WEBVTT - Juggling: What the Heck

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<v Speaker 1>Welcome to you stuff you should know from house stuff

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<v Speaker 1>Works dot com. Hey, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark. There's Charles W. Chuck Bryant, there's Jerry just

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<v Speaker 1>doing a little tandem juggling with my bra That's what

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<v Speaker 1>we're doing right now. Yeah. Yeah, I wish you guys

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<v Speaker 1>could see this because it was got pretty good right now.

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<v Speaker 1>Look at this half shower, half halfhower. Man, that was

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<v Speaker 1>a good one. Bro Se balls at once. Yeah, Jerry,

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<v Speaker 1>come light these torches on fire, like wow, man, half

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<v Speaker 1>shower of rain and fire, this is really dangerous. Can

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<v Speaker 1>you juggle? No? But I want to after this. My

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<v Speaker 1>brother learned, of course. Of course. I'm sure he's born

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<v Speaker 1>knowing how to juggle. He came out of the womb juggling. Now.

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<v Speaker 1>He learned back when I like in high school and

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<v Speaker 1>mastered it pretty quickly and now and he can still

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<v Speaker 1>juggle some. I think it's one of those things will

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<v Speaker 1>once you learn sort of the basics, you can always

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<v Speaker 1>do it, because apparently a lot of it comes down

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<v Speaker 1>to muscle memory, which is to say motor memory. Yeah,

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<v Speaker 1>and in true Chuck fashion, I tried to learn to

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<v Speaker 1>juggle for about an hour and never finished. Did you

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<v Speaker 1>like see any progress over that hour? Yeah? I could.

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<v Speaker 1>I could do the little one hand juggling two balls

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<v Speaker 1>with one hand thing, okay, But I did a lot

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<v Speaker 1>of chasing the ball. That's a problem, which apparently, if

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<v Speaker 1>you're a beginning juggler, you're gonna be throwing the ball

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<v Speaker 1>further and further away from you, just naturally chasing the ball,

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<v Speaker 1>and they call it chasing it. So what do they suggest?

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<v Speaker 1>They suggest that you learned to juggle close to and

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<v Speaker 1>facing a wall, because that way you can't move forward,

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<v Speaker 1>or you'll just keep hitting your head and you'll scratch

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<v Speaker 1>your face up on the brick and quit juggling. This

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<v Speaker 1>is a Jonathan Strickland joint of tech stuff. It's reeks

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<v Speaker 1>of Strickland. It does like even if the byeline hadn't

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<v Speaker 1>been on there, I would have been like, this is Stricklin.

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<v Speaker 1>But I remember when this one was made. It was

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<v Speaker 1>right when I got here, and like he there's a

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<v Speaker 1>video embedded of Strickling teaching you how to juggle. It smells,

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<v Speaker 1>it reeks of bald head cream and bowling shirts. Yeah,

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<v Speaker 1>and it also has an illustration by Marcus who clearly

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<v Speaker 1>always wanted to be a comic book illustrator because the

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<v Speaker 1>guy who's in the graph on how to juggle is

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<v Speaker 1>just totally ripped. Yeah, like a comic book here. I remember, Marcus,

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<v Speaker 1>it seems like a million years ago. It was so

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<v Speaker 1>juggling history. How long people been juggling? Uh, chuck. People

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<v Speaker 1>have been juggling since at least tomb exactly. They found

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<v Speaker 1>uh in Egyptian tombs, um hieroglyphics showing women toss juggling.

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<v Speaker 1>And there are many kinds of juggling, by the way,

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<v Speaker 1>and we're mainly going to talk about toss juggling, which

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<v Speaker 1>is throwing something up in the air, throwing more things

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<v Speaker 1>up in the air than you have hands. Yes, that's

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<v Speaker 1>toss juggling. And there are, like you said, a bunch

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<v Speaker 1>of other kinds. But if you're a toss juggler, you

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<v Speaker 1>probably don't consider the other kinds real juggling. You're like,

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<v Speaker 1>those are cool and everything, but that's not real juggling. Yeah.

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<v Speaker 1>I asked my friend, our friend Brandon Ross from the

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<v Speaker 1>Stuff You Should Know Art Department, a juggler, very good juggler,

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<v Speaker 1>and Uh I sent a message to him and did

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<v Speaker 1>not hear back. In time. I was like it sayesn't

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<v Speaker 1>here that modern jugglers poopoo things like taking a bite

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<v Speaker 1>out of the apple and like some of those old

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<v Speaker 1>school tricks. That is that true or not? And I

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<v Speaker 1>didn't hear back from him, so maybe, well, you know,

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<v Speaker 1>it was on Facebook, okay, so he'll get to it

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<v Speaker 1>when he gets to it. So anyway, we're in ancient

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<v Speaker 1>Egypt to be exact. That's right. There were jugglers in

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<v Speaker 1>Greece and Rome and India and Thebes and Thebes in Europe,

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<v Speaker 1>and uh, I think four BC was when it was

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<v Speaker 1>actually written down that people were juggling. Yeah, supposedly in

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<v Speaker 1>the Talmud, a rabbi named Shimon ben Gone Maliel. Yeah,

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<v Speaker 1>I think I probably nailed that. Probably he could juggle

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<v Speaker 1>eight torches at once. That's hard to believe because world

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<v Speaker 1>records today are like seven I think for clubs, is

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<v Speaker 1>it seven? I think so, yeah. But I mean, if

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<v Speaker 1>if this rabbi was juggling eight torches, that sounds like

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<v Speaker 1>it maybe pumped up a little bit throughout the years,

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<v Speaker 1>you know, like it was two and then it was like,

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<v Speaker 1>oh it was eight. Although this was the time of miracles,

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<v Speaker 1>you know, like enough oil to keep it going for

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<v Speaker 1>eight days a siege. Why not a rabbi who could

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<v Speaker 1>juggle eight torches. It seems kind of paltry by comparison.

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<v Speaker 1>Good point um. Through the Roman era, apparently that jugglers

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<v Speaker 1>were actually held in high esteem, but then they kind

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<v Speaker 1>of went down into pooper a little bit hilarious because

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<v Speaker 1>people associated with them like like magicians, as con artists.

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<v Speaker 1>So I don't know if it was like, hey, look

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<v Speaker 1>at what this guy's doing while someone else is picking

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<v Speaker 1>their pocket, but that's kind of what it seems like

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<v Speaker 1>it might have been going on. Yeah, apparently you were

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<v Speaker 1>a con artist. Like you said, everybody knows that you

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<v Speaker 1>can't trust a juggler a juggalo, well at the right

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<v Speaker 1>at the at the at the time, that's how people

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<v Speaker 1>thought of jugglers. This seems to be during like the

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<v Speaker 1>Holy Roman Empire in the West, right then the medieval

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<v Speaker 1>era hits and suddenly jugglers start to become a little

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<v Speaker 1>a little less threatening and actually a little more clown like.

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<v Speaker 1>Like Initially they seem to have been not revered necessarily,

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<v Speaker 1>but I thought of in fairly high esteem. Then they

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<v Speaker 1>went the opposite direction, and then they came back as clowns.

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<v Speaker 1>I wonder how many like um behind closed doors, how

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<v Speaker 1>many like emperors and kings tried it out after seeing

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<v Speaker 1>it in the door, or just like morons with it, yeah,

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<v Speaker 1>and then had someone's head chopped off out of frustration.

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<v Speaker 1>They took the chuck route. Although I didn't behead anybody,

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<v Speaker 1>but during the medieval era you could. If you found

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<v Speaker 1>a juggler, you probably also found something of a minstrel

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<v Speaker 1>or performer and all around entertainer who probably traveled from

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<v Speaker 1>town to town, maybe asking people to bring out there

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<v Speaker 1>dead for some side work perhaps, and then juggling corpses,

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<v Speaker 1>that's right, which must have been a sight to see.

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<v Speaker 1>And then in the seventeen hundreds they became more of

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<v Speaker 1>a circus act. And in the late eighteen hundreds of

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<v Speaker 1>nineteen hundreds, Vaudeville came along. Of course, any sort of

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<v Speaker 1>skill like that was big in vaudeville. And I did

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<v Speaker 1>not know this, but W. C. Fields was a juggler

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<v Speaker 1>in the vaudevillion days. I didn't know that. Before he

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<v Speaker 1>became just a drunk actor. And he's not the one

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<v Speaker 1>who raped anybody, right, who was it? I think that

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<v Speaker 1>was Fatty R. Fatty R Buckle. That's who it was. Yeah,

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<v Speaker 1>same ara, same guys. I looked it up and I

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<v Speaker 1>ran across um the Hollywood Hell Club. So apparently before

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<v Speaker 1>the brat Pack, before the rat pack, there was a

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<v Speaker 1>group of like early early Hollywood guys, Harold Flynn who

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<v Speaker 1>was a rapist. W. C. Fields, John Barrymore that just

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<v Speaker 1>raised hell in um, Hollywood in like the twenties. Errol

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<v Speaker 1>Flynn was a rapist, really accused rapist. I didn't know that.

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<v Speaker 1>So then Vaudeville declines, Uh, circuses sort of decline a

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<v Speaker 1>little bit for a while, and then jugglers started hitting

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<v Speaker 1>the streets or as Jonathan Strickland said, or become mathematicians. Yep,

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<v Speaker 1>we'll get to the math connection, which is LEGiT's foreshadowing,

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<v Speaker 1>but I don't know that. Like they formed their own

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<v Speaker 1>stage shows, performed on street corners, or became mathematicians. Those

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<v Speaker 1>were the three options if you were a juggler. Uh.

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<v Speaker 1>And then, of course, um in the nineteen forties, I

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<v Speaker 1>say of course because it's common knowledge that these are

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<v Speaker 1>when the juggling groups and conventions were formed. In Hell

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<v Speaker 1>the International Brotherhood of Magicians Uh decided you know, at

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<v Speaker 1>a meeting, Hey, guys like the jugglers got together and

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<v Speaker 1>had a few drinks and said, I don't like being

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<v Speaker 1>known as a magician. Yeah, you know, that's how the

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<v Speaker 1>jugglers tell it. The magicians were like, get the jugglers. Yeah,

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<v Speaker 1>and then they went threw down their smoke bomb when

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<v Speaker 1>they were gone. So they formed and splintered off and

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<v Speaker 1>formed the International Juggling Association. Uh. And in nineteen sixty

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<v Speaker 1>nine they started holding championships and competitions Summer of Juggling.

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<v Speaker 1>And in two thousand Jason Garfield, a very famous juggler,

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<v Speaker 1>formed the World Juggling Federation and said, ESPN, you need

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<v Speaker 1>to put this stuff on TV. So once a year

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<v Speaker 1>they put it on TV progress along with the spelling

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<v Speaker 1>be and the dart competition. What else which I watched

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<v Speaker 1>the other day? Um, log rolling, yeah, lumberjacking sure, uh

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<v Speaker 1>law and darting no that's illegal. No more, it's like

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<v Speaker 1>cock fighting. Um so all right, let's get into it then.

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<v Speaker 1>So we're actually gonna teach everybody how to juggle, like

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<v Speaker 1>no kidding, yeah, and if you're really into this, like,

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<v Speaker 1>we're gonna describe a lot of things visually, which is

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<v Speaker 1>always a train wreck for us. Um So, I would

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<v Speaker 1>recommend you do like I did and just get on

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<v Speaker 1>the old YouTube and look up what Cascade juggling looks like.

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<v Speaker 1>And they're four or five guys who have tons and

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<v Speaker 1>tons of videos. There's there's a few. There's one guy

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<v Speaker 1>that I believe is kind of the gold standard for

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<v Speaker 1>YouTube instructional juggling videos. His name is Adam Schomsky s

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<v Speaker 1>H O M. S K Y. And like, I'm sure

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<v Speaker 1>I watched him. That guy pops it into slow motion

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<v Speaker 1>for you. There's like um like graphics when like he

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<v Speaker 1>throws something straight up, you might not have caught it.

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<v Speaker 1>So it says throwing straight up, he's good and he's

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<v Speaker 1>just doing it for the love of juggling. You can tell.

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<v Speaker 1>I think they all do, I would hope. So I

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<v Speaker 1>don't know if you make a ton of money it's

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<v Speaker 1>a juggler these days, although there is, I should recommend

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<v Speaker 1>it's gonna wait till the end. There's a great article

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<v Speaker 1>on grant land dot com called Dropped by Jason uh

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<v Speaker 1>fagone and he details a big, long story on Anthony Gatto,

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<v Speaker 1>who may be the best juggler on the planet. He

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<v Speaker 1>juggled for Circus a Oh, he had a bunch of

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<v Speaker 1>the records until recently, Yeah, twelve world records. And he's

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<v Speaker 1>amazing dude. Um, but he quit last year to run

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<v Speaker 1>a concrete resurfacing business after becoming disenchanted with the juggling scene,

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<v Speaker 1>basically calling out all these kids. He stays saying, like,

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<v Speaker 1>you film something a hundred times and only nail at

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<v Speaker 1>once and then you upload it to YouTube. That's not

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<v Speaker 1>the same. He basically his quote is if you can't

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<v Speaker 1>do a trick in three tries, you can't do it.

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<v Speaker 1>He said, you may have done it, but it doesn't

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<v Speaker 1>mean you can do it. It's essentially what you're talking about.

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<v Speaker 1>This guy story is the prime US for office space. Yeah, basically,

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<v Speaker 1>but he's amazing. If you watch Anthony Gotto juggling, like

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<v Speaker 1>he will break the record for like, uh, let's say

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<v Speaker 1>a number of balls in a rain shower and um,

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<v Speaker 1>for the amount of time though he won't like do

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<v Speaker 1>it for ten seconds, We'll do it for like ten minutes.

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<v Speaker 1>And other jugglers are like, this dude is insane. How

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<v Speaker 1>long he can keep all these clubs and balls and

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<v Speaker 1>torches or whatever in the air. That's really funny that

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<v Speaker 1>you mentioned him, and what happened to him because I

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<v Speaker 1>noticed his records were like all mid two thousand's, the

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<v Speaker 1>most recent ones were, and I wondered what happened to

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<v Speaker 1>Anthony Gotto? Now I know you give the finger. It's

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<v Speaker 1>a really good article. Actually it's nick dropped on grant

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<v Speaker 1>land dot com. Alright, so how do you juggle? So, Chuck,

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<v Speaker 1>here's how you juggle. Basically, you want to start with

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<v Speaker 1>three balls, and if you have even half of a

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<v Speaker 1>brain half, you will make sure that those balls are

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<v Speaker 1>beam bags because bean bags are dead drops or they

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<v Speaker 1>dropped dead. You're not gonna chase them all over the room. No,

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<v Speaker 1>when they fall, they just stay put. Hacky sacks are

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<v Speaker 1>good too, or you can buy, like my brother did,

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<v Speaker 1>the Little um which are basically hacky sacks, a little

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<v Speaker 1>juggling kit. Yeah, the Complete Klutz's Guide to juggling, isn't that?

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<v Speaker 1>I think it was Before the Complete Idiots Guides, there

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<v Speaker 1>was something called like something for Klutzes and it would

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<v Speaker 1>teach you, like things how to how to juggle in um.

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<v Speaker 1>So anyway, you start with three bean bags, which in

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<v Speaker 1>the juggling world what these are. Anything you juggled are

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<v Speaker 1>called props and specifically, bean bag falls under the category

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<v Speaker 1>of balls. Even though they're not necessarily balls, they're still

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<v Speaker 1>under the prop category balls because it's not a chainsaw

0:12:45.080 --> 0:12:47.760
<v Speaker 1>or a torch exactly, club, which would fall under the

0:12:47.800 --> 0:12:51.200
<v Speaker 1>category of clubs. Um So for most of the time

0:12:51.200 --> 0:12:54.080
<v Speaker 1>we're gonna say balls. But just imagine as you're starting out,

0:12:54.280 --> 0:12:56.760
<v Speaker 1>we're talking about bean bags. Okay, so you get three

0:12:56.800 --> 0:13:00.559
<v Speaker 1>of them, chuck, Yes, you take two and you put

0:13:00.600 --> 0:13:03.880
<v Speaker 1>them in a drawer to start. There's the first step

0:13:03.920 --> 0:13:06.800
<v Speaker 1>to learning juggling. Take two of your three balls and

0:13:06.840 --> 0:13:11.640
<v Speaker 1>put them away. Yeah, And strickling and experts say you

0:13:11.640 --> 0:13:15.400
<v Speaker 1>should literally start with tossing one back and forth to

0:13:15.480 --> 0:13:18.520
<v Speaker 1>get your arc down because the key is consistency. You

0:13:18.520 --> 0:13:20.480
<v Speaker 1>don't want to and you know, once you get good

0:13:20.480 --> 0:13:22.480
<v Speaker 1>you can do all sorts of things, but you don't

0:13:22.480 --> 0:13:26.280
<v Speaker 1>want to toss one being back up four ft and

0:13:26.280 --> 0:13:28.959
<v Speaker 1>one three ft when you're first starting out. You want

0:13:28.960 --> 0:13:30.960
<v Speaker 1>to kind of toss them all about the same. Yeah,

0:13:30.960 --> 0:13:33.040
<v Speaker 1>And you need to learn your hand movements, which are

0:13:33.120 --> 0:13:35.920
<v Speaker 1>very important. Once you get hand movements down, you can

0:13:36.160 --> 0:13:39.640
<v Speaker 1>do variations on the hand movements, but ultimately there's a

0:13:39.679 --> 0:13:43.720
<v Speaker 1>basic hand movement that's a scooping motion. And um, the

0:13:43.760 --> 0:13:46.400
<v Speaker 1>easiest one to start with to start practicing is the

0:13:46.440 --> 0:13:49.760
<v Speaker 1>cascade pattern. Yeah, there's two main patterns, the shower and

0:13:49.760 --> 0:13:53.280
<v Speaker 1>the cascade, which we've joked about so far about ten times.

0:13:53.840 --> 0:13:55.960
<v Speaker 1>The shower is the one that you see on cartoons

0:13:56.400 --> 0:13:58.560
<v Speaker 1>when someone's basically just throwing balls in a big circle

0:13:58.640 --> 0:14:01.760
<v Speaker 1>and a big loop. Beautiful, beautiful, very cool looking. The

0:14:01.800 --> 0:14:04.600
<v Speaker 1>cascade looks kind of like fireworks if you like squint

0:14:04.640 --> 0:14:08.720
<v Speaker 1>your eyes and use your imagination. I never thought about that. Yeah,

0:14:08.760 --> 0:14:11.080
<v Speaker 1>Like as the balls go up and they are out,

0:14:11.320 --> 0:14:16.040
<v Speaker 1>they're basically arcing outward across your body. Um, and it

0:14:16.080 --> 0:14:18.200
<v Speaker 1>looks just kind of like you know, one of those

0:14:18.240 --> 0:14:20.840
<v Speaker 1>big fireworks where like blows up and then like this

0:14:21.000 --> 0:14:24.840
<v Speaker 1>kind of trails downwards slowly. That's ultimately what it looks

0:14:24.880 --> 0:14:28.000
<v Speaker 1>like to me. Yeah, I get that. Yeah. So the cascade,

0:14:28.040 --> 0:14:31.080
<v Speaker 1>you move your hands in a figure eight and um,

0:14:31.160 --> 0:14:33.880
<v Speaker 1>for the regular cascade, your right hand goes clockwise, your

0:14:33.960 --> 0:14:38.560
<v Speaker 1>left hand is counter clockwise alternating these tosses. If you

0:14:38.680 --> 0:14:42.080
<v Speaker 1>reverse that, it's called a reverse cascade. So the key

0:14:42.160 --> 0:14:45.440
<v Speaker 1>here just remember you're using one ball still, but you're

0:14:45.480 --> 0:14:50.960
<v Speaker 1>making a scooping motion. In towards your torso like in

0:14:51.080 --> 0:14:53.560
<v Speaker 1>towards yourself, not away from your body, but in towards

0:14:53.560 --> 0:14:57.040
<v Speaker 1>your body, right in front of your chest. Your your

0:14:57.040 --> 0:15:00.160
<v Speaker 1>feet are shoulder with a part because they always b

0:15:00.640 --> 0:15:03.280
<v Speaker 1>when you do anything. And you're tossing the thing up

0:15:03.320 --> 0:15:08.400
<v Speaker 1>into an arc in about just above eye level, that's

0:15:08.440 --> 0:15:10.440
<v Speaker 1>your that's the one that you start with. And you

0:15:10.520 --> 0:15:13.640
<v Speaker 1>usually start with your dominant hand, yeah, because that will

0:15:13.680 --> 0:15:16.040
<v Speaker 1>just probably be easier because you're more used to throwing

0:15:16.080 --> 0:15:18.960
<v Speaker 1>things with that hand. And I didn't see it anywhere,

0:15:18.960 --> 0:15:21.040
<v Speaker 1>but I put two and two together in this article,

0:15:21.080 --> 0:15:23.920
<v Speaker 1>and it looks like. It looks like so it could

0:15:23.960 --> 0:15:27.560
<v Speaker 1>be wrong everybody, but it looks like if you are

0:15:27.600 --> 0:15:30.480
<v Speaker 1>doing a cascade of any kind, reverse cascade, any anything

0:15:30.520 --> 0:15:33.760
<v Speaker 1>like that, whatever hand is going clockwise is the hand

0:15:33.800 --> 0:15:38.400
<v Speaker 1>that you throw in the highest arc above your eye level. Okay,

0:15:38.760 --> 0:15:41.440
<v Speaker 1>so you've got your one bag and you you make

0:15:41.480 --> 0:15:44.360
<v Speaker 1>a scooping motion with your right hand in a counter

0:15:44.720 --> 0:15:48.360
<v Speaker 1>in a clockwise motion, and you toss the ball or yeah,

0:15:48.440 --> 0:15:51.000
<v Speaker 1>you toss the ball in an arc just above eye level,

0:15:51.320 --> 0:15:53.080
<v Speaker 1>and then it drops and you catch it in your

0:15:53.160 --> 0:15:57.080
<v Speaker 1>left hand. And then now in your left hand, you

0:15:57.240 --> 0:16:00.680
<v Speaker 1>toss it again, but this one should be slightly under

0:16:00.920 --> 0:16:03.520
<v Speaker 1>the arc of the first one. Yeah, it's moving into

0:16:03.640 --> 0:16:06.960
<v Speaker 1>counter clockwise motion, so that eventually, when you add more

0:16:07.000 --> 0:16:08.840
<v Speaker 1>balls and you have them all in the air, they're

0:16:08.840 --> 0:16:11.000
<v Speaker 1>not just bumping into each other at the same place.

0:16:11.520 --> 0:16:15.480
<v Speaker 1>The one from your clockwise motion hand is going higher

0:16:16.040 --> 0:16:18.760
<v Speaker 1>and the one from your counter clockwise motion hand is

0:16:19.120 --> 0:16:23.640
<v Speaker 1>following just beneath the arc of the first ball. That's right,

0:16:23.720 --> 0:16:27.520
<v Speaker 1>it's inside that ball's path. Yes. Uh, And you're gonna

0:16:27.640 --> 0:16:30.480
<v Speaker 1>at first be very frustrated because you're gonna want to

0:16:30.480 --> 0:16:33.560
<v Speaker 1>throw both of the balls at the same time when

0:16:33.560 --> 0:16:35.480
<v Speaker 1>you're just starting out with the two, just to get

0:16:35.560 --> 0:16:39.160
<v Speaker 1>used to the motion, because it's just that it's sort

0:16:39.200 --> 0:16:41.480
<v Speaker 1>of like if you've never played drums, it's hard to

0:16:42.160 --> 0:16:44.400
<v Speaker 1>make your right arm, your left arm, your right foot

0:16:44.440 --> 0:16:47.160
<v Speaker 1>your left foot do different things. Yeah, it's a bit

0:16:47.200 --> 0:16:49.360
<v Speaker 1>of a brain trick. I think some people catch on

0:16:49.440 --> 0:16:54.040
<v Speaker 1>quicker than others, obviously, But um, you want the two

0:16:54.080 --> 0:16:56.960
<v Speaker 1>tosses to be distinct and separate. And one way to

0:16:57.000 --> 0:17:00.440
<v Speaker 1>do this, Strickland says, is to count your tall like

0:17:01.080 --> 0:17:05.280
<v Speaker 1>toss one, toss two, toss one, toss two, and then

0:17:05.280 --> 0:17:06.880
<v Speaker 1>your little brother is gonna say, what are you doing

0:17:06.920 --> 0:17:13.680
<v Speaker 1>in there? Shut up? Nothing? Toss one right, Um, so

0:17:13.920 --> 0:17:16.480
<v Speaker 1>we might as well add the second ball. Now, are

0:17:16.520 --> 0:17:20.800
<v Speaker 1>you ready? We've just been with one ball because that one.

0:17:20.880 --> 0:17:24.639
<v Speaker 1>Toss one is with your your clockwise hand. Toss two

0:17:24.760 --> 0:17:27.720
<v Speaker 1>is with your counterclockwise hand. You catch the second one,

0:17:27.800 --> 0:17:31.640
<v Speaker 1>your toss two with your clockwise hand. Toss one, toss two.

0:17:31.760 --> 0:17:33.800
<v Speaker 1>You're still just with one ball. Here. Now we're gonna

0:17:33.840 --> 0:17:38.120
<v Speaker 1>add too, So you have one in your left hand.

0:17:38.160 --> 0:17:40.920
<v Speaker 1>You have when you're right we're doing a cascade, so

0:17:41.040 --> 0:17:48.160
<v Speaker 1>with your right hand you're making a clockwise scooping motion. Yes, right,

0:17:48.400 --> 0:17:54.720
<v Speaker 1>uh yeah, I got it right. I wish people could

0:17:54.720 --> 0:17:58.480
<v Speaker 1>see this one. So this is delightful. So, um, we're

0:17:58.480 --> 0:18:00.920
<v Speaker 1>gonna throw the first ball, and as it reaches a

0:18:01.080 --> 0:18:04.280
<v Speaker 1>zenith just above our eyes, we're gonna throw the second

0:18:04.280 --> 0:18:07.440
<v Speaker 1>one just underneath the arc of the first one. Yeah.

0:18:07.560 --> 0:18:10.040
<v Speaker 1>You know it's funny, is it. People that were walking

0:18:10.080 --> 0:18:12.120
<v Speaker 1>by my desk all day saw me doing the same thing,

0:18:12.560 --> 0:18:14.760
<v Speaker 1>because you kind of do it to yourself to be like, okay,

0:18:14.760 --> 0:18:17.199
<v Speaker 1>I get I get the motion. Yeah, Like what is

0:18:17.240 --> 0:18:20.600
<v Speaker 1>struggling saying here? And we were using no bean bags, No,

0:18:20.760 --> 0:18:23.400
<v Speaker 1>just imaginary ones. Exactly. I didn't drop a single one.

0:18:23.440 --> 0:18:27.560
<v Speaker 1>I'm a great imaginary chuggler. So chuck um with with

0:18:27.640 --> 0:18:30.800
<v Speaker 1>this toss one toss to Ultimately, what you're doing is,

0:18:31.040 --> 0:18:35.280
<v Speaker 1>let's say it takes a second for you to throw

0:18:35.640 --> 0:18:40.479
<v Speaker 1>one ball to your other hand. You throw the second

0:18:40.480 --> 0:18:43.760
<v Speaker 1>ball about the halfway mark of that first throw. So

0:18:43.840 --> 0:18:48.320
<v Speaker 1>every half second you're throwing a ball, is that the deal?

0:18:48.680 --> 0:18:51.199
<v Speaker 1>If you're fast, you are. Ultimately you're doing that. But

0:18:52.200 --> 0:18:54.160
<v Speaker 1>it doesn't even necessarily have to be a second. Let's

0:18:54.160 --> 0:18:58.080
<v Speaker 1>say it takes two seconds for it to go up

0:18:58.119 --> 0:19:01.359
<v Speaker 1>and then down. So every second you're throwing, every half

0:19:01.960 --> 0:19:05.199
<v Speaker 1>of whatever beat it takes for the ball to be

0:19:05.320 --> 0:19:10.080
<v Speaker 1>tossed and then come down, you're throwing a ball, right, okay, okay,

0:19:10.119 --> 0:19:12.720
<v Speaker 1>Which means that when you finally had the third ball

0:19:12.760 --> 0:19:16.159
<v Speaker 1>in there, whoa, you can which let's go ahead and

0:19:16.160 --> 0:19:18.399
<v Speaker 1>do that now. Yeah, you want to hold two balls

0:19:18.440 --> 0:19:22.200
<v Speaker 1>in one hand, obviously, and uh they suggest to hold

0:19:22.240 --> 0:19:25.280
<v Speaker 1>the two and the dominant hand, although if you're having

0:19:25.320 --> 0:19:29.800
<v Speaker 1>a problem um making that third toss, they say, sometimes

0:19:29.840 --> 0:19:31.960
<v Speaker 1>switch it up and it may help to hold the

0:19:31.960 --> 0:19:34.920
<v Speaker 1>two in the non domination because some people just want

0:19:34.920 --> 0:19:37.440
<v Speaker 1>to hold one and you're really just throwing two with

0:19:37.480 --> 0:19:41.080
<v Speaker 1>another one in your hand, or else you're throwing one

0:19:41.200 --> 0:19:43.560
<v Speaker 1>and then two at once, which you don't want to

0:19:43.600 --> 0:19:45.960
<v Speaker 1>do either. Yeah, you're gonna be frustrated. It takes a

0:19:46.000 --> 0:19:48.600
<v Speaker 1>lot of time in practice. Like, don't give up like

0:19:48.640 --> 0:19:51.160
<v Speaker 1>I did when you didn't master it in one hour. Right,

0:19:51.200 --> 0:19:53.600
<v Speaker 1>if you think that you're supposed to be mastering this

0:19:53.720 --> 0:19:58.840
<v Speaker 1>as we're speaking now, just covered like six months of work.

0:19:59.320 --> 0:20:02.479
<v Speaker 1>Now what you dmaster in a minute, though, is just

0:20:02.520 --> 0:20:05.600
<v Speaker 1>clicking on YouTube and watching videos of jugglers. Again, I'm

0:20:05.640 --> 0:20:08.800
<v Speaker 1>almost done. Yeah, okay, So with this cascade, you've got

0:20:08.800 --> 0:20:12.560
<v Speaker 1>the third ball, and just remember that every half of

0:20:12.600 --> 0:20:15.680
<v Speaker 1>a beat that it takes, you're throwing a ball. You're

0:20:15.720 --> 0:20:18.359
<v Speaker 1>constantly throwing a ball. The cool thing about the third

0:20:18.400 --> 0:20:21.359
<v Speaker 1>one is when you start with two balls in one hand,

0:20:21.920 --> 0:20:25.000
<v Speaker 1>you obviously start with that hand for tossing. You toss

0:20:25.040 --> 0:20:27.080
<v Speaker 1>it up in the air. As that one arcs, you

0:20:27.119 --> 0:20:29.360
<v Speaker 1>toss your left one, is that one actually toss your

0:20:29.359 --> 0:20:32.760
<v Speaker 1>third one, And about the time you're tossing your third one,

0:20:33.080 --> 0:20:37.040
<v Speaker 1>your first one's landing. That's right, and you've just done

0:20:37.040 --> 0:20:39.520
<v Speaker 1>what's called a flash of juggling. That's right. And if

0:20:39.560 --> 0:20:43.800
<v Speaker 1>you have trouble catching at first, uh, don't worry about it.

0:20:44.200 --> 0:20:47.240
<v Speaker 1>They recommend just work on the tossing. And if you

0:20:47.359 --> 0:20:50.399
<v Speaker 1>drop the ball, and it's not a big deal at first.

0:20:50.640 --> 0:20:53.840
<v Speaker 1>You just want to get that hand motioned down and uh,

0:20:54.160 --> 0:20:58.000
<v Speaker 1>learn basically the motion of the cascade. Uh. And again,

0:20:58.040 --> 0:20:59.680
<v Speaker 1>stand in front of a wall because you're gonna find

0:20:59.680 --> 0:21:03.679
<v Speaker 1>yourself chasing the bean bag forward because you're tossing it

0:21:03.720 --> 0:21:08.760
<v Speaker 1>further away from you. But be careful. Let's start with chainsaws.

0:21:08.800 --> 0:21:11.560
<v Speaker 1>Let's start with chainsaws, which, by the way, are modified

0:21:12.080 --> 0:21:16.520
<v Speaker 1>their props. They're not using real chainsaws unless you're crazy. Well,

0:21:16.560 --> 0:21:19.560
<v Speaker 1>they probably don't have the thing there like the Haunted

0:21:19.600 --> 0:21:23.000
<v Speaker 1>House chainsaws. All right, well, after this break, we are

0:21:23.040 --> 0:21:42.920
<v Speaker 1>going to get into variations on the cat scade. All right, Josh,

0:21:43.640 --> 0:21:48.679
<v Speaker 1>you've got the cascade down, try the reverse cascade, which is,

0:21:48.800 --> 0:21:51.960
<v Speaker 1>like I said, just the opposite direction clock I'm sorry,

0:21:51.960 --> 0:21:55.160
<v Speaker 1>counterclockwise for your right hand, clockwise for your left. You're

0:21:55.200 --> 0:21:59.560
<v Speaker 1>scooping your hands inward instead of outward. I'm sorry you're

0:21:59.560 --> 0:22:02.680
<v Speaker 1>scooping oward instead of inward, right, which sounds weird, but

0:22:02.720 --> 0:22:04.720
<v Speaker 1>if you just do without balls, if you just do

0:22:04.800 --> 0:22:07.680
<v Speaker 1>your hands like that, it makes sense. Yeah, you can

0:22:07.720 --> 0:22:10.160
<v Speaker 1>just kind of do it in your imagination and then

0:22:10.280 --> 0:22:12.760
<v Speaker 1>just change directions. Yeah, and you wait a minute, I've

0:22:12.800 --> 0:22:16.040
<v Speaker 1>seen guys do that, right, It will feel like natural. Yeah.

0:22:16.080 --> 0:22:19.480
<v Speaker 1>The the only the only big differences here is with

0:22:19.600 --> 0:22:23.880
<v Speaker 1>your the hand that you throw in a higher arc

0:22:24.160 --> 0:22:26.840
<v Speaker 1>has changed, so your first throw is going to be

0:22:26.880 --> 0:22:30.520
<v Speaker 1>at a lower arc than the second throws. And your

0:22:30.520 --> 0:22:33.400
<v Speaker 1>hands are moving in different directions. So remember the hand

0:22:33.440 --> 0:22:37.920
<v Speaker 1>that's going in counter clockwise motion throws in the higher arc.

0:22:38.320 --> 0:22:43.280
<v Speaker 1>And that's that's called Josh's law. Okay. Um, So while

0:22:43.320 --> 0:22:45.880
<v Speaker 1>you're after you've mastered this, which will take a while,

0:22:45.960 --> 0:22:48.560
<v Speaker 1>as we've said a hundred fifty times, um, you can

0:22:48.560 --> 0:22:52.080
<v Speaker 1>start doing little tricks uh thrown in there because just

0:22:52.119 --> 0:22:54.560
<v Speaker 1>a regular juggler is gonna get very far in life.

0:22:54.880 --> 0:22:57.879
<v Speaker 1>Where you really make your dough is when you start

0:22:57.920 --> 0:23:01.359
<v Speaker 1>throwing in things like the half shower or the tennis move,

0:23:02.000 --> 0:23:04.399
<v Speaker 1>which is uh. And you know, if you look all

0:23:04.440 --> 0:23:07.840
<v Speaker 1>these up, it basically when you see jugglers just juggling

0:23:07.840 --> 0:23:10.720
<v Speaker 1>regular and then there aren't does something crazy looking. That's

0:23:10.720 --> 0:23:13.560
<v Speaker 1>what these moves are like we could describe them in detail,

0:23:13.600 --> 0:23:15.800
<v Speaker 1>but it's really a lot cooler if you just go look.

0:23:16.119 --> 0:23:18.200
<v Speaker 1>But when you're watching juggling, you go, oh, man, what

0:23:18.280 --> 0:23:20.440
<v Speaker 1>was that? Look what that girl just did with her arm?

0:23:20.920 --> 0:23:24.399
<v Speaker 1>That was maybe a tennis move or or Mills mess

0:23:24.720 --> 0:23:29.000
<v Speaker 1>invented by juggler Steve Mills, not my uncle Steve Mills.

0:23:29.840 --> 0:23:32.560
<v Speaker 1>I don't think you can juggle or Burke's barrage or

0:23:32.640 --> 0:23:36.200
<v Speaker 1>ruben Stein's revenge. Pretty cool stuff. Yeah, these are all

0:23:36.280 --> 0:23:41.800
<v Speaker 1>just complex arm crossing patterns as you're juggling. Different variations

0:23:41.840 --> 0:23:45.040
<v Speaker 1>on that. Um. Another variation that I like, have you

0:23:45.080 --> 0:23:48.120
<v Speaker 1>seen this before? Bounce juggling. It's my favorite thing. Rather

0:23:48.160 --> 0:23:51.240
<v Speaker 1>than throwing the ball something my favorite juggling okay yah,

0:23:51.680 --> 0:23:53.440
<v Speaker 1>rather than throwing the balls up in the air to

0:23:53.440 --> 0:23:56.280
<v Speaker 1>toss juggle the you throw the balls down on the

0:23:56.280 --> 0:23:59.840
<v Speaker 1>ground and bounce themthing. There's this kid I saw on YouTube.

0:23:59.840 --> 0:24:04.159
<v Speaker 1>If you just search bounce juggling, it's the first video.

0:24:04.600 --> 0:24:07.360
<v Speaker 1>It's the thing, the first thing that comes up on YouTube.

0:24:07.359 --> 0:24:09.840
<v Speaker 1>That guy. He starts out in profile, yeah, and you're like,

0:24:10.480 --> 0:24:12.840
<v Speaker 1>like his basement or whatever. Yeah, but then once he

0:24:12.960 --> 0:24:14.840
<v Speaker 1>don't know how many balls he had going. He had

0:24:15.040 --> 0:24:17.239
<v Speaker 1>quite a few. Yeah, And there's different ways of doing this.

0:24:17.320 --> 0:24:19.119
<v Speaker 1>You can either lift bounce it by just sort of

0:24:19.119 --> 0:24:21.000
<v Speaker 1>tossing it in the air and letting it bounce, or

0:24:21.080 --> 0:24:22.960
<v Speaker 1>you can actually throw it at the ground, which is

0:24:23.000 --> 0:24:28.359
<v Speaker 1>called a force bounce. And I even wrote the coolest

0:24:28.480 --> 0:24:32.040
<v Speaker 1>two of them. Bounce juggling is really cool looking. Um.

0:24:32.080 --> 0:24:37.280
<v Speaker 1>There's clawing, which is basically palms down juggling. Um, so

0:24:37.320 --> 0:24:40.360
<v Speaker 1>it's just the regular cascade, but yeah, you're like snatching

0:24:40.400 --> 0:24:42.240
<v Speaker 1>him out of the air. Yeah, and it's like that's

0:24:42.240 --> 0:24:44.520
<v Speaker 1>cool looking. You can do that solely, or you can

0:24:44.560 --> 0:24:46.280
<v Speaker 1>just throw in a claw every now and then just

0:24:46.800 --> 0:24:51.080
<v Speaker 1>delight your nieces and nephews at Christmas. There is the

0:24:51.200 --> 0:24:53.840
<v Speaker 1>chop yeah, which I think this one is where you

0:24:53.880 --> 0:24:58.520
<v Speaker 1>grab a ball and then throw it underneath your other arm.

0:24:59.480 --> 0:25:01.920
<v Speaker 1>You throw it upboard underneath your other arm. Yeah, it's

0:25:01.960 --> 0:25:05.200
<v Speaker 1>like a diagonal quick diagonal move. And like I said

0:25:05.200 --> 0:25:08.560
<v Speaker 1>it all you'll just notice if you're not a real juggler,

0:25:08.560 --> 0:25:11.080
<v Speaker 1>if you're just watching in the park one day, they'll

0:25:11.080 --> 0:25:15.360
<v Speaker 1>do some crazy arm thing. It's just I call it flair. Well,

0:25:15.400 --> 0:25:18.119
<v Speaker 1>there is actually something called flair that's a type of

0:25:18.200 --> 0:25:23.880
<v Speaker 1>juggling bartenders flare. Oh you know the movie Cocktail Bartender's

0:25:23.920 --> 0:25:28.560
<v Speaker 1>Flair that was a type of juggling supposedly not a fan, Oh,

0:25:28.600 --> 0:25:31.200
<v Speaker 1>I thought it was great. I haven't seen the movie. Yeah,

0:25:31.200 --> 0:25:32.439
<v Speaker 1>I haven't seen it. And are you a fan of

0:25:32.480 --> 0:25:37.040
<v Speaker 1>bartending flair though? Hey, I'm a Jerry Thomas fan. So

0:25:37.280 --> 0:25:40.960
<v Speaker 1>yes the answers, yes, all right, I like uh, I

0:25:41.040 --> 0:25:43.320
<v Speaker 1>like a bartender to like grump at me and slide

0:25:43.320 --> 0:25:45.680
<v Speaker 1>my whiskey down the bar. That's the best trick. I

0:25:45.760 --> 0:25:48.880
<v Speaker 1>want to say. It's fine pretty much like all bartenders. Yeah,

0:25:48.920 --> 0:25:52.520
<v Speaker 1>that's true. Yeah they do. They're doing God's work. So

0:25:52.600 --> 0:25:56.480
<v Speaker 1>Jonathan Strickland says, generally speaking, if you have an odd

0:25:56.560 --> 0:25:59.720
<v Speaker 1>number of props, you're gonna require a criss cross pattern.

0:26:00.000 --> 0:26:02.200
<v Speaker 1>If you have an even number of props, it's going

0:26:02.240 --> 0:26:05.720
<v Speaker 1>to be two separate groups juggled in each hand. Yeah.

0:26:05.720 --> 0:26:07.800
<v Speaker 1>I remember you said you could juggle with one hand

0:26:07.880 --> 0:26:11.480
<v Speaker 1>kind of yea. So remember toss juggling is any kind

0:26:11.520 --> 0:26:15.040
<v Speaker 1>of juggling where the more the objects, the number of

0:26:15.040 --> 0:26:17.960
<v Speaker 1>objects you're juggling exceeds the number of hands are using.

0:26:18.520 --> 0:26:21.959
<v Speaker 1>So if you use two balls in one hand, that's

0:26:22.000 --> 0:26:25.160
<v Speaker 1>toss juggling, it still counts. So if you're if you're

0:26:25.240 --> 0:26:30.240
<v Speaker 1>juggling four things, you're basically toss juggling separately with two

0:26:30.240 --> 0:26:34.240
<v Speaker 1>hands to two different things. So two bowling pins in

0:26:34.320 --> 0:26:38.240
<v Speaker 1>each hand is toss juggling. I don't know if you

0:26:38.280 --> 0:26:41.720
<v Speaker 1>could do clubs with one hand, can you? Yea, yeah,

0:26:41.800 --> 0:26:45.960
<v Speaker 1>you're do it in columns and yeah. Yeah, that's that's

0:26:46.000 --> 0:26:48.359
<v Speaker 1>some talent right there. That's how that's how most people

0:26:48.400 --> 0:26:52.240
<v Speaker 1>do clubs is like one hand. I really I've just

0:26:52.280 --> 0:26:57.360
<v Speaker 1>seen like the Cascade mainly. Mhm no, no, everytime I've

0:26:57.359 --> 0:27:02.560
<v Speaker 1>ever seen clubs, it's like one handed to one handed juggling.

0:27:03.080 --> 0:27:05.560
<v Speaker 1>You need to get out more. I guess I need

0:27:05.600 --> 0:27:08.400
<v Speaker 1>to go to the park. Yeah that they hang out

0:27:08.440 --> 0:27:13.399
<v Speaker 1>there along with the Hackey sackers. Um yeah, well like

0:27:13.440 --> 0:27:14.800
<v Speaker 1>you mentioned then, I guess if you're going to be

0:27:14.840 --> 0:27:18.040
<v Speaker 1>juggling with one hand, you've got the fountain, which is

0:27:18.359 --> 0:27:20.399
<v Speaker 1>the circular pattern, like if I had two balls and

0:27:20.440 --> 0:27:22.960
<v Speaker 1>I was just throwing them in a circle, or the

0:27:23.040 --> 0:27:26.199
<v Speaker 1>straight up and down which is the column right, and

0:27:26.280 --> 0:27:29.040
<v Speaker 1>that can be either synchronous or asynchronous. If you look

0:27:29.119 --> 0:27:32.280
<v Speaker 1>up synchronous column juggler on YouTube, they're gonna be doing

0:27:32.280 --> 0:27:34.679
<v Speaker 1>the exact same thing at the same time with both hands,

0:27:35.480 --> 0:27:38.119
<v Speaker 1>which is pretty neat. I think asynchronous may be a

0:27:38.119 --> 0:27:40.440
<v Speaker 1>little tougher though, just judging by the looks of it. Well,

0:27:40.520 --> 0:27:43.840
<v Speaker 1>strickling makes the point that since you most people start

0:27:43.840 --> 0:27:47.800
<v Speaker 1>out learning to juggle asynchronous lee, which is like that

0:27:47.920 --> 0:27:50.879
<v Speaker 1>cascade is asynchronous. The hands aren't moving at the same time,

0:27:50.920 --> 0:27:54.919
<v Speaker 1>they're moving at opposite beats. Um that it's it's actually

0:27:54.960 --> 0:27:59.040
<v Speaker 1>easier for people to do that to do asynchronous makes sense.

0:27:59.119 --> 0:28:04.520
<v Speaker 1>I guess. Yeah. Even handed juggling, what is that called.

0:28:04.520 --> 0:28:07.560
<v Speaker 1>That's the one thing in juggling that doesn't have a

0:28:07.680 --> 0:28:12.320
<v Speaker 1>name where you're just juggling four things at once, or

0:28:12.480 --> 0:28:14.680
<v Speaker 1>like an even number of things, and you're using both

0:28:14.760 --> 0:28:18.520
<v Speaker 1>your hands, but you're juggling two clubs. There's no name

0:28:18.560 --> 0:28:21.399
<v Speaker 1>for it. It's driving me crazy. I'm sure there's a

0:28:21.440 --> 0:28:23.320
<v Speaker 1>name for it. Well, I don't know what it is.

0:28:24.160 --> 0:28:27.120
<v Speaker 1>You should name it after you at any at any term.

0:28:27.280 --> 0:28:32.120
<v Speaker 1>Oh no, here it is numbers juggling. Okay, okay, So

0:28:32.240 --> 0:28:36.040
<v Speaker 1>when you're doing numbers juggling, you uh, an even number

0:28:36.080 --> 0:28:41.360
<v Speaker 1>of numbers juggling, you're just doing it asynchronous ly, probably

0:28:41.400 --> 0:28:44.560
<v Speaker 1>to start. Okay, that was my point for my little tirade.

0:28:44.600 --> 0:28:47.480
<v Speaker 1>I wonder how many angry jugglers we have right now, Oh,

0:28:47.600 --> 0:28:52.000
<v Speaker 1>probably a lot. Uh. There's a couple of other kinds

0:28:52.000 --> 0:28:54.800
<v Speaker 1>of juggling that are fun to watch, cigar box juggling

0:28:54.800 --> 0:28:58.080
<v Speaker 1>and shaker cup. Um. You've probably tried the cigar box

0:28:58.120 --> 0:29:00.719
<v Speaker 1>thing with two boxes or whatever. And that's when you

0:29:00.760 --> 0:29:04.320
<v Speaker 1>have any number of boxes. You're holding one in each hand,

0:29:04.760 --> 0:29:06.760
<v Speaker 1>but then you have quite a few in the middle,

0:29:07.240 --> 0:29:09.000
<v Speaker 1>and you'll toss them up and flip them and then

0:29:09.120 --> 0:29:12.280
<v Speaker 1>catch them between the other two boxes. Yeah, it's pretty neat.

0:29:12.720 --> 0:29:16.800
<v Speaker 1>And the same sort of thing goes with the shaker cup. Um.

0:29:16.880 --> 0:29:20.520
<v Speaker 1>Your cups are nesting inside one another, though, like cocktail cups,

0:29:20.680 --> 0:29:23.920
<v Speaker 1>and you're you know, tossing those up and catching them.

0:29:24.000 --> 0:29:27.320
<v Speaker 1>And they probably was born out of bar tender flare. Yeah,

0:29:27.360 --> 0:29:33.280
<v Speaker 1>probably so all right, we mentioned clubs um as an alternative.

0:29:33.400 --> 0:29:35.640
<v Speaker 1>They look like the standard club looks sort of like

0:29:35.680 --> 0:29:40.160
<v Speaker 1>a modified bowling pin. Yeah, like a slim svelt bowling pin. Yeah,

0:29:40.200 --> 0:29:43.760
<v Speaker 1>a sexy bowling pin. Uh. They are European and American versions,

0:29:43.800 --> 0:29:47.080
<v Speaker 1>and I think the European version is slimmer and sexier

0:29:47.400 --> 0:29:51.320
<v Speaker 1>than the American go figure. And um, I think they're

0:29:51.320 --> 0:29:55.200
<v Speaker 1>a little more popular as well. Right, and the larger

0:29:55.280 --> 0:30:00.000
<v Speaker 1>and is meant to fit into a Champagne coup the Europe.

0:30:00.360 --> 0:30:03.560
<v Speaker 1>That's pretty neat. Uh. And I think you said that

0:30:03.720 --> 0:30:07.160
<v Speaker 1>clubs also if you want to do like knives and torches,

0:30:07.440 --> 0:30:09.360
<v Speaker 1>they call that a club as well. Yeah. I think

0:30:09.400 --> 0:30:13.440
<v Speaker 1>there's like a few broad categories of props and the

0:30:14.040 --> 0:30:16.120
<v Speaker 1>clubs that kind of thing, and then they fall under

0:30:16.160 --> 0:30:21.000
<v Speaker 1>those subcategories like axes and torches andies out the n uh.

0:30:21.080 --> 0:30:24.480
<v Speaker 1>And then there's ring juggling. Of course they're very stable,

0:30:25.200 --> 0:30:29.000
<v Speaker 1>um because of their gyroscopic properties, and so you don't

0:30:29.040 --> 0:30:33.920
<v Speaker 1>even mention. Well, the point is though you can juggle

0:30:34.200 --> 0:30:37.160
<v Speaker 1>a lot more rings at once maybe than you might

0:30:37.280 --> 0:30:40.200
<v Speaker 1>be able to juggle a ball. Yeah, and that's pretty

0:30:40.240 --> 0:30:42.880
<v Speaker 1>impressive to see as well. Yeah, and then there's this

0:30:42.880 --> 0:30:45.880
<v Speaker 1>thing I found today called contact ring juggling. That's when

0:30:45.920 --> 0:30:51.400
<v Speaker 1>you're not throwing rings, uh you really you're rolling them along. Well.

0:30:51.400 --> 0:30:54.720
<v Speaker 1>Now that's contact juggling with like a ball is when

0:30:54.760 --> 0:30:57.120
<v Speaker 1>you're like doing the Harlem globe trotter thing and rolling

0:30:57.120 --> 0:30:59.280
<v Speaker 1>it down your arm over your body and stuff. It's

0:30:59.320 --> 0:31:01.640
<v Speaker 1>pretty cool. But the contact ring juggling is just just

0:31:01.680 --> 0:31:04.280
<v Speaker 1>look it up. It's really cool. It's like, I mean,

0:31:04.280 --> 0:31:06.280
<v Speaker 1>there's all different shapes, but the ones I've seen are

0:31:06.280 --> 0:31:10.440
<v Speaker 1>mainly a figure eight um, and you're just manipulating them

0:31:10.480 --> 0:31:14.400
<v Speaker 1>such that they look like it looks like an illusion,

0:31:14.440 --> 0:31:18.040
<v Speaker 1>almost like one will be stationary and it looks like

0:31:18.080 --> 0:31:20.200
<v Speaker 1>the other ring is circling around it. Well it is,

0:31:21.080 --> 0:31:24.520
<v Speaker 1>but uh, just take my word for Okay, contact ring

0:31:24.560 --> 0:31:27.800
<v Speaker 1>juggling everyone go check it out. Very popular in Asia.

0:31:27.800 --> 0:31:33.120
<v Speaker 1>It looks like they've mastered it. Okay, very cool. So

0:31:33.160 --> 0:31:35.240
<v Speaker 1>let's see. You got a buddy and you both like

0:31:35.320 --> 0:31:37.080
<v Speaker 1>to go to the park. Well, this is a big one.

0:31:37.200 --> 0:31:40.240
<v Speaker 1>It's pretty cool. It's a thing. You've seen it. Yeah.

0:31:40.400 --> 0:31:42.959
<v Speaker 1>Stuggling makes the point that juggling is kind of a

0:31:43.000 --> 0:31:47.200
<v Speaker 1>social thing populated by social creatures. Like there's lots of

0:31:47.280 --> 0:31:50.800
<v Speaker 1>juggling clubs and that kind of stuff, and that um

0:31:50.800 --> 0:31:53.560
<v Speaker 1>where you know, you and I think of juggling. It's

0:31:53.560 --> 0:31:56.320
<v Speaker 1>like a solitary activity. No way. Man, If you get

0:31:56.320 --> 0:31:59.480
<v Speaker 1>too good jugglers together, it becomes a feast for the

0:31:59.560 --> 0:32:01.680
<v Speaker 1>mind and the eyes. We could add this to our

0:32:01.760 --> 0:32:05.240
<v Speaker 1>live show Juggling us juggling, Yeah, all right, and tandem.

0:32:05.280 --> 0:32:08.560
<v Speaker 1>We have a lot of practice to do because what

0:32:08.680 --> 0:32:11.720
<v Speaker 1>we could do Josh on stage, if we put a

0:32:11.720 --> 0:32:15.200
<v Speaker 1>lot of work into it, is something called stealing and replacing.

0:32:15.840 --> 0:32:20.360
<v Speaker 1>And that is when you basically will go up. If

0:32:20.400 --> 0:32:25.320
<v Speaker 1>you're juggling four clubs, I'll go and steal one, or

0:32:25.360 --> 0:32:27.760
<v Speaker 1>maybe steal two, and then three and then four, and

0:32:27.760 --> 0:32:32.080
<v Speaker 1>then I'm the one juggling. But the juggling never stops, right,

0:32:32.280 --> 0:32:37.280
<v Speaker 1>It looks as as a seamless synchronous pattern uninterrupted. If

0:32:37.320 --> 0:32:40.720
<v Speaker 1>you're just like stop another person from juggling, it's just

0:32:40.760 --> 0:32:44.720
<v Speaker 1>being a jerk. Yeah. The point of it is that juggling. Yeah,

0:32:44.720 --> 0:32:46.720
<v Speaker 1>I guess so, But you're still juggling the whole time

0:32:46.760 --> 0:32:48.920
<v Speaker 1>you're doing that. That's right. The whole point of of

0:32:49.000 --> 0:32:52.360
<v Speaker 1>juggling with two people and like stealing and replacing is

0:32:52.440 --> 0:32:56.280
<v Speaker 1>that the balls. If you were able to ask these

0:32:56.400 --> 0:33:00.080
<v Speaker 1>juggled balls what they think is going on, they you

0:33:00.120 --> 0:33:02.760
<v Speaker 1>would say nothing, it's the same thing. We're doing the

0:33:02.800 --> 0:33:06.040
<v Speaker 1>same pattern. Say, Chuck, hands were a little sweatier, right,

0:33:07.120 --> 0:33:12.680
<v Speaker 1>but what really happened was I replaced you. Yeah, that's

0:33:12.680 --> 0:33:14.360
<v Speaker 1>one way to do it, or we could stand in

0:33:14.440 --> 0:33:18.440
<v Speaker 1>front of each other like four ft apart and uh,

0:33:18.520 --> 0:33:21.000
<v Speaker 1>you know, we're juggling the clubs and then tossing each

0:33:21.040 --> 0:33:24.440
<v Speaker 1>other the clubs and we've got our little uh post stuff.

0:33:24.480 --> 0:33:26.520
<v Speaker 1>You should now act all worked out? Yeah, what's cool?

0:33:26.520 --> 0:33:29.360
<v Speaker 1>So with stealing replacing, with with juggling balls, like I

0:33:29.360 --> 0:33:32.200
<v Speaker 1>would stand facing opposite you and just kind of grab

0:33:32.240 --> 0:33:35.120
<v Speaker 1>yours like you said, and just ultimately like take over

0:33:35.160 --> 0:33:37.320
<v Speaker 1>your catches, and then I would be juggling and then

0:33:37.360 --> 0:33:39.640
<v Speaker 1>you could steal it back and we could go back

0:33:39.640 --> 0:33:42.360
<v Speaker 1>and forth. And definitely with clubs, I would be standing

0:33:42.400 --> 0:33:44.720
<v Speaker 1>next to you and just basically kind of push you

0:33:44.760 --> 0:33:47.480
<v Speaker 1>out of the way. Well that's if you're stealing and replacing.

0:33:47.520 --> 0:33:49.640
<v Speaker 1>If we're passing, then we're standing in front of each

0:33:49.640 --> 0:33:52.040
<v Speaker 1>other and just throwing them back and forth to each other.

0:33:52.120 --> 0:33:55.280
<v Speaker 1>And there's actually a pretty established way of um passing

0:33:55.320 --> 0:33:57.920
<v Speaker 1>where it's called the three three ten where we do

0:33:58.560 --> 0:34:02.840
<v Speaker 1>three pass is where every third toss I passed to

0:34:02.920 --> 0:34:05.480
<v Speaker 1>you and you catch it, so you know we're in

0:34:05.560 --> 0:34:09.200
<v Speaker 1>tandem and everything's going right, and then after three of those,

0:34:09.200 --> 0:34:11.520
<v Speaker 1>you do every second toss. Then after three of those

0:34:11.560 --> 0:34:14.239
<v Speaker 1>you do. Every toss, you toss another one, and then

0:34:14.280 --> 0:34:18.239
<v Speaker 1>by that last one, we're just like on fire, just

0:34:18.360 --> 0:34:22.799
<v Speaker 1>throwing throwing ones back and forth between ourselves. Yeah, and

0:34:22.800 --> 0:34:25.239
<v Speaker 1>we did mention combat juggling. That was not a joke.

0:34:25.680 --> 0:34:27.680
<v Speaker 1>It is a thing, and I've seen I looked up

0:34:27.800 --> 0:34:31.120
<v Speaker 1>these little competitions. It's when it's sort of like dodgebhile.

0:34:31.200 --> 0:34:34.520
<v Speaker 1>You get, you know, ten jugglers on a stage and

0:34:34.600 --> 0:34:36.799
<v Speaker 1>they all start juggling, and they all start to try

0:34:36.840 --> 0:34:43.279
<v Speaker 1>and thwart the other jugglers juggle while maintaining their's. So

0:34:43.480 --> 0:34:45.759
<v Speaker 1>I would go up and throw mine in the air

0:34:45.760 --> 0:34:47.600
<v Speaker 1>and try and knock yours out of your hand. But

0:34:48.239 --> 0:34:50.279
<v Speaker 1>you can't, you know, get too crazy because you've gotta

0:34:50.320 --> 0:34:53.480
<v Speaker 1>still juggle or else you're out. The way we've been

0:34:53.520 --> 0:34:57.040
<v Speaker 1>describing this one, it feels like we've been replaced by

0:34:57.120 --> 0:35:00.880
<v Speaker 1>impostors who listened to the show a lot and didn't

0:35:00.880 --> 0:35:05.600
<v Speaker 1>know what topic to pick. Isn't that weird? I'm myself?

0:35:05.640 --> 0:35:10.359
<v Speaker 1>Are you yourself? No, I'm you? Oh god, weird. Well,

0:35:10.400 --> 0:35:12.359
<v Speaker 1>we'll get to the bottom of this right after these

0:35:12.360 --> 0:35:26.640
<v Speaker 1>messages and that Chuck comes to the darkest time. This

0:35:26.719 --> 0:35:31.360
<v Speaker 1>is Josh actual. Yeah, Okay, yeah, I'm replaced. I replaced

0:35:31.400 --> 0:35:36.560
<v Speaker 1>the replacement. Um Nope, still here saying bizarre stuff like

0:35:36.600 --> 0:35:40.120
<v Speaker 1>I replaced the replacement. And we're talking about the physics

0:35:40.120 --> 0:35:44.719
<v Speaker 1>of juggling fun fun, which is it's actually kind of straightforward.

0:35:44.719 --> 0:35:47.759
<v Speaker 1>It's stuff you would think of, but it's nice to

0:35:47.800 --> 0:35:49.920
<v Speaker 1>put it into terms where we can say that we

0:35:50.040 --> 0:35:54.320
<v Speaker 1>covered the physics of juggling. Like. So, the main factor

0:35:54.640 --> 0:35:58.759
<v Speaker 1>acting on juggling, probably the most important part in the

0:35:58.760 --> 0:36:03.240
<v Speaker 1>whole thing, is our good friend gravity. That's right. Uh.

0:36:03.280 --> 0:36:07.440
<v Speaker 1>An acceleration due to gravity specifically is nine point eight

0:36:08.040 --> 0:36:11.200
<v Speaker 1>m slash s to the second power, meaning nine point

0:36:11.200 --> 0:36:14.920
<v Speaker 1>eight meters per second every second. So when you drop something,

0:36:15.800 --> 0:36:18.520
<v Speaker 1>speed is going to increase by nine point eight meters

0:36:18.600 --> 0:36:21.879
<v Speaker 1>per second. And don't bother us, we're not including any

0:36:21.960 --> 0:36:24.960
<v Speaker 1>kind of error resistance. We're in a vacuum to demonstrate

0:36:24.960 --> 0:36:28.040
<v Speaker 1>all of our physics were always in a vacuum. Our

0:36:28.080 --> 0:36:30.359
<v Speaker 1>little stuff you should know, vacuum part next to the

0:36:30.400 --> 0:36:36.400
<v Speaker 1>way back machine. Um. So it's a constant acceleration and

0:36:36.440 --> 0:36:38.520
<v Speaker 1>because of that, the only way to slow down your

0:36:38.560 --> 0:36:41.759
<v Speaker 1>pattern is by throwing something higher. Yeah, And so the

0:36:41.840 --> 0:36:45.120
<v Speaker 1>more things that you add into your pattern, the higher

0:36:45.120 --> 0:36:48.160
<v Speaker 1>you're going to have to throw because you have a

0:36:48.200 --> 0:36:54.400
<v Speaker 1>constant acceleration downward acceleration after your toss um So that

0:36:54.520 --> 0:36:56.520
<v Speaker 1>means you have to open up your pattern by throwing

0:36:56.520 --> 0:36:58.440
<v Speaker 1>it higher up. The more stuff you have, because you

0:36:58.480 --> 0:37:01.240
<v Speaker 1>simply would not have enough time to throw x amount

0:37:01.280 --> 0:37:02.960
<v Speaker 1>of balls in the air. I mean, you can increase

0:37:03.000 --> 0:37:06.040
<v Speaker 1>your hand speed somewhat, but at a certain point you

0:37:06.080 --> 0:37:09.120
<v Speaker 1>just can't do it exactly. They're gonna be bean bags everywhere.

0:37:09.640 --> 0:37:13.040
<v Speaker 1>Another um factor is that it's not really a factor.

0:37:13.040 --> 0:37:15.920
<v Speaker 1>It's more of a fact. When you're throwing your balls,

0:37:16.480 --> 0:37:20.239
<v Speaker 1>you're throwing them in a parabola, which means that the only, uh,

0:37:20.320 --> 0:37:26.000
<v Speaker 1>the only velocity that counts is the is the vertical velocity,

0:37:26.040 --> 0:37:30.000
<v Speaker 1>the vertical acceleration. When you throw something up, you're exerting

0:37:30.040 --> 0:37:36.920
<v Speaker 1>your own force upward and what's it peaks gravity is

0:37:37.120 --> 0:37:39.719
<v Speaker 1>pushing it back downward. That's right. It's gonna have a

0:37:39.719 --> 0:37:42.920
<v Speaker 1>horror zonal velocity, but that's going to be constant, so

0:37:43.000 --> 0:37:45.600
<v Speaker 1>there's no force acting on it unless there's no change

0:37:45.640 --> 0:37:47.640
<v Speaker 1>in velocity. I guess with the column it's pretty much

0:37:47.640 --> 0:37:51.160
<v Speaker 1>straight up and down. But generally speaking, you're gonna be

0:37:51.560 --> 0:37:55.640
<v Speaker 1>have both. Yeah, it's moving horizontally, but there's no force

0:37:55.800 --> 0:37:58.560
<v Speaker 1>pushing it. There's no change in I'm sorry, there's no

0:37:58.640 --> 0:38:02.400
<v Speaker 1>change in acceleration. It's constant exactly, Okay. And then of

0:38:02.440 --> 0:38:05.799
<v Speaker 1>course the mass of your props also count. Yeah, which

0:38:05.840 --> 0:38:08.040
<v Speaker 1>is why if you've ever seen the old trick where

0:38:08.080 --> 0:38:11.319
<v Speaker 1>someone's doing a bowling ball with a tennis ball with

0:38:11.440 --> 0:38:16.320
<v Speaker 1>a club, it's super impressive because it's much much easier

0:38:16.360 --> 0:38:19.879
<v Speaker 1>to juggle things with the same mass. Yeah, because you're

0:38:19.920 --> 0:38:23.040
<v Speaker 1>just making the same motion over and over again. When

0:38:23.160 --> 0:38:26.120
<v Speaker 1>you are juggling things with three different maths, meaning they

0:38:26.160 --> 0:38:30.239
<v Speaker 1>have three different um, three different amounts of inertia or

0:38:30.320 --> 0:38:36.800
<v Speaker 1>they require more different amounts of force to overcome inertiae um.

0:38:36.920 --> 0:38:39.840
<v Speaker 1>Then yes, like you said, that's kind of impressive. It

0:38:39.960 --> 0:38:44.239
<v Speaker 1>just requires that much more mental acuity. That's right. Is

0:38:44.239 --> 0:38:47.240
<v Speaker 1>that all the physics. Now we get into the math.

0:38:47.480 --> 0:38:49.839
<v Speaker 1>I know this actually kind of interested me a little bit,

0:38:50.160 --> 0:38:52.399
<v Speaker 1>despite the fact that it is math and I'm well

0:38:52.440 --> 0:38:56.400
<v Speaker 1>known to not love it. But um. There was a

0:38:56.480 --> 0:39:01.960
<v Speaker 1>mathematician who named Claude Shannon who posed a juggling theorem

0:39:02.239 --> 0:39:07.840
<v Speaker 1>um that basically describes the relationship of of a cask

0:39:08.080 --> 0:39:11.560
<v Speaker 1>or well, just of a juggle, right, keep saying juggle?

0:39:11.600 --> 0:39:13.680
<v Speaker 1>Is that a thing? Did I make it up? No?

0:39:13.719 --> 0:39:15.759
<v Speaker 1>I think it's a thing. I think it's called something

0:39:15.800 --> 0:39:20.120
<v Speaker 1>else though, a juggle. Yeah, Oh, a flash, a flash,

0:39:20.160 --> 0:39:22.960
<v Speaker 1>there you go. That's a round of juggling, one single

0:39:23.080 --> 0:39:26.160
<v Speaker 1>round where all three, year, all five, or all seven

0:39:26.200 --> 0:39:28.360
<v Speaker 1>of your balls have been tossed once at least. But

0:39:28.440 --> 0:39:31.240
<v Speaker 1>to the layman, it's called a juggle, right, so everyone

0:39:31.280 --> 0:39:35.000
<v Speaker 1>knows what I mean. Uh. And this is in parentheses

0:39:35.120 --> 0:39:38.600
<v Speaker 1>F plus d um, and then that would be times

0:39:38.640 --> 0:39:42.239
<v Speaker 1>eight right outside the parentheses equals v plus d in

0:39:42.320 --> 0:39:45.800
<v Speaker 1>prinheses times in when F is the time the balls

0:39:45.840 --> 0:39:47.200
<v Speaker 1>in the air, D is the time as a ball

0:39:47.200 --> 0:39:49.600
<v Speaker 1>in the hand, H is a number of hands, V

0:39:49.920 --> 0:39:52.359
<v Speaker 1>is time that the hand is empty, and in as

0:39:52.400 --> 0:39:55.560
<v Speaker 1>a number of balls being juggled. So basically what he's

0:39:55.600 --> 0:39:57.919
<v Speaker 1>saying is, if you add together the amount of time

0:39:58.160 --> 0:40:00.440
<v Speaker 1>the ball spends in the air plus the amount of

0:40:00.440 --> 0:40:04.000
<v Speaker 1>time it spends in the hand, right, which is the

0:40:04.000 --> 0:40:07.440
<v Speaker 1>full amount of time that that ball exists during a flash,

0:40:07.600 --> 0:40:10.040
<v Speaker 1>multiply that times your hands to the number of hands.

0:40:10.120 --> 0:40:14.480
<v Speaker 1>That's gonna equal the time your hand is empty, uh,

0:40:14.600 --> 0:40:17.880
<v Speaker 1>plus the time the ball spends in the hand times

0:40:17.920 --> 0:40:22.600
<v Speaker 1>the number of balls being juggled. I saw no reason

0:40:22.680 --> 0:40:26.120
<v Speaker 1>for this equation whatsoever. Like at first I was like, oh,

0:40:26.160 --> 0:40:28.160
<v Speaker 1>that's that's pretty cool, and then I spelled it out

0:40:28.200 --> 0:40:31.560
<v Speaker 1>to myself in a it's like the amount of time

0:40:31.600 --> 0:40:33.239
<v Speaker 1>the balls out of the hand plus the amount of

0:40:33.239 --> 0:40:36.319
<v Speaker 1>time the balls in the hand times the number of

0:40:36.360 --> 0:40:41.359
<v Speaker 1>balls the what. I didn't understand what the point of

0:40:41.360 --> 0:40:44.719
<v Speaker 1>it was. So Claude Shannon, please get in touch with us.

0:40:46.440 --> 0:40:49.040
<v Speaker 1>Well that's why he did it so people would write

0:40:49.040 --> 0:40:51.160
<v Speaker 1>stuff about it. And well, the thing is, I guess

0:40:51.200 --> 0:40:54.200
<v Speaker 1>the problem is that it says Shannon build the juggling robots.

0:40:54.200 --> 0:40:58.319
<v Speaker 1>So I guess this formula allows robotics to happen. Yeah,

0:40:58.360 --> 0:41:02.200
<v Speaker 1>and I saw the juggling robots, different robots that toss

0:41:02.280 --> 0:41:04.840
<v Speaker 1>things and catch things, right, it's kind of cool. Okay. Yeah.

0:41:04.880 --> 0:41:08.600
<v Speaker 1>So if if that's the point of the Shannon theorem,

0:41:08.760 --> 0:41:12.879
<v Speaker 1>is that what that's called, sure the Claude's Claude's law,

0:41:15.040 --> 0:41:17.160
<v Speaker 1>then then I understand it. And I take it back.

0:41:19.600 --> 0:41:23.279
<v Speaker 1>What if there's some Cloud's law that's something awful that

0:41:23.360 --> 0:41:27.040
<v Speaker 1>we don't know about. I hope that's the case. And

0:41:27.080 --> 0:41:32.600
<v Speaker 1>then there's site swapping um, which is another math application.

0:41:32.640 --> 0:41:35.120
<v Speaker 1>It's sort of like a musical akin to a musical

0:41:35.200 --> 0:41:39.640
<v Speaker 1>score to a musician, as a form of notation describing

0:41:40.160 --> 0:41:45.560
<v Speaker 1>the juggling pattern, and is what jugglers use two UM. Basically,

0:41:45.600 --> 0:41:47.480
<v Speaker 1>if you were going to write out your juggling pattern

0:41:47.520 --> 0:41:49.799
<v Speaker 1>and send it to your buddy, you wouldn't say, take

0:41:49.880 --> 0:41:51.680
<v Speaker 1>your right hand and blah blah blah. You would use

0:41:51.760 --> 0:41:55.000
<v Speaker 1>numbers to represent it. Which this actually does make sense. Yeah,

0:41:55.040 --> 0:41:57.279
<v Speaker 1>this made a little more sense to me for sure. Yeah.

0:41:57.320 --> 0:42:01.239
<v Speaker 1>And um, So, like a normal eball cascade is three

0:42:01.320 --> 0:42:05.600
<v Speaker 1>three three. Each throw takes three beats, a zero is

0:42:05.719 --> 0:42:09.120
<v Speaker 1>arrest on an empty hand, and a one is handoff

0:42:09.160 --> 0:42:11.239
<v Speaker 1>from one to the other. And you can actually if

0:42:11.280 --> 0:42:13.239
<v Speaker 1>you add them all together and take the average, you

0:42:13.280 --> 0:42:16.279
<v Speaker 1>can tell how many balls are in that pattern. Right,

0:42:16.360 --> 0:42:18.480
<v Speaker 1>So in a three three three you have those together,

0:42:18.520 --> 0:42:21.320
<v Speaker 1>that's nine divided by three because there's three different numerals

0:42:21.400 --> 0:42:24.399
<v Speaker 1>and you've got three or four five one four one

0:42:24.600 --> 0:42:30.200
<v Speaker 1>is also three, right matth that sounds pretty difficult the foe,

0:42:30.760 --> 0:42:34.800
<v Speaker 1>you know, Yeah, the three three three makes intuitive sense

0:42:34.840 --> 0:42:39.000
<v Speaker 1>to me, but that's you know, the four one five

0:42:40.080 --> 0:42:44.040
<v Speaker 1>four five one four one. That's tough. Oh, man, is

0:42:44.080 --> 0:42:49.480
<v Speaker 1>anyone still listening? Noo? Can you hear the echo? I can. Uh.

0:42:49.880 --> 0:42:52.120
<v Speaker 1>If you look at a juggler, you might notice that

0:42:52.120 --> 0:42:55.080
<v Speaker 1>they're probably not looking at their hands like at the catching.

0:42:55.120 --> 0:42:57.759
<v Speaker 1>The catching is sort of automatic. Uh, they're kind of

0:42:57.760 --> 0:43:01.440
<v Speaker 1>looking sort of up at the arc um. And they

0:43:01.440 --> 0:43:04.640
<v Speaker 1>have done experiments to see where um your eyes go

0:43:05.440 --> 0:43:09.799
<v Speaker 1>um A. A. M. Van Santvoord and Peter J. Beck

0:43:09.880 --> 0:43:13.520
<v Speaker 1>did some experiments that actually found that while the peak

0:43:13.600 --> 0:43:16.400
<v Speaker 1>is important, if you see the first one hundred milliseconds

0:43:16.400 --> 0:43:20.120
<v Speaker 1>of the flight path, then you can juggle successfully. Yeah,

0:43:20.200 --> 0:43:22.840
<v Speaker 1>which is pretty impressive. They found that jugglers are relying

0:43:22.880 --> 0:43:26.480
<v Speaker 1>more on feel, sure then and then vision. That's why

0:43:26.520 --> 0:43:29.120
<v Speaker 1>you can juggle blindfolded if you're really good. Supposedly some

0:43:29.200 --> 0:43:32.440
<v Speaker 1>people can. I've seen it. Oh yeah, yeah, I bet

0:43:32.480 --> 0:43:37.240
<v Speaker 1>Brandon Ross can. I could see that dude is talented, So, Chuck,

0:43:37.280 --> 0:43:39.759
<v Speaker 1>we could probably keep talking about juggling for the next

0:43:39.800 --> 0:43:42.319
<v Speaker 1>five years because there's a lot to it. Yeah, man,

0:43:42.440 --> 0:43:45.600
<v Speaker 1>this is just a primer. Hopefully you guys are inspired,

0:43:46.040 --> 0:43:48.400
<v Speaker 1>or at least we're inspired. In the first maybe twenty minutes,

0:43:48.440 --> 0:43:51.279
<v Speaker 1>the good part of this episode to go out and

0:43:51.400 --> 0:43:54.640
<v Speaker 1>um and learn to juggle. I know I was, And

0:43:54.640 --> 0:43:57.120
<v Speaker 1>while we hate ourselves, we don't hate ourselves that much.

0:43:58.040 --> 0:44:02.680
<v Speaker 1>We're gonna end this one ye. So we think that

0:44:02.719 --> 0:44:06.040
<v Speaker 1>you should learn about juggling. And you can start by

0:44:06.200 --> 0:44:08.240
<v Speaker 1>typing that word in the search bar at how staff

0:44:08.239 --> 0:44:11.759
<v Speaker 1>works dot com. Since I said search far, it's time

0:44:11.760 --> 0:44:17.120
<v Speaker 1>for listener mail. Uh. This is a really touching story,

0:44:17.320 --> 0:44:20.680
<v Speaker 1>oddly enough, from Jennifer Grace. She's an actor in New

0:44:20.760 --> 0:44:24.719
<v Speaker 1>York City who UM played a very long run of

0:44:24.719 --> 0:44:27.359
<v Speaker 1>our Town on stage and had to go there without

0:44:27.360 --> 0:44:30.759
<v Speaker 1>her husband at first because they were in Chicago and

0:44:30.760 --> 0:44:32.319
<v Speaker 1>stuff you should know turned out to be the thing

0:44:32.360 --> 0:44:36.000
<v Speaker 1>that linked them together before he finally moved to New

0:44:36.080 --> 0:44:38.680
<v Speaker 1>York to join her. UM. They've been together for thirteen

0:44:38.760 --> 0:44:40.600
<v Speaker 1>years now and they had their son, Emmett last fall,

0:44:40.960 --> 0:44:43.719
<v Speaker 1>and a month before Emmett turned one. UH Tom, her

0:44:43.760 --> 0:44:46.200
<v Speaker 1>husband was admitted to the hospital and has been there

0:44:46.239 --> 0:44:50.480
<v Speaker 1>ever since. UM. He has a very rare issue with

0:44:50.520 --> 0:44:54.719
<v Speaker 1>his bone marrow that they finally UH diagnosed as a

0:44:54.840 --> 0:44:59.759
<v Speaker 1>plastic anemia. So basically he has no immune system, which

0:44:59.800 --> 0:45:02.479
<v Speaker 1>means you can't risk getting sick which means her son,

0:45:02.920 --> 0:45:07.759
<v Speaker 1>their son, can't even visit him, which is just unbelievably sad. Um.

0:45:07.800 --> 0:45:11.040
<v Speaker 1>She can visit wearing mask and gloves and gown, but

0:45:11.120 --> 0:45:13.880
<v Speaker 1>they can't even touch each other, the husband and wife.

0:45:14.239 --> 0:45:17.399
<v Speaker 1>And this came on suddenly too right, Yeah, she said,

0:45:17.400 --> 0:45:18.880
<v Speaker 1>it's pretty much the worst thing ever. I mean, they

0:45:18.920 --> 0:45:22.279
<v Speaker 1>spent a lot of time even diagnosing this thing before

0:45:22.320 --> 0:45:24.439
<v Speaker 1>they can I know, it's just so terrible, and they're

0:45:24.480 --> 0:45:29.359
<v Speaker 1>just really really great people. Um, she said, Uh, it

0:45:29.400 --> 0:45:31.200
<v Speaker 1>looks like we will be going forward though with a

0:45:31.239 --> 0:45:34.000
<v Speaker 1>bone marrow transplant because he has a brother who is

0:45:34.040 --> 0:45:35.560
<v Speaker 1>a match and he does have a good chance of

0:45:35.600 --> 0:45:39.399
<v Speaker 1>recovering with with this bone marrow transplant and a round

0:45:39.400 --> 0:45:42.520
<v Speaker 1>of chemo followed by this transplant in the new year.

0:45:42.960 --> 0:45:44.560
<v Speaker 1>She says, There's not a lot that I can give

0:45:44.640 --> 0:45:46.799
<v Speaker 1>him by way of a Christmas present this year, given

0:45:46.840 --> 0:45:48.880
<v Speaker 1>the circumstances, but I'm hoping that perhaps you would give

0:45:48.920 --> 0:45:51.239
<v Speaker 1>him a shout out on an episode. It's been a

0:45:51.320 --> 0:45:55.000
<v Speaker 1>very special shared experience for us. It really brightened his day,

0:45:55.600 --> 0:45:58.239
<v Speaker 1>so Tom dude. They also sent me a video of

0:45:58.280 --> 0:46:03.040
<v Speaker 1>them playing a song together in the kitchen doing uh

0:46:03.280 --> 0:46:06.280
<v Speaker 1>Springsteen song and it was just like they're the cutest

0:46:06.320 --> 0:46:09.799
<v Speaker 1>couple ever and they're really great, and UM, I'm gonna

0:46:09.840 --> 0:46:12.239
<v Speaker 1>plug their go fund me site because um, they didn't

0:46:12.239 --> 0:46:14.680
<v Speaker 1>even ask me to. That's why I'm plugging it. Uh.

0:46:14.680 --> 0:46:18.280
<v Speaker 1>It is go fund me dot com slash F seven

0:46:18.520 --> 0:46:22.799
<v Speaker 1>five nine z G and that will help out offset

0:46:23.000 --> 0:46:26.279
<v Speaker 1>um their hospital builds a little bit. And there's really

0:46:26.360 --> 0:46:28.879
<v Speaker 1>nice folks. Since Tom get better soon, man, I hope

0:46:28.880 --> 0:46:31.440
<v Speaker 1>that operation goes great. Yeah, Tom, here's to you, buddy.

0:46:32.080 --> 0:46:36.239
<v Speaker 1>And uh yeah, and keep us keep us posted, you guys. Yeah,

0:46:36.239 --> 0:46:38.480
<v Speaker 1>please do, Jennifer, that would be great. Uh. And we

0:46:38.520 --> 0:46:41.239
<v Speaker 1>should totally post that go fund me stuff too, Yeah

0:46:41.280 --> 0:46:43.960
<v Speaker 1>on social Yeah, yeah, we'll do that. Well. If you

0:46:44.040 --> 0:46:46.919
<v Speaker 1>have a great story about how Chuck and I brought

0:46:47.000 --> 0:46:50.480
<v Speaker 1>you together with your s O or helped you through

0:46:50.480 --> 0:46:53.040
<v Speaker 1>a rough time or did anything good, we want to

0:46:53.080 --> 0:46:55.520
<v Speaker 1>hear about it. You can tweet to us at s

0:46:55.640 --> 0:46:58.400
<v Speaker 1>Y s K podcast. You can join us on Facebook

0:46:58.440 --> 0:47:01.680
<v Speaker 1>dot com slash stuff you Should Know, and you can

0:47:01.719 --> 0:47:04.680
<v Speaker 1>send us an email to Stuff Podcast at how stuff

0:47:04.719 --> 0:47:07.080
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0:47:07.120 --> 0:47:14.520
<v Speaker 1>on the web, Stuff you Should Know dot com For

0:47:14.680 --> 0:47:17.000
<v Speaker 1>more on this and thousands of other topics. Is it

0:47:17.080 --> 0:47:25.560
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