WEBVTT - Pluribus | Episode 5: "Got Milk"

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<v Speaker 1>Warning. Today's episode contained spoilers for the fifth episode of Plurals,

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<v Speaker 1>Got Milk on Apple TV Plus. Hello Manny In, Jason

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<v Speaker 1>Steps and I'm Rosie Night and welcome back to xt

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<v Speaker 1>revision of the podcast weedow Deep into your favorite shows, movies,

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<v Speaker 1>comics and pop culture. Coming you from My Heart Podcast.

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<v Speaker 1>We're we're bringing you three episodes a week, bust news.

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<v Speaker 2>In today's episode, it is Pluribus one oh five Got Milk.

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<v Speaker 3>We're gonna be digging into it with a recap.

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<v Speaker 2>We're gonna be asking some big questions heading into the

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<v Speaker 2>rest of the season.

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<v Speaker 3>And before we jump in, guys, a quick production note.

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<v Speaker 2>The holiday season is here, so we will be sharing

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<v Speaker 2>some short to stocking stuff for episodes with you.

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<v Speaker 3>They will include gift guides. They will include.

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<v Speaker 2>Extra thoughts on holiday things and TV and movies that

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<v Speaker 2>maybe we would not be able to cover with everything

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<v Speaker 2>coming out in the next few months. So we had

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<v Speaker 2>our first few episodes last week and keep an eye

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<v Speaker 2>out for more throughout December.

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<v Speaker 1>But first, let's seven Plurals. Wow. Great episode. We open

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<v Speaker 1>in the hospital where Carol is hanging out waiting to

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<v Speaker 1>see how thoshit is. After Usha's interrogation induced heart attack.

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<v Speaker 1>Carol is, you know, just kind of waiting, squeezing her

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<v Speaker 1>stress stuck. We see a man drinking a carton of milk,

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<v Speaker 1>one of the little school cartons. Then the phone rings.

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<v Speaker 1>Carol picks it up at the front desk. It is Lakshmi,

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<v Speaker 1>and Lakshmi's pissed. She's like, you made my son cry?

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<v Speaker 1>What the fuck are you doing? And she's like, never

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<v Speaker 1>did it again, goodbye, hangs up. She's very angry. At

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<v Speaker 1>this point, you start to notice that all the Hive

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<v Speaker 1>Mind people seem kind of mad at Carol, like they're

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<v Speaker 1>very unhappy with her. They're giving her a there's definitely

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<v Speaker 1>a vibe. Yes, Harol like grabs one of the Hive

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<v Speaker 1>Mind people and like, don't let me call me again.

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<v Speaker 1>The guy's like whatever, Like definitely is like okay, But

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<v Speaker 1>then maybe there's an attitude one of them. When Carol asks, says,

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<v Speaker 1>so she's gonna be fine, but like in a really

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<v Speaker 1>annoyed right way. And then Carol lays down for a nap.

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<v Speaker 2>This is not the Hive Mind to her, only there

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<v Speaker 2>to please Carol anymore us.

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<v Speaker 3>And then we see like them just streaming.

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<v Speaker 2>Away from the hospital appears as if they are like

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<v Speaker 2>fleeing Carol, maybe fleeing the potential of a nightmare.

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<v Speaker 3>I was wondering, like, if she's angry and high dream

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<v Speaker 3>would that do something? I don't know.

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<v Speaker 2>I'm very interested in that they board like coaches basically

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<v Speaker 2>to leave and time passes.

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<v Speaker 3>And I'm sure in the script it.

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<v Speaker 2>Said beat Carol wakes alone, and she does, and where

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<v Speaker 2>is Zosha?

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<v Speaker 3>That's the biggest question. I think.

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<v Speaker 2>I'm really scared at this point by the scope of

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<v Speaker 2>how quickly they can arrange and organize stuff, whether it's

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<v Speaker 2>rebuilding a sprouts or emptying a hospital. Carol tries to

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<v Speaker 2>make a call, but she is no longer priority number one,

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<v Speaker 2>and they do not pick up. There's only a message saying,

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<v Speaker 2>tell us what you need, Carol, We'll do our best

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<v Speaker 2>to provide it. The hide mine needs a little space

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<v Speaker 2>from her, and she climbs to a rooftop and sees

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<v Speaker 2>the entire population fleeing and says, good riddance. What a

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<v Speaker 2>way to wake up. Imagine pissing off the entire world?

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<v Speaker 1>What a way. She goes home and she begins drafting

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<v Speaker 1>a script. Uh she and it gets made up for her,

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<v Speaker 1>you know, with her video camera setup that's still in

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<v Speaker 1>the living room. She puts a new and stick card

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<v Speaker 1>in the camera and then she, reading off her notes,

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<v Speaker 1>goes straight to camera and addressing her twelve other fellow survivors,

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<v Speaker 1>basically pitching like this greater mission to cure humanity. He

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<v Speaker 1>lays out how she knows everything that she knows about

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<v Speaker 1>about the Hive Mind people they can't lie that they

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<v Speaker 1>want to please them, but that there is a cure,

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<v Speaker 1>and that they basically confirmed to her by process of

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<v Speaker 1>elimination that there is a cure, and that it was

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<v Speaker 1>in pursuing this information that she and accidentally got everybody

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<v Speaker 1>to burst out into tears all around the world, and

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<v Speaker 1>she's like, sorry about that. He then calls the Hive Mind,

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<v Speaker 1>leaving a message and says, hey, I want this videotape

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<v Speaker 1>distributed with captions for those who don't speak English to

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<v Speaker 1>all the others. And she leaves it in a little

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<v Speaker 1>like padded envelope outside her house and a drone comes

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<v Speaker 1>because they don't want to approach her. A drone comes

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<v Speaker 1>in and carries it away. I will say that my

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<v Speaker 1>initial reaction to this video is this is not going

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<v Speaker 1>to get it.

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<v Speaker 2>I was gonna say, Jason, likelihood of my manifestos winning bad,

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<v Speaker 2>it's not. She's not winning anyone over, Like this is

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<v Speaker 2>not a well made manifesto.

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<v Speaker 1>This is just Pete's stand at Carol, and I think

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<v Speaker 1>this is very This is part of the tension of

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<v Speaker 1>this show. That's so interesting is you know, like, nominally

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<v Speaker 1>I'm on Carol's side, but the fact that she is.

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<v Speaker 1>She's going about it in almost the same way that

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<v Speaker 1>the Hive's mind do their exactly I like and ask

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<v Speaker 1>for consent. They just they just assimilated everyone. Harold here

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<v Speaker 1>she makes a very kind of like bare gesture chords

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<v Speaker 1>like now, I know some of you might not agree

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<v Speaker 1>with me, but then she usually rolls over that and

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<v Speaker 1>is like, we must together to do this.

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<v Speaker 3>She's like, oh, now I care about curing the earth.

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<v Speaker 3>It's like, do you like you didn't seem to be.

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<v Speaker 2>That bothered about any of this before, Like she's not,

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<v Speaker 2>she's not selling it, but she's doing her best good

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<v Speaker 2>for Caro. And she tries to sleep but she can't,

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<v Speaker 2>which understandable because the whole world hates you.

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<v Speaker 3>It's like my regular night terror.

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<v Speaker 2>She sees a coyote hop the fence and eat her garbage.

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<v Speaker 3>Makes sense, It's Albuquerque.

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<v Speaker 2>So she sees a wolf and it begins to eat

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<v Speaker 2>her garbage, and she's like, go away, trashes the garden

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<v Speaker 2>as if you've ever had a raccoon or a coyote

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<v Speaker 2>or a wolf in your house, they are want to do.

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<v Speaker 2>She calls the Hive mine and she's like, hey, put

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<v Speaker 2>on these lights. The wolves are getting brave, like they

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<v Speaker 2>put them on. But the next day, Carol's like, I'm

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<v Speaker 2>gonna clean my yard, goes outside getting her little racon

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<v Speaker 2>and she calls the Hive mine and she's like, I

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<v Speaker 2>need my trash to be picked up now. I gotta

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<v Speaker 2>say I'm kind of liking the Hive Mind's response to

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<v Speaker 2>this because Carol, I don't feel like you're relying too

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<v Speaker 2>much on them for you're just calling them all the time.

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<v Speaker 3>They do this for me, do that for me, but

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<v Speaker 3>like you could do it yourself. And that's basically what

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<v Speaker 3>they say, which I love.

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<v Speaker 2>They're basically like, hey, here's a recording on how you

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<v Speaker 2>bag your own trash, Like great job.

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<v Speaker 1>Yeah, So the drones, so the drones can take each

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<v Speaker 1>individual bag away.

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<v Speaker 3>And this is very interesting.

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<v Speaker 2>Now we're starting to get some clues, and I feel

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<v Speaker 2>like this was very clear from the opening of this

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<v Speaker 2>episode that the milk would be a foreshadowing thing. And

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<v Speaker 2>she starts to notice in every trash cans just tons

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<v Speaker 2>of milk. So I'm like, hopefully they can be beaten

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<v Speaker 2>by lactose intolerance. That's kind of my dream outcome here.

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<v Speaker 1>She goes to the dairy where the milk comes from,

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<v Speaker 1>the kind of like the bottling plant Duke's dairy, and

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<v Speaker 1>it does not seem to be operational at the moment,

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<v Speaker 1>and whatever they're producing there, it does not appear to

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<v Speaker 1>be milk. She finds like a storeroom where crows have

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<v Speaker 1>torn into a bag of like powdery stuff. She drags

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<v Speaker 1>the bag home and gets like some pH balanced stuff

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<v Speaker 1>in different very basic like chemical reagents to kind of

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<v Speaker 1>test what this stuff is. She never records a new

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<v Speaker 1>video update for the survivors. She's like, Hey, the hive

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<v Speaker 1>mind drink this weird liquid that's water mixed with this

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<v Speaker 1>white powder that I found. They all eat it. It's

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<v Speaker 1>like oily to the touch, like olive oil, but like

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<v Speaker 1>maybe a little thinner. It's probably the stuff. I'm thinking

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<v Speaker 1>that the hive mind. It's it's probably similar to what

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<v Speaker 1>that we saw the Hive mind making the lab in

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<v Speaker 1>episode one.

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<v Speaker 3>I think it's going to be.

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<v Speaker 2>It's very interesting to me because we're already getting to

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<v Speaker 2>that kind of soilent green at esque like what's in

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<v Speaker 2>the bag?

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<v Speaker 3>Is that how they keep control of them?

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<v Speaker 2>Like I love this, I love this wrinkle, But again, Carol,

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<v Speaker 2>nobody cares.

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<v Speaker 3>Not like common persuading, not good at persuading.

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<v Speaker 2>You've got to be coming at this with a hey,

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<v Speaker 2>here's another clue, Like I'm gonna keep recording these just

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<v Speaker 2>for you know, society, so they know what happened or something.

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<v Speaker 1>I mean. I also think that Perrol, her only interest

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<v Speaker 1>in the other survivors is like, help me with.

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<v Speaker 3>This, exactly.

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<v Speaker 2>She doesn't actually care about them, or their family or their.

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<v Speaker 1>Kids, anybody. You're not gonna get anybody to buy in

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<v Speaker 1>like that. You know, you're just not so even though

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<v Speaker 1>your message is one that I think everybody on some

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<v Speaker 1>level would agree with, You're just not gonna convince everybody

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<v Speaker 1>if you're if you only want them for their ability

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<v Speaker 1>to help you, and don't do the shit otherwise exactly,

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<v Speaker 1>which is true.

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<v Speaker 2>Also, I think a strong theme for the show is

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<v Speaker 2>probably where it's going, Like, hey, imagine if you were

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<v Speaker 2>an active part of your society.

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<v Speaker 1>So she's very frustrated, you know, with the fact that

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<v Speaker 1>the Thrivers don't seem to care. I think maybe realizing

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<v Speaker 1>this message is not like quite up to snuff. She

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<v Speaker 1>deletes it and records another one and then sends that.

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<v Speaker 2>One off and that's the drone comes And this is

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<v Speaker 2>where this is where you're really getting some like this

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<v Speaker 2>ending sequence is so Vince Gilligan at his best and

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<v Speaker 2>craziest and bleakest, because Carol's drinking again, and honestly, in

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<v Speaker 2>that way, I don't blame her.

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<v Speaker 3>It's a tough time. She's loving through the end of

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<v Speaker 3>the world.

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<v Speaker 2>But the wolves are back, and this time they don't

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<v Speaker 2>want her trash. They want her ex girlfriend and agent

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<v Speaker 2>slash publisher Helen.

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<v Speaker 3>They are digging her up to eat her.

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<v Speaker 2>There is a chase into the house and eventually end

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<v Speaker 2>with Carol basically having to drive a cop car through

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<v Speaker 2>them to scare them away through her backyard. Wakes up

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<v Speaker 2>in the car, decides that the only option is to

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<v Speaker 2>go and build a grave site kind of concrete over

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<v Speaker 2>poor very soap opera style over Helen's grave, and then

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<v Speaker 2>she ends up also making her a headstone and decides

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<v Speaker 2>she's going to get drunk. But I feel like again, Carol,

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<v Speaker 2>learn a lesson here. She knocks over the powder stuff

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<v Speaker 2>and notices a barcode. If you had just looked at

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<v Speaker 2>it closer before, wouldn't have had to get here. But

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<v Speaker 2>you know what, babe, do your best.

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<v Speaker 1>So she takes the bag with the barcode to the

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<v Speaker 1>local sprouts to scan it, but it doesn't come up incredible,

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<v Speaker 1>but she eventually locates that the bag comes from a

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<v Speaker 1>company called Agrijet, and she goes to Agrijet, which it's

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<v Speaker 1>like this big storage facility with a huge freezers and

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<v Speaker 1>huge refrigerated containers and inside there's like a lot of

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<v Speaker 1>produce for the sprouts. And then something she uncovers, something

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<v Speaker 1>like under a blanket and whatever it is, it absolutely

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<v Speaker 1>shocks her, leaving us with like a cliffhanger that I

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<v Speaker 1>almost I almost couldn't stand it.

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<v Speaker 2>I know, I like kick, I'm kicking, I'm kicking the TV.

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<v Speaker 1>I know, I'm like, tell me what's not get in there.

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<v Speaker 1>Let's take a quick break and come back and we'll

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<v Speaker 1>discuss all of this.

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<v Speaker 4>Yeah, and we're back.

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<v Speaker 1>Okay. I really liked this episode, and I really like

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<v Speaker 1>the you know, I mean, I think that there is

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<v Speaker 1>something about the way we process maybe like politics too,

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<v Speaker 1>in this because there's a.

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<v Speaker 3>Lot of people I think so too.

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<v Speaker 1>There's a lot of figures, let's say, like out there

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<v Speaker 1>whose politics maybe I agree with, you know, but just

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<v Speaker 1>the way they carry themselves, I'm like, I can't, I don't.

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<v Speaker 1>I hate you.

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<v Speaker 3>You need to be perssonable.

0:13:12.679 --> 0:13:17.800
<v Speaker 1>Bill Maher is a person who's who's politics. I ninety

0:13:17.840 --> 0:13:20.360
<v Speaker 1>five percent probably agree with them. The five percent I'm like,

0:13:20.400 --> 0:13:22.240
<v Speaker 1>you are a piece of shit, Like I need you.

0:13:23.000 --> 0:13:27.040
<v Speaker 1>But the way he like hawks to people and goes

0:13:27.120 --> 0:13:32.320
<v Speaker 1>about his whole thing is so bad that I'm like, man,

0:13:32.400 --> 0:13:35.079
<v Speaker 1>fuck this, fuck this guy. Leena Dunham is another one

0:13:35.080 --> 0:13:36.600
<v Speaker 1>of these where I'm like, you know, I agree with

0:13:36.640 --> 0:13:38.680
<v Speaker 1>all this, but I just am not with you the

0:13:38.720 --> 0:13:39.680
<v Speaker 1>way yourself.

0:13:39.720 --> 0:13:43.679
<v Speaker 2>Of course, Carol is really having that same struggle right now.

0:13:44.960 --> 0:13:47.679
<v Speaker 1>Yes, where it's like, Carol, could you act like you

0:13:47.760 --> 0:13:50.960
<v Speaker 1>care about these other people? Could you like ask so

0:13:51.080 --> 0:13:54.160
<v Speaker 1>what's going on with your how you guys up with you?

0:13:54.720 --> 0:13:55.520
<v Speaker 3>Any idea?

0:13:55.640 --> 0:13:55.960
<v Speaker 4>Yeah?

0:13:56.040 --> 0:14:00.760
<v Speaker 1>And instead of just like jumping immediately to a pretty

0:14:00.840 --> 0:14:05.359
<v Speaker 1>drastic ask, which is like, let's stave in the world.

0:14:05.840 --> 0:14:09.280
<v Speaker 2>And we the only way we're doing this is communicating

0:14:09.320 --> 0:14:11.679
<v Speaker 2>this through the Hive mind.

0:14:11.800 --> 0:14:14.679
<v Speaker 3>Like the imagine if you there's gotta be up a way.

0:14:14.880 --> 0:14:17.480
<v Speaker 5>Imagine if you were like the other eleven survivors and

0:14:17.520 --> 0:14:19.480
<v Speaker 5>you were all coming up with a really sick, like

0:14:19.640 --> 0:14:23.040
<v Speaker 5>radical underground plan that you'd been communicating to each other,

0:14:23.360 --> 0:14:26.680
<v Speaker 5>and then someone just kept like dming the Hive Mind

0:14:26.720 --> 0:14:29.840
<v Speaker 5>and being like, hey guys, hey, Hive Mind group chat, Hey,

0:14:30.040 --> 0:14:31.000
<v Speaker 5>we should save the world.

0:14:31.200 --> 0:14:33.720
<v Speaker 2>Save the world, Like I would also be annoyed. Yeah,

0:14:33.760 --> 0:14:35.520
<v Speaker 2>I think this is another great episode. I think it

0:14:35.600 --> 0:14:38.840
<v Speaker 2>builds on what we got in the last episode in

0:14:38.880 --> 0:14:42.920
<v Speaker 2>a really exciting way. I also think that we are

0:14:42.960 --> 0:14:47.000
<v Speaker 2>at the space now where the milk and the Juke's

0:14:47.080 --> 0:14:49.840
<v Speaker 2>dairy of it all is the kind of hook that

0:14:49.920 --> 0:14:52.080
<v Speaker 2>we need. I think that they do need to start

0:14:52.080 --> 0:14:54.560
<v Speaker 2>delivering a few answers or we could end up in

0:14:54.600 --> 0:15:00.200
<v Speaker 2>a Yellow Jackets type situation. So Jason likelihood of the

0:15:00.880 --> 0:15:05.880
<v Speaker 2>Hive Mind powder oil milk being something that keeps the

0:15:05.960 --> 0:15:09.520
<v Speaker 2>Hive Mind connected, or that they need to drink to

0:15:09.600 --> 0:15:11.760
<v Speaker 2>keep control of them. What do you think or do

0:15:11.800 --> 0:15:15.560
<v Speaker 2>you think it's just maybe it's more of a body

0:15:15.640 --> 0:15:18.200
<v Speaker 2>anatomy type thing, the way that when you're a vampire

0:15:18.280 --> 0:15:20.720
<v Speaker 2>you don't really need to eat food anymore. Maybe once

0:15:20.760 --> 0:15:22.800
<v Speaker 2>the hive mind takes over, it's more of a kind

0:15:22.800 --> 0:15:26.480
<v Speaker 2>of last of Us brain infection. So maybe this is

0:15:26.520 --> 0:15:28.880
<v Speaker 2>a way to keep people sentient and not just like

0:15:28.920 --> 0:15:32.000
<v Speaker 2>eating each other. I'm very interested to know where it goes,

0:15:32.040 --> 0:15:35.360
<v Speaker 2>because Vince is an unexpected man.

0:15:36.840 --> 0:15:39.640
<v Speaker 1>Yeah. I think that this is some sort of nutrient

0:15:41.280 --> 0:15:46.360
<v Speaker 1>concoction that gives them all they need to keep being alive,

0:15:46.720 --> 0:15:50.960
<v Speaker 1>but that also probably services their connection to the hive

0:15:51.080 --> 0:15:53.320
<v Speaker 1>mind in some way and maybe re ups it. Maybe

0:15:53.360 --> 0:15:57.920
<v Speaker 1>it's gout like some of the original DNA recipe. But

0:15:58.120 --> 0:16:02.640
<v Speaker 1>the fact that it's all that they and soon we

0:16:02.680 --> 0:16:05.280
<v Speaker 1>needs you to believe that it is necessary for them

0:16:05.320 --> 0:16:07.760
<v Speaker 1>to live. And then the question is like, what is it?

0:16:07.880 --> 0:16:11.720
<v Speaker 1>I mean, I don't think. I guess we're led to

0:16:11.720 --> 0:16:15.520
<v Speaker 1>believe that whatever she finds in the freezer is so

0:16:15.760 --> 0:16:20.080
<v Speaker 1>shot like dead bodies, dead animals, something, some sort of

0:16:20.120 --> 0:16:24.960
<v Speaker 1>soilent green thing that is so can't be that right.

0:16:24.960 --> 0:16:27.240
<v Speaker 2>It can't because it's too obvious, Like they can't just

0:16:27.280 --> 0:16:30.400
<v Speaker 2>be eating the dead humans, like it's too obvious. I

0:16:30.560 --> 0:16:33.840
<v Speaker 2>know he's going to do something surprising, but I just

0:16:34.000 --> 0:16:35.480
<v Speaker 2>gotta know what it is.

0:16:35.960 --> 0:16:38.080
<v Speaker 1>Also, I guess I was what I was dying.

0:16:38.440 --> 0:16:41.440
<v Speaker 2>It could be this would be very bleak, but it

0:16:41.480 --> 0:16:45.520
<v Speaker 2>could be like Helen is in the refrigerator and actually

0:16:45.560 --> 0:16:48.320
<v Speaker 2>they're keeping the bodies of the dead for whatever reason,

0:16:48.360 --> 0:16:50.320
<v Speaker 2>and they never buried her in her god like, like

0:16:50.560 --> 0:16:52.640
<v Speaker 2>they dug her up out of her garden or something.

0:16:52.720 --> 0:16:52.960
<v Speaker 2>You know.

0:16:53.200 --> 0:16:54.360
<v Speaker 3>But that feels a little bit.

0:16:54.240 --> 0:16:58.440
<v Speaker 2>Too Carol ex Machina, like a little bit too on Carol, though,

0:16:58.480 --> 0:17:02.800
<v Speaker 2>I will say I've been enjoyed how many surprising kind

0:17:02.840 --> 0:17:05.560
<v Speaker 2>of connections we've had between like this and the Chair

0:17:05.640 --> 0:17:09.159
<v Speaker 2>Company and even it Welcome to Derry and the whole

0:17:09.280 --> 0:17:13.040
<v Speaker 2>Agrijet stuff was giving it was giving Chair Company.

0:17:13.200 --> 0:17:16.520
<v Speaker 3>I was like, yes, it really was really similar.

0:17:16.800 --> 0:17:20.520
<v Speaker 2>I think this notion of liminal spaces and the way

0:17:20.560 --> 0:17:23.639
<v Speaker 2>that everybody is living so online that sometimes you go

0:17:23.720 --> 0:17:26.560
<v Speaker 2>outside and you're like, oh, there's nobody here, Like where

0:17:26.640 --> 0:17:30.479
<v Speaker 2>is everybody playing? On these kind of ideas of like

0:17:31.359 --> 0:17:34.320
<v Speaker 2>places you expect people to be and they're not. Whether

0:17:34.359 --> 0:17:37.600
<v Speaker 2>it's an office building, like we're investigating in the Chair

0:17:37.600 --> 0:17:39.960
<v Speaker 2>Company or if it's this, I think there is something

0:17:40.000 --> 0:17:42.280
<v Speaker 2>really scary about that, and I think that a lot

0:17:42.280 --> 0:17:46.320
<v Speaker 2>of shows are really digging into that right now. And yeah,

0:17:46.359 --> 0:17:48.240
<v Speaker 2>the end of this, I was like, this is so

0:17:48.440 --> 0:17:52.760
<v Speaker 2>Chair Company coded, but I need to know what's in

0:17:52.840 --> 0:17:56.800
<v Speaker 2>the fridge because, like you said, it's too obvious, and

0:17:56.880 --> 0:17:58.840
<v Speaker 2>I don't think he would do a pull the punch.

0:17:58.960 --> 0:18:02.320
<v Speaker 2>It's not really a twist, you know. It also is

0:18:02.359 --> 0:18:04.280
<v Speaker 2>not just going to be like her favorite Booze or

0:18:04.320 --> 0:18:07.399
<v Speaker 2>whatever version. There's something in there, but it has to

0:18:07.520 --> 0:18:13.160
<v Speaker 2>be a situation of something so shocking that tells us

0:18:13.160 --> 0:18:16.640
<v Speaker 2>a new part of the story and what is going

0:18:16.680 --> 0:18:18.600
<v Speaker 2>on with it. So I'm very interested in a few

0:18:18.640 --> 0:18:19.280
<v Speaker 2>different things.

0:18:19.760 --> 0:18:23.199
<v Speaker 1>I think that there is something about the way that

0:18:24.400 --> 0:18:28.080
<v Speaker 1>just to participate in the world, you have to understand

0:18:28.240 --> 0:18:31.919
<v Speaker 1>like what company owns, what company owns what company? Like

0:18:32.000 --> 0:18:34.240
<v Speaker 1>even just to talk about you know what we talk about,

0:18:34.320 --> 0:18:36.359
<v Speaker 1>it's like, Okay, well this ip is owned by Disney,

0:18:36.480 --> 0:18:38.080
<v Speaker 1>but they got it from Fox and they got it.

0:18:38.520 --> 0:18:42.240
<v Speaker 1>And I think there is something there is that similarity

0:18:42.240 --> 0:18:45.120
<v Speaker 1>in Chair Company and this where it's like, Okay, you're

0:18:45.560 --> 0:18:47.640
<v Speaker 1>where does the bag come from? And where do they

0:18:47.680 --> 0:18:50.920
<v Speaker 1>make this? And who owns that? And where is this? Actually?

0:18:51.359 --> 0:18:54.680
<v Speaker 1>You know, it's like you're it's like this Russian nesting

0:18:54.760 --> 0:18:58.600
<v Speaker 1>doll of corporate structures that we all live inside, and

0:18:58.640 --> 0:19:02.520
<v Speaker 1>that the feeling is that when you're inside one of

0:19:02.560 --> 0:19:06.560
<v Speaker 1>these nesting structures, it's hard to understand, like what's two

0:19:06.640 --> 0:19:09.240
<v Speaker 1>layers beyond it? But the feeling is that if you

0:19:09.359 --> 0:19:14.640
<v Speaker 1>go enough layers beyond it, there's only one nesting doll,

0:19:14.760 --> 0:19:16.359
<v Speaker 1>like we're all in, you know what I mean, Like

0:19:16.760 --> 0:19:19.840
<v Speaker 1>it all leads back to one or two companies. And

0:19:19.920 --> 0:19:26.080
<v Speaker 1>I think that mystery is that feeling of confusion and

0:19:26.119 --> 0:19:29.680
<v Speaker 1>bewildernentment about being trapped in this kind of big maze

0:19:30.560 --> 0:19:33.280
<v Speaker 1>is something that really resonates.

0:19:34.640 --> 0:19:37.080
<v Speaker 2>Ian put a great question in how, which is what

0:19:37.119 --> 0:19:39.720
<v Speaker 2>are they doing when they're not with Carol? Like do

0:19:39.880 --> 0:19:42.919
<v Speaker 2>we have no idea? Everything is so focused around them?

0:19:43.400 --> 0:19:46.200
<v Speaker 2>They're working on something? Are they building something? Are they

0:19:46.960 --> 0:19:50.919
<v Speaker 2>programming something? Are certain segments of them just sitting asleep,

0:19:51.200 --> 0:19:53.920
<v Speaker 2>hundreds of them at a time, just like in sitting

0:19:54.040 --> 0:19:57.040
<v Speaker 2>like zoned out, Like that's I want to see that

0:19:57.119 --> 0:19:59.120
<v Speaker 2>Why to world Vince has done a really good job

0:19:59.160 --> 0:20:02.359
<v Speaker 2>of Carol being are in. But now I need to

0:20:02.480 --> 0:20:06.240
<v Speaker 2>know what happens next. And now the show's been you know,

0:20:06.280 --> 0:20:08.199
<v Speaker 2>I believe picked up for the second season.

0:20:08.800 --> 0:20:11.199
<v Speaker 3>I think we will. We're definitely going to get to

0:20:11.359 --> 0:20:12.720
<v Speaker 3>know that. Okay.

0:20:12.760 --> 0:20:17.040
<v Speaker 2>Also another question ari hive mind stuff. Are the animals

0:20:17.160 --> 0:20:18.359
<v Speaker 2>in the hive mind?

0:20:19.119 --> 0:20:21.359
<v Speaker 3>Like were the wolves? No, you don't think so.

0:20:21.400 --> 0:20:25.359
<v Speaker 2>You think that could also be a big part of

0:20:25.440 --> 0:20:27.520
<v Speaker 2>how they save the world if the animals are not.

0:20:27.960 --> 0:20:31.280
<v Speaker 2>If that was just the wolves naturally digging up a

0:20:31.359 --> 0:20:32.960
<v Speaker 2>dead body because they could smell it and they were

0:20:33.040 --> 0:20:35.359
<v Speaker 2>hunting down trash rather than some kind of hive mind

0:20:36.200 --> 0:20:42.400
<v Speaker 2>ghoulish behavior. To kind of explore Jason going into episode six,

0:20:42.520 --> 0:20:47.000
<v Speaker 2>what is the thing that you need them to explore

0:20:47.200 --> 0:20:50.159
<v Speaker 2>the most and give you answers on the most or

0:20:50.160 --> 0:20:51.719
<v Speaker 2>the character you most want to follow up with?

0:20:52.880 --> 0:20:57.120
<v Speaker 1>You know, I think that finding out what they are doing,

0:20:57.200 --> 0:21:01.240
<v Speaker 1>like what they must be working towards someigger project. Clearly

0:21:01.280 --> 0:21:06.879
<v Speaker 1>they are doing that, and that the mission to service

0:21:07.520 --> 0:21:12.439
<v Speaker 1>the survivors with whatever they need is probably you know,

0:21:13.720 --> 0:21:20.879
<v Speaker 1>a miniscule part of their daily operating, you know, load

0:21:21.040 --> 0:21:23.760
<v Speaker 1>that whatever it is that they are doing spending the

0:21:23.800 --> 0:21:29.320
<v Speaker 1>majority of their time doing is probably one the production

0:21:29.520 --> 0:21:34.280
<v Speaker 1>of this nutrient juice that they need, and then two

0:21:35.280 --> 0:21:40.320
<v Speaker 1>whatever the bigger project is, which is something we don't

0:21:40.720 --> 0:21:43.000
<v Speaker 1>that's the thing that we don't know, Like, what is

0:21:43.040 --> 0:21:47.000
<v Speaker 1>the bigger project? This wasn't just to unite the world

0:21:47.119 --> 0:21:50.000
<v Speaker 1>in a hive mind type situation where we can all

0:21:50.080 --> 0:21:54.520
<v Speaker 1>drink the milk juice. They must be the planet has

0:21:54.560 --> 0:21:58.600
<v Speaker 1>been hijacked for a reason to do something. And I

0:21:58.640 --> 0:22:02.679
<v Speaker 1>think part of it again talked about it is in

0:22:02.720 --> 0:22:06.480
<v Speaker 1>the first episode they talked about how the power needed

0:22:06.520 --> 0:22:10.919
<v Speaker 1>to send this signal six hundred light years across space.

0:22:10.960 --> 0:22:13.560
<v Speaker 1>It must have required an antenna the size of Africa,

0:22:13.640 --> 0:22:17.080
<v Speaker 1>and I think that they're doing that. They're building a

0:22:17.320 --> 0:22:22.359
<v Speaker 1>part of it is building another huge antenna in order

0:22:22.440 --> 0:22:27.719
<v Speaker 1>to send this message to whatever inhabited planet in the

0:22:27.760 --> 0:22:32.080
<v Speaker 1>direction of some inhabited planet. The question I guess is

0:22:33.920 --> 0:22:37.640
<v Speaker 1>were they aiming at us? Did they know we were here?

0:22:38.800 --> 0:22:41.920
<v Speaker 1>Is it just to act get the Paraguay guy?

0:22:42.600 --> 0:22:42.800
<v Speaker 4>Yes?

0:22:44.760 --> 0:22:49.080
<v Speaker 1>Guy? Is are there like pioneers that go out and

0:22:49.200 --> 0:22:51.679
<v Speaker 1>locate planets?

0:22:51.920 --> 0:22:52.080
<v Speaker 4>Mm?

0:22:52.119 --> 0:22:55.680
<v Speaker 3>Hmmm? Are they sending out colonization ships?

0:22:56.240 --> 0:22:59.600
<v Speaker 1>Right? And then drop a pin and say, okay, aim

0:22:59.640 --> 0:23:03.159
<v Speaker 1>then and a hear that's the kind of thing that

0:23:03.200 --> 0:23:06.919
<v Speaker 1>I'm I can't wait to find out along with you know,

0:23:07.040 --> 0:23:10.280
<v Speaker 1>like what the fuck is under the blanket in the presearch.

0:23:10.119 --> 0:23:11.800
<v Speaker 3>Right, like we need to know what's head that.

0:23:23.119 --> 0:23:25.439
<v Speaker 2>Well, I'm really excited about as well is I'm loving

0:23:25.880 --> 0:23:28.920
<v Speaker 2>that our discord has been loving this and our listeners

0:23:28.920 --> 0:23:31.359
<v Speaker 2>have been loving this. And Vince has really kind of

0:23:31.440 --> 0:23:36.280
<v Speaker 2>expanded out some teasers with a recent letterbox list that

0:23:36.359 --> 0:23:41.560
<v Speaker 2>he said are the ten movies that he thinks most

0:23:41.760 --> 0:23:46.520
<v Speaker 2>influenced pluribus and this is really gonna give you some good.

0:23:46.600 --> 0:23:50.679
<v Speaker 2>This is some weird shit to talk about. Okay, So

0:23:50.920 --> 0:23:53.240
<v Speaker 2>this is a classic Vince Gilligan thing. So this movie

0:23:53.280 --> 0:23:57.000
<v Speaker 2>is called Afterlife. It's a movie about recently deceased people

0:23:57.000 --> 0:24:00.159
<v Speaker 2>who basically have to pick like one perfect memory that

0:24:00.200 --> 0:24:04.480
<v Speaker 2>they can just take and recreate for them in their afterlife.

0:24:04.600 --> 0:24:07.200
<v Speaker 2>But the best thing is Vince Gilligan has never watched

0:24:07.200 --> 0:24:10.919
<v Speaker 2>the movie. He says that in the description, but he says,

0:24:11.040 --> 0:24:14.440
<v Speaker 2>this idea of the joined being able to see all

0:24:14.480 --> 0:24:18.040
<v Speaker 2>of the different memories came from that movie. So you

0:24:18.080 --> 0:24:20.080
<v Speaker 2>can watch it and be ahead of Vince Gilligan, who

0:24:20.080 --> 0:24:23.160
<v Speaker 2>still apparently has not watched it. Another one Albert Brook's

0:24:23.160 --> 0:24:27.640
<v Speaker 2>classic Defending Your Life. Defending your Life, classic classic, and

0:24:27.800 --> 0:24:31.440
<v Speaker 2>that one, he says, is really like, that's a lot

0:24:31.440 --> 0:24:35.880
<v Speaker 2>of influence on Carol's personality and this kind of crankiness

0:24:35.960 --> 0:24:40.040
<v Speaker 2>and this kind of feeling of how depressing and cranky

0:24:40.080 --> 0:24:42.240
<v Speaker 2>can you be in real life? And could you change that?

0:24:42.600 --> 0:24:44.840
<v Speaker 2>The one that really in the one I think is

0:24:44.880 --> 0:24:48.000
<v Speaker 2>really interesting. He chose Invasion of the Body Snatches. Obviously,

0:24:48.280 --> 0:24:50.280
<v Speaker 2>he chose the nineteen fifty six version, which is our

0:24:50.320 --> 0:24:53.840
<v Speaker 2>original kind of well Spring version. But the quote from

0:24:53.840 --> 0:24:56.119
<v Speaker 2>this that I think is so interesting and tells us

0:24:56.119 --> 0:24:59.959
<v Speaker 2>a lot. He says, what if there was an argument

0:25:00.119 --> 0:25:03.320
<v Speaker 2>to be made in favor of losing your individuality and

0:25:03.440 --> 0:25:06.600
<v Speaker 2>joining the hive? I would argue that argument has not

0:25:06.680 --> 0:25:09.680
<v Speaker 2>fully been made yet in the show. So I'm really

0:25:09.760 --> 0:25:12.840
<v Speaker 2>excited to see the fact that he thinks that there

0:25:12.960 --> 0:25:15.720
<v Speaker 2>is this version where joining the hive would be better.

0:25:16.040 --> 0:25:19.960
<v Speaker 2>We also have some classic isolation movies. Omega, man, I

0:25:20.040 --> 0:25:22.919
<v Speaker 2>know we're both big. Richard Matheson Fancy wrote, I am

0:25:23.000 --> 0:25:25.520
<v Speaker 2>Legend the book it was based on, and this Vincent

0:25:25.560 --> 0:25:31.320
<v Speaker 2>Price movie is like so good, and I like that

0:25:32.640 --> 0:25:34.720
<v Speaker 2>this is kind of where he got a lot of

0:25:34.720 --> 0:25:37.720
<v Speaker 2>the isolation from. He says, you know, obviously Vincent Price

0:25:37.840 --> 0:25:41.480
<v Speaker 2>is like fighting vampires, but Carol is in the emptiness

0:25:41.520 --> 0:25:42.200
<v Speaker 2>of the sprout.

0:25:42.480 --> 0:25:43.639
<v Speaker 3>She has to combine.

0:25:46.600 --> 0:25:50.280
<v Speaker 2>Sorry, yeah, it's it's it's I Am it's the Charlton

0:25:50.359 --> 0:25:52.040
<v Speaker 2>Heston in the Omega Man.

0:25:52.400 --> 0:25:53.640
<v Speaker 3>Yeah. Such a good.

0:25:53.480 --> 0:25:56.560
<v Speaker 2>Movie, and obviously Carol does not have vampires killing her.

0:25:57.320 --> 0:26:00.560
<v Speaker 2>Vince says, maybe that's a red herring yet, but I

0:26:00.680 --> 0:26:03.359
<v Speaker 2>like that he kind of sees that liminal aspect. A

0:26:03.400 --> 0:26:06.760
<v Speaker 2>New Zealand movie I actually haven't seen, called The Choiet

0:26:06.800 --> 0:26:13.160
<v Speaker 2>Earth also on his list. Basically, just every other human vanishes,

0:26:13.240 --> 0:26:15.800
<v Speaker 2>only three people left and they have to have this

0:26:15.880 --> 0:26:20.040
<v Speaker 2>conversation about what happened. Obviously, the ones that really surprised

0:26:20.080 --> 0:26:24.199
<v Speaker 2>me though, the Shining I think that is like so

0:26:24.480 --> 0:26:26.520
<v Speaker 2>tonally different from this show.

0:26:27.080 --> 0:26:30.240
<v Speaker 3>But I love that for Vince Gilligan, he.

0:26:30.240 --> 0:26:34.600
<v Speaker 2>Says, basically, like, you know, it's the creepy neighbor kids

0:26:34.640 --> 0:26:37.840
<v Speaker 2>that came from the creepy Twin Girls. You get the

0:26:37.960 --> 0:26:41.439
<v Speaker 2>kind of acts that the Salamanca cousins have in Breaking

0:26:41.520 --> 0:26:44.560
<v Speaker 2>Bad that was inspired by the Shining this has been

0:26:44.600 --> 0:26:48.680
<v Speaker 2>something through his career. But really, for it's all about

0:26:48.720 --> 0:26:52.800
<v Speaker 2>the isolated writer who is drunk, who is unhappy, who

0:26:52.800 --> 0:26:56.720
<v Speaker 2>cannot find happiness. Obviously that is reflected in Carol then

0:26:56.840 --> 0:27:02.680
<v Speaker 2>other ones. The thing obviously ultimate powerier kind of story,

0:27:02.800 --> 0:27:07.080
<v Speaker 2>so makes a lot of sense. Also turns out Vince

0:27:07.080 --> 0:27:10.680
<v Speaker 2>Gilligan Great Great Taste has a lot of big Kurt.

0:27:10.520 --> 0:27:12.840
<v Speaker 3>Russell feelings and it meant a lot to him when Kurt.

0:27:12.680 --> 0:27:16.040
<v Speaker 2>Russell loved it. But the thing that is biggest here

0:27:16.080 --> 0:27:18.280
<v Speaker 2>is the monster's hiding among us. So there's kind of

0:27:18.320 --> 0:27:21.240
<v Speaker 2>these jewel themes of the isolation and the notion of

0:27:21.320 --> 0:27:24.040
<v Speaker 2>like not knowing the people who are around you. Truman

0:27:24.119 --> 0:27:27.200
<v Speaker 2>Show makes a lot of sense. Though again I also

0:27:27.200 --> 0:27:31.920
<v Speaker 2>think adds a very interesting wrinkle because he has never

0:27:32.000 --> 0:27:34.720
<v Speaker 2>ever watched The Truman Show. Vince Gilligan watch it, but

0:27:34.800 --> 0:27:37.240
<v Speaker 2>he said, you know, everyone brings it up on the

0:27:37.280 --> 0:27:39.600
<v Speaker 2>show all the time. It's one of the biggest influences

0:27:39.600 --> 0:27:43.640
<v Speaker 2>for the writing crew. So I'm interested in that they

0:27:43.680 --> 0:27:46.560
<v Speaker 2>live one of my all time favorite John Carpenter movies,

0:27:47.400 --> 0:27:53.399
<v Speaker 2>and that for him is like it's all about the action,

0:27:53.720 --> 0:27:59.080
<v Speaker 2>the overlords, that secret feeling of convincing people to wake

0:27:59.160 --> 0:28:01.800
<v Speaker 2>up and realize they are being subjugated, and that is

0:28:01.840 --> 0:28:04.359
<v Speaker 2>such a huge part of what he took. He says,

0:28:04.400 --> 0:28:06.760
<v Speaker 2>Pluribus actually owes a debt to that part of the

0:28:07.080 --> 0:28:09.080
<v Speaker 2>They Live and the final one, which you guys may

0:28:09.080 --> 0:28:11.000
<v Speaker 2>not have seen. I'm a big fan of this movie.

0:28:11.600 --> 0:28:13.879
<v Speaker 2>If you are an X Men fan, you have likely

0:28:14.160 --> 0:28:16.280
<v Speaker 2>been influenced by this movie without even knowing of it.

0:28:16.480 --> 0:28:21.000
<v Speaker 2>Village are the Damned, which is are you know, Midwich

0:28:21.040 --> 0:28:25.000
<v Speaker 2>Cuckoos fall sleep in England. When they wake up, they

0:28:25.000 --> 0:28:27.320
<v Speaker 2>start having babies, and all the babies are blonde.

0:28:27.320 --> 0:28:29.840
<v Speaker 3>It's very Umbrella Academy coded.

0:28:30.359 --> 0:28:34.000
<v Speaker 2>And suddenly the kids exhibit these crazy psychic powers and

0:28:34.080 --> 0:28:36.680
<v Speaker 2>start to be able to take over the adults. And

0:28:38.040 --> 0:28:39.720
<v Speaker 2>he says that's actually one of the things he thought

0:28:39.720 --> 0:28:42.880
<v Speaker 2>about the most while writing the pilot for Pluribus and

0:28:42.920 --> 0:28:45.000
<v Speaker 2>trying to hit like all the kind of time honor

0:28:45.080 --> 0:28:49.640
<v Speaker 2>tropes of this possession, you know, invasion of the body,

0:28:49.640 --> 0:28:52.480
<v Speaker 2>snatches stuff, and he says that one is like throughout

0:28:52.520 --> 0:28:55.960
<v Speaker 2>the show, just a recurring echo. So if you guys

0:28:56.000 --> 0:28:58.640
<v Speaker 2>want to check those out, that list is on letterbox.

0:28:58.800 --> 0:29:02.200
<v Speaker 2>And I just think that is such an eclectic list

0:29:02.760 --> 0:29:05.040
<v Speaker 2>that it tells me, I still don't know where I'm going.

0:29:05.400 --> 0:29:08.080
<v Speaker 2>I just still can't tell what's gonna happen in episode.

0:29:08.120 --> 0:29:11.160
<v Speaker 1>I think it's the one thing, the one theme that

0:29:11.200 --> 0:29:14.000
<v Speaker 1>I'm seeing. It was the kind of feeling that I'm

0:29:14.000 --> 0:29:17.640
<v Speaker 1>seeing that is that I'm definitely getting from this show

0:29:17.920 --> 0:29:22.720
<v Speaker 1>is the idea that, like, you know, this body Snatcher's

0:29:22.760 --> 0:29:27.200
<v Speaker 1>idea where everybody gets assimilated into a borglike mentality. But

0:29:28.320 --> 0:29:31.160
<v Speaker 1>you know, with Omega Man and then I Am Legend later,

0:29:31.720 --> 0:29:34.640
<v Speaker 1>the thing about the vampires is they were, or at

0:29:34.720 --> 0:29:40.120
<v Speaker 1>least in the original novelization, the legend was the hero

0:29:40.280 --> 0:29:43.320
<v Speaker 1>of the story Charlton Heston in the case of Omega Man,

0:29:43.360 --> 0:29:45.360
<v Speaker 1>and then Will Smith in the case of I Am Legend,

0:29:46.160 --> 0:29:50.960
<v Speaker 1>it was the legend was the vampires talking about this crazy,

0:29:51.040 --> 0:29:53.240
<v Speaker 1>terrible killer of their.

0:29:53.160 --> 0:29:57.000
<v Speaker 2>Kind who was just constantly coming out and killing them

0:29:57.280 --> 0:29:58.080
<v Speaker 2>and pulling.

0:29:58.080 --> 0:30:00.880
<v Speaker 1>And haunting them. And so the the idea is that

0:30:01.400 --> 0:30:06.000
<v Speaker 1>you know, these people have been assimilated, but they are

0:30:06.160 --> 0:30:10.200
<v Speaker 1>having their producing their own society and culture that the

0:30:10.280 --> 0:30:14.400
<v Speaker 1>hero of the story can't understand. And you do feel

0:30:14.400 --> 0:30:17.120
<v Speaker 1>that with Carol, like she whatever it is that the

0:30:17.200 --> 0:30:22.360
<v Speaker 1>hive Mind are doing They're doing something. And while I

0:30:22.440 --> 0:30:25.040
<v Speaker 1>agree with Carol that there is a definite lack of

0:30:25.080 --> 0:30:28.080
<v Speaker 1>consent in the way that this was achieved, they are

0:30:28.080 --> 0:30:33.440
<v Speaker 1>also there's also a consciousness and an agency that exists

0:30:33.440 --> 0:30:39.280
<v Speaker 1>there now that she's working against that she needs to

0:30:39.320 --> 0:30:42.000
<v Speaker 1>try and acknowledge on some level, like the fact that

0:30:42.320 --> 0:30:45.479
<v Speaker 1>everybody was pissed at her, Like, we need to unpack

0:30:45.560 --> 0:30:47.480
<v Speaker 1>this a little bit, because what we've seen is like

0:30:47.560 --> 0:30:51.719
<v Speaker 1>the hive Mind are generally cheerful, They're very eager to please.

0:30:52.240 --> 0:30:54.360
<v Speaker 1>If you ask them for something dangerous, they're going to

0:30:54.440 --> 0:30:56.800
<v Speaker 1>be they're going to feel weird about it. But we

0:30:56.960 --> 0:30:59.440
<v Speaker 1>never seen them really have a negative emotion. In fact,

0:30:59.480 --> 0:31:06.520
<v Speaker 1>we've seen them respond with paralysis to Carol's negative intense emotions.

0:31:06.840 --> 0:31:10.680
<v Speaker 1>So to see them be like kind of man at Carol, Yeah,

0:31:10.720 --> 0:31:12.000
<v Speaker 1>it's interesting.

0:31:11.560 --> 0:31:12.880
<v Speaker 3>Like they're very interesting.

0:31:12.920 --> 0:31:13.720
<v Speaker 1>They're upset.

0:31:14.240 --> 0:31:17.080
<v Speaker 2>Yeah, I'm intrigued by this because I talk about it

0:31:17.120 --> 0:31:19.520
<v Speaker 2>a lot, but I always bring up because it really

0:31:19.520 --> 0:31:21.080
<v Speaker 2>did stick with me. Years ago, I went to go

0:31:21.160 --> 0:31:24.680
<v Speaker 2>and see ABC's of Horror at fright Fest in London.

0:31:24.960 --> 0:31:26.160
<v Speaker 3>It was ABC's of Horror.

0:31:26.000 --> 0:31:28.960
<v Speaker 2>Too, and there was a short film that was the

0:31:29.000 --> 0:31:32.720
<v Speaker 2>O segment. It's twenty five, twenty six different movies, each

0:31:32.720 --> 0:31:34.840
<v Speaker 2>one with a different letter of the alphabet, and the

0:31:34.880 --> 0:31:38.600
<v Speaker 2>O was called Alacrisy and it's about it's a segment

0:31:38.680 --> 0:31:41.760
<v Speaker 2>about a world where the zombie apocalypse has happened. Zombies

0:31:41.760 --> 0:31:44.800
<v Speaker 2>are now the sentient ruling class, and they are putting

0:31:44.840 --> 0:31:47.160
<v Speaker 2>all the humans on trial who killed zombies.

0:31:47.520 --> 0:31:49.080
<v Speaker 3>And I thought it was such.

0:31:48.800 --> 0:31:51.080
<v Speaker 2>An interesting idea, and it's like a two and a

0:31:51.120 --> 0:31:54.680
<v Speaker 2>half minute movie. So I buy a gimi hata, and

0:31:54.720 --> 0:31:59.440
<v Speaker 2>I just I really love that element that he is

0:31:59.440 --> 0:32:03.000
<v Speaker 2>bringing here to that like okay, as you pointed out,

0:32:03.040 --> 0:32:05.160
<v Speaker 2>like yes, there was no consent, but now this is

0:32:05.240 --> 0:32:08.600
<v Speaker 2>the majority culture that is now living there and has

0:32:08.960 --> 0:32:12.240
<v Speaker 2>you know, a mind and allegedly a society. It's a

0:32:12.320 --> 0:32:16.000
<v Speaker 2>very interesting, complicated, sticky thing. And I think that's going

0:32:16.080 --> 0:32:20.640
<v Speaker 2>to make the next kind of half of the season

0:32:20.720 --> 0:32:24.480
<v Speaker 2>and hopefully continued into season two really.

0:32:24.480 --> 0:32:26.160
<v Speaker 3>Something to dig in.

0:32:26.240 --> 0:32:28.160
<v Speaker 2>Yeah, in a way, that's going to make it not

0:32:28.280 --> 0:32:29.560
<v Speaker 2>as simple as it seems.

0:32:30.320 --> 0:32:33.080
<v Speaker 1>The other interesting implication is the wolves. I do not

0:32:33.240 --> 0:32:35.720
<v Speaker 1>think that they were sent to torment Carrol. I think

0:32:35.880 --> 0:32:39.560
<v Speaker 1>that they are reacting to a lack of food and

0:32:40.200 --> 0:32:46.320
<v Speaker 1>meaning that there's a lack of normal human garbage to scavenge. Yes,

0:32:46.360 --> 0:32:50.480
<v Speaker 1>and also whatever happened whatever happened to all the dead

0:32:50.560 --> 0:32:54.600
<v Speaker 1>bodies that died during the changeover, they're not they can't

0:32:54.640 --> 0:32:58.000
<v Speaker 1>get to them. So I think they're attracted to the

0:32:58.040 --> 0:33:05.840
<v Speaker 1>smell of Helen Corps because it's the only eagally available

0:33:05.880 --> 0:33:09.880
<v Speaker 1>food stuff, which I think you know, in and of itself,

0:33:09.960 --> 0:33:12.040
<v Speaker 1>raises a lot of questions about like, what happens to

0:33:12.040 --> 0:33:13.600
<v Speaker 1>all the resources around here?

0:33:13.880 --> 0:33:16.320
<v Speaker 3>Really good? That's really good?

0:33:16.560 --> 0:33:19.760
<v Speaker 2>Okay, Yes, so many questions and I am so glad

0:33:19.800 --> 0:33:21.600
<v Speaker 2>that this show is hitting for you guys because it

0:33:21.640 --> 0:33:23.200
<v Speaker 2>is like so fun for us to cover.

0:33:25.440 --> 0:33:27.680
<v Speaker 1>On the next episode of Extra Vision, we're diving into

0:33:27.760 --> 0:33:30.400
<v Speaker 1>it Welcome to Dary episode six and previewing the twenty

0:33:30.400 --> 0:33:33.120
<v Speaker 1>twenty five Game Awards, and diving into the upside Down

0:33:33.160 --> 0:33:35.640
<v Speaker 1>with our Stranger Things season five coverage. That's it for

0:33:35.680 --> 0:33:44.960
<v Speaker 1>this episode. Thanks for listening, Bye. X ray Vision is

0:33:45.000 --> 0:33:47.560
<v Speaker 1>hosted by Jason Sepcion and Rosie Night and is a

0:33:47.560 --> 0:33:49.000
<v Speaker 1>production of iHeart Podcast.

0:33:49.400 --> 0:33:52.960
<v Speaker 2>Our executive producers are Joel Monique and Aaron Kolefman.

0:33:53.200 --> 0:33:55.240
<v Speaker 1>Our supervising producer is Abu Zafar.

0:33:55.640 --> 0:33:59.840
<v Speaker 2>Our producers are Common, Laurent, Dian Jonathan and Fey Wage.

0:34:00.200 --> 0:34:03.120
<v Speaker 1>Song is by Brian Vasquez with alternate theme songs by

0:34:03.120 --> 0:34:03.800
<v Speaker 1>Aaron Kaufman.

0:34:03.960 --> 0:34:07.320
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:34:07.440 --> 0:34:09.200
<v Speaker 2>Heidi our discord moderator