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Speaker 1: Hey, everybody, welcome to a bonus episode of I Saw

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Speaker 1: What You Did. My name is Millie to Jericho, I'm

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Speaker 1: Daniel Henderson, and hey, we're just kicking back.

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Speaker 2: We're just taking our shoes off, taking our shirts off.

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Speaker 3: Bonus episodes are more chill affair, and I know you're

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Speaker 3: probably thinking, well, how could they get more chill? We've

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Speaker 3: heard the main feed episodes where they're talking about fucking

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Speaker 3: skid marks and dick blood. What the hell is going

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Speaker 3: on in this bonus It's more chill.

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Speaker 2: It's a relaxed skid mark.

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Speaker 1: This is what I like, really really get real philosophical

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Speaker 1: about these skid marks.

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Speaker 2: I've gotten a couple a couple of texts for my

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Speaker 2: friends that are like, y'all went so hard about their

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Speaker 2: skid marks. I was like, well, no, shit, it's a

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Speaker 2: divisive issue.

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Speaker 3: I want to know why more people are not talking

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Speaker 3: about it, because we need to normalize the fact that

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Speaker 3: it ain't okay.

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Speaker 1: Well, everybody that text me was like, oh, I have

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Speaker 1: a bad opinion on it, but I just don't think

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Speaker 1: i've ever heard people like, really, you know, present a

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Speaker 1: party line on it.

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Speaker 3: Yeah.

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Speaker 2: I was like, well, that's because you hadn't met the

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Speaker 2: right bitches until now.

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Speaker 3: Exactly what are we here for if not to present

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Speaker 3: the hard party line about skid marks and disgusting bodily functions, the.

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Speaker 2: Hard line on skid marks, according to tern shred Darby.

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Speaker 1: So so you get it, but no one else, anybody.

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Speaker 2: Else get it.

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Speaker 3: Oh shit, might never recover, might never recover. She said,

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Speaker 3: the whole album name, y'all. Oh god, Well he's had

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Speaker 3: a trajectory that Terrence Trent Derby, but he came out

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Speaker 3: with a banger right off the bat. That whole album

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Speaker 3: is like top to bottom. I love it.

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Speaker 1: Yeah, And he's he's now going by something else.

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Speaker 3: He's uh, he's going by Sonanda Matreya.

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Speaker 1: Wow, Sonanda Matreya. Well, I I was a huge fan

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Speaker 1: of his back in the day.

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Speaker 2: Uh, he was a smooth, smooth customer, all those smooth.

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Speaker 3: Songs completely and look, Sonanda explains if you want, if

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Speaker 3: you're looking to to look it up. Soananda explains that

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Speaker 3: he basically killed Terrence Trent Derby. Uh. He said he

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Speaker 3: watched his suffering as he died a noble death. After

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Speaker 3: intense pain, I meditated for a new spirit, a new will,

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Speaker 3: a new identity. I mean I would have just gone

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Speaker 3: down to the court and been like, I don't like

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Speaker 3: my name, can you change it? It's associated with some

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Speaker 3: shit I don't like. He went hoard yes snandas like

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Speaker 3: I had to kill that motherfucker that was.

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Speaker 1: Kind of some print shit. Huh like when he was symbolized.

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Speaker 1: Oh yeah, wow, that's crazy.

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Speaker 3: Who knew that in twenty twenty two we would be

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Speaker 3: spending this much time on the artist formerly known as

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Speaker 3: Darren Stritt on a non music podcast.

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Speaker 2: I know, we only talk about music on the bonus.

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Speaker 1: I feel like our hearts want to talk about music

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Speaker 1: on bonus episodes.

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Speaker 3: It's just where we go. It's where we end up

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Speaker 3: so much of the time.

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Speaker 2: Well, and it's funny because there's a We're gonna read

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Speaker 2: some emails today and there is a whole music music

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Speaker 2: themed letter that we got.

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Speaker 1: So I'm actually really excited to answer that one.

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Speaker 2: Do you want to dig into this, males.

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Speaker 3: Of course I do, Otherwise I'm just gonna keep talking

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Speaker 3: about dead eighties popstars.

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Speaker 2: Well, this is an eighties themed letter that we got.

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Speaker 1: So the title of it is called new Wave Alien Orgasms.

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Speaker 2: Oh my ladies.

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Speaker 1: First of all, I love you guys in the podcast

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Speaker 1: and have been listening since day one. I'm close in

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Speaker 1: age with you guys, so hearing about you guys growing

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Speaker 1: up makes me laugh because, though a bit older, I

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Speaker 1: was right there with you, which brings me to why

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Speaker 1: I'm writing you. When I was twenty one, I discovered

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Speaker 1: a little gem of a bizarre movie I would like

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Speaker 1: to get your take on. I was so obsessed with

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Speaker 1: this movie it took me two years to finally return

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Speaker 1: it to the video store.

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Speaker 2: Lol. Been there. The movie is called Liquid Sky from

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Speaker 2: nineteen eighty two. Have you seen it? Have you heard

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Speaker 2: of it? It's so weird. I figured you guys might have,

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Speaker 2: and if not, you might like to go there. Lol.

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Speaker 1: Anyway, I'd love to hear it someday enter one of

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Speaker 1: your double features. Can't imagine what the theme would be.

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Speaker 1: Signed your fellow jaded, middle aged Shelby.

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Speaker 3: Right on, Shelby, U. I have not seen this film.

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Speaker 3: I have heard of this film. I watched the trailer

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Speaker 3: in preparation for recording this episode, and just from watching

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Speaker 3: the trailer, I felt like I had traveled to an

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Speaker 3: interdimensional state that I was eager to return from.

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Speaker 1: Yes, it's been a really long time since I've seen it.

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Speaker 1: The only things that I really know about it was

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Speaker 1: is that a, it's like a no wave movie, right,

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Speaker 1: like it kind of was part of that whole like

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Speaker 1: no wave New York filmmaking scene, And that it also

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Speaker 1: isn't it like respond like art. Isn't it like the

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Speaker 1: basis for electro class or something like it's like what

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Speaker 1: the style of electroclash is based off of?

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Speaker 2: Is this movie's wild? Which to me, Listen, I'm not

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Speaker 2: an electroclash historian.

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Speaker 3: How dare you? I've heard you speak on electroclash it Oxford, those.

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Speaker 2: Were the old days. I don't do that anymore.

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Speaker 1: I actually do have a friend who was in an

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Speaker 1: electro clash band in this era, and if it all,

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Speaker 1: if we ever wanted to bring her on to give

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Speaker 1: us the tea on the electroclash era, we could definitely

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Speaker 1: have her because she's a fan of the pod. But

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Speaker 1: I feel like this movie was like really like visually

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Speaker 1: irresponsible for what electroclash was. But also to me, I didn't.

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Speaker 1: I think it just seemed so eighties to me, and

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Speaker 1: I just I guess I never thought electroclash came from

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Speaker 1: a movie. I just thought it came from fucking everybody

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Speaker 1: with jagged hair in the eighties and they all look

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Speaker 1: like gem in the Holograms.

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Speaker 2: I don't fucking know.

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Speaker 3: You're like, I thought Electroclash came from a barber who

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Speaker 3: was just sick of our shit. I was like, I'm

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Speaker 3: gonna fuck your shit up. How about some fucking asymmetrical

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Speaker 3: shit go out in these streets. Try to make that work?

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Speaker 3: And they did.

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Speaker 2: Yeah, exactly.

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Speaker 1: It's it's like, And to be honest, I feel like

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Speaker 1: this movie I would pick for a theme that we

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Speaker 1: haven't dropped yet, so I can't tell you what it is.

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Speaker 2: This would definitely come.

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Speaker 1: In handy for a theme that we haven't revealed yet.

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Speaker 1: But that's a good, a good pick. I'm so glad

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Speaker 1: that you didn't return it to the video store.

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Speaker 3: Yeah, I want to know. Was it worth a seven

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Speaker 3: hundred and sixty nine dollars charge for the video store

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Speaker 3: when you finally did return it? Is Liquid Sky worth

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Speaker 3: the eight hundred bucks in lafies.

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Speaker 2: And we're talking about eighties dollars right.

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Speaker 3: Oh yeah? Oh yeah, Like inflation wise, that's like fifty

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Speaker 3: five hundred dollars to watch Liquid Sky for two years.

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Speaker 1: That's awesome. Well, Shelby listen, thank you so much for

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Speaker 1: writing in.

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Speaker 2: Thanks for the suggestion.

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Speaker 1: Now we have another title to add to the pod

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Speaker 1: and the theme someday. But we love when you guys

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Speaker 1: really are passionate about films, So thanks.

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Speaker 3: Yeah, and any movie that you feel like you gotta

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Speaker 3: see this, I'll at least give it a shot. If

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Speaker 3: someone's passionate about something, I'm like, I'll try it. I'll

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Speaker 3: watch it.

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Speaker 2: Yeah, yeah, no kidding. This is a and that's a

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Speaker 2: good one to watch too, just like a big like what's.

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Speaker 3: This I'm gonna watch it with my grandma and listen

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Speaker 3: to her yell at me.

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Speaker 1: I bet your grandma would hate dead shit. She'd be like,

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Speaker 1: what is this shit? What is this fucking makeup?

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Speaker 3: Like completely anything esoteric? And she's like, can I watch

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Speaker 3: anything else? Like literally anything else? Can I watch? C

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Speaker 3: span Like she just cannot handle a movie that's weird

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Speaker 3: for the sake of being weird. Oh god, I know,

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Speaker 3: I ain't having it. Yeah, speaking of no, this doesn't

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Speaker 3: that's not a good segue at all. Again. Bonus episode

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Speaker 3: keeping it real loose. Uh. The subject of this email

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Speaker 3: is episode seventy appreciation. Hello, Stellar humans. So I am

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Speaker 3: walking on a canal trail in my city listening to

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Speaker 3: the intro banter of episode seventy, and I literally had

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Speaker 3: to stop in my tracks, sit on a shady bench,

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Speaker 3: and express my gratitude and reverence to your badassness. I

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Speaker 3: am also a gen X lady in my forties, and

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Speaker 3: I swear ninety nine point five percent of the shit

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Speaker 3: you say every week resonates with me profoundly on every level.

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Speaker 3: This episode was especially poignant to me because I am

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Speaker 3: also a bigger lady. So everything you both said today

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Speaker 3: about self acceptance and learning not to give nary a

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Speaker 3: fuck was just the boost I needed today, of all days.

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Speaker 3: Sometimes the universe give you just what you need, precisely

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Speaker 3: when you need it the most, and that was the

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Speaker 3: two of you today. So thank you so much for

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Speaker 3: sharing your voices with the world. I suspect I am

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Speaker 3: not alone in this sentiment. Also a bonus that all

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Speaker 3: of this self love shit happened during the Pride episode

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Speaker 3: you nailed the discussion of but I'm a cheerleader. Sending

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Speaker 3: much love and sincere appreciation your way, Elizabeth from Richmond, Virginia.

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Speaker 2: That is so sweet.

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Speaker 3: Thank you Elizabeth. Episode seventy, which is our two piece

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Speaker 3: swimsuit episode. We got not only so much feedback, but

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Speaker 3: so much great feedback. So thank you to both Elizabeth

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Speaker 3: and everyone else who wrote in and was just nice

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Speaker 3: enough to kind of stop and say, hey, thanks for

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Speaker 3: saying that.

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Speaker 1: Yeah, I mean I got a lot of people reaching

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Speaker 1: out to me personally about it, which I thought was

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Speaker 1: really sweet.

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Speaker 3: You know what.

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Speaker 1: Also, I'm gonna say this was somebody, So somebody like

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Speaker 1: left a comment on one on the Instagram post for

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Speaker 1: one of the one are the Instagram posts for the

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Speaker 1: episode that week, and was talking I sort of directly

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Speaker 1: about the the idea that I had mentioned that my

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Speaker 1: mom had taken me to weight watchers when I was

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Speaker 1: a kid, and uh, I think the comment was just

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Speaker 1: like a little kid in a diet place is like

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Speaker 1: equally parts infuriating and.

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Speaker 2: Sad or something.

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Speaker 1: And I was like, I just like that comment made

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Speaker 1: me like really stop to think about kind of what

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Speaker 1: I said in that moment, because I mean, first of all,

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Speaker 1: that is about me, which is also very strange, Like

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Speaker 1: when you're reading comments, you're like, oh, that person is

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Speaker 1: talking about me, Like it's infuriating and sad, and it's

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Speaker 1: something that I I said.

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Speaker 2: So that was a moment where I just thought, okay,

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Speaker 2: and I felt.

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Speaker 1: And I felt like I just have come really full

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Speaker 1: circle about that, because when I was young, it went

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Speaker 1: from like, oh I was young and didn't know what,

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Speaker 1: I didn't know better, I didn't know, Like then I

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Speaker 1: got pissed. Many many years where I was pissed, and

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Speaker 1: then many years where I was sad, And now I'm like,

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Speaker 1: I mean, what.

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Speaker 2: What was my mom supposed to fucking do? I guess

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Speaker 2: she thought she was doing the right thing.

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Speaker 1: This was the eighties, This was when you know, people,

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Speaker 1: there was not a fucking sensitivity.

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Speaker 2: Sorry, there just really wasn't.

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Speaker 1: Absolutely, when it comes down to it, my mom is

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Speaker 1: a fucking Asian mom, ruthless, fucking ruthless.

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Speaker 3: I'm like, I'm picturing your sweet tiny mom in like

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Speaker 3: her Halloween costume next to your nephews, and you're like ruthless,

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Speaker 3: ruthless like you on me who could do both? She

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Speaker 3: will dress up with her grandkids and be ruthless for sure.

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Speaker 1: I mean, I'm gonna make a very huge generalization about

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Speaker 1: white moms.

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Speaker 3: I just damn.

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Speaker 1: Well, white moms know how to fucking wrap up the

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Speaker 1: package of bad news. They literally will fucking I mean,

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Speaker 1: some of them don't, like, let's get serious, but a

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Speaker 1: lot of them are like they got a bedside manner,

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Speaker 1: whereas everybody else in the world's moms, like all the

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Speaker 1: fucking POC people's.

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Speaker 2: Moms are straight up mean as shit.

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Speaker 3: Yes, yes, yes, my and still in always my grandmother.

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Speaker 3: The other day, my mom was here helping my grandma out.

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Speaker 3: My mom's sixty seven, now, you know, and she's put

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Speaker 3: on some pounds, and she was always like toothpick skinny

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Speaker 3: her whole life, but she started putting on wait a

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Speaker 3: long time ago. My grandmother eighty nine years old, dementia,

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Speaker 3: the whole nine. My mom bends down to tie her shoe,

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Speaker 3: and all my grandma can say is, ooh, Robin, look

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Speaker 3: at the size of your ass, Like this is someone

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Speaker 3: helping you get dressed and taking care of your shit,

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Speaker 3: and it never ends, like it will never fucking end

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Speaker 3: for her, Like that is just a ruthlessness that exists

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Speaker 3: in generations and in certain cultures and in certain swaths

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Speaker 3: of parenthood when you're not white.

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Speaker 1: And I take it my mom to task on this once,

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Speaker 1: I was like, why the fuck you gotta be so mean, Like,

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Speaker 1: what's up with this?

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Speaker 2: Like at one point, this was not that long ago,

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Speaker 2: I think it.

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Speaker 1: Was probably it was probably when I lived with them

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Speaker 1: during COVID, and I was like, damn, back in this place.

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Speaker 1: My mom was saying some blunt shit, just real blunt shit,

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Speaker 1: and I was like, what's up with this? And her

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Speaker 1: fucking answer was you stopping so sensitive, like you get tough,

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Speaker 1: And that, I think is what it ultimately boils down to,

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Speaker 1: is that I feel like a lot of a lot

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Speaker 1: of women of color, a lot of immigrant women, a

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Speaker 1: lot of you know, sort of like non white Western

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Speaker 1: moms don't have it. It's a it's a toughness that

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Speaker 1: they've acquired over the years that they kind of pass

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Speaker 1: on through their communication style.

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Speaker 2: To their kids.

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Speaker 1: And you know, I was because I just thought, why

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Speaker 1: is she still like these barbs? And she, to be honest,

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Speaker 1: she goes harder on my sister now than she does me,

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Speaker 1: uh because my sister has kids, and you know, she's

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Speaker 1: got a pinions about that shit. But it's that thing

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Speaker 1: where I was like, Dad, why the fuck you like

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Speaker 1: you really like cutting? Yeah, And she just kind of

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Speaker 1: explained it in a very simple way. She was just like, listen,

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Speaker 1: people were mean to me my entire life, and this

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Speaker 1: fucking country has been mean to me. And I've had

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Speaker 1: your family mean to me like my own family, and

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Speaker 1: so I'm like, I don't care. I just say what

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Speaker 1: I want. And she's like, it's not that I don't

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Speaker 1: care about you, it's just that this is how I

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Speaker 1: fucking expressed myself.

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Speaker 2: And I was like, all right, legit, because I don't know.

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Speaker 3: And I think that's an important distinction. Like, I think

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Speaker 3: that is a very important distinction. It's not like she

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Speaker 3: doesn't care about you, it's how she expresses herself. And

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Speaker 3: I think that that, to me, is why I'm I'm

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Speaker 3: really glad you brought it up, because to me, I've

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Speaker 3: never thought of your mom or your dad as anyone

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Speaker 3: who acted out of anything but love for you. And

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Speaker 3: so if you put it in the cultural time and

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Speaker 3: place and the emotional time and place for her and you,

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Speaker 3: it makes sense that she's like, look, I want you

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Speaker 3: to have a better life than me in every possible way,

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Speaker 3: and I don't want people to be If people were

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Speaker 3: mean to her, she probably didn't want people to be

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Speaker 3: mean to you for any reason, and so how she

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Speaker 3: expressed that might have been way tougher than you needed

303
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Speaker 3: or wanted to hear, But it doesn't mean that what

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Speaker 3: she did was out of It's not out of cruelty

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Speaker 3: that parents did this. For the most part, I think yes,

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Speaker 3: and you're not the only one, because we also got

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Speaker 3: a lot of comments from people who were like, yep,

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Speaker 3: me too. I was a twelve year old in the

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Speaker 3: weight watchers group, so it wasn't like this wasn't common.

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Speaker 3: And I think that in the effort to make progress,

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Speaker 3: sometimes people forget that we did the best we could

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Speaker 3: with the tools we had, and not everyone is going

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Speaker 3: to be able to course correct to like fit your

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Speaker 3: new narrative of like body positivity or childhood trauma and

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Speaker 3: like people have to catch up to that, and some

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Speaker 3: people won't. Some people won't, So you can't condemn other

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Speaker 3: people for not being able to catch up to what

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Speaker 3: is now the cultural ideal.

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Speaker 1: Yeah, yeah, I mean you got no one in the

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Speaker 1: world would have ever thought that I would have this

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Speaker 1: reaction now to this situation, you know, Like I in

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Speaker 1: that moment when I read that comment, I felt kind

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Speaker 1: of protective of my mom, and I'm like bitch. I

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Speaker 1: never thought that would happen. I thought it was gonna

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Speaker 1: stay mad about that forever. But now I've gotten to

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Speaker 1: the point where I've gotten older and I've lived enough

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Speaker 1: life and I've really like, I guess, I just have

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Speaker 1: this compassion for people that might have made a mistake

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Speaker 1: with the way that they handled something, and I just

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Speaker 1: I don't know, and not to say that that person.

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Speaker 1: That person listened to a stranger say information and that

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Speaker 1: was their reaction, which I totally understand, But in that moment,

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Speaker 1: it was that thing where I was like, I was

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Speaker 1: reading the comments and I was like, oh damn, like, yeah,

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Speaker 1: that's me.

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Speaker 2: I guess we're talking about me. And then I don't know.

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Speaker 2: I don't think, I feel I don't.

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Speaker 1: Feel mad about it anymore so, and I don't want

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Speaker 1: people to think my mom was a bad person.

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Speaker 3: So that makes of course not of course, that makes

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Speaker 3: absolute sense. And I don't think anyone thinks your mom

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00:19:21,040 --> 00:19:22,600
Speaker 3: is a bad person. And if they do, I will

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Speaker 3: fight them because she is lovely and she is smart

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Speaker 3: and tough and cool, and I will fight someone on

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Speaker 3: her behalf for any reason. If they cut her off

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Speaker 3: with a shopping cart. I'm going to Florida. I will

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Speaker 3: be there. But I do think that it is also

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00:19:39,760 --> 00:19:42,919
Speaker 3: a mark of your continued evolution as a person that,

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Speaker 3: like you said, you moved through all of these phases

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Speaker 3: of emotion and some people haven't. So like, there's no

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Speaker 3: telling this is a commenter who could still be stuck

352
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Speaker 3: in anger yea, or this is a commenter who could

353
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Speaker 3: still be stuck in sadness, and you've moved into acceptance

354
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Speaker 3: and compassion and hopefully other people will get there too.

355
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Speaker 3: But I think it's really it was really brave for

356
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Speaker 3: you to discuss a lot of things you discussed in

357
00:20:07,680 --> 00:20:10,760
Speaker 3: that episode, and I think it's it makes sense to

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00:20:10,800 --> 00:20:13,280
Speaker 3: me that you felt protective of your mom, because that's

359
00:20:13,400 --> 00:20:14,960
Speaker 3: who I know you to be right now.

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Speaker 1: Yeah, yeah, I thinks, and I feel like at the

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Speaker 1: I feel like, at the end of the day, this

362
00:20:22,880 --> 00:20:26,360
Speaker 1: episode was very personal for both of us. I think

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00:20:26,400 --> 00:20:31,840
Speaker 1: that people were like, really, they were really caught in

364
00:20:32,560 --> 00:20:35,359
Speaker 1: what we were saying, and a lot of people set

365
00:20:35,400 --> 00:20:41,159
Speaker 1: me messages personally that were overwhelmed by the grief that

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Speaker 1: you expressed towards me, which I I mean, I can't

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Speaker 1: even talk about it and not leil start crying. But it

368
00:20:45,760 --> 00:20:50,560
Speaker 1: is like very touching to I mean, I listened back

369
00:20:50,600 --> 00:20:52,520
Speaker 1: to the episode too, and I was like, holy shit,

370
00:20:52,680 --> 00:20:54,760
Speaker 1: like we had a moment there, you know, and that

371
00:20:55,080 --> 00:20:57,960
Speaker 1: yeah in that French, that deep friendship way. And so

372
00:20:58,480 --> 00:21:01,440
Speaker 1: I think people like listening to it like really connected

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00:21:01,480 --> 00:21:06,200
Speaker 1: with the entire thing, and I'm just happy that they did,

374
00:21:06,320 --> 00:21:08,879
Speaker 1: because I think it was for both of us very vulnerable.

375
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Speaker 1: It was a very vulnerable moment, and so we're just

376
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Speaker 1: happy that's everyone enjoyed it.

377
00:21:15,320 --> 00:21:15,520
Speaker 2: Yeah.

378
00:21:16,000 --> 00:21:18,720
Speaker 3: Yeah, And I'm and again happy and proud of you

379
00:21:19,119 --> 00:21:24,119
Speaker 3: for saying it, for not cutting it, for being able

380
00:21:24,160 --> 00:21:27,160
Speaker 3: to read these messages and comments about yourself or about

381
00:21:27,240 --> 00:21:29,879
Speaker 3: your family, like that's never easy to do. And I

382
00:21:29,920 --> 00:21:31,800
Speaker 3: mean I wrote a whole fucking memoir and people would

383
00:21:31,800 --> 00:21:34,359
Speaker 3: comment shit and be like, wow, your mom's real piece

384
00:21:34,359 --> 00:21:36,960
Speaker 3: of shit. And I felt protective a little bit, like

385
00:21:37,119 --> 00:21:39,439
Speaker 3: you don't know the whole you know this part of

386
00:21:39,480 --> 00:21:42,080
Speaker 3: the story, and it wasn't my goal to make her

387
00:21:42,119 --> 00:21:44,160
Speaker 3: seem like a piece of shit, Like I actually tried

388
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Speaker 3: to approach my mom with a lot of grace in

389
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Speaker 3: my memoir. Yes, and most people get that, but again,

390
00:21:49,600 --> 00:21:52,679
Speaker 3: some people are stuck with their own families in that anger,

391
00:21:52,800 --> 00:21:56,480
Speaker 3: in that sadness. They haven't gotten to grace yet. So

392
00:21:56,520 --> 00:21:58,840
Speaker 3: I just have to kind of let those comments roll

393
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Speaker 3: off my back because it's like, that wasn't my intention,

394
00:22:02,080 --> 00:22:04,080
Speaker 3: And if you don't get it, it's okay. Maybe one

395
00:22:04,119 --> 00:22:05,840
Speaker 3: day you'll read it and you will.

396
00:22:06,640 --> 00:22:11,960
Speaker 1: Yeah, totally, totally, totally totally, But Elizabeth, I appreciate everything

397
00:22:12,000 --> 00:22:14,320
Speaker 1: you said, and I'm so glad that you wrote in

398
00:22:14,520 --> 00:22:16,800
Speaker 1: to us to express all of that.

399
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Speaker 3: It was very sweet, very sweet, thank you, And we're gonna,

400
00:22:21,720 --> 00:22:24,359
Speaker 3: I mean, we're gonna pivot hard with this next email.

401
00:22:25,119 --> 00:22:25,720
Speaker 2: Real hard.

402
00:22:27,080 --> 00:22:31,160
Speaker 1: Couldn't be even couldn't be the more opposite if we tried.

403
00:22:31,840 --> 00:22:34,840
Speaker 3: This is the This is the the audio equivalent of

404
00:22:35,119 --> 00:22:38,520
Speaker 3: someone's like ninety seven year old grandma getting up and

405
00:22:38,520 --> 00:22:41,320
Speaker 3: giving a heartfelt toasted a wedding and then they're drunk

406
00:22:41,359 --> 00:22:43,359
Speaker 3: best friend getting up and being like, let's do a

407
00:22:43,359 --> 00:22:44,080
Speaker 3: fucking shot.

408
00:22:46,840 --> 00:22:52,119
Speaker 1: Yes, this is the shots guy, for sure. There isn't

409
00:22:52,160 --> 00:22:54,920
Speaker 1: even like a prologue. It's just like it just jumps

410
00:22:55,000 --> 00:22:57,240
Speaker 1: right into it and then there's like an ending. The

411
00:22:57,359 --> 00:22:59,800
Speaker 1: name it's called, the name of the title of it

412
00:22:59,840 --> 00:23:00,920
Speaker 1: is fuck Mary Kill.

413
00:23:01,200 --> 00:23:06,120
Speaker 2: Nineties rock bands and it's from Abby. She says, thank

414
00:23:06,160 --> 00:23:08,000
Speaker 2: you for the incredible joy brought to my life from

415
00:23:08,000 --> 00:23:08,680
Speaker 2: a fellow aunt.

416
00:23:08,720 --> 00:23:09,120
Speaker 3: Abby.

417
00:23:09,600 --> 00:23:12,600
Speaker 2: She her pronouns, and here's here's her Round one. Are

418
00:23:12,640 --> 00:23:13,040
Speaker 2: you ready?

419
00:23:13,240 --> 00:23:16,879
Speaker 3: There are three rounds, three rounds, And I'm gonna preface

420
00:23:16,920 --> 00:23:19,959
Speaker 3: this by saying one of the beautiful things about nineties

421
00:23:20,040 --> 00:23:22,240
Speaker 3: rock bands is I didn't know what half of those

422
00:23:22,240 --> 00:23:26,479
Speaker 3: motherfuckers looked like. Yeah. I had to look up every

423
00:23:26,600 --> 00:23:29,439
Speaker 3: single one of these goddamn bands because I'm like, what

424
00:23:29,480 --> 00:23:31,120
Speaker 3: did they look like? Again? I don't remember?

425
00:23:32,240 --> 00:23:36,040
Speaker 1: Okay, Oh my god, the round one is so fucking good.

426
00:23:37,240 --> 00:23:39,960
Speaker 2: I'm deeply torn. Okay, so Round one.

427
00:23:41,320 --> 00:23:48,280
Speaker 1: Is fuck Mary, kill Wilco, the Old ninety seven's, and Ween.

428
00:23:49,359 --> 00:23:52,520
Speaker 3: This is possibly the easiest round for me. Oh wow,

429
00:23:53,800 --> 00:23:56,080
Speaker 3: I'm marrying Ween because I want to have fun for

430
00:23:56,080 --> 00:23:59,280
Speaker 3: the rest of my fucking life. Okay, I'm fucking the

431
00:23:59,320 --> 00:24:05,640
Speaker 3: Old ninety seven and I'm killing Wilco. And I love

432
00:24:05,920 --> 00:24:08,159
Speaker 3: all of these bands. I love their music. I'm not

433
00:24:08,240 --> 00:24:11,080
Speaker 3: killing Wilko for the music. I'm killing Wilco because I

434
00:24:11,080 --> 00:24:18,160
Speaker 3: do not want to fuck or Mary Wilko. I envisioned

435
00:24:18,200 --> 00:24:24,120
Speaker 3: a Wilco fuck is like very like laden with alcohol

436
00:24:24,320 --> 00:24:27,720
Speaker 3: and tears on both sides.

437
00:24:28,640 --> 00:24:32,760
Speaker 1: Yeah, I feel like you would only fuck Wilco in

438
00:24:32,920 --> 00:24:37,119
Speaker 1: Nashville or something like. You're like, you're at a boutique

439
00:24:37,160 --> 00:24:40,920
Speaker 1: hotel or something in Nashville.

440
00:24:41,240 --> 00:24:47,000
Speaker 3: You're at the lobby bar of a boutique hotel, crying

441
00:24:47,080 --> 00:24:52,080
Speaker 3: into your fucking beers next to Wilco. And then you're like, yeah, this,

442
00:24:52,320 --> 00:24:54,560
Speaker 3: why not? This will round out the evening.

443
00:24:55,080 --> 00:24:58,280
Speaker 2: Yeah, this is my tidy desk concert will Co.

444
00:25:00,040 --> 00:25:00,200
Speaker 1: Yeah.

445
00:25:00,200 --> 00:25:03,280
Speaker 3: And the marrying Ween, just because you marry someone doesn't

446
00:25:03,320 --> 00:25:06,280
Speaker 3: mean you have to fuck them. So the marriage for

447
00:25:06,359 --> 00:25:08,760
Speaker 3: me is it's very clear rules for me, and that

448
00:25:08,840 --> 00:25:12,240
Speaker 3: marriage is a relationship that you're gonna have with them

449
00:25:12,320 --> 00:25:16,879
Speaker 3: for probably ever. And I feel like I would I

450
00:25:16,880 --> 00:25:18,920
Speaker 3: would get into a fight with the old ninety sevens,

451
00:25:18,960 --> 00:25:21,000
Speaker 3: like a physical fight with the old ninety sevens at

452
00:25:21,040 --> 00:25:22,800
Speaker 3: one point, But Ween, I think I would just have

453
00:25:22,840 --> 00:25:24,320
Speaker 3: fun and they'd be like, you know, in their weird

454
00:25:24,320 --> 00:25:26,560
Speaker 3: little art cottage in the backyard, and I'd be doing

455
00:25:26,600 --> 00:25:27,920
Speaker 3: my knitting inside and be fun.

456
00:25:28,480 --> 00:25:34,720
Speaker 2: Okay, So you say fuck old ninety sevens, Mary Ween,

457
00:25:35,080 --> 00:25:35,479
Speaker 2: kill you.

458
00:25:36,000 --> 00:25:36,320
Speaker 3: Okay.

459
00:25:37,200 --> 00:25:41,680
Speaker 1: Mine Mine is really hard because it's like I would

460
00:25:41,720 --> 00:25:44,679
Speaker 1: marry the old ninety sevens and I would kill Wilco

461
00:25:44,880 --> 00:25:45,560
Speaker 1: or Ween.

462
00:25:45,320 --> 00:25:47,159
Speaker 2: And I can't decide who is gonna die?

463
00:25:47,840 --> 00:25:50,720
Speaker 3: Ah, well, what is what is tripping you up? Between

464
00:25:50,760 --> 00:25:51,080
Speaker 3: the two?

465
00:25:52,119 --> 00:25:56,120
Speaker 2: Okay, so the idea of fucking Ween is so.

466
00:25:57,800 --> 00:26:02,120
Speaker 1: Depraved that I'm you know, and really my working knowledge

467
00:26:02,119 --> 00:26:05,000
Speaker 1: of Ween, I have to admit I've never I've never

468
00:26:05,040 --> 00:26:07,000
Speaker 1: been like a I don't.

469
00:26:07,160 --> 00:26:09,520
Speaker 2: I never owned all of their albums.

470
00:26:09,080 --> 00:26:09,520
Speaker 3: But I had.

471
00:26:10,080 --> 00:26:15,360
Speaker 1: The guys that I knew that loved Ween are deeply.

472
00:26:15,040 --> 00:26:18,240
Speaker 3: Broken stone freaks, stone freek.

473
00:26:20,960 --> 00:26:23,040
Speaker 2: I always used to say, there was like all that.

474
00:26:23,200 --> 00:26:26,399
Speaker 1: There's like guys that there were bands in high school

475
00:26:26,440 --> 00:26:28,720
Speaker 1: were only guys loved them. And I know that's a

476
00:26:28,720 --> 00:26:31,240
Speaker 1: big generalization, but it was like all the guys that

477
00:26:31,280 --> 00:26:35,119
Speaker 1: I knew loved Ween, they loved Primus, they loved Faith

478
00:26:35,160 --> 00:26:39,359
Speaker 1: no more. It's like quirky art rock guys who loved

479
00:26:39,440 --> 00:26:40,520
Speaker 1: these bands, right.

480
00:26:41,440 --> 00:26:43,480
Speaker 2: Violent femmes. Not for nothing, girl.

481
00:26:43,560 --> 00:26:45,880
Speaker 3: But I'm just saying I like two of those bands,

482
00:26:45,920 --> 00:26:51,160
Speaker 3: and I fucked one of those bands. That's why Ween

483
00:26:51,320 --> 00:26:53,399
Speaker 3: has made the merry list for me. That is not

484
00:26:53,920 --> 00:26:56,880
Speaker 3: a There is no questioning about that direct correlation.

485
00:26:57,440 --> 00:27:00,959
Speaker 2: Yeah. See, And the problem is is that because I

486
00:27:01,080 --> 00:27:02,840
Speaker 2: would love to kill Wilco.

487
00:27:02,960 --> 00:27:05,840
Speaker 1: I mean, I just would love it. Who did it

488
00:27:06,040 --> 00:27:07,920
Speaker 1: so satisfying to kill Wilco?

489
00:27:08,440 --> 00:27:09,600
Speaker 3: But that would.

490
00:27:09,440 --> 00:27:11,320
Speaker 1: Ultimately mean I'd have to fuck Ween, And I'm like,

491
00:27:11,320 --> 00:27:13,239
Speaker 1: I don't want to do that, So I don't really know.

492
00:27:13,359 --> 00:27:14,600
Speaker 2: I feel like, but.

493
00:27:14,640 --> 00:27:17,480
Speaker 3: You're so resolute on marrying the old ninety sevens.

494
00:27:18,040 --> 00:27:23,080
Speaker 1: Yeah, that's that to me, seems very clear. Okay, so

495
00:27:23,880 --> 00:27:25,600
Speaker 1: it's a little, it's a little.

496
00:27:25,760 --> 00:27:26,679
Speaker 2: I guess it would depend.

497
00:27:26,840 --> 00:27:29,680
Speaker 1: Right now, Let's just say, in this moment, in this

498
00:27:29,840 --> 00:27:34,560
Speaker 1: absolute moment, kill Ween, fuck Wilco. But that would change

499
00:27:34,840 --> 00:27:37,720
Speaker 1: in five minutes because I deeply want to murder Wilco.

500
00:27:38,240 --> 00:27:43,440
Speaker 3: I'm gonna propose I'm gonna propose an alt you could

501
00:27:43,520 --> 00:27:50,000
Speaker 3: fucking then kill Ween. Yes, who's stopping me? I'm just sure.

502
00:27:50,040 --> 00:27:53,200
Speaker 2: I'm just pretty sure. I don't want to fuck Ween ever.

503
00:27:54,119 --> 00:27:56,480
Speaker 3: Yeah, oh, then kill him? Then kill him? You're killing?

504
00:27:56,960 --> 00:28:00,879
Speaker 3: Can I kill two? I killed both.

505
00:28:02,880 --> 00:28:05,320
Speaker 1: That's a great one, though, because it's a really it's

506
00:28:05,359 --> 00:28:06,240
Speaker 1: a thought experiment.

507
00:28:06,400 --> 00:28:10,600
Speaker 3: Yeah, and round two is also a thought experiment. These

508
00:28:10,600 --> 00:28:13,399
Speaker 3: are people who I absolutely forgot what they looked like,

509
00:28:14,000 --> 00:28:17,240
Speaker 3: so I looked them up. So round two is one

510
00:28:17,320 --> 00:28:23,199
Speaker 3: hit Wonders and we've got Ugly Kid Joe, the Nixon's

511
00:28:24,280 --> 00:28:25,480
Speaker 3: and Toady's.

512
00:28:27,040 --> 00:28:29,760
Speaker 2: Oh this is this is easier for me.

513
00:28:30,200 --> 00:28:31,800
Speaker 3: Okay, then you go first.

514
00:28:32,400 --> 00:28:34,600
Speaker 2: Okay I had to. I'm sorry, I'm having to google

515
00:28:34,640 --> 00:28:39,840
Speaker 2: the Nixes because I was like, what fucking songs they do? Right, sister, sister?

516
00:28:40,560 --> 00:28:40,960
Speaker 3: See you?

517
00:28:41,240 --> 00:28:42,320
Speaker 2: Oh that's the sun?

518
00:28:42,560 --> 00:28:47,760
Speaker 3: Oh shit a fuck? And also, is your decision based

519
00:28:47,760 --> 00:28:50,800
Speaker 3: on what they look like or what their music is?

520
00:28:52,440 --> 00:28:55,640
Speaker 3: I think it's a vibe. Okay. If it's a vibe,

521
00:28:56,240 --> 00:28:56,520
Speaker 3: it's a.

522
00:28:56,560 --> 00:29:00,360
Speaker 1: Vibe like it's it's it's very visual. But also the music,

523
00:29:00,520 --> 00:29:04,320
Speaker 1: I think it's more than music, because.

524
00:29:04,040 --> 00:29:06,880
Speaker 3: I then that makes it easier for me.

525
00:29:07,320 --> 00:29:10,000
Speaker 1: Yeah, yeah, yeah, it's just the whatever the vibe of

526
00:29:10,040 --> 00:29:13,240
Speaker 1: the band is, like like, imagine the band was a guy,

527
00:29:13,480 --> 00:29:15,880
Speaker 1: just like one guy or one girl that you know

528
00:29:16,000 --> 00:29:16,560
Speaker 1: was presented.

529
00:29:16,640 --> 00:29:20,480
Speaker 2: Okay, that's good, that's good to establish. Okay, I like this,

530
00:29:21,080 --> 00:29:22,800
Speaker 2: So am I going first with round two? Okay?

531
00:29:22,800 --> 00:29:24,000
Speaker 3: Oh yeah, you're going first Round two?

532
00:29:24,640 --> 00:29:27,240
Speaker 2: Okay? I would fuck the ship out of the Toadies.

533
00:29:27,640 --> 00:29:28,320
Speaker 2: I think we know that.

534
00:29:29,920 --> 00:29:30,560
Speaker 3: No dablished.

535
00:29:31,440 --> 00:29:34,120
Speaker 2: Here's why. It's it's a lot about fucking like.

536
00:29:36,000 --> 00:29:36,080
Speaker 3: X.

537
00:29:37,920 --> 00:29:39,560
Speaker 1: It's a lot of like what do you call it,

538
00:29:39,640 --> 00:29:44,360
Speaker 1: like ex fundamentalist christian ship. You can't get better than

539
00:29:44,360 --> 00:29:46,800
Speaker 1: that when it comes to a big f right like

540
00:29:46,920 --> 00:29:49,880
Speaker 1: some fucking formally repressed like preacher shit.

541
00:29:50,360 --> 00:29:53,120
Speaker 3: Yes that you want to be having.

542
00:29:53,240 --> 00:29:56,040
Speaker 1: I'm just saying that it would get weird, which I

543
00:29:56,480 --> 00:29:57,240
Speaker 1: think it would be great.

544
00:29:57,320 --> 00:29:59,120
Speaker 3: It would get weird, but not Ween weird.

545
00:29:59,680 --> 00:30:02,320
Speaker 2: Yeah, no, it's a different type weird.

546
00:30:04,440 --> 00:30:08,320
Speaker 3: That's really if I ever again have a dating profile,

547
00:30:08,760 --> 00:30:11,760
Speaker 3: it's going in like, let's get weird, but not ween weird.

548
00:30:12,400 --> 00:30:18,720
Speaker 1: Yeah, that's a fucking shirt that we should make for

549
00:30:19,120 --> 00:30:25,160
Speaker 1: our Okay, so I'm fucking the todies clearly. I actually

550
00:30:25,240 --> 00:30:27,360
Speaker 1: would probably marry ugly kids show.

551
00:30:28,200 --> 00:30:35,000
Speaker 3: Okay, you marrying ugly kid Joe, Like, I'm already envisioning

552
00:30:35,040 --> 00:30:37,440
Speaker 3: I'm gonna be at your house like with tissues while

553
00:30:37,440 --> 00:30:40,120
Speaker 3: you're crying and they're out at the skate ramp with

554
00:30:40,200 --> 00:30:42,600
Speaker 3: their fucking friends still ten pm and your kids are

555
00:30:42,600 --> 00:30:45,240
Speaker 3: crying in the crib and you're like, I just want

556
00:30:45,280 --> 00:30:47,480
Speaker 3: them to come home and fucking have some responsibility.

557
00:30:48,520 --> 00:30:51,760
Speaker 1: Yeah, I mean it is like you'd be married to

558
00:30:51,920 --> 00:30:54,560
Speaker 1: like the dude from Gleaming the Cube, like the friend

559
00:30:54,680 --> 00:30:56,720
Speaker 1: from Gleaming the Cube for sure.

560
00:30:56,920 --> 00:30:58,760
Speaker 2: Like just some like moron.

561
00:30:59,120 --> 00:31:01,360
Speaker 1: But I feel like, oh, okay, but what if like

562
00:31:02,280 --> 00:31:05,880
Speaker 1: that guy could grow up into like a standing, stand

563
00:31:05,920 --> 00:31:08,360
Speaker 1: up member of society and that would be fun like

564
00:31:08,400 --> 00:31:09,360
Speaker 1: an X skater.

565
00:31:09,400 --> 00:31:12,440
Speaker 3: Like yeah, he won't. He won't and you know it

566
00:31:12,640 --> 00:31:15,160
Speaker 3: because you know that dude, and he does not grow

567
00:31:15,240 --> 00:31:18,400
Speaker 3: up to be like a respectable member of society.

568
00:31:18,920 --> 00:31:19,520
Speaker 2: Oh I know.

569
00:31:19,680 --> 00:31:24,920
Speaker 1: I'm just I am definitely having to reimagine the vibe here.

570
00:31:25,440 --> 00:31:27,320
Speaker 1: And I guess I just killed the Nixons because of

571
00:31:27,360 --> 00:31:29,479
Speaker 1: that song that I just remembered, which sucks.

572
00:31:29,880 --> 00:31:34,240
Speaker 3: Yeah we are. We are back to back on the Nixons.

573
00:31:34,280 --> 00:31:36,240
Speaker 3: I gotta kill him. If we're going with the vibe

574
00:31:36,240 --> 00:31:39,719
Speaker 3: of the music, the Nixon's gotta go. Gotta go, especially

575
00:31:39,800 --> 00:31:42,400
Speaker 3: in the world of one hit wonders. So in the

576
00:31:42,400 --> 00:31:46,400
Speaker 3: context of this, contextually, the one hit wonders that have

577
00:31:46,520 --> 00:31:48,880
Speaker 3: meant the most to me, or that I like the most,

578
00:31:49,280 --> 00:31:52,640
Speaker 3: Nixons are dead. I liked that song the least of

579
00:31:52,680 --> 00:31:53,800
Speaker 3: these three.

580
00:31:53,600 --> 00:31:54,760
Speaker 2: Absolutely one percent.

581
00:31:54,840 --> 00:31:58,280
Speaker 3: I barely remembered it exactly and I had to look

582
00:31:58,360 --> 00:32:00,720
Speaker 3: him up, and I'm like, I was not happy to

583
00:32:00,840 --> 00:32:04,520
Speaker 3: revisit that particular one hit wonder so they gotta go.

584
00:32:05,840 --> 00:32:09,640
Speaker 3: Now here's where things get interesting. Oh my god, I'm

585
00:32:09,680 --> 00:32:15,560
Speaker 3: fucking I'm gonna fuck Ugly Kid Joe. Okay, purely for

586
00:32:15,600 --> 00:32:18,480
Speaker 3: the fun factor, like the song. The song is fun,

587
00:32:20,080 --> 00:32:23,760
Speaker 3: the vibe is fun. Yes, I do not want any

588
00:32:24,520 --> 00:32:27,480
Speaker 3: part of responsibility for my life being in their hands.

589
00:32:27,920 --> 00:32:30,040
Speaker 2: Absolutely, So we just.

590
00:32:29,920 --> 00:32:32,920
Speaker 3: Go and fuck and then I will marry the Toadies

591
00:32:33,080 --> 00:32:37,440
Speaker 3: and deal with all of the sad Christian fundamentalists trauma,

592
00:32:38,960 --> 00:32:42,040
Speaker 3: because that is what marriage is for, is like, what's

593
00:32:42,080 --> 00:32:44,600
Speaker 3: your trauma, what's my trauma, Let's deal with it together.

594
00:32:45,240 --> 00:32:49,160
Speaker 2: You're that is a completely.

595
00:32:50,000 --> 00:32:54,000
Speaker 1: Valid argument, like right there, like the fucking because I

596
00:32:54,160 --> 00:32:56,800
Speaker 1: fuck the Toadies because I feel like their vibe to

597
00:32:56,960 --> 00:33:01,920
Speaker 1: me personally came came from like me just listening to

598
00:33:02,600 --> 00:33:07,680
Speaker 1: reber Neck every fucking day for like five years of.

599
00:33:08,640 --> 00:33:11,080
Speaker 3: You're already married to the Toties, that's the case.

600
00:33:12,800 --> 00:33:16,400
Speaker 1: But also I just felt it feels very like guttural,

601
00:33:16,560 --> 00:33:18,840
Speaker 1: and you know, so I just kind of imagined that.

602
00:33:19,560 --> 00:33:23,360
Speaker 1: But I see now why you would imagine that's marriage material,

603
00:33:23,480 --> 00:33:27,880
Speaker 1: because you're right, like marriages, everybody has to work on them.

604
00:33:28,120 --> 00:33:32,680
Speaker 1: On themselves in a marriage, right, so makes sense absolutely.

605
00:33:33,400 --> 00:33:37,880
Speaker 3: Now, round three is the meanest thing I've ever been asked.

606
00:33:38,960 --> 00:33:41,200
Speaker 2: It is mean as shit, but it also might be

607
00:33:41,200 --> 00:33:46,320
Speaker 2: the easiest for me. So lord, So round three.

608
00:33:47,560 --> 00:33:52,440
Speaker 1: Is britpop and you have to fuck, marry or kill Oasis,

609
00:33:52,800 --> 00:33:53,959
Speaker 1: Blur and Pulp.

610
00:33:54,720 --> 00:33:57,640
Speaker 3: This is actually pretty easy for me too. Okay, I'm

611
00:33:57,680 --> 00:34:01,720
Speaker 3: curious Mary Pulp, fuck Blur, kill Oasis.

612
00:34:02,960 --> 00:34:06,440
Speaker 2: Whoo, I just have a slight variation.

613
00:34:09,120 --> 00:34:12,800
Speaker 3: Paulp is one of my favorite bands. Yes, Blur Damon

614
00:34:12,840 --> 00:34:15,680
Speaker 3: Albarn has recently popped off with some weird shit, but

615
00:34:15,760 --> 00:34:20,719
Speaker 3: he is cute as hell. He was talking about how

616
00:34:20,760 --> 00:34:23,800
Speaker 3: Taylor Swift didn't write her songs and he just got old.

617
00:34:24,040 --> 00:34:26,560
Speaker 3: He like turned into an old man overnight is what happened.

618
00:34:27,719 --> 00:34:30,000
Speaker 3: And I was like, oh, I just won't listen to this,

619
00:34:30,200 --> 00:34:33,799
Speaker 3: but Blur I like their music more. Oasis to me

620
00:34:34,480 --> 00:34:39,760
Speaker 3: is closing every restaurant, every cafe in the nineties, listening

621
00:34:39,800 --> 00:34:43,319
Speaker 3: to the fucking radio and Champagne Supernova comes on and

622
00:34:43,400 --> 00:34:45,480
Speaker 3: I'm at the end of a long day of work

623
00:34:45,719 --> 00:34:48,320
Speaker 3: and I've already fucking had it, and then these assholes

624
00:34:48,360 --> 00:34:52,520
Speaker 3: come on with their fucking oney voices and I'm like,

625
00:34:52,760 --> 00:34:55,200
Speaker 3: I can't, I can't, and they're fighting and they hate

626
00:34:55,239 --> 00:34:58,560
Speaker 3: being brothers and I'm like, just go away, go away. However,

627
00:34:58,960 --> 00:35:02,640
Speaker 3: having said that, No, Gallagher is hilarious.

628
00:35:03,000 --> 00:35:04,759
Speaker 2: Yeah to me.

629
00:35:07,120 --> 00:35:07,520
Speaker 3: So my.

630
00:35:09,280 --> 00:35:14,560
Speaker 1: Thing is I would fuck Pulp, Mary Blur kil Oasis

631
00:35:13,760 --> 00:35:17,680
Speaker 1: and yeah, And I think it's because I think about

632
00:35:17,719 --> 00:35:20,319
Speaker 1: Pulp and I'm like, what's the long term potential on

633
00:35:21,680 --> 00:35:30,359
Speaker 1: sexy seventies like porno chic, crushed velvet suit love, Like,

634
00:35:30,960 --> 00:35:33,160
Speaker 1: what's the shelf life on that? I'm like, is that

635
00:35:33,239 --> 00:35:35,279
Speaker 1: like a fucking Is that a fuck? Is that a

636
00:35:35,280 --> 00:35:38,799
Speaker 1: one night stand? Or is that like long long term potential?

637
00:35:39,080 --> 00:35:43,000
Speaker 1: And I'm like, what happens in when you're fifty seven

638
00:35:43,080 --> 00:35:47,920
Speaker 1: years old and you're still married to the sexy velvet

639
00:35:47,960 --> 00:35:48,439
Speaker 1: suit guy?

640
00:35:48,800 --> 00:35:52,800
Speaker 3: Yeah, what happens is you have an open relationship and

641
00:35:52,840 --> 00:35:55,920
Speaker 3: you're fucking the guy who gardens, You're fucking your neighbor

642
00:35:55,920 --> 00:35:59,000
Speaker 3: who gardens at the same time that you garden, and

643
00:35:59,120 --> 00:36:03,040
Speaker 3: Jarvis is out on the road fucking like I don't know,

644
00:36:03,160 --> 00:36:06,360
Speaker 3: like seventy year old Greek fisher women, Like I don't know,

645
00:36:06,480 --> 00:36:08,839
Speaker 3: Like he's just out there living his life and doing

646
00:36:08,880 --> 00:36:12,080
Speaker 3: whatever he fucking wants and you're in an open relationship. Yes,

647
00:36:12,320 --> 00:36:13,080
Speaker 3: and that's it.

648
00:36:14,239 --> 00:36:18,000
Speaker 1: Yeah, I don't know why Blur seems more a stable

649
00:36:18,040 --> 00:36:19,600
Speaker 1: partner than than Pulp.

650
00:36:20,000 --> 00:36:21,400
Speaker 3: That is a very good question.

651
00:36:21,840 --> 00:36:25,000
Speaker 1: Yeah, yeah they were wild.

652
00:36:25,280 --> 00:36:26,000
Speaker 3: They were wild.

653
00:36:26,040 --> 00:36:33,239
Speaker 1: But you know what, like I actually love I love

654
00:36:33,360 --> 00:36:35,640
Speaker 1: Blur like I love Pulp too.

655
00:36:35,680 --> 00:36:38,239
Speaker 2: I don't like Oasis as much, and obviously that's why

656
00:36:38,239 --> 00:36:39,080
Speaker 2: I want to kill them.

657
00:36:39,560 --> 00:36:40,640
Speaker 3: But I'm both killing.

658
00:36:41,440 --> 00:36:43,160
Speaker 1: I went, I went real hard in the paind for

659
00:36:43,239 --> 00:36:45,520
Speaker 1: BLURR for many many years. I like read the book,

660
00:36:45,840 --> 00:36:48,000
Speaker 1: like remember there was like a book about them, and

661
00:36:48,960 --> 00:36:52,920
Speaker 1: I just thought, okay, like bye and bye. I feel

662
00:36:52,920 --> 00:36:56,920
Speaker 1: like I can marry this band and not like I mean,

663
00:36:57,040 --> 00:37:00,359
Speaker 1: Pulp seems very much like a fuck band. Like how

664
00:37:00,360 --> 00:37:04,280
Speaker 1: many people have actually fucked Pulp songs? You know, it's

665
00:37:04,520 --> 00:37:06,000
Speaker 1: probably in the trillions.

666
00:37:06,239 --> 00:37:08,600
Speaker 3: Have you ever seen You've seen that the Pulp documentary.

667
00:37:08,920 --> 00:37:12,919
Speaker 3: Oh yeah, it's like the stage show. This is their

668
00:37:13,040 --> 00:37:20,080
Speaker 3: last tour and Jarvis is like mid air fucking every song. Yeah,

669
00:37:20,200 --> 00:37:21,680
Speaker 3: he finds a reason to drop to the ground and

670
00:37:21,719 --> 00:37:24,960
Speaker 3: hump the ground every song. So like I appreciate your

671
00:37:25,600 --> 00:37:26,920
Speaker 3: your fuck vote for Pulp.

672
00:37:27,080 --> 00:37:29,520
Speaker 2: Yeah. Well, and I just it's so funny. My friend

673
00:37:29,600 --> 00:37:33,600
Speaker 2: just sent me a copy of his book Good Pop

674
00:37:33,719 --> 00:37:34,880
Speaker 2: or something Bad Pop.

675
00:37:36,520 --> 00:37:40,160
Speaker 1: So yeah, I mean, at some point Jarvis is somewhat

676
00:37:40,160 --> 00:37:44,200
Speaker 1: of intellectual and like writes books and is into culture.

677
00:37:44,239 --> 00:37:47,080
Speaker 1: He's not a complete vapid club guy who would just

678
00:37:47,200 --> 00:37:48,239
Speaker 1: be a great fuck but you.

679
00:37:48,239 --> 00:37:50,960
Speaker 2: Know what I mean. But the Olays thing is very

680
00:37:51,000 --> 00:37:51,480
Speaker 2: clear to me.

681
00:37:52,840 --> 00:37:55,400
Speaker 1: The way I feel about Oasis, I don't like, I

682
00:37:55,520 --> 00:37:57,640
Speaker 1: just kind of like live with it, Like I'm just

683
00:37:57,680 --> 00:38:01,040
Speaker 1: sort of like it's kind of like, I don't know

684
00:38:01,040 --> 00:38:02,680
Speaker 1: how like it's kind of I don't even know how

685
00:38:02,680 --> 00:38:04,440
Speaker 1: to describe it, the feeling of just like you just

686
00:38:04,520 --> 00:38:08,839
Speaker 1: sort of like have uh, you know, I don't completely

687
00:38:08,960 --> 00:38:11,960
Speaker 1: hate Oasis, and I like, yeah, definitely like to at

688
00:38:12,040 --> 00:38:14,600
Speaker 1: least two of their albums. But I'm also like they

689
00:38:14,600 --> 00:38:17,520
Speaker 1: don't like move me in any way. Like I'm just

690
00:38:17,600 --> 00:38:20,680
Speaker 1: not riled up to either fuck or marry them, so

691
00:38:20,800 --> 00:38:21,640
Speaker 1: they must be killed.

692
00:38:21,719 --> 00:38:25,920
Speaker 3: And that's same same. And look, I'll also say, I

693
00:38:25,960 --> 00:38:29,680
Speaker 3: know Jarv is the front man, but Stephen Mackie's pretty

694
00:38:29,680 --> 00:38:36,319
Speaker 3: goddamn hot. Okay, okay, yep, pretty fucking hot. You got

695
00:38:36,320 --> 00:38:40,240
Speaker 3: some like like you have in Pulp. I can see

696
00:38:40,280 --> 00:38:43,160
Speaker 3: the fuck ability of pulp from a musical standpoint for you,

697
00:38:43,719 --> 00:38:46,920
Speaker 3: but also because it has the most milli archetypes like

698
00:38:46,960 --> 00:38:51,520
Speaker 3: the soccer dad, the weird art guy, and the like

699
00:38:51,680 --> 00:38:54,080
Speaker 3: technically genius musician.

700
00:38:55,040 --> 00:38:58,200
Speaker 2: Yes, yes, it's very true. It's very true.

701
00:38:58,280 --> 00:38:58,759
Speaker 3: I see it.

702
00:38:59,320 --> 00:39:04,239
Speaker 2: Yeah. Well, we got another FMK kuman Asha.

703
00:39:04,440 --> 00:39:07,360
Speaker 3: And look, I'm thankful for you for including this one,

704
00:39:07,440 --> 00:39:10,839
Speaker 3: and I am very interested in your response, even though

705
00:39:10,880 --> 00:39:13,760
Speaker 3: this email is directed to me for a specific reason.

706
00:39:14,760 --> 00:39:19,880
Speaker 3: The subject of the email is FMK. Hey, ladies, I

707
00:39:19,920 --> 00:39:22,800
Speaker 3: suppose this is a fuck Mary kill for Danielle. Mostly.

708
00:39:23,480 --> 00:39:25,920
Speaker 3: I have never been able to shake you saying that

709
00:39:25,960 --> 00:39:29,160
Speaker 3: Matt Smith was your favorite doctor, since he is actually

710
00:39:29,320 --> 00:39:33,120
Speaker 3: my third from the last in my list of best

711
00:39:33,120 --> 00:39:36,520
Speaker 3: doctor who. I would do an FMK with actors who

712
00:39:36,520 --> 00:39:39,160
Speaker 3: have played the doctor, but there are just too many.

713
00:39:39,920 --> 00:39:42,400
Speaker 3: I decided Prince Philip would be better since you were

714
00:39:42,440 --> 00:39:44,719
Speaker 3: talking about the Crown when you mentioned it, and there

715
00:39:44,760 --> 00:39:51,680
Speaker 3: are three of them, So Matt Smith, Tobias Menzie's Jonathan Price.

716
00:39:52,400 --> 00:39:55,000
Speaker 3: This might seem easy for most people, but I have

717
00:39:55,080 --> 00:39:58,200
Speaker 3: been hot for Tobias Menzie since the HBO show Rome.

718
00:39:58,719 --> 00:40:02,399
Speaker 3: He played Brutus and a little full frontal, the cut

719
00:40:02,400 --> 00:40:06,040
Speaker 3: of his jaw, and that mischievous smirk he does please.

720
00:40:06,480 --> 00:40:09,760
Speaker 3: Plus I love his crooked little tooth. Sue me. Curious

721
00:40:09,800 --> 00:40:11,920
Speaker 3: what you ladies have to say? Keep being the best,

722
00:40:12,120 --> 00:40:14,600
Speaker 3: be Cagney, all.

723
00:40:14,560 --> 00:40:17,360
Speaker 2: Right, b yeah, you got skin in this game. You

724
00:40:17,440 --> 00:40:18,120
Speaker 2: got I.

725
00:40:18,160 --> 00:40:19,960
Speaker 3: Do have skin in this game. I do have skin

726
00:40:20,000 --> 00:40:22,760
Speaker 3: in this game. And this is a mean ask question

727
00:40:23,000 --> 00:40:28,840
Speaker 3: because you're putting my favorite doctor up against my least

728
00:40:28,920 --> 00:40:36,200
Speaker 3: favorite character slash person in the world, Prince Philip. This

729
00:40:36,280 --> 00:40:40,120
Speaker 3: is a toughie. Also, the age range, the spread here,

730
00:40:40,480 --> 00:40:45,480
Speaker 3: this is cruelty, wild of the highest regard. So I'm

731
00:40:45,480 --> 00:40:47,880
Speaker 3: gonna do my best. I'm gonna do my best here

732
00:40:48,080 --> 00:41:01,040
Speaker 3: and say, lord, fuck Matt Smith, married Tobias Menzies, kill

733
00:41:01,120 --> 00:41:05,640
Speaker 3: Jonathan Price. Actually cut that. I'm switching, all right, Haha,

734
00:41:05,760 --> 00:41:06,400
Speaker 3: don't cut that.

735
00:41:07,400 --> 00:41:09,880
Speaker 2: I want to show your work.

736
00:41:11,400 --> 00:41:14,080
Speaker 3: Show your work, all right, I'll show it. I'll show it.

737
00:41:14,120 --> 00:41:18,239
Speaker 3: I'm changing it up. I'm gonna fuck Matt Smith, I'm

738
00:41:18,239 --> 00:41:21,280
Speaker 3: gonna marry Jonathan Price, and I'm gonna kill Tobias Menzies

739
00:41:21,360 --> 00:41:24,000
Speaker 3: because I will not be pressured into liking someone that

740
00:41:24,080 --> 00:41:29,719
Speaker 3: I don't like. He's a great actor. He's probably a

741
00:41:29,760 --> 00:41:33,240
Speaker 3: fine human being, but I will not be pushed into

742
00:41:33,280 --> 00:41:39,520
Speaker 3: the cut of his jaw and his smirk. So I'm

743
00:41:39,520 --> 00:41:42,880
Speaker 3: gonna that's how I end up marrying Jonathan Price.

744
00:41:45,000 --> 00:41:48,440
Speaker 2: Look, I this is incredible information.

745
00:41:51,360 --> 00:41:53,160
Speaker 3: It will be used against me at some point.

746
00:41:53,200 --> 00:41:55,880
Speaker 2: I feel yes, well and like, honestly like, yes.

747
00:41:57,719 --> 00:41:57,839
Speaker 3: You.

748
00:41:58,000 --> 00:41:59,680
Speaker 1: I think have skin in this game more than I

749
00:41:59,719 --> 00:42:04,479
Speaker 1: do because of the Doctor Who connection. I actually only

750
00:42:04,520 --> 00:42:08,320
Speaker 1: know Tobias Menzi's from the Crown, so I don't.

751
00:42:08,080 --> 00:42:09,280
Speaker 2: Know him from anything else.

752
00:42:09,680 --> 00:42:12,200
Speaker 3: Oh, he's a throat. He is a great actor, he

753
00:42:12,239 --> 00:42:12,560
Speaker 3: really is.

754
00:42:12,640 --> 00:42:13,640
Speaker 2: Yeah.

755
00:42:13,719 --> 00:42:18,240
Speaker 3: So having said that, but you know Jonathan Price, famed

756
00:42:18,239 --> 00:42:19,520
Speaker 3: actor Jonathan Price.

757
00:42:19,440 --> 00:42:19,960
Speaker 2: Well, of course.

758
00:42:20,239 --> 00:42:24,840
Speaker 1: But listen, the reason why this is my list Mary

759
00:42:24,920 --> 00:42:28,120
Speaker 1: Jonathan Price, because of fucking Jumpin' Jack Flash. That's the

760
00:42:28,160 --> 00:42:36,319
Speaker 1: only day, the only criteria, the only criteria.

761
00:42:35,800 --> 00:42:38,600
Speaker 3: A sentence that will never be uttered again.

762
00:42:40,239 --> 00:42:43,120
Speaker 1: I mean, who the fuck was it stoked as shit

763
00:42:43,840 --> 00:42:46,640
Speaker 1: when they got together at the end of Jumpin' Jack Flash.

764
00:42:46,640 --> 00:42:50,640
Speaker 2: I'm like, first of all, I can't even conceive of.

765
00:42:50,760 --> 00:42:54,520
Speaker 1: A couple this fucking white hot. I'm like Jonathan Price

766
00:42:54,600 --> 00:42:59,720
Speaker 1: and Whoope Goldberg. I'm like, thatshit, rewired my goddamn brain.

767
00:43:00,040 --> 00:43:04,280
Speaker 1: I was like, love is possible, talk about the fuckond

768
00:43:04,320 --> 00:43:08,520
Speaker 1: interracial couple of the century, Jesus Christ.

769
00:43:08,760 --> 00:43:11,719
Speaker 3: Shit, So that.

770
00:43:11,600 --> 00:43:14,040
Speaker 1: Movie imprinted on me in a huge way. So I

771
00:43:14,080 --> 00:43:15,600
Speaker 1: would definitely marry Jonathan Price.

772
00:43:16,040 --> 00:43:16,560
Speaker 3: Makes sense.

773
00:43:17,640 --> 00:43:21,160
Speaker 1: Now, this is kind of bullshit, because again, I only

774
00:43:21,200 --> 00:43:24,680
Speaker 1: know Tobias Menzi's from The Crown. I would fuck Matt

775
00:43:24,719 --> 00:43:27,080
Speaker 1: Smith and kill Tobias Mensi's and that's just because I

776
00:43:27,080 --> 00:43:29,239
Speaker 1: don't know him well enough, and the only thing I

777
00:43:29,239 --> 00:43:30,719
Speaker 1: do know of him is that he played a dick.

778
00:43:30,920 --> 00:43:34,799
Speaker 3: So I'm like, okay, exactly exactly. If we're going for

779
00:43:34,840 --> 00:43:38,360
Speaker 3: the Prince Philip angle, then these are my answers. Because

780
00:43:38,400 --> 00:43:41,080
Speaker 3: here's the thing. I don't want to fuck any doctor

781
00:43:41,120 --> 00:43:43,240
Speaker 3: who's like, I don't want to fuck anyone who's played

782
00:43:43,239 --> 00:43:47,919
Speaker 3: the doctor. That's not my connection to the show, right,

783
00:43:48,040 --> 00:43:50,120
Speaker 3: Like I came to the show as an adult, so

784
00:43:50,239 --> 00:43:54,960
Speaker 3: I don't want to fuck the mythical fictional person. Right

785
00:43:55,719 --> 00:43:59,320
Speaker 3: Matt Smith is Prince Philip with his little fucking shorts

786
00:43:59,360 --> 00:44:02,480
Speaker 3: on Safar and is fucking rowing the boat and everything.

787
00:44:03,000 --> 00:44:04,200
Speaker 3: That guy I would fuck.

788
00:44:04,760 --> 00:44:08,920
Speaker 1: Yeah, Although I did see last night in soho did

789
00:44:08,960 --> 00:44:12,920
Speaker 1: you see that movie? I had yet well, he plays

790
00:44:13,320 --> 00:44:15,640
Speaker 1: a real piece of shit in that movie. And so

791
00:44:15,920 --> 00:44:17,920
Speaker 1: but he looked great. I mean is that kind of

792
00:44:17,920 --> 00:44:19,839
Speaker 1: thing where you're like, oh, he looks great. He looks

793
00:44:19,880 --> 00:44:22,680
Speaker 1: like he's in a one car y movie. But something's

794
00:44:22,719 --> 00:44:26,160
Speaker 1: wrong with this guy. And from that point I was like, man,

795
00:44:26,400 --> 00:44:29,200
Speaker 1: Matt Smith played played a bad guy in this movie.

796
00:44:29,200 --> 00:44:31,000
Speaker 1: And I don't know, it's kind of changed my opinion

797
00:44:31,040 --> 00:44:34,960
Speaker 1: of him a little bit. But you know, a good actor,

798
00:44:35,160 --> 00:44:38,879
Speaker 1: but tall and handsome and in the Safari clothes, in the.

799
00:44:38,800 --> 00:44:42,279
Speaker 3: Crown, and that's that's the only basis of the criteria

800
00:44:42,360 --> 00:44:45,680
Speaker 3: that that Now that b has put it in the

801
00:44:45,719 --> 00:44:48,680
Speaker 3: realm of Prince Philip, I'm standing by my answers.

802
00:44:48,920 --> 00:44:52,280
Speaker 2: Yeah, good good that who.

803
00:44:53,719 --> 00:44:54,799
Speaker 3: Minus play this.

804
00:44:54,800 --> 00:44:55,880
Speaker 2: Game all day?

805
00:44:56,640 --> 00:45:00,920
Speaker 3: Same? These were brilliant and beautiful and rule and I

806
00:45:00,960 --> 00:45:03,160
Speaker 3: loved him. And please send us more.

807
00:45:05,480 --> 00:45:10,960
Speaker 2: Holy shit, guys, Yes, please send us more like this

808
00:45:11,120 --> 00:45:13,759
Speaker 2: is fun as hell and I could honestly do this

809
00:45:13,800 --> 00:45:16,240
Speaker 2: all day, no wonder this game has such an impact

810
00:45:16,320 --> 00:45:21,440
Speaker 2: on our culture, longevity, the longevity the years.

811
00:45:21,680 --> 00:45:24,399
Speaker 3: And thank you to Aaron of exactly Right for sending

812
00:45:24,480 --> 00:45:27,480
Speaker 3: in the question that sparked all of this.

813
00:45:28,120 --> 00:45:31,320
Speaker 1: Right, which was the Who was it? It was the Rock,

814
00:45:32,360 --> 00:45:34,640
Speaker 1: Vin Diesel and Jason.

815
00:45:37,200 --> 00:45:39,359
Speaker 2: I got a lot of ship. I got a lot

816
00:45:39,400 --> 00:45:40,680
Speaker 2: of ship for killing the Rock?

817
00:45:41,320 --> 00:45:43,520
Speaker 3: Yeah, who gave you a ship for killing the Rock?

818
00:45:43,920 --> 00:45:47,759
Speaker 3: My mom? Oh, my mom was like, how dare you?

819
00:45:49,040 --> 00:45:51,440
Speaker 1: And I was like why because he isn't he like

820
00:45:51,840 --> 00:45:53,400
Speaker 1: is he like half Filipino or something?

821
00:45:53,400 --> 00:45:53,920
Speaker 3: Why are you?

822
00:45:53,960 --> 00:45:55,640
Speaker 2: Why do you have in this game?

823
00:45:57,400 --> 00:45:59,480
Speaker 3: What's the relationship between you and the Rock? And why

824
00:45:59,520 --> 00:46:03,000
Speaker 3: is it? How I have to find out about it? Mom?

825
00:46:03,360 --> 00:46:05,640
Speaker 1: I think she was just genuinely disturbed that I would

826
00:46:05,680 --> 00:46:08,319
Speaker 1: want to kill America's sweetheart, the Rock.

827
00:46:08,760 --> 00:46:14,640
Speaker 3: So look, we made our case and we stick by it.

828
00:46:14,680 --> 00:46:16,200
Speaker 3: You go listen to that episode if you want to

829
00:46:16,280 --> 00:46:21,800
Speaker 3: understand any any further understand our our decisions.

830
00:46:22,239 --> 00:46:24,800
Speaker 2: Yes, absolutely well listen.

831
00:46:25,080 --> 00:46:30,800
Speaker 1: Please please please send us more fmk's, send us your letters.

832
00:46:31,360 --> 00:46:33,399
Speaker 2: We are at. I saw what you did pod at

833
00:46:33,440 --> 00:46:34,839
Speaker 2: gmail dot com.

834
00:46:35,080 --> 00:46:37,279
Speaker 3: And please find us on our social media accounts. We

835
00:46:37,320 --> 00:46:39,720
Speaker 3: are at. I saw pod on Instagram and Twitter.

836
00:46:41,000 --> 00:46:43,200
Speaker 2: Yes, I mean, maybe we could get this to spill

837
00:46:43,239 --> 00:46:45,560
Speaker 2: over into our social somehow. I don't know.

838
00:46:45,600 --> 00:46:48,240
Speaker 1: That would be Would that be wild? Would that be crazy?

839
00:46:48,440 --> 00:46:50,800
Speaker 1: So many comments had explode.

840
00:46:51,000 --> 00:46:53,640
Speaker 3: That would be so fun if we could put some

841
00:46:53,760 --> 00:46:56,320
Speaker 3: fmks up in social medis.

842
00:46:56,920 --> 00:47:01,960
Speaker 1: Yeah, we also have merch It's at the exactly Right

843
00:47:02,040 --> 00:47:04,360
Speaker 1: shop at exactly Rightmedia dot com.

844
00:47:04,880 --> 00:47:07,200
Speaker 3: I'm gonna try to get us going on a fuck

845
00:47:07,239 --> 00:47:09,160
Speaker 3: Mary Kill shirt and it's just me, me, me.

846
00:47:11,080 --> 00:47:13,560
Speaker 1: It's like, let's get what did you say, Let's get weird,

847
00:47:13,680 --> 00:47:15,400
Speaker 1: but let's not get ween weird.

848
00:47:15,560 --> 00:47:18,720
Speaker 3: Is that? Yeah, let's get weird. Let's not get ween weird?

849
00:47:19,200 --> 00:47:20,120
Speaker 2: Yeah dude.

850
00:47:20,239 --> 00:47:23,440
Speaker 3: Uh. And you can listen and follow and leave us

851
00:47:23,440 --> 00:47:27,520
Speaker 3: a review on Amazon Music, Apple Podcasts or wherever you

852
00:47:27,560 --> 00:47:30,160
Speaker 3: get your podcasts. It truly helps us. It helps people

853
00:47:30,320 --> 00:47:35,440
Speaker 3: people find us. We are in terms of the reviews.

854
00:47:35,640 --> 00:47:38,280
Speaker 3: I mean, look, we're up against like actual movie stars

855
00:47:38,280 --> 00:47:41,000
Speaker 3: who have podcasts now, so if you like what we do,

856
00:47:41,400 --> 00:47:42,440
Speaker 3: you gotta let people know.

857
00:47:43,400 --> 00:47:47,120
Speaker 1: Yes please, I mean god, it's like, yeah, there are

858
00:47:47,120 --> 00:47:51,840
Speaker 1: so many like extremely famous people that do film podcasts,

859
00:47:51,880 --> 00:47:55,040
Speaker 1: but also just podcasts, and it's like the it's really

860
00:47:55,080 --> 00:47:58,719
Speaker 1: hard to, you know, move up in the world in

861
00:47:58,760 --> 00:48:01,040
Speaker 1: the podcast world if you don't don't have reviews and

862
00:48:01,200 --> 00:48:04,719
Speaker 1: nice things. So it's like, do us a fave if

863
00:48:04,760 --> 00:48:07,879
Speaker 1: you get a mo just drop a review or.

864
00:48:08,320 --> 00:48:10,640
Speaker 3: A five star. Click that five star and run away.

865
00:48:10,800 --> 00:48:12,360
Speaker 3: It's fine. You don't have to get the pressure of

866
00:48:12,360 --> 00:48:14,480
Speaker 3: writing something that's going to be publicly posted if you

867
00:48:14,520 --> 00:48:17,239
Speaker 3: don't want to. Yeah, click that five star, go do

868
00:48:17,280 --> 00:48:18,240
Speaker 3: something mean weird.

869
00:48:22,080 --> 00:48:24,040
Speaker 1: Well, you know, you can always listen to new episodes

870
00:48:24,080 --> 00:48:26,439
Speaker 1: a week early on Amazon Music or early in ad

871
00:48:26,440 --> 00:48:29,799
Speaker 1: free plus bonus episodes by subscribing to Wondery Plus in

872
00:48:29,840 --> 00:48:32,520
Speaker 1: the Wondery app Not gonna lie. It's kind of chill

873
00:48:32,840 --> 00:48:35,800
Speaker 1: to be able to hear an episode a week early.

874
00:48:36,640 --> 00:48:40,000
Speaker 3: Yeah, it's nice. It's nice, not just for our show,

875
00:48:40,040 --> 00:48:42,640
Speaker 3: but for all the shows I listened to. Yeah, I

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Speaker 3: kind of dig.

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00:48:44,320 --> 00:48:45,360
Speaker 2: Yeah, man, it's awesome.

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00:48:45,480 --> 00:48:48,920
Speaker 1: Well, Danielle as always a fucking pleasure.

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00:48:50,080 --> 00:48:53,040
Speaker 3: I mean, we've we've done the emotional rollercoaster that we

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00:48:53,200 --> 00:48:57,920
Speaker 3: are known for, and I'm grateful for it. And I

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00:48:58,080 --> 00:49:00,680
Speaker 3: just absolutely could do fucking Mary Kill for the rest

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00:49:00,680 --> 00:49:03,040
Speaker 3: of the night. So just keep sending them me too.

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00:49:03,920 --> 00:49:06,840
Speaker 1: Thanks everybody for listening. We appreciate your support.

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00:49:07,719 --> 00:49:08,239
Speaker 2: Talk to you.

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00:49:08,239 --> 00:49:19,560
Speaker 3: Soon, Bye bye. This has been an exactly right production,

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00:49:19,880 --> 00:49:22,840
Speaker 3: produced and mixed by Casey O'Brien. Our theme song is

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00:49:22,880 --> 00:49:26,400
Speaker 3: by Tom bry Fogel artwork by Garrett Ross. Our executive

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00:49:26,400 --> 00:49:29,520
Speaker 3: producers are Georgia hart Start, Karen kile Gareff, and Daniel Kramer.

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00:49:29,880 --> 00:49:32,200
Speaker 3: You can follow us on Instagram and Twitter at I

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00:49:32,320 --> 00:49:35,040
Speaker 3: Saw pod, and you can email us at I Saw

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Speaker 3: What You Did Pod at gmail