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Speaker 1: And Barber.

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Speaker 2: Dudey sweet, I feel like I haven't I haven't seen you.

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Speaker 2: Life has been busy and we banked some episodes and

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Speaker 2: now we're back.

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Speaker 3: I know it's been a while since I've seen you.

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Speaker 3: I feel like it's been years, even though it's only

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Speaker 3: been a few weeks.

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Speaker 2: It's only been a few weeks, but years of things

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Speaker 2: have happened, which I can't wait to hear about, particularly

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Speaker 2: one of our minisodes coming up, which is going.

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Speaker 1: To be The New Kids Cruise. Oh yes, just wait,

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Speaker 1: I've got a lot to say.

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Speaker 2: Yeah, yeah, don't don't think I know that that our

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Speaker 2: fans know that you were on the New Kids Cruise,

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Speaker 2: So don't. I don't want them to think that we

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Speaker 2: are not going to discuss it, because oh boy, are we?

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Speaker 2: And by we, I mean oh boy? Or you and

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Speaker 2: I enjoy here. I'll take you that one.

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Speaker 1: Yeah yeah, yeah, yeah.

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Speaker 2: So I'm sure there will be fan questions like there's yeah, yeah,

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Speaker 2: we have a lot to delve into.

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Speaker 1: There, can't wait.

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Speaker 3: Yes, Hi, all right, this is my favorite week of

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Speaker 3: the year because Daylight Savings is over and I'm like

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Speaker 3: the only person that hates Daylight Savings.

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Speaker 1: I can't I don't know if we can. I don't

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Speaker 1: think we can be friends now.

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Speaker 3: Well, no, because you don't like having an extra hour

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Speaker 3: like I love having an extra hour.

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Speaker 1: I wait, seasonal depression. My sads. My sads is a mess.

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Speaker 1: Let me say that you're feeling your sad.

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Speaker 2: I am a sun person, Okay, I am like a

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Speaker 2: little lizard in the sun.

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Speaker 1: I need like a warm rock to lay on.

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Speaker 2: And this dark at like five fifteen stuff that I'm like,

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Speaker 2: the day is over and I'm a oby mess. It's

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Speaker 2: and I want to go to bed by five thirty pm.

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Speaker 1: Yes, but I don't. But no, but yes, but that

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Speaker 1: feels bad. Oh I love it. I love it. And

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Speaker 1: here's the thing.

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Speaker 3: You're gonna lose light anyways, because it's winter. It doesn't

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Speaker 3: matter if we set our clocks back or not.

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Speaker 1: It does we have a shorter It screws us by

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Speaker 1: that much more.

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Speaker 3: That's how I feel in March when we when we

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Speaker 3: push the clocks forward, I am.

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Speaker 2: I am like that it is I'm right and we're

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Speaker 2: alive and it's spring and it's amazing and we well

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Speaker 2: that's part.

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Speaker 1: Of our charm. But uh, I didn't know this about

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Speaker 1: my about my work. My work wife. I'm that you

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Speaker 1: prefer sister and my work wife.

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Speaker 2: You're my work wife. That you preferred the darkness. And

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Speaker 2: then that's the irony, isn't it.

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Speaker 1: You know what I mean?

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Speaker 3: That I prefer darkness and you need you need the

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Speaker 3: light to survive, right, It's.

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Speaker 1: Really very ironic. It's very ironic.

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Speaker 3: But see, but I like having that extra light in

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Speaker 3: the morning. I don't like waking up in the dark.

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Speaker 3: But I can't wake up.

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Speaker 1: So sleep later. No one needs to be up at

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Speaker 1: six am.

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Speaker 2: That's what I six am and the light was on,

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Speaker 2: and the dog is up, and I get my dasure up.

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Speaker 3: I have no there's things to be done. I gotta

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Speaker 3: get up at six am. And then it's so dark

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Speaker 3: in the morning, at that struggle godly hour of the morning.

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Speaker 1: Seven am is plenty early enough for everything.

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Speaker 3: Yeah, get the coffee going. I gotta do my morning

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Speaker 3: reading and then yell at my teenager.

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Speaker 1: It's a very.

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Speaker 2: Busy Well, yeah, I do that too, but I just

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Speaker 2: start a little later, you know what I mean. Like,

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Speaker 2: I just just give myself a little extra sleep, so

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Speaker 2: I'm really fully ready to go into combat for the

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Speaker 2: coming day.

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Speaker 1: It is and it is combat.

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Speaker 3: So do you thrive at night? Are you like a

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Speaker 3: night person more than a morning I don't.

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Speaker 1: Know what I am.

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Speaker 2: I don't it really Again, it depends on the time

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Speaker 2: of year, because I would think I'm a night person.

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Speaker 2: But I think I'm a night person as long as

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Speaker 2: there's light a little bit later, then I'm like, all right, cool,

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Speaker 2: we're going. But this getting dark, like I said at

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Speaker 2: five point thirty, Like, I'm just like, I give up.

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Speaker 3: You're like one of those batteries that can be charged

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Speaker 3: by the stuff like the solar power.

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Speaker 1: I am solar powered to fill up with light.

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Speaker 2: My theory function that I always say, well that I'm

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Speaker 2: sure someone else said and I've took taken to repeating it,

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Speaker 2: but is that basically humans are complicated house plants. Okay,

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Speaker 2: we need water, we need sunlight, and we need someone.

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Speaker 1: To talk to us through while we're growing, you know

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Speaker 1: what I mean. And that's it. That's all. That's what

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Speaker 1: we need. And some good like soils, a little bit

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Speaker 1: of dirt.

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Speaker 3: Yeah, and change your soil like once a year.

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Speaker 1: Yeah. Yeah, that's what I'm saying.

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Speaker 3: Times you need a bigger pot. If you're getting up

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Speaker 3: there in age, you need.

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Speaker 2: A bigger, And I'm just saying that this time of

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Speaker 2: year plants die. Okay, this time of year plants wither

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Speaker 2: and they and they're like, and that's what I do.

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Speaker 2: That is exactly what I do.

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Speaker 1: Wow, I don't know. Agree to disagree, you'll agree to disagree.

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Speaker 1: We'll agree. In March, I shall have my real you you. Yes,

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Speaker 1: I will be struggling in March. Where I think, aren't

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Speaker 1: we staying with daylight saving time?

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Speaker 3: I thought so, I thought we voted on but I

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Speaker 3: think it's held up in Congress like I think that's

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Speaker 3: a you know, where the bills go.

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Speaker 1: To die or the story of everything right now.

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Speaker 2: But I so basically, I just need I need to

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Speaker 2: state that the people have spoken and and it's better.

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Speaker 3: Well, I don't mind if we stay on standard time.

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Speaker 3: It's the daylight stay.

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Speaker 1: I just stop. I don't want to stop changing.

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Speaker 3: Because it really does screw with all of our circadian rhythms.

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Speaker 1: Life is life is change. I don't like it. I'm

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Speaker 1: the only constant.

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Speaker 3: Nope, nope, I want to just stay and have my

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Speaker 3: morning light.

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Speaker 1: Well, I'm glad that go to bed by six pm.

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Speaker 2: Yeah, I mean, I look, I'm not one to not

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Speaker 2: go to bed by six pm.

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Speaker 1: But it's okay. I like being in bed early.

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Speaker 3: Okay, we're really going off on a tang. Really Yeah,

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Speaker 3: I like to be in bed by eight pm. I

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Speaker 3: want to be eat at five, do my you know,

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Speaker 3: my skincare routine.

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Speaker 1: Get the kids all ready for better or not.

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Speaker 3: The older teenagers, I don't need to get them ready

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Speaker 3: for bed. But yeah, I want to be in bed

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Speaker 3: by eight pm so then I can relax and like

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Speaker 3: read my book and then slowly.

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Speaker 2: Everyone, I just want you to know this is what

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Speaker 2: you have to look forward to in your forties, because

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Speaker 2: this is who you will become. All the young people listening,

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Speaker 2: you're like, no, I never will let me. He will

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Speaker 2: tell you, let me tell you some shit. Okay, you

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Speaker 2: will and you'll hate it. And the twenty four year

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Speaker 2: old and you will always be like, you are so boring,

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Speaker 2: and you'll be like I am and I'm so happy,

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Speaker 2: So I get so happy.

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Speaker 3: Yeah, by the time you're forty, you under you appreciate bored.

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Speaker 3: There's little wonderful things in life about going to bed early, yeah,

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Speaker 3: and drinking lots of water like sleep, yeah, yeah, love sleep.

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Speaker 1: My little my little sea house plant just need a

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Speaker 1: little water. You need a little water. Okay, there you go.

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Speaker 1: I haven't been drinking enough water lately and I can

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Speaker 1: feel it dried up. Sponge, Are you like anyway?

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Speaker 3: Are you like a turtle? An amphibian?

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Speaker 1: Shall we say no? You know I love that amphibian?

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Speaker 3: Well no, I suppose we should get into today's episode, perhaps,

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Speaker 3: or we you just keep talking about our Oh me,

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Speaker 3: I got.

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Speaker 1: A list, so we'll get to that.

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Speaker 2: That'll be a couple of minisdes from now. Okay, but yes,

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Speaker 2: let's get into the show officially.

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Speaker 1: Let's get into the show.

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Speaker 3: Welcome back to How Rude a Tana Ritos. I am

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Speaker 3: Andrea Barber.

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Speaker 1: And I am Jody Sweeten.

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Speaker 3: And today we are discussing season one, episode sixteen, entitled

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Speaker 3: but seriously, folks, and I think this title refers to

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Speaker 3: Bob Hope.

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Speaker 1: Isn't that something he said? Yeah? OK, that was the

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Speaker 1: don't god?

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Speaker 2: That was the one Dave just got very sad at

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Speaker 2: my Bob Hope impression. That was Dave does an amazing

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Speaker 2: Bob Hope impression, And that.

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Speaker 1: Was a travesty. Well, sorry to both mister Hope and

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Speaker 1: Dave Coolier.

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Speaker 3: Well, we'll leave the impressions anyway, Ye for you?

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Speaker 1: So yeah, that's a dave.

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Speaker 3: But seriously, folks is what he used to say sort

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Speaker 3: of during his act love the reference.

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Speaker 1: Yep.

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Speaker 3: This episode originally aired on February fifth, nineteen eighty eight,

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Speaker 3: and it goes a little something like this. Joey is

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Speaker 3: humiliated at a comedy club when Phyllis Diller takes his

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Speaker 3: slot and steals the show. As a result, Joey decides

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Speaker 3: to end his comedic career.

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Speaker 1: Oh that's sad. Reactions so sad. It was directed by

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Speaker 1: Joels Wick.

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Speaker 3: It was written by Jeff Franklin and Russell Marcus, and

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Speaker 3: we have some fabulous guest stars including me. Yes, I'm

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Speaker 3: back baby, oh and are you? I am so are you?

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Speaker 1: Yes? That is one of my favorite scenes. Okay, this

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Speaker 1: is one of my favorite scenes too. It is because

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Speaker 1: of you. Yes, yes, yes, oh good. Oh it's so great.

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Speaker 1: I can't remember. Okay, we'll get there, we'll get we'll

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Speaker 1: get there, we'll get there. But I do.

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Speaker 3: I do also have a vivid, vivid memory of taping

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Speaker 3: the scene.

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Speaker 1: Okay.

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Speaker 3: We also the legendary Phillis Diller playing herself god like talk.

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Speaker 1: About what a get?

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Speaker 3: How did we get Phyllis Diller on the show, right,

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Speaker 3: Jeff Jeff and his connections, like he just knew everything.

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Speaker 2: I mean, I'm sure Bob and Dave two through their

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Speaker 2: through their comedy world connections and stuff. And maybe in

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Speaker 2: the eighties, well Phillis Diller had like her. She wasn't

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Speaker 2: at the peak of her popularity anymore, so maybe I

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Speaker 2: think it was, like but Phillis Diller is a legend,

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Speaker 2: a comedy legend, a genius.

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Speaker 1: I look up to her so much. She's such a

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Speaker 1: brilliant comedian.

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Speaker 3: Oh she is, she is, She's I'll just list some

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Speaker 3: of her credits here. She's known obviously for The Phillis

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Speaker 3: Diller Show. And she's done a lot of voices for

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Speaker 3: shows and films like Family Guy, A Bugs Life, Jimmy,

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Speaker 3: Neutron Boy Meets World, and Bold and the Beautiful. And

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Speaker 3: I didn't know any of that. Huh fantastic.

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Speaker 1: That's amazing. And she has the best laugh ever. Oh

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Speaker 1: it is so identifiable. Oh man, yeah, I know nothing

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Speaker 1: about that.

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Speaker 3: Also, Guess starring as Ed Alonzo as Ed Alonzo, and

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Speaker 3: he was known for Saved by the Bell. He played Max,

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Speaker 3: who the owner of Mac the Max, which is the

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Speaker 3: diner that they might always go to, right, and he

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Speaker 3: did some other guest appearances on Murphy Brown.

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Speaker 1: How I Met Your Mother and Modern Family. He looked

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Speaker 1: familiar to me.

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Speaker 2: I read yeah, ed Alonzo was both of the ed

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Speaker 2: Alonzo and bruce Baum were I think they both did

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Speaker 2: comedy stand up stuff at the Comedy and Magic Club,

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Speaker 2: which Dave used to play out all the time.

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Speaker 3: And also, like you mentioned bruce Baum, he plays the

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Speaker 3: MC and fun fact, he appeared a total of three

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Speaker 3: times in Full House, Yes, in this episode, in season

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Speaker 3: three Misadventures of Baby City, Misadventures in Babysitting, and season

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Speaker 3: five he was in an episode called Yours, Mine and

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Speaker 3: Ours and he played the Pirate. So we're gonna see

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Speaker 3: him again. We're gonna see him again coming up. He's

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Speaker 3: a great, great character. Okay, so let's get into it.

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Speaker 3: We opened the show in Jesse's room where Jesse is

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Speaker 3: teaching DJ how to play guitar and Kimmy is on

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Speaker 3: the keyboard.

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Speaker 2: Oh, I am I ever and I mean we start

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Speaker 2: with matching berets and full matching outfits.

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Speaker 1: Yes, I'm done this and the yellow socks. The berets

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Speaker 1: are just fantastic.

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Speaker 3: I felt so cool in that outfit and you be

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Speaker 3: matching with Candace.

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Speaker 1: Oh my god, you guys are rocking it amazing. I

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Speaker 1: loved it.

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Speaker 3: We were wearing bracelets because we're in this band called

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Speaker 3: the bracelets very appropriate.

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Speaker 1: That's my look.

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Speaker 3: Did I already a minute into this and I've already

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Speaker 3: given but I'm.

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Speaker 1: Not gonna give you why. I'm not going to tell

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Speaker 1: you why.

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Speaker 3: Okay, Okay, then I we'll put a pin in that

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Speaker 3: and we'll get back to it. So me and DJ

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Speaker 3: are matching fabulously, and Jesse is teaching DJ some chords

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Speaker 3: and she replies, well, if I only had one more finger,

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Speaker 3: she strums the guitar and it makes a terrible sound.

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Speaker 3: Jesse replies, that was very good. That's very close to music,

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Speaker 3: and Kimmy replied sarcastically, not close enough.

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Speaker 1: Like Kimmy is.

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Speaker 2: Just Kimmy is like I didn't she really did. She's like,

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Speaker 2: I did not come to play.

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Speaker 1: I am ready on my keyboard, DJ, I don't know

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Speaker 1: what you're waiting on, Like, let's.

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Speaker 3: Go, Like she's so hard on DJ, but I yeah,

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Speaker 3: I remember every single bit of filming the scene, not

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Speaker 3: just the outfits, but being feeling insecure about playing the

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Speaker 3: keyboard because I didn't know.

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Speaker 1: I don't really know how to play the keyboard. I

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Speaker 1: had to fake it.

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Speaker 3: Unfortunately, there was that little partition in front of the keyboard,

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Speaker 3: like the music goes music sheets, and so it could

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Speaker 3: kind of hide my fingers, right because you and you

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Speaker 3: know that, like from playing guitar.

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Speaker 2: Yeah, I just try to play guitar because for the

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Speaker 2: reasons that DJ said is that I need another finger

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Speaker 2: and my hands hurt and it's no and I had

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Speaker 2: to learn how to play ask for you know, later

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Speaker 2: episodes for Steph Right, we also revisited another band moment.

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Speaker 2: Oh yeah, Kimmy's just been like determined to start a

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Speaker 2: band the whole time.

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Speaker 3: Yeah, this is pre girl Talk, this is the this

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Speaker 3: is the band before before the band.

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Speaker 1: Yeah this was yeah the bracelets.

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Speaker 3: I guess couldn't couldn't get it together.

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Speaker 1: So we had to make up a shame later.

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Speaker 2: It was a shame because the way you sang Venus

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Speaker 2: was Also.

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Speaker 1: I loved that song who was it? Bye Banana Rama Bananama,

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Speaker 1: Oh baby, She's got it. I loved that song.

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Speaker 3: They had sent me home with like a cassette tape

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Speaker 3: to learn the lyrics, which I mean and now they

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Speaker 3: just email you a link or whatever. You know, we

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Speaker 3: didn't have that, Like here's a cassette, put it in

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Speaker 3: the car and listen to it the way home. So

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Speaker 3: that's how I learned the lyrics. And John was very hopeful,

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Speaker 3: like he you know, this is music, so this was

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Speaker 3: his thing. He was very hopeful and coaching me through

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Speaker 3: the through singing this song, and he was like, you

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Speaker 3: really got.

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Speaker 1: To hit the love like hit love like love, and

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Speaker 1: so yeah, I'm.

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Speaker 2: So proud of me for seeing no Love. Oh, I

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Speaker 2: was so proud of you because that was the high.

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Speaker 2: I was like, yes, Kimmy was feeling herself.

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Speaker 1: She was, she really was. It made it brought great joy.

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Speaker 3: Which this was kind of my first lesson, and hey,

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Speaker 3: you got to like sell it, like you have to

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Speaker 3: just go big or go home, Like you can't half

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Speaker 3: asset if you're Kimmy Gibblert. Like even though I was

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Speaker 3: embarrassed to be singing and pretending to play the keyboard

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Speaker 3: and right, oh, you're self conscious when you're ten years old.

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Speaker 1: Oh my god.

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Speaker 3: I was like, no, you gotta put all those insecurities

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Speaker 3: to the side and just sell it and sing it

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Speaker 3: and I did, I.

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Speaker 1: Did, and man, did you? Because I am buying what

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Speaker 1: you're selling. I would I would.

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Speaker 2: Have bought an album from Kimmy solo, Kimmy solo this

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Speaker 2: or not, just you know, Kimmy's solo career I'm in.

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Speaker 3: I also remember so Joel's Wick directed this episode, and

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Speaker 3: I remember I think this is the first episode he

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Speaker 3: directed that.

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Speaker 1: I was in, and he was.

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Speaker 3: He terrified me, like he was a screamer or he's

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Speaker 3: always been a screamer, right, And he wasn't yelling at me,

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Speaker 3: but just yelling, and I was just yelling to pay

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Speaker 3: attention and get it together.

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Speaker 1: Now, right.

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Speaker 2: And also Joel is not a man of large stature either,

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Speaker 2: so he was he was just like.

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Speaker 1: And what did Bob always seems like such an angry

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Speaker 1: little man, but he was an angry little man. Yeah,

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Speaker 1: but and he was but not angry, just like that

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Speaker 1: was just how Joel was. But yeah, he definitely was

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Speaker 1: like you you know what I mean? Yell okay, yeah yeah.

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Speaker 3: Yeah.

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Speaker 1: So my this being my first interaction with him, I

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Speaker 1: was terrified.

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Speaker 3: I was just like like, I don't want to mess up,

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Speaker 3: don't mess up, don't screw up, like just I don't

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Speaker 3: want to be yelled at him.

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Speaker 1: And later on I was like, it's just Joel, you know.

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Speaker 2: Right, which is it's so funny because he's such a sweetheart,

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Speaker 2: like he's he really is. He's such a part of

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Speaker 2: the family. But yeah, he was just loud and you know,

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Speaker 2: he just had a way. He wanted things and he

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Speaker 2: was very vocal about it when they didn't happen.

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Speaker 1: Yeah, Oh I love Joel. He was just he's the best.

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Speaker 3: Okay, So Jesse cues up this song I'm singing Venus

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Speaker 3: by Banana Rama, and DJ's trying.

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Speaker 1: To keep up, but she can't.

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Speaker 3: So she just finally butts in singing and uses the

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Speaker 3: back of her guitar like a drum and smacking it

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Speaker 3: with her hands. That's exactly what you should do when

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Speaker 3: all else fell a drum and keep going. Well. I

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Speaker 3: was so concerned and like her, her bracelets were slapping

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Speaker 3: on the on the back of the guitar and it

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Speaker 3: was scratching up the guitar and I was I remember

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Speaker 3: being distracted by that. I was like, old, you know,

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Speaker 3: don't don't scratch the props, don't scratch. But you know,

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Speaker 3: she had to sell that the props sign the props

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Speaker 3: don't scratch.

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Speaker 1: The dons.

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Speaker 3: Early lessons we've learned or tried to learn. Yes, So

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Speaker 3: Jesse and Kimmy, you are just staring at DJ and

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Speaker 3: DJ strums another bad chord right when Danny walks in

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Speaker 3: and Danny.

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Speaker 1: Says, oh, that was beautiful. So at least she's.

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Speaker 3: Got one fan of her terrible musical skills.

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Speaker 2: Right, every parent is like, that was the best version

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Speaker 2: of Hot Cross on the recorder I've ever heard, and

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Speaker 2: then they go clean up the blood from their ears.

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Speaker 3: I remember the recorder. I played the recorder in middle school?

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Speaker 1: Is that still a requirement sixth grade?

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00:17:11,960 --> 00:17:16,560
Speaker 3: You have to pa, Wow, see that's hot Cross buns. Wow,

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00:17:16,640 --> 00:17:20,560
Speaker 3: that you just unlocked a core memory right there. So

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Speaker 3: Danny announces that tonight is Joey's big night and it's

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Speaker 3: time to go. Can you suggest that maybe DJ should

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Speaker 3: stay home and practice. In fact, she may have to

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Speaker 3: drop out of school. DJ tellers tells her to lighten up.

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Speaker 1: It's that type of attitude that broke up the Go Gos. Okay,

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Speaker 1: I don't know if that's really why the Go Gos

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Speaker 1: broke up.

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Speaker 3: I thought it was more about drug addiction and I

390
00:17:41,119 --> 00:17:42,879
Speaker 3: feel like cread of differences, but I don't know.

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Speaker 2: I mean, I'm I don't I have no idea. I

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00:17:45,920 --> 00:17:48,919
Speaker 2: don't know much about the Go Gos or why they

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Speaker 2: broke up or when. And I'm sure at the time

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Speaker 2: that that joke was.

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Speaker 3: Like oh yeah, right, yeah. So we cut to the

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Speaker 3: living room where where Danny is helping Joey adjust his

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Speaker 3: bolo tie, which he's wearing over another very colorful Joey

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00:18:06,200 --> 00:18:11,960
Speaker 3: typical Joey shirt and that hot pink Fusia jacket that

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Speaker 3: was fantastic.

400
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Speaker 2: That was shirt with bananas and things on it and.

401
00:18:17,240 --> 00:18:18,919
Speaker 1: It's very handful. Yeah.

402
00:18:19,280 --> 00:18:23,040
Speaker 3: The high waisted pants, yeah yeah, Dave looked great. So

403
00:18:23,119 --> 00:18:25,320
Speaker 3: Joey wants to try out this new bit, so he

404
00:18:25,359 --> 00:18:28,440
Speaker 3: wants to try it on Danny and so he says, Hello, Wilber,

405
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Speaker 3: I'm going to visit all my friends in prison. Danny

406
00:18:32,280 --> 00:18:35,760
Speaker 3: guesses mister Ed and Joey corrects him, Nope, it's mister

407
00:18:36,119 --> 00:18:36,879
Speaker 3: Ed Meese.

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00:18:37,720 --> 00:18:41,040
Speaker 1: Don't get the reference. I had to look this up too,

409
00:18:40,680 --> 00:18:43,199
Speaker 1: and look, just look it up.

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00:18:43,200 --> 00:18:47,040
Speaker 2: But I think I was like, let's what what what

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00:18:47,320 --> 00:18:48,440
Speaker 2: what what?

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Speaker 1: And is it is it only one?

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00:18:52,720 --> 00:18:52,800
Speaker 3: Ed?

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00:18:52,880 --> 00:18:57,600
Speaker 1: Mees thus making him Ed Mice. Is it okay? Jody

415
00:18:58,080 --> 00:19:01,560
Speaker 1: ed Mouse? Okay? No.

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00:19:01,760 --> 00:19:04,600
Speaker 3: Ed Mease was Ronald Reagan's right hand man and also

417
00:19:04,640 --> 00:19:06,880
Speaker 3: the attorney General during the Reagan administration.

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00:19:07,119 --> 00:19:09,160
Speaker 1: Oh god, he was involved.

419
00:19:08,720 --> 00:19:12,440
Speaker 3: In the scandal, the wed Tech scandal, which was a scandal, right,

420
00:19:12,520 --> 00:19:14,760
Speaker 3: how they they gave out government contracts.

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00:19:14,960 --> 00:19:15,840
Speaker 1: It's all very politic.

422
00:19:15,880 --> 00:19:20,119
Speaker 2: Yeah, if you's right, you know, it's a lot going on,

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00:19:20,240 --> 00:19:21,119
Speaker 2: all kinds of things.

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00:19:21,240 --> 00:19:21,480
Speaker 1: Yeah.

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00:19:21,600 --> 00:19:24,640
Speaker 3: Yeah, And Edme's ended up resigning in nineteen eighty eight.

426
00:19:24,720 --> 00:19:26,280
Speaker 3: So I feel like this was a very to the

427
00:19:26,359 --> 00:19:28,760
Speaker 3: very time, right right at the time, because it was

428
00:19:28,800 --> 00:19:29,880
Speaker 3: probably in the news a lot.

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Speaker 1: But god, here we are thirty six, thirty seven years later,

430
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Speaker 1: and we're like, what who's ed Me's We don't know.

431
00:19:35,520 --> 00:19:38,359
Speaker 2: I mean, I'm sure, you know, had I been paying

432
00:19:38,359 --> 00:19:41,119
Speaker 2: more attention during the Reagan administration, I would have been like,

433
00:19:41,200 --> 00:19:42,080
Speaker 2: oh that guy.

434
00:19:42,280 --> 00:19:45,639
Speaker 1: But five, I was five, so I wasn't. Yeah that

435
00:19:45,720 --> 00:19:48,560
Speaker 1: wasn't that interested politically yet. But no, yeah, nope, the

436
00:19:48,600 --> 00:19:49,480
Speaker 1: same same here.

437
00:19:49,880 --> 00:19:52,639
Speaker 2: But but it's funny to me because both the mister

438
00:19:52,840 --> 00:19:56,080
Speaker 2: ed Joke and mister ed Mees today's audience kids are

439
00:19:56,080 --> 00:19:58,479
Speaker 2: probably like what, yeah.

440
00:19:58,240 --> 00:20:03,080
Speaker 3: Yeah, I remember mister ed I remember watching mister ed Wright.

441
00:20:03,160 --> 00:20:08,400
Speaker 1: I have a feeling that gen Zers probably like what, Yeah,

442
00:20:08,400 --> 00:20:11,399
Speaker 1: who's Ed ed who? And a lot of these jokes.

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Speaker 3: I feel like this might be a controversial opinion, but

444
00:20:14,040 --> 00:20:16,359
Speaker 3: I feel like the even for a show, for an

445
00:20:16,359 --> 00:20:19,200
Speaker 3: episode about comedy acts there, the.

446
00:20:19,240 --> 00:20:20,240
Speaker 1: Jokes are really bad.

447
00:20:20,600 --> 00:20:22,560
Speaker 3: I feel like they needed a writer to come in

448
00:20:22,640 --> 00:20:24,800
Speaker 3: and just punch up all the jokes because like this

449
00:20:25,040 --> 00:20:27,639
Speaker 3: ed Mes joke, the go gos like a lot of

450
00:20:27,680 --> 00:20:29,359
Speaker 3: these references. I'm like, no, they need they need to

451
00:20:29,359 --> 00:20:30,239
Speaker 3: punch it up a little bit.

452
00:20:30,840 --> 00:20:34,560
Speaker 1: I mean, I don't want to have you seen most

453
00:20:34,600 --> 00:20:37,960
Speaker 1: of the show. I mean some of our jokes are

454
00:20:39,920 --> 00:20:42,240
Speaker 1: you know, families said comedy eighties.

455
00:20:42,320 --> 00:20:46,959
Speaker 2: I'm just like, I'm just saying I'm not knocking that

456
00:20:47,920 --> 00:20:51,000
Speaker 2: exactly why it was a hit. I'm just saying I

457
00:20:51,119 --> 00:20:55,480
Speaker 2: feel like, if elevated comedy is what you're looking for,

458
00:20:55,760 --> 00:20:57,720
Speaker 2: you might want.

459
00:20:57,680 --> 00:21:00,200
Speaker 1: To want to look elsewhere, look to keep going down

460
00:21:00,240 --> 00:21:00,560
Speaker 1: the block.

461
00:21:00,640 --> 00:21:03,919
Speaker 3: Well, hey, I appreciate all the cheesiness about this show,

462
00:21:04,480 --> 00:21:06,840
Speaker 3: but the Edme's joke really can't put me over there.

463
00:21:06,880 --> 00:21:09,360
Speaker 1: I think it's just it's not nineteen eighty eight anymore.

464
00:21:09,520 --> 00:21:10,159
Speaker 1: No it's not.

465
00:21:10,520 --> 00:21:13,719
Speaker 3: And so yeah, these jokes didn't hold up, so, you know,

466
00:21:14,320 --> 00:21:15,320
Speaker 3: just an opendent, just my.

467
00:21:15,359 --> 00:21:17,399
Speaker 1: Okay, Now I get it, I get it, I get it.

468
00:21:17,800 --> 00:21:20,720
Speaker 3: Yeah, we just got seventeen thousand letters of hate mail

469
00:21:20,800 --> 00:21:29,360
Speaker 3: I'm kidding from h ed Meese's Rises apparently. Yeah, yeah, yeah, right.

470
00:21:30,760 --> 00:21:33,480
Speaker 3: So Danny follows Joey around the living room, helping him

471
00:21:33,480 --> 00:21:36,760
Speaker 3: put on his bright pink blazer, and Joey feels like

472
00:21:36,800 --> 00:21:40,800
Speaker 3: tonight is going to be his night. There's a talent

473
00:21:40,920 --> 00:21:43,720
Speaker 3: scout from HBO that's going to be at the comedy club,

474
00:21:44,080 --> 00:21:48,000
Speaker 3: scouting for new talent for a big comedy special, which

475
00:21:48,080 --> 00:21:51,160
Speaker 3: Danny points out that Joey has mentioned a thousand times.

476
00:21:51,720 --> 00:21:55,160
Speaker 3: And right now, Joey plays his that canned laughter recorder.

477
00:21:55,200 --> 00:21:58,760
Speaker 3: He holds up that machine again, so plays his canned laughter. Right,

478
00:21:59,160 --> 00:22:00,440
Speaker 3: if no one else is gonna lie at him, you

479
00:22:00,480 --> 00:22:01,000
Speaker 3: mind as well.

480
00:22:00,840 --> 00:22:02,520
Speaker 1: Bring your own bring your own laughter.

481
00:22:03,000 --> 00:22:07,160
Speaker 2: I mean that's how eighty sitcoms were made, right, If

482
00:22:07,200 --> 00:22:10,800
Speaker 2: no one's laughing, bring your own, it'll be fine byol.

483
00:22:11,440 --> 00:22:12,399
Speaker 1: Bring your own laughter.

484
00:22:12,560 --> 00:22:12,720
Speaker 3: Yep.

485
00:22:12,840 --> 00:22:14,080
Speaker 1: Yeah.

486
00:22:14,080 --> 00:22:19,360
Speaker 3: So Jesse, DJ and Michelle come downstairs carrying suitcases, bags

487
00:22:19,440 --> 00:22:24,960
Speaker 3: and overstuff oversize. Yes, mister Pandy. Last time we saw

488
00:22:25,000 --> 00:22:28,560
Speaker 3: mister Pandy was in the Return of Grandma episode where

489
00:22:28,600 --> 00:22:31,320
Speaker 3: you were struggling to carry him in and out of

490
00:22:31,359 --> 00:22:35,080
Speaker 3: the house. Glad to see that mister Pandy is back. Yeah,

491
00:22:35,080 --> 00:22:37,680
Speaker 3: And Jesse remarks that Michelle can either spend the night

492
00:22:37,720 --> 00:22:41,000
Speaker 3: at Grandma's or six months in Europe. You know, he's

493
00:22:41,000 --> 00:22:43,440
Speaker 3: got a lot of self awareness there, how much they've

494
00:22:43,480 --> 00:22:44,320
Speaker 3: packed for this kid.

495
00:22:44,840 --> 00:22:46,560
Speaker 1: So Joey tells Michelle to give him a.

496
00:22:46,520 --> 00:22:49,400
Speaker 3: Kiss for good luck and holds out his cheek. Danny

497
00:22:49,480 --> 00:22:52,800
Speaker 3: kisses him instead and then holds up Joey's canned laughter machine.

498
00:22:52,840 --> 00:22:55,000
Speaker 1: Again. That was actually kind of that was a good

499
00:22:55,119 --> 00:22:56,520
Speaker 1: use of the canned laughter moments.

500
00:22:56,680 --> 00:22:59,760
Speaker 3: I appreciated that that joke worked. You know, not all

501
00:22:59,800 --> 00:23:02,160
Speaker 3: the Oaks work for this episode, but that did work.

502
00:23:02,720 --> 00:23:04,960
Speaker 3: So Jesse decides to be supportive of Joey for a

503
00:23:05,000 --> 00:23:07,440
Speaker 3: moment and tells him he's going to be great tonight.

504
00:23:08,240 --> 00:23:11,320
Speaker 3: Joey exits out the front door while exclaiming tonight is.

505
00:23:11,320 --> 00:23:15,480
Speaker 1: Gonna be my night. Yes, that's never a sign for

506
00:23:15,600 --> 00:23:17,280
Speaker 1: concern in a television ship.

507
00:23:17,400 --> 00:23:20,320
Speaker 3: Right when he's so he's so certain that this is

508
00:23:20,359 --> 00:23:24,160
Speaker 3: his night. Uh yeah, that's definitely setting up the rest

509
00:23:24,160 --> 00:23:29,320
Speaker 3: of the episode. So DJ comes downstairs telling everyone they

510
00:23:29,359 --> 00:23:29,800
Speaker 3: need to go.

511
00:23:30,000 --> 00:23:32,000
Speaker 1: She's dressed in all black.

512
00:23:32,119 --> 00:23:35,800
Speaker 3: She looks very eighties almost like a Madonna Debbie Gibson

513
00:23:35,920 --> 00:23:39,600
Speaker 3: inspired look, with very Debbie Gibson. The hat, the hat,

514
00:23:39,640 --> 00:23:43,919
Speaker 3: and the curry hair swept outside high. Oh yeah, she

515
00:23:44,040 --> 00:23:46,600
Speaker 3: looked cool, like she was ready to go to a club,

516
00:23:46,760 --> 00:23:49,800
Speaker 3: like she looked great. Yeah, And Jesse says, well, wait,

517
00:23:49,840 --> 00:23:53,000
Speaker 3: we can't go yet because his date hasn't showed up,

518
00:23:53,080 --> 00:23:57,600
Speaker 3: and boy is he nervous. And I gotta admit at first,

519
00:23:57,640 --> 00:23:59,840
Speaker 3: I was like, oh great, what babe is gonna walk

520
00:23:59,880 --> 00:24:00,199
Speaker 3: in in?

521
00:24:00,359 --> 00:24:03,560
Speaker 1: Now you know what bodacious blonde is gonna walk in

522
00:24:04,400 --> 00:24:08,280
Speaker 1: this one? And it walks Steffanie. Yeah.

523
00:24:07,560 --> 00:24:12,159
Speaker 2: I remember that dress, like the little like beads and

524
00:24:12,200 --> 00:24:13,160
Speaker 2: stuff on it.

525
00:24:13,160 --> 00:24:16,320
Speaker 3: It was a beautiful white dress, cream colored dress.

526
00:24:16,400 --> 00:24:18,119
Speaker 1: Creamy colored dress. The coat.

527
00:24:19,000 --> 00:24:21,879
Speaker 3: I loved that coat, a little little faux fur faux

528
00:24:21,920 --> 00:24:27,000
Speaker 3: fur coat. Yeah yeah, that Mary Jane Mary Jane slip

529
00:24:27,080 --> 00:24:29,840
Speaker 3: on shoes, so cute patent shoes.

530
00:24:30,400 --> 00:24:34,760
Speaker 1: Oh yeah, I was. And tights because because you had

531
00:24:34,800 --> 00:24:37,480
Speaker 1: to wear tights, that elevates the look completely.

532
00:24:37,600 --> 00:24:40,240
Speaker 2: Really, because yeah, yeah, because nothing like making your legs

533
00:24:40,280 --> 00:24:43,719
Speaker 2: look a strange white color just really pulls off an outfit,

534
00:24:44,359 --> 00:24:48,320
Speaker 2: especially when you're already wearing a white white dress. But yeah,

535
00:24:48,400 --> 00:24:51,760
Speaker 2: I remember being dressed up in that and feeling like

536
00:24:52,240 --> 00:24:54,520
Speaker 2: very done.

537
00:24:54,440 --> 00:24:55,600
Speaker 1: You know what I mean. It was just you were

538
00:24:55,640 --> 00:24:58,879
Speaker 1: so grown up, so grown up. Oh yeah, you were

539
00:24:58,920 --> 00:25:01,200
Speaker 1: ready to go to a club comedy. Yeah, with an

540
00:25:01,200 --> 00:25:02,119
Speaker 1: orange in my purse.

541
00:25:02,240 --> 00:25:05,679
Speaker 3: Because this is such a funny, This is such a random,

542
00:25:05,760 --> 00:25:06,960
Speaker 3: funny Stephanie thing.

543
00:25:08,800 --> 00:25:11,359
Speaker 1: So yeah, DJ asks, why why do you need a purse?

544
00:25:11,359 --> 00:25:14,439
Speaker 3: And Stephanie replies, because I have woman things I need

545
00:25:14,520 --> 00:25:16,800
Speaker 3: on a date, and she takes out money for a

546
00:25:16,840 --> 00:25:21,880
Speaker 3: phone call. Okay, right, keys to somewhere useful, and then

547
00:25:21,960 --> 00:25:24,880
Speaker 3: of course an orange, and DJ rolls her eyes.

548
00:25:26,280 --> 00:25:27,800
Speaker 1: What if I need a snack? If?

549
00:25:27,960 --> 00:25:29,720
Speaker 3: Yeah, what if your blood sugar gets low?

550
00:25:29,800 --> 00:25:31,639
Speaker 2: And your blood sugar gets low, you don't want to

551
00:25:31,640 --> 00:25:33,600
Speaker 2: be getting scurvy, you know what I mean. You gotta

552
00:25:33,920 --> 00:25:36,760
Speaker 2: keep up with your vitamin c intake. I mean, it's

553
00:25:37,160 --> 00:25:38,040
Speaker 2: you know, just.

554
00:25:38,040 --> 00:25:42,200
Speaker 1: Thinking ahead, that's trying to be healthy conscious. She could

555
00:25:42,200 --> 00:25:44,399
Speaker 1: have had pies, she could have had cookies, but no,

556
00:25:44,520 --> 00:25:45,359
Speaker 1: she brought fruit.

557
00:25:45,720 --> 00:25:48,160
Speaker 3: Good for I am proud of stuff. Good for her

558
00:25:48,280 --> 00:25:49,920
Speaker 3: for a planning ahead and being healthy.

559
00:25:50,000 --> 00:25:52,639
Speaker 2: Right, and she's like, I'm probably gonna get lost. I

560
00:25:52,680 --> 00:25:54,400
Speaker 2: should bring some quarters for a phone call.

561
00:25:54,600 --> 00:25:57,000
Speaker 3: Yeah, because you needed quarters back in the day for

562
00:25:57,040 --> 00:26:02,399
Speaker 3: the payphones, which don't exist anymore. Right, Yeah, So Jesse

563
00:26:02,480 --> 00:26:05,080
Speaker 3: takes Stephanie's arm and leads her to the front door,

564
00:26:05,400 --> 00:26:08,119
Speaker 3: making sure that he squats down to her height.

565
00:26:08,359 --> 00:26:10,160
Speaker 1: And so this is so cute.

566
00:26:10,200 --> 00:26:12,960
Speaker 3: They continue out the door while thanking each other thank you, no,

567
00:26:13,119 --> 00:26:15,200
Speaker 3: thank you, no, thank you, and.

568
00:26:15,200 --> 00:26:19,080
Speaker 1: Danny Danny remarks, what a lovely couple. It's so cute.

569
00:26:19,080 --> 00:26:21,760
Speaker 3: I love these bits between you and John, like I can, yeah,

570
00:26:22,119 --> 00:26:23,160
Speaker 3: just see this connection.

571
00:26:23,240 --> 00:26:26,240
Speaker 1: Uncle Jesse had a really cute little like bond.

572
00:26:26,960 --> 00:26:29,520
Speaker 3: I like that, and that lasted for all eight years

573
00:26:29,560 --> 00:26:32,080
Speaker 3: and then into Fuller House too. You guys still you

574
00:26:32,119 --> 00:26:34,520
Speaker 3: know you were like Stephanie was like the Jesse of.

575
00:26:35,080 --> 00:26:38,320
Speaker 2: Yeah, yeah, Stean and Uncle Jesse that definitely had that

576
00:26:38,400 --> 00:26:43,520
Speaker 2: little like connection of you know, the music and the

577
00:26:43,600 --> 00:26:44,800
Speaker 2: snark and all of it.

578
00:26:45,040 --> 00:26:45,960
Speaker 1: Yeah, I love it.

579
00:26:46,040 --> 00:26:48,439
Speaker 3: I love that they were already you know, laying the

580
00:26:48,440 --> 00:26:51,879
Speaker 3: groundwork this early, at age age five or six, they

581
00:26:51,920 --> 00:26:54,560
Speaker 3: were already you know, set in the groundwork. So we

582
00:26:54,640 --> 00:26:58,399
Speaker 3: cut later to the comedy club where a magician is

583
00:26:58,440 --> 00:27:00,120
Speaker 3: finishing up a magic trick.

584
00:27:01,240 --> 00:27:01,720
Speaker 1: Poor duck.

585
00:27:02,440 --> 00:27:06,359
Speaker 3: Yeah yeah, he was like, oh no, yeah, I was like, uh.

586
00:27:06,119 --> 00:27:07,520
Speaker 1: Where is the duck? Okay?

587
00:27:07,880 --> 00:27:11,159
Speaker 3: So yeah, ed Alonzo places a cover over a fire,

588
00:27:11,240 --> 00:27:13,280
Speaker 3: and then when he lifts the cover up, it reveals

589
00:27:13,320 --> 00:27:15,600
Speaker 3: the duck. Then he puts the duck into a magic

590
00:27:15,640 --> 00:27:18,080
Speaker 3: box that looks like a microwave, but it's not a microwave,

591
00:27:18,440 --> 00:27:21,359
Speaker 3: and suddenly a woman pops up and everybody's impressed. They

592
00:27:21,359 --> 00:27:24,520
Speaker 3: all clap, and Stephanie shouts what happened to the duck?

593
00:27:24,600 --> 00:27:25,240
Speaker 1: Like of course.

594
00:27:26,880 --> 00:27:29,119
Speaker 2: It was so funny because my first reaction when he

595
00:27:29,280 --> 00:27:30,880
Speaker 2: like the fire, I'm like, oh no, that duck.

596
00:27:31,240 --> 00:27:33,040
Speaker 1: And then in my light, my first line is what

597
00:27:33,119 --> 00:27:35,480
Speaker 1: happened to the duck? I'm like, yes, oh.

598
00:27:35,240 --> 00:27:37,920
Speaker 2: I really am Stephanie and she is me, and our

599
00:27:37,960 --> 00:27:39,000
Speaker 2: main concern was.

600
00:27:39,000 --> 00:27:40,399
Speaker 1: Like is the duck okay?

601
00:27:40,520 --> 00:27:43,600
Speaker 3: Right? That was your only concern, Like, yeah, not even

602
00:27:43,600 --> 00:27:46,800
Speaker 3: appreciating the comedy or the magic come from.

603
00:27:46,840 --> 00:27:50,359
Speaker 1: Where, how what happened? What did it? Did it burn

604
00:27:50,400 --> 00:27:53,280
Speaker 1: its little webbed feet on the fire? Where did it go?

605
00:27:53,400 --> 00:27:55,640
Speaker 1: When the woman came out that duck. Just that duck

606
00:27:55,760 --> 00:28:01,120
Speaker 1: was smushed into some compartment somewhere. Yep. It the duck

607
00:28:01,200 --> 00:28:04,440
Speaker 1: is not loving being a part of a magic show.

608
00:28:04,760 --> 00:28:07,479
Speaker 3: No, no, I you know, I'm surprised we didn't get

609
00:28:07,480 --> 00:28:10,280
Speaker 3: any a lot of letters from Peta or anybody else

610
00:28:10,280 --> 00:28:12,720
Speaker 3: concerned about it.

611
00:28:10,880 --> 00:28:14,720
Speaker 1: It was the welfare of the duck wasn't a thing yet.

612
00:28:14,960 --> 00:28:17,359
Speaker 1: You know, there's like there was a small fringe.

613
00:28:17,400 --> 00:28:19,600
Speaker 2: But now it would have been like a cgi duck,

614
00:28:19,720 --> 00:28:23,040
Speaker 2: or we would have just used the duck, the ceramic ducks,

615
00:28:23,119 --> 00:28:25,560
Speaker 2: ceramic duck, the ceramic duck would have been in the

616
00:28:25,560 --> 00:28:26,080
Speaker 2: magic trick.

617
00:28:27,040 --> 00:28:29,280
Speaker 1: Why didn't they use the.

618
00:28:28,600 --> 00:28:31,160
Speaker 2: Harder to make fit into a small space in order

619
00:28:31,200 --> 00:28:34,160
Speaker 2: to you know, push into something but possible.

620
00:28:34,200 --> 00:28:40,080
Speaker 1: Now that's magic. I love that duck, Amphibian. I love that,

621
00:28:40,800 --> 00:28:42,560
Speaker 1: love that love that bird.

622
00:28:42,680 --> 00:28:46,000
Speaker 3: So Bruce the MC announces that next up after a

623
00:28:46,000 --> 00:28:49,560
Speaker 3: short break will be Joey Gladstone. So Joey sits down

624
00:28:49,560 --> 00:28:51,720
Speaker 3: with the family and says, don't look now, but the

625
00:28:51,760 --> 00:28:55,160
Speaker 3: guy from HBO is sitting right behind you. Of course,

626
00:28:55,200 --> 00:28:57,880
Speaker 3: the entire family turns around simultaneously to stare at him.

627
00:28:57,760 --> 00:29:00,480
Speaker 1: And it's the food critic from Ratitui. Now say, what

628
00:29:01,880 --> 00:29:04,240
Speaker 1: d you know? You know, I'm gratitude.

629
00:29:04,280 --> 00:29:06,600
Speaker 2: There's like the food credit and everyone's all nervous, like,

630
00:29:06,640 --> 00:29:07,160
Speaker 2: I don't know why.

631
00:29:07,160 --> 00:29:10,320
Speaker 1: It reminded me of that moment. Yeah, well you know, sorry, Brandon,

632
00:29:10,440 --> 00:29:13,440
Speaker 1: that's okay, can't cut that. That wasn't that funny with

633
00:29:13,720 --> 00:29:16,760
Speaker 1: the payoff? Wasn't great for that? I thought it was funny.

634
00:29:16,400 --> 00:29:19,000
Speaker 3: And I'm amused, Party of one.

635
00:29:19,600 --> 00:29:21,160
Speaker 2: That's how you know a joke went over is when

636
00:29:21,160 --> 00:29:25,600
Speaker 2: someone goes I'm amused. Yeah, that's that's that is how

637
00:29:25,720 --> 00:29:27,960
Speaker 2: Joey's jokes go over in this scene.

638
00:29:28,120 --> 00:29:33,120
Speaker 1: So I'm killing it. Okay, move right along. Philis Diller

639
00:29:33,200 --> 00:29:35,760
Speaker 1: to interrupt when you need her, She's coming, She's coming.

640
00:29:36,440 --> 00:29:39,360
Speaker 3: Danny tells Joey to break a leg, which confuses Stephanie,

641
00:29:39,520 --> 00:29:41,600
Speaker 3: and Danny explains to her that it means good luck,

642
00:29:41,760 --> 00:29:43,960
Speaker 3: and so Stephanie tells Joey to poke an eye out.

643
00:29:45,760 --> 00:29:47,160
Speaker 1: I'm going to tell you that from now, I think

644
00:29:47,200 --> 00:29:48,800
Speaker 1: we need to bring that back. I think poking and

645
00:29:48,840 --> 00:29:50,840
Speaker 1: eye every time you go on stage. I'm like, Jody

646
00:29:50,920 --> 00:29:51,640
Speaker 1: pokeing eye.

647
00:29:51,440 --> 00:29:55,520
Speaker 2: Poke an eye out then, and then I will you

648
00:29:55,600 --> 00:29:57,920
Speaker 2: probably speaking of things that make me want to poke

649
00:29:58,000 --> 00:30:01,200
Speaker 2: my eyes out, though, Just can we ference the clowns

650
00:30:01,360 --> 00:30:03,520
Speaker 2: that are in the background of this scene?

651
00:30:03,720 --> 00:30:05,560
Speaker 3: Yeah, okay, well that was gonna be my everywhere you

652
00:30:05,600 --> 00:30:09,000
Speaker 3: look because they are everywhere you look, though. They're so scary,

653
00:30:09,080 --> 00:30:11,600
Speaker 3: Like they're not even cute clowns, they're just terrifying.

654
00:30:12,120 --> 00:30:14,360
Speaker 1: Are there such a thing? Well?

655
00:30:15,080 --> 00:30:16,800
Speaker 3: No, I think all clowns are creepy.

656
00:30:17,240 --> 00:30:19,600
Speaker 1: They're a little they're a little creepy.

657
00:30:19,280 --> 00:30:23,160
Speaker 3: They're a little creepy, but these ones were extra extra creepy.

658
00:30:23,440 --> 00:30:28,520
Speaker 1: Yeah, and just hovering, hovering. God, it was just why

659
00:30:28,920 --> 00:30:31,680
Speaker 1: why do that? I don't know, why do that to

660
00:30:31,760 --> 00:30:35,160
Speaker 1: your Why? I would have known we were at a

661
00:30:35,200 --> 00:30:37,800
Speaker 1: magic club when the duck disappeared. I didn't need there

662
00:30:37,800 --> 00:30:41,880
Speaker 1: to be clowns. True, Yeah, no, yeah, maybe. Actually I'm

663
00:30:41,920 --> 00:30:44,880
Speaker 1: just remembering now when Joey exits the scene, when he

664
00:30:44,920 --> 00:30:47,440
Speaker 1: exits the living room scene, there's a clown in his

665
00:30:47,480 --> 00:30:49,640
Speaker 1: duffel bag. Oh, because how else would we know he's

666
00:30:49,680 --> 00:30:52,280
Speaker 1: going to a comedy club. No, I didn't notice that.

667
00:30:52,640 --> 00:30:56,480
Speaker 3: Wow, so clown the clasette dresser was probably like, okay, clowns.

668
00:30:56,880 --> 00:30:59,520
Speaker 3: Clowns show that we are at a comedy club. So

669
00:30:59,560 --> 00:31:02,479
Speaker 3: let's just throw some clowns into this scene. It just

670
00:31:02,560 --> 00:31:04,600
Speaker 3: it was distracting. I found it distracting.

671
00:31:04,880 --> 00:31:10,160
Speaker 1: I found it the beginning of a nightmare. This is

672
00:31:10,160 --> 00:31:12,040
Speaker 1: how it all starts. This is how it all starts.

673
00:31:12,040 --> 00:31:14,560
Speaker 2: This is how the entire cast of Full House gets

674
00:31:14,560 --> 00:31:17,080
Speaker 2: sucked into a horror movie. Is they go and the

675
00:31:17,200 --> 00:31:20,960
Speaker 2: things come to life? The magic clown from Joey's bag

676
00:31:21,000 --> 00:31:22,440
Speaker 2: comes to life and takes out the.

677
00:31:22,480 --> 00:31:27,240
Speaker 3: Entire Tanner Van. I'm not gonna stand for tonight. Jeez,

678
00:31:28,960 --> 00:31:32,080
Speaker 3: this scene is getting worse by the minute. So Joey

679
00:31:32,080 --> 00:31:34,960
Speaker 3: gets ready but wait, oh but wait, and then it

680
00:31:34,960 --> 00:31:35,440
Speaker 3: gets better.

681
00:31:35,480 --> 00:31:36,440
Speaker 1: The best is yet to come.

682
00:31:36,840 --> 00:31:38,880
Speaker 3: Joey gets ready to go on stage, and right as

683
00:31:38,960 --> 00:31:42,640
Speaker 3: Bruce starts to introduce him, we hear a very distinctive

684
00:31:42,720 --> 00:31:45,520
Speaker 3: laugh coming from the audience, and Bruce says, I know

685
00:31:45,680 --> 00:31:46,280
Speaker 3: that laugh.

686
00:31:46,680 --> 00:31:47,800
Speaker 1: It's it's not mine.

687
00:31:47,840 --> 00:31:50,480
Speaker 3: Still, No, it's not yours. Your your laugh could rival

688
00:31:51,040 --> 00:31:51,920
Speaker 3: Phillis Diller's.

689
00:31:52,120 --> 00:31:54,360
Speaker 1: Maybe that's where I got it. Maybe I was like this,

690
00:31:54,440 --> 00:31:56,480
Speaker 1: lady's got a good laugh. Yeah, you're likely going to

691
00:31:56,520 --> 00:31:58,080
Speaker 1: take that in. I'm gonna take that laugh.

692
00:31:58,160 --> 00:32:03,920
Speaker 3: Yeah. So Phili Stiller just looks fabulous Oh, she's she's

693
00:32:03,960 --> 00:32:04,440
Speaker 3: so great.

694
00:32:05,120 --> 00:32:06,720
Speaker 1: I love her.

695
00:32:07,200 --> 00:32:08,960
Speaker 2: And I didn't you know what, And I didn't know

696
00:32:09,000 --> 00:32:11,960
Speaker 2: that I loved her then because I was a kid.

697
00:32:12,240 --> 00:32:14,720
Speaker 2: But like I've I read up so much about like

698
00:32:14,760 --> 00:32:18,240
Speaker 2: the sort of comedy history and like the women of

699
00:32:18,400 --> 00:32:20,840
Speaker 2: stand up comedy and how they had to fight too

700
00:32:21,000 --> 00:32:24,280
Speaker 2: then Nail to Get and Philip Steeler was one that really.

701
00:32:25,560 --> 00:32:30,400
Speaker 1: You know, and she she was a real pioneer in

702
00:32:30,720 --> 00:32:34,840
Speaker 1: women in comedy, but in comedy, stand up comedy for women.

703
00:32:34,920 --> 00:32:37,560
Speaker 1: So I just big hats off to her. And it's

704
00:32:37,560 --> 00:32:38,520
Speaker 1: so amazing that.

705
00:32:38,560 --> 00:32:41,920
Speaker 3: Like, you know, what a legend, what a legend, And yeah,

706
00:32:42,080 --> 00:32:44,560
Speaker 3: we had we had no appreciation for it back then.

707
00:32:44,760 --> 00:32:48,320
Speaker 3: Now we can totally appreciate what she did for women.

708
00:32:49,280 --> 00:32:52,520
Speaker 1: The divorce jokes at the time not so funny. Now

709
00:32:53,080 --> 00:32:53,959
Speaker 1: I totally get it.

710
00:32:54,080 --> 00:32:56,960
Speaker 2: I I'm like, that's where, that's there, I got my

711
00:32:57,000 --> 00:32:57,880
Speaker 2: materials where.

712
00:32:58,080 --> 00:32:58,800
Speaker 1: Okay from.

713
00:33:00,480 --> 00:33:03,280
Speaker 3: So, Philis Diller gets up and takes a bow. She

714
00:33:03,400 --> 00:33:06,120
Speaker 3: makes a joke about how she's had so many things lifted.

715
00:33:06,200 --> 00:33:10,080
Speaker 3: She just rises automatically, and the audience is going nuts,

716
00:33:10,160 --> 00:33:13,040
Speaker 3: so great, they love it. Bruce begs Phyllis to come

717
00:33:13,080 --> 00:33:15,840
Speaker 3: on stage to tell a few jokes and the audience cheers.

718
00:33:16,360 --> 00:33:20,400
Speaker 3: Joey is upset because this was supposed to be his night. Upset,

719
00:33:20,520 --> 00:33:25,000
Speaker 3: Joey's Phyllis Stiller takes the stage and starts doing her

720
00:33:25,080 --> 00:33:28,240
Speaker 3: bit about her wedding to Fang. Who I had to

721
00:33:28,240 --> 00:33:31,280
Speaker 3: look this up to was her imaginary husband, who she

722
00:33:31,320 --> 00:33:34,720
Speaker 3: frequently mentions in her comedy acts. Right, Fang, Okay, you

723
00:33:34,800 --> 00:33:38,560
Speaker 3: knew this? Okay, Yeah, the audience is going crazy. They

724
00:33:38,640 --> 00:33:41,880
Speaker 3: love it, and Joey looks so dejected. In the corner,

725
00:33:42,120 --> 00:33:46,040
Speaker 3: he's leaning on a piano next to that weird clown and.

726
00:33:46,000 --> 00:33:48,680
Speaker 1: He just it's not a better corner. So we didn't

727
00:33:48,720 --> 00:33:51,280
Speaker 1: have that in the background. It's so depressing.

728
00:33:52,560 --> 00:33:54,920
Speaker 3: We pause for a commercial break and we come back

729
00:33:55,000 --> 00:33:56,560
Speaker 3: to still in the comedy club.

730
00:33:56,320 --> 00:33:58,680
Speaker 1: Where Phillis Diller is still doing her stand up.

731
00:33:58,880 --> 00:34:01,120
Speaker 3: She can't believe that she's up there for an hour,

732
00:34:01,640 --> 00:34:04,400
Speaker 3: and Joey clarifies, no, it's been an hour and a half.

733
00:34:04,680 --> 00:34:05,400
Speaker 1: He's very bitter.

734
00:34:05,960 --> 00:34:08,400
Speaker 2: That's a hell of a set, you know. That's just

735
00:34:08,600 --> 00:34:12,040
Speaker 2: that's a I that's impressive. That is an HBO special.

736
00:34:12,080 --> 00:34:14,080
Speaker 2: That's a long HBO special.

737
00:34:13,840 --> 00:34:15,960
Speaker 1: And you know, good thing. The guy was there in

738
00:34:16,000 --> 00:34:16,480
Speaker 1: the audience.

739
00:34:16,600 --> 00:34:18,719
Speaker 3: Yeah, she just does this off the cuff, and you know,

740
00:34:18,800 --> 00:34:21,160
Speaker 3: without planning or preparation. She just gets up there and

741
00:34:21,200 --> 00:34:22,640
Speaker 3: delivers a ninety minute set.

742
00:34:22,800 --> 00:34:24,880
Speaker 1: Very emassive, very impressive.

743
00:34:25,960 --> 00:34:29,920
Speaker 3: Uh So, Phylis Diller finally leaves the stage to enormous applause,

744
00:34:30,239 --> 00:34:32,960
Speaker 3: and several patrons also get up and leave the club

745
00:34:33,040 --> 00:34:35,480
Speaker 3: after her. Bruce tries to get them to stay, but

746
00:34:35,600 --> 00:34:38,600
Speaker 3: he gives up and ends up pulling a monster mask out.

747
00:34:38,440 --> 00:34:41,720
Speaker 1: Of a box of oat boats. Did you see the boats?

748
00:34:41,920 --> 00:34:43,319
Speaker 1: The oat boats? Why is he?

749
00:34:43,480 --> 00:34:43,560
Speaker 3: Oh?

750
00:34:43,640 --> 00:34:46,040
Speaker 2: Wait, well I yes, I wrote down oat boats and

751
00:34:46,080 --> 00:34:47,759
Speaker 2: then the joke happened, and I.

752
00:34:47,760 --> 00:34:54,040
Speaker 1: Was like, h yeah, they don't Was it cringe it? Well? Yes,

753
00:34:54,760 --> 00:34:58,040
Speaker 1: but it was? Was it? It was Slimer from Ghostbusters?

754
00:34:58,080 --> 00:35:02,719
Speaker 1: Oh that was? Oh? What that monster was? Okay? And

755
00:35:02,760 --> 00:35:07,000
Speaker 1: I I mean Ghostbusters was.

756
00:35:05,960 --> 00:35:09,000
Speaker 2: Around the same time, wasn't it eighty okay? Five eighty six,

757
00:35:09,080 --> 00:35:11,400
Speaker 2: eighty six something like that. I could be wrong, but

758
00:35:11,719 --> 00:35:15,440
Speaker 2: I feel like that was something. But it it was.

759
00:35:15,600 --> 00:35:18,680
Speaker 2: It was neither a good magic trick nor a funny joke.

760
00:35:19,000 --> 00:35:20,719
Speaker 1: And I also.

761
00:35:20,480 --> 00:35:22,960
Speaker 3: Would have left the club, if you know, because it's

762
00:35:23,160 --> 00:35:24,080
Speaker 3: after Phil's Diller.

763
00:35:24,160 --> 00:35:27,520
Speaker 1: It's obviously not getting any better. So I'm gonna Bruce.

764
00:35:27,640 --> 00:35:30,080
Speaker 3: Bruce just needs to stick to em scene. He should

765
00:35:30,160 --> 00:35:31,799
Speaker 3: not be doing comedy or magic.

766
00:35:32,400 --> 00:35:35,080
Speaker 1: Is it just me? Or does he remind you of

767
00:35:36,239 --> 00:35:40,160
Speaker 1: David Crosby, Oh from Crosby Stills an Ash. I always

768
00:35:40,800 --> 00:35:42,680
Speaker 1: I'd always be like, oh, hey, that's oh no, that's

769
00:35:42,719 --> 00:35:46,279
Speaker 1: not it's yeah. It was the mustache and the hair. Yeah,

770
00:35:46,640 --> 00:35:50,359
Speaker 1: I see the resemblance. Though maybe David Crosby is Bruce Baum.

771
00:35:51,280 --> 00:35:55,440
Speaker 1: Oh weird more fanfic. That's that's yeah. Just now, this

772
00:35:55,560 --> 00:35:57,560
Speaker 1: is just me bored. Okay.

773
00:35:58,160 --> 00:36:01,600
Speaker 3: So Joey finally hops up on stage to the mediocre

774
00:36:01,719 --> 00:36:04,080
Speaker 3: applause from the handful of patrons left.

775
00:36:04,080 --> 00:36:06,200
Speaker 1: What a terrible yeah you wants to who wants to

776
00:36:06,239 --> 00:36:08,879
Speaker 1: follow Phyllis Dillard. It's like getting up on stage after

777
00:36:08,960 --> 00:36:11,640
Speaker 1: you know, like some after Seinfeld. You're like, I'm just

778
00:36:11,680 --> 00:36:14,520
Speaker 1: gonna go home. I'm done. It's so painful. Thanks. I

779
00:36:14,600 --> 00:36:16,240
Speaker 1: really felt for Joey in this moment.

780
00:36:16,320 --> 00:36:19,440
Speaker 3: Yeah yeah, Joey starts doing his stand up routine and

781
00:36:19,640 --> 00:36:22,200
Speaker 3: several more patrons get up and walk out out.

782
00:36:22,360 --> 00:36:24,120
Speaker 1: It's good. The jokes just.

783
00:36:24,239 --> 00:36:27,799
Speaker 3: Aren't funny, and you can practically smell Joey's desperation to

784
00:36:27,880 --> 00:36:33,640
Speaker 3: make people laugh. It is so awkward, weird. Have you

785
00:36:34,000 --> 00:36:36,080
Speaker 3: I know, you're you're doing comedy. Have you ever had

786
00:36:36,120 --> 00:36:38,720
Speaker 3: a moment like this where you're just bombing on stage

787
00:36:38,719 --> 00:36:41,640
Speaker 3: and you have to keep going and hoping people don't leave,

788
00:36:41,800 --> 00:36:44,520
Speaker 3: or you've I imagine your sets are well attended, but

789
00:36:45,160 --> 00:36:46,160
Speaker 3: have you had that fear a well?

790
00:36:46,200 --> 00:36:49,120
Speaker 2: Well, first of all, I love that you give me

791
00:36:49,239 --> 00:36:52,200
Speaker 2: enough credit that I somehow am an expert in this

792
00:36:52,239 --> 00:36:56,200
Speaker 2: field or that I know things. But I've the handful

793
00:36:56,239 --> 00:36:58,840
Speaker 2: of times I've gotten up to do like an original

794
00:36:58,880 --> 00:37:02,680
Speaker 2: set been pretty quick. I haven't bombed yet, but I

795
00:37:02,719 --> 00:37:06,560
Speaker 2: will say that's kind of par for the course. But

796
00:37:06,680 --> 00:37:11,279
Speaker 2: I I definitely have had moments where I'm like doing uh,

797
00:37:11,320 --> 00:37:15,239
Speaker 2: my Family Dinner Show, which is the live comedy show

798
00:37:15,280 --> 00:37:17,600
Speaker 2: that I do, where I will have a moment where

799
00:37:17,600 --> 00:37:21,319
Speaker 2: I'm like, oh, no, like either either the train is

800
00:37:21,360 --> 00:37:24,800
Speaker 2: going off the off the track, which is usually the case,

801
00:37:25,320 --> 00:37:27,239
Speaker 2: or I'm like I rushed through something where I did,

802
00:37:27,360 --> 00:37:29,279
Speaker 2: like you kind of get in your head, and you

803
00:37:29,280 --> 00:37:30,480
Speaker 2: know how that is, once you get in.

804
00:37:30,440 --> 00:37:32,560
Speaker 1: Your head, like it's all over. But no, I have not.

805
00:37:33,920 --> 00:37:37,240
Speaker 2: I have not yet bombed like Joey. But I feel

806
00:37:37,239 --> 00:37:40,400
Speaker 2: like I also would be like, and I'm done. I

807
00:37:40,480 --> 00:37:44,040
Speaker 2: don't want to do that, joe. Yeah, it's a it's

808
00:37:44,200 --> 00:37:46,719
Speaker 2: a it's a pretty soul shattering when you go up

809
00:37:46,719 --> 00:37:47,400
Speaker 2: to be funny.

810
00:37:47,200 --> 00:37:49,759
Speaker 1: And people are like that's oh, I don't do that

811
00:37:50,000 --> 00:37:50,720
Speaker 1: terrible feeling.

812
00:37:50,800 --> 00:37:52,879
Speaker 3: Well, I'll make sure I need to come to one

813
00:37:52,920 --> 00:37:54,719
Speaker 3: of your comedy sets, and I will make sure to

814
00:37:54,760 --> 00:37:57,439
Speaker 3: heckle you and try to throw you off. Pos.

815
00:37:57,640 --> 00:37:59,080
Speaker 2: We have one coming up in a couple of weeks,

816
00:37:59,160 --> 00:38:01,160
Speaker 2: so sorry, are thanksgiving one?

817
00:38:01,360 --> 00:38:04,040
Speaker 1: Oh? Nice? Okay? Yes, send me deeps, send me deeps.

818
00:38:04,080 --> 00:38:05,880
Speaker 1: I will anyway. Okay.

819
00:38:05,920 --> 00:38:08,719
Speaker 3: So the next day, the family comes into Joey's room.

820
00:38:08,880 --> 00:38:11,399
Speaker 3: They're looking for him because they're worried that he didn't

821
00:38:11,400 --> 00:38:14,640
Speaker 3: come home last night. Joey walks out of the bathroom

822
00:38:14,880 --> 00:38:18,640
Speaker 3: and he's dressed in a sharp gray three piece suit

823
00:38:18,840 --> 00:38:20,719
Speaker 3: with his hair slicked back.

824
00:38:20,680 --> 00:38:23,080
Speaker 1: Looking fabulous.

825
00:38:23,320 --> 00:38:26,520
Speaker 2: By the way, I was like, Okay, see Joey's new look, like,

826
00:38:27,160 --> 00:38:30,240
Speaker 2: I love it, minus the Now they've got a haircut

827
00:38:30,280 --> 00:38:31,200
Speaker 2: around this time, right.

828
00:38:31,680 --> 00:38:33,600
Speaker 1: It looks like it. Yeah, he must have got the

829
00:38:33,640 --> 00:38:37,359
Speaker 1: haircut or is it just like it was? Maybe it

830
00:38:37,400 --> 00:38:40,040
Speaker 1: was just like back I thought it was, it actually

831
00:38:40,080 --> 00:38:45,040
Speaker 1: was cut. But regardless, Dave looked, I mean he was

832
00:38:45,120 --> 00:38:49,319
Speaker 1: ready for uh set with the Michael Douglas move Wall

833
00:38:49,320 --> 00:38:51,600
Speaker 1: Street or whatever. Yeah yeah, yeah, yeah, straight out of

834
00:38:51,600 --> 00:38:52,320
Speaker 1: Wall Street.

835
00:38:52,080 --> 00:38:54,160
Speaker 2: Which is exactly what he was going for, because that's

836
00:38:54,239 --> 00:38:57,399
Speaker 2: just you know, obviously you can jump right into being

837
00:38:57,440 --> 00:38:58,719
Speaker 2: a stockbroker.

838
00:38:59,239 --> 00:39:02,239
Speaker 1: Straight from straight from the stage to a stock program, right,

839
00:39:03,160 --> 00:39:04,840
Speaker 1: incredibly transferable skills.

840
00:39:05,520 --> 00:39:08,280
Speaker 2: Uh yeah.

841
00:39:08,480 --> 00:39:10,439
Speaker 3: We also have a we have a producer note here

842
00:39:11,360 --> 00:39:15,040
Speaker 3: from from our producer daniel Fishle, who says, oh, no,

843
00:39:15,160 --> 00:39:17,120
Speaker 3: I don't think she'll mind. Okay, if she minds, If

844
00:39:17,120 --> 00:39:18,680
Speaker 3: she minds that I'm saying this, we'll.

845
00:39:18,560 --> 00:39:19,040
Speaker 1: Have to cut it.

846
00:39:19,080 --> 00:39:19,560
Speaker 3: But she's not.

847
00:39:19,560 --> 00:39:20,759
Speaker 1: I don't think. I don't think she's gonna mine.

848
00:39:21,120 --> 00:39:24,719
Speaker 3: So Danielle says that Joe, not Joey, Joe as a

849
00:39:24,760 --> 00:39:28,800
Speaker 3: businessman is hot, hot, hot, hotter than John Stamos.

850
00:39:28,960 --> 00:39:34,320
Speaker 1: I would second that, not weird way, but I definitely yeah,

851
00:39:34,480 --> 00:39:35,080
Speaker 1: that is okay.

852
00:39:35,080 --> 00:39:37,359
Speaker 2: And it's also like something about a well fitted three

853
00:39:37,360 --> 00:39:41,319
Speaker 2: piece suit man. It's yeah, it's uh. And also I'm

854
00:39:41,400 --> 00:39:42,520
Speaker 2: not the long hair.

855
00:39:42,719 --> 00:39:43,960
Speaker 1: Maybe what's the thing the mullet.

856
00:39:44,000 --> 00:39:46,480
Speaker 2: Let's cut his hair. It's the mullet, the mullet turned.

857
00:39:47,400 --> 00:39:49,279
Speaker 2: I think it's in a version to mullets.

858
00:39:49,400 --> 00:39:52,279
Speaker 1: Yeah, I have the same aversion to mullets as well.

859
00:39:52,280 --> 00:39:54,399
Speaker 2: Well, we live through the eighties. It's it's a it's

860
00:39:54,440 --> 00:39:58,040
Speaker 2: a trigger, you know, it's a trigger. But yeah, no,

861
00:39:58,160 --> 00:40:00,759
Speaker 2: I I I will second Daniel on that. I think

862
00:40:00,960 --> 00:40:06,800
Speaker 2: I think Joe the stockbroker uh Is uh.

863
00:40:06,840 --> 00:40:12,720
Speaker 1: Is would would rival. Yeah. Wow, I wonder how Johnson.

864
00:40:12,719 --> 00:40:15,760
Speaker 1: Which feels weird to even say, I know this is weird.

865
00:40:16,120 --> 00:40:19,960
Speaker 3: I feel it's because they're like our older brothers or

866
00:40:20,040 --> 00:40:22,200
Speaker 3: uncles or you know that, like they're just there's been

867
00:40:22,440 --> 00:40:23,239
Speaker 3: zero attractions.

868
00:40:23,239 --> 00:40:25,200
Speaker 1: But you can, you know, look when someone looks good,

869
00:40:25,280 --> 00:40:26,960
Speaker 1: you can be like, yeah, you look great. That's true.

870
00:40:27,080 --> 00:40:30,160
Speaker 1: And I can appreciate that. Joey, he's cleaned up very

871
00:40:30,200 --> 00:40:33,400
Speaker 1: nicely clean. I can. I can acknowledge really well, absolutely

872
00:40:33,400 --> 00:40:33,879
Speaker 1: really well.

873
00:40:34,960 --> 00:40:37,920
Speaker 3: So the family is stunned. Jesse touches Joey's hair and

874
00:40:37,960 --> 00:40:42,959
Speaker 3: remarks he's been moosing, and Joey asks to be called Joe.

875
00:40:43,080 --> 00:40:43,799
Speaker 1: From here on out.

876
00:40:44,239 --> 00:40:47,479
Speaker 3: Okay, So Joe explains that he had a revelation last

877
00:40:47,560 --> 00:40:51,200
Speaker 3: night that big break isn't coming, so he is going

878
00:40:51,280 --> 00:40:53,520
Speaker 3: to venture into the business world. I'm going to get

879
00:40:53,520 --> 00:40:56,160
Speaker 3: a real job and make some real money, he explains.

880
00:40:56,960 --> 00:41:00,239
Speaker 1: DJ is upset and asks, what about your comedy. DJ.

881
00:41:01,200 --> 00:41:03,279
Speaker 3: Joey explains that there comes a point in your life

882
00:41:03,280 --> 00:41:05,880
Speaker 3: where you just have to say to yourself, I tried

883
00:41:06,040 --> 00:41:06,880
Speaker 3: and I failed.

884
00:41:08,440 --> 00:41:12,160
Speaker 1: DJ absorbs this advice. Yeah, I mean it is true

885
00:41:12,200 --> 00:41:15,000
Speaker 1: sometimes though, sometimes you gotta go. That was not for me.

886
00:41:15,360 --> 00:41:18,239
Speaker 3: Yeah, I mean I'm torn on this advice because I

887
00:41:18,239 --> 00:41:20,280
Speaker 3: think at some point you got to cut your losses

888
00:41:20,280 --> 00:41:22,080
Speaker 3: and move on. But at the same time, don't give

889
00:41:22,160 --> 00:41:22,800
Speaker 3: up on your dream.

890
00:41:23,000 --> 00:41:25,839
Speaker 1: You know. It's I'm torn. Yeah, I'd like to think

891
00:41:25,920 --> 00:41:28,560
Speaker 1: that too. I am a little bit of both. That's

892
00:41:28,600 --> 00:41:31,760
Speaker 1: a yeah. Depends on the situation. I guess that's true.

893
00:41:31,920 --> 00:41:34,160
Speaker 2: If you were it right, if you were doing stand

894
00:41:34,200 --> 00:41:38,400
Speaker 2: up comedy and you can't eat anymore, it might be

895
00:41:38,480 --> 00:41:40,319
Speaker 2: time to think about getting a day job.

896
00:41:40,600 --> 00:41:40,799
Speaker 3: Yeah.

897
00:41:40,800 --> 00:41:42,359
Speaker 1: I don't think you have to do one or the other.

898
00:41:42,400 --> 00:41:44,919
Speaker 1: I think true both. That's true. That's I would say,

899
00:41:44,920 --> 00:41:48,200
Speaker 1: do both. Okay, that's the lesson. Yeah, Like Joey could

900
00:41:48,239 --> 00:41:51,440
Speaker 1: be a stockbroker who also does stand up comedy a night. Yeah,

901
00:41:51,440 --> 00:41:53,240
Speaker 1: why do you have to choose. You don't have to choose.

902
00:41:53,320 --> 00:41:56,160
Speaker 1: You don't have to choose. Don't let anyone make you choose.

903
00:41:56,560 --> 00:42:01,160
Speaker 1: Do it all. I'm just kidding, don't do that. Well,

904
00:42:01,160 --> 00:42:01,920
Speaker 1: thank you for joining us.

905
00:42:02,120 --> 00:42:04,600
Speaker 2: Say no, that's terrible advice, because then you're gonna get

906
00:42:04,600 --> 00:42:05,400
Speaker 2: confused in overwhelm.

907
00:42:06,520 --> 00:42:08,919
Speaker 3: Well, Joey says he's just glad he found this out

908
00:42:09,040 --> 00:42:11,480
Speaker 3: now and not when he's forty six years old.

909
00:42:11,880 --> 00:42:13,960
Speaker 1: He says, I'm quitting. He is not old, by the way,

910
00:42:14,080 --> 00:42:16,160
Speaker 1: He's not old. That's younger than I am. That is

911
00:42:16,200 --> 00:42:20,560
Speaker 1: not old at all. So he exclaims, I am quitting comedy.

912
00:42:20,640 --> 00:42:23,280
Speaker 3: And then he covers up his poster of Charlie Chaplin

913
00:42:23,400 --> 00:42:25,400
Speaker 3: with a poster of Leiah Coca.

914
00:42:26,360 --> 00:42:30,560
Speaker 2: Who I'm sure every also with the ed mess of

915
00:42:30,600 --> 00:42:34,520
Speaker 2: it all, there's this this episode really has some dated

916
00:42:34,640 --> 00:42:40,040
Speaker 2: references Niche But yeah, Leiah Coca was obviously a famous

917
00:42:40,400 --> 00:42:43,920
Speaker 2: businessman in the eighties. I want to say, I think Ford.

918
00:42:44,560 --> 00:42:47,880
Speaker 3: Yeah, he created the Mustang he uh, the Mustang and

919
00:42:47,880 --> 00:42:49,919
Speaker 3: the mid Mini van I believe right.

920
00:42:50,160 --> 00:42:53,600
Speaker 2: Yeah, he was very big in like sort of revolution

921
00:42:53,840 --> 00:42:56,239
Speaker 2: and he was you know, seen as like a very

922
00:42:56,680 --> 00:42:58,200
Speaker 2: mister businessman.

923
00:42:58,400 --> 00:43:01,000
Speaker 3: Yes, he was like the standard. You would always compare

924
00:43:01,040 --> 00:43:04,000
Speaker 3: everyone to Leiah Coca. He was the standard in the

925
00:43:04,000 --> 00:43:05,680
Speaker 3: autumn to.

926
00:43:05,640 --> 00:43:08,439
Speaker 1: Say, I just want to call him like Leah Coca

927
00:43:08,480 --> 00:43:09,640
Speaker 1: that you know what I mean.

928
00:43:09,600 --> 00:43:12,120
Speaker 3: Like, yeah, it just rolls off on to it just

929
00:43:12,200 --> 00:43:16,279
Speaker 3: it really does. I like saying it, Leia Coca. Sound

930
00:43:16,560 --> 00:43:17,920
Speaker 3: I'm just going to call you in the middle of

931
00:43:17,960 --> 00:43:19,560
Speaker 3: the night and oh no.

932
00:43:19,600 --> 00:43:20,040
Speaker 1: You know what.

933
00:43:20,160 --> 00:43:23,560
Speaker 2: He the Mustang and the Ford Pinto. So you know,

934
00:43:23,640 --> 00:43:27,279
Speaker 2: you win some and you love Okay. I feel like

935
00:43:27,280 --> 00:43:30,759
Speaker 2: the Pinto did not not well, that was not the

936
00:43:30,800 --> 00:43:32,880
Speaker 2: one that kept blowing up because the where they placed

937
00:43:32,920 --> 00:43:37,440
Speaker 2: the when it got into rear accidents that it would

938
00:43:37,920 --> 00:43:42,520
Speaker 2: it would explode, the placement of the of the gas tank.

939
00:43:42,640 --> 00:43:47,680
Speaker 1: Oh, the Pinto's. And then there was the nova. What's

940
00:43:47,719 --> 00:43:50,239
Speaker 1: the nova? The nova was.

941
00:43:50,960 --> 00:43:53,720
Speaker 2: A Chevy nova, but it didn't do well in Spanish

942
00:43:53,760 --> 00:43:57,879
Speaker 2: speaking countries because nova nova means no go oh really,

943
00:43:57,960 --> 00:43:59,600
Speaker 2: So to name a car.

944
00:43:59,480 --> 00:44:04,000
Speaker 1: This is the Chevy Woods. Yeah, somebody botched that. Yeah,

945
00:44:04,080 --> 00:44:06,160
Speaker 1: but it wasn't Leiah Coca. I'll bet you that he

946
00:44:06,200 --> 00:44:09,560
Speaker 1: did not. Yeah, no, no, he would have not. Uh,

947
00:44:09,760 --> 00:44:11,400
Speaker 1: but I love it. Where did he get a poster

948
00:44:11,480 --> 00:44:13,840
Speaker 1: of Leioka. I don't know do they sell these in

949
00:44:13,880 --> 00:44:14,560
Speaker 1: gift stores?

950
00:44:14,600 --> 00:44:16,960
Speaker 3: Like, I don't know where he got this poster, right, was.

951
00:44:16,880 --> 00:44:21,239
Speaker 2: It like the like Reaganomics, Supermart or whatever, you know,

952
00:44:21,480 --> 00:44:22,640
Speaker 2: like the eighties.

953
00:44:22,560 --> 00:44:25,600
Speaker 1: Just came with a Michael P. Keaton. Uh it was

954
00:44:25,600 --> 00:44:26,279
Speaker 1: a two for one.

955
00:44:26,680 --> 00:44:29,320
Speaker 4: Maybe you'll just eat part of your oat boat box,

956
00:44:29,400 --> 00:44:33,719
Speaker 4: you know, just pull it's your prize. Yeah, exactly, pull

957
00:44:33,719 --> 00:44:36,960
Speaker 4: out a poster of Leiah Coca. Now that would be great,

958
00:44:37,320 --> 00:44:40,160
Speaker 4: great march like selling box of oat.

959
00:44:39,960 --> 00:44:42,440
Speaker 1: Boats with Leia Coca posters inside.

960
00:44:42,560 --> 00:44:47,120
Speaker 2: Oh yeah, I'm sure I would be lining up for it.

961
00:44:47,440 --> 00:44:49,640
Speaker 1: That's some great. That is too much time off. I'm

962
00:44:49,680 --> 00:44:50,560
Speaker 1: really slap happy.

963
00:44:51,080 --> 00:44:53,839
Speaker 3: That's all right, Okay, So we cut to later on

964
00:44:54,040 --> 00:44:57,120
Speaker 3: in the living room. Danny, Jesse, and Michelle walk in

965
00:44:57,160 --> 00:45:00,279
Speaker 3: the front door after touring everyday care center are in

966
00:45:00,360 --> 00:45:03,600
Speaker 3: the Northern Bay area because once Joey finds a job,

967
00:45:03,640 --> 00:45:07,680
Speaker 3: they're gonna lose a babysitter. Danny starts reviewing the pamphlets they.

968
00:45:07,560 --> 00:45:09,719
Speaker 1: Brought home, and he says, Oh, I like this one.

969
00:45:09,800 --> 00:45:14,960
Speaker 3: Piggy Wiggly's Fitness and daycare centers specializing in toddler robics.

970
00:45:15,400 --> 00:45:17,840
Speaker 1: Why would you name a fitness center Piggy Wigglies.

971
00:45:18,360 --> 00:45:18,879
Speaker 3: I don't know.

972
00:45:19,239 --> 00:45:20,440
Speaker 1: I mean, first of all, it's the name of a

973
00:45:20,440 --> 00:45:25,640
Speaker 1: grocery store or right small food, but Piggy Wiggley Wiggly's

974
00:45:25,640 --> 00:45:27,120
Speaker 1: fitness and daycare center.

975
00:45:27,520 --> 00:45:31,600
Speaker 3: It's oddly specific, Like do toddlers need to work out? Like,

976
00:45:31,680 --> 00:45:34,600
Speaker 3: I don't think they need right specialized fitness.

977
00:45:36,400 --> 00:45:38,080
Speaker 1: Maybe we didn't know. I don't know.

978
00:45:38,200 --> 00:45:41,000
Speaker 2: Maybe maybe everything could have been different, but yeah it was,

979
00:45:41,080 --> 00:45:43,120
Speaker 2: but they specialized in toddler robics.

980
00:45:43,360 --> 00:45:44,160
Speaker 1: Love it.

981
00:45:44,680 --> 00:45:47,879
Speaker 3: There's a free headband or sweatband that Jesse immediately puts

982
00:45:47,920 --> 00:45:48,920
Speaker 3: on everywhere.

983
00:45:49,400 --> 00:45:52,880
Speaker 1: Everywhere in the eighties, everyone needed a sweatband. Were people

984
00:45:52,880 --> 00:45:54,000
Speaker 1: sweating a lot? Was it?

985
00:45:54,120 --> 00:45:56,280
Speaker 3: Like? I don't know, And I've worn those sweat bands

986
00:45:56,320 --> 00:45:58,800
Speaker 3: before in like marathons, and like it hurts, like after

987
00:45:58,920 --> 00:46:00,520
Speaker 3: twenty minutes you start to a headache.

988
00:46:00,600 --> 00:46:02,839
Speaker 1: So they're not really woful. I have a small peanut head,

989
00:46:02,840 --> 00:46:04,680
Speaker 1: so I could probably wear a rubber band and be okay.

990
00:46:04,920 --> 00:46:08,920
Speaker 1: But well, I was worried about the baby. I was like, oh,

991
00:46:09,000 --> 00:46:11,360
Speaker 1: don't hurt the baby's head. She also we have the

992
00:46:11,400 --> 00:46:13,880
Speaker 1: same size head, the same circumferies. Yet I have a

993
00:46:13,920 --> 00:46:17,960
Speaker 1: Toddler's head. So Michelle was fine, right, Okay, she was fine, Yeah, yeah, exactly.

994
00:46:18,440 --> 00:46:21,839
Speaker 1: But that was the funniest bit.

995
00:46:22,080 --> 00:46:25,320
Speaker 3: Oh, this is all leading up to this incredible moment,

996
00:46:25,560 --> 00:46:27,760
Speaker 3: Like this is just one of the most hilarious scenes

997
00:46:27,800 --> 00:46:30,719
Speaker 3: in the entire run of the show. Danny and Jesse

998
00:46:30,800 --> 00:46:33,000
Speaker 3: start aerobicizing to this music.

999
00:46:33,120 --> 00:46:37,160
Speaker 1: They're looked in their arms like the lankiest spider of

1000
00:46:37,200 --> 00:46:37,760
Speaker 1: a man.

1001
00:46:37,880 --> 00:46:42,160
Speaker 2: Like sometimes he would just look so like gangly when

1002
00:46:42,160 --> 00:46:45,000
Speaker 2: he do, like and it was yeah, it was yeah, yeah, yeah,

1003
00:46:45,520 --> 00:46:47,719
Speaker 2: I mean that would love but like even he would say,

1004
00:46:47,760 --> 00:46:50,200
Speaker 2: like he just he was so tall and had like

1005
00:46:50,280 --> 00:46:53,000
Speaker 2: long limbs and it just looked so ridiculous.

1006
00:46:53,080 --> 00:46:57,279
Speaker 1: It's like he hadn't grown into his limbs yet, right, yeah,

1007
00:46:57,440 --> 00:47:00,120
Speaker 1: just all over the place. It's so funny.

1008
00:47:00,120 --> 00:47:03,799
Speaker 3: They're so enthusiastic, and they're trying to coax Michelle into

1009
00:47:03,840 --> 00:47:05,719
Speaker 3: copying them, and Michelle's ain't.

1010
00:47:05,800 --> 00:47:07,640
Speaker 1: She's not having it. She just looks them.

1011
00:47:07,520 --> 00:47:12,839
Speaker 3: Up and down, looks she fully was like, she looked

1012
00:47:12,880 --> 00:47:15,479
Speaker 3: him up and down like yeah, it's just like.

1013
00:47:15,480 --> 00:47:18,680
Speaker 1: You have lost your mind. It was amazing.

1014
00:47:19,880 --> 00:47:22,480
Speaker 3: And again this you can't script this stuff, like it's

1015
00:47:22,520 --> 00:47:24,560
Speaker 3: either like the baby does it or she doesn't?

1016
00:47:24,600 --> 00:47:26,680
Speaker 1: And right and did it and you never know.

1017
00:47:26,840 --> 00:47:30,440
Speaker 2: It's so great and then uh yeah, he said, obviously

1018
00:47:30,480 --> 00:47:32,200
Speaker 2: you're secure with those chubby little eggs yours.

1019
00:47:32,239 --> 00:47:33,919
Speaker 1: And she's like, it's so cute.

1020
00:47:33,960 --> 00:47:37,279
Speaker 3: She's nodding, Oh, it's so dude, I'm such a cute

1021
00:47:37,320 --> 00:47:37,680
Speaker 3: that bit.

1022
00:47:38,000 --> 00:47:41,760
Speaker 1: Love that bit. And the audience is just rolling. They're rolling.

1023
00:47:41,880 --> 00:47:44,600
Speaker 1: They love it so much. So Joey then walks in

1024
00:47:44,600 --> 00:47:44,879
Speaker 1: the door.

1025
00:47:45,040 --> 00:47:47,560
Speaker 3: He's still in his suit and tie, and he announces

1026
00:47:47,600 --> 00:47:49,960
Speaker 3: that he got two more job offers, a bank teller

1027
00:47:50,040 --> 00:47:53,839
Speaker 3: and a stockbroker trainee, but he makes excuses for why

1028
00:47:53,840 --> 00:47:56,600
Speaker 3: he's turning down both jobs. One is located on a

1029
00:47:56,600 --> 00:47:59,920
Speaker 3: steep hill and the other one served instant coffee deal breakers.

1030
00:48:00,760 --> 00:48:02,360
Speaker 1: I mean, I get it. Have you ever walked up

1031
00:48:02,400 --> 00:48:03,960
Speaker 1: some of tho steep hills in San Francisco? You have

1032
00:48:04,040 --> 00:48:04,680
Speaker 1: to do that every day.

1033
00:48:04,719 --> 00:48:08,480
Speaker 2: I'd be like, I'm no, I'm gonna find a bottom

1034
00:48:08,560 --> 00:48:08,919
Speaker 2: of the hill.

1035
00:48:08,960 --> 00:48:10,200
Speaker 1: One. That's kind of a good point.

1036
00:48:10,200 --> 00:48:12,200
Speaker 3: I didn't think, Yeah, you're right, the sary San Francisco

1037
00:48:12,400 --> 00:48:13,080
Speaker 3: sarry steep.

1038
00:48:13,280 --> 00:48:15,000
Speaker 1: Joey's got a legitimate complaint here.

1039
00:48:15,200 --> 00:48:17,640
Speaker 2: He would have had a great butt by the end

1040
00:48:17,680 --> 00:48:19,560
Speaker 2: of it, you know what I mean. So there's you know,

1041
00:48:19,880 --> 00:48:20,960
Speaker 2: pluses and minuses.

1042
00:48:20,680 --> 00:48:21,600
Speaker 1: Pluses and minuses.

1043
00:48:21,640 --> 00:48:24,279
Speaker 2: Well, an interstant coffee Yeah no, no at a for

1044
00:48:24,320 --> 00:48:25,040
Speaker 2: a stockbroker.

1045
00:48:25,120 --> 00:48:27,720
Speaker 1: No, no real coffee. They need the real stuff. Yeah

1046
00:48:27,800 --> 00:48:30,480
Speaker 1: yeah they do. No sanka or whatever it is, the

1047
00:48:30,840 --> 00:48:32,000
Speaker 1: stir in coffee again.

1048
00:48:33,280 --> 00:48:36,880
Speaker 3: So Jesse reveals that Joey has received eight job offers

1049
00:48:36,920 --> 00:48:38,799
Speaker 3: and he's managed to find something.

1050
00:48:38,520 --> 00:48:41,040
Speaker 1: Wrong with all eight of them. I know people like that.

1051
00:48:42,520 --> 00:48:44,600
Speaker 3: Joey claims that he doesn't want to rush into anything

1052
00:48:44,800 --> 00:48:48,000
Speaker 3: like he did with comedy. So Stephanie arrives home from

1053
00:48:48,040 --> 00:48:52,200
Speaker 3: school and she greets Joey with a Hello Joe Joe,

1054
00:48:52,560 --> 00:48:55,160
Speaker 3: and she asks if Joey wants to watch cartoons, and

1055
00:48:55,280 --> 00:48:57,560
Speaker 3: Joey responds, nope, He's going to read the.

1056
00:48:57,480 --> 00:49:02,280
Speaker 1: Wall Street Journal instead, and he leaves. Stuff is so sad.

1057
00:49:02,400 --> 00:49:05,600
Speaker 3: She's like, oh, I miss the old Joey, and Danny agrees.

1058
00:49:06,480 --> 00:49:09,520
Speaker 3: Danny thinks that Joey isn't really happy about giving up comedy,

1059
00:49:09,680 --> 00:49:12,960
Speaker 3: which is why he keeps turning down jobs. So later

1060
00:49:13,000 --> 00:49:15,960
Speaker 3: in Jesse's room, we find Jesse giving another guitar lesson

1061
00:49:16,000 --> 00:49:16,440
Speaker 3: to dj.

1062
00:49:16,880 --> 00:49:19,040
Speaker 1: She is still struggling to get these chords right.

1063
00:49:19,800 --> 00:49:22,560
Speaker 3: Frustrated DJ hands the guitar back to Jesse and proclaims

1064
00:49:22,600 --> 00:49:25,480
Speaker 3: that she stinks and this is just too hard.

1065
00:49:25,960 --> 00:49:28,279
Speaker 1: It's all too hard. But I have to say the

1066
00:49:28,320 --> 00:49:30,760
Speaker 1: matching socks and sweatshirt in this were an eighties moment.

1067
00:49:30,960 --> 00:49:33,560
Speaker 1: She looked great. Yeah eighties moment. Yeah fabulous.

1068
00:49:33,600 --> 00:49:35,960
Speaker 3: That made up for all of the bad guitar playing

1069
00:49:36,000 --> 00:49:37,640
Speaker 3: is that she looks fantastic.

1070
00:49:37,440 --> 00:49:38,719
Speaker 1: In a banana clip too.

1071
00:49:38,800 --> 00:49:41,200
Speaker 3: Come on, oh yeah, the banana clip eighties Yes, yes,

1072
00:49:41,440 --> 00:49:42,759
Speaker 3: peak eighties, I love it.

1073
00:49:42,760 --> 00:49:44,560
Speaker 1: I miss banana clips, not to be confused with the

1074
00:49:44,600 --> 00:49:46,480
Speaker 1: banana hannock. Correct.

1075
00:49:46,840 --> 00:49:50,680
Speaker 3: Thank you for clarifying, joby, We don't want to wow.

1076
00:49:50,760 --> 00:49:54,759
Speaker 1: Two very different things, very different purposes. Yes, yeah, you know,

1077
00:49:54,840 --> 00:49:56,960
Speaker 1: like the ones in your kitchen that all the bananas

1078
00:49:57,000 --> 00:50:01,279
Speaker 1: in the little him Come on sure, okay, yes, can't

1079
00:50:01,280 --> 00:50:03,200
Speaker 1: believe you. Uh, Moving on so.

1080
00:50:03,320 --> 00:50:06,279
Speaker 3: Jesse then tells the story of a little boy who

1081
00:50:06,320 --> 00:50:09,400
Speaker 3: was so inspired by Elvis. By Elvis's music that he

1082
00:50:09,440 --> 00:50:11,800
Speaker 3: traded in his bike for a guitar at a pawn

1083
00:50:11,800 --> 00:50:14,960
Speaker 3: shop and practiced day and night, night and day until

1084
00:50:14,960 --> 00:50:17,640
Speaker 3: one day the music just surged through his body. And

1085
00:50:17,640 --> 00:50:21,600
Speaker 3: fingertips and suddenly he could play this, and Jesse strums

1086
00:50:21,600 --> 00:50:24,879
Speaker 3: an impressive bit on the guitar. He reveals that he

1087
00:50:25,400 --> 00:50:28,480
Speaker 3: was the little boy in this story, and DJ replied sarcastically,

1088
00:50:28,800 --> 00:50:32,920
Speaker 3: big surprise there, Like we all knew, Jesse.

1089
00:50:32,840 --> 00:50:35,320
Speaker 1: That we were talking about your songment he started with Elvis.

1090
00:50:35,320 --> 00:50:37,000
Speaker 1: We were like, ah, yes.

1091
00:50:38,000 --> 00:50:40,160
Speaker 3: So then DJ says, I think I'll take this guitar

1092
00:50:40,280 --> 00:50:42,640
Speaker 3: down to the pawn shop and get myself a new bite.

1093
00:50:42,719 --> 00:50:46,480
Speaker 1: She's thinking, yeah, she's resourceful. She's resourceful.

1094
00:50:46,880 --> 00:50:50,360
Speaker 3: She announces she will never be a bracelet because she quits.

1095
00:50:50,520 --> 00:50:53,400
Speaker 3: She says, I tried and I failed. I want to

1096
00:50:53,400 --> 00:50:56,320
Speaker 3: figure this out before I turned forty six, she says,

1097
00:50:56,360 --> 00:51:00,560
Speaker 3: clearly quoting Joey. Way to go, Joey, you've rubbed off

1098
00:51:00,560 --> 00:51:03,560
Speaker 3: on this child. So Jesse shouts for Danny and says

1099
00:51:03,600 --> 00:51:05,359
Speaker 3: they need to come up with an idea to get

1100
00:51:05,480 --> 00:51:09,360
Speaker 3: Joey back into comedy. Danny says he likes this attitude,

1101
00:51:09,840 --> 00:51:12,240
Speaker 3: and we cut two the comedy club.

1102
00:51:12,480 --> 00:51:15,719
Speaker 1: We're back in the comedy club, back with the clowns.

1103
00:51:15,760 --> 00:51:18,560
Speaker 3: Back with the clowns. There's no Phyllis Dillar this time.

1104
00:51:19,080 --> 00:51:21,520
Speaker 3: The three guys are sitting at a table. It is

1105
00:51:21,600 --> 00:51:24,840
Speaker 3: amateur night, and Jesse has led Joey to believe that

1106
00:51:24,880 --> 00:51:27,360
Speaker 3: they're all down there to watch Jesse try out some

1107
00:51:27,480 --> 00:51:31,399
Speaker 3: new tunes on his guitar. Bruce the MC introduces Jesse

1108
00:51:31,600 --> 00:51:34,680
Speaker 3: and Jesse takes the stage. Jesse announces, wait, there's been

1109
00:51:34,680 --> 00:51:37,040
Speaker 3: a change in plans and he's actually going to start

1110
00:51:37,080 --> 00:51:39,600
Speaker 3: his career as a stand up comedian and tell some

1111
00:51:39,719 --> 00:51:42,000
Speaker 3: jokes tonight, and Joey's like, are.

1112
00:51:41,880 --> 00:51:42,560
Speaker 1: You kidding me?

1113
00:51:43,400 --> 00:51:45,360
Speaker 3: Jesse pulls out a piece of paper for reference and

1114
00:51:45,400 --> 00:51:50,319
Speaker 3: starts badly retelling Joey's mister Edmea's joke from earlier, but

1115
00:51:50,400 --> 00:51:54,919
Speaker 3: he totally botches the punchline and says ed Moose, which is, no,

1116
00:51:55,160 --> 00:51:55,799
Speaker 3: that's not it.

1117
00:51:56,440 --> 00:52:00,359
Speaker 1: I mean, yeah, you can't confuse MEAs and Moose right,

1118
00:52:00,440 --> 00:52:01,200
Speaker 1: because it's mice.

1119
00:52:01,480 --> 00:52:05,680
Speaker 3: It's Mi mice, right, pal gets you every time.

1120
00:52:07,360 --> 00:52:08,799
Speaker 1: Joey is incredulous.

1121
00:52:08,880 --> 00:52:13,160
Speaker 3: Not only is Jesse stealing his jokes, but he's butchering them,

1122
00:52:13,640 --> 00:52:14,520
Speaker 3: which is the.

1123
00:52:14,680 --> 00:52:17,760
Speaker 2: Worst like as a comedian to have your joke stolen

1124
00:52:17,840 --> 00:52:22,200
Speaker 2: and then just murdered like that. Yeah, just terrible, funny enough.

1125
00:52:22,600 --> 00:52:25,359
Speaker 2: You know, John has such a connection to stand up.

1126
00:52:25,440 --> 00:52:28,520
Speaker 2: Not only you know, obviously with Bob and Dave, but

1127
00:52:29,080 --> 00:52:31,640
Speaker 2: he was really good friends with Don Rickles. Oh yeah,

1128
00:52:32,120 --> 00:52:35,160
Speaker 2: that's right, mister mister Warmed, mister Warmth, mister personality.

1129
00:52:35,160 --> 00:52:37,080
Speaker 1: What did they what was the I forget what they

1130
00:52:37,280 --> 00:52:37,719
Speaker 1: don't remember.

1131
00:52:37,760 --> 00:52:40,120
Speaker 2: I think it was mister Warmth, who was notorious for

1132
00:52:40,239 --> 00:52:41,840
Speaker 2: jess ripping into people with his jokes.

1133
00:52:41,920 --> 00:52:44,120
Speaker 1: Was so funny, so funny.

1134
00:52:45,120 --> 00:52:49,319
Speaker 2: I actually have a funny John story about and with

1135
00:52:49,400 --> 00:52:51,160
Speaker 2: Don Rickles and Lil Wayne.

1136
00:52:51,600 --> 00:52:53,480
Speaker 1: Wait you do okay, Yeah.

1137
00:52:53,239 --> 00:52:56,680
Speaker 2: This is a random side tangent. I'm sorry, but that's okay.

1138
00:52:57,440 --> 00:53:01,720
Speaker 2: When I was working in treatment in drug and alcohol treatment,

1139
00:53:02,160 --> 00:53:06,359
Speaker 2: John was doing his show Grandfathered with Josh Peck and

1140
00:53:06,640 --> 00:53:10,800
Speaker 2: they were shooting at a location that was right next

1141
00:53:10,840 --> 00:53:14,560
Speaker 2: to the building that I worked at, and randomly someone

1142
00:53:14,640 --> 00:53:16,640
Speaker 2: was like, hey, John Stamos is shooting a show down there.

1143
00:53:16,640 --> 00:53:17,480
Speaker 1: I was like, no shit, So.

1144
00:53:17,480 --> 00:53:19,919
Speaker 2: I just I walked over there and was like hey,

1145
00:53:20,280 --> 00:53:23,880
Speaker 2: like just an obnoxious like hi, my uncle Jesse, Bob

1146
00:53:24,080 --> 00:53:30,600
Speaker 2: was there, John was there, Don Rickles, Little Wayne and

1147
00:53:30,760 --> 00:53:32,719
Speaker 2: somebody like it was the most and it was some

1148
00:53:32,920 --> 00:53:36,120
Speaker 2: scene and Don Rickles and I just sat over there

1149
00:53:36,120 --> 00:53:37,880
Speaker 2: for a little while and Don Rickles was making the

1150
00:53:37,920 --> 00:53:42,920
Speaker 2: most hilarious inappropriate jokes. It was so funny, and it

1151
00:53:43,040 --> 00:53:46,000
Speaker 2: was like such a fun thing, you know. Like I said,

1152
00:53:46,040 --> 00:53:49,080
Speaker 2: I had been I kind of moved on from entertainment,

1153
00:53:49,080 --> 00:53:51,080
Speaker 2: and to like be back in that little scenario with

1154
00:53:51,200 --> 00:53:53,400
Speaker 2: them was just such a wonderful moment.

1155
00:53:53,440 --> 00:53:55,799
Speaker 1: But yeah, I remember seeing them live in action. It

1156
00:53:55,840 --> 00:53:57,960
Speaker 1: was hilarious. Don Rae was a genius.

1157
00:53:58,040 --> 00:54:00,000
Speaker 3: And how fortuitous too that it just happened to be

1158
00:54:00,800 --> 00:54:01,160
Speaker 3: It was.

1159
00:54:01,160 --> 00:54:03,080
Speaker 1: Superstore super random.

1160
00:54:03,200 --> 00:54:07,080
Speaker 2: Yeah, yeah, how fun. Anyway, what that's a random side note.

1161
00:54:07,160 --> 00:54:09,560
Speaker 2: I love it talking about John and stand up and

1162
00:54:09,640 --> 00:54:10,240
Speaker 2: Don Rickles.

1163
00:54:10,520 --> 00:54:12,799
Speaker 3: Yeah no, I didn't put two and two together until

1164
00:54:12,800 --> 00:54:14,880
Speaker 3: you just said that that John does have a history

1165
00:54:14,880 --> 00:54:16,200
Speaker 3: with with stand up comedians.

1166
00:54:16,239 --> 00:54:19,120
Speaker 1: Yeah, and not just Bob and Dave. Yeah.

1167
00:54:19,200 --> 00:54:21,839
Speaker 3: Okay, So Jesse continues to screw up Joey's material. He's

1168
00:54:21,840 --> 00:54:25,560
Speaker 3: mispronouncing everything. He's truly terrible and as Joey says.

1169
00:54:25,360 --> 00:54:28,239
Speaker 1: This punchline before the joke, it was all bad, just

1170
00:54:28,600 --> 00:54:29,600
Speaker 1: he can't do anything right.

1171
00:54:29,680 --> 00:54:33,600
Speaker 3: And Joey says, this is comedy murder, and John is

1172
00:54:33,640 --> 00:54:36,960
Speaker 3: really actually very funny doing terrible comedy.

1173
00:54:37,200 --> 00:54:37,399
Speaker 1: Yeah.

1174
00:54:37,480 --> 00:54:40,160
Speaker 3: Yeah, So Joey stands up to yell the correct punchline

1175
00:54:40,160 --> 00:54:42,839
Speaker 3: at Jesse, and Jesse yells back, oh, you think you

1176
00:54:42,880 --> 00:54:46,640
Speaker 3: can do better. Joey accepts this challenge and takes the microphone.

1177
00:54:46,840 --> 00:54:50,960
Speaker 1: Only I sin that happen at Terrible open Mic Nights. Now.

1178
00:54:52,360 --> 00:54:53,759
Speaker 2: I think the comedian is like, oh, you want to

1179
00:54:53,760 --> 00:54:55,480
Speaker 2: do better, and then someone's like yes, and then it's

1180
00:54:55,560 --> 00:54:56,160
Speaker 2: just all bad.

1181
00:54:56,280 --> 00:55:00,400
Speaker 3: Oh you watch those Hecklers, you know those hecklers.

1182
00:55:00,040 --> 00:55:03,200
Speaker 1: And never never know you never got to be careful.

1183
00:55:04,120 --> 00:55:07,359
Speaker 3: So Joey then realizes that this was Jesse's plan all

1184
00:55:07,360 --> 00:55:12,359
Speaker 3: along to get him back up on stage. Joey takes

1185
00:55:12,360 --> 00:55:14,879
Speaker 3: the stage, he starts his stand up act. He is

1186
00:55:15,120 --> 00:55:19,160
Speaker 3: crushing it and the audience is loving it. I'm feeling

1187
00:55:19,280 --> 00:55:22,360
Speaker 3: much better about Jesse finally getting his moment.

1188
00:55:22,640 --> 00:55:26,239
Speaker 1: Finally this is his night. Joey, you mean Joey? Did

1189
00:55:26,280 --> 00:55:28,520
Speaker 1: I say Jesse? You did? I meant Joey.

1190
00:55:28,760 --> 00:55:31,320
Speaker 3: Joe You're correct, It's not even Joey.

1191
00:55:31,120 --> 00:55:34,840
Speaker 2: It's Joey Joe. Well, no, this is Joey. Joe was

1192
00:55:34,920 --> 00:55:36,839
Speaker 2: the was the handsome man in the three piece suit.

1193
00:55:36,880 --> 00:55:40,280
Speaker 1: But where are the kids in all this? The guys

1194
00:55:40,280 --> 00:55:43,279
Speaker 1: are out at the at the comedy club. Who was

1195
00:55:43,360 --> 00:55:45,799
Speaker 1: watching the kids? Yea, who's watching the girls? That's a

1196
00:55:45,800 --> 00:55:46,239
Speaker 1: good point.

1197
00:55:46,280 --> 00:55:50,800
Speaker 3: Maybe Grandma. I was gonna say Grandma Stamos, Grandma Cochrane,

1198
00:55:51,239 --> 00:55:55,879
Speaker 3: because she's the one that lives the closest, right, So yeah,

1199
00:55:55,960 --> 00:55:57,080
Speaker 3: let's go with that. Is it?

1200
00:55:57,760 --> 00:56:00,840
Speaker 1: No, Well, Danny's mom lives. Does she live the northern

1201
00:56:00,920 --> 00:56:02,040
Speaker 1: that's right? Yeah, I guess it is.

1202
00:56:02,040 --> 00:56:06,320
Speaker 3: Yeah, northern California or no, she lives in Seattle, Tacoma.

1203
00:56:07,280 --> 00:56:09,120
Speaker 3: I don't know where Joey's mom but we never see

1204
00:56:09,200 --> 00:56:12,640
Speaker 3: Joey's mom again after the return of Grandma episode.

1205
00:56:12,680 --> 00:56:13,640
Speaker 1: So I'm gonna guess.

1206
00:56:13,560 --> 00:56:16,239
Speaker 3: Just Grandma Conran, who were Yeah, okay, but you're right

1207
00:56:16,280 --> 00:56:18,480
Speaker 3: they don't. They should have had a throwaway line in

1208
00:56:18,520 --> 00:56:21,239
Speaker 3: there about like, oh, yeah, just my mom's watching the

1209
00:56:21,320 --> 00:56:22,360
Speaker 3: kids tonight or something.

1210
00:56:22,920 --> 00:56:25,440
Speaker 2: I mean, they leave Michelle in rooms by herself phones,

1211
00:56:25,440 --> 00:56:27,480
Speaker 2: I put the lights on the brandage.

1212
00:56:27,640 --> 00:56:29,800
Speaker 1: Yeah, they'll manage. Kids are fine.

1213
00:56:29,960 --> 00:56:33,960
Speaker 3: You know DJ does most anywhere kids are Yeah, exactly.

1214
00:56:35,680 --> 00:56:38,160
Speaker 3: So next we fade into the kitchen where the three

1215
00:56:38,160 --> 00:56:39,560
Speaker 3: guys are drinking coffee.

1216
00:56:39,640 --> 00:56:42,320
Speaker 1: It's later that night. They reminisce about how.

1217
00:56:42,120 --> 00:56:47,480
Speaker 3: The stage is where Joey belongs making strangers laugh. Joey

1218
00:56:47,480 --> 00:56:49,440
Speaker 3: admits that he was just tired of waiting for his

1219
00:56:49,440 --> 00:56:52,600
Speaker 3: big break and the paycheck that goes along with it.

1220
00:56:53,080 --> 00:56:54,840
Speaker 3: But Joey says he's gonna look for a job he

1221
00:56:54,880 --> 00:56:57,120
Speaker 3: can do at home so he can watch the girls

1222
00:56:57,160 --> 00:57:00,600
Speaker 3: during the day and do his comedy at night. The

1223
00:57:00,680 --> 00:57:03,279
Speaker 3: original work from home, just like you were saying, he

1224
00:57:03,320 --> 00:57:05,840
Speaker 3: can still do both. Yeah, you know, he doesn't have

1225
00:57:05,840 --> 00:57:09,919
Speaker 3: to make a choice. Joey starts to leave when Jesse says, not.

1226
00:57:09,840 --> 00:57:11,480
Speaker 1: So fast, and he stops him.

1227
00:57:11,760 --> 00:57:15,400
Speaker 3: Jesse explains how DJ quit the guitar and how Joey

1228
00:57:15,440 --> 00:57:17,959
Speaker 3: may have inadvertently inspired her to quit.

1229
00:57:18,520 --> 00:57:22,480
Speaker 1: Uh oh. Joey exits to go fix this situation. So

1230
00:57:22,560 --> 00:57:23,640
Speaker 1: next we're in the girls room.

1231
00:57:23,760 --> 00:57:26,840
Speaker 3: Joey knocks and walks in to find DJ watching TV

1232
00:57:27,040 --> 00:57:31,200
Speaker 3: under the covers. She's watching her little red portable TV

1233
00:57:31,560 --> 00:57:33,000
Speaker 3: and she's watching David Letterman.

1234
00:57:33,320 --> 00:57:35,920
Speaker 2: TV was so much harder to sneak than like scrolling

1235
00:57:35,920 --> 00:57:38,000
Speaker 2: through you know, TikTok on your phone.

1236
00:57:38,200 --> 00:57:41,000
Speaker 1: You had to put a whole TV under your bed.

1237
00:57:41,040 --> 00:57:44,400
Speaker 2: You had to get an extension chord right for antenna's

1238
00:57:44,480 --> 00:57:46,520
Speaker 2: I mean, you're not getting a great perception under a blanket,

1239
00:57:46,560 --> 00:57:47,200
Speaker 2: So yeah, it was.

1240
00:57:47,280 --> 00:57:48,440
Speaker 1: It was a lot more challenging.

1241
00:57:48,560 --> 00:57:51,840
Speaker 3: DJ's very resourceful and for David Letterman too. She's up late,

1242
00:57:52,000 --> 00:57:54,960
Speaker 3: like you know, she's yeah, dedicated to watch. She must

1243
00:57:54,960 --> 00:57:57,080
Speaker 3: have been a night owl kind of like you you know. Yeah,

1244
00:57:57,080 --> 00:58:00,720
Speaker 3: it's true, thriving at night. So joe sits down with

1245
00:58:00,800 --> 00:58:03,560
Speaker 3: DJ and tells her about his night, how he got

1246
00:58:03,600 --> 00:58:06,120
Speaker 3: back up on stage to do his act and how

1247
00:58:06,160 --> 00:58:09,040
Speaker 3: he was great. DJ says, but I thought you quit,

1248
00:58:09,720 --> 00:58:12,400
Speaker 3: and Joey replies, well, he did, but he was really

1249
00:58:12,440 --> 00:58:15,440
Speaker 3: just frustrated and looking for the easy way out.

1250
00:58:15,960 --> 00:58:17,040
Speaker 1: DJ's on to him.

1251
00:58:17,160 --> 00:58:19,919
Speaker 3: She figures out that Jesse told him that she quit

1252
00:58:20,000 --> 00:58:22,640
Speaker 3: the guitar. She says that she didn't just quit the

1253
00:58:22,640 --> 00:58:26,080
Speaker 3: guitar because of him, she quit because she stinks. Joey

1254
00:58:26,160 --> 00:58:28,800
Speaker 3: encourages her to keep practicing. It's only been a week

1255
00:58:28,840 --> 00:58:31,320
Speaker 3: and she should keep trying. But if she quits now,

1256
00:58:31,400 --> 00:58:35,640
Speaker 3: she'll never know how good she could be. At this moment,

1257
00:58:35,720 --> 00:58:37,760
Speaker 3: Stephanie pops up out of bed to say that Joey

1258
00:58:37,800 --> 00:58:38,120
Speaker 3: is right.

1259
00:58:38,880 --> 00:58:39,320
Speaker 1: Whoops.

1260
00:58:40,720 --> 00:58:42,880
Speaker 3: Stephanie claims, oh, you know, I was just talking to my.

1261
00:58:42,840 --> 00:58:44,680
Speaker 1: Sleep and she pretends to go back to sleep.

1262
00:58:44,800 --> 00:58:47,800
Speaker 3: Yeah, Joey says the DJ I know wouldn't give up

1263
00:58:47,920 --> 00:58:49,480
Speaker 3: just because it's the easy way out.

1264
00:58:50,520 --> 00:58:52,240
Speaker 1: He kisses her on the head and says good night.

1265
00:58:52,680 --> 00:58:56,720
Speaker 3: Stephanie says good night, Joe, Good night, Joe, Good night Joe,

1266
00:58:57,000 --> 00:58:59,880
Speaker 3: and Joey says call me. Joey says, call me Joey,

1267
00:59:00,040 --> 00:59:03,440
Speaker 3: and then he does a Rocky and Bullwinkle impression. DJ

1268
00:59:03,640 --> 00:59:07,480
Speaker 3: grabs her guitar and she starts strumming some more bad chords.

1269
00:59:07,720 --> 00:59:11,200
Speaker 3: Stephanie covers her ears with a pillow while saying very nice, DJ,

1270
00:59:11,840 --> 00:59:14,280
Speaker 3: very nice, trying to be the supportive sister.

1271
00:59:14,640 --> 00:59:17,960
Speaker 1: Yes, and that's our show, and that's the show.

1272
00:59:18,560 --> 00:59:21,560
Speaker 3: That's our show, which is a good it's a good lesson,

1273
00:59:21,600 --> 00:59:24,440
Speaker 3: you know, it's a good lesson about don't never give up.

1274
00:59:24,480 --> 00:59:27,480
Speaker 1: Don't give up on your dreams. Yeah, you don't start

1275
00:59:27,520 --> 00:59:30,080
Speaker 1: comedy or don't start now. Definitely, don't put clowns, don't

1276
00:59:30,080 --> 00:59:30,840
Speaker 1: put clowns in the.

1277
00:59:30,840 --> 00:59:34,880
Speaker 2: Back, don't put clowns in the background of scenes. What

1278
00:59:35,000 --> 00:59:37,040
Speaker 2: about you know, I have a friend who can't even

1279
00:59:37,040 --> 00:59:39,240
Speaker 2: look at Circus liquor when she drives by, like the

1280
00:59:39,360 --> 00:59:42,800
Speaker 2: clown on the yeah, so what about those people, I

1281
00:59:42,840 --> 00:59:44,080
Speaker 2: mean they you know, yes.

1282
00:59:45,080 --> 00:59:46,960
Speaker 1: It would be a deterrent for a lot of people.

1283
00:59:47,200 --> 00:59:50,320
Speaker 2: Definitely a deterrent. Yeah, definitely a deterrent. And you know

1284
00:59:50,520 --> 00:59:55,680
Speaker 2: that's even disappearing ducks and all. Yep, yep, but there's clowns.

1285
00:59:55,320 --> 00:59:58,680
Speaker 1: But there's clowns. But yeah, it was. I love this message.

1286
00:59:58,760 --> 00:59:59,480
Speaker 1: It was so great.

1287
00:59:59,480 --> 01:00:02,040
Speaker 2: Don't give up up and you know, just one more

1288
01:00:02,080 --> 01:00:04,640
Speaker 2: example of how also.

1289
01:00:04,520 --> 01:00:07,880
Speaker 1: The guys in the house have an ever changing sort of.

1290
01:00:09,800 --> 01:00:13,120
Speaker 2: Catalog of jobs that they do, and this I feel

1291
01:00:13,120 --> 01:00:17,760
Speaker 2: like Joey starts looking for stuff at home and also.

1292
01:00:17,440 --> 01:00:20,760
Speaker 1: Very ahead of its times, drove from home, work from home, right, yeah,

1293
01:00:20,840 --> 01:00:21,600
Speaker 1: this is he was.

1294
01:00:21,720 --> 01:00:25,160
Speaker 3: He was decades before his time. Now right now everybody's

1295
01:00:25,200 --> 01:00:25,760
Speaker 3: working from home.

1296
01:00:26,280 --> 01:00:29,200
Speaker 1: Yeah, but yeah, it was. I liked this message. I

1297
01:00:29,200 --> 01:00:30,000
Speaker 1: thought it was really cute.

1298
01:00:30,040 --> 01:00:31,640
Speaker 2: And I thought it was cute too, how like you

1299
01:00:31,680 --> 01:00:36,240
Speaker 2: see how you know, DJ is really looking to the

1300
01:00:36,280 --> 01:00:41,320
Speaker 2: guys for like help and for you know, guidance and like, okay,

1301
01:00:41,400 --> 01:00:42,960
Speaker 2: well this isn't working. I'm not going to do this,

1302
01:00:43,160 --> 01:00:47,040
Speaker 2: you know, And hey she didn't, she just she moved

1303
01:00:47,040 --> 01:00:48,200
Speaker 2: on to the drums, is.

1304
01:00:48,160 --> 01:00:50,919
Speaker 1: What is she moved on to the very telling from

1305
01:00:50,960 --> 01:00:52,000
Speaker 1: that first moment.

1306
01:00:52,760 --> 01:00:56,840
Speaker 2: She yeah, she she was like, forget it, I'm a drummer,

1307
01:00:56,880 --> 01:00:59,080
Speaker 2: which then tracks in Girl Talk.

1308
01:00:59,280 --> 01:01:02,120
Speaker 3: It does that comes back thirty six years later in

1309
01:01:02,200 --> 01:01:04,720
Speaker 3: Fuller House, where she's and take it over for drums.

1310
01:01:04,920 --> 01:01:06,920
Speaker 2: I still think Girl Talk should have done a cover

1311
01:01:06,960 --> 01:01:10,000
Speaker 2: of Venus, but I know, well, there's still time.

1312
01:01:10,160 --> 01:01:13,560
Speaker 1: There's time, Fullest House. We'll make it happen.

1313
01:01:14,200 --> 01:01:17,600
Speaker 2: Oh yeah, and you'll still be faking guitar or faking keyboard,

1314
01:01:17,640 --> 01:01:18,560
Speaker 2: and I'll be faking guitar.

1315
01:01:18,680 --> 01:01:19,240
Speaker 1: That'll be great.

1316
01:01:20,640 --> 01:01:22,120
Speaker 3: Well, I know we already touched a little bit on

1317
01:01:22,160 --> 01:01:24,439
Speaker 3: our everywhere you Look moments, but I want to go back.

1318
01:01:24,480 --> 01:01:27,200
Speaker 3: Did you have more to say about your everywhere you look?

1319
01:01:27,560 --> 01:01:31,280
Speaker 2: I did, Okay, so everywhere you look moment and it

1320
01:01:31,320 --> 01:01:33,080
Speaker 2: ties into the name of your band.

1321
01:01:34,000 --> 01:01:37,000
Speaker 1: The bracelets, Yes, I believe.

1322
01:01:37,960 --> 01:01:41,320
Speaker 2: Candice in the scene and maybe you I didn't notice,

1323
01:01:41,400 --> 01:01:43,720
Speaker 2: but maybe not because of the keyboard, but she was

1324
01:01:43,800 --> 01:01:47,920
Speaker 2: wearing a bracelet made out of safety pins and beads.

1325
01:01:48,320 --> 01:01:49,800
Speaker 1: Oh and do you.

1326
01:01:49,880 --> 01:01:53,960
Speaker 2: Remember the safety pin and beads bracelets that we used

1327
01:01:53,960 --> 01:01:58,080
Speaker 2: to make as like arts and crafts with Adria.

1328
01:01:57,720 --> 01:01:58,440
Speaker 1: In the classroom.

1329
01:01:58,520 --> 01:02:01,000
Speaker 2: Yeah, in the classroom, and they were like very big

1330
01:02:01,080 --> 01:02:04,360
Speaker 2: in the eight You would take safety pins and like

1331
01:02:04,400 --> 01:02:06,479
Speaker 2: put beads on them and then put them like top

1332
01:02:06,520 --> 01:02:08,440
Speaker 2: to bottom to top to bottom, and you'd create a

1333
01:02:08,480 --> 01:02:11,280
Speaker 2: whole pattern. And then you'd string them together and make

1334
01:02:11,320 --> 01:02:14,800
Speaker 2: like a little stretchy bracelet. And I believe DJ is

1335
01:02:14,840 --> 01:02:19,640
Speaker 2: wearing a safety pin bracelet that we made.

1336
01:02:21,080 --> 01:02:24,320
Speaker 1: And in is that the band is named the bracelets.

1337
01:02:23,920 --> 01:02:26,040
Speaker 3: The bracelets. I love that.

1338
01:02:26,280 --> 01:02:29,040
Speaker 2: And I don't know what you came the bracelet creation

1339
01:02:29,760 --> 01:02:31,160
Speaker 2: or the band name bracelets.

1340
01:02:31,640 --> 01:02:34,280
Speaker 1: I don't know if one had to do with the other.

1341
01:02:35,120 --> 01:02:38,600
Speaker 1: But that's the everywhere it's that's so great. You're right.

1342
01:02:38,640 --> 01:02:43,320
Speaker 3: This was like before the friendship bracelet loom, rubber band,

1343
01:02:43,360 --> 01:02:44,960
Speaker 3: Taylor swift thing that's really.

1344
01:02:45,520 --> 01:02:48,320
Speaker 1: Rubber band ones and like it was, there were like

1345
01:02:48,360 --> 01:02:52,200
Speaker 1: the string ones. I remember I was. I was never

1346
01:02:52,280 --> 01:02:55,320
Speaker 1: very good at those. It was too much like small

1347
01:02:55,360 --> 01:02:58,040
Speaker 1: little it's intricate, it was took too long.

1348
01:02:58,080 --> 01:03:00,960
Speaker 2: I got bored. But the safety pin ones were just

1349
01:03:01,360 --> 01:03:03,560
Speaker 2: enough for my little add bran and I think we.

1350
01:03:03,600 --> 01:03:05,400
Speaker 1: Used to love making those and we would make them

1351
01:03:05,440 --> 01:03:06,800
Speaker 1: all the time. I love it.

1352
01:03:08,080 --> 01:03:10,040
Speaker 3: I want to go back and look because I noticed

1353
01:03:10,040 --> 01:03:12,240
Speaker 3: we were wearing bracelets, but I didn't look that closely,

1354
01:03:12,760 --> 01:03:16,480
Speaker 3: So I want to see the safety pin bracelets. Yeah,

1355
01:03:16,600 --> 01:03:18,960
Speaker 3: great one, there's a great everywhere you look moment.

1356
01:03:19,520 --> 01:03:20,920
Speaker 1: Very good. Did you have one?

1357
01:03:21,080 --> 01:03:23,360
Speaker 3: Well? Mine were the clowns, and so I don't I

1358
01:03:23,360 --> 01:03:24,360
Speaker 3: think we've visited that.

1359
01:03:24,400 --> 01:03:26,440
Speaker 1: We don't need to spend any more time on the clowns.

1360
01:03:26,480 --> 01:03:30,560
Speaker 1: But god, were they everywhere you look? We were everywhere? Yeah? Really,

1361
01:03:30,600 --> 01:03:31,840
Speaker 1: no more clowns, yep.

1362
01:03:32,720 --> 01:03:35,720
Speaker 3: Note to anyone out there developing a show, don't.

1363
01:03:35,480 --> 01:03:38,280
Speaker 1: Put clowns in any scenes unless it's American horror story,

1364
01:03:38,280 --> 01:03:39,919
Speaker 1: in which case they're creepy. And it was great.

1365
01:03:40,160 --> 01:03:44,480
Speaker 3: Yeah, okay, true, very true. Well, well, all right.

1366
01:03:44,440 --> 01:03:46,800
Speaker 1: My friend, we've come to the end of another episode

1367
01:03:46,920 --> 01:03:47,320
Speaker 1: we have.

1368
01:03:47,920 --> 01:03:51,400
Speaker 2: We have a very great episode. I love this the

1369
01:03:51,440 --> 01:03:53,800
Speaker 2: classic Philis Diller still amazed that she was on the show.

1370
01:03:54,920 --> 01:03:56,240
Speaker 1: And if you guys want.

1371
01:03:56,040 --> 01:03:59,200
Speaker 2: To follow us, make sure that you follow our Instagram

1372
01:03:59,240 --> 01:04:03,760
Speaker 2: which is at how Rude Podcast, or you can send

1373
01:04:03,840 --> 01:04:08,160
Speaker 2: us an email how Rude Podcast at gmail dot com.

1374
01:04:08,400 --> 01:04:11,160
Speaker 2: Send us in what you like, what you're loving, what

1375
01:04:11,200 --> 01:04:14,320
Speaker 2: you're finding about episodes, anything that maybe we haven't mentioned,

1376
01:04:15,000 --> 01:04:17,800
Speaker 2: anything you want to hear us mentioned minisod ideas, all

1377
01:04:17,800 --> 01:04:20,960
Speaker 2: that fun stuff. Yeah, please send us a send us

1378
01:04:21,000 --> 01:04:23,640
Speaker 2: a note, send us a message, you know, tie it

1379
01:04:23,640 --> 01:04:26,720
Speaker 2: to a duck and make it disappear. I don't know,

1380
01:04:27,800 --> 01:04:30,040
Speaker 2: but we love that you guys are listening and enjoying

1381
01:04:30,080 --> 01:04:30,400
Speaker 2: the show.

1382
01:04:30,520 --> 01:04:31,920
Speaker 1: We really really appreciate it.

1383
01:04:31,960 --> 01:04:39,120
Speaker 2: So remember, the house is full, but the world is small.

1384
01:04:40,080 --> 01:04:41,480
Speaker 2: Close think I got it backward clo.

1385
01:04:42,280 --> 01:04:45,520
Speaker 1: Okay, the world is small and the house is full. Yes,

1386
01:04:45,880 --> 01:04:50,040
Speaker 1: that's the closest one. Yeah, there we go.

1387
01:04:50,120 --> 01:04:53,680
Speaker 3: See like an episodeety two, you will have this down.

1388
01:04:53,760 --> 01:05:01,400
Speaker 2: Pat love that you think that. Oh, Jodi Sweeten, I

1389
01:05:01,440 --> 01:05:03,360
Speaker 2: could just write it down, but then that kills the fun.

1390
01:05:03,520 --> 01:05:04,160
Speaker 1: Yeah that's no.

1391
01:05:04,360 --> 01:05:07,640
Speaker 3: I much prefer this this method where it's always when

1392
01:05:07,800 --> 01:05:09,360
Speaker 3: I'm always wondering is she gonna.

1393
01:05:09,120 --> 01:05:11,640
Speaker 1: Get it right? And and I am too, because I'm

1394
01:05:11,640 --> 01:05:14,360
Speaker 1: always like this is right, this is not nope, nope,

1395
01:05:14,400 --> 01:05:14,880
Speaker 1: nope right.

1396
01:05:15,000 --> 01:05:16,680
Speaker 3: It's like you can see the words coming out of

1397
01:05:16,680 --> 01:05:18,400
Speaker 3: your mouth and you're like, no, retract them, put them

1398
01:05:18,440 --> 01:05:18,760
Speaker 3: back in.

1399
01:05:18,800 --> 01:05:21,280
Speaker 2: Put them I've never been one to do that. So

1400
01:05:21,760 --> 01:05:25,840
Speaker 2: all right, make sure you join us for our minisodes.

1401
01:05:26,080 --> 01:05:28,760
Speaker 2: Make sure you subscribe to the podcast. Go ahead and

1402
01:05:28,840 --> 01:05:31,000
Speaker 2: rate it. It helps us, you know, move up on

1403
01:05:31,040 --> 01:05:34,400
Speaker 2: the podcast lists, and that way we can keep entertaining

1404
01:05:34,400 --> 01:05:36,720
Speaker 2: you with our ridiculous stories over and over and over again.

1405
01:05:37,240 --> 01:05:41,120
Speaker 2: So we'll see you next time on how Rude Tannerito's

1406
01:05:41,840 --> 01:05:43,400
Speaker 2: Bye Bye