1 00:00:04,960 --> 00:00:07,280 Speaker 1: Welcome to Money Making Conversations. It's the show that she 2 00:00:07,320 --> 00:00:10,039 Speaker 1: has the secrets of success experience firsthand by marketing and 3 00:00:10,119 --> 00:00:13,039 Speaker 1: Brandon expert Rashan McDonald. I will know he's giving me 4 00:00:13,080 --> 00:00:15,400 Speaker 1: advice to many occasions. In the case you didn't notice, 5 00:00:15,800 --> 00:00:19,240 Speaker 1: I'm not broke, you know he'll be interviewing celebrity CEOs, 6 00:00:19,480 --> 00:00:22,440 Speaker 1: entrepreneurs and industry decision makers. It's what he likes to do, 7 00:00:22,720 --> 00:00:25,079 Speaker 1: it's what he likes to share. Now it's time to 8 00:00:25,120 --> 00:00:29,120 Speaker 1: hear from my man, Rashan McDonald money Making Conversations. Here 9 00:00:29,160 --> 00:00:31,920 Speaker 1: we come. Welcome to Money Making Conversation. I am your 10 00:00:31,960 --> 00:00:34,680 Speaker 1: host from Sean McDonald. It's time to stop reading other 11 00:00:34,720 --> 00:00:37,559 Speaker 1: people's success stories and really start writing their own. Now 12 00:00:37,560 --> 00:00:40,000 Speaker 1: you can be motivated by their success because their stories 13 00:00:40,040 --> 00:00:42,560 Speaker 1: could offer direction and help you reach your goals through 14 00:00:42,560 --> 00:00:45,159 Speaker 1: your planning and your committed effort. My interview is like 15 00:00:45,200 --> 00:00:47,720 Speaker 1: the one you will hear today, will provide you, as 16 00:00:47,720 --> 00:00:50,480 Speaker 1: a consumer and the business owner, access to the celebrities. 17 00:00:50,600 --> 00:00:53,400 Speaker 1: She's one of those. She's a CEO, she's an entrepreneur, 18 00:00:53,600 --> 00:00:56,920 Speaker 1: and most importantly, she's an industry decision maker. My next 19 00:00:56,960 --> 00:01:03,360 Speaker 1: guest is Laurie and Gibson. She's an Emmy nominating creative visionary, choreographer, director, producer, 20 00:01:03,360 --> 00:01:07,000 Speaker 1: and entrepreneur. Her new book is Dance Your Dance. Eight 21 00:01:07,080 --> 00:01:09,840 Speaker 1: Steps to leash your passion and live your dreams. The 22 00:01:09,880 --> 00:01:13,360 Speaker 1: book was packed with personal antidotes and messages of empowerment. 23 00:01:13,600 --> 00:01:16,680 Speaker 1: Dance Your Dance highlights Gibson's evolution from a young dancer 24 00:01:17,080 --> 00:01:19,679 Speaker 1: training in New York City to a well respected, in 25 00:01:19,760 --> 00:01:23,480 Speaker 1: demand industry leader with an eye for cultivating music artists 26 00:01:23,520 --> 00:01:26,560 Speaker 1: from the ground up. The book unveils the ultimate blueprint 27 00:01:26,600 --> 00:01:29,920 Speaker 1: to achieving your dreams, a blueprint she's implemented to develop 28 00:01:30,000 --> 00:01:34,279 Speaker 1: some of the world's greatest superstars, including Lady Gaga, Nicki Minaj, 29 00:01:34,640 --> 00:01:38,000 Speaker 1: Katie Perry, and the Jonas Brothers, among others. Please welcome 30 00:01:38,000 --> 00:01:40,640 Speaker 1: to Money Making Conversation for the very second time. She's 31 00:01:40,680 --> 00:01:42,199 Speaker 1: a good friend of mine to have on this show 32 00:01:42,200 --> 00:01:44,959 Speaker 1: and I'm happy to promote her new book. Laurie Anne Gibson, 33 00:01:44,959 --> 00:01:50,080 Speaker 1: How are you doing? Ms Gibson, Hi, You're fantastic. Thank 34 00:01:50,120 --> 00:01:52,520 Speaker 1: you for having well. First of all, you know, welcome 35 00:01:52,520 --> 00:01:55,160 Speaker 1: to my new studio. I want to because last time 36 00:01:55,160 --> 00:01:56,760 Speaker 1: we did to be a podcast and we didn't get 37 00:01:56,760 --> 00:01:59,480 Speaker 1: to see each other. But you know, life is changing 38 00:01:59,520 --> 00:02:01,720 Speaker 1: a good way, and a lot of success that you've 39 00:02:01,720 --> 00:02:05,120 Speaker 1: had in despite the COVID nineteen, How did they de 40 00:02:05,240 --> 00:02:07,920 Speaker 1: affect your life or the COVID nineteen the pandemic, and 41 00:02:08,160 --> 00:02:11,120 Speaker 1: how did that impact you in and pro motivated you 42 00:02:11,160 --> 00:02:15,240 Speaker 1: for Well? The interesting thing is I was told when 43 00:02:15,320 --> 00:02:19,920 Speaker 1: it was first happening that creatives would excel, and I 44 00:02:20,000 --> 00:02:23,440 Speaker 1: kept hearing this and I kep saying to myself, I think, 45 00:02:23,440 --> 00:02:26,080 Speaker 1: I think, I think that's right. You know, when everything 46 00:02:26,120 --> 00:02:29,520 Speaker 1: shuts down, when people's idea of what it takes to 47 00:02:29,639 --> 00:02:32,640 Speaker 1: make it shift, that's when we do excel. And I 48 00:02:32,680 --> 00:02:36,280 Speaker 1: have the opportunity to really dig into the book and 49 00:02:36,360 --> 00:02:40,200 Speaker 1: understand the purpose in the book. So I was able 50 00:02:40,240 --> 00:02:44,560 Speaker 1: to take more time to really flush out my methodology 51 00:02:44,560 --> 00:02:48,959 Speaker 1: that I used in helping big superstars becoming their very best, 52 00:02:49,280 --> 00:02:52,880 Speaker 1: and I was able to inspire it in eight steps 53 00:02:52,960 --> 00:02:55,520 Speaker 1: to unleash your passion and live your dream. So for me, 54 00:02:55,919 --> 00:02:59,680 Speaker 1: COVID was a blessing. There was an opportunity to shift 55 00:03:00,440 --> 00:03:03,280 Speaker 1: and shift and be prepared for what's ahead of us. 56 00:03:03,880 --> 00:03:07,280 Speaker 1: And part of that is shifting the narrative and creating 57 00:03:07,400 --> 00:03:12,160 Speaker 1: inspiration and actual transformation and how people dance their dance 58 00:03:12,320 --> 00:03:14,880 Speaker 1: and no one else's well, you know, I definitely want 59 00:03:14,880 --> 00:03:18,639 Speaker 1: to I want to walk you through you telling your story. Right. 60 00:03:19,080 --> 00:03:21,320 Speaker 1: I read the book, enjoyed the book. I read a 61 00:03:21,360 --> 00:03:23,440 Speaker 1: lot of motivational book, a lot of books, said uh, 62 00:03:23,880 --> 00:03:27,000 Speaker 1: but each book and fascinating. Read your book because you 63 00:03:27,000 --> 00:03:31,080 Speaker 1: have to share personal personal angles, and sometimes you're not 64 00:03:31,200 --> 00:03:33,639 Speaker 1: happy to share those angles, like your relationship we had 65 00:03:33,680 --> 00:03:36,480 Speaker 1: with the the Greek restaurant owner as a young girl. 66 00:03:36,600 --> 00:03:38,520 Speaker 1: You you know, you share it and later on you 67 00:03:39,200 --> 00:03:41,600 Speaker 1: realize us the food. But that's part of the process. 68 00:03:42,040 --> 00:03:44,920 Speaker 1: It didn't destroy you. And and one of the big 69 00:03:44,920 --> 00:03:47,880 Speaker 1: things that you say, life is a dance, and I 70 00:03:48,360 --> 00:03:51,200 Speaker 1: bring that moment up that was emotionally dark for you. 71 00:03:51,640 --> 00:03:54,640 Speaker 1: But life is a dance. Explain why you say life 72 00:03:54,680 --> 00:03:57,880 Speaker 1: is a dance in your book. Life is a dance 73 00:03:57,920 --> 00:04:01,200 Speaker 1: because it's about different rhythms, it's about different steps that 74 00:04:01,280 --> 00:04:04,400 Speaker 1: you have to take. And again, I believe greatness is 75 00:04:04,440 --> 00:04:08,040 Speaker 1: in the process. It's not overnight, it's not an insta 76 00:04:08,400 --> 00:04:13,200 Speaker 1: it's in the process of becoming, of shedding and receiving 77 00:04:13,640 --> 00:04:17,680 Speaker 1: and building. So for me, it was dark, but I 78 00:04:17,720 --> 00:04:22,040 Speaker 1: was faced with the opportunity to overcome insecurities. I talked 79 00:04:22,040 --> 00:04:27,200 Speaker 1: about step four staying in there yet, so that means 80 00:04:27,240 --> 00:04:30,239 Speaker 1: to me when I faced the adversity, when I faced 81 00:04:30,640 --> 00:04:34,400 Speaker 1: the feeling of being in a position where I was 82 00:04:34,480 --> 00:04:38,360 Speaker 1: vulnerable in the relationship with the restaurant owner, he did 83 00:04:38,400 --> 00:04:41,880 Speaker 1: approach me in a sexual manner, and I was uncomfortable 84 00:04:41,960 --> 00:04:45,560 Speaker 1: that I wasn't ready to receive it. It didn't align 85 00:04:45,600 --> 00:04:48,719 Speaker 1: itself with the feeling of my dream, and I talked 86 00:04:48,760 --> 00:04:53,440 Speaker 1: about that being a flag, something that redirects you to 87 00:04:53,600 --> 00:04:58,720 Speaker 1: what will help cultivate your dance and create the confidence 88 00:04:58,760 --> 00:05:02,599 Speaker 1: that you need to sustain what it is you have 89 00:05:02,720 --> 00:05:06,200 Speaker 1: to endure in order to live the dream. Um So 90 00:05:06,240 --> 00:05:09,280 Speaker 1: it was difficult. When I did the audio book and 91 00:05:09,360 --> 00:05:14,719 Speaker 1: I heard myself speaking the experience, I was like, Oh 92 00:05:14,800 --> 00:05:18,000 Speaker 1: my god, You're gonna find out things about me, And 93 00:05:18,080 --> 00:05:20,160 Speaker 1: for a moment, I was like, did I write this 94 00:05:20,279 --> 00:05:25,480 Speaker 1: and is this really coming out? Very quickly, I understood 95 00:05:25,480 --> 00:05:30,600 Speaker 1: that my passion to connect directly with entrepreneurs and visionaries 96 00:05:31,440 --> 00:05:33,360 Speaker 1: as a result of what I went through. It gave 97 00:05:33,360 --> 00:05:36,920 Speaker 1: me revelation to write the steps in order for them 98 00:05:36,920 --> 00:05:41,799 Speaker 1: to not only be inspirational, but effective that you could 99 00:05:41,800 --> 00:05:43,800 Speaker 1: go back to a step when you were faced with 100 00:05:43,839 --> 00:05:47,080 Speaker 1: the challenge that would take you out of your dance, 101 00:05:47,120 --> 00:05:51,080 Speaker 1: out of your rhythm, and ultimately making it longer for 102 00:05:51,160 --> 00:05:54,360 Speaker 1: you to achieve that goal. So it was worth it 103 00:05:54,400 --> 00:05:56,479 Speaker 1: in the end because I was able to write a 104 00:05:56,480 --> 00:06:00,600 Speaker 1: book that would be effective for visionaries. The thing about 105 00:06:00,640 --> 00:06:02,960 Speaker 1: it is that it's effective in a lot of ways 106 00:06:03,000 --> 00:06:04,840 Speaker 1: because you have to be honest with these books. I 107 00:06:04,839 --> 00:06:08,039 Speaker 1: always I hate reading books to tell you how to 108 00:06:08,080 --> 00:06:09,800 Speaker 1: be wealthy, but they don't have money in the bank, 109 00:06:10,000 --> 00:06:12,360 Speaker 1: you know what I'm saying. And so you can't tell 110 00:06:12,400 --> 00:06:14,600 Speaker 1: somebody how to be successful if you can't tell them 111 00:06:14,640 --> 00:06:16,640 Speaker 1: how you came out of a dark moment or you 112 00:06:16,720 --> 00:06:19,120 Speaker 1: came down from the base of the mountain to climb 113 00:06:19,160 --> 00:06:21,760 Speaker 1: that mountain. And that's what your book is. But throughout 114 00:06:21,760 --> 00:06:24,080 Speaker 1: the book, you know, you talk about your dad was 115 00:06:24,120 --> 00:06:27,640 Speaker 1: an electrician. You've born in Canada Ja Jamaican immigrants. You 116 00:06:27,680 --> 00:06:30,560 Speaker 1: know your mom worked at zeros, but that was enough passion, 117 00:06:31,040 --> 00:06:33,320 Speaker 1: you know. And the thing I like about it is 118 00:06:33,360 --> 00:06:35,640 Speaker 1: that like your mom's passion was to be a fashion 119 00:06:35,680 --> 00:06:39,240 Speaker 1: design and her mom said no, that just an impossibility, 120 00:06:39,600 --> 00:06:42,839 Speaker 1: and then Mr Christopher and dance school, you talk about 121 00:06:42,839 --> 00:06:46,240 Speaker 1: those dream killers when and and like you might hear, 122 00:06:46,279 --> 00:06:49,200 Speaker 1: I always tell people you know that leave with your gifts. 123 00:06:49,520 --> 00:06:52,320 Speaker 1: Don't let your friends, family members, or your age stop 124 00:06:52,400 --> 00:06:55,000 Speaker 1: you from living your dreams or planning your life. I 125 00:06:55,040 --> 00:06:58,000 Speaker 1: say that all the time. And that's basically the mantra 126 00:06:58,120 --> 00:07:00,479 Speaker 1: for your book. And I love it because of the 127 00:07:00,480 --> 00:07:02,880 Speaker 1: fact that a dream killer tried to stop you as 128 00:07:02,920 --> 00:07:05,600 Speaker 1: a young dancer because you didn't fit the structure or 129 00:07:05,640 --> 00:07:08,880 Speaker 1: the physical structure of a ballerina. Talk about dream killers 130 00:07:09,040 --> 00:07:12,679 Speaker 1: because we encounter them and guess what they are clothed 131 00:07:12,720 --> 00:07:16,520 Speaker 1: in so many different disguises, as loved ones, as children, 132 00:07:17,000 --> 00:07:21,080 Speaker 1: as as religious leaders. That's what this book. I got 133 00:07:21,080 --> 00:07:23,400 Speaker 1: excited when I started reading that part of because I said, 134 00:07:23,440 --> 00:07:27,960 Speaker 1: she gets it, and she's telling the truth exactly. And 135 00:07:28,000 --> 00:07:30,440 Speaker 1: I'm very humbled by the fact that you do get 136 00:07:30,440 --> 00:07:34,880 Speaker 1: it because that's very special to me, because that is 137 00:07:34,920 --> 00:07:39,440 Speaker 1: the goal, that is the intention, and I think too 138 00:07:39,440 --> 00:07:43,240 Speaker 1: many people are afraid to talk about the process, and 139 00:07:43,560 --> 00:07:45,800 Speaker 1: they're afraid to let you know that there will be 140 00:07:45,840 --> 00:07:49,840 Speaker 1: a fight. There are dream killers, and there is a fight, 141 00:07:51,560 --> 00:07:55,760 Speaker 1: and through the fight once you persevere and you hang 142 00:07:55,760 --> 00:07:59,040 Speaker 1: onto the feeling of your dream, it will produce what 143 00:07:59,120 --> 00:08:03,840 Speaker 1: you need to endure the time that you need to 144 00:08:03,960 --> 00:08:09,520 Speaker 1: become the dream. So a lot of people don't talk 145 00:08:09,560 --> 00:08:16,080 Speaker 1: about the Dream Killers because there is a lack of 146 00:08:16,160 --> 00:08:21,640 Speaker 1: conversation about the fight and about the process. But here's 147 00:08:21,680 --> 00:08:24,840 Speaker 1: a book that is unafraid to talk to you while 148 00:08:24,920 --> 00:08:28,240 Speaker 1: you're in the process, to celebrate you while you're in 149 00:08:28,280 --> 00:08:33,480 Speaker 1: the process, to inspire you to dance your dance and 150 00:08:33,559 --> 00:08:36,319 Speaker 1: not someone else's, and that the fight will be there. 151 00:08:36,720 --> 00:08:38,959 Speaker 1: But it's the fact that I had to get back up, 152 00:08:39,360 --> 00:08:42,440 Speaker 1: that I had to bob and we've dodge and turn, 153 00:08:43,040 --> 00:08:48,000 Speaker 1: and through dancing my dance, it created a confidence, a clarity, 154 00:08:48,360 --> 00:08:52,440 Speaker 1: a level of perseverance, and a level of clarity that 155 00:08:52,440 --> 00:08:57,280 Speaker 1: would enable me to stand strong now at the best 156 00:08:57,320 --> 00:09:00,160 Speaker 1: and biggest time of my career. And I think some 157 00:09:00,200 --> 00:09:03,080 Speaker 1: people like to just talk about the glossiness. They're afraid 158 00:09:03,200 --> 00:09:06,240 Speaker 1: to say. I was curled up in a ball after 159 00:09:06,800 --> 00:09:09,400 Speaker 1: I got, you know, in a big fight with Boffy 160 00:09:09,440 --> 00:09:11,040 Speaker 1: on making the band. I was curled up in the 161 00:09:11,040 --> 00:09:13,760 Speaker 1: ball after I left my pop star at the biggest 162 00:09:13,760 --> 00:09:16,760 Speaker 1: moment in her career. But it's those moments where I 163 00:09:16,760 --> 00:09:19,680 Speaker 1: had to hang onto the feeling of the dream and 164 00:09:19,880 --> 00:09:23,719 Speaker 1: define myself by staying in my yes. And so if 165 00:09:23,760 --> 00:09:26,720 Speaker 1: you're at the position and the business doesn't look like 166 00:09:26,760 --> 00:09:29,520 Speaker 1: it's about to prosper, but you have this feeling of 167 00:09:29,559 --> 00:09:34,600 Speaker 1: the dream, then you have to take the opportunity to 168 00:09:34,640 --> 00:09:37,640 Speaker 1: stay in your yes and hang onto that dream and 169 00:09:37,679 --> 00:09:42,520 Speaker 1: go through the pain, get back up, choose to fight, 170 00:09:42,760 --> 00:09:46,040 Speaker 1: choose to train again, choose to take another route. But 171 00:09:46,200 --> 00:09:50,959 Speaker 1: refused to give up, refuse to give up. I want 172 00:09:51,040 --> 00:09:54,560 Speaker 1: the narratives to change. Refused to give up. Well, Lorien, 173 00:09:54,600 --> 00:09:58,199 Speaker 1: how do I do that? I'm facing eviction. Face it. 174 00:10:00,160 --> 00:10:02,920 Speaker 1: Once you face it, and you acknowledge that your dream 175 00:10:03,040 --> 00:10:05,439 Speaker 1: is bigger than the eviction, that the feeling of the 176 00:10:05,559 --> 00:10:09,480 Speaker 1: dream is bigger than the eviction. Notice, then you will 177 00:10:09,600 --> 00:10:13,600 Speaker 1: find a way out because you've chosen your dance over 178 00:10:13,679 --> 00:10:19,800 Speaker 1: somebody else's dance, and so the dream killers are there 179 00:10:19,840 --> 00:10:23,320 Speaker 1: to force you to dance your dance. You get it 180 00:10:23,480 --> 00:10:28,840 Speaker 1: from the visionary perspective. Why am I facing this? Why 181 00:10:28,880 --> 00:10:33,600 Speaker 1: did the door close? It closed? Because that is not 182 00:10:33,880 --> 00:10:37,439 Speaker 1: in alignment with the feeling of my dream. That door 183 00:10:37,520 --> 00:10:42,240 Speaker 1: ultimately wasn't going to create the greatness in me or 184 00:10:42,320 --> 00:10:46,439 Speaker 1: produce the greatness in me. Wow. You know the thing 185 00:10:46,440 --> 00:10:49,440 Speaker 1: about greatness, it's a word that's used a lot now 186 00:10:49,960 --> 00:10:53,959 Speaker 1: because of the pandemic, the word pivot. And when you 187 00:10:54,120 --> 00:10:56,440 Speaker 1: read this book, you the queen of pivoting. You know 188 00:10:56,520 --> 00:10:59,760 Speaker 1: you are. When you got on that bus with your 189 00:10:59,800 --> 00:11:03,600 Speaker 1: third teen thousand plus dollars and thirteen thousand was going 190 00:11:03,640 --> 00:11:06,480 Speaker 1: to your tuition at an a Lee, you know, and 191 00:11:06,520 --> 00:11:08,640 Speaker 1: the rest was going to you don't know where. That 192 00:11:08,720 --> 00:11:10,880 Speaker 1: was your pivoting moment because there was no destiny. But 193 00:11:10,920 --> 00:11:13,800 Speaker 1: when you got there, you you balanced to pivoty. That's 194 00:11:13,840 --> 00:11:16,800 Speaker 1: what I'm saying is that, you know, I laugh at 195 00:11:16,800 --> 00:11:19,600 Speaker 1: my life because I a lot of terms I just 196 00:11:19,720 --> 00:11:22,559 Speaker 1: naturally didn't did in my life. They are common terms 197 00:11:22,559 --> 00:11:28,160 Speaker 1: now branding pivoting. You were you know, uh dream book 198 00:11:28,200 --> 00:11:31,320 Speaker 1: boards and stuff that people put on that's you. But 199 00:11:31,400 --> 00:11:34,319 Speaker 1: you did it naturally. Talker walk us through those steps, 200 00:11:34,360 --> 00:11:37,040 Speaker 1: you know, even till the discovering the world of hip hop, 201 00:11:37,320 --> 00:11:39,280 Speaker 1: that was a pivot moment for you. You didn't come 202 00:11:39,280 --> 00:11:41,600 Speaker 1: to New York to be a hippop d answer and 203 00:11:41,679 --> 00:11:45,959 Speaker 1: so so talk about the power of pivoty naturally before 204 00:11:46,000 --> 00:11:49,160 Speaker 1: it became a term that people use like it's something 205 00:11:49,160 --> 00:11:52,360 Speaker 1: that was discovered overnight. They just, well, pivoty you when 206 00:11:52,400 --> 00:11:54,679 Speaker 1: you did it? In this book tells you how you 207 00:11:54,720 --> 00:11:58,360 Speaker 1: did it. They weren't act the time when you were pivoting. 208 00:11:58,720 --> 00:12:00,600 Speaker 1: They were not You were doing it by yourself as 209 00:12:00,600 --> 00:12:02,600 Speaker 1: a young lady in New York City. I lived in 210 00:12:02,600 --> 00:12:04,959 Speaker 1: New York City when eighty nine. I was there in 211 00:12:05,000 --> 00:12:07,360 Speaker 1: a D eight I lived And when you talk about 212 00:12:07,360 --> 00:12:10,520 Speaker 1: the railroad apartment, I lived in the apartment where guess what, 213 00:12:10,800 --> 00:12:13,079 Speaker 1: I looked at the window. The garbage truck stopped every night, 214 00:12:13,120 --> 00:12:15,600 Speaker 1: woke me up at three am. I got right below 215 00:12:15,679 --> 00:12:18,320 Speaker 1: my window, got killed. I to go shower with ten 216 00:12:18,360 --> 00:12:20,400 Speaker 1: other people because guess what, there was a giant shower. 217 00:12:20,880 --> 00:12:24,520 Speaker 1: So I know exactly the struggle when you talk about pivoty, 218 00:12:24,920 --> 00:12:27,640 Speaker 1: you have to do some things that guess what, Duden 219 00:12:27,640 --> 00:12:29,600 Speaker 1: you tell the story because goof what God has allowed 220 00:12:29,640 --> 00:12:32,679 Speaker 1: you with your faith to be able to tell this story. 221 00:12:32,720 --> 00:12:35,520 Speaker 1: But let's talk about pivoty when it was not something 222 00:12:35,559 --> 00:12:37,480 Speaker 1: you could read in the book, that you had to 223 00:12:37,480 --> 00:12:40,439 Speaker 1: go just on your faith, your belief in your dreams. 224 00:12:42,880 --> 00:12:46,600 Speaker 1: Oh my God, that's so beautiful what you just said, 225 00:12:46,679 --> 00:12:50,240 Speaker 1: because basically you said it for me, and I'm so 226 00:12:50,320 --> 00:12:54,720 Speaker 1: grateful that you have felt the purpose of the book 227 00:12:55,400 --> 00:12:58,480 Speaker 1: Evening is a dance move. It is changing the direction 228 00:12:58,600 --> 00:13:03,040 Speaker 1: and headed into a better flow. I start out in 229 00:13:03,120 --> 00:13:07,040 Speaker 1: the book talking about step one, dare to dream. And 230 00:13:07,080 --> 00:13:11,160 Speaker 1: I used the word dare because when you're producing something 231 00:13:11,200 --> 00:13:14,440 Speaker 1: that hasn't been done before, you won't see it in 232 00:13:14,480 --> 00:13:18,200 Speaker 1: the world. You won't see the reflection because you are 233 00:13:20,040 --> 00:13:23,040 Speaker 1: the very thing that you're looking for. It's in you. 234 00:13:23,760 --> 00:13:27,240 Speaker 1: So there isn't dare. There isn't a risk to dream. 235 00:13:27,240 --> 00:13:29,240 Speaker 1: But I talked about it early so we can get 236 00:13:29,280 --> 00:13:32,000 Speaker 1: it out the way, and so you can establish a 237 00:13:32,120 --> 00:13:36,439 Speaker 1: confidence in the passion and in the dream, so that 238 00:13:36,480 --> 00:13:39,959 Speaker 1: you can hang onto that feeling when a pivot hits you. 239 00:13:40,640 --> 00:13:43,120 Speaker 1: So when I went to New York and I thought 240 00:13:43,120 --> 00:13:45,440 Speaker 1: I was studying at alban Elly, and all of a 241 00:13:45,440 --> 00:13:47,880 Speaker 1: sudden I went to a hip hop audition and I 242 00:13:47,960 --> 00:13:52,040 Speaker 1: began to feel something more and there was a pivot. 243 00:13:52,120 --> 00:13:54,520 Speaker 1: But yet I was like, how can I do hip hop? 244 00:13:54,520 --> 00:13:57,079 Speaker 1: When I was studying technical dancer, I thought I was 245 00:13:57,120 --> 00:14:00,640 Speaker 1: supposed to be at alban Elly but in trusting the 246 00:14:00,720 --> 00:14:03,320 Speaker 1: feeling of the dream, I realized that I had to 247 00:14:03,400 --> 00:14:07,920 Speaker 1: pivot because it wasn't just about dancing his great works. 248 00:14:08,320 --> 00:14:12,520 Speaker 1: It was about being inspired by Alvan Elly, J. Jamison, 249 00:14:13,000 --> 00:14:15,760 Speaker 1: Katherine Dunham. It was the fact that when I first 250 00:14:15,760 --> 00:14:20,640 Speaker 1: saw Ali, I saw a man who spoke about tribulation 251 00:14:21,000 --> 00:14:25,760 Speaker 1: and oppression through dance. I realized that his work as 252 00:14:25,760 --> 00:14:29,120 Speaker 1: a visionary was what was speaking to my purpose, to 253 00:14:29,240 --> 00:14:33,880 Speaker 1: my soul. It was moving me towards me understanding how 254 00:14:33,960 --> 00:14:38,560 Speaker 1: to create movement and artists that would speak to the circumstance. 255 00:14:39,040 --> 00:14:44,040 Speaker 1: So the pivot was necessary. And so the fact that 256 00:14:44,080 --> 00:14:46,760 Speaker 1: we're even talking about the pivot from a real place 257 00:14:46,840 --> 00:14:51,960 Speaker 1: like it's gonna feel uncomfortable. There will be a moment 258 00:14:52,480 --> 00:14:55,640 Speaker 1: where you're out there and you have no confirmation that 259 00:14:55,680 --> 00:14:59,040 Speaker 1: the pivot is right. But what you do know is 260 00:14:59,080 --> 00:15:02,680 Speaker 1: where you were didn't feel like all you could be, 261 00:15:04,040 --> 00:15:06,080 Speaker 1: which is why you have to hang onto the feeling 262 00:15:06,160 --> 00:15:08,880 Speaker 1: of the dream, because it's in the pivot that there 263 00:15:08,920 --> 00:15:11,960 Speaker 1: will be a moment where you're sustaining evidence of that 264 00:15:12,040 --> 00:15:16,440 Speaker 1: dream and you're becoming it. And so to be able 265 00:15:16,480 --> 00:15:19,840 Speaker 1: to pick up a book that will give you strength 266 00:15:19,920 --> 00:15:24,480 Speaker 1: during your pivot or while you're pivoting is key because 267 00:15:25,400 --> 00:15:28,760 Speaker 1: God gives each enevt one of us a different dreams 268 00:15:28,760 --> 00:15:32,560 Speaker 1: so that we can help each other to further empower 269 00:15:32,680 --> 00:15:36,920 Speaker 1: each other, so that we could live our perfect dreams 270 00:15:36,960 --> 00:15:40,280 Speaker 1: are individual dreams. So I think the pivot is not 271 00:15:40,400 --> 00:15:43,800 Speaker 1: something that's just to be taken lightly. Oh, it's easy. 272 00:15:44,240 --> 00:15:47,560 Speaker 1: Go ahead and pivot and don't feel nervous. Go have 273 00:15:47,720 --> 00:15:49,840 Speaker 1: it and pivot and don't feel sick in your stomach 274 00:15:50,120 --> 00:15:52,880 Speaker 1: when you're walking away from your nine to five to 275 00:15:53,040 --> 00:15:58,160 Speaker 1: open your own business. No, understand that those are all 276 00:15:58,280 --> 00:16:02,440 Speaker 1: flags that are directing you directly into the dream. And 277 00:16:02,520 --> 00:16:05,520 Speaker 1: it is scary. You do have to dare to dream, 278 00:16:05,560 --> 00:16:10,160 Speaker 1: but you already established that in step one. So continue 279 00:16:10,200 --> 00:16:13,920 Speaker 1: to dance because the next step will present itself. You'll 280 00:16:13,960 --> 00:16:18,440 Speaker 1: get confident in the idea that pivoting needs to the 281 00:16:18,560 --> 00:16:20,560 Speaker 1: evidence of what you will become, and it will get 282 00:16:20,600 --> 00:16:25,320 Speaker 1: easier to dance those pivots. 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That's O T T 317 00:18:19,119 --> 00:18:22,040 Speaker 1: E R. Dot Ai. Then the thing about it is 318 00:18:22,080 --> 00:18:26,000 Speaker 1: interesting about your book. I I I turned Mr Christopher. 319 00:18:26,520 --> 00:18:28,520 Speaker 1: Every time a dream killer came in your life, it 320 00:18:28,600 --> 00:18:30,639 Speaker 1: was Mr Christopher. You know what I'm saying. So the 321 00:18:30,680 --> 00:18:33,199 Speaker 1: two so be patient with me. Like the Mr Christopher 322 00:18:33,280 --> 00:18:35,760 Speaker 1: started way in your life and you ignored him, and 323 00:18:35,800 --> 00:18:40,000 Speaker 1: I called the restaurant owner. He's a Mr Christopher, Okay, 324 00:18:40,720 --> 00:18:45,280 Speaker 1: the person who who basically parted you and you missed 325 00:18:45,280 --> 00:18:47,840 Speaker 1: out on that opportunity in the Malcolm X movie, that 326 00:18:47,920 --> 00:18:51,240 Speaker 1: was a Mr Christopher. How do we recognize the Mr 327 00:18:51,320 --> 00:18:54,159 Speaker 1: Christopher's in our world because your book talks about them. 328 00:18:54,320 --> 00:18:58,440 Speaker 1: We call them dream killers. There are individuals, these dream killers, 329 00:18:58,760 --> 00:19:01,639 Speaker 1: and they are people that sometimes you don't recognize them, 330 00:19:01,720 --> 00:19:03,960 Speaker 1: but they came into your life. You didn't let them win. 331 00:19:05,320 --> 00:19:09,480 Speaker 1: They I call emotionals. They were never physical setbacks because 332 00:19:09,520 --> 00:19:12,560 Speaker 1: you have your health. They were emotional moments. Say, but 333 00:19:12,640 --> 00:19:15,479 Speaker 1: you learn from you talk about how you learned. But 334 00:19:15,720 --> 00:19:20,119 Speaker 1: the thing I like consistently about your book, hard work 335 00:19:20,280 --> 00:19:24,320 Speaker 1: was never something you ran away from you. You admitted 336 00:19:24,400 --> 00:19:28,760 Speaker 1: your thoughts, you admitted your errors, and you were responsible 337 00:19:28,840 --> 00:19:33,840 Speaker 1: towards correcting them in another situation. And just talk about 338 00:19:33,880 --> 00:19:35,679 Speaker 1: that because I think that's important because a lot of 339 00:19:35,680 --> 00:19:38,960 Speaker 1: people when they make mistakes. Your book discusses how to 340 00:19:39,080 --> 00:19:42,679 Speaker 1: overcome or not let that mistake win, because it's a 341 00:19:42,720 --> 00:19:46,560 Speaker 1: mistake that we all can make. Talk about that. Yeah, 342 00:19:46,600 --> 00:19:49,760 Speaker 1: I call them mishaps. You know, you follow out the dance, 343 00:19:49,800 --> 00:19:53,040 Speaker 1: you follow out the aid cap, but as a result 344 00:19:53,119 --> 00:19:58,000 Speaker 1: of the falling, something in you gets louder. The voice 345 00:19:58,119 --> 00:20:00,640 Speaker 1: of the dream, the feeling of the dream. Now you're 346 00:20:00,680 --> 00:20:03,760 Speaker 1: able to hear it because you're in a misstep. So 347 00:20:03,840 --> 00:20:07,480 Speaker 1: now you're like Okay, I'm acknowledging it as a misstep 348 00:20:07,480 --> 00:20:11,280 Speaker 1: because I don't feel good making that decision. I didn't 349 00:20:11,280 --> 00:20:14,639 Speaker 1: feel good being late. I didn't feel like what was 350 00:20:14,680 --> 00:20:19,359 Speaker 1: inside of me was aligning itself with what Mr Christopher said. 351 00:20:21,119 --> 00:20:24,480 Speaker 1: He said I couldn't be a ballerina. My feet were 352 00:20:24,480 --> 00:20:28,399 Speaker 1: too flat, my back was arch. He literally said that 353 00:20:28,520 --> 00:20:32,359 Speaker 1: I wouldn't be a great dancer. But my dream told 354 00:20:32,359 --> 00:20:34,840 Speaker 1: me different. The feeling inside of me told me different, 355 00:20:35,920 --> 00:20:38,840 Speaker 1: and I hung on to that feeling, and as a 356 00:20:38,920 --> 00:20:41,720 Speaker 1: result of me being obedient to that feeling, I wasn't 357 00:20:41,720 --> 00:20:45,840 Speaker 1: afraid of the work that I needed to develop that 358 00:20:46,000 --> 00:20:50,040 Speaker 1: level of ability. I talked about training to sustain, getting 359 00:20:50,080 --> 00:20:53,679 Speaker 1: as much information as you need to be able to 360 00:20:53,800 --> 00:20:57,800 Speaker 1: persevere through a dream killer. It's the training, It's the 361 00:20:57,840 --> 00:21:02,040 Speaker 1: work you put into becoming that sustains you when someone 362 00:21:02,160 --> 00:21:06,520 Speaker 1: doesn't see what it is you're meant to become. Because 363 00:21:06,560 --> 00:21:10,479 Speaker 1: you're the one of the ones, You're a prototype. So 364 00:21:10,560 --> 00:21:15,000 Speaker 1: how how was Mr Christopher supposed to me? He never 365 00:21:15,040 --> 00:21:18,960 Speaker 1: saw a young black girl with that much belief, power 366 00:21:19,119 --> 00:21:23,560 Speaker 1: and authority when she danced. He was in a very 367 00:21:23,640 --> 00:21:28,679 Speaker 1: ignorant phase of his dance. So I tell those people too, 368 00:21:28,800 --> 00:21:32,720 Speaker 1: that our dream killers to get out of their period 369 00:21:32,880 --> 00:21:36,679 Speaker 1: of oppression and rejection to the greatness and others because 370 00:21:36,720 --> 00:21:40,600 Speaker 1: they're ruining their own greatness in themselves. But the most 371 00:21:40,640 --> 00:21:44,960 Speaker 1: important thing as a visionary is to understand that you 372 00:21:45,080 --> 00:21:48,640 Speaker 1: must do the work, you must train get as much 373 00:21:48,680 --> 00:21:55,040 Speaker 1: knowledge to sustain the dream killers, because what you carry 374 00:21:55,119 --> 00:21:58,960 Speaker 1: maybe something original. You may be a prototype, and in 375 00:21:59,000 --> 00:22:03,000 Speaker 1: most cases everyone's dream is unique to themselves, and we 376 00:22:03,040 --> 00:22:06,159 Speaker 1: are all prototypes. We have something you need to offer, 377 00:22:07,200 --> 00:22:10,880 Speaker 1: and in understanding that philosophy and that methodology, you will 378 00:22:10,880 --> 00:22:14,200 Speaker 1: be less inclined to design yourself by what someone else 379 00:22:14,600 --> 00:22:18,880 Speaker 1: does and begin to embrace the conversation that I'm a prototype. 380 00:22:19,480 --> 00:22:21,520 Speaker 1: I gotta dance my dance because what I have to 381 00:22:21,600 --> 00:22:25,000 Speaker 1: do hasn't been done the way I'm going to do 382 00:22:25,040 --> 00:22:28,159 Speaker 1: it right right. You know that you know this. This 383 00:22:28,240 --> 00:22:31,440 Speaker 1: is no time wherever, time limit here. But I want 384 00:22:31,440 --> 00:22:33,400 Speaker 1: to ask you one more question. It's a couple of things. 385 00:22:33,480 --> 00:22:35,880 Speaker 1: I wish I saw that I had sat a picture 386 00:22:35,880 --> 00:22:37,879 Speaker 1: of you and you go with black old cowboy boots 387 00:22:37,880 --> 00:22:40,080 Speaker 1: because I'm a Texas boy. So I fell in love 388 00:22:40,119 --> 00:22:41,920 Speaker 1: when you went out and thought you had to help 389 00:22:41,960 --> 00:22:44,360 Speaker 1: a pair of black cowboy boots and when you went 390 00:22:44,400 --> 00:22:47,400 Speaker 1: for that audition and heavy d and did in How 391 00:22:47,440 --> 00:22:49,639 Speaker 1: You Change and Walk Down Hip hop se There's a 392 00:22:49,640 --> 00:22:52,280 Speaker 1: lot of things that I love about this book. And 393 00:22:52,320 --> 00:22:54,080 Speaker 1: the thing I love about this book the most is 394 00:22:54,119 --> 00:22:57,000 Speaker 1: that see, fear stops a lot of people. I always 395 00:22:57,000 --> 00:22:59,359 Speaker 1: tell people they don't want to change jobs or they 396 00:22:59,359 --> 00:23:02,159 Speaker 1: don't want to end relationships. You know, fear could have 397 00:23:02,160 --> 00:23:04,639 Speaker 1: stopped you with Lady God God, they keeping nas to 398 00:23:04,760 --> 00:23:07,920 Speaker 1: call you, got with Michael, Michael Jackson, you was working 399 00:23:07,920 --> 00:23:11,200 Speaker 1: with Brandy. These are not these are not trivial names 400 00:23:11,200 --> 00:23:13,800 Speaker 1: that are thrown around in the book. They're just examples 401 00:23:13,800 --> 00:23:16,520 Speaker 1: to let you let people know that that you had 402 00:23:16,520 --> 00:23:19,200 Speaker 1: to make decisions and you couldn't be afraid when you 403 00:23:19,280 --> 00:23:22,520 Speaker 1: was making these decisions. And before I wrapped this interview, 404 00:23:22,560 --> 00:23:25,240 Speaker 1: I like to if you can just explain to people, yes, 405 00:23:25,320 --> 00:23:29,439 Speaker 1: you are afraid, your fear was in you, but faith 406 00:23:29,520 --> 00:23:33,080 Speaker 1: got you through that. But talk about that whole process 407 00:23:33,160 --> 00:23:35,479 Speaker 1: because a lot of people are stuck at jobs right 408 00:23:35,520 --> 00:23:38,720 Speaker 1: now that you quit their relationships they could walk away 409 00:23:38,800 --> 00:23:41,320 Speaker 1: from They're living in conditions that they can do better, 410 00:23:41,359 --> 00:23:44,160 Speaker 1: like you said, but they refused to figure out a plan. 411 00:23:44,520 --> 00:23:47,199 Speaker 1: This book is about a plan and they if they 412 00:23:47,200 --> 00:23:50,320 Speaker 1: follow this plan. They have realized that this book might 413 00:23:50,359 --> 00:23:52,520 Speaker 1: have a lot of famous names in it. Just remove 414 00:23:52,560 --> 00:23:55,280 Speaker 1: the famous names and write their names, and the people 415 00:23:55,400 --> 00:23:59,119 Speaker 1: that are blocking them are helping them there in this book. 416 00:23:59,400 --> 00:24:01,320 Speaker 1: That's what I love this book, miss Gibson, and I 417 00:24:01,440 --> 00:24:03,200 Speaker 1: want to thank you for writing it. But before I leave, 418 00:24:03,400 --> 00:24:07,080 Speaker 1: if you can expound on overcoming fear when great opportunities 419 00:24:07,119 --> 00:24:10,679 Speaker 1: are presenting themselves but you don't know the expectations of 420 00:24:10,680 --> 00:24:15,800 Speaker 1: what could happen. You're so awesome. I really am grateful 421 00:24:15,840 --> 00:24:20,600 Speaker 1: for you and your guidance and helping me express the 422 00:24:20,640 --> 00:24:23,639 Speaker 1: power of this book. So thank you so much for 423 00:24:23,840 --> 00:24:27,280 Speaker 1: dancing your dance, but most importantly for being your great self, 424 00:24:27,320 --> 00:24:30,080 Speaker 1: because it is blowing you away how much you're helping 425 00:24:30,600 --> 00:24:33,720 Speaker 1: people to understand the power of this book. So I'm 426 00:24:33,800 --> 00:24:38,639 Speaker 1: so humbled by that. Thank you. I believe and I 427 00:24:38,720 --> 00:24:42,520 Speaker 1: know that I wrote this book for the very reason 428 00:24:42,760 --> 00:24:44,880 Speaker 1: that if I can speak to your dream, I can 429 00:24:44,880 --> 00:24:48,640 Speaker 1: speak to your circumstance. So I know that fear did 430 00:24:48,680 --> 00:24:52,320 Speaker 1: not live in me, it lived around me, but faith 431 00:24:52,400 --> 00:24:55,080 Speaker 1: lived in me. Once you dare to dream. Then the 432 00:24:55,080 --> 00:25:00,399 Speaker 1: possibilities of the beautiful power of that dream is about faith, 433 00:25:00,440 --> 00:25:03,960 Speaker 1: and faith is in the dream. So very early I 434 00:25:04,080 --> 00:25:08,560 Speaker 1: realized that faith was something that was around me, that 435 00:25:08,760 --> 00:25:14,480 Speaker 1: was something that was being projected towards me, and that 436 00:25:14,680 --> 00:25:18,400 Speaker 1: if I gave it life, if I said yes to it, 437 00:25:18,840 --> 00:25:22,640 Speaker 1: then that would actually become something I had to then 438 00:25:22,840 --> 00:25:29,640 Speaker 1: experience versus staying in my yes, which is an important 439 00:25:30,440 --> 00:25:35,399 Speaker 1: step four. It's a hard step to work because you 440 00:25:35,440 --> 00:25:38,960 Speaker 1: have to stay in something that you cannot see. You 441 00:25:39,040 --> 00:25:42,600 Speaker 1: have to stay in something that is deeply rooted in 442 00:25:42,640 --> 00:25:48,600 Speaker 1: the passion that you feel when you think about your dream, 443 00:25:48,640 --> 00:25:52,720 Speaker 1: and in doing so, you choose your dream over the fear. 444 00:25:53,240 --> 00:26:02,080 Speaker 1: And now you're saying to life, unfold according to God's plan, unfold, 445 00:26:02,160 --> 00:26:05,000 Speaker 1: according to the plan of my dream, my purpose, and 446 00:26:05,080 --> 00:26:10,399 Speaker 1: my destiny unfold, according to my dance, unfold according to 447 00:26:10,480 --> 00:26:18,040 Speaker 1: who I am. And again you choose the dream over 448 00:26:18,080 --> 00:26:22,600 Speaker 1: the fear. And suddenly what starts to rise in you 449 00:26:22,760 --> 00:26:28,679 Speaker 1: is confirmation, and the faith gets you to the next step. 450 00:26:29,040 --> 00:26:32,359 Speaker 1: Suddenly the phone rings, You pick up the phone, and 451 00:26:32,400 --> 00:26:36,760 Speaker 1: it reflects you staying in your yes, and not the 452 00:26:36,920 --> 00:26:41,439 Speaker 1: fear of losing, but the faith of winning. So it 453 00:26:41,760 --> 00:26:46,800 Speaker 1: is about working the steps. It's not about expecting something 454 00:26:46,840 --> 00:26:52,200 Speaker 1: to happen magically overnight. No, it's about understanding when you're 455 00:26:52,359 --> 00:26:58,720 Speaker 1: facing it and you refuse to choose it, it's gonna come. 456 00:26:58,280 --> 00:27:00,880 Speaker 1: And when when when I have to pay that bill 457 00:27:01,000 --> 00:27:03,200 Speaker 1: and I didn't have a job and my grand was due, 458 00:27:03,240 --> 00:27:05,800 Speaker 1: I was like, okay, God, where am I? When I 459 00:27:05,840 --> 00:27:07,520 Speaker 1: was going to the foreign officer, she was like, you 460 00:27:07,560 --> 00:27:09,800 Speaker 1: have to go home. I was in that bathroom on 461 00:27:09,840 --> 00:27:11,880 Speaker 1: my knees, like, you gave me this dream. I'm gonna 462 00:27:12,000 --> 00:27:14,840 Speaker 1: need you to help me understand what I'm gonna have 463 00:27:14,880 --> 00:27:16,560 Speaker 1: to say when I go downstairs and they want me 464 00:27:16,600 --> 00:27:20,840 Speaker 1: to produce this paper that I don't have. And as 465 00:27:20,880 --> 00:27:26,919 Speaker 1: soon as I went downstairs go to test me on 466 00:27:26,920 --> 00:27:34,240 Speaker 1: this book Pape, I got ther fook okause I was 467 00:27:34,359 --> 00:27:37,680 Speaker 1: the very woman that he expected me to produce a 468 00:27:37,800 --> 00:27:40,080 Speaker 1: paper that I did not have, a paper that would 469 00:27:40,080 --> 00:27:47,000 Speaker 1: send me home. Got fired. Yes, yes, And they were like, look, 470 00:27:47,880 --> 00:27:49,639 Speaker 1: miss Wanton is not here. I need you to go 471 00:27:49,680 --> 00:27:53,240 Speaker 1: back to your class. And what did that do? It 472 00:27:53,320 --> 00:27:56,760 Speaker 1: brought me time to do what I needed to do 473 00:27:56,880 --> 00:28:00,680 Speaker 1: to stay in my dreams. So I talked about these 474 00:28:00,720 --> 00:28:05,680 Speaker 1: situations to support another dreamer at that particular junction where 475 00:28:05,680 --> 00:28:08,840 Speaker 1: they need evidence of the yes, evidence of someone staying 476 00:28:08,840 --> 00:28:15,840 Speaker 1: in there. Yes. Not just the celebrating materialistically, being bold, 477 00:28:15,840 --> 00:28:19,399 Speaker 1: being like braggadocious about what you have. This is not 478 00:28:19,480 --> 00:28:22,080 Speaker 1: what this book is about. This is about the coming 479 00:28:22,080 --> 00:28:25,080 Speaker 1: what you are. And at certain times I have to 480 00:28:25,119 --> 00:28:27,919 Speaker 1: talk about what I don't have and what I didn't 481 00:28:27,920 --> 00:28:31,520 Speaker 1: have so that you can understand the power of staying 482 00:28:31,520 --> 00:28:34,480 Speaker 1: in your yes, the power of your dream. So I'm 483 00:28:34,560 --> 00:28:38,360 Speaker 1: so grateful, but it is really important, especially now that 484 00:28:38,440 --> 00:28:42,240 Speaker 1: I speak to fear being around you, not in you, 485 00:28:43,320 --> 00:28:45,680 Speaker 1: so that you can understand how to stay in your yes, 486 00:28:46,400 --> 00:28:49,560 Speaker 1: which completely produces the faith and the confidence and the 487 00:28:49,640 --> 00:28:54,360 Speaker 1: perseverance you need to get to what you already are. Wow, 488 00:28:55,040 --> 00:28:58,400 Speaker 1: She's Laurie and Gibson. Dance your dance, She says. Numerous 489 00:28:58,400 --> 00:29:01,520 Speaker 1: inspirational stories and antidote, including coming up and dancing with 490 00:29:01,560 --> 00:29:05,320 Speaker 1: Genial Loaf, Jennifer Lopez, first time meeting Lady Gaga, working 491 00:29:05,320 --> 00:29:07,480 Speaker 1: with the late Michael Jackson, the early days of bringing 492 00:29:07,520 --> 00:29:10,640 Speaker 1: Nicki Minage of Barbie World to life. A long time 493 00:29:10,720 --> 00:29:13,680 Speaker 1: collaboration is p Diddy and You're fantastic. I want to 494 00:29:13,720 --> 00:29:16,080 Speaker 1: thank you for taking the time again. I'm supporting this 495 00:29:16,240 --> 00:29:19,160 Speaker 1: book Lauren Gibson Dance Your Dance. Thanks for coming on 496 00:29:19,160 --> 00:29:23,200 Speaker 1: Money Making Conversation. 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