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Speaker 1: Hey, welcome to another episode of The Black Guy Who

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Speaker 1: Tips Podcast. I'm your host Rod, joined us always by my.

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Speaker 2: Lovely co host.

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Speaker 1: King, and we are live on a Wednesday, A recap Wednesday.

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Speaker 1: That's right, we are recapping the season finale of love

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Speaker 1: Craft Country.

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Speaker 2: Maybe the maybe the series finale. I don't know. I

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Speaker 2: don't know. I hope not, but but I don't know.

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Speaker 2: You know that I would understand, I would understand, okay,

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Speaker 2: that the story accounting on this bitch added the fuck up.

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Speaker 1: But listen, let's talk about it. Okay, this is where

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Speaker 1: we recap love Craft Country. HBOS you know, great black

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Speaker 1: drama of genre bending sci fi action, A bunch of

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Speaker 1: stuff with blackness I'll sprink up throughout it. This episode

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Speaker 1: is called full Circle. It is the tenth episode of

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Speaker 1: season one and the finale. As I said, we'll start

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Speaker 1: the way we always start, caring.

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Speaker 2: What did you think about this episode in general?

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Speaker 3: Oh?

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Speaker 2: I loved it. I loved it.

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Speaker 4: They wrapped a lot of things up, and if the

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Speaker 4: way they the way they ended it, I could see

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Speaker 4: them saying, Okay, this is the end. I could see

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Speaker 4: them doing spin offs. I could see them doing a

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Speaker 4: lot of things. But as of right now. If they

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Speaker 4: choose not to, I know I personally will be satisfied.

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Speaker 1: I didn't just love it, but I loved it so

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Speaker 1: much I was ready to fight a nigga, okay, Like

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Speaker 1: I wanted to punch all the doubters in the face.

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Speaker 2: It ended in a way.

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Speaker 1: That only a fool would think that this is a

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Speaker 1: show made for the white gays.

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Speaker 4: You.

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Speaker 2: I agree with that, but.

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Speaker 1: Only a fool would try to hold onto that argument.

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Speaker 1: It ended in a way that wrapped up all the

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Speaker 1: pertinent storylines and all the mysteries that mattered to the story.

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Speaker 1: It just did such a great job, and it was phenomenal,

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Speaker 1: and it gave me all of the action and sci

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Speaker 1: fi magic and hard In the last episode, if anything,

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Speaker 1: you can make an argument, it was too fast, like

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Speaker 1: like like like they they got so much into this hour.

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Speaker 1: It was like, God, damn, how did you do that?

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Speaker 1: To the point where it was on the rewatch when

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Speaker 1: I was like, oh okay, they took care of that

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Speaker 1: loose into oh okay, they mentioned that too.

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Speaker 3: Yah.

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Speaker 4: They literally answered just about every question that anybody would ask.

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Speaker 1: Yeah, so anyway, any reasonable person, So let's get into

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Speaker 1: this episode four circle. I didn't break it down by character,

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Speaker 1: because literally, this action is just it's just bam bam, bam,

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Speaker 1: bam bam. So let's just get straight into it. They

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Speaker 1: arrived back at safe Negro travels with d looking like

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Speaker 1: Katrina Pearson.

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Speaker 2: Okay, she is just cooned out.

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Speaker 1: Okay, and Tick because we know last time we stopped that,

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Speaker 1: they went to that that to the portal again and

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Speaker 1: you know that was the whole thing, is like we

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Speaker 1: need to get the bug and then come back and toss.

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Speaker 1: Everyone's still got on their tosa fits okay, bloodstains included.

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Speaker 2: And they start to read a spell that they've.

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Speaker 1: Written out, and they now had a book of the

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Speaker 1: Book of Names. So when they start reading the spell,

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Speaker 1: the fucking book opens up on his own flips to

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Speaker 1: the right page, and on the page is the birthmark

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Speaker 1: that Tick and his family have and it causes him

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Speaker 1: and Letty to pass out. Like he passes out first,

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Speaker 1: Letty walks over to see what's wrong with him.

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Speaker 2: She pass out, yes, So they both down right now.

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Speaker 1: Once again, if you kind of like delved into some

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Speaker 1: of these tropes, this is nothing new that You've seen

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Speaker 1: it in the X Men, You've seen it in Buffy,

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Speaker 1: You've seen it in so many things. They are essentially

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Speaker 1: leaving their body there on the astral plane. Yes, and

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Speaker 1: the ask I mean, have you seen black Panther?

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Speaker 2: Yes, it happens.

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Speaker 1: So they're on the astral plane, but in this case

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Speaker 1: it's kind of like a ancestral astral plane. Specifically to Tick.

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Speaker 1: Tick's bloodline, his family's as like the Freeman family. And

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Speaker 1: so Tick and Letty both have separate dreams in the

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Speaker 1: Burning Mansion. Now I did separate these two with the

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Speaker 1: short Hannah turns around the Tick and says, the answer

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Speaker 1: is in your blood, which is the first time he's

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Speaker 1: actually been able to hear her in the dream, and

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Speaker 1: also maybe the first time she tried to speak to him.

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Speaker 2: I can't remember, I know.

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Speaker 1: Letty says she tried to speak to her, but she

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Speaker 1: couldn't hear it, and she asked him what did she

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Speaker 1: say to him that Tick went She didn't try to

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Speaker 1: say nothing to me.

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Speaker 2: Yeah, because with Tick she just turned and looked righty.

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Speaker 1: So this time she actually said the answer is in

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Speaker 1: your blood. And so she goes down this story with Tick.

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Speaker 1: What she says, she ran from the Master's house and

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Speaker 1: to keep her bloodline hidden from the Master and other

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Speaker 1: magic users. She did a spell that resulted in the

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Speaker 1: birthmark that they all have, That that mark that Tick

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Speaker 1: had and his cousin had, and and it's I guess

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Speaker 1: to me, it's like almost like the mark of Cain.

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Speaker 1: You know how that one suppression the mark of Adam.

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Speaker 1: I mean that how that one the mark of Adam

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Speaker 1: went on to Letty's body and then she was invincible

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Speaker 1: and vulnerable.

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Speaker 2: Well, this apparently is.

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Speaker 1: A mark of like, like you said, suppression to make

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Speaker 1: sure that magic people can't sense her family, correct, because

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Speaker 1: they have this powerful bloodline. And so because she knew,

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Speaker 1: like they gonna always be looking for us.

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Speaker 4: Yes, and if they can pick up a sinst us,

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Speaker 4: we're gonna be constantly on the run.

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Speaker 2: Right.

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Speaker 1: So then Hannah keeps returning to this burning mansion every

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Speaker 1: night in her in her mind, and she couldn't understand why,

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Speaker 1: and at first she thought she was like trapped.

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Speaker 2: In hell or something like that.

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Speaker 1: And she says, now she understands that this constantly burning fire,

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Speaker 1: of this loft, of this vision, this dream she's returning to.

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Speaker 1: She says, that fire is actually my rage that is

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Speaker 1: always burning.

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Speaker 4: Yeah, yeah, because she's just mad like and it's something

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Speaker 4: that you can't put out, and.

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Speaker 2: It's all in golfing, you know, it burns.

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Speaker 4: Literally burns everything around you and consumes it.

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Speaker 1: Well, not just that, though, because this was different than that, right,

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Speaker 1: this wasn't just the way, because what I realized about

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Speaker 1: this episode it was reframing black rage because we get

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Speaker 1: so many messages that black rage is either not valid,

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Speaker 1: or we should it's not useful, or you should tone

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Speaker 1: it down, you should learn to forgive and turn the

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Speaker 1: other cheek and let things go even though it's unjust,

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Speaker 1: and especially black woman rage. And so to me it

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Speaker 1: fit into this overarching theme of the whole season, which

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Speaker 1: is that black women's rage is not just valid, but

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Speaker 1: it is productive. And so when she reaches her hand

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Speaker 1: in that fire and says, this is my rage, and

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Speaker 1: she says, she realized is that it wasn't a like

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Speaker 1: a curse, it was a gift to pass on and

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Speaker 1: not something to be feared, like, not to be feared

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Speaker 1: by herself and her family like she thought she was

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Speaker 1: scared of her rage the whole time she was alive

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Speaker 1: because and she never understood it. So this place, this

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Speaker 1: vision she has every night she returns to it, and

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Speaker 1: it's really symbolized her own internal rage and how she

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Speaker 1: can she was scared of her own rage.

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Speaker 2: That has to speak to so many women.

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Speaker 4: Yes, yes, and you're constantly running away from your rage

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Speaker 4: instead of embracing it. Embracing rage isn't always a bad thing,

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Speaker 4: because you can embrace rage, and rage can become something productive.

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Speaker 4: That fire that fired it consumed everything. It can consume

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Speaker 4: everything and consume everything in a good way. It's like, Okay,

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Speaker 4: these are things that I want to do, and I

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Speaker 4: have a fire that's burning within me, a very deep

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Speaker 4: fire that I can't put out, and it's pushing me

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Speaker 4: forward to do these things and to accomplish these things

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Speaker 4: and to protect these things, and no matter what I do,

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Speaker 4: I can't put it out. So it becomes a part

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Speaker 4: of me because that rage is a part of her.

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Speaker 4: That fire is a part of her, and you have

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Speaker 4: to embrace that. It is a part of who you are.

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Speaker 2: It's a tool to be used.

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Speaker 1: Just like how do we end last week with that

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Speaker 1: poem about the fire? What she was literally saying, Sonya

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Speaker 1: was saying in that poem, this is the fire for living,

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Speaker 1: not dying. You know, the fire, like, so it's this tool,

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Speaker 1: this fire, this rage, is this tool for productive things,

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Speaker 1: not for to be feared, for yourself.

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Speaker 2: Not to be but to fuel you.

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Speaker 1: And it's this fucking show man, this fucking show anyway.

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Speaker 1: But then she hands him the fire and tells him, yes,

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Speaker 1: it's like.

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Speaker 2: In her hands. Yeah, like because she's using it now.

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Speaker 1: She's like, this is I'm not scared it like the

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Speaker 1: whole time she's sticking her hand in the fire, talking

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Speaker 1: about y'all just not to be feared. So she hands

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Speaker 1: it to him and tells him like, this is for

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Speaker 1: me to pass on. And then he says he's unbound

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Speaker 1: the book because he's got to save Diana. He's got

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Speaker 1: to save d And she says, you gonna save them.

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Speaker 4: All right, and and and for me. If you you

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Speaker 4: look at it, it went from a uncontrolled fire to

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Speaker 4: a controlled fire.

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Speaker 2: It looked like fucking something from dragon Ball's ears something shit.

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Speaker 4: Yes, so the fire in the mansion, people condict of

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Speaker 4: it as an uncontrolled fire. For her to be able

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Speaker 4: to put her hand in the fire and take it out,

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Speaker 4: she that means she she this is something.

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Speaker 2: That she can control. So all of a sudden, you

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Speaker 2: went from.

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Speaker 4: Something that was uncontrollable, something that you allowed to consume.

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Speaker 2: You now I can consume it. Not only can I

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Speaker 2: consume it, I can pass it on to somebody else.

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Speaker 1: I'll take it a step further. I don't know that

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Speaker 1: it was ever uncontrolled. It just had that appearance that

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Speaker 1: mans never burns down. She returns there every night. You

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Speaker 1: see what I'm saying. So it's like she was just

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Speaker 1: afraid of her own power. You see what I'm saying.

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Speaker 1: Like it wasn't even out of control. It wasn't even

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Speaker 1: that she didn't She just didn't understand her own power.

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Speaker 1: And then it uh and will get to it in

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Speaker 1: a second, but like it had consequences in her life,

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Speaker 1: but she didn't understand until the afterlife.

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Speaker 4: It seems yes, yes, and and and and that's why

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Speaker 4: I say for me, and that's true, it did look uncontrollable.

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Speaker 1: And so they keep in mind, Tick thought it was uncontrolled,

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Speaker 1: Letty thought it was uncontrolled.

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Speaker 2: They got in there, they burned up.

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Speaker 1: Like it was a fucking mind fuck coming from a

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Speaker 1: place where you don't even understand magic. You you know

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Speaker 1: what I'm saying, Like this has to be an overwhelming

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Speaker 1: sensation and who can imagine what had these first Hannah's

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Speaker 1: first time, and there felt like, right, who can't even

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Speaker 1: fucking imagine, you know what I'm saying.

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Speaker 2: But that's the thing.

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Speaker 4: She had to go through it, like who knows how

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Speaker 4: many times before she got to the place where she

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Speaker 4: can under Yeah, and and and that.

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Speaker 2: That's the deep thing.

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Speaker 4: It's like, sometimes you have to continue to go through

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Speaker 4: the fire until you understand what the fire actually really means.

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Speaker 4: But the fear is actually going into the fire because

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Speaker 4: we just assume fire will just burn you up. Instead

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Speaker 4: of you realizing this, sometimes you can stand in the

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Speaker 4: middle of the fire and actually realize, Oh, I am

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Speaker 4: the fire.

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Speaker 2: And that's what she realized. Oh I'm the I'm the fire,

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Speaker 2: not not the other. The fire isn't burning me, you know.

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Speaker 4: And sometimes that's hard for people to get to that

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Speaker 4: point where they understand that that fire is within them.

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Speaker 2: Yeah.

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Speaker 1: When she told Tick, You're gonna save them all, I thought,

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Speaker 1: like that line stood out to me so hard because

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Speaker 1: I was like, does she mean save his family?

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Speaker 2: Does she mean save all the black people?

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Speaker 1: Does she mean say? Like, what does she mean by

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Speaker 1: save them all?

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Speaker 2: You know what I mean?

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Speaker 1: Save all his ancestors. What does she mean by that?

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Speaker 1: And that intrigued me. We'll get to, obviously be find

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Speaker 1: out what it means later, but that line stood out

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Speaker 1: so hard to me. Yes, So then Letty on her

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Speaker 1: side of the vision, and she's returned to Tosa. So

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Speaker 1: this ancestral plane, if you pay attention, the rooms are

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Speaker 1: different locations, even though they're all on.

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Speaker 2: The same plane plane.

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Speaker 1: And so she returns to Tulsa and sees Grandma Hattie,

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Speaker 1: the woman whose hands she held and she burned to

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Speaker 1: death with the book, and you know, the woman who

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Speaker 1: saw that my legacy to stay intact, I have to

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Speaker 1: sacrifice my own life. And that scene was so like

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Speaker 1: painful and deep and rich, and you know, just it

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Speaker 1: was such a great metaphor and all this stuff. So

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Speaker 1: she returns, she sees Hattie comes in and tells her

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Speaker 1: the reason that you're here is because of the baby

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Speaker 1: you carrying inside of you, because Letty's not part of

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Speaker 1: their bloodline, you know that way.

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Speaker 2: But she's pregnant. And so she.

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Speaker 1: Says, Hannah, the original ancestor, created this place where they

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Speaker 1: could commune with their ancestors, and she created it unknowingly

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Speaker 1: the first time she opened the book. She created that

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Speaker 1: space without knowing or understand the magic, and she thought

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Speaker 1: that that place was hell.

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Speaker 2: And because of that, she killed herself. She took her

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Speaker 2: own life.

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Speaker 1: And then before she took her own life because she

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Speaker 1: thought she was saving her ancestors from this hell she

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Speaker 1: and she didn't understand.

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Speaker 2: She thought, well, it's because of this book.

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Speaker 1: She bound the book so that no one else could

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Speaker 1: open the book, and she put the mark to suppress themselves,

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Speaker 1: suppress her family bloodline from magic, essentially hiding the family

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Speaker 1: from magic users, but also hiding magic from her family. Yes,

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Speaker 1: so if you know, like, that's how afraid it was,

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Speaker 1: and it was her misunderstanding of what was happening and

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Speaker 1: not embracing it that really did cause this cascade of events.

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Speaker 3: Yeah.

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Speaker 4: And also to me, it's even deeper thing because a

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Speaker 4: lot of the the white people we seen, guess what,

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Speaker 4: they had generations of and generations of this thing. So

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Speaker 4: I learned it, I passed it down to my family,

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Speaker 4: they passed it down to their family, versus she.

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Speaker 2: Was literally the first one.

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Speaker 4: So you have nobody in the reference to, you have

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Speaker 4: nobody to walk you through it, You have nobody to

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Speaker 4: explain how many people have went through this, you know,

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Speaker 4: through through in their lives where they go, I don't understand,

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Speaker 4: you know.

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Speaker 2: I'm confused.

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Speaker 4: You know, if I try to share it with anybody,

289
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Speaker 4: people gonna think that I'm off, that's something's wrong with me.

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Speaker 4: And so it was one of those things where it

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Speaker 4: was like a really deep thing because it was this

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Speaker 4: woman holding a burden, or she felt like it was

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Speaker 4: a burden that she didn't understand how powerful it was

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Speaker 4: because she didn't have anybody to explain it to her.

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Speaker 1: The thing I think was interesting too, is that she

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Speaker 1: she also didn't have what those white people had, this like.

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Speaker 2: Ownership of this power. Correct.

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Speaker 1: She's like, it's it's almost like when Tick and Christina

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Speaker 1: were talking in the mausoleum and he was like, it's

300
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Speaker 1: my birthright, and she was like, you don't have enough

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Speaker 1: whiteness in you.

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Speaker 2: To even pretend that you like that. You said that

303
00:15:14,000 --> 00:15:16,040
Speaker 2: with any level of art, like you you don't even

304
00:15:16,080 --> 00:15:19,720
Speaker 2: sound you don't mean it, like you don't believe it.

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Speaker 1: And I think, as a black person, even if you

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Speaker 1: were holding the nuclear codes, the magic, there's a much

307
00:15:26,320 --> 00:15:30,240
Speaker 1: better chance you go this is powerful and important. White

308
00:15:30,240 --> 00:15:32,240
Speaker 1: people are gonna come looking for this, and I don't

309
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Speaker 1: want to be here when they find it, and I

310
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Speaker 1: don't want them to find me or that you know.

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Speaker 2: Response is reasonable, very reasonable, and especially considering she had

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Speaker 2: no training or understanding, right, So then.

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Speaker 4: Uh oh and something else, you know, when they separated them.

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Speaker 4: And I really like the fact that their locations were

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00:15:52,120 --> 00:15:58,120
Speaker 4: different because their experiences with the fire was different, you know.

316
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Speaker 4: And I'm really like the theay took Letty back to

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Speaker 4: that room, you know, because she literally had to watch

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Speaker 4: that woman burn. So I think that that was very

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Speaker 4: important for her to be there because that literally was

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Speaker 4: her connection to the fire.

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Speaker 1: I also love that we saw these ancestors again and

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Speaker 1: they played key roles in the Ultimate come Uppets, you know,

323
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Speaker 1: like that, like there were no throwaway parts in this

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Speaker 1: show so well other than that one.

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Speaker 2: Uh so that's true. Yeah. So they end up so

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Speaker 2: Hattie's talking.

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Speaker 1: To Letty and Letty and she she's basically says, look,

328
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Speaker 1: the book is now your responsibility. You need to protect it.

329
00:16:39,080 --> 00:16:41,640
Speaker 1: And Letty says, no Tick can do it. And she says, no,

330
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Speaker 1: Tick got his own burdens to bear, so like, and

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Speaker 1: I think it's then that Letty starts realizing like, maybe

332
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Speaker 1: this prophecy will come true, maybe Tick won't make it,

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Speaker 1: and uh.

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00:16:55,520 --> 00:16:56,760
Speaker 2: It also was was.

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Speaker 1: It also became abundantly clear that the answer sesters had

336
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Speaker 1: been conspiring.

337
00:17:02,320 --> 00:17:04,960
Speaker 2: They was information. HATTI knew what they're like, Look, we've

338
00:17:04,960 --> 00:17:07,040
Speaker 2: been waiting for this for a long time.

339
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Speaker 3: Let's go.

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Speaker 1: Like, Hatti knew what Hannah was talking about. Handa knew

341
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Speaker 1: what Hattie was talking about. And so let she said, Letty,

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Speaker 1: you gotta be strong and for your legacy. Don't cripple

343
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Speaker 1: your son with these doubts, like and for by saying

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Speaker 1: to her, basically, accept this book as your legacy.

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Speaker 2: And your birthright and walk into it with fullness.

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Speaker 1: Don't walk don't walk into this scare and think the

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Speaker 1: magic is gonna be this and that, and don't be

348
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Speaker 1: half Yeah, like, don't because you're basically your your legacy

349
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Speaker 1: and bloodline depending on you to not be scared.

350
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Speaker 4: Right.

351
00:17:43,680 --> 00:17:47,080
Speaker 1: So then Tick appears in his childhood home you know

352
00:17:47,119 --> 00:17:50,040
Speaker 1: where we see Montross and stuff, uh in the past,

353
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Speaker 1: except this time in the ancestral safe face and his

354
00:17:54,640 --> 00:17:58,760
Speaker 1: mother Dora sees him and he's a grown up, grown

355
00:17:58,800 --> 00:18:01,560
Speaker 1: ass man, but she recognized him and hugs him they

356
00:18:01,600 --> 00:18:05,200
Speaker 1: sit on the couch and he and she he puts

357
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Speaker 1: his head in her lap and she strokes his head.

358
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Speaker 1: And it was about this time where I was like,

359
00:18:11,320 --> 00:18:15,920
Speaker 1: oh shit, like this is not a heavy reunion, this

360
00:18:16,119 --> 00:18:19,920
Speaker 1: is not a hopeful reunion. This is very much like

361
00:18:20,200 --> 00:18:22,800
Speaker 1: a kind of a sad it's almost like a funeral

362
00:18:23,520 --> 00:18:27,520
Speaker 1: vibe to this meeting. And he asked if she knows

363
00:18:27,640 --> 00:18:31,879
Speaker 1: what Hannah asked him to do, and she says she

364
00:18:32,000 --> 00:18:34,160
Speaker 1: nods her head yes, And he says, I don't want

365
00:18:34,200 --> 00:18:36,400
Speaker 1: to die, mama, And he sounds just like a little boy.

366
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Speaker 2: Yes. And also this is the same way.

367
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Speaker 4: He lives on Letty, like that same way put it,

368
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Speaker 4: put his head on her lap and things like that.

369
00:18:49,560 --> 00:18:51,600
Speaker 2: You know, that's that has a lot to do with

370
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Speaker 2: his connection with you know, Letty.

371
00:18:54,480 --> 00:18:59,000
Speaker 4: Like we said, it's a relationship, but it's also a

372
00:18:59,200 --> 00:19:02,160
Speaker 4: motherly love two that he was missing.

373
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Speaker 2: Right, And so.

374
00:19:05,920 --> 00:19:08,879
Speaker 1: She says, I know, baby, but if we ain't walking

375
00:19:08,960 --> 00:19:13,399
Speaker 1: towards an altered to sacrifice ourself for something important, what

376
00:19:13,720 --> 00:19:18,000
Speaker 1: is our purpose? Which you know, I could understand some people,

377
00:19:18,240 --> 00:19:23,240
Speaker 1: you know, definitely not agreeing with that idea, but I

378
00:19:23,359 --> 00:19:27,959
Speaker 1: kind of like the idea of if your everyone's got

379
00:19:28,080 --> 00:19:33,040
Speaker 1: to die, but if your death means something right, then

380
00:19:33,119 --> 00:19:36,479
Speaker 1: that is a life well lived. If you and especially

381
00:19:36,560 --> 00:19:39,280
Speaker 1: if you walk in knowing that, you know what I mean, Like,

382
00:19:39,480 --> 00:19:41,639
Speaker 1: those are the people we see as heroes, those are

383
00:19:41,680 --> 00:19:44,760
Speaker 1: the people because you know, you could go out cravingly

384
00:19:44,920 --> 00:19:46,680
Speaker 1: like a coward, you know what I'm saying, running from

385
00:19:46,680 --> 00:19:49,159
Speaker 1: your destiny or whatever. But she was like, you know,

386
00:19:49,240 --> 00:19:51,720
Speaker 1: and especially with all the wheels in motion of a

387
00:19:51,800 --> 00:19:58,520
Speaker 1: plan like this, of a ambitious type of circumventing of

388
00:19:59,359 --> 00:20:01,879
Speaker 1: the schemes of of Braith, whites and of whiteness in general,

389
00:20:03,359 --> 00:20:07,080
Speaker 1: it was gonna take some sacrifice. And what this episode

390
00:20:07,200 --> 00:20:12,320
Speaker 1: made me think about was how much black women had sacrificed.

391
00:20:12,600 --> 00:20:15,800
Speaker 1: And it wasn't only black women. I mean technically, you know,

392
00:20:16,000 --> 00:20:18,480
Speaker 1: obviously the men died and Tolsa and shit too, but

393
00:20:19,200 --> 00:20:23,240
Speaker 1: like how much the key characters that sacrificed in the

394
00:20:23,359 --> 00:20:27,119
Speaker 1: last episode were Black women that were like, you know,

395
00:20:27,440 --> 00:20:31,160
Speaker 1: like Hattie literally burning to death. Knowing this, and I said, oh,

396
00:20:32,160 --> 00:20:36,000
Speaker 1: now it's a black man's turn to sacrifice something, you know,

397
00:20:37,440 --> 00:20:41,640
Speaker 1: to make the ultimate sacrifice. So Tick thinks, like, nah,

398
00:20:41,680 --> 00:20:45,080
Speaker 1: it's gotta be another way. Like maybe it's just something

399
00:20:45,119 --> 00:20:49,359
Speaker 1: we'll understand in the book or whatever. And she's like, listen, as.

400
00:20:49,280 --> 00:20:51,200
Speaker 2: Your mama, let me tell you if life told me

401
00:20:51,320 --> 00:20:51,720
Speaker 2: one thing.

402
00:20:53,080 --> 00:20:55,639
Speaker 1: We think we have a choice, but we don't, and

403
00:20:55,800 --> 00:20:59,960
Speaker 1: that she never had a choice with Mantross and Joye

404
00:21:00,320 --> 00:21:03,879
Speaker 1: and Tulsa, and she said, it was our love that

405
00:21:04,040 --> 00:21:05,960
Speaker 1: created you and Tick.

406
00:21:06,680 --> 00:21:08,440
Speaker 2: You got the best parts of both of them.

407
00:21:08,800 --> 00:21:11,840
Speaker 1: Like basically you got two daddies, man Charles and his

408
00:21:12,040 --> 00:21:16,480
Speaker 1: fierce heart and George's integrity and your hero just like

409
00:21:16,720 --> 00:21:19,920
Speaker 1: in those stories you used to cherish and Hannah spell

410
00:21:20,080 --> 00:21:24,320
Speaker 1: is gonna change everything, baby, And I said, oh shit.

411
00:21:24,680 --> 00:21:29,200
Speaker 1: Episode one getting off the bus talking to that black

412
00:21:29,240 --> 00:21:33,040
Speaker 1: woman had as he walked towards Chicago, and she asked

413
00:21:33,119 --> 00:21:35,639
Speaker 1: him about John Carter and Mars and he said he

414
00:21:35,840 --> 00:21:39,520
Speaker 1: liked reading those books because they had heroes in them

415
00:21:40,160 --> 00:21:43,240
Speaker 1: that a little black boy from the South side of

416
00:21:43,320 --> 00:21:44,960
Speaker 1: Chicago you never get to be.

417
00:21:45,119 --> 00:21:46,760
Speaker 2: That's the closest you ever get to be is reading

418
00:21:46,800 --> 00:21:50,159
Speaker 2: the book. And I'm like, you in the hero game, now, homie,

419
00:21:50,160 --> 00:21:50,800
Speaker 2: this the end game.

420
00:21:50,920 --> 00:21:54,200
Speaker 4: And also I guess I can to wait till we

421
00:21:54,280 --> 00:21:57,040
Speaker 4: get to the end of a lot of the first

422
00:21:57,080 --> 00:21:58,920
Speaker 4: episode to actually explained a lot like if you go

423
00:21:59,000 --> 00:22:02,520
Speaker 4: back and watch Street watched it first episode, it literally

424
00:22:03,480 --> 00:22:06,000
Speaker 4: takes you through a lot of shit that actually happens

425
00:22:06,040 --> 00:22:09,240
Speaker 4: throughout the show without you even understanding it at the time.

426
00:22:09,640 --> 00:22:11,160
Speaker 2: Okay, well remind me of that then.

427
00:22:12,560 --> 00:22:16,800
Speaker 1: So we also see Hattie is teaching Letty a spell

428
00:22:16,880 --> 00:22:20,480
Speaker 1: in the bedroom and then taking door walk in, and

429
00:22:20,520 --> 00:22:23,040
Speaker 1: then Letty and Ticks share a look like they both know,

430
00:22:24,000 --> 00:22:26,760
Speaker 1: like dog is looking like your number is up some

431
00:22:26,920 --> 00:22:31,840
Speaker 1: dounsday shit, and Tick Hugs's mother one last time, and

432
00:22:31,960 --> 00:22:36,000
Speaker 1: they say a spell while concentrating on Diana. Now in

433
00:22:36,160 --> 00:22:42,120
Speaker 1: this bedroom it looks like D's room, but in the astroplane,

434
00:22:42,760 --> 00:22:47,040
Speaker 1: and all the people that are physically like Mantross and Hippolyta,

435
00:22:47,640 --> 00:22:50,520
Speaker 1: who are actually physically in that room with d even

436
00:22:50,640 --> 00:22:53,400
Speaker 1: d herself, they are not there. It's an empty bed

437
00:22:54,119 --> 00:22:57,520
Speaker 1: and the ancestors and Letty and Tick are in there

438
00:22:57,680 --> 00:22:58,840
Speaker 1: just chanting the spell.

439
00:22:59,320 --> 00:23:01,639
Speaker 2: But in real and real the real world, what we

440
00:23:01,760 --> 00:23:02,280
Speaker 2: see is.

441
00:23:02,840 --> 00:23:04,800
Speaker 1: Tick and Letty are still passed out on the ground,

442
00:23:05,200 --> 00:23:09,840
Speaker 1: Mantrass there and Hippolyta trying to wake them up.

443
00:23:09,960 --> 00:23:11,280
Speaker 3: Yeah, they're like, but who's this?

444
00:23:11,760 --> 00:23:14,879
Speaker 1: Like, we need Joe, I think montrous a Ruby, I

445
00:23:14,920 --> 00:23:16,720
Speaker 1: say Hippolyta. But yeah, they're trying to wake them up.

446
00:23:17,400 --> 00:23:20,560
Speaker 1: And as they're trying to wake them up, the spell

447
00:23:20,680 --> 00:23:24,040
Speaker 1: is actually reversing, but nobody's really watching d But the

448
00:23:24,160 --> 00:23:29,879
Speaker 1: spell starts reversing Deanna Diana's cooning and every place except

449
00:23:29,920 --> 00:23:34,040
Speaker 1: for her left arm, so basically she ends up coming

450
00:23:34,119 --> 00:23:36,879
Speaker 1: back to normal. They save her from turning into one

451
00:23:36,920 --> 00:23:42,680
Speaker 1: of these you know Stacey dashes, and the only part

452
00:23:42,760 --> 00:23:47,399
Speaker 1: they couldn't was her drawing arm, her left arm.

453
00:23:47,720 --> 00:23:50,040
Speaker 2: That's where they literally sliced into her skin.

454
00:23:50,359 --> 00:23:53,719
Speaker 1: Yeah, and she wakes up and screams in horror at

455
00:23:53,760 --> 00:23:57,240
Speaker 1: the state of her arm, and her mother, Hippolyta, holds

456
00:23:57,280 --> 00:24:01,159
Speaker 1: her and Tick tells Mantross that he saw his other and.

457
00:24:03,200 --> 00:24:05,720
Speaker 2: And and then and then that's the end of that scene.

458
00:24:07,800 --> 00:24:10,720
Speaker 2: But and that's like the first five minutes, Like, yeah,

459
00:24:10,720 --> 00:24:13,120
Speaker 2: it was a lot happening, Like that was like they

460
00:24:13,200 --> 00:24:14,919
Speaker 2: was just like boom boom, boom, boom boom, and now

461
00:24:14,920 --> 00:24:16,320
Speaker 2: all that shit happened. So then.

462
00:24:18,240 --> 00:24:24,919
Speaker 1: Uh, Tick as downstairs with Montross and Letty and they're

463
00:24:25,080 --> 00:24:28,359
Speaker 1: like for this spell, that handed, that handed taught me and.

464
00:24:29,119 --> 00:24:30,000
Speaker 2: The plan that we have.

465
00:24:30,480 --> 00:24:34,240
Speaker 1: I have to get a physical tie between Titus the

466
00:24:34,320 --> 00:24:39,000
Speaker 1: Oldest and White the Massive. It was massive, Titus nice

467
00:24:39,080 --> 00:24:40,720
Speaker 1: Massa treated slaves real good.

468
00:24:40,960 --> 00:24:42,199
Speaker 2: Apparently, Uh.

469
00:24:42,320 --> 00:24:47,000
Speaker 1: He has to create a bond between Titus, uh, Christina

470
00:24:48,240 --> 00:24:52,440
Speaker 1: and himself to do this spell, and this spell is

471
00:24:52,480 --> 00:24:55,119
Speaker 1: their only chance. Montross doesn't want to accept that because

472
00:24:55,160 --> 00:24:57,560
Speaker 1: he's like, if we do this, we're risking your life.

473
00:24:57,920 --> 00:24:59,720
Speaker 1: She wants you to show up on the autumn no,

474
00:25:00,040 --> 00:25:02,040
Speaker 1: when she wants to kill you as part of her

475
00:25:02,480 --> 00:25:06,560
Speaker 1: ascension to immortality. We can't really fuck around with this,

476
00:25:07,160 --> 00:25:11,000
Speaker 1: Like any plan that involves you going into the lions,

477
00:25:11,040 --> 00:25:13,000
Speaker 1: then I'm not I'm not down with it because you're

478
00:25:13,040 --> 00:25:14,879
Speaker 1: my son and I don't even want to risk you

479
00:25:15,000 --> 00:25:17,320
Speaker 1: dying that the fucking book we got from the future

480
00:25:17,760 --> 00:25:23,399
Speaker 1: says you die here what I'm your understand. And the

481
00:25:23,480 --> 00:25:26,480
Speaker 1: thing I started thinking was, Man, I don't need my

482
00:25:26,600 --> 00:25:30,080
Speaker 1: trial sabage. He better be done sabotage and shit, because

483
00:25:30,119 --> 00:25:33,160
Speaker 1: he done sabotage a few good plans and made things

484
00:25:33,200 --> 00:25:34,600
Speaker 1: a lot harder to get where they are.

485
00:25:34,960 --> 00:25:36,880
Speaker 2: And I was like, if this motherfucker got one more

486
00:25:36,920 --> 00:25:39,440
Speaker 2: trick up his sleeve, I swear to God come home.

487
00:25:39,800 --> 00:25:40,920
Speaker 2: I've had enough of you, sir.

488
00:25:42,200 --> 00:25:45,239
Speaker 1: But Tick tells him, look, me, dying is just one

489
00:25:45,320 --> 00:25:48,359
Speaker 1: potential outcome. We don't know that that's gonna happen. And

490
00:25:48,600 --> 00:25:52,359
Speaker 1: my trial's begs Letty to run away, like you can

491
00:25:52,440 --> 00:25:55,320
Speaker 1: convince Tick run away with the book.

492
00:25:57,920 --> 00:26:01,040
Speaker 2: Yeah, yeah, well yeah, he's like, run away with the book,

493
00:26:01,200 --> 00:26:02,240
Speaker 2: run away with the baby.

494
00:26:02,760 --> 00:26:06,240
Speaker 1: Y'all got that mark that protects you know, you from magic,

495
00:26:06,400 --> 00:26:09,119
Speaker 1: like you want, like basically to do what to do

496
00:26:09,240 --> 00:26:10,040
Speaker 1: what Hannah did.

497
00:26:10,440 --> 00:26:13,959
Speaker 4: Right, But he didn't realize what they both had experience

498
00:26:14,600 --> 00:26:15,120
Speaker 4: In her mind.

499
00:26:15,200 --> 00:26:16,520
Speaker 2: She was like, I can't do that.

500
00:26:17,359 --> 00:26:19,760
Speaker 1: Yeah, not just that, but the ancestors told them not

501
00:26:19,840 --> 00:26:23,680
Speaker 1: to correct, like, don't repeat our mistake, like you y'all

502
00:26:23,720 --> 00:26:26,240
Speaker 1: gotta be brave and bold and step into this with

503
00:26:26,440 --> 00:26:29,280
Speaker 1: ownership because y'all are entitled to this. This is your

504
00:26:29,320 --> 00:26:33,720
Speaker 1: birthright and your legacy. And Montross is like, no, keep running,

505
00:26:33,800 --> 00:26:38,960
Speaker 1: keep being scared. So then Tick says, we can't stop

506
00:26:39,080 --> 00:26:40,879
Speaker 1: fighting now. We don't have been through too much. We

507
00:26:41,160 --> 00:26:44,480
Speaker 1: had the Indiana Jones. Shit, we fucking seen ghost.

508
00:26:44,720 --> 00:26:46,399
Speaker 3: We doesn't do it all. We don't scoopy dude it

509
00:26:46,640 --> 00:26:47,560
Speaker 3: like we have done.

510
00:26:47,400 --> 00:26:51,440
Speaker 1: It all, right, and so he reminds myn Tross that like,

511
00:26:52,040 --> 00:26:54,320
Speaker 1: how can you look away from this when I was

512
00:26:54,359 --> 00:26:56,000
Speaker 1: a stranger that saved all in Tosa?

513
00:26:56,720 --> 00:26:59,000
Speaker 2: Like this shit is too powerful. This is just some

514
00:26:59,200 --> 00:27:01,399
Speaker 2: destiny shit, and we got to see it through to the.

515
00:27:01,520 --> 00:27:04,360
Speaker 1: End and that the book belongs to us and we're

516
00:27:04,400 --> 00:27:07,480
Speaker 1: gonna use it to protect our whole family. So then

517
00:27:08,440 --> 00:27:11,359
Speaker 1: Letty and Tick go down to the basement and tick

518
00:27:12,200 --> 00:27:14,400
Speaker 1: COM's king the black shoke off down.

519
00:27:15,080 --> 00:27:17,360
Speaker 2: He's just like we don't see him. He's just underneath

520
00:27:17,359 --> 00:27:20,200
Speaker 2: the floorboards, and we see like some red light.

521
00:27:20,160 --> 00:27:22,520
Speaker 1: Coming from undereath the floor and he's just like sick

522
00:27:22,680 --> 00:27:28,800
Speaker 1: king sit and then he just goes right rollover. Uh uh,

523
00:27:29,000 --> 00:27:31,399
Speaker 1: and then he throws like a pork chop down there.

524
00:27:31,440 --> 00:27:33,879
Speaker 1: Because you know, black people, we just feed our dogs whatever.

525
00:27:35,320 --> 00:27:37,000
Speaker 2: All that shit. We don't feed them doll for We

526
00:27:37,080 --> 00:27:38,399
Speaker 2: feed them human food. They were like, you know, you

527
00:27:38,520 --> 00:27:39,719
Speaker 2: gotta kill the doll We don't care.

528
00:27:39,800 --> 00:27:43,200
Speaker 1: Give them some grits, right, It's good enough for you boys,

529
00:27:43,240 --> 00:27:47,280
Speaker 1: good enough for your dog. So then uh, they take

530
00:27:47,320 --> 00:27:50,840
Speaker 1: the elevator from the house back down into the tunnel

531
00:27:51,520 --> 00:27:52,640
Speaker 1: and it's just Letty and Tick.

532
00:27:52,760 --> 00:27:54,800
Speaker 2: They hold hands they are on a mission. Some hip

533
00:27:54,840 --> 00:27:57,199
Speaker 2: hop is playing like they they are.

534
00:27:57,400 --> 00:28:01,040
Speaker 1: They are like, listen, let's go, let's do this, Which

535
00:28:01,119 --> 00:28:03,400
Speaker 1: is funny because I don't know that I had ever

536
00:28:03,480 --> 00:28:06,280
Speaker 1: heard this song before. But in a weird way, with

537
00:28:06,440 --> 00:28:09,119
Speaker 1: all the modern music they've done, this is one of

538
00:28:09,200 --> 00:28:11,639
Speaker 1: my favorite uses of the modern music. Like it just

539
00:28:11,720 --> 00:28:15,040
Speaker 1: felt like they are on the fucking like it felt

540
00:28:15,080 --> 00:28:18,560
Speaker 1: like when uh that when you watch Ghostbusters.

541
00:28:18,000 --> 00:28:19,560
Speaker 2: Too, and they had the Bobby Brown theme.

542
00:28:20,280 --> 00:28:22,720
Speaker 1: Yeah, you know where you're like this, this is the

543
00:28:22,800 --> 00:28:27,680
Speaker 1: best thing about this movie. You know, got the proton

544
00:28:27,800 --> 00:28:29,439
Speaker 1: packs when they back and they stipped.

545
00:28:30,920 --> 00:28:34,360
Speaker 2: But yeah, so which, by the way, that a long

546
00:28:34,440 --> 00:28:34,879
Speaker 2: song for me?

547
00:28:35,000 --> 00:28:35,320
Speaker 3: My bad.

548
00:28:37,080 --> 00:28:39,320
Speaker 2: Yeah, I'm thinking, yeah, I don't think it was no no, no,

549
00:28:39,400 --> 00:28:41,880
Speaker 2: no no, but yeah.

550
00:28:41,920 --> 00:28:47,080
Speaker 1: The thing I was gonna say about that song though, is, uh,

551
00:28:47,360 --> 00:28:50,600
Speaker 1: it's for the fucking movie. If you ever listen to

552
00:28:51,040 --> 00:28:53,840
Speaker 1: Brown song, it came out before the movie came out,

553
00:28:54,080 --> 00:28:54,680
Speaker 1: it did.

554
00:28:54,680 --> 00:28:56,720
Speaker 2: And if you go see the movie, the whole fucking

555
00:28:56,760 --> 00:29:00,120
Speaker 2: plots in the goddamn song. Yeah, us, it's like all

556
00:29:00,120 --> 00:29:02,680
Speaker 2: the way to the end and shit, I'm like, damn, Bobby,

557
00:29:02,840 --> 00:29:05,400
Speaker 2: if we're gonna go to the left, go to the right, right,

558
00:29:05,520 --> 00:29:08,000
Speaker 2: We're gonna settle them. They were throwing. They were throwing

559
00:29:08,040 --> 00:29:10,400
Speaker 2: a party for a bunch of children, all the wild

560
00:29:10,480 --> 00:29:14,720
Speaker 2: flyers under the buildings. I'm like, nigga, no one, y'all

561
00:29:14,760 --> 00:29:17,720
Speaker 2: didn't run this by nobody. Throw the Ponti brother what

562
00:29:17,840 --> 00:29:19,920
Speaker 2: they said, throw the proton back on the pack.

563
00:29:20,000 --> 00:29:23,840
Speaker 1: And they split, Like, why did you let Bobby see

564
00:29:23,840 --> 00:29:28,480
Speaker 1: the whole movie? I just don't understand that decision making process.

565
00:29:28,600 --> 00:29:29,840
Speaker 2: That's why he sung the song.

566
00:29:30,600 --> 00:29:32,680
Speaker 1: Yeah, but it don't make sense because then he told

567
00:29:32,800 --> 00:29:34,200
Speaker 1: everybody what the spoilers was.

568
00:29:34,320 --> 00:29:36,120
Speaker 2: That's yeah, but you know most people didn't care.

569
00:29:36,240 --> 00:29:38,280
Speaker 1: You would never see that with like the sixth sense.

570
00:29:38,320 --> 00:29:41,200
Speaker 1: It's like and the whole time Bruce Willis was dead.

571
00:29:41,360 --> 00:29:45,360
Speaker 1: All right, I'm Bobby Brown, Bobby Brown collection of him.

572
00:29:45,280 --> 00:29:50,480
Speaker 2: Just spoiling. I love that m Brown spoiling shit with

573
00:29:50,720 --> 00:29:53,800
Speaker 2: is nothing but jams and ship, nothing but the running man.

574
00:29:53,960 --> 00:29:56,600
Speaker 2: I am here for that ship. And Darth Vader was

575
00:29:56,760 --> 00:30:00,840
Speaker 2: Luke's father. No, no, nigga, no anyway, So.

576
00:30:02,520 --> 00:30:07,200
Speaker 1: They go down the elevator into into the flooded thing.

577
00:30:07,360 --> 00:30:09,360
Speaker 1: Of course, you know we fast forward, throw a line.

578
00:30:09,360 --> 00:30:11,760
Speaker 1: We don't see them go through the whole flooded tunnel

579
00:30:11,920 --> 00:30:16,760
Speaker 1: and everything. But they get back to this, uh the

580
00:30:16,880 --> 00:30:19,440
Speaker 1: place that was like underneath the museum, and I think

581
00:30:19,440 --> 00:30:23,080
Speaker 1: it was Boston or Baltimore or something, but underneath the

582
00:30:23,200 --> 00:30:26,920
Speaker 1: museum museum, there was this place where there was like

583
00:30:27,000 --> 00:30:29,840
Speaker 1: a circle that they went into.

584
00:30:29,880 --> 00:30:32,440
Speaker 2: It looked like a lot like that. And so in

585
00:30:32,560 --> 00:30:33,560
Speaker 2: this circle.

586
00:30:34,920 --> 00:30:39,800
Speaker 1: They pull out their supplies and they started using pouring

587
00:30:39,920 --> 00:30:42,400
Speaker 1: salt on the floor in a circle.

588
00:30:42,760 --> 00:30:43,600
Speaker 2: They got the good salt.

589
00:30:43,960 --> 00:30:47,160
Speaker 1: Well, of course they went with epsom salt of the

590
00:30:47,280 --> 00:30:53,280
Speaker 1: blackest of salts. It's even more blacker than like black salt,

591
00:30:53,400 --> 00:30:56,760
Speaker 1: Like there's salt is black, but it does not. It's

592
00:30:56,840 --> 00:30:59,360
Speaker 1: not blacker than the Epsen Epsin sauce is the blackest

593
00:30:59,400 --> 00:30:59,920
Speaker 1: of the salts.

594
00:31:00,800 --> 00:31:04,320
Speaker 4: Epsen saw is like robotussin you know, my body ache,

595
00:31:04,440 --> 00:31:06,240
Speaker 4: Dip dip your ass and somes and salt.

596
00:31:06,640 --> 00:31:09,520
Speaker 1: So anyway, they put some salt on the floor and

597
00:31:10,600 --> 00:31:12,920
Speaker 1: uh tick uses blood to make a symbol on the floor,

598
00:31:13,040 --> 00:31:15,800
Speaker 1: and they step out of the circle and make cymbols

599
00:31:15,840 --> 00:31:17,800
Speaker 1: in the salt, and they started a spell and they

600
00:31:17,960 --> 00:31:20,080
Speaker 1: like talk about it like remember you gotta say it backwards.

601
00:31:20,120 --> 00:31:23,800
Speaker 1: And then da da da, Well, the spell is ta

602
00:31:23,920 --> 00:31:30,440
Speaker 1: Kanja Massa, the spirit of Titus. Braith White steps into

603
00:31:30,520 --> 00:31:34,560
Speaker 1: the room and he is as shocked as anyone to

604
00:31:34,640 --> 00:31:35,720
Speaker 1: see niggas.

605
00:31:38,000 --> 00:31:41,040
Speaker 2: Was racist doing magic, Like he stepped right straight off

606
00:31:41,080 --> 00:31:43,000
Speaker 2: the time machine. Yeah, he's like, the hell is this?

607
00:31:43,480 --> 00:31:45,880
Speaker 2: He's like, I was just down the hell beating slaves.

608
00:31:46,000 --> 00:31:52,960
Speaker 2: Who interrupted my slaves? Beat right? Niggas? He came, niggas

609
00:31:53,000 --> 00:31:56,560
Speaker 2: coming me? How dare you like you niggas reading books?

610
00:31:56,800 --> 00:31:56,840
Speaker 4: Like?

611
00:31:56,920 --> 00:31:59,520
Speaker 2: He was very upset. He was not at there, and

612
00:31:59,600 --> 00:32:03,080
Speaker 2: he was like like who break? He was like, who

613
00:32:03,160 --> 00:32:03,600
Speaker 2: are y'all?

614
00:32:04,160 --> 00:32:07,360
Speaker 1: And then when we see some we hear somebody say

615
00:32:07,960 --> 00:32:10,560
Speaker 1: your blood air. And when the camera does this trick

616
00:32:10,600 --> 00:32:13,680
Speaker 1: where it pulls around and we see suddenly behind Titus

617
00:32:13,720 --> 00:32:17,880
Speaker 1: has appeared, Hannah, So she's basically like your blood air.

618
00:32:18,440 --> 00:32:21,040
Speaker 1: Now keep in mind, like this is the man that

619
00:32:21,520 --> 00:32:26,320
Speaker 1: you know father her kid, probably unconsensually because you know

620
00:32:26,440 --> 00:32:31,000
Speaker 1: this whole thing with slavery, mister, treat my slaves nice.

621
00:32:32,080 --> 00:32:35,160
Speaker 1: And of course Titus had the nerve to be offended.

622
00:32:36,280 --> 00:32:39,600
Speaker 1: He like, you summoning me to do some reverse magice?

623
00:32:39,640 --> 00:32:43,040
Speaker 2: You calling me, you know, always treated you better than

624
00:32:43,080 --> 00:32:47,200
Speaker 2: my other niggers. Yeah, na, what is wrong with y'all?

625
00:32:48,240 --> 00:32:50,840
Speaker 2: Have you no class and no d D?

626
00:32:51,040 --> 00:32:52,760
Speaker 3: You called me what he is?

627
00:32:52,840 --> 00:32:55,680
Speaker 2: This will fix me a sandwich and I'll be on

628
00:32:55,800 --> 00:32:56,160
Speaker 2: my way.

629
00:32:56,480 --> 00:33:01,920
Speaker 1: Come on, and Hannah says, we brought you here so

630
00:33:02,120 --> 00:33:04,960
Speaker 1: that I can finally do what I should have did tonight.

631
00:33:05,000 --> 00:33:08,240
Speaker 1: You tried to sacrifice my baby, and he was like,

632
00:33:08,400 --> 00:33:11,040
Speaker 1: I kept you in the finest slavery.

633
00:33:10,680 --> 00:33:12,080
Speaker 2: Clothes, the finest of fis.

634
00:33:12,360 --> 00:33:15,640
Speaker 1: Okay, I was, I had mamas getting my Thomas Jefferson

635
00:33:15,720 --> 00:33:22,640
Speaker 1: on and being ungrateful. Plan I'll let you sleep on

636
00:33:22,760 --> 00:33:26,680
Speaker 1: the floor inside the house. And now you got problems. Wow,

637
00:33:27,240 --> 00:33:30,080
Speaker 1: because I tried to sacrifice your baby. You really holding

638
00:33:30,160 --> 00:33:32,200
Speaker 1: the old shit bringing up old shit on people.

639
00:33:32,280 --> 00:33:33,120
Speaker 2: Oh, that's crazy.

640
00:33:33,760 --> 00:33:35,880
Speaker 1: So then Tick tries to attack Titus from behind, but

641
00:33:36,000 --> 00:33:39,479
Speaker 1: Titus blocks it, and then Letty tries to attack him,

642
00:33:39,600 --> 00:33:42,800
Speaker 1: and the nigga teleports away like nightcrawl, just poop bamp gone,

643
00:33:43,200 --> 00:33:43,640
Speaker 1: grant them.

644
00:33:43,840 --> 00:33:44,400
Speaker 3: I know he went.

645
00:33:44,640 --> 00:33:46,800
Speaker 1: And when we see him reappear, and it's in the

646
00:33:46,880 --> 00:33:49,320
Speaker 1: middle of a street and it's right in front of

647
00:33:49,400 --> 00:33:52,760
Speaker 1: Christina's car, which she crashes into a light pole, which

648
00:33:52,800 --> 00:33:55,280
Speaker 1: I'm like, listen, I don't know who did the repair

649
00:33:55,360 --> 00:33:55,959
Speaker 1: work on this car?

650
00:33:56,200 --> 00:33:59,920
Speaker 2: Shoddy workmanship? Okay, come on, I saw this car flip

651
00:34:00,080 --> 00:34:04,200
Speaker 2: over a truck once. That car has been through it all. Yeah,

652
00:34:04,240 --> 00:34:06,920
Speaker 2: I don't know. She just didn't get the insurance. I

653
00:34:07,080 --> 00:34:09,800
Speaker 2: mean that that car should be totaled several times.

654
00:34:10,120 --> 00:34:12,040
Speaker 1: If the markt Kine was on the car, I don't know,

655
00:34:12,480 --> 00:34:16,640
Speaker 1: ha haha, theself, I don't know. But the car apparently

656
00:34:17,280 --> 00:34:21,719
Speaker 1: the fucking uh it crashed into a poll. Christina goes

657
00:34:21,800 --> 00:34:25,160
Speaker 1: flying out of the car, but Ruby is in the

658
00:34:25,200 --> 00:34:29,279
Speaker 1: passenger seat unharmed, and Christina's like, you're okay, and was

659
00:34:29,320 --> 00:34:32,279
Speaker 1: like yes. And then Titus is in the middle of

660
00:34:32,320 --> 00:34:34,720
Speaker 1: the street and he sees Christina. He puts it together.

661
00:34:34,800 --> 00:34:37,040
Speaker 1: He's like, first of all, you with one of them?

662
00:34:37,120 --> 00:34:40,960
Speaker 2: What the hell? He wasn't even shocked there was cars

663
00:34:41,000 --> 00:34:41,239
Speaker 2: and shit.

664
00:34:41,239 --> 00:34:43,200
Speaker 1: I thought he would have been like cars, what are

665
00:34:43,239 --> 00:34:45,880
Speaker 1: the horses? But he probably had been to the future,

666
00:34:45,880 --> 00:34:50,960
Speaker 1: to a port or some shit. But he was like, hey, Christina,

667
00:34:51,320 --> 00:34:54,000
Speaker 1: you look like you kidding to me. Those niggas had

668
00:34:54,000 --> 00:34:56,600
Speaker 1: a book of it. And then he just disappeared again,

669
00:34:56,680 --> 00:34:59,440
Speaker 1: disappeared again. He got conjured back to the bonding circle.

670
00:35:00,040 --> 00:35:02,759
Speaker 1: This time the ancestors had more he had.

671
00:35:02,800 --> 00:35:05,040
Speaker 2: They had more help. Hattie was in the circle with them,

672
00:35:05,520 --> 00:35:07,600
Speaker 2: Hannah was in the circle. They were all doing the spell.

673
00:35:07,960 --> 00:35:14,400
Speaker 1: They were all bonding Titus and then uh, Titus, you know,

674
00:35:14,440 --> 00:35:16,440
Speaker 1: of course, goes on his white man rans.

675
00:35:16,239 --> 00:35:20,160
Speaker 2: Like you niggas and then you ungrateful bastards.

676
00:35:20,239 --> 00:35:23,560
Speaker 1: While he was doing that, he basically got shanked by Tick.

677
00:35:24,600 --> 00:35:27,120
Speaker 1: I ain't bleeding, he was like, you know, he was

678
00:35:27,160 --> 00:35:29,320
Speaker 1: looking at me. He got shaked like the daddy on

679
00:35:29,440 --> 00:35:33,120
Speaker 1: real world, the mad real world. Yes, and then Tick

680
00:35:33,640 --> 00:35:34,439
Speaker 1: shanked right.

681
00:35:34,400 --> 00:35:36,400
Speaker 2: Before he died. He fucking cut off a piece of

682
00:35:36,480 --> 00:35:41,200
Speaker 2: Titus his chest. And then Titus dies, shanked to death.

683
00:35:42,560 --> 00:35:42,719
Speaker 4: Uh.

684
00:35:42,960 --> 00:35:45,360
Speaker 2: And then they send the ancestors back to the afterlife

685
00:35:45,880 --> 00:35:51,399
Speaker 2: and Letty goes. That was supposed to be the easy part.

686
00:35:51,600 --> 00:35:55,400
Speaker 1: Come on, like that ship was mad hard. We almost

687
00:35:55,480 --> 00:35:59,359
Speaker 1: fucking died, fucked up, he almost got free. That's that's

688
00:35:59,440 --> 00:36:03,319
Speaker 1: the easy or this other playing the easy boy. I mean,

689
00:36:03,360 --> 00:36:06,360
Speaker 1: it don't get no easier from here. Back at the crib,

690
00:36:07,719 --> 00:36:11,960
Speaker 1: Hippolyta made de a sandwich and some pie like I

691
00:36:12,080 --> 00:36:13,600
Speaker 1: made your favorite baby.

692
00:36:14,040 --> 00:36:16,600
Speaker 2: But d sitting up in the room with one of

693
00:36:16,680 --> 00:36:20,399
Speaker 2: her arms looking like group m and mad as hell.

694
00:36:21,080 --> 00:36:27,759
Speaker 2: She had the right to be mad? Mm hmm interesting, Yeah, yep,

695
00:36:31,200 --> 00:36:41,399
Speaker 2: yep that count. Yeah. I love that song.

696
00:36:42,040 --> 00:36:42,560
Speaker 3: I know you do.

697
00:36:42,840 --> 00:36:44,839
Speaker 2: I didn't say she didn't have the right to be mad.

698
00:36:45,760 --> 00:36:51,799
Speaker 2: No player, no player. Yeah, I'm reveling this. There's nothing

699
00:36:51,840 --> 00:36:53,279
Speaker 2: you could do about this moment, Karen.

700
00:36:53,560 --> 00:36:56,560
Speaker 4: Oh no, No, this is your mama to shine, not

701
00:36:57,040 --> 00:36:59,160
Speaker 4: not at any period of time that I said he

702
00:36:59,280 --> 00:37:00,359
Speaker 4: didn't have to write to be mad?

703
00:37:00,480 --> 00:37:05,320
Speaker 1: What did Hannah say, Karen, We don't have a choice,

704
00:37:06,239 --> 00:37:08,560
Speaker 1: and right now you ain't got no choice but to

705
00:37:08,800 --> 00:37:15,360
Speaker 1: let me gloat. Okay, what because I told you blacks,

706
00:37:15,920 --> 00:37:20,080
Speaker 1: you ungrateful blacks, just like massive titans try to tell you, okay,

707
00:37:20,160 --> 00:37:22,759
Speaker 1: whatever he told you, niggas, And I'm telling you now

708
00:37:23,040 --> 00:37:24,799
Speaker 1: whatever I said.

709
00:37:25,239 --> 00:37:28,799
Speaker 2: This ship is not gonna be cool. When we see

710
00:37:29,000 --> 00:37:32,560
Speaker 2: this little black girl who has had her mom abandoned

711
00:37:32,640 --> 00:37:37,279
Speaker 2: her and has been thrown to the motherfucking wolves, there

712
00:37:37,320 --> 00:37:42,920
Speaker 2: will be no moment of it's all good. And in

713
00:37:43,080 --> 00:37:44,240
Speaker 2: y'all's mind, y'all.

714
00:37:44,160 --> 00:37:48,920
Speaker 1: Was imagining this nigga here surfing the Cosmos motherfucking drinking

715
00:37:49,040 --> 00:37:56,600
Speaker 1: martinis with Sammit Davis Junior, fucking little smoking weed with lace.

716
00:37:56,400 --> 00:37:59,480
Speaker 5: And I said, on earth for one thousand and two,

717
00:38:00,480 --> 00:38:02,520
Speaker 5: and I said, this shit is gonna.

718
00:38:02,320 --> 00:38:04,960
Speaker 2: Feel like how I must feel when futures children look

719
00:38:05,000 --> 00:38:08,640
Speaker 2: at his instagram. Okay, because this shit is whack if

720
00:38:08,640 --> 00:38:09,760
Speaker 2: you're the one left behind.

721
00:38:10,080 --> 00:38:13,400
Speaker 1: It's only it's only cool if you truly do not

722
00:38:13,640 --> 00:38:17,040
Speaker 1: believe that thee's life is not valuable. And as a

723
00:38:17,120 --> 00:38:20,880
Speaker 1: person that always stands up for black women, such as myself.

724
00:38:21,480 --> 00:38:25,879
Speaker 2: Alone many times alone that I don't support black women

725
00:38:26,080 --> 00:38:29,399
Speaker 2: alone against the slings and arrow of my own chat room,

726
00:38:29,520 --> 00:38:34,319
Speaker 2: even a man can be dependent on as a as

727
00:38:34,360 --> 00:38:37,520
Speaker 2: a black feminist to truly stand up and say, but

728
00:38:37,719 --> 00:38:41,160
Speaker 2: what about our black girls? Are they not magic? Yes?

729
00:38:41,239 --> 00:38:44,640
Speaker 2: They are magic? And yes, I devil said that she

730
00:38:44,719 --> 00:38:48,080
Speaker 2: didn't have to be upset the Phrasesn't black mamas are magic?

731
00:38:48,239 --> 00:38:51,480
Speaker 2: And fuck them kids? No, it is black girls are magic.

732
00:38:51,640 --> 00:38:54,200
Speaker 2: I believe it's what's on the T shirt carrying on

733
00:38:55,920 --> 00:38:57,719
Speaker 2: but the T shirt only I believe in.

734
00:38:59,440 --> 00:38:59,920
Speaker 3: Fearless.

735
00:39:00,080 --> 00:39:02,800
Speaker 1: So according to you, I guess, I guess I'm the

736
00:39:02,920 --> 00:39:05,640
Speaker 1: only one that believes black girls are magic in her

737
00:39:06,280 --> 00:39:08,239
Speaker 1: and I guess that's the reason I bought carrying the

738
00:39:08,320 --> 00:39:11,000
Speaker 1: shirt because she would have never bought herself because she said,

739
00:39:11,040 --> 00:39:15,960
Speaker 1: fucking little black girl. Yea, So she says, you left me,

740
00:39:16,640 --> 00:39:19,360
Speaker 1: and then her mama tried to explain that shit like

741
00:39:19,840 --> 00:39:21,920
Speaker 1: I did. I did so I could become what you

742
00:39:22,040 --> 00:39:25,040
Speaker 1: imagine me to be, so I could be Arinthia blue.

743
00:39:25,960 --> 00:39:31,920
Speaker 1: And D said, she's not real. And that's on Hippolyta

744
00:39:32,000 --> 00:39:35,600
Speaker 1: because now she know everything. Said, I found a place

745
00:39:35,600 --> 00:39:38,439
Speaker 1: where I could bring her a life, where I could

746
00:39:38,680 --> 00:39:39,720
Speaker 1: name myself anything.

747
00:39:39,760 --> 00:39:40,239
Speaker 2: And I did.

748
00:39:40,840 --> 00:39:43,440
Speaker 1: I went on adventures that not even your father's beautiful

749
00:39:43,480 --> 00:39:46,320
Speaker 1: mine could imagine. And then I named myself mother, and

750
00:39:46,360 --> 00:39:49,440
Speaker 1: it brought me back here to you, pumpkin. I was

751
00:39:49,560 --> 00:39:52,160
Speaker 1: always gonna come back, and if I had known what

752
00:39:52,320 --> 00:39:53,560
Speaker 1: was happening to you, I would have.

753
00:39:54,040 --> 00:39:58,960
Speaker 2: And D said, I don't care, shut up, I'm not

754
00:39:59,120 --> 00:40:00,799
Speaker 2: here for none of yam fulishness waning.

755
00:40:00,880 --> 00:40:02,920
Speaker 1: I don't know if you know, but my motherfucking arm

756
00:40:03,040 --> 00:40:09,280
Speaker 1: is deciduous right now. Okay, like this arm is motherfucking changing.

757
00:40:09,040 --> 00:40:11,320
Speaker 2: Colors in the fall because of your ass. Yeah, go

758
00:40:11,440 --> 00:40:15,520
Speaker 2: and leave, and shit, I can't draw no more but you.

759
00:40:15,800 --> 00:40:17,279
Speaker 2: But do you think I give a fuck if you

760
00:40:17,440 --> 00:40:20,960
Speaker 2: was in the astral plane in the space with the

761
00:40:21,000 --> 00:40:24,480
Speaker 2: motherfucking X men. If you discovered that she are crystal Now,

762
00:40:24,920 --> 00:40:25,839
Speaker 2: I don't have an arm.

763
00:40:25,960 --> 00:40:27,719
Speaker 3: You think I care that you was out there with

764
00:40:27,840 --> 00:40:28,520
Speaker 3: Silver Safer?

765
00:40:28,640 --> 00:40:31,960
Speaker 2: No, oh you met Lelandra. She's a space princess with

766
00:40:32,080 --> 00:40:35,760
Speaker 2: my arms don't work. My fucking best friend got murdered

767
00:40:35,800 --> 00:40:40,520
Speaker 2: by white people. I've been running from koons, a fucking

768
00:40:40,840 --> 00:40:46,600
Speaker 2: policeman spiting my motherfucking forehead. Okay, this is what I've

769
00:40:46,640 --> 00:40:50,000
Speaker 2: been going through. Guess what, Mama, I believe in magic too,

770
00:40:50,000 --> 00:40:53,040
Speaker 2: because I've been cursed. So I guess we both believe

771
00:40:53,080 --> 00:40:55,840
Speaker 2: in magic. You who got to hang out with josephin

772
00:40:56,200 --> 00:40:59,520
Speaker 2: Bacon Twerk in the thirties, Yeah, and me the one

773
00:40:59,560 --> 00:41:03,400
Speaker 2: wouldn't one arm and motherfucking coon bites all over me

774
00:41:05,080 --> 00:41:08,960
Speaker 2: and she was like, uh, you weren't here. I was

775
00:41:09,040 --> 00:41:13,239
Speaker 2: alone and they never mind. Everything's jake.

776
00:41:14,040 --> 00:41:16,799
Speaker 1: You couldn't have saved me anyways, And I said, oh

777
00:41:17,080 --> 00:41:20,479
Speaker 1: that hurt. That hurt me as a person that cares

778
00:41:20,520 --> 00:41:24,279
Speaker 1: about little black girls. I'm sure the many of y'all

779
00:41:24,320 --> 00:41:26,960
Speaker 1: had rolled all off of your you know, like water.

780
00:41:26,760 --> 00:41:28,600
Speaker 2: Off a duck's back. It didn't bother y'all. At all.

781
00:41:28,680 --> 00:41:30,840
Speaker 2: Y'all didn't even understand the point of the scene in

782
00:41:30,880 --> 00:41:33,360
Speaker 2: the show, y'all, why did they even write this? This

783
00:41:33,520 --> 00:41:36,000
Speaker 2: has get over it a little bit like I'm sure

784
00:41:36,120 --> 00:41:38,040
Speaker 2: y'all was, you know, understood.

785
00:41:38,280 --> 00:41:38,919
Speaker 3: I'm sure y'all.

786
00:41:39,040 --> 00:41:40,719
Speaker 2: I'm sure y'all was. Y'all was fine with it.

787
00:41:40,800 --> 00:41:43,840
Speaker 1: But you know, me, a person with a heart and empathy,

788
00:41:45,239 --> 00:41:48,520
Speaker 1: I tried to tell y'all, Okay, that's all I'm saying.

789
00:41:48,960 --> 00:41:51,560
Speaker 2: And for those of y'all that did feel bad, good,

790
00:41:51,960 --> 00:41:55,120
Speaker 2: you should feel bad that you wanted this, because what

791
00:41:55,239 --> 00:42:05,239
Speaker 2: the fuck I was trying to tell you every day? Yeah,

792
00:42:05,840 --> 00:42:10,400
Speaker 2: prey mm hm hmmm.

793
00:42:12,280 --> 00:42:13,840
Speaker 1: It was too It wasn't too late for all the

794
00:42:13,920 --> 00:42:16,120
Speaker 1: car I saw some of y'all change our hearts. I

795
00:42:16,200 --> 00:42:19,480
Speaker 1: got a couple of messages from some of y'all after it.

796
00:42:19,600 --> 00:42:20,560
Speaker 3: In real life, I saw a.

797
00:42:20,560 --> 00:42:23,040
Speaker 1: Couple of y'all had, you know, had a change in heart. So,

798
00:42:23,880 --> 00:42:25,920
Speaker 1: you know, better late than Never's never too late to

799
00:42:25,960 --> 00:42:26,640
Speaker 1: come to Jesus.

800
00:42:26,760 --> 00:42:30,520
Speaker 2: But some of y'all. The devil is in y'all.

801
00:42:33,640 --> 00:42:37,200
Speaker 1: So in the garage, take Mantross and Letty figure they

802
00:42:37,280 --> 00:42:40,000
Speaker 1: need Ruby to help them get a physical piece of

803
00:42:40,080 --> 00:42:44,239
Speaker 1: Christina because uh, to complete the spell, they got a

804
00:42:44,280 --> 00:42:48,640
Speaker 1: piece of Titus, they need a piece of Christina and

805
00:42:48,960 --> 00:42:53,680
Speaker 1: they already got of course Tick's body. And everybody's like,

806
00:42:53,760 --> 00:42:57,120
Speaker 1: how are you gonna get something from from Christina? And

807
00:42:57,239 --> 00:42:59,319
Speaker 1: that's when Letty's like, Ruby will do it for.

808
00:42:59,400 --> 00:43:02,960
Speaker 2: Us, and none of us are going to get that close,

809
00:43:04,120 --> 00:43:09,680
Speaker 2: like this doesn't make any sense. And of course Montross

810
00:43:09,800 --> 00:43:12,800
Speaker 2: is like, Ruby ain't gonna do that ship like we

811
00:43:12,880 --> 00:43:15,720
Speaker 2: can't trust her, Like it's clearly she picked a side,

812
00:43:17,440 --> 00:43:21,240
Speaker 2: and Tickets like, uh, well, we really gonna have a choice,

813
00:43:21,280 --> 00:43:23,120
Speaker 2: but also we need to amplify her intention.

814
00:43:23,680 --> 00:43:26,399
Speaker 1: We can't call on the ancestors for help. Again, it's

815
00:43:26,480 --> 00:43:28,960
Speaker 1: just the three of us. And then Hippolyta says, four,

816
00:43:29,360 --> 00:43:32,880
Speaker 1: I'm going to yeah, of course she is, uh And

817
00:43:33,120 --> 00:43:37,239
Speaker 1: just then Christina walks in to the shop. They see

818
00:43:37,400 --> 00:43:41,360
Speaker 1: her pulling up. Let it look like when you be

819
00:43:41,560 --> 00:43:44,080
Speaker 1: like supposed to be like put the kitchen, put the

820
00:43:44,200 --> 00:43:47,640
Speaker 1: chicken in the uh in the uh in the sink

821
00:43:47,880 --> 00:43:49,920
Speaker 1: to defrost, and then you hear your mama car door

822
00:43:49,960 --> 00:43:52,240
Speaker 1: open and you're like fuck you just like drop everything,

823
00:43:52,440 --> 00:43:53,400
Speaker 1: like throw that chicken in there.

824
00:43:53,400 --> 00:43:56,040
Speaker 2: It's like she gonna see us from you.

825
00:43:56,360 --> 00:43:58,759
Speaker 4: You're not gonna be able to fool her, And uh yeah,

826
00:43:58,800 --> 00:44:01,920
Speaker 4: what kind of batmobiles she got? Because that car just

827
00:44:02,160 --> 00:44:04,120
Speaker 4: like immediately fixed itself. Like how the hell did she

828
00:44:04,120 --> 00:44:05,160
Speaker 4: because she didn't walk that far.

829
00:44:05,520 --> 00:44:09,839
Speaker 2: Only she puts the market kine on the cars. Oh

830
00:44:10,600 --> 00:44:12,839
Speaker 2: that would make sense. I just wonder because like that's

831
00:44:13,080 --> 00:44:15,000
Speaker 2: like like the second or third time today, that would

832
00:44:15,040 --> 00:44:18,839
Speaker 2: make sense. They did it to Willie, you know. But yeah,

833
00:44:18,960 --> 00:44:21,160
Speaker 2: so uh she ends up.

834
00:44:22,680 --> 00:44:25,800
Speaker 1: Coming in without knocking, you know, and they try to

835
00:44:25,840 --> 00:44:27,640
Speaker 1: throw and let it through the book on the ground

836
00:44:28,080 --> 00:44:30,040
Speaker 1: like she's like she tried to hide it real quick,

837
00:44:30,600 --> 00:44:34,320
Speaker 1: come mama, And Christina basically comes in because you know,

838
00:44:34,600 --> 00:44:43,200
Speaker 1: Titus warned her and she's like, look, I need that book.

839
00:44:43,920 --> 00:44:46,359
Speaker 1: I need to talk to you tick, and Tick says

840
00:44:46,560 --> 00:44:48,279
Speaker 1: you whatever you gotta say, you can said in front

841
00:44:48,280 --> 00:44:51,239
Speaker 1: of everybody, and she's like, I don't know why y'all

842
00:44:51,320 --> 00:44:52,200
Speaker 1: blacks are tripping.

843
00:44:55,080 --> 00:44:58,480
Speaker 2: This is not a race thing. This is not generational hate.

844
00:44:59,080 --> 00:45:02,520
Speaker 2: Our families are not at war. This has never been

845
00:45:02,600 --> 00:45:06,280
Speaker 2: personal to her. It hain't been personal.

846
00:45:09,840 --> 00:45:12,600
Speaker 1: Yeah yeah, And then my troust goes, the hell, it

847
00:45:12,640 --> 00:45:15,759
Speaker 1: ain't you try to kill my son I'm like, yeah,

848
00:45:15,800 --> 00:45:17,040
Speaker 1: it don't get more personal than that.

849
00:45:17,160 --> 00:45:19,279
Speaker 2: Christina. Yeah, in her mind, she was like.

850
00:45:20,800 --> 00:45:26,160
Speaker 1: And in true Christina fashion, which I'm starting to realize something.

851
00:45:26,719 --> 00:45:31,480
Speaker 1: It's not necessarily that Christina has to be forthcoming, and honest,

852
00:45:32,760 --> 00:45:34,640
Speaker 1: I don't know why it took me so long to

853
00:45:34,680 --> 00:45:38,120
Speaker 1: realize this. But of course she talks like that to everybody.

854
00:45:39,280 --> 00:45:44,319
Speaker 1: She can't be killed, right, So like, I also would

855
00:45:44,400 --> 00:45:47,200
Speaker 1: not lie of people. I would not waste a lot

856
00:45:47,239 --> 00:45:49,759
Speaker 1: of timeline of people if I knew it's not shit

857
00:45:49,840 --> 00:45:50,200
Speaker 1: you can do.

858
00:45:50,280 --> 00:45:52,759
Speaker 2: I'm gonna tell you what I'm gonna do, and I'm

859
00:45:52,760 --> 00:45:55,440
Speaker 2: gonna fucking do it. If you have a problem with that,

860
00:45:56,160 --> 00:45:56,720
Speaker 2: I guess.

861
00:45:56,560 --> 00:45:59,480
Speaker 1: You can point a gun at me and freeze and

862
00:45:59,560 --> 00:46:01,759
Speaker 1: then I can like make you put the gun down

863
00:46:02,400 --> 00:46:03,920
Speaker 1: because I can because you can't kill me.

864
00:46:04,840 --> 00:46:06,560
Speaker 2: So I don't know why tell me so long to

865
00:46:06,640 --> 00:46:08,680
Speaker 2: realize it, Because I was like, she's such a weird

866
00:46:08,800 --> 00:46:11,960
Speaker 2: character to just tell people her motivations. I'm like, oh, yeah, yeah,

867
00:46:12,160 --> 00:46:15,600
Speaker 2: of course. It's like if I had spade tight, if

868
00:46:15,840 --> 00:46:18,120
Speaker 2: I was gonna every game, you knew you was gonna

869
00:46:18,160 --> 00:46:19,799
Speaker 2: run a Boston. Yeah, if I knew I was gonna

870
00:46:19,840 --> 00:46:21,040
Speaker 2: run a Boston like I would.

871
00:46:21,120 --> 00:46:22,759
Speaker 1: I would fucking put my cards down and let you

872
00:46:22,800 --> 00:46:24,080
Speaker 1: see him and be like, y'all will just want to

873
00:46:24,080 --> 00:46:26,200
Speaker 1: throw the books in? Or do we need to go

874
00:46:26,280 --> 00:46:30,719
Speaker 1: through the formalities, because trust me, no one's winning the book.

875
00:46:31,600 --> 00:46:33,880
Speaker 2: So I got all the book? Do I really need

876
00:46:33,960 --> 00:46:36,480
Speaker 2: to go big joke, a little joker duce a? Do

877
00:46:36,560 --> 00:46:38,160
Speaker 2: I need to do that? Y'all gonna be sad. I

878
00:46:38,200 --> 00:46:40,080
Speaker 2: don't know why we even playing. You're not even gonna

879
00:46:40,080 --> 00:46:43,400
Speaker 2: get the faux books? Yeah, so of course she doesn't.

880
00:46:43,719 --> 00:46:46,200
Speaker 1: So so in this case, when they're like, he's like,

881
00:46:46,239 --> 00:46:50,000
Speaker 1: you're trying to kill my son, She's like, I'm only

882
00:46:50,040 --> 00:46:52,480
Speaker 1: trying to kill him because I can't think of another

883
00:46:52,520 --> 00:46:53,600
Speaker 1: way to get immortality.

884
00:46:53,880 --> 00:46:57,279
Speaker 2: Duh. If I could think of another way, I would.

885
00:46:57,600 --> 00:47:01,759
Speaker 1: I don't know why you're taking his murder so fucking hard, right, Like,

886
00:47:02,000 --> 00:47:03,799
Speaker 1: clearly I didn't want to murder him.

887
00:47:03,840 --> 00:47:05,480
Speaker 2: I just have to murder him, right.

888
00:47:05,640 --> 00:47:08,200
Speaker 4: If I could have found an easier way, trust I

889
00:47:08,280 --> 00:47:11,240
Speaker 4: would have like what the fuck are you talking about?

890
00:47:12,520 --> 00:47:13,080
Speaker 3: Shouldn't like?

891
00:47:13,440 --> 00:47:16,760
Speaker 2: Should have like why do I put like this? I've tried.

892
00:47:16,840 --> 00:47:18,560
Speaker 3: This is the only recipe that works.

893
00:47:19,360 --> 00:47:21,359
Speaker 1: And my thing is how is this any different than

894
00:47:21,400 --> 00:47:25,560
Speaker 1: treating my slaves nice, her great grandfather or whatever.

895
00:47:25,719 --> 00:47:27,160
Speaker 2: Correct, how's this any different?

896
00:47:27,560 --> 00:47:31,640
Speaker 1: It's the same idea, which is, listen, I treat y'all

897
00:47:32,120 --> 00:47:33,600
Speaker 1: property as good.

898
00:47:33,400 --> 00:47:34,040
Speaker 2: As I need to.

899
00:47:35,000 --> 00:47:35,160
Speaker 4: You know.

900
00:47:35,680 --> 00:47:37,640
Speaker 1: It's not like I like killing black people. I just

901
00:47:37,760 --> 00:47:41,319
Speaker 1: need to kill one so I could get some personal game.

902
00:47:41,600 --> 00:47:44,120
Speaker 2: Yes, I mean, I don't like to cut up my chair,

903
00:47:44,239 --> 00:47:45,400
Speaker 2: but I will if I have to.

904
00:47:46,200 --> 00:47:51,279
Speaker 1: And so then she's like, if less and less y'all

905
00:47:51,320 --> 00:47:55,640
Speaker 1: had a book of names, in which case, give me

906
00:47:55,719 --> 00:47:58,359
Speaker 1: the book. I give you my word that I won't

907
00:47:58,440 --> 00:48:00,560
Speaker 1: kill Tick. I leave you and your family. I find

908
00:48:00,600 --> 00:48:01,200
Speaker 1: a whole other.

909
00:48:01,080 --> 00:48:06,160
Speaker 2: Way to get my immortality it. Tick says no, And

910
00:48:06,520 --> 00:48:07,960
Speaker 2: that moment meant so much to.

911
00:48:08,000 --> 00:48:13,680
Speaker 1: Me because I was like, that's Tick residing himself to

912
00:48:13,760 --> 00:48:19,759
Speaker 1: this possibility of dying. But it's also Tick taking his birthright. Yes,

913
00:48:19,880 --> 00:48:22,760
Speaker 1: like that was that wasn't like that time in the Mazoleam.

914
00:48:23,040 --> 00:48:24,160
Speaker 2: That was ownership in it.

915
00:48:24,200 --> 00:48:26,480
Speaker 4: Here for the I think for the first time he believed,

916
00:48:27,440 --> 00:48:30,080
Speaker 4: you know, because it's a difference between you saying it

917
00:48:30,200 --> 00:48:30,520
Speaker 4: and you.

918
00:48:31,480 --> 00:48:33,680
Speaker 2: You kind of believe it, but you don't really believe.

919
00:48:34,200 --> 00:48:36,000
Speaker 4: But he was like, no, no, no, no, because I

920
00:48:36,520 --> 00:48:41,200
Speaker 4: actually believe in the plan and whatever happens, I would

921
00:48:41,200 --> 00:48:43,240
Speaker 4: be satisfied with whatever happens.

922
00:48:43,719 --> 00:48:45,759
Speaker 1: Yeah, it was just to me, it was just like

923
00:48:45,840 --> 00:48:48,160
Speaker 1: a level of like, this is ours, this is my

924
00:48:48,280 --> 00:48:51,680
Speaker 1: family's legacy. It felt every bit the same to me

925
00:48:52,080 --> 00:48:56,279
Speaker 1: as Hattie knowing giving that book to Letty and she

926
00:48:56,520 --> 00:48:57,800
Speaker 1: was gonna have to die in Tulsa.

927
00:48:58,760 --> 00:49:00,960
Speaker 2: That was like that moment. Oh, I fully know the

928
00:49:01,040 --> 00:49:04,040
Speaker 2: cost of this moment, and I'm not wavering on this.

929
00:49:04,880 --> 00:49:07,040
Speaker 1: So then Christina walks out in the huff and takes

930
00:49:07,120 --> 00:49:12,560
Speaker 1: back the mark of Caine from Letty because why not,

931
00:49:14,040 --> 00:49:17,439
Speaker 1: Like what a petty motherfucker to take the mark back?

932
00:49:18,360 --> 00:49:20,680
Speaker 2: And you know, it burns when you take it off

933
00:49:20,719 --> 00:49:22,200
Speaker 2: and all the stuff. They're like it is you okay,

934
00:49:22,320 --> 00:49:24,920
Speaker 2: is it the baby or whatever? And I'm like, it's

935
00:49:24,960 --> 00:49:25,360
Speaker 2: fucked up.

936
00:49:25,440 --> 00:49:27,239
Speaker 1: She took it back because that part of the deal

937
00:49:27,280 --> 00:49:30,040
Speaker 1: had nothing to do with this. That was for the

938
00:49:30,120 --> 00:49:32,960
Speaker 1: pictures of the pages. I gave you the pictures of

939
00:49:33,000 --> 00:49:35,279
Speaker 1: the pages. Now just cause this nigga don't want to

940
00:49:35,280 --> 00:49:37,160
Speaker 1: give you the book, you can just take the fucking

941
00:49:37,239 --> 00:49:40,440
Speaker 1: theme back. What an asshole, yees she is? And I

942
00:49:40,560 --> 00:49:42,719
Speaker 1: have to present this question. I was thinking about it

943
00:49:42,800 --> 00:49:43,160
Speaker 1: all day.

944
00:49:44,520 --> 00:49:45,480
Speaker 2: It's not really a question.

945
00:49:45,680 --> 00:49:48,719
Speaker 1: I just think Christina might be the most fifty three

946
00:49:48,760 --> 00:49:54,360
Speaker 1: percent white woman character of all time as a fictional character.

947
00:49:54,440 --> 00:49:56,080
Speaker 1: I don't know that I can think of one better.

948
00:49:57,800 --> 00:50:03,319
Speaker 1: She's all in for patriarchy. I mean, she's all against patriarchy, yes,

949
00:50:03,840 --> 00:50:06,759
Speaker 1: but completely unbothered by ideas.

950
00:50:06,400 --> 00:50:08,719
Speaker 2: Of race, completely unbotherable.

951
00:50:08,840 --> 00:50:12,759
Speaker 1: And as I said before, when she did the Immit

952
00:50:12,880 --> 00:50:17,640
Speaker 1: Tell Death thing, and I said, is this her the character?

953
00:50:17,760 --> 00:50:19,720
Speaker 2: The way of showing this character cares about Ruby.

954
00:50:20,040 --> 00:50:22,759
Speaker 1: The way of showing this character will start to reconsider

955
00:50:22,960 --> 00:50:24,759
Speaker 1: some of the ways she feels about black people in

956
00:50:24,800 --> 00:50:26,960
Speaker 1: their plight, because she's now seen the horror that has

957
00:50:27,000 --> 00:50:30,840
Speaker 1: been visited upon black people. And I was like, or

958
00:50:31,400 --> 00:50:33,480
Speaker 1: you can use this moment in a way that makes

959
00:50:33,560 --> 00:50:36,320
Speaker 1: her even worse, which is that she went through it

960
00:50:36,880 --> 00:50:40,560
Speaker 1: like a science experiment and became and was less bothered.

961
00:50:40,360 --> 00:50:44,000
Speaker 2: Was even more unbothered by the plight of black man.

962
00:50:44,080 --> 00:50:47,160
Speaker 1: Like she was like, Okay, so I that that did suck,

963
00:50:47,840 --> 00:50:51,640
Speaker 1: but it's not gonna deter the way I see my plans,

964
00:50:51,960 --> 00:50:53,520
Speaker 1: and it's not gonna change the way I see black

965
00:50:53,560 --> 00:50:56,040
Speaker 1: people in these black this black family, I'm gonna literally

966
00:50:56,120 --> 00:50:58,439
Speaker 1: rip apart by killing the one of that people.

967
00:50:59,480 --> 00:51:00,200
Speaker 2: She could kill us.

968
00:51:00,320 --> 00:51:01,960
Speaker 1: She don't even see it as a racial thing. And

969
00:51:02,040 --> 00:51:03,880
Speaker 1: when she sat there in that room and told them like,

970
00:51:04,360 --> 00:51:08,200
Speaker 1: this is not generational hate. It's just like from your side,

971
00:51:10,000 --> 00:51:12,839
Speaker 1: you know, of course, the side that's fucking doing all

972
00:51:13,480 --> 00:51:16,760
Speaker 1: the destructive shit is like, wow, we bring an emotion

973
00:51:16,880 --> 00:51:19,759
Speaker 1: into it. It's like how white people think politics, Like wow,

974
00:51:19,840 --> 00:51:22,279
Speaker 1: why we gotta bring politics into this by saying black

975
00:51:22,360 --> 00:51:26,200
Speaker 1: lives matter? But flying a plane overhead of the NFL

976
00:51:26,280 --> 00:51:29,279
Speaker 1: stadium is not bringing politics into it at all, you

977
00:51:29,320 --> 00:51:29,719
Speaker 1: know what I mean?

978
00:51:29,800 --> 00:51:31,360
Speaker 2: Singing a national anthem not.

979
00:51:31,520 --> 00:51:37,200
Speaker 1: Politics, pledge of allegiance and schools not politics, Prayer not politics,

980
00:51:37,880 --> 00:51:42,040
Speaker 1: black person saying I want to do the Muslim prayer

981
00:51:42,160 --> 00:51:45,480
Speaker 1: before the NBA game politics, you know what I mean,

982
00:51:45,600 --> 00:51:50,080
Speaker 1: take a knee politics, black lives matter shirt politics. So

983
00:51:50,719 --> 00:51:53,160
Speaker 1: that's what she reminds me so much. She might be

984
00:51:53,239 --> 00:51:56,880
Speaker 1: the most fifty three percent character I've ever seen in anything,

985
00:51:57,719 --> 00:52:00,000
Speaker 1: even more than like Megan Kelly and that Megan Kelly

986
00:52:01,200 --> 00:52:04,680
Speaker 1: about the women at Fox bombshell, even more than that,

987
00:52:04,920 --> 00:52:07,120
Speaker 1: because even fiction on Megan Kelly they tried to act

988
00:52:07,200 --> 00:52:11,520
Speaker 1: like she hasd some heart. Christina just like Hart And

989
00:52:11,840 --> 00:52:15,520
Speaker 1: I'll get further into that shit later, but it's brilliant

990
00:52:15,560 --> 00:52:17,840
Speaker 1: writing of this character because some people.

991
00:52:17,960 --> 00:52:20,080
Speaker 2: She kept the same energy. I can give her that much.

992
00:52:20,200 --> 00:52:22,480
Speaker 1: Yeah, I haven't stayed in those communities or I don't

993
00:52:22,480 --> 00:52:23,799
Speaker 1: get in those Facebook groups of shit.

994
00:52:23,840 --> 00:52:26,160
Speaker 2: But I heard that there's a contingent.

995
00:52:25,719 --> 00:52:28,200
Speaker 1: Of people that like the character of Christina and think

996
00:52:28,320 --> 00:52:33,000
Speaker 1: she wasn't the quote unquote uh nemesis of this show.

997
00:52:33,120 --> 00:52:35,160
Speaker 2: And I'm just like, the got to be white folks.

998
00:52:36,400 --> 00:52:37,879
Speaker 2: One of them I know on Twitter.

999
00:52:38,000 --> 00:52:39,719
Speaker 1: One person told me she really liked it, but she

1000
00:52:39,880 --> 00:52:42,000
Speaker 1: was like, I really, I recognize something wrong with me

1001
00:52:42,120 --> 00:52:46,799
Speaker 1: or something. So anyway, so yeah, she still she takes

1002
00:52:46,880 --> 00:52:49,120
Speaker 1: the Marca came back.

1003
00:52:51,200 --> 00:52:51,720
Speaker 2: And then.

1004
00:52:53,360 --> 00:52:56,319
Speaker 1: They pull up the black people pull up the Letty's crib,

1005
00:52:57,120 --> 00:52:58,480
Speaker 1: where we see they just got some.

1006
00:52:58,560 --> 00:53:03,320
Speaker 2: Black neighbors across the street. Typical white flight. Whenever a

1007
00:53:03,400 --> 00:53:04,440
Speaker 2: black family.

1008
00:53:04,239 --> 00:53:09,879
Speaker 1: Moved into white neighborhoods back in the day, everyone left. Yeah,

1009
00:53:09,960 --> 00:53:14,160
Speaker 1: but in Chicago, realtors actually would use this to their benefit.

1010
00:53:14,920 --> 00:53:18,080
Speaker 1: They would they would low key move a black person

1011
00:53:18,200 --> 00:53:22,279
Speaker 1: into a white neighborhood if that black person roughed it

1012
00:53:22,320 --> 00:53:25,600
Speaker 1: out and stayed. White people essentially took it as a

1013
00:53:25,680 --> 00:53:29,239
Speaker 1: sign to leave. White people would leave. The realtors would

1014
00:53:29,280 --> 00:53:31,920
Speaker 1: sell the houses in that neighborhood to black families that

1015
00:53:32,040 --> 00:53:35,200
Speaker 1: wanted to move in. They anytime they sold the house

1016
00:53:35,239 --> 00:53:37,080
Speaker 1: the black people, they were actually making more money than

1017
00:53:37,120 --> 00:53:40,240
Speaker 1: when they sell it the white people, because the interest

1018
00:53:40,320 --> 00:53:43,160
Speaker 1: rates and the fact that many of the contracts would

1019
00:53:43,239 --> 00:53:45,799
Speaker 1: not allow you to own the house flat out for many,

1020
00:53:45,840 --> 00:53:49,360
Speaker 1: many many years, and including some of it being like

1021
00:53:49,520 --> 00:53:51,240
Speaker 1: if you miss a payment, if you're.

1022
00:53:51,160 --> 00:53:54,320
Speaker 2: Late, then you can't own the house anymore.

1023
00:53:55,280 --> 00:53:58,799
Speaker 1: Right, And so white people then of course go buy

1024
00:53:58,880 --> 00:54:01,680
Speaker 1: houses in another place now their contracts are more fair.

1025
00:54:02,080 --> 00:54:05,040
Speaker 1: But the point being they're just moving one step ahead

1026
00:54:05,040 --> 00:54:07,080
Speaker 1: of the blacks, and the cycle continues, and then.

1027
00:54:07,040 --> 00:54:08,480
Speaker 2: They move, and then the black people move.

1028
00:54:08,760 --> 00:54:10,960
Speaker 1: It was more lucrative to rip off black people than

1029
00:54:11,040 --> 00:54:14,239
Speaker 1: there was to actually sell to white people.

1030
00:54:14,280 --> 00:54:15,280
Speaker 2: And they do that today.

1031
00:54:15,440 --> 00:54:20,120
Speaker 1: Message yeah yeah, So uh Tick calls the Drake Hotel

1032
00:54:20,880 --> 00:54:26,719
Speaker 1: when they get in the house, and we see in

1033
00:54:26,840 --> 00:54:29,879
Speaker 1: the next scene that Jia is at a bar. Can

1034
00:54:29,920 --> 00:54:31,920
Speaker 1: we just get a shout out to Gia's fashions?

1035
00:54:32,080 --> 00:54:37,040
Speaker 2: Okay? Come on, does this woman not stay addressed down? Okay?

1036
00:54:38,040 --> 00:54:38,520
Speaker 2: I mean.

1037
00:54:40,239 --> 00:54:45,040
Speaker 1: That Camillo is Uh, look she's I'm surprised she only

1038
00:54:45,080 --> 00:54:48,320
Speaker 1: got two hundred bodies, okay, because I feel like she

1039
00:54:48,440 --> 00:54:50,640
Speaker 1: could definitely have more than that if she put her

1040
00:54:50,680 --> 00:54:51,120
Speaker 1: mind to it.

1041
00:54:53,040 --> 00:54:58,200
Speaker 2: Always so. Uh, She's in a bar when a white

1042
00:54:58,239 --> 00:55:01,480
Speaker 2: man walks over to her and he's like, you look exotic.

1043
00:55:02,239 --> 00:55:05,320
Speaker 2: You must be from Japan. And then she says something

1044
00:55:05,360 --> 00:55:08,360
Speaker 2: in Korean and he's like, what'd you say that. She

1045
00:55:08,600 --> 00:55:10,840
Speaker 2: was like, it's Korean?

1046
00:55:11,360 --> 00:55:13,640
Speaker 1: And what I said was would you be willing to

1047
00:55:13,760 --> 00:55:17,080
Speaker 1: die to fuck me? And the dude gets up and leaves.

1048
00:55:19,320 --> 00:55:21,759
Speaker 1: And I was surprised by that because, as we have

1049
00:55:21,920 --> 00:55:26,280
Speaker 1: seen during the pandemic, many of y'all are willing.

1050
00:55:26,080 --> 00:55:29,680
Speaker 2: To die to fuck somebody and they ain't got eight tails.

1051
00:55:30,040 --> 00:55:33,879
Speaker 1: Yeah, I've seen it, Okay, people, I think that man

1052
00:55:34,000 --> 00:55:36,040
Speaker 1: in real life would have said, you, god damn right,

1053
00:55:36,080 --> 00:55:36,799
Speaker 1: I'm willing to die.

1054
00:55:37,719 --> 00:55:39,680
Speaker 2: Okay. I don't need to know what a kamiho is.

1055
00:55:40,680 --> 00:55:42,439
Speaker 2: You know what I heard in that kamiho? I heard

1056
00:55:42,520 --> 00:55:46,400
Speaker 2: ho okay, because that's what I'm into. Let's go upstairs,

1057
00:55:46,840 --> 00:55:49,200
Speaker 2: get them tails out. Come on, you ain't got a

1058
00:55:49,239 --> 00:55:52,120
Speaker 2: face mask, and I ain't either. Okay, you have tails?

1059
00:55:52,120 --> 00:55:56,360
Speaker 2: You got nine tails when I eat tail? Okay nine times.

1060
00:55:56,400 --> 00:55:58,120
Speaker 2: Apparently we're on the same page.

1061
00:55:58,160 --> 00:55:58,440
Speaker 3: Let's go.

1062
00:56:00,120 --> 00:56:00,680
Speaker 2: So then.

1063
00:56:02,680 --> 00:56:05,920
Speaker 1: Tick comes in and says, thank you for agreeing to

1064
00:56:06,000 --> 00:56:12,120
Speaker 1: meet me, and he sits down and he's like, like,

1065
00:56:12,239 --> 00:56:12,799
Speaker 1: I fucked up.

1066
00:56:12,840 --> 00:56:14,440
Speaker 2: What I said to you at the house was wrong.

1067
00:56:15,920 --> 00:56:17,319
Speaker 2: What we had was real.

1068
00:56:17,880 --> 00:56:19,560
Speaker 1: He knew he was wrong, but I thought if I

1069
00:56:19,640 --> 00:56:22,120
Speaker 1: denied that, I could deny all of it, including what

1070
00:56:22,200 --> 00:56:25,520
Speaker 1: you saw his death. So basically being like I just

1071
00:56:25,600 --> 00:56:29,839
Speaker 1: thought of I just denied that anything which you was real,

1072
00:56:29,880 --> 00:56:32,080
Speaker 1: because you know then tells and you as a monster.

1073
00:56:32,800 --> 00:56:35,480
Speaker 1: I figured if I just wouldn't even admit that, then

1074
00:56:35,520 --> 00:56:37,439
Speaker 1: I could say the vision you had of me dying

1075
00:56:37,560 --> 00:56:37,879
Speaker 1: was fake.

1076
00:56:39,760 --> 00:56:43,480
Speaker 2: And he says, I'm sorry for the way I talked

1077
00:56:43,480 --> 00:56:44,160
Speaker 2: to you at the house.

1078
00:56:45,120 --> 00:56:46,880
Speaker 1: I know you are only trying to help me by

1079
00:56:46,960 --> 00:56:50,360
Speaker 1: coming here, and she was like, hold up, player, I

1080
00:56:50,440 --> 00:56:53,359
Speaker 1: think I was trying to help myself, not necessarily coming

1081
00:56:53,400 --> 00:56:58,800
Speaker 1: here to help you. Her mom just recently died, and

1082
00:56:59,080 --> 00:57:01,360
Speaker 1: for a long time I thought I couldn't feel anything

1083
00:57:01,440 --> 00:57:04,719
Speaker 1: because I'm a Camillo, But then I met young jah,

1084
00:57:05,160 --> 00:57:07,840
Speaker 1: and then I met you and she had these feelings.

1085
00:57:08,320 --> 00:57:10,759
Speaker 1: She's like, then my mother finally loved me like a daughter.

1086
00:57:11,520 --> 00:57:14,440
Speaker 1: But all that feeling is gone. So when you started

1087
00:57:14,520 --> 00:57:18,000
Speaker 1: calling me, I don't know, like like she that's what

1088
00:57:18,080 --> 00:57:22,120
Speaker 1: made her want to come see him. And he explains like, nah,

1089
00:57:22,680 --> 00:57:25,040
Speaker 1: your feelings aren't gone because the thing with her is

1090
00:57:26,160 --> 00:57:30,720
Speaker 1: she is this this deemon, this creature. And the whole

1091
00:57:30,800 --> 00:57:33,400
Speaker 1: thing point was you're a monster. You can't be human,

1092
00:57:33,440 --> 00:57:35,640
Speaker 1: you don't have emotions. You know this, But then her

1093
00:57:35,720 --> 00:57:38,040
Speaker 1: existence started proving that that was a lot. She did

1094
00:57:38,120 --> 00:57:39,560
Speaker 1: have feelings for people.

1095
00:57:39,720 --> 00:57:43,560
Speaker 2: She you know, she wasn't just this evil monster devouring souls.

1096
00:57:43,840 --> 00:57:44,120
Speaker 4: And so.

1097
00:57:45,800 --> 00:57:48,040
Speaker 2: Tick was like, so the thing is she don't have

1098
00:57:48,120 --> 00:57:50,320
Speaker 2: an understanding of feelings. Yeah.

1099
00:57:50,760 --> 00:57:54,760
Speaker 1: So Tick was like, no, those feelings don't fade away

1100
00:57:55,600 --> 00:57:59,120
Speaker 1: because they're not real. They're fading away because that's just

1101
00:57:59,200 --> 00:58:03,000
Speaker 1: what humans do, Like we mourn and then it gets easier,

1102
00:58:03,240 --> 00:58:05,320
Speaker 1: and then you mourn a little bit more then come

1103
00:58:05,440 --> 00:58:08,400
Speaker 1: back and his cycles and it's grief. And so he

1104
00:58:08,600 --> 00:58:12,200
Speaker 1: was just pointing out like, no, you these that's valid,

1105
00:58:12,280 --> 00:58:15,680
Speaker 1: but you you are real, and he said, and during

1106
00:58:15,760 --> 00:58:18,880
Speaker 1: your time of mourning, you should be surrounded by family.

1107
00:58:20,040 --> 00:58:22,280
Speaker 2: And I was too scared to see that at first.

1108
00:58:22,360 --> 00:58:27,320
Speaker 2: But we are family. Our intertwined destinies make us family.

1109
00:58:28,200 --> 00:58:29,000
Speaker 2: And he said.

1110
00:58:29,120 --> 00:58:33,000
Speaker 1: She says she went to go see the shaman, the priestess,

1111
00:58:33,040 --> 00:58:36,720
Speaker 1: who told her basically, stay out of mortal folks business. Uh,

1112
00:58:36,920 --> 00:58:39,680
Speaker 1: you a demon, your ass gonna tone into the darkness,

1113
00:58:40,320 --> 00:58:44,160
Speaker 1: you go devour two hundred souls and so you know,

1114
00:58:44,760 --> 00:58:46,160
Speaker 1: you just stop trying.

1115
00:58:45,960 --> 00:58:48,760
Speaker 2: To be worried about what this man dying or not dying.

1116
00:58:48,840 --> 00:58:49,439
Speaker 2: Fuck that shit.

1117
00:58:52,520 --> 00:58:57,520
Speaker 1: And Tick says, well, you prove to me that we

1118
00:58:57,760 --> 00:59:01,880
Speaker 1: have a choice to make, whether we're mairs or heroes.

1119
00:59:02,600 --> 00:59:05,360
Speaker 2: And that's what she told him, and I.

1120
00:59:05,440 --> 00:59:12,240
Speaker 1: Said, wow, Tick sounds like future after the paternity test

1121
00:59:12,320 --> 00:59:15,520
Speaker 1: results come in. What And it says he the father,

1122
00:59:16,680 --> 00:59:18,520
Speaker 1: because you know he'd be fighting it tooth and nail

1123
00:59:18,600 --> 00:59:21,600
Speaker 1: the whole time, and I'm pregnant. By future, he'd be like, bitch,

1124
00:59:21,640 --> 00:59:23,640
Speaker 1: you gonna kid, You're gonna die if you're a Metro,

1125
00:59:23,720 --> 00:59:25,920
Speaker 1: don't cut you. I'm gonna shoot you. I hope that

1126
00:59:26,040 --> 00:59:28,840
Speaker 1: ain't my baby. You a lie, you a whole ain't

1127
00:59:28,880 --> 00:59:32,240
Speaker 1: my kids try to try. I'm gonna dm I'm gonna

1128
00:59:32,240 --> 00:59:34,240
Speaker 1: threaten you, I'm gonna make songs about you. And then

1129
00:59:34,280 --> 00:59:37,120
Speaker 1: the fucking paternity tests come back, and then he be like, uh,

1130
00:59:37,360 --> 00:59:39,320
Speaker 1: you know what I'm gonna be in this child's life.

1131
00:59:39,640 --> 00:59:42,320
Speaker 1: Baby need a father. I'm taking pictures with my kids.

1132
00:59:42,600 --> 00:59:45,360
Speaker 1: Let me text you. I'm texting these messages on to

1133
00:59:45,520 --> 00:59:49,440
Speaker 1: my twelve different kids on fucking father's damn shit. Like

1134
00:59:50,040 --> 00:59:52,960
Speaker 1: then he come around, but it's only after the paternity

1135
00:59:53,040 --> 00:59:53,600
Speaker 1: test results.

1136
00:59:53,720 --> 00:59:55,400
Speaker 2: He didn't have to start off that way, and he

1137
00:59:55,720 --> 00:59:59,040
Speaker 2: like didn't do so Maury, yeah every time. And so

1138
00:59:59,280 --> 01:00:01,960
Speaker 2: that's what just to me of was him just sounding like,

1139
01:00:02,840 --> 01:00:05,120
Speaker 2: you know what I was wrong. I didn't need do

1140
01:00:05,280 --> 01:00:05,560
Speaker 2: you like that?

1141
01:00:05,640 --> 01:00:08,680
Speaker 1: I'm like, oh, the results came in or now now

1142
01:00:08,760 --> 01:00:11,160
Speaker 1: you can be a human being with this lady. Before this,

1143
01:00:11,320 --> 01:00:13,200
Speaker 1: she was an ever bitching hoe in the book come

1144
01:00:13,240 --> 01:00:18,240
Speaker 1: on Okay in the future. But the other part I

1145
01:00:18,360 --> 01:00:23,280
Speaker 1: noticed in this scene, Karen, was that the service was terrible.

1146
01:00:23,920 --> 01:00:26,560
Speaker 3: Right, did didn't come by the table? Did they okay,

1147
01:00:27,040 --> 01:00:27,640
Speaker 3: you ain't.

1148
01:00:27,400 --> 01:00:30,360
Speaker 2: Gonna take a drink order? Clearly this is one of

1149
01:00:30,440 --> 01:00:31,600
Speaker 2: them unsegregated bars.

1150
01:00:31,640 --> 01:00:33,400
Speaker 1: You got an Asian woman and a black man sitting

1151
01:00:33,400 --> 01:00:35,560
Speaker 1: at the table, all kids, people at the bar.

1152
01:00:35,880 --> 01:00:37,520
Speaker 2: Why the fuck you can't come get a drink? Order?

1153
01:00:37,520 --> 01:00:40,360
Speaker 2: Player nobody asked him, did y'all want something to eat?

1154
01:00:40,840 --> 01:00:44,360
Speaker 2: Tell nothing disgusting. I don't even think it was racism,

1155
01:00:44,520 --> 01:00:48,880
Speaker 2: just incompetence. Ain'tybody gonna ever go over that again, greeting

1156
01:00:48,920 --> 01:00:52,520
Speaker 2: number twelve. You always greet the table within the first minute.

1157
01:00:53,800 --> 01:00:54,280
Speaker 2: Uh So.

1158
01:00:54,440 --> 01:00:58,760
Speaker 1: Then Letty is sitting at her mama's grave and Ruby

1159
01:00:58,840 --> 01:01:01,520
Speaker 1: comes up and see, oh, I love Letty's dressing.

1160
01:01:01,560 --> 01:01:03,440
Speaker 2: This scene, by the way, and.

1161
01:01:05,360 --> 01:01:07,560
Speaker 1: This is when Letty tells Ruby the reason I didn't

1162
01:01:07,560 --> 01:01:10,080
Speaker 1: go to mama stead funerals because I was in jail.

1163
01:01:11,000 --> 01:01:11,880
Speaker 2: And of course.

1164
01:01:12,000 --> 01:01:14,920
Speaker 1: Letty's bougie said, diddy ass got ready to read her

1165
01:01:15,000 --> 01:01:18,680
Speaker 1: for filth for being a black person in jail. And

1166
01:01:19,400 --> 01:01:21,200
Speaker 1: she said, before you even get started.

1167
01:01:21,360 --> 01:01:23,920
Speaker 2: Let it. I mean, Ruby, calm down, before you even

1168
01:01:23,920 --> 01:01:26,880
Speaker 2: get started, because I know you like judging. I know you, bougie,

1169
01:01:27,000 --> 01:01:29,440
Speaker 2: I know you like being a white woman. I know.

1170
01:01:31,000 --> 01:01:34,800
Speaker 1: I know already I ain't shit, Okay, you right, and

1171
01:01:35,560 --> 01:01:37,400
Speaker 1: you know but at the end of the day, I

1172
01:01:37,480 --> 01:01:38,960
Speaker 1: didn't even want to go to mama funeral.

1173
01:01:39,280 --> 01:01:41,800
Speaker 2: And Ruby said, you think I did? I know my

1174
01:01:41,880 --> 01:01:42,560
Speaker 2: mama want shit.

1175
01:01:43,480 --> 01:01:48,560
Speaker 1: And Letty was like, well, you know, just being family

1176
01:01:48,720 --> 01:01:53,640
Speaker 1: isn't enough, Like you can't because you know, because Ruby's

1177
01:01:53,680 --> 01:01:55,440
Speaker 1: like you gotta go because it's family. She's like, no,

1178
01:01:55,640 --> 01:01:56,880
Speaker 1: being family is not enough.

1179
01:01:57,400 --> 01:02:00,800
Speaker 2: These obligations to people that ain't shit like this don't

1180
01:02:00,800 --> 01:02:01,840
Speaker 2: make no sense sometimes.

1181
01:02:02,120 --> 01:02:04,680
Speaker 1: Yeah, ru, And that's what Letty said, like, family isn't

1182
01:02:04,720 --> 01:02:08,480
Speaker 1: an obligation, it's acceptance. It's willingness to sacrifice everything that

1183
01:02:08,680 --> 01:02:10,640
Speaker 1: is necessary, Saria, in order to protect it.

1184
01:02:10,760 --> 01:02:13,200
Speaker 2: You were right, we do need to learn magic.

1185
01:02:13,280 --> 01:02:16,480
Speaker 1: And then she shows Ruby that I had Letty has

1186
01:02:16,520 --> 01:02:21,360
Speaker 1: the Book of Names, and she's like, Ruby, I need

1187
01:02:21,480 --> 01:02:24,160
Speaker 1: your help. They told me not to even ask you

1188
01:02:24,280 --> 01:02:26,520
Speaker 1: this because they don't trust you. But I know you,

1189
01:02:26,640 --> 01:02:30,360
Speaker 1: my sister, and you're gonna always choose the family over

1190
01:02:30,960 --> 01:02:35,040
Speaker 1: you know, these other people. And I need you to

1191
01:02:35,120 --> 01:02:39,360
Speaker 1: get body parts from Christina so we can use it

1192
01:02:39,480 --> 01:02:39,960
Speaker 1: in a spell.

1193
01:02:40,600 --> 01:02:42,480
Speaker 2: And we're gonna use a spell to.

1194
01:02:42,520 --> 01:02:48,000
Speaker 1: Turn Christina's uh a tom no equinox spell against her,

1195
01:02:50,160 --> 01:02:51,919
Speaker 1: and Ruby says, uh.

1196
01:02:53,160 --> 01:02:57,840
Speaker 4: You thought, yeah, because her thing is like the only

1197
01:02:57,960 --> 01:03:00,640
Speaker 4: time you come around is when you need something for me,

1198
01:03:01,120 --> 01:03:02,360
Speaker 4: like she did with the house.

1199
01:03:02,560 --> 01:03:05,080
Speaker 2: You know, like she did, you know when we first

1200
01:03:05,160 --> 01:03:06,520
Speaker 2: see God messed up?

1201
01:03:06,760 --> 01:03:09,520
Speaker 4: Yeah, like we did when she first we first seen

1202
01:03:09,640 --> 01:03:11,440
Speaker 4: movies on the stage. She said, Oh, you only hear

1203
01:03:11,440 --> 01:03:12,360
Speaker 4: because you want something.

1204
01:03:12,400 --> 01:03:15,400
Speaker 2: What do you want? So she read off for Phil

1205
01:03:22,720 --> 01:03:27,160
Speaker 2: and she says, you're right. You've been looking.

1206
01:03:27,200 --> 01:03:30,040
Speaker 1: You've been getting family wrong. You've been getting it so

1207
01:03:30,200 --> 01:03:33,360
Speaker 1: wrong for so long you can't even see that you're

1208
01:03:33,360 --> 01:03:36,320
Speaker 1: still doing it. You only want to be my sister

1209
01:03:36,440 --> 01:03:39,680
Speaker 1: when you need something. Letty, and this moment might feel

1210
01:03:39,960 --> 01:03:43,240
Speaker 1: different to you, but to me, it looks exactly the same.

1211
01:03:44,120 --> 01:03:46,360
Speaker 1: And then she went to leave, and Letty says, there's

1212
01:03:46,480 --> 01:03:49,880
Speaker 1: more that you need to know, and then Ruby turned around.

1213
01:03:49,920 --> 01:03:52,040
Speaker 1: We don't see what she says after that, but what

1214
01:03:52,160 --> 01:03:56,280
Speaker 1: we do know is that this is proof that Ruby

1215
01:03:56,560 --> 01:03:59,000
Speaker 1: is in all the Facebook groups with all y'all that

1216
01:03:59,080 --> 01:03:59,800
Speaker 1: won't take to die.

1217
01:04:00,040 --> 01:04:03,200
Speaker 2: Okay, she is in there. She's active in the chats.

1218
01:04:03,360 --> 01:04:04,480
Speaker 2: Come on, okay.

1219
01:04:04,640 --> 01:04:06,800
Speaker 1: She don't give a damn about this man's life or

1220
01:04:06,960 --> 01:04:08,800
Speaker 1: her being the father, him being the father.

1221
01:04:08,680 --> 01:04:11,760
Speaker 2: Of her nephew. I told you all that, nigga.

1222
01:04:11,800 --> 01:04:18,760
Speaker 1: When shit post, so then d is trying to She's

1223
01:04:18,880 --> 01:04:23,520
Speaker 1: using her right hand looking at a newspaper about Emmet

1224
01:04:23,600 --> 01:04:29,560
Speaker 1: Tell's murderers getting uh, getting off and not being charged

1225
01:04:29,600 --> 01:04:34,600
Speaker 1: with his murder. And she's taking a pencil and marking

1226
01:04:34,720 --> 01:04:36,920
Speaker 1: up their faces to the pencil like breaks.

1227
01:04:37,720 --> 01:04:41,560
Speaker 2: And you know this was her best friend, Bobo, and

1228
01:04:41,720 --> 01:04:45,120
Speaker 2: so of course she's heartbroken over there.

1229
01:04:45,200 --> 01:04:47,360
Speaker 1: She's had so much bad stuff happened to her, and

1230
01:04:47,520 --> 01:04:50,760
Speaker 1: her mom hasn't been around, her father died like this

1231
01:04:50,920 --> 01:04:54,040
Speaker 1: is a she's just depressed and her arms fucked up. Now,

1232
01:04:54,760 --> 01:04:57,439
Speaker 1: So then Hippolyta slides a comic book under the door

1233
01:04:57,960 --> 01:04:58,720
Speaker 1: with a cover.

1234
01:04:58,680 --> 01:05:04,160
Speaker 2: That says Arinthia blue and a stay and it's actually.

1235
01:05:04,080 --> 01:05:08,800
Speaker 1: Drawn by a who's this woman who's uh, who's an

1236
01:05:08,840 --> 01:05:12,160
Speaker 1: actual comic book artist? Now okay, and they reference her

1237
01:05:12,280 --> 01:05:17,160
Speaker 1: in the fucking show. So when because these like how

1238
01:05:17,200 --> 01:05:20,520
Speaker 1: you learn to draw like this? And that's when hip

1239
01:05:20,600 --> 01:05:24,000
Speaker 1: A Lota says, on my travels, I met an artist

1240
01:05:24,080 --> 01:05:26,560
Speaker 1: named Afo who taught me how to draw like this,

1241
01:05:26,680 --> 01:05:28,200
Speaker 1: so I could teach you how to draw like this,

1242
01:05:28,720 --> 01:05:33,040
Speaker 1: and d bring you know, she's like waves her raggedy

1243
01:05:33,160 --> 01:05:35,600
Speaker 1: arm and like nigga, I can't draw, look at my

1244
01:05:35,680 --> 01:05:36,280
Speaker 1: fucking arm.

1245
01:05:37,040 --> 01:05:40,919
Speaker 2: Mm hmm. My mama's like oh, where I got something

1246
01:05:40,960 --> 01:05:41,160
Speaker 2: for you?

1247
01:05:41,720 --> 01:05:45,680
Speaker 1: Yeah, She's like, my fucking arm is made of fucking

1248
01:05:46,840 --> 01:05:49,800
Speaker 1: the things from Lord of the Rings, and now you

1249
01:05:49,960 --> 01:05:52,280
Speaker 1: want me the damn draw.

1250
01:05:52,440 --> 01:05:54,480
Speaker 2: I can't draw, Mama. She's like, look, I.

1251
01:05:54,560 --> 01:05:57,560
Speaker 4: Don't being around the fire, out of the being around

1252
01:05:57,680 --> 01:05:59,919
Speaker 4: the world, world and back.

1253
01:06:00,320 --> 01:06:02,800
Speaker 2: In fact, I've been around many worlds, be around many moons.

1254
01:06:03,760 --> 01:06:06,320
Speaker 2: I've met a lot of people. I can help you out.

1255
01:06:07,000 --> 01:06:10,360
Speaker 2: Her fivefo was lit gitt apparently, but yeah.

1256
01:06:10,400 --> 01:06:12,000
Speaker 1: So the hippo Loti is like, I want to show

1257
01:06:12,040 --> 01:06:14,680
Speaker 1: you something, and she gives a monologue about how time

1258
01:06:14,800 --> 01:06:17,320
Speaker 1: is really just concept in my mind and we can

1259
01:06:17,360 --> 01:06:20,640
Speaker 1: get stuck in moments, but time never stops. So I'm

1260
01:06:20,680 --> 01:06:22,800
Speaker 1: gonna make sure that the moment that we're in right

1261
01:06:22,880 --> 01:06:25,880
Speaker 1: now passes, and I'm also gonna make sure that you're

1262
01:06:25,880 --> 01:06:28,240
Speaker 1: gonna get to draw again. And then they end up

1263
01:06:28,280 --> 01:06:30,800
Speaker 1: in a room that has a lot of beats and

1264
01:06:30,840 --> 01:06:33,439
Speaker 1: stuff coming out of it, and we don't see what's

1265
01:06:33,480 --> 01:06:34,960
Speaker 1: in the room, but we see thee's faces.

1266
01:06:35,040 --> 01:06:39,160
Speaker 2: She just goes, whoa mm hmmm. So whatever it is, it,

1267
01:06:39,240 --> 01:06:39,760
Speaker 2: let's be big.

1268
01:06:40,360 --> 01:06:45,120
Speaker 1: In Christina's basement, Ruby comes her fine ass down them

1269
01:06:45,120 --> 01:06:49,680
Speaker 1: steps and says, uh, what you've been doing here all day?

1270
01:06:49,760 --> 01:06:52,959
Speaker 1: And Christina's like looking at all these charts and drawing

1271
01:06:52,960 --> 01:06:54,720
Speaker 1: all the stuff, and she's basically like, I've been going

1272
01:06:54,760 --> 01:06:58,640
Speaker 1: over the spell for the time, no equinox. And she

1273
01:06:58,800 --> 01:07:01,640
Speaker 1: tells Ruby about the LM's some magic and says she

1274
01:07:01,720 --> 01:07:05,560
Speaker 1: created a potion for the way she created the first

1275
01:07:05,600 --> 01:07:08,760
Speaker 1: potion with William was she went to the spot of

1276
01:07:08,880 --> 01:07:10,600
Speaker 1: the bridge where he was shot on she used the

1277
01:07:10,680 --> 01:07:13,760
Speaker 1: energy from his death, combined parts of their bodies together,

1278
01:07:15,280 --> 01:07:20,320
Speaker 1: hair nails and shit and blood, and then she used

1279
01:07:20,400 --> 01:07:23,720
Speaker 1: that to turn into William. Her first the potion that

1280
01:07:23,840 --> 01:07:26,840
Speaker 1: turns her into William. She created the magic for that there,

1281
01:07:27,240 --> 01:07:28,560
Speaker 1: and that's why she has to keep him in a

1282
01:07:28,600 --> 01:07:34,120
Speaker 1: komoto state, because she's constantly basically reopening it from his body,

1283
01:07:34,400 --> 01:07:38,000
Speaker 1: combining it with her body to make it so that

1284
01:07:38,080 --> 01:07:42,920
Speaker 1: she can use the potion. Which is interesting because one

1285
01:07:42,960 --> 01:07:48,880
Speaker 1: thing I was thinking was, could you without a person dying,

1286
01:07:50,200 --> 01:07:53,960
Speaker 1: could you do Christina spell? Or is dying such the

1287
01:07:54,200 --> 01:07:57,880
Speaker 1: energy from the death necessary for the spell? Like I

1288
01:07:58,000 --> 01:08:00,640
Speaker 1: just wondered, you know what I'm saying, because we never

1289
01:08:00,800 --> 01:08:04,800
Speaker 1: see her try with a living person, which obviously serves

1290
01:08:05,040 --> 01:08:07,320
Speaker 1: could serve two purposes, like if they're dead, at least

1291
01:08:07,360 --> 01:08:09,280
Speaker 1: I don't have to worry about you know.

1292
01:08:11,360 --> 01:08:14,360
Speaker 2: Yeah, but it just made me think about that. It

1293
01:08:14,480 --> 01:08:22,400
Speaker 2: was just interesting at any rate, though, she's like, uh, nervous.

1294
01:08:24,800 --> 01:08:28,040
Speaker 1: It's a big day and her family has died trying

1295
01:08:28,080 --> 01:08:31,439
Speaker 1: to do these spells for two generations now, and she's like,

1296
01:08:31,880 --> 01:08:34,200
Speaker 1: I don't want to do this spell and fuck up anything.

1297
01:08:34,800 --> 01:08:36,760
Speaker 1: But I think I got all my symbols, right, I

1298
01:08:36,840 --> 01:08:39,200
Speaker 1: think I got everything. You know, even if it's a

1299
01:08:39,240 --> 01:08:40,760
Speaker 1: little bit off, you can die, But I think I

1300
01:08:40,840 --> 01:08:41,439
Speaker 1: got everything.

1301
01:08:42,040 --> 01:08:43,360
Speaker 2: And Ruby goes.

1302
01:08:45,360 --> 01:08:48,080
Speaker 1: And she's like, and Christina goes, and if it doesn't work,

1303
01:08:48,120 --> 01:08:50,479
Speaker 1: then I've killed the last of my family for nothing.

1304
01:08:51,320 --> 01:08:55,040
Speaker 1: And Ruby says, your spell's going to work, and you

1305
01:08:55,200 --> 01:08:58,519
Speaker 1: have me now and looks her dead in her eyes,

1306
01:09:00,040 --> 01:09:00,960
Speaker 1: and then they kissed.

1307
01:09:01,800 --> 01:09:04,960
Speaker 2: Yep, she didn't kiss as a woman, William. She kissed her,

1308
01:09:05,000 --> 01:09:05,679
Speaker 2: ask Christina.

1309
01:09:06,560 --> 01:09:14,320
Speaker 1: Christina kissed Ruby, and Christina asked, girl, you ever did

1310
01:09:14,360 --> 01:09:15,240
Speaker 1: it with a woman.

1311
01:09:16,680 --> 01:09:21,400
Speaker 2: And Ruby said no, it's my first time. And what

1312
01:09:21,520 --> 01:09:23,120
Speaker 2: had come up earlier was.

1313
01:09:25,080 --> 01:09:27,720
Speaker 1: If that was the key ingredients for William to turn

1314
01:09:27,800 --> 01:09:32,000
Speaker 1: into William, then how did she get the ingredients to

1315
01:09:32,080 --> 01:09:33,840
Speaker 1: turn Ruby into this white woman.

1316
01:09:34,560 --> 01:09:36,960
Speaker 2: She's like, where did you get that? And then and

1317
01:09:37,080 --> 01:09:40,000
Speaker 2: Ruby just had a knowing like, oh, I know how

1318
01:09:40,040 --> 01:09:42,400
Speaker 2: you got it? Yeah, when they first had sex, right,

1319
01:09:42,720 --> 01:09:45,600
Speaker 2: And now I'm like, when Ruby cut her hand, was

1320
01:09:45,640 --> 01:09:46,240
Speaker 2: that an accident?

1321
01:09:48,200 --> 01:09:51,840
Speaker 1: M remember how she cut her hand and she was

1322
01:09:51,880 --> 01:09:54,400
Speaker 1: bleeding and that Williams sucked the blood out? Uh looked

1323
01:09:54,400 --> 01:10:00,720
Speaker 1: at Yes, was that an accident? So, but that's what

1324
01:10:00,840 --> 01:10:02,880
Speaker 1: she got it from. She's like, girl, listen, I said

1325
01:10:02,880 --> 01:10:05,280
Speaker 1: I need a hair. That's why you know I went

1326
01:10:05,360 --> 01:10:08,679
Speaker 1: downstown on you and got some of them hairs.

1327
01:10:08,720 --> 01:10:10,120
Speaker 2: If you know what I'm saying. You know what I'm saying.

1328
01:10:10,160 --> 01:10:12,280
Speaker 2: Know what I mean. I got some of that blood

1329
01:10:12,360 --> 01:10:15,479
Speaker 2: from your hand. You know what I'm saying. When I

1330
01:10:15,520 --> 01:10:17,679
Speaker 2: sucked your fingers, I got them toenail clippings.

1331
01:10:17,720 --> 01:10:21,000
Speaker 1: When I gave you a bath, I was probably taking

1332
01:10:21,040 --> 01:10:23,640
Speaker 1: a sponge from your back, like she calculated that.

1333
01:10:23,680 --> 01:10:26,120
Speaker 2: Ship in from the bath water. Who knows? Well?

1334
01:10:26,200 --> 01:10:29,920
Speaker 1: Anyway, they kiss again and they don't show them, but

1335
01:10:33,000 --> 01:10:37,360
Speaker 1: they have some swirly lesbian sex. And I will say this,

1336
01:10:38,640 --> 01:10:40,160
Speaker 1: I went at hand and signed up for Ruby and

1337
01:10:40,240 --> 01:10:44,479
Speaker 1: Crystilliam's OnlyFans page right there, and then ha ha, oh

1338
01:10:44,560 --> 01:10:46,600
Speaker 1: that shit was gonna be let I don't know what

1339
01:10:46,720 --> 01:10:48,360
Speaker 1: this kink is called, but I'm into it.

1340
01:10:48,680 --> 01:10:50,200
Speaker 2: Okay, you got race play.

1341
01:10:50,560 --> 01:10:57,280
Speaker 1: We got gender ability to switch genders at mid sex.

1342
01:10:57,600 --> 01:11:03,120
Speaker 1: We got gross science fiction and transformations happening. Okay, I'm

1343
01:11:03,160 --> 01:11:06,120
Speaker 1: into all of this, baby, Okay, take the whole, take

1344
01:11:06,200 --> 01:11:09,200
Speaker 1: the five. Okay, we're doing it all.

1345
01:11:09,240 --> 01:11:13,680
Speaker 2: We're doing interracial, same sex. It's a lot going on here,

1346
01:11:13,880 --> 01:11:16,720
Speaker 2: and I'm into all of it. Magic, come on, other

1347
01:11:16,800 --> 01:11:19,719
Speaker 2: flies at the sex, couslin, It's all. It looks lovely

1348
01:11:19,760 --> 01:11:23,840
Speaker 2: to me. Everything. So then we cut to church.

1349
01:11:24,080 --> 01:11:28,080
Speaker 1: Tick is getting baptized for Letty because Letty's faith has

1350
01:11:28,120 --> 01:11:30,840
Speaker 1: been reawakened during all this stuff, which I kind of

1351
01:11:30,880 --> 01:11:33,439
Speaker 1: appreciate Letty's idea because Letty's like, I really didn't have

1352
01:11:33,479 --> 01:11:35,960
Speaker 1: a lot of faith in all this shit. But if

1353
01:11:36,040 --> 01:11:39,439
Speaker 1: magic's real, why can't Jesus be Let's try it all.

1354
01:11:39,960 --> 01:11:44,920
Speaker 1: Let's get baptized at all. I don't know, like, like

1355
01:11:45,400 --> 01:11:47,599
Speaker 1: we don't jump through portals and shit, we might as.

1356
01:11:47,520 --> 01:11:48,599
Speaker 2: Well try a little Jesus.

1357
01:11:48,880 --> 01:11:49,160
Speaker 3: Come on.

1358
01:11:50,360 --> 01:11:53,320
Speaker 1: So they get baptized, and you know, of course, Tick,

1359
01:11:53,479 --> 01:11:56,920
Speaker 1: like so many good black men, ends up getting baptized

1360
01:11:56,920 --> 01:11:59,120
Speaker 1: on behalf of a woman that's dragging on the church.

1361
01:11:59,360 --> 01:12:01,280
Speaker 1: I mean, ain't that that's the way? Ain't that the

1362
01:12:01,360 --> 01:12:06,160
Speaker 1: way fellas up top? He said, she doesn't have your

1363
01:12:06,320 --> 01:12:10,200
Speaker 1: vulnerability anymore. You don't got that mark, so you know

1364
01:12:10,400 --> 01:12:13,120
Speaker 1: this is dangerous. And she goes, well, God's gonna look

1365
01:12:13,160 --> 01:12:16,479
Speaker 1: at us now, and he says he wishes he believed that,

1366
01:12:17,439 --> 01:12:19,960
Speaker 1: and she goes, well, all this time, I've been chasing

1367
01:12:20,040 --> 01:12:22,759
Speaker 1: faith when I should have been discovering it in myself,

1368
01:12:23,040 --> 01:12:25,720
Speaker 1: which brings us back to that poem from episode three

1369
01:12:26,000 --> 01:12:28,240
Speaker 1: when she was in the church and it was talking about,

1370
01:12:29,120 --> 01:12:31,920
Speaker 1: you know, finding faith in yourself and allowing yourself to fly.

1371
01:12:33,439 --> 01:12:37,800
Speaker 1: And so she's like, because that's where he is in

1372
01:12:37,920 --> 01:12:40,760
Speaker 1: all of us. And I see him in you, and

1373
01:12:40,920 --> 01:12:43,120
Speaker 1: he's in our baby, and you gotta believe in us.

1374
01:12:43,200 --> 01:12:47,280
Speaker 2: And they kiss back In safe Negro travels.

1375
01:12:47,320 --> 01:12:49,360
Speaker 1: Tick takes a look at his family as they prepare

1376
01:12:49,400 --> 01:12:53,720
Speaker 1: their head out one last looking absorbing everybody bustling and

1377
01:12:54,040 --> 01:12:56,080
Speaker 1: working to get the plan in motion.

1378
01:12:57,479 --> 01:12:59,800
Speaker 2: They go out to the car and.

1379
01:13:01,880 --> 01:13:06,719
Speaker 1: It's man Charles, letty D, Hippolyta, Jia and Tick. Because

1380
01:13:06,720 --> 01:13:08,920
Speaker 1: remember they said they had to like increase the intention

1381
01:13:09,080 --> 01:13:12,000
Speaker 1: for the spell. In order to amplify, they needed more people.

1382
01:13:12,040 --> 01:13:14,040
Speaker 1: They couldn't use ancestors, so that's why they was all

1383
01:13:14,120 --> 01:13:14,720
Speaker 1: going on the trip.

1384
01:13:14,960 --> 01:13:17,840
Speaker 2: Yeah. I was glad to see her. Me too, Me too.

1385
01:13:17,960 --> 01:13:23,040
Speaker 1: And then Ruby comes over and brings the vial of

1386
01:13:23,280 --> 01:13:28,479
Speaker 1: Christina's blood and shit and tells Letty I got it

1387
01:13:28,880 --> 01:13:29,400
Speaker 1: and they hug.

1388
01:13:30,800 --> 01:13:34,160
Speaker 4: That was so sweet because I was like, I guess

1389
01:13:34,200 --> 01:13:36,240
Speaker 4: she ain't going like, you know, cause Leeddy was kind

1390
01:13:36,240 --> 01:13:38,320
Speaker 4: of like, I wonder she's going to come through on

1391
01:13:38,439 --> 01:13:38,840
Speaker 4: this one.

1392
01:13:39,360 --> 01:13:41,439
Speaker 2: Yeah, And they knew they needed this to complete the plan.

1393
01:13:41,680 --> 01:13:43,880
Speaker 2: Ruby had to finish her work and to come through

1394
01:13:44,840 --> 01:13:47,479
Speaker 2: with Christina's blood. It was the only chance they really had.

1395
01:13:47,720 --> 01:13:51,360
Speaker 1: And you know, I mean, that girl scizzared a woman

1396
01:13:51,920 --> 01:13:54,120
Speaker 1: for her sister for the first time ever. That's a

1397
01:13:54,520 --> 01:13:57,960
Speaker 1: people have done a lot less for family to have, Okay,

1398
01:13:58,560 --> 01:14:02,960
Speaker 1: And so I mean, honestly, to me, I'm like, you

1399
01:14:03,040 --> 01:14:06,000
Speaker 1: gotta forgive Ruby for even I felt bad for even

1400
01:14:06,080 --> 01:14:08,600
Speaker 1: doubting Ruby. I said, that's my bad. I thought you

1401
01:14:08,720 --> 01:14:11,320
Speaker 1: was gonna pick the white woman over everything. But you

1402
01:14:11,479 --> 01:14:14,479
Speaker 1: know what, you I said, she had a choice to make.

1403
01:14:14,920 --> 01:14:15,479
Speaker 2: She came through.

1404
01:14:15,640 --> 01:14:17,800
Speaker 1: She came through on the choice, and I'm so glad

1405
01:14:17,920 --> 01:14:20,840
Speaker 1: she came through and she didn't become a true villain

1406
01:14:20,880 --> 01:14:21,280
Speaker 1: in the show.

1407
01:14:22,720 --> 01:14:23,720
Speaker 2: So they get in the car.

1408
01:14:23,920 --> 01:14:26,240
Speaker 1: We get the show didn't gettenough credit for these moments

1409
01:14:26,280 --> 01:14:30,880
Speaker 1: of levity and hilarity. The car sing along made me

1410
01:14:31,040 --> 01:14:35,720
Speaker 1: last art, especially when Montross comes in and does the bass.

1411
01:14:37,200 --> 01:14:39,240
Speaker 2: In the back. It was so good man.

1412
01:14:40,439 --> 01:14:43,240
Speaker 1: So then they get the artum it's dark, they park

1413
01:14:43,320 --> 01:14:45,280
Speaker 1: with it in the woods, they leave the inside.

1414
01:14:46,280 --> 01:14:47,600
Speaker 2: Tick Eats.

1415
01:14:48,880 --> 01:14:51,880
Speaker 1: Goes into the woods with him and Mantross, and to

1416
01:14:52,000 --> 01:14:55,040
Speaker 1: prepare for the spell, he has to eat a piece

1417
01:14:55,080 --> 01:14:56,080
Speaker 1: of titus Is flesh.

1418
01:14:57,520 --> 01:14:57,640
Speaker 2: Uh.

1419
01:14:58,240 --> 01:15:03,200
Speaker 1: And so he basically eats some slave master jerky. Yes, brow,

1420
01:15:03,680 --> 01:15:07,000
Speaker 1: some massive jerky. Okay, cold mass of jerky. It was

1421
01:15:07,040 --> 01:15:10,040
Speaker 1: in like a can of ice, Yes it was. He

1422
01:15:10,160 --> 01:15:11,880
Speaker 1: drank he ate some massive jerky.

1423
01:15:12,800 --> 01:15:12,920
Speaker 2: Uh.

1424
01:15:13,080 --> 01:15:15,320
Speaker 1: Then he and then he drank down a val of

1425
01:15:15,400 --> 01:15:17,800
Speaker 1: white woman blood. And then he chased it with some

1426
01:15:17,960 --> 01:15:18,639
Speaker 1: road rash.

1427
01:15:19,400 --> 01:15:19,960
Speaker 2: Yeah he did.

1428
01:15:20,120 --> 01:15:24,040
Speaker 1: Oh, okay, we called that drink a love Craft country. Okay,

1429
01:15:24,040 --> 01:15:27,240
Speaker 1: you can order it any bar slave Master, assuming they

1430
01:15:27,280 --> 01:15:29,840
Speaker 1: got slave master flesh. If they got slave master flesh,

1431
01:15:30,479 --> 01:15:32,960
Speaker 1: going to your favorite bar, then they should have at

1432
01:15:33,040 --> 01:15:36,040
Speaker 1: least one vial of white woman blood and.

1433
01:15:36,240 --> 01:15:38,519
Speaker 2: Some uh and definitely some road rash.

1434
01:15:40,360 --> 01:15:44,080
Speaker 1: But yeah, so he chased it down and I'm assuming

1435
01:15:44,640 --> 01:15:47,760
Speaker 1: he wouldn't die from the slave master flesh or the

1436
01:15:47,800 --> 01:15:51,000
Speaker 1: blood because, uh, it sounded like whatever is in road

1437
01:15:51,120 --> 01:15:56,880
Speaker 1: rash disinfects everything everything. It's comment plus pine sal plus

1438
01:15:57,000 --> 01:15:59,240
Speaker 1: Robert dusting, two parts gin.

1439
01:16:02,680 --> 01:16:04,760
Speaker 2: So a corn vodka. Right.

1440
01:16:05,360 --> 01:16:11,040
Speaker 1: So so Montros says, I see you on the other side.

1441
01:16:11,120 --> 01:16:13,160
Speaker 1: And they started using them EPs and salt patterns in

1442
01:16:13,200 --> 01:16:16,640
Speaker 1: the ground in the woods, Yes they did. And uh,

1443
01:16:18,160 --> 01:16:21,160
Speaker 1: Tick goes to the ruins of the lodge and sees

1444
01:16:21,320 --> 01:16:23,120
Speaker 1: they got like a rat that they're gonna.

1445
01:16:22,880 --> 01:16:23,280
Speaker 2: Put him on.

1446
01:16:23,960 --> 01:16:26,320
Speaker 1: And he takes off his dog tags and a bunch

1447
01:16:26,360 --> 01:16:28,519
Speaker 1: of white people come out of nowhere, guiding him and

1448
01:16:28,600 --> 01:16:29,479
Speaker 1: taking his eyes and I just.

1449
01:16:29,600 --> 01:16:32,439
Speaker 2: Tell you how to nowhere, literally nowhere. It was like,

1450
01:16:33,280 --> 01:16:35,360
Speaker 2: what the hell y'all been? Right, it's old.

1451
01:16:35,439 --> 01:16:38,000
Speaker 1: They even having a cell, right, It didn't ended like

1452
01:16:38,080 --> 01:16:41,439
Speaker 1: a flash mab right, It's like American eagles having a

1453
01:16:41,520 --> 01:16:44,960
Speaker 1: cell on kake. It's like, oh, so all these white

1454
01:16:44,960 --> 01:16:47,479
Speaker 1: people came out and like kind of guided him away

1455
01:16:47,560 --> 01:16:52,519
Speaker 1: and took his clothes and shit, everyone is drawn symbols. Letty,

1456
01:16:52,640 --> 01:16:57,439
Speaker 1: I mean Route Hippolyta and Mantross and Jill they all

1457
01:16:57,520 --> 01:16:59,719
Speaker 1: drawn symbols on the bridge and all the shit.

1458
01:17:00,280 --> 01:17:00,400
Speaker 4: Uh.

1459
01:17:00,680 --> 01:17:04,800
Speaker 1: Meanwhile, Letty and Ruby are in the tower where I

1460
01:17:04,960 --> 01:17:09,720
Speaker 1: believe Mantross was first held hostage or whatever. They're in

1461
01:17:09,800 --> 01:17:18,839
Speaker 1: that tower and they're making symbols and and uh, Ruby asked,

1462
01:17:19,120 --> 01:17:23,880
Speaker 1: what if Christina starts her spare earlier, then they can

1463
01:17:23,920 --> 01:17:25,719
Speaker 1: be finished writing writing symbols.

1464
01:17:26,200 --> 01:17:27,920
Speaker 2: And Letty's like she won't.

1465
01:17:27,680 --> 01:17:31,000
Speaker 1: Because she needs the moon at its highest position. And

1466
01:17:31,120 --> 01:17:35,320
Speaker 1: I'm like, Letty knows magic now, like we.

1467
01:17:35,400 --> 01:17:36,040
Speaker 2: Already seen her.

1468
01:17:36,120 --> 01:17:39,640
Speaker 1: Dudes, the Adam spells a few times this episode, like

1469
01:17:40,360 --> 01:17:42,720
Speaker 1: which when they told her that to latch onto that

1470
01:17:42,880 --> 01:17:43,920
Speaker 1: magic and to own.

1471
01:17:43,760 --> 01:17:46,320
Speaker 4: It, she was studying because when she was reading that

1472
01:17:46,360 --> 01:17:49,439
Speaker 4: book like she was studying, writing notes like she she

1473
01:17:49,640 --> 01:17:51,679
Speaker 4: was like, I am not here for the fucking games.

1474
01:17:51,720 --> 01:17:54,240
Speaker 2: I am going to this test. She was ready to

1475
01:17:54,360 --> 01:18:02,160
Speaker 2: play her part. So then uh, Ruby looks at.

1476
01:18:03,560 --> 01:18:06,719
Speaker 1: Letty and says, despite everything, the trip here was nice.

1477
01:18:07,600 --> 01:18:09,560
Speaker 1: I feel like I understand the pull a family for

1478
01:18:09,640 --> 01:18:13,680
Speaker 1: the first time. And that was such a weird thing

1479
01:18:13,760 --> 01:18:14,120
Speaker 1: to say.

1480
01:18:15,240 --> 01:18:18,559
Speaker 2: And Letty looks at Ruby and says, I'm really glad

1481
01:18:18,600 --> 01:18:23,080
Speaker 2: you agreed to help us at the cemetery, which we

1482
01:18:23,479 --> 01:18:27,719
Speaker 2: saw that conversation at the cemetery and Ruby had basically

1483
01:18:27,800 --> 01:18:31,080
Speaker 2: been like nigga, fuck tick, fuck you, this ain't family.

1484
01:18:31,200 --> 01:18:31,559
Speaker 2: I'm out.

1485
01:18:32,960 --> 01:18:38,080
Speaker 1: And so Ruby says, of course you're my sister, and

1486
01:18:39,479 --> 01:18:42,600
Speaker 1: she pauses, realizes Letty ain't buying it no.

1487
01:18:42,680 --> 01:18:44,920
Speaker 2: More, right because she know her sister.

1488
01:18:45,280 --> 01:18:48,120
Speaker 1: And she's like, well, not just that, but she knows

1489
01:18:48,200 --> 01:18:53,479
Speaker 1: that Ruby didn't say yes at the grade, and so

1490
01:18:55,160 --> 01:18:57,920
Speaker 1: she once she realizes Letty's onto her, she's like, I

1491
01:18:58,040 --> 01:19:00,920
Speaker 1: caught Ruby trying to steal the postion for you, and

1492
01:19:01,040 --> 01:19:02,479
Speaker 1: Letty goes, what did you do to my sister?

1493
01:19:02,560 --> 01:19:05,760
Speaker 2: By the way, this moment shook me cold. Shout out to.

1494
01:19:06,120 --> 01:19:09,439
Speaker 1: One me for this acting okay, because she turned into

1495
01:19:09,520 --> 01:19:14,080
Speaker 1: Christina in that moment. I said, oh no, oh no, Christina,

1496
01:19:14,200 --> 01:19:17,960
Speaker 1: is she done got Letty's Ruby's body? And I was

1497
01:19:18,000 --> 01:19:21,479
Speaker 1: thinking to myself, well, with what we know so far,

1498
01:19:22,160 --> 01:19:23,840
Speaker 1: the only way she knows how to do that spell

1499
01:19:23,960 --> 01:19:25,000
Speaker 1: is with your death energy.

1500
01:19:26,160 --> 01:19:27,760
Speaker 2: So then Ruby is dead.

1501
01:19:28,960 --> 01:19:31,439
Speaker 1: And I honestly I just started crying right then and

1502
01:19:31,520 --> 01:19:33,280
Speaker 1: there because I can't take it.

1503
01:19:33,880 --> 01:19:36,160
Speaker 2: I was a lot Ruby somewhere in a coma and

1504
01:19:36,640 --> 01:19:39,559
Speaker 2: uh no, I don't want to live in this world.

1505
01:19:39,640 --> 01:19:42,760
Speaker 2: Tick take tick, okay, but don't take my baby. Don't

1506
01:19:42,800 --> 01:19:48,120
Speaker 2: take her Ruby. So then she says, what did you

1507
01:19:48,200 --> 01:19:49,160
Speaker 2: do to my sister?

1508
01:19:49,840 --> 01:19:53,400
Speaker 1: And then Ruby Christina says, she made me promise not

1509
01:19:53,479 --> 01:19:56,160
Speaker 1: to harm you, and it's your fault that she's dead.

1510
01:19:57,560 --> 01:20:00,400
Speaker 2: Meanwhile, on the bridge, all the.

1511
01:20:00,439 --> 01:20:05,840
Speaker 1: White towns people start fighting Hippolyta, Mantross and Jaya, and

1512
01:20:06,320 --> 01:20:08,679
Speaker 1: it was like they basically overwhelmed them because.

1513
01:20:08,479 --> 01:20:11,280
Speaker 2: It's just the numbers of it with pitchforks and ship.

1514
01:20:11,680 --> 01:20:15,120
Speaker 5: But Hippolyta wo that training. She was giving them the

1515
01:20:15,360 --> 01:20:16,400
Speaker 5: motherfucking business.

1516
01:20:16,520 --> 01:20:20,320
Speaker 4: Everybody was come fuo fighting who she was giving them

1517
01:20:20,360 --> 01:20:20,799
Speaker 4: the business.

1518
01:20:20,960 --> 01:20:25,679
Speaker 1: She was hitting them with something serious. Okay, she had hands,

1519
01:20:25,880 --> 01:20:31,439
Speaker 1: she went hand in hand and like like just it

1520
01:20:31,560 --> 01:20:34,360
Speaker 1: was just too many of them. But eventually Mantris, j

1521
01:20:34,560 --> 01:20:35,640
Speaker 1: and her get overwhelmed.

1522
01:20:37,560 --> 01:20:43,040
Speaker 2: Letty fights Ruby and Ruby basically they have some back

1523
01:20:43,040 --> 01:20:45,400
Speaker 2: and forth. Ruby almost falls out of trap door and.

1524
01:20:45,479 --> 01:20:50,479
Speaker 1: Then eventually Ruby uh fights Letty and throws Letty off

1525
01:20:50,520 --> 01:20:53,080
Speaker 1: the side of the tower to her death on the ground.

1526
01:20:53,960 --> 01:20:55,960
Speaker 2: And we see the whole thing like she is. She

1527
01:20:56,080 --> 01:21:01,320
Speaker 2: is real hard and I was like, oh no. So

1528
01:21:01,600 --> 01:21:04,000
Speaker 2: then back in the car, d is.

1529
01:21:04,000 --> 01:21:07,639
Speaker 1: Reading love Craft Country, the book, not the comic book,

1530
01:21:07,640 --> 01:21:10,920
Speaker 1: but the book that Takebock through the portal, getting all

1531
01:21:11,000 --> 01:21:11,920
Speaker 1: the spoilers in the car.

1532
01:21:12,320 --> 01:21:15,280
Speaker 2: Yes, and she hears a twig.

1533
01:21:15,080 --> 01:21:19,000
Speaker 1: Snap and she doesn't see anything out there, and then

1534
01:21:19,120 --> 01:21:21,920
Speaker 1: she stars, reading out loud. He knew telling the story

1535
01:21:22,040 --> 01:21:25,080
Speaker 1: was a kind of power, but it ultimately wasn't enough.

1536
01:21:25,840 --> 01:21:28,960
Speaker 1: If they ever truly were ever truly going to disrupt

1537
01:21:29,040 --> 01:21:31,640
Speaker 1: the I'm sorry, if they were ever truly going to

1538
01:21:31,760 --> 01:21:35,519
Speaker 1: disrupt the hierarchy of warlocks, they would have to spill

1539
01:21:35,600 --> 01:21:37,760
Speaker 1: blood other than their own.

1540
01:21:40,360 --> 01:21:44,599
Speaker 2: That remember this line. It is not a throwaway line.

1541
01:21:45,040 --> 01:21:46,760
Speaker 2: They don't throw anything awa on the show. But this

1542
01:21:46,880 --> 01:21:49,560
Speaker 2: is definitely not a throwaway line because I missed it

1543
01:21:49,640 --> 01:21:53,000
Speaker 2: the first time. Then she hears another noise that sounds

1544
01:21:53,040 --> 01:21:56,480
Speaker 2: like a show goth, but we don't see anything. Christina

1545
01:21:56,680 --> 01:22:01,040
Speaker 2: arrives to the ceremony where now get strapped down to

1546
01:22:01,160 --> 01:22:04,400
Speaker 2: a rack, and she's got on a white.

1547
01:22:04,240 --> 01:22:11,320
Speaker 1: Dress looking like a wedding dress, and she's like, uh,

1548
01:22:12,439 --> 01:22:14,479
Speaker 1: got the Book of Adam right.

1549
01:22:14,400 --> 01:22:16,439
Speaker 2: And picks up on that. He was like, you got

1550
01:22:16,520 --> 01:22:20,200
Speaker 2: that book. Something didn't go right? Well, you know that

1551
01:22:20,320 --> 01:22:23,240
Speaker 2: she got the book. Something happened to Letty. Correct because

1552
01:22:23,320 --> 01:22:25,080
Speaker 2: Letty had the book while she would never give it

1553
01:22:25,120 --> 01:22:28,200
Speaker 2: to Pristina. And so he's like, you know, where's Letty,

1554
01:22:28,280 --> 01:22:28,880
Speaker 2: where's Letty?

1555
01:22:28,920 --> 01:22:31,680
Speaker 1: And she doesn't even answer him or nothing, and he

1556
01:22:31,760 --> 01:22:33,960
Speaker 1: starts struggling trying to get free, but he's so strapped

1557
01:22:33,960 --> 01:22:37,800
Speaker 1: in he can't. And she says it's time looking at

1558
01:22:37,840 --> 01:22:41,679
Speaker 1: the moon, get to the hottest peak in the cigar. Meanwhile,

1559
01:22:41,720 --> 01:22:46,800
Speaker 1: in the woods, a show goth attacks Woody and Dee

1560
01:22:47,000 --> 01:22:50,639
Speaker 1: is inside Woody scared as hell, but then King shows

1561
01:22:50,720 --> 01:22:52,400
Speaker 1: up and kills the show goth.

1562
01:22:53,880 --> 01:22:58,200
Speaker 3: I was like, sick on King, sick on, good dog, get.

1563
01:22:58,080 --> 01:23:00,880
Speaker 2: Them boy, and so because you know we raised them

1564
01:23:00,920 --> 01:23:01,759
Speaker 2: the fight shout.

1565
01:23:01,520 --> 01:23:04,320
Speaker 1: Out to Mike VI and King was like twice as

1566
01:23:04,439 --> 01:23:07,640
Speaker 1: large too, Yeah, because a black show GoF you know

1567
01:23:07,880 --> 01:23:08,360
Speaker 1: that's what happened.

1568
01:23:08,400 --> 01:23:10,560
Speaker 2: We feed them pork chops and not that funny. We

1569
01:23:10,800 --> 01:23:13,160
Speaker 2: feed them human food, not that that vegan shit they

1570
01:23:13,200 --> 01:23:17,200
Speaker 2: got down at the pet store. King ain't even kibbles

1571
01:23:17,240 --> 01:23:19,880
Speaker 2: and bits. You feed a dog nothing but mac and cheese.

1572
01:23:20,120 --> 01:23:23,840
Speaker 2: And bacon come out. You feed them real chicken bones, the.

1573
01:23:23,880 --> 01:23:27,200
Speaker 1: Fuck they're gonna grow into okay, And so King showed

1574
01:23:27,320 --> 01:23:29,880
Speaker 1: up and it was like, nah, it's not finn to happen.

1575
01:23:29,960 --> 01:23:35,080
Speaker 1: White show gofs and back at the ceremony, Christina begins

1576
01:23:35,160 --> 01:23:39,000
Speaker 1: to spell and when she starts to spell, they show

1577
01:23:39,080 --> 01:23:42,439
Speaker 1: Letty's body on the ground. She cuts Tick's arm open

1578
01:23:42,520 --> 01:23:45,880
Speaker 1: with a sword and it looked gross like she cut

1579
01:23:46,000 --> 01:23:49,200
Speaker 1: him like to the white meat and this blood was

1580
01:23:49,320 --> 01:23:54,760
Speaker 1: just dripping all over the place. And she walks under

1581
01:23:54,800 --> 01:23:58,240
Speaker 1: the blood in the white dress looking like Carrie from

1582
01:23:58,320 --> 01:24:04,320
Speaker 1: that fucking movie Babe. Seeing it, y'all, uh, it was like,

1583
01:24:04,439 --> 01:24:08,519
Speaker 1: that was the grossest scene I've seen in the water

1584
01:24:08,640 --> 01:24:15,400
Speaker 1: wedding dress since. To Roger p Henson, it was an acrimony,

1585
01:24:17,400 --> 01:24:19,440
Speaker 1: like maybe she becomes her okay.

1586
01:24:19,320 --> 01:24:22,240
Speaker 2: But I don't know. Yeah she might. Oh so she

1587
01:24:22,880 --> 01:24:26,040
Speaker 2: appeared on that boat, but just appeared on the boat,

1588
01:24:26,120 --> 01:24:33,679
Speaker 2: jumped out the water, that's my movie. But energy flows

1589
01:24:33,800 --> 01:24:37,200
Speaker 2: from Tick into Christina.

1590
01:24:39,240 --> 01:24:43,080
Speaker 1: And as this happens, Letty comes back to life and

1591
01:24:43,160 --> 01:24:47,479
Speaker 1: the mark of Caine is back on her body. And

1592
01:24:49,360 --> 01:24:51,599
Speaker 1: at first I didn't catch it. I was like, did

1593
01:24:51,640 --> 01:24:54,080
Speaker 1: they recast the Mark of Kine because they had the

1594
01:24:54,120 --> 01:24:56,960
Speaker 1: Book of Adam. But that is not in the Book

1595
01:24:57,000 --> 01:24:59,519
Speaker 1: of Adam. I mean the Book of Names, because that's

1596
01:24:59,560 --> 01:25:04,439
Speaker 1: a spell her father, Christina's father created. So Christina's family

1597
01:25:04,520 --> 01:25:06,840
Speaker 1: and father whatever, they the only that's their birthright, that's

1598
01:25:06,880 --> 01:25:10,479
Speaker 1: what they hand down. So I realized that when I

1599
01:25:10,560 --> 01:25:16,479
Speaker 1: watch it this second time, Christina brought her back to life.

1600
01:25:17,680 --> 01:25:21,679
Speaker 1: She was the one and what they show it later

1601
01:25:21,760 --> 01:25:25,519
Speaker 1: in the montage do. But like at the time, I

1602
01:25:25,640 --> 01:25:26,719
Speaker 1: was like, what the fuck?

1603
01:25:26,960 --> 01:25:29,840
Speaker 2: It didn't make sense right like Letty. And then of

1604
01:25:29,920 --> 01:25:32,320
Speaker 2: course I'm like, run and save your man, you know

1605
01:25:32,320 --> 01:25:37,519
Speaker 2: what I mean. And so then uh, Letty runs into

1606
01:25:37,600 --> 01:25:39,320
Speaker 2: the ceremony and says, I love you too.

1607
01:25:39,400 --> 01:25:42,639
Speaker 1: Tick they like eyes right before he loses consciousness because

1608
01:25:42,640 --> 01:25:45,320
Speaker 1: he's losing so much blood. And then Letty takes the

1609
01:25:45,400 --> 01:25:48,160
Speaker 1: sword and stabs Christina through the back with the sword

1610
01:25:48,320 --> 01:25:49,639
Speaker 1: all the way through her stomach.

1611
01:25:50,120 --> 01:25:54,960
Speaker 2: Yes, and she did the joker laugh like where just.

1612
01:25:56,160 --> 01:25:57,240
Speaker 3: What you think you're about to do?

1613
01:25:57,520 --> 01:26:00,599
Speaker 1: Christina turned around like you weak ass nigga, same shit,

1614
01:26:01,760 --> 01:26:05,200
Speaker 1: like she laughed like Lebron James when Russell Westbrook was

1615
01:26:05,240 --> 01:26:07,880
Speaker 1: out there talking that shit like, okay, I guess I

1616
01:26:08,000 --> 01:26:10,639
Speaker 1: have to play now, right, And so she turns around

1617
01:26:10,720 --> 01:26:12,520
Speaker 1: and she's like, I got invulnerability.

1618
01:26:13,320 --> 01:26:15,960
Speaker 2: I fucking completed the spell. I'm immortal.

1619
01:26:16,479 --> 01:26:19,120
Speaker 1: She takes the sword out of herself, and she is

1620
01:26:19,320 --> 01:26:23,599
Speaker 1: so cock sure that she doesn't even try to harm Letty.

1621
01:26:23,880 --> 01:26:26,600
Speaker 1: She's just like, Letty's doing the spell, and she's like,

1622
01:26:26,800 --> 01:26:29,280
Speaker 1: let he give it up. You don't even have the

1623
01:26:29,360 --> 01:26:32,760
Speaker 1: fucking blood. You don't even have my blood. I was

1624
01:26:32,880 --> 01:26:34,800
Speaker 1: Ruby when I gave you that vial.

1625
01:26:35,320 --> 01:26:37,200
Speaker 2: Of course, I didn't give you the tunes to do

1626
01:26:37,320 --> 01:26:39,599
Speaker 2: the spell. You can't do the spell right now.

1627
01:26:40,280 --> 01:26:44,120
Speaker 1: And at this point I was like, I thought she

1628
01:26:44,240 --> 01:26:46,880
Speaker 1: was gonna like hurt Letty or something, but she didn't

1629
01:26:46,920 --> 01:26:50,280
Speaker 1: because she made that promise to Ruby to which made

1630
01:26:50,320 --> 01:26:55,040
Speaker 1: me think Ruby must assisit her the smither rings. Okays,

1631
01:26:55,320 --> 01:26:58,640
Speaker 1: she must have gained she put all the lushes on that.

1632
01:26:58,920 --> 01:27:01,960
Speaker 2: Okay, she must have been in there. I didn't promise

1633
01:27:01,960 --> 01:27:03,679
Speaker 2: you I wouldn't fuck up. I just said I wouldn't

1634
01:27:03,720 --> 01:27:06,680
Speaker 2: kill her. Listen. Okay, she was in there grinding.

1635
01:27:07,000 --> 01:27:10,360
Speaker 1: Okay, because your girl never thought about breaking the promise.

1636
01:27:11,200 --> 01:27:14,320
Speaker 2: She was like, listen, I might have killed Ruby and

1637
01:27:14,400 --> 01:27:16,320
Speaker 2: put her in a coma. But let me tell you

1638
01:27:16,400 --> 01:27:18,160
Speaker 2: what she did. Blew my back out.

1639
01:27:18,400 --> 01:27:22,600
Speaker 1: Okay, I was in a coma, a sex coma for

1640
01:27:22,680 --> 01:27:25,040
Speaker 1: a little bit. Luckily I woke up in time to

1641
01:27:25,120 --> 01:27:28,360
Speaker 1: catch her end up getting my blood up. Bitch, almost naminate,

1642
01:27:28,600 --> 01:27:32,559
Speaker 1: But okay, listen, I made a promise to that woman,

1643
01:27:32,680 --> 01:27:34,360
Speaker 1: and I intend to keep it right.

1644
01:27:35,160 --> 01:27:37,240
Speaker 2: But she also felt that she couldn't be hard by Letty.

1645
01:27:37,320 --> 01:27:38,280
Speaker 2: And she's like, give it.

1646
01:27:38,439 --> 01:27:41,679
Speaker 1: Up, don't want to hear this. Oh, you're doing the speech.

1647
01:27:41,960 --> 01:27:46,320
Speaker 1: All you're saying the words. Your spell ain't working. I'm

1648
01:27:46,360 --> 01:27:47,040
Speaker 1: a mortal now.

1649
01:27:48,160 --> 01:27:50,240
Speaker 4: And she took the swood out of and she was

1650
01:27:50,360 --> 01:27:54,400
Speaker 4: so amazed that she was healing. She's looking at her

1651
01:27:54,439 --> 01:27:56,639
Speaker 4: stomach and shit and wasn't paying no attention.

1652
01:27:57,120 --> 01:28:01,720
Speaker 1: Now the townspeople had brought Mantra, Hippolyta, and Jaya to

1653
01:28:01,960 --> 01:28:03,360
Speaker 1: the to the ceremony.

1654
01:28:03,800 --> 01:28:06,000
Speaker 2: Man Trous was knocked the fuck out. He was laying

1655
01:28:06,080 --> 01:28:07,599
Speaker 2: on like a makeshift cot.

1656
01:28:08,400 --> 01:28:12,200
Speaker 1: Hippolyta and Jaya was still away because one Hippolyta got

1657
01:28:12,280 --> 01:28:16,160
Speaker 1: hands and then two Jia's a monster like she's she's

1658
01:28:16,240 --> 01:28:18,280
Speaker 1: like they were straight. They didn't even they dresses, wasn't

1659
01:28:18,320 --> 01:28:22,360
Speaker 1: messed up. They had no stars, nothing, nothing. Man Trus

1660
01:28:22,600 --> 01:28:24,840
Speaker 1: was out like that must have just been part of

1661
01:28:24,880 --> 01:28:26,920
Speaker 1: the plan for them. My trous got knocked out though,

1662
01:28:27,360 --> 01:28:31,640
Speaker 1: And so then Hippolyta says, the spell won't you.

1663
01:28:31,680 --> 01:28:33,800
Speaker 4: Know, Montross got that off right here, and he ain't

1664
01:28:33,800 --> 01:28:35,280
Speaker 4: got no bitin's that there fighting this shit.

1665
01:28:36,280 --> 01:28:40,320
Speaker 1: He got that help right and so he was like,

1666
01:28:41,360 --> 01:28:44,760
Speaker 1: I mean, Hippolyta was like, hey, the spell can't work

1667
01:28:44,840 --> 01:28:49,760
Speaker 1: because Tick and Christina's bodies aren't connected. So unless we

1668
01:28:49,840 --> 01:28:54,040
Speaker 1: can connect their bodies, the letty spell would never work.

1669
01:28:54,720 --> 01:28:57,400
Speaker 1: And Jia has a flashback to the shaman telling her,

1670
01:28:58,040 --> 01:29:00,120
Speaker 1: you know, you haven't become one with the doctor and

1671
01:29:00,280 --> 01:29:03,120
Speaker 1: yet and at the same time, we're watching this big

1672
01:29:03,520 --> 01:29:07,680
Speaker 1: dark cloud form and start heading toward the moon as

1673
01:29:07,720 --> 01:29:10,560
Speaker 1: it starts lightning. And this is about the time that

1674
01:29:10,680 --> 01:29:14,560
Speaker 1: the townspeople, who I mean, they was down before this,

1675
01:29:14,720 --> 01:29:16,080
Speaker 1: but when that lightning struck there was.

1676
01:29:16,120 --> 01:29:19,120
Speaker 2: Like, you know what I mean, we are children of

1677
01:29:19,160 --> 01:29:22,080
Speaker 2: the corn, not children of the darkness. So like you know,

1678
01:29:22,560 --> 01:29:25,799
Speaker 2: now that I think about it, the reason that my exit,

1679
01:29:26,080 --> 01:29:28,120
Speaker 2: now I think about it, the reason that this mansion

1680
01:29:28,240 --> 01:29:30,640
Speaker 2: is in ruins is because we did this ceremony and

1681
01:29:30,720 --> 01:29:31,680
Speaker 2: it didn't go right right.

1682
01:29:32,040 --> 01:29:35,400
Speaker 1: So soon as shit starts lightning, we out that's my cue.

1683
01:29:35,760 --> 01:29:38,880
Speaker 1: An't thing missing with some Scooby dude like use as

1684
01:29:39,560 --> 01:29:41,080
Speaker 1: because they didn't give a fuck a boy holding no

1685
01:29:41,120 --> 01:29:44,760
Speaker 1: prisoners or nothing left them white people. Was like, oh shit,

1686
01:29:44,840 --> 01:29:48,559
Speaker 1: look at the time, it's uh it is motherfucker equals

1687
01:29:48,560 --> 01:29:49,240
Speaker 1: a clock out.

1688
01:29:49,120 --> 01:29:51,760
Speaker 2: Here, girl, you know the game on. Come on, Look

1689
01:29:51,800 --> 01:29:53,639
Speaker 2: at the time. It's getting my ass out of here o'clock.

1690
01:29:53,760 --> 01:29:55,640
Speaker 2: I got to go see the Patriots. You know, they

1691
01:29:56,160 --> 01:29:59,880
Speaker 2: know you go Red Sox. You know, we all Boston

1692
01:30:00,439 --> 01:30:05,639
Speaker 2: come on somehow. So they had to get the hell

1693
01:30:05,680 --> 01:30:07,519
Speaker 2: out of there, and so they left to go to.

1694
01:30:07,560 --> 01:30:14,400
Speaker 1: The Bruins game. And meanwhile Jills like, so we need

1695
01:30:14,479 --> 01:30:15,559
Speaker 1: to connect their bodies.

1696
01:30:16,640 --> 01:30:17,679
Speaker 2: Oh it's my time.

1697
01:30:18,080 --> 01:30:23,439
Speaker 1: Okay, it's time to connect some bodies and I'm gonna

1698
01:30:23,479 --> 01:30:25,519
Speaker 1: connect them Henti style.

1699
01:30:25,840 --> 01:30:29,720
Speaker 2: Okay, it's time for a little chemo. She if you

1700
01:30:29,800 --> 01:30:31,880
Speaker 2: know what I'm saying, come my freak snow.

1701
01:30:32,320 --> 01:30:32,600
Speaker 4: And so.

1702
01:30:35,240 --> 01:30:37,200
Speaker 2: She was like.

1703
01:30:38,920 --> 01:30:41,759
Speaker 1: She went into the darkness and this started like sparkling

1704
01:30:41,800 --> 01:30:45,280
Speaker 1: and going into her body, and she used her tentacles

1705
01:30:45,320 --> 01:30:48,320
Speaker 1: that came out of her eyes and she connected Tick's

1706
01:30:48,360 --> 01:30:52,600
Speaker 1: body to to Christina's body, and Letty was doing the

1707
01:30:52,680 --> 01:30:57,360
Speaker 1: spell and the spell started working and the fucking energy

1708
01:30:57,560 --> 01:31:01,280
Speaker 1: gets like bigger, and then we get this montage. And

1709
01:31:01,479 --> 01:31:04,679
Speaker 1: this is why I'm like this fucking brilliant show, because

1710
01:31:04,720 --> 01:31:07,160
Speaker 1: it gave you all the moments that they just took

1711
01:31:07,280 --> 01:31:09,920
Speaker 1: out of the show to keep suspense right back to you.

1712
01:31:10,200 --> 01:31:10,400
Speaker 2: Yes.

1713
01:31:10,680 --> 01:31:13,559
Speaker 1: So we see Tick getting baptized and Letdy looking at him.

1714
01:31:15,439 --> 01:31:17,960
Speaker 1: We see Christina discovering Ruby's deception.

1715
01:31:18,479 --> 01:31:24,519
Speaker 2: Yes. And we see Tick introducing King to d.

1716
01:31:26,360 --> 01:31:29,240
Speaker 1: Okay, so we see that moment where d and King

1717
01:31:29,360 --> 01:31:33,800
Speaker 1: get get get acquainted. We see Ruby being placed into

1718
01:31:33,880 --> 01:31:36,280
Speaker 1: a coma with Christina looking over her.

1719
01:31:37,360 --> 01:31:37,479
Speaker 4: Uh.

1720
01:31:37,640 --> 01:31:39,760
Speaker 2: We see Tick giving Hippolyta.

1721
01:31:39,320 --> 01:31:43,120
Speaker 1: A letter yes, as she is washing blood from her

1722
01:31:43,280 --> 01:31:46,320
Speaker 1: hands and putting a bloody tale into something.

1723
01:31:48,160 --> 01:31:48,760
Speaker 2: We'll get to that.

1724
01:31:50,120 --> 01:31:53,000
Speaker 1: We see Ruby casting the spell to give the mark

1725
01:31:53,080 --> 01:31:57,040
Speaker 1: of Cain back into unto Letty and just from the tower, and.

1726
01:31:57,080 --> 01:31:59,040
Speaker 2: It's Ruby as Christina. Yes.

1727
01:31:59,320 --> 01:32:04,560
Speaker 1: So when she fell from the tower, Christina cast the

1728
01:32:04,640 --> 01:32:08,439
Speaker 1: mark of Kine or whatever on to Letty, who had

1729
01:32:08,560 --> 01:32:10,439
Speaker 1: died at the time, to bring.

1730
01:32:10,360 --> 01:32:11,320
Speaker 2: Her back from the dead.

1731
01:32:11,680 --> 01:32:13,720
Speaker 1: Yes, yes, she did, and it was only because of

1732
01:32:13,760 --> 01:32:17,240
Speaker 1: that promise that Christina had made to Ruby, which is

1733
01:32:17,360 --> 01:32:20,400
Speaker 1: wild because honestly, Sisoring saved the day.

1734
01:32:20,800 --> 01:32:25,720
Speaker 2: Come on, Scissoring saved the day. Okay, listen, that wap

1735
01:32:26,479 --> 01:32:27,360
Speaker 2: saved everything.

1736
01:32:27,880 --> 01:32:31,280
Speaker 1: When Ruby says listen, Christina gonna help us, I know

1737
01:32:31,360 --> 01:32:35,080
Speaker 1: because I'm sitting on it, she meant that shit. Okay,

1738
01:32:35,320 --> 01:32:37,240
Speaker 1: it came true in the motherfucking end.

1739
01:32:37,400 --> 01:32:39,720
Speaker 2: Okay. So at the end of the day, Ruby came through.

1740
01:32:40,120 --> 01:32:42,680
Speaker 2: Ruby came through. I gotta give her credit. She the

1741
01:32:42,760 --> 01:32:43,400
Speaker 2: real MVP.

1742
01:32:43,560 --> 01:32:43,760
Speaker 3: Real.

1743
01:32:44,680 --> 01:32:48,760
Speaker 1: If it wasn't for Ruby putting that Thaihau on Christillium,

1744
01:32:49,760 --> 01:32:52,519
Speaker 1: the whole fucking show was just ticked don for no reason,

1745
01:32:52,600 --> 01:32:53,919
Speaker 1: and this white woman is sending.

1746
01:32:53,720 --> 01:32:57,280
Speaker 2: To him mortality. Come on, that shit was good, Okay,

1747
01:32:58,320 --> 01:33:03,320
Speaker 2: she was. I get you know what they say, wad

1748
01:33:03,360 --> 01:33:06,000
Speaker 2: pussy drop hers. I don't know. Come on, You'll never

1749
01:33:06,080 --> 01:33:09,160
Speaker 2: see Letty broke. I mean, you never see uhr broke.

1750
01:33:09,320 --> 01:33:11,280
Speaker 2: I know that much anyway.

1751
01:33:12,160 --> 01:33:15,760
Speaker 1: Uh So, then we see that, and then we see

1752
01:33:15,840 --> 01:33:21,560
Speaker 1: Tick hugging Mantrass, and then finally the black energy collapses

1753
01:33:21,640 --> 01:33:25,919
Speaker 1: and everything just goes black. We come back and Christina

1754
01:33:26,120 --> 01:33:30,479
Speaker 1: is on the ground under a bunch of rubble body crushed,

1755
01:33:31,520 --> 01:33:33,880
Speaker 1: still alive, and she's trying to cast the mark of

1756
01:33:33,920 --> 01:33:34,400
Speaker 1: Adam on.

1757
01:33:34,520 --> 01:33:39,280
Speaker 2: Herself and Letty's like, it ain't gonna work.

1758
01:33:41,080 --> 01:33:46,280
Speaker 1: And Christina goes because you bound me from magic, and

1759
01:33:47,400 --> 01:33:52,720
Speaker 1: Letty goes, not just you, every white person.

1760
01:33:52,840 --> 01:33:56,719
Speaker 2: In the world. She was like, we're sick of y'all.

1761
01:34:00,360 --> 01:34:04,040
Speaker 2: When I say she said no, no, no, no, no.

1762
01:34:04,320 --> 01:34:06,640
Speaker 3: Baby, You think she was like, you thought this was

1763
01:34:06,680 --> 01:34:07,040
Speaker 3: about you.

1764
01:34:08,040 --> 01:34:08,720
Speaker 2: This went about you.

1765
01:34:09,920 --> 01:34:18,479
Speaker 1: When I said listen, I was so fucking elated because

1766
01:34:18,560 --> 01:34:19,360
Speaker 1: you see that coming.

1767
01:34:20,560 --> 01:34:21,679
Speaker 2: Well, see, that's what's funny.

1768
01:34:21,680 --> 01:34:25,559
Speaker 1: When she said when Tick's mom, I mean, when Hannah

1769
01:34:26,160 --> 01:34:30,200
Speaker 1: told Tick you're gonna save them all, I went.

1770
01:34:32,160 --> 01:34:36,200
Speaker 2: All us in his family or all us in all

1771
01:34:37,720 --> 01:34:38,479
Speaker 2: you see what I'm saying.

1772
01:34:39,320 --> 01:34:43,120
Speaker 1: And so I'm like, my like my eyes got big

1773
01:34:43,160 --> 01:34:45,559
Speaker 1: because I'm like, nah, they wouldn't. No show has ever

1774
01:34:45,640 --> 01:34:48,920
Speaker 1: done anything like that. And remember, I don't know if

1775
01:34:48,960 --> 01:34:50,720
Speaker 1: you remember, we were doing a recap and it was

1776
01:34:50,760 --> 01:34:52,639
Speaker 1: a few weeks ago. It was when they went through

1777
01:34:52,640 --> 01:34:56,200
Speaker 1: the portals, and I was like just musing about what

1778
01:34:56,280 --> 01:34:58,000
Speaker 1: I would like to see the show do in the

1779
01:34:58,080 --> 01:34:59,840
Speaker 1: next week or whatever, or just.

1780
01:34:59,880 --> 01:35:01,040
Speaker 2: Like, wouldn't it be crazy?

1781
01:35:01,160 --> 01:35:01,560
Speaker 4: And it was.

1782
01:35:02,320 --> 01:35:05,840
Speaker 1: It was the one before Bobo died, and I said, man,

1783
01:35:05,880 --> 01:35:09,439
Speaker 1: wouldn't it be cool if they got magic? And then

1784
01:35:09,520 --> 01:35:12,479
Speaker 1: they came back and they subverted the course of racism

1785
01:35:12,560 --> 01:35:16,320
Speaker 1: in America where like these magical black people became like

1786
01:35:16,400 --> 01:35:19,680
Speaker 1: these kind of heroes that were like nah im it

1787
01:35:19,760 --> 01:35:22,719
Speaker 1: Tills not dying on our watch, you know what I'm saying,

1788
01:35:23,040 --> 01:35:26,360
Speaker 1: or like righting the wrongs of time and all this shit.

1789
01:35:27,120 --> 01:35:32,120
Speaker 1: And this was that to me, like I get why

1790
01:35:32,360 --> 01:35:37,200
Speaker 1: the other events happened, but this idea of what would

1791
01:35:37,240 --> 01:35:39,320
Speaker 1: black people do with this kind of power if we

1792
01:35:39,479 --> 01:35:43,479
Speaker 1: had it correct like and we and it was our

1793
01:35:43,560 --> 01:35:45,559
Speaker 1: birthright for us to use.

1794
01:35:46,840 --> 01:35:47,439
Speaker 2: What would we do?

1795
01:35:47,640 --> 01:35:48,360
Speaker 4: And this was it.

1796
01:35:48,560 --> 01:35:52,120
Speaker 2: This was Letty going mm mmm, white people, no more

1797
01:35:52,240 --> 01:35:56,800
Speaker 2: magic for you, Bobo mm mmm. Okay. Hall War was

1798
01:35:56,800 --> 01:35:59,479
Speaker 2: about to be an HBCU, Paul Harry Potter and all that.

1799
01:36:00,240 --> 01:36:03,240
Speaker 1: Get the fuck out, Get your muggle ass the fuck out,

1800
01:36:03,360 --> 01:36:08,679
Speaker 1: Like jaf Hogg was about to have motherfucking Omegasi five

1801
01:36:08,800 --> 01:36:11,240
Speaker 1: and that Alpha Kappa Alpha.

1802
01:36:12,240 --> 01:36:14,080
Speaker 3: They're gonna be flying up in the ass ship.

1803
01:36:14,200 --> 01:36:17,320
Speaker 2: Then they're gonna be ski winding at the motherfucking uh

1804
01:36:17,880 --> 01:36:19,439
Speaker 2: the tournament with the bruise and ship.

1805
01:36:19,640 --> 01:36:21,320
Speaker 3: Come on, they're gonna be ski winding in the air.

1806
01:36:21,439 --> 01:36:22,840
Speaker 3: I am hippo at right.

1807
01:36:24,360 --> 01:36:26,720
Speaker 2: Come on, they're gonna be huffle puppet clapping this ship.

1808
01:36:26,720 --> 01:36:31,880
Speaker 2: It just ain't like a puff, you know, like I

1809
01:36:32,800 --> 01:36:36,040
Speaker 2: can't wait, gonna be a whole over type of hair

1810
01:36:36,080 --> 01:36:38,280
Speaker 2: and pot's gonna be heavy Jackson. It's gonna be a

1811
01:36:38,360 --> 01:36:41,240
Speaker 2: whole different type of hus you know, be like hall

1812
01:36:41,320 --> 01:36:42,600
Speaker 2: Warts University, you know.

1813
01:36:43,000 --> 01:36:43,839
Speaker 3: Heavin Jackson.

1814
01:36:44,920 --> 01:36:48,160
Speaker 2: I'm just saying, man, I am here change change the

1815
01:36:48,200 --> 01:36:50,759
Speaker 2: whole ship, because if we're making up a fictional world,

1816
01:36:51,200 --> 01:36:54,439
Speaker 2: let's fucking change the whole ship. Like what's the point

1817
01:36:54,479 --> 01:36:56,360
Speaker 2: of this powerful ass ship? And we just gonna go

1818
01:36:56,439 --> 01:37:00,439
Speaker 2: back to like nobody, no trouble. I see no fuck

1819
01:37:00,560 --> 01:37:04,120
Speaker 2: that we're doing this. And I bet you the halftime

1820
01:37:04,320 --> 01:37:08,760
Speaker 2: shows gonna be lits equidditch. Yes, they're gonna be like

1821
01:37:08,920 --> 01:37:11,360
Speaker 2: they're gonna be playing Earth Winning Fire and shit, shit,

1822
01:37:11,360 --> 01:37:14,200
Speaker 2: they're gonna bring back Earth Winning five. We ain't gonna

1823
01:37:14,240 --> 01:37:15,160
Speaker 2: have to pretend no more.

1824
01:37:15,280 --> 01:37:16,479
Speaker 3: They're gonna be like Earth Winning Fire.

1825
01:37:16,479 --> 01:37:18,360
Speaker 2: It's gonna be the real ass Earth Winning five.

1826
01:37:18,439 --> 01:37:20,400
Speaker 1: It's gonna be Earth. It's gonna be Earth winding, fire

1827
01:37:20,479 --> 01:37:21,280
Speaker 1: elements and ship.

1828
01:37:21,760 --> 01:37:23,679
Speaker 2: Yes, do you remember by.

1829
01:37:24,520 --> 01:37:27,880
Speaker 3: We're gonna be earth bitting and ship I'm fault.

1830
01:37:28,280 --> 01:37:30,599
Speaker 2: Oh my god. We're gonna be the four nations.

1831
01:37:30,640 --> 01:37:33,160
Speaker 3: We're gonna be like fire, water, wind.

1832
01:37:33,320 --> 01:37:34,000
Speaker 2: Oh my god.

1833
01:37:34,120 --> 01:37:37,840
Speaker 1: So then she said look not not you colonize it.

1834
01:37:38,000 --> 01:37:41,880
Speaker 1: No white people period, not just you. And then we

1835
01:37:42,000 --> 01:37:45,400
Speaker 1: get the other montage and it's Hannah Tilling tick, You're

1836
01:37:45,400 --> 01:37:49,120
Speaker 1: gonna save them all? And uh, it's Door Tailling tick

1837
01:37:49,360 --> 01:37:52,960
Speaker 1: and handah spell is gonna change everything, baby, and it's

1838
01:37:53,080 --> 01:37:57,240
Speaker 1: Hattie Tailling letty. Our family has protected the book for generations.

1839
01:37:57,320 --> 01:38:00,880
Speaker 1: Now that falls to you, and that he looks at

1840
01:38:00,920 --> 01:38:05,400
Speaker 1: Christina that says magic is ours now come on, literally,

1841
01:38:05,640 --> 01:38:06,280
Speaker 1: black girls of.

1842
01:38:06,320 --> 01:38:09,559
Speaker 2: Magic, those black women ancestors.

1843
01:38:09,360 --> 01:38:12,080
Speaker 1: Made this happen, playing this ship from the from the

1844
01:38:12,160 --> 01:38:17,000
Speaker 1: ancestral plane and plotted this revenge, patiently waited, used the

1845
01:38:17,200 --> 01:38:23,000
Speaker 1: fire of their own rage to create this reality for

1846
01:38:23,200 --> 01:38:25,080
Speaker 1: their generations after them.

1847
01:38:25,439 --> 01:38:27,880
Speaker 2: God damn it. If you don't give this motherfucking show

1848
01:38:27,960 --> 01:38:32,400
Speaker 2: some applause, this suck. If you can't fuck with this show,

1849
01:38:32,880 --> 01:38:33,200
Speaker 2: what is.

1850
01:38:33,240 --> 01:38:33,720
Speaker 3: Wrong with you?

1851
01:38:34,560 --> 01:38:34,960
Speaker 2: Anyway?

1852
01:38:35,560 --> 01:38:40,000
Speaker 1: So then Ma Tross comes over and Atticus is still

1853
01:38:40,080 --> 01:38:41,400
Speaker 1: strewn laying on the rack.

1854
01:38:41,880 --> 01:38:44,760
Speaker 2: It was it was like the ugly strewn like like

1855
01:38:44,880 --> 01:38:47,439
Speaker 2: he was doing some acting. It went at all, yeah,

1856
01:38:48,200 --> 01:38:51,000
Speaker 2: and it was very Jesus like, you know, this scene,

1857
01:38:51,080 --> 01:38:54,240
Speaker 2: this this sacrifice and he tries to wake them up,

1858
01:38:54,280 --> 01:38:54,840
Speaker 2: but he can't.

1859
01:38:54,960 --> 01:38:58,759
Speaker 1: Hippolyta hands and this was some acting. Yeah, my Trost

1860
01:38:58,840 --> 01:39:01,439
Speaker 1: was acting. Yeah, he was black acting. He was black then.

1861
01:39:02,040 --> 01:39:05,000
Speaker 1: And then Hippolyta hands him the letter that Tick wrote them,

1862
01:39:05,520 --> 01:39:07,600
Speaker 1: the letter that we saw in the martage that it

1863
01:39:07,720 --> 01:39:10,880
Speaker 1: was for Montross. And so the letter, they showed this

1864
01:39:11,080 --> 01:39:15,080
Speaker 1: letter and they well, they read the letter, narrate, they

1865
01:39:15,160 --> 01:39:17,920
Speaker 1: narrate the letter Tickets, larating it from the death from

1866
01:39:18,439 --> 01:39:23,599
Speaker 1: death as they are walking Tick's body, carrying his body

1867
01:39:23,720 --> 01:39:27,320
Speaker 1: back to the car because Tickets died and they can't

1868
01:39:27,360 --> 01:39:31,160
Speaker 1: resurrect them. And so he says, dear Pop, I hope

1869
01:39:31,200 --> 01:39:33,439
Speaker 1: you forgive me for this one last secret. I knew

1870
01:39:33,439 --> 01:39:35,920
Speaker 1: you wouldn't accept it, but it had to be done

1871
01:39:35,960 --> 01:39:39,880
Speaker 1: to protect our family, to protect us all. There's neither

1872
01:39:39,960 --> 01:39:42,760
Speaker 1: happiness or misery in the world. There is only the

1873
01:39:42,800 --> 01:39:46,599
Speaker 1: comparison of one state with another, nothing more. He who

1874
01:39:46,680 --> 01:39:50,040
Speaker 1: has felt the deepest grief is able to experience supreme happiness.

1875
01:39:50,760 --> 01:39:56,040
Speaker 1: Recognize that that's Dumas's wise words, of course, for the

1876
01:39:56,439 --> 01:39:57,360
Speaker 1: kind of MINDI.

1877
01:39:57,160 --> 01:40:01,120
Speaker 2: Christal Chrystal, and he says, those are.

1878
01:40:01,080 --> 01:40:03,280
Speaker 1: Domass wise words, and they are my wish for you,

1879
01:40:03,520 --> 01:40:07,400
Speaker 1: supreme happiness. Teach my son new ways of living instead

1880
01:40:07,439 --> 01:40:11,320
Speaker 1: of repeating what we've been through. As little George's grandfather.

1881
01:40:11,400 --> 01:40:13,160
Speaker 1: You have a second chance to be the father you

1882
01:40:13,320 --> 01:40:17,360
Speaker 1: always want it. Don't waste it. Love Tick, and I

1883
01:40:17,600 --> 01:40:22,479
Speaker 1: was like, oh my god, because like, as much as

1884
01:40:22,520 --> 01:40:24,640
Speaker 1: people have been trying to do the tickets trash thing,

1885
01:40:24,720 --> 01:40:26,400
Speaker 1: I know it's some of it's cute, tongue in cheeks,

1886
01:40:26,439 --> 01:40:29,479
Speaker 1: some of us real, but I think it was because

1887
01:40:29,520 --> 01:40:31,719
Speaker 1: the show kind of set it up to where because

1888
01:40:31,760 --> 01:40:35,680
Speaker 1: I always believe in like balance, and they set it

1889
01:40:35,800 --> 01:40:40,280
Speaker 1: up for this moment, for this sacrifice, for his like

1890
01:40:40,680 --> 01:40:44,320
Speaker 1: because up until this it really felt like a lot

1891
01:40:44,520 --> 01:40:47,040
Speaker 1: of they were all flawed characters.

1892
01:40:46,720 --> 01:40:47,479
Speaker 2: In their own ways.

1893
01:40:47,520 --> 01:40:50,960
Speaker 1: They all did hypocritical things and shit. But with Tick,

1894
01:40:51,080 --> 01:40:54,479
Speaker 1: you know, there was this idea of like, he's done

1895
01:40:54,640 --> 01:40:57,719
Speaker 1: horrible things and he's a monster, and he's done great

1896
01:40:57,840 --> 01:41:01,200
Speaker 1: things and he's a hero and he's kind of straddle defense.

1897
01:41:01,720 --> 01:41:04,720
Speaker 1: But then making this heroic choice and making it in

1898
01:41:04,840 --> 01:41:05,719
Speaker 1: a human way.

1899
01:41:06,040 --> 01:41:08,599
Speaker 2: Like He wasn't like, yeah, I can't wait to sacrifice himself.

1900
01:41:08,600 --> 01:41:11,280
Speaker 2: He was like, nigga, what about your to do? You

1901
01:41:11,360 --> 01:41:15,040
Speaker 2: know like he did you READDD let me this the

1902
01:41:15,040 --> 01:41:17,080
Speaker 2: table of content is sick like.

1903
01:41:17,479 --> 01:41:22,479
Speaker 1: And then seeing like the cyclical violence in his father

1904
01:41:22,960 --> 01:41:29,200
Speaker 1: and his life, and when he realizes, like you know

1905
01:41:29,439 --> 01:41:32,240
Speaker 1: in the Mantage you see him hug when he realizes

1906
01:41:32,320 --> 01:41:36,000
Speaker 1: that the abusive monster that his father was to him

1907
01:41:36,200 --> 01:41:39,479
Speaker 1: was because his father had an abusive monster for a father,

1908
01:41:40,160 --> 01:41:43,639
Speaker 1: and that he was leaving his child and the carecters

1909
01:41:43,720 --> 01:41:47,080
Speaker 1: man to go, this is your chance to get it

1910
01:41:47,160 --> 01:41:49,400
Speaker 1: right right, Like I almost like a redo.

1911
01:41:49,760 --> 01:41:51,960
Speaker 2: Yeah, I watch you grow, I watched you change. I

1912
01:41:52,080 --> 01:41:55,360
Speaker 2: watch you. I've come to understand your pain and what

1913
01:41:55,560 --> 01:41:58,120
Speaker 2: you went through. I see the humanity in you. You

1914
01:41:58,360 --> 01:42:02,320
Speaker 2: you know you lost me, but that doesn't mean you

1915
01:42:02,520 --> 01:42:05,479
Speaker 2: lost a chance to be a father. And I don't know.

1916
01:42:05,560 --> 01:42:07,479
Speaker 1: That was some deep shit for me, man to know

1917
01:42:07,640 --> 01:42:11,280
Speaker 1: that that sacrifice was made willingly, And it hit a

1918
01:42:11,320 --> 01:42:13,760
Speaker 1: little bit differently than Hattie because we didn't really know

1919
01:42:13,960 --> 01:42:17,200
Speaker 1: Hattie as a character. We didn't get to know her

1920
01:42:17,280 --> 01:42:20,360
Speaker 1: into the episode, but we know Tick yes, So it

1921
01:42:20,520 --> 01:42:23,120
Speaker 1: was like the way of that, you know, and knowing

1922
01:42:23,200 --> 01:42:25,479
Speaker 1: that he knew all of that, wrote that letter before

1923
01:42:25,520 --> 01:42:28,000
Speaker 1: they did that shit. He knew all of that going

1924
01:42:28,120 --> 01:42:30,560
Speaker 1: in Like when his father when he was telling his

1925
01:42:30,640 --> 01:42:33,240
Speaker 1: fathers it's just one possible, he knew like, it's not

1926
01:42:33,439 --> 01:42:34,840
Speaker 1: one's this.

1927
01:42:35,040 --> 01:42:37,720
Speaker 2: I'm going to die. Yes, the key is will my

1928
01:42:37,840 --> 01:42:41,200
Speaker 2: death be in vain or not? Right? And so wow,

1929
01:42:41,240 --> 01:42:44,880
Speaker 2: I just thought that was amazing. So then they carried

1930
01:42:45,200 --> 01:42:47,880
Speaker 2: Tick's body away. They cut back.

1931
01:42:48,880 --> 01:42:52,120
Speaker 1: Now this is when the show went from an A

1932
01:42:53,280 --> 01:42:57,800
Speaker 1: to A plus plus. Okay, because this some shit I

1933
01:42:57,800 --> 01:42:59,760
Speaker 1: ain't never think I was gonna say on TV. I

1934
01:43:00,040 --> 01:43:01,639
Speaker 1: ain't on front this ship.

1935
01:43:02,640 --> 01:43:05,040
Speaker 2: This is the ship that uh.

1936
01:43:06,720 --> 01:43:09,720
Speaker 1: That when people like if someone wrote this scene to

1937
01:43:09,840 --> 01:43:11,720
Speaker 1: start the show, like this is our last scene of

1938
01:43:11,760 --> 01:43:14,920
Speaker 1: the show, I'm like, HBO, not about the green like this,

1939
01:43:15,840 --> 01:43:17,519
Speaker 1: like y'all gonna get out of my office. I thought

1940
01:43:17,600 --> 01:43:20,960
Speaker 1: y'all was serious about making the show. They never gonna

1941
01:43:21,000 --> 01:43:24,599
Speaker 1: let this happen. So we cut back to Christina lying

1942
01:43:24,680 --> 01:43:28,360
Speaker 1: under the rubble and King the Black Show God authorizes,

1943
01:43:29,120 --> 01:43:34,600
Speaker 1: as does D, and Christina is seized D and she

1944
01:43:35,000 --> 01:43:38,439
Speaker 1: she and D still has her jacket over her arm,

1945
01:43:39,280 --> 01:43:45,439
Speaker 1: and she's like help me, like help D you know,

1946
01:43:45,720 --> 01:43:48,600
Speaker 1: can you help me, D please blah dah dah, and

1947
01:43:48,760 --> 01:43:53,839
Speaker 1: D says they still haven't learned. She takes off her jacket,

1948
01:43:54,200 --> 01:43:57,640
Speaker 1: revealing one arm is a robot arm.

1949
01:43:58,040 --> 01:44:00,519
Speaker 2: Yeah, Hippolyta had her three D prins in there for

1950
01:44:00,640 --> 01:44:02,960
Speaker 2: that baby, and she made her three D arm. That

1951
01:44:03,080 --> 01:44:05,360
Speaker 2: must have been with them beefs and box she walked.

1952
01:44:05,120 --> 01:44:05,639
Speaker 3: In the room.

1953
01:44:06,000 --> 01:44:09,559
Speaker 2: And then the montage when Tick was talking to her

1954
01:44:09,600 --> 01:44:11,960
Speaker 2: and she was watching blood off her arms. It must

1955
01:44:12,000 --> 01:44:13,240
Speaker 2: have been after that arm surgery.

1956
01:44:13,479 --> 01:44:19,760
Speaker 1: Yes, so she had a motherfucking cybernetic terminator arm. And

1957
01:44:19,960 --> 01:44:25,120
Speaker 1: she leans down over Christina after saying they still haven't learned.

1958
01:44:26,360 --> 01:44:28,760
Speaker 2: And of course this now means that she's the woman

1959
01:44:28,840 --> 01:44:30,640
Speaker 2: from the future that.

1960
01:44:30,880 --> 01:44:34,000
Speaker 1: Ticks off in the hood, that pushed them, pushes them

1961
01:44:34,040 --> 01:44:36,080
Speaker 1: back through the portal, which means because she did read

1962
01:44:36,120 --> 01:44:41,160
Speaker 1: the book, but that also means she That also means

1963
01:44:41,200 --> 01:44:44,439
Speaker 1: that she understands and knew what she was doing when

1964
01:44:44,479 --> 01:44:47,360
Speaker 1: she gave him the book, the love Craft Country Book

1965
01:44:47,400 --> 01:44:52,160
Speaker 1: in that portal, So another just dope moment, you know.

1966
01:44:53,320 --> 01:44:56,600
Speaker 1: So then she leans over Christina and she takes a

1967
01:44:56,760 --> 01:45:03,800
Speaker 1: robot arm and she chelse Christina to death, bursting her

1968
01:45:04,080 --> 01:45:07,680
Speaker 1: entire neck bloody and king Howe's at the moon in

1969
01:45:07,760 --> 01:45:09,160
Speaker 1: the night the end.

1970
01:45:10,560 --> 01:45:13,280
Speaker 2: That's literally how I shall like, no joke. That's the

1971
01:45:13,360 --> 01:45:15,360
Speaker 2: greatest fucking ending to anything that has ever happened.

1972
01:45:15,520 --> 01:45:15,600
Speaker 4: Right.

1973
01:45:15,680 --> 01:45:18,360
Speaker 2: No, No, you don't get to come back. You don't.

1974
01:45:18,600 --> 01:45:20,479
Speaker 2: We we're not going to see you again.

1975
01:45:21,400 --> 01:45:21,640
Speaker 4: You know.

1976
01:45:21,920 --> 01:45:24,599
Speaker 2: She was like, I lost a lot of shit because

1977
01:45:24,680 --> 01:45:27,720
Speaker 2: of you. No, thank you, ma'am. The question here is

1978
01:45:28,479 --> 01:45:31,080
Speaker 2: when she says they still haven't learned. What do you

1979
01:45:31,120 --> 01:45:31,680
Speaker 2: think she meant?

1980
01:45:34,240 --> 01:45:35,920
Speaker 4: Hmmm, that's a good question. I don't know if they

1981
01:45:35,960 --> 01:45:38,040
Speaker 4: still have another day lost. I don't know if they

1982
01:45:38,479 --> 01:45:41,040
Speaker 4: they they may have filled d N on their plan,

1983
01:45:41,200 --> 01:45:41,599
Speaker 4: like they may.

1984
01:45:41,760 --> 01:45:43,200
Speaker 2: This is what we're going to do. We need for

1985
01:45:43,240 --> 01:45:45,200
Speaker 2: you to stand to the vehicle. Here's what I was

1986
01:45:45,240 --> 01:45:47,560
Speaker 2: thinking the first time I saw it.

1987
01:45:47,720 --> 01:45:49,720
Speaker 1: I thought she's talking about white people the way that

1988
01:45:49,800 --> 01:45:52,640
Speaker 1: Christino is still like help me, d you need you know,

1989
01:45:52,880 --> 01:45:55,640
Speaker 1: like like, oh you'll you'll save me. Because I'm a

1990
01:45:55,680 --> 01:45:58,000
Speaker 1: white woman in the stress, I thought, oh, white women,

1991
01:45:58,200 --> 01:46:00,960
Speaker 1: these white people still haven't learned. I think of it

1992
01:46:01,040 --> 01:46:05,160
Speaker 1: differently now now I look at it like they as

1993
01:46:05,240 --> 01:46:09,160
Speaker 1: in black people, like we still haven't learned.

1994
01:46:09,240 --> 01:46:10,880
Speaker 2: You don't leave these motherfuckers alive.

1995
01:46:11,280 --> 01:46:13,799
Speaker 1: And the reason I go back to that is because

1996
01:46:13,960 --> 01:46:18,080
Speaker 1: if you look at the what she was reading in

1997
01:46:18,200 --> 01:46:23,799
Speaker 1: the car from the book, well, she talks about how.

1998
01:46:25,200 --> 01:46:28,519
Speaker 2: You'll have to spill blood other than your own.

1999
01:46:28,880 --> 01:46:31,160
Speaker 1: He knew telling the story was a kind of power,

2000
01:46:31,280 --> 01:46:35,559
Speaker 1: but it ultimately wasn't enough. If they ever truly were ever,

2001
01:46:35,880 --> 01:46:39,360
Speaker 1: if they if they ever truly were going to disrupt

2002
01:46:39,400 --> 01:46:41,920
Speaker 1: the hierarchy of warlocks, they would have to spill blood

2003
01:46:42,000 --> 01:46:44,639
Speaker 1: other than their own. And she read that line out loud,

2004
01:46:45,479 --> 01:46:50,360
Speaker 1: and it makes me feel like Hippolyta was like, I

2005
01:46:50,479 --> 01:46:55,240
Speaker 1: mean like d was like, Yeah, the lesson here is

2006
01:46:56,160 --> 01:46:59,280
Speaker 1: you're gonna have to kill some people and these like

2007
01:46:59,560 --> 01:47:01,719
Speaker 1: you're not. You can't leave them a life for a chance.

2008
01:47:02,560 --> 01:47:06,720
Speaker 1: It's like Nato Orochie Morrow where they bound him from

2009
01:47:06,800 --> 01:47:10,879
Speaker 1: casting Juicu, but then this nigga stuck around for seventeen

2010
01:47:10,960 --> 01:47:12,920
Speaker 1: more seasons because he was figuring out all kinds of

2011
01:47:12,960 --> 01:47:14,600
Speaker 1: other ways to be a problem, where if you just

2012
01:47:14,720 --> 01:47:16,320
Speaker 1: killed a nigga, we don't have to deal with.

2013
01:47:16,360 --> 01:47:21,000
Speaker 4: This shitker And it's one of those things too to where.

2014
01:47:23,120 --> 01:47:25,200
Speaker 2: I gotta say it, it's like for her.

2015
01:47:26,680 --> 01:47:29,880
Speaker 4: Let in them just left her there, you know, because

2016
01:47:29,920 --> 01:47:32,080
Speaker 4: they was like, well, you can't do no magic and

2017
01:47:32,160 --> 01:47:35,479
Speaker 4: their mind that was the quote unquote end. But you know,

2018
01:47:35,760 --> 01:47:38,759
Speaker 4: this is like of a different this is a generational difference.

2019
01:47:38,760 --> 01:47:39,839
Speaker 4: She's of a different generation.

2020
01:47:40,479 --> 01:47:42,080
Speaker 2: And she's like, fuck that shit.

2021
01:47:42,720 --> 01:47:45,960
Speaker 4: This bitch can't live because she was alive. And look

2022
01:47:46,040 --> 01:47:50,000
Speaker 4: at all the problems that she caused. If y'all let

2023
01:47:50,040 --> 01:47:52,679
Speaker 4: her live, we're gonna have to deal with her coming

2024
01:47:52,760 --> 01:47:55,439
Speaker 4: back again. Just because you don't have magic don't mean

2025
01:47:55,479 --> 01:47:56,720
Speaker 4: you can't be harmful to us.

2026
01:47:56,920 --> 01:48:01,040
Speaker 1: And what's the episode called full circle? And I see

2027
01:48:01,080 --> 01:48:06,960
Speaker 1: it as a circle from Hannah to d and Hannah going.

2028
01:48:07,320 --> 01:48:10,439
Speaker 1: I ran from my rage, I let it, it was

2029
01:48:10,520 --> 01:48:13,880
Speaker 1: intimidated by it. I took my own life. I hid

2030
01:48:13,920 --> 01:48:16,559
Speaker 1: it from my family. I hit my family from these people.

2031
01:48:17,240 --> 01:48:19,360
Speaker 1: It still didn't work. Look at all the suffering we

2032
01:48:19,439 --> 01:48:22,200
Speaker 1: went through, not just her family, but black people, because

2033
01:48:22,240 --> 01:48:24,479
Speaker 1: this little legacy of power that she passed up that

2034
01:48:24,520 --> 01:48:28,240
Speaker 1: could have changed everything. And D has always been the

2035
01:48:28,280 --> 01:48:32,000
Speaker 1: one like, no, Mama, you should you know, like even

2036
01:48:32,120 --> 01:48:35,000
Speaker 1: when she when she felt betrayed, by her mama leaving her.

2037
01:48:35,120 --> 01:48:37,439
Speaker 1: She spoke up, you know what I'm saying, Like, she

2038
01:48:37,720 --> 01:48:40,320
Speaker 1: like she's a fighter and she speaks her mind. And

2039
01:48:40,479 --> 01:48:44,120
Speaker 1: I think she's paid so much of d experience in

2040
01:48:44,200 --> 01:48:46,360
Speaker 1: this in this series has been her pain for the

2041
01:48:46,479 --> 01:48:50,599
Speaker 1: mistakes of the generations before her and them coming up short, right, right,

2042
01:48:50,600 --> 01:48:52,559
Speaker 1: And I don't mean that to blame those generations. I'm

2043
01:48:52,600 --> 01:48:55,760
Speaker 1: just saying like the cautiousness of their approach led to

2044
01:48:55,920 --> 01:48:56,879
Speaker 1: her suffering.

2045
01:48:57,360 --> 01:48:59,640
Speaker 4: Yes, because you have to go back and look for

2046
01:48:59,800 --> 01:49:02,000
Speaker 4: the fact that they didn't tell her about magic means

2047
01:49:02,040 --> 01:49:04,840
Speaker 4: she was unprepared for the for the fact that that, uh,

2048
01:49:05,520 --> 01:49:05,760
Speaker 4: you know.

2049
01:49:06,120 --> 01:49:08,040
Speaker 2: They didn't tell her how her dad died, right, So

2050
01:49:08,200 --> 01:49:10,880
Speaker 2: they're constantly leaving her out of the loop.

2051
01:49:11,479 --> 01:49:14,000
Speaker 4: And they they only bought her in because they literally

2052
01:49:14,240 --> 01:49:16,360
Speaker 4: had to bring her in, and even they wanted to

2053
01:49:16,360 --> 01:49:16,720
Speaker 4: bring her in.

2054
01:49:16,800 --> 01:49:19,480
Speaker 2: And she's the kind of child that would have embraced

2055
01:49:19,600 --> 01:49:22,400
Speaker 2: us and been empowered by this and took to this

2056
01:49:23,320 --> 01:49:25,280
Speaker 2: and it actually could have been more helpful. Right.

2057
01:49:25,880 --> 01:49:29,759
Speaker 1: She's she has she's the she's the fruition of their dreams,

2058
01:49:30,160 --> 01:49:35,639
Speaker 1: and yet their own kind of ideas of what saving

2059
01:49:35,720 --> 01:49:38,920
Speaker 1: her would be their ideas of morality were holding her back.

2060
01:49:39,280 --> 01:49:40,880
Speaker 2: Yes, and also it's one of those things.

2061
01:49:41,000 --> 01:49:43,120
Speaker 4: And I know parents don't mean any harm by this,

2062
01:49:43,760 --> 01:49:47,040
Speaker 4: but you can be so protective and dismissive at the

2063
01:49:47,080 --> 01:49:49,559
Speaker 4: same time. They were quote unquote trying to protect her,

2064
01:49:49,880 --> 01:49:52,080
Speaker 4: but when she came to them because she didn't understand,

2065
01:49:52,120 --> 01:49:55,080
Speaker 4: they dismissed her when she was ay, there's something not right.

2066
01:49:55,439 --> 01:49:57,200
Speaker 2: Every everybody, everybody, all the.

2067
01:49:57,280 --> 01:49:59,840
Speaker 4: Adults around her had something else to do, include her,

2068
01:49:59,840 --> 01:50:01,600
Speaker 4: mod had something else to do.

2069
01:50:01,800 --> 01:50:03,599
Speaker 2: Nobody actually had time for her.

2070
01:50:03,880 --> 01:50:06,000
Speaker 1: And I really liked that she did this on her own,

2071
01:50:06,439 --> 01:50:08,479
Speaker 1: like it wasn't like her mom said, now let's go

2072
01:50:08,600 --> 01:50:11,719
Speaker 1: kill Christina like these just like a different breeze.

2073
01:50:11,760 --> 01:50:14,280
Speaker 2: You're like, I know, these niggas not gonna get the

2074
01:50:14,360 --> 01:50:17,320
Speaker 2: job done. And she showed up by herself, took off

2075
01:50:17,360 --> 01:50:20,439
Speaker 2: her jacket and was like, uh, yeah, I don't know

2076
01:50:20,520 --> 01:50:22,080
Speaker 2: if you're gonna figure a way out to get magic

2077
01:50:22,120 --> 01:50:24,720
Speaker 2: back or not, but guess what, we ain't gonna have

2078
01:50:24,800 --> 01:50:27,560
Speaker 2: to worry about that. It might be another way, but

2079
01:50:27,640 --> 01:50:31,479
Speaker 2: it won't be through you. Right, Like, literally, catch d's

2080
01:50:31,560 --> 01:50:36,320
Speaker 2: hand because come on deck, catch.

2081
01:50:35,520 --> 01:50:38,160
Speaker 1: Thee's hand because it's choking the motherfucking life out of

2082
01:50:38,240 --> 01:50:42,479
Speaker 1: your ass and uh, now we're done, roll credits, King,

2083
01:50:42,600 --> 01:50:44,559
Speaker 1: Let's get out of here. And now all I want

2084
01:50:44,600 --> 01:50:47,320
Speaker 1: for Caason two is a space fair and adventure of

2085
01:50:47,640 --> 01:50:50,680
Speaker 1: time traveling d with a black show golf and a

2086
01:50:50,760 --> 01:50:53,960
Speaker 1: sobergnetic arm going around doing shit in space.

2087
01:50:54,160 --> 01:50:55,360
Speaker 2: Okay, that's all I want.

2088
01:50:55,560 --> 01:50:57,880
Speaker 1: I would love that, not that I'm here for, because

2089
01:50:57,920 --> 01:50:59,960
Speaker 1: the title of the comic even had she even had

2090
01:51:00,000 --> 01:51:02,120
Speaker 1: I had like a name like Astri or something like that,

2091
01:51:03,400 --> 01:51:06,240
Speaker 1: Like it was Arinthia Blew and Astre on the cover

2092
01:51:06,439 --> 01:51:07,519
Speaker 1: of the other comic book.

2093
01:51:07,640 --> 01:51:09,920
Speaker 2: So so see her her mama going around. I listen,

2094
01:51:10,240 --> 01:51:13,240
Speaker 2: I'll watch it. I was the whole series of that.

2095
01:51:13,400 --> 01:51:16,960
Speaker 1: I watched ten episodes, no problem, Okay, just get them made,

2096
01:51:17,640 --> 01:51:19,880
Speaker 1: you know. But I don't know if they're gonna do

2097
01:51:19,920 --> 01:51:23,720
Speaker 1: a season two. But this show was so brilliant. I

2098
01:51:23,800 --> 01:51:25,320
Speaker 1: can't do anything but sing its praises.

2099
01:51:25,479 --> 01:51:27,160
Speaker 2: It was so smart, it.

2100
01:51:27,280 --> 01:51:30,920
Speaker 1: Was so I like, it became a show that I

2101
01:51:31,000 --> 01:51:32,920
Speaker 1: went into and was like, I kind of hope it's

2102
01:51:32,960 --> 01:51:35,800
Speaker 1: good and if it's even if it's not good, we'll

2103
01:51:35,880 --> 01:51:39,800
Speaker 1: have fun just talking about this black ass shit. To now,

2104
01:51:39,880 --> 01:51:42,240
Speaker 1: I'm just like, oh, I will fight you, you know

2105
01:51:42,280 --> 01:51:45,360
Speaker 1: what I mean, Like, y'all motherfuckers were wrong to ship

2106
01:51:45,439 --> 01:51:48,320
Speaker 1: on this show, like like and you know it's the Internet,

2107
01:51:48,400 --> 01:51:50,960
Speaker 1: so ain't nobody gonna apologize. No one's gonna take it back.

2108
01:51:51,320 --> 01:51:54,280
Speaker 1: They're gonna act like, you know, like like we're crazy

2109
01:51:54,400 --> 01:51:57,280
Speaker 1: for loving this show. But nigga ain't no cooning and

2110
01:51:57,400 --> 01:51:58,040
Speaker 1: I ain't crazy.

2111
01:51:58,160 --> 01:52:00,800
Speaker 2: This ship was good. It was very, very good.

2112
01:52:00,920 --> 01:52:02,880
Speaker 4: And you told me to remind you of this. Yes,

2113
01:52:03,280 --> 01:52:05,200
Speaker 4: I want to remind you. Go all the way back

2114
01:52:05,240 --> 01:52:07,679
Speaker 4: to the very first episode. When people watched the first episode,

2115
01:52:07,760 --> 01:52:10,600
Speaker 4: particularly people like me who did not know who understand,

2116
01:52:10,960 --> 01:52:14,360
Speaker 4: they literally ran you through the whole actually the whole

2117
01:52:14,560 --> 01:52:19,679
Speaker 4: series in that beginning montage taking the war, him fighting,

2118
01:52:20,000 --> 01:52:24,760
Speaker 4: the you know, the the nine tails, the baseball, Like

2119
01:52:24,880 --> 01:52:27,799
Speaker 4: if you really actually pay attention to what they showed

2120
01:52:27,880 --> 01:52:30,519
Speaker 4: you at the clip right before he woke up, it

2121
01:52:30,720 --> 01:52:32,560
Speaker 4: was literally the whole series.

2122
01:52:32,520 --> 01:52:34,600
Speaker 2: Wrapped up in a short montage.

2123
01:52:34,760 --> 01:52:36,760
Speaker 4: But it made no sense because you hadn't been on

2124
01:52:36,840 --> 01:52:39,559
Speaker 4: the journey, so you didn't know these things were gonna

2125
01:52:39,600 --> 01:52:40,320
Speaker 4: come to pass.

2126
01:52:40,640 --> 01:52:42,240
Speaker 2: But it was one of those things where.

2127
01:52:42,280 --> 01:52:44,519
Speaker 4: They like like literally the whole show was a full

2128
01:52:44,600 --> 01:52:48,040
Speaker 4: circle here is literally a snapshot of the show in

2129
01:52:48,200 --> 01:52:50,600
Speaker 4: quick segments, because, like I said, the beginning, you like

2130
01:52:50,920 --> 01:52:53,960
Speaker 4: the fuck okay it's a dream, but actually the dream

2131
01:52:54,120 --> 01:52:57,680
Speaker 4: was the reality, the chaos, the not knowing what's going on,

2132
01:52:58,120 --> 01:53:01,920
Speaker 4: you know, And so for me, as I think about it,

2133
01:53:02,000 --> 01:53:04,639
Speaker 4: it was like, oh, this show actually made perfect sense.

2134
01:53:04,880 --> 01:53:07,000
Speaker 2: I didn't even see the Nine Tails. I do gotta

2135
01:53:07,040 --> 01:53:09,720
Speaker 2: go back and watch that. I remember he remember he

2136
01:53:09,840 --> 01:53:11,799
Speaker 2: was there with and she looked kind of like Marshall.

2137
01:53:11,840 --> 01:53:13,400
Speaker 1: She was pink and she was I remember she was

2138
01:53:13,439 --> 01:53:15,320
Speaker 1: a you know, that was the actress that played g

2139
01:53:15,560 --> 01:53:18,000
Speaker 1: by the Wayhay, the Queen of Mars. No, I didn't know,

2140
01:53:18,120 --> 01:53:19,719
Speaker 1: but I didn't even see the Nine Tails. I gotta

2141
01:53:19,760 --> 01:53:22,160
Speaker 1: go back and watch it again because I missed that detail.

2142
01:53:22,320 --> 01:53:25,439
Speaker 1: But yeah, everything the Jackie Robinson think, all that shit

2143
01:53:25,560 --> 01:53:26,040
Speaker 1: is right there.

2144
01:53:26,080 --> 01:53:27,160
Speaker 2: And the opening credits.

2145
01:53:27,360 --> 01:53:30,120
Speaker 4: Yes, if you if you go back and you rewatched

2146
01:53:30,600 --> 01:53:34,600
Speaker 4: the beginning, it is literally a short almost like a

2147
01:53:34,720 --> 01:53:36,439
Speaker 4: chaotic recap, full circle, like.

2148
01:53:36,479 --> 01:53:39,800
Speaker 1: The episode said, right, and the thing is, man, it

2149
01:53:39,960 --> 01:53:43,840
Speaker 1: was so thoughtful to dismiss this thoughtless is heartless, and

2150
01:53:44,640 --> 01:53:47,160
Speaker 1: I'm really disappointing the black people that did the hit

2151
01:53:47,280 --> 01:53:50,439
Speaker 1: jobs for the white publications like The New York Times

2152
01:53:50,520 --> 01:53:53,040
Speaker 1: and shit by writing this, you know, really fucked up

2153
01:53:53,040 --> 01:53:56,840
Speaker 1: shit about this show, not giving it a chance to

2154
01:53:56,880 --> 01:53:59,439
Speaker 1: grow a blossom at all and assuming that.

2155
01:53:59,520 --> 01:54:02,200
Speaker 2: It would in badly and not be good.

2156
01:54:02,960 --> 01:54:06,120
Speaker 1: And I really think less of them for doing that, Like, like,

2157
01:54:06,320 --> 01:54:07,920
Speaker 1: there was a way to say it's not for me,

2158
01:54:08,800 --> 01:54:12,040
Speaker 1: but without without trying to assassinate the show and assassinate

2159
01:54:12,120 --> 01:54:14,800
Speaker 1: the fan base of people that are thoughtful people. You

2160
01:54:14,920 --> 01:54:18,639
Speaker 1: listen to what we did ten episodes of recaps where

2161
01:54:18,800 --> 01:54:23,840
Speaker 1: they're thorough, they're thoughtful, they're entertaining, and clearly the show

2162
01:54:23,880 --> 01:54:26,320
Speaker 1: has thought about with attention, and I dare anybody to

2163
01:54:26,400 --> 01:54:27,280
Speaker 1: fucking say different.

2164
01:54:27,320 --> 01:54:29,479
Speaker 2: You could say it was above me. You can say

2165
01:54:29,520 --> 01:54:31,200
Speaker 2: it wasn't my type of shit, because I don't.

2166
01:54:31,560 --> 01:54:33,520
Speaker 1: We're the point now where black art it ain't gotta

2167
01:54:33,560 --> 01:54:34,920
Speaker 1: be for every type of black person.

2168
01:54:35,320 --> 01:54:38,360
Speaker 2: This is like, hey, look, you like anime and fucking.

2169
01:54:38,480 --> 01:54:42,120
Speaker 1: Nerdy sci fi shit, and like you, that's what you're

2170
01:54:42,160 --> 01:54:45,080
Speaker 1: into magic and shit, Hey we got you. Okay, you

2171
01:54:45,160 --> 01:54:50,160
Speaker 1: don't watch Buffy and fucking Star Trek and fucking Quantum

2172
01:54:50,280 --> 01:54:53,480
Speaker 1: Leap and Rick and Morty and and all this. You

2173
01:54:53,560 --> 01:54:56,160
Speaker 1: don't watch all this shit. You don't watch Naruto, Well,

2174
01:54:56,200 --> 01:54:59,000
Speaker 1: then guess what, here's something just for your type of

2175
01:54:59,040 --> 01:54:59,480
Speaker 1: black ass.

2176
01:54:59,640 --> 01:55:01,800
Speaker 2: And that's fine. Fine.

2177
01:55:01,880 --> 01:55:03,880
Speaker 4: And like I said before, and I continue to say this,

2178
01:55:04,080 --> 01:55:06,680
Speaker 4: because people have a fomo. You have a lot of

2179
01:55:06,720 --> 01:55:09,120
Speaker 4: people who literally watch this shit and this is just

2180
01:55:09,240 --> 01:55:11,760
Speaker 4: not their jam this and just admit, like, it's okay

2181
01:55:12,240 --> 01:55:14,760
Speaker 4: to admit that this is ain't your shit, versus you

2182
01:55:14,880 --> 01:55:18,120
Speaker 4: complaining about it like it's terrible and it's bad when

2183
01:55:18,360 --> 01:55:20,120
Speaker 4: you just don't like it, and that's okay.

2184
01:55:20,440 --> 01:55:21,800
Speaker 2: You just don't like this genre.

2185
01:55:22,040 --> 01:55:23,800
Speaker 1: Yeah, you just don't have to throw all the black

2186
01:55:23,840 --> 01:55:26,040
Speaker 1: people away with it, that's all right. So some of

2187
01:55:26,160 --> 01:55:29,160
Speaker 1: us like it and we're not, like I said, we're

2188
01:55:29,240 --> 01:55:32,960
Speaker 1: not some type of uneducated uh you know, hate for it.

2189
01:55:33,200 --> 01:55:35,840
Speaker 1: Like we're just like we're black, just like you, and

2190
01:55:36,040 --> 01:55:37,840
Speaker 1: we think it's good, you know what I mean. And

2191
01:55:38,480 --> 01:55:40,920
Speaker 1: maybe if it had a white show runner, it would

2192
01:55:40,920 --> 01:55:43,640
Speaker 1: be called brilliant if some white man did it, But

2193
01:55:43,840 --> 01:55:45,720
Speaker 1: I guess black people don't get the benefit of doubt.

2194
01:55:45,880 --> 01:55:48,320
Speaker 1: All right, y'all, that's it for this episode. We will

2195
01:55:48,360 --> 01:55:50,520
Speaker 1: talk to y'all Saturday for our feedback show.

2196
01:55:50,920 --> 01:55:53,960
Speaker 2: Thank you so much for listening. Thank you until next time.

2197
01:55:54,160 --> 01:55:55,560
Speaker 2: I love you, Love you. Why