WEBVTT - Part Two: How Hollywood Helped The Nazis

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<v Speaker 1>Mhm, and we're back. I'm Robert Evans, and this is

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<v Speaker 1>Behind the Bastards, the show where we tell you everything

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<v Speaker 1>you don't know about the very worst people in all

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<v Speaker 1>of history. And today this is the second part of

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<v Speaker 1>a two part episode on the Nazis and Hollywood. My

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<v Speaker 1>guest today is Daniel van Kirk, and we are both

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<v Speaker 1>A fan suggested Tapatio derritos to us and they're amazing.

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<v Speaker 1>We're eating them right now, really really good. Yeah. I

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<v Speaker 1>did not want this in my life and now I'm

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<v Speaker 1>never gonna be able to get rid of. I'm gonna

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<v Speaker 1>take these two parties. Oh they're amazing. I'm gonna tell

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<v Speaker 1>people to have parties so that I can take them

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<v Speaker 1>to them. Like, I want to get through the rest

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<v Speaker 1>of this episode as quickly as possible so I can

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<v Speaker 1>binge eat the rest of these delicious tapato wanting more

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<v Speaker 1>and on fire again. We have not received a scent

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<v Speaker 1>from the Dorrito's company. This is all just free enthusiasm

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<v Speaker 1>over their products. Um so, Daniel, you should probably plug

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<v Speaker 1>your stuff for the four listeners who aren't gonna listen

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<v Speaker 1>to part one and are going to jump into part

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<v Speaker 1>two and part one so that that is an approach.

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<v Speaker 1>I want to let everybody know that they can listen

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<v Speaker 1>to me on the Dumb People Tom podcast, which is

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<v Speaker 1>show that I host and the Squad Brothers do as well.

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<v Speaker 1>And then I have another podcast called pen Pals, and

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<v Speaker 1>that is why Scovill and myself reading people's letters. You

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<v Speaker 1>sound us anything you want, we write you back audibly.

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<v Speaker 1>We say it's your podcast. We just talked about it.

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<v Speaker 1>And then I have a show called Hindsight where I

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<v Speaker 1>have creators, comedians, producers, directors, writers. They bring through photos

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<v Speaker 1>from any chapter of their life and we just talked

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<v Speaker 1>about the context of their life when each photo was taken.

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<v Speaker 1>Speaking of context, let's talk about the context of the

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<v Speaker 1>nineteen thirties now. In the first episode, we talked about

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<v Speaker 1>how the early German sensor's basically threatened Hollywood with cutting

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<v Speaker 1>them off, getting Germany off from the movies entirely unless

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<v Speaker 1>they made certain changes to the movies in order to

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<v Speaker 1>make them more palatable for for Germans. And you know,

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<v Speaker 1>this led to Hollywood not attacking the Nazis directly and

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<v Speaker 1>really not even really mentioning Judaism. The Nazis ramped up

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<v Speaker 1>there control and they ramped up the profitability for Hollywood

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<v Speaker 1>at the same time, and it was a gradual thing

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<v Speaker 1>where they'd ask for one thing and then a little

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<v Speaker 1>bit later that asked for another, and that's how they

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<v Speaker 1>do it. Yeah, And we also talked about The House

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<v Speaker 1>of Rothschild, the movie made to be a rebuke of

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<v Speaker 1>anti Semitism that also kind of wound up being a

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<v Speaker 1>little bit anti Semitic, to which all credit to the

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<v Speaker 1>knock He's the only guy so far, he's done the

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<v Speaker 1>right thing, but yeah, he could be like, tell me

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<v Speaker 1>who did it worse than me? Because I'm the only

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<v Speaker 1>one at this point? Is this better than nothing? You

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<v Speaker 1>prefer this to nothing? So it's important to note, like again,

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<v Speaker 1>one of the big questions here is what were the

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<v Speaker 1>studios collaborating directly with the Nazis or were they were

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<v Speaker 1>they just appeasing the Nazis in the same way that

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<v Speaker 1>everybody was appeasing the Nazis in the thirties, And in

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<v Speaker 1>order to sort of answer that question, one of the

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<v Speaker 1>things that's important to note is that the US has

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<v Speaker 1>has always had, and still has a pretty virulent ashist movement.

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<v Speaker 1>We've been seeing a lot more of that in the

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<v Speaker 1>last year or so, but it was particularly prominent in

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<v Speaker 1>the nineteen thirties, and even in Hollywood there were a

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<v Speaker 1>lot of fascist sympathizers. This was made very evident by

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<v Speaker 1>the production of a movie called Gabriel over the White House.

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<v Speaker 1>It was probably the first explicitly fascist fictional movie of

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<v Speaker 1>all time. Um the basic premise is that a president

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<v Speaker 1>suffers a terrible car accident and undergoes a personality change.

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<v Speaker 1>Uh he goes in front of Congress, castigates them for

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<v Speaker 1>wasting America's money, and then demands them to declare a

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<v Speaker 1>national emergency and vote him absolute power. While he's chastising

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<v Speaker 1>Congress for fucking up the country, somebody calls him a dictator,

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<v Speaker 1>and he snaps back, I believe in democracy as Washington, Jefferson,

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<v Speaker 1>and Lincoln believed in democracy, and if what I planned

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<v Speaker 1>to do in the name of the people makes me

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<v Speaker 1>a dictator, then it is a dictator. Based on Jefferson's

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<v Speaker 1>definition of democracy, a government for the greatest good of

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<v Speaker 1>the greatest number. So none of this is a satire,

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<v Speaker 1>although some people have tried to say that, since this

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<v Speaker 1>is not presented as a bad thing either. He's the hero,

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<v Speaker 1>the president who takes dictatorial control of the country to

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<v Speaker 1>fix its problems is the hero. But see's so crazy

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<v Speaker 1>because he says that thing where he says, what do

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<v Speaker 1>you say Jefferson's definition? Yeah, the greatest good for the

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<v Speaker 1>greatest number of people. Yeah, But the the ending to that,

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<v Speaker 1>the rebuttal to that is the greatest good for the

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<v Speaker 1>greatest number of people without their choice. Yeah, without them

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<v Speaker 1>having any sort of saying that. Yeah, that doesn't come

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<v Speaker 1>up in the movie. So the film that or the

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<v Speaker 1>movie was based off of a book, and the book

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<v Speaker 1>was had been written by a british Man during a

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<v Speaker 1>long boat ride who basically wondered to himself a Britishman

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<v Speaker 1>during a long boat ride. Yeah, I wondered, wouldn't it

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<v Speaker 1>be great if America became fascist? That was basically his

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<v Speaker 1>his Yeah, I mean he thought it wouldn't be Now

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<v Speaker 1>he'd never ever been to America when he wrote this book.

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<v Speaker 1>He's got a lot of it. Never need to go

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<v Speaker 1>to America to write a book about it. Yeah, So

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<v Speaker 1>he writes this book and will Liam Randolph Hurst loves it,

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<v Speaker 1>and William Randolph Hurst is like, this motherfucker's got to

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<v Speaker 1>be a movie. So Hurst is the dude who decides

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<v Speaker 1>to make this into a movie, the guy who wants

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<v Speaker 1>to run everything. Yeah. So Hayes, the chief censor, was

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<v Speaker 1>also actually the only person who raised any objection to

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<v Speaker 1>the contents of Gabriel over the White House. He worried

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<v Speaker 1>that people might quote regarded as a direct indictment of

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<v Speaker 1>the plurility and falliability of today's government machinery and personnel,

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<v Speaker 1>and that only by a blow in the head of

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<v Speaker 1>the president and its consequent acts of a deranged man

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<v Speaker 1>is enough righteousness and wisdom put into the executive branch

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<v Speaker 1>of the government to lead. So that's his problem, is

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<v Speaker 1>that like it's saying, well, you're saying the government so

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<v Speaker 1>fun that the president needs a head injury to be

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<v Speaker 1>good at being the president. So Hayes complains and changes

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<v Speaker 1>are made to the film. They don't make the film

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<v Speaker 1>any less fascistic. Instead, they make it clear to the

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<v Speaker 1>viewer that rather than being addled in his accent, the

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<v Speaker 1>president has been taken over by God who is using

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<v Speaker 1>him as a conduit to save the nation. Lines that

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<v Speaker 1>emphas sized his supernatural power were added. This is one

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<v Speaker 1>of the people who knows the president of this movie

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<v Speaker 1>talking about so what if he What if it wasn't

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<v Speaker 1>so much about him getting injured, but but just spiritually

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<v Speaker 1>woke in the name of Jesus Christ. Yeah, what if

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<v Speaker 1>he's a vessel for God that takes over the country

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<v Speaker 1>and turns into a dictatorship. That's a better idea. I'm

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<v Speaker 1>William hayes sensor. So here's a line of someone talking

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<v Speaker 1>about the president in the movie that was added as

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<v Speaker 1>a result of Hayes's suggestions. Quote, there's something about him,

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<v Speaker 1>something new and terribly strange, which deprives you of volition

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<v Speaker 1>or of any capacity to act and think for yourself.

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<v Speaker 1>It is easier to give way than to continue fighting

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<v Speaker 1>for your ego. You become content to serve, to serve,

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<v Speaker 1>and wait his pleasure. Again, this is not portrayed as horrifying.

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<v Speaker 1>It's a good thing. It's good that the President's godly

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<v Speaker 1>aura has taken over your mind, dictating our government. So

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<v Speaker 1>Gabriel over the White House was unique at the time

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<v Speaker 1>because it was the first big Hollywood production to actually

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<v Speaker 1>address the Great Depression. For the first couple of years

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<v Speaker 1>of the Depression, Hollywood had avoided commenting on the issues

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<v Speaker 1>of the day in any of their movies, thinking it

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<v Speaker 1>would be a bad idea if they were seen as

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<v Speaker 1>trying to wade into politics or social issues. So I

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<v Speaker 1>wasn't even thinking about that. That That the impressions going on too.

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<v Speaker 1>And this is the first major studio movie to address

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<v Speaker 1>the country's economic problems posits fascism as a solution. But see,

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<v Speaker 1>isn't that sign of the vacuum that was also happening

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<v Speaker 1>in the nies in Germany? Yeah, I mean, yeah, that's

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<v Speaker 1>the same. There's like this vacuum here for like a

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<v Speaker 1>need of like pick us up. Yeah, And it's it's

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<v Speaker 1>evidence that the same trends that put Hitler into power

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<v Speaker 1>could have easily put a fascist into power in the

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<v Speaker 1>United States because clearly people are thinking along those lines.

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<v Speaker 1>Wouldn't be great if some strong guy could just come

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<v Speaker 1>along and fix with the answers. Yeah, it's always a

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<v Speaker 1>threat like that. Like Germany wasn't the only country that

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<v Speaker 1>the current running through it? Um So. Gabriel over the

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<v Speaker 1>White House premiered in Berlin in February of ninety four. Obviously,

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<v Speaker 1>it passed the censors. The Nazis of this movie. It

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<v Speaker 1>played for fifty and consecutive days in its first run. Ironically,

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<v Speaker 1>Hayes's changes actually put the movie more in line with

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<v Speaker 1>a key Nazi concept, fewer princip or the leader principle.

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<v Speaker 1>This is sort of the core of Nazism, Like one

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<v Speaker 1>of the core kernels of Nazi ideology is the fewer principle. Um.

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<v Speaker 1>It evolved out of the Social Darwinis theories of a

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<v Speaker 1>guy named Herman Groff caser Ling, who felt that certain

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<v Speaker 1>individuals were quote born to rule. The book Darker Legacies

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<v Speaker 1>of the Law in Europe sites the work of a

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<v Speaker 1>guy named Huber who gives a good explanation of the

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<v Speaker 1>fewer principles. So I'm going to quote that in the

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<v Speaker 1>Fewer the essential laws of the Vulcan, which is the

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<v Speaker 1>people come into manifestation. By allowing these essential laws to emerge,

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<v Speaker 1>he sets up the great common objectives that have to

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<v Speaker 1>be realized. The fewer embodies the overall will of the

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<v Speaker 1>people as an objective historical quantity. So the idea of

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<v Speaker 1>the fewer principle is that like, there's this the will

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<v Speaker 1>of the people can become manifest in a man, and

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<v Speaker 1>it's almost a supernatural thing, and he's chosen by destiny

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<v Speaker 1>to embody the people's will, which is exactly what Hayes

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<v Speaker 1>has changes had made it from like the president gets

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<v Speaker 1>hurt in the head and it makes him more decisive

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<v Speaker 1>to God chooses the president to be the vessel of

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<v Speaker 1>American from the viewpoint of the people. Not only is

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<v Speaker 1>he of us, he is us. Yeah, he is. He

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<v Speaker 1>speaks we speak through him. Exactly. So Hayes had inadvertently

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<v Speaker 1>made Gabriel Over the White House even better Nazi propaganda

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<v Speaker 1>as a result of his censorship, which hopefully was an accident. Yeah,

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<v Speaker 1>I think it was an accident. Mulligan on that. Yeah,

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<v Speaker 1>we'll give him Mulligan on accidentally making Nazi propaganda. Who

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<v Speaker 1>hasn't you know we all trial accidentally was so a

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<v Speaker 1>Nazi newspaper doubt and grief, which means the attack. Let

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<v Speaker 1>a man named Brandon. Yeah, it's the Nazi, the attack

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<v Speaker 1>and the like somebody in the writer's room for a

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<v Speaker 1>Nazi should have been little on the nose. We're calling

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<v Speaker 1>ourselves a little on the nose. They love that ship.

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<v Speaker 1>So a Nazi reviewer reviewed Gabriel Over the White House

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<v Speaker 1>and concluded that the movie was proof that the fewer

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<v Speaker 1>principle was deeply embedded in the human soul that German

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<v Speaker 1>fascism was was emblematic of a greater human truth, because

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<v Speaker 1>even America's democratic traditions hadn't been able to destroy this.

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<v Speaker 1>So like the Nazis watched this movie, they're like, oh,

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<v Speaker 1>the Americans are fascists, Like they just haven't overthrown their

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<v Speaker 1>decadent government. But they feel it too. But they feel

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<v Speaker 1>it too. That's in all of this matter where you are.

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<v Speaker 1>You know, if you try to do the opposite, you're

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<v Speaker 1>gonna end up being like, well, you know what feels

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<v Speaker 1>right though, fascism? Yeah, fuck it. Maybe they're right. Uh yeah,

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<v Speaker 1>So here's a quote from that German movie reviewer. At

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<v Speaker 1>first the smiling, somewhat complacent parliamentary politician, then the completely

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<v Speaker 1>transformed figure of a man possessed by a holy fanaticism,

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<v Speaker 1>one who sees himself as above all party authority, as leader,

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<v Speaker 1>and as patron of the interests of his entire people

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<v Speaker 1>and all of humanity. So again they see this as

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<v Speaker 1>clearly like, oh, this is just like America, being like,

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<v Speaker 1>what if we had our own Hitler? They love it.

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<v Speaker 1>So movie president fascist even got to commit a mass

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<v Speaker 1>murder of his own. That's part of the movie. Yeah, yeah, yeah,

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<v Speaker 1>But because it's the thirties, the people he massacres are gangsters.

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<v Speaker 1>They deserve it. Organized criminals. Yeah. Well, he describes these

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<v Speaker 1>people as like the running man. As long as these

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<v Speaker 1>people are like prisoners and jail, who cares they have

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<v Speaker 1>committed a crime, It's okay to kill anybody. Absolutely yeah

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<v Speaker 1>the movie. President describes these organized criminals as quote a malignant,

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<v Speaker 1>cancerous growth eating at the spiritual health of the American people. Uh,

0:11:32.080 --> 0:11:34.480
<v Speaker 1>the only way to deal with gangsters is to eliminate them,

0:11:34.480 --> 0:11:37.240
<v Speaker 1>so that our citizen, pursuing his peaceful way will no

0:11:37.320 --> 0:11:39.520
<v Speaker 1>longer be forced to conduct his business in the shadow

0:11:39.559 --> 0:11:42.520
<v Speaker 1>of extortion and debt. At one point, again meant to

0:11:42.520 --> 0:11:45.040
<v Speaker 1>be a heroic moment, the President gets the head gangster

0:11:45.120 --> 0:11:47.640
<v Speaker 1>and his men into a court martial and sentences them

0:11:47.640 --> 0:11:50.720
<v Speaker 1>all to die. You're the last of the racketeers, he said,

0:11:50.960 --> 0:11:53.000
<v Speaker 1>And why because we have in the White House a

0:11:53.000 --> 0:11:54.959
<v Speaker 1>man who has enabled us to cut the red tape

0:11:54.960 --> 0:11:57.840
<v Speaker 1>of legal procedures and get back to first principles. And

0:11:57.920 --> 0:11:59.880
<v Speaker 1>I for an eye Nick Diamond, who's the head of

0:11:59.880 --> 0:12:02.360
<v Speaker 1>the gangsters. A tooth for a tooth, a life for

0:12:02.400 --> 0:12:05.880
<v Speaker 1>a life. So President movie Fascists sets up a concentration

0:12:05.920 --> 0:12:09.079
<v Speaker 1>camp on Ellis Island and personally oversees the execution of

0:12:09.120 --> 0:12:13.679
<v Speaker 1>all the gangsters. Now had concentration camps already begun. Oh,

0:12:13.800 --> 0:12:17.440
<v Speaker 1>they've been happening for decades and decades in Germany over

0:12:17.520 --> 0:12:20.679
<v Speaker 1>the Nazi Germany. The word Nazi Germany. It happens as

0:12:20.679 --> 0:12:22.760
<v Speaker 1>soon as the Nazis are in power. They started at

0:12:22.800 --> 0:12:25.320
<v Speaker 1>first they have what are called the open air concentration camps,

0:12:25.760 --> 0:12:28.360
<v Speaker 1>but they're building camps this whole period of time. But

0:12:28.440 --> 0:12:32.120
<v Speaker 1>also concentration camps had started. We did a whole episode

0:12:32.120 --> 0:12:35.080
<v Speaker 1>on this, but they were very well established at this point.

0:12:35.120 --> 0:12:38.040
<v Speaker 1>So he lines up all the gangsters because you're camp

0:12:38.240 --> 0:12:41.760
<v Speaker 1>corrupt people, and he's sealing money. Yeah, and I'm going

0:12:41.800 --> 0:12:44.280
<v Speaker 1>to kill you all. And then the Nazi beasts and

0:12:44.280 --> 0:12:48.280
<v Speaker 1>then the Nazis watched this and go, now bear with me,

0:12:48.480 --> 0:12:55.960
<v Speaker 1>what if I think gangster? But let's write ja Yeah,

0:12:56.120 --> 0:13:00.120
<v Speaker 1>yeah exactly. Um So the Nazis loved this movie v

0:13:00.760 --> 0:13:03.760
<v Speaker 1>but high ranking Nazis like Joseph Gebbels are actually very

0:13:03.760 --> 0:13:06.840
<v Speaker 1>frustrated by it. He liked the movie, but he hated

0:13:06.840 --> 0:13:10.680
<v Speaker 1>how much better American studios were in making fascist propaganda.

0:13:11.080 --> 0:13:16.240
<v Speaker 1>He felt that actual Nazi filmmakers were often absolutely atrocious. Hitler,

0:13:16.320 --> 0:13:20.240
<v Speaker 1>for his part, didn't like propaganda entertainment. Hitler's feeling was

0:13:20.280 --> 0:13:22.360
<v Speaker 1>that quote, it makes me sick when I see political

0:13:22.400 --> 0:13:24.720
<v Speaker 1>propaganda hiding under the guys of art. Let it be

0:13:24.760 --> 0:13:27.240
<v Speaker 1>either art or politics, Jimmy King Kong, or give me

0:13:27.280 --> 0:13:29.800
<v Speaker 1>a newsreel. Don't give me both. Which is why the

0:13:29.840 --> 0:13:32.600
<v Speaker 1>most famous Nazi propaganda film is Triumph of the Will,

0:13:32.679 --> 0:13:35.440
<v Speaker 1>the famous Lennie reefinstall movie. If you've seen clips of

0:13:35.520 --> 0:13:38.199
<v Speaker 1>Germans Nazis marching and Hitler's it's probably from Triumph of

0:13:38.240 --> 0:13:42.040
<v Speaker 1>the Will. It's like the most famous proper explicitly propaganda

0:13:42.040 --> 0:13:45.760
<v Speaker 1>film of all time, but it was not overwhelmingly popular

0:13:45.840 --> 0:13:48.720
<v Speaker 1>in fact in Nazi Germany in the year that Triumph

0:13:48.760 --> 0:13:51.560
<v Speaker 1>of the Will was released nineteen thirty five. In that year,

0:13:52.000 --> 0:13:55.920
<v Speaker 1>nine American films outperformed at the box office. So per

0:13:56.200 --> 0:13:59.320
<v Speaker 1>last episode, when I said, well, they'll all go see

0:13:59.360 --> 0:14:02.439
<v Speaker 1>it if it's American film. That that's not necessarily true. No,

0:14:02.640 --> 0:14:05.600
<v Speaker 1>that will They won't go see a German fascist propaganda movie,

0:14:05.600 --> 0:14:08.320
<v Speaker 1>but they will all go see American movies that are

0:14:08.360 --> 0:14:11.480
<v Speaker 1>regarded as being fat because the American movies are entertaining,

0:14:12.080 --> 0:14:14.960
<v Speaker 1>So so Gabriel over the White House performed the best

0:14:15.080 --> 0:14:17.160
<v Speaker 1>it performed. Well, oh, I thought you said there was

0:14:17.200 --> 0:14:20.960
<v Speaker 1>nine movies that performed better better than Triumph of the World.

0:14:21.280 --> 0:14:23.320
<v Speaker 1>Triumph of the Will actually isn't in the top ten

0:14:23.400 --> 0:14:26.840
<v Speaker 1>most popular movies in Germany that you're released. Yeah, it

0:14:26.920 --> 0:14:30.120
<v Speaker 1>was not, because it's it's it's great if you want

0:14:30.120 --> 0:14:33.680
<v Speaker 1>to scare people about how powerful New Germany is. But

0:14:33.800 --> 0:14:39.040
<v Speaker 1>nobody watched that movie and got convinced of anything, right, gotcha, gotcha?

0:14:39.680 --> 0:14:42.560
<v Speaker 1>So I'm going to read a quote from the collaboration

0:14:42.800 --> 0:14:46.359
<v Speaker 1>which is talking about sort of how the Nazis propaganda

0:14:46.360 --> 0:14:50.160
<v Speaker 1>movies were not particularly successful in Nazi Germany. In a sense,

0:14:50.240 --> 0:14:53.320
<v Speaker 1>the most successful Nazi propaganda film of the nineteen thirties

0:14:53.360 --> 0:14:56.120
<v Speaker 1>was not Triumph of the Will, commissioned by Hitler, but

0:14:56.200 --> 0:14:59.720
<v Speaker 1>The Lives of a Bengal Lancer produced by Paramount Now.

0:14:59.760 --> 0:15:02.000
<v Speaker 1>The Eyes of the Bengal Lancer was a very popular

0:15:02.040 --> 0:15:03.800
<v Speaker 1>movie at the time in the United States. It was

0:15:03.880 --> 0:15:07.360
<v Speaker 1>nominated for seven Academy Awards. It focused around a unit

0:15:07.360 --> 0:15:10.360
<v Speaker 1>of British cavalrymen defending their headquarters in Bengal from a

0:15:10.360 --> 0:15:14.040
<v Speaker 1>local Indian uprising. Gary Cooper played a leading role the

0:15:14.080 --> 0:15:16.640
<v Speaker 1>bad guy Mohammed Khan was probably the first character in

0:15:16.720 --> 0:15:18.840
<v Speaker 1>history to use the line we have ways to make

0:15:18.920 --> 0:15:21.600
<v Speaker 1>men talk in a torture scene. So that's where that

0:15:21.600 --> 0:15:25.440
<v Speaker 1>that you've heard different variations, that's where that originated from.

0:15:25.520 --> 0:15:29.120
<v Speaker 1>The Nazis loved this movie because it yet again provided

0:15:29.160 --> 0:15:31.880
<v Speaker 1>a perfect depiction of the fewer principle at work. The

0:15:31.920 --> 0:15:34.640
<v Speaker 1>colonel in charge of the British cavalry unit is depicted

0:15:34.680 --> 0:15:37.400
<v Speaker 1>as infalliable. He's not even willing to negotiate with the

0:15:37.480 --> 0:15:39.920
<v Speaker 1>enemy when they capture his own son. One of the

0:15:39.960 --> 0:15:42.920
<v Speaker 1>colonel soldiers criticizes him for this and gets harangued by

0:15:42.920 --> 0:15:45.880
<v Speaker 1>a major who basically outlines Nazi racial theory in a

0:15:45.880 --> 0:15:49.800
<v Speaker 1>few words. Man, you are blind. Have you never thought how?

0:15:49.880 --> 0:15:53.000
<v Speaker 1>For generation after generation, here a handful of men have

0:15:53.120 --> 0:15:56.280
<v Speaker 1>ordered the lives of three million people. It's because he's here,

0:15:56.320 --> 0:15:58.440
<v Speaker 1>and a few more like him, men of his breed

0:15:58.480 --> 0:16:01.520
<v Speaker 1>have made British India men who put their jobs above everything.

0:16:01.800 --> 0:16:03.640
<v Speaker 1>He wouldn't let death move him from it, and he

0:16:03.680 --> 0:16:06.000
<v Speaker 1>won't let love move him from it. When his breed

0:16:06.000 --> 0:16:07.920
<v Speaker 1>of man dies out. That's the end. And it's a

0:16:07.960 --> 0:16:10.240
<v Speaker 1>better breed of man than any of us will ever make.

0:16:10.760 --> 0:16:13.560
<v Speaker 1>And it's worth noting as Erland does that. In the

0:16:13.640 --> 0:16:16.960
<v Speaker 1>German version of this movie, the major says a handful

0:16:17.000 --> 0:16:21.080
<v Speaker 1>of white men protect three hundred Indians from chaos. So

0:16:22.400 --> 0:16:25.120
<v Speaker 1>the movie was actually edited by Hollywood to make it

0:16:25.200 --> 0:16:29.480
<v Speaker 1>more racist for the Nazis. Yeah, watching this movie gave

0:16:29.560 --> 0:16:33.080
<v Speaker 1>Joseph Gebel's the insight that in effective propaganda, a hero

0:16:33.280 --> 0:16:36.800
<v Speaker 1>does not always speak heroically, but he acts heroically. In

0:16:36.800 --> 0:16:39.600
<v Speaker 1>other words, it's more effective to make a propaganda movie

0:16:39.640 --> 0:16:44.440
<v Speaker 1>that doesn't say what it's propagandizing for, that shows it exactly.

0:16:45.000 --> 0:16:47.400
<v Speaker 1>The Life of a Bengal Lancer became one of Hitler's

0:16:47.440 --> 0:16:50.160
<v Speaker 1>favorite movies of all time. The Hitler Youth screened it

0:16:50.240 --> 0:16:54.200
<v Speaker 1>for tens of thousands of young Nazis. Gert Eckert, their leader,

0:16:54.280 --> 0:16:57.520
<v Speaker 1>noted ruefully, it is shameful that our filmmakers lack the

0:16:57.560 --> 0:17:00.080
<v Speaker 1>courage to make a movie like The Lives Live of

0:17:00.120 --> 0:17:03.880
<v Speaker 1>a Bengal Lancer. So when we think of Nazi propaganda,

0:17:04.240 --> 0:17:07.280
<v Speaker 1>we think of triumph of the will. When Nazis thought

0:17:07.280 --> 0:17:11.880
<v Speaker 1>about effective Nazi propaganda. They thought a Gary fucking Cooper ship,

0:17:14.640 --> 0:17:18.000
<v Speaker 1>Thanks Paramount. Yeah, these are not the only pro fascist

0:17:18.040 --> 0:17:20.240
<v Speaker 1>movies made by Hollywood in this time. There was another

0:17:20.240 --> 0:17:23.560
<v Speaker 1>film called Our Daily Bread that was a great example

0:17:23.600 --> 0:17:26.119
<v Speaker 1>of fascism in Hollywood in the thirties. On its surface,

0:17:26.160 --> 0:17:28.160
<v Speaker 1>the film was about a bunch of unemployed men who

0:17:28.160 --> 0:17:30.439
<v Speaker 1>start a farm together. At one point, all the men

0:17:30.520 --> 0:17:33.160
<v Speaker 1>sit down to try to decide how to like organize

0:17:33.160 --> 0:17:36.560
<v Speaker 1>their new society. Right, one guy suggests, basically anarchy where

0:17:36.560 --> 0:17:39.600
<v Speaker 1>everybody's equal. One guy suggested democracy where everybody votes. And

0:17:39.640 --> 0:17:42.360
<v Speaker 1>then one dude's like, what if we make the protagonist

0:17:42.440 --> 0:17:44.159
<v Speaker 1>of the movie. What if he's just in charge of

0:17:44.240 --> 0:17:46.280
<v Speaker 1>us and we all blindly follow whatever he says, And

0:17:46.280 --> 0:17:49.280
<v Speaker 1>then everybody cheers and immediately realize that this is the

0:17:49.320 --> 0:17:51.239
<v Speaker 1>best way to organize. But would they tell you in

0:17:51.600 --> 0:17:56.160
<v Speaker 1>Hollywood that this this also is a response to the depression? Yeah,

0:17:56.280 --> 0:17:59.040
<v Speaker 1>of like, these people don't have anything, so they set

0:17:59.080 --> 0:18:01.800
<v Speaker 1>out to go and make on their own and farm

0:18:01.880 --> 0:18:03.919
<v Speaker 1>their own land and not have to rely on the

0:18:03.960 --> 0:18:07.120
<v Speaker 1>government falling out from under them. Yes, but when they

0:18:07.160 --> 0:18:09.840
<v Speaker 1>have to pick a leader for their group, everything is

0:18:09.880 --> 0:18:12.600
<v Speaker 1>all the different political styles are suggested and they go

0:18:12.720 --> 0:18:16.399
<v Speaker 1>with one guy is just an absolute ruler. Yeah, and

0:18:16.440 --> 0:18:19.679
<v Speaker 1>they cheer that like that, Like the Nazis loved Our

0:18:19.760 --> 0:18:22.600
<v Speaker 1>Daily Bread played for fifty five weeks in Nazi Germany,

0:18:23.400 --> 0:18:28.080
<v Speaker 1>like more than a year. Ernst Choral, Production chief of UFA,

0:18:28.280 --> 0:18:31.240
<v Speaker 1>the German film production company, actually wrote a report on

0:18:31.240 --> 0:18:34.120
<v Speaker 1>the movie and basically said that it was such perfect

0:18:34.400 --> 0:18:37.080
<v Speaker 1>fascist propaganda that it seemed like it had been made

0:18:37.119 --> 0:18:40.639
<v Speaker 1>under orders from the propaganda ministry like that. He was like,

0:18:40.680 --> 0:18:42.920
<v Speaker 1>this is such a perfect movie. I feel like Joseph

0:18:42.960 --> 0:18:46.679
<v Speaker 1>Gebel's outlined the plot for them to follow. So the

0:18:46.760 --> 0:18:49.879
<v Speaker 1>Nazis also loved. Mr Smith gost to Washington UH and

0:18:49.960 --> 0:18:52.920
<v Speaker 1>said that it was quote excellent propaganda that riticals corruption

0:18:52.960 --> 0:18:57.199
<v Speaker 1>and parliamentarianism in Washington. Jimmy Stewart don't like that, no, well,

0:18:57.200 --> 0:18:59.560
<v Speaker 1>I mean Jimmy Stewart bombed the Nazis in World War Two.

0:19:00.440 --> 0:19:02.399
<v Speaker 1>But they looked at it and saw, well, here's a

0:19:02.400 --> 0:19:05.600
<v Speaker 1>movie about how shitty democracy is and how one guy

0:19:05.720 --> 0:19:08.119
<v Speaker 1>with a vision has to come in and fix this

0:19:08.200 --> 0:19:11.480
<v Speaker 1>corrupt town. You see that, Like that's that's the key,

0:19:11.480 --> 0:19:14.080
<v Speaker 1>because this means you want to say that they're retrofitting it, right,

0:19:14.119 --> 0:19:16.879
<v Speaker 1>but it's so, but it's also there. It's there, And

0:19:16.920 --> 0:19:18.359
<v Speaker 1>this is one of the things that's scary because this

0:19:18.440 --> 0:19:20.520
<v Speaker 1>is still the way movies work, where it's just if

0:19:20.520 --> 0:19:23.080
<v Speaker 1>you're telling a story, you've got ninety minutes, you're trying

0:19:23.119 --> 0:19:26.119
<v Speaker 1>to get a lot of It's easier to have one person.

0:19:26.320 --> 0:19:28.800
<v Speaker 1>You know, in history it's usually big groups of people

0:19:28.800 --> 0:19:32.040
<v Speaker 1>who make things happen. It's way easier to pick one protagonist.

0:19:32.119 --> 0:19:35.600
<v Speaker 1>But that also these stories that are easy to follow

0:19:35.760 --> 0:19:39.440
<v Speaker 1>also kind of reinforce these attitudes that like you're behind

0:19:39.480 --> 0:19:42.920
<v Speaker 1>one man, get behind one man, and so a lot

0:19:42.960 --> 0:19:46.040
<v Speaker 1>of it is not that there's even direct collaboration going on,

0:19:46.160 --> 0:19:50.280
<v Speaker 1>it's just that the way movies work is entertainment really

0:19:50.280 --> 0:19:54.040
<v Speaker 1>wound up reinforcing Nazi beliefs about how the Untrix fascist

0:19:54.040 --> 0:19:56.840
<v Speaker 1>film kind of right a little bit. I mean, if

0:19:56.880 --> 0:19:59.119
<v Speaker 1>you want to view with that, you could. If The

0:19:59.160 --> 0:20:01.280
<v Speaker 1>Matrix had come out nineteen thirty six, I think the

0:20:01.320 --> 0:20:04.040
<v Speaker 1>Germans would have loved it and also would have seen

0:20:04.200 --> 0:20:08.440
<v Speaker 1>that the Smith as a Jewish stand very racist. But yeah,

0:20:08.480 --> 0:20:12.760
<v Speaker 1>the one, the one we need him, Yeah, he is

0:20:12.800 --> 0:20:17.760
<v Speaker 1>the savior. Yeah, yeah, I mean it's you think too

0:20:17.840 --> 0:20:19.359
<v Speaker 1>much about it and you start to get kind of

0:20:19.359 --> 0:20:21.760
<v Speaker 1>hopeless about the nature of storytelling because there is an

0:20:21.760 --> 0:20:24.000
<v Speaker 1>aspect of it where it's like, well, how do you

0:20:24.040 --> 0:20:26.760
<v Speaker 1>tell a story without reinforcing these things? But also I'm

0:20:26.800 --> 0:20:29.080
<v Speaker 1>saying on some level there has to be some retrofitting.

0:20:29.520 --> 0:20:31.880
<v Speaker 1>But when you but then that's why you get into

0:20:31.920 --> 0:20:34.480
<v Speaker 1>the book, the collaboration where you're like, how much was

0:20:36.960 --> 0:20:39.160
<v Speaker 1>and we do know that lions were at it, and like, yeah,

0:20:39.320 --> 0:20:41.680
<v Speaker 1>and we know that Joseph Gebbels was. He was very

0:20:41.720 --> 0:20:44.840
<v Speaker 1>frustrated by all this because he loved Hollywood movies, but

0:20:44.960 --> 0:20:48.360
<v Speaker 1>he could not get German filmmakers, Nazi filmmakers, to make

0:20:48.560 --> 0:20:53.560
<v Speaker 1>anything that compared to what Hollywood was making. He's lamented

0:20:53.560 --> 0:20:57.159
<v Speaker 1>that German writers have seldom expressed national socialist ideas in

0:20:57.200 --> 0:20:59.720
<v Speaker 1>the relaxed, lively way that we see in the examples

0:20:59.760 --> 0:21:01.400
<v Speaker 1>I have just given. He was talking about the movies

0:21:01.400 --> 0:21:04.000
<v Speaker 1>we've just talked about. Our German writers have been able

0:21:04.040 --> 0:21:06.760
<v Speaker 1>to find the form to depict nationalists into some degree

0:21:06.840 --> 0:21:09.560
<v Speaker 1>national socialist ideas and film, but they have not yet

0:21:09.640 --> 0:21:11.720
<v Speaker 1>mustered up the freedom to shape their work in the

0:21:11.760 --> 0:21:14.880
<v Speaker 1>way I have described naturally, we will continue making films

0:21:14.920 --> 0:21:17.760
<v Speaker 1>about our own history, but something new, entirely new, something

0:21:17.760 --> 0:21:21.760
<v Speaker 1>like our daily bread, would considerably expand our propagandistic abilities.

0:21:22.359 --> 0:21:25.080
<v Speaker 1>So like what Girbel's estating that all of the movies

0:21:25.119 --> 0:21:28.080
<v Speaker 1>that German filmmakers tried to make to embody this fewer

0:21:28.119 --> 0:21:31.760
<v Speaker 1>principle were based on actual figures from history, like they

0:21:31.760 --> 0:21:33.960
<v Speaker 1>would pick a guy like Otto von Bismarck and they

0:21:33.960 --> 0:21:35.840
<v Speaker 1>would make a movie about him to try to like.

0:21:36.280 --> 0:21:39.280
<v Speaker 1>But that Americans seem to be the only people who

0:21:39.359 --> 0:21:42.959
<v Speaker 1>had the ability to just imagine a fascist leader and

0:21:43.000 --> 0:21:45.960
<v Speaker 1>make a movie about him. For whatever reason, the Germans

0:21:46.000 --> 0:21:48.240
<v Speaker 1>could only go back to their history to make propaganda,

0:21:48.280 --> 0:21:51.800
<v Speaker 1>and Americans possessed at the time the seemingly unique ability

0:21:51.840 --> 0:21:55.760
<v Speaker 1>to realistically imagine a dictator, which brings the question, do

0:21:55.840 --> 0:21:58.280
<v Speaker 1>you have to have freedom in order to make truly

0:21:58.400 --> 0:22:03.920
<v Speaker 1>excellent fascist propaganda? Uh? Because the Nazis couldn't. It's weird.

0:22:04.600 --> 0:22:07.359
<v Speaker 1>So Hollywood Studio sold, as I said, sixty five movies

0:22:07.359 --> 0:22:09.840
<v Speaker 1>to Germany nineteen thirty three. This would be their high

0:22:09.880 --> 0:22:12.800
<v Speaker 1>water mark. The tide turned against them on March second,

0:22:12.880 --> 0:22:15.520
<v Speaker 1>nineteen thirty four, when Hollywood had the unmitigated goal to

0:22:15.560 --> 0:22:19.080
<v Speaker 1>produce tar Tarzan the Eighth Man. The movie had actually

0:22:19.080 --> 0:22:20.679
<v Speaker 1>been out for more than a year when the Nazis

0:22:20.720 --> 0:22:24.679
<v Speaker 1>suddenly banned it. Article fifteen had recently been changed, adding

0:22:24.680 --> 0:22:27.320
<v Speaker 1>that films could be banned if they quote harmed national,

0:22:27.400 --> 0:22:31.480
<v Speaker 1>socialist ethical artistic sensibilities. The banning process for Tarzan had

0:22:31.520 --> 0:22:34.320
<v Speaker 1>started when dr Ernst Seeger, the chief censor of Germany,

0:22:34.520 --> 0:22:37.199
<v Speaker 1>had actually objected to the film for a reason I

0:22:37.240 --> 0:22:39.520
<v Speaker 1>think will surprise everybody. So I'm going to read his

0:22:39.560 --> 0:22:44.359
<v Speaker 1>objections to Tarzan the Ape Man. No, no, it's not

0:22:44.400 --> 0:22:46.359
<v Speaker 1>what you'd guess at all. It's nothing racist. Did that

0:22:46.400 --> 0:22:49.119
<v Speaker 1>Tarzan even have long here? I know that movie? I

0:22:49.119 --> 0:22:51.679
<v Speaker 1>don't know. Probably not. I'm a hacking a fraud, so

0:22:51.680 --> 0:22:54.680
<v Speaker 1>I did not not. I did not research that part.

0:22:55.119 --> 0:22:58.320
<v Speaker 1>But here's dr Ernst Seeger expressing his his issues with

0:22:58.400 --> 0:23:01.160
<v Speaker 1>Tarzan the Ape Man. This film is one of those

0:23:01.200 --> 0:23:03.560
<v Speaker 1>Africa pictures that would aim to awaken the thrill of

0:23:03.600 --> 0:23:06.920
<v Speaker 1>sadistic instincts stincts in the spectator by deliberately and subtly

0:23:06.960 --> 0:23:10.000
<v Speaker 1>emphasizing the atrocities in the struggle between humans and animals,

0:23:10.000 --> 0:23:12.920
<v Speaker 1>as well as that between animals of different kinds. It's

0:23:12.920 --> 0:23:15.760
<v Speaker 1>a moral and bestializing effect is illuminated in the fact

0:23:15.720 --> 0:23:17.919
<v Speaker 1>that the audience laughs at the mortal danger of a

0:23:18.040 --> 0:23:21.120
<v Speaker 1>nice little monkey who lets out atrocious death screams while

0:23:21.119 --> 0:23:24.399
<v Speaker 1>clumsily running from a roaring panther, and furthermore titters with

0:23:24.440 --> 0:23:27.480
<v Speaker 1>pleasure when a herd of elephant stampedes through a Negro village,

0:23:27.760 --> 0:23:30.040
<v Speaker 1>and when an elephant hurls a pigmy through the air

0:23:30.119 --> 0:23:32.960
<v Speaker 1>onto the ground, where the unfortunate soul parishes, writing and

0:23:33.000 --> 0:23:36.359
<v Speaker 1>pitiable death, convulsions and shrieks. The cruelty to animals that

0:23:36.359 --> 0:23:38.640
<v Speaker 1>occurred in the making of this picture is a cultural

0:23:38.680 --> 0:23:41.399
<v Speaker 1>disgrace which has been barred from taking place in the

0:23:41.480 --> 0:23:45.080
<v Speaker 1>New Germany because of the animal protection law we have instituted.

0:23:45.400 --> 0:23:47.879
<v Speaker 1>The film law should spare no means in preventing foreign

0:23:47.920 --> 0:23:50.080
<v Speaker 1>pictures of this type from reaching the screen in Germany.

0:23:50.280 --> 0:23:52.639
<v Speaker 1>For the producers of these pictures are breaking the fundamental

0:23:52.680 --> 0:23:56.199
<v Speaker 1>precepts of humanity and their pure obsession with profit not

0:23:56.320 --> 0:23:59.400
<v Speaker 1>what you'd call it, right, Take key cared about animals,

0:23:59.480 --> 0:24:03.360
<v Speaker 1>any care about African people being shown? Well I don't

0:24:03.400 --> 0:24:05.800
<v Speaker 1>think that, yeah, but well he cared about the African

0:24:05.800 --> 0:24:08.240
<v Speaker 1>people he cared about. He hated a scene where a

0:24:08.280 --> 0:24:11.560
<v Speaker 1>Negro what he called a Negro village was destroyed and

0:24:11.560 --> 0:24:15.720
<v Speaker 1>were killed. He was horrified by all this. So this

0:24:15.760 --> 0:24:17.960
<v Speaker 1>isn't that crazy that like some of the worst people

0:24:18.000 --> 0:24:20.760
<v Speaker 1>in history. Also, like we're early on that tip of

0:24:20.760 --> 0:24:23.680
<v Speaker 1>like be nice to animals. They were the first people

0:24:23.720 --> 0:24:26.720
<v Speaker 1>to put through like really modern animal rights laws. It's

0:24:26.760 --> 0:24:28.560
<v Speaker 1>hard for me sometimes to watch like a really old

0:24:28.560 --> 0:24:30.320
<v Speaker 1>movie with the horses, where you're like, I just don't

0:24:30.320 --> 0:24:33.320
<v Speaker 1>give a ship, I don't care what happens. I didn't

0:24:33.320 --> 0:24:35.800
<v Speaker 1>really care about people either, because they got a lot

0:24:35.800 --> 0:24:39.560
<v Speaker 1>of actually just killed at those days. So we're going

0:24:39.600 --> 0:24:42.400
<v Speaker 1>to get into more about tars and the ape man

0:24:42.560 --> 0:24:46.320
<v Speaker 1>and what the Nazis did with that, because the the

0:24:46.359 --> 0:24:48.879
<v Speaker 1>problems wrinkle out from here. So Seeger is not the

0:24:48.920 --> 0:24:51.440
<v Speaker 1>only person with objections movie. He's just the only person

0:24:51.480 --> 0:24:54.919
<v Speaker 1>with not racist objections to the movie. Um, but first

0:24:55.080 --> 0:25:05.359
<v Speaker 1>it is time for some adds and we're back. Those

0:25:05.359 --> 0:25:09.080
<v Speaker 1>were some great ads, fantastic people should take your advice

0:25:09.119 --> 0:25:12.760
<v Speaker 1>on those. Yes, please buy these products indoor services. Now

0:25:13.440 --> 0:25:16.840
<v Speaker 1>we just talked about Seeger's surprising objections to Tarzan the

0:25:16.880 --> 0:25:19.800
<v Speaker 1>eight Man. Well, I wasn't surprising he objected, yeah, but

0:25:19.880 --> 0:25:23.320
<v Speaker 1>surprising that he objected because it was cruel to animals

0:25:23.440 --> 0:25:27.320
<v Speaker 1>and to people, rather than I think so he must.

0:25:27.359 --> 0:25:28.760
<v Speaker 1>I think at this point he would have had to

0:25:28.760 --> 0:25:30.320
<v Speaker 1>have been a member of the party. I don't know

0:25:30.359 --> 0:25:33.359
<v Speaker 1>if he like most people who joined the party. I've

0:25:33.440 --> 0:25:36.600
<v Speaker 1>just never thought of a Nazi and also simultaneously thought,

0:25:36.640 --> 0:25:40.879
<v Speaker 1>good call. Yeah, it's weird, right, I mean, even the

0:25:40.960 --> 0:25:43.920
<v Speaker 1>Nazi clock is we're right once a day. There you go,

0:25:44.320 --> 0:25:47.360
<v Speaker 1>there you go. So everything we just talked about. His wife,

0:25:47.359 --> 0:25:49.880
<v Speaker 1>Seeger thought the movie needed to be banned, but he

0:25:49.960 --> 0:25:51.920
<v Speaker 1>wasn't sure of his own judgment, and so he sent

0:25:51.960 --> 0:25:54.240
<v Speaker 1>the film off to the Propaganda Ministry to basically get

0:25:54.240 --> 0:25:56.639
<v Speaker 1>their input on the matter, and once they reviewed it,

0:25:56.680 --> 0:25:59.680
<v Speaker 1>they concluded that quote this film must be sensor must

0:25:59.680 --> 0:26:03.080
<v Speaker 1>be considered dangerous. The Nazi state has been tirelessly trying

0:26:03.119 --> 0:26:06.080
<v Speaker 1>to awaken in public opinion the highest sense of responsibility

0:26:06.119 --> 0:26:08.239
<v Speaker 1>in the selection of a husband. It has also put

0:26:08.280 --> 0:26:11.200
<v Speaker 1>a great deal of effort into freeing the ideas of marriage, womanhood,

0:26:11.200 --> 0:26:14.080
<v Speaker 1>and motherhood from the superficial distortion of the past epoch,

0:26:14.400 --> 0:26:17.920
<v Speaker 1>which was completely aimed at sexuality and making them honorable again.

0:26:18.160 --> 0:26:20.520
<v Speaker 1>A film that puts pure libido in the foreground, that

0:26:20.520 --> 0:26:23.399
<v Speaker 1>tends to imply that a jungle man, virtually an ape,

0:26:23.640 --> 0:26:25.840
<v Speaker 1>is capable of the noblest impulses of the soul and

0:26:25.920 --> 0:26:29.119
<v Speaker 1>is a worthy marriage partner, certainly runs against the tendencies

0:26:29.119 --> 0:26:33.080
<v Speaker 1>of national socialism with regards to population politics. So there's

0:26:33.119 --> 0:26:35.960
<v Speaker 1>your natural to the marriage is not just between a

0:26:36.000 --> 0:26:39.879
<v Speaker 1>man and a woman, it's between a distinguished man and

0:26:39.920 --> 0:26:42.200
<v Speaker 1>a woman. And you can't show a man who's basically

0:26:42.240 --> 0:26:46.760
<v Speaker 1>an ape winning the affections of a noble German woman

0:26:46.880 --> 0:26:50.840
<v Speaker 1>because they yea, because they aren't of German caliber. Yeah,

0:26:50.920 --> 0:26:54.359
<v Speaker 1>essentially exactly, it's not us. Yeah. So this the propaganda

0:26:54.400 --> 0:26:58.440
<v Speaker 1>ministries problem with this is what you'd expect from the Nazis.

0:26:58.880 --> 0:27:03.720
<v Speaker 1>I'm just weirded out that seegars anyway, So this sort

0:27:03.760 --> 0:27:06.640
<v Speaker 1>of opened the damn from the Nazis banning movies. Um

0:27:06.680 --> 0:27:09.280
<v Speaker 1>secret only banned two or three titles a year previously,

0:27:09.280 --> 0:27:11.480
<v Speaker 1>but after this he went kind of band happy because

0:27:11.840 --> 0:27:14.719
<v Speaker 1>now the president had been set that not only are

0:27:14.760 --> 0:27:18.119
<v Speaker 1>we going to stop movies that are explicitly anti German,

0:27:18.640 --> 0:27:21.840
<v Speaker 1>but we will Yeah, exactly will be in movies if

0:27:21.880 --> 0:27:24.600
<v Speaker 1>we think they will harm our racial instincts, will band

0:27:24.680 --> 0:27:27.480
<v Speaker 1>movies just because we think they present if in any

0:27:27.480 --> 0:27:30.120
<v Speaker 1>way it infringes on what we're trying to do as

0:27:30.160 --> 0:27:33.800
<v Speaker 1>a people, not who we are, not just who we

0:27:33.840 --> 0:27:36.600
<v Speaker 1>are political motives and what we are as a country,

0:27:36.640 --> 0:27:39.760
<v Speaker 1>but just our moral code. To go all the way

0:27:39.760 --> 0:27:42.200
<v Speaker 1>back to me, like, well, no, that's not how anybody

0:27:42.200 --> 0:27:45.080
<v Speaker 1>should behave, Yeah, exactly how a German would act or

0:27:45.160 --> 0:27:48.840
<v Speaker 1>behave or view things exactly. So seeger starts going band

0:27:48.880 --> 0:27:51.439
<v Speaker 1>happy after this. He can's a movie called Blonde Venus

0:27:51.480 --> 0:27:54.280
<v Speaker 1>for being a lax depiction of marriage and morality that

0:27:54.320 --> 0:27:57.399
<v Speaker 1>contradicts the nation's current emphasis on the importance of family.

0:27:57.760 --> 0:28:01.439
<v Speaker 1>He banned scarface not the the first scar face, for

0:28:01.520 --> 0:28:05.320
<v Speaker 1>making criminality look appealing. Do we know anything though about like,

0:28:05.400 --> 0:28:07.520
<v Speaker 1>you know how in our country back in the early

0:28:07.560 --> 0:28:09.840
<v Speaker 1>nineteen nards, we had the independence the people who saw

0:28:09.880 --> 0:28:12.520
<v Speaker 1>it on their own to do it. We're like, fuck

0:28:12.560 --> 0:28:15.040
<v Speaker 1>your your rules on what it has to be or whatever.

0:28:15.720 --> 0:28:18.080
<v Speaker 1>Was there that in Germany of of just these like

0:28:18.240 --> 0:28:21.919
<v Speaker 1>not artists were in charge, I mean any of the

0:28:22.040 --> 0:28:24.560
<v Speaker 1>artists who are people who were like I got a

0:28:24.560 --> 0:28:27.359
<v Speaker 1>copy of Scarface and we're gonna watch it. I there

0:28:27.400 --> 0:28:30.080
<v Speaker 1>there may have been, I mean not in a documented

0:28:30.119 --> 0:28:31.840
<v Speaker 1>sense that it felt like any sort of movement or

0:28:31.880 --> 0:28:34.119
<v Speaker 1>collective of people, not that I have any sort of

0:28:34.160 --> 0:28:37.120
<v Speaker 1>information about. Because number one, you know, you're talking about

0:28:37.160 --> 0:28:38.800
<v Speaker 1>having a copy of a film. You have like a

0:28:38.920 --> 0:28:41.320
<v Speaker 1>real at this point, so it's like a sizeable thing.

0:28:41.960 --> 0:28:44.720
<v Speaker 1>But also, like the first couple of years, the Nazis

0:28:44.760 --> 0:28:47.480
<v Speaker 1>are in power there. If you were an artist who

0:28:47.480 --> 0:28:50.200
<v Speaker 1>could be making good movies, you're either out of Germany

0:28:50.240 --> 0:28:52.479
<v Speaker 1>at this point where you're in a camp. Yeah, I

0:28:52.480 --> 0:28:57.200
<v Speaker 1>mean you know that's that's what happened. Um so yeah,

0:28:57.200 --> 0:28:59.480
<v Speaker 1>he uh seeger bands scar Face, as I said, for

0:28:59.600 --> 0:29:02.240
<v Speaker 1>making look appealing to be a criminal. He bans all

0:29:02.360 --> 0:29:06.280
<v Speaker 1>horror movies for being immoral and exciting people's bass instincts.

0:29:07.360 --> 0:29:10.400
<v Speaker 1>The Germans were not alone in this, or not alone

0:29:10.400 --> 0:29:13.719
<v Speaker 1>in banning movies. The Fox filment Caravan was banned in

0:29:13.720 --> 0:29:16.560
<v Speaker 1>France for depicting a gypsy and a white man making love.

0:29:17.320 --> 0:29:20.240
<v Speaker 1>Uh So, like how dare they? And we'll get into

0:29:20.280 --> 0:29:22.160
<v Speaker 1>Caravan a little bit, because that's not even what was

0:29:22.200 --> 0:29:25.320
<v Speaker 1>going on. But like everybody's racist back then the Nazis

0:29:25.360 --> 0:29:28.120
<v Speaker 1>are just a couple of steps racist, or there's so

0:29:28.160 --> 0:29:31.320
<v Speaker 1>much more efficient, they're super efficient at it. So by

0:29:31.400 --> 0:29:34.280
<v Speaker 1>nineteen thirty six, the situation had gotten very dark for

0:29:34.320 --> 0:29:37.160
<v Speaker 1>the Hollywood studios. Dozens of films have been rejected for import,

0:29:37.200 --> 0:29:39.600
<v Speaker 1>costing the studios millions of dollars. The only studios who

0:29:39.600 --> 0:29:41.480
<v Speaker 1>could even afford to stay in Germany by this point

0:29:41.520 --> 0:29:45.480
<v Speaker 1>were MGM, Paramount and twentieth Century Fox. The situation was

0:29:45.520 --> 0:29:48.920
<v Speaker 1>so dire that Douglas Miller, the American Trade Commissioner in Berlin,

0:29:49.080 --> 0:29:51.760
<v Speaker 1>wrote a warning letter back to d C. He said

0:29:51.840 --> 0:29:54.440
<v Speaker 1>it would be unfortunate for German American relations if our

0:29:54.480 --> 0:29:57.240
<v Speaker 1>motion picture companies no longer feel they have any possibility

0:29:57.240 --> 0:29:59.480
<v Speaker 1>of selling films in Germany or any further interest in

0:29:59.480 --> 0:30:02.400
<v Speaker 1>considering the German point of view. He also noted that

0:30:02.680 --> 0:30:05.400
<v Speaker 1>if our film ties with Germany or severed, American film

0:30:05.400 --> 0:30:07.520
<v Speaker 1>companies will jump at the chance of using stories which

0:30:07.560 --> 0:30:10.640
<v Speaker 1>will trade Germany and the Germans in an unfavorable light.

0:30:10.920 --> 0:30:13.320
<v Speaker 1>Not because they desire to injure Germany, but because they

0:30:13.320 --> 0:30:15.440
<v Speaker 1>are hungry for villains and desire a relief from the

0:30:15.480 --> 0:30:19.280
<v Speaker 1>monotony of always using Americans or unnamed foreigners in this connection.

0:30:19.840 --> 0:30:21.840
<v Speaker 1>So the government saw it as a bad thing if

0:30:21.840 --> 0:30:24.240
<v Speaker 1>Hollywood was going to start making anti Nazi movies. And

0:30:24.280 --> 0:30:27.920
<v Speaker 1>that's another important are the US government, Yeah, because they

0:30:27.920 --> 0:30:30.280
<v Speaker 1>didn't want war with Germany. At this point, there were

0:30:30.320 --> 0:30:32.440
<v Speaker 1>still a big we don't want war movement in the

0:30:32.480 --> 0:30:34.800
<v Speaker 1>United States and so there was a real worry that

0:30:35.280 --> 0:30:38.440
<v Speaker 1>solution exactly. And if Hollywood gets kicked out of Germany,

0:30:38.440 --> 0:30:40.560
<v Speaker 1>they're gonna start making anti Nazi films and that's going

0:30:40.600 --> 0:30:42.920
<v Speaker 1>to push us closer to war. So this is another factor.

0:30:42.960 --> 0:30:45.040
<v Speaker 1>It's just important to keep all of this in mind.

0:30:45.080 --> 0:30:47.880
<v Speaker 1>We're thinking about the decisions being made by these people.

0:30:48.520 --> 0:30:51.360
<v Speaker 1>So rather than pack up, the remaining studios decided to

0:30:51.440 --> 0:30:55.040
<v Speaker 1>lean into the Nazis. Um In nineteen thirty seven, Paramount

0:30:55.080 --> 0:30:57.120
<v Speaker 1>picked a manager for their Berlin branch who was a

0:30:57.120 --> 0:31:01.200
<v Speaker 1>strong Nazi Party member. Uh Fritz Steinold, who was the

0:31:01.280 --> 0:31:04.960
<v Speaker 1>gentile manager of MGM Germany, divorced his Jewish wife. She

0:31:05.080 --> 0:31:08.080
<v Speaker 1>was later sent to a concentration camp. No ship. Yeah, wait,

0:31:08.160 --> 0:31:12.920
<v Speaker 1>so this is Paramount. That was MGM. Jim and the Paramounts,

0:31:12.920 --> 0:31:16.520
<v Speaker 1>the one who picked Nazi hired a branch. Yeah, they

0:31:16.520 --> 0:31:20.000
<v Speaker 1>may had him manage their Berlin branch and MGMs branch

0:31:20.040 --> 0:31:24.080
<v Speaker 1>manager divorces his Jewish wife to please the Nazis and

0:31:24.080 --> 0:31:26.360
<v Speaker 1>and she gets Yeah, she winds up in a concentration

0:31:26.360 --> 0:31:29.120
<v Speaker 1>camp and probably dies there. Yeah. I don't know exactly

0:31:29.200 --> 0:31:31.440
<v Speaker 1>what happened here, but probably not a good story. Yeah

0:31:31.680 --> 0:31:36.440
<v Speaker 1>what the fund, dude? Yeah? So for what money? Yeah?

0:31:36.640 --> 0:31:39.560
<v Speaker 1>So studios, it's it is important to note that studios

0:31:39.600 --> 0:31:43.040
<v Speaker 1>also tricked the Nazis. Sometimes didn't the jew run MGM. Yeah,

0:31:43.160 --> 0:31:46.000
<v Speaker 1>and I don't mean that that sounded worce. A Jewish

0:31:46.000 --> 0:31:48.840
<v Speaker 1>person ran in Jewish people who still ran back in Hollywood,

0:31:48.840 --> 0:31:51.640
<v Speaker 1>and they hired a Nazi, yeah, in Germany for their

0:31:51.640 --> 0:31:57.280
<v Speaker 1>German branch because he would help them with the Nazis. Dude,

0:31:57.400 --> 0:32:01.440
<v Speaker 1>it's messed up. I was almost saying that to that

0:32:01.480 --> 0:32:06.280
<v Speaker 1>person's ghosts. Yeah, like dude, so um, there were also

0:32:06.320 --> 0:32:07.960
<v Speaker 1>it's important to note there were some ways at which

0:32:07.960 --> 0:32:10.200
<v Speaker 1>Hollywood kind of stuck their fingers at the Nazis, Like

0:32:10.240 --> 0:32:13.480
<v Speaker 1>the Nazis were hesitant to accept any movies, and increasingly

0:32:13.480 --> 0:32:16.160
<v Speaker 1>in late thirties just stopped accepting movies with Jewish actors

0:32:16.160 --> 0:32:18.640
<v Speaker 1>in them. So they would lie about they would just

0:32:18.680 --> 0:32:20.920
<v Speaker 1>they would just change the name on the credits so

0:32:20.960 --> 0:32:23.080
<v Speaker 1>that like the Nazis wouldn't notice that they'd snuck Jewish

0:32:23.120 --> 0:32:24.680
<v Speaker 1>people into their movies. So there's a little bit of

0:32:24.720 --> 0:32:26.800
<v Speaker 1>that going on. It's not all one. Yeah, but you

0:32:26.840 --> 0:32:30.400
<v Speaker 1>also hired a guy and said, like your life, I

0:32:30.440 --> 0:32:33.120
<v Speaker 1>don't know how good you feel about this marriage, visa,

0:32:33.320 --> 0:32:37.840
<v Speaker 1>your job, but um, we'd like to make some more money. Yeah,

0:32:38.080 --> 0:32:41.800
<v Speaker 1>so and you can send her off wherever you want.

0:32:41.880 --> 0:32:43.920
<v Speaker 1>I know where, Yeah, I know where she should go.

0:32:44.040 --> 0:32:47.560
<v Speaker 1>Yeah that's horrible. Oh, it's terrible. So for a while

0:32:47.920 --> 0:32:51.360
<v Speaker 1>thirty seven profits came back up. The film ministry recovered

0:32:51.400 --> 0:32:54.560
<v Speaker 1>there was more money coming in. You're hiring Nazis. Yeah,

0:32:54.560 --> 0:32:56.720
<v Speaker 1>you're hiring Nazis. It worked out for a little while,

0:32:56.760 --> 0:33:00.240
<v Speaker 1>but then on November ninth and tenth, ninety eight, still

0:33:00.280 --> 0:33:03.240
<v Speaker 1>Knocked happened. This was followed by a corresponding surge in

0:33:03.320 --> 0:33:07.040
<v Speaker 1>official German anti semitism. What happened Chrystal knocked? I don't

0:33:07.080 --> 0:33:09.760
<v Speaker 1>know what that is? The Night of Broken Glass, I'm sorry.

0:33:09.920 --> 0:33:12.200
<v Speaker 1>It was basically a night where sort of the Nazis

0:33:12.320 --> 0:33:16.280
<v Speaker 1>was the first big massive public all across Germany, like

0:33:16.360 --> 0:33:20.760
<v Speaker 1>pogram against the Jews where synagogues were burnt. Jewish businesses

0:33:20.800 --> 0:33:22.680
<v Speaker 1>were like that. It's called the night of broken Glass

0:33:22.720 --> 0:33:25.320
<v Speaker 1>because so many Jewish businesses had their windows shattered that

0:33:25.320 --> 0:33:28.080
<v Speaker 1>it was just glass. They did like an at home blitzkrieg. Yeah,

0:33:28.080 --> 0:33:30.520
<v Speaker 1>exactly on on the German Jewish people, and a lot

0:33:30.520 --> 0:33:33.440
<v Speaker 1>of people were murdered during Krystal knock. It's a one

0:33:33.480 --> 0:33:38.560
<v Speaker 1>of those marks where things about. So after this happens,

0:33:38.600 --> 0:33:42.240
<v Speaker 1>there's a surge in official anti semitism um. Two weeks

0:33:42.280 --> 0:33:45.760
<v Speaker 1>after Krystal knocked, Darren Griff that Nazi newspaper prints and

0:33:45.880 --> 0:33:49.760
<v Speaker 1>article which is titled one third of Hollywood Stars or Jews,

0:33:50.200 --> 0:33:52.920
<v Speaker 1>and it listed like dozens and dozens of Jewish film

0:33:52.920 --> 0:33:57.640
<v Speaker 1>industry people. One day after the attack listed that. Yeah,

0:33:57.880 --> 0:34:00.000
<v Speaker 1>and one day after the attack list that, the German

0:34:00.080 --> 0:34:03.320
<v Speaker 1>Propaganda Ministry publishes a black list with the names of

0:34:03.360 --> 0:34:06.600
<v Speaker 1>sixty Hollywood stars on it. They announced that if anyone

0:34:06.680 --> 0:34:09.279
<v Speaker 1>on the list is in any American film, that film

0:34:09.320 --> 0:34:12.120
<v Speaker 1>will not be allowed to enter Germany. Not everyone on

0:34:12.160 --> 0:34:15.359
<v Speaker 1>the list was Jewish. Ernest Hemmingway made it on there,

0:34:15.920 --> 0:34:18.680
<v Speaker 1>so did Bing Crosby. So this is the list you

0:34:18.719 --> 0:34:22.160
<v Speaker 1>want to be on, So good for bing Crosby. And yeah,

0:34:24.239 --> 0:34:25.640
<v Speaker 1>I mean I hear. I thought he was just on

0:34:25.680 --> 0:34:27.239
<v Speaker 1>the list of beating the ship out of his kids.

0:34:28.520 --> 0:34:30.400
<v Speaker 1>He beat the ship out of his kids, and the

0:34:30.480 --> 0:34:34.680
<v Speaker 1>Nazis didn't like him. So when some you lose someone,

0:34:34.840 --> 0:34:36.200
<v Speaker 1>was it was he old blue Eyes? Or is that

0:34:36.320 --> 0:34:40.000
<v Speaker 1>someone else? You're right, you're right? What do they call

0:34:41.120 --> 0:34:48.400
<v Speaker 1>bing Crosby? Um? Please stop? Dad? White Christmas is a

0:34:48.440 --> 0:34:51.880
<v Speaker 1>fun film for the whole family. Yeah, don't pay too

0:34:51.920 --> 0:34:53.959
<v Speaker 1>much attention to the fact that none of the black

0:34:53.960 --> 0:34:57.480
<v Speaker 1>actors have speaking roles. There you go and pay attention

0:34:57.520 --> 0:35:01.719
<v Speaker 1>to the tree. It's you watched that movie again as

0:35:01.719 --> 0:35:05.319
<v Speaker 1>an adult and you notice some troubling things. That sucks too,

0:35:05.360 --> 0:35:07.200
<v Speaker 1>because like there's a lot of the movie that's yeah,

0:35:07.840 --> 0:35:11.000
<v Speaker 1>really fun musical scene, you know, yeah, yeah, but man

0:35:11.080 --> 0:35:15.520
<v Speaker 1>those train scenes where it's like, oh, oh, right, Jim

0:35:15.560 --> 0:35:20.040
<v Speaker 1>Crow is still a thing, right, yeah, Okay, So we're

0:35:20.040 --> 0:35:22.799
<v Speaker 1>hearing that Bing Crosby's nickname was old Growner, which I

0:35:22.840 --> 0:35:28.080
<v Speaker 1>don't approve of the old Growner. Well, right or wrong,

0:35:28.160 --> 0:35:32.719
<v Speaker 1>I'm in here's the bottom line. Everyone needs to go

0:35:32.800 --> 0:35:35.640
<v Speaker 1>watch Will Farrell and John c Radley's recreation of the

0:35:35.719 --> 0:35:40.080
<v Speaker 1>David Bowie being Crosby Christmas Special. It is perfect. I've

0:35:40.120 --> 0:35:42.080
<v Speaker 1>never even heard of this. Well, you saw that. You've

0:35:42.080 --> 0:35:44.440
<v Speaker 1>seen the David Bowie being crossed Christmas? Is that a

0:35:44.520 --> 0:35:48.440
<v Speaker 1>real thing? Yes? Man? What was he happening in Hollywood

0:35:48.440 --> 0:35:51.920
<v Speaker 1>at that seat? Is that bing? Crosby is in London

0:35:52.400 --> 0:35:55.080
<v Speaker 1>visiting his cousin or something like that, and there's a

0:35:55.160 --> 0:35:57.799
<v Speaker 1>knock at the door and it's David Bowie and he says, oh,

0:35:57.880 --> 0:35:59.560
<v Speaker 1>you must be the cousin from overseas. He was like,

0:35:59.600 --> 0:36:03.600
<v Speaker 1>well or wrong, i'men And then he comes into his

0:36:03.680 --> 0:36:05.799
<v Speaker 1>house and then they sing Drummer Boy together, which I'm

0:36:05.800 --> 0:36:07.960
<v Speaker 1>sure you've either heard, oh I have heard that it's

0:36:08.239 --> 0:36:13.040
<v Speaker 1>a Christmas special. So shot for shot, moment for moment,

0:36:13.160 --> 0:36:16.320
<v Speaker 1>Will Ferrell and John c Riley recreated that Christmas Special.

0:36:17.239 --> 0:36:22.879
<v Speaker 1>What a weird thing. Beautiful. Okay, this is a lot

0:36:22.960 --> 0:36:25.040
<v Speaker 1>of information for me to take in right now. I'm

0:36:25.040 --> 0:36:27.920
<v Speaker 1>gonna have to pack that one away for later so

0:36:28.040 --> 0:36:31.759
<v Speaker 1>we can finish this. So the Nazis put together this

0:36:31.880 --> 0:36:34.480
<v Speaker 1>blacklist of you know, if any actor on this list

0:36:34.560 --> 0:36:36.400
<v Speaker 1>is in a movie, it cannot come into German and

0:36:36.440 --> 0:36:38.000
<v Speaker 1>they didn't say they were just choose. There's just people

0:36:38.040 --> 0:36:39.799
<v Speaker 1>we don't These are people we don't like a lighting.

0:36:39.800 --> 0:36:42.920
<v Speaker 1>A lot of them are Jews, but they obviously on

0:36:43.000 --> 0:36:45.520
<v Speaker 1>there because he went to the Spanish American War and

0:36:45.680 --> 0:36:49.000
<v Speaker 1>was big not fan of fascists for himself. But you know,

0:36:49.200 --> 0:36:52.880
<v Speaker 1>right right now. Another weird factor that complicates events was

0:36:53.000 --> 0:36:55.480
<v Speaker 1>the fact that companies doing business in Germany couldn't take

0:36:55.560 --> 0:36:58.400
<v Speaker 1>cash they made out of Germany. Um Paramount and twentieth

0:36:58.440 --> 0:37:01.000
<v Speaker 1>Century Fox just invested the money they made in Germany

0:37:01.120 --> 0:37:03.840
<v Speaker 1>and local cameraman in film stock and would record Nazi

0:37:04.000 --> 0:37:06.719
<v Speaker 1>rallies and stuff and then would sell that footage to

0:37:06.719 --> 0:37:08.080
<v Speaker 1>the rest of the world. And that's how they made

0:37:08.080 --> 0:37:10.440
<v Speaker 1>a profit. Kind of laundered it. Yeah, yeah, it was.

0:37:10.520 --> 0:37:13.680
<v Speaker 1>It was like it was back out saying, but yeah,

0:37:14.080 --> 0:37:16.160
<v Speaker 1>you had to do something. You couldn't take the money

0:37:16.200 --> 0:37:19.480
<v Speaker 1>directly out of it, right. MGM found a different tactic.

0:37:19.560 --> 0:37:21.520
<v Speaker 1>And I'm going to read another quote from the collaboration.

0:37:22.680 --> 0:37:25.400
<v Speaker 1>In December nineteen thirty eight, one month after Christal knocked,

0:37:25.560 --> 0:37:28.440
<v Speaker 1>MGM discovered a way to export its profits more effectively.

0:37:28.760 --> 0:37:32.479
<v Speaker 1>An American Trade commissioner explained the process MGM first loaned

0:37:32.520 --> 0:37:35.400
<v Speaker 1>the money to certain German firms where credit was badly needed.

0:37:35.800 --> 0:37:38.279
<v Speaker 1>MGM then received bonds in exchange for the loan, and

0:37:38.400 --> 0:37:40.840
<v Speaker 1>finally sold these bonds abroad at a loss of around

0:37:41.680 --> 0:37:45.080
<v Speaker 1>which was a substantial approvement over previous losses. There was

0:37:45.160 --> 0:37:47.040
<v Speaker 1>just one catch. Do you want to guess what the catches?

0:37:47.080 --> 0:37:50.000
<v Speaker 1>You want to guess what these firms are doing funding

0:37:50.040 --> 0:37:53.719
<v Speaker 1>the Nazis? I don't know. The firms in question, the

0:37:53.800 --> 0:37:57.120
<v Speaker 1>American Trade Commissioner said, are connected with the armament industry,

0:37:57.239 --> 0:38:00.640
<v Speaker 1>especially in the Sue Dayton territory or Austria. In other words,

0:38:00.840 --> 0:38:04.040
<v Speaker 1>the largest American motion picture company helped to finance the

0:38:04.080 --> 0:38:07.960
<v Speaker 1>German war machine. Jesus, that's how they're getting their money

0:38:08.000 --> 0:38:11.080
<v Speaker 1>out of Germany, loaning money to the people making German guns.

0:38:12.360 --> 0:38:18.320
<v Speaker 1>That's not Hollywood, no man, it's dark. Um. Do you

0:38:18.360 --> 0:38:22.439
<v Speaker 1>remember gamer Gate? Yes? Yeah, I'm assume most people listening

0:38:22.480 --> 0:38:24.360
<v Speaker 1>remember gamer Gate. If if you spend a lot of

0:38:24.440 --> 0:38:27.799
<v Speaker 1>time reading the complaints that supporters of that movement made,

0:38:27.920 --> 0:38:30.080
<v Speaker 1>you ran into the idea that film criticism, or that

0:38:30.200 --> 0:38:33.759
<v Speaker 1>criticism of any kind was bad, that critics shouldn't point

0:38:33.800 --> 0:38:36.920
<v Speaker 1>out problems in games or flaws or troubling trends that

0:38:36.960 --> 0:38:38.880
<v Speaker 1>these are in lematic of that they should instead just

0:38:39.120 --> 0:38:42.759
<v Speaker 1>describe what happens in the game directly. They would have

0:38:42.800 --> 0:38:45.360
<v Speaker 1>agreed with Joseph Gebbel's because at the end of nineteen

0:38:45.400 --> 0:38:48.360
<v Speaker 1>thirty six he made film criticism illegal in Germany and

0:38:48.480 --> 0:38:52.360
<v Speaker 1>mandated film description instead. Here's an excerpt from one of

0:38:52.400 --> 0:38:56.720
<v Speaker 1>those reviews. The American film Honolulu is full of humorous ideas,

0:38:56.800 --> 0:39:00.279
<v Speaker 1>refreshingly fast paced, and contains dance sequences, catching me and

0:39:00.320 --> 0:39:03.759
<v Speaker 1>gags about mistaken identity. A very pleasant entertainment. It is

0:39:03.800 --> 0:39:06.239
<v Speaker 1>gratifying that it is able to bring harmless amusement to

0:39:06.280 --> 0:39:09.360
<v Speaker 1>these serious times. That sounds like one of my pitches

0:39:10.280 --> 0:39:12.279
<v Speaker 1>when I'm not trying to sell something. Yeah, there are

0:39:12.360 --> 0:39:15.160
<v Speaker 1>things that happened that people find funny. There are mistaken

0:39:15.200 --> 0:39:20.920
<v Speaker 1>identities in the movie. Now, Technicolor presented an issue for

0:39:21.000 --> 0:39:25.120
<v Speaker 1>the Nazis uh, and that's actually presented an issue for

0:39:25.239 --> 0:39:33.480
<v Speaker 1>racists everywhere because when Technicolor came out, Hollywood realized, like,

0:39:34.120 --> 0:39:37.200
<v Speaker 1>white people look boring, So let's start casting people who

0:39:37.200 --> 0:39:39.359
<v Speaker 1>aren't white in our movies because it's exciting because now

0:39:39.440 --> 0:39:41.920
<v Speaker 1>we can actually have people with different skin tones and

0:39:41.960 --> 0:39:44.920
<v Speaker 1>it will register. And so people who are not white

0:39:45.239 --> 0:39:48.480
<v Speaker 1>sore in representation in Hollywood when technicolor becomes a thing,

0:39:48.840 --> 0:39:52.880
<v Speaker 1>and the Nazis do not like this. So this is

0:39:52.960 --> 0:39:56.239
<v Speaker 1>a big issue for the Nazis that like technicolor means

0:39:56.360 --> 0:39:59.520
<v Speaker 1>that people who aren't white are increasingly characters. They want

0:39:59.560 --> 0:40:02.120
<v Speaker 1>one tone, they want one tone. That's kind of the

0:40:02.160 --> 0:40:04.239
<v Speaker 1>whole thing with the Nazis. So we're going to get

0:40:04.280 --> 0:40:06.480
<v Speaker 1>into how this has an impact on you know, this

0:40:06.560 --> 0:40:10.000
<v Speaker 1>supposed collaboration. But first ads, you know, you all know

0:40:10.080 --> 0:40:18.560
<v Speaker 1>the game. It's adds. Listen and we're back and we're

0:40:18.600 --> 0:40:21.640
<v Speaker 1>talking about technicolor and the rash of non white characters

0:40:21.680 --> 0:40:25.480
<v Speaker 1>it brought to Hollywood, which was great for actors, movies,

0:40:25.560 --> 0:40:28.680
<v Speaker 1>and art. As a concept in human history, not welcome

0:40:28.719 --> 0:40:31.000
<v Speaker 1>by Nazis, not welcome by Nazis. They were not a

0:40:31.040 --> 0:40:33.880
<v Speaker 1>big fan of this. A good example is the movie Ramona.

0:40:34.360 --> 0:40:37.440
<v Speaker 1>In this movie, an Indian chief named Alessandro rescues a

0:40:37.520 --> 0:40:39.600
<v Speaker 1>white woman stuck in a tree. They fall in love,

0:40:39.920 --> 0:40:42.799
<v Speaker 1>but it's quickly revealed that Ramona's mom isn't her real mom,

0:40:42.920 --> 0:40:44.840
<v Speaker 1>and that her actual mom was an Indian squaw, so

0:40:44.880 --> 0:40:47.280
<v Speaker 1>it wasn't actually race mixing, but she was part Indian.

0:40:49.680 --> 0:40:53.439
<v Speaker 1>But even this was too much for the Nazis. Yeah, yeah,

0:40:53.640 --> 0:40:57.600
<v Speaker 1>well they're not white people, yeah, exactly, and they're in

0:40:57.640 --> 0:40:59.560
<v Speaker 1>a movie, that's what which were they though? Was this

0:40:59.640 --> 0:41:02.279
<v Speaker 1>one of those deals for Hollywood? I'm sure it was, right,

0:41:02.520 --> 0:41:06.200
<v Speaker 1>like it's fucking thirty years later, John Wayne would play

0:41:06.280 --> 0:41:10.800
<v Speaker 1>Gang of Scotts. Now. Thanks to the German love of

0:41:10.880 --> 0:41:14.000
<v Speaker 1>Karl May, particularly Hitler's love of Karl May, Ramona was

0:41:14.040 --> 0:41:17.879
<v Speaker 1>allowed to play Karl May was a German. He wrote

0:41:17.880 --> 0:41:20.600
<v Speaker 1>books about the wild West that had hit was Hitler's

0:41:20.640 --> 0:41:22.440
<v Speaker 1>favorite thing in the world. We have a whole episode

0:41:22.440 --> 0:41:25.000
<v Speaker 1>about it. But so this movie was allowed to play

0:41:25.040 --> 0:41:27.920
<v Speaker 1>because the Nazis kind of had a thing about Native Americans.

0:41:28.560 --> 0:41:31.560
<v Speaker 1>But a movie they banned was The Gypsy Princess, which

0:41:31.640 --> 0:41:34.320
<v Speaker 1>portrayed the love of a white man for a Gypsy woman.

0:41:34.840 --> 0:41:38.160
<v Speaker 1>It was an explicitly anti racist and pro mixed marriage movie,

0:41:38.239 --> 0:41:41.399
<v Speaker 1>which is pretty ballsy from the mid thirties, but of course,

0:41:41.520 --> 0:41:44.080
<v Speaker 1>you know the Nazi Well, actually, weirdly enough, this movie

0:41:44.120 --> 0:41:46.440
<v Speaker 1>didn't make it into Germany and past the sensors at

0:41:46.520 --> 0:41:48.279
<v Speaker 1>least for a while, like they caught it after it

0:41:48.360 --> 0:41:52.000
<v Speaker 1>had already been released. Erlan thinks that this was got

0:41:52.080 --> 0:41:54.800
<v Speaker 1>through because the sensors were basically they had hit a

0:41:54.840 --> 0:41:57.680
<v Speaker 1>point in censorship in Germany where they were just looking

0:41:57.760 --> 0:42:00.880
<v Speaker 1>at the casts and scanning from mentions of the Nazi Party,

0:42:01.280 --> 0:42:02.719
<v Speaker 1>and if the cast was okay and there was no

0:42:02.800 --> 0:42:05.000
<v Speaker 1>mention in the Nazi Party, a lot of stuff slipped through.

0:42:05.600 --> 0:42:07.960
<v Speaker 1>So that is important some movies because like this movie

0:42:08.320 --> 0:42:11.000
<v Speaker 1>that's pro mixed marriage runs a Nazi Germany for a

0:42:11.040 --> 0:42:15.120
<v Speaker 1>little while, so it's not a one sided picture. Although

0:42:15.800 --> 0:42:17.880
<v Speaker 1>I don't think the people who made the Gypsy Princess

0:42:18.080 --> 0:42:22.400
<v Speaker 1>Number one, that's a pretty racist title today. Um, you

0:42:22.520 --> 0:42:25.080
<v Speaker 1>have to think of things in their timeline. Someone in

0:42:25.120 --> 0:42:27.480
<v Speaker 1>the mid thirties making a movie that says mixed marriage

0:42:27.520 --> 0:42:30.560
<v Speaker 1>is good, that's that's brave at the time. Yeah, But

0:42:30.640 --> 0:42:32.800
<v Speaker 1>I don't think they were explicitly trying to change opinions

0:42:32.840 --> 0:42:35.520
<v Speaker 1>in Nazi Germany. They were trying to change opinions in America,

0:42:35.640 --> 0:42:37.440
<v Speaker 1>and it just so happened that the movie slipped through.

0:42:38.160 --> 0:42:40.640
<v Speaker 1>A Few movies did get into Germany that like included

0:42:40.719 --> 0:42:42.960
<v Speaker 1>racial things that the Nazis were against and there were

0:42:43.040 --> 0:42:46.040
<v Speaker 1>even some moments in various movies where veiled critiques of

0:42:46.120 --> 0:42:49.439
<v Speaker 1>Nazi policies made it past the censors. This stuff, however,

0:42:49.560 --> 0:42:52.160
<v Speaker 1>had a negligible impact on the German populace because it

0:42:52.200 --> 0:42:54.400
<v Speaker 1>was easy to ignore. This would not have been the

0:42:54.480 --> 0:42:57.160
<v Speaker 1>case with a proposed movie based off of Sinclair Lewis's

0:42:57.200 --> 0:43:00.440
<v Speaker 1>book It Can't Happen Here, which you've definitely seen some

0:43:00.680 --> 0:43:02.959
<v Speaker 1>quotes and selections from It Can Have It Here spread

0:43:03.000 --> 0:43:06.160
<v Speaker 1>on Twitter recently as a result of certain things in

0:43:06.239 --> 0:43:09.600
<v Speaker 1>modern American politics. It's a very famous book, and it's

0:43:09.600 --> 0:43:12.840
<v Speaker 1>worth noting that Sinclair's wife was a woman named Dorothy Thompson.

0:43:12.960 --> 0:43:15.600
<v Speaker 1>She is the female journalist who I end our episode

0:43:15.640 --> 0:43:17.520
<v Speaker 1>on the non Nazi Bastards behind Hitler with one of

0:43:17.600 --> 0:43:20.800
<v Speaker 1>her quotes. She had actually interviewed Hitler back in Berlin

0:43:20.960 --> 0:43:23.400
<v Speaker 1>before he reached total power, and had written very brutal

0:43:23.480 --> 0:43:26.480
<v Speaker 1>things about him. Now, in fairness, she didn't She considered

0:43:26.520 --> 0:43:29.160
<v Speaker 1>his political career doomed to failure. She never thought he

0:43:29.239 --> 0:43:32.080
<v Speaker 1>was going to become dictator, but once he did, she

0:43:32.440 --> 0:43:35.600
<v Speaker 1>dedicated herself to tearing him apart in the international press.

0:43:36.000 --> 0:43:38.319
<v Speaker 1>She was kicked out of Germany and nineteen thirty four

0:43:38.360 --> 0:43:41.120
<v Speaker 1>and became one of Hitler's most strident pre war critics.

0:43:41.560 --> 0:43:44.000
<v Speaker 1>The collaboration quotes one line in particular from her pre

0:43:44.120 --> 0:43:46.960
<v Speaker 1>Dictator interview with Hitler, and I think it's worth reading

0:43:47.000 --> 0:43:49.720
<v Speaker 1>out here. So this is Dorothy Thompson talking about Hitler.

0:43:50.320 --> 0:43:52.440
<v Speaker 1>If you want to gauge the strength of the Hitler movement,

0:43:52.480 --> 0:43:54.719
<v Speaker 1>imagine that in America, an order with the tongue of

0:43:54.760 --> 0:43:57.600
<v Speaker 1>the late Mr Bryan, Williams Jennings Bryan and the histrionic

0:43:57.640 --> 0:43:59.960
<v Speaker 1>power of Amy McPherson who I don't know who, that is,

0:44:00.400 --> 0:44:03.440
<v Speaker 1>combined with the publicity gifts of Edward Burnet's and Ivy Lee,

0:44:03.480 --> 0:44:05.560
<v Speaker 1>should manage to unite all the farmers with all the

0:44:05.640 --> 0:44:08.759
<v Speaker 1>white color unemployed, all the people with salaries under three

0:44:08.800 --> 0:44:10.719
<v Speaker 1>thousand a year who have lost their savings and bank

0:44:10.800 --> 0:44:12.719
<v Speaker 1>collapses in the stock market, and they're being pressed for

0:44:12.800 --> 0:44:15.160
<v Speaker 1>payments on the ice box and the radio, the louder

0:44:15.200 --> 0:44:18.160
<v Speaker 1>evangelical preachers, the American Legion, the d A R, the

0:44:18.239 --> 0:44:21.160
<v Speaker 1>Ku Klux Klan, the w C t U, Matthew Wall,

0:44:21.239 --> 0:44:23.640
<v Speaker 1>Senator Bora, and Henry Ford. Imagine that and you will

0:44:23.680 --> 0:44:26.040
<v Speaker 1>have some idea of what the Hitler movement in Germany means.

0:44:26.719 --> 0:44:29.360
<v Speaker 1>So this is the kind of writer that Dorothy Thompson is,

0:44:29.400 --> 0:44:32.239
<v Speaker 1>and she becomes quite famous as an anti Hitler activist.

0:44:32.680 --> 0:44:36.160
<v Speaker 1>This drives her husband, Sinclair Lewis, crazy, and he writes

0:44:36.239 --> 0:44:38.040
<v Speaker 1>it Can't Happen Here so that he can be seen

0:44:38.080 --> 0:44:40.399
<v Speaker 1>as a more prominent anti Hitler voice than his wife.

0:44:42.640 --> 0:44:45.160
<v Speaker 1>I mean that's one version of Iran sharpening, I guess.

0:44:46.000 --> 0:44:47.800
<v Speaker 1>I mean, yeah, we got a good piece of anti

0:44:47.840 --> 0:44:50.640
<v Speaker 1>fascist literature out of it. That's useful, but it's done

0:44:50.680 --> 0:44:53.040
<v Speaker 1>in the vein. And I'll show this broad Yeah, the

0:44:53.120 --> 0:44:57.200
<v Speaker 1>most misogynistic piece of anti Nazi propaty ever ever CONCEIVEE

0:44:57.239 --> 0:45:00.440
<v Speaker 1>What inspired you to write this life and allow a

0:45:00.520 --> 0:45:03.160
<v Speaker 1>woman to be perceived as better than me? My wife's

0:45:03.160 --> 0:45:08.400
<v Speaker 1>too famous, I'm Sinclair Lewis. Yeah. So he wrote it

0:45:08.520 --> 0:45:10.880
<v Speaker 1>Can't Happen Here, and it sold very well, but that

0:45:10.960 --> 0:45:13.160
<v Speaker 1>was still just a couple of hundred thousand copies. So

0:45:13.520 --> 0:45:16.239
<v Speaker 1>when Hollywood starts talking about maybe adapting it to a film,

0:45:16.320 --> 0:45:18.080
<v Speaker 1>he gets excited because this means his book is going

0:45:18.160 --> 0:45:21.160
<v Speaker 1>to be shared to away wider audience. Millions of people

0:45:21.239 --> 0:45:24.160
<v Speaker 1>might get these ideas and he does seem to genuinely

0:45:24.239 --> 0:45:26.920
<v Speaker 1>want to try to warn Americans about the danger of fascism.

0:45:27.239 --> 0:45:29.000
<v Speaker 1>Now the mill the movie got a script that a

0:45:29.040 --> 0:45:32.240
<v Speaker 1>lot of people think was a fantastic script. Lewis didn't

0:45:32.239 --> 0:45:34.520
<v Speaker 1>write it, somebody else adapted it. It's apparently got a

0:45:34.640 --> 0:45:37.160
<v Speaker 1>very good script, and it includes lines like this from

0:45:37.200 --> 0:45:39.719
<v Speaker 1>the main character, a guy named Dremus, who is a

0:45:39.840 --> 0:45:42.880
<v Speaker 1>journalist who initially falls for the American fascist candidate and

0:45:42.960 --> 0:45:46.560
<v Speaker 1>then later winds up fighting against him. Quote, all us

0:45:46.640 --> 0:45:49.239
<v Speaker 1>lazy minded daremus as are responsible. I used to think

0:45:49.280 --> 0:45:52.080
<v Speaker 1>that wars and depressions were brought on by diplomats and bankers.

0:45:52.360 --> 0:45:54.680
<v Speaker 1>They were brought on by US liberals because we did

0:45:54.800 --> 0:45:58.160
<v Speaker 1>nothing to stop them. So it's like there's some fucking

0:45:58.200 --> 0:46:01.600
<v Speaker 1>potent ship screen, right. The only thing worse than evil

0:46:01.680 --> 0:46:05.440
<v Speaker 1>is the proposed stampine. Let it happen exactly. So this

0:46:05.640 --> 0:46:08.120
<v Speaker 1>is set to be a pretty great anti Nazi movie,

0:46:08.280 --> 0:46:12.120
<v Speaker 1>pretty bold movie, but it worries some people. One of

0:46:12.160 --> 0:46:14.239
<v Speaker 1>those people is a guy named William finnsch Riber, who

0:46:14.320 --> 0:46:16.280
<v Speaker 1>is the chair of the film Committee for the Central

0:46:16.360 --> 0:46:20.040
<v Speaker 1>Conference of American Rabbis. He writes to Mayor of MGM

0:46:20.120 --> 0:46:23.280
<v Speaker 1>about why they shouldn't go through with producing this movie. Quote.

0:46:23.640 --> 0:46:25.719
<v Speaker 1>I have considered the problem at great length, and I

0:46:25.800 --> 0:46:28.040
<v Speaker 1>am of the opinion that a film version of that story,

0:46:28.200 --> 0:46:31.600
<v Speaker 1>howsoever interpreted and directed, will have anything but a beneficial

0:46:31.640 --> 0:46:34.239
<v Speaker 1>effect upon the Jewish problem. More and more, I am

0:46:34.320 --> 0:46:36.880
<v Speaker 1>convinced that during these highly critical days for the Jewish

0:46:36.920 --> 0:46:39.480
<v Speaker 1>people here and elsewhere, we ought not to thrust the

0:46:39.560 --> 0:46:42.000
<v Speaker 1>jew and his problems too much into the limelight. I

0:46:42.080 --> 0:46:44.560
<v Speaker 1>am quite sure that any interpretation of the story made

0:46:44.600 --> 0:46:47.360
<v Speaker 1>by your film will be forceful and certainly not seemingly

0:46:47.480 --> 0:46:50.200
<v Speaker 1>detrimental to the Jewish cause. But there are times when

0:46:50.239 --> 0:46:53.000
<v Speaker 1>to say nothing is better than to say something favorable.

0:46:53.320 --> 0:46:56.520
<v Speaker 1>So this is not an ill considered thing. This guy

0:46:56.640 --> 0:46:59.200
<v Speaker 1>is thinking about it, and you can't. You know, you've

0:46:59.200 --> 0:47:02.040
<v Speaker 1>got to think about like happened with that the Rothchild movie,

0:47:02.480 --> 0:47:04.040
<v Speaker 1>Like this is what this guy is worried about, and

0:47:04.080 --> 0:47:07.360
<v Speaker 1>it's it's a it's a legitimate worry. I happen to

0:47:07.400 --> 0:47:09.800
<v Speaker 1>think it would have been better for history if the

0:47:09.880 --> 0:47:12.920
<v Speaker 1>movie had been made, but it was not. It was

0:47:13.000 --> 0:47:17.640
<v Speaker 1>canceled on February six, day before Valentine's The day before

0:47:17.719 --> 0:47:23.400
<v Speaker 1>Valentine's Day, Yeah, that's no love. Sinclair Lewis was not

0:47:23.520 --> 0:47:26.600
<v Speaker 1>happy about this. He said, the hell am I supposed

0:47:26.600 --> 0:47:34.239
<v Speaker 1>to beat this woman? That's his quote. You guys are

0:47:34.320 --> 0:47:37.640
<v Speaker 1>really fucking my marriage here, No gotta, I'm even angrier

0:47:37.719 --> 0:47:42.920
<v Speaker 1>at my wife. No, he actually said something poign and profound.

0:47:43.200 --> 0:47:45.680
<v Speaker 1>What we've been talking about today. The world today is

0:47:45.719 --> 0:47:49.720
<v Speaker 1>full of fascist propaganda, which definitely was cover that this episode.

0:47:50.200 --> 0:47:52.800
<v Speaker 1>The Germans are making one pro fascist film after another,

0:47:52.880 --> 0:47:55.640
<v Speaker 1>designed to show that fascism is superior to liberal democracy.

0:47:55.719 --> 0:47:58.320
<v Speaker 1>But Mr Hayes actually says that a film cannot be

0:47:58.440 --> 0:48:01.280
<v Speaker 1>made showing the horrors of fascist and extolling the advantages

0:48:01.320 --> 0:48:04.680
<v Speaker 1>of liberal democracy because Hitler and Mussolini might ban other

0:48:04.760 --> 0:48:09.120
<v Speaker 1>Hollywood films from their countries. If yep, democracy is certainly

0:48:09.200 --> 0:48:12.160
<v Speaker 1>on the defensive when two European dictators, without opening their

0:48:12.239 --> 0:48:14.920
<v Speaker 1>mouths or knowing anything about the issue, can shut down

0:48:14.920 --> 0:48:17.600
<v Speaker 1>an American film. I wrote, it can't happen here, but

0:48:17.680 --> 0:48:20.880
<v Speaker 1>I begin to think it certainly does. It certainly can

0:48:22.280 --> 0:48:25.279
<v Speaker 1>good quote? Yeah, good quote. He's saying it can. It

0:48:25.440 --> 0:48:29.400
<v Speaker 1>can be influenced here. Yeah. Hitler's not even saying canceled

0:48:29.440 --> 0:48:31.840
<v Speaker 1>this movie. We just know that it will fuck things up,

0:48:31.920 --> 0:48:35.680
<v Speaker 1>so we're canceling it because we're scared. Which again, the

0:48:35.719 --> 0:48:38.000
<v Speaker 1>people who attack been Irwan for saying this is a

0:48:38.040 --> 0:48:41.120
<v Speaker 1>collaboration will say, well, the Nazis didn't even say anything

0:48:41.160 --> 0:48:44.440
<v Speaker 1>about a movie like this. Rwan's argument is that basically

0:48:44.680 --> 0:48:47.480
<v Speaker 1>the Nazis had already trained Hollywood so well that they

0:48:47.520 --> 0:48:51.480
<v Speaker 1>didn't need to actively. Exactly, the mouse had touched the

0:48:51.560 --> 0:48:55.120
<v Speaker 1>cheese enough times, exactly, thank you for bringing mice into

0:48:55.160 --> 0:48:57.520
<v Speaker 1>this again. Always yeah, it's important if they're not here,

0:48:57.520 --> 0:49:00.680
<v Speaker 1>they're in that damn movie theater because the Nazis let

0:49:00.719 --> 0:49:04.520
<v Speaker 1>them loose. Right, It always ties back to Nazis. So now.

0:49:04.600 --> 0:49:06.960
<v Speaker 1>The late nineteen thirties in general seemed to show a

0:49:07.000 --> 0:49:10.200
<v Speaker 1>real shift in how Hollywood censorship occurred. Rather than having Jisling,

0:49:10.360 --> 0:49:13.320
<v Speaker 1>who was the German censor who's in in Los Angeles,

0:49:13.400 --> 0:49:16.840
<v Speaker 1>whether having him review movies and suggest changes, studio executives

0:49:16.840 --> 0:49:19.359
<v Speaker 1>started cutting films as they made them, simply because they

0:49:19.400 --> 0:49:22.560
<v Speaker 1>knew what the Germans wouldn't accept. I want that money,

0:49:23.400 --> 0:49:26.600
<v Speaker 1>damn right, then fund their war machine and then get

0:49:26.640 --> 0:49:29.560
<v Speaker 1>our money back a loss, which is still pretty good,

0:49:29.640 --> 0:49:32.560
<v Speaker 1>still pretty good. I don't want to think too much

0:49:32.560 --> 0:49:34.920
<v Speaker 1>about that. What the money is buying? That's the Russians problems.

0:49:35.160 --> 0:49:41.640
<v Speaker 1>Hey is that your new wife? Oh boy? Yeah. So

0:49:42.160 --> 0:49:44.239
<v Speaker 1>a Warner Brothers movie about the Drive us a fair

0:49:44.280 --> 0:49:47.120
<v Speaker 1>Ever heard of the Drives affair? H Is that Mr

0:49:47.200 --> 0:49:49.520
<v Speaker 1>Holland's opus? No, it's a It's one of the most

0:49:49.760 --> 0:49:52.600
<v Speaker 1>famous moments in the history of anti Semitism. Alfred Dright

0:49:52.640 --> 0:49:54.560
<v Speaker 1>I think Alfred was his first name. Drivers was definitely

0:49:54.600 --> 0:49:57.400
<v Speaker 1>his last name. He was a Jewish French military officer

0:49:57.560 --> 0:50:00.319
<v Speaker 1>pre before World War One who was a key used

0:50:00.400 --> 0:50:03.560
<v Speaker 1>of selling military secrets I think to the Germans um

0:50:03.680 --> 0:50:05.239
<v Speaker 1>and he was likely innocent, but there was a big

0:50:05.320 --> 0:50:08.080
<v Speaker 1>show trial about it. It's a big because like anti Semitism,

0:50:08.160 --> 0:50:10.560
<v Speaker 1>French anti Semitism played a huge role in it, and

0:50:10.640 --> 0:50:13.080
<v Speaker 1>it was a very famous thing at this point in

0:50:13.200 --> 0:50:15.040
<v Speaker 1>history because it was not all that distant. It was

0:50:15.640 --> 0:50:17.919
<v Speaker 1>anyone on the street probably would have known the broad

0:50:18.000 --> 0:50:20.439
<v Speaker 1>detailed and the amount of time that news stories would

0:50:20.480 --> 0:50:24.080
<v Speaker 1>stay in our conscious then. So Warner Brothers makes a

0:50:24.120 --> 0:50:26.440
<v Speaker 1>movie about the dry Fist affair, which is again one

0:50:26.480 --> 0:50:29.040
<v Speaker 1>of the most important moments in the history of anti Semitism.

0:50:29.320 --> 0:50:32.000
<v Speaker 1>The movie does not contain the word Jew or any

0:50:32.080 --> 0:50:35.600
<v Speaker 1>references to not once. Yeah, they cut them all out.

0:50:35.880 --> 0:50:39.120
<v Speaker 1>Warner Brothers cut Warner executives cut those out before they

0:50:39.160 --> 0:50:42.040
<v Speaker 1>even showed it to the Germans because they knew, they

0:50:42.120 --> 0:50:45.120
<v Speaker 1>knew that wouldn't be okay. The Nazis were very aware

0:50:45.280 --> 0:50:48.200
<v Speaker 1>of how effective they had been, and being Nazis, they

0:50:48.239 --> 0:50:51.399
<v Speaker 1>pushed for even more control over gives them an inch,

0:50:51.560 --> 0:50:55.400
<v Speaker 1>that's what Nazis do. On April first, ninety seven April falls.

0:50:55.920 --> 0:50:58.640
<v Speaker 1>But not actually because just they just warned sixty people

0:50:58.719 --> 0:51:00.800
<v Speaker 1>involved in a movie called The Road Back, which was

0:51:00.960 --> 0:51:02.759
<v Speaker 1>a sequel to All Quiet on the Rest and Front,

0:51:03.200 --> 0:51:05.480
<v Speaker 1>that if they were in that movie, if the movie

0:51:05.560 --> 0:51:08.560
<v Speaker 1>got made, Germany would ban any future movies any member

0:51:08.600 --> 0:51:11.760
<v Speaker 1>of the cast worked on in the future, like everyone

0:51:11.840 --> 0:51:13.960
<v Speaker 1>in that cast would be black bald from being in

0:51:14.000 --> 0:51:20.319
<v Speaker 1>a movie. Exactly exactly, so the studio made twenty one

0:51:20.440 --> 0:51:22.600
<v Speaker 1>cuts to The road Back in a desperate attempt to

0:51:22.640 --> 0:51:25.600
<v Speaker 1>please Jistling in the Germans. Rather than the movie had

0:51:25.640 --> 0:51:29.480
<v Speaker 1>originally criticized German militarism, and they changed the film to

0:51:29.560 --> 0:51:33.439
<v Speaker 1>just criticize all militarism anywhere in the world, like it's

0:51:33.480 --> 0:51:37.600
<v Speaker 1>not happening. Germans happy anyway, No, and it did not.

0:51:37.800 --> 0:51:40.279
<v Speaker 1>Jiling banned Universal from working in Germany and they had

0:51:40.320 --> 0:51:42.200
<v Speaker 1>to pull out of the country even after they made

0:51:42.239 --> 0:51:44.920
<v Speaker 1>twenty one cuts to the film. Right, yeah, Now, there

0:51:44.960 --> 0:51:47.120
<v Speaker 1>were several attempts in the late thirties to make The

0:51:47.200 --> 0:51:49.040
<v Speaker 1>Mad Dog of Europe, which was that movie we talked

0:51:49.080 --> 0:51:51.840
<v Speaker 1>about earlier in other Nazi movies, but they were all defeated.

0:51:52.400 --> 0:51:55.200
<v Speaker 1>Uh F Scott's. Fitzgerald actually helped write a script for

0:51:55.400 --> 0:51:58.560
<v Speaker 1>a nihilistic movie about soldiers in post war Germany titled

0:51:58.640 --> 0:52:01.280
<v Speaker 1>Three Comrades that would had one of its main characters

0:52:01.360 --> 0:52:04.120
<v Speaker 1>murdered by Nazis. At one point in the script, a

0:52:04.239 --> 0:52:06.160
<v Speaker 1>character was supposed to shout, there's more to fight for,

0:52:06.400 --> 0:52:09.800
<v Speaker 1>better than food, better than peace, democracy, freedom, a new Germany.

0:52:09.960 --> 0:52:13.319
<v Speaker 1>Isn't that worth fighting for? But MGM executives deleted all

0:52:13.320 --> 0:52:16.120
<v Speaker 1>references to Nazis and democracy from the final film. I

0:52:16.239 --> 0:52:20.000
<v Speaker 1>felt like that we cut democracy right out of that M. No,

0:52:20.160 --> 0:52:23.280
<v Speaker 1>that's not going to sell, not in Germany. Three Comrades

0:52:23.320 --> 0:52:26.360
<v Speaker 1>also had included a scene where a sympathetic character identifies

0:52:26.360 --> 0:52:28.840
<v Speaker 1>as Jewish and expresses a deep love of Germany and

0:52:28.920 --> 0:52:31.640
<v Speaker 1>a faith that their home country will protect them. MGM

0:52:31.680 --> 0:52:34.560
<v Speaker 1>cut that two when they showed just slaying the film

0:52:34.600 --> 0:52:36.680
<v Speaker 1>for the first time. He loved it. How could he not.

0:52:37.040 --> 0:52:40.480
<v Speaker 1>The film had basically been made for his specific tastes. Yeah,

0:52:41.080 --> 0:52:43.479
<v Speaker 1>and that's also the version they released here. They didn't

0:52:43.480 --> 0:52:46.279
<v Speaker 1>do like, yeah, continental versions. Yeah, I mean they would

0:52:46.320 --> 0:52:48.680
<v Speaker 1>do slightly different versions, but those things were cut out

0:52:48.680 --> 0:52:50.880
<v Speaker 1>in the American version too, because again they're cutting the

0:52:50.920 --> 0:52:53.279
<v Speaker 1>stuff before they even send it to the sensor. As

0:52:53.360 --> 0:52:55.640
<v Speaker 1>late as nineteen forty, movies that were thought to inflame

0:52:55.719 --> 0:52:58.520
<v Speaker 1>German sentiment were banned or heavily edited to remove all

0:52:58.600 --> 0:53:01.759
<v Speaker 1>references to Hitler and Jews. The first movie that might

0:53:01.840 --> 0:53:04.960
<v Speaker 1>be described as anti Nazi wasn't released until May nineteen

0:53:05.080 --> 0:53:07.879
<v Speaker 1>thirty nine. It was called Confessions of a Nazi Spy

0:53:07.920 --> 0:53:10.000
<v Speaker 1>and it was about an actual Nazi spying ring that

0:53:10.080 --> 0:53:11.880
<v Speaker 1>had been busted in the East Coast of the United

0:53:11.920 --> 0:53:15.800
<v Speaker 1>States not that long before. Who did huh Nazis No no, no, no,

0:53:15.880 --> 0:53:19.279
<v Speaker 1>I mean who released it? Oh geez uh. I don't

0:53:19.320 --> 0:53:22.879
<v Speaker 1>think it was made by one of the studios. Uh, yeah,

0:53:22.880 --> 0:53:25.160
<v Speaker 1>I would guess that was involved in Germany at the time.

0:53:25.200 --> 0:53:27.759
<v Speaker 1>Got made but it wasn't. It wasn't even a big

0:53:28.000 --> 0:53:30.200
<v Speaker 1>deal because number one, it was talking about an actual

0:53:30.320 --> 0:53:34.279
<v Speaker 1>historic thing that had happened, and number two, it still

0:53:34.400 --> 0:53:36.879
<v Speaker 1>pulled all of its punches. They were moved. Any sort

0:53:36.920 --> 0:53:40.400
<v Speaker 1>of references to Jewish people or Nazi hatred of Jewish people, like,

0:53:40.520 --> 0:53:42.719
<v Speaker 1>none of that made it into the final cut, and

0:53:42.920 --> 0:53:45.400
<v Speaker 1>in fact, from what we can tell, the Nazis actually

0:53:45.480 --> 0:53:48.800
<v Speaker 1>kind of like this movie. Um Joseph Gebel's in particular,

0:53:48.920 --> 0:53:52.120
<v Speaker 1>was thrilled to see an actor playing him in the film.

0:53:52.520 --> 0:53:55.239
<v Speaker 1>The Gebel's in the movie Confessions of a Nazi Spy

0:53:55.360 --> 0:53:57.200
<v Speaker 1>said this, there is to be a slight change in

0:53:57.239 --> 0:53:59.600
<v Speaker 1>our methods from now on. National socialism in the United

0:53:59.640 --> 0:54:02.200
<v Speaker 1>States stressed itself in the American flag and must appear

0:54:02.239 --> 0:54:04.759
<v Speaker 1>to be a defensive Americanism. But at the same time

0:54:04.840 --> 0:54:07.239
<v Speaker 1>our aim must always beat it as credit conditions there

0:54:07.280 --> 0:54:08.799
<v Speaker 1>in the United States, and in this way and make

0:54:08.880 --> 0:54:11.560
<v Speaker 1>life in Germany admired and wished for, and the ensuing

0:54:11.680 --> 0:54:13.879
<v Speaker 1>chaos we will be able to take control. So that's

0:54:13.960 --> 0:54:16.640
<v Speaker 1>Joseph Gebbel's in the movie. He only had two minutes

0:54:16.680 --> 0:54:20.680
<v Speaker 1>on screen in this film, but he he loved it. Gebels.

0:54:20.760 --> 0:54:23.520
<v Speaker 1>The actual Gebels wrote in his diary, I myself play

0:54:23.560 --> 0:54:26.160
<v Speaker 1>a main role, and not even a particularly unpleasant one,

0:54:26.520 --> 0:54:28.759
<v Speaker 1>But I do not consider the film dangerous. Otherwise it

0:54:28.800 --> 0:54:31.359
<v Speaker 1>arouses fear in our enemies rather than anger and hate.

0:54:31.800 --> 0:54:34.560
<v Speaker 1>So the one movie pre World War Two that could

0:54:34.600 --> 0:54:37.640
<v Speaker 1>almost be considered anti Nazi, the Nazis think makes them

0:54:37.640 --> 0:54:42.160
<v Speaker 1>look cool. Yeah that's right. Yeah, you're damn right. We will. Yeah,

0:54:43.200 --> 0:54:46.640
<v Speaker 1>So as friendly as Hollywood seemed in nineteen thirty nine

0:54:46.680 --> 0:54:49.800
<v Speaker 1>to the Nazis, there was at least one major anti

0:54:49.920 --> 0:54:54.080
<v Speaker 1>Nazi production underway. The Great Dictator Charlie Chaplin, had started

0:54:54.120 --> 0:54:58.520
<v Speaker 1>production in nineteen thirty eight. Now Hitler knew about some

0:54:58.680 --> 0:55:00.239
<v Speaker 1>of this, and he knew that they were contin uwing

0:55:00.239 --> 0:55:02.920
<v Speaker 1>attempts to make anti Nazi pictures. He could kind of

0:55:03.000 --> 0:55:06.279
<v Speaker 1>see the winds changing. So on January nineteen thirty nine,

0:55:06.320 --> 0:55:08.920
<v Speaker 1>he gave an infamous speech. One quote from it is

0:55:09.000 --> 0:55:11.319
<v Speaker 1>very well known to students of the Holocaust, as it's

0:55:11.400 --> 0:55:13.759
<v Speaker 1>often seen as some of the first evidence that Hitler

0:55:13.840 --> 0:55:17.760
<v Speaker 1>was planning genocide. He said, quote, if international finance, jewelry

0:55:17.880 --> 0:55:20.680
<v Speaker 1>inside or outside Europe should succeed in plunging the nations

0:55:20.719 --> 0:55:22.840
<v Speaker 1>once more into a world war. The result will not

0:55:22.920 --> 0:55:25.440
<v Speaker 1>be the Bolshevization of the Earth and thereby the victory

0:55:25.480 --> 0:55:28.120
<v Speaker 1>of Jewry, but the annihilation of the Jewish race in Europe.

0:55:28.680 --> 0:55:30.840
<v Speaker 1>What I didn't realize until I read Erlin's book is

0:55:30.880 --> 0:55:33.080
<v Speaker 1>that later in the same speech, Hitler also said this

0:55:33.880 --> 0:55:36.840
<v Speaker 1>and the announcement of American film companies of their intention

0:55:36.880 --> 0:55:39.879
<v Speaker 1>to produce anti Nazi, i e. Anti German films will

0:55:39.920 --> 0:55:43.080
<v Speaker 1>only lead our German producers creating anti Semitic films in

0:55:43.120 --> 0:55:47.800
<v Speaker 1>the future, which you know they did. Yeah. So MGM

0:55:48.120 --> 0:55:50.359
<v Speaker 1>was the first of the big studios to actually make

0:55:50.600 --> 0:55:53.200
<v Speaker 1>a straight up anti Nazi film. It was called The

0:55:53.280 --> 0:55:55.839
<v Speaker 1>Moral Storm and it was which is the more. Also

0:55:55.920 --> 0:55:57.919
<v Speaker 1>had the guy whose wife got sent off to Yeah

0:55:58.080 --> 0:56:02.440
<v Speaker 1>yeah uh uh this year did and The Mortal Storm

0:56:02.680 --> 0:56:05.920
<v Speaker 1>was released in mid nineteen forty, So that's the first

0:56:06.040 --> 0:56:09.840
<v Speaker 1>actual anti Nazi film that's made. Yeah. MGM was banned

0:56:09.880 --> 0:56:13.200
<v Speaker 1>in Germany in August nineteen forty. Paramount followed one month

0:56:13.280 --> 0:56:16.359
<v Speaker 1>later on September twelfth, nineteen forty. And that is when

0:56:16.719 --> 0:56:22.080
<v Speaker 1>this collaboration officially ends. In September of nineteen forty. So

0:56:23.160 --> 0:56:26.360
<v Speaker 1>up until that point, Hollywood is doing their damnedest to

0:56:26.440 --> 0:56:29.000
<v Speaker 1>work with the Nazis now. As I stayed it at

0:56:29.000 --> 0:56:31.960
<v Speaker 1>the top of this podcast, the anti Nazi films, newsreels,

0:56:31.960 --> 0:56:34.160
<v Speaker 1>and cartoons from World War Two are still famous today.

0:56:34.239 --> 0:56:36.560
<v Speaker 1>But the truth is that collaboration or not, the American

0:56:36.600 --> 0:56:39.040
<v Speaker 1>film industry did not turn on the Nazis until the

0:56:39.120 --> 0:56:42.160
<v Speaker 1>war they brought to Europe created box office receipts. The

0:56:42.200 --> 0:56:44.759
<v Speaker 1>start of World War Two reduced foreign revenue by half

0:56:44.960 --> 0:56:47.239
<v Speaker 1>for Hollywood, and in the end, that's what it took

0:56:47.280 --> 0:56:50.200
<v Speaker 1>to make Hollywood sour on the Nazis. Well one, not

0:56:50.480 --> 0:56:54.600
<v Speaker 1>Germany might be gone, yeah right, nobody's there's watching movies.

0:56:54.719 --> 0:56:57.360
<v Speaker 1>But also they control Europe now, so none of our

0:56:57.400 --> 0:57:01.680
<v Speaker 1>movies are allowed in it. France, whatever, pause that we're

0:57:01.719 --> 0:57:03.920
<v Speaker 1>fighting a war, so the people in our own country

0:57:04.000 --> 0:57:07.000
<v Speaker 1>want to see movies where we're anti Nazi. Well, we

0:57:07.040 --> 0:57:11.680
<v Speaker 1>weren't fighting because we get into it into the December

0:57:11.840 --> 0:57:15.640
<v Speaker 1>seven December seven one. But it is important to note

0:57:15.680 --> 0:57:20.360
<v Speaker 1>that like Germans or like sorry that Hollywood, all the

0:57:20.440 --> 0:57:23.040
<v Speaker 1>stuff they're famous for, the anti fascist stuff they're famous for,

0:57:23.360 --> 0:57:26.320
<v Speaker 1>happened after there was no chance of making another Diamond Germany.

0:57:26.840 --> 0:57:33.040
<v Speaker 1>You know, with the exception of one Charles mother fucking Chaplain.

0:57:33.760 --> 0:57:36.440
<v Speaker 1>So Charlie was not a fan of the Nazis, and

0:57:36.520 --> 0:57:39.360
<v Speaker 1>the Nazis hated Charlie Chaplin because they were sure he

0:57:39.480 --> 0:57:43.480
<v Speaker 1>was Jewish, even though he absolutely was not. One Nazi paper,

0:57:45.200 --> 0:57:48.720
<v Speaker 1>the guy feels Jewish, man, he feels it. Look at him,

0:57:48.800 --> 0:57:50.760
<v Speaker 1>Look at him. Come on, he looks just like Hitler.

0:57:50.800 --> 0:57:53.360
<v Speaker 1>He's got to Jewish. I'm not I'm not watching this stuff.

0:57:54.320 --> 0:57:57.520
<v Speaker 1>One Nazi paper called him quote a disgusting Jewish acrobat,

0:57:57.920 --> 0:58:03.840
<v Speaker 1>which Acre off. Now. Chaplin had visited Berlin last in

0:58:03.920 --> 0:58:06.320
<v Speaker 1>nineteen thirty one as part of a publicity tour for

0:58:06.400 --> 0:58:08.840
<v Speaker 1>his movie City Lights, and the Nazi press had basically

0:58:08.920 --> 0:58:11.240
<v Speaker 1>gone to war with him. They branded him as a

0:58:11.720 --> 0:58:15.840
<v Speaker 1>quote anti German warmonger and also an American film jew.

0:58:18.440 --> 0:58:22.480
<v Speaker 1>American film Jew. Yeah. Video of Chaplain in Berlin was

0:58:22.520 --> 0:58:26.440
<v Speaker 1>also used, like American film Jew. He's an American film Jew.

0:58:26.480 --> 0:58:28.840
<v Speaker 1>I don't care. It might say he's not keeping, but

0:58:28.840 --> 0:58:34.720
<v Speaker 1>I'm telling you American film Jew. Video of Chaplain in

0:58:34.760 --> 0:58:37.160
<v Speaker 1>Berlin during this visit was also used in that propaganda

0:58:37.200 --> 0:58:40.160
<v Speaker 1>flick The Eternal Jew, which we talked about earlier. The

0:58:40.280 --> 0:58:42.560
<v Speaker 1>narrator in that scene says, it cannot be denied that

0:58:42.680 --> 0:58:45.560
<v Speaker 1>one part of the German people enthusiastically applaud the foreign

0:58:45.640 --> 0:58:48.400
<v Speaker 1>Jews who come to Germany the deadly foes of their race.

0:58:48.560 --> 0:58:50.840
<v Speaker 1>During a shot of a crowd cheering Chaplain, which again,

0:58:51.200 --> 0:58:53.400
<v Speaker 1>Charlie Chaplin was not Jewish. They never got that through

0:58:53.440 --> 0:58:57.560
<v Speaker 1>their heads, not not once. Yeah. When Chaplin decided to

0:58:57.600 --> 0:58:59.720
<v Speaker 1>make The Great Dictator, he used his own money to

0:58:59.760 --> 0:59:03.080
<v Speaker 1>fill moment because no studio would agree to make this movie,

0:59:03.520 --> 0:59:06.280
<v Speaker 1>he used his own production house. Thus, bypassing the studios

0:59:06.400 --> 0:59:10.480
<v Speaker 1>entire apocalypse. Now, yeah, exactly, and Chaplin actually risked getting

0:59:10.520 --> 0:59:13.160
<v Speaker 1>all of Hollywood films banned in Germany for doing this

0:59:13.280 --> 0:59:16.560
<v Speaker 1>work because he started in nineteen thirty eight. Now, unfortunately,

0:59:17.120 --> 0:59:20.720
<v Speaker 1>the film wasn't finished until because Chaplin was a perfectionist.

0:59:21.080 --> 0:59:23.800
<v Speaker 1>Here's an exerpt from his autobiography where he talks about

0:59:23.840 --> 0:59:26.760
<v Speaker 1>sort of the how people's attitudes changed during the process

0:59:26.800 --> 0:59:29.600
<v Speaker 1>of him trying to make this. Halfway through making The

0:59:29.640 --> 0:59:32.960
<v Speaker 1>Great Dictator, I began receiving alarming messages from United artists.

0:59:33.360 --> 0:59:35.040
<v Speaker 1>They had been advised by the Hayes office that I

0:59:35.040 --> 0:59:37.760
<v Speaker 1>would run into censorship trouble. Also, the English office was

0:59:37.880 --> 0:59:40.240
<v Speaker 1>very concerned about an anti Hitler picture and doubted whether

0:59:40.280 --> 0:59:42.520
<v Speaker 1>it could be shown in Britain. But I was determined

0:59:42.560 --> 0:59:45.000
<v Speaker 1>to go ahead, for Hitler must be laughed at. More

0:59:45.080 --> 0:59:47.600
<v Speaker 1>worrying letters came from the New York Office imploring me

0:59:47.720 --> 0:59:49.840
<v Speaker 1>not to make the film, declaring it that it would

0:59:49.840 --> 0:59:52.040
<v Speaker 1>never be showed in England or America. But I was

0:59:52.080 --> 0:59:53.960
<v Speaker 1>determined to make it, even if I had to hire

0:59:54.080 --> 0:59:57.080
<v Speaker 1>halls myself to show it. Before I had finished The Dictator,

0:59:57.160 --> 1:00:00.240
<v Speaker 1>England declared war on the Nazis. Then suddenly the Holocaust again,

1:00:00.320 --> 1:00:02.840
<v Speaker 1>the breakthrough in Belgium, the collapse of the Imagine Old Line,

1:00:02.880 --> 1:00:06.240
<v Speaker 1>the stark and ghastly fact of Dunkirk, and France was occupied.

1:00:06.600 --> 1:00:09.080
<v Speaker 1>The news was growing gloomier. England was fighting with her

1:00:09.080 --> 1:00:11.120
<v Speaker 1>back to the wall. Now our New York office was

1:00:11.160 --> 1:00:14.320
<v Speaker 1>wiring frantically, hurry up with your film. Everyone is waiting

1:00:14.360 --> 1:00:17.760
<v Speaker 1>for it. So it's a tale of three acts in

1:00:17.840 --> 1:00:21.440
<v Speaker 1>that one quote, right, yeah, yeah. Unlike most of our episodes,

1:00:21.640 --> 1:00:24.280
<v Speaker 1>this one ends with a hero. The Great Dictator was

1:00:24.360 --> 1:00:26.960
<v Speaker 1>not the first anti Nazi movie to come out of Hollywood.

1:00:27.000 --> 1:00:29.280
<v Speaker 1>It was the second or the third depending on your

1:00:29.360 --> 1:00:31.960
<v Speaker 1>but it was the first good anti Nazi movie to

1:00:32.000 --> 1:00:34.520
<v Speaker 1>come out of Hollywood, and it was also singular among

1:00:34.680 --> 1:00:38.280
<v Speaker 1>it was the first movie to depict violence towards in

1:00:38.360 --> 1:00:42.320
<v Speaker 1>the murder of Jews by the Nazis. Yeah, so thank you,

1:00:42.480 --> 1:00:46.840
<v Speaker 1>Charlie Chaplin, no ship man, Yeah, good guy hell yeah. Yeah.

1:00:46.920 --> 1:00:48.160
<v Speaker 1>And he had to do it all himself. He was

1:00:48.200 --> 1:00:53.280
<v Speaker 1>literally like, I'll create this, this has to be done,

1:00:54.000 --> 1:00:55.960
<v Speaker 1>and there is some evidence that he regretted it later.

1:00:55.960 --> 1:00:58.240
<v Speaker 1>There must be laughed, hit, there must be laughed at,

1:00:58.760 --> 1:01:01.200
<v Speaker 1>which he came to question that later in life, just

1:01:01.240 --> 1:01:03.520
<v Speaker 1>because of how horrible the Holocaust was. He wondered, like,

1:01:03.720 --> 1:01:07.560
<v Speaker 1>was it but we need to person that's what he

1:01:07.640 --> 1:01:10.040
<v Speaker 1>thought before. Yeah, that's what I'm saying. Yeah, and I

1:01:11.000 --> 1:01:13.200
<v Speaker 1>I don't think he was wrong. Like Keyans and Nuck

1:01:13.240 --> 1:01:15.960
<v Speaker 1>are definitely the guys who are rightist in this. They're

1:01:15.960 --> 1:01:19.880
<v Speaker 1>the two people who fucking tried. Yeah everyone else. You know,

1:01:20.040 --> 1:01:21.919
<v Speaker 1>you can either say whether or not you think it's

1:01:22.000 --> 1:01:27.000
<v Speaker 1>a collaboration. But Hollywood certainly fell down on their job

1:01:27.280 --> 1:01:30.480
<v Speaker 1>to sort of defend the ideals of the society they

1:01:30.560 --> 1:01:35.439
<v Speaker 1>sent them to until until the tea was gone, not them. Yep, yep,

1:01:35.720 --> 1:01:38.440
<v Speaker 1>that's exactly right. They sucked the teat until the tea

1:01:38.560 --> 1:01:43.640
<v Speaker 1>was gone. That's fucked up, man. Yeah, and just for

1:01:44.920 --> 1:01:50.440
<v Speaker 1>money for money. But also, and you know, I'm not

1:01:50.520 --> 1:01:54.880
<v Speaker 1>trying to put any sort of like you have to

1:01:55.000 --> 1:01:57.440
<v Speaker 1>care because of who you are. I mean, everybody's entitled

1:01:57.480 --> 1:02:01.000
<v Speaker 1>to their own opinion and viewpoint. But it's just hard

1:02:01.080 --> 1:02:03.600
<v Speaker 1>for me. And I'll say a full disclosure, I'm not Jewish.

1:02:04.440 --> 1:02:07.440
<v Speaker 1>I'm fine with someday being an American film hyphen jew.

1:02:08.080 --> 1:02:13.040
<v Speaker 1>But the idea that these these companies, these production companies,

1:02:13.120 --> 1:02:17.000
<v Speaker 1>these studios are being run by people who are Jewish,

1:02:17.520 --> 1:02:21.360
<v Speaker 1>and then they keep putting money over the persecution that

1:02:21.480 --> 1:02:24.480
<v Speaker 1>they I have a hard time believing they weren't aware of.

1:02:24.880 --> 1:02:27.600
<v Speaker 1>And it's again, I tried to make sure I presented

1:02:27.720 --> 1:02:30.200
<v Speaker 1>there there were legitimate reasons for the Jewish community to

1:02:30.280 --> 1:02:32.840
<v Speaker 1>worry that addressing the issue at all would make things worse.

1:02:32.920 --> 1:02:35.400
<v Speaker 1>I get that, but some of it doesn't, not all,

1:02:35.480 --> 1:02:38.720
<v Speaker 1>and not in all every case we've we've gone over. Yeah,

1:02:38.800 --> 1:02:42.280
<v Speaker 1>you don't have to keep profiting from the Nazis, right,

1:02:42.480 --> 1:02:44.760
<v Speaker 1>you could not. You could decide we shouldn't make a movie, right,

1:02:44.760 --> 1:02:46.800
<v Speaker 1>now because it will inflame things. But we're not going

1:02:46.960 --> 1:02:51.720
<v Speaker 1>to get movies and nobody did that. They're a principle

1:02:51.840 --> 1:02:54.520
<v Speaker 1>Morald stand could have been taken and it was not

1:02:54.800 --> 1:02:58.640
<v Speaker 1>other than by Zanuck of twentieth century and who also

1:02:58.760 --> 1:03:00.600
<v Speaker 1>did business in Germany. So he's all made money off

1:03:00.640 --> 1:03:04.000
<v Speaker 1>the Nazis and Chaplain who legitimately did not try too,

1:03:04.160 --> 1:03:08.840
<v Speaker 1>who was pretty stridently anti Nazi from day zero. Let

1:03:08.920 --> 1:03:10.840
<v Speaker 1>me ask you this and you can say it past.

1:03:10.880 --> 1:03:13.480
<v Speaker 1>We're not getting into that on this episode, Dan, But

1:03:13.640 --> 1:03:17.280
<v Speaker 1>how far are we from major Hollywood studios that directly

1:03:17.320 --> 1:03:22.720
<v Speaker 1>attack our current I mean like a cartoon about but

1:03:22.800 --> 1:03:26.160
<v Speaker 1>I mean like a big movie The Post Try The

1:03:26.280 --> 1:03:29.080
<v Speaker 1>Post did it without doing it. I don't think it

1:03:29.160 --> 1:03:31.600
<v Speaker 1>can be that far right. I don't think so um,

1:03:32.120 --> 1:03:34.000
<v Speaker 1>nor that I think that there's anybody who doesn't want to.

1:03:34.040 --> 1:03:37.160
<v Speaker 1>I'm not saying that. I don't think it's a particularly

1:03:37.160 --> 1:03:39.560
<v Speaker 1>will be a particularly brave thing to do in our

1:03:39.600 --> 1:03:43.400
<v Speaker 1>current cultural climate because there's so much so many people

1:03:43.440 --> 1:03:45.920
<v Speaker 1>are making fun of the president right now. What scares

1:03:45.960 --> 1:03:49.160
<v Speaker 1>me more is China, which not to say not to

1:03:49.200 --> 1:03:51.400
<v Speaker 1>compare the Chinese government to the Nazi government, because there's

1:03:51.400 --> 1:03:55.160
<v Speaker 1>no comparing the modern Chinese to the Nazis. But you

1:03:55.280 --> 1:03:57.520
<v Speaker 1>have a case where a government does have a troubling

1:03:57.600 --> 1:03:59.960
<v Speaker 1>human rights record is doing really bad. They don't even

1:04:01.280 --> 1:04:03.720
<v Speaker 1>exactly and they've locked a million weager Muslims up in

1:04:03.920 --> 1:04:06.880
<v Speaker 1>one of their areas. Probably you don't know if there's

1:04:06.920 --> 1:04:09.600
<v Speaker 1>really a million person concentration camp in China, but there's

1:04:09.600 --> 1:04:12.960
<v Speaker 1>some evidence that that's being done, and Erik Prince is involved.

1:04:13.080 --> 1:04:14.600
<v Speaker 1>But we do know that this is a government with

1:04:14.640 --> 1:04:17.880
<v Speaker 1>a troubling history of human rights abuse. And Hollywood also

1:04:18.040 --> 1:04:21.520
<v Speaker 1>is totally dependent upon China, like it is a huge deal.

1:04:22.160 --> 1:04:25.720
<v Speaker 1>So my question is, if something in the future happens

1:04:25.720 --> 1:04:28.480
<v Speaker 1>where the Chinese government is caught doing something terrible, does

1:04:28.520 --> 1:04:31.320
<v Speaker 1>Hollywood blacklist any mentioned from that out of the knowledge

1:04:31.360 --> 1:04:33.920
<v Speaker 1>that it will cut out the Chinese market um? And

1:04:34.040 --> 1:04:38.040
<v Speaker 1>also would the Chinese government be willing to cut Hollywood

1:04:38.200 --> 1:04:40.800
<v Speaker 1>entirely out of China in order to make that kind

1:04:40.840 --> 1:04:43.480
<v Speaker 1>of statement. We don't know what would happen, but I

1:04:43.560 --> 1:04:46.200
<v Speaker 1>will say based on this, I don't expect any more

1:04:46.280 --> 1:04:48.760
<v Speaker 1>courage out of the modern studio heads in Hollywood then

1:04:48.800 --> 1:04:50.800
<v Speaker 1>we got out of the ones in the thirties. Yeah,

1:04:51.320 --> 1:04:56.320
<v Speaker 1>I don't either, so damn dude. And then the war

1:04:56.480 --> 1:04:59.600
<v Speaker 1>started and everybody wanted to make their anti yeah, and

1:04:59.680 --> 1:05:02.520
<v Speaker 1>then and then Mickey Mouse is fighting Hitler as opposed

1:05:02.560 --> 1:05:07.600
<v Speaker 1>to entertaining him. Yeah, yeah, huh, yep, this is crazy,

1:05:09.440 --> 1:05:12.600
<v Speaker 1>all right, Daniel, you want to plug some plug doubles? Sure.

1:05:12.760 --> 1:05:14.360
<v Speaker 1>I'd like to let everybody know if you go to

1:05:14.440 --> 1:05:17.360
<v Speaker 1>Daniel van Kirk dot com or you follow me on

1:05:17.520 --> 1:05:20.120
<v Speaker 1>any social media platform where I'm at Daniel van Kirk,

1:05:20.520 --> 1:05:22.680
<v Speaker 1>I might be coming to your area. The first leg

1:05:22.760 --> 1:05:26.160
<v Speaker 1>of my Together tour starts in Houston and then heads

1:05:26.240 --> 1:05:30.640
<v Speaker 1>over to Austin, Dallas, Lafayette and Baton Rouge, So, Texas,

1:05:30.720 --> 1:05:33.120
<v Speaker 1>and Louisiana. And that's just the first leg. I'm also

1:05:33.160 --> 1:05:35.080
<v Speaker 1>going to be doing some more Southeast stuff than the

1:05:35.160 --> 1:05:38.760
<v Speaker 1>Northeast and the Midwest and keep going around, so check

1:05:38.840 --> 1:05:40.360
<v Speaker 1>for those legs to be added. You can do all

1:05:40.400 --> 1:05:42.960
<v Speaker 1>that at Daniel van Kirk dot com or follow me

1:05:43.120 --> 1:05:45.120
<v Speaker 1>at Daniel van Kirk and listen to the podcast that

1:05:45.200 --> 1:05:47.560
<v Speaker 1>I do. Well you say hello to my old hometown

1:05:47.680 --> 1:05:50.200
<v Speaker 1>Dallas for me, I will. I don't go back there

1:05:50.280 --> 1:05:53.680
<v Speaker 1>in the summer ever. You don't want to swim through it. No, No,

1:05:53.760 --> 1:05:55.880
<v Speaker 1>I don't know. That's why I moved to Los Angeles

1:05:56.640 --> 1:06:00.080
<v Speaker 1>so I don't have to live through another Yeah. No,

1:06:00.120 --> 1:06:03.360
<v Speaker 1>it's a humidity. Yeah, you're yeah, swimming through it as right,

1:06:03.440 --> 1:06:07.480
<v Speaker 1>it's your everyone lives inside an armpit for seven months. Yeah. So,

1:06:07.840 --> 1:06:09.720
<v Speaker 1>I'm Robert Evans. You can find me on Twitter at

1:06:09.760 --> 1:06:12.320
<v Speaker 1>I right, okay, just two letters. You can find my

1:06:12.440 --> 1:06:14.960
<v Speaker 1>book on Amazon, A Brief History of Vice. You can

1:06:15.040 --> 1:06:16.960
<v Speaker 1>find this podcast and all of the sources for this

1:06:17.080 --> 1:06:21.000
<v Speaker 1>episode and including Ben's wonderful book The Collaboration, on our

1:06:21.040 --> 1:06:23.720
<v Speaker 1>website Behind the Bastards dot com. You can also find

1:06:23.760 --> 1:06:27.440
<v Speaker 1>us on Twitter and Instagram at at bastards pod. So like,

1:06:28.160 --> 1:06:30.600
<v Speaker 1>subscribe and rate, and more than anything, just buy a

1:06:30.640 --> 1:06:32.640
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1:06:33.000 --> 1:06:36.520
<v Speaker 1>from t public dot com slash behind the Bastards. I

1:06:36.640 --> 1:06:37.160
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