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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and a terminol and gay.

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Speaker 1: We want to send you off in style.

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Speaker 3: We wanna welcome you back home. Tell us all about it.

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Speaker 1: We scared her? Was it fine? Mal porn? Do you

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Speaker 1: need to ride? Do you need to ride? Do you

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Speaker 1: need to ride? Do you need to ride? Do you

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Speaker 1: need to ride? Do you need to ride?

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Speaker 3: Ride?

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Speaker 1: Do you need.

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Speaker 2: With Karen and Chris welcome to Do you need to ride?

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Speaker 2: This is Chris Fairbanks.

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Speaker 1: And this is Karen Colgareff.

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Speaker 2: We're in beautiful, I honestly don't. We're under the four

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Speaker 2: or five. It's unseasonably warm.

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Speaker 1: I think it's Sherman Oaks and Sino.

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Speaker 2: We are in Sherman Oaks, right, not to be confused

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Speaker 2: with Thousand Oaks.

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Speaker 1: No, not the same at all.

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Speaker 2: We're all the people that cause the housing crisis moved.

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Speaker 1: Is that true?

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Speaker 2: As far as I recall, Jesus, I learned that on

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Speaker 2: set on Corporate. The last time I was on.

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Speaker 3: A set was Matt going around and mouthing off about

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Speaker 3: everyone in Thousand Oaks. Uh?

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Speaker 2: Someone was yes, and we were almost out that far.

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Speaker 2: It was a very It was the home mortgage place

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Speaker 2: that was fingered in the two thousand. Yes, yes, yeah,

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Speaker 2: that's the building. And it was you know, desks that

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Speaker 2: still had family photos. There was phone chargers. It's like

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Speaker 2: they had to leave. We have ten minutes to get

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Speaker 2: out of here.

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Speaker 1: Yeah, fucked up.

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Speaker 2: There was. It was really creepy and cobwebs like cubicles

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Speaker 2: for it was a huge building building fielding and and

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Speaker 2: these corridor, these corridors went from miles.

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Speaker 1: That's happening.

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Speaker 2: This building was fielded. I'm going to stop doing that

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Speaker 2: with cobwebs and belongings. It was really creepy. Yeah, like

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Speaker 2: I don't know, like it just felt haunted. Everything feels well.

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Speaker 3: It's kind of like that lie of those whatever fixed

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Speaker 3: rate mortgages, whatever the things are that really fucked people

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Speaker 3: over of like yeah, don't worry about it.

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Speaker 1: You don't have to pay for this right now.

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Speaker 3: It's such a terrible lie, and they fucked people over

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Speaker 3: so bad, like the idea that was like, oh yeah,

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Speaker 3: that's fine, this is just how business is. It's like, no,

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Speaker 3: all of you should be taken a court. You literally

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Speaker 3: like dripped people's futures out of their hand.

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Speaker 2: I think there was one time I went to one

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Speaker 2: of those check cashing places to get in advance and

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Speaker 2: they went over the numbers. And I'm not a huge

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Speaker 2: contract reader lawyer, but I was like, Oh, that's not

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Speaker 2: I'm going to do something else. Yeah, what a terrible

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Speaker 2: idea this is. And it's like that. It was the

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Speaker 2: same kind of.

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Speaker 1: Second only to like the mafia.

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Speaker 2: Where's the mafia been?

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Speaker 1: They are not loaning out money the way they used to.

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Speaker 2: Well, they're not taking people out like they used to

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Speaker 2: do in the eighties either. I kind of thought they

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Speaker 2: would be.

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Speaker 3: I wonder if they had to get more serious and

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Speaker 3: just do real business like accounting, actual garbage disposal.

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Speaker 2: Wait, what if they actually all did well? Time to

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Speaker 2: get interested in sanitation.

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Speaker 1: You know what, let's get those roofers up there and

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Speaker 1: actually be a roofing company.

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Speaker 2: I love it. I would love that if every criminal

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Speaker 2: that was like, oh, we're pretending the business does this,

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Speaker 2: and it's like, you know what, things are getting a

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Speaker 2: little heated. It's time we actually become you better do it.

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Speaker 2: The thing that the sign says, we are.

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Speaker 3: Rice putting the rice pudding restaurant.

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Speaker 2: I saw Tommy Wassau.

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Speaker 1: Oh.

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Speaker 2: I was at the gym. I was bench pressing how much. Oh,

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Speaker 2: I'm getting pretty good. I can do ten pounds over

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Speaker 2: my weight now five times.

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Speaker 1: Ten pounds five times. It's pretty impressive.

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Speaker 2: One I can do.

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Speaker 1: Wow.

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Speaker 2: So I'm getting stronger. I look the same, but I'm

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Speaker 2: getting stronger. But I was trembling, and I'm like, uh oh,

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Speaker 2: Tommy was so from the room, came over and pulled

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Speaker 2: the and I looked up and I knew who he was.

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Speaker 2: No for the worm s eye view of his chin. Yeah,

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Speaker 2: he was there in little shorts. He's very muscular and

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Speaker 2: the smells of the earth. Oh, because it's weird to

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Speaker 2: see a person like that just in a gym out there.

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Speaker 1: Does he look the same as he did when that

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Speaker 1: movie came out?

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Speaker 2: I was gonna say, it looks pretty good.

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Speaker 1: Wow, it's like that.

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Speaker 2: Weird iggy pop thing where he's just like you looked

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Speaker 2: old when you were eighteen, and you still look like

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Speaker 2: that person.

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Speaker 1: Can I ask a question?

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Speaker 3: Because I didn't really ever sincerely Syria look at that restaurant.

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Speaker 1: Well, sincerely Syria.

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Speaker 2: Came the name. Well, now we have to look up

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Speaker 2: Syrian food. I just like the way it rolled off

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Speaker 2: the tongue.

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Speaker 1: I know, sincerely Syria.

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Speaker 2: It is there should be a comma.

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Speaker 3: There really should uh pen it goes like this underneath

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Speaker 3: Syria that what did Tommy wiseo? Since I didn't really

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Speaker 3: watch that movie. Was he purely a guy that wanted

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Speaker 3: to be an actor? Was he a director?

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Speaker 1: Was he like? Was that whole thing his project?

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Speaker 2: What have I been there? I think he wanted to

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Speaker 2: be an actor and everyone was saying no. So he

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Speaker 2: made his own movie to show that he shouldn't be

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Speaker 2: an actor, and it became a cult hit because people,

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Speaker 2: you know, were I think, kind of making fun of him. Yeah, yes,

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Speaker 2: but I want to say he didn't. He had money

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Speaker 2: from something. And when I moved here, and it was

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Speaker 2: two thousand and three Paris, Hilten was wearing pink eggs

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Speaker 2: and everyone had a Von Dutch hat and I was

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Speaker 2: questioning my arrival. Where have I moved? It was a

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Speaker 2: dark time.

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Speaker 1: It's always like that here.

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Speaker 2: Very dark time for how pink everything was. But there

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Speaker 2: was the room billboards everywhere. Yeah, and he just paid

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Speaker 2: for them. I'm promoting my movie and so people kept

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Speaker 2: going to it and I think he did make money

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Speaker 2: off of people sarcastically going to see the movie.

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Speaker 3: I mean it would make sense because so I remember

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Speaker 3: when those billboards appeared, and they were usually on the

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Speaker 3: billboard space.

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Speaker 1: That was used for the Las Vegas DJs.

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Speaker 2: Oh okay, so there's.

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Speaker 1: A one on Highland.

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Speaker 3: Yeah, there's one on I think Melrose or Librea, and

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Speaker 3: you kind of always expect them, and it's usually you

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Speaker 3: don't know what it is, but you look up and

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Speaker 3: you're like, Okay, that's something someone needs to advertise, but you've.

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Speaker 1: Never experienced it in your natural life.

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Speaker 2: Yeah, yeah, you're right. The room came down, it was

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Speaker 2: a billboard above Pink's Hotdogs, and the next one was

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Speaker 2: Calvin Harris Live at the Luxe are Yeah, who's Calvin

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Speaker 2: Haaras exactly google it picture of a guy at a laptop.

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Speaker 3: Yeah, that literally has seventy five million fans and you're

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Speaker 3: just it's like, no, you're the one that doesn't know.

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Speaker 1: So that's how I always felt about the room.

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Speaker 3: And then when the kind of oh, rocky horror picture

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Speaker 3: show element of it started yeah appearing, Yeah, that's when

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Speaker 3: it was like, oh, that's something else is happening here.

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Speaker 2: Yeah.

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Speaker 3: But then when I actually saw the clips, I'm like,

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Speaker 3: what in the living fuck is this right?

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Speaker 2: You have to be in the right mood, I'm not.

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Speaker 2: I don't really like to hate watch things. Yeah, I

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Speaker 2: didn't feel bad for some reason, because he is a

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Speaker 2: guy that will come over unsolicited and help you get

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Speaker 2: one hundred and seventy pounds off your quivering chest.

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Speaker 1: Pretty nice.

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Speaker 2: So I let's remember that about Tommy Wassau.

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Speaker 3: And also let's remember that he has a great sense

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Speaker 3: of humor because he used to show up at those

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Speaker 3: screenings and like, say the lines along with people just

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Speaker 3: like your friend from Chips, right that you love so much?

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Speaker 2: Yes, whose name I should know?

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Speaker 1: Darryl Baker Baker Don Baker.

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Speaker 2: No, not somebody else, Don Don Baker.

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Speaker 1: I'll call him Don Don Uh.

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Speaker 2: Yeah, I'll remember it as soon as we're done recording.

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Speaker 1: Larry Willcox nothing like what I was saying.

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Speaker 2: To come to Henry's Chips musical. While the other guy

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Speaker 2: from Chips was very upset about it, Larry Wilcox was

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Speaker 2: there wearing his old merch loved the musical and loved

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Speaker 2: that they were making fun of that whole era. He

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Speaker 2: had a sense of humor about it I will forever

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Speaker 2: like Larry Wilcox.

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Speaker 3: Now, sorry, but Elis, will you look up what Persian

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Speaker 3: food involves?

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Speaker 1: Do you want Persian or Syrian?

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Speaker 3: No, I'm sorry Syrian A Syrian, sincerely, Persia. No that's

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Speaker 3: not the name.

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Speaker 2: Look at Oh yeah, just slowly. I've done that.

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Speaker 1: Before, snuck through during a red.

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Speaker 2: You slow down when you realize you've ran a red light,

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Speaker 2: and then you're like, I can't believe this is happening,

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Speaker 2: and then you speed up.

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Speaker 1: And everyone's like I just did this the other week.

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Speaker 2: Just go Yes, we need to remember geez frequently, Lamb tahini,

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Speaker 2: pomegranate molasses, molasses, so it's very Mediterranean, but probably with

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Speaker 2: a twisty.

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Speaker 1: Molasses maybe nowhere near the Mediterranean.

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Speaker 2: Boba canoose is very Mediterranean, is it? Yeah? Mus all

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Speaker 2: those things, the meta, the great plays, the Dolma, it's

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Speaker 2: very Uh, you're.

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Speaker 1: Just naming Greek food now.

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Speaker 2: Yes, yes, Mediterranean, it's a big Greek, Middle Eastern, uh, Syrian.

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Speaker 2: Oftentimes you'll there will be a shishkabob involved.

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Speaker 1: Chris, I think you're really blending several cult.

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Speaker 2: Yes, I'm just listing the food items here at CASA

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Speaker 2: Vega Mexican restaurant. Yes, it is, it is. It's a

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Speaker 2: food pyramid.

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Speaker 3: I appreciate, love it. I love olives. I have a

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Speaker 3: recent appreciation for olives. I think it's because I need

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Speaker 3: more salt in my diet.

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Speaker 2: Yes, we all do. It's the only way to absorb

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Speaker 2: when you've drank too much water. You gotta have some

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Speaker 2: salty olives Dot two. Yeah, I get that over hydration

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Speaker 2: headache every day. I think that's what it is. Yeah,

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Speaker 2: it's It is a food pyramid where meat isn't at

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Speaker 2: the top like our American diet. It's like somewhere at

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Speaker 2: the bottom, and all the other things are like vegetables and.

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Speaker 3: The fats, yes, wonderful fats, Yes, the good fats.

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Speaker 1: Equitherapy. Look at that tiny little office to get equ therapy.

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Speaker 2: From a horse from seven dwarves. So then don't you're

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Speaker 2: supposed to bring your horse there?

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Speaker 3: Well, either your horse goes to therapy in that tiny office,

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Speaker 3: which doesn't look like it would fit right, or you

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Speaker 3: go into that tiny office and sign up for some

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Speaker 3: equo therapy and you go out to wear the horses.

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Speaker 2: Are you imagining right now a horse laying on its

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Speaker 2: back on a couch being psychoanalyzed.

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Speaker 3: With both of its hoods touched together as it's trying

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Speaker 3: to be self reflective.

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Speaker 2: I just miss those days in the field before I

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Speaker 2: was first harnessed. I mean, he's like a father figure,

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Speaker 2: but the man whips me and wears spurs.

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Speaker 1: Why am I so obsessed with apples horse therapy?

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Speaker 2: Maybe it's just a regular therapist that also likes horses.

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Speaker 1: That seems to happen a lot, or that has a

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Speaker 1: long face. They don't think it through, like the old joke,

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Speaker 1: why the long face?

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Speaker 2: For a while, I had a voiceover agent that was

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Speaker 2: in that building every time I went there reading for everything.

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Speaker 2: Was the old man who did the AI teddy bear

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Speaker 2: in the movie AI, and he mentioned it every time

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Speaker 2: when I was the teddy bear in the film AI.

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Speaker 3: Now listen, I have a story for you about the

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Speaker 3: teddy Bear and the film.

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Speaker 1: May I you do? Because we went to see AI.

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Speaker 3: And this was back in the same to early two thousands.

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Speaker 3: Spent a lot of time with all the people that

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Speaker 3: worked on Mister Show, including star of January sixth, j.

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Speaker 2: Johnston, Ja Don Don Johnson. Oh this guy up to

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Speaker 2: I don't know, making my loins quiver.

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Speaker 1: Lunatic and he's just speeding up to that green light. Yeah,

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Speaker 1: holy shit. So we're watching.

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Speaker 3: AI, not my favorite movie of all time, and the

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Speaker 3: Teddy Bear says its first words, and the Teddy Bear

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Speaker 3: has an unnaturally baritone, low male voice. Yes, so instead

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Speaker 3: of you're picturing that, the Teddy Bears can be like, hey,

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Speaker 3: my key or whatever his name is, and it's like,

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Speaker 3: I know that you want to And yes, Jay laughed

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Speaker 3: so loud in the movie theater and it was dead silent.

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Speaker 3: He laughed like cackle laughed, and it was so funny

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Speaker 3: that then everyone else started laughing. And then every time

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Speaker 3: the Teddy Bear spoke in that showing of AI, people

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Speaker 3: were laughing.

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Speaker 1: It was so funny, just.

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Speaker 2: The fact that an old guy that looks like Hal

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Speaker 2: Wholebrook went in there, and they're like, that's the guy

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Speaker 2: for the kids. Yes, World of Wonder Teddy Ruxsman.

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Speaker 3: But clearly it was like they were trying to say, like,

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Speaker 3: this isn't a toy, right, but it's a teddy Bear.

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Speaker 2: They just wanted a calm, soothing, Winnie the Pooh like voice, I.

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Speaker 1: Think, except for it was so deep that it was hilarious.

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Speaker 2: It doesn't make sense.

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Speaker 1: It really didn't.

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Speaker 2: Yeah, what is happening? And I need Teddy Bears to

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Speaker 2: sound like Elmo? God knows we don't need to go

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Speaker 2: that route.

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Speaker 1: No, leave that already.

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Speaker 2: But a clearly adult sized human male just shouldn't be

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Speaker 2: coming out.

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Speaker 3: It sounded like a lumberjack voice, and it was hilarious

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Speaker 3: to come out of a Teddy Bear. Yeah, and Jay

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Speaker 3: Johnson of January sixth thoughts so too.

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Speaker 2: He never got over it then, that's why he did what.

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Speaker 1: He did, and that's why he had to go to

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Speaker 1: the capitol that day. It's not funny. It isn't It

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Speaker 1: is not funny. She just did a cartwheel another one? Ye,

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Speaker 1: keep it up? No, no, no, no, don't kill it up.

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Speaker 2: Sorry, that was the last episode. Can't do it to children, No,

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Speaker 2: you're right, I forget. This is a new era. Do

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Speaker 2: not roll down the window and encourage children to do summer.

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Speaker 3: So No, don't encourage, no requests, no, no shouting, don't

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Speaker 3: do it.

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Speaker 2: What about just unbridled support?

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Speaker 1: Nope? Not as man.

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00:16:01,000 --> 00:16:03,400
Speaker 2: You know what I think I could have gotten away

290
00:16:03,440 --> 00:16:05,520
Speaker 2: with saying that was a perfect somersault.

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Speaker 3: Yay, Nope, I don't know if I was their parent,

292
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Speaker 3: I would have turned around and shot you.

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Speaker 1: Well, that is predator, predator, predator, predator.

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Speaker 2: That's what they would say me. Predator, predator, predator, predator,

295
00:16:24,600 --> 00:16:28,360
Speaker 2: like invasion of the body snatures, pointing with mouth a gape.

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Speaker 1: Look at this gigantic fancy car.

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Speaker 2: Where Oh yeah, kids, you care about things?

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Speaker 1: Thank you? All right, I'm going to stop eating French fries.

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Speaker 2: I'm sorry, It's okay. You've been doing it silently. Thank

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Speaker 2: God they're not crunchy fries.

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Speaker 3: I mean, I bet it's not so silent for the listener,

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00:16:51,320 --> 00:16:53,080
Speaker 3: Catherine o'haradid.

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Speaker 1: And she's the most what a loss.

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Speaker 2: We're probably this will be old news by the time

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00:16:57,760 --> 00:17:02,080
Speaker 2: it airs, but I have I was searching because I

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00:17:02,120 --> 00:17:06,639
Speaker 2: wanted to memorize it, not to reside it on this podcast,

307
00:17:06,720 --> 00:17:10,840
Speaker 2: because I think that's illegal. But that scene in Shit's

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Speaker 2: Creek where they have someone that's Lloyd like won't get

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Speaker 2: out of the hotel or something, and he had all

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Speaker 2: these demands and kept complaining about the stalking of the

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Speaker 2: fending machine, and she improvised some to scare the guy,

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Speaker 2: saying that a biker gang came took her daughter and

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Speaker 2: cut her beautiful hair. But she kept saying all these details.

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Speaker 2: Loving Spike and Reflex showed up. They didn't have any

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Speaker 2: room for any guff. I don't remember what she said.

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Speaker 2: I was trying to get reacquainted with it. But it

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Speaker 2: is the funniest thing I think I've ever seen.

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Speaker 1: It's so crazy. She was so funny, but she was

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Speaker 1: also light. I don't know.

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Speaker 3: She really put in triple the hours and did not

321
00:18:03,680 --> 00:18:06,320
Speaker 3: get the credit she deserved. I don't think like the

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Speaker 3: real time credit.

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Speaker 2: Yeah.

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Speaker 1: She was just like a perfect, repeatedly perfect comedian over

325
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Speaker 1: and over.

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Speaker 2: Yeah, and others. She was in Last of Us.

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Speaker 1: She was a therapist. She was great.

328
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Speaker 2: She's a good dramatic actor. Yeah, the best.

329
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Speaker 3: She was fucking Macaulay Culkin's mom, for God's sake.

330
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Speaker 2: Yeah. I think I didn't realize back then who she was, right.

331
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Speaker 2: I was just like mad that the parents left their kid.

332
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Speaker 2: I've since for kiven her the moment I saw Waiting

333
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Speaker 2: for Govman the the just everyone just watched the auditions

334
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Speaker 2: for that small town community theater. Her and Fred Willard

335
00:18:49,840 --> 00:18:53,840
Speaker 2: oh clearly coming. I had a copy of that Waiting

336
00:18:53,840 --> 00:18:57,000
Speaker 2: for Govman script once. None of it is scripted. And

337
00:18:57,160 --> 00:19:01,600
Speaker 2: just says Corky comes in, says there's a problem with

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00:19:01,680 --> 00:19:05,840
Speaker 2: the show night there's a discussion about Guffman, Like there

339
00:19:05,920 --> 00:19:11,000
Speaker 2: is no lines. Yeah, they quite truly improvised that whole movie.

340
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Speaker 2: It's so great, and I yeah it is. She's so

341
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Speaker 2: funny in it.

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Speaker 1: She's so goddamn good.

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Speaker 3: Also, just that thing in Shit's Creek, Moira's voice is

344
00:19:23,200 --> 00:19:27,240
Speaker 3: such a specific thing that she was so consistent with,

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Speaker 3: Like it was just so she was so real but

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Speaker 3: at the same time the most ridiculous character.

347
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Speaker 2: Of all time and a character that easily could be unlikable. Yes,

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Speaker 2: and and doing it that in a way to where

349
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Speaker 2: you like him. I mean, she was a lovable villain.

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Speaker 1: She's amazing. David.

351
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Speaker 2: Yeah, so good, so good, and too soon and I'm

352
00:19:54,400 --> 00:19:58,520
Speaker 2: so sad. Yeah, it's all the world right now. Everyone

353
00:19:58,680 --> 00:20:04,000
Speaker 2: is understandably occupied with problems. That's why I always think

354
00:20:04,000 --> 00:20:07,040
Speaker 2: of that when someone passes, they're like they're not getting

355
00:20:07,119 --> 00:20:10,840
Speaker 2: the attention they need because everything is falling to shit.

356
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Speaker 1: Yeah, but you.

357
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Speaker 2: Know, and I mentioned it earlier. I think it was

358
00:20:17,080 --> 00:20:20,640
Speaker 2: another episode, but that's how I felt when Farah Fawcett died.

359
00:20:20,680 --> 00:20:22,680
Speaker 2: I'm like, oh, man, I have this poster our first

360
00:20:22,680 --> 00:20:26,840
Speaker 2: skateboarding on Fara Fauce. It's the greatest. And then moments later,

361
00:20:27,640 --> 00:20:30,520
Speaker 2: Michael Jackson died and everyone's like, oh my god, so

362
00:20:30,680 --> 00:20:34,439
Speaker 2: Farah Fawcet got like from everyone waking up to like

363
00:20:34,480 --> 00:20:37,920
Speaker 2: eleven am thinking about her, and then the King of Pop.

364
00:20:39,880 --> 00:20:42,880
Speaker 3: Also yes, and that turned into a whole criminal case

365
00:20:42,960 --> 00:20:45,320
Speaker 3: or whatever. The thing about Farah Faucet that was sad

366
00:20:45,440 --> 00:20:48,199
Speaker 3: was like she died of a terrible cancer. So it

367
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Speaker 3: was on top of the fact that it was like, oh,

368
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Speaker 3: what a sad loss, then it was like a difficult

369
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Speaker 3: probably illness like that. It's people immediately turn away from

370
00:20:59,600 --> 00:21:01,080
Speaker 3: that because it's it's just hard to deal with.

371
00:21:01,280 --> 00:21:05,920
Speaker 1: Yeah, it seems yeah, yes, and here's this guy.

372
00:21:07,240 --> 00:21:10,600
Speaker 2: Here's that guy. He's definitely got weapons.

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Speaker 1: That Yeah, there's some stuff in those boxes.

374
00:21:12,880 --> 00:21:17,160
Speaker 2: China the wrestler passed away. Let's be said about China Bam.

375
00:21:17,560 --> 00:21:21,960
Speaker 2: Then David Bowie, that's what. Oh, when we're talking.

376
00:21:21,720 --> 00:21:23,560
Speaker 1: About puzzling, that's a tough one.

377
00:21:23,760 --> 00:21:27,639
Speaker 3: Yeah, tough one when a celebrity that's kind of a

378
00:21:27,800 --> 00:21:30,520
Speaker 3: bigger than you celebrity dies, so you have to then

379
00:21:31,000 --> 00:21:31,840
Speaker 3: share that day.

380
00:21:31,800 --> 00:21:33,320
Speaker 1: Right, right, that sucks.

381
00:21:33,560 --> 00:21:38,120
Speaker 2: Yes, so that's what I is doing to Catherine O'Hara.

382
00:21:38,200 --> 00:21:40,200
Speaker 2: Why is everyone peeling out?

383
00:21:40,320 --> 00:21:43,000
Speaker 1: I know it's a big peel out date in Studio

384
00:21:43,040 --> 00:21:43,600
Speaker 1: City today.

385
00:21:43,800 --> 00:21:46,440
Speaker 2: Everyone's just showing how quickly they can go zero to

386
00:21:46,520 --> 00:21:49,760
Speaker 2: sixty to the next light where you will meet them

387
00:21:49,960 --> 00:21:51,240
Speaker 2: after only going forty.

388
00:21:52,960 --> 00:21:54,200
Speaker 1: Everybody calm down.

389
00:21:54,720 --> 00:21:57,800
Speaker 2: Yeah, I guess everyone's just looking for that adrenaline, that

390
00:21:57,840 --> 00:22:00,280
Speaker 2: tiny dopamine hit, and you can get it. You go

391
00:22:00,320 --> 00:22:01,600
Speaker 2: pedaled on the metal.

392
00:22:02,040 --> 00:22:03,960
Speaker 1: Especially here on Ventura Boulevart.

393
00:22:04,080 --> 00:22:08,800
Speaker 3: See this guy's over here, that's my lane.

394
00:22:09,080 --> 00:22:09,560
Speaker 1: Yeah, that was.

395
00:22:10,080 --> 00:22:12,840
Speaker 2: We were in a turn lane. Classic move. Guy in

396
00:22:12,880 --> 00:22:16,359
Speaker 2: a big Raptor truck, wrong way in the turn lane.

397
00:22:16,800 --> 00:22:18,000
Speaker 2: He's like, they'll see me.

398
00:22:19,480 --> 00:22:19,760
Speaker 4: He was.

399
00:22:19,960 --> 00:22:23,200
Speaker 3: That was like a monster, like a mini monster truck

400
00:22:23,320 --> 00:22:24,680
Speaker 3: for La Proper.

401
00:22:27,320 --> 00:22:31,000
Speaker 2: Let's know it was. It was or no, I'm thinking

402
00:22:31,040 --> 00:22:35,800
Speaker 2: about it. I'm thinking about that comparison. I mean it

403
00:22:36,760 --> 00:22:41,680
Speaker 2: a mini monster truck, a scale model like a Shriner

404
00:22:41,720 --> 00:22:44,679
Speaker 2: would drive that I'm interested in.

405
00:22:47,119 --> 00:22:48,520
Speaker 1: Have you ever been to the Baked Potato?

406
00:22:49,040 --> 00:22:54,320
Speaker 2: Yes? I did a stand up show there and Jack

407
00:22:54,359 --> 00:23:01,320
Speaker 2: Black did music Woo Brendan Smalls, Yes, the metal I

408
00:23:01,359 --> 00:23:02,120
Speaker 2: can't say the word.

409
00:23:02,359 --> 00:23:03,679
Speaker 1: Did you not sing any songs?

410
00:23:04,520 --> 00:23:09,200
Speaker 2: No, I wanted to, but I just did stand up. Yeah.

411
00:23:09,600 --> 00:23:12,240
Speaker 1: Did anybody like it what you did?

412
00:23:12,520 --> 00:23:15,000
Speaker 2: Yes? That was Those were the days I took for

413
00:23:15,080 --> 00:23:18,560
Speaker 2: granted where every time I did stand up, I felt

414
00:23:18,640 --> 00:23:22,600
Speaker 2: like it was well received. But I also was probably drunk.

415
00:23:23,200 --> 00:23:26,720
Speaker 1: Well, they were different times, that's for sure. Oh, this

416
00:23:26,800 --> 00:23:28,159
Speaker 1: guy turned around and he's coming up.

417
00:23:28,200 --> 00:23:31,640
Speaker 2: Oh he is there, he is, there is Okay, there's

418
00:23:31,680 --> 00:23:33,840
Speaker 2: a reason that came back. That does look like a

419
00:23:33,880 --> 00:23:34,879
Speaker 2: mini monster truck.

420
00:23:35,800 --> 00:23:36,440
Speaker 1: Now you do it.

421
00:23:37,040 --> 00:23:41,439
Speaker 2: Yes, I'm glad that he knew to do a U

422
00:23:41,480 --> 00:23:44,320
Speaker 2: turn to settle our heated argument.

423
00:23:44,920 --> 00:23:46,560
Speaker 1: Just as long as he's not coming after us.

424
00:23:46,880 --> 00:23:51,679
Speaker 2: Yeah, yeah, I don't. It's yeah, it's It's interesting. You

425
00:23:51,720 --> 00:23:54,760
Speaker 2: can kind of tell when someone's just driving around, passing

426
00:23:54,800 --> 00:23:58,680
Speaker 2: the time, aggressively trying to make eye contact in this

427
00:23:58,840 --> 00:24:00,399
Speaker 2: comfort validation.

428
00:24:00,280 --> 00:24:03,919
Speaker 1: Just gunning it and peeling out at stop lights like

429
00:24:04,000 --> 00:24:04,480
Speaker 1: a dune.

430
00:24:05,040 --> 00:24:07,640
Speaker 2: Do you think this work truck in front of us

431
00:24:07,840 --> 00:24:10,359
Speaker 2: is kind of overdoing it with the chain's dangling.

432
00:24:10,800 --> 00:24:13,960
Speaker 3: I gotta say, there are some nuts, there's some bolts.

433
00:24:14,920 --> 00:24:16,160
Speaker 3: This truck has it all.

434
00:24:16,200 --> 00:24:23,000
Speaker 2: It rope dangling, cable, dangling, copper, wire, dangling little squiggly fence,

435
00:24:23,080 --> 00:24:25,000
Speaker 2: mending wires, dangling.

436
00:24:27,240 --> 00:24:29,919
Speaker 1: Cones, cones askew.

437
00:24:30,040 --> 00:24:32,639
Speaker 2: Cones, just hanging from the bumper.

438
00:24:33,280 --> 00:24:36,240
Speaker 1: All kinds of what are those called that are like

439
00:24:36,280 --> 00:24:36,840
Speaker 1: a keychain?

440
00:24:37,040 --> 00:24:41,160
Speaker 3: Carbiners, carabiner is multiple caribiner in the.

441
00:24:41,119 --> 00:24:44,920
Speaker 2: Climbing world, we got a fifteen pounder, thirty pounder.

442
00:24:45,560 --> 00:24:47,719
Speaker 1: I think we've got some iron rods there.

443
00:24:48,080 --> 00:24:48,359
Speaker 3: Yep.

444
00:24:49,359 --> 00:24:52,480
Speaker 2: I'm almost embarrassed that I have carabiners on my keys,

445
00:24:52,680 --> 00:24:53,919
Speaker 2: but they are pretty handy.

446
00:24:54,200 --> 00:24:54,440
Speaker 1: Yeah.

447
00:24:54,720 --> 00:24:57,560
Speaker 2: I hook it on my belt loop, toss the keys

448
00:24:57,560 --> 00:24:58,240
Speaker 2: in my pocket.

449
00:24:58,520 --> 00:25:00,840
Speaker 1: You start your work as a janitor the day. Yeah,

450
00:25:00,920 --> 00:25:01,879
Speaker 1: you don't look back.

451
00:25:02,080 --> 00:25:04,679
Speaker 2: I go, oh, I can help you with that zip.

452
00:25:04,840 --> 00:25:06,640
Speaker 1: It's me the maintenance man.

453
00:25:07,800 --> 00:25:12,000
Speaker 2: Everywhere I go. I'm I'm LARPing as a maintenance man.

454
00:25:12,160 --> 00:25:13,840
Speaker 1: You wear a lot of dark khaki.

455
00:25:14,480 --> 00:25:18,480
Speaker 2: I just want to help people and wear dickies. I'm sorry.

456
00:25:18,920 --> 00:25:20,840
Speaker 1: Then, the cara beaners are also very big in the

457
00:25:20,880 --> 00:25:21,720
Speaker 1: lesbian community.

458
00:25:21,720 --> 00:25:25,359
Speaker 3: In the SAFA community, Oh yes, oh, because for the

459
00:25:25,520 --> 00:25:28,200
Speaker 3: same reason, just get the star keys can be where

460
00:25:28,240 --> 00:25:28,720
Speaker 3: they need to be.

461
00:25:28,800 --> 00:25:30,120
Speaker 1: I think we just like tools.

462
00:25:30,520 --> 00:25:34,080
Speaker 3: Yeah, well then lesbians would love this fucking truck netw're

463
00:25:34,200 --> 00:25:38,840
Speaker 3: behind because it's tools, it supplies, it's everything in its place,

464
00:25:39,720 --> 00:25:42,520
Speaker 3: and there's a cherry picker. So this clearly is like

465
00:25:43,359 --> 00:25:47,680
Speaker 3: what pageanie or what is the what is it down here?

466
00:25:47,760 --> 00:25:48,840
Speaker 1: Pagani is up north?

467
00:25:49,040 --> 00:25:52,439
Speaker 2: I know, like the works for the city. You're going

468
00:25:52,480 --> 00:25:56,800
Speaker 2: to read it Caltrans, I'm belt Caltrans.

469
00:25:56,720 --> 00:26:00,760
Speaker 3: Tear ex Caltrans, yep or a private company.

470
00:26:00,880 --> 00:26:02,159
Speaker 2: Maybe it's a private company.

471
00:26:02,320 --> 00:26:04,000
Speaker 1: Let's hire this private company.

472
00:26:04,200 --> 00:26:06,440
Speaker 2: I mean they really The more I look at it,

473
00:26:06,440 --> 00:26:09,120
Speaker 2: it seemed like a mess. But everything is very organized,

474
00:26:09,240 --> 00:26:10,119
Speaker 2: so organized.

475
00:26:10,800 --> 00:26:16,439
Speaker 1: It's Alva contracting. Those people do big business. Don't tell me.

476
00:26:16,480 --> 00:26:23,400
Speaker 2: They don't of the Jessica and Tony Alva family. I

477
00:26:23,440 --> 00:26:29,440
Speaker 2: cleaned my garage, put everything I got up storage shelves.

478
00:26:30,119 --> 00:26:35,480
Speaker 2: I put everything in categories. I swept it. I hung paintings,

479
00:26:36,000 --> 00:26:41,440
Speaker 2: my diploma, my my my rooftop records, thing, the disc.

480
00:26:42,840 --> 00:26:47,160
Speaker 2: My garage is now a cozier hang than my apartment.

481
00:26:47,359 --> 00:26:47,679
Speaker 1: Wow.

482
00:26:47,920 --> 00:26:50,400
Speaker 2: But the problem is no power down there.

483
00:26:50,640 --> 00:26:50,960
Speaker 1: Yeah.

484
00:26:51,000 --> 00:26:53,240
Speaker 2: But I have been going to my garage and just

485
00:26:53,960 --> 00:26:56,240
Speaker 2: enjoying it. I feel like Tim Allen or something.

486
00:26:56,440 --> 00:26:58,520
Speaker 1: Wow. Yeah, is that where you sow?

487
00:26:59,119 --> 00:27:02,040
Speaker 2: I go down there and grunt no, like a sewing

488
00:27:02,160 --> 00:27:05,080
Speaker 2: is in the more effeminate part of my that's in

489
00:27:05,119 --> 00:27:05,920
Speaker 2: my kitchen area.

490
00:27:06,000 --> 00:27:09,760
Speaker 3: Oh I see, yeah, yeah, all the hard tools and

491
00:27:09,760 --> 00:27:12,320
Speaker 3: stuff where I need gloves and maybe I'll get some

492
00:27:12,320 --> 00:27:13,320
Speaker 3: blisters on my hand.

493
00:27:13,359 --> 00:27:15,080
Speaker 1: Garage, got it.

494
00:27:15,240 --> 00:27:18,679
Speaker 2: But then I go up and sew for lighthearted sewing,

495
00:27:18,720 --> 00:27:22,040
Speaker 2: and a needle gets thrust at my eye and I

496
00:27:22,080 --> 00:27:24,719
Speaker 2: realized there's no relaxing.

497
00:27:24,880 --> 00:27:28,960
Speaker 1: Can't do it. Don't pretend everything goes into the garage now.

498
00:27:29,080 --> 00:27:32,560
Speaker 2: But yes, I'm most excited about I'm gonna start making patches.

499
00:27:32,960 --> 00:27:35,879
Speaker 2: I want to make patches. And you already know this

500
00:27:36,000 --> 00:27:38,720
Speaker 2: about me, But now I'm gonna do a really good

501
00:27:38,800 --> 00:27:39,360
Speaker 2: job of it.

502
00:27:39,840 --> 00:27:40,560
Speaker 1: I bet you are.

503
00:27:40,880 --> 00:27:44,480
Speaker 2: Yeah, And I'm not talking like a little Why what

504
00:27:44,640 --> 00:27:48,560
Speaker 2: and why it was unnecessary to lay on it?

505
00:27:48,800 --> 00:27:51,880
Speaker 1: I think somebody was cutting him off in traffic though.

506
00:27:52,560 --> 00:27:55,960
Speaker 2: Yeah, but when someone hanks like that, I'm I'm on

507
00:27:56,080 --> 00:27:57,439
Speaker 2: the side of the cutter offer.

508
00:27:57,960 --> 00:28:01,960
Speaker 3: Well, you shouldn't be, maybe simply because you don't like noise.

509
00:28:02,280 --> 00:28:04,399
Speaker 2: That person cut them off because they knew they had

510
00:28:04,520 --> 00:28:10,359
Speaker 2: explosive anger and a lead hand, and they said, work

511
00:28:10,400 --> 00:28:10,720
Speaker 2: on it.

512
00:28:10,960 --> 00:28:12,880
Speaker 1: Yeah, I'm going to give you the opportunity.

513
00:28:14,840 --> 00:28:22,120
Speaker 3: It is noticeably worse driving in this town noticeably.

514
00:28:22,440 --> 00:28:23,480
Speaker 2: Oh, just just.

515
00:28:23,400 --> 00:28:27,040
Speaker 3: In general, I think since COVID, this is my theory,

516
00:28:27,200 --> 00:28:32,960
Speaker 3: something happened during COVID that affected people's hand eye coordination. Yes,

517
00:28:33,600 --> 00:28:37,040
Speaker 3: we've talked about it, the reaction time whatever, Right, and

518
00:28:37,080 --> 00:28:38,720
Speaker 3: then it's and also anger.

519
00:28:39,280 --> 00:28:42,719
Speaker 2: There's there's a group of people, usually the people that

520
00:28:42,800 --> 00:28:45,960
Speaker 2: on Thursday night watched Home Improvement that think that that

521
00:28:46,080 --> 00:28:48,960
Speaker 2: as a result of the vaccine. The other people that

522
00:28:49,080 --> 00:28:51,960
Speaker 2: during the same hour sat and watched Seinfeld on a

523
00:28:52,000 --> 00:28:54,719
Speaker 2: different channel. We all think it's because of COVID.

524
00:28:55,280 --> 00:28:57,920
Speaker 1: Well, and also it wouldn't weird parallel to draw if

525
00:28:57,960 --> 00:28:59,320
Speaker 1: it was because of the vaccine.

526
00:29:00,040 --> 00:29:03,440
Speaker 3: Why hadn't there ever been reactions like that two vaccines

527
00:29:03,440 --> 00:29:04,040
Speaker 3: in the past.

528
00:29:04,240 --> 00:29:08,360
Speaker 2: Exactly. Come on, guys, Come on, guys and gals, come on,

529
00:29:08,840 --> 00:29:09,680
Speaker 2: come on, y'all.

530
00:29:10,240 --> 00:29:14,280
Speaker 3: But it's funny to do a driving podcast when we

531
00:29:14,360 --> 00:29:19,480
Speaker 3: really kind of have the field work watching and being

532
00:29:19,520 --> 00:29:22,560
Speaker 3: able to compare what it's been like driving in traffic

533
00:29:22,640 --> 00:29:23,920
Speaker 3: throughout LA for years.

534
00:29:24,120 --> 00:29:27,440
Speaker 2: Yeah, we're we're doing more research out in these streets

535
00:29:27,480 --> 00:29:30,400
Speaker 2: than these humans that are training weymos to drive on

536
00:29:30,440 --> 00:29:31,520
Speaker 2: their own fools.

537
00:29:32,160 --> 00:29:34,480
Speaker 1: Did you know you're about to say the thing about

538
00:29:34,520 --> 00:29:34,880
Speaker 1: the job.

539
00:29:35,640 --> 00:29:38,560
Speaker 2: Oh I am was I I think I did already

540
00:29:38,640 --> 00:29:40,080
Speaker 2: say this about the Weimos.

541
00:29:40,120 --> 00:29:42,239
Speaker 3: No, no, I just I think we both heard this,

542
00:29:42,400 --> 00:29:43,920
Speaker 3: read the same article or something.

543
00:29:44,040 --> 00:29:46,720
Speaker 2: Oh, let the guy get across the street with his JARVP.

544
00:29:47,760 --> 00:29:52,600
Speaker 2: The Weymos have been stopping short. They'll break check if

545
00:29:52,680 --> 00:29:55,160
Speaker 2: your tail gave them, because that's what people do when

546
00:29:55,200 --> 00:29:56,240
Speaker 2: they're training the car.

547
00:29:56,800 --> 00:29:59,880
Speaker 1: Oh no, my thing was different. What's your thing?

548
00:30:00,280 --> 00:30:04,200
Speaker 3: My thing is Waimo now has to pay real human

549
00:30:04,240 --> 00:30:08,360
Speaker 3: beings to go close the doors of the Waimos because

550
00:30:08,400 --> 00:30:10,760
Speaker 3: people have started getting out and just leaving the doors

551
00:30:10,840 --> 00:30:13,560
Speaker 3: open and they can't get them shut and so the

552
00:30:13,600 --> 00:30:16,600
Speaker 3: car can't go again. So they started having to hire

553
00:30:16,640 --> 00:30:18,400
Speaker 3: real people to go out and close the doors for

554
00:30:18,440 --> 00:30:20,160
Speaker 3: like twenty bucks a door close.

555
00:30:20,480 --> 00:30:23,840
Speaker 2: So people, these people that were born in a barn

556
00:30:24,160 --> 00:30:27,120
Speaker 2: are leaving the doors open as a prank to be

557
00:30:27,200 --> 00:30:27,600
Speaker 2: a dick.

558
00:30:28,440 --> 00:30:29,600
Speaker 1: Well, I don't know.

559
00:30:30,240 --> 00:30:32,240
Speaker 3: I don't know, and it's not for me to say

560
00:30:32,280 --> 00:30:36,680
Speaker 3: what the motive is behind it, right, But it's creating jobs. Oh,

561
00:30:36,680 --> 00:30:39,000
Speaker 3: and good jobs for people who are like you can

562
00:30:39,040 --> 00:30:41,280
Speaker 3: make good money running out and closing that door.

563
00:30:41,720 --> 00:30:45,440
Speaker 2: Yeah, that's why I wasn't that upset when all those

564
00:30:45,520 --> 00:30:48,920
Speaker 2: bird scooters got dropped off in Venice and everyone was

565
00:30:49,120 --> 00:30:53,600
Speaker 2: throwing them angrily into the canals. And yes, they're a

566
00:30:53,600 --> 00:30:57,000
Speaker 2: little ridiculous, but once you get on one, you're like, hey,

567
00:30:57,000 --> 00:31:02,160
Speaker 2: this shit's pretty fun. Yeah, and my neighbor made such

568
00:31:02,320 --> 00:31:04,680
Speaker 2: a good living. I think he bent the rules and

569
00:31:04,720 --> 00:31:09,040
Speaker 2: got other family members signed up to be rechargers of

570
00:31:09,120 --> 00:31:12,800
Speaker 2: yees things. And I think it was like two or

571
00:31:12,840 --> 00:31:17,880
Speaker 2: three bucks for each scooter. And he rented a rider truck,

572
00:31:18,440 --> 00:31:21,720
Speaker 2: packed hundreds of them in there, had four different I

573
00:31:21,840 --> 00:31:24,880
Speaker 2: saws in his garage. He had four different charging stations

574
00:31:24,880 --> 00:31:28,880
Speaker 2: for these scooters. He charged hundreds of them. Eventually, just

575
00:31:29,000 --> 00:31:32,000
Speaker 2: doing that built up enough money to buy his own

576
00:31:33,120 --> 00:31:34,880
Speaker 2: giant moving style truck.

577
00:31:35,120 --> 00:31:35,520
Speaker 1: Wow.

578
00:31:35,880 --> 00:31:39,280
Speaker 2: And he helped me move to Echo Park. This guy

579
00:31:39,320 --> 00:31:42,120
Speaker 2: whose name I don't remember, did a very nice thing.

580
00:31:42,840 --> 00:31:45,720
Speaker 2: It's like, thank you, thank you so much, and look

581
00:31:45,760 --> 00:31:47,160
Speaker 2: at me not remembering his name.

582
00:31:47,760 --> 00:31:51,040
Speaker 1: Well that was a while ago and it was pre COVID.

583
00:31:51,920 --> 00:31:55,320
Speaker 2: So yes, it creates a human job.

584
00:31:55,800 --> 00:31:56,720
Speaker 1: Yeah, it's great.

585
00:31:57,160 --> 00:31:59,800
Speaker 3: Yeah, And apparently it's a job that pays way more

586
00:31:59,840 --> 00:32:03,160
Speaker 3: than all the other jobs at the moment because they

587
00:32:03,200 --> 00:32:05,640
Speaker 3: need people to go please go run and shut that

588
00:32:05,760 --> 00:32:07,680
Speaker 3: right now because we need this to be back on

589
00:32:07,720 --> 00:32:09,600
Speaker 3: the street right now, which is kind of funny.

590
00:32:10,080 --> 00:32:12,479
Speaker 2: Wow, where do you sign up? Oh, I'm a door shutter.

591
00:32:13,960 --> 00:32:15,840
Speaker 3: Yeah, and you have to have like an uncle that

592
00:32:15,920 --> 00:32:19,080
Speaker 3: works there. You're some insider.

593
00:32:21,680 --> 00:32:24,600
Speaker 2: Use of course, youse. Of course seeing the video where

594
00:32:24,640 --> 00:32:27,640
Speaker 2: the little kid is excited about being in the play

595
00:32:27,840 --> 00:32:31,120
Speaker 2: as a door hold, oh yes, yeah, do you ever

596
00:32:31,360 --> 00:32:32,720
Speaker 2: watch that therapeutically?

597
00:32:33,640 --> 00:32:35,240
Speaker 1: I have in the past.

598
00:32:35,720 --> 00:32:39,680
Speaker 3: Yeah, it's the cutest, but also I had a young

599
00:32:39,800 --> 00:32:45,520
Speaker 3: boy replace that boy, also British though with no sorry Irish.

600
00:32:45,920 --> 00:32:47,880
Speaker 3: And the guy the little one with the big glasses

601
00:32:47,920 --> 00:32:48,680
Speaker 3: who goes.

602
00:32:48,840 --> 00:32:53,160
Speaker 1: Did you know did you know that the that the pyramids?

603
00:32:53,200 --> 00:32:56,880
Speaker 3: Like he knows real facts and they're they're very beyond

604
00:32:56,960 --> 00:32:58,480
Speaker 3: his like he's four years.

605
00:32:58,320 --> 00:33:01,560
Speaker 2: Old, oh red kind of he's And he's.

606
00:33:01,440 --> 00:33:03,040
Speaker 1: The sweetest boy on the planet.

607
00:33:03,080 --> 00:33:05,760
Speaker 2: Yeah, he's like an act he's in things. I think

608
00:33:05,760 --> 00:33:09,959
Speaker 2: he was in that movie Megan, that little instagram sweet

609
00:33:10,000 --> 00:33:12,560
Speaker 2: boy is often getting acting work.

610
00:33:12,880 --> 00:33:13,640
Speaker 1: And he's Irish.

611
00:33:14,240 --> 00:33:18,360
Speaker 2: Uh, yes, it is that boy with the little Sally

612
00:33:18,480 --> 00:33:19,960
Speaker 2: Jesse Raphael red.

613
00:33:19,760 --> 00:33:22,800
Speaker 1: Glasses and did you know it's the cutest.

614
00:33:23,000 --> 00:33:26,320
Speaker 2: Yeah, everyone thinks he's cute. Yeah, and that's why Hollywood

615
00:33:26,520 --> 00:33:28,160
Speaker 2: scooped him up from his parents.

616
00:33:29,480 --> 00:33:30,760
Speaker 1: That's how we do it out here.

617
00:33:30,880 --> 00:33:33,040
Speaker 2: Yeah, we need a piece of that.

618
00:33:33,160 --> 00:33:36,840
Speaker 3: Oh my god, get out of my lane.

619
00:33:38,560 --> 00:33:41,080
Speaker 1: She did, Yeah, she did. Listener, she got out.

620
00:33:41,280 --> 00:33:43,640
Speaker 2: Yeah, Just so you know, an update on the g

621
00:33:43,880 --> 00:33:47,600
Speaker 2: wagon that was rubbing against our fenure. They went in

622
00:33:47,600 --> 00:33:48,280
Speaker 2: their own lane.

623
00:33:48,360 --> 00:33:49,320
Speaker 1: Yeah.

624
00:33:49,360 --> 00:33:51,920
Speaker 2: There's a big tax break on those cars because they

625
00:33:51,960 --> 00:33:52,880
Speaker 2: weigh more than.

626
00:33:52,760 --> 00:33:55,040
Speaker 1: Six pounds, the g Wagons.

627
00:33:55,120 --> 00:33:58,040
Speaker 2: Yeah, you can automatically use it for your business. Fifty

628
00:33:59,480 --> 00:34:03,680
Speaker 2: if any financial sound advice, Karen. I know it's funny

629
00:34:03,800 --> 00:34:05,920
Speaker 2: to say this because when we first met, we were

630
00:34:05,960 --> 00:34:07,520
Speaker 2: both in trouble.

631
00:34:07,200 --> 00:34:10,080
Speaker 1: With the serious, serious tax trouble. Yeah.

632
00:34:10,239 --> 00:34:12,480
Speaker 2: Now I've become a bit of a Just so you know,

633
00:34:12,760 --> 00:34:15,719
Speaker 2: any other tax vehicular tax.

634
00:34:15,480 --> 00:34:17,840
Speaker 1: Breaks, you've got it handled.

635
00:34:17,960 --> 00:34:19,879
Speaker 2: Yeah. If you decided to buy this car, you'll get

636
00:34:19,880 --> 00:34:22,160
Speaker 2: eleven thousand dollars back on your return.

637
00:34:23,600 --> 00:34:25,880
Speaker 3: Aren't those cards like cars like two hundred and fifty

638
00:34:25,920 --> 00:34:27,840
Speaker 3: thousand dollars something crazy?

639
00:34:27,960 --> 00:34:30,760
Speaker 2: Yeah, there is a catch. You have to be rich already.

640
00:34:31,120 --> 00:34:33,279
Speaker 2: You have to be in a tax tracket where you

641
00:34:33,440 --> 00:34:34,400
Speaker 2: really don't care.

642
00:34:34,719 --> 00:34:38,319
Speaker 1: What the fuck happens. Yes, yes, so yeah, yeah, I

643
00:34:38,360 --> 00:34:38,840
Speaker 1: don't want that.

644
00:34:39,160 --> 00:34:42,520
Speaker 2: No, no, I don't ever want of you. I always

645
00:34:42,520 --> 00:34:43,400
Speaker 2: want to be struggling.

646
00:34:43,560 --> 00:34:49,160
Speaker 3: It keeps me, keeps you young, yes and vital yes,

647
00:34:50,840 --> 00:34:52,560
Speaker 3: viral ellis?

648
00:34:52,800 --> 00:34:53,080
Speaker 1: Are you?

649
00:34:53,600 --> 00:34:56,880
Speaker 3: Are you adding an amount of time it'll take to

650
00:34:56,880 --> 00:34:57,480
Speaker 3: get back home?

651
00:34:57,840 --> 00:35:01,239
Speaker 1: I am. We're currently at thirty six minut So I

652
00:35:01,320 --> 00:35:03,719
Speaker 1: was gonna I was sorry to ask. No, don't don't

653
00:35:03,760 --> 00:35:05,479
Speaker 1: be sorry. I was gonna tap your shoulder in about

654
00:35:05,480 --> 00:35:06,120
Speaker 1: two minutes.

655
00:35:06,200 --> 00:35:09,640
Speaker 3: But look at that that internal.

656
00:35:09,360 --> 00:35:13,160
Speaker 1: Time, that clock maybe undefeated.

657
00:35:13,239 --> 00:35:19,960
Speaker 2: Karen, Right, every shoulder tap two minutes beforehand is prefaced

658
00:35:20,000 --> 00:35:28,560
Speaker 2: by an ear whisper shoulder, So you're ready.

659
00:35:28,400 --> 00:35:32,080
Speaker 1: Just like am I getting the sense my shoulder will

660
00:35:32,120 --> 00:35:33,440
Speaker 1: be tapped? Is it?

661
00:35:33,680 --> 00:35:37,560
Speaker 2: This is my least favorite game when someone and people

662
00:35:37,719 --> 00:35:40,919
Speaker 2: still do it, and I am infuriated when they do it. Okay,

663
00:35:40,920 --> 00:35:44,279
Speaker 2: they tap your right shoulder and then they go and

664
00:35:44,360 --> 00:35:45,400
Speaker 2: hide on your left.

665
00:35:45,480 --> 00:35:46,200
Speaker 1: That makes you mine?

666
00:35:46,400 --> 00:35:48,680
Speaker 2: Oh I don't like it at all. Yeah, it's bothered

667
00:35:48,719 --> 00:35:52,560
Speaker 2: me since sixth grade, and maybe I haven't retured.

668
00:35:53,120 --> 00:35:57,399
Speaker 1: Well. It is just kind of an aggressive thing to do.

669
00:35:57,960 --> 00:36:00,359
Speaker 2: Yeah, hey, I made your rent. Your neck can look

670
00:36:00,400 --> 00:36:02,120
Speaker 2: in the wrong direction, gotcha?

671
00:36:02,719 --> 00:36:06,040
Speaker 3: And where are we now. Yeah, now that you're done,

672
00:36:06,480 --> 00:36:07,560
Speaker 3: Now what's happening?

673
00:36:07,719 --> 00:36:09,880
Speaker 2: Yeah, we've gotten off on the wrong foot. Maybe I

674
00:36:09,880 --> 00:36:11,799
Speaker 2: would have been happy to see you if you have,

675
00:36:12,239 --> 00:36:14,560
Speaker 2: if you stood your ground where you tapped.

676
00:36:14,239 --> 00:36:16,160
Speaker 1: Me, but you ran.

677
00:36:16,360 --> 00:36:18,279
Speaker 2: It's so good to see you. I wondered who was

678
00:36:18,280 --> 00:36:21,319
Speaker 2: there because you tapped me, and it's you. Now I'm

679
00:36:21,320 --> 00:36:24,319
Speaker 2: going to hide. I'm going to hide on the other

680
00:36:24,400 --> 00:36:29,799
Speaker 2: side of your body. So are reuniting? Is that was strife? Now?

681
00:36:30,640 --> 00:36:33,560
Speaker 3: Usually when people do that, aren't they kind of being

682
00:36:33,560 --> 00:36:35,680
Speaker 3: a little bit flirty, don't you think?

683
00:36:36,040 --> 00:36:39,720
Speaker 2: Yeah? I usually right after that they steal my hat

684
00:36:39,840 --> 00:36:43,279
Speaker 2: and run off into the yard and hide by the baseball.

685
00:36:42,960 --> 00:36:44,719
Speaker 1: And then kiss it. Yeah, yeah, yeah.

686
00:36:45,520 --> 00:36:49,040
Speaker 2: I always wondered why girls stole my hat in high school.

687
00:36:49,040 --> 00:36:50,120
Speaker 2: It turns out I.

688
00:36:50,200 --> 00:36:51,759
Speaker 1: Was a heart throb, that's right.

689
00:36:51,840 --> 00:36:55,799
Speaker 3: They couldn't figure out how to express what they really

690
00:36:55,840 --> 00:36:56,480
Speaker 3: wanted to do.

691
00:36:56,960 --> 00:37:01,120
Speaker 2: One weekend, I was in my basement and one of

692
00:37:01,160 --> 00:37:04,160
Speaker 2: the prettiest girls in school that was very popular called

693
00:37:04,200 --> 00:37:06,920
Speaker 2: me and I was all these girls on a phone

694
00:37:07,560 --> 00:37:10,560
Speaker 2: and they're like, we're having a party, you should come over,

695
00:37:10,880 --> 00:37:14,960
Speaker 2: and I'm I was like, you, I can't believe you're

696
00:37:15,000 --> 00:37:19,440
Speaker 2: all making fun of me like this. I was furious.

697
00:37:20,120 --> 00:37:22,319
Speaker 2: And then one day I woke up twenty years later

698
00:37:22,360 --> 00:37:24,400
Speaker 2: and I'm like, oh, they did want.

699
00:37:24,239 --> 00:37:26,640
Speaker 1: Me to go over, Yeah, they liked me. Yeah.

700
00:37:26,719 --> 00:37:28,440
Speaker 2: Why was I so angry?

701
00:37:28,680 --> 00:37:31,319
Speaker 3: Well, you were scared to be mocked, Yes I was.

702
00:37:31,520 --> 00:37:33,720
Speaker 3: And you were scared to want something that they weren't

703
00:37:33,760 --> 00:37:34,399
Speaker 3: going to give you.

704
00:37:34,560 --> 00:37:35,040
Speaker 2: That's right.

705
00:37:35,080 --> 00:37:38,040
Speaker 1: I still have those fears, right, and everybody does.

706
00:37:38,480 --> 00:37:41,719
Speaker 2: We're taking a detour in a beautiful area.

707
00:37:42,040 --> 00:37:44,920
Speaker 1: Just making sure there's a light. This is a lovely street.

708
00:37:45,080 --> 00:37:46,359
Speaker 2: Look at these trees.

709
00:37:46,360 --> 00:37:48,760
Speaker 1: Matchy matchie trees on a street hovering.

710
00:37:48,840 --> 00:37:51,080
Speaker 2: We walked down the middle as they lean in, It's

711
00:37:51,160 --> 00:37:52,240
Speaker 2: like a navy wedding.

712
00:37:52,360 --> 00:37:56,160
Speaker 1: Did you see that? No, no one saw that. OnlyFans shoot.

713
00:37:56,160 --> 00:37:59,319
Speaker 2: There was by something said can you can you do

714
00:37:59,400 --> 00:37:59,919
Speaker 2: a U turn?

715
00:38:00,719 --> 00:38:02,920
Speaker 3: There was a it was like a girl with a

716
00:38:03,040 --> 00:38:07,840
Speaker 3: very very large butt, god bless.

717
00:38:06,400 --> 00:38:09,239
Speaker 1: In jeans that were not her size. And then a

718
00:38:09,280 --> 00:38:11,920
Speaker 1: camera set up and a guy standing next door.

719
00:38:12,160 --> 00:38:16,400
Speaker 3: Like they were taking butt shots right there in beautiful, beautiful.

720
00:38:16,560 --> 00:38:19,799
Speaker 2: I want to see just only you missed it. Not

721
00:38:19,880 --> 00:38:24,719
Speaker 2: because I need to see butts. I just I don't

722
00:38:24,800 --> 00:38:27,600
Speaker 2: quite believe you. I guess, so I need you to

723
00:38:27,680 --> 00:38:31,280
Speaker 2: drive by that big butt. Listen, should I keep Sandy?

724
00:38:31,640 --> 00:38:33,520
Speaker 2: Please drive back by that big.

725
00:38:33,280 --> 00:38:34,920
Speaker 1: But you don't get to see the big But I

726
00:38:34,920 --> 00:38:35,760
Speaker 1: want to drive.

727
00:38:35,560 --> 00:38:39,319
Speaker 2: By that big but okay, auditioning for the Teddy Bear

728
00:38:39,400 --> 00:38:42,680
Speaker 2: and AI Chris Fairbanks, go ahead, I want to drive

729
00:38:42,760 --> 00:38:43,120
Speaker 2: by that.

730
00:38:43,239 --> 00:38:45,440
Speaker 1: Big Can you do it a little deeper?

731
00:38:45,480 --> 00:38:48,680
Speaker 2: Please? I want to. I'm your only friend.

732
00:38:49,440 --> 00:38:53,920
Speaker 4: I'm a bear, you're a boy.

733
00:38:54,040 --> 00:38:55,040
Speaker 1: That's what it sounded like.

734
00:38:55,200 --> 00:38:59,959
Speaker 4: This is the only voice over jobet.

735
00:39:00,200 --> 00:39:01,640
Speaker 1: Would meet me in the office.

736
00:39:01,719 --> 00:39:06,880
Speaker 4: Yeah, I will bring it up daily at Arlene Thornton Associates,

737
00:39:07,400 --> 00:39:10,200
Speaker 4: my voiceover representation.

738
00:39:10,760 --> 00:39:14,919
Speaker 3: Arlene was the voiceover rep, wasn't she for a little while.

739
00:39:15,160 --> 00:39:17,919
Speaker 2: Yeah, there was a time where I had my pick

740
00:39:17,920 --> 00:39:20,640
Speaker 2: of the litter when it comes to jobs and whatnot.

741
00:39:22,080 --> 00:39:24,440
Speaker 2: But it was a heavy cross to bear the burden,

742
00:39:25,239 --> 00:39:30,040
Speaker 2: so too difficult. Yeah, I mean the guy got every gig.

743
00:39:31,920 --> 00:39:33,480
Speaker 1: I mean it's so much honking.

744
00:39:33,560 --> 00:39:38,400
Speaker 2: It's the hardest uh arena to break into voiceover. Yeah,

745
00:39:38,480 --> 00:39:40,680
Speaker 2: everyone wants to do it. Everyone wants to show up

746
00:39:40,680 --> 00:39:46,360
Speaker 2: in their sweatpants and just say, well, that's what I

747
00:39:46,520 --> 00:39:49,040
Speaker 2: call cat food. And then you drive home and the

748
00:39:49,160 --> 00:39:50,280
Speaker 2: checks roll in.

749
00:39:50,480 --> 00:39:53,319
Speaker 1: But it's the people who are good at it are

750
00:39:53,560 --> 00:39:54,880
Speaker 1: so goddamn good.

751
00:39:55,360 --> 00:39:59,600
Speaker 2: I think even when I mimic a John Ham like

752
00:40:00,760 --> 00:40:05,480
Speaker 2: you know, broadcast quality voice, there's still an element of

753
00:40:05,560 --> 00:40:08,879
Speaker 2: Muppet that my voice like. I like that about As

754
00:40:08,880 --> 00:40:11,520
Speaker 2: a comedian, I want to have a Muppet like strange.

755
00:40:12,280 --> 00:40:14,959
Speaker 2: It's nasally, it's high, it's low at the same time.

756
00:40:15,080 --> 00:40:18,280
Speaker 2: Is he eighty? Is he twelve? It works for comedy,

757
00:40:18,280 --> 00:40:23,799
Speaker 2: but not when I'm saying, you know, you should buy

758
00:40:23,880 --> 00:40:26,080
Speaker 2: this product, It's like, who is this?

759
00:40:27,040 --> 00:40:27,239
Speaker 3: You know?

760
00:40:27,600 --> 00:40:28,320
Speaker 1: Well, it depends.

761
00:40:28,520 --> 00:40:31,880
Speaker 3: It's all different styles, right, just like the voice of

762
00:40:31,920 --> 00:40:36,120
Speaker 3: the Bear and Ai. If there's all different styles of voiceover.

763
00:40:36,480 --> 00:40:40,040
Speaker 2: It is funny. I didn't realize that when he was

764
00:40:40,120 --> 00:40:44,200
Speaker 2: bragging about being the Bear and Ai, I did notice

765
00:40:44,239 --> 00:40:46,520
Speaker 2: he had the lowest voice in history. I'm like, wait,

766
00:40:46,600 --> 00:40:47,040
Speaker 2: that was you.

767
00:40:47,239 --> 00:40:48,400
Speaker 1: It's so crazy.

768
00:40:49,040 --> 00:40:52,480
Speaker 3: It was such a huge laugh moment that I was like,

769
00:40:52,640 --> 00:40:54,560
Speaker 3: the idea that they didn't see.

770
00:40:54,320 --> 00:40:55,840
Speaker 1: This coming is so crazy.

771
00:40:56,480 --> 00:41:00,560
Speaker 2: Maybe they were they thank you, hi, oh is. I

772
00:41:00,600 --> 00:41:07,240
Speaker 2: thought that was Matt Bronger's wife, but it isn't because

773
00:41:07,280 --> 00:41:12,160
Speaker 2: that baby's too young. I forgot what I was gonna say.

774
00:41:12,560 --> 00:41:15,600
Speaker 3: We were talking of course about the teddy bear from

775
00:41:15,920 --> 00:41:16,800
Speaker 3: the movie AI.

776
00:41:17,360 --> 00:41:19,879
Speaker 2: Of course we were, of course we were.

777
00:41:20,000 --> 00:41:22,880
Speaker 1: Of course it's a two parter about that bear.

778
00:41:23,239 --> 00:41:25,720
Speaker 2: Did I start talking about and on the last episode

779
00:41:25,880 --> 00:41:27,959
Speaker 2: it turns out I'm obsessed with this guy.

780
00:41:28,280 --> 00:41:31,040
Speaker 3: Listen, it's fun. It's a great topic. We should have

781
00:41:31,080 --> 00:41:32,200
Speaker 3: talked about it years ago.

782
00:41:32,560 --> 00:41:36,279
Speaker 2: I just want to let people in. You know where

783
00:41:36,320 --> 00:41:38,560
Speaker 2: you're at right now. Maybe you're snowed in, you're the

784
00:41:38,680 --> 00:41:41,759
Speaker 2: last thing you're thinking about is Hollywood. But if if

785
00:41:41,920 --> 00:41:45,120
Speaker 2: you would maybe think, oh, you can always do voiceover work.

786
00:41:46,120 --> 00:41:51,279
Speaker 2: Is that the big button? No, no offense. I'm just

787
00:41:51,719 --> 00:41:55,879
Speaker 2: is that that guy's having big butt problems. There's a guy, Oh,

788
00:41:55,960 --> 00:41:57,839
Speaker 2: he really needs to find a restroom.

789
00:41:58,440 --> 00:42:00,759
Speaker 1: Well, we don't know. It could be he could have

790
00:42:00,800 --> 00:42:02,000
Speaker 1: pulled a ligament.

791
00:42:02,960 --> 00:42:07,240
Speaker 2: Maybe maybe he pulled ament trying to search for his belt.

792
00:42:09,520 --> 00:42:13,600
Speaker 2: Just man holding up his pants. No, they it's very

793
00:42:13,600 --> 00:42:16,919
Speaker 2: hard to get voiceover work. I thought I should try

794
00:42:16,960 --> 00:42:19,480
Speaker 2: and do it, and it was very difficult, very difficult

795
00:42:19,520 --> 00:42:21,200
Speaker 2: throat everyone wants to do it.

796
00:42:21,239 --> 00:42:21,799
Speaker 1: Well you know why.

797
00:42:21,880 --> 00:42:24,879
Speaker 3: Also, it's because it is so goddamn lucrative. If you

798
00:42:24,920 --> 00:42:28,520
Speaker 3: get a national commercial as the voice of blank, your

799
00:42:28,600 --> 00:42:29,480
Speaker 3: goddamn set.

800
00:42:29,960 --> 00:42:32,520
Speaker 1: Yeah, you're set for years your set.

801
00:42:32,760 --> 00:42:36,880
Speaker 2: My friend Zeke's dad, it's amazing the amount of I

802
00:42:36,920 --> 00:42:39,480
Speaker 2: think I've talked to you about this. Let's be honest,

803
00:42:39,800 --> 00:42:43,719
Speaker 2: we have run the well dry. I'm just rephrased top

804
00:42:43,760 --> 00:42:45,799
Speaker 2: topics that I brought up to you three years.

805
00:42:45,960 --> 00:42:46,840
Speaker 1: I think that's fine.

806
00:42:46,960 --> 00:42:49,600
Speaker 2: His dad one of the things he did was the

807
00:42:49,640 --> 00:42:53,400
Speaker 2: men in after Shave song. He's he made so many jingles.

808
00:42:53,400 --> 00:42:56,399
Speaker 2: He was a musician, and the amount that my friend

809
00:42:56,480 --> 00:43:00,760
Speaker 2: Zeke listed was like, go dummy. He had the corner

810
00:43:00,760 --> 00:43:03,279
Speaker 2: on that market. There was a time where it's like, oh,

811
00:43:03,400 --> 00:43:05,040
Speaker 2: that's the guy to go to.

812
00:43:05,200 --> 00:43:08,080
Speaker 1: For commercial science songs. Yeah, yep.

813
00:43:08,320 --> 00:43:11,360
Speaker 2: Now everyone can do it. It's so saturated. There's people

814
00:43:11,360 --> 00:43:13,399
Speaker 2: that are good at it that just do it from

815
00:43:13,400 --> 00:43:17,319
Speaker 2: their laptop and maybe they're the top earner. But back

816
00:43:17,320 --> 00:43:19,319
Speaker 2: when you had to drive across town and go to

817
00:43:19,360 --> 00:43:24,600
Speaker 2: a studio, there's only a handful guys that did that stuff.

818
00:43:24,800 --> 00:43:26,240
Speaker 1: That's right, and.

819
00:43:28,400 --> 00:43:31,359
Speaker 2: I think it's good that anyone can do it now.

820
00:43:31,920 --> 00:43:32,399
Speaker 1: I do too.

821
00:43:32,680 --> 00:43:36,520
Speaker 3: Yeah, well, I think it definitely gives people a wider

822
00:43:36,680 --> 00:43:42,279
Speaker 3: range of what's possible. Yes, it's I also think because

823
00:43:42,280 --> 00:43:44,439
Speaker 3: I tried to do voiceover stuff too, and people would

824
00:43:44,440 --> 00:43:47,520
Speaker 3: be like, you should definitely drive voiceover, and then it's

825
00:43:47,560 --> 00:43:49,799
Speaker 3: like that I had that exact same experience where I

826
00:43:49,840 --> 00:43:53,000
Speaker 3: was like starting at the back of a line that

827
00:43:53,120 --> 00:43:57,520
Speaker 3: everyone's in, because whether you're a successful actor or whether

828
00:43:57,560 --> 00:44:00,000
Speaker 3: you're a struggling actor, that is the kind of world

829
00:44:00,239 --> 00:44:02,560
Speaker 3: you want to do. So you have it's kind of

830
00:44:02,560 --> 00:44:05,799
Speaker 3: like podcasting. You have like regular people trying to do it,

831
00:44:05,840 --> 00:44:07,960
Speaker 3: but then you also have celebrities that are like, oh,

832
00:44:08,000 --> 00:44:09,040
Speaker 3: actually this is the.

833
00:44:09,200 --> 00:44:12,080
Speaker 2: Value, right, That's what's kind of mucked it up. Yeah,

834
00:44:12,120 --> 00:44:15,400
Speaker 2: and I know why I maybe didn't. I don't have

835
00:44:15,480 --> 00:44:19,279
Speaker 2: a traditional voice. You can more, you actually should. I'm

836
00:44:19,280 --> 00:44:22,200
Speaker 2: going to be another person that says, if this whole

837
00:44:22,239 --> 00:44:24,600
Speaker 2: podcast thing doesn't work out the way it has been

838
00:44:26,440 --> 00:44:31,399
Speaker 2: and will continue to if that if another reality, and

839
00:44:31,480 --> 00:44:33,920
Speaker 2: you're like, I got to start doing something. You could

840
00:44:34,320 --> 00:44:38,560
Speaker 2: very easily become the top earning thank you voice artist.

841
00:44:38,760 --> 00:44:40,200
Speaker 1: All you care about is earnings.

842
00:44:40,440 --> 00:44:43,719
Speaker 2: There's a soothing quality. There is a even in our

843
00:44:43,760 --> 00:44:46,480
Speaker 2: con I tell you. In Austin, a woman came up

844
00:44:46,520 --> 00:44:48,879
Speaker 2: after the show on New Year's Eve and said her

845
00:44:48,880 --> 00:44:52,279
Speaker 2: and her husband were having trouble and she used our

846
00:44:52,360 --> 00:44:55,680
Speaker 2: community here listen to this podcast. Listen now they support

847
00:44:55,719 --> 00:44:58,839
Speaker 2: each other, yes, and each other's ideas. It was we

848
00:44:58,920 --> 00:45:00,400
Speaker 2: saved a marriage as one what.

849
00:45:01,320 --> 00:45:01,920
Speaker 1: I love that.

850
00:45:02,239 --> 00:45:06,880
Speaker 2: Yeah, yeah, she said, I in trying to tell my

851
00:45:07,200 --> 00:45:11,160
Speaker 2: partner how I've wanted to communicate. I used the podcast

852
00:45:11,200 --> 00:45:14,080
Speaker 2: as an example. Well that's really now a fan, that's

853
00:45:14,160 --> 00:45:18,120
Speaker 2: the added thing that I was waiting for. Yeah, a listener.

854
00:45:18,400 --> 00:45:20,160
Speaker 1: She just said that she knew that's what you were

855
00:45:20,160 --> 00:45:20,520
Speaker 1: waiting for.

856
00:45:20,680 --> 00:45:24,360
Speaker 2: Ye, my hand I was doing.

857
00:45:24,200 --> 00:45:28,239
Speaker 1: The yes gee going, but.

858
00:45:28,160 --> 00:45:30,600
Speaker 2: That was a very specific that's lovely.

859
00:45:30,840 --> 00:45:33,080
Speaker 1: Yeah. Also, I've said this to you before.

860
00:45:33,239 --> 00:45:35,520
Speaker 3: That's one of my favorite things about your personality, Chris

861
00:45:35,760 --> 00:45:42,480
Speaker 3: is you are while passionate and very definitive in your

862
00:45:42,520 --> 00:45:45,520
Speaker 3: opinions when you are talking to your friends, and I

863
00:45:45,560 --> 00:45:47,759
Speaker 3: always feel like you always give me the benefit of

864
00:45:47,800 --> 00:45:50,680
Speaker 3: the doubt, and when like I'm in a snippy mood

865
00:45:50,760 --> 00:45:53,840
Speaker 3: or like doing whatever, You're always like yes, you yes,

866
00:45:53,880 --> 00:45:57,279
Speaker 3: and me when you don't have to, and I appreciate it.

867
00:45:57,480 --> 00:45:58,839
Speaker 2: I do it because that's what you do.

868
00:45:59,400 --> 00:46:00,879
Speaker 1: I mean, you can look at us.

869
00:46:01,080 --> 00:46:05,560
Speaker 2: Usually it's me. I'll go down a weird direction. Most

870
00:46:05,600 --> 00:46:08,160
Speaker 2: people would be like stop and say, what the fuck

871
00:46:08,200 --> 00:46:10,200
Speaker 2: are you talking about? Where are you going with this?

872
00:46:10,920 --> 00:46:13,719
Speaker 2: There's so many opportunities for you to do that to me,

873
00:46:14,160 --> 00:46:16,640
Speaker 2: and you never do. You You will be like, oh,

874
00:46:16,760 --> 00:46:20,600
Speaker 2: I know what you're talking about. Yeah, or you effortlessly

875
00:46:20,719 --> 00:46:23,399
Speaker 2: change the subject to something that is grounded and in

876
00:46:23,440 --> 00:46:27,400
Speaker 2: reality that's vaguely touching on what I was. You bail

877
00:46:27,440 --> 00:46:27,880
Speaker 2: me out.

878
00:46:27,760 --> 00:46:30,520
Speaker 1: A lot so to do that, and you to me

879
00:46:31,000 --> 00:46:31,640
Speaker 1: so thank you.

880
00:46:32,320 --> 00:46:34,960
Speaker 2: So if you're having trouble with your marriage, use that

881
00:46:35,040 --> 00:46:38,600
Speaker 2: as a sample the support that Karen and I just

882
00:46:39,560 --> 00:46:41,200
Speaker 2: demonstrated demonstrated.

883
00:46:41,440 --> 00:46:41,799
Speaker 1: Use that.

884
00:46:41,920 --> 00:46:46,680
Speaker 2: Take that home. Don't come to us about intimacy though,

885
00:46:46,680 --> 00:46:48,000
Speaker 2: because I would make things awkward.

886
00:46:48,080 --> 00:46:49,240
Speaker 1: That's very odd.

887
00:46:49,520 --> 00:46:54,040
Speaker 3: Yes, what if this turned into a very graphic sex show?

888
00:46:54,080 --> 00:46:58,360
Speaker 2: You have to hold the penis? Was doctor Ruth?

889
00:46:58,680 --> 00:46:59,000
Speaker 1: I know?

890
00:46:59,440 --> 00:47:02,799
Speaker 2: And only you know if you were. If you're not

891
00:47:02,960 --> 00:47:06,960
Speaker 2: yet in the box and your final resting place, maybe

892
00:47:07,000 --> 00:47:13,200
Speaker 2: you'll know some of these impressions. Woman Jack ruf he

893
00:47:13,520 --> 00:47:16,759
Speaker 2: you did the audience into the radio hour.

894
00:47:16,880 --> 00:47:20,040
Speaker 4: They should wolf Man Jack, Oh, you're sixteen.

895
00:47:20,239 --> 00:47:25,000
Speaker 2: That's not quite old enough for me. Wait what uh

896
00:47:25,239 --> 00:47:26,600
Speaker 2: wolfman Jack? Oh?

897
00:47:26,760 --> 00:47:29,000
Speaker 1: Was he oh? Very much?

898
00:47:29,040 --> 00:47:33,840
Speaker 2: So, very much. I don't know. That's just what people,

899
00:47:34,200 --> 00:47:37,760
Speaker 2: that's even what the songs were about. Okay, she's only fifteen.

900
00:47:38,160 --> 00:47:39,520
Speaker 1: Well he didn't write those songs.

901
00:47:39,640 --> 00:47:43,920
Speaker 2: No, Kip Winger did. She's only seventeen mins rock anthem.

902
00:47:44,440 --> 00:47:45,480
Speaker 1: Guys, we've done it again.

903
00:47:45,560 --> 00:47:48,239
Speaker 2: We've done it again. This maybe I'm gonna say it

904
00:47:48,280 --> 00:47:54,520
Speaker 2: was our best episode. I agree, heartfelt, informative, beautiful, beautiful.

905
00:47:55,920 --> 00:47:57,920
Speaker 2: You've been listening to Do you Need a Ride?

906
00:47:58,560 --> 00:48:03,040
Speaker 1: D y n A. We are French fries wretch.

907
00:48:04,560 --> 00:48:14,719
Speaker 2: Crunch, Crunch. This has been an exactly right production.

908
00:48:15,160 --> 00:48:17,440
Speaker 3: Our senior producer is Annalise Nelson.

909
00:48:17,800 --> 00:48:19,239
Speaker 2: Mixed by Edson Chroi.

910
00:48:19,640 --> 00:48:21,520
Speaker 1: Our talent booker is Patrick Cottner.

911
00:48:21,840 --> 00:48:23,759
Speaker 2: Theme song by Karen Kilgarrett.

912
00:48:24,200 --> 00:48:25,640
Speaker 1: Artwork by Chris Fairbanks.

913
00:48:25,880 --> 00:48:28,920
Speaker 3: Follow the show on Instagram, Twitter, and Facebook at dinar

914
00:48:29,040 --> 00:48:32,120
Speaker 3: podcast That's d y n Ar Podcast.

915
00:48:32,560 --> 00:48:36,120
Speaker 2: For more information, go to exactly Rightmedia dot com.

916
00:48:36,160 --> 00:48:38,400
Speaker 1: Thank you, Oh You're welcome,