1
00:00:00,200 --> 00:00:02,400
Speaker 1: This episode of Busting with the Boys. The Boys is

2
00:00:02,440 --> 00:00:06,479
Speaker 1: presented by Barstool Sports. All right, we're busting with the boys.

3
00:00:06,720 --> 00:00:08,960
Speaker 1: There's no real there we go. I see the excitement

4
00:00:09,000 --> 00:00:11,520
Speaker 1: back there. We don't have We don't really do many

5
00:00:11,640 --> 00:00:14,640
Speaker 1: like just straight in like intros. See, we don't gotta

6
00:00:14,640 --> 00:00:16,320
Speaker 1: wait for me to be like, Okay, this is busting

7
00:00:16,360 --> 00:00:19,319
Speaker 1: with the boys. You do this, blah blah blah. Have

8
00:00:19,440 --> 00:00:20,160
Speaker 1: you listened to us?

9
00:00:20,239 --> 00:00:23,720
Speaker 2: I love I love love the pod. Dude.

10
00:00:23,800 --> 00:00:26,200
Speaker 1: Let's go, hey boys, there we go with some energy.

11
00:00:26,600 --> 00:00:29,320
Speaker 2: I was the delaining one, was the one that got

12
00:00:29,320 --> 00:00:31,400
Speaker 2: me hooked. So oh that was our first one. That

13
00:00:31,480 --> 00:00:34,520
Speaker 2: was just just that dude. Is he not like that's

14
00:00:34,560 --> 00:00:36,600
Speaker 2: awesome because you see him around town, like he'll go

15
00:00:36,600 --> 00:00:38,919
Speaker 2: out to dinner and have like his people and like

16
00:00:39,000 --> 00:00:40,760
Speaker 2: I so you see that dude out. I've seen him

17
00:00:40,760 --> 00:00:42,239
Speaker 2: like at Red Door, and I've seen him at like

18
00:00:42,840 --> 00:00:43,960
Speaker 2: on the you know East Side.

19
00:00:44,800 --> 00:00:46,960
Speaker 1: Was that Ernest? Is that Ernest?

20
00:00:48,320 --> 00:00:49,080
Speaker 2: We got Ernest?

21
00:00:49,280 --> 00:00:55,000
Speaker 1: Ernest? Ernest Keith always call him know he's about to

22
00:00:55,000 --> 00:00:56,760
Speaker 1: crash the pod in this case Smith, but this is

23
00:00:56,800 --> 00:00:59,000
Speaker 1: gonna be a great pod. We got Ryan Hurd, We

24
00:00:59,080 --> 00:01:01,960
Speaker 1: got Ernest about the crash. We got country music all

25
00:01:02,000 --> 00:01:04,520
Speaker 1: over the place. You have something, you have something coming

26
00:01:04,520 --> 00:01:06,280
Speaker 1: out soon, don't you. Yeah, man, I have an EP

27
00:01:06,440 --> 00:01:09,400
Speaker 1: coming out on on Friday. So that's the I don't

28
00:01:09,400 --> 00:01:12,800
Speaker 1: know what I am lost on dates and days, but yeah,

29
00:01:12,800 --> 00:01:14,240
Speaker 1: whenever this comes out, we don't know.

30
00:01:14,240 --> 00:01:17,520
Speaker 2: Yet twenty sixth of June, so that when it is Friday,

31
00:01:17,560 --> 00:01:18,360
Speaker 2: two days now.

32
00:01:18,400 --> 00:01:20,679
Speaker 1: Explain this is gonna be a stupid question. Explain to

33
00:01:20,720 --> 00:01:22,480
Speaker 1: me what EP means, Like, why is that so?

34
00:01:22,560 --> 00:01:23,120
Speaker 2: EP is?

35
00:01:23,160 --> 00:01:23,479
Speaker 1: Album?

36
00:01:23,600 --> 00:01:26,479
Speaker 2: Is all right? In music back in the day when

37
00:01:26,560 --> 00:01:28,880
Speaker 2: you were making records, you'd have like forty fives and

38
00:01:28,920 --> 00:01:33,920
Speaker 2: you'd have like thirty threes and seventy eight's, but they abbreviated,

39
00:01:34,240 --> 00:01:38,240
Speaker 2: uh EP. It means extended play, but for some reason

40
00:01:38,800 --> 00:01:41,759
Speaker 2: we use it to say a shorter album. So basically

41
00:01:41,800 --> 00:01:44,959
Speaker 2: EP is usually like a four, five, six song record

42
00:01:44,959 --> 00:01:48,080
Speaker 2: that you put out and you know, because you know,

43
00:01:48,320 --> 00:01:50,480
Speaker 2: it takes, you know, so much of a marketing push

44
00:01:50,520 --> 00:01:52,840
Speaker 2: to put out like a full like twelve song album

45
00:01:53,240 --> 00:01:55,040
Speaker 2: and just it's really expensive to do it. A lot

46
00:01:55,040 --> 00:01:57,160
Speaker 2: of times newer artists like me put out, you know,

47
00:01:57,240 --> 00:01:59,640
Speaker 2: a four or five song collection just to like get

48
00:01:59,640 --> 00:02:01,560
Speaker 2: new mus out there. And to like build a brand

49
00:02:01,600 --> 00:02:04,639
Speaker 2: and to build a fan base. But this one's different

50
00:02:04,680 --> 00:02:07,800
Speaker 2: because I've put out like three original ones, but this

51
00:02:07,880 --> 00:02:10,440
Speaker 2: one is like kind of B sides and alternate versions

52
00:02:10,480 --> 00:02:12,440
Speaker 2: of songs because I when I got to Nashville, I

53
00:02:13,200 --> 00:02:16,560
Speaker 2: went to college at Belmont, but I started writing songs

54
00:02:16,560 --> 00:02:19,480
Speaker 2: for other people. So that's been my job here for

55
00:02:20,400 --> 00:02:24,120
Speaker 2: eight years, nine years now. And then I've along the

56
00:02:24,160 --> 00:02:26,720
Speaker 2: way gotten a record deal and started like pushing my

57
00:02:26,800 --> 00:02:30,839
Speaker 2: own music out at the same time. But this EP

58
00:02:31,040 --> 00:02:34,560
Speaker 2: that comes out on Friday is songs that I've written

59
00:02:34,560 --> 00:02:36,320
Speaker 2: for other people with my voice on them.

60
00:02:36,919 --> 00:02:41,600
Speaker 1: So songs that So you're saying, you've already written these

61
00:02:41,639 --> 00:02:43,799
Speaker 1: songs for other people and they've already been put out, Yeah,

62
00:02:43,800 --> 00:02:45,760
Speaker 1: and now they're going to be in your voice because

63
00:02:45,760 --> 00:02:46,320
Speaker 1: you wrote them.

64
00:02:46,320 --> 00:02:48,640
Speaker 2: Sure, they're like hits I've written for other people. And

65
00:02:48,720 --> 00:02:51,239
Speaker 2: then a live version of a song that is on

66
00:02:51,240 --> 00:02:53,120
Speaker 2: one of my records called Wish for the World is

67
00:02:53,160 --> 00:02:56,079
Speaker 2: on there. And then it's just all recordings of songs

68
00:02:56,200 --> 00:02:57,359
Speaker 2: I've written for other people.

69
00:02:57,720 --> 00:03:01,480
Speaker 1: So we'll back up to you said nine years ago

70
00:03:01,560 --> 00:03:04,720
Speaker 1: you started writing in Nashville, So when you're writing songs

71
00:03:04,720 --> 00:03:07,240
Speaker 1: for other people, and then you start getting your own gigs.

72
00:03:07,320 --> 00:03:10,400
Speaker 1: How are you implementing yourself as you're writing songs for

73
00:03:10,440 --> 00:03:12,679
Speaker 1: other people and all this is just killer? Are you

74
00:03:12,760 --> 00:03:14,680
Speaker 1: kind of like a could I sing it?

75
00:03:14,720 --> 00:03:17,840
Speaker 2: Maybe? I don't know. Man, it's so hard to get

76
00:03:17,880 --> 00:03:20,520
Speaker 2: your song recorded by somebody else that you sort of

77
00:03:20,600 --> 00:03:23,960
Speaker 2: when it happens, it's just a massive victory. So I

78
00:03:24,000 --> 00:03:28,040
Speaker 2: look at what I do in Nashville, it's like two

79
00:03:28,080 --> 00:03:30,120
Speaker 2: different shoes. It's like I got a right foot in

80
00:03:30,160 --> 00:03:32,320
Speaker 2: the left foot, and I can't really imagine doing one

81
00:03:32,360 --> 00:03:35,040
Speaker 2: without the other. Because like a lot of people have

82
00:03:35,120 --> 00:03:38,840
Speaker 2: found out about me as a as an artist because

83
00:03:38,880 --> 00:03:41,040
Speaker 2: of the songs I've written for other people. And then

84
00:03:41,080 --> 00:03:42,600
Speaker 2: on the other side of that, a lot of artists

85
00:03:42,640 --> 00:03:44,680
Speaker 2: that I've toured with and stuff have I've had a

86
00:03:44,680 --> 00:03:47,200
Speaker 2: lot of opportunities to like write with and for them

87
00:03:47,880 --> 00:03:51,800
Speaker 2: because they've you know, seen me as an artist and liked,

88
00:03:51,920 --> 00:03:53,880
Speaker 2: like to a tea or something that I've put out

89
00:03:53,920 --> 00:03:56,040
Speaker 2: like on my own name. So they sort of like

90
00:03:56,120 --> 00:03:59,680
Speaker 2: feed each other like weirdly like separate businesses, but they

91
00:04:00,040 --> 00:04:01,200
Speaker 2: are really complimentary.

92
00:04:01,560 --> 00:04:04,240
Speaker 1: So were you was your goal when you were starting

93
00:04:04,280 --> 00:04:07,160
Speaker 1: to like obviously be a musician a singer where you

94
00:04:07,160 --> 00:04:09,960
Speaker 1: are now? But when you're writing at first, or is

95
00:04:10,000 --> 00:04:12,000
Speaker 1: that something that you're just separating the entire time, Like

96
00:04:12,040 --> 00:04:14,000
Speaker 1: you weren't expecting somebody to be like, hey, you seem

97
00:04:14,000 --> 00:04:15,040
Speaker 1: like you got a nice voice?

98
00:04:15,160 --> 00:04:17,040
Speaker 2: Now? Was the other way around? I wanted to be

99
00:04:17,080 --> 00:04:20,360
Speaker 2: a writer because I just think it's the coolest job

100
00:04:20,400 --> 00:04:22,440
Speaker 2: in the world. Man, Oh really, Yeah. I wanted to

101
00:04:22,440 --> 00:04:24,680
Speaker 2: write songs because when I got here, I was like,

102
00:04:24,680 --> 00:04:26,440
Speaker 2: wait a minute, there's people who just write the songs.

103
00:04:26,440 --> 00:04:28,640
Speaker 2: They don't have to tour, they don't have to And

104
00:04:28,680 --> 00:04:31,280
Speaker 2: I wasn't. I didn't like find my singing voice really

105
00:04:31,360 --> 00:04:34,160
Speaker 2: until I was like a couple of years into my writing,

106
00:04:34,240 --> 00:04:36,960
Speaker 2: I don't think, because it's mostly like singing is just

107
00:04:37,040 --> 00:04:39,839
Speaker 2: about style. Yeah, I mean some people can rip. Like

108
00:04:39,880 --> 00:04:43,600
Speaker 2: my wife is Maren Morris, and she's just like obviously a.

109
00:04:43,640 --> 00:04:46,479
Speaker 1: Very yeah, she's like that, she's like the stud.

110
00:04:46,360 --> 00:04:48,560
Speaker 2: Yeah, she can sing. She's got like one of those

111
00:04:48,640 --> 00:04:51,640
Speaker 2: voices that's like, well that's not normal. That's but for

112
00:04:51,880 --> 00:04:54,560
Speaker 2: guys like me most I think most people who work

113
00:04:54,600 --> 00:04:57,800
Speaker 2: in country music, it's like you sort of are more

114
00:04:57,839 --> 00:05:00,359
Speaker 2: of a stylist than a vocalist. Half the time. So like,

115
00:05:00,440 --> 00:05:02,960
Speaker 2: I didn't find that until I had written some songs

116
00:05:02,960 --> 00:05:06,039
Speaker 2: for other people, and like people started sort of copying

117
00:05:06,040 --> 00:05:09,200
Speaker 2: my voice on their records. And that's when I started

118
00:05:09,200 --> 00:05:11,400
Speaker 2: getting looks from like record companies. And I actually said

119
00:05:11,440 --> 00:05:12,839
Speaker 2: no a couple of times. It's like, man, I just

120
00:05:12,880 --> 00:05:15,360
Speaker 2: want to this is getting rolling for me. I just

121
00:05:15,360 --> 00:05:18,239
Speaker 2: want to write stay home. And then so you prefer

122
00:05:18,360 --> 00:05:20,760
Speaker 2: being the writer. Well then eventually I was like, ah,

123
00:05:21,320 --> 00:05:23,920
Speaker 2: I gotta try this. Yeah, I don't know, it's cool, man,

124
00:05:23,960 --> 00:05:25,640
Speaker 2: it's hard. I mean a lot of work being the

125
00:05:25,720 --> 00:05:29,400
Speaker 2: artist on that. Like it's the artist part is like

126
00:05:29,480 --> 00:05:32,760
Speaker 2: ninety percent not music, like all.

127
00:05:32,680 --> 00:05:34,159
Speaker 1: This stuff that goes in behind somebody.

128
00:05:34,600 --> 00:05:38,919
Speaker 2: It's not like you're going to go like like I

129
00:05:38,920 --> 00:05:40,880
Speaker 2: don't know, there's not a whole lot of music that

130
00:05:40,920 --> 00:05:43,400
Speaker 2: goes on. It's mostly like doing busting with the boys,

131
00:05:43,440 --> 00:05:46,040
Speaker 2: but not that fun. Yeah, that makes sense. You're doing

132
00:05:46,080 --> 00:05:47,560
Speaker 2: a whole lot of press, and you're doing a whole

133
00:05:47,560 --> 00:05:52,080
Speaker 2: lot of like just work with radio stations. But it's

134
00:05:52,120 --> 00:05:55,120
Speaker 2: mostly just like riding on a bus waiting around to play,

135
00:05:55,360 --> 00:05:57,520
Speaker 2: you know. That's what being an artist is, and then

136
00:05:57,560 --> 00:05:59,479
Speaker 2: doing all the press and all this stuff. Around it.

137
00:05:59,520 --> 00:06:01,919
Speaker 2: But when you're a writer, you're one hundred percent creative

138
00:06:01,960 --> 00:06:04,280
Speaker 2: all the time. And that's the coolest part about that,

139
00:06:04,360 --> 00:06:06,919
Speaker 2: and that's you know you do. You don't get like

140
00:06:07,000 --> 00:06:09,000
Speaker 2: the glory of it. You know, you don't like have

141
00:06:09,120 --> 00:06:11,719
Speaker 2: like two thousand people screaming your song back back at

142
00:06:11,800 --> 00:06:13,440
Speaker 2: you when you're the writer. But you get a lot

143
00:06:13,440 --> 00:06:16,320
Speaker 2: of respect in town, and you get obviously.

144
00:06:15,960 --> 00:06:17,720
Speaker 1: A lot of respect where it matters the most.

145
00:06:17,520 --> 00:06:19,760
Speaker 2: Sure from like those artists and those people in town

146
00:06:19,800 --> 00:06:22,080
Speaker 2: that really respect it. And there's a whole like songwriting

147
00:06:22,080 --> 00:06:25,440
Speaker 2: community that's really special. And so I'm really lucky to

148
00:06:25,440 --> 00:06:27,640
Speaker 2: get to do both things. Man, I get to like

149
00:06:29,160 --> 00:06:31,360
Speaker 2: still write songs for other people. I've had a really

150
00:06:31,760 --> 00:06:35,520
Speaker 2: cool year honestly as as a writer, and then had

151
00:06:35,560 --> 00:06:39,280
Speaker 2: my first ever my song to a t went platinum

152
00:06:39,640 --> 00:06:41,080
Speaker 2: like a month ago, which is crazy.

153
00:06:41,200 --> 00:06:43,880
Speaker 1: Oh let's go, we got platinum? Boys, Yeah, Zach, where

154
00:06:43,920 --> 00:06:46,840
Speaker 1: you at, Chase? You got to partake in the clapping?

155
00:06:46,880 --> 00:06:48,080
Speaker 1: I don't know, you get I don't know if you

156
00:06:48,080 --> 00:06:48,400
Speaker 1: get it.

157
00:06:48,520 --> 00:06:50,960
Speaker 2: My tour manager Chases here and he's a huge part

158
00:06:51,000 --> 00:06:53,520
Speaker 2: of everything we do. And but then you know, I

159
00:06:54,279 --> 00:06:57,120
Speaker 2: don't know, it's been it's just been a cool sort

160
00:06:57,120 --> 00:06:59,080
Speaker 2: of like this is the balance I've always wanted to

161
00:06:59,120 --> 00:07:01,080
Speaker 2: strike and I find gotten to do that.

162
00:07:01,080 --> 00:07:03,880
Speaker 1: That's fucking awesome, dude. I know, uh, like from the

163
00:07:03,920 --> 00:07:07,440
Speaker 1: outside looking in and you talk to people who like Ernest,

164
00:07:07,480 --> 00:07:09,160
Speaker 1: I know he has a lot of respect for writing

165
00:07:09,480 --> 00:07:11,400
Speaker 1: and people who write, but they were they're not like

166
00:07:11,440 --> 00:07:15,480
Speaker 1: the voice because when you're I guess uh, ignorant too,

167
00:07:15,560 --> 00:07:18,320
Speaker 1: you just think the artist makes this, like they write it,

168
00:07:18,360 --> 00:07:20,600
Speaker 1: they do all this stuff. And then now that since

169
00:07:20,600 --> 00:07:22,480
Speaker 1: I've moved here and you get to talk with people

170
00:07:22,480 --> 00:07:24,960
Speaker 1: like yourself, like Ernest, you realize there's so like a

171
00:07:25,000 --> 00:07:27,400
Speaker 1: lot of those people they just funnel the song and

172
00:07:27,400 --> 00:07:30,400
Speaker 1: they're just kind of the face to to the song

173
00:07:30,520 --> 00:07:31,160
Speaker 1: or to the album.

174
00:07:31,280 --> 00:07:33,880
Speaker 2: Hey man, you need a vehicle, right, you need a bus?

175
00:07:34,040 --> 00:07:35,360
Speaker 1: Yeah, no doubt.

176
00:07:35,440 --> 00:07:38,480
Speaker 2: I don't know, man, it it's crazy. I know Ernest

177
00:07:38,520 --> 00:07:41,120
Speaker 2: because we have just started writing together, you know, in

178
00:07:41,160 --> 00:07:44,040
Speaker 2: the last year, and he's one of the Honestly, there's

179
00:07:44,080 --> 00:07:46,320
Speaker 2: there's not a lot of people who swing a different hammer.

180
00:07:47,200 --> 00:07:49,040
Speaker 2: Like most people you sit down with, you're like, okay,

181
00:07:49,200 --> 00:07:51,760
Speaker 2: we can write a great song. Every it feels like

182
00:07:51,800 --> 00:07:55,000
Speaker 2: everybody's the same amount of talented, and then you meet

183
00:07:55,000 --> 00:07:59,559
Speaker 2: people like arn Or, like Michael Hardy or or Maren honestly, honestly,

184
00:07:59,640 --> 00:08:02,360
Speaker 2: Maren's best songwriter I've ever ever encountered.

185
00:08:03,320 --> 00:08:03,760
Speaker 1: Your wife.

186
00:08:04,200 --> 00:08:07,120
Speaker 2: Yeah, and we started we got we met writing songs,

187
00:08:07,280 --> 00:08:11,600
Speaker 2: so I believe that way before we were actually together.

188
00:08:11,680 --> 00:08:14,240
Speaker 2: But but like there's those dudes that you meet like

189
00:08:14,680 --> 00:08:16,920
Speaker 2: like arn Or, like Hardy or you're just like, oh

190
00:08:16,960 --> 00:08:19,239
Speaker 2: my god, this guy, this guy.

191
00:08:19,360 --> 00:08:20,280
Speaker 1: Well they kind of separate.

192
00:08:20,320 --> 00:08:24,920
Speaker 2: I guess they just spit brilliance and you're like, I'm

193
00:08:24,920 --> 00:08:27,119
Speaker 2: just recording you. Like that's what I did with Ernest

194
00:08:27,120 --> 00:08:30,080
Speaker 2: when we wrote a Heartless for Diplo and Morgan Wallen,

195
00:08:31,040 --> 00:08:33,520
Speaker 2: and half of that is just like me like with

196
00:08:33,600 --> 00:08:36,640
Speaker 2: my phone, sticking it in front of Ernest and like

197
00:08:36,720 --> 00:08:38,480
Speaker 2: just recording it so that we could go back and

198
00:08:39,200 --> 00:08:41,400
Speaker 2: make sure we had it down like that and that

199
00:08:41,920 --> 00:08:43,600
Speaker 2: I mean, that dude's just a brilliant guy.

200
00:08:43,920 --> 00:08:46,120
Speaker 1: And then you guys are doing that and then you

201
00:08:46,200 --> 00:08:49,440
Speaker 1: kind of give the product to the voice you want

202
00:08:49,480 --> 00:08:49,960
Speaker 1: to match.

203
00:08:50,440 --> 00:08:53,640
Speaker 2: Man, it's so hard. So we each have called publishers.

204
00:08:53,800 --> 00:08:56,960
Speaker 2: They're like record companies for songwriters. They own or they

205
00:08:57,000 --> 00:08:59,679
Speaker 2: are partners with you and in you know your copyright.

206
00:09:00,200 --> 00:09:02,360
Speaker 2: But what they do is they like book your calendar.

207
00:09:02,720 --> 00:09:06,040
Speaker 2: So they're like, you know, yesterday I wrote with with

208
00:09:06,120 --> 00:09:09,000
Speaker 2: Hardy and Monday I wrote with a Buddy Matt and

209
00:09:09,080 --> 00:09:11,400
Speaker 2: Ross Kopperman. But like they book a calendar and then

210
00:09:11,400 --> 00:09:13,240
Speaker 2: they take the songs and the demos that you make

211
00:09:13,280 --> 00:09:15,160
Speaker 2: and they pitch them out to artists and labels, and

212
00:09:15,160 --> 00:09:17,920
Speaker 2: so they're the ones who are supposed to like exploit

213
00:09:18,120 --> 00:09:22,320
Speaker 2: the music and get it recorded. But like, it's just

214
00:09:22,360 --> 00:09:23,720
Speaker 2: funny how songs find a way.

215
00:09:23,800 --> 00:09:23,959
Speaker 3: Man.

216
00:09:24,000 --> 00:09:28,480
Speaker 2: It's like, uh, they're all like undrafted free agents. Yeah,

217
00:09:28,480 --> 00:09:31,280
Speaker 2: but I mean it's like how do you like they

218
00:09:31,320 --> 00:09:34,200
Speaker 2: just go through each little step and eventually they like

219
00:09:34,920 --> 00:09:38,199
Speaker 2: a miracle happens. It's like so like oh this sometimes

220
00:09:38,240 --> 00:09:41,160
Speaker 2: I'll send a song to somebody, or I'll write it

221
00:09:41,200 --> 00:09:44,240
Speaker 2: with the artist. And I wrote a song with Kane

222
00:09:44,280 --> 00:09:47,720
Speaker 2: Brown called Worldwide Beautiful, and that's one that just like

223
00:09:48,880 --> 00:09:52,360
Speaker 2: was sort of like a magic like magic, you know

224
00:09:52,400 --> 00:09:54,280
Speaker 2: what I mean. And some days it's magic, but other

225
00:09:54,360 --> 00:09:57,680
Speaker 2: times it's like the song goes through like this manager

226
00:09:57,720 --> 00:10:00,520
Speaker 2: and then like they show the artist and the artist

227
00:10:00,720 --> 00:10:04,000
Speaker 2: holds it and then they record it and then like

228
00:10:04,200 --> 00:10:06,560
Speaker 2: it's like a series of like ten coin flips all

229
00:10:06,600 --> 00:10:08,240
Speaker 2: coming up heads in order to have a hit on

230
00:10:08,240 --> 00:10:12,200
Speaker 2: the radio. And that's like what we're all going for

231
00:10:12,360 --> 00:10:15,400
Speaker 2: is just to like have those big hits. So but

232
00:10:15,440 --> 00:10:17,520
Speaker 2: publishers help with those ten coin flips.

233
00:10:18,040 --> 00:10:18,480
Speaker 1: Gotcha.

234
00:10:18,520 --> 00:10:20,920
Speaker 2: You're the ones who get like make sure each step

235
00:10:21,040 --> 00:10:25,640
Speaker 2: is they're trying to get the song heard by whoever

236
00:10:25,720 --> 00:10:29,120
Speaker 2: can make decisions to record and put them out.

237
00:10:29,240 --> 00:10:32,200
Speaker 1: So gotcha. So that's that's where the importance of like

238
00:10:32,920 --> 00:10:34,800
Speaker 1: is the publisher kind of the same as the label.

239
00:10:35,280 --> 00:10:38,680
Speaker 2: Yeah, but on the writing side, gotcha, they're Yeah, they're important.

240
00:10:38,720 --> 00:10:40,760
Speaker 1: They're awesome, man, signing with those teams, like when people

241
00:10:40,800 --> 00:10:43,160
Speaker 1: sign deals and stuff, because sometimes you wonder, like if

242
00:10:43,160 --> 00:10:45,440
Speaker 1: somebody's very good at music, why would they sign with

243
00:10:45,440 --> 00:10:47,359
Speaker 1: anybody if they can kind of get it out themselves.

244
00:10:47,640 --> 00:10:50,520
Speaker 1: So that's that's me thinking that not having any idea.

245
00:10:50,760 --> 00:10:52,960
Speaker 2: Honestly, it's easy to do that now and it's ever been.

246
00:10:53,240 --> 00:10:58,280
Speaker 2: And a lot of these dudes who are like a

247
00:10:58,320 --> 00:11:00,400
Speaker 2: lot of these guys who get it moving on their

248
00:11:00,480 --> 00:11:02,640
Speaker 2: own then partner with a label, like they own a

249
00:11:02,679 --> 00:11:06,680
Speaker 2: lot of that stuff. It's like most people the label

250
00:11:06,679 --> 00:11:08,559
Speaker 2: owns a lot of the artists to like do like

251
00:11:08,600 --> 00:11:10,880
Speaker 2: a joint venture with the label, so like it's kind

252
00:11:10,880 --> 00:11:14,079
Speaker 2: of swinging back like in favor of the artists now

253
00:11:14,160 --> 00:11:16,240
Speaker 2: in a cool way because of the way people listen

254
00:11:16,320 --> 00:11:18,400
Speaker 2: to music now, because of the Internet, because of.

255
00:11:19,000 --> 00:11:21,400
Speaker 1: Some more leverages came to the Oh yeah.

256
00:11:21,240 --> 00:11:24,360
Speaker 2: Okay, so we're but uh man, it's a cool time

257
00:11:24,400 --> 00:11:28,440
Speaker 2: to make music, especially in Nashville. Like I everybody feels

258
00:11:28,440 --> 00:11:30,200
Speaker 2: like everybody wants a piece of what we're doing, and

259
00:11:30,240 --> 00:11:32,520
Speaker 2: that's that's really cool. I mean, Maren did the Middle

260
00:11:33,120 --> 00:11:37,400
Speaker 2: with z Diplo made a country record. It feels like

261
00:11:37,480 --> 00:11:40,679
Speaker 2: every country artist is getting like a pop artist to

262
00:11:40,800 --> 00:11:44,120
Speaker 2: like feature on their big hits, Like Gabby Barrot just

263
00:11:44,200 --> 00:11:48,160
Speaker 2: had Charlie Pooth on hers. So it just it feels

264
00:11:48,160 --> 00:11:51,880
Speaker 2: like Nashville is like in a really great spot as

265
00:11:51,880 --> 00:11:55,720
Speaker 2: a genre. And you know, you could always have all

266
00:11:55,760 --> 00:11:58,760
Speaker 2: these people who like love or don't love what's happening

267
00:11:58,760 --> 00:12:01,040
Speaker 2: on music. Row. I just I'm like a head down guy.

268
00:12:01,520 --> 00:12:03,120
Speaker 2: I just put my head down and keep doing my

269
00:12:03,160 --> 00:12:06,160
Speaker 2: thing and don't like read too much about like what's

270
00:12:06,200 --> 00:12:09,600
Speaker 2: country and what's not. But I do love, like I

271
00:12:09,600 --> 00:12:11,640
Speaker 2: do think that we're in a really cool spot as

272
00:12:11,679 --> 00:12:15,160
Speaker 2: a genre and as a just as a creative city,

273
00:12:15,160 --> 00:12:16,800
Speaker 2: because this is the best music town in the world.

274
00:12:17,280 --> 00:12:19,640
Speaker 2: Oh bar none, there's not. It's not even close to

275
00:12:19,640 --> 00:12:22,800
Speaker 2: me as far as like the songwriting community, the proximity

276
00:12:22,840 --> 00:12:26,800
Speaker 2: that everybody has, and just like the overall talent. I

277
00:12:26,880 --> 00:12:30,440
Speaker 2: just it's amazing how much great music is made here,

278
00:12:31,920 --> 00:12:34,080
Speaker 2: whether you've whether it is released or not.

279
00:12:34,720 --> 00:12:39,320
Speaker 1: Do you feel like you have much of Like, you know,

280
00:12:39,360 --> 00:12:41,880
Speaker 1: how everybody argues like, oh, this is more country than that,

281
00:12:42,120 --> 00:12:44,800
Speaker 1: and like the old days and the new stuff.

282
00:12:45,080 --> 00:12:48,000
Speaker 2: I'm not Sturgil and I know it, and that's okay

283
00:12:48,000 --> 00:12:49,840
Speaker 2: with me. And you know, there's going to be those

284
00:12:49,920 --> 00:12:52,320
Speaker 2: dudes who just want to listen to that stuff and

285
00:12:52,360 --> 00:12:54,559
Speaker 2: that's great and it's not like a I think that's

286
00:12:54,600 --> 00:12:58,240
Speaker 2: absolutely country music, obviously probably more traditional country music than

287
00:12:58,280 --> 00:13:00,640
Speaker 2: what we do. But yeah, you know, that's just so

288
00:13:00,760 --> 00:13:03,240
Speaker 2: funny the way that the internet works. It's just all

289
00:13:03,280 --> 00:13:08,599
Speaker 2: these like genre lines have blended so much. And I

290
00:13:08,640 --> 00:13:11,280
Speaker 2: don't know, I'm not that worried about that conversation.

291
00:13:11,600 --> 00:13:12,920
Speaker 1: Yeah, yeah, So.

292
00:13:12,920 --> 00:13:15,360
Speaker 2: I'd love to make like like a really like a

293
00:13:15,440 --> 00:13:18,840
Speaker 2: much more traditional country record at some point, but I've

294
00:13:18,880 --> 00:13:21,960
Speaker 2: sort of gone down this lane now where I get

295
00:13:22,000 --> 00:13:24,880
Speaker 2: to I've sort of created a sound and it's really

296
00:13:25,160 --> 00:13:27,440
Speaker 2: it's created a fan base and I really have enjoyed

297
00:13:27,480 --> 00:13:30,680
Speaker 2: that part of it. And it's not super traditional country

298
00:13:30,679 --> 00:13:35,400
Speaker 2: at all. So I'm just never not going to be that.

299
00:13:35,520 --> 00:13:37,200
Speaker 2: I'm not going to win that one. Yeah, and I

300
00:13:37,240 --> 00:13:38,319
Speaker 2: know I'm fine with it.

301
00:13:39,840 --> 00:13:43,920
Speaker 1: What do you enjoy doing more writing or touring and

302
00:13:44,000 --> 00:13:45,319
Speaker 1: kind of doing the whole musician thing.

303
00:13:45,480 --> 00:13:48,240
Speaker 2: I can't. I don't know. Writing is great until you

304
00:13:48,280 --> 00:13:51,440
Speaker 2: get burnt. And so the fun part about being like

305
00:13:52,520 --> 00:13:54,679
Speaker 2: doing both is that I very rarely get like burnt

306
00:13:54,679 --> 00:13:55,679
Speaker 2: out on writing.

307
00:13:56,160 --> 00:13:58,640
Speaker 1: Because when you feel like you're starting to get burned it.

308
00:13:58,640 --> 00:14:00,640
Speaker 2: As much as I used to used to be like

309
00:14:00,679 --> 00:14:02,640
Speaker 2: when you get going, you're writing like five or six

310
00:14:02,679 --> 00:14:05,720
Speaker 2: songs a week and just you run out of ideas

311
00:14:05,760 --> 00:14:09,400
Speaker 2: and sort of get feels like work a little bit

312
00:14:09,400 --> 00:14:11,520
Speaker 2: more like you're trying to force it. Right now, I'm

313
00:14:11,520 --> 00:14:14,720
Speaker 2: writing like two or three a week, and I feel

314
00:14:14,720 --> 00:14:16,680
Speaker 2: like I hit the bulls eye a little bit more. Yeah,

315
00:14:16,720 --> 00:14:18,839
Speaker 2: just because of my mind is fresh and I usually

316
00:14:18,840 --> 00:14:22,520
Speaker 2: have ideas and I'm only writing with people that I love.

317
00:14:23,360 --> 00:14:25,120
Speaker 2: I'm not trying out a whole new bunch of news.

318
00:14:25,120 --> 00:14:27,760
Speaker 2: It's just a cool thing to like feel like I

319
00:14:27,760 --> 00:14:30,040
Speaker 2: feel like I'm in my prime a little bit. Yeah,

320
00:14:30,040 --> 00:14:34,440
Speaker 2: like as a creative person. And I don't know, it's

321
00:14:34,440 --> 00:14:38,320
Speaker 2: been cool to uh, it's been cool to like get

322
00:14:38,320 --> 00:14:40,360
Speaker 2: into that spot. But I miss touring, man, I miss

323
00:14:40,400 --> 00:14:42,520
Speaker 2: the people the most. I don't miss airplanes, but I

324
00:14:42,560 --> 00:14:46,320
Speaker 2: miss like my bus. Yeah, we we have a cool crew.

325
00:14:46,440 --> 00:14:50,560
Speaker 2: And miss my boys, and I miss like obviously, like

326
00:14:50,600 --> 00:14:53,480
Speaker 2: we have a really cool road situation and it's like

327
00:14:53,560 --> 00:14:56,240
Speaker 2: we have like a mixed bus. We have girls and

328
00:14:56,320 --> 00:15:00,080
Speaker 2: guys on it. Everybody's working and everybody it's always a

329
00:15:00,120 --> 00:15:03,600
Speaker 2: really like great mood and we just we did it

330
00:15:03,640 --> 00:15:06,240
Speaker 2: like my headline tour. Just I mean the last two

331
00:15:06,280 --> 00:15:10,520
Speaker 2: weeks got canceled because of this ship. But I missed

332
00:15:10,560 --> 00:15:14,640
Speaker 2: that and I miss I miss electric guitars. Yes, I

333
00:15:14,720 --> 00:15:17,920
Speaker 2: miss I missed my people though, That's what I miss.

334
00:15:18,240 --> 00:15:19,760
Speaker 1: Do When when do you get to go on the

335
00:15:19,800 --> 00:15:20,240
Speaker 1: road next?

336
00:15:20,320 --> 00:15:22,560
Speaker 2: Or do you know I'm supposed to play Labor Day weekend?

337
00:15:22,680 --> 00:15:24,760
Speaker 1: Chase, what the hell we'll see? Where are we going?

338
00:15:25,600 --> 00:15:27,840
Speaker 2: Tom? Just Chase is just waiting for the same thing

339
00:15:27,920 --> 00:15:31,160
Speaker 2: I'm waiting on. That's exactly right, waiting for somebody to go.

340
00:15:31,640 --> 00:15:33,560
Speaker 1: You just you just set it up whenever you get

341
00:15:33,560 --> 00:15:35,520
Speaker 1: the green light, exactly Okay.

342
00:15:35,960 --> 00:15:38,120
Speaker 2: Yeah, Chase is a tour manager. So anything that has

343
00:15:38,160 --> 00:15:40,400
Speaker 2: to do with moving me from point A to point

344
00:15:40,440 --> 00:15:41,800
Speaker 2: B is Chase's job.

345
00:15:42,440 --> 00:15:44,640
Speaker 1: He doesn't he doesn't set up point A and B.

346
00:15:44,920 --> 00:15:49,520
Speaker 2: No, that's booking agents do that. Uh. I have an

347
00:15:49,600 --> 00:15:55,240
Speaker 2: agent at William Morris who books all of my live performances.

348
00:15:55,880 --> 00:15:58,520
Speaker 2: I wrot the shows. And then you have a manager

349
00:15:58,600 --> 00:16:01,000
Speaker 2: who's sort of like the sea oh oh of what

350
00:16:01,040 --> 00:16:04,880
Speaker 2: you're doing. Yeah, and then there's just so many people involved.

351
00:16:05,080 --> 00:16:10,480
Speaker 2: You have a record company, agent, manager, what else tour manager?

352
00:16:10,680 --> 00:16:14,640
Speaker 1: Is it? Is it dumb to to assume that you

353
00:16:14,680 --> 00:16:16,520
Speaker 1: and your wife, you guys have kind of the same team,

354
00:16:16,760 --> 00:16:17,240
Speaker 1: or do you guys?

355
00:16:17,240 --> 00:16:18,520
Speaker 2: Actually we do have.

356
00:16:19,160 --> 00:16:22,360
Speaker 1: We have the same managers, Okay, And so you guys

357
00:16:22,440 --> 00:16:23,760
Speaker 1: kind of work with like a lot of the same

358
00:16:23,760 --> 00:16:24,440
Speaker 1: people we do.

359
00:16:24,720 --> 00:16:27,600
Speaker 2: Yeah. Yeah, And our bands are really close, Like we've

360
00:16:28,000 --> 00:16:30,560
Speaker 2: they all worked really closely together. We've toured together quite

361
00:16:30,600 --> 00:16:34,560
Speaker 2: a bit, played a lot of the same festivals and

362
00:16:34,920 --> 00:16:39,520
Speaker 2: I we were gonna tour this year. I was gonna

363
00:16:39,560 --> 00:16:44,120
Speaker 2: open a handful of her like headline shows because we

364
00:16:44,200 --> 00:16:46,520
Speaker 2: just had a baby, and so that's kind of I

365
00:16:46,520 --> 00:16:48,200
Speaker 2: don't know, I didn't really want to be away from

366
00:16:48,320 --> 00:16:51,960
Speaker 2: him all that much. And she obvious.

367
00:16:52,920 --> 00:16:54,920
Speaker 1: You got a boy, right, what's his name? His name

368
00:16:54,960 --> 00:17:00,160
Speaker 1: is Hayes Andrew. Shout out Hayes Andrew. When when when

369
00:17:00,200 --> 00:17:01,240
Speaker 1: was he? When was he born?

370
00:17:02,600 --> 00:17:05,520
Speaker 2: March twenty third of this year.

371
00:17:05,600 --> 00:17:09,160
Speaker 1: So he's a co he's he's a COVID baby. Well, yeah, pandemic.

372
00:17:09,240 --> 00:17:10,400
Speaker 1: He was born in the pandemic.

373
00:17:10,520 --> 00:17:12,879
Speaker 2: Yeah, we were. It was like the first week that

374
00:17:12,920 --> 00:17:15,640
Speaker 2: they had like shut the hospital down. It was crazy

375
00:17:15,680 --> 00:17:20,639
Speaker 2: and no visitors, just me and like some people start

376
00:17:20,720 --> 00:17:22,800
Speaker 2: like other places, not here, but like you were hearing

377
00:17:22,840 --> 00:17:27,040
Speaker 2: stories about like like Dad's not being able to go

378
00:17:27,680 --> 00:17:29,879
Speaker 2: because of this stuff. Like I don't know, maybe that happened,

379
00:17:29,880 --> 00:17:33,880
Speaker 2: maybe it didn't, but we were terrified and uh, no visitors,

380
00:17:33,920 --> 00:17:37,919
Speaker 2: which actually, looking back, like that's okay, Like it was

381
00:17:37,960 --> 00:17:40,200
Speaker 2: just kind of cool to like be have your moment

382
00:17:40,240 --> 00:17:42,520
Speaker 2: and then like my parents and her parents came over

383
00:17:42,680 --> 00:17:45,000
Speaker 2: like when we got home. But yeah, it was. It

384
00:17:45,040 --> 00:17:48,640
Speaker 2: was terrifying. Man. It's got like doctors wearing like face

385
00:17:48,720 --> 00:17:49,400
Speaker 2: shields and shit.

386
00:17:49,480 --> 00:17:51,720
Speaker 1: And like, oh my god, this is not knowing how

387
00:17:51,760 --> 00:17:52,240
Speaker 1: serious it.

388
00:17:52,720 --> 00:17:56,200
Speaker 2: Maybe yeah, yeah, that's it. But it's been it's been cool, man,

389
00:17:56,240 --> 00:18:00,320
Speaker 2: different like we've we've been like really, I don't know.

390
00:18:00,640 --> 00:18:01,840
Speaker 2: I feel like when you do what we do, we

391
00:18:01,840 --> 00:18:04,520
Speaker 2: don't have to ever have to grow up. And and

392
00:18:04,600 --> 00:18:06,679
Speaker 2: so now it's like we can be we still have

393
00:18:06,760 --> 00:18:10,320
Speaker 2: that lifestyle you have to there's this one little thing

394
00:18:10,359 --> 00:18:12,439
Speaker 2: you have to be responsible for it every day. So

395
00:18:12,480 --> 00:18:15,120
Speaker 2: it's a little bit different, but we're we're figured it out.

396
00:18:15,160 --> 00:18:15,280
Speaker 1: Man.

397
00:18:15,320 --> 00:18:17,159
Speaker 2: The cool part about not being able to tour is

398
00:18:17,600 --> 00:18:20,320
Speaker 2: we get to be home for a second, and I

399
00:18:20,359 --> 00:18:24,840
Speaker 2: would have missed some stuff that I'm glad that I

400
00:18:24,880 --> 00:18:27,000
Speaker 2: had time at home for, Like I would have missed

401
00:18:27,960 --> 00:18:30,720
Speaker 2: He's just like little things, man. You like wake up

402
00:18:30,760 --> 00:18:31,960
Speaker 2: in the morning and you see him and he's like,

403
00:18:32,000 --> 00:18:34,560
Speaker 2: oh my god, he's bigger. Yeah, And I can't imagine

404
00:18:34,600 --> 00:18:37,480
Speaker 2: like I would have had to do I think three

405
00:18:37,520 --> 00:18:41,920
Speaker 2: weekends now away from them, and I can't imagine like

406
00:18:41,960 --> 00:18:43,720
Speaker 2: coming back after one of those weekends and being like,

407
00:18:43,760 --> 00:18:46,720
Speaker 2: oh my god, like he grew so now. But now

408
00:18:46,720 --> 00:18:49,199
Speaker 2: I see him every day and eventually that's not going

409
00:18:49,240 --> 00:18:50,919
Speaker 2: to be the case. And we're gonna have to go

410
00:18:51,000 --> 00:18:53,560
Speaker 2: back to life as we need it to be. But

411
00:18:53,560 --> 00:18:54,880
Speaker 2: but right now it's cool to be home.

412
00:18:55,080 --> 00:18:57,679
Speaker 1: Now, say you and your wife, you guys tour together.

413
00:18:57,880 --> 00:19:00,600
Speaker 1: Will will the baby like tour with you guys.

414
00:19:01,080 --> 00:19:06,720
Speaker 2: Yeah, So Maren has a bus that is like fitted

415
00:19:06,840 --> 00:19:11,879
Speaker 2: outfitted for a baby. So it's like we have like

416
00:19:11,920 --> 00:19:14,239
Speaker 2: our apartment in the back, and then there's like a

417
00:19:14,240 --> 00:19:16,720
Speaker 2: bunk that has a crib in it and a baby

418
00:19:16,760 --> 00:19:21,919
Speaker 2: monitor and a noise machine, and then like the we

419
00:19:22,000 --> 00:19:24,480
Speaker 2: have somebody who like stays next to him and the

420
00:19:24,520 --> 00:19:28,000
Speaker 2: bunk across from him because we have to have help

421
00:19:28,040 --> 00:19:30,280
Speaker 2: out there just because there's so much stuff going on.

422
00:19:31,920 --> 00:19:34,160
Speaker 2: And he goes to bed at seven o'clock and rock

423
00:19:34,160 --> 00:19:37,560
Speaker 2: shows don't start till nine, so we have some help

424
00:19:37,600 --> 00:19:40,720
Speaker 2: out there. And then yeah, man, there's some other stuff

425
00:19:40,760 --> 00:19:43,840
Speaker 2: that she got just that's baby specific.

426
00:19:43,920 --> 00:19:46,040
Speaker 1: But yeah, we have a bus that sounds like a

427
00:19:46,040 --> 00:19:48,159
Speaker 1: bus we need to look into boys, an apartment in

428
00:19:48,160 --> 00:19:51,040
Speaker 1: the back. Yeah, a baby crib for a tailor. Make

429
00:19:51,080 --> 00:19:53,680
Speaker 1: sure keep a monitor on him. He can't do anything

430
00:19:53,720 --> 00:19:55,000
Speaker 1: on his own, you know what I mean.

431
00:19:55,560 --> 00:19:58,920
Speaker 2: That's awesome, Dude's Yeah, my bus is just twelve bunks

432
00:19:58,960 --> 00:20:01,480
Speaker 2: and we go. We i'd town to town and have

433
00:20:01,520 --> 00:20:04,000
Speaker 2: a good time. But yeah, no babies on that one yet,

434
00:20:04,040 --> 00:20:04,959
Speaker 2: no dogs or babies.

435
00:20:05,040 --> 00:20:07,720
Speaker 1: It's probably benefits. It's probably a benefit too to touring

436
00:20:07,760 --> 00:20:10,200
Speaker 1: with your wife's because don't people go on the road

437
00:20:10,240 --> 00:20:12,520
Speaker 1: and they're gone for hell. I don't know how long.

438
00:20:12,560 --> 00:20:13,880
Speaker 1: How long is like an average tour.

439
00:20:14,520 --> 00:20:16,800
Speaker 2: I mean we well in Nashville, it's different because we

440
00:20:16,840 --> 00:20:18,920
Speaker 2: can do weekends because we're in the middle of the country.

441
00:20:19,200 --> 00:20:21,600
Speaker 2: So yeah, we usually do like a ten day run

442
00:20:21,680 --> 00:20:25,800
Speaker 2: out west ten to fourteen days like West Coast. Yeah,

443
00:20:25,840 --> 00:20:28,000
Speaker 2: and then we'll do like Maren will do like a

444
00:20:28,040 --> 00:20:32,480
Speaker 2: ten day Europe run a lot like every year every

445
00:20:32,480 --> 00:20:35,359
Speaker 2: other year. But that's basically it. So then we can

446
00:20:35,480 --> 00:20:40,160
Speaker 2: leave most of the time like Wednesday night, play Thursday, Friday, Saturday,

447
00:20:40,640 --> 00:20:44,359
Speaker 2: be home Sunday. That's generally the rhythm that people in

448
00:20:44,440 --> 00:20:47,919
Speaker 2: Nashville have except for with the exception of West Coast

449
00:20:48,000 --> 00:20:50,720
Speaker 2: and Europe. And then these people have been playing like

450
00:20:51,240 --> 00:20:55,400
Speaker 2: festivals in Australia too, which is a long way to go.

451
00:20:56,320 --> 00:21:00,200
Speaker 2: So I haven't done that yet, but maybe we will someday.

452
00:21:00,560 --> 00:21:01,320
Speaker 2: That's dope, man.

453
00:21:01,920 --> 00:21:03,760
Speaker 1: This episode of Busting with the Boys is brought to

454
00:21:03,840 --> 00:21:06,240
Speaker 1: you by Whoop and I am stoked that Woop is

455
00:21:06,280 --> 00:21:08,920
Speaker 1: on board and sponsoring the Boys because it makes the

456
00:21:08,960 --> 00:21:12,320
Speaker 1: most sense for our podcast being an athlete being athletes,

457
00:21:13,200 --> 00:21:16,160
Speaker 1: and Whoop being the best fitness tracker in the game.

458
00:21:16,560 --> 00:21:19,960
Speaker 1: They're partnered with the NFLPA, so everybody in the NFL

459
00:21:20,040 --> 00:21:22,399
Speaker 1: gets a free Whoop strap or gets strapped with a Whoop.

460
00:21:22,680 --> 00:21:24,920
Speaker 1: Everyone in the PGA Tour is strapped with a Whoop

461
00:21:25,000 --> 00:21:28,520
Speaker 1: because it measures your respiratory rate, so people are wearing

462
00:21:28,560 --> 00:21:31,840
Speaker 1: the Whoop strap to help determine early signs of COVID.

463
00:21:32,880 --> 00:21:35,800
Speaker 1: The shit is awesome. I've been aware since twenty sixteen.

464
00:21:36,200 --> 00:21:39,000
Speaker 1: I'm a huge advocate of Whoop and any athlete out

465
00:21:39,000 --> 00:21:42,560
Speaker 1: there listening. Anybody in the fitness anybody looking to measure

466
00:21:42,600 --> 00:21:45,720
Speaker 1: their health get a Whoop. You should be wearing a

467
00:21:45,720 --> 00:21:49,399
Speaker 1: Whoop strap. Check them out. They're a wearable fitness tracker

468
00:21:49,400 --> 00:21:52,000
Speaker 1: on your wrist that provides personalized insights on the performance

469
00:21:52,040 --> 00:21:54,560
Speaker 1: of your sleep, how recovered your body is, and how

470
00:21:54,600 --> 00:21:56,520
Speaker 1: much stress you put on your body throughout the day

471
00:21:56,800 --> 00:22:00,359
Speaker 1: from your workouts, daily life stressors. All of it. Whether

472
00:22:00,359 --> 00:22:04,159
Speaker 1: you're already in shape or looking towards being healthier. Woop

473
00:22:04,200 --> 00:22:08,120
Speaker 1: help provides actionable insights that are personalized and tailored to you.

474
00:22:08,640 --> 00:22:10,359
Speaker 1: What's great with Whoop is that every day when you

475
00:22:10,359 --> 00:22:13,439
Speaker 1: get up, you get a recovery score based on your HRV,

476
00:22:13,520 --> 00:22:16,800
Speaker 1: which is heart rate variability. It's literally the variance in

477
00:22:16,840 --> 00:22:20,160
Speaker 1: time between the beats of your heart you're resting, heart

478
00:22:20,240 --> 00:22:23,040
Speaker 1: rate and sleep performance. That can be used as an

479
00:22:23,040 --> 00:22:27,600
Speaker 1: indicator on how to approach your day and training. So,

480
00:22:28,000 --> 00:22:30,520
Speaker 1: for example, if you get green recovery or you're at

481
00:22:30,520 --> 00:22:32,359
Speaker 1: a high percentage your body is ready to take on

482
00:22:32,400 --> 00:22:34,399
Speaker 1: a lot of strain that day, that's a sign that

483
00:22:34,440 --> 00:22:37,359
Speaker 1: you can have a more intensive workout. But if it's red,

484
00:22:37,840 --> 00:22:40,639
Speaker 1: or say below thirty percent, that's a signal that you

485
00:22:40,720 --> 00:22:42,760
Speaker 1: might want to take a rest day, pull back a

486
00:22:42,800 --> 00:22:45,280
Speaker 1: little bit, and have an active recovery day. The Whoop

487
00:22:45,359 --> 00:22:48,760
Speaker 1: app even has built in features like a strain Coach,

488
00:22:48,880 --> 00:22:52,160
Speaker 1: which actually gives you target exertion goals to work out

489
00:22:52,200 --> 00:22:55,399
Speaker 1: optimally for the level of intensity your body is signaling

490
00:22:55,480 --> 00:22:57,600
Speaker 1: that it can handle. If you're not sure what type

491
00:22:57,640 --> 00:22:59,640
Speaker 1: of training your body is ready for, this is an

492
00:22:59,640 --> 00:23:02,639
Speaker 1: awesome feature to keep you from overtraining and just to

493
00:23:02,720 --> 00:23:04,879
Speaker 1: let you know where you're at every day and based

494
00:23:04,880 --> 00:23:07,399
Speaker 1: on how strenuous Torday is. The app has a built

495
00:23:07,440 --> 00:23:09,760
Speaker 1: in sleep coach, which actually lets you know how much

496
00:23:09,800 --> 00:23:11,919
Speaker 1: sleep you should be getting so you can wake up

497
00:23:11,960 --> 00:23:14,520
Speaker 1: and be recovered based on your performance goals, which you

498
00:23:14,600 --> 00:23:18,320
Speaker 1: can set. The sleep coach, the sleeping that measures how

499
00:23:18,600 --> 00:23:21,640
Speaker 1: how long you're awake, when you're in bed, how you're

500
00:23:21,680 --> 00:23:24,800
Speaker 1: in light sleep, rem sleep, deep sleep, all of it. Dude,

501
00:23:25,440 --> 00:23:28,720
Speaker 1: This the shrap is amazing for our listeners. Whoop is

502
00:23:28,720 --> 00:23:31,679
Speaker 1: offering fifteen percent off with the code busting at checkout.

503
00:23:32,040 --> 00:23:36,880
Speaker 1: Go to woop Whoop dot com enter busting at checkout

504
00:23:36,880 --> 00:23:41,240
Speaker 1: to say fifteen percent. I cannot recommend Whoop enough for

505
00:23:41,400 --> 00:23:47,879
Speaker 1: anybody in the game of sport, fitness or health, sleep better, recover, faster,

506
00:23:48,119 --> 00:23:52,000
Speaker 1: train smarter, optimize your performance with the boys with Taylor

507
00:23:52,000 --> 00:23:54,399
Speaker 1: and I, and get on this Woop game. Get on

508
00:23:54,440 --> 00:23:57,639
Speaker 1: this Whoop train with us. Shout out the boys at Whoop.

509
00:23:59,200 --> 00:24:01,320
Speaker 1: I'm fired up, man, I'm wearing one right now. I

510
00:24:02,200 --> 00:24:04,320
Speaker 1: just want to get on there and watch my dad

511
00:24:04,359 --> 00:24:06,840
Speaker 1: and track all my ship all day long. Anyway, Uh,

512
00:24:07,040 --> 00:24:09,440
Speaker 1: but seriously, go to Whoop fifteen percent off used code

513
00:24:09,480 --> 00:24:13,000
Speaker 1: busting at checkout w h O O P dot com.

514
00:24:13,240 --> 00:24:16,120
Speaker 1: You gotta rock and you gotta a rock and family.

515
00:24:17,080 --> 00:24:18,040
Speaker 2: Yeah, man, it's been cool.

516
00:24:18,080 --> 00:24:19,399
Speaker 1: You guys are kind of like a power family.

517
00:24:19,440 --> 00:24:23,160
Speaker 2: I have a good a good Maaron's just a really

518
00:24:23,160 --> 00:24:26,200
Speaker 2: great partner and really supportive of my music. And it's

519
00:24:26,240 --> 00:24:29,959
Speaker 2: been cool to like watch her become a superstar. And

520
00:24:30,440 --> 00:24:33,720
Speaker 2: you know, I I love my career too. And it's

521
00:24:33,800 --> 00:24:37,160
Speaker 2: they're they're very separate, but very I don't know, they

522
00:24:37,240 --> 00:24:40,240
Speaker 2: just fit together really nicely our lives. It's taken a

523
00:24:40,280 --> 00:24:41,840
Speaker 2: couple of years, but I feel like we have a

524
00:24:41,880 --> 00:24:45,760
Speaker 2: really cool rhythm with uh just being like creative partners

525
00:24:45,760 --> 00:24:49,560
Speaker 2: and because and and actually like having a marriage and

526
00:24:49,640 --> 00:24:51,840
Speaker 2: a kid. It's been, Uh, it's been fun to find

527
00:24:51,840 --> 00:24:52,679
Speaker 2: those balances.

528
00:24:53,040 --> 00:24:54,680
Speaker 1: What are some uh, what are some of the times

529
00:24:54,680 --> 00:24:57,280
Speaker 1: where you guys head butt in the music world, whether

530
00:24:57,359 --> 00:25:00,480
Speaker 1: it be touring, writing with or for each other, like

531
00:25:00,520 --> 00:25:02,840
Speaker 1: any of that stuff. Give me a moment where it's

532
00:25:02,840 --> 00:25:04,080
Speaker 1: not all smelling roses.

533
00:25:04,119 --> 00:25:07,119
Speaker 2: We still write together, which is cool. I'm excited that

534
00:25:07,160 --> 00:25:09,480
Speaker 2: she still asked me to write songs with her because

535
00:25:09,480 --> 00:25:11,960
Speaker 2: she's got a really small group now that she trusts

536
00:25:12,040 --> 00:25:17,240
Speaker 2: to be creative with I don't know, like creatively, I

537
00:25:17,920 --> 00:25:23,000
Speaker 2: kind of just am there when it's always time. It's

538
00:25:23,040 --> 00:25:30,000
Speaker 2: always just about time and like when just calendar stuff.

539
00:25:30,280 --> 00:25:32,520
Speaker 2: And that's why we have the same manager is like

540
00:25:32,560 --> 00:25:37,160
Speaker 2: those those like frictions are minimized when you have one

541
00:25:37,200 --> 00:25:40,840
Speaker 2: person managing both of our time. Yeah, but like it's

542
00:25:40,880 --> 00:25:46,880
Speaker 2: always like just getting on the same page time wise.

543
00:25:46,960 --> 00:25:49,200
Speaker 1: Have either of you have ever said that's a stupid lyric.

544
00:25:50,640 --> 00:25:54,160
Speaker 2: I don't think we've said it like that to each other.

545
00:25:54,400 --> 00:25:56,359
Speaker 2: I say that to it. I would say it to

546
00:25:56,440 --> 00:25:58,960
Speaker 2: someone like Earn be like, no, that's not it. But

547
00:25:59,000 --> 00:26:01,399
Speaker 2: I say it about myself more than anything. Usually I'm like,

548
00:26:01,600 --> 00:26:05,399
Speaker 2: you'll say somebody like that's not right. Yeah, but uh yeah, man,

549
00:26:05,480 --> 00:26:10,880
Speaker 2: that we that she's just a fantastic songwriter. And that's

550
00:26:10,960 --> 00:26:14,240
Speaker 2: like where it all starts with everybody is like getting

551
00:26:14,280 --> 00:26:16,320
Speaker 2: good songs, whether you write them or you find them,

552
00:26:16,359 --> 00:26:21,720
Speaker 2: like that always is the most important thing because that's

553
00:26:21,920 --> 00:26:23,720
Speaker 2: I mean, that's why people buy ticket is to hear

554
00:26:23,720 --> 00:26:24,920
Speaker 2: that song that they love.

555
00:26:25,280 --> 00:26:25,639
Speaker 1: Yeah.

556
00:26:26,720 --> 00:26:28,000
Speaker 2: You know, me and Ern are sort of in the

557
00:26:28,040 --> 00:26:30,880
Speaker 2: same boat where it's like we we have a lot

558
00:26:31,000 --> 00:26:33,920
Speaker 2: of ship moving as writers. Right now, we're both trying

559
00:26:33,960 --> 00:26:35,879
Speaker 2: to get like over that hump as you where is

560
00:26:36,600 --> 00:26:38,560
Speaker 2: he's out there drinking beer in the parking lot and

561
00:26:38,600 --> 00:26:40,800
Speaker 2: he didn't get him and he didn't bring me one.

562
00:26:41,119 --> 00:26:43,399
Speaker 1: This could be a good conversation about the writing world

563
00:26:43,760 --> 00:26:45,720
Speaker 1: because they've written, they wrote together.

564
00:26:45,840 --> 00:26:47,800
Speaker 2: We're in the same boat where it's like we're both

565
00:26:47,840 --> 00:26:49,399
Speaker 2: just looking at each other, like how fuck do you

566
00:26:49,400 --> 00:26:50,080
Speaker 2: get on the radio?

567
00:26:51,040 --> 00:26:54,120
Speaker 1: Yeah, what's what's one of your favorite memories on the road?

568
00:26:57,680 --> 00:27:00,199
Speaker 2: What do you think favorite memories?

569
00:27:01,520 --> 00:27:01,720
Speaker 4: Well?

570
00:27:01,720 --> 00:27:06,000
Speaker 2: See, like I my rhythm is like I wake up

571
00:27:06,119 --> 00:27:08,800
Speaker 2: and then you like work out because there's like no

572
00:27:09,080 --> 00:27:10,440
Speaker 2: like you just wake up and then you tell you

573
00:27:10,440 --> 00:27:14,280
Speaker 2: at night, like nine o'clock at night, so you work out,

574
00:27:14,760 --> 00:27:19,240
Speaker 2: eat lunch. But like I can't party until the show's

575
00:27:19,280 --> 00:27:22,920
Speaker 2: over for the most part, So like I just remember

576
00:27:22,960 --> 00:27:24,880
Speaker 2: this whole tour we just did. Like I'd come back

577
00:27:24,880 --> 00:27:26,960
Speaker 2: to the bus and my band has worked all day

578
00:27:27,760 --> 00:27:30,600
Speaker 2: and I'd want to party and they'd be like too tire.

579
00:27:30,680 --> 00:27:32,119
Speaker 2: They just go to bed, and I'm like, what are we?

580
00:27:32,560 --> 00:27:36,080
Speaker 2: What is this? So I I just remember, like nobody

581
00:27:36,119 --> 00:27:40,160
Speaker 2: wants to party anymore. But I don't know. I've had

582
00:27:40,160 --> 00:27:42,280
Speaker 2: a I've I've been on the road with like FGL

583
00:27:43,080 --> 00:27:44,919
Speaker 2: and Thomas Rhett, who's.

584
00:27:44,640 --> 00:27:47,480
Speaker 1: Been the most fun to be on the road with. Hey,

585
00:27:47,560 --> 00:27:49,719
Speaker 1: keep keep keep name dropping too. Rattle that list off

586
00:27:49,720 --> 00:27:50,919
Speaker 1: again so we can find a winner.

587
00:27:51,680 --> 00:27:55,160
Speaker 2: I've been on the road with tr FGL, Chase Rice

588
00:27:56,600 --> 00:27:59,359
Speaker 2: just like as like part of their packages. Hey, buddy,

589
00:27:59,480 --> 00:28:01,200
Speaker 2: how are you sorry?

590
00:28:01,600 --> 00:28:03,680
Speaker 4: What ready to go?

591
00:28:04,840 --> 00:28:05,920
Speaker 2: Did you bring me a beer?

592
00:28:06,400 --> 00:28:09,480
Speaker 4: I drink too and I locked my car. I can

593
00:28:09,480 --> 00:28:11,639
Speaker 4: get you you want a Corona, but this is a

594
00:28:11,680 --> 00:28:12,840
Speaker 4: Budweiser bus.

595
00:28:13,440 --> 00:28:13,800
Speaker 3: This is.

596
00:28:15,680 --> 00:28:17,920
Speaker 1: What kind of we aren't we are? We aren't sponsored

597
00:28:17,920 --> 00:28:20,800
Speaker 1: by him though, so you can could we can talk

598
00:28:20,840 --> 00:28:21,439
Speaker 1: about whatever.

599
00:28:21,720 --> 00:28:24,280
Speaker 2: I was sponsored by Corona for a while. It was fun.

600
00:28:24,720 --> 00:28:26,720
Speaker 2: One of the coolest moments was like pulling up into

601
00:28:26,760 --> 00:28:31,040
Speaker 2: the driveway and there was a palette of Corona there.

602
00:28:31,080 --> 00:28:34,440
Speaker 2: It was like twenty five cases of Corona in bottles

603
00:28:35,119 --> 00:28:37,840
Speaker 2: and we drank like four or five in two days,

604
00:28:37,840 --> 00:28:41,040
Speaker 2: but maybe more but cases. But yeah, it was like

605
00:28:41,080 --> 00:28:43,760
Speaker 2: that was one of my biggest flexs on That was

606
00:28:43,800 --> 00:28:46,800
Speaker 2: my That was my biggest flex was was was twenty

607
00:28:46,840 --> 00:28:49,640
Speaker 2: five or thirty cases of Corona just sitting there.

608
00:28:49,840 --> 00:28:53,360
Speaker 3: That's amazing of it I.

609
00:28:53,280 --> 00:28:53,680
Speaker 2: Should have.

610
00:28:55,560 --> 00:28:58,760
Speaker 1: The pot. His cigarette is out and he is on

611
00:28:58,800 --> 00:28:59,160
Speaker 1: the pot.

612
00:28:59,200 --> 00:28:59,719
Speaker 3: We're here.

613
00:29:00,240 --> 00:29:01,960
Speaker 1: We were just talking to him the question we had

614
00:29:02,040 --> 00:29:05,720
Speaker 1: his favorite memories on UH on the Road, and I

615
00:29:05,720 --> 00:29:08,600
Speaker 1: think his list was Chase, Rice, Thomas Rhett if I

616
00:29:08,640 --> 00:29:09,440
Speaker 1: had the most.

617
00:29:09,240 --> 00:29:12,160
Speaker 2: Fun on the Chase Tour because that's just the wildest one.

618
00:29:13,640 --> 00:29:17,160
Speaker 2: TR was fun because it was all everybody doing the

619
00:29:17,720 --> 00:29:20,400
Speaker 2: for the first time, like tr headlining for the first time,

620
00:29:20,520 --> 00:29:23,120
Speaker 2: Kelsey Ballerini's first time playing arenas, and then me and

621
00:29:23,160 --> 00:29:25,840
Speaker 2: Russell Dickerson were just the first time doing anything. Yeah,

622
00:29:25,840 --> 00:29:28,440
Speaker 2: so we were stoked. I like doing obviously like doing

623
00:29:28,480 --> 00:29:30,320
Speaker 2: my own show the most because.

624
00:29:30,520 --> 00:29:32,360
Speaker 3: You get to run the show, fucking yours.

625
00:29:32,480 --> 00:29:36,200
Speaker 1: Yeah, it's your Chase. Seems like a good time. We

626
00:29:36,320 --> 00:29:38,760
Speaker 1: got to interview him the virtual stuff, but yeah, he

627
00:29:38,800 --> 00:29:39,800
Speaker 1: seems like a fun time.

628
00:29:40,200 --> 00:29:43,320
Speaker 2: The first night ever on the Chase Tour, we're playing

629
00:29:43,600 --> 00:29:46,240
Speaker 2: have you played Kegs and Jordan, New York the Syracuse

630
00:29:46,320 --> 00:29:50,160
Speaker 2: you will. It's just like it's the middle of nowhere

631
00:29:50,280 --> 00:29:52,360
Speaker 2: if they call it like the Syracuse market, but I

632
00:29:52,360 --> 00:29:54,680
Speaker 2: don't even think it's close to Syracuse, And it's the

633
00:29:54,720 --> 00:29:58,000
Speaker 2: only thing in the town is this little dive venue

634
00:29:58,800 --> 00:30:02,520
Speaker 2: and they have a uh the stage is plywood and

635
00:30:02,560 --> 00:30:07,160
Speaker 2: there's like Chase draws like two thousand people. I don't know,

636
00:30:08,000 --> 00:30:10,720
Speaker 2: uh would There's tons of people there and and I

637
00:30:11,160 --> 00:30:12,800
Speaker 2: like show up and I'm about to play, and all

638
00:30:12,800 --> 00:30:15,200
Speaker 2: of a sudden, like the tour manager John gets like

639
00:30:17,200 --> 00:30:19,000
Speaker 2: I like to see him get punched in the head.

640
00:30:19,400 --> 00:30:21,600
Speaker 2: Like some dude like walked up to Chase his bus

641
00:30:21,600 --> 00:30:24,720
Speaker 2: and started like taking a leak on his bus and

642
00:30:24,840 --> 00:30:28,040
Speaker 2: John like goes over to like get the security guard

643
00:30:28,080 --> 00:30:29,600
Speaker 2: and get this dude kicked out, and the dude just

644
00:30:29,640 --> 00:30:33,160
Speaker 2: whips around and like just punches him in the head.

645
00:30:33,200 --> 00:30:35,480
Speaker 2: And so like, who punched you in the head? The

646
00:30:35,520 --> 00:30:36,440
Speaker 2: guy who beat on his.

647
00:30:36,400 --> 00:30:39,040
Speaker 3: Bus punched the tour manager in the head?

648
00:30:39,120 --> 00:30:40,600
Speaker 2: Yeah, like the side of the head.

649
00:30:40,680 --> 00:30:40,960
Speaker 3: Dude.

650
00:30:41,080 --> 00:30:44,120
Speaker 2: John Lasard is reaching over the security guards and has

651
00:30:44,120 --> 00:30:46,440
Speaker 2: got this dude by the beard. It's just shaking him

652
00:30:46,440 --> 00:30:47,080
Speaker 2: by the beard.

653
00:30:47,120 --> 00:30:49,160
Speaker 3: Oh no, but uh it.

654
00:30:49,040 --> 00:30:51,240
Speaker 2: Was that was my first night on the Chase Rice tour.

655
00:30:51,280 --> 00:30:54,280
Speaker 1: And I was like, that was your first night, Yeah,

656
00:30:54,280 --> 00:30:55,120
Speaker 1: that's the bar.

657
00:30:55,440 --> 00:30:56,920
Speaker 2: It was like my third show ever.

658
00:30:57,320 --> 00:30:59,680
Speaker 1: And he cheems like people don't like you.

659
00:30:59,680 --> 00:31:03,280
Speaker 3: No, it was just some people get rowdy around you.

660
00:31:03,400 --> 00:31:05,320
Speaker 2: Yeah, it was. That was the rowdiest tour I've ever

661
00:31:05,360 --> 00:31:07,560
Speaker 2: been on, and it was my first one. It was

662
00:31:07,560 --> 00:31:09,320
Speaker 2: on my third show ever, and I was like, oh

663
00:31:09,360 --> 00:31:12,560
Speaker 2: my god, what am I doing? But uh, that was fun.

664
00:31:12,600 --> 00:31:14,600
Speaker 2: That was like one of those days where you're like

665
00:31:14,840 --> 00:31:16,600
Speaker 2: one of those tours, are like not sure how the

666
00:31:16,880 --> 00:31:18,680
Speaker 2: we had like a sprinter van. You're not like sure

667
00:31:18,720 --> 00:31:22,040
Speaker 2: how that thing got from city to city? Right, don't

668
00:31:22,080 --> 00:31:22,680
Speaker 2: really remember?

669
00:31:22,800 --> 00:31:23,600
Speaker 3: Did you have to drive?

670
00:31:24,560 --> 00:31:24,960
Speaker 2: Not much?

671
00:31:25,280 --> 00:31:25,480
Speaker 1: Yeah.

672
00:31:25,560 --> 00:31:28,320
Speaker 2: I always drove like coming home because like I wasn't.

673
00:31:28,880 --> 00:31:31,760
Speaker 2: I was not about like taking our time to get home.

674
00:31:32,040 --> 00:31:33,920
Speaker 2: So I was like I will go, I will we

675
00:31:34,000 --> 00:31:34,640
Speaker 2: are going home.

676
00:31:34,720 --> 00:31:37,760
Speaker 1: Yes, So so you guys won't have like a bus

677
00:31:37,880 --> 00:31:39,920
Speaker 1: driver every time, like sometimes they'll just be.

678
00:31:40,200 --> 00:31:43,160
Speaker 3: Well now I do, but early on when you can't

679
00:31:43,160 --> 00:31:45,400
Speaker 3: afford a bus, you take van.

680
00:31:45,520 --> 00:31:45,680
Speaker 1: Yeah.

681
00:31:45,720 --> 00:31:48,960
Speaker 3: Buses are ridiculous, like ten grand for the weekend at least.

682
00:31:49,200 --> 00:31:49,360
Speaker 5: Yeah.

683
00:31:49,960 --> 00:31:52,920
Speaker 2: Yeah, oh old Dominion. That was a great.

684
00:31:52,800 --> 00:31:56,520
Speaker 3: Tour to be Those are fun guys, fun dudes I had. Yeah,

685
00:31:56,520 --> 00:31:57,160
Speaker 3: those are fun guys.

686
00:31:57,200 --> 00:31:58,880
Speaker 2: I forgot I did that at the end of last

687
00:31:58,920 --> 00:32:00,920
Speaker 2: year as the last tour I was on. That was.

688
00:32:01,120 --> 00:32:03,560
Speaker 2: That's a great they have a great Uh fan base

689
00:32:03,680 --> 00:32:05,760
Speaker 2: for someone like me, like they're they're fans, and my

690
00:32:05,880 --> 00:32:08,280
Speaker 2: fans are like, I feel like there's a.

691
00:32:08,280 --> 00:32:11,600
Speaker 6: Lot of a lot of car over crossover overlap, So

692
00:32:12,640 --> 00:32:13,520
Speaker 6: why why is that?

693
00:32:14,120 --> 00:32:15,640
Speaker 2: I don't know. I just think that just the type

694
00:32:15,640 --> 00:32:16,920
Speaker 2: of music we both make.

695
00:32:17,000 --> 00:32:19,080
Speaker 1: It it's not it's not too redneck.

696
00:32:19,280 --> 00:32:20,760
Speaker 3: I mean, yeah, I know I have a mullet, but

697
00:32:20,760 --> 00:32:21,680
Speaker 3: I'm not the most redneck.

698
00:32:21,720 --> 00:32:23,400
Speaker 1: I was telling him, like, are you swing a lot

699
00:32:23,440 --> 00:32:27,400
Speaker 1: of different ways? He was actually complimenting earlier, saying there's

700
00:32:27,440 --> 00:32:29,760
Speaker 1: not many. There's not many people who swing a different

701
00:32:29,800 --> 00:32:30,600
Speaker 1: hammer all the time.

702
00:32:30,840 --> 00:32:33,840
Speaker 3: Wasn't quite ready for that, I guess in your seat? Sorry, Pops,

703
00:32:35,920 --> 00:32:36,800
Speaker 3: do I need to get up?

704
00:32:36,920 --> 00:32:43,080
Speaker 7: Or Taylor Wells kind of glued to my seat?

705
00:32:43,200 --> 00:32:44,640
Speaker 3: So sorry?

706
00:32:44,640 --> 00:32:45,840
Speaker 2: Do you want to share this microphone?

707
00:32:46,560 --> 00:32:48,480
Speaker 1: Similar we were talking about yesterday with like sports and

708
00:32:48,480 --> 00:32:50,760
Speaker 1: everything else you have, like ninety percent of the league

709
00:32:50,800 --> 00:32:53,120
Speaker 1: is kind of the same and then there's some unicorns.

710
00:32:53,240 --> 00:32:54,920
Speaker 2: Actually, someone's sitting over there right now.

711
00:32:54,920 --> 00:32:58,440
Speaker 1: You are You are too, well, Taylor, Taylor is.

712
00:32:58,480 --> 00:33:00,120
Speaker 4: This is definitely play more talented than.

713
00:33:02,000 --> 00:33:03,000
Speaker 1: In the football.

714
00:33:04,880 --> 00:33:08,040
Speaker 2: Songwriters. Who are you meet songwriters? They are all kind

715
00:33:08,040 --> 00:33:09,800
Speaker 2: of the same amount of talent. And then you get

716
00:33:09,800 --> 00:33:13,360
Speaker 2: in the room with guys like like Michael and Iarn

717
00:33:13,440 --> 00:33:16,600
Speaker 2: and you're like, oh my god, this guy's I would

718
00:33:16,680 --> 00:33:17,960
Speaker 2: never say this to your face.

719
00:33:17,800 --> 00:33:18,480
Speaker 3: Well don't.

720
00:33:23,120 --> 00:33:23,440
Speaker 7: This guy.

721
00:33:23,800 --> 00:33:26,320
Speaker 2: This guy's hands down more talented than everybody else. It's

722
00:33:26,360 --> 00:33:28,080
Speaker 2: like the guys that can just like spit out a

723
00:33:28,120 --> 00:33:30,200
Speaker 2: second verse in like one second, and you're like, oh,

724
00:33:30,240 --> 00:33:32,280
Speaker 2: that's it and we don't have to change anything, Like,

725
00:33:32,320 --> 00:33:35,280
Speaker 2: not a lot of people can just like, actually, there's

726
00:33:35,320 --> 00:33:36,520
Speaker 2: not even a lot of people I think that can

727
00:33:36,520 --> 00:33:39,560
Speaker 2: write lyrics. To be honest, I think that. I don't

728
00:33:39,600 --> 00:33:42,920
Speaker 2: mean that in a world full of songwriters, that's pretty heavy.

729
00:33:42,960 --> 00:33:45,040
Speaker 2: I think that's like, I think that's the most challenging

730
00:33:45,080 --> 00:33:47,000
Speaker 2: thing for most people. And then like when when you

731
00:33:47,040 --> 00:33:50,200
Speaker 2: meet people who are it comes like very effortless, like

732
00:33:50,320 --> 00:33:54,160
Speaker 2: you or Michael, It's like, damn, that's the special Eric Pasley.

733
00:33:54,360 --> 00:33:57,160
Speaker 2: Do you guys know who Eric Pasley is. He's another

734
00:33:57,240 --> 00:33:59,160
Speaker 2: dude like that that you might not think of. That's like,

735
00:33:59,800 --> 00:34:02,640
Speaker 2: it's it's just effortless. So that was my compliment for

736
00:34:02,680 --> 00:34:03,120
Speaker 2: you earlier.

737
00:34:03,160 --> 00:34:05,360
Speaker 3: Well, thank you, damn glad I got to hear that.

738
00:34:05,520 --> 00:34:06,920
Speaker 2: Yeah, And I'll never give you another one.

739
00:34:06,960 --> 00:34:08,319
Speaker 3: That's fine. Now, that'll hold me over that.

740
00:34:08,600 --> 00:34:10,600
Speaker 1: You guys seem like you're in similar lanes where you

741
00:34:10,719 --> 00:34:12,440
Speaker 1: started out and kind of writing, and you're known and

742
00:34:12,480 --> 00:34:14,759
Speaker 1: well respected for all the writing, and now you're both

743
00:34:14,840 --> 00:34:17,359
Speaker 1: kind of touring and doing your music thing. You were

744
00:34:17,360 --> 00:34:19,080
Speaker 1: talking about that earlier about how he kind of got

745
00:34:19,120 --> 00:34:21,840
Speaker 1: into music. This episode of Busting with the Boys is

746
00:34:21,880 --> 00:34:24,560
Speaker 1: also brought to you by Feltman shut Out Feltman's Dude

747
00:34:24,560 --> 00:34:28,120
Speaker 1: and the Glizzies. Last week, I've learned on Twitter what

748
00:34:28,120 --> 00:34:30,560
Speaker 1: a glizzy was, not just Twitter, but the Urban Dictionary,

749
00:34:30,760 --> 00:34:33,040
Speaker 1: and a glizzy is a hot dog. So I became

750
00:34:33,040 --> 00:34:35,960
Speaker 1: a grizzy gladiator. Last week they shipp us some hot

751
00:34:35,960 --> 00:34:37,480
Speaker 1: dogs in the mail. I was like, Okay, I guess

752
00:34:37,480 --> 00:34:40,000
Speaker 1: hot dogs are gonna sponsor the boys. Throw them on

753
00:34:40,000 --> 00:34:42,800
Speaker 1: the grill. They're phenomenal. Thrown at a couple Glizzies, gobbled

754
00:34:42,840 --> 00:34:45,120
Speaker 1: a couple Glizzies. I know that's a little but hey,

755
00:34:45,160 --> 00:34:46,719
Speaker 1: no pause is how we do it on the pop Man.

756
00:34:46,719 --> 00:34:48,520
Speaker 1: There's no pause out there. We throwed at a couple

757
00:34:48,520 --> 00:34:49,560
Speaker 1: of Glizzies last week.

758
00:34:51,320 --> 00:34:51,800
Speaker 2: No pause.

759
00:34:51,840 --> 00:34:54,719
Speaker 1: But Feltman's of Coney Island is the world's first hot

760
00:34:54,760 --> 00:34:59,360
Speaker 1: dog brand. Estimated since eighteen sixty seven, with Charles Feltman

761
00:34:59,440 --> 00:35:01,359
Speaker 1: being the investment sure of the Glizzie, which is per

762
00:35:01,400 --> 00:35:04,400
Speaker 1: the Urban Dictionary, the hot Dog. Feltman's is also a

763
00:35:04,400 --> 00:35:07,840
Speaker 1: military veteran run business, revived in twenty fifteen. The founders,

764
00:35:07,920 --> 00:35:10,080
Speaker 1: Michael and Joe Quinn, revived the brand in honor of

765
00:35:10,080 --> 00:35:12,759
Speaker 1: their late brother Jimmy, who is tragically killed on nine

766
00:35:12,760 --> 00:35:15,839
Speaker 1: to eleven. And when I say veteran owned, these are

767
00:35:15,880 --> 00:35:19,760
Speaker 1: real hardcore vettes. These boys got thirty plus years in uniform,

768
00:35:19,880 --> 00:35:22,800
Speaker 1: one hundred and thirteen months deployed overseas, with Joe deployed

769
00:35:22,800 --> 00:35:25,560
Speaker 1: three times to combat after his brother was killed on

770
00:35:25,640 --> 00:35:27,680
Speaker 1: nine to eleven. They all played D one sports at

771
00:35:27,800 --> 00:35:31,440
Speaker 1: Army as well, so athletes military. It all makes sense, USA.

772
00:35:32,040 --> 00:35:35,759
Speaker 1: The Quinn brothers are diehard sports fans, especially football and baseball. Hence,

773
00:35:35,800 --> 00:35:38,439
Speaker 1: while they sponsored the boys with some Glizzies. So here's

774
00:35:38,440 --> 00:35:40,800
Speaker 1: the thing. The Quinns have put together an annual Mets

775
00:35:40,800 --> 00:35:44,120
Speaker 1: game in honor of their brother Jimmy every year. Obviously

776
00:35:44,200 --> 00:35:46,319
Speaker 1: they can't be at the ballpark this year, so they're

777
00:35:46,320 --> 00:35:48,880
Speaker 1: going to do sort of a virtual thing. Bustin fans

778
00:35:48,880 --> 00:35:53,279
Speaker 1: get discount off their entire order with code busting, and

779
00:35:53,400 --> 00:35:58,239
Speaker 1: the website is www dot Feltman's of Coneyiland dot com.

780
00:35:58,320 --> 00:36:00,560
Speaker 1: Let me say that again. You get a discount off

781
00:36:00,600 --> 00:36:04,680
Speaker 1: your entire order with the code busting at Feltman'sofconey Island

782
00:36:04,760 --> 00:36:07,799
Speaker 1: dot com. And for the vets and first first responders

783
00:36:08,520 --> 00:36:11,120
Speaker 1: on their website, they can get an additional ten percent

784
00:36:11,160 --> 00:36:15,240
Speaker 1: off with I D dot me at checkout. So veterans

785
00:36:15,280 --> 00:36:18,680
Speaker 1: first responders, you get an additional ten percent off by

786
00:36:18,960 --> 00:36:22,040
Speaker 1: typing in I D dot me at checkout. Shout out

787
00:36:22,080 --> 00:36:24,920
Speaker 1: the boys and Feltman's Love the Glizzies. Dude, keep them coming. Everybody,

788
00:36:24,920 --> 00:36:27,359
Speaker 1: go track Glizzie. Get on their site now uncured all beef,

789
00:36:27,360 --> 00:36:32,200
Speaker 1: hot dogs, go go get those boys. Due gosh, damn it,

790
00:36:33,080 --> 00:36:33,600
Speaker 1: answer it.

791
00:36:34,280 --> 00:36:37,080
Speaker 3: I can't answer that.

792
00:36:36,880 --> 00:36:45,880
Speaker 1: Oh yeah, I just gonna sit here and dance. I

793
00:36:45,880 --> 00:36:46,560
Speaker 1: can't answer that.

794
00:36:46,719 --> 00:36:50,680
Speaker 3: You might, yeah, but you ain't smoking window whizzle every time. Dude,

795
00:36:50,920 --> 00:36:52,239
Speaker 3: my mom could call. That's the ringer.

796
00:36:52,760 --> 00:36:55,360
Speaker 1: Yeah, to get to get off the the earnest. But

797
00:36:55,440 --> 00:36:57,480
Speaker 1: I want to go back to the EP thing. He

798
00:36:57,560 --> 00:37:00,359
Speaker 1: was explaining what EP was, and would you say, what

799
00:37:00,400 --> 00:37:01,359
Speaker 1: does E P mean?

800
00:37:01,400 --> 00:37:03,880
Speaker 2: I mean he's stended play. But it's fucked up because it's.

801
00:37:03,800 --> 00:37:05,520
Speaker 1: Extended playlist, but it's a shorter album.

802
00:37:05,880 --> 00:37:06,920
Speaker 3: Yeah, it's not extended.

803
00:37:06,960 --> 00:37:08,320
Speaker 4: I thought, I'm an executive producer.

804
00:37:08,920 --> 00:37:12,240
Speaker 1: I thought, so, does hear episode.

805
00:37:12,080 --> 00:37:14,960
Speaker 4: EPs on like TV shows or songs?

806
00:37:15,120 --> 00:37:17,840
Speaker 3: Yes, you get that paper because yes, because you're the

807
00:37:17,880 --> 00:37:18,640
Speaker 3: executive producer.

808
00:37:18,640 --> 00:37:19,200
Speaker 4: That's what I'm saying.

809
00:37:19,200 --> 00:37:21,400
Speaker 7: When we walked away from your podcast yesterday, I'm speaking

810
00:37:21,480 --> 00:37:22,280
Speaker 7: very loudly because.

811
00:37:22,160 --> 00:37:25,120
Speaker 2: I'm like, that's okay, that's okay right now.

812
00:37:26,120 --> 00:37:27,719
Speaker 7: When I talk about, I want to EP on your

813
00:37:27,760 --> 00:37:29,480
Speaker 7: next album, so I want to I want to get in.

814
00:37:29,400 --> 00:37:31,360
Speaker 4: That do it known as a songwriter.

815
00:37:31,120 --> 00:37:33,520
Speaker 3: Do it, get Dereck Henry on my on my project.

816
00:37:33,520 --> 00:37:34,640
Speaker 3: If you want to be known as a.

817
00:37:34,520 --> 00:37:36,560
Speaker 1: Songwriter, you got to write the songs.

818
00:37:37,880 --> 00:37:38,040
Speaker 2: Dude.

819
00:37:38,080 --> 00:37:41,120
Speaker 3: You can executive produce and not know anything about music.

820
00:37:41,160 --> 00:37:41,960
Speaker 1: People do it all the time.

821
00:37:42,760 --> 00:37:44,120
Speaker 7: Song But if let's say the four of us are

822
00:37:44,120 --> 00:37:46,440
Speaker 7: sitting in a room and we wrote a song right now,

823
00:37:46,600 --> 00:37:49,040
Speaker 7: and I said one word that made it in that song.

824
00:37:49,080 --> 00:37:51,160
Speaker 4: You don't say a word, right, you just get credit

825
00:37:51,200 --> 00:37:51,600
Speaker 4: for right.

826
00:37:51,680 --> 00:37:53,840
Speaker 3: Yes, dude, if we if me and Ryan wrote a

827
00:37:53,880 --> 00:37:54,760
Speaker 3: song right now.

828
00:37:54,600 --> 00:37:58,080
Speaker 4: And y'all here, Taylor and Will and Taylor y'all.

829
00:37:58,200 --> 00:38:00,480
Speaker 3: Y'all it is Will and Taylor because y'all are the room.

830
00:38:00,680 --> 00:38:03,239
Speaker 3: Actually it's a one, two, three, four, five six.

831
00:38:03,280 --> 00:38:04,680
Speaker 1: We don't have to give them credit there, you do

832
00:38:04,760 --> 00:38:05,719
Speaker 1: because they're in the room.

833
00:38:06,280 --> 00:38:07,760
Speaker 3: Yeah, that's Nashville.

834
00:38:08,160 --> 00:38:10,560
Speaker 2: I think we could argue that that that that half

835
00:38:10,560 --> 00:38:13,000
Speaker 2: of the room doesn't need credit for the song. We

836
00:38:13,080 --> 00:38:15,880
Speaker 2: could argue that, but it would be literally split. You

837
00:38:15,920 --> 00:38:18,480
Speaker 2: get twenty five twenty five twenty five twenty five if

838
00:38:18,480 --> 00:38:20,120
Speaker 2: you do it in La, though, or New York is

839
00:38:20,160 --> 00:38:21,279
Speaker 2: different because they would go.

840
00:38:21,400 --> 00:38:23,160
Speaker 4: I'll give you four percent of mind twenty five.

841
00:38:23,600 --> 00:38:26,040
Speaker 2: But you would get if you were in LA, they

842
00:38:26,080 --> 00:38:27,520
Speaker 2: would like start arguing.

843
00:38:27,200 --> 00:38:30,080
Speaker 1: Over like they're keeping but get that mic closer.

844
00:38:30,440 --> 00:38:33,960
Speaker 2: They would argue about like who who wrote what, and

845
00:38:34,160 --> 00:38:37,480
Speaker 2: like how much you each deserved? Yeah, and so like

846
00:38:37,520 --> 00:38:39,280
Speaker 2: you would like all those A lot of those songs

847
00:38:39,320 --> 00:38:42,400
Speaker 2: go into dispute, so nobody gets paid until the dispute

848
00:38:42,440 --> 00:38:44,759
Speaker 2: is settled because some guys like, well I deserve more

849
00:38:44,760 --> 00:38:47,320
Speaker 2: than four percent because I moved this mic cable or something.

850
00:38:47,200 --> 00:38:50,399
Speaker 3: And they hold up everybody's pay In Nashville, you feel

851
00:38:50,440 --> 00:38:51,600
Speaker 3: like it's different than Nashville.

852
00:38:51,920 --> 00:38:53,799
Speaker 2: Pretty much just cut and dry, the only thing you

853
00:38:53,840 --> 00:38:59,400
Speaker 2: run into in Nashville is like if somebody potentially like

854
00:38:59,440 --> 00:39:01,480
Speaker 2: if you are on top of somebody else's song, you

855
00:39:01,520 --> 00:39:04,280
Speaker 2: might have to give them some credit. Like Brett Eldridge

856
00:39:04,280 --> 00:39:08,400
Speaker 2: when he did that Crazy song, he had that Celo

857
00:39:08,520 --> 00:39:14,800
Speaker 2: Green like Crazy, he had literally like the the hook

858
00:39:14,840 --> 00:39:19,319
Speaker 2: to Crazy, and so he had to give credit that

859
00:39:19,400 --> 00:39:21,279
Speaker 2: those writers had to give credit to all the people

860
00:39:21,320 --> 00:39:23,359
Speaker 2: who wrote Crazy. And I'm sure it wasn't like an

861
00:39:23,400 --> 00:39:25,400
Speaker 2: equal split, but like sometimes you have to do that.

862
00:39:25,719 --> 00:39:28,600
Speaker 2: But other than that, like it's just we split it

863
00:39:28,640 --> 00:39:34,640
Speaker 2: all down the middle here or equally than la oh yeah,

864
00:39:34,680 --> 00:39:36,000
Speaker 2: because I mean it's just if you.

865
00:39:36,000 --> 00:39:39,480
Speaker 7: Wrote song, well, me, Will and Ernest had a thumb

866
00:39:39,520 --> 00:39:40,719
Speaker 7: up brasses the whole time in the morning.

867
00:39:40,719 --> 00:39:42,240
Speaker 1: That's so I'm saying Taylor and I were just sitting

868
00:39:42,280 --> 00:39:43,880
Speaker 1: here and you guys walked out like, well, even it's

869
00:39:43,920 --> 00:39:44,760
Speaker 1: gonna be a great.

870
00:39:44,560 --> 00:39:46,319
Speaker 4: Song, number one song because you've had four or five

871
00:39:46,360 --> 00:39:47,040
Speaker 4: number one songs.

872
00:39:47,120 --> 00:39:49,320
Speaker 2: Yeah, But I would say two things to that. I

873
00:39:49,360 --> 00:39:52,440
Speaker 2: would say you because when we wrote Heartless, I was

874
00:39:52,480 --> 00:39:56,040
Speaker 2: the dude I walked in and he started just it

875
00:39:56,239 --> 00:39:57,640
Speaker 2: fell out of him and I just had my phone

876
00:39:57,719 --> 00:39:59,800
Speaker 2: being like no, you got to say that again exactly

877
00:39:59,840 --> 00:40:01,480
Speaker 2: like that, and you need that guy to be like

878
00:40:01,719 --> 00:40:05,560
Speaker 2: definitely the editor right sometimes, And then i'd also say

879
00:40:05,560 --> 00:40:07,760
Speaker 2: that if it's truly like I did ninety five percent

880
00:40:07,760 --> 00:40:10,440
Speaker 2: of it and it was a huge hit, I'm not

881
00:40:10,560 --> 00:40:12,799
Speaker 2: I'm just not gonna do it again. You know, all

882
00:40:12,840 --> 00:40:14,880
Speaker 2: your people be like, we gotta get this crew back together,

883
00:40:14,920 --> 00:40:15,359
Speaker 2: and I'd be.

884
00:40:15,320 --> 00:40:20,680
Speaker 3: Like, no, but the crew is technically already together.

885
00:40:23,880 --> 00:40:26,319
Speaker 2: That's what I would That's yeah, So that's the fall

886
00:40:26,400 --> 00:40:27,279
Speaker 2: figures itself out.

887
00:40:27,800 --> 00:40:28,000
Speaker 3: Yeah.

888
00:40:28,200 --> 00:40:29,960
Speaker 4: Do you like being a songwriter? Do they be a

889
00:40:30,000 --> 00:40:30,680
Speaker 4: performer better?

890
00:40:30,719 --> 00:40:32,600
Speaker 2: Is that one of them? They're different? I like being

891
00:40:32,600 --> 00:40:35,320
Speaker 2: a songwriter. That question, it's music all the time.

892
00:40:35,480 --> 00:40:37,560
Speaker 1: Yeah, but he let him elaborate more.

893
00:40:37,560 --> 00:40:38,279
Speaker 3: Two of us missed it.

894
00:40:38,360 --> 00:40:39,799
Speaker 2: I would like for you to.

895
00:40:41,800 --> 00:40:42,160
Speaker 1: Performing.

896
00:40:42,200 --> 00:40:43,840
Speaker 2: I think you'll have a similar answer. But I like

897
00:40:45,480 --> 00:40:47,799
Speaker 2: when you're a writer, you're creative all the time. It's

898
00:40:47,880 --> 00:40:50,960
Speaker 2: all music, and when you're an artist, it's like ninety

899
00:40:50,960 --> 00:40:57,600
Speaker 2: percent not music bullshit, And it's that's a word for it.

900
00:40:57,600 --> 00:41:01,759
Speaker 2: It's just like I'm yeah, So I like doing both

901
00:41:01,800 --> 00:41:04,319
Speaker 2: things because the less I write, I feel like the

902
00:41:04,320 --> 00:41:06,879
Speaker 2: more I hit the bulls eye. Yeah, because my I'm

903
00:41:06,880 --> 00:41:10,239
Speaker 2: never burnt. But also and I like playing shows. I

904
00:41:10,360 --> 00:41:12,960
Speaker 2: like obviously like the recording of music. I like the

905
00:41:13,080 --> 00:41:15,120
Speaker 2: music part of being an artist, but there's so much

906
00:41:15,239 --> 00:41:18,080
Speaker 2: attached to it. That's like. But I also don't want

907
00:41:18,080 --> 00:41:20,719
Speaker 2: to just write songs because I feel like you just

908
00:41:20,719 --> 00:41:22,640
Speaker 2: write too many and you get burnt out and then

909
00:41:22,760 --> 00:41:26,160
Speaker 2: just they get shittier. So I like doing both things

910
00:41:26,200 --> 00:41:28,320
Speaker 2: and earnest like you were one of the few dudes

911
00:41:28,360 --> 00:41:29,280
Speaker 2: like me who does both.

912
00:41:29,360 --> 00:41:31,160
Speaker 3: Yeah, there's not a lot of them. I totally agree.

913
00:41:31,480 --> 00:41:33,959
Speaker 3: I feel the same way about artistry. They're like there's

914
00:41:33,960 --> 00:41:36,320
Speaker 3: a there's a part of me. Maybe it's ego or whatever,

915
00:41:36,360 --> 00:41:39,920
Speaker 3: but I've always wanted to perform songs or like, sometimes

916
00:41:39,960 --> 00:41:42,319
Speaker 3: I'll be writing a song and it's I know, as

917
00:41:42,320 --> 00:41:44,200
Speaker 3: soon as we're writing it, this is for me. I

918
00:41:44,520 --> 00:41:48,360
Speaker 3: want to sing this song. So like that that or

919
00:41:48,400 --> 00:41:52,319
Speaker 3: whatever is getting itched by being an artist. But as

920
00:41:52,320 --> 00:41:56,360
Speaker 3: far as creator goes, like I can't turn off writing songs.

921
00:41:56,360 --> 00:41:57,839
Speaker 3: I'm gonna be writing songs either way.

922
00:41:57,920 --> 00:41:59,520
Speaker 1: Well, you kind of I feel like you just create

923
00:41:59,560 --> 00:42:01,880
Speaker 1: shit all the time, whether you're just creating a text

924
00:42:01,920 --> 00:42:05,200
Speaker 1: for myself. Yeah, just like trying to make somebody laugh.

925
00:42:05,320 --> 00:42:09,120
Speaker 3: Yeah, yeah, yeah, I mean that's the fact that songwriting

926
00:42:09,200 --> 00:42:12,480
Speaker 3: is a job is unreal, Like haha, high school teachers

927
00:42:12,719 --> 00:42:16,280
Speaker 3: like you're a d D and not listening in class,

928
00:42:16,280 --> 00:42:17,960
Speaker 3: so you better pay attention. You're gonna need to go

929
00:42:18,000 --> 00:42:19,600
Speaker 3: finish college if you want to get a real job.

930
00:42:19,640 --> 00:42:22,600
Speaker 2: It's like, I have a sociology degree, which is basically.

931
00:42:22,480 --> 00:42:23,680
Speaker 3: How do you and how does that make it? And

932
00:42:23,760 --> 00:42:24,920
Speaker 3: how does that make you feel?

933
00:42:26,600 --> 00:42:27,080
Speaker 1: You know what?

934
00:42:28,360 --> 00:42:30,319
Speaker 2: I had not a lot to do with writing a song,

935
00:42:30,440 --> 00:42:34,440
Speaker 2: so whatever, I just yeah. I think the difference too,

936
00:42:34,520 --> 00:42:36,279
Speaker 2: is like a lot of people want to be an artist,

937
00:42:36,560 --> 00:42:38,520
Speaker 2: like I wish I was a country music artist, but

938
00:42:38,520 --> 00:42:40,239
Speaker 2: then there's dudes that are just like that kid just

939
00:42:40,320 --> 00:42:44,600
Speaker 2: is one. Yes, And that's like so like people, you

940
00:42:44,640 --> 00:42:47,160
Speaker 2: get better at writing songs, get better at making recordings,

941
00:42:47,160 --> 00:42:49,680
Speaker 2: but either sometimes either are one or you aren't one.

942
00:42:49,680 --> 00:42:53,680
Speaker 2: And I think that that's what people, like real fans

943
00:42:53,760 --> 00:42:56,839
Speaker 2: kind of catch on to, is like they know.

944
00:42:56,800 --> 00:43:00,239
Speaker 3: What, Zach, Yeah, I want to be an NFL football Yeah,

945
00:43:00,320 --> 00:43:02,200
Speaker 3: I ain't gonna. I can go to the gym every day. Again,

946
00:43:02,280 --> 00:43:02,600
Speaker 3: we can.

947
00:43:02,560 --> 00:43:04,080
Speaker 2: Tackle each other every Thursday night.

948
00:43:04,600 --> 00:43:06,719
Speaker 3: I'm not taking a hit from either of y'all, I'll

949
00:43:06,719 --> 00:43:07,279
Speaker 3: take a hit.

950
00:43:07,400 --> 00:43:07,919
Speaker 1: Have you had.

951
00:43:10,440 --> 00:43:12,160
Speaker 2: You ever had to tackle Derrick Henry?

952
00:43:12,680 --> 00:43:20,359
Speaker 1: Yeah? Will he was a few times, he was right there.

953
00:43:20,360 --> 00:43:22,680
Speaker 1: A couple of times you tripp or something. Well, yeah,

954
00:43:23,719 --> 00:43:26,480
Speaker 1: you go through with it. No, Yeah, he's a he's

955
00:43:26,480 --> 00:43:28,640
Speaker 1: a monstery somebody you just you just drop low on

956
00:43:28,719 --> 00:43:31,280
Speaker 1: in the hole. A lot of guys are very prideful

957
00:43:31,280 --> 00:43:32,960
Speaker 1: and they want to see if they got it. But

958
00:43:33,080 --> 00:43:37,719
Speaker 1: as you see Derrick Henry, the majority of times.

959
00:43:36,760 --> 00:43:39,600
Speaker 3: I was gonna say the majority of the time, did

960
00:43:39,640 --> 00:43:42,319
Speaker 3: Earl Thomas and Derrick Henry a Father's Day card this year?

961
00:43:43,920 --> 00:43:46,879
Speaker 1: Had a hard We actually, hey, it's his it's his

962
00:43:46,960 --> 00:43:51,520
Speaker 1: mic on yet exactly. Yeahs Taylor, you're grabbing that mic.

963
00:43:51,520 --> 00:43:54,399
Speaker 1: I don't know if it's on right now. We can

964
00:43:54,400 --> 00:43:56,359
Speaker 1: all we can all hear you for sure. It is okay.

965
00:43:56,880 --> 00:43:58,920
Speaker 7: I've been holding my tongue like since I've walked in here.

966
00:43:58,960 --> 00:43:59,879
Speaker 7: By the way, I'm very sorry.

967
00:44:00,200 --> 00:44:03,600
Speaker 2: I don't mean you do that. I'm having a having

968
00:44:03,640 --> 00:44:07,040
Speaker 2: a great time. Yeah, I told him this year we

969
00:44:07,120 --> 00:44:09,279
Speaker 2: just had a baby. I get it. I said, Yo,

970
00:44:10,160 --> 00:44:14,040
Speaker 2: he's three months yesterday, born in the quarantine. He's pretty

971
00:44:14,040 --> 00:44:16,680
Speaker 2: good and he's getting there. We're almost there, dude.

972
00:44:17,760 --> 00:44:19,960
Speaker 7: The first six months is like I'm just keeping this

973
00:44:19,960 --> 00:44:20,359
Speaker 7: thing a lot.

974
00:44:20,480 --> 00:44:22,719
Speaker 2: Oh yeah, I wake up at four am every day

975
00:44:22,760 --> 00:44:24,480
Speaker 2: to feed him and then put him back to bed.

976
00:44:24,280 --> 00:44:25,319
Speaker 4: And tough life.

977
00:44:26,120 --> 00:44:28,759
Speaker 7: It gets there for sure. My my first daughter, she

978
00:44:28,840 --> 00:44:31,480
Speaker 7: was born July July fifth, and like two weeks later

979
00:44:31,480 --> 00:44:33,719
Speaker 7: I had to go to camp. But those two weeks

980
00:44:33,719 --> 00:44:35,239
Speaker 7: I was like, I was like in it because my

981
00:44:35,280 --> 00:44:39,000
Speaker 7: wife is she's dead, right yeah. And then my daughter

982
00:44:39,040 --> 00:44:41,520
Speaker 7: now she's due July sixteenth, and so it's like I'm

983
00:44:41,600 --> 00:44:43,680
Speaker 7: kind of I kind of get a get jail free throat.

984
00:44:43,719 --> 00:44:44,399
Speaker 2: I have to go to CAP.

985
00:44:44,880 --> 00:44:46,120
Speaker 7: It's kind of a weird little deal.

986
00:44:46,160 --> 00:44:48,319
Speaker 2: But we were we were gonna I was gonna be

987
00:44:48,719 --> 00:44:50,960
Speaker 2: I mean, we tour, so our schedules kind of go

988
00:44:51,040 --> 00:44:53,000
Speaker 2: like this, but we we wanted a tour together this

989
00:44:53,120 --> 00:44:55,359
Speaker 2: year just so that like I didn't miss a whole

990
00:44:55,400 --> 00:44:58,600
Speaker 2: chunk of time. But it's a it's a lot of work, man.

991
00:44:58,600 --> 00:44:59,799
Speaker 2: They're like, oh, it's a lot of work, and then

992
00:44:59,800 --> 00:45:02,080
Speaker 2: you are doing it. Oh shit, this is is a

993
00:45:02,080 --> 00:45:04,040
Speaker 2: lot a lot of work. And then you always I think,

994
00:45:04,080 --> 00:45:06,120
Speaker 2: like your kid has a rough day. Like my daughter,

995
00:45:06,239 --> 00:45:08,960
Speaker 2: she's gett me three, and she'll.

996
00:45:08,800 --> 00:45:12,920
Speaker 7: Like like be super like mean, or like she'll do

997
00:45:13,000 --> 00:45:15,160
Speaker 7: something that's like not good right, and I'll be like, hey,

998
00:45:15,200 --> 00:45:17,680
Speaker 7: don't don't do that, And like then you get frustrated

999
00:45:17,680 --> 00:45:19,319
Speaker 7: as your patients are low and then they go to bed,

1000
00:45:19,520 --> 00:45:20,960
Speaker 7: and then your head you're like, what if I just

1001
00:45:21,000 --> 00:45:24,839
Speaker 7: created a serial killer by doing the right things. Some

1002
00:45:24,840 --> 00:45:28,520
Speaker 7: people do kid, some people do Dahmer, all those guys,

1003
00:45:28,520 --> 00:45:30,680
Speaker 7: But like, you know, I don't want to to be

1004
00:45:30,719 --> 00:45:31,280
Speaker 7: a Dahmer.

1005
00:45:31,360 --> 00:45:32,080
Speaker 2: You know what I'm saying.

1006
00:45:32,320 --> 00:45:36,040
Speaker 3: Manson Jimmy Dahmer had no idea when he when you know,

1007
00:45:36,120 --> 00:45:42,600
Speaker 3: when he went ahead said I'm shooting it, Jeffrey, No,

1008
00:45:43,160 --> 00:45:46,600
Speaker 3: Timmy's his dad. I'm talking. But when I'm saying, I'm

1009
00:45:46,600 --> 00:45:48,680
Speaker 3: not talking about a bullet. When I say shooting it,

1010
00:45:49,200 --> 00:45:51,239
Speaker 3: I'm talking about I'm gonna make this kid. And then

1011
00:45:51,280 --> 00:45:55,000
Speaker 3: that kid we named him Jeffrey damn dude could not Yeah,

1012
00:45:55,120 --> 00:45:55,760
Speaker 3: for sure.

1013
00:45:56,040 --> 00:45:57,759
Speaker 7: But parenting. Parenting is the most stresful job in the

1014
00:45:57,760 --> 00:45:59,400
Speaker 7: world because you just feel like every day is like,

1015
00:46:00,160 --> 00:46:01,799
Speaker 7: am I doing the right thing as a parent? Am

1016
00:46:01,800 --> 00:46:04,200
Speaker 7: I making sure that this kid? When they're three months old,

1017
00:46:04,200 --> 00:46:05,959
Speaker 7: you're like, hey, I'm keeping you alive, and then six

1018
00:46:06,000 --> 00:46:08,200
Speaker 7: months hits and you'll be like you're gonna come home

1019
00:46:08,239 --> 00:46:09,880
Speaker 7: and he's gonna be like kind of smiling anything.

1020
00:46:09,920 --> 00:46:16,520
Speaker 2: All right. That's the hardest part is when you're like

1021
00:46:16,560 --> 00:46:19,280
Speaker 2: you don't feel like a dad until like the kid comes,

1022
00:46:19,640 --> 00:46:21,200
Speaker 2: because it's like you're not pregnant with it. You can't

1023
00:46:21,920 --> 00:46:23,520
Speaker 2: feel a kick a little bit, but that's it. And

1024
00:46:23,560 --> 00:46:26,480
Speaker 2: then like it comes and I didn't feel like this

1025
00:46:26,640 --> 00:46:30,319
Speaker 2: massive emotional flow is more like all right, here's the kid,

1026
00:46:30,360 --> 00:46:33,120
Speaker 2: and we're gonna keep it alive. But slowly he's like

1027
00:46:33,160 --> 00:46:35,759
Speaker 2: starting to have like facial expressions and like starting to

1028
00:46:35,800 --> 00:46:39,120
Speaker 2: like you could see like recognizes me. That part's cool,

1029
00:46:39,239 --> 00:46:42,400
Speaker 2: Like that's like, my it's been like a steady increase

1030
00:46:42,560 --> 00:46:45,120
Speaker 2: in feeling like a dad as opposed to just like

1031
00:46:45,160 --> 00:46:49,279
Speaker 2: this huge wave of it. But yeah, it's it's it's

1032
00:46:49,320 --> 00:46:50,960
Speaker 2: I don't know, I don't know if we're gonna do

1033
00:46:51,000 --> 00:46:52,120
Speaker 2: it again.

1034
00:46:52,440 --> 00:46:54,440
Speaker 7: We had one where like you gotta give it, you

1035
00:46:54,440 --> 00:46:54,800
Speaker 7: gotta give it.

1036
00:46:55,120 --> 00:46:56,879
Speaker 2: He's pretty easy though, and that's the thing is, like, man,

1037
00:46:56,920 --> 00:46:59,480
Speaker 2: we got an easy kid. Everybody tells us he's easy.

1038
00:46:59,480 --> 00:47:02,080
Speaker 2: Why would we how do we potentially get a shitty one?

1039
00:47:02,239 --> 00:47:03,759
Speaker 1: Yeah, let's say I hear the second one.

1040
00:47:03,880 --> 00:47:05,840
Speaker 2: Hear the second ones are the handfuls bit of a doozy.

1041
00:47:05,960 --> 00:47:09,240
Speaker 7: No, I've always thought like the second one. Like my wife,

1042
00:47:09,680 --> 00:47:12,480
Speaker 7: she was the second one, and she was like the

1043
00:47:12,560 --> 00:47:15,920
Speaker 7: good kid like Quinn, her brother, wild child, like add

1044
00:47:15,960 --> 00:47:18,120
Speaker 7: poster child like me, bam bam bam bam, off the walls.

1045
00:47:18,600 --> 00:47:20,640
Speaker 7: And then I was the first and I was the

1046
00:47:20,760 --> 00:47:22,839
Speaker 7: kid that was off the walls. But my brother would

1047
00:47:22,840 --> 00:47:24,640
Speaker 7: sit there and just watch me. But I feel like

1048
00:47:24,719 --> 00:47:28,680
Speaker 7: the second kids always like easier for whatever reason, because

1049
00:47:28,680 --> 00:47:31,160
Speaker 7: they're being entertained by the first one. Now having to

1050
00:47:32,440 --> 00:47:33,880
Speaker 7: like then you go from my Hey, both of us,

1051
00:47:33,960 --> 00:47:35,960
Speaker 7: you and me, we're gonna get on the skate. We're

1052
00:47:35,960 --> 00:47:37,200
Speaker 7: going to make sure these kids no no on nowhere

1053
00:47:37,200 --> 00:47:39,160
Speaker 7: and I'm doing something wrong. When you got too, it's like, hey,

1054
00:47:39,160 --> 00:47:40,800
Speaker 7: i'll see you. I'll see you to night before we

1055
00:47:40,880 --> 00:47:41,279
Speaker 7: go to bed.

1056
00:47:41,440 --> 00:47:44,160
Speaker 2: Yeah, you're lucky, and we had to get in there.

1057
00:47:44,160 --> 00:47:46,040
Speaker 7: You know I'll be over here, you'd be over there.

1058
00:47:46,800 --> 00:47:49,560
Speaker 7: Parenting's cool as shit, though it's different. I feel like

1059
00:47:50,840 --> 00:47:52,160
Speaker 7: like before I had kids, I didn't know if I'd

1060
00:47:52,160 --> 00:47:54,440
Speaker 7: ever want to have kids, But now that I have kids.

1061
00:47:54,480 --> 00:47:55,719
Speaker 4: I'm like, man, it's the coolest thing ever.

1062
00:47:55,840 --> 00:47:57,840
Speaker 2: I didn't want one until I was with Mare and

1063
00:47:57,920 --> 00:47:59,239
Speaker 2: I was like, I could have a kid with you,

1064
00:48:00,440 --> 00:48:03,960
Speaker 2: And I never had that like like there's you know,

1065
00:48:04,000 --> 00:48:05,680
Speaker 2: people are like, man, I just want to be a dad,

1066
00:48:06,120 --> 00:48:07,560
Speaker 2: like they've dreamed about it their whole life. And I

1067
00:48:07,719 --> 00:48:09,640
Speaker 2: was like when I met her and I was like, okay,

1068
00:48:09,719 --> 00:48:14,000
Speaker 2: that makes sense. So I've had that's been awesome. I

1069
00:48:14,040 --> 00:48:16,680
Speaker 2: wouldn't have done it unless it was with somebody who's like, oh,

1070
00:48:16,719 --> 00:48:18,359
Speaker 2: I want to have a kid with you. I think.

1071
00:48:18,440 --> 00:48:19,920
Speaker 7: I think a lot of ways people get stuck in

1072
00:48:20,080 --> 00:48:22,920
Speaker 7: Like people make plans like by the time I'm twenty five,

1073
00:48:22,920 --> 00:48:24,120
Speaker 7: I want to have this job. By the time I'm

1074
00:48:24,120 --> 00:48:25,319
Speaker 7: twenty seven, I want to be married by the time

1075
00:48:25,320 --> 00:48:27,120
Speaker 7: I'm thirty, I want to have two kids. And they

1076
00:48:27,160 --> 00:48:29,440
Speaker 7: have like this timeline in their head. But then you

1077
00:48:29,560 --> 00:48:32,480
Speaker 7: end up like just saying, Okay, well I need to

1078
00:48:32,480 --> 00:48:34,120
Speaker 7: be married by twenty seven, so I'm going to marry

1079
00:48:34,120 --> 00:48:35,480
Speaker 7: the person that i'm with right now. That's and that

1080
00:48:35,560 --> 00:48:37,520
Speaker 7: person might not be the person for you. You know

1081
00:48:37,560 --> 00:48:39,480
Speaker 7: what I'm saying. Because I was kind of that way too,

1082
00:48:39,560 --> 00:48:41,920
Speaker 7: Like I was really you know, I was kind of.

1083
00:48:41,920 --> 00:48:42,400
Speaker 2: A rambling man.

1084
00:48:42,440 --> 00:48:44,200
Speaker 7: I was kind of going from place to place, kind

1085
00:48:44,200 --> 00:48:45,239
Speaker 7: of a little bit of a fuck boy. To be

1086
00:48:45,280 --> 00:48:46,880
Speaker 7: totally honest with you, I was, I was riding a

1087
00:48:46,880 --> 00:48:50,239
Speaker 7: little thirty out there and yeah, think you this stand

1088
00:48:50,360 --> 00:48:53,080
Speaker 7: up gentleman. You and I met Taylor, and all that

1089
00:48:53,120 --> 00:48:54,399
Speaker 7: stuff kind of like just went away.

1090
00:48:54,480 --> 00:48:55,719
Speaker 2: I was just like, man, this is oh.

1091
00:48:55,800 --> 00:48:58,759
Speaker 7: Yeah, A proposed her in five weeks, five weeks, five weeks,

1092
00:48:58,840 --> 00:49:02,200
Speaker 7: proposer in five weeks, got married on four twenty and uh,

1093
00:49:03,880 --> 00:49:10,040
Speaker 7: thank you. Married got married on four secretly some little

1094
00:49:10,120 --> 00:49:12,080
Speaker 7: church at Vanderbilt. No one knew about it, and then

1095
00:49:12,080 --> 00:49:14,719
Speaker 7: we got married two years later, very for everybody else.

1096
00:49:14,800 --> 00:49:16,200
Speaker 2: So it was a cool gig.

1097
00:49:16,320 --> 00:49:16,440
Speaker 3: Man.

1098
00:49:17,160 --> 00:49:18,520
Speaker 1: I feel like some of that stuff can be like

1099
00:49:18,880 --> 00:49:21,560
Speaker 1: I chalk it up as like small town syndrome, because

1100
00:49:21,600 --> 00:49:23,800
Speaker 1: when I was growing up, we all kind of breach.

1101
00:49:23,880 --> 00:49:26,080
Speaker 1: You up in small towns and you kind of think, like,

1102
00:49:26,400 --> 00:49:28,319
Speaker 1: I want to be buried probably with a kid by

1103
00:49:28,400 --> 00:49:31,880
Speaker 1: twenty five because everyone around you, the generation above you,

1104
00:49:31,960 --> 00:49:34,040
Speaker 1: like they all did it, even though they're all arguing

1105
00:49:34,080 --> 00:49:35,520
Speaker 1: now and they kind of all hate each.

1106
00:49:35,360 --> 00:49:39,600
Speaker 3: Other'sall town syndrome is a great song time you see.

1107
00:49:40,040 --> 00:49:40,880
Speaker 6: That's the great.

1108
00:49:42,280 --> 00:49:44,560
Speaker 3: Syndrome getting married.

1109
00:49:48,360 --> 00:49:49,239
Speaker 2: My name by that one.

1110
00:49:49,640 --> 00:49:53,359
Speaker 7: Hey hey, well hey we all yeahmall town sydrum comes out.

1111
00:49:53,400 --> 00:49:54,239
Speaker 1: Boys, we all made that.

1112
00:49:54,360 --> 00:49:57,000
Speaker 2: We made the cut on now everyone, We'll have to

1113
00:49:57,680 --> 00:49:59,160
Speaker 2: We'll have to. We'll negotiate.

1114
00:49:59,200 --> 00:50:03,600
Speaker 3: We'll figure that out, all right.

1115
00:50:03,960 --> 00:50:07,400
Speaker 1: Have you guys heard of Paint your Life. I've always

1116
00:50:07,600 --> 00:50:11,000
Speaker 1: wanted a portrait of my dog hanging on my wall

1117
00:50:11,040 --> 00:50:13,359
Speaker 1: because number one, I'm obsessed with dogs, and number two,

1118
00:50:13,680 --> 00:50:18,160
Speaker 1: I love Waffle so much. Waffle is my cute, little,

1119
00:50:18,160 --> 00:50:21,240
Speaker 1: snugly English bulldog. She looks like a thick little Glizzy

1120
00:50:21,960 --> 00:50:24,880
Speaker 1: and she's just the most adorable thing. Try color. She's awesome.

1121
00:50:25,000 --> 00:50:27,839
Speaker 1: She's on Instagram. You can follow me. I mean, she's

1122
00:50:27,880 --> 00:50:29,480
Speaker 1: out there. If you guys know the pod, you guys

1123
00:50:29,560 --> 00:50:33,919
Speaker 1: know Waffle for sure. But basically I went to Paint

1124
00:50:33,920 --> 00:50:36,800
Speaker 1: Yourlife dot com. You get a professional handpainted portrait created

1125
00:50:36,880 --> 00:50:39,960
Speaker 1: from any photo at a truly affordable price. Choose from

1126
00:50:40,000 --> 00:50:42,279
Speaker 1: a team of world class artists and work with them

1127
00:50:42,400 --> 00:50:45,160
Speaker 1: until every detail is perfect. And the platform is super easy.

1128
00:50:45,239 --> 00:50:48,200
Speaker 1: You get on you can order custom made handpainted portrait

1129
00:50:48,239 --> 00:50:51,640
Speaker 1: in less than five minutes. It's super easy. You basically,

1130
00:50:51,719 --> 00:50:55,160
Speaker 1: just send any picture of yourself, your children's, family, dog,

1131
00:50:55,360 --> 00:50:58,320
Speaker 1: special place, moment, whatever, or combined photos in the one painting,

1132
00:50:59,280 --> 00:51:01,440
Speaker 1: and again it's breezy to do less than five minutes.

1133
00:51:01,480 --> 00:51:03,640
Speaker 1: You get the portrait back in about three weeks. The

1134
00:51:03,920 --> 00:51:06,839
Speaker 1: portrait of Waffle looks phenomenal. I have zero complaints, even

1135
00:51:06,880 --> 00:51:09,040
Speaker 1: though if I did have a complaint, I would get

1136
00:51:09,040 --> 00:51:12,680
Speaker 1: my money back guaranteed because at Paintourlife dot Com there's

1137
00:51:12,760 --> 00:51:14,719
Speaker 1: no risk. If you don't love the final painting, your

1138
00:51:14,800 --> 00:51:17,880
Speaker 1: money is refunded, guaranteed. And right now, as a limited

1139
00:51:17,920 --> 00:51:21,600
Speaker 1: time offer, get twenty percent off your painting. That's fucking right,

1140
00:51:21,719 --> 00:51:25,120
Speaker 1: twenty percent off and free shipping. To get the special offer,

1141
00:51:25,200 --> 00:51:29,120
Speaker 1: text the word boys to sixty four thousand. That's boys

1142
00:51:29,280 --> 00:51:32,160
Speaker 1: to sixty four thousand. I will say it one last time.

1143
00:51:32,760 --> 00:51:37,000
Speaker 1: Text boys on your cell phone to sixty four thousand.

1144
00:51:37,239 --> 00:51:40,040
Speaker 1: Paint your life and celebrate the moments the matter the most.

1145
00:51:40,080 --> 00:51:42,560
Speaker 1: Shut out the boys at Paint your Life. Yeah, do

1146
00:51:42,640 --> 00:51:46,880
Speaker 1: you guys ever get feel like slided? When do you

1147
00:51:46,920 --> 00:51:48,560
Speaker 1: ever feel like people are trying to use you for

1148
00:51:48,840 --> 00:51:51,440
Speaker 1: the talent of obviously writing and using you? Guys all

1149
00:51:51,440 --> 00:51:52,880
Speaker 1: the way up until like, all right, I'm gonna.

1150
00:51:52,680 --> 00:51:55,279
Speaker 2: Take it from here. Please use me, Yeah, yeah, I

1151
00:51:55,360 --> 00:51:56,279
Speaker 2: mean please, don't know Ernie.

1152
00:51:56,360 --> 00:51:58,359
Speaker 1: Ernests had a little smirk over there like he's like, yeah,

1153
00:51:58,640 --> 00:52:01,320
Speaker 1: a fucking life, please me, and about to use this

1154
00:52:01,440 --> 00:52:03,760
Speaker 1: shirt as a towel to drop a sweat off my forehead.

1155
00:52:04,480 --> 00:52:07,239
Speaker 3: Denim cow the Canadian tuxedo.

1156
00:52:07,280 --> 00:52:07,920
Speaker 1: I thought, the day.

1157
00:52:08,680 --> 00:52:10,680
Speaker 3: You've been on the bus before and there was no

1158
00:52:10,840 --> 00:52:12,960
Speaker 3: air last time, right, So I don't know what made

1159
00:52:12,960 --> 00:52:16,399
Speaker 3: it last because I wanted to dress decent. I didn't

1160
00:52:16,400 --> 00:52:18,839
Speaker 3: want to come up here looking homeless. And now Ryan

1161
00:52:18,960 --> 00:52:20,759
Speaker 3: was going to come correct with that. Yes, dude, I

1162
00:52:20,800 --> 00:52:21,799
Speaker 3: had the car.

1163
00:52:23,200 --> 00:52:23,960
Speaker 1: I told you I.

1164
00:52:24,000 --> 00:52:26,200
Speaker 2: Don't you don't come onto the bus with your weak ship.

1165
00:52:27,200 --> 00:52:29,080
Speaker 2: And Aaron was trying to just got a little warm.

1166
00:52:29,120 --> 00:52:31,120
Speaker 3: It's okay, that's it. I had a flannel and I

1167
00:52:31,200 --> 00:52:32,719
Speaker 3: really thought to myself, it's in the car, and I

1168
00:52:32,800 --> 00:52:34,560
Speaker 3: was like, I feel like he might be wearing plaid.

1169
00:52:34,760 --> 00:52:38,040
Speaker 3: So I threw the double denims on and I was right, dude,

1170
00:52:38,040 --> 00:52:39,319
Speaker 3: when I got in right, I was right.

1171
00:52:39,680 --> 00:52:41,480
Speaker 7: A quick side note. I know people make fun of

1172
00:52:41,560 --> 00:52:45,000
Speaker 7: the Canadian tuxedo. Big fan of it. I think denim

1173
00:52:45,000 --> 00:52:47,600
Speaker 7: on Denham looks great. I don't care who knows it,

1174
00:52:47,760 --> 00:52:47,960
Speaker 7: did it?

1175
00:52:48,120 --> 00:52:48,719
Speaker 2: Big fan of that.

1176
00:52:48,800 --> 00:52:50,759
Speaker 3: It's a hot one, but it is.

1177
00:52:50,840 --> 00:52:53,040
Speaker 7: And I run hot too, run hot.

1178
00:52:53,120 --> 00:52:55,360
Speaker 3: Yeah you sleep, you got a big fan when you sell.

1179
00:52:55,440 --> 00:52:56,360
Speaker 7: My wife hates fans.

1180
00:52:59,719 --> 00:53:00,400
Speaker 1: My huge thing.

1181
00:53:00,480 --> 00:53:02,040
Speaker 7: I'm a big I'm a big go to the hotel

1182
00:53:02,560 --> 00:53:04,640
Speaker 7: on away games and then first thing I do, crank

1183
00:53:04,680 --> 00:53:07,160
Speaker 7: that thing down with yes. It's like in the fifties.

1184
00:53:07,200 --> 00:53:08,480
Speaker 7: I'm like, that's all right, We're gonna be all right.

1185
00:53:10,680 --> 00:53:12,399
Speaker 3: In the middle of the night, like running back and forth,

1186
00:53:12,640 --> 00:53:16,640
Speaker 3: it's beginning, like Christmas comes over your TV. It gets

1187
00:53:16,680 --> 00:53:20,160
Speaker 3: so cold and there dying dude had Christmas at a

1188
00:53:20,280 --> 00:53:21,279
Speaker 3: at an extended stay.

1189
00:53:21,360 --> 00:53:23,200
Speaker 1: Dude, that's awesome.

1190
00:53:23,960 --> 00:53:24,680
Speaker 2: That was a grind.

1191
00:53:24,840 --> 00:53:27,520
Speaker 3: I was raising the pace raising a puppy on tour

1192
00:53:27,600 --> 00:53:30,040
Speaker 3: and we were staying at extended stays all across.

1193
00:53:30,080 --> 00:53:32,160
Speaker 2: It's a different world than an extended stay. You brought

1194
00:53:32,160 --> 00:53:34,719
Speaker 2: your dog on tour, Yeah, little baby puppy in a

1195
00:53:34,800 --> 00:53:36,360
Speaker 2: van by yourself.

1196
00:53:36,239 --> 00:53:40,320
Speaker 3: Me, Delaney, uh, my tour manager and my dog and

1197
00:53:40,440 --> 00:53:42,480
Speaker 3: we went all over and he was like, you know

1198
00:53:42,840 --> 00:53:44,800
Speaker 3: that the mics doud three months old. No, that was

1199
00:53:45,000 --> 00:53:48,040
Speaker 3: on the Mason Ramsey tour. Yes, which was a little

1200
00:53:48,120 --> 00:53:54,279
Speaker 3: more toned down because he's fourteen. I was, I did

1201
00:53:54,320 --> 00:53:56,600
Speaker 3: all my drugs and drinking elsewhere.

1202
00:53:57,800 --> 00:53:59,480
Speaker 2: That was the Mountain Dew Tour.

1203
00:53:59,520 --> 00:54:01,759
Speaker 3: The mountain too, Yeah, No, it was.

1204
00:54:01,920 --> 00:54:03,160
Speaker 1: It was the white Claw Tour for me.

1205
00:54:03,160 --> 00:54:05,680
Speaker 3: I was drinking so much white claw and Mason finally

1206
00:54:05,680 --> 00:54:07,600
Speaker 3: came out to me. He goes, white claws are bad

1207
00:54:07,640 --> 00:54:09,759
Speaker 3: for your voice. You should drink water. And I'm like,

1208
00:54:10,880 --> 00:54:15,400
Speaker 3: listen here, kid, this is my first, second or third rodeo.

1209
00:54:15,600 --> 00:54:17,520
Speaker 3: All right, I'm gonna drink white.

1210
00:54:17,360 --> 00:54:21,440
Speaker 1: Claws white for your voice. Did you ground him on

1211
00:54:21,480 --> 00:54:22,040
Speaker 1: the spot.

1212
00:54:22,040 --> 00:54:24,000
Speaker 3: Yeah, put him in his place, punched him.

1213
00:54:24,000 --> 00:54:26,960
Speaker 7: How about that, though, Dude, you you can't become a

1214
00:54:26,960 --> 00:54:29,320
Speaker 7: famous football player by yodeling in a Walmart.

1215
00:54:30,040 --> 00:54:31,879
Speaker 1: That's just no dope.

1216
00:54:31,880 --> 00:54:33,279
Speaker 3: Would that be if you could? You can become a

1217
00:54:33,320 --> 00:54:37,000
Speaker 3: professional player. About just hauling off at a minor league game.

1218
00:54:37,719 --> 00:54:41,360
Speaker 7: Sometime sounds game. He threw like ninety six That's what

1219
00:54:41,440 --> 00:54:41,839
Speaker 7: I'm saying.

1220
00:54:41,880 --> 00:54:43,440
Speaker 2: And now he's got signed by the A Yeah.

1221
00:54:43,560 --> 00:54:44,319
Speaker 7: Sign, that's right.

1222
00:54:44,520 --> 00:54:45,320
Speaker 3: It's insane.

1223
00:54:46,120 --> 00:54:47,560
Speaker 7: Football is worst sport to pick.

1224
00:54:47,640 --> 00:54:47,839
Speaker 1: Huh.

1225
00:54:48,960 --> 00:54:51,800
Speaker 7: Basketball, You out there, just go crush it, crush it.

1226
00:54:52,160 --> 00:54:54,400
Speaker 3: Boom, you're in I mean, you've made a lot of

1227
00:54:54,440 --> 00:54:56,560
Speaker 3: money with football, so why is it the worst sport?

1228
00:54:57,480 --> 00:54:59,200
Speaker 7: It's the worst sport to get like, like.

1229
00:55:01,040 --> 00:55:06,400
Speaker 5: I think it's the worst sport to get like found, okay,

1230
00:55:06,560 --> 00:55:07,520
Speaker 5: get found in a Walmart?

1231
00:55:07,640 --> 00:55:09,560
Speaker 1: Well were we gary? Bring that stuff back up? What

1232
00:55:09,600 --> 00:55:10,400
Speaker 1: were we talking about?

1233
00:55:10,880 --> 00:55:12,760
Speaker 2: Who knows you were? You were going in on saying

1234
00:55:12,880 --> 00:55:16,080
Speaker 2: use me, Oh yeah, as long as the check clears man, Yes,

1235
00:55:16,960 --> 00:55:20,279
Speaker 2: just use it up. Take my music, like, cut it

1236
00:55:20,360 --> 00:55:21,520
Speaker 2: however you want, put it on the race.

1237
00:55:21,600 --> 00:55:23,520
Speaker 1: So there there's something that there's a formula already in

1238
00:55:23,560 --> 00:55:25,200
Speaker 1: place for people that want to do something like that.

1239
00:55:25,320 --> 00:55:28,040
Speaker 3: Yeah, we're paid a song, like it's publishing royalties, you're

1240
00:55:28,040 --> 00:55:28,959
Speaker 3: paid to do it. Yeah.

1241
00:55:29,200 --> 00:55:32,799
Speaker 2: But I think like in your case, like you are

1242
00:55:33,840 --> 00:55:36,880
Speaker 2: in that crew of like Morgan and Michael and and

1243
00:55:37,280 --> 00:55:41,280
Speaker 2: like there is a thing there that you have created

1244
00:55:41,360 --> 00:55:44,319
Speaker 2: with the other those other two dudes. It's like it's

1245
00:55:44,360 --> 00:55:47,160
Speaker 2: a it's a style, and it's very much something that

1246
00:55:47,200 --> 00:55:49,320
Speaker 2: you're a part of. And so I think it's like

1247
00:55:49,480 --> 00:55:51,920
Speaker 2: with you, it's just waiting your turn to when like

1248
00:55:52,320 --> 00:55:55,000
Speaker 2: that third dude can come in and and and do

1249
00:55:55,120 --> 00:55:58,000
Speaker 2: it like kind of behind those two guys boats. I

1250
00:55:58,080 --> 00:56:00,719
Speaker 2: mean the thing about Morgan and my they got their

1251
00:56:00,719 --> 00:56:03,040
Speaker 2: first and that's the only thing that it is. So yeah,

1252
00:56:03,160 --> 00:56:04,560
Speaker 2: but you get to write all the songs and have

1253
00:56:04,640 --> 00:56:07,200
Speaker 2: all the singles, and obviously that's a good living. But

1254
00:56:07,400 --> 00:56:09,640
Speaker 2: uh but yeah, man, it's just we're we're in the

1255
00:56:09,680 --> 00:56:11,320
Speaker 2: same boat where it's like, man, we just need like

1256
00:56:11,400 --> 00:56:14,080
Speaker 2: that one like I had a my song got to

1257
00:56:14,160 --> 00:56:17,960
Speaker 2: top twenty at radio and then it, uh it's a

1258
00:56:18,000 --> 00:56:20,239
Speaker 2: platinum record. But it just it's like you need like

1259
00:56:20,320 --> 00:56:22,080
Speaker 2: to stack those up a couple of times before you

1260
00:56:22,160 --> 00:56:24,040
Speaker 2: can like have that ball rolling. And that's like the

1261
00:56:24,080 --> 00:56:25,040
Speaker 2: same boat that we're both in.

1262
00:56:25,440 --> 00:56:27,560
Speaker 7: There's gotta be some sort of politics that plays into it, though.

1263
00:56:27,560 --> 00:56:29,719
Speaker 7: If you have that many guys getting together doing riding around,

1264
00:56:29,840 --> 00:56:34,200
Speaker 7: that's the nine Yeah you don't want to do Yeah, yeah,

1265
00:56:34,520 --> 00:56:35,880
Speaker 7: you got to sit there and all right, well not

1266
00:56:35,960 --> 00:56:37,200
Speaker 7: a're just gonna say the song it's going to be

1267
00:56:37,280 --> 00:56:39,200
Speaker 7: number one. I'm sure there's a different release.

1268
00:56:39,320 --> 00:56:40,800
Speaker 3: Yeah, there's. I mean it's a lot of behind the

1269
00:56:40,840 --> 00:56:44,319
Speaker 3: scenes stuff that like sometimes artists don't even have much

1270
00:56:44,400 --> 00:56:47,440
Speaker 3: say and what comes out next or when and how

1271
00:56:47,760 --> 00:56:51,200
Speaker 3: how they're released. Oh really, Yeah, I mean we're definitely

1272
00:56:51,280 --> 00:56:53,239
Speaker 3: involved in like picking songs and stuff and all that,

1273
00:56:53,440 --> 00:56:56,759
Speaker 3: but sometimes, you know, labels get to look at analytics

1274
00:56:56,800 --> 00:56:59,000
Speaker 3: and actual numbers, so it's like less of a guessing game,

1275
00:56:59,160 --> 00:57:01,600
Speaker 3: like oh, I like this song, Let's do this. It's like, well,

1276
00:57:01,760 --> 00:57:05,120
Speaker 3: this one's streaming well, so let's numbers are already saying

1277
00:57:05,200 --> 00:57:07,000
Speaker 3: this will probably do well, so let's run that one

1278
00:57:07,040 --> 00:57:07,399
Speaker 3: to radio.

1279
00:57:07,440 --> 00:57:10,279
Speaker 1: There's like all that being so, Aaron, let's take your

1280
00:57:10,280 --> 00:57:11,560
Speaker 1: feelings out of it, look at the.

1281
00:57:11,680 --> 00:57:13,719
Speaker 3: Dyea And that's hard to do as a creator because

1282
00:57:14,320 --> 00:57:17,480
Speaker 3: feeling is like everything. We write songs around feeling, and

1283
00:57:17,640 --> 00:57:19,760
Speaker 3: right when it comes to what we actually get to

1284
00:57:20,480 --> 00:57:22,920
Speaker 3: portray ourselves as like sometimes we get we have to

1285
00:57:23,000 --> 00:57:23,960
Speaker 3: take that feeling away.

1286
00:57:24,200 --> 00:57:25,040
Speaker 1: Yeah, gotcha.

1287
00:57:25,240 --> 00:57:27,480
Speaker 2: I had this song come out called what Her Name Was? Summer,

1288
00:57:27,520 --> 00:57:29,400
Speaker 2: and it was my favorite song, and I was like,

1289
00:57:29,480 --> 00:57:31,160
Speaker 2: this is the one, this is it, and I was

1290
00:57:31,160 --> 00:57:33,120
Speaker 2: the only one that thought that, and then.

1291
00:57:36,400 --> 00:57:37,000
Speaker 1: I am right.

1292
00:57:37,240 --> 00:57:40,000
Speaker 2: And then it went to it got too serious and

1293
00:57:40,080 --> 00:57:41,840
Speaker 2: it got like it did all right, but it was

1294
00:57:42,000 --> 00:57:43,560
Speaker 2: very obvious it was not the one.

1295
00:57:43,720 --> 00:57:46,280
Speaker 1: I was like, he comes in the meeting, Hey, Ryan,

1296
00:57:46,320 --> 00:57:47,400
Speaker 1: did you learn your lessons?

1297
00:57:49,360 --> 00:57:51,520
Speaker 2: Yeah? I talk about that dumb ass song you want

1298
00:57:51,560 --> 00:57:55,919
Speaker 2: to play and you can tell like when you play live,

1299
00:57:56,080 --> 00:57:58,440
Speaker 2: like what songs are huge? And that's one that I'm like, oh,

1300
00:57:58,480 --> 00:57:59,880
Speaker 2: this is going to be huge. And then it's like

1301
00:58:00,680 --> 00:58:01,240
Speaker 2: very medium.

1302
00:58:01,360 --> 00:58:01,840
Speaker 3: I didn't do it.

1303
00:58:01,880 --> 00:58:03,720
Speaker 1: It didn't do very well live you hear.

1304
00:58:05,400 --> 00:58:07,640
Speaker 3: It's just not like on the people are like, fuck yeah,

1305
00:58:07,760 --> 00:58:09,200
Speaker 3: it's not the reaction you dreamed that.

1306
00:58:09,720 --> 00:58:11,959
Speaker 7: Yeah, Like that scene in Queen where the guy starts

1307
00:58:12,000 --> 00:58:14,160
Speaker 7: to singing and the whole crowd start behind him.

1308
00:58:14,200 --> 00:58:14,600
Speaker 1: He just stop.

1309
00:58:15,760 --> 00:58:17,360
Speaker 7: That's the whole thing kind of That's like the thing

1310
00:58:17,400 --> 00:58:19,400
Speaker 7: you dream about as like an athlete, because athletes want

1311
00:58:19,400 --> 00:58:22,200
Speaker 7: to be singers, songwriter, as actor. They want to be

1312
00:58:22,880 --> 00:58:24,320
Speaker 7: what they're not. Everybody wants to be what they're not.

1313
00:58:24,920 --> 00:58:26,800
Speaker 7: And so like you sit there and you're watching Queen

1314
00:58:26,920 --> 00:58:29,000
Speaker 7: or the Elton John movie or any ship like that.

1315
00:58:29,480 --> 00:58:30,760
Speaker 7: I mean, I'm not trying to be you know, a

1316
00:58:30,800 --> 00:58:35,880
Speaker 7: homosexual guy from London, super talented, super talented, but happy.

1317
00:58:35,680 --> 00:58:36,600
Speaker 2: Being what I am.

1318
00:58:36,680 --> 00:58:39,920
Speaker 7: But I'm saying as a singer songwriter, like having somebody

1319
00:58:40,000 --> 00:58:42,080
Speaker 7: like call recall to you would be like the dopest

1320
00:58:42,080 --> 00:58:43,200
Speaker 7: shit ever, or.

1321
00:58:43,280 --> 00:58:45,640
Speaker 1: Like telling that lawyer dude, like no, I think this

1322
00:58:45,760 --> 00:58:49,000
Speaker 1: single tell the off. Dude, you're having that amount of

1323
00:58:49,040 --> 00:58:51,880
Speaker 1: cloud that's and then you walk out and then throw

1324
00:58:51,920 --> 00:58:54,720
Speaker 1: a fucking rock at the window. You know what happened.

1325
00:58:54,760 --> 00:58:56,480
Speaker 2: Yeah, it's a great movie. You'll my favorite movie.

1326
00:58:56,520 --> 00:58:57,439
Speaker 7: I actually love that movie.

1327
00:58:58,080 --> 00:59:01,479
Speaker 2: Like they didn't they did just used is the actual vote?

1328
00:59:01,480 --> 00:59:04,280
Speaker 2: Maybe's the actual Freddie Mercury vocal? Right? Yes, I liked

1329
00:59:04,320 --> 00:59:06,520
Speaker 2: that they did that because yes, you can't fake that.

1330
00:59:06,760 --> 00:59:07,080
Speaker 2: You can't.

1331
00:59:07,520 --> 00:59:10,640
Speaker 3: The one movie that I thought was really good the

1332
00:59:10,800 --> 00:59:15,880
Speaker 3: music movie, was Walk the Line Joaqum Phoenix, Yeah, Joe

1333
00:59:16,000 --> 00:59:19,520
Speaker 3: him Phoenix. I don't know, but yeah, Walkurd Wait you

1334
00:59:20,280 --> 00:59:20,400
Speaker 3: of this.

1335
00:59:22,080 --> 00:59:24,440
Speaker 7: I don't want to get addicted to it. I think addicted.

1336
00:59:24,480 --> 00:59:25,840
Speaker 7: I think I'd like to try me some of that

1337
00:59:26,080 --> 00:59:29,360
Speaker 7: cocaine sounds kind of expensive. It's the least expensive.

1338
00:59:28,920 --> 00:59:32,720
Speaker 3: Drug there is and not once did you pay for drugs? Yes,

1339
00:59:33,120 --> 00:59:35,600
Speaker 3: Walkard's best, but Joaquum did a pretty good Johnny Cash.

1340
00:59:35,720 --> 00:59:37,720
Speaker 1: I was okay with Joaquem's voice in that.

1341
00:59:37,960 --> 00:59:41,600
Speaker 2: He had my favorite ever acceptance at the Oscars when

1342
00:59:41,640 --> 00:59:47,200
Speaker 2: he used his time to uh decree milk oh yes

1343
00:59:47,560 --> 00:59:47,960
Speaker 2: to cry.

1344
00:59:48,360 --> 00:59:50,280
Speaker 1: Yeah, it was like a vegan it was a vegan

1345
00:59:51,840 --> 00:59:57,040
Speaker 1: chant he got he won like.

1346
00:59:57,040 --> 00:59:59,080
Speaker 2: The biggest award he could ever win. He's like milk

1347
00:59:59,200 --> 01:00:01,000
Speaker 2: is bad And that was basically all he said.

1348
01:00:01,080 --> 01:00:03,919
Speaker 7: Yeah, he's a super private dude, right, like strange. Yeah,

1349
01:00:04,160 --> 01:00:05,960
Speaker 7: it's a strange cat, But I feel like those guys

1350
01:00:06,000 --> 01:00:07,240
Speaker 7: are the most interesting to.

1351
01:00:07,280 --> 01:00:10,480
Speaker 1: Me when anybody who does the Jokers fucking.

1352
01:00:10,280 --> 01:00:12,600
Speaker 7: When I see somebody that's super off the wall, I'm like,

1353
01:00:12,600 --> 01:00:14,240
Speaker 7: I gotta get to know that guy, Like what makes

1354
01:00:14,280 --> 01:00:16,840
Speaker 7: that dude? Ways want to be people that way different

1355
01:00:16,840 --> 01:00:17,000
Speaker 7: than me?

1356
01:00:17,160 --> 01:00:19,439
Speaker 3: Ben Burgess, Ben Burgess is that guy.

1357
01:00:19,600 --> 01:00:21,720
Speaker 2: Yeah, it's like the dude, You're like, that dude's a genius.

1358
01:00:23,840 --> 01:00:26,440
Speaker 2: He's a genius, but it's tough to like rope him in.

1359
01:00:26,520 --> 01:00:28,280
Speaker 2: And when you do, it's great, but you gotta like

1360
01:00:28,440 --> 01:00:31,360
Speaker 2: really sit there until you gotta wait for it.

1361
01:00:32,160 --> 01:00:32,960
Speaker 7: Kind of like h c L.

1362
01:00:34,040 --> 01:00:34,840
Speaker 1: Yeah, a little bit like that.

1363
01:00:34,920 --> 01:00:38,080
Speaker 7: Hammercock was definitely like hammer Cock dude, hammer Cock La

1364
01:00:38,080 --> 01:00:39,920
Speaker 7: Floor was definitely one of those cats that were like

1365
01:00:40,560 --> 01:00:41,760
Speaker 7: you talked to him and be like, oh, this guy

1366
01:00:41,840 --> 01:00:43,720
Speaker 7: is just yeah, he's a wavelength and I.

1367
01:00:43,960 --> 01:00:46,600
Speaker 1: Yeah, expanded Hammercock.

1368
01:00:48,320 --> 01:00:50,080
Speaker 7: So we did I think the podcast that she just

1369
01:00:50,160 --> 01:00:52,480
Speaker 7: came out right yesterday. So we did a podcast with

1370
01:00:52,560 --> 01:00:55,880
Speaker 7: David b and uh. I know that the head coaching

1371
01:00:55,960 --> 01:00:57,360
Speaker 7: the Packers.

1372
01:00:59,160 --> 01:01:03,640
Speaker 1: Ago was sure for the Titans, hammercock hammercock.

1373
01:01:03,720 --> 01:01:06,680
Speaker 7: Well he looks he's got that appeal, that vibe of

1374
01:01:07,120 --> 01:01:09,520
Speaker 7: when you look up reality porn and you see like

1375
01:01:09,640 --> 01:01:11,760
Speaker 7: the unsuspecting guy. It's like, well, you know, I didn't

1376
01:01:11,760 --> 01:01:14,800
Speaker 7: study this week, and then the big bosomed milf comes

1377
01:01:14,880 --> 01:01:18,120
Speaker 7: in with the ruler and you didn't study. I mean, look,

1378
01:01:18,360 --> 01:01:21,160
Speaker 7: he's got great teeth, got absolute peace on him.

1379
01:01:21,400 --> 01:01:22,800
Speaker 1: You feel like when you're talking to him and telling

1380
01:01:22,880 --> 01:01:25,080
Speaker 1: the story, he's like kind of smiling like that, but

1381
01:01:25,200 --> 01:01:27,000
Speaker 1: he's thinking about something else that has to do.

1382
01:01:29,120 --> 01:01:31,640
Speaker 2: He can run. I can see that guy delivering a pizza.

1383
01:01:35,560 --> 01:01:40,280
Speaker 7: Sausage on this one. He's got a great porn look. Man,

1384
01:01:40,360 --> 01:01:42,040
Speaker 7: he's got a football doesn't work out for him, which

1385
01:01:42,040 --> 01:01:45,040
Speaker 7: it looks like it is the NFC Championship, right, yeah,

1386
01:01:45,360 --> 01:01:47,840
Speaker 7: makes the NFC Championship. He's got Aaron Rodgers, he should

1387
01:01:47,840 --> 01:01:51,440
Speaker 7: do Jordan Love no active NFL porn.

1388
01:01:51,480 --> 01:01:52,800
Speaker 2: I don't know. I don't play football, But.

1389
01:01:54,680 --> 01:01:57,160
Speaker 1: Where about that?

1390
01:01:57,320 --> 01:01:58,160
Speaker 2: He was apparently?

1391
01:01:58,680 --> 01:02:00,960
Speaker 7: Oh man, dude, I'm a huge Michigan fan. Are you

1392
01:02:01,160 --> 01:02:03,040
Speaker 7: You're from Kalamazoo right from Kalamo. I don't know if

1393
01:02:03,040 --> 01:02:05,080
Speaker 7: you're a Bronco guy or whatever. Yeah, but I mean

1394
01:02:05,120 --> 01:02:07,000
Speaker 7: you're not only a Bronco guy, but I'm a big

1395
01:02:07,080 --> 01:02:07,640
Speaker 7: Michigan fan.

1396
01:02:07,720 --> 01:02:09,640
Speaker 2: You got you guys. You want a last team to

1397
01:02:09,640 --> 01:02:10,479
Speaker 2: beat Ohio State.

1398
01:02:10,560 --> 01:02:12,680
Speaker 7: So yeah, thank you, very thank you for doing that.

1399
01:02:12,800 --> 01:02:16,479
Speaker 7: Don't be a friend, flat boys. Yeah three Ohio State,

1400
01:02:16,760 --> 01:02:20,080
Speaker 7: Stiffrey Bowl three for Ohio State.

1401
01:02:20,200 --> 01:02:20,840
Speaker 2: That's a big deal.

1402
01:02:20,920 --> 01:02:23,080
Speaker 7: That's a big fucking So this boy is my hero.

1403
01:02:23,280 --> 01:02:24,600
Speaker 1: And uh, Taylor's your hero.

1404
01:02:25,080 --> 01:02:26,439
Speaker 2: Beat he beat Ohio State.

1405
01:02:26,560 --> 01:02:32,120
Speaker 7: Okay, heroes and we uh and then Sugar Bowl win, right, Yeah,

1406
01:02:32,200 --> 01:02:33,680
Speaker 7: when the Sugar Bowl we went out, I think that

1407
01:02:33,800 --> 01:02:36,720
Speaker 7: was the only actually good year we had because from

1408
01:02:36,760 --> 01:02:38,480
Speaker 7: O nine to thirteen, that's when I was at Michigan,

1409
01:02:38,600 --> 01:02:42,400
Speaker 7: was really a very dark time, weird, very weird. Rich

1410
01:02:42,520 --> 01:02:44,320
Speaker 7: Rodriguez came from West West Virginia.

1411
01:02:44,520 --> 01:02:45,880
Speaker 1: You really brought him down, did not.

1412
01:02:46,040 --> 01:02:47,520
Speaker 7: He did not have a good night's sleep, I think

1413
01:02:47,560 --> 01:02:48,320
Speaker 7: the whole time he was there.

1414
01:02:48,440 --> 01:02:48,960
Speaker 2: No, it was tough.

1415
01:02:49,040 --> 01:02:50,560
Speaker 7: Yeah, it was tough for him. And then Brady Hook

1416
01:02:50,600 --> 01:02:53,919
Speaker 7: came in, who everybody wanted hardball but settle for Hoke

1417
01:02:55,080 --> 01:02:56,320
Speaker 7: and uh, it just didn't work.

1418
01:02:56,360 --> 01:02:56,960
Speaker 2: Out hok either.

1419
01:02:57,600 --> 01:02:59,520
Speaker 7: But that that that Sugar Bowl win was really cool

1420
01:02:59,520 --> 01:03:02,720
Speaker 7: against West uh Virgina Tech. It's like triple overtime.

1421
01:03:02,760 --> 01:03:05,040
Speaker 4: Brendan Gibbons with the kick. Did you ever see his interview?

1422
01:03:05,440 --> 01:03:07,040
Speaker 2: I don't remember it, but I watched. I mean I

1423
01:03:07,160 --> 01:03:07,960
Speaker 2: was watching the game he did.

1424
01:03:08,120 --> 01:03:10,080
Speaker 7: He did an interview after the game and they like

1425
01:03:10,360 --> 01:03:13,320
Speaker 7: iced him twice and that's exactly what kicks and like,

1426
01:03:13,360 --> 01:03:14,720
Speaker 7: what were you thinking about? And he was like, I

1427
01:03:14,800 --> 01:03:16,360
Speaker 7: was just thinking about brunette girls on the beach.

1428
01:03:18,000 --> 01:03:18,200
Speaker 1: Yeah.

1429
01:03:18,840 --> 01:03:21,000
Speaker 7: He was like, yeah, coach tells me whenever I'm getting iced,

1430
01:03:21,080 --> 01:03:22,600
Speaker 7: just to think about girls in the beach. I'll never

1431
01:03:22,640 --> 01:03:26,000
Speaker 7: miss a kid. He kicked that thing, right. I love

1432
01:03:26,040 --> 01:03:26,560
Speaker 7: Brendan Gibbon.

1433
01:03:26,560 --> 01:03:28,520
Speaker 1: I feel like everything kind of changed for Michigan when

1434
01:03:28,560 --> 01:03:30,120
Speaker 1: you guys lost the Appalachian State.

1435
01:03:30,440 --> 01:03:31,800
Speaker 7: But that was that was before I was. There was

1436
01:03:31,880 --> 01:03:32,440
Speaker 7: two thousand and eight.

1437
01:03:32,680 --> 01:03:35,760
Speaker 2: That was last year that was in the air. That

1438
01:03:35,880 --> 01:03:39,320
Speaker 2: was right, so like it all went weird that year.

1439
01:03:39,840 --> 01:03:42,120
Speaker 2: I remember when Michigan, ohioseate was one two with Chad

1440
01:03:42,160 --> 01:03:44,280
Speaker 2: Hanny Mike Hall, Yeah, and they lost by it was

1441
01:03:44,320 --> 01:03:44,600
Speaker 2: it two?

1442
01:03:44,920 --> 01:03:46,640
Speaker 7: It's like seven, right Smith.

1443
01:03:46,440 --> 01:03:48,480
Speaker 1: To Troy Smith and Maurice Clarette.

1444
01:03:48,720 --> 01:03:51,400
Speaker 2: Yeah, and then we won or Michigan. We I was

1445
01:03:51,440 --> 01:03:55,040
Speaker 2: on the team. I then like they beat him with

1446
01:03:55,120 --> 01:03:57,400
Speaker 2: the nard and then that was it and they've just

1447
01:03:57,480 --> 01:03:59,800
Speaker 2: gotten their ass beat ever since, and it's been really

1448
01:03:59,880 --> 01:04:00,440
Speaker 2: just appointing.

1449
01:04:00,560 --> 01:04:02,439
Speaker 7: Well, there was there was one game after I left

1450
01:04:02,480 --> 01:04:05,680
Speaker 7: that was pretty close. It was that fourth and inches

1451
01:04:06,240 --> 01:04:07,240
Speaker 7: and they didn't get it.

1452
01:04:07,280 --> 01:04:09,880
Speaker 2: But they gave it to him. That's bullshit, absolute, you know,

1453
01:04:09,920 --> 01:04:12,240
Speaker 2: and everybody's like, oh, it didn't matter because they got

1454
01:04:12,280 --> 01:04:14,400
Speaker 2: the ball back, but Wilton dropped the ball on the

1455
01:04:15,080 --> 01:04:17,680
Speaker 2: on the goal line and whatever.

1456
01:04:18,160 --> 01:04:23,200
Speaker 7: Well shape Patterson, our helmets are cool. Yeah, responsor by Jordan.

1457
01:04:23,280 --> 01:04:25,480
Speaker 7: We should definitely go there. There's a there's I've actually

1458
01:04:25,480 --> 01:04:28,400
Speaker 7: talked to Portnoy about this when we were in Miami.

1459
01:04:28,560 --> 01:04:32,000
Speaker 7: Is Michigan's just it hurts to say it because I

1460
01:04:32,080 --> 01:04:35,280
Speaker 7: went there. You're a fan, but very irrelevant at this time.

1461
01:04:36,320 --> 01:04:37,960
Speaker 7: I don't know what you need to do because you

1462
01:04:38,080 --> 01:04:40,520
Speaker 7: have the Jordan sponsorship, you have the history and tradition

1463
01:04:40,560 --> 01:04:44,120
Speaker 7: at Michigan's unbelievable. The uniforms are iconic. What I don't

1464
01:04:44,160 --> 01:04:45,680
Speaker 7: know what they have to do to kind of catch

1465
01:04:45,720 --> 01:04:46,400
Speaker 7: up with Ohio State.

1466
01:04:46,440 --> 01:04:49,720
Speaker 2: Because they need to drop to the academic requirements a

1467
01:04:49,760 --> 01:04:52,080
Speaker 2: little bit. Well, your boy got in there, and I'll

1468
01:04:52,080 --> 01:04:54,720
Speaker 2: tell you what it wasn't good. I got two seven

1469
01:04:55,680 --> 01:04:58,920
Speaker 2: with the sliding scale. My act was stupid good, but

1470
01:04:59,400 --> 01:05:02,480
Speaker 2: I got. And so they're not quite like Vanderbilt. Where

1471
01:05:02,520 --> 01:05:04,040
Speaker 2: Vanderbilt you literally have to be able to get in

1472
01:05:04,160 --> 01:05:07,400
Speaker 2: school to play there. That's a death penalty and it's hell.

1473
01:05:07,440 --> 01:05:10,280
Speaker 3: Were you a good test taker? Was that good test taker?

1474
01:05:10,600 --> 01:05:10,640
Speaker 2: No?

1475
01:05:11,320 --> 01:05:11,600
Speaker 1: I was.

1476
01:05:11,880 --> 01:05:13,920
Speaker 7: I was kind of what you were alluding to about

1477
01:05:13,920 --> 01:05:16,120
Speaker 7: the ad D pay attention to school guy. Yeah, I

1478
01:05:16,200 --> 01:05:18,480
Speaker 7: got to I got to Michigan and I joked with

1479
01:05:18,520 --> 01:05:20,600
Speaker 7: you about the sociology because I was a general state's major.

1480
01:05:21,200 --> 01:05:23,400
Speaker 7: But I got there and they're like, well, so what

1481
01:05:23,480 --> 01:05:25,360
Speaker 7: do you What do you want to do after college?

1482
01:05:25,440 --> 01:05:27,760
Speaker 7: Was the Wa'm going to go to the NFL? Like well,

1483
01:05:27,840 --> 01:05:30,520
Speaker 7: you know football punds, Yeah, and like, well statistically, and

1484
01:05:30,600 --> 01:05:32,440
Speaker 7: I told a story too many times on the podcast,

1485
01:05:32,520 --> 01:05:35,800
Speaker 7: but I definitely was like that was my fucking move,

1486
01:05:35,920 --> 01:05:37,160
Speaker 7: and so I didn't. I was a king of a

1487
01:05:37,200 --> 01:05:40,280
Speaker 7: two point zero at Michigan, absolute king of it, he said.

1488
01:05:40,080 --> 01:05:41,840
Speaker 3: The king of the two point h I graduated with

1489
01:05:41,880 --> 01:05:43,439
Speaker 3: the one point nine high school high school.

1490
01:05:43,480 --> 01:05:44,320
Speaker 1: I never got out of college.

1491
01:05:44,400 --> 01:05:47,320
Speaker 7: So you played when year in baseball in college?

1492
01:05:47,760 --> 01:05:49,800
Speaker 3: Yeah, but I never got out. I just quit after one.

1493
01:05:50,120 --> 01:05:51,960
Speaker 3: But I got there. I mean, thank god for Christian

1494
01:05:52,000 --> 01:05:56,320
Speaker 3: schools because they're accepting the dumb ass kid but saying,

1495
01:05:56,400 --> 01:05:58,160
Speaker 3: you know what, you got a norm on you. Let's

1496
01:05:58,240 --> 01:05:58,960
Speaker 3: let's sign them up.

1497
01:05:59,000 --> 01:06:00,320
Speaker 2: The Lord needs you here.

1498
01:06:00,360 --> 01:06:01,280
Speaker 7: Yeah, Lord.

1499
01:06:01,760 --> 01:06:04,880
Speaker 3: Yeah, the Lord was like kind of change our mind.

1500
01:06:05,280 --> 01:06:06,840
Speaker 3: They kind of kind of talked with the other two

1501
01:06:06,960 --> 01:06:08,040
Speaker 3: and we change our mind.

1502
01:06:08,720 --> 01:06:09,760
Speaker 7: You kich allt of Michigan game.

1503
01:06:09,800 --> 01:06:10,040
Speaker 1: Still.

1504
01:06:10,320 --> 01:06:12,600
Speaker 2: Yeah, we went to Notre Dame this year. Actually, it's

1505
01:06:12,600 --> 01:06:14,760
Speaker 2: fun now because we can take my bus up there. Yeah,

1506
01:06:14,920 --> 01:06:17,200
Speaker 2: and we go and we'll just wake up back home.

1507
01:06:17,560 --> 01:06:20,360
Speaker 7: Super super easy drive to not far off from here.

1508
01:06:20,480 --> 01:06:21,160
Speaker 2: No, not at all.

1509
01:06:21,280 --> 01:06:22,600
Speaker 1: Are you talking about the apartment bus.

1510
01:06:23,600 --> 01:06:26,240
Speaker 2: Well, my bus has the twelve bunks, gotcha, gotcha to

1511
01:06:26,320 --> 01:06:27,160
Speaker 2: throw everybody.

1512
01:06:26,880 --> 01:06:28,440
Speaker 1: And you should hear about this apartment bus. They got

1513
01:06:28,520 --> 01:06:28,840
Speaker 1: my wife.

1514
01:06:29,240 --> 01:06:30,080
Speaker 7: Listen to the pod.

1515
01:06:30,320 --> 01:06:32,400
Speaker 2: My wife has a really sweet bus that has a

1516
01:06:32,520 --> 01:06:35,760
Speaker 2: baby crate in it and our apartments in the back.

1517
01:06:35,840 --> 01:06:38,480
Speaker 2: But but yeah, it's that he was asking how you

1518
01:06:38,560 --> 01:06:39,840
Speaker 2: take a baby on the road. It's like, well, we

1519
01:06:39,920 --> 01:06:42,200
Speaker 2: have a bus that's like set up. It's like monitors

1520
01:06:42,280 --> 01:06:44,000
Speaker 2: and white noise machines.

1521
01:06:43,600 --> 01:06:45,960
Speaker 1: And yeah, will yeah, build on the bus.

1522
01:06:46,400 --> 01:06:47,840
Speaker 7: You just drive the bus and then the babies.

1523
01:06:48,000 --> 01:06:49,520
Speaker 1: Did you hear him? Our apartments in the back of

1524
01:06:49,600 --> 01:06:52,560
Speaker 1: the bus. We need to look into a bus like that.

1525
01:06:52,720 --> 01:06:53,400
Speaker 7: We got great bus.

1526
01:06:53,520 --> 01:06:54,000
Speaker 1: This is fun.

1527
01:06:54,320 --> 01:06:56,040
Speaker 2: This is a great bus. This is a cooler bus

1528
01:06:56,120 --> 01:06:56,320
Speaker 2: than that.

1529
01:06:57,040 --> 01:06:59,040
Speaker 7: I would this bus just bus as best as cool

1530
01:06:59,040 --> 01:07:01,160
Speaker 7: as it gets. It's about twenty seven thousand dollars to

1531
01:07:01,240 --> 01:07:03,880
Speaker 7: get this thing running. The floor the floor under.

1532
01:07:03,920 --> 01:07:05,200
Speaker 1: You got to put it on a different chassis.

1533
01:07:05,760 --> 01:07:10,160
Speaker 7: Yeah, chassis. The floor is so uh there's no drivers seat,

1534
01:07:10,160 --> 01:07:11,080
Speaker 7: there's literally no driversy.

1535
01:07:11,440 --> 01:07:12,720
Speaker 2: You could just risk it.

1536
01:07:13,240 --> 01:07:17,480
Speaker 3: Risk this, dude, nail the lawn chair down to the floorboard.

1537
01:07:17,640 --> 01:07:18,800
Speaker 7: Okay, engine doesn't work.

1538
01:07:18,880 --> 01:07:21,840
Speaker 3: Driver's engine doesn't work. Yeah, steal an engine.

1539
01:07:22,000 --> 01:07:25,200
Speaker 1: Yeah, and then my parts are obsolete for this model.

1540
01:07:27,760 --> 01:07:30,000
Speaker 7: Not like big and fashion anymore.

1541
01:07:30,120 --> 01:07:30,800
Speaker 2: Crowdsources.

1542
01:07:31,080 --> 01:07:35,720
Speaker 7: Kickstarter could do a Kickstarter we could. I'll tell you what.

1543
01:07:35,840 --> 01:07:38,920
Speaker 7: When that song comes up that you and Will started,

1544
01:07:39,480 --> 01:07:41,240
Speaker 7: We'll take you get put it.

1545
01:07:41,280 --> 01:07:44,160
Speaker 1: Right in do with me, like I can't Taylor just

1546
01:07:44,200 --> 01:07:46,880
Speaker 1: pay this or that, like you run a risk right there,

1547
01:07:46,960 --> 01:07:49,920
Speaker 1: trying to do a kickstarter for Taylor.

1548
01:07:49,880 --> 01:07:56,680
Speaker 5: Like crowdfunding, Fuck it, I'll do it. I'm making for

1549
01:07:56,840 --> 01:07:59,200
Speaker 5: me and kickstart for the bus. I feel like that

1550
01:07:59,280 --> 01:08:00,400
Speaker 5: said just coming your mouth.

1551
01:08:04,120 --> 01:08:07,320
Speaker 2: Yeah, we run into that too, not to the same level,

1552
01:08:07,360 --> 01:08:11,440
Speaker 2: but but yeah. No one's like, hey, I don't crowd

1553
01:08:11,480 --> 01:08:13,200
Speaker 2: from my record at this point, like you you're on

1554
01:08:13,280 --> 01:08:14,400
Speaker 2: OURCA records, you can't.

1555
01:08:14,560 --> 01:08:16,679
Speaker 3: Yeah, you get that's that's a bad look for OURCA.

1556
01:08:17,000 --> 01:08:18,160
Speaker 1: Well, it's a worse look for r C.

1557
01:08:18,800 --> 01:08:19,000
Speaker 2: Yeah.

1558
01:08:21,640 --> 01:08:25,000
Speaker 1: Twenty twenty has been rough man. Twenty twenty has been

1559
01:08:25,040 --> 01:08:28,160
Speaker 1: the year of things happening that are completely out of

1560
01:08:28,200 --> 01:08:32,040
Speaker 1: our control. But there is one thing you can control,

1561
01:08:32,520 --> 01:08:35,920
Speaker 1: and that's shaving your bush. Shout out Manscaped and Manscaped.

1562
01:08:36,000 --> 01:08:39,080
Speaker 1: Our sponsors are here to remind you to always keep

1563
01:08:40,080 --> 01:08:42,120
Speaker 1: your bush, your lawn, whatever you want to call it,

1564
01:08:42,240 --> 01:08:46,080
Speaker 1: trimmed and men and maintained. The Manscaped Lawnmower three point

1565
01:08:46,120 --> 01:08:48,640
Speaker 1: always a premium electric trimmer that's designed to give you

1566
01:08:48,840 --> 01:08:51,479
Speaker 1: a confidence boost through your body image. I actually used

1567
01:08:51,520 --> 01:08:55,080
Speaker 1: the Old Boy last week. They have a ceramic blade

1568
01:08:55,080 --> 01:08:58,040
Speaker 1: and skin safe technology that are designed to reduce nicks

1569
01:08:58,080 --> 01:09:01,439
Speaker 1: and tugs on the fellows below. The lawnmower three point

1570
01:09:01,520 --> 01:09:04,080
Speaker 1: zero is also waterproof and comes with an LED light

1571
01:09:04,280 --> 01:09:06,240
Speaker 1: so you can manscape in the shower in the dark

1572
01:09:06,439 --> 01:09:09,639
Speaker 1: or in the dark shower, whatever you're into. They also

1573
01:09:09,840 --> 01:09:12,880
Speaker 1: just release their Shears two point zero nail kit, which

1574
01:09:12,960 --> 01:09:15,040
Speaker 1: is the perfect add on to their lawnmower three point

1575
01:09:15,080 --> 01:09:18,040
Speaker 1: Oho trimmer. The Shear's two point zero is a luxury

1576
01:09:18,240 --> 01:09:25,080
Speaker 1: four piece nail kit featuring tempered stainless steel tools and

1577
01:09:25,200 --> 01:09:30,160
Speaker 1: it includes tip tweezers, rounded point scissors, fingernail clippers, and

1578
01:09:30,280 --> 01:09:33,559
Speaker 1: a medium gritty nail filer. The Sar's two point Oho

1579
01:09:33,600 --> 01:09:37,320
Speaker 1: nail Kit allows you to pluck your eyebrows and trim

1580
01:09:37,400 --> 01:09:40,040
Speaker 1: your nails in style. On their website, you'll also find

1581
01:09:40,040 --> 01:09:42,439
Speaker 1: a couple more items. Their Crop Preserver, which is their

1582
01:09:42,479 --> 01:09:46,040
Speaker 1: anti chafing ball deodorant moisturizer. This will help you tame

1583
01:09:46,120 --> 01:09:47,840
Speaker 1: that swamp ass out there that you get with the

1584
01:09:47,920 --> 01:09:51,679
Speaker 1: natural hydrators and intioxidants that your skin needs. You also

1585
01:09:51,760 --> 01:09:54,360
Speaker 1: find a crop reviver, or a testy toner as we

1586
01:09:54,479 --> 01:09:57,479
Speaker 1: like to call it, that likes it's like having cologne

1587
01:09:57,520 --> 01:09:58,520
Speaker 1: that is designed.

1588
01:09:58,200 --> 01:09:58,799
Speaker 2: For your balls.

1589
01:10:00,080 --> 01:10:02,720
Speaker 1: A little ball toner dude, So go to manscape dot

1590
01:10:02,760 --> 01:10:05,400
Speaker 1: com and check out all these life changing products. As

1591
01:10:05,439 --> 01:10:08,400
Speaker 1: a matter of fact, you will get twenty percent off

1592
01:10:08,479 --> 01:10:11,840
Speaker 1: in free shipping with the code busting at manscape dot com.

1593
01:10:12,000 --> 01:10:14,599
Speaker 1: That's twenty percent off in free shipping at manscape dot

1594
01:10:14,640 --> 01:10:17,920
Speaker 1: com and use the code busting. It's time to grab

1595
01:10:18,000 --> 01:10:21,400
Speaker 1: twenty twenty by the balls, by the horns and shave

1596
01:10:21,479 --> 01:10:25,599
Speaker 1: that front trunk, dude, and keep that lawnmower maintain I said, lawnmower,

1597
01:10:25,760 --> 01:10:29,559
Speaker 1: keep that long maintained. But shout out the boys in Manscape.

1598
01:10:29,600 --> 01:10:31,840
Speaker 1: I hope you guys are thoroughly enjoying the boy Ryan heard.

1599
01:10:32,080 --> 01:10:34,840
Speaker 1: The dude is a motherfucking stud who's RCA.

1600
01:10:35,080 --> 01:10:37,479
Speaker 2: That's my record company. So he's on Big Loud Records,

1601
01:10:37,560 --> 01:10:41,160
Speaker 2: Big Loud, Big Loud, Yeah yesterday with yes, sir, I'm

1602
01:10:41,240 --> 01:10:43,760
Speaker 2: on a RCA Records, which is like Elvis.

1603
01:10:43,439 --> 01:10:46,080
Speaker 1: And Classic Beyonce. So you guys are competitors.

1604
01:10:46,439 --> 01:10:48,880
Speaker 7: No, well, it sounds like after you Elvis and Beyonce,

1605
01:10:48,920 --> 01:10:51,639
Speaker 7: it's not a fucking yeah. You know, we had Elvis

1606
01:10:51,680 --> 01:10:52,240
Speaker 7: and Beyond.

1607
01:10:53,600 --> 01:10:53,920
Speaker 3: Beyond.

1608
01:10:54,280 --> 01:10:55,240
Speaker 1: He's set in the standard.

1609
01:10:56,400 --> 01:10:58,160
Speaker 3: RCA is like one of the one of the og

1610
01:10:58,600 --> 01:10:59,120
Speaker 3: record life.

1611
01:10:59,160 --> 01:11:01,240
Speaker 2: No record come. But he's like, hey, where do you bank?

1612
01:11:01,760 --> 01:11:04,320
Speaker 2: That's like all it is like you, Yeah, I would

1613
01:11:04,320 --> 01:11:06,680
Speaker 2: bake it son Trust, I bank it Pinnacle. Well it's

1614
01:11:06,720 --> 01:11:08,680
Speaker 2: like those are We're not competing.

1615
01:11:10,040 --> 01:11:12,000
Speaker 1: Right is that? Now? Is that who you signed with

1616
01:11:12,120 --> 01:11:12,880
Speaker 1: recently in March?

1617
01:11:13,160 --> 01:11:13,200
Speaker 4: What?

1618
01:11:14,720 --> 01:11:18,160
Speaker 2: Then you signed with some publisher now is Big Machine?

1619
01:11:18,160 --> 01:11:21,519
Speaker 2: So that's like Scott Boarshea and whatever. So I probably

1620
01:11:21,520 --> 01:11:25,200
Speaker 2: shouldn't bring that. Bring up the other thing, Garrett, you

1621
01:11:25,360 --> 01:11:28,920
Speaker 2: signed in March with who Big Machine Music? So the

1622
01:11:29,000 --> 01:11:32,360
Speaker 2: publishing side of of of that record company?

1623
01:11:32,479 --> 01:11:34,760
Speaker 1: Now that that's a that's a big deal, right Is

1624
01:11:34,800 --> 01:11:37,360
Speaker 1: that a big deal? Yeah, it's big for me, Like

1625
01:11:37,439 --> 01:11:38,360
Speaker 1: I had Big Machines.

1626
01:11:38,600 --> 01:11:41,320
Speaker 2: I was at Universal Publishing for a long time.

1627
01:11:41,479 --> 01:11:43,000
Speaker 1: You had a picture. I saw you had a signing

1628
01:11:43,040 --> 01:11:44,759
Speaker 1: picture like a high schooler come into a college.

1629
01:11:45,080 --> 01:11:46,000
Speaker 2: Yeah, we do that.

1630
01:11:46,200 --> 01:11:48,800
Speaker 1: That's a big deal. Hey, let's go signing it more.

1631
01:11:50,360 --> 01:11:53,599
Speaker 2: I mean we we Uh. I don't know how would

1632
01:11:53,600 --> 01:11:55,479
Speaker 2: you describe this. I'm trying to like, it's it's a

1633
01:11:55,520 --> 01:11:55,920
Speaker 2: big deal.

1634
01:11:56,080 --> 01:11:57,240
Speaker 1: It's a publishing deal.

1635
01:11:57,360 --> 01:11:59,880
Speaker 3: It's like yeah, well, I mean look, I mean for

1636
01:12:00,040 --> 01:12:03,040
Speaker 3: a lot of people getting a publishing deal, I mean

1637
01:12:03,080 --> 01:12:04,880
Speaker 3: for me, I mean I was working at donut Den

1638
01:12:05,560 --> 01:12:06,240
Speaker 3: in Green Hills.

1639
01:12:06,320 --> 01:12:07,160
Speaker 2: You worked a donut den?

1640
01:12:07,280 --> 01:12:10,040
Speaker 3: Hell yeah, I got a lifetime free donuts. Can't tell.

1641
01:12:13,040 --> 01:12:13,320
Speaker 2: Dude.

1642
01:12:13,840 --> 01:12:14,080
Speaker 1: Yeah.

1643
01:12:14,120 --> 01:12:17,280
Speaker 3: I mean for for most people, that's the dream. You

1644
01:12:17,320 --> 01:12:19,320
Speaker 3: come to Nashville, you want, you want to write songs,

1645
01:12:19,960 --> 01:12:21,760
Speaker 3: you get it. You get somebody to give you a

1646
01:12:21,800 --> 01:12:25,160
Speaker 3: publishing deal. Guess what, that's your job. You don't have

1647
01:12:25,240 --> 01:12:26,400
Speaker 3: a regular job anymore.

1648
01:12:26,479 --> 01:12:27,720
Speaker 7: And if you get the.

1649
01:12:27,760 --> 01:12:28,640
Speaker 3: Dream, yeah, that's it.

1650
01:12:28,840 --> 01:12:29,920
Speaker 1: Getting a publishing deal.

1651
01:12:30,160 --> 01:12:32,719
Speaker 2: For me, that was it. That was like I signed

1652
01:12:32,720 --> 01:12:34,439
Speaker 2: my first deal when I was twenty five years old,

1653
01:12:34,520 --> 01:12:39,200
Speaker 2: and I that was like, that means you are a professional,

1654
01:12:39,439 --> 01:12:42,280
Speaker 2: paid professional songwriter. Yes, And if you put that into context.

1655
01:12:42,720 --> 01:12:44,800
Speaker 2: Somebody told me this once and I looked it up.

1656
01:12:44,840 --> 01:12:46,920
Speaker 2: It kind of holds true. In America, there's thirty five

1657
01:12:47,040 --> 01:12:53,120
Speaker 2: thousand paid professional baseball players, okay, majors, minors, semi pro, whatever.

1658
01:12:53,439 --> 01:12:57,599
Speaker 2: There's thirty five hundred paid professional songwriters in America. People

1659
01:12:57,640 --> 01:13:01,280
Speaker 2: who make a living as not all artists, but guys

1660
01:13:01,600 --> 01:13:04,200
Speaker 2: like me and Ernest and girls who write songs for

1661
01:13:04,280 --> 01:13:06,400
Speaker 2: other people like that's their job is just the writing

1662
01:13:06,439 --> 01:13:08,920
Speaker 2: of the music. There's thirty five hundred people in America

1663
01:13:09,000 --> 01:13:11,360
Speaker 2: that do that job, and maybe somebody can update me

1664
01:13:11,400 --> 01:13:13,080
Speaker 2: because I was like five years ago somebody told me

1665
01:13:13,160 --> 01:13:14,240
Speaker 2: that they're just obvious.

1666
01:13:14,280 --> 01:13:16,400
Speaker 1: You need to start leveraging the NFL numbers because we're

1667
01:13:16,439 --> 01:13:17,719
Speaker 1: smaller than the baseball numbers.

1668
01:13:18,120 --> 01:13:21,800
Speaker 7: We're like twenty I think we're like twenty two, twenty

1669
01:13:21,840 --> 01:13:25,439
Speaker 7: two hundred, twenty two hundred NFL players, and like right now,

1670
01:13:25,479 --> 01:13:27,599
Speaker 7: there's a lot more because you have a bigger roster

1671
01:13:27,760 --> 01:13:30,960
Speaker 7: you have you have fifty three man roster times thirty two.

1672
01:13:31,960 --> 01:13:32,160
Speaker 1: Yeah.

1673
01:13:32,160 --> 01:13:35,240
Speaker 2: Boys, it's way easier to be a songwriter than a

1674
01:13:35,280 --> 01:13:37,639
Speaker 2: baseball player, but way harder to be a well.

1675
01:13:39,479 --> 01:13:40,280
Speaker 1: Closer around there.

1676
01:13:40,400 --> 01:13:42,880
Speaker 7: Yeah, but also like you, I mean, minor minor league

1677
01:13:42,880 --> 01:13:44,000
Speaker 7: BASBA players even Triple.

1678
01:13:43,800 --> 01:13:44,400
Speaker 2: A don't make shit.

1679
01:13:44,439 --> 01:13:45,560
Speaker 1: You don't make sure they don't make it.

1680
01:13:45,640 --> 01:13:48,839
Speaker 7: But like most songwriters will be baseball players.

1681
01:13:49,320 --> 01:13:53,240
Speaker 3: Dude, dude, I would like to probably compare a double

1682
01:13:53,320 --> 01:13:56,960
Speaker 3: a baseball player's salary to a first publishing deal salary.

1683
01:13:57,200 --> 01:13:59,400
Speaker 1: Oh really, that you got to make sure NFL players?

1684
01:14:00,400 --> 01:14:04,760
Speaker 2: Was that that somebody telling us twenty eight hundred songwriters? Damn? Wow?

1685
01:14:05,200 --> 01:14:08,360
Speaker 1: Even less dude, I know, well, it's tables keep turning.

1686
01:14:08,439 --> 01:14:12,080
Speaker 2: It's not tables. Turn last ten years have been a

1687
01:14:12,120 --> 01:14:14,680
Speaker 2: little rough on the old uh on the songwriters, just

1688
01:14:14,760 --> 01:14:17,400
Speaker 2: because of the way that music's consumed. Is trying to

1689
01:14:17,439 --> 01:14:21,040
Speaker 2: get that balance back out. But uh yeah, so most

1690
01:14:21,080 --> 01:14:23,920
Speaker 2: songwriters are not millionaires. That's like the that's just the

1691
01:14:24,000 --> 01:14:26,240
Speaker 2: truth of it. Most of them make a common misconception

1692
01:14:26,400 --> 01:14:28,400
Speaker 2: kind of well, I mean like some of them are,

1693
01:14:28,600 --> 01:14:30,880
Speaker 2: but most of them, like you're my first deal was

1694
01:14:30,880 --> 01:14:32,439
Speaker 2: for like twenty eight thousand dollars a year.

1695
01:14:32,720 --> 01:14:33,479
Speaker 1: Now is that twenty five?

1696
01:14:33,520 --> 01:14:36,639
Speaker 2: That's like pretty good? Yeah, how long is that contract?

1697
01:14:37,000 --> 01:14:39,000
Speaker 3: Probably forty years? Yeah, how many years?

1698
01:14:39,080 --> 01:14:39,519
Speaker 2: Four years?

1699
01:14:39,720 --> 01:14:40,439
Speaker 1: How old are you now?

1700
01:14:40,920 --> 01:14:41,599
Speaker 2: Thirty three?

1701
01:14:42,120 --> 01:14:44,400
Speaker 1: So when you re up to this one, is it

1702
01:14:44,680 --> 01:14:47,000
Speaker 1: you basically moved up in publishing companies.

1703
01:14:47,920 --> 01:14:51,720
Speaker 2: The same amount of quality. I mean, both of those

1704
01:14:51,760 --> 01:14:54,680
Speaker 2: companies are amazing. Universal Music is obviously like the big

1705
01:14:54,920 --> 01:14:57,080
Speaker 2: music company in the world. But yeah, yeah, it's more

1706
01:14:57,200 --> 01:15:01,559
Speaker 2: like the percentages come back in my favor the more

1707
01:15:01,600 --> 01:15:05,360
Speaker 2: that I do it. God, Like the salary part of

1708
01:15:05,439 --> 01:15:08,519
Speaker 2: it's a draw, so it's like an advance, but the

1709
01:15:09,000 --> 01:15:11,679
Speaker 2: royalties are what you're you're partnering, you're.

1710
01:15:11,520 --> 01:15:14,120
Speaker 3: Splitting, right, they'll give you a month, they'll give you

1711
01:15:14,160 --> 01:15:14,880
Speaker 3: a monthly payment.

1712
01:15:14,960 --> 01:15:16,559
Speaker 1: The potential is better you pay it back.

1713
01:15:16,800 --> 01:15:17,880
Speaker 2: Yeah, it goes back.

1714
01:15:17,720 --> 01:15:19,599
Speaker 3: To it comes comes back out of your pocket.

1715
01:15:19,680 --> 01:15:21,240
Speaker 1: And yeah, I'm just trying to learn, dude. So it

1716
01:15:21,280 --> 01:15:22,439
Speaker 1: sounds like a big deal music.

1717
01:15:22,520 --> 01:15:25,080
Speaker 2: The money like the way money flows and music is wild,

1718
01:15:25,600 --> 01:15:29,240
Speaker 2: just wild. Yeah, it's it's complicated, and then once you

1719
01:15:29,320 --> 01:15:31,000
Speaker 2: get it, you're like, oh that makes sense. Yeah.

1720
01:15:31,360 --> 01:15:33,320
Speaker 3: Business manager was the best thing that ever happened to me,

1721
01:15:33,360 --> 01:15:35,559
Speaker 3: because yeah, I have a good one. I can't think

1722
01:15:35,600 --> 01:15:37,000
Speaker 3: about it, and now I don't have to. I just

1723
01:15:37,080 --> 01:15:38,640
Speaker 3: have to, like son some papers every now and then,

1724
01:15:38,840 --> 01:15:40,960
Speaker 3: and I know all of my ship's getting taken care of.

1725
01:15:42,600 --> 01:15:45,760
Speaker 3: No dude, all my bills, Like, I don't worry about it.

1726
01:15:45,800 --> 01:15:47,320
Speaker 2: He sneaks the power of attorney in there.

1727
01:15:49,200 --> 01:15:55,080
Speaker 7: He signed this you're an idiot. Yeah yeah, I keep

1728
01:15:55,120 --> 01:15:57,720
Speaker 7: on writing them songs and as you kill, keep going,

1729
01:15:57,920 --> 01:15:58,400
Speaker 7: keep seeing me.

1730
01:15:58,479 --> 01:16:01,960
Speaker 2: Those people get they get a dirty business manager. Those

1731
01:16:01,960 --> 01:16:04,400
Speaker 2: people get kicked out pretty quick. So yeah, they get

1732
01:16:04,439 --> 01:16:04,880
Speaker 2: found out.

1733
01:16:05,760 --> 01:16:07,839
Speaker 3: Yeah, no question, had your credit card yesterday?

1734
01:16:07,920 --> 01:16:10,880
Speaker 7: I still ye, yeah, I know he still has credit

1735
01:16:10,960 --> 01:16:15,800
Speaker 7: card on the bustle with the boys credit card, so

1736
01:16:15,920 --> 01:16:19,439
Speaker 7: you could have bought beers. I could. I think it's

1737
01:16:19,439 --> 01:16:20,840
Speaker 7: the first, don't. I don't know what Will has been

1738
01:16:20,880 --> 01:16:22,880
Speaker 7: spending this credit card on, but I bought six bottles

1739
01:16:22,880 --> 01:16:23,600
Speaker 7: of water not with it?

1740
01:16:24,160 --> 01:16:25,840
Speaker 2: Yeah, what have you been spending on it?

1741
01:16:26,280 --> 01:16:26,479
Speaker 7: Yeah?

1742
01:16:26,800 --> 01:16:28,320
Speaker 1: I don't use it like a debit card?

1743
01:16:28,720 --> 01:16:30,320
Speaker 3: Would you use it for cars?

1744
01:16:30,840 --> 01:16:35,160
Speaker 1: Trucks? Cars? As I'll plug that card info for Venmo

1745
01:16:35,400 --> 01:16:38,320
Speaker 1: and paying people like using the card instead of giving

1746
01:16:38,400 --> 01:16:40,720
Speaker 1: like the whole bank account card feed.

1747
01:16:40,920 --> 01:16:42,439
Speaker 7: Obviously, I got to look at that buck.

1748
01:16:43,000 --> 01:16:45,880
Speaker 3: Yeah, I think where would we should settle on? Twenty

1749
01:16:45,920 --> 01:16:46,959
Speaker 3: five d a piece.

1750
01:16:48,760 --> 01:16:51,120
Speaker 7: The buses and even more to condition than it was before.

1751
01:16:51,640 --> 01:16:52,880
Speaker 3: We're gonna put it back into the bus.

1752
01:16:55,000 --> 01:16:57,080
Speaker 2: I was when I walked down, Here's like, this is

1753
01:16:57,160 --> 01:16:57,880
Speaker 2: cooler in person.

1754
01:16:58,560 --> 01:16:59,960
Speaker 1: See those things aren't cool?

1755
01:17:00,280 --> 01:17:01,680
Speaker 2: Are great in person than they are.

1756
01:17:02,120 --> 01:17:06,479
Speaker 7: Most of this stuff. I think ninety nine percent of

1757
01:17:06,520 --> 01:17:09,200
Speaker 7: these stickers were on here when we first got this bus.

1758
01:17:09,320 --> 01:17:10,759
Speaker 3: I'd rather be spanking the monkey.

1759
01:17:11,280 --> 01:17:11,800
Speaker 2: I love it.

1760
01:17:12,280 --> 01:17:13,439
Speaker 7: There's one's my favorite.

1761
01:17:13,600 --> 01:17:17,240
Speaker 1: I think you were just thinking out loud, Okay, I

1762
01:17:17,280 --> 01:17:18,960
Speaker 1: was like, all right about Matt.

1763
01:17:24,560 --> 01:17:26,720
Speaker 7: My favorite sticker on this entire bus is behind you

1764
01:17:27,000 --> 01:17:29,680
Speaker 7: when you open the door on like that panel behind you,

1765
01:17:29,760 --> 01:17:32,960
Speaker 7: there's a big lizard and there's no lot lizards my

1766
01:17:33,080 --> 01:17:35,080
Speaker 7: favorite one. You ever heard a lot of lizard? So

1767
01:17:35,240 --> 01:17:38,760
Speaker 7: truckers drive trucks when you go to like a Love's

1768
01:17:38,800 --> 01:17:43,840
Speaker 7: gas station, your travel across country, those hookers lot lizards

1769
01:17:44,280 --> 01:17:46,160
Speaker 7: and then these they're grimy hookers that you get you

1770
01:17:46,160 --> 01:17:47,080
Speaker 7: paying like twenty bucks.

1771
01:17:47,160 --> 01:17:48,320
Speaker 3: No love that for anything.

1772
01:17:48,439 --> 01:17:50,160
Speaker 7: Put your peep over a sock or something like that

1773
01:17:50,280 --> 01:17:52,920
Speaker 7: in a town I don't know where is. I'm a

1774
01:17:52,960 --> 01:17:57,880
Speaker 7: big fan of that one. Little educational pieces. Yeah, but

1775
01:17:57,920 --> 01:17:59,040
Speaker 7: if you had to ask, can't afford it.

1776
01:18:03,280 --> 01:18:08,560
Speaker 1: In that movie erin water Boy, this is one I

1777
01:18:09,200 --> 01:18:09,600
Speaker 1: should know.

1778
01:18:10,600 --> 01:18:12,920
Speaker 3: This is like, I'm not you think I'll just sit

1779
01:18:13,040 --> 01:18:15,960
Speaker 3: there and soberly watch movies and take it all in.

1780
01:18:16,280 --> 01:18:17,200
Speaker 1: Or beer Fest.

1781
01:18:17,760 --> 01:18:19,679
Speaker 3: Oh god, that's it. I haven't seen that in years.

1782
01:18:20,080 --> 01:18:23,400
Speaker 7: That's a that's a phenomenal alright movie. The movie is

1783
01:18:23,439 --> 01:18:26,040
Speaker 7: so dumb. They kill off a character and then bring

1784
01:18:26,160 --> 01:18:29,720
Speaker 7: his twin brother back character and it was asked to

1785
01:18:29,880 --> 01:18:33,000
Speaker 7: be known as landfill quality fucking movies.

1786
01:18:33,080 --> 01:18:34,639
Speaker 2: I need to go back and watch Tonight, We're gonna

1787
01:18:34,840 --> 01:18:36,840
Speaker 2: Me and You're gonna get together, watch The blind Side

1788
01:18:36,880 --> 01:18:37,599
Speaker 2: and beer Fest.

1789
01:18:37,760 --> 01:18:42,000
Speaker 1: Yeah, yes, last story, talk to us how you met,

1790
01:18:42,360 --> 01:18:44,560
Speaker 1: how you met Maren? And we want detail. Obviously, we

1791
01:18:44,600 --> 01:18:46,280
Speaker 1: can read stories, we can read articles, we can see

1792
01:18:46,280 --> 01:18:47,040
Speaker 1: you guys met.

1793
01:18:47,080 --> 01:18:48,720
Speaker 7: We're asking you to make us some money on views here.

1794
01:18:48,800 --> 01:18:49,679
Speaker 7: So here's a favorite.

1795
01:18:49,760 --> 01:18:54,120
Speaker 2: Yeah, I met we writing songs and so like she

1796
01:18:54,400 --> 01:18:57,519
Speaker 2: moved to town to be a songwriter, not an artist,

1797
01:18:57,720 --> 01:19:01,120
Speaker 2: and we started writing like every week or two and

1798
01:19:01,360 --> 01:19:06,280
Speaker 2: and had like a creative relationship first and eventually became

1799
01:19:06,360 --> 01:19:09,320
Speaker 2: something different. But like we wrote songs like Tim McGraw

1800
01:19:09,400 --> 01:19:12,519
Speaker 2: and brothers Osbourne and she was a writer and then

1801
01:19:12,560 --> 01:19:14,680
Speaker 2: all of a sudden, she started like writing songs that

1802
01:19:15,600 --> 01:19:18,320
Speaker 2: people couldn't sing, Like she'd try to pitch them and

1803
01:19:18,400 --> 01:19:21,200
Speaker 2: then but nobody could do it. And that's when she

1804
01:19:21,600 --> 01:19:25,120
Speaker 2: started like making her own recordings again. And she's been

1805
01:19:25,160 --> 01:19:27,000
Speaker 2: doing this since she was eleven years old, like playing

1806
01:19:27,120 --> 01:19:29,599
Speaker 2: bars and like that's what people say. They're like, oh,

1807
01:19:29,680 --> 01:19:32,360
Speaker 2: this is like she became like was a fast. It

1808
01:19:32,520 --> 01:19:35,040
Speaker 2: was like fast for her and it's like, eh, kind

1809
01:19:35,080 --> 01:19:36,920
Speaker 2: of like if you take the whole, take it as

1810
01:19:36,960 --> 01:19:38,640
Speaker 2: a whole. It was. She's been doing it since she

1811
01:19:38,720 --> 01:19:41,679
Speaker 2: was eleven years old. But she's there's not I mean odd,

1812
01:19:41,880 --> 01:19:45,200
Speaker 2: like nobody she's the best songwriter I've ever met.

1813
01:19:45,320 --> 01:19:48,200
Speaker 3: I still believe that, Like there's no sorry, it's okay.

1814
01:19:48,320 --> 01:19:48,960
Speaker 3: I let that one go.

1815
01:19:50,920 --> 01:19:52,679
Speaker 2: I think most people would be like, yeah, it's true.

1816
01:19:52,720 --> 01:19:56,639
Speaker 2: She best singer in Nashville. Is it's just kind of crazy,

1817
01:19:56,800 --> 01:19:59,639
Speaker 2: like there's there and she's also like we talked about

1818
01:19:59,680 --> 01:20:02,679
Speaker 2: ninety center of the ship is not music that ninety

1819
01:20:02,720 --> 01:20:06,479
Speaker 2: percent she is great at so like she's just sort

1820
01:20:06,479 --> 01:20:09,160
Speaker 2: of like the if you would build an artist in

1821
01:20:09,400 --> 01:20:12,560
Speaker 2: for like country music in Nashville, it's it's her. So

1822
01:20:13,160 --> 01:20:16,120
Speaker 2: but we man, it's cool. We've had a really cool relationship.

1823
01:20:16,160 --> 01:20:22,680
Speaker 2: It is funny like I you, you forget how famous she.

1824
01:20:22,840 --> 01:20:25,719
Speaker 2: I forget how famous she is and so like because

1825
01:20:25,720 --> 01:20:28,360
Speaker 2: I am like a writer and I have a career

1826
01:20:28,400 --> 01:20:30,920
Speaker 2: as an artist, but it's not the same in any

1827
01:20:31,040 --> 01:20:33,800
Speaker 2: like even in the same stratosphere as hers. So it

1828
01:20:33,960 --> 01:20:37,360
Speaker 2: is funny like I'll sometimes forget, like, oh shit, she's

1829
01:20:37,400 --> 01:20:40,160
Speaker 2: a superstar and I am. I have to like kind

1830
01:20:40,160 --> 01:20:42,880
Speaker 2: of keep that in mind. It is like harder to

1831
01:20:43,000 --> 01:20:46,160
Speaker 2: like go out with her now, and like even we

1832
01:20:46,240 --> 01:20:48,080
Speaker 2: have like a couple of places we can go to dinner,

1833
01:20:48,120 --> 01:20:50,280
Speaker 2: but like for the most part, like she's got to

1834
01:20:50,360 --> 01:20:53,240
Speaker 2: kind of keep a low profile now. And uh but yeah,

1835
01:20:53,360 --> 01:20:58,040
Speaker 2: we we got engaged in Michigan at our lake house Michigan.

1836
01:20:58,280 --> 01:21:00,320
Speaker 2: Uh yeah, man, cool?

1837
01:21:00,360 --> 01:21:03,320
Speaker 1: What was your what was your first flirting pickup line tour?

1838
01:21:04,040 --> 01:21:05,680
Speaker 1: When did the table start to turn when you guys

1839
01:21:05,720 --> 01:21:08,479
Speaker 1: were at what comment did you have to.

1840
01:21:08,479 --> 01:21:09,040
Speaker 7: Saw a question?

1841
01:21:09,200 --> 01:21:09,360
Speaker 1: Well?

1842
01:21:10,280 --> 01:21:12,479
Speaker 2: I don't know, I could. I could. We definitely into

1843
01:21:12,520 --> 01:21:15,160
Speaker 2: each other, like pretty early on, but I remember we

1844
01:21:15,720 --> 01:21:20,120
Speaker 2: ended up, uh were we started dating I think officially

1845
01:21:20,240 --> 01:21:22,760
Speaker 2: like New Year's Eve of like five years ago or

1846
01:21:22,800 --> 01:21:26,240
Speaker 2: something like that. So that was that was pretty That

1847
01:21:26,320 --> 01:21:28,160
Speaker 2: was pretty cool. It was like we're just gonna be

1848
01:21:28,320 --> 01:21:30,080
Speaker 2: dating now, and so that was kind of fun to

1849
01:21:30,200 --> 01:21:35,840
Speaker 2: like make out in front of everybody making Facebook, like

1850
01:21:35,880 --> 01:21:37,559
Speaker 2: all your friends are there, Like I guess they're actually

1851
01:21:37,640 --> 01:21:39,080
Speaker 2: together now, So like, oh.

1852
01:21:39,040 --> 01:21:41,040
Speaker 1: Yeah, Ryan fucking pulled it off.

1853
01:21:42,760 --> 01:21:45,240
Speaker 2: I mean, at one point, you know, I had more

1854
01:21:45,320 --> 01:21:47,400
Speaker 2: going on than than she did when we first you know,

1855
01:21:47,640 --> 01:21:49,560
Speaker 2: started writing, because she had just moved in Nashville, and

1856
01:21:49,600 --> 01:21:54,400
Speaker 2: then very quickly the script was flipped. So which is

1857
01:21:54,479 --> 01:21:58,519
Speaker 2: totally okay. Man. I feel like if you uh, I

1858
01:21:58,680 --> 01:22:03,240
Speaker 2: just I've always I don't feel threatened ever. I think

1859
01:22:03,280 --> 01:22:05,559
Speaker 2: people have asked me that it's like does this ever,

1860
01:22:05,720 --> 01:22:07,719
Speaker 2: like do you feel threatened by the success of your wife?

1861
01:22:07,760 --> 01:22:09,720
Speaker 2: It's like, fuck, no, man, It's like this is I

1862
01:22:09,840 --> 01:22:12,600
Speaker 2: have like the ultimate freedom. Oh I don't have. Like

1863
01:22:12,680 --> 01:22:16,200
Speaker 2: everything I do is just like icing like everything, like

1864
01:22:16,280 --> 01:22:19,120
Speaker 2: because being with somebody like that. I think that like

1865
01:22:19,360 --> 01:22:21,599
Speaker 2: dudes a lot of times get attracted to strong women

1866
01:22:21,680 --> 01:22:23,560
Speaker 2: and then they can't handle it because they feel like

1867
01:22:24,120 --> 01:22:26,800
Speaker 2: for some reason it diminishes them. And I feel the

1868
01:22:27,000 --> 01:22:29,519
Speaker 2: exact opposite. I feel like being with a strong woman

1869
01:22:29,560 --> 01:22:32,360
Speaker 2: frees me up to be literally do whatever I want.

1870
01:22:32,400 --> 01:22:35,120
Speaker 2: I don't have to worry about like I mean obviously

1871
01:22:35,280 --> 01:22:37,360
Speaker 2: to worry about her, but like I don't have to

1872
01:22:38,600 --> 01:22:41,000
Speaker 2: prop her up in any way. It's just she can

1873
01:22:41,080 --> 01:22:43,479
Speaker 2: handle her own shit, and I feel like that is

1874
01:22:43,520 --> 01:22:47,400
Speaker 2: a really cool way to have a relationship. You get

1875
01:22:47,439 --> 01:22:49,639
Speaker 2: to go golfing, and I like watching her like pop

1876
01:22:49,720 --> 01:22:52,280
Speaker 2: off on the internet at people, Like that's really fun

1877
01:22:52,320 --> 01:22:55,439
Speaker 2: for me. And then people either tell me like to

1878
01:22:55,560 --> 01:22:58,040
Speaker 2: back her up or like to tell her to stop,

1879
01:22:58,120 --> 01:22:59,960
Speaker 2: and it's like, man, I don't need to say anything,

1880
01:23:00,080 --> 01:23:01,720
Speaker 2: Like I'll come in there every once in a while

1881
01:23:01,760 --> 01:23:03,680
Speaker 2: when I feel like I need to say something. But

1882
01:23:03,800 --> 01:23:06,920
Speaker 2: for the most part, she can handle herself and that's cool. Yeah,

1883
01:23:07,160 --> 01:23:09,200
Speaker 2: and then uh, I don't know. I'm just like been

1884
01:23:09,240 --> 01:23:12,040
Speaker 2: proud over the last month because she's one of the

1885
01:23:12,560 --> 01:23:15,360
Speaker 2: I think the few country artists that's like been really

1886
01:23:15,439 --> 01:23:17,960
Speaker 2: vocal about like the stuff going on in our country

1887
01:23:18,040 --> 01:23:21,760
Speaker 2: and just even if you don't agree with it, like hey,

1888
01:23:21,920 --> 01:23:23,760
Speaker 2: she's putting herself out there in a big way and

1889
01:23:24,000 --> 01:23:27,439
Speaker 2: and and that's that takes nuts. It really does, especially

1890
01:23:27,479 --> 01:23:28,320
Speaker 2: in our genre.

1891
01:23:28,120 --> 01:23:31,760
Speaker 3: Where you know that everybody's going to crucified, famously crucified

1892
01:23:32,160 --> 01:23:33,240
Speaker 3: yea having an opinion.

1893
01:23:33,360 --> 01:23:36,280
Speaker 1: Oh yeah, especially if you don't that's correct.

1894
01:23:36,600 --> 01:23:38,920
Speaker 2: Yeah, it's just like keep politics out of it. It's like, no,

1895
01:23:39,080 --> 01:23:39,639
Speaker 2: you just don't.

1896
01:23:39,520 --> 01:23:42,559
Speaker 7: Agree with her politics, like she said, exactly what you want.

1897
01:23:43,880 --> 01:23:46,680
Speaker 2: Just like the massive double standard for people who I

1898
01:23:46,760 --> 01:23:48,840
Speaker 2: think are I mean you deal with the people tell

1899
01:23:49,360 --> 01:23:55,320
Speaker 2: I mean, if if if you if you have any

1900
01:23:55,360 --> 01:23:57,680
Speaker 2: opinion it it's like, hey, you just go like just

1901
01:23:57,760 --> 01:23:59,240
Speaker 2: keep singing. That's all we want you to do. And

1902
01:23:59,280 --> 01:24:02,400
Speaker 2: it's like I'm a I built this platform, it's mine.

1903
01:24:02,439 --> 01:24:04,920
Speaker 2: I can do whatever the funk I want with it, right, or.

1904
01:24:04,920 --> 01:24:07,320
Speaker 6: It's like what Okay, so what is your exact job? Oh,

1905
01:24:07,439 --> 01:24:12,760
Speaker 6: you're a your only plumbers can have an opinion. But

1906
01:24:12,920 --> 01:24:15,639
Speaker 6: hearn is actually like really outspoken to on social media,

1907
01:24:15,640 --> 01:24:16,559
Speaker 6: and that's hey.

1908
01:24:16,800 --> 01:24:20,160
Speaker 7: You don't say I just think that man wrots a

1909
01:24:20,240 --> 01:24:24,280
Speaker 7: bullet on a Wednesday. He's outspoken.

1910
01:24:24,400 --> 01:24:26,479
Speaker 2: It's hard to have that when you when your platform

1911
01:24:26,560 --> 01:24:29,320
Speaker 2: is smaller. And I feel the same way. And sometimes

1912
01:24:29,360 --> 01:24:31,439
Speaker 2: I say stuff and sometimes I don't. And this, this

1913
01:24:31,600 --> 01:24:36,040
Speaker 2: conversation got a little took a left turn from yeah

1914
01:24:36,080 --> 01:24:40,240
Speaker 2: for sure, shout out number. I want I want details

1915
01:24:40,360 --> 01:24:42,400
Speaker 2: on how you and Marin got together, but like, honestly,

1916
01:24:42,439 --> 01:24:44,479
Speaker 2: it's just like it was a creative partnership that became

1917
01:24:44,560 --> 01:24:46,720
Speaker 2: something more and now we really do have a cool thing.

1918
01:24:47,400 --> 01:24:50,240
Speaker 1: That's awesome. Dude. Well I appreciate you coming on bus

1919
01:24:50,320 --> 01:24:54,799
Speaker 1: with the boys. Apologies for the boy beings. Yeah, everybody crashing.

1920
01:24:55,040 --> 01:24:56,519
Speaker 1: I think it made for a good seat.

1921
01:24:56,640 --> 01:25:00,800
Speaker 7: Like Bruce Pearl, I love seeing you, I love seeing you,

1922
01:25:01,320 --> 01:25:02,040
Speaker 7: I love I love you.

1923
01:25:02,240 --> 01:25:04,040
Speaker 3: We got to play golf, were neighbors.

1924
01:25:04,760 --> 01:25:07,360
Speaker 2: Me and Will played yesterday. We invited you.

1925
01:25:08,280 --> 01:25:10,599
Speaker 3: I had I had another golf, you know, golf.

1926
01:25:10,680 --> 01:25:11,479
Speaker 1: He golfed eighteen.

1927
01:25:12,240 --> 01:25:14,840
Speaker 2: I didn't have time to play eighteen yesterday he has golf,

1928
01:25:14,920 --> 01:25:16,080
Speaker 2: You're always welcome to come back.

1929
01:25:18,280 --> 01:25:21,080
Speaker 7: That's fucking crazy. Hey, Taylor, Literally, I literally did Ernest's

1930
01:25:21,080 --> 01:25:23,080
Speaker 7: podcast yesterday and he's like, I got to play eighteen holes.

1931
01:25:23,520 --> 01:25:26,360
Speaker 7: I was like, cool, man, I'll see you called the bill. Hey,

1932
01:25:26,439 --> 01:25:28,400
Speaker 7: I did Ernest's podcasts, like, yeah, man, that's great, gotta go.

1933
01:25:28,560 --> 01:25:30,600
Speaker 7: I'm going to play golf. And I had him like,

1934
01:25:30,680 --> 01:25:33,840
Speaker 7: are they fucking playing together dude? Without me?

1935
01:25:34,479 --> 01:25:34,800
Speaker 2: I don't.

1936
01:25:34,920 --> 01:25:38,880
Speaker 7: I don't golf, So would you think would you? I'd

1937
01:25:38,920 --> 01:25:40,599
Speaker 7: go out there and hey, if you good enough, guy,

1938
01:25:40,920 --> 01:25:44,879
Speaker 7: beers on a golf cart. Everybody see uh yeah, everybody

1939
01:25:44,960 --> 01:25:45,639
Speaker 7: sucks at golf.

1940
01:25:46,000 --> 01:25:46,680
Speaker 2: That's the thing. I know.

1941
01:25:46,720 --> 01:25:50,160
Speaker 7: I'm not worried about sucking at things. I'm say, this

1942
01:25:50,240 --> 01:25:52,599
Speaker 7: can go down a really weird road, but very much.

1943
01:25:53,200 --> 01:25:53,360
Speaker 4: I know.

1944
01:25:53,479 --> 01:25:55,360
Speaker 1: I can't wait. I can't wait. I've heard him a

1945
01:25:55,400 --> 01:25:55,920
Speaker 1: couple of times.

1946
01:25:56,240 --> 01:26:00,439
Speaker 7: People who think they've made it, gotcha. I'm twenty nine

1947
01:26:00,520 --> 01:26:03,040
Speaker 7: years old, twenty nine this month. Actually I'm actually still

1948
01:26:03,080 --> 01:26:05,280
Speaker 7: twenty eight and still.

1949
01:26:05,040 --> 01:26:05,519
Speaker 3: Haven't made it.

1950
01:26:05,720 --> 01:26:07,200
Speaker 7: It's hard, Yes, I haven't made it.

1951
01:26:07,560 --> 01:26:08,280
Speaker 4: It's hard for me.

1952
01:26:08,640 --> 01:26:10,800
Speaker 1: It's hard for me to pick up See what he's

1953
01:26:10,840 --> 01:26:11,720
Speaker 1: building down the road.

1954
01:26:12,000 --> 01:26:13,760
Speaker 7: But I never had that bug as a kid. My

1955
01:26:13,800 --> 01:26:15,240
Speaker 7: dad never made me go or nothing. Hell long, I've

1956
01:26:15,280 --> 01:26:16,080
Speaker 7: been golfing for well.

1957
01:26:16,160 --> 01:26:19,080
Speaker 2: I grew up playing and then I quit because I

1958
01:26:19,200 --> 01:26:20,360
Speaker 2: was like, I'm bored and I don't want to do

1959
01:26:20,400 --> 01:26:22,360
Speaker 2: this anymore. He had made it yet, I hadn't made

1960
01:26:22,360 --> 01:26:24,720
Speaker 2: it yet, and that I made it, honestly, like when

1961
01:26:24,720 --> 01:26:26,400
Speaker 2: everything's shut down, that was the only thing you could do.

1962
01:26:26,439 --> 01:26:27,680
Speaker 2: And I was like, I guess I'm gonna go to

1963
01:26:27,680 --> 01:26:28,760
Speaker 2: play too golf with my brother.

1964
01:26:28,960 --> 01:26:32,840
Speaker 3: I might not make it because of golf. Yeah, Like, dude,

1965
01:26:33,080 --> 01:26:35,479
Speaker 3: I literally quarantine. I never played golf in my life.

1966
01:26:35,560 --> 01:26:37,799
Speaker 3: I was always a baseball player, though, and I sliced

1967
01:26:37,840 --> 01:26:39,400
Speaker 3: the shit out of the ball from the left side

1968
01:26:39,640 --> 01:26:42,880
Speaker 3: with my golf swing, so I was always discouraged. Quarantine happened.

1969
01:26:43,400 --> 01:26:45,840
Speaker 3: My parents started playing golf out of nowhere, so I

1970
01:26:45,880 --> 01:26:47,200
Speaker 3: was going to meet them at the caave and like

1971
01:26:47,360 --> 01:26:49,960
Speaker 3: walk nine holes with them two or three times a week.

1972
01:26:50,320 --> 01:26:52,439
Speaker 3: And I just swopped over and started hitting right handed

1973
01:26:52,920 --> 01:26:55,000
Speaker 3: and realized I had way more fun. And I just

1974
01:26:55,120 --> 01:26:57,240
Speaker 3: haven't stopped since the beginning of Quarantine. I just played

1975
01:26:57,240 --> 01:26:57,800
Speaker 3: golf all the time.

1976
01:26:57,840 --> 01:27:01,120
Speaker 1: I love the camaraderie, you know what I mean. Yeah,

1977
01:27:01,160 --> 01:27:03,280
Speaker 1: And you're like, it's my brother and to my manager,

1978
01:27:03,640 --> 01:27:05,479
Speaker 1: I'm like, okay, I'm going three people I've never actually

1979
01:27:05,520 --> 01:27:07,559
Speaker 1: been met in real life. But it was a solid time.

1980
01:27:08,080 --> 01:27:09,519
Speaker 7: Were you nervous at that first t though?

1981
01:27:10,120 --> 01:27:10,320
Speaker 3: Yeah?

1982
01:27:11,000 --> 01:27:13,160
Speaker 1: What what gets me is is everyone wants to be

1983
01:27:13,280 --> 01:27:15,760
Speaker 1: so silent when somebody's swinging and me, I kind of

1984
01:27:15,800 --> 01:27:21,000
Speaker 1: don't mind, Like, hey, boys play some music. Yeah I

1985
01:27:21,120 --> 01:27:24,439
Speaker 1: stopped watching me all right, Hey, but no doubt you

1986
01:27:24,520 --> 01:27:26,160
Speaker 1: definitely feel that way. It's more like, I hope I

1987
01:27:26,200 --> 01:27:27,840
Speaker 1: don't just roll this thing in front of me. But

1988
01:27:28,240 --> 01:27:29,840
Speaker 1: I was like I was getting them in the air

1989
01:27:29,880 --> 01:27:31,560
Speaker 1: and they were just going everywhere else you hit, But

1990
01:27:31,560 --> 01:27:34,000
Speaker 1: I don't mind. I didn't mind that at least I'm

1991
01:27:34,000 --> 01:27:34,519
Speaker 1: swinging them hit.

1992
01:27:34,560 --> 01:27:36,600
Speaker 7: I'll tell you what I love. What I going to

1993
01:27:36,720 --> 01:27:39,200
Speaker 7: like top golf, getting a pitching wedge out, hitting it

1994
01:27:39,240 --> 01:27:41,040
Speaker 7: completely wrong. I hit that thing one hundred and ninety.

1995
01:27:41,160 --> 01:27:45,400
Speaker 1: Yeah, I'm going to talk. You were about to compliment hit.

1996
01:27:48,479 --> 01:27:50,120
Speaker 2: Hit one. He got a hold of one and went

1997
01:27:50,200 --> 01:27:52,080
Speaker 2: like eight feet off the ground for like two hundred

1998
01:27:52,080 --> 01:27:52,599
Speaker 2: and eighty yards.

1999
01:27:53,200 --> 01:27:53,840
Speaker 1: Oh my god.

2000
01:27:53,960 --> 01:27:57,400
Speaker 2: And we just say, yeah, just like guy, this.

2001
01:27:57,479 --> 01:27:59,920
Speaker 1: Boy has been lifting weights a Chase. He was a

2002
01:28:00,040 --> 01:28:02,719
Speaker 1: fan of the old. Uh, I've been taking your cigar

2003
01:28:02,800 --> 01:28:04,800
Speaker 1: holder around you like that piece? Oh I've been, Yeah,

2004
01:28:04,800 --> 01:28:05,600
Speaker 1: I've been utilizing it.

2005
01:28:06,160 --> 01:28:06,560
Speaker 7: Who is it?

2006
01:28:07,400 --> 01:28:07,640
Speaker 2: This is.

2007
01:28:09,400 --> 01:28:10,320
Speaker 7: Hey Taylor.

2008
01:28:11,840 --> 01:28:14,640
Speaker 1: Chase, that's his tour manager. And he's also like he

2009
01:28:14,760 --> 01:28:17,040
Speaker 1: was claiming that Jack and Garrett are two of his

2010
01:28:17,120 --> 01:28:17,920
Speaker 1: boys that he grew up with.

2011
01:28:18,840 --> 01:28:20,320
Speaker 7: There you ever seen them play spike Ball?

2012
01:28:21,640 --> 01:28:22,160
Speaker 4: I haven't.

2013
01:28:22,200 --> 01:28:28,760
Speaker 7: Actually, Oh well they're actually one, two, three, four, fourth

2014
01:28:28,800 --> 01:28:31,880
Speaker 7: and fifth place on the bus right now talking about

2015
01:28:31,880 --> 01:28:34,320
Speaker 7: that spike Yeah, he's barstool tag this in that barstool.

2016
01:28:34,479 --> 01:28:36,240
Speaker 1: I did see that. I was like, little did they

2017
01:28:36,360 --> 01:28:37,679
Speaker 1: know that we've been taking this very serious.

2018
01:28:37,680 --> 01:28:39,320
Speaker 7: We've been taking spike ball serious as fuck.

2019
01:28:39,720 --> 01:28:41,800
Speaker 1: You probably got a roll though, Yeah, you gotta roll.

2020
01:28:41,920 --> 01:28:43,120
Speaker 1: I appreciate you coming on man.

2021
01:28:43,160 --> 01:28:43,679
Speaker 2: This was fun.

2022
01:28:44,000 --> 01:28:48,680
Speaker 1: Guys, gals, people of all ages, appreciate you so much

2023
01:28:48,720 --> 01:28:51,200
Speaker 1: for tuning me into another episode of Busting with the Boys.

2024
01:28:51,600 --> 01:28:55,959
Speaker 1: If you haven't yet, please subscribe to the episode on Apple, podcast, Spotify,

2025
01:28:56,080 --> 01:28:57,120
Speaker 1: whatever platform you're on.

2026
01:28:57,240 --> 01:28:57,800
Speaker 2: We're on there.

2027
01:28:58,360 --> 01:29:00,560
Speaker 1: We have a YouTube channel, Busting with the Bull. We

2028
01:29:00,560 --> 01:29:03,040
Speaker 1: would love if you subscribe there as well. If you

2029
01:29:03,120 --> 01:29:05,519
Speaker 1: are subscribed and you want to be more for the boys,

2030
01:29:05,960 --> 01:29:09,200
Speaker 1: unsubscribe and resubscribe. Again, it sounds funny, it's stupid and

2031
01:29:09,280 --> 01:29:13,160
Speaker 1: kind of obnoxious, but all of your subscriptions and resubscribing

2032
01:29:13,240 --> 01:29:16,080
Speaker 1: and stuff, it helps in these little algorithm games for

2033
01:29:16,160 --> 01:29:19,559
Speaker 1: climbing charts. Because again, we were very organic you guys.

2034
01:29:19,640 --> 01:29:22,360
Speaker 1: Where we're at is because of you guys, so we

2035
01:29:22,600 --> 01:29:25,840
Speaker 1: like to keep it fucking organic and just from us,

2036
01:29:25,960 --> 01:29:27,040
Speaker 1: dude to us versus the world.

2037
01:29:27,479 --> 01:29:28,120
Speaker 2: But we really do.

2038
01:29:28,240 --> 01:29:31,120
Speaker 1: We really appreciate your guys and support. A few of

2039
01:29:31,160 --> 01:29:34,560
Speaker 1: you had questions about merchandise. You can go Our merchandise

2040
01:29:34,600 --> 01:29:38,360
Speaker 1: store is on barstoolsports dot com. Go over to shop

2041
01:29:38,880 --> 01:29:40,960
Speaker 1: and we are under the brand Bustle with the Boys.

2042
01:29:41,000 --> 01:29:43,960
Speaker 1: You can find all of our gear there. We restart constantly. Now,

2043
01:29:44,560 --> 01:29:46,640
Speaker 1: if you guys have any ideas, shout us out. If

2044
01:29:46,680 --> 01:29:49,080
Speaker 1: you guys buy the gear, shout us out. We really

2045
01:29:49,160 --> 01:29:51,400
Speaker 1: do love when you guys talk back to us, add us,

2046
01:29:51,520 --> 01:29:54,320
Speaker 1: mention us, put us on your stories, tag us all

2047
01:29:54,400 --> 01:29:56,519
Speaker 1: that fun stuff. We like grabbing that stuff and putting

2048
01:29:56,560 --> 01:30:00,280
Speaker 1: in on our YouTube episodes, and again, we just love it. Man,

2049
01:30:00,320 --> 01:30:03,479
Speaker 1: We love you guys, we appreciate you so much. Keep

2050
01:30:03,520 --> 01:30:05,880
Speaker 1: being for the fucking boys. Keep being a wolf.

2051
01:30:06,400 --> 01:30:06,519
Speaker 2: Uh.

2052
01:30:06,760 --> 01:30:09,040
Speaker 1: The biggest of hugs and the tiniest of kisses. We

2053
01:30:09,160 --> 01:30:12,320
Speaker 1: love you. We appreciate you. Tune in next week for

2054
01:30:12,360 --> 01:30:13,880
Speaker 1: another episode of Busts with the Boys.

2055
01:30:18,120 --> 01:30:22,000
Speaker 2: H nod Man a.

2056
01:30:26,160 --> 01:30:28,719
Speaker 7: Mother drug stops Darklings, Donas hall

2057
01:30:32,160 --> 01:30:33,519
Speaker 2: Zasy loves Louise