WEBVTT - Ice Cube and F. Gary Gray Interview

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<v Speaker 1>A real key for real celebrity joined the Breakfast Morning.

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<v Speaker 1>Everybody is DJ M v Angela Yee, Charlemagne the guy.

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<v Speaker 1>We are the Breakfast Club. We got two special guests,

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<v Speaker 1>two legends in the building, f Gary Gray and Ice

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<v Speaker 1>Skill Up. What up morning guy? Y'all got another one? Right, yes, sir,

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<v Speaker 1>it's graight out of Compton, right out of Compton. I

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<v Speaker 1>saw this weekend. I had the pleasure of seeing it

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<v Speaker 1>in LA So that's that's a nice place to see it. Yeah,

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<v Speaker 1>you know what I mean, it was a good experience.

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<v Speaker 1>I like, I liked the movie a lot. I got

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<v Speaker 1>so many questions, man, like you was under contract with

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<v Speaker 1>NWA to hold I mean, you wasn't under contract when

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<v Speaker 1>NWA the whole time. No, no contracts that signed the

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<v Speaker 1>contract ain't no really really really it's really that wasn't

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<v Speaker 1>out of bad business back there it was. I'm like,

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<v Speaker 1>so you didn't get paid on the road. That's what

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<v Speaker 1>I was trying to figure out. What you Yeah, yeah,

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<v Speaker 1>I got paid on the road. Okay, it wasn't a

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<v Speaker 1>lot of money, you know what I'm saying. You know,

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<v Speaker 1>but we got paid on the road. So let's bring

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<v Speaker 1>it back. How did NWA come together for people that

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<v Speaker 1>don't know well. You know, Dre ended up moving down

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<v Speaker 1>the street from him with his cousin, Sir Jenks, Sir Jinks.

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<v Speaker 1>You look on my old records, you know. He helped

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<v Speaker 1>me produce a lot of records. So me and him

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<v Speaker 1>was real cool. So when Drake went down there and

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<v Speaker 1>started living, I started to go down there a lot,

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<v Speaker 1>you know what I mean, and just kind of spit

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<v Speaker 1>my rhymes and Drey started feeling me. We started collaborating together.

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<v Speaker 1>He was with a group called the Wrecking Crew. Yeah, yeah, yeah,

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<v Speaker 1>so we started to I started to help him right

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<v Speaker 1>rhymes for the Wrecking Crew, and then we started doing

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<v Speaker 1>mixtapes where we just talked about what was going on

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<v Speaker 1>in the hood. Now when did his image change? Because

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<v Speaker 1>the world Class Wrecking Crew. If you see the pictures

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<v Speaker 1>of the other album covers they had on shiny glitter suites.

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<v Speaker 1>It didn't seem like YA kept the listing out the

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<v Speaker 1>movie too, What lipstick? It was what Lipstick? And they

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<v Speaker 1>have listed on one of the covers the world clubs

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<v Speaker 1>Wrecking Croup. We didn't show no album come on the movie,

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<v Speaker 1>I know, but they had. Yeah, he was DJ and

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<v Speaker 1>at the club. Yeah, did you see the movie Man

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<v Speaker 1>the world class recorcruiter to Nwa as we know it, well,

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<v Speaker 1>the wrecking crew. He was in somebody's crew that was

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<v Speaker 1>ran by dude named grand Master Lines. So they had

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<v Speaker 1>to do it his way and play it his way.

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<v Speaker 1>But you know, we was all right there from the hood.

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<v Speaker 1>So your image don't change. You just grow up what

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<v Speaker 1>you know. You right there. So I haven't seen the

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<v Speaker 1>movie yet, so I can't even say what happens in it.

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<v Speaker 1>But a lot of people haven't. So if we asked

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<v Speaker 1>questions from people who haven't seen the movie, from my

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<v Speaker 1>point of view, I know they had to be a

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<v Speaker 1>lot of discrepancies between people's recollections. Like I'm sure what

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<v Speaker 1>you remember is different than you know, what other people remember.

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<v Speaker 1>So how do you put all of that together? Well,

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<v Speaker 1>you know, you try to make a movie that that

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<v Speaker 1>tells the origin and tells the story. We're trying to

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<v Speaker 1>cram ten years is into two hours, so you know

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<v Speaker 1>you're not gonna get everything in. Sorry you want to lipstick, Sorry,

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<v Speaker 1>you know what I mean. But you can't get everything in,

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<v Speaker 1>you know what I mean. You just gotta tell the

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<v Speaker 1>story and tell what happened in a comprehensive way, and

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<v Speaker 1>it's still a movie. You know, it's still have to

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<v Speaker 1>adhere to the laws of cinematography and film. So that's

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<v Speaker 1>what we're trying to do. We gotta we gotta make

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<v Speaker 1>sure that we're telling a story that people can understand, comprehend,

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<v Speaker 1>follow the characters, and really get behind the group and

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<v Speaker 1>get behind what we're trying to say. You didn't even

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<v Speaker 1>know this movie, right, yeah, I did, you know, because

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<v Speaker 1>when I when I broke out and left the group,

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<v Speaker 1>you know, that was like nineteen eighty nine, So I'm

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<v Speaker 1>doing my thing. I don't know what's going on over there.

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<v Speaker 1>So until we started to uh like research the movie

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<v Speaker 1>and interview everybody and hear everybody's story, then I started learning, like,

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<v Speaker 1>oh damn snap, that it was going through that I

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<v Speaker 1>was going through this, So you know, I was able

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<v Speaker 1>to discover a lot, you know, putting this movie together,

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<v Speaker 1>and I was like, damn it, it's gonna be good,

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<v Speaker 1>right right, right, even with you was in the group, Cia, right,

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<v Speaker 1>that's what it's called. Yea, they say they mentioned it

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<v Speaker 1>in the movie that you was in the group, So

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<v Speaker 1>you probably couldn't get down with NWA, but they never

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<v Speaker 1>showed how you broke apart from that group to get

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<v Speaker 1>with NWA. Do you really care? I mean, you know,

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<v Speaker 1>it's like it's about n WA. You know. CIA is

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<v Speaker 1>like a startup group, you know what I mean, That's

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<v Speaker 1>like your first crew you get with when you first

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<v Speaker 1>started rapping. So yeah, you know, it's so much information. Man.

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<v Speaker 1>I've been on this film for about four years, and

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<v Speaker 1>it's so much drama, so much controversy, so many good

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<v Speaker 1>times and high points and low points, that you could

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<v Speaker 1>actually make three n WA movies out of the information

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<v Speaker 1>that's out there. So you know, we did our best

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<v Speaker 1>to put the right information in there to serve the

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<v Speaker 1>narrative and to make it entertaining and make it, you know,

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<v Speaker 1>edgy like the Stratocompton the album. I agree. How hard

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<v Speaker 1>is it for you to do a movie of this

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<v Speaker 1>magnitude with new actors? So a lot of these got

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<v Speaker 1>that I haven't seen before. Very hard, you know. One

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<v Speaker 1>of the hardest things about making a movie was casting it,

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<v Speaker 1>you know, because everybody's looking at me like you better

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<v Speaker 1>not screw this up. You gotta get this right, and

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<v Speaker 1>so it's so many ways to get it wrong. You know,

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<v Speaker 1>the moment you introduce La Eighties, Jerry curls that whole thing.

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<v Speaker 1>You know, you walk a fine line between humor and reality.

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<v Speaker 1>So I wanted it to make it really authentic and

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<v Speaker 1>make it raw. I don't know how you felt about

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<v Speaker 1>the movie, but we feel like it's extremely raw and

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<v Speaker 1>you're gonna get a piece of not only hip hop history,

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<v Speaker 1>but American history, and it's you know, I think we

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<v Speaker 1>hit it. We wanted to make sure too, that we

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<v Speaker 1>had new faces up there, because you you can see

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<v Speaker 1>them as NWA you wasn't. You know, actors sometimes carry

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<v Speaker 1>baggage and you look at a movie and the baggage

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<v Speaker 1>of that act there, if he didn't messed up this

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<v Speaker 1>week or you know what I mean, had the wrong

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<v Speaker 1>Instagram or whatever. You know what I mean, that baggage

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<v Speaker 1>follow him into the movie and take people out the movie.

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<v Speaker 1>So what we wanted to do was have unknowns that

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<v Speaker 1>you you know, we've done this a lot with my movies,

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<v Speaker 1>to have unknown faces and new faces so you really

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<v Speaker 1>see them as the character we're trying to present. Your

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<v Speaker 1>son was playing. Yeah, that's a great job, by the way,

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<v Speaker 1>Thank you, thank you. Right, Yeah, you know how you

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<v Speaker 1>do you know what I'm saying. You be on your

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<v Speaker 1>kids to to to stand up to uh, you know,

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<v Speaker 1>show their talent. I knew he could do it, you

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<v Speaker 1>know what I mean. I just wanted him to be focused.

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<v Speaker 1>Uh take it serious, extremely serious. Uh. I wanted him to,

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<v Speaker 1>uh to trust Gary, you know, because Gary told me.

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<v Speaker 1>You know, I got him, you know what I'm saying,

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<v Speaker 1>And uh, you know I have trust. I had trusting

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<v Speaker 1>my son. I had trust and Gary, I had trust

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<v Speaker 1>in the process. And uh, he did it. He did

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<v Speaker 1>a great job. You got to back it up just

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<v Speaker 1>a little bit because I wanted to spell any any

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<v Speaker 1>rumors about people feeling like the son his son was

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<v Speaker 1>handed the job. There was no nepotism involved whatsoever. It

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<v Speaker 1>took him two years of auditions and acting coaches. He

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<v Speaker 1>trained on the East Coast and the West Coast, all

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<v Speaker 1>types of callbacks, chemistry testing, things like that. So but

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<v Speaker 1>he was good though. He was really he worked the

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<v Speaker 1>hardest to get the role. The hard I remember when

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<v Speaker 1>a people was up here. I asked you, I said,

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<v Speaker 1>is your son's gonna play you in the movie? And

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<v Speaker 1>he was like, he has that's right. I'm not just

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<v Speaker 1>giving him that because you know, Universal, the Universal brass

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<v Speaker 1>had to okay him. So I never knew if they

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<v Speaker 1>was gonna be like, yo, we need a we need

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<v Speaker 1>a more seasoned acting here. So and and at the

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<v Speaker 1>callbacks it was two or three cubes, two or three

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<v Speaker 1>dres you know what I mean. We had to make

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<v Speaker 1>sure that we wasn't you know, giving him anything. He

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<v Speaker 1>had to earn it and be the best man for

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<v Speaker 1>the job, and I think he was. You had to

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<v Speaker 1>tell him, maybe tell him before, like you know, like, look,

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<v Speaker 1>let me tell you back then, your daddy did this

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<v Speaker 1>that I ain't tell you about before, anything that you

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<v Speaker 1>had to tell him, pull him to the side of like,

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<v Speaker 1>let me tell you about this. I might have knocked

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<v Speaker 1>off these many chicks like anything heard, I ain't the

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<v Speaker 1>one before. He hadn't heard it all. He don't seen

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<v Speaker 1>it all, live through it all. You know. He was

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<v Speaker 1>born in ninety one, you know what I mean. I

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<v Speaker 1>was still in the in the mix, you know what

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<v Speaker 1>I'm saying, back then, So you know he he knows

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<v Speaker 1>the stories. Uh. I didn't have to show him or

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<v Speaker 1>I wouldn't embarrassed to show him nothing, you know, not

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<v Speaker 1>my kids not easy son, easy son, tried out for

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<v Speaker 1>it as well. He didn't he didn't make the part

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<v Speaker 1>as an actor, he wasn't that well as an act,

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<v Speaker 1>or that he had no seasoning or he had no training. Well,

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<v Speaker 1>you know, it's not that. It's one of those things

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<v Speaker 1>where again nepotism does not play a role and making

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<v Speaker 1>a movie. The bottom line is, once the novelty of

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<v Speaker 1>your son, you know, wears off. You know, that's playing

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<v Speaker 1>the movie. You have to carry an entire movie and

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<v Speaker 1>a little Easy is good. He's from the streets. He's

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<v Speaker 1>a real dude. It's just we required someone who had

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<v Speaker 1>the strength and the ability to carry entire movie and

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<v Speaker 1>chops you know, you know, a little different from character.

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<v Speaker 1>With Easy, it's a it's an extremely hard art. That's

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<v Speaker 1>because you're going from him selling dope and to all

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<v Speaker 1>the way to him dying at age. You got to

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<v Speaker 1>have an actor who's uh got the chops to be

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<v Speaker 1>able to bring that and not to flobobd miss it

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<v Speaker 1>or or or not give you or not give Gary

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<v Speaker 1>what he needed to uh to, you know, to bring

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<v Speaker 1>up it's a classic leading role man. You have to

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<v Speaker 1>have the ability to actually be vulnerable and masculine. You

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<v Speaker 1>have to have the street credibility, which you are actually

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<v Speaker 1>look easy, has a ton of that. He's man. But

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<v Speaker 1>when it comes to vulnerability, it takes a very few

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<v Speaker 1>young men, black men from the streets could actually give

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<v Speaker 1>you that. We're not used to doing that in real life,

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<v Speaker 1>let alone being vulnerable enough in front of a camera,

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<v Speaker 1>especially that that's really the whole theater got quiet and

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<v Speaker 1>all you heard with somebody said my own one normal,

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<v Speaker 1>Oh wow, we just started. It was tough, bro. That's

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<v Speaker 1>it's a good movie. But you don't want to take

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<v Speaker 1>a girl on the date if you ain't never knocked

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<v Speaker 1>off before. That's not true. It's not true. This movie

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<v Speaker 1>gonna make you laugh, it's gonna make you cheer, it's

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<v Speaker 1>gonna make you cry. Everything that you want in a movie.

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<v Speaker 1>That's right now. If y'all agree. You said that you

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<v Speaker 1>are encouraged by the progression of law enforcement. But you know,

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<v Speaker 1>when I watched the movie, I feel like things were

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<v Speaker 1>really bad then, but I feel like they've gotten worse.

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<v Speaker 1>What did you, guys? I said, I'm optimistic. I'm cautiously

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<v Speaker 1>optimistic because you know, we didn't have cell phones and

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<v Speaker 1>the internet and social media back there. They took a

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<v Speaker 1>pen and pad and a microphone to shine a light on,

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<v Speaker 1>you know, excessive force. And now with all the headlines

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<v Speaker 1>with CNN, with with you guys, where everybody kind of

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<v Speaker 1>shining in the light and you seeing the videos, I

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<v Speaker 1>think the pressure is on the pressures on a leaders,

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<v Speaker 1>The pressure is on a leader and law leaders in

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<v Speaker 1>law enforcement. And you know, maybe I'm too hopeful, but

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<v Speaker 1>I kind of feel like, if you got a son

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<v Speaker 1>or daughter and you run the risk of being on

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<v Speaker 1>television every night shooting a man in the back, and

0:11:34.840 --> 0:11:37.680
<v Speaker 1>your kids got to watch this, maybe when you lean

0:11:37.760 --> 0:11:42.320
<v Speaker 1>towards successivefore, you might make a different choice. So, you know,

0:11:42.520 --> 0:11:44.720
<v Speaker 1>maybe I'm too optimistic, but I kind of feel like

0:11:44.760 --> 0:11:49.040
<v Speaker 1>all this pressure, all these headlines, eventually something's gotta give.

0:11:49.200 --> 0:11:51.240
<v Speaker 1>We're gonna push towards change. And I'm kind of tired

0:11:51.240 --> 0:11:54.640
<v Speaker 1>of protesting. I'm tired to burnish stuff down. I think,

0:11:54.720 --> 0:11:57.120
<v Speaker 1>you know, we gotta look at federal law. We gotta

0:11:57.160 --> 0:11:58.920
<v Speaker 1>look at these body cams, We're gotta look at the

0:11:59.000 --> 0:12:02.439
<v Speaker 1>dash cams. We got to start charging people who tamper

0:12:02.520 --> 0:12:05.400
<v Speaker 1>with these videos. And so with the combination of federal

0:12:05.480 --> 0:12:09.160
<v Speaker 1>law and the combinations pressure I am optimistic about what

0:12:09.240 --> 0:12:11.480
<v Speaker 1>the future looks like. What I like about the movie is,

0:12:11.520 --> 0:12:14.240
<v Speaker 1>you know, the Police was a very controversial record, but

0:12:14.280 --> 0:12:16.959
<v Speaker 1>it showed what led y'all to make that record. It

0:12:17.000 --> 0:12:18.880
<v Speaker 1>whatether like y'all was just trying to create a song

0:12:18.920 --> 0:12:21.480
<v Speaker 1>for shock value. Y'all actually went through experiences that cause

0:12:21.520 --> 0:12:23.720
<v Speaker 1>y'all to make that record. Yeah, you know, with the

0:12:23.720 --> 0:12:26.720
<v Speaker 1>whole movie, we wanted to show like why, you know,

0:12:26.800 --> 0:12:29.720
<v Speaker 1>you know what to wear, but you don't know the why.

0:12:29.920 --> 0:12:32.680
<v Speaker 1>So we wanted to show that. You know, we wanted

0:12:32.679 --> 0:12:37.480
<v Speaker 1>to give Compton. Uh, it's like the six member n WA.

0:12:37.600 --> 0:12:40.880
<v Speaker 1>You know, Compton is a part of the movie. It

0:12:41.000 --> 0:12:44.280
<v Speaker 1>is the backdrop. You do feel like, this is the

0:12:44.280 --> 0:12:48.320
<v Speaker 1>reason why these youngsters from this area decided to go

0:12:48.360 --> 0:12:51.400
<v Speaker 1>at it this hard. And you know, to me, the

0:12:51.520 --> 0:12:57.040
<v Speaker 1>movie really displays, you know, what forged in WA and

0:12:57.760 --> 0:13:02.120
<v Speaker 1>how NWA changed the community. So it's a movie that

0:13:02.200 --> 0:13:05.760
<v Speaker 1>really shows two sides of this coin, not just the community.

0:13:06.000 --> 0:13:09.000
<v Speaker 1>The rap game. I mean it was one of the

0:13:09.040 --> 0:13:11.439
<v Speaker 1>starts of gangster rap, you know. Yeah, and what you

0:13:11.559 --> 0:13:14.839
<v Speaker 1>being from New York, was it difficult to do that

0:13:14.880 --> 0:13:16.600
<v Speaker 1>movie because I mean it was I'm not really from

0:13:16.600 --> 0:13:18.920
<v Speaker 1>New York though really I was born in Manhattan, but

0:13:18.960 --> 0:13:23.400
<v Speaker 1>I was only here for two weeks. Um. You know,

0:13:23.840 --> 0:13:26.640
<v Speaker 1>I love New York. But I was raised in South

0:13:26.679 --> 0:13:30.880
<v Speaker 1>central LA and went to high school at the end

0:13:30.920 --> 0:13:33.400
<v Speaker 1>in Chicago. So I got a little bit of both,

0:13:33.480 --> 0:13:36.760
<v Speaker 1>but pretty much in South central LA. You know, in

0:13:36.800 --> 0:13:39.800
<v Speaker 1>the movie A Jerry Hella told Easy that you wanted

0:13:39.800 --> 0:13:47.080
<v Speaker 1>to be him? Come on for what? Why would I

0:13:47.080 --> 0:13:50.560
<v Speaker 1>want to be here writing rhyme? You know, I'm like,

0:13:51.720 --> 0:13:54.160
<v Speaker 1>so that was never true. You know, I wanted I

0:13:54.200 --> 0:13:56.720
<v Speaker 1>wanted to be treated fair like he was being treated fair.

0:13:57.080 --> 0:13:59.760
<v Speaker 1>You know what I'm saying, so so to speak. You know,

0:14:00.000 --> 0:14:02.319
<v Speaker 1>so I just wanted, uh, you know, I just wanted

0:14:02.400 --> 0:14:05.560
<v Speaker 1>to be you know, treat it fair and get what

0:14:05.600 --> 0:14:07.800
<v Speaker 1>I was supposed to get in the least have a

0:14:07.960 --> 0:14:11.600
<v Speaker 1>chance to look at my contract before I signed it.

0:14:11.640 --> 0:14:14.640
<v Speaker 1>You know, that's that's just criminal. Did you reach out

0:14:14.679 --> 0:14:16.640
<v Speaker 1>to Jerry Heller when doing this movie to get any

0:14:16.640 --> 0:14:19.400
<v Speaker 1>of his accounts? I know he wrote the book Ruthless before,

0:14:19.480 --> 0:14:22.680
<v Speaker 1>But did you actually say, I know, you know, whatever situation,

0:14:22.720 --> 0:14:24.160
<v Speaker 1>But did you say, hey, we just want to get

0:14:25.040 --> 0:14:28.120
<v Speaker 1>your side of things? Ever? No, you know, Gary's the

0:14:28.160 --> 0:14:32.160
<v Speaker 1>director of the movie. He did his research. Yeah, you

0:14:32.200 --> 0:14:35.560
<v Speaker 1>know from talk to Jerry Heller. You know. The thing is,

0:14:36.240 --> 0:14:39.080
<v Speaker 1>it was important for me to do my homework. Of course,

0:14:39.120 --> 0:14:41.720
<v Speaker 1>I you know, read the book thoroughly. I did a

0:14:41.760 --> 0:14:44.600
<v Speaker 1>ton of research. And you know, when you have dre

0:14:45.000 --> 0:14:48.400
<v Speaker 1>Yella Que and Wren there to give you first hand

0:14:48.440 --> 0:14:51.640
<v Speaker 1>accounts of their interactions with all of these guys, it

0:14:51.680 --> 0:14:53.960
<v Speaker 1>makes it easier for you to pull it together. Especially

0:14:54.880 --> 0:14:57.440
<v Speaker 1>I'm telling you it's first hand accounts. I'm not googling stuff.

0:14:57.440 --> 0:15:00.280
<v Speaker 1>I'm not looking on Wiki Wikipedia to get deep hells.

0:15:00.320 --> 0:15:03.440
<v Speaker 1>I got the guys who were there. That was good enough.

0:15:03.760 --> 0:15:05.240
<v Speaker 1>How hard was it for you to walk away from

0:15:05.280 --> 0:15:09.320
<v Speaker 1>that seventy five grand man? I don't want to tell

0:15:09.360 --> 0:15:13.920
<v Speaker 1>too much of the movie, like the contract, you know,

0:15:14.080 --> 0:15:16.480
<v Speaker 1>And finally they wanted him to sign a contract. But

0:15:16.480 --> 0:15:18.800
<v Speaker 1>in order to sign a contract, he was like, you're

0:15:18.800 --> 0:15:20.720
<v Speaker 1>getting to seventy five grand if you sign this contract.

0:15:20.720 --> 0:15:26.280
<v Speaker 1>Basically away, I was real close to pushing that man

0:15:26.360 --> 0:15:29.280
<v Speaker 1>down and grabbing that damn check. You know what I'm saying.

0:15:29.440 --> 0:15:31.520
<v Speaker 1>You know, I was thinking all kinds of stuff, so

0:15:31.960 --> 0:15:34.800
<v Speaker 1>I needed that money. But you know where I come from.

0:15:34.840 --> 0:15:37.680
<v Speaker 1>Minute if you know, you ain't getting what you're supposed

0:15:37.720 --> 0:15:41.800
<v Speaker 1>to get, and you still there, and you still in

0:15:41.920 --> 0:15:45.400
<v Speaker 1>it to win it, and you still pretending like everything cool.

0:15:45.600 --> 0:15:48.040
<v Speaker 1>You know, you just some of your manhood is just

0:15:48.160 --> 0:15:51.640
<v Speaker 1>not we're supposed to be. So, you know, I just

0:15:51.720 --> 0:15:54.240
<v Speaker 1>had to walk away just for my own dignity and

0:15:54.440 --> 0:15:57.000
<v Speaker 1>just because I already knew it wasn't right. You know,

0:15:57.080 --> 0:15:59.920
<v Speaker 1>somebody trying to get you to sign a contract without

0:16:00.040 --> 0:16:04.680
<v Speaker 1>letting you get any representation or let anybody see it.

0:16:04.680 --> 0:16:07.080
<v Speaker 1>It's just, you know, they're trying to beat you, period,

0:16:07.240 --> 0:16:09.760
<v Speaker 1>and I couldn't stay. And a lot of people are

0:16:09.760 --> 0:16:11.960
<v Speaker 1>doing crazy contracts back then though, So that's a good

0:16:11.960 --> 0:16:14.640
<v Speaker 1>common sense because I do feel like so many people

0:16:14.800 --> 0:16:17.080
<v Speaker 1>back then signed contracts just because they wanted to get

0:16:17.080 --> 0:16:19.480
<v Speaker 1>that chatter. Yeah, I mean they got crazy contracts. Now

0:16:19.520 --> 0:16:23.520
<v Speaker 1>you ever heard them? Three sixty man? Please? Now you

0:16:23.520 --> 0:16:25.440
<v Speaker 1>mentioned early that you used to write for some of

0:16:25.480 --> 0:16:29.120
<v Speaker 1>the members of n WA. Yeah, yeah, yeah, yeah. Now

0:16:29.320 --> 0:16:31.640
<v Speaker 1>of course we have to talk about Meek Mills said

0:16:31.640 --> 0:16:33.640
<v Speaker 1>recently that Drake doesn't write its own rhymes. Do you

0:16:33.720 --> 0:16:35.720
<v Speaker 1>feel that that makes or break you as a rapper

0:16:35.840 --> 0:16:38.200
<v Speaker 1>or it hurts your street credibility or hurts anything that

0:16:38.200 --> 0:16:39.720
<v Speaker 1>you're doing because you wrote for a lot of the members.

0:16:40.040 --> 0:16:43.520
<v Speaker 1>If you're making records, it don't matter. Anything that matters

0:16:43.600 --> 0:16:46.200
<v Speaker 1>is what's coming out to speaking. If you up there

0:16:46.160 --> 0:16:48.680
<v Speaker 1>at m seeing and you just like a battle artist

0:16:48.760 --> 0:16:53.040
<v Speaker 1>or you just want to be a true master ceremony,

0:16:53.160 --> 0:16:55.280
<v Speaker 1>you should write your own rhymes. You know what I'm saying.

0:16:55.320 --> 0:16:58.440
<v Speaker 1>If you're making records, records have been made by committee

0:16:58.760 --> 0:17:02.160
<v Speaker 1>since records have been made, so it don't matter. It

0:17:02.240 --> 0:17:05.080
<v Speaker 1>just matters what's coming out the speaker. That's all that

0:17:05.119 --> 0:17:07.840
<v Speaker 1>matters on the record, not who put it, how it's

0:17:07.920 --> 0:17:10.240
<v Speaker 1>been put together. Who was in the studio, who wrote

0:17:10.240 --> 0:17:12.480
<v Speaker 1>this line, who thought of this hook, you know what

0:17:12.520 --> 0:17:14.879
<v Speaker 1>I mean? Who was smoking weed? Who rolled the blunt?

0:17:15.200 --> 0:17:17.680
<v Speaker 1>All that don't matter. You know what matters is is

0:17:17.720 --> 0:17:19.719
<v Speaker 1>it dope when I hear it? Because I don't care

0:17:19.760 --> 0:17:22.480
<v Speaker 1>about all that. All I care about is the product

0:17:22.920 --> 0:17:25.760
<v Speaker 1>that you're trying to sell me, and is it dope?

0:17:25.920 --> 0:17:28.320
<v Speaker 1>And that's all that matters. Uh. Now, if you're on

0:17:28.400 --> 0:17:31.600
<v Speaker 1>the mic you want to be, you know, mister battle artists,

0:17:31.800 --> 0:17:34.680
<v Speaker 1>and you want to battle everybody, then you should write

0:17:34.720 --> 0:17:36.119
<v Speaker 1>your own rhymes. You should be a true m C

0:17:36.680 --> 0:17:40.080
<v Speaker 1>and write you on rhymes, because then then you're more interesting.

0:17:40.359 --> 0:17:41.600
<v Speaker 1>You know what I'm saying. You can't go to a

0:17:41.600 --> 0:17:44.040
<v Speaker 1>battle on somebody wrote your rhymes. I mean, That's why

0:17:44.200 --> 0:17:46.640
<v Speaker 1>I wonder what the author of Novasoline thinks that these

0:17:47.359 --> 0:17:50.320
<v Speaker 1>modern day battles that are going on between like Drake

0:17:50.320 --> 0:17:53.080
<v Speaker 1>and Meek Mill. I love him. I love him, you

0:17:53.119 --> 0:17:55.960
<v Speaker 1>know what I mean. That's what hip hop is all. Yeah,

0:17:56.000 --> 0:17:59.399
<v Speaker 1>you know, I grew up on l going at it,

0:17:59.440 --> 0:18:02.080
<v Speaker 1>you know, so I always love the battles, you know,

0:18:02.119 --> 0:18:04.200
<v Speaker 1>as long as it stay on wax. You know, once

0:18:04.240 --> 0:18:06.080
<v Speaker 1>it go to the street, it's the street and ain't

0:18:06.119 --> 0:18:08.239
<v Speaker 1>hip hop no more, you know, So as long as

0:18:08.240 --> 0:18:10.959
<v Speaker 1>it stay on wax is fun. It's dope. You know.

0:18:11.040 --> 0:18:13.080
<v Speaker 1>People should try to you know, I don't feel like

0:18:13.080 --> 0:18:16.760
<v Speaker 1>you things back then, like I feel like I feel

0:18:16.840 --> 0:18:20.520
<v Speaker 1>like now if you like they detail it in the movie,

0:18:20.720 --> 0:18:22.520
<v Speaker 1>by the way, but I'm saying I feel like now,

0:18:22.520 --> 0:18:24.680
<v Speaker 1>anything he said it gets unders scrutiny, like, oh he

0:18:24.760 --> 0:18:26.760
<v Speaker 1>said that, that's wrong. You shouldn't have said that. I

0:18:26.800 --> 0:18:30.119
<v Speaker 1>feel like back then it was like no say anything,

0:18:30.200 --> 0:18:33.159
<v Speaker 1>and now orders shouldn't care what other people got to

0:18:33.160 --> 0:18:35.520
<v Speaker 1>say about what they do, and if they if they

0:18:35.520 --> 0:18:38.560
<v Speaker 1>didn't care, and if they just really did what they felt,

0:18:39.080 --> 0:18:42.680
<v Speaker 1>then they'll say what they feel and not be worried

0:18:42.720 --> 0:18:45.600
<v Speaker 1>about what's gonna what's gonna be the twitter out your

0:18:45.720 --> 0:18:50.879
<v Speaker 1>endorsement situations, lose endorsement situations because of their lyrics. N

0:18:50.960 --> 0:18:53.920
<v Speaker 1>I don't seen people lose careers. You're worried about endorsements,

0:18:54.200 --> 0:18:56.440
<v Speaker 1>you know what I mean. I've seen people get their careers,

0:18:57.000 --> 0:19:02.320
<v Speaker 1>you know. Uh, basically then two and uh, so you

0:19:02.320 --> 0:19:04.560
<v Speaker 1>can't worry about nothing. You gotta go for that juggular.

0:19:05.000 --> 0:19:06.879
<v Speaker 1>You said it was issues after Novastling because in the

0:19:06.920 --> 0:19:08.919
<v Speaker 1>movie they show everybody getting mad and acting like they

0:19:08.960 --> 0:19:11.720
<v Speaker 1>wanted to do something, but they didn't show nothing actually happened.

0:19:13.280 --> 0:19:15.439
<v Speaker 1>Didn't mention that easy? Had you jumped to something like

0:19:15.480 --> 0:19:20.639
<v Speaker 1>that it was a couple of fist fights. Yeah. Was

0:19:20.640 --> 0:19:22.560
<v Speaker 1>it in your head from the beginning for Doctor Jay

0:19:22.600 --> 0:19:25.640
<v Speaker 1>to do the soundtrack for the movie or soundtrack inspired

0:19:25.680 --> 0:19:27.800
<v Speaker 1>by the movie? Did you say, all right, at some point,

0:19:27.880 --> 0:19:29.760
<v Speaker 1>I know he's gonna want to do a soundtrack or

0:19:29.840 --> 0:19:31.760
<v Speaker 1>was it a surprise when he said I was so

0:19:31.880 --> 0:19:34.680
<v Speaker 1>inspired I decided to do this for me, it was

0:19:35.080 --> 0:19:37.080
<v Speaker 1>it was kind of a surprise. You know. We went

0:19:37.480 --> 0:19:39.600
<v Speaker 1>on a boat trip for like two weeks and I

0:19:39.640 --> 0:19:41.880
<v Speaker 1>told him what type of movie I wanted to make.

0:19:42.119 --> 0:19:44.560
<v Speaker 1>I show, you know, I kind of illustrated the vision,

0:19:44.960 --> 0:19:47.359
<v Speaker 1>and he said, you know what, I'll join. I'll join

0:19:47.440 --> 0:19:49.359
<v Speaker 1>the crew and you know, help you guys develop it

0:19:49.400 --> 0:19:51.679
<v Speaker 1>and put my two cents in. And then during the

0:19:51.720 --> 0:19:54.639
<v Speaker 1>process of development, he just jumped in the studio and

0:19:54.680 --> 0:19:56.720
<v Speaker 1>the songs just started coming. And he made a ton

0:19:56.760 --> 0:19:58.680
<v Speaker 1>of songs. And I don't know if I can say

0:19:58.720 --> 0:20:03.320
<v Speaker 1>it on there, but it's crazy. It's crazy. They might

0:20:03.320 --> 0:20:05.280
<v Speaker 1>be a part two soundtrack. I don't know if it's

0:20:05.280 --> 0:20:08.600
<v Speaker 1>a part two, but I know that I'm happy he

0:20:08.640 --> 0:20:11.399
<v Speaker 1>was inspired by the movie and what he's got coming.

0:20:11.400 --> 0:20:14.400
<v Speaker 1>It is crazy, it's dope. It also shows you coming

0:20:14.440 --> 0:20:16.760
<v Speaker 1>to New York to record with the bomb Squad. If

0:20:16.760 --> 0:20:18.760
<v Speaker 1>you know the story, you know the bombs, getting me

0:20:18.840 --> 0:20:20.520
<v Speaker 1>jackets and stuff like that. Was it the time where

0:20:20.520 --> 0:20:23.360
<v Speaker 1>you ever felt safer in New York than early? No

0:20:25.600 --> 0:20:29.480
<v Speaker 1>where you get these crazy I see in the movie

0:20:29.520 --> 0:20:31.480
<v Speaker 1>got you got into the fight at the escalator. I'm

0:20:31.640 --> 0:20:33.560
<v Speaker 1>saying he was good in New York. They love we

0:20:33.640 --> 0:20:37.800
<v Speaker 1>love Cuban. Yeah, you know, but you know, I feel

0:20:37.880 --> 0:20:41.680
<v Speaker 1>safer at home than anywhere on the planet. I was

0:20:41.720 --> 0:20:44.600
<v Speaker 1>meaning um Luke Uncle Luke's book and he was talking

0:20:44.680 --> 0:20:46.680
<v Speaker 1>about how hard it was for him to be embraced

0:20:46.680 --> 0:20:48.719
<v Speaker 1>in New York, and he said NWA had a similar

0:20:48.760 --> 0:20:51.239
<v Speaker 1>issue coming to New York and not being embraced. When

0:20:51.280 --> 0:20:53.480
<v Speaker 1>you guys first, when we first came to New York,

0:20:53.480 --> 0:20:55.640
<v Speaker 1>we got booed. It was a seminar that was out

0:20:55.680 --> 0:20:58.560
<v Speaker 1>here and they had all the rappers go up to

0:20:58.880 --> 0:21:02.680
<v Speaker 1>to uh to the Apollo and perform, you know what

0:21:02.680 --> 0:21:06.200
<v Speaker 1>I mean. And we was like fresh new, I think

0:21:06.240 --> 0:21:09.600
<v Speaker 1>easy had we want easy out like so we only

0:21:09.600 --> 0:21:13.120
<v Speaker 1>had a few little songs, so we jumped on stage. Man,

0:21:13.240 --> 0:21:17.800
<v Speaker 1>they was man, they saw them Jerry curls over a

0:21:18.040 --> 0:21:22.840
<v Speaker 1>boo boo boo. Yeah, yeah, yeah, I would mean you know,

0:21:23.560 --> 0:21:27.880
<v Speaker 1>so so I'm fine about to say, Man Kurts blow

0:21:27.960 --> 0:21:35.520
<v Speaker 1>rock one. But were mad. We was feeling bad about

0:21:35.560 --> 0:21:37.480
<v Speaker 1>it was feeling bad. Was like damn man, you know,

0:21:37.480 --> 0:21:39.199
<v Speaker 1>we ain't gonna never crack. You know. It was like

0:21:39.240 --> 0:21:42.600
<v Speaker 1>this this nut we could not crack, you know. Uh.

0:21:43.200 --> 0:21:45.119
<v Speaker 1>Iced Tea was the only one getting a little bit

0:21:45.160 --> 0:21:47.840
<v Speaker 1>of love. So it was like damn. And then we

0:21:47.840 --> 0:21:50.800
<v Speaker 1>was in the elevated with a Run. I think Run

0:21:51.560 --> 0:21:53.879
<v Speaker 1>he looked he saw Easy. He was like, you're that

0:21:53.960 --> 0:21:56.840
<v Speaker 1>kid to do poison the hood, right. It's like, yeah, man, man,

0:21:56.880 --> 0:21:59.720
<v Speaker 1>I like that. So when Run endorsed us like that,

0:22:00.240 --> 0:22:02.920
<v Speaker 1>it's like, man, look it's a matter of time, baby,

0:22:03.000 --> 0:22:04.680
<v Speaker 1>he gonna love us out here. It's a matter of time.

0:22:05.000 --> 0:22:06.800
<v Speaker 1>So you know, that kind of made us feel good.

0:22:06.840 --> 0:22:09.040
<v Speaker 1>But yeah, we got we got booed the first time

0:22:09.080 --> 0:22:12.119
<v Speaker 1>we came in New York and to perform f gagor

0:22:12.200 --> 0:22:15.119
<v Speaker 1>was then anything that the stars Cuban Dre wanted to

0:22:15.240 --> 0:22:17.520
<v Speaker 1>cut out the movie. I wanted to cut out of

0:22:17.520 --> 0:22:19.280
<v Speaker 1>the movie. What do you mean just in general, like

0:22:19.320 --> 0:22:21.080
<v Speaker 1>any any any part of the story, like, you know what,

0:22:21.160 --> 0:22:23.760
<v Speaker 1>let's just keep that up. No, not necessarily. I mean

0:22:23.880 --> 0:22:26.920
<v Speaker 1>our biggest problem was, you know, we had too much.

0:22:27.000 --> 0:22:29.840
<v Speaker 1>The original cuts three hours and thirty thirty minutes long,

0:22:30.160 --> 0:22:32.919
<v Speaker 1>and so the biggest challenge besides finding the cast was

0:22:33.000 --> 0:22:35.440
<v Speaker 1>cutting it down. So that's you know, a two hour

0:22:35.600 --> 0:22:37.560
<v Speaker 1>movie because they didn't really show like the death row

0:22:37.640 --> 0:22:42.360
<v Speaker 1>Easy Beef too much. You know what, It's we showed

0:22:42.520 --> 0:22:45.080
<v Speaker 1>no vaceline, We showed some of the death row stuff,

0:22:45.119 --> 0:22:45.960
<v Speaker 1>you know what I mean. You know, I don't want

0:22:45.960 --> 0:22:48.160
<v Speaker 1>to tell the whole movie, but I think we put

0:22:48.200 --> 0:22:50.160
<v Speaker 1>it in its right place. We tried to make sure

0:22:50.200 --> 0:22:53.320
<v Speaker 1>everything that pertained to in Wa was in the movie,

0:22:53.560 --> 0:22:56.879
<v Speaker 1>you know, because everybody got their side stories. You know,

0:22:56.960 --> 0:22:58.919
<v Speaker 1>we can all do movies. I could still do an

0:22:58.920 --> 0:23:02.320
<v Speaker 1>ice Cube movie and in Nwa part of being ten minutes,

0:23:02.359 --> 0:23:05.280
<v Speaker 1>So you know what I mean. It's like, we just

0:23:05.359 --> 0:23:08.639
<v Speaker 1>tried to make sure that we told a comprehensive story

0:23:08.720 --> 0:23:12.760
<v Speaker 1>that you can follow and understand what happened. You know,

0:23:13.600 --> 0:23:15.880
<v Speaker 1>we know people gonna research us. We know it's gonna

0:23:15.920 --> 0:23:20.640
<v Speaker 1>be documentaries. It's already documentaries made. There's plenty of articles.

0:23:20.920 --> 0:23:23.600
<v Speaker 1>People that's Lutter's movie are gonna go and find all

0:23:23.600 --> 0:23:26.959
<v Speaker 1>the nooks and crannies and uh, you know, even Charlemagne

0:23:27.000 --> 0:23:30.919
<v Speaker 1>is gonna put a movie together with the Nwa stuff

0:23:30.920 --> 0:23:34.840
<v Speaker 1>that wasn't in the movie. So you know what I'm saying.

0:23:34.920 --> 0:23:38.120
<v Speaker 1>But but but it's enough. You know, you can't show everything,

0:23:38.160 --> 0:23:41.000
<v Speaker 1>but we show what we needed to show to have

0:23:41.080 --> 0:23:45.320
<v Speaker 1>a great movie, and it's dope. August Fourteenth's right, there's

0:23:45.320 --> 0:23:52.480
<v Speaker 1>a director's cut. By the way, did you want a

0:23:52.600 --> 0:23:59.960
<v Speaker 1>ninety minute movie in NWA fast Food? That's the reason.

0:24:00.280 --> 0:24:01.960
<v Speaker 1>Get When people watch the movie, they say, you know what,

0:24:02.280 --> 0:24:04.040
<v Speaker 1>we wanted to get more and more and more, and

0:24:04.080 --> 0:24:06.639
<v Speaker 1>so you know, we have a plan for that, but

0:24:06.720 --> 0:24:09.480
<v Speaker 1>we want people to enjoy the theatrical release. Now ask

0:24:09.520 --> 0:24:11.199
<v Speaker 1>you this has inspired you to make want to make

0:24:11.200 --> 0:24:14.840
<v Speaker 1>your own movie about Ice Cub's life. Not really, you know,

0:24:15.040 --> 0:24:17.840
<v Speaker 1>this was hard enough. It's fun of going back and

0:24:17.920 --> 0:24:21.240
<v Speaker 1>doing the you know, ride along and just you know,

0:24:21.280 --> 0:24:24.199
<v Speaker 1>it's easier to make up as you go along than

0:24:24.359 --> 0:24:26.880
<v Speaker 1>dealing with this real life stuff. This real life stuff.

0:24:27.240 --> 0:24:30.800
<v Speaker 1>It's just hard because you can't just cut stuff out.

0:24:30.600 --> 0:24:33.119
<v Speaker 1>You lose something here, you gotta lose something there. It

0:24:33.280 --> 0:24:38.040
<v Speaker 1>just it has this crazy effect. And you know, anybody

0:24:38.080 --> 0:24:41.400
<v Speaker 1>who's put together a true story in a movie knows

0:24:41.400 --> 0:24:44.520
<v Speaker 1>when I'm talking about that. It's just it's just extra

0:24:44.640 --> 0:24:47.280
<v Speaker 1>hard to get it right now, Fay, how do you

0:24:47.280 --> 0:24:49.520
<v Speaker 1>avoid things like lawsuits like I saw when they did

0:24:49.560 --> 0:24:52.080
<v Speaker 1>the TLC movie and then Pebbles just trying to sue

0:24:52.080 --> 0:24:54.399
<v Speaker 1>because she didn't like the portrayal of herself in that movie.

0:24:54.880 --> 0:24:57.800
<v Speaker 1>How do you avoid something like that. Um, it's too

0:24:57.880 --> 0:24:59.720
<v Speaker 1>soon to tell, you know, I just wanted to focus

0:24:59.800 --> 0:25:02.240
<v Speaker 1>on in the movie though, you know, I wasn't concerned

0:25:02.240 --> 0:25:04.600
<v Speaker 1>with that. I'm sure Universal, you know, kind of did

0:25:04.600 --> 0:25:06.320
<v Speaker 1>what they had to do to make sure they protected

0:25:06.359 --> 0:25:08.600
<v Speaker 1>the movie and the company and stuff like that. But

0:25:08.640 --> 0:25:11.560
<v Speaker 1>I wasn't concerned about that. I just wanted to make

0:25:11.600 --> 0:25:14.639
<v Speaker 1>the movie as raw as the album. And that's what

0:25:14.720 --> 0:25:17.240
<v Speaker 1>we did. So we'll see. Talk to me in a month.

0:25:17.240 --> 0:25:20.320
<v Speaker 1>And after it was the NBA reunion actually gonna happen,

0:25:21.280 --> 0:25:23.040
<v Speaker 1>what you mean, because like in the end, it was

0:25:23.040 --> 0:25:25.280
<v Speaker 1>like y'all was trying to get everybody back together. Oh yeah, yeah,

0:25:25.280 --> 0:25:28.399
<v Speaker 1>no doubt, no doubt. We was definitely uh, you know,

0:25:28.440 --> 0:25:30.520
<v Speaker 1>I had my head ready for it, you know. So

0:25:31.040 --> 0:25:33.960
<v Speaker 1>it's like he died right before we had a chance

0:25:33.960 --> 0:25:36.280
<v Speaker 1>to really go in there. And I mean, you know,

0:25:36.800 --> 0:25:41.560
<v Speaker 1>y'all giving up the movie? Hold up, that's Charlemagne doing

0:25:41.560 --> 0:25:43.960
<v Speaker 1>all that. I know, but a lot of people have

0:25:44.040 --> 0:25:49.000
<v Speaker 1>it yet who better about ship with Shular involved? Because

0:25:49.000 --> 0:25:51.480
<v Speaker 1>I knew he was mad at clearly not was he

0:25:51.600 --> 0:25:53.159
<v Speaker 1>mad because he wanted to put his two cents and

0:25:53.200 --> 0:25:55.680
<v Speaker 1>what was his movie? I don't know what. He was

0:25:55.720 --> 0:26:00.000
<v Speaker 1>mad about him. He probably heard this is gonna happen

0:26:00.000 --> 0:26:02.200
<v Speaker 1>and he wanted to come down there and it didn't

0:26:02.200 --> 0:26:07.800
<v Speaker 1>go well. It didn't go well at all. It's a movie.

0:26:08.440 --> 0:26:11.920
<v Speaker 1>Look crazy in the movie, thank you, nobody looked crazy.

0:26:12.119 --> 0:26:14.119
<v Speaker 1>He probably had no idea though maybe he's just in

0:26:14.160 --> 0:26:16.280
<v Speaker 1>his head. I don't know. But let me ask you

0:26:16.280 --> 0:26:18.360
<v Speaker 1>one more question. How close were you with everybody else

0:26:18.400 --> 0:26:21.479
<v Speaker 1>before making this movie? Did this bring y'all that closer together?

0:26:22.440 --> 0:26:26.879
<v Speaker 1>Or were you always always, always, you know, close contact.

0:26:26.920 --> 0:26:28.680
<v Speaker 1>I don't know what that is. You know, It's like

0:26:30.000 --> 0:26:32.560
<v Speaker 1>I had been solo for so long doing my thing,

0:26:32.640 --> 0:26:35.680
<v Speaker 1>that was doing anything. You know. We were cool, you know,

0:26:35.800 --> 0:26:38.800
<v Speaker 1>and we all busiest hell, and we all you know,

0:26:40.320 --> 0:26:42.359
<v Speaker 1>family reunion. Yeah, you know what I'm saying. When we

0:26:42.359 --> 0:26:45.240
<v Speaker 1>see each other's like family reunion, we're talking again, talking

0:26:45.760 --> 0:26:50.080
<v Speaker 1>and reminiscing about the old times and enjoying this ride.

0:26:50.200 --> 0:26:52.639
<v Speaker 1>None of us can really believe that we was able

0:26:52.880 --> 0:26:55.879
<v Speaker 1>to get a movie off like this at this quality level,

0:26:56.240 --> 0:26:58.960
<v Speaker 1>you know, at a studio like Universal. So it's a

0:26:59.040 --> 0:27:03.040
<v Speaker 1>prestigious more for the group. And uh, we know, easy

0:27:03.040 --> 0:27:05.720
<v Speaker 1>with love this movie and be proud of it. And

0:27:05.720 --> 0:27:07.840
<v Speaker 1>and um, you know that's what it's all about. What

0:27:08.160 --> 0:27:10.199
<v Speaker 1>made you do so much reality right back in the day,

0:27:10.200 --> 0:27:11.320
<v Speaker 1>because you know in the movie they show you on

0:27:11.359 --> 0:27:14.119
<v Speaker 1>the school bus. You know, they show easy like actually

0:27:14.200 --> 0:27:16.159
<v Speaker 1>in the screen, like what made you What do you

0:27:16.200 --> 0:27:18.600
<v Speaker 1>mean man, when you black you from the street? What

0:27:18.640 --> 0:27:22.240
<v Speaker 1>are you talking about? How can you be in the

0:27:22.320 --> 0:27:24.439
<v Speaker 1>hood and not be from the hood? I don't know

0:27:24.440 --> 0:27:27.639
<v Speaker 1>what you mean though, can be in the hood? What

0:27:27.800 --> 0:27:32.800
<v Speaker 1>is put in work? In your aspect? Killing somebody, shooting somebody,

0:27:32.880 --> 0:27:38.520
<v Speaker 1>robbing somebody, that's criminal behavior. I ain't got nothing to

0:27:38.560 --> 0:27:40.560
<v Speaker 1>do with being hood. Man, I'm so sick of that.

0:27:41.320 --> 0:27:43.320
<v Speaker 1>You know what I'm saying. You gotta you gotta do it.

0:27:44.320 --> 0:27:48.840
<v Speaker 1>You gotta do crime to write a rap. No, you know,

0:27:49.160 --> 0:27:53.120
<v Speaker 1>you gotta be a boat poetry to paint a boat. Okay,

0:27:53.320 --> 0:27:55.399
<v Speaker 1>that's right. Did you film any of the behind the

0:27:55.440 --> 0:27:57.840
<v Speaker 1>scenes discussions of you guys sitting down and like this

0:27:58.080 --> 0:28:00.159
<v Speaker 1>what was gonna go on in the movie, and like

0:28:00.240 --> 0:28:02.280
<v Speaker 1>conversations with each other like remember when this happened? Remember

0:28:02.320 --> 0:28:05.200
<v Speaker 1>when this happened? I did? I shot some of what

0:28:05.240 --> 0:28:08.440
<v Speaker 1>you're gonna do with it? Oh? Man, I don't know.

0:28:08.600 --> 0:28:10.240
<v Speaker 1>I don't know if we could release that, but it's good.

0:28:10.720 --> 0:28:13.000
<v Speaker 1>It's good. I sat down with Dre for about four

0:28:13.000 --> 0:28:14.720
<v Speaker 1>hours and he gave me all the ins and out

0:28:14.760 --> 0:28:17.480
<v Speaker 1>to n WA, the death Row stuff, and it was

0:28:18.119 --> 0:28:20.879
<v Speaker 1>you know, he's a very private guy, and so it's

0:28:20.920 --> 0:28:23.119
<v Speaker 1>good out of relationship with him because he just opened up.

0:28:23.119 --> 0:28:25.080
<v Speaker 1>And I think that's what makes the movie authentic because

0:28:25.080 --> 0:28:27.639
<v Speaker 1>you get things in the movie you will not you know,

0:28:27.760 --> 0:28:32.800
<v Speaker 1>Google or get from with. Nobody else could have done this. No, No,

0:28:33.000 --> 0:28:35.840
<v Speaker 1>there's probably a couple of people. No, because your relationship

0:28:35.880 --> 0:28:38.840
<v Speaker 1>with ice Cube Dre, it would have been really difficult

0:28:38.880 --> 0:28:40.840
<v Speaker 1>for anybody else to get those I mean I was

0:28:40.880 --> 0:28:43.520
<v Speaker 1>definitely there when when they left NWA. I did a

0:28:43.520 --> 0:28:45.720
<v Speaker 1>lot of the videos for que when he went solo.

0:28:45.800 --> 0:28:48.000
<v Speaker 1>True to the game. Really though, today was a good day,

0:28:48.040 --> 0:28:51.040
<v Speaker 1>and of course my first movie Friday and he didn't

0:28:51.080 --> 0:28:56.720
<v Speaker 1>Natural One Killers, which mean Dre got back together. Really,

0:28:56.840 --> 0:29:00.880
<v Speaker 1>nobody I probably had, you know, not at this level,

0:29:01.040 --> 0:29:03.440
<v Speaker 1>not with this much love, you know what I'm saying.

0:29:03.440 --> 0:29:06.600
<v Speaker 1>It had been a good job. It was a personal

0:29:06.640 --> 0:29:08.959
<v Speaker 1>story for me too, because I grew up um a

0:29:09.000 --> 0:29:12.160
<v Speaker 1>couple of miles away from Cube in La During that time.

0:29:12.160 --> 0:29:14.680
<v Speaker 1>It was dangerous, it was fun, it was all those things.

0:29:14.760 --> 0:29:16.560
<v Speaker 1>So you know, I got a chance to tell a

0:29:16.600 --> 0:29:19.760
<v Speaker 1>little bit about my life as well, because you know,

0:29:20.160 --> 0:29:22.560
<v Speaker 1>none of us went to college for this stuff, and

0:29:22.640 --> 0:29:24.920
<v Speaker 1>we all made it out of that environment and built

0:29:24.920 --> 0:29:28.120
<v Speaker 1>our own careers in movies and technology and all this

0:29:28.160 --> 0:29:31.080
<v Speaker 1>type of stuff. So it was personal to me because, um,

0:29:31.120 --> 0:29:35.120
<v Speaker 1>I either witnessed or experienced firsthand what they were rapping about.

0:29:35.600 --> 0:29:37.040
<v Speaker 1>So you know, I don't know if I ever get

0:29:37.080 --> 0:29:39.840
<v Speaker 1>a chance for all of these elements to intersect in

0:29:39.840 --> 0:29:42.680
<v Speaker 1>a movie creatively for me, So you know, maybe I

0:29:42.760 --> 0:29:45.560
<v Speaker 1>was the one for the job, but um it was personal,

0:29:46.160 --> 0:29:49.360
<v Speaker 1>definitely personal. Grey are you your name's been thrown around

0:29:49.360 --> 0:29:52.280
<v Speaker 1>the directed Black Panther movie. I keep hearing rumors, man,

0:29:52.320 --> 0:29:55.480
<v Speaker 1>but you know they haven't reached out yet, so you

0:29:55.520 --> 0:29:59.640
<v Speaker 1>put that. I went on the blog I started in

0:29:59.680 --> 0:30:03.520
<v Speaker 1>my own. This was in the first movie marro movie

0:30:04.120 --> 0:30:07.480
<v Speaker 1>I've been kind of involved in. This was, Uh. I

0:30:07.560 --> 0:30:10.600
<v Speaker 1>just keep hearing rumors, man. You know, I'm really just

0:30:10.640 --> 0:30:13.560
<v Speaker 1>focused on Stratocompton. I'm not really worried about what's next.

0:30:14.000 --> 0:30:16.120
<v Speaker 1>Still lost in the world of NWA. I don't I

0:30:16.160 --> 0:30:17.560
<v Speaker 1>don't want to give too much of the movie where

0:30:17.560 --> 0:30:24.240
<v Speaker 1>we did you know you did you actually go in

0:30:24.280 --> 0:30:28.840
<v Speaker 1>the room with easy No, No, I didn't explain no

0:30:28.920 --> 0:30:34.959
<v Speaker 1>room to the movie. So that's how I really played up.

0:30:35.760 --> 0:30:39.240
<v Speaker 1>We did the movie, man, we did really happen. Okay,

0:30:41.720 --> 0:30:44.920
<v Speaker 1>what does that do that? Well, guess what it makes

0:30:44.960 --> 0:30:45.960
<v Speaker 1>the listener to be like, well, I need to go

0:30:46.000 --> 0:30:47.760
<v Speaker 1>see what they're talking about. What's that wrong about? Right

0:30:48.480 --> 0:30:50.240
<v Speaker 1>that room? You know that? That's how it's gonna be

0:30:50.280 --> 0:30:52.000
<v Speaker 1>for the rest of y'all written. People are gonna ask

0:30:52.040 --> 0:30:55.160
<v Speaker 1>nothing but questions about the past. Now that's cool. That's

0:30:55.640 --> 0:31:02.280
<v Speaker 1>that means that hotel scene with Policia, I'm sure that

0:31:02.400 --> 0:31:09.959
<v Speaker 1>is fired. I ain't the one. My wife don't need

0:31:09.960 --> 0:31:16.120
<v Speaker 1>to ask me about. No records. Ice Cuban f Gary Gray.

0:31:16.240 --> 0:31:16.800
<v Speaker 1>There we go.