WEBVTT - #75 - Dusty Locane

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<v Speaker 1>Oh yeah, all right, Welcome to the Boulet KP podcast.

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<v Speaker 1>What's going on? We got an interview today man with

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<v Speaker 1>the Dusty Locine who's representing KNARSI New York City. So

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<v Speaker 1>I actually went out to New York and shot a

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<v Speaker 1>piece of content with this guy that's coming out soon

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<v Speaker 1>through above all but nice young man. He's kind of

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<v Speaker 1>came onto the scene with a song called Rolling and

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<v Speaker 1>Controlling just started rapping last year. A lot of people

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<v Speaker 1>would say he sounds like pop smoke. They're from the

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<v Speaker 1>same neighborhood, and he does have the same they sound

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<v Speaker 1>very similar. But we sit down with him, you know,

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<v Speaker 1>I got to spend some time with him, and he

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<v Speaker 1>is his own man, and I think he's, you know,

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<v Speaker 1>gonna be a to prove himself a lot more than

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<v Speaker 1>the guy who sounds like pop smoke. So we're gonna

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<v Speaker 1>talk to the homie Dusty Locane. Man. Shout out to

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<v Speaker 1>our sponsors at odd Socks, though, don't forget to show

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<v Speaker 1>in the game. And that's that's I say. That with

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<v Speaker 1>a lot of confidence. Man, I got some odd socks

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<v Speaker 1>Go do that, and let's get into this podcast with

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<v Speaker 1>Dusty Locane. All right, yo, man, it's the Bootleg keV Show.

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<v Speaker 1>We got a special guest in here, my guy, Dusty Locane.

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<v Speaker 1>Finally may it out to l a man from the

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<v Speaker 1>Flaws to to North Hollywood. You know what I'm saying,

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<v Speaker 1>Welcome bro he uh. You know I got to go

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<v Speaker 1>out to Canarsi and and and function with you and

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<v Speaker 1>your people. I got to check out your neighborhood. We

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<v Speaker 1>went to the studio. Yeah man, yeah, a lot, man.

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<v Speaker 1>You know I was. I've been telling a lot of

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<v Speaker 1>people that you really are sitting on some like serious

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<v Speaker 1>records because I think the rolling and controlling freestyle people,

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<v Speaker 1>it's like it's a record that you're either gonna love

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<v Speaker 1>it or you ain't gonna rock with it, you know

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<v Speaker 1>what I'm saying. But you got some big records that

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<v Speaker 1>you were just like that. You're you played me probably

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<v Speaker 1>like twenty songs and they were I mean, bruh, salute

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<v Speaker 1>is all I'm gonna say. Once you start dropping. I mean,

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<v Speaker 1>I know you just dropped. We got two new records

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<v Speaker 1>out in the last Yeah, that record was dope rolling

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<v Speaker 1>the controlling pot. But you got some joints. You know,

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<v Speaker 1>it was crazy you never heard rolling Controller. I didn't

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<v Speaker 1>hear that song. Yeah, I ain't. I ain't. Nobody ain't

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<v Speaker 1>make it. I ain't making yet when I met you.

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<v Speaker 1>I made that ship probably about two weeks before we

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<v Speaker 1>jumped it in Atlanta. So that's a fresh one, a

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<v Speaker 1>fresh one. Yeah. So we saw that we broke the

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<v Speaker 1>whole order for that, because I want people to understand

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<v Speaker 1>that you could really make real records, like you know

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<v Speaker 1>what I'm saying, Like, you got some records bro that Uh.

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<v Speaker 1>I mean it's gonna make the Empire Radio staff their

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<v Speaker 1>job extremely easy whenever they come out. That's what I'm saying.

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<v Speaker 1>It like that. How is it being in la I

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<v Speaker 1>saw you? I mean, obviously for people who don't know,

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<v Speaker 1>uh rolling and controlling shout out to the Rolling Sixties,

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<v Speaker 1>neighborhood Rolling Sixties Shi allegedly allegedly allegedly back with that

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<v Speaker 1>allegedly you know that. Yeah, but but you you actually

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<v Speaker 1>came out here and and tapped in with you know,

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<v Speaker 1>the origins of of of the Rolling Sixties. I saw

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<v Speaker 1>you know on your IG story. You were over there

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<v Speaker 1>yesterday shooting the video. How was that? Man? It was

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<v Speaker 1>as life changed, you know because I was talking to

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<v Speaker 1>that mic. I was get that mic. You know, I've

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<v Speaker 1>seen all this ship on like YouTube and movies, but

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<v Speaker 1>I ain't never been nowhere like that. Like they're really

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<v Speaker 1>from the same ship, just a different hood, you see

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<v Speaker 1>what I'm saying, Like it's different city, different states. So

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<v Speaker 1>it was like me going in fuck right at home,

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<v Speaker 1>like niggas they showed me love like I knew them

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<v Speaker 1>all my life. Yeah, I mean you're holding it, you're

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<v Speaker 1>holding down the you know, the set on the other

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<v Speaker 1>side allegedly, you know what I'm saying, shout out to

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<v Speaker 1>Nip though. Man, how was that though? Like cause I

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<v Speaker 1>think a lot of people, you know l A obviously

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<v Speaker 1>you know the origins of a lot of gangs are here,

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<v Speaker 1>you know what I'm saying. And and did you always

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<v Speaker 1>have like big homies that were out here or like

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<v Speaker 1>you know, I only knew the neighborhood niggas from East

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<v Speaker 1>Coast right, you know, but more or less through this

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<v Speaker 1>rapping and tapped me in with Well, really, let me

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<v Speaker 1>be real, you gotta be tapped in with somebody if

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<v Speaker 1>you East Coast cripping jack in the West Coast, you

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<v Speaker 1>feel me set, you know what I'm saying. So I

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<v Speaker 1>heard of him feel me names was brought up to me,

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<v Speaker 1>but I ain't get to actually be around and ship.

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<v Speaker 1>So that in itself for me was such a big thing,

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<v Speaker 1>like for them to really take me in with no embrace,

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<v Speaker 1>embrace me fully, you know what I'm saying. Like, so

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<v Speaker 1>I felt, like I said, right at home, home away

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<v Speaker 1>from home. That's amazing. For people who don't know you

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<v Speaker 1>play basketball, that was that that was your original like

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<v Speaker 1>dream was to do the basketball, go to that was

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<v Speaker 1>your original thing, right, how far did you get hooping Juco?

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<v Speaker 1>So junior college? Junior college on need to like a

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<v Speaker 1>semester and a half. That was after that mester in

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<v Speaker 1>a half, and then it was it was back to

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<v Speaker 1>KANNARSI where'd you play junior college at Swoye Jefferson to

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<v Speaker 1>Upstate State New York, Canada? Oh shit, like thirty minutes

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<v Speaker 1>from Toronto. So you was like, right at the border.

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<v Speaker 1>Did you ever go over to Toronto? I heard it's

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<v Speaker 1>hard to get into Canada if you if you're like

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<v Speaker 1>I heard it, it's easier to get into Mexico than

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<v Speaker 1>it is to get into Canada. I heard they don't

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<v Speaker 1>funk around at the Canadian border. Yeah, I even I

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<v Speaker 1>didn't even go by your two ones. You're telling me

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<v Speaker 1>you got to go job there. Ain't have no call, right,

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<v Speaker 1>So it's not like I was from me. I was

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<v Speaker 1>just like I heard about it minutes away. Fuck it,

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<v Speaker 1>fuck it. So once you left college came back to

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<v Speaker 1>your neighborhood, what point in time, I mean, obviously around

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<v Speaker 1>that area your whole life, but at what point in

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<v Speaker 1>time would you really start to get kind of active

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<v Speaker 1>in the quote unquote you know, your your area as

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<v Speaker 1>far as you know, basketball's in your past, you know.

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<v Speaker 1>But like I said, I was always jacking it even

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<v Speaker 1>before that, I wasn't like, you know, it was always,

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<v Speaker 1>like I said, something that was in me, not on me.

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<v Speaker 1>So I jack crip before I was cripped. I walk

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<v Speaker 1>around with a flag around my head, take the train,

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<v Speaker 1>all of that, right, it was even on a set.

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<v Speaker 1>Feel me like that was just it was just like

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<v Speaker 1>I said, it was something. It was just I fucked

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<v Speaker 1>through the heavy that I fucked with, the with the

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<v Speaker 1>with the whole culture. And I was from I'm from there,

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<v Speaker 1>so it's like it was a no brainer by the

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<v Speaker 1>time I turned like seventeen eighteen, like, feel me be

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<v Speaker 1>fully active man that area and that that was kind

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<v Speaker 1>of the area like that that was where you grew

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<v Speaker 1>up with was was kind of that was the section

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<v Speaker 1>that it was essentially that was around you anyway. Oh yeah, yeah,

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<v Speaker 1>I was already. It wasn't like I could have avoided it.

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<v Speaker 1>I ain't go to no private, no private schools or

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<v Speaker 1>I was in public schools from me and I was

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<v Speaker 1>in one of the one of the one of the

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<v Speaker 1>bad high schools too. At that public school, so feel me.

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<v Speaker 1>But more or less, yeah, I'm a product of my environment.

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<v Speaker 1>But I flipped the script. You know what I'm say,

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<v Speaker 1>not for sure. Man, Now you gotta take what they

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<v Speaker 1>try to use to hold you back and let it

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<v Speaker 1>push you forward. So that's what I did. That's what

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<v Speaker 1>you're doing man. For people who don't know how, I mean,

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<v Speaker 1>when did you actually start rapping like it was in

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<v Speaker 1>the pandemic? Right? Yeah? No, no, no no, that's the one

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<v Speaker 1>two words because I got locked in the pandemic. But

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<v Speaker 1>like I used to just boom like outside the Man's

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<v Speaker 1>Bandit Jogger. They was rappers, feel me do what I

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<v Speaker 1>was doing my ones and tools I was. I was

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<v Speaker 1>never a rap. I was into that. But they were

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<v Speaker 1>telling me, you'll pull up film me. I'll go smoke

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<v Speaker 1>cool it, film me Monlucual one two jen zis drinker

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<v Speaker 1>lit cool and after that I'll just be chilling and

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<v Speaker 1>if they get tired, I try some shit. You got

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<v Speaker 1>the look, you got the voice, go do that shit

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<v Speaker 1>because I'll try it. But I never I never really

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<v Speaker 1>took to it, you know, like it was just like

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<v Speaker 1>that's just something there. Never Yeah, So I never put

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<v Speaker 1>out a truck. I'll say before Corona had about four

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<v Speaker 1>tracks and like it was mainly features and the other

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<v Speaker 1>ones was just dumb ship Like one time I was

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<v Speaker 1>mad drunk, I just made a freestyle barely anyway, these

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<v Speaker 1>were online. I ain't never dropped nothing, so they were

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<v Speaker 1>just on your phone. Niggas are being a call head

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<v Speaker 1>out the window like it's the littlest track. But niggas

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<v Speaker 1>always took to my shiit because niggas know what I'm

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<v Speaker 1>talking about, and for me, that's really what it is.

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<v Speaker 1>So but I'll say when I really say, it's that time.

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<v Speaker 1>It was like Corona two words came home right after

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<v Speaker 1>that LinkedIn with my boy Bob and that was Rowland Controlling.

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<v Speaker 1>Was that your first official release, my first official release,

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<v Speaker 1>and on top of that, you know, it was really

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<v Speaker 1>like from beginning to end, freestyle all off the top

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<v Speaker 1>of your head six and the way it happened like

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<v Speaker 1>it's just I heard the beat. I'm thinking to myself,

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<v Speaker 1>this ship is crazy. Told my man's running back, put

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<v Speaker 1>down my phone right there, put the recorder down straight.

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<v Speaker 1>Oh that's crazy. And at that time where like, you know,

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<v Speaker 1>because at the time you didn't have a following you

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<v Speaker 1>know what I'm saying. What what? No social media? That's

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<v Speaker 1>what I'm saying. What what what what platform? Did that really

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<v Speaker 1>start to heat up on? Oh? Let me that's a

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<v Speaker 1>story too. I never really got to, you know, tell nobody.

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<v Speaker 1>But when I first came home, I got into a

0:10:19.120 --> 0:10:21.800
<v Speaker 1>little situation with some we're not gonna say names, but

0:10:21.920 --> 0:10:24.880
<v Speaker 1>with some I say, not the other side, but people

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<v Speaker 1>who was portraying to be the other side. And I

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<v Speaker 1>wanted to do something about it. But you know today

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<v Speaker 1>telling your chill cause like, yeah, I don't even go

0:10:35.200 --> 0:10:38.760
<v Speaker 1>that feel me smart move. So I went on the

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<v Speaker 1>Love my Man's love on Facebook at the time, Facebook,

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<v Speaker 1>Yeah you feel me? I still I have no social media.

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<v Speaker 1>So I went on his phone and on his ship.

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<v Speaker 1>We did like a good I'll say about two and

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<v Speaker 1>a half hours. Me in a Telly that night. Niggas

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<v Speaker 1>is all. We're just chilling. Some bitches was about to

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<v Speaker 1>pull up. So we were on the love sit and

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<v Speaker 1>then it just started jriinking. Like at one point it

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<v Speaker 1>had like one hundred viewers and overaller had thirty two

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<v Speaker 1>thousand at the end of it, like on the Facebook Live,

0:11:06.200 --> 0:11:09.520
<v Speaker 1>on the Facebook lives, so people are like, oh feel me.

0:11:09.559 --> 0:11:12.840
<v Speaker 1>They oh, look at this thuskin and talk politics, listen

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<v Speaker 1>to the voice mad shit. It was mainly the females though,

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<v Speaker 1>you know, like niggas ain't never going to be the

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<v Speaker 1>first ones to gravitate, especially when, of course, of course

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<v Speaker 1>they're going most likely hate they. So the females really,

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<v Speaker 1>that's my The females and the kids, I would say,

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<v Speaker 1>is who I really look to and appreciate the most.

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<v Speaker 1>Because niggas be bandwagon. They they just oh now the

0:11:36.280 --> 0:11:37.960
<v Speaker 1>bitches is all around him. Now we got to be

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<v Speaker 1>around him because we want some pussy too, like me.

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<v Speaker 1>So it's like them two sex and them my niggas

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<v Speaker 1>of course, but anything outside of that, I'll show my

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<v Speaker 1>respects to the females, the kids feel me. But yeah,

0:11:52.520 --> 0:11:55.400
<v Speaker 1>jinked from there, it was like niggas make Instagram, make

0:11:55.480 --> 0:11:58.640
<v Speaker 1>Instagram making. I made it June twenty seventh. I still

0:11:58.679 --> 0:12:01.440
<v Speaker 1>got the first. I got my all child, but you

0:12:01.440 --> 0:12:03.800
<v Speaker 1>can see it said from me June twenty seventh. This

0:12:04.000 --> 0:12:06.559
<v Speaker 1>was my first post. So that was your first post?

0:12:06.559 --> 0:12:08.880
<v Speaker 1>And what day what day did you put rolling and

0:12:08.920 --> 0:12:16.280
<v Speaker 1>controlling out? I don't know what day was that hat July. Wow,

0:12:16.840 --> 0:12:19.400
<v Speaker 1>that's crazy, yeah, and I ain't really have no I

0:12:19.440 --> 0:12:22.880
<v Speaker 1>have faith in it because through you know, like I said,

0:12:22.920 --> 0:12:26.719
<v Speaker 1>through Bobby, I was able to get signed. But it

0:12:26.760 --> 0:12:29.679
<v Speaker 1>wasn't like he knew I had it in me. I'm

0:12:29.720 --> 0:12:31.520
<v Speaker 1>just like, I ain't never do this before. But I'm

0:12:31.559 --> 0:12:34.000
<v Speaker 1>going head I'm going head first, like I ain't thinking

0:12:34.000 --> 0:12:37.319
<v Speaker 1>about nothing at in the back of my mind. It's like, damn,

0:12:37.360 --> 0:12:40.560
<v Speaker 1>it's something new to me. I got high hopes, so

0:12:40.640 --> 0:12:43.200
<v Speaker 1>if this ship don't go the way I expected to go,

0:12:44.040 --> 0:12:45.839
<v Speaker 1>it's not gonna break me. It's gonna make me go

0:12:45.960 --> 0:12:47.640
<v Speaker 1>even harder. But at the same time, it was like

0:12:48.120 --> 0:12:50.960
<v Speaker 1>this gotta be it. This highs to be it? What

0:12:51.040 --> 0:12:53.920
<v Speaker 1>was Bobby could probably answer this better than you can't,

0:12:54.000 --> 0:12:56.760
<v Speaker 1>but he's standing over here. But I'm curious because at

0:12:56.760 --> 0:12:59.080
<v Speaker 1>the time you had no music out. You just created

0:12:59.120 --> 0:13:02.360
<v Speaker 1>an Instagram account. So for someone like Bobby Fisher from

0:13:02.400 --> 0:13:06.920
<v Speaker 1>Empire to step out and like really see something in you,

0:13:06.920 --> 0:13:11.040
<v Speaker 1>you know, that's that that that doesn't happen nowadays. Often

0:13:11.880 --> 0:13:14.240
<v Speaker 1>it's easy to come in when something's already on fire

0:13:14.280 --> 0:13:17.000
<v Speaker 1>and poor gasoline on him, but it's hard. It's harder

0:13:17.040 --> 0:13:20.920
<v Speaker 1>to start the fire, feel me, So like I said,

0:13:20.920 --> 0:13:23.679
<v Speaker 1>that's somebody who believed in me before anybody else did

0:13:23.720 --> 0:13:26.599
<v Speaker 1>around me. He's seen it feel me and like that

0:13:26.760 --> 0:13:29.839
<v Speaker 1>to me was the biggest, the biggest, you know, I

0:13:29.960 --> 0:13:33.320
<v Speaker 1>think somebody could have ever different me. I was pop

0:13:33.559 --> 0:13:35.959
<v Speaker 1>broke and ain't had no breech. He's stealing the people

0:13:36.000 --> 0:13:38.520
<v Speaker 1>in my people's crab about my brother. Matter of fact,

0:13:38.720 --> 0:13:40.400
<v Speaker 1>when I came home, went back to my people's crib

0:13:40.400 --> 0:13:43.680
<v Speaker 1>and shit. But you know, Nigga ain't had no real options.

0:13:44.080 --> 0:13:48.240
<v Speaker 1>He gave me your option. But I presented myself as

0:13:48.320 --> 0:13:51.400
<v Speaker 1>you know me. He said, I see that this is him.

0:13:51.559 --> 0:13:53.480
<v Speaker 1>You feel me like just who he is from the

0:13:53.480 --> 0:13:56.000
<v Speaker 1>time you wake up tom to go to sleep, feel me.

0:13:56.400 --> 0:14:00.520
<v Speaker 1>Nothing changes about him. So, like I said, Bobby, that's

0:14:00.520 --> 0:14:03.560
<v Speaker 1>what I mean. Man, we won't be together. Well yeah

0:14:03.800 --> 0:14:05.960
<v Speaker 1>six So yeah, and you guys have I mean, he's

0:14:06.040 --> 0:14:08.760
<v Speaker 1>I mean, you guys got I think that at the moment,

0:14:08.800 --> 0:14:13.760
<v Speaker 1>you probably have a lot of generic fans who probably

0:14:13.760 --> 0:14:16.160
<v Speaker 1>see you on Instagram but probably are your nay sayers.

0:14:16.200 --> 0:14:19.800
<v Speaker 1>I'd say, who you know because you got a few

0:14:19.840 --> 0:14:22.440
<v Speaker 1>records out, But I think that, oh yeah, they don't

0:14:22.480 --> 0:14:24.760
<v Speaker 1>know what's they don't know what's coming. But those who

0:14:24.800 --> 0:14:27.240
<v Speaker 1>not you got to tune them in. That's up to me. Yeah,

0:14:27.280 --> 0:14:29.320
<v Speaker 1>for sure, body else but me to say, well, look,

0:14:29.640 --> 0:14:31.120
<v Speaker 1>I'm going to show you what I'm made of and

0:14:31.120 --> 0:14:33.720
<v Speaker 1>what I'm capable of everything. Take tom though. So that's

0:14:33.720 --> 0:14:35.560
<v Speaker 1>why I ain't really rushing nothing. You can never say

0:14:35.560 --> 0:14:38.440
<v Speaker 1>you've seen me try to force it, waiting my turn.

0:14:38.560 --> 0:14:40.360
<v Speaker 1>Through everything I ever did in life, I always waited

0:14:40.400 --> 0:14:43.360
<v Speaker 1>my turn. That was a constant for me. So when

0:14:43.560 --> 0:14:47.120
<v Speaker 1>everybody was politicing on Instagram, this he trying to be this,

0:14:47.480 --> 0:14:50.160
<v Speaker 1>trying to do this, I was working, you see what

0:14:50.200 --> 0:14:52.320
<v Speaker 1>I'm saying. So when it did come to time now

0:14:52.440 --> 0:14:55.600
<v Speaker 1>for me to perform, there was no There's no flaws there.

0:14:56.360 --> 0:14:57.920
<v Speaker 1>You know what I'm saying. You gotta make sure when

0:14:57.960 --> 0:15:00.240
<v Speaker 1>nobody's looking is when you're doing that. So now that

0:15:00.280 --> 0:15:03.320
<v Speaker 1>you're looking, there is no denying it, right right right.

0:15:03.760 --> 0:15:05.800
<v Speaker 1>I think too, a lot of people who would be

0:15:05.840 --> 0:15:08.440
<v Speaker 1>in your position because you obviously compared so much to

0:15:08.480 --> 0:15:12.120
<v Speaker 1>Pop Smoke, who's from your from your area, because you

0:15:12.160 --> 0:15:15.000
<v Speaker 1>guys sold, you guys went to elementary school together. You

0:15:15.000 --> 0:15:16.960
<v Speaker 1>guys are from the same hood. Like I think that

0:15:17.640 --> 0:15:19.600
<v Speaker 1>a lot of people would run from that. But I

0:15:19.600 --> 0:15:21.920
<v Speaker 1>feel like you've paid a lot of respect and also

0:15:22.840 --> 0:15:26.680
<v Speaker 1>have taken taken on the challenge of saying yes, you know,

0:15:27.000 --> 0:15:29.960
<v Speaker 1>maybe I was inspired by Pop of course, but at

0:15:29.960 --> 0:15:32.600
<v Speaker 1>the same time, I'm gonna show you I'm my own dude.

0:15:32.840 --> 0:15:35.280
<v Speaker 1>You know what I'm saying is all around you and

0:15:35.520 --> 0:15:38.720
<v Speaker 1>you should look to them eyes motivation, nothing less, nothing

0:15:38.760 --> 0:15:42.920
<v Speaker 1>more For me, like I watched other people portray you know,

0:15:43.120 --> 0:15:45.280
<v Speaker 1>like certain things like yeah, we was this, we was that,

0:15:45.720 --> 0:15:47.960
<v Speaker 1>and the actuality using that for cloak, You're trying to

0:15:47.960 --> 0:15:50.120
<v Speaker 1>get your own name up based off another person. Now,

0:15:50.200 --> 0:15:53.160
<v Speaker 1>I'm paying my respects, but through like I said, my

0:15:53.320 --> 0:15:55.920
<v Speaker 1>work ethic and my job, you're going to see how

0:15:55.920 --> 0:15:59.760
<v Speaker 1>we separate, how we differ well, but it actuality, we

0:15:59.760 --> 0:16:02.520
<v Speaker 1>want the same filmy flows do one way in, no

0:16:02.640 --> 0:16:05.960
<v Speaker 1>way out. Niggas know that there it is man there. Yeah.

0:16:06.000 --> 0:16:08.200
<v Speaker 1>For people who don't know your area, Canarsi is an

0:16:08.200 --> 0:16:13.320
<v Speaker 1>area that is probably one of the least known outside

0:16:13.360 --> 0:16:15.280
<v Speaker 1>of New York. You know, we're in l A. We

0:16:15.320 --> 0:16:18.600
<v Speaker 1>hear Brooklyn, we know what Brownsville is. We know. Yeah,

0:16:18.680 --> 0:16:21.200
<v Speaker 1>but I feel like Canarsi probably has gotten the least

0:16:21.200 --> 0:16:24.560
<v Speaker 1>amount overlooked for a long time. Yeah, and we was

0:16:24.560 --> 0:16:26.280
<v Speaker 1>doing We was the ones getting most of the money.

0:16:26.560 --> 0:16:29.320
<v Speaker 1>Feel me. We was a lot of other ships too,

0:16:29.400 --> 0:16:33.440
<v Speaker 1>but you know, niggas kept that little profile. Like I said,

0:16:33.480 --> 0:16:36.000
<v Speaker 1>Pop brought us to the light. Feel me. He said, well,

0:16:36.000 --> 0:16:38.480
<v Speaker 1>look his niggas over here giving it up the same

0:16:38.480 --> 0:16:42.080
<v Speaker 1>way niggas is over there. Feel me. We just I'm

0:16:42.160 --> 0:16:48.160
<v Speaker 1>just another person who's gonna prove that the the name

0:16:48.240 --> 0:16:50.760
<v Speaker 1>the Flass was that came from a fabulous record, right,

0:16:51.360 --> 0:16:54.680
<v Speaker 1>I believe so fabulous, said I don't think he said

0:16:54.720 --> 0:16:58.480
<v Speaker 1>it in the line something like that. He told me

0:16:58.520 --> 0:17:04.400
<v Speaker 1>that he Flos is the Flos because that's what we do. Yeah,

0:17:04.440 --> 0:17:06.880
<v Speaker 1>you know, that's what we do day in and and day out,

0:17:07.320 --> 0:17:10.800
<v Speaker 1>from even before was fluorcing, Like this was florcing for me.

0:17:10.880 --> 0:17:14.880
<v Speaker 1>So it's not really what'sing you like I said, seen you? Yeah, yeah,

0:17:14.880 --> 0:17:16.480
<v Speaker 1>it's crazy. I had Big U sitting in that same

0:17:16.560 --> 0:17:18.440
<v Speaker 1>chair and he said that. He said, I don't got

0:17:18.440 --> 0:17:21.879
<v Speaker 1>no tattoos. And you know, Big You is a legendary

0:17:22.160 --> 0:17:24.200
<v Speaker 1>figure in the streets. You know what I'm saying. He said,

0:17:24.200 --> 0:17:26.680
<v Speaker 1>it's it's in me, it ain't on me. That's why

0:17:26.800 --> 0:17:30.000
<v Speaker 1>you know what I'm saying. That's some real shit. Hey,

0:17:30.040 --> 0:17:32.520
<v Speaker 1>interrupting the interview to tell you about our good friends

0:17:32.560 --> 0:17:35.200
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0:17:35.240 --> 0:17:37.320
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0:17:38.119 --> 0:17:40.560
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0:17:52.600 --> 0:17:55.919
<v Speaker 1>Whatever you need, they got it. And now they have underwear.

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0:18:06.880 --> 0:18:09.119
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0:18:09.200 --> 0:18:13.080
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0:18:13.160 --> 0:18:18.920
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0:18:21.880 --> 0:18:24.760
<v Speaker 1>save twenty percent. What is next? Like? I know you?

0:18:24.760 --> 0:18:27.280
<v Speaker 1>You you're sitting on a lot of records. Are we

0:18:27.440 --> 0:18:30.440
<v Speaker 1>just doing the single thing for now? We're dropping singles.

0:18:30.480 --> 0:18:33.200
<v Speaker 1>We're gonna keep it that way. I told everybody Life

0:18:33.240 --> 0:18:35.640
<v Speaker 1>of a Five, which is the album name, it will

0:18:35.680 --> 0:18:38.760
<v Speaker 1>be dropping. What I said, June eleventh my c date.

0:18:39.480 --> 0:18:42.240
<v Speaker 1>But yeah, that's coming up, but that's no longer. Feel me.

0:18:42.280 --> 0:18:45.560
<v Speaker 1>We're gonna, We're gonna, we're gonna postpone that due to

0:18:45.600 --> 0:18:47.520
<v Speaker 1>the fact that every time we're going to a studio,

0:18:48.119 --> 0:18:51.919
<v Speaker 1>some new ship and some shit that you just can't

0:18:52.240 --> 0:18:55.800
<v Speaker 1>can't make up. You just gotta beat it to just know, like, damn,

0:18:55.880 --> 0:18:58.280
<v Speaker 1>so the album's not coming out June eleventh anymore. No, No,

0:18:58.440 --> 0:19:01.440
<v Speaker 1>to let everybody, no, no, what's not so to be determined?

0:19:01.640 --> 0:19:05.679
<v Speaker 1>To be determined? You know it's crazy because I feel

0:19:05.680 --> 0:19:10.680
<v Speaker 1>like you're getting better at your craft. Like people don't

0:19:10.720 --> 0:19:13.280
<v Speaker 1>realize you just started rapping. Man, this shit is crazy,

0:19:13.320 --> 0:19:15.240
<v Speaker 1>like for people who don't know, like man, like there's

0:19:15.240 --> 0:19:17.000
<v Speaker 1>people who do this shit for twenty years and won't

0:19:17.040 --> 0:19:20.080
<v Speaker 1>even sniff the level of success that you got off

0:19:20.080 --> 0:19:23.320
<v Speaker 1>your first record. Do you feel like every time you

0:19:23.600 --> 0:19:25.320
<v Speaker 1>it's almost like riding a bike. You're gonna get better

0:19:25.320 --> 0:19:27.920
<v Speaker 1>every time you feel like you're improving as a MC. Yeah,

0:19:28.000 --> 0:19:30.159
<v Speaker 1>most definitely. I think you know what it is. Like

0:19:30.200 --> 0:19:32.679
<v Speaker 1>I said, with everything out in din it. In my

0:19:32.840 --> 0:19:38.160
<v Speaker 1>life overall, it was always about getting to new heights basketball.

0:19:38.520 --> 0:19:42.160
<v Speaker 1>I started out the back of the line right by

0:19:42.200 --> 0:19:45.880
<v Speaker 1>my eleventh senior grade year as a star player. Everybody

0:19:46.000 --> 0:19:48.560
<v Speaker 1>know my name in the school. That was just it

0:19:48.640 --> 0:19:51.480
<v Speaker 1>was just like it was always something in mind, can't

0:19:51.480 --> 0:19:54.800
<v Speaker 1>fit in. I gotta stand out for that. You gotta work.

0:19:55.520 --> 0:19:59.119
<v Speaker 1>My work ethic and my determination stems from basketball, stems

0:19:59.119 --> 0:20:01.520
<v Speaker 1>from sports. I played for ball two going up, but

0:20:01.520 --> 0:20:02.760
<v Speaker 1>it stems from all of that because you know, you

0:20:02.840 --> 0:20:06.200
<v Speaker 1>got to be disciplined. Yeah, so themselves to practice. Yeah,

0:20:06.480 --> 0:20:08.760
<v Speaker 1>you know me, I was working out day in and

0:20:08.800 --> 0:20:10.720
<v Speaker 1>day out, eating day in and day out. So I

0:20:10.800 --> 0:20:13.680
<v Speaker 1>was telling myself, hearing themselves push ups, I'm not stopping

0:20:13.880 --> 0:20:16.760
<v Speaker 1>till my body can't stop. Now my mind mind to

0:20:16.760 --> 0:20:18.840
<v Speaker 1>tell your body to stop when you could really keep going.

0:20:18.880 --> 0:20:21.520
<v Speaker 1>So I just that's how I learned, and that that

0:20:21.560 --> 0:20:24.360
<v Speaker 1>works with everything. That's not just for what you're doing.

0:20:24.400 --> 0:20:26.520
<v Speaker 1>You got to take that outside of everything you're doing

0:20:26.560 --> 0:20:29.240
<v Speaker 1>and use it in every walks of life. So that's

0:20:29.280 --> 0:20:32.120
<v Speaker 1>what I tried to do. How long were you locked up? Long?

0:20:32.200 --> 0:20:34.840
<v Speaker 1>It was? I was remanded and it's a seventy two

0:20:34.920 --> 0:20:38.000
<v Speaker 1>hour old but through the corona that was lifted, they

0:20:38.160 --> 0:20:40.399
<v Speaker 1>no longer so I was just in there for me

0:20:40.640 --> 0:20:42.679
<v Speaker 1>and they didn't allow me to post my bill. So

0:20:42.880 --> 0:20:46.359
<v Speaker 1>my lawyer was just fighting for motions. Motions, motions for me,

0:20:46.400 --> 0:20:49.520
<v Speaker 1>and I've never really gotten them too. Are you? Are

0:20:49.560 --> 0:20:53.920
<v Speaker 1>you past whatever I really be talking about us? But listen,

0:20:53.960 --> 0:20:56.600
<v Speaker 1>I know what it's like to have a fucking case

0:20:56.600 --> 0:20:58.720
<v Speaker 1>floating over your head that should if you think about

0:20:58.720 --> 0:21:00.719
<v Speaker 1>it too much, it'll get fuck with think about it.

0:21:01.000 --> 0:21:02.600
<v Speaker 1>The only reason I don't think about it is because

0:21:02.720 --> 0:21:05.639
<v Speaker 1>my understanding that you know, you gotta whatever you do,

0:21:05.840 --> 0:21:08.560
<v Speaker 1>there's repercussions behind them, and if you're not willing to

0:21:09.560 --> 0:21:12.160
<v Speaker 1>accept those, you can't be caught. The man grol men

0:21:12.240 --> 0:21:15.440
<v Speaker 1>know that there's repercussions, and one day or the other

0:21:15.520 --> 0:21:18.520
<v Speaker 1>you may have to face those. Without getting too far

0:21:18.600 --> 0:21:24.080
<v Speaker 1>deep into the politics of what's going on in Brooklyn,

0:21:24.240 --> 0:21:28.240
<v Speaker 1>you know, there's a very you know, if for people

0:21:28.240 --> 0:21:30.879
<v Speaker 1>who've never even sniffed Brooklyn, they know about the politics

0:21:30.880 --> 0:21:34.120
<v Speaker 1>of the streets that's going on between we won't even

0:21:34.119 --> 0:21:36.639
<v Speaker 1>say right, but but there's but there's a lot of

0:21:37.920 --> 0:21:40.000
<v Speaker 1>it's spilled over in the rap. You know what I'm saying,

0:21:40.840 --> 0:21:43.560
<v Speaker 1>there's rappers on both sides. People have gotten stabbed. It's

0:21:43.600 --> 0:21:51.080
<v Speaker 1>it's crazy. Yeah, one hundred. You're someone who obviously, man,

0:21:51.280 --> 0:21:55.920
<v Speaker 1>you're special, you have a star quality. And there's there's

0:21:55.960 --> 0:22:00.560
<v Speaker 1>been so many artists that we've lost over some bullshit,

0:22:00.680 --> 0:22:03.440
<v Speaker 1>right and you know, obviously in Pop's case, it wasn't

0:22:03.600 --> 0:22:05.639
<v Speaker 1>it was out here, it was you know, it was

0:22:05.720 --> 0:22:08.680
<v Speaker 1>it wasn't over some shit from back home. But but

0:22:08.920 --> 0:22:11.440
<v Speaker 1>is that something that you're very like conscientious of when

0:22:11.440 --> 0:22:13.439
<v Speaker 1>it comes to just moving around because you never know,

0:22:14.200 --> 0:22:17.119
<v Speaker 1>you know, you might run into somebody at Brooklyn chop

0:22:17.240 --> 0:22:18.959
<v Speaker 1>house or something, or you know what I'm saying, Like

0:22:19.359 --> 0:22:23.240
<v Speaker 1>my paranoya is really would keep me saying, like me

0:22:23.920 --> 0:22:28.040
<v Speaker 1>always being on goal, always watching my surroundings. It put

0:22:28.040 --> 0:22:30.960
<v Speaker 1>me in a place where I know how well, if

0:22:30.960 --> 0:22:33.080
<v Speaker 1>I was lack a days ago with this, it's a

0:22:33.119 --> 0:22:35.919
<v Speaker 1>possibility this could happen. But I'm always gonna be on it,

0:22:35.960 --> 0:22:38.399
<v Speaker 1>so nothing could happen. And then again there's times that

0:22:38.480 --> 0:22:41.080
<v Speaker 1>you was on it and something happened. So then that's

0:22:41.119 --> 0:22:45.040
<v Speaker 1>where the surrounding hoop of niggas come in. You know,

0:22:45.400 --> 0:22:47.960
<v Speaker 1>you're gang your brothers, they got to be the ones

0:22:47.960 --> 0:22:50.159
<v Speaker 1>to step on niggas next before they even get the

0:22:50.280 --> 0:22:51.560
<v Speaker 1>chance to get to a nigga like me. You know

0:22:51.600 --> 0:22:53.639
<v Speaker 1>what I'm saying, because you know what I stand on.

0:22:53.680 --> 0:22:55.760
<v Speaker 1>When you see me feel me, I'm not I'm not

0:22:55.800 --> 0:22:57.920
<v Speaker 1>wish washy. The way you met me that first time

0:22:58.000 --> 0:22:59.840
<v Speaker 1>is the way you're gonna meet me every time. So,

0:23:00.440 --> 0:23:03.680
<v Speaker 1>like I said, people that know, like, oh, well for me, Yeah,

0:23:03.720 --> 0:23:07.480
<v Speaker 1>this nigga he got it. But then let's check and

0:23:07.520 --> 0:23:09.920
<v Speaker 1>see who else around him is on that ship. Make

0:23:10.000 --> 0:23:12.840
<v Speaker 1>sure everything is you know, copesthetic or what they say

0:23:12.840 --> 0:23:15.439
<v Speaker 1>it is. I know your family still in KNARSI. I

0:23:15.440 --> 0:23:17.240
<v Speaker 1>know you're still in KNARSI. But at the same time,

0:23:17.280 --> 0:23:19.119
<v Speaker 1>I see you in Miami Atlanta all the time. Have

0:23:19.200 --> 0:23:25.040
<v Speaker 1>you considered leaving New York? Get the fuck out the way,

0:23:25.160 --> 0:23:30.440
<v Speaker 1>is what I'm saying. Of course, of course it's in motion.

0:23:30.800 --> 0:23:32.960
<v Speaker 1>Miami's got to be the player. I feel like Miami's

0:23:33.040 --> 0:23:35.639
<v Speaker 1>just the women and the strip clubs and the no

0:23:35.800 --> 0:23:40.920
<v Speaker 1>state tax and coronavirus never existed there apparently you know

0:23:40.960 --> 0:23:44.280
<v Speaker 1>what I'm saying, like fat just got to stay tuned

0:23:44.280 --> 0:23:46.639
<v Speaker 1>the funt out well go right now, I'm still on

0:23:46.680 --> 0:23:51.359
<v Speaker 1>the what's your favorite city? Miami? In Atlanta? Atlanta? Something

0:23:51.840 --> 0:23:54.240
<v Speaker 1>is most like I say most of my biggest tracks

0:23:54.240 --> 0:23:57.679
<v Speaker 1>with me. I love Atlanta. Man, what's are you a

0:23:57.680 --> 0:24:00.840
<v Speaker 1>strip club guy? Like? Did you participate in strip clubs

0:24:00.840 --> 0:24:07.240
<v Speaker 1>in both cities? Miami? Okay? What's what's the spot in Miami?

0:24:07.280 --> 0:24:09.800
<v Speaker 1>The shoe like you is your favorite? Because there's there's

0:24:09.800 --> 0:24:11.680
<v Speaker 1>the spot on what's the ship booby trap on the river.

0:24:12.680 --> 0:24:14.679
<v Speaker 1>Just all I feel right now about that. There's two

0:24:14.800 --> 0:24:18.960
<v Speaker 1>seas where you can get the fedsterea. Niggas need to

0:24:18.960 --> 0:24:21.640
<v Speaker 1>show more love before I shout out any strip club

0:24:21.640 --> 0:24:25.320
<v Speaker 1>word to my mother. Ok not wanting anybody strip club

0:24:25.359 --> 0:24:29.080
<v Speaker 1>I show love that I ain't getting no shadows from

0:24:29.080 --> 0:24:33.080
<v Speaker 1>those strip clubs. But you participate, you know you're dabbling

0:24:33.240 --> 0:24:36.280
<v Speaker 1>in uh in some strip strip strippy activities, you know

0:24:36.280 --> 0:24:39.320
<v Speaker 1>what I'm saying. They're better than you know what. I

0:24:39.560 --> 0:24:41.480
<v Speaker 1>can't stand even when the New York was open the

0:24:41.480 --> 0:24:45.320
<v Speaker 1>strip clubs, it's all about bartenders, like the actual strippers

0:24:45.359 --> 0:24:48.159
<v Speaker 1>is kind of whatever. But the bartenders got all the

0:24:48.200 --> 0:24:52.160
<v Speaker 1>followers and ship and they ain't getting naked, Like why

0:24:52.200 --> 0:24:55.600
<v Speaker 1>am I here a bunch of sixes that are the

0:24:55.680 --> 0:24:58.520
<v Speaker 1>naked ones? All the tens are at the fucking bar, like,

0:24:58.520 --> 0:25:01.359
<v Speaker 1>like what the hell is going on? Anyway? You know

0:25:01.400 --> 0:25:03.320
<v Speaker 1>when you when you hoop, what position did you play?

0:25:03.840 --> 0:25:08.080
<v Speaker 1>Point guard? Shooting guard? I was really a scorer, but

0:25:08.600 --> 0:25:10.159
<v Speaker 1>I know how to you know, he was laying the

0:25:10.200 --> 0:25:19.320
<v Speaker 1>floor like Brandon Jennings or some ship. Yo, son, you

0:25:19.400 --> 0:25:22.120
<v Speaker 1>was here? What you say? Who you think I used

0:25:22.119 --> 0:25:31.080
<v Speaker 1>to play? Like cuts in general? Who I used to? Yeah,

0:25:32.840 --> 0:25:37.800
<v Speaker 1>Like who's gonna say Kobe? Kobe? I was just I

0:25:37.920 --> 0:25:40.960
<v Speaker 1>was just an overall. Like I said, I commanded the floor.

0:25:41.080 --> 0:25:43.560
<v Speaker 1>So it was like when it was time to get

0:25:43.600 --> 0:25:46.040
<v Speaker 1>a bucket, I turned that on. Matter of fact, I'm

0:25:46.080 --> 0:25:48.479
<v Speaker 1>lying by my twelfth grade. Ye, I was just I

0:25:48.520 --> 0:25:52.639
<v Speaker 1>was scoring without I got this is my ball. But

0:25:53.320 --> 0:25:55.560
<v Speaker 1>like I said, I also always had it to where

0:25:55.680 --> 0:25:59.040
<v Speaker 1>I wanted everybody involved. That's what and that's me, Like,

0:25:59.240 --> 0:26:02.280
<v Speaker 1>you know, it's crazy out basketball translate making me it's

0:26:02.359 --> 0:26:06.800
<v Speaker 1>real life ship in any situation, I'm never thinking about myself.

0:26:07.280 --> 0:26:11.200
<v Speaker 1>It's impossible. It's crazy because we interviewed Chris Brickley, who's

0:26:11.200 --> 0:26:13.200
<v Speaker 1>out of New York. He's the trainer. He be training, Uh,

0:26:13.320 --> 0:26:17.560
<v Speaker 1>you know James Harden and Kyrie, Jake Cole and Ship,

0:26:17.800 --> 0:26:19.800
<v Speaker 1>but you know cold he trained Cole and Cole when

0:26:19.920 --> 0:26:22.960
<v Speaker 1>did his his some pros went to Africa and play

0:26:23.000 --> 0:26:25.720
<v Speaker 1>would like, once you're the rap ship is out of here?

0:26:25.720 --> 0:26:28.639
<v Speaker 1>Would you ever reconsider chasing that dream again? Give niggas

0:26:28.720 --> 0:26:31.239
<v Speaker 1>sixty on the oth day? But where would you give

0:26:31.280 --> 0:26:35.720
<v Speaker 1>people sixty act? Because I mean, anyway tour in the

0:26:35.760 --> 0:26:37.800
<v Speaker 1>country sound way you have to go across. You don't

0:26:37.800 --> 0:26:40.160
<v Speaker 1>have to to put up that way, right, Yeah, put

0:26:40.200 --> 0:26:42.359
<v Speaker 1>up sixty years, not in the Yeah. I ain't no

0:26:42.480 --> 0:26:45.080
<v Speaker 1>league player cause I ain't no Hooper, but you feel me.

0:26:45.200 --> 0:26:47.560
<v Speaker 1>I still I still go get a Yeah. So I

0:26:47.560 --> 0:26:49.280
<v Speaker 1>saw the nets like warming up to your record and

0:26:49.280 --> 0:26:52.240
<v Speaker 1>ship like that had to be crazy. Yeah, said to

0:26:52.280 --> 0:26:55.359
<v Speaker 1>me that something like I watched Kyrie play, I watched

0:26:55.440 --> 0:26:57.760
<v Speaker 1>James Harden and then he caught the yam to it.

0:26:58.359 --> 0:27:01.359
<v Speaker 1>So it's like, yeah, my shit, give niggas, were you

0:27:01.440 --> 0:27:04.800
<v Speaker 1>hesitant to do a sequel to Rolling and Controlling? Because

0:27:05.760 --> 0:27:09.360
<v Speaker 1>I feel like sometimes I could go, Yeah, you could

0:27:09.359 --> 0:27:11.119
<v Speaker 1>go the other way. That's why. Yeah, like me, I

0:27:11.119 --> 0:27:13.520
<v Speaker 1>would have never do it that. Yeah, off rip because

0:27:13.840 --> 0:27:16.040
<v Speaker 1>that to me is like, that's corny, that's pocket like

0:27:16.359 --> 0:27:18.680
<v Speaker 1>did you feel me? But it was naturally made, so

0:27:19.240 --> 0:27:21.879
<v Speaker 1>it was no denying it. Like, and he kept saying it.

0:27:21.920 --> 0:27:25.520
<v Speaker 1>I'm like, that's picture me rolling? Said no, it's rolling.

0:27:26.040 --> 0:27:28.639
<v Speaker 1>I said, We're gonna put it in parenthesies because I

0:27:28.640 --> 0:27:31.040
<v Speaker 1>need niggas to know that's picture of me rolling through

0:27:31.200 --> 0:27:33.919
<v Speaker 1>LA through California with some bad bitches and gang members.

0:27:34.040 --> 0:27:36.600
<v Speaker 1>Is that what you shot this week? Yeah? Yeah, okay,

0:27:36.680 --> 0:27:39.440
<v Speaker 1>well through sixty? How many how many videos you shoot?

0:27:39.480 --> 0:27:42.560
<v Speaker 1>You have you shot in La? Just that one? Yeah,

0:27:42.600 --> 0:27:45.159
<v Speaker 1>because like I came down when we came there one

0:27:45.920 --> 0:27:49.680
<v Speaker 1>Monday and shot it on Wednesday yesterday. That's crazy, man.

0:27:50.160 --> 0:27:54.480
<v Speaker 1>Were you like the other biggest alleged Rolling sixty in

0:27:54.520 --> 0:27:56.800
<v Speaker 1>hip hop history is Nipsey Hustle, Right, you know what

0:27:56.840 --> 0:27:59.960
<v Speaker 1>I'm saying, Nipsy And shout to my brother Jaystone too,

0:28:00.200 --> 0:28:06.719
<v Speaker 1>Jason out there yourself. But were you did you come

0:28:06.800 --> 0:28:08.760
<v Speaker 1>up like fucking with Nipsey's music, because I mean I

0:28:08.840 --> 0:28:10.840
<v Speaker 1>was on the other side, you know, on the other side.

0:28:10.840 --> 0:28:13.480
<v Speaker 1>I wasn't heavy on it, but I fucked with of course,

0:28:13.880 --> 0:28:16.600
<v Speaker 1>like what he stood for. Yeah, so like the music naturally,

0:28:16.680 --> 0:28:19.600
<v Speaker 1>and it correlated with who he is. So I just

0:28:19.720 --> 0:28:21.720
<v Speaker 1>you had to fuck with the music, you know, but

0:28:22.119 --> 0:28:23.879
<v Speaker 1>him as a person more or less is what I

0:28:23.960 --> 0:28:27.320
<v Speaker 1>looked at, Like damn, like feel me? You you what

0:28:27.400 --> 0:28:30.639
<v Speaker 1>you say you stand on every time without waver So

0:28:31.200 --> 0:28:34.960
<v Speaker 1>I respect that. YO. Talk about the drill scene in

0:28:35.119 --> 0:28:39.880
<v Speaker 1>New York, it's it's crazy right now, and you know,

0:28:39.920 --> 0:28:44.040
<v Speaker 1>I feel like obviously Chicago started it, UK had their way,

0:28:44.080 --> 0:28:48.360
<v Speaker 1>but New York's got it right now. Fully? Was that

0:28:48.400 --> 0:28:50.440
<v Speaker 1>always like the type of like when you cause you

0:28:50.480 --> 0:28:53.000
<v Speaker 1>know me growing up as a hip hop head, I

0:28:53.040 --> 0:28:56.000
<v Speaker 1>think in New York, I think a fucking boom back

0:28:56.760 --> 0:28:59.560
<v Speaker 1>lyrical rap ship or fifty G unit. You know what

0:28:59.600 --> 0:29:01.920
<v Speaker 1>I'm saying. That's more relatable the first one. I really

0:29:02.080 --> 0:29:04.800
<v Speaker 1>that's me, Like I didn't. I was never so in

0:29:04.920 --> 0:29:08.479
<v Speaker 1>tune with music, but it was always around me. I

0:29:08.520 --> 0:29:11.240
<v Speaker 1>never had like a specific person I listened to on

0:29:11.280 --> 0:29:15.960
<v Speaker 1>the regular, but you know, Soka my people's growing up, Kompa,

0:29:16.560 --> 0:29:18.320
<v Speaker 1>that's the ship I heard. And then on the you

0:29:18.360 --> 0:29:20.160
<v Speaker 1>know you got the R and B artist is sure

0:29:20.840 --> 0:29:23.120
<v Speaker 1>so like me, Like I said, when it comes to

0:29:23.480 --> 0:29:28.280
<v Speaker 1>drill music in New York, it has hints of what

0:29:28.360 --> 0:29:31.400
<v Speaker 1>was in the past, but it's a whole new wave, right,

0:29:31.600 --> 0:29:33.440
<v Speaker 1>you know, And it's and it is like I said, me,

0:29:33.480 --> 0:29:35.800
<v Speaker 1>I grab a lot of shit old ship and put

0:29:35.840 --> 0:29:37.520
<v Speaker 1>in my tracks. For me, I grab a lot of

0:29:37.520 --> 0:29:39.680
<v Speaker 1>old shit put in my tracks just just you know,

0:29:39.960 --> 0:29:42.360
<v Speaker 1>the idea of it is cool because you're still paying

0:29:42.400 --> 0:29:45.360
<v Speaker 1>homage to what was. Who would you consider kind of

0:29:45.440 --> 0:29:47.440
<v Speaker 1>like the godfather of the drill shit in New York.

0:29:48.240 --> 0:29:50.440
<v Speaker 1>I think pop Smoke was the biggest, but I think

0:29:50.440 --> 0:29:52.600
<v Speaker 1>he was the biggest. But I mean I think obviously

0:29:52.600 --> 0:29:54.360
<v Speaker 1>obviously shout out to five. I think five is one

0:29:54.400 --> 0:29:58.040
<v Speaker 1>of those guys I'll say. I'll say pop Pop he

0:29:58.600 --> 0:30:00.920
<v Speaker 1>put it on the biggest stage one hundred percent. To me,

0:30:00.960 --> 0:30:03.800
<v Speaker 1>it's like that's what a godfather is here, you know,

0:30:04.800 --> 0:30:07.360
<v Speaker 1>biggas everybody else he had it was underneath you, but

0:30:08.120 --> 0:30:10.200
<v Speaker 1>you was up there. Well, I think what he was

0:30:10.240 --> 0:30:13.600
<v Speaker 1>able to do. Unfortunately, he didn't get to see the

0:30:13.640 --> 0:30:18.200
<v Speaker 1>success of the sonic chances he took on his new

0:30:18.240 --> 0:30:20.480
<v Speaker 1>album because he changed up his you know, he made

0:30:20.520 --> 0:30:22.280
<v Speaker 1>some records that he made a lot of I mean,

0:30:22.280 --> 0:30:26.000
<v Speaker 1>there was barely any drill records on that album, and unfortunately,

0:30:26.040 --> 0:30:27.640
<v Speaker 1>you know, he didn't get to see that it paid off.

0:30:28.200 --> 0:30:30.160
<v Speaker 1>But I heard a lot of your records that you're

0:30:30.200 --> 0:30:33.160
<v Speaker 1>sitting on, and you got some of them ones, so

0:30:33.560 --> 0:30:36.480
<v Speaker 1>you know, like you know, and and and another thing

0:30:36.520 --> 0:30:39.520
<v Speaker 1>that a lot of people don't really know is you

0:30:39.560 --> 0:30:42.680
<v Speaker 1>know pop he started out, you know, he drell. He

0:30:42.680 --> 0:30:45.760
<v Speaker 1>could feel me me too. But I was really more

0:30:45.800 --> 0:30:48.280
<v Speaker 1>of a melodic from the jump, like I used to

0:30:48.280 --> 0:30:51.760
<v Speaker 1>sing growing up, so before my voice got the rasp,

0:30:51.840 --> 0:30:54.280
<v Speaker 1>and you know, in the basin it was it was

0:30:54.280 --> 0:30:56.479
<v Speaker 1>a single. I could just sing my eyes what were

0:30:56.560 --> 0:31:00.120
<v Speaker 1>you singing? Like church or church? I sing any with

0:31:00.720 --> 0:31:03.160
<v Speaker 1>same way with when when whenever? I yeah, it's a

0:31:03.240 --> 0:31:05.640
<v Speaker 1>possibility you gonna see me performing. You're gonna hear me

0:31:05.920 --> 0:31:09.160
<v Speaker 1>singing something, rapping something, because that was just my nature.

0:31:09.200 --> 0:31:11.840
<v Speaker 1>So for me, it was easier for me to do

0:31:12.560 --> 0:31:17.600
<v Speaker 1>those lovey dovey tracks when it came time because that

0:31:17.680 --> 0:31:19.840
<v Speaker 1>was kind of already your bad, already my bop, so

0:31:19.920 --> 0:31:22.920
<v Speaker 1>it was nothing. Would you ever try to infuse some

0:31:22.920 --> 0:31:25.160
<v Speaker 1>of the Caribbean ship you came up listening to in

0:31:25.160 --> 0:31:29.160
<v Speaker 1>your household into your music. Even Yeah, certain parts about track,

0:31:29.240 --> 0:31:31.720
<v Speaker 1>you could hear the accent on certain words. But I

0:31:31.720 --> 0:31:35.600
<v Speaker 1>would make an old wait. I would say, what you need.

0:31:35.640 --> 0:31:37.760
<v Speaker 1>What you need is the vibe of it is a

0:31:37.800 --> 0:31:43.880
<v Speaker 1>Caribbean Yeah, ah, young Blue or that oh young Blue.

0:31:47.080 --> 0:31:50.320
<v Speaker 1>It is what it is, the young Blue on the

0:31:50.360 --> 0:31:53.120
<v Speaker 1>West Coast with it the Empire Avengers. They have you

0:31:53.280 --> 0:31:56.040
<v Speaker 1>nodded on a song. And it is coming soon. And

0:31:56.080 --> 0:32:01.920
<v Speaker 1>there's some Caribbean vibes on ladies. That's a crazy right

0:32:02.000 --> 0:32:05.239
<v Speaker 1>there there. It is coming soon. I'm gonna see I'm

0:32:05.280 --> 0:32:07.200
<v Speaker 1>supposed to see Blue this week, so I'm gonna ask

0:32:07.280 --> 0:32:09.800
<v Speaker 1>him about it. I heard you. I got one. You

0:32:09.840 --> 0:32:12.840
<v Speaker 1>know what, I'm outside of the outside of Blue. Who else?

0:32:12.880 --> 0:32:14.360
<v Speaker 1>I mean? You know who else do you want to

0:32:14.400 --> 0:32:19.800
<v Speaker 1>work with that you haven't worked with yet? Everybody? Like

0:32:19.880 --> 0:32:22.640
<v Speaker 1>I said before, I funk with my son. Who shines

0:32:22.680 --> 0:32:26.440
<v Speaker 1>this ship? Little baby? All of them? God, what about it?

0:32:26.440 --> 0:32:28.479
<v Speaker 1>Give me a new a New york O G. If

0:32:28.480 --> 0:32:30.160
<v Speaker 1>you could pick a New york O G any one

0:32:30.200 --> 0:32:35.320
<v Speaker 1>of them to work with, who would it be? Oh no,

0:32:35.520 --> 0:32:40.360
<v Speaker 1>because I'll say it gotta be jay Zuse, it gotta

0:32:40.400 --> 0:32:43.640
<v Speaker 1>be Nikki. If you do the video at least, you know,

0:32:43.680 --> 0:32:47.800
<v Speaker 1>you might could you know, catch man, maybe catch catch

0:32:47.800 --> 0:32:49.240
<v Speaker 1>a nip slip or something on set. You know what

0:32:49.280 --> 0:32:53.479
<v Speaker 1>I'm saying, sick, so maybe fast because he shouted out

0:32:53.520 --> 0:32:55.880
<v Speaker 1>KNARSI before you know what I'm saying, Hey, Hope shout

0:32:55.880 --> 0:33:00.480
<v Speaker 1>it out? You know what I mean? Yeah that man?

0:33:00.480 --> 0:33:02.800
<v Speaker 1>Well listen, you're on your way, bro uh. And I

0:33:02.840 --> 0:33:04.040
<v Speaker 1>know a lot of people are gonna be in the

0:33:04.040 --> 0:33:07.840
<v Speaker 1>comments and and they're gonna get extremely h You're gonna

0:33:07.840 --> 0:33:09.480
<v Speaker 1>get the pop smoke ship in the comments. But I

0:33:09.760 --> 0:33:11.440
<v Speaker 1>want to make sure that we did not talk about that.

0:33:11.520 --> 0:33:14.479
<v Speaker 1>And I'm sure that that's gonna be everything that's always

0:33:14.560 --> 0:33:17.280
<v Speaker 1>loved of course, But you know, I just I think

0:33:17.280 --> 0:33:19.960
<v Speaker 1>people got to understand who you are, you know what

0:33:20.000 --> 0:33:21.680
<v Speaker 1>I'm saying, and what you do and what you bring

0:33:21.720 --> 0:33:23.480
<v Speaker 1>to the table, and and you know, I think that

0:33:23.720 --> 0:33:27.040
<v Speaker 1>there you got. Once these other records start coming out,

0:33:27.120 --> 0:33:29.680
<v Speaker 1>people gonna get the picture. They're gonna get it, man.

0:33:29.680 --> 0:33:31.880
<v Speaker 1>And plus you're playing you're paying homage to to to

0:33:31.920 --> 0:33:35.480
<v Speaker 1>the homie as well, So it's all love man, Dusty Locine,

0:33:35.760 --> 0:33:36.920
<v Speaker 1>perfect God