1 00:00:00,320 --> 00:00:03,520 Speaker 1: Hello the Internet, and welcome to season two seventies six, 2 00:00:03,560 --> 00:00:07,360 Speaker 1: Episode one of dirt eylis like guys, stay production of 3 00:00:07,400 --> 00:00:10,360 Speaker 1: I Heart Radio. This is a podcast where we take 4 00:00:10,400 --> 00:00:14,480 Speaker 1: a deep dive into America's share consciousness. But it's Tuesday, 5 00:00:14,520 --> 00:00:20,280 Speaker 1: February one three. My name's Jack O'Brien, a K a 6 00:00:20,320 --> 00:00:23,880 Speaker 1: plumpty dumpty sat on a wall, pasty whitest sighs of 7 00:00:23,920 --> 00:00:29,280 Speaker 1: them all, a K plump le stiltskin, a K plumper cables, 8 00:00:29,320 --> 00:00:32,559 Speaker 1: all courtesy of the Brew and the disccord. Do you 9 00:00:32,600 --> 00:00:36,400 Speaker 1: see what you've done? Guests who I haven't introduced yet 10 00:00:37,360 --> 00:00:40,400 Speaker 1: called your legs plumpers on one episode three months ago, 11 00:00:41,000 --> 00:00:44,640 Speaker 1: and it's just completely taken over the show because I 12 00:00:44,720 --> 00:00:49,239 Speaker 1: also have some Philly above the knees steaks come with 13 00:00:49,800 --> 00:00:52,960 Speaker 1: So you got those thick thick thighs, got those thick 14 00:00:53,120 --> 00:00:59,240 Speaker 1: thicky's down. I'm throwed to be joined by today's guest 15 00:00:59,320 --> 00:01:01,960 Speaker 1: co host. You know from Pad Yourself a gun and 16 00:01:02,000 --> 00:01:07,560 Speaker 1: now pod Yourself a wire. It's Matt Hey k leaving 17 00:01:07,720 --> 00:01:11,560 Speaker 1: on a jet plane. Hold on someone, someone did it 18 00:01:11,600 --> 00:01:16,320 Speaker 1: for me this time. Well that's good, but hold on, 19 00:01:16,760 --> 00:01:20,920 Speaker 1: uh so pressed or cord and pod with me, What's 20 00:01:21,080 --> 00:01:25,039 Speaker 1: what's telling about my search history? Listen to my hot 21 00:01:25,080 --> 00:01:28,720 Speaker 1: dog takes and jokes because I'm Matt Leave on the 22 00:01:28,840 --> 00:01:32,480 Speaker 1: zeit guys been here lots more than once or twice. 23 00:01:32,800 --> 00:01:37,319 Speaker 1: Oh man, I love this pod. I don't know that's 24 00:01:37,360 --> 00:01:42,679 Speaker 1: Blake Rogers. Thank you Blake Rogers killing it? Yeah, yeah, beautiful. 25 00:01:42,880 --> 00:01:45,040 Speaker 1: I know it was. It was because I complained about 26 00:01:45,080 --> 00:01:47,000 Speaker 1: it yesterday where I was like, man, you got you 27 00:01:47,080 --> 00:01:50,040 Speaker 1: got fans writing you parody songs. And this guy was like, 28 00:01:50,160 --> 00:01:53,400 Speaker 1: I got you, bro, Yeah, I got you man. Thank 29 00:01:53,440 --> 00:01:55,920 Speaker 1: you Blake. Well, Matt leaving on a jet plane. It's 30 00:01:55,960 --> 00:01:58,440 Speaker 1: great to have you here. You have one of my 31 00:01:58,560 --> 00:02:02,440 Speaker 1: favorite so so penn a k is of all time 32 00:02:02,800 --> 00:02:05,280 Speaker 1: that goes through my head every time you're on. Is 33 00:02:05,320 --> 00:02:08,480 Speaker 1: it to Matt Center one? Matt Lee, Matt Lee. That's right. 34 00:02:09,200 --> 00:02:13,320 Speaker 1: That's a classic. Ever gets old for me? Uh Well, 35 00:02:13,720 --> 00:02:21,239 Speaker 1: We're thrilled to be joined in our third seat byf 36 00:02:21,560 --> 00:02:27,600 Speaker 1: of this show's destruction. A brilliant comedian, writer, actor, many 37 00:02:27,800 --> 00:02:31,480 Speaker 1: a successful stand up album, the Blake album Stuffed Boy 38 00:02:31,600 --> 00:02:36,400 Speaker 1: Live from the Pandemic, some successful voicemail albums, Todd Glass 39 00:02:36,440 --> 00:02:40,840 Speaker 1: to Blake's voicemails from Todd Glass to Blake Wexler always 40 00:02:40,880 --> 00:02:45,919 Speaker 1: started on Billboard. Please welcome, the hilarious, the chaotic. He's 41 00:02:46,040 --> 00:02:49,400 Speaker 1: riding a recumbent bike in short shorts and his plumpers 42 00:02:49,400 --> 00:02:55,600 Speaker 1: are on full display. It's black wax. This is Blake Wexler. 43 00:02:55,680 --> 00:02:59,120 Speaker 1: A k A. Birthday Bay, a k A born Bjord, 44 00:02:59,320 --> 00:03:01,679 Speaker 1: a k A A flat berth or a k A. 45 00:03:02,000 --> 00:03:05,240 Speaker 1: Age against the Machine a k A. The C Section Star. 46 00:03:06,160 --> 00:03:13,040 Speaker 1: It's hard to be here. I turned yesterday, three days ago. Whatever. 47 00:03:13,320 --> 00:03:18,239 Speaker 1: I'm riding it out. Yeah, on the recumbent like a 48 00:03:18,280 --> 00:03:21,960 Speaker 1: C section baby. Yeah, the C section star baby. If 49 00:03:22,000 --> 00:03:27,240 Speaker 1: that's me, that'll be trademark by Monday. And Mama Mama said, 50 00:03:27,320 --> 00:03:34,640 Speaker 1: cut it out right, get this thing, get it out 51 00:03:34,639 --> 00:03:38,720 Speaker 1: of my body, the belly of the beast, as it's 52 00:03:38,760 --> 00:03:43,240 Speaker 1: colloquially referred to. Ye for having me, you, guys, Hey, 53 00:03:43,280 --> 00:03:45,840 Speaker 1: thanks for being here. Blake. How are you holding up 54 00:03:46,080 --> 00:03:50,720 Speaker 1: after the Philadelphia Eagles you probably heard about this did 55 00:03:50,840 --> 00:03:54,560 Speaker 1: lose in the Super Bowl. It came across my radar 56 00:03:54,840 --> 00:03:59,680 Speaker 1: and I am journaling and handling this in a very 57 00:03:59,720 --> 00:04:03,080 Speaker 1: mature her away. Just because they lost one game doesn't 58 00:04:03,120 --> 00:04:07,760 Speaker 1: mean all the nice memories from along the webs are invalidated. Yeah, 59 00:04:07,760 --> 00:04:10,000 Speaker 1: the real super Bowl ring is the friends we made 60 00:04:10,000 --> 00:04:13,000 Speaker 1: along the way, agree, and it's it's a ring of friendship. 61 00:04:13,160 --> 00:04:16,800 Speaker 1: And we're all holding hands around one one holding call 62 00:04:17,200 --> 00:04:20,840 Speaker 1: just because Yeah, it doesn't mean you can't eat the 63 00:04:20,839 --> 00:04:24,640 Speaker 1: poopoo anyway. Yeah, I I couldn't agree more. It's there there. 64 00:04:24,680 --> 00:04:27,120 Speaker 1: What did horses go away just because we lost the 65 00:04:27,160 --> 00:04:31,440 Speaker 1: super Bowl? They're still around, They're still exactly on our streets, 66 00:04:31,600 --> 00:04:34,240 Speaker 1: and someone has to do something about this. It's true, 67 00:04:34,720 --> 00:04:37,640 Speaker 1: losing the super Bowl does not make the horse poopoo 68 00:04:37,640 --> 00:04:45,520 Speaker 1: any less delicious. So I yeah, back more. Alright, Blake, Matt, 69 00:04:46,000 --> 00:04:47,520 Speaker 1: we're gonna get to know you a little bit better 70 00:04:47,560 --> 00:04:49,320 Speaker 1: in a moment. First, we're gonna tell our listeners a 71 00:04:49,360 --> 00:04:53,120 Speaker 1: couple of things we're talking about today. We're gonna check 72 00:04:53,120 --> 00:04:56,480 Speaker 1: in with what's going on over at Twitter, Twitter dot com. 73 00:04:56,800 --> 00:04:59,360 Speaker 1: If you've even been to that website, gentleman by the 74 00:04:59,440 --> 00:05:03,000 Speaker 1: name of it, ell On Musk recently purchased it. Epic 75 00:05:03,279 --> 00:05:09,919 Speaker 1: Bacon Sir appears to be Epic Bacon ng sir, the whole, 76 00:05:09,960 --> 00:05:15,040 Speaker 1: the whole damn thing, demanding that people juice his tweets 77 00:05:15,400 --> 00:05:20,640 Speaker 1: or risk being fired is the word around the Twitter 78 00:05:20,800 --> 00:05:24,200 Speaker 1: camp fire. He's like the Twilight Zone episode with a 79 00:05:24,200 --> 00:05:26,960 Speaker 1: little kid who's eating the chocolate sandwiches, and he's sending 80 00:05:27,000 --> 00:05:29,960 Speaker 1: people back out in the cordfield like he's just he 81 00:05:30,880 --> 00:05:33,599 Speaker 1: really gets to do what he wants. Yeah, whatever he wants. 82 00:05:33,800 --> 00:05:37,800 Speaker 1: And then additionally he's using that status as owner of 83 00:05:37,839 --> 00:05:41,760 Speaker 1: Twitter dot com to shadow band the union that's trying 84 00:05:41,760 --> 00:05:45,560 Speaker 1: to unionize in Buffalo, the Test League union. And then 85 00:05:45,600 --> 00:05:51,440 Speaker 1: there's also just even more information, just more a real 86 00:05:52,160 --> 00:05:55,239 Speaker 1: it's raining ship on Elon Musk portion of the news 87 00:05:55,240 --> 00:06:00,120 Speaker 1: cycle that we're going to glory in. Yeah, so we're 88 00:06:00,160 --> 00:06:02,000 Speaker 1: gonna talk about that. We're gonna talk about There's there's 89 00:06:02,000 --> 00:06:05,159 Speaker 1: another movie coming out that's about like a the birth 90 00:06:05,240 --> 00:06:10,120 Speaker 1: of a popular brand, were like a successful business thing. 91 00:06:10,240 --> 00:06:13,920 Speaker 1: Because we talked last week or the week before about Air, 92 00:06:14,640 --> 00:06:18,719 Speaker 1: the new movie, not about Michael Jordan's, but about the 93 00:06:18,760 --> 00:06:22,919 Speaker 1: invention of the air Jordan's where like the protagonist, the 94 00:06:22,960 --> 00:06:25,440 Speaker 1: heroes are like the people who are like this guy 95 00:06:25,520 --> 00:06:28,760 Speaker 1: is good at basketball. We should we should, we should 96 00:06:28,880 --> 00:06:32,039 Speaker 1: find a way to capitalize on that and make ourselves rich. 97 00:06:33,279 --> 00:06:38,200 Speaker 1: Directed by Ben Affleck, Yeah, yeah, directed by Ben Affleck, 98 00:06:38,279 --> 00:06:42,960 Speaker 1: starring Ben Affleck and Matt Damon. And I was excited 99 00:06:42,960 --> 00:06:45,320 Speaker 1: about that movie when if but when the trailer came out, 100 00:06:45,360 --> 00:06:48,360 Speaker 1: I was like, hell yeah, dude, love Air Jordan's And 101 00:06:48,440 --> 00:06:50,640 Speaker 1: maybe there's a critique there too, because I feel like 102 00:06:50,680 --> 00:06:55,000 Speaker 1: those guys are like on the low kind of not 103 00:06:56,120 --> 00:07:00,000 Speaker 1: pieces of ship in a way, like yeah, yeah, totally, 104 00:07:00,200 --> 00:07:02,919 Speaker 1: maybe there will be a there's gotta be. There's gotta 105 00:07:02,960 --> 00:07:06,360 Speaker 1: be there's a new one though about the not even 106 00:07:06,400 --> 00:07:09,840 Speaker 1: the invention of Tetris, but like somebody going to Russia 107 00:07:09,840 --> 00:07:13,440 Speaker 1: to buy the rights to Tetris seems to be the story, 108 00:07:14,160 --> 00:07:17,360 Speaker 1: and like it sounds like a radio lab. Yeah it really, 109 00:07:17,480 --> 00:07:19,520 Speaker 1: it does seem like a radio I'm sure it was 110 00:07:19,560 --> 00:07:21,920 Speaker 1: a radio lab at some point. And so we're just 111 00:07:21,920 --> 00:07:26,360 Speaker 1: gonna talk about this new trend where you know, our greatest, 112 00:07:26,680 --> 00:07:33,040 Speaker 1: most respected, most beloved Americans A K Brands corporations are 113 00:07:33,120 --> 00:07:37,320 Speaker 1: like the protagonists of our films, except like I mean, 114 00:07:37,360 --> 00:07:41,440 Speaker 1: like Shakespeare wrote about the royals, and these are our royalists. 115 00:07:41,560 --> 00:07:44,640 Speaker 1: The logical conclusion of the system of capitalism we've set 116 00:07:44,720 --> 00:07:51,160 Speaker 1: up here from the Nibisco movie, the invention of the 117 00:07:51,160 --> 00:07:55,480 Speaker 1: Pillsbury dope boy exactly. Yeah, just like some sweaty ad exacts. 118 00:07:55,840 --> 00:08:00,000 Speaker 1: He was bred. Actually he was being b r easy 119 00:08:00,000 --> 00:08:03,720 Speaker 1: to be hard. Oh no, I can't wait for the 120 00:08:03,840 --> 00:08:09,280 Speaker 1: future biopic of the brand executive who privatized the Sun. Yeah, 121 00:08:09,320 --> 00:08:12,520 Speaker 1: you know exactly. And then there's the new Winnie the 122 00:08:12,520 --> 00:08:16,600 Speaker 1: Pooh horror movie that is out and apparently it's not good. 123 00:08:17,280 --> 00:08:21,440 Speaker 1: It's not good. Why would they do that. This is 124 00:08:21,480 --> 00:08:25,640 Speaker 1: a new trend that seems to be happening because people 125 00:08:25,640 --> 00:08:28,840 Speaker 1: need I P and they need to also make a Yeah. 126 00:08:28,880 --> 00:08:32,199 Speaker 1: I P is coming off the books. Baby Mickey Mouse, 127 00:08:32,520 --> 00:08:35,600 Speaker 1: if you've ever heard of that character, is coming off 128 00:08:35,600 --> 00:08:40,400 Speaker 1: the books next year. Lobeful full name is Michelobe Mouse, 129 00:08:40,520 --> 00:08:42,920 Speaker 1: and that is what we're all going to learn in 130 00:08:43,280 --> 00:08:52,160 Speaker 1: the biopic mk Ultra Mouse. Michaelob Ultra is long for 131 00:08:52,480 --> 00:08:58,640 Speaker 1: m k Ultra. Yeah, so all of that that and 132 00:08:58,679 --> 00:09:02,520 Speaker 1: that is mk ultra. Uh, mikhaelo Ultra does brainwash you. 133 00:09:02,800 --> 00:09:06,680 Speaker 1: And it is five calories, so it's not the calories 134 00:09:06,679 --> 00:09:10,800 Speaker 1: are so low yea, yeah, you'll be thin. Well, you 135 00:09:10,840 --> 00:09:15,600 Speaker 1: are jumping out of a k being thrown out of 136 00:09:15,640 --> 00:09:19,760 Speaker 1: a New York hotel window. Hey, it happens a little 137 00:09:19,760 --> 00:09:25,439 Speaker 1: Wormwood reference for everybody who cut that docu series before 138 00:09:25,440 --> 00:09:28,080 Speaker 1: we get to any of that ship Blake. Yeah, like 139 00:09:28,120 --> 00:09:30,400 Speaker 1: that stuff all sounds fun, But before we get to 140 00:09:30,480 --> 00:09:33,400 Speaker 1: any of that bullshit. If we get to it, let's 141 00:09:33,400 --> 00:09:36,120 Speaker 1: take a chance on this segment. Let's let's give it 142 00:09:37,360 --> 00:09:41,400 Speaker 1: that's right and ask you what is something from your 143 00:09:41,440 --> 00:09:45,400 Speaker 1: search history that's revealing about who you are. I'm happy 144 00:09:45,440 --> 00:09:47,480 Speaker 1: to test the format of this show with you right 145 00:09:47,520 --> 00:09:52,600 Speaker 1: now and right now. So I was searching brown boots, 146 00:09:53,120 --> 00:09:57,440 Speaker 1: black outfit because I was trying to match a pair 147 00:09:57,480 --> 00:10:01,200 Speaker 1: of boots to an outfit. And I've heard that there's 148 00:10:01,320 --> 00:10:05,320 Speaker 1: rules about you can't wear black with blue or brown 149 00:10:05,440 --> 00:10:09,520 Speaker 1: with black, and I was reading some fashion websites and essentially, 150 00:10:09,679 --> 00:10:11,240 Speaker 1: you can wear whatever the funk you want. It really 151 00:10:11,280 --> 00:10:14,319 Speaker 1: doesn't matter. Yeah, it turns out, Yeah, it turns out 152 00:10:14,360 --> 00:10:17,240 Speaker 1: that if you have any self esteem whatsoever, you can 153 00:10:17,280 --> 00:10:19,960 Speaker 1: put on clothes and not Google. What about those of 154 00:10:20,000 --> 00:10:23,160 Speaker 1: us who don't, who just need our shoes to exactly 155 00:10:23,280 --> 00:10:27,400 Speaker 1: match our outfits, because we I wear Gene shoes with 156 00:10:27,440 --> 00:10:31,600 Speaker 1: my jean pants. Smart, that's smart. Any denim coverage there 157 00:10:31,640 --> 00:10:36,560 Speaker 1: are like denim Jordan's aren't there? Yeah? Do you there 158 00:10:36,720 --> 00:10:42,280 Speaker 1: is a Jordan's. As we call them the Lennos collap. 159 00:10:42,480 --> 00:10:45,360 Speaker 1: I like to pretend they're a collab with Jay Lens, 160 00:10:45,760 --> 00:10:51,800 Speaker 1: but they're actually a collap between Levies and the Air Jordan's. 161 00:10:52,000 --> 00:10:55,240 Speaker 1: And they are I like the way they look. They 162 00:10:55,240 --> 00:10:59,800 Speaker 1: are heavy shoes. They are the heaviest. Yeah, they're like 163 00:10:59,840 --> 00:11:04,880 Speaker 1: a cream denim. Are they extra hocked? They sound hocked. 164 00:11:05,200 --> 00:11:07,600 Speaker 1: They don't know that. I don't know that I've noticed 165 00:11:07,760 --> 00:11:11,400 Speaker 1: the temperature so much as the fact that they feel 166 00:11:11,480 --> 00:11:14,720 Speaker 1: like they if you've ever warned, like stepped in a 167 00:11:14,720 --> 00:11:19,320 Speaker 1: puddle and your shoe is wet and just you know, 168 00:11:19,600 --> 00:11:22,920 Speaker 1: leaden feels very heavy. Like that's how heavy they are, 169 00:11:23,120 --> 00:11:26,319 Speaker 1: because denim is not a light thing. And they all 170 00:11:26,600 --> 00:11:30,000 Speaker 1: layered that ship on. It's weird. They make up basketball 171 00:11:30,000 --> 00:11:34,160 Speaker 1: shoe Yeah, yeah, you can't. You can't stand on a 172 00:11:34,160 --> 00:11:36,360 Speaker 1: basketball court with these shoes on there. There will just 173 00:11:36,400 --> 00:11:41,839 Speaker 1: be footprints in the in the hardwood. So strange. I 174 00:11:41,920 --> 00:11:45,959 Speaker 1: love it though, they well we have to have brand synergy. Yeah, 175 00:11:46,160 --> 00:11:48,000 Speaker 1: they sound cool. I like that their cream color. That's 176 00:11:48,120 --> 00:11:49,880 Speaker 1: that sounds like they would go with a lot as well. 177 00:11:50,000 --> 00:11:52,200 Speaker 1: I couldn't runt this problem that I have right now 178 00:11:52,200 --> 00:11:58,400 Speaker 1: with my brown ass boots boots. Yeah, brown boots, black outfit. 179 00:11:58,720 --> 00:12:02,360 Speaker 1: So you're there was a time bomb. I thought that's 180 00:12:02,400 --> 00:12:05,360 Speaker 1: what we were singing at first. I don't know what 181 00:12:05,440 --> 00:12:08,240 Speaker 1: that was. But is that like your brain was misfiring? 182 00:12:08,440 --> 00:12:12,040 Speaker 1: That was the song time bond? In another Huh, that's 183 00:12:12,040 --> 00:12:14,400 Speaker 1: a great song. So are you Are you going with 184 00:12:14,559 --> 00:12:19,280 Speaker 1: the impression of somebody who has a self esteem and 185 00:12:19,320 --> 00:12:22,120 Speaker 1: just doing brown boots, black outfit? No, no, no, no, no no, 186 00:12:22,200 --> 00:12:24,559 Speaker 1: I'm bailing on the whole fucking thing. Actually, So I'm 187 00:12:24,640 --> 00:12:28,520 Speaker 1: just gonna go to the event. Yeah I'm not. I'm 188 00:12:28,559 --> 00:12:32,079 Speaker 1: not going. I'm gonna stay leaving my house exactly. I'm 189 00:12:32,120 --> 00:12:34,800 Speaker 1: coming with options. But yeah, no, it's gonna be Uh. So, 190 00:12:34,800 --> 00:12:37,200 Speaker 1: I'm getting ready to shoot my first special this week, 191 00:12:37,320 --> 00:12:41,040 Speaker 1: so I've been trying to pick out now thank you 192 00:12:41,559 --> 00:12:46,040 Speaker 1: and in Cincinnati, Ohio from February twenty six. But I'm like, 193 00:12:46,120 --> 00:12:48,400 Speaker 1: I think I'm gonna wear a brown boot, maroon pant, 194 00:12:48,800 --> 00:12:53,040 Speaker 1: and a royal blue jacket is what I'll be wearing. 195 00:12:53,120 --> 00:12:56,400 Speaker 1: So and that's why you should tune in for my outfit. 196 00:12:58,120 --> 00:13:02,280 Speaker 1: See how my fucking neglige bole body, can you do 197 00:13:02,360 --> 00:13:04,680 Speaker 1: a spin when you're while you're on stage, just so 198 00:13:04,679 --> 00:13:07,720 Speaker 1: people can see the full thing exactly? So when I perform, 199 00:13:07,800 --> 00:13:10,800 Speaker 1: I make every venue in the round by I just 200 00:13:11,000 --> 00:13:14,200 Speaker 1: I stand on a lazy Susan And and I don't 201 00:13:14,200 --> 00:13:16,160 Speaker 1: even like that term that Susan puts in a whole 202 00:13:16,160 --> 00:13:20,400 Speaker 1: bunch of locriminatory against Susan. Yeah, I could not agree, 203 00:13:20,440 --> 00:13:23,200 Speaker 1: and Sue really put So I do spin in place 204 00:13:23,240 --> 00:13:26,040 Speaker 1: throughout the entire thing. And it's a six minute set, 205 00:13:26,040 --> 00:13:31,360 Speaker 1: and I closed vomiting on my boots. It's my big closer. 206 00:13:31,679 --> 00:13:35,120 Speaker 1: Now they're cream color now there because I drink milk, 207 00:13:35,920 --> 00:13:38,920 Speaker 1: straight milk. You've gotten you're on the Mussolini diet, right, 208 00:13:39,040 --> 00:13:44,079 Speaker 1: just nothing? Yeah? Yeah, was he a milkhead? I think 209 00:13:44,120 --> 00:13:47,320 Speaker 1: he was a super milk head, and like wouldn't wouldn't 210 00:13:47,440 --> 00:13:50,360 Speaker 1: imbibe anything that wasn't the color white. If I if 211 00:13:50,360 --> 00:13:56,080 Speaker 1: I'm not mistaken, you're telling me this guy was a fascist. Weird, Yeah, 212 00:13:57,360 --> 00:14:00,839 Speaker 1: this mama's boy fascist and my have been confusing him 213 00:14:00,840 --> 00:14:03,400 Speaker 1: with a different fascists. But I think that's a shame. 214 00:14:03,520 --> 00:14:06,480 Speaker 1: Mustlan did not indulge in his country's revered cuisine. He 215 00:14:06,600 --> 00:14:09,400 Speaker 1: rarely ate pasta and meat and called French food useless. 216 00:14:09,440 --> 00:14:11,920 Speaker 1: His favorite food was a salad made of raw garlic 217 00:14:11,960 --> 00:14:15,640 Speaker 1: and olive oil that is actually super Italian. And I 218 00:14:15,760 --> 00:14:18,120 Speaker 1: feel like, at first I was gonna be like, is 219 00:14:18,160 --> 00:14:21,560 Speaker 1: he even Italian? But he's just straight eating straight garlic. 220 00:14:22,320 --> 00:14:25,640 Speaker 1: His wife thought it made him smell unbearable. Is how 221 00:14:25,760 --> 00:14:29,520 Speaker 1: this little like google paragraph ends. They're like it really 222 00:14:29,600 --> 00:14:33,560 Speaker 1: ruined his great personality. They the stench of his garlic. 223 00:14:34,040 --> 00:14:35,880 Speaker 1: People would have given him more of a shot if 224 00:14:37,000 --> 00:14:42,280 Speaker 1: and he just didn't eat raw garlic all day. It's 225 00:14:42,360 --> 00:14:45,600 Speaker 1: just sickos, just in every aspect of their life, are 226 00:14:45,720 --> 00:14:49,320 Speaker 1: just a total fucking lunatic. This guy where yeah, it's 227 00:14:49,360 --> 00:14:51,960 Speaker 1: not like he ate a balanced breakfast that would that 228 00:14:52,040 --> 00:14:55,360 Speaker 1: you could relate over. Of course, this man ate raw garlic. 229 00:14:55,600 --> 00:14:58,680 Speaker 1: It's insane too, because you're like thinking, like, you know, 230 00:14:58,840 --> 00:15:02,000 Speaker 1: I'm not gonna eat some fun pasta and some pizza 231 00:15:02,160 --> 00:15:04,760 Speaker 1: just because I'm an Italian. I'm just gonna eat these 232 00:15:04,800 --> 00:15:09,440 Speaker 1: cloths straight cloves of garlic. It's like, come on, man, 233 00:15:09,960 --> 00:15:14,960 Speaker 1: this feels racist against yourself. Yeah, Blake, but it's something 234 00:15:15,000 --> 00:15:18,720 Speaker 1: that you think is under or overrated I don't give 235 00:15:18,720 --> 00:15:21,120 Speaker 1: a ship which one you start with. You don't care 236 00:15:21,240 --> 00:15:23,440 Speaker 1: deal of choice, man, I'm all right, let me find 237 00:15:23,440 --> 00:15:27,160 Speaker 1: my bready nice flip for situations such as this, I'll 238 00:15:27,160 --> 00:15:31,680 Speaker 1: go and it's heads, which means overrated windbreakers. I think 239 00:15:31,800 --> 00:15:36,480 Speaker 1: an overrated article of clothing and sounds powerful as hell. 240 00:15:36,600 --> 00:15:41,600 Speaker 1: The name that they went with windbreaker. It was a windbreaker. 241 00:15:41,640 --> 00:15:52,480 Speaker 1: If you catch like, thank you, sorry, I appreciate that 242 00:15:52,520 --> 00:15:56,360 Speaker 1: I have here. No, I'm sorry, I'm sorry that I'm 243 00:15:56,400 --> 00:15:58,240 Speaker 1: not there with you to laugh in person. What you 244 00:15:58,320 --> 00:16:01,120 Speaker 1: just did. What you just did, that's bread. I love 245 00:16:01,160 --> 00:16:06,400 Speaker 1: that ship of wind breakers. The jacket because it's a 246 00:16:06,400 --> 00:16:09,040 Speaker 1: piece of clothing that kind of has not evolved with 247 00:16:09,120 --> 00:16:12,160 Speaker 1: the times where there's no shape to it. It's you're 248 00:16:12,360 --> 00:16:15,680 Speaker 1: it's an amorphous shape, and they look like their water proof, 249 00:16:16,040 --> 00:16:18,720 Speaker 1: which a rain jacket is off. Can often break the 250 00:16:18,760 --> 00:16:21,800 Speaker 1: wind as well, but it actually has a function. Lots 251 00:16:21,800 --> 00:16:24,440 Speaker 1: of things can break the wind, thank you exactly, So 252 00:16:24,480 --> 00:16:28,200 Speaker 1: you could just wear a nice warm coat. Just the 253 00:16:28,320 --> 00:16:31,840 Speaker 1: breaking of wind doesn't seem like it is important enough 254 00:16:31,880 --> 00:16:34,400 Speaker 1: of a function to have that be The soul can't 255 00:16:34,400 --> 00:16:38,880 Speaker 1: be a singular function. I completely completely agree. There's no, 256 00:16:39,000 --> 00:16:42,600 Speaker 1: because if here's the thing, if the wind isn't cold, 257 00:16:43,480 --> 00:16:45,640 Speaker 1: not a not a problem, don't need a wind breaker. 258 00:16:45,920 --> 00:16:49,040 Speaker 1: You're just dealing with wind. That's wind. But if you are, 259 00:16:49,160 --> 00:16:51,720 Speaker 1: if you are in need of breaking the wind from 260 00:16:51,720 --> 00:16:55,440 Speaker 1: your body, you're usually also in need of some you know, layering, 261 00:16:56,120 --> 00:16:59,400 Speaker 1: a little bit of a little bit of more. Yes, 262 00:16:59,720 --> 00:17:01,760 Speaker 1: so you're just just an extra layer where you could 263 00:17:01,760 --> 00:17:07,760 Speaker 1: just consolidate into one layer of a yeah, but you 264 00:17:07,840 --> 00:17:11,400 Speaker 1: also do you're so mad right now, I'm so angry. 265 00:17:11,720 --> 00:17:13,720 Speaker 1: You can also make the little switch he noises though. 266 00:17:13,760 --> 00:17:15,920 Speaker 1: That's what that's my favorite thing about a wind breaker 267 00:17:16,000 --> 00:17:19,320 Speaker 1: is like doing the the arms. You know, no, the 268 00:17:19,720 --> 00:17:22,919 Speaker 1: no friction. But it's like, yeah, it's nice to be 269 00:17:22,960 --> 00:17:26,919 Speaker 1: the loudest walker possible and the wind breaker. In the 270 00:17:27,040 --> 00:17:30,560 Speaker 1: nineties when it was popular windbreakers, you actually crime plummeted 271 00:17:30,600 --> 00:17:35,199 Speaker 1: because you could just hear half away. Now you hear 272 00:17:35,320 --> 00:17:39,679 Speaker 1: that sound, you're like, oh, ship simbats coming, He's the 273 00:17:39,720 --> 00:17:44,520 Speaker 1: only guy still windbreaking, that's right. What is something you 274 00:17:44,520 --> 00:17:50,880 Speaker 1: think is underrated? Blake an early dinner six pm gives 275 00:17:50,880 --> 00:17:52,840 Speaker 1: you options for the rest of the evening if you 276 00:17:52,840 --> 00:17:56,760 Speaker 1: would like to go to grab drinks afterwards, you'll still 277 00:17:56,760 --> 00:18:00,919 Speaker 1: be home in time to hydrate and mitigate, you know, 278 00:18:00,960 --> 00:18:04,200 Speaker 1: any hangover that could be possible the following day. And 279 00:18:04,640 --> 00:18:09,119 Speaker 1: I've sweat the bed. If I eat too late and 280 00:18:09,240 --> 00:18:12,360 Speaker 1: you wet the bed with it, let's let's let's throw 281 00:18:12,400 --> 00:18:16,880 Speaker 1: a s w E A T there whatever. I wet 282 00:18:16,880 --> 00:18:20,600 Speaker 1: the bed with sweat. That's what it is. It's a 283 00:18:20,600 --> 00:18:24,560 Speaker 1: different type of bed wedding, but it counts. It does 284 00:18:24,640 --> 00:18:28,359 Speaker 1: count it. It falls under the same stigma, unfortunately. But yeah, 285 00:18:28,400 --> 00:18:31,480 Speaker 1: if I eat too late, and now it gets it 286 00:18:31,480 --> 00:18:33,439 Speaker 1: gets earlier and earlier as I get older and older. 287 00:18:33,480 --> 00:18:42,000 Speaker 1: After eight pm, it's it's a hold on you swell 288 00:18:44,760 --> 00:18:49,760 Speaker 1: the floor. Do you yield your time to do okay? 289 00:18:50,000 --> 00:18:53,600 Speaker 1: Heels your time? Okay? You sweat the bed if you 290 00:18:53,720 --> 00:18:58,160 Speaker 1: eat too late. M hm. You know for certain that 291 00:18:58,160 --> 00:19:01,400 Speaker 1: that's the reason you're sweating the bed. Yeah. So I 292 00:19:01,480 --> 00:19:04,920 Speaker 1: have luckily have had some time on my hands and 293 00:19:05,480 --> 00:19:09,840 Speaker 1: have experimented with or kept track mentally of okay, I 294 00:19:10,080 --> 00:19:14,000 Speaker 1: ate at this time tonight and kept everything else the same, 295 00:19:14,040 --> 00:19:20,400 Speaker 1: in the same covers, the same pajama situation. And every 296 00:19:20,440 --> 00:19:26,040 Speaker 1: single time I eat early, no whatsoever, and you're going 297 00:19:26,080 --> 00:19:34,880 Speaker 1: to bed at the same time. Excuse me, you controlled 298 00:19:34,920 --> 00:19:36,439 Speaker 1: for a lot of things, but not for like what 299 00:19:36,480 --> 00:19:38,679 Speaker 1: time you went to bed, not for the not for 300 00:19:38,760 --> 00:19:42,119 Speaker 1: the main thing. Uh No, I did not control for that. 301 00:19:42,160 --> 00:19:44,640 Speaker 1: But that's interesting. I'm wondering, and I'm not being combative here, 302 00:19:44,640 --> 00:19:48,399 Speaker 1: I assure you, but I'm wondering, would that make a difference. 303 00:19:48,720 --> 00:19:50,800 Speaker 1: I don't know. I don't know. I've just figured since 304 00:19:50,800 --> 00:19:53,199 Speaker 1: you were controlling for all those other things, No, I 305 00:19:53,200 --> 00:19:55,399 Speaker 1: bet it, since I put all the work it I 306 00:19:58,520 --> 00:20:01,200 Speaker 1: that's a good question because if I went to bed later, 307 00:20:01,400 --> 00:20:07,520 Speaker 1: that would give me theoretically a earlier dinner, right right exactly, 308 00:20:07,560 --> 00:20:10,600 Speaker 1: So that like if if that to me, that would 309 00:20:10,640 --> 00:20:13,040 Speaker 1: be the final factor where you're like, you know, if 310 00:20:13,080 --> 00:20:15,719 Speaker 1: I eat two hours before bed, I will sweat. If 311 00:20:15,760 --> 00:20:18,520 Speaker 1: I eat four hours before bed, I will not sweat. 312 00:20:19,080 --> 00:20:22,560 Speaker 1: That's interesting. So it sounds like a meat left on 313 00:20:22,640 --> 00:20:26,640 Speaker 1: that experiment. Bone. Yeah, come back to uh yeah, come 314 00:20:26,640 --> 00:20:29,399 Speaker 1: back to us on this is fascinating. I've also been 315 00:20:29,440 --> 00:20:31,959 Speaker 1: wearing a lab coat to bed. I think that might 316 00:20:32,040 --> 00:20:35,359 Speaker 1: also be why. But yeah, you're you're also wearing the 317 00:20:35,640 --> 00:20:39,840 Speaker 1: rubber suit to bed on certain occasions. You also controlled 318 00:20:39,880 --> 00:20:43,000 Speaker 1: for the temperature in your in your bedroom. Of course 319 00:20:43,040 --> 00:20:48,560 Speaker 1: that is correct that I'm sorry, yeah, I'm sorry. The 320 00:20:49,480 --> 00:20:56,320 Speaker 1: temperature struggling. Yes, I mixed up celsius and fahrenheit on 321 00:20:56,359 --> 00:21:01,000 Speaker 1: an alternative basis. Oh Man, all right, let's hear your 322 00:21:01,080 --> 00:21:16,360 Speaker 1: quick break. We'll be right back and we're back. Yeah yeah, 323 00:21:16,840 --> 00:21:20,440 Speaker 1: oh Man walked away for for a moment. It was 324 00:21:20,480 --> 00:21:25,920 Speaker 1: recording and all hell broke loose. We're fighting back with 325 00:21:25,960 --> 00:21:35,520 Speaker 1: each other. We're doing slurs against mostly Italians. Yeah, yeah, 326 00:21:35,560 --> 00:21:42,520 Speaker 1: it's specifically the people who work at Italy Italians, the Italians. Alright, 327 00:21:42,640 --> 00:21:45,800 Speaker 1: Twitter dot com, let's talk about it. It's a website, 328 00:21:46,200 --> 00:21:52,720 Speaker 1: pretty big and Elon must bought it. And earlier last 329 00:21:52,760 --> 00:21:55,480 Speaker 1: week there was a report claiming the Musk ordered Twitter 330 00:21:55,560 --> 00:21:59,680 Speaker 1: engineers to ring the platform to quote juice his tweets 331 00:22:00,280 --> 00:22:03,520 Speaker 1: or risk being fired. There was some good texture in 332 00:22:03,560 --> 00:22:06,560 Speaker 1: the story where he like brought these people to a 333 00:22:06,640 --> 00:22:09,720 Speaker 1: meeting and was like, why is this? Why am I 334 00:22:09,760 --> 00:22:13,240 Speaker 1: not seeing the same engagement that I used to? And 335 00:22:13,680 --> 00:22:17,080 Speaker 1: they were essentially like, I think people are fucking bored 336 00:22:17,200 --> 00:22:23,400 Speaker 1: of you dominated the conversation and aren't that interesting? And 337 00:22:23,440 --> 00:22:27,280 Speaker 1: he was like, you're fired. You like substance and you 338 00:22:27,320 --> 00:22:31,240 Speaker 1: were just taking advantage of them and making their lives worse. 339 00:22:31,880 --> 00:22:35,399 Speaker 1: His test run of this new super boosting tech was 340 00:22:35,520 --> 00:22:39,399 Speaker 1: his tweet quote supporting the Philadelphia Eagles in the Super Bowl. 341 00:22:39,600 --> 00:22:41,840 Speaker 1: And that's fine, that's not Blake. This must have been 342 00:22:41,920 --> 00:22:45,160 Speaker 1: huge for you. This was really big for you. And 343 00:22:45,240 --> 00:22:48,400 Speaker 1: you know, I was on I loved Emon Musk before this, 344 00:22:49,000 --> 00:22:52,480 Speaker 1: and then the fact that he was, you know, pandering 345 00:22:52,600 --> 00:22:55,040 Speaker 1: to me and me alone with this tweet. I I 346 00:22:55,119 --> 00:22:57,760 Speaker 1: engaged with it. I liked it, I retweeted it, I 347 00:22:57,800 --> 00:23:00,840 Speaker 1: shared it, I texted it around. It was a fine tweet. 348 00:23:00,920 --> 00:23:03,320 Speaker 1: I printed it out, I made I got a tattoo 349 00:23:03,400 --> 00:23:06,760 Speaker 1: of it. Yeah, I got its hat on my on 350 00:23:06,840 --> 00:23:10,399 Speaker 1: my left plumper and yeah, I'm still looking for a 351 00:23:10,480 --> 00:23:15,320 Speaker 1: retail space on the right one. It's he really he 352 00:23:15,440 --> 00:23:18,720 Speaker 1: deleted it. He deleted that tweet after they lost, right, 353 00:23:19,080 --> 00:23:23,520 Speaker 1: isn't that he doesn't He just like doesn't know who's 354 00:23:23,560 --> 00:23:28,080 Speaker 1: there's an artist who like had face blindness, and like, 355 00:23:28,280 --> 00:23:32,720 Speaker 1: I think Chuck Close is his name, and like, but 356 00:23:33,040 --> 00:23:36,520 Speaker 1: so he used the fact that he was face blind 357 00:23:36,560 --> 00:23:39,119 Speaker 1: to them like paint people's faces like because he like 358 00:23:39,280 --> 00:23:44,080 Speaker 1: understood it from a weird he didn't understand faces so 359 00:23:44,160 --> 00:23:46,160 Speaker 1: much that he like had to like break them down 360 00:23:46,840 --> 00:23:49,560 Speaker 1: like their component parts. And I feel like Elon Musk 361 00:23:49,600 --> 00:23:53,800 Speaker 1: purchasing Twitter is like something like that where he seems 362 00:23:53,840 --> 00:23:59,320 Speaker 1: to be like remarkably incapable of understanding like why people 363 00:23:59,359 --> 00:24:03,680 Speaker 1: come to twee it or people like about tweets, which 364 00:24:03,760 --> 00:24:07,439 Speaker 1: is it's it's so funny because it's like, bro, no, 365 00:24:07,640 --> 00:24:10,359 Speaker 1: that is part of it. It's like he just doesn't 366 00:24:10,480 --> 00:24:15,000 Speaker 1: understand why, Like he needs to learn, he needs to 367 00:24:15,000 --> 00:24:18,359 Speaker 1: go inside the gears to see why. Biden voice, I 368 00:24:18,400 --> 00:24:21,120 Speaker 1: got all up in that bussy Jack got a million 369 00:24:21,600 --> 00:24:24,639 Speaker 1: fucking reed tweets, Like he doesn't understand. He's like, I 370 00:24:25,080 --> 00:24:29,440 Speaker 1: don't understand this. Why why sitting there puzzling over just 371 00:24:29,720 --> 00:24:33,719 Speaker 1: staring at that tweet as it like gains likes and 372 00:24:33,840 --> 00:24:40,200 Speaker 1: hearts just getting more and more, just baffled and irritated. 373 00:24:40,880 --> 00:24:43,920 Speaker 1: Jack was Chuck Close? Was that the name of the artist? 374 00:24:44,600 --> 00:24:46,840 Speaker 1: I think that was that? The one who is the 375 00:24:46,920 --> 00:24:49,840 Speaker 1: gender neutral version of Chuck Closterman Or Am I thinking 376 00:24:49,840 --> 00:24:52,840 Speaker 1: of something else? No? Yeah, I think you might be 377 00:24:52,920 --> 00:24:56,960 Speaker 1: thinking of something else And I'm sorry I think it. Yeah, 378 00:24:57,040 --> 00:25:00,400 Speaker 1: it is it's Chuck Close. He was an artist. Yeah, 379 00:25:00,480 --> 00:25:03,199 Speaker 1: he was a portrait artist who is FACEBOYD didn't like 380 00:25:03,680 --> 00:25:10,119 Speaker 1: driven to faces by not because he didn't understand them 381 00:25:10,320 --> 00:25:15,680 Speaker 1: and was like fascinated by that interesting. He was great. 382 00:25:15,720 --> 00:25:18,120 Speaker 1: He like worked at it as a craft his whole life, 383 00:25:18,119 --> 00:25:22,000 Speaker 1: and like his portraits are super interesting. The Elon Musk 384 00:25:22,080 --> 00:25:25,560 Speaker 1: does not like he just decided to buy a thing 385 00:25:25,600 --> 00:25:29,080 Speaker 1: and kill it. Like his version of painting the portrait 386 00:25:29,520 --> 00:25:36,400 Speaker 1: is to like yeah and like dissect it until it's dead. 387 00:25:36,880 --> 00:25:41,520 Speaker 1: So anyways, he came through said the quote source of 388 00:25:41,560 --> 00:25:45,600 Speaker 1: the bogus platform or article is a disc gruntled employee 389 00:25:45,800 --> 00:25:48,320 Speaker 1: who had been on paid time off for months, had 390 00:25:48,359 --> 00:25:51,240 Speaker 1: already accepted a job at Google and felt the need 391 00:25:51,280 --> 00:25:53,720 Speaker 1: to poison the well on the way out. Twitter will 392 00:25:53,760 --> 00:25:57,920 Speaker 1: be taking legal action against him, and the journalists said 393 00:25:58,040 --> 00:26:05,320 Speaker 1: this is completely false reporting. So every Twitter employee is disgruntled, 394 00:26:05,600 --> 00:26:08,560 Speaker 1: every former or current, they're all disgruntled because they work 395 00:26:08,640 --> 00:26:11,600 Speaker 1: for this fucking idiot. There's not a single grunt old 396 00:26:11,800 --> 00:26:15,600 Speaker 1: employee in the entire like Twitter office. And it's like 397 00:26:16,000 --> 00:26:18,360 Speaker 1: even the people like came in and like, yes, thank 398 00:26:18,400 --> 00:26:22,360 Speaker 1: you serve for liberating us from the transagenda, Like all 399 00:26:22,359 --> 00:26:25,800 Speaker 1: those people are now just like this guy fucking sucks. 400 00:26:27,040 --> 00:26:29,280 Speaker 1: It's it's kind of great to see. And I also 401 00:26:29,800 --> 00:26:32,560 Speaker 1: the more Twitter goes down and crashes, the more I'm 402 00:26:32,600 --> 00:26:36,280 Speaker 1: just like this is this is just fantastic. I I 403 00:26:36,320 --> 00:26:41,240 Speaker 1: actually I'm enjoying watching it burn because because it's like 404 00:26:41,240 --> 00:26:45,280 Speaker 1: Twitter is like an inherently bad place, and it should 405 00:26:45,600 --> 00:26:49,199 Speaker 1: it should go down in flames, you know. And I 406 00:26:49,800 --> 00:26:53,080 Speaker 1: nothing makes me more like fills me with more Scheidenfreuda 407 00:26:53,119 --> 00:26:57,679 Speaker 1: than someone who is actively trying to understand it, like 408 00:26:57,840 --> 00:27:00,320 Speaker 1: ending up breaking the whole thing and he's going to 409 00:27:00,400 --> 00:27:02,199 Speaker 1: pretend like it was this plan all along, but we 410 00:27:02,240 --> 00:27:05,320 Speaker 1: all know it wasn't. Yeah. I wish he didn't break 411 00:27:05,320 --> 00:27:09,159 Speaker 1: Twitter like I like to fail. I wish I do 412 00:27:09,280 --> 00:27:12,280 Speaker 1: this thing. Yeah, you bought it, you break it? Is 413 00:27:13,280 --> 00:27:16,240 Speaker 1: he thought that that was the just or the directions. 414 00:27:16,520 --> 00:27:19,960 Speaker 1: He's going to tweet that when he sets this final 415 00:27:20,040 --> 00:27:23,480 Speaker 1: servers on fire, you under well, someone will tweet that 416 00:27:23,640 --> 00:27:25,920 Speaker 1: and then he will steal that, and that's right, it's 417 00:27:26,000 --> 00:27:29,400 Speaker 1: his own and perfect just glory and the fact that 418 00:27:29,880 --> 00:27:33,200 Speaker 1: his his followers are doing the crying, laughing the worst 419 00:27:33,200 --> 00:27:36,080 Speaker 1: thing that he did, in my opinion with regards to 420 00:27:36,080 --> 00:27:39,240 Speaker 1: buying Twitter was create this the four you tab. The 421 00:27:39,280 --> 00:27:42,760 Speaker 1: four you tab is probably one of the most insane 422 00:27:43,520 --> 00:27:46,680 Speaker 1: ideas that he has had on here, because I did 423 00:27:46,760 --> 00:27:49,080 Speaker 1: he invented. I thought I've had a four you tab 424 00:27:49,240 --> 00:27:53,640 Speaker 1: for since before he No, no, no, he he had. 425 00:27:53,800 --> 00:27:56,720 Speaker 1: There was used to just be one timeline and then 426 00:27:57,680 --> 00:28:00,000 Speaker 1: it was just one feed and it was a mixture 427 00:28:00,080 --> 00:28:03,800 Speaker 1: of people you follow and people who resweet and and 428 00:28:03,880 --> 00:28:08,320 Speaker 1: comment that, you know, the stuff that's trending has had 429 00:28:08,400 --> 00:28:14,520 Speaker 1: a for you versus trending exactly. Yeah, there was there 430 00:28:14,560 --> 00:28:16,440 Speaker 1: was one that was for you, and there was one 431 00:28:16,440 --> 00:28:19,760 Speaker 1: that was following, so uh or sorry, there's now one 432 00:28:19,800 --> 00:28:22,639 Speaker 1: that's for you and one that's following. And basically the 433 00:28:22,800 --> 00:28:25,760 Speaker 1: entire purpose of the for you tab that he was 434 00:28:26,000 --> 00:28:29,359 Speaker 1: that he created was so that he could just push 435 00:28:29,480 --> 00:28:33,399 Speaker 1: a bunch of like libertarian podcast or voices that fucking 436 00:28:33,440 --> 00:28:36,960 Speaker 1: suck and just to just to like get people to 437 00:28:37,040 --> 00:28:41,360 Speaker 1: see both sides, you know, the the you know, intellectual 438 00:28:41,360 --> 00:28:45,000 Speaker 1: diversity of opinions. You know, like sometimes you want to 439 00:28:45,000 --> 00:28:47,600 Speaker 1: hear both sides of the argument of like should trans 440 00:28:47,680 --> 00:28:52,960 Speaker 1: people live or like our Jews people, or do black 441 00:28:53,000 --> 00:28:56,360 Speaker 1: lives matter? Like I need to know what everyone the 442 00:28:56,480 --> 00:29:02,200 Speaker 1: other side exactly. So anyways, he's also using this in 443 00:29:02,240 --> 00:29:07,200 Speaker 1: ways that are actually presumably fairly powerful, such as Tesla 444 00:29:07,240 --> 00:29:10,720 Speaker 1: workers in Buffalo, who are launching a unionization effort have 445 00:29:10,800 --> 00:29:14,440 Speaker 1: accused Twitter of shadow banning the union Twitter account, of course, 446 00:29:14,520 --> 00:29:19,320 Speaker 1: because he has like given uh platform to so many 447 00:29:19,560 --> 00:29:23,520 Speaker 1: right wing libertarian voices, being like, I've been shadow band. 448 00:29:23,920 --> 00:29:30,360 Speaker 1: Nobody like the shadow ban me, and I only get 449 00:29:30,680 --> 00:29:34,640 Speaker 1: two hundred thousand likes instead of the two million that 450 00:29:34,680 --> 00:29:38,000 Speaker 1: I deserve, So like that, it's frustrating that they've ruined that. 451 00:29:38,040 --> 00:29:42,640 Speaker 1: But he appears to have legitimately shadow band the union 452 00:29:42,640 --> 00:29:44,840 Speaker 1: Twitter account in the in the sense that it doesn't 453 00:29:44,840 --> 00:29:47,720 Speaker 1: appear in Twitter search function if you type out either 454 00:29:47,800 --> 00:29:50,720 Speaker 1: the accounts handle or display name. So like you just 455 00:29:51,480 --> 00:29:53,440 Speaker 1: that that is what a shadow I mean, that's not 456 00:29:53,480 --> 00:29:55,600 Speaker 1: a shadow band so much as a just that that 457 00:29:55,640 --> 00:29:58,280 Speaker 1: should have been. That's a band. Yeah, that's a band 458 00:29:58,800 --> 00:30:02,320 Speaker 1: that doesn't the dy the official notification. There's no bigger 459 00:30:02,560 --> 00:30:08,120 Speaker 1: bitch baby than a social media you know, right wing 460 00:30:08,240 --> 00:30:14,800 Speaker 1: conservative person, because bro, you're already like that's already the 461 00:30:14,880 --> 00:30:19,000 Speaker 1: engagement cheap code is your whack ass opinions, Like, like 462 00:30:19,080 --> 00:30:24,200 Speaker 1: you will see just any number of like the first 463 00:30:24,240 --> 00:30:27,160 Speaker 1: time you've ever seen some person with a million followers, 464 00:30:27,280 --> 00:30:30,080 Speaker 1: and all all they do is like having an angry 465 00:30:30,080 --> 00:30:33,400 Speaker 1: face and an American flag fucking you know emoji, and 466 00:30:33,440 --> 00:30:36,440 Speaker 1: they're just saying the same knee jerk opinions that you'll 467 00:30:36,440 --> 00:30:40,320 Speaker 1: find on any fucking like conservative website, and they're fucking 468 00:30:40,560 --> 00:30:43,600 Speaker 1: it's huge. They're all huge, and you're like, this is 469 00:30:43,600 --> 00:30:46,840 Speaker 1: already the cheap code. You can't complain about engagement when 470 00:30:46,840 --> 00:30:50,720 Speaker 1: you're already making the fucking easiest career decision you've ever 471 00:30:50,760 --> 00:30:53,320 Speaker 1: made in your fucking life. I just said, I can't 472 00:30:53,360 --> 00:30:56,840 Speaker 1: stand it. I wish I had no shame. Guys, Yeah, 473 00:30:56,840 --> 00:30:59,160 Speaker 1: oh I would go. I would go for that fucking 474 00:30:59,440 --> 00:31:02,760 Speaker 1: magat tits so hard, suck all the milk out of it. 475 00:31:04,080 --> 00:31:06,400 Speaker 1: You can muzzle need a funk out of that magot tit. 476 00:31:06,560 --> 00:31:09,680 Speaker 1: And it's the most of setting sentence I've ever said. 477 00:31:12,040 --> 00:31:14,160 Speaker 1: I think I just took six years off my God, damn, 478 00:31:14,240 --> 00:31:18,240 Speaker 1: I'm gonna die at fifty six now saying you're definitely 479 00:31:18,280 --> 00:31:21,640 Speaker 1: gonna be sweating tonight. You have three in the crosshairs. 480 00:31:21,720 --> 00:31:24,640 Speaker 1: Before I was really shooting for sixty three and until 481 00:31:24,640 --> 00:31:28,200 Speaker 1: I used muzzlin need as a verb for a tit 482 00:31:28,400 --> 00:31:34,560 Speaker 1: belonging to maga and sucking it out of it. Specific 483 00:31:34,920 --> 00:31:38,800 Speaker 1: it's like a fun you to Paul McCartney specifically, I'll 484 00:31:38,800 --> 00:31:43,560 Speaker 1: never be sixty four. Also, he fired like a bunch 485 00:31:43,600 --> 00:31:46,320 Speaker 1: of the workers once they publicized that they were going 486 00:31:46,360 --> 00:31:49,959 Speaker 1: to unionize. Barely twenty four hours after declaring their intention 487 00:31:50,000 --> 00:31:52,920 Speaker 1: to unionize, a bunch of them were fired, which is illegal, 488 00:31:53,880 --> 00:31:57,160 Speaker 1: and then by Thursday that number grown to thirty seven. 489 00:31:57,520 --> 00:32:03,200 Speaker 1: They're just yeah, doing illegal ship. These are the sorts 490 00:32:03,240 --> 00:32:06,920 Speaker 1: of things that the government needs to be able to 491 00:32:06,920 --> 00:32:10,600 Speaker 1: step in on. But we've spent the last our entire 492 00:32:10,680 --> 00:32:16,360 Speaker 1: lifetimes just thinking deregulation was a cool thing. So all 493 00:32:16,440 --> 00:32:19,360 Speaker 1: regulations are out the window when it comes to billionaires. 494 00:32:19,400 --> 00:32:22,479 Speaker 1: And I'm sure he's gonna find a way to for 495 00:32:22,520 --> 00:32:25,440 Speaker 1: this to just be a nominal slap on the wrist 496 00:32:25,600 --> 00:32:27,440 Speaker 1: that he doesn't have to worry about when it comes 497 00:32:27,480 --> 00:32:31,200 Speaker 1: to how he conducts his business, which puts us in 498 00:32:31,240 --> 00:32:36,840 Speaker 1: a very bad position as a civilization. I'm I'm literally 499 00:32:36,880 --> 00:32:40,600 Speaker 1: I will vote for any president who's like, if you're 500 00:32:40,600 --> 00:32:43,400 Speaker 1: a dick and you're a billionaire, I'm just gonna take 501 00:32:43,440 --> 00:32:46,640 Speaker 1: your money. Yeah, I will vote for any president who 502 00:32:46,680 --> 00:32:51,000 Speaker 1: just goes. I will nationalize your bank account. Yeah, nationalized 503 00:32:51,080 --> 00:32:53,480 Speaker 1: the and and like so. The other thing. The other 504 00:32:53,560 --> 00:32:55,680 Speaker 1: way that the news cycle was reigning ship on Ela 505 00:32:55,800 --> 00:33:00,520 Speaker 1: Musk was, of course, Tesla's thousand Tesla car is being 506 00:33:01,000 --> 00:33:07,200 Speaker 1: recalled because the self driving software was like causing speed 507 00:33:07,280 --> 00:33:12,800 Speaker 1: limits or travel through intersections in an unlawful or unpredictable manner, 508 00:33:13,000 --> 00:33:15,080 Speaker 1: which I'm sorry, you have to take your car back, Jack. 509 00:33:15,160 --> 00:33:21,280 Speaker 1: That sucks. Hey, they're actually really like cool, they have 510 00:33:21,360 --> 00:33:23,880 Speaker 1: good design. Now they have the trunks in the front. 511 00:33:23,920 --> 00:33:26,440 Speaker 1: I don't understand. I don't understand why everyone's talking ship 512 00:33:26,520 --> 00:33:29,080 Speaker 1: on these cars. The trunk is in the front. Sorry, 513 00:33:29,080 --> 00:33:32,520 Speaker 1: do you understand how revolutionary that is? Trunk is in 514 00:33:32,640 --> 00:33:35,560 Speaker 1: the fucking front. You go in the back, you'll find nothing. 515 00:33:36,160 --> 00:33:43,120 Speaker 1: So they traveling through intersections in an unlawful or unpredictable 516 00:33:43,160 --> 00:33:48,400 Speaker 1: manner is pretty Yeah, that's a red when it comes 517 00:33:48,440 --> 00:33:50,800 Speaker 1: to when it comes to if that was one of 518 00:33:50,840 --> 00:33:53,960 Speaker 1: the negative comments on an Uber driver that I was 519 00:33:53,960 --> 00:33:56,680 Speaker 1: about to get in the car with like really cool, 520 00:33:56,920 --> 00:34:00,960 Speaker 1: Like it looks cool. Unfortunately, he has been known to 521 00:34:01,080 --> 00:34:05,760 Speaker 1: travel through intersections in an unlawful or unpredictable manner. I'd 522 00:34:05,760 --> 00:34:09,200 Speaker 1: be like, that's a deal breaker. Lad. If I had 523 00:34:09,239 --> 00:34:12,280 Speaker 1: a note for Gary as a driver, I prefer more 524 00:34:12,320 --> 00:34:21,320 Speaker 1: predictability from him when in intersections. Yeah, I like through intersections, uh, 525 00:34:21,480 --> 00:34:24,279 Speaker 1: and more lawfulness, Like I like that he's cool and 526 00:34:24,400 --> 00:34:27,600 Speaker 1: kind of a bad boy, but I do, I do 527 00:34:27,640 --> 00:34:32,920 Speaker 1: appreciate lawfulness when it comes to the approach and transit 528 00:34:33,120 --> 00:34:37,279 Speaker 1: through an intersection. It's the tax fraud he's committing when 529 00:34:37,280 --> 00:34:39,640 Speaker 1: he's going through these intersections that I tried to be 530 00:34:39,960 --> 00:34:42,560 Speaker 1: so disconcerting. Yeah, I know the driving is fine, but 531 00:34:42,640 --> 00:34:49,799 Speaker 1: he's torrenting movies and that is, if I'm not mistaken, unlawful. 532 00:34:50,080 --> 00:34:54,360 Speaker 1: That's stealing money from the mouths of movie producers an artists, 533 00:34:54,800 --> 00:35:02,240 Speaker 1: probably metallic in some way. Goddamn, right, Jack, sound occurring 534 00:35:02,320 --> 00:35:06,359 Speaker 1: to me? That did just happen? Yeah, when you talk 535 00:35:06,360 --> 00:35:10,080 Speaker 1: about nationalizing their wealth, like nationalize these fucking companies that 536 00:35:10,160 --> 00:35:13,960 Speaker 1: nobody like, we cannot have things that are as complicated 537 00:35:14,040 --> 00:35:18,160 Speaker 1: as self driving cars be in the hands of billionaires 538 00:35:18,320 --> 00:35:22,760 Speaker 1: who already are telling you, like, we don't follow the rules. 539 00:35:22,840 --> 00:35:25,040 Speaker 1: There's a little bit of a bad boy when it 540 00:35:25,040 --> 00:35:28,680 Speaker 1: comes to how we operate around here, and we are 541 00:35:28,760 --> 00:35:33,440 Speaker 1: going to be programming your car to travel through intersections 542 00:35:33,520 --> 00:35:37,960 Speaker 1: in creative ways. It's it's just it's not gonna work. 543 00:35:38,200 --> 00:35:40,480 Speaker 1: Like I I really think the time has come for 544 00:35:40,600 --> 00:35:44,239 Speaker 1: a presidential candidate to be like, we gotta nationalize this ship. 545 00:35:44,320 --> 00:35:48,360 Speaker 1: We gotta nationalize the like Facebook, we gotta nationalized like 546 00:35:48,440 --> 00:35:51,239 Speaker 1: self driving cars, Like it's that's ever going to be 547 00:35:51,280 --> 00:35:55,040 Speaker 1: a thing. Like you need to work with the government, 548 00:35:55,200 --> 00:35:59,080 Speaker 1: not against it to try and like hide your ship. Yeah, 549 00:35:59,120 --> 00:36:02,520 Speaker 1: I mean, listen, I'm from a practical standpoint, Yeah, for sure, 550 00:36:02,640 --> 00:36:05,160 Speaker 1: But I also will vote for a president who's just 551 00:36:05,239 --> 00:36:08,799 Speaker 1: like out of spite, I am going to steal your money. 552 00:36:08,880 --> 00:36:14,080 Speaker 1: Elon Musk specifically, I'm ready for this. But yeah, I 553 00:36:14,120 --> 00:36:18,439 Speaker 1: think I think the popular sentiment is there for that. Yeah, 554 00:36:18,840 --> 00:36:22,200 Speaker 1: all right, it is now there. It is now, thank you. 555 00:36:22,520 --> 00:36:24,919 Speaker 1: Let's take another break and we'll talk about something else 556 00:36:24,960 --> 00:36:28,600 Speaker 1: that The public sentiment is here for the upcoming Tetris movie. 557 00:36:28,960 --> 00:36:44,160 Speaker 1: Hell yeah, and we're back. And the trailer for Tetris 558 00:36:44,200 --> 00:36:46,399 Speaker 1: just came out. I had heard that they were making 559 00:36:46,400 --> 00:36:50,719 Speaker 1: a Tetris movie. I could not fathom what that was 560 00:36:50,800 --> 00:36:54,920 Speaker 1: going to be. The w If I had to like 561 00:36:55,080 --> 00:36:58,640 Speaker 1: guess that someone was like pitching a Tetris movie, my 562 00:36:58,800 --> 00:37:04,440 Speaker 1: guess would be it's set in Russia and nineteen and 563 00:37:05,000 --> 00:37:08,399 Speaker 1: you know the obviously the fucking you know they're dealing with, 564 00:37:08,440 --> 00:37:10,520 Speaker 1: like the fall of Communism is about to have. They 565 00:37:10,520 --> 00:37:13,040 Speaker 1: know the Soviet Union is going to go down. But 566 00:37:13,120 --> 00:37:16,920 Speaker 1: then from the sky blocks slowly start coming down and 567 00:37:16,920 --> 00:37:20,680 Speaker 1: they're like first, yeah, at first, and then they're like, oh, 568 00:37:20,719 --> 00:37:25,160 Speaker 1: ship momentum, Yeah, we gotta find a perfect spot for 569 00:37:25,200 --> 00:37:30,400 Speaker 1: them blocks. Yeah, that's my and that's the cliffhanger. Yeah, 570 00:37:30,400 --> 00:37:34,000 Speaker 1: they find him. What was your favorite block in the 571 00:37:34,040 --> 00:37:37,799 Speaker 1: Tetris universe? Because there's flat there's flat Boy, who is 572 00:37:37,880 --> 00:37:41,760 Speaker 1: just a total fat well. Flat Boy was the most 573 00:37:41,800 --> 00:37:44,200 Speaker 1: badass one because you always set your ship up for 574 00:37:44,480 --> 00:37:47,719 Speaker 1: flat Boy exactly if you can just get that Flatboy 575 00:37:48,600 --> 00:37:51,600 Speaker 1: in that what a feeling that to me, that was 576 00:37:51,640 --> 00:37:56,040 Speaker 1: the first time I fucked. Yeah, the sexual like undertoe 577 00:37:56,160 --> 00:37:59,319 Speaker 1: was this conversation telling a lot to me about like 578 00:37:59,400 --> 00:38:01,560 Speaker 1: why I was so into Flatboy. Yeah, you put that 579 00:38:01,600 --> 00:38:05,240 Speaker 1: Flatboy like right in that crevice and you're yeah, yeah, 580 00:38:05,480 --> 00:38:10,359 Speaker 1: the whole thing goes all at once. Yeah yeah, And 581 00:38:10,400 --> 00:38:14,799 Speaker 1: that's like kind of how I've organized my life since then. 582 00:38:14,840 --> 00:38:16,760 Speaker 1: It's like just like build up a bunch of ships 583 00:38:16,800 --> 00:38:20,160 Speaker 1: and then like hope for a big payoff, it all 584 00:38:20,239 --> 00:38:25,160 Speaker 1: comes together at the last second, Oh no, the flatboy 585 00:38:25,200 --> 00:38:30,360 Speaker 1: didn't come. Just waiting for that flat, just piles and 586 00:38:30,480 --> 00:38:35,799 Speaker 1: piles of oh no, where's the flat by. My whole 587 00:38:35,840 --> 00:38:39,279 Speaker 1: professional career as well, has been put backing myself into 588 00:38:39,320 --> 00:38:42,680 Speaker 1: a corner and praying that something a one out of 589 00:38:42,719 --> 00:38:46,560 Speaker 1: a million chance would happen will happen, and so far 590 00:38:46,680 --> 00:38:50,800 Speaker 1: not so good. Flat boys many a washed up comedian 591 00:38:50,880 --> 00:38:53,120 Speaker 1: is sitting on a park bench that they live on 592 00:38:53,280 --> 00:38:56,120 Speaker 1: right now, go ahead, and I just never got a flatboy? 593 00:38:57,000 --> 00:39:02,560 Speaker 1: Did that flat? Someday my flat will come. So it 594 00:39:02,600 --> 00:39:06,080 Speaker 1: sounds like it has less in common with that pitch 595 00:39:07,200 --> 00:39:09,440 Speaker 1: you just made I feel like that. That was also 596 00:39:09,600 --> 00:39:13,680 Speaker 1: kind of what they went with for like battleship. I 597 00:39:13,719 --> 00:39:17,040 Speaker 1: think they were like, Okay, so we gotta do battleship. 598 00:39:17,320 --> 00:39:21,440 Speaker 1: Let's aliens come and you gotta like sink them by 599 00:39:21,560 --> 00:39:27,160 Speaker 1: guessing with the with our battleships. There's that also had 600 00:39:28,239 --> 00:39:32,280 Speaker 1: yeah swinging a mixed yeah. Some people liked it something. 601 00:39:33,760 --> 00:39:36,000 Speaker 1: So this is more. This is more in common with 602 00:39:36,239 --> 00:39:40,120 Speaker 1: Argo and the new Air Jordan movie, where it's like 603 00:39:40,640 --> 00:39:45,400 Speaker 1: international affles directing it. Well, Ben Affleck, it is is 604 00:39:45,440 --> 00:39:49,799 Speaker 1: directing the Air Jordan's Invention movie, and they wish Ben 605 00:39:49,800 --> 00:39:52,520 Speaker 1: Affleck was directing this because it does feel like they 606 00:39:52,520 --> 00:39:58,120 Speaker 1: were like what if Argo where the stakes were game Boy? Yeah, 607 00:39:59,000 --> 00:40:02,560 Speaker 1: instead of of freeing hostages the stakes where you get 608 00:40:02,560 --> 00:40:05,080 Speaker 1: to play Tetris on the game Boy. It's not about 609 00:40:05,120 --> 00:40:07,560 Speaker 1: the Russian inventor of the game so much as it 610 00:40:07,719 --> 00:40:11,480 Speaker 1: is about the Dutch video game designer who bought it 611 00:40:11,600 --> 00:40:15,200 Speaker 1: and introduced it to Western audiences. He has to like 612 00:40:15,280 --> 00:40:19,239 Speaker 1: travel behind the Iron Curtain in order to like get 613 00:40:19,440 --> 00:40:22,560 Speaker 1: so get the rights to the theme to their national anthem, 614 00:40:22,600 --> 00:40:25,880 Speaker 1: because isn't that their national anthem that's playing in the 615 00:40:26,040 --> 00:40:28,840 Speaker 1: in the then then and then and then and and 616 00:40:29,200 --> 00:40:33,040 Speaker 1: then and that then that that I thought that was. 617 00:40:34,400 --> 00:40:37,879 Speaker 1: I thought that was a Russian national anthem. You can 618 00:40:37,960 --> 00:40:41,200 Speaker 1: see that very easy, highly possible and starts speeding up 619 00:40:41,440 --> 00:40:49,279 Speaker 1: at which taught us to, you know, I just got 620 00:40:49,320 --> 00:40:53,400 Speaker 1: a gun to the audience past. You'll never get a 621 00:40:53,400 --> 00:40:58,560 Speaker 1: flat boy. Yeah, yeah, Actually the Russian version that there 622 00:40:58,640 --> 00:41:05,560 Speaker 1: is no flat boys. Yeah, they're all equally sized, ye all. Yeah, 623 00:41:05,640 --> 00:41:10,320 Speaker 1: but it's the story of like him basically licensing Tetris 624 00:41:10,560 --> 00:41:14,759 Speaker 1: seems to be the sound. Yeah. I like that. I 625 00:41:14,800 --> 00:41:20,319 Speaker 1: like contract law and it reminds me of this like 626 00:41:20,400 --> 00:41:25,359 Speaker 1: analysis that Malcolm Gladwell, my king, the only person who 627 00:41:25,400 --> 00:41:30,719 Speaker 1: I go to when it comes to intellectual discourse recommendation 628 00:41:30,760 --> 00:41:34,719 Speaker 1: on private jets to take. Yeah, he was on the 629 00:41:34,760 --> 00:41:37,920 Speaker 1: low lead express plight logs, but he did do he 630 00:41:38,040 --> 00:41:40,799 Speaker 1: did do a story about like he he likes to 631 00:41:40,880 --> 00:41:44,680 Speaker 1: read those CEO biographies and he's like, when you actually 632 00:41:44,920 --> 00:41:47,279 Speaker 1: look at how they tell the story, it's like this 633 00:41:47,440 --> 00:41:54,759 Speaker 1: heroic singular CEO's heroes journey through like the heart of 634 00:41:54,880 --> 00:41:57,880 Speaker 1: darkness to like everybody tells me can't do it, and 635 00:41:57,920 --> 00:42:01,520 Speaker 1: it's only his idea and like he you know, triumphs 636 00:42:01,600 --> 00:42:05,600 Speaker 1: over evil too, increased shareholder value or whatever the funk, 637 00:42:05,880 --> 00:42:08,160 Speaker 1: And like when you actually look at what they do, 638 00:42:08,600 --> 00:42:11,920 Speaker 1: it's just, you know, like a series of very mundane 639 00:42:12,239 --> 00:42:17,040 Speaker 1: and predatory decisions that they make. They find one thing 640 00:42:17,160 --> 00:42:20,440 Speaker 1: that they can exploit and then exploit it over and 641 00:42:20,600 --> 00:42:23,560 Speaker 1: over and over again until they're billionaires. It's just like 642 00:42:23,719 --> 00:42:30,120 Speaker 1: very wrote and mechanical and like uninteresting, but they find ways, 643 00:42:30,200 --> 00:42:32,920 Speaker 1: like there's a whole section of your local bookstore that 644 00:42:33,040 --> 00:42:37,360 Speaker 1: is these retcond stories that like turn the narrative of 645 00:42:37,400 --> 00:42:42,000 Speaker 1: how this person built unnatural, immoral amount of wealth, like 646 00:42:42,239 --> 00:42:45,319 Speaker 1: it turned it into like a hero's journey. And that's 647 00:42:45,320 --> 00:42:47,680 Speaker 1: what this sounds like. Like the guy did have to 648 00:42:48,440 --> 00:42:52,480 Speaker 1: go back like make friends with the inventor of Tetris 649 00:42:52,560 --> 00:42:57,200 Speaker 1: and you know, get get interrogated by some Soviet diplomats. 650 00:42:57,239 --> 00:42:59,000 Speaker 1: But in the end they were like, we kind of 651 00:42:59,000 --> 00:43:02,480 Speaker 1: like this guy, well, will let him have the have 652 00:43:02,640 --> 00:43:05,880 Speaker 1: the rights because that's how business worked, And they're turning 653 00:43:05,880 --> 00:43:10,080 Speaker 1: it into like this spy thriller where he like steals it. 654 00:43:10,440 --> 00:43:14,240 Speaker 1: You know, I imagine because there's sometimes there's a premise 655 00:43:14,320 --> 00:43:16,839 Speaker 1: so boring that you're like, well, if they're making it, 656 00:43:16,840 --> 00:43:19,839 Speaker 1: it's got to be good, right, you know what I mean, 657 00:43:19,840 --> 00:43:22,960 Speaker 1: because there's not the only thing that's holding it together 658 00:43:22,960 --> 00:43:25,959 Speaker 1: at this point is the i P of Tetris, which 659 00:43:26,280 --> 00:43:29,200 Speaker 1: they I mean, maybe we live in that world now 660 00:43:29,239 --> 00:43:32,560 Speaker 1: where that alone is enough to sell the movie, but 661 00:43:32,680 --> 00:43:38,759 Speaker 1: I can't imagine that it's not like really good, like 662 00:43:38,840 --> 00:43:40,759 Speaker 1: at least as a script, like it's like, oh no, 663 00:43:40,840 --> 00:43:44,960 Speaker 1: this is a fun thing because we're missing something. We're 664 00:43:45,000 --> 00:43:50,080 Speaker 1: missing because there's definitely something there. There's no way it 665 00:43:50,200 --> 00:43:56,319 Speaker 1: can't be that. It sounds it sounds so boring. Dog. 666 00:43:56,840 --> 00:44:00,000 Speaker 1: I mean I would say that about like movies, where 667 00:44:00,000 --> 00:44:05,680 Speaker 1: are the thing is getting made with no I p attached? 668 00:44:05,960 --> 00:44:09,120 Speaker 1: But like this, I feel like probably like there's been 669 00:44:09,200 --> 00:44:11,320 Speaker 1: rumors of a Tetris movie for a number of years, 670 00:44:11,320 --> 00:44:14,800 Speaker 1: and like I I feel like the assignment came before 671 00:44:14,840 --> 00:44:19,080 Speaker 1: the before this premise, like they were like all Tetris 672 00:44:19,239 --> 00:44:23,160 Speaker 1: is a thing that everybody cared about. That Like, I've 673 00:44:23,200 --> 00:44:26,239 Speaker 1: never been so aware that my brain was being rewired 674 00:44:26,280 --> 00:44:28,120 Speaker 1: as I was, Like, I don't know what it did 675 00:44:28,160 --> 00:44:30,640 Speaker 1: to it, but like when I would play Tetris on 676 00:44:30,680 --> 00:44:33,240 Speaker 1: the game Boy and then like close my eyes hours 677 00:44:33,360 --> 00:44:37,000 Speaker 1: later and I would see tetrists and I would play 678 00:44:37,040 --> 00:44:39,360 Speaker 1: Tetris in my head and I'd be like, this can't 679 00:44:39,360 --> 00:44:43,880 Speaker 1: be healthy. I have other thoughts, hungry, Yeah, like the 680 00:44:44,880 --> 00:44:47,880 Speaker 1: it's that being on a boat and skiing are the 681 00:44:47,920 --> 00:44:51,520 Speaker 1: only things that have ever like rewired things so much 682 00:44:51,600 --> 00:44:55,360 Speaker 1: that like I closed my eyes and I can't undo 683 00:44:55,440 --> 00:45:00,480 Speaker 1: whatever that did to my brain. Yeah, No, it's but 684 00:45:00,480 --> 00:45:03,160 Speaker 1: but the thing is is they're definitely taking multiple pitches. 685 00:45:03,400 --> 00:45:05,480 Speaker 1: You know, they're taking a lot of pitches with this, 686 00:45:05,640 --> 00:45:10,239 Speaker 1: like Catchers I p and so I imagine for them 687 00:45:10,280 --> 00:45:13,200 Speaker 1: to choose the most boring sounding one that they're like, 688 00:45:13,520 --> 00:45:17,359 Speaker 1: oh no, this is this is there's something there. Yeah. Yeah. 689 00:45:17,440 --> 00:45:19,880 Speaker 1: It feels like they're doing a clean sweep through my 690 00:45:19,960 --> 00:45:22,399 Speaker 1: child like Mario is coming out in a like six 691 00:45:22,480 --> 00:45:25,359 Speaker 1: months then Tetris. It's just like a clean sweep through 692 00:45:25,480 --> 00:45:29,160 Speaker 1: like the things that I cared about at age seven 693 00:45:29,239 --> 00:45:35,120 Speaker 1: to eight. You know, yeah, they're just coming through weird. 694 00:45:35,120 --> 00:45:37,640 Speaker 1: Al Yankovic just had a movie that was that was 695 00:45:37,680 --> 00:45:39,920 Speaker 1: big for me at that period. What actor is going 696 00:45:39,960 --> 00:45:44,960 Speaker 1: to play crash bandicoot? Do you think that's the use? 697 00:45:45,120 --> 00:45:48,759 Speaker 1: Is he going to take that too? Sorry? What were 698 00:45:48,760 --> 00:45:51,000 Speaker 1: you gonna say play? I don't I don't remember, but 699 00:45:51,040 --> 00:45:53,239 Speaker 1: I think it was, Oh no, I do. So. I 700 00:45:53,280 --> 00:45:56,320 Speaker 1: believe there was like maybe as a someone who wants 701 00:45:56,320 --> 00:46:00,200 Speaker 1: to come off as intelligent and fails almost uniladder really, 702 00:46:00,360 --> 00:46:02,800 Speaker 1: but I remember there was one movie I don't remember 703 00:46:02,800 --> 00:46:05,240 Speaker 1: the name of it, but it sounded so fucking boring 704 00:46:05,360 --> 00:46:08,520 Speaker 1: and it won all these awards, all every smart person 705 00:46:08,640 --> 00:46:11,359 Speaker 1: was like, this is a genius movie. And ever since then, 706 00:46:11,400 --> 00:46:13,640 Speaker 1: I'm like, I'm not going to be tricked again. If 707 00:46:13,640 --> 00:46:16,400 Speaker 1: a movie sounds boring, it must be to what Matt 708 00:46:16,400 --> 00:46:19,080 Speaker 1: was saying, it must be a brilliant film. So I 709 00:46:19,120 --> 00:46:22,080 Speaker 1: will not go out on a on a limb and 710 00:46:22,120 --> 00:46:24,839 Speaker 1: say this will be bad because I can't be fooled again. 711 00:46:24,960 --> 00:46:28,279 Speaker 1: I won't be publicly fooled about this. But it's gonna suck. Well, 712 00:46:28,320 --> 00:46:31,239 Speaker 1: what's the movie you're referring to? Specifically? You know what 713 00:46:31,280 --> 00:46:34,200 Speaker 1: would be make great podcasting is if I remember the 714 00:46:34,280 --> 00:46:37,839 Speaker 1: name of it. But unfortunately, remember don't you don't even 715 00:46:37,880 --> 00:46:41,560 Speaker 1: remember what happened? Didn't you just remember the sensation of 716 00:46:41,600 --> 00:46:45,200 Speaker 1: being like, that's gonna be boring as ship? Was it 717 00:46:45,320 --> 00:46:48,399 Speaker 1: the Constant Gardener? Because we've talked about this, We're talking 718 00:46:48,440 --> 00:46:50,920 Speaker 1: about the constant Gardener sounds boring as ship? But it's 719 00:46:50,960 --> 00:46:53,959 Speaker 1: not at all about constantly gardening. Yeah, it's not about 720 00:46:54,000 --> 00:46:56,560 Speaker 1: somebody who just is really under gardening. No, it's it's 721 00:46:56,560 --> 00:46:59,799 Speaker 1: about like, uh, what the funk was that about? There's 722 00:46:59,840 --> 00:47:05,560 Speaker 1: like pharmacy and stuff. Yeah, pharmacy intrigues happening in Africa? 723 00:47:05,920 --> 00:47:08,160 Speaker 1: Is it's in Africa somewhere, and there's this song that's 724 00:47:08,200 --> 00:47:16,680 Speaker 1: like yeah, yeah, yeah, yeah, yeah yeah, oh yeah yeah. 725 00:47:16,840 --> 00:47:20,080 Speaker 1: I knew we were gonna end up end up with 726 00:47:20,120 --> 00:47:29,040 Speaker 1: this story sing sing this song from So I'm gonna 727 00:47:29,120 --> 00:47:31,200 Speaker 1: keep talking, but I want you to do that under 728 00:47:31,239 --> 00:47:33,440 Speaker 1: me talking. I think that's gonna like give howd of 729 00:47:33,440 --> 00:47:40,520 Speaker 1: a fun Like it's a big spiritualist vibe. Oh yeah yeah. 730 00:47:40,680 --> 00:47:43,960 Speaker 1: I think the thing that I object to is, sorry, 731 00:47:44,239 --> 00:47:47,480 Speaker 1: the hero of this story is not like a person. 732 00:47:47,840 --> 00:47:53,160 Speaker 1: It is just a lawyer, story of capitalism as it happened, 733 00:47:53,560 --> 00:47:56,200 Speaker 1: Like I don't know, it's a it's a bummer. Like 734 00:47:56,239 --> 00:47:59,919 Speaker 1: it makes sense because we are in a country where 735 00:47:59,920 --> 00:48:03,760 Speaker 1: the mainstream media treats the destruction of a seven eleven 736 00:48:03,920 --> 00:48:08,120 Speaker 1: front window as more serious than the like violence done 737 00:48:08,160 --> 00:48:10,839 Speaker 1: to black bodies. So like it makes sense to me 738 00:48:10,920 --> 00:48:15,200 Speaker 1: that this is just like where they think our values are. 739 00:48:15,320 --> 00:48:19,000 Speaker 1: And maybe they're right, but it's just I don't know. 740 00:48:19,200 --> 00:48:23,560 Speaker 1: Human stories used to be bigger than like a story 741 00:48:23,600 --> 00:48:27,319 Speaker 1: of how Tetris got licensed. And yet you know, if 742 00:48:27,560 --> 00:48:29,759 Speaker 1: if somebody told me that this end this ends up 743 00:48:29,800 --> 00:48:32,960 Speaker 1: being really good, I wouldn't be shocked. I guess, yeah, 744 00:48:33,000 --> 00:48:36,680 Speaker 1: I mean here's the thing. Brands. That's all we got now, 745 00:48:36,880 --> 00:48:40,760 Speaker 1: dog thank you, like thank you, wake up and smell 746 00:48:40,880 --> 00:48:47,200 Speaker 1: the Folgers coffee specifically or blue bottle. Yeah, you know, 747 00:48:47,320 --> 00:48:52,760 Speaker 1: because the brands there are there are there are Bottle, Liberal, 748 00:48:52,760 --> 00:48:57,959 Speaker 1: Blue Bottle. You know, like the brands are are They 749 00:48:58,080 --> 00:49:03,919 Speaker 1: are our overlords, they are our bosses, they are fires 750 00:49:04,000 --> 00:49:10,160 Speaker 1: because I drink black Rifle coffee to rother but exactly 751 00:49:10,280 --> 00:49:12,880 Speaker 1: to let people I know I finished sentences, or I 752 00:49:12,920 --> 00:49:15,760 Speaker 1: respond to people finishing sentences by saying fuck yeah brother, 753 00:49:16,360 --> 00:49:20,640 Speaker 1: yeah exactly. I mean, you know, it's a way, it's 754 00:49:20,680 --> 00:49:24,000 Speaker 1: your lifestyle, it's everything is brands here, so you know 755 00:49:24,239 --> 00:49:27,440 Speaker 1: you gotta get with it. Start, you know, brand brand. 756 00:49:27,640 --> 00:49:31,560 Speaker 1: You gotta get good brand brain. Brandin. I got brand brain, 757 00:49:31,680 --> 00:49:37,200 Speaker 1: and I'm cool with brands now. That's right. Another brand story. 758 00:49:37,360 --> 00:49:40,600 Speaker 1: It feels like it's working from the same currency of 759 00:49:40,680 --> 00:49:44,279 Speaker 1: like what if people do things to brand? And by 760 00:49:44,280 --> 00:49:46,239 Speaker 1: the way, we are recording this on Friday, so if 761 00:49:46,360 --> 00:49:52,280 Speaker 1: important news has happened over the weekend, doesn't matter. Another 762 00:49:52,360 --> 00:49:56,600 Speaker 1: spy balloon. Okay, yeah. I also just realized we're off 763 00:49:56,640 --> 00:50:01,439 Speaker 1: on Monday, so man, yeah, sorry if yeah, if we've 764 00:50:01,480 --> 00:50:04,680 Speaker 1: missed a bunch, but we're talking about this. It's going 765 00:50:04,719 --> 00:50:11,399 Speaker 1: to be work anymore. He wants to work, and that 766 00:50:11,560 --> 00:50:15,160 Speaker 1: is what we're talking about. Nobody wants to work anymore anymore. 767 00:50:15,400 --> 00:50:19,839 Speaker 1: Thank you, Blake. There's also the Winnie the Pooh horror 768 00:50:19,920 --> 00:50:23,640 Speaker 1: movie that we talked about. It was basically Winnie the 769 00:50:23,640 --> 00:50:28,719 Speaker 1: Pooh's copyright lapsed after a hundred years after the first published, 770 00:50:29,080 --> 00:50:32,040 Speaker 1: so they can so anyone. It's up for grabs, it is, 771 00:50:32,120 --> 00:50:36,320 Speaker 1: but it's only the first book, which only included Piglet 772 00:50:36,520 --> 00:50:40,399 Speaker 1: and Winnie the Pooh and tigg No Tigger, It's it's 773 00:50:40,400 --> 00:50:46,640 Speaker 1: Signfeld without Cramer. So yes, okay, Tigger was Cramer's. It's 774 00:50:46,680 --> 00:50:50,200 Speaker 1: air tight. Yeah, no red shirt because that was actually 775 00:50:50,200 --> 00:50:56,880 Speaker 1: a Disney addition to the soho was just butt naked shirt? Yeah, 776 00:50:57,000 --> 00:51:00,560 Speaker 1: I mean could be. But so Basically, a UK filmmaker 777 00:51:01,000 --> 00:51:05,840 Speaker 1: who until recently worked for an electricity supplier full time 778 00:51:05,880 --> 00:51:09,160 Speaker 1: while making micro budget horror films on the side, happened 779 00:51:09,239 --> 00:51:12,640 Speaker 1: upon this idea and realized that the Winnie the Pooh 780 00:51:13,000 --> 00:51:15,680 Speaker 1: copyright was gonna lapse. Made this movie. It's called Winny 781 00:51:15,680 --> 00:51:18,560 Speaker 1: of the Pooh, Blood and Honey it is. I'm okay, 782 00:51:18,600 --> 00:51:24,280 Speaker 1: with this actually apparently it's very bad. Apparently not good. Well, 783 00:51:24,320 --> 00:51:28,960 Speaker 1: I mean people are saying it's amateurish, sloppy and quote 784 00:51:29,080 --> 00:51:37,600 Speaker 1: embarrassingly bad. But this is who's saying that critic. But 785 00:51:37,840 --> 00:51:40,440 Speaker 1: it depends which ones because at this point, like I 786 00:51:40,440 --> 00:51:43,120 Speaker 1: wouldn't be surprised if all the like the ones that 787 00:51:43,160 --> 00:51:45,799 Speaker 1: are like Marvel, the ones who are bought out basically 788 00:51:46,360 --> 00:51:49,520 Speaker 1: are just like Disney told us to say it was bad, 789 00:51:50,320 --> 00:51:53,640 Speaker 1: right yeah, yeah. The same filmmakers are also working on 790 00:51:53,719 --> 00:51:57,040 Speaker 1: horror takes on Bambi and Peter Pan. So it feels 791 00:51:57,120 --> 00:51:59,680 Speaker 1: like this is the opposite side of the coin of 792 00:51:59,719 --> 00:52:04,680 Speaker 1: like Hero's Journey, where the hero is the acquisition of 793 00:52:05,000 --> 00:52:08,279 Speaker 1: the rights to distribute Tetris on Game Boy. This is 794 00:52:08,320 --> 00:52:11,319 Speaker 1: the opposite where it's like the ultimate violence that you 795 00:52:11,360 --> 00:52:16,200 Speaker 1: can do in our like cultural mindscape is to make 796 00:52:16,239 --> 00:52:21,560 Speaker 1: Winnie the Pooh a real edge lord sick fuck you know, 797 00:52:22,160 --> 00:52:26,560 Speaker 1: like this is the ultimate meaning yeah, the ship. Yeah, 798 00:52:26,600 --> 00:52:32,480 Speaker 1: we're not saying. I feel like this is a bummer because, 799 00:52:32,800 --> 00:52:35,440 Speaker 1: like I think there could have been an interesting horror 800 00:52:35,440 --> 00:52:38,319 Speaker 1: movie based on the fact that, first of all, each 801 00:52:38,400 --> 00:52:42,719 Speaker 1: character in the Winnie the Pooh universe definitely represents a 802 00:52:42,760 --> 00:52:48,919 Speaker 1: different like mental imbalance, Like, so there's something interesting there. 803 00:52:49,280 --> 00:52:56,279 Speaker 1: There's also like the gluttons seems high. You r Is 804 00:52:56,440 --> 00:53:04,080 Speaker 1: suffers from depression. Piglet definitely suffers from like anxiety, like anxiety, yeah, 805 00:53:04,400 --> 00:53:08,200 Speaker 1: or you know, he's like just manic. Oh yeah, that's true, 806 00:53:09,640 --> 00:53:13,360 Speaker 1: so Cramer. But and then there's also like the idea, 807 00:53:13,560 --> 00:53:16,400 Speaker 1: So I guess the premise of this is that Christopher 808 00:53:16,520 --> 00:53:20,680 Speaker 1: Robin returns to the hundred Acre, would like as an 809 00:53:20,680 --> 00:53:26,000 Speaker 1: adult and like Poo and Piglet have gone feral and 810 00:53:26,160 --> 00:53:30,200 Speaker 1: like murdered all the other characters, and like this idea 811 00:53:30,239 --> 00:53:34,719 Speaker 1: of like children's imaginary imaginary friends, and like the imagination 812 00:53:34,760 --> 00:53:38,279 Speaker 1: of children like that, like being abandoned like that that 813 00:53:38,560 --> 00:53:41,800 Speaker 1: is examined to great effect in like Inside Out and 814 00:53:41,880 --> 00:53:44,880 Speaker 1: Toy Story three or four, like the toys being abandoned 815 00:53:44,960 --> 00:53:48,960 Speaker 1: but never dying and just like existing perpetually at the 816 00:53:48,960 --> 00:53:53,800 Speaker 1: bottom of like a landfill, just stuck in place. Is 817 00:53:54,520 --> 00:53:57,759 Speaker 1: like dark and interesting and has been handled well. But 818 00:53:57,840 --> 00:53:59,960 Speaker 1: this feels like they just like turned it into an 819 00:54:00,080 --> 00:54:05,120 Speaker 1: exploitation film. It's like a few degrees away from just 820 00:54:05,239 --> 00:54:08,360 Speaker 1: doing parody porn, which I'm think is fine. You know 821 00:54:08,480 --> 00:54:11,200 Speaker 1: if you're gonna if you never said anything else, Yeah, yeah, 822 00:54:11,560 --> 00:54:14,600 Speaker 1: there's nothing wrong. I'm I'm great friends with people who 823 00:54:14,640 --> 00:54:16,960 Speaker 1: make the best parody porn over at Wood Rocket. They 824 00:54:17,040 --> 00:54:20,239 Speaker 1: do great. They did the Simpsons Born, they did what 825 00:54:20,360 --> 00:54:22,719 Speaker 1: do they do? Rugrats, which is a strange choice, but 826 00:54:23,120 --> 00:54:25,360 Speaker 1: it wasn't they weren't hard to do. Yeah, hard to do, 827 00:54:25,560 --> 00:54:28,440 Speaker 1: but I thought wire act. But it's a brave choice. 828 00:54:28,840 --> 00:54:31,960 Speaker 1: So but you know, so like making the you know, 829 00:54:32,239 --> 00:54:36,240 Speaker 1: lapsed i P you know, horror film of child things 830 00:54:36,320 --> 00:54:41,120 Speaker 1: seems like, okay, have you considered making a sketch? Right? 831 00:54:41,800 --> 00:54:45,680 Speaker 1: Try that? Do start with a sketch? See? How too 832 00:54:45,760 --> 00:54:49,399 Speaker 1: long does this have to be? Yeah? You do get 833 00:54:49,440 --> 00:54:53,120 Speaker 1: the sense that they were asking that as they set 834 00:54:53,200 --> 00:54:55,400 Speaker 1: out to make this movie, like how long does it 835 00:54:55,600 --> 00:54:59,279 Speaker 1: like for a feature? How long? How long we talking here? Yeah? 836 00:55:00,600 --> 00:55:06,000 Speaker 1: Ten minutes? To get a distribution it starts. So I'm 837 00:55:06,000 --> 00:55:08,000 Speaker 1: gonna start with a number, and you tell me if 838 00:55:08,040 --> 00:55:14,040 Speaker 1: it's higher six? Seven, Yeah, well surely it can't be 839 00:55:14,320 --> 00:55:23,440 Speaker 1: nine christ kill Oh no, well, Blake Wexler as always 840 00:55:23,440 --> 00:55:26,080 Speaker 1: a true pleasure having you on the daily's like geist, 841 00:55:26,360 --> 00:55:30,000 Speaker 1: where can people find you? Follow you? All that good stuff? 842 00:55:30,600 --> 00:55:33,160 Speaker 1: The pleasure is online and this was so fun with 843 00:55:33,400 --> 00:55:36,479 Speaker 1: you Jack and Matt. People can find me at Blake 844 00:55:36,520 --> 00:55:40,600 Speaker 1: Wexler on social media if you're in Cincinnati, Ohio or 845 00:55:40,640 --> 00:55:42,560 Speaker 1: you want to make a nice little trip there. This 846 00:55:42,719 --> 00:55:46,080 Speaker 1: week I am filming my stand up comedy special at 847 00:55:46,160 --> 00:55:50,359 Speaker 1: Go Banana's Comedy Club, doing six shows February to the six. 848 00:55:51,080 --> 00:55:53,520 Speaker 1: I host a podcast called Blake's Takes for God's Sakes, 849 00:55:54,040 --> 00:55:56,239 Speaker 1: and I think that's that's plenty. So if you know 850 00:55:56,320 --> 00:55:59,279 Speaker 1: anyone in the Cincinnati area, please please send him to 851 00:55:59,360 --> 00:56:05,439 Speaker 1: those goddamn yeah, yeah, send them them. Is their work 852 00:56:05,560 --> 00:56:08,320 Speaker 1: of media that you've been enjoying there is. It's on 853 00:56:09,120 --> 00:56:12,960 Speaker 1: social media platform that we were discussing earlier, Twitter and 854 00:56:13,840 --> 00:56:17,720 Speaker 1: from Twitter dot com right, and this is from comedian 855 00:56:17,800 --> 00:56:20,640 Speaker 1: Tony Sam And it was a picture of Burton Ernie 856 00:56:20,960 --> 00:56:23,560 Speaker 1: and it said I've never cared if Burton Ernie were 857 00:56:23,600 --> 00:56:26,960 Speaker 1: gay or not. I just have always felt that Ernie 858 00:56:27,040 --> 00:56:31,960 Speaker 1: deserves better. Was it enjoyed? So it's true. Yeah, we'll 859 00:56:31,960 --> 00:56:33,799 Speaker 1: see what happens when the I p on Sesame straight 860 00:56:33,840 --> 00:56:37,040 Speaker 1: runs out, but that that for now is a tweet 861 00:56:37,080 --> 00:56:40,759 Speaker 1: that I enjoyed. Matt leave pleasure having you. Where can 862 00:56:40,800 --> 00:56:42,680 Speaker 1: people find you? And is there a work of media 863 00:56:42,719 --> 00:56:46,279 Speaker 1: you've been enjoying. Yes, you can find me on my 864 00:56:46,840 --> 00:56:50,560 Speaker 1: podcast where I rewatch popular TV shows from the early 865 00:56:50,640 --> 00:56:53,920 Speaker 1: two thousand's Spot Yourself a Gun. We started with Sopranos, 866 00:56:53,960 --> 00:56:56,359 Speaker 1: we finished it, now we're doing the wire. I would 867 00:56:56,400 --> 00:57:00,359 Speaker 1: love for you guys all to check that out. And yeah, 868 00:57:00,960 --> 00:57:04,960 Speaker 1: at Matt leave jokes on Instagram follow me there. You 869 00:57:05,000 --> 00:57:08,560 Speaker 1: can find me at the local CVS with a gun 870 00:57:08,680 --> 00:57:10,640 Speaker 1: holding up the place asking him to give me the 871 00:57:10,719 --> 00:57:15,600 Speaker 1: A D h D medication. So you can find me 872 00:57:15,680 --> 00:57:22,800 Speaker 1: on the news. When I eventually do this, I'm gonna 873 00:57:22,920 --> 00:57:26,720 Speaker 1: kill somebody and thank you for having me. In terms 874 00:57:26,800 --> 00:57:31,000 Speaker 1: of tweets that I like, just recently comedian and TV 875 00:57:31,120 --> 00:57:35,520 Speaker 1: writer Monique Moreau, who is She's autistic and she she 876 00:57:35,640 --> 00:57:39,520 Speaker 1: wrote for Thomas the Tank Engine for a while. She wrote, 877 00:57:40,000 --> 00:57:42,960 Speaker 1: put autistic people in charge of the trains for the 878 00:57:43,080 --> 00:57:50,360 Speaker 1: love of God. Was perfect joke. It's just you know 879 00:57:50,640 --> 00:57:52,960 Speaker 1: she because she's autistic and she loves trains. So when 880 00:57:53,000 --> 00:57:55,320 Speaker 1: she got the Thomas the Tank Engine job, I was like, 881 00:57:55,400 --> 00:57:59,840 Speaker 1: this is so perfect. And uh, she's a hilarious comedian 882 00:58:00,040 --> 00:58:03,320 Speaker 1: And check her out at Monique Morrow. Yeah yeah, oh 883 00:58:03,400 --> 00:58:07,880 Speaker 1: sorry at Big Bad but that's her, that's he, that's he, 884 00:58:09,200 --> 00:58:13,840 Speaker 1: that's not the handle, it's big yeah he at Big 885 00:58:13,960 --> 00:58:20,120 Speaker 1: Bad Butt tweet. I enjoyed dinghis Khan at mild Cuthbert tweeted, 886 00:58:20,680 --> 00:58:23,880 Speaker 1: Hey man, my late wife really hated your anecdotes. She 887 00:58:24,040 --> 00:58:28,000 Speaker 1: called them blurry facts, similes of human experience, cheap postcard 888 00:58:28,080 --> 00:58:31,360 Speaker 1: reproductions of a life lift poorly. She often said, the 889 00:58:31,520 --> 00:58:34,800 Speaker 1: endings of your stories landed like dead pigeons falling from 890 00:58:34,840 --> 00:58:37,840 Speaker 1: the sky. She said she wouldn't miss them. I don't 891 00:58:37,840 --> 00:58:40,960 Speaker 1: know why, but that really good? Did it? That's great? 892 00:58:41,280 --> 00:58:45,440 Speaker 1: So you can find me on Twitter dot com liking 893 00:58:45,560 --> 00:58:49,520 Speaker 1: things like that at Jack Underscore O'Brien. You can find 894 00:58:49,720 --> 00:58:53,000 Speaker 1: us on Twitter at Daily Zeitgeist where at the Daily Zeitgeist. 895 00:58:53,120 --> 00:58:57,120 Speaker 1: On Instagram, we have a Facebook vantage and a website, 896 00:58:57,800 --> 00:59:01,240 Speaker 1: uh where we link off to Oh man, that really 897 00:59:01,280 --> 00:59:06,840 Speaker 1: fucked me up, Blake, I do it every time? What 898 00:59:07,120 --> 00:59:10,120 Speaker 1: is it? You can follow us onto it anyways. There's 899 00:59:10,160 --> 00:59:14,400 Speaker 1: also footnotes were like the information that we uh talked 900 00:59:14,440 --> 00:59:17,120 Speaker 1: about in today's episode, as well as a song that 901 00:59:17,640 --> 00:59:22,320 Speaker 1: we think you might enjoy and super producer Justin Is 902 00:59:22,360 --> 00:59:27,840 Speaker 1: there a song that you think people way to enjoy it? Yeah? 903 00:59:28,400 --> 00:59:32,400 Speaker 1: Is it called Buro Byo Bogata? It is not fun 904 00:59:34,240 --> 00:59:37,000 Speaker 1: have been amazing if you guess, that would have been awesome, 905 00:59:37,120 --> 00:59:42,040 Speaker 1: but no, I were highlighting black artists this month. Is okay? Well, ship, 906 00:59:42,160 --> 00:59:48,920 Speaker 1: I don't know, we just die? Is it because I 907 00:59:49,520 --> 00:59:52,520 Speaker 1: sang the song? Yeah, you're sang the song and I don't. 908 00:59:52,560 --> 00:59:54,919 Speaker 1: I'm not familiar with it, but you know, so what's 909 00:59:54,920 --> 00:59:58,440 Speaker 1: an African song? Okay? I'm sorry I wasn't paying attention. 910 01:00:00,440 --> 01:00:04,360 Speaker 1: Justin is not a fan throwing me off. Jesus Christ. 911 01:00:04,400 --> 01:00:07,080 Speaker 1: That whole fa prepared. I mean, you heard Blake with 912 01:00:07,240 --> 01:00:09,800 Speaker 1: the Instagram thing that came in and I don't. I 913 01:00:09,880 --> 01:00:11,720 Speaker 1: don't even know where I am any and I'm on 914 01:00:11,840 --> 01:00:16,920 Speaker 1: mad um. This is This is a track called Entropy 915 01:00:17,080 --> 01:00:19,640 Speaker 1: by a super Boy. This is an artist from my 916 01:00:19,800 --> 01:00:24,640 Speaker 1: home of Chicago. It features Jonia and Moroccan American singer 917 01:00:24,680 --> 01:00:26,760 Speaker 1: from Queen's Uh And if you're in the mood to 918 01:00:27,000 --> 01:00:29,760 Speaker 1: ease your way into your morning or wind down your evening, 919 01:00:30,120 --> 01:00:32,600 Speaker 1: do yourself a favor and turn on this song. It 920 01:00:32,680 --> 01:00:36,600 Speaker 1: has amazing key work in it, some amazing unique vocal performances. 921 01:00:36,640 --> 01:00:38,920 Speaker 1: I'm a fan of when like singers kind of steal 922 01:00:39,080 --> 01:00:41,200 Speaker 1: the vibe of like rappers and kind of ride to 923 01:00:41,240 --> 01:00:43,800 Speaker 1: beat like a rapper. It's it's a really good track. 924 01:00:43,880 --> 01:00:46,680 Speaker 1: So you can find this song Entropy by super Boy 925 01:00:46,960 --> 01:00:51,680 Speaker 1: and Donia in the footnotes. All right, well, the Daily 926 01:00:51,760 --> 01:00:53,560 Speaker 1: Zaka as a protection of our Heart Radio for more 927 01:00:53,600 --> 01:00:56,840 Speaker 1: podcast from my Heart Radio as the heart Radio Appapple podcast, 928 01:00:56,960 --> 01:00:59,959 Speaker 1: or wherever you're listening to your favorite chose that's gonna 929 01:01:00,000 --> 01:01:02,840 Speaker 1: do it for us this morning, back this afternoon to 930 01:01:02,920 --> 01:01:05,400 Speaker 1: tell you what is trending, and we will talk to 931 01:01:05,720 --> 01:01:11,560 Speaker 1: y'all then fight right m hm hm