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Speaker 1: So so what do you think?

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Speaker 2: Huh? Nice?

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Speaker 1: Right, not bad?

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Speaker 2: Right, nice digs, little babies all grown up.

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Speaker 3: Huh you're talking about David when you say nice.

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Speaker 2: Digs, Well, you know baby's all grown up.

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Speaker 3: Exclusively.

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Speaker 2: I was talking about me. But we've often been compared.

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Speaker 3: You and d V Digs really in what respect?

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Speaker 2: Well, I'm naturally musical.

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Speaker 3: I I guess I didn't know that. Can you do

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Speaker 3: you mind giving me a little dough RAMI.

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Speaker 2: Training? Just a couple dough ramies.

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Speaker 3: Don't have to do that the flats or the sharps,

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Speaker 3: just a pure dough RAMI, just.

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Speaker 2: The dough ramies. Yeah, hang on, let me back way

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Speaker 2: up and get a running start.

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Speaker 1: I mean, we do, we do, we do?

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Speaker 2: We do me. Don't make me, don't make me, don't

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Speaker 2: make me, don't make me.

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Speaker 1: Do ray me anything to avoid just saying yes, you

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Speaker 1: guys are doing great. The studio looks amazing.

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Speaker 2: Your studio that you made so good.

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Speaker 1: I did they put the notebooks out? I'm not there.

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Speaker 1: Did they put the notebooks out? We have the notebooks, Hazel.

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Speaker 3: I have to say, Hayes, it's a little I was

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Speaker 3: so excited to do the show, and then I arrive

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Speaker 3: here and I take my mandatory COVID test, which I

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Speaker 3: hope you also took.

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Speaker 2: Nobody looked at the results either.

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Speaker 3: Right, yeah, we I just threw it away the seconds.

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Speaker 2: I was like, I know my body, it's the ritual

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Speaker 2: of taking them that is now the important partner aciet

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Speaker 2: all community.

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Speaker 3: Yeah, yes, just casually swab your nose, throw it in

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Speaker 3: the trash. But I arrived here expecting to see my

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Speaker 3: good buddy Hayes. Yeah here and and and behold, you're

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Speaker 3: on a your two dimensional Who cares? I care?

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Speaker 2: Scott? You couldn't.

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Speaker 3: You couldn't. What are you doing that you could?

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Speaker 1: Friend?

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Speaker 3: You couldn't the same?

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Speaker 1: And then okay, you're you're looking so forward to seeing me,

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Speaker 1: and then for like ten minutes before we start, you're

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Speaker 1: trying to turn me down in the headphones, and then

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Speaker 1: you're asking me to speak quite so, like which is it?

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Speaker 4: Like?

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Speaker 2: Do you want to hear me or not? He wants

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Speaker 2: to see you and not hear you.

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Speaker 3: Yeah, that's the happy medium.

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Speaker 1: Mm hmm.

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Speaker 3: Where was I love to see you? Coming? Walk away?

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Speaker 3: All of it.

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Speaker 2: Treading water conversationally with Scott while he just kind of

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Speaker 2: kept watching the door for when you would enter. Yeah,

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Speaker 2: And then Kevin came out and said, like, so Hayes

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Speaker 2: is jointing over.

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Speaker 1: Zoom and just deflation, Oh my god, which I had

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Speaker 1: told Sean earlier, but not Kevin.

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Speaker 2: I wondered about that, and I was.

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Speaker 1: Yeah, pre pre be mad. Yeah, yeah, it's like it's

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Speaker 1: going to be my job to relay this to Kevin.

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Speaker 1: I said that. I said to Kevin, I should have

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Speaker 1: told you. It just it feels like, keV.

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Speaker 3: It feels like a slap in the face, not to

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Speaker 3: just to me, but to Kevin, to the fans and

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Speaker 3: what about me? I mean, I would imagine you're used

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Speaker 3: to it, but.

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Speaker 2: You never quite get used to it.

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Speaker 3: Really, you can slap in the face. Being slapped in

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Speaker 3: the face. It's like, yeah, I guess side, and this is.

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Speaker 1: What as soon as you're comfortable rather than just.

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Speaker 3: I cannot hear you when he's talking. But that's podcast

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Speaker 3: that's podcasting, baby. But it just feels it feels like

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Speaker 3: if you cared enough about I was so excited to

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Speaker 3: get the invite to be on the show and then

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Speaker 3: to find out that you're half assing it.

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Speaker 2: It's just, you know, this is podcasting without an net.

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Speaker 2: What what we see this as you're such a master

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Speaker 2: of the art form stuff. I mean, you've lugged so

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Speaker 2: many hours that isn't it interesting to provide new obstacles

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Speaker 2: to podcasting and see how you work around it and.

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Speaker 1: Make it hands handles this?

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Speaker 2: Yeah, I mean top chefs like these people are expert

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Speaker 2: chefs and they go like, well can you do it

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Speaker 2: with a blindfold? On? Can you do it with one hand?

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Speaker 2: You know, they introduced the stuff like that.

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Speaker 3: Really Olympics like Usain Bolts, you know, just like throwing

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Speaker 3: random chairs in his way.

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Speaker 1: Well, that that.

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Speaker 2: Could be pretty interesting. It might look a lot like

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Speaker 2: the Hurdles.

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Speaker 1: You know they have events where they hurles. Hmm?

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Speaker 3: Is that a new sitcom met the Hurdles? Thanks for

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Speaker 3: not talking during that little exchange between us, because I

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Speaker 3: would not.

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Speaker 1: I just wanted to make sure everyone got got their

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Speaker 1: stuff off.

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Speaker 3: Yep.

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Speaker 1: Nothing just I mean just like if I were you,

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Speaker 1: I would be very proud to see what a nice

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Speaker 1: studio we're recording in today.

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Speaker 3: I'm proud of my boys. I am proud of my boys.

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Speaker 3: You guys are that's very sweet. You guys are all

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Speaker 3: grown up. Is that is that what you wanted that's

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Speaker 3: very sweet.

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Speaker 1: Yeah, I could have used it a little faster, but.

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Speaker 3: Yeah, I'm proud of you guys. I mean, it's it's

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Speaker 3: difficult to make an honest dollar in podcasting, and so

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Speaker 3: to see you guys doing so well.

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Speaker 1: Making one dollar.

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Speaker 2: Yes it's one honest dollar and a couple shady ones,

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Speaker 2: but you put it all back into the studio obviously,

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Speaker 2: which is that's an investment in the business, you know,

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Speaker 2: Like it's like we we knew that fans were disappointed

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Speaker 2: we had been doing shows over zoom, so we built

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Speaker 2: a really nice studio. We're still, of course doing it

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Speaker 2: over zoom.

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Speaker 1: But does present in a studio?

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Speaker 3: Does one of you have to be in the studio

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Speaker 3: at all times?

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Speaker 2: Is that like only one?

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Speaker 3: Only one? So you guys can trade off.

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Speaker 2: The improv game where it's like someone sitting, so one's standing,

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Speaker 2: someone's lying down. I never did improv, Okay, So this

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Speaker 2: is like a short from It's pretty fun and it's

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Speaker 2: like you know, any type. So if somebody takes a seat,

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Speaker 2: then somebody else who's sitting has to stand up and

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Speaker 2: that causes the other person and it's kind of fun.

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Speaker 2: And so this is you know, this is a similar

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Speaker 2: thing where someone's on zoom, someone can't hear anyone right,

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Speaker 2: and someone's just like not into it, not feeling it.

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Speaker 3: I love it though. You guys are the best of

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Speaker 3: what you do.

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Speaker 1: We're proud of you too.

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Speaker 3: Yeah.

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Speaker 1: Oh, we're proud of you too.

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Speaker 2: We're proud of you too, Okay, Scott Bookerman, I.

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Speaker 1: Remember Comedy Book Book first went to Starbucks in the

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Speaker 1: parking lot.

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Speaker 3: I already had. We said, like coffee bean and tea leaf.

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Speaker 1: But we were we were just these little kids.

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Speaker 3: We were just like, yeah, you were new to you

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Speaker 3: were you were so new to Hollywood. Yes, it was

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Speaker 3: like you were fresh us. You were looking around you

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Speaker 3: you had your bindles on sticks, and you were just

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Speaker 3: looking around, going, wow, look at all. I didn't have

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Speaker 3: the heart to tell you that it wasn't really Hollywood.

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Speaker 3: It was the valley.

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Speaker 2: I was in my short pants. Yeah, I can't believe

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Speaker 2: it is that the Hollywood sign.

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Speaker 3: I said, no, that's the coffee bean and tea. You

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Speaker 3: didn't even know how to read, and but you told

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Speaker 3: yourself how to read one word, and that's podcast.

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Speaker 2: And turned out to be the only one that mattered,

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Speaker 2: the only one you'll ever need.

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Speaker 1: And we said, we said to you, can we please

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Speaker 1: do a podcast? You're like, you, actually you want to

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Speaker 1: do a fucking podcast. What do you want to what

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Speaker 1: do you want to do a podcast for? Yeah? And

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Speaker 1: we're like, well, you do a pod like you you

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Speaker 1: do this very popular show. Yeah. Well I'm just waiting.

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Speaker 1: I'm just waiting until I can write my book.

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Speaker 3: I'm waiting to cash out and then I'm going to

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Speaker 3: be an author.

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Speaker 1: Like it's all. It's all going into the it's about

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Speaker 1: this book inside. Hey, I know I got this book. Inside.

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Speaker 3: We'll talk about the book. When do you get a

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Speaker 3: haircut on air? Like Live for the Live.

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Speaker 1: For the Wow, gosh, that would have actually potentially saved

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Speaker 1: our last live show where we did not sell that

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Speaker 1: many tickets. I wonder if that would have been the

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Speaker 1: time to pull the trigger on getting a big haircut,

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Speaker 1: that brilliant marketing move giving people hanks.

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Speaker 2: I don't think we've sold any tickets for next month.

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Speaker 3: Guest, you do one live show a month and you

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Speaker 3: barely sell any tickets for them? Why not?

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Speaker 2: Like Consoliday, sometimes the time, sometimes the you know, the

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Speaker 2: time that it happens in the month makes it too

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Speaker 2: close to the previous one.

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Speaker 3: Yeah, that's my current theory. Sometimes there's conflicting things happening

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Speaker 3: against it, like you're you're one. This last month was

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Speaker 3: against the SpaceX rocket launch.

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Speaker 1: Yeah.

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Speaker 2: Yeah, timing is a bit little mister Elon went ahead

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Speaker 2: and stomped all over our ticket sales. But you know whatever,

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Speaker 2: he needs the helps a month.

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Speaker 3: Hmm, you're paying the eight dollars a month.

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Speaker 2: I'm waiting for it to come down. I'm waiting for

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Speaker 2: it to come.

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Speaker 3: A lot of people are leaving Twitter. I'm all in. Yeah,

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Speaker 3: now I pay sixteen, I get a blue check, I

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Speaker 3: get a gold check. I just I want to collect

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Speaker 3: the whole rainbow flag.

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Speaker 2: Yeah, that that's that's one way to go. I have

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Speaker 2: a feeling that the blue check will go on sale.

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Speaker 3: You think so.

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Speaker 2: I think there's going to be a flash sale, like

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Speaker 2: a half off sale. Yeah. I'm waiting to get I

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Speaker 2: keep checking retail me not for coupon codes.

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Speaker 1: He got us our blue checks, did you know that?

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Speaker 1: I that's how I got our blue check. So I

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Speaker 1: got Chris Bannon on it. I just I just emailed

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Speaker 1: Chris and I was like, Chris, you gave this to me.

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Speaker 1: They took it away.

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Speaker 3: You just emailed him. Really, he doesn't work for the

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Speaker 3: company anymore.

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Speaker 1: Wow, because of the because of this over the blue check.

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Speaker 3: Yes, he resigned a protest.

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Speaker 2: Damn my dude.

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Speaker 3: Yeah, ship, it's a sad team, so brave. Yeah, he's

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Speaker 3: on he has your backs, guys. Yeah, can we see

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Speaker 3: the book.

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Speaker 2: We want to look at the.

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Speaker 3: You want to look at it. You want a little

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Speaker 3: you want a little visual treat.

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Speaker 1: Let me take a little peek.

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Speaker 3: Yeah, here's the cover. Which one is my camera? This one,

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Speaker 3: this one, this one. Here we go.

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Speaker 2: That's you, damn dude. Yeah, they're all those crazy maniacs behind.

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Speaker 3: You, all the maniacs, and they're they're like fighting to

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Speaker 3: get into the studio, into the studio normally, normally it's

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Speaker 3: it's not like the Great White Fire, where like everyone's like,

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Speaker 3: I got to get out of the venue. It's on fire.

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Speaker 3: They're like they want to be in.

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Speaker 2: They want to be in inside the Yeah, the venue,

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Speaker 2: and you're coming in as well.

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Speaker 3: I I'm being forced in out of financial obligation. But

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Speaker 3: the other people want to be there.

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Speaker 2: They want to be there. You you have to be there.

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Speaker 3: I have to be there because I have a contract, and.

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Speaker 2: You do you know they're behind you.

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Speaker 3: No, that's okay. It explains all this in the in

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Speaker 3: the in the book.

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Speaker 2: Yeah, how many pages just explores this image?

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Speaker 3: Oh, the first third at least. But I it goes

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Speaker 3: into the details of my contract. We print my contracts,

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Speaker 3: all of the the addendums, all of the the red lining,

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Speaker 3: and then it goes into my sort of mentality that

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Speaker 3: morning about how I'm overdoing the show and I hate

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Speaker 3: podcasting and I don't want to do it anymore, and yeah,

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Speaker 3: I check my contracts, I'm like, yeah, I still have

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Speaker 3: two years left.

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Speaker 2: Still have to do it.

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Speaker 3: Yeah, So that there's a that's a big part of it.

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Speaker 3: And then the people behind me want to do it

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Speaker 3: for the exposure.

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Speaker 1: Decal edge. What's that deco edge?

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Speaker 3: Did you say decal edge?

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Speaker 2: You got a decal edge on that thing?

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Speaker 1: There's a paper, is it? Is there a nice little

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Speaker 1: deco on there where You're like.

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Speaker 3: No, No, the paper's pretty uniform. I I hate to say, yeah,

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Speaker 3: that's what I thought you were trying to say, and

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Speaker 3: I was wondering why, But then I looked at the picture.

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Speaker 1: You couldn't afford even one deck, even one little page

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Speaker 1: kind of like sticking out. That cuts you.

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Speaker 3: What would that do to have one page that's.

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Speaker 1: Well, you have zero zero, I mean I guess it

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Speaker 1: would I think zero what zero do would be by question?

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Speaker 2: Yeah, but we're fine with zero. But one is somehow

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Speaker 2: on a huge issue.

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Speaker 1: Yeah, just like one, yeah, one sharp page, one cherry

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Speaker 1: deco stick it out. Yeah.

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Speaker 3: I think it's actually more difficult to get them uniform.

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Speaker 3: And even that's that's actually quite a feat.

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Speaker 2: I mean we don't know.

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Speaker 3: Yeah, I mean I wasn't there. I feel like everybody

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Speaker 3: doesn't do that process. You don't have any books? Yeah,

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Speaker 3: basically our show is actually after a book. So yeah,

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Speaker 3: Hollywood Handbook, Hollywood hands Yeah, it's names named after a book.

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Speaker 2: Named after one of the main books.

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Speaker 3: I mean, you guys have a leg up on another

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Speaker 3: podcasts if you were to make your own book.

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Speaker 1: And our and our and our show logo is is

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Speaker 1: like a like sort of a kind of book.

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Speaker 2: Like there's notebooks here in the book like it.

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Speaker 3: Well, you guys could sell those. I mean, I'm sure

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Speaker 3: there are fans of yours who would we did you did?

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Speaker 1: Did we? Yeah?

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Speaker 3: You you?

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Speaker 1: I think you took home most of the most of

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Speaker 1: the coinage from.

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Speaker 3: That you guys have an uneven split or are you

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Speaker 3: talking like edge?

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Speaker 2: Yeah, we've got a bit of a decal edge. Uh no,

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Speaker 2: I think it was part of the Earwolf era merchandising.

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Speaker 3: Oh yeah yeah, so yeah, I'm still catching the checks

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Speaker 3: on your Hollywood handbook.

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Speaker 2: On the note handbook notebooks. Yeah, a lot of that

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Speaker 2: went into this glossy cover.

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Speaker 3: Yeah, it is pretty glott.

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Speaker 1: You know.

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Speaker 3: I'm glad you pointed that out, because you know, you

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Speaker 3: can either do a flat color or a glossy and

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Speaker 3: I was like, pour that gloss on.

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Speaker 2: Baby, bring for the extra gloss.

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Speaker 3: Yeah.

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Speaker 1: Have you met Michelle he has?

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Speaker 3: Why are you asking me this?

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Speaker 2: Yeah?

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Speaker 1: Just curious. Hey, Rachelle, you remember that show we were

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Speaker 1: talking about, uh the other day on our show that

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Speaker 1: you said that that you hadn't seen, that you had

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Speaker 1: listened to. Yeah, yeah, it's called Threedom.

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Speaker 2: Uh huh.

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Speaker 1: Don't don't talk about that on this on this show. Okay, yeah, okay,

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Speaker 1: I won't talk about it.

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Speaker 2: Don't bring that up.

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Speaker 1: Don't bring it up.

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Speaker 2: It's just going to confuse you. Yeah, I'm not bringing

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Speaker 2: up You.

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Speaker 1: Guys are bringing it up.

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Speaker 2: Yeah, well we're bringing it up so that you know,

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Speaker 2: not to. Okay, don't say who you think the hosts

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Speaker 2: of the show are. Okay, we told her.

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Speaker 1: We told Rachelle that we were the host of Threedom.

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Speaker 2: She was so impressed when she heard that we hosted three.

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Speaker 1: That it was two of hers. It was the two

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Speaker 1: of us and Cheff Kevin. So Scott, actually, could you

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Speaker 1: please not tell he show that.

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Speaker 3: I'm happy to.

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Speaker 2: Threat him just because, like, Rachelle is actually being really

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Speaker 2: nice to us. Ever since she found out we host Threedom.

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Speaker 3: She's impressed by this.

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Speaker 1: Yeah. Yeah, she wasn't really familiar with the show, but

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Speaker 1: she's really into the the fact that we host it.

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Speaker 2: Yeah, that seemed to get her on board. And prior

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Speaker 2: to that, it was pretty frosty over there.

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Speaker 3: Yeah, I could. I mean, I'm not comfortable kind of,

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Speaker 3: you know, lying in a three's company type situation, you know,

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Speaker 3: with two people here. There are five people here, but

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Speaker 3: I think you guys are in kind of a like

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Speaker 3: some sort of a triangle here are you guys? Are

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Speaker 3: either of you guys married?

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Speaker 1: Which? Who's who?

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Speaker 2: Are you asking?

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Speaker 3: What I'm talking to?

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Speaker 2: Kevin's trying to do it.

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Speaker 3: No, I know that I know I know about Kevin's.

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Speaker 1: Kevin is now attempting to get married.

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Speaker 3: Yeah, he might pull it off. We're rooting for him,

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Speaker 3: but I mean.

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Speaker 1: Yeah, yeah, he might pull it off.

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Speaker 3: His ring. What was that? That was the perfect sound

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Speaker 3: effect pulling up the ring? Someone hit the keyboard accidentally

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Speaker 3: when it sounded like him pulling off the ring and

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Speaker 3: discuss he can't help it. No, no, but I'm asking

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Speaker 3: about YouTube the host. Yeah on paper, you guys are

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Speaker 3: married on paper?

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Speaker 1: Yeah, not not while we're doing the show. So actually

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Speaker 1: right now?

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Speaker 3: No, oh wow, so you have an arrangement.

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Speaker 2: Yeah, during the show, anything goes.

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Speaker 3: Anything goes, because one of these days there might be

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Speaker 3: some hot actress, a Gal Gadot or something like that.

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Speaker 3: It comes in here and it's like, oh, I had

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Speaker 3: so much fun on the show, I want to fuck you.

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Speaker 1: Well that that would be after the show.

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Speaker 2: If she's saying that.

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Speaker 1: Air, he could see the only person he could conceive

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Speaker 1: of marrying during a podcast is a hot actress.

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Speaker 2: I know.

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Speaker 1: I clocked that to Hayes.

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Speaker 2: What very.

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Speaker 1: Scientists.

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Speaker 2: No, not a hot politician who's actually trying to make

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Speaker 2: real changes to some of these policies that have been

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Speaker 2: causing big problems for like.

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Speaker 3: AO, like, she's you know, she's pretty hot.

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Speaker 2: Is that?

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Speaker 3: Who are you talking about? Who do you find attractive

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Speaker 3: in that? In that area?

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Speaker 2: I think that what I think that what is really

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Speaker 2: hot is helping people.

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Speaker 1: So like a Nancy Pelosi, you're in pasta, I said,

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Speaker 1: you said, I said, pasta like that stuff. There's there's

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Speaker 1: smoke coming there.

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Speaker 3: Also there tubes sometimes so you can stick your penis

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Speaker 3: into it in side of it.

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Speaker 2: Well, have you seen somebody?

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Speaker 1: They're like basically like pockets some of it. Some of

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Speaker 1: it is almost called penis.

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Speaker 3: Some of the tube.

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Speaker 2: Honestly named penis.

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Speaker 3: Basically get some chef put it in the microwave for

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Speaker 3: fifteen seconds. It's pretty goocy.

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Speaker 2: And no, that's what I'm saying is yeah, inside is

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Speaker 2: pretty goosey some of that stuff. Yeah, so yeah, pasta

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00:18:07,359 --> 00:18:10,120
Speaker 2: can be pretty We have not had Chef boy Ardy

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Speaker 2: as a guest.

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Speaker 3: That's the goal, that's the dream.

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Speaker 1: He doesn't that's why we started this thing.

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Speaker 3: Yeah, he doesn't do with podcasts.

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Speaker 1: That's that's why we called him Chef Kevin. So shef

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Speaker 1: ward would I guess get jealous? Yeah, yeah, I don't

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Speaker 1: really remember. It's the gal I.

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Speaker 3: Feel like there was speaking of guests who don't do podcasts.

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Speaker 3: I feel like I had a guest on Comedy Bang

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Speaker 3: Bang once and you asked me, Hey, do you think

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00:18:34,200 --> 00:18:37,800
Speaker 3: they would do Hollywood Handbook? And I went to them

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Speaker 3: and I said, hey, would you like to do I

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00:18:39,560 --> 00:18:42,399
Speaker 3: actually did it, which, if you can believe it, I

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00:18:42,400 --> 00:18:43,240
Speaker 3: did a favor for you.

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Speaker 2: I remember being bold enough to even ask, and.

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Speaker 3: I said, hey, do you want to do Hollywood Handbook?

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00:18:47,280 --> 00:18:49,760
Speaker 3: And they said, I mean, I did yours because I

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Speaker 3: like you, but I do theirs. And suddenly I'm a

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Speaker 3: podcast guy. Yeah, yeah, yeah, I get that.

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Speaker 1: Well.

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Speaker 2: And that's chef boy Ardi's worry, I guess. Yeah, it's like,

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00:19:01,800 --> 00:19:04,720
Speaker 2: you know, nobody does podcasts until they finally do a podcast.

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00:19:04,760 --> 00:19:09,200
Speaker 3: Yeah, exactly, And he's it's chef Boyardy, it's not podcast Boyardy.

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00:19:10,520 --> 00:19:17,840
Speaker 2: Yes, that's true for now, sure, right, But like in

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Speaker 2: this economy.

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00:19:19,720 --> 00:19:22,560
Speaker 3: Boy, you're telling me, with Bidenomics these days going up,

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00:19:22,600 --> 00:19:25,080
Speaker 3: bump up, up up. The price of gas is now

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00:19:25,119 --> 00:19:28,560
Speaker 3: what fifteen five dollars?

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00:19:28,920 --> 00:19:32,360
Speaker 2: Yeah, it's fifteen The gallon for is do you get

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Speaker 2: a gallon for this now?

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00:19:33,520 --> 00:19:35,200
Speaker 3: Just just to just to get in the door.

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Speaker 2: Yeah. My experience was to just be allowed to touch

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Speaker 2: the pump.

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Speaker 3: Yeah, remember touch my Monkey?

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Speaker 1: Do you like?

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Speaker 3: Would I like to remember it? I guess because I don't.

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00:19:49,840 --> 00:19:51,360
Speaker 3: I don't know why I'm bringing up. I don't even

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Speaker 3: remember it.

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Speaker 2: Would you like to remember? Touch by Monkey?

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Speaker 4: This week on the Patreon the boys helped me prepare

431
00:19:59,359 --> 00:20:02,080
Speaker 4: for my podcas cast seminar on May fourth, and The

432
00:20:02,080 --> 00:20:06,160
Speaker 4: Flager Ones are mostly talking all things basketball plus see

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00:20:06,160 --> 00:20:08,920
Speaker 4: Hollywood Handbook live in Los Angeles May thirtieth at the

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00:20:09,000 --> 00:20:11,640
Speaker 4: Dynasty Typewriter And if you can't make it to the show,

435
00:20:11,720 --> 00:20:14,680
Speaker 4: you can watch the live stream for a week. Check

436
00:20:14,720 --> 00:20:17,520
Speaker 4: out all these shows and the video of today's episode

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00:20:17,560 --> 00:20:19,560
Speaker 4: with Scott at patreon dot com.

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Speaker 3: Slash the Flagger Ones.

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00:20:26,800 --> 00:20:31,040
Speaker 1: I'm on the Amazon page of what the book?

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00:20:31,400 --> 00:20:32,960
Speaker 2: The book it gotta be?

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00:20:33,119 --> 00:20:35,440
Speaker 3: Are there reviews? I haven't even checked. This are their reviews?

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Speaker 3: It comes out today?

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Speaker 2: By the way, is that Tuesday today?

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Speaker 1: Tuesday today?

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00:20:44,040 --> 00:20:46,840
Speaker 3: Being a professional, I know that's why I asked before

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Speaker 3: the show, I said, Hey, wouldn't.

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Speaker 1: You ask to do our show?

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00:20:49,480 --> 00:20:50,800
Speaker 2: Who did I ask you to ask?

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00:20:51,840 --> 00:20:53,880
Speaker 3: I'll tell you afterwards because it is someone you know.

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Speaker 1: Wow the guts?

451
00:20:56,800 --> 00:20:59,840
Speaker 2: Yeah, God, I'm so proud of meat.

452
00:21:00,800 --> 00:21:02,880
Speaker 1: I can't believe you did that.

453
00:21:03,040 --> 00:21:06,440
Speaker 2: Put on my big boy pants to Scott Document saying

454
00:21:06,560 --> 00:21:09,639
Speaker 2: can you please ask your friend to do my show?

455
00:21:09,760 --> 00:21:10,119
Speaker 1: Please?

456
00:21:10,200 --> 00:21:11,960
Speaker 3: To be honest, it may have been the Sclars, because

457
00:21:11,960 --> 00:21:13,080
Speaker 3: I get you guys confused.

458
00:21:13,359 --> 00:21:17,440
Speaker 1: Well okay, and that sounds like much more of a Sclar.

459
00:21:17,240 --> 00:21:21,800
Speaker 3: Move probably, But you guys are twins.

460
00:21:21,480 --> 00:21:27,080
Speaker 1: Right, Scarface, except you asked they have you to say

461
00:21:27,080 --> 00:21:28,280
Speaker 1: hello to your little friend?

462
00:21:29,600 --> 00:21:30,399
Speaker 3: Have they done?

463
00:21:31,600 --> 00:21:31,840
Speaker 1: God?

464
00:21:31,880 --> 00:21:33,480
Speaker 3: I gotta call my fair in front of your die

465
00:21:33,480 --> 00:21:36,640
Speaker 3: because Scarface is actually Yeah, this is good.

466
00:21:36,840 --> 00:21:40,480
Speaker 2: Yes, that could be power. That can be power.

467
00:21:40,640 --> 00:21:42,880
Speaker 3: I think that one won't be going straight to the crypt.

468
00:21:47,480 --> 00:21:49,000
Speaker 1: No reviews for this one, but.

469
00:21:49,160 --> 00:21:51,120
Speaker 3: No reviews yet. There's what's not out.

470
00:21:51,600 --> 00:21:57,240
Speaker 1: There's a sponsored ad on the page for the Official

471
00:21:57,359 --> 00:22:02,359
Speaker 1: Chuck Norris fact Book of Chuck's favored facts and stories

472
00:22:03,880 --> 00:22:09,520
Speaker 1: written by the actual Chuck Norris. WHOA, this is wow.

473
00:22:09,640 --> 00:22:12,960
Speaker 2: This story about the time he got bit by a snake.

474
00:22:14,320 --> 00:22:20,640
Speaker 1: Chuck Norris Fact number one. Chuck Norris was bitten by

475
00:22:20,680 --> 00:22:29,440
Speaker 1: a cobra. Wow. After five days of excruciating pain, the

476
00:22:29,520 --> 00:22:30,639
Speaker 1: cobra died.

477
00:22:31,520 --> 00:22:33,879
Speaker 3: Wait, the cobra was in pain for five days?

478
00:22:35,000 --> 00:22:36,960
Speaker 1: Yeah, there's actually the cobra.

479
00:22:37,119 --> 00:22:42,320
Speaker 2: The cobra was incrutiating pain. There's a sentence missing from

480
00:22:42,400 --> 00:22:42,920
Speaker 2: the story.

481
00:22:43,320 --> 00:22:46,760
Speaker 3: What at the end, because that was two sentences.

482
00:22:47,200 --> 00:22:49,119
Speaker 2: No, it's it goes in the center, right in the middle.

483
00:22:49,760 --> 00:22:52,239
Speaker 3: What's do you mind me asking what this is?

484
00:22:52,520 --> 00:22:54,600
Speaker 2: Yeah, I'm paraphrasing because it's been a while since there

485
00:22:54,720 --> 00:22:56,920
Speaker 2: the story. But it's Chuck Norris was bitten by a cobra.

486
00:22:58,280 --> 00:23:03,359
Speaker 2: Then I think the cobra got is dick stuck in

487
00:23:03,359 --> 00:23:05,280
Speaker 2: a light socket.

488
00:23:05,720 --> 00:23:08,879
Speaker 3: The cobra got his cobrat or his cobra dick, his

489
00:23:09,040 --> 00:23:10,960
Speaker 3: cobra dick stuck in a light Yeah.

490
00:23:10,960 --> 00:23:16,800
Speaker 1: I started in a light socket, a light socket.

491
00:23:17,400 --> 00:23:20,240
Speaker 3: So one of those electrical sockets you only use for lights.

492
00:23:20,600 --> 00:23:24,240
Speaker 2: Yeah, this one was light specific. Yeah, just the right

493
00:23:24,880 --> 00:23:27,040
Speaker 2: had the right amount of juice ampage.

494
00:23:27,280 --> 00:23:29,040
Speaker 1: Yeah, yeah, yeah, ampage.

495
00:23:29,119 --> 00:23:31,280
Speaker 2: Yes, that's the word I was looking for.

496
00:23:31,720 --> 00:23:34,520
Speaker 3: It had the right an I'm using it correctly.

497
00:23:35,160 --> 00:23:39,920
Speaker 2: No, it had the right ampage and uh yeah, and

498
00:23:40,040 --> 00:23:42,040
Speaker 2: the cobra was just enamored.

499
00:23:42,080 --> 00:23:44,359
Speaker 3: You know, I didn't know that cobra or snakes in

500
00:23:44,359 --> 00:23:45,960
Speaker 3: general had peenie.

501
00:23:46,840 --> 00:23:49,040
Speaker 2: Well that's why it's such an interesting Chuck Norris fact

502
00:23:49,040 --> 00:23:50,040
Speaker 2: to me, right.

503
00:23:50,600 --> 00:23:55,320
Speaker 1: Number one baby, Yeah, yeah, you almost don't need him

504
00:23:55,359 --> 00:23:57,280
Speaker 1: being bitten by the cobra in the story.

505
00:23:57,720 --> 00:23:59,760
Speaker 3: I actually don't know why that would be in the

506
00:23:59,720 --> 00:24:04,119
Speaker 3: middle of the two sentences because it doesn't have anything

507
00:24:04,160 --> 00:24:06,000
Speaker 3: to do with the first sentence. It doesn't have anything

508
00:24:06,040 --> 00:24:06,920
Speaker 3: to do with the second cent.

509
00:24:07,040 --> 00:24:08,560
Speaker 2: You don't think it has anything to do with the

510
00:24:08,560 --> 00:24:09,360
Speaker 2: second sentence.

511
00:24:09,480 --> 00:24:11,399
Speaker 3: Well, the cobra died five days later? Is that the

512
00:24:11,440 --> 00:24:12,359
Speaker 3: reason that he died?

513
00:24:12,600 --> 00:24:12,840
Speaker 1: Yeah?

514
00:24:13,720 --> 00:24:17,399
Speaker 3: Yeah, okay, yeah, I guess editing, I would say that

515
00:24:18,640 --> 00:24:21,760
Speaker 3: the final two sentences are germane to the story.

516
00:24:21,520 --> 00:24:23,800
Speaker 2: Right, so I would say, yeah, the first part, I mean,

517
00:24:24,880 --> 00:24:29,320
Speaker 2: the story could be the cobra died, yes, ora story

518
00:24:29,560 --> 00:24:31,120
Speaker 2: like the cobra died, you know.

519
00:24:31,720 --> 00:24:35,120
Speaker 3: But I guess, I guess this turns it into now

520
00:24:35,200 --> 00:24:38,679
Speaker 3: facts about a certain cobra and unless there are like

521
00:24:38,680 --> 00:24:40,000
Speaker 3: one hundred more factors.

522
00:24:39,720 --> 00:24:43,880
Speaker 2: Of cobra's Cobra's got dicks, right, Like that's the I mean,

523
00:24:44,160 --> 00:24:47,080
Speaker 2: that could be seemed to be what really captured your imagination. Yeah,

524
00:24:47,119 --> 00:24:48,160
Speaker 2: well yeah, yeah.

525
00:24:48,040 --> 00:24:51,000
Speaker 3: I thought they had. I don't know what I thought.

526
00:24:51,080 --> 00:24:53,080
Speaker 2: Yeah, what did you think was going on downstairs?

527
00:24:53,200 --> 00:24:55,880
Speaker 3: Holes chloas mm hmm.

528
00:24:56,240 --> 00:24:57,840
Speaker 1: That's bird. But that's a bird thing.

529
00:24:58,520 --> 00:24:59,600
Speaker 3: Yeah, that's a bird.

530
00:24:59,520 --> 00:25:02,320
Speaker 2: But that's a bird thing. Birds ain't reptiles.

531
00:25:02,680 --> 00:25:05,199
Speaker 3: Did dinosaurs become birds?

532
00:25:05,320 --> 00:25:05,879
Speaker 2: Have been.

533
00:25:07,880 --> 00:25:10,639
Speaker 3: On a recent show that they had feathers and all that,

534
00:25:10,680 --> 00:25:12,800
Speaker 3: But did did they have penises swinging?

535
00:25:13,280 --> 00:25:19,440
Speaker 2: Yeah? Dinosaurs were swinging that pipe baby, I know they

536
00:25:19,520 --> 00:25:24,840
Speaker 2: had uh some heavy hangers downstairs. It was the truth. Yeah, No,

537
00:25:24,960 --> 00:25:26,960
Speaker 2: dinosaurs had real big ones.

538
00:25:27,200 --> 00:25:28,879
Speaker 1: Dragon wow.

539
00:25:29,000 --> 00:25:34,679
Speaker 2: Yeah, I think they called dragons because they were dragging around.

540
00:25:34,920 --> 00:25:37,000
Speaker 3: Yeah, ship, I had no idea.

541
00:25:36,880 --> 00:25:39,480
Speaker 2: Dinosaurs have big ones, big scaley green ones.

542
00:25:40,240 --> 00:25:40,680
Speaker 3: Wow.

543
00:25:41,720 --> 00:25:43,120
Speaker 1: That's the way it was back then.

544
00:25:43,240 --> 00:25:46,040
Speaker 2: Man, you can't get away from the meteor.

545
00:25:46,640 --> 00:25:47,879
Speaker 1: You can't do that today.

546
00:25:48,400 --> 00:25:49,920
Speaker 3: Yeah, that's the thing.

547
00:25:50,000 --> 00:25:52,240
Speaker 2: Everything got killed by a meteor, but it wasn't meteor

548
00:25:52,280 --> 00:25:54,640
Speaker 2: than them. They had a fucking a lot of meat.

549
00:25:54,960 --> 00:25:58,440
Speaker 3: Yeah, everything's so woke now, like you couldn't make it

550
00:25:58,680 --> 00:26:01,520
Speaker 3: even have a big, scalely green Yeah. You couldn't make

551
00:26:01,520 --> 00:26:03,080
Speaker 3: a Jurassic Park movie these days.

552
00:26:03,359 --> 00:26:06,960
Speaker 2: Nope, No, you couldn't. You couldn't do it because thanks

553
00:26:07,040 --> 00:26:08,600
Speaker 2: to the woke mind virus.

554
00:26:08,680 --> 00:26:08,880
Speaker 3: Yep.

555
00:26:09,200 --> 00:26:12,040
Speaker 2: Yeah, now everyone can enjoy it because you're gonna get

556
00:26:12,040 --> 00:26:13,800
Speaker 2: triggered by a big scaley Green one.

557
00:26:13,880 --> 00:26:17,199
Speaker 1: You gotta be yeah a guy going poop in a

558
00:26:17,240 --> 00:26:19,879
Speaker 1: movie anymore? Yeah, which they did show in that.

559
00:26:20,720 --> 00:26:22,280
Speaker 3: I don't I don't want my kids to go to

560
00:26:22,400 --> 00:26:25,560
Speaker 3: Jurassic Park because I don't want them to see two

561
00:26:25,640 --> 00:26:29,000
Speaker 3: dinosaurs fucking, just hardcore fucking for twenty minutes in the

562
00:26:29,000 --> 00:26:31,760
Speaker 3: middle of the movie. It's like, come on, yeah, that

563
00:26:31,840 --> 00:26:32,720
Speaker 3: makes me sick.

564
00:26:32,920 --> 00:26:35,000
Speaker 2: Yeah, that makes me sick. Like where do you think

565
00:26:35,000 --> 00:26:37,080
Speaker 2: you come from? Like we all got here, because that's

566
00:26:37,080 --> 00:26:38,320
Speaker 2: exactly fucking.

567
00:26:38,160 --> 00:26:40,399
Speaker 3: That's the thing. Like I just had a NEPO baby

568
00:26:40,440 --> 00:26:45,000
Speaker 3: and uh, first day showed her porn because I was like,

569
00:26:45,240 --> 00:26:48,520
Speaker 3: this is where you come from. Yeah, now that's that's

570
00:26:48,520 --> 00:26:50,040
Speaker 3: had cool up. And I did not have to have

571
00:26:50,119 --> 00:26:51,440
Speaker 3: sex in order for this to happen.

572
00:26:51,920 --> 00:26:54,600
Speaker 2: No, but the but the porn act you were showing

573
00:26:54,680 --> 00:26:55,480
Speaker 2: wasn't sex either.

574
00:26:55,680 --> 00:26:57,280
Speaker 3: No, No, that's simulated sex.

575
00:26:57,400 --> 00:26:59,280
Speaker 1: You didn't have to have sex after you saw porn.

576
00:27:00,640 --> 00:27:04,760
Speaker 1: No no, no, that's crazy. I have to So you're

577
00:27:05,080 --> 00:27:07,240
Speaker 1: what are the steps? The steps makes me think? It

578
00:27:07,280 --> 00:27:09,240
Speaker 1: makes me think of having steps.

579
00:27:08,880 --> 00:27:10,720
Speaker 3: It makes you think of having porn?

580
00:27:10,800 --> 00:27:12,800
Speaker 1: Does Yeah, I got it and I have to go

581
00:27:12,920 --> 00:27:13,520
Speaker 1: have it.

582
00:27:13,520 --> 00:27:15,920
Speaker 2: It inceptions me with the idea of sex.

583
00:27:16,280 --> 00:27:20,600
Speaker 3: Yeah, that's so crazy. I'd never have put the two together.

584
00:27:20,960 --> 00:27:25,199
Speaker 2: No, it really Yes, it really does for some reason.

585
00:27:25,240 --> 00:27:27,879
Speaker 2: That's so funny. We haven't talked about this. It's connected

586
00:27:28,000 --> 00:27:29,480
Speaker 2: to sex in my mind.

587
00:27:29,760 --> 00:27:32,199
Speaker 3: Yes, I've never put that together. Usually I'll turn on

588
00:27:32,240 --> 00:27:34,280
Speaker 3: a porn I'll watch it for about fifty five minutes,

589
00:27:34,359 --> 00:27:36,720
Speaker 3: you know, because I have a spare hour. Yeah, and

590
00:27:36,840 --> 00:27:38,920
Speaker 3: I at the end of it, I turn it off

591
00:27:38,920 --> 00:27:41,320
Speaker 3: and I just go about the rest of my day.

592
00:27:41,640 --> 00:27:44,360
Speaker 2: You turn it off, but I get turned on. Interesting,

593
00:27:44,359 --> 00:27:46,840
Speaker 2: And you've never put that together. But I start putting

594
00:27:46,880 --> 00:27:48,440
Speaker 2: it together as soon as I turn it off.

595
00:27:48,720 --> 00:27:53,240
Speaker 1: But I'm turned off. I'm just saying the different ways

596
00:27:53,240 --> 00:27:57,000
Speaker 1: we experience it, Okay, And Jenia Rochelle's like, you guys

597
00:27:57,000 --> 00:28:00,639
Speaker 1: talked about porn and the last episode ever recorded with

598
00:28:00,680 --> 00:28:04,120
Speaker 1: you for a long time, this every episode, So maybe

599
00:28:04,160 --> 00:28:05,320
Speaker 1: it's you.

600
00:28:06,359 --> 00:28:07,800
Speaker 3: Yeah, we didn't do this.

601
00:28:08,280 --> 00:28:09,160
Speaker 2: There's you.

602
00:28:09,160 --> 00:28:12,119
Speaker 1: You and you suggest something else, like, like, you know,

603
00:28:12,400 --> 00:28:13,840
Speaker 1: lest what do you want to hear about it? At

604
00:28:13,880 --> 00:28:15,760
Speaker 1: least come up with an alternative thing.

605
00:28:16,359 --> 00:28:18,280
Speaker 2: Like this is threedom. This is what we do on

606
00:28:18,320 --> 00:28:20,680
Speaker 2: this show, you know, Like we just we talk about

607
00:28:20,840 --> 00:28:24,840
Speaker 2: this is freedom. Now, Oh that makes sense. It should yeah, because.

608
00:28:24,880 --> 00:28:28,960
Speaker 3: Rachelle, this is this is threedom. Okay, now we can

609
00:28:28,960 --> 00:28:30,560
Speaker 3: talk about whatever. I mean.

610
00:28:30,600 --> 00:28:36,080
Speaker 1: It's forward by Jack Quaid. May I touch the book

611
00:28:37,200 --> 00:28:39,000
Speaker 1: the past tense of Jack k.

612
00:28:40,080 --> 00:28:42,360
Speaker 3: The past tense of Jack cast.

613
00:28:42,320 --> 00:28:44,760
Speaker 1: Participle of Jack k Jack Kaid.

614
00:28:46,200 --> 00:28:49,880
Speaker 2: Was there a discussion at any point of uh, there's

615
00:28:49,920 --> 00:28:53,400
Speaker 2: so many people contributed to the book, Yeah, over fifty

616
00:28:53,560 --> 00:28:57,840
Speaker 2: over fifty yeah. Was there any discussion of having.

617
00:28:58,200 --> 00:29:02,000
Speaker 1: Over fifty one, over fifty one, fifty two or fifty

618
00:29:02,040 --> 00:29:02,520
Speaker 1: two even?

619
00:29:03,440 --> 00:29:05,320
Speaker 2: I mean if you're yeah, that makes sense. There's a

620
00:29:05,400 --> 00:29:10,240
Speaker 2: bunch of cards in there, right, how about two real cards?

621
00:29:10,320 --> 00:29:11,040
Speaker 1: How about two boar?

622
00:29:11,560 --> 00:29:14,600
Speaker 2: Yeah? Yeah, how about you add a couple of jokers

623
00:29:15,480 --> 00:29:19,840
Speaker 2: then you'd have a full deck. Did you think about

624
00:29:19,880 --> 00:29:21,520
Speaker 2: Hayes and I doing anything like.

625
00:29:22,800 --> 00:29:24,400
Speaker 3: I mean, it's a it's a comedy book.

626
00:29:25,080 --> 00:29:28,160
Speaker 1: Yeah, oh yeah, yeah, Jack Quaide, that's right. You gotta

627
00:29:28,160 --> 00:29:30,760
Speaker 1: have Jack Wade and touchdown of Miscelani the famous.

628
00:29:31,200 --> 00:29:33,720
Speaker 3: They're very funny. Have you have they been on this show?

629
00:29:34,200 --> 00:29:34,400
Speaker 1: Yes?

630
00:29:35,520 --> 00:29:35,880
Speaker 3: They have?

631
00:29:36,200 --> 00:29:37,920
Speaker 1: Any Next question?

632
00:29:38,320 --> 00:29:40,400
Speaker 2: Yes, next easy one?

633
00:29:41,520 --> 00:29:44,920
Speaker 1: Yes? Both what each barely? Yes?

634
00:29:45,400 --> 00:29:47,240
Speaker 3: How did that come about?

635
00:29:47,600 --> 00:29:50,920
Speaker 2: I don't know, come about what am I on a sailboat?

636
00:29:51,360 --> 00:29:57,200
Speaker 3: Yeah, basically what one episode onloat.

637
00:29:57,880 --> 00:30:00,959
Speaker 2: What happened was And it's very simple. We saw they

638
00:30:01,000 --> 00:30:03,640
Speaker 2: had Doug Company bang Bag, and we said, Jesus Christ,

639
00:30:03,640 --> 00:30:05,440
Speaker 2: maybe they'll do all we.

640
00:30:05,440 --> 00:30:08,680
Speaker 1: Said last time. Last time we asked Scott if he

641
00:30:08,800 --> 00:30:11,880
Speaker 1: would ask them didn't go, so huh. We don't even

642
00:30:11,880 --> 00:30:14,720
Speaker 1: know if he did it, And so we just asked

643
00:30:14,760 --> 00:30:16,440
Speaker 1: them directly and they said yes, which is what we

644
00:30:16,440 --> 00:30:18,720
Speaker 1: should have done with whoever you were talking about.

645
00:30:19,200 --> 00:30:23,800
Speaker 3: Yeah, No, I mean Tatiana and Jack. They they were

646
00:30:23,800 --> 00:30:24,600
Speaker 3: both fans.

647
00:30:24,880 --> 00:30:30,200
Speaker 1: You know, you say, Tatiana Tatiana, what do you?

648
00:30:30,200 --> 00:30:31,680
Speaker 3: How do you how are you supposed to say it?

649
00:30:32,880 --> 00:30:34,560
Speaker 1: I don't just I just don't know if it's if

650
00:30:34,560 --> 00:30:39,760
Speaker 1: it's Tatiana Tatiana. Okay, that's just sounds off to me.

651
00:30:40,680 --> 00:30:46,480
Speaker 1: Are you doing Gadote again? Your famous Gatot impression? I

652
00:30:46,600 --> 00:30:47,080
Speaker 1: love you.

653
00:30:51,200 --> 00:30:53,880
Speaker 3: They were fans, and I I I wanted, you know,

654
00:30:53,920 --> 00:30:56,440
Speaker 3: I wanted a couple of intros from fans.

655
00:30:56,840 --> 00:30:57,600
Speaker 1: They were fans.

656
00:30:58,480 --> 00:31:00,960
Speaker 3: Show the fact that they have hapen to be famous

657
00:31:01,000 --> 00:31:03,840
Speaker 3: people was I didn't even realize it until after they

658
00:31:03,840 --> 00:31:05,760
Speaker 3: wrote their introductions. I was kind of like, oh, let's

659
00:31:05,760 --> 00:31:08,560
Speaker 3: get a couple of fans to write intros someday.

660
00:31:08,240 --> 00:31:11,280
Speaker 2: Because it made it look like it was just like trying.

661
00:31:10,960 --> 00:31:14,560
Speaker 3: To Yeah, it was weird because they had a hold

662
00:31:14,560 --> 00:31:17,080
Speaker 3: of same thing with lin Manuel Miranda, he was a fan,

663
00:31:18,120 --> 00:31:20,040
Speaker 3: but I didn't even realize that. I was like, I

664
00:31:20,160 --> 00:31:22,760
Speaker 3: just kind of, you know, cast the net and I

665
00:31:22,840 --> 00:31:25,320
Speaker 3: was like, Hey, do any fans want to write intros

666
00:31:25,360 --> 00:31:29,520
Speaker 3: for this? And those three three people said yes, it's weird.

667
00:31:29,600 --> 00:31:34,920
Speaker 3: And now I'm seeing the intersection of how yeah happen.

668
00:31:35,160 --> 00:31:38,040
Speaker 1: And they used to submit catchphrases and stuff too, right,

669
00:31:38,080 --> 00:31:39,560
Speaker 1: Oh yeah, some of the best.

670
00:31:39,320 --> 00:31:41,760
Speaker 3: Ones, some of the best ones. Yeah, oh well.

671
00:31:41,600 --> 00:31:43,040
Speaker 1: They're they're all good.

672
00:31:43,160 --> 00:31:46,320
Speaker 3: Alexander Hamilton, that was one of the catchphrases that Lynn.

673
00:31:46,840 --> 00:31:50,920
Speaker 2: Yeah, he he did, Hamilton. Yeah, it's funny man, funny play.

674
00:31:50,920 --> 00:31:51,840
Speaker 3: It's a funny play.

675
00:31:52,240 --> 00:31:59,720
Speaker 1: Laugh my ass off, dude, Because what do you think?

676
00:31:59,760 --> 00:32:00,760
Speaker 3: Well lies about it?

677
00:32:00,880 --> 00:32:03,320
Speaker 1: The fact that the whole thing was complete bullshit fake,

678
00:32:03,400 --> 00:32:04,440
Speaker 1: The fact that.

679
00:32:03,880 --> 00:32:07,160
Speaker 3: The cast was comprised of people of color.

680
00:32:07,880 --> 00:32:10,280
Speaker 1: That's what that's where, that's where you listen to it.

681
00:32:11,840 --> 00:32:14,200
Speaker 1: I I just listened to the original cast recording. I

682
00:32:14,240 --> 00:32:16,520
Speaker 1: didn't that. But if But if that was a big

683
00:32:16,560 --> 00:32:17,640
Speaker 1: concern for you, then that.

684
00:32:18,000 --> 00:32:20,040
Speaker 3: Let me guess who's who's your favorite Take it up

685
00:32:20,040 --> 00:32:21,560
Speaker 3: with him. Who's your favorite character?

686
00:32:21,640 --> 00:32:22,000
Speaker 2: The King?

687
00:32:22,120 --> 00:32:23,200
Speaker 3: George, King Georgia.

688
00:32:23,880 --> 00:32:31,680
Speaker 2: That ship works in any era that worked. The King

689
00:32:31,960 --> 00:32:37,080
Speaker 2: was doing something a little different, and for me, he

690
00:32:37,240 --> 00:32:37,760
Speaker 2: was serving.

691
00:32:38,000 --> 00:32:40,640
Speaker 3: Yeah, well he was. He wasn't rapping. I'll get I'll

692
00:32:40,680 --> 00:32:46,480
Speaker 3: give you that. He sang a song, but yeah, I

693
00:32:46,160 --> 00:32:46,720
Speaker 3: I I.

694
00:32:46,680 --> 00:32:48,240
Speaker 2: Do three times.

695
00:32:48,240 --> 00:32:51,400
Speaker 3: He sang it, Wow, you're a real song.

696
00:32:51,960 --> 00:32:53,360
Speaker 2: But he didn't just sing it once.

697
00:32:55,520 --> 00:32:57,480
Speaker 3: He sang what they what they call a reprise.

698
00:32:58,160 --> 00:32:59,400
Speaker 2: Mm hmm.

699
00:33:00,040 --> 00:33:04,040
Speaker 3: Second time is great. No, first time is great.

700
00:33:04,200 --> 00:33:05,800
Speaker 2: First time is great, Second.

701
00:33:05,480 --> 00:33:07,920
Speaker 3: Time is annoying. Third time is a spanking.

702
00:33:09,320 --> 00:33:13,240
Speaker 2: That's what I was taught, Okay, and who was teaching you?

703
00:33:13,320 --> 00:33:17,640
Speaker 2: A visious headmaster of some kind.

704
00:33:18,680 --> 00:33:21,880
Speaker 3: I think anytime you do like one thing and you

705
00:33:21,960 --> 00:33:25,120
Speaker 3: get laughs, yeah, and there because second time is annoying,

706
00:33:25,200 --> 00:33:26,200
Speaker 3: third time is a spanking.

707
00:33:26,360 --> 00:33:28,520
Speaker 2: Whatever you've done it almost five hundred times?

708
00:33:29,960 --> 00:33:31,480
Speaker 3: Is that how many episodes you've done?

709
00:33:31,760 --> 00:33:33,080
Speaker 1: That's it's good close.

710
00:33:33,600 --> 00:33:36,200
Speaker 3: That's ten years? Is it almost ten years?

711
00:33:36,240 --> 00:33:36,960
Speaker 1: It's hard to tell.

712
00:33:37,080 --> 00:33:38,800
Speaker 2: It's hard to tell because we don't have the big

713
00:33:38,840 --> 00:33:43,560
Speaker 2: press tour that the five episode of Comedy Bag Big had. Yeah,

714
00:33:43,600 --> 00:33:46,239
Speaker 2: the oral history is pretty sure, it's actually just the

715
00:33:46,280 --> 00:33:47,360
Speaker 2: podcast itself.

716
00:33:47,480 --> 00:33:51,120
Speaker 3: Were you guys involved in the oral history of we actually?

717
00:33:51,640 --> 00:33:52,960
Speaker 3: Did you get a quote in there?

718
00:33:53,040 --> 00:33:53,640
Speaker 1: That one?

719
00:33:54,800 --> 00:33:58,840
Speaker 2: That one I'm trying to remember. I know we're not

720
00:33:58,880 --> 00:34:01,440
Speaker 2: in the book history.

721
00:34:02,360 --> 00:34:08,440
Speaker 3: I I apologize that you're not in the book. I

722
00:34:08,680 --> 00:34:12,600
Speaker 3: does it sound better or worse that I didn't even

723
00:34:12,640 --> 00:34:13,480
Speaker 3: think to put you in it?

724
00:34:15,840 --> 00:34:17,759
Speaker 1: I guess that's better than that you thought about it

725
00:34:17,840 --> 00:34:18,880
Speaker 1: and said.

726
00:34:18,760 --> 00:34:22,400
Speaker 3: No, right, like yeah, never even better never even popped

727
00:34:22,400 --> 00:34:23,080
Speaker 3: in my head.

728
00:34:23,040 --> 00:34:24,200
Speaker 2: Never crossed your mind.

729
00:34:24,360 --> 00:34:27,279
Speaker 3: No, never, because if it had popped into my head

730
00:34:27,280 --> 00:34:30,640
Speaker 3: and I went hell, no, yeah, that's a really.

731
00:34:30,760 --> 00:34:36,319
Speaker 2: Way, that's more more cruel, I think. Yeah.

732
00:34:36,480 --> 00:34:39,200
Speaker 3: No, I just I I was focused on when that

733
00:34:39,239 --> 00:34:42,600
Speaker 3: you're busy, you know, you're I was actually had nothing

734
00:34:42,600 --> 00:34:45,359
Speaker 3: to do, yeah, or busy yet yeah, this is during

735
00:34:45,360 --> 00:34:47,800
Speaker 3: the pandemic we put this together, so I was really

736
00:34:47,840 --> 00:34:51,360
Speaker 3: looking for tasks. No, I was just I was mainly

737
00:34:51,400 --> 00:34:54,879
Speaker 3: focused on the fans and what they would want, you know,

738
00:34:55,360 --> 00:35:00,960
Speaker 3: and and you know, yeah, I mean you because you

739
00:35:01,239 --> 00:35:04,800
Speaker 3: were you on the you were on Comedy Bang Bang once, right.

740
00:35:05,320 --> 00:35:09,279
Speaker 1: Oh, my God, yes, I guess that's technically true. I

741
00:35:09,400 --> 00:35:11,200
Speaker 1: just all the time we did then we were on

742
00:35:11,280 --> 00:35:15,520
Speaker 1: it again, and that one was definitely annoying, and then

743
00:35:15,560 --> 00:35:16,759
Speaker 1: we did it a third.

744
00:35:16,560 --> 00:35:19,480
Speaker 3: Time and I what did I do? And you did?

745
00:35:19,560 --> 00:35:22,680
Speaker 1: Yeah, that's right, So this is all. Yeah, the student

746
00:35:22,760 --> 00:35:24,479
Speaker 1: became the teacher, big bank.

747
00:35:24,800 --> 00:35:28,160
Speaker 3: Yeah, but I it's hard to remember because I've been

748
00:35:28,239 --> 00:35:30,400
Speaker 3: so many episodes. You know, I've done eight hundred.

749
00:35:30,480 --> 00:35:32,719
Speaker 1: Now do you remember how many Jack Wade has done.

750
00:35:33,640 --> 00:35:36,439
Speaker 3: He's done a good four mm hmm.

751
00:35:36,960 --> 00:35:39,560
Speaker 1: I guess three is not a very many were born.

752
00:35:40,000 --> 00:35:42,879
Speaker 1: In my opinion, three is one of the worst fours.

753
00:35:43,920 --> 00:35:47,799
Speaker 3: It's when you're looking at fours, it's not even in

754
00:35:47,840 --> 00:35:48,840
Speaker 3: the top ten of fours.

755
00:35:49,080 --> 00:35:51,520
Speaker 1: It's terrible because okay, let's.

756
00:35:51,360 --> 00:35:54,719
Speaker 3: Run down the top ten of fours. Number what is

757
00:35:55,239 --> 00:35:59,440
Speaker 3: number ten? You have four? Uh, number nine.

758
00:36:00,400 --> 00:36:01,399
Speaker 1: That's gotta be full.

759
00:36:03,440 --> 00:36:08,000
Speaker 3: Yeah, eight is probably I guess I would put four

760
00:36:08,200 --> 00:36:13,399
Speaker 3: at no competition. Yeah yeah, seven that's probably four.

761
00:36:13,480 --> 00:36:17,160
Speaker 1: Yeah. Yeah, Six is six. I know.

762
00:36:17,560 --> 00:36:20,759
Speaker 2: I mean I'm gonna catch heat for this. Six. I

763
00:36:20,800 --> 00:36:23,240
Speaker 2: would actually say should be four.

764
00:36:24,360 --> 00:36:30,200
Speaker 1: Yeah, yeah, yeah. I think four through six are almost

765
00:36:30,239 --> 00:36:31,280
Speaker 1: like tied.

766
00:36:31,560 --> 00:36:34,440
Speaker 3: They're almost it's almost like they're tied at four.

767
00:36:34,400 --> 00:36:37,000
Speaker 1: Four four has to be four yeah yeah.

768
00:36:37,160 --> 00:36:39,319
Speaker 3: And then so four, five and six are all five

769
00:36:39,440 --> 00:36:42,279
Speaker 3: is yeah, yeah, yeah, they're all tied for four, but

770
00:36:42,400 --> 00:36:45,359
Speaker 3: it's six is four, five is four, and.

771
00:36:45,400 --> 00:36:47,879
Speaker 2: Four is four four four threes four.

772
00:36:48,280 --> 00:36:49,520
Speaker 1: A lot of wait, a lot.

773
00:36:49,360 --> 00:36:54,680
Speaker 3: Of people put four at number three four third, yeah, and.

774
00:36:54,800 --> 00:36:59,520
Speaker 2: My ranking is I have four third and then one

775
00:36:59,560 --> 00:37:01,920
Speaker 2: in two. You are like a tie. For me, it's

776
00:37:01,960 --> 00:37:04,840
Speaker 2: almost one in one a.

777
00:37:04,000 --> 00:37:13,680
Speaker 3: Right, and i'd put probably four you have four two yeah, yeah, yeah.

778
00:37:13,920 --> 00:37:16,160
Speaker 2: Yeah, I have no beef with that. I like, I mean,

779
00:37:15,880 --> 00:37:19,080
Speaker 2: I have what you're almost the exact same list.

780
00:37:19,280 --> 00:37:20,160
Speaker 3: What's your number one?

781
00:37:20,760 --> 00:37:23,480
Speaker 2: Number one? Yeah, it's for me, the number one is

782
00:37:23,560 --> 00:37:28,279
Speaker 2: like a personal right thing. No, it's not like the

783
00:37:28,440 --> 00:37:31,399
Speaker 2: universal like the whole world agrees on number one, because

784
00:37:31,440 --> 00:37:33,960
Speaker 2: you can't pick a best of anything like it's always

785
00:37:34,000 --> 00:37:36,759
Speaker 2: you bring your experience to it. So for me, I

786
00:37:36,880 --> 00:37:38,160
Speaker 2: say that number one is.

787
00:37:38,160 --> 00:37:41,080
Speaker 3: Four forty forty I can see, I mean, I see

788
00:37:41,120 --> 00:37:47,680
Speaker 3: you're forty four forty four forty four. That honestly, that's

789
00:37:47,719 --> 00:37:51,520
Speaker 3: one of the best fours because it's like there's two

790
00:37:51,600 --> 00:37:52,120
Speaker 3: of them.

791
00:37:52,080 --> 00:37:54,320
Speaker 2: It used to. But yeah, it's that it used to

792
00:37:54,400 --> 00:37:55,160
Speaker 2: be sixty nine.

793
00:37:55,680 --> 00:38:01,040
Speaker 3: Yeah, my top ten fournumber one is four twenty.

794
00:38:01,600 --> 00:38:02,560
Speaker 1: What do you think that Paul?

795
00:38:02,760 --> 00:38:06,839
Speaker 3: He who's Paul?

796
00:38:07,200 --> 00:38:07,879
Speaker 2: Top ten?

797
00:38:08,200 --> 00:38:11,080
Speaker 1: Four? This guy is always talking about how he like

798
00:38:11,120 --> 00:38:12,200
Speaker 1: loves Letterman and.

799
00:38:12,200 --> 00:38:13,319
Speaker 3: He when.

800
00:38:15,560 --> 00:38:18,400
Speaker 1: Yeah, he doesn't, it's like it's again.

801
00:38:18,320 --> 00:38:21,320
Speaker 2: Doesn't love it. This is what's crazy about Scott, and

802
00:38:22,000 --> 00:38:26,560
Speaker 2: you're a friend, so I say it with love. He

803
00:38:26,600 --> 00:38:30,840
Speaker 2: says he loves Letterman, but when you do Letterman at him,

804
00:38:30,880 --> 00:38:31,919
Speaker 2: all of a sudden.

805
00:38:31,600 --> 00:38:33,359
Speaker 1: It's like he's not enjoying it.

806
00:38:34,360 --> 00:38:35,640
Speaker 3: Maybe I don't like Letterman.

807
00:38:35,840 --> 00:38:36,759
Speaker 1: Could you do that?

808
00:38:36,960 --> 00:38:39,640
Speaker 2: Because Hayes just did a pretty spot on one.

809
00:38:40,080 --> 00:38:45,319
Speaker 3: Yeah, the Paul thing, he where basically you said what

810
00:38:45,360 --> 00:38:48,600
Speaker 3: do you think of that? Paul? And I assumed you

811
00:38:48,600 --> 00:38:52,480
Speaker 3: were talking about someone in the room with us, so

812
00:38:52,560 --> 00:38:53,319
Speaker 3: I didn't get it.

813
00:38:53,600 --> 00:38:55,680
Speaker 1: Who's in the room? I mean, I can't even see

814
00:38:55,840 --> 00:38:57,200
Speaker 1: is there so many Paul in there?

815
00:38:58,320 --> 00:39:00,520
Speaker 3: That's what I was wondering. I was looking. I looked

816
00:39:00,560 --> 00:39:02,560
Speaker 3: a little bit to my right because then I could

817
00:39:02,600 --> 00:39:05,880
Speaker 3: see how that would be confusing. Yeah, do you know

818
00:39:05,960 --> 00:39:10,239
Speaker 3: any Paul's Well, I mean there was another one like

819
00:39:10,320 --> 00:39:12,759
Speaker 3: who I guess he's also a fan of your show,

820
00:39:12,800 --> 00:39:14,960
Speaker 3: but he was asked to write another ForWord for you.

821
00:39:16,400 --> 00:39:16,759
Speaker 3: Who's that?

822
00:39:18,800 --> 00:39:21,080
Speaker 1: I mean, Paul F. Tomkin? He was on your show

823
00:39:21,200 --> 00:39:26,120
Speaker 1: like three hundred times. Hmmm, which is I guess, I

824
00:39:26,160 --> 00:39:27,440
Speaker 1: guess is a pretty good four.

825
00:39:28,480 --> 00:39:31,360
Speaker 3: That's a pretty good I mean as fours go. I mean,

826
00:39:31,400 --> 00:39:32,239
Speaker 3: it's not top ten.

827
00:39:32,760 --> 00:39:35,440
Speaker 1: I read that you like that, you like thinking that

828
00:39:35,560 --> 00:39:37,520
Speaker 1: podcasting is the future of comedy.

829
00:39:38,000 --> 00:39:39,920
Speaker 3: Okay, let me just clarify this.

830
00:39:41,200 --> 00:39:43,680
Speaker 1: That's that's great for me and for you. You got

831
00:39:43,680 --> 00:39:44,320
Speaker 1: a podcast.

832
00:39:44,640 --> 00:39:48,120
Speaker 3: Yeah, let me clarify this because in the in the

833
00:39:48,160 --> 00:39:51,360
Speaker 3: bulk of the interview, you read my actual quote, which

834
00:39:51,400 --> 00:39:56,360
Speaker 3: is at the time I considered podcasting to be the

835
00:39:56,400 --> 00:39:59,640
Speaker 3: future of comedy. We're talking about ten years ago. Oh,

836
00:39:59,719 --> 00:40:03,720
Speaker 3: they lift that and make the headline Scott Ackerman thinks

837
00:40:03,880 --> 00:40:07,840
Speaker 3: podcasting is the future of comedy. No, I fucking don't.

838
00:40:09,640 --> 00:40:11,400
Speaker 1: Do you believe that it was your future?

839
00:40:11,600 --> 00:40:11,960
Speaker 2: Comedy?

840
00:40:12,000 --> 00:40:12,400
Speaker 1: Idiots?

841
00:40:12,480 --> 00:40:15,040
Speaker 2: Do you still believe that it was the no comedy?

842
00:40:15,719 --> 00:40:16,319
Speaker 3: Not for you?

843
00:40:18,680 --> 00:40:19,560
Speaker 2: You guys do with me?

844
00:40:19,680 --> 00:40:22,080
Speaker 3: You guys had some promising careers. When I met you,

845
00:40:22,200 --> 00:40:26,719
Speaker 3: Oh my god, you were so you were so kind

846
00:40:26,760 --> 00:40:30,480
Speaker 3: of wet behind the ears, you were so green, but

847
00:40:30,760 --> 00:40:31,320
Speaker 3: I could.

848
00:40:31,200 --> 00:40:33,040
Speaker 2: Tell I was like with suspenders.

849
00:40:33,200 --> 00:40:36,720
Speaker 3: I was like, give like, give these guys ten years

850
00:40:36,719 --> 00:40:38,400
Speaker 3: and people will get them.

851
00:40:38,440 --> 00:40:39,440
Speaker 2: I was so off.

852
00:40:39,880 --> 00:40:41,040
Speaker 3: I was so off.

853
00:40:42,080 --> 00:40:45,640
Speaker 1: Can I talk about one thing in this article? Yeah,

854
00:40:45,920 --> 00:40:49,200
Speaker 1: this is taliking about ninety five. We're going back to

855
00:40:49,280 --> 00:40:50,680
Speaker 1: nineteen ninety five, nineteen.

856
00:40:53,800 --> 00:40:57,120
Speaker 3: That man Superman fuck it around.

857
00:40:58,719 --> 00:41:01,600
Speaker 1: And you're at the comedy store and yeah, it says

858
00:41:02,000 --> 00:41:05,760
Speaker 1: the world famous college Scott. He explains that the comedy

859
00:41:05,760 --> 00:41:08,520
Speaker 1: world at the time and it was dominated by quote

860
00:41:08,719 --> 00:41:11,920
Speaker 1: very safe Tim Allen type stuff.

861
00:41:12,760 --> 00:41:19,359
Speaker 2: Shots five Alan caught astray, very so safe. He went

862
00:41:19,400 --> 00:41:20,239
Speaker 2: to fucking jail.

863
00:41:20,360 --> 00:41:22,759
Speaker 1: Yeah, he wasn't doing big enough mountains.

864
00:41:23,000 --> 00:41:27,120
Speaker 2: Yeah, it wasn't a dangerous guy like you Jesus Christ.

865
00:41:27,520 --> 00:41:29,279
Speaker 1: Guy was in fucking prison.

866
00:41:29,000 --> 00:41:30,360
Speaker 2: Man, that's true.

867
00:41:30,520 --> 00:41:30,919
Speaker 3: That's true.

868
00:41:30,920 --> 00:41:32,279
Speaker 1: I mean, put me in a room with him and

869
00:41:32,480 --> 00:41:33,960
Speaker 1: freaking Panama powder.

870
00:41:34,800 --> 00:41:39,160
Speaker 3: Yeah, he'll probably too safe. Put me in a with him,

871
00:41:39,200 --> 00:41:41,799
Speaker 3: he'll wrap me out so he can get get a

872
00:41:41,800 --> 00:41:46,880
Speaker 3: better lunch. Fucking rat.

873
00:41:49,480 --> 00:41:50,759
Speaker 2: He's a bad guy, man.

874
00:41:50,960 --> 00:41:53,080
Speaker 3: Do you think that? Do you think that he was.

875
00:41:54,880 --> 00:41:56,400
Speaker 1: He was using power tools?

876
00:41:56,680 --> 00:41:58,600
Speaker 3: Yeah, that's not safe. Do you think in the Toy

877
00:41:58,600 --> 00:42:00,759
Speaker 3: Story movies he ever ratted out like one of the

878
00:42:00,840 --> 00:42:03,000
Speaker 3: other cast members like Don Rickles.

879
00:42:02,680 --> 00:42:05,720
Speaker 2: Or Hey Wallace Sean has been.

880
00:42:07,440 --> 00:42:10,840
Speaker 3: Like, that's just what he does, extra coffee every day,

881
00:42:11,560 --> 00:42:13,640
Speaker 3: That's just what he does on in any situation.

882
00:42:14,160 --> 00:42:16,120
Speaker 2: It's turned the bottom line of the production, you know

883
00:42:16,120 --> 00:42:18,480
Speaker 2: what I mean, that's money. It could be in my pocket.

884
00:42:18,680 --> 00:42:20,000
Speaker 1: Speaking of which.

885
00:42:21,480 --> 00:42:23,000
Speaker 3: What do you think of what he had to say

886
00:42:23,000 --> 00:42:26,680
Speaker 3: about Pamela Anderson? Like he basically what did he say?

887
00:42:26,800 --> 00:42:32,400
Speaker 3: Abbahba no? She she said that he exposed himself to her.

888
00:42:32,800 --> 00:42:34,160
Speaker 1: Oh my gosh.

889
00:42:34,320 --> 00:42:36,040
Speaker 3: And he denies it and said that.

890
00:42:36,360 --> 00:42:38,680
Speaker 1: And you called that very safe humor.

891
00:42:39,160 --> 00:42:39,680
Speaker 3: That's true.

892
00:42:39,680 --> 00:42:44,399
Speaker 2: That's really safe to just use power tools without really

893
00:42:44,480 --> 00:42:47,840
Speaker 2: understanding how they worked, did tons of cocaine with to

894
00:42:47,920 --> 00:42:52,520
Speaker 2: confess his entire face?

895
00:42:55,040 --> 00:42:57,200
Speaker 3: At least he could grow a mustache. You ever see

896
00:42:57,200 --> 00:42:59,799
Speaker 3: his mupshot He's got sweet mustade.

897
00:43:00,080 --> 00:43:03,000
Speaker 2: Yeah, I could barely grow most of that man.

898
00:43:03,880 --> 00:43:05,959
Speaker 3: So, I mean, he's got that up on me. And look,

899
00:43:06,000 --> 00:43:09,759
Speaker 3: the guy's so successful. I doubt he's listening to this show.

900
00:43:09,800 --> 00:43:13,560
Speaker 3: Although he might be searching the internet to hear his name.

901
00:43:13,719 --> 00:43:16,399
Speaker 3: He might tell me that the Disney Corporation is really

902
00:43:16,520 --> 00:43:18,879
Speaker 3: upset with me about what I had to say about

903
00:43:18,920 --> 00:43:19,760
Speaker 3: him in that article.

904
00:43:20,440 --> 00:43:22,480
Speaker 2: Oh yeah, so his Yeah, so we didn't get to

905
00:43:22,520 --> 00:43:24,759
Speaker 2: his response. So she said that he did that, and

906
00:43:24,760 --> 00:43:27,600
Speaker 2: then he Disney's man at Pam and.

907
00:43:27,440 --> 00:43:32,160
Speaker 3: He said, I've never done that, and and Disney is

908
00:43:32,280 --> 00:43:35,200
Speaker 3: very upset that you would lie about that, like implying

909
00:43:35,600 --> 00:43:36,800
Speaker 3: you're never going to work for Disney.

910
00:43:36,880 --> 00:43:41,799
Speaker 2: He Disney. Yeah, oh just got a call from Disney. Yeah.

911
00:43:41,880 --> 00:43:43,200
Speaker 2: Not in the best mood.

912
00:43:43,239 --> 00:43:44,160
Speaker 3: The mouse House.

913
00:43:45,520 --> 00:43:48,239
Speaker 1: You know, pod casting can be transformative in terms of

914
00:43:48,280 --> 00:43:49,880
Speaker 1: an audience discovering your work.

915
00:43:50,000 --> 00:43:55,799
Speaker 3: He says, it's very sounds like something I would say,

916
00:43:56,680 --> 00:43:58,879
Speaker 3: I mean this, this is what did you actually say this?

917
00:43:58,880 --> 00:43:59,720
Speaker 3: This is what happens?

918
00:43:59,800 --> 00:44:01,960
Speaker 2: This had a funny tone to it or something.

919
00:44:02,000 --> 00:44:04,160
Speaker 3: Yeah, tell me what you go in there cracking jokes

920
00:44:04,280 --> 00:44:06,319
Speaker 3: and then they just write up whatever they want to write.

921
00:44:07,400 --> 00:44:12,080
Speaker 3: And then they say, said Scott afterwards, and it's like, bro,

922
00:44:13,320 --> 00:44:16,719
Speaker 3: I'm giving you gold here, and you're like throwing it

923
00:44:16,760 --> 00:44:20,440
Speaker 3: in the trash and then taking your garbage out and

924
00:44:20,560 --> 00:44:23,000
Speaker 3: polishing it and going like would you like.

925
00:44:23,040 --> 00:44:27,440
Speaker 1: This instead polishing the gold off it? Some gold on it.

926
00:44:27,480 --> 00:44:29,239
Speaker 1: When they threw the gold in the trash.

927
00:44:29,000 --> 00:44:31,480
Speaker 3: It's like, oh, my trash is dirty with this gold.

928
00:44:32,360 --> 00:44:36,719
Speaker 3: Get it off. And it's like, bro, I want my gold.

929
00:44:37,360 --> 00:44:38,600
Speaker 3: You threw my gold away.

930
00:44:38,680 --> 00:44:39,000
Speaker 1: Gold.

931
00:44:39,040 --> 00:44:40,680
Speaker 2: It's way more valuable than the track.

932
00:44:40,880 --> 00:44:43,480
Speaker 3: Gold is so much more valuable than trash.

933
00:44:43,640 --> 00:44:47,080
Speaker 1: So you had actually said podcasting can be transformers in

934
00:44:47,160 --> 00:44:48,480
Speaker 1: terms of an audience discovering.

935
00:44:48,600 --> 00:44:51,040
Speaker 3: Yeah, and then I like, then I start doing like

936
00:44:51,400 --> 00:44:55,359
Speaker 3: optimist prime impressions, like talking about the all spark and shit.

937
00:44:55,520 --> 00:44:58,000
Speaker 3: And she was she was on the floor sh like

938
00:44:58,000 --> 00:45:03,200
Speaker 3: you hear about rofl Yeah, she literally was rolling around

939
00:45:03,760 --> 00:45:07,560
Speaker 3: and like running in a circle while Yeah, it was crazy.

940
00:45:07,719 --> 00:45:11,920
Speaker 3: She she was dying laughing. She was like, she was like,

941
00:45:12,080 --> 00:45:15,280
Speaker 3: I have not had tears in my eyes for twenty

942
00:45:15,360 --> 00:45:18,120
Speaker 3: seven years, not even when my father passed away. And

943
00:45:18,200 --> 00:45:22,719
Speaker 3: I'm crying laughing at how funny you are. And then

944
00:45:22,760 --> 00:45:24,520
Speaker 3: she doesn't put it in the fucking thing.

945
00:45:24,719 --> 00:45:27,760
Speaker 2: That's so crazy. Maybe it just didn't translate to text,

946
00:45:28,000 --> 00:45:31,520
Speaker 2: like because when you say optimist prime impression, yeah.

947
00:45:32,160 --> 00:45:36,560
Speaker 3: Parenthetical like does optimist prime impress does perfect optimist prime.

948
00:45:36,880 --> 00:45:40,400
Speaker 2: It's some it's some fat cat upstairs though, who goes like,

949
00:45:40,560 --> 00:45:42,640
Speaker 2: I don't know what this means, you know, somebody who's

950
00:45:42,800 --> 00:45:45,640
Speaker 2: out of touch, not young cool people like us who

951
00:45:45,680 --> 00:45:48,920
Speaker 2: like immediately go like, oh, I know what that sounds like.

952
00:45:49,320 --> 00:45:50,240
Speaker 2: But it's some.

953
00:45:52,000 --> 00:45:55,960
Speaker 1: Old some word right, yeah, yeah.

954
00:45:56,400 --> 00:45:59,399
Speaker 2: Rich old uncle Penny Bags is up in his.

955
00:46:00,239 --> 00:46:03,120
Speaker 3: Monocle looking at the article saying I.

956
00:46:03,080 --> 00:46:04,080
Speaker 1: Don't approve of this.

957
00:46:04,520 --> 00:46:06,960
Speaker 2: To miss was a friend of mine.

958
00:46:07,360 --> 00:46:09,759
Speaker 3: Right, Do you ever wear a monocle by the way

959
00:46:10,040 --> 00:46:11,400
Speaker 3: I have done it?

960
00:46:11,480 --> 00:46:15,960
Speaker 2: Yes, yeah, yeah, mine's a monocular.

961
00:46:16,080 --> 00:46:17,080
Speaker 3: I'm so rich. I can.

962
00:46:19,320 --> 00:46:22,040
Speaker 1: Related to that. You said, it's all very surprising that

963
00:46:22,120 --> 00:46:27,040
Speaker 1: it's worked out financially. That was never really the point. Yeah,

964
00:46:27,080 --> 00:46:29,920
Speaker 1: so that give me give me that? When has it?

965
00:46:30,000 --> 00:46:31,600
Speaker 2: When did it become the point of give me that?

966
00:46:31,600 --> 00:46:32,359
Speaker 2: It's been the point for.

967
00:46:32,320 --> 00:46:36,680
Speaker 3: A while that I did say that, And but you

968
00:46:36,800 --> 00:46:41,799
Speaker 3: have to know I was lying. I mean, they need

969
00:46:41,840 --> 00:46:42,959
Speaker 3: a parenthetical there.

970
00:46:43,520 --> 00:46:43,719
Speaker 1: Lie.

971
00:46:47,239 --> 00:46:49,600
Speaker 3: That's the thing I found is you can just lie to.

972
00:46:49,560 --> 00:46:52,319
Speaker 1: These people and write the ship down.

973
00:46:52,600 --> 00:46:54,640
Speaker 3: They just write it down. And yeah. A fact checker

974
00:46:54,680 --> 00:46:57,880
Speaker 3: called me and was like, administered, you know, an oath

975
00:46:58,080 --> 00:47:00,799
Speaker 3: and was like, do you actually this? And I lied

976
00:47:00,840 --> 00:47:03,560
Speaker 3: under oath? I was like, yeah, of course I believe it. Yeah,

977
00:47:04,239 --> 00:47:05,759
Speaker 3: but it's like, what are you going to do to me?

978
00:47:06,160 --> 00:47:09,440
Speaker 3: Throw me in jail for lying to the Wall Street Journal.

979
00:47:09,520 --> 00:47:14,080
Speaker 2: I'll just rat everybody out. Yeah, let Tim Allen, easy, pasy.

980
00:47:14,239 --> 00:47:14,479
Speaker 3: Yeah.

981
00:47:16,160 --> 00:47:19,040
Speaker 1: The book, you know, obviously.

982
00:47:18,680 --> 00:47:23,080
Speaker 2: A lot of people collaborated on it, and you, as

983
00:47:23,120 --> 00:47:25,760
Speaker 2: with the podcast, have platformed a lot of different voices

984
00:47:26,320 --> 00:47:31,520
Speaker 2: and that is generous. But I worry that you minimized

985
00:47:31,560 --> 00:47:36,960
Speaker 2: your own contribution. And so something we had discussed possibly

986
00:47:37,200 --> 00:47:40,680
Speaker 2: was doing the Hollywood Handbook book.

987
00:47:41,280 --> 00:47:43,200
Speaker 3: Yeah, would you? Is that what you would call it?

988
00:47:43,400 --> 00:47:48,120
Speaker 2: Hollywood hand sounds like your stut Hollywood hand Hollywood handbook book,

989
00:47:48,760 --> 00:47:49,680
Speaker 2: Hollywood book book.

990
00:47:51,200 --> 00:47:54,280
Speaker 3: I'd stop at hand just Hollywood Hollywood hand Yeah.

991
00:47:54,840 --> 00:48:01,560
Speaker 2: And that ours to repay you. Would be written entirely

992
00:48:01,600 --> 00:48:02,200
Speaker 2: by you.

993
00:48:02,160 --> 00:48:06,080
Speaker 3: Entirely by me. Yeah, only forward.

994
00:48:05,760 --> 00:48:12,040
Speaker 2: By Scott, introduction by Scott, preface to the introduction, pre

995
00:48:12,280 --> 00:48:16,080
Speaker 2: forward by Scott, and then and the and the middle

996
00:48:16,080 --> 00:48:16,920
Speaker 2: of it Scott.

997
00:48:17,239 --> 00:48:18,560
Speaker 1: That's where you just st.

998
00:48:19,280 --> 00:48:22,080
Speaker 3: That's right, that's where I get to just do go

999
00:48:22,680 --> 00:48:26,360
Speaker 3: nuts already a book, sir. It would be nice to

1000
00:48:26,400 --> 00:48:31,080
Speaker 3: do something that's not in such a strict like almost oppressive.

1001
00:48:31,680 --> 00:48:34,200
Speaker 1: Yes, yes, puritanical yes yeah.

1002
00:48:34,440 --> 00:48:36,760
Speaker 3: Structure, play with the form.

1003
00:48:37,040 --> 00:48:39,800
Speaker 2: You know, now this proven you can follow the rules.

1004
00:48:39,880 --> 00:48:41,040
Speaker 1: Let's break stuff.

1005
00:48:41,280 --> 00:48:43,319
Speaker 3: This is this is page four, but then this is

1006
00:48:43,360 --> 00:48:46,640
Speaker 3: page ten. What did they skip five through nine? It's like,

1007
00:48:46,719 --> 00:48:48,120
Speaker 3: that's the kind of stuff that I would do if

1008
00:48:48,160 --> 00:48:49,160
Speaker 3: I could do my own book.

1009
00:48:49,280 --> 00:48:51,759
Speaker 2: But amazing will be our book, but it would be

1010
00:48:51,840 --> 00:48:55,240
Speaker 2: your you know, be your voice, you know which I feel,

1011
00:48:55,280 --> 00:48:56,600
Speaker 2: which I worry got minimized.

1012
00:48:57,400 --> 00:49:00,439
Speaker 3: Yeah, I appreciate that because, yeah, you're right, I only

1013
00:49:00,480 --> 00:49:06,600
Speaker 3: wrote probably six pages of this. How familiar would I

1014
00:49:06,640 --> 00:49:10,560
Speaker 3: have to be with your What you guys do no

1015
00:49:10,640 --> 00:49:11,359
Speaker 3: more than we are.

1016
00:49:13,719 --> 00:49:15,480
Speaker 2: So does it feel like we know what we're doing?

1017
00:49:16,640 --> 00:49:18,640
Speaker 3: I want to ask you, do you ever drop the act?

1018
00:49:20,000 --> 00:49:22,120
Speaker 1: Well about to drop you?

1019
00:49:23,960 --> 00:49:26,600
Speaker 3: Okay, I'll take that as a no. Look, I think

1020
00:49:26,600 --> 00:49:29,640
Speaker 3: it's did you see the new Top Gun movie? And

1021
00:49:29,680 --> 00:49:32,239
Speaker 3: I'll explain why I bring this up. But you don't

1022
00:49:32,280 --> 00:49:35,279
Speaker 3: have that final mission. I'm just gonna give spoilers. I

1023
00:49:35,280 --> 00:49:36,799
Speaker 3: don't care if you've seen it or not. But the

1024
00:49:36,800 --> 00:49:40,400
Speaker 3: final mission, they have to fly at such a low

1025
00:49:41,480 --> 00:49:45,920
Speaker 3: altitude because they're what flying under the radar. That's what

1026
00:49:45,960 --> 00:49:48,560
Speaker 3: you guys do, and that's where you excel, you know.

1027
00:49:48,840 --> 00:49:55,399
Speaker 3: And that was a successful mission for Maverick for Goose's son,

1028
00:49:55,480 --> 00:49:58,960
Speaker 3: whatever his name was. For the rest.

1029
00:49:58,719 --> 00:50:02,959
Speaker 2: Of the gang, Goose's son is named Ryan Gosling.

1030
00:50:02,680 --> 00:50:07,480
Speaker 3: Ryan Gosling, Yeah, okay, interesting, but they they were able

1031
00:50:07,560 --> 00:50:12,360
Speaker 3: to like stealthily swoop in their blow up that country

1032
00:50:12,360 --> 00:50:17,120
Speaker 3: of unknown origins nuclear. I guess basement it was.

1033
00:50:17,239 --> 00:50:19,680
Speaker 1: You can tell. You can tell they drop little hints

1034
00:50:19,680 --> 00:50:21,040
Speaker 1: of the movie that it's the UK.

1035
00:50:21,800 --> 00:50:23,440
Speaker 3: What were some of the hints you were picking up

1036
00:50:23,480 --> 00:50:25,160
Speaker 3: about it being the UK?

1037
00:50:25,400 --> 00:50:25,640
Speaker 1: UK?

1038
00:50:26,040 --> 00:50:27,319
Speaker 2: Was it? Did you miss those?

1039
00:50:27,680 --> 00:50:29,880
Speaker 3: I guess I maybe I did go to the restroom.

1040
00:50:30,200 --> 00:50:30,719
Speaker 3: Maybe six.

1041
00:50:31,120 --> 00:50:33,279
Speaker 1: Yeah, all the all the all the guys they blew

1042
00:50:33,360 --> 00:50:40,960
Speaker 1: up were fugly, uh bad teeth. Yeah, yeah, h ours

1043
00:50:41,000 --> 00:50:42,800
Speaker 1: is flying one of the enemy planes.

1044
00:50:43,480 --> 00:50:45,200
Speaker 3: Okay, I thought I saw him.

1045
00:50:45,080 --> 00:50:46,640
Speaker 1: Basil exposition was there?

1046
00:50:47,239 --> 00:50:49,680
Speaker 2: He spells like tea. Somebody keeps saying it smells like tea.

1047
00:50:50,480 --> 00:50:52,840
Speaker 3: I thought I saw them in the background of one scene,

1048
00:50:52,920 --> 00:50:56,040
Speaker 3: but I was like, that can't be Austin powered.

1049
00:50:56,080 --> 00:51:00,759
Speaker 2: They they they extract ted lasso first before they drop

1050
00:51:00,800 --> 00:51:03,840
Speaker 2: any of the bombs, because thank god he's a friendly. Yeah.

1051
00:51:04,040 --> 00:51:07,920
Speaker 1: Yeah, you see, they're they're they're they're famous icon the

1052
00:51:08,160 --> 00:51:12,440
Speaker 1: fucking Fairess wheel. Yeah, who gives a ship?

1053
00:51:13,760 --> 00:51:16,200
Speaker 3: It's weird, right, like what they're obsessed with.

1054
00:51:16,120 --> 00:51:19,200
Speaker 1: It, This fairest wheel it's like I want to look

1055
00:51:19,239 --> 00:51:19,600
Speaker 1: at this.

1056
00:51:19,800 --> 00:51:23,160
Speaker 3: We have them at every fucking state fair in America.

1057
00:51:23,360 --> 00:51:26,480
Speaker 1: Yeah, these things move around multiple Why do you think

1058
00:51:26,560 --> 00:51:27,320
Speaker 1: this is cool?

1059
00:51:28,760 --> 00:51:30,040
Speaker 3: Crazy? There's some nuts.

1060
00:51:30,200 --> 00:51:32,680
Speaker 2: If you pause the explosion, it's like, this is like

1061
00:51:32,800 --> 00:51:35,480
Speaker 2: something they the filmmakers did. I don't think it's true

1062
00:51:35,520 --> 00:51:40,200
Speaker 2: to anything that happened. But it's shards of football, uh material,

1063
00:51:40,320 --> 00:51:41,160
Speaker 2: it's all football.

1064
00:51:41,320 --> 00:51:43,480
Speaker 3: It's all football football material.

1065
00:51:43,640 --> 00:51:47,880
Speaker 2: Yes, it's all foods, all fabric. Yes, is just every

1066
00:51:48,040 --> 00:51:50,160
Speaker 2: all the screens confetti.

1067
00:51:49,760 --> 00:51:51,400
Speaker 3: Football football fabric.

1068
00:51:52,239 --> 00:51:52,479
Speaker 2: Yeah.

1069
00:51:53,040 --> 00:51:56,440
Speaker 1: Well, Scott, the other authors, are we wrapping up? Have

1070
00:51:56,680 --> 00:52:01,440
Speaker 1: passed through this hallowed stage? Have all of course left

1071
00:52:01,480 --> 00:52:06,080
Speaker 1: their book behind on the shelf? Yeah, right behind you,

1072
00:52:06,400 --> 00:52:09,480
Speaker 1: and so that like in Forever there shall.

1073
00:52:11,360 --> 00:52:14,240
Speaker 3: I guess I'm not saying, oh, behind me this way.

1074
00:52:14,440 --> 00:52:17,640
Speaker 2: That's that's don't turn that way, and exactly don't turn

1075
00:52:17,719 --> 00:52:21,040
Speaker 2: that way, turn that way.

1076
00:52:22,640 --> 00:52:27,400
Speaker 3: Who else has written a book that's been on your show?

1077
00:52:28,040 --> 00:52:31,560
Speaker 3: Weird guy right, because he's like he's a man, but

1078
00:52:31,640 --> 00:52:34,920
Speaker 3: his name is Wolf and it's like, what are you Acingthrope?

1079
00:52:35,680 --> 00:52:40,200
Speaker 3: It's like, come on, what's going on here? Suspicious?

1080
00:52:40,880 --> 00:52:45,160
Speaker 2: Yeah? I feel like I'm in damn underworld. I feel

1081
00:52:45,160 --> 00:52:46,080
Speaker 2: like I'm in the damn.

1082
00:52:48,440 --> 00:52:48,640
Speaker 1: Yeah.

1083
00:52:50,680 --> 00:52:53,399
Speaker 3: I did bring this book for for Kevin in case

1084
00:52:53,400 --> 00:52:56,319
Speaker 3: he hadn't ordered it, But I figured you.

1085
00:52:56,280 --> 00:53:00,919
Speaker 1: Guys catching frisbee it right into his damn A mellow.

1086
00:53:01,120 --> 00:53:03,160
Speaker 3: Yeah, I figured you guys don't give a ship.

1087
00:53:03,200 --> 00:53:05,600
Speaker 2: Right, I'm gonna brow.

1088
00:53:05,800 --> 00:53:06,640
Speaker 1: I'm not even there.

1089
00:53:07,560 --> 00:53:09,520
Speaker 2: I'll skim, you'll skim.

1090
00:53:09,760 --> 00:53:14,160
Speaker 3: Yeah, just skip to the you know, to your lou darling.

1091
00:53:14,320 --> 00:53:16,280
Speaker 2: Yeah, I'll just skip to the Scott pages.

1092
00:53:17,360 --> 00:53:21,160
Speaker 3: You're gonna be sorely disappointed. Bye,