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Speaker 1: Your sister.

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Speaker 2: But that's important Main Street.

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Speaker 3: Will we got one of the bigges things in the

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Speaker 3: American coaches they like us.

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Speaker 2: Thank everybody. The breakfast club want to shake it up.

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Speaker 2: They not like class growing up. T Envy the family

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Speaker 2: guy just hilarious.

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Speaker 4: I'm the wild card.

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Speaker 5: And Charlemagne the guy. I'm a lovable at real time.

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Speaker 6: Yo.

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Speaker 5: I'm loving that energy up there right now.

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Speaker 2: Sometimes you gotta pop out this show. So then now

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Speaker 2: let's begin.

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Speaker 7: Brady, this is your time to get it off your chest,

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Speaker 7: whether you're man or blessed.

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Speaker 2: I hate the.

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Speaker 8: Way that you walk, the way that you talk, I

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Speaker 8: hate the way you dress. Everything when me is best

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Speaker 8: call up New eight hundred five eighty five five one.

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Speaker 9: That's just me. I'm with the coach of philing.

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Speaker 2: Hello, who's this?

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Speaker 8: This is?

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Speaker 2: See? What's something?

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Speaker 1: Get it off your chest?

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Speaker 2: Uh?

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Speaker 3: Yeah, I want to further on.

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Speaker 10: Good morning, d Charlamagne and.

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Speaker 1: Jail good morning.

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Speaker 11: Uh.

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Speaker 12: The reason why I'm calling him because I met a

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Speaker 12: girl at the Walmart gas station last Friday.

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Speaker 11: I helped her with a windshow.

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Speaker 2: Wife, but I never got to get her.

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Speaker 5: Name and phone off.

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Speaker 2: What city you call her from? John Nigger?

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Speaker 13: Okay, you got to give out some more details, like

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Speaker 13: what she looked like when she was driving.

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Speaker 2: You know, maybe put your Instagram out this.

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Speaker 11: You remember last she was driving a great Challenger.

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Speaker 3: With blast strikes.

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Speaker 11: I know she was a travel nerse.

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Speaker 13: Okay, we don't sound to promise for you, brother, put

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Speaker 13: your Instagram out there.

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Speaker 2: Maybe she reached out to you.

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Speaker 8: Okay, my instagram is oh J Cash, oh J Cash.

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Speaker 5: All right, look.

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Speaker 3: That's cash with a cake.

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Speaker 2: She was fine like that.

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Speaker 3: She was saying like that.

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Speaker 4: Dan, you forgot to get the damn number.

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Speaker 2: She was so nervous.

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Speaker 13: He was nervous.

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Speaker 2: What she looked like?

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Speaker 13: Uh, five three was once a FAVET three?

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Speaker 2: What was that height and weight?

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Speaker 14: Man?

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Speaker 2: My goodness, yeah, I'll say about five three. Now, I

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Speaker 2: don't know about knowing.

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Speaker 3: I'll give it one lady.

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Speaker 2: I know she was bad, man, I know she was

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Speaker 2: based like him.

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Speaker 5: It's tight right there?

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Speaker 2: Hello, who's this.

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Speaker 6: Here?

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Speaker 2: What's up?

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Speaker 5: Brother?

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Speaker 2: Get off your chest?

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Speaker 14: Ah?

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Speaker 12: Man, I just wanted to say the one to everybody.

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Speaker 13: That door brother, that's black and Holly favorite brother.

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Speaker 12: No, that's my first time cause I've been listening for years.

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Speaker 5: Man.

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Speaker 12: I was like, let me go ahead, this cars again

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Speaker 12: all doing the overnight shift.

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Speaker 2: Appreciate you, man.

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Speaker 12: I will at a wire in deficial whitehouse.

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Speaker 2: Okay, we'll be safe out there, brother, thank you for calling.

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Speaker 2: I have a great day, dam I want you.

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Speaker 12: I want to shout out to my queen, my fiance,

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Speaker 12: my whole hawk and family. Uh, my daughter's uh Sanne,

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Speaker 12: Si Keanna and my son Ca.

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Speaker 8: All right, brother, I think, hello, who's this?

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Speaker 12: Kathy?

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Speaker 2: Hey, Kathy, you're more affy. Get it off your chest.

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Speaker 11: Yeah.

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Speaker 12: I want to know why he's grown as man like

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Speaker 12: to play games?

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Speaker 2: What happened? Who stood you up?

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Speaker 12: Nobody took me up?

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Speaker 14: But it's been happened over and over where.

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Speaker 12: Then they want to be in a relationship, and the

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Speaker 12: ready to suddle down. Then the gang for a relationship.

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Speaker 12: All they want to do is their game.

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Speaker 2: So once again, who stood you up? Man? What happened?

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Speaker 2: So who you talking about? You're talking about somebody in particular.

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Speaker 4: This happened to a homegirl?

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Speaker 13: Yes, okay, sure, yeah, you're gonna call up early in

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Speaker 13: the morning to speak up for your homegirl. Huh, what happened?

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Speaker 13: Tell us what happened to her friend?

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Speaker 2: What's his name?

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Speaker 6: So?

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Speaker 2: What happened?

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Speaker 12: So they got together? And he claims you want to

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Speaker 12: settle the hell you want to marry her. Then all

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Speaker 12: of a sudden he's not ready for it right now,

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Speaker 12: it's too much going on.

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Speaker 2: Did she let him hit? She let him hit, of course.

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Speaker 13: Okay, Well listen, man, let that man you know, go

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Speaker 13: back home to his family.

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Speaker 2: Man, stop disturbing that man.

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Speaker 12: And his family's he's disturbing her anything.

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Speaker 13: Well, you should have known, you know, you probably knew

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Speaker 13: he had a family from the start, and maybe he

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Speaker 13: lied to you. But either all, let that man go

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Speaker 13: back home in his family.

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Speaker 2: I'm sorry you're going to that mama.

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Speaker 13: It's not her, okay, than no, right, I would say,

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Speaker 13: I'm ana pray for you, but I'm not because you

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Speaker 13: ain't had no business sleeping with that lady. Husband. Hello.

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Speaker 2: Hello, who's this?

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Speaker 1: Hey?

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Speaker 12: Good morning dj NV. This is UH to meet the

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Speaker 12: y'all residents.

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Speaker 2: What's up? What's going on?

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Speaker 12: I just wanted to call you guys and get off

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Speaker 12: my chest that I'm changing my schedule and I ain't

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Speaker 12: gonna be able to highler at y'all no more.

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Speaker 2: How you gonna do that to us? Why are you

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Speaker 2: changing your schedule?

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Speaker 12: Well, you know they're getting rid of the third shift.

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Speaker 12: So you know, I'm gonna go work on a second

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Speaker 12: because I can't mess with that first shift. They be

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Speaker 12: snitching too much.

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Speaker 2: They be snitching on you too much. Yeah, they be.

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Speaker 12: Snitching on adbody, not just me.

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Speaker 15: You gonna get a little bit more sleep though.

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Speaker 12: Yes, oh yeah. And i'ma be able to rub on

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Speaker 12: my baby that night. Hey, overnight in a bit. So

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Speaker 12: that's the greatest thing about it. Shout out to my

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Speaker 12: girl for being beautiful.

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Speaker 15: How love that that's happening for you. Go ahead.

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Speaker 12: You know I'm an old uh you know, I'm This

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Speaker 12: is my birthday month, so I'll be turning forty three

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Speaker 12: this month.

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Speaker 2: Okay, So I'm just gonna.

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Speaker 12: Celebrate my birthday and my girls taking me to go

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Speaker 12: see Bernard Duran tonight. So we're gonna have some fun.

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Speaker 8: Okay, Well, enjoy and we speak to you soon. You

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Speaker 8: better call us before your last day.

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Speaker 12: I'm gonna try too. I'm gonna try to. But shout

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Speaker 12: out to y'all. I love y'all, and y'all have a

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Speaker 12: beautiful day, y'all.

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Speaker 8: You two now get it off your chest. Eight hundred

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Speaker 8: and five eight five one oh five one. If you

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Speaker 8: need to vent hit us up now. It's the Breakfast Club.

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Speaker 8: Good morning, the Breakfast Club.

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Speaker 2: Ray right ray.

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Speaker 1: Yo, charlot mate, YAMV what up are we lost?

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Speaker 2: This is your time to get it off your chest.

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Speaker 2: I got an indoor pool, outdoor pool. We want to

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Speaker 2: hear from you on the Breakfast Club.

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Speaker 14: Get on the phone right now here, tell you what

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Speaker 14: it is we.

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Speaker 2: Lie Hello, who's this?

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Speaker 14: This is Dershel, Good morning, d Day and Vy, Good

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Speaker 14: morning Jazz, Good morning shining Man.

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Speaker 1: How you doing, good morning?

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Speaker 2: Get it off your chest.

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Speaker 14: I just want to raise awareness to domestic violence. I

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Speaker 14: was just recently shot four times by my ex boyfriend.

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Speaker 14: I'm from Detroitan.

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Speaker 2: Sorry to hear that. Lord my ex.

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Speaker 14: Boyfriend for six years. When when a guy put his

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Speaker 14: hands on you one time, just leave him alone, just

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Speaker 14: leave him alone because it's only gonna get worse.

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Speaker 2: I am sorry. I'm sorry that you had to go

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Speaker 2: through that.

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Speaker 14: And due to due to the gun shot like he

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Speaker 14: shoted me four times, I was. I lost my hand

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Speaker 14: because he tried to shoot me in my head. So

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Speaker 14: I just also want to ask if anybody want to

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Speaker 14: donate to my cash up because I need a prosthetic

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Speaker 14: can now that he tried to see me in my

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Speaker 14: h sue me in my head, and I was I

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Speaker 14: lost my hands. So if anybody want to donate my cash,

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Speaker 14: ap is only.

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Speaker 2: Me nine two only men two. Okay, listen to.

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Speaker 14: You queen, all right me, thank y'all.

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Speaker 15: All the good bat you now?

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Speaker 2: Damn Hello? Who's this?

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Speaker 8: Hi?

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Speaker 16: Good morning?

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Speaker 2: Good morning? What's your name?

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Speaker 11: My name is Tina? Seen him from where to South Carolina?

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Speaker 2: Eight four three? What's happening Tina?

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Speaker 1: What's up?

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Speaker 11: Hey? Good morning everybody. I just want to talk about

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Speaker 11: the sassy men that we have on this earth right now,

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Speaker 11: the very Yes, these men want.

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Speaker 16: To be baby.

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Speaker 11: I just got a relationship with a guy and he

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Speaker 11: was saying I wasn't babying him enough. He also wanted

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Speaker 11: me to come in and clean cook. I also drive

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Speaker 11: a truck, so from like thirteen to fourteen hours a day,

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Speaker 11: and he drives the truck as well. But I don't

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Speaker 11: understand why he feels like he gets to come home

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Speaker 11: play his polaystation. Why cook, clean, wash clothes and still

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Speaker 11: cater to this baby grown ass man. I'm sorry for

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Speaker 11: saying that, but these are the same men that were

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Speaker 11: back in the day, Like how my dad and my

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Speaker 11: mom came up, or you know, our aunties and uncles

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Speaker 11: came up. They don't want it, know work, They want

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Speaker 11: to complain. They want to be baby. They want to

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Speaker 11: be the woman while we have to be the man.

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Speaker 11: What's going on with that?

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Speaker 5: Have you?

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Speaker 2: Have you tried to put a finger in his booky yet? Both?

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Speaker 13: That's how you really test the level of sassiness. Now

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Speaker 13: you got I don't know, on a state on a

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Speaker 13: scale of one, the saucy sent tan of how sassy is?

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Speaker 1: You know?

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Speaker 2: You gotta test She didn't say she has it? Has you?

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Speaker 16: I mean if I had to try it, I'd probably

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Speaker 16: say probably yeh, you might have back and be like, hey,

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Speaker 16: just some closure real quick.

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Speaker 2: Yeah, let me just.

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Speaker 16: See how that plays out.

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Speaker 13: Yeah check check I need a mistake, yeah check check

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Speaker 13: his oil and then come back.

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Speaker 2: Do you know what I'm saying?

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Speaker 1: Check?

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Speaker 16: Check and then your back right right your book please.

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Speaker 13: Of course, I'll definitely send you on. I will put

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Speaker 13: you on hold, and you don't keep my people from

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Speaker 13: the apolt three on hold, hold on, I'm.

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Speaker 2: Get it off your chest.

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Speaker 8: Eight hundred five eight five one oh five one. If

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Speaker 8: you need the vent, hit us up now it's the

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Speaker 8: Breakfast Club.

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Speaker 2: Good morning, the Breakfast Club Morning everybody is tj n V.

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Speaker 8: Just hilarious. Charlemagne the guy, we are the Breakfast Club.

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Speaker 8: We got some special guests in the buildings.

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Speaker 13: Indeed, you got eight O three Fresh home team and.

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Speaker 2: Young guy here in the building yourself.

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Speaker 8: Welcome, fellas, y'all feeling where the fans at. They bought

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Speaker 8: them now if you don't know Ato three Fresh, of

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Speaker 8: course they got the record right now. That's if you've

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Speaker 8: been out and about, especially in the South especially HBCU

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Speaker 8: Boots on the Ground is their song. Congratulations boys, that

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Speaker 8: song moving man, Thank you, bro appreciate that.

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Speaker 2: When did the song actually come out?

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Speaker 1: December twenty four? That was like my crisis gift to everybody.

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Speaker 8: Now Charlemagne and live char that Song'm been out for

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Speaker 8: three yeas. I'm like Charlomage know, I was talking.

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Speaker 13: About just the whole line dance movement from South Carolina.

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Speaker 8: So it's definitely been going on more than three yeah,

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Speaker 8: he is. It just started picking up more and then

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Speaker 8: like the past year.

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Speaker 2: And a half. Absolutely, yeah.

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Speaker 8: People don't really get to see the line there, especially

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Speaker 8: on the the East coast as much. But when I

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Speaker 8: when I DJ everywhere, you get to see it. And

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Speaker 8: I remember I was a Charlotte and a girl came

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Speaker 8: up to me. It's like, can you play the Boots

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Speaker 8: on the Ground. I had no idea what she talked about.

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Speaker 8: It was a mob bosaw. I was like, is that

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Speaker 8: a mob deep Boots on the ground. I had no idea.

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Speaker 8: It's out that Louis V. Louis V was like, yeah,

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Speaker 8: I'm gonna send it to you right now, send it

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Speaker 8: to me. And then when I played it, I seen

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Speaker 8: the it went up, the fans moving. I said, whoa,

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Speaker 8: you know what's crazy. It's crazy as it sounds.

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Speaker 13: The current political climate kind of boosted the record too,

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Speaker 13: because I remember people started posting saying, you know, we

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Speaker 13: ain't tripping off what this administration is doing. Black people

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Speaker 13: are finding joy learning the line dances, and it would

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Speaker 13: always be Boots on the ground with the fans.

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Speaker 8: It took everybody, everybody's mind away from like the you know,

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Speaker 8: the current you know stuff that's going on.

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Speaker 2: Man.

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Speaker 8: So for me, it's like the unity in it. That's

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Speaker 8: what makes it more appeeling for me. You know, you

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Speaker 8: got thet the two year old, you got the eight

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Speaker 8: of two year old. You got the grandmama's aunties. That's

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Speaker 8: what makes it more genuine for me.

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Speaker 2: Man.

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Speaker 8: The dope thing about it was a lot of the

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Speaker 8: line dance songs a lot older, like you're talking twenty

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Speaker 8: years older. Like when you go to a family reunion

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Speaker 8: or a wedding or a h b CEU, it's always

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Speaker 8: the wabble wobble electric slide before I let go. Then

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Speaker 8: you played the Beyonce version. And this is something fresh

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Speaker 8: and new. So let's start from the beginning for people

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Speaker 8: that don't know you. Who is eight or three fresh?

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Speaker 8: Where are you from?

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Speaker 2: And how did you get into this this thing called

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Speaker 2: the music industry?

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Speaker 1: What's going on? Everybody?

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Speaker 5: All three?

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Speaker 8: First the kid live in the building man, listen from

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Speaker 8: a small town in South Carolina called Wagner, South Carolina.

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Speaker 8: One stop signed one stop, like we all share the

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Speaker 8: same dog.

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Speaker 2: Most going to be bigger than Wagoner.

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Speaker 8: Yeah, yeasting bigger wagon Man. But started off in the

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Speaker 8: church man, humble beginners. Man started off in the church

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Speaker 8: man singing in the choir or whatever, you know, like

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Speaker 8: the product Cuner left away from it. You know, I

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Speaker 8: went out and I started venturing into like more genres. Uh,

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Speaker 8: I tatted in the pop at, tapped in the R

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Speaker 8: and B. I wrapped a little bit and I found

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Speaker 8: something salt. Really Southern soul found me. Man, been doing

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Speaker 8: it about a year and a half now. Man, it

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Speaker 8: actually saved my life.

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Speaker 13: Man, So explain to the people what suffering soul is.

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Speaker 1: So the soul is a mixture.

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Speaker 8: It has a like a fine undertone mixture of gospel,

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Speaker 8: so all like mixed together, mianda together.

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Speaker 2: Man.

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Speaker 8: It's only based in us all. But when you hear it,

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Speaker 8: it's like feel good music. When you hear it's like

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Speaker 8: that music that touch your bones and they you know,

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Speaker 8: it's a beautiful thing. You just gotta be in one

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Speaker 8: of that, like one of the events to actually feel it.

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Speaker 8: It changed the environment totally. You're saying, we advocate for

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Speaker 8: a good time, we advocate for unity in that. And

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Speaker 8: so that's why I told to piggyback.

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Speaker 1: On that genre the most.

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Speaker 4: Now, yeah, you said it saved your life. What were

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Speaker 4: you into before?

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Speaker 8: You know, with being in a rap culture. You said

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Speaker 8: you have to you know, adapt to that, you know

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Speaker 8: that raping environment. When I came to Southern soul, I

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Speaker 8: you know, I was battling some stuff, you know what

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Speaker 8: I'm saying, And it pulled me out of that because

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Speaker 8: of the good feeling that it had. You're saying, make

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Speaker 8: for me in it. Then my mama was she was

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Speaker 8: able to be proud of you know, when I'm rapping.

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Speaker 8: She don't, She couldn't have to understand some of the stuff.

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Speaker 8: So when she first when she heard my very first

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Speaker 8: Southern soul song that I dropped the car all night long, man,

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Speaker 8: and I got that first confirmation from him, I already

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Speaker 8: knew then that this was a genre for me.

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Speaker 2: You know what I mean.

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Speaker 13: Do you remember the first record that that made you say, Oh,

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Speaker 13: like the one that touched your soul?

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Speaker 2: What some of your soul record touched your soul? Shuts

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Speaker 2: out the.

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Speaker 1: King George Man, he's from down my way as well.

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Speaker 6: Man.

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Speaker 1: He definitely kicked the door down for us. Man.

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Speaker 8: Keep on Rolling is like one of those that you know,

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Speaker 8: really really really punched me, and it gave me like

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Speaker 8: some inspiration. Brother, you know one of those brothers. I mean,

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Speaker 8: he from South Carolina. I'm saying he keeped the door

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Speaker 8: with like why open for us? And when I heard

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Speaker 8: that song, I'm saying, I automatically knew that this was

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Speaker 8: the type of jum that I wanted to be in.

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Speaker 2: Were you surprised how fast this record card on?

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Speaker 1: Of course?

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Speaker 8: I mean because it's everywhere and you know, and people

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Speaker 8: are learning to dance quickly. When did you realize how

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Speaker 8: big the record was?

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Speaker 5: Man?

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Speaker 1: I woke up one morning I checked my TikTok.

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Speaker 8: I mean, I had so many note kids on TikTok

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Speaker 8: and I GV you're saying, I thought somebody had died.

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Speaker 8: So when I checked it or whatever, I seen the video.

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Speaker 8: The video was, you know a spot now on my

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Speaker 8: way called Sbart. It's a mecca for like the line

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Speaker 8: that's you're saying. So I seen that and it was

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Speaker 8: like maybe twenty videos. I went to sleep and I

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Speaker 8: woke up it was like five hundred videos. I knew

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Speaker 8: at that point right then that it was I might

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Speaker 8: have a little something. And over the course of time,

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Speaker 8: now what being went but three months for almost four months, man,

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Speaker 8: it has passed me. So right now I'm playing ketch

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Speaker 8: up to the song. Everybody have been trying to put

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Speaker 8: a face with the music.

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Speaker 5: So here I am.

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Speaker 2: You're going I feel like that's what is Luther King? George?

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Speaker 13: I feel like that's what he hasn't done yet. He

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Speaker 13: hasn't put a face his music, because everybody listens to

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Speaker 13: you know, at least down South. You see people play

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Speaker 13: a lot of King George music. And he's a young dude,

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Speaker 13: what thirty.

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Speaker 1: Something years old, right, yeah, bro, thirty something.

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Speaker 5: Yeah.

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Speaker 2: But I'm saying I feel like he hasn't done that yet.

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Speaker 2: Don't wonder why.

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Speaker 1: I don't know.

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Speaker 8: I mean, timing is everything, especially for me. I mean,

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Speaker 8: look how long I've been doing music. I've been doing

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Speaker 8: music for over twenty years. Uh, this as far as

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Speaker 8: Southern Soul, I dropped five songs before Boots on the

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Speaker 8: Ground and then it picked up, you know.

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Speaker 1: So I mean time is everything.

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Speaker 8: So y'all, y'all defastate to him, y'all gon see a

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Speaker 8: lot more of him and a lot more to Southern

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Speaker 8: Soul front coming.

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Speaker 17: When I noticed it got big was when I seen kids.

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Speaker 4: Doing it, you know, it from old people to kids.

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Speaker 17: It was everybody got their kids, yea doing it and

404
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Speaker 17: it's feel good. It's like music that you had to

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Speaker 17: family reunion and stuff like that. Did anybody try to

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Speaker 17: like reach out to both signing you or anything like that.

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Speaker 8: Merchant ig been blowing up a crazy It's definitely been crazy, man,

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Speaker 8: But you know, we started this company. Shots out to

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Speaker 8: the Snake Eyes music group. Man, we started this company,

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Speaker 8: you know, from the bottom up. You know, we came

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Speaker 8: with a vision. It was just a vision. And I

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Speaker 8: think that we've done more in a year than a

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Speaker 8: lot of folks have done in like five seven years.

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Speaker 2: Are you are you signed to a major or no?

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Speaker 2: You're doing everything independent.

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Speaker 8: We all independent, so you get everything that you Yeah,

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Speaker 8: I'm proud of us.

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Speaker 1: Man, I ain't gonna lot proud of us, because you know,

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Speaker 1: we all learned from each other.

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Speaker 8: You're saying as we move, we learned, we grow and

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Speaker 8: shouts out the young guy man. You know, that's why

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Speaker 8: I brought him. He's one of the United Fronts that

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Speaker 8: were staying with as far as Southern solt. They accepted

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Speaker 8: me with open arms, man, and they had been doing it,

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Speaker 8: you know, pride to me. But they showed me the roles.

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Speaker 8: They definitely wouldn't stint y'all game and I can appreciate that.

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Speaker 2: Man.

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Speaker 1: So everything independence, So we're gonna I'm entertaining something.

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Speaker 13: But you're not right now, how long you have you

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Speaker 13: been young guy, young guy.

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Speaker 5: Man, I've been a young guys for for a long time.

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Speaker 2: Thirty year.

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Speaker 5: You know what I'm saying.

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Speaker 18: I told her We was just talking, saying, change my

435
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Speaker 18: name of the uncle guy in a manner. Man go

436
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Speaker 18: back that that would be crazy because folks see me,

437
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Speaker 18: they're saying, you know, you're a rapper.

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Speaker 2: I'd like nah, then then they stay there.

439
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Speaker 18: I get on stage and I'm singing some souls.

440
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Speaker 2: Then they'd be like, damn, you know, I ain't make it.

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Speaker 18: But I kind of kept my name back from the

442
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Speaker 18: younger day when I was a rapping man. So I

443
00:16:23,720 --> 00:16:25,920
Speaker 18: come when I I jumped into music, my story kind of,

444
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Speaker 18: you know, similar to his. You know I've been I've

445
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Speaker 18: been rolling in the sort of soul game probably about

446
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Speaker 18: finish two and a half years now.

447
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Speaker 2: And power of social media.

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Speaker 18: I had a record that you know, I was singing

449
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Speaker 18: in the garage and hosted it and changed my life,

450
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Speaker 18: you know what I'm saying instantly. So yeah, man, So

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Speaker 18: I kind of I was tapped in on the rap side.

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Speaker 5: You like him.

453
00:16:44,480 --> 00:16:46,440
Speaker 18: Man came up in the church, you know what I'm saying.

454
00:16:46,440 --> 00:16:48,960
Speaker 18: Tried different things so far as you me physically doing music. Man,

455
00:16:49,000 --> 00:16:51,640
Speaker 18: I stepped away from music. I'm at fourteen years so

456
00:16:51,720 --> 00:16:53,960
Speaker 18: when I finally just made up my mind, like hey, Finny,

457
00:16:54,080 --> 00:16:55,960
Speaker 18: get back in the studio, get it rolling. You know

458
00:16:56,000 --> 00:16:58,040
Speaker 18: what I'm saying, proficially, record me a song, sit down

459
00:16:58,080 --> 00:16:59,080
Speaker 18: and that that record.

460
00:16:59,120 --> 00:16:59,640
Speaker 2: You know what I'm saying.

461
00:16:59,640 --> 00:17:02,840
Speaker 18: Two rock or later, I was driving trucks. Man, I ain't

462
00:17:02,840 --> 00:17:06,040
Speaker 18: drove a truck and almost year and a half joking that. Man,

463
00:17:06,040 --> 00:17:08,720
Speaker 18: we met a couple of coubout two years ago.

464
00:17:09,040 --> 00:17:11,359
Speaker 8: I think my very first show out then that is,

465
00:17:11,359 --> 00:17:14,960
Speaker 8: I think nextie Mississippi. Man, my first should kind of

466
00:17:14,960 --> 00:17:17,000
Speaker 8: nervous you're saying me personally, you know, I just thought

467
00:17:17,080 --> 00:17:20,360
Speaker 8: himself sauce so rocane. He hollered at me, you saying

468
00:17:20,359 --> 00:17:21,920
Speaker 8: he gave me that little pep talk or whatever you're saying.

469
00:17:21,920 --> 00:17:24,159
Speaker 8: I show up my shoulders and no even did it.

470
00:17:24,480 --> 00:17:26,480
Speaker 18: He came to me like, man, like, young guy, man,

471
00:17:26,520 --> 00:17:28,359
Speaker 18: what what iver? Because I was kind of moving pretty

472
00:17:28,359 --> 00:17:29,600
Speaker 18: good then, you know what I'm saying. I had a

473
00:17:29,600 --> 00:17:31,359
Speaker 18: record that was that was keeping me busy, and he

474
00:17:31,440 --> 00:17:33,159
Speaker 18: was like, man, what what what I gotta do?

475
00:17:33,720 --> 00:17:34,719
Speaker 5: Advice can you give me?

476
00:17:35,080 --> 00:17:36,960
Speaker 18: Was like, man, you know, keep grinding bro, you're gonna

477
00:17:36,960 --> 00:17:39,040
Speaker 18: get the one, and you gonna know you got So

478
00:17:39,080 --> 00:17:40,639
Speaker 18: when I heard that Boots on the Ground.

479
00:17:40,400 --> 00:17:43,280
Speaker 9: I called him, I said, you getting ready to be.

480
00:17:45,680 --> 00:17:47,440
Speaker 1: When you know what I'm saying.

481
00:17:47,440 --> 00:17:49,840
Speaker 18: When I knew it from the first ten seconds ten

482
00:17:49,880 --> 00:17:51,920
Speaker 18: seconds of the song, I was like, man, that this

483
00:17:52,040 --> 00:17:54,000
Speaker 18: finna go crazy. And now just see you know, look

484
00:17:54,080 --> 00:17:57,760
Speaker 18: on social media Shack dancing to it. You got yeah, like, man,

485
00:17:57,840 --> 00:17:59,920
Speaker 18: that is crazy, you know what I'm saying. So it's

486
00:18:00,040 --> 00:18:02,040
Speaker 18: it's a blessing. And man, I just proud of my

487
00:18:02,119 --> 00:18:03,400
Speaker 18: world and were just trying to keep it going.

488
00:18:03,600 --> 00:18:05,720
Speaker 13: What inspired Boots on the Ground though, Like when you

489
00:18:05,760 --> 00:18:07,439
Speaker 13: sat down and said you heard that beat and you're like,

490
00:18:07,440 --> 00:18:08,520
Speaker 13: this is what I want to write about.

491
00:18:08,800 --> 00:18:10,120
Speaker 1: Man, I tell the story all the time.

492
00:18:10,119 --> 00:18:10,239
Speaker 6: Man.

493
00:18:10,760 --> 00:18:12,639
Speaker 8: I had a show in Phoenix City. It's at the

494
00:18:12,640 --> 00:18:13,600
Speaker 8: back of the vand whatever.

495
00:18:13,840 --> 00:18:14,439
Speaker 2: I had a chance to.

496
00:18:14,440 --> 00:18:17,000
Speaker 8: Experience my first trail ride. With the trailer ride, you're saying,

497
00:18:17,000 --> 00:18:18,760
Speaker 8: a couple of ladies had fans or whatever. It was hot,

498
00:18:18,760 --> 00:18:21,080
Speaker 8: so I you know they got fans. So I've got

499
00:18:21,080 --> 00:18:22,680
Speaker 8: a chance to go to my second trailer ride Lane

500
00:18:22,760 --> 00:18:24,800
Speaker 8: see no fans. So I pulled the question where them

501
00:18:24,800 --> 00:18:27,320
Speaker 8: fans at you know what I'm saying. So with boots

502
00:18:27,320 --> 00:18:28,840
Speaker 8: on the ground, boot on the ground is already a line.

503
00:18:28,880 --> 00:18:30,960
Speaker 8: That's terminology you're saying. So you know when they say

504
00:18:30,960 --> 00:18:33,040
Speaker 8: boots on the ground, you know about to have a party.

505
00:18:33,119 --> 00:18:35,000
Speaker 8: We just took a down type of deal. So I

506
00:18:35,080 --> 00:18:37,240
Speaker 8: just really merged the two ideas and it became a

507
00:18:37,280 --> 00:18:37,840
Speaker 8: good marriage.

508
00:18:37,880 --> 00:18:39,560
Speaker 2: What's the trail ride for the people who don't them?

509
00:18:39,680 --> 00:18:43,000
Speaker 8: Listen, man, trail ridse is you know ATVs Horses you're

510
00:18:43,000 --> 00:18:46,320
Speaker 8: saying that line dances. It's a whole like combination of

511
00:18:46,440 --> 00:18:48,919
Speaker 8: all things. It's definitely a coach. It's not really just

512
00:18:48,960 --> 00:18:52,160
Speaker 8: an event. And that's why I feel like Southern soul

513
00:18:52,600 --> 00:18:55,240
Speaker 8: and line dancing is a perfect mixture, you know what

514
00:18:55,240 --> 00:18:57,960
Speaker 8: I mean. It's a great marriage. You know it piggybacks

515
00:18:57,960 --> 00:18:59,480
Speaker 8: off of one, piggy bas.

516
00:18:59,240 --> 00:18:59,760
Speaker 1: Off of the other.

517
00:19:00,280 --> 00:19:01,960
Speaker 8: And if you ever come to that trail right down there, man,

518
00:19:02,000 --> 00:19:03,240
Speaker 8: I promise you will have a good time. You might

519
00:19:03,240 --> 00:19:05,480
Speaker 8: get a little dusty. I promise you gonna have a

520
00:19:05,480 --> 00:19:07,639
Speaker 8: good time. Now, every time you make a song, is

521
00:19:07,680 --> 00:19:08,480
Speaker 8: it a line song?

522
00:19:08,560 --> 00:19:08,720
Speaker 6: Now?

523
00:19:08,800 --> 00:19:09,040
Speaker 11: Oh no?

524
00:19:09,240 --> 00:19:11,120
Speaker 8: Okay, See that's one thing I didn't want to get

525
00:19:11,119 --> 00:19:12,720
Speaker 8: called in. I didn't want to get caught in, you know,

526
00:19:12,880 --> 00:19:13,720
Speaker 8: just being the line, the.

527
00:19:13,720 --> 00:19:21,800
Speaker 9: Line at the boot at the booty.

528
00:19:20,160 --> 00:19:20,399
Speaker 6: You know.

529
00:19:21,359 --> 00:19:23,240
Speaker 8: And I've been thinking about you're saying names for like

530
00:19:23,280 --> 00:19:25,440
Speaker 8: a EP or album whatever you're saying, and I really

531
00:19:25,480 --> 00:19:27,960
Speaker 8: wanted to be versatility because I want to show them

532
00:19:28,000 --> 00:19:28,560
Speaker 8: on all skilled.

533
00:19:28,600 --> 00:19:29,480
Speaker 1: I got different skits music.

534
00:19:29,720 --> 00:19:31,560
Speaker 8: But you could do it like remember how Jamaine Dupre

535
00:19:31,640 --> 00:19:33,479
Speaker 8: did back in the day, like he had the the

536
00:19:33,520 --> 00:19:35,320
Speaker 8: All the what was it called the The Beat All

537
00:19:35,320 --> 00:19:36,040
Speaker 8: Stars where it was.

538
00:19:36,000 --> 00:19:38,440
Speaker 2: Just one album just doing all the uptempers talking.

539
00:19:38,240 --> 00:19:41,240
Speaker 8: About like the short swing when he had a whole

540
00:19:41,240 --> 00:19:42,879
Speaker 8: album or that then he had a whole album. Different

541
00:19:42,880 --> 00:19:44,359
Speaker 8: ways of doing things, So you could do that like

542
00:19:44,359 --> 00:19:47,280
Speaker 8: an anthem like that. Because your HBCU is gonna be

543
00:19:47,280 --> 00:19:51,680
Speaker 8: crazy this week's spring Flings, homecomings all that, they should

544
00:19:51,720 --> 00:19:53,200
Speaker 8: start booking you now to try to get the cheapest

545
00:19:53,200 --> 00:19:56,240
Speaker 8: prices possabot.

546
00:19:54,920 --> 00:19:58,040
Speaker 1: Like.

547
00:19:59,080 --> 00:20:01,439
Speaker 4: Yeah, that's what's I know.

548
00:20:01,480 --> 00:20:03,679
Speaker 17: You don't want to just fall into the line dance,

549
00:20:03,960 --> 00:20:05,160
Speaker 17: you know, genre of music.

550
00:20:05,200 --> 00:20:06,920
Speaker 9: But it's like nobody has.

551
00:20:06,840 --> 00:20:10,320
Speaker 4: Made any that are great since like the five that

552
00:20:10,359 --> 00:20:10,760
Speaker 4: we get.

553
00:20:12,520 --> 00:20:17,520
Speaker 2: Yet, but.

554
00:20:19,160 --> 00:20:20,720
Speaker 4: None since then, And it's.

555
00:20:20,560 --> 00:20:23,320
Speaker 17: Like it's it's kind of hard to do, like you

556
00:20:23,359 --> 00:20:24,680
Speaker 17: know what I mean. So for you to just come

557
00:20:24,760 --> 00:20:26,560
Speaker 17: up with one and just do it just off of

558
00:20:26,560 --> 00:20:30,400
Speaker 17: what you felt, you gotta do that more like I'm

559
00:20:30,440 --> 00:20:30,760
Speaker 17: tired of.

560
00:20:31,359 --> 00:20:34,600
Speaker 18: I tell people like I feel like my opinion, I

561
00:20:34,600 --> 00:20:36,639
Speaker 18: feel like lion dances like the new disco.

562
00:20:37,200 --> 00:20:38,200
Speaker 2: Yeah, you know what I'm saying.

563
00:20:38,480 --> 00:20:40,440
Speaker 18: It's a big thing in a black culture that you

564
00:20:40,480 --> 00:20:42,000
Speaker 18: know what I'm saying, we're just trying to shine light

565
00:20:42,040 --> 00:20:44,600
Speaker 18: on because you got you got people who y'all, you

566
00:20:44,640 --> 00:20:46,600
Speaker 18: know y'all from to see the man. It makes people

567
00:20:46,600 --> 00:20:50,640
Speaker 18: finn to see the man. I get me some boots vanad.

568
00:20:50,760 --> 00:20:52,439
Speaker 18: It's just it's a culture that they shine a light

569
00:20:52,480 --> 00:20:54,639
Speaker 18: on so people can experience. So it's just lying dances.

570
00:20:54,760 --> 00:20:57,160
Speaker 18: It's been around for a while, but like this ain't

571
00:20:57,160 --> 00:21:00,000
Speaker 18: got bigger, man, they got to be seven thousand people

572
00:21:00,040 --> 00:21:00,400
Speaker 18: out there.

573
00:21:02,280 --> 00:21:04,520
Speaker 8: African music to African music has it, has it as well.

574
00:21:05,760 --> 00:21:07,440
Speaker 8: Line dances like Jerusalem is a line dance.

575
00:21:07,640 --> 00:21:08,160
Speaker 2: Absolutely.

576
00:21:08,800 --> 00:21:09,200
Speaker 5: Yeah.

577
00:21:09,240 --> 00:21:12,360
Speaker 2: Yeah, that's the thing though. The artist like, it's not like.

578
00:21:12,359 --> 00:21:15,439
Speaker 8: You created the dance, no, you see, that's that's the

579
00:21:15,440 --> 00:21:17,120
Speaker 8: sweetest thing about it to you said.

580
00:21:17,119 --> 00:21:18,560
Speaker 2: You didn't create the dance. The people.

581
00:21:19,880 --> 00:21:21,720
Speaker 8: They choose it. They choose it, whether it's going to

582
00:21:21,760 --> 00:21:23,159
Speaker 8: be you said, a live dance to it or not.

583
00:21:23,200 --> 00:21:25,280
Speaker 8: You know, I'm saying, so when when they see that

584
00:21:25,400 --> 00:21:27,920
Speaker 8: on TikTok, it was like four or five dances, different

585
00:21:27,960 --> 00:21:29,800
Speaker 8: dances to it. I'm saying, I reposted once I sat

586
00:21:29,840 --> 00:21:32,399
Speaker 8: to trade little. When I posted it, everybody took on

587
00:21:32,560 --> 00:21:34,399
Speaker 8: what I'm saying to that one because it's real easy.

588
00:21:34,440 --> 00:21:36,320
Speaker 8: It wasn't to me a ish you know, to me,

589
00:21:36,359 --> 00:21:51,000
Speaker 8: it got That's it's like the cursive of blind that got.

590
00:21:52,840 --> 00:21:53,040
Speaker 5: Yeah.

591
00:21:53,840 --> 00:21:55,400
Speaker 1: Defe not intermediate anyway.

592
00:21:55,640 --> 00:21:57,720
Speaker 2: You have to learn your own dance basically.

593
00:21:57,359 --> 00:21:59,880
Speaker 1: Yeah, and I can't.

594
00:22:00,960 --> 00:22:02,399
Speaker 8: So you just picked that one. It was like, this

595
00:22:02,440 --> 00:22:04,320
Speaker 8: is the one we go rocking with. Because if twenty

596
00:22:04,320 --> 00:22:07,240
Speaker 8: people said different dances. That's why I said that everybody

597
00:22:07,240 --> 00:22:09,720
Speaker 8: being sync. That people chose that man. Boots on the

598
00:22:09,720 --> 00:22:11,760
Speaker 8: Ground was not intended to be a lot of that song.

599
00:22:12,160 --> 00:22:13,440
Speaker 8: It was just blessed to be that way.

600
00:22:13,600 --> 00:22:17,719
Speaker 2: Even with the fan bang bang you know something that

601
00:22:17,760 --> 00:22:18,760
Speaker 2: you do when you hot.

602
00:22:19,200 --> 00:22:21,359
Speaker 8: Yeah, you said, you know, and I didn't know that

603
00:22:21,520 --> 00:22:23,879
Speaker 8: fans like the fans were like a big part of

604
00:22:24,000 --> 00:22:26,640
Speaker 8: the you know, the trail rise scene until I made

605
00:22:26,640 --> 00:22:28,439
Speaker 8: the song with it, and now he's like, you know,

606
00:22:29,320 --> 00:22:31,960
Speaker 8: ten twenty different songs with fans, now what I'm saying.

607
00:22:31,960 --> 00:22:33,800
Speaker 8: So it definitely is a part, like a big important

608
00:22:33,840 --> 00:22:36,240
Speaker 8: part of the culture. So I think I just revived it.

609
00:22:36,480 --> 00:22:38,400
Speaker 8: Why not the church fan the church fan too.

610
00:22:39,520 --> 00:22:42,000
Speaker 1: I think that the sales on church fans is at

611
00:22:42,000 --> 00:22:43,240
Speaker 1: an all time had right now.

612
00:22:43,840 --> 00:22:45,320
Speaker 2: Yeah, church fans.

613
00:22:45,520 --> 00:22:48,199
Speaker 8: You know Amazon, when when I first came up with

614
00:22:47,960 --> 00:22:50,920
Speaker 8: the song or whatever, they were just clacking fans.

615
00:22:51,200 --> 00:22:52,920
Speaker 1: If you go on Amazon right now, they.

616
00:22:52,840 --> 00:22:56,160
Speaker 2: Boots on the ground fans, mm hmm. You got the little.

617
00:22:55,920 --> 00:22:56,919
Speaker 1: Biton got fans.

618
00:22:59,640 --> 00:22:59,879
Speaker 14: That was.

619
00:23:01,440 --> 00:23:02,480
Speaker 2: What I was getting.

620
00:23:02,480 --> 00:23:05,359
Speaker 8: I was like, out of here on the ground fans,

621
00:23:05,400 --> 00:23:07,919
Speaker 8: I'm saying. So it definitely been impactful to the culture.

622
00:23:07,920 --> 00:23:08,040
Speaker 6: Man.

623
00:23:08,080 --> 00:23:09,080
Speaker 1: I'm just proud to be a part of it.

624
00:23:09,840 --> 00:23:10,320
Speaker 2: They're gonna be.

625
00:23:10,320 --> 00:23:12,240
Speaker 13: Waiting for for them, tu fans, I tell you that.

626
00:23:12,440 --> 00:23:15,160
Speaker 1: Yeah, yeah, out there right now.

627
00:23:15,200 --> 00:23:18,280
Speaker 13: But everybody's gonna be waiting for new music. Do you

628
00:23:18,359 --> 00:23:20,320
Speaker 13: got more after Boots.

629
00:23:19,960 --> 00:23:20,760
Speaker 1: On the Ground take something.

630
00:23:20,760 --> 00:23:23,360
Speaker 8: I got so much music, I'm saying, And I got

631
00:23:23,440 --> 00:23:25,840
Speaker 8: music like before I got a you know, our previous catalog.

632
00:23:25,880 --> 00:23:27,480
Speaker 1: I got five songs that I dropped. Like I said,

633
00:23:27,520 --> 00:23:29,000
Speaker 1: I've only been in a year and a half, you

634
00:23:29,000 --> 00:23:29,440
Speaker 1: know what I mean.

635
00:23:29,600 --> 00:23:31,840
Speaker 8: But as far as the catalog, man, I got widespread

636
00:23:31,840 --> 00:23:33,800
Speaker 8: catalog that's getting ready to come. It was just the

637
00:23:34,359 --> 00:23:36,520
Speaker 8: timing was waiting on, you know what I mean. So

638
00:23:36,560 --> 00:23:38,439
Speaker 8: I think it's the perfect time for everybody to see me.

639
00:23:38,600 --> 00:23:40,960
Speaker 8: And you know what I got the offer versatility is coming.

640
00:23:41,240 --> 00:23:43,399
Speaker 13: What's what's the toughest challenge about being an artist from

641
00:23:43,400 --> 00:23:44,199
Speaker 13: South Carolina?

642
00:23:44,480 --> 00:23:46,320
Speaker 8: The weight that's on my back, you're saying, Because not

643
00:23:46,359 --> 00:23:48,800
Speaker 8: only do I s I mean, yeah, boots and the

644
00:23:48,800 --> 00:23:51,360
Speaker 8: ground is for me, but I stand with a lot

645
00:23:51,400 --> 00:23:53,080
Speaker 8: of weight that I'm caring as far as like southern

646
00:23:53,119 --> 00:23:53,720
Speaker 8: so as a whole.

647
00:23:53,920 --> 00:23:55,560
Speaker 1: See, this is what my main part is. And I

648
00:23:55,600 --> 00:23:56,119
Speaker 1: ain't gonna lie.

649
00:23:56,119 --> 00:23:57,359
Speaker 8: This is the reason why I came to hear you

650
00:23:57,440 --> 00:24:01,080
Speaker 8: saying morning, I want to make something so that main

651
00:24:01,160 --> 00:24:04,160
Speaker 8: genre you know, it's being you know, sublind like it's

652
00:24:04,200 --> 00:24:06,879
Speaker 8: been like undertone for so long, and you know that

653
00:24:06,960 --> 00:24:08,879
Speaker 8: Chickland circuit has been going on, Like you got greats

654
00:24:08,880 --> 00:24:11,280
Speaker 8: that came through that Chitlin circuit, like Tyrone Date, it's Marvel,

655
00:24:11,320 --> 00:24:14,240
Speaker 8: See's changed brown, there's muddy waters. All these guys come

656
00:24:14,320 --> 00:24:16,520
Speaker 8: under that Chitlin circuit man, and it hasn't really had

657
00:24:16,560 --> 00:24:19,480
Speaker 8: a catalyst for it, has it been brought to the front.

658
00:24:19,600 --> 00:24:21,359
Speaker 8: So I take myself to be a martyr on that

659
00:24:21,400 --> 00:24:23,480
Speaker 8: He'm saying. I want to be able to display that

660
00:24:23,560 --> 00:24:25,919
Speaker 8: as being a main genre and showing that, you know,

661
00:24:25,960 --> 00:24:27,640
Speaker 8: we're coming with the United Front. I got Sean Miika,

662
00:24:27,720 --> 00:24:30,159
Speaker 8: Joe Quail out there, I'm saying, grown ass woman. I

663
00:24:30,200 --> 00:24:32,359
Speaker 8: got Frank Johnson out there. You can hate on me.

664
00:24:32,640 --> 00:24:34,200
Speaker 8: I got young guy right here. You know what I'm saying,

665
00:24:34,320 --> 00:24:36,520
Speaker 8: like take here. These are all very impactful songs to

666
00:24:36,560 --> 00:24:40,399
Speaker 8: the culture, and when I bring my boots on the ground,

667
00:24:40,440 --> 00:24:42,359
Speaker 8: I want to bring them as well. So that's probably

668
00:24:42,440 --> 00:24:44,240
Speaker 8: like the biggest thing as far as like, you know,

669
00:24:44,240 --> 00:24:46,000
Speaker 8: I'm carrying that weight and I want to be a

670
00:24:46,000 --> 00:24:46,800
Speaker 8: good advocate for them.

671
00:24:47,119 --> 00:24:48,560
Speaker 13: Well, you know, you got to get yourself all the

672
00:24:48,560 --> 00:24:50,200
Speaker 13: way through the door first, you know what I'm saying

673
00:24:50,200 --> 00:24:51,800
Speaker 13: like that, That's why I think a lot of people

674
00:24:52,240 --> 00:24:54,840
Speaker 13: fall through a little bit because they want to represent

675
00:24:54,880 --> 00:24:56,760
Speaker 13: for the whole state and they want to bring everybody

676
00:24:56,800 --> 00:24:59,240
Speaker 13: with them, and usually all the people end up weighing

677
00:24:59,240 --> 00:24:59,560
Speaker 13: them down.

678
00:24:59,600 --> 00:25:00,960
Speaker 2: Before you get to where you need to do.

679
00:25:01,000 --> 00:25:03,719
Speaker 8: I think that with me, how I present myself, how

680
00:25:03,720 --> 00:25:06,080
Speaker 8: I care myself. I care myself as you know. Hey,

681
00:25:06,200 --> 00:25:07,680
Speaker 8: he's a strong front by himself.

682
00:25:07,720 --> 00:25:07,959
Speaker 5: You know.

683
00:25:08,119 --> 00:25:10,280
Speaker 8: It's just I want to be a good representative for him.

684
00:25:10,320 --> 00:25:12,080
Speaker 8: You know, it's not that I'm pulling them up.

685
00:25:12,080 --> 00:25:12,440
Speaker 1: You're saying.

686
00:25:12,480 --> 00:25:14,520
Speaker 8: The way that I walk, my character is what it

687
00:25:14,560 --> 00:25:16,520
Speaker 8: puts it out there, like, oh oh, I like him.

688
00:25:16,680 --> 00:25:18,200
Speaker 1: Let me see what they got going on. You know

689
00:25:18,240 --> 00:25:20,080
Speaker 1: what I'm saying. I let my walk you're saying speak

690
00:25:20,119 --> 00:25:20,320
Speaker 1: for me.

691
00:25:20,520 --> 00:25:22,119
Speaker 2: I mean, it's all Carolina having a moment right now.

692
00:25:22,119 --> 00:25:24,520
Speaker 1: You got trapped, Dicky, Yeah, man, shout out the Traplin.

693
00:25:24,200 --> 00:25:27,480
Speaker 13: You know, Black Zach Yeah man, little balls rest in

694
00:25:27,480 --> 00:25:29,120
Speaker 13: peace speaking now, because like it's a lot of people

695
00:25:29,359 --> 00:25:31,560
Speaker 13: doing it. But I really love what the summern Soul

696
00:25:31,680 --> 00:25:34,760
Speaker 13: is doing because that's a whole different genre. And we

697
00:25:34,840 --> 00:25:37,160
Speaker 13: call it the Chitlin circuit. Well really, what I call

698
00:25:37,200 --> 00:25:39,399
Speaker 13: it is the heart and soul of Black America. Definitely,

699
00:25:39,440 --> 00:25:41,680
Speaker 13: bro Like that's what all the majority of black people

700
00:25:41,680 --> 00:25:42,800
Speaker 13: in America are in the South.

701
00:25:43,320 --> 00:25:45,919
Speaker 8: Don't advocate for violence, man, we advocate for unity, like

702
00:25:46,000 --> 00:25:47,280
Speaker 8: good time and you know, what I'm saying, you just

703
00:25:47,280 --> 00:25:49,240
Speaker 8: got to pay attention to a lot of this music, man,

704
00:25:49,560 --> 00:25:52,440
Speaker 8: And it's like real life relatable stuff, bro, And it ain't,

705
00:25:52,440 --> 00:25:53,840
Speaker 8: you know, fabricated, you know what I'm saying.

706
00:25:53,840 --> 00:25:56,200
Speaker 1: It's real life relatable things. And I think that's why.

707
00:25:56,000 --> 00:25:58,360
Speaker 8: People gravitate towards it a little bit more because I'm

708
00:25:58,400 --> 00:26:00,360
Speaker 8: able to say, oh yeah, I'm going through that right now,

709
00:26:00,840 --> 00:26:02,480
Speaker 8: you know what I mean. So I think that's why

710
00:26:02,520 --> 00:26:03,680
Speaker 8: everybody been gravitates towards.

711
00:26:03,760 --> 00:26:04,520
Speaker 1: But it's definitely a movement.

712
00:26:04,560 --> 00:26:06,840
Speaker 2: Man, tell them where to follow you eight on three Fresh.

713
00:26:06,800 --> 00:26:08,560
Speaker 8: It will prepres the kid living build. You can follow

714
00:26:08,640 --> 00:26:11,159
Speaker 8: me on all streaming platform everywhere. Man, just type eight

715
00:26:11,200 --> 00:26:12,640
Speaker 8: on three Fresh. You said you can get my music

716
00:26:12,680 --> 00:26:15,119
Speaker 8: from app Music, Spotify, your local bootleg man Fleet Market,

717
00:26:15,119 --> 00:26:17,800
Speaker 8: you can get them every well. I definitely appreciate y'all

718
00:26:17,840 --> 00:26:19,879
Speaker 8: and listen, man, Man, I appreciate you.

719
00:26:19,960 --> 00:26:20,080
Speaker 13: Man.

720
00:26:20,119 --> 00:26:21,480
Speaker 2: Listen. Always love for the home team.

721
00:26:22,400 --> 00:26:24,520
Speaker 8: You're definitely putting SoC line on the methods. Will yes

722
00:26:24,680 --> 00:26:26,560
Speaker 8: what you're doing, DJ and Man, preciate you. You said it's

723
00:26:26,560 --> 00:26:27,200
Speaker 8: just Laryer that depine.

724
00:26:27,200 --> 00:26:29,560
Speaker 2: Appreciate you. You pretty young got.

725
00:26:33,400 --> 00:26:36,440
Speaker 18: I'm gonna follow you, man, follow me on the platform, man,

726
00:26:36,560 --> 00:26:39,880
Speaker 18: young guy. Pretty much the same on everything on all

727
00:26:40,040 --> 00:26:43,560
Speaker 18: music streaming platforms, and we got a lot coming Man

728
00:26:43,600 --> 00:26:45,080
Speaker 18: twenty twenty five, we're gonna finish it out.

729
00:26:45,080 --> 00:26:46,280
Speaker 5: Next year's gonna be even bigger.

730
00:26:46,280 --> 00:26:47,199
Speaker 2: Man, Like I said that.

731
00:26:47,240 --> 00:26:50,000
Speaker 18: Feature to representing Miss sipping Man, South Carolina. We're just

732
00:26:50,040 --> 00:26:51,080
Speaker 18: all trying to put it together.

733
00:26:51,119 --> 00:27:00,399
Speaker 2: Man about guys, it's the Breakfast Club. Good morning.

734
00:27:01,640 --> 00:27:04,359
Speaker 13: If y'all talking about it, you know we talking about it,

735
00:27:04,440 --> 00:27:05,000
Speaker 13: about it.

736
00:27:05,000 --> 00:27:07,200
Speaker 2: It's topic times called.

737
00:27:07,040 --> 00:27:09,080
Speaker 13: Eight hundred five eighty five one five one to join

738
00:27:09,119 --> 00:27:12,080
Speaker 13: into the discussion with the Breakfast Club Morning.

739
00:27:12,160 --> 00:27:16,240
Speaker 8: Everybody is dj NV just hilarious, Charlamagne the guy, we

740
00:27:16,359 --> 00:27:19,040
Speaker 8: are the Breakfast Club Now if you're just joining us

741
00:27:19,119 --> 00:27:21,720
Speaker 8: during get It off your Chest. A gentleman called in

742
00:27:21,800 --> 00:27:24,080
Speaker 8: and said he was having a problem with his relationship

743
00:27:24,119 --> 00:27:25,040
Speaker 8: and this was bothering him.

744
00:27:25,040 --> 00:27:25,639
Speaker 2: So let's listen.

745
00:27:25,760 --> 00:27:27,200
Speaker 3: First thing, I just want to get this on a check.

746
00:27:27,240 --> 00:27:29,240
Speaker 3: I can't say that to my girl, so I'm gonna

747
00:27:29,240 --> 00:27:33,119
Speaker 3: just say it to y'all. I hate my girl. Dogars, Okay,

748
00:27:33,400 --> 00:27:36,119
Speaker 3: I don't know how okay to all the dog people

749
00:27:36,119 --> 00:27:38,320
Speaker 3: out there, I don't know how y'all deal with.

750
00:27:38,320 --> 00:27:40,760
Speaker 11: Dogs running all around y'all house, dog.

751
00:27:40,600 --> 00:27:43,160
Speaker 3: Get everywhere, but just about to make me say, hey,

752
00:27:43,280 --> 00:27:44,879
Speaker 3: I can't do it no more. But I had a

753
00:27:44,960 --> 00:27:47,040
Speaker 3: dream about purging them dollars last night.

754
00:27:50,240 --> 00:27:51,879
Speaker 2: Did you and your wife have a conversation and you

755
00:27:51,920 --> 00:27:52,679
Speaker 2: tell her how you feel?

756
00:27:53,040 --> 00:27:54,680
Speaker 3: Yeah, we had one a few months ago, and that

757
00:27:54,800 --> 00:27:57,600
Speaker 3: turn into a bigger argument. So I ain't trying to

758
00:27:57,640 --> 00:27:58,320
Speaker 3: go there no more.

759
00:27:58,440 --> 00:28:00,960
Speaker 2: So we're asking eight hundred five eight five one oh

760
00:28:01,000 --> 00:28:04,400
Speaker 2: five one, what's your relationship? Pet peeve? Let's start with you.

761
00:28:04,440 --> 00:28:07,639
Speaker 17: Jess, all right, when you don't have no fault in

762
00:28:07,680 --> 00:28:09,760
Speaker 17: your mother's wait, you involved in your business because then

763
00:28:09,800 --> 00:28:12,960
Speaker 17: it leaks over into our business. When you want to

764
00:28:13,000 --> 00:28:14,720
Speaker 17: take you on a date, but ask you where you

765
00:28:14,760 --> 00:28:16,800
Speaker 17: want to go? Excuse me, if you want to take

766
00:28:16,840 --> 00:28:19,280
Speaker 17: me on a date, plan the date. I don't like

767
00:28:19,840 --> 00:28:21,560
Speaker 17: a nigga. That'd be like where you want to go?

768
00:28:21,600 --> 00:28:23,879
Speaker 17: Where you think we should go? We think we should go?

769
00:28:24,080 --> 00:28:26,560
Speaker 17: Now know where you think we should go? Like plan

770
00:28:26,720 --> 00:28:29,040
Speaker 17: the date? Learn me you know what I like? If

771
00:28:29,040 --> 00:28:30,840
Speaker 17: you don't like the East Steak, We're gonna take me,

772
00:28:31,400 --> 00:28:33,639
Speaker 17: not out big, but where are you gonna take me?

773
00:28:33,920 --> 00:28:36,040
Speaker 4: You know what I'm saying I don't like that.

774
00:28:36,359 --> 00:28:45,720
Speaker 2: Well, he can't.

775
00:28:45,840 --> 00:28:48,959
Speaker 8: Talk about can some mother problem like they can't if

776
00:28:49,000 --> 00:28:50,680
Speaker 8: they tight with their mom, they can't fix that.

777
00:28:50,840 --> 00:28:51,560
Speaker 2: No, no, no, no no.

778
00:28:51,760 --> 00:28:55,160
Speaker 8: And sometimes if I take you to a restaurant, then

779
00:28:55,160 --> 00:28:56,360
Speaker 8: you'd be like, why we go to this restaurant?

780
00:28:56,400 --> 00:28:58,040
Speaker 2: Why do we not go to restaurants? Ask what are

781
00:28:58,080 --> 00:28:58,800
Speaker 2: you feeling for today?

782
00:28:58,840 --> 00:28:59,040
Speaker 1: Baby?

783
00:28:59,440 --> 00:29:00,080
Speaker 2: No?

784
00:29:00,080 --> 00:29:01,160
Speaker 4: No, no, no, it's a day.

785
00:29:01,200 --> 00:29:02,000
Speaker 2: It's all in the place.

786
00:29:02,040 --> 00:29:03,920
Speaker 17: Take the initiative to be like, you know what, I'm

787
00:29:03,960 --> 00:29:05,960
Speaker 17: gonna take her here, you know. And the reason why

788
00:29:05,960 --> 00:29:08,880
Speaker 17: I say, you know, no outback steak I'm not talking

789
00:29:08,920 --> 00:29:10,880
Speaker 17: about like cause the price of it and you know,

790
00:29:11,000 --> 00:29:12,920
Speaker 17: the tear that it's on. I'm talking about because it

791
00:29:12,960 --> 00:29:15,360
Speaker 17: has steak in the name, just because it got steak

792
00:29:15,400 --> 00:29:15,840
Speaker 17: in the name.

793
00:29:15,960 --> 00:29:17,800
Speaker 4: Don't don't do that, outback steakhouse.

794
00:29:17,960 --> 00:29:18,479
Speaker 1: Don't do that.

795
00:29:18,600 --> 00:29:22,440
Speaker 13: You are hard to please, don't Jesse. You don't like nothing.

796
00:29:22,920 --> 00:29:25,200
Speaker 17: I mean, you don't eat nothing, So it's kind of

797
00:29:25,200 --> 00:29:27,160
Speaker 17: hard to go anywhere and enjoy myself.

798
00:29:27,440 --> 00:29:30,040
Speaker 4: Okay, but no.

799
00:29:30,000 --> 00:29:32,040
Speaker 17: No, it's about the dad, Like it starts with the day.

800
00:29:32,080 --> 00:29:34,680
Speaker 17: If your dad not already like not in your life,

801
00:29:34,880 --> 00:29:36,960
Speaker 17: that push you closer to your mother. Then your mother

802
00:29:37,000 --> 00:29:38,800
Speaker 17: feel like she's dating you, so she got to be

803
00:29:38,880 --> 00:29:39,880
Speaker 17: in your relationships.

804
00:29:40,120 --> 00:29:41,000
Speaker 5: I ain't with none of it.

805
00:29:41,760 --> 00:29:44,080
Speaker 17: So but no, no, I'm not talking about Chris, not

806
00:29:44,120 --> 00:29:44,920
Speaker 17: talking about you, baby.

807
00:29:45,360 --> 00:29:49,240
Speaker 2: What are you talking about? People? Relationships got people?

808
00:29:51,880 --> 00:29:55,320
Speaker 17: This is just you asked meship in the past.

809
00:29:55,320 --> 00:29:57,800
Speaker 4: I don't have no, I mean, I don't have these

810
00:29:57,840 --> 00:29:58,680
Speaker 4: problems now.

811
00:29:58,600 --> 00:30:01,440
Speaker 2: Okay, well mine is leading. My wife is always late.

812
00:30:01,480 --> 00:30:03,320
Speaker 2: I'm talking to you. Get like you said, Christis, I'm

813
00:30:03,320 --> 00:30:04,960
Speaker 2: talking to you again. What are you talking to? Yeah,

814
00:30:05,200 --> 00:30:05,520
Speaker 2: you're right.

815
00:30:05,960 --> 00:30:09,680
Speaker 8: My wife is always late, to the point where I

816
00:30:09,720 --> 00:30:11,320
Speaker 8: have to lie about the time. So if you have

817
00:30:11,320 --> 00:30:12,880
Speaker 8: a party at nine, I gotta tell the parties at

818
00:30:12,880 --> 00:30:15,080
Speaker 8: eight and we still go get that nine thirty, ten o'clock.

819
00:30:15,200 --> 00:30:16,120
Speaker 2: It is what it is.

820
00:30:16,320 --> 00:30:19,200
Speaker 8: But the problem, the problem I have is she'd be late,

821
00:30:19,640 --> 00:30:21,920
Speaker 8: and then when I'm downstairs watching the TV, waiting like

822
00:30:22,120 --> 00:30:22,920
Speaker 8: let's go to Scollo, let's.

823
00:30:22,760 --> 00:30:24,080
Speaker 2: Go to school, let's go now, waiting on you now,

824
00:30:24,160 --> 00:30:27,160
Speaker 2: waiting on you. I hate that. So you always on time?

825
00:30:27,200 --> 00:30:28,200
Speaker 2: Oh yeah, I'm always on time.

826
00:30:28,240 --> 00:30:29,040
Speaker 4: So you're not black?

827
00:30:29,360 --> 00:30:33,880
Speaker 13: What's not answering the phone?

828
00:30:34,040 --> 00:30:36,080
Speaker 2: You know? My wife and I have different phone habits.

829
00:30:36,080 --> 00:30:38,000
Speaker 13: Like, my phone is usually on me or near me,

830
00:30:38,040 --> 00:30:40,000
Speaker 13: so I'm quick to answer if I want to answer

831
00:30:40,000 --> 00:30:42,520
Speaker 13: for the person. But she doesn't walking around with her

832
00:30:42,520 --> 00:30:44,680
Speaker 13: phone on her. But my thing is, that's cool. When

833
00:30:44,680 --> 00:30:46,960
Speaker 13: everybody is home, like when I'm home and all the

834
00:30:47,040 --> 00:30:49,240
Speaker 13: kids home, none of us need to really be near

835
00:30:49,280 --> 00:30:51,040
Speaker 13: our phones, because even the parents know the housephone and

836
00:30:51,040 --> 00:30:51,520
Speaker 13: stuff like that.

837
00:30:51,600 --> 00:30:53,080
Speaker 2: But when everybody.

838
00:30:52,640 --> 00:30:54,640
Speaker 13: Isn't home, keep your phone on you because you never

839
00:30:54,680 --> 00:30:56,920
Speaker 13: know what I'm calling and why I'm calling. Keep your

840
00:30:56,920 --> 00:30:58,560
Speaker 13: phone on you, So not answering the phone. That's my

841
00:30:58,680 --> 00:31:01,360
Speaker 13: pet peek. All right, Well, let's go to the phone lines. Hello,

842
00:31:01,440 --> 00:31:04,560
Speaker 13: who's this, Yes, sir, good morning from Indy.

843
00:31:05,800 --> 00:31:06,560
Speaker 2: From Indy. What's up?

844
00:31:06,560 --> 00:31:06,760
Speaker 5: Brother?

845
00:31:06,800 --> 00:31:07,280
Speaker 2: What's your pet?

846
00:31:07,320 --> 00:31:07,520
Speaker 5: Peeve?

847
00:31:07,560 --> 00:31:09,280
Speaker 2: In relationship, it's two of them, man.

848
00:31:09,640 --> 00:31:12,000
Speaker 12: One of them is a woman that doesn't have a relationship.

849
00:31:12,280 --> 00:31:15,240
Speaker 3: I hate to sound like corny, but the relationship.

850
00:31:14,960 --> 00:31:16,920
Speaker 12: God and the second one Anna sound kind of.

851
00:31:16,920 --> 00:31:18,720
Speaker 16: Dag and I can't stand the woman that don't work out.

852
00:31:18,840 --> 00:31:19,640
Speaker 3: She gotta be active.

853
00:31:19,920 --> 00:31:22,760
Speaker 17: Okay, Well, you don't sound just just for the record,

854
00:31:22,760 --> 00:31:24,960
Speaker 17: you don't sound corny wanting a woman that has a

855
00:31:25,000 --> 00:31:25,760
Speaker 17: relationship with God.

856
00:31:25,800 --> 00:31:27,640
Speaker 2: That's not corny at all. That's a good that's a

857
00:31:27,640 --> 00:31:28,160
Speaker 2: good one.

858
00:31:28,240 --> 00:31:29,480
Speaker 3: But it sounds cliche though.

859
00:31:29,480 --> 00:31:32,080
Speaker 12: It sounds cliche to say, but it's so unfair that

860
00:31:32,160 --> 00:31:33,200
Speaker 12: you have a relationship.

861
00:31:33,520 --> 00:31:35,520
Speaker 3: But just as important, I need her active because I

862
00:31:35,560 --> 00:31:37,640
Speaker 3: can't be looking halfway deep a big body.

863
00:31:38,120 --> 00:31:41,200
Speaker 2: You don't want no big guys, big bag. I think

864
00:31:41,240 --> 00:31:42,640
Speaker 2: you God?

865
00:31:43,120 --> 00:31:43,400
Speaker 1: What if?

866
00:31:43,600 --> 00:31:45,880
Speaker 2: What if she see that she need to be praying

867
00:31:45,880 --> 00:31:48,040
Speaker 2: to God to lose that weight? Yeah, you don't believe

868
00:31:48,080 --> 00:31:52,520
Speaker 2: in God. Hello, who's this Maya?

869
00:31:52,880 --> 00:31:53,080
Speaker 5: Hey?

870
00:31:53,440 --> 00:31:55,400
Speaker 2: Good morning? What's the pet peeve in a relationship for you?

871
00:31:56,200 --> 00:32:00,040
Speaker 6: I've been with my husband for ten years today and

872
00:32:00,360 --> 00:32:02,600
Speaker 6: the flobers and snores ver dead.

873
00:32:02,760 --> 00:32:03,440
Speaker 5: Oh baby.

874
00:32:03,440 --> 00:32:05,480
Speaker 6: And I'm a light sleeper, like I can hear a

875
00:32:05,520 --> 00:32:10,000
Speaker 6: pin drop, like he literally holds me up from suepin sometime.

876
00:32:10,160 --> 00:32:12,280
Speaker 6: But he comes to bed like suit fi o'clock in

877
00:32:12,320 --> 00:32:14,600
Speaker 6: the morning most of the time because he's not playing

878
00:32:14,600 --> 00:32:17,200
Speaker 6: the game. But once he comes to bed, it's like,

879
00:32:17,280 --> 00:32:19,120
Speaker 6: I can't, I can't go back to sleep.

880
00:32:19,480 --> 00:32:20,560
Speaker 2: Yeah, what the hell?

881
00:32:20,560 --> 00:32:21,080
Speaker 5: Why the hell?

882
00:32:21,120 --> 00:32:22,320
Speaker 2: Either one of y'all ain't got no jobs.

883
00:32:22,360 --> 00:32:23,720
Speaker 13: Y'all got to get up there in the morning, while

884
00:32:23,760 --> 00:32:25,240
Speaker 13: he get to go to bed at three o'clock. In

885
00:32:25,240 --> 00:32:25,760
Speaker 13: the morning.

886
00:32:26,280 --> 00:32:26,920
Speaker 2: What what's up?

887
00:32:27,040 --> 00:32:27,360
Speaker 1: Baby?

888
00:32:27,440 --> 00:32:30,560
Speaker 6: We do we worked off with the schedules because our

889
00:32:30,640 --> 00:32:31,720
Speaker 6: kids aren't in daycare.

890
00:32:32,280 --> 00:32:35,920
Speaker 2: Okay, so I'm da got you. Okay.

891
00:32:36,320 --> 00:32:38,080
Speaker 8: I feel bad, you know, because you know, snort is

892
00:32:38,080 --> 00:32:39,440
Speaker 8: a lot of times you can't fix that.

893
00:32:39,440 --> 00:32:42,440
Speaker 4: That's like, yeah, sometime medical problematical.

894
00:32:41,880 --> 00:32:43,600
Speaker 2: Problem that he can't. He don't do that on purpose.

895
00:32:44,240 --> 00:32:46,800
Speaker 6: Man, Listen, I ain't never seen nobody snore laying on

896
00:32:46,800 --> 00:32:47,920
Speaker 6: their belly like this.

897
00:32:48,080 --> 00:32:49,240
Speaker 8: This, This is a great dang.

898
00:32:50,000 --> 00:32:51,800
Speaker 2: You don't nudge him, you know, push him to so

899
00:32:51,880 --> 00:32:52,640
Speaker 2: he wake up a little bit.

900
00:32:52,880 --> 00:32:54,600
Speaker 6: I do all night. I'm kicking.

901
00:32:54,640 --> 00:32:55,160
Speaker 16: I'm hicking.

902
00:32:55,200 --> 00:32:55,960
Speaker 14: I'm like.

903
00:32:58,480 --> 00:33:01,720
Speaker 17: And she said, slip material a stank pillows price.

904
00:33:02,440 --> 00:33:05,920
Speaker 13: Yeah, won't you get some like an earplugs or something?

905
00:33:06,360 --> 00:33:09,160
Speaker 6: Word and we got five kids together at all, five

906
00:33:09,200 --> 00:33:10,120
Speaker 6: of them kids flobber.

907
00:33:10,600 --> 00:33:11,200
Speaker 14: It's crazy.

908
00:33:11,440 --> 00:33:12,640
Speaker 13: Yeah, you gotta leave that family.

909
00:33:12,680 --> 00:33:13,000
Speaker 2: Baby.

910
00:33:14,960 --> 00:33:18,760
Speaker 17: It's like, no, no, no, I'm joking you for better

911
00:33:18,800 --> 00:33:20,360
Speaker 17: or for worse, though you said it.

912
00:33:20,440 --> 00:33:20,880
Speaker 5: That's right.

913
00:33:22,800 --> 00:33:25,440
Speaker 8: Eight hundred five eight five one oh five one. We're

914
00:33:25,480 --> 00:33:28,160
Speaker 8: asking what's a pet peeve in your relationship? Let's discuss

915
00:33:28,160 --> 00:33:34,000
Speaker 8: It's the breakfast club, Good morning, the breakfast club morning

916
00:33:34,040 --> 00:33:37,680
Speaker 8: everybody is the j Envy, Jesse Hilarry and Charlamage the guy.

917
00:33:37,760 --> 00:33:40,160
Speaker 2: We are the breakfast Club. We got a special guest

918
00:33:40,200 --> 00:33:42,680
Speaker 2: in the building who refuses to stop. Ladies and gentlemen,

919
00:33:42,760 --> 00:33:44,640
Speaker 2: Kevin Hark, Welcome back, brother.

920
00:33:45,160 --> 00:33:49,840
Speaker 13: We just won't sit down to yourself.

921
00:33:51,760 --> 00:33:55,040
Speaker 8: Life is great, no complaints. Man here to talk about more,

922
00:33:55,240 --> 00:33:59,000
Speaker 8: which means great. This is happening, still moving, still tracking,

923
00:33:59,240 --> 00:34:01,600
Speaker 8: still working, still doing the same thing, but bigger.

924
00:34:01,800 --> 00:34:04,280
Speaker 4: Talk to us about this new two part documentar where

925
00:34:04,280 --> 00:34:06,239
Speaker 4: you've got no one to call.

926
00:34:06,360 --> 00:34:09,000
Speaker 9: She congratulations to Jamie fox Man.

927
00:34:09,040 --> 00:34:12,680
Speaker 8: This is a Jamie fox idea that he came to

928
00:34:13,480 --> 00:34:15,880
Speaker 8: me with at heartbeat. And you know, it was a

929
00:34:15,920 --> 00:34:18,799
Speaker 8: concept about being one of the call sheet and the

930
00:34:18,920 --> 00:34:20,040
Speaker 8: good and bad of it.

931
00:34:20,200 --> 00:34:20,359
Speaker 5: Right.

932
00:34:20,440 --> 00:34:23,600
Speaker 8: He's like, you know a lot of people experience it,

933
00:34:23,680 --> 00:34:26,160
Speaker 8: but it doesn't do the same for everyone, you know,

934
00:34:26,600 --> 00:34:29,719
Speaker 8: and whether it's the ego, whether it's the money, whether

935
00:34:29,760 --> 00:34:32,880
Speaker 8: it's the idea of the money, whether it's the thought

936
00:34:33,000 --> 00:34:35,680
Speaker 8: of my career is now about to be, and it

937
00:34:35,719 --> 00:34:39,200
Speaker 8: doesn't become like there's so many different concepts attached to it.

938
00:34:39,200 --> 00:34:40,640
Speaker 1: I thought it was a great idea, man.

939
00:34:40,760 --> 00:34:42,839
Speaker 8: You know, Fox is a brilliant mind, and I said

940
00:34:42,840 --> 00:34:44,920
Speaker 8: to make it real, like we got to go out

941
00:34:45,000 --> 00:34:47,640
Speaker 8: and you know, of course happened to all our relationships.

942
00:34:47,840 --> 00:34:49,000
Speaker 1: So it started off is just.

943
00:34:48,960 --> 00:34:51,239
Speaker 8: The idea for men, Like we were heavy on the

944
00:34:51,280 --> 00:34:52,680
Speaker 8: men's side, and then we were like, yo, it's dope

945
00:34:52,920 --> 00:34:55,200
Speaker 8: if you have it to where you know there's a

946
00:34:55,520 --> 00:34:58,000
Speaker 8: male version. Then we go and we tap into a

947
00:34:58,040 --> 00:35:02,759
Speaker 8: female version as well, and really just expand the conversation

948
00:35:03,360 --> 00:35:06,600
Speaker 8: of success or lack thereof. And it's, uh, it's dope

949
00:35:06,600 --> 00:35:08,080
Speaker 8: to hear all these people talk about it. So I

950
00:35:08,120 --> 00:35:10,319
Speaker 8: think people are gonna be blown away by hearing the

951
00:35:10,320 --> 00:35:13,040
Speaker 8: good and the bad, like everybody doesn't with the concept

952
00:35:13,120 --> 00:35:13,360
Speaker 8: of it.

953
00:35:13,480 --> 00:35:14,799
Speaker 13: You know, will be a number one on the cause

954
00:35:15,000 --> 00:35:17,759
Speaker 13: everybody doesn't. When did you become number one on the

955
00:35:17,760 --> 00:35:19,040
Speaker 13: cast sheet? And what does it mean to be there

956
00:35:19,280 --> 00:35:25,719
Speaker 13: number than for a while? Like I love it, I

957
00:35:25,760 --> 00:35:26,440
Speaker 13: love it, like I don't.

958
00:35:26,480 --> 00:35:28,239
Speaker 1: I don't want to make it very clear. I love

959
00:35:28,239 --> 00:35:28,480
Speaker 1: it now.

960
00:35:28,520 --> 00:35:30,120
Speaker 2: You never left the road. Why is the road so

961
00:35:30,160 --> 00:35:30,759
Speaker 2: important to you?

962
00:35:30,880 --> 00:35:32,160
Speaker 1: Because you control it, you own it.

963
00:35:32,719 --> 00:35:34,839
Speaker 2: There's no small venues. You do big venues, like.

964
00:35:34,880 --> 00:35:36,200
Speaker 9: Nothing better than stand up coming.

965
00:35:36,520 --> 00:35:40,759
Speaker 8: There's no job better than the job of live entertainment,

966
00:35:41,080 --> 00:35:45,400
Speaker 8: live audience, your fans, your connection, your relationship.

967
00:35:45,719 --> 00:35:47,000
Speaker 1: It doesn't die if.

968
00:35:46,840 --> 00:35:49,200
Speaker 8: You treat it like a plant and you've ever water it,

969
00:35:49,680 --> 00:35:51,840
Speaker 8: the plan is never going to die, right like, So

970
00:35:51,920 --> 00:35:55,600
Speaker 8: if it can grow and you have good seasons, bad seasons,

971
00:35:55,640 --> 00:35:57,719
Speaker 8: it's always going to be there and those fans are

972
00:35:57,719 --> 00:36:00,440
Speaker 8: just gonna ride with you forever. So I'm very on

973
00:36:00,560 --> 00:36:02,680
Speaker 8: staying true to stand I'm coming. Nothing takes the place

974
00:36:02,680 --> 00:36:04,720
Speaker 8: to stand up coming. I don't give what i'm doing

975
00:36:04,960 --> 00:36:06,799
Speaker 8: the level that i'm doing at. I will go and

976
00:36:06,840 --> 00:36:09,520
Speaker 8: do comedy clubs. I will come to New York for

977
00:36:09,600 --> 00:36:11,359
Speaker 8: months on a time and just do a run of

978
00:36:11,400 --> 00:36:14,359
Speaker 8: pop ups. That's my muse, that's my stress reliever. So

979
00:36:14,640 --> 00:36:16,359
Speaker 8: if you had Damon Wayne and say that he would

980
00:36:16,360 --> 00:36:18,160
Speaker 8: never do a stand up anymore because he was like,

981
00:36:18,160 --> 00:36:19,000
Speaker 8: people are too sensitive.

982
00:36:19,239 --> 00:36:20,280
Speaker 2: He said, people are stupid.

983
00:36:20,360 --> 00:36:23,839
Speaker 8: Well yeah, it's basically you know he says anything, people

984
00:36:23,840 --> 00:36:25,480
Speaker 8: get offended too fast, and it's like it's just not

985
00:36:25,520 --> 00:36:26,360
Speaker 8: worth the distress.

986
00:36:26,640 --> 00:36:27,360
Speaker 1: I understand.

987
00:36:27,600 --> 00:36:29,279
Speaker 8: I don't see it the same way because I don't

988
00:36:29,280 --> 00:36:31,360
Speaker 8: have that level of giving. I don't want to do

989
00:36:31,400 --> 00:36:33,400
Speaker 8: the thing that I love to do because I'm caring

990
00:36:33,440 --> 00:36:36,120
Speaker 8: so much about what everybody else is thinking about what

991
00:36:36,120 --> 00:36:36,839
Speaker 8: I'm doing, Like, I.

992
00:36:36,760 --> 00:36:39,000
Speaker 17: Don't I think he meant that on you know how

993
00:36:39,080 --> 00:36:41,800
Speaker 17: the wayne is used to be like they no limit,

994
00:36:41,920 --> 00:36:44,000
Speaker 17: like you talk about anything. But now that since the

995
00:36:44,360 --> 00:36:46,560
Speaker 17: new trend is being offended and a lot of people

996
00:36:46,680 --> 00:36:50,799
Speaker 17: are just you know, it is what it is though communities.

997
00:36:51,000 --> 00:36:53,600
Speaker 1: I mean, Dame is Dame. Dame is a legend.

998
00:36:53,600 --> 00:36:55,760
Speaker 8: Like if Dame wanted to go on stage and around,

999
00:36:56,239 --> 00:36:58,200
Speaker 8: Dame can do what he wants when he wants.

1000
00:36:58,239 --> 00:37:01,720
Speaker 9: The idea of people being upset or triggered.

1001
00:37:01,960 --> 00:37:04,080
Speaker 8: If you're thinking about that, like, then you're you're going

1002
00:37:04,080 --> 00:37:06,960
Speaker 8: down a crazy spiral. I'm not doing comedy and thinking

1003
00:37:07,040 --> 00:37:09,399
Speaker 8: about the thought of what you think about what I'm saying.

1004
00:37:09,520 --> 00:37:10,960
Speaker 8: I have the things I want to talk about. I

1005
00:37:11,000 --> 00:37:12,799
Speaker 8: know the direction I want to go in. I'm not

1006
00:37:12,840 --> 00:37:15,839
Speaker 8: here to offend. I'm not here to aggravate or piss

1007
00:37:15,880 --> 00:37:18,120
Speaker 8: people off. I'm here to do my craft. Have you

1008
00:37:18,160 --> 00:37:23,080
Speaker 8: apologized yet to Delaware State University for what you don't?

1009
00:37:23,120 --> 00:37:29,279
Speaker 2: Let it go? Come on, let it She didn't thought

1010
00:37:29,360 --> 00:37:39,640
Speaker 2: I was trying to university, not just a bunch of

1011
00:37:48,520 --> 00:37:50,000
Speaker 2: Sean Jackson said, you were sorry.

1012
00:37:53,400 --> 00:37:55,719
Speaker 8: I mean, first of all, it is all right, but

1013
00:37:55,800 --> 00:38:01,480
Speaker 8: it's like smart people there too. We're talking about hellwad

1014
00:38:01,520 --> 00:38:02,000
Speaker 8: state knows.

1015
00:38:02,000 --> 00:38:04,200
Speaker 5: I have no ill will towards them. I love you guys,

1016
00:38:04,200 --> 00:38:04,960
Speaker 5: but it was a funny bit.

1017
00:38:09,200 --> 00:38:09,520
Speaker 11: You guys.

1018
00:38:09,600 --> 00:38:13,239
Speaker 4: You animated show out, Yes, talks about your life growing up?

1019
00:38:13,320 --> 00:38:13,520
Speaker 5: Yes?

1020
00:38:13,560 --> 00:38:15,759
Speaker 4: What made you want to do that animation style?

1021
00:38:15,960 --> 00:38:16,120
Speaker 5: You know?

1022
00:38:16,239 --> 00:38:16,600
Speaker 2: Crazy?

1023
00:38:16,600 --> 00:38:18,719
Speaker 8: This has been a This is a crazy development, man.

1024
00:38:18,760 --> 00:38:21,279
Speaker 8: This is I want to say, like seven to eight

1025
00:38:21,360 --> 00:38:24,040
Speaker 8: years in the making before we could actually do it properly.

1026
00:38:24,120 --> 00:38:27,160
Speaker 8: Shouts out to Scott Mills over there at BT man

1027
00:38:27,440 --> 00:38:30,880
Speaker 8: for understanding like my world of want and allowing me

1028
00:38:30,920 --> 00:38:32,160
Speaker 8: to do it the way I wanted to do it.

1029
00:38:32,200 --> 00:38:34,080
Speaker 1: You know, it's an a doubt animation, and.

1030
00:38:34,040 --> 00:38:36,640
Speaker 8: I wanted to like flip the story of the conversation

1031
00:38:36,719 --> 00:38:38,560
Speaker 8: attached to the hood, right, Like everybody talks about the

1032
00:38:38,600 --> 00:38:40,040
Speaker 8: Hood from one point of view.

1033
00:38:40,120 --> 00:38:42,160
Speaker 1: You know, the hood is the hood, and people like

1034
00:38:42,200 --> 00:38:43,520
Speaker 1: the hood is bad.

1035
00:38:44,880 --> 00:38:46,960
Speaker 8: Yeah, Like, and I think that there's a there's a

1036
00:38:47,000 --> 00:38:49,440
Speaker 8: positive side to it. You know, there's a role that

1037
00:38:49,520 --> 00:38:53,200
Speaker 8: everybody plays in the hood, especially when it comes to kids, families,

1038
00:38:53,280 --> 00:38:57,320
Speaker 8: Like everybody's part of the village. Everybody's raising everybody's child,

1039
00:38:57,400 --> 00:39:00,719
Speaker 8: everybody is aware, everybody's in the know, nobody's trying their

1040
00:39:00,719 --> 00:39:03,160
Speaker 8: best to service and need a good and even bad

1041
00:39:03,400 --> 00:39:05,320
Speaker 8: just happening. You know, when people find out there is

1042
00:39:05,360 --> 00:39:07,759
Speaker 8: an energy attached to trying to solve it and make

1043
00:39:07,800 --> 00:39:09,400
Speaker 8: it better. And this is a way of just flipping

1044
00:39:09,400 --> 00:39:12,000
Speaker 8: the conversation on the hood upside down. So it's about me,

1045
00:39:12,400 --> 00:39:14,920
Speaker 8: my upbringing, being in the hood, but having such a

1046
00:39:15,000 --> 00:39:17,320
Speaker 8: high level of love for the hood, for my family

1047
00:39:17,360 --> 00:39:18,719
Speaker 8: and for all the people around it.

1048
00:39:18,840 --> 00:39:20,640
Speaker 13: And just Solarius is in it, keeping her away from

1049
00:39:20,640 --> 00:39:21,200
Speaker 13: breakfast club.

1050
00:39:21,520 --> 00:39:23,600
Speaker 1: Come on, just don't.

1051
00:39:23,440 --> 00:39:23,880
Speaker 2: Listen to that.

1052
00:39:24,200 --> 00:39:24,560
Speaker 1: I don't.

1053
00:39:25,239 --> 00:39:27,239
Speaker 8: I don't listenst of all, I want to make something

1054
00:39:27,280 --> 00:39:28,839
Speaker 8: very clear. When people say like kah, thank you for

1055
00:39:29,000 --> 00:39:30,920
Speaker 8: giving people a job, people earn them, like, I'm not

1056
00:39:30,920 --> 00:39:34,439
Speaker 8: giving thanks you anything. I'm not out like hey here,

1057
00:39:34,640 --> 00:39:37,520
Speaker 8: just here's a gift, Like that's just that's her team,

1058
00:39:37,600 --> 00:39:40,200
Speaker 8: that's people working and saying, hey, this is a good thing.

1059
00:39:40,040 --> 00:39:43,520
Speaker 9: To possibly put just up for it just for process.

1060
00:39:43,680 --> 00:39:45,839
Speaker 8: I mean, you could say no, but when people are

1061
00:39:46,120 --> 00:39:48,400
Speaker 8: talented and earning things in their own it's happening the

1062
00:39:48,440 --> 00:39:51,240
Speaker 8: way it's supposed to. Be I'm not in the space

1063
00:39:51,360 --> 00:39:54,000
Speaker 8: of know of everything and I'm hand picking people and

1064
00:39:54,040 --> 00:39:56,319
Speaker 8: doing like that would mean that I'm I mean the

1065
00:39:56,400 --> 00:39:58,400
Speaker 8: time and the day to do that and do it

1066
00:39:58,480 --> 00:39:59,880
Speaker 8: and do it and do it, And that means that

1067
00:40:00,040 --> 00:40:02,400
Speaker 8: people around me aren't doing what they're supposed to do.

1068
00:40:02,560 --> 00:40:04,920
Speaker 8: So it is your job to like properly package and

1069
00:40:05,120 --> 00:40:08,239
Speaker 8: put people in places to make these projects good. And

1070
00:40:08,440 --> 00:40:10,760
Speaker 8: it's my job to see it at the end stage

1071
00:40:10,760 --> 00:40:12,080
Speaker 8: of going, Wow, this is a great cast.

1072
00:40:12,239 --> 00:40:13,840
Speaker 5: These are a great person that have great roles.

1073
00:40:13,840 --> 00:40:14,319
Speaker 2: I like this.

1074
00:40:14,400 --> 00:40:16,840
Speaker 1: I like this configuration, but just is.

1075
00:40:16,840 --> 00:40:18,879
Speaker 13: Earning it and you know, you do take the time

1076
00:40:18,920 --> 00:40:20,960
Speaker 13: to pour into the next generation. You know, drewski was

1077
00:40:21,000 --> 00:40:23,040
Speaker 13: up here and Drewskie said that you gave him and

1078
00:40:23,160 --> 00:40:23,799
Speaker 13: Kyson not.

1079
00:40:24,120 --> 00:40:25,640
Speaker 2: A bunch of movies to watch.

1080
00:40:26,120 --> 00:40:28,200
Speaker 13: Yeah, told them to get you stud whatever your stupid

1081
00:40:28,239 --> 00:40:29,920
Speaker 13: ass is doing right now watch these movies.

1082
00:40:30,000 --> 00:40:31,319
Speaker 2: Yeah, and preparing for the next level.

1083
00:40:31,360 --> 00:40:35,600
Speaker 1: That's I like what the younger generation is doing. It's crazy.

1084
00:40:35,640 --> 00:40:37,399
Speaker 8: I'm saying it like I'm I'm really am a part

1085
00:40:37,440 --> 00:40:41,239
Speaker 8: of like a time of old forty five. Damn well,

1086
00:40:41,280 --> 00:40:52,960
Speaker 8: doesn't look it, you know, that older generation of like

1087
00:40:53,200 --> 00:40:56,399
Speaker 8: how we approach the business how we approach the craft right,

1088
00:40:56,719 --> 00:40:59,759
Speaker 8: And I think it's dopest to see this new generation

1089
00:41:00,239 --> 00:41:04,400
Speaker 8: navigate differently, Like the comedians of today did not go

1090
00:41:04,520 --> 00:41:06,719
Speaker 8: and work at it the same way that we did.

1091
00:41:06,800 --> 00:41:09,880
Speaker 8: Like they're breaking new ground, finding ways to be the

1092
00:41:09,880 --> 00:41:13,080
Speaker 8: personalities first and then get to the stage after. And

1093
00:41:13,520 --> 00:41:15,560
Speaker 8: the way they're engaging with their audience and the way

1094
00:41:15,640 --> 00:41:17,160
Speaker 8: the audience is responding to them.

1095
00:41:17,320 --> 00:41:19,799
Speaker 9: I think it's dopeest in being a fan of it.

1096
00:41:19,920 --> 00:41:21,600
Speaker 8: I feel like it's my job now to figure out

1097
00:41:21,640 --> 00:41:24,640
Speaker 8: ways to like grab this personnel when it where I can,

1098
00:41:24,719 --> 00:41:25,560
Speaker 8: and you know, try to.

1099
00:41:25,480 --> 00:41:28,120
Speaker 5: Push them forward. With Kai and Drewski, Kai is such

1100
00:41:28,120 --> 00:41:29,080
Speaker 5: a monster man.

1101
00:41:29,320 --> 00:41:29,759
Speaker 1: I told him.

1102
00:41:29,800 --> 00:41:31,279
Speaker 8: I said, look, man, I want to show you guys

1103
00:41:31,400 --> 00:41:35,440
Speaker 8: ways to like give your audience more and ways to

1104
00:41:35,520 --> 00:41:37,239
Speaker 8: do more. So I came up with, like with some

1105
00:41:37,280 --> 00:41:40,520
Speaker 8: dope ass ideas concepts for us to rock in together,

1106
00:41:40,920 --> 00:41:43,200
Speaker 8: but stay true to the space of what they're doing.

1107
00:41:43,480 --> 00:41:45,120
Speaker 8: So Drewski, I know, he came and he was like,

1108
00:41:45,200 --> 00:41:46,560
Speaker 8: telling you guys about the movie. I don't want tell

1109
00:41:46,600 --> 00:41:48,200
Speaker 8: y'all what it is, but it's a big it's a

1110
00:41:48,200 --> 00:41:49,880
Speaker 8: big idea that we're working now. But I was like,

1111
00:41:49,920 --> 00:41:52,160
Speaker 8: to do it. You guys got to educate yourself on

1112
00:41:52,800 --> 00:41:55,560
Speaker 8: things in this space. So it wasn't homework. I was like,

1113
00:41:56,000 --> 00:41:59,520
Speaker 8: understand production, Understand how movies are made, Understand the look

1114
00:41:59,560 --> 00:42:01,000
Speaker 8: and feel. I want you to be a part of

1115
00:42:01,000 --> 00:42:03,560
Speaker 8: the process so you can understand the process. And after

1116
00:42:03,600 --> 00:42:05,879
Speaker 8: you do this with me, go do it yourself. Go

1117
00:42:05,960 --> 00:42:08,000
Speaker 8: do it and figure out ways to you know, do

1118
00:42:08,040 --> 00:42:09,440
Speaker 8: it with the other people that you're around.

1119
00:42:09,520 --> 00:42:11,080
Speaker 2: We're still kicking it with Kevin Hart.

1120
00:42:12,160 --> 00:42:14,440
Speaker 8: Juicy said, you actually set him up in that stream

1121
00:42:14,640 --> 00:42:16,840
Speaker 8: with that little kid, he said, he said, it was

1122
00:42:16,880 --> 00:42:21,040
Speaker 8: you that actually said that's that's what you start off.

1123
00:42:21,400 --> 00:42:25,279
Speaker 2: Started the follow your lead.

1124
00:42:25,520 --> 00:42:27,600
Speaker 8: First of all, what you need to understand is where

1125
00:42:27,600 --> 00:42:29,200
Speaker 8: the cameras are at all times. What I said, the

1126
00:42:29,239 --> 00:42:34,040
Speaker 8: juice keeps in his here I said something in his ear. Okay,

1127
00:42:34,080 --> 00:42:36,360
Speaker 8: nobody really knows what I said. He knows what I said.

1128
00:42:36,719 --> 00:42:39,320
Speaker 8: And then he took the liberty of going and saying

1129
00:42:39,400 --> 00:42:42,279
Speaker 8: very harsh things by the way things it shouldn't.

1130
00:42:41,920 --> 00:42:43,440
Speaker 2: Be walk right out like you see.

1131
00:42:43,520 --> 00:42:45,799
Speaker 8: I mean, I don't want to be around there. I've

1132
00:42:45,800 --> 00:42:47,799
Speaker 8: seen a lot of people get in fights. I've seen

1133
00:42:47,800 --> 00:42:48,279
Speaker 8: what it's about.

1134
00:42:48,280 --> 00:42:48,600
Speaker 1: To happen.

1135
00:42:48,640 --> 00:42:51,439
Speaker 8: I go, I shouldn't be here, right, I shouldn't be here.

1136
00:42:51,880 --> 00:42:52,960
Speaker 8: They're about to start shooting.

1137
00:42:53,480 --> 00:42:55,000
Speaker 5: By the way, he's got the gun.

1138
00:42:55,400 --> 00:42:56,920
Speaker 1: I see it. I'm gonna leave right now.

1139
00:42:57,560 --> 00:42:59,680
Speaker 8: So I just exited the room because I think I

1140
00:42:59,680 --> 00:43:01,440
Speaker 8: think I've telling him had to go to the bathroom actually,

1141
00:43:01,920 --> 00:43:04,720
Speaker 8: and then a lot of stuff from what I was told, happened.

1142
00:43:04,719 --> 00:43:06,279
Speaker 9: From what I was told, the kids started crying and

1143
00:43:06,280 --> 00:43:06,719
Speaker 9: stuff like that.

1144
00:43:06,840 --> 00:43:10,160
Speaker 5: I came back and I was like, what's going on?

1145
00:43:10,719 --> 00:43:13,000
Speaker 8: Right at that time, I'm the adult in the room

1146
00:43:13,280 --> 00:43:16,480
Speaker 8: trying to calm down, like, hey man, what's happening? And

1147
00:43:16,520 --> 00:43:18,160
Speaker 8: I think all the cameras caught me saying that, which

1148
00:43:18,160 --> 00:43:20,800
Speaker 8: is good for me legally, So I was never attached.

1149
00:43:21,040 --> 00:43:23,040
Speaker 13: Dukie said he felt like he could make those jokes

1150
00:43:23,040 --> 00:43:25,399
Speaker 13: because he's fat and y'all were teasing him all day

1151
00:43:25,400 --> 00:43:26,840
Speaker 13: about being fat or jukey.

1152
00:43:26,960 --> 00:43:29,920
Speaker 9: First of all, calling people fat, that's aggressive.

1153
00:43:31,000 --> 00:43:32,600
Speaker 2: When you saw the big thinking of you, I just.

1154
00:43:32,520 --> 00:43:32,879
Speaker 13: Want to.

1155
00:43:36,520 --> 00:43:39,480
Speaker 5: I just want to know what I'm saying.

1156
00:43:44,160 --> 00:43:46,400
Speaker 2: Juicy big see a little bigger?

1157
00:43:46,840 --> 00:43:46,960
Speaker 5: Right?

1158
00:43:47,200 --> 00:43:49,359
Speaker 8: He had problems breathing when he walks up the steps. Yeah,

1159
00:43:49,440 --> 00:43:53,400
Speaker 8: of course, but but you know that little kid. I

1160
00:43:53,400 --> 00:43:55,200
Speaker 8: think it was on his way to a healthy lifestyle.

1161
00:43:55,640 --> 00:43:57,439
Speaker 8: You got to support that, right, the little kid because

1162
00:43:57,440 --> 00:43:58,680
Speaker 8: he was talking. I think the little kid was talking

1163
00:43:58,680 --> 00:44:01,480
Speaker 8: about exercising and stuff, which is good and I'm always

1164
00:44:01,480 --> 00:44:03,719
Speaker 8: glad to just be on the positive side of conversation.

1165
00:44:03,960 --> 00:44:06,160
Speaker 9: That's what I'm about, you know, a beacon of light.

1166
00:44:06,480 --> 00:44:07,680
Speaker 9: Joy Kevin.

1167
00:44:07,719 --> 00:44:11,280
Speaker 17: At the level of success that you are being an actor,

1168
00:44:11,320 --> 00:44:14,840
Speaker 17: do you still have to audition for roles or absolutely not?

1169
00:44:15,680 --> 00:44:18,799
Speaker 4: What are you talking about la Lawrence that he has

1170
00:44:18,800 --> 00:44:19,759
Speaker 4: said that he does.

1171
00:44:20,280 --> 00:44:22,120
Speaker 2: I think Martin said he had to he pitches, He

1172
00:44:22,160 --> 00:44:23,240
Speaker 2: still got to pitch projects.

1173
00:44:23,560 --> 00:44:27,480
Speaker 8: Oh yeah, that makes sense if he's pitching things. I

1174
00:44:27,520 --> 00:44:29,399
Speaker 8: mean am I Am I really pitching things? I think

1175
00:44:29,440 --> 00:44:32,920
Speaker 8: I'm pitching ideas to my team. I'm more in the

1176
00:44:33,000 --> 00:44:35,880
Speaker 8: business of creating the things that I think best service

1177
00:44:36,320 --> 00:44:39,120
Speaker 8: my want in my direction and the business.

1178
00:44:39,160 --> 00:44:40,160
Speaker 1: Like when you think about the.

1179
00:44:40,160 --> 00:44:42,120
Speaker 8: Dramas, you think about all the things that I've done

1180
00:44:42,120 --> 00:44:44,680
Speaker 8: as serious like that's been me so true story. I

1181
00:44:44,680 --> 00:44:46,360
Speaker 8: was like, I want to I want to kill somebody

1182
00:44:46,360 --> 00:44:48,200
Speaker 8: on camera. I think it'll be dope, and I want

1183
00:44:48,200 --> 00:44:51,640
Speaker 8: to found a guy that created Narcos And I was like, Yo,

1184
00:44:51,640 --> 00:44:54,080
Speaker 8: it'll be dope if we can collab and talk. But

1185
00:44:54,200 --> 00:44:55,920
Speaker 8: we developed it and then I was like, Okay, this

1186
00:44:56,000 --> 00:44:58,120
Speaker 8: is great, let's go and take this out Like that's

1187
00:44:58,440 --> 00:45:01,359
Speaker 8: developing it and then going to sell it fight Night.

1188
00:45:01,520 --> 00:45:04,200
Speaker 8: That was me Will Packer and Will tell me you

1189
00:45:04,239 --> 00:45:06,000
Speaker 8: had the right and not saying hey, to do it

1190
00:45:06,200 --> 00:45:07,719
Speaker 8: just can be dope with but let's do it this

1191
00:45:07,800 --> 00:45:10,120
Speaker 8: way and put the right people in it. So like

1192
00:45:10,160 --> 00:45:13,239
Speaker 8: the creative side of from start to finish is where

1193
00:45:13,280 --> 00:45:16,960
Speaker 8: I'm playing at now. But like auditioning, I'm not really auditioning.

1194
00:45:16,960 --> 00:45:18,920
Speaker 8: I think people if they have a project, they're like, oh,

1195
00:45:19,000 --> 00:45:21,200
Speaker 8: Kevin would be good for this, and I'm getting those calls, hey,

1196
00:45:21,200 --> 00:45:23,400
Speaker 8: we want you to do and then I got a

1197
00:45:23,440 --> 00:45:24,560
Speaker 8: decision of if I want.

1198
00:45:24,360 --> 00:45:24,839
Speaker 1: To do it or not.

1199
00:45:24,920 --> 00:45:26,920
Speaker 17: Like fans is the upside. That's still one of my

1200
00:45:26,920 --> 00:45:28,960
Speaker 17: favorite movies. You and Brian Cranston.

1201
00:45:29,200 --> 00:45:30,960
Speaker 9: They already saw you for that role.

1202
00:45:31,000 --> 00:45:33,440
Speaker 8: They said, we want to do the remake and we

1203
00:45:33,480 --> 00:45:35,560
Speaker 8: see you and Brian Cranston doing this.

1204
00:45:35,600 --> 00:45:36,360
Speaker 1: Are you interested?

1205
00:45:36,400 --> 00:45:40,160
Speaker 8: And absolutely, and Nicole Kipman I was like absolutely, hands down.

1206
00:45:40,520 --> 00:45:43,160
Speaker 8: But it's it's it's coming out and having an ask

1207
00:45:43,600 --> 00:45:48,160
Speaker 8: not to say that I wouldn't audition, you would clean

1208
00:45:48,239 --> 00:45:53,040
Speaker 8: it up trying to anybody your cameras there. I just

1209
00:45:53,040 --> 00:45:54,320
Speaker 8: wanted to look in and make it just look like

1210
00:45:54,360 --> 00:45:55,839
Speaker 8: I'm willing to do right.

1211
00:45:57,120 --> 00:46:00,000
Speaker 13: What about like social media BACKLASD because everybody, for whatever

1212
00:46:00,080 --> 00:46:02,839
Speaker 13: reason was highly upset when you hosted a NBA All

1213
00:46:02,840 --> 00:46:05,520
Speaker 13: Star Weekend. There was a section of the internet that

1214
00:46:05,560 --> 00:46:06,200
Speaker 13: was acting like they.

1215
00:46:06,120 --> 00:46:09,279
Speaker 8: Were you know, you know, what energy do you give

1216
00:46:09,360 --> 00:46:12,920
Speaker 8: that I'm a partner to the NBA, Like, understand what

1217
00:46:12,960 --> 00:46:16,400
Speaker 8: that means. I'm not coming on to be Kevin Harten

1218
00:46:16,480 --> 00:46:19,399
Speaker 8: have funny moments to the NBA. The NBA has been

1219
00:46:19,440 --> 00:46:23,160
Speaker 8: a servicing aid to my career for over fifteen years.

1220
00:46:23,400 --> 00:46:25,839
Speaker 8: Like you go back and you'll look at how much

1221
00:46:25,880 --> 00:46:29,680
Speaker 8: I've been on NBA T and T and All Star weekends,

1222
00:46:29,760 --> 00:46:32,960
Speaker 8: celebrity weekends, all these events like this you're not looking at.

1223
00:46:32,960 --> 00:46:37,680
Speaker 8: It's it's almost host adjacent, right, Like the personalities that

1224
00:46:37,719 --> 00:46:40,319
Speaker 8: we lean on because we're familiar with family and we

1225
00:46:40,400 --> 00:46:42,920
Speaker 8: know how they work. That's what that is. So the

1226
00:46:42,960 --> 00:46:44,680
Speaker 8: All Star I'm not going to the All Star Game

1227
00:46:44,760 --> 00:46:47,200
Speaker 8: to try to create a big moment for me. I'm

1228
00:46:47,200 --> 00:46:49,520
Speaker 8: there because the energy of The All Star Game comes

1229
00:46:49,520 --> 00:46:52,960
Speaker 8: with Chuck, Ernie Kenny, myself, Shaq, like we've been doing

1230
00:46:52,960 --> 00:46:56,080
Speaker 8: this for years, like just talking and playing with one another,

1231
00:46:56,120 --> 00:46:58,560
Speaker 8: bantering on camera. That's not an easy thing to do.

1232
00:46:59,040 --> 00:47:01,479
Speaker 8: They make it look easy, they make it look great.

1233
00:47:01,560 --> 00:47:02,520
Speaker 8: That's not an easy.

1234
00:47:02,239 --> 00:47:03,800
Speaker 4: Thing between you and Shack.

1235
00:47:03,960 --> 00:47:06,839
Speaker 8: Yeah, that's easy. That's not an easy thing to do.

1236
00:47:06,920 --> 00:47:09,759
Speaker 8: Like that chemistry, that rapport. It comes from like having

1237
00:47:09,800 --> 00:47:12,160
Speaker 8: a real understanding for how TV works, So you can't

1238
00:47:12,200 --> 00:47:14,120
Speaker 8: just throw new things in.

1239
00:47:14,120 --> 00:47:16,839
Speaker 9: There because it gets weird. People don't understand the times.

1240
00:47:16,840 --> 00:47:18,800
Speaker 8: Peoplen't understand the cuts, how much time you got to

1241
00:47:18,840 --> 00:47:19,680
Speaker 8: go cut back to the game.

1242
00:47:19,719 --> 00:47:22,000
Speaker 5: They're trying to do so much new, they're trying to

1243
00:47:22,040 --> 00:47:23,640
Speaker 5: discover it. So why they're trying to figure it out.

1244
00:47:23,920 --> 00:47:25,799
Speaker 8: Here's personality that we can lean on, so at least

1245
00:47:25,800 --> 00:47:28,520
Speaker 8: we don't have dead space or dull moments on camera.

1246
00:47:28,640 --> 00:47:29,400
Speaker 5: That's what that is.

1247
00:47:29,480 --> 00:47:32,279
Speaker 8: So when you understand the technicality behind it, then you

1248
00:47:32,280 --> 00:47:33,400
Speaker 8: you understand my involvement.

1249
00:47:33,440 --> 00:47:35,680
Speaker 1: I don't I don't feed into the other. I know

1250
00:47:35,680 --> 00:47:36,800
Speaker 1: why I'm here, partnership.

1251
00:47:37,040 --> 00:47:39,600
Speaker 13: Do you ever tell Shack to like really back up

1252
00:47:39,640 --> 00:47:41,839
Speaker 13: off you be kind of sexually assaulting.

1253
00:47:41,520 --> 00:47:46,279
Speaker 8: You in a little bit, sha come on only one

1254
00:47:46,320 --> 00:47:49,000
Speaker 8: time with Shack has done some crazy okay where I

1255
00:47:49,000 --> 00:47:52,759
Speaker 8: was uncomfortable, real husband, that whole thing that's on the

1256
00:47:52,760 --> 00:47:57,680
Speaker 8: internet that they wasn't I wasn't scripted. It was a

1257
00:47:57,680 --> 00:48:00,440
Speaker 8: moment where honestly, be real, cha, I couldn't do about it.

1258
00:48:02,680 --> 00:48:03,959
Speaker 5: Yeah, they gotta cut.

1259
00:48:05,640 --> 00:48:06,000
Speaker 13: You know.

1260
00:48:07,560 --> 00:48:10,320
Speaker 5: Before before I put a little size on not to

1261
00:48:10,320 --> 00:48:12,520
Speaker 5: say I could do something to shock, but I didn't know.

1262
00:48:12,560 --> 00:48:14,080
Speaker 9: It was a very frail version of me.

1263
00:48:14,760 --> 00:48:16,759
Speaker 8: And you know it was this is when Shaq was

1264
00:48:16,800 --> 00:48:19,520
Speaker 8: like when they were like just talking about Shaq being

1265
00:48:19,520 --> 00:48:22,360
Speaker 8: a cop and he really was a Copna be funniest,

1266
00:48:22,520 --> 00:48:25,239
Speaker 8: Shack pulled me over on real Hollywood and you know,

1267
00:48:25,400 --> 00:48:27,680
Speaker 8: like Shack is like basically about the arrestment. You know,

1268
00:48:27,920 --> 00:48:37,040
Speaker 8: everybody can't improv they you don't even have to say this.

1269
00:48:37,320 --> 00:48:38,480
Speaker 8: We're not even to discussing people.

1270
00:48:39,480 --> 00:48:39,919
Speaker 2: A great show.

1271
00:48:40,520 --> 00:48:41,880
Speaker 13: It's a great show, but it's not online.

1272
00:48:42,120 --> 00:48:43,759
Speaker 8: But we're not gonna do is make it seem like

1273
00:48:43,800 --> 00:48:47,040
Speaker 8: something that was so But he what he did was

1274
00:48:47,040 --> 00:48:49,360
Speaker 8: he grabbed me when I got out the car and

1275
00:48:49,400 --> 00:48:51,040
Speaker 8: he just tried to get a little physical right. It

1276
00:48:51,120 --> 00:48:55,319
Speaker 8: was like but just like like everybody doesn't improve the

1277
00:48:55,400 --> 00:48:56,760
Speaker 8: same comedy.

1278
00:48:56,800 --> 00:48:57,640
Speaker 5: Comedy is an art.

1279
00:48:57,680 --> 00:49:00,400
Speaker 8: Like you ever see comedians when they try to like privately,

1280
00:49:00,400 --> 00:49:01,960
Speaker 8: some of them go too far or they don't know

1281
00:49:02,000 --> 00:49:02,560
Speaker 8: when to stop.

1282
00:49:02,840 --> 00:49:04,000
Speaker 5: He's like, hey man, we got to end the.

1283
00:49:03,960 --> 00:49:06,279
Speaker 1: Scene, like you can't go over there.

1284
00:49:06,280 --> 00:49:07,799
Speaker 8: I'm like, oh, yeah, well your mama And you're like,

1285
00:49:07,800 --> 00:49:10,040
Speaker 8: well mom, you can't bring up moms because we don't

1286
00:49:10,040 --> 00:49:11,399
Speaker 8: know who our moms are in the scene.

1287
00:49:11,400 --> 00:49:14,600
Speaker 13: It's like I just googled it and it says hashtag

1288
00:49:14,719 --> 00:49:17,720
Speaker 13: calls of the week. Hey yo, nah shock you straighted

1289
00:49:17,719 --> 00:49:20,000
Speaker 13: by lady Kevin Hart. You literally took that man in

1290
00:49:20,040 --> 00:49:22,799
Speaker 13: the Pound town. This is this is what you're doing.

1291
00:49:23,560 --> 00:49:27,080
Speaker 13: That's actually that's actually nuts. That's nuts.

1292
00:49:27,160 --> 00:49:28,759
Speaker 2: That's what he grabbed me.

1293
00:49:29,120 --> 00:49:31,839
Speaker 8: He grabbed me, throws me over the over the carr

1294
00:49:32,080 --> 00:49:33,880
Speaker 8: and he and he starts humping me.

1295
00:49:34,640 --> 00:49:37,880
Speaker 13: So I'm like, I remember you around bit you over.

1296
00:49:40,200 --> 00:49:42,000
Speaker 4: Face and they say, you want to tell you how.

1297
00:49:42,080 --> 00:49:43,600
Speaker 8: Let me tell you what I can tell Charlot Mayne,

1298
00:49:43,800 --> 00:49:46,879
Speaker 8: Charla Mayne is perfect, Like that is a nasty man.

1299
00:49:47,320 --> 00:49:50,000
Speaker 8: That's like in this brief time, I just found out

1300
00:49:50,000 --> 00:49:51,240
Speaker 8: a lot about him by the way.

1301
00:49:51,080 --> 00:49:52,320
Speaker 5: He starts describing stuff.

1302
00:49:52,400 --> 00:49:54,719
Speaker 9: You're very graphic, nasty man. Yeah, I just told you.

1303
00:49:54,760 --> 00:49:56,400
Speaker 2: I'm just describing with you.

1304
00:49:56,600 --> 00:49:58,879
Speaker 9: He grabbed me and he throws me over the car.

1305
00:49:59,080 --> 00:50:01,640
Speaker 8: He's like, you don't know, he starts talking me. I

1306
00:50:01,680 --> 00:50:04,600
Speaker 8: remember Ralph that rest of the episode. I remember I

1307
00:50:04,600 --> 00:50:06,919
Speaker 8: looked at Ralph. I'm like, hey, the job, the job.

1308
00:50:09,800 --> 00:50:11,359
Speaker 2: Something happened, and they.

1309
00:50:11,360 --> 00:50:14,240
Speaker 5: Was like, uh, they were like all right. Uh nobody

1310
00:50:14,360 --> 00:50:16,440
Speaker 5: wanted to say shock. They was like, all right, we

1311
00:50:16,520 --> 00:50:20,120
Speaker 5: got it, so let's just move on.

1312
00:50:20,760 --> 00:50:26,840
Speaker 2: We just we just moved about it after just like

1313
00:50:26,920 --> 00:50:29,319
Speaker 2: everybody just shut up trying to get you again off.

1314
00:50:29,560 --> 00:50:30,600
Speaker 1: We just shut up.

1315
00:50:31,400 --> 00:50:32,920
Speaker 2: Did you get triggered a little bit? I saw you

1316
00:50:32,920 --> 00:50:33,640
Speaker 2: he was creeping up.

1317
00:50:34,719 --> 00:50:37,040
Speaker 8: That's a very young I'm older, and I'm I'm in

1318
00:50:37,080 --> 00:50:40,120
Speaker 8: a much more controller state in my in my life

1319
00:50:40,160 --> 00:50:42,319
Speaker 8: where you know, I will say something to show you know,

1320
00:50:42,360 --> 00:50:47,480
Speaker 8: don't do that. You know you gotta stop it, right,

1321
00:50:47,600 --> 00:50:51,319
Speaker 8: like affirm stop that right. But in that moment, that

1322
00:50:51,440 --> 00:50:53,560
Speaker 8: was Shack trying to be funny. That's my that's my

1323
00:50:53,960 --> 00:50:56,040
Speaker 8: shout out to the big dummy himself.

1324
00:50:57,080 --> 00:50:59,680
Speaker 2: We're still kicking it with Kevin Hart Charlamagne. I want

1325
00:50:59,680 --> 00:51:00,879
Speaker 2: to go back the number one on the call sheet

1326
00:51:00,880 --> 00:51:01,560
Speaker 2: because Sterling K.

1327
00:51:01,640 --> 00:51:03,719
Speaker 13: Brown did an interview with He said that people wanted

1328
00:51:03,760 --> 00:51:05,440
Speaker 13: to put him number one on the call sheets, but

1329
00:51:05,520 --> 00:51:07,919
Speaker 13: he was superstitious about it because he's been successful enough

1330
00:51:08,040 --> 00:51:10,160
Speaker 13: not being number one, so he was okay with being

1331
00:51:10,520 --> 00:51:11,000
Speaker 13: number two.

1332
00:51:11,440 --> 00:51:12,160
Speaker 2: What do you think of that?

1333
00:51:12,960 --> 00:51:13,279
Speaker 1: I don't.

1334
00:51:13,320 --> 00:51:15,160
Speaker 8: I don't mind that, you know what I mean as

1335
00:51:15,200 --> 00:51:18,040
Speaker 8: somebody that's been there, When when you're there and you've

1336
00:51:18,160 --> 00:51:21,920
Speaker 8: you've experienced whatever the conversation attached to it is, it's

1337
00:51:22,000 --> 00:51:23,280
Speaker 8: not the same level of.

1338
00:51:23,600 --> 00:51:25,600
Speaker 9: Important, right, Like it's it's not important.

1339
00:51:25,600 --> 00:51:27,480
Speaker 8: Like I was joking around earlier about the idea of

1340
00:51:27,600 --> 00:51:29,240
Speaker 8: number one of call sheet, but it's not that important

1341
00:51:29,280 --> 00:51:29,440
Speaker 8: to me.

1342
00:51:29,480 --> 00:51:29,799
Speaker 1: I don't.

1343
00:51:29,960 --> 00:51:32,640
Speaker 8: I don't give a I don't care about top billing.

1344
00:51:32,680 --> 00:51:34,560
Speaker 8: I don't need my name to be first. I don't

1345
00:51:34,600 --> 00:51:36,959
Speaker 8: need my name to be the biggest when they first

1346
00:51:37,200 --> 00:51:39,800
Speaker 8: put the movie or the TV show out, Like if that's.

1347
00:51:39,640 --> 00:51:41,319
Speaker 7: More important to you, I'm like, all right, let him

1348
00:51:41,360 --> 00:51:44,160
Speaker 7: get it. So when you in the rock do a movie,

1349
00:51:44,560 --> 00:51:45,520
Speaker 7: who's number one on the call?

1350
00:51:46,000 --> 00:51:46,759
Speaker 5: I let him get it?

1351
00:51:46,880 --> 00:51:50,040
Speaker 1: But he's DJ's an ass. Yea, yeah, he's an ass.

1352
00:51:50,120 --> 00:51:51,000
Speaker 1: You let him get it.

1353
00:51:51,200 --> 00:51:51,760
Speaker 2: I'm joking.

1354
00:51:52,400 --> 00:51:53,239
Speaker 5: Yeah, No, DJ.

1355
00:51:53,480 --> 00:51:55,200
Speaker 9: By the way, he trumps me every time. What do

1356
00:51:55,239 --> 00:51:56,480
Speaker 9: you mean, it's not even conversation.

1357
00:51:57,040 --> 00:51:57,960
Speaker 5: I don't even bring it up.

1358
00:51:58,640 --> 00:51:59,839
Speaker 1: You number one on this right?

1359
00:52:00,760 --> 00:52:02,879
Speaker 2: What because the box office numbers, like, how do they?

1360
00:52:03,800 --> 00:52:06,040
Speaker 8: I think he deserves to be number one when we

1361
00:52:06,080 --> 00:52:10,359
Speaker 8: do the project. He's an international superstar. Not to say

1362
00:52:10,400 --> 00:52:13,759
Speaker 8: that I don't have international success, but I don't think

1363
00:52:13,840 --> 00:52:16,799
Speaker 8: that we're equal in that regard. I think that his

1364
00:52:16,960 --> 00:52:21,839
Speaker 8: movies have performed and done crazy business internationally, and when

1365
00:52:21,840 --> 00:52:24,319
Speaker 8: we do the projects that we want to appeal to

1366
00:52:24,360 --> 00:52:27,640
Speaker 8: the world, you should be first. I'm coming in and

1367
00:52:27,840 --> 00:52:30,360
Speaker 8: I'm on that train with you. I'm adding value to it,

1368
00:52:30,440 --> 00:52:32,839
Speaker 8: but I'm not bumped by you being first. We put

1369
00:52:32,880 --> 00:52:35,239
Speaker 8: an amazing cast together to help us get those audiences

1370
00:52:35,280 --> 00:52:39,000
Speaker 8: when we do. But I don't feel any type way

1371
00:52:39,160 --> 00:52:41,719
Speaker 8: about that. I think he deserves it and he should.

1372
00:52:41,440 --> 00:52:45,439
Speaker 13: Have congratulations too. Man, you is announced that Heartbeat isn't

1373
00:52:45,440 --> 00:52:47,279
Speaker 13: working with the Faces. Yes, Heartbeat it to be the

1374
00:52:47,320 --> 00:52:51,120
Speaker 13: official cultural curator to provide enterteament and live experiences for

1375
00:52:51,239 --> 00:52:52,560
Speaker 13: fans in the Indianapolis Corus.

1376
00:52:52,680 --> 00:52:54,000
Speaker 2: Yes, first of all, what does that look like?

1377
00:52:54,560 --> 00:52:57,960
Speaker 8: It's an opportunity for our company right like you're our

1378
00:52:58,000 --> 00:53:02,800
Speaker 8: company is a creative engine for any resource that allows

1379
00:53:02,880 --> 00:53:05,880
Speaker 8: us to be right Like, we are a business, So

1380
00:53:05,960 --> 00:53:10,200
Speaker 8: our business thrives when we can implement ourselves in places

1381
00:53:10,239 --> 00:53:14,800
Speaker 8: to create or elevate a brand, a company, an entity,

1382
00:53:15,600 --> 00:53:19,040
Speaker 8: and activation, whether it be live entertainment, storytelling, et cetera.

1383
00:53:19,440 --> 00:53:23,960
Speaker 8: Indiana with the Pacers and the Fever have an attraction coming.

1384
00:53:23,960 --> 00:53:26,239
Speaker 8: I think they have an all star coming up. But

1385
00:53:26,280 --> 00:53:29,080
Speaker 8: it's more about they're like, look, we're looking for ways

1386
00:53:29,560 --> 00:53:32,440
Speaker 8: to expand and elevate what we've done. They spend a

1387
00:53:32,440 --> 00:53:34,759
Speaker 8: lot of money on a new facility, they have a

1388
00:53:34,920 --> 00:53:39,399
Speaker 8: team that's thriving, a younger team Fever or thriving with.

1389
00:53:39,480 --> 00:53:40,480
Speaker 9: Star power, etc.

1390
00:53:41,200 --> 00:53:43,799
Speaker 8: So they're like, how do we elevate? How can we

1391
00:53:43,840 --> 00:53:46,839
Speaker 8: better tell our story? And I'm like, that's what we do.

1392
00:53:47,080 --> 00:53:49,560
Speaker 8: I'm looking to be a better partner for the NBA.

1393
00:53:49,640 --> 00:53:52,080
Speaker 8: How do we better tell stories for your brand? How

1394
00:53:52,080 --> 00:53:54,080
Speaker 8: do we better promote and market you?

1395
00:53:54,160 --> 00:53:56,520
Speaker 5: How can we amplify.

1396
00:53:56,120 --> 00:53:59,240
Speaker 8: Or activate differently, Like these are words in the business

1397
00:53:59,600 --> 00:54:02,400
Speaker 8: that come butanies desperately want to hear from potential.

1398
00:54:02,040 --> 00:54:07,160
Speaker 13: Party well, heartbeat, call Mike Epps to do. Absolutely, He's

1399
00:54:07,160 --> 00:54:08,000
Speaker 13: gonna call you to do something.

1400
00:54:08,040 --> 00:54:08,600
Speaker 2: Absolutely.

1401
00:54:08,800 --> 00:54:10,800
Speaker 9: I mean me and Mike's relationship now.

1402
00:54:12,120 --> 00:54:14,600
Speaker 8: We're we're ten times, but it took a long time

1403
00:54:14,640 --> 00:54:17,399
Speaker 8: to get to where we are now. But I'm I'm

1404
00:54:17,520 --> 00:54:22,359
Speaker 8: happy at the road of like dumb because it got

1405
00:54:22,440 --> 00:54:25,000
Speaker 8: us to a place of real grown man and we're

1406
00:54:25,000 --> 00:54:28,279
Speaker 8: not We're not doing the dumb like tweets. No more

1407
00:54:28,320 --> 00:54:31,080
Speaker 8: like Mike call me, I'm calling you. And we we talked,

1408
00:54:31,080 --> 00:54:33,200
Speaker 8: so you know when I did, Mike was the first one.

1409
00:54:33,200 --> 00:54:35,640
Speaker 8: We got on the phone. We had a conversation, and

1410
00:54:36,160 --> 00:54:39,000
Speaker 8: me and Mike are are very much on the same page.

1411
00:54:39,080 --> 00:54:41,120
Speaker 8: And I think, you know, a lot of the disconnect

1412
00:54:41,239 --> 00:54:43,880
Speaker 8: was from assumption. That's the realization that came about. But

1413
00:54:44,000 --> 00:54:48,279
Speaker 8: I have no it will no beat towards anybody, damn sure,

1414
00:54:48,360 --> 00:54:51,920
Speaker 8: not Mike. And you know, right now the priority between

1415
00:54:51,920 --> 00:54:53,920
Speaker 8: me and Mike are figuring out the thing that we're

1416
00:54:53,920 --> 00:54:57,040
Speaker 8: going to do together. And you know, I told Mike

1417
00:54:57,200 --> 00:55:00,480
Speaker 8: like it's a it's a real thing, like we've haven't

1418
00:55:00,480 --> 00:55:02,719
Speaker 8: done it because of this disconnecting our relationship.

1419
00:55:02,719 --> 00:55:04,080
Speaker 1: We've never been on screen together.

1420
00:55:04,440 --> 00:55:07,600
Speaker 8: We did real husbands together in the beginning Mike did

1421
00:55:07,640 --> 00:55:09,640
Speaker 8: an episode and that's the only time where we've ever

1422
00:55:09,719 --> 00:55:12,480
Speaker 8: jousted on camera, and I was like, at this point

1423
00:55:12,520 --> 00:55:15,839
Speaker 8: in our career, like, we're not nobody but ourselves, so

1424
00:55:16,360 --> 00:55:18,279
Speaker 8: you know, how do we make it work? And he's like, yeah, keV,

1425
00:55:18,400 --> 00:55:19,719
Speaker 8: like how do we make it work? And it's a

1426
00:55:20,360 --> 00:55:24,239
Speaker 8: mutual understanding. And I think now having that as a priority,

1427
00:55:24,680 --> 00:55:26,960
Speaker 8: his fans will be happy. My fans, I think will

1428
00:55:27,000 --> 00:55:28,319
Speaker 8: be happy, and I think it'd be dope for the

1429
00:55:28,320 --> 00:55:29,400
Speaker 8: culture when we do it.

1430
00:55:29,560 --> 00:55:32,080
Speaker 13: Yeah, where is that version of hallm Knights for this era?

1431
00:55:32,239 --> 00:55:33,160
Speaker 9: It's hard.

1432
00:55:33,400 --> 00:55:37,080
Speaker 8: It's hard to happen because the idea of it being

1433
00:55:37,239 --> 00:55:39,360
Speaker 8: just one is what people can't let go of.

1434
00:55:40,160 --> 00:55:42,680
Speaker 9: Mean, like that doesn't have to be just one star.

1435
00:55:43,600 --> 00:55:44,960
Speaker 2: But Hall of Knights wasn't just one star.

1436
00:55:45,200 --> 00:55:47,240
Speaker 5: That's why it worked, That's why I worked.

1437
00:55:47,440 --> 00:55:49,520
Speaker 8: Richard didn't give it about Edie didn't give it by

1438
00:55:49,680 --> 00:55:53,640
Speaker 8: Richard the two biggest comedians minus the boy. The only

1439
00:55:53,680 --> 00:55:55,680
Speaker 8: person that was missing that should have been in that

1440
00:55:56,120 --> 00:56:00,000
Speaker 8: Cosby in some degree right a showing of him.

1441
00:56:00,040 --> 00:56:01,080
Speaker 5: But they have Red Fox.

1442
00:56:01,480 --> 00:56:03,600
Speaker 8: Robert Harris like, if you go on you look at

1443
00:56:03,600 --> 00:56:06,279
Speaker 8: the names del Res like you you look at the

1444
00:56:06,400 --> 00:56:09,120
Speaker 8: names and the people in Harlem Knights. You looked at

1445
00:56:09,120 --> 00:56:12,960
Speaker 8: a conglomerate cast of hard hitting comics of color.

1446
00:56:13,239 --> 00:56:14,480
Speaker 1: We don't have that today.

1447
00:56:14,960 --> 00:56:17,279
Speaker 17: And even when it comes to like the younger comics, man,

1448
00:56:17,840 --> 00:56:21,080
Speaker 17: it's been a few of like DC young Fly has

1449
00:56:21,400 --> 00:56:24,040
Speaker 17: countless scripts that he has and he's trying to get

1450
00:56:24,239 --> 00:56:28,200
Speaker 17: all of us like in this generation. But egos and

1451
00:56:28,719 --> 00:56:30,319
Speaker 17: wish she gonna be getting and who gonna be the

1452
00:56:30,360 --> 00:56:32,960
Speaker 17: main character? I ain't working with her or how he.

1453
00:56:33,000 --> 00:56:33,600
Speaker 13: You know what I mean.

1454
00:56:33,680 --> 00:56:36,760
Speaker 8: So the problem with the with the younger generation of comics,

1455
00:56:36,760 --> 00:56:41,160
Speaker 8: man made money so fast, good money, not a little money.

1456
00:56:41,200 --> 00:56:42,560
Speaker 5: They made money so fast.

1457
00:56:42,600 --> 00:56:46,200
Speaker 8: So it's definitely the idea of doing that for that dude,

1458
00:56:46,200 --> 00:56:48,680
Speaker 8: I'm over here againting it's like the idea, come here.

1459
00:56:49,040 --> 00:56:52,080
Speaker 9: I mean, just just just.

1460
00:56:52,080 --> 00:56:55,920
Speaker 8: Made money, still making money, right, Like just understands that

1461
00:56:56,000 --> 00:56:58,640
Speaker 8: road money, that road money is a different type of money.

1462
00:56:58,920 --> 00:57:02,320
Speaker 8: These comics or new comics influencers turn com I'm making

1463
00:57:02,360 --> 00:57:05,600
Speaker 8: real money. So until you get to a point where

1464
00:57:05,600 --> 00:57:09,680
Speaker 8: you understand the money isn't going to drive your next

1465
00:57:09,680 --> 00:57:12,840
Speaker 8: stage of success. If your next stage of success or

1466
00:57:12,880 --> 00:57:17,160
Speaker 8: want for success is attached to IP projects, whatever you

1467
00:57:17,240 --> 00:57:18,800
Speaker 8: cannot do it by yourself.

1468
00:57:19,040 --> 00:57:20,120
Speaker 1: You gotta tap in.

1469
00:57:20,480 --> 00:57:22,440
Speaker 8: That's what people are afraid to do, and they're afraid

1470
00:57:22,480 --> 00:57:24,600
Speaker 8: to do it, especially in our culture because we feel

1471
00:57:24,640 --> 00:57:27,840
Speaker 8: like there can only be one and that younger mindset

1472
00:57:28,040 --> 00:57:31,800
Speaker 8: in this business today is a cash driven mind. The

1473
00:57:31,920 --> 00:57:34,240
Speaker 8: money will come. I'm telling you, the money will come.

1474
00:57:34,520 --> 00:57:37,560
Speaker 8: The ideas don't have relationships, and partnerships don't.

1475
00:57:38,480 --> 00:57:39,240
Speaker 1: That's the difference.

1476
00:57:42,520 --> 00:57:44,760
Speaker 2: Appreciate your little keV.

1477
00:57:44,920 --> 00:57:45,880
Speaker 1: I'm excited about it.

1478
00:57:46,160 --> 00:57:48,959
Speaker 8: Adult Animation BT plus ones getting shots out to BT

1479
00:57:49,280 --> 00:57:52,360
Speaker 8: shouts out to my amazing team and heartbeat man. This

1480
00:57:52,440 --> 00:57:54,160
Speaker 8: is a piece of IP that I worked on for

1481
00:57:54,200 --> 00:57:56,840
Speaker 8: a long time and to have it finally come to

1482
00:57:56,920 --> 00:57:59,880
Speaker 8: light is dope. As as funny as it's raw, it's edgy.

1483
00:58:00,080 --> 00:58:01,760
Speaker 8: It's a true testament to my mom and dad who

1484
00:58:01,760 --> 00:58:04,520
Speaker 8: aren't here. So r I p to the hearts upstairs

1485
00:58:04,720 --> 00:58:06,200
Speaker 8: and maybe down you know my dad. They say he

1486
00:58:06,240 --> 00:58:10,120
Speaker 8: could be I don't know, so uh you know just

1487
00:58:10,240 --> 00:58:15,280
Speaker 8: in the middle dad right, shouts out to Pops wherever

1488
00:58:15,320 --> 00:58:17,920
Speaker 8: you are. Yeah, I know, I don't know what side

1489
00:58:18,800 --> 00:58:20,800
Speaker 8: Uh this is. You don't want I don't want to

1490
00:58:20,800 --> 00:58:21,160
Speaker 8: assume it.

1491
00:58:21,480 --> 00:58:22,360
Speaker 2: I don't want to assume it.

1492
00:58:22,720 --> 00:58:24,800
Speaker 8: I don't know if if God ever closed the door,

1493
00:58:24,960 --> 00:58:27,000
Speaker 8: my dad might have been on the outside.

1494
00:58:27,960 --> 00:58:28,240
Speaker 2: Uh.

1495
00:58:28,280 --> 00:58:29,880
Speaker 8: But it's a testament to them, so I can't with you.

1496
00:58:29,920 --> 00:58:32,200
Speaker 8: Guys enjoy a bt plus watch it Lock it in.

1497
00:58:32,280 --> 00:58:34,080
Speaker 8: No one of them call sheet, shout out the fox,

1498
00:58:34,160 --> 00:58:34,560
Speaker 8: lock it in.

1499
00:58:34,760 --> 00:58:37,640
Speaker 2: I'm done. It's the breakfast club. It's Kevin Watch.

1500
00:58:38,480 --> 00:58:42,000
Speaker 8: Florida man attacked an ATM for a very strange reason.

1501
00:58:42,120 --> 00:58:43,360
Speaker 4: It gave him too much money.

1502
00:58:43,400 --> 00:58:45,760
Speaker 9: Florida man is arrested after death stay. He rigged the

1503
00:58:45,760 --> 00:58:47,600
Speaker 9: door to his home in an attempt to electric hit

1504
00:58:47,640 --> 00:58:48,400
Speaker 9: his pregnant lights.

1505
00:58:48,440 --> 00:58:51,040
Speaker 4: Police arrested in Orlando man for talking up.

1506
00:58:50,880 --> 00:58:51,439
Speaker 9: From me though.

1507
00:58:51,480 --> 00:58:53,800
Speaker 2: It's the breakfast club. Bitch you Donkey O the Day

1508
00:58:53,960 --> 00:58:55,920
Speaker 2: with Charlamagne a guy. I don't know why y'all keep

1509
00:58:55,960 --> 00:58:58,360
Speaker 2: it letting heim get y'all like this. It ain't it ain't.

1510
00:58:58,480 --> 00:59:01,280
Speaker 13: It ain't me du ball is them Okay, Florida Donkey

1511
00:59:01,320 --> 00:59:03,520
Speaker 13: to Day goes to a young woman named Kina Samson.

1512
00:59:03,560 --> 00:59:05,520
Speaker 13: Okay A Keena is a thirty one year old woman

1513
00:59:05,520 --> 00:59:07,880
Speaker 13: from sam Petersburg, Florida, who works at one of the

1514
00:59:07,880 --> 00:59:11,080
Speaker 13: greatest institutions of all time, McDonald's. Okay, I am not

1515
00:59:11,200 --> 00:59:13,400
Speaker 13: about to sit here and do a commercial for McDonald's.

1516
00:59:13,480 --> 00:59:13,760
Speaker 2: Okay.

1517
00:59:13,800 --> 00:59:15,440
Speaker 13: You can say what you want about McDonald's, but they

1518
00:59:15,440 --> 00:59:18,000
Speaker 13: have been around since nineteen forty. It has thirty six

1519
00:59:18,040 --> 00:59:20,400
Speaker 13: thousand restaurants in over one hundred countries and they served

1520
00:59:20,440 --> 00:59:23,760
Speaker 13: sixty nine million customers daily dropping the clues bombs of McDonald's.

1521
00:59:24,680 --> 00:59:26,760
Speaker 13: If that's not an institution, I don't know what is. Okay,

1522
00:59:26,800 --> 00:59:29,720
Speaker 13: supersize me. Ain't stopping nothing. At some point, we have

1523
00:59:29,800 --> 00:59:32,000
Speaker 13: all had a love affair with McDonald's, Okay. My go

1524
00:59:32,120 --> 00:59:35,000
Speaker 13: to was the two cheeseburger mill with an orange drink,

1525
00:59:35,040 --> 00:59:36,680
Speaker 13: and I'm old enough to remember when it was two

1526
00:59:36,800 --> 00:59:39,440
Speaker 13: ninety nine three fourteen plus tax. What was your goal?

1527
00:59:39,480 --> 00:59:39,960
Speaker 2: To Jess?

1528
00:59:40,120 --> 00:59:40,760
Speaker 1: The same thing?

1529
00:59:41,080 --> 00:59:42,680
Speaker 4: Did two G's Burger mail three four saints?

1530
00:59:42,680 --> 00:59:43,080
Speaker 2: No about you?

1531
00:59:43,160 --> 00:59:43,360
Speaker 5: Heavy?

1532
00:59:43,520 --> 00:59:45,000
Speaker 2: Mine was the same, but it was three twenty four

1533
00:59:45,400 --> 00:59:46,520
Speaker 2: three dollars twenty four cents.

1534
00:59:46,560 --> 00:59:46,760
Speaker 5: Okay.

1535
00:59:46,840 --> 00:59:48,640
Speaker 13: McDonald's was the place that we would all hang out

1536
00:59:48,640 --> 00:59:50,520
Speaker 13: after the football games, drop on the clues bombs for

1537
00:59:50,560 --> 00:59:52,680
Speaker 13: the Berkeley Stacks Monks.

1538
00:59:52,400 --> 00:59:53,760
Speaker 2: Corner, South Carolina all day.

1539
00:59:53,920 --> 00:59:55,920
Speaker 13: I have a lot of love and great memories connected

1540
00:59:55,960 --> 00:59:58,200
Speaker 13: to McDonald's, and there was nothing like, you know, having

1541
00:59:58,200 --> 01:00:01,080
Speaker 13: a homie working at Mickeyde's because they would always bless

1542
01:00:01,120 --> 01:00:01,920
Speaker 13: you with free food.

1543
01:00:01,960 --> 01:00:03,160
Speaker 2: That's what it was. A blessing.

1544
01:00:03,560 --> 01:00:06,160
Speaker 13: Okay, that's what it was, a blessing, all right. But

1545
01:00:06,240 --> 01:00:09,200
Speaker 13: Aquina Samson didn't have that giving spirit. Okay, Akeena is

1546
01:00:09,240 --> 01:00:11,280
Speaker 13: clearly not the homie you want working in McDonald's if

1547
01:00:11,320 --> 01:00:13,920
Speaker 13: you're looking to get something free. No, okay, Akeina is

1548
01:00:13,920 --> 01:00:17,200
Speaker 13: there to protect McDonald's at all costs, all right. She

1549
01:00:17,320 --> 01:00:20,760
Speaker 13: a seventeen year old customer, got choked out by Aquina

1550
01:00:20,840 --> 01:00:23,080
Speaker 13: after she stepped behind the counter to take some ranch

1551
01:00:23,160 --> 01:00:26,480
Speaker 13: dipping sauce after not being helped by employees. Now, we

1552
01:00:26,560 --> 01:00:29,080
Speaker 13: have all been at a fast food restaurant and been

1553
01:00:29,160 --> 01:00:31,760
Speaker 13: frustrated by the service, But that doesn't mean you can

1554
01:00:31,800 --> 01:00:34,120
Speaker 13: take matage into your own hands and go behind the

1555
01:00:34,160 --> 01:00:36,720
Speaker 13: counter and do their job for them. Okay, this little

1556
01:00:36,840 --> 01:00:40,280
Speaker 13: entitled ass teenager took they ass behind the counter to

1557
01:00:40,320 --> 01:00:43,000
Speaker 13: get some ranch dipping sauce, and a Keena, according to

1558
01:00:43,040 --> 01:00:44,760
Speaker 13: police reports, grabbed her arm.

1559
01:00:45,080 --> 01:00:47,120
Speaker 2: When the team tried to break free.

1560
01:00:46,920 --> 01:00:50,400
Speaker 13: Aquina allegedly grabbed her by the neck and pumped the

1561
01:00:50,440 --> 01:00:53,200
Speaker 13: girl to the ground sounds to me like The Big

1562
01:00:53,200 --> 01:00:56,320
Speaker 13: Show's finishing move. Remember that show stopper choke Slim Big

1563
01:00:56,320 --> 01:00:58,320
Speaker 13: Show used to do. That's what seemed like happened in

1564
01:00:58,360 --> 01:01:01,040
Speaker 13: this situation. Now, I know what you're thinking. How many

1565
01:01:01,120 --> 01:01:03,720
Speaker 13: Ranch packets did the victim secure? Well, the police reports

1566
01:01:03,760 --> 01:01:06,120
Speaker 13: does not reveal that information, but it did reveal that

1567
01:01:06,160 --> 01:01:09,080
Speaker 13: the victim had visible injuries to her neck and left elbow.

1568
01:01:09,160 --> 01:01:11,800
Speaker 13: The incident was also captured on video. A Kena was

1569
01:01:11,880 --> 01:01:16,120
Speaker 13: charged with child abuse. Now you're probably saying to yourself, damn, Akeena,

1570
01:01:16,160 --> 01:01:18,360
Speaker 13: did you have to do all that for some McDonald's

1571
01:01:18,400 --> 01:01:21,400
Speaker 13: ranch sauce. I don't know if McDonald's ranch sawce slaps.

1572
01:01:21,440 --> 01:01:23,600
Speaker 13: I've never had it. Anybody ever had McDonald's ranch.

1573
01:01:24,240 --> 01:01:25,560
Speaker 5: It slaps, definitely slaps.

1574
01:01:25,640 --> 01:01:28,600
Speaker 13: Okay, okay, Now, if it was Polynesian sauce chip for

1575
01:01:28,680 --> 01:01:31,160
Speaker 13: Ley sauce, we probably could understand. But McDonald's Ranch, I'm

1576
01:01:31,200 --> 01:01:33,520
Speaker 13: not sure just says it slaps. I'll take her word

1577
01:01:33,560 --> 01:01:35,600
Speaker 13: for it, but it's not about what the team did

1578
01:01:36,280 --> 01:01:39,440
Speaker 13: that got her chokeslammed. It's the principle. As much as

1579
01:01:39,480 --> 01:01:41,440
Speaker 13: I have to give a Keena this he hall because

1580
01:01:41,440 --> 01:01:43,760
Speaker 13: there's a part of me. I mean, as much as

1581
01:01:43,800 --> 01:01:46,000
Speaker 13: I have to give a Keena this he hall, there

1582
01:01:46,080 --> 01:01:50,320
Speaker 13: is a part of me that's like per that's it?

1583
01:01:50,360 --> 01:01:50,680
Speaker 2: What is it?

1584
01:01:51,440 --> 01:01:52,400
Speaker 5: What is it her?

1585
01:01:52,720 --> 01:01:54,200
Speaker 13: What is per per her?

1586
01:01:54,880 --> 01:01:55,320
Speaker 2: What's that?

1587
01:01:55,320 --> 01:02:00,000
Speaker 8: That's that's just clockett Like Okay, he wants to be

1588
01:02:00,000 --> 01:02:00,720
Speaker 8: a woman so bad.

1589
01:02:00,800 --> 01:02:04,040
Speaker 13: Yes, someone has to teach these yms a lesson? Okay,

1590
01:02:04,120 --> 01:02:08,040
Speaker 13: where was this seventeen year old's home training? There is

1591
01:02:08,200 --> 01:02:10,960
Speaker 13: cause and effect. The seventeen year old was the cause

1592
01:02:11,200 --> 01:02:13,880
Speaker 13: and effect is a keen of choke slamming her and

1593
01:02:13,960 --> 01:02:16,520
Speaker 13: being arrested and charged with child abuse. And now she's

1594
01:02:16,520 --> 01:02:18,760
Speaker 13: about to lose her job at McDonald's. Okay, she is

1595
01:02:18,800 --> 01:02:22,640
Speaker 13: clearly missing her calling as nightclub security. But I digress.

1596
01:02:22,720 --> 01:02:26,080
Speaker 13: Look customer service one on one. If a customer breaches protocol,

1597
01:02:26,200 --> 01:02:29,920
Speaker 13: especially a minor, throw hot fried grease on them, No,

1598
01:02:30,680 --> 01:02:34,240
Speaker 13: the appropriate response is the call management, our security, our security. Okay,

1599
01:02:34,280 --> 01:02:37,120
Speaker 13: don't resort to physical violence because McDonalds wouldn't front line

1600
01:02:37,120 --> 01:02:40,200
Speaker 13: for you like that. And you should never, under any circumstance,

1601
01:02:40,560 --> 01:02:44,280
Speaker 13: risk your job, freedom and a young person's safety over

1602
01:02:44,360 --> 01:02:47,000
Speaker 13: a condiment. I know, I know that seventeen year old

1603
01:02:47,040 --> 01:02:49,920
Speaker 13: was risking it all too But day seventeen, you thirty one,

1604
01:02:50,160 --> 01:02:52,320
Speaker 13: you should know better. Now once again you got a

1605
01:02:52,400 --> 01:02:55,360
Speaker 13: child abuse charge, which is gonna look nasty on your record,

1606
01:02:55,520 --> 01:02:58,560
Speaker 13: and you lost your job at Ronald McDonald's house. This

1607
01:02:58,640 --> 01:03:01,280
Speaker 13: situation makes the ice cream at always being broken seem

1608
01:03:01,360 --> 01:03:05,240
Speaker 13: like good customer service. Please give Aquina Samson the biggest

1609
01:03:05,280 --> 01:03:10,880
Speaker 13: ea Hull mcdonald'sday dying for you.

1610
01:03:10,920 --> 01:03:11,080
Speaker 2: Bro.

1611
01:03:11,760 --> 01:03:13,040
Speaker 1: Yeah, that's a lot, that's extra.

1612
01:03:13,320 --> 01:03:15,200
Speaker 2: Just call the police, I will.

1613
01:03:15,280 --> 01:03:18,240
Speaker 8: I will say this though, a lot of people that

1614
01:03:18,320 --> 01:03:21,480
Speaker 8: work at fast food jobs take their job way too serious.

1615
01:03:21,560 --> 01:03:22,320
Speaker 1: Yeah, definitely.

1616
01:03:22,360 --> 01:03:25,000
Speaker 8: If I want an extra packet of Ketchup, please give

1617
01:03:25,000 --> 01:03:26,200
Speaker 8: me an extra packet Ketchup.

1618
01:03:26,280 --> 01:03:26,680
Speaker 2: I agree.

1619
01:03:26,840 --> 01:03:28,880
Speaker 8: You know, if I say, hey, can I extra Ketchup?

1620
01:03:28,920 --> 01:03:30,720
Speaker 8: That doesn't mean one packet, Give me four or five.

1621
01:03:31,120 --> 01:03:33,480
Speaker 8: If I asked for an additional you know, sweet and

1622
01:03:33,520 --> 01:03:36,080
Speaker 8: sour sauce, give me one of two, give me two three.

1623
01:03:36,240 --> 01:03:39,560
Speaker 17: I'm telling you I used to give them peggas away

1624
01:03:39,680 --> 01:03:40,840
Speaker 17: like Testa's on the corner.

1625
01:03:41,040 --> 01:03:41,720
Speaker 2: Yeah, because it's not.

1626
01:03:41,920 --> 01:03:44,360
Speaker 13: It's just hoarding ketchup packete probably sit there for.

1627
01:03:46,680 --> 01:03:48,120
Speaker 2: Just take it, take it too serious.

1628
01:03:48,120 --> 01:03:52,960
Speaker 8: If I want my my fries to overflow, you know,

1629
01:03:53,120 --> 01:03:54,520
Speaker 8: like give me a little.

1630
01:03:54,280 --> 01:03:56,560
Speaker 4: Extra and it's not coming out of our money.

1631
01:03:56,600 --> 01:03:59,040
Speaker 17: Is like we not buying as employees, like we're not

1632
01:03:59,200 --> 01:04:01,560
Speaker 17: buying the US is not out of our money.

1633
01:04:01,560 --> 01:04:03,840
Speaker 13: So it's crazy be a cheerful giver when you work

1634
01:04:03,840 --> 01:04:05,240
Speaker 13: at these fast food establishments.

1635
01:04:05,320 --> 01:04:10,520
Speaker 17: I'm just saying, you look like Jennifer Lewis, thank you,

1636
01:04:10,600 --> 01:04:12,480
Speaker 17: Yes that I don want American idol.

1637
01:04:13,320 --> 01:04:15,680
Speaker 4: That's what she that when that's before she started.

1638
01:04:15,760 --> 01:04:17,480
Speaker 2: You just told me off. She told me that looks

1639
01:04:17,480 --> 01:04:18,320
Speaker 2: like a broke transgender.

1640
01:04:18,360 --> 01:04:19,200
Speaker 4: I did, I think I did?

1641
01:04:19,280 --> 01:04:21,880
Speaker 2: I say you like, I don't know how.

1642
01:04:23,280 --> 01:04:25,919
Speaker 17: Said it's supposed to ch said, you know, I said,

1643
01:04:25,920 --> 01:04:27,400
Speaker 17: you looked like an old ass trans woman.

1644
01:04:27,440 --> 01:04:28,960
Speaker 8: That's why I said the same difference. It looks like

1645
01:04:28,960 --> 01:04:31,120
Speaker 8: you was marching in the sixties. That's that's that whig

1646
01:04:31,240 --> 01:04:32,760
Speaker 8: is given right now, Well, did you.

1647
01:04:32,680 --> 01:04:33,960
Speaker 13: Know what we had to go through in the sixties,

1648
01:04:34,080 --> 01:04:36,600
Speaker 13: said if you had dogs sicked on you and holds

1649
01:04:36,600 --> 01:04:38,720
Speaker 13: its preying on you and marching at a hundred degree

1650
01:04:38,760 --> 01:04:40,480
Speaker 13: whether you would look like this too? You think you're

1651
01:04:40,480 --> 01:04:42,280
Speaker 13: we're supposed to look prim and proper while you're watching

1652
01:04:42,400 --> 01:04:44,960
Speaker 13: I said, like, you know, you Dominicans don't know how struggle.

1653
01:04:45,720 --> 01:04:47,680
Speaker 13: Dominicans do not know how people struggled.

1654
01:04:49,440 --> 01:04:52,280
Speaker 4: Gonna cast you tonight, this wig on you?

1655
01:04:52,440 --> 01:04:52,760
Speaker 5: All right?

1656
01:04:52,840 --> 01:05:01,120
Speaker 2: I mean tomorrow tomorrow morning? What I don't mean you're

1657
01:05:01,160 --> 01:05:02,600
Speaker 2: gonna cast you to my afternoon?

1658
01:05:02,920 --> 01:05:03,800
Speaker 9: Sorry?

1659
01:05:03,960 --> 01:05:07,080
Speaker 2: What is wrong with y'all? All right? Thank you? Donkey

1660
01:05:07,240 --> 01:05:08,320
Speaker 2: of the day.

1661
01:05:08,920 --> 01:05:10,240
Speaker 5: He looks just like a bitch.

1662
01:05:10,240 --> 01:05:14,040
Speaker 8: When I said, excuse me, he go what watch to night?

1663
01:05:14,280 --> 01:05:18,080
Speaker 13: Like watch to night? I gotta be your doing classes

1664
01:05:18,080 --> 01:05:24,720
Speaker 13: that night a lady? Yeah, dah you, Oh my god,

1665
01:05:24,880 --> 01:05:28,040
Speaker 13: tap to me during regular office?

1666
01:05:28,400 --> 01:05:29,760
Speaker 2: Woman so bad? All right?

1667
01:05:29,840 --> 01:05:34,440
Speaker 13: Now we're all part woman fifty percent woman, fifty percent

1668
01:05:34,480 --> 01:05:36,040
Speaker 13: man to make us also.

1669
01:05:35,760 --> 01:05:37,080
Speaker 4: It's a woman in you.

1670
01:05:37,160 --> 01:05:43,040
Speaker 2: Yes, this windan really has him feeling himself. All right?

1671
01:05:43,640 --> 01:05:46,000
Speaker 2: All right, guys, can we focus? Can we focus? Classroom?

1672
01:05:46,000 --> 01:05:46,640
Speaker 2: Can we focus?

1673
01:05:47,240 --> 01:05:47,520
Speaker 1: All right?

1674
01:05:47,520 --> 01:05:48,720
Speaker 9: What in the are you.

1675
01:05:52,080 --> 01:05:53,160
Speaker 2: Day crazy?

1676
01:05:54,800 --> 01:05:56,560
Speaker 7: I wish I could see his wig because a lot

1677
01:05:56,600 --> 01:05:57,880
Speaker 7: of you like what you're laughing about.

1678
01:05:58,040 --> 01:05:59,600
Speaker 8: He has a wig right now. It looks like he's

1679
01:05:59,600 --> 01:06:01,960
Speaker 8: an old lady in church. That's exactly what it looks like.

1680
01:06:02,160 --> 01:06:04,760
Speaker 8: They just finished frying some fried chicken and just ready.

1681
01:06:04,520 --> 01:06:07,480
Speaker 2: For where did the wig come from? Tell the whole context.

1682
01:06:07,640 --> 01:06:08,800
Speaker 2: It came from a whig store.

1683
01:06:09,120 --> 01:06:13,040
Speaker 17: No, Lauren Laurence, stylist, our wig maker went to go

1684
01:06:13,160 --> 01:06:14,920
Speaker 17: buy you away from the store because you said you

1685
01:06:14,960 --> 01:06:15,880
Speaker 17: are not worth the bundles.

1686
01:06:16,080 --> 01:06:18,680
Speaker 13: For everything that y'all are saying about my wig this morning,

1687
01:06:19,440 --> 01:06:21,480
Speaker 13: it's exactly what y'all should be saying to Herbert.

1688
01:06:21,560 --> 01:06:25,040
Speaker 2: Y'all need me on this island all to myself. All right,

1689
01:06:25,840 --> 01:06:29,800
Speaker 2: the Breakfast Club morning.

1690
01:06:29,800 --> 01:06:33,480
Speaker 8: Everybody's d J n V Jess Hilarius, Charlamagne, the gud

1691
01:06:33,520 --> 01:06:35,800
Speaker 8: We are the Breakfast Club law la Rosa Fillin and fores.

1692
01:06:36,120 --> 01:06:38,440
Speaker 2: We got a special guest in the built of a legend.

1693
01:06:38,440 --> 01:06:41,360
Speaker 2: God damn it, brother, Michael. I'm serious, Mike.

1694
01:06:41,400 --> 01:06:43,240
Speaker 13: I don't want them introducing you no more.

1695
01:06:43,400 --> 01:06:45,720
Speaker 2: They ain't putting legend on your name. Where we got

1696
01:06:45,720 --> 01:06:49,080
Speaker 2: the legend you got to get?

1697
01:06:51,680 --> 01:06:53,440
Speaker 5: Yeah, you got, I'm getting it.

1698
01:06:53,560 --> 01:06:55,520
Speaker 2: I don't think it's about age, it's about what you've

1699
01:06:55,520 --> 01:06:56,080
Speaker 2: done in the game.

1700
01:06:56,120 --> 01:06:59,080
Speaker 5: But you've done Yeah, yeah, thanks man. I appreciate this.

1701
01:06:59,640 --> 01:07:02,800
Speaker 2: Compl man and Mike. He always supported us. Early on.

1702
01:07:02,840 --> 01:07:04,720
Speaker 8: He actually did our first skit with the Breakfast Club.

1703
01:07:04,760 --> 01:07:07,920
Speaker 8: Remember the first kid that was the first kit was

1704
01:07:07,960 --> 01:07:09,680
Speaker 8: with with you and you did that for us.

1705
01:07:10,160 --> 01:07:11,760
Speaker 13: And he used to put money in my pocket because

1706
01:07:11,800 --> 01:07:17,760
Speaker 13: you used to do the April Fools. He's always get

1707
01:07:18,480 --> 01:07:18,920
Speaker 13: the garden.

1708
01:07:19,080 --> 01:07:22,120
Speaker 5: Yeah man, So yeah, man, And and it feels good

1709
01:07:22,120 --> 01:07:22,960
Speaker 5: to be able to, you.

1710
01:07:23,000 --> 01:07:26,040
Speaker 7: Know what I mean, turn on the young comics, put

1711
01:07:26,080 --> 01:07:28,640
Speaker 7: them on, because I was once one at one time.

1712
01:07:28,720 --> 01:07:30,280
Speaker 7: I mean my I used to be staying on the

1713
01:07:30,320 --> 01:07:33,600
Speaker 7: stage trying to get on open up for Steve Harvey

1714
01:07:33,640 --> 01:07:34,520
Speaker 7: and U. D. L.

1715
01:07:34,640 --> 01:07:35,000
Speaker 5: Heagley.

1716
01:07:35,120 --> 01:07:37,920
Speaker 7: So they used to hate on you. No okay, no, no, no,

1717
01:07:37,920 --> 01:07:40,200
Speaker 7: no no. They never hated it on me, but you

1718
01:07:40,200 --> 01:07:43,400
Speaker 7: could tell though. You know, when you're an older comic

1719
01:07:43,520 --> 01:07:45,800
Speaker 7: or you're an older artist and somebody new come on,

1720
01:07:46,320 --> 01:07:48,680
Speaker 7: you know, it takes time for them to be like, Okay,

1721
01:07:48,720 --> 01:07:51,520
Speaker 7: this dude is cool, you know, or I can work

1722
01:07:51,560 --> 01:07:54,160
Speaker 7: with him. You know, you don't know how a person's

1723
01:07:54,160 --> 01:07:54,840
Speaker 7: gonna turn out.

1724
01:07:55,040 --> 01:07:58,280
Speaker 13: So I shouldn't even have said hate because sometimes I

1725
01:07:58,280 --> 01:07:59,960
Speaker 13: think that people don't realize how much of a return

1726
01:08:00,200 --> 01:08:02,160
Speaker 13: the comedy is, and then they want to see you

1727
01:08:02,280 --> 01:08:04,040
Speaker 13: earn your dudes before they do.

1728
01:08:05,440 --> 01:08:09,000
Speaker 7: That's right, But nowadays it's different, man. You know, artists

1729
01:08:09,000 --> 01:08:11,600
Speaker 7: are getting they just do a little quicker than we did.

1730
01:08:12,040 --> 01:08:14,840
Speaker 5: We had to really work for that. We had to

1731
01:08:14,880 --> 01:08:16,240
Speaker 5: go hit them stages.

1732
01:08:16,360 --> 01:08:19,200
Speaker 7: And now they got the social media thing, which is

1733
01:08:19,240 --> 01:08:24,040
Speaker 7: good and bad because you're getting opportunities premature of you

1734
01:08:24,200 --> 01:08:26,360
Speaker 7: working for it, so it could be tricky.

1735
01:08:26,439 --> 01:08:28,400
Speaker 8: Do you respect that, you you you feel like they

1736
01:08:28,439 --> 01:08:30,679
Speaker 8: should get their their dudes first to hit them clubs.

1737
01:08:30,960 --> 01:08:35,200
Speaker 7: Well, I respect the fact that they It's still a hustle, right,

1738
01:08:35,280 --> 01:08:37,320
Speaker 7: I mean, to be able to be on the internet.

1739
01:08:37,479 --> 01:08:38,840
Speaker 5: I still ain't figured that out.

1740
01:08:40,520 --> 01:08:42,479
Speaker 7: I still ain't figured out how to really get the

1741
01:08:42,520 --> 01:08:44,920
Speaker 7: money off the internet like these young like they on

1742
01:08:45,040 --> 01:08:47,679
Speaker 7: Snapchat and all that. I really haven't figured it out.

1743
01:08:47,720 --> 01:08:50,600
Speaker 7: But I respect that because that's the new hustle. But

1744
01:08:50,880 --> 01:08:53,519
Speaker 7: like I said, when when it's time for you to

1745
01:08:53,560 --> 01:08:56,479
Speaker 7: get an opportunity and show and prove you ain't really

1746
01:08:56,479 --> 01:08:59,639
Speaker 7: been in the gym, It's kind of like you got muscles,

1747
01:08:59,640 --> 01:09:01,639
Speaker 7: but they didn't come from the gym.

1748
01:09:02,040 --> 01:09:03,400
Speaker 2: Now do you like going out on tour with so

1749
01:09:03,439 --> 01:09:04,240
Speaker 2: many comedians?

1750
01:09:04,479 --> 01:09:08,080
Speaker 7: Well, you know what, NV, I'm hosting this tour, so

1751
01:09:08,160 --> 01:09:10,920
Speaker 7: these are all young comics that's coming up.

1752
01:09:13,400 --> 01:09:17,679
Speaker 2: He No, he didn't start with me though, No, he didn't.

1753
01:09:17,680 --> 01:09:21,080
Speaker 5: He's young to me. Because he you know, he came

1754
01:09:21,160 --> 01:09:21,840
Speaker 5: up after me.

1755
01:09:22,160 --> 01:09:24,160
Speaker 7: But for the most part, all of them are young

1756
01:09:24,240 --> 01:09:27,760
Speaker 7: comics that's trying to get to the next level, which

1757
01:09:27,800 --> 01:09:30,240
Speaker 7: is film and television and whatever that is.

1758
01:09:30,400 --> 01:09:31,840
Speaker 5: But yeah, it's cool, man.

1759
01:09:32,000 --> 01:09:34,800
Speaker 7: You know, I'm secure with myself and I'm secure with

1760
01:09:34,840 --> 01:09:35,679
Speaker 7: my comedy act.

1761
01:09:35,800 --> 01:09:37,280
Speaker 5: I go on tour with anybody.

1762
01:09:37,439 --> 01:09:39,240
Speaker 10: I think me and Jess were talking about this before,

1763
01:09:39,240 --> 01:09:40,920
Speaker 10: and I was telling her like like the way that,

1764
01:09:40,960 --> 01:09:43,600
Speaker 10: like even with Martin, he brings her on his like,

1765
01:09:43,640 --> 01:09:45,759
Speaker 10: you know, different stages. I think that two way street

1766
01:09:45,760 --> 01:09:47,679
Speaker 10: that you're talking about is really important because they're teaching

1767
01:09:47,680 --> 01:09:50,880
Speaker 10: you while you're teaching them, especially because like I feel

1768
01:09:50,880 --> 01:09:53,760
Speaker 10: like sometimes comedians who come up the way you come up,

1769
01:09:53,960 --> 01:09:56,439
Speaker 10: when they shut out, like the just hilariouses, the Dessie

1770
01:09:56,439 --> 01:09:59,200
Speaker 10: Banks or whatever, you get so behind the times that

1771
01:09:59,280 --> 01:10:01,519
Speaker 10: you it just doesn't come off well.

1772
01:10:01,360 --> 01:10:02,120
Speaker 15: A lot of times.

1773
01:10:02,200 --> 01:10:04,280
Speaker 10: And I think for you guys and what you do,

1774
01:10:04,439 --> 01:10:07,080
Speaker 10: you're trying to figure out social media. If it doesn't

1775
01:10:07,080 --> 01:10:09,599
Speaker 10: come off well, then fans kind of start to look

1776
01:10:09,600 --> 01:10:11,200
Speaker 10: at you a little differently. You got to battle so

1777
01:10:11,200 --> 01:10:14,040
Speaker 10: many different things because yeah, it's what's here right now.

1778
01:10:14,200 --> 01:10:15,760
Speaker 10: So the fact that you're getting.

1779
01:10:16,200 --> 01:10:18,680
Speaker 5: On Instagram like you can't get around that.

1780
01:10:18,680 --> 01:10:18,960
Speaker 1: Because you.

1781
01:10:25,960 --> 01:10:28,040
Speaker 10: Know, listen, when you said wasn't young, I looked it up.

1782
01:10:28,080 --> 01:10:30,800
Speaker 10: I thought he was way younger. He's forty seven, you

1783
01:10:32,080 --> 01:10:33,720
Speaker 10: I thought was like, not too.

1784
01:10:33,880 --> 01:10:36,920
Speaker 15: I thought he was like maybe forty. He gives young energy.

1785
01:10:36,920 --> 01:10:39,080
Speaker 10: But I'm saying, I just think that it's dope to

1786
01:10:39,120 --> 01:10:42,160
Speaker 10: see people embracing it because they be hating, like a

1787
01:10:42,160 --> 01:10:43,320
Speaker 10: lot of the old his be hating.

1788
01:10:43,360 --> 01:10:45,120
Speaker 15: And it's crazy because what.

1789
01:10:45,040 --> 01:10:48,240
Speaker 2: A just that word around a lot with that.

1790
01:10:48,360 --> 01:10:50,720
Speaker 10: Why are you upset about being called older? That's a

1791
01:10:50,760 --> 01:10:52,720
Speaker 10: gift to age and to have what you.

1792
01:10:52,720 --> 01:10:55,840
Speaker 2: Had, not It's just how you said, Well, I do mean.

1793
01:10:56,000 --> 01:10:57,519
Speaker 15: I don't mean in no way. What I'm saying to

1794
01:10:57,560 --> 01:10:58,720
Speaker 15: you is that I know what you mean.

1795
01:10:58,800 --> 01:11:00,439
Speaker 10: Yeah, I think it's fired to see you doing it

1796
01:11:00,680 --> 01:11:05,600
Speaker 10: because a lot of people don't.

1797
01:11:03,600 --> 01:11:05,400
Speaker 5: Know the guys. They don't know how to you know,

1798
01:11:05,520 --> 01:11:07,240
Speaker 5: they don't really don't know how to embrace that.

1799
01:11:07,280 --> 01:11:07,519
Speaker 2: Man.

1800
01:11:07,760 --> 01:11:10,760
Speaker 7: But like I said, man, that's what we're supposed to do.

1801
01:11:10,800 --> 01:11:13,360
Speaker 7: We gotta keep on handing it down to each other

1802
01:11:13,360 --> 01:11:15,559
Speaker 7: because I'm gonna be in a position one day I'm

1803
01:11:15,560 --> 01:11:17,400
Speaker 7: gonna need one of the young dudes.

1804
01:11:17,160 --> 01:11:19,799
Speaker 5: To put me in. That's what Red.

1805
01:11:19,640 --> 01:11:22,719
Speaker 7: Fox and Eddie Murphy put Red Fox in. He looked

1806
01:11:22,720 --> 01:11:25,080
Speaker 7: out for Red Fox gave him.

1807
01:11:26,640 --> 01:11:26,960
Speaker 2: Yeah.

1808
01:11:27,000 --> 01:11:29,479
Speaker 5: So hell yeah. Now let's get message. What you want

1809
01:11:29,520 --> 01:11:29,920
Speaker 5: to ask me?

1810
01:11:31,680 --> 01:11:34,000
Speaker 13: Kevin Oi going to be the entertainment is all for

1811
01:11:34,040 --> 01:11:37,120
Speaker 13: the pacers and feeble. You are from Indiana, super famous

1812
01:11:37,120 --> 01:11:39,680
Speaker 13: from Indiana, right, and then built the whole community in Indiana.

1813
01:11:39,800 --> 01:11:41,280
Speaker 2: How did that make you feel that they didn't call

1814
01:11:41,320 --> 01:11:41,640
Speaker 2: you for that?

1815
01:11:41,880 --> 01:11:43,639
Speaker 5: Well, you know what I thought about it.

1816
01:11:44,120 --> 01:11:47,240
Speaker 7: I was the ambassador for the Men's All Star in

1817
01:11:47,240 --> 01:11:51,519
Speaker 7: Indiana this past All Star, and keV should have called

1818
01:11:51,560 --> 01:11:54,760
Speaker 7: me if he was in Indianapolis, because I definitely called

1819
01:11:54,800 --> 01:11:56,479
Speaker 7: him when I was in Philly, but he didn't answer

1820
01:11:56,520 --> 01:11:58,400
Speaker 7: the phone. I wanted to call him and say, hey, man,

1821
01:11:58,880 --> 01:12:02,559
Speaker 7: I'm downtown at the Eagles game because I was. We

1822
01:12:02,640 --> 01:12:05,320
Speaker 7: had to show it in Philly and I was calling

1823
01:12:05,400 --> 01:12:07,679
Speaker 7: him to tell him, Man, I'm downtown Philly. Boy, they're

1824
01:12:07,680 --> 01:12:10,679
Speaker 7: going crazy at the parade. But you know, everybody got

1825
01:12:10,680 --> 01:12:13,439
Speaker 7: they different different things about how they feel.

1826
01:12:13,479 --> 01:12:13,679
Speaker 6: Man.

1827
01:12:13,760 --> 01:12:17,080
Speaker 5: You know who goes to Indiana. I'm still trying to figure.

1828
01:12:16,880 --> 01:12:19,360
Speaker 7: Out who they want to go there and do something

1829
01:12:19,479 --> 01:12:22,599
Speaker 7: in Indiana. Other than myself, I'm the only fan they

1830
01:12:22,680 --> 01:12:27,679
Speaker 7: got outside outside of outside of India, outside of what

1831
01:12:27,720 --> 01:12:30,680
Speaker 7: they fans are in that city. You know, hey, man,

1832
01:12:30,720 --> 01:12:33,599
Speaker 7: it's it's politics and then and a lot of times

1833
01:12:33,760 --> 01:12:36,639
Speaker 7: people that are not in a business like people are

1834
01:12:36,640 --> 01:12:39,320
Speaker 7: not in comedy, people are not in the rap game

1835
01:12:39,600 --> 01:12:40,879
Speaker 7: that run entities.

1836
01:12:41,080 --> 01:12:43,000
Speaker 5: They don't know. They think me and.

1837
01:12:43,000 --> 01:12:46,760
Speaker 7: Kevin sitting in the backyard drinking ice tea together, you

1838
01:12:46,800 --> 01:12:49,439
Speaker 7: know what I'm saying. So you really can't get upset

1839
01:12:49,479 --> 01:12:51,600
Speaker 7: about it. But it's enough for everybody, man, you know

1840
01:12:51,640 --> 01:12:53,479
Speaker 7: what I mean. keV, he put it, he put on,

1841
01:12:53,680 --> 01:12:57,040
Speaker 7: He put on enough young comics and people. So you know,

1842
01:12:57,080 --> 01:12:59,120
Speaker 7: I didn't get slightest about that. Man, It's cool.

1843
01:12:59,240 --> 01:13:01,120
Speaker 2: So y'all talking to the fact that you called him

1844
01:13:01,120 --> 01:13:01,759
Speaker 2: and he was in Philly.

1845
01:13:01,920 --> 01:13:03,920
Speaker 7: Oh yeah, yeah, yeah, yeah, yeah, we we me and

1846
01:13:04,000 --> 01:13:08,000
Speaker 7: Kevin talk, man. And again. Man, I'm everything I do now,

1847
01:13:08,360 --> 01:13:10,479
Speaker 7: I put an age on it, you know what I mean.

1848
01:13:10,600 --> 01:13:13,200
Speaker 7: So I think about it, and I'm like, Nope, you're

1849
01:13:13,200 --> 01:13:16,280
Speaker 7: too old. Nope, you're too old, Nope, you're too old,

1850
01:13:16,560 --> 01:13:18,799
Speaker 7: too old to talk, too old to be broke.

1851
01:13:18,840 --> 01:13:20,000
Speaker 5: I'm too old for all of that.

1852
01:13:20,240 --> 01:13:21,600
Speaker 7: You know what I mean, you just get to a

1853
01:13:21,640 --> 01:13:23,920
Speaker 7: point in your age where you just hey, man, I'm just.

1854
01:13:23,880 --> 01:13:25,840
Speaker 5: Trying to get what I can get out of it.

1855
01:13:25,920 --> 01:13:28,920
Speaker 13: And you know, but knowing Kevi, I know you're gonna

1856
01:13:28,920 --> 01:13:30,559
Speaker 13: reach out for you to do something. When he put

1857
01:13:30,600 --> 01:13:31,280
Speaker 13: that together.

1858
01:13:31,120 --> 01:13:32,960
Speaker 5: Oh yeah, well well that's what I'm saying.

1859
01:13:33,240 --> 01:13:35,439
Speaker 7: I was just on the phone with him telling him

1860
01:13:35,479 --> 01:13:36,800
Speaker 7: that that's what we gotta do.

1861
01:13:36,840 --> 01:13:37,880
Speaker 5: The white boys do it.

1862
01:13:37,920 --> 01:13:40,160
Speaker 7: They don't you already look up all them white boys

1863
01:13:40,160 --> 01:13:43,360
Speaker 7: be together doing movies and television together, while we can't

1864
01:13:43,439 --> 01:13:46,519
Speaker 7: do it. I got into business through ice Q. I

1865
01:13:46,560 --> 01:13:49,360
Speaker 7: didn't get into business through and white people like who

1866
01:13:49,400 --> 01:13:52,000
Speaker 7: they like. And I'm you know, I'm not really like

1867
01:13:52,160 --> 01:13:55,000
Speaker 7: that dude that they like. Ah, because you can't rub

1868
01:13:55,040 --> 01:13:56,760
Speaker 7: on my head and pat me on the ass and

1869
01:13:56,800 --> 01:13:58,960
Speaker 7: dog I don't play none of that. So and I

1870
01:13:59,000 --> 01:14:01,400
Speaker 7: think they figured that out. Okay, this is we can't

1871
01:14:01,479 --> 01:14:03,439
Speaker 7: do that with not gonna do it with them. So

1872
01:14:03,680 --> 01:14:05,639
Speaker 7: you know, hey, but you've had a great career.

1873
01:14:05,720 --> 01:14:11,200
Speaker 13: I means is killing fifth season, fifth season.

1874
01:14:10,160 --> 01:14:11,840
Speaker 15: Swear by that show they love.

1875
01:14:11,920 --> 01:14:14,160
Speaker 5: I appreciate it, And that came from my idea.

1876
01:14:14,280 --> 01:14:17,240
Speaker 7: That came from an idea that's about my hometown and

1877
01:14:17,280 --> 01:14:21,639
Speaker 7: loosely based on my life. You know, so I can't complain.

1878
01:14:21,920 --> 01:14:24,759
Speaker 7: I'm grateful, I'm happy. I ain't gonna be for nobody.

1879
01:14:25,000 --> 01:14:28,559
Speaker 7: I'm just trying to continue to live on and do

1880
01:14:28,640 --> 01:14:29,040
Speaker 7: what I do.

1881
01:14:29,240 --> 01:14:31,680
Speaker 2: We're still kicking it with Mike Apps. Now, how many

1882
01:14:31,760 --> 01:14:33,120
Speaker 2: kids do you have? Uh?

1883
01:14:33,920 --> 01:14:34,200
Speaker 5: Seven?

1884
01:14:34,439 --> 01:14:38,240
Speaker 13: And think about it.

1885
01:14:42,640 --> 01:14:44,040
Speaker 2: You think you got some kids out there.

1886
01:14:44,560 --> 01:14:48,439
Speaker 7: I hope you ain't that kind of guy.

1887
01:14:48,680 --> 01:14:51,000
Speaker 5: I'm glad you know that you ain't that kind of guy.

1888
01:14:51,080 --> 01:14:53,160
Speaker 15: But you're not either, don't.

1889
01:14:53,280 --> 01:14:56,280
Speaker 2: I'm now she's a nap time player what you're talking about.

1890
01:14:56,280 --> 01:15:01,160
Speaker 7: But but back in the day, keep my.

1891
01:15:01,080 --> 01:15:02,360
Speaker 5: Plants up the.

1892
01:15:04,080 --> 01:15:05,800
Speaker 10: Way all the smoke went. Just focus over here. I'm

1893
01:15:05,800 --> 01:15:08,160
Speaker 10: trying to keep you in good graces. Yes, yes, So

1894
01:15:08,240 --> 01:15:09,599
Speaker 10: don't lean into what he's doing.

1895
01:15:10,680 --> 01:15:13,200
Speaker 7: You can talk about your old day, old days, they

1896
01:15:13,240 --> 01:15:16,160
Speaker 7: old days, they old days, slanging it like.

1897
01:15:16,080 --> 01:15:19,840
Speaker 2: A pistol, slanging it man.

1898
01:15:21,840 --> 01:15:24,599
Speaker 7: But you know what though, Hey man, if you can

1899
01:15:24,680 --> 01:15:29,440
Speaker 7: survive anything and be there to talk about it, it's cash.

1900
01:15:29,120 --> 01:15:31,720
Speaker 5: Money, that's right. I don't care what it is.

1901
01:15:31,760 --> 01:15:34,439
Speaker 7: If you survived it, you standing there talking about it,

1902
01:15:34,439 --> 01:15:35,240
Speaker 7: it's cash money.

1903
01:15:35,240 --> 01:15:37,120
Speaker 2: That's why we're looking to magic. Johnson's so heavy now,

1904
01:15:37,240 --> 01:15:40,280
Speaker 2: that's right, that's right Johnson.

1905
01:15:40,360 --> 01:15:45,360
Speaker 7: Yeah, yeah, and you'll forget sometimes you forget that he got.

1906
01:15:45,960 --> 01:15:46,160
Speaker 3: Yeah.

1907
01:15:46,240 --> 01:15:46,960
Speaker 13: You see what I'm saying.

1908
01:15:47,000 --> 01:15:48,439
Speaker 5: Some of the women probably do too.

1909
01:15:48,479 --> 01:15:53,280
Speaker 8: They probably they are crazy if you got a young

1910
01:15:53,360 --> 01:15:53,800
Speaker 8: child too.

1911
01:15:54,080 --> 01:15:56,040
Speaker 5: Yeah, so how was being old head?

1912
01:15:56,040 --> 01:15:57,800
Speaker 2: Because we all had raising that young child?

1913
01:15:58,040 --> 01:15:59,880
Speaker 5: Man. I love it. They're giving me life.

1914
01:16:00,120 --> 01:16:02,160
Speaker 7: I got a son four years old, and I got

1915
01:16:02,160 --> 01:16:04,680
Speaker 7: a daughter five, and they give me lie.

1916
01:16:05,040 --> 01:16:06,960
Speaker 5: And I ain't no old type dude.

1917
01:16:07,200 --> 01:16:09,240
Speaker 7: I can get up, run right now fast as I

1918
01:16:09,280 --> 01:16:10,840
Speaker 7: want to, and do whatever I want to do.

1919
01:16:11,160 --> 01:16:11,840
Speaker 1: Why are you looking at me?

1920
01:16:12,080 --> 01:16:14,200
Speaker 10: You said that, you look at me when you said

1921
01:16:14,200 --> 01:16:17,160
Speaker 10: that that you're not no old dude, no old type dude.

1922
01:16:19,640 --> 01:16:23,160
Speaker 10: I meant it by like iconic legend aging like you

1923
01:16:23,240 --> 01:16:24,840
Speaker 10: have that. You have it, you know what I mean,

1924
01:16:24,920 --> 01:16:25,960
Speaker 10: Like you got the I.

1925
01:16:25,880 --> 01:16:27,160
Speaker 15: Didn't mean it like about it.

1926
01:16:27,400 --> 01:16:30,280
Speaker 2: You only you fifty four, You got a five hold

1927
01:16:30,280 --> 01:16:31,200
Speaker 2: you four years old?

1928
01:16:31,240 --> 01:16:34,200
Speaker 13: So think about that. Steve Harvey sixty eight. Yeah, Eddie

1929
01:16:34,240 --> 01:16:35,640
Speaker 13: Murphy and his sixty.

1930
01:16:35,520 --> 01:16:36,839
Speaker 5: Look good, That's what I'm saying.

1931
01:16:36,640 --> 01:16:39,360
Speaker 13: Good much like we Got to Live sixty nine.

1932
01:16:39,479 --> 01:16:40,320
Speaker 5: I think that's right.

1933
01:16:40,439 --> 01:16:43,160
Speaker 15: You went over here too. I didn't mean it that way.

1934
01:16:43,439 --> 01:16:48,400
Speaker 13: I mean, she's so good old her wig looks like she.

1935
01:16:48,360 --> 01:16:49,200
Speaker 5: Ain't gonna wig on.

1936
01:16:49,360 --> 01:16:49,720
Speaker 2: Thank you.

1937
01:16:50,160 --> 01:16:53,760
Speaker 10: I appreciate it. It's wrong from the scop you hate her. Yeah,

1938
01:16:53,760 --> 01:16:55,960
Speaker 10: he just happy because his face surgery is new, so

1939
01:16:56,000 --> 01:16:57,959
Speaker 10: he's still giving one color on the face.

1940
01:16:59,280 --> 01:16:59,639
Speaker 2: Surgery.

1941
01:17:00,240 --> 01:17:01,160
Speaker 15: So that's what he.

1942
01:17:06,360 --> 01:17:09,599
Speaker 8: I just walked into talk about his old.

1943
01:17:12,080 --> 01:17:16,080
Speaker 2: Yeah, all tree of y'all, man, I love that.

1944
01:17:16,080 --> 01:17:18,360
Speaker 5: That was my best interview, y'all.

1945
01:17:18,800 --> 01:17:22,759
Speaker 2: It was only twenty I love that interview.

1946
01:17:22,840 --> 01:17:26,120
Speaker 5: It was so hilarious. All tree in y'all, don't say

1947
01:17:26,200 --> 01:17:30,439
Speaker 5: my name, no mo. Yeah, man, I loved it. Man.

1948
01:17:30,520 --> 01:17:32,679
Speaker 5: But right now I'm on this tour right now, shout

1949
01:17:32,680 --> 01:17:37,200
Speaker 5: out to shout out to b in Entertainment.

1950
01:17:37,640 --> 01:17:40,120
Speaker 15: Done with the mess, because I did have some other questions.

1951
01:17:39,880 --> 01:17:42,080
Speaker 2: You better ask. You got about auple.

1952
01:17:41,960 --> 01:17:45,320
Speaker 15: Minutes le So okay, So I mentioned all the smoke.

1953
01:17:45,560 --> 01:17:48,160
Speaker 10: You had to come up with the apology after sitting

1954
01:17:48,160 --> 01:17:50,320
Speaker 10: on all the smoke, and you talked about learning how to.

1955
01:17:50,320 --> 01:17:52,400
Speaker 15: Finally get to it's right.

1956
01:17:52,520 --> 01:17:54,439
Speaker 10: Yeah, when you said down all all the smoke podcasts

1957
01:17:54,439 --> 01:17:57,680
Speaker 10: with Matt Barnes, even you said that you were you

1958
01:17:57,720 --> 01:17:59,400
Speaker 10: wanted to get to a point where you were treating

1959
01:17:59,439 --> 01:18:01,280
Speaker 10: women a hundred right or something like that, and I

1960
01:18:01,320 --> 01:18:03,120
Speaker 10: think people took it the wrong way because you've been

1961
01:18:03,160 --> 01:18:06,400
Speaker 10: with your wife for a while. I saw y'all at

1962
01:18:06,400 --> 01:18:10,160
Speaker 10: the NAACP Image Awards. Looked amazing. But does that even

1963
01:18:10,160 --> 01:18:12,080
Speaker 10: come back up in conversation with your relationship or how

1964
01:18:12,080 --> 01:18:13,960
Speaker 10: does she handle you been able to joke like you

1965
01:18:14,040 --> 01:18:16,320
Speaker 10: just did about things now that that has happened.

1966
01:18:16,560 --> 01:18:19,320
Speaker 5: No, my wife's a grown ass woman. She the truth.

1967
01:18:19,479 --> 01:18:22,320
Speaker 5: She don't pay attention to none of that. Patty not Patty.

1968
01:18:22,439 --> 01:18:23,800
Speaker 5: She ain't. She ain't no little girl.

1969
01:18:23,920 --> 01:18:26,960
Speaker 7: So yeah, she can decipher when I'm saying something that

1970
01:18:27,240 --> 01:18:29,360
Speaker 7: that I might not have meant.

1971
01:18:29,160 --> 01:18:30,559
Speaker 5: The right way or whatever.

1972
01:18:30,800 --> 01:18:33,000
Speaker 7: She know when I'm talking, when i'm you know, she

1973
01:18:33,120 --> 01:18:37,280
Speaker 7: know me. So I didn't say nothing to really offend nobody,

1974
01:18:37,400 --> 01:18:39,320
Speaker 7: you know, But it is the truth. It takes me

1975
01:18:39,360 --> 01:18:41,920
Speaker 7: in a long time to get the together that's right.

1976
01:18:41,960 --> 01:18:44,800
Speaker 7: And every woman that's with a man, it's gotta be

1977
01:18:44,840 --> 01:18:47,040
Speaker 7: a little bit more patient than we are with them

1978
01:18:47,160 --> 01:18:49,120
Speaker 7: because it takes a while. It takes a while for

1979
01:18:49,160 --> 01:18:51,720
Speaker 7: a man to you know, get us together. It's I mean,

1980
01:18:51,800 --> 01:18:54,240
Speaker 7: we we got were fighting up against so much temptation.

1981
01:18:54,479 --> 01:18:56,799
Speaker 5: It's like, damn, it's like, whoa.

1982
01:18:56,880 --> 01:18:59,960
Speaker 7: You gotta be a certain kind of guy to really survive,

1983
01:19:00,280 --> 01:19:01,559
Speaker 7: to navigate through the world.

1984
01:19:01,760 --> 01:19:03,840
Speaker 2: Charlama was just talking about WHOOPI goldverg the other day.

1985
01:19:04,240 --> 01:19:05,000
Speaker 5: Is that who you want?

1986
01:19:08,360 --> 01:19:08,840
Speaker 2: She looked good.

1987
01:19:09,439 --> 01:19:11,599
Speaker 7: She did look good, you know, but she on the view,

1988
01:19:11,640 --> 01:19:13,519
Speaker 7: she looked a little a little fluffy, but she looked

1989
01:19:13,680 --> 01:19:15,360
Speaker 7: her skin was right, skin was right.

1990
01:19:15,520 --> 01:19:15,680
Speaker 5: You know.

1991
01:19:15,800 --> 01:19:21,680
Speaker 2: Body looked right there with a compliment, nothing to do

1992
01:19:21,800 --> 01:19:22,120
Speaker 2: it nothing.

1993
01:19:25,880 --> 01:19:27,200
Speaker 5: Well, let me find out.

1994
01:19:30,040 --> 01:19:33,800
Speaker 2: With this tour that I'm yeah, because this is what

1995
01:19:33,920 --> 01:19:36,559
Speaker 2: I came to promote this tour. This tour we didn't

1996
01:19:36,560 --> 01:19:38,320
Speaker 2: once we did one tour.

1997
01:19:38,720 --> 01:19:40,760
Speaker 7: I came to promote this man because we got some

1998
01:19:40,960 --> 01:19:44,479
Speaker 7: young comedians. And if you're in a city and you

1999
01:19:44,560 --> 01:19:46,920
Speaker 7: ain't seen this tour, I mean probably a lot of

2000
01:19:47,000 --> 01:19:49,960
Speaker 7: y'all probably seen wilding out you know them a little.

2001
01:19:50,240 --> 01:19:52,320
Speaker 5: It's so all right, wilding out, you know.

2002
01:19:53,000 --> 01:19:54,040
Speaker 2: Shock and widling out.

2003
01:19:54,560 --> 01:19:57,360
Speaker 7: I'm just saying, they do a tour, but do a

2004
01:19:57,840 --> 01:20:00,560
Speaker 7: cannon and them they're doing a tour, but we do it.

2005
01:20:00,800 --> 01:20:04,320
Speaker 7: This tour right here is this is the best young

2006
01:20:04,520 --> 01:20:08,200
Speaker 7: comics coming up in the game right now, How.

2007
01:20:08,120 --> 01:20:10,040
Speaker 13: Did it become like a staple tour? Because I remember

2008
01:20:10,160 --> 01:20:12,200
Speaker 13: it started a few years ago. Yeah, but like every

2009
01:20:12,280 --> 01:20:13,680
Speaker 13: year since y'all been doing this. So how did it

2010
01:20:13,720 --> 01:20:14,880
Speaker 13: become like a staple tour?

2011
01:20:15,120 --> 01:20:18,439
Speaker 7: Well, shout out to my man Blake Man promoter out

2012
01:20:18,479 --> 01:20:21,240
Speaker 7: of Chicago. This young brother has been promoting for a

2013
01:20:21,360 --> 01:20:24,479
Speaker 7: long time. He does a great job. He started out

2014
01:20:24,800 --> 01:20:28,160
Speaker 7: before I started, Before I came along, he had d

2015
01:20:28,400 --> 01:20:31,040
Speaker 7: Ray so many other shoes shows in Chicago for New

2016
01:20:31,160 --> 01:20:33,800
Speaker 7: Year's Eve and they were selling out sometime two and

2017
01:20:33,920 --> 01:20:37,320
Speaker 7: three shows, man, ten twenty thousand people. So when he

2018
01:20:37,400 --> 01:20:40,240
Speaker 7: put this tour together, you know, I came along, Like

2019
01:20:40,320 --> 01:20:42,920
Speaker 7: I said, Man, we come on, Man. You got Country Wayne,

2020
01:20:43,040 --> 01:20:46,120
Speaker 7: you got Little Duval, you got Corey Holcomb, you got

2021
01:20:46,280 --> 01:20:47,679
Speaker 7: Tony Roberts, you got.

2022
01:20:47,960 --> 01:20:53,600
Speaker 5: Bubba Dove Manjo.

2023
01:20:54,200 --> 01:20:57,439
Speaker 7: Man, these tell me any young comics is better than

2024
01:20:57,479 --> 01:20:58,280
Speaker 7: these young dudes.

2025
01:20:58,760 --> 01:21:00,479
Speaker 5: These young dudes o gs.

2026
01:21:00,520 --> 01:21:01,560
Speaker 2: And then now Corey is o G.

2027
01:21:02,720 --> 01:21:04,400
Speaker 13: See, I don't think nobody's funny it in a lot

2028
01:21:04,479 --> 01:21:06,240
Speaker 13: of the old g Like Corey is one of the

2029
01:21:06,280 --> 01:21:10,320
Speaker 13: funniest stage world to me, Like raw, don't give up.

2030
01:21:10,479 --> 01:21:12,320
Speaker 5: Yeah, he gonna say what you want to say, how

2031
01:21:12,400 --> 01:21:13,639
Speaker 5: you want to say it. He don't care.

2032
01:21:14,240 --> 01:21:16,680
Speaker 7: And that's the great thing. We it's a nucleus of

2033
01:21:16,880 --> 01:21:19,320
Speaker 7: young dudes and we throw in a couple of old

2034
01:21:19,479 --> 01:21:23,000
Speaker 7: guys in there. But it's still a young, happy hopping tour,

2035
01:21:23,120 --> 01:21:23,880
Speaker 7: you know what I'm saying.

2036
01:21:24,000 --> 01:21:26,160
Speaker 5: So this tour is good. Man. We was in Brooklyn.

2037
01:21:26,320 --> 01:21:28,400
Speaker 7: They messed around and put us to day after the fight,

2038
01:21:28,600 --> 01:21:30,800
Speaker 7: so we didn't get the crowd. Last year we did

2039
01:21:30,920 --> 01:21:34,280
Speaker 7: ten thousand people in plays and this year we only

2040
01:21:34,360 --> 01:21:36,760
Speaker 7: did about four thousand. But you know, the fight kind

2041
01:21:36,760 --> 01:21:38,519
Speaker 7: of messed us up. But this tour, it was weird.

2042
01:21:38,520 --> 01:21:39,680
Speaker 7: It was on a Sunday. I don't even know, y'all

2043
01:21:39,680 --> 01:21:40,000
Speaker 7: was in time.

2044
01:21:40,080 --> 01:21:43,760
Speaker 8: We thought you were coming up here to promote God

2045
01:21:43,880 --> 01:21:45,120
Speaker 8: because I don't even know. I didn't even know I

2046
01:21:45,200 --> 01:21:45,600
Speaker 8: was gonna go.

2047
01:21:45,680 --> 01:21:45,920
Speaker 2: But then.

2048
01:21:47,560 --> 01:21:48,240
Speaker 5: We wasn't gonna go.

2049
01:21:50,280 --> 01:21:53,639
Speaker 2: Comedy show. Yeah, out with the old time the show.

2050
01:21:53,760 --> 01:21:55,160
Speaker 2: We're still kicking it with Mike Epps.

2051
01:21:56,120 --> 01:21:58,240
Speaker 13: You to your daughter got accepted to the New York

2052
01:21:58,320 --> 01:21:59,479
Speaker 13: University and.

2053
01:21:59,520 --> 01:22:01,479
Speaker 2: Why you university?

2054
01:22:04,280 --> 01:22:05,200
Speaker 5: YuYu?

2055
01:22:05,720 --> 01:22:06,920
Speaker 13: How didn't make you feel as a father?

2056
01:22:07,200 --> 01:22:08,639
Speaker 5: Oh man, this is the thing.

2057
01:22:09,040 --> 01:22:11,759
Speaker 7: I didn't graduate from high school I was a special

2058
01:22:11,840 --> 01:22:15,360
Speaker 7: aired student, and for my daughter to graduate and go

2059
01:22:15,479 --> 01:22:17,360
Speaker 7: to NYU, it's accomplishment.

2060
01:22:17,880 --> 01:22:18,080
Speaker 2: You know.

2061
01:22:18,560 --> 01:22:20,840
Speaker 5: I had to give her mother props as well. Her

2062
01:22:20,960 --> 01:22:22,599
Speaker 5: mother did a great job with her.

2063
01:22:22,960 --> 01:22:26,479
Speaker 7: But my daughter is running around n YU and that's

2064
01:22:26,520 --> 01:22:29,759
Speaker 7: the same place I ran around doing comedy in the village.

2065
01:22:30,360 --> 01:22:32,800
Speaker 7: I used to sit in that Washington park and with

2066
01:22:33,000 --> 01:22:35,439
Speaker 7: no money and watch people and people watching.

2067
01:22:35,720 --> 01:22:39,879
Speaker 5: And now my daughter's running around that same area in college.

2068
01:22:40,040 --> 01:22:42,800
Speaker 7: So man, I'm grateful, and I just thank God that

2069
01:22:43,160 --> 01:22:46,000
Speaker 7: that I was able to raise a child to be

2070
01:22:46,080 --> 01:22:47,880
Speaker 7: able to go get education, you know.

2071
01:22:48,040 --> 01:22:52,720
Speaker 13: So that's it is because hell yeah, I had I

2072
01:22:52,840 --> 01:22:55,000
Speaker 13: was in there for a semester because I failed a class,

2073
01:22:55,040 --> 01:22:57,080
Speaker 13: so I wasn't like I mean, I felt a standard

2074
01:22:57,120 --> 01:22:58,960
Speaker 13: out of test. But they had me in one math

2075
01:22:59,000 --> 01:23:02,200
Speaker 13: class that was specially. It was with especially I wasn't

2076
01:23:02,200 --> 01:23:03,200
Speaker 13: even specially especially.

2077
01:23:03,640 --> 01:23:04,439
Speaker 5: No you was in there.

2078
01:23:06,400 --> 01:23:07,559
Speaker 1: I don't know what he was.

2079
01:23:10,560 --> 01:23:12,000
Speaker 5: There for thirty minutes, man.

2080
01:23:16,280 --> 01:23:19,280
Speaker 2: People, but you went outside with the phone.

2081
01:23:24,000 --> 01:23:24,280
Speaker 5: Okay.

2082
01:23:25,040 --> 01:23:28,439
Speaker 7: But special education is not about the short bus. See

2083
01:23:28,560 --> 01:23:29,960
Speaker 7: a lot of people get it twisted.

2084
01:23:30,520 --> 01:23:33,479
Speaker 5: There are kids that are slow learners. They don't know

2085
01:23:33,560 --> 01:23:35,200
Speaker 5: how to learn as fast as other kids.

2086
01:23:35,280 --> 01:23:35,880
Speaker 2: That's how it was.

2087
01:23:35,920 --> 01:23:37,479
Speaker 5: I could read a whole book and tell you you

2088
01:23:37,520 --> 01:23:38,560
Speaker 5: couldn't tell you what it was.

2089
01:23:38,840 --> 01:23:40,680
Speaker 7: But you got to give them kids a break too,

2090
01:23:40,800 --> 01:23:42,559
Speaker 7: because you look, look at Eli Musk.

2091
01:23:43,360 --> 01:23:43,960
Speaker 1: This is a dude.

2092
01:23:44,000 --> 01:23:46,880
Speaker 7: You could damn you could tell he wasn't doing in

2093
01:23:47,000 --> 01:23:49,360
Speaker 7: the classroom, you know what I mean. But look who

2094
01:23:49,439 --> 01:23:51,519
Speaker 7: he is, Look where he's at. Not to big him

2095
01:23:51,560 --> 01:23:53,360
Speaker 7: up or to knock him down, but you got to

2096
01:23:53,400 --> 01:23:55,160
Speaker 7: give people a chance. You don't know what a kid

2097
01:23:55,280 --> 01:23:56,000
Speaker 7: gonna turn out to be.

2098
01:23:56,720 --> 01:23:57,479
Speaker 5: And that's how I am.

2099
01:23:57,640 --> 01:24:00,439
Speaker 7: I mean, man, it's it's so hard to I run

2100
01:24:00,520 --> 01:24:02,920
Speaker 7: into people who treated me like and I still treat

2101
01:24:02,960 --> 01:24:05,960
Speaker 7: them nice because I know they don't know. I'm like, Okay,

2102
01:24:05,960 --> 01:24:07,519
Speaker 7: I'm gonna give your breakcause I know you didn't know

2103
01:24:07,600 --> 01:24:09,599
Speaker 7: I was gonna be somebody, and I'm gonna still treat

2104
01:24:09,640 --> 01:24:11,040
Speaker 7: you nice because you didn't know.

2105
01:24:11,960 --> 01:24:13,800
Speaker 5: This is We are the Ones tour, man.

2106
01:24:13,840 --> 01:24:16,320
Speaker 7: I'm your host, Mike f and we're gonna be coming

2107
01:24:16,400 --> 01:24:18,920
Speaker 7: to every local city we're going to.

2108
01:24:19,080 --> 01:24:20,439
Speaker 2: We'll be in healthy. Let me help you, Let me

2109
01:24:20,479 --> 01:24:20,640
Speaker 2: help it.

2110
01:24:20,800 --> 01:24:23,680
Speaker 8: Detroit on the seventh, Come on the eighth, Come on

2111
01:24:24,040 --> 01:24:28,200
Speaker 8: Fairfax on the ninth, on March fourteenth, New Orleans, Louisiana.

2112
01:24:28,360 --> 01:24:29,880
Speaker 2: Let's go fifteenth Alabama.

2113
01:24:30,400 --> 01:24:32,120
Speaker 5: You only got a website, man, go get Yeah, we

2114
01:24:32,160 --> 01:24:35,080
Speaker 5: got a website, but that just did. It's really gonna work.

2115
01:24:37,000 --> 01:24:38,320
Speaker 2: You got a shout?

2116
01:24:40,640 --> 01:24:42,120
Speaker 5: How long Breakfast Club been going?

2117
01:24:42,200 --> 01:24:44,920
Speaker 13: Man, it'll be fifteen years this year, fifteen sixteen years.

2118
01:24:45,120 --> 01:24:46,960
Speaker 7: Do you know the first time I met him, he

2119
01:24:47,120 --> 01:24:49,640
Speaker 7: was working with Wendy William How was that? Was he

2120
01:24:49,640 --> 01:24:51,600
Speaker 7: sitting on that or but he was sitting in the

2121
01:24:51,640 --> 01:24:52,360
Speaker 7: corner quiet?

2122
01:24:52,600 --> 01:24:54,360
Speaker 2: Really, Yes, you was.

2123
01:24:54,439 --> 01:24:57,240
Speaker 7: On the show, but you wasn't saying he's gonna time out?

2124
01:24:57,520 --> 01:25:00,960
Speaker 7: And then I looked up again and I I've seen

2125
01:25:01,040 --> 01:25:02,840
Speaker 7: you with I'm like this dude.

2126
01:25:02,920 --> 01:25:05,040
Speaker 2: That was the dude show.

2127
01:25:05,360 --> 01:25:06,439
Speaker 5: And he ended up with a shower.

2128
01:25:07,800 --> 01:25:09,120
Speaker 2: You know when to ask you? We had Jack Quee

2129
01:25:09,240 --> 01:25:12,160
Speaker 2: up here. Jacquee he said, you.

2130
01:25:12,960 --> 01:25:21,519
Speaker 19: Know what, man, Mike, Mike, Michael front for one second

2131
01:25:21,560 --> 01:25:27,680
Speaker 19: and he catch yourself, said said, and I told him

2132
01:25:27,680 --> 01:25:28,160
Speaker 19: my own believe.

2133
01:25:28,400 --> 01:25:30,639
Speaker 13: He said, you told him he was the next Marvin

2134
01:25:30,720 --> 01:25:31,240
Speaker 13: gay Well.

2135
01:25:32,280 --> 01:25:35,200
Speaker 5: I told him, I said, Jack Queie.

2136
01:25:35,120 --> 01:25:37,080
Speaker 2: I told him he could be. Why you lie to

2137
01:25:37,120 --> 01:25:37,680
Speaker 2: that man like that?

2138
01:25:38,280 --> 01:25:38,800
Speaker 5: Was it a lie?

2139
01:25:39,120 --> 01:25:39,320
Speaker 3: Yes?

2140
01:25:39,560 --> 01:25:39,880
Speaker 2: You said?

2141
01:25:39,880 --> 01:25:40,599
Speaker 1: He good?

2142
01:25:40,680 --> 01:25:41,680
Speaker 2: He can't sing to you.

2143
01:25:44,080 --> 01:25:47,160
Speaker 10: But you said he you look at him like Marvin Gay,

2144
01:25:47,240 --> 01:25:49,200
Speaker 10: Like he's like our generation's Marvin Gay.

2145
01:25:49,240 --> 01:25:50,759
Speaker 15: I think people were, like I told.

2146
01:25:50,640 --> 01:25:52,840
Speaker 2: Him, Michael's man, Michael, Mike wanted to make you feel

2147
01:25:52,880 --> 01:25:53,360
Speaker 2: good that day.

2148
01:25:53,560 --> 01:25:55,960
Speaker 7: Hey, man, let me tell you something. Man, it's probably

2149
01:25:56,000 --> 01:25:58,320
Speaker 7: some little girl out there to think this Marvin Gay.

2150
01:25:58,560 --> 01:26:01,799
Speaker 7: Sometimes you have to say, man, I'm I'm I'm about

2151
01:26:01,920 --> 01:26:05,160
Speaker 7: empowering the youth. And I'll tell them that they can

2152
01:26:05,240 --> 01:26:07,280
Speaker 7: be the president. Knowing damn well they can't.

2153
01:26:07,439 --> 01:26:09,240
Speaker 13: You ain't gonna tell something of these little young comedians

2154
01:26:09,240 --> 01:26:11,400
Speaker 13: they could be. They could be Richard Bryant. Yeah, I

2155
01:26:11,680 --> 01:26:16,400
Speaker 13: told all of them Mikes, we appreciate you for joining us.

2156
01:26:16,439 --> 01:26:20,960
Speaker 13: Brother told them all, I'll.

2157
01:26:23,400 --> 01:26:24,559
Speaker 15: Club coming this year.

2158
01:26:24,760 --> 01:26:27,800
Speaker 5: Club. No, I ain't gonna do no club, Chase Shae

2159
01:26:28,240 --> 01:26:30,519
Speaker 5: because I'm still trying to figure out why I'm like

2160
01:26:30,880 --> 01:26:32,920
Speaker 5: I told, and I told I was like, I had

2161
01:26:32,960 --> 01:26:34,240
Speaker 5: to sit down, Shanny shop.

2162
01:26:34,360 --> 01:26:36,080
Speaker 7: Y'all got to bring some white men on here and

2163
01:26:36,720 --> 01:26:39,680
Speaker 7: grill them. You can't just grill black people. They ain't right.

2164
01:26:39,960 --> 01:26:42,800
Speaker 7: And I know we make money off clickbait, but clickbake them.

2165
01:26:42,840 --> 01:26:45,720
Speaker 7: White folks. Get some of your NFL players that you know,

2166
01:26:46,320 --> 01:26:48,160
Speaker 7: get him on the show because.

2167
01:26:47,920 --> 01:26:50,760
Speaker 5: Real Cat Williams that he did. It was good, but

2168
01:26:50,880 --> 01:26:51,479
Speaker 5: it was bad.

2169
01:26:51,640 --> 01:26:54,400
Speaker 7: It was it was It was good because we enjoyed it,

2170
01:26:54,560 --> 01:26:57,880
Speaker 7: but damn man, he hurt them dudes feelings saying all

2171
01:26:57,960 --> 01:27:00,240
Speaker 7: that crazy. So we got, man, we gotta we got

2172
01:27:00,360 --> 01:27:03,000
Speaker 7: to balance it out, man, Shannon Sharp, if you're listening,

2173
01:27:03,160 --> 01:27:05,719
Speaker 7: we want to see you interview some of them football players,

2174
01:27:06,080 --> 01:27:07,760
Speaker 7: some of them white football players that.

2175
01:27:07,880 --> 01:27:08,679
Speaker 2: Was in the NFL.

2176
01:27:09,080 --> 01:27:11,320
Speaker 7: That was stuff just to balance And I don't know race,

2177
01:27:11,520 --> 01:27:14,240
Speaker 7: but you can't just interview black men and let them

2178
01:27:14,280 --> 01:27:17,600
Speaker 7: pour out all their pain on television, on these on

2179
01:27:17,720 --> 01:27:21,519
Speaker 7: these podcasts. Man, that's some bulls, you know, because we

2180
01:27:21,720 --> 01:27:25,200
Speaker 7: more than just problems. We we we everything, man. We

2181
01:27:25,400 --> 01:27:28,439
Speaker 7: we got talent, you know, we got families, we were

2182
01:27:28,479 --> 01:27:31,519
Speaker 7: we're entrepreneurs, we all of that. So we have to

2183
01:27:31,640 --> 01:27:34,040
Speaker 7: keep shedding the light on the positive part of that.

2184
01:27:34,400 --> 01:27:37,759
Speaker 7: We already got enough negative light. We want to podcast,

2185
01:27:37,760 --> 01:27:39,920
Speaker 7: We want to start bringing people on the letter, even

2186
01:27:39,960 --> 01:27:41,439
Speaker 7: though you know people don't want to hear that.

2187
01:27:41,680 --> 01:27:44,200
Speaker 5: But man, let's talk about.

2188
01:27:43,960 --> 01:27:46,880
Speaker 2: Some positive you know what, like Naptown Productions.

2189
01:27:47,040 --> 01:27:49,160
Speaker 7: Naptown Production got good American Family that come out on

2190
01:27:49,200 --> 01:27:53,040
Speaker 7: who is Sunday American Family? Yeah, I produced the show

2191
01:27:53,160 --> 01:27:58,519
Speaker 7: Good American Family with Ellen Pompeo, another Naptown production. Love Ellen,

2192
01:27:58,840 --> 01:28:01,559
Speaker 7: And shout out to my team TC, my man Nile,

2193
01:28:01,920 --> 01:28:04,680
Speaker 7: shout out to Big Shout out to my wife, you know,

2194
01:28:04,800 --> 01:28:06,040
Speaker 7: because that's where it starts.

2195
01:28:06,360 --> 01:28:08,360
Speaker 5: You know, before you leave a house, you got to

2196
01:28:08,439 --> 01:28:10,040
Speaker 5: be all the way right. So big shot out.

2197
01:28:10,280 --> 01:28:12,720
Speaker 7: Everybody should get my wife a prize because she's the

2198
01:28:12,800 --> 01:28:13,679
Speaker 7: ones that's getting.

2199
01:28:13,479 --> 01:28:15,960
Speaker 5: Me to these TV shows. And you know what I mean.

2200
01:28:16,160 --> 01:28:18,920
Speaker 7: But I was able to produce that show Man, and

2201
01:28:19,160 --> 01:28:22,200
Speaker 7: it's all white casts based out of Indianapolis. If you

2202
01:28:22,240 --> 01:28:25,680
Speaker 7: haven't never seen the movie The Dwarf, that's what it's

2203
01:28:25,720 --> 01:28:29,960
Speaker 7: about about this young girl who played to be an adult,

2204
01:28:30,360 --> 01:28:33,000
Speaker 7: but she was really a kid and they adopted her.

2205
01:28:33,360 --> 01:28:34,280
Speaker 5: She was trying to kill him.

2206
01:28:34,439 --> 01:28:36,880
Speaker 2: But anyway, approached you about Last Friday.

2207
01:28:37,200 --> 01:28:39,639
Speaker 7: He called me the other day, Wow, said we're doing

2208
01:28:40,000 --> 01:28:42,560
Speaker 7: just finished the deal. Oh wow, so we're doing the

2209
01:28:42,680 --> 01:28:45,320
Speaker 7: Last Friday Man and Big shot out to Q Man.

2210
01:28:45,400 --> 01:28:48,960
Speaker 7: That's another brother that has put so many brothers on

2211
01:28:49,320 --> 01:28:52,400
Speaker 7: Man and don't really get the props for it. You know,

2212
01:28:52,840 --> 01:28:56,040
Speaker 7: put me Chris Tucker, Bernie, I mean, name him. The

2213
01:28:56,160 --> 01:28:59,160
Speaker 7: dude gave dudes opportunities, and that's what I'm doing on

2214
01:28:59,240 --> 01:29:02,280
Speaker 7: the upshaws I got. I just had Scarface on the

2215
01:29:02,320 --> 01:29:05,240
Speaker 7: show acting. I had Pete Pablo on the show. I

2216
01:29:05,360 --> 01:29:07,160
Speaker 7: had so many comics on the show.

2217
01:29:07,479 --> 01:29:08,840
Speaker 2: And you know that's what we do.

2218
01:29:09,000 --> 01:29:09,439
Speaker 1: We turned.

2219
01:29:09,520 --> 01:29:12,200
Speaker 7: We were turning on black men, putting black men in

2220
01:29:12,280 --> 01:29:15,400
Speaker 7: the position where they can feed their family and build legacies.

2221
01:29:15,479 --> 01:29:16,640
Speaker 2: Have you seen the script for LA's Right.

2222
01:29:16,880 --> 01:29:19,120
Speaker 7: I haven't seen the script, but I'm pretty sure it's good.

2223
01:29:19,240 --> 01:29:21,519
Speaker 7: And we're gonna bring in the new comics. We're gonna

2224
01:29:21,520 --> 01:29:22,200
Speaker 7: put the DC.

2225
01:29:22,160 --> 01:29:24,160
Speaker 5: Young flies and all of them be in with the

2226
01:29:24,240 --> 01:29:24,840
Speaker 5: old GESU.

2227
01:29:24,880 --> 01:29:26,880
Speaker 13: It's gonna be a good ass is Chris Tucker gonna

2228
01:29:26,880 --> 01:29:28,960
Speaker 13: be part of it? Through you, Chris, they're gonna combine

2229
01:29:28,960 --> 01:29:29,400
Speaker 13: all the world.

2230
01:29:29,439 --> 01:29:32,640
Speaker 5: Hopefully we can get Chris Tucker. You know, we need

2231
01:29:32,720 --> 01:29:36,080
Speaker 5: to get Chris Tucker on that, because people still love

2232
01:29:36,200 --> 01:29:39,000
Speaker 5: Chris Tucker. He's still smoking. He laid it down, he

2233
01:29:39,080 --> 01:29:40,120
Speaker 5: put the positioned me.

2234
01:29:40,200 --> 01:29:40,519
Speaker 6: To do it.

2235
01:29:40,680 --> 01:29:42,680
Speaker 5: So Chris, if you listen to it, we need your

2236
01:29:42,720 --> 01:29:43,760
Speaker 5: baby boy come on back.

2237
01:29:43,800 --> 01:29:44,759
Speaker 2: You know wh y'all taught shooting.

2238
01:29:44,880 --> 01:29:46,160
Speaker 5: We don't know when we start shooting.

2239
01:29:46,240 --> 01:29:47,400
Speaker 2: But the deal done.

2240
01:29:47,560 --> 01:29:50,120
Speaker 5: The deal's done, and the Upshots keep watching.

2241
01:29:50,240 --> 01:29:52,280
Speaker 7: Up Shots Man. Shout out to wand the site. Shout

2242
01:29:52,320 --> 01:29:55,559
Speaker 7: out to Kim Fields, the whole cast. I love them people.

2243
01:29:55,680 --> 01:29:55,880
Speaker 1: Man.

2244
01:29:56,280 --> 01:29:59,559
Speaker 5: Unfortunately, this is our last season. But now we did

2245
01:29:59,640 --> 01:30:00,439
Speaker 5: five seasons.

2246
01:30:00,520 --> 01:30:01,000
Speaker 2: You know, but.

2247
01:30:04,000 --> 01:30:06,320
Speaker 15: When I tell you my grandmama, they swear by that

2248
01:30:06,479 --> 01:30:09,800
Speaker 15: they last season.

2249
01:30:10,120 --> 01:30:12,760
Speaker 5: The show was changing, the kids are getting older. It's

2250
01:30:12,800 --> 01:30:14,960
Speaker 5: had run. Sometimes those shows do that.

2251
01:30:15,120 --> 01:30:15,280
Speaker 8: Man.

2252
01:30:15,360 --> 01:30:17,840
Speaker 5: You know, me and Tiffany had this. Have a show now,

2253
01:30:18,040 --> 01:30:20,600
Speaker 5: okay that we're about to do together. Dope. It's like

2254
01:30:20,680 --> 01:30:23,880
Speaker 5: the up shows. It's gonna be about the bar, like Cheers,

2255
01:30:24,040 --> 01:30:26,800
Speaker 5: Black Cheers. It's gonna be off the hood. Dope. Yeah, okay.

2256
01:30:26,960 --> 01:30:29,200
Speaker 7: So so man, we're gonna keep the ball rolling. We're

2257
01:30:29,200 --> 01:30:32,160
Speaker 7: gonna keep some entertainment in your face, you know, that's right.

2258
01:30:32,120 --> 01:30:37,320
Speaker 2: And support everything tour that's we didn't want to, that's right.

2259
01:30:37,400 --> 01:30:39,200
Speaker 15: I'm coming like three to tour dates, so you know

2260
01:30:39,280 --> 01:30:39,720
Speaker 15: I didn't mean to.

2261
01:30:40,280 --> 01:30:43,479
Speaker 8: Come on, Yeah, come on, ain't gonna take that. It's

2262
01:30:43,560 --> 01:30:46,639
Speaker 8: Mike X, It's the Breakfast Club. Good morning morning. Everybody

2263
01:30:46,800 --> 01:30:49,600
Speaker 8: is d j n V. Just hilarious showing me and

2264
01:30:49,680 --> 01:30:52,360
Speaker 8: the guy we are the Breakfast Club. It's time for

2265
01:30:52,439 --> 01:30:53,400
Speaker 8: positive note what we got.

2266
01:30:53,520 --> 01:30:56,320
Speaker 13: But it's really simple, man. For everybody out there that's

2267
01:30:56,360 --> 01:30:59,080
Speaker 13: always on social media, you know, trying to curate the

2268
01:30:59,160 --> 01:31:01,960
Speaker 13: perfect image, putting a filter on everything, I just want

2269
01:31:01,960 --> 01:31:04,040
Speaker 13: to tell y'all, y'all be so worried about an image.

2270
01:31:04,200 --> 01:31:07,200
Speaker 13: You need to clean up your spirit. Okay, some of

2271
01:31:07,360 --> 01:31:09,040
Speaker 13: y'all need to clean up your spirit. Go do some

2272
01:31:09,160 --> 01:31:11,320
Speaker 13: damn work on yourself. I'm not out here, you know,

2273
01:31:11,479 --> 01:31:14,120
Speaker 13: pushing for therapy just because y'all need to go out

2274
01:31:14,120 --> 01:31:15,120
Speaker 13: here and find a therapist.

2275
01:31:15,280 --> 01:31:16,920
Speaker 2: Y'all need to find a spiritual leader.

2276
01:31:17,200 --> 01:31:19,240
Speaker 13: Y'all need to just really clean up your spirit because

2277
01:31:19,240 --> 01:31:21,960
Speaker 13: your spirit is disgusting and nasty. Have a blessed day,

2278
01:31:22,120 --> 01:31:23,800
Speaker 13: Breakfast Club, bitches, y'all

2279
01:31:23,840 --> 01:31:24,720
Speaker 2: Finish, So y'all done,