WEBVTT - RECALL Act 2

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<v Speaker 1>Stephen Lishinsky arrived expecting discipline. He found a powder keg

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<v Speaker 1>slouching Biebock, two cadets running guns to Cuban rebels, Abazuka

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<v Speaker 1>lifted from the bunkers, handed off on Biscayne Bay. Colonel

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<v Speaker 1>Barnes is dying. Commander Patterson is drinking. The Army wants

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<v Speaker 1>their land back. And on Valentine's Night, when Lishinsky tried

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<v Speaker 1>to run, Patterson told him the only truth that matters

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<v Speaker 1>boys run, men sit tight.

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<v Speaker 2>So he's stayed.

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<v Speaker 3>Now.

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<v Speaker 2>Wheeler's pulling him out of the barracks.

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<v Speaker 1>The barber wants to see him. Exterior Company Street night,

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<v Speaker 1>Wheeler and Lishinsky walk along toward the rotundan near the

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<v Speaker 1>Miss Hall.

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<v Speaker 4>Is your nose feeling any better?

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<v Speaker 2>Lieutenant?

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<v Speaker 1>In their pisspot, Lishinsky heads toward the lighted door of

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<v Speaker 1>the small building in front of him, Interior Crow's barber shop.

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<v Speaker 2>Night.

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<v Speaker 1>Lishinsky, seated, watches Crow, the barber, run the electric hair

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<v Speaker 1>clippers over the head of a cadet who is indifferent.

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<v Speaker 2>To the fact that he's being clipped nearly bald.

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<v Speaker 5>Do you know of any phone around here? I can use? Huh? Nope?

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<v Speaker 1>Liashinsky looks around the harshty lit room. It is bare

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<v Speaker 1>except for a table with a few barbering tools and

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<v Speaker 1>a chair holding the victim. The floor is thick with

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<v Speaker 1>a carpet of hair left by the cadets. The cadet

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<v Speaker 1>is finished with his haircut, it gets.

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<v Speaker 2>Down from a chair so long Wendell.

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<v Speaker 1>The cadet doesn't reply. He walks to the door and exits.

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<v Speaker 1>Crow stands by his chair waiting for Lishinsky.

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<v Speaker 4>I'm probably not gonna be here for long, so if

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<v Speaker 4>you could just like take a little off the sides

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<v Speaker 4>and the rest, I can leave long under my hat.

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<v Speaker 5>Oh it's the matter you don't like it here.

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<v Speaker 4>Oh no, it's not that. It's only that I don't

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<v Speaker 4>think I'm gonna be here that long. So if you

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<v Speaker 4>just take a little off the sides, I can leave

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<v Speaker 4>the rest long under my hat.

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<v Speaker 1>Like this, He pulls his hair back with both hands

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<v Speaker 1>to show how it could be done.

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<v Speaker 6>See oh yeah, yeah, yeah sure.

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<v Speaker 1>And with a gesture, invites Leshinsky to the chair. As

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<v Speaker 1>Lishinski gets into the chairy, here's the hum of the clippers.

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<v Speaker 1>The first sudden stroke zooms down the center of his head,

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<v Speaker 1>leaving a barren, stretching bristle no.

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<v Speaker 2>Interior a company barracks.

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<v Speaker 1>Evening, Boba bursts through the door leading from the latrine,

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<v Speaker 1>his frenzied and out of breath, carrying a brown paper

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<v Speaker 1>bag of booze.

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<v Speaker 5>Somebody's like this.

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<v Speaker 1>Sensing the danger at helping Bova, nobody comes to his aid.

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<v Speaker 5>Come on, will you?

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<v Speaker 1>Boba runs over to his locker and throws open the door.

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<v Speaker 1>He tosses the bag into the bottom of the locker.

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<v Speaker 1>Commander Patterson lunches wheezing through the latree in doors in

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<v Speaker 1>hot pursuit of Bova. He sees Bova's standing in front

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<v Speaker 1>of his locker.

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<v Speaker 5>Not fast enough, Boba, What are you talking about? Sarah

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<v Speaker 5>working on this term paper?

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<v Speaker 1>Patterson nods and looks at the locker. Boba feels the

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<v Speaker 1>end is near.

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<v Speaker 5>Do you know anything about the Punic War?

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<v Speaker 7>Sir?

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<v Speaker 2>Patterson opens the locker door.

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<v Speaker 5>How about Dyoto?

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<v Speaker 8>Sir?

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<v Speaker 5>Every year with Dyoto.

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<v Speaker 1>Patterson bends down and lifts the bag out of the locker.

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<v Speaker 5>I have no idea how that up is, sir.

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<v Speaker 9>You're sure, yes, sir, underage.

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<v Speaker 10>Drinking, because if it is yours, it's a E five.

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<v Speaker 11>Oh no, no, no, no, no, it ain't mine. There

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<v Speaker 11>somebody's trying to frame me.

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<v Speaker 1>Patterson looks into the bag, Jim Bean, Guilby's.

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<v Speaker 9>Well, whosever it is?

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<v Speaker 10>It's contraband way too young for this sort of behavior.

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<v Speaker 1>Patterson folds atop the bag and starts to the door.

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<v Speaker 2>Patterson stops and looks in the bag again.

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<v Speaker 1>He pulls out a brown bottle Coconut rum.

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<v Speaker 5>Sir, it's Valentine's Day.

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<v Speaker 12>Wouldn't you just like to stay and join us for

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<v Speaker 12>just a nip?

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<v Speaker 10>Now? What kind of protocol would that be? Coconut rum?

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<v Speaker 10>You boys should be eating candy lights out in fifteen

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<v Speaker 10>minutes as you were.

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<v Speaker 1>As he walks to the front door, he places the

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<v Speaker 1>bottle on a ledge near the exit.

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<v Speaker 2>He leaves.

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<v Speaker 1>As Patterson leaves, the boys converge in the bottle of

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<v Speaker 1>tonic water.

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<v Speaker 13>No nice going lard ass.

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<v Speaker 1>Exterior boat dock evening. From a mango tree overlooking the

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<v Speaker 1>boat dock, Linquist watches Patterson lying by the shed down

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<v Speaker 1>in the last of the Gilby's gin. Patterson throws the

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<v Speaker 1>empty into the bay. He looks up at the silhouette

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<v Speaker 1>of the high rise apartment buildings under construction. He looks

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<v Speaker 1>back at the school. He musters his courage and stands up.

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<v Speaker 1>He takes a deep breath and staggers forward across the

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<v Speaker 1>parade field.

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<v Speaker 9>Laugh, laugh, I had a good dame, but she lived.

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<v Speaker 1>Exterior Norico's First Aid station.

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<v Speaker 2>Night.

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<v Speaker 1>Patterson is outside of lighted window. He taps clumsily on

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<v Speaker 1>the panel.

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<v Speaker 2>Rico, the nurse we have.

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<v Speaker 1>Seen at morning prayer and whom the boys referred to

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<v Speaker 1>as Madam Butterfly. Norico Yakamoto fifty comes to the window.

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<v Speaker 9>What, Norico, what you want? Well? I was thinking today

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<v Speaker 9>is Valentine's Day.

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<v Speaker 6>Go home, pat you're drunk.

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<v Speaker 9>I want to kiss.

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<v Speaker 6>You're drunk.

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<v Speaker 10>I want to kiss for Valentine's Day.

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<v Speaker 6>I give you a kiss. You go home? Yes, your

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<v Speaker 6>word as an officer and a gentleman.

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<v Speaker 10>Alrica, oh, I always with the tests.

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<v Speaker 1>Norika reaches out the window and pulls Patterson's head in

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<v Speaker 1>through the frame.

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<v Speaker 2>She kisses him gently.

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<v Speaker 14>Drinking won't solve your problems, Pats, Hold.

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<v Speaker 9>Me, blossom. It's gonna be a rough night.

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<v Speaker 1>He tries to swing his leg up on the sash

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<v Speaker 1>and an attempt to get inside. Finally relenting, Noriko starts

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<v Speaker 1>to help him in. He is halfway through the window

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<v Speaker 1>when Commander.

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<v Speaker 9>Wheeler got to bed.

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<v Speaker 15>Commander the new chicken's hay wall already, you take care

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<v Speaker 15>of it, Wheeler. They puss my handcuff, sir, if you

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<v Speaker 15>could just Patterson climbs down.

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<v Speaker 9>Where is he?

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<v Speaker 15>Just walk through the DM gate waiting for the j buss,

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<v Speaker 15>probably misses.

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<v Speaker 1>His Mommy cut to exterior academy gate night Wheeler is

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<v Speaker 1>helping Patterson weave across the parade ground and through the gate.

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<v Speaker 1>We see Lishinsky sitting on a bench crying. He is

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<v Speaker 1>without hair, bloody nicks in his head. Patterson flops down

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<v Speaker 1>next to Leshinsky. Wheeler stands at attention.

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<v Speaker 16>What's wrong, Candy ass can't take.

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<v Speaker 9>It as you were, Wheeler, get to your bunk.

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<v Speaker 1>Wheeler salutes and doesn't about face, then rattles away, sword

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<v Speaker 1>clanking behind. There is silence, Lishinsky discreetly trying to wipe

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<v Speaker 1>his tears.

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<v Speaker 9>Where are you are, headed son?

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<v Speaker 5>I don't know?

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<v Speaker 2>Home?

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<v Speaker 9>I yes, this is your home, now, ain't it?

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<v Speaker 2>I hate it here?

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<v Speaker 9>I heard you volunteered, so why'd you come here?

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<v Speaker 5>Then I read the brochure. The guy m the cover

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<v Speaker 5>had a hat on. I don't know they hacked up

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<v Speaker 5>your head?

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<v Speaker 9>Well, now there's a reason for that, Lishinsky.

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<v Speaker 17>Yeah, to make you feel like hell.

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<v Speaker 10>Hygiene, to make you look like a soldier. Get rid

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<v Speaker 10>of the excess baggage, trim you down.

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<v Speaker 5>That explains the food.

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<v Speaker 9>Well, that may not be the ritz, but it's nutritious.

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<v Speaker 1>Patterson takes a bottle from his pocket and drinks.

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<v Speaker 5>I just want to go home.

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<v Speaker 1>Patterson offers him the bottle. Lushinski takes a slug.

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<v Speaker 10>So get the bus, go home. Shame your parents. Is

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<v Speaker 10>that what you want to do?

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<v Speaker 16>Oh, sir, I just hate it here.

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<v Speaker 10>Well you're not the first, but it ain't always what

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<v Speaker 10>you hate and what you don't hate.

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<v Speaker 9>Why not sit tight for a while.

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<v Speaker 10>Who knows, Maybe it'll change your mind about what's important.

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<v Speaker 10>That's what men do. Boys just run can always run

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<v Speaker 10>home to mama. In my experience, if you're in a storm,

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<v Speaker 10>it's best to sit tight. Once I was on a

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<v Speaker 10>beach and Zio. You heard of Anzio? No, sir, what

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<v Speaker 10>the hell have you been? Invasion of Italy amphibious landing.

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<v Speaker 10>We made it up the beach and we hold up

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<v Speaker 10>in this area. It was raining like a son of

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<v Speaker 10>a bitch. A company's objective was to take this town,

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<v Speaker 10>New Tuno. We were getting nothing from communications, but we

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<v Speaker 10>had this objective see take Netuno. But seeing as how

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<v Speaker 10>it was raining on us like elephant piss.

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<v Speaker 9>Nobody knew where the hell we were, so what the hell?

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<v Speaker 10>We just dug in for the night, set in the muck,

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<v Speaker 10>mortars dropping, and so on morning comes the rain had

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<v Speaker 10>stopped and we finally found the town, but the Germans

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<v Speaker 10>had left.

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<v Speaker 1>The jabuss pulls up to the stop in front of

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<v Speaker 1>the bench and opens its door. Nobody moves, The door

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<v Speaker 1>closes and moves off.

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<v Speaker 10>The goddamn Heinees had pulled out during the night. We

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<v Speaker 10>marched into the town without a shot being fired.

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<v Speaker 9>Word objective accomplished.

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<v Speaker 5>Sir, I thought you were in the Navy.

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<v Speaker 10>Merchant Marines story for another night scent. Now are you

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<v Speaker 10>going to head back to your unit or do I

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<v Speaker 10>turn you over to Wheeler as a deserter?

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<v Speaker 1>No, sir, swigs the pint Lashinski gets up from the bench.

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<v Speaker 9>Wait a minute, give me that bottle. How old are

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<v Speaker 9>you anyway to seventeen?

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<v Speaker 2>Well?

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<v Speaker 10>Almost too young for despairs sixteen and going out at

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<v Speaker 10>full bore. Just let it idle a bit and don't

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<v Speaker 10>forget inspection tomorrow eight. Company better looks sharp, or I'll

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<v Speaker 10>have the entire company.

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<v Speaker 9>In the bull ring.

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<v Speaker 1>Lashinsky walks away, sleep on it. Son Patterson sits alone

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<v Speaker 1>on the bench Angle. As Lashinsky passes close to Colonel

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<v Speaker 1>Barnes's house, Sally Barnes is painting by flashlight, putting the

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<v Speaker 1>finishing touches on her VW Van now army green with

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<v Speaker 1>a red cross insignia. She sees Lishinsky and stops. They

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<v Speaker 1>stare at each other.

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<v Speaker 2>For a moment. That nice job, yeah help.

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<v Speaker 1>She smiles, gives him the finger, then heads into the house.

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<v Speaker 1>Lashinsky watches for her to return, and she doesn't. He

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<v Speaker 1>backs away toward the barracks, trying to catch sight of

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<v Speaker 1>her again. Angle Linquist in the mango tree, watching fade

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<v Speaker 1>to interior Barracks.

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<v Speaker 15>Morning Barracks ten Hot Order of the day A company

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<v Speaker 15>will police the parade grounds at zero nine point fifteen,

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<v Speaker 15>immediately following d morning announcements.

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<v Speaker 5>First platoon.

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<v Speaker 1>That means you groans from one side of the barracks.

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<v Speaker 17>As you were.

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<v Speaker 1>He doesn't about face and heads for the door. One

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<v Speaker 1>of the boys grabs Wheeler's hat on a way out

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<v Speaker 1>the door. They laughingly pass it down the bunks.

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<v Speaker 17>Give me that.

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<v Speaker 1>The hat passes to Bear, who was just waking up. Wheeler,

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<v Speaker 1>in a rage, points to Bear, what are a poor fellow?

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<v Speaker 2>They are?

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<v Speaker 1>Sheepishly hands the hat back to Wheeler. Wheelers snaps on

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<v Speaker 1>his calf.

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<v Speaker 16>Fifteen mils still formation.

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<v Speaker 1>He marches out. Sallow gets out of bed and counts

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<v Speaker 1>down the rose.

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<v Speaker 5>All right, you heard the elf get in front of

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<v Speaker 5>your beds.

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<v Speaker 13>It ain't day country club.

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<v Speaker 5>Let's count the boners sound off.

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<v Speaker 1>The boys are still asleep and attention in front of

0:12:28.679 --> 0:12:31.800
<v Speaker 1>their bunks. As Swallow comes down the rose, counting heads

0:12:32.000 --> 0:12:34.560
<v Speaker 1>and tapping the beds of the late risers with his bat.

0:12:35.360 --> 0:12:37.280
<v Speaker 1>They count off and roll call until they come to

0:12:37.360 --> 0:12:41.439
<v Speaker 1>thirty two. There's a brief lapse, and a voice tries.

0:12:41.200 --> 0:12:45.000
<v Speaker 2>To cover thirty two. Sallow is in on the ruse.

0:12:45.640 --> 0:12:49.400
<v Speaker 5>Wait a minute, Cheetham, where the hell is Combs? No excuse, sir, girl,

0:12:49.480 --> 0:12:52.800
<v Speaker 5>trouble shit, he better be back at inspection. At fourteen

0:12:52.840 --> 0:12:53.560
<v Speaker 5>hundred hours.

0:12:53.640 --> 0:12:55.080
<v Speaker 2>Bear is looking sheepish.

0:12:55.320 --> 0:12:56.200
<v Speaker 5>He what the bed again?

0:12:56.280 --> 0:12:58.240
<v Speaker 9>Serge? Can I have the top bunk? From now on?

0:12:58.679 --> 0:13:03.000
<v Speaker 5>Pleasant dreams? Smith? Sergeant, serve, how did you ever find

0:13:03.000 --> 0:13:05.760
<v Speaker 5>your way out? Of the Swampsmith's oh airboat.

0:13:06.320 --> 0:13:09.200
<v Speaker 15>I see I trun I was hanging on the back

0:13:09.320 --> 0:13:13.160
<v Speaker 15>end a cypress tree and the water was real warm, like.

0:13:13.160 --> 0:13:14.240
<v Speaker 5>Sus Harmy Smith.

0:13:14.840 --> 0:13:15.199
<v Speaker 13>All right.

0:13:15.240 --> 0:13:16.920
<v Speaker 5>Fifteen minutes. Everybody looks sharp.

0:13:18.080 --> 0:13:21.800
<v Speaker 1>Interior a company barracks morning. The boys make their beds

0:13:21.840 --> 0:13:25.800
<v Speaker 1>hospital style and dress. Somebody has a radio on. Johnny

0:13:25.800 --> 0:13:27.680
<v Speaker 1>Mathis What will my Mary Say?

0:13:27.760 --> 0:13:28.200
<v Speaker 2>Is playing?

0:13:29.000 --> 0:13:33.880
<v Speaker 1>Interior Latrine warning. The first squad d Bop Slouch, Hamley, Lishinski,

0:13:33.920 --> 0:13:36.000
<v Speaker 1>and Bova are standing at a row of sinks in

0:13:36.040 --> 0:13:39.480
<v Speaker 1>they're undershorts. Another squad from b Companies on the other

0:13:39.559 --> 0:13:42.520
<v Speaker 1>side of the wall. Hamley walks along the sinks doing

0:13:42.600 --> 0:13:43.880
<v Speaker 1>fingernail inspections.

0:13:44.440 --> 0:13:46.720
<v Speaker 8>Make sure the corners were all the dirt collects are

0:13:46.760 --> 0:13:48.960
<v Speaker 8>as clean as the other parts of your fingernails.

0:13:49.160 --> 0:13:51.600
<v Speaker 1>The shisky looks into the mirror at his butchered head.

0:13:52.960 --> 0:13:54.040
<v Speaker 13>It'll grow back.

0:13:54.360 --> 0:13:56.560
<v Speaker 2>He sprays shaving cream into his hands.

0:13:57.240 --> 0:13:57.960
<v Speaker 5>Let's talk to bud.

0:13:58.040 --> 0:13:59.320
<v Speaker 13>Oh, what do you say?

0:13:59.440 --> 0:14:01.000
<v Speaker 5>Who give you right?

0:14:02.640 --> 0:14:02.720
<v Speaker 8>What?

0:14:04.000 --> 0:14:04.439
<v Speaker 9>He says?

0:14:04.480 --> 0:14:07.000
<v Speaker 5>One more gentlemanly's yester, and you're out on your ass.

0:14:07.480 --> 0:14:08.920
<v Speaker 5>That means no pigs.

0:14:09.440 --> 0:14:12.439
<v Speaker 11>You touch your opponent and you out.

0:14:13.320 --> 0:14:15.360
<v Speaker 9>Thanks, and.

0:14:16.800 --> 0:14:17.960
<v Speaker 5>You have to replace Mussard.

0:14:18.120 --> 0:14:21.160
<v Speaker 2>Oh another angle. Hell, I don't know.

0:14:21.440 --> 0:14:23.280
<v Speaker 5>Last time I saw him, he had his head and

0:14:23.360 --> 0:14:27.280
<v Speaker 5>his loco crying. Yeah, he got a letter from a sweetie.

0:14:27.560 --> 0:14:29.280
<v Speaker 5>Combes is a romantic man.

0:14:29.720 --> 0:14:32.880
<v Speaker 1>From the toilet stall behind slouching Bebop comes the voice

0:14:32.920 --> 0:14:33.480
<v Speaker 1>of Trencher.

0:14:34.000 --> 0:14:36.400
<v Speaker 9>If we get grounded, he's gonna be a demnomantic.

0:14:36.560 --> 0:14:39.520
<v Speaker 1>Bear stands at the sink next to Bebop. He's beginning

0:14:39.520 --> 0:14:42.359
<v Speaker 1>to wash up. Bova is hurrying to finish.

0:14:42.480 --> 0:14:45.120
<v Speaker 5>That's my told play slouts Yeah, yeah, so lend me

0:14:45.200 --> 0:14:45.680
<v Speaker 5>your brass.

0:14:45.680 --> 0:14:49.400
<v Speaker 1>So after lunch, Bova gathers his kit and exits quickly.

0:14:49.920 --> 0:14:51.040
<v Speaker 2>Trencher talks to Bear.

0:14:51.600 --> 0:14:53.120
<v Speaker 5>Bear, you gotta give me top bunk.

0:14:53.560 --> 0:14:56.640
<v Speaker 13>Okay, there, len me some clean cheese.

0:14:57.000 --> 0:14:59.960
<v Speaker 1>What the hell the soap foam and Bear's hands is

0:15:00.080 --> 0:15:01.240
<v Speaker 1>turning red with blood.

0:15:01.320 --> 0:15:04.200
<v Speaker 5>A razor field.

0:15:04.120 --> 0:15:05.760
<v Speaker 1>And it echoes around latrines.

0:15:06.200 --> 0:15:08.640
<v Speaker 5>Son of a bit, son of a beit. Get him

0:15:08.640 --> 0:15:10.040
<v Speaker 5>over to my damn butterfir.

0:15:12.480 --> 0:15:16.960
<v Speaker 1>Cut to exterior parade field day, bare hands, bandaged attention

0:15:17.120 --> 0:15:20.280
<v Speaker 1>with the rest of a company. Solow addresses the assembly.

0:15:20.880 --> 0:15:23.800
<v Speaker 4>If it's anybody in this company, I swear to God,

0:15:23.840 --> 0:15:24.680
<v Speaker 4>I don't even want to.

0:15:24.600 --> 0:15:26.760
<v Speaker 5>Think about what's gonna happen to him. But when we

0:15:26.840 --> 0:15:29.480
<v Speaker 5>find out, and we're gonna find out, somebody's gonna be

0:15:29.480 --> 0:15:30.120
<v Speaker 5>gator food.

0:15:30.440 --> 0:15:34.760
<v Speaker 8>It's those extortionist bussers and be company, sir, bet to anything.

0:15:34.400 --> 0:15:37.640
<v Speaker 5>Anybody seen coombs. Uh not yet, sir, I ain't going

0:15:37.680 --> 0:15:41.360
<v Speaker 5>to cover for that idiot. Staff has been spot checking heads. Hey,

0:15:41.600 --> 0:15:43.200
<v Speaker 5>I have an idea, sir, let's hear it.

0:15:43.560 --> 0:15:46.280
<v Speaker 1>Slouch points tolinquist hanging from his perch high on a

0:15:46.360 --> 0:15:50.840
<v Speaker 1>mango tree. Cut to exterior parade field day. A company

0:15:50.880 --> 0:15:54.360
<v Speaker 1>is attempting to march. The boy Linquist, now in uniform,

0:15:54.520 --> 0:15:57.600
<v Speaker 1>is at the end of the formation. Boys stumble over

0:15:57.640 --> 0:15:58.040
<v Speaker 1>each other.

0:15:58.480 --> 0:16:01.000
<v Speaker 5>Do it to the left flank, double to the right flank,

0:16:01.360 --> 0:16:01.840
<v Speaker 5>double to.

0:16:01.800 --> 0:16:03.640
<v Speaker 13>The rear hut pathetic.

0:16:04.240 --> 0:16:05.960
<v Speaker 5>You know your trouble. You gotta know what's free, de

0:16:06.040 --> 0:16:09.440
<v Speaker 5>cor We're marching to a different drummer. Okay, who knows

0:16:09.440 --> 0:16:09.760
<v Speaker 5>a song?

0:16:09.880 --> 0:16:10.280
<v Speaker 13>Trencher?

0:16:10.880 --> 0:16:11.320
<v Speaker 9>Uh?

0:16:11.800 --> 0:16:14.240
<v Speaker 5>Are they no no a marching song?

0:16:14.360 --> 0:16:16.000
<v Speaker 9>Bova mah, So.

0:16:16.120 --> 0:16:20.640
<v Speaker 5>What's the cadence of the song Blake? My heart is

0:16:20.720 --> 0:16:24.800
<v Speaker 5>show win. I must be go win. I have to

0:16:24.880 --> 0:16:29.200
<v Speaker 5>hurry w what will Ma marry?

0:16:29.760 --> 0:16:29.960
<v Speaker 15>Sir?

0:16:30.360 --> 0:16:33.640
<v Speaker 5>Take you Bramo homo, not quite bova bear. You know

0:16:33.680 --> 0:16:34.600
<v Speaker 5>any good swamp hits?

0:16:34.760 --> 0:16:39.640
<v Speaker 13>Oh? Yeah, hm? Did you ever go to meeting Uncle Joe?

0:16:39.760 --> 0:16:41.800
<v Speaker 13>Uncle Joe? Did you ever go to meeting Uncle Joe?

0:16:41.920 --> 0:16:44.000
<v Speaker 13>Uncle Joe? Did you ever go to meeting Uncle Joe?

0:16:44.120 --> 0:16:46.760
<v Speaker 13>Uncle Joe? Don't mind the weather win wind, don't both.

0:16:47.640 --> 0:16:49.960
<v Speaker 1>The platoon leader comes to a halt along the edge

0:16:49.960 --> 0:16:53.320
<v Speaker 1>of the lagoon. The boy see Patterson and Sally Barnes.

0:16:53.360 --> 0:16:55.880
<v Speaker 1>The girl from the porch sailing out into the bay.

0:16:56.520 --> 0:16:57.200
<v Speaker 16>What's her name?

0:16:57.560 --> 0:16:58.320
<v Speaker 5>Sally Barnes?

0:16:58.680 --> 0:17:03.080
<v Speaker 1>Steer clear cut to exterior dock side Biscayne Bay Day.

0:17:03.680 --> 0:17:06.320
<v Speaker 1>Commander Patterson and Sally Bonds are taking in the late

0:17:06.359 --> 0:17:08.080
<v Speaker 1>afternoon breeze.

0:17:08.320 --> 0:17:12.840
<v Speaker 10>So how's your mom making out?

0:17:13.760 --> 0:17:17.280
<v Speaker 17>She liked your letter? In spite of the news, you

0:17:17.320 --> 0:17:18.680
<v Speaker 17>still care about her, don't you?

0:17:18.760 --> 0:17:19.800
<v Speaker 2>Patterson is silent.

0:17:20.600 --> 0:17:22.160
<v Speaker 9>Well, don't you as you were?

0:17:22.240 --> 0:17:22.280
<v Speaker 8>So?

0:17:22.720 --> 0:17:25.680
<v Speaker 3>Don't you as you were? Sally me, I'm not one

0:17:25.680 --> 0:17:27.400
<v Speaker 3>of your criminal orphans.

0:17:27.600 --> 0:17:29.520
<v Speaker 2>Patterson smiles at her defiance.

0:17:31.480 --> 0:17:37.919
<v Speaker 3>Anyway, She's fine. I guess she's a boring zombie. She

0:17:38.000 --> 0:17:41.119
<v Speaker 3>drives me crazy, but she's fine. She can't stand me

0:17:41.160 --> 0:17:42.080
<v Speaker 3>and I can't stand her.

0:17:43.119 --> 0:17:45.359
<v Speaker 9>It hurts me to hear you talk that way about

0:17:45.359 --> 0:17:45.800
<v Speaker 9>your mother.

0:17:46.440 --> 0:17:46.960
<v Speaker 2>Silence.

0:17:49.280 --> 0:17:51.920
<v Speaker 3>You're the only ones she ever loved, Pat, Why didn't

0:17:51.920 --> 0:17:54.639
<v Speaker 3>you save her? You were her lancelot. When she gets drinking,

0:17:54.720 --> 0:17:58.320
<v Speaker 3>she talks about her lancelot. That sorry son of a

0:17:58.359 --> 0:18:00.680
<v Speaker 3>bitch never even knew he knew.

0:18:01.520 --> 0:18:04.800
<v Speaker 1>Cut to Interior a company barracks day. The boys are

0:18:04.840 --> 0:18:07.480
<v Speaker 1>pulling old uniform pieces out of their lockers and handing

0:18:07.520 --> 0:18:11.240
<v Speaker 1>them to Sea Cow, who dresses Linquist in the salvaged parts.

0:18:12.520 --> 0:18:14.960
<v Speaker 7>All right, the guy that gives is the exact number

0:18:15.000 --> 0:18:17.280
<v Speaker 7>of days we can keep link with disguise.

0:18:17.320 --> 0:18:18.720
<v Speaker 9>As comes whin's the.

0:18:18.760 --> 0:18:21.400
<v Speaker 2>Pond, Slouch holds up a large glass cookie jar.

0:18:21.640 --> 0:18:23.840
<v Speaker 5>Put your dollars in here. Come on, let's have them.

0:18:23.920 --> 0:18:26.680
<v Speaker 1>Let's have them boys. Auntie up is Slouch passes among

0:18:26.720 --> 0:18:27.280
<v Speaker 1>the bunks.

0:18:27.640 --> 0:18:30.800
<v Speaker 5>That includes the parade in the Dad County Fair. Right, Yep,

0:18:30.800 --> 0:18:31.240
<v Speaker 5>that's right.

0:18:31.600 --> 0:18:33.600
<v Speaker 1>The shisk is at the window of the barracks looking

0:18:33.640 --> 0:18:36.000
<v Speaker 1>out into Biscayne Bay through a pair of binoculars.

0:18:36.920 --> 0:18:40.840
<v Speaker 18>Pawn's daughter huh us when we were both kids, she

0:18:40.920 --> 0:18:44.320
<v Speaker 18>used to live over there, and lots and lots of yelling,

0:18:45.640 --> 0:18:48.400
<v Speaker 18>Hey gentlemen, Auntie up come on, let's go.

0:18:48.680 --> 0:18:51.000
<v Speaker 1>A bottle of coconut rum is passed around the bunks

0:18:51.040 --> 0:18:55.240
<v Speaker 1>among the boys angle Bahama. Mama holds up a brass coin.

0:18:57.080 --> 0:19:00.600
<v Speaker 5>This gold coin goes to the first man that nails

0:19:00.640 --> 0:19:04.120
<v Speaker 5>the white Maiden, barnes his dog and lives to tell

0:19:04.160 --> 0:19:06.240
<v Speaker 5>the tale in front of witnesses.

0:19:06.560 --> 0:19:11.439
<v Speaker 11>Naturally, it brings the honor to a company.

0:19:12.119 --> 0:19:14.160
<v Speaker 5>I'll be there first to spare of the wow.

0:19:15.440 --> 0:19:17.240
<v Speaker 9>And he falls off his bunk drunk.

0:19:17.680 --> 0:19:22.000
<v Speaker 1>They laughed, angle on Leshinsky as he still looks through

0:19:22.040 --> 0:19:26.240
<v Speaker 1>binoculars out the window at a distant Sally crossfade to

0:19:26.320 --> 0:19:30.320
<v Speaker 1>exterior boat dock day. Patterson Sally are sitting on patch

0:19:30.359 --> 0:19:31.240
<v Speaker 1>bench by the bay.

0:19:34.000 --> 0:19:37.040
<v Speaker 3>Anyway, we were getting on each other's nerves, and I

0:19:37.080 --> 0:19:40.200
<v Speaker 3>have to decide what to do about college. Maybe after

0:19:40.240 --> 0:19:41.719
<v Speaker 3>he dies, I'll hot out to California.

0:19:42.800 --> 0:19:45.040
<v Speaker 9>College wouldn't be a bad idea for them.

0:19:46.560 --> 0:19:49.679
<v Speaker 10>But you and your dad, maybe you can take this

0:19:49.880 --> 0:19:51.560
<v Speaker 10>time to patch some fence.

0:19:52.000 --> 0:19:56.040
<v Speaker 17>Oh maybe pigs whistle. It isn't like I haven't tried, Patty.

0:19:56.560 --> 0:20:00.000
<v Speaker 10>He doesn't know me from Maybe you shouldn't give up yet.

0:20:01.800 --> 0:20:02.440
<v Speaker 9>Getting late?

0:20:04.880 --> 0:20:08.119
<v Speaker 17>So are you my father?

0:20:10.119 --> 0:20:10.479
<v Speaker 9>Sally?

0:20:10.640 --> 0:20:15.159
<v Speaker 10>I am I really can't answer that. Oh bullshit, No, Sally,

0:20:15.480 --> 0:20:18.600
<v Speaker 10>I mean, I really don't know. It's a question I

0:20:18.640 --> 0:20:19.359
<v Speaker 10>can't answer.

0:20:20.400 --> 0:20:22.479
<v Speaker 9>It's possible, I guess, you guess.

0:20:23.960 --> 0:20:26.359
<v Speaker 10>I mean, it's a question that blew us all apart

0:20:26.400 --> 0:20:27.560
<v Speaker 10>a long time ago.

0:20:27.720 --> 0:20:28.920
<v Speaker 9>None of us can be sure.

0:20:28.960 --> 0:20:29.879
<v Speaker 18>It's just a.

0:20:32.000 --> 0:20:32.919
<v Speaker 9>Yeah, I guess.

0:20:34.080 --> 0:20:39.159
<v Speaker 10>Anyways, you're here, You're back, and we're glad. He's happy

0:20:39.200 --> 0:20:39.720
<v Speaker 10>you're here.

0:20:40.000 --> 0:20:42.080
<v Speaker 17>Bullshit, how the hell do you know anything?

0:20:42.119 --> 0:20:42.560
<v Speaker 12>You wife?

0:20:42.600 --> 0:20:43.000
<v Speaker 17>Fuck her?

0:20:44.119 --> 0:20:45.280
<v Speaker 2>Patterson is silent.

0:20:46.119 --> 0:20:49.440
<v Speaker 5>Finally, I'm sorry.

0:20:49.440 --> 0:20:52.880
<v Speaker 10>Me too, kiddo, more than I can say.

0:20:53.720 --> 0:20:55.400
<v Speaker 9>I mean, not about you being here.

0:20:56.520 --> 0:21:00.879
<v Speaker 17>So here I am ain't you guys fucking lucky?

0:21:01.080 --> 0:21:04.320
<v Speaker 9>Anyway, it's good your back. He needs you.

0:21:04.400 --> 0:21:06.080
<v Speaker 17>Oh, give us a break. He doesn't give a shit,

0:21:06.119 --> 0:21:06.800
<v Speaker 17>and he never did.

0:21:07.280 --> 0:21:20.000
<v Speaker 9>You couldn't be more wrong, right, I think I know? So?

0:21:20.040 --> 0:21:20.600
<v Speaker 17>Who am I?

0:21:20.720 --> 0:21:26.080
<v Speaker 9>Pat You're the best of us?

0:21:27.200 --> 0:21:31.960
<v Speaker 1>They watch the setting sun. Cut to exterior parade field day.

0:21:32.359 --> 0:21:35.880
<v Speaker 1>A company is marshaling in formation. Linquist is in love

0:21:35.960 --> 0:21:38.000
<v Speaker 1>with his rifle as he tries to keep in step

0:21:38.040 --> 0:21:42.359
<v Speaker 1>with the others. Cut to exterior lagoon day. A company

0:21:42.440 --> 0:21:45.520
<v Speaker 1>is assembled on the grass outside of Patterson's hutch. In

0:21:45.560 --> 0:21:49.080
<v Speaker 1>the background, seek cow Hamley is talking through the cyclone

0:21:49.080 --> 0:21:50.399
<v Speaker 1>fence to Missus Linquist.

0:21:51.440 --> 0:21:56.800
<v Speaker 10>Mister Trencher described to tactics and technique of a successful

0:21:56.840 --> 0:21:57.959
<v Speaker 10>amphibious landing.

0:21:58.840 --> 0:22:02.480
<v Speaker 9>Uh, no, excuse, sir, give me ten.

0:22:02.920 --> 0:22:07.040
<v Speaker 1>Trencher gets down and does ten pushups. Angle cyclone fence,

0:22:07.480 --> 0:22:10.600
<v Speaker 1>Sea Cow and Missus Linquist. Patterson can be heard in

0:22:10.640 --> 0:22:11.280
<v Speaker 1>the background.

0:22:12.160 --> 0:22:15.920
<v Speaker 17>Well, if you're sure it'll be all right, let's just.

0:22:15.920 --> 0:22:17.480
<v Speaker 8>Try it for a couple of days and see how

0:22:17.560 --> 0:22:20.359
<v Speaker 8>it works out. It ain't the ritz, but the food's

0:22:20.359 --> 0:22:22.240
<v Speaker 8>pretty nutritious. What's the horn?

0:22:23.720 --> 0:22:26.840
<v Speaker 5>Well, Arthur's always wanted to be a soldier.

0:22:28.000 --> 0:22:30.840
<v Speaker 1>She indicates, Linquist sitting at the edge of Patterson's class.

0:22:32.359 --> 0:22:36.760
<v Speaker 8>Okay, Missus Linquist, just so it's our secret angle Patterson.

0:22:37.160 --> 0:22:41.160
<v Speaker 1>He sees sea Cow at the fence. Mister Hamley, Sea

0:22:41.200 --> 0:22:45.480
<v Speaker 1>Cow double times back to class. Exterior munitions Bunker Day,

0:22:46.080 --> 0:22:49.720
<v Speaker 1>Slouch and Bee Bop are hidden from Patterson's class. Slouch

0:22:49.760 --> 0:22:53.160
<v Speaker 1>fits his key into the locked door. Cut to exterior

0:22:53.240 --> 0:22:57.720
<v Speaker 1>lagoon Day. Patterson diagrams on blackboard, voice it on the grass.

0:22:58.800 --> 0:23:01.840
<v Speaker 10>The first wave takes about twenty five minutes to hit

0:23:01.880 --> 0:23:06.520
<v Speaker 10>the shore at two minute intervals. The next three waves arrive.

0:23:07.200 --> 0:23:10.720
<v Speaker 10>The second wave contains the other rifle and weapons companies

0:23:10.760 --> 0:23:15.360
<v Speaker 10>of each battalion, the third a tank company and support units,

0:23:15.840 --> 0:23:18.280
<v Speaker 10>the fourth more support units.

0:23:19.320 --> 0:23:21.040
<v Speaker 9>In eight minutes, over.

0:23:20.880 --> 0:23:24.480
<v Speaker 10>Three thousand men and more than one hundred and fifty

0:23:24.640 --> 0:23:26.560
<v Speaker 10>armored vehicles are ashore.

0:23:27.119 --> 0:23:27.320
<v Speaker 2>Sir.

0:23:27.880 --> 0:23:28.680
<v Speaker 5>What's some question?

0:23:28.960 --> 0:23:29.480
<v Speaker 18>What is it?

0:23:29.520 --> 0:23:30.600
<v Speaker 9>Bova, Sir?

0:23:30.800 --> 0:23:33.680
<v Speaker 5>These three thousand men, How you gonna get them in

0:23:33.680 --> 0:23:34.280
<v Speaker 5>the boats?

0:23:34.440 --> 0:23:35.080
<v Speaker 9>Good question.

0:23:35.359 --> 0:23:39.560
<v Speaker 10>The success of the entire MAAF hinges on the ability

0:23:39.680 --> 0:23:45.080
<v Speaker 10>of these two dozen lvtps to get ashore and back

0:23:45.240 --> 0:23:46.040
<v Speaker 10>in one piece.

0:23:46.160 --> 0:23:49.879
<v Speaker 5>Third, No, No, what I mean is why the hell

0:23:49.960 --> 0:23:53.399
<v Speaker 5>would they want to get in the boat? Come again,

0:23:54.119 --> 0:23:56.400
<v Speaker 5>who's going to get in those boats? Infantry?

0:23:56.480 --> 0:23:59.560
<v Speaker 9>Right, primarily is my understanding, sir.

0:23:59.720 --> 0:24:02.320
<v Speaker 11>The ido's servant in the infantry and not being wounded

0:24:02.359 --> 0:24:05.919
<v Speaker 11>at kild in this century are less than one in three.

0:24:06.040 --> 0:24:06.879
<v Speaker 9>Where'd you hear that?

0:24:07.520 --> 0:24:07.960
<v Speaker 5>All right?

0:24:08.000 --> 0:24:09.879
<v Speaker 9>It sir, stuff and nonsense.

0:24:10.920 --> 0:24:16.440
<v Speaker 10>That's world infantry, Ruskies, goops, Japs, all those kinds of undisciplined,

0:24:16.520 --> 0:24:22.439
<v Speaker 10>untrained forsheto bastard's cannon fodder. I'm talking us infantry, the

0:24:22.440 --> 0:24:26.400
<v Speaker 10>most effectively prepared army in the world, the best equipped,

0:24:26.440 --> 0:24:30.040
<v Speaker 10>training and leadership this country has to offer.

0:24:30.080 --> 0:24:34.040
<v Speaker 1>Exterior Munition's bunker, Day Slouch and Beebop toss a large

0:24:34.119 --> 0:24:36.760
<v Speaker 1>canvass bag into a storage bin outside the bunker.

0:24:37.160 --> 0:24:38.760
<v Speaker 2>They run to rejoin the class.

0:24:39.440 --> 0:24:42.360
<v Speaker 1>Lindquist, who has been watching from a distance, approaches the bin.

0:24:42.960 --> 0:24:46.240
<v Speaker 1>He tentatively opens the bag and pulls out an object.

0:24:46.960 --> 0:24:49.840
<v Speaker 1>He holds a thirty caliber M one clip in his hand.

0:24:51.160 --> 0:24:56.480
<v Speaker 1>Cut to Exterior Lagoon. Day Patterson is lecturing still.

0:24:56.720 --> 0:25:00.359
<v Speaker 10>And I'll tell you something else, mister. The infantry is

0:25:00.400 --> 0:25:04.240
<v Speaker 10>the premier branch of the armed forces, the most noble calling,

0:25:04.359 --> 0:25:07.760
<v Speaker 10>and the most respected and patriotic service one can render

0:25:08.000 --> 0:25:08.840
<v Speaker 10>one's country.

0:25:08.920 --> 0:25:11.400
<v Speaker 5>So I guess getting killed is the highest form of patriotism.

0:25:11.600 --> 0:25:14.640
<v Speaker 10>Look, Bova, you don't fight a war to get shot.

0:25:14.800 --> 0:25:18.199
<v Speaker 10>You fight to win. Sometimes they shoot back, that's a

0:25:18.240 --> 0:25:19.080
<v Speaker 10>fact of life.

0:25:19.680 --> 0:25:21.960
<v Speaker 5>I still don't know what will compel me to get

0:25:22.000 --> 0:25:23.880
<v Speaker 5>in that damn boat.

0:25:23.680 --> 0:25:29.119
<v Speaker 10>Sir, Class Class, Can anyone give Bova a good reason

0:25:29.200 --> 0:25:30.440
<v Speaker 10>for getting in the boat?

0:25:30.680 --> 0:25:33.080
<v Speaker 13>Cause if we don't, they'll come get us and rape

0:25:33.119 --> 0:25:33.760
<v Speaker 13>our sisters.

0:25:33.920 --> 0:25:36.560
<v Speaker 5>I don't have a sister, because it's your duty.

0:25:37.680 --> 0:25:40.280
<v Speaker 18>Listen, It's like this, I watch your back and you

0:25:40.320 --> 0:25:42.800
<v Speaker 18>watch mine, And if I get in the boat and

0:25:42.880 --> 0:25:45.160
<v Speaker 18>you don't, I'm gonna blow your fucking head off.

0:25:46.280 --> 0:25:47.080
<v Speaker 2>That's a good reason.

0:25:47.680 --> 0:25:52.160
<v Speaker 1>Cut to interior Gymnasium day. Colonel Barnes is in a wheelchair. Now,

0:25:52.560 --> 0:25:54.880
<v Speaker 1>damn Ron lower is the mic form at the podium.

0:25:55.320 --> 0:25:58.080
<v Speaker 1>The boys are in their dress whites. They are just

0:25:58.240 --> 0:25:59.320
<v Speaker 1>ending the morning prayer.

0:26:00.160 --> 0:26:01.400
<v Speaker 5>Yes, in the name.

0:26:01.320 --> 0:26:07.000
<v Speaker 8>Of a great fred Master, Amen before you.

0:26:07.000 --> 0:26:11.639
<v Speaker 19>Your leave commences at thirteen hundred hours today. There are

0:26:11.680 --> 0:26:16.200
<v Speaker 19>a few words I'd like to say, as we are

0:26:16.320 --> 0:26:21.119
<v Speaker 19>all aware, the Dade County Fair is in two weeks

0:26:21.480 --> 0:26:28.639
<v Speaker 19>loud years, and this is the first occasion in the

0:26:28.720 --> 0:26:32.680
<v Speaker 19>two years that the school has been invited back to participate.

0:26:34.200 --> 0:26:37.639
<v Speaker 19>I trust that our appearance that this function will not

0:26:38.160 --> 0:26:40.720
<v Speaker 19>see a repetition of the.

0:26:40.760 --> 0:26:44.000
<v Speaker 12>Melee that occurred the year before last.

0:26:45.640 --> 0:26:48.760
<v Speaker 19>I know how difficult it is dealing with the taunts

0:26:48.760 --> 0:26:53.480
<v Speaker 19>of the townies, but reacting with undue force is not

0:26:53.640 --> 0:26:54.240
<v Speaker 19>our way.

0:26:54.080 --> 0:27:00.680
<v Speaker 12>Of building character. Boys working off major punishments.

0:27:00.480 --> 0:27:05.920
<v Speaker 19>Will be allowed three hours special leave from eighteen hundred

0:27:06.040 --> 0:27:10.320
<v Speaker 19>to twenty one hundred hours that afternoon to attend the fair.

0:27:13.440 --> 0:27:19.720
<v Speaker 19>I hope I don't live to regret this uncharacteristic display

0:27:19.760 --> 0:27:21.560
<v Speaker 19>of generosity.

0:27:22.760 --> 0:27:24.600
<v Speaker 5>Make me proud.

0:27:25.520 --> 0:27:26.240
<v Speaker 12>Now, I think.

0:27:26.760 --> 0:27:31.560
<v Speaker 19>Miss Yakimoto has an announcement to bank about the salt

0:27:31.680 --> 0:27:33.600
<v Speaker 19>vaccine booster shot.

0:27:34.359 --> 0:27:37.000
<v Speaker 1>Lorico stands at the podium and addresses the audience.

0:27:37.040 --> 0:27:41.359
<v Speaker 14>Sharlie, the United States Armed Forces has provided us with

0:27:41.480 --> 0:27:45.280
<v Speaker 14>this blessing. Please come to the dispensary beginning at zero

0:27:45.280 --> 0:27:48.000
<v Speaker 14>eight hundred hours this morning for your shots.

0:27:48.440 --> 0:27:52.280
<v Speaker 12>Thank you, Thank you, Miss Yakimoto.

0:27:53.600 --> 0:27:56.880
<v Speaker 19>Colonel Argamanez dismiss the core.

0:27:58.119 --> 0:28:01.400
<v Speaker 1>Cut to exterior front gate day. The boys are making

0:28:01.440 --> 0:28:04.640
<v Speaker 1>their exits for the weekend. Slouch and Beebop are furtively

0:28:04.720 --> 0:28:08.520
<v Speaker 1>lucking a heavy Duffel bag through the gate. Leshinski remains

0:28:08.520 --> 0:28:09.400
<v Speaker 1>inside the perimeter.

0:28:10.040 --> 0:28:13.000
<v Speaker 5>Hey, don't worry the Sinsk. You ain't missing much. Yeah,

0:28:13.240 --> 0:28:16.000
<v Speaker 5>just the beautiful women out there. He ain't missing nothing.

0:28:16.320 --> 0:28:18.200
<v Speaker 5>We'll take care of it for you. Yeah, yeah, save

0:28:18.200 --> 0:28:18.880
<v Speaker 5>it up for the fair.

0:28:19.240 --> 0:28:20.120
<v Speaker 2>Bear joins them.

0:28:20.720 --> 0:28:24.320
<v Speaker 13>Hold the Wild Mouse Riding two weeks. Oh hope they

0:28:24.320 --> 0:28:25.560
<v Speaker 13>have the wild Mouse Ride this year.

0:28:26.040 --> 0:28:28.879
<v Speaker 18>Hey Bear, I'm gonna need your boat again. Is it

0:28:29.000 --> 0:28:32.840
<v Speaker 18>in the same place, but fill her up this time?

0:28:32.960 --> 0:28:33.160
<v Speaker 2>Yeah?

0:28:33.200 --> 0:28:36.000
<v Speaker 18>Whatever, Lisinski, keep an eye on Linquist in case komb

0:28:36.040 --> 0:28:36.560
<v Speaker 18>shows up.

0:28:37.119 --> 0:28:40.600
<v Speaker 1>Cut to exterior highway. Bebop and Slouch. You're watching the

0:28:40.680 --> 0:28:41.640
<v Speaker 1>road for a car.

0:28:42.840 --> 0:28:45.280
<v Speaker 5>You know why he leave her? Jeez, with those tits.

0:28:45.280 --> 0:28:47.840
<v Speaker 5>He's gotta be crazy, can't he. Don't you say a

0:28:47.840 --> 0:28:49.800
<v Speaker 5>word about him leaving her. I'm sure she feels bad

0:28:49.880 --> 0:28:52.400
<v Speaker 5>enough without you asking a lot of stupid questions and

0:28:52.480 --> 0:28:54.200
<v Speaker 5>no funny stuff. She's my aunt.

0:28:54.480 --> 0:28:56.400
<v Speaker 1>A car pulls up near the gate with a very

0:28:56.400 --> 0:28:58.160
<v Speaker 1>attractive Cuban woman driving.

0:28:58.800 --> 0:29:02.320
<v Speaker 9>She waves to Beebop behave yourself.

0:29:02.600 --> 0:29:04.680
<v Speaker 5>Okay, okay, just so she don't give me a boner.

0:29:05.840 --> 0:29:09.640
<v Speaker 1>Dissolved to exterior Parade Field day. Lishinski walks around the

0:29:09.720 --> 0:29:13.800
<v Speaker 1>quiet school. It is deserted except for Wheeler in a distance,

0:29:13.840 --> 0:29:16.880
<v Speaker 1>banging on a mango tree with his sword. He shouts

0:29:16.960 --> 0:29:18.240
<v Speaker 1>up into the tree.

0:29:18.360 --> 0:29:19.960
<v Speaker 16>Hey mister, come down here.

0:29:19.960 --> 0:29:22.640
<v Speaker 1>That's norm A large mango flies out of the tree

0:29:22.640 --> 0:29:24.000
<v Speaker 1>and bunks Wheeler on the head.

0:29:24.400 --> 0:29:26.200
<v Speaker 6>You have it, Arthur, get out of that tree.

0:29:26.360 --> 0:29:32.240
<v Speaker 1>Linquist throws another mango. Cut to exterior and Selena's kitchen day.

0:29:32.840 --> 0:29:37.160
<v Speaker 1>Bebop and Slouch making sandwiches. Aunt Selena, forties in a

0:29:37.160 --> 0:29:39.320
<v Speaker 1>low cut dress, puts more food out for them.

0:29:40.240 --> 0:29:40.560
<v Speaker 9>Mmm.

0:29:40.800 --> 0:29:43.760
<v Speaker 7>I didn't know for sure whether you'd be alone this time, Mando,

0:29:44.440 --> 0:29:46.480
<v Speaker 7>or if your friend Antonio would be with you.

0:29:47.360 --> 0:29:49.000
<v Speaker 5>I hope it's all right, Missus Sarah Knita.

0:29:49.560 --> 0:29:55.240
<v Speaker 7>Of course it is, Antonio. You're welcome here anytime, Thank you, ma'am. Anyway,

0:29:55.920 --> 0:29:58.960
<v Speaker 7>I stopped at the farmer's market. I got these steaks

0:29:59.000 --> 0:30:03.760
<v Speaker 7>you like, Mando, Antonio. I got some Lebanon Baloni. I

0:30:03.760 --> 0:30:07.040
<v Speaker 7>couldn't remember if you like it thick, sliced or thin slice,

0:30:07.080 --> 0:30:11.160
<v Speaker 7>so I got both better safe than sorry. Then I

0:30:11.200 --> 0:30:15.040
<v Speaker 7>couldn't decide if you like American cheese or Swiss cheese.

0:30:15.760 --> 0:30:18.920
<v Speaker 7>But I only had the Swiss cheese sliced thin, and

0:30:19.040 --> 0:30:22.320
<v Speaker 7>then the American slice thick. The man at the counter

0:30:22.560 --> 0:30:23.760
<v Speaker 7>was a very rude.

0:30:24.280 --> 0:30:26.120
<v Speaker 17>I hope you don't mind.

0:30:26.360 --> 0:30:30.200
<v Speaker 5>Uh huh. You know, is that an dress, Missus Sario Panina.

0:30:31.000 --> 0:30:33.840
<v Speaker 9>Ah, this old thing, and you know.

0:30:33.800 --> 0:30:36.120
<v Speaker 5>It certainly sews off your figure.

0:30:36.160 --> 0:30:41.160
<v Speaker 18>There you're out, amenaism Slaus, you got.

0:30:41.080 --> 0:30:45.800
<v Speaker 1>Airs rum Cut to interior jbuss day, slouching Beebop puddle

0:30:45.840 --> 0:30:47.800
<v Speaker 1>with their large duffel bag on a bus seat.

0:30:48.240 --> 0:30:50.479
<v Speaker 2>A gun barrel is peeking out the top of the duffel.

0:30:50.840 --> 0:30:53.760
<v Speaker 1>A gas can on the floor one of the passengers

0:30:53.760 --> 0:30:55.560
<v Speaker 1>of crete ANDAs civilian looks them.

0:30:55.360 --> 0:31:01.560
<v Speaker 12>Over, are you familiar with military procedure?

0:31:01.920 --> 0:31:03.680
<v Speaker 2>Slouch tries to ignore the guy.

0:31:04.280 --> 0:31:07.440
<v Speaker 1>Another angle, a pretty black woman carrying a child makes

0:31:07.440 --> 0:31:10.240
<v Speaker 1>her way to the back of the bus. She jostles

0:31:10.280 --> 0:31:16.880
<v Speaker 1>a white woman along the way. Angle slouching bebop, I said,

0:31:17.120 --> 0:31:21.240
<v Speaker 1>are you familiar with correct military procedure?

0:31:21.840 --> 0:31:23.240
<v Speaker 5>Are you familiar with your teeth?

0:31:26.240 --> 0:31:29.160
<v Speaker 12>Now we skipped a partner, Yes, what's that? Let's go

0:31:29.280 --> 0:31:31.000
<v Speaker 12>back again, I.

0:31:31.040 --> 0:31:34.719
<v Speaker 19>Said, are you familiar with correct military procedure?

0:31:35.200 --> 0:31:35.800
<v Speaker 5>What's that.

0:31:37.480 --> 0:31:39.600
<v Speaker 12>Removing your hat on the bus?

0:31:40.400 --> 0:31:43.680
<v Speaker 5>Are you familiar with your teeth? This is our stuff?

0:31:43.760 --> 0:31:47.320
<v Speaker 5>And you know speaking of animals, lady the dog's ass continued.

0:31:47.440 --> 0:31:49.800
<v Speaker 1>They stumble off the bus, the Duffel with a Bezuoka

0:31:49.880 --> 0:31:53.680
<v Speaker 1>clinking against the door. Anita Taurus waits by a tree nearby.

0:31:54.640 --> 0:31:57.920
<v Speaker 1>Cut to inter Your a Company. Barrack's day is empty

0:31:57.960 --> 0:32:00.800
<v Speaker 1>except for Leashinsky lying on his bunk into the radio.

0:32:01.320 --> 0:32:04.160
<v Speaker 6>Don't miss the Kingston Trio Next week at the Dade

0:32:04.160 --> 0:32:04.840
<v Speaker 6>County Fair.

0:32:05.320 --> 0:32:06.720
<v Speaker 2>Tom Deuley plays.

0:32:07.160 --> 0:32:11.520
<v Speaker 1>Cut to Interior Major Damarn's office day. Madam butterflies with

0:32:11.560 --> 0:32:14.040
<v Speaker 1>Wheeler and Lindquist.

0:32:14.040 --> 0:32:16.800
<v Speaker 15>Excuse me, Miss Yakamoto is Major Damren around?

0:32:17.200 --> 0:32:17.760
<v Speaker 6>Nobody here?

0:32:17.800 --> 0:32:18.040
<v Speaker 5>Now?

0:32:18.720 --> 0:32:19.920
<v Speaker 16>Where's the officer of the day.

0:32:20.280 --> 0:32:22.200
<v Speaker 6>He's gone? Nobody here now.

0:32:22.440 --> 0:32:24.040
<v Speaker 16>Well, I'll take him over to Colonel Barnes.

0:32:24.400 --> 0:32:27.240
<v Speaker 6>No, no sleeping, nobody gone.

0:32:27.760 --> 0:32:28.880
<v Speaker 16>I got an imposter here.

0:32:29.960 --> 0:32:32.520
<v Speaker 6>Hello, Arthur, are you a soldier now?

0:32:33.000 --> 0:32:38.680
<v Speaker 1>Lindquist smiles. Cut to exterior everglades outpost day. Slouch and

0:32:38.760 --> 0:32:41.240
<v Speaker 1>Bebop and Anita Taurus motor up to a dock and

0:32:41.360 --> 0:32:47.000
<v Speaker 1>bear his airboat. Slouch is blindfolded. Bebop drives. Anita sits

0:32:47.040 --> 0:32:50.240
<v Speaker 1>next to Slouch playfully stroked his cheek, a pistol on

0:32:50.320 --> 0:32:54.080
<v Speaker 1>her lap. There are assorted Cubans and Cuban Americans gathered

0:32:54.120 --> 0:32:57.000
<v Speaker 1>on the landing dock. Anita signals a man on the

0:32:57.040 --> 0:33:00.240
<v Speaker 1>dock who lowers his rifle. He is Miguel sam.

0:33:00.120 --> 0:33:06.600
<v Speaker 5>Chez Guatemala Mievo Mafren.

0:33:08.240 --> 0:33:11.080
<v Speaker 1>Cut two interior shack. The room appears to be an

0:33:11.200 --> 0:33:15.480
<v Speaker 1>arsenal in command center. Bebop empties the Duffel's contents onto

0:33:15.520 --> 0:33:19.560
<v Speaker 1>a dimly lit table. Outfalls a Browning fifty caliber machine

0:33:19.600 --> 0:33:23.080
<v Speaker 1>gun and stand ammunitions and several hand.

0:33:22.840 --> 0:33:27.800
<v Speaker 18>Grenadesen Algusto has mio now can we come.

0:33:27.720 --> 0:33:30.400
<v Speaker 17>Along, gringo? You think this is going to be a vacation.

0:33:31.040 --> 0:33:35.080
<v Speaker 1>Cut to exterior armory window day, Wheeler and Linquist.

0:33:36.440 --> 0:33:38.600
<v Speaker 16>You want to be kumbs, mister Coombs, it is.

0:33:39.000 --> 0:33:42.440
<v Speaker 1>Wheeler grabs her dog tags around, Linquist snack and reads

0:33:42.480 --> 0:33:44.320
<v Speaker 1>his Linquist stands at the armory window.

0:33:44.800 --> 0:33:47.240
<v Speaker 2>He is at least more ready than his earlier attempt.

0:33:47.880 --> 0:33:50.840
<v Speaker 16>Cooms a two five seven three to two.

0:33:51.400 --> 0:33:54.040
<v Speaker 1>Linquist mouths the words and holds his arms ready for

0:33:54.120 --> 0:33:56.880
<v Speaker 1>the rifle. His calculations are a bit off, and the

0:33:57.000 --> 0:33:59.920
<v Speaker 1>rifle soars out the window, past his waiting hands into

0:34:00.120 --> 0:34:05.040
<v Speaker 1>the dirt. Wheeler cringes. Cut to exterior bull ring day.

0:34:05.600 --> 0:34:08.400
<v Speaker 1>The bull ring is a white gravel courtyard separating the

0:34:08.440 --> 0:34:09.520
<v Speaker 1>classroom buildings.

0:34:09.960 --> 0:34:10.560
<v Speaker 2>It is hot.

0:34:11.239 --> 0:34:15.040
<v Speaker 1>Lindquist attempts to march to Wheeler's commands. He's not doing

0:34:15.160 --> 0:34:16.040
<v Speaker 1>that well all.

0:34:16.000 --> 0:34:19.040
<v Speaker 15>Right, mister Coombs. You only fifteen demerits and that's before

0:34:19.080 --> 0:34:22.040
<v Speaker 15>you in awell. Seems your asses grass, mister Coombs.

0:34:22.440 --> 0:34:23.759
<v Speaker 16>Let's start with a little double time.

0:34:24.920 --> 0:34:26.319
<v Speaker 9>Can we get a little more on that read?

0:34:26.400 --> 0:34:29.400
<v Speaker 2>Please a little more? Yeah, you're you're in charge.

0:34:29.520 --> 0:34:32.240
<v Speaker 16>You're in charge, all right, mister Coombs.

0:34:33.080 --> 0:34:35.880
<v Speaker 15>You owe me fifteen demerits and that's before you went Awell,

0:34:36.400 --> 0:34:39.080
<v Speaker 15>seems your ass is grass, mister Coombs. Let's start with

0:34:39.120 --> 0:34:43.040
<v Speaker 15>a little double time left right, left, right.

0:34:43.360 --> 0:34:46.360
<v Speaker 1>Lind Quist has no idea what Wheeler is yelling about.

0:34:46.560 --> 0:34:48.520
<v Speaker 1>Wheeler pokes at him with his sword.

0:34:48.760 --> 0:34:51.800
<v Speaker 15>Left right, Come on, get him up, mister movies.

0:34:51.960 --> 0:34:56.160
<v Speaker 1>Lindquist dances to avoid the sword, then waddles away. Cut

0:34:56.200 --> 0:34:59.840
<v Speaker 1>to interior movie theater day. Tippy Hendron is on screen

0:35:00.040 --> 0:35:03.000
<v Speaker 1>running from the birds. There's a gas station scene where

0:35:03.000 --> 0:35:06.799
<v Speaker 1>the car blows up. Sea Cow captivated is alone at

0:35:06.840 --> 0:35:12.560
<v Speaker 1>a near empty theater. Cut to interior shack Day, slouch blindfolded.

0:35:12.600 --> 0:35:13.600
<v Speaker 2>Here's the men laughing.

0:35:14.880 --> 0:35:17.520
<v Speaker 5>Oh, what's the joke there's about to see us.

0:35:18.040 --> 0:35:21.080
<v Speaker 1>Miguel Sanchez speaks to be Bob in Spanish, then gives

0:35:21.080 --> 0:35:24.239
<v Speaker 1>a quick command Bebop, takes Slouch and leads him out

0:35:24.280 --> 0:35:24.920
<v Speaker 1>onto the porch.

0:35:25.960 --> 0:35:27.879
<v Speaker 5>He wants to talk to me for a minute. Say

0:35:27.960 --> 0:35:30.120
<v Speaker 5>put right here. You know what, No, this is bullshit,

0:35:31.200 --> 0:35:33.720
<v Speaker 5>don't be stupid and stop playing around.

0:35:34.680 --> 0:35:36.359
<v Speaker 2>Cut to interior shack day.

0:35:36.880 --> 0:35:39.880
<v Speaker 1>As Miguel explains something to be Bob in Spanish, a

0:35:40.040 --> 0:35:43.319
<v Speaker 1>man about forty five American dressed in a business suit

0:35:43.400 --> 0:35:44.480
<v Speaker 1>comes out of the back room.

0:35:46.040 --> 0:35:50.920
<v Speaker 12>So is this the young man from cim Fuegos.

0:35:51.280 --> 0:35:55.040
<v Speaker 1>Be Bob is silent. Miguel nods assurance to him. Be

0:35:55.200 --> 0:35:59.840
<v Speaker 1>Bob then nods affirmation. The man points to spot on

0:35:59.880 --> 0:36:02.520
<v Speaker 1>the map of Cuba laid out on the table, the

0:36:02.600 --> 0:36:04.520
<v Speaker 1>southern port city of San Fuegos.

0:36:06.520 --> 0:36:11.280
<v Speaker 12>Then I guess you uh know the Bahia de Corhas.

0:36:11.800 --> 0:36:15.720
<v Speaker 5>Bay of Pigs. See not the best for surfing.

0:36:18.280 --> 0:36:19.120
<v Speaker 12>You want to go home?

0:36:20.000 --> 0:36:23.279
<v Speaker 2>Bebop smiles only if Miamigo comes to.

0:36:24.360 --> 0:36:28.560
<v Speaker 1>Cut to exterior Airboat Day, Slouch, Bebop and Anita returning

0:36:28.600 --> 0:36:32.160
<v Speaker 1>through the glades. Anita is finally removing Slouch's blindfold.

0:36:32.640 --> 0:36:34.080
<v Speaker 2>Okay, now I don't have to kill you.

0:36:34.800 --> 0:36:37.920
<v Speaker 5>Yeah, so they figured you know too much already and

0:36:38.120 --> 0:36:41.160
<v Speaker 5>I told them you're indispensable and pedro ban So you're

0:36:41.200 --> 0:36:45.560
<v Speaker 5>in for now. Great, that's great. When do we go?

0:36:46.320 --> 0:36:49.839
<v Speaker 5>We wait, study you Espanol. Maybe you'll learn something.

0:36:50.360 --> 0:36:54.600
<v Speaker 1>Dissolved to exterior Miami Beach Day. Aunt Selina and Slouch

0:36:54.640 --> 0:36:57.000
<v Speaker 1>are in conversation while building a sand castle.

0:36:57.560 --> 0:36:59.400
<v Speaker 2>She is not hot turquoise bikini.

0:37:00.280 --> 0:37:03.080
<v Speaker 1>Bee Bob sits under a coconut palm, reading a book

0:37:03.160 --> 0:37:04.120
<v Speaker 1>with Pat on the cover.

0:37:05.440 --> 0:37:09.440
<v Speaker 7>He didn't seem too happy around Christmas time. So anyway,

0:37:09.680 --> 0:37:12.600
<v Speaker 7>a month ago, last Tuesday, he went to the Pigley

0:37:12.640 --> 0:37:15.439
<v Speaker 7>Wiggly for a pack of camels and never came back home.

0:37:15.920 --> 0:37:19.000
<v Speaker 1>Slouch catches a glare from Bebop but ignores it.

0:37:19.960 --> 0:37:24.279
<v Speaker 17>And do you want to know something, Antonio? In my heart,

0:37:25.080 --> 0:37:28.520
<v Speaker 17>I was deeply relieved Slouch is in lust.

0:37:29.600 --> 0:37:35.120
<v Speaker 7>I mean, I love him, I guess, but I never

0:37:35.239 --> 0:37:37.080
<v Speaker 7>really liked the son of a bitch most of the time.

0:37:37.800 --> 0:37:43.600
<v Speaker 7>God forgive me, pardon my French. Anyway, after two weeks

0:37:44.120 --> 0:37:48.080
<v Speaker 7>I called his mother, who hates me. She informs me

0:37:48.280 --> 0:37:52.080
<v Speaker 7>that he is in Colombia or Guatemala or God knows where,

0:37:52.320 --> 0:37:57.200
<v Speaker 7>and it is to ask me so many questions, and

0:37:57.360 --> 0:37:59.920
<v Speaker 7>that her little prick of a son would let me

0:38:00.280 --> 0:38:04.560
<v Speaker 7>know when it was my business. Mama's boy, a goddamn

0:38:04.680 --> 0:38:09.320
<v Speaker 7>mama's boy, the son of a bitch. If only he

0:38:09.400 --> 0:38:12.640
<v Speaker 7>would have the decency to call me a goddamn son

0:38:12.680 --> 0:38:13.080
<v Speaker 7>of a bitch.

0:38:13.800 --> 0:38:14.800
<v Speaker 5>Pardon you're French.

0:38:15.800 --> 0:38:21.440
<v Speaker 7>I mean to sneak out the back door again for cigarettes.

0:38:22.239 --> 0:38:22.960
<v Speaker 17>I'm sick of it.

0:38:23.520 --> 0:38:26.359
<v Speaker 1>Selina's eyes are moist as she kneels the sand near

0:38:26.440 --> 0:38:27.200
<v Speaker 1>the water's edge.

0:38:27.960 --> 0:38:30.960
<v Speaker 5>He'll be back, I mean, rouse a soldier, he has

0:38:31.040 --> 0:38:31.480
<v Speaker 5>his duties.

0:38:31.680 --> 0:38:36.640
<v Speaker 7>I know, duty, honor, and country and the American dream.

0:38:38.320 --> 0:38:43.080
<v Speaker 7>All you militaristas are the same. Such macho nonsense.

0:38:43.840 --> 0:38:45.640
<v Speaker 18>Maybe you shouldn't ought to be here if you think

0:38:45.719 --> 0:38:47.840
<v Speaker 18>like that, maybe you should have stayed in Cuba.

0:38:49.360 --> 0:38:52.640
<v Speaker 17>What gringo de mierda, you know nothing?

0:38:53.200 --> 0:38:54.400
<v Speaker 5>I know Mierda ain't French.

0:38:56.000 --> 0:38:58.320
<v Speaker 17>You think you know all about my life?

0:38:59.160 --> 0:39:01.680
<v Speaker 18>Okay, look you may not have noticed, but had a

0:39:01.719 --> 0:39:03.719
<v Speaker 18>lot going for you when you're a dental hygienis with

0:39:03.760 --> 0:39:06.000
<v Speaker 18>a good income in America. I mean if you were

0:39:06.040 --> 0:39:08.520
<v Speaker 18>in Cuba, your teeth will be fallen out. You have

0:39:08.600 --> 0:39:12.239
<v Speaker 18>a fridge full of groceries, I mean a TV. And

0:39:12.680 --> 0:39:15.680
<v Speaker 18>I mean you don't part of me saying so you

0:39:15.800 --> 0:39:18.200
<v Speaker 18>got a terrific personality and body.

0:39:18.600 --> 0:39:20.759
<v Speaker 5>I mean you name your ticket. Things ain't so bad

0:39:20.800 --> 0:39:21.239
<v Speaker 5>you're here, I.

0:39:21.280 --> 0:39:26.879
<v Speaker 17>Though you have a smart mouth. No, but you're right.

0:39:27.760 --> 0:39:31.279
<v Speaker 7>Things are good here. But we gave up a lot

0:39:31.560 --> 0:39:38.920
<v Speaker 7>to get here, A lot. You have Lebanon beloney II

0:39:39.160 --> 0:39:42.040
<v Speaker 7>too much? Do you think I still have.

0:39:42.120 --> 0:39:42.640
<v Speaker 9>A good bod?

0:39:43.560 --> 0:39:45.799
<v Speaker 5>Are you kidding or what you're knock out?

0:39:46.600 --> 0:39:48.800
<v Speaker 17>What are you all of seventeen?

0:39:49.719 --> 0:39:50.360
<v Speaker 5>I've been around.

0:39:54.040 --> 0:39:56.319
<v Speaker 2>She gets up and walks backwards seductively.

0:39:57.120 --> 0:40:00.320
<v Speaker 7>I bet you have so you think I they'll have

0:40:00.440 --> 0:40:01.359
<v Speaker 7>a nice bot.

0:40:02.120 --> 0:40:04.520
<v Speaker 2>Selena backs into the waves, and.

0:40:04.600 --> 0:40:07.480
<v Speaker 5>You know what you look like sitting there? A bottic shelley.

0:40:08.200 --> 0:40:10.600
<v Speaker 1>She looks blankly at him as she stands in the surf.

0:40:11.680 --> 0:40:14.680
<v Speaker 5>Venus, you are the birth of Venus.

0:40:14.840 --> 0:40:17.200
<v Speaker 9>More on that you're calling out. She's getting further away

0:40:17.200 --> 0:40:17.440
<v Speaker 9>from you.

0:40:17.800 --> 0:40:20.480
<v Speaker 5>Venus, you are the birth of Venus.

0:40:21.120 --> 0:40:22.520
<v Speaker 2>It registers with Selena.

0:40:23.280 --> 0:40:26.800
<v Speaker 1>She becomes the painting, placing one hand over her breasts

0:40:27.120 --> 0:40:30.319
<v Speaker 1>and the other over her delta. She backs into the sea,

0:40:30.440 --> 0:40:36.080
<v Speaker 1>beckoning slouch to follow. Cut to interior Perez's PX Day,

0:40:36.880 --> 0:40:40.000
<v Speaker 1>Dave Rubik's take Fireplace in the Jukeboxes. Wheeler enters with

0:40:40.080 --> 0:40:44.040
<v Speaker 1>his sword banging through a doorway. Linquist follows. He is

0:40:44.080 --> 0:40:45.680
<v Speaker 1>sweating profusely.

0:40:45.200 --> 0:40:49.160
<v Speaker 16>From his marching Want a chocolate coke? They sit at

0:40:49.239 --> 0:40:54.600
<v Speaker 16>the counter, two chocolate cokes, Jose, have you on a chocolate.

0:40:55.120 --> 0:40:58.200
<v Speaker 1>Perez has been watching Walter Cronkite on the Evening News.

0:40:59.040 --> 0:41:05.680
<v Speaker 10>E buddhas Monk sacrificed himself today in Saigon, another grizzly

0:41:05.920 --> 0:41:10.319
<v Speaker 10>act that continues the ever increasing protests against the rule

0:41:10.400 --> 0:41:13.320
<v Speaker 10>of President DM and his first lady.

0:41:13.160 --> 0:41:17.200
<v Speaker 1>Madam New angle the TV as the picture flashes to

0:41:17.280 --> 0:41:21.439
<v Speaker 1>a Buddhist monk setting himself a flame. Wheeler relinquists there

0:41:21.480 --> 0:41:21.719
<v Speaker 1>at the.

0:41:21.719 --> 0:41:26.480
<v Speaker 5>Screen dollars to know the comedies are behind that behind them?

0:41:26.640 --> 0:41:29.959
<v Speaker 2>Sally Barnes enters the PX Wheeler Caesar.

0:41:30.000 --> 0:41:32.560
<v Speaker 15>Comedies are that damn dragon, Lady, one of the two.

0:41:33.360 --> 0:41:35.279
<v Speaker 15>You know, one of the most important things about the

0:41:35.360 --> 0:41:39.040
<v Speaker 15>school is you can get yourself a decent education without

0:41:39.080 --> 0:41:41.600
<v Speaker 15>girls teeing at you all the time.

0:41:42.440 --> 0:41:45.160
<v Speaker 16>I've seen them come and go. Here and behind every

0:41:45.239 --> 0:41:46.680
<v Speaker 16>major problem is a woman.

0:41:47.480 --> 0:41:49.760
<v Speaker 2>Sally overhears and smiles to herself.

0:41:51.560 --> 0:41:55.080
<v Speaker 16>Take Coombs the where did he knocked up some bimbo

0:41:55.200 --> 0:41:58.320
<v Speaker 16>in Orlando? The end of a fine military career.

0:41:58.880 --> 0:42:02.719
<v Speaker 1>Cut to exterior looking late afternoon, Sally Barnes is a

0:42:02.760 --> 0:42:04.680
<v Speaker 1>loan on the boat dock, talking to herself.

0:42:05.360 --> 0:42:09.360
<v Speaker 3>You idiot, you self serving, pompousful Take the truck you want.

0:42:09.239 --> 0:42:11.120
<v Speaker 5>To go to the fair. Take the truck. I don't

0:42:11.160 --> 0:42:11.560
<v Speaker 5>want the truck.

0:42:11.600 --> 0:42:13.759
<v Speaker 17>I don't want anything from you. You son up a bitch.

0:42:13.960 --> 0:42:15.120
<v Speaker 17>I don't even want to be here.

0:42:15.560 --> 0:42:18.360
<v Speaker 2>She is startled by a voice behind her. Neither do I.

0:42:19.920 --> 0:42:20.640
<v Speaker 17>What are you doing here?

0:42:20.719 --> 0:42:20.959
<v Speaker 5>Mister?

0:42:21.320 --> 0:42:22.200
<v Speaker 17>This is off limits.

0:42:22.280 --> 0:42:24.680
<v Speaker 3>That's a D five, As I recall, get out of here,

0:42:24.800 --> 0:42:25.440
<v Speaker 3>get away from me.

0:42:26.600 --> 0:42:27.239
<v Speaker 2>Are you all right?

0:42:27.360 --> 0:42:28.319
<v Speaker 17>I said, fuck off?

0:42:28.920 --> 0:42:30.120
<v Speaker 5>I heard you talking to somebody.

0:42:30.160 --> 0:42:32.480
<v Speaker 17>I was talking to myself, you know, the asshole. What's

0:42:32.520 --> 0:42:34.560
<v Speaker 17>the matter? Didn't you ever talk to yourself.

0:42:34.719 --> 0:42:35.279
<v Speaker 9>All the time?

0:42:35.760 --> 0:42:37.520
<v Speaker 2>But it's usually a pretty boring conversation.

0:42:38.760 --> 0:42:41.279
<v Speaker 17>Can a person get any privacy in the damfish bowl?

0:42:41.800 --> 0:42:45.080
<v Speaker 4>I haven't asked myself the same question, you know, when

0:42:45.120 --> 0:42:47.920
<v Speaker 4>I talk to myself, I say, lishinsk you come to

0:42:48.000 --> 0:42:49.640
<v Speaker 4>this place, you get kicked out of bed at five

0:42:49.680 --> 0:42:51.920
<v Speaker 4>o'clock in the morning. You can get fed shit on

0:42:52.000 --> 0:42:53.759
<v Speaker 4>a shingle and you want to barf in your bunk,

0:42:53.840 --> 0:42:56.000
<v Speaker 4>But that's a D six. Then they shave my head

0:42:56.040 --> 0:42:58.200
<v Speaker 4>so I look like more time or snurred. Then they

0:42:58.280 --> 0:43:00.600
<v Speaker 4>march me around in circles for days, carrying a ten

0:43:00.680 --> 0:43:02.840
<v Speaker 4>pound rifle and one hundred and ninety degree heat with

0:43:02.920 --> 0:43:05.240
<v Speaker 4>an eleven year old hitler screaming in my face.

0:43:05.719 --> 0:43:07.800
<v Speaker 5>Then I meet this beautiful girl who tells me to

0:43:07.840 --> 0:43:11.800
<v Speaker 5>get lost. So here I am talking to you.

0:43:12.239 --> 0:43:13.000
<v Speaker 9>That was great.

0:43:13.120 --> 0:43:16.840
<v Speaker 5>I loved it. It's Mortimer's Mortemer right, Let's do it

0:43:16.880 --> 0:43:19.160
<v Speaker 5>one more time. Keep that same fashion. That was fantastic.

0:43:20.680 --> 0:43:22.319
<v Speaker 5>I've been asking myself the same question.

0:43:23.239 --> 0:43:26.360
<v Speaker 4>You know, when I talk to myself, I say, Lishinsk,

0:43:26.920 --> 0:43:28.759
<v Speaker 4>you come to this place, you get kicked out of

0:43:28.800 --> 0:43:30.640
<v Speaker 4>bed at five o'clock in the morning, and you get

0:43:30.680 --> 0:43:32.719
<v Speaker 4>fit shit on a shingle. You want to bar from

0:43:32.760 --> 0:43:35.040
<v Speaker 4>your bunk, but that's a D six. Then they shave

0:43:35.120 --> 0:43:37.560
<v Speaker 4>my head so I look like Mortimer snird. Then they

0:43:37.640 --> 0:43:40.520
<v Speaker 4>marched me in circles for days, carrying a ten pound

0:43:40.560 --> 0:43:42.960
<v Speaker 4>rifle and one hundred and ninetygree heat with eleven year

0:43:42.960 --> 0:43:45.880
<v Speaker 4>old Hitler screaming in my face. Then I meet this

0:43:45.920 --> 0:43:49.040
<v Speaker 4>beautiful girl who tells me to get lost. So here

0:43:49.120 --> 0:43:50.680
<v Speaker 4>I am talking to you.

0:43:51.160 --> 0:43:54.440
<v Speaker 17>You're right, you are boring.

0:43:55.760 --> 0:43:59.880
<v Speaker 1>Cut to exterior Miami Beach day Dusk slouches on the

0:44:00.000 --> 0:44:02.839
<v Speaker 1>each with Beebop aunt. Selena is in the water while

0:44:02.880 --> 0:44:04.560
<v Speaker 1>Beebop and slouch argue.

0:44:05.120 --> 0:44:07.880
<v Speaker 5>Just give me the towel. No, come on, it wasn't me.

0:44:08.120 --> 0:44:10.120
<v Speaker 5>It was the way a wave came along and pulled

0:44:10.160 --> 0:44:12.560
<v Speaker 5>them right off. You think I'm blind?

0:44:12.880 --> 0:44:14.759
<v Speaker 18>You think I didn't see you copulating in the ocean

0:44:14.840 --> 0:44:17.080
<v Speaker 18>like a couple of care free sperm wheel copulating?

0:44:17.200 --> 0:44:20.759
<v Speaker 5>What is that some spick word swere're somebody about? You

0:44:20.960 --> 0:44:23.480
<v Speaker 5>have the culture of a pit. Just give me the

0:44:23.600 --> 0:44:24.320
<v Speaker 5>damn towel.

0:44:24.880 --> 0:44:28.160
<v Speaker 1>Peebub throws a towel in Slouch's face. Slouch hurries to

0:44:28.200 --> 0:44:30.600
<v Speaker 1>assist Aunt Selena, who is rapidly turning blue.

0:44:31.239 --> 0:44:33.040
<v Speaker 5>Come on, ain't you ever been in love?

0:44:33.440 --> 0:44:35.840
<v Speaker 1>Slouch takes a towel out into the surf and wraps

0:44:35.880 --> 0:44:40.919
<v Speaker 1>it around Aunt Selena. Exterior parade field. Evening, Wheeler walks

0:44:40.920 --> 0:44:43.960
<v Speaker 1>across the parade field with his family Chauffeur Edison.

0:44:45.000 --> 0:44:48.440
<v Speaker 10>On Tuesday, I received a communication saying she would be

0:44:48.560 --> 0:44:52.720
<v Speaker 10>sailing from Athens to Cape and TB's and was curious

0:44:52.880 --> 0:44:55.600
<v Speaker 10>to know whether you would be able to join her

0:44:55.680 --> 0:44:57.000
<v Speaker 10>for the summer in Crete.

0:44:57.960 --> 0:45:01.360
<v Speaker 17>Is she still at that greaseball as far as I know.

0:45:01.880 --> 0:45:05.040
<v Speaker 1>Wheeler Shakespea's had a discust as they approached the front gate.

0:45:06.520 --> 0:45:09.560
<v Speaker 9>I was wondering if you were still interested in seeing

0:45:09.680 --> 0:45:15.120
<v Speaker 9>ben her this weekend, that you had expressed some previous interest.

0:45:15.400 --> 0:45:18.080
<v Speaker 16>Not this week in Edison duty calls very.

0:45:17.960 --> 0:45:20.880
<v Speaker 9>Good, sir, Are you in need of any cash?

0:45:21.360 --> 0:45:21.400
<v Speaker 18>No?

0:45:22.480 --> 0:45:23.279
<v Speaker 2>Outside the gate.

0:45:23.320 --> 0:45:26.040
<v Speaker 1>Wheeler opens a driver's door to a very long black

0:45:26.120 --> 0:45:28.160
<v Speaker 1>limousine and usher's Edison inside.

0:45:28.480 --> 0:45:29.680
<v Speaker 16>I'll check with you on Thursday.

0:45:30.440 --> 0:45:32.520
<v Speaker 2>Edison hands Wheeler a cardboard box.

0:45:32.880 --> 0:45:36.520
<v Speaker 9>Your shirt, sir, lighter on the starch this time.

0:45:38.040 --> 0:45:38.680
<v Speaker 2>End of that too,