WEBVTT - Jeff McCracken Meets World Again

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<v Speaker 1>Adler had a big fifth birthday yesterday birthday party, not

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<v Speaker 1>a birthday birthday party, and it was Sonic themed. I

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<v Speaker 1>told you that. Then one night, randomly he told a

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<v Speaker 1>stranger that he was having a big Batman themed birthday

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<v Speaker 1>and I was like, well, you're wrong, it's Sonic and

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<v Speaker 1>he's like, I never said I wanted Sonic. I was like, yes,

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<v Speaker 1>you did. Anyway, you start recording him exactly. That's what

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<v Speaker 1>we're getting him. A sign of contract, just one of

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<v Speaker 1>the two. Look you signed on the dotted line. And

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<v Speaker 1>so anyway, he had a Sonic themed birthday and he

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<v Speaker 1>absolutely loved it. And one of the things we did

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<v Speaker 1>was we hired characters to come and we were going

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<v Speaker 1>to just pick Sonic and Tails because those are well.

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<v Speaker 1>We really wanted Knuckles, but they don't have the Knuckles character,

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<v Speaker 1>or the Knuckles character was just unavailable that day. It

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<v Speaker 1>was one of the two. I don't think they had

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<v Speaker 1>a Knuckles character. So we were like, okay, we're just

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<v Speaker 1>going to get Sonic entails. That'll be good. And as

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<v Speaker 1>we're on the phone with the guy booking it, he goes,

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<v Speaker 1>might I suggest that you also get Doctor Robotnik and

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<v Speaker 1>Jensen goes. He's saying we should also get Doctor Robotnik,

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<v Speaker 1>and I was like, why do we want the bad

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<v Speaker 1>guy there? I don't want the bad like they like

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<v Speaker 1>Sonic and Tails. I don't need Doctor Robonnick. And the

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<v Speaker 1>guy says, well, the problem is that Sonic and Tails

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<v Speaker 1>can't talk. They have the giant heads on and they

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<v Speaker 1>can't talk, so there's nothing they can really do other

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<v Speaker 1>than just kind of stand there. Doctor Robotnik can do

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<v Speaker 1>games and relay races and think. And I was like, oh, okay, yeah,

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<v Speaker 1>let's definitely add Doctor Robotnick. And boy, am I glad

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<v Speaker 1>we did.

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<v Speaker 2>It would have been a lot of silence and awkward waving.

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<v Speaker 1>I was dying. Doctor Robotnik was so hype and like

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<v Speaker 1>people were saying they parked, they had to park down

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<v Speaker 1>the street and they could hear him down the block. Yeah,

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<v Speaker 1>we did, and I.

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<v Speaker 3>Parked way far away and we're like, oh, I think

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<v Speaker 3>they're about to sing the song because there's some guy

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<v Speaker 3>screaming like it's Adler's birthday song, and I was like,

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<v Speaker 3>what the hell is happening right now?

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<v Speaker 4>Yeah, it was a little crazy.

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<v Speaker 2>When we pulled up and I saw the Sonic standing

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<v Speaker 2>you know. I was like, Indy, Indy, I think I

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<v Speaker 2>think that's ugly Sonic.

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<v Speaker 1>And he got really excited.

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<v Speaker 2>He's like, really, is it really ugly Sonic. I'm like, no, no,

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<v Speaker 2>I don't think that's the thing. And please don't say

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<v Speaker 2>that to the guy walking up. Oh you're ugly Sonic.

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<v Speaker 2>But yeah, I know he thinks ugly. You know what's weird?

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<v Speaker 2>Like Indy's never played a single Sonic game.

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<v Speaker 5>He doesn't. It's like that.

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<v Speaker 2>The contest. I never played it, so I don't really like.

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<v Speaker 2>But it's just so like he knows everything. He knows

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<v Speaker 2>all the characters, and he's seen the movies and he

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<v Speaker 2>does like the movies. But it's it's just so crazy

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<v Speaker 2>to me that it has no relationship to.

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<v Speaker 1>A video video games.

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<v Speaker 2>It's just it's just content and characters and like all

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<v Speaker 2>of this stuff, it sort of floats around in the

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<v Speaker 2>absorb it and they you know, Pokemon. He never played

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<v Speaker 2>the Pokemon card game, but he went through a Pokemon phase.

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<v Speaker 1>And I'm just the opposite.

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<v Speaker 3>I've never seen a Sonic movie, I've never seen a

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<v Speaker 3>Sonic cartoon. But I played the original Sonic game.

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<v Speaker 4>It was great. It was like it was Sega's version

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<v Speaker 4>of Mario.

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<v Speaker 3>That's like what came with the console, and it was

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<v Speaker 3>it was think you'd hear all the coins?

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<v Speaker 4>Oh yeah, it was super cool.

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<v Speaker 1>Oh I love the Sonic game. And and Adler also

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<v Speaker 1>has never played Pokemon with the cards, but he knows everybody.

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<v Speaker 1>He's like, oh, that's Peakachu, and that's so and so.

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<v Speaker 1>And he likes the rap battles on Spotify they do

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<v Speaker 1>Pokemon rap battles, So two different Pokemon characters rap battle

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<v Speaker 1>and he loves those.

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<v Speaker 2>God, here's such gensens.

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<v Speaker 4>We know he's Jenson's kid.

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<v Speaker 2>He's already like, wait, wait, can two cares insult each

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<v Speaker 2>other and wrap for?

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<v Speaker 4>I enjoy that?

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<v Speaker 1>I really Yeah, that's good. We've been making fun of

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<v Speaker 1>him in rhymes since he was Yeah it sounds. It

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<v Speaker 1>was really fun. And doctor Robotnik really got the party started,

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<v Speaker 1>as had the time of his life. Indy was in

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<v Speaker 1>the bounce house being absolutely pummeled by five year olds

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<v Speaker 1>and their little siblings.

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<v Speaker 3>The bounce house was so we look over at one point,

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<v Speaker 3>so all of a sudden, looks like a triage station

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<v Speaker 3>in the Korean War.

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<v Speaker 2>Every five minutes, so the kid is coming out crying

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<v Speaker 2>being cares one kid.

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<v Speaker 3>I'm talking to one kid about magic the gathering, who's

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<v Speaker 3>six or seven years old, who's got tissue on his

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<v Speaker 3>face because he was kicked in the mouth, so he's

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<v Speaker 3>bleeding from the mouth as he's talking about magic. Meanwhile,

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<v Speaker 3>two other kids roll out of the bounce house crying

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<v Speaker 3>as if they were just like it just taken down too.

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<v Speaker 3>There's two other kids literally holding their legs like shaking

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<v Speaker 3>on the ground, and I just see Jensen walk over.

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<v Speaker 4>He crabs and plug he goes. I'm calling it. I'm

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<v Speaker 4>calling it.

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<v Speaker 2>All the things like that.

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<v Speaker 4>I actually became a cage match.

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<v Speaker 5>It was intense.

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<v Speaker 3>It was incredible to watch this whole I just it

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<v Speaker 3>was like one of those old war movies. Everything was

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<v Speaker 3>all of a sudden in slow motion, and the kids

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<v Speaker 3>were like crying on the ground as the music played.

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<v Speaker 1>And the better part was that kids would come out crying.

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<v Speaker 1>I just got body slim and then they'd cry for

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<v Speaker 1>a second, get a hug from their mom, and then

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<v Speaker 1>go right.

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<v Speaker 4>Back in, right back in.

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<v Speaker 2>I just want to see they just wanted to be noticed, acknowledged.

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<v Speaker 2>This is crazy, what's happening.

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<v Speaker 1>I'm going in, I'm going down there.

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<v Speaker 3>Well, the greatest thing is just all these little crying

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<v Speaker 3>kids leaving the party, like as they're bawling being handed

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<v Speaker 3>their little gift bag.

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<v Speaker 2>So here, by the way, rape cotton candy in the

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<v Speaker 2>gift bag?

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<v Speaker 1>Is it so good?

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<v Speaker 2>Rape cotton candy?

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<v Speaker 4>Who thinks somebody sud get off the juice boxes?

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<v Speaker 2>Juice boxes? And he was like, Dad, cotton candy is weird.

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<v Speaker 2>I'm like, yeah, cotton candy is weird. He's like, it's

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<v Speaker 2>just like sugar that dissolves in your mouth. I'm like yeah,

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<v Speaker 2>he's like, but grape is good. It's like, there's no

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<v Speaker 2>such thing as great. He's like, try this. And now

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<v Speaker 2>I'm candy. So we got a shipment coming. I've I've

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<v Speaker 2>ordered a.

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<v Speaker 4>Brand new way to inguest fine sugar.

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<v Speaker 1>Oh, yes, you guys have the cake though.

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<v Speaker 4>Yes, I don't do cake.

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<v Speaker 1>Person either, but I loved this cake.

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<v Speaker 2>Yeah, we are like we're a bad boy meets world

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<v Speaker 2>along that that were not cake people.

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<v Speaker 5>I know.

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<v Speaker 3>I don't know. I'm gonna need the name of your

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<v Speaker 3>pizza place though, because that pizza pizza place was good.

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<v Speaker 1>Oh that's the best best pizza in La It's prime pizza.

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<v Speaker 1>It's literally the best pizza. Where do you get it

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<v Speaker 1>in Burbank? So did you have people drive to go

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<v Speaker 1>get her? They deliver it from Bourbank. They delivered it

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<v Speaker 1>for a large delivery fee and a don't think they

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<v Speaker 1>normally deliver. We did it through the catering department and

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<v Speaker 1>they were like, well, we'll do it. It's going to

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<v Speaker 1>cost you, but man, it's it's.

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<v Speaker 2>Under the name to Penga.

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<v Speaker 4>Yeah, we'll do it.

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<v Speaker 1>We'll do it, We'll do it.

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<v Speaker 2>It was.

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<v Speaker 1>It was a really fun party. We had, you know,

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<v Speaker 1>like you mentioned great pizza. We had a cake from

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<v Speaker 1>Varta which was a tres leches cake with strawberries.

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<v Speaker 2>Good.

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<v Speaker 1>I'm not a cake person either, but boy did I

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<v Speaker 1>enjoy that cake. And yeah, it was a turned out

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<v Speaker 1>to be a wrestling match, which you know, guy, you

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<v Speaker 1>guys knew that was in our wheelhouse. So it's just

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<v Speaker 1>pretty perfect. And now writers a great cotton candy guy

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<v Speaker 1>and Will is obsessed with honest juice boxes.

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<v Speaker 4>They were, I'll be honest, they were great.

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<v Speaker 2>Yeah you never had an honest juice box, no, I

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<v Speaker 2>guess there axes all the time.

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<v Speaker 4>So this was a great one.

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<v Speaker 3>And two of the lechas were really good the third one.

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<v Speaker 1>Okay, welcome to Pod Meets World.

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<v Speaker 4>I'm Danielle Fischel, I'm right or Strong, and I'm Wilfred Hell.

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<v Speaker 1>As Season four of Boy Meets World comes to an

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<v Speaker 1>end here on the podcast. Like Boys to Men once said,

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<v Speaker 1>it's so hard to say goodbye, they also said Boys

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<v Speaker 1>to Men ABC, BBD the East Coast Family, But that's

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<v Speaker 1>not really important right now. What is important is that,

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<v Speaker 1>based on your Instagram comments.

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<v Speaker 6>East Coast Family, it works.

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<v Speaker 1>She's not really She's not really quite important in the

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<v Speaker 1>scheme of things, but I did just want to get

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<v Speaker 1>it out. We are in for a bumpy ride based

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<v Speaker 1>on reading your comments from here on out, and even

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<v Speaker 1>though we are leaving what appears to be the peak

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<v Speaker 1>of our show, we still have questions. What made this

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<v Speaker 1>season so special? Why did everything come together during these shoots?

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<v Speaker 1>What was the special sauce? We recently spoke to Jeff

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<v Speaker 1>Sherman about the writer's room and his seminal scripts from

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<v Speaker 1>that year, and today we've decided to go even further

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<v Speaker 1>and talk to another creative mind who was so important

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<v Speaker 1>to season four. We literally couldn't have done it without him.

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<v Speaker 1>He's a director who not only was a leader for

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<v Speaker 1>us on stage, but influenced our lives offset helping shape

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<v Speaker 1>us into the adults we are today. And it seems

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<v Speaker 1>you all love him too. At a recent live show

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<v Speaker 1>in Connecticut, we were lucky enough to have him sitting

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<v Speaker 1>in the audience, and some fans recognized and even asked

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<v Speaker 1>him for a photo. Why is he such an expert?

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<v Speaker 1>On season four he directed all twenty two episodes. So

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<v Speaker 1>please welcome back to Podmeets World the most special Jeff McCracken.

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<v Speaker 6>I hope he shows up wearing just an apron and painting.

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<v Speaker 1>Wouldn't it be great? Pat and no shirt.

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<v Speaker 4>There's still in better shape than I could ever hope

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<v Speaker 4>to be in.

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<v Speaker 2>My liafe now looking younger than us, that's about.

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<v Speaker 1>Right, putting us all to shame, as per usual.

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<v Speaker 5>Disappoint you.

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<v Speaker 2>We're just on the covered in paint like you, just

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<v Speaker 2>walking away from the canvas. Real quick little interview.

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<v Speaker 5>So good to see you man, Good to see you guys.

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<v Speaker 5>Oh my god, I'm still I'm still in a glow

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<v Speaker 5>overseeing you in Hartford months ago.

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<v Speaker 1>Always so great.

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<v Speaker 3>Connecticut does that to people? You leave with the glow

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<v Speaker 3>for the very beautiful state.

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<v Speaker 1>We go absolutely, well, Jeff, we are so happy to

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<v Speaker 1>have you back, and in such a celebratory way, because

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<v Speaker 1>we loved season four so much and we won wanted

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<v Speaker 1>to give you your flowers for it, and two we

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<v Speaker 1>wanted to find out what made this time so special

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<v Speaker 1>for making Boy meets World. First question, when we say

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<v Speaker 1>season four, what are the first things that come to

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<v Speaker 1>mind for you?

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<v Speaker 5>Well, aside from the well, it was a terrific season.

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<v Speaker 5>I mean, it was an amazing season, but I think

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<v Speaker 5>the first three seasons really set it up. You know,

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<v Speaker 5>those first three seasons really established all the characters and

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<v Speaker 5>and gave us a rooting interest for everybody in the relationships.

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<v Speaker 5>So I think we capitalized in season four. You know,

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<v Speaker 5>I think we had an easy way to direct and

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<v Speaker 5>focus our you know, our storylines. You know. I was

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<v Speaker 5>just on a on a I WoT my dog in

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<v Speaker 5>this creek called b B Brook and there's a suspension

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<v Speaker 5>bridge over the over the river, and there's an engraving

0:11:43.679 --> 0:11:45.600
<v Speaker 5>in the in the hand. Really it says it's by

0:11:45.640 --> 0:11:50.880
<v Speaker 5>Threau and it says, uh, the universe is wider than

0:11:50.920 --> 0:11:54.800
<v Speaker 5>our view of it. And as the season four kind

0:11:54.840 --> 0:11:58.960
<v Speaker 5>of well, the whole show really but we're talking about

0:11:59.040 --> 0:12:02.840
<v Speaker 5>season four. But it's kind of of how it's a

0:12:02.840 --> 0:12:05.360
<v Speaker 5>great metaphor for the show because I think at the

0:12:05.400 --> 0:12:09.880
<v Speaker 5>time we were, you know, making Boy Meets World, we

0:12:09.920 --> 0:12:13.440
<v Speaker 5>didn't have a clue really as to the scope of it.

0:12:13.720 --> 0:12:16.320
<v Speaker 5>You know that the fact it would have I just know,

0:12:16.400 --> 0:12:19.160
<v Speaker 5>the demands of making the show and surviving week to

0:12:19.240 --> 0:12:25.720
<v Speaker 5>week consumed are full and immediate attention. You know, none

0:12:25.760 --> 0:12:28.920
<v Speaker 5>of us were thinking of of creating any kind of

0:12:29.000 --> 0:12:32.839
<v Speaker 5>legacy or television folklore. I mean we were hanging by

0:12:32.840 --> 0:12:35.120
<v Speaker 5>the you know, our fingernails week to week, you know,

0:12:35.559 --> 0:12:43.560
<v Speaker 5>jumping budget demands, studio notes, network notes, ratings, time slat changes, sensors,

0:12:44.040 --> 0:12:47.880
<v Speaker 5>stunt casting, figuring out sweep squeeks.

0:12:47.920 --> 0:12:51.600
<v Speaker 2>You know, and you directed every single.

0:12:54.559 --> 0:12:56.600
<v Speaker 4>That isn't that is so intense.

0:12:56.880 --> 0:12:58.679
<v Speaker 5>It was intense because I was also the head of

0:12:58.720 --> 0:13:02.040
<v Speaker 5>the company and I was also so uh we had

0:13:02.320 --> 0:13:05.200
<v Speaker 5>four shows on the air at one time, and so

0:13:05.520 --> 0:13:08.080
<v Speaker 5>we were running all over the place. You know, Thank god,

0:13:08.240 --> 0:13:12.080
<v Speaker 5>we dinosaurs had already come to an end because you know,

0:13:12.120 --> 0:13:14.760
<v Speaker 5>we had Bob Young. They are running, running, the running

0:13:14.800 --> 0:13:18.480
<v Speaker 5>the room. And thank God for Bob because Bob, he

0:13:18.600 --> 0:13:22.840
<v Speaker 5>was just a total you know, fantastic show runner, and

0:13:23.000 --> 0:13:25.400
<v Speaker 5>I think he's a large part of why it was

0:13:25.440 --> 0:13:28.720
<v Speaker 5>such a successful season four. I really, I really mean,

0:13:28.800 --> 0:13:30.960
<v Speaker 5>because Michael was off. You know, he's juggling these the other

0:13:31.040 --> 0:13:35.080
<v Speaker 5>shows and new shows too, which you know is very

0:13:35.120 --> 0:13:40.600
<v Speaker 5>hard a new show, the demands are extraordinary, and so Bob,

0:13:40.720 --> 0:13:44.080
<v Speaker 5>you know, he really stirred the show so that when

0:13:44.080 --> 0:13:47.000
<v Speaker 5>Michael showed up for run throughs and for taping, he

0:13:47.040 --> 0:13:49.680
<v Speaker 5>can easily shape that show. You know, Michael put his

0:13:49.720 --> 0:13:52.080
<v Speaker 5>brand on it and help us, you know, with a

0:13:52.080 --> 0:13:54.640
<v Speaker 5>fresh set of eyes and play. I mean, Michael was

0:13:54.640 --> 0:13:56.200
<v Speaker 5>always around. I mean he was there for every run

0:13:56.200 --> 0:13:59.840
<v Speaker 5>through and he was there giving notes and very involved.

0:14:00.640 --> 0:14:03.440
<v Speaker 5>But but Bob was the was the anchor, and uh,

0:14:03.960 --> 0:14:08.160
<v Speaker 5>he was incredibly reliable. He was like a utility player,

0:14:08.360 --> 0:14:12.839
<v Speaker 5>you know, full who helped out wherever you know, he

0:14:12.840 --> 0:14:16.800
<v Speaker 5>he was needed. And he was a true, true unsung

0:14:16.840 --> 0:14:22.520
<v Speaker 5>hero who was intelligence and common sense. Yeah, train on

0:14:22.560 --> 0:14:23.200
<v Speaker 5>the tracks.

0:14:23.640 --> 0:14:25.920
<v Speaker 3>He was also so soft spoken that he kind of

0:14:26.320 --> 0:14:29.440
<v Speaker 3>yeah he kept and talk about some hero.

0:14:29.600 --> 0:14:30.440
<v Speaker 5>It's because he was.

0:14:30.520 --> 0:14:31.960
<v Speaker 4>He was like in the background for us.

0:14:32.000 --> 0:14:34.080
<v Speaker 2>His ego. He didn't need to assert it like he

0:14:34.160 --> 0:14:37.360
<v Speaker 2>did not like constantly put himself front and center or

0:14:37.400 --> 0:14:39.880
<v Speaker 2>make big speeches to us, or ever really let us

0:14:39.960 --> 0:14:41.120
<v Speaker 2>know how much he was doing.

0:14:41.200 --> 0:14:43.520
<v Speaker 3>That's well, I think until you just said it, I

0:14:43.560 --> 0:14:45.680
<v Speaker 3>did not know that he was actually running the room.

0:14:46.200 --> 0:14:50.040
<v Speaker 5>I mean he and he was also jumping on the

0:14:50.040 --> 0:14:52.520
<v Speaker 5>other shows as well with Michael. He was Michael's partner,

0:14:52.560 --> 0:14:54.800
<v Speaker 5>I mean Bob, he had a partner named Bob Meyer,

0:14:55.280 --> 0:14:59.160
<v Speaker 5>who was they met. They were hired for My two

0:14:59.240 --> 0:15:02.800
<v Speaker 5>dads were running team and my two dads so when

0:15:02.840 --> 0:15:06.280
<v Speaker 5>Bob went his own way to run Roseanne Bob Meyer,

0:15:06.680 --> 0:15:09.840
<v Speaker 5>Bob came over to Disney and worked with Michael, and

0:15:09.960 --> 0:15:14.320
<v Speaker 5>he has own and uh to work with Michael and uh.

0:15:14.800 --> 0:15:16.480
<v Speaker 5>And I have to say, if it went for Bob,

0:15:17.480 --> 0:15:20.000
<v Speaker 5>those shows would not have been nearly as good because

0:15:20.040 --> 0:15:23.680
<v Speaker 5>it was just overwhelming, you know, to do as many

0:15:23.680 --> 0:15:25.800
<v Speaker 5>shows as as you know, he ran Dinosaurs. I mean

0:15:25.840 --> 0:15:28.880
<v Speaker 5>when I was on Dinosaurs with him, he ran that room. Uh,

0:15:29.120 --> 0:15:32.320
<v Speaker 5>it was it was basically Bob's show, really, I mean Michael,

0:15:32.520 --> 0:15:35.920
<v Speaker 5>I meant anything way from Michael at all, but Bob

0:15:36.040 --> 0:15:38.000
<v Speaker 5>was the nuts and bolts of that, you know, and

0:15:38.000 --> 0:15:40.240
<v Speaker 5>we had a great staff on that as well. I

0:15:40.240 --> 0:15:42.120
<v Speaker 5>mean that's The one thing too on boy Me's World

0:15:42.440 --> 0:15:47.360
<v Speaker 5>is the success of that year with our writers, you know,

0:15:48.560 --> 0:15:51.320
<v Speaker 5>going through each episode. I watched the entire season this week,

0:15:51.400 --> 0:15:55.360
<v Speaker 5>and so I was like blown away. I really was

0:15:55.400 --> 0:15:58.920
<v Speaker 5>listening to your podcast and listening to your insights which

0:15:58.920 --> 0:16:03.160
<v Speaker 5>have been phenomenal, and but also getting a chance to

0:16:03.440 --> 0:16:07.760
<v Speaker 5>relive it. I was shocked and really surprised at how

0:16:07.800 --> 0:16:10.720
<v Speaker 5>much I remembered and how much impact it had on

0:16:10.800 --> 0:16:13.720
<v Speaker 5>my life and uh and and being part of yours.

0:16:13.800 --> 0:16:16.960
<v Speaker 6>It was really very special, such a great season.

0:16:17.160 --> 0:16:20.960
<v Speaker 1>Do you remember anything about the transition from season three

0:16:21.040 --> 0:16:23.520
<v Speaker 1>to four? You've obviously been listening to the podcast, and

0:16:23.920 --> 0:16:26.000
<v Speaker 1>you know, we were getting older, we lost the Bullies,

0:16:26.040 --> 0:16:29.240
<v Speaker 1>we lost Eli, We're starting to see less of alan Amy,

0:16:29.320 --> 0:16:32.800
<v Speaker 1>and Turner is slowly fading to the wayside. Did you

0:16:33.000 --> 0:16:37.160
<v Speaker 1>have goals or directives when facing the idea that you

0:16:37.160 --> 0:16:40.320
<v Speaker 1>would be directing the entire season.

0:16:40.960 --> 0:16:43.640
<v Speaker 5>That's a that's a good question. I I don't, you know.

0:16:43.720 --> 0:16:46.400
<v Speaker 5>I I don't remember how that evolved. All I know

0:16:46.560 --> 0:16:50.160
<v Speaker 5>is that when I season three was really fun to

0:16:50.200 --> 0:16:52.120
<v Speaker 5>you know, the shows I directed on that on that season,

0:16:52.240 --> 0:16:54.480
<v Speaker 5>that was really a fun season, and in a way

0:16:54.520 --> 0:16:58.360
<v Speaker 5>they really get to know the rhythm rhythm of the show,

0:16:58.440 --> 0:17:01.600
<v Speaker 5>and the actors and and and and the sensibilities of

0:17:01.640 --> 0:17:08.080
<v Speaker 5>the show. By the end of season three, I'd fallen

0:17:08.080 --> 0:17:10.040
<v Speaker 5>in love with the show. I really, I mean all

0:17:10.119 --> 0:17:12.040
<v Speaker 5>you guys, I just fell in love with everybody. And

0:17:12.119 --> 0:17:15.720
<v Speaker 5>so when Michael said to me, he said, well, I

0:17:16.440 --> 0:17:19.560
<v Speaker 5>need I need a steady hand. You know, Bob's gonna

0:17:19.560 --> 0:17:22.040
<v Speaker 5>be in the writer's room. You know, you're on the set.

0:17:22.520 --> 0:17:25.280
<v Speaker 5>It was a way for him to make sure he

0:17:25.440 --> 0:17:28.840
<v Speaker 5>was leaving the show in good hands, right to go

0:17:28.920 --> 0:17:33.280
<v Speaker 5>off and do the other shows. And so I think

0:17:33.480 --> 0:17:35.600
<v Speaker 5>that it was kind of a I just kind of

0:17:35.600 --> 0:17:38.880
<v Speaker 5>assumed that, Okay, wherever I am needed, you know, I'm

0:17:38.880 --> 0:17:41.399
<v Speaker 5>gonna do that. You know, I never had intention of

0:17:41.440 --> 0:17:44.119
<v Speaker 5>directing and producing dinosaurs, as I said to you last time,

0:17:44.160 --> 0:17:46.600
<v Speaker 5>I just want to do feature films. But once you

0:17:46.640 --> 0:17:49.919
<v Speaker 5>get involved with something that you love and is really great,

0:17:50.200 --> 0:17:53.240
<v Speaker 5>and then you just jump on board. So as far

0:17:53.280 --> 0:17:56.640
<v Speaker 5>as our direction for the season four, I think, as

0:17:56.680 --> 0:17:58.719
<v Speaker 5>I said before season three, set you all up, it

0:17:58.760 --> 0:18:01.040
<v Speaker 5>was it was a natural aggression for me. You know,

0:18:01.080 --> 0:18:05.119
<v Speaker 5>all the shows that we did, favorite shows from you know,

0:18:05.600 --> 0:18:07.239
<v Speaker 5>in ranking them, like I got to go through them all,

0:18:07.280 --> 0:18:10.200
<v Speaker 5>and really I love them all. But there's a I

0:18:10.560 --> 0:18:13.840
<v Speaker 5>have favorites, you know, there's favorite that it really resonated

0:18:13.880 --> 0:18:17.320
<v Speaker 5>with me personally and and then professionally and then artistically.

0:18:17.680 --> 0:18:22.160
<v Speaker 5>So I think, you know, from that perspective, I think

0:18:22.200 --> 0:18:28.160
<v Speaker 5>the writers did a great job of mining and putting

0:18:28.200 --> 0:18:33.840
<v Speaker 5>forth those relationships again, you know, between you all, and

0:18:34.119 --> 0:18:36.880
<v Speaker 5>you think about I mean, we covered so many bases

0:18:36.920 --> 0:18:39.639
<v Speaker 5>in this season. I mean, if you think about really

0:18:39.640 --> 0:18:43.600
<v Speaker 5>what we covered, I mean we went from you know,

0:18:45.160 --> 0:18:47.800
<v Speaker 5>you know, teenage love, you know, up ending a teenager's

0:18:47.880 --> 0:18:49.920
<v Speaker 5>life by you know, moving them to a different city.

0:18:50.560 --> 0:18:54.880
<v Speaker 5>Parental abandonment, child of vanity.

0:18:55.520 --> 0:18:57.800
<v Speaker 1>The importance of the as in college.

0:18:57.640 --> 0:19:03.119
<v Speaker 5>Yes, definding one's identity, honoring one's potential and self worth,

0:19:04.119 --> 0:19:11.000
<v Speaker 5>class prejudice, mortality with Tony, parental responsibility forgiveness, self respect,

0:19:11.520 --> 0:19:12.960
<v Speaker 5>and not to mention, the best way to the e

0:19:13.080 --> 0:19:15.280
<v Speaker 5>Coca buffs.

0:19:14.840 --> 0:19:21.600
<v Speaker 4>I think that's that's been haircuts. No, wait, so I can't.

0:19:21.720 --> 0:19:23.960
<v Speaker 3>I have to ask because you said that you went

0:19:23.960 --> 0:19:25.520
<v Speaker 3>through and you watch the entire season and you kind

0:19:25.520 --> 0:19:27.600
<v Speaker 3>of ranked them. What turned out to be your favorite

0:19:27.600 --> 0:19:28.520
<v Speaker 3>episode of season four?

0:19:29.280 --> 0:19:37.879
<v Speaker 5>Well, you know, for different reasons. You know, like I

0:19:37.920 --> 0:19:40.320
<v Speaker 5>said you before you asked me that last time we

0:19:40.400 --> 0:19:43.199
<v Speaker 5>talked and I and I mentioned and then there was

0:19:43.240 --> 0:19:46.159
<v Speaker 5>seean and then I said along walk to Pittsburgh. And

0:19:46.240 --> 0:19:50.359
<v Speaker 5>I didn't really I said it because for some I

0:19:50.400 --> 0:19:52.600
<v Speaker 5>don't know why I said it time. Frankly, you just

0:19:52.680 --> 0:19:55.840
<v Speaker 5>came to me and then rewatched watching the season again.

0:19:56.440 --> 0:19:59.639
<v Speaker 5>They were my favorites again, both of those part one

0:19:59.680 --> 0:20:01.640
<v Speaker 5>and part two. Part one written by Nelson, part two

0:20:01.640 --> 0:20:07.520
<v Speaker 5>written by Bluckman and Busking. And the reason is because

0:20:07.760 --> 0:20:13.040
<v Speaker 5>it's set up and established the hardcore relationship between Man

0:20:13.200 --> 0:20:17.720
<v Speaker 5>and Danielle we've been thirsting for and being and have

0:20:17.800 --> 0:20:20.919
<v Speaker 5>been promised. Now. I remember you in your podcast you

0:20:20.960 --> 0:20:22.640
<v Speaker 5>were saying it was kind of like out of nowhere.

0:20:22.680 --> 0:20:26.280
<v Speaker 5>You know that this relationship is already, you know, the

0:20:27.119 --> 0:20:31.720
<v Speaker 5>struggle was compounded for out of thin ear almost.

0:20:32.640 --> 0:20:34.879
<v Speaker 1>So those were your two favorites of season four, and

0:20:34.880 --> 0:20:37.000
<v Speaker 1>it's a perfect time to ask. One of my questions

0:20:37.160 --> 0:20:40.199
<v Speaker 1>was do you I'll be diplomatic now and say I

0:20:40.240 --> 0:20:44.560
<v Speaker 1>know you love and respect all the writers, but did

0:20:44.640 --> 0:20:48.040
<v Speaker 1>you have a favorite? Is there somebody's name on a

0:20:48.080 --> 0:20:50.520
<v Speaker 1>script that when you saw their name on a script

0:20:50.560 --> 0:20:52.720
<v Speaker 1>you would immediately go ooh, I know I'm in for

0:20:52.800 --> 0:20:53.359
<v Speaker 1>something good.

0:20:53.720 --> 0:20:55.560
<v Speaker 5>Well, they were all that, they all had a different

0:20:55.560 --> 0:20:58.240
<v Speaker 5>personality and they all came through and every show is

0:20:58.280 --> 0:21:01.199
<v Speaker 5>it's really quite quite amazing, you know. Uh, you know

0:21:01.240 --> 0:21:04.560
<v Speaker 5>Nelson let us off and Jeff being a playwright and

0:21:04.640 --> 0:21:09.639
<v Speaker 5>Jeff being uh a very sensitive soul. Uh. He was

0:21:09.680 --> 0:21:12.760
<v Speaker 5>really wonderful from that respect, you know. And and I

0:21:12.800 --> 0:21:16.200
<v Speaker 5>love Nelson and I love Sherman. I think they those

0:21:16.280 --> 0:21:20.159
<v Speaker 5>two had the heart and soul that I always always

0:21:20.280 --> 0:21:24.199
<v Speaker 5>uh kind of when I saw their name on a script.

0:21:25.080 --> 0:21:27.880
<v Speaker 5>Here's where we're going, you know, Well in a bus gang,

0:21:28.040 --> 0:21:30.040
<v Speaker 5>I knew was me funny. I knew we're gonna have

0:21:30.080 --> 0:21:33.440
<v Speaker 5>a good time. You know. But that's not to say

0:21:33.440 --> 0:21:36.320
<v Speaker 5>they all had their different different assignments and different ways

0:21:36.359 --> 0:21:37.720
<v Speaker 5>to do it. And it was a writer's room, so

0:21:37.720 --> 0:21:39.600
<v Speaker 5>they were all. They were all contributing. They were all

0:21:39.640 --> 0:21:43.280
<v Speaker 5>in their swing swinging the bat together. So I don't

0:21:44.040 --> 0:21:47.080
<v Speaker 5>you know, I don't have favorite man. Manel was always

0:21:47.080 --> 0:21:50.920
<v Speaker 5>I you know, I used you could tell you know, Hibbert,

0:21:51.040 --> 0:21:53.960
<v Speaker 5>I mean, my god, here wrote two great and Steve

0:21:54.640 --> 0:21:57.119
<v Speaker 5>and so you know, there's these writers would you know

0:21:57.640 --> 0:21:59.199
<v Speaker 5>their name would be on it, but I knew it

0:21:59.240 --> 0:22:02.520
<v Speaker 5>was a group of effort. I'll ultimately put his stamp

0:22:02.520 --> 0:22:06.280
<v Speaker 5>on it. I remember, you know those readwrites sometimes will

0:22:06.320 --> 0:22:10.280
<v Speaker 5>go all night because you know it was just they

0:22:10.320 --> 0:22:12.040
<v Speaker 5>wanted to make it great for you guys.

0:22:12.720 --> 0:22:14.840
<v Speaker 4>It did almost seem like the writers.

0:22:15.920 --> 0:22:17.840
<v Speaker 3>You know, I haven't been a part of many writers rooms,

0:22:17.840 --> 0:22:19.800
<v Speaker 3>but it does almost seem like the writer that's assigned

0:22:19.840 --> 0:22:23.119
<v Speaker 3>the script that gets their story through.

0:22:23.720 --> 0:22:27.119
<v Speaker 4>It's almost like they write the tone of the episode

0:22:27.920 --> 0:22:30.040
<v Speaker 4>and then it's thrown to the room and then the

0:22:30.040 --> 0:22:33.919
<v Speaker 4>script is actually written. But you can feel a Hibbert episode.

0:22:34.119 --> 0:22:38.080
<v Speaker 3>You can't feel an episode a Sherman episode like it's

0:22:38.119 --> 0:22:41.400
<v Speaker 3>the feel of the writer. And then you can go, oh,

0:22:41.400 --> 0:22:44.280
<v Speaker 3>that's a Bluman joke. Oh that's a Sherman joke. Read

0:22:44.359 --> 0:22:47.560
<v Speaker 3>that's a Michael Jacobs read like you know, Michael no, no,

0:22:48.200 --> 0:22:50.240
<v Speaker 3>Like you know that's how it happened.

0:22:50.240 --> 0:22:51.920
<v Speaker 4>So it is interesting because that's true.

0:22:51.920 --> 0:22:54.280
<v Speaker 3>You could we as we started watching them, especially when

0:22:54.320 --> 0:22:55.760
<v Speaker 3>we have to watch them kind of in order and

0:22:55.800 --> 0:22:58.760
<v Speaker 3>back to back to back, you can really get that

0:22:58.840 --> 0:23:01.280
<v Speaker 3>feeling of it's up in a bus gang, something Wacky's

0:23:01.320 --> 0:23:03.639
<v Speaker 3>gonna happen. You know what's gonna It's a Menel episode,

0:23:03.720 --> 0:23:06.760
<v Speaker 3>like you just it does. Each writer has their own

0:23:06.840 --> 0:23:10.240
<v Speaker 3>tone that very much comes through, especially in season four.

0:23:10.240 --> 0:23:13.520
<v Speaker 5>And Janson Susan Jansen, I love I mean, you know,

0:23:13.560 --> 0:23:16.480
<v Speaker 5>it's writers as a room. I loved every one of them.

0:23:16.520 --> 0:23:19.280
<v Speaker 5>They're all so great. They were great people, you know,

0:23:19.359 --> 0:23:22.359
<v Speaker 5>so that's the thing, you know, you don't have. There

0:23:22.359 --> 0:23:24.159
<v Speaker 5>were no egos. There were there were you know, I

0:23:24.160 --> 0:23:26.439
<v Speaker 5>know there were some certain tensions here and there about

0:23:26.480 --> 0:23:30.560
<v Speaker 5>about uh uh, you know, titles and this and that sometimes,

0:23:30.640 --> 0:23:34.480
<v Speaker 5>but but ultimately it didn't take anything away from their

0:23:34.560 --> 0:23:36.600
<v Speaker 5>enthusiasm for dding for you guys. You know, I was

0:23:36.640 --> 0:23:39.880
<v Speaker 5>seriously if it weren't for you guys there you were

0:23:39.960 --> 0:23:43.440
<v Speaker 5>able to give these writers the ability to write as

0:23:43.480 --> 0:23:46.600
<v Speaker 5>good episodes as they wrote because you demanded it, you know,

0:23:47.920 --> 0:23:49.800
<v Speaker 5>you know, I said last time, you know, Bill Daniels

0:23:49.840 --> 0:23:51.280
<v Speaker 5>kind of set the bar right from the beginning that

0:23:51.320 --> 0:23:54.480
<v Speaker 5>this was you could You couldn't pander, You couldn't. You

0:23:54.600 --> 0:23:58.240
<v Speaker 5>had to really own up and tell a good story

0:23:58.359 --> 0:24:01.360
<v Speaker 5>and and honor good actors, you know, and give them

0:24:01.359 --> 0:24:04.879
<v Speaker 5>material that they could you know, sink their teeth into

0:24:05.840 --> 0:24:07.879
<v Speaker 5>and the other thing that I always remember, you know,

0:24:08.320 --> 0:24:10.439
<v Speaker 5>I was watching these shows and how much we covered

0:24:10.480 --> 0:24:11.639
<v Speaker 5>in twenty two minutes.

0:24:11.960 --> 0:24:16.800
<v Speaker 7>Yeah, mines Per showing like like fishing for Verna, I mean,

0:24:16.960 --> 0:24:20.760
<v Speaker 7>my god, dealing with a mother who abandoned her family

0:24:21.520 --> 0:24:24.040
<v Speaker 7>and the comeback and by the end of the episode

0:24:24.080 --> 0:24:26.240
<v Speaker 7>you're you're kind of going where you were rooting for them.

0:24:26.840 --> 0:24:31.119
<v Speaker 7>It's like it's the paramount sin of of a parent

0:24:31.240 --> 0:24:34.679
<v Speaker 7>to abandon their family, you know, and then to have

0:24:34.880 --> 0:24:39.000
<v Speaker 7>that as a you know, the main storyline and then

0:24:39.520 --> 0:24:45.080
<v Speaker 7>bring it into a full focus for redemption and reconciliation

0:24:45.960 --> 0:24:50.440
<v Speaker 7>or the beginning of anyway. I really it's remarkable.

0:24:50.800 --> 0:24:53.120
<v Speaker 2>And that's the episode where the lunch lady dies too, right,

0:24:54.119 --> 0:24:55.040
<v Speaker 2>there's a lot going on.

0:24:55.240 --> 0:24:57.439
<v Speaker 4>Yeah, there is.

0:24:57.720 --> 0:24:59.760
<v Speaker 3>Yeah, but it's true what you said about, especially about

0:24:59.760 --> 0:25:04.400
<v Speaker 3>Build Daniels. When you start there with the casting bill

0:25:04.440 --> 0:25:06.600
<v Speaker 3>made it very clear you're going to come up to

0:25:06.640 --> 0:25:09.720
<v Speaker 3>my level. I'm not going down to yours. And so

0:25:09.880 --> 0:25:12.840
<v Speaker 3>it was all of us kind of like, oh, that's

0:25:12.840 --> 0:25:15.040
<v Speaker 3>where we need to be. And I think all of

0:25:15.080 --> 0:25:17.760
<v Speaker 3>the writers really loved that, frankly, because it was like

0:25:17.800 --> 0:25:20.840
<v Speaker 3>we can write whatever we want and hopefully we grew

0:25:20.880 --> 0:25:23.080
<v Speaker 3>as actors as the show, and I mean clearly when

0:25:23.119 --> 0:25:25.679
<v Speaker 3>you watch season one and season four, we're all just

0:25:25.840 --> 0:25:29.679
<v Speaker 3>way better now. So to see that progression, I think

0:25:29.720 --> 0:25:31.199
<v Speaker 3>you're right. I think when you do start with an

0:25:31.200 --> 0:25:34.560
<v Speaker 3>anchor like Bill for our cast, and then you've got

0:25:34.560 --> 0:25:39.960
<v Speaker 3>somebody like Michael anchoring just knowing family Sitcom, then everybody

0:25:39.960 --> 0:25:40.720
<v Speaker 3>else moves.

0:25:40.520 --> 0:25:42.280
<v Speaker 4>Up to that level when they can. And I think

0:25:42.320 --> 0:25:44.320
<v Speaker 4>that shows frankly, no question.

0:25:44.760 --> 0:25:47.120
<v Speaker 1>Well, right off the bat the season premiere you Can

0:25:47.160 --> 0:25:50.840
<v Speaker 1>Go Home Again. We noticed immediately it looked like there

0:25:50.840 --> 0:25:55.719
<v Speaker 1>were bigger budgets money. Production design was incredible, the new sets,

0:25:55.800 --> 0:26:01.280
<v Speaker 1>the gigantic yocation, shoot driving scenes. Was there a significant

0:26:01.320 --> 0:26:04.080
<v Speaker 1>difference in the budget or was it really just that

0:26:04.119 --> 0:26:06.160
<v Speaker 1>people were getting their ten thousand hours?

0:26:06.480 --> 0:26:11.920
<v Speaker 5>Oh no, no, no, there they they definitely we had

0:26:11.920 --> 0:26:15.639
<v Speaker 5>we had, you know, the first show, and we were

0:26:15.640 --> 0:26:18.120
<v Speaker 5>always fighting the budget. You know, we always wanted I mean,

0:26:18.119 --> 0:26:19.600
<v Speaker 5>look at these guys. They would have me a script

0:26:19.640 --> 0:26:24.240
<v Speaker 5>with you know, wrestling or you know, you know bmbs.

0:26:24.560 --> 0:26:27.720
<v Speaker 5>All this stuff require new sets all the time, or

0:26:27.840 --> 0:26:29.119
<v Speaker 5>look shooting.

0:26:28.800 --> 0:26:31.680
<v Speaker 4>So singled out they were going on all these.

0:26:33.800 --> 0:26:37.880
<v Speaker 5>I had invented a game show. What a game show

0:26:37.880 --> 0:26:40.960
<v Speaker 5>would look like you know, singled out. We borrowed their set.

0:26:41.080 --> 0:26:43.120
<v Speaker 5>You know, that was really fun. They were very very

0:26:43.160 --> 0:26:47.199
<v Speaker 5>conciliatory and helpful, but again up to a point and

0:26:47.240 --> 0:26:48.840
<v Speaker 5>it's okay, now it's your you know, you have to

0:26:48.880 --> 0:26:51.160
<v Speaker 5>deal with it now. And uh. And then the wrestling

0:26:51.160 --> 0:26:54.080
<v Speaker 5>show for you know, sixteen candles, that was the most

0:26:54.080 --> 0:26:56.080
<v Speaker 5>difficult show. I say, it was just crazy. I mean

0:26:56.160 --> 0:26:59.280
<v Speaker 5>I had to shoot the show like like I had

0:26:59.320 --> 0:27:02.760
<v Speaker 5>like probably a one time I think eight to ten cameras.

0:27:03.119 --> 0:27:05.920
<v Speaker 5>I had six cameras that they really they normally use

0:27:06.080 --> 0:27:09.200
<v Speaker 5>for the first actuals.

0:27:09.440 --> 0:27:12.479
<v Speaker 2>Right the w do covering them. They're covering them three

0:27:12.560 --> 0:27:15.440
<v Speaker 2>hundred and sixty degrees, whereas we're usually only one direction.

0:27:16.920 --> 0:27:21.960
<v Speaker 5>It was insane. And then I can't imagine always insane.

0:27:22.000 --> 0:27:24.440
<v Speaker 5>And we only had one chat that you know, basically

0:27:24.480 --> 0:27:28.119
<v Speaker 5>one take, maybe two takes. I had you running a

0:27:28.160 --> 0:27:30.640
<v Speaker 5>couple of times, so we had coverage like at least

0:27:30.640 --> 0:27:33.960
<v Speaker 5>twice and everything. But but it was insane. We had

0:27:34.440 --> 0:27:37.159
<v Speaker 5>a full audience there and it was in It was nuts,

0:27:37.200 --> 0:27:40.119
<v Speaker 5>but but it worked out great. We did our prep,

0:27:40.240 --> 0:27:42.040
<v Speaker 5>we were all set and ready to go. You guys

0:27:42.040 --> 0:27:44.520
<v Speaker 5>were phenomenal and so it really worked out nicely.

0:27:44.600 --> 0:27:47.320
<v Speaker 1>But did you go to you were there for the

0:27:47.560 --> 0:27:50.280
<v Speaker 1>all the wrestling stuff too, right, because I know there's

0:27:50.320 --> 0:27:53.440
<v Speaker 1>a very fantastic behind the scenes picture of you in

0:27:53.480 --> 0:27:57.080
<v Speaker 1>the ring with Ben and myself where you're blocking our

0:27:57.200 --> 0:28:01.080
<v Speaker 1>dance sequence and Vader and and then are in the background.

0:28:01.240 --> 0:28:02.879
<v Speaker 1>It's one of my favorite pictures. I have an eight

0:28:02.880 --> 0:28:05.280
<v Speaker 1>by ten of it. I absolutely love it. So I

0:28:05.359 --> 0:28:06.880
<v Speaker 1>knew you were there for all of that. So were

0:28:07.000 --> 0:28:08.760
<v Speaker 1>you it was at the pond, right?

0:28:09.040 --> 0:28:13.040
<v Speaker 5>Oh yeah? Oh yeah, oh yeah, we we we First

0:28:13.080 --> 0:28:15.639
<v Speaker 5>of all, we just the pre production alone. I was

0:28:15.680 --> 0:28:17.480
<v Speaker 5>there several times just.

0:28:17.200 --> 0:28:19.600
<v Speaker 1>Just going through looking at it.

0:28:19.520 --> 0:28:21.720
<v Speaker 5>All the cameras and studying that, you know, w w

0:28:22.080 --> 0:28:26.679
<v Speaker 5>uh have you know, coverage and shows and then I

0:28:26.720 --> 0:28:29.080
<v Speaker 5>had I had there's so there were so many moving

0:28:29.119 --> 0:28:33.200
<v Speaker 5>parts before we got into that arena, you know, to.

0:28:33.200 --> 0:28:36.280
<v Speaker 1>Shoot and when were you doing this prep when you're

0:28:36.320 --> 0:28:39.240
<v Speaker 1>not when you're on set every week leading up to it.

0:28:40.080 --> 0:28:43.000
<v Speaker 5>Weekends were a big part of that, you know, weekends

0:28:43.520 --> 0:28:45.640
<v Speaker 5>and then after the show, you know, I would after

0:28:45.800 --> 0:28:48.120
<v Speaker 5>run through, I would run over to the pond and

0:28:48.880 --> 0:28:51.200
<v Speaker 5>do all the work. But that's what always I was

0:28:51.240 --> 0:28:53.560
<v Speaker 5>always I was. It was twenty four to seven. I

0:28:53.640 --> 0:28:56.480
<v Speaker 5>never told my family your making right.

0:28:56.560 --> 0:28:59.880
<v Speaker 1>Yeah, that's why we got so much like your children.

0:29:02.560 --> 0:29:03.920
<v Speaker 2>We're sorry to your real children.

0:29:04.040 --> 0:29:08.360
<v Speaker 5>Yes, they held that against me for a little bit.

0:29:08.280 --> 0:29:11.240
<v Speaker 1>But right now they were fine.

0:29:11.320 --> 0:29:14.840
<v Speaker 2>Yeah, bringing you onto their podcast.

0:29:15.840 --> 0:29:16.520
<v Speaker 4>Exactly.

0:29:18.200 --> 0:29:37.800
<v Speaker 1>They've given them grand children, right. Well, the second episode

0:29:37.840 --> 0:29:41.479
<v Speaker 1>of the season might just be my favorite of the

0:29:41.520 --> 0:29:46.320
<v Speaker 1>rewatch hair Today, Goon tomorrow, which is when I cut

0:29:46.360 --> 0:29:51.240
<v Speaker 1>my hair. What do you remember from this very high

0:29:51.320 --> 0:29:52.000
<v Speaker 1>pressure day.

0:29:53.600 --> 0:29:58.120
<v Speaker 5>Well, I remember your your Extrawdinarily, you were very nervous.

0:29:58.360 --> 0:30:01.480
<v Speaker 5>I remember you being extraordinary nerves in a way that

0:30:01.640 --> 0:30:06.240
<v Speaker 5>was like you were professional obviously, and I knew you

0:30:06.280 --> 0:30:09.040
<v Speaker 5>were gonna be fine. But you know, we had one

0:30:09.280 --> 0:30:14.600
<v Speaker 5>one shut, one take, yeah, and everyone's on pins and neils.

0:30:14.640 --> 0:30:17.080
<v Speaker 5>You know, it was just one of those things. And

0:30:17.080 --> 0:30:19.960
<v Speaker 5>and then when you did it, it was like I

0:30:19.960 --> 0:30:22.520
<v Speaker 5>thought that scream was actually quite real.

0:30:25.600 --> 0:30:28.560
<v Speaker 1>Everyone everyone was so sure that I was really scared

0:30:28.560 --> 0:30:31.840
<v Speaker 1>about cutting my hair. But the truth is I was thrilled.

0:30:32.960 --> 0:30:34.960
<v Speaker 4>You wanted to cut it. The whole week. You were like,

0:30:35.000 --> 0:30:36.080
<v Speaker 4>I can't wait to cut it.

0:30:36.120 --> 0:30:39.120
<v Speaker 1>I cannot wait. I wanted to do it more all summer,

0:30:39.240 --> 0:30:42.800
<v Speaker 1>and the thing that scared me, of course, was the

0:30:42.800 --> 0:30:45.040
<v Speaker 1>fact that I knew we only had one take and

0:30:45.640 --> 0:30:47.640
<v Speaker 1>to set it up, you know, Jeff had come out

0:30:47.640 --> 0:30:49.280
<v Speaker 1>to me. You would come out to me many times

0:30:49.280 --> 0:30:52.920
<v Speaker 1>and said, listen, we only have it once. I need

0:30:52.960 --> 0:30:55.040
<v Speaker 1>you to go, like, you're going to cut your hair,

0:30:55.640 --> 0:30:59.840
<v Speaker 1>but you cannot cut it until I know we have

0:31:00.160 --> 0:31:04.440
<v Speaker 1>it all. So it was like, so I'm gonna yell stop,

0:31:04.960 --> 0:31:06.840
<v Speaker 1>But then the way I was gonna know if I

0:31:06.880 --> 0:31:10.040
<v Speaker 1>could cut it, you weren't gonna yell stop. So I

0:31:10.080 --> 0:31:12.200
<v Speaker 1>am like, many times, go to cut my hair and

0:31:12.240 --> 0:31:15.480
<v Speaker 1>then you'd yell and come running out, and I'd be like,

0:31:15.480 --> 0:31:18.000
<v Speaker 1>I'm not gonna cut it, and then when I'm supposed to,

0:31:18.080 --> 0:31:19.200
<v Speaker 1>it's just quiet, and I'm.

0:31:19.080 --> 0:31:21.880
<v Speaker 4>Like, for real, forriller out because I'm gonna.

0:31:21.720 --> 0:31:23.120
<v Speaker 1>Do it now, Like that's in my head. It was

0:31:23.160 --> 0:31:25.480
<v Speaker 1>like and Michael. I remember Michael coming out and going

0:31:25.480 --> 0:31:27.320
<v Speaker 1>show me where you're gonna cut, show me, show me

0:31:27.320 --> 0:31:29.400
<v Speaker 1>where you're gonna do, Where are you gonna grab, where

0:31:29.400 --> 0:31:30.400
<v Speaker 1>are you gonna grab And it was like, well, I'm

0:31:30.440 --> 0:31:33.000
<v Speaker 1>gonna grab her nope, lower nope, because he did not

0:31:33.080 --> 0:31:35.560
<v Speaker 1>want it to be too short. Okay, and he knew

0:31:35.920 --> 0:31:37.880
<v Speaker 1>I had control because I was gonna be the one

0:31:37.880 --> 0:31:40.120
<v Speaker 1>with the scissors. So he wanted to know, show me again,

0:31:40.160 --> 0:31:41.480
<v Speaker 1>show me again, what are you gonna do? Where are

0:31:41.480 --> 0:31:42.640
<v Speaker 1>you gonna where are you grabbing it? Where are you

0:31:42.680 --> 0:31:45.320
<v Speaker 1>gonna cut? And I was like, in my mind, I

0:31:45.360 --> 0:31:47.120
<v Speaker 1>wanted it a little shorter. I knew he wanted it

0:31:47.160 --> 0:31:51.040
<v Speaker 1>a little longer, and so yes, it was a very

0:31:51.560 --> 0:31:53.920
<v Speaker 1>intense day.

0:31:54.000 --> 0:31:57.560
<v Speaker 5>But boy, and then we're anxious to cut your hair.

0:31:57.600 --> 0:32:00.160
<v Speaker 1>Though I had wanted to cut my hair for so long,

0:32:00.160 --> 0:32:01.840
<v Speaker 1>the reason we did the episode is because I had

0:32:01.880 --> 0:32:05.000
<v Speaker 1>called Michael the beginning of summer and said I want

0:32:05.000 --> 0:32:06.880
<v Speaker 1>to cut my hair. Can I cut it? And he said,

0:32:06.880 --> 0:32:09.120
<v Speaker 1>at least let me write an episode for it, So

0:32:09.160 --> 0:32:11.200
<v Speaker 1>I had to wait all summer. So by the time

0:32:11.240 --> 0:32:12.960
<v Speaker 1>we got to it, I had been ready to cut

0:32:12.960 --> 0:32:17.240
<v Speaker 1>my hair for months. But we completely forgot and we

0:32:17.240 --> 0:32:19.160
<v Speaker 1>were just couldn't believe it when we watched it that

0:32:19.200 --> 0:32:22.240
<v Speaker 1>it was the same episode as Good Looking Guy, which

0:32:22.440 --> 0:32:27.640
<v Speaker 1>which yeah, I mean, Mike, have been Will's biggest comedic episode.

0:32:27.880 --> 0:32:31.800
<v Speaker 1>Yet you got to shoot another show opening for him,

0:32:32.320 --> 0:32:34.880
<v Speaker 1>And so what do you remember about it? Because to

0:32:35.000 --> 0:32:37.840
<v Speaker 1>us it was such just a massive reminder of what

0:32:37.880 --> 0:32:40.280
<v Speaker 1>a huge star and a genius this guy is.

0:32:41.000 --> 0:32:44.000
<v Speaker 5>Well, no question, you know, we didn't know, you know,

0:32:44.160 --> 0:32:47.480
<v Speaker 5>going into it. Everything with Will was like, Okay, let's

0:32:47.480 --> 0:32:50.360
<v Speaker 5>try this, you know, let's throw this at him. Le's

0:32:50.360 --> 0:32:53.760
<v Speaker 5>see what we can do. And it's like amazing. Every

0:32:53.840 --> 0:32:56.080
<v Speaker 5>time we threw anything at him, he would come up

0:32:56.240 --> 0:33:00.800
<v Speaker 5>and commit a wholeheartedly to it. When it was bad,

0:33:00.880 --> 0:33:06.720
<v Speaker 5>We'll always was good, seriously, you know. But but this

0:33:06.800 --> 0:33:09.800
<v Speaker 5>particular episode with gellow boy, I mean that shallow boy,

0:33:09.840 --> 0:33:16.160
<v Speaker 5>but the woman looking guy was I mean, so all

0:33:16.160 --> 0:33:20.400
<v Speaker 5>these were set up pieces for him to showcase our

0:33:20.640 --> 0:33:25.400
<v Speaker 5>our wonderful, comedic genius show, you know, and so and

0:33:25.440 --> 0:33:29.880
<v Speaker 5>when he was really wonderful is that in this particular thing,

0:33:30.960 --> 0:33:37.200
<v Speaker 5>well feeny, I mean the fact that well, anyway, I

0:33:37.600 --> 0:33:41.560
<v Speaker 5>just think that Will nailed it. And and uh, throughout

0:33:41.600 --> 0:33:46.120
<v Speaker 5>the week I saw, you know, he kind of got

0:33:46.120 --> 0:33:48.560
<v Speaker 5>it right from the get go, he kind of had

0:33:48.560 --> 0:33:51.080
<v Speaker 5>it already. It was it was almost like, you know,

0:33:51.120 --> 0:33:53.000
<v Speaker 5>you don't want to peak too soon. That that was

0:33:53.040 --> 0:33:55.959
<v Speaker 5>the thing about the show. Sometimes our run throughs were

0:33:56.000 --> 0:33:59.080
<v Speaker 5>so good that where are we to do now? Because

0:33:59.160 --> 0:34:02.160
<v Speaker 5>they're so good and uh, are we gonna get stale?

0:34:02.200 --> 0:34:05.440
<v Speaker 5>But by the time we shoot, and so you know,

0:34:05.560 --> 0:34:08.160
<v Speaker 5>the I think we always kind of held back a

0:34:08.160 --> 0:34:10.440
<v Speaker 5>little bit, you know, but Will Will was always in

0:34:10.480 --> 0:34:13.319
<v Speaker 5>there one hundred percent and he never failed to throw

0:34:13.360 --> 0:34:16.239
<v Speaker 5>it one hundred percent every every through, every take, every

0:34:16.280 --> 0:34:18.640
<v Speaker 5>It was just great, you know. And and what was

0:34:18.719 --> 0:34:22.120
<v Speaker 5>nice too, he had a consistency but made it feel

0:34:22.120 --> 0:34:26.400
<v Speaker 5>like very improvisational all the time. You know. It was

0:34:26.440 --> 0:34:28.600
<v Speaker 5>like that wonderful moment, the moment that Miser talked, you know,

0:34:28.640 --> 0:34:31.400
<v Speaker 5>Michael and I just go moment a moment, listen and

0:34:31.920 --> 0:34:33.879
<v Speaker 5>have fun, you know, and with a point of view.

0:34:33.960 --> 0:34:35.800
<v Speaker 5>You know, that's that was also great about all of

0:34:35.840 --> 0:34:39.279
<v Speaker 5>you guys. You always always had always listened beautifully and

0:34:39.320 --> 0:34:41.400
<v Speaker 5>you always had a great point of view, with the

0:34:41.440 --> 0:34:45.240
<v Speaker 5>point of view which made it really engaging to watch.

0:34:45.520 --> 0:34:49.760
<v Speaker 5>And because we were not interested in what you were saying,

0:34:49.880 --> 0:34:53.839
<v Speaker 5>but how you were you know, were reacting And and

0:34:53.840 --> 0:34:56.040
<v Speaker 5>that's what gave us our rooting interest for you guys,

0:34:56.080 --> 0:34:59.360
<v Speaker 5>because we knew you were real and you you respected

0:34:59.400 --> 0:35:02.799
<v Speaker 5>each other, and we were always in there with each other,

0:35:03.960 --> 0:35:06.480
<v Speaker 5>taking care of each other as actors. It was really wonderful,

0:35:06.640 --> 0:35:07.360
<v Speaker 5>really wonderful.

0:35:08.120 --> 0:35:13.080
<v Speaker 1>Season four also marked the beginning the debut of the

0:35:13.080 --> 0:35:17.360
<v Speaker 1>Wilderness Store, which is a pretty intense set.

0:35:17.480 --> 0:35:20.840
<v Speaker 3>And we all set remember that, Jeff, we'd we'd be walking,

0:35:20.840 --> 0:35:22.800
<v Speaker 3>We'd be like, well, let's do it back there ninety

0:35:22.840 --> 0:35:23.440
<v Speaker 3>feet from the.

0:35:23.400 --> 0:35:27.520
<v Speaker 2>Camera happened and that balcony because it was just too far.

0:35:28.040 --> 0:35:30.160
<v Speaker 1>I know, there was one scene where where you guys

0:35:30.160 --> 0:35:32.600
<v Speaker 1>were stacked on the stairs one time, and all I

0:35:32.600 --> 0:35:34.560
<v Speaker 1>could picture was how you had to get the cameras

0:35:34.560 --> 0:35:36.719
<v Speaker 1>all the way in there in order to be able

0:35:36.760 --> 0:35:39.120
<v Speaker 1>to do it. We also seemed to remember it being

0:35:39.760 --> 0:35:41.839
<v Speaker 1>used more than it was. I mean, there are quite

0:35:41.880 --> 0:35:43.480
<v Speaker 1>a few scenes that take place in it, but they

0:35:43.480 --> 0:35:47.160
<v Speaker 1>don't really necessarily showcase the Wilderness Store.

0:35:48.280 --> 0:35:50.320
<v Speaker 5>Yeah, it was a shame it wasn't utilized more.

0:35:51.200 --> 0:35:53.239
<v Speaker 1>Did you remember the bear that we had in there?

0:35:53.640 --> 0:35:57.319
<v Speaker 5>I remember the bear last episode last podcast I talked

0:35:57.320 --> 0:35:59.160
<v Speaker 5>to You was one of my favorite moments is when

0:35:59.200 --> 0:36:03.880
<v Speaker 5>the bear stands up and and will we put a

0:36:03.880 --> 0:36:08.759
<v Speaker 5>fan behind behind the camera? Air would be blown, you know.

0:36:08.800 --> 0:36:10.640
<v Speaker 5>When the guy walked on said with the one arm,

0:36:10.880 --> 0:36:14.719
<v Speaker 5>that was the best Troy. That to me was one

0:36:14.760 --> 0:36:18.080
<v Speaker 5>of the best jokes and and it was nothing never

0:36:18.120 --> 0:36:30.040
<v Speaker 5>mentioned it that was like, I love like that best.

0:36:30.280 --> 0:36:33.040
<v Speaker 2>My favorite site as from the season was when the

0:36:33.320 --> 0:36:36.040
<v Speaker 2>Affair to Forget episode where I just have a trophy,

0:36:36.440 --> 0:36:39.480
<v Speaker 2>like I've just become a yuppie and we nevers it

0:36:41.040 --> 0:36:44.080
<v Speaker 2>is completely like upper tennis player.

0:36:47.280 --> 0:36:49.480
<v Speaker 3>So Danielle mentioned that, and I think we talked about

0:36:49.480 --> 0:36:51.879
<v Speaker 3>this a little bit. Daniel mentioned that, you know, it's

0:36:52.040 --> 0:36:55.480
<v Speaker 3>really starting to showcase more of us and kind of

0:36:55.840 --> 0:36:58.600
<v Speaker 3>less of the parents. Was this something that was just

0:36:58.640 --> 0:37:01.720
<v Speaker 3>a natural progression or is there an actual conversation about

0:37:01.920 --> 0:37:04.160
<v Speaker 3>we need to focus this more on the younger kids

0:37:04.200 --> 0:37:05.320
<v Speaker 3>than the adults.

0:37:07.200 --> 0:37:09.600
<v Speaker 5>You know, I don't think it was ever a conscious

0:37:09.600 --> 0:37:12.520
<v Speaker 5>decision and we never said we never said, oh, we're

0:37:12.520 --> 0:37:15.400
<v Speaker 5>gonna focus more on the kids. I think you're right,

0:37:15.400 --> 0:37:17.399
<v Speaker 5>and it was an actual progression. But if you look

0:37:17.440 --> 0:37:20.760
<v Speaker 5>at the episodes closely, uh, they were still very pivotal.

0:37:20.920 --> 0:37:25.359
<v Speaker 5>I mean, I mean Alan's whole storyline about to get

0:37:25.360 --> 0:37:29.080
<v Speaker 5>the store to the store, you know, about his self

0:37:29.120 --> 0:37:32.400
<v Speaker 5>worth and and and and sense of of of of relevance.

0:37:33.760 --> 0:37:39.160
<v Speaker 5>And I think that everybody adults, you know, I never

0:37:39.200 --> 0:37:41.799
<v Speaker 5>felt that they were being short drifted. Ever, when I

0:37:41.840 --> 0:37:45.920
<v Speaker 5>watched this again. Their their function and I mean stings

0:37:45.960 --> 0:37:50.279
<v Speaker 5>with with Feeney, Betsy and Rusty Uh, you know, and

0:37:50.280 --> 0:37:54.160
<v Speaker 5>and when he's going through his his his job dilemma.

0:37:54.920 --> 0:37:57.880
<v Speaker 5>It was one of the best scenes, I know, phenomenal

0:37:58.280 --> 0:38:01.160
<v Speaker 5>There's those three of them and then Betsy knocking out

0:38:01.160 --> 0:38:03.640
<v Speaker 5>of the park everything she got, I mean all of them.

0:38:04.200 --> 0:38:08.280
<v Speaker 5>So they were a great uh. They were the backboard

0:38:08.320 --> 0:38:11.080
<v Speaker 5>for you guys to hit the balls against. And I

0:38:11.160 --> 0:38:14.760
<v Speaker 5>think they their relevance for me was just as strong

0:38:14.800 --> 0:38:17.880
<v Speaker 5>as any other season because when you went to them,

0:38:18.280 --> 0:38:21.640
<v Speaker 5>they gave They were the backbone for you guys to

0:38:21.640 --> 0:38:25.560
<v Speaker 5>to to to uh to build on, and they were

0:38:25.560 --> 0:38:28.160
<v Speaker 5>always the moral compass. They were always the kind of

0:38:28.200 --> 0:38:33.440
<v Speaker 5>the the thing that gave you permission to be kids

0:38:33.520 --> 0:38:36.920
<v Speaker 5>in a way, you know. Anyway. I just, I just

0:38:37.040 --> 0:38:42.040
<v Speaker 5>I loved the evolution of that show of season four,

0:38:42.120 --> 0:38:45.680
<v Speaker 5>and I don't you know, I think it's the beginning

0:38:45.719 --> 0:38:49.000
<v Speaker 5>of that for sure, because season five, six and seven,

0:38:49.040 --> 0:38:52.000
<v Speaker 5>you guys are off college and blah blah blah. So yeah,

0:38:52.239 --> 0:38:55.520
<v Speaker 5>there their roles do do become diminish. I mean, I

0:38:55.520 --> 0:38:59.400
<v Speaker 5>think the first selva was when when Turner uh is gone,

0:38:59.520 --> 0:39:02.839
<v Speaker 5>you know, you start to see, you know, when Alex

0:39:02.880 --> 0:39:06.360
<v Speaker 5>Deser disappears. I mean you certain people just start to

0:39:06.360 --> 0:39:09.600
<v Speaker 5>get you know, because of the functionality of of twenty

0:39:09.680 --> 0:39:13.360
<v Speaker 5>two minutes, you know, and trying to fit that many characters,

0:39:13.360 --> 0:39:15.120
<v Speaker 5>and you can't. If it was an hour show, they

0:39:15.120 --> 0:39:17.160
<v Speaker 5>would have been much more present.

0:39:17.520 --> 0:39:20.160
<v Speaker 1>Well, let's talk a little bit about Turner. What is

0:39:20.760 --> 0:39:23.240
<v Speaker 1>your take on it? He was iced out pretty quickly

0:39:23.239 --> 0:39:25.920
<v Speaker 1>and then we have the motorcycle accident, which we will

0:39:25.920 --> 0:39:29.400
<v Speaker 1>get to later. What do you remember about the discussions

0:39:29.480 --> 0:39:32.959
<v Speaker 1>of him leaving the show and was there any possibility

0:39:33.440 --> 0:39:37.399
<v Speaker 1>that Turner being in the hospital was Michael's way of

0:39:37.960 --> 0:39:40.799
<v Speaker 1>kind of pushing the hand. Was it a network thing?

0:39:40.880 --> 0:39:43.439
<v Speaker 1>Was it a money things? We talked about the possibility

0:39:43.880 --> 0:39:46.120
<v Speaker 1>that leaving it on a cliffhanger of him kind of

0:39:46.120 --> 0:39:49.279
<v Speaker 1>in the hospital. Was there any sort of possibility that

0:39:49.280 --> 0:39:51.080
<v Speaker 1>they were like, let us bring him back because people

0:39:51.080 --> 0:39:52.799
<v Speaker 1>are going to want to see this resolved. What's your

0:39:52.840 --> 0:39:56.160
<v Speaker 1>take on the Turner all I didn't want to kill him, right.

0:39:56.120 --> 0:40:01.000
<v Speaker 5>That was not our right goal and that was and

0:40:01.000 --> 0:40:03.920
<v Speaker 5>it was our discussion with with with bringing him back.

0:40:04.680 --> 0:40:07.720
<v Speaker 5>Really it wasn't the money thing. Uh. We wasn't asking

0:40:07.800 --> 0:40:10.200
<v Speaker 5>to become you know, better paid or anything like that.

0:40:10.880 --> 0:40:14.440
<v Speaker 5>Tony was off for I think there were other interests.

0:40:14.520 --> 0:40:18.080
<v Speaker 5>There was other interest in him, other shows. So I

0:40:18.120 --> 0:40:21.920
<v Speaker 5>think he wanted, you know, there was a certain thing

0:40:21.960 --> 0:40:24.360
<v Speaker 5>with giving him his freedom to be able to pursue

0:40:24.400 --> 0:40:28.560
<v Speaker 5>those shows. And we didn't know you know, you know,

0:40:29.880 --> 0:40:33.880
<v Speaker 5>it was kind of a thing where again the evolution

0:40:34.080 --> 0:40:39.239
<v Speaker 5>of how much do we take from Bill, you know,

0:40:40.000 --> 0:40:42.840
<v Speaker 5>and give the limited amount of time we have on screen,

0:40:42.880 --> 0:40:44.640
<v Speaker 5>we wanted to make sure Bill was covered, you know,

0:40:44.719 --> 0:40:48.919
<v Speaker 5>and and and that he was always the the main

0:40:49.239 --> 0:40:50.640
<v Speaker 5>the main presence of teaching.

0:40:51.200 --> 0:40:54.480
<v Speaker 2>So and the irony there is that he Tony has

0:40:54.560 --> 0:40:56.640
<v Speaker 2>brought in second season in a way to have somebody

0:40:56.680 --> 0:40:59.919
<v Speaker 2>to play off Bill. But then once the Sean Turner died,

0:41:00.040 --> 0:41:02.319
<v Speaker 2>dynamic Turner became much more of the sort of home

0:41:02.400 --> 0:41:06.080
<v Speaker 2>dynamic than the school dynamics. So yeah, that's that's ironic.

0:41:06.360 --> 0:41:09.200
<v Speaker 5>Yeah, it is in a way. But also because as

0:41:09.200 --> 0:41:13.280
<v Speaker 5>you guys got older then then Feenie had more of interplay,

0:41:13.719 --> 0:41:17.200
<v Speaker 5>more of an adult interplay with you guys, so Will,

0:41:17.560 --> 0:41:19.440
<v Speaker 5>especially with Will, you know, I mean, there was just

0:41:19.480 --> 0:41:21.800
<v Speaker 5>a thing there where Will was elevating to a point

0:41:21.800 --> 0:41:25.400
<v Speaker 5>where that became the friendship.

0:41:25.719 --> 0:41:27.520
<v Speaker 2>And their chemistry is just so good. I mean, you

0:41:27.600 --> 0:41:31.320
<v Speaker 2>take these two characters, these two actors, very different energies,

0:41:31.320 --> 0:41:32.200
<v Speaker 2>and you put them together.

0:41:32.320 --> 0:41:35.920
<v Speaker 5>It's magic every time exactly. So I think that's that

0:41:35.920 --> 0:41:40.760
<v Speaker 5>that was, you know, just just that that that dynamic

0:41:40.800 --> 0:41:43.120
<v Speaker 5>between them. This makes me laugh every time I see

0:41:43.160 --> 0:41:46.400
<v Speaker 5>them together. I just you know, uh, they just have

0:41:46.560 --> 0:41:50.400
<v Speaker 5>this wonderful you know, quid pro quo. It's just the best.

0:41:50.560 --> 0:41:50.879
<v Speaker 5>You know.

0:41:51.239 --> 0:41:54.360
<v Speaker 1>Well, we may have hit our first snag of season

0:41:54.400 --> 0:41:58.680
<v Speaker 1>four with the singled Out episode. While we were watching,

0:41:58.920 --> 0:42:02.680
<v Speaker 1>we all felt so much for you. This must have

0:42:02.800 --> 0:42:07.680
<v Speaker 1>been a nightmare. What do you remember about hijacking their set?

0:42:07.960 --> 0:42:11.960
<v Speaker 1>There hundreds of extras and maybe even you were we

0:42:12.080 --> 0:42:15.360
<v Speaker 1>using their cameras as well. What do you remember about

0:42:15.360 --> 0:42:15.840
<v Speaker 1>that week?

0:42:16.080 --> 0:42:20.240
<v Speaker 5>Yeah, our camera guys came in. Okay, we we we did.

0:42:20.360 --> 0:42:22.400
<v Speaker 5>We did use their their their their equipment.

0:42:22.719 --> 0:42:23.520
<v Speaker 1>Do we use their jib?

0:42:26.000 --> 0:42:30.440
<v Speaker 4>We did, of course.

0:42:31.920 --> 0:42:34.319
<v Speaker 5>Ask Karen McCain, I always wanted a jib on every show.

0:42:36.040 --> 0:42:37.520
<v Speaker 1>Every time I go to a set, I'm like, can

0:42:37.560 --> 0:42:39.919
<v Speaker 1>I have a gym? The first thing you ask?

0:42:40.360 --> 0:42:45.120
<v Speaker 5>Yep. But it cut down on a lot of cameras.

0:42:45.200 --> 0:42:50.600
<v Speaker 5>Let me tell you the magical magical camera piece of equipment. Uh, anyway,

0:42:50.840 --> 0:42:54.480
<v Speaker 5>I think single that was for me. It was one

0:42:54.480 --> 0:42:56.239
<v Speaker 5>of those things that when you get the script and

0:42:56.320 --> 0:42:58.399
<v Speaker 5>you read it, you go, Okay, this can go one

0:42:58.400 --> 0:43:00.560
<v Speaker 5>of two ways. This could be really horrible or this

0:43:00.600 --> 0:43:01.600
<v Speaker 5>could be fun.

0:43:01.960 --> 0:43:02.160
<v Speaker 1>Yeah.

0:43:03.040 --> 0:43:06.480
<v Speaker 5>I think this show was like in between because uh,

0:43:06.920 --> 0:43:10.359
<v Speaker 5>you know, thank god. You know, Jenny McCarthy didn't want

0:43:10.360 --> 0:43:10.879
<v Speaker 5>to do the show.

0:43:11.360 --> 0:43:13.000
<v Speaker 1>Right, Why didn't she want to do the show? What

0:43:13.040 --> 0:43:14.080
<v Speaker 1>do you remember about it?

0:43:14.239 --> 0:43:14.959
<v Speaker 5>Boy wirl?

0:43:15.200 --> 0:43:16.080
<v Speaker 1>Right? It was a kid show.

0:43:16.480 --> 0:43:21.640
<v Speaker 5>It was a kids show. She wanted a more adult

0:43:22.920 --> 0:43:25.840
<v Speaker 5>She was for her own show, you know, in a

0:43:25.880 --> 0:43:28.840
<v Speaker 5>movie career by the way, So she was really opting

0:43:28.880 --> 0:43:30.759
<v Speaker 5>for that, you know, that was her thing. And and

0:43:31.120 --> 0:43:32.839
<v Speaker 5>I don't even I don't even I didn't even her

0:43:32.880 --> 0:43:35.520
<v Speaker 5>meet her. She was not a run at all. But

0:43:35.640 --> 0:43:39.040
<v Speaker 5>Chris was awesome. Yeah, even Chris was kind of like, Okay,

0:43:39.160 --> 0:43:41.719
<v Speaker 5>we'll do this, you know, he was, but I think

0:43:41.719 --> 0:43:44.120
<v Speaker 5>that's his personality and the meet her way, you know,

0:43:44.120 --> 0:43:48.040
<v Speaker 5>it's kind of like, uh, nothing phased him. He's just

0:43:48.080 --> 0:43:49.880
<v Speaker 5>kind of going through it, you know. And and but

0:43:49.920 --> 0:43:52.200
<v Speaker 5>he was really pleasant, really great. And then came through

0:43:52.239 --> 0:43:55.160
<v Speaker 5>for us, and uh, and he improvised. He even will

0:43:55.160 --> 0:43:57.120
<v Speaker 5>improvised a lot of that. By the way, there was

0:43:57.120 --> 0:43:57.920
<v Speaker 5>a lot we.

0:43:58.040 --> 0:44:00.320
<v Speaker 1>Did talk about whether or not that was improv.

0:44:00.160 --> 0:44:02.920
<v Speaker 5>They were and that was wonderful because they kind of like,

0:44:03.000 --> 0:44:05.640
<v Speaker 5>you know that they looked like me. Stuff was written,

0:44:05.680 --> 0:44:08.319
<v Speaker 5>but then you guys would riff on some other things,

0:44:08.600 --> 0:44:09.440
<v Speaker 5>really really funny.

0:44:09.520 --> 0:44:13.040
<v Speaker 3>I don't remember this day at all at all.

0:44:13.600 --> 0:44:14.840
<v Speaker 1>Been very strange.

0:44:15.000 --> 0:44:18.360
<v Speaker 4>Yeah, I don't remember it. I don't never worked Stones,

0:44:18.440 --> 0:44:21.240
<v Speaker 4>It never worked Stone. But yeah, no I don't, I don't.

0:44:22.120 --> 0:44:24.960
<v Speaker 4>I don't. Yeah, I have no, I mean, like at all.

0:44:25.400 --> 0:44:28.200
<v Speaker 3>To the point where there's a photo of myself and

0:44:28.280 --> 0:44:29.760
<v Speaker 3>Chris Hardwick and Jason Marsden.

0:44:29.880 --> 0:44:32.719
<v Speaker 4>So I thought Jason was in the episode.

0:44:33.440 --> 0:44:36.480
<v Speaker 5>Oh really, no he was. He was just hanging out. Well,

0:44:36.480 --> 0:44:39.560
<v Speaker 5>it was chaos. It was chaos because you know, it

0:44:39.640 --> 0:44:42.759
<v Speaker 5>was more chaos actually than the wrestling show because really yeah,

0:44:42.800 --> 0:44:45.520
<v Speaker 5>because they were more moving pieces with their show, you know.

0:44:45.719 --> 0:44:48.560
<v Speaker 5>And we had all those girls extras if you were closely.

0:44:48.600 --> 0:44:51.640
<v Speaker 5>I shouldn't say this, but we actually re used them,

0:44:51.640 --> 0:44:52.000
<v Speaker 5>some of them.

0:44:52.520 --> 0:44:56.759
<v Speaker 4>We saw that, we saw those girls back.

0:44:58.640 --> 0:45:01.719
<v Speaker 1>Yeah, we saw that to be there Jeff and I

0:45:01.840 --> 0:45:04.840
<v Speaker 1>said it on the podcast. I think what happened because

0:45:04.840 --> 0:45:07.760
<v Speaker 1>it's what happens when you have limited time, you shoot

0:45:07.880 --> 0:45:11.000
<v Speaker 1>all you shoot, Okay, stand full of extras, all right,

0:45:11.040 --> 0:45:15.279
<v Speaker 1>everybody make loud noises now, slower noises now, all those

0:45:15.280 --> 0:45:16.440
<v Speaker 1>reaction shots and.

0:45:16.400 --> 0:45:19.400
<v Speaker 4>Then just put them in and then yeah, exactly.

0:45:19.880 --> 0:45:21.960
<v Speaker 1>And then somebody in editing was just like, go back

0:45:21.960 --> 0:45:26.680
<v Speaker 1>to that shot and you either wasn't exactly.

0:45:26.880 --> 0:45:29.560
<v Speaker 5>Marco Zabi was our editor, and I remember going to

0:45:29.640 --> 0:45:31.480
<v Speaker 5>edit the show because the director gets his first cuts.

0:45:31.600 --> 0:45:33.480
<v Speaker 5>And by the way, Janelle, I watch your low Pez

0:45:33.600 --> 0:45:35.719
<v Speaker 5>versus Low Pez and I just want to say it

0:45:35.719 --> 0:45:37.000
<v Speaker 5>again to you how wonderful they were.

0:45:37.040 --> 0:45:39.880
<v Speaker 1>And I know you sent me such a nice email.

0:45:39.920 --> 0:45:41.600
<v Speaker 1>I read it to Jensen immediately. I was like, Jeff

0:45:41.640 --> 0:45:42.000
<v Speaker 1>sent me the.

0:45:42.040 --> 0:45:47.319
<v Speaker 5>Nicest, fantastic really, congratulations, thank you so much. Yeah. No,

0:45:47.800 --> 0:45:50.160
<v Speaker 5>but but this, you know, this is this is the

0:45:50.200 --> 0:45:52.919
<v Speaker 5>type of thing where you go, Okay, first of all,

0:45:52.960 --> 0:45:57.000
<v Speaker 5>I'm using their cameras. I'm trying to figure out how

0:45:57.400 --> 0:46:00.719
<v Speaker 5>to make a how to do the four camera presentation

0:46:01.360 --> 0:46:05.279
<v Speaker 5>to get the show, you know, and and to look

0:46:05.400 --> 0:46:07.560
<v Speaker 5>like it's still our show. But then also, you know,

0:46:07.640 --> 0:46:11.680
<v Speaker 5>inside the game show. So there was like two set

0:46:11.880 --> 0:46:14.759
<v Speaker 5>there's like two things to do, and so we had

0:46:14.760 --> 0:46:16.880
<v Speaker 5>to shoot it once as a kind of a wide

0:46:16.880 --> 0:46:19.439
<v Speaker 5>shot kind of like like the show, and then come

0:46:19.560 --> 0:46:22.680
<v Speaker 5>in for the coverage, and so it was, uh, it

0:46:22.760 --> 0:46:24.680
<v Speaker 5>was kind of and so we had to really pick

0:46:24.760 --> 0:46:30.200
<v Speaker 5>up and and you know, thank god for Kathy Gario supervisor,

0:46:30.239 --> 0:46:31.960
<v Speaker 5>who was on top of every moment, you know, and

0:46:32.360 --> 0:46:35.840
<v Speaker 5>where we were, how we needed and uh yeah, I

0:46:36.080 --> 0:46:37.879
<v Speaker 5>relied on her a lot of that episode, and so

0:46:38.200 --> 0:46:42.080
<v Speaker 5>we we really had. It was kind of just discombinated.

0:46:42.120 --> 0:46:44.839
<v Speaker 5>And I have to say it when I walked out

0:46:44.840 --> 0:46:47.160
<v Speaker 5>of there, I didn't know what we had. Don't know

0:46:47.200 --> 0:46:48.719
<v Speaker 5>those things. I knew we had the coverage, but I

0:46:48.719 --> 0:46:50.560
<v Speaker 5>don't know we had the performances. I don't really know

0:46:50.560 --> 0:46:52.360
<v Speaker 5>if if this is going to cut together nicely. I

0:46:52.360 --> 0:46:54.239
<v Speaker 5>don't know if this is going to be something that

0:46:54.480 --> 0:46:56.840
<v Speaker 5>you know that I'm going to be, you know, like you.

0:46:58.280 --> 0:47:00.520
<v Speaker 4>But it's also such a different energy from our show.

0:47:00.560 --> 0:47:03.160
<v Speaker 3>We're yelling our lines over the crowd and we don't

0:47:03.160 --> 0:47:05.080
<v Speaker 3>I mean, it was just it was jarring to be

0:47:06.000 --> 0:47:09.800
<v Speaker 3>out of our comfort zone in a completely different environment

0:47:09.840 --> 0:47:12.880
<v Speaker 3>where again even the dialogue was kind of shouted, so

0:47:12.960 --> 0:47:14.000
<v Speaker 3>it was it was strange.

0:47:14.239 --> 0:47:17.040
<v Speaker 2>But that's like every other episode this season. I starting

0:47:17.040 --> 0:47:20.120
<v Speaker 2>with the yogurt cup, going through like everything, I mean,

0:47:20.120 --> 0:47:22.120
<v Speaker 2>and you were talking about single out, but you also

0:47:22.120 --> 0:47:23.839
<v Speaker 2>had to build the whole game show for the quiz

0:47:23.840 --> 0:47:26.160
<v Speaker 2>show episode, and that was on our set. But still

0:47:26.200 --> 0:47:29.400
<v Speaker 2>do you have like five brand new actors on the

0:47:29.440 --> 0:47:32.000
<v Speaker 2>set running this show and all these oh my god,

0:47:32.080 --> 0:47:33.040
<v Speaker 2>some moments.

0:47:33.080 --> 0:47:36.560
<v Speaker 1>Some moments. I was like, it's like dance numbers for

0:47:36.640 --> 0:47:39.480
<v Speaker 1>every for everything, there was a dance number basically that

0:47:39.560 --> 0:47:41.480
<v Speaker 1>you had to block and shoot.

0:47:42.560 --> 0:47:44.279
<v Speaker 5>That was fun, and I have to say, you know,

0:47:44.880 --> 0:47:46.480
<v Speaker 5>you go, okay, we're going to do the same thing

0:47:46.520 --> 0:47:48.680
<v Speaker 5>every week, every week every week, you know, the four

0:47:48.760 --> 0:47:50.839
<v Speaker 5>cameras and you know, do a thing and we're out.

0:47:50.880 --> 0:47:53.920
<v Speaker 5>You know. Giving those kind of challenges for me was

0:47:53.960 --> 0:47:58.399
<v Speaker 5>really fun. I I even though, you know, probably pulled

0:47:58.400 --> 0:47:59.759
<v Speaker 5>my hair out a few times, but but you know,

0:48:00.000 --> 0:48:02.879
<v Speaker 5>at the end of the day, you're you. We pulled

0:48:02.880 --> 0:48:05.200
<v Speaker 5>it off and it was just great, you know, I mean,

0:48:05.200 --> 0:48:07.560
<v Speaker 5>because it was different, it was and I think it

0:48:07.800 --> 0:48:10.839
<v Speaker 5>also lend itself to season four in the sense that

0:48:11.160 --> 0:48:14.800
<v Speaker 5>we were giving our audience something you know a little

0:48:14.800 --> 0:48:17.239
<v Speaker 5>more you know, gravy on the show, you know, yeah,

0:48:17.440 --> 0:48:18.799
<v Speaker 5>a little more cherry.

0:48:18.960 --> 0:48:21.960
<v Speaker 2>We upped our game all the way around the writing.

0:48:22.160 --> 0:48:24.440
<v Speaker 2>I feel like the acting and in the direction, like

0:48:24.480 --> 0:48:25.560
<v Speaker 2>we all upped our game.

0:48:25.680 --> 0:48:26.080
<v Speaker 5>Yeah.

0:48:26.120 --> 0:48:28.759
<v Speaker 1>So, speaking of Quiz Show, I I in particular, was

0:48:28.760 --> 0:48:30.560
<v Speaker 1>a huge fan of the episode. I ended up really

0:48:30.640 --> 0:48:34.600
<v Speaker 1>enjoying it. Do you have any particular memories of Phil Leads?

0:48:35.040 --> 0:48:46.960
<v Speaker 5>Oh? Yeah, Phil.

0:48:44.520 --> 0:48:46.600
<v Speaker 4>Didn't want to Phil.

0:48:47.239 --> 0:48:52.200
<v Speaker 5>He had a litany of jokes. Yeah, dirty jokes. Yeah.

0:48:52.239 --> 0:48:54.239
<v Speaker 5>And I don't know if he I asked him at

0:48:54.280 --> 0:48:58.080
<v Speaker 5>one point please refrain really. Oh yeah, no, I to

0:48:58.080 --> 0:48:59.920
<v Speaker 5>please because you know it's like Buddy Hackett.

0:49:00.480 --> 0:49:04.319
<v Speaker 2>Yeah, oh please, Can we talk about Buddy? I want that.

0:49:04.440 --> 0:49:04.839
<v Speaker 2>I want that.

0:49:04.880 --> 0:49:06.600
<v Speaker 3>Wait do you I have to I have to first

0:49:06.600 --> 0:49:09.840
<v Speaker 3>ask do you remember any Phil Leads jokes?

0:49:10.040 --> 0:49:10.440
<v Speaker 1>Jokes?

0:49:10.680 --> 0:49:12.960
<v Speaker 5>Oh no, I don't know. God, I wish I did.

0:49:13.000 --> 0:49:14.640
<v Speaker 5>But all I know is that he would crack these

0:49:14.680 --> 0:49:16.360
<v Speaker 5>jokes and they were, you know, in his delivery was

0:49:16.440 --> 0:49:21.120
<v Speaker 5>just the best and very ride roll and and uh

0:49:21.280 --> 0:49:24.040
<v Speaker 5>but no, I don't remember. All I remember is being

0:49:24.160 --> 0:49:25.319
<v Speaker 5>shocked half the time, like.

0:49:26.200 --> 0:49:27.479
<v Speaker 1>I can't believe he just said that.

0:49:28.800 --> 0:49:32.880
<v Speaker 5>Yoke and and I was always like saying, okay, Phil,

0:49:34.080 --> 0:49:37.480
<v Speaker 5>you know, Michael loved it. I mean, Michael loved Phil

0:49:37.640 --> 0:49:43.880
<v Speaker 5>and and and so I don't know, I don't know

0:49:43.920 --> 0:49:47.480
<v Speaker 5>if the joke played, you know, and he's announcing the show.

0:49:47.840 --> 0:49:53.439
<v Speaker 1>He's so generate, it's I don't know. Yeah, I don't

0:49:53.440 --> 0:49:55.200
<v Speaker 1>know when you listened to that one, because it's the

0:49:55.239 --> 0:49:59.640
<v Speaker 1>one that just came out, like, okay, it is, and

0:49:59.680 --> 0:50:02.319
<v Speaker 1>we talk about it, the fact that he's the that

0:50:02.360 --> 0:50:05.640
<v Speaker 1>he's the only thing that stays, and but his delivery

0:50:05.680 --> 0:50:07.960
<v Speaker 1>doesn't even change. It's just that you added.

0:50:09.840 --> 0:50:13.360
<v Speaker 2>The layer onto that episode of like production in jokes,

0:50:13.400 --> 0:50:15.560
<v Speaker 2>like the fact that the production value of the show

0:50:15.640 --> 0:50:19.480
<v Speaker 2>keeps upping while the entertainrating are so clever man, and

0:50:19.480 --> 0:50:22.239
<v Speaker 2>it totally works. It's like, yeah, I did not like.

0:50:23.760 --> 0:50:26.040
<v Speaker 4>The I was like, okay, yeah.

0:50:26.400 --> 0:50:28.880
<v Speaker 1>He started off being like it was an episode, and

0:50:29.480 --> 0:50:31.279
<v Speaker 1>writer was like I liked it, and I was like,

0:50:31.360 --> 0:50:33.719
<v Speaker 1>oh my god, guys, I love this episode. And by

0:50:33.719 --> 0:50:35.280
<v Speaker 1>the time we were done, Will's like, it's.

0:50:35.120 --> 0:50:38.920
<v Speaker 4>The best episode, the best episode we've ever done.

0:50:39.200 --> 0:50:42.239
<v Speaker 5>You know, the geness of it, right, the genesis. You know,

0:50:42.280 --> 0:50:43.360
<v Speaker 5>we did the movie Quiz.

0:50:43.120 --> 0:50:46.040
<v Speaker 4>Show, we talked about this yeah.

0:50:45.840 --> 0:50:48.520
<v Speaker 5>We thought, okay, let's let's do something on our show

0:50:48.560 --> 0:50:50.120
<v Speaker 5>that kind of mirrors that, you know.

0:51:02.760 --> 0:51:04.759
<v Speaker 2>Can we can we go back to Buddy Hackett and

0:51:04.760 --> 0:51:06.880
<v Speaker 2>Super Sales. What do you remember about that week and

0:51:07.080 --> 0:51:08.799
<v Speaker 2>did we have an audience with them or did we

0:51:08.880 --> 0:51:12.839
<v Speaker 2>refuse you remember they were no.

0:51:13.040 --> 0:51:20.200
<v Speaker 5>We I think we pre taped him. Here is why,

0:51:20.640 --> 0:51:24.919
<v Speaker 5>because remember when we was wonderful to pre tap because

0:51:24.960 --> 0:51:27.839
<v Speaker 5>you know, we would gave us a break and and

0:51:27.840 --> 0:51:30.520
<v Speaker 5>and the audience could see something all the way through

0:51:31.120 --> 0:51:34.120
<v Speaker 5>without stopping and starting or and then moving right into

0:51:34.160 --> 0:51:37.160
<v Speaker 5>the next next piece. Uh. It was, it was. It

0:51:37.200 --> 0:51:41.160
<v Speaker 5>was always nice to have that pre shooting on Thursdays.

0:51:41.320 --> 0:51:44.879
<v Speaker 5>But I I remember, I think soupy, and I think

0:51:44.880 --> 0:51:47.600
<v Speaker 5>it was I think it was about dates. I think

0:51:47.640 --> 0:51:50.080
<v Speaker 5>Buddy had a date in Vegas or something he had

0:51:50.120 --> 0:51:53.520
<v Speaker 5>to get to. We had to get him in out soup.

0:51:53.520 --> 0:51:57.440
<v Speaker 5>He was more affable, you know, in terms of or

0:51:57.480 --> 0:52:02.239
<v Speaker 5>I should say nollable with the schedule he was. He

0:52:02.280 --> 0:52:04.960
<v Speaker 5>was able to. But but I remember Buddy had to

0:52:05.000 --> 0:52:09.839
<v Speaker 5>come and go, you know. So I think I think we, yeah, we.

0:52:09.120 --> 0:52:10.960
<v Speaker 3>Could any of it been done in front of the audience,

0:52:11.000 --> 0:52:13.000
<v Speaker 3>because I have a very distinct memory that I talk

0:52:13.040 --> 0:52:15.120
<v Speaker 3>about on the podcast of him saying, oh, that was

0:52:15.160 --> 0:52:18.680
<v Speaker 3>a premature ejaculation and the whole audience going oh yeah,

0:52:18.719 --> 0:52:20.239
<v Speaker 3>and it was like.

0:52:19.800 --> 0:52:24.120
<v Speaker 5>No, you're right. There was one scene we did so

0:52:24.239 --> 0:52:27.240
<v Speaker 5>maybe maybe no I remember that, well.

0:52:27.520 --> 0:52:32.520
<v Speaker 1>Yeah, may have happened in front of network run through,

0:52:32.680 --> 0:52:35.800
<v Speaker 1>and that it still got the whole stage to react

0:52:35.880 --> 0:52:38.319
<v Speaker 1>that way, and that was it.

0:52:38.480 --> 0:52:41.080
<v Speaker 5>I remember when he said that. I think that was also, yeah, No,

0:52:41.160 --> 0:52:44.920
<v Speaker 5>I remember that. No, I do. No. We were all

0:52:44.920 --> 0:52:46.880
<v Speaker 5>nervous about him, but we loved him. I mean, he

0:52:46.960 --> 0:52:48.840
<v Speaker 5>was so much fun to be around, and he was

0:52:48.960 --> 0:52:49.800
<v Speaker 5>just a character.

0:52:49.920 --> 0:52:52.160
<v Speaker 6>Oh my god, stories never stopped.

0:52:52.280 --> 0:52:55.279
<v Speaker 5>Stories, the stories, the stories, and him and SUPI together

0:52:55.320 --> 0:52:58.239
<v Speaker 5>were just wonderful. I mean, first there was just like

0:52:58.760 --> 0:53:02.200
<v Speaker 5>a contention like who's gonna be funnier? You know, who's

0:53:02.239 --> 0:53:03.000
<v Speaker 5>got the funnier line?

0:53:03.080 --> 0:53:05.360
<v Speaker 1>We heard there was a competition about how many lines

0:53:05.400 --> 0:53:05.920
<v Speaker 1>each person.

0:53:06.560 --> 0:53:09.520
<v Speaker 5>Absolutely, they were like they were like going over it

0:53:09.680 --> 0:53:14.840
<v Speaker 5>like by letter, you know, and so we're like, Okay,

0:53:14.880 --> 0:53:17.640
<v Speaker 5>this is gonna be fun. But as soon as they

0:53:17.640 --> 0:53:20.759
<v Speaker 5>got into the characters, you know, and they could play

0:53:20.800 --> 0:53:23.600
<v Speaker 5>off each other a little bit, they were they were fine,

0:53:23.640 --> 0:53:26.560
<v Speaker 5>you know, they were fine. But yeah, that that was

0:53:26.960 --> 0:53:30.320
<v Speaker 5>during rehearsals, it was always about I'm gonna be a

0:53:30.360 --> 0:53:33.279
<v Speaker 5>little louder, i wanna be a little funnier, you know,

0:53:33.320 --> 0:53:36.440
<v Speaker 5>there was a little more, you know, it was it

0:53:36.520 --> 0:53:38.759
<v Speaker 5>was definitely funny to watch, you know, but I knew

0:53:38.840 --> 0:53:42.120
<v Speaker 5>by the time the cameras rolled, these guys were pros

0:53:42.160 --> 0:53:44.000
<v Speaker 5>and they and they they were great.

0:53:44.160 --> 0:53:47.600
<v Speaker 1>You well, also with season four, there's a lot of

0:53:47.640 --> 0:53:51.719
<v Speaker 1>the Hunter trailer. Around this time, there's this new set,

0:53:51.880 --> 0:53:54.719
<v Speaker 1>a new dynamic, and we think if somebody had just

0:53:54.800 --> 0:53:58.440
<v Speaker 1>started watching the show around there this time, there's no

0:53:58.600 --> 0:54:01.879
<v Speaker 1>way you could convince them that the boy in Boy

0:54:01.920 --> 0:54:05.760
<v Speaker 1>Meets World was anyone other than writer and writer and Will.

0:54:05.960 --> 0:54:09.600
<v Speaker 1>The episodes just seemed to keep flipping between which one

0:54:09.640 --> 0:54:13.640
<v Speaker 1>of them was driving the episodes. So was with all

0:54:13.640 --> 0:54:16.640
<v Speaker 1>of that going on, was there ever any talk about

0:54:16.719 --> 0:54:20.200
<v Speaker 1>the shift in focus or was it just organic?

0:54:21.600 --> 0:54:27.480
<v Speaker 5>I remember there was there was a with a studio

0:54:27.560 --> 0:54:32.319
<v Speaker 5>and the network. You know, it was very funny. You know,

0:54:33.480 --> 0:54:36.160
<v Speaker 5>we never really had a bible for the season. We

0:54:36.280 --> 0:54:38.160
<v Speaker 5>never you know, we all we didn't say, oh, this

0:54:38.200 --> 0:54:40.719
<v Speaker 5>is what's going to happen overall in the season that

0:54:40.760 --> 0:54:43.960
<v Speaker 5>never really took pay. Michael would and when the studios

0:54:43.960 --> 0:54:46.880
<v Speaker 5>that we want this, the networks that we want this,

0:54:47.080 --> 0:54:49.520
<v Speaker 5>Michael would say yeah. He would glad hand them and say,

0:54:49.560 --> 0:54:53.400
<v Speaker 5>of course yes. He would immediately tell him what He

0:54:53.400 --> 0:54:56.000
<v Speaker 5>would immediately turn what they said to him into what

0:54:56.040 --> 0:54:59.640
<v Speaker 5>he wanted. He was masterful at that. And then they

0:54:59.640 --> 0:55:01.960
<v Speaker 5>were they would not because he's telling him that he

0:55:02.120 --> 0:55:06.319
<v Speaker 5>was convincing him that he was taking their note, but

0:55:07.000 --> 0:55:09.440
<v Speaker 5>he was going to do it his way, so and

0:55:09.480 --> 0:55:11.719
<v Speaker 5>they understood that too. But but but the bottom line

0:55:11.800 --> 0:55:15.320
<v Speaker 5>was I think that Michael always had a keen sense

0:55:15.440 --> 0:55:19.560
<v Speaker 5>of the stories he wanted to tell, the areas he

0:55:19.640 --> 0:55:25.799
<v Speaker 5>wanted to explore. And I think Fishing for Verna, just

0:55:25.800 --> 0:55:28.880
<v Speaker 5>to give you a quick that was the most And

0:55:28.920 --> 0:55:31.120
<v Speaker 5>when you say one of the hardest shows I had

0:55:31.120 --> 0:55:34.839
<v Speaker 5>to direct, I would say Sixteen Candles was the tough

0:55:35.080 --> 0:55:40.640
<v Speaker 5>production wise, but Fishing and Verna was the most personally

0:55:40.680 --> 0:55:45.320
<v Speaker 5>difficult to direct. And there's why my dad abandoned me

0:55:45.360 --> 0:55:48.520
<v Speaker 5>when I was eleven years old, the oldest of four kids,

0:55:48.560 --> 0:55:50.960
<v Speaker 5>and he abandoned my mom and us, and we had

0:55:50.960 --> 0:55:53.560
<v Speaker 5>no money and we had to go live in the

0:55:53.560 --> 0:55:57.000
<v Speaker 5>ghetto of Chicago, and and figure out how to survive.

0:55:58.120 --> 0:56:06.080
<v Speaker 5>So mm hmm, when when Verna, when that that storyline

0:56:06.120 --> 0:56:09.720
<v Speaker 5>came up with my Explorer, it was kind of feeding

0:56:09.800 --> 0:56:13.560
<v Speaker 5>off story and and and then my dad never came back.

0:56:13.600 --> 0:56:16.960
<v Speaker 5>I didn't see him. He took off. And and so

0:56:17.960 --> 0:56:21.319
<v Speaker 5>the fact that she came back was kind of great

0:56:21.400 --> 0:56:24.839
<v Speaker 5>because it kind of gave me a chance to live

0:56:24.920 --> 0:56:29.879
<v Speaker 5>vicariously as if. Oh my god, it was very intense. Writer.

0:56:30.239 --> 0:56:34.000
<v Speaker 5>So when you were doing that episode, I watched you

0:56:34.120 --> 0:56:37.120
<v Speaker 5>very carefully. You were you know, you you really hit

0:56:37.200 --> 0:56:40.680
<v Speaker 5>all the notes beautifully, really beautifully. And I and I

0:56:40.719 --> 0:56:43.600
<v Speaker 5>there's very little I could tell you instinctively coming from

0:56:43.600 --> 0:56:48.640
<v Speaker 5>a healthy, well adjusted family and being the great young

0:56:48.680 --> 0:56:52.560
<v Speaker 5>man you were, Uh, you understood it. You you you

0:56:52.719 --> 0:56:56.160
<v Speaker 5>had a sense about it. You know, you could identify

0:56:56.320 --> 0:56:59.600
<v Speaker 5>with with being abandoned. I don't know if your personal

0:56:59.640 --> 0:57:01.440
<v Speaker 5>life was at that point with girls or whatnot, but

0:57:01.680 --> 0:57:06.600
<v Speaker 5>you totally hooked into what it was to be abandoned.

0:57:06.920 --> 0:57:08.919
<v Speaker 1>Yeah. His empathy has always been through the roof.

0:57:09.040 --> 0:57:14.160
<v Speaker 5>Yeah, always, And so that was wonderful. You gave me

0:57:14.239 --> 0:57:17.120
<v Speaker 5>a great release in that episode to be able to

0:57:17.120 --> 0:57:20.400
<v Speaker 5>direct you in that show and watch you navigate that

0:57:20.480 --> 0:57:24.640
<v Speaker 5>emotional arc and taking care of your dad.

0:57:24.920 --> 0:57:29.160
<v Speaker 2>That's funny because I actually didn't remember the specific your

0:57:29.160 --> 0:57:33.240
<v Speaker 2>own personal history, but I always felt that Sean and

0:57:33.320 --> 0:57:36.920
<v Speaker 2>Jeff McCracken were kind of of a piece of it,

0:57:37.120 --> 0:57:40.680
<v Speaker 2>like and I remember thinking that, Like I remember talking

0:57:40.720 --> 0:57:47.240
<v Speaker 2>to you about avoiding people and avoiding confrontation, and you

0:57:47.280 --> 0:57:51.080
<v Speaker 2>were We just had great conversations about, you know, acting conversations,

0:57:51.080 --> 0:57:53.000
<v Speaker 2>and I feel like for me, and this makes sense

0:57:53.040 --> 0:57:55.000
<v Speaker 2>now because in my mind it was like, well, Jeff

0:57:55.200 --> 0:57:58.200
<v Speaker 2>was Jeff is the touchstone for how Sean was as

0:57:58.200 --> 0:57:59.959
<v Speaker 2>a team. I always in my mind you were Sewn

0:58:00.040 --> 0:58:02.600
<v Speaker 2>as a teenager. That's how I remember it. And it

0:58:02.640 --> 0:58:05.840
<v Speaker 2>was like Matt Nelson was writing the voice of Sean

0:58:06.160 --> 0:58:09.680
<v Speaker 2>in the like sort of sentimentality, but like you were

0:58:10.080 --> 0:58:12.960
<v Speaker 2>the Shawn who like, yeah, I was good with the ladies,

0:58:13.000 --> 0:58:15.840
<v Speaker 2>but it was like totally emotionally avoidant. Like that's that's

0:58:16.000 --> 0:58:18.400
<v Speaker 2>in my mind. So yeah, you communicated that to me

0:58:18.440 --> 0:58:19.800
<v Speaker 2>and we we built that together.

0:58:19.840 --> 0:58:21.439
<v Speaker 6>It's so fun Oh wow.

0:58:21.440 --> 0:58:23.160
<v Speaker 5>Yeah, So that's that was the thing. And the in

0:58:23.200 --> 0:58:24.640
<v Speaker 5>fact that you took care of your dad like that

0:58:24.760 --> 0:58:27.960
<v Speaker 5>and became closer to him by virtue of that wanting

0:58:28.000 --> 0:58:30.920
<v Speaker 5>to be a better dad all of that. I was like, whoa,

0:58:31.000 --> 0:58:34.040
<v Speaker 5>this is like entering areas that i've you know, got

0:58:34.160 --> 0:58:36.080
<v Speaker 5>I got a chance to heal a little bit, you know.

0:58:37.560 --> 0:58:39.600
<v Speaker 5>But it's but it's it was, it was. It was

0:58:39.640 --> 0:58:43.040
<v Speaker 5>monumental for me that show is difficult. But then I'll

0:58:43.040 --> 0:58:47.000
<v Speaker 5>probably personally very rewarding, you know.

0:58:47.400 --> 0:58:48.960
<v Speaker 3>But that's I mean, that's one of the reasons why

0:58:49.000 --> 0:58:53.040
<v Speaker 3>I think season four was so good is that we

0:58:53.360 --> 0:58:58.880
<v Speaker 3>always felt your emotional connection to the show and to us. Yeah,

0:58:58.880 --> 0:59:02.600
<v Speaker 3>and so I think that just translated to a set

0:59:02.720 --> 0:59:05.240
<v Speaker 3>that we were all family and part of a team,

0:59:05.440 --> 0:59:07.640
<v Speaker 3>and it was just yeah, we were all there together,

0:59:07.840 --> 0:59:08.040
<v Speaker 3>and we.

0:59:08.080 --> 0:59:09.400
<v Speaker 4>Took seriously yes.

0:59:09.440 --> 0:59:12.080
<v Speaker 2>And it never like just stand over there, why because

0:59:12.120 --> 0:59:14.600
<v Speaker 2>you should, which is what directors do. Like you have

0:59:14.680 --> 0:59:16.680
<v Speaker 2>directors that say that, we have many of them on

0:59:16.720 --> 0:59:17.000
<v Speaker 2>this show.

0:59:17.000 --> 0:59:17.160
<v Speaker 5>You know.

0:59:17.160 --> 0:59:18.320
<v Speaker 2>It's just like you got to stand over here, then

0:59:18.320 --> 0:59:20.560
<v Speaker 2>you go over here, it's for camera, do it. You

0:59:20.600 --> 0:59:24.400
<v Speaker 2>never never gave us that. It was always like, why

0:59:24.440 --> 0:59:25.880
<v Speaker 2>don't you want to do it, let's talk about it,

0:59:25.960 --> 0:59:26.640
<v Speaker 2>let's take the time.

0:59:27.120 --> 0:59:28.160
<v Speaker 4>We were all in it together.

0:59:28.320 --> 0:59:30.400
<v Speaker 3>We just always felt like we were all in it together,

0:59:30.480 --> 0:59:32.440
<v Speaker 3>like you were part of the ensemble, and it was

0:59:32.520 --> 0:59:34.960
<v Speaker 3>it just made everything. I mean we've literally pointed out

0:59:34.960 --> 0:59:38.760
<v Speaker 3>on the show, especially with me, where there are times

0:59:38.800 --> 0:59:41.120
<v Speaker 3>where my performance is not as good and Writer will

0:59:41.160 --> 0:59:42.400
<v Speaker 3>be like, well did you see who directed it?

0:59:42.400 --> 0:59:43.800
<v Speaker 4>And it's somebody else directed it.

0:59:43.840 --> 0:59:46.320
<v Speaker 3>Like there was just something that was You made it

0:59:46.440 --> 0:59:49.080
<v Speaker 3>very comfortable to where you got the best performances.

0:59:49.120 --> 0:59:51.200
<v Speaker 4>I mean, just you could tell and season four.

0:59:51.280 --> 0:59:54.320
<v Speaker 3>I don't think it's a mistake that so far season

0:59:54.320 --> 0:59:55.800
<v Speaker 3>four and from what we've heard, season four is the

0:59:55.800 --> 0:59:58.400
<v Speaker 3>pinnacle of the show, and that you directed the entire season.

0:59:58.400 --> 1:00:01.920
<v Speaker 3>Either that's not, that's not by those two things are

1:00:01.960 --> 1:00:02.360
<v Speaker 3>the same.

1:00:02.960 --> 1:00:05.280
<v Speaker 4>So it was. I mean we felt that the whole time.

1:00:05.360 --> 1:00:06.160
<v Speaker 4>So it was amazing.

1:00:06.320 --> 1:00:09.080
<v Speaker 1>Well, there are two more episodes I specifically want to highlight.

1:00:09.240 --> 1:00:13.000
<v Speaker 1>One of them is Chick Like Me. It's just such

1:00:13.400 --> 1:00:17.560
<v Speaker 1>an iconic episode of our show, and to everyone's credit,

1:00:18.200 --> 1:00:21.600
<v Speaker 1>did not make us feel cringey, even with our twenty

1:00:21.640 --> 1:00:25.680
<v Speaker 1>twenty four eyes. So kudos to everybody. What are your

1:00:25.760 --> 1:00:30.040
<v Speaker 1>memories of Writer and Ben dressing as their female counterparts?

1:00:30.240 --> 1:00:34.120
<v Speaker 5>Well, I just never had so much fun on that show.

1:00:34.520 --> 1:00:37.040
<v Speaker 5>That was one of those great, great fun shows that

1:00:37.160 --> 1:00:40.840
<v Speaker 5>were you could do no wrong, just put those guys

1:00:40.840 --> 1:00:43.040
<v Speaker 5>in dresses and oh my god, just gallelight. You know,

1:00:43.840 --> 1:00:45.760
<v Speaker 5>you know a lot of the homage that Michael would do.

1:00:45.800 --> 1:00:47.720
<v Speaker 5>You know, he has a lot of favorite shows, you know,

1:00:48.480 --> 1:00:51.040
<v Speaker 5>like A Hot the Odd, Unculpable. I mean you can

1:00:51.120 --> 1:00:55.160
<v Speaker 5>see his influences and imbued into these shows and their

1:00:55.240 --> 1:00:58.600
<v Speaker 5>relationships with different episodes and A New Leaf, all these

1:00:58.720 --> 1:01:01.720
<v Speaker 5>there's all these moments said he just adores and films

1:01:01.920 --> 1:01:04.120
<v Speaker 5>that he brought to the table A New Leaf.

1:01:04.160 --> 1:01:08.160
<v Speaker 6>I just watched that recently. Movies, what are a masterpiece?

1:01:08.320 --> 1:01:09.160
<v Speaker 5>A masterpiece?

1:01:10.640 --> 1:01:14.080
<v Speaker 2>Blaine May totally missed masterpiece? Yeah, all of her about

1:01:14.080 --> 1:01:16.280
<v Speaker 2>all of Elaine May stuff is missed. Ishtar just go

1:01:16.280 --> 1:01:17.720
<v Speaker 2>watch your start. It's brilliant, I know.

1:01:18.280 --> 1:01:18.600
<v Speaker 5>Isn't it.

1:01:18.640 --> 1:01:19.640
<v Speaker 4>Though it's brilliant.

1:01:19.680 --> 1:01:22.919
<v Speaker 2>It's for you. Will you have to watch A New Leaf.

1:01:22.960 --> 1:01:25.439
<v Speaker 2>The first like forty five minutes of A New Leaf.

1:01:25.480 --> 1:01:28.320
<v Speaker 2>I was crying, laughing. I have not laughed that hard.

1:01:28.680 --> 1:01:29.320
<v Speaker 5>A genius.

1:01:29.360 --> 1:01:30.680
<v Speaker 4>Elaine May is a genius.

1:01:31.400 --> 1:01:35.800
<v Speaker 2>Yeah, it's incredible, justas the horse down and walking.

1:01:36.320 --> 1:01:38.320
<v Speaker 4>Yeah, I gotta watch it.

1:01:38.640 --> 1:01:42.440
<v Speaker 5>Oh my god, it's so funny. You love it anyway,

1:01:42.480 --> 1:01:47.120
<v Speaker 5>but we're talking about we don't know, like so no

1:01:47.240 --> 1:01:50.440
<v Speaker 5>the dresses when when I never knew I mean when

1:01:50.440 --> 1:01:52.360
<v Speaker 5>you guys would look like in dresses and stuff. They

1:01:52.360 --> 1:01:54.320
<v Speaker 5>did a phenomenal job with the both of you, you know,

1:01:55.000 --> 1:02:00.320
<v Speaker 5>and Ben was so funny because he has the thing

1:02:00.360 --> 1:02:05.200
<v Speaker 5>about him there's a certain there's a certain uh uh

1:02:05.880 --> 1:02:09.040
<v Speaker 5>Quirky has with his head that he can he does

1:02:09.080 --> 1:02:12.840
<v Speaker 5>his head and it was so perfect for the chick, you.

1:02:12.760 --> 1:02:16.040
<v Speaker 1>Know, Cora when he was was so great and then

1:02:16.080 --> 1:02:16.600
<v Speaker 1>he looks.

1:02:16.400 --> 1:02:20.920
<v Speaker 5>In the mess, it's just perfect. So then so then

1:02:20.920 --> 1:02:23.000
<v Speaker 5>when he when winner says oh no, no, no no,

1:02:23.080 --> 1:02:25.880
<v Speaker 5>and then you peek out from around the corner. My god,

1:02:26.040 --> 1:02:28.320
<v Speaker 5>it was went absolutely crazy and I have to remember,

1:02:29.200 --> 1:02:40.920
<v Speaker 5>you know, guys were like going, hey man looking it

1:02:41.000 --> 1:02:44.760
<v Speaker 5>was really yeah, but so I it was a good ramp,

1:02:44.800 --> 1:02:48.200
<v Speaker 5>and yeah it was. It was really great. Though is

1:02:48.240 --> 1:02:53.800
<v Speaker 5>the fact that the underlying dynamic was just so so well.

1:02:53.920 --> 1:02:55.320
<v Speaker 1>The message is so impactful.

1:02:55.400 --> 1:02:56.160
<v Speaker 4>Yeah, it really is.

1:02:56.360 --> 1:03:00.600
<v Speaker 5>Written it still works, That's what I'm saying. Yeah, that's

1:03:00.600 --> 1:03:04.040
<v Speaker 5>an interesting thing that you just brought up. Will still works.

1:03:04.520 --> 1:03:07.680
<v Speaker 5>What do you think I mean this show's got legs

1:03:07.680 --> 1:03:11.280
<v Speaker 5>because you think the shows are still resonate with young adults,

1:03:11.280 --> 1:03:14.080
<v Speaker 5>and that the core values of the show. I mean,

1:03:14.520 --> 1:03:18.680
<v Speaker 5>you think there's still relevant given today's attitudes and mora's

1:03:18.720 --> 1:03:20.440
<v Speaker 5>and morals.

1:03:20.600 --> 1:03:24.640
<v Speaker 3>I mean yeah, I mean so far, I would say yes, overall,

1:03:24.720 --> 1:03:28.120
<v Speaker 3>I think they are. And I also think, frankly a

1:03:28.240 --> 1:03:31.720
<v Speaker 3>type of show like this that speaks to a certain

1:03:31.760 --> 1:03:34.360
<v Speaker 3>type of morality without shoving it down your throat. I

1:03:34.400 --> 1:03:36.720
<v Speaker 3>think a lot of people are missing that. I think

1:03:37.400 --> 1:03:39.000
<v Speaker 3>one of the things we keep hearing is there are

1:03:39.000 --> 1:03:41.040
<v Speaker 3>no shows like Boy Mets World anymore? Where are the

1:03:41.040 --> 1:03:42.840
<v Speaker 3>shows like this? Why can't we get a show like

1:03:42.880 --> 1:03:45.840
<v Speaker 3>this anymore? So, yes, I think it's another reason generation

1:03:45.880 --> 1:03:47.960
<v Speaker 3>after generation are finding the show, not only because the

1:03:49.080 --> 1:03:52.160
<v Speaker 3>it's still relevant to this day, that it tackled subjects

1:03:52.240 --> 1:03:54.120
<v Speaker 3>like this without being cringey. I know that we have

1:03:54.320 --> 1:03:56.400
<v Speaker 3>episodes downline, like when I put on the dress, it's

1:03:56.440 --> 1:03:58.880
<v Speaker 3>going to be very cringey because it's just for a joke.

1:03:59.440 --> 1:04:01.960
<v Speaker 3>It's just it's it's not played at all to learn anything.

1:04:02.080 --> 1:04:05.680
<v Speaker 3>Eric doesn't learn anything. It's just being ridiculous. That stuff's

1:04:05.680 --> 1:04:07.760
<v Speaker 3>going to be cringey. This stuff like Chick Like Me

1:04:07.920 --> 1:04:10.600
<v Speaker 3>was you could watch, We watch it and we were

1:04:10.640 --> 1:04:12.960
<v Speaker 3>all like, ugh, I wonder what this is going to be,

1:04:13.000 --> 1:04:14.240
<v Speaker 3>like we haven't seen it in a while, and we

1:04:14.280 --> 1:04:14.640
<v Speaker 3>all saw it.

1:04:14.640 --> 1:04:19.000
<v Speaker 4>We're like, no, this totally works up still, so absolutely.

1:04:19.960 --> 1:04:23.520
<v Speaker 5>Yeah. That's the thing about most Almost every episode has

1:04:23.520 --> 1:04:27.520
<v Speaker 5>a laugh out loud moment that I just absolutely ented.

1:04:27.760 --> 1:04:31.840
<v Speaker 1>You know, well, glad you said it. Yeah, because one

1:04:31.880 --> 1:04:33.520
<v Speaker 1>episode that doesn't really have a whole bunch of laugh

1:04:33.520 --> 1:04:35.520
<v Speaker 1>out loud moments is cult fiction.

1:04:37.280 --> 1:04:38.560
<v Speaker 5>I was laughing, but not.

1:04:39.720 --> 1:04:43.800
<v Speaker 1>This episode was wild. We've got Sean dealing with what

1:04:43.840 --> 1:04:47.600
<v Speaker 1>we have to assume is a version of scientology, and

1:04:47.640 --> 1:04:52.439
<v Speaker 1>then Turner is thrown into a coma and Alan says

1:04:52.440 --> 1:04:55.600
<v Speaker 1>he's going to kill Jerry Levine at one point kill

1:04:56.760 --> 1:04:59.520
<v Speaker 1>it has for sure. It has the least amount of

1:04:59.600 --> 1:05:03.480
<v Speaker 1>laughs in a Boy Meets World episode up until this point.

1:05:04.040 --> 1:05:06.000
<v Speaker 5>Good point, good point. You know. One of the things

1:05:06.000 --> 1:05:09.440
<v Speaker 5>I don't like bring up the musical stings. I hate them.

1:05:11.160 --> 1:05:13.400
<v Speaker 5>I think they're soap opery and they were not needed.

1:05:13.720 --> 1:05:20.600
<v Speaker 5>They should you know, Ray brilliant, Yes, he overdid it,

1:05:20.640 --> 1:05:22.720
<v Speaker 5>you know, and and and Michael didn't say no, so

1:05:22.880 --> 1:05:26.320
<v Speaker 5>I I just maybe the network was saying we need more.

1:05:26.440 --> 1:05:29.160
<v Speaker 5>I don't know, but I never heard that. I just

1:05:29.280 --> 1:05:33.280
<v Speaker 5>know that that was raised proclivity and and uh to

1:05:33.280 --> 1:05:37.680
<v Speaker 5>to over music. It sometimes tamp it down, Ray, tamp

1:05:37.720 --> 1:05:42.040
<v Speaker 5>it down. You know, this is not about you, but uh,

1:05:42.120 --> 1:05:43.920
<v Speaker 5>but those stings, I hate it, you know, I just

1:05:44.000 --> 1:05:46.840
<v Speaker 5>did not like them. It was telegraphing the sentimentality, and

1:05:46.880 --> 1:05:48.880
<v Speaker 5>I didn't like it at all. I thought, you've done

1:05:48.880 --> 1:05:51.720
<v Speaker 5>the work. You don't need to, you know, sak over

1:05:51.760 --> 1:05:54.720
<v Speaker 5>the head. Leave it alone. But that was that's my

1:05:54.840 --> 1:05:59.240
<v Speaker 5>own really pet peeve on the show. Anyway, back to

1:06:01.000 --> 1:06:03.760
<v Speaker 5>Cold Fiction, I thought Jerry Levine, Let mean, he's a

1:06:03.760 --> 1:06:07.280
<v Speaker 5>buddy of Michael's in mind more Michael. He grew up

1:06:07.280 --> 1:06:11.080
<v Speaker 5>with Michael in New Jersey, and uh, I met Jerry

1:06:11.120 --> 1:06:14.160
<v Speaker 5>through Michael in New York and his wife Nina Tassler,

1:06:14.240 --> 1:06:17.200
<v Speaker 5>who was ahead of CBS at one point, and they're

1:06:17.280 --> 1:06:18.760
<v Speaker 5>just they were great people. We hung out in New

1:06:18.840 --> 1:06:20.680
<v Speaker 5>York all the time together. So when Jerry was going

1:06:20.760 --> 1:06:24.040
<v Speaker 5>to do this episode, I didn't know if he could

1:06:24.080 --> 1:06:26.439
<v Speaker 5>do it. You know, I don't know what his take

1:06:26.560 --> 1:06:27.800
<v Speaker 5>was going to be on it, and I thought he

1:06:27.880 --> 1:06:31.000
<v Speaker 5>was not perfect because he balanced this this dynamic of

1:06:31.040 --> 1:06:35.520
<v Speaker 5>being charming sleazy, but also you really seem to It's

1:06:35.520 --> 1:06:39.920
<v Speaker 5>a very genuine at times because the kind of disarming

1:06:39.960 --> 1:06:43.000
<v Speaker 5>thing about him and why I believe that that that

1:06:43.120 --> 1:06:48.120
<v Speaker 5>Sean could like give him and that's why, you know,

1:06:48.160 --> 1:06:52.720
<v Speaker 5>and I thought, and also real quickly, everything we gave you, guys,

1:06:53.040 --> 1:06:55.600
<v Speaker 5>drama or comedy, we would we would throw the we

1:06:55.640 --> 1:06:58.959
<v Speaker 5>would throw the curveball, the slider, we we we threw

1:06:59.000 --> 1:07:02.400
<v Speaker 5>so much at you. You always delivered. You always found

1:07:02.440 --> 1:07:06.640
<v Speaker 5>a way into it. And uh, without you know, over

1:07:06.680 --> 1:07:09.960
<v Speaker 5>sentimentality or without being over dramatic, or without being too

1:07:10.000 --> 1:07:13.200
<v Speaker 5>clownish or too crazy. There was a nice medium for

1:07:13.240 --> 1:07:14.760
<v Speaker 5>the most part. And there's a couple of times I

1:07:14.760 --> 1:07:17.240
<v Speaker 5>see things I go, well, that was a Michael oof,

1:07:17.320 --> 1:07:20.840
<v Speaker 5>you know, and it seemed a little bit unnatural sometimes

1:07:20.840 --> 1:07:23.560
<v Speaker 5>where this or that, but it was still funny, it

1:07:23.600 --> 1:07:26.960
<v Speaker 5>was still great. But I always was amazed at how

1:07:27.000 --> 1:07:30.280
<v Speaker 5>you guys always took what we gave you and and

1:07:30.280 --> 1:07:34.720
<v Speaker 5>and rose to the occasion and cult fiction, you know.

1:07:34.960 --> 1:07:38.280
<v Speaker 5>With the writer most it was probably the most difficult transition,

1:07:38.640 --> 1:07:43.440
<v Speaker 5>I think, almost ane show of the season, because he

1:07:43.560 --> 1:07:45.600
<v Speaker 5>had to go from this kid who's kind of like

1:07:45.880 --> 1:07:48.840
<v Speaker 5>a little lost but still he's he's a rebel, he's

1:07:49.040 --> 1:07:52.480
<v Speaker 5>this guy, is self possessed, he's cocky, he's this, he's that,

1:07:52.560 --> 1:07:54.560
<v Speaker 5>And all of a sudden, he goes into this zone

1:07:54.640 --> 1:07:58.320
<v Speaker 5>of of insecurity and low self esteem and no self

1:07:58.360 --> 1:08:00.760
<v Speaker 5>worth and and then all of a sudd he's he's

1:08:00.800 --> 1:08:03.360
<v Speaker 5>scubbled up by this this girl and brought to this

1:08:03.360 --> 1:08:05.480
<v Speaker 5>this cult center, and he kind of finds a home.

1:08:08.960 --> 1:08:12.000
<v Speaker 3>No, no, I mean he's he's in the cult for

1:08:12.040 --> 1:08:14.560
<v Speaker 3>an hour and he's in hook Line.

1:08:14.760 --> 1:08:16.680
<v Speaker 1>Yeah, exactly. But he has to take that journey in

1:08:16.880 --> 1:08:19.160
<v Speaker 1>what we believe is an hour exactly.

1:08:19.320 --> 1:08:21.800
<v Speaker 5>And what was wonderful about it because I knew that

1:08:21.880 --> 1:08:24.320
<v Speaker 5>was always going to be the biggest challenge for him

1:08:24.520 --> 1:08:27.280
<v Speaker 5>as an actor to try and figure out how to

1:08:27.360 --> 1:08:30.400
<v Speaker 5>slide into that in a way that gave him the

1:08:30.439 --> 1:08:34.479
<v Speaker 5>ability to be believable. And I thought he did it

1:08:34.479 --> 1:08:37.840
<v Speaker 5>great because what you what you you see in him

1:08:37.880 --> 1:08:41.760
<v Speaker 5>is in the beginning, he's very you know, he's distrustful,

1:08:41.760 --> 1:08:44.240
<v Speaker 5>he's kind of like, you know, we still see the Sean,

1:08:44.960 --> 1:08:48.120
<v Speaker 5>the Sean. All of a sudden, this girl has some

1:08:48.160 --> 1:08:50.479
<v Speaker 5>sort of like magical spell on him, and once he

1:08:50.560 --> 1:08:53.640
<v Speaker 5>gets the center, it's kind of like everyone's doing his

1:08:53.760 --> 1:08:57.280
<v Speaker 5>name and he's looking around and he has this kind

1:08:57.320 --> 1:09:01.800
<v Speaker 5>of beautific switch in his in his face that kind

1:09:01.800 --> 1:09:06.960
<v Speaker 5>of goes, wow, they actually see me. They actually they're

1:09:07.000 --> 1:09:10.720
<v Speaker 5>actually seeing me and in witnessing me. And that was

1:09:10.720 --> 1:09:13.320
<v Speaker 5>to me, that was the moment that I went, Okay,

1:09:13.320 --> 1:09:15.679
<v Speaker 5>this is how it happens. This is how it happened. Right.

1:09:16.760 --> 1:09:17.519
<v Speaker 5>I thought I did it great?

1:09:17.880 --> 1:09:19.680
<v Speaker 1>Just so did I. I thought I thought he was

1:09:20.000 --> 1:09:22.439
<v Speaker 1>with what he had to work with for as dramatic

1:09:22.439 --> 1:09:25.080
<v Speaker 1>as it was supposed to be. I thought he did

1:09:25.080 --> 1:09:26.080
<v Speaker 1>a great job.

1:09:26.160 --> 1:09:28.920
<v Speaker 5>I agree. And then the Turner, when Turner gets hurt.

1:09:29.880 --> 1:09:31.760
<v Speaker 5>I remember the day, we remember the day we shot

1:09:31.800 --> 1:09:33.160
<v Speaker 5>this writer, when you had to go there.

1:09:33.200 --> 1:09:34.880
<v Speaker 2>I mean I remember the table read more than the day.

1:09:35.240 --> 1:09:40.320
<v Speaker 5>Why well, I was just saying you, you know, you

1:09:40.400 --> 1:09:44.320
<v Speaker 5>have such integrity as an actor, and and and when

1:09:44.360 --> 1:09:47.120
<v Speaker 5>it wasn't feel truthful to you, or there was something

1:09:47.160 --> 1:09:50.519
<v Speaker 5>that wasn't you know, you really had to believe in

1:09:50.560 --> 1:09:52.040
<v Speaker 5>it in order to do it lots of times, and

1:09:52.080 --> 1:09:55.080
<v Speaker 5>sometimes that you didn't have a chance to even process

1:09:55.120 --> 1:09:56.719
<v Speaker 5>it because we were throwing things at you so fast,

1:09:56.720 --> 1:09:58.160
<v Speaker 5>sometimes adjustments or this or that.

1:09:58.760 --> 1:09:59.599
<v Speaker 4>But in this.

1:09:59.520 --> 1:10:01.880
<v Speaker 5>Particular, and you had all week to kind of you know,

1:10:02.040 --> 1:10:04.000
<v Speaker 5>you knew you were going to do this speech to him,

1:10:04.320 --> 1:10:06.600
<v Speaker 5>and we knew we didn't want it to be you know,

1:10:07.200 --> 1:10:11.880
<v Speaker 5>overly dramatic and whatnot, and and and we wanted you

1:10:11.920 --> 1:10:14.840
<v Speaker 5>to have the freedom to do it the way you

1:10:14.880 --> 1:10:16.639
<v Speaker 5>wanted to do it. Really, I don't think we ever

1:10:16.640 --> 1:10:19.719
<v Speaker 5>gave you really a note ever how to do it. Uh.

1:10:20.000 --> 1:10:22.640
<v Speaker 5>You in the runthroughs, you were kind of very you know,

1:10:22.760 --> 1:10:26.880
<v Speaker 5>quiet about it, and you were very you know, you

1:10:27.360 --> 1:10:30.280
<v Speaker 5>understood the material and you you were very you were

1:10:30.320 --> 1:10:34.160
<v Speaker 5>on point. And I knew, okay, you know, when we

1:10:34.240 --> 1:10:36.479
<v Speaker 5>when we shoot this thing, I know he's gonna I

1:10:36.520 --> 1:10:40.760
<v Speaker 5>know he's gonna touch into more stuff. And you did.

1:10:41.360 --> 1:10:44.360
<v Speaker 5>It was really beautiful because what you did was you

1:10:44.360 --> 1:10:48.120
<v Speaker 5>you got the thing of oh god, damn man, you

1:10:48.160 --> 1:10:51.320
<v Speaker 5>know I'm not going to have you anymore, you know it.

1:10:51.600 --> 1:10:54.760
<v Speaker 5>It was really hutching to me. You really did a

1:10:54.800 --> 1:10:55.320
<v Speaker 5>great job.

1:10:55.600 --> 1:10:56.599
<v Speaker 1>Really, yes, he did.

1:10:56.880 --> 1:10:58.479
<v Speaker 6>Oh thanks Jeff Man.

1:10:59.240 --> 1:11:01.679
<v Speaker 5>You really did. And I think we only did two takes,

1:11:01.800 --> 1:11:05.000
<v Speaker 5>you know, you did it two takes of that and

1:11:05.080 --> 1:11:06.240
<v Speaker 5>the first take is what we used.

1:11:07.280 --> 1:11:10.439
<v Speaker 4>So yeah, that was great, Oh man, really well done.

1:11:10.920 --> 1:11:15.280
<v Speaker 1>Well, Jeff, after doing all twenty two episodes in season four,

1:11:15.479 --> 1:11:18.439
<v Speaker 1>you only come back to direct us for three in

1:11:18.600 --> 1:11:24.160
<v Speaker 1>season five. So in season true you have and then

1:11:24.200 --> 1:11:27.280
<v Speaker 1>there was Sean and then a few other ones, and

1:11:27.320 --> 1:11:30.559
<v Speaker 1>then you do season seven in season six and four

1:11:30.600 --> 1:11:34.000
<v Speaker 1>in season seven and Lynn does two in that final

1:11:34.040 --> 1:11:36.880
<v Speaker 1>season as well. Why where were you for most of

1:11:36.920 --> 1:11:38.479
<v Speaker 1>season five? Where had you gone?

1:11:38.960 --> 1:11:49.479
<v Speaker 5>Well, this is all right, Sherman and I went over.

1:11:50.040 --> 1:11:53.960
<v Speaker 5>David Training directed this part oft called You Wish Jeanie

1:11:54.120 --> 1:11:58.160
<v Speaker 5>John Nails and Harley Jane Kozak was the mom I

1:11:58.240 --> 1:12:05.960
<v Speaker 5>dream of Genie, you know, contemporized with two kids, and

1:12:05.960 --> 1:12:08.040
<v Speaker 5>and David trying to directed the pilot and it was

1:12:08.880 --> 1:12:13.400
<v Speaker 5>it was okay, you know, it wasn't great. It was

1:12:13.520 --> 1:12:18.559
<v Speaker 5>my favorite. And Michael said, I need you to go

1:12:18.640 --> 1:12:23.360
<v Speaker 5>on the show. It's it's it's it's it needs.

1:12:23.280 --> 1:12:25.559
<v Speaker 2>To keep the ship afloat. Please.

1:12:28.680 --> 1:12:28.800
<v Speaker 1>Uh.

1:12:30.280 --> 1:12:32.439
<v Speaker 5>It was the worst experience I think I've ever had.

1:12:32.760 --> 1:12:37.320
<v Speaker 5>Oh it was. You know, when you deal with a genie,

1:12:37.640 --> 1:12:40.559
<v Speaker 5>it gives a license to the writers to write anything

1:12:40.600 --> 1:12:43.240
<v Speaker 5>they want because you can just go, you know, wiggle

1:12:43.280 --> 1:12:45.360
<v Speaker 5>his nose or you know where it was.

1:12:45.439 --> 1:12:47.320
<v Speaker 2>And in fact, they kind of have to write to

1:12:47.320 --> 1:12:50.080
<v Speaker 2>deliver on the premise, you have to have big set pieces,

1:12:50.120 --> 1:12:51.599
<v Speaker 2>and and.

1:12:51.560 --> 1:12:53.759
<v Speaker 5>They had a dollhouse. They actually built a doll house

1:12:53.840 --> 1:12:57.120
<v Speaker 5>for the gene to live in a life side. I mean,

1:12:57.360 --> 1:12:59.760
<v Speaker 5>I mean that's right. I remember going to that set

1:13:00.680 --> 1:13:03.959
<v Speaker 5>and he was in this dowhouse, you know, pink dowhouse,

1:13:03.960 --> 1:13:07.120
<v Speaker 5>and this where he lived as the Genie, And I said,

1:13:07.120 --> 1:13:08.439
<v Speaker 5>why can't he just live in a bottle? You know?

1:13:08.600 --> 1:13:12.760
<v Speaker 5>Terway and so anyway, but this they all thought was

1:13:12.840 --> 1:13:15.479
<v Speaker 5>cute and funny, and so I had to I had

1:13:15.479 --> 1:13:17.200
<v Speaker 5>to create a new way of shooting a show. I

1:13:17.200 --> 1:13:19.640
<v Speaker 5>mean I did that on Dinosaurs with two cameras, and

1:13:19.680 --> 1:13:21.920
<v Speaker 5>then I had to do create a new way to

1:13:21.920 --> 1:13:24.960
<v Speaker 5>shoot the show on a new wish and we shot

1:13:25.000 --> 1:13:26.640
<v Speaker 5>it like a film show for the most part. And

1:13:26.640 --> 1:13:29.040
<v Speaker 5>we had Jerry Vandyk who was hysterical. We had Jessica

1:13:29.120 --> 1:13:32.160
<v Speaker 5>Walter who was hysterical. I mean, these were great actors,

1:13:32.280 --> 1:13:35.719
<v Speaker 5>but the writing was I don't I don't even remember

1:13:35.800 --> 1:13:37.960
<v Speaker 5>who's on the staff. They said from Sherman and I

1:13:38.080 --> 1:13:42.360
<v Speaker 5>commiserating with each other. That was just they were just bad.

1:13:42.400 --> 1:13:45.560
<v Speaker 5>And we did thirteen shows, or I did twelve and

1:13:45.920 --> 1:13:49.200
<v Speaker 5>we're out. They didn't renew us. Thank god. It nearly

1:13:49.280 --> 1:13:50.920
<v Speaker 5>killed me that that show nearly killed me too. I

1:13:50.920 --> 1:13:53.200
<v Speaker 5>mean that with Dinosaurs nearly killed me because of the

1:13:53.240 --> 1:13:55.960
<v Speaker 5>demands of the production. So where was I. I was

1:13:56.000 --> 1:14:00.640
<v Speaker 5>over there, you know, dying after I came back and

1:14:00.640 --> 1:14:03.040
<v Speaker 5>then did because Allen Myerson was on he directed most

1:14:03.040 --> 1:14:04.000
<v Speaker 5>of the episodes.

1:14:03.640 --> 1:14:05.600
<v Speaker 2>And yeah, he came back for he came in for

1:14:05.640 --> 1:14:08.080
<v Speaker 2>fifth season and took over for the whole season.

1:14:08.240 --> 1:14:10.880
<v Speaker 5>Yea anybody else And so Michael said, let's let's get

1:14:11.000 --> 1:14:12.880
<v Speaker 5>this guy and here, he's a proven director, let's get

1:14:12.920 --> 1:14:16.360
<v Speaker 5>him in here. So so then I, you know, I did, Uh.

1:14:16.400 --> 1:14:19.519
<v Speaker 5>I came back after you wish was over, after I

1:14:19.600 --> 1:14:22.960
<v Speaker 5>recovered and directed some some more boys, and then I

1:14:23.040 --> 1:14:26.760
<v Speaker 5>was developing another feature film, and I was also I

1:14:26.760 --> 1:14:29.160
<v Speaker 5>had we were you know, on other shows, and I

1:14:29.200 --> 1:14:32.599
<v Speaker 5>came up with a pilot that then and Sue Page

1:14:32.640 --> 1:14:37.400
<v Speaker 5>wrote called Zoe Bean and I was shepherding that and

1:14:37.439 --> 1:14:39.000
<v Speaker 5>I shot the pilot of that and we were picked

1:14:39.040 --> 1:14:39.960
<v Speaker 5>up for that.

1:14:39.960 --> 1:14:43.200
<v Speaker 4>That became Zoe Duncan, Jack and Jane right exactly exactly.

1:14:43.360 --> 1:14:43.920
<v Speaker 3>I was on that.

1:14:44.400 --> 1:14:48.439
<v Speaker 5>Yeah, you were, yeah, and and so yeah, it was

1:14:48.439 --> 1:14:51.439
<v Speaker 5>like that thing of you know, I was just off

1:14:51.479 --> 1:14:54.320
<v Speaker 5>doing other things with the company, you know, and and

1:14:54.400 --> 1:14:58.559
<v Speaker 5>so and then also we wanted to give Steve Hayfer

1:14:58.600 --> 1:15:03.120
<v Speaker 5>and my sister and and uh and every Kevin Tracy.

1:15:03.360 --> 1:15:07.439
<v Speaker 5>Uh yeah, yeah, we would get we wanted to give

1:15:07.479 --> 1:15:10.400
<v Speaker 5>them a chance to direct. So you know, there was

1:15:10.720 --> 1:15:12.920
<v Speaker 5>a revolving. It became more of a revolving to Rusty

1:15:13.000 --> 1:15:14.680
<v Speaker 5>was directing. I mean it was it was great. You know,

1:15:14.680 --> 1:15:18.360
<v Speaker 5>everyone got to come in leving directed four.

1:15:18.400 --> 1:15:21.760
<v Speaker 1>I think, yeah, did we know at the end of

1:15:21.800 --> 1:15:23.840
<v Speaker 1>season four that we were picked up for season five?

1:15:25.360 --> 1:15:26.800
<v Speaker 4>Oh yeah, okay we did.

1:15:27.360 --> 1:15:28.960
<v Speaker 5>Oh yeah, oh no, no, we were. We were a

1:15:29.040 --> 1:15:30.960
<v Speaker 5>bona fide hit that point. I mean we were like

1:15:31.560 --> 1:15:34.880
<v Speaker 5>we were, Yeah, we were. We were t g I

1:15:35.000 --> 1:15:38.120
<v Speaker 5>F strong, you know. And then we put You Wish

1:15:38.120 --> 1:15:41.320
<v Speaker 5>and everybody kept trying to tag a new show onto

1:15:41.320 --> 1:15:42.880
<v Speaker 5>this evening and and and it.

1:15:43.040 --> 1:15:44.160
<v Speaker 6>Just you know, teen Angel.

1:15:44.880 --> 1:15:47.439
<v Speaker 2>It was it was magical stuff because because it was

1:15:48.160 --> 1:15:49.840
<v Speaker 2>so that's why You Wish was created. It was like,

1:15:50.040 --> 1:15:52.160
<v Speaker 2>let's try and yeah, all the other t j F

1:15:52.200 --> 1:15:55.240
<v Speaker 2>shows had some magical character element, yeah, and.

1:15:55.200 --> 1:15:59.479
<v Speaker 5>We had them. Was a was a great show as well.

1:16:00.080 --> 1:16:03.080
<v Speaker 5>We had and that was with Connie ray And and

1:16:04.520 --> 1:16:05.160
<v Speaker 5>that was fun.

1:16:05.280 --> 1:16:05.559
<v Speaker 4>Yeah.

1:16:06.120 --> 1:16:07.519
<v Speaker 5>I got to act on that show as well as

1:16:07.640 --> 1:16:08.920
<v Speaker 5>as a Preacher. It was fun.

1:16:09.040 --> 1:16:11.880
<v Speaker 2>But hey, Jeff, do you remember I have this memory

1:16:11.880 --> 1:16:14.800
<v Speaker 2>that you were the one who helped Will pitch his

1:16:14.880 --> 1:16:18.080
<v Speaker 2>movie idea for Winnie the Pooh to Disney? Am I

1:16:18.120 --> 1:16:19.120
<v Speaker 2>remembering that correctly?

1:16:19.320 --> 1:16:19.360
<v Speaker 3>No?

1:16:19.560 --> 1:16:22.440
<v Speaker 5>I didn't do that. Oh you didn't, Okay, I didn't.

1:16:22.400 --> 1:16:23.920
<v Speaker 2>And you don't remember who it was Will that.

1:16:24.320 --> 1:16:24.639
<v Speaker 5>I thought.

1:16:24.640 --> 1:16:27.000
<v Speaker 2>It was like during rehearsal, Will pitched this idea and

1:16:27.000 --> 1:16:27.519
<v Speaker 2>you were like.

1:16:27.800 --> 1:16:30.280
<v Speaker 5>You need to I remember that. Yeah, but I didn't.

1:16:30.320 --> 1:16:32.120
<v Speaker 5>I didn't go into the room with the picture.

1:16:32.240 --> 1:16:33.880
<v Speaker 2>No, No, I got him on the phone.

1:16:33.920 --> 1:16:35.559
<v Speaker 4>You got him the meeting on the phone with somebody.

1:16:35.680 --> 1:16:36.400
<v Speaker 5>Yeah. Yeah.

1:16:36.439 --> 1:16:38.360
<v Speaker 2>You were like at lunch like, no, no, you have

1:16:38.400 --> 1:16:40.280
<v Speaker 2>to take this seriously, and you got somebody on the phone,

1:16:40.280 --> 1:16:43.160
<v Speaker 2>and then Will got the pitch meeting and then remember that.

1:16:43.800 --> 1:16:46.320
<v Speaker 5>I thought with him to pitch it. No, No, I

1:16:46.320 --> 1:16:47.240
<v Speaker 5>remember that. Yeah I did.

1:16:47.360 --> 1:16:51.200
<v Speaker 4>Yeah, Yeah, you were producing what was the movie?

1:16:51.240 --> 1:16:52.840
<v Speaker 3>You were you were when you were going through you

1:16:52.880 --> 1:16:55.240
<v Speaker 3>said you were you were creating it in their Films show.

1:16:55.320 --> 1:16:58.000
<v Speaker 5>They gave me a deal there was a Paul up

1:16:58.040 --> 1:17:02.320
<v Speaker 5>politics involved with show and post Quiz showed Jeffkatsburg owed

1:17:02.360 --> 1:17:04.040
<v Speaker 5>me a film because I did him a favor on

1:17:04.080 --> 1:17:06.920
<v Speaker 5>that film, and by you know, my credit, I was

1:17:06.960 --> 1:17:09.559
<v Speaker 5>an actual producer on that and because I developed it

1:17:09.600 --> 1:17:11.519
<v Speaker 5>and got the rights to it and everything else. And

1:17:11.560 --> 1:17:14.960
<v Speaker 5>then Redford decided there were too many producers and asked

1:17:15.000 --> 1:17:17.680
<v Speaker 5>me to take a co producer credit with with Dick

1:17:17.760 --> 1:17:23.160
<v Speaker 5>Goodwin and with uh somebody else. Oh yeah, Gail Metrix.

1:17:23.280 --> 1:17:28.040
<v Speaker 5>So we became co producers and I was the original producer,

1:17:28.080 --> 1:17:30.720
<v Speaker 5>and then Michael Michael and I, you know. And then

1:17:31.400 --> 1:17:34.400
<v Speaker 5>so when Redford said, you know there's too many producers,

1:17:34.400 --> 1:17:36.400
<v Speaker 5>will Jeff take a co producer credit? When I went

1:17:36.439 --> 1:17:39.400
<v Speaker 5>into you know, Katterbury said would you do this for me?

1:17:39.479 --> 1:17:41.040
<v Speaker 5>I said, well, why should I do this? If I

1:17:41.040 --> 1:17:43.120
<v Speaker 5>wins the Academy Award, I get an Academy Award, you

1:17:43.200 --> 1:17:46.080
<v Speaker 5>know which I think it will. And he said, well,

1:17:46.439 --> 1:17:48.120
<v Speaker 5>I know, I know you're the reason this is happening.

1:17:48.160 --> 1:17:50.880
<v Speaker 5>You're the reason the movies here. You know, we owe you.

1:17:51.200 --> 1:17:52.479
<v Speaker 5>I said, well, what do you owe me? He goes,

1:17:52.479 --> 1:17:55.639
<v Speaker 5>well'll give you another film. I go, wait, another film? Anyway,

1:17:55.640 --> 1:17:56.840
<v Speaker 5>if I come up with a good idea, he goes,

1:17:56.880 --> 1:17:59.560
<v Speaker 5>but I will guarantee you to make it with you.

1:17:59.680 --> 1:18:02.920
<v Speaker 5>So we we went ahead and I the next day

1:18:03.160 --> 1:18:09.240
<v Speaker 5>he had he left Disney to go form DreamWorks. And yeah,

1:18:09.320 --> 1:18:12.519
<v Speaker 5>so I got screwed. But anyway, but so they Anyway,

1:18:12.520 --> 1:18:14.920
<v Speaker 5>I was developing this other film and it was a

1:18:15.080 --> 1:18:18.519
<v Speaker 5>very It was a great film idea based on a

1:18:18.560 --> 1:18:21.759
<v Speaker 5>true story of a black basketball player from the inner

1:18:21.760 --> 1:18:24.559
<v Speaker 5>city of New York. It's true story that goes to

1:18:24.600 --> 1:18:27.840
<v Speaker 5>live with the family in New Mexico and turns his

1:18:27.880 --> 1:18:31.840
<v Speaker 5>life for him from being a you know, drug guy

1:18:31.960 --> 1:18:35.280
<v Speaker 5>in the bad urban area to this white bread society

1:18:35.280 --> 1:18:38.960
<v Speaker 5>in New Mexico and becomes an all star basketball player

1:18:39.160 --> 1:18:43.479
<v Speaker 5>and college basketball player. And it's not kind of like Blindside, okay.

1:18:43.520 --> 1:18:46.519
<v Speaker 5>And it was written by Takachi Buford. I'd hired him

1:18:46.520 --> 1:18:49.320
<v Speaker 5>to write it, and it was it was really funny.

1:18:49.320 --> 1:18:53.439
<v Speaker 5>As I outlined, we had a whole outline of the film.

1:18:53.439 --> 1:18:55.360
<v Speaker 5>Michael loved it. We were ready to go because it's

1:18:55.360 --> 1:18:58.080
<v Speaker 5>based on a true story. You better than the truth.

1:18:58.680 --> 1:19:01.760
<v Speaker 5>So I hired takaishufor who wrote set it off. You

1:19:01.760 --> 1:19:05.000
<v Speaker 5>ever see that film, it's of course Okay, So he uh,

1:19:05.280 --> 1:19:08.360
<v Speaker 5>you know, was gangster, kind of black youngster, you know,

1:19:08.479 --> 1:19:10.000
<v Speaker 5>film and stuff. But I thought it'd be a great

1:19:10.000 --> 1:19:15.720
<v Speaker 5>sensibility to balance both the street kid as well as

1:19:15.760 --> 1:19:18.840
<v Speaker 5>this this white bread society, you know, fish out of water.

1:19:19.520 --> 1:19:21.680
<v Speaker 5>And so, uh, I got his first draft. You know,

1:19:21.720 --> 1:19:23.599
<v Speaker 5>we went to meet New Mexico, we met the family,

1:19:23.680 --> 1:19:26.320
<v Speaker 5>we met you know, everybody was wonderful. And then he

1:19:26.439 --> 1:19:29.599
<v Speaker 5>turns in the first draft and he's got the gang

1:19:30.200 --> 1:19:32.280
<v Speaker 5>coming from New York to New Mexico.

1:19:33.320 --> 1:19:37.760
<v Speaker 2>Well entourage style, I would.

1:19:40.680 --> 1:19:42.559
<v Speaker 5>He didn't want to write the white stuff. He didn't

1:19:42.560 --> 1:19:46.680
<v Speaker 5>have no carite white Middle America. And he brought his

1:19:46.760 --> 1:19:50.320
<v Speaker 5>gangsters into into New Mexico and it became a gangster film,

1:19:50.479 --> 1:19:53.680
<v Speaker 5>and I just, dude, you know, so that it died

1:19:53.080 --> 1:19:53.320
<v Speaker 5>at that.

1:19:56.280 --> 1:20:01.280
<v Speaker 1>Well, wrapping up season four, looking back talking about all

1:20:01.320 --> 1:20:05.320
<v Speaker 1>of these iconic moments and episodes, do you agree with

1:20:05.400 --> 1:20:11.400
<v Speaker 1>us that season four is just the best. It's the best.

1:20:11.880 --> 1:20:15.840
<v Speaker 5>Yeah, no, it it delivers on all all cylinders, it

1:20:15.840 --> 1:20:16.320
<v Speaker 5>really does.

1:20:16.400 --> 1:20:19.200
<v Speaker 1>And that thanks to you, guys, and no, it's so

1:20:19.320 --> 1:20:20.200
<v Speaker 1>much thanks to you.

1:20:20.640 --> 1:20:23.080
<v Speaker 5>And you know, everybody know, everybody did.

1:20:23.360 --> 1:20:26.519
<v Speaker 1>Everybody pulled their weight. But man, we just we wanted

1:20:26.560 --> 1:20:30.000
<v Speaker 1>to give you your flowers for this season, especially because

1:20:30.000 --> 1:20:33.120
<v Speaker 1>you're right that certainly seasons one through three really laid

1:20:33.120 --> 1:20:34.840
<v Speaker 1>the groundwork so that by the time we get to

1:20:34.880 --> 1:20:37.479
<v Speaker 1>season four we know and love these characters so well.

1:20:37.520 --> 1:20:39.719
<v Speaker 1>There's a shorthand, and we could get away with so much.

1:20:40.080 --> 1:20:43.960
<v Speaker 1>But the things we were able to accomplish in short

1:20:43.960 --> 1:20:46.200
<v Speaker 1>amount of time, in a short amount of episodes, just

1:20:46.400 --> 1:20:50.160
<v Speaker 1>it truly is remarkable, and it's it ought for us especially.

1:20:50.320 --> 1:20:53.920
<v Speaker 1>It is it stems right back to you, So thank

1:20:53.960 --> 1:20:58.120
<v Speaker 1>you so much as always for all of your time

1:20:58.160 --> 1:21:00.720
<v Speaker 1>and effort with us, not only today, but for all

1:21:00.800 --> 1:21:03.240
<v Speaker 1>of the years ago in the nineties and all the

1:21:03.280 --> 1:21:05.519
<v Speaker 1>time since then. You've still been such a mainstay in

1:21:05.560 --> 1:21:08.000
<v Speaker 1>our lives and we love you so much, and every

1:21:08.000 --> 1:21:09.479
<v Speaker 1>time we get to spend with you, we just end

1:21:09.560 --> 1:21:11.880
<v Speaker 1>up raving about it for weeks and months afterward, and

1:21:11.880 --> 1:21:14.400
<v Speaker 1>we can't wait for the next time. So let's not

1:21:14.520 --> 1:21:16.519
<v Speaker 1>let it be too long again before we see you

1:21:16.560 --> 1:21:20.040
<v Speaker 1>face to face another hug in person. And also, we'd

1:21:20.080 --> 1:21:21.800
<v Speaker 1>love to have you back for the episodes that you

1:21:21.840 --> 1:21:24.000
<v Speaker 1>direct in season five, so we'll be talking to you

1:21:24.040 --> 1:21:24.519
<v Speaker 1>again soon.

1:21:24.880 --> 1:21:26.280
<v Speaker 5>He you guys, I love you so much.

1:21:26.640 --> 1:21:39.560
<v Speaker 4>We love you, Thanks Jeff, thank you. Bye.

1:21:41.880 --> 1:21:46.360
<v Speaker 1>What a guy? What a season? What a show? Just

1:21:46.720 --> 1:21:48.839
<v Speaker 1>films fills me with all the warm fuzzies.

1:21:49.200 --> 1:21:51.439
<v Speaker 4>Yep, yeah, it really does.

1:21:52.400 --> 1:21:56.639
<v Speaker 3>It's I had a horrible realization last night as season

1:21:56.680 --> 1:22:03.840
<v Speaker 3>four came to an end that someday this is gonna end. Yeah,

1:22:03.880 --> 1:22:06.519
<v Speaker 3>and we're going to have to say goodbye to two

1:22:06.520 --> 1:22:09.120
<v Speaker 3>shows together. And I don't think that hit me until

1:22:09.160 --> 1:22:11.000
<v Speaker 3>last night, and then I realized that you guys are

1:22:11.040 --> 1:22:16.960
<v Speaker 3>on Grom's World. You've done it three times, so it's like, damn, yeah, well.

1:22:16.600 --> 1:22:18.040
<v Speaker 6>The three of us will always be able to get

1:22:18.040 --> 1:22:18.719
<v Speaker 6>together well.

1:22:18.600 --> 1:22:20.519
<v Speaker 1>Of course, and of course never say goodbye.

1:22:20.680 --> 1:22:22.880
<v Speaker 4>We'll do other stuff. But it's like the show will end,

1:22:22.920 --> 1:22:24.200
<v Speaker 4>and it's we're gonna have to end again.

1:22:25.000 --> 1:22:25.280
<v Speaker 1>Yeah.

1:22:25.360 --> 1:22:25.920
<v Speaker 4>I don't like it.

1:22:25.960 --> 1:22:30.080
<v Speaker 1>I don't be Our love keeps the show alive, will it?

1:22:31.240 --> 1:22:31.639
<v Speaker 5>It does?

1:22:32.240 --> 1:22:38.880
<v Speaker 4>And streaming in the streaming streaming with no residual, with.

1:22:39.080 --> 1:22:41.000
<v Speaker 3>Very little residual. I got one the other day for

1:22:41.080 --> 1:22:43.840
<v Speaker 3>nine cents. I'm thinking, can kuon?

1:22:44.360 --> 1:22:45.600
<v Speaker 2>But I don't know where I'm gonna go.

1:22:47.000 --> 1:22:48.880
<v Speaker 1>Thank you all for listening to this episode of Pod

1:22:48.920 --> 1:22:51.400
<v Speaker 1>Meets World as always. You can follow us on Instagram

1:22:51.439 --> 1:22:53.679
<v Speaker 1>pod Meets World Show. You can send us your emails

1:22:53.680 --> 1:22:56.759
<v Speaker 1>pod Meets World Show at gmail dot com. And we've

1:22:56.760 --> 1:22:57.360
<v Speaker 1>got merch.

1:22:57.760 --> 1:22:59.559
<v Speaker 4>It's all downhill from here, Merch.

1:23:06.080 --> 1:23:09.480
<v Speaker 2>I'm supposed to be the downer you're on this podcast.

1:23:09.760 --> 1:23:12.320
<v Speaker 3>I hope Season five is better than we think. See now,

1:23:12.320 --> 1:23:13.880
<v Speaker 3>I've heard so many times that we have just hit

1:23:13.920 --> 1:23:17.519
<v Speaker 3>our peak that I'm hoping that we're like, actually, this

1:23:17.680 --> 1:23:18.280
<v Speaker 3>is not bad.

1:23:18.360 --> 1:23:18.560
<v Speaker 4>That's what.

1:23:18.680 --> 1:23:20.719
<v Speaker 2>There will always be moments. I think this is always

1:23:20.720 --> 1:23:22.320
<v Speaker 2>going to be great moments. I think so too.

1:23:22.520 --> 1:23:23.160
<v Speaker 3>I think so too.

1:23:23.400 --> 1:23:27.920
<v Speaker 1>Pod Meets Worldshow dot com. We love you all, pod dismissed.

1:23:29.680 --> 1:23:32.519
<v Speaker 1>Pod Meets World is an iHeart podcast produced and hosted

1:23:32.520 --> 1:23:36.479
<v Speaker 1>by Danielle Fischel Wilfredell and writer Strong Executive producers Jensen

1:23:36.560 --> 1:23:40.080
<v Speaker 1>Karp and Amy Sugarman. Executive in charge of production, Danielle Romo,

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<v Speaker 1>producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and

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<v Speaker 1>Boy Meets World super fan Easton Allen. Our theme song

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<v Speaker 1>is by Kyle Morton of Typhoon. Follow us on Instagram

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<v Speaker 1>at Pod Meets World Show or email us at Pod

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<v Speaker 1>Meets World Show at gmail dot com.