 00:33:05,000 Speaker 1: And it there is a connection, that just it helps 592 00:33:05,040 --> 00:33:06,480 Speaker 1: me to be able to portray that character in the 593 00:33:06,560 --> 00:33:09,560 Speaker 1: more realistic way. Um. Sometimes there's not always going to 594 00:33:09,640 --> 00:33:12,160 Speaker 1: be an instant connection to a character. So it's my 595 00:33:12,400 --> 00:33:16,640 Speaker 1: job as an actor to make choices about what I 596 00:33:16,720 --> 00:33:19,680 Speaker 1: can what I can what I could imagine about this 597 00:33:19,840 --> 00:33:23,280 Speaker 1: character that make it relatable to me so that we're 598 00:33:23,320 --> 00:33:26,880 Speaker 1: not betray it. It's realistic because it makes it makes 599 00:33:26,960 --> 00:33:31,800 Speaker 1: the viewer feel a certain emotion. So that's that's my job, um, 600 00:33:31,880 --> 00:33:33,680 Speaker 1: And that's probably a lot of actor's job is to 601 00:33:33,800 --> 00:33:37,680 Speaker 1: find either a way to connect themselves connect character if 602 00:33:37,720 --> 00:33:39,920 Speaker 1: there's not an immediate one, that to create a choice 603 00:33:40,560 --> 00:33:44,520 Speaker 1: that makes that character could connect connected with them so 604 00:33:44,800 --> 00:33:50,920 Speaker 1: that it's realistic. And these actors are just portraying reality. 605 00:33:51,080 --> 00:33:55,960 Speaker 1: We're trying to react realism. So in order to do that, 606 00:33:56,080 --> 00:33:58,760 Speaker 1: we've got to make it fit force. So that's that's 607 00:33:58,800 --> 00:34:03,640 Speaker 1: the Nigerian It's that's challenging, but that's why we do 608 00:34:03,760 --> 00:34:06,000 Speaker 1: it to grow and to get better. And I hope 609 00:34:06,040 --> 00:34:08,880 Speaker 1: that you're the years I've been able to make the audience, 610 00:34:09,000 --> 00:34:14,000 Speaker 1: make the viewer you know that my portrayal was real. Um, 611 00:34:14,320 --> 00:34:16,680 Speaker 1: that's that's my journey to make to make that that 612 00:34:16,840 --> 00:34:20,120 Speaker 1: character feel real to that person. So I think I've 613 00:34:20,120 --> 00:34:22,480 Speaker 1: been able to come. You have you have talking to 614 00:34:22,560 --> 00:34:26,360 Speaker 1: April Parker Joanes ap April a pj as I like 615 00:34:26,480 --> 00:34:30,400 Speaker 1: the call. And then they only hit series on Network 616 00:34:30,440 --> 00:34:35,280 Speaker 1: called If Loving You Is Wrong Again? Premieres UH Tuesday, 617 00:34:35,800 --> 00:34:38,080 Speaker 1: March through the first. If you missed the premier, don't 618 00:34:38,120 --> 00:34:40,440 Speaker 1: miss the premiere. First of all, I said, everybody help, 619 00:34:40,520 --> 00:34:44,440 Speaker 1: let you know that that that that Turney in and stop. 620 00:34:44,520 --> 00:34:48,040 Speaker 1: Alex slash Jennifer on the block on the sidewalk and 621 00:34:48,160 --> 00:34:51,560 Speaker 1: accused her. And he's confronted us saying, hey, is that 622 00:34:51,680 --> 00:34:56,239 Speaker 1: black child my child? That's your clip pain right there? Now? 623 00:34:56,360 --> 00:34:59,400 Speaker 1: That don't drive you back to watching the show. You 624 00:34:59,480 --> 00:35:02,800 Speaker 1: got a problem. Let me just remind you what to 625 00:35:02,960 --> 00:35:06,960 Speaker 1: expect in the upcoming fifth and final season of If 626 00:35:07,040 --> 00:35:11,200 Speaker 1: Loving You is Wrong, You got Larry. He's into everybody's business. 627 00:35:11,200 --> 00:35:15,360 Speaker 1: He hounds the case for Kane. Travis Kane. Who Kelly? 628 00:35:15,760 --> 00:35:19,239 Speaker 1: You know she's in jail for the murder of Travis Kane. Now, 629 00:35:19,360 --> 00:35:22,960 Speaker 1: Travis Kane is important because Kelly is not going to 630 00:35:23,000 --> 00:35:26,560 Speaker 1: be represented by a public defender who is being led 631 00:35:26,680 --> 00:35:30,320 Speaker 1: on the side by turney In and turning In works 632 00:35:30,400 --> 00:35:33,960 Speaker 1: for the law firm that represents Kane, which is Larry. 633 00:35:34,440 --> 00:35:38,719 Speaker 1: Larry's already hinted that there can be a relationship that 634 00:35:38,840 --> 00:35:41,799 Speaker 1: he needs to have a relationship with Eddie. Eddie said, 635 00:35:41,960 --> 00:35:45,000 Speaker 1: I don't walk like that. He said, yes, you do. 636 00:35:45,680 --> 00:35:48,799 Speaker 1: That's another reason you watch. Do you have Stephen out there? 637 00:35:49,080 --> 00:35:52,799 Speaker 1: He wants a bigger relationship with Esperanza, who's fine is hacked. 638 00:35:52,840 --> 00:35:56,520 Speaker 1: Now I understand from a physical staffer why he wanted 639 00:35:56,520 --> 00:36:00,120 Speaker 1: to get with crazy Esperanza. But so he all to 640 00:36:00,200 --> 00:36:03,319 Speaker 1: beat up Pole Eddie wants it may be another beat 641 00:36:03,400 --> 00:36:05,360 Speaker 1: up for Eddie or guess what, Eddie might go to 642 00:36:05,480 --> 00:36:08,200 Speaker 1: the gym and learn how to beat up him this time. 643 00:36:08,680 --> 00:36:11,680 Speaker 1: Then you have Paul Randall. Paul Randall he's at the 644 00:36:11,719 --> 00:36:14,839 Speaker 1: house by himself, bend it and dropped the bomb depth 645 00:36:14,840 --> 00:36:17,080 Speaker 1: threat on his house. Can't tell you what happened. You 646 00:36:17,120 --> 00:36:19,359 Speaker 1: gotta watch the series to find out. Then you got 647 00:36:20,120 --> 00:36:22,920 Speaker 1: Ben it's bipolo wife. Reason not to bring that up 648 00:36:23,000 --> 00:36:26,840 Speaker 1: because she refuses to take her meds. Is drawing it. 649 00:36:27,280 --> 00:36:30,839 Speaker 1: It's painting new photos or new portraits of Randall, who 650 00:36:30,920 --> 00:36:34,440 Speaker 1: lives directly across the street. Now if and then you 651 00:36:34,560 --> 00:36:36,960 Speaker 1: have Lucien Good at two shoot, then you have Officer 652 00:36:37,120 --> 00:36:41,080 Speaker 1: Rick who's out there touching leave a little touches to 653 00:36:41,120 --> 00:36:43,480 Speaker 1: make you believe there might be some interest for him. 654 00:36:43,760 --> 00:36:47,279 Speaker 1: Into Paul Kelly who's sitting behind jail and one jump suit. 655 00:36:47,560 --> 00:36:50,080 Speaker 1: She's tied of hair still comb. I don't know how 656 00:36:50,120 --> 00:36:52,560 Speaker 1: to hairstand coach standing that combing the jail, but the 657 00:36:52,640 --> 00:36:56,719 Speaker 1: hair stays comb. Then you have Paul Natalie walking a 658 00:36:56,840 --> 00:37:00,239 Speaker 1: mile again her groceries. I don't understand that in the 659 00:37:00,360 --> 00:37:02,839 Speaker 1: year in the year we have uber today, she got 660 00:37:03,160 --> 00:37:06,040 Speaker 1: the call, but she walks a mile one way and 661 00:37:06,080 --> 00:37:08,239 Speaker 1: then she walks a while back the other way with 662 00:37:08,360 --> 00:37:10,960 Speaker 1: her groceries. Randall thought that was the craziest thing he 663 00:37:11,040 --> 00:37:13,279 Speaker 1: had ever heard in his life and laugh real loud. 664 00:37:13,320 --> 00:37:16,960 Speaker 1: That that is a wrap up of season one, two, three, four, 665 00:37:17,719 --> 00:37:21,520 Speaker 1: leading into a tremendous fifth and final season April. If 666 00:37:21,560 --> 00:37:23,719 Speaker 1: I missed anything, please let me know because you know 667 00:37:24,000 --> 00:37:25,960 Speaker 1: I don't want to leave out no detail of this 668 00:37:26,120 --> 00:37:30,000 Speaker 1: great series. Messed out no detail. And like I said, 669 00:37:30,080 --> 00:37:33,920 Speaker 1: you chet fans up to definitely tune in tomorrow. Everybody 670 00:37:34,400 --> 00:37:37,600 Speaker 1: March thirty one and tm on all you're in for 671 00:37:37,960 --> 00:37:43,600 Speaker 1: a ride. I guarantee. But thank you for having me. 672 00:37:43,719 --> 00:37:47,080 Speaker 1: I'm so grateful, UM, and I just appreciate your duty, 673 00:37:47,080 --> 00:37:49,239 Speaker 1: you guys into the show and your support. Thank you. 674 00:37:49,920 --> 00:37:51,480 Speaker 1: We'll be back because I wanted you know, we got 675 00:37:51,520 --> 00:37:54,840 Speaker 1: that movie coming out that when you play the character Morgan. 676 00:37:54,880 --> 00:37:56,680 Speaker 1: We talked about that later, but I know you was 677 00:37:56,760 --> 00:37:59,000 Speaker 1: on this phone to talk about if Loving You was wrong. 678 00:37:59,040 --> 00:38:02,640 Speaker 1: It was a great series. It deserves support when that 679 00:38:02,719 --> 00:38:06,040 Speaker 1: comes out. Let me come back on the show. Okay, okay, 680 00:38:06,120 --> 00:38:08,719 Speaker 1: will do, will do? Thank you so much. I appreciate it. 681 00:38:09,080 --> 00:38:11,600 Speaker 1: Thank you alright, this ra Sean McDonald. You're listening to 682 00:38:11,680 --> 00:38:14,239 Speaker 1: money Making Conversation. Um. If you want to hear more 683 00:38:14,320 --> 00:38:17,520 Speaker 1: episodes of money Making Conversations, go to Money Making Conversation 684 00:38:17,600 --> 00:38:29,120 Speaker 1: dot com. I'm ra Sean McDonald um, your host in 685 00:38:29,280 --> 00:38:32,000 Speaker 1: this season of giving. Coals has gifts for all your 686 00:38:32,040 --> 00:38:34,400 Speaker 1: loved ones. For those who like to keep it cozy, 687 00:38:34,640 --> 00:38:39,280 Speaker 1: find fleeces, sweaters, loungeware, blankets and throws. Or support minority 688 00:38:39,360 --> 00:38:42,480 Speaker 1: owned or founded brands by giving gifts from Human Nation 689 00:38:42,640 --> 00:38:46,080 Speaker 1: and Shame Moisture. And in the spirit of giving, Coals 690 00:38:46,160 --> 00:38:50,560 Speaker 1: Cares is donating eight million dollars to local nonprofits nationwide. 691 00:38:50,920 --> 00:38:53,320 Speaker 1: Give with all your heart this season with great gifts 692 00:38:53,440 --> 00:38:57,440 Speaker 1: from Coals or Coals dot com. Still living in manually 693 00:38:57,520 --> 00:38:59,440 Speaker 1: taking notes, there is a better way to start the 694 00:38:59,480 --> 00:39:02,959 Speaker 1: new year. Auto dot ai automatically get meeting notes. Auto 695 00:39:03,040 --> 00:39:06,000 Speaker 1: dot ai works for virtual meetings like Zoom, Microsoft Teams, 696 00:39:06,000 --> 00:39:07,719 Speaker 1: and Google Meet. Sign up on the web for free 697 00:39:07,800 --> 00:39:10,359 Speaker 1: or download in the app stores. Auto dot Ai. That's 698 00:39:10,360 --> 00:39:13,360 Speaker 1: O T T E R dot Aire. You coming to 699 00:39:13,440 --> 00:39:16,319 Speaker 1: bed hunt? Yep, honey, I'll be right there. Just gotta 700 00:39:16,360 --> 00:39:25,800 Speaker 1: turn out the light. Oh oh, some thing's never change, 701 00:39:26,280 --> 00:39:29,560 Speaker 1: like your kids always leaving tiny toys on the floor 702 00:39:29,680 --> 00:39:32,759 Speaker 1: for you to step on and Gango saving folks lots 703 00:39:32,800 --> 00:39:36,640 Speaker 1: of money on their car inshurts, Sweetie. I think I 704 00:39:36,760 --> 00:39:39,520 Speaker 1: left the downstairs light on. Please don't make me go. 705 00:39:39,840 --> 00:39:42,399 Speaker 1: Fifteen minutes could save you or more