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Speaker 1: Wake, Come on, Wake, come on, Envy Ye and Charlomagne

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Speaker 1: wame on everybody that anybody comes to the Breakfast Club.

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Speaker 1: You know you get voice to people that would be voiceless.

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Speaker 1: Right now. Your show has the post of the culture. Yeah,

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Speaker 1: everyone smells successful for all that now, cain't nobody to

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Speaker 1: tell you'll don't stop to the team. It's a breakfast club.

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Speaker 1: Wait wait, Quake, your podcast up is your time to

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Speaker 1: get it off your chests, whether you're mad or blast

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Speaker 1: so Peo better have the same in. We want to

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Speaker 1: hear from you on the Breakfast Club. Hello, who's this dude?

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Speaker 1: What charm? What dja? Envy? What up? Brothers King? How

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Speaker 1: are you doing? My brother? What up? Charlomy Peace King?

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Speaker 1: How are you on Blosos Black and Holly Favor? How

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Speaker 1: are you brother? Brother? My first time on Breakference Club. Bro.

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Speaker 1: I just want to get it off my chests. Man.

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Speaker 1: I just want to say, have a great fourth to July.

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Speaker 1: Everybody to faith and don't let the fireworks turn the

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Speaker 1: good play? Okay, thank you brother? That's real. Hello? Who's

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Speaker 1: this this curving out of Houston? Whatever? Brother? Or what's

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Speaker 1: going on? Good morning? Asking a good morning? How are you.

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Speaker 1: I'm doing fine. Good by morning, brother, Good morning, Charlot

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Speaker 1: Mane of Guard, Peace King. How are you doing, black man?

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Speaker 1: I'm doing all right. I'm cup to celebrate back beautiful

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Speaker 1: black queen. All right, shout her out? What's your name?

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Speaker 1: I want to celebrate ices Keller right here, all the

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Speaker 1: youth and take this my beautiful black queen. You know,

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Speaker 1: were to to celebrate teen years in July, and I

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Speaker 1: just want to celebrate, hug and thank God for making

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Speaker 1: me the happiest man alive. Yes, I love to hear it.

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Speaker 1: The happiest man alive. Okay, thank you brother. Hey getting

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Speaker 1: off your chests? Yeah, I ain't got nothing to get

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Speaker 1: off my chest? Really, man, I was serious. I was

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Speaker 1: watching to ride Along yesterday and I score. I said,

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Speaker 1: Charlot man On, there you did, cop. I wasn't right

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Speaker 1: along playing a cop. People you know had a nice

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Speaker 1: little cameo. I walk out right before Ice Cuban, Kevin Hart.

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Speaker 1: They come behind me. Yeah, I three no, man, man,

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Speaker 1: I love what I'll do. Man, listen to y'all every

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Speaker 1: morning when I get off work. Man, keep it up.

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Speaker 1: Thank you brother? Hello, who's this? Yo's your boy? Clutch

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Speaker 1: coming from Dade County. What's up? Brother? I wanted to

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Speaker 1: give a beautiful shout out to my beautiful co workers,

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Speaker 1: dad be camping, Miss John said her birthday coming up

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Speaker 1: on the damn a teeth, and to my beautiful future fiance.

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Speaker 1: I'm a proposed, I asked all her birthday on the seventeen. Okay, okay,

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Speaker 1: all right, all right, proud of you man? Is it

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Speaker 1: a surprise because if it was, no, No, she work

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Speaker 1: right now, show listen to radio, stay shape because she'll

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Speaker 1: get fired. But you know what when her friends and

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Speaker 1: family members tells her they they ain't gon to that,

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Speaker 1: shout out the numbers on lock. Ain't gonna do that?

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Speaker 1: All right? Stop cursing? Are cursing? At? Oh? I apologize.

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Speaker 1: I have a good one. Hello, who's this yet? Let naptown? Then?

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Speaker 1: What's up? Brother? Get it off your chest? I want

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Speaker 1: to get off my chest well as I got a question.

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Speaker 1: So I ended behind a motorcycle and had some something

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Speaker 1: needs to be sick. I ain't giving you no money

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Speaker 1: for your goddamn motorcycle. We don't even don't even put

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Speaker 1: your cash out out there that I see where it's going.

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Speaker 1: No listen, no, listen listen, listen. So I mean it's

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Speaker 1: kind of I'm kind of heated, like trying to keep

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Speaker 1: my coobes. It like it was some money I was

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Speaker 1: saving up for my first day and it was either

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Speaker 1: vacation or get my bike fixed. So like, okay, I'm

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Speaker 1: go ahead and get my bite fixed. So apparently all

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Speaker 1: the stuff that the dude said he did, he didn't

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Speaker 1: do all of it. So he gave me out of

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Speaker 1: like like damn there two thousand and I think it's

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Speaker 1: a different mechanic and he said, you know, well this

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Speaker 1: pick like this piece is not new, this and this

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Speaker 1: and this. So I'm just warning, like what do I

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Speaker 1: do at this point? Like soon? Did anything I can do?

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Speaker 1: Can't you? Soon? Can't? You? Can't you get one of these?

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Speaker 1: They got attorneys their handle business like this? Do you

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Speaker 1: have a contract when you signed it? This here? Like

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Speaker 1: what do you have some type anything like I get

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Speaker 1: like in voices and stuff, but not, well, I guess

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Speaker 1: not really necessarily a contract. If you If you I

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Speaker 1: you that you was gonna do some work and he

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Speaker 1: didn't do the work, I'm sure that there's some legal

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Speaker 1: action to be taken. Have you looked at it? Have

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Speaker 1: you looked at the reviews for his company too, to

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Speaker 1: see what other people are saying. Uh yeah, I mean

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Speaker 1: I didn't really speak too much negat TV because I

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Speaker 1: mean I'm normally a person kind of stick up about that.

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Speaker 1: So I did some research, and I mean it seemed legit, okay,

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Speaker 1: And there's the Better Business Bureau too that you can

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Speaker 1: also do it there. That's what it's called. There you

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Speaker 1: go okay. But I would let him know. I would

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Speaker 1: be like, look, this is what you did not do.

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Speaker 1: And I like to put things in writing, so I

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Speaker 1: would send, I would call, and I would send an

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Speaker 1: email detailing what he did wrong, what should have been done,

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Speaker 1: what wasn't done, and also let him know that you

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Speaker 1: do plan to take action. Good luck, brother, Get it

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Speaker 1: off your chests eight hundred five eight five one on

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Speaker 1: five one. If you need to bend hit this uthing

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Speaker 1: now was the breakfast club? Good morning, the breakfast Club.

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Speaker 1: There's power one five one the breakfast club. And ya all,

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Speaker 1: I mean the god I'm telling I'm telling her, what's

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Speaker 1: you doing? Man? Holl of yo, this is your time

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Speaker 1: to get it off your chest, whether you're mad or blessed.

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Speaker 1: Eight hundred five eight five one five one. We want

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Speaker 1: to hear from you on the Breakfast Club. Hello, who's this?

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Speaker 1: You know the dominated from ball Domini from Due. What's up? Brother?

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Speaker 1: Want to good morning? Good morning y'all? Want to get

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Speaker 1: off my chest? You'll shut up to my wife? Man,

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Speaker 1: she'd be busting her ass all week a cooking man,

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Speaker 1: Hold y'all follow on Instagram, mat su d A on

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Speaker 1: the Score, Bertie Brown on the Score show. Okay, why

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Speaker 1: she busting her ass cooking this week? You know she's

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Speaker 1: a personal show, private show. Okay, let's correct. Congratulate her man,

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Speaker 1: appreciate appreciate it, y'all. A good morning? All right? Brother? Hello?

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Speaker 1: Who's this? Hey? Good morning? Um? This is Clay calling

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Speaker 1: from North Carolina. Clay, good morning. Get her off your chest? Yes,

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Speaker 1: I wouldn't really like to thank y'all. Well, first of all,

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Speaker 1: I like to thank good morning, d j Envy, good

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Speaker 1: morning Charlotte Magne and God and good morning Miss ye Peace,

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Speaker 1: my guy, how are you? I'm doing great less than

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Speaker 1: highly favored, but I would, but I would like to

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Speaker 1: say thank you to you guys, because you guys don't

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Speaker 1: really know the impact of what you guys say. And

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Speaker 1: um on the way people listen to you. Because I

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Speaker 1: just recently bought a house. Um here and um, every

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Speaker 1: morning I used to listen to you guys. And when

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Speaker 1: DJ Envy used to talk um about buying the house,

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Speaker 1: I used to listen. I just told everybody in the car,

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Speaker 1: shut up, shut up, shut up. I need to hear

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Speaker 1: this and everything. And I never took one of your classes,

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Speaker 1: but I used to listen. And one thing that you

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Speaker 1: used to say about that credit, you got to get

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Speaker 1: that credit right, you know. And UM, I recently bought

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Speaker 1: a house back in October, and UM, I'm so happy.

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Speaker 1: I'm so happy. Well, congratulations, colation. We try to do, man,

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Speaker 1: We try to hear things that we learned outside of

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Speaker 1: this world. We try to, you know, make sure that

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Speaker 1: we teach our people and try to explain to our people.

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Speaker 1: We don't know all the answers all the time, but

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Speaker 1: we just try to point people in the right direction. Brother,

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Speaker 1: But you guys really got to impact and this. Um,

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Speaker 1: you know a lot of a lot of these young

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Speaker 1: girls are really listening to y'all. You know what I'm saying.

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Speaker 1: You so, UM, just keep doing and shall and I

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Speaker 1: we personally, I thank you. We appreciate you. Love brother

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Speaker 1: now shout to um. You know, July thirty, first season,

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Speaker 1: and I are doing a seminar in New York Jacob

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Speaker 1: Javits Center where we're gonna be talking about real estate

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Speaker 1: and breaking down you know, how to get into it

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Speaker 1: starting from credit repair, and we're actually gonna do something special.

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Speaker 1: We gotta a bunch of brothers coming through. I know

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Speaker 1: the brothers from e y Ella be stopping through and

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Speaker 1: we got a credit repair and and we're gonna be

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Speaker 1: talking about hard money loans and conventional lenders. And also

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Speaker 1: I know the brothers from e y Ella doing a

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Speaker 1: invest fest again this year in Georgia. So if you

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Speaker 1: can't make it out to the Jacob Javison a July

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Speaker 1: thirty first make sure you make it out there. And

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Speaker 1: these are just you know, ways where you could learn

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Speaker 1: the game, learn the business. Uh. I like what eyl

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Speaker 1: is doing because they're doing something similar to what we're

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Speaker 1: doing where we're not trying to charge people three four

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Speaker 1: or five thousand and ten thousand dollars. Because I always say,

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Speaker 1: if you're gonna if you got that much money to

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Speaker 1: spend on a course or a class, I'd rather you

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Speaker 1: just buy the house. So we're really both of us

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Speaker 1: just trying to teach our community how to do it,

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Speaker 1: how to build generations well. And Investfest is August fifth

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Speaker 1: through the seventh and Atlanta. I'm actually gonna be there,

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Speaker 1: okay as well, so salute to salute the eyl So

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Speaker 1: definitely get your tickets. Jacob Javison A July thirty first,

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Speaker 1: Uh and uh. Or you can, like I said, invest

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Speaker 1: FSTs in Atlanta, get it off your chest eight hundred

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Speaker 1: five eight five one or five one if you need

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Speaker 1: to hit or something, and you can hit me in

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Speaker 1: my um my link in my buyer because I'm gonna

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Speaker 1: be at Investfests as well, so either or you could

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Speaker 1: check your sneaky link. What means sounded you can't hit me?

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Speaker 1: You can't hit me. I got my link in my bio.

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Speaker 1: You're gonna be with me, So what do you mean,

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Speaker 1: sneaky link, you little sneaky link. Shut up, man. It's

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Speaker 1: the Breakfast Club. Come on, get it off your chest,

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Speaker 1: the Breakfast Club. Step up power one O five one

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Speaker 1: the Breakfast Club. Your morning's will never be the same morning.

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Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne, the guy. We

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Speaker 1: are the Breakfast Club. We got a special guest in

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Speaker 1: the building. Yes, indeed from Bell and we have Jabari Banks. Well,

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Speaker 1: what's going on? How are you feeling, my brother? I'm

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Speaker 1: great man? How y'all man less Black and Hilly Favor. Yeah, exactly,

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Speaker 1: Blessed to be here, blessed to be with y'all. This

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Speaker 1: is incredible, that's right. Congratul on the successive bell As

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Speaker 1: thus far. Did you feel a lot of pressure having

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Speaker 1: to play such an iconic, iconic role, Yeah, definitely, definitely

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Speaker 1: the pressure. But you know, many talks with Will, many

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Speaker 1: talks with Morten Cooper, our creator, and you know, they

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Speaker 1: just reminded me to just be me, be me, you know,

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Speaker 1: bring myself to the role. And you know, it's exactly

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Speaker 1: what Will was doing when he was being the fresh

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Speaker 1: friends in the nineties, you know what I mean. He

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Speaker 1: was trying to be nobody else. That's what I had

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Speaker 1: to do. How did you get into acting? I got

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Speaker 1: into acting in high school and I sort of, you know,

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Speaker 1: it was just like dollying around. And then I went

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Speaker 1: to college for it because my mom needed me to

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Speaker 1: go to college, and I was like, I'll go to

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Speaker 1: college for acting. And then I'm from Philly and I

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Speaker 1: from Maryland. Yeah, and uh West Philadelphia boy and race. Yeah. Yeah, actual,

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Speaker 1: it's crazy because I live I lived in West Philly

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Speaker 1: with my uncle Phil. His name is James. Listen, listen.

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Speaker 1: His name is James James Brogan, right, Okay, but we

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Speaker 1: called him Phil because he lived in Philly and I

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Speaker 1: lived with him for a long time, and so that's

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Speaker 1: why you know, Uncle Phil's real name was James James.

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Speaker 1: A lot of instances within the show, not just me,

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Speaker 1: with everybody in the cast, you know what I mean,

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Speaker 1: that kind of like intertwined them with the story. But yeah, yeah,

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Speaker 1: I went to school in Philly at University of the Arts,

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Speaker 1: and then I fell in love with it. Then, so

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Speaker 1: did you tell people that story like growing up being

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Speaker 1: from Philly and having an uncle named No, it didn't.

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Speaker 1: It didn't make sense. I mean, it didn't look a register,

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Speaker 1: you know what I mean. Like I wasn't really tripping

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Speaker 1: off of it until every thing clicked and then it

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Speaker 1: was like, oh wow, like every part of my life

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Speaker 1: has sort of led up to this. Wow, you know

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Speaker 1: why you were a fresh Prince fan? I'm assuming Yeah, okay,

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Speaker 1: all right, now, according to the Philly Voice dot com,

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Speaker 1: the director, Morgan Cooper Heat had a twenty five thousand

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Speaker 1: dollar budget to do a feature film teaser for bell

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Speaker 1: Air with with different actors. So how did that turn

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Speaker 1: into this is gonna be a show. Well, so basically,

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Speaker 1: you know, Morgan put the trailer out, you know, just

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Speaker 1: out of love and out of a pure place, you

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Speaker 1: know what I mean. He was just like, I love

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Speaker 1: the Fresh Friends, I want to see this, I want

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Speaker 1: to tell the story that I want to tell, you know. Uh,

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Speaker 1: and he just he took that and he put it

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Speaker 1: on YouTube. And I think within the first day Will's company, Westbrook,

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Speaker 1: they hit him up and you know, they were like,

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Speaker 1: we want to, you know, talk with you and develop

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Speaker 1: this thing. And you know, I think a couple of

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Speaker 1: weeks after that, he was sitting with Will and he

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Speaker 1: was talking about, you know, where we want to take

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Speaker 1: this story and uh, you know, years down the line

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Speaker 1: here we are totally different tone though totally different tones.

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Speaker 1: Break that down. Break down if people haven't seen this show,

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Speaker 1: the differences between what we seen as a kid fresh

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Speaker 1: prince of bel Air. Yeah, well, you know, bel Lair

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Speaker 1: twenty twenty two version is a dramatic retelling of the

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Speaker 1: Fresh Prince of bel Lair, the quintessential nineties sitcom, and uh,

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Speaker 1: you know, it's all the characters that we know and love,

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Speaker 1: but basically we get to dive deep into who they

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Speaker 1: are and the actual stories that are going on in

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Speaker 1: their lives, and uh, you know, it's a it's a

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Speaker 1: modern day retelling of the Fresh Prince of bel Air basically,

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Speaker 1: and um, and when you think of the story, you know,

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Speaker 1: our our showrunner TJ. Brady, he said it perfectly. He

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Speaker 1: was like, we all know the story of the Joker,

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Speaker 1: you know what I mean. But when we see jan

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Speaker 1: Kie Phoenix do what he was doing, it was like,

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Speaker 1: did you really think about it? You know what I mean?

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Speaker 1: And so like we get to see the story, we

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Speaker 1: get to see how Will ends up in bell Lair,

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Speaker 1: and it's gonna be super exciting for like old fans

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Speaker 1: and new fans and man, it's it's been crazy to

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Speaker 1: love around the project. Did you were you afraid to

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Speaker 1: turn something that? I guess what's so happy? So I

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Speaker 1: would call it bright. I'll call Fred Prince of bel

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Speaker 1: Air bright? Would you were you afraid to turn something

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Speaker 1: like that? Dark? Nah? I wasn't afraid of it, um

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Speaker 1: because when I had seen Milk Morgan's trailer, I was like, oh,

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Speaker 1: I get it, I get it, and I'm I was

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Speaker 1: like watch that, you know what I mean. And so

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Speaker 1: I think it's I think it's important because it's a

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Speaker 1: reflection of our world, you know what I mean? And

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Speaker 1: I think, you know, it's it's important to see that.

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Speaker 1: How hands on was Will Smith during the taping and

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Speaker 1: all that, I always say that it was it was

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Speaker 1: great that he wasn't because he really gave us. He

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Speaker 1: really left the our retelling and our creation of these

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Speaker 1: characters to our own volition, you know what I mean,

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Speaker 1: And so that allowed us to create these, you know,

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Speaker 1: characters that ourselves are in, you know what I mean.

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Speaker 1: He didn't have his thumb on it, hella, you know

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Speaker 1: what I mean, And so I feel like that's what

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Speaker 1: I appreciated about him. But you know, he definitely gave

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Speaker 1: us a lot of tips. What about the other characters,

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Speaker 1: Carlton and all, any of them coming on and said

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Speaker 1: or did yeah, we have to, we have to. We

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Speaker 1: had a few talks with the original cast, so it

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Speaker 1: was definitely a blessing to to get their blessing then

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Speaker 1: to see that that torch passed, you know what I mean.

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Speaker 1: I always wonder to you know, if and I would

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Speaker 1: love to add world is but maybe he told you.

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Speaker 1: I wonder what he had played that character differently now

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Speaker 1: because you know, oh he's older now and he always

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Speaker 1: said that back then he was he would pretending to

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Speaker 1: be somebody he wasn't, right. I wonder what he played

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Speaker 1: that approach that character different? Definitely. Yeah, I feel you know,

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Speaker 1: like when he when he was, you know, doing the

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Speaker 1: Fresh Friends thing, he had no acting shops at all. Yeah,

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Speaker 1: you know what I mean, and so he was just

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Speaker 1: kind of up there just trying to figure it out.

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Speaker 1: And uh, I definitely think knowing what he knows now,

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Speaker 1: it definitely would have been different, but it wouldn't have

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Speaker 1: been as raw. So you got, you got acting shops,

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Speaker 1: so you weren't doing what willcames, but he said Will

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Speaker 1: used to be saying everybody. It was a little different

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Speaker 1: for me. It was a little different for me because

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Speaker 1: I was a theater actor and so this is my

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Speaker 1: first time being in front of a camera, in front

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Speaker 1: of a forty person you know, camera crew, and uh,

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Speaker 1: and so that was definitely a learning curve for sure.

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Speaker 1: How did this go to? You? Just? You know, I

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Speaker 1: just sent to him my audition, you know, with I had,

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Speaker 1: I had a manager, had an agent that I got

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Speaker 1: through a showcase, and uh, you know, they sent me

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Speaker 1: the call. They were like, Yo, there's this show called

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Speaker 1: bell Air and for this character Will. And I was like,

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Speaker 1: hold on Bellaire Will. And I saw the call and

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Speaker 1: I was like, okay, okay, I could do this. I

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Speaker 1: knew it was me. I just had to prove to

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Speaker 1: everybody else. But I thought that they wanted like a

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Speaker 1: big name, you know what I mean. I thought that

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Speaker 1: they wanted somebody who was recognizable to everybody else. And

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Speaker 1: so I was like, I don't know how I'm gonna

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Speaker 1: get this role, but you know what I mean, I

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Speaker 1: just had to surrender to the whole process. And uh.

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Speaker 1: And so I sent him my call and uh and

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Speaker 1: a couple of a couple of weeks down the line.

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Speaker 1: What did you have to do on that first tape?

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Speaker 1: Do you remember? Yeah, it was a couple It was

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Speaker 1: a couple of scenes. No I have to wrap, no, no,

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Speaker 1: I just uh, I just uh it was it was

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Speaker 1: a couple of scenes. It was actually a scene with

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Speaker 1: Lebron in it. Lebron was supposed to be in the

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Speaker 1: first episode, you know, it was you know, budgeting, you know, well,

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Speaker 1: he was supposed to be playing with it the the people

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Speaker 1: you're playing ball against. No, no, no, no, he was

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Speaker 1: to be at the bell Lay party. Was like, Yo,

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Speaker 1: that's Lebron, you know what I mean. So I didn't

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Speaker 1: seeing Lebron was in it um and I mean as

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Speaker 1: as soon as I read the scenes when I first

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Speaker 1: got the script, I was like, oh, this show has

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Speaker 1: something to say. All right, we have more with Jabari Banks,

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Speaker 1: he plays Will Smith in the new series Bella. We'll

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Speaker 1: talk to them some morest to Breakfast Club, Good morning

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Speaker 1: the Breakfast Club. Oh wait, yat and Charlemagne the Guard

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Speaker 1: top time on the phone called eight hundred and five

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Speaker 1: A five one oh five want to join it to

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Speaker 1: the discussion with the breakfast Club. Talk about it more

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Speaker 1: than everybody's dj Nji Angela, yee. Charlomagne the guy we

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Speaker 1: are the breakfast Club. Now if he's just joining us,

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Speaker 1: we're talking about some of the fattest things you've done.

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Speaker 1: I'm not gonna lie bro. That pizza slice with that

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Speaker 1: shrimp fried rice on it got me like, damn, I

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Speaker 1: bet you that's amazing. And if you like roll the

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Speaker 1: pizza up like it's a like a pizza roll like

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Speaker 1: you put the shrit and rolling. Oh lord, Hello, who's this? Hey?

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Speaker 1: This is all as well? Man, come all the time?

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Speaker 1: Feel you pizza as well? Oh man, man, I did

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Speaker 1: the fattest thing ever last night. I want the food

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Speaker 1: line got me a box with the ice cream Snickers.

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Speaker 1: I wouldn't got me a box of the ice cream

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Speaker 1: clwon Dyke. And then I topped it off with a

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Speaker 1: diet root bear. You island? How much you aking? Why

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Speaker 1: do you get the diet root bed? He might just

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Speaker 1: go all the way in. I got about the stake

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Speaker 1: of our laugh. I thought I had it. I was

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Speaker 1: in Charlemagne, his hand on her most corner that come out.

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Speaker 1: You went to picko whiggily. We went picking whiggily. Food line.

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Speaker 1: Oh I love food line. Listen back in the day

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Speaker 1: when man getting up. If you had like two dollars

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Speaker 1: and you go into food line, you can get you

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Speaker 1: a box of Little Debbie old meal cream pies and

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Speaker 1: one of them big three liters soldiers for ninety nine cents,

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Speaker 1: the generic brand now not no name brand now the

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Speaker 1: food line brand. My goodness. Yeah, So dude, I did

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Speaker 1: something fat I was thinking about all man, I got

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Speaker 1: to call y'all back. So I was the originator right

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Speaker 1: of the song. Girl. You know it's true to y'all.

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Speaker 1: Boy Kevin Lyles, that's how he got on when y'all

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Speaker 1: had that, tell them why you're mad? I'm gonna share

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Speaker 1: that with y'all. You wrote to believe a nilly song. Yeah,

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Speaker 1: I'm from Baltimore. The Baltimore New Marks come out, and

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Speaker 1: I relocated to South Carolina on the credits to say,

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Speaker 1: Kevin Liles, Kevin ain write that song, Kevin a speech,

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Speaker 1: Kevin just the song that ran from Baltimore got on

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Speaker 1: with depth jam. Come on, I'm here to share it

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Speaker 1: this morning. I mean, it don't matter. He won. Kevin,

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Speaker 1: what's your name? King? All as well? All as well? Well,

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Speaker 1: don't sound like it, but I appreciate you. King. Here,

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Speaker 1: I got my trucking company and you go, okay, you

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Speaker 1: living got one of the biggest houses in months corner.

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Speaker 1: Come out when you live at in Mount's Corner. I'm

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Speaker 1: an old fifty two man down there from ww okay, yeah, yeah, yeah, yeah,

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Speaker 1: yeah exactly when you got the biggest houses of mons colder.

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Speaker 1: I ain't mad at you, bro, know exactly where you

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Speaker 1: had off old fifty two. Well, congratulations all as well.

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Speaker 1: Salute to you King, Salute to y'all. Y'all keep up

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Speaker 1: the good work. Man y'all, keep it cool on the

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Speaker 1: stool and keep us laughing in the morning. Come out.

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Speaker 1: That's right, and remember, happiness is subjective, you know what

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Speaker 1: I'm saying. Like you know, people always want to put

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Speaker 1: a dollar out the happiness or you know what you're

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Speaker 1: doing in life. Whatever you're doing in life that makes

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Speaker 1: you happy and you're making a living, you're successful. Hello,

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Speaker 1: who's this successful and happy? There you go? Hello, who's

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Speaker 1: this listen? Jasmine? Good morning, Jasmine, good morning. We'll talking

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Speaker 1: about some of the fattest things you've done. I don't

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Speaker 1: need to make sure this is a judge free zone

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Speaker 1: zone always, so I rememb Virginia. Me and my friend

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Speaker 1: put it like this. We drove from to put it

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Speaker 1: in perspective, Norfolk State to VCU to get a to

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Speaker 1: go to a ladies restaurant that went viral for baby

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Speaker 1: shower plates. Baby shower plates? What are you talking about?

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Speaker 1: She went Vibra We have found her on We found

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Speaker 1: her on Facebook and she went viral because she was

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Speaker 1: selling baby shower place. It's like at the beginning of COVID. Oh,

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Speaker 1: so you want to go find that food? When I

420
00:19:32,520 --> 00:19:34,479
Speaker 1: want to go find that food. We drove from Norfolk

421
00:19:34,520 --> 00:19:37,560
Speaker 1: State up to DCU. We couldn't even go sit down

422
00:19:37,560 --> 00:19:39,879
Speaker 1: in the restaurant. We had to sit our fat hell

423
00:19:41,840 --> 00:19:45,520
Speaker 1: in the Car's the food? Was it worth it? Though?

424
00:19:46,280 --> 00:19:48,240
Speaker 1: Absolutely not? I could have I could have made that.

425
00:19:50,359 --> 00:19:52,560
Speaker 1: But listen, you had you had a great experience with

426
00:19:52,640 --> 00:19:55,960
Speaker 1: your friends. It was a memory, you know, it was memory.

427
00:19:56,280 --> 00:19:58,480
Speaker 1: That's right. And that's what that's what That's what it's about.

428
00:19:58,520 --> 00:20:01,960
Speaker 1: It's about food, fellow ship and and fringe. That's what

429
00:20:02,080 --> 00:20:06,440
Speaker 1: food is for. That's right. That's right, that's right. Thank

430
00:20:06,480 --> 00:20:10,200
Speaker 1: you back. Hello, who's this? It's fresh Fresh with up Man.

431
00:20:10,200 --> 00:20:12,600
Speaker 1: We're talking about some real fat boy inch this morning. Man,

432
00:20:12,640 --> 00:20:15,480
Speaker 1: what's the fattest thing you've done? I ain't gonna lie, bro,

433
00:20:15,520 --> 00:20:17,560
Speaker 1: I'm only like one thick, but everybody who knows me

434
00:20:17,680 --> 00:20:23,760
Speaker 1: can't be fat, fair fattened spirit at gonna lie like

435
00:20:23,800 --> 00:20:26,080
Speaker 1: the fat. The fatten thing got real, bro, everybody said,

436
00:20:26,080 --> 00:20:29,000
Speaker 1: I'm really like probably sick a two fish because I

437
00:20:29,440 --> 00:20:31,680
Speaker 1: do everything fat, bro. Last we got I ate some

438
00:20:31,760 --> 00:20:33,359
Speaker 1: old meal because I don't want to wait on it

439
00:20:33,400 --> 00:20:34,960
Speaker 1: to cool. I put it in the priest for about

440
00:20:35,000 --> 00:20:37,240
Speaker 1: five minute. I don't see nothing wrong that with pizza though,

441
00:20:37,359 --> 00:20:39,800
Speaker 1: Yeah you do that with Yeah, pizza be too hot.

442
00:20:39,800 --> 00:20:41,200
Speaker 1: I just putting it. I putting a little fridge for

443
00:20:41,200 --> 00:20:45,560
Speaker 1: about my mouth. All right, So what about this, I'm

444
00:20:45,600 --> 00:20:49,199
Speaker 1: microwave my icebreak. Now, that's just that's just stupid. Now

445
00:20:49,280 --> 00:20:50,880
Speaker 1: now I do microwave it a little bit if it's

446
00:20:50,880 --> 00:20:54,120
Speaker 1: too hard. Now when you put that spoon in there, yeah, yeah, yeah,

447
00:20:54,119 --> 00:20:56,480
Speaker 1: I do that now, Mica, I do that. No, I

448
00:20:56,520 --> 00:20:58,040
Speaker 1: do that because you want your eyes. I like, you

449
00:20:58,080 --> 00:20:59,840
Speaker 1: gotta want it to be soft. You want that spoon

450
00:20:59,880 --> 00:21:02,000
Speaker 1: to just go right through it. Yeah, you don't want

451
00:21:02,160 --> 00:21:04,680
Speaker 1: to be I don't microwave it though. I just put

452
00:21:04,680 --> 00:21:07,360
Speaker 1: it on the counter for a little while. I don't

453
00:21:07,400 --> 00:21:12,800
Speaker 1: microwave it, man, I give about fifteen get there, okay, okay, okay,

454
00:21:13,080 --> 00:21:14,919
Speaker 1: well thank you? All right? All right, man, So now

455
00:21:15,000 --> 00:21:17,879
Speaker 1: y'll feel fat, y'all hungry like I am. The food

456
00:21:17,920 --> 00:21:20,399
Speaker 1: is amazing, bro. The moral of the story is, you know,

457
00:21:20,760 --> 00:21:22,720
Speaker 1: I think you diet as a bank account, and good

458
00:21:22,720 --> 00:21:25,160
Speaker 1: food choice is a good good investment. And it doesn't

459
00:21:25,160 --> 00:21:27,520
Speaker 1: sound like y'all making good investments like I was talking about,

460
00:21:27,600 --> 00:21:29,679
Speaker 1: we just random things. It sounds like there's some of

461
00:21:29,720 --> 00:21:32,480
Speaker 1: y'all regular everyday diet a right to just make sure

462
00:21:32,520 --> 00:21:35,360
Speaker 1: you're making uh, you know, good food choices to make

463
00:21:35,400 --> 00:21:37,639
Speaker 1: good investments, that's all. But man, food is life. Well,

464
00:21:37,680 --> 00:21:40,240
Speaker 1: I love food so much. Absolutely, Lord have mercy. We

465
00:21:40,320 --> 00:21:43,359
Speaker 1: all fat, we all trans fat, bro, and we just

466
00:21:43,400 --> 00:21:47,399
Speaker 1: need to accept it. Don't nobody really like eating healthy? No? No,

467
00:21:47,600 --> 00:21:52,480
Speaker 1: healthy could be delicious? That's not true. Sure it definitely? Yeah,

468
00:21:52,560 --> 00:21:56,200
Speaker 1: I don't sure. Take the man Jose is a juices

469
00:21:56,240 --> 00:21:59,040
Speaker 1: for life. Those are amazing. It's like dessert, they're good.

470
00:22:00,160 --> 00:22:03,080
Speaker 1: Take nothing tastes good like angos. Oh my god, I

471
00:22:03,119 --> 00:22:06,000
Speaker 1: love a good juicy mango. If all this stuff we

472
00:22:06,119 --> 00:22:08,119
Speaker 1: really loved to eat was healthy, like if there was

473
00:22:08,200 --> 00:22:10,800
Speaker 1: if Chrispy Creme donuts kept us alive, guess we'd be

474
00:22:10,800 --> 00:22:14,160
Speaker 1: eating this morning right now? For me. If Chick fil

475
00:22:14,200 --> 00:22:16,440
Speaker 1: A's what gave us muscles, guess what we'd be eating

476
00:22:16,440 --> 00:22:18,080
Speaker 1: this morning? Remember what I used to eat every morning

477
00:22:18,160 --> 00:22:22,040
Speaker 1: up here? And I love taste Spinas with garlic yem

478
00:22:23,000 --> 00:22:26,840
Speaker 1: all right, well the breakfast Club, Good morning, the breakfast club,

479
00:22:29,440 --> 00:22:33,639
Speaker 1: everyone power one on five one, the breakfast Club and

480
00:22:34,200 --> 00:22:43,119
Speaker 1: Angela and Charlemagne the God, go up the sex and

481
00:22:43,200 --> 00:23:00,600
Speaker 1: he and I can put you in. Go up the

482
00:23:00,680 --> 00:23:07,840
Speaker 1: sex and a U and I canna put you in.

483
00:23:11,560 --> 00:23:19,720
Speaker 1: I can put you in. I could see the whole

484
00:23:19,760 --> 00:23:22,600
Speaker 1: city from this balcony. Back in twenty nineteen, I was

485
00:23:22,600 --> 00:23:24,720
Speaker 1: outside freely. But now they got that out for me.

486
00:23:25,840 --> 00:23:27,439
Speaker 1: I don't care what frand that you was in. You

487
00:23:27,480 --> 00:23:30,320
Speaker 1: can't out for me. Keep dreaming pineapple juice. I give

488
00:23:30,320 --> 00:23:33,560
Speaker 1: a sweet, sweet sweet. I know what they like, so

489
00:23:33,640 --> 00:23:36,399
Speaker 1: I just keep cheesesing hard drive. Feel like he's seeking,

490
00:23:37,119 --> 00:23:39,760
Speaker 1: trying to come the same day as Jack rethinking, 'alla

491
00:23:39,760 --> 00:23:42,760
Speaker 1: need Jeevanshi, you need Jesus. Why do y'all sleep on me?

492
00:23:42,880 --> 00:23:46,880
Speaker 1: How new your reasons? I got plex in the mail

493
00:23:47,000 --> 00:23:49,639
Speaker 1: peak season. Shout out to my ups workers, making sure

494
00:23:49,640 --> 00:23:52,800
Speaker 1: I'll received you could do it to believe I've benna,

495
00:23:53,400 --> 00:24:01,639
Speaker 1: go after sex and a H and knocknn put you in.

496
00:24:05,400 --> 00:24:14,919
Speaker 1: I can put you in. Yes, I am, They say

497
00:24:15,000 --> 00:24:17,600
Speaker 1: he was superstarting out down. I guess I am, you

498
00:24:17,680 --> 00:24:20,200
Speaker 1: might be the man. Well that's unless I am okay,

499
00:24:20,200 --> 00:24:23,600
Speaker 1: I'll come firs. I am go ahead and get undressed.

500
00:24:23,640 --> 00:24:27,680
Speaker 1: I am okay. Cool, you're on sunset. I'm about to slide. Okay,

501
00:24:27,760 --> 00:24:31,320
Speaker 1: I'm outside. Okay. This lifestyle don't got any downside except

502
00:24:31,320 --> 00:24:33,680
Speaker 1: for the lack of time. I get around my family

503
00:24:33,800 --> 00:24:36,040
Speaker 1: making sure they never downside. I got visions of my

504
00:24:36,080 --> 00:24:38,520
Speaker 1: mom saying, wait, this house is mine. I can't lie.

505
00:24:38,600 --> 00:24:40,480
Speaker 1: I'm on Angus cloud nine. I got him on the

506
00:24:40,560 --> 00:24:43,639
Speaker 1: bandwagon now about the time. I ain't even got no downtime.

507
00:24:43,880 --> 00:24:45,920
Speaker 1: Every time I speak, she said, yeah, that sounds fine.

508
00:24:46,080 --> 00:24:53,640
Speaker 1: I've ben throw up the sex and her uh huh

509
00:24:54,600 --> 00:24:59,680
Speaker 1: and k I canna put you in. I can put

510
00:24:59,720 --> 00:25:17,680
Speaker 1: you in. I've ben go after sex and a morning.

511
00:25:17,720 --> 00:25:21,520
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

512
00:25:21,520 --> 00:25:23,119
Speaker 1: are a breakfast club. We got a special guests in

513
00:25:23,160 --> 00:25:26,760
Speaker 1: the building, very requested guests. And he's been ducking us

514
00:25:26,760 --> 00:25:30,000
Speaker 1: for years. Never that, I never that, never that, I've

515
00:25:30,040 --> 00:25:32,080
Speaker 1: never ducked out you. I thought you guys just didn't

516
00:25:32,080 --> 00:25:36,040
Speaker 1: you know. Yeah, God for his head? What's up? What's in?

517
00:25:36,080 --> 00:25:38,640
Speaker 1: Good morning? Good why are you man? I'm excellent, man.

518
00:25:38,760 --> 00:25:42,000
Speaker 1: I mean I'm sleepy as man. Um. Yeah, you guys

519
00:25:42,000 --> 00:25:45,960
Speaker 1: are early, yeah, morning. That's why it's called a breakfast club.

520
00:25:45,960 --> 00:25:49,439
Speaker 1: I thought you shot in the middle of afternoon. No

521
00:25:49,560 --> 00:25:52,600
Speaker 1: breakfast starving. You know, I got hunger breath. We've already

522
00:25:52,640 --> 00:25:55,800
Speaker 1: had like great conversations before the mike even opened. Oh yeah,

523
00:25:55,840 --> 00:25:58,040
Speaker 1: you know, yeah we did a little bit. We didn't.

524
00:25:59,640 --> 00:26:01,640
Speaker 1: I just thought that you had to have a special

525
00:26:01,720 --> 00:26:03,600
Speaker 1: something had to be going on for Youffy, have you

526
00:26:03,640 --> 00:26:05,199
Speaker 1: ever tried to be on this show? Have you ever

527
00:26:05,240 --> 00:26:07,880
Speaker 1: had anybody reach out and say yes, mad People have

528
00:26:07,880 --> 00:26:09,520
Speaker 1: come to me and say, Yo, Godfrey wants to do

529
00:26:09,560 --> 00:26:11,680
Speaker 1: brekfas Club. When you're gonna have Godfrey on breakfast Club,

530
00:26:12,160 --> 00:26:15,040
Speaker 1: does anybody trying to book it? I'm saying, flame, Flame.

531
00:26:15,920 --> 00:26:18,440
Speaker 1: That's my homie who I've came up with in Chicago.

532
00:26:19,240 --> 00:26:21,320
Speaker 1: He was like, it's like, I've you need to get

533
00:26:21,359 --> 00:26:23,040
Speaker 1: on Breakfast Club. You need to I'm gonna tell him

534
00:26:23,040 --> 00:26:24,480
Speaker 1: you got to get on Breakfast Club. I said, but

535
00:26:24,760 --> 00:26:26,520
Speaker 1: what do I have? I thought you to have some

536
00:26:27,119 --> 00:26:30,080
Speaker 1: like a movie coming out, TV show coming out. But

537
00:26:30,160 --> 00:26:33,120
Speaker 1: I'm like, what do you say a lot. But then

538
00:26:33,160 --> 00:26:38,160
Speaker 1: I saw some people that ain't got It's like I'm

539
00:26:38,160 --> 00:26:40,800
Speaker 1: about to get on. They don't do a damn thing.

540
00:26:41,880 --> 00:26:43,840
Speaker 1: Get on. I read into you with the Nick Canna

541
00:26:43,880 --> 00:26:46,320
Speaker 1: Show and shout out to Nick Cannon first off, and

542
00:26:46,400 --> 00:26:49,359
Speaker 1: then sorry about his show got canceled. He didn't get

543
00:26:49,359 --> 00:26:51,160
Speaker 1: a fair shake. Man. Six months is in the long enough.

544
00:26:51,200 --> 00:26:53,239
Speaker 1: First of all, you can keep That's what I love

545
00:26:53,280 --> 00:26:55,959
Speaker 1: about this show. You guys keep it one hundred here. Absolutely.

546
00:26:56,280 --> 00:27:00,560
Speaker 1: They'll let white dudes stay on for thirty years as

547
00:27:00,560 --> 00:27:04,240
Speaker 1: averages and then we get cut off quick six months.

548
00:27:04,280 --> 00:27:07,000
Speaker 1: You can't even be an animation. They cut us off quick,

549
00:27:07,920 --> 00:27:13,320
Speaker 1: like come on, Like Black Dynamite done, I done, Boomdocs done,

550
00:27:14,080 --> 00:27:16,960
Speaker 1: Cleveland show done, and it was white people doing black

551
00:27:16,960 --> 00:27:20,320
Speaker 1: people voices done. Uh, you didn't know that. You didn't

552
00:27:20,320 --> 00:27:22,720
Speaker 1: know that. Oh yeah Cleveland they were all white people

553
00:27:22,760 --> 00:27:27,359
Speaker 1: doing doing black people voices. Yeah yeah, and then done Boom.

554
00:27:27,440 --> 00:27:30,200
Speaker 1: So it's like, but the Simpson has been on since

555
00:27:30,400 --> 00:27:35,720
Speaker 1: nineteen old. Yeah, they had thousand, thousand, what else? American

556
00:27:36,040 --> 00:27:38,560
Speaker 1: all of that, But like Nick Cannon, that needed time

557
00:27:38,600 --> 00:27:41,480
Speaker 1: to like like gel you know what I'm saying. It's

558
00:27:41,520 --> 00:27:45,800
Speaker 1: like with the nighttime talk shows and like they've all

559
00:27:45,960 --> 00:27:48,680
Speaker 1: been on forever, and then our city we had to

560
00:27:48,720 --> 00:27:50,840
Speaker 1: wait twenty years for the same black dude to come

561
00:27:50,880 --> 00:27:53,560
Speaker 1: back and then they canceled. You got you gotta give

562
00:27:53,560 --> 00:27:55,960
Speaker 1: people a chance they get the kinks out. Yeah, I

563
00:27:55,960 --> 00:27:58,120
Speaker 1: mean they give they give those white guys and white

564
00:27:58,119 --> 00:28:03,080
Speaker 1: women chances to fit, and they don't get better, and

565
00:28:03,160 --> 00:28:07,560
Speaker 1: they stay horrible, not all of them, but they stay horrible,

566
00:28:07,560 --> 00:28:10,600
Speaker 1: and they're like, but Nick Nick show, I thought, was cool,

567
00:28:11,640 --> 00:28:22,680
Speaker 1: good Nick, that's Staytime Daytimes like kind of you know, yeah,

568
00:28:22,680 --> 00:28:26,280
Speaker 1: it's the demographic, is uh what it's it's I mean,

569
00:28:26,320 --> 00:28:28,480
Speaker 1: I think it's white soccer moms. I think he was

570
00:28:28,480 --> 00:28:31,119
Speaker 1: trying to cater to but and he asked me, hey man,

571
00:28:31,160 --> 00:28:32,879
Speaker 1: why don't you write on my show? I said, okay

572
00:28:32,880 --> 00:28:35,840
Speaker 1: with rip Michael shout out rip Michaels rip. And I

573
00:28:35,920 --> 00:28:38,160
Speaker 1: was like, uh, yeah, okay, I'll do it. I've never

574
00:28:38,200 --> 00:28:41,720
Speaker 1: really done like Daytime, watched Daytime, but I'm like corny,

575
00:28:41,920 --> 00:28:43,920
Speaker 1: but I said it'll be a good challenge. And so

576
00:28:44,040 --> 00:28:45,880
Speaker 1: writing for Nick was cool. You know what I'm saying,

577
00:28:46,000 --> 00:28:48,040
Speaker 1: just to see the way Nick works. As I've been

578
00:28:48,080 --> 00:28:50,480
Speaker 1: doing the what's you called it? Um, the wild out,

579
00:28:51,360 --> 00:28:53,440
Speaker 1: you know, and Nick asked me to do while I said,

580
00:28:53,480 --> 00:28:55,360
Speaker 1: what was my old ass doing? A while he said, nah, man,

581
00:28:55,560 --> 00:28:58,200
Speaker 1: I'm gonna do old school. There's new school. And just

582
00:28:58,240 --> 00:29:01,080
Speaker 1: to watch Nick work and high so many different African

583
00:29:01,080 --> 00:29:03,280
Speaker 1: Americans and he just hires all kinds of people, but

584
00:29:03,400 --> 00:29:06,600
Speaker 1: just the way he works as a businessman, and then boom.

585
00:29:06,640 --> 00:29:09,960
Speaker 1: That's how I ran it to you. I'm telling you

586
00:29:10,040 --> 00:29:12,800
Speaker 1: Nick is hooked it up. It's always Nick Cannon. So

587
00:29:12,840 --> 00:29:15,000
Speaker 1: that's how I got here. You know, we've been wanting

588
00:29:15,000 --> 00:29:18,920
Speaker 1: you to do the Breakfast Club. I didn't believe you.

589
00:29:19,200 --> 00:29:21,000
Speaker 1: I thought you were lying because I just happened to

590
00:29:21,040 --> 00:29:28,360
Speaker 1: be working for me. I would do. But I was

591
00:29:28,400 --> 00:29:32,120
Speaker 1: like Angela, he is really nice, Like you're like nicer

592
00:29:32,160 --> 00:29:34,280
Speaker 1: than I, but not saying you were me, but you

593
00:29:34,320 --> 00:29:37,600
Speaker 1: were who is your perception? God? For nothing? Really? I

594
00:29:37,600 --> 00:29:39,200
Speaker 1: mean I just thought she was just I don't know,

595
00:29:39,240 --> 00:29:41,400
Speaker 1: because you know, I thought maybe she'd be like like

596
00:29:41,440 --> 00:29:45,520
Speaker 1: a little shit really, but you're super nice, like overly nice,

597
00:29:45,600 --> 00:29:51,240
Speaker 1: like you've been scoring before God free. Now we've been

598
00:29:51,280 --> 00:29:57,080
Speaker 1: like Armagne. Actually FaceTime Shaq when I saw I was

599
00:29:57,200 --> 00:29:59,200
Speaker 1: on FaceTime with Shaq. Yeah, they were talking about the

600
00:29:59,200 --> 00:30:05,520
Speaker 1: t I situation TI, because I guess TI um t

601
00:30:05,760 --> 00:30:09,760
Speaker 1: I did the Shock All Star uh a comedy thing

602
00:30:09,960 --> 00:30:12,640
Speaker 1: he did. Yeah, yeah, I remember we talked about that.

603
00:30:12,680 --> 00:30:14,400
Speaker 1: We said t I was gonna be on that show.

604
00:30:14,680 --> 00:30:16,080
Speaker 1: We had a hard time know he was doing the

605
00:30:16,120 --> 00:30:20,200
Speaker 1: shot comedy during Yeah, why are you making that face?

606
00:30:20,480 --> 00:30:22,560
Speaker 1: I feel like that's that's a little early for that.

607
00:30:23,080 --> 00:30:27,320
Speaker 1: What do you mean, I don't think. I mean I

608
00:30:27,320 --> 00:30:29,560
Speaker 1: thought like the Shock comedy although thing was for people

609
00:30:29,560 --> 00:30:31,600
Speaker 1: who had, like, you know, put in some time in

610
00:30:31,680 --> 00:30:34,600
Speaker 1: the comedy game, like after the platform you just jump

611
00:30:34,640 --> 00:30:39,960
Speaker 1: out on. I mean, I'm just I'm not get shot.

612
00:30:40,040 --> 00:30:41,640
Speaker 1: I mean, I get you know, Ti the celebrity. No,

613
00:30:41,720 --> 00:30:44,479
Speaker 1: but I'm not talking about performance wise. That's usually the

614
00:30:44,480 --> 00:30:48,520
Speaker 1: thing that takes you. I didn't say. If you recall,

615
00:30:48,600 --> 00:30:51,480
Speaker 1: we had a whole conversation up here about Godfrey and

616
00:30:51,640 --> 00:30:54,560
Speaker 1: Ti and how TI went on after Godfrey. You remember

617
00:30:54,560 --> 00:30:57,760
Speaker 1: we had that whole conversation. Yeah, I was in Atlanta.

618
00:30:57,800 --> 00:30:59,520
Speaker 1: I spoke about it. I was in Atlanta. I know

619
00:30:59,560 --> 00:31:01,920
Speaker 1: I'm gonna talking because it's still lingering a little bit.

620
00:31:01,920 --> 00:31:04,280
Speaker 1: But me and Ti coolly, first of all, when I

621
00:31:04,320 --> 00:31:07,280
Speaker 1: was in Atlanta, I was doing an Atlantic comedy theater

622
00:31:07,680 --> 00:31:09,960
Speaker 1: and I'm wanna stay. I did like hour forty right,

623
00:31:10,160 --> 00:31:11,800
Speaker 1: that's you know, that's what I do. That's what the

624
00:31:11,800 --> 00:31:14,560
Speaker 1: headliners do. And then my boy already Fuqua giving a

625
00:31:14,600 --> 00:31:17,920
Speaker 1: shouts out QUI already you know what. I'm stayed. He's like, hey, man,

626
00:31:17,960 --> 00:31:20,200
Speaker 1: I just gotta tell you something. I know this sounds strange,

627
00:31:20,360 --> 00:31:22,120
Speaker 1: but I gotta keep the show going. I was like,

628
00:31:22,160 --> 00:31:25,240
Speaker 1: what for. He's like, tis going up? And I literally

629
00:31:25,320 --> 00:31:27,440
Speaker 1: like to do what. I was like, I don't what

630
00:31:27,480 --> 00:31:29,760
Speaker 1: are you talking about? And he goes He's gonna do

631
00:31:29,800 --> 00:31:32,640
Speaker 1: comment and say oh okay, and it's I said, it's

632
00:31:32,680 --> 00:31:35,920
Speaker 1: his town. Let him go up. And all I said was,

633
00:31:36,320 --> 00:31:38,600
Speaker 1: you know I saw Ti because I'm tr fan. So

634
00:31:38,640 --> 00:31:40,520
Speaker 1: I was like, yo, ta, what's up. But I went

635
00:31:40,560 --> 00:31:43,240
Speaker 1: straight to the green room because I'm like, I'm I'm done.

636
00:31:43,280 --> 00:31:46,160
Speaker 1: I'm a headliner. I'm done. I'm going to decompress. That's

637
00:31:46,160 --> 00:31:48,360
Speaker 1: what I do. I don't give a who's in the room.

638
00:31:48,560 --> 00:31:51,320
Speaker 1: That is what I've always done. So they were like

639
00:31:51,720 --> 00:31:53,880
Speaker 1: on my podcast, they're like, yo, did you go see him?

640
00:31:53,880 --> 00:31:57,520
Speaker 1: I said, no, I don't what. I'm a headliner and

641
00:31:58,400 --> 00:32:00,520
Speaker 1: I mean, I've never I didn't know him to do comedy,

642
00:32:00,560 --> 00:32:03,240
Speaker 1: so I'm not going to watch. Not saying he shouldn't

643
00:32:03,240 --> 00:32:06,880
Speaker 1: be doing comedy. I'm just a headliner. I just finished.

644
00:32:06,960 --> 00:32:09,600
Speaker 1: It was for that moment, but then I know somebody

645
00:32:09,640 --> 00:32:12,720
Speaker 1: took that excerpt to be saying that showed it to

646
00:32:12,760 --> 00:32:15,960
Speaker 1: t I. And then TI was in the woods. You

647
00:32:16,000 --> 00:32:19,360
Speaker 1: know when Ti I go to the woods, I just

648
00:32:19,440 --> 00:32:23,240
Speaker 1: want to say something and I need to ex spraditionally

649
00:32:23,400 --> 00:32:25,880
Speaker 1: take care of this situation. And I was like, oh,

650
00:32:26,640 --> 00:32:29,959
Speaker 1: and then you know when tis in the woods and

651
00:32:30,000 --> 00:32:33,640
Speaker 1: he has that angle, it's like when Snoop Dogg is man,

652
00:32:33,680 --> 00:32:37,600
Speaker 1: all you see is his nostrils. Yeah, as his auntie

653
00:32:37,640 --> 00:32:41,160
Speaker 1: star part I, oh, Snoop about somebody up? But yeah

654
00:32:41,280 --> 00:32:43,120
Speaker 1: he was like some people were like, yo, did you hear?

655
00:32:43,520 --> 00:32:45,920
Speaker 1: And it just it spread like wildfire. And I had

656
00:32:45,960 --> 00:32:48,640
Speaker 1: dudes from the South, like comics from the South calling

657
00:32:48,680 --> 00:32:51,480
Speaker 1: me like yo, you see that TI said somebody and

658
00:32:51,480 --> 00:32:53,920
Speaker 1: saying what happened? And so I didn't even think about

659
00:32:53,960 --> 00:32:55,880
Speaker 1: it because as a comedian, that's just how we talk.

660
00:32:56,120 --> 00:32:58,760
Speaker 1: But like, yo, he's a comic. He he don't put

661
00:32:58,760 --> 00:33:00,640
Speaker 1: his time in. This is just this is just the

662
00:33:00,640 --> 00:33:03,520
Speaker 1: way we talked as comedian, and they took it as

663
00:33:03,520 --> 00:33:07,080
Speaker 1: an I was hating on him doing comedy. I said, nah, dude,

664
00:33:07,520 --> 00:33:09,600
Speaker 1: I didn't go watch him because I'm not gonna watch

665
00:33:09,600 --> 00:33:12,400
Speaker 1: somebody that I don't know if that's known for comedy.

666
00:33:12,760 --> 00:33:16,520
Speaker 1: After I've headlined that's it was just for that moment. Now,

667
00:33:16,840 --> 00:33:19,400
Speaker 1: if it would have happened that TI came before I

668
00:33:19,440 --> 00:33:20,680
Speaker 1: went up and said, hey man, I want to do

669
00:33:20,720 --> 00:33:23,160
Speaker 1: some time. I'll go yeah, and then I would have

670
00:33:23,160 --> 00:33:27,040
Speaker 1: watched just to say tis doing comedy, that's all, you know.

671
00:33:27,160 --> 00:33:31,360
Speaker 1: So after that then I addressed them right away. I said,

672
00:33:31,400 --> 00:33:33,680
Speaker 1: because people it went, I'm telling you, everybody's like, yo,

673
00:33:33,680 --> 00:33:35,000
Speaker 1: what are you gonna do? What you do? And of

674
00:33:35,040 --> 00:33:37,240
Speaker 1: course people can't wait to go in your DM go

675
00:33:37,360 --> 00:33:43,400
Speaker 1: hey man, you will put a man T. I was like, yo, duo,

676
00:33:43,600 --> 00:33:46,600
Speaker 1: Nick Cannon. I told him about it. He goes, yeah,

677
00:33:46,600 --> 00:33:49,680
Speaker 1: I heard about that, and then he facetimed us. I said,

678
00:33:49,760 --> 00:33:52,360
Speaker 1: let's talk. Let's go face to face. Man, I'm Chicago

679
00:33:52,440 --> 00:33:53,800
Speaker 1: all day. I just want to let you know I'm

680
00:33:54,000 --> 00:33:55,480
Speaker 1: Chicago and even though I've been in New York for

681
00:33:55,480 --> 00:33:58,200
Speaker 1: twenty years, I'm a Chicago guy. So we I go

682
00:33:58,280 --> 00:34:00,280
Speaker 1: face to face with here, I go, hey man, let's

683
00:34:00,320 --> 00:34:02,000
Speaker 1: talk about this squashed. It is not a big deal.

684
00:34:02,120 --> 00:34:04,520
Speaker 1: And we talked it out. We had a really nice conversation,

685
00:34:04,600 --> 00:34:06,440
Speaker 1: you know. And he said, you know, I look at

686
00:34:06,480 --> 00:34:08,640
Speaker 1: you as a goat man. You wanted to you know,

687
00:34:08,880 --> 00:34:11,080
Speaker 1: the greats in comedy. I said, well, I appreciate that.

688
00:34:11,360 --> 00:34:13,440
Speaker 1: That the podcast. I heard the podcast, Well this is before.

689
00:34:13,480 --> 00:34:16,920
Speaker 1: This is the afternoon before a few hours before the podcast.

690
00:34:17,280 --> 00:34:19,879
Speaker 1: And I said, no, I appreciate that. But then I said,

691
00:34:19,880 --> 00:34:21,799
Speaker 1: you know what, I even apologize. I said, I'm sorry

692
00:34:21,800 --> 00:34:23,239
Speaker 1: that you took it the wrong way. It's nothing wrong

693
00:34:23,239 --> 00:34:25,799
Speaker 1: with apologize to another dude. I said, hey man, I'm

694
00:34:25,840 --> 00:34:28,239
Speaker 1: sorry about that, but I'm not sorry about the way

695
00:34:28,280 --> 00:34:31,480
Speaker 1: I felt about how we are as comedians as protocol.

696
00:34:31,800 --> 00:34:33,279
Speaker 1: That's like and I then I told him, I said,

697
00:34:33,320 --> 00:34:36,080
Speaker 1: that's like me. After you finished rhyme, and I go, yo,

698
00:34:36,200 --> 00:34:38,920
Speaker 1: my man, T I know, you just rocked this concert,

699
00:34:38,960 --> 00:34:41,560
Speaker 1: but I got a couple songs to drop real quick.

700
00:34:41,880 --> 00:34:45,080
Speaker 1: You'd be like, exactly, But but you got to explain

701
00:34:45,160 --> 00:34:47,120
Speaker 1: it to him in that way, because that's the world.

702
00:34:47,160 --> 00:34:49,880
Speaker 1: He understands that I and I And so when I

703
00:34:49,880 --> 00:34:52,080
Speaker 1: looked at it. From his angle, I could see and

704
00:34:52,160 --> 00:34:54,920
Speaker 1: there are other comedians coming at him crazy. So it

705
00:34:55,120 --> 00:34:57,320
Speaker 1: was a build up. So when I said something and

706
00:34:57,360 --> 00:34:59,120
Speaker 1: then it just added to the whole thing. But we

707
00:34:59,160 --> 00:35:01,240
Speaker 1: squashed it. Then I say, can you do my podcast?

708
00:35:01,560 --> 00:35:04,919
Speaker 1: He said, I love the d podcast, And I said

709
00:35:04,960 --> 00:35:07,600
Speaker 1: when we had the podcast, then it got it got

710
00:35:07,760 --> 00:35:10,040
Speaker 1: a little heated because he said, man, I thought you

711
00:35:10,160 --> 00:35:12,160
Speaker 1: was cool when I first met you in the green room,

712
00:35:12,360 --> 00:35:13,960
Speaker 1: and then the next minute you dog. I said, it

713
00:35:14,000 --> 00:35:16,160
Speaker 1: wasn't a two faced thing. I was just talking as

714
00:35:16,160 --> 00:35:19,359
Speaker 1: a comedian doing comedy twenty five years and then you're

715
00:35:19,400 --> 00:35:21,520
Speaker 1: doing But I've always been a fan of comedy, I know,

716
00:35:21,600 --> 00:35:23,560
Speaker 1: but I have never seen you perform it. So it

717
00:35:23,640 --> 00:35:25,239
Speaker 1: was just one of those things. But we were cool.

718
00:35:25,239 --> 00:35:27,960
Speaker 1: As That's so true that people can hype things up.

719
00:35:28,160 --> 00:35:31,320
Speaker 1: So if y'all imagine you guys didn't directly have a conversation,

720
00:35:32,000 --> 00:35:34,080
Speaker 1: it could be something that really likes and said, I

721
00:35:34,120 --> 00:35:38,239
Speaker 1: like Atlanta, I want to be able to come I

722
00:35:38,280 --> 00:35:39,799
Speaker 1: want to be able to come back. I loved him.

723
00:35:39,800 --> 00:35:41,400
Speaker 1: That's one of my favorite people in one of my

724
00:35:41,400 --> 00:35:43,680
Speaker 1: favorite rappers. But yeah, you can't approach everything like the

725
00:35:43,760 --> 00:35:46,600
Speaker 1: rap world either though, Yeah this you know what I mean?

726
00:35:46,840 --> 00:35:49,719
Speaker 1: And I heard him on the podcast and you're talking like, y'all,

727
00:35:50,320 --> 00:35:52,719
Speaker 1: don't poke the ball, don't back, and I was like,

728
00:35:52,800 --> 00:35:59,120
Speaker 1: I'm not trying to poke the don't I'm I don't

729
00:35:59,160 --> 00:36:02,000
Speaker 1: poke the ball, and other boys like, yeah, man, let

730
00:36:02,080 --> 00:36:05,000
Speaker 1: go off them up. We have more with comedian Guy

731
00:36:05,040 --> 00:36:07,120
Speaker 1: Free when we come back, don't Move just to Breakfast Club,

732
00:36:07,120 --> 00:36:12,160
Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne

733
00:36:12,160 --> 00:36:13,960
Speaker 1: the guy we are the Breakfast Club was still kicking

734
00:36:13,960 --> 00:36:17,240
Speaker 1: it with comedian god Free Ye in Chicago with Jesse Smilett.

735
00:36:17,480 --> 00:36:21,920
Speaker 1: You see what's happening with Jaffie. Yeah, we're watching that.

736
00:36:22,000 --> 00:36:25,960
Speaker 1: He got this one hundred and fifty day jail sentence, right,

737
00:36:26,040 --> 00:36:28,279
Speaker 1: so do you think gonna be Juicy for real? But

738
00:36:30,120 --> 00:36:34,799
Speaker 1: he's gonna be Jusey. Yeah all right. He's like, man,

739
00:36:34,840 --> 00:36:40,840
Speaker 1: it's Jesse, no no name, it's Juicy Now whoa what's that?

740
00:36:41,080 --> 00:36:49,280
Speaker 1: The guy? Jy s all right, Hey, what's up? Damn?

741
00:36:49,320 --> 00:36:57,160
Speaker 1: Your Dave might have jail man j S. Damn, Dave

742
00:36:57,239 --> 00:37:00,200
Speaker 1: didn't think he was going in rhythm. That's why he

743
00:37:00,280 --> 00:37:03,600
Speaker 1: was gonna get like community service, and he has already

744
00:37:03,600 --> 00:37:06,360
Speaker 1: looks and his reputation kind of tarnished right now anyway.

745
00:37:06,719 --> 00:37:10,960
Speaker 1: But now he's in jail, they will be like, yeah, Juice,

746
00:37:11,760 --> 00:37:15,600
Speaker 1: he's gonna be walking through with his little blanket. Yeah. Oh,

747
00:37:15,719 --> 00:37:24,719
Speaker 1: manju dude is the food dude they got him? Oh yeah,

748
00:37:25,160 --> 00:37:28,959
Speaker 1: Oh that's good. They'd be like, dude, what flame with that? Yeah,

749
00:37:30,800 --> 00:37:42,200
Speaker 1: damn pie. Listen my man, dude, it's Jesse. Oh whatever

750
00:37:44,239 --> 00:37:50,920
Speaker 1: the day. We always jokes. Baby, I met I met Judice,

751
00:37:51,960 --> 00:37:56,480
Speaker 1: My guys, I met Jesse. Cool dude, very nice guy.

752
00:37:56,760 --> 00:37:58,960
Speaker 1: And the two you don't want to hit that, guess

753
00:38:00,000 --> 00:38:03,799
Speaker 1: I guess what. The two Nigerian dudes I know, both

754
00:38:03,840 --> 00:38:06,319
Speaker 1: of them from Chicago. Hung out with them. We went

755
00:38:06,360 --> 00:38:14,120
Speaker 1: to a Nigerian festival. He's lying the next time. God,

756
00:38:16,840 --> 00:38:20,560
Speaker 1: you went to Nigerian Nigerian festival because I met them.

757
00:38:20,560 --> 00:38:23,640
Speaker 1: They were working at this There's this arcade it's like

758
00:38:23,680 --> 00:38:25,959
Speaker 1: an arcades calling poorting in Chicago on the North Side.

759
00:38:26,080 --> 00:38:27,839
Speaker 1: It's an arcade bar, you know how they're bringing out

760
00:38:27,880 --> 00:38:30,080
Speaker 1: these new old arcade games with the bar. We were

761
00:38:30,120 --> 00:38:33,000
Speaker 1: there and they were the bouncer dudes there, brothers, and

762
00:38:33,120 --> 00:38:35,359
Speaker 1: I hung out with them, okay, And then the next

763
00:38:35,400 --> 00:38:38,799
Speaker 1: day we went to a Nigerian festival in Chicago. Hell yeah,

764
00:38:38,880 --> 00:38:41,040
Speaker 1: we was eating sueya. You could ask them. I don't

765
00:38:41,040 --> 00:38:44,200
Speaker 1: know how they jail. No, they're man. Yeah, I know

766
00:38:44,320 --> 00:38:47,080
Speaker 1: those dudes because when they showed him, I got hung

767
00:38:47,120 --> 00:38:49,680
Speaker 1: out with those I'm not even lying to you nothing

768
00:38:49,800 --> 00:38:51,680
Speaker 1: or what is there you guys been to the sauna

769
00:38:51,760 --> 00:39:01,120
Speaker 1: or any No? Hell no, man, pause, Man, every time

770
00:39:01,160 --> 00:39:03,040
Speaker 1: you go to sauna, the dudes just going like he

771
00:39:05,440 --> 00:39:08,480
Speaker 1: own room. No, because they you know, the little white

772
00:39:08,520 --> 00:39:12,960
Speaker 1: dudes there we got there out sounds like, man, look

773
00:39:13,040 --> 00:39:23,640
Speaker 1: just like the statues a little. That's what happenny here for.

774
00:39:23,760 --> 00:39:26,000
Speaker 1: You gotta come back, man, dude, I don't want to

775
00:39:26,000 --> 00:39:28,560
Speaker 1: ask you to who's your Mount Rushmore of coming here?

776
00:39:28,680 --> 00:39:30,520
Speaker 1: I knew that. I knew that. I knew that was coming.

777
00:39:30,560 --> 00:39:33,520
Speaker 1: I think I okay, let me mind. Everybody's Mount Rushmore

778
00:39:33,680 --> 00:39:36,799
Speaker 1: is whatever they wanted to be. My Mount Rushmore I

779
00:39:36,800 --> 00:39:39,120
Speaker 1: should be cos you know, I mean that Cosby documentary. Yes,

780
00:39:39,840 --> 00:39:41,920
Speaker 1: we need to talk about Cosby. I am in it,

781
00:39:42,080 --> 00:39:43,959
Speaker 1: boy who all in it? Because I worked for Cosi.

782
00:39:44,040 --> 00:39:46,560
Speaker 1: It was one of my first jobs, the Cosby Show. Yeah,

783
00:39:46,560 --> 00:39:49,560
Speaker 1: the second one that CBS one. So I was an

784
00:39:49,560 --> 00:39:52,759
Speaker 1: audience coordinated for that. I lived in Queens, you know,

785
00:39:53,320 --> 00:39:55,279
Speaker 1: calling the Story studios, and I did it for like

786
00:39:55,320 --> 00:39:58,200
Speaker 1: six months. I was around Cosby. Never saw any crazy,

787
00:39:58,520 --> 00:40:00,560
Speaker 1: you know, it was cool. But you heard things, did

788
00:40:00,560 --> 00:40:04,040
Speaker 1: you hear? I would hear things, definitely hurt things. I

789
00:40:04,040 --> 00:40:05,880
Speaker 1: would hear stuff. That's when his son was murdered. I

790
00:40:05,880 --> 00:40:11,520
Speaker 1: was there, I was around, so I was yeah, so

791
00:40:11,560 --> 00:40:15,960
Speaker 1: I was of these because I was hearing it, hearing it,

792
00:40:16,040 --> 00:40:18,399
Speaker 1: hearing it. I would hear it. I go really, and

793
00:40:18,440 --> 00:40:23,160
Speaker 1: then I wasn't. My thing is it was a battle

794
00:40:23,200 --> 00:40:28,280
Speaker 1: because it's like whenever he wanted to buy us a channel,

795
00:40:28,320 --> 00:40:31,239
Speaker 1: a network, stuff came up the last time, the first time,

796
00:40:32,239 --> 00:40:34,000
Speaker 1: the first time he wanted to buy it, they had

797
00:40:34,000 --> 00:40:36,960
Speaker 1: the illegitimate daughters came out. When he wanted to buy

798
00:40:36,960 --> 00:40:39,560
Speaker 1: a network, they had there's some girls said you're my

799
00:40:39,680 --> 00:40:42,680
Speaker 1: dad or whatever. And then when he wanted to buy

800
00:40:42,680 --> 00:40:45,520
Speaker 1: it again, some came up and people say, well, they're

801
00:40:45,560 --> 00:40:49,960
Speaker 1: trying to destroy legacy. But then I would hear I would.

802
00:40:50,080 --> 00:40:52,879
Speaker 1: I knew people who kind of it happened to them

803
00:40:52,920 --> 00:40:55,279
Speaker 1: and they never reported them. And I was like, you know,

804
00:40:55,920 --> 00:40:58,879
Speaker 1: my mom knew somebody that never reported. Yeah, I knew

805
00:40:58,880 --> 00:41:03,400
Speaker 1: people that literally he got you know, handled and he

806
00:41:03,600 --> 00:41:05,399
Speaker 1: they were like, I never reported it because I got

807
00:41:05,400 --> 00:41:09,960
Speaker 1: out whatever. So I wasn't that surprised, but it was.

808
00:41:10,040 --> 00:41:12,879
Speaker 1: It was disappointing because he's a he is an icon

809
00:41:13,040 --> 00:41:16,680
Speaker 1: comedically what he's done for television. He literally was the

810
00:41:16,680 --> 00:41:19,200
Speaker 1: first black people a person to be on a national

811
00:41:19,400 --> 00:41:23,040
Speaker 1: TV show. I Spy in the sixties, Robert Cope then

812
00:41:23,080 --> 00:41:25,360
Speaker 1: he you know, he had a Cosby show before the

813
00:41:25,400 --> 00:41:28,239
Speaker 1: regular Cosby show. He was a gym teacher in the seventies,

814
00:41:28,560 --> 00:41:30,319
Speaker 1: he had a he had a Cosby show. He was like,

815
00:41:30,320 --> 00:41:32,440
Speaker 1: he was a gym teacher. I'm when I tell you,

816
00:41:32,480 --> 00:41:35,440
Speaker 1: I'm a nerd about how much of Bill's self righteousness

817
00:41:35,480 --> 00:41:38,680
Speaker 1: do you think you know led to That's another thing too,

818
00:41:39,040 --> 00:41:42,200
Speaker 1: when Bill was like dogging everybody, which was he had

819
00:41:42,239 --> 00:41:44,239
Speaker 1: fights with d L had a fight with him, He

820
00:41:44,719 --> 00:41:48,520
Speaker 1: Jamie Fox did. Eddie Murphy was the first to go.

821
00:41:49,239 --> 00:41:51,200
Speaker 1: You know, Bill Cosby called me saying, why are you

822
00:41:51,200 --> 00:41:54,920
Speaker 1: always cursing? And you know, and it was his self

823
00:41:55,000 --> 00:41:58,840
Speaker 1: righteous that made it even worse because pull your pants, U.

824
00:41:59,360 --> 00:42:01,920
Speaker 1: But I'm like, but Cosby, you were helped yourself too.

825
00:42:02,239 --> 00:42:03,719
Speaker 1: They were a man and man by the name of

826
00:42:03,719 --> 00:42:07,520
Speaker 1: Sheldon Leonard. Sheldon Leonard was an actor producer, and he

827
00:42:07,560 --> 00:42:10,080
Speaker 1: produced I think Dick van dykhel. He actually helped Bill

828
00:42:10,120 --> 00:42:12,000
Speaker 1: Cosby and fought for Bill Cosby to be on I

829
00:42:12,120 --> 00:42:14,839
Speaker 1: Spy in the sixties. So Cosby, you were helped too.

830
00:42:15,760 --> 00:42:18,440
Speaker 1: It's disappointing, you know, to go with the whole. But

831
00:42:18,480 --> 00:42:20,480
Speaker 1: I balanced it out pretty good. I think you know.

832
00:42:20,520 --> 00:42:23,040
Speaker 1: I didn't dog him, but I was disappointed. As far

833
00:42:23,080 --> 00:42:27,120
Speaker 1: as my Mount Rushmore, he's in the back of the

834
00:42:27,120 --> 00:42:30,040
Speaker 1: mountain right now. He's just in the back. He's in

835
00:42:30,080 --> 00:42:34,680
Speaker 1: the back, in the back. Like I got Fire, I

836
00:42:34,800 --> 00:42:39,080
Speaker 1: got Fire, I got Carlin, I got Um, I got

837
00:42:39,120 --> 00:42:42,160
Speaker 1: Paul Mooney and Kevin. I watched Paul all the time.

838
00:42:42,440 --> 00:42:45,600
Speaker 1: I'm a red fox and um, hold on, that's what

839
00:42:45,719 --> 00:42:47,600
Speaker 1: he's gonna be. Four, he said. I thought it was

840
00:42:47,640 --> 00:42:50,120
Speaker 1: five mounts. Four. Oh, I thought, oh, because everyone who

841
00:42:50,200 --> 00:42:53,960
Speaker 1: says your top five, so those are the guys. I

842
00:42:54,000 --> 00:42:55,680
Speaker 1: just put him in the back. He's just sitting the back.

843
00:42:55,760 --> 00:42:57,160
Speaker 1: He was in the front. And then him one of

844
00:42:57,200 --> 00:42:59,600
Speaker 1: the thing I had to go through the back, and

845
00:43:00,239 --> 00:43:10,720
Speaker 1: so it's remember prior calling, Prior, Carling, Mooney, Fox Godfrey.

846
00:43:10,719 --> 00:43:12,400
Speaker 1: Tell people where they can find you at this weekend,

847
00:43:12,480 --> 00:43:15,920
Speaker 1: then check it out. I'll be in Dallas, Texas Addison

848
00:43:15,960 --> 00:43:21,600
Speaker 1: Improv Addison Improv. You know what I'm saying. And also

849
00:43:23,440 --> 00:43:27,520
Speaker 1: and then uh, Virginia Beach Funny Bone March twenty fifth

850
00:43:27,520 --> 00:43:29,399
Speaker 1: to the twenty seventh, and then I'm gonna be doing

851
00:43:29,600 --> 00:43:33,400
Speaker 1: the eighteenth season of Wilding Out with Nick Cannon in Atlanta.

852
00:43:33,800 --> 00:43:35,800
Speaker 1: You know what I'm saying. And I'm gonna be consulting

853
00:43:35,800 --> 00:43:37,520
Speaker 1: on it too. So I'll be hanging out with Nick's

854
00:43:37,520 --> 00:43:39,560
Speaker 1: crew in Atlanta for like two weeks and all of

855
00:43:39,560 --> 00:43:42,400
Speaker 1: them and then following me on Instagram. Comedian god for

856
00:43:42,480 --> 00:43:45,040
Speaker 1: you guys, and my podcast is in Godfrey We Trust

857
00:43:45,320 --> 00:43:49,400
Speaker 1: on the Gas Digital Network all right, Tuesdays and Fridays.

858
00:43:49,840 --> 00:43:52,760
Speaker 1: Ten pms to them. Yes, that's my guy, Comedian Godfrey.

859
00:43:52,800 --> 00:43:56,200
Speaker 1: It's the Breakfast Club. The Breakfast Club. Your mornings will

860
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Speaker 1: never be the same. Keep going the summer with the

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866
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Speaker 1: Slash Breakfast Club Charlemaine say that gang don't get under

867
00:44:18,640 --> 00:44:26,600
Speaker 1: shape man? You are you? Donkey Today does not discriminate.

868
00:44:26,960 --> 00:44:28,560
Speaker 1: I might not have the song of today, but I

869
00:44:28,560 --> 00:44:30,719
Speaker 1: got to donkey that. So if you ever feel I

870
00:44:30,719 --> 00:44:32,480
Speaker 1: need to be a donkey man, hit it with the

871
00:44:34,239 --> 00:44:37,640
Speaker 1: the Prakfast Club bitches. Please don't give today today. Wow,

872
00:44:37,880 --> 00:44:40,000
Speaker 1: don't hear? The day goes to John F. Kennedy Middle

873
00:44:40,000 --> 00:44:43,480
Speaker 1: School in Connecticut, in particular a teacher named Bree Wharton.

874
00:44:44,120 --> 00:44:47,760
Speaker 1: She's the district's health and physical education coordinator and superintendent

875
00:44:48,000 --> 00:44:50,239
Speaker 1: Christopher Dreesick I think I'm for nothing his last name

876
00:44:50,360 --> 00:44:52,359
Speaker 1: right now. I have extreme love for public school teachers.

877
00:44:52,400 --> 00:44:54,120
Speaker 1: Dropping the clues box for all the public school teams

878
00:44:54,160 --> 00:44:56,840
Speaker 1: got down because my mother has been a public school

879
00:44:56,840 --> 00:44:58,480
Speaker 1: teacher in the South Carolina for as long as I've

880
00:44:58,480 --> 00:45:01,279
Speaker 1: been alive, and I understand the impact that public school

881
00:45:01,320 --> 00:45:03,360
Speaker 1: teachers have on kids, and I know how hard that

882
00:45:03,480 --> 00:45:06,240
Speaker 1: job is because you have to truly love it, because

883
00:45:06,239 --> 00:45:08,440
Speaker 1: it's not like to pay as your incentive. I mean,

884
00:45:08,560 --> 00:45:10,160
Speaker 1: you have to really care for these kids in their

885
00:45:10,160 --> 00:45:13,240
Speaker 1: well being. Lesson plans, assignments, all of these things teachers

886
00:45:13,239 --> 00:45:16,200
Speaker 1: come up with the educate kids. We appreciate you. Drop

887
00:45:16,200 --> 00:45:19,279
Speaker 1: another Cluel's bomb for teachers man public school teachers. We

888
00:45:19,360 --> 00:45:22,440
Speaker 1: know it's not easy and in this era of social media,

889
00:45:22,600 --> 00:45:25,040
Speaker 1: video games, all types of things just pulling at these

890
00:45:25,120 --> 00:45:29,560
Speaker 1: kids attention, cutting through to these children and creating things

891
00:45:29,600 --> 00:45:31,839
Speaker 1: that can actually appeal to these kids is tough. So

892
00:45:32,160 --> 00:45:34,279
Speaker 1: I'm not judging, okay, but as a parent of a

893
00:45:34,320 --> 00:45:37,080
Speaker 1: middle schooler, I would be concerned about this lesson plan

894
00:45:37,360 --> 00:45:39,640
Speaker 1: that came out of JFK Middle School. I'm holding it

895
00:45:39,680 --> 00:45:43,120
Speaker 1: in my hand right now, okay, And the title is

896
00:45:44,320 --> 00:45:49,520
Speaker 1: Pizza in Consent. Okay. Basically, kids at JFK Middle School

897
00:45:49,560 --> 00:45:53,400
Speaker 1: in Connecticut were instructed to use pizza as a metaphor

898
00:45:53,400 --> 00:45:57,760
Speaker 1: for sex and ask to cite their favorite topics. For example,

899
00:45:58,560 --> 00:46:03,600
Speaker 1: cheese was for kissing and olives were forgiving oral. Basically,

900
00:46:03,600 --> 00:46:07,360
Speaker 1: they compared ordering a pizza to receiving consent. I guess

901
00:46:07,719 --> 00:46:09,360
Speaker 1: I can't make this kind of stuff up. Listen to

902
00:46:09,480 --> 00:46:12,640
Speaker 1: Eric Sanzi, director of Outreach a Parents Defending Education. She

903
00:46:12,719 --> 00:46:16,280
Speaker 1: did an interview with ABC seven KATV to describe the assignment.

904
00:46:16,760 --> 00:46:20,640
Speaker 1: The assignment started out with a sentence that said, yes,

905
00:46:20,840 --> 00:46:23,520
Speaker 1: pizza can be a metaphor for sex, and then it

906
00:46:23,560 --> 00:46:26,520
Speaker 1: went on to explain that just like when friends have

907
00:46:26,640 --> 00:46:29,400
Speaker 1: to agree on pizza toppings when they're sharing a pizza,

908
00:46:30,040 --> 00:46:33,279
Speaker 1: that people need to agree on what they're willing to

909
00:46:33,320 --> 00:46:35,920
Speaker 1: do and not do in terms of consent. And so

910
00:46:35,960 --> 00:46:38,640
Speaker 1: they decided to have the students list their sexual likes

911
00:46:38,680 --> 00:46:41,080
Speaker 1: and dislikes and then draw them on a pizza as

912
00:46:41,160 --> 00:46:44,160
Speaker 1: pizza toppings. Now, again, these are eighth graders, and it's

913
00:46:44,160 --> 00:46:47,000
Speaker 1: important to keep in mind under fifteen percent of eighth

914
00:46:47,000 --> 00:46:51,600
Speaker 1: graders have had sex. So they're being asked very personal

915
00:46:51,680 --> 00:46:54,680
Speaker 1: questions on a topic that many of them are totally

916
00:46:54,719 --> 00:46:59,440
Speaker 1: inexperienced with and likely uncomfortable talking about in school his

917
00:46:59,640 --> 00:47:02,520
Speaker 1: middle school? How many topics do you think I've had

918
00:47:02,520 --> 00:47:04,480
Speaker 1: on my pizza in middle school? Now? Now, I'm not

919
00:47:04,520 --> 00:47:07,640
Speaker 1: a conspiracy theorist, but I enjoy a great conspiracy theory,

920
00:47:07,800 --> 00:47:10,680
Speaker 1: and pizza Gate was a great conspiracy theory. You remember

921
00:47:10,680 --> 00:47:13,279
Speaker 1: pizza Gate, don't you. I had a false allegation that

922
00:47:13,320 --> 00:47:16,560
Speaker 1: the Clinton's used the comic Ping Pong Pizza Restaurant and Watchton,

923
00:47:16,640 --> 00:47:19,239
Speaker 1: DC as a front for a pedophile sex ring in

924
00:47:19,280 --> 00:47:22,239
Speaker 1: the back room was supposedly used for kidnapping and kidnapping

925
00:47:22,239 --> 00:47:24,840
Speaker 1: and trafficking children. Okay, now, of course all of this

926
00:47:24,920 --> 00:47:26,279
Speaker 1: was proven to be false, but it made a lot

927
00:47:26,280 --> 00:47:29,080
Speaker 1: of noise, all right. The owner of Ping Pong and

928
00:47:29,080 --> 00:47:32,840
Speaker 1: his staff received death threats, people protested outside of the restaurant.

929
00:47:32,840 --> 00:47:35,160
Speaker 1: A guy actually went in the restaurant and fired a

930
00:47:35,200 --> 00:47:38,080
Speaker 1: gun at an employee. See these fake stories be having

931
00:47:38,160 --> 00:47:41,560
Speaker 1: real world consequences. Okay, people believe these conspiracy theories, and

932
00:47:41,600 --> 00:47:44,280
Speaker 1: when you promote these false and reckless conspiracy theories, bad

933
00:47:44,320 --> 00:47:47,359
Speaker 1: things happen. I'm saying all that to say JFK Middle

934
00:47:47,360 --> 00:47:50,960
Speaker 1: School in Connecticut has done nothing but contributed to that

935
00:47:51,040 --> 00:47:53,400
Speaker 1: conspiracy theory. I don't even know if Pizza Gate is

936
00:47:53,440 --> 00:47:55,080
Speaker 1: still a thing, but this right here is going to

937
00:47:55,160 --> 00:47:57,479
Speaker 1: resurrect it. All right. Listen, My daughter is a day grade,

938
00:47:57,480 --> 00:47:59,880
Speaker 1: she's thirteen. These kids are watching shows like you for It.

939
00:48:00,360 --> 00:48:03,399
Speaker 1: These kids have social media. These kids talk amongst each other.

940
00:48:03,400 --> 00:48:07,000
Speaker 1: Do you remember when you were thirteen, twelve, eleven, whatever

941
00:48:07,120 --> 00:48:09,479
Speaker 1: age we were in middle school? We was already talking

942
00:48:09,520 --> 00:48:11,239
Speaker 1: about sex in a real way. So I can only

943
00:48:11,280 --> 00:48:13,960
Speaker 1: imagine with all the access these kids have now what

944
00:48:14,080 --> 00:48:17,040
Speaker 1: their conversations are like. So you don't need stunt like this.

945
00:48:17,760 --> 00:48:21,399
Speaker 1: Just talk to the kids. Okay, let's talk to them,

946
00:48:21,520 --> 00:48:23,400
Speaker 1: all right, listen, let me let me reach out some

947
00:48:23,440 --> 00:48:25,120
Speaker 1: of this. This is why they use the metaphor for sex.

948
00:48:25,160 --> 00:48:28,200
Speaker 1: They say. When you order your pizza with friends, everyone

949
00:48:28,280 --> 00:48:30,880
Speaker 1: checks in about each other's preferences. Some people might be

950
00:48:30,960 --> 00:48:33,839
Speaker 1: veg and some people might be gluten free. Others might

951
00:48:33,880 --> 00:48:36,840
Speaker 1: love pineapple while others prefer pepperoni. Some might not like

952
00:48:36,920 --> 00:48:39,200
Speaker 1: pizza at all. If you're a vegetarian but your friend

953
00:48:39,239 --> 00:48:41,359
Speaker 1: is a meat lover, sharing a pizza is gonna bring

954
00:48:41,480 --> 00:48:43,440
Speaker 1: up a lot of issues. You don't know who you

955
00:48:43,480 --> 00:48:46,799
Speaker 1: can share your pizza with unless you ask. Okay, didn't

956
00:48:46,800 --> 00:48:49,880
Speaker 1: they say the same goals with sex? No, what are

957
00:48:50,080 --> 00:48:53,440
Speaker 1: talking about? The metaphor to make no sense? The correlation

958
00:48:53,480 --> 00:48:55,239
Speaker 1: makes no sense. You have to check in with your

959
00:48:55,239 --> 00:48:57,520
Speaker 1: partners and ask for their preferences. Your partner might be

960
00:48:57,560 --> 00:49:00,400
Speaker 1: comfortable with one sexual activity but not another. Maybe your

961
00:49:00,440 --> 00:49:02,560
Speaker 1: partners only want to be touched a certain way, or

962
00:49:02,600 --> 00:49:05,200
Speaker 1: maybe your partners prefer to use certain language, or maybe

963
00:49:05,200 --> 00:49:07,879
Speaker 1: they don't want to have sex at all. You'll never

964
00:49:08,000 --> 00:49:11,360
Speaker 1: know your wants, desires, and you'll never know if your wants,

965
00:49:11,360 --> 00:49:15,680
Speaker 1: desires and boundaries are compatible with theirs unless you ask. No,

966
00:49:16,120 --> 00:49:18,440
Speaker 1: I don't want y'all asking my daughter about any of that.

967
00:49:18,840 --> 00:49:21,719
Speaker 1: And once again, furthermore, how many toppings do you think

968
00:49:21,760 --> 00:49:24,320
Speaker 1: these kids have had in middle school? Middle school? I

969
00:49:24,320 --> 00:49:27,240
Speaker 1: would hope these kids are virgins? Okay, just playing cheese

970
00:49:27,239 --> 00:49:29,520
Speaker 1: pizzas matter of fact, No cheese, no tomato, sauce, just

971
00:49:29,680 --> 00:49:32,640
Speaker 1: raw dough. You know that hasn't even been putting up

972
00:49:32,680 --> 00:49:35,319
Speaker 1: in yet. All right. Amanda, who is a parent from

973
00:49:35,360 --> 00:49:37,600
Speaker 1: that school district, took to social media to express her

974
00:49:37,640 --> 00:49:40,719
Speaker 1: discuss with the assignment. Let's listen to Amanda. Just last week,

975
00:49:40,719 --> 00:49:43,359
Speaker 1: a school assignment and JFK label pizza and content were

976
00:49:43,360 --> 00:49:45,840
Speaker 1: sent out for students. What's pizza got to do with it?

977
00:49:45,880 --> 00:49:48,640
Speaker 1: You wonder we can use pizza as a metaphor for sex.

978
00:49:49,000 --> 00:49:51,120
Speaker 1: Those are the first two lines of this assignment, which

979
00:49:51,120 --> 00:49:54,960
Speaker 1: are centered around establishing consent and boundaries, except for page two,

980
00:49:55,000 --> 00:49:57,480
Speaker 1: where it takes it one step further in states. Now

981
00:49:57,520 --> 00:50:00,440
Speaker 1: that you know the metaphor for sex. Let's explore your reference,

982
00:50:00,800 --> 00:50:03,440
Speaker 1: draw and color your favorite type of pizza. Mirror these

983
00:50:03,480 --> 00:50:06,560
Speaker 1: preferences in relation to sex. Here are some examples, like

984
00:50:07,160 --> 00:50:11,279
Speaker 1: cheese equals kissing, dislikes allis equals giving oral Since one

985
00:50:11,520 --> 00:50:13,800
Speaker 1: has become acceptable for a teacher to ask a student

986
00:50:13,800 --> 00:50:17,040
Speaker 1: what their sexual wants, desires, and boundaries are, maybe our

987
00:50:17,040 --> 00:50:19,239
Speaker 1: board members would like to answer this assignment and share

988
00:50:19,280 --> 00:50:21,560
Speaker 1: their thoughts, just like our eighth grade students were requested

989
00:50:21,600 --> 00:50:26,080
Speaker 1: to do. Now, of course, the school is currently backtracking.

990
00:50:26,320 --> 00:50:29,320
Speaker 1: Superintendent Christopher Dreesi says it was a mistake and the

991
00:50:29,400 --> 00:50:32,600
Speaker 1: assignments had been inadvertently sent to the students. Basically, they

992
00:50:32,640 --> 00:50:35,000
Speaker 1: are claiming they sent the pizza to the wrong house. Okay,

993
00:50:35,000 --> 00:50:37,000
Speaker 1: he said. While the assignment was inappropriate, there was no

994
00:50:37,080 --> 00:50:40,440
Speaker 1: hidden agenda. He said while addressing the parents, there was

995
00:50:40,480 --> 00:50:44,080
Speaker 1: no secret cabal to indoctrinate kids on something. Let me

996
00:50:44,120 --> 00:50:48,279
Speaker 1: tell you, man, if you know you have to, you know,

997
00:50:48,520 --> 00:50:52,560
Speaker 1: explain that there's no secret cabal to indoctrinate kids. If

998
00:50:52,600 --> 00:50:55,480
Speaker 1: a school superintendent has to explain that, all right, then

999
00:50:55,480 --> 00:50:57,239
Speaker 1: my kids might be in the wrong school, all right.

1000
00:50:59,280 --> 00:51:02,520
Speaker 1: An explanation like that is just I don't know, man,

1001
00:51:02,880 --> 00:51:04,799
Speaker 1: I just feel like this assignment is prompting kids to

1002
00:51:04,880 --> 00:51:07,480
Speaker 1: become sexually active before their time. And what does pizza

1003
00:51:07,560 --> 00:51:09,359
Speaker 1: have to do with consent? I still don't even know that,

1004
00:51:09,440 --> 00:51:11,279
Speaker 1: all right, Choosing what to put on your pizza when

1005
00:51:11,280 --> 00:51:14,200
Speaker 1: you are ordering with a group, it's hard enough by itself.

1006
00:51:14,680 --> 00:51:16,560
Speaker 1: Now you're trying to make it a metaphor for sex.

1007
00:51:16,920 --> 00:51:19,319
Speaker 1: And even after it's been explained, I still don't know

1008
00:51:19,520 --> 00:51:22,279
Speaker 1: what any of this has to do with consent. All right.

1009
00:51:22,880 --> 00:51:25,920
Speaker 1: Just talk to these kids. They're young adults. Speak to

1010
00:51:25,960 --> 00:51:28,680
Speaker 1: them as such. I promise they can handle it. But

1011
00:51:28,880 --> 00:51:34,680
Speaker 1: pizza as a metaphor for consent, they cannot. And what's

1012
00:51:34,680 --> 00:51:40,520
Speaker 1: the topic for antal? Please give John F. Kennedy Middle

1013
00:51:40,520 --> 00:51:47,200
Speaker 1: School in Connecticut the bigga. See huh, My kids ain't

1014
00:51:47,200 --> 00:51:50,040
Speaker 1: eating pizza no more. That's what you got out of that.

1015
00:51:50,680 --> 00:51:52,759
Speaker 1: That's what you got out of that. That's what you

1016
00:51:52,800 --> 00:52:02,319
Speaker 1: got out of that. Jesus Christ. The breakfast Club, College One,

1017
00:52:04,160 --> 00:52:08,680
Speaker 1: the breakfast Club. Your morning's will never be the same morning.

1018
00:52:08,760 --> 00:52:13,040
Speaker 1: Everybody is DJ Envy, Angela Charlemagne, the guy. We are

1019
00:52:13,120 --> 00:52:15,400
Speaker 1: the breakfast Club. You got a special guest in the building.

1020
00:52:15,640 --> 00:52:21,760
Speaker 1: We have a lot of big lot of the biggest Welcome.

1021
00:52:22,320 --> 00:52:25,280
Speaker 1: What's happening Ala comes out this Friday. Yeah, how you feeling,

1022
00:52:25,600 --> 00:52:28,759
Speaker 1: I'm like feeling everything at once, Like I'm nervous but

1023
00:52:28,880 --> 00:52:32,319
Speaker 1: I'm anxious, but I'm happy. I like that honest answer

1024
00:52:32,400 --> 00:52:34,600
Speaker 1: because I always said after Kobe, when you ask somebody

1025
00:52:34,600 --> 00:52:37,759
Speaker 1: how they're doing, yeah, you gotta ask that some silly

1026
00:52:37,920 --> 00:52:41,120
Speaker 1: and expect like an honest and honest answer. Yeah. Yeah,

1027
00:52:41,160 --> 00:52:44,160
Speaker 1: I'm excited though it's been a long time coming. How

1028
00:52:44,239 --> 00:52:46,440
Speaker 1: you feeling personally as a human? Forget the album? Just

1029
00:52:46,520 --> 00:52:49,640
Speaker 1: you trying to trying to wrap my head around it all,

1030
00:52:49,840 --> 00:52:52,440
Speaker 1: like it's happening so fast, and then it's just like

1031
00:52:52,480 --> 00:52:55,239
Speaker 1: a lot that I wasn't like made aware of, and

1032
00:52:55,320 --> 00:52:57,480
Speaker 1: it's just like like what was you made a where?

1033
00:52:57,840 --> 00:53:02,279
Speaker 1: Just like how in depth this? Yeah? Like crazy? What

1034
00:53:02,360 --> 00:53:10,600
Speaker 1: you mean? I just came to wraps now begins Congratulations

1035
00:53:10,600 --> 00:53:12,960
Speaker 1: on a number one record, right he said Big Energy

1036
00:53:13,080 --> 00:53:15,239
Speaker 1: was number one. Congrats, thank Bang Energy. A lot of

1037
00:53:15,239 --> 00:53:17,640
Speaker 1: people was in their feelings about that song. Yeah, if

1038
00:53:17,640 --> 00:53:19,640
Speaker 1: they didn't have that big Energy, you know what I'm saying.

1039
00:53:19,960 --> 00:53:22,120
Speaker 1: But one of our listeners called in and I want

1040
00:53:22,120 --> 00:53:25,240
Speaker 1: to get your advice. Here was her question. I started

1041
00:53:25,239 --> 00:53:28,680
Speaker 1: talking to a new guy and like everything was good,

1042
00:53:28,760 --> 00:53:31,520
Speaker 1: but like he kind of has like some female tendencies

1043
00:53:31,560 --> 00:53:34,080
Speaker 1: that I don't like. They kind of made me like

1044
00:53:34,120 --> 00:53:36,400
Speaker 1: cringe a little bit. What do you mean by that?

1045
00:53:36,520 --> 00:53:39,839
Speaker 1: What do you mean by female tendencies? So like, sometimes

1046
00:53:39,880 --> 00:53:43,719
Speaker 1: he'll sing songs that are like a little bit too feminine,

1047
00:53:43,760 --> 00:53:46,719
Speaker 1: like things like songs that he shouldn't be singing, like

1048
00:53:46,840 --> 00:53:52,040
Speaker 1: what so so big Energy by big Battle, Like I

1049
00:53:52,080 --> 00:53:54,120
Speaker 1: don't feel like a man should be singing those songs,

1050
00:53:54,160 --> 00:53:58,120
Speaker 1: like I gotta lie those I love one record. I

1051
00:53:58,160 --> 00:54:02,000
Speaker 1: love both those songs that female. As a female, yes,

1052
00:54:02,040 --> 00:54:03,839
Speaker 1: I love those those songs and I would sing them,

1053
00:54:03,840 --> 00:54:05,680
Speaker 1: But I don't think a man should be singing about

1054
00:54:05,680 --> 00:54:11,040
Speaker 1: those songs. What do you say, big energy or as

1055
00:54:11,040 --> 00:54:13,439
Speaker 1: a guy, you can't sing that song? I think you can.

1056
00:54:13,719 --> 00:54:16,480
Speaker 1: First of all, I try at least maybe not every song,

1057
00:54:16,560 --> 00:54:19,760
Speaker 1: but I try to make the most um unisex music.

1058
00:54:19,800 --> 00:54:21,800
Speaker 1: I think, like out of a lot of female rappers,

1059
00:54:21,800 --> 00:54:25,240
Speaker 1: I think I'm the one that makes music for both genders,

1060
00:54:25,280 --> 00:54:31,440
Speaker 1: like my uncles, my cousins, my man, his friends. Now

1061
00:54:31,600 --> 00:54:33,840
Speaker 1: a man of average penis size I was highly offended

1062
00:54:33,840 --> 00:54:36,839
Speaker 1: by your song. If you listen to the song, it's

1063
00:54:36,880 --> 00:54:39,520
Speaker 1: not about what's in your parts though, it's not because

1064
00:54:39,560 --> 00:54:42,880
Speaker 1: I got he says, but continue shout out, why are you?

1065
00:54:42,920 --> 00:54:48,640
Speaker 1: What's up with you? Man from Atlanta? Okay, Relax, it's

1066
00:54:48,680 --> 00:54:50,760
Speaker 1: not a it's not a it's not a like gender

1067
00:54:50,800 --> 00:54:53,879
Speaker 1: thing or it's not literally what's in your parents That

1068
00:54:53,960 --> 00:54:57,200
Speaker 1: energy does transfer over. I mean the confidence that you have. Yeah,

1069
00:54:57,280 --> 00:54:59,560
Speaker 1: but that's where they're saying come from, because it comes

1070
00:54:59,600 --> 00:55:01,279
Speaker 1: from like you know how they say men that know

1071
00:55:01,360 --> 00:55:04,080
Speaker 1: they got a lot of you know, hands, they'd be

1072
00:55:04,120 --> 00:55:06,920
Speaker 1: walking around like they don't think. I just feel like

1073
00:55:06,920 --> 00:55:08,920
Speaker 1: all penic sid doesn't matter, you know what I mean?

1074
00:55:09,360 --> 00:55:17,200
Speaker 1: He cried, It's not about that. It's not about that

1075
00:55:17,520 --> 00:55:20,080
Speaker 1: this morning, so we'll be all right. Have you ever

1076
00:55:20,160 --> 00:55:23,560
Speaker 1: been wrong about somebody's energy though, like somebody walking and

1077
00:55:23,560 --> 00:55:25,879
Speaker 1: they got that b D but then you know they

1078
00:55:25,920 --> 00:55:27,920
Speaker 1: were just Have I ever been wrong? I don't think

1079
00:55:27,920 --> 00:55:30,440
Speaker 1: I ever been wrong. I really could smell it from away.

1080
00:55:31,640 --> 00:55:40,960
Speaker 1: I'm like that the problems Tom Tom clear clear, Yeah

1081
00:55:41,360 --> 00:55:44,759
Speaker 1: yeah it is. Yeah, what do you call big? Is it?

1082
00:55:44,880 --> 00:55:49,279
Speaker 1: Like like like I knew you were just gonna give

1083
00:55:49,280 --> 00:55:51,400
Speaker 1: me just problem. I'm just asking. I just want to

1084
00:55:51,400 --> 00:55:54,720
Speaker 1: know he's really hurt by big big energy, big lotto,

1085
00:55:55,040 --> 00:56:00,880
Speaker 1: big energy, big energy his wife. Oh, don't say that,

1086
00:56:01,440 --> 00:56:03,440
Speaker 1: But what are you talking about on him with a

1087
00:56:03,520 --> 00:56:11,360
Speaker 1: guy with her? I don't want to know how to exactly.

1088
00:56:11,719 --> 00:56:16,440
Speaker 1: I don't want to ye Ago, we've been together for

1089
00:56:16,440 --> 00:56:19,400
Speaker 1: a long time. It's not about what's in your past.

1090
00:56:19,560 --> 00:56:22,880
Speaker 1: I don't call you, don't who listen. All I know

1091
00:56:23,040 --> 00:56:27,279
Speaker 1: is can we both agree some small energy in this

1092
00:56:27,400 --> 00:56:30,359
Speaker 1: room from the two of them this morning? No, I'm

1093
00:56:30,400 --> 00:56:34,840
Speaker 1: not gonna do them like now. Yeah, this is spelling insecure,

1094
00:56:35,480 --> 00:56:40,360
Speaker 1: it's giving insecure. We're asking questions. Why can't we ask questions? Anyways?

1095
00:56:40,400 --> 00:56:43,440
Speaker 1: Back to the college. You know what I'm saying. She

1096
00:56:44,160 --> 00:56:47,600
Speaker 1: I don't agree with shouted. I think that men can

1097
00:56:47,680 --> 00:56:49,920
Speaker 1: listen to them songs, but now they can sing them

1098
00:56:50,160 --> 00:56:54,560
Speaker 1: like yes, they can agree, Yes they can mean because

1099
00:56:54,560 --> 00:56:57,200
Speaker 1: if not, then then I'm then y'all exing me out

1100
00:56:57,200 --> 00:57:00,360
Speaker 1: of fifty percent of the market. That's right. Can't do

1101
00:57:00,480 --> 00:57:02,560
Speaker 1: me like that, girl, I'm trying to get this money. Hey,

1102
00:57:02,560 --> 00:57:05,320
Speaker 1: technically the song is about many yeah, yeah, yeah, And

1103
00:57:05,719 --> 00:57:07,319
Speaker 1: that's why I had added those things like in the

1104
00:57:07,360 --> 00:57:10,040
Speaker 1: beginning where I said, um, hey, daddy, when you're gonna

1105
00:57:10,080 --> 00:57:12,160
Speaker 1: stop playing? Like I wanted it to be. I didn't

1106
00:57:12,200 --> 00:57:14,640
Speaker 1: want it to just be like stepping on like I

1107
00:57:14,680 --> 00:57:16,600
Speaker 1: wanted it to be, like you don't want to hear

1108
00:57:16,680 --> 00:57:19,200
Speaker 1: nobody's family. Yeah, he says that to me every morning. Yo,

1109
00:57:19,720 --> 00:57:21,520
Speaker 1: hey daddy, when you're gonna stop playing. I don't know

1110
00:57:21,560 --> 00:57:24,400
Speaker 1: what he was getting that from. This guy is crazy

1111
00:57:24,400 --> 00:57:27,640
Speaker 1: plays stop Why I'm talking seven seven seven? And I

1112
00:57:27,640 --> 00:57:28,920
Speaker 1: see you gotta tatt it on you next to the

1113
00:57:28,960 --> 00:57:31,840
Speaker 1: un Yeah, I've been had this tattoed on me for like,

1114
00:57:32,280 --> 00:57:34,960
Speaker 1: this is one of my first tattoos. So seven always

1115
00:57:34,960 --> 00:57:39,000
Speaker 1: been like my favorite numbers number. Um, everyone who I

1116
00:57:39,040 --> 00:57:41,400
Speaker 1: love favorite number of seven, like my grandma, my daddy

1117
00:57:41,440 --> 00:57:45,240
Speaker 1: and everybody's favorite number seven. Triple you know, overcome six

1118
00:57:45,320 --> 00:57:48,400
Speaker 1: sixty six and baby we I'm gosh, I'm God's favorite.

1119
00:57:48,400 --> 00:57:50,959
Speaker 1: Matter of fact. So you know, I don't play about daddy.

1120
00:57:51,000 --> 00:57:53,640
Speaker 1: So but when I changed my name to Lotto in

1121
00:57:53,720 --> 00:57:57,360
Speaker 1: reference to the lottery like casino jack, pote, whatever, it

1122
00:57:57,440 --> 00:57:59,320
Speaker 1: became a part of my brand then. But it just

1123
00:57:59,360 --> 00:58:01,640
Speaker 1: kind of just in place because it was already something

1124
00:58:01,680 --> 00:58:04,680
Speaker 1: that meant a lot to me anyways. And then you

1125
00:58:04,720 --> 00:58:06,440
Speaker 1: know the album and stuff I just wanted to like,

1126
00:58:06,800 --> 00:58:10,040
Speaker 1: but the previous name just harboring that negative energy and stuff.

1127
00:58:10,040 --> 00:58:11,959
Speaker 1: I just wanted to like turn over a new leaf,

1128
00:58:12,000 --> 00:58:14,240
Speaker 1: like new chapter, new era. And I think it's been

1129
00:58:14,240 --> 00:58:17,320
Speaker 1: manifesting like good things. I like that, especially the whole

1130
00:58:17,360 --> 00:58:19,640
Speaker 1: six six six things. It's like, yo, why not flip that?

1131
00:58:20,040 --> 00:58:22,680
Speaker 1: Let's do God? Because I'd be seeing people do that.

1132
00:58:22,680 --> 00:58:29,200
Speaker 1: I'd be like, what, we don't do that Christian Christian? Yeah,

1133
00:58:29,200 --> 00:58:31,120
Speaker 1: we don't put like my grandma like you ain't touching

1134
00:58:31,120 --> 00:58:35,720
Speaker 1: that food. Let's un let's say grace. Another big conversation

1135
00:58:35,800 --> 00:58:38,480
Speaker 1: is who's from Atlanta? Clearly not me? No, just like

1136
00:58:39,320 --> 00:58:41,760
Speaker 1: why is this such a big conversation about who's from Alanda,

1137
00:58:41,800 --> 00:58:45,160
Speaker 1: who's not from Atlanta, who's around on the outskirts of Atlanta?

1138
00:58:44,760 --> 00:58:48,200
Speaker 1: At I don't think I don't think it's just Atlanta though,

1139
00:58:48,240 --> 00:58:51,160
Speaker 1: Like I'maretta was really just saying like because so many

1140
00:58:51,240 --> 00:58:53,560
Speaker 1: other people from different cities was relating to it too,

1141
00:58:53,600 --> 00:58:55,920
Speaker 1: she was just speaking from Atlanta. Like they'd be like, oh,

1142
00:58:55,960 --> 00:58:58,880
Speaker 1: if you're not from the actual city, don't claim the

1143
00:58:58,920 --> 00:59:01,680
Speaker 1: actual city. But but I'm one thing about I'm gonna

1144
00:59:01,760 --> 00:59:03,160
Speaker 1: let you know I'm from Clicko. I'm gonna let you

1145
00:59:03,240 --> 00:59:05,360
Speaker 1: know that. But to the masses to the world, y'all

1146
00:59:05,360 --> 00:59:07,880
Speaker 1: probably never even heard of Clico. So to the world,

1147
00:59:07,920 --> 00:59:11,120
Speaker 1: I'm from Atlanta. Yeah, it's really people not from there

1148
00:59:11,200 --> 00:59:12,920
Speaker 1: that just be like, oh, yeah, she from Atlanta, and

1149
00:59:13,000 --> 00:59:15,880
Speaker 1: y'all represent Atlanta too, like the culture of it. Yeah,

1150
00:59:15,920 --> 00:59:19,640
Speaker 1: and you got on the remix. Yeah, because I'm I'm

1151
00:59:19,680 --> 00:59:22,280
Speaker 1: a reader, like she hard, like she could wrap and

1152
00:59:22,320 --> 00:59:25,480
Speaker 1: I understood what she was saying, like it wasn't no shade,

1153
00:59:25,480 --> 00:59:27,360
Speaker 1: like people are trying to flip it into this thing like, oh,

1154
00:59:27,400 --> 00:59:29,240
Speaker 1: she's shading you. What you're gonna do, what you're gonna do.

1155
00:59:29,440 --> 00:59:32,520
Speaker 1: I ain't take it as shade, like I'm literally she said,

1156
00:59:32,760 --> 00:59:34,640
Speaker 1: like she said what she's saying, it's not a lot.

1157
00:59:34,920 --> 00:59:37,360
Speaker 1: Isn't that crazy that people could have started like a

1158
00:59:37,480 --> 00:59:39,280
Speaker 1: beef because you know how fans are going to jump

1159
00:59:39,320 --> 00:59:41,360
Speaker 1: in and be like, oh, she's talking crazy about you.

1160
00:59:41,480 --> 00:59:43,440
Speaker 1: Imagine if you would have fed into that and been

1161
00:59:43,480 --> 00:59:45,920
Speaker 1: like many I could have. I could have for sure,

1162
00:59:46,080 --> 00:59:48,800
Speaker 1: Like they do that a lot, especially with female rappers,

1163
00:59:48,800 --> 00:59:50,760
Speaker 1: like they do that they can't wait to pay y'all

1164
00:59:50,760 --> 00:59:53,360
Speaker 1: against each other. And that's why I always say, nine

1165
00:59:53,400 --> 00:59:55,680
Speaker 1: times out of ten when the girls is BeFAN where

1166
00:59:55,680 --> 00:59:59,000
Speaker 1: they got an issue underlying issue, it don't be them

1167
00:59:59,040 --> 01:00:01,480
Speaker 1: like we would. Really, we got so much stuff to

1168
01:00:01,520 --> 01:00:03,600
Speaker 1: relate to in real life. We got so many stories

1169
01:00:03,640 --> 01:00:05,480
Speaker 1: that we can tell each other and be like, girl,

1170
01:00:05,560 --> 01:00:07,360
Speaker 1: you're going through that. I'm going through that too, Like

1171
01:00:07,800 --> 01:00:10,240
Speaker 1: it'd be the blogs and the fans and stuff, and

1172
01:00:10,240 --> 01:00:11,960
Speaker 1: it's really not fair to us because in real life

1173
01:00:11,960 --> 01:00:14,840
Speaker 1: we would probably get along this online harassment of a

1174
01:00:14,960 --> 01:00:18,880
Speaker 1: like impact your mental health and your emotional well being. Yes, yeah,

1175
01:00:18,880 --> 01:00:21,000
Speaker 1: like I'm going through that right now, like trying to

1176
01:00:21,040 --> 01:00:24,080
Speaker 1: find me time and like self care, like make sure

1177
01:00:24,280 --> 01:00:26,560
Speaker 1: my mental is straight because when it's I always say,

1178
01:00:26,640 --> 01:00:28,600
Speaker 1: when it when it starts to not be fun, no more,

1179
01:00:28,800 --> 01:00:31,240
Speaker 1: I'm gonna take a break and recollect. But I'm on

1180
01:00:31,320 --> 01:00:34,920
Speaker 1: tour and stuff, so it's like it's fun. It's fun,

1181
01:00:35,080 --> 01:00:37,360
Speaker 1: Like I'm I'm not gonna let that distract me and

1182
01:00:37,440 --> 01:00:39,640
Speaker 1: take away, you know, my happiness. This this is my

1183
01:00:39,680 --> 01:00:42,760
Speaker 1: second project with RCA, it's my first tour and I'm

1184
01:00:42,760 --> 01:00:45,440
Speaker 1: selling out like crazy, like I want to enjoy it.

1185
01:00:45,440 --> 01:00:47,520
Speaker 1: It's fun until you get online, Like I saw something

1186
01:00:47,520 --> 01:00:49,520
Speaker 1: with you. They was messing with you about having a

1187
01:00:49,560 --> 01:00:52,640
Speaker 1: small stage, which wasn't a small stage. It's three thousand people.

1188
01:00:52,880 --> 01:00:55,080
Speaker 1: First of all, I'm in Santa Cruz. First of all,

1189
01:00:55,120 --> 01:00:56,960
Speaker 1: I was selling out a thousand people. A thousand of

1190
01:00:56,960 --> 01:00:59,080
Speaker 1: people in Santa Cruz is not coming out to see

1191
01:00:59,320 --> 01:01:02,200
Speaker 1: new artists period. So I'm gonna pop it. That's why

1192
01:01:02,440 --> 01:01:04,720
Speaker 1: I'm still trying to find You know the times where

1193
01:01:07,080 --> 01:01:08,680
Speaker 1: I like how to Clayton County came out with then

1194
01:01:08,680 --> 01:01:17,400
Speaker 1: you remember the media training stages that held Yeah, but

1195
01:01:17,880 --> 01:01:20,640
Speaker 1: it doesn't matter. I think what irritates me is because

1196
01:01:20,640 --> 01:01:22,680
Speaker 1: there'd be so many people that's not in the industry

1197
01:01:22,720 --> 01:01:24,640
Speaker 1: speaking on stuff that have to do with the industry,

1198
01:01:24,680 --> 01:01:27,240
Speaker 1: Like y'all don't have no clue of what's going on.

1199
01:01:27,320 --> 01:01:29,240
Speaker 1: Y'all be impressed by these big old stages. When I

1200
01:01:29,280 --> 01:01:32,400
Speaker 1: post rolling Loud or I post made in America, y'all

1201
01:01:32,400 --> 01:01:34,360
Speaker 1: be like, oh my god, you made it, you made it.

1202
01:01:34,520 --> 01:01:36,640
Speaker 1: The people is here to see a hundred of other people.

1203
01:01:36,640 --> 01:01:39,360
Speaker 1: There's not here just to see me. Dumb people in

1204
01:01:39,400 --> 01:01:42,040
Speaker 1: that room screaming word for word songs that I dropped

1205
01:01:42,040 --> 01:01:45,360
Speaker 1: five years ago, so that hit different. All right. We

1206
01:01:45,400 --> 01:01:47,880
Speaker 1: got more with Big Lotto when we come back, don't move.

1207
01:01:47,920 --> 01:01:51,760
Speaker 1: It's the Breakfast Club. Good Morning. Why everybody get cj

1208
01:01:52,280 --> 01:01:54,800
Speaker 1: Envy and Ngula yee. Charlo Migne, the guy we are

1209
01:01:54,840 --> 01:01:57,000
Speaker 1: the Breakfast Club is still kicking it with Big Lotto.

1210
01:01:57,120 --> 01:02:00,560
Speaker 1: Her album comes out this Friday, seven seventy seven. Charlemagne,

1211
01:02:00,640 --> 01:02:02,360
Speaker 1: you do realize that most of these people on social

1212
01:02:02,400 --> 01:02:05,160
Speaker 1: media just mad that you went it? Yeah? Yeah, but

1213
01:02:05,360 --> 01:02:07,680
Speaker 1: you know what I think, because I did the rap

1214
01:02:07,760 --> 01:02:10,560
Speaker 1: game like so long ago. I being got like that

1215
01:02:10,720 --> 01:02:13,920
Speaker 1: dragon on tutor and stuff, and that's not new to me.

1216
01:02:14,360 --> 01:02:16,680
Speaker 1: It's not new to me, So it's like I still

1217
01:02:16,720 --> 01:02:22,600
Speaker 1: gotta figure out I want to because then y'all got

1218
01:02:22,600 --> 01:02:26,880
Speaker 1: the label from me media training this stuff. Now, boy,

1219
01:02:27,600 --> 01:02:29,880
Speaker 1: and you talked about working on the album and having

1220
01:02:29,880 --> 01:02:32,280
Speaker 1: a problem clearing. Yeah, and then everybody looked at your

1221
01:02:32,320 --> 01:02:35,040
Speaker 1: track listed to try all this that was it's like

1222
01:02:35,040 --> 01:02:36,640
Speaker 1: a hip hop who done it at this point and

1223
01:02:38,400 --> 01:02:42,360
Speaker 1: said that that Mulatto girl is not talking about me, homie.

1224
01:02:42,440 --> 01:02:46,040
Speaker 1: I just seen that before I walked in. My intentions

1225
01:02:46,240 --> 01:02:49,520
Speaker 1: was not to like make this a whole thing. I

1226
01:02:49,560 --> 01:02:52,160
Speaker 1: just was looking at it as like, I'm a new

1227
01:02:52,200 --> 01:02:54,520
Speaker 1: female rapper in the game. I wish somebody could have

1228
01:02:54,560 --> 01:02:57,080
Speaker 1: gave me some insight about how this stuff really go.

1229
01:02:57,200 --> 01:02:59,200
Speaker 1: Like you hear like, oh, female rappers have it harder,

1230
01:02:59,200 --> 01:03:01,840
Speaker 1: But I really wanted to give like a little insight

1231
01:03:01,920 --> 01:03:04,440
Speaker 1: as to like what specifically makes it harder for a

1232
01:03:04,440 --> 01:03:06,480
Speaker 1: female rapper. I didn't want it to like distract from

1233
01:03:06,480 --> 01:03:09,080
Speaker 1: the music or anything, so like I kind of wish

1234
01:03:09,160 --> 01:03:11,080
Speaker 1: in a way, I didn't say that, how did that

1235
01:03:11,120 --> 01:03:13,600
Speaker 1: person react? Because I'm sure at that point it's like, well,

1236
01:03:13,640 --> 01:03:15,160
Speaker 1: I don't want to be on the album because not

1237
01:03:15,240 --> 01:03:20,560
Speaker 1: everybody's gonna be looking at me. I haven't heard from them. Yeah,

1238
01:03:20,600 --> 01:03:22,160
Speaker 1: but you know what, if you did that, you should

1239
01:03:22,160 --> 01:03:24,680
Speaker 1: be ashamed and not want to you know, like, what

1240
01:03:24,720 --> 01:03:26,640
Speaker 1: are you supposed to do if you if a guy

1241
01:03:26,760 --> 01:03:29,240
Speaker 1: did that to you, he should really just shut up

1242
01:03:30,240 --> 01:03:33,640
Speaker 1: or even a apologize or yeah, or apologize that that

1243
01:03:33,640 --> 01:03:35,960
Speaker 1: would mean because I don't. I mean, I'm not here

1244
01:03:36,000 --> 01:03:39,040
Speaker 1: to raise nobody. I'm just speaking on like what I

1245
01:03:39,080 --> 01:03:41,680
Speaker 1: go through, you know, and I think I'm allowed to

1246
01:03:41,680 --> 01:03:44,280
Speaker 1: do that to a certain extent. Social media is trying

1247
01:03:44,320 --> 01:03:46,080
Speaker 1: to turn it into this thing where it's like, oh,

1248
01:03:46,120 --> 01:03:50,160
Speaker 1: I'm trying to cloud chase or like silence my experiences.

1249
01:03:50,320 --> 01:03:52,840
Speaker 1: So I think you're living your truth. Yeah, you know,

1250
01:03:52,880 --> 01:03:55,120
Speaker 1: and if your intentions are to help the next person

1251
01:03:55,200 --> 01:03:57,600
Speaker 1: coming behind you, like why not? Because these are things

1252
01:03:57,600 --> 01:04:01,360
Speaker 1: that we've always heard about, but you know, specifically what

1253
01:04:01,560 --> 01:04:03,960
Speaker 1: like people always say, oh, it's harder for a female rapper,

1254
01:04:04,000 --> 01:04:06,560
Speaker 1: it's harder for a female rapper, but specifically, what do

1255
01:04:06,680 --> 01:04:08,760
Speaker 1: we be dealing with that people don't know? You know

1256
01:04:08,800 --> 01:04:10,479
Speaker 1: what I'm saying. And it's not even as other artists,

1257
01:04:10,520 --> 01:04:13,920
Speaker 1: it'd be managers produced. Yeah. Oh that's why I was.

1258
01:04:14,040 --> 01:04:16,280
Speaker 1: I was really shocked by that because I'm like, oh,

1259
01:04:16,440 --> 01:04:19,720
Speaker 1: that's what got y'all should Oh y'all would? That was

1260
01:04:19,760 --> 01:04:22,400
Speaker 1: just yeah, how does that make you? Like if you

1261
01:04:22,400 --> 01:04:24,000
Speaker 1: want to do a record with somebody or you want

1262
01:04:24,000 --> 01:04:25,560
Speaker 1: to collaborate, now that you say, well, I'm gonna get

1263
01:04:25,560 --> 01:04:27,000
Speaker 1: my manager to reach out because I don't know. Oh,

1264
01:04:27,080 --> 01:04:29,200
Speaker 1: that's that's what it always be though, Like they even

1265
01:04:29,280 --> 01:04:31,320
Speaker 1: switched it like that, they're like, oh, well, why would

1266
01:04:31,360 --> 01:04:33,000
Speaker 1: you even reach out to that person? I don't even

1267
01:04:33,040 --> 01:04:35,080
Speaker 1: do that. I don't do business like that. It's always

1268
01:04:35,080 --> 01:04:37,640
Speaker 1: through management. I don't shouldn't have to be like that, though.

1269
01:04:37,680 --> 01:04:39,120
Speaker 1: If you feel an artist to be like I think

1270
01:04:39,120 --> 01:04:40,720
Speaker 1: he sounds dope on this record, you should be able

1271
01:04:40,720 --> 01:04:42,600
Speaker 1: to be like, yo, bro, I think we should collab

1272
01:04:42,640 --> 01:04:45,040
Speaker 1: and it shouldn't be a problem. You know, it shouldn't.

1273
01:04:45,520 --> 01:04:49,760
Speaker 1: But her reality is reality is it most likely will

1274
01:04:49,840 --> 01:04:52,360
Speaker 1: be or that would like, you know, do something that

1275
01:04:52,440 --> 01:04:55,080
Speaker 1: offends you or try to cross the boundary or whatever.

1276
01:04:55,120 --> 01:04:59,760
Speaker 1: So I always like, especially with male rappers, I don't

1277
01:04:59,760 --> 01:05:02,720
Speaker 1: want and say who it was. Yeah, I just feel

1278
01:05:02,760 --> 01:05:05,240
Speaker 1: like because it's gonna distract from the music, and my

1279
01:05:05,320 --> 01:05:07,640
Speaker 1: attentionous is not to get anyone dragged or anything. I

1280
01:05:07,680 --> 01:05:10,000
Speaker 1: just wanted to speak from, like what do I deal with?

1281
01:05:10,240 --> 01:05:13,720
Speaker 1: I don't specifically want someone to you know, get dragged

1282
01:05:13,800 --> 01:05:17,720
Speaker 1: or that cancel culture. Did other female artists, other female

1283
01:05:17,760 --> 01:05:19,520
Speaker 1: rappers hit you up after that to be like thank

1284
01:05:19,560 --> 01:05:22,080
Speaker 1: you for speaking up? Yeah? They did, and I thought

1285
01:05:22,120 --> 01:05:25,640
Speaker 1: that was real dope and hopefully without a mess in

1286
01:05:25,720 --> 01:05:29,000
Speaker 1: the drama. Hopefully more people can't feel comfortable to speak up.

1287
01:05:29,240 --> 01:05:31,000
Speaker 1: So it's been like that from day one, Like even

1288
01:05:31,040 --> 01:05:34,360
Speaker 1: when you were just an aspiring rapper trying to get on,

1289
01:05:34,680 --> 01:05:37,920
Speaker 1: it's been like that, What did your man have to

1290
01:05:37,960 --> 01:05:40,760
Speaker 1: say about all this? He tried to stay out the way.

1291
01:05:41,720 --> 01:05:43,440
Speaker 1: I try to keep him out of the way too,

1292
01:05:43,560 --> 01:05:46,040
Speaker 1: because I don't I don't want, you know, I don't

1293
01:05:46,040 --> 01:05:49,440
Speaker 1: want him to have any pressure or like feel like

1294
01:05:49,480 --> 01:05:52,000
Speaker 1: he gotta defend me like I'm straight. Because that had

1295
01:05:52,000 --> 01:05:54,000
Speaker 1: to be hard for him to hear too, especially when

1296
01:05:54,040 --> 01:05:55,720
Speaker 1: you tell him I know he was like I would,

1297
01:05:55,920 --> 01:05:58,080
Speaker 1: yeah for sure, but I think when you dating a

1298
01:05:58,120 --> 01:06:00,840
Speaker 1: female rapper, you just gotta I know, some stuff just

1299
01:06:00,880 --> 01:06:02,840
Speaker 1: gonna come with it. Was that? What didn't hear it

1300
01:06:02,880 --> 01:06:05,920
Speaker 1: on the Big Boy interview? No, yeah, yeah, I tell

1301
01:06:06,000 --> 01:06:08,720
Speaker 1: him everything. Yeah, he don't like want to go step

1302
01:06:08,760 --> 01:06:10,280
Speaker 1: to the guy, like let me go talk to him.

1303
01:06:10,600 --> 01:06:13,320
Speaker 1: I don't know what you want to do. Yeah, it's

1304
01:06:13,360 --> 01:06:16,240
Speaker 1: interesting because I can feel your energy come down you

1305
01:06:16,320 --> 01:06:19,840
Speaker 1: start talking about that. Yeah, because I just it just

1306
01:06:19,960 --> 01:06:22,760
Speaker 1: been like too much. It's been too much. That's so

1307
01:06:22,840 --> 01:06:25,120
Speaker 1: I'm just ready for the album to come out. The remix.

1308
01:06:25,720 --> 01:06:28,959
Speaker 1: The remix got clear like just in time like that.

1309
01:06:29,120 --> 01:06:31,320
Speaker 1: That was a whole another thing that was just on

1310
01:06:31,480 --> 01:06:33,800
Speaker 1: my mentor like when I tell you I've been scressed

1311
01:06:33,800 --> 01:06:38,800
Speaker 1: out with a K scrissed scressed, But it's okay because

1312
01:06:38,840 --> 01:06:40,960
Speaker 1: God got me. And I really feel like everything I'm

1313
01:06:41,000 --> 01:06:42,880
Speaker 1: going through right now is just prepping me for I

1314
01:06:43,080 --> 01:06:45,640
Speaker 1: was to come. What perception, though, did you have with

1315
01:06:45,680 --> 01:06:47,880
Speaker 1: an industry that that once you got in you realize

1316
01:06:47,920 --> 01:06:50,560
Speaker 1: it was all wrong? Yeah? I think I was. I

1317
01:06:50,600 --> 01:06:52,680
Speaker 1: was rapping at eight years old. I did the rap

1318
01:06:52,720 --> 01:06:55,919
Speaker 1: game at sixteen, so I thought everything was peaches and cream, Like, Oh,

1319
01:06:55,920 --> 01:06:58,720
Speaker 1: I'm like, oh, I just get my makeup done and

1320
01:06:58,760 --> 01:07:01,360
Speaker 1: shoot videos and then I'd be number one on Billboard.

1321
01:07:01,440 --> 01:07:03,360
Speaker 1: That's how I go. That's what I thought, you know,

1322
01:07:03,480 --> 01:07:06,120
Speaker 1: as a kid coming into it. But I think it

1323
01:07:06,160 --> 01:07:09,280
Speaker 1: made me. It made me like grow up faster because

1324
01:07:09,280 --> 01:07:12,000
Speaker 1: I had to see, you know, as a as a

1325
01:07:12,080 --> 01:07:16,040
Speaker 1: kid like that. Ain't this stuff not sweet? Like people

1326
01:07:16,120 --> 01:07:19,000
Speaker 1: they don't give a man? What was your first like

1327
01:07:19,480 --> 01:07:23,800
Speaker 1: rude awakening? My first rude awakening? I don't I don't

1328
01:07:23,800 --> 01:07:26,400
Speaker 1: even remember my first before the rap game or after

1329
01:07:26,440 --> 01:07:29,720
Speaker 1: that or during probably probably like during after the rap

1330
01:07:29,840 --> 01:07:32,840
Speaker 1: game stuff. You regret that at all so much that

1331
01:07:32,880 --> 01:07:35,560
Speaker 1: you wasn't a reality rap Yeah, I mean, now that

1332
01:07:35,640 --> 01:07:39,120
Speaker 1: I got through it, no, But because it was a

1333
01:07:39,120 --> 01:07:41,840
Speaker 1: lot to get through. It really was now that I

1334
01:07:41,880 --> 01:07:44,960
Speaker 1: got through it, No, but going when like, you know,

1335
01:07:45,040 --> 01:07:46,960
Speaker 1: the ups and downs of like trying to get away

1336
01:07:47,000 --> 01:07:49,680
Speaker 1: from that image that I was first introduced to the

1337
01:07:49,680 --> 01:07:53,040
Speaker 1: world as and like the music changing and just growing

1338
01:07:53,160 --> 01:07:56,560
Speaker 1: up in general. Like that it did made me be like, man,

1339
01:07:56,600 --> 01:07:59,240
Speaker 1: I wish I never did this, but now I'm grateful

1340
01:07:59,240 --> 01:08:02,520
Speaker 1: because it just showed people like this ain't overnight people

1341
01:08:02,600 --> 01:08:05,760
Speaker 1: being seeing me. You know, I've been working like so

1342
01:08:06,000 --> 01:08:09,160
Speaker 1: it's cool now that I've overcame it and it's like, oh,

1343
01:08:09,240 --> 01:08:11,360
Speaker 1: I see her come up. I respect it now. You

1344
01:08:11,400 --> 01:08:13,520
Speaker 1: also have this song rust No Bitch on the album.

1345
01:08:13,840 --> 01:08:15,560
Speaker 1: Do you feel like being in a position that you're

1346
01:08:15,560 --> 01:08:17,240
Speaker 1: and people do try to come at you because you

1347
01:08:17,280 --> 01:08:19,880
Speaker 1: know how you try to go for somebody who's winning

1348
01:08:20,120 --> 01:08:23,960
Speaker 1: to get attention. Yeah, yeah, I really think that, and

1349
01:08:24,360 --> 01:08:27,200
Speaker 1: I just that's not gonna stop. The only thing that

1350
01:08:27,240 --> 01:08:29,760
Speaker 1: I can control is my response to it. So I'm

1351
01:08:29,840 --> 01:08:32,040
Speaker 1: just trying to learn how to like they gonna they're

1352
01:08:32,040 --> 01:08:34,240
Speaker 1: gonna gun for you, They're gonna try to provoke you,

1353
01:08:34,840 --> 01:08:37,120
Speaker 1: and if you let them, then they're gonna keep doing.

1354
01:08:37,360 --> 01:08:40,240
Speaker 1: I just gotta go Beyonce on these bitches, go silent

1355
01:08:43,720 --> 01:08:47,000
Speaker 1: on that yeah, and then I'm still me, like I

1356
01:08:47,160 --> 01:08:49,200
Speaker 1: look like it's hard to look at yourself from the

1357
01:08:49,240 --> 01:08:51,519
Speaker 1: third person point of view, so when the level be like,

1358
01:08:51,720 --> 01:08:55,400
Speaker 1: oh you got this and this now like yeah, but

1359
01:08:55,439 --> 01:08:57,479
Speaker 1: it's hard for me to look at myself like that. Like,

1360
01:08:57,520 --> 01:08:59,920
Speaker 1: if you disrespect me, I'm on your ass. It's hard

1361
01:09:00,000 --> 01:09:02,840
Speaker 1: for me not to be. I think I only find

1362
01:09:02,880 --> 01:09:05,439
Speaker 1: it disrespectful when I actually know the person. Yeah, people,

1363
01:09:05,439 --> 01:09:07,439
Speaker 1: I don't know. It's like ghosts. It's like, hey, what

1364
01:09:07,520 --> 01:09:10,320
Speaker 1: I wish. I wish I thought would be like that.

1365
01:09:10,640 --> 01:09:13,960
Speaker 1: One day I'm gonna be like you you can't. One

1366
01:09:14,040 --> 01:09:15,800
Speaker 1: day you got a chance to have a conversation with

1367
01:09:15,880 --> 01:09:20,639
Speaker 1: Holly Berry. Yeah, how was that? Hallie Barry? Hallie? She

1368
01:09:20,760 --> 01:09:23,000
Speaker 1: looks so good? First of all, she looks so good.

1369
01:09:23,000 --> 01:09:24,559
Speaker 1: I'm like, girl, I want to grow up and look

1370
01:09:24,640 --> 01:09:28,120
Speaker 1: like you. She looks so good. She was so was

1371
01:09:28,160 --> 01:09:31,240
Speaker 1: it already set up? It was already said. But it

1372
01:09:31,280 --> 01:09:34,000
Speaker 1: was the weirdest sexual request to actress ever received. I

1373
01:09:34,200 --> 01:09:36,320
Speaker 1: was no. First of all, I really want to put

1374
01:09:36,360 --> 01:09:38,320
Speaker 1: emphasis I'll probably get in trouble for this, but I

1375
01:09:38,360 --> 01:09:40,679
Speaker 1: want to put emphasis on that these questions per ridden

1376
01:09:40,680 --> 01:09:43,520
Speaker 1: because when I seen him, I said that is disrespectful.

1377
01:09:43,560 --> 01:09:47,160
Speaker 1: To add Hallie Berry, that is disrespectful. My grandma would

1378
01:09:47,160 --> 01:09:51,080
Speaker 1: slap me on the head. To your grandma. But they

1379
01:09:51,160 --> 01:09:55,960
Speaker 1: was like that, she said it's okay. So like, okay,

1380
01:09:56,200 --> 01:10:00,240
Speaker 1: So when I see her conversation, I guess so I'm like,

1381
01:10:00,600 --> 01:10:03,400
Speaker 1: y'all sure she said this okay. So I'm like, girls,

1382
01:10:03,560 --> 01:10:08,000
Speaker 1: did you see this question? Yeah? I was like, I

1383
01:10:08,000 --> 01:10:10,200
Speaker 1: thought it was disrespected. She was like, no girl, no, girls,

1384
01:10:10,280 --> 01:10:13,680
Speaker 1: I'm like, okay, but if they was punking you, and

1385
01:10:13,720 --> 01:10:15,760
Speaker 1: then she was like, what I care would be? That

1386
01:10:15,760 --> 01:10:21,400
Speaker 1: would mean that, that would be mean. Don't set me

1387
01:10:21,520 --> 01:10:24,280
Speaker 1: up with Hatley. We got them up with Big Lotto.

1388
01:10:24,320 --> 01:10:26,559
Speaker 1: When we come back, don't move. It's the Breakfast Club.

1389
01:10:26,600 --> 01:10:35,960
Speaker 1: Good Morning, the Breakfast Club. It's Club Power one five one.

1390
01:10:36,360 --> 01:10:43,320
Speaker 1: I'll never be the same morning everybody. It's DJ Envy,

1391
01:10:43,479 --> 01:10:46,400
Speaker 1: Angela Yee. Charlomagne, the guy we are. The Breakfast Club

1392
01:10:46,479 --> 01:10:48,519
Speaker 1: was still kicking it with Big Lotto. Her album comes

1393
01:10:48,560 --> 01:10:51,320
Speaker 1: out this Friday, seven, seven to seven. It's something about

1394
01:10:51,320 --> 01:10:55,960
Speaker 1: you that's very grounded. Really yeah, what what does that mean? Grounded? Grounded?

1395
01:10:56,040 --> 01:10:58,479
Speaker 1: Like just a humility about you, like you know, and

1396
01:10:58,960 --> 01:11:02,080
Speaker 1: I feel like you were that way before you got

1397
01:11:02,120 --> 01:11:04,400
Speaker 1: into games. Where do you where do you contribute that too?

1398
01:11:05,200 --> 01:11:11,040
Speaker 1: Probably what I was saying. I think it's I think

1399
01:11:11,200 --> 01:11:13,360
Speaker 1: it goes back to what I was saying earlier, like

1400
01:11:13,400 --> 01:11:15,360
Speaker 1: I'm really just grateful to b Y. I'm man, I

1401
01:11:15,360 --> 01:11:17,799
Speaker 1: don't take it for granted because it didn't happen overnight,

1402
01:11:17,840 --> 01:11:20,479
Speaker 1: and I really put in the work and I been

1403
01:11:20,520 --> 01:11:23,280
Speaker 1: told no so many times. I didn't dealt with so

1404
01:11:23,360 --> 01:11:25,840
Speaker 1: much stuff behind closed doors to get to why I'm at,

1405
01:11:25,880 --> 01:11:28,280
Speaker 1: So I just appreciate it. What did your people want

1406
01:11:28,320 --> 01:11:31,120
Speaker 1: you to do coming up? Like your grandma? What do

1407
01:11:31,200 --> 01:11:33,240
Speaker 1: they want you to It's so crazy because most people,

1408
01:11:33,439 --> 01:11:37,080
Speaker 1: like family don't support like an artistic job, like they like,

1409
01:11:37,120 --> 01:11:39,679
Speaker 1: oh go to college a lie, But my my folks

1410
01:11:39,720 --> 01:11:41,920
Speaker 1: never did it. Your dad managed you, right, Yeah, My

1411
01:11:42,000 --> 01:11:46,360
Speaker 1: daddy managed me. My mama did my business management, and everybody.

1412
01:11:46,400 --> 01:11:48,320
Speaker 1: It was just like a family effort thing. Like my

1413
01:11:48,400 --> 01:11:50,639
Speaker 1: daddy used to pay for me to be on shows

1414
01:11:50,640 --> 01:11:52,679
Speaker 1: like Broo hen she hit the stage two hundred dollars

1415
01:11:52,720 --> 01:11:55,800
Speaker 1: right now, like they supported me one hundred percent. That's

1416
01:11:55,840 --> 01:12:00,880
Speaker 1: probably what attributes Yeah, how did you get a feel

1417
01:12:00,920 --> 01:12:02,880
Speaker 1: now though? Because it's like you know he's still always

1418
01:12:02,880 --> 01:12:05,080
Speaker 1: in protecting old yea. When he heard something, I'm sure

1419
01:12:05,120 --> 01:12:07,360
Speaker 1: he's ready to go get a baseball bat on him

1420
01:12:07,360 --> 01:12:11,840
Speaker 1: and go up somebody a head. Yeah, he don't. He

1421
01:12:11,960 --> 01:12:13,639
Speaker 1: doesn't like about me for the show, but I think

1422
01:12:14,240 --> 01:12:16,280
Speaker 1: for the most part, he's just happy to see me,

1423
01:12:16,840 --> 01:12:19,320
Speaker 1: you know, doing what we what we pray for. I

1424
01:12:19,439 --> 01:12:23,280
Speaker 1: would we prepare for it for so long your daddy's girl.

1425
01:12:23,680 --> 01:12:25,680
Speaker 1: I don't know, because when I was younger, I used

1426
01:12:25,720 --> 01:12:28,000
Speaker 1: to be a daddy's girl. But then I you know,

1427
01:12:28,040 --> 01:12:30,439
Speaker 1: when I'm getting into like my grown woman, Well, when

1428
01:12:30,479 --> 01:12:33,960
Speaker 1: I think I'm a grown woman, like sixteen, I became

1429
01:12:34,040 --> 01:12:36,120
Speaker 1: more of a mama's your dad. Deal with that because

1430
01:12:36,160 --> 01:12:38,800
Speaker 1: you were drag racing with him, you was this little Yeah,

1431
01:12:38,840 --> 01:12:44,160
Speaker 1: I know, I really was. I know it's still be

1432
01:12:44,240 --> 01:12:46,200
Speaker 1: I'm not even gonna act like we just got it down, Pad.

1433
01:12:46,320 --> 01:12:48,519
Speaker 1: We still be like back and forth, like we get

1434
01:12:48,560 --> 01:12:50,559
Speaker 1: on each other head. We have our time where we're

1435
01:12:50,600 --> 01:12:52,679
Speaker 1: not with each other, because it's a lot to have,

1436
01:12:53,040 --> 01:12:56,840
Speaker 1: you know, your parents involved in your business, especially when

1437
01:12:56,840 --> 01:13:01,360
Speaker 1: they seeing you like Willy, it gets a little weird.

1438
01:13:01,840 --> 01:13:03,599
Speaker 1: But we figured it out, and I know he got

1439
01:13:03,600 --> 01:13:06,400
Speaker 1: my best interest at heart regardless. You know, I love

1440
01:13:06,479 --> 01:13:08,760
Speaker 1: him to do and when you talk yes on those

1441
01:13:08,760 --> 01:13:10,800
Speaker 1: songs though, Yeah, I mean it's fun. But I do

1442
01:13:10,880 --> 01:13:13,760
Speaker 1: be thinking, like I wonder, I wonder what everybody say.

1443
01:13:14,720 --> 01:13:16,800
Speaker 1: Everybody be saying that. I think we just we're just

1444
01:13:16,840 --> 01:13:18,640
Speaker 1: figuring it out as we go, Like how do you

1445
01:13:18,680 --> 01:13:24,599
Speaker 1: act like a thug? What song on the album? When

1446
01:13:24,640 --> 01:13:31,000
Speaker 1: you from like a thug, he ain't heard us, you

1447
01:13:31,000 --> 01:13:33,439
Speaker 1: can't play all the stuff and you just let them

1448
01:13:33,479 --> 01:13:35,439
Speaker 1: just read the track list and they know which ones

1449
01:13:35,439 --> 01:13:39,760
Speaker 1: to skill. Say, how do you do that? Okay? If

1450
01:13:39,800 --> 01:13:43,400
Speaker 1: from like a thug, it's just like taking authority, it's

1451
01:13:43,400 --> 01:13:46,559
Speaker 1: just me like not playing the like laid back row,

1452
01:13:46,720 --> 01:13:52,559
Speaker 1: just me like getting on top. Yeah, slap him. Maybe

1453
01:13:53,560 --> 01:13:57,720
Speaker 1: I think fathers were just protective and like it's anxiety

1454
01:13:57,800 --> 01:13:59,360
Speaker 1: you have. You have a lot of anxiety when you

1455
01:13:59,360 --> 01:14:02,040
Speaker 1: have children, but when you have daughters. You know what

1456
01:14:02,080 --> 01:14:05,280
Speaker 1: I'm saying, So you're just you're you're overly protective, and

1457
01:14:05,320 --> 01:14:06,640
Speaker 1: I guess I can see where that could come off

1458
01:14:06,800 --> 01:14:10,320
Speaker 1: is like give me some space, pops. Yeah, And that's

1459
01:14:10,320 --> 01:14:12,479
Speaker 1: what it was a lot of that in like in

1460
01:14:12,560 --> 01:14:14,600
Speaker 1: the beginning sty just like when I'm fresh off the

1461
01:14:14,640 --> 01:14:17,040
Speaker 1: rap game, and I'm like getting my first car, my

1462
01:14:17,080 --> 01:14:19,880
Speaker 1: first apartment. I remember being like, okay, I want to

1463
01:14:19,880 --> 01:14:24,160
Speaker 1: custom my music now, and he was like no. I

1464
01:14:24,240 --> 01:14:29,320
Speaker 1: was probably like seventeen, I get it. I wann't trying

1465
01:14:29,320 --> 01:14:31,320
Speaker 1: to talk about popping it like a wheelie. I was

1466
01:14:31,360 --> 01:14:35,720
Speaker 1: just trying to be like man. But he was like yeah, no.

1467
01:14:36,120 --> 01:14:38,120
Speaker 1: And I loved when I saw you on Andree Martinez

1468
01:14:38,120 --> 01:14:41,360
Speaker 1: and what you said about your haters, and you was like,

1469
01:14:41,400 --> 01:14:43,559
Speaker 1: if they if they're hating on me, you just might

1470
01:14:43,600 --> 01:14:45,880
Speaker 1: as well figure out a way to be a fan. Yeah,

1471
01:14:45,880 --> 01:14:50,599
Speaker 1: because baby, I'm gonna try to prove you wrong. They

1472
01:14:50,680 --> 01:14:52,920
Speaker 1: always say that about me, like you know what's so crazy?

1473
01:14:52,960 --> 01:14:56,920
Speaker 1: Big energy. It debuted on a bubbling under um on Billboard,

1474
01:14:57,320 --> 01:15:00,360
Speaker 1: and I was like, okay, bet everybody's making fun of me, like,

1475
01:15:01,320 --> 01:15:03,160
Speaker 1: oh yeah, you thought this was gonna go up. It's

1476
01:15:03,479 --> 01:15:09,160
Speaker 1: bubbling under Okay, now I'm number fourteen. Yeah, so that's

1477
01:15:09,160 --> 01:15:10,439
Speaker 1: what your dad need to do. Your dad need to say,

1478
01:15:10,439 --> 01:15:17,920
Speaker 1: I bet you can't stop rapping about No. Then I'm

1479
01:15:17,920 --> 01:15:20,880
Speaker 1: gonna play him another song where I'm not were you

1480
01:15:20,920 --> 01:15:23,680
Speaker 1: the little kid that used to make come rap at holidays?

1481
01:15:23,680 --> 01:15:25,320
Speaker 1: Like when all the family was around a lot, Come

1482
01:15:25,360 --> 01:15:27,680
Speaker 1: do that little rapping that day? No, you would. They

1483
01:15:27,680 --> 01:15:30,439
Speaker 1: would make me dance, okay, which is so crazy because

1484
01:15:30,439 --> 01:15:32,040
Speaker 1: I swear I've been down. I can't dance no more.

1485
01:15:32,080 --> 01:15:33,760
Speaker 1: I don't know what it left my body. But I

1486
01:15:33,840 --> 01:15:36,320
Speaker 1: used to think I was gonna be a background dancing. Really.

1487
01:15:36,439 --> 01:15:39,000
Speaker 1: I was reading one of my um John news from

1488
01:15:39,000 --> 01:15:41,880
Speaker 1: elementary the other day and that was like, what do

1489
01:15:41,960 --> 01:15:43,000
Speaker 1: you want to be when you grow up? And I

1490
01:15:43,000 --> 01:15:49,840
Speaker 1: said I was gonna be Beyonce's back up dancing. Not

1491
01:15:49,960 --> 01:15:53,360
Speaker 1: a bad goal, but there's bigger goals. Yeah, yeah, yeah, yeah.

1492
01:15:53,400 --> 01:15:55,559
Speaker 1: Life is crazy, man. I want to talk about some

1493
01:15:55,560 --> 01:15:57,160
Speaker 1: of these lyrics and songs, but I'm gonna save it

1494
01:15:57,200 --> 01:16:01,120
Speaker 1: for lip service or something scared a little service. That's

1495
01:16:01,120 --> 01:16:03,120
Speaker 1: why I'm glad when we when we did it all

1496
01:16:03,120 --> 01:16:05,400
Speaker 1: the time, it was m I was like that, wait

1497
01:16:05,400 --> 01:16:07,519
Speaker 1: till we get you in person. But you talk so

1498
01:16:07,600 --> 01:16:10,320
Speaker 1: much on your songs that it's hard for us not

1499
01:16:11,200 --> 01:16:16,639
Speaker 1: Have you ever done a sex tape? Yeah? I don't, Daddy,

1500
01:16:17,200 --> 01:16:19,080
Speaker 1: are you scared that? It's like, do you have it?

1501
01:16:19,120 --> 01:16:22,639
Speaker 1: Did you erase it? No? I'm sure it's long gone. Sure,

1502
01:16:22,880 --> 01:16:28,760
Speaker 1: Yeah you have one way, like my first relationship that's

1503
01:16:28,760 --> 01:16:34,040
Speaker 1: supposed to be an NFT. Why it's gone? You sure? Yeah?

1504
01:16:34,200 --> 01:16:45,200
Speaker 1: Is he gone? Yeah? What do you mean gone? Gone? Yeah? No, No,

1505
01:16:45,200 --> 01:16:48,080
Speaker 1: no he not did. Oh. I'm not trying to say that.

1506
01:16:48,280 --> 01:16:51,320
Speaker 1: I don't wish that on him. I'm just he did

1507
01:16:51,400 --> 01:16:57,080
Speaker 1: to me long gone. I don't like this. I don't

1508
01:16:57,120 --> 01:17:00,000
Speaker 1: even like. I don't do it. This is like before

1509
01:17:00,040 --> 01:17:01,760
Speaker 1: I was like super League. I don't do that. No

1510
01:17:01,800 --> 01:17:04,439
Speaker 1: more like me, man, we don't do it. No more taping,

1511
01:17:04,479 --> 01:17:07,200
Speaker 1: no more, not even on the phone. I mean that like,

1512
01:17:07,880 --> 01:17:12,360
Speaker 1: this is docate. Does your daddy know about this? No,

1513
01:17:12,840 --> 01:17:17,760
Speaker 1: y'all know about what you do. No, he don't know.

1514
01:17:19,040 --> 01:17:22,559
Speaker 1: What is he gonna say when he sees he just

1515
01:17:22,600 --> 01:17:25,559
Speaker 1: gonna he gonna skip to the next far he gonna

1516
01:17:25,600 --> 01:17:29,880
Speaker 1: wait for y'all get bigott. Let's get into a record.

1517
01:17:29,920 --> 01:17:31,200
Speaker 1: Now what you want to you want to go into

1518
01:17:31,200 --> 01:17:33,000
Speaker 1: Willie or you want to do the remix feature Nikki

1519
01:17:33,040 --> 01:17:36,360
Speaker 1: which one? Y'ah's crazy. I don't want your dad to

1520
01:17:36,400 --> 01:17:49,000
Speaker 1: hear Willie. Let's get into Willie one. Savvy. Yes, it's

1521
01:17:49,000 --> 01:17:53,240
Speaker 1: the Breakfast Club. Good morning morning, everybody is DJ Envy

1522
01:17:53,400 --> 01:17:56,439
Speaker 1: Angela Yee Charlomagne, the guy we are the Breakfast Club.

1523
01:17:56,640 --> 01:17:58,719
Speaker 1: You got a positive note for the people. My positive

1524
01:17:58,760 --> 01:18:01,240
Speaker 1: note comes from mister Don mc geluis who I love.

1525
01:18:01,280 --> 01:18:04,760
Speaker 1: He's an author. I love, author to Four Agreements, Fifth Agreements, Uh,

1526
01:18:04,960 --> 01:18:08,080
Speaker 1: Master Yourself, a bunch of great titles. But he has

1527
01:18:08,080 --> 01:18:10,160
Speaker 1: a quote where he says death is not the biggest

1528
01:18:10,160 --> 01:18:12,760
Speaker 1: fear we have. Our biggest fear is taking the risk

1529
01:18:12,840 --> 01:18:15,520
Speaker 1: to be alive, the risk to be alive and express

1530
01:18:16,320 --> 01:18:19,760
Speaker 1: what we really are. Go live today, people, Breakfast club.

1531
01:18:20,479 --> 01:18:29,400
Speaker 1: You gonna finish with y'all dumb we be rather is

1532
01:18:29,400 --> 01:18:50,040
Speaker 1: that gender, but you might know you might be your

1533
01:18:50,240 --> 01:18:52,599
Speaker 1: your fider gonna play with huming on which go against

1534
01:18:52,760 --> 01:18:55,920
Speaker 1: ding like this little third. On business, I put an

1535
01:18:56,000 --> 01:18:58,000
Speaker 1: end for you. I spend for you whether you win

1536
01:18:58,080 --> 01:19:00,599
Speaker 1: on with how are you on coach coach rocking? Which

1537
01:19:00,600 --> 01:19:03,120
Speaker 1: I got you live in the city. I've been multitasks

1538
01:19:03,120 --> 01:19:05,040
Speaker 1: and wrapping them, being the data to my little chi.

1539
01:19:05,320 --> 01:19:07,280
Speaker 1: I've been spending on business and spending and spinning and

1540
01:19:07,320 --> 01:19:09,760
Speaker 1: spinning them till the day I do water smack. He

1541
01:19:09,880 --> 01:19:12,000
Speaker 1: knows stuff and help with none of you kidding. You're

1542
01:19:12,000 --> 01:19:14,200
Speaker 1: doing a lot of cat When I catch them awaiting

1543
01:19:14,200 --> 01:19:16,840
Speaker 1: in front of witness down my down tripment. We could

1544
01:19:16,840 --> 01:19:23,120
Speaker 1: have been superstars. Remember when we were jacking cards. Now

1545
01:19:23,200 --> 01:19:27,160
Speaker 1: it's not safe for you. You switch like a like

1546
01:19:27,320 --> 01:19:30,080
Speaker 1: a little damn my damn my tripping. We could have

1547
01:19:30,160 --> 01:19:33,519
Speaker 1: been superstar helping. Now I'm reminisced. Remember when we were

1548
01:19:33,640 --> 01:19:36,320
Speaker 1: jacking cars. Now you better to keep your dis because

1549
01:19:36,360 --> 01:19:40,280
Speaker 1: it's not safe for you. You switch like a like

1550
01:19:40,600 --> 01:19:43,960
Speaker 1: little try hard to kid snatch off the snitch off

1551
01:19:43,960 --> 01:19:47,240
Speaker 1: when I slide nightlight on the black bet, I'm not

1552
01:19:47,400 --> 01:19:50,360
Speaker 1: my side. So don't ran down, call them pans down

1553
01:19:51,400 --> 01:19:54,599
Speaker 1: the breakfast claud Your morning's will never be the same.

1554
01:19:55,320 --> 01:19:57,320
Speaker 1: An Audible pick of the Day is The Big Lie,

1555
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Speaker 1: an Audible original starring John Hamm. It's about three filmmakers

1556
01:20:01,160 --> 01:20:04,519
Speaker 1: producing a controversial movie in Hollywood during the nineteen fifties.

1557
01:20:04,760 --> 01:20:07,000
Speaker 1: Start listening with a free thirty day audible trial at

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Speaker 1: every month, Everyone everyone, everyone, everyone, Everyone