WEBVTT - Dune: The Bene Gesserit

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<v Speaker 1>You've heard of animals chewing awful leg to escape a trap.

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<v Speaker 1>There's an animal kind of trick. A human would remain

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<v Speaker 1>in the trap, endure the pain, feigning death that he

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<v Speaker 1>might kill the trapper and remove a threat to his kind.

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<v Speaker 1>Once men turned their thinking over to machines and hopes

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<v Speaker 1>that this would set them free, but that only permitted

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<v Speaker 1>other men with machines to enslave them. The Great Revolt

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<v Speaker 1>took away a crutch. It forced human minds to develop.

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<v Speaker 1>Schools were started to train human talents. Welcome to stot

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<v Speaker 1>to Blow Your Mind, a production of My Heart Radio. Hey,

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<v Speaker 1>welcome to Stuff to Blow Your Mind. My name is

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<v Speaker 1>Robert Lamb and I'm Joe McCormick and Robert. I know,

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<v Speaker 1>ever since that New Done movie came out, you have

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<v Speaker 1>been just itching to do another Science of Done episode

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<v Speaker 1>like the ones we did a few years back. But

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<v Speaker 1>obviously that happened right in the middle of October when

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<v Speaker 1>we had a bunch of other stuff planned. So it

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<v Speaker 1>seems like today is the day the spillover from October

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<v Speaker 1>is continuing yet again. Uh yeah, and I mean in

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<v Speaker 1>a way, it's a spillover from the October from before

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<v Speaker 1>last that the original release date for the new Done adaptation.

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<v Speaker 1>Oh my god, you're right. Yeah. So yeah, we, like

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<v Speaker 1>a lot of people have been have been really hungry

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<v Speaker 1>for this film to come out, um, because I knew

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<v Speaker 1>it would also just in general reignite, uh my fascination

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<v Speaker 1>with the Done universe, um, and you know, introduced new

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<v Speaker 1>people to the Done universe. Um. And of course to

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<v Speaker 1>correspond with that, we would need to go back in

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<v Speaker 1>and do some new Dooe episodes um, because like you said,

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<v Speaker 1>we did a few, or we did a couple years ago, um,

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<v Speaker 1>and now we're dipping back in. I think that was

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<v Speaker 1>my first or second year on the show, so it

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<v Speaker 1>was a long time ago now, yeah, yeah, it was

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<v Speaker 1>quite a while. And and since then we've had people

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<v Speaker 1>fairly frequently right in and say, oh, you should do

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<v Speaker 1>some more of those. We'd like to hear more of those.

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<v Speaker 1>So well, here you go. You asked for it, You're

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<v Speaker 1>gonna get it. Um. I think uh, I think I

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<v Speaker 1>think we may be doing a couple of episodes here,

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<v Speaker 1>but I thought we'd start with the ben and ingestre

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<v Speaker 1>it um with a with a particular focus on the

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<v Speaker 1>gom Jabbar awareness test. So this is a pivotal early

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<v Speaker 1>scene in the book, and it's also a memorable sequence

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<v Speaker 1>from all three adaptations. Um that it's it's one of

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<v Speaker 1>those things where it occurs so early in the novel

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<v Speaker 1>that even if you try to read Doone and didn't

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<v Speaker 1>finish it, you probably read this part because it happens

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<v Speaker 1>almost immediately. I I read this scene several times before

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<v Speaker 1>I actually made it all the way through the book.

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<v Speaker 1>I don't remember if I mentioned this on the show before,

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<v Speaker 1>but when I first tried to read the book, I

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<v Speaker 1>think one of the big problems as I was reading

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<v Speaker 1>a really bad paperback copy with extremely tiny print and

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<v Speaker 1>small margins. Have you come across this this mass printing. Oh,

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<v Speaker 1>it's like a it's on microfilm and it has a

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<v Speaker 1>little magnifier that comes out of the spine. Yes, it's

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<v Speaker 1>the Orange Catholic Bible version. It's not very fun to read. Uh,

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<v Speaker 1>And so I never actually completed the book until I

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<v Speaker 1>got like a more readable physical copy. Well that makes sense,

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<v Speaker 1>that makes sense. But so I remember this scene quite

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<v Speaker 1>well because I've been through it a number of times. Well. Um,

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<v Speaker 1>but before we're going further though, I want to drive

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<v Speaker 1>home a few different points here. So, first of all,

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<v Speaker 1>as much as possible, we're focusing on the first book

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<v Speaker 1>and its adaptations, uh, the stuff that most people are

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<v Speaker 1>gonna be familiar with, So we're we're gonna try not to,

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<v Speaker 1>for the most part, go too deep and get into

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<v Speaker 1>territory that that casual dune enthusiasts will not understand. Also

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<v Speaker 1>along those lines, we have to stress that we are

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<v Speaker 1>not done experts, we are not lower masters, um. As

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<v Speaker 1>much as we we like uh the world here, I um,

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<v Speaker 1>I believe. Let's say you've only read the first novel, correct,

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<v Speaker 1>and I've it's been a while since I've read the others.

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<v Speaker 1>I'm actually diving back in right now. So basically what

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<v Speaker 1>I'm saying is we may get something wrong, we may

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<v Speaker 1>misinterpret something in the books, and if that happens, well,

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<v Speaker 1>you know, right in we're happy to be corrected. Now.

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<v Speaker 1>Another thing I want to stress here is that I

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<v Speaker 1>have not read Brian Herbert and Kevin J. Anderson's prequel

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<v Speaker 1>and sequel books, so I can't speak to any lower

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<v Speaker 1>choices made in those books. Uh. I'd love to hear

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<v Speaker 1>from anyone who has read them as it relates to

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<v Speaker 1>what we're discussing here. Um, and I'm all for folks

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<v Speaker 1>enjoying these books, but again, uh, they're not something I

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<v Speaker 1>have read. I should also point out that I'm gonna

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<v Speaker 1>probably reference the nineteen four Dune Encyclopedia a little bit.

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<v Speaker 1>This is one of my most treasured books. I I

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<v Speaker 1>fondly remember reading a very ragged copy of it in

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<v Speaker 1>the library when I was a kid. Um, and I'm

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<v Speaker 1>not I think I could check it out. It wasn't.

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<v Speaker 1>They didn't classify it as a reference so you could

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<v Speaker 1>check this book out. And I spent a lot of

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<v Speaker 1>time reading through through that and I somehow picked a

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<v Speaker 1>copy up for like twenty bucks several years ago. It

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<v Speaker 1>goes for crazy amounts on eBay. Now. But wait, which

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<v Speaker 1>library was this? What? What library had a copy of

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<v Speaker 1>the Dune Encyclopedia. It was just a small town Tennessee library. Yeah, wow,

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<v Speaker 1>they just had it. And um, you know, I mean,

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<v Speaker 1>Dun's popularity is widespread, so I guess it's not that

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<v Speaker 1>that's strange. But yeah, it was very ragged, and um,

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<v Speaker 1>I was very fond of it. And then he had

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<v Speaker 1>had to look up a copy of the years later.

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<v Speaker 1>It's it's long out of print. It's probably never going

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<v Speaker 1>to be in print again. Um. And it's also not

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<v Speaker 1>entirely cannon um, but I refer to it anyway because

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<v Speaker 1>it's awesome. It was it was an approved work at

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<v Speaker 1>the time with an encouraging intro from Frank Herbert UM.

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<v Speaker 1>But it was written by various other authors. But if

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<v Speaker 1>you had a chance to look through it, um, you know,

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<v Speaker 1>grant grab it because it has recipes, it has wonderful illustrations,

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<v Speaker 1>it has all of this additional background info. It seems

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<v Speaker 1>this is just me looking in for the most part

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<v Speaker 1>from the outside, but it seems like as a whole.

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<v Speaker 1>With like with Doune Lore, you basically have like three

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<v Speaker 1>different tiers. They're the original Herbert novels, the Frank Herbert novels.

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<v Speaker 1>There's there's the lore of the Dune encyclopedia, and then

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<v Speaker 1>there's the additional um arm of it that is created

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<v Speaker 1>by by his son Brian Herbert and his novels sequel

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<v Speaker 1>in prequel novels. Oh no, So, now that there's a

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<v Speaker 1>big release of Dune by I guess it's by a

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<v Speaker 1>subsidiary of Warner Brothers. Is that right? Are we gonna

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<v Speaker 1>get a situation like Star Wars? Where now canon is

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<v Speaker 1>being decided by the media corporation that owns the rights

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<v Speaker 1>to the Dune movie. Um, I don't think so, because

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<v Speaker 1>I think it's kind of a I think there's a

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<v Speaker 1>certain amount of control held by um by Brian Herbert.

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<v Speaker 1>If I'm not okay, if I'm not mistaken, Um I

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<v Speaker 1>don't so. I don't know exactly how it's how it's

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<v Speaker 1>gonna work out, but I don't think it's quite at

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<v Speaker 1>the like the Disney level where you have like a

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<v Speaker 1>council that decides on on matters, but I have I

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<v Speaker 1>think the plan still is that we're going to get

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<v Speaker 1>a Binny jesser At television series, so that's going to

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<v Speaker 1>be interesting. Yeah, But what I want to know is, like,

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<v Speaker 1>is the Doinge Encyclopedia's recipe for spice melange omelets going

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<v Speaker 1>to be you know, B canon or ccnon or what's

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<v Speaker 1>the Oh yeah, yeah, that that the the pre Disney

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<v Speaker 1>Lucas you know, multi tiered classification system. Uh yeah, that's

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<v Speaker 1>pre Disney. Sorry, I can't keep I think Disney came

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<v Speaker 1>in and simplified matters to a certain extent, so I

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<v Speaker 1>don't think there as many classifications. But um so I

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<v Speaker 1>don't know, who knows what will happen with Done if

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<v Speaker 1>Done can, that's assuming like Done has like real staying

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<v Speaker 1>power is a mainstream commodity. I hope it does. I

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<v Speaker 1>hope that that we see at least through Doing Messiah

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<v Speaker 1>with this this current slate of films. Oh, I guess

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<v Speaker 1>I hadn't said, by the way, but I finally did

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<v Speaker 1>see the new movie and it's absolutely marvelous, just amazing, excellently. Yeah, well,

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<v Speaker 1>we'll have to to chat more and more about that.

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<v Speaker 1>Um So, so let's go ahead and just talk a

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<v Speaker 1>little bit about the background of the Benigester, like who

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<v Speaker 1>are the Benigesta and how they feature into the world

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<v Speaker 1>of Dune. Um you know, so for many of you,

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<v Speaker 1>this is going to be just stuff you already know.

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<v Speaker 1>Others you might be a little foggy on some of

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<v Speaker 1>the details. And I don't know if if you've only

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<v Speaker 1>watched the film, maybe you picked up on most of this,

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<v Speaker 1>but maybe not all of it. So Dune takes place

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<v Speaker 1>in the distant future. Humans have spread out from Old

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<v Speaker 1>Earth and they've inhabited various worlds. While they encounter native

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<v Speaker 1>organisms on these planets, including the mighty sandworms, of Iracus,

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<v Speaker 1>they do not encounter other intelligent life forms. So subsequently

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<v Speaker 1>there are there are no intelligent life forms in the

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<v Speaker 1>Dune Universe that are not human or at least human derived.

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<v Speaker 1>By the later works, Old Earth is said to be gone,

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<v Speaker 1>and we just have this vast diaspora of human colonized worlds.

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<v Speaker 1>All right, So there's a big interplanetary empire spans a

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<v Speaker 1>big chunk of the galaxy, but it is not populated

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<v Speaker 1>by all different types of intelligent aliens like say the

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<v Speaker 1>Star Wars universe, is right, and so that's something that

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<v Speaker 1>definitely makes it stand apart from some of these other, um,

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<v Speaker 1>you know, sci fi franchises. Now, I suppose that's like

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<v Speaker 1>the first big historical point in the Dune Universe is

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<v Speaker 1>people left Earth and started colonizing other worlds. But the

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<v Speaker 1>other big one, uh, and this one, you know, sets

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<v Speaker 1>it apart from from from a number of sci fi

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<v Speaker 1>visions as well, is that you have this thing called

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<v Speaker 1>the Butlerian Jihad, in which these spacefaring humans rebelled against

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<v Speaker 1>their alliance on so called thinking machines, on computers and

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<v Speaker 1>conscious AI and and also more subtly, uh, you know,

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<v Speaker 1>it's implied against a machine way of thinking. Yeah, and

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<v Speaker 1>so this gives rise to one of the most unique

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<v Speaker 1>things about the sci fi setting of Dune. It is

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<v Speaker 1>a space faring science fiction saga without computers in it,

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<v Speaker 1>or I mean mostly without computers. Instead, computing tasks in

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<v Speaker 1>the Done universe are done by humans who specially train

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<v Speaker 1>their brains to do the kinds of things computers would

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<v Speaker 1>normally have to do. So you have figures like the

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<v Speaker 1>Men Tats, you know, sort of human computers, or the

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<v Speaker 1>the Guild Navigators who would do what a computer would

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<v Speaker 1>do in most other sci fi right. Yeah, so they're

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<v Speaker 1>all obeying these various edicts like thou shalt not create

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<v Speaker 1>a machine and the likeness of a human mind, or

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<v Speaker 1>thou shalt not disfigure the soul. Uh. There's a great

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<v Speaker 1>quote in the appendix to doone um to the novel

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<v Speaker 1>that says, then came the Butlet and Jahad, two generations

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<v Speaker 1>of chaos. The god of machine logic was overthrown among

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<v Speaker 1>the masses, and a new concept raised. Man may not

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<v Speaker 1>be replaced. And I know we've talked about this before,

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<v Speaker 1>but I always thought that that's an interesting touch, the

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<v Speaker 1>idea that, uh, that it's not just like the war

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<v Speaker 1>with the machines imagined in say the Terminator films, where

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<v Speaker 1>it's well, the machines wanted to destroy us, so we

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<v Speaker 1>fought against them. There is more of a suggestion of

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<v Speaker 1>kind of subtle psychological revolt and in more complexity to

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<v Speaker 1>the conflict between humans and thinking machines that a lot

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<v Speaker 1>of the conflict seems to have been rooted in human

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<v Speaker 1>resentment of what the thinking machines represented within human culture. Yeah, yeah,

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<v Speaker 1>And I always liked how that idea seemed to have

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<v Speaker 1>been given room to breathe. You know. Um, it's not

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<v Speaker 1>like here's here's blow by blow what happened during the

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<v Speaker 1>Balerian Jahade. Here's sort of forced to, uh, to imagine

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<v Speaker 1>what it might have consisted of. Yeah, it happened like

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<v Speaker 1>ten thousand years ago and is now the basis of

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<v Speaker 1>of major religions of the of the Empire in Dune. Now.

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<v Speaker 1>The Butalian Jahade is said to have lasted from the

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<v Speaker 1>year two hundred big to the year one oh eight

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<v Speaker 1>b G. And I know some of you are saying, well,

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<v Speaker 1>what what is b G? What does this mean? This

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<v Speaker 1>means before guild, which leads to the next point without yeah,

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<v Speaker 1>without thinking machines. Humans have to turn largely inward in

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<v Speaker 1>order to manage this interstellar civilization. And without thinking machines

0:12:05.720 --> 0:12:09.920
<v Speaker 1>to augment human cognition, they had to enhance human cognition itself.

0:12:10.400 --> 0:12:13.920
<v Speaker 1>And this, believe brings us to these different classes of

0:12:13.920 --> 0:12:18.120
<v Speaker 1>of humans and human factions. So we have the Spacing Guild.

0:12:18.760 --> 0:12:21.920
<v Speaker 1>We're told it's a mental physical training school aimed at

0:12:21.960 --> 0:12:25.800
<v Speaker 1>developing humans capable of handling space travel, particularly the dangerous

0:12:25.840 --> 0:12:29.959
<v Speaker 1>navigation of hyperspace that was key to interstellar travel. And

0:12:29.960 --> 0:12:32.680
<v Speaker 1>this is actually where you know, if you know anything

0:12:32.679 --> 0:12:35.319
<v Speaker 1>about doing, you've probably heard the phrase the spice must flow.

0:12:35.440 --> 0:12:37.400
<v Speaker 1>You know that it has something to do with a

0:12:37.559 --> 0:12:42.160
<v Speaker 1>brutal contest for a natural resource known as spice and

0:12:42.440 --> 0:12:44.400
<v Speaker 1>uh the rule. And so I think a lot of

0:12:44.440 --> 0:12:47.679
<v Speaker 1>people have, you know, critics have compared spice to oil,

0:12:47.960 --> 0:12:50.560
<v Speaker 1>say in the real world, saying that it's this all

0:12:50.640 --> 0:12:55.040
<v Speaker 1>important natural resource that makes basically everything in the economy possible.

0:12:55.160 --> 0:12:58.280
<v Speaker 1>It makes uh, it makes travel possible, it makes delivery

0:12:58.280 --> 0:13:01.560
<v Speaker 1>of goods and services possible. And that is largely the

0:13:01.600 --> 0:13:04.880
<v Speaker 1>case in June, but not by being an energy source

0:13:05.000 --> 0:13:09.240
<v Speaker 1>that powers spaceships, but rather, the spice is a drug

0:13:09.320 --> 0:13:13.840
<v Speaker 1>that makes the navigation of space by human minds possible.

0:13:14.520 --> 0:13:17.079
<v Speaker 1>That's right, Yeah, would telling that it. It basically allows

0:13:17.240 --> 0:13:19.760
<v Speaker 1>members of the Space and Guild and navigators in particular,

0:13:20.160 --> 0:13:23.240
<v Speaker 1>to see possible futures, to see just a little bit

0:13:23.280 --> 0:13:25.800
<v Speaker 1>into the future, so that they can avoid all the

0:13:25.880 --> 0:13:28.600
<v Speaker 1>various disasters that are can occur during this, uh, this

0:13:28.720 --> 0:13:31.640
<v Speaker 1>sort of space travel. Yeah, so like you, you take

0:13:31.640 --> 0:13:35.080
<v Speaker 1>the spice and then you can kind of hallucinate fractal

0:13:35.120 --> 0:13:38.000
<v Speaker 1>mathematics that allow you to to to see enough into

0:13:38.000 --> 0:13:41.200
<v Speaker 1>the future or or see possible futures well enough that

0:13:41.280 --> 0:13:44.400
<v Speaker 1>you can navigate the harsh terrain of outer space or

0:13:44.960 --> 0:13:47.839
<v Speaker 1>folded space in particular. I'm not sure exactly what that means,

0:13:47.840 --> 0:13:50.520
<v Speaker 1>but it's it's how they travel between the stars, right.

0:13:51.320 --> 0:13:53.360
<v Speaker 1>And then, like we mentioned o theire, they're also the

0:13:53.360 --> 0:13:55.800
<v Speaker 1>mint ats, the humans bred and trained to act in

0:13:55.800 --> 0:13:59.000
<v Speaker 1>the place of computers and thinking machines, uh, kind of

0:13:59.120 --> 0:14:03.120
<v Speaker 1>futuristics of its capable of carrying out really advanced computations

0:14:03.120 --> 0:14:05.280
<v Speaker 1>in their head and also I guess just carrying around

0:14:05.280 --> 0:14:07.880
<v Speaker 1>a lot of information. Yeah, you might see them as

0:14:07.880 --> 0:14:12.720
<v Speaker 1>a kind of advisor or concigliary who has an internal

0:14:12.760 --> 0:14:16.320
<v Speaker 1>computer within their brain, right, I have to say, I

0:14:16.400 --> 0:14:19.280
<v Speaker 1>like in the new film how they they had a

0:14:19.360 --> 0:14:22.000
<v Speaker 1>mentat's sort of rolling their eyes back in their head

0:14:22.040 --> 0:14:25.200
<v Speaker 1>while computing things. This is kind of a nice visual touch,

0:14:26.520 --> 0:14:28.160
<v Speaker 1>I can. I think that's one of the challenges of

0:14:28.560 --> 0:14:31.760
<v Speaker 1>any of these adaptations of of Done is that there's

0:14:31.800 --> 0:14:35.320
<v Speaker 1>a lot of written material that you either have to

0:14:35.800 --> 0:14:38.240
<v Speaker 1>you know, just commit to including a lot of narration

0:14:38.280 --> 0:14:40.760
<v Speaker 1>and added dialogue about what they are and how they operate,

0:14:41.240 --> 0:14:43.840
<v Speaker 1>or you need to find and focus on ways to

0:14:44.080 --> 0:14:47.280
<v Speaker 1>visually represent them. And uh, and I think all the

0:14:47.320 --> 0:14:50.080
<v Speaker 1>films have have succeeded to varying degrees in that, you know,

0:14:50.160 --> 0:14:52.360
<v Speaker 1>like these these characters look like that. They all look

0:14:52.440 --> 0:14:55.840
<v Speaker 1>like this, they all have this hairstyle or lack of hairstyle.

0:14:56.200 --> 0:14:58.120
<v Speaker 1>I mean, this is I think always going to be.

0:14:58.120 --> 0:15:01.880
<v Speaker 1>One of the real difficult cult is in adapting Dune

0:15:02.160 --> 0:15:04.000
<v Speaker 1>like a lot. I mean, Dune is not unique in

0:15:04.000 --> 0:15:06.640
<v Speaker 1>this regard. A lot of great science fiction and fantasy works.

0:15:06.680 --> 0:15:10.320
<v Speaker 1>The real pleasure in them is in the world that

0:15:10.360 --> 0:15:14.239
<v Speaker 1>they established. It's like a really richly imagined, an interesting

0:15:14.280 --> 0:15:16.880
<v Speaker 1>alternate world. So a lot of the pleasure of the

0:15:16.920 --> 0:15:19.560
<v Speaker 1>story comes in getting a lot of that rich detail

0:15:19.600 --> 0:15:21.480
<v Speaker 1>about the world. But how do you, Yeah, how do

0:15:21.520 --> 0:15:23.840
<v Speaker 1>you cram that into a narrative? How do you put

0:15:23.880 --> 0:15:26.400
<v Speaker 1>that on screen without just like explaining it. You could

0:15:26.400 --> 0:15:29.640
<v Speaker 1>have a narrator just telling the audience a bunch of stuff,

0:15:29.680 --> 0:15:32.400
<v Speaker 1>but that can get really tedious. So how do you

0:15:32.440 --> 0:15:34.560
<v Speaker 1>do it? And I think again, the new movie, I

0:15:34.560 --> 0:15:38.040
<v Speaker 1>think mostly navigates this really well. It finds good, succinct

0:15:38.080 --> 0:15:42.160
<v Speaker 1>ways to communicate some of these rich, strange details of

0:15:42.160 --> 0:15:46.320
<v Speaker 1>the situation. Yeah, it's seen that way to me as well. Though,

0:15:46.480 --> 0:15:48.160
<v Speaker 1>I'd love to hear from anyone out there who just

0:15:48.200 --> 0:15:52.080
<v Speaker 1>went into this cult um, because I've only heard like

0:15:52.200 --> 0:15:54.760
<v Speaker 1>one secondhand account of this where someone who's you know,

0:15:54.760 --> 0:15:58.400
<v Speaker 1>they thought the baron was the emperor sort of a thing. Like, So,

0:15:58.440 --> 0:16:01.240
<v Speaker 1>I'm wondering if that's like a common misconception based on

0:16:01.320 --> 0:16:04.760
<v Speaker 1>not knowing what to expect, or um, if that's you know,

0:16:04.920 --> 0:16:07.600
<v Speaker 1>just something that this individual had. Well, I mean, that

0:16:07.760 --> 0:16:09.880
<v Speaker 1>could be a totally fair criticism. If you go in

0:16:10.000 --> 0:16:12.440
<v Speaker 1>unfamiliar i mean, the Dune world, I think this problem

0:16:12.480 --> 0:16:15.320
<v Speaker 1>is going to be sort of inevitable, Like the dune world.

0:16:15.400 --> 0:16:17.920
<v Speaker 1>It's just a lot. There's a lot of detail. It's

0:16:18.040 --> 0:16:20.880
<v Speaker 1>very complicated. If you're going to tell the story in

0:16:20.960 --> 0:16:23.400
<v Speaker 1>the kind of rich way that that makes it come alive,

0:16:23.520 --> 0:16:25.200
<v Speaker 1>a lot of that detail is going to be in there,

0:16:25.200 --> 0:16:32.480
<v Speaker 1>and so it can be easy to miss things. Thank you,

0:16:32.680 --> 0:16:35.080
<v Speaker 1>thank you. All right, Well let's come back to the

0:16:35.280 --> 0:16:38.400
<v Speaker 1>Bennie Jesser. So, the Beni Jessri are related to these

0:16:38.440 --> 0:16:42.280
<v Speaker 1>other groups, but they untill they predate both of them. Uh.

0:16:42.320 --> 0:16:45.920
<v Speaker 1>They so they expanded with humanity across the stars and

0:16:45.920 --> 0:16:47.720
<v Speaker 1>the whole time, they're kind of working in the shadows,

0:16:47.760 --> 0:16:51.120
<v Speaker 1>functioning in many cases like a shadow government and behind

0:16:51.160 --> 0:16:55.840
<v Speaker 1>the guise of a semi mystical organization. They're a mostly

0:16:55.920 --> 0:17:01.640
<v Speaker 1>female organization who are particularly adept at manipulating religious culture. Uh.

0:17:01.720 --> 0:17:04.679
<v Speaker 1>They have seemed to have abilities related to mind control

0:17:04.720 --> 0:17:08.520
<v Speaker 1>and hypnosis. They have intense physical and mental conditioning that

0:17:08.600 --> 0:17:12.000
<v Speaker 1>make them really potent operatives and combatants. So you know,

0:17:12.000 --> 0:17:14.280
<v Speaker 1>they can really hold their own and we see them

0:17:14.320 --> 0:17:16.440
<v Speaker 1>do that in the movie, of course, um at least

0:17:16.480 --> 0:17:19.639
<v Speaker 1>in what we see Jessica Paul's mom to actually is

0:17:19.680 --> 0:17:21.959
<v Speaker 1>of course a Bennie jess It. They also make use

0:17:21.960 --> 0:17:25.320
<v Speaker 1>of spice themselves to sort of enhance these talents, and

0:17:25.680 --> 0:17:28.240
<v Speaker 1>we're also told they're aided by a kind of union

0:17:28.400 --> 0:17:31.880
<v Speaker 1>collective on consciousness. One thing I think is interesting about

0:17:31.880 --> 0:17:35.320
<v Speaker 1>the Bennie Jesser it is they exist within the Dune

0:17:35.400 --> 0:17:38.679
<v Speaker 1>universe kind of at the boundary of of hard science

0:17:38.720 --> 0:17:41.600
<v Speaker 1>fiction and fantasy, because there's a lot that they do

0:17:42.119 --> 0:17:47.199
<v Speaker 1>that seems right on the border of is this magic, right, Like,

0:17:47.280 --> 0:17:49.919
<v Speaker 1>Dune doesn't include overt magic, you know, you don't have

0:17:49.920 --> 0:17:52.679
<v Speaker 1>people who are majors or casting spells or anything. But

0:17:53.280 --> 0:17:55.520
<v Speaker 1>the Bennie Jesser in particular, can do a lot of

0:17:55.560 --> 0:17:59.760
<v Speaker 1>things that it is assumed that there is no magic involved,

0:17:59.760 --> 0:18:03.240
<v Speaker 1>and they are working by just some kind of obscure

0:18:03.240 --> 0:18:07.560
<v Speaker 1>physical mechanism, but you might not understand what that mechanism is, right,

0:18:07.640 --> 0:18:10.800
<v Speaker 1>And they guard their secrets too, But this also leads

0:18:10.800 --> 0:18:13.080
<v Speaker 1>to their critics saying, oh, well, they're a bunch of wages.

0:18:13.440 --> 0:18:16.440
<v Speaker 1>That's witchcraft what they're doing now. One of their big

0:18:16.480 --> 0:18:19.040
<v Speaker 1>games in the in the books, of course, is especially

0:18:19.080 --> 0:18:22.119
<v Speaker 1>the first book, is the selective breeding of the Quisots

0:18:22.119 --> 0:18:24.560
<v Speaker 1>hot iraq Uh not a mirror men tab but a

0:18:24.640 --> 0:18:26.800
<v Speaker 1>kind of super men tab they want to make essentially

0:18:26.800 --> 0:18:30.080
<v Speaker 1>a living some supercomputer, uh quote, one who can be

0:18:30.119 --> 0:18:34.639
<v Speaker 1>many places at once. And Herbert explains uh quote, in

0:18:34.720 --> 0:18:37.520
<v Speaker 1>simpler terms, what they sought was a human with mental

0:18:37.560 --> 0:18:42.040
<v Speaker 1>powers permitting him to understand and use higher ordered dimensions.

0:18:42.720 --> 0:18:46.399
<v Speaker 1>And this fits into a very complicated power seeking plot

0:18:46.480 --> 0:18:53.000
<v Speaker 1>that they have about essentially trying to create a galactic Messiah. Right. So, um,

0:18:53.040 --> 0:18:55.240
<v Speaker 1>I guess in short, the benidgester, I mean, you say

0:18:55.280 --> 0:18:58.000
<v Speaker 1>all these things out loud in a quick summary, it's

0:18:58.000 --> 0:19:00.800
<v Speaker 1>it's it's an awful lot um uh, you know, in

0:19:00.880 --> 0:19:03.080
<v Speaker 1>terms of like, you know, you're gonna fit this faction

0:19:03.119 --> 0:19:05.639
<v Speaker 1>into a movie along with all these other interesting factions

0:19:05.680 --> 0:19:08.680
<v Speaker 1>and families and so forth, and not to mention the

0:19:08.720 --> 0:19:12.640
<v Speaker 1>various technologies and organisms, um, you know, all all all

0:19:12.680 --> 0:19:15.679
<v Speaker 1>the more credit to any of these adaptations that have

0:19:15.760 --> 0:19:18.760
<v Speaker 1>pulled that off. Uh. They have a lot of tricks

0:19:18.840 --> 0:19:22.159
<v Speaker 1>up their sleeve, many of which might seem like witchcraft

0:19:22.200 --> 0:19:25.600
<v Speaker 1>of the casual observer. But we're gonna come back to that.

0:19:25.600 --> 0:19:28.080
<v Speaker 1>That that first big one that we see the sort

0:19:28.080 --> 0:19:31.280
<v Speaker 1>of our in our real introduction to the Benegestrate is

0:19:31.320 --> 0:19:34.480
<v Speaker 1>of course the gom Jabbar awareness test. All right, this

0:19:34.560 --> 0:19:36.280
<v Speaker 1>is the scene we were talking about right at the

0:19:36.280 --> 0:19:39.720
<v Speaker 1>beginning of the novel that I've read multiple times. Yeah,

0:19:39.800 --> 0:19:42.760
<v Speaker 1>I even read up to around this part to my son,

0:19:42.880 --> 0:19:44.720
<v Speaker 1>thinking like I picked up soon after many years, and

0:19:45.119 --> 0:19:47.600
<v Speaker 1>maybe it's maybe he'd like it. Uh, And we got

0:19:47.680 --> 0:19:50.040
<v Speaker 1>made about that fire and I was then I was reminded, oh, yeah,

0:19:50.040 --> 0:19:51.520
<v Speaker 1>this is maybe a little this is too dense for

0:19:51.600 --> 0:19:53.879
<v Speaker 1>him right now. You know, it will save this one

0:19:53.920 --> 0:19:56.320
<v Speaker 1>for later. But but yeah, it's a great scene, and

0:19:56.320 --> 0:19:58.040
<v Speaker 1>we're not gonna we're not gonna spend I guess too

0:19:58.119 --> 0:20:00.360
<v Speaker 1>much time explaining what happens. You know, beat I beat.

0:20:00.440 --> 0:20:03.800
<v Speaker 1>But but here are the basics. Quick note by the way, um,

0:20:03.920 --> 0:20:06.480
<v Speaker 1>we're probably gonna end up saying a tradees instead of

0:20:06.480 --> 0:20:10.200
<v Speaker 1>a trades. We're probably gonna if we get into the

0:20:09.560 --> 0:20:13.239
<v Speaker 1>the the hearkenings Harkonan's, we're gonna mix those pronunciations up

0:20:13.240 --> 0:20:16.400
<v Speaker 1>as well. Um, there's of course kind of a back

0:20:16.440 --> 0:20:18.120
<v Speaker 1>and forth I guess about how you're supposed to say

0:20:18.160 --> 0:20:21.280
<v Speaker 1>these things. The main character of Dune is Paula Tradees.

0:20:21.440 --> 0:20:24.200
<v Speaker 1>I've always said a tradees. We. When we didn't add

0:20:24.320 --> 0:20:26.159
<v Speaker 1>for this movie, they were like no, you really need

0:20:26.280 --> 0:20:29.880
<v Speaker 1>to say a tray Eddies, which you said is apparently

0:20:29.960 --> 0:20:33.119
<v Speaker 1>how how Frank Herbert said it at some point, But

0:20:33.520 --> 0:20:35.359
<v Speaker 1>I don't know. I've always heard of Tradees, That's how

0:20:35.400 --> 0:20:38.680
<v Speaker 1>I've always said it. Yeah, Herbert said a Treedes and

0:20:38.720 --> 0:20:41.639
<v Speaker 1>he said hearken. And but you know, I'm of the

0:20:41.680 --> 0:20:44.000
<v Speaker 1>mind too that ultimately these books live in our brains

0:20:44.200 --> 0:20:47.080
<v Speaker 1>and sometimes there's a pronunciation there that doesn't match up

0:20:47.160 --> 0:20:51.760
<v Speaker 1>with with reality, and it's just how it goes, all right.

0:20:51.800 --> 0:20:54.879
<v Speaker 1>So in this scene we have Paula Trayedes, the son

0:20:54.960 --> 0:20:58.560
<v Speaker 1>of Duke leto Trades, and he's there with Lady Jessica

0:20:59.119 --> 0:21:02.280
<v Speaker 1>Um a Binny sr Its sister installed in the Tradees

0:21:02.320 --> 0:21:05.359
<v Speaker 1>household Um as part of the breeding program, Jessica was

0:21:05.400 --> 0:21:07.520
<v Speaker 1>supposed to have a daughter who would then go on

0:21:07.800 --> 0:21:12.080
<v Speaker 1>to birth the Quizatts Hoderratch, but then she defied them

0:21:12.160 --> 0:21:15.680
<v Speaker 1>and had a son instead Um. And then that son,

0:21:15.760 --> 0:21:18.040
<v Speaker 1>of course, is Paul. And Paul has dreams and sometimes

0:21:18.080 --> 0:21:21.960
<v Speaker 1>those dreams come true. So the Benejesterate send Reverend Mother

0:21:22.160 --> 0:21:25.560
<v Speaker 1>Guias Helen Mahaam to test him. And Moham is not

0:21:25.640 --> 0:21:28.600
<v Speaker 1>only a high ranking Bena Jessriate. She is the Imperial

0:21:28.720 --> 0:21:31.680
<v Speaker 1>truth Sayer and probably one of the most dangerous humans

0:21:31.720 --> 0:21:35.160
<v Speaker 1>in this entire fictional galaxy. So she's like a mega

0:21:35.280 --> 0:21:38.800
<v Speaker 1>Bennie Jesterrich. She knows all the tricks, all the secret skills.

0:21:39.440 --> 0:21:42.480
<v Speaker 1>You do not want to get on her bad side, right,

0:21:43.000 --> 0:21:44.840
<v Speaker 1>And Charlotte Rampling did a great job, by the way,

0:21:44.880 --> 0:21:47.879
<v Speaker 1>I really hope her performance. Yeah, she's really good. So

0:21:48.440 --> 0:21:51.080
<v Speaker 1>what does she do? She conducts this gom jabbar awareness

0:21:51.119 --> 0:21:53.760
<v Speaker 1>test on Paul. He's told to place his hand into

0:21:53.800 --> 0:21:58.159
<v Speaker 1>a small, curious green box and then she holds this

0:21:58.720 --> 0:22:01.840
<v Speaker 1>like she has this little needle thing called the gone jibar.

0:22:01.920 --> 0:22:05.200
<v Speaker 1>She holds it to his neck. Uh. And here's the situation.

0:22:05.280 --> 0:22:07.360
<v Speaker 1>She lays it out. If you take your hand out

0:22:07.400 --> 0:22:09.520
<v Speaker 1>of this box, I'm gonna jab you in the neck

0:22:09.600 --> 0:22:12.639
<v Speaker 1>with this pointy thing. Um. The gone jibar here is

0:22:12.680 --> 0:22:15.840
<v Speaker 1>essentially a poison needle that will just absolutely kill you dead.

0:22:16.160 --> 0:22:19.480
<v Speaker 1>It contains a meta cyanide I think she says, yes,

0:22:19.720 --> 0:22:22.159
<v Speaker 1>meta cyanide, so you might be prepared for sanide, but

0:22:22.200 --> 0:22:28.160
<v Speaker 1>not meta cyanide um. The box so meta. The box

0:22:28.320 --> 0:22:30.880
<v Speaker 1>is far more subtle, though, So you stick your hand

0:22:30.920 --> 0:22:34.399
<v Speaker 1>in this box, and it will begin to tingle with sensation,

0:22:34.520 --> 0:22:37.439
<v Speaker 1>you know, like maybe you know, just some maybe eventually

0:22:37.480 --> 0:22:41.040
<v Speaker 1>an itching begins. But eventually, and rather quickly, this is

0:22:41.040 --> 0:22:43.760
<v Speaker 1>going to grow into an all consuming feeling of pain.

0:22:44.400 --> 0:22:46.520
<v Speaker 1>And generally speaking, I think people stick their hand in

0:22:46.520 --> 0:22:48.720
<v Speaker 1>the box, they just they imagine that their hand is

0:22:48.840 --> 0:22:52.600
<v Speaker 1>just on fire, just crumbling into ashes, and there eventually,

0:22:53.040 --> 0:22:55.480
<v Speaker 1>right it says, I think specifically that when when the

0:22:55.560 --> 0:22:58.920
<v Speaker 1>pain increases in intensity, Paul believes that his hand is

0:22:59.240 --> 0:23:02.480
<v Speaker 1>being charred away and just turned into a stump. Yeah.

0:23:03.080 --> 0:23:05.400
<v Speaker 1>So you know, Paul, Paul has a lot of questions

0:23:05.480 --> 0:23:08.080
<v Speaker 1>and he's maybe a little bold and asking them at times.

0:23:08.119 --> 0:23:11.359
<v Speaker 1>And during this this session, uh, he asked what's in

0:23:11.400 --> 0:23:13.960
<v Speaker 1>the box? And she's like, it's pain, pains in the box.

0:23:14.359 --> 0:23:17.159
<v Speaker 1>And he's like okay, and but she keeps on going. Um,

0:23:17.359 --> 0:23:19.800
<v Speaker 1>she says, you've heard of animals chewing off a leg

0:23:19.840 --> 0:23:23.000
<v Speaker 1>to escape a trap. There's an animal kind of trick.

0:23:23.200 --> 0:23:25.920
<v Speaker 1>A human would remain in the trap, endure the pain,

0:23:26.560 --> 0:23:29.760
<v Speaker 1>feigning death that he might kill the trapper and remove

0:23:29.800 --> 0:23:32.520
<v Speaker 1>a threat to his kind. Okay, So she's making a

0:23:32.600 --> 0:23:36.280
<v Speaker 1>distinction here about ways of responding to a threat, responding

0:23:36.320 --> 0:23:40.520
<v Speaker 1>with just sort of with with panic or with with strategy, right,

0:23:41.359 --> 0:23:44.120
<v Speaker 1>and Mahiam explains that this this is a testacy if

0:23:44.480 --> 0:23:46.679
<v Speaker 1>Paul is a human or an animal, and why when

0:23:46.720 --> 0:23:50.000
<v Speaker 1>Paul asked, why are you testing for humans? He replies

0:23:50.240 --> 0:23:52.520
<v Speaker 1>to set you free? And and then she goes back

0:23:52.560 --> 0:23:55.200
<v Speaker 1>to the whole butt Larry and Johada a bit and says, quote,

0:23:55.240 --> 0:23:57.680
<v Speaker 1>once men turned their thinking over the machines and hopes

0:23:57.720 --> 0:23:59.720
<v Speaker 1>that this would set them free, but that only for

0:23:59.840 --> 0:24:01.840
<v Speaker 1>men and other men with machines to enslave them. The

0:24:01.920 --> 0:24:05.119
<v Speaker 1>Great Revolt took away a crutch. It forced human minds

0:24:05.160 --> 0:24:08.840
<v Speaker 1>to develop. Schools were started to train human talents. And

0:24:08.960 --> 0:24:10.920
<v Speaker 1>from here she goes on to explain that the two

0:24:11.040 --> 0:24:13.440
<v Speaker 1>main schools to emerge from this ancient shift where the

0:24:13.480 --> 0:24:18.480
<v Speaker 1>Guild focusing on mathematics and the Benegesserate focusing on politics.

0:24:19.040 --> 0:24:21.960
<v Speaker 1>Now that word kind of rings strange in the context,

0:24:22.080 --> 0:24:23.520
<v Speaker 1>but I think I think it makes sense if you

0:24:23.600 --> 0:24:26.480
<v Speaker 1>work it out. Yeah, like to to reach this point

0:24:26.520 --> 0:24:28.280
<v Speaker 1>where you're like, oh, they're there there, which is their

0:24:28.280 --> 0:24:31.159
<v Speaker 1>psychic they have they have crazy technology, they they have

0:24:31.280 --> 0:24:35.479
<v Speaker 1>martial arts, they're super into politics. That makes them sound like, oh,

0:24:35.640 --> 0:24:37.560
<v Speaker 1>oh my good god, what topic are they going to

0:24:37.800 --> 0:24:42.840
<v Speaker 1>insist on talking to me about? Um? Right, um it? Politics,

0:24:42.920 --> 0:24:45.639
<v Speaker 1>I think can sound a bit lame as the superpower

0:24:45.720 --> 0:24:48.600
<v Speaker 1>of the benagestrate, but yeah, we have to I think

0:24:48.640 --> 0:24:51.119
<v Speaker 1>we have to realize they're talking about politics here in

0:24:51.200 --> 0:24:54.159
<v Speaker 1>the grander scheming sense, and not a shake hands and

0:24:54.240 --> 0:24:56.879
<v Speaker 1>kiss babies sort of thing, or a um, you know,

0:24:57.000 --> 0:25:00.880
<v Speaker 1>the sort of politics that one sees on television every day. Yeah. Well,

0:25:00.920 --> 0:25:02.960
<v Speaker 1>I mean there are multiple ways in which that could

0:25:02.960 --> 0:25:05.000
<v Speaker 1>be misleading. I mean, one thing I think it's worth

0:25:05.080 --> 0:25:07.000
<v Speaker 1>noting is that when I hear the word politics, I

0:25:07.040 --> 0:25:12.679
<v Speaker 1>automatically tend to assume a kind of basically democratic electoral context,

0:25:13.200 --> 0:25:16.919
<v Speaker 1>where even when the word has negative connotations, those negative

0:25:16.960 --> 0:25:20.280
<v Speaker 1>connotations are against that background. So it might have to

0:25:20.320 --> 0:25:24.440
<v Speaker 1>do with people lying or misrepresenting their priorities, or engaging

0:25:24.480 --> 0:25:27.520
<v Speaker 1>in petty corruption, or putting their private interests above the

0:25:27.600 --> 0:25:30.720
<v Speaker 1>public interests, and so forth, all things that are bad,

0:25:30.840 --> 0:25:33.840
<v Speaker 1>but on a different frequency than the political situation of

0:25:33.880 --> 0:25:37.160
<v Speaker 1>the done universe. Because the political system of the done

0:25:37.240 --> 0:25:40.840
<v Speaker 1>universe is hard to describe succinctly, but I think could

0:25:40.880 --> 0:25:45.680
<v Speaker 1>best be seen as something like techno feudalism or maybe

0:25:45.720 --> 0:25:49.439
<v Speaker 1>sort of interplanetary fascist imperialism with it with a special

0:25:49.520 --> 0:25:53.159
<v Speaker 1>political difference to trade guilds. But whatever it is, it

0:25:53.280 --> 0:25:57.040
<v Speaker 1>is certainly not electoral democracy. It's not a good political situation.

0:25:57.200 --> 0:26:00.840
<v Speaker 1>So that the use of politics and the bien ejeserate since,

0:26:00.880 --> 0:26:05.720
<v Speaker 1>I think, should be understood as expertise in manipulating human

0:26:06.080 --> 0:26:12.440
<v Speaker 1>institutions and seeking power and authority within a ruthless, hierarchical empire. Yeah,

0:26:12.480 --> 0:26:14.960
<v Speaker 1>I think that sums it up pretty well. So this test,

0:26:15.080 --> 0:26:18.280
<v Speaker 1>this Gonjibar awareness test, we learn, is ultimately about giving

0:26:18.320 --> 0:26:20.520
<v Speaker 1>the proctor of this test the chance to see how

0:26:20.600 --> 0:26:24.080
<v Speaker 1>the individual reacts to intense stress, and in doing so

0:26:24.320 --> 0:26:28.040
<v Speaker 1>test them on their use of benajesterriate teachings, which Paul

0:26:28.119 --> 0:26:31.520
<v Speaker 1>had been instructed in by his mother. Mild spoiler, Paul

0:26:31.520 --> 0:26:35.320
<v Speaker 1>passes the test. He does not die like you know,

0:26:35.640 --> 0:26:38.560
<v Speaker 1>five minutes into the film. Good job, Paul. Now, at

0:26:38.600 --> 0:26:41.800
<v Speaker 1>this point I thought we might get into some explanations

0:26:41.880 --> 0:26:44.880
<v Speaker 1>for what's actually going on in this test, or supposed

0:26:44.880 --> 0:26:46.159
<v Speaker 1>to be going on in this test, how we might

0:26:46.240 --> 0:26:49.480
<v Speaker 1>interpret it. Um, you know, I guess in many respects,

0:26:49.960 --> 0:26:51.680
<v Speaker 1>the test is pretty simple. You know, you got a

0:26:51.720 --> 0:26:53.960
<v Speaker 1>needle with a drop of poison on it, You've got

0:26:54.080 --> 0:26:56.720
<v Speaker 1>this box. And Mahaim says that the secret of the

0:26:56.760 --> 0:26:58.840
<v Speaker 1>box is something lots of folks would love to have,

0:26:59.119 --> 0:27:02.240
<v Speaker 1>you know, because clearly there there are plenty of bad

0:27:03.000 --> 0:27:07.040
<v Speaker 1>characters in the universe who would like to cause pain. Uh.

0:27:07.320 --> 0:27:10.400
<v Speaker 1>It's said to work via nerve inducers, creating a sensation

0:27:10.520 --> 0:27:14.000
<v Speaker 1>of intense you know, ultimately burning pain without actually causing

0:27:14.080 --> 0:27:17.800
<v Speaker 1>physical damage. Now, I mentioned the Dune Encyclopedia, and I

0:27:17.880 --> 0:27:19.920
<v Speaker 1>just want to point out that, interestingly, interestingly enough, it

0:27:20.040 --> 0:27:22.920
<v Speaker 1>does not really tap tackle this topic at all. It's

0:27:22.920 --> 0:27:26.000
<v Speaker 1>a book that goes all in on things like how

0:27:26.119 --> 0:27:30.200
<v Speaker 1>the molecular structure of milange might work, or exactly how

0:27:30.320 --> 0:27:33.960
<v Speaker 1>excon no rooms might function. But they pretty much left

0:27:34.040 --> 0:27:37.399
<v Speaker 1>the gone Jibar awareness test alone, which I was I

0:27:37.480 --> 0:27:39.200
<v Speaker 1>was kind of surprised that. I was like, there must

0:27:39.200 --> 0:27:41.320
<v Speaker 1>be a huge entry to this about this that I

0:27:41.400 --> 0:27:44.920
<v Speaker 1>just never read. That's interesting. But of course there was

0:27:45.000 --> 0:27:48.760
<v Speaker 1>an article about the gonjibar that got into some interesting

0:27:48.840 --> 0:27:52.200
<v Speaker 1>stuff in another book we've referenced. This one definitely came

0:27:52.280 --> 0:27:55.320
<v Speaker 1>up in our previous episodes. On the science of Dune,

0:27:55.359 --> 0:27:57.800
<v Speaker 1>and the book is actually called The Science of Dune,

0:27:58.240 --> 0:28:01.320
<v Speaker 1>published in two thousand and eight. It is edited by

0:28:01.480 --> 0:28:05.000
<v Speaker 1>Kevin R. Grazier, and there is a chapter on the

0:28:05.080 --> 0:28:08.359
<v Speaker 1>gom Jibar called The Black Hole of Pain by an

0:28:08.359 --> 0:28:11.400
<v Speaker 1>author named Carol Hart. This is still very much in print,

0:28:11.480 --> 0:28:13.879
<v Speaker 1>by the way, so if you're interested, you can definitely

0:28:13.880 --> 0:28:15.920
<v Speaker 1>grab a copy. Oh yeah, A lot of the essays

0:28:15.960 --> 0:28:17.960
<v Speaker 1>in this book are pretty interesting. Mostly what they do

0:28:18.400 --> 0:28:21.960
<v Speaker 1>is they take one of the concepts explained in Dune

0:28:22.000 --> 0:28:24.680
<v Speaker 1>and they talk about its situation within the Dune universe,

0:28:24.760 --> 0:28:27.320
<v Speaker 1>but then try to relate it to real world science

0:28:27.480 --> 0:28:30.399
<v Speaker 1>or sort of situate its uh, its role in the

0:28:30.520 --> 0:28:33.760
<v Speaker 1>narrative within the context of real world science. And so

0:28:33.960 --> 0:28:36.040
<v Speaker 1>that this essay by Carol Hart is all about the

0:28:36.119 --> 0:28:39.280
<v Speaker 1>gom Jabbar scene and UH and and how it relates

0:28:39.360 --> 0:28:42.560
<v Speaker 1>to some of the neuroscience of pain. So one of

0:28:42.600 --> 0:28:44.760
<v Speaker 1>the things she says at the beginning of this essay

0:28:44.880 --> 0:28:49.120
<v Speaker 1>is that, of course the hand is quote exquisitely sensitive

0:28:49.240 --> 0:28:52.640
<v Speaker 1>to painful and non painful stimuli. And I think we

0:28:52.720 --> 0:28:55.360
<v Speaker 1>all know this from experience. Generally, you know, the hands

0:28:55.400 --> 0:28:59.960
<v Speaker 1>are there's just so much more complexity of tactle feel

0:29:00.080 --> 0:29:02.360
<v Speaker 1>ling going on there, then there is in many other

0:29:02.400 --> 0:29:04.960
<v Speaker 1>parts of the body. I remember when I was a

0:29:05.080 --> 0:29:06.720
<v Speaker 1>kid and you would have to go to the doctor

0:29:06.800 --> 0:29:09.640
<v Speaker 1>and get a finger pricked um in order to give

0:29:09.680 --> 0:29:12.120
<v Speaker 1>a blood sample. I remember I used to think, why

0:29:12.200 --> 0:29:14.520
<v Speaker 1>can't they just like prick you on the back or

0:29:14.600 --> 0:29:17.000
<v Speaker 1>on the leg or something to get the blood sample,

0:29:17.320 --> 0:29:19.720
<v Speaker 1>because it seems like it's on the fingertip it hurts

0:29:19.800 --> 0:29:21.960
<v Speaker 1>almost more than it would just about anywhere else. I

0:29:21.960 --> 0:29:24.320
<v Speaker 1>don't know. Maybe some places I'm like, you know, the

0:29:24.720 --> 0:29:26.640
<v Speaker 1>face or a few other key points in the body

0:29:26.760 --> 0:29:29.640
<v Speaker 1>might might be as distressing, but the fingertip just it

0:29:29.760 --> 0:29:33.000
<v Speaker 1>seemed unnecessarily cruel to me. Yeah, I know exactly what

0:29:33.080 --> 0:29:35.880
<v Speaker 1>you're talking about. I I try to regularly give blood

0:29:35.920 --> 0:29:38.960
<v Speaker 1>at local blood drives, and um, you know, I I

0:29:39.000 --> 0:29:42.200
<v Speaker 1>don't want to stare at the needle in my arm.

0:29:42.760 --> 0:29:44.800
<v Speaker 1>Uh that's involved in the actual blood draw. But I

0:29:44.840 --> 0:29:46.720
<v Speaker 1>think if I had to choose, like, what is what's

0:29:46.760 --> 0:29:50.040
<v Speaker 1>my least favorite between the needle in my arm and

0:29:50.120 --> 0:29:52.720
<v Speaker 1>that that prick that they do just to test your blood. Initially,

0:29:53.400 --> 0:29:56.440
<v Speaker 1>it's always that that prick because it's just it's just

0:29:56.640 --> 0:29:58.920
<v Speaker 1>like this sudden punching, and there's this you know, the

0:29:59.000 --> 0:30:01.400
<v Speaker 1>sharp since the pain is very fleeting. Uh. And it's

0:30:01.440 --> 0:30:03.800
<v Speaker 1>not you know, it's not bad in terms of you know,

0:30:03.880 --> 0:30:05.320
<v Speaker 1>as far as all things go, but it is a

0:30:05.360 --> 0:30:09.320
<v Speaker 1>stark reminder of just how sensitive the fingers are. Yeah.

0:30:09.400 --> 0:30:11.240
<v Speaker 1>And I think there are multiple things going on here

0:30:11.280 --> 0:30:13.920
<v Speaker 1>with this exquisite sensitivity in the hands. I mean, one

0:30:14.000 --> 0:30:16.280
<v Speaker 1>thing is that the hands have to be very sensitive

0:30:16.360 --> 0:30:19.360
<v Speaker 1>in order to be dexterous. But there's also I believe,

0:30:19.400 --> 0:30:23.880
<v Speaker 1>a conceptual sensitivity in that you you realize that the

0:30:24.080 --> 0:30:27.400
<v Speaker 1>hands in a way are more fragile than than other

0:30:27.520 --> 0:30:29.720
<v Speaker 1>parts of the body. You know that, uh, that you

0:30:29.920 --> 0:30:31.840
<v Speaker 1>you need them to do all kinds of things. So

0:30:31.960 --> 0:30:35.880
<v Speaker 1>an injury to the finger will will limit the things

0:30:35.960 --> 0:30:39.040
<v Speaker 1>you can do more more so than an equivalent, say

0:30:39.120 --> 0:30:41.880
<v Speaker 1>prick or injury on like the thigh or the or

0:30:41.960 --> 0:30:44.680
<v Speaker 1>the back or something would. Yeah. Now, from here in

0:30:44.760 --> 0:30:47.120
<v Speaker 1>Heart's essay, she goes on to talk briefly about the

0:30:48.200 --> 0:30:52.040
<v Speaker 1>ways that pain pathways function within the body. What actually

0:30:52.120 --> 0:30:54.880
<v Speaker 1>happens when a pain sensation is triggered, say by an

0:30:54.960 --> 0:30:57.640
<v Speaker 1>injury to the hand. Uh. And so the first thing

0:30:57.760 --> 0:31:00.240
<v Speaker 1>she says is that most types of injury to the

0:31:00.280 --> 0:31:04.120
<v Speaker 1>hand will result in triggering more or less identical pain

0:31:04.240 --> 0:31:07.280
<v Speaker 1>sensing receptors in the in the nervous system called NO

0:31:07.400 --> 0:31:12.160
<v Speaker 1>susceptors pain sensors uh. And the one exception she cites

0:31:12.280 --> 0:31:16.000
<v Speaker 1>is certain kinds of like deep mechanical pressure or crushing pain.

0:31:17.400 --> 0:31:20.080
<v Speaker 1>But generally, she says, these NO susceptors are going to

0:31:20.240 --> 0:31:25.560
<v Speaker 1>detect injuries without much reference to discriminating it's it's type. So,

0:31:25.760 --> 0:31:29.320
<v Speaker 1>for example, while different receptors in in the tissues of

0:31:29.400 --> 0:31:31.400
<v Speaker 1>the hand will be able to tell the difference between

0:31:31.400 --> 0:31:36.200
<v Speaker 1>a range of warm and cool temperatures, extremes of heat

0:31:36.360 --> 0:31:39.480
<v Speaker 1>or cold that would trigger these pain receptors, they just

0:31:39.600 --> 0:31:43.520
<v Speaker 1>register as undifferentiated pain and use the same neural pathways.

0:31:44.440 --> 0:31:46.160
<v Speaker 1>And so I thought that was kind of interesting. And

0:31:46.240 --> 0:31:48.720
<v Speaker 1>she uses that to tie into some of the ambiguity

0:31:48.880 --> 0:31:51.000
<v Speaker 1>of of what's going on with the box, because of

0:31:51.080 --> 0:31:53.560
<v Speaker 1>course Paul cannot see his hand in the box, and

0:31:53.640 --> 0:31:56.080
<v Speaker 1>he doesn't know what's happening to it. He just knows

0:31:56.440 --> 0:32:00.240
<v Speaker 1>something painful is happening. And so she uses this to

0:32:00.320 --> 0:32:04.160
<v Speaker 1>explain that the intense burning sensation he experiences could be

0:32:04.320 --> 0:32:08.120
<v Speaker 1>other things. It could that could include like extreme cold. Yeah,

0:32:08.240 --> 0:32:10.760
<v Speaker 1>I always always liked this. Uh, it's kind of a

0:32:10.880 --> 0:32:14.240
<v Speaker 1>model of an exploration of just pain in general, because,

0:32:14.880 --> 0:32:17.080
<v Speaker 1>as we've touched on before, there's always the sensation of pain,

0:32:17.160 --> 0:32:19.480
<v Speaker 1>but then there's the mental world of thinking about the pain,

0:32:19.600 --> 0:32:23.000
<v Speaker 1>worrying about the pain, interpreting the pain. And in this,

0:32:23.280 --> 0:32:25.160
<v Speaker 1>you know, Paul's hand is literally in a in a

0:32:26.120 --> 0:32:29.000
<v Speaker 1>green but you know black box where you can't actually

0:32:29.040 --> 0:32:31.360
<v Speaker 1>see what's going on in there. Well, it's actually both.

0:32:31.440 --> 0:32:33.800
<v Speaker 1>It's green on the outside, but then he says on

0:32:33.840 --> 0:32:37.280
<v Speaker 1>the inside, no light penetrates that. He says, it's like

0:32:37.360 --> 0:32:41.480
<v Speaker 1>a perfectly black interior that you can't see at all. Yeah.

0:32:42.040 --> 0:32:45.680
<v Speaker 1>But to review, like the sensations that the narrative says

0:32:45.720 --> 0:32:48.719
<v Speaker 1>Paul experiences while his hand is in the box, uh,

0:32:48.760 --> 0:32:51.840
<v Speaker 1>it says, first he feels cold, and then he feels

0:32:52.160 --> 0:32:56.000
<v Speaker 1>slick metal, and this is presumably contact with the inside

0:32:56.040 --> 0:32:58.520
<v Speaker 1>of the box. One thing I don't know if you

0:32:58.560 --> 0:33:01.480
<v Speaker 1>remember this, but it's kind of range that the dimensions

0:33:01.560 --> 0:33:03.720
<v Speaker 1>of the box are said to be very small. I

0:33:03.760 --> 0:33:07.000
<v Speaker 1>think it's said to be fifteen centimeters to to a side,

0:33:07.120 --> 0:33:09.479
<v Speaker 1>which means that's like six inches I mean, I mean,

0:33:10.560 --> 0:33:13.960
<v Speaker 1>that's really small to get the hand in there. But anyway,

0:33:14.000 --> 0:33:16.680
<v Speaker 1>after this, it goes on to Paul saying that he

0:33:17.040 --> 0:33:20.960
<v Speaker 1>feels prickling, as if his hand were asleep. And then

0:33:21.040 --> 0:33:24.080
<v Speaker 1>this prickling turns into an itch, and then from an

0:33:24.120 --> 0:33:27.120
<v Speaker 1>itch it turns into burning, and then the burning just

0:33:27.440 --> 0:33:32.280
<v Speaker 1>increases and increases in intensity until it is excruciating. And

0:33:32.520 --> 0:33:36.000
<v Speaker 1>from here Carol Hart compares this to the sequence of

0:33:36.080 --> 0:33:39.440
<v Speaker 1>sensations when pain is usually felt from an injury to

0:33:39.560 --> 0:33:42.800
<v Speaker 1>the hands, such as burning or cutting. And there are

0:33:42.800 --> 0:33:45.600
<v Speaker 1>actually two different processes that go on here. I thought

0:33:45.640 --> 0:33:48.360
<v Speaker 1>this was kind of interesting. So the first one is

0:33:48.480 --> 0:33:51.880
<v Speaker 1>you get a very fast response that travels on what

0:33:52.040 --> 0:33:55.200
<v Speaker 1>she calls fast pain fibers. These are sometimes called type

0:33:55.280 --> 0:33:59.800
<v Speaker 1>three nerve fibers or a delta fibers and uh and

0:34:00.040 --> 0:34:02.760
<v Speaker 1>this response is is very quick, so this would be like,

0:34:03.160 --> 0:34:05.640
<v Speaker 1>you know, a tenth of a second uh and and

0:34:05.840 --> 0:34:11.360
<v Speaker 1>it's also usually not experienced as like a miserable, ongoing experience.

0:34:11.400 --> 0:34:14.840
<v Speaker 1>It is a quick, sharp sensation, usually something that prompts

0:34:14.880 --> 0:34:18.040
<v Speaker 1>you to immediately withdraw your hand from the source of

0:34:18.120 --> 0:34:20.640
<v Speaker 1>the injury. And I think this is one of the

0:34:20.719 --> 0:34:24.239
<v Speaker 1>interesting things about pain when compared to other types of

0:34:24.360 --> 0:34:27.440
<v Speaker 1>sensory input, which is that in some cases at least,

0:34:28.320 --> 0:34:33.200
<v Speaker 1>pain is almost synonymous with the behavioral reaction to it.

0:34:33.560 --> 0:34:36.080
<v Speaker 1>So what I mean by that is, uh, you know

0:34:37.280 --> 0:34:39.520
<v Speaker 1>a lot of other types of sensory input, you need

0:34:39.640 --> 0:34:43.560
<v Speaker 1>to process them and then you know, judge your reaction

0:34:43.640 --> 0:34:46.960
<v Speaker 1>based on the situation. But if you if you say,

0:34:47.040 --> 0:34:50.600
<v Speaker 1>touch a hot stove or something, your hand is withdrawn

0:34:50.800 --> 0:34:54.160
<v Speaker 1>before you have even thought about it, and it's like

0:34:54.280 --> 0:34:56.520
<v Speaker 1>after your hand is off it, then you're like, oh wow,

0:34:56.640 --> 0:34:59.520
<v Speaker 1>what just happened? You know, you have to process it backwards,

0:35:00.760 --> 0:35:02.880
<v Speaker 1>which is interesting. I mean I can't really think of

0:35:03.040 --> 0:35:05.680
<v Speaker 1>much other sensory information that works that way. Just just

0:35:05.800 --> 0:35:10.760
<v Speaker 1>prompting absolutely immediate, unthinking response that you can only reflect

0:35:10.880 --> 0:35:14.480
<v Speaker 1>on backwards. Yeah, it is that that that that sharp,

0:35:14.640 --> 0:35:18.279
<v Speaker 1>intense message. I'll say, it's basically saying, finger is in

0:35:18.360 --> 0:35:21.160
<v Speaker 1>contact with something that is burning finger, remove finger from

0:35:21.239 --> 0:35:26.440
<v Speaker 1>said substance their object. You know, uh, immediate reaction. But

0:35:26.520 --> 0:35:29.080
<v Speaker 1>then Heart goes on to explain that there's a secondary

0:35:29.200 --> 0:35:31.720
<v Speaker 1>type of pain actually that that travels via a different

0:35:31.800 --> 0:35:33.759
<v Speaker 1>neural pathway. So this would be what she calls the

0:35:33.880 --> 0:35:36.959
<v Speaker 1>slow pain fibers. These are also known as type four

0:35:37.280 --> 0:35:41.120
<v Speaker 1>or sea fibers, and this refers to the pathway from

0:35:41.280 --> 0:35:44.600
<v Speaker 1>the nerve endings in the tissue actually flowing all the

0:35:44.680 --> 0:35:47.200
<v Speaker 1>way up the spinal cord and connecting to the brain,

0:35:48.000 --> 0:35:51.760
<v Speaker 1>and these fibers, the slow pain fibers, they take longer

0:35:51.840 --> 0:35:54.400
<v Speaker 1>to get running. They need, she says, at least a

0:35:54.480 --> 0:35:57.080
<v Speaker 1>full second to get the message to the brain. And

0:35:57.160 --> 0:36:00.239
<v Speaker 1>then from here these turn into a more bill ding

0:36:00.400 --> 0:36:04.520
<v Speaker 1>persistent sensation. That is the pain we're usually thinking of

0:36:04.800 --> 0:36:08.080
<v Speaker 1>as as the the ongoing experience of pain when we've

0:36:08.120 --> 0:36:10.640
<v Speaker 1>been injured. So this might be a kind of burning

0:36:10.800 --> 0:36:14.600
<v Speaker 1>or aching pain that persists. It will usually grow gradually

0:36:14.719 --> 0:36:18.600
<v Speaker 1>worse over time. It often spreads out from the original

0:36:18.719 --> 0:36:20.560
<v Speaker 1>site of the injury, so you might have a cut

0:36:20.680 --> 0:36:22.759
<v Speaker 1>on the hand, but then you know by the time

0:36:22.840 --> 0:36:25.960
<v Speaker 1>it builds over the course of seconds or minutes that

0:36:26.040 --> 0:36:28.080
<v Speaker 1>you know the whole hand is aching. Is that there's

0:36:28.200 --> 0:36:32.319
<v Speaker 1>this radiating uh quality to it. And then also has

0:36:32.400 --> 0:36:36.160
<v Speaker 1>something to do with the immune system's inflammation response, which

0:36:36.280 --> 0:36:39.680
<v Speaker 1>is the sort of all purpose first responder two cellular

0:36:39.760 --> 0:36:42.680
<v Speaker 1>trauma and the body inflammation is of course also highly

0:36:42.719 --> 0:36:46.399
<v Speaker 1>associated with pain and sensitivity to further stimuli causing even

0:36:46.480 --> 0:36:49.680
<v Speaker 1>greater pain. And so this transition from the initial fast

0:36:49.760 --> 0:36:52.960
<v Speaker 1>pain fibers to the slow pain fibers is what Heart

0:36:53.280 --> 0:36:57.279
<v Speaker 1>refers to as the double pain response. But there's another

0:36:57.320 --> 0:37:00.480
<v Speaker 1>way in which the information we get via the sea

0:37:00.600 --> 0:37:04.879
<v Speaker 1>fiber pathways, the slow pain pathways, how they differ from

0:37:05.000 --> 0:37:08.960
<v Speaker 1>other kinds of sensory input, and uh, and the and

0:37:09.040 --> 0:37:11.319
<v Speaker 1>the point that Heart makes is that, unlike many other

0:37:11.440 --> 0:37:16.160
<v Speaker 1>kinds of sensory input, they really persist with repeated exposure.

0:37:16.880 --> 0:37:19.120
<v Speaker 1>So you know, we've talked on the show before about

0:37:19.719 --> 0:37:25.200
<v Speaker 1>different types of neural desensitization to two inputs that you know,

0:37:25.320 --> 0:37:29.120
<v Speaker 1>if you just repeatedly get the same sense information over

0:37:29.280 --> 0:37:33.160
<v Speaker 1>and over again in an unchanging way, it very often

0:37:33.320 --> 0:37:37.960
<v Speaker 1>fades into the background of consciousness. It somehow becomes invisible. So, uh,

0:37:38.040 --> 0:37:40.800
<v Speaker 1>this can be common with smells in your environment. So

0:37:40.960 --> 0:37:42.719
<v Speaker 1>you know, when you first come around the paper mill,

0:37:42.800 --> 0:37:44.759
<v Speaker 1>you can really smell it, but over the course of

0:37:45.160 --> 0:37:47.800
<v Speaker 1>some amount of time, probably a matter of minutes, you

0:37:47.920 --> 0:37:49.480
<v Speaker 1>just kind of get used to it and then you

0:37:49.560 --> 0:37:52.600
<v Speaker 1>don't really notice that you smell it anymore. Yeah, or

0:37:52.680 --> 0:37:56.080
<v Speaker 1>like cooking smells another example of this. You know, you say,

0:37:56.160 --> 0:37:58.600
<v Speaker 1>cook a bunch of onions. You don't really notice how

0:37:58.680 --> 0:38:01.120
<v Speaker 1>this is affected they sent inside the house until you

0:38:01.160 --> 0:38:04.000
<v Speaker 1>step outside for a little bit and come back exactly. Yeah,

0:38:04.560 --> 0:38:06.680
<v Speaker 1>the same is true of sounds in your environment. So

0:38:07.360 --> 0:38:10.080
<v Speaker 1>environmental sounds, you know, the rain coming down outside or

0:38:10.120 --> 0:38:14.560
<v Speaker 1>the refrigerator humming. If it's just the same static sound

0:38:14.680 --> 0:38:17.760
<v Speaker 1>input for a long time, you will pretty quickly become

0:38:17.800 --> 0:38:20.320
<v Speaker 1>accustomed to it and not notice it anymore unless you,

0:38:20.400 --> 0:38:23.200
<v Speaker 1>you know, stop to look for it or something. And

0:38:23.320 --> 0:38:26.120
<v Speaker 1>of course the same is true with tactle sensations in

0:38:26.160 --> 0:38:30.280
<v Speaker 1>the body, which would be the most analogous to pain sensations. Uh. Pressure,

0:38:30.360 --> 0:38:32.640
<v Speaker 1>as long as it's not painful will will work in

0:38:32.719 --> 0:38:34.759
<v Speaker 1>this case. So the pressure, think about the pressure of

0:38:34.800 --> 0:38:38.279
<v Speaker 1>your clothes against your skin, or your feet against the

0:38:38.360 --> 0:38:41.239
<v Speaker 1>floor or your butt against the chair. It all kind

0:38:41.280 --> 0:38:44.920
<v Speaker 1>of disappears from your consciousness after a few moments unless

0:38:45.120 --> 0:38:47.800
<v Speaker 1>you either stop to think about it or it happens

0:38:47.840 --> 0:38:52.040
<v Speaker 1>to become uncomfortable. So all of these sensory stimuli tend

0:38:52.120 --> 0:38:55.799
<v Speaker 1>to fade away rather quickly. But sea fiber pain has

0:38:55.960 --> 0:39:00.720
<v Speaker 1>a sticky quality and consciousness. It often just keeps hurting

0:39:00.880 --> 0:39:04.759
<v Speaker 1>until something changes, either the painful stimulus is removed or

0:39:04.800 --> 0:39:08.319
<v Speaker 1>the swelling goes down or healing takes place. And in fact,

0:39:08.600 --> 0:39:12.160
<v Speaker 1>not only does it persist, it actually does exactly the

0:39:12.320 --> 0:39:15.960
<v Speaker 1>opposite in many cases. So you repeat the same sensory

0:39:16.040 --> 0:39:19.120
<v Speaker 1>input in terms of most sounds or smells and so forth,

0:39:19.200 --> 0:39:22.600
<v Speaker 1>and you will eventually become desensitized to them until they disappear.

0:39:23.000 --> 0:39:25.960
<v Speaker 1>But Heart notes that pain sensations are subject to this

0:39:26.120 --> 0:39:29.840
<v Speaker 1>opposite phenomenon that sometimes known as pain wind up or

0:39:30.239 --> 0:39:34.400
<v Speaker 1>temporal summation, and this is where the body becomes increasingly

0:39:34.560 --> 0:39:39.640
<v Speaker 1>sensitive to unchanging painful stimulus. The same painful stimulus is

0:39:39.680 --> 0:39:42.560
<v Speaker 1>not getting more intense in terms of what's happening to

0:39:42.640 --> 0:39:45.560
<v Speaker 1>your body. It just the same thing keeps happening, and

0:39:45.680 --> 0:39:49.960
<v Speaker 1>it feels more and more painful upon repetition. And Heart

0:39:50.000 --> 0:39:54.040
<v Speaker 1>actually argues that increasing pain from repeated nerve stimulation sounds

0:39:54.200 --> 0:39:57.360
<v Speaker 1>very similar to what is described in the scene, except

0:39:57.440 --> 0:40:00.880
<v Speaker 1>with the interesting feature that the pain stop completely in

0:40:00.960 --> 0:40:03.839
<v Speaker 1>an instant. When when the reverend mother completes the test,

0:40:03.920 --> 0:40:06.520
<v Speaker 1>she says, okay, Paul is past. It's done, and then

0:40:06.680 --> 0:40:09.560
<v Speaker 1>it says that Paul experienced the pain going away as

0:40:09.600 --> 0:40:12.960
<v Speaker 1>if you know, somebody flipped a switch, and pain in

0:40:13.000 --> 0:40:15.520
<v Speaker 1>the body rarely does this. It rarely goes away that

0:40:15.719 --> 0:40:24.840
<v Speaker 1>fast than now. Part of the whole point of this

0:40:25.040 --> 0:40:30.560
<v Speaker 1>scene in the book is the reverend Mother's claim that essentially,

0:40:30.719 --> 0:40:32.640
<v Speaker 1>you know it's it's all in your head. She she

0:40:32.880 --> 0:40:35.120
<v Speaker 1>mocks the idea of pain, and she says to Paul,

0:40:35.160 --> 0:40:38.520
<v Speaker 1>a human can override any nerve in the body. And

0:40:38.600 --> 0:40:40.680
<v Speaker 1>so she's saying, Oh, you're afraid of pain, that just

0:40:40.800 --> 0:40:43.520
<v Speaker 1>means you're weak. You know that you haven't figured out

0:40:43.600 --> 0:40:46.480
<v Speaker 1>how to how to overcome it like I can. And

0:40:46.600 --> 0:40:50.279
<v Speaker 1>so the question is is it true that you know

0:40:50.360 --> 0:40:52.840
<v Speaker 1>a human can override any nerve in the body, the

0:40:52.920 --> 0:40:55.600
<v Speaker 1>idea that that pain is is all mental. Well, I

0:40:55.880 --> 0:40:59.120
<v Speaker 1>don't think that's entirely true. But the grain of truth

0:40:59.239 --> 0:41:03.080
<v Speaker 1>to it is that the experience of pain is subject

0:41:03.200 --> 0:41:07.480
<v Speaker 1>to more inputs than simply the pure sensory stimulus applied

0:41:07.640 --> 0:41:10.480
<v Speaker 1>to the body, that is, you know, causing the injury

0:41:10.640 --> 0:41:13.560
<v Speaker 1>or causing the pain. In terms of the environmental input,

0:41:14.200 --> 0:41:16.520
<v Speaker 1>you know, the knife cutting the skin, or the the

0:41:16.880 --> 0:41:19.440
<v Speaker 1>you know, the stick poking you, or the hot iron

0:41:19.520 --> 0:41:22.000
<v Speaker 1>against your hand or whatever it is. Uh and and

0:41:22.280 --> 0:41:26.279
<v Speaker 1>some of these inputs are cognitive. And so I think

0:41:26.320 --> 0:41:29.359
<v Speaker 1>it's a good way to approach this to reimagine pain

0:41:29.600 --> 0:41:34.359
<v Speaker 1>not as a sensory input in itself, but actually as

0:41:34.600 --> 0:41:38.080
<v Speaker 1>an experience. UH. And So here's the analogy I would use.

0:41:38.719 --> 0:41:41.719
<v Speaker 1>It's much the same way that vision is not an

0:41:41.920 --> 0:41:46.520
<v Speaker 1>input from the eyes but an experience. The environmental input

0:41:46.719 --> 0:41:49.880
<v Speaker 1>for vision would be light, But if you've listened to

0:41:49.920 --> 0:41:52.360
<v Speaker 1>this show for a while, you probably know that actually

0:41:52.480 --> 0:41:56.520
<v Speaker 1>all kinds of other inputs contribute to our experience of vision,

0:41:57.160 --> 0:42:00.960
<v Speaker 1>such that a person can see things with no input

0:42:01.040 --> 0:42:04.680
<v Speaker 1>of light. So think about the the UH studies we've

0:42:04.719 --> 0:42:08.239
<v Speaker 1>talked about with hallucinations that occur in total darkness. A

0:42:08.320 --> 0:42:11.839
<v Speaker 1>person can have can be blindfolded, or can be down

0:42:11.880 --> 0:42:14.279
<v Speaker 1>in a cave or something where there's no light at all,

0:42:14.640 --> 0:42:17.919
<v Speaker 1>and yet they can experience vision. They can see things,

0:42:18.040 --> 0:42:21.800
<v Speaker 1>and sometimes these things they see are not just you know,

0:42:22.200 --> 0:42:28.480
<v Speaker 1>hallucinations unconnected from reality. Sometimes these hallucinatory visions can include

0:42:28.640 --> 0:42:33.120
<v Speaker 1>real information based on other senses. The classic example I

0:42:33.200 --> 0:42:35.920
<v Speaker 1>think we've talked about on the show is, for example, UH,

0:42:36.000 --> 0:42:39.160
<v Speaker 1>the body using appropriate reception, so it's natural sense that

0:42:39.280 --> 0:42:42.800
<v Speaker 1>allows it to know where its own limbs are to

0:42:43.200 --> 0:42:46.960
<v Speaker 1>feed into the visual system, allowing you to in the

0:42:47.160 --> 0:42:50.560
<v Speaker 1>total absence of light, hallucinate the vision of your own

0:42:50.680 --> 0:42:53.520
<v Speaker 1>hands in front of your face. Or then on the

0:42:53.600 --> 0:42:55.720
<v Speaker 1>other end, you can think about the way that vision

0:42:55.960 --> 0:42:59.600
<v Speaker 1>can receive inputs of light uh in and at least

0:42:59.680 --> 0:43:04.080
<v Speaker 1>part really working visual system and have no conscious experience

0:43:04.120 --> 0:43:07.359
<v Speaker 1>of vision. So think about cases such as blind site

0:43:07.400 --> 0:43:10.920
<v Speaker 1>where a person is blind. In terms of their conscious experience,

0:43:11.000 --> 0:43:14.360
<v Speaker 1>they do not experience vision, but they can still do

0:43:14.640 --> 0:43:17.720
<v Speaker 1>some things that show that the brain is getting visual

0:43:17.840 --> 0:43:20.360
<v Speaker 1>inputs in some way and reacting based on them. The

0:43:20.440 --> 0:43:22.560
<v Speaker 1>person is just not able to see it with the

0:43:22.600 --> 0:43:25.080
<v Speaker 1>conscious part of their brain. And so I think pain

0:43:25.280 --> 0:43:27.960
<v Speaker 1>is not equivalent to this in every respect, but it's

0:43:28.239 --> 0:43:31.080
<v Speaker 1>close in some ways. So you can think about, I

0:43:31.160 --> 0:43:33.120
<v Speaker 1>don't know, you know, the hot thing on your hand,

0:43:33.320 --> 0:43:35.880
<v Speaker 1>is that's the external stimulus applied to the body. That

0:43:35.920 --> 0:43:38.319
<v Speaker 1>would be the environmental input, kind of like the light

0:43:38.480 --> 0:43:41.759
<v Speaker 1>in vision. But then this input is conducted through pain

0:43:41.840 --> 0:43:44.160
<v Speaker 1>fibers and brought to the brain and is one of

0:43:44.280 --> 0:43:49.120
<v Speaker 1>a number of contributors to the subjective mental experience of pain,

0:43:49.600 --> 0:43:53.960
<v Speaker 1>which itself consists of multiple independent components that can behave

0:43:54.719 --> 0:43:57.280
<v Speaker 1>somewhat independently. So they think about, you know, the different

0:43:57.320 --> 0:44:00.760
<v Speaker 1>parts of pain that you can sometimes even even sense yourself,

0:44:00.880 --> 0:44:05.320
<v Speaker 1>like the the physical sensation of pain versus the emotional

0:44:05.520 --> 0:44:09.279
<v Speaker 1>component of pain, and they usually blend together into a

0:44:09.560 --> 0:44:12.000
<v Speaker 1>unified experience, but there can be you can you have

0:44:12.160 --> 0:44:15.239
<v Speaker 1>sort of moments of clarity where you feel them, uh

0:44:15.560 --> 0:44:18.279
<v Speaker 1>in their own different ways. You get the texture of each,

0:44:18.800 --> 0:44:21.359
<v Speaker 1>if you know what I'm talking about, Rob, Yeah, yeah,

0:44:21.520 --> 0:44:23.920
<v Speaker 1>I think so. I mean there's this whole to like

0:44:24.360 --> 0:44:27.279
<v Speaker 1>the emotional context of of pain. Like you you slip

0:44:27.320 --> 0:44:29.920
<v Speaker 1>and fall, you you know, you hurt your back in

0:44:30.080 --> 0:44:33.200
<v Speaker 1>in the moment. Yeah, there's certainly they the sensation, but

0:44:33.239 --> 0:44:35.560
<v Speaker 1>then there's all there are these added levels of like, well,

0:44:35.840 --> 0:44:37.960
<v Speaker 1>am I gonna be able to walk after this? Um?

0:44:38.960 --> 0:44:41.520
<v Speaker 1>Is this going to be a pain that sticks with me? Um?

0:44:41.960 --> 0:44:43.360
<v Speaker 1>You know? How long is it gonna take for me

0:44:43.440 --> 0:44:46.480
<v Speaker 1>to get get over this? Um? As well as even

0:44:46.520 --> 0:44:49.279
<v Speaker 1>considerations like does this mean my evening plans are off?

0:44:50.440 --> 0:44:52.640
<v Speaker 1>Is this gonna cost me you know a lot of money?

0:44:53.320 --> 0:44:58.080
<v Speaker 1>Are you embarrassed? Are you embarrassing? Yeah? So there's there's

0:44:58.120 --> 0:45:00.840
<v Speaker 1>so many things going on with you. Even you know,

0:45:01.160 --> 0:45:02.680
<v Speaker 1>I think I guess to fall under your back can

0:45:02.760 --> 0:45:05.680
<v Speaker 1>be quite dramatic. But even two simple things like um,

0:45:06.280 --> 0:45:08.440
<v Speaker 1>you know, papercut, you can you can have some of

0:45:08.480 --> 0:45:10.000
<v Speaker 1>these thoughts like oh my goodness, I'm gonna have to

0:45:10.040 --> 0:45:11.759
<v Speaker 1>put wear a band aid now if I have a

0:45:11.800 --> 0:45:14.080
<v Speaker 1>band aid on, that's gonna affect my typing. How's that

0:45:14.120 --> 0:45:17.680
<v Speaker 1>going to impact my job performance today? Right? So, addressing

0:45:17.800 --> 0:45:21.160
<v Speaker 1>this question of like, what are the other measurable inputs

0:45:21.400 --> 0:45:25.160
<v Speaker 1>on the subjective total experience of pain in the brain

0:45:25.640 --> 0:45:28.799
<v Speaker 1>heart offers a really interesting example that's been backed up

0:45:28.840 --> 0:45:32.120
<v Speaker 1>by some studies, and uh the example she gives is

0:45:32.600 --> 0:45:36.360
<v Speaker 1>your belief in the significance of the injury that is

0:45:36.440 --> 0:45:41.440
<v Speaker 1>causing the pain. Uh So, she cites behavioral studies showing

0:45:41.520 --> 0:45:44.279
<v Speaker 1>that if you you take people and you subject them

0:45:44.360 --> 0:45:47.120
<v Speaker 1>to the exact same sensory input The example she gives

0:45:47.280 --> 0:45:50.520
<v Speaker 1>is a hand immersed in water that is too hot

0:45:50.600 --> 0:45:53.920
<v Speaker 1>to be comfortable, so not not hot enough to actually

0:45:54.000 --> 0:45:56.480
<v Speaker 1>like burn your skin at least for the time of

0:45:56.560 --> 0:45:59.760
<v Speaker 1>exposure used in the experiment, but more hot than feels

0:46:00.040 --> 0:46:04.480
<v Speaker 1>a you take people their hand in that hot temperature

0:46:04.560 --> 0:46:09.400
<v Speaker 1>of water, and apparently people report less emotional experience of

0:46:09.520 --> 0:46:13.719
<v Speaker 1>pain if the only variable you alter is informing them

0:46:13.800 --> 0:46:16.120
<v Speaker 1>that they will not be injured by the hot water.

0:46:16.320 --> 0:46:18.520
<v Speaker 1>So if you say this will sting, but it's not

0:46:18.680 --> 0:46:20.640
<v Speaker 1>going to burn your skin, it's not going to injure

0:46:20.680 --> 0:46:24.600
<v Speaker 1>your hand, Apparently in that condition, people report less emotional

0:46:24.719 --> 0:46:28.160
<v Speaker 1>experience of pain. So, according to this example, you can

0:46:28.360 --> 0:46:32.120
<v Speaker 1>use verbal cues. You can use information that you recognize

0:46:32.200 --> 0:46:37.000
<v Speaker 1>cognitively to regulate your own pain response. And so, if

0:46:37.040 --> 0:46:39.080
<v Speaker 1>you have more reason to worry that you may be

0:46:39.320 --> 0:46:43.440
<v Speaker 1>injured by this thing that feels uncomfortable, then it actually

0:46:43.560 --> 0:46:46.680
<v Speaker 1>hurts more. If you're assured that you won't be injured,

0:46:46.800 --> 0:46:49.239
<v Speaker 1>it hurts less. And then on top of this, heart

0:46:49.280 --> 0:46:52.280
<v Speaker 1>identifies a couple of other inputs on the subjective experience

0:46:52.320 --> 0:46:56.160
<v Speaker 1>of pain. One I thought was interesting was the idea

0:46:56.200 --> 0:46:58.960
<v Speaker 1>of the locus of control um so. The locus of

0:46:59.000 --> 0:47:02.759
<v Speaker 1>control is a term used in psychology to explain whether

0:47:02.880 --> 0:47:04.960
<v Speaker 1>or not you feel like you are the agent in

0:47:05.080 --> 0:47:08.279
<v Speaker 1>control of a situation. Do you have the ability to

0:47:08.480 --> 0:47:12.560
<v Speaker 1>decide whether this pain stops or not? Uh so? One

0:47:12.680 --> 0:47:16.560
<v Speaker 1>one good example would be, uh say, voluntarily grabbing a

0:47:16.680 --> 0:47:18.759
<v Speaker 1>hot dish out of the oven with only a thin

0:47:18.920 --> 0:47:22.000
<v Speaker 1>towel to protect your hand. That might be briefly painful,

0:47:22.160 --> 0:47:24.320
<v Speaker 1>but then you, you know, put it down. I'm not

0:47:24.480 --> 0:47:27.600
<v Speaker 1>recommending people do that, by the way, but but you know,

0:47:27.880 --> 0:47:29.680
<v Speaker 1>so that that would be a thing that you decided

0:47:29.760 --> 0:47:33.000
<v Speaker 1>to do and you control when it stops, versus having

0:47:33.120 --> 0:47:36.879
<v Speaker 1>somebody say, press your hand against your will against something

0:47:37.000 --> 0:47:41.759
<v Speaker 1>that's equivalently hot. Heart argues that the impression of helplessness

0:47:41.800 --> 0:47:45.800
<v Speaker 1>would actually increase the experience of pain in the second scenario,

0:47:47.640 --> 0:47:49.360
<v Speaker 1>And it is kind of interesting to apply that to

0:47:49.640 --> 0:47:52.040
<v Speaker 1>Paul's situation because on one hand, he can stop the

0:47:52.040 --> 0:47:54.400
<v Speaker 1>pain the second he pulls his own hand out, but

0:47:54.920 --> 0:47:57.960
<v Speaker 1>he's being held you know, hostage essentially here. You know,

0:47:58.000 --> 0:48:00.160
<v Speaker 1>it's like there's a there's an inherent threat that you

0:48:00.200 --> 0:48:04.359
<v Speaker 1>will die if you if you pull that hand out. So, yeah,

0:48:04.400 --> 0:48:08.160
<v Speaker 1>it's interesting, right, He's not being physically prevented from removing

0:48:08.239 --> 0:48:10.840
<v Speaker 1>his hand, but he, I mean, he does have the knowledge,

0:48:11.000 --> 0:48:14.480
<v Speaker 1>he has cognitive awareness that he that the consequences will

0:48:14.560 --> 0:48:16.520
<v Speaker 1>be dire if he does remove his hands, so he

0:48:16.640 --> 0:48:20.800
<v Speaker 1>has to internally self regulate. Uh, yeah, that's weird. I

0:48:20.800 --> 0:48:22.600
<v Speaker 1>don't know. Where you would put the locusts of control

0:48:22.640 --> 0:48:25.600
<v Speaker 1>in that situation. Yeah, I guess that's that's very much

0:48:25.600 --> 0:48:29.840
<v Speaker 1>a ben Adjestent trick, right, obscuring the locusts of control.

0:48:30.360 --> 0:48:32.560
<v Speaker 1>That's kind of the thing. Yeah, right, Is it with

0:48:32.680 --> 0:48:34.440
<v Speaker 1>him or is it with her? It's kind of hard

0:48:34.520 --> 0:48:37.520
<v Speaker 1>to say. There and then another input that hard identifies

0:48:37.640 --> 0:48:40.640
<v Speaker 1>his attention. So she says, if if something urgently demands

0:48:40.680 --> 0:48:43.640
<v Speaker 1>your attention, the brain is usually going to find a

0:48:43.680 --> 0:48:47.720
<v Speaker 1>way to at least partially ignore pain until the important

0:48:47.760 --> 0:48:50.480
<v Speaker 1>business is taken care of. Again, I think we all

0:48:50.560 --> 0:48:53.640
<v Speaker 1>know this from experience, that you can be really injured,

0:48:53.680 --> 0:48:56.600
<v Speaker 1>but you're right in the middle of something incredibly important,

0:48:56.719 --> 0:49:00.520
<v Speaker 1>and then it's once that task is done it suddenly

0:49:00.640 --> 0:49:03.279
<v Speaker 1>how you realize how much it hurts. Yeah, And you

0:49:03.320 --> 0:49:05.680
<v Speaker 1>see plenty of examples of this, like in the sports world,

0:49:05.800 --> 0:49:09.960
<v Speaker 1>where somebody suffers an injury, but then they keep going,

0:49:10.040 --> 0:49:13.640
<v Speaker 1>they press on um and they can in that moment,

0:49:13.719 --> 0:49:16.520
<v Speaker 1>but in some cases they end up doing more damage. Uh,

0:49:16.880 --> 0:49:19.239
<v Speaker 1>and then they feel the effects later. Right, And that

0:49:19.320 --> 0:49:21.520
<v Speaker 1>might not even be deliberate like that. Yeah, you might

0:49:21.560 --> 0:49:25.560
<v Speaker 1>not even be aware that you're actually hurt until yeah, yeah, yeah,

0:49:25.920 --> 0:49:28.400
<v Speaker 1>one more example that Heart site says, a piece of

0:49:28.440 --> 0:49:32.760
<v Speaker 1>evidence for how pain to a large extent is something

0:49:32.840 --> 0:49:35.320
<v Speaker 1>that happens within the brain as opposed to something that

0:49:35.400 --> 0:49:38.720
<v Speaker 1>happens actually at the site of injury is the idea

0:49:38.760 --> 0:49:41.480
<v Speaker 1>of phantom limb pain. So of course this is you know,

0:49:42.120 --> 0:49:43.960
<v Speaker 1>this would be pain that is felt in a missing

0:49:44.040 --> 0:49:47.640
<v Speaker 1>limb after that limb has been lost or amputated. And

0:49:47.800 --> 0:49:49.800
<v Speaker 1>the interesting thing here is that this is pain not

0:49:49.960 --> 0:49:53.360
<v Speaker 1>only in the absence of actual ongoing tissue injury, but

0:49:53.520 --> 0:49:57.680
<v Speaker 1>pain in the absence of actual tissue. Heart rights quote.

0:49:58.120 --> 0:50:00.560
<v Speaker 1>These pains were originally thought to be the result of

0:50:00.840 --> 0:50:04.640
<v Speaker 1>trauma to the severed nerves of the stump, but attempts

0:50:04.680 --> 0:50:08.439
<v Speaker 1>to treat by a second nerve sparing amputation frequently made

0:50:08.480 --> 0:50:12.280
<v Speaker 1>them worse. The more extreme surgery of severing the sensory

0:50:12.360 --> 0:50:15.480
<v Speaker 1>nerves at the spinal cord also proved to be ineffective

0:50:15.600 --> 0:50:19.400
<v Speaker 1>in most cases. So Heart argues that whatever the source

0:50:19.480 --> 0:50:22.160
<v Speaker 1>of pain in the body, the experience of pain, the

0:50:22.280 --> 0:50:26.920
<v Speaker 1>subjective experience, largely happens in the brain. And this is

0:50:26.960 --> 0:50:29.600
<v Speaker 1>why I think in some cases it's it's plausible to

0:50:29.920 --> 0:50:33.359
<v Speaker 1>imagine how the experience of pain could be regulated up

0:50:33.560 --> 0:50:37.239
<v Speaker 1>or down by various types of you know, other mental stimulation,

0:50:37.320 --> 0:50:42.520
<v Speaker 1>apart from just stuff happening to your hand inside the box. Now,

0:50:42.600 --> 0:50:45.160
<v Speaker 1>another big thing she gets into in the in this

0:50:45.400 --> 0:50:48.239
<v Speaker 1>essay is what could actually be happening in the box, Like,

0:50:48.400 --> 0:50:50.400
<v Speaker 1>you know, if the if the box is in a

0:50:50.520 --> 0:50:54.360
<v Speaker 1>sense causing the pain, what are some plausible technologies? And

0:50:54.400 --> 0:50:57.000
<v Speaker 1>I don't think she really lands on anything very solid here,

0:50:57.160 --> 0:51:00.200
<v Speaker 1>I mean, and admittedly she talks about how like, uh,

0:51:00.360 --> 0:51:02.399
<v Speaker 1>you know, we we we don't really know what could

0:51:02.440 --> 0:51:05.800
<v Speaker 1>cause this kind of pain without any actual injury to tissues.

0:51:06.280 --> 0:51:09.760
<v Speaker 1>She talks about some rumors of Pentagon interest in different

0:51:09.800 --> 0:51:13.640
<v Speaker 1>types of UH technology is known as active denial systems.

0:51:13.760 --> 0:51:16.239
<v Speaker 1>These would be things that supposedly a you know, a

0:51:16.320 --> 0:51:19.560
<v Speaker 1>police force or military would use to disperse crowds by

0:51:19.960 --> 0:51:25.080
<v Speaker 1>inflicting pain without tissue damage on them through supposed mechanisms

0:51:25.200 --> 0:51:29.200
<v Speaker 1>like you know, beams of microwaves or fimtosecond lasers. But

0:51:29.280 --> 0:51:31.960
<v Speaker 1>I think she rightly points out that in reality these

0:51:32.040 --> 0:51:34.160
<v Speaker 1>things would be not only painful, but if you were

0:51:34.239 --> 0:51:37.680
<v Speaker 1>repeatedly subjected to them, they probably would actually cause injury.

0:51:37.680 --> 0:51:41.080
<v Speaker 1>They would cause burns, right, and I and since this this,

0:51:41.320 --> 0:51:43.120
<v Speaker 1>uh this has been published, I mean, I think we've

0:51:43.160 --> 0:51:45.879
<v Speaker 1>seen more and more evidence for that based on uh,

0:51:46.320 --> 0:51:50.160
<v Speaker 1>some of the possible uses of this technology in the world.

0:51:50.560 --> 0:51:54.480
<v Speaker 1>It's weird remembering some of the uh, the press these

0:51:54.560 --> 0:51:56.520
<v Speaker 1>things were getting back in the day. You know, it

0:51:56.680 --> 0:51:59.600
<v Speaker 1>was like, oh, it's so nice that it doesn't cause injury,

0:51:59.840 --> 0:52:02.920
<v Speaker 1>but somebody is even if that were true, what they're

0:52:02.960 --> 0:52:06.200
<v Speaker 1>saying is I created a pain gun. Yeah yeah, yeah,

0:52:06.280 --> 0:52:09.279
<v Speaker 1>Like that's a pain gun that leaves no mark. Like

0:52:09.360 --> 0:52:12.800
<v Speaker 1>that's your your best possible scenario based on some of

0:52:12.880 --> 0:52:16.640
<v Speaker 1>those uh those those those early articles and whatnot. But

0:52:16.960 --> 0:52:19.440
<v Speaker 1>one idea that Heart gets into towards the end of

0:52:19.480 --> 0:52:22.960
<v Speaker 1>her essay, which I thought was very interesting, is the

0:52:23.080 --> 0:52:27.680
<v Speaker 1>suggestion that ultimately the pain caused by the the gom

0:52:27.800 --> 0:52:31.200
<v Speaker 1>Jabbar test is not actually from the box, Like what

0:52:31.320 --> 0:52:34.800
<v Speaker 1>if the box doesn't do anything, but the pain is

0:52:35.000 --> 0:52:38.279
<v Speaker 1>from the Reverend Mother herself. And I think the book

0:52:38.400 --> 0:52:42.320
<v Speaker 1>actually gives us reason to suspect this, Like when Paul

0:52:42.800 --> 0:52:45.759
<v Speaker 1>re encounters the Reverend Mother again later in the book,

0:52:45.840 --> 0:52:47.600
<v Speaker 1>he's like, I'm not going to fall for your tricks

0:52:47.719 --> 0:52:51.080
<v Speaker 1>this time, suggesting that Paul believes that it was actually

0:52:51.239 --> 0:52:53.600
<v Speaker 1>her causing the pain in his hand and not and

0:52:53.719 --> 0:52:57.400
<v Speaker 1>not the technology whatever that was inside the box. And

0:52:57.560 --> 0:53:00.919
<v Speaker 1>here the idea would be that you along the lines

0:53:00.960 --> 0:53:03.359
<v Speaker 1>of the other stuff we learn about the Bennie Jesser,

0:53:03.440 --> 0:53:06.319
<v Speaker 1>it's that they have these special powers of hypnosis. They

0:53:06.360 --> 0:53:09.600
<v Speaker 1>specialize again in politics, which ultimately is, you know, the

0:53:09.719 --> 0:53:14.799
<v Speaker 1>science of manipulating people and influencing them. Yeah, I mean, uh,

0:53:14.880 --> 0:53:16.480
<v Speaker 1>to a certain extent. You can see, you can look

0:53:16.520 --> 0:53:19.120
<v Speaker 1>around in the world around you, and it's like politics

0:53:19.239 --> 0:53:23.080
<v Speaker 1>is often about manipulating your perception of pain points. Uh.

0:53:23.280 --> 0:53:26.879
<v Speaker 1>So it makes sense that they're they're good at this. Yeah, yeah,

0:53:26.960 --> 0:53:30.520
<v Speaker 1>even even in the mundane sense. But but so ultimately

0:53:30.600 --> 0:53:33.279
<v Speaker 1>I thought this was kind of interesting because there is

0:53:33.440 --> 0:53:35.800
<v Speaker 1>some real research linking. So, you know, one of the

0:53:35.880 --> 0:53:37.680
<v Speaker 1>things that says that the Bennie Jesser It's due in

0:53:37.719 --> 0:53:41.480
<v Speaker 1>this regard is they have hypnosis techniques. Uh. And so

0:53:41.719 --> 0:53:44.920
<v Speaker 1>there is actually some research in the real world showing

0:53:45.000 --> 0:53:49.520
<v Speaker 1>that hypnosis, at least for people who are susceptible to hypnosis,

0:53:49.600 --> 0:53:53.080
<v Speaker 1>and not everybody is, but for people who are susceptible,

0:53:53.200 --> 0:53:57.200
<v Speaker 1>hypnosis can in many cases be shown to be effective

0:53:57.440 --> 0:54:01.320
<v Speaker 1>at a pain relief in in both onic and acute conditions.

0:54:02.080 --> 0:54:03.680
<v Speaker 1>If you want to read more about this, there was

0:54:04.320 --> 0:54:07.000
<v Speaker 1>there was a press release summarizing a bunch of existing

0:54:07.080 --> 0:54:10.000
<v Speaker 1>research from the year two thousand four put out by

0:54:10.040 --> 0:54:13.600
<v Speaker 1>the American Psychological Association called Hypnosis for the Relief and

0:54:13.719 --> 0:54:17.040
<v Speaker 1>Control of Pain. Uh. Now, I think there would be.

0:54:17.560 --> 0:54:21.399
<v Speaker 1>I think the effects we're talking about here, uh would

0:54:21.400 --> 0:54:23.759
<v Speaker 1>be much more modest than what is imagined in this

0:54:23.880 --> 0:54:26.640
<v Speaker 1>science fiction scenario, like, you know, making somebody think that

0:54:26.680 --> 0:54:29.200
<v Speaker 1>their hand is literally on fire burning down to a

0:54:29.239 --> 0:54:32.200
<v Speaker 1>piece of ash. Um. I think this would be more

0:54:32.280 --> 0:54:35.799
<v Speaker 1>along the lines of four people who are susceptible to hypnosis.

0:54:36.280 --> 0:54:40.200
<v Speaker 1>It might have some mitigating effect on sensations of pain,

0:54:40.320 --> 0:54:43.640
<v Speaker 1>but not like a totally mitigating effect. And of course

0:54:43.680 --> 0:54:46.480
<v Speaker 1>the evil corollary of that would be that if you

0:54:46.600 --> 0:54:49.960
<v Speaker 1>can deaden people's sensitivity to pain through hypnosis, you could

0:54:49.960 --> 0:54:52.680
<v Speaker 1>probably increase it as well, though that would be much

0:54:52.760 --> 0:54:56.080
<v Speaker 1>less ethical to study, at least in context beyond you know,

0:54:56.280 --> 0:54:59.719
<v Speaker 1>the relatively mild forms of pain people experience, would say,

0:54:59.719 --> 0:55:03.520
<v Speaker 1>a hand pludged into a bucket of ice water. I

0:55:03.640 --> 0:55:06.920
<v Speaker 1>have to say that. Um. I think another a bit

0:55:07.000 --> 0:55:08.840
<v Speaker 1>of evidence that kind of supports the idea that the

0:55:09.120 --> 0:55:12.200
<v Speaker 1>box is not generating the pain is that the box

0:55:12.280 --> 0:55:15.600
<v Speaker 1>doesn't have a proper name. And and Herbert was not

0:55:15.760 --> 0:55:18.680
<v Speaker 1>shy about giving uh, you know, throwing out names and

0:55:18.800 --> 0:55:20.960
<v Speaker 1>terminology in in the book. I mean, there's a whole

0:55:21.000 --> 0:55:23.320
<v Speaker 1>dictionary in the back of the novel, uh, you know,

0:55:23.760 --> 0:55:26.480
<v Speaker 1>letting you know what these various things are. Uh. The

0:55:26.600 --> 0:55:29.120
<v Speaker 1>needle at at Paul's neck has a name, but the

0:55:29.200 --> 0:55:33.799
<v Speaker 1>box is just referred to informally as the as a box. Right,

0:55:33.920 --> 0:55:37.560
<v Speaker 1>that's a good point. I In fact, I'm I totally agree.

0:55:37.760 --> 0:55:41.040
<v Speaker 1>If the box were they were they efficacious agent here,

0:55:41.280 --> 0:55:43.320
<v Speaker 1>the box would have its own name. I feel like

0:55:43.360 --> 0:55:47.839
<v Speaker 1>I know Herbert's brain well enough to know that. All Right, Well,

0:55:48.280 --> 0:55:50.120
<v Speaker 1>at this point, we realize it's time for us to

0:55:50.200 --> 0:55:53.359
<v Speaker 1>take our hands out of the box. Uh, We're we're

0:55:53.440 --> 0:55:55.359
<v Speaker 1>out of time for this episode of stuff to blow

0:55:55.360 --> 0:55:56.960
<v Speaker 1>your mind. But we're gonna be back in the next

0:55:57.040 --> 0:55:59.800
<v Speaker 1>episode with a continuation of this discussion. We're going to

0:55:59.880 --> 0:56:03.080
<v Speaker 1>keep talking about the benegescriates. Um, We're going to talk

0:56:03.120 --> 0:56:06.279
<v Speaker 1>about getting into back into that idea of politics and

0:56:06.360 --> 0:56:08.720
<v Speaker 1>what that means and if who knows we may discuss

0:56:08.800 --> 0:56:11.920
<v Speaker 1>some other topics in the Dune universe as well. That

0:56:12.120 --> 0:56:14.759
<v Speaker 1>cold open reading, by the way, is of course from

0:56:14.840 --> 0:56:19.080
<v Speaker 1>Frank Herbert's Dune and Annie Reese, co host of Stuff

0:56:19.120 --> 0:56:22.719
<v Speaker 1>Mom Never Told You and Savor, was nice enough to

0:56:23.360 --> 0:56:26.360
<v Speaker 1>record that for us, so thanks Annie. In the meantime,

0:56:26.360 --> 0:56:28.400
<v Speaker 1>if you like to check out other episodes of Stuff

0:56:28.480 --> 0:56:29.840
<v Speaker 1>to Blow Your Mind, you can find them in the

0:56:29.840 --> 0:56:32.880
<v Speaker 1>Stuff to Blow Your Mind podcast feed which is found

0:56:33.000 --> 0:56:36.280
<v Speaker 1>anywhere you get your podcast. Core episodes on Tuesdays and Thursdays,

0:56:36.640 --> 0:56:40.360
<v Speaker 1>listener Mail on Monday, Artifact on Wednesday, and on Fridays,

0:56:40.400 --> 0:56:42.040
<v Speaker 1>we do Weird how Cinema. That's our time to just

0:56:42.120 --> 0:56:45.000
<v Speaker 1>set aside most of the serious matters and just discuss

0:56:45.040 --> 0:56:47.760
<v Speaker 1>a strange film. Huge thanks as always to our excellent

0:56:47.800 --> 0:56:50.840
<v Speaker 1>audio producer Seth Nicholas Johnson. If you would like to

0:56:50.920 --> 0:56:53.240
<v Speaker 1>get in touch with us with feedback on this episode

0:56:53.320 --> 0:56:55.600
<v Speaker 1>or any other to suggest a topic for the future,

0:56:55.760 --> 0:56:58.360
<v Speaker 1>just to say hello, you can email us at contact

0:56:58.480 --> 0:57:08.799
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0:57:08.840 --> 0:57:11.760
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