WEBVTT - Mountain Girl (“MG”) Garcia on Life with the Merry Pranksters, Jerry Garcia and the Grateful Dead

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<v Speaker 1>Hi, I'm Ethan Edelman, and this is Psychoactive, a production

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<v Speaker 1>of I Heart Radio and Protozoa Pictures. Psychoactive is the

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<v Speaker 1>show where we talk about all things drugs. But any

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<v Speaker 1>views expressed here do not represent those of my Heart Media,

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<v Speaker 1>Protozoa Pictures, or their executives and employees. Indeed, Heed, as

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<v Speaker 1>an inveterate contrarian, I can tell you they may not

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<v Speaker 1>even represent my own and nothing contained in this show

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<v Speaker 1>should be used his medical advice or encouragement to use

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<v Speaker 1>any type of drugs. Hello, Psychoactive listeners. Today's guest is

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<v Speaker 1>somebody who's both a remarkable historical figure but also very

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<v Speaker 1>much active and in the present. Her birth name was

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<v Speaker 1>Carolyn Adams, but she's much better known for the last

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<v Speaker 1>fifty years or so as Mountain Girl or MG Mountain

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<v Speaker 1>Girl Garcia, you know, the woman who was part of

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<v Speaker 1>the Married Pranksters, was a partner and co parent with

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<v Speaker 1>Ken Kiss of the Mary Pranksters and Jerry Garcia the

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<v Speaker 1>Grateful Dead, and has continued to play a role in

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<v Speaker 1>this world really over the last fifty years or so. So, MG,

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<v Speaker 1>thanks so much for joining me on Psychoactive. Oh well,

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<v Speaker 1>you're welcome. It's it's nice to be here on this

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<v Speaker 1>foggy day in Oregon. You grew up, right, It was

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<v Speaker 1>at Poughkeepsie, New York, and then moved out west and

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<v Speaker 1>you're about eighteen or so, that's correct. Yeah, I was

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<v Speaker 1>an upstate New York kid, went to school there and

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<v Speaker 1>you know, eventually got kicked out how that goes. And

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<v Speaker 1>then I went to California with my brother. Were you

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<v Speaker 1>doing drugs in high school before even went to California

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<v Speaker 1>or was it when you talked to California AJ teen

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<v Speaker 1>that you started, uh doing all that stuff? Now? I

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<v Speaker 1>was just I was just a prankster in high school.

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<v Speaker 1>I mean, what's a prankster? Always a prankster? So I

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<v Speaker 1>was pulling pranks and they got onto me and and

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<v Speaker 1>got mad at me. But but no, I didn't discover

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<v Speaker 1>the choice of ingestible substances until I was a little

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<v Speaker 1>bit older and had been working. And the job that

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<v Speaker 1>I got out in California was a very unusual job.

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<v Speaker 1>Based on my ability to read and write about science.

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<v Speaker 1>I was hired by Stanford University to come and work

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<v Speaker 1>in the mass spectrometer lab at Stanford University's Organic Chemistry building,

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<v Speaker 1>which was a very unusual job for an eighteen year

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<v Speaker 1>old kid. Yeah, no kidding, right, eighteen years old working

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<v Speaker 1>in the lab at Stanford without any kind of college

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<v Speaker 1>education or yeah. Just I was so smart though, because

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<v Speaker 1>I had read all this. I had read everything. You know.

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<v Speaker 1>My parents were scientists, so I was good on science.

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<v Speaker 1>So when they interviewed me, I I apparently aced the

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<v Speaker 1>interview and it aid really well, you know, it was

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<v Speaker 1>one of those jobs, you know, for an eighteen year

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<v Speaker 1>old getting a job like that was really great. But

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<v Speaker 1>I was on the night shift, which was kind of

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<v Speaker 1>weird because I had to ride my bicycle around through

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<v Speaker 1>Powell also after dark a lot. And and you were

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<v Speaker 1>talking nineteen sixty four, huh is that right? Yeah, sixty four,

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<v Speaker 1>It seems like so long ago. Now, Oh my gosh,

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<v Speaker 1>it is a big change. I mean, to come from

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<v Speaker 1>from an East coast in a prep school like I did,

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<v Speaker 1>and to just jump into a community on the other

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<v Speaker 1>side of the country was pretty interesting. But I really

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<v Speaker 1>liked it. I thought I thought it was beautiful. I

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<v Speaker 1>thought California was just heaven. So you're in the lab

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<v Speaker 1>at Stanford, hanging out there at night, and I imagine

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<v Speaker 1>you get your hands on some of the psychedelic drugs

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<v Speaker 1>that are lying around Stanford in those days. Is that right? Yeah,

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<v Speaker 1>that's true. And no. I was actually asked to process

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<v Speaker 1>a sample that was labeled very cautious with this sample,

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<v Speaker 1>and I ran into trouble with it. I had trouble

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<v Speaker 1>with the mass spectrometer that night and wound up with

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<v Speaker 1>a half used sample. And I'm sitting there with this

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<v Speaker 1>sample and me and it's you know, eleven o'clock at night,

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<v Speaker 1>and I'm going to m hmmm, Okay, you know there's

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<v Speaker 1>still more in the in the little jar. I'll just

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<v Speaker 1>eat this one and see what happens. You know, because

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<v Speaker 1>I've been reading, I've been reading about psychedelics and gotten

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<v Speaker 1>really interested because, of course, even as a young person,

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<v Speaker 1>I was a scientist. I was raised by scientists, and

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<v Speaker 1>my science mind just looked at the stories about psychedelics

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<v Speaker 1>and said, I want to know what this is. So

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<v Speaker 1>I realized there was only one way to know, and

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<v Speaker 1>that was to partake. But in your case, if I

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<v Speaker 1>read this quickly, it was an LSD. Was it began,

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<v Speaker 1>Actually it was. It was the only people I know

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<v Speaker 1>who was introduced to all of this you know through

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<v Speaker 1>I gain LSD your mushrooms or something like that. That

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<v Speaker 1>must have been a challenging experience. Well, it was very challenging.

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<v Speaker 1>Getting home was really hard on the bicycle, you know,

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<v Speaker 1>at like four in the morning, I had to ride

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<v Speaker 1>my bike backed across town and that was like a

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<v Speaker 1>mystery tourycle trip. It does. Yeah, I had to like

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<v Speaker 1>re remember everything all the time, re remember, re remember,

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<v Speaker 1>re remember this corner that corner, like. But I made

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<v Speaker 1>it back and by the time I got there, I

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<v Speaker 1>was pretty messed up. So I had to like lie

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<v Speaker 1>down and go to sleep or try to go to

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<v Speaker 1>sleep for a long time. And I don't remember it

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<v Speaker 1>being any fun. I remember it being an ordeal because

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<v Speaker 1>it was an unrefined sample of a e boga from

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<v Speaker 1>West Africa, so it was just a little blob of

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<v Speaker 1>green good and I mean a small blob. It was,

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<v Speaker 1>you know, pretty small little blob and uh yeah, and

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<v Speaker 1>it just it really messed me up, frankly, and I

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<v Speaker 1>take it the job at Stanford did not last much

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<v Speaker 1>longer there, you know, the problem being that it it

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<v Speaker 1>messed with my mind in a very overt way. I

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<v Speaker 1>can't recommend it. I really can't and uh, this is

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<v Speaker 1>not this was not a good idea on my part,

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<v Speaker 1>although heck, what can I say now? Yeah it's a

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<v Speaker 1>bad idea. How much there after was it that you're

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<v Speaker 1>like hanging out in some cafe or something in Palo

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<v Speaker 1>Alto and get picked up by Neil Cassidy. That was

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<v Speaker 1>like about a month later. And for our listeners, just

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<v Speaker 1>you know who don't know Neil Cassidy is he was

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<v Speaker 1>a key figure in the in the Beach generation. You know,

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<v Speaker 1>somebody hooked up with Jack Carroll act and in fact

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<v Speaker 1>the basis of the character Demoyarty in On the Road,

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<v Speaker 1>which was basically the key character and on the Road

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<v Speaker 1>but also friendly with William Burrows and and Alan Ginsburg

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<v Speaker 1>and all those And now he meets you in this

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<v Speaker 1>cafe and Palo alter you're all of what eighteen years old? Yeah?

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<v Speaker 1>What happens? Then? Well, it's late at night and I'm

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<v Speaker 1>my boyfriend who I had been staying with his his

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<v Speaker 1>mom had come and gotten him that day and taken

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<v Speaker 1>all of his stuff out of the house, and suddenly

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<v Speaker 1>he was gone and like completely gone, and I didn't

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<v Speaker 1>have a place to be, so I thought I'd just

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<v Speaker 1>pedal on over to St. Michael's and get a cup

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<v Speaker 1>of coffee and think things over. And I'm sitting there

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<v Speaker 1>with my big cup of coffee and in walks Neil

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<v Speaker 1>Cassidy and his sidekick Bradley, and they sit down at

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<v Speaker 1>the table right next to me, and there, look, there's

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<v Speaker 1>nobody else in the place. Meanwhile, the guy serving the coffee,

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<v Speaker 1>who is kind of a famously annoying fellow, turns out

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<v Speaker 1>to be Bob Hunter. In later years I found out

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<v Speaker 1>that that was actually Bob Hunter who wrote the songs

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<v Speaker 1>for the Grateful Tet. Oh, he's the key were and

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<v Speaker 1>he was the guy behind the counter at St. Michael's

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<v Speaker 1>alley that night. So, um, that's a tidbit I didn't

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<v Speaker 1>pick up from all the reading I was doing. Yeah,

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<v Speaker 1>it's so amazing to me that this happened. So anyway,

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<v Speaker 1>so these two guys say, hey, you know, we're trying

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<v Speaker 1>to score some Benny's. You want to want to go

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<v Speaker 1>out with us and try to score some Benny's? And

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<v Speaker 1>I'm going Benny's. Okay, yeah, right, okay, Ben Citrine and

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<v Speaker 1>these guys look good. I said okay. Because I had

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<v Speaker 1>nothing else to do, I said, okay, let's go. And

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<v Speaker 1>we drove around all night, visiting all of Neil Cassidy's

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<v Speaker 1>friends houses around Palo Alto and up up in the mountain,

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<v Speaker 1>the San Bruno Mountains, and failed to score even a

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<v Speaker 1>single Betty, to his great dismay, because he had just

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<v Speaker 1>come back from the famous bus trip, which I knew

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<v Speaker 1>nothing about. I knew nothing about these people. And he

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<v Speaker 1>winds up. We go all the way down the hill

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<v Speaker 1>on the far side of San Bruno Mountain towards the coast,

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<v Speaker 1>and he pulls in. He had to take the car back.

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<v Speaker 1>He was driving ken Casey's car. So I wound up

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<v Speaker 1>in ken Casey's parking lot wait at four in the morning,

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<v Speaker 1>and that was okay. So now we got to back

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<v Speaker 1>up for audience for a second, because some people know

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<v Speaker 1>exactly who he is. But let's fill in this history, right.

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<v Speaker 1>So Ken Kesey was the person who first became famous

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<v Speaker 1>for writing One Flew over the Cuckoo's Nest, and it

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<v Speaker 1>immediately catapults him into the you know, the echelons of

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<v Speaker 1>the great up and coming American writers, and then becomes

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<v Speaker 1>the movie with Jack Nicholson and all this sort of thing.

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<v Speaker 1>And so Ken KSI. Some years before you had your

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<v Speaker 1>I began experience is doing you know, LSD as part

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<v Speaker 1>of the MK ultra Cia experiments to investigate the potential

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<v Speaker 1>uses of LSD for military and intelligence purposes, and gets

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<v Speaker 1>into LSD in the early sixties, starts using it, then

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<v Speaker 1>begins to create a group called the Mary Pranksters, and

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<v Speaker 1>then has this trip across the country to New York

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<v Speaker 1>in nineteen sixty four to go see the World's Fair

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<v Speaker 1>and do other things like that that ultimately becomes famous

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<v Speaker 1>when Tom Wolfe, the novelist and non nonfiction writer as well, writes, uh,

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<v Speaker 1>the Electric kool Aid asset test. So this is you know,

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<v Speaker 1>Ken KISSI has taken this bus trip in sixty four.

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<v Speaker 1>He's got this growing gang of people with him. LST

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<v Speaker 1>is very much part of their world. Now we're in

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<v Speaker 1>nineteen sixty five and you show up at his door, right, Okay,

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<v Speaker 1>so take it away. Just to clarify, Yeah, the reason

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<v Speaker 1>Neil was out looking for Benny's was because they had

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<v Speaker 1>just come back from the famous bus trip. In other words,

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<v Speaker 1>they had only been back in the Bay Area for

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<v Speaker 1>a few hours when I met Neil, and he had

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<v Speaker 1>borrowed Kent's car to go look for look for some

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<v Speaker 1>benditry and it couldn't find it. Had to bring the

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<v Speaker 1>car back because it was time for Ken's kids to

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<v Speaker 1>go to the first day of school that they were having.

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<v Speaker 1>So I'm standing around in the parking lot and nobody's

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<v Speaker 1>up yet. It's really quiet. Neil is wandering around somewhere

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<v Speaker 1>and Ken comes out and I meet him and we

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<v Speaker 1>make a nice contact, you know, and uh, suddenly the

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<v Speaker 1>car's gone, and I realized, oh, I'm here, you know,

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<v Speaker 1>I'm stuck here. So Neil wanted to get back to

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<v Speaker 1>go to work, so he hitchhiked away. And I got

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<v Speaker 1>to meet Ken and Faye that very morning. So this

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<v Speaker 1>was Mrs Kesey and and and their kids and their dogs,

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<v Speaker 1>and they had docsins who came out and bit me

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<v Speaker 1>on the ankle. But it was, you know, it was

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<v Speaker 1>so sweet. There was so sweet to me. But what

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<v Speaker 1>I really got to see was the bus itself, which

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<v Speaker 1>was standing sitting there in the yard. Is huge old

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<v Speaker 1>school bus, you know, with the low ceiling that you

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<v Speaker 1>have to duck and you have to like walk along

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<v Speaker 1>with your head down because you're too tall for the bus.

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<v Speaker 1>And it's just completely painted and decorated all over with

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<v Speaker 1>stuff glued to it. And I mean, honest to God,

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<v Speaker 1>I wrote the bus when I was a kid to

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<v Speaker 1>school every day and back and I was a bus monitor,

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<v Speaker 1>and to look at this bus was like such such

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<v Speaker 1>a radical twist on the concept of transportation. I was

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<v Speaker 1>completely knocked out by it. So I had to like

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<v Speaker 1>look at it for a long current on the top

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<v Speaker 1>or something. So yeah, on the top of you blast

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<v Speaker 1>out music or even or even magnify the sounds that

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<v Speaker 1>were from outside the bus and all this sort of.

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<v Speaker 1>It had speakers up top, and then there was a

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<v Speaker 1>they had built an area to what you'd think they'd

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<v Speaker 1>put luggage up there in a big luggage truck, but

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<v Speaker 1>actually there was mattress, two mattresses up there, and you

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<v Speaker 1>could lie down as the bus was going down the road,

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<v Speaker 1>which was really pleasant. And they cut a hole in

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<v Speaker 1>the roof for a turret so they could close it

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<v Speaker 1>up if it was raining, but you could climb in

0:13:06.280 --> 0:13:08.360
<v Speaker 1>and out on a ladder and get up on the roof.

0:13:08.679 --> 0:13:11.679
<v Speaker 1>So I'm looking at this thing, right, it's just getting light,

0:13:11.800 --> 0:13:14.120
<v Speaker 1>and I could see it, and I'm looking at it

0:13:14.120 --> 0:13:16.560
<v Speaker 1>and I'm walking around it going Holy moly, because it

0:13:16.600 --> 0:13:19.360
<v Speaker 1>was just covered with globs of paint and pictures and

0:13:19.720 --> 0:13:22.240
<v Speaker 1>you know, it was like a total art project. And

0:13:22.640 --> 0:13:25.160
<v Speaker 1>I come around to the front door, and the front

0:13:25.160 --> 0:13:27.840
<v Speaker 1>door is kind of hanging off the side of the bus,

0:13:27.920 --> 0:13:30.600
<v Speaker 1>you know, the little door you walk through to climb

0:13:30.720 --> 0:13:33.120
<v Speaker 1>up into the bus to go to school. And it

0:13:33.160 --> 0:13:36.000
<v Speaker 1>says on the top of the door says, nothing lasts.

0:13:36.559 --> 0:13:38.880
<v Speaker 1>And I just burst out laughing. I thought that was

0:13:38.920 --> 0:13:43.640
<v Speaker 1>the funniest thing I ever see. Oh yeah, nothing less.

0:13:44.000 --> 0:13:46.600
<v Speaker 1>And that was like their motto, you know, for the

0:13:46.679 --> 0:13:51.880
<v Speaker 1>for the Hall Prankster Enterprise, nothing less and the bush

0:13:53.120 --> 0:13:57.640
<v Speaker 1>further further f you r t h you are, which

0:13:57.720 --> 0:14:01.160
<v Speaker 1>is a little different from for with an e er

0:14:01.559 --> 0:14:06.360
<v Speaker 1>further is more of a sense of putting things in motion,

0:14:06.600 --> 0:14:10.320
<v Speaker 1>but you know, giving giving reality a shove of some sort.

0:14:10.440 --> 0:14:12.520
<v Speaker 1>You know. So you then what do you actually start

0:14:12.600 --> 0:14:16.079
<v Speaker 1>living up there? Then? Fairly soon at this in La Honda,

0:14:16.240 --> 0:14:19.240
<v Speaker 1>I think outside of Palo Alto. Yeah, so there was

0:14:19.280 --> 0:14:22.000
<v Speaker 1>a beach, you know, like ten minutes away, and it

0:14:22.080 --> 0:14:26.200
<v Speaker 1>was a beautiful redwood trees, like it's just huge redwood

0:14:26.240 --> 0:14:30.360
<v Speaker 1>trees out in the yard. I was fascinated, and these

0:14:30.400 --> 0:14:32.880
<v Speaker 1>were such nice people, you know, they were all just

0:14:32.920 --> 0:14:35.400
<v Speaker 1>as nice as they could be. And when I finally

0:14:35.480 --> 0:14:37.920
<v Speaker 1>met all the rest of the pranksters, I realized that

0:14:38.280 --> 0:14:40.800
<v Speaker 1>not only was I safe with these people because they

0:14:40.800 --> 0:14:43.680
<v Speaker 1>weren't going to attack me or whatever, you know, that

0:14:43.800 --> 0:14:46.440
<v Speaker 1>I was really a lot like them, you know, I

0:14:46.720 --> 0:14:48.640
<v Speaker 1>looked at things from a different point of view, and

0:14:48.680 --> 0:14:52.440
<v Speaker 1>so did they, and we we bonded, you know, within

0:14:52.480 --> 0:14:54.920
<v Speaker 1>a couple of weeks, there was a pretty strong bond

0:14:55.280 --> 0:14:57.360
<v Speaker 1>getting set up. So here I'm just going to quote

0:14:57.360 --> 0:15:02.160
<v Speaker 1>two passages MG from Tom Wolves Electric Kool Aid Acid Test,

0:15:03.040 --> 0:15:05.600
<v Speaker 1>and the one and the one is page fourteen where

0:15:05.800 --> 0:15:08.960
<v Speaker 1>he first introduces you as a character, and he says,

0:15:09.080 --> 0:15:12.400
<v Speaker 1>Mounted Girl is a tall girl, big and beautiful, with

0:15:12.560 --> 0:15:15.680
<v Speaker 1>dark brown hair falling down to her shoulders, except that

0:15:15.720 --> 0:15:18.600
<v Speaker 1>the lower two thirds of her falling hair looked like

0:15:18.600 --> 0:15:22.000
<v Speaker 1>a paintbrush dipped in cadmium yellow from where she dyed

0:15:22.040 --> 0:15:28.600
<v Speaker 1>at blonde in Mexico. And then pages later, Mounted Girl

0:15:28.680 --> 0:15:31.520
<v Speaker 1>was a big hit with the pranksters from the very start.

0:15:31.800 --> 0:15:35.640
<v Speaker 1>She seemed always completely out front without the slightest prompting.

0:15:36.000 --> 0:15:39.480
<v Speaker 1>She was one big, loud charge of vitality. Here comes

0:15:39.600 --> 0:15:41.480
<v Speaker 1>mounted girl, And it was the thing that made you

0:15:41.600 --> 0:15:44.080
<v Speaker 1>pick up as soon as you saw her mouth broadened

0:15:44.080 --> 0:15:47.080
<v Speaker 1>into a grin and her big brown eyes open, open, open,

0:15:47.160 --> 0:15:50.960
<v Speaker 1>until they practically exploded like sunspots in front of your eyes.

0:15:51.000 --> 0:15:53.400
<v Speaker 1>And you knew that wonderful country vide voice was gonna

0:15:53.560 --> 0:15:57.040
<v Speaker 1>sing out something that was a nice description by Tom Wolf.

0:15:57.200 --> 0:16:00.400
<v Speaker 1>Yeah he liked me, he did. Yeah. Did you think

0:16:00.440 --> 0:16:02.920
<v Speaker 1>of him? Oh? He was okay, I mean he he

0:16:03.000 --> 0:16:06.880
<v Speaker 1>interviewed me extensively and then wrote his own version of

0:16:06.920 --> 0:16:10.840
<v Speaker 1>what I said. Right, But I thought he was somebody

0:16:10.840 --> 0:16:14.080
<v Speaker 1>who lived in a in a greenhouse on the top

0:16:14.160 --> 0:16:17.240
<v Speaker 1>roof of a New York skyscraper. You know. He seemed

0:16:17.320 --> 0:16:20.920
<v Speaker 1>somehow not to know very much about anything. He had

0:16:20.960 --> 0:16:23.280
<v Speaker 1>grown up in a vacuum of some sort. You know

0:16:23.320 --> 0:16:27.680
<v Speaker 1>that he just he was an open invitation to tell

0:16:27.760 --> 0:16:30.080
<v Speaker 1>him stuff, you know, But he didn't ever give you

0:16:30.120 --> 0:16:33.960
<v Speaker 1>anything back, you know what I mean. It was all input.

0:16:34.320 --> 0:16:37.080
<v Speaker 1>He had very little output except just kind of as

0:16:37.120 --> 0:16:39.840
<v Speaker 1>a nice guy. And I and the Mary Pranksters had

0:16:39.840 --> 0:16:41.840
<v Speaker 1>become quite well known, like in the Bay are in

0:16:41.880 --> 0:16:44.760
<v Speaker 1>the West Coast, but would probably never achieved the fame

0:16:44.840 --> 0:16:47.480
<v Speaker 1>they had nationally, but for Tom Wolves writing about it

0:16:47.560 --> 0:16:50.320
<v Speaker 1>an electrical aid asset test. I mean, to the extent

0:16:50.400 --> 0:16:52.760
<v Speaker 1>that fame served the interests of the pranksters, Wolf was

0:16:52.800 --> 0:16:54.640
<v Speaker 1>great for them, and to the extent of the pranksters

0:16:54.640 --> 0:16:57.680
<v Speaker 1>provided material for Wolf to become, you know, sort of

0:16:57.800 --> 0:17:02.040
<v Speaker 1>nationally highly regarded all writer. It worked out in that regard,

0:17:02.360 --> 0:17:04.919
<v Speaker 1>and you know, in observing his writing, you know, and

0:17:04.960 --> 0:17:07.320
<v Speaker 1>reading it years later, I'm going like, Wow, this guy

0:17:07.440 --> 0:17:10.760
<v Speaker 1>was a really gifted writer, and he honestly didn't know

0:17:10.840 --> 0:17:13.240
<v Speaker 1>what he was writing about. Really, you know, he refused

0:17:13.280 --> 0:17:17.440
<v Speaker 1>to get high. He didn't want to sully his magical brain,

0:17:17.800 --> 0:17:21.119
<v Speaker 1>which I have great respect for him because he managed

0:17:21.160 --> 0:17:22.920
<v Speaker 1>to get the job done and he did a great

0:17:23.000 --> 0:17:26.359
<v Speaker 1>job with it. It's still a really fun read. So

0:17:26.520 --> 0:17:28.919
<v Speaker 1>let me see, there's another quote that I found. You

0:17:28.960 --> 0:17:32.399
<v Speaker 1>said somewhere. You said about the Pranksters. They didn't know

0:17:32.520 --> 0:17:35.520
<v Speaker 1>they were starting the sixties, obviously, but they knew they

0:17:35.520 --> 0:17:37.880
<v Speaker 1>had a big secret and they were going to exploit

0:17:37.920 --> 0:17:41.280
<v Speaker 1>it to the full, that's right. And what was the secret?

0:17:41.280 --> 0:17:44.760
<v Speaker 1>The secret was LSD that Ken had copped from the

0:17:45.040 --> 0:17:48.240
<v Speaker 1>mental health place where he was working at Stanford at

0:17:48.280 --> 0:17:51.280
<v Speaker 1>some point earlier in the year. But then then it

0:17:51.359 --> 0:17:55.280
<v Speaker 1>kind of came on the underground market in the early sixties,

0:17:55.680 --> 0:17:59.560
<v Speaker 1>it began to leak out and he managed to find some.

0:18:00.240 --> 0:18:03.439
<v Speaker 1>So we had we had LSD that came from Sandos,

0:18:04.040 --> 0:18:07.440
<v Speaker 1>from the Swiss chemists, and that was what Ken had

0:18:07.560 --> 0:18:10.919
<v Speaker 1>picked up in Palo Alto, which is a very clean

0:18:11.080 --> 0:18:15.040
<v Speaker 1>and beautiful high actually, and people should know, until late

0:18:15.119 --> 0:18:19.520
<v Speaker 1>nineteen six is LSD actually become illegally get scarce because

0:18:19.560 --> 0:18:22.040
<v Speaker 1>Sandos the pharmaceutic companies in handing it out the way

0:18:22.080 --> 0:18:24.840
<v Speaker 1>they did in late fifties early sixties. But you know,

0:18:24.920 --> 0:18:27.080
<v Speaker 1>people could not get busted for it at that point,

0:18:27.760 --> 0:18:30.640
<v Speaker 1>right it was unknown. It was an unknown drug, and

0:18:30.880 --> 0:18:33.480
<v Speaker 1>if you could keep your behavior under control when you

0:18:33.480 --> 0:18:35.399
<v Speaker 1>were high, you can get away with it, of course,

0:18:35.480 --> 0:18:38.560
<v Speaker 1>but it does it does have a tendency to change

0:18:38.560 --> 0:18:42.800
<v Speaker 1>people's behavior. And you know, you'd say so. Plus we

0:18:42.800 --> 0:18:45.960
<v Speaker 1>were clueless about dosage at that time, you know, we

0:18:45.600 --> 0:18:49.800
<v Speaker 1>were we were experimenting. So basically, some LSD would go

0:18:49.840 --> 0:18:52.760
<v Speaker 1>into a big picture of kool aid and you drink

0:18:52.840 --> 0:18:55.600
<v Speaker 1>some of it. So how much LSD did you have?

0:18:55.760 --> 0:18:59.400
<v Speaker 1>You had some, but I mean for all you know.

0:18:59.440 --> 0:19:01.679
<v Speaker 1>I mean, if you think about, you know, a hundred

0:19:01.720 --> 0:19:05.480
<v Speaker 1>micrograms being a kind of fair not light does it's

0:19:05.480 --> 0:19:09.119
<v Speaker 1>a real If you think about that's just okay, solid dose.

0:19:09.160 --> 0:19:11.640
<v Speaker 1>But if you think about two D fifty or more

0:19:11.720 --> 0:19:14.240
<v Speaker 1>being what you might call a heroic dose, but you're

0:19:14.320 --> 0:19:17.119
<v Speaker 1>drinking it in kool aid, I mean, you have no

0:19:17.160 --> 0:19:20.919
<v Speaker 1>idea if you're getting fifty micrograms or five micrograms. I

0:19:20.920 --> 0:19:24.280
<v Speaker 1>guess the flight of faith faith is a strong, a

0:19:24.359 --> 0:19:28.000
<v Speaker 1>strong contender forgetting it in and out of trouble. But

0:19:28.080 --> 0:19:30.840
<v Speaker 1>you know, uh, I feel like I did take too

0:19:30.960 --> 0:19:32.639
<v Speaker 1>much one time, but I just went and gotten my

0:19:32.680 --> 0:19:34.720
<v Speaker 1>sleeping bag and stayed there, And which is the best

0:19:34.720 --> 0:19:36.440
<v Speaker 1>thing you can do if you've had a had a

0:19:36.520 --> 0:19:39.199
<v Speaker 1>little bit too much. And were the other drugs I mean,

0:19:39.320 --> 0:19:42.720
<v Speaker 1>was mescaline and psilocybin. Mushrooms also a big part of

0:19:42.760 --> 0:19:45.720
<v Speaker 1>your life. Not so much those days, no, because they

0:19:45.720 --> 0:19:49.040
<v Speaker 1>were rare. These were things. By the way, are you

0:19:49.119 --> 0:19:51.800
<v Speaker 1>still are you still doing it this year? I haven't

0:19:51.840 --> 0:19:54.840
<v Speaker 1>taken any this year, but I usually take it three

0:19:54.920 --> 0:19:58.159
<v Speaker 1>or four times a year. Mh. So listen, let's go

0:19:58.200 --> 0:20:00.240
<v Speaker 1>back to the pranksters for a second. Here, now, which

0:20:00.280 --> 0:20:02.280
<v Speaker 1>is that, you know, I'm reading about them, and I'm

0:20:02.320 --> 0:20:05.040
<v Speaker 1>recognizing a lot of the names, and I was just

0:20:05.160 --> 0:20:07.479
<v Speaker 1>real off a few. And then there was Stewart Brand

0:20:07.520 --> 0:20:09.840
<v Speaker 1>who then comes up with a Whole Earth catalog, which

0:20:09.920 --> 0:20:13.040
<v Speaker 1>is a major phenomenous seventies. There's Jim Fattiman, who has

0:20:13.040 --> 0:20:16.760
<v Speaker 1>now become sort of the godfather of micro dosing. Robert

0:20:16.880 --> 0:20:20.399
<v Speaker 1>Stone who shows up, who's the novelist who wrote Dog Soldiers,

0:20:20.400 --> 0:20:23.040
<v Speaker 1>a kind of award winning book about drug dealing during

0:20:23.080 --> 0:20:25.280
<v Speaker 1>the Vietnam War days that became the movie Whole Stop

0:20:25.320 --> 0:20:29.840
<v Speaker 1>the Rain. Larry McMurtry, who also famous novelists, right sixty novels,

0:20:29.840 --> 0:20:32.320
<v Speaker 1>including Lonesome Dove, one of the most famous, you know,

0:20:32.600 --> 0:20:37.000
<v Speaker 1>sort of novelized series on TV. Paul Krasner, founder of

0:20:37.040 --> 0:20:40.680
<v Speaker 1>the Yippies, and of course Neil Cassidy. So you're hanging

0:20:40.680 --> 0:20:43.840
<v Speaker 1>out with this remarkable cast of character. So so I mean,

0:20:43.920 --> 0:20:46.680
<v Speaker 1>just tell us about, you know, who is your favorites

0:20:46.720 --> 0:20:49.840
<v Speaker 1>among this group. I think my favorite among that group

0:20:49.880 --> 0:20:54.320
<v Speaker 1>was Alan Ginsburg. So Ginsburg was a special friend of

0:20:54.480 --> 0:20:58.040
<v Speaker 1>Neil Cassidy's, and he came out and stayed for like

0:20:58.080 --> 0:21:00.920
<v Speaker 1>a week and a half at Ken's and I just

0:21:00.960 --> 0:21:06.000
<v Speaker 1>thought he was absolutely charming, interesting guy. So for our audience,

0:21:06.040 --> 0:21:08.359
<v Speaker 1>so that you don't know, Alan Ginsburg is one of

0:21:08.640 --> 0:21:11.720
<v Speaker 1>the most famous American poets of the of the second

0:21:11.720 --> 0:21:15.000
<v Speaker 1>half of the twentieth century, and he's a e pivotal

0:21:15.080 --> 0:21:17.760
<v Speaker 1>to the Beats generation. Of course I'd heard about him

0:21:17.800 --> 0:21:21.200
<v Speaker 1>before he got there. But but what a lovely guy

0:21:21.400 --> 0:21:25.720
<v Speaker 1>Ginsburg was. He was just he was the sweetest fellow,

0:21:26.240 --> 0:21:31.280
<v Speaker 1>just delightful and kind and Jewish, which is important, you know.

0:21:31.720 --> 0:21:35.560
<v Speaker 1>That categorizes him to me as as somebody with a

0:21:35.840 --> 0:21:38.720
<v Speaker 1>with a good intellect and a grasp on who he

0:21:38.840 --> 0:21:41.159
<v Speaker 1>is and what he's doing. And I thought he was

0:21:41.200 --> 0:21:44.400
<v Speaker 1>the only Jewish guy in the in the Beats generation,

0:21:44.480 --> 0:21:46.840
<v Speaker 1>among the prominent ones. I say, is that right, Well,

0:21:46.880 --> 0:21:52.760
<v Speaker 1>he think so, because Carol A. Cassidy a bunch of Catholics,

0:21:52.880 --> 0:21:56.440
<v Speaker 1>you know, So it's yeah. So Ginsburg was a revelation

0:21:56.520 --> 0:21:59.199
<v Speaker 1>to me because he was he was somebody gifted with

0:21:59.240 --> 0:22:02.439
<v Speaker 1>a lot of pace and calm. He had calmness and

0:22:02.480 --> 0:22:05.960
<v Speaker 1>patience that just flowed out of him. I had never

0:22:06.240 --> 0:22:09.439
<v Speaker 1>read his poetry before, being clueless, and I read this

0:22:09.440 --> 0:22:12.359
<v Speaker 1>stuff and I'm going, Wow, this is kind of interesting,

0:22:12.440 --> 0:22:17.879
<v Speaker 1>but I don't really understand it. I had cognition problems

0:22:17.920 --> 0:22:19.920
<v Speaker 1>with some of the stuff these guys were doing because

0:22:19.920 --> 0:22:22.840
<v Speaker 1>I had not I had not lived their lives, you know,

0:22:22.960 --> 0:22:25.480
<v Speaker 1>I had not lived in their shadow either, so I

0:22:25.520 --> 0:22:28.160
<v Speaker 1>didn't know anything about them. But I found them all

0:22:28.320 --> 0:22:30.879
<v Speaker 1>really interesting and fun to get along with. And Neil

0:22:31.520 --> 0:22:34.520
<v Speaker 1>was Neil Cassidy was the connector here. He was the

0:22:34.600 --> 0:22:38.560
<v Speaker 1>spark that brought all these people together and brought them

0:22:38.640 --> 0:22:43.159
<v Speaker 1>out to California. And we had a number of very

0:22:43.200 --> 0:22:48.560
<v Speaker 1>lovely gatherings featuring Ginsburg and his friends, and it was

0:22:48.640 --> 0:22:52.000
<v Speaker 1>just it was a whole literary experience that was never

0:22:52.040 --> 0:22:58.200
<v Speaker 1>expecting and and very exciting. We'll be talking more after

0:22:58.280 --> 0:23:15.240
<v Speaker 1>we hear this ad, so m I gotta as see

0:23:15.280 --> 0:23:18.280
<v Speaker 1>these things. It's very much a guy's world, right. All

0:23:18.320 --> 0:23:20.879
<v Speaker 1>the famous characters are almost all of them are guys.

0:23:20.920 --> 0:23:23.480
<v Speaker 1>You're probably the most famous of the women who are

0:23:23.400 --> 0:23:26.479
<v Speaker 1>associated with it. But obviously with the pranksters, there's a

0:23:26.480 --> 0:23:29.000
<v Speaker 1>lot of people different. You know, people sleeping not just

0:23:29.080 --> 0:23:30.879
<v Speaker 1>with their wives and husbands and all sorts of people.

0:23:31.240 --> 0:23:33.760
<v Speaker 1>And you get pregnant at what the age of eighteen,

0:23:38.359 --> 0:23:40.720
<v Speaker 1>He's baby but meanwhile you're hanging out with him and

0:23:40.760 --> 0:23:43.480
<v Speaker 1>his wife, Faye and their three kids. So just explain

0:23:43.520 --> 0:23:45.679
<v Speaker 1>a little bit more about what was that, you know,

0:23:45.720 --> 0:23:48.800
<v Speaker 1>the community like then, and also to what ways did

0:23:48.920 --> 0:23:52.840
<v Speaker 1>LST shape the nature of that community. Well, I think

0:23:52.960 --> 0:23:55.840
<v Speaker 1>one of the ways l shapes a community like this

0:23:56.119 --> 0:23:58.840
<v Speaker 1>is that a trust is a big issue. So we

0:23:58.960 --> 0:24:02.840
<v Speaker 1>learned to trust each other other and to recognize what

0:24:02.880 --> 0:24:05.600
<v Speaker 1>the boundaries are of what what we were doing, which

0:24:05.720 --> 0:24:10.879
<v Speaker 1>was basically becoming like a family, but not really a family.

0:24:10.920 --> 0:24:13.640
<v Speaker 1>You know. It's like the beginning of of living together

0:24:13.880 --> 0:24:18.320
<v Speaker 1>in a non familiar situation where you're you're just good friends.

0:24:19.000 --> 0:24:21.960
<v Speaker 1>And I think that just good friends describes the whole thing.

0:24:21.960 --> 0:24:25.200
<v Speaker 1>We were good friends. We worked on projects together, it

0:24:25.280 --> 0:24:28.880
<v Speaker 1>was fun, you know it. We cooked and ate together,

0:24:29.200 --> 0:24:32.720
<v Speaker 1>and to me it felt it felt like family. But

0:24:32.800 --> 0:24:36.520
<v Speaker 1>it was different from my my natal family because these

0:24:36.520 --> 0:24:40.560
<v Speaker 1>people were as weird as I was, or weirder. And

0:24:40.640 --> 0:24:43.440
<v Speaker 1>I was learning from Ken all the time about writing,

0:24:43.480 --> 0:24:46.800
<v Speaker 1>about reading. He would hand me stuff to read, he

0:24:46.880 --> 0:24:49.359
<v Speaker 1>would hand me some of his writing to edit. He

0:24:49.400 --> 0:24:52.560
<v Speaker 1>actually got me to edit a couple of things. And

0:24:52.680 --> 0:24:56.480
<v Speaker 1>I was already somebody really interested in writing, so I

0:24:56.520 --> 0:25:01.160
<v Speaker 1>was fascinated by his process, and then I the poets.

0:25:01.200 --> 0:25:04.240
<v Speaker 1>The poets started coming in with their writing. So it

0:25:04.320 --> 0:25:07.439
<v Speaker 1>was an enormous learning opportunity for me about how to

0:25:07.520 --> 0:25:13.199
<v Speaker 1>manage words and how to manage your expressions to you know,

0:25:13.600 --> 0:25:16.800
<v Speaker 1>properly fill in the blanks about what it is you're

0:25:16.840 --> 0:25:19.679
<v Speaker 1>trying to say. You know, how to color it up basically,

0:25:20.080 --> 0:25:23.000
<v Speaker 1>how to make it resonate. And I think I picked

0:25:23.080 --> 0:25:25.720
<v Speaker 1>up some of that. Let me read another passage from

0:25:25.720 --> 0:25:27.520
<v Speaker 1>Tom Wolfe and tell me if he got it right

0:25:27.640 --> 0:25:29.879
<v Speaker 1>or not. Okay, he was. I doubt if any of

0:25:29.960 --> 0:25:34.240
<v Speaker 1>the pranksters truly understood Mounting Girl, except for Casey. Most

0:25:34.280 --> 0:25:37.040
<v Speaker 1>of the time, when she was so one out front,

0:25:37.160 --> 0:25:40.000
<v Speaker 1>coming on loud and clear and candid as a mack truck.

0:25:40.280 --> 0:25:42.439
<v Speaker 1>It never occurred to anybody the whole side of her

0:25:42.560 --> 0:25:46.280
<v Speaker 1>was hidden except for Kessy. As I say, sometimes Kessy

0:25:46.359 --> 0:25:48.480
<v Speaker 1>and mount and Girl would disappear into the backhouse and

0:25:48.560 --> 0:25:51.720
<v Speaker 1>lion mattresses and just talk Kesy rapping on about how

0:25:51.760 --> 0:25:54.680
<v Speaker 1>he felt about all sorts of things like fate. Nobody

0:25:54.720 --> 0:25:57.000
<v Speaker 1>was closer to Kessys, Amount and Girl, not even Faye

0:25:57.119 --> 0:25:59.800
<v Speaker 1>off and seeing but there it was Kesey. Kesey was

0:26:00.040 --> 0:26:02.959
<v Speaker 1>essential to Mount and Girl's whole life with the pranksters.

0:26:03.440 --> 0:26:06.800
<v Speaker 1>Did you get that right part of it from you? Yeah,

0:26:06.960 --> 0:26:09.400
<v Speaker 1>I would say it was pretty right. I was interested

0:26:09.440 --> 0:26:11.879
<v Speaker 1>in Ken. You know, he was a writer. I wanted

0:26:11.920 --> 0:26:14.359
<v Speaker 1>to be a writer. You know. I kept finding his

0:26:14.480 --> 0:26:17.439
<v Speaker 1>notes scattered around on the floor and stuff like that.

0:26:17.600 --> 0:26:19.359
<v Speaker 1>And I would find this stuff and look at it,

0:26:19.400 --> 0:26:21.600
<v Speaker 1>you know, his notes to self. You know, he he

0:26:21.680 --> 0:26:25.040
<v Speaker 1>kept a lot of records of what his thoughts were.

0:26:25.080 --> 0:26:27.359
<v Speaker 1>He would just right, he would just kept his hand

0:26:27.400 --> 0:26:30.840
<v Speaker 1>moving a lot. And I realized pretty soon that that

0:26:30.920 --> 0:26:33.160
<v Speaker 1>was the key to being a writer, was you write

0:26:33.160 --> 0:26:37.119
<v Speaker 1>shipped down right, You keep keep notes, you constantly be

0:26:38.040 --> 0:26:42.320
<v Speaker 1>leaving the trail for yourself. Because nobody can remember that

0:26:42.440 --> 0:26:44.919
<v Speaker 1>great thought that you had five minutes ago. You have

0:26:45.080 --> 0:26:48.040
<v Speaker 1>to write it down, you know it really do. And

0:26:48.119 --> 0:26:51.160
<v Speaker 1>so I I think I picked up something from him.

0:26:51.160 --> 0:26:53.640
<v Speaker 1>But I was really interested in this process. I didn't

0:26:53.640 --> 0:26:56.400
<v Speaker 1>really get to see him right very much. He would

0:26:56.480 --> 0:26:58.960
<v Speaker 1>write at four in the morning, you know, on his

0:26:59.000 --> 0:27:02.679
<v Speaker 1>little typewriter, So I didn't really engage with him on

0:27:02.720 --> 0:27:06.520
<v Speaker 1>that level. But by that time I had become friends

0:27:06.560 --> 0:27:09.600
<v Speaker 1>with the keysies and baby sat for them a little

0:27:09.600 --> 0:27:13.679
<v Speaker 1>bit and generally tried to make myself useful because I

0:27:13.680 --> 0:27:16.959
<v Speaker 1>thought this was the most interesting couple I had ever met.

0:27:17.320 --> 0:27:19.560
<v Speaker 1>And so did you and Fain not have to deal

0:27:19.600 --> 0:27:22.720
<v Speaker 1>with significant issues of jealousy or stuff like that when

0:27:22.960 --> 0:27:26.359
<v Speaker 1>you know, you get pregnant with her, you know, her husband.

0:27:26.400 --> 0:27:29.880
<v Speaker 1>I mean, I was understand you stayed friends for decades thereafter,

0:27:30.040 --> 0:27:33.119
<v Speaker 1>so obviously you made things work. But what was that

0:27:33.240 --> 0:27:35.720
<v Speaker 1>like at that point? Well, it was uncomfortable for both

0:27:35.720 --> 0:27:38.919
<v Speaker 1>of us. But but if these things happen and you

0:27:38.960 --> 0:27:42.399
<v Speaker 1>don't really mean for them to happen, however, that the

0:27:42.480 --> 0:27:46.199
<v Speaker 1>results were good, so that complaints. You know, I have

0:27:46.240 --> 0:27:49.679
<v Speaker 1>a beautiful daughter named Sunshine who is now in her fifties.

0:27:49.720 --> 0:27:52.159
<v Speaker 1>For crying out loud, So the water onto the bridge

0:27:52.200 --> 0:27:55.760
<v Speaker 1>has flowed into the ocean long ago, and Face is

0:27:56.520 --> 0:27:59.879
<v Speaker 1>close by here in Eugene and loves to see in

0:28:00.040 --> 0:28:03.520
<v Speaker 1>our grandkids and the family and stuff. So we're you know,

0:28:03.600 --> 0:28:07.320
<v Speaker 1>we still see each other occasionally, but it's just you know,

0:28:07.359 --> 0:28:11.399
<v Speaker 1>we're we're getting old, you know what I'm saying. We'll

0:28:11.440 --> 0:28:13.000
<v Speaker 1>get that. We'll get to that at the end of

0:28:13.040 --> 0:28:15.679
<v Speaker 1>this At this conversation, tell tell us a little bit

0:28:15.680 --> 0:28:19.240
<v Speaker 1>about the acid tests. I mean, these become famous gatherings,

0:28:19.280 --> 0:28:22.399
<v Speaker 1>and then there's the big Trips festival, and it seems

0:28:22.400 --> 0:28:25.000
<v Speaker 1>like a lot of the creative juices that can KISSI

0:28:25.080 --> 0:28:27.280
<v Speaker 1>and the pranksters are doing at that point involves putting

0:28:27.320 --> 0:28:29.800
<v Speaker 1>on these festivals, and you're integral to these things. So

0:28:30.040 --> 0:28:33.000
<v Speaker 1>what was the thinking behind that. Was it about introducing

0:28:33.000 --> 0:28:36.520
<v Speaker 1>the broader San Francisco or Caligarnian communities to to LSD.

0:28:37.280 --> 0:28:39.840
<v Speaker 1>I think that's actually you're quite accurate there. That was

0:28:39.920 --> 0:28:43.080
<v Speaker 1>the point. The point was to get more people who

0:28:43.160 --> 0:28:46.400
<v Speaker 1>were smart enough to have read about it an opportunity

0:28:46.480 --> 0:28:49.480
<v Speaker 1>to try it in a in a situation where there

0:28:49.520 --> 0:28:51.920
<v Speaker 1>were other people around. I think one of the worst

0:28:51.920 --> 0:28:56.400
<v Speaker 1>things people can do is take psychedelics by themselves if

0:28:56.400 --> 0:28:59.440
<v Speaker 1>they've never had any before. This is not something you

0:28:59.440 --> 0:29:01.680
<v Speaker 1>want to mess around with fires. You want to be

0:29:01.840 --> 0:29:05.320
<v Speaker 1>with experienced people who can can walk you through some

0:29:05.360 --> 0:29:09.360
<v Speaker 1>of the tricky parts of exploring your your other brain.

0:29:09.480 --> 0:29:11.720
<v Speaker 1>You know that other brain you got that you don't use.

0:29:12.120 --> 0:29:14.760
<v Speaker 1>I feel like he he already understood all that stuff.

0:29:14.800 --> 0:29:20.040
<v Speaker 1>Ken already understood the mechanics of getting high and what

0:29:20.120 --> 0:29:22.000
<v Speaker 1>was going to happen to people, and he could lay

0:29:22.040 --> 0:29:24.360
<v Speaker 1>it out for you in a good way and keep

0:29:24.400 --> 0:29:27.000
<v Speaker 1>you out of the dark places. He was very good

0:29:27.000 --> 0:29:29.800
<v Speaker 1>at that. And that meant music, that meant you know,

0:29:29.960 --> 0:29:34.560
<v Speaker 1>friendly banter, that meant reading comic books, you know, various

0:29:34.560 --> 0:29:38.080
<v Speaker 1>things that would propel the lighter side of life rather

0:29:38.120 --> 0:29:41.840
<v Speaker 1>than the darker side. And that was a prankster ethic,

0:29:42.080 --> 0:29:46.360
<v Speaker 1>and that was something that he taught and encouraged and

0:29:46.560 --> 0:29:50.120
<v Speaker 1>kept it going, you know. That was his His ethic was, Yes,

0:29:50.200 --> 0:29:53.880
<v Speaker 1>it's important information, but we want it to be at

0:29:53.960 --> 0:29:58.000
<v Speaker 1>least moderately entertaining, you know, so that at the same time, right,

0:29:58.120 --> 0:30:02.040
<v Speaker 1>the prankster model was ever trust to prankster. Yeah, that

0:30:02.160 --> 0:30:05.880
<v Speaker 1>was his thing. I never quite got that because I wasstworthy.

0:30:05.960 --> 0:30:08.440
<v Speaker 1>Yeah that was Yeah. I didn't invent that one. I

0:30:08.480 --> 0:30:10.120
<v Speaker 1>don't know where they got off with. I think it

0:30:10.240 --> 0:30:14.680
<v Speaker 1>was part of the the jokes on you concept that

0:30:14.840 --> 0:30:18.600
<v Speaker 1>Ken liked. You know, he was an amateur magician among

0:30:18.680 --> 0:30:20.880
<v Speaker 1>other things, and could do sleight of hands and he

0:30:20.920 --> 0:30:23.560
<v Speaker 1>has a very interesting skills that he had worked on

0:30:24.200 --> 0:30:27.360
<v Speaker 1>since his youth, and a lot of it had to

0:30:27.400 --> 0:30:32.280
<v Speaker 1>do with with tricking people and so LSD was tricky too,

0:30:32.320 --> 0:30:34.120
<v Speaker 1>and I think one of the reasons he liked it

0:30:34.200 --> 0:30:37.800
<v Speaker 1>so much was that it had that prankster equality to it,

0:30:37.840 --> 0:30:40.400
<v Speaker 1>you know, where you get kind of silly and funny

0:30:40.560 --> 0:30:43.800
<v Speaker 1>and get outside yourself of your day to day self.

0:30:43.800 --> 0:30:46.880
<v Speaker 1>You come outside of yourself and play. So in order

0:30:46.960 --> 0:30:50.200
<v Speaker 1>to rediscover play, you know, that was something he really

0:30:50.240 --> 0:30:53.240
<v Speaker 1>liked to do. And the Ascetists were basically these multi

0:30:53.280 --> 0:30:56.440
<v Speaker 1>media events. Then it was sound and poetry and reading

0:30:56.600 --> 0:30:59.200
<v Speaker 1>and everything whatever it is. It was whatever it is

0:30:59.240 --> 0:31:02.480
<v Speaker 1>we could pull together. And what was it called acid tests?

0:31:02.600 --> 0:31:05.720
<v Speaker 1>That was Ken's idea. That was an old term, you know,

0:31:05.760 --> 0:31:08.240
<v Speaker 1>it was an old farmers term. I'm not sure it

0:31:08.280 --> 0:31:11.200
<v Speaker 1>had to do with charging batteries or something like that,

0:31:11.200 --> 0:31:13.400
<v Speaker 1>that you would have to put acid in the old

0:31:13.440 --> 0:31:15.760
<v Speaker 1>tractor battery and you have to test the test the

0:31:16.000 --> 0:31:18.400
<v Speaker 1>I don't know, I don't know where that came from,

0:31:18.440 --> 0:31:21.320
<v Speaker 1>but anyway, that's what got used. And we called them

0:31:21.360 --> 0:31:23.400
<v Speaker 1>acid tests, which I thought was pretty out there, but

0:31:23.480 --> 0:31:27.280
<v Speaker 1>it worked and people came and people drank the kool aid,

0:31:27.360 --> 0:31:30.000
<v Speaker 1>and we didn't put very much in at first, you know,

0:31:30.080 --> 0:31:33.080
<v Speaker 1>it just was. It wasn't till later that that other

0:31:33.160 --> 0:31:37.080
<v Speaker 1>helpers showed up and clandestinely would add more to the

0:31:37.200 --> 0:31:39.640
<v Speaker 1>kool aid, which was not fair of them, but that

0:31:39.680 --> 0:31:44.120
<v Speaker 1>did happen. Um. So the first couple were very mild

0:31:44.200 --> 0:31:48.000
<v Speaker 1>in nature. They were easily done. People had a good time.

0:31:48.480 --> 0:31:51.880
<v Speaker 1>That music was played. We had a couple of different

0:31:51.880 --> 0:31:57.200
<v Speaker 1>bands that played. Uh there was Mother mccree's Uptown Jug Champions,

0:31:57.320 --> 0:32:00.040
<v Speaker 1>which was the early Grateful Dead before they were a

0:32:00.120 --> 0:32:03.400
<v Speaker 1>Great Dead. And then there was a couple of skiffle

0:32:03.480 --> 0:32:08.440
<v Speaker 1>bands and uh proto bands that became became better known later.

0:32:09.040 --> 0:32:13.040
<v Speaker 1>But these were nice parties, you know, where we looked

0:32:13.080 --> 0:32:15.520
<v Speaker 1>after people. We made sure people didn't get lost on

0:32:15.560 --> 0:32:17.760
<v Speaker 1>the way to the parking lot. You know, it was

0:32:17.840 --> 0:32:20.720
<v Speaker 1>a little bit of hand holding from the folks that

0:32:20.800 --> 0:32:24.600
<v Speaker 1>were doing the parties. And um, the whole point was

0:32:24.680 --> 0:32:28.560
<v Speaker 1>to introduce people to a rather weak solution of LSD

0:32:28.640 --> 0:32:31.520
<v Speaker 1>in these jugs of kool a and so they wouldn't

0:32:31.560 --> 0:32:34.480
<v Speaker 1>get they wouldn't get overloaded. But that turned out to

0:32:34.520 --> 0:32:38.280
<v Speaker 1>be super fun. You know, that was just very lively

0:32:38.440 --> 0:32:42.240
<v Speaker 1>fun and we realized, oh, this is gonna work now.

0:32:42.320 --> 0:32:45.520
<v Speaker 1>One thing that Kissy and that you've shared in common

0:32:46.040 --> 0:32:48.640
<v Speaker 1>was the fact of the illegality. I mean, some of

0:32:48.680 --> 0:32:51.720
<v Speaker 1>this LSD was in yet illegal, but marijuana was illegal

0:32:51.760 --> 0:32:55.360
<v Speaker 1>and sometimes punishable by quite serious things, seriously, and he

0:32:55.440 --> 0:32:58.600
<v Speaker 1>gets busted twice and I think you're there for one

0:32:58.640 --> 0:33:01.920
<v Speaker 1>of them offered take the fall for the thing. So

0:33:02.400 --> 0:33:05.640
<v Speaker 1>was it like dealing with the cops in the mid sixties, Well,

0:33:05.680 --> 0:33:09.520
<v Speaker 1>they were. They really had a wonderful time chasing us around.

0:33:09.640 --> 0:33:12.360
<v Speaker 1>I mean they they worked at it, and they had

0:33:12.400 --> 0:33:16.080
<v Speaker 1>an informant on the ground there too that we didn't

0:33:16.080 --> 0:33:19.680
<v Speaker 1>know about until later. So we we were being very,

0:33:19.840 --> 0:33:22.840
<v Speaker 1>very cautious because we had gotten the message from the

0:33:22.840 --> 0:33:26.640
<v Speaker 1>Cosmos that this was happening, that we were being investigated,

0:33:26.960 --> 0:33:30.840
<v Speaker 1>and so we hid absolutely everything and you got it

0:33:30.920 --> 0:33:35.680
<v Speaker 1>off the property before the cops came. But somehow one

0:33:35.800 --> 0:33:40.480
<v Speaker 1>little stash au got found that nobody knew about, and

0:33:40.720 --> 0:33:43.120
<v Speaker 1>it was some suspicion that it had been planted, but

0:33:43.160 --> 0:33:47.280
<v Speaker 1>we couldn't prove anything. So they marched us all off

0:33:47.440 --> 0:33:50.040
<v Speaker 1>to the San Mateo County jail for a little visit,

0:33:50.600 --> 0:33:55.520
<v Speaker 1>but it didn't really amount too much. Ken obviously took

0:33:55.560 --> 0:33:58.479
<v Speaker 1>the hit because he was the one that got fined.

0:33:58.880 --> 0:34:01.600
<v Speaker 1>You know, every time he would get some whopping fine

0:34:01.920 --> 0:34:04.840
<v Speaker 1>that he'd have to pay, and it really impoverished the

0:34:04.920 --> 0:34:08.480
<v Speaker 1>Keisies because they had to pay for our fun and

0:34:08.480 --> 0:34:12.399
<v Speaker 1>it wasn't fair. Just you know, they were the they

0:34:12.440 --> 0:34:14.920
<v Speaker 1>owned the property, and it was it was just the

0:34:14.960 --> 0:34:17.920
<v Speaker 1>way things were. And the cops used to park an

0:34:17.920 --> 0:34:21.000
<v Speaker 1>empty cop car out front, you know, on the weekends,

0:34:21.360 --> 0:34:24.000
<v Speaker 1>just to give us something to worry about. So it

0:34:24.120 --> 0:34:26.719
<v Speaker 1>was it was uncomfortable. We all wanted to get out

0:34:26.719 --> 0:34:30.480
<v Speaker 1>of the discomfort zone. And uh that was part of

0:34:30.480 --> 0:34:34.279
<v Speaker 1>the reason that the bus left and why Ken had

0:34:34.280 --> 0:34:37.600
<v Speaker 1>to leave that property because the San Mateo County sheriffs

0:34:37.600 --> 0:34:40.920
<v Speaker 1>were hot for him. They wanted to arrest him, and

0:34:40.960 --> 0:34:43.200
<v Speaker 1>he lands up spending some time in jail, right, Yeah,

0:34:43.239 --> 0:34:46.080
<v Speaker 1>he did. He did some months. Uh, I think he

0:34:46.160 --> 0:34:51.560
<v Speaker 1>did about seven months, and fleeing in Mexico for a while. Yeah,

0:34:52.400 --> 0:34:54.839
<v Speaker 1>and the bus and all this thing, this one out

0:34:54.880 --> 0:34:57.200
<v Speaker 1>to New York but to Line or something, and yeah,

0:34:57.560 --> 0:34:59.680
<v Speaker 1>we went down to actually all the way down to

0:35:00.040 --> 0:35:02.120
<v Speaker 1>us at Line and then we decided that wasn't far

0:35:02.239 --> 0:35:05.600
<v Speaker 1>enough away and we went on to Manzanillo, which is

0:35:05.800 --> 0:35:08.000
<v Speaker 1>less of a tourist town at that time and moreover

0:35:08.200 --> 0:35:11.520
<v Speaker 1>just a residential fishing town, and we found a little

0:35:11.520 --> 0:35:14.440
<v Speaker 1>place to live on the beach there and with not

0:35:14.600 --> 0:35:18.560
<v Speaker 1>quite finished house that we rented, and for six months,

0:35:18.640 --> 0:35:23.000
<v Speaker 1>a whole bunch of us lived there and uh, just

0:35:23.200 --> 0:35:29.200
<v Speaker 1>definitely evaded anymore interactions with the police. But at the

0:35:29.239 --> 0:35:31.920
<v Speaker 1>same time, I'm sure we were being watched pretty closely

0:35:31.960 --> 0:35:35.719
<v Speaker 1>by the locals, and we had a nice vacation on

0:35:35.800 --> 0:35:38.720
<v Speaker 1>the beach. I loved it there. It was so nice,

0:35:39.360 --> 0:35:42.080
<v Speaker 1>and the Mexicans were just great with us. They thought

0:35:42.080 --> 0:35:44.840
<v Speaker 1>we were cool. They knew we were cool in fact,

0:35:45.080 --> 0:35:48.480
<v Speaker 1>and so they treated us really well. They liked us,

0:35:48.600 --> 0:35:50.920
<v Speaker 1>so you know when you come back. I mean, so

0:35:51.000 --> 0:35:54.000
<v Speaker 1>we're getting into sixty seven or someple And then there's

0:35:54.040 --> 0:35:55.680
<v Speaker 1>two ways we could take this. I mean, one is

0:35:55.680 --> 0:35:58.319
<v Speaker 1>obviously the hippie scene. I mean, the way in which

0:35:58.360 --> 0:36:01.160
<v Speaker 1>the pranksters are described as the link between the Beats

0:36:01.640 --> 0:36:04.320
<v Speaker 1>and the hippies. As you get the Summer of Love,

0:36:04.440 --> 0:36:07.600
<v Speaker 1>you get hate Ashbury, you get that stuff. Becoming this

0:36:07.719 --> 0:36:11.239
<v Speaker 1>incredibly dynamic cultural cultural countercultural community I think is kind

0:36:11.239 --> 0:36:13.560
<v Speaker 1>of out of hand in a way. And then the

0:36:13.600 --> 0:36:16.200
<v Speaker 1>other part, which I think I'm more interested in pursuing

0:36:16.280 --> 0:36:19.520
<v Speaker 1>you right here, is about the Grateful Dead. And you know,

0:36:19.640 --> 0:36:23.480
<v Speaker 1>here's these young musicians, Jerry Garcia and a band called

0:36:23.480 --> 0:36:26.360
<v Speaker 1>the Warlocks at that time. And I think, you know,

0:36:26.440 --> 0:36:30.160
<v Speaker 1>hanging out with the pranksters, and you fall in and

0:36:30.239 --> 0:36:33.360
<v Speaker 1>connect with Jerry Garcia. And at this point, well, you

0:36:33.400 --> 0:36:36.239
<v Speaker 1>have a young baby, you're only what twenty one or so. Yeah,

0:36:36.360 --> 0:36:38.840
<v Speaker 1>let's let's start back at the beginning of that thought.

0:36:38.920 --> 0:36:43.440
<v Speaker 1>So Keisy invited this rock band that he'd heard about

0:36:43.960 --> 0:36:46.560
<v Speaker 1>to come down and play at one of his last

0:36:46.719 --> 0:36:49.920
<v Speaker 1>parties there at La Honda. And so these guys come

0:36:49.960 --> 0:36:52.239
<v Speaker 1>in and it's it's the band. It's the band that

0:36:52.320 --> 0:36:55.440
<v Speaker 1>we now know and love. It's it's Jerry and Phil

0:36:55.560 --> 0:36:59.280
<v Speaker 1>and Bob and pig Pen. And we're looking at these guys.

0:36:59.400 --> 0:37:02.160
<v Speaker 1>I've never seen them before, and uh, I'm looking at

0:37:02.160 --> 0:37:05.000
<v Speaker 1>these guys and I thought, Wow, what a scurling, scurvy

0:37:05.080 --> 0:37:07.480
<v Speaker 1>bunch of rats. You know, they just they just look

0:37:07.560 --> 0:37:10.400
<v Speaker 1>like But they played great. So they lined up in

0:37:10.480 --> 0:37:14.120
<v Speaker 1>Ken's living room and you know, without any p A

0:37:14.360 --> 0:37:15.880
<v Speaker 1>or any of that kind of stuff. We did have

0:37:15.920 --> 0:37:19.759
<v Speaker 1>a couple of little microphones that kind of worked. But

0:37:19.880 --> 0:37:22.960
<v Speaker 1>they played for hours and had a wonderful time they

0:37:23.160 --> 0:37:27.919
<v Speaker 1>partook of the tea, the special tea being being served there,

0:37:28.440 --> 0:37:31.040
<v Speaker 1>and they had, as it turned out, they had all

0:37:31.200 --> 0:37:35.719
<v Speaker 1>fiddled around with LSD already in Palo Alto, and uh,

0:37:35.800 --> 0:37:40.120
<v Speaker 1>we're knew what they were doing, and we're very solid customers,

0:37:40.160 --> 0:37:43.680
<v Speaker 1>we thought, very solid, very likable. And so when when

0:37:43.760 --> 0:37:47.360
<v Speaker 1>Ken came up with the brilliant idea of doing acid tests,

0:37:47.440 --> 0:37:49.880
<v Speaker 1>which we all giggled at, they were the ones we

0:37:49.960 --> 0:37:54.480
<v Speaker 1>called and and they said, sure, we'll play. I don't

0:37:54.480 --> 0:37:56.400
<v Speaker 1>think we even had to pay them very much. They

0:37:56.440 --> 0:37:59.480
<v Speaker 1>just wanted to play. Is he conceivable to you that

0:37:59.560 --> 0:38:02.480
<v Speaker 1>they could have become who they were if they had

0:38:02.520 --> 0:38:06.880
<v Speaker 1>never encountered the pranksters? No, I don't think they would have.

0:38:07.040 --> 0:38:08.479
<v Speaker 1>I don't think they would have. I think they would

0:38:08.480 --> 0:38:11.959
<v Speaker 1>have gone their own ways. This cemented them. This brought

0:38:12.040 --> 0:38:16.120
<v Speaker 1>everybody together in that very personal high way you know,

0:38:16.200 --> 0:38:19.560
<v Speaker 1>where you're You're connecting with your brothers and sisters in

0:38:19.560 --> 0:38:23.120
<v Speaker 1>this mental realm of LSD in a whole new way.

0:38:23.600 --> 0:38:28.040
<v Speaker 1>It makes things weld, even meld and then weld together.

0:38:28.160 --> 0:38:31.880
<v Speaker 1>And I think that welded the grateful dead um and

0:38:32.040 --> 0:38:34.600
<v Speaker 1>made them much more of who they were. But you

0:38:34.600 --> 0:38:38.000
<v Speaker 1>gotta remember Bob Weir was like fourteen during all of this,

0:38:38.080 --> 0:38:41.680
<v Speaker 1>you know, he was fourteen or fifteen years old, and uh,

0:38:41.840 --> 0:38:45.319
<v Speaker 1>I remember going up to the Peninsula school where he

0:38:45.360 --> 0:38:47.759
<v Speaker 1>was in high school and picking him up for a

0:38:47.840 --> 0:38:50.680
<v Speaker 1>show one time. He was like, I think, fifteen years

0:38:50.719 --> 0:38:53.480
<v Speaker 1>old at the time, but he could play and sing

0:38:53.800 --> 0:38:59.840
<v Speaker 1>and he was good. So these were all developmental, developmental

0:39:00.080 --> 0:39:02.400
<v Speaker 1>steps that we were taking trying to get to the

0:39:02.400 --> 0:39:04.360
<v Speaker 1>point where we could do an asset test and have

0:39:04.440 --> 0:39:09.080
<v Speaker 1>it really be good and fun. So uh that they

0:39:09.080 --> 0:39:13.440
<v Speaker 1>were an essential piece of the action. We needed that music,

0:39:13.560 --> 0:39:16.839
<v Speaker 1>We needed the the pressure of the music to keep

0:39:16.840 --> 0:39:21.520
<v Speaker 1>people up and not wandering off, and that really really worked.

0:39:21.680 --> 0:39:25.760
<v Speaker 1>And they would play these sometimes very abbreviated sets, depending

0:39:25.760 --> 0:39:29.440
<v Speaker 1>on their level of inebriation, but usually it worked out

0:39:29.440 --> 0:39:32.560
<v Speaker 1>and they would play these long, rambling tunes and they

0:39:32.560 --> 0:39:35.120
<v Speaker 1>would just get longer and longer, like you know, violently

0:39:35.200 --> 0:39:37.680
<v Speaker 1>blues could go for half an hour and they'd get

0:39:37.760 --> 0:39:41.680
<v Speaker 1>so spaced out. But we loved them. They were wonderful.

0:39:41.840 --> 0:39:45.760
<v Speaker 1>They were so game, they were ready for whatever we disstout.

0:39:45.920 --> 0:39:48.560
<v Speaker 1>They seemed to be able to absorb and work with,

0:39:48.760 --> 0:39:51.520
<v Speaker 1>which was impressive, really it took them a little while

0:39:51.520 --> 0:39:54.080
<v Speaker 1>to trust each other enough that they could just that

0:39:54.160 --> 0:39:57.440
<v Speaker 1>they could just zoom out to the outer universe that

0:39:57.520 --> 0:40:00.440
<v Speaker 1>way and and stay there for a while with each other,

0:40:00.480 --> 0:40:03.000
<v Speaker 1>and it didn't seem to hurt the show at all.

0:40:03.040 --> 0:40:06.000
<v Speaker 1>In fact, the audience loved it. So, you know, they

0:40:06.040 --> 0:40:10.440
<v Speaker 1>got good feedback from taking those excursions, taking stuff outside

0:40:10.480 --> 0:40:13.480
<v Speaker 1>the menu of songs that they had laid out for themselves.

0:40:13.480 --> 0:40:15.400
<v Speaker 1>Because they always worked with a set list. You know,

0:40:15.440 --> 0:40:17.440
<v Speaker 1>they'd write the set list and they take it to

0:40:17.480 --> 0:40:20.719
<v Speaker 1>the mics, and everybody knew what changes they had to

0:40:20.760 --> 0:40:24.080
<v Speaker 1>do to get into the next two. But sometimes, you know,

0:40:24.200 --> 0:40:28.200
<v Speaker 1>once they had given themselves permission to extemporize, they would

0:40:28.280 --> 0:40:32.840
<v Speaker 1>just riff and wander out into outer space, which was

0:40:33.000 --> 0:40:38.120
<v Speaker 1>heavenly God. They got great. They got huge applause for this.

0:40:38.280 --> 0:40:41.160
<v Speaker 1>You know, this is the stuff that people really really

0:40:41.200 --> 0:40:43.600
<v Speaker 1>wanted to do. They wanted to let go of the

0:40:43.680 --> 0:40:48.160
<v Speaker 1>format and just wander in space with music. It was delicious.

0:40:48.440 --> 0:40:51.400
<v Speaker 1>I read this question is no one ever came close

0:40:51.480 --> 0:40:56.359
<v Speaker 1>to Jerry Garcia in terms of manifesting the LSD experience. Well,

0:40:56.400 --> 0:40:59.399
<v Speaker 1>I think that's a nice quote. Whether that's true or not.

0:40:59.560 --> 0:41:02.480
<v Speaker 1>I don't know that was in that person's experience probably,

0:41:03.000 --> 0:41:08.000
<v Speaker 1>but Jerry took LSD often without realizing it when he

0:41:08.040 --> 0:41:12.600
<v Speaker 1>got dosed, often at shows and stuff like that, so

0:41:12.719 --> 0:41:17.320
<v Speaker 1>he he really probably had more of than he wanted often,

0:41:17.920 --> 0:41:21.120
<v Speaker 1>But he managed to perform through that because there was

0:41:21.160 --> 0:41:23.640
<v Speaker 1>a lot of this going on in those days. Or

0:41:23.680 --> 0:41:25.680
<v Speaker 1>somebody would hand you something it and say, you know,

0:41:25.840 --> 0:41:28.640
<v Speaker 1>try this, and I'm like, what, Well, what is it?

0:41:28.760 --> 0:41:31.040
<v Speaker 1>After you've tried it, then you ask what it is.

0:41:31.520 --> 0:41:35.280
<v Speaker 1>But anyway, he seemed to be able to still find

0:41:35.480 --> 0:41:39.600
<v Speaker 1>the right finger positions to play the music, although he

0:41:39.640 --> 0:41:42.840
<v Speaker 1>said sometimes it was really really hard, especially if he

0:41:42.880 --> 0:41:45.799
<v Speaker 1>couldn't see the neck of his guitar because it was

0:41:45.840 --> 0:41:49.680
<v Speaker 1>too dark and he was too high, he would have trouble.

0:41:49.840 --> 0:41:52.800
<v Speaker 1>But mostly his ear was so good that he could

0:41:52.880 --> 0:41:55.719
<v Speaker 1>he could keep going through all that, and he would

0:41:55.760 --> 0:41:58.720
<v Speaker 1>just play until his hands just swelled up like crazy.

0:41:58.719 --> 0:42:01.960
<v Speaker 1>He would play for hour when he was high, and

0:42:02.160 --> 0:42:04.400
<v Speaker 1>the band would just keep going and keep going and

0:42:04.480 --> 0:42:07.160
<v Speaker 1>keep going. And there's the other band members were presumably

0:42:07.239 --> 0:42:10.480
<v Speaker 1>sometimes high as well. Oh yeah, definitely, what goes around

0:42:10.560 --> 0:42:13.680
<v Speaker 1>comes around, as they say, So I know that Bill

0:42:13.760 --> 0:42:16.440
<v Speaker 1>the drummer used to just get completely wiped out. He

0:42:16.440 --> 0:42:19.319
<v Speaker 1>would be he would be a basket case, play for

0:42:19.360 --> 0:42:21.920
<v Speaker 1>four hours straight without a break. You know they would

0:42:21.920 --> 0:42:25.440
<v Speaker 1>do that. They were our heroes, you know. They made

0:42:26.160 --> 0:42:29.640
<v Speaker 1>they made the foundation hold together for the asset tests

0:42:29.719 --> 0:42:34.400
<v Speaker 1>like nobody else could. Let's take a break here and

0:42:34.440 --> 0:42:51.240
<v Speaker 1>go to an ad. Okay, so here you are, your

0:42:52.239 --> 0:42:55.759
<v Speaker 1>with a young baby, UM with kN Casey, and you

0:42:55.880 --> 0:43:00.279
<v Speaker 1>and Jerry fall in love and stay together for six

0:43:00.400 --> 0:43:02.759
<v Speaker 1>or seven years or something like that and have a

0:43:02.800 --> 0:43:06.120
<v Speaker 1>couple of kids. Yeah, what can you share about because

0:43:06.360 --> 0:43:08.080
<v Speaker 1>it doesn't come up as much in the interview. You're

0:43:08.080 --> 0:43:13.520
<v Speaker 1>talking about you you guys falling in love? Oh about that?

0:43:13.840 --> 0:43:17.600
<v Speaker 1>So when we came back from Mexico, UM, I didn't

0:43:17.640 --> 0:43:19.560
<v Speaker 1>have any place to go except to move in with

0:43:19.600 --> 0:43:23.160
<v Speaker 1>my brother Gordon, who was living in an apartment in

0:43:23.200 --> 0:43:26.200
<v Speaker 1>San Francisco. I didn't have any options. Really, I with

0:43:26.320 --> 0:43:28.200
<v Speaker 1>a baby. There was no way I was going back

0:43:28.239 --> 0:43:31.040
<v Speaker 1>down into the woods at Ken's. I couldn't do that.

0:43:31.239 --> 0:43:34.760
<v Speaker 1>It wasn't practical. It's too hard to find services and stuff.

0:43:35.160 --> 0:43:37.279
<v Speaker 1>So my brother said, well, you can stay with me,

0:43:38.080 --> 0:43:41.560
<v Speaker 1>and so that worked out, but it also made me

0:43:41.600 --> 0:43:45.440
<v Speaker 1>available to go over and visit at Grateful Dead house

0:43:45.480 --> 0:43:49.399
<v Speaker 1>on Ashbury Street, which I promptly did. We were very

0:43:49.440 --> 0:43:52.400
<v Speaker 1>familiar with each other. Really, I love the band. I

0:43:52.440 --> 0:43:55.320
<v Speaker 1>love those guys so much. They were such cool people.

0:43:55.920 --> 0:43:58.239
<v Speaker 1>So I trotted right on over to their house at

0:43:58.280 --> 0:44:04.400
<v Speaker 1>seven ten Ashbury Street and made myself known, and and

0:44:04.400 --> 0:44:08.600
<v Speaker 1>and Jerry just latched on and and was driving me

0:44:08.640 --> 0:44:11.880
<v Speaker 1>all around town with a couple of his friends. Within

0:44:11.920 --> 0:44:15.560
<v Speaker 1>a couple of weeks, we were exploring the possibilities of

0:44:15.600 --> 0:44:19.280
<v Speaker 1>being a couple. And uh, within a couple of months

0:44:19.480 --> 0:44:21.319
<v Speaker 1>he asked me to come and move in with him

0:44:21.360 --> 0:44:25.120
<v Speaker 1>over at and I did, and then realized that a

0:44:25.160 --> 0:44:31.000
<v Speaker 1>lot of that had to do with cooking dinner. They

0:44:31.040 --> 0:44:34.520
<v Speaker 1>needed more people to to to feed them. And that

0:44:34.640 --> 0:44:39.680
<v Speaker 1>was fun. But he's essentially your first long term boyfriend. Absolutely. Yeah.

0:44:39.960 --> 0:44:42.520
<v Speaker 1>I was too weird for most people. You know. I

0:44:42.640 --> 0:44:46.879
<v Speaker 1>was just too smart, too crazy. I had a kid,

0:44:47.080 --> 0:44:48.400
<v Speaker 1>I mean, I had a lot of I had a

0:44:48.400 --> 0:44:50.680
<v Speaker 1>lot of strikes against me as far as being a

0:44:50.760 --> 0:44:55.360
<v Speaker 1>domestic partner. But once I had Sunshine, I had to

0:44:55.520 --> 0:44:57.880
<v Speaker 1>sort of like change my wild ways and let go

0:44:57.920 --> 0:45:01.640
<v Speaker 1>of my motorcycle and you know, become a mom and

0:45:02.040 --> 0:45:04.880
<v Speaker 1>he was comfortable with that, which was really sweet, and

0:45:04.920 --> 0:45:07.440
<v Speaker 1>he took us in and we had a great time together.

0:45:07.480 --> 0:45:10.279
<v Speaker 1>We really really did. And it was to him it

0:45:10.400 --> 0:45:13.919
<v Speaker 1>was I guess important. And he becomes more the dead

0:45:14.040 --> 0:45:17.879
<v Speaker 1>to your daughter's sunshine than even Ken is, oh much more. Yeah,

0:45:17.920 --> 0:45:21.040
<v Speaker 1>because he was hands on, because we lived together and

0:45:21.160 --> 0:45:24.359
<v Speaker 1>ken Ken was living elsewhere by that time. He had

0:45:24.360 --> 0:45:26.920
<v Speaker 1>to get out of California and he moves back up

0:45:26.920 --> 0:45:29.759
<v Speaker 1>to Oregon eventually. Yeah, he had to get out of

0:45:29.760 --> 0:45:33.759
<v Speaker 1>California because the cops were mad at him for ever

0:45:33.920 --> 0:45:36.520
<v Speaker 1>more things. So I'm sort of like, you know, prepping

0:45:36.600 --> 0:45:38.759
<v Speaker 1>for this, and I'm thinking, you know, there's a few

0:45:38.800 --> 0:45:41.920
<v Speaker 1>things that Ken Kesey and Jerry Garcia had in common

0:45:41.960 --> 0:45:45.000
<v Speaker 1>apart from the commitment to LSD, But they were also

0:45:45.440 --> 0:45:49.640
<v Speaker 1>obviously creative geniuses, each in their own way. But beyond that,

0:45:49.719 --> 0:45:53.480
<v Speaker 1>and maybe more uniquely, they were both leaders and teachers

0:45:53.600 --> 0:45:57.640
<v Speaker 1>who had a commitment to not being perceived as the

0:45:57.760 --> 0:46:01.279
<v Speaker 1>leader and others who were kind of anti Even as

0:46:01.320 --> 0:46:04.200
<v Speaker 1>you had to have some hierarchy to function, they saw

0:46:04.239 --> 0:46:07.920
<v Speaker 1>themselves as being anti hierarchical, and I think Kessy called

0:46:07.960 --> 0:46:13.200
<v Speaker 1>himself the anti navigator and Garcia. He's obviously such a

0:46:13.239 --> 0:46:16.719
<v Speaker 1>teacher for his other bandmates, but there's an element in

0:46:16.719 --> 0:46:21.000
<v Speaker 1>which he doesn't want to assert that power or role

0:46:21.280 --> 0:46:24.960
<v Speaker 1>or doesn't want that focus on himself. And so what

0:46:25.000 --> 0:46:27.400
<v Speaker 1>they did was they assigned pig Pen the role of

0:46:27.560 --> 0:46:29.839
<v Speaker 1>the leader of the bands, which he didn't want that

0:46:29.960 --> 0:46:32.279
<v Speaker 1>role at all, so he was very grumpy about it.

0:46:32.719 --> 0:46:35.319
<v Speaker 1>But it was just a matter of being singled out

0:46:35.560 --> 0:46:38.400
<v Speaker 1>as the person who could talk really well, which Jerry could.

0:46:38.480 --> 0:46:41.760
<v Speaker 1>I mean, he always had something to say about anything,

0:46:42.400 --> 0:46:44.760
<v Speaker 1>and I think most of the rest of the band

0:46:44.760 --> 0:46:50.120
<v Speaker 1>members were a little bit less inclined to kick out statements,

0:46:50.200 --> 0:46:53.560
<v Speaker 1>you know, and kick out words. Jerry was was really

0:46:53.560 --> 0:46:56.239
<v Speaker 1>good at that. And because he played the guitar and

0:46:56.320 --> 0:46:58.840
<v Speaker 1>he did a lot of the singing, he was seen

0:46:58.880 --> 0:47:03.799
<v Speaker 1>as body who needed to be interviewed frequently. Oh, the

0:47:03.880 --> 0:47:06.319
<v Speaker 1>interviewers would just make a bee line for Cherry and

0:47:06.320 --> 0:47:08.319
<v Speaker 1>he'd have to say, I'll talk to you, but but

0:47:08.560 --> 0:47:10.840
<v Speaker 1>I don't have time for anybody else. And that was

0:47:10.920 --> 0:47:13.239
<v Speaker 1>all he could do, really, And how much are you

0:47:13.280 --> 0:47:15.120
<v Speaker 1>going out on the road with him? I mean, obviously

0:47:15.160 --> 0:47:16.759
<v Speaker 1>you're having a couple of kids with him, so you've

0:47:16.800 --> 0:47:20.560
<v Speaker 1>got three young girls. Eventually after a few years and

0:47:20.600 --> 0:47:24.200
<v Speaker 1>he's coming home periodically. But how much are you out

0:47:24.320 --> 0:47:26.840
<v Speaker 1>going to concerts on the road, whether without the kids

0:47:26.920 --> 0:47:29.719
<v Speaker 1>or well? I did. I did many times. I went

0:47:29.760 --> 0:47:32.160
<v Speaker 1>out lots of times until I kind of got tired

0:47:32.200 --> 0:47:34.440
<v Speaker 1>of it. It's a grind, let's face it, you know,

0:47:34.560 --> 0:47:39.319
<v Speaker 1>you it's motels, it's taxis, it's airplanes, and it's just like,

0:47:39.920 --> 0:47:43.080
<v Speaker 1>you know, if you're not the performer, if you're not

0:47:43.160 --> 0:47:46.680
<v Speaker 1>the performing person and don't have a role on stage,

0:47:47.160 --> 0:47:50.640
<v Speaker 1>it's difficult. It's difficult to go out on the road

0:47:51.239 --> 0:47:54.360
<v Speaker 1>if you don't have a job. Okay, so I didn't

0:47:54.400 --> 0:47:58.160
<v Speaker 1>have a job. I just didn't really like being out

0:47:58.160 --> 0:48:00.200
<v Speaker 1>there because I didn't have anything to do. I just

0:48:00.280 --> 0:48:02.319
<v Speaker 1>kind of they'd be doing a sound check and I'd

0:48:02.320 --> 0:48:06.600
<v Speaker 1>be wandering around, you know, banging into doors and stuff

0:48:06.680 --> 0:48:10.720
<v Speaker 1>with with no role. So that that wore me down

0:48:10.880 --> 0:48:15.760
<v Speaker 1>pretty quick. But I just think that they worked so hard,

0:48:16.640 --> 0:48:19.200
<v Speaker 1>and I can't really tell you how hard they worked,

0:48:19.200 --> 0:48:21.640
<v Speaker 1>but it was really hard to get their sound right,

0:48:22.080 --> 0:48:24.320
<v Speaker 1>to get their instruments working right. You know, all this

0:48:24.360 --> 0:48:27.960
<v Speaker 1>stuff was like crucial in that four or five hours

0:48:27.960 --> 0:48:30.440
<v Speaker 1>before a show, and you just didn't even want to

0:48:30.480 --> 0:48:34.040
<v Speaker 1>be around them during that period. You know, they were

0:48:34.520 --> 0:48:37.000
<v Speaker 1>focused on what they were going to do, so it

0:48:37.080 --> 0:48:41.000
<v Speaker 1>was difficult to just lounge around and watch them struggle

0:48:41.080 --> 0:48:43.960
<v Speaker 1>with all that stuff. So I didn't really like like

0:48:44.160 --> 0:48:47.600
<v Speaker 1>going out that much. And you'd have the girls with

0:48:47.640 --> 0:48:49.880
<v Speaker 1>you as well at a very young age. Yeah, I

0:48:49.920 --> 0:48:51.879
<v Speaker 1>tried not to do that. That was just too much

0:48:51.920 --> 0:48:55.160
<v Speaker 1>to deal with. You gotta remember, they were standing in

0:48:55.600 --> 0:48:59.359
<v Speaker 1>motels and funky hotels. You know. It took a long

0:48:59.440 --> 0:49:02.479
<v Speaker 1>time for them to reach an income level that would

0:49:02.560 --> 0:49:05.520
<v Speaker 1>yield a more comfortable trip, so it was pretty bare

0:49:05.560 --> 0:49:08.600
<v Speaker 1>bones that first ten years. Meanwhile, I just got to

0:49:08.600 --> 0:49:11.080
<v Speaker 1>ask you this, So back at home in Poughkeepsie, what

0:49:11.120 --> 0:49:13.600
<v Speaker 1>do your parents think about what you're up to this

0:49:13.600 --> 0:49:16.120
<v Speaker 1>whole time with the Preisters and the dead and Keithsi

0:49:16.200 --> 0:49:18.920
<v Speaker 1>and Garcia, And what's their take on and how's your

0:49:18.960 --> 0:49:21.200
<v Speaker 1>relationship with him during these years? Because they seemed like

0:49:21.239 --> 0:49:24.200
<v Speaker 1>they were great parents growing up. They were very good parents,

0:49:24.280 --> 0:49:27.520
<v Speaker 1>and I got a great education from them and with them,

0:49:27.560 --> 0:49:30.040
<v Speaker 1>but they did not approve of anything that I did

0:49:30.200 --> 0:49:33.440
<v Speaker 1>after I was a certain age, so it was difficult

0:49:33.520 --> 0:49:38.240
<v Speaker 1>to visit them and bathe and disapproval, so I didn't.

0:49:38.400 --> 0:49:40.840
<v Speaker 1>I didn't visit them very much until I was about

0:49:40.880 --> 0:49:45.480
<v Speaker 1>thirty and could bring home my kids and let them

0:49:45.560 --> 0:49:48.800
<v Speaker 1>see that I actually was a mother that had nice children.

0:49:48.840 --> 0:49:51.480
<v Speaker 1>You know. That seemed to work better for them than

0:49:51.520 --> 0:49:54.920
<v Speaker 1>the than the crazy lady that that I was when

0:49:55.000 --> 0:49:59.279
<v Speaker 1>I was nineteen, you know, so they liked me better

0:49:59.320 --> 0:50:02.560
<v Speaker 1>that Okay, So another question. You get to a point

0:50:02.600 --> 0:50:05.279
<v Speaker 1>then around seventy three seventy four, and I guess a

0:50:05.320 --> 0:50:07.319
<v Speaker 1>couple of things happened then. One is I think that's

0:50:07.360 --> 0:50:09.920
<v Speaker 1>the point more or less when you and Jerry split up.

0:50:09.960 --> 0:50:12.800
<v Speaker 1>I mean, he's still showing up as as the father

0:50:12.920 --> 0:50:15.680
<v Speaker 1>of kids and all this, and then meanwhile you start

0:50:15.760 --> 0:50:19.960
<v Speaker 1>to see cocaine and heroin and other drugs much becoming

0:50:20.080 --> 0:50:23.400
<v Speaker 1>much more part of the grateful dead scene and Jerry

0:50:23.560 --> 0:50:26.799
<v Speaker 1>getting into using those drugs. What was going on to

0:50:26.800 --> 0:50:29.800
<v Speaker 1>take Jerry first and foremost, because he was the fact

0:50:29.840 --> 0:50:32.439
<v Speaker 1>of the leader. Why did he get so much into

0:50:32.480 --> 0:50:34.520
<v Speaker 1>cocaine and then get into heroin in a way that

0:50:34.520 --> 0:50:37.040
<v Speaker 1>he struggled with for you know, the rest of his

0:50:37.120 --> 0:50:39.920
<v Speaker 1>life to one degree or another. Well, I can't answer

0:50:39.960 --> 0:50:42.120
<v Speaker 1>that because I don't really know I think he thought

0:50:42.120 --> 0:50:46.239
<v Speaker 1>cocaine made him play better or longer, or which was

0:50:46.320 --> 0:50:49.320
<v Speaker 1>really not true either. You know, you know how coke is.

0:50:49.360 --> 0:50:51.880
<v Speaker 1>It makes you think you're better than you are. And

0:50:52.160 --> 0:50:54.399
<v Speaker 1>I can't I can't speak to the heroine thing because

0:50:54.640 --> 0:50:57.399
<v Speaker 1>because I don't really know, except that he would get

0:50:57.440 --> 0:51:00.840
<v Speaker 1>really tired. He would get really tired and need to

0:51:00.880 --> 0:51:04.200
<v Speaker 1>sleep and not be able to sleep. And somehow Heroin

0:51:04.320 --> 0:51:08.480
<v Speaker 1>worked into that. But he didn't overtly use in my

0:51:08.600 --> 0:51:12.439
<v Speaker 1>presence because he knew my attitude towards that stuff. So

0:51:12.680 --> 0:51:15.880
<v Speaker 1>he was secretive as he got into it, you know,

0:51:15.920 --> 0:51:19.600
<v Speaker 1>as he became addicted, he became very secretive. But it

0:51:19.680 --> 0:51:23.319
<v Speaker 1>was also obvious that something was terribly wrong because his

0:51:23.440 --> 0:51:28.080
<v Speaker 1>behavior changed. But how he got into it and and why,

0:51:28.280 --> 0:51:30.440
<v Speaker 1>I think it's the dangers of the road. You know,

0:51:30.480 --> 0:51:32.440
<v Speaker 1>people are handing you stuff. You go out there and

0:51:32.440 --> 0:51:35.600
<v Speaker 1>people are hand you, handing you a beautifully rolled joint,

0:51:35.680 --> 0:51:38.560
<v Speaker 1>they're handing you a little pile of coke, you know.

0:51:39.000 --> 0:51:41.040
<v Speaker 1>And I just happened to be that person that didn't

0:51:41.120 --> 0:51:44.800
<v Speaker 1>like cocaine at all and I thought it was weird

0:51:45.040 --> 0:51:47.120
<v Speaker 1>and rather have a benny. Now I can relate on

0:51:47.160 --> 0:51:49.400
<v Speaker 1>the same way more, or rather take a benny as

0:51:49.440 --> 0:51:52.080
<v Speaker 1>anybody got a benny. You know, benz Atrien was much

0:51:52.160 --> 0:51:54.319
<v Speaker 1>better as far as I was concerned. But you know,

0:51:54.400 --> 0:51:56.080
<v Speaker 1>there it was, and it was going around. It was

0:51:56.120 --> 0:51:58.760
<v Speaker 1>the cool thing to give to the rock stars, I guess,

0:51:59.120 --> 0:52:01.520
<v Speaker 1>and because I didn't go out on the road with

0:52:01.600 --> 0:52:03.720
<v Speaker 1>him every time, I went out once in a while.

0:52:03.800 --> 0:52:07.359
<v Speaker 1>But this was all going on where I couldn't see it,

0:52:07.440 --> 0:52:10.799
<v Speaker 1>and I didn't really know about it until until I

0:52:10.840 --> 0:52:15.000
<v Speaker 1>started hearing about it from people, because cocaine was not

0:52:15.200 --> 0:52:20.960
<v Speaker 1>overt behavior changer, you know, it's subtle. It's a subtle drug,

0:52:21.000 --> 0:52:23.400
<v Speaker 1>and I couldn't I couldn't read it in the room.

0:52:23.440 --> 0:52:26.920
<v Speaker 1>I couldn't feel its presence, you know. So it was

0:52:26.960 --> 0:52:30.960
<v Speaker 1>something that I struggled with for a while and realized

0:52:31.000 --> 0:52:34.440
<v Speaker 1>that no matter what happened or whatever drugs Jerry took,

0:52:35.600 --> 0:52:39.400
<v Speaker 1>I still loved him. That didn't change the situation. It

0:52:39.560 --> 0:52:43.239
<v Speaker 1>just meant that he was different, you know, he was

0:52:43.400 --> 0:52:46.040
<v Speaker 1>different in his behavior and his actions, and he was

0:52:46.080 --> 0:52:49.920
<v Speaker 1>also at risk. So I electured him about the risk

0:52:49.960 --> 0:52:53.320
<v Speaker 1>and he didn't take that will but I kept I tried,

0:52:53.520 --> 0:52:56.440
<v Speaker 1>but it just you know, he was already doing what

0:52:56.480 --> 0:52:59.480
<v Speaker 1>he did. This a little more forward that maybe a

0:52:59.520 --> 0:53:01.840
<v Speaker 1>lot more, which is that when part of this is

0:53:01.840 --> 0:53:04.239
<v Speaker 1>about your reflections now looking back. But the first thing

0:53:04.239 --> 0:53:06.360
<v Speaker 1>I want to ask you, So, there was an interview

0:53:06.640 --> 0:53:09.560
<v Speaker 1>in one of the came across, maybe from late nineties

0:53:09.640 --> 0:53:12.120
<v Speaker 1>or something, and maybe this is one of your daughters

0:53:12.200 --> 0:53:15.120
<v Speaker 1>and let me just read you here. You kids should

0:53:15.160 --> 0:53:19.440
<v Speaker 1>do drugs. Jerry Garcia used to tell the Sensible Daughters quote.

0:53:19.600 --> 0:53:22.000
<v Speaker 1>It was sort of a running family jokes at Annibal

0:53:22.280 --> 0:53:25.439
<v Speaker 1>Garcia McLean then twenty six, one of four daughters of

0:53:25.440 --> 0:53:28.120
<v Speaker 1>of Jerry Garcia. She said her mother would also say,

0:53:28.239 --> 0:53:31.520
<v Speaker 1>why can't you kids be more like us? We tell

0:53:31.520 --> 0:53:34.399
<v Speaker 1>her mom, no, we don't want to. We learned from

0:53:34.440 --> 0:53:39.400
<v Speaker 1>you guys by don Annabelle is a jokester. She's a

0:53:39.440 --> 0:53:43.920
<v Speaker 1>prankster through and through. That is just that's her entire creation.

0:53:44.000 --> 0:53:46.160
<v Speaker 1>She she would come up with stuff like that just

0:53:46.200 --> 0:53:50.640
<v Speaker 1>to make us squirk, you know, just to make me squirre.

0:53:50.719 --> 0:53:56.040
<v Speaker 1>Michael like, no, come on, really, so so very funny

0:53:56.200 --> 0:53:59.440
<v Speaker 1>ha ha Okay, okay, so let me frame it this

0:53:59.480 --> 0:54:03.040
<v Speaker 1>way now now and the psychedelic renaissance we're in and

0:54:03.120 --> 0:54:06.360
<v Speaker 1>Michael Pollen's book and the tremendous influence of maps and

0:54:06.400 --> 0:54:09.920
<v Speaker 1>all the wonderful media attention. Everybody's very focused on harm reduction,

0:54:09.960 --> 0:54:12.919
<v Speaker 1>whether it's in a dance scene or whatever it might be,

0:54:12.960 --> 0:54:15.320
<v Speaker 1>and and doing it all right. And I think whereas

0:54:15.360 --> 0:54:17.839
<v Speaker 1>our parents were afraid that we would do things that

0:54:17.880 --> 0:54:21.600
<v Speaker 1>they had never done, I think our generation is oftentimes

0:54:21.600 --> 0:54:24.240
<v Speaker 1>afraid that our kids will do the same dumb things

0:54:24.280 --> 0:54:27.239
<v Speaker 1>we did do but they won't be so lucky. That's

0:54:27.560 --> 0:54:30.799
<v Speaker 1>entirely possible, yes, because you know, think of the variety

0:54:30.920 --> 0:54:35.680
<v Speaker 1>of substances out there now well exactly, but also think

0:54:35.719 --> 0:54:38.840
<v Speaker 1>about when you were taking you know, LSD of unknown

0:54:39.000 --> 0:54:42.480
<v Speaker 1>potency or purity back in the day, or like the

0:54:42.480 --> 0:54:45.239
<v Speaker 1>whole notion of taking LSD, like with stroll lights out

0:54:45.360 --> 0:54:47.560
<v Speaker 1>in a concert. Like I tell my daughter and her

0:54:47.680 --> 0:54:49.800
<v Speaker 1>friends that, you know, if they're gonna do stuff, don't

0:54:49.840 --> 0:54:52.000
<v Speaker 1>do it at a concert, do it in a more

0:54:52.160 --> 0:54:55.080
<v Speaker 1>safer environment or with friends you trust, not where you're

0:54:55.080 --> 0:54:58.239
<v Speaker 1>surrounded by thousands of strangers and don't know where the

0:54:58.239 --> 0:55:00.839
<v Speaker 1>exits are and all this sort of stuff. But back

0:55:00.840 --> 0:55:03.000
<v Speaker 1>in the day, you were part of a scene. In fact,

0:55:03.000 --> 0:55:05.279
<v Speaker 1>the acid tests were all about taking acid and being

0:55:05.400 --> 0:55:09.080
<v Speaker 1>this crazy multi media environment, taking some unknown amount of

0:55:09.120 --> 0:55:11.719
<v Speaker 1>acid in an unknown amount of you know, kool aid.

0:55:11.800 --> 0:55:13.799
<v Speaker 1>I mean, when you look now from the kind of

0:55:13.840 --> 0:55:18.080
<v Speaker 1>responsible harm reduction frame of the psychedelic renaissance back on

0:55:18.120 --> 0:55:21.960
<v Speaker 1>that day, what do you think. Well, I think we

0:55:21.960 --> 0:55:24.960
<v Speaker 1>were taking a big risk, you know, with the but luckily,

0:55:25.160 --> 0:55:29.319
<v Speaker 1>you know, nobody died, nobody jumped out a window. We did.

0:55:29.480 --> 0:55:32.880
<v Speaker 1>We did okay, because we kept the concentration pretty freaking

0:55:32.960 --> 0:55:36.960
<v Speaker 1>low in those those buckets of kool aid. It was

0:55:37.200 --> 0:55:40.240
<v Speaker 1>it was low dose all the way. Now, some people

0:55:40.360 --> 0:55:43.840
<v Speaker 1>would bring their own stash to the thing and re

0:55:44.200 --> 0:55:47.120
<v Speaker 1>up the kool aid. Other people would just use their

0:55:47.120 --> 0:55:51.319
<v Speaker 1>own stash and not touch the kool aid. So it

0:55:51.360 --> 0:55:53.880
<v Speaker 1>was really a free choice affair. And we felt that

0:55:53.960 --> 0:55:58.399
<v Speaker 1>this was this was something that was an American right

0:55:59.040 --> 0:56:03.399
<v Speaker 1>to get a little high and and adjust your own dose.

0:56:03.520 --> 0:56:05.799
<v Speaker 1>If you drink one cup, you're gonna get you're gonna

0:56:05.840 --> 0:56:08.399
<v Speaker 1>get fifty mics. If you drink too you're gonna get

0:56:08.400 --> 0:56:10.840
<v Speaker 1>an hundred, you know, so be ready for that. And

0:56:10.880 --> 0:56:13.520
<v Speaker 1>I think that's kind of about where we were at

0:56:13.560 --> 0:56:17.600
<v Speaker 1>with it was about thirty microgams for a for a

0:56:17.640 --> 0:56:22.200
<v Speaker 1>full Dixie cup of cool. You know, it was low dos,

0:56:22.239 --> 0:56:24.759
<v Speaker 1>but as the evening progressed, of course people would come

0:56:24.760 --> 0:56:27.600
<v Speaker 1>back and get a little more. So it was cumulative.

0:56:28.200 --> 0:56:30.839
<v Speaker 1>And so it's hard to it's hard to figure how

0:56:30.880 --> 0:56:35.360
<v Speaker 1>everybody survived the asset tests without a single catastrophic event.

0:56:35.520 --> 0:56:38.640
<v Speaker 1>You know, we didn't ever have anything bad happened, so

0:56:38.800 --> 0:56:42.239
<v Speaker 1>it was it. There was no reason to stop. In

0:56:42.280 --> 0:56:46.160
<v Speaker 1>other words, no disaster appeared on the horizon. Let me

0:56:46.200 --> 0:56:48.839
<v Speaker 1>ask you this. So you got called made, whether it's

0:56:48.880 --> 0:56:52.360
<v Speaker 1>a grandkid or a friends kid or somebody and they're

0:56:52.719 --> 0:56:55.399
<v Speaker 1>you know, they're late teens or early twenties and they're

0:56:55.440 --> 0:56:57.799
<v Speaker 1>going to their first they're going to burning Man for

0:56:57.840 --> 0:57:03.400
<v Speaker 1>the first time, going to something that resembles them okay test,

0:57:03.960 --> 0:57:07.520
<v Speaker 1>they're saying, Hey, MG, like I'm going you know, I've

0:57:07.560 --> 0:57:09.920
<v Speaker 1>tried it a few times. But what's your advice to

0:57:10.000 --> 0:57:13.680
<v Speaker 1>me and going into this environment where I definitely want

0:57:13.719 --> 0:57:17.680
<v Speaker 1>to be tripping, but I also want to come home. Fine. Yeah,

0:57:17.720 --> 0:57:20.160
<v Speaker 1>I think the first advice is go with a friends

0:57:20.280 --> 0:57:24.640
<v Speaker 1>who you trust and care about and that cares about you.

0:57:25.200 --> 0:57:28.680
<v Speaker 1>That's number one. Number two is, you know, make sure

0:57:28.720 --> 0:57:31.120
<v Speaker 1>your shoes are and shoes and socks are in good order.

0:57:31.200 --> 0:57:34.080
<v Speaker 1>And number three is take a low dose. If you're

0:57:34.080 --> 0:57:37.040
<v Speaker 1>gonna be offered something, to go for the low dose

0:57:37.080 --> 0:57:40.160
<v Speaker 1>because you could always take more later, you know. But

0:57:40.280 --> 0:57:44.760
<v Speaker 1>it's really really good to be safe by going low

0:57:45.320 --> 0:57:48.680
<v Speaker 1>and feeling, you know, people get people will grow their

0:57:48.720 --> 0:57:52.560
<v Speaker 1>wings bit by bit. You don't have to go for

0:57:52.680 --> 0:57:55.400
<v Speaker 1>the whole thing all at once, because that puts you

0:57:55.440 --> 0:57:59.320
<v Speaker 1>in harm's way. And because you need to learn how

0:57:59.360 --> 0:58:02.280
<v Speaker 1>to fly. You need to learn how to take off

0:58:02.320 --> 0:58:06.240
<v Speaker 1>and fly safely before you take the big flight you

0:58:06.280 --> 0:58:10.560
<v Speaker 1>really do. You need to check it out delicately. Be

0:58:10.640 --> 0:58:13.320
<v Speaker 1>sweet to yourself. I think it's about how do you

0:58:13.400 --> 0:58:16.720
<v Speaker 1>treat yourself? Be sweet to yourself and and go low.

0:58:17.280 --> 0:58:20.480
<v Speaker 1>That's what I say to people. Yeah, that sounds like

0:58:20.480 --> 0:58:23.840
<v Speaker 1>good advice. But another thing you did right. You created

0:58:23.960 --> 0:58:27.200
<v Speaker 1>something with some friends called the Women's Visionary Concoct a

0:58:27.280 --> 0:58:28.800
<v Speaker 1>number of years ago. In fact, I think one last

0:58:28.840 --> 0:58:30.920
<v Speaker 1>time I saw you was closing Paths at one of

0:58:30.960 --> 0:58:33.680
<v Speaker 1>those events, which even though is the Women's Visionary Congressmen

0:58:34.080 --> 0:58:36.680
<v Speaker 1>who are welcome to calm, But what was the vision

0:58:36.680 --> 0:58:39.280
<v Speaker 1>behind that and what is uh, you know, the mission

0:58:39.320 --> 0:58:42.200
<v Speaker 1>of it and the importance of it. Well, my my

0:58:42.240 --> 0:58:48.480
<v Speaker 1>two friends Anne Harrison and Hidden Mountain were instigators of

0:58:48.600 --> 0:58:52.120
<v Speaker 1>this and they approached me as a as a co conspirator,

0:58:52.240 --> 0:58:55.000
<v Speaker 1>and I thought such a wonderful idea. So they were

0:58:55.040 --> 0:59:00.880
<v Speaker 1>basically women's gatherings that involved discussions around psychedelics and about

0:59:00.920 --> 0:59:06.840
<v Speaker 1>alternative lifestyles, about thinking about alternative lifestyles besides just the

0:59:06.920 --> 0:59:12.920
<v Speaker 1>American style of high school, college, grad school, job you

0:59:12.960 --> 0:59:16.360
<v Speaker 1>know that that that that that uh in a in

0:59:16.080 --> 0:59:19.800
<v Speaker 1>a in a quick series as so it was really

0:59:19.840 --> 0:59:24.240
<v Speaker 1>aimed at younger women that wanted to experiment a little

0:59:24.240 --> 0:59:28.120
<v Speaker 1>bit with with some psychedelics in a safe setting, with

0:59:28.280 --> 0:59:30.959
<v Speaker 1>carrying people around, and that was what it was really

0:59:31.000 --> 0:59:34.240
<v Speaker 1>all about. Most people that came to those were mostly

0:59:34.280 --> 0:59:37.440
<v Speaker 1>in it just for the discussion, So the discussions were

0:59:37.560 --> 0:59:42.320
<v Speaker 1>deep and varied. You know, women's circle is a very

0:59:42.400 --> 0:59:45.440
<v Speaker 1>revealing thing to do. To set up a women's circle,

0:59:45.920 --> 0:59:47.480
<v Speaker 1>you don't know who you're going to get, you don't

0:59:47.480 --> 0:59:49.600
<v Speaker 1>know what their stories are going to be, but you

0:59:49.680 --> 0:59:53.760
<v Speaker 1>find out an awful lot about about what women's issues are,

0:59:54.120 --> 1:00:00.400
<v Speaker 1>you know, and they revolve around parenting, lifestyle and consciousness razing.

1:00:00.920 --> 1:00:03.960
<v Speaker 1>So we tried to be mentors I think the whole

1:00:04.000 --> 1:00:07.200
<v Speaker 1>idea was to be mentors for younger women that were

1:00:07.320 --> 1:00:11.640
<v Speaker 1>we're seeking a safe path to enlightenment of a type

1:00:11.640 --> 1:00:15.360
<v Speaker 1>of enlightenment, you know, about life. Yeah, you're making me

1:00:15.400 --> 1:00:17.400
<v Speaker 1>think of a friend of mine who may be a

1:00:17.400 --> 1:00:19.760
<v Speaker 1>friend of yours as well, who I think has organized

1:00:19.840 --> 1:00:24.760
<v Speaker 1>years ago a grandmother's circle to get together for a

1:00:24.840 --> 1:00:29.240
<v Speaker 1>number of days doing different psychedelics. That's a lovely idea, Yes,

1:00:30.160 --> 1:00:33.360
<v Speaker 1>And I think that, you know, so as women, as

1:00:33.600 --> 1:00:37.240
<v Speaker 1>as people that have babies and are bringing along the

1:00:37.280 --> 1:00:41.040
<v Speaker 1>next set of humans. You know, there's a special role there,

1:00:41.560 --> 1:00:44.880
<v Speaker 1>not just for grandmothers, but for for mothers and daughters

1:00:45.440 --> 1:00:50.560
<v Speaker 1>to perpetuate what women know and some women need to learn,

1:00:50.840 --> 1:00:53.720
<v Speaker 1>and that those things can be shared in a women's

1:00:53.720 --> 1:00:57.840
<v Speaker 1>circle setting in a really good manner, you know, a clear,

1:00:58.080 --> 1:01:03.440
<v Speaker 1>clean manner without interference or interruption or or dogma. You know,

1:01:03.480 --> 1:01:07.240
<v Speaker 1>we're trying to like get the dogma out of the discussions,

1:01:07.840 --> 1:01:10.960
<v Speaker 1>you know, trying not to hang on to old ideas.

1:01:11.320 --> 1:01:13.960
<v Speaker 1>Let's just look at this clearly from a scientific point

1:01:14.000 --> 1:01:17.800
<v Speaker 1>of view and a social consciousness point of view, and

1:01:17.880 --> 1:01:20.680
<v Speaker 1>that seems to work in general, It really does, and

1:01:21.320 --> 1:01:24.200
<v Speaker 1>young women were really grateful. And also it's a hook up.

1:01:24.240 --> 1:01:26.360
<v Speaker 1>It's a place to meet people you can hang with

1:01:26.840 --> 1:01:29.200
<v Speaker 1>and go get high with, you know. So these are

1:01:29.280 --> 1:01:33.320
<v Speaker 1>these are valuable, valuable things, and I haven't been involved

1:01:33.320 --> 1:01:35.200
<v Speaker 1>in in a couple of years, but I would like

1:01:35.280 --> 1:01:38.479
<v Speaker 1>to be. M h, are you working on a book

1:01:38.520 --> 1:01:41.320
<v Speaker 1>these days? I'm supposed to be, but right now I'm

1:01:41.360 --> 1:01:45.160
<v Speaker 1>talking to you, And uh, there's there's certainly a lot

1:01:45.200 --> 1:01:48.600
<v Speaker 1>to finish in my life. I have to finish stuff,

1:01:49.200 --> 1:01:53.240
<v Speaker 1>and I don't feel like i've finished yet. I'm nowhere

1:01:53.280 --> 1:01:56.920
<v Speaker 1>near finishing. So that and how's your career in the

1:01:57.000 --> 1:02:01.200
<v Speaker 1>cannabis industry venue? Oh pretty much? That say, go way back, right,

1:02:01.240 --> 1:02:04.479
<v Speaker 1>you wrote a book on cannabis cultivation, you know, way back.

1:02:05.600 --> 1:02:08.160
<v Speaker 1>That's true. I wrote a book called Primo Plant, which

1:02:08.200 --> 1:02:11.800
<v Speaker 1>is still in print and I still have copies. It's

1:02:11.800 --> 1:02:13.840
<v Speaker 1>a book that you can get at your bookstore. They'll

1:02:13.960 --> 1:02:18.120
<v Speaker 1>order it for you. But it's just a quick manual

1:02:18.280 --> 1:02:21.320
<v Speaker 1>on how to grow pot because there wasn't one. There

1:02:21.400 --> 1:02:24.560
<v Speaker 1>was only complex manuals on how to com to grow

1:02:24.600 --> 1:02:27.400
<v Speaker 1>pot that kind of I thought, rambled all over the

1:02:27.400 --> 1:02:31.160
<v Speaker 1>place and weren't really useful. So coming from a gardening family.

1:02:31.240 --> 1:02:33.760
<v Speaker 1>I knew how to write that thing, so it was

1:02:33.800 --> 1:02:36.280
<v Speaker 1>a best seller. I've sold over a hundred thousand copies

1:02:36.280 --> 1:02:40.400
<v Speaker 1>of that thing, and I hope everybody's happy. I am well,

1:02:40.440 --> 1:02:43.560
<v Speaker 1>listen empty. I have loved this conversation. It's just the

1:02:43.560 --> 1:02:45.800
<v Speaker 1>time is just flowing. Okay. I just want to say

1:02:45.880 --> 1:02:48.400
<v Speaker 1>one more thing. I want to say, big shout, big

1:02:48.440 --> 1:02:51.800
<v Speaker 1>shout out to Wavy Gravy and the Hog Farm. I

1:02:51.880 --> 1:02:55.400
<v Speaker 1>hope everybody's having a great time this summer, and everybody's

1:02:55.480 --> 1:02:59.120
<v Speaker 1>healthy and good, and that life is life is doing

1:02:59.160 --> 1:03:02.720
<v Speaker 1>what it's supposed to do, which means having fun with

1:03:02.800 --> 1:03:04.960
<v Speaker 1>the kids. I just want to put that out there

1:03:05.000 --> 1:03:08.040
<v Speaker 1>to Camp Win a Rainbow and all the good that

1:03:08.080 --> 1:03:12.680
<v Speaker 1>they've done for people's kids over the years. Fantastic. That

1:03:12.840 --> 1:03:15.440
<v Speaker 1>is a nice note to end on Blue MG. Thanks

1:03:15.600 --> 1:03:19.280
<v Speaker 1>ever ever so much for joining me. It's been fun.

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<v Speaker 1>Thank you. If you're enjoying Psychoactive, please tell your friends

1:03:28.960 --> 1:03:30.960
<v Speaker 1>about it, or you can write us a review at

1:03:30.960 --> 1:03:34.439
<v Speaker 1>Apple Podcasts or wherever you get your podcasts. We love

1:03:34.480 --> 1:03:37.000
<v Speaker 1>to hear from our listeners. If you'd like to share

1:03:37.000 --> 1:03:39.720
<v Speaker 1>your own stories, comments and ideas, then leave us a

1:03:39.800 --> 1:03:45.320
<v Speaker 1>message at one, eight three three seven seven nine sixty

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<v Speaker 1>that's eight three three psycho zero. Or you can email

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<v Speaker 1>us at Psychoactive at protozoa dot com or find me

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<v Speaker 1>on Twitter at Ethan natal Man. You can also find

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<v Speaker 1>contact information in our show notes. Psychoactive is a production

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<v Speaker 1>of I Heart Radio and Protozoa Pictures. It's hosted by

1:04:04.440 --> 1:04:08.760
<v Speaker 1>me Ethan Naedelman. It's produced by Noam Osband and Josh Stain.

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<v Speaker 1>The executive producers are Dylan Golden, Ari Handel, Elizabeth Geesus

1:04:13.560 --> 1:04:17.080
<v Speaker 1>and Darren Aronofsky from Protozoa Pictures, Alex Williams and Matt

1:04:17.120 --> 1:04:20.600
<v Speaker 1>Frederick from My Heart Radio, and me Ethan Naedelman. Our

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<v Speaker 1>music is by Ari Blucien and a special thanks to

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<v Speaker 1>Avi Brio, s F Bianca Grimshaw and Robert BP. Next

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<v Speaker 1>week I'll be talking about Jews and cannabis with Eddie Portnoy,

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<v Speaker 1>Senior researcher and director of Exhibitions at EVO, the Yiddish

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<v Speaker 1>Institute for Jewish Research, where he just put together a

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<v Speaker 1>fascinating exhibit on exactly that subject a few years ago.

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<v Speaker 1>I happen to see online really kind of beautifully sculpted

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<v Speaker 1>glass bong in the shape of him An lura for

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<v Speaker 1>the holiday of Hanukkah, and I thought, this manura bog

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<v Speaker 1>is something that's representative of Jewish material culture. This should

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<v Speaker 1>be in our collection. And as it sat at my desk,

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<v Speaker 1>I thought to myself why would anyone smoke eight bowls

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<v Speaker 1>of weed at a time. But the second thing I

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<v Speaker 1>thought was could I feasibly make an exhibit on Jews

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<v Speaker 1>and cannabis. Subscribe to Cycleactive now see it, an't miss it.