WEBVTT - Ryan Hurd & Ernest

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<v Speaker 1>This episode of Busting with the Boys. The Boys is

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<v Speaker 1>presented by Barstool Sports. All right, we're busting with the boys.

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<v Speaker 1>There's no real there we go. I see the excitement

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<v Speaker 1>back there. We don't have We don't really do many

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<v Speaker 1>like just straight in like intros. See, we don't gotta

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<v Speaker 1>wait for me to be like, Okay, this is busting

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<v Speaker 1>with the boys. You do this, blah blah blah. Have

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<v Speaker 1>you listened to us?

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<v Speaker 2>I love I love love the pod. Dude.

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<v Speaker 1>Let's go, hey boys, there we go with some energy.

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<v Speaker 2>I was the delaining one, was the one that got

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<v Speaker 2>me hooked. So oh that was our first one. That

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<v Speaker 2>was just just that dude. Is he not like that's

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<v Speaker 2>awesome because you see him around town, like he'll go

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<v Speaker 2>out to dinner and have like his people and like

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<v Speaker 2>I so you see that dude out. I've seen him

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<v Speaker 2>like at Red Door, and I've seen him at like

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<v Speaker 2>on the you know East Side.

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<v Speaker 1>Was that Ernest? Is that Ernest?

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<v Speaker 2>We got Ernest?

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<v Speaker 1>Ernest? Ernest Keith always call him know he's about to

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<v Speaker 1>crash the pod in this case Smith, but this is

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<v Speaker 1>gonna be a great pod. We got Ryan Hurd, We

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<v Speaker 1>got Ernest about the crash. We got country music all

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<v Speaker 1>over the place. You have something, you have something coming

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<v Speaker 1>out soon, don't you. Yeah, man, I have an EP

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<v Speaker 1>coming out on on Friday. So that's the I don't

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<v Speaker 1>know what I am lost on dates and days, but yeah,

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<v Speaker 1>whenever this comes out, we don't know.

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<v Speaker 2>Yet twenty sixth of June, so that when it is Friday,

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<v Speaker 2>two days now.

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<v Speaker 1>Explain this is gonna be a stupid question. Explain to

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<v Speaker 1>me what EP means, Like, why is that so?

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<v Speaker 2>EP is?

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<v Speaker 1>Album?

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<v Speaker 2>Is all right? In music back in the day when

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<v Speaker 2>you were making records, you'd have like forty fives and

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<v Speaker 2>you'd have like thirty threes and seventy eight's, but they abbreviated,

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<v Speaker 2>uh EP. It means extended play, but for some reason

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<v Speaker 2>we use it to say a shorter album. So basically

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<v Speaker 2>EP is usually like a four, five, six song record

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<v Speaker 2>that you put out and you know, because you know,

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<v Speaker 2>it takes, you know, so much of a marketing push

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<v Speaker 2>to put out like a full like twelve song album

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<v Speaker 2>and just it's really expensive to do it. A lot

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<v Speaker 2>of times newer artists like me put out, you know,

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<v Speaker 2>a four or five song collection just to like get

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<v Speaker 2>new mus out there. And to like build a brand

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<v Speaker 2>and to build a fan base. But this one's different

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<v Speaker 2>because I've put out like three original ones, but this

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<v Speaker 2>one is like kind of B sides and alternate versions

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<v Speaker 2>of songs because I when I got to Nashville, I

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<v Speaker 2>went to college at Belmont, but I started writing songs

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<v Speaker 2>for other people. So that's been my job here for

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<v Speaker 2>eight years, nine years now. And then I've along the

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<v Speaker 2>way gotten a record deal and started like pushing my

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<v Speaker 2>own music out at the same time. But this EP

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<v Speaker 2>that comes out on Friday is songs that I've written

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<v Speaker 2>for other people with my voice on them.

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<v Speaker 1>So songs that So you're saying, you've already written these

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<v Speaker 1>songs for other people and they've already been put out, Yeah,

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<v Speaker 1>and now they're going to be in your voice because

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<v Speaker 1>you wrote them.

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<v Speaker 2>Sure, they're like hits I've written for other people. And

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<v Speaker 2>then a live version of a song that is on

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<v Speaker 2>one of my records called Wish for the World is

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<v Speaker 2>on there. And then it's just all recordings of songs

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<v Speaker 2>I've written for other people.

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<v Speaker 1>So we'll back up to you said nine years ago

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<v Speaker 1>you started writing in Nashville, So when you're writing songs

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<v Speaker 1>for other people, and then you start getting your own gigs.

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<v Speaker 1>How are you implementing yourself as you're writing songs for

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<v Speaker 1>other people and all this is just killer? Are you

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<v Speaker 1>kind of like a could I sing it?

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<v Speaker 2>Maybe? I don't know. Man, it's so hard to get

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<v Speaker 2>your song recorded by somebody else that you sort of

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<v Speaker 2>when it happens, it's just a massive victory. So I

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<v Speaker 2>look at what I do in Nashville, it's like two

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<v Speaker 2>different shoes. It's like I got a right foot in

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<v Speaker 2>the left foot, and I can't really imagine doing one

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<v Speaker 2>without the other. Because like a lot of people have

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<v Speaker 2>found out about me as a as an artist because

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<v Speaker 2>of the songs I've written for other people. And then

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<v Speaker 2>on the other side of that, a lot of artists

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<v Speaker 2>that I've toured with and stuff have I've had a

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<v Speaker 2>lot of opportunities to like write with and for them

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<v Speaker 2>because they've you know, seen me as an artist and liked,

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<v Speaker 2>like to a tea or something that I've put out

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<v Speaker 2>like on my own name. So they sort of like

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<v Speaker 2>feed each other like weirdly like separate businesses, but they

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<v Speaker 2>are really complimentary.

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<v Speaker 1>So were you was your goal when you were starting

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<v Speaker 1>to like obviously be a musician a singer where you

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<v Speaker 1>are now? But when you're writing at first, or is

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<v Speaker 1>that something that you're just separating the entire time, Like

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<v Speaker 1>you weren't expecting somebody to be like, hey, you seem

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<v Speaker 1>like you got a nice voice?

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<v Speaker 2>Now? Was the other way around? I wanted to be

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<v Speaker 2>a writer because I just think it's the coolest job

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<v Speaker 2>in the world. Man, Oh really, Yeah. I wanted to

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<v Speaker 2>write songs because when I got here, I was like,

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<v Speaker 2>wait a minute, there's people who just write the songs.

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<v Speaker 2>They don't have to tour, they don't have to And

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<v Speaker 2>I wasn't. I didn't like find my singing voice really

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<v Speaker 2>until I was like a couple of years into my writing,

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<v Speaker 2>I don't think, because it's mostly like singing is just

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<v Speaker 2>about style. Yeah, I mean some people can rip. Like

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<v Speaker 2>my wife is Maren Morris, and she's just like obviously a.

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<v Speaker 1>Very yeah, she's like that, she's like the stud.

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<v Speaker 2>Yeah, she can sing. She's got like one of those

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<v Speaker 2>voices that's like, well that's not normal. That's but for

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<v Speaker 2>guys like me most I think most people who work

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<v Speaker 2>in country music, it's like you sort of are more

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<v Speaker 2>of a stylist than a vocalist. Half the time. So like,

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<v Speaker 2>I didn't find that until I had written some songs

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<v Speaker 2>for other people, and like people started sort of copying

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<v Speaker 2>my voice on their records. And that's when I started

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<v Speaker 2>getting looks from like record companies. And I actually said

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<v Speaker 2>no a couple of times. It's like, man, I just

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<v Speaker 2>want to this is getting rolling for me. I just

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<v Speaker 2>want to write stay home. And then so you prefer

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<v Speaker 2>being the writer. Well then eventually I was like, ah,

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<v Speaker 2>I gotta try this. Yeah, I don't know, it's cool, man,

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<v Speaker 2>it's hard. I mean a lot of work being the

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<v Speaker 2>artist on that. Like it's the artist part is like

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<v Speaker 2>ninety percent not music, like all.

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<v Speaker 1>This stuff that goes in behind somebody.

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<v Speaker 2>It's not like you're going to go like like I

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<v Speaker 2>don't know, there's not a whole lot of music that

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<v Speaker 2>goes on. It's mostly like doing busting with the boys,

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<v Speaker 2>but not that fun. Yeah, that makes sense. You're doing

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<v Speaker 2>a whole lot of press, and you're doing a whole

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<v Speaker 2>lot of like just work with radio stations. But it's

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<v Speaker 2>mostly just like riding on a bus waiting around to play,

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<v Speaker 2>you know. That's what being an artist is, and then

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<v Speaker 2>doing all the press and all this stuff. Around it.

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<v Speaker 2>But when you're a writer, you're one hundred percent creative

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<v Speaker 2>all the time. And that's the coolest part about that,

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<v Speaker 2>and that's you know you do. You don't get like

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<v Speaker 2>the glory of it. You know, you don't like have

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<v Speaker 2>like two thousand people screaming your song back back at

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<v Speaker 2>you when you're the writer. But you get a lot

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<v Speaker 2>of respect in town, and you get obviously.

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<v Speaker 1>A lot of respect where it matters the most.

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<v Speaker 2>Sure from like those artists and those people in town

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<v Speaker 2>that really respect it. And there's a whole like songwriting

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<v Speaker 2>community that's really special. And so I'm really lucky to

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<v Speaker 2>get to do both things. Man, I get to like

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<v Speaker 2>still write songs for other people. I've had a really

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<v Speaker 2>cool year honestly as as a writer, and then had

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<v Speaker 2>my first ever my song to a t went platinum

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<v Speaker 2>like a month ago, which is crazy.

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<v Speaker 1>Oh let's go, we got platinum? Boys, Yeah, Zach, where

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<v Speaker 1>you at, Chase? You got to partake in the clapping?

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<v Speaker 1>I don't know, you get I don't know if you

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<v Speaker 1>get it.

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<v Speaker 2>My tour manager Chases here and he's a huge part

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<v Speaker 2>of everything we do. And but then you know, I

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<v Speaker 2>don't know, it's been it's just been a cool sort

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<v Speaker 2>of like this is the balance I've always wanted to

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<v Speaker 2>strike and I find gotten to do that.

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<v Speaker 1>That's fucking awesome, dude. I know, uh, like from the

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<v Speaker 1>outside looking in and you talk to people who like Ernest,

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<v Speaker 1>I know he has a lot of respect for writing

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<v Speaker 1>and people who write, but they were they're not like

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<v Speaker 1>the voice because when you're I guess uh, ignorant too,

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<v Speaker 1>you just think the artist makes this, like they write it,

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<v Speaker 1>they do all this stuff. And then now that since

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<v Speaker 1>I've moved here and you get to talk with people

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<v Speaker 1>like yourself, like Ernest, you realize there's so like a

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<v Speaker 1>lot of those people they just funnel the song and

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<v Speaker 1>they're just kind of the face to to the song

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<v Speaker 1>or to the album.

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<v Speaker 2>Hey man, you need a vehicle, right, you need a bus?

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<v Speaker 1>Yeah, no doubt.

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<v Speaker 2>I don't know, man, it it's crazy. I know Ernest

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<v Speaker 2>because we have just started writing together, you know, in

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<v Speaker 2>the last year, and he's one of the Honestly, there's

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<v Speaker 2>there's not a lot of people who swing a different hammer.

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<v Speaker 2>Like most people you sit down with, you're like, okay,

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<v Speaker 2>we can write a great song. Every it feels like

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<v Speaker 2>everybody's the same amount of talented, and then you meet

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<v Speaker 2>people like arn Or, like Michael Hardy or or Maren honestly, honestly,

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<v Speaker 2>Maren's best songwriter I've ever ever encountered.

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<v Speaker 1>Your wife.

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<v Speaker 2>Yeah, and we started we got we met writing songs,

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<v Speaker 2>so I believe that way before we were actually together.

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<v Speaker 2>But but like there's those dudes that you meet like

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<v Speaker 2>like arn Or, like Hardy or you're just like, oh

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<v Speaker 2>my god, this guy, this guy.

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<v Speaker 1>Well they kind of separate.

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<v Speaker 2>I guess they just spit brilliance and you're like, I'm

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<v Speaker 2>just recording you. Like that's what I did with Ernest

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<v Speaker 2>when we wrote a Heartless for Diplo and Morgan Wallen,

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<v Speaker 2>and half of that is just like me like with

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<v Speaker 2>my phone, sticking it in front of Ernest and like

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<v Speaker 2>just recording it so that we could go back and

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<v Speaker 2>make sure we had it down like that and that

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<v Speaker 2>I mean, that dude's just a brilliant guy.

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<v Speaker 1>And then you guys are doing that and then you

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<v Speaker 1>kind of give the product to the voice you want

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<v Speaker 1>to match.

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<v Speaker 2>Man, it's so hard. So we each have called publishers.

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<v Speaker 2>They're like record companies for songwriters. They own or they

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<v Speaker 2>are partners with you and in you know your copyright.

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<v Speaker 2>But what they do is they like book your calendar.

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<v Speaker 2>So they're like, you know, yesterday I wrote with with

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<v Speaker 2>Hardy and Monday I wrote with a Buddy Matt and

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<v Speaker 2>Ross Kopperman. But like they book a calendar and then

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<v Speaker 2>they take the songs and the demos that you make

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<v Speaker 2>and they pitch them out to artists and labels, and

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<v Speaker 2>so they're the ones who are supposed to like exploit

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<v Speaker 2>the music and get it recorded. But like, it's just

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<v Speaker 2>funny how songs find a way.

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<v Speaker 3>Man.

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<v Speaker 2>It's like, uh, they're all like undrafted free agents. Yeah,

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<v Speaker 2>but I mean it's like how do you like they

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<v Speaker 2>just go through each little step and eventually they like

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<v Speaker 2>a miracle happens. It's like so like oh this sometimes

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<v Speaker 2>I'll send a song to somebody, or I'll write it

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<v Speaker 2>with the artist. And I wrote a song with Kane

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<v Speaker 2>Brown called Worldwide Beautiful, and that's one that just like

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<v Speaker 2>was sort of like a magic like magic, you know

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<v Speaker 2>what I mean. And some days it's magic, but other

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<v Speaker 2>times it's like the song goes through like this manager

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<v Speaker 2>and then like they show the artist and the artist

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<v Speaker 2>holds it and then they record it and then like

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<v Speaker 2>it's like a series of like ten coin flips all

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<v Speaker 2>coming up heads in order to have a hit on

0:10:08.240 --> 0:10:12.200
<v Speaker 2>the radio. And that's like what we're all going for

0:10:12.360 --> 0:10:15.400
<v Speaker 2>is just to like have those big hits. So but

0:10:15.440 --> 0:10:17.520
<v Speaker 2>publishers help with those ten coin flips.

0:10:18.040 --> 0:10:18.480
<v Speaker 1>Gotcha.

0:10:18.520 --> 0:10:20.920
<v Speaker 2>You're the ones who get like make sure each step

0:10:21.040 --> 0:10:25.640
<v Speaker 2>is they're trying to get the song heard by whoever

0:10:25.720 --> 0:10:29.120
<v Speaker 2>can make decisions to record and put them out.

0:10:29.240 --> 0:10:32.200
<v Speaker 1>So gotcha. So that's that's where the importance of like

0:10:32.920 --> 0:10:34.800
<v Speaker 1>is the publisher kind of the same as the label.

0:10:35.280 --> 0:10:38.680
<v Speaker 2>Yeah, but on the writing side, gotcha, they're Yeah, they're important.

0:10:38.720 --> 0:10:40.760
<v Speaker 1>They're awesome, man, signing with those teams, like when people

0:10:40.800 --> 0:10:43.160
<v Speaker 1>sign deals and stuff, because sometimes you wonder, like if

0:10:43.160 --> 0:10:45.440
<v Speaker 1>somebody's very good at music, why would they sign with

0:10:45.440 --> 0:10:47.359
<v Speaker 1>anybody if they can kind of get it out themselves.

0:10:47.640 --> 0:10:50.520
<v Speaker 1>So that's that's me thinking that not having any idea.

0:10:50.760 --> 0:10:52.960
<v Speaker 2>Honestly, it's easy to do that now and it's ever been.

0:10:53.240 --> 0:10:58.280
<v Speaker 2>And a lot of these dudes who are like a

0:10:58.320 --> 0:11:00.400
<v Speaker 2>lot of these guys who get it moving on their

0:11:00.480 --> 0:11:02.640
<v Speaker 2>own then partner with a label, like they own a

0:11:02.679 --> 0:11:06.680
<v Speaker 2>lot of that stuff. It's like most people the label

0:11:06.679 --> 0:11:08.559
<v Speaker 2>owns a lot of the artists to like do like

0:11:08.600 --> 0:11:10.880
<v Speaker 2>a joint venture with the label, so like it's kind

0:11:10.880 --> 0:11:14.079
<v Speaker 2>of swinging back like in favor of the artists now

0:11:14.160 --> 0:11:16.240
<v Speaker 2>in a cool way because of the way people listen

0:11:16.320 --> 0:11:18.400
<v Speaker 2>to music now, because of the Internet, because of.

0:11:19.000 --> 0:11:21.400
<v Speaker 1>Some more leverages came to the Oh yeah.

0:11:21.240 --> 0:11:24.360
<v Speaker 2>Okay, so we're but uh man, it's a cool time

0:11:24.400 --> 0:11:28.440
<v Speaker 2>to make music, especially in Nashville. Like I everybody feels

0:11:28.440 --> 0:11:30.200
<v Speaker 2>like everybody wants a piece of what we're doing, and

0:11:30.240 --> 0:11:32.520
<v Speaker 2>that's that's really cool. I mean, Maren did the Middle

0:11:33.120 --> 0:11:37.400
<v Speaker 2>with z Diplo made a country record. It feels like

0:11:37.480 --> 0:11:40.679
<v Speaker 2>every country artist is getting like a pop artist to

0:11:40.800 --> 0:11:44.120
<v Speaker 2>like feature on their big hits, Like Gabby Barrot just

0:11:44.200 --> 0:11:48.160
<v Speaker 2>had Charlie Pooth on hers. So it just it feels

0:11:48.160 --> 0:11:51.880
<v Speaker 2>like Nashville is like in a really great spot as

0:11:51.880 --> 0:11:55.720
<v Speaker 2>a genre. And you know, you could always have all

0:11:55.760 --> 0:11:58.760
<v Speaker 2>these people who like love or don't love what's happening

0:11:58.760 --> 0:12:01.040
<v Speaker 2>on music. Row. I just I'm like a head down guy.

0:12:01.520 --> 0:12:03.120
<v Speaker 2>I just put my head down and keep doing my

0:12:03.160 --> 0:12:06.160
<v Speaker 2>thing and don't like read too much about like what's

0:12:06.200 --> 0:12:09.600
<v Speaker 2>country and what's not. But I do love, like I

0:12:09.600 --> 0:12:11.640
<v Speaker 2>do think that we're in a really cool spot as

0:12:11.679 --> 0:12:15.160
<v Speaker 2>a genre and as a just as a creative city,

0:12:15.160 --> 0:12:16.800
<v Speaker 2>because this is the best music town in the world.

0:12:17.280 --> 0:12:19.640
<v Speaker 2>Oh bar none, there's not. It's not even close to

0:12:19.640 --> 0:12:22.800
<v Speaker 2>me as far as like the songwriting community, the proximity

0:12:22.840 --> 0:12:26.800
<v Speaker 2>that everybody has, and just like the overall talent. I

0:12:26.880 --> 0:12:30.440
<v Speaker 2>just it's amazing how much great music is made here,

0:12:31.920 --> 0:12:34.080
<v Speaker 2>whether you've whether it is released or not.

0:12:34.720 --> 0:12:39.320
<v Speaker 1>Do you feel like you have much of Like, you know,

0:12:39.360 --> 0:12:41.880
<v Speaker 1>how everybody argues like, oh, this is more country than that,

0:12:42.120 --> 0:12:44.800
<v Speaker 1>and like the old days and the new stuff.

0:12:45.080 --> 0:12:48.000
<v Speaker 2>I'm not Sturgil and I know it, and that's okay

0:12:48.000 --> 0:12:49.840
<v Speaker 2>with me. And you know, there's going to be those

0:12:49.920 --> 0:12:52.320
<v Speaker 2>dudes who just want to listen to that stuff and

0:12:52.360 --> 0:12:54.559
<v Speaker 2>that's great and it's not like a I think that's

0:12:54.600 --> 0:12:58.240
<v Speaker 2>absolutely country music, obviously probably more traditional country music than

0:12:58.280 --> 0:13:00.640
<v Speaker 2>what we do. But yeah, you know, that's just so

0:13:00.760 --> 0:13:03.240
<v Speaker 2>funny the way that the internet works. It's just all

0:13:03.280 --> 0:13:08.599
<v Speaker 2>these like genre lines have blended so much. And I

0:13:08.640 --> 0:13:11.280
<v Speaker 2>don't know, I'm not that worried about that conversation.

0:13:11.600 --> 0:13:12.920
<v Speaker 1>Yeah, yeah, So.

0:13:12.920 --> 0:13:15.360
<v Speaker 2>I'd love to make like like a really like a

0:13:15.440 --> 0:13:18.840
<v Speaker 2>much more traditional country record at some point, but I've

0:13:18.880 --> 0:13:21.960
<v Speaker 2>sort of gone down this lane now where I get

0:13:22.000 --> 0:13:24.880
<v Speaker 2>to I've sort of created a sound and it's really

0:13:25.160 --> 0:13:27.440
<v Speaker 2>it's created a fan base and I really have enjoyed

0:13:27.480 --> 0:13:30.680
<v Speaker 2>that part of it. And it's not super traditional country

0:13:30.679 --> 0:13:35.400
<v Speaker 2>at all. So I'm just never not going to be that.

0:13:35.520 --> 0:13:37.200
<v Speaker 2>I'm not going to win that one. Yeah, and I

0:13:37.240 --> 0:13:38.319
<v Speaker 2>know I'm fine with it.

0:13:39.840 --> 0:13:43.920
<v Speaker 1>What do you enjoy doing more writing or touring and

0:13:44.000 --> 0:13:45.319
<v Speaker 1>kind of doing the whole musician thing.

0:13:45.480 --> 0:13:48.240
<v Speaker 2>I can't. I don't know. Writing is great until you

0:13:48.280 --> 0:13:51.440
<v Speaker 2>get burnt. And so the fun part about being like

0:13:52.520 --> 0:13:54.679
<v Speaker 2>doing both is that I very rarely get like burnt

0:13:54.679 --> 0:13:55.679
<v Speaker 2>out on writing.

0:13:56.160 --> 0:13:58.640
<v Speaker 1>Because when you feel like you're starting to get burned it.

0:13:58.640 --> 0:14:00.640
<v Speaker 2>As much as I used to used to be like

0:14:00.679 --> 0:14:02.640
<v Speaker 2>when you get going, you're writing like five or six

0:14:02.679 --> 0:14:05.720
<v Speaker 2>songs a week and just you run out of ideas

0:14:05.760 --> 0:14:09.400
<v Speaker 2>and sort of get feels like work a little bit

0:14:09.400 --> 0:14:11.520
<v Speaker 2>more like you're trying to force it. Right now, I'm

0:14:11.520 --> 0:14:14.720
<v Speaker 2>writing like two or three a week, and I feel

0:14:14.720 --> 0:14:16.680
<v Speaker 2>like I hit the bulls eye a little bit more. Yeah,

0:14:16.720 --> 0:14:18.839
<v Speaker 2>just because of my mind is fresh and I usually

0:14:18.840 --> 0:14:22.520
<v Speaker 2>have ideas and I'm only writing with people that I love.

0:14:23.360 --> 0:14:25.120
<v Speaker 2>I'm not trying out a whole new bunch of news.

0:14:25.120 --> 0:14:27.760
<v Speaker 2>It's just a cool thing to like feel like I

0:14:27.760 --> 0:14:30.040
<v Speaker 2>feel like I'm in my prime a little bit. Yeah,

0:14:30.040 --> 0:14:34.440
<v Speaker 2>like as a creative person. And I don't know, it's

0:14:34.440 --> 0:14:38.320
<v Speaker 2>been cool to uh, it's been cool to like get

0:14:38.320 --> 0:14:40.360
<v Speaker 2>into that spot. But I miss touring, man, I miss

0:14:40.400 --> 0:14:42.520
<v Speaker 2>the people the most. I don't miss airplanes, but I

0:14:42.560 --> 0:14:46.320
<v Speaker 2>miss like my bus. Yeah, we we have a cool crew.

0:14:46.440 --> 0:14:50.560
<v Speaker 2>And miss my boys, and I miss like obviously, like

0:14:50.600 --> 0:14:53.480
<v Speaker 2>we have a really cool road situation and it's like

0:14:53.560 --> 0:14:56.240
<v Speaker 2>we have like a mixed bus. We have girls and

0:14:56.320 --> 0:15:00.080
<v Speaker 2>guys on it. Everybody's working and everybody it's always a

0:15:00.120 --> 0:15:03.600
<v Speaker 2>really like great mood and we just we did it

0:15:03.640 --> 0:15:06.240
<v Speaker 2>like my headline tour. Just I mean the last two

0:15:06.280 --> 0:15:10.520
<v Speaker 2>weeks got canceled because of this ship. But I missed

0:15:10.560 --> 0:15:14.640
<v Speaker 2>that and I miss I miss electric guitars. Yes, I

0:15:14.720 --> 0:15:17.920
<v Speaker 2>miss I missed my people though, That's what I miss.

0:15:18.240 --> 0:15:19.760
<v Speaker 1>Do When when do you get to go on the

0:15:19.800 --> 0:15:20.240
<v Speaker 1>road next?

0:15:20.320 --> 0:15:22.560
<v Speaker 2>Or do you know I'm supposed to play Labor Day weekend?

0:15:22.680 --> 0:15:24.760
<v Speaker 1>Chase, what the hell we'll see? Where are we going?

0:15:25.600 --> 0:15:27.840
<v Speaker 2>Tom? Just Chase is just waiting for the same thing

0:15:27.920 --> 0:15:31.160
<v Speaker 2>I'm waiting on. That's exactly right, waiting for somebody to go.

0:15:31.640 --> 0:15:33.560
<v Speaker 1>You just you just set it up whenever you get

0:15:33.560 --> 0:15:35.520
<v Speaker 1>the green light, exactly Okay.

0:15:35.960 --> 0:15:38.120
<v Speaker 2>Yeah, Chase is a tour manager. So anything that has

0:15:38.160 --> 0:15:40.400
<v Speaker 2>to do with moving me from point A to point

0:15:40.440 --> 0:15:41.800
<v Speaker 2>B is Chase's job.

0:15:42.440 --> 0:15:44.640
<v Speaker 1>He doesn't he doesn't set up point A and B.

0:15:44.920 --> 0:15:49.520
<v Speaker 2>No, that's booking agents do that. Uh. I have an

0:15:49.600 --> 0:15:55.240
<v Speaker 2>agent at William Morris who books all of my live performances.

0:15:55.880 --> 0:15:58.520
<v Speaker 2>I wrot the shows. And then you have a manager

0:15:58.600 --> 0:16:01.000
<v Speaker 2>who's sort of like the sea oh oh of what

0:16:01.040 --> 0:16:04.880
<v Speaker 2>you're doing. Yeah, and then there's just so many people involved.

0:16:05.080 --> 0:16:10.480
<v Speaker 2>You have a record company, agent, manager, what else tour manager?

0:16:10.680 --> 0:16:14.640
<v Speaker 1>Is it? Is it dumb to to assume that you

0:16:14.680 --> 0:16:16.520
<v Speaker 1>and your wife, you guys have kind of the same team,

0:16:16.760 --> 0:16:17.240
<v Speaker 1>or do you guys?

0:16:17.240 --> 0:16:18.520
<v Speaker 2>Actually we do have.

0:16:19.160 --> 0:16:22.360
<v Speaker 1>We have the same managers, Okay, And so you guys

0:16:22.440 --> 0:16:23.760
<v Speaker 1>kind of work with like a lot of the same

0:16:23.760 --> 0:16:24.440
<v Speaker 1>people we do.

0:16:24.720 --> 0:16:27.600
<v Speaker 2>Yeah. Yeah, And our bands are really close, Like we've

0:16:28.000 --> 0:16:30.560
<v Speaker 2>they all worked really closely together. We've toured together quite

0:16:30.600 --> 0:16:34.560
<v Speaker 2>a bit, played a lot of the same festivals and

0:16:34.920 --> 0:16:39.520
<v Speaker 2>I we were gonna tour this year. I was gonna

0:16:39.560 --> 0:16:44.120
<v Speaker 2>open a handful of her like headline shows because we

0:16:44.200 --> 0:16:46.520
<v Speaker 2>just had a baby, and so that's kind of I

0:16:46.520 --> 0:16:48.200
<v Speaker 2>don't know, I didn't really want to be away from

0:16:48.320 --> 0:16:51.960
<v Speaker 2>him all that much. And she obvious.

0:16:52.920 --> 0:16:54.920
<v Speaker 1>You got a boy, right, what's his name? His name

0:16:54.960 --> 0:17:00.160
<v Speaker 1>is Hayes Andrew. Shout out Hayes Andrew. When when when

0:17:00.200 --> 0:17:01.240
<v Speaker 1>was he? When was he born?

0:17:02.600 --> 0:17:05.520
<v Speaker 2>March twenty third of this year.

0:17:05.600 --> 0:17:09.160
<v Speaker 1>So he's a co he's he's a COVID baby. Well, yeah, pandemic.

0:17:09.240 --> 0:17:10.400
<v Speaker 1>He was born in the pandemic.

0:17:10.520 --> 0:17:12.879
<v Speaker 2>Yeah, we were. It was like the first week that

0:17:12.920 --> 0:17:15.640
<v Speaker 2>they had like shut the hospital down. It was crazy

0:17:15.680 --> 0:17:20.639
<v Speaker 2>and no visitors, just me and like some people start

0:17:20.720 --> 0:17:22.800
<v Speaker 2>like other places, not here, but like you were hearing

0:17:22.840 --> 0:17:27.040
<v Speaker 2>stories about like like Dad's not being able to go

0:17:27.680 --> 0:17:29.879
<v Speaker 2>because of this stuff. Like I don't know, maybe that happened,

0:17:29.880 --> 0:17:33.880
<v Speaker 2>maybe it didn't, but we were terrified and uh, no visitors,

0:17:33.920 --> 0:17:37.919
<v Speaker 2>which actually, looking back, like that's okay, Like it was

0:17:37.960 --> 0:17:40.200
<v Speaker 2>just kind of cool to like be have your moment

0:17:40.240 --> 0:17:42.520
<v Speaker 2>and then like my parents and her parents came over

0:17:42.680 --> 0:17:45.000
<v Speaker 2>like when we got home. But yeah, it was. It

0:17:45.040 --> 0:17:48.640
<v Speaker 2>was terrifying. Man. It's got like doctors wearing like face

0:17:48.720 --> 0:17:49.400
<v Speaker 2>shields and shit.

0:17:49.480 --> 0:17:51.720
<v Speaker 1>And like, oh my god, this is not knowing how

0:17:51.760 --> 0:17:52.240
<v Speaker 1>serious it.

0:17:52.720 --> 0:17:56.200
<v Speaker 2>Maybe yeah, yeah, that's it. But it's been it's been cool, man,

0:17:56.240 --> 0:18:00.320
<v Speaker 2>different like we've we've been like really, I don't know.

0:18:00.640 --> 0:18:01.840
<v Speaker 2>I feel like when you do what we do, we

0:18:01.840 --> 0:18:04.520
<v Speaker 2>don't have to ever have to grow up. And and

0:18:04.600 --> 0:18:06.679
<v Speaker 2>so now it's like we can be we still have

0:18:06.760 --> 0:18:10.320
<v Speaker 2>that lifestyle you have to there's this one little thing

0:18:10.359 --> 0:18:12.439
<v Speaker 2>you have to be responsible for it every day. So

0:18:12.480 --> 0:18:15.120
<v Speaker 2>it's a little bit different, but we're we're figured it out.

0:18:15.160 --> 0:18:15.280
<v Speaker 1>Man.

0:18:15.320 --> 0:18:17.159
<v Speaker 2>The cool part about not being able to tour is

0:18:17.600 --> 0:18:20.320
<v Speaker 2>we get to be home for a second, and I

0:18:20.359 --> 0:18:24.840
<v Speaker 2>would have missed some stuff that I'm glad that I

0:18:24.880 --> 0:18:27.000
<v Speaker 2>had time at home for, Like I would have missed

0:18:27.960 --> 0:18:30.720
<v Speaker 2>He's just like little things, man. You like wake up

0:18:30.760 --> 0:18:31.960
<v Speaker 2>in the morning and you see him and he's like,

0:18:32.000 --> 0:18:34.560
<v Speaker 2>oh my god, he's bigger. Yeah, And I can't imagine

0:18:34.600 --> 0:18:37.480
<v Speaker 2>like I would have had to do I think three

0:18:37.520 --> 0:18:41.920
<v Speaker 2>weekends now away from them, and I can't imagine like

0:18:41.960 --> 0:18:43.720
<v Speaker 2>coming back after one of those weekends and being like,

0:18:43.760 --> 0:18:46.720
<v Speaker 2>oh my god, like he grew so now. But now

0:18:46.720 --> 0:18:49.199
<v Speaker 2>I see him every day and eventually that's not going

0:18:49.240 --> 0:18:50.919
<v Speaker 2>to be the case. And we're gonna have to go

0:18:51.000 --> 0:18:53.560
<v Speaker 2>back to life as we need it to be. But

0:18:53.560 --> 0:18:54.880
<v Speaker 2>but right now it's cool to be home.

0:18:55.080 --> 0:18:57.679
<v Speaker 1>Now, say you and your wife, you guys tour together.

0:18:57.880 --> 0:19:00.600
<v Speaker 1>Will will the baby like tour with you guys.

0:19:01.080 --> 0:19:06.720
<v Speaker 2>Yeah, So Maren has a bus that is like fitted

0:19:06.840 --> 0:19:11.879
<v Speaker 2>outfitted for a baby. So it's like we have like

0:19:11.920 --> 0:19:14.239
<v Speaker 2>our apartment in the back, and then there's like a

0:19:14.240 --> 0:19:16.720
<v Speaker 2>bunk that has a crib in it and a baby

0:19:16.760 --> 0:19:21.919
<v Speaker 2>monitor and a noise machine, and then like the we

0:19:22.000 --> 0:19:24.480
<v Speaker 2>have somebody who like stays next to him and the

0:19:24.520 --> 0:19:28.000
<v Speaker 2>bunk across from him because we have to have help

0:19:28.040 --> 0:19:30.280
<v Speaker 2>out there just because there's so much stuff going on.

0:19:31.920 --> 0:19:34.160
<v Speaker 2>And he goes to bed at seven o'clock and rock

0:19:34.160 --> 0:19:37.560
<v Speaker 2>shows don't start till nine, so we have some help

0:19:37.600 --> 0:19:40.720
<v Speaker 2>out there. And then yeah, man, there's some other stuff

0:19:40.760 --> 0:19:43.840
<v Speaker 2>that she got just that's baby specific.

0:19:43.920 --> 0:19:46.040
<v Speaker 1>But yeah, we have a bus that sounds like a

0:19:46.040 --> 0:19:48.159
<v Speaker 1>bus we need to look into boys, an apartment in

0:19:48.160 --> 0:19:51.040
<v Speaker 1>the back. Yeah, a baby crib for a tailor. Make

0:19:51.080 --> 0:19:53.680
<v Speaker 1>sure keep a monitor on him. He can't do anything

0:19:53.720 --> 0:19:55.000
<v Speaker 1>on his own, you know what I mean.

0:19:55.560 --> 0:19:58.920
<v Speaker 2>That's awesome, Dude's Yeah, my bus is just twelve bunks

0:19:58.960 --> 0:20:01.480
<v Speaker 2>and we go. We i'd town to town and have

0:20:01.520 --> 0:20:04.000
<v Speaker 2>a good time. But yeah, no babies on that one yet,

0:20:04.040 --> 0:20:04.959
<v Speaker 2>no dogs or babies.

0:20:05.040 --> 0:20:07.720
<v Speaker 1>It's probably benefits. It's probably a benefit too to touring

0:20:07.760 --> 0:20:10.200
<v Speaker 1>with your wife's because don't people go on the road

0:20:10.240 --> 0:20:12.520
<v Speaker 1>and they're gone for hell. I don't know how long.

0:20:12.560 --> 0:20:13.880
<v Speaker 1>How long is like an average tour.

0:20:14.520 --> 0:20:16.800
<v Speaker 2>I mean we well in Nashville, it's different because we

0:20:16.840 --> 0:20:18.920
<v Speaker 2>can do weekends because we're in the middle of the country.

0:20:19.200 --> 0:20:21.600
<v Speaker 2>So yeah, we usually do like a ten day run

0:20:21.680 --> 0:20:25.800
<v Speaker 2>out west ten to fourteen days like West Coast. Yeah,

0:20:25.840 --> 0:20:28.000
<v Speaker 2>and then we'll do like Maren will do like a

0:20:28.040 --> 0:20:32.480
<v Speaker 2>ten day Europe run a lot like every year every

0:20:32.480 --> 0:20:35.359
<v Speaker 2>other year. But that's basically it. So then we can

0:20:35.480 --> 0:20:40.160
<v Speaker 2>leave most of the time like Wednesday night, play Thursday, Friday, Saturday,

0:20:40.640 --> 0:20:44.359
<v Speaker 2>be home Sunday. That's generally the rhythm that people in

0:20:44.440 --> 0:20:47.919
<v Speaker 2>Nashville have except for with the exception of West Coast

0:20:48.000 --> 0:20:50.720
<v Speaker 2>and Europe. And then these people have been playing like

0:20:51.240 --> 0:20:55.400
<v Speaker 2>festivals in Australia too, which is a long way to go.

0:20:56.320 --> 0:21:00.200
<v Speaker 2>So I haven't done that yet, but maybe we will someday.

0:21:00.560 --> 0:21:01.320
<v Speaker 2>That's dope, man.

0:21:01.920 --> 0:21:03.760
<v Speaker 1>This episode of Busting with the Boys is brought to

0:21:03.840 --> 0:21:06.240
<v Speaker 1>you by Whoop and I am stoked that Woop is

0:21:06.280 --> 0:21:08.920
<v Speaker 1>on board and sponsoring the Boys because it makes the

0:21:08.960 --> 0:21:12.320
<v Speaker 1>most sense for our podcast being an athlete being athletes,

0:21:13.200 --> 0:21:16.160
<v Speaker 1>and Whoop being the best fitness tracker in the game.

0:21:16.560 --> 0:21:19.960
<v Speaker 1>They're partnered with the NFLPA, so everybody in the NFL

0:21:20.040 --> 0:21:22.399
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0:21:22.680 --> 0:21:24.920
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0:21:28.560 --> 0:21:31.840
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0:24:04.359 --> 0:24:06.840
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<v Speaker 1>You gotta rock and you gotta a rock and family.

0:24:17.080 --> 0:24:18.040
<v Speaker 2>Yeah, man, it's been cool.

0:24:18.080 --> 0:24:19.399
<v Speaker 1>You guys are kind of like a power family.

0:24:19.440 --> 0:24:23.160
<v Speaker 2>I have a good a good Maaron's just a really

0:24:23.160 --> 0:24:26.200
<v Speaker 2>great partner and really supportive of my music. And it's

0:24:26.240 --> 0:24:29.959
<v Speaker 2>been cool to like watch her become a superstar. And

0:24:30.440 --> 0:24:33.720
<v Speaker 2>you know, I I love my career too. And it's

0:24:33.800 --> 0:24:37.160
<v Speaker 2>they're they're very separate, but very I don't know, they

0:24:37.240 --> 0:24:40.240
<v Speaker 2>just fit together really nicely our lives. It's taken a

0:24:40.280 --> 0:24:41.840
<v Speaker 2>couple of years, but I feel like we have a

0:24:41.880 --> 0:24:45.760
<v Speaker 2>really cool rhythm with uh just being like creative partners

0:24:45.760 --> 0:24:49.560
<v Speaker 2>and because and and actually like having a marriage and

0:24:49.640 --> 0:24:51.840
<v Speaker 2>a kid. It's been, Uh, it's been fun to find

0:24:51.840 --> 0:24:52.679
<v Speaker 2>those balances.

0:24:53.040 --> 0:24:54.680
<v Speaker 1>What are some uh, what are some of the times

0:24:54.680 --> 0:24:57.280
<v Speaker 1>where you guys head butt in the music world, whether

0:24:57.359 --> 0:25:00.480
<v Speaker 1>it be touring, writing with or for each other, like

0:25:00.520 --> 0:25:02.840
<v Speaker 1>any of that stuff. Give me a moment where it's

0:25:02.840 --> 0:25:04.080
<v Speaker 1>not all smelling roses.

0:25:04.119 --> 0:25:07.119
<v Speaker 2>We still write together, which is cool. I'm excited that

0:25:07.160 --> 0:25:09.480
<v Speaker 2>she still asked me to write songs with her because

0:25:09.480 --> 0:25:11.960
<v Speaker 2>she's got a really small group now that she trusts

0:25:12.040 --> 0:25:17.240
<v Speaker 2>to be creative with I don't know, like creatively, I

0:25:17.920 --> 0:25:23.000
<v Speaker 2>kind of just am there when it's always time. It's

0:25:23.040 --> 0:25:30.000
<v Speaker 2>always just about time and like when just calendar stuff.

0:25:30.280 --> 0:25:32.520
<v Speaker 2>And that's why we have the same manager is like

0:25:32.560 --> 0:25:37.160
<v Speaker 2>those those like frictions are minimized when you have one

0:25:37.200 --> 0:25:40.840
<v Speaker 2>person managing both of our time. Yeah, but like it's

0:25:40.880 --> 0:25:46.880
<v Speaker 2>always like just getting on the same page time wise.

0:25:46.960 --> 0:25:49.200
<v Speaker 1>Have either of you have ever said that's a stupid lyric.

0:25:50.640 --> 0:25:54.160
<v Speaker 2>I don't think we've said it like that to each other.

0:25:54.400 --> 0:25:56.359
<v Speaker 2>I say that to it. I would say it to

0:25:56.440 --> 0:25:58.960
<v Speaker 2>someone like Earn be like, no, that's not it. But

0:25:59.000 --> 0:26:01.399
<v Speaker 2>I say it about myself more than anything. Usually I'm like,

0:26:01.600 --> 0:26:05.399
<v Speaker 2>you'll say somebody like that's not right. Yeah, but uh yeah, man,

0:26:05.480 --> 0:26:10.880
<v Speaker 2>that we that she's just a fantastic songwriter. And that's

0:26:10.960 --> 0:26:14.240
<v Speaker 2>like where it all starts with everybody is like getting

0:26:14.280 --> 0:26:16.320
<v Speaker 2>good songs, whether you write them or you find them,

0:26:16.359 --> 0:26:21.720
<v Speaker 2>like that always is the most important thing because that's

0:26:21.920 --> 0:26:23.720
<v Speaker 2>I mean, that's why people buy ticket is to hear

0:26:23.720 --> 0:26:24.920
<v Speaker 2>that song that they love.

0:26:25.280 --> 0:26:25.639
<v Speaker 1>Yeah.

0:26:26.720 --> 0:26:28.000
<v Speaker 2>You know, me and Ern are sort of in the

0:26:28.040 --> 0:26:30.880
<v Speaker 2>same boat where it's like we we have a lot

0:26:31.000 --> 0:26:33.920
<v Speaker 2>of ship moving as writers. Right now, we're both trying

0:26:33.960 --> 0:26:35.879
<v Speaker 2>to get like over that hump as you where is

0:26:36.600 --> 0:26:38.560
<v Speaker 2>he's out there drinking beer in the parking lot and

0:26:38.600 --> 0:26:40.800
<v Speaker 2>he didn't get him and he didn't bring me one.

0:26:41.119 --> 0:26:43.399
<v Speaker 1>This could be a good conversation about the writing world

0:26:43.760 --> 0:26:45.720
<v Speaker 1>because they've written, they wrote together.

0:26:45.840 --> 0:26:47.800
<v Speaker 2>We're in the same boat where it's like we're both

0:26:47.840 --> 0:26:49.399
<v Speaker 2>just looking at each other, like how fuck do you

0:26:49.400 --> 0:26:50.080
<v Speaker 2>get on the radio?

0:26:51.040 --> 0:26:54.120
<v Speaker 1>Yeah, what's what's one of your favorite memories on the road?

0:26:57.680 --> 0:27:00.199
<v Speaker 2>What do you think favorite memories?

0:27:01.520 --> 0:27:01.720
<v Speaker 4>Well?

0:27:01.720 --> 0:27:06.000
<v Speaker 2>See, like I my rhythm is like I wake up

0:27:06.119 --> 0:27:08.800
<v Speaker 2>and then you like work out because there's like no

0:27:09.080 --> 0:27:10.440
<v Speaker 2>like you just wake up and then you tell you

0:27:10.440 --> 0:27:14.280
<v Speaker 2>at night, like nine o'clock at night, so you work out,

0:27:14.760 --> 0:27:19.240
<v Speaker 2>eat lunch. But like I can't party until the show's

0:27:19.280 --> 0:27:22.920
<v Speaker 2>over for the most part, So like I just remember

0:27:22.960 --> 0:27:24.880
<v Speaker 2>this whole tour we just did. Like I'd come back

0:27:24.880 --> 0:27:26.960
<v Speaker 2>to the bus and my band has worked all day

0:27:27.760 --> 0:27:30.600
<v Speaker 2>and I'd want to party and they'd be like too tire.

0:27:30.680 --> 0:27:32.119
<v Speaker 2>They just go to bed, and I'm like, what are we?

0:27:32.560 --> 0:27:36.080
<v Speaker 2>What is this? So I I just remember, like nobody

0:27:36.119 --> 0:27:40.160
<v Speaker 2>wants to party anymore. But I don't know. I've had

0:27:40.160 --> 0:27:42.280
<v Speaker 2>a I've I've been on the road with like FGL

0:27:43.080 --> 0:27:44.919
<v Speaker 2>and Thomas Rhett, who's.

0:27:44.640 --> 0:27:47.480
<v Speaker 1>Been the most fun to be on the road with. Hey,

0:27:47.560 --> 0:27:49.719
<v Speaker 1>keep keep keep name dropping too. Rattle that list off

0:27:49.720 --> 0:27:50.919
<v Speaker 1>again so we can find a winner.

0:27:51.680 --> 0:27:55.160
<v Speaker 2>I've been on the road with tr FGL, Chase Rice

0:27:56.600 --> 0:27:59.359
<v Speaker 2>just like as like part of their packages. Hey, buddy,

0:27:59.480 --> 0:28:01.200
<v Speaker 2>how are you sorry?

0:28:01.600 --> 0:28:03.680
<v Speaker 4>What ready to go?

0:28:04.840 --> 0:28:05.920
<v Speaker 2>Did you bring me a beer?

0:28:06.400 --> 0:28:09.480
<v Speaker 4>I drink too and I locked my car. I can

0:28:09.480 --> 0:28:11.639
<v Speaker 4>get you you want a Corona, but this is a

0:28:11.680 --> 0:28:12.840
<v Speaker 4>Budweiser bus.

0:28:13.440 --> 0:28:13.800
<v Speaker 3>This is.

0:28:15.680 --> 0:28:17.920
<v Speaker 1>What kind of we aren't we are? We aren't sponsored

0:28:17.920 --> 0:28:20.800
<v Speaker 1>by him though, so you can could we can talk

0:28:20.840 --> 0:28:21.439
<v Speaker 1>about whatever.

0:28:21.720 --> 0:28:24.280
<v Speaker 2>I was sponsored by Corona for a while. It was fun.

0:28:24.720 --> 0:28:26.720
<v Speaker 2>One of the coolest moments was like pulling up into

0:28:26.760 --> 0:28:31.040
<v Speaker 2>the driveway and there was a palette of Corona there.

0:28:31.080 --> 0:28:34.440
<v Speaker 2>It was like twenty five cases of Corona in bottles

0:28:35.119 --> 0:28:37.840
<v Speaker 2>and we drank like four or five in two days,

0:28:37.840 --> 0:28:41.040
<v Speaker 2>but maybe more but cases. But yeah, it was like

0:28:41.080 --> 0:28:43.760
<v Speaker 2>that was one of my biggest flexs on That was

0:28:43.800 --> 0:28:46.800
<v Speaker 2>my That was my biggest flex was was was twenty

0:28:46.840 --> 0:28:49.640
<v Speaker 2>five or thirty cases of Corona just sitting there.

0:28:49.840 --> 0:28:53.360
<v Speaker 3>That's amazing of it I.

0:28:53.280 --> 0:28:53.680
<v Speaker 2>Should have.

0:28:55.560 --> 0:28:58.760
<v Speaker 1>The pot. His cigarette is out and he is on

0:28:58.800 --> 0:28:59.160
<v Speaker 1>the pot.

0:28:59.200 --> 0:28:59.719
<v Speaker 3>We're here.

0:29:00.240 --> 0:29:01.960
<v Speaker 1>We were just talking to him the question we had

0:29:02.040 --> 0:29:05.720
<v Speaker 1>his favorite memories on UH on the Road, and I

0:29:05.720 --> 0:29:08.600
<v Speaker 1>think his list was Chase, Rice, Thomas Rhett if I

0:29:08.640 --> 0:29:09.440
<v Speaker 1>had the most.

0:29:09.240 --> 0:29:12.160
<v Speaker 2>Fun on the Chase Tour because that's just the wildest one.

0:29:13.640 --> 0:29:17.160
<v Speaker 2>TR was fun because it was all everybody doing the

0:29:17.720 --> 0:29:20.400
<v Speaker 2>for the first time, like tr headlining for the first time,

0:29:20.520 --> 0:29:23.120
<v Speaker 2>Kelsey Ballerini's first time playing arenas, and then me and

0:29:23.160 --> 0:29:25.840
<v Speaker 2>Russell Dickerson were just the first time doing anything. Yeah,

0:29:25.840 --> 0:29:28.440
<v Speaker 2>so we were stoked. I like doing obviously like doing

0:29:28.480 --> 0:29:30.320
<v Speaker 2>my own show the most because.

0:29:30.520 --> 0:29:32.360
<v Speaker 3>You get to run the show, fucking yours.

0:29:32.480 --> 0:29:36.200
<v Speaker 1>Yeah, it's your Chase. Seems like a good time. We

0:29:36.320 --> 0:29:38.760
<v Speaker 1>got to interview him the virtual stuff, but yeah, he

0:29:38.800 --> 0:29:39.800
<v Speaker 1>seems like a fun time.

0:29:40.200 --> 0:29:43.320
<v Speaker 2>The first night ever on the Chase Tour, we're playing

0:29:43.600 --> 0:29:46.240
<v Speaker 2>have you played Kegs and Jordan, New York the Syracuse

0:29:46.320 --> 0:29:50.160
<v Speaker 2>you will. It's just like it's the middle of nowhere

0:29:50.280 --> 0:29:52.360
<v Speaker 2>if they call it like the Syracuse market, but I

0:29:52.360 --> 0:29:54.680
<v Speaker 2>don't even think it's close to Syracuse, And it's the

0:29:54.720 --> 0:29:58.000
<v Speaker 2>only thing in the town is this little dive venue

0:29:58.800 --> 0:30:02.520
<v Speaker 2>and they have a uh the stage is plywood and

0:30:02.560 --> 0:30:07.160
<v Speaker 2>there's like Chase draws like two thousand people. I don't know,

0:30:08.000 --> 0:30:10.720
<v Speaker 2>uh would There's tons of people there and and I

0:30:11.160 --> 0:30:12.800
<v Speaker 2>like show up and I'm about to play, and all

0:30:12.800 --> 0:30:15.200
<v Speaker 2>of a sudden, like the tour manager John gets like

0:30:17.200 --> 0:30:19.000
<v Speaker 2>I like to see him get punched in the head.

0:30:19.400 --> 0:30:21.600
<v Speaker 2>Like some dude like walked up to Chase his bus

0:30:21.600 --> 0:30:24.720
<v Speaker 2>and started like taking a leak on his bus and

0:30:24.840 --> 0:30:28.040
<v Speaker 2>John like goes over to like get the security guard

0:30:28.080 --> 0:30:29.600
<v Speaker 2>and get this dude kicked out, and the dude just

0:30:29.640 --> 0:30:33.160
<v Speaker 2>whips around and like just punches him in the head.

0:30:33.200 --> 0:30:35.480
<v Speaker 2>And so like, who punched you in the head? The

0:30:35.520 --> 0:30:36.440
<v Speaker 2>guy who beat on his.

0:30:36.400 --> 0:30:39.040
<v Speaker 3>Bus punched the tour manager in the head?

0:30:39.120 --> 0:30:40.600
<v Speaker 2>Yeah, like the side of the head.

0:30:40.680 --> 0:30:40.960
<v Speaker 3>Dude.

0:30:41.080 --> 0:30:44.120
<v Speaker 2>John Lasard is reaching over the security guards and has

0:30:44.120 --> 0:30:46.440
<v Speaker 2>got this dude by the beard. It's just shaking him

0:30:46.440 --> 0:30:47.080
<v Speaker 2>by the beard.

0:30:47.120 --> 0:30:49.160
<v Speaker 3>Oh no, but uh it.

0:30:49.040 --> 0:30:51.240
<v Speaker 2>Was that was my first night on the Chase Rice tour.

0:30:51.280 --> 0:30:54.280
<v Speaker 1>And I was like, that was your first night, Yeah,

0:30:54.280 --> 0:30:55.120
<v Speaker 1>that's the bar.

0:30:55.440 --> 0:30:56.920
<v Speaker 2>It was like my third show ever.

0:30:57.320 --> 0:30:59.680
<v Speaker 1>And he cheems like people don't like you.

0:30:59.680 --> 0:31:03.280
<v Speaker 3>No, it was just some people get rowdy around you.

0:31:03.400 --> 0:31:05.320
<v Speaker 2>Yeah, it was. That was the rowdiest tour I've ever

0:31:05.360 --> 0:31:07.560
<v Speaker 2>been on, and it was my first one. It was

0:31:07.560 --> 0:31:09.320
<v Speaker 2>on my third show ever, and I was like, oh

0:31:09.360 --> 0:31:12.560
<v Speaker 2>my god, what am I doing? But uh, that was fun.

0:31:12.600 --> 0:31:14.600
<v Speaker 2>That was like one of those days where you're like

0:31:14.840 --> 0:31:16.600
<v Speaker 2>one of those tours, are like not sure how the

0:31:16.880 --> 0:31:18.680
<v Speaker 2>we had like a sprinter van. You're not like sure

0:31:18.720 --> 0:31:22.040
<v Speaker 2>how that thing got from city to city? Right, don't

0:31:22.080 --> 0:31:22.680
<v Speaker 2>really remember?

0:31:22.800 --> 0:31:23.600
<v Speaker 3>Did you have to drive?

0:31:24.560 --> 0:31:24.960
<v Speaker 2>Not much?

0:31:25.280 --> 0:31:25.480
<v Speaker 1>Yeah.

0:31:25.560 --> 0:31:28.320
<v Speaker 2>I always drove like coming home because like I wasn't.

0:31:28.880 --> 0:31:31.760
<v Speaker 2>I was not about like taking our time to get home.

0:31:32.040 --> 0:31:33.920
<v Speaker 2>So I was like I will go, I will we

0:31:34.000 --> 0:31:34.640
<v Speaker 2>are going home.

0:31:34.720 --> 0:31:37.760
<v Speaker 1>Yes, So so you guys won't have like a bus

0:31:37.880 --> 0:31:39.920
<v Speaker 1>driver every time, like sometimes they'll just be.

0:31:40.200 --> 0:31:43.160
<v Speaker 3>Well now I do, but early on when you can't

0:31:43.160 --> 0:31:45.400
<v Speaker 3>afford a bus, you take van.

0:31:45.520 --> 0:31:45.680
<v Speaker 1>Yeah.

0:31:45.720 --> 0:31:48.960
<v Speaker 3>Buses are ridiculous, like ten grand for the weekend at least.

0:31:49.200 --> 0:31:49.360
<v Speaker 5>Yeah.

0:31:49.960 --> 0:31:52.920
<v Speaker 2>Yeah, oh old Dominion. That was a great.

0:31:52.800 --> 0:31:56.520
<v Speaker 3>Tour to be Those are fun guys, fun dudes I had. Yeah,

0:31:56.520 --> 0:31:57.160
<v Speaker 3>those are fun guys.

0:31:57.200 --> 0:31:58.880
<v Speaker 2>I forgot I did that at the end of last

0:31:58.920 --> 0:32:00.920
<v Speaker 2>year as the last tour I was on. That was.

0:32:01.120 --> 0:32:03.560
<v Speaker 2>That's a great they have a great Uh fan base

0:32:03.680 --> 0:32:05.760
<v Speaker 2>for someone like me, like they're they're fans, and my

0:32:05.880 --> 0:32:08.280
<v Speaker 2>fans are like, I feel like there's a.

0:32:08.280 --> 0:32:11.600
<v Speaker 6>Lot of a lot of car over crossover overlap, So

0:32:12.640 --> 0:32:13.520
<v Speaker 6>why why is that?

0:32:14.120 --> 0:32:15.640
<v Speaker 2>I don't know. I just think that just the type

0:32:15.640 --> 0:32:16.920
<v Speaker 2>of music we both make.

0:32:17.000 --> 0:32:19.080
<v Speaker 1>It it's not it's not too redneck.

0:32:19.280 --> 0:32:20.760
<v Speaker 3>I mean, yeah, I know I have a mullet, but

0:32:20.760 --> 0:32:21.680
<v Speaker 3>I'm not the most redneck.

0:32:21.720 --> 0:32:23.400
<v Speaker 1>I was telling him, like, are you swing a lot

0:32:23.440 --> 0:32:27.400
<v Speaker 1>of different ways? He was actually complimenting earlier, saying there's

0:32:27.440 --> 0:32:29.760
<v Speaker 1>not many. There's not many people who swing a different

0:32:29.800 --> 0:32:30.600
<v Speaker 1>hammer all the time.

0:32:30.840 --> 0:32:33.840
<v Speaker 3>Wasn't quite ready for that, I guess in your seat? Sorry, Pops,

0:32:35.920 --> 0:32:36.800
<v Speaker 3>do I need to get up?

0:32:36.920 --> 0:32:43.080
<v Speaker 7>Or Taylor Wells kind of glued to my seat?

0:32:43.200 --> 0:32:44.640
<v Speaker 3>So sorry?

0:32:44.640 --> 0:32:45.840
<v Speaker 2>Do you want to share this microphone?

0:32:46.560 --> 0:32:48.480
<v Speaker 1>Similar we were talking about yesterday with like sports and

0:32:48.480 --> 0:32:50.760
<v Speaker 1>everything else you have, like ninety percent of the league

0:32:50.800 --> 0:32:53.120
<v Speaker 1>is kind of the same and then there's some unicorns.

0:32:53.240 --> 0:32:54.920
<v Speaker 2>Actually, someone's sitting over there right now.

0:32:54.920 --> 0:32:58.440
<v Speaker 1>You are You are too, well, Taylor, Taylor is.

0:32:58.480 --> 0:33:00.120
<v Speaker 4>This is definitely play more talented than.

0:33:02.000 --> 0:33:03.000
<v Speaker 1>In the football.

0:33:04.880 --> 0:33:08.040
<v Speaker 2>Songwriters. Who are you meet songwriters? They are all kind

0:33:08.040 --> 0:33:09.800
<v Speaker 2>of the same amount of talent. And then you get

0:33:09.800 --> 0:33:13.360
<v Speaker 2>in the room with guys like like Michael and Iarn

0:33:13.440 --> 0:33:16.600
<v Speaker 2>and you're like, oh my god, this guy's I would

0:33:16.680 --> 0:33:17.960
<v Speaker 2>never say this to your face.

0:33:17.800 --> 0:33:18.480
<v Speaker 3>Well don't.

0:33:23.120 --> 0:33:23.440
<v Speaker 7>This guy.

0:33:23.800 --> 0:33:26.320
<v Speaker 2>This guy's hands down more talented than everybody else. It's

0:33:26.360 --> 0:33:28.080
<v Speaker 2>like the guys that can just like spit out a

0:33:28.120 --> 0:33:30.200
<v Speaker 2>second verse in like one second, and you're like, oh,

0:33:30.240 --> 0:33:32.280
<v Speaker 2>that's it and we don't have to change anything, Like,

0:33:32.320 --> 0:33:35.280
<v Speaker 2>not a lot of people can just like, actually, there's

0:33:35.320 --> 0:33:36.520
<v Speaker 2>not even a lot of people I think that can

0:33:36.520 --> 0:33:39.560
<v Speaker 2>write lyrics. To be honest, I think that. I don't

0:33:39.600 --> 0:33:42.920
<v Speaker 2>mean that in a world full of songwriters, that's pretty heavy.

0:33:42.960 --> 0:33:45.040
<v Speaker 2>I think that's like, I think that's the most challenging

0:33:45.080 --> 0:33:47.000
<v Speaker 2>thing for most people. And then like when when you

0:33:47.040 --> 0:33:50.200
<v Speaker 2>meet people who are it comes like very effortless, like

0:33:50.320 --> 0:33:54.160
<v Speaker 2>you or Michael, It's like, damn, that's the special Eric Pasley.

0:33:54.360 --> 0:33:57.160
<v Speaker 2>Do you guys know who Eric Pasley is. He's another

0:33:57.240 --> 0:33:59.160
<v Speaker 2>dude like that that you might not think of. That's like,

0:33:59.800 --> 0:34:02.640
<v Speaker 2>it's it's just effortless. So that was my compliment for

0:34:02.680 --> 0:34:03.120
<v Speaker 2>you earlier.

0:34:03.160 --> 0:34:05.360
<v Speaker 3>Well, thank you, damn glad I got to hear that.

0:34:05.520 --> 0:34:06.920
<v Speaker 2>Yeah, And I'll never give you another one.

0:34:06.960 --> 0:34:08.319
<v Speaker 3>That's fine. Now, that'll hold me over that.

0:34:08.600 --> 0:34:10.600
<v Speaker 1>You guys seem like you're in similar lanes where you

0:34:10.719 --> 0:34:12.440
<v Speaker 1>started out and kind of writing, and you're known and

0:34:12.480 --> 0:34:14.759
<v Speaker 1>well respected for all the writing, and now you're both

0:34:14.840 --> 0:34:17.359
<v Speaker 1>kind of touring and doing your music thing. You were

0:34:17.360 --> 0:34:19.080
<v Speaker 1>talking about that earlier about how he kind of got

0:34:19.120 --> 0:34:21.840
<v Speaker 1>into music. This episode of Busting with the Boys is

0:34:21.880 --> 0:34:24.560
<v Speaker 1>also brought to you by Feltman shut Out Feltman's Dude

0:34:24.560 --> 0:34:28.120
<v Speaker 1>and the Glizzies. Last week, I've learned on Twitter what

0:34:28.120 --> 0:34:30.560
<v Speaker 1>a glizzy was, not just Twitter, but the Urban Dictionary,

0:34:30.760 --> 0:34:33.040
<v Speaker 1>and a glizzy is a hot dog. So I became

0:34:33.040 --> 0:34:35.960
<v Speaker 1>a grizzy gladiator. Last week they shipp us some hot

0:34:35.960 --> 0:34:37.480
<v Speaker 1>dogs in the mail. I was like, Okay, I guess

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<v Speaker 1>hot dogs are gonna sponsor the boys. Throw them on

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<v Speaker 1>the grill. They're phenomenal. Thrown at a couple Glizzies, gobbled

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<v Speaker 1>a couple Glizzies. I know that's a little but hey,

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<v Speaker 1>no pause is how we do it on the pop Man.

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<v Speaker 1>There's no pause out there. We throwed at a couple

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<v Speaker 1>of Glizzies last week.

0:34:51.320 --> 0:34:51.800
<v Speaker 2>No pause.

0:34:51.840 --> 0:34:54.719
<v Speaker 1>But Feltman's of Coney Island is the world's first hot

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<v Speaker 1>being the investment sure of the Glizzie, which is per

0:35:01.400 --> 0:35:04.400
<v Speaker 1>the Urban Dictionary, the hot Dog. Feltman's is also a

0:35:04.400 --> 0:35:07.840
<v Speaker 1>military veteran run business, revived in twenty fifteen. The founders,

0:35:07.920 --> 0:35:10.080
<v Speaker 1>Michael and Joe Quinn, revived the brand in honor of

0:35:10.080 --> 0:35:12.759
<v Speaker 1>their late brother Jimmy, who is tragically killed on nine

0:35:12.760 --> 0:35:15.839
<v Speaker 1>to eleven. And when I say veteran owned, these are

0:35:15.880 --> 0:35:19.760
<v Speaker 1>real hardcore vettes. These boys got thirty plus years in uniform,

0:35:19.880 --> 0:35:22.800
<v Speaker 1>one hundred and thirteen months deployed overseas, with Joe deployed

0:35:22.800 --> 0:35:25.560
<v Speaker 1>three times to combat after his brother was killed on

0:35:25.640 --> 0:35:27.680
<v Speaker 1>nine to eleven. They all played D one sports at

0:35:27.800 --> 0:35:31.440
<v Speaker 1>Army as well, so athletes military. It all makes sense, USA.

0:35:32.040 --> 0:35:35.759
<v Speaker 1>The Quinn brothers are diehard sports fans, especially football and baseball. Hence,

0:35:35.800 --> 0:35:38.439
<v Speaker 1>while they sponsored the boys with some Glizzies. So here's

0:35:38.440 --> 0:35:40.800
<v Speaker 1>the thing. The Quinns have put together an annual Mets

0:35:40.800 --> 0:35:44.120
<v Speaker 1>game in honor of their brother Jimmy every year. Obviously

0:35:44.200 --> 0:35:46.319
<v Speaker 1>they can't be at the ballpark this year, so they're

0:35:46.320 --> 0:35:48.880
<v Speaker 1>going to do sort of a virtual thing. Bustin fans

0:35:48.880 --> 0:35:53.279
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0:36:04.760 --> 0:36:07.799
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0:36:08.520 --> 0:36:11.120
<v Speaker 1>on their website, they can get an additional ten percent

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0:36:15.280 --> 0:36:18.680
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0:36:18.960 --> 0:36:22.040
<v Speaker 1>typing in I D dot me at checkout. Shout out

0:36:22.080 --> 0:36:24.920
<v Speaker 1>the boys and Feltman's Love the Glizzies. Dude, keep them coming. Everybody,

0:36:24.920 --> 0:36:27.359
<v Speaker 1>go track Glizzie. Get on their site now uncured all beef,

0:36:27.360 --> 0:36:32.200
<v Speaker 1>hot dogs, go go get those boys. Due gosh, damn it,

0:36:33.080 --> 0:36:33.600
<v Speaker 1>answer it.

0:36:34.280 --> 0:36:37.080
<v Speaker 3>I can't answer that.

0:36:36.880 --> 0:36:45.880
<v Speaker 1>Oh yeah, I just gonna sit here and dance. I

0:36:45.880 --> 0:36:46.560
<v Speaker 1>can't answer that.

0:36:46.719 --> 0:36:50.680
<v Speaker 3>You might, yeah, but you ain't smoking window whizzle every time. Dude,

0:36:50.920 --> 0:36:52.239
<v Speaker 3>my mom could call. That's the ringer.

0:36:52.760 --> 0:36:55.360
<v Speaker 1>Yeah, to get to get off the the earnest. But

0:36:55.440 --> 0:36:57.480
<v Speaker 1>I want to go back to the EP thing. He

0:36:57.560 --> 0:37:00.359
<v Speaker 1>was explaining what EP was, and would you say, what

0:37:00.400 --> 0:37:01.359
<v Speaker 1>does E P mean?

0:37:01.400 --> 0:37:03.880
<v Speaker 2>I mean he's stended play. But it's fucked up because it's.

0:37:03.800 --> 0:37:05.520
<v Speaker 1>Extended playlist, but it's a shorter album.

0:37:05.880 --> 0:37:06.920
<v Speaker 3>Yeah, it's not extended.

0:37:06.960 --> 0:37:08.320
<v Speaker 4>I thought, I'm an executive producer.

0:37:08.920 --> 0:37:12.240
<v Speaker 1>I thought, so, does hear episode.

0:37:12.080 --> 0:37:14.960
<v Speaker 4>EPs on like TV shows or songs?

0:37:15.120 --> 0:37:17.840
<v Speaker 3>Yes, you get that paper because yes, because you're the

0:37:17.880 --> 0:37:18.640
<v Speaker 3>executive producer.

0:37:18.640 --> 0:37:19.200
<v Speaker 4>That's what I'm saying.

0:37:19.200 --> 0:37:21.400
<v Speaker 7>When we walked away from your podcast yesterday, I'm speaking

0:37:21.480 --> 0:37:22.280
<v Speaker 7>very loudly because.

0:37:22.160 --> 0:37:25.120
<v Speaker 2>I'm like, that's okay, that's okay right now.

0:37:26.120 --> 0:37:27.719
<v Speaker 7>When I talk about, I want to EP on your

0:37:27.760 --> 0:37:29.480
<v Speaker 7>next album, so I want to I want to get in.

0:37:29.400 --> 0:37:31.360
<v Speaker 4>That do it known as a songwriter.

0:37:31.120 --> 0:37:33.520
<v Speaker 3>Do it, get Dereck Henry on my on my project.

0:37:33.520 --> 0:37:34.640
<v Speaker 3>If you want to be known as a.

0:37:34.520 --> 0:37:36.560
<v Speaker 1>Songwriter, you got to write the songs.

0:37:37.880 --> 0:37:38.040
<v Speaker 2>Dude.

0:37:38.080 --> 0:37:41.120
<v Speaker 3>You can executive produce and not know anything about music.

0:37:41.160 --> 0:37:41.960
<v Speaker 1>People do it all the time.

0:37:42.760 --> 0:37:44.120
<v Speaker 7>Song But if let's say the four of us are

0:37:44.120 --> 0:37:46.440
<v Speaker 7>sitting in a room and we wrote a song right now,

0:37:46.600 --> 0:37:49.040
<v Speaker 7>and I said one word that made it in that song.

0:37:49.080 --> 0:37:51.160
<v Speaker 4>You don't say a word, right, you just get credit

0:37:51.200 --> 0:37:51.600
<v Speaker 4>for right.

0:37:51.680 --> 0:37:53.840
<v Speaker 3>Yes, dude, if we if me and Ryan wrote a

0:37:53.880 --> 0:37:54.760
<v Speaker 3>song right now.

0:37:54.600 --> 0:37:58.080
<v Speaker 4>And y'all here, Taylor and Will and Taylor y'all.

0:37:58.200 --> 0:38:00.480
<v Speaker 3>Y'all it is Will and Taylor because y'all are the room.

0:38:00.680 --> 0:38:03.239
<v Speaker 3>Actually it's a one, two, three, four, five six.

0:38:03.280 --> 0:38:04.680
<v Speaker 1>We don't have to give them credit there, you do

0:38:04.760 --> 0:38:05.719
<v Speaker 1>because they're in the room.

0:38:06.280 --> 0:38:07.760
<v Speaker 3>Yeah, that's Nashville.

0:38:08.160 --> 0:38:10.560
<v Speaker 2>I think we could argue that that that that half

0:38:10.560 --> 0:38:13.000
<v Speaker 2>of the room doesn't need credit for the song. We

0:38:13.080 --> 0:38:15.880
<v Speaker 2>could argue that, but it would be literally split. You

0:38:15.920 --> 0:38:18.480
<v Speaker 2>get twenty five twenty five twenty five twenty five if

0:38:18.480 --> 0:38:20.120
<v Speaker 2>you do it in La, though, or New York is

0:38:20.160 --> 0:38:21.279
<v Speaker 2>different because they would go.

0:38:21.400 --> 0:38:23.160
<v Speaker 4>I'll give you four percent of mind twenty five.

0:38:23.600 --> 0:38:26.040
<v Speaker 2>But you would get if you were in LA, they

0:38:26.080 --> 0:38:27.520
<v Speaker 2>would like start arguing.

0:38:27.200 --> 0:38:30.080
<v Speaker 1>Over like they're keeping but get that mic closer.

0:38:30.440 --> 0:38:33.960
<v Speaker 2>They would argue about like who who wrote what, and

0:38:34.160 --> 0:38:37.480
<v Speaker 2>like how much you each deserved? Yeah, and so like

0:38:37.520 --> 0:38:39.280
<v Speaker 2>you would like all those A lot of those songs

0:38:39.320 --> 0:38:42.400
<v Speaker 2>go into dispute, so nobody gets paid until the dispute

0:38:42.440 --> 0:38:44.759
<v Speaker 2>is settled because some guys like, well I deserve more

0:38:44.760 --> 0:38:47.320
<v Speaker 2>than four percent because I moved this mic cable or something.

0:38:47.200 --> 0:38:50.399
<v Speaker 3>And they hold up everybody's pay In Nashville, you feel

0:38:50.440 --> 0:38:51.600
<v Speaker 3>like it's different than Nashville.

0:38:51.920 --> 0:38:53.799
<v Speaker 2>Pretty much just cut and dry, the only thing you

0:38:53.840 --> 0:38:59.400
<v Speaker 2>run into in Nashville is like if somebody potentially like

0:38:59.440 --> 0:39:01.480
<v Speaker 2>if you are on top of somebody else's song, you

0:39:01.520 --> 0:39:04.280
<v Speaker 2>might have to give them some credit. Like Brett Eldridge

0:39:04.280 --> 0:39:08.400
<v Speaker 2>when he did that Crazy song, he had that Celo

0:39:08.520 --> 0:39:14.800
<v Speaker 2>Green like Crazy, he had literally like the the hook

0:39:14.840 --> 0:39:19.319
<v Speaker 2>to Crazy, and so he had to give credit that

0:39:19.400 --> 0:39:21.279
<v Speaker 2>those writers had to give credit to all the people

0:39:21.320 --> 0:39:23.359
<v Speaker 2>who wrote Crazy. And I'm sure it wasn't like an

0:39:23.400 --> 0:39:25.400
<v Speaker 2>equal split, but like sometimes you have to do that.

0:39:25.719 --> 0:39:28.600
<v Speaker 2>But other than that, like it's just we split it

0:39:28.640 --> 0:39:34.640
<v Speaker 2>all down the middle here or equally than la oh yeah,

0:39:34.680 --> 0:39:36.000
<v Speaker 2>because I mean it's just if you.

0:39:36.000 --> 0:39:39.480
<v Speaker 7>Wrote song, well, me, Will and Ernest had a thumb

0:39:39.520 --> 0:39:40.719
<v Speaker 7>up brasses the whole time in the morning.

0:39:40.719 --> 0:39:42.240
<v Speaker 1>That's so I'm saying Taylor and I were just sitting

0:39:42.280 --> 0:39:43.880
<v Speaker 1>here and you guys walked out like, well, even it's

0:39:43.920 --> 0:39:44.760
<v Speaker 1>gonna be a great.

0:39:44.560 --> 0:39:46.319
<v Speaker 4>Song, number one song because you've had four or five

0:39:46.360 --> 0:39:47.040
<v Speaker 4>number one songs.

0:39:47.120 --> 0:39:49.320
<v Speaker 2>Yeah, But I would say two things to that. I

0:39:49.360 --> 0:39:52.440
<v Speaker 2>would say you because when we wrote Heartless, I was

0:39:52.480 --> 0:39:56.040
<v Speaker 2>the dude I walked in and he started just it

0:39:56.239 --> 0:39:57.640
<v Speaker 2>fell out of him and I just had my phone

0:39:57.719 --> 0:39:59.800
<v Speaker 2>being like no, you got to say that again exactly

0:39:59.840 --> 0:40:01.480
<v Speaker 2>like that, and you need that guy to be like

0:40:01.719 --> 0:40:05.560
<v Speaker 2>definitely the editor right sometimes, And then i'd also say

0:40:05.560 --> 0:40:07.760
<v Speaker 2>that if it's truly like I did ninety five percent

0:40:07.760 --> 0:40:10.440
<v Speaker 2>of it and it was a huge hit, I'm not

0:40:10.560 --> 0:40:12.799
<v Speaker 2>I'm just not gonna do it again. You know, all

0:40:12.840 --> 0:40:14.880
<v Speaker 2>your people be like, we gotta get this crew back together,

0:40:14.920 --> 0:40:15.359
<v Speaker 2>and I'd be.

0:40:15.320 --> 0:40:20.680
<v Speaker 3>Like, no, but the crew is technically already together.

0:40:23.880 --> 0:40:26.319
<v Speaker 2>That's what I would That's yeah, So that's the fall

0:40:26.400 --> 0:40:27.279
<v Speaker 2>figures itself out.

0:40:27.800 --> 0:40:28.000
<v Speaker 3>Yeah.

0:40:28.200 --> 0:40:29.960
<v Speaker 4>Do you like being a songwriter? Do they be a

0:40:30.000 --> 0:40:30.680
<v Speaker 4>performer better?

0:40:30.719 --> 0:40:32.600
<v Speaker 2>Is that one of them? They're different? I like being

0:40:32.600 --> 0:40:35.320
<v Speaker 2>a songwriter. That question, it's music all the time.

0:40:35.480 --> 0:40:37.560
<v Speaker 1>Yeah, but he let him elaborate more.

0:40:37.560 --> 0:40:38.279
<v Speaker 3>Two of us missed it.

0:40:38.360 --> 0:40:39.799
<v Speaker 2>I would like for you to.

0:40:41.800 --> 0:40:42.160
<v Speaker 1>Performing.

0:40:42.200 --> 0:40:43.840
<v Speaker 2>I think you'll have a similar answer. But I like

0:40:45.480 --> 0:40:47.799
<v Speaker 2>when you're a writer, you're creative all the time. It's

0:40:47.880 --> 0:40:50.960
<v Speaker 2>all music, and when you're an artist, it's like ninety

0:40:50.960 --> 0:40:57.600
<v Speaker 2>percent not music bullshit, And it's that's a word for it.

0:40:57.600 --> 0:41:01.759
<v Speaker 2>It's just like I'm yeah, So I like doing both

0:41:01.800 --> 0:41:04.319
<v Speaker 2>things because the less I write, I feel like the

0:41:04.320 --> 0:41:06.879
<v Speaker 2>more I hit the bulls eye. Yeah, because my I'm

0:41:06.880 --> 0:41:10.239
<v Speaker 2>never burnt. But also and I like playing shows. I

0:41:10.360 --> 0:41:12.960
<v Speaker 2>like obviously like the recording of music. I like the

0:41:13.080 --> 0:41:15.120
<v Speaker 2>music part of being an artist, but there's so much

0:41:15.239 --> 0:41:18.080
<v Speaker 2>attached to it. That's like. But I also don't want

0:41:18.080 --> 0:41:20.719
<v Speaker 2>to just write songs because I feel like you just

0:41:20.719 --> 0:41:22.640
<v Speaker 2>write too many and you get burnt out and then

0:41:22.760 --> 0:41:26.160
<v Speaker 2>just they get shittier. So I like doing both things

0:41:26.200 --> 0:41:28.320
<v Speaker 2>and earnest like you were one of the few dudes

0:41:28.360 --> 0:41:29.280
<v Speaker 2>like me who does both.

0:41:29.360 --> 0:41:31.160
<v Speaker 3>Yeah, there's not a lot of them. I totally agree.

0:41:31.480 --> 0:41:33.959
<v Speaker 3>I feel the same way about artistry. They're like there's

0:41:33.960 --> 0:41:36.320
<v Speaker 3>a there's a part of me. Maybe it's ego or whatever,

0:41:36.360 --> 0:41:39.920
<v Speaker 3>but I've always wanted to perform songs or like, sometimes

0:41:39.960 --> 0:41:42.319
<v Speaker 3>I'll be writing a song and it's I know, as

0:41:42.320 --> 0:41:44.200
<v Speaker 3>soon as we're writing it, this is for me. I

0:41:44.520 --> 0:41:48.360
<v Speaker 3>want to sing this song. So like that that or

0:41:48.400 --> 0:41:52.319
<v Speaker 3>whatever is getting itched by being an artist. But as

0:41:52.320 --> 0:41:56.360
<v Speaker 3>far as creator goes, like I can't turn off writing songs.

0:41:56.360 --> 0:41:57.839
<v Speaker 3>I'm gonna be writing songs either way.

0:41:57.920 --> 0:41:59.520
<v Speaker 1>Well, you kind of I feel like you just create

0:41:59.560 --> 0:42:01.880
<v Speaker 1>shit all the time, whether you're just creating a text

0:42:01.920 --> 0:42:05.200
<v Speaker 1>for myself. Yeah, just like trying to make somebody laugh.

0:42:05.320 --> 0:42:09.120
<v Speaker 3>Yeah, yeah, yeah, I mean that's the fact that songwriting

0:42:09.200 --> 0:42:12.480
<v Speaker 3>is a job is unreal, Like haha, high school teachers

0:42:12.719 --> 0:42:16.280
<v Speaker 3>like you're a d D and not listening in class,

0:42:16.280 --> 0:42:17.960
<v Speaker 3>so you better pay attention. You're gonna need to go

0:42:18.000 --> 0:42:19.600
<v Speaker 3>finish college if you want to get a real job.

0:42:19.640 --> 0:42:22.600
<v Speaker 2>It's like, I have a sociology degree, which is basically.

0:42:22.480 --> 0:42:23.680
<v Speaker 3>How do you and how does that make it? And

0:42:23.760 --> 0:42:24.920
<v Speaker 3>how does that make you feel?

0:42:26.600 --> 0:42:27.080
<v Speaker 1>You know what?

0:42:28.360 --> 0:42:30.319
<v Speaker 2>I had not a lot to do with writing a song,

0:42:30.440 --> 0:42:34.440
<v Speaker 2>so whatever, I just yeah. I think the difference too,

0:42:34.520 --> 0:42:36.279
<v Speaker 2>is like a lot of people want to be an artist,

0:42:36.560 --> 0:42:38.520
<v Speaker 2>like I wish I was a country music artist, but

0:42:38.520 --> 0:42:40.239
<v Speaker 2>then there's dudes that are just like that kid just

0:42:40.320 --> 0:42:44.600
<v Speaker 2>is one. Yes, And that's like so like people, you

0:42:44.640 --> 0:42:47.160
<v Speaker 2>get better at writing songs, get better at making recordings,

0:42:47.160 --> 0:42:49.680
<v Speaker 2>but either sometimes either are one or you aren't one.

0:42:49.680 --> 0:42:53.680
<v Speaker 2>And I think that that's what people, like real fans

0:42:53.760 --> 0:42:56.839
<v Speaker 2>kind of catch on to, is like they know.

0:42:56.800 --> 0:43:00.239
<v Speaker 3>What, Zach, Yeah, I want to be an NFL football Yeah,

0:43:00.320 --> 0:43:02.200
<v Speaker 3>I ain't gonna. I can go to the gym every day. Again,

0:43:02.280 --> 0:43:02.600
<v Speaker 3>we can.

0:43:02.560 --> 0:43:04.080
<v Speaker 2>Tackle each other every Thursday night.

0:43:04.600 --> 0:43:06.719
<v Speaker 3>I'm not taking a hit from either of y'all, I'll

0:43:06.719 --> 0:43:07.279
<v Speaker 3>take a hit.

0:43:07.400 --> 0:43:07.919
<v Speaker 1>Have you had.

0:43:10.440 --> 0:43:12.160
<v Speaker 2>You ever had to tackle Derrick Henry?

0:43:12.680 --> 0:43:20.359
<v Speaker 1>Yeah? Will he was a few times, he was right there.

0:43:20.360 --> 0:43:22.680
<v Speaker 1>A couple of times you tripp or something. Well, yeah,

0:43:23.719 --> 0:43:26.480
<v Speaker 1>you go through with it. No, Yeah, he's a he's

0:43:26.480 --> 0:43:28.640
<v Speaker 1>a monstery somebody you just you just drop low on

0:43:28.719 --> 0:43:31.280
<v Speaker 1>in the hole. A lot of guys are very prideful

0:43:31.280 --> 0:43:32.960
<v Speaker 1>and they want to see if they got it. But

0:43:33.080 --> 0:43:37.719
<v Speaker 1>as you see Derrick Henry, the majority of times.

0:43:36.760 --> 0:43:39.600
<v Speaker 3>I was gonna say the majority of the time, did

0:43:39.640 --> 0:43:42.319
<v Speaker 3>Earl Thomas and Derrick Henry a Father's Day card this year?

0:43:43.920 --> 0:43:46.879
<v Speaker 1>Had a hard We actually, hey, it's his it's his

0:43:46.960 --> 0:43:51.520
<v Speaker 1>mic on yet exactly. Yeahs Taylor, you're grabbing that mic.

0:43:51.520 --> 0:43:54.399
<v Speaker 1>I don't know if it's on right now. We can

0:43:54.400 --> 0:43:56.359
<v Speaker 1>all we can all hear you for sure. It is okay.

0:43:56.880 --> 0:43:58.920
<v Speaker 7>I've been holding my tongue like since I've walked in here.

0:43:58.960 --> 0:43:59.879
<v Speaker 7>By the way, I'm very sorry.

0:44:00.200 --> 0:44:03.600
<v Speaker 2>I don't mean you do that. I'm having a having

0:44:03.640 --> 0:44:07.040
<v Speaker 2>a great time. Yeah, I told him this year we

0:44:07.120 --> 0:44:09.279
<v Speaker 2>just had a baby. I get it. I said, Yo,

0:44:10.160 --> 0:44:14.040
<v Speaker 2>he's three months yesterday, born in the quarantine. He's pretty

0:44:14.040 --> 0:44:16.680
<v Speaker 2>good and he's getting there. We're almost there, dude.

0:44:17.760 --> 0:44:19.960
<v Speaker 7>The first six months is like I'm just keeping this

0:44:19.960 --> 0:44:20.359
<v Speaker 7>thing a lot.

0:44:20.480 --> 0:44:22.719
<v Speaker 2>Oh yeah, I wake up at four am every day

0:44:22.760 --> 0:44:24.480
<v Speaker 2>to feed him and then put him back to bed.

0:44:24.280 --> 0:44:25.319
<v Speaker 4>And tough life.

0:44:26.120 --> 0:44:28.759
<v Speaker 7>It gets there for sure. My my first daughter, she

0:44:28.840 --> 0:44:31.480
<v Speaker 7>was born July July fifth, and like two weeks later

0:44:31.480 --> 0:44:33.719
<v Speaker 7>I had to go to camp. But those two weeks

0:44:33.719 --> 0:44:35.239
<v Speaker 7>I was like, I was like in it because my

0:44:35.280 --> 0:44:39.000
<v Speaker 7>wife is she's dead, right yeah. And then my daughter

0:44:39.040 --> 0:44:41.520
<v Speaker 7>now she's due July sixteenth, and so it's like I'm

0:44:41.600 --> 0:44:43.680
<v Speaker 7>kind of I kind of get a get jail free throat.

0:44:43.719 --> 0:44:44.399
<v Speaker 2>I have to go to CAP.

0:44:44.880 --> 0:44:46.120
<v Speaker 7>It's kind of a weird little deal.

0:44:46.160 --> 0:44:48.319
<v Speaker 2>But we were we were gonna I was gonna be

0:44:48.719 --> 0:44:50.960
<v Speaker 2>I mean, we tour, so our schedules kind of go

0:44:51.040 --> 0:44:53.000
<v Speaker 2>like this, but we we wanted a tour together this

0:44:53.120 --> 0:44:55.359
<v Speaker 2>year just so that like I didn't miss a whole

0:44:55.400 --> 0:44:58.600
<v Speaker 2>chunk of time. But it's a it's a lot of work, man.

0:44:58.600 --> 0:44:59.799
<v Speaker 2>They're like, oh, it's a lot of work, and then

0:44:59.800 --> 0:45:02.080
<v Speaker 2>you are doing it. Oh shit, this is is a

0:45:02.080 --> 0:45:04.040
<v Speaker 2>lot a lot of work. And then you always I think,

0:45:04.080 --> 0:45:06.120
<v Speaker 2>like your kid has a rough day. Like my daughter,

0:45:06.239 --> 0:45:08.960
<v Speaker 2>she's gett me three, and she'll.

0:45:08.800 --> 0:45:12.920
<v Speaker 7>Like like be super like mean, or like she'll do

0:45:13.000 --> 0:45:15.160
<v Speaker 7>something that's like not good right, and I'll be like, hey,

0:45:15.200 --> 0:45:17.680
<v Speaker 7>don't don't do that, And like then you get frustrated

0:45:17.680 --> 0:45:19.319
<v Speaker 7>as your patients are low and then they go to bed,

0:45:19.520 --> 0:45:20.960
<v Speaker 7>and then your head you're like, what if I just

0:45:21.000 --> 0:45:24.839
<v Speaker 7>created a serial killer by doing the right things. Some

0:45:24.840 --> 0:45:28.520
<v Speaker 7>people do kid, some people do Dahmer, all those guys,

0:45:28.520 --> 0:45:30.680
<v Speaker 7>But like, you know, I don't want to to be

0:45:30.719 --> 0:45:31.280
<v Speaker 7>a Dahmer.

0:45:31.360 --> 0:45:32.080
<v Speaker 2>You know what I'm saying.

0:45:32.320 --> 0:45:36.040
<v Speaker 3>Manson Jimmy Dahmer had no idea when he when you know,

0:45:36.120 --> 0:45:42.600
<v Speaker 3>when he went ahead said I'm shooting it, Jeffrey, No,

0:45:43.160 --> 0:45:46.600
<v Speaker 3>Timmy's his dad. I'm talking. But when I'm saying, I'm

0:45:46.600 --> 0:45:48.680
<v Speaker 3>not talking about a bullet. When I say shooting it,

0:45:49.200 --> 0:45:51.239
<v Speaker 3>I'm talking about I'm gonna make this kid. And then

0:45:51.280 --> 0:45:55.000
<v Speaker 3>that kid we named him Jeffrey damn dude could not Yeah,

0:45:55.120 --> 0:45:55.760
<v Speaker 3>for sure.

0:45:56.040 --> 0:45:57.759
<v Speaker 7>But parenting. Parenting is the most stresful job in the

0:45:57.760 --> 0:45:59.400
<v Speaker 7>world because you just feel like every day is like,

0:46:00.160 --> 0:46:01.799
<v Speaker 7>am I doing the right thing as a parent? Am

0:46:01.800 --> 0:46:04.200
<v Speaker 7>I making sure that this kid? When they're three months old,

0:46:04.200 --> 0:46:05.959
<v Speaker 7>you're like, hey, I'm keeping you alive, and then six

0:46:06.000 --> 0:46:08.200
<v Speaker 7>months hits and you'll be like you're gonna come home

0:46:08.239 --> 0:46:09.880
<v Speaker 7>and he's gonna be like kind of smiling anything.

0:46:09.920 --> 0:46:16.520
<v Speaker 2>All right. That's the hardest part is when you're like

0:46:16.560 --> 0:46:19.280
<v Speaker 2>you don't feel like a dad until like the kid comes,

0:46:19.640 --> 0:46:21.200
<v Speaker 2>because it's like you're not pregnant with it. You can't

0:46:21.920 --> 0:46:23.520
<v Speaker 2>feel a kick a little bit, but that's it. And

0:46:23.560 --> 0:46:26.480
<v Speaker 2>then like it comes and I didn't feel like this

0:46:26.640 --> 0:46:30.319
<v Speaker 2>massive emotional flow is more like all right, here's the kid,

0:46:30.360 --> 0:46:33.120
<v Speaker 2>and we're gonna keep it alive. But slowly he's like

0:46:33.160 --> 0:46:35.759
<v Speaker 2>starting to have like facial expressions and like starting to

0:46:35.800 --> 0:46:39.120
<v Speaker 2>like you could see like recognizes me. That part's cool,

0:46:39.239 --> 0:46:42.400
<v Speaker 2>Like that's like, my it's been like a steady increase

0:46:42.560 --> 0:46:45.120
<v Speaker 2>in feeling like a dad as opposed to just like

0:46:45.160 --> 0:46:49.279
<v Speaker 2>this huge wave of it. But yeah, it's it's it's

0:46:49.320 --> 0:46:50.960
<v Speaker 2>I don't know, I don't know if we're gonna do

0:46:51.000 --> 0:46:52.120
<v Speaker 2>it again.

0:46:52.440 --> 0:46:54.440
<v Speaker 7>We had one where like you gotta give it, you

0:46:54.440 --> 0:46:54.800
<v Speaker 7>gotta give it.

0:46:55.120 --> 0:46:56.879
<v Speaker 2>He's pretty easy though, and that's the thing is, like, man,

0:46:56.920 --> 0:46:59.480
<v Speaker 2>we got an easy kid. Everybody tells us he's easy.

0:46:59.480 --> 0:47:02.080
<v Speaker 2>Why would we how do we potentially get a shitty one?

0:47:02.239 --> 0:47:03.759
<v Speaker 1>Yeah, let's say I hear the second one.

0:47:03.880 --> 0:47:05.840
<v Speaker 2>Hear the second ones are the handfuls bit of a doozy.

0:47:05.960 --> 0:47:09.240
<v Speaker 7>No, I've always thought like the second one. Like my wife,

0:47:09.680 --> 0:47:12.480
<v Speaker 7>she was the second one, and she was like the

0:47:12.560 --> 0:47:15.920
<v Speaker 7>good kid like Quinn, her brother, wild child, like add

0:47:15.960 --> 0:47:18.120
<v Speaker 7>poster child like me, bam bam bam bam, off the walls.

0:47:18.600 --> 0:47:20.640
<v Speaker 7>And then I was the first and I was the

0:47:20.760 --> 0:47:22.839
<v Speaker 7>kid that was off the walls. But my brother would

0:47:22.840 --> 0:47:24.640
<v Speaker 7>sit there and just watch me. But I feel like

0:47:24.719 --> 0:47:28.680
<v Speaker 7>the second kids always like easier for whatever reason, because

0:47:28.680 --> 0:47:31.160
<v Speaker 7>they're being entertained by the first one. Now having to

0:47:32.440 --> 0:47:33.880
<v Speaker 7>like then you go from my Hey, both of us,

0:47:33.960 --> 0:47:35.960
<v Speaker 7>you and me, we're gonna get on the skate. We're

0:47:35.960 --> 0:47:37.200
<v Speaker 7>going to make sure these kids no no on nowhere

0:47:37.200 --> 0:47:39.160
<v Speaker 7>and I'm doing something wrong. When you got too, it's like, hey,

0:47:39.160 --> 0:47:40.800
<v Speaker 7>i'll see you. I'll see you to night before we

0:47:40.880 --> 0:47:41.279
<v Speaker 7>go to bed.

0:47:41.440 --> 0:47:44.160
<v Speaker 2>Yeah, you're lucky, and we had to get in there.

0:47:44.160 --> 0:47:46.040
<v Speaker 7>You know I'll be over here, you'd be over there.

0:47:46.800 --> 0:47:49.560
<v Speaker 7>Parenting's cool as shit, though it's different. I feel like

0:47:50.840 --> 0:47:52.160
<v Speaker 7>like before I had kids, I didn't know if I'd

0:47:52.160 --> 0:47:54.440
<v Speaker 7>ever want to have kids, But now that I have kids.

0:47:54.480 --> 0:47:55.719
<v Speaker 4>I'm like, man, it's the coolest thing ever.

0:47:55.840 --> 0:47:57.840
<v Speaker 2>I didn't want one until I was with Mare and

0:47:57.920 --> 0:47:59.239
<v Speaker 2>I was like, I could have a kid with you,

0:48:00.440 --> 0:48:03.960
<v Speaker 2>And I never had that like like there's you know,

0:48:04.000 --> 0:48:05.680
<v Speaker 2>people are like, man, I just want to be a dad,

0:48:06.120 --> 0:48:07.560
<v Speaker 2>like they've dreamed about it their whole life. And I

0:48:07.719 --> 0:48:09.640
<v Speaker 2>was like when I met her and I was like, okay,

0:48:09.719 --> 0:48:14.000
<v Speaker 2>that makes sense. So I've had that's been awesome. I

0:48:14.040 --> 0:48:16.680
<v Speaker 2>wouldn't have done it unless it was with somebody who's like, oh,

0:48:16.719 --> 0:48:18.359
<v Speaker 2>I want to have a kid with you. I think.

0:48:18.440 --> 0:48:19.920
<v Speaker 7>I think a lot of ways people get stuck in

0:48:20.080 --> 0:48:22.920
<v Speaker 7>Like people make plans like by the time I'm twenty five,

0:48:22.920 --> 0:48:24.120
<v Speaker 7>I want to have this job. By the time I'm

0:48:24.120 --> 0:48:25.319
<v Speaker 7>twenty seven, I want to be married by the time

0:48:25.320 --> 0:48:27.120
<v Speaker 7>I'm thirty, I want to have two kids. And they

0:48:27.160 --> 0:48:29.440
<v Speaker 7>have like this timeline in their head. But then you

0:48:29.560 --> 0:48:32.480
<v Speaker 7>end up like just saying, Okay, well I need to

0:48:32.480 --> 0:48:34.120
<v Speaker 7>be married by twenty seven, so I'm going to marry

0:48:34.120 --> 0:48:35.480
<v Speaker 7>the person that i'm with right now. That's and that

0:48:35.560 --> 0:48:37.520
<v Speaker 7>person might not be the person for you. You know

0:48:37.560 --> 0:48:39.480
<v Speaker 7>what I'm saying. Because I was kind of that way too,

0:48:39.560 --> 0:48:41.920
<v Speaker 7>Like I was really you know, I was kind of.

0:48:41.920 --> 0:48:42.400
<v Speaker 2>A rambling man.

0:48:42.440 --> 0:48:44.200
<v Speaker 7>I was kind of going from place to place, kind

0:48:44.200 --> 0:48:45.239
<v Speaker 7>of a little bit of a fuck boy. To be

0:48:45.280 --> 0:48:46.880
<v Speaker 7>totally honest with you, I was, I was riding a

0:48:46.880 --> 0:48:50.239
<v Speaker 7>little thirty out there and yeah, think you this stand

0:48:50.360 --> 0:48:53.080
<v Speaker 7>up gentleman. You and I met Taylor, and all that

0:48:53.120 --> 0:48:54.399
<v Speaker 7>stuff kind of like just went away.

0:48:54.480 --> 0:48:55.719
<v Speaker 2>I was just like, man, this is oh.

0:48:55.800 --> 0:48:58.759
<v Speaker 7>Yeah, A proposed her in five weeks, five weeks, five weeks,

0:48:58.840 --> 0:49:02.200
<v Speaker 7>proposer in five weeks, got married on four twenty and uh,

0:49:03.880 --> 0:49:10.040
<v Speaker 7>thank you. Married got married on four secretly some little

0:49:10.120 --> 0:49:12.080
<v Speaker 7>church at Vanderbilt. No one knew about it, and then

0:49:12.080 --> 0:49:14.719
<v Speaker 7>we got married two years later, very for everybody else.

0:49:14.800 --> 0:49:16.200
<v Speaker 2>So it was a cool gig.

0:49:16.320 --> 0:49:16.440
<v Speaker 3>Man.

0:49:17.160 --> 0:49:18.520
<v Speaker 1>I feel like some of that stuff can be like

0:49:18.880 --> 0:49:21.560
<v Speaker 1>I chalk it up as like small town syndrome, because

0:49:21.600 --> 0:49:23.800
<v Speaker 1>when I was growing up, we all kind of breach.

0:49:23.880 --> 0:49:26.080
<v Speaker 1>You up in small towns and you kind of think, like,

0:49:26.400 --> 0:49:28.319
<v Speaker 1>I want to be buried probably with a kid by

0:49:28.400 --> 0:49:31.880
<v Speaker 1>twenty five because everyone around you, the generation above you,

0:49:31.960 --> 0:49:34.040
<v Speaker 1>like they all did it, even though they're all arguing

0:49:34.080 --> 0:49:35.520
<v Speaker 1>now and they kind of all hate each.

0:49:35.360 --> 0:49:39.600
<v Speaker 3>Other'sall town syndrome is a great song time you see.

0:49:40.040 --> 0:49:40.880
<v Speaker 6>That's the great.

0:49:42.280 --> 0:49:44.560
<v Speaker 3>Syndrome getting married.

0:49:48.360 --> 0:49:49.239
<v Speaker 2>My name by that one.

0:49:49.640 --> 0:49:53.359
<v Speaker 7>Hey hey, well hey we all yeahmall town sydrum comes out.

0:49:53.400 --> 0:49:54.239
<v Speaker 1>Boys, we all made that.

0:49:54.360 --> 0:49:57.000
<v Speaker 2>We made the cut on now everyone, We'll have to

0:49:57.680 --> 0:49:59.160
<v Speaker 2>We'll have to. We'll negotiate.

0:49:59.200 --> 0:50:03.600
<v Speaker 3>We'll figure that out, all right.

0:50:03.960 --> 0:50:07.400
<v Speaker 1>Have you guys heard of Paint your Life. I've always

0:50:07.600 --> 0:50:11.000
<v Speaker 1>wanted a portrait of my dog hanging on my wall

0:50:11.040 --> 0:50:13.359
<v Speaker 1>because number one, I'm obsessed with dogs, and number two,

0:50:13.680 --> 0:50:18.160
<v Speaker 1>I love Waffle so much. Waffle is my cute, little,

0:50:18.160 --> 0:50:21.240
<v Speaker 1>snugly English bulldog. She looks like a thick little Glizzy

0:50:21.960 --> 0:50:24.880
<v Speaker 1>and she's just the most adorable thing. Try color. She's awesome.

0:50:25.000 --> 0:50:27.839
<v Speaker 1>She's on Instagram. You can follow me. I mean, she's

0:50:27.880 --> 0:50:29.480
<v Speaker 1>out there. If you guys know the pod, you guys

0:50:29.560 --> 0:50:33.919
<v Speaker 1>know Waffle for sure. But basically I went to Paint

0:50:33.920 --> 0:50:36.800
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0:50:36.880 --> 0:50:39.960
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0:50:40.000 --> 0:50:42.279
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0:50:42.400 --> 0:50:45.160
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0:50:45.239 --> 0:50:48.200
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0:50:48.239 --> 0:50:51.640
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0:50:51.719 --> 0:50:55.160
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0:50:55.360 --> 0:50:58.320
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0:50:59.280 --> 0:51:01.440
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0:51:01.480 --> 0:51:03.640
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0:51:03.920 --> 0:51:06.839
<v Speaker 1>portrait of Waffle looks phenomenal. I have zero complaints, even

0:51:06.880 --> 0:51:09.040
<v Speaker 1>though if I did have a complaint, I would get

0:51:09.040 --> 0:51:12.680
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0:51:12.760 --> 0:51:14.719
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0:51:14.800 --> 0:51:17.880
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0:51:17.920 --> 0:51:21.600
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0:51:21.719 --> 0:51:25.120
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0:51:25.200 --> 0:51:29.120
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0:51:29.280 --> 0:51:32.160
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0:51:32.760 --> 0:51:37.000
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0:51:37.239 --> 0:51:40.040
<v Speaker 1>Paint your life and celebrate the moments the matter the most.

0:51:40.080 --> 0:51:42.560
<v Speaker 1>Shut out the boys at Paint your Life. Yeah, do

0:51:42.640 --> 0:51:46.880
<v Speaker 1>you guys ever get feel like slided? When do you

0:51:46.920 --> 0:51:48.560
<v Speaker 1>ever feel like people are trying to use you for

0:51:48.840 --> 0:51:51.440
<v Speaker 1>the talent of obviously writing and using you? Guys all

0:51:51.440 --> 0:51:52.880
<v Speaker 1>the way up until like, all right, I'm gonna.

0:51:52.680 --> 0:51:55.279
<v Speaker 2>Take it from here. Please use me, Yeah, yeah, I

0:51:55.360 --> 0:51:56.279
<v Speaker 2>mean please, don't know Ernie.

0:51:56.360 --> 0:51:58.359
<v Speaker 1>Ernests had a little smirk over there like he's like, yeah,

0:51:58.640 --> 0:52:01.320
<v Speaker 1>a fucking life, please me, and about to use this

0:52:01.440 --> 0:52:03.760
<v Speaker 1>shirt as a towel to drop a sweat off my forehead.

0:52:04.480 --> 0:52:07.239
<v Speaker 3>Denim cow the Canadian tuxedo.

0:52:07.280 --> 0:52:07.920
<v Speaker 1>I thought, the day.

0:52:08.680 --> 0:52:10.680
<v Speaker 3>You've been on the bus before and there was no

0:52:10.840 --> 0:52:12.960
<v Speaker 3>air last time, right, So I don't know what made

0:52:12.960 --> 0:52:16.399
<v Speaker 3>it last because I wanted to dress decent. I didn't

0:52:16.400 --> 0:52:18.839
<v Speaker 3>want to come up here looking homeless. And now Ryan

0:52:18.960 --> 0:52:20.759
<v Speaker 3>was going to come correct with that. Yes, dude, I

0:52:20.800 --> 0:52:21.799
<v Speaker 3>had the car.

0:52:23.200 --> 0:52:23.960
<v Speaker 1>I told you I.

0:52:24.000 --> 0:52:26.200
<v Speaker 2>Don't you don't come onto the bus with your weak ship.

0:52:27.200 --> 0:52:29.080
<v Speaker 2>And Aaron was trying to just got a little warm.

0:52:29.120 --> 0:52:31.120
<v Speaker 3>It's okay, that's it. I had a flannel and I

0:52:31.200 --> 0:52:32.719
<v Speaker 3>really thought to myself, it's in the car, and I

0:52:32.800 --> 0:52:34.560
<v Speaker 3>was like, I feel like he might be wearing plaid.

0:52:34.760 --> 0:52:38.040
<v Speaker 3>So I threw the double denims on and I was right, dude,

0:52:38.040 --> 0:52:39.319
<v Speaker 3>when I got in right, I was right.

0:52:39.680 --> 0:52:41.480
<v Speaker 7>A quick side note. I know people make fun of

0:52:41.560 --> 0:52:45.000
<v Speaker 7>the Canadian tuxedo. Big fan of it. I think denim

0:52:45.000 --> 0:52:47.600
<v Speaker 7>on Denham looks great. I don't care who knows it,

0:52:47.760 --> 0:52:47.960
<v Speaker 7>did it?

0:52:48.120 --> 0:52:48.719
<v Speaker 2>Big fan of that.

0:52:48.800 --> 0:52:50.759
<v Speaker 3>It's a hot one, but it is.

0:52:50.840 --> 0:52:53.040
<v Speaker 7>And I run hot too, run hot.

0:52:53.120 --> 0:52:55.360
<v Speaker 3>Yeah you sleep, you got a big fan when you sell.

0:52:55.440 --> 0:52:56.360
<v Speaker 7>My wife hates fans.

0:52:59.719 --> 0:53:00.400
<v Speaker 1>My huge thing.

0:53:00.480 --> 0:53:02.040
<v Speaker 7>I'm a big I'm a big go to the hotel

0:53:02.560 --> 0:53:04.640
<v Speaker 7>on away games and then first thing I do, crank

0:53:04.680 --> 0:53:07.160
<v Speaker 7>that thing down with yes. It's like in the fifties.

0:53:07.200 --> 0:53:08.480
<v Speaker 7>I'm like, that's all right, We're gonna be all right.

0:53:10.680 --> 0:53:12.399
<v Speaker 3>In the middle of the night, like running back and forth,

0:53:12.640 --> 0:53:16.640
<v Speaker 3>it's beginning, like Christmas comes over your TV. It gets

0:53:16.680 --> 0:53:20.160
<v Speaker 3>so cold and there dying dude had Christmas at a

0:53:20.280 --> 0:53:21.279
<v Speaker 3>at an extended stay.

0:53:21.360 --> 0:53:23.200
<v Speaker 1>Dude, that's awesome.

0:53:23.960 --> 0:53:24.680
<v Speaker 2>That was a grind.

0:53:24.840 --> 0:53:27.520
<v Speaker 3>I was raising the pace raising a puppy on tour

0:53:27.600 --> 0:53:30.040
<v Speaker 3>and we were staying at extended stays all across.

0:53:30.080 --> 0:53:32.160
<v Speaker 2>It's a different world than an extended stay. You brought

0:53:32.160 --> 0:53:34.719
<v Speaker 2>your dog on tour, Yeah, little baby puppy in a

0:53:34.800 --> 0:53:36.360
<v Speaker 2>van by yourself.

0:53:36.239 --> 0:53:40.320
<v Speaker 3>Me, Delaney, uh, my tour manager and my dog and

0:53:40.440 --> 0:53:42.480
<v Speaker 3>we went all over and he was like, you know

0:53:42.840 --> 0:53:44.800
<v Speaker 3>that the mics doud three months old. No, that was

0:53:45.000 --> 0:53:48.040
<v Speaker 3>on the Mason Ramsey tour. Yes, which was a little

0:53:48.120 --> 0:53:54.279
<v Speaker 3>more toned down because he's fourteen. I was, I did

0:53:54.320 --> 0:53:56.600
<v Speaker 3>all my drugs and drinking elsewhere.

0:53:57.800 --> 0:53:59.480
<v Speaker 2>That was the Mountain Dew Tour.

0:53:59.520 --> 0:54:01.759
<v Speaker 3>The mountain too, Yeah, No, it was.

0:54:01.920 --> 0:54:03.160
<v Speaker 1>It was the white Claw Tour for me.

0:54:03.160 --> 0:54:05.680
<v Speaker 3>I was drinking so much white claw and Mason finally

0:54:05.680 --> 0:54:07.600
<v Speaker 3>came out to me. He goes, white claws are bad

0:54:07.640 --> 0:54:09.759
<v Speaker 3>for your voice. You should drink water. And I'm like,

0:54:10.880 --> 0:54:15.400
<v Speaker 3>listen here, kid, this is my first, second or third rodeo.

0:54:15.600 --> 0:54:17.520
<v Speaker 3>All right, I'm gonna drink white.

0:54:17.360 --> 0:54:21.440
<v Speaker 1>Claws white for your voice. Did you ground him on

0:54:21.480 --> 0:54:22.040
<v Speaker 1>the spot.

0:54:22.040 --> 0:54:24.000
<v Speaker 3>Yeah, put him in his place, punched him.

0:54:24.000 --> 0:54:26.960
<v Speaker 7>How about that, though, Dude, you you can't become a

0:54:26.960 --> 0:54:29.320
<v Speaker 7>famous football player by yodeling in a Walmart.

0:54:30.040 --> 0:54:31.879
<v Speaker 1>That's just no dope.

0:54:31.880 --> 0:54:33.279
<v Speaker 3>Would that be if you could? You can become a

0:54:33.320 --> 0:54:37.000
<v Speaker 3>professional player. About just hauling off at a minor league game.

0:54:37.719 --> 0:54:41.360
<v Speaker 7>Sometime sounds game. He threw like ninety six That's what

0:54:41.440 --> 0:54:41.839
<v Speaker 7>I'm saying.

0:54:41.880 --> 0:54:43.440
<v Speaker 2>And now he's got signed by the A Yeah.

0:54:43.560 --> 0:54:44.319
<v Speaker 7>Sign, that's right.

0:54:44.520 --> 0:54:45.320
<v Speaker 3>It's insane.

0:54:46.120 --> 0:54:47.560
<v Speaker 7>Football is worst sport to pick.

0:54:47.640 --> 0:54:47.839
<v Speaker 1>Huh.

0:54:48.960 --> 0:54:51.800
<v Speaker 7>Basketball, You out there, just go crush it, crush it.

0:54:52.160 --> 0:54:54.400
<v Speaker 3>Boom, you're in I mean, you've made a lot of

0:54:54.440 --> 0:54:56.560
<v Speaker 3>money with football, so why is it the worst sport?

0:54:57.480 --> 0:54:59.200
<v Speaker 7>It's the worst sport to get like, like.

0:55:01.040 --> 0:55:06.400
<v Speaker 5>I think it's the worst sport to get like found, okay,

0:55:06.560 --> 0:55:07.520
<v Speaker 5>get found in a Walmart?

0:55:07.640 --> 0:55:09.560
<v Speaker 1>Well were we gary? Bring that stuff back up? What

0:55:09.600 --> 0:55:10.400
<v Speaker 1>were we talking about?

0:55:10.880 --> 0:55:12.760
<v Speaker 2>Who knows you were? You were going in on saying

0:55:12.880 --> 0:55:16.080
<v Speaker 2>use me, Oh yeah, as long as the check clears man, Yes,

0:55:16.960 --> 0:55:20.279
<v Speaker 2>just use it up. Take my music, like, cut it

0:55:20.360 --> 0:55:21.520
<v Speaker 2>however you want, put it on the race.

0:55:21.600 --> 0:55:23.520
<v Speaker 1>So there there's something that there's a formula already in

0:55:23.560 --> 0:55:25.200
<v Speaker 1>place for people that want to do something like that.

0:55:25.320 --> 0:55:28.040
<v Speaker 3>Yeah, we're paid a song, like it's publishing royalties, you're

0:55:28.040 --> 0:55:28.959
<v Speaker 3>paid to do it. Yeah.

0:55:29.200 --> 0:55:32.799
<v Speaker 2>But I think like in your case, like you are

0:55:33.840 --> 0:55:36.880
<v Speaker 2>in that crew of like Morgan and Michael and and

0:55:37.280 --> 0:55:41.280
<v Speaker 2>like there is a thing there that you have created

0:55:41.360 --> 0:55:44.319
<v Speaker 2>with the other those other two dudes. It's like it's

0:55:44.360 --> 0:55:47.160
<v Speaker 2>a it's a style, and it's very much something that

0:55:47.200 --> 0:55:49.320
<v Speaker 2>you're a part of. And so I think it's like

0:55:49.480 --> 0:55:51.920
<v Speaker 2>with you, it's just waiting your turn to when like

0:55:52.320 --> 0:55:55.000
<v Speaker 2>that third dude can come in and and and do

0:55:55.120 --> 0:55:58.000
<v Speaker 2>it like kind of behind those two guys boats. I

0:55:58.080 --> 0:56:00.719
<v Speaker 2>mean the thing about Morgan and my they got their

0:56:00.719 --> 0:56:03.040
<v Speaker 2>first and that's the only thing that it is. So yeah,

0:56:03.160 --> 0:56:04.560
<v Speaker 2>but you get to write all the songs and have

0:56:04.640 --> 0:56:07.200
<v Speaker 2>all the singles, and obviously that's a good living. But

0:56:07.400 --> 0:56:09.640
<v Speaker 2>uh but yeah, man, it's just we're we're in the

0:56:09.680 --> 0:56:11.320
<v Speaker 2>same boat where it's like, man, we just need like

0:56:11.400 --> 0:56:14.080
<v Speaker 2>that one like I had a my song got to

0:56:14.160 --> 0:56:17.960
<v Speaker 2>top twenty at radio and then it, uh it's a

0:56:18.000 --> 0:56:20.239
<v Speaker 2>platinum record. But it just it's like you need like

0:56:20.320 --> 0:56:22.080
<v Speaker 2>to stack those up a couple of times before you

0:56:22.160 --> 0:56:24.040
<v Speaker 2>can like have that ball rolling. And that's like the

0:56:24.080 --> 0:56:25.040
<v Speaker 2>same boat that we're both in.

0:56:25.440 --> 0:56:27.560
<v Speaker 7>There's gotta be some sort of politics that plays into it, though.

0:56:27.560 --> 0:56:29.719
<v Speaker 7>If you have that many guys getting together doing riding around,

0:56:29.840 --> 0:56:34.200
<v Speaker 7>that's the nine Yeah you don't want to do Yeah, yeah,

0:56:34.520 --> 0:56:35.880
<v Speaker 7>you got to sit there and all right, well not

0:56:35.960 --> 0:56:37.200
<v Speaker 7>a're just gonna say the song it's going to be

0:56:37.280 --> 0:56:39.200
<v Speaker 7>number one. I'm sure there's a different release.

0:56:39.320 --> 0:56:40.800
<v Speaker 3>Yeah, there's. I mean it's a lot of behind the

0:56:40.840 --> 0:56:44.319
<v Speaker 3>scenes stuff that like sometimes artists don't even have much

0:56:44.400 --> 0:56:47.440
<v Speaker 3>say and what comes out next or when and how

0:56:47.760 --> 0:56:51.200
<v Speaker 3>how they're released. Oh really, Yeah, I mean we're definitely

0:56:51.280 --> 0:56:53.239
<v Speaker 3>involved in like picking songs and stuff and all that,

0:56:53.440 --> 0:56:56.759
<v Speaker 3>but sometimes, you know, labels get to look at analytics

0:56:56.800 --> 0:56:59.000
<v Speaker 3>and actual numbers, so it's like less of a guessing game,

0:56:59.160 --> 0:57:01.600
<v Speaker 3>like oh, I like this song, Let's do this. It's like, well,

0:57:01.760 --> 0:57:05.120
<v Speaker 3>this one's streaming well, so let's numbers are already saying

0:57:05.200 --> 0:57:07.000
<v Speaker 3>this will probably do well, so let's run that one

0:57:07.040 --> 0:57:07.399
<v Speaker 3>to radio.

0:57:07.440 --> 0:57:10.279
<v Speaker 1>There's like all that being so, Aaron, let's take your

0:57:10.280 --> 0:57:11.560
<v Speaker 1>feelings out of it, look at the.

0:57:11.680 --> 0:57:13.719
<v Speaker 3>Dyea And that's hard to do as a creator because

0:57:14.320 --> 0:57:17.480
<v Speaker 3>feeling is like everything. We write songs around feeling, and

0:57:17.640 --> 0:57:19.760
<v Speaker 3>right when it comes to what we actually get to

0:57:20.480 --> 0:57:22.920
<v Speaker 3>portray ourselves as like sometimes we get we have to

0:57:23.000 --> 0:57:23.960
<v Speaker 3>take that feeling away.

0:57:24.200 --> 0:57:25.040
<v Speaker 1>Yeah, gotcha.

0:57:25.240 --> 0:57:27.480
<v Speaker 2>I had this song come out called what Her Name Was? Summer,

0:57:27.520 --> 0:57:29.400
<v Speaker 2>and it was my favorite song, and I was like,

0:57:29.480 --> 0:57:31.160
<v Speaker 2>this is the one, this is it, and I was

0:57:31.160 --> 0:57:33.120
<v Speaker 2>the only one that thought that, and then.

0:57:36.400 --> 0:57:37.000
<v Speaker 1>I am right.

0:57:37.240 --> 0:57:40.000
<v Speaker 2>And then it went to it got too serious and

0:57:40.080 --> 0:57:41.840
<v Speaker 2>it got like it did all right, but it was

0:57:42.000 --> 0:57:43.560
<v Speaker 2>very obvious it was not the one.

0:57:43.720 --> 0:57:46.280
<v Speaker 1>I was like, he comes in the meeting, Hey, Ryan,

0:57:46.320 --> 0:57:47.400
<v Speaker 1>did you learn your lessons?

0:57:49.360 --> 0:57:51.520
<v Speaker 2>Yeah? I talk about that dumb ass song you want

0:57:51.560 --> 0:57:55.919
<v Speaker 2>to play and you can tell like when you play live,

0:57:56.080 --> 0:57:58.440
<v Speaker 2>like what songs are huge? And that's one that I'm like, oh,

0:57:58.480 --> 0:57:59.880
<v Speaker 2>this is going to be huge. And then it's like

0:58:00.680 --> 0:58:01.240
<v Speaker 2>very medium.

0:58:01.360 --> 0:58:01.840
<v Speaker 3>I didn't do it.

0:58:01.880 --> 0:58:03.720
<v Speaker 1>It didn't do very well live you hear.

0:58:05.400 --> 0:58:07.640
<v Speaker 3>It's just not like on the people are like, fuck yeah,

0:58:07.760 --> 0:58:09.200
<v Speaker 3>it's not the reaction you dreamed that.

0:58:09.720 --> 0:58:11.959
<v Speaker 7>Yeah, Like that scene in Queen where the guy starts

0:58:12.000 --> 0:58:14.160
<v Speaker 7>to singing and the whole crowd start behind him.

0:58:14.200 --> 0:58:14.600
<v Speaker 1>He just stop.

0:58:15.760 --> 0:58:17.360
<v Speaker 7>That's the whole thing kind of That's like the thing

0:58:17.400 --> 0:58:19.400
<v Speaker 7>you dream about as like an athlete, because athletes want

0:58:19.400 --> 0:58:22.200
<v Speaker 7>to be singers, songwriter, as actor. They want to be

0:58:22.880 --> 0:58:24.320
<v Speaker 7>what they're not. Everybody wants to be what they're not.

0:58:24.920 --> 0:58:26.800
<v Speaker 7>And so like you sit there and you're watching Queen

0:58:26.920 --> 0:58:29.000
<v Speaker 7>or the Elton John movie or any ship like that.

0:58:29.480 --> 0:58:30.760
<v Speaker 7>I mean, I'm not trying to be you know, a

0:58:30.800 --> 0:58:35.880
<v Speaker 7>homosexual guy from London, super talented, super talented, but happy.

0:58:35.680 --> 0:58:36.600
<v Speaker 2>Being what I am.

0:58:36.680 --> 0:58:39.920
<v Speaker 7>But I'm saying as a singer songwriter, like having somebody

0:58:40.000 --> 0:58:42.080
<v Speaker 7>like call recall to you would be like the dopest

0:58:42.080 --> 0:58:43.200
<v Speaker 7>shit ever, or.

0:58:43.280 --> 0:58:45.640
<v Speaker 1>Like telling that lawyer dude, like no, I think this

0:58:45.760 --> 0:58:49.000
<v Speaker 1>single tell the off. Dude, you're having that amount of

0:58:49.040 --> 0:58:51.880
<v Speaker 1>cloud that's and then you walk out and then throw

0:58:51.920 --> 0:58:54.720
<v Speaker 1>a fucking rock at the window. You know what happened.

0:58:54.760 --> 0:58:56.480
<v Speaker 2>Yeah, it's a great movie. You'll my favorite movie.

0:58:56.520 --> 0:58:57.439
<v Speaker 7>I actually love that movie.

0:58:58.080 --> 0:59:01.479
<v Speaker 2>Like they didn't they did just used is the actual vote?

0:59:01.480 --> 0:59:04.280
<v Speaker 2>Maybe's the actual Freddie Mercury vocal? Right? Yes, I liked

0:59:04.320 --> 0:59:06.520
<v Speaker 2>that they did that because yes, you can't fake that.

0:59:06.760 --> 0:59:07.080
<v Speaker 2>You can't.

0:59:07.520 --> 0:59:10.640
<v Speaker 3>The one movie that I thought was really good the

0:59:10.800 --> 0:59:15.880
<v Speaker 3>music movie, was Walk the Line Joaqum Phoenix, Yeah, Joe

0:59:16.000 --> 0:59:19.520
<v Speaker 3>him Phoenix. I don't know, but yeah, Walkurd Wait you

0:59:20.280 --> 0:59:20.400
<v Speaker 3>of this.

0:59:22.080 --> 0:59:24.440
<v Speaker 7>I don't want to get addicted to it. I think addicted.

0:59:24.480 --> 0:59:25.840
<v Speaker 7>I think I'd like to try me some of that

0:59:26.080 --> 0:59:29.360
<v Speaker 7>cocaine sounds kind of expensive. It's the least expensive.

0:59:28.920 --> 0:59:32.720
<v Speaker 3>Drug there is and not once did you pay for drugs? Yes,

0:59:33.120 --> 0:59:35.600
<v Speaker 3>Walkard's best, but Joaquum did a pretty good Johnny Cash.

0:59:35.720 --> 0:59:37.720
<v Speaker 1>I was okay with Joaquem's voice in that.

0:59:37.960 --> 0:59:41.600
<v Speaker 2>He had my favorite ever acceptance at the Oscars when

0:59:41.640 --> 0:59:47.200
<v Speaker 2>he used his time to uh decree milk oh yes

0:59:47.560 --> 0:59:47.960
<v Speaker 2>to cry.

0:59:48.360 --> 0:59:50.280
<v Speaker 1>Yeah, it was like a vegan it was a vegan

0:59:51.840 --> 0:59:57.040
<v Speaker 1>chant he got he won like.

0:59:57.040 --> 0:59:59.080
<v Speaker 2>The biggest award he could ever win. He's like milk

0:59:59.200 --> 1:00:01.000
<v Speaker 2>is bad And that was basically all he said.

1:00:01.080 --> 1:00:03.919
<v Speaker 7>Yeah, he's a super private dude, right, like strange. Yeah,

1:00:04.160 --> 1:00:05.960
<v Speaker 7>it's a strange cat, But I feel like those guys

1:00:06.000 --> 1:00:07.240
<v Speaker 7>are the most interesting to.

1:00:07.280 --> 1:00:10.480
<v Speaker 1>Me when anybody who does the Jokers fucking.

1:00:10.280 --> 1:00:12.600
<v Speaker 7>When I see somebody that's super off the wall, I'm like,

1:00:12.600 --> 1:00:14.240
<v Speaker 7>I gotta get to know that guy, Like what makes

1:00:14.280 --> 1:00:16.840
<v Speaker 7>that dude? Ways want to be people that way different

1:00:16.840 --> 1:00:17.000
<v Speaker 7>than me?

1:00:17.160 --> 1:00:19.439
<v Speaker 3>Ben Burgess, Ben Burgess is that guy.

1:00:19.600 --> 1:00:21.720
<v Speaker 2>Yeah, it's like the dude, You're like, that dude's a genius.

1:00:23.840 --> 1:00:26.440
<v Speaker 2>He's a genius, but it's tough to like rope him in.

1:00:26.520 --> 1:00:28.280
<v Speaker 2>And when you do, it's great, but you gotta like

1:00:28.440 --> 1:00:31.360
<v Speaker 2>really sit there until you gotta wait for it.

1:00:32.160 --> 1:00:32.960
<v Speaker 7>Kind of like h c L.

1:00:34.040 --> 1:00:34.840
<v Speaker 1>Yeah, a little bit like that.

1:00:34.920 --> 1:00:38.080
<v Speaker 7>Hammercock was definitely like hammer Cock dude, hammer Cock La

1:00:38.080 --> 1:00:39.920
<v Speaker 7>Floor was definitely one of those cats that were like

1:00:40.560 --> 1:00:41.760
<v Speaker 7>you talked to him and be like, oh, this guy

1:00:41.840 --> 1:00:43.720
<v Speaker 7>is just yeah, he's a wavelength and I.

1:00:43.960 --> 1:00:46.600
<v Speaker 1>Yeah, expanded Hammercock.

1:00:48.320 --> 1:00:50.080
<v Speaker 7>So we did I think the podcast that she just

1:00:50.160 --> 1:00:52.480
<v Speaker 7>came out right yesterday. So we did a podcast with

1:00:52.560 --> 1:00:55.880
<v Speaker 7>David b and uh. I know that the head coaching

1:00:55.960 --> 1:00:57.360
<v Speaker 7>the Packers.

1:00:59.160 --> 1:01:03.640
<v Speaker 1>Ago was sure for the Titans, hammercock hammercock.

1:01:03.720 --> 1:01:06.680
<v Speaker 7>Well he looks he's got that appeal, that vibe of

1:01:07.120 --> 1:01:09.520
<v Speaker 7>when you look up reality porn and you see like

1:01:09.640 --> 1:01:11.760
<v Speaker 7>the unsuspecting guy. It's like, well, you know, I didn't

1:01:11.760 --> 1:01:14.800
<v Speaker 7>study this week, and then the big bosomed milf comes

1:01:14.880 --> 1:01:18.120
<v Speaker 7>in with the ruler and you didn't study. I mean, look,

1:01:18.360 --> 1:01:21.160
<v Speaker 7>he's got great teeth, got absolute peace on him.

1:01:21.400 --> 1:01:22.800
<v Speaker 1>You feel like when you're talking to him and telling

1:01:22.880 --> 1:01:25.080
<v Speaker 1>the story, he's like kind of smiling like that, but

1:01:25.200 --> 1:01:27.000
<v Speaker 1>he's thinking about something else that has to do.

1:01:29.120 --> 1:01:31.640
<v Speaker 2>He can run. I can see that guy delivering a pizza.

1:01:35.560 --> 1:01:40.280
<v Speaker 7>Sausage on this one. He's got a great porn look. Man,

1:01:40.360 --> 1:01:42.040
<v Speaker 7>he's got a football doesn't work out for him, which

1:01:42.040 --> 1:01:45.040
<v Speaker 7>it looks like it is the NFC Championship, right, yeah,

1:01:45.360 --> 1:01:47.840
<v Speaker 7>makes the NFC Championship. He's got Aaron Rodgers, he should

1:01:47.840 --> 1:01:51.440
<v Speaker 7>do Jordan Love no active NFL porn.

1:01:51.480 --> 1:01:52.800
<v Speaker 2>I don't know. I don't play football, But.

1:01:54.680 --> 1:01:57.160
<v Speaker 1>Where about that?

1:01:57.320 --> 1:01:58.160
<v Speaker 2>He was apparently?

1:01:58.680 --> 1:02:00.960
<v Speaker 7>Oh man, dude, I'm a huge Michigan fan. Are you

1:02:01.160 --> 1:02:03.040
<v Speaker 7>You're from Kalamazoo right from Kalamo. I don't know if

1:02:03.040 --> 1:02:05.080
<v Speaker 7>you're a Bronco guy or whatever. Yeah, but I mean

1:02:05.120 --> 1:02:07.000
<v Speaker 7>you're not only a Bronco guy, but I'm a big

1:02:07.080 --> 1:02:07.640
<v Speaker 7>Michigan fan.

1:02:07.720 --> 1:02:09.640
<v Speaker 2>You got you guys. You want a last team to

1:02:09.640 --> 1:02:10.479
<v Speaker 2>beat Ohio State.

1:02:10.560 --> 1:02:12.680
<v Speaker 7>So yeah, thank you, very thank you for doing that.

1:02:12.800 --> 1:02:16.479
<v Speaker 7>Don't be a friend, flat boys. Yeah three Ohio State,

1:02:16.760 --> 1:02:20.080
<v Speaker 7>Stiffrey Bowl three for Ohio State.

1:02:20.200 --> 1:02:20.840
<v Speaker 2>That's a big deal.

1:02:20.920 --> 1:02:23.080
<v Speaker 7>That's a big fucking So this boy is my hero.

1:02:23.280 --> 1:02:24.600
<v Speaker 1>And uh, Taylor's your hero.

1:02:25.080 --> 1:02:26.439
<v Speaker 2>Beat he beat Ohio State.

1:02:26.560 --> 1:02:32.120
<v Speaker 7>Okay, heroes and we uh and then Sugar Bowl win, right, Yeah,

1:02:32.200 --> 1:02:33.680
<v Speaker 7>when the Sugar Bowl we went out, I think that

1:02:33.800 --> 1:02:36.720
<v Speaker 7>was the only actually good year we had because from

1:02:36.760 --> 1:02:38.480
<v Speaker 7>O nine to thirteen, that's when I was at Michigan,

1:02:38.600 --> 1:02:42.400
<v Speaker 7>was really a very dark time, weird, very weird. Rich

1:02:42.520 --> 1:02:44.320
<v Speaker 7>Rodriguez came from West West Virginia.

1:02:44.520 --> 1:02:45.880
<v Speaker 1>You really brought him down, did not.

1:02:46.040 --> 1:02:47.520
<v Speaker 7>He did not have a good night's sleep, I think

1:02:47.560 --> 1:02:48.320
<v Speaker 7>the whole time he was there.

1:02:48.440 --> 1:02:48.960
<v Speaker 2>No, it was tough.

1:02:49.040 --> 1:02:50.560
<v Speaker 7>Yeah, it was tough for him. And then Brady Hook

1:02:50.600 --> 1:02:53.919
<v Speaker 7>came in, who everybody wanted hardball but settle for Hoke

1:02:55.080 --> 1:02:56.320
<v Speaker 7>and uh, it just didn't work.

1:02:56.360 --> 1:02:56.960
<v Speaker 2>Out hok either.

1:02:57.600 --> 1:02:59.520
<v Speaker 7>But that that that Sugar Bowl win was really cool

1:02:59.520 --> 1:03:02.720
<v Speaker 7>against West uh Virgina Tech. It's like triple overtime.

1:03:02.760 --> 1:03:05.040
<v Speaker 4>Brendan Gibbons with the kick. Did you ever see his interview?

1:03:05.440 --> 1:03:07.040
<v Speaker 2>I don't remember it, but I watched. I mean I

1:03:07.160 --> 1:03:07.960
<v Speaker 2>was watching the game he did.

1:03:08.120 --> 1:03:10.080
<v Speaker 7>He did an interview after the game and they like

1:03:10.360 --> 1:03:13.320
<v Speaker 7>iced him twice and that's exactly what kicks and like,

1:03:13.360 --> 1:03:14.720
<v Speaker 7>what were you thinking about? And he was like, I

1:03:14.800 --> 1:03:16.360
<v Speaker 7>was just thinking about brunette girls on the beach.

1:03:18.000 --> 1:03:18.200
<v Speaker 1>Yeah.

1:03:18.840 --> 1:03:21.000
<v Speaker 7>He was like, yeah, coach tells me whenever I'm getting iced,

1:03:21.080 --> 1:03:22.600
<v Speaker 7>just to think about girls in the beach. I'll never

1:03:22.640 --> 1:03:26.000
<v Speaker 7>miss a kid. He kicked that thing, right. I love

1:03:26.040 --> 1:03:26.560
<v Speaker 7>Brendan Gibbon.

1:03:26.560 --> 1:03:28.520
<v Speaker 1>I feel like everything kind of changed for Michigan when

1:03:28.560 --> 1:03:30.120
<v Speaker 1>you guys lost the Appalachian State.

1:03:30.440 --> 1:03:31.800
<v Speaker 7>But that was that was before I was. There was

1:03:31.880 --> 1:03:32.440
<v Speaker 7>two thousand and eight.

1:03:32.680 --> 1:03:35.760
<v Speaker 2>That was last year that was in the air. That

1:03:35.880 --> 1:03:39.320
<v Speaker 2>was right, so like it all went weird that year.

1:03:39.840 --> 1:03:42.120
<v Speaker 2>I remember when Michigan, ohioseate was one two with Chad

1:03:42.160 --> 1:03:44.280
<v Speaker 2>Hanny Mike Hall, Yeah, and they lost by it was

1:03:44.320 --> 1:03:44.600
<v Speaker 2>it two?

1:03:44.920 --> 1:03:46.640
<v Speaker 7>It's like seven, right Smith.

1:03:46.440 --> 1:03:48.480
<v Speaker 1>To Troy Smith and Maurice Clarette.

1:03:48.720 --> 1:03:51.400
<v Speaker 2>Yeah, and then we won or Michigan. We I was

1:03:51.440 --> 1:03:55.040
<v Speaker 2>on the team. I then like they beat him with

1:03:55.120 --> 1:03:57.400
<v Speaker 2>the nard and then that was it and they've just

1:03:57.480 --> 1:03:59.800
<v Speaker 2>gotten their ass beat ever since, and it's been really

1:03:59.880 --> 1:04:00.440
<v Speaker 2>just appointing.

1:04:00.560 --> 1:04:02.439
<v Speaker 7>Well, there was there was one game after I left

1:04:02.480 --> 1:04:05.680
<v Speaker 7>that was pretty close. It was that fourth and inches

1:04:06.240 --> 1:04:07.240
<v Speaker 7>and they didn't get it.

1:04:07.280 --> 1:04:09.880
<v Speaker 2>But they gave it to him. That's bullshit, absolute, you know,

1:04:09.920 --> 1:04:12.240
<v Speaker 2>and everybody's like, oh, it didn't matter because they got

1:04:12.280 --> 1:04:14.400
<v Speaker 2>the ball back, but Wilton dropped the ball on the

1:04:15.080 --> 1:04:17.680
<v Speaker 2>on the goal line and whatever.

1:04:18.160 --> 1:04:23.200
<v Speaker 7>Well shape Patterson, our helmets are cool. Yeah, responsor by Jordan.

1:04:23.280 --> 1:04:25.480
<v Speaker 7>We should definitely go there. There's a there's I've actually

1:04:25.480 --> 1:04:28.400
<v Speaker 7>talked to Portnoy about this when we were in Miami.

1:04:28.560 --> 1:04:32.000
<v Speaker 7>Is Michigan's just it hurts to say it because I

1:04:32.080 --> 1:04:35.280
<v Speaker 7>went there. You're a fan, but very irrelevant at this time.

1:04:36.320 --> 1:04:37.960
<v Speaker 7>I don't know what you need to do because you

1:04:38.080 --> 1:04:40.520
<v Speaker 7>have the Jordan sponsorship, you have the history and tradition

1:04:40.560 --> 1:04:44.120
<v Speaker 7>at Michigan's unbelievable. The uniforms are iconic. What I don't

1:04:44.160 --> 1:04:45.680
<v Speaker 7>know what they have to do to kind of catch

1:04:45.720 --> 1:04:46.400
<v Speaker 7>up with Ohio State.

1:04:46.440 --> 1:04:49.720
<v Speaker 2>Because they need to drop to the academic requirements a

1:04:49.760 --> 1:04:52.080
<v Speaker 2>little bit. Well, your boy got in there, and I'll

1:04:52.080 --> 1:04:54.720
<v Speaker 2>tell you what it wasn't good. I got two seven

1:04:55.680 --> 1:04:58.920
<v Speaker 2>with the sliding scale. My act was stupid good, but

1:04:59.400 --> 1:05:02.480
<v Speaker 2>I got. And so they're not quite like Vanderbilt. Where

1:05:02.520 --> 1:05:04.040
<v Speaker 2>Vanderbilt you literally have to be able to get in

1:05:04.160 --> 1:05:07.400
<v Speaker 2>school to play there. That's a death penalty and it's hell.

1:05:07.440 --> 1:05:10.280
<v Speaker 3>Were you a good test taker? Was that good test taker?

1:05:10.600 --> 1:05:10.640
<v Speaker 2>No?

1:05:11.320 --> 1:05:11.600
<v Speaker 1>I was.

1:05:11.880 --> 1:05:13.920
<v Speaker 7>I was kind of what you were alluding to about

1:05:13.920 --> 1:05:16.120
<v Speaker 7>the ad D pay attention to school guy. Yeah, I

1:05:16.200 --> 1:05:18.480
<v Speaker 7>got to I got to Michigan and I joked with

1:05:18.520 --> 1:05:20.600
<v Speaker 7>you about the sociology because I was a general state's major.

1:05:21.200 --> 1:05:23.400
<v Speaker 7>But I got there and they're like, well, so what

1:05:23.480 --> 1:05:25.360
<v Speaker 7>do you What do you want to do after college?

1:05:25.440 --> 1:05:27.760
<v Speaker 7>Was the Wa'm going to go to the NFL? Like well,

1:05:27.840 --> 1:05:30.520
<v Speaker 7>you know football punds, Yeah, and like, well statistically, and

1:05:30.600 --> 1:05:32.440
<v Speaker 7>I told a story too many times on the podcast,

1:05:32.520 --> 1:05:35.800
<v Speaker 7>but I definitely was like that was my fucking move,

1:05:35.920 --> 1:05:37.160
<v Speaker 7>and so I didn't. I was a king of a

1:05:37.200 --> 1:05:40.280
<v Speaker 7>two point zero at Michigan, absolute king of it, he said.

1:05:40.080 --> 1:05:41.840
<v Speaker 3>The king of the two point h I graduated with

1:05:41.880 --> 1:05:43.439
<v Speaker 3>the one point nine high school high school.

1:05:43.480 --> 1:05:44.320
<v Speaker 1>I never got out of college.

1:05:44.400 --> 1:05:47.320
<v Speaker 7>So you played when year in baseball in college?

1:05:47.760 --> 1:05:49.800
<v Speaker 3>Yeah, but I never got out. I just quit after one.

1:05:50.120 --> 1:05:51.960
<v Speaker 3>But I got there. I mean, thank god for Christian

1:05:52.000 --> 1:05:56.320
<v Speaker 3>schools because they're accepting the dumb ass kid but saying,

1:05:56.400 --> 1:05:58.160
<v Speaker 3>you know what, you got a norm on you. Let's

1:05:58.240 --> 1:05:58.960
<v Speaker 3>let's sign them up.

1:05:59.000 --> 1:06:00.320
<v Speaker 2>The Lord needs you here.

1:06:00.360 --> 1:06:01.280
<v Speaker 7>Yeah, Lord.

1:06:01.760 --> 1:06:04.880
<v Speaker 3>Yeah, the Lord was like kind of change our mind.

1:06:05.280 --> 1:06:06.840
<v Speaker 3>They kind of kind of talked with the other two

1:06:06.960 --> 1:06:08.040
<v Speaker 3>and we change our mind.

1:06:08.720 --> 1:06:09.760
<v Speaker 7>You kich allt of Michigan game.

1:06:09.800 --> 1:06:10.040
<v Speaker 1>Still.

1:06:10.320 --> 1:06:12.600
<v Speaker 2>Yeah, we went to Notre Dame this year. Actually, it's

1:06:12.600 --> 1:06:14.760
<v Speaker 2>fun now because we can take my bus up there. Yeah,

1:06:14.920 --> 1:06:17.200
<v Speaker 2>and we go and we'll just wake up back home.

1:06:17.560 --> 1:06:20.360
<v Speaker 7>Super super easy drive to not far off from here.

1:06:20.480 --> 1:06:21.160
<v Speaker 2>No, not at all.

1:06:21.280 --> 1:06:22.600
<v Speaker 1>Are you talking about the apartment bus.

1:06:23.600 --> 1:06:26.240
<v Speaker 2>Well, my bus has the twelve bunks, gotcha, gotcha to

1:06:26.320 --> 1:06:27.160
<v Speaker 2>throw everybody.

1:06:26.880 --> 1:06:28.440
<v Speaker 1>And you should hear about this apartment bus. They got

1:06:28.520 --> 1:06:28.840
<v Speaker 1>my wife.

1:06:29.240 --> 1:06:30.080
<v Speaker 7>Listen to the pod.

1:06:30.320 --> 1:06:32.400
<v Speaker 2>My wife has a really sweet bus that has a

1:06:32.520 --> 1:06:35.760
<v Speaker 2>baby crate in it and our apartments in the back.

1:06:35.840 --> 1:06:38.480
<v Speaker 2>But but yeah, it's that he was asking how you

1:06:38.560 --> 1:06:39.840
<v Speaker 2>take a baby on the road. It's like, well, we

1:06:39.920 --> 1:06:42.200
<v Speaker 2>have a bus that's like set up. It's like monitors

1:06:42.280 --> 1:06:44.000
<v Speaker 2>and white noise machines.

1:06:43.600 --> 1:06:45.960
<v Speaker 1>And yeah, will yeah, build on the bus.

1:06:46.400 --> 1:06:47.840
<v Speaker 7>You just drive the bus and then the babies.

1:06:48.000 --> 1:06:49.520
<v Speaker 1>Did you hear him? Our apartments in the back of

1:06:49.600 --> 1:06:52.560
<v Speaker 1>the bus. We need to look into a bus like that.

1:06:52.720 --> 1:06:53.400
<v Speaker 7>We got great bus.

1:06:53.520 --> 1:06:54.000
<v Speaker 1>This is fun.

1:06:54.320 --> 1:06:56.040
<v Speaker 2>This is a great bus. This is a cooler bus

1:06:56.120 --> 1:06:56.320
<v Speaker 2>than that.

1:06:57.040 --> 1:06:59.040
<v Speaker 7>I would this bus just bus as best as cool

1:06:59.040 --> 1:07:01.160
<v Speaker 7>as it gets. It's about twenty seven thousand dollars to

1:07:01.240 --> 1:07:03.880
<v Speaker 7>get this thing running. The floor the floor under.

1:07:03.920 --> 1:07:05.200
<v Speaker 1>You got to put it on a different chassis.

1:07:05.760 --> 1:07:10.160
<v Speaker 7>Yeah, chassis. The floor is so uh there's no drivers seat,

1:07:10.160 --> 1:07:11.080
<v Speaker 7>there's literally no driversy.

1:07:11.440 --> 1:07:12.720
<v Speaker 2>You could just risk it.

1:07:13.240 --> 1:07:17.480
<v Speaker 3>Risk this, dude, nail the lawn chair down to the floorboard.

1:07:17.640 --> 1:07:18.800
<v Speaker 7>Okay, engine doesn't work.

1:07:18.880 --> 1:07:21.840
<v Speaker 3>Driver's engine doesn't work. Yeah, steal an engine.

1:07:22.000 --> 1:07:25.200
<v Speaker 1>Yeah, and then my parts are obsolete for this model.

1:07:27.760 --> 1:07:30.000
<v Speaker 7>Not like big and fashion anymore.

1:07:30.120 --> 1:07:30.800
<v Speaker 2>Crowdsources.

1:07:31.080 --> 1:07:35.720
<v Speaker 7>Kickstarter could do a Kickstarter we could. I'll tell you what.

1:07:35.840 --> 1:07:38.920
<v Speaker 7>When that song comes up that you and Will started,

1:07:39.480 --> 1:07:41.240
<v Speaker 7>We'll take you get put it.

1:07:41.280 --> 1:07:44.160
<v Speaker 1>Right in do with me, like I can't Taylor just

1:07:44.200 --> 1:07:46.880
<v Speaker 1>pay this or that, like you run a risk right there,

1:07:46.960 --> 1:07:49.920
<v Speaker 1>trying to do a kickstarter for Taylor.

1:07:49.880 --> 1:07:56.680
<v Speaker 5>Like crowdfunding, Fuck it, I'll do it. I'm making for

1:07:56.840 --> 1:07:59.200
<v Speaker 5>me and kickstart for the bus. I feel like that

1:07:59.280 --> 1:08:00.400
<v Speaker 5>said just coming your mouth.

1:08:04.120 --> 1:08:07.320
<v Speaker 2>Yeah, we run into that too, not to the same level,

1:08:07.360 --> 1:08:11.440
<v Speaker 2>but but yeah. No one's like, hey, I don't crowd

1:08:11.480 --> 1:08:13.200
<v Speaker 2>from my record at this point, like you you're on

1:08:13.280 --> 1:08:14.400
<v Speaker 2>OURCA records, you can't.

1:08:14.560 --> 1:08:16.679
<v Speaker 3>Yeah, you get that's that's a bad look for OURCA.

1:08:17.000 --> 1:08:18.160
<v Speaker 1>Well, it's a worse look for r C.

1:08:18.800 --> 1:08:19.000
<v Speaker 2>Yeah.

1:08:21.640 --> 1:08:25.000
<v Speaker 1>Twenty twenty has been rough man. Twenty twenty has been

1:08:25.040 --> 1:08:28.160
<v Speaker 1>the year of things happening that are completely out of

1:08:28.200 --> 1:08:32.040
<v Speaker 1>our control. But there is one thing you can control,

1:08:32.520 --> 1:08:35.920
<v Speaker 1>and that's shaving your bush. Shout out Manscaped and Manscaped.

1:08:36.000 --> 1:08:39.080
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1:08:40.080 --> 1:08:42.120
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1:09:46.120 --> 1:09:47.840
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1:09:51.760 --> 1:09:54.360
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1:09:54.479 --> 1:09:57.479
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1:09:57.520 --> 1:09:58.520
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1:09:58.200 --> 1:09:58.799
<v Speaker 2>For your balls.

1:10:00.080 --> 1:10:02.720
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1:10:08.479 --> 1:10:11.840
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1:10:12.000 --> 1:10:14.599
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1:10:18.000 --> 1:10:21.400
<v Speaker 1>twenty twenty by the balls, by the horns and shave

1:10:21.479 --> 1:10:25.599
<v Speaker 1>that front trunk, dude, and keep that lawnmower maintain I said, lawnmower,

1:10:25.760 --> 1:10:29.559
<v Speaker 1>keep that long maintained. But shout out the boys in Manscape.

1:10:29.600 --> 1:10:31.840
<v Speaker 1>I hope you guys are thoroughly enjoying the boy Ryan heard.

1:10:32.080 --> 1:10:34.840
<v Speaker 1>The dude is a motherfucking stud who's RCA.

1:10:35.080 --> 1:10:37.479
<v Speaker 2>That's my record company. So he's on Big Loud Records,

1:10:37.560 --> 1:10:41.160
<v Speaker 2>Big Loud, Big Loud, Yeah yesterday with yes, sir, I'm

1:10:41.240 --> 1:10:43.760
<v Speaker 2>on a RCA Records, which is like Elvis.

1:10:43.439 --> 1:10:46.080
<v Speaker 1>And Classic Beyonce. So you guys are competitors.

1:10:46.439 --> 1:10:48.880
<v Speaker 7>No, well, it sounds like after you Elvis and Beyonce,

1:10:48.920 --> 1:10:51.639
<v Speaker 7>it's not a fucking yeah. You know, we had Elvis

1:10:51.680 --> 1:10:52.240
<v Speaker 7>and Beyond.

1:10:53.600 --> 1:10:53.920
<v Speaker 3>Beyond.

1:10:54.280 --> 1:10:55.240
<v Speaker 1>He's set in the standard.

1:10:56.400 --> 1:10:58.160
<v Speaker 3>RCA is like one of the one of the og

1:10:58.600 --> 1:10:59.120
<v Speaker 3>record life.

1:10:59.160 --> 1:11:01.240
<v Speaker 2>No record come. But he's like, hey, where do you bank?

1:11:01.760 --> 1:11:04.320
<v Speaker 2>That's like all it is like you, Yeah, I would

1:11:04.320 --> 1:11:06.680
<v Speaker 2>bake it son Trust, I bank it Pinnacle. Well it's

1:11:06.720 --> 1:11:08.680
<v Speaker 2>like those are We're not competing.

1:11:10.040 --> 1:11:12.000
<v Speaker 1>Right is that? Now? Is that who you signed with

1:11:12.120 --> 1:11:12.880
<v Speaker 1>recently in March?

1:11:13.160 --> 1:11:13.200
<v Speaker 4>What?

1:11:14.720 --> 1:11:18.160
<v Speaker 2>Then you signed with some publisher now is Big Machine?

1:11:18.160 --> 1:11:21.519
<v Speaker 2>So that's like Scott Boarshea and whatever. So I probably

1:11:21.520 --> 1:11:25.200
<v Speaker 2>shouldn't bring that. Bring up the other thing, Garrett, you

1:11:25.360 --> 1:11:28.920
<v Speaker 2>signed in March with who Big Machine Music? So the

1:11:29.000 --> 1:11:32.360
<v Speaker 2>publishing side of of of that record company?

1:11:32.479 --> 1:11:34.760
<v Speaker 1>Now that that's a that's a big deal, right Is

1:11:34.800 --> 1:11:37.360
<v Speaker 1>that a big deal? Yeah, it's big for me, Like

1:11:37.439 --> 1:11:38.360
<v Speaker 1>I had Big Machines.

1:11:38.600 --> 1:11:41.320
<v Speaker 2>I was at Universal Publishing for a long time.

1:11:41.479 --> 1:11:43.000
<v Speaker 1>You had a picture. I saw you had a signing

1:11:43.040 --> 1:11:44.759
<v Speaker 1>picture like a high schooler come into a college.

1:11:45.080 --> 1:11:46.000
<v Speaker 2>Yeah, we do that.

1:11:46.200 --> 1:11:48.800
<v Speaker 1>That's a big deal. Hey, let's go signing it more.

1:11:50.360 --> 1:11:53.599
<v Speaker 2>I mean we we Uh. I don't know how would

1:11:53.600 --> 1:11:55.479
<v Speaker 2>you describe this. I'm trying to like, it's it's a

1:11:55.520 --> 1:11:55.920
<v Speaker 2>big deal.

1:11:56.080 --> 1:11:57.240
<v Speaker 1>It's a publishing deal.

1:11:57.360 --> 1:11:59.880
<v Speaker 3>It's like yeah, well, I mean look, I mean for

1:12:00.040 --> 1:12:03.040
<v Speaker 3>a lot of people getting a publishing deal, I mean

1:12:03.080 --> 1:12:04.880
<v Speaker 3>for me, I mean I was working at donut Den

1:12:05.560 --> 1:12:06.240
<v Speaker 3>in Green Hills.

1:12:06.320 --> 1:12:07.160
<v Speaker 2>You worked a donut den?

1:12:07.280 --> 1:12:10.040
<v Speaker 3>Hell yeah, I got a lifetime free donuts. Can't tell.

1:12:13.040 --> 1:12:13.320
<v Speaker 2>Dude.

1:12:13.840 --> 1:12:14.080
<v Speaker 1>Yeah.

1:12:14.120 --> 1:12:17.280
<v Speaker 3>I mean for for most people, that's the dream. You

1:12:17.320 --> 1:12:19.320
<v Speaker 3>come to Nashville, you want, you want to write songs,

1:12:19.960 --> 1:12:21.760
<v Speaker 3>you get it. You get somebody to give you a

1:12:21.800 --> 1:12:25.160
<v Speaker 3>publishing deal. Guess what, that's your job. You don't have

1:12:25.240 --> 1:12:26.400
<v Speaker 3>a regular job anymore.

1:12:26.479 --> 1:12:27.720
<v Speaker 7>And if you get the.

1:12:27.760 --> 1:12:28.640
<v Speaker 3>Dream, yeah, that's it.

1:12:28.840 --> 1:12:29.920
<v Speaker 1>Getting a publishing deal.

1:12:30.160 --> 1:12:32.719
<v Speaker 2>For me, that was it. That was like I signed

1:12:32.720 --> 1:12:34.439
<v Speaker 2>my first deal when I was twenty five years old,

1:12:34.520 --> 1:12:39.200
<v Speaker 2>and I that was like, that means you are a professional,

1:12:39.439 --> 1:12:42.280
<v Speaker 2>paid professional songwriter. Yes, And if you put that into context.

1:12:42.720 --> 1:12:44.800
<v Speaker 2>Somebody told me this once and I looked it up.

1:12:44.840 --> 1:12:46.920
<v Speaker 2>It kind of holds true. In America, there's thirty five

1:12:47.040 --> 1:12:53.120
<v Speaker 2>thousand paid professional baseball players, okay, majors, minors, semi pro, whatever.

1:12:53.439 --> 1:12:57.599
<v Speaker 2>There's thirty five hundred paid professional songwriters in America. People

1:12:57.640 --> 1:13:01.280
<v Speaker 2>who make a living as not all artists, but guys

1:13:01.600 --> 1:13:04.200
<v Speaker 2>like me and Ernest and girls who write songs for

1:13:04.280 --> 1:13:06.400
<v Speaker 2>other people like that's their job is just the writing

1:13:06.439 --> 1:13:08.920
<v Speaker 2>of the music. There's thirty five hundred people in America

1:13:09.000 --> 1:13:11.360
<v Speaker 2>that do that job, and maybe somebody can update me

1:13:11.400 --> 1:13:13.080
<v Speaker 2>because I was like five years ago somebody told me

1:13:13.160 --> 1:13:14.240
<v Speaker 2>that they're just obvious.

1:13:14.280 --> 1:13:16.400
<v Speaker 1>You need to start leveraging the NFL numbers because we're

1:13:16.439 --> 1:13:17.719
<v Speaker 1>smaller than the baseball numbers.

1:13:18.120 --> 1:13:21.800
<v Speaker 7>We're like twenty I think we're like twenty two, twenty

1:13:21.840 --> 1:13:25.439
<v Speaker 7>two hundred, twenty two hundred NFL players, and like right now,

1:13:25.479 --> 1:13:27.599
<v Speaker 7>there's a lot more because you have a bigger roster

1:13:27.760 --> 1:13:30.960
<v Speaker 7>you have you have fifty three man roster times thirty two.

1:13:31.960 --> 1:13:32.160
<v Speaker 1>Yeah.

1:13:32.160 --> 1:13:35.240
<v Speaker 2>Boys, it's way easier to be a songwriter than a

1:13:35.280 --> 1:13:37.639
<v Speaker 2>baseball player, but way harder to be a well.

1:13:39.479 --> 1:13:40.280
<v Speaker 1>Closer around there.

1:13:40.400 --> 1:13:42.880
<v Speaker 7>Yeah, but also like you, I mean, minor minor league

1:13:42.880 --> 1:13:44.000
<v Speaker 7>BASBA players even Triple.

1:13:43.800 --> 1:13:44.400
<v Speaker 2>A don't make shit.

1:13:44.439 --> 1:13:45.560
<v Speaker 1>You don't make sure they don't make it.

1:13:45.640 --> 1:13:48.839
<v Speaker 7>But like most songwriters will be baseball players.

1:13:49.320 --> 1:13:53.240
<v Speaker 3>Dude, dude, I would like to probably compare a double

1:13:53.320 --> 1:13:56.960
<v Speaker 3>a baseball player's salary to a first publishing deal salary.

1:13:57.200 --> 1:13:59.400
<v Speaker 1>Oh really, that you got to make sure NFL players?

1:14:00.400 --> 1:14:04.760
<v Speaker 2>Was that that somebody telling us twenty eight hundred songwriters? Damn? Wow?

1:14:05.200 --> 1:14:08.360
<v Speaker 1>Even less dude, I know, well, it's tables keep turning.

1:14:08.439 --> 1:14:12.080
<v Speaker 2>It's not tables. Turn last ten years have been a

1:14:12.120 --> 1:14:14.680
<v Speaker 2>little rough on the old uh on the songwriters, just

1:14:14.760 --> 1:14:17.400
<v Speaker 2>because of the way that music's consumed. Is trying to

1:14:17.439 --> 1:14:21.040
<v Speaker 2>get that balance back out. But uh yeah, so most

1:14:21.080 --> 1:14:23.920
<v Speaker 2>songwriters are not millionaires. That's like the that's just the

1:14:24.000 --> 1:14:26.240
<v Speaker 2>truth of it. Most of them make a common misconception

1:14:26.400 --> 1:14:28.400
<v Speaker 2>kind of well, I mean like some of them are,

1:14:28.600 --> 1:14:30.880
<v Speaker 2>but most of them, like you're my first deal was

1:14:30.880 --> 1:14:32.439
<v Speaker 2>for like twenty eight thousand dollars a year.

1:14:32.720 --> 1:14:33.479
<v Speaker 1>Now is that twenty five?

1:14:33.520 --> 1:14:36.639
<v Speaker 2>That's like pretty good? Yeah, how long is that contract?

1:14:37.000 --> 1:14:39.000
<v Speaker 3>Probably forty years? Yeah, how many years?

1:14:39.080 --> 1:14:39.519
<v Speaker 2>Four years?

1:14:39.720 --> 1:14:40.439
<v Speaker 1>How old are you now?

1:14:40.920 --> 1:14:41.599
<v Speaker 2>Thirty three?

1:14:42.120 --> 1:14:44.400
<v Speaker 1>So when you re up to this one, is it

1:14:44.680 --> 1:14:47.000
<v Speaker 1>you basically moved up in publishing companies.

1:14:47.920 --> 1:14:51.720
<v Speaker 2>The same amount of quality. I mean, both of those

1:14:51.760 --> 1:14:54.680
<v Speaker 2>companies are amazing. Universal Music is obviously like the big

1:14:54.920 --> 1:14:57.080
<v Speaker 2>music company in the world. But yeah, yeah, it's more

1:14:57.200 --> 1:15:01.559
<v Speaker 2>like the percentages come back in my favor the more

1:15:01.600 --> 1:15:05.360
<v Speaker 2>that I do it. God, Like the salary part of

1:15:05.439 --> 1:15:08.519
<v Speaker 2>it's a draw, so it's like an advance, but the

1:15:09.000 --> 1:15:11.679
<v Speaker 2>royalties are what you're you're partnering, you're.

1:15:11.520 --> 1:15:14.120
<v Speaker 3>Splitting, right, they'll give you a month, they'll give you

1:15:14.160 --> 1:15:14.880
<v Speaker 3>a monthly payment.

1:15:14.960 --> 1:15:16.559
<v Speaker 1>The potential is better you pay it back.

1:15:16.800 --> 1:15:17.880
<v Speaker 2>Yeah, it goes back.

1:15:17.720 --> 1:15:19.599
<v Speaker 3>To it comes comes back out of your pocket.

1:15:19.680 --> 1:15:21.240
<v Speaker 1>And yeah, I'm just trying to learn, dude. So it

1:15:21.280 --> 1:15:22.439
<v Speaker 1>sounds like a big deal music.

1:15:22.520 --> 1:15:25.080
<v Speaker 2>The money like the way money flows and music is wild,

1:15:25.600 --> 1:15:29.240
<v Speaker 2>just wild. Yeah, it's it's complicated, and then once you

1:15:29.320 --> 1:15:31.000
<v Speaker 2>get it, you're like, oh that makes sense. Yeah.

1:15:31.360 --> 1:15:33.320
<v Speaker 3>Business manager was the best thing that ever happened to me,

1:15:33.360 --> 1:15:35.559
<v Speaker 3>because yeah, I have a good one. I can't think

1:15:35.600 --> 1:15:37.000
<v Speaker 3>about it, and now I don't have to. I just

1:15:37.080 --> 1:15:38.640
<v Speaker 3>have to, like son some papers every now and then,

1:15:38.840 --> 1:15:40.960
<v Speaker 3>and I know all of my ship's getting taken care of.

1:15:42.600 --> 1:15:45.760
<v Speaker 3>No dude, all my bills, Like, I don't worry about it.

1:15:45.800 --> 1:15:47.320
<v Speaker 2>He sneaks the power of attorney in there.

1:15:49.200 --> 1:15:55.080
<v Speaker 7>He signed this you're an idiot. Yeah yeah, I keep

1:15:55.120 --> 1:15:57.720
<v Speaker 7>on writing them songs and as you kill, keep going,

1:15:57.920 --> 1:15:58.400
<v Speaker 7>keep seeing me.

1:15:58.479 --> 1:16:01.960
<v Speaker 2>Those people get they get a dirty business manager. Those

1:16:01.960 --> 1:16:04.400
<v Speaker 2>people get kicked out pretty quick. So yeah, they get

1:16:04.439 --> 1:16:04.880
<v Speaker 2>found out.

1:16:05.760 --> 1:16:07.839
<v Speaker 3>Yeah, no question, had your credit card yesterday?

1:16:07.920 --> 1:16:10.880
<v Speaker 7>I still ye, yeah, I know he still has credit

1:16:10.960 --> 1:16:15.800
<v Speaker 7>card on the bustle with the boys credit card, so

1:16:15.920 --> 1:16:19.439
<v Speaker 7>you could have bought beers. I could. I think it's

1:16:19.439 --> 1:16:20.840
<v Speaker 7>the first, don't. I don't know what Will has been

1:16:20.880 --> 1:16:22.880
<v Speaker 7>spending this credit card on, but I bought six bottles

1:16:22.880 --> 1:16:23.600
<v Speaker 7>of water not with it?

1:16:24.160 --> 1:16:25.840
<v Speaker 2>Yeah, what have you been spending on it?

1:16:26.280 --> 1:16:26.479
<v Speaker 7>Yeah?

1:16:26.800 --> 1:16:28.320
<v Speaker 1>I don't use it like a debit card?

1:16:28.720 --> 1:16:30.320
<v Speaker 3>Would you use it for cars?

1:16:30.840 --> 1:16:35.160
<v Speaker 1>Trucks? Cars? As I'll plug that card info for Venmo

1:16:35.400 --> 1:16:38.320
<v Speaker 1>and paying people like using the card instead of giving

1:16:38.400 --> 1:16:40.720
<v Speaker 1>like the whole bank account card feed.

1:16:40.920 --> 1:16:42.439
<v Speaker 7>Obviously, I got to look at that buck.

1:16:43.000 --> 1:16:45.880
<v Speaker 3>Yeah, I think where would we should settle on? Twenty

1:16:45.920 --> 1:16:46.959
<v Speaker 3>five d a piece.

1:16:48.760 --> 1:16:51.120
<v Speaker 7>The buses and even more to condition than it was before.

1:16:51.640 --> 1:16:52.880
<v Speaker 3>We're gonna put it back into the bus.

1:16:55.000 --> 1:16:57.080
<v Speaker 2>I was when I walked down, Here's like, this is

1:16:57.160 --> 1:16:57.880
<v Speaker 2>cooler in person.

1:16:58.560 --> 1:16:59.960
<v Speaker 1>See those things aren't cool?

1:17:00.280 --> 1:17:01.680
<v Speaker 2>Are great in person than they are.

1:17:02.120 --> 1:17:06.479
<v Speaker 7>Most of this stuff. I think ninety nine percent of

1:17:06.520 --> 1:17:09.200
<v Speaker 7>these stickers were on here when we first got this bus.

1:17:09.320 --> 1:17:10.759
<v Speaker 3>I'd rather be spanking the monkey.

1:17:11.280 --> 1:17:11.800
<v Speaker 2>I love it.

1:17:12.280 --> 1:17:13.439
<v Speaker 7>There's one's my favorite.

1:17:13.600 --> 1:17:17.240
<v Speaker 1>I think you were just thinking out loud, Okay, I

1:17:17.280 --> 1:17:18.960
<v Speaker 1>was like, all right about Matt.

1:17:24.560 --> 1:17:26.720
<v Speaker 7>My favorite sticker on this entire bus is behind you

1:17:27.000 --> 1:17:29.680
<v Speaker 7>when you open the door on like that panel behind you,

1:17:29.760 --> 1:17:32.960
<v Speaker 7>there's a big lizard and there's no lot lizards my

1:17:33.080 --> 1:17:35.080
<v Speaker 7>favorite one. You ever heard a lot of lizard? So

1:17:35.240 --> 1:17:38.760
<v Speaker 7>truckers drive trucks when you go to like a Love's

1:17:38.800 --> 1:17:43.840
<v Speaker 7>gas station, your travel across country, those hookers lot lizards

1:17:44.280 --> 1:17:46.160
<v Speaker 7>and then these they're grimy hookers that you get you

1:17:46.160 --> 1:17:47.080
<v Speaker 7>paying like twenty bucks.

1:17:47.160 --> 1:17:48.320
<v Speaker 3>No love that for anything.

1:17:48.439 --> 1:17:50.160
<v Speaker 7>Put your peep over a sock or something like that

1:17:50.280 --> 1:17:52.920
<v Speaker 7>in a town I don't know where is. I'm a

1:17:52.960 --> 1:17:57.880
<v Speaker 7>big fan of that one. Little educational pieces. Yeah, but

1:17:57.920 --> 1:17:59.040
<v Speaker 7>if you had to ask, can't afford it.

1:18:03.280 --> 1:18:08.560
<v Speaker 1>In that movie erin water Boy, this is one I

1:18:09.200 --> 1:18:09.600
<v Speaker 1>should know.

1:18:10.600 --> 1:18:12.920
<v Speaker 3>This is like, I'm not you think I'll just sit

1:18:13.040 --> 1:18:15.960
<v Speaker 3>there and soberly watch movies and take it all in.

1:18:16.280 --> 1:18:17.200
<v Speaker 1>Or beer Fest.

1:18:17.760 --> 1:18:19.679
<v Speaker 3>Oh god, that's it. I haven't seen that in years.

1:18:20.080 --> 1:18:23.400
<v Speaker 7>That's a that's a phenomenal alright movie. The movie is

1:18:23.439 --> 1:18:26.040
<v Speaker 7>so dumb. They kill off a character and then bring

1:18:26.160 --> 1:18:29.720
<v Speaker 7>his twin brother back character and it was asked to

1:18:29.880 --> 1:18:33.000
<v Speaker 7>be known as landfill quality fucking movies.

1:18:33.080 --> 1:18:34.639
<v Speaker 2>I need to go back and watch Tonight, We're gonna

1:18:34.840 --> 1:18:36.840
<v Speaker 2>Me and You're gonna get together, watch The blind Side

1:18:36.880 --> 1:18:37.599
<v Speaker 2>and beer Fest.

1:18:37.760 --> 1:18:42.000
<v Speaker 1>Yeah, yes, last story, talk to us how you met,

1:18:42.360 --> 1:18:44.560
<v Speaker 1>how you met Maren? And we want detail. Obviously, we

1:18:44.600 --> 1:18:46.280
<v Speaker 1>can read stories, we can read articles, we can see

1:18:46.280 --> 1:18:47.040
<v Speaker 1>you guys met.

1:18:47.080 --> 1:18:48.720
<v Speaker 7>We're asking you to make us some money on views here.

1:18:48.800 --> 1:18:49.679
<v Speaker 7>So here's a favorite.

1:18:49.760 --> 1:18:54.120
<v Speaker 2>Yeah, I met we writing songs and so like she

1:18:54.400 --> 1:18:57.519
<v Speaker 2>moved to town to be a songwriter, not an artist,

1:18:57.720 --> 1:19:01.120
<v Speaker 2>and we started writing like every week or two and

1:19:01.360 --> 1:19:06.280
<v Speaker 2>and had like a creative relationship first and eventually became

1:19:06.360 --> 1:19:09.320
<v Speaker 2>something different. But like we wrote songs like Tim McGraw

1:19:09.400 --> 1:19:12.519
<v Speaker 2>and brothers Osbourne and she was a writer and then

1:19:12.560 --> 1:19:14.680
<v Speaker 2>all of a sudden, she started like writing songs that

1:19:15.600 --> 1:19:18.320
<v Speaker 2>people couldn't sing, Like she'd try to pitch them and

1:19:18.400 --> 1:19:21.200
<v Speaker 2>then but nobody could do it. And that's when she

1:19:21.600 --> 1:19:25.120
<v Speaker 2>started like making her own recordings again. And she's been

1:19:25.160 --> 1:19:27.000
<v Speaker 2>doing this since she was eleven years old, like playing

1:19:27.120 --> 1:19:29.599
<v Speaker 2>bars and like that's what people say. They're like, oh,

1:19:29.680 --> 1:19:32.360
<v Speaker 2>this is like she became like was a fast. It

1:19:32.520 --> 1:19:35.040
<v Speaker 2>was like fast for her and it's like, eh, kind

1:19:35.080 --> 1:19:36.920
<v Speaker 2>of like if you take the whole, take it as

1:19:36.960 --> 1:19:38.640
<v Speaker 2>a whole. It was. She's been doing it since she

1:19:38.720 --> 1:19:41.679
<v Speaker 2>was eleven years old. But she's there's not I mean odd,

1:19:41.880 --> 1:19:45.200
<v Speaker 2>like nobody she's the best songwriter I've ever met.

1:19:45.320 --> 1:19:48.200
<v Speaker 3>I still believe that, Like there's no sorry, it's okay.

1:19:48.320 --> 1:19:48.960
<v Speaker 3>I let that one go.

1:19:50.920 --> 1:19:52.679
<v Speaker 2>I think most people would be like, yeah, it's true.

1:19:52.720 --> 1:19:56.639
<v Speaker 2>She best singer in Nashville. Is it's just kind of crazy,

1:19:56.800 --> 1:19:59.639
<v Speaker 2>like there's there and she's also like we talked about

1:19:59.680 --> 1:20:02.679
<v Speaker 2>ninety center of the ship is not music that ninety

1:20:02.720 --> 1:20:06.479
<v Speaker 2>percent she is great at so like she's just sort

1:20:06.479 --> 1:20:09.160
<v Speaker 2>of like the if you would build an artist in

1:20:09.400 --> 1:20:12.560
<v Speaker 2>for like country music in Nashville, it's it's her. So

1:20:13.160 --> 1:20:16.120
<v Speaker 2>but we man, it's cool. We've had a really cool relationship.

1:20:16.160 --> 1:20:22.680
<v Speaker 2>It is funny like I you, you forget how famous she.

1:20:22.840 --> 1:20:25.719
<v Speaker 2>I forget how famous she is and so like because

1:20:25.720 --> 1:20:28.360
<v Speaker 2>I am like a writer and I have a career

1:20:28.400 --> 1:20:30.920
<v Speaker 2>as an artist, but it's not the same in any

1:20:31.040 --> 1:20:33.800
<v Speaker 2>like even in the same stratosphere as hers. So it

1:20:33.960 --> 1:20:37.360
<v Speaker 2>is funny like I'll sometimes forget, like, oh shit, she's

1:20:37.400 --> 1:20:40.160
<v Speaker 2>a superstar and I am. I have to like kind

1:20:40.160 --> 1:20:42.880
<v Speaker 2>of keep that in mind. It is like harder to

1:20:43.000 --> 1:20:46.160
<v Speaker 2>like go out with her now, and like even we

1:20:46.240 --> 1:20:48.080
<v Speaker 2>have like a couple of places we can go to dinner,

1:20:48.120 --> 1:20:50.280
<v Speaker 2>but like for the most part, like she's got to

1:20:50.360 --> 1:20:53.240
<v Speaker 2>kind of keep a low profile now. And uh but yeah,

1:20:53.360 --> 1:20:58.040
<v Speaker 2>we we got engaged in Michigan at our lake house Michigan.

1:20:58.280 --> 1:21:00.320
<v Speaker 2>Uh yeah, man, cool?

1:21:00.360 --> 1:21:03.320
<v Speaker 1>What was your what was your first flirting pickup line tour?

1:21:04.040 --> 1:21:05.680
<v Speaker 1>When did the table start to turn when you guys

1:21:05.720 --> 1:21:08.479
<v Speaker 1>were at what comment did you have to.

1:21:08.479 --> 1:21:09.040
<v Speaker 7>Saw a question?

1:21:09.200 --> 1:21:09.360
<v Speaker 1>Well?

1:21:10.280 --> 1:21:12.479
<v Speaker 2>I don't know, I could. I could. We definitely into

1:21:12.520 --> 1:21:15.160
<v Speaker 2>each other, like pretty early on, but I remember we

1:21:15.720 --> 1:21:20.120
<v Speaker 2>ended up, uh were we started dating I think officially

1:21:20.240 --> 1:21:22.760
<v Speaker 2>like New Year's Eve of like five years ago or

1:21:22.800 --> 1:21:26.240
<v Speaker 2>something like that. So that was that was pretty That

1:21:26.320 --> 1:21:28.160
<v Speaker 2>was pretty cool. It was like we're just gonna be

1:21:28.320 --> 1:21:30.080
<v Speaker 2>dating now, and so that was kind of fun to

1:21:30.200 --> 1:21:35.840
<v Speaker 2>like make out in front of everybody making Facebook, like

1:21:35.880 --> 1:21:37.559
<v Speaker 2>all your friends are there, Like I guess they're actually

1:21:37.640 --> 1:21:39.080
<v Speaker 2>together now, So like, oh.

1:21:39.040 --> 1:21:41.040
<v Speaker 1>Yeah, Ryan fucking pulled it off.

1:21:42.760 --> 1:21:45.240
<v Speaker 2>I mean, at one point, you know, I had more

1:21:45.320 --> 1:21:47.400
<v Speaker 2>going on than than she did when we first you know,

1:21:47.640 --> 1:21:49.560
<v Speaker 2>started writing, because she had just moved in Nashville, and

1:21:49.600 --> 1:21:54.400
<v Speaker 2>then very quickly the script was flipped. So which is

1:21:54.479 --> 1:21:58.519
<v Speaker 2>totally okay. Man. I feel like if you uh, I

1:21:58.680 --> 1:22:03.240
<v Speaker 2>just I've always I don't feel threatened ever. I think

1:22:03.280 --> 1:22:05.559
<v Speaker 2>people have asked me that it's like does this ever,

1:22:05.720 --> 1:22:07.719
<v Speaker 2>like do you feel threatened by the success of your wife?

1:22:07.760 --> 1:22:09.720
<v Speaker 2>It's like, fuck, no, man, It's like this is I

1:22:09.840 --> 1:22:12.600
<v Speaker 2>have like the ultimate freedom. Oh I don't have. Like

1:22:12.680 --> 1:22:16.200
<v Speaker 2>everything I do is just like icing like everything, like

1:22:16.280 --> 1:22:19.120
<v Speaker 2>because being with somebody like that. I think that like

1:22:19.360 --> 1:22:21.599
<v Speaker 2>dudes a lot of times get attracted to strong women

1:22:21.680 --> 1:22:23.560
<v Speaker 2>and then they can't handle it because they feel like

1:22:24.120 --> 1:22:26.800
<v Speaker 2>for some reason it diminishes them. And I feel the

1:22:27.000 --> 1:22:29.519
<v Speaker 2>exact opposite. I feel like being with a strong woman

1:22:29.560 --> 1:22:32.360
<v Speaker 2>frees me up to be literally do whatever I want.

1:22:32.400 --> 1:22:35.120
<v Speaker 2>I don't have to worry about like I mean obviously

1:22:35.280 --> 1:22:37.360
<v Speaker 2>to worry about her, but like I don't have to

1:22:38.600 --> 1:22:41.000
<v Speaker 2>prop her up in any way. It's just she can

1:22:41.080 --> 1:22:43.479
<v Speaker 2>handle her own shit, and I feel like that is

1:22:43.520 --> 1:22:47.400
<v Speaker 2>a really cool way to have a relationship. You get

1:22:47.439 --> 1:22:49.639
<v Speaker 2>to go golfing, and I like watching her like pop

1:22:49.720 --> 1:22:52.280
<v Speaker 2>off on the internet at people, Like that's really fun

1:22:52.320 --> 1:22:55.439
<v Speaker 2>for me. And then people either tell me like to

1:22:55.560 --> 1:22:58.040
<v Speaker 2>back her up or like to tell her to stop,

1:22:58.120 --> 1:22:59.960
<v Speaker 2>and it's like, man, I don't need to say anything,

1:23:00.080 --> 1:23:01.720
<v Speaker 2>Like I'll come in there every once in a while

1:23:01.760 --> 1:23:03.680
<v Speaker 2>when I feel like I need to say something. But

1:23:03.800 --> 1:23:06.920
<v Speaker 2>for the most part, she can handle herself and that's cool. Yeah,

1:23:07.160 --> 1:23:09.200
<v Speaker 2>and then uh, I don't know. I'm just like been

1:23:09.240 --> 1:23:12.040
<v Speaker 2>proud over the last month because she's one of the

1:23:12.560 --> 1:23:15.360
<v Speaker 2>I think the few country artists that's like been really

1:23:15.439 --> 1:23:17.960
<v Speaker 2>vocal about like the stuff going on in our country

1:23:18.040 --> 1:23:21.760
<v Speaker 2>and just even if you don't agree with it, like hey,

1:23:21.920 --> 1:23:23.760
<v Speaker 2>she's putting herself out there in a big way and

1:23:24.000 --> 1:23:27.439
<v Speaker 2>and and that's that takes nuts. It really does, especially

1:23:27.479 --> 1:23:28.320
<v Speaker 2>in our genre.

1:23:28.120 --> 1:23:31.760
<v Speaker 3>Where you know that everybody's going to crucified, famously crucified

1:23:32.160 --> 1:23:33.240
<v Speaker 3>yea having an opinion.

1:23:33.360 --> 1:23:36.280
<v Speaker 1>Oh yeah, especially if you don't that's correct.

1:23:36.600 --> 1:23:38.920
<v Speaker 2>Yeah, it's just like keep politics out of it. It's like, no,

1:23:39.080 --> 1:23:39.639
<v Speaker 2>you just don't.

1:23:39.520 --> 1:23:42.559
<v Speaker 7>Agree with her politics, like she said, exactly what you want.

1:23:43.880 --> 1:23:46.680
<v Speaker 2>Just like the massive double standard for people who I

1:23:46.760 --> 1:23:48.840
<v Speaker 2>think are I mean you deal with the people tell

1:23:49.360 --> 1:23:55.320
<v Speaker 2>I mean, if if if you if you have any

1:23:55.360 --> 1:23:57.680
<v Speaker 2>opinion it it's like, hey, you just go like just

1:23:57.760 --> 1:23:59.240
<v Speaker 2>keep singing. That's all we want you to do. And

1:23:59.280 --> 1:24:02.400
<v Speaker 2>it's like I'm a I built this platform, it's mine.

1:24:02.439 --> 1:24:04.920
<v Speaker 2>I can do whatever the funk I want with it, right, or.

1:24:04.920 --> 1:24:07.320
<v Speaker 6>It's like what Okay, so what is your exact job? Oh,

1:24:07.439 --> 1:24:12.760
<v Speaker 6>you're a your only plumbers can have an opinion. But

1:24:12.920 --> 1:24:15.639
<v Speaker 6>hearn is actually like really outspoken to on social media,

1:24:15.640 --> 1:24:16.559
<v Speaker 6>and that's hey.

1:24:16.800 --> 1:24:20.160
<v Speaker 7>You don't say I just think that man wrots a

1:24:20.240 --> 1:24:24.280
<v Speaker 7>bullet on a Wednesday. He's outspoken.

1:24:24.400 --> 1:24:26.479
<v Speaker 2>It's hard to have that when you when your platform

1:24:26.560 --> 1:24:29.320
<v Speaker 2>is smaller. And I feel the same way. And sometimes

1:24:29.360 --> 1:24:31.439
<v Speaker 2>I say stuff and sometimes I don't. And this, this

1:24:31.600 --> 1:24:36.040
<v Speaker 2>conversation got a little took a left turn from yeah

1:24:36.080 --> 1:24:40.240
<v Speaker 2>for sure, shout out number. I want I want details

1:24:40.360 --> 1:24:42.400
<v Speaker 2>on how you and Marin got together, but like, honestly,

1:24:42.439 --> 1:24:44.479
<v Speaker 2>it's just like it was a creative partnership that became

1:24:44.560 --> 1:24:46.720
<v Speaker 2>something more and now we really do have a cool thing.

1:24:47.400 --> 1:24:50.240
<v Speaker 1>That's awesome. Dude. Well I appreciate you coming on bus

1:24:50.320 --> 1:24:54.799
<v Speaker 1>with the boys. Apologies for the boy beings. Yeah, everybody crashing.

1:24:55.040 --> 1:24:56.519
<v Speaker 1>I think it made for a good seat.

1:24:56.640 --> 1:25:00.800
<v Speaker 7>Like Bruce Pearl, I love seeing you, I love seeing you,

1:25:01.320 --> 1:25:02.040
<v Speaker 7>I love I love you.

1:25:02.240 --> 1:25:04.040
<v Speaker 3>We got to play golf, were neighbors.

1:25:04.760 --> 1:25:07.360
<v Speaker 2>Me and Will played yesterday. We invited you.

1:25:08.280 --> 1:25:10.599
<v Speaker 3>I had I had another golf, you know, golf.

1:25:10.680 --> 1:25:11.479
<v Speaker 1>He golfed eighteen.

1:25:12.240 --> 1:25:14.840
<v Speaker 2>I didn't have time to play eighteen yesterday he has golf,

1:25:14.920 --> 1:25:16.080
<v Speaker 2>You're always welcome to come back.

1:25:18.280 --> 1:25:21.080
<v Speaker 7>That's fucking crazy. Hey, Taylor, Literally, I literally did Ernest's

1:25:21.080 --> 1:25:23.080
<v Speaker 7>podcast yesterday and he's like, I got to play eighteen holes.

1:25:23.520 --> 1:25:26.360
<v Speaker 7>I was like, cool, man, I'll see you called the bill. Hey,

1:25:26.439 --> 1:25:28.400
<v Speaker 7>I did Ernest's podcasts, like, yeah, man, that's great, gotta go.

1:25:28.560 --> 1:25:30.600
<v Speaker 7>I'm going to play golf. And I had him like,

1:25:30.680 --> 1:25:33.840
<v Speaker 7>are they fucking playing together dude? Without me?

1:25:34.479 --> 1:25:34.800
<v Speaker 2>I don't.

1:25:34.920 --> 1:25:38.880
<v Speaker 7>I don't golf, So would you think would you? I'd

1:25:38.920 --> 1:25:40.599
<v Speaker 7>go out there and hey, if you good enough, guy,

1:25:40.920 --> 1:25:44.879
<v Speaker 7>beers on a golf cart. Everybody see uh yeah, everybody

1:25:44.960 --> 1:25:45.639
<v Speaker 7>sucks at golf.

1:25:46.000 --> 1:25:46.680
<v Speaker 2>That's the thing. I know.

1:25:46.720 --> 1:25:50.160
<v Speaker 7>I'm not worried about sucking at things. I'm say, this

1:25:50.240 --> 1:25:52.599
<v Speaker 7>can go down a really weird road, but very much.

1:25:53.200 --> 1:25:53.360
<v Speaker 4>I know.

1:25:53.479 --> 1:25:55.360
<v Speaker 1>I can't wait. I can't wait. I've heard him a

1:25:55.400 --> 1:25:55.920
<v Speaker 1>couple of times.

1:25:56.240 --> 1:26:00.439
<v Speaker 7>People who think they've made it, gotcha. I'm twenty nine

1:26:00.520 --> 1:26:03.040
<v Speaker 7>years old, twenty nine this month. Actually I'm actually still

1:26:03.080 --> 1:26:05.280
<v Speaker 7>twenty eight and still.

1:26:05.040 --> 1:26:05.519
<v Speaker 3>Haven't made it.

1:26:05.720 --> 1:26:07.200
<v Speaker 7>It's hard, Yes, I haven't made it.

1:26:07.560 --> 1:26:08.280
<v Speaker 4>It's hard for me.

1:26:08.640 --> 1:26:10.800
<v Speaker 1>It's hard for me to pick up See what he's

1:26:10.840 --> 1:26:11.720
<v Speaker 1>building down the road.

1:26:12.000 --> 1:26:13.760
<v Speaker 7>But I never had that bug as a kid. My

1:26:13.800 --> 1:26:15.240
<v Speaker 7>dad never made me go or nothing. Hell long, I've

1:26:15.280 --> 1:26:16.080
<v Speaker 7>been golfing for well.

1:26:16.160 --> 1:26:19.080
<v Speaker 2>I grew up playing and then I quit because I

1:26:19.200 --> 1:26:20.360
<v Speaker 2>was like, I'm bored and I don't want to do

1:26:20.400 --> 1:26:22.360
<v Speaker 2>this anymore. He had made it yet, I hadn't made

1:26:22.360 --> 1:26:24.720
<v Speaker 2>it yet, and that I made it, honestly, like when

1:26:24.720 --> 1:26:26.400
<v Speaker 2>everything's shut down, that was the only thing you could do.

1:26:26.439 --> 1:26:27.680
<v Speaker 2>And I was like, I guess I'm gonna go to

1:26:27.680 --> 1:26:28.760
<v Speaker 2>play too golf with my brother.

1:26:28.960 --> 1:26:32.840
<v Speaker 3>I might not make it because of golf. Yeah, Like, dude,

1:26:33.080 --> 1:26:35.479
<v Speaker 3>I literally quarantine. I never played golf in my life.

1:26:35.560 --> 1:26:37.799
<v Speaker 3>I was always a baseball player, though, and I sliced

1:26:37.840 --> 1:26:39.400
<v Speaker 3>the shit out of the ball from the left side

1:26:39.640 --> 1:26:42.880
<v Speaker 3>with my golf swing, so I was always discouraged. Quarantine happened.

1:26:43.400 --> 1:26:45.840
<v Speaker 3>My parents started playing golf out of nowhere, so I

1:26:45.880 --> 1:26:47.200
<v Speaker 3>was going to meet them at the caave and like

1:26:47.360 --> 1:26:49.960
<v Speaker 3>walk nine holes with them two or three times a week.

1:26:50.320 --> 1:26:52.439
<v Speaker 3>And I just swopped over and started hitting right handed

1:26:52.920 --> 1:26:55.000
<v Speaker 3>and realized I had way more fun. And I just

1:26:55.120 --> 1:26:57.240
<v Speaker 3>haven't stopped since the beginning of Quarantine. I just played

1:26:57.240 --> 1:26:57.800
<v Speaker 3>golf all the time.

1:26:57.840 --> 1:27:01.120
<v Speaker 1>I love the camaraderie, you know what I mean. Yeah,

1:27:01.160 --> 1:27:03.280
<v Speaker 1>And you're like, it's my brother and to my manager,

1:27:03.640 --> 1:27:05.479
<v Speaker 1>I'm like, okay, I'm going three people I've never actually

1:27:05.520 --> 1:27:07.559
<v Speaker 1>been met in real life. But it was a solid time.

1:27:08.080 --> 1:27:09.519
<v Speaker 7>Were you nervous at that first t though?

1:27:10.120 --> 1:27:10.320
<v Speaker 3>Yeah?

1:27:11.000 --> 1:27:13.160
<v Speaker 1>What what gets me is is everyone wants to be

1:27:13.280 --> 1:27:15.760
<v Speaker 1>so silent when somebody's swinging and me, I kind of

1:27:15.800 --> 1:27:21.000
<v Speaker 1>don't mind, Like, hey, boys play some music. Yeah I

1:27:21.120 --> 1:27:24.439
<v Speaker 1>stopped watching me all right, Hey, but no doubt you

1:27:24.520 --> 1:27:26.160
<v Speaker 1>definitely feel that way. It's more like, I hope I

1:27:26.200 --> 1:27:27.840
<v Speaker 1>don't just roll this thing in front of me. But

1:27:28.240 --> 1:27:29.840
<v Speaker 1>I was like I was getting them in the air

1:27:29.880 --> 1:27:31.560
<v Speaker 1>and they were just going everywhere else you hit, But

1:27:31.560 --> 1:27:34.000
<v Speaker 1>I don't mind. I didn't mind that at least I'm

1:27:34.000 --> 1:27:34.519
<v Speaker 1>swinging them hit.

1:27:34.560 --> 1:27:36.600
<v Speaker 7>I'll tell you what I love. What I going to

1:27:36.720 --> 1:27:39.200
<v Speaker 7>like top golf, getting a pitching wedge out, hitting it

1:27:39.240 --> 1:27:41.040
<v Speaker 7>completely wrong. I hit that thing one hundred and ninety.

1:27:41.160 --> 1:27:45.400
<v Speaker 1>Yeah, I'm going to talk. You were about to compliment hit.

1:27:48.479 --> 1:27:50.120
<v Speaker 2>Hit one. He got a hold of one and went

1:27:50.200 --> 1:27:52.080
<v Speaker 2>like eight feet off the ground for like two hundred

1:27:52.080 --> 1:27:52.599
<v Speaker 2>and eighty yards.

1:27:53.200 --> 1:27:53.840
<v Speaker 1>Oh my god.

1:27:53.960 --> 1:27:57.400
<v Speaker 2>And we just say, yeah, just like guy, this.

1:27:57.479 --> 1:27:59.920
<v Speaker 1>Boy has been lifting weights a Chase. He was a

1:28:00.040 --> 1:28:02.719
<v Speaker 1>fan of the old. Uh, I've been taking your cigar

1:28:02.800 --> 1:28:04.800
<v Speaker 1>holder around you like that piece? Oh I've been, Yeah,

1:28:04.800 --> 1:28:05.600
<v Speaker 1>I've been utilizing it.

1:28:06.160 --> 1:28:06.560
<v Speaker 7>Who is it?

1:28:07.400 --> 1:28:07.640
<v Speaker 2>This is.

1:28:09.400 --> 1:28:10.320
<v Speaker 7>Hey Taylor.

1:28:11.840 --> 1:28:14.640
<v Speaker 1>Chase, that's his tour manager. And he's also like he

1:28:14.760 --> 1:28:17.040
<v Speaker 1>was claiming that Jack and Garrett are two of his

1:28:17.120 --> 1:28:17.920
<v Speaker 1>boys that he grew up with.

1:28:18.840 --> 1:28:20.320
<v Speaker 7>There you ever seen them play spike Ball?

1:28:21.640 --> 1:28:22.160
<v Speaker 4>I haven't.

1:28:22.200 --> 1:28:28.760
<v Speaker 7>Actually, Oh well they're actually one, two, three, four, fourth

1:28:28.800 --> 1:28:31.880
<v Speaker 7>and fifth place on the bus right now talking about

1:28:31.880 --> 1:28:34.320
<v Speaker 7>that spike Yeah, he's barstool tag this in that barstool.

1:28:34.479 --> 1:28:36.240
<v Speaker 1>I did see that. I was like, little did they

1:28:36.360 --> 1:28:37.679
<v Speaker 1>know that we've been taking this very serious.

1:28:37.680 --> 1:28:39.320
<v Speaker 7>We've been taking spike ball serious as fuck.

1:28:39.720 --> 1:28:41.800
<v Speaker 1>You probably got a roll though, Yeah, you gotta roll.

1:28:41.920 --> 1:28:43.120
<v Speaker 1>I appreciate you coming on man.

1:28:43.160 --> 1:28:43.679
<v Speaker 2>This was fun.

1:28:44.000 --> 1:28:48.680
<v Speaker 1>Guys, gals, people of all ages, appreciate you so much

1:28:48.720 --> 1:28:51.200
<v Speaker 1>for tuning me into another episode of Busting with the Boys.

1:28:51.600 --> 1:28:55.959
<v Speaker 1>If you haven't yet, please subscribe to the episode on Apple, podcast, Spotify,

1:28:56.080 --> 1:28:57.120
<v Speaker 1>whatever platform you're on.

1:28:57.240 --> 1:28:57.800
<v Speaker 2>We're on there.

1:28:58.360 --> 1:29:00.560
<v Speaker 1>We have a YouTube channel, Busting with the Bull. We

1:29:00.560 --> 1:29:03.040
<v Speaker 1>would love if you subscribe there as well. If you

1:29:03.120 --> 1:29:05.519
<v Speaker 1>are subscribed and you want to be more for the boys,

1:29:05.960 --> 1:29:09.200
<v Speaker 1>unsubscribe and resubscribe. Again, it sounds funny, it's stupid and

1:29:09.280 --> 1:29:13.160
<v Speaker 1>kind of obnoxious, but all of your subscriptions and resubscribing

1:29:13.240 --> 1:29:16.080
<v Speaker 1>and stuff, it helps in these little algorithm games for

1:29:16.160 --> 1:29:19.559
<v Speaker 1>climbing charts. Because again, we were very organic you guys.

1:29:19.640 --> 1:29:22.360
<v Speaker 1>Where we're at is because of you guys, so we

1:29:22.600 --> 1:29:25.840
<v Speaker 1>like to keep it fucking organic and just from us,

1:29:25.960 --> 1:29:27.040
<v Speaker 1>dude to us versus the world.

1:29:27.479 --> 1:29:28.120
<v Speaker 2>But we really do.

1:29:28.240 --> 1:29:31.120
<v Speaker 1>We really appreciate your guys and support. A few of

1:29:31.160 --> 1:29:34.560
<v Speaker 1>you had questions about merchandise. You can go Our merchandise

1:29:34.600 --> 1:29:38.360
<v Speaker 1>store is on barstoolsports dot com. Go over to shop

1:29:38.880 --> 1:29:40.960
<v Speaker 1>and we are under the brand Bustle with the Boys.

1:29:41.000 --> 1:29:43.960
<v Speaker 1>You can find all of our gear there. We restart constantly. Now,

1:29:44.560 --> 1:29:46.640
<v Speaker 1>if you guys have any ideas, shout us out. If

1:29:46.680 --> 1:29:49.080
<v Speaker 1>you guys buy the gear, shout us out. We really

1:29:49.160 --> 1:29:51.400
<v Speaker 1>do love when you guys talk back to us, add us,

1:29:51.520 --> 1:29:54.320
<v Speaker 1>mention us, put us on your stories, tag us all

1:29:54.400 --> 1:29:56.519
<v Speaker 1>that fun stuff. We like grabbing that stuff and putting

1:29:56.560 --> 1:30:00.280
<v Speaker 1>in on our YouTube episodes, and again, we just love it. Man,

1:30:00.320 --> 1:30:03.479
<v Speaker 1>We love you guys, we appreciate you so much. Keep

1:30:03.520 --> 1:30:05.880
<v Speaker 1>being for the fucking boys. Keep being a wolf.

1:30:06.400 --> 1:30:06.519
<v Speaker 2>Uh.

1:30:06.760 --> 1:30:09.040
<v Speaker 1>The biggest of hugs and the tiniest of kisses. We

1:30:09.160 --> 1:30:12.320
<v Speaker 1>love you. We appreciate you. Tune in next week for

1:30:12.360 --> 1:30:13.880
<v Speaker 1>another episode of Busts with the Boys.

1:30:18.120 --> 1:30:22.000
<v Speaker 2>H nod Man a.

1:30:26.160 --> 1:30:28.719
<v Speaker 7>Mother drug stops Darklings, Donas hall

1:30:32.160 --> 1:30:33.519
<v Speaker 2>Zasy loves Louise