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Speaker 1: Hey, guys, he is there.

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Speaker 2: He is great.

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Speaker 1: I'm well, how are you well?

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Speaker 2: You know, the world spins madly on.

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Speaker 1: It does spin madly on, and at a furious pace too.

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Speaker 2: It just keeps going and uh and you just keep

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Speaker 2: moving forward.

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Speaker 1: And that's all you can do. Really. You know, what's

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Speaker 1: past it a kuna matata. Lyon King says it best.

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Speaker 1: What's in the past is the past. Let's talk about

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Speaker 1: moving forward into the future and making it so that

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Speaker 1: the past never All the negative things I should say

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Speaker 1: in the past never repeat themselves.

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Speaker 2: The planet spins, and the world spins madly on.

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Speaker 1: Joel Dan, how are you guys? You know, I realized

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Speaker 1: that when I log on, we usually just jump right

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Speaker 1: into the show, and I never really get the opportunity

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Speaker 1: to ask you, guys, how are you doing? How are

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Speaker 1: you holding up?

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Speaker 2: Well?

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Speaker 3: It's good Hill Inside.

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Speaker 1: Sleep is a myth.

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Speaker 3: There's no such thing as sleep anymore in sounding in

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Speaker 3: full full force. But other than that, you know, it's

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Speaker 3: it's good. I was able to leave the house. I

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Speaker 3: went to a drive in. Have you guys been to

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Speaker 3: the mission?

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Speaker 2: Hill Tiki?

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Speaker 3: Drive in?

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Speaker 1: No, No, listen.

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Speaker 3: If you need to get out and you want to

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Speaker 3: see a movie. That's the place to do it.

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Speaker 1: They've got like all.

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Speaker 3: These old like burger joint stands around there, so you

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Speaker 3: can like pick up some food through drive through, drive

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Speaker 3: straight into the drive through. It's a bunch of like

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Speaker 3: billboards that are sectioned off. And we saw a double

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Speaker 3: feature of Jaws and Tremors.

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Speaker 1: Nice well Jaws, yes, Tremors. It was okay, Yeah, it's okay. Jaws. However,

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Speaker 1: still to this day, even though the shark doesn't look

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Speaker 1: that real, it still works.

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Speaker 4: Yeah, the whole opening the beach early, like the beaches

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Speaker 4: are safe right right everybody.

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Speaker 3: It's a very surreal rewatch in these.

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Speaker 5: Dan.

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Speaker 1: How about you?

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Speaker 5: How you?

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Speaker 4: I'm good?

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Speaker 2: I'm well.

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Speaker 4: I had to take my take my girlfriend to the

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Speaker 4: airport this morning very early to help her brother get

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Speaker 4: out of or move out of college. But she's doing

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Speaker 4: a good thing and yeah, so all good, Ready for

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Speaker 4: a great show.

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Speaker 1: What's that line from when Harry met Sally? You know,

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Speaker 1: I never take a girl to the airport because then

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Speaker 1: to they expect things out of you, and then later

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Speaker 1: on you're what day? Then later on then later on I.

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Speaker 2: Never do airport drops. I don't with airport.

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Speaker 1: Drops because then later on she says, you, how come

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Speaker 1: you never take me to the airport anymore?

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Speaker 6: Just say goodbye at home.

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Speaker 2: Yeah, I don't take too or pick up from airport

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Speaker 2: as a rule.

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Speaker 1: By Okay, I did it. I did it quite a

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Speaker 1: bit when Casey and I first started data. Now I'm like,

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Speaker 1: you know what, I'll get you a car service.

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Speaker 2: Yeah, it'll be so much. I'd rather get you a

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Speaker 2: really nice car service. He'll probably have mints.

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Speaker 1: Right, and a clean car.

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Speaker 2: But she but, but Florence has a hang up about it.

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Speaker 2: She really finds it rude. So I'm gonna I have

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Speaker 2: a feeling it's going to be changing because she thinks

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Speaker 2: that it's bullshit.

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Speaker 1: I'm telling you, once you stop doing it, she's gonna

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Speaker 1: ask you, how come you never take me to the

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Speaker 1: airport anymore?

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Speaker 2: I know? But see, LAX is so fucking far. I mean,

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Speaker 2: I'm sure a lot of listeners may live closer to

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Speaker 2: their airport than we do. It takes like over an

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Speaker 2: hour to get to LAX. It's a lot. It's a

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Speaker 2: mission every time, and then you have.

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Speaker 3: To deal with the traffic of that long circle around.

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Speaker 2: Hell, you know what you do, I'm gonna give everyone

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Speaker 2: a little Well, I shouldn't give my secret never mind. Sorry, No,

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Speaker 2: I was gonna give you. I was gonna give I

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Speaker 2: was going to I was going to give people of

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Speaker 2: LA a life hack, But now I don't know if

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Speaker 2: I should because they're all going to steal it and

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Speaker 2: use it.

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Speaker 1: Listen, just do it. You'll be a hero if you

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Speaker 1: do it.

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Speaker 2: All right, you guys, don't tell anyone. I know that

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Speaker 2: there's a preposterous amount of people listening right now, But

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Speaker 2: don't tell anyone. This is just for you. Do not

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Speaker 2: tell your friends when you live in l A. If

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Speaker 2: you live in a life you don't live in LA

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Speaker 2: and you come here, you're not allowed to do this ship.

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Speaker 1: This is LA.

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Speaker 2: You go when you're dropping off. You go to arrivals,

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Speaker 2: not departures. There's never nearly as long a line at arrivals, brilliant,

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Speaker 2: and all you got to do is take the escalator

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Speaker 2: up or down whatever it is. M Now, I regret

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Speaker 2: telling everyone that.

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Speaker 1: Are you a genius?

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Speaker 5: Sack?

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Speaker 1: Hold on, hold on.

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Speaker 2: I regret this already. It's a mistake. It's a mistake.

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Speaker 2: My life hack is ruined. Now.

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Speaker 1: I feel like a lot of people already knew this life.

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Speaker 2: No, they don't. You don't do it, did you know it?

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Speaker 1: Yeah? Absolutely? And when you get picked up you go upstairs.

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Speaker 2: To freaking departure. Yep, yep.

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Speaker 1: Yeah, man, I never doub.

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Speaker 4: It was such a problem that Uber won't let you

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Speaker 4: do it anymore. You can say, hey, will you drop

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Speaker 4: me off at arrivals, They'll say, no, we can't do that.

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Speaker 4: They're gonna give us a ticket if we do that.

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Speaker 2: Oh, I didn't know. It was like a ticketed things.

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Speaker 2: So don't get in trouble because of me.

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Speaker 4: But only only ubers get ticketed. Only ubers get ticket

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Speaker 4: it if you're driving, if you were if you're doing

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Speaker 4: a service for a friend. That's a really good life hack.

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Speaker 2: Oh okay, there you go. Life hack everybody always when

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Speaker 2: you do it, I want you when you do it

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Speaker 2: and it goes smoothly, I want you to smile and

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Speaker 2: think of me.

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Speaker 1: Should we get into the show.

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Speaker 2: Well, we have a very special guest today, Donald.

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Speaker 1: I know, I'm really excited about it. That's why I

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Speaker 1: want to get into that.

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Speaker 2: I can see that you're all geeked out. We never

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Speaker 2: thought Ken Jenkins would would come on the show, not

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Speaker 2: because he's difficult in anyway. I just didn't know if

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Speaker 2: he'd know how to do the zoom and the recording

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Speaker 2: and all of that. But we're so lucky that his

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Speaker 2: son helped him navigate it all and and and and

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Speaker 2: as he here, Dan, is he ready to come in

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Speaker 2: the room, ready to go? I'm kind of nervous, Dole.

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Speaker 2: I haven't seen him in a long time.

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Speaker 1: I'm so excited. Last time I saw him was when

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Speaker 1: we did that thing at UH at the Roosevelt Hotel.

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Speaker 1: Yeah where I also where doesn't he have no kids?

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Speaker 1: Happened also in the same in the same at the

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Speaker 1: same beIN not the same venue, but the same.

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Speaker 2: Same building building. Doesn't he have like nine kids? Casey

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Speaker 2: said that about Donald in the bar which was at

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Speaker 2: the time was called Teddy's and I think it still is.

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Speaker 2: And then we had sort of a Scrubs reunion event

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Speaker 2: for what was it for?

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Speaker 1: I don't even remember, I don't know.

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Speaker 2: And and we were all there, same building, same building.

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Speaker 1: I love that bowling alley in the room.

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Speaker 2: There's a cool little bowling alley. Do you ever visit

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Speaker 2: la just after you've arrived at the airport and driven

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Speaker 2: an hour? Are we gonna ask him about Ganja or

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Speaker 2: if you're not bringing that up.

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Speaker 1: I mean, I think I feel like we can ask

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Speaker 1: about it. If he doesn't want to talk about it,

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Speaker 1: we don't. He doesn't have to talk about it.

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Speaker 2: I know, but I mean, I'm just one wanted to

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Speaker 2: just pregame with you if we're going to bring up

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Speaker 2: his love of Ganja.

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Speaker 1: I'm just saying, man, he gave me a Kodak Remember

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Speaker 1: when Kodak film used to come in those little cases.

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Speaker 2: The black canister thing.

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Speaker 1: Yeah, he gave me a canister full of seeds once,

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Speaker 1: and it was like when you plant beds now and

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Speaker 1: I didn't plant them, and I look for this Kodak

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Speaker 1: thing at somewhere lost in all of the moon.

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Speaker 2: They're still going to grow.

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Speaker 1: But still, dude, they were like a lot of seeds,

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Speaker 1: and he was like, you gotta plant them all. But

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Speaker 1: I was like, you gotta explain. Wait, Dan's eyes got

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Speaker 1: really big, Dan, will they still grow?

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Speaker 2: A trivia question I want answered is who was high

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Speaker 2: more often on set? Donaldson or Ken Jenkins.

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Speaker 1: I bet you it's Ken Jenkins.

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Speaker 2: Okay, let's go to the videotape.

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Speaker 1: Okay, hold on, here we go away five, six, seven, eight, stories.

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Speaker 6: I'm not sure. We made about a bunch of dogs

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Speaker 6: and nurses, and I said, he's a story next.

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Speaker 1: So YadA here, yead.

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Speaker 7: Here there, Yes, hello handsome waving your hands.

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Speaker 2: Hello, there you are? Can you see us?

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Speaker 5: Hey? Jackie, how you doing? Hi, Buddy, Good to see you.

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Speaker 1: It's good to see you.

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Speaker 2: It's great to see old.

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Speaker 1: Hello, sir.

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Speaker 5: Hello, man.

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Speaker 2: We're so glad you're doing this. Ken. We really miss

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Speaker 2: you and we really wanted to have you on the show.

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Speaker 5: Well, I'm glad you asked me. I'm glad to be here.

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Speaker 5: What's that Donald's got all over his face?

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Speaker 1: This is hair?

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Speaker 5: You know.

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Speaker 1: I couldn't grow it, just hair.

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Speaker 5: That looks great.

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Speaker 1: Thank you. It took me all pandemic to grow this.

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Speaker 5: Now listen, does that help your ball game?

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Speaker 1: No? My ball game is not existent now I'm not

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Speaker 1: playing golf. My golf game. It helps tremendously.

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Speaker 5: I bet you're a wonderful golfer.

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Speaker 1: I'm all right, I'm all right. I'm getting the hang

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Speaker 1: of it now. You know what I mean?

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Speaker 2: You got pretty good. You went from zero to hero.

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Speaker 2: I mean when I first saw you play, we were

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Speaker 2: together and neither one of us knew what the hell

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Speaker 2: we were doing. And then you got what's your handicap?

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Speaker 2: Isn't that what you ask someone?

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Speaker 1: Yeah? My handicaps now is seven point nine.

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Speaker 2: That's pretty good.

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Speaker 5: That's realistic.

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Speaker 1: Yeah, yeah, yeah yeah. I can at municipal courses. I

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Speaker 1: should say, when we go country club and play country

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Speaker 1: club golf, it jumps up, you know, quite a bit.

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Speaker 1: But for municipal golf courses so far, seven point nine.

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Speaker 5: That's wonderful.

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Speaker 1: Good for you, Thank you now you were you a golfer?

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Speaker 5: I never played golf in my life until we did

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Speaker 5: that episode out there on the Hill.

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Speaker 2: And Ken, you looked good on that episode. Donald and

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Speaker 2: I were talking about how you look like you knew

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Speaker 2: what you were doing.

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Speaker 5: You know, that's what they call it acting.

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Speaker 2: Because I told Donald, I said, when I did it,

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Speaker 2: I could not do it. Edited me together. But we

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Speaker 2: were talking about Johnny c is a golfer, and he

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Speaker 2: of course looked great, but we were like, Ken, looks

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Speaker 2: like he knew what he was doing.

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Speaker 5: Total fraud, fraud.

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Speaker 1: You sold the hell out of it.

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Speaker 2: How are you?

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Speaker 3: How?

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Speaker 2: How are you doing in this crazy time when we're

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Speaker 2: all trapped in our houses? How are you holding up well?

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Speaker 5: We're doing great, Catherine and I say, our lives inside

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Speaker 5: didn't change very much. We were doing a lot, and

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Speaker 5: we embarked on reading books to each other, books that

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Speaker 5: we had said we'd read, and then you'd ask a

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Speaker 5: question like, yeah, well what do you remember about it?

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Speaker 2: Nothing?

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Speaker 5: So we started reading big books. Vanity Fair. Now seven

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Speaker 5: hundred pages of Vanity Fair.

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Speaker 2: And you read it out loud to each other.

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Speaker 5: Yes, yes, And now we're seven eighths of the way through.

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Speaker 5: Moby Dick and I think we're only four people in

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Speaker 5: the world have ever read it out loud of each other,

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Speaker 5: and we're about to finish it.

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Speaker 2: I think that's very romantic.

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Speaker 1: That's a big book, Moby Dick.

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Speaker 5: Yeah, I use it as a step leader when I'm

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Speaker 5: not really.

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Speaker 2: Ken You've always been You've always struck me as a romantic.

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Speaker 5: Well I'm romantic, yeah, I mean I used to be.

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Speaker 5: Now it's just a lot more passive.

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Speaker 2: You know, it's funny because in the in the episode,

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Speaker 2: I was trying to think as I was watching this episode,

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Speaker 2: you know, it feels like in some episodes Kelso is

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Speaker 2: so smitten and in love with Enid, his his wife,

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Speaker 2: and then in other episodes he's so dismisses of her.

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Speaker 2: You know, it goes back and forth. There's episodes where

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Speaker 2: he's just like singing old love songs he used to

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Speaker 2: sing to her, and then there's other episodes where he's

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Speaker 2: just like, oh, she drives me crazy. I can't stand Enid.

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Speaker 2: I wonder if you thought what you thought about if Kelso,

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Speaker 2: what his feelings for Enid were.

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Speaker 5: You know, it's funny, isn't that you watching the show

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Speaker 5: develop over all the years, and Bill would say over here, well,

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Speaker 5: we're going to give you a real life can don't

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Speaker 5: worry man, So you never knew what to play is

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Speaker 5: how do you feel about the wife? And I don't know.

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Speaker 5: I think it was very complex that we had developed.

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Speaker 5: It was very complex, but he had aside. The one

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Speaker 5: time I thought we really got into what Kelso felt

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Speaker 5: about love was when Nurse Roberts died and there's that

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Speaker 5: moment when I'm in the room with her and I

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Speaker 5: think you're looking through the glass and I just bend

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Speaker 5: over and give her this tiny little kiss, and you

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Speaker 5: knew there was something there that but all the wise

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Speaker 5: cracking and then this episode we're doing today, the smart

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Speaker 5: ass stuff that beneath all that there was something really

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Speaker 5: deep and human, wonderful bonding.

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Speaker 1: I was going to ask you that, did you think

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Speaker 1: Kelso at one point? I mean, it's clear that he

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Speaker 1: obviously was a really great doctor. To get the chief

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Speaker 1: of medicine job, he had to not only be at

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Speaker 1: the hospital for a while, but he had to do

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Speaker 1: good work. You don't get that job just because of

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Speaker 1: being there for a long time. Do you think somewhere

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Speaker 1: along the line Kelso was broken and that's why he

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Speaker 1: became the ballbuster and and someone who was just all

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Speaker 1: about insurance and that was it. Do you think at

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Speaker 1: some point, you know Kelso was like, you know what,

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Speaker 1: everything that I've been doing? Because you're right, he does

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Speaker 1: have so many lovable moments throughout the series. Yeah, you

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Speaker 1: know the Tuscaloosa Heart episode where he's singing to his

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Speaker 1: the love of his life and it turns out to

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Speaker 1: be Enid. You know the fact that he's definitely willing

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Speaker 1: to give out rewards and stuff like that. He just

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Speaker 1: doesn't want everybody to come and ask him over and

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Speaker 1: over again for things. So I'm asking, at some point,

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Speaker 1: do you think he was broken?

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Speaker 5: I don't know about that, but I think what he

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Speaker 5: did learn, as all doctors seem to learn, and especially

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Speaker 5: right now in all this COVID mess, what what the

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Speaker 5: what they have to see daily, and the front line

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Speaker 5: workers have to see daily. What they have to do

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Speaker 5: is put their feelings somewhere else, uh and and and

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Speaker 5: go on with the job. And I think in Kelso's

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Speaker 5: position as an administrator, what happens with your feelings is

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Speaker 5: you crust them over. You just develop a rind on

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Speaker 5: the outside of it. Someone dies and you go on.

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Speaker 5: Another person dies and you go on because you have

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Speaker 5: to keep going there.

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Speaker 2: Someone, someone in his someone in his position, you think,

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Speaker 2: has to just develop a rhyme, like you said, in

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Speaker 2: order to try and run that place. Especially you know,

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Speaker 2: keep in mind that Sacred Heart was meant to be

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Speaker 2: a poorer city hospital that didn't have a lot of resources.

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Speaker 2: So he, you know, in his defense, he was trying

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Speaker 2: to keep the doors open to the place.

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Speaker 5: You know, Yeah, yeah, I think that's I think that's right.

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Speaker 5: And I'm sure you're right Donald, in the sense that

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Speaker 5: he was probably idealistic in the same way Turk and

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Speaker 5: JD are idealistic. They're young, they have a mission, they

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Speaker 5: think well of themselves. They're looking at their future. Glso

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Speaker 5: was young once. Yeah, hundred years ago.

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Speaker 2: Hey, Ken, I wanted to say that you Bill wrote

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Speaker 2: you sort of one note in the beginning. You know,

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Speaker 2: if you look at the pilot, he's just sort of

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Speaker 2: like the bad guy. He literally has like the blood,

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Speaker 2: the blood, red eyes, and there's a devil. And then

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Speaker 2: and then as we're seeing now come and and you

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Speaker 2: played it so wonderfully, Ken, you're just you're so you're

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Speaker 2: so amazing, You're so funny, and you're so wonderful. And

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Speaker 2: but my point was that now in season two, which

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Speaker 2: we just started, you're getting to see where Bill really

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Speaker 2: starts to start to give him lots more layers. I think, yeah,

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Speaker 2: didn't you feel that way. I felt like in season

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Speaker 2: one there was so much to tackle, and of course

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Speaker 2: they're setting up the young, the young wide eyed interns

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Speaker 2: and their relationships and everything, and Kelsa was just like

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Speaker 2: the bad guy. And now I start to see and

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Speaker 2: of course I know that this goes throughout the nine

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Speaker 2: years that you really start to see it developed.

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Speaker 5: I didn't remember that it happened this soon. My memory

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Speaker 5: of season one is being God, I'm over the top

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Speaker 5: on every scene I'm doing. I hated it. I hated

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Speaker 5: everything I was doing. I thought the timing was all right,

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Speaker 5: but I thought it's just a thousand times too much.

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Speaker 5: Can't you pull back? No? I can't. I can't. I

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Speaker 5: don't know where else to go. And I looked at

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Speaker 5: this episode and I went, this is just the beginning

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Speaker 5: of season two and everybody is back in another deep,

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Speaker 5: wonderful groove. This is an incredibly good episode.

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Speaker 1: Yeah, yeah, it really is.

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Speaker 2: Ken. That's why that's one of the reasons we want

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Speaker 2: to have you on, because not only is it a

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Speaker 2: really really good one, but you have so much fun

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Speaker 2: stuff to play in this one, and uh and I

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Speaker 2: want We were excited to talk to you about all

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Speaker 2: of it. But before we dive into the episode itself.

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Speaker 2: You know, Ken, we've had every other one of the

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Speaker 2: leads on the podcast so far, and we always kind

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Speaker 2: of start with telling that people excuse me, we always

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Speaker 2: ask everyone their their audition story, how they how they

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Speaker 2: came about to be on Scrubs. Do you recall like

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Speaker 2: how that all, how that transpired, what your audition process

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Speaker 2: was like for the show.

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Speaker 5: I don't know it was. You go in, you do auditions,

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Speaker 5: you know. And and this one I went in and

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Speaker 5: there were two or three guys I know who were

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Speaker 5: out there who are all terrific actors. And you ever

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Speaker 5: think you've got to get apart, you know, feel well,

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Speaker 5: this is my part. Uh. But I went in and

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Speaker 5: read and Bill was standing over in the back and

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Speaker 5: he laughed, and I thought, well, that's a generous thing

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Speaker 5: for him to do. He's helping out in the audition.

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Speaker 5: That was really nice to him. And I went away

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Speaker 5: feeling that was really nice. And then when I went

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Speaker 5: in the second time, he was there and he laughed again,

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Speaker 5: only bigger, and I thought, oh, I got a chance

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Speaker 5: at this. Yeah.

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Speaker 2: You start to get excited, right, yeah.

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Speaker 1: You do.

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Speaker 5: And then the the journey in my mind was, uh,

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Speaker 5: you you have a good audition, you get the part.

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Speaker 5: And then that first episode I looked at it the

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Speaker 5: pilot and I thought, man, he should fire me. This

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Speaker 5: is really awful, spinning round and round.

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Speaker 2: But you didn't. That was that was written you. That

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Speaker 2: wasn't your acting. I thought, I thought you were great

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Speaker 2: in the pilot. Did you not? Did you not like

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Speaker 2: your performance in the pilot?

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Speaker 5: I hated it, but somebody gave me a wonderful out.

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Speaker 5: They said, Ken, all that over the top step you

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Speaker 5: were obviously doing in season one, that's just the way

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Speaker 5: j D was seeing you. Oh and then as he

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Speaker 5: saw you multi dimensional the way you see Cox in

401
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Speaker 5: this episode. That's a wonderful scene with Cox. I want

402
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Speaker 5: to be just like you, only more successful. That scene

403
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Speaker 5: is brilliant. What a good scene. And you guys are

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Speaker 5: so good. You kill that scene. It's wonderful.

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Speaker 2: And when you give me compliments, I have to tell

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Speaker 2: you it's a special place in my heart. It means

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00:19:33,920 --> 00:19:36,400
Speaker 2: so much to me because I respect you so much

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Speaker 2: as as an actor. And you may have thought you

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Speaker 2: were you were broad, and perhaps the part called for that,

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Speaker 2: particularly early on, but I want you to know, and

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Speaker 2: I'm sure Donald agrees that we really just admired and

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Speaker 2: looked up to you for this entire experience.

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Speaker 1: Absolutely, let's take a break.

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Speaker 2: We'll be right back after these fine words.

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Speaker 1: You know, Ken, I'm looking at your I AMD I

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Speaker 1: guess you're Google. I googled you and holy shit, dude,

417
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Speaker 1: you've been in so many movies. Man, Oh my god, dude.

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Speaker 5: Somebody told me if you want good residuals, get small

419
00:20:15,400 --> 00:20:16,520
Speaker 5: parts and big movies.

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Speaker 2: Oh, that's a good technique. I hear that, that's true.

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Speaker 1: I remember when we were doing Scrubs and I guess

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Speaker 1: it was its Courage under Fire, Am I correct? Yeah,

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Speaker 1: And I remember seeing it and we had already started shooting,

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Speaker 1: and I finally saw the movie and you're in the

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Speaker 1: movie with the scene with Denzel Washington and you two

426
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Speaker 1: are having dialogue and everything like that. And that was

427
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Speaker 1: when I first realized. I was like, oh, snap, Ken

428
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Speaker 1: had a life well before Scrubs.

429
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Speaker 5: Ki things.

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Speaker 2: You thought Scrubs was Ken's first job.

431
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Speaker 1: No, I didn't think that, but I, you know, I was.

432
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Speaker 1: I'm a you know, dumb, naive actor who's all about

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Speaker 1: himself and everything like that. And that's when the world really,

434
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Speaker 1: you know, the world started opening up when I started

435
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Speaker 1: doing and realizing that, Wow, people, I'm not you know,

436
00:21:02,440 --> 00:21:04,800
Speaker 1: it's not just me. There's other people involved in this

437
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Speaker 1: whole situation and Ken, Holy.

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Speaker 5: Cow, Well we all feel like that, don't we. It's

439
00:21:10,440 --> 00:21:14,080
Speaker 5: natural you look at a script and what does any

440
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Speaker 5: any actor do when he looks at the script. We

441
00:21:16,440 --> 00:21:20,080
Speaker 5: all know this joke, You're start leaping through the script. Bullshit,

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Speaker 5: bullshit my line, right?

443
00:21:25,440 --> 00:21:28,480
Speaker 2: Yeah, absolutely, you have been blessed though, Ken, that to

444
00:21:28,520 --> 00:21:31,440
Speaker 2: have just an incredible amount of work that you've done

445
00:21:31,480 --> 00:21:32,240
Speaker 2: over the years.

446
00:21:32,760 --> 00:21:35,640
Speaker 5: It's just luck. It's just a numbers game. You learn

447
00:21:35,720 --> 00:21:37,760
Speaker 5: the words, you don't trip over the furniture, and you're

448
00:21:37,800 --> 00:21:39,240
Speaker 5: going to get some of them. That's all.

449
00:21:39,640 --> 00:21:41,280
Speaker 2: Well, I think you're being modest.

450
00:21:41,400 --> 00:21:42,919
Speaker 5: I think now I'm not going to be modest. I

451
00:21:42,960 --> 00:21:48,840
Speaker 5: think I'm very good in this episode. I think it's

452
00:21:48,920 --> 00:21:51,359
Speaker 5: very smart. If you're to have me for this episode.

453
00:21:51,000 --> 00:21:52,840
Speaker 2: You are. Let's get into it. Let's get into it.

454
00:21:53,080 --> 00:21:56,520
Speaker 2: I wanted to say Donald, first of all, Cat, I

455
00:21:56,520 --> 00:21:58,560
Speaker 2: have a funny memory of I don't know if you

456
00:21:58,560 --> 00:22:01,800
Speaker 2: guys have this thing in your life where someone tells

457
00:22:02,119 --> 00:22:04,600
Speaker 2: you an anecdote about a specific thing, and then every

458
00:22:04,600 --> 00:22:07,400
Speaker 2: time you think of that thing, you think of the person. Yeah,

459
00:22:07,480 --> 00:22:09,879
Speaker 2: and and one of mine is you Ken. When we

460
00:22:09,960 --> 00:22:13,840
Speaker 2: when we first all started making some real money, I

461
00:22:13,920 --> 00:22:17,160
Speaker 2: said to you, Ken, are you splurging on anything? Are

462
00:22:17,200 --> 00:22:22,160
Speaker 2: you are you treating yourself to to anything fun? And

463
00:22:22,200 --> 00:22:25,600
Speaker 2: you said something to the effect of not really, but

464
00:22:25,760 --> 00:22:28,800
Speaker 2: I have noticed that I am. I'm I'm changing my

465
00:22:28,960 --> 00:22:37,119
Speaker 2: razor blade a bit more frequently. And I thought that

466
00:22:37,200 --> 00:22:40,000
Speaker 2: was so humble and sweet and every and now when

467
00:22:40,000 --> 00:22:42,119
Speaker 2: I'm when I'm I'm looking at my razor blade, I go,

468
00:22:42,240 --> 00:22:44,280
Speaker 2: damn it. When was the last time I changed this?

469
00:22:44,359 --> 00:22:48,320
Speaker 2: I probably should I always think of you.

470
00:22:49,280 --> 00:22:54,240
Speaker 5: That's funny, Zach, that's funny.

471
00:22:55,280 --> 00:22:57,520
Speaker 2: Well, don't be, don't be. I want you to know

472
00:22:57,560 --> 00:23:00,000
Speaker 2: that I changed my way more frequently because of Ken Jenkins.

473
00:23:00,880 --> 00:23:03,840
Speaker 2: So Donald had braces on Ken. I don't know if

474
00:23:03,880 --> 00:23:07,840
Speaker 2: you recall this, but he he decided to get braces

475
00:23:07,880 --> 00:23:11,000
Speaker 2: on the inside of his teeth for season two. And

476
00:23:11,080 --> 00:23:13,919
Speaker 2: we've been discussing in other episode's whether or not you

477
00:23:13,960 --> 00:23:17,000
Speaker 2: can hear him lisp or not. Because Bill eventually told

478
00:23:17,040 --> 00:23:20,120
Speaker 2: him to take the damn things off. This episode could

479
00:23:20,160 --> 00:23:21,640
Speaker 2: be called the lisper.

480
00:23:22,040 --> 00:23:25,040
Speaker 1: Oh my god, I can't even my mouth is even

481
00:23:25,280 --> 00:23:28,280
Speaker 1: like you can't talk, no, not at all. Well, at

482
00:23:28,280 --> 00:23:31,040
Speaker 1: this point it was brought to my attention, Bill's gonna

483
00:23:31,040 --> 00:23:32,639
Speaker 1: tell you to take the braces off. And I was like,

484
00:23:32,680 --> 00:23:34,840
Speaker 1: oh no, how am I gonna? I gotta, I gotta,

485
00:23:34,880 --> 00:23:37,200
Speaker 1: I gotta enunciate my words a little bit better.

486
00:23:37,200 --> 00:23:38,520
Speaker 2: I got made it worse.

487
00:23:38,560 --> 00:23:41,960
Speaker 1: You made it made it so much worse. What what

488
00:23:42,240 --> 00:23:42,720
Speaker 1: I missed?

489
00:23:42,720 --> 00:23:43,320
Speaker 5: This whole thing.

490
00:23:43,560 --> 00:23:45,400
Speaker 2: Well, Ken, you weren't looking out for it. I'm sure

491
00:23:45,400 --> 00:23:47,600
Speaker 2: if you weren't looking out for it, you perhaps wouldn't

492
00:23:47,600 --> 00:23:50,439
Speaker 2: notice it. But it's on our minds because we've been

493
00:23:50,480 --> 00:23:52,280
Speaker 2: talking about whether or not we can hear it, and

494
00:23:52,359 --> 00:23:54,320
Speaker 2: I haven't noticed that. Donald, To be honest, I were

495
00:23:54,440 --> 00:23:56,440
Speaker 2: I wonder if what you're saying is true that you said,

496
00:23:56,880 --> 00:23:58,520
Speaker 2: oh I have to over annunc he, I'd have to

497
00:23:58,720 --> 00:24:02,200
Speaker 2: compensate or something. To me, it was like it sounded

498
00:24:02,240 --> 00:24:03,720
Speaker 2: like you had something in your mouth.

499
00:24:04,000 --> 00:24:05,840
Speaker 1: Yeah, and that was brace's.

500
00:24:07,160 --> 00:24:09,480
Speaker 5: Wow, you mean in that scene where you asked me

501
00:24:09,600 --> 00:24:11,280
Speaker 5: for the thing you have braces yet?

502
00:24:11,560 --> 00:24:12,200
Speaker 1: Absolutely?

503
00:24:12,280 --> 00:24:14,880
Speaker 2: Yes, Oh yeah, oh it's like client.

504
00:24:16,600 --> 00:24:17,240
Speaker 1: Is anywhere I.

505
00:24:17,200 --> 00:24:24,320
Speaker 5: Could you know, here's that subjectivity thing, right? I never

506
00:24:24,520 --> 00:24:25,000
Speaker 5: noticed that.

507
00:24:25,200 --> 00:24:25,360
Speaker 1: Man.

508
00:24:27,359 --> 00:24:29,600
Speaker 2: Oh wait, we've forgotten. Sorry, we have to backtrack a

509
00:24:29,640 --> 00:24:33,440
Speaker 2: tiny bit to do our new segment where Donald Ken

510
00:24:33,600 --> 00:24:36,720
Speaker 2: Donald tries to sum up the whole episode in thirty seconds.

511
00:24:37,880 --> 00:24:40,439
Speaker 2: We've had some people, We've had some people who are

512
00:24:40,440 --> 00:24:44,080
Speaker 2: listening who aren't necessarily watching the show along with the podcast,

513
00:24:44,520 --> 00:24:46,880
Speaker 2: and they've asked us if if we could quickly sum

514
00:24:46,960 --> 00:24:48,520
Speaker 2: up the episode. So, Donald, are you ready?

515
00:24:48,720 --> 00:24:50,359
Speaker 1: Well? I just want to say one thing. There's a

516
00:24:50,359 --> 00:24:51,920
Speaker 1: lot going on in this episode.

517
00:24:51,960 --> 00:24:54,239
Speaker 2: Well, this is your second time doing this or are

518
00:24:54,280 --> 00:24:55,840
Speaker 2: you already afraid of the assignment?

519
00:24:56,080 --> 00:24:56,600
Speaker 1: No, let's go.

520
00:24:56,960 --> 00:24:59,399
Speaker 2: Okay, ready, We're gonna have thirty seconds on the clock

521
00:25:00,080 --> 00:25:00,800
Speaker 2: and go.

522
00:25:01,359 --> 00:25:04,399
Speaker 1: We start off this episode with Kelso challenging all of

523
00:25:04,440 --> 00:25:08,119
Speaker 1: the medical interns to come up with an interesting patient

524
00:25:08,160 --> 00:25:11,199
Speaker 1: for the AMA conference. That sets the hospital a blaze.

525
00:25:11,359 --> 00:25:15,679
Speaker 1: It causes friction between John C. Mcginley's character and Zach's

526
00:25:15,760 --> 00:25:19,120
Speaker 1: character in the movie, Sarah and Judy, their characters don't

527
00:25:19,160 --> 00:25:21,760
Speaker 1: know if they really get along, and Turk wants a laser.

528
00:25:21,960 --> 00:25:23,760
Speaker 1: At the end of the episode, we find out that

529
00:25:23,800 --> 00:25:27,520
Speaker 1: doctor Kelso is a sweetheart and will actually grant you

530
00:25:27,680 --> 00:25:31,040
Speaker 1: a wish if you come to him secretly. That being said,

531
00:25:31,320 --> 00:25:32,560
Speaker 1: that's my second.

532
00:25:34,520 --> 00:25:37,760
Speaker 2: You got most of it. You got most of it.

533
00:25:38,520 --> 00:25:41,720
Speaker 1: Most of it. Now. Look, well here's the thing though,

534
00:25:41,880 --> 00:25:44,720
Speaker 1: it's hard to get into the most important part of

535
00:25:44,800 --> 00:25:51,359
Speaker 1: the show, and that's Kelso turning into the biggest sweetheart

536
00:25:51,800 --> 00:25:55,920
Speaker 1: by choice. Yes, once every year.

537
00:25:56,040 --> 00:25:58,720
Speaker 2: Yes, but this year three seconds are over, so I

538
00:25:58,720 --> 00:26:01,440
Speaker 2: don't know. Is this the uh right?

539
00:26:01,480 --> 00:26:05,760
Speaker 1: This is the prologue? The prologue, The prolog epilogue blogue

540
00:26:05,760 --> 00:26:08,320
Speaker 1: that elogue, all right.

541
00:26:08,720 --> 00:26:11,520
Speaker 5: Well, yeah, I gave you credit for doing that. Donald's

542
00:26:11,720 --> 00:26:13,280
Speaker 5: to get to get that much of it in in

543
00:26:13,359 --> 00:26:16,280
Speaker 5: thirty seconds. This is a big episode. It is on

544
00:26:16,440 --> 00:26:21,879
Speaker 5: ABC story. It's it's overlapping arcs in different directions, so

545
00:26:22,119 --> 00:26:23,080
Speaker 5: much stuff going on.

546
00:26:23,520 --> 00:26:26,760
Speaker 2: It was directed by Michael directed by Michael Spiller, one

547
00:26:26,800 --> 00:26:29,439
Speaker 2: of our favorites, Ken, Right, we always loved Michael Spiller.

548
00:26:29,520 --> 00:26:30,159
Speaker 5: Loved Michael.

549
00:26:30,520 --> 00:26:34,200
Speaker 2: And back to the old credits. If you recall in

550
00:26:34,320 --> 00:26:36,159
Speaker 2: season two, can you remember we had to reshoot the

551
00:26:36,720 --> 00:26:40,119
Speaker 2: beautiful credit sequence and then they wanted to add Neil

552
00:26:40,720 --> 00:26:44,119
Speaker 2: to the credits, so we reshot them, and then the

553
00:26:44,280 --> 00:26:46,800
Speaker 2: song was slower and the fans really didn't like it,

554
00:26:47,320 --> 00:26:49,480
Speaker 2: And so I think that that's it for the for

555
00:26:49,560 --> 00:26:52,520
Speaker 2: the old credit sequence. This, I think as far as

556
00:26:52,720 --> 00:26:54,000
Speaker 2: this one, we're back to it.

557
00:26:55,720 --> 00:27:01,720
Speaker 5: I asked you questions about this episode. The h is

558
00:27:02,720 --> 00:27:05,639
Speaker 5: Neil is still in your head? Janitor, still just in

559
00:27:05,840 --> 00:27:10,160
Speaker 5: your head in this episode? Right? Nobody else reacts with him.

560
00:27:10,359 --> 00:27:12,680
Speaker 2: That's a good question, Ken, We've debated that, and because

561
00:27:12,680 --> 00:27:15,840
Speaker 2: I Bill has Bill sort of a game with that

562
00:27:16,280 --> 00:27:20,240
Speaker 2: we thought was mostly season one. I think as far

563
00:27:20,359 --> 00:27:23,440
Speaker 2: as season two, he has begun to talk to other people,

564
00:27:23,520 --> 00:27:26,600
Speaker 2: but in this episode he only this particular one. He

565
00:27:26,680 --> 00:27:27,480
Speaker 2: only interacts with me.

566
00:27:27,960 --> 00:27:31,520
Speaker 1: Well, he so far throughout the season, he's only talked

567
00:27:31,560 --> 00:27:33,399
Speaker 1: to you. He hasn't you know? He hasn't talked to

568
00:27:33,480 --> 00:27:35,399
Speaker 1: anyone else. It's only been you so far.

569
00:27:35,520 --> 00:27:37,840
Speaker 2: No, I think I think that's wrong. I think he

570
00:27:39,520 --> 00:27:42,720
Speaker 2: he spoke to Ken or someone in an earlier and

571
00:27:43,400 --> 00:27:44,000
Speaker 2: let's find out.

572
00:27:44,440 --> 00:27:46,639
Speaker 1: Maybe this is a time to ask Scrubs Wiki.

573
00:27:47,200 --> 00:27:48,960
Speaker 2: I'm nervous about asking Scrubs wiki.

574
00:27:49,720 --> 00:27:53,359
Speaker 1: So can we have this Wikipedia site? Well, it's not

575
00:27:53,400 --> 00:27:56,840
Speaker 1: a Wikipedia site. This guy Trevor, Uh, he's the He

576
00:27:57,200 --> 00:28:01,360
Speaker 1: runs a Scrubs Wikipedia site pretty much where it's you ask.

577
00:28:01,920 --> 00:28:04,760
Speaker 1: You type in a question and all of these answers

578
00:28:04,840 --> 00:28:07,920
Speaker 1: come up for you know, specific said question.

579
00:28:08,520 --> 00:28:10,600
Speaker 2: Uh, that's not so true at all what you just said.

580
00:28:10,920 --> 00:28:11,680
Speaker 1: It isn't you know?

581
00:28:11,880 --> 00:28:14,280
Speaker 2: You don't type in a question. It's like you can

582
00:28:14,359 --> 00:28:18,159
Speaker 2: look up okay, episode two of season two, and it

583
00:28:18,240 --> 00:28:20,159
Speaker 2: tells you different. You've probably never looked at the damn thing,

584
00:28:20,240 --> 00:28:20,440
Speaker 2: have you.

585
00:28:20,880 --> 00:28:22,920
Speaker 1: I've never looked at tea.

586
00:28:23,280 --> 00:28:25,159
Speaker 2: We've been talking about it for so long. You never

587
00:28:25,160 --> 00:28:25,760
Speaker 2: even looked at it.

588
00:28:26,920 --> 00:28:30,520
Speaker 1: Listen to me, fake it to you. It would be

589
00:28:30,600 --> 00:28:33,200
Speaker 1: a lot. I love it in your mind.

590
00:28:33,240 --> 00:28:35,520
Speaker 2: It's like, so all you do, Ken is you type

591
00:28:35,560 --> 00:28:37,920
Speaker 2: in a question and it comes up with an answer

592
00:28:38,040 --> 00:28:39,000
Speaker 2: that's not at all what it is.

593
00:28:39,520 --> 00:28:41,960
Speaker 1: That should be what it is. Wick, You needs to

594
00:28:42,000 --> 00:28:43,840
Speaker 1: get that game right. That's a better way.

595
00:28:44,000 --> 00:28:46,080
Speaker 2: Well, you need to make your Google of scrubs. You

596
00:28:46,160 --> 00:28:48,240
Speaker 2: need to make your own, your own web page.

597
00:28:48,440 --> 00:28:49,040
Speaker 1: This is just Ken.

598
00:28:49,160 --> 00:28:52,320
Speaker 2: It's just like someone who's curated this this page where

599
00:28:52,400 --> 00:28:55,080
Speaker 2: it's breaks down every episode and it tells you the

600
00:28:55,160 --> 00:28:57,480
Speaker 2: guest stars, it tells you a summary, it tells you

601
00:28:57,600 --> 00:29:00,640
Speaker 2: some trivia, it tells you continuity errors, and yeah, you know,

602
00:29:00,960 --> 00:29:02,480
Speaker 2: it's become a good resource for us.

603
00:29:02,480 --> 00:29:04,000
Speaker 1: I don't think I don't think it's a good resource

604
00:29:04,000 --> 00:29:06,240
Speaker 1: anymore if I can't call it and ask it questions

605
00:29:06,800 --> 00:29:08,280
Speaker 1: then and it answered my question.

606
00:29:08,360 --> 00:29:11,640
Speaker 2: Well, that's why we have asked. Trevor asks Trevor wiki.

607
00:29:11,720 --> 00:29:15,200
Speaker 1: Okay, let me ask Trevor Wicki. Okay, Trevor, Trevor Wickie.

608
00:29:16,000 --> 00:29:19,920
Speaker 1: So far this season, in my recollection, the janitor has

609
00:29:20,000 --> 00:29:24,240
Speaker 1: talked only to JD. Is this true? And if it

610
00:29:24,400 --> 00:29:28,280
Speaker 1: is true, when does the janitor actually start to interact

611
00:29:28,600 --> 00:29:34,280
Speaker 1: in the story where his storylines are intertwined with the

612
00:29:34,400 --> 00:29:35,120
Speaker 1: rest of the cast.

613
00:29:35,280 --> 00:29:37,240
Speaker 2: But I have a feeling that it's Ken Jenkins. I

614
00:29:37,320 --> 00:29:39,240
Speaker 2: have a feeling and I want Trevor Wicki to answer

615
00:29:39,320 --> 00:29:41,440
Speaker 2: this that the Janitor says something to me and it

616
00:29:41,600 --> 00:29:47,120
Speaker 2: makes Ken slash Doctor Kelso laugh. But we'll see Trevor.

617
00:29:47,480 --> 00:29:48,080
Speaker 2: How do you guys?

618
00:29:48,360 --> 00:29:51,760
Speaker 8: In season two, Janitor still mostly only interacts with JD.

619
00:29:52,560 --> 00:29:55,920
Speaker 8: In the next episode, My big Mouth, Janitor partners with Troy,

620
00:29:56,280 --> 00:29:59,120
Speaker 8: but it's not until Mike Karma where Janitor starts interacting

621
00:29:59,160 --> 00:30:00,920
Speaker 8: with other main care All.

622
00:30:00,840 --> 00:30:04,960
Speaker 2: Right, let's get into the episode. So one two. I

623
00:30:05,080 --> 00:30:07,760
Speaker 2: thought it was hilarious that JD. You don't know what

624
00:30:07,960 --> 00:30:11,240
Speaker 2: JD is daydreaming about, and you go to him because

625
00:30:11,240 --> 00:30:13,920
Speaker 2: the woman says, is he always daydreaming there? And it

626
00:30:14,040 --> 00:30:16,920
Speaker 2: turns out we reveal that he's daydreaming about having that

627
00:30:17,200 --> 00:30:21,560
Speaker 2: that beautiful uh afro that better Sun has and I'm

628
00:30:21,600 --> 00:30:23,640
Speaker 2: bopping my head to that. That made me laugh out loud.

629
00:30:23,840 --> 00:30:25,800
Speaker 5: You would love to tell you my favorite line in

630
00:30:25,880 --> 00:30:28,920
Speaker 5: this episode, so we don't lose it. Yeah, he said,

631
00:30:29,000 --> 00:30:32,120
Speaker 5: it seemed with Donald and Judy a beautiful, sweet little

632
00:30:32,160 --> 00:30:36,600
Speaker 5: scene and he looks up and says something to the heavens,

633
00:30:36,920 --> 00:30:39,760
Speaker 5: and Judy says, this is my favorite line. Baby. You know,

634
00:30:39,880 --> 00:30:41,920
Speaker 5: I don't like you talking to God while we're having

635
00:30:41,960 --> 00:30:42,640
Speaker 5: a discussion.

636
00:30:52,360 --> 00:30:52,960
Speaker 2: That's funny.

637
00:30:55,240 --> 00:30:57,280
Speaker 1: Well we all do it, though, but we all do it.

638
00:30:57,480 --> 00:30:58,320
Speaker 5: We all do it.

639
00:30:58,960 --> 00:31:02,480
Speaker 1: Everybody does it. Everybody does it at some point when

640
00:31:02,560 --> 00:31:05,480
Speaker 1: in a discussion that you're uncomfortable with, there's that look

641
00:31:05,560 --> 00:31:10,000
Speaker 1: to the heaven's like why God, why why are you

642
00:31:10,160 --> 00:31:11,160
Speaker 1: doing this to me?

643
00:31:11,480 --> 00:31:12,760
Speaker 5: Right right?

644
00:31:16,520 --> 00:31:19,440
Speaker 1: It happens all the time. I've caught my wife doing

645
00:31:19,480 --> 00:31:26,280
Speaker 1: it to me, like when she she even puts her fist,

646
00:31:26,480 --> 00:31:30,240
Speaker 1: grabs her fist and hits them together. Well, why, Yeah,

647
00:31:30,280 --> 00:31:32,200
Speaker 1: it's true, it's true.

648
00:31:32,400 --> 00:31:34,160
Speaker 2: That is a great line. And we and we revealed

649
00:31:34,200 --> 00:31:35,880
Speaker 2: the Turk is still religious, because you know, we had

650
00:31:35,920 --> 00:31:38,160
Speaker 2: asked her early in season one, and he's quite religious.

651
00:31:38,280 --> 00:31:39,800
Speaker 2: Not that not that you need to be religious to

652
00:31:39,840 --> 00:31:42,640
Speaker 2: talk to God, but it does seem like we had

653
00:31:42,680 --> 00:31:44,880
Speaker 2: asked earlier, like, oh, does that do we stay with that?

654
00:31:45,000 --> 00:31:48,760
Speaker 2: Does does Turk keep a relationship with God? And here

655
00:31:48,840 --> 00:31:49,680
Speaker 2: he is talking to God.

656
00:31:51,040 --> 00:31:52,400
Speaker 1: I want to I want to jump back to the

657
00:31:52,480 --> 00:31:55,719
Speaker 1: beginning of the episode. When the show very first starts,

658
00:31:55,800 --> 00:32:00,960
Speaker 1: it cuts to an exterior shot of our apartment. Yeah,

659
00:32:01,400 --> 00:32:04,480
Speaker 1: when it cuts into the apartment, it kind of felt

660
00:32:04,520 --> 00:32:06,840
Speaker 1: a little it felt very sitcomy, you.

661
00:32:06,920 --> 00:32:07,360
Speaker 2: Know what I mean.

662
00:32:09,520 --> 00:32:11,320
Speaker 1: And there aren't a lot of moments of this show

663
00:32:11,360 --> 00:32:15,160
Speaker 1: where I'm like, that's like a sitcom. You know, we

664
00:32:15,440 --> 00:32:18,000
Speaker 1: we earn our laughs because the laugh track, there's no

665
00:32:18,120 --> 00:32:21,040
Speaker 1: laugh track to you know, to help you. We earn

666
00:32:21,080 --> 00:32:23,640
Speaker 1: our laughs, and that at that moment, I was like,

667
00:32:23,840 --> 00:32:26,640
Speaker 1: is this one of those moments where we're experimenting still

668
00:32:27,160 --> 00:32:29,840
Speaker 1: in season two, trying to figure out a way to

669
00:32:30,000 --> 00:32:32,600
Speaker 1: because we're coming on Thursday nights now, And you know,

670
00:32:32,920 --> 00:32:37,040
Speaker 1: when Friends was on, that's always the first shot. It's

671
00:32:37,080 --> 00:32:40,840
Speaker 1: either the central the central perk, or it's their apartment building.

672
00:32:41,280 --> 00:32:42,800
Speaker 1: And it seemed like that's what we were doing.

673
00:32:42,880 --> 00:32:45,200
Speaker 2: And you think it was just the shot of the apartment,

674
00:32:45,240 --> 00:32:47,160
Speaker 2: because that's pretty rare for Scrubs to open on the

675
00:32:47,200 --> 00:32:49,000
Speaker 2: shot of the apartment. It usually opens on the shot

676
00:32:49,040 --> 00:32:50,440
Speaker 2: of the hospital. Is that what you were sensing?

677
00:32:50,520 --> 00:32:53,800
Speaker 1: You think, maybe maybe that's what it is, or maybe

678
00:32:54,040 --> 00:32:58,080
Speaker 1: you know, someone one of the executives at NBC or

679
00:32:58,120 --> 00:33:00,400
Speaker 1: something was like, well, I don't know where they start from.

680
00:33:00,600 --> 00:33:01,560
Speaker 1: Let's just you know. I don't.

681
00:33:01,600 --> 00:33:01,840
Speaker 5: I don't.

682
00:33:01,840 --> 00:33:04,719
Speaker 1: I don't understand this shot at the apartment.

683
00:33:05,200 --> 00:33:09,240
Speaker 5: I thought it was a joke that didn't quite work. Yeah,

684
00:33:09,320 --> 00:33:13,160
Speaker 5: which one, but the shot of the apartment of playoff friends,

685
00:33:13,800 --> 00:33:16,760
Speaker 5: this is not friends. Boom, it's friends. It's not friends, it's.

686
00:33:16,680 --> 00:33:20,160
Speaker 1: Oh oh, that's very interesting because it opens up and

687
00:33:20,200 --> 00:33:22,480
Speaker 1: it's the four of us in the in the apartment.

688
00:33:22,640 --> 00:33:24,280
Speaker 2: I didn't understand why you say I'll go get you

689
00:33:24,320 --> 00:33:25,960
Speaker 2: guys beers and I'm like, I'll come help you, Like,

690
00:33:26,000 --> 00:33:27,640
Speaker 2: why do you need help grabbing two beers?

691
00:33:28,920 --> 00:33:29,280
Speaker 5: I don't know.

692
00:33:29,720 --> 00:33:31,440
Speaker 2: It was just it was a setup to leave them

693
00:33:31,520 --> 00:33:34,240
Speaker 2: alone and show that they they have that they're awkward

694
00:33:34,280 --> 00:33:36,800
Speaker 2: when they're when they're alone together.

695
00:33:37,120 --> 00:33:37,239
Speaker 5: Right.

696
00:33:37,720 --> 00:33:40,200
Speaker 1: I have another question, What the heck is an AMA conference?

697
00:33:40,600 --> 00:33:42,000
Speaker 1: I didn't want to look it up. I wanted to

698
00:33:42,080 --> 00:33:42,440
Speaker 1: ask this.

699
00:33:42,560 --> 00:33:45,080
Speaker 2: Gender the American Medical Association.

700
00:33:45,440 --> 00:33:48,600
Speaker 1: Donald Okay got it for all of you who out

701
00:33:48,600 --> 00:33:50,880
Speaker 1: there who didn't know what an AMA conference was and

702
00:33:51,160 --> 00:33:53,040
Speaker 1: didn't bother to look it up like me.

703
00:33:53,680 --> 00:33:55,760
Speaker 2: Yeah, I think some people might be perplexed that you

704
00:33:55,840 --> 00:33:57,720
Speaker 2: don't know what the AMA is after playing a fake

705
00:33:57,800 --> 00:34:00,560
Speaker 2: doctor for for nine years. But you know who knows.

706
00:34:01,040 --> 00:34:02,000
Speaker 1: Don't be perplexed.

707
00:34:02,120 --> 00:34:02,400
Speaker 5: Do you know?

708
00:34:02,600 --> 00:34:09,160
Speaker 2: Don't be perplexed. There's a The AMA said that Scrubs

709
00:34:09,280 --> 00:34:12,400
Speaker 2: was the most medically accurate TV show about doctors.

710
00:34:12,440 --> 00:34:15,640
Speaker 1: Did you know that? I did know that. I didn't

711
00:34:15,640 --> 00:34:17,520
Speaker 1: know that the AMA said it. I just thought random

712
00:34:17,560 --> 00:34:18,239
Speaker 1: doctors said it.

713
00:34:18,600 --> 00:34:21,640
Speaker 2: No, Ama' that's one of our badges of honor.

714
00:34:22,080 --> 00:34:25,399
Speaker 5: Okay, my doctor still says, well, what do you think, Ken?

715
00:34:28,560 --> 00:34:30,359
Speaker 2: Ken? Do you uh? Do you do you use your

716
00:34:30,520 --> 00:34:33,279
Speaker 2: Scrubs fame to uh to get special treatment from the

717
00:34:33,320 --> 00:34:37,000
Speaker 2: doctor because we've learned that Bill tells everyone, including his dentist,

718
00:34:37,160 --> 00:34:38,640
Speaker 2: that he was a creator of Scrubs.

719
00:34:39,239 --> 00:34:42,880
Speaker 5: My doctors have got too old to understand things like that.

720
00:34:45,080 --> 00:34:47,640
Speaker 5: They just do what doctor Kelso did pay the nurse

721
00:34:49,280 --> 00:34:50,239
Speaker 5: pay on your way out.

722
00:34:51,880 --> 00:34:53,759
Speaker 2: I like it to twenty six that not only have

723
00:34:53,800 --> 00:34:56,239
Speaker 2: I just enjoyed a fantasy with the afro, but I've

724
00:34:56,360 --> 00:34:58,560
Speaker 2: I've I asked the guy is that easy to manage?

725
00:34:58,840 --> 00:35:02,239
Speaker 2: Like Jad's really JD's really asking if he can if

726
00:35:02,440 --> 00:35:04,799
Speaker 2: he might want to try a perm Yes.

727
00:35:05,480 --> 00:35:09,080
Speaker 1: Also, Ken, I love Al Gio. I don't know if

728
00:35:09,080 --> 00:35:10,200
Speaker 1: you loved al Giero.

729
00:35:10,440 --> 00:35:15,520
Speaker 5: That's that's my second favorite joke. And the look on

730
00:35:15,680 --> 00:35:18,040
Speaker 5: the Loma's face when she goes, what.

731
00:35:22,040 --> 00:35:24,120
Speaker 1: And you say, what is your response with which one

732
00:35:24,200 --> 00:35:32,920
Speaker 1: is the blind one? You mean Racheles's hor.

733
00:35:35,400 --> 00:35:38,280
Speaker 2: And then doesn't Aloma say? Aloma says something like, careful

734
00:35:38,320 --> 00:35:39,719
Speaker 2: of hern You're a saved woman.

735
00:35:40,360 --> 00:35:46,320
Speaker 1: Yes, but I loved me some al Giero. I loved

736
00:35:46,760 --> 00:35:49,840
Speaker 1: Algiero growing up. He's sang some of the greatest songs

737
00:35:50,000 --> 00:35:52,319
Speaker 1: ever made, like one of them.

738
00:35:52,440 --> 00:35:54,600
Speaker 2: What's Algira's most famous sign? I know the name, but

739
00:35:54,600 --> 00:35:56,560
Speaker 2: I can't think of what an Algiro song is that

740
00:35:56,560 --> 00:35:56,960
Speaker 2: I would know.

741
00:35:57,800 --> 00:36:01,040
Speaker 1: We're in this love together, we got the kind that

742
00:36:01,320 --> 00:36:05,440
Speaker 1: last forever. Also, nobody does it like Sarah Lee.

743
00:36:06,320 --> 00:36:07,240
Speaker 2: Oh he did the jingle.

744
00:36:07,840 --> 00:36:10,280
Speaker 1: Do you remember when he had his own Sarah Lee commercial?

745
00:36:10,520 --> 00:36:12,480
Speaker 1: And nobody does it like Sarah Lee.

746
00:36:13,440 --> 00:36:16,480
Speaker 2: I do remember. We're in it up to get the.

747
00:36:18,320 --> 00:36:19,080
Speaker 1: Laugh forever.

748
00:36:20,600 --> 00:36:20,719
Speaker 9: Uh.

749
00:36:20,840 --> 00:36:23,440
Speaker 1: Tommy Davidson, when I was a kid, had this great

750
00:36:23,719 --> 00:36:27,840
Speaker 1: stand up special where he talks about al Gioux. Algio

751
00:36:28,000 --> 00:36:31,160
Speaker 1: sang the theme song to Moonlighting somefly by.

752
00:36:31,280 --> 00:36:39,000
Speaker 9: Now that's right, moon Light extrangers who just met on

753
00:36:39,120 --> 00:36:46,520
Speaker 9: the wi who just met on the way anyway, Tommy David, a.

754
00:36:46,520 --> 00:36:48,560
Speaker 2: Little more, you gotta put a little more soundly.

755
00:36:50,719 --> 00:36:53,920
Speaker 1: Well, listen, Tommy Davison did this whole stand up thing

756
00:36:53,960 --> 00:36:56,839
Speaker 1: when I was a kid, right well, And he would

757
00:36:56,880 --> 00:37:01,080
Speaker 1: talk about how Algero could sing his off but would

758
00:37:01,120 --> 00:37:04,120
Speaker 1: make the craziest faces when he sang, so that to

759
00:37:04,200 --> 00:37:06,080
Speaker 1: get those sounds and to get that that you know,

760
00:37:06,280 --> 00:37:12,800
Speaker 1: that kind of twang to his music. Some Flyyi shell

761
00:37:13,320 --> 00:37:17,399
Speaker 1: fly bady. He make just the faces, and his niece

762
00:37:17,440 --> 00:37:24,040
Speaker 1: would be like, what's wrong with his face? I love

763
00:37:24,120 --> 00:37:24,640
Speaker 1: dow Jerome.

764
00:37:25,200 --> 00:37:27,640
Speaker 2: So can you have to kiss this woman's butt? Do

765
00:37:27,680 --> 00:37:29,720
Speaker 2: you remember if she was really there for your butt kissing?

766
00:37:32,120 --> 00:37:34,160
Speaker 5: You know, you think I'd remember a thing like that,

767
00:37:34,360 --> 00:37:35,560
Speaker 5: but I honestly don't.

768
00:37:37,400 --> 00:37:41,319
Speaker 2: I don't remember either. She was good. I forgot her name.

769
00:37:42,520 --> 00:37:43,680
Speaker 2: I'll look it up because I'm on this.

770
00:37:43,920 --> 00:37:46,680
Speaker 5: Marie Cheatham, Oh nicey nice?

771
00:37:47,160 --> 00:37:47,359
Speaker 1: Yeah?

772
00:37:47,800 --> 00:37:49,239
Speaker 2: Ha'd you? Did you work with her before? Again?

773
00:37:50,080 --> 00:37:54,319
Speaker 5: Yes? Well, we didn't work together, but when I was seventeen,

774
00:37:55,200 --> 00:37:58,960
Speaker 5: I was an apprentice at the Alley Theater in Houston, Texas,

775
00:37:59,400 --> 00:38:01,719
Speaker 5: and Marie down there. I don't remember whether she was

776
00:38:01,800 --> 00:38:05,840
Speaker 5: an apprentice too, or whether she was just around in

777
00:38:05,960 --> 00:38:10,080
Speaker 5: the company because she's younger than me, I think. But

778
00:38:10,400 --> 00:38:14,839
Speaker 5: that's where when Robert fox Swarth was down there as

779
00:38:14,880 --> 00:38:16,640
Speaker 5: an apprentice. Carl and Glenn.

780
00:38:17,880 --> 00:38:21,400
Speaker 1: Wow, so you guys knew each other when you were teenagers.

781
00:38:21,560 --> 00:38:23,840
Speaker 5: But when I was seventeen. But I hadn't seen her

782
00:38:23,960 --> 00:38:27,279
Speaker 5: until I was very surprised when there she was on

783
00:38:27,480 --> 00:38:30,120
Speaker 5: the on the show. I thought she was very good.

784
00:38:30,520 --> 00:38:35,080
Speaker 2: Yeah she was, she was. And the banter between all

785
00:38:35,080 --> 00:38:37,080
Speaker 2: of you guys, and the banter with Johnny was really

786
00:38:37,120 --> 00:38:37,560
Speaker 2: funny too.

787
00:38:37,800 --> 00:38:42,040
Speaker 5: Oh yeah, the sas and you saying sas sas.

788
00:38:42,320 --> 00:38:47,800
Speaker 2: Stop saying sas, Stop saying sas sas.

789
00:38:51,680 --> 00:38:53,880
Speaker 1: Mike McDonald's back in this episode.

790
00:38:53,560 --> 00:38:55,719
Speaker 2: Yes, Mike McDonald with a broken penis.

791
00:38:55,800 --> 00:38:59,359
Speaker 1: Right, and Sarah's and Sarah's imaginary patient with the ass

792
00:38:59,440 --> 00:39:01,919
Speaker 1: on the front, that hilarious front butt.

793
00:39:04,320 --> 00:39:07,640
Speaker 5: That scene with Sarah and Judy, that is just the

794
00:39:07,800 --> 00:39:11,680
Speaker 5: sweetest little scene when when I would kill for your

795
00:39:11,760 --> 00:39:14,239
Speaker 5: I would kill for your and Judy says I would

796
00:39:14,320 --> 00:39:19,040
Speaker 5: kill for that wagon, your dragon blank look on her face.

797
00:39:19,719 --> 00:39:21,160
Speaker 5: She says, that's your butt.

798
00:39:22,360 --> 00:39:24,480
Speaker 2: What's funny is that Sara didn't really have much of

799
00:39:24,560 --> 00:39:26,799
Speaker 2: a wagon. I mean, I don't know, I.

800
00:39:26,800 --> 00:39:29,719
Speaker 1: Think that's I think that's the actual joke, though, you know,

801
00:39:29,960 --> 00:39:33,440
Speaker 1: it's It's very interesting because you know, women are build different, obviously,

802
00:39:33,520 --> 00:39:35,800
Speaker 1: and some have junk in the trunk and some have

803
00:39:36,600 --> 00:39:37,880
Speaker 1: not a lot of junk in the trunk. And what

804
00:39:37,920 --> 00:39:41,600
Speaker 1: I've learned is that, you know, jeans fit different when

805
00:39:41,640 --> 00:39:43,719
Speaker 1: you have more junk like jeans that you see on

806
00:39:43,800 --> 00:39:46,840
Speaker 1: television and designer jeans, at least when I was growing up,

807
00:39:46,960 --> 00:39:48,920
Speaker 1: or made for people, were made for people with not

808
00:39:49,000 --> 00:39:51,040
Speaker 1: a lot of booty, you know what I mean. And

809
00:39:51,239 --> 00:39:54,880
Speaker 1: so when I would go and buy the jeans that

810
00:39:55,000 --> 00:39:58,320
Speaker 1: I saw, you know, on television, and I put them on,

811
00:39:59,080 --> 00:40:01,600
Speaker 1: I would have I had big quads, and.

812
00:40:01,640 --> 00:40:04,000
Speaker 2: I have a very round and you have a big

813
00:40:04,080 --> 00:40:05,319
Speaker 2: ass wagon, and.

814
00:40:05,440 --> 00:40:07,640
Speaker 1: So it would be hard to fit into these jeans.

815
00:40:07,640 --> 00:40:09,319
Speaker 1: And so a lot of these jeans that I had,

816
00:40:09,760 --> 00:40:12,360
Speaker 1: you know, i'd buy all of these, you know, the

817
00:40:13,000 --> 00:40:15,439
Speaker 1: brand that was popular at the time. I would buy

818
00:40:15,480 --> 00:40:17,400
Speaker 1: the jeans and try to fit into them, and they

819
00:40:17,480 --> 00:40:20,160
Speaker 1: just didn't look as good as they did on other people,

820
00:40:20,239 --> 00:40:22,279
Speaker 1: and so I would you know, one of one of

821
00:40:22,320 --> 00:40:24,239
Speaker 1: the ways around that is to let the jeans sag

822
00:40:24,360 --> 00:40:29,040
Speaker 1: off your butt, you know. But I just noticed something

823
00:40:29,080 --> 00:40:32,880
Speaker 1: that was very crazy about this episode is both Judy

824
00:40:32,960 --> 00:40:36,920
Speaker 1: and Sarah look amazing in this episode. They're like fine

825
00:40:36,960 --> 00:40:39,759
Speaker 1: as fine can be in this episode, d you know

826
00:40:39,760 --> 00:40:41,759
Speaker 1: what I mean. Judy's hair is out of her face

827
00:40:41,840 --> 00:40:44,160
Speaker 1: and in your face, you know what I mean, really

828
00:40:44,200 --> 00:40:47,040
Speaker 1: see how beautiful she is. Sarah's hair is done nice

829
00:40:47,239 --> 00:40:49,440
Speaker 1: and not in her face, and you see how beautiful

830
00:40:49,480 --> 00:40:49,719
Speaker 1: she is.

831
00:40:49,800 --> 00:40:52,000
Speaker 2: But she's got the Princess Leiah buns on her head.

832
00:40:52,480 --> 00:40:56,440
Speaker 1: And they're complaining in the episode about you know, what

833
00:40:56,640 --> 00:40:58,920
Speaker 1: they wish they had and what they wish they didn't have,

834
00:40:59,200 --> 00:41:01,399
Speaker 1: and you know, and in my mind, I was like, wow,

835
00:41:01,440 --> 00:41:05,880
Speaker 1: we have two really beautiful women. But at the end

836
00:41:05,920 --> 00:41:07,880
Speaker 1: of the day, is that is that how we all are?

837
00:41:08,040 --> 00:41:11,839
Speaker 2: We all this way and everybody, everybody has their own

838
00:41:12,160 --> 00:41:16,640
Speaker 2: insecurities about their physical appearance. And and I think part

839
00:41:16,680 --> 00:41:18,560
Speaker 2: of the point of the episode where was here are

840
00:41:18,600 --> 00:41:22,399
Speaker 2: these two women that that we all would imagine would

841
00:41:22,400 --> 00:41:25,400
Speaker 2: be perfectly fine with their their appearance, and then they

842
00:41:25,840 --> 00:41:29,880
Speaker 2: what they finally bond over is their insecurities and you

843
00:41:29,960 --> 00:41:31,879
Speaker 2: know they don't have they can't find anything to talk about.

844
00:41:31,960 --> 00:41:34,960
Speaker 2: I thought it was a pretty powerful statement. Actually, what

845
00:41:35,000 --> 00:41:37,040
Speaker 2: they're saying is what they finally bond over is their

846
00:41:37,120 --> 00:41:40,759
Speaker 2: own insecurities about themselves. Yeah, and then the other one

847
00:41:40,840 --> 00:41:41,680
Speaker 2: is like, what are you talking about?

848
00:41:41,680 --> 00:41:42,000
Speaker 1: You have this?

849
00:41:42,080 --> 00:41:42,360
Speaker 5: You have this?

850
00:41:42,480 --> 00:41:43,640
Speaker 2: And she's like, what are you talking about?

851
00:41:43,640 --> 00:41:43,920
Speaker 5: You have this?

852
00:41:43,960 --> 00:41:45,200
Speaker 2: I wish I had your hair, I wish I had

853
00:41:45,239 --> 00:41:47,480
Speaker 2: your you know. So I thought that that that was

854
00:41:47,520 --> 00:41:49,960
Speaker 2: really relatable. A lot of people could go, Oh God,

855
00:41:50,040 --> 00:41:52,520
Speaker 2: even even these women who I perceive is to be

856
00:41:52,719 --> 00:41:56,200
Speaker 2: to be so beautiful, battle this, you know.

857
00:41:57,080 --> 00:41:59,880
Speaker 5: And what the turn with the Johnny c with the

858
00:42:00,000 --> 00:42:03,800
Speaker 5: Doctor Cox after your scene and you're telling him you

859
00:42:03,880 --> 00:42:07,080
Speaker 5: want to be like him, only successful. And the last

860
00:42:07,160 --> 00:42:12,080
Speaker 5: scene is him showing us that he's been kind of

861
00:42:12,719 --> 00:42:16,840
Speaker 5: braving over his insecurities when he hands the telephone to

862
00:42:16,920 --> 00:42:19,759
Speaker 5: Marie's character and lets her make the call for him, Yeah,

863
00:42:20,320 --> 00:42:21,960
Speaker 5: to get him an advantage.

864
00:42:22,000 --> 00:42:23,800
Speaker 2: And I really and I really like that because it

865
00:42:23,880 --> 00:42:25,360
Speaker 2: was it was one of the first times in the

866
00:42:25,400 --> 00:42:28,759
Speaker 2: whole show where I have had the bravery to do

867
00:42:28,960 --> 00:42:34,279
Speaker 2: something that affects Doctor Cox. Yeah, you know, I really

868
00:42:34,440 --> 00:42:38,279
Speaker 2: that took a lot of chutzba for JD to do

869
00:42:38,400 --> 00:42:41,680
Speaker 2: what he did and and go against him. But and

870
00:42:41,960 --> 00:42:44,239
Speaker 2: of course to say to your mentor I want to

871
00:42:44,320 --> 00:42:48,799
Speaker 2: be you, but a more successful you. Yeah, I mean

872
00:42:48,880 --> 00:42:51,440
Speaker 2: that was that was a really courageous moment for the character.

873
00:42:51,800 --> 00:42:54,759
Speaker 2: And then I really love the fact that that that

874
00:42:54,960 --> 00:42:58,040
Speaker 2: went to affect to doctor Cox. It really it made

875
00:42:58,120 --> 00:43:00,960
Speaker 2: him take action in his own career, planted a seed

876
00:43:01,040 --> 00:43:02,440
Speaker 2: in his own mind.

877
00:43:02,320 --> 00:43:06,719
Speaker 5: Right, It really planned the seed for the next six

878
00:43:06,840 --> 00:43:09,520
Speaker 5: years of your relationship with him.

879
00:43:09,960 --> 00:43:12,680
Speaker 2: Yeah, all right, we have to go to a quick commercial, Ken,

880
00:43:12,680 --> 00:43:14,160
Speaker 2: because this was like a real show. We have a

881
00:43:14,239 --> 00:43:17,239
Speaker 2: real we have advertisers and everything, so we will be

882
00:43:17,400 --> 00:43:19,520
Speaker 2: right back after these words.

883
00:43:23,680 --> 00:43:31,840
Speaker 1: And we're bad, and we're bad. I think there are

884
00:43:31,880 --> 00:43:37,080
Speaker 1: only a few entrances in our show that are legendary, Ken.

885
00:43:37,200 --> 00:43:41,840
Speaker 1: You have two all in one episode too. Your entrance

886
00:43:41,880 --> 00:43:45,960
Speaker 1: where you're excited and happy about everything you know, are

887
00:43:46,000 --> 00:43:49,239
Speaker 1: you coming and you're dancing and you and you're excited.

888
00:43:49,600 --> 00:43:53,120
Speaker 1: That's one of the best entrances in Scrubs history. And

889
00:43:53,239 --> 00:43:56,040
Speaker 1: then your second entrance when you come in and you

890
00:43:56,080 --> 00:43:58,440
Speaker 1: beat the ship out of everybody. I forgot one of.

891
00:43:58,480 --> 00:44:02,040
Speaker 2: That, one of the best I had forgot about that, Ken.

892
00:44:02,080 --> 00:44:04,000
Speaker 2: Do you remember you must have done those both the

893
00:44:04,080 --> 00:44:05,840
Speaker 2: same day, I imagine was there must have been a

894
00:44:05,880 --> 00:44:07,400
Speaker 2: lot of rehearsal for those sequences.

895
00:44:07,640 --> 00:44:11,399
Speaker 5: I don't remember that there wasn't. There was very little

896
00:44:11,440 --> 00:44:15,839
Speaker 5: rehearsal for the Happy one because it started downstairs an

897
00:44:15,880 --> 00:44:19,399
Speaker 5: the entrance, Yeah, throwing off the cape, and that took

898
00:44:19,440 --> 00:44:21,560
Speaker 5: a little while to set up. Those scenes always did

899
00:44:21,680 --> 00:44:23,920
Speaker 5: down there, and then we were up in the hallway

900
00:44:24,160 --> 00:44:27,880
Speaker 5: and that seemed to be almost an improvisation. It just

901
00:44:28,000 --> 00:44:32,560
Speaker 5: went that was so fast. But on the second hallway

902
00:44:32,680 --> 00:44:36,640
Speaker 5: scene that was Ernie, and Ernie was there with those

903
00:44:36,800 --> 00:44:40,359
Speaker 5: guys and saying give me a key yah and made

904
00:44:40,400 --> 00:44:44,760
Speaker 5: all those wax working and those people doing those enormous

905
00:44:44,920 --> 00:44:47,880
Speaker 5: reactions from anything I did, that sold that.

906
00:44:49,520 --> 00:44:51,239
Speaker 2: Just for people that don't know, Ernie was one of

907
00:44:51,280 --> 00:44:53,920
Speaker 2: our stunt coordinators and all those people that Ken's interacting with,

908
00:44:54,200 --> 00:44:56,600
Speaker 2: our stunt men and women, and we haven't really given

909
00:44:56,640 --> 00:45:00,239
Speaker 2: enough shout out to them yet on this show. You know,

910
00:45:00,480 --> 00:45:02,880
Speaker 2: we like we prided ourselves on doing a lot of

911
00:45:02,960 --> 00:45:07,279
Speaker 2: the physical stuff, but the stunt people did a ton

912
00:45:07,600 --> 00:45:11,200
Speaker 2: of of the stunts on the show, especially stuff that

913
00:45:11,400 --> 00:45:13,640
Speaker 2: like like this moment with Ken, which is it's like

914
00:45:13,719 --> 00:45:16,040
Speaker 2: a dancer tene right, Ken, It's like it's like a

915
00:45:16,160 --> 00:45:17,759
Speaker 2: choreographed dancer team.

916
00:45:18,280 --> 00:45:20,520
Speaker 5: Yeah, I don't like that one. I like the second one.

917
00:45:21,719 --> 00:45:23,799
Speaker 2: No, I mean when I when I when I meant

918
00:45:24,000 --> 00:45:26,360
Speaker 2: was that the fight sequence is its own bit of

919
00:45:26,400 --> 00:45:27,640
Speaker 2: a yeah of a dancer?

920
00:45:27,719 --> 00:45:31,399
Speaker 5: Oh? Absolutely, yeah, absolutely? Now listen, is this the only

921
00:45:31,560 --> 00:45:36,200
Speaker 5: time there were two done in one episode? Asked Trevor

922
00:45:36,280 --> 00:45:36,720
Speaker 5: the wiki.

923
00:45:38,880 --> 00:45:42,280
Speaker 2: Okay, you want to Ken? Good, We're Ken is calling

924
00:45:42,400 --> 00:45:45,839
Speaker 2: upon Trevor WICKI Ken, we are going to ask uh

925
00:45:46,360 --> 00:45:49,920
Speaker 2: Trevor wiki. Has there ever been a uh an entrance

926
00:45:50,000 --> 00:45:53,320
Speaker 2: by one of the characters that's done twice in one episode?

927
00:45:53,440 --> 00:45:55,480
Speaker 2: You know, in the same hallway we had our that

928
00:45:56,320 --> 00:45:59,440
Speaker 2: prut and the one with the pimpstrut for Donald and I,

929
00:45:59,560 --> 00:46:03,080
Speaker 2: which we twice, but separated by many many episodes. Yes,

930
00:46:04,800 --> 00:46:07,880
Speaker 2: has there ever been a an entrance like this in

931
00:46:08,040 --> 00:46:10,160
Speaker 2: a in another episode where we did it twice?

932
00:46:10,640 --> 00:46:13,720
Speaker 8: Over the top entrances are a fun running gag on Scrubs,

933
00:46:13,960 --> 00:46:16,560
Speaker 8: But Doctor Kelso is the only character to get two

934
00:46:16,880 --> 00:46:18,800
Speaker 8: grand entrances in one episode.

935
00:46:19,400 --> 00:46:21,560
Speaker 1: Well, not twice, but I do remember Dick van Dyke

936
00:46:21,600 --> 00:46:23,520
Speaker 1: had entrance very similar to.

937
00:46:23,560 --> 00:46:25,759
Speaker 2: Why are you helping? Why are you helping? Trevor Wickie out,

938
00:46:25,800 --> 00:46:26,200
Speaker 2: This isn't free.

939
00:46:26,440 --> 00:46:28,400
Speaker 1: Trevor Wickie doesn't want to do the job. Zach, No,

940
00:46:28,520 --> 00:46:30,359
Speaker 1: he don't know. He don't know. He said he doesn't

941
00:46:30,360 --> 00:46:31,640
Speaker 1: want to do it. He said he didn't want to

942
00:46:31,680 --> 00:46:31,840
Speaker 1: do it.

943
00:46:31,960 --> 00:46:35,120
Speaker 2: No, Joelle said there was a misunderstanding. He does want

944
00:46:35,160 --> 00:46:37,640
Speaker 2: to do it. We never sent him his gift basket.

945
00:46:37,719 --> 00:46:39,920
Speaker 2: You well, we remind me of sen him.

946
00:46:40,320 --> 00:46:43,400
Speaker 1: I don't send gift backskets to people who are halfway in.

947
00:46:43,480 --> 00:46:47,640
Speaker 2: And listen, I feel like I feel like the gift basket,

948
00:46:47,800 --> 00:46:50,320
Speaker 2: if well stocked, could put him over the edge. He

949
00:46:50,440 --> 00:46:51,239
Speaker 2: might be on the fence.

950
00:46:51,360 --> 00:46:53,080
Speaker 1: So we gotta we gotta give him.

951
00:46:53,560 --> 00:46:55,680
Speaker 2: Listen, man, Yes, we have to bribe him. This is America.

952
00:46:56,840 --> 00:46:57,920
Speaker 1: What are we going to bribe him with?

953
00:46:58,040 --> 00:46:59,759
Speaker 2: This is America? Don't catch you, stip.

954
00:47:01,080 --> 00:47:02,520
Speaker 1: What are we going to bribe them with? What are

955
00:47:02,560 --> 00:47:03,880
Speaker 1: we going to bribe them with? Some salami?

956
00:47:04,160 --> 00:47:06,279
Speaker 2: Joe? Why should we put in the gift basket for

957
00:47:06,320 --> 00:47:08,480
Speaker 2: Trevor Wiki? We can find out just so we.

958
00:47:08,520 --> 00:47:09,640
Speaker 1: Can answer these questions.

959
00:47:09,840 --> 00:47:12,799
Speaker 2: I'm scrubswag. I mean if I was Trevor Wiki, if

960
00:47:12,840 --> 00:47:15,000
Speaker 2: I was Trevor Wiki, I would want scrubswag.

961
00:47:15,320 --> 00:47:17,959
Speaker 1: I bet you we could go to Instagram and listen.

962
00:47:18,040 --> 00:47:20,320
Speaker 1: I'm not trying to diss you, Trevor Scrubbs Wiki, but

963
00:47:20,440 --> 00:47:22,920
Speaker 1: if I went to Instagram and asked all of our

964
00:47:23,040 --> 00:47:27,160
Speaker 1: followers any of these questions, they'd be eager and excited

965
00:47:27,239 --> 00:47:30,080
Speaker 1: to do it. This is a I'm not trying to

966
00:47:30,160 --> 00:47:32,200
Speaker 1: I'm not trying to help the situation. I'm trying to

967
00:47:32,280 --> 00:47:34,239
Speaker 1: tell you guys right now that he don't want to

968
00:47:34,320 --> 00:47:34,480
Speaker 1: do it.

969
00:47:34,800 --> 00:47:38,240
Speaker 2: Okay, well, listen, Trevor Wiki. That's I apologize on behalf

970
00:47:38,239 --> 00:47:39,000
Speaker 2: of my co host.

971
00:47:39,920 --> 00:47:40,680
Speaker 1: You don't want to do it.

972
00:47:41,080 --> 00:47:42,759
Speaker 2: Now, what if we were to get you know, there's

973
00:47:42,760 --> 00:47:44,919
Speaker 2: scrubs funko pops right. What if we were to each

974
00:47:45,040 --> 00:47:47,880
Speaker 2: sign our own funko pop and give them the Trevor

975
00:47:47,880 --> 00:47:49,240
Speaker 2: Wiki as his bribe.

976
00:47:50,480 --> 00:47:54,200
Speaker 1: Trevor Wiki will then take said funko pops and sell

977
00:47:54,280 --> 00:47:55,400
Speaker 1: them on the internet.

978
00:47:57,160 --> 00:47:58,799
Speaker 2: No, well, then he'll make what and then he'll make

979
00:47:58,840 --> 00:48:00,120
Speaker 2: his twenty bucks and it'll.

980
00:47:59,880 --> 00:48:03,920
Speaker 1: Be they're working more than twenty bucks.

981
00:48:04,160 --> 00:48:07,160
Speaker 2: Listen, maybe because Ken asked Trevor Wicky, he'll be a

982
00:48:07,200 --> 00:48:11,200
Speaker 2: little bit more inclined to do it because everybody loves

983
00:48:11,280 --> 00:48:11,840
Speaker 2: Ken Jenkins.

984
00:48:12,160 --> 00:48:15,359
Speaker 5: There we go, Okay, get well, you're ready to get

985
00:48:15,400 --> 00:48:18,640
Speaker 5: the list of all those hallways Heather and Heather and

986
00:48:18,719 --> 00:48:19,799
Speaker 5: whoever else did one.

987
00:48:20,280 --> 00:48:21,600
Speaker 1: Yeah, that's a good question.

988
00:48:21,840 --> 00:48:23,960
Speaker 2: Well, listen, let's not overwhelmed the man. We've heard this

989
00:48:24,000 --> 00:48:24,919
Speaker 2: already a second question.

990
00:48:24,920 --> 00:48:27,440
Speaker 1: See, that's what I'm talking about. This wouldn't be overwhelming.

991
00:48:27,480 --> 00:48:29,000
Speaker 1: If he wanted to do it, it'd be the best

992
00:48:29,080 --> 00:48:31,839
Speaker 1: day of his life. Yo, Zach kN and Donald asked

993
00:48:31,880 --> 00:48:34,800
Speaker 1: me how many things happen in the hallway? Whoa he

994
00:48:34,920 --> 00:48:35,640
Speaker 1: made a website?

995
00:48:35,719 --> 00:48:37,440
Speaker 2: He don't want to do it, all right, Calm down,

996
00:48:37,560 --> 00:48:39,840
Speaker 2: Calm down. This is his second This is his audition

997
00:48:40,160 --> 00:48:42,239
Speaker 2: to see if he wants to come back and do it.

998
00:48:42,320 --> 00:48:43,760
Speaker 1: This is the callback. This is the callback.

999
00:48:43,840 --> 00:48:45,920
Speaker 2: This is his callback. We'll see how he does. We've

1000
00:48:45,960 --> 00:48:49,120
Speaker 2: now given him two questions, one from the legendary Ken Jenkins,

1001
00:48:49,200 --> 00:48:53,439
Speaker 2: and we will Joel, will you please facilitate him getting

1002
00:48:53,520 --> 00:48:57,440
Speaker 2: signed Funko Pops? But only if he comes through? Okay,

1003
00:48:58,520 --> 00:49:00,000
Speaker 2: and you know we can also sell what we can say,

1004
00:49:00,080 --> 00:49:04,400
Speaker 2: end him a gift card to get a free notification

1005
00:49:04,600 --> 00:49:07,120
Speaker 2: for his phone. You have a dollar twenty nine gets

1006
00:49:07,160 --> 00:49:08,880
Speaker 2: you to give him a dollar twenty nine gives her

1007
00:49:15,719 --> 00:49:18,520
Speaker 2: Oh my god, that's funny. Big all insulted. He'd be

1008
00:49:18,640 --> 00:49:20,239
Speaker 2: for like, hey, man, we really want to thank you.

1009
00:49:20,719 --> 00:49:22,880
Speaker 2: Here's it gives certificate for a dollar twenty nine to

1010
00:49:22,920 --> 00:49:23,640
Speaker 2: get our ringtone.

1011
00:49:23,800 --> 00:49:24,640
Speaker 1: Here's the ring tones.

1012
00:49:25,280 --> 00:49:26,880
Speaker 2: All right, Should we get back to the episode?

1013
00:49:26,920 --> 00:49:29,719
Speaker 1: Guys, Yes, eat Schmidt and die.

1014
00:49:30,120 --> 00:49:31,040
Speaker 2: Yeah, that was funny.

1015
00:49:31,640 --> 00:49:31,759
Speaker 5: Oh.

1016
00:49:31,880 --> 00:49:33,520
Speaker 2: Sarah says when she was a kid, she was really

1017
00:49:33,560 --> 00:49:36,040
Speaker 2: close with her maid and then and then and then

1018
00:49:36,080 --> 00:49:37,839
Speaker 2: she goes and then she goes, our bid was white,

1019
00:49:38,400 --> 00:49:40,080
Speaker 2: and Judy goes what was her name? And there's a

1020
00:49:40,280 --> 00:49:43,360
Speaker 2: really long pause and she goes, nzuela.

1021
00:49:49,719 --> 00:49:49,879
Speaker 9: Man.

1022
00:49:59,320 --> 00:50:01,440
Speaker 1: So the in the janitor, I thought that was a

1023
00:50:01,480 --> 00:50:04,920
Speaker 1: great moment. And I thought that the janitor because you know,

1024
00:50:05,200 --> 00:50:07,719
Speaker 1: when watching these episodes, we don't really remember all of it,

1025
00:50:07,880 --> 00:50:10,760
Speaker 1: and so I honestly thought that JD had a breakthrough

1026
00:50:10,800 --> 00:50:13,360
Speaker 1: with the janitor. And I was wondering what JD was

1027
00:50:13,400 --> 00:50:15,919
Speaker 1: gonna do for the janitor to be like that mop

1028
00:50:15,960 --> 00:50:18,200
Speaker 1: that I got you forget about I mean that mop,

1029
00:50:18,239 --> 00:50:19,920
Speaker 1: that the mop that you got me, forget about it,

1030
00:50:20,440 --> 00:50:23,040
Speaker 1: you ruined everything, And he just decides at the end

1031
00:50:23,040 --> 00:50:24,439
Speaker 1: of the show, I liked my ol map better.

1032
00:50:24,640 --> 00:50:28,640
Speaker 2: Yeah. Yeah, but by the way he cries. He literally

1033
00:50:29,560 --> 00:50:33,479
Speaker 2: the janitor. I hadn't forgotten this. He cries over my gift.

1034
00:50:33,640 --> 00:50:35,759
Speaker 2: First of all, he's in line. Everyone's in line to

1035
00:50:36,080 --> 00:50:39,160
Speaker 2: go to Kelso's office to ask for things for their department,

1036
00:50:39,480 --> 00:50:42,560
Speaker 2: and really expensive stuff. You're asking for an argon laser.

1037
00:50:42,840 --> 00:50:46,160
Speaker 2: People are asking for overtime for nurses. They're all lined

1038
00:50:46,239 --> 00:50:47,960
Speaker 2: up to ask for special things for the department. The

1039
00:50:48,080 --> 00:50:55,440
Speaker 2: janitor's in line to ask for a mop. Yeah, and

1040
00:50:55,560 --> 00:50:57,359
Speaker 2: then he doesn't get a MOP. So I go out

1041
00:50:57,400 --> 00:50:59,839
Speaker 2: and buy him a mop. I take the time to give.

1042
00:51:00,360 --> 00:51:03,920
Speaker 1: I mean, I goes out his way to make this

1043
00:51:04,120 --> 00:51:05,320
Speaker 1: man feel special. I know.

1044
00:51:05,360 --> 00:51:06,680
Speaker 2: I wish I had seen the scene. That would have

1045
00:51:06,680 --> 00:51:09,240
Speaker 2: been a funny scene watching me mop shopping for the janitor.

1046
00:51:09,320 --> 00:51:12,040
Speaker 2: But I buy the mop, I gift wrap it, I

1047
00:51:12,120 --> 00:51:13,640
Speaker 2: put a bow on it, and I give it to

1048
00:51:13,719 --> 00:51:18,439
Speaker 2: him and he starts to cry. He's so moved. Yeah, yeah,

1049
00:51:18,920 --> 00:51:20,200
Speaker 2: that was funny. And then at the end of the

1050
00:51:20,239 --> 00:51:22,560
Speaker 2: episode he's like, I like my old mom, and I go,

1051
00:51:22,680 --> 00:51:24,840
Speaker 2: you cried. He goes, No, that was you, that was you.

1052
00:51:25,480 --> 00:51:31,279
Speaker 5: That was you. I liked your line. And when you

1053
00:51:31,360 --> 00:51:34,759
Speaker 5: said what was wrong with the mompny and you said

1054
00:51:35,400 --> 00:51:36,640
Speaker 5: it was out of mop Gas?

1055
00:51:40,320 --> 00:51:41,239
Speaker 2: Was it out a mop Gas?

1056
00:51:41,960 --> 00:51:42,160
Speaker 5: Yeah?

1057
00:51:43,560 --> 00:51:46,480
Speaker 2: He's so funny, Neil. I just look at him and

1058
00:51:46,520 --> 00:51:48,400
Speaker 2: I start giggling. I mean, you know, when he comes on,

1059
00:51:48,520 --> 00:51:51,040
Speaker 2: it's gonna be a funny moment. How about Rob Mashio.

1060
00:51:51,760 --> 00:51:53,600
Speaker 2: First of all, I believe when you when you get

1061
00:51:53,760 --> 00:51:57,040
Speaker 2: a fake breast, uh, I think it's like a special

1062
00:51:58,640 --> 00:52:01,160
Speaker 2: wing or doctor. Right, it's I don't want to want

1063
00:52:01,200 --> 00:52:04,640
Speaker 2: why we're handling. Why Judy and Rob Mashio are handling

1064
00:52:04,840 --> 00:52:05,920
Speaker 2: a breast augmentation?

1065
00:52:06,719 --> 00:52:09,279
Speaker 1: Yeah, I think you go to a plastic surgeon for that, right, right.

1066
00:52:09,320 --> 00:52:10,800
Speaker 2: I thought that was like I don't know much, but

1067
00:52:10,880 --> 00:52:13,799
Speaker 2: I was like, why is Judy prepping a breast augmentation

1068
00:52:14,160 --> 00:52:16,680
Speaker 2: and why is Rob Maggio doing the surgery?

1069
00:52:17,239 --> 00:52:20,000
Speaker 5: Because the real j D was not in the writer's

1070
00:52:20,080 --> 00:52:20,520
Speaker 5: room when.

1071
00:52:20,480 --> 00:52:26,440
Speaker 2: They exactly then, because I was like, I believe we're

1072
00:52:26,520 --> 00:52:30,920
Speaker 2: like a small city hospital and like mostly for like emergencies.

1073
00:52:30,960 --> 00:52:33,960
Speaker 2: I don't think we're doing like cosmetic breast augmentation. But

1074
00:52:34,120 --> 00:52:36,680
Speaker 2: but what about when he goes, let's get you into

1075
00:52:36,760 --> 00:52:43,680
Speaker 2: a fresh pair of blouse bunnies. Blouse bunnies. And then

1076
00:52:43,760 --> 00:52:46,640
Speaker 2: later he says to the husband after she's had her

1077
00:52:46,719 --> 00:52:48,320
Speaker 2: breast done. He goes, We're gonna need to get you

1078
00:52:48,480 --> 00:52:54,320
Speaker 2: some bigger hands. You didn't laugh at that.

1079
00:52:55,160 --> 00:52:59,080
Speaker 1: I did laugh. I laugh at everything Rob does. Yeah,

1080
00:53:00,360 --> 00:53:03,840
Speaker 1: so we have a moment where Elliott has a voiceover.

1081
00:53:05,080 --> 00:53:06,000
Speaker 2: What are you thinking about?

1082
00:53:06,520 --> 00:53:09,440
Speaker 1: Yeah, she has a voiceover when she's raw looking in

1083
00:53:09,520 --> 00:53:11,320
Speaker 1: the mirror or stuff like that.

1084
00:53:11,560 --> 00:53:13,600
Speaker 2: Is that a voiceover? Is it too? Or she's talking

1085
00:53:13,640 --> 00:53:15,239
Speaker 2: to herself her.

1086
00:53:15,239 --> 00:53:17,120
Speaker 1: Mouth isn't moving, so it's definitely voiceover.

1087
00:53:17,320 --> 00:53:19,279
Speaker 2: By the way, when she's playing with her breast and

1088
00:53:19,360 --> 00:53:22,040
Speaker 2: she squeezing them together and then she like leans forward

1089
00:53:22,160 --> 00:53:24,440
Speaker 2: and then something breaks. But I don't know what the

1090
00:53:24,480 --> 00:53:26,480
Speaker 2: hell happens. It sounds like someone throws a brick through

1091
00:53:26,480 --> 00:53:29,880
Speaker 2: her front window. There's like this loud glass shatter noise.

1092
00:53:30,239 --> 00:53:31,200
Speaker 2: Do you know what I'm talking about?

1093
00:53:31,480 --> 00:53:32,839
Speaker 1: No, I didn't pick that up.

1094
00:53:33,160 --> 00:53:35,160
Speaker 2: Yeah. The idea is she's like she's like leaning forward

1095
00:53:35,200 --> 00:53:37,719
Speaker 2: and she's like giving herself big cleavage, and then the

1096
00:53:37,840 --> 00:53:42,600
Speaker 2: idea is like something breaks. But do you know what

1097
00:53:42,640 --> 00:53:46,040
Speaker 2: I'm talking about? Joel? But the sound effect was so weird.

1098
00:53:46,080 --> 00:53:48,799
Speaker 2: It was like it sounds like some she was being

1099
00:53:48,840 --> 00:53:49,920
Speaker 2: attacked from outside.

1100
00:53:50,520 --> 00:53:52,919
Speaker 5: That was the bottom of massage oil.

1101
00:53:56,840 --> 00:53:59,640
Speaker 2: Something broke ken, something on her sync broke, but the

1102
00:53:59,680 --> 00:54:03,200
Speaker 2: sound effect was just a bizarre choice. I thought, Joelle,

1103
00:54:03,239 --> 00:54:05,799
Speaker 2: do we have a guest. Let's bring them in. Can

1104
00:54:05,880 --> 00:54:08,200
Speaker 2: we take a question here from from one of our

1105
00:54:08,320 --> 00:54:11,240
Speaker 2: lovely listener fans. They come into the room, you're about

1106
00:54:11,280 --> 00:54:14,160
Speaker 2: to be about to meet them, and then they ask

1107
00:54:14,280 --> 00:54:14,759
Speaker 2: us a question.

1108
00:54:15,000 --> 00:54:21,120
Speaker 1: Banks, Bank smoking that loud? Banks smoking that loud? Oh

1109
00:54:21,160 --> 00:54:24,560
Speaker 1: my gosh, Banks smoking that loud?

1110
00:54:25,800 --> 00:54:29,560
Speaker 2: Banks? Are you exhaling marijuana as you ask us a question?

1111
00:54:30,360 --> 00:54:30,520
Speaker 5: Yes?

1112
00:54:30,640 --> 00:54:31,880
Speaker 2: I did have a couple of questions.

1113
00:54:32,680 --> 00:54:33,239
Speaker 1: No, but that's not.

1114
00:54:35,800 --> 00:54:37,360
Speaker 2: That sounds like that, sounds like that?

1115
00:54:37,520 --> 00:54:40,359
Speaker 1: Yes, Banks, you smoking that loud right now?

1116
00:54:40,600 --> 00:54:41,480
Speaker 2: Why are you call it loud?

1117
00:54:41,560 --> 00:54:44,760
Speaker 1: I never heard that, because it's it's loud and stinky. Baby.

1118
00:54:45,200 --> 00:54:48,160
Speaker 2: But Banks, of all three of the cast members of

1119
00:54:48,160 --> 00:54:51,960
Speaker 2: Scrubs that you have and enjoy the occasional use of cannabis,

1120
00:54:52,000 --> 00:54:54,120
Speaker 2: So it seems like you're the appropriate guest for this

1121
00:54:54,280 --> 00:54:57,280
Speaker 2: episode because we just watched you exhale a giant cloud

1122
00:54:57,320 --> 00:54:57,680
Speaker 2: of smoke.

1123
00:54:58,600 --> 00:55:00,360
Speaker 1: That shit was like a rat. That's it was like

1124
00:55:00,440 --> 00:55:04,120
Speaker 1: a Snoop Dogg video dog That's it was for real,

1125
00:55:04,320 --> 00:55:07,319
Speaker 1: for real, man, you took a big ass hit off

1126
00:55:07,360 --> 00:55:10,080
Speaker 1: of something. And Zach, you have a shirt.

1127
00:55:10,120 --> 00:55:12,600
Speaker 2: This is burned, Yes, sir, burn it, burn it burning,

1128
00:55:13,000 --> 00:55:17,080
Speaker 2: because I'm gonna burn one downn If you don't like

1129
00:55:17,160 --> 00:55:20,520
Speaker 2: my fire, then don't come around, because I'm gonna burn

1130
00:55:20,840 --> 00:55:21,479
Speaker 2: one down.

1131
00:55:22,080 --> 00:55:25,960
Speaker 1: All right? It was no doubt? Is that og? Was

1132
00:55:26,000 --> 00:55:26,640
Speaker 1: that og? Cush?

1133
00:55:26,800 --> 00:55:26,880
Speaker 8: Was it?

1134
00:55:26,960 --> 00:55:27,520
Speaker 5: What was that was?

1135
00:55:27,719 --> 00:55:28,279
Speaker 1: Was that you saw?

1136
00:55:28,760 --> 00:55:28,800
Speaker 8: No?

1137
00:55:29,120 --> 00:55:32,400
Speaker 10: I was told it was purple diesel?

1138
00:55:32,840 --> 00:55:33,000
Speaker 9: Oh?

1139
00:55:33,360 --> 00:55:35,200
Speaker 1: Okay, So mixture of sour diesel?

1140
00:55:37,960 --> 00:55:39,759
Speaker 2: Ken? Do you still partake every now and then?

1141
00:55:40,560 --> 00:55:43,160
Speaker 5: You know when you reach eighty you don't need to

1142
00:55:44,200 --> 00:55:48,520
Speaker 5: because you it's sort of like it's a perpetual filled thing.

1143
00:55:49,560 --> 00:55:53,399
Speaker 5: It just gets utterly filled up and there's no need

1144
00:55:53,480 --> 00:55:56,680
Speaker 5: to bother your lungs about it because it's just always there.

1145
00:55:56,800 --> 00:55:57,640
Speaker 5: Your full.

1146
00:55:58,320 --> 00:56:01,040
Speaker 2: So you smoked it up so that you're just good.

1147
00:56:01,160 --> 00:56:03,120
Speaker 2: You're you're high. You're high enough for the rest of

1148
00:56:03,200 --> 00:56:03,560
Speaker 2: your life.

1149
00:56:03,600 --> 00:56:04,160
Speaker 1: Well you did that?

1150
00:56:04,320 --> 00:56:07,319
Speaker 5: Or I was walking around Donald occasionally.

1151
00:56:12,960 --> 00:56:15,719
Speaker 1: My lips are purple now, Ken, they used to be pink.

1152
00:56:15,760 --> 00:56:16,479
Speaker 1: That's all I'm saying.

1153
00:56:16,719 --> 00:56:21,719
Speaker 2: Donald is salivating Banks. All right, Banks, you have a

1154
00:56:21,840 --> 00:56:24,120
Speaker 2: question for us. We have Ken Jenkins on the show today,

1155
00:56:24,200 --> 00:56:27,040
Speaker 2: Donald Faison and is Zach Brast.

1156
00:56:27,120 --> 00:56:30,960
Speaker 10: Yeah, I just watched the episode Ken was hilarious, right

1157
00:56:32,760 --> 00:56:38,000
Speaker 10: wallet Yeah, yeah. So my question about the show is,

1158
00:56:38,760 --> 00:56:43,440
Speaker 10: if you guys could recast, who would you cast as who?

1159
00:56:44,600 --> 00:56:46,440
Speaker 1: If I could recast myself, I'll just say.

1160
00:56:46,560 --> 00:56:47,759
Speaker 10: You could recast the whole show.

1161
00:56:48,160 --> 00:56:49,520
Speaker 1: I don't want to do that, but if I could

1162
00:56:49,560 --> 00:56:51,600
Speaker 1: recast it. I loved working with everybody, and I think

1163
00:56:51,680 --> 00:56:53,680
Speaker 1: everybody is really good on this show and I can't

1164
00:56:53,719 --> 00:56:57,400
Speaker 1: see anybody else playing the characters that we played. But

1165
00:56:57,520 --> 00:57:00,640
Speaker 1: if I could recast myself, they're are like three people

1166
00:57:00,719 --> 00:57:03,640
Speaker 1: that I think could have done a great job if

1167
00:57:04,280 --> 00:57:07,120
Speaker 1: timing was on their side.

1168
00:57:07,400 --> 00:57:12,360
Speaker 2: Denzel Well, I mean, come on, man, I feel.

1169
00:57:12,160 --> 00:57:14,120
Speaker 1: Like I feel like if timing was on his side,

1170
00:57:14,520 --> 00:57:18,360
Speaker 1: Jillie White would have made a great Christopher Turk. By like,

1171
00:57:19,160 --> 00:57:22,320
Speaker 1: he would have crushed that role as Christopher Turk if

1172
00:57:22,520 --> 00:57:25,560
Speaker 1: timing were If timing were right on his side, I

1173
00:57:25,680 --> 00:57:31,320
Speaker 1: feel like Damon Wayne's junior, if he were older back then,

1174
00:57:31,960 --> 00:57:34,840
Speaker 1: he would have crushed Christopher Turk. He would have done

1175
00:57:34,920 --> 00:57:39,040
Speaker 1: such a great job as Christopher Turk. And Uh. I

1176
00:57:39,120 --> 00:57:42,400
Speaker 1: think those two people and when it comes to playing

1177
00:57:42,520 --> 00:57:47,760
Speaker 1: that character, if I could recast Chris Turk, and it

1178
00:57:47,840 --> 00:57:52,240
Speaker 1: couldn't be me. I would take those two people. Okay.

1179
00:57:53,640 --> 00:57:55,600
Speaker 2: I was just thinking as Donald was answering, because I

1180
00:57:55,680 --> 00:57:57,520
Speaker 2: zoned out. His answer was so boring, and I.

1181
00:57:57,680 --> 00:57:59,400
Speaker 1: Think that so's your face.

1182
00:58:01,320 --> 00:58:03,439
Speaker 2: I was thinking Ben Platt would be a good jd.

1183
00:58:04,080 --> 00:58:04,240
Speaker 3: Uh.

1184
00:58:04,880 --> 00:58:10,800
Speaker 2: He's a funny, young, nerdy character actor, and he's very

1185
00:58:10,880 --> 00:58:13,600
Speaker 2: talented and he can sing his ass off, not that

1186
00:58:13,720 --> 00:58:17,040
Speaker 2: JD was required to sing too much. How about you, Ken?

1187
00:58:17,120 --> 00:58:18,600
Speaker 2: Can you think of another actor who could have I

1188
00:58:18,640 --> 00:58:21,600
Speaker 2: don't know, no one could replace the legendary Ken Jenkins.

1189
00:58:21,280 --> 00:58:24,080
Speaker 5: But I wouldn't want to put anybody else through nine

1190
00:58:24,160 --> 00:58:24,640
Speaker 5: years of that.

1191
00:58:32,160 --> 00:58:34,000
Speaker 2: All right, what about another one? Banksy?

1192
00:58:36,200 --> 00:58:40,840
Speaker 10: Banksy is fine, Bankos is cool. Tookos. Oh, this is

1193
00:58:40,960 --> 00:58:44,880
Speaker 10: non scrub related, Donald, I want to know, like, because

1194
00:58:45,280 --> 00:58:47,720
Speaker 10: you know, I'm from New York too, so like I've

1195
00:58:47,800 --> 00:58:49,959
Speaker 10: kind of followed your career, like you know, you're always

1196
00:58:50,000 --> 00:58:53,240
Speaker 10: always a grooms man, never a groom really like kind

1197
00:58:53,280 --> 00:58:55,320
Speaker 10: of in the back, like but you know, clueless, Uh,

1198
00:58:56,160 --> 00:59:00,760
Speaker 10: sugar Hill and all that things like that, who in Hollywood?

1199
00:59:01,280 --> 00:59:02,000
Speaker 5: And you? And you?

1200
00:59:02,360 --> 00:59:03,080
Speaker 1: Who in Hollywood?

1201
00:59:03,120 --> 00:59:03,320
Speaker 5: Did you?

1202
00:59:03,560 --> 00:59:05,200
Speaker 10: Did you serve up the most on the court?

1203
00:59:05,360 --> 00:59:08,280
Speaker 1: Like who in Hollywood did I serve up the most

1204
00:59:08,440 --> 00:59:12,400
Speaker 1: on the court. Uh, A lot of people. There are

1205
00:59:12,400 --> 00:59:15,360
Speaker 1: a lot of people that have gotten they ass busted

1206
00:59:15,440 --> 00:59:17,120
Speaker 1: by me, and then there are a lot of people

1207
00:59:17,160 --> 00:59:18,800
Speaker 1: that are busted my ass, Like you know.

1208
00:59:19,680 --> 00:59:20,800
Speaker 10: The most famous of the two.

1209
00:59:20,920 --> 00:59:25,640
Speaker 1: I wanted that question. Yeah, go ahead.

1210
00:59:25,960 --> 00:59:30,240
Speaker 2: Does he mean like in a metaphor in the acting

1211
00:59:30,320 --> 00:59:31,680
Speaker 2: world or on the basketball court?

1212
00:59:31,720 --> 00:59:32,600
Speaker 1: On the basketball court?

1213
00:59:33,000 --> 00:59:34,479
Speaker 2: No, I don't know if that's what he means. Thanks,

1214
00:59:34,520 --> 00:59:34,920
Speaker 2: What do you mean?

1215
00:59:35,240 --> 00:59:36,360
Speaker 10: I mean on the basketball court?

1216
00:59:36,440 --> 00:59:37,240
Speaker 2: Okay, shutting up?

1217
00:59:38,200 --> 00:59:41,200
Speaker 1: Thank you, and you stay quiet for a while.

1218
00:59:43,880 --> 00:59:45,600
Speaker 2: Do you understand, yes, sir, I'm sorry.

1219
00:59:46,280 --> 00:59:49,560
Speaker 1: So Leonardo DiCaprio is the most famous person that I've

1220
00:59:49,560 --> 00:59:52,120
Speaker 1: ever served on the basketball court. Heim An Tooby Maguire

1221
00:59:52,200 --> 00:59:54,640
Speaker 1: on the same team gave them the business. And this

1222
00:59:54,800 --> 00:59:57,400
Speaker 1: was back, dude, This was back when I couldn't play

1223
00:59:57,440 --> 00:59:59,840
Speaker 1: basketball that well, right, This was me coming to LA

1224
01:00:00,200 --> 01:00:02,439
Speaker 1: and being put in the league and then seeing Leo

1225
01:00:02,960 --> 01:00:05,680
Speaker 1: and Toby and being like, oh, they're gonna get it today,

1226
01:00:06,080 --> 01:00:07,600
Speaker 1: you know what I mean? And I don't even score

1227
01:00:07,600 --> 01:00:09,600
Speaker 1: a lot of points, but we beat the crap out

1228
01:00:09,600 --> 01:00:11,080
Speaker 1: of it. They had like they had a they had

1229
01:00:11,120 --> 01:00:13,400
Speaker 1: a squad in this entertainment league that we played in,

1230
01:00:14,840 --> 01:00:18,400
Speaker 1: and we beat them in the playoffs. We got them

1231
01:00:18,400 --> 01:00:20,240
Speaker 1: in the first round, and when we played them during

1232
01:00:20,280 --> 01:00:22,880
Speaker 1: the season we beat them. Anyway, we have a question.

1233
01:00:23,920 --> 01:00:25,000
Speaker 1: I told you to shut up.

1234
01:00:25,200 --> 01:00:47,480
Speaker 11: Sorry, I'm sorry it's so funny, but I also don't

1235
01:00:47,480 --> 01:00:48,160
Speaker 11: want to talk now.

1236
01:00:49,680 --> 01:00:53,120
Speaker 2: I told you to shut up. Did Leo invite you

1237
01:00:53,200 --> 01:00:54,760
Speaker 2: back to his game? Because I always hear about these

1238
01:00:54,760 --> 01:00:58,200
Speaker 2: celebrity games where when someone comes in and they kick

1239
01:00:58,320 --> 01:01:01,000
Speaker 2: ass like you probably did that, they don't get invited back,

1240
01:01:01,040 --> 01:01:02,360
Speaker 2: like you got to watch how good you are?

1241
01:01:02,880 --> 01:01:05,440
Speaker 1: Right? So that happened to me. That happened to me. Well,

1242
01:01:05,520 --> 01:01:08,760
Speaker 1: so one time I played ball with Toby and a

1243
01:01:08,840 --> 01:01:11,600
Speaker 1: bunch of his buddies at somebody's house. I don't know

1244
01:01:11,640 --> 01:01:15,840
Speaker 1: who it was, but Harley Pasterneck invited me. Harley Passon

1245
01:01:15,880 --> 01:01:19,360
Speaker 1: next to celebrity trainer. Celebrity trainer, right, and we told

1246
01:01:19,400 --> 01:01:19,840
Speaker 1: you had.

1247
01:01:19,760 --> 01:01:22,400
Speaker 2: Said bananas or sugar sticks, go ahead.

1248
01:01:22,280 --> 01:01:25,400
Speaker 1: Right, And and I've run into him. You know, He's

1249
01:01:25,440 --> 01:01:28,080
Speaker 1: invited me to a bunch of games to play with

1250
01:01:28,280 --> 01:01:30,800
Speaker 1: other celebrities because he knew I loved basketball. So I

1251
01:01:30,880 --> 01:01:33,400
Speaker 1: played with Kanye West, I played with Common, I played

1252
01:01:33,440 --> 01:01:35,880
Speaker 1: with all of these people, right, And he invited me

1253
01:01:35,960 --> 01:01:39,360
Speaker 1: one time to play basketball with Toby, and I remember

1254
01:01:40,400 --> 01:01:42,320
Speaker 1: Toby Maguire was like, I don't want to be on

1255
01:01:42,400 --> 01:01:44,120
Speaker 1: his team because I'm not going to have fun playing

1256
01:01:44,200 --> 01:01:48,720
Speaker 1: on his team. And I took offense to it. And

1257
01:01:48,800 --> 01:01:51,120
Speaker 1: I remember when I got there and I listen, you

1258
01:01:51,160 --> 01:01:53,240
Speaker 1: talk about smoking a lot a loud. I had smoked

1259
01:01:53,320 --> 01:01:55,760
Speaker 1: so much weed when I got there. Before I got there, right,

1260
01:01:56,000 --> 01:01:58,640
Speaker 1: and so I'm stoned out of my mind. And he's

1261
01:01:58,720 --> 01:02:00,240
Speaker 1: like and he's like, I don't want to pla with

1262
01:02:00,320 --> 01:02:04,040
Speaker 1: him because I'm not gonna have fun. And I was like, oh, okay, fine,

1263
01:02:05,960 --> 01:02:09,640
Speaker 1: you got it. And I proceeded to bust their ass

1264
01:02:09,880 --> 01:02:13,360
Speaker 1: on their court and I never got invited back.

1265
01:02:15,600 --> 01:02:17,440
Speaker 2: Yeah, you got to be not too good, right. That's

1266
01:02:17,480 --> 01:02:19,720
Speaker 2: the trick to play with fancy celebrities, Right.

1267
01:02:20,400 --> 01:02:22,280
Speaker 1: You have to make it feel like they can they

1268
01:02:22,360 --> 01:02:24,960
Speaker 1: can compete on your level. If they can't compete on

1269
01:02:25,000 --> 01:02:27,200
Speaker 1: your level, you got to make you have to bring

1270
01:02:27,360 --> 01:02:28,920
Speaker 1: them up to your level. You gotta be like the

1271
01:02:29,560 --> 01:02:32,720
Speaker 1: Lebron James of the thing where you score buckets, but

1272
01:02:32,920 --> 01:02:36,400
Speaker 1: you make them feel like they're doing their thing. Another time.

1273
01:02:36,640 --> 01:02:40,240
Speaker 1: Hold up, I was in Miami and Leo and Toby

1274
01:02:40,520 --> 01:02:42,560
Speaker 1: invited me to hang out with them, and this was

1275
01:02:42,600 --> 01:02:44,400
Speaker 1: one of the biggest moments of my life, you know

1276
01:02:44,440 --> 01:02:47,800
Speaker 1: what I mean as a young actor. To me, Leonardo

1277
01:02:47,880 --> 01:02:51,080
Speaker 1: DiCaprio is the best actor in the world. I love

1278
01:02:51,200 --> 01:02:53,280
Speaker 1: everybody out there. I think everybody does a great job.

1279
01:02:53,360 --> 01:02:57,560
Speaker 1: But for me, Leo is my age, and I think

1280
01:02:57,600 --> 01:02:59,880
Speaker 1: he's the best at my like, I don't think anybody

1281
01:03:00,120 --> 01:03:03,240
Speaker 1: better than him. And since you know, when it comes

1282
01:03:03,320 --> 01:03:07,520
Speaker 1: to my peers, people that are my age, right. And

1283
01:03:07,640 --> 01:03:09,960
Speaker 1: so we're in Miami and we go down to this

1284
01:03:10,080 --> 01:03:13,520
Speaker 1: little basketball court and it's me, Leo and Toby on

1285
01:03:13,600 --> 01:03:16,920
Speaker 1: the same team and we play against you know, some

1286
01:03:18,080 --> 01:03:23,160
Speaker 1: Floridians on uh it's three on three game and we win,

1287
01:03:24,400 --> 01:03:28,160
Speaker 1: and I you know, I remember, and I remember thinking,

1288
01:03:28,520 --> 01:03:31,160
Speaker 1: you know, I've arrived. I played ball with Leo, I

1289
01:03:31,280 --> 01:03:34,560
Speaker 1: played ball with Toby. We were on the same team.

1290
01:03:34,920 --> 01:03:37,000
Speaker 1: It happened. I'm gonna be in the next Spider Man.

1291
01:03:37,040 --> 01:03:41,600
Speaker 1: I could feel it. I was wrong because right the

1292
01:03:42,040 --> 01:03:43,920
Speaker 1: next time I played ball with Toby, he said, I

1293
01:03:43,960 --> 01:03:46,280
Speaker 1: don't think I'd have fun playing on his team. In

1294
01:03:46,360 --> 01:03:48,560
Speaker 1: my mind. I was like, well, we kicked ass in Miami, Baby,

1295
01:03:49,800 --> 01:03:51,480
Speaker 1: we had a thing. We did that thing in Miami,

1296
01:03:51,880 --> 01:03:53,960
Speaker 1: all right. So those are the people who when it

1297
01:03:54,000 --> 01:03:56,440
Speaker 1: comes to basketball, those are the two people that I've

1298
01:03:56,440 --> 01:04:00,880
Speaker 1: given the business Leonardo DiCaprio and Miami Leonordo on Tobey maguire.

1299
01:04:01,000 --> 01:04:03,720
Speaker 1: When it comes to getting my ass busted. There are

1300
01:04:03,840 --> 01:04:06,919
Speaker 1: quite a few entertainers out there who can really ball.

1301
01:04:07,200 --> 01:04:13,040
Speaker 1: Michael B. Jordan is nice, Jesse Williams nice, these dudes up.

1302
01:04:13,200 --> 01:04:18,280
Speaker 10: I mean, I'm a heavy NBA celebrity game historian, and

1303
01:04:18,520 --> 01:04:20,280
Speaker 10: someone like Michael B. Jordan, I think.

1304
01:04:20,360 --> 01:04:24,360
Speaker 1: I I'm telling you right now. I'm telling you right now.

1305
01:04:24,400 --> 01:04:26,600
Speaker 1: It's a big difference when you're under those lights, though. Man,

1306
01:04:26,640 --> 01:04:29,880
Speaker 1: it's a big, big, big difference. And the ball isn't

1307
01:04:29,920 --> 01:04:32,280
Speaker 1: the real ball. It's not it's not like anything you've

1308
01:04:32,280 --> 01:04:32,920
Speaker 1: ever played with.

1309
01:04:33,080 --> 01:04:34,840
Speaker 2: And why isn't the ball a real ball in the

1310
01:04:34,920 --> 01:04:35,960
Speaker 2: celebrity games.

1311
01:04:36,040 --> 01:04:38,320
Speaker 1: Because it has to look it's shiny, and it has

1312
01:04:38,400 --> 01:04:40,680
Speaker 1: you know, it has a bunch of it doesn't feel

1313
01:04:40,720 --> 01:04:42,680
Speaker 1: the same way, right, And so.

1314
01:04:43,000 --> 01:04:45,160
Speaker 2: I love that grit, that normal grit we usually have

1315
01:04:45,280 --> 01:04:45,720
Speaker 2: when we play.

1316
01:04:45,800 --> 01:04:53,600
Speaker 1: Michael B. Jordan Jesse Williams, Brian mcnight, James Yeah, James Leazure.

1317
01:04:54,320 --> 01:04:58,760
Speaker 1: I'm trying to I'm leaving some people out there supposed

1318
01:04:58,760 --> 01:05:00,760
Speaker 1: to be really good. There's so much younger than me

1319
01:05:01,200 --> 01:05:03,080
Speaker 1: that I've never had the like when.

1320
01:05:02,960 --> 01:05:05,360
Speaker 2: You were playing, when you were playing actively in these

1321
01:05:05,400 --> 01:05:08,320
Speaker 2: celebrity leagues, who was the best? Who is? Who would

1322
01:05:08,320 --> 01:05:11,120
Speaker 2: you pick number one on your team of people?

1323
01:05:11,200 --> 01:05:15,200
Speaker 1: We know it's either Brian McKnight or James Lazure. Those

1324
01:05:15,280 --> 01:05:21,800
Speaker 1: two are like, Brian mckknight understands basketball, right. James Lazure

1325
01:05:22,200 --> 01:05:24,960
Speaker 1: he doesn't have to he doesn't have to score, you know,

1326
01:05:25,520 --> 01:05:29,080
Speaker 1: forty points to win. He would average a triple double

1327
01:05:29,720 --> 01:05:31,640
Speaker 1: every game we played, and you'd look at it and

1328
01:05:31,760 --> 01:05:33,400
Speaker 1: be like, damn, you know, he didn't take a lot

1329
01:05:33,440 --> 01:05:35,400
Speaker 1: of shots, but he had ten points. And I don't

1330
01:05:35,400 --> 01:05:37,040
Speaker 1: think he passed the ball to me that much. But

1331
01:05:37,080 --> 01:05:40,120
Speaker 1: look yeah, yeah, yeah, I just had to look at

1332
01:05:40,160 --> 01:05:45,320
Speaker 1: who was right that that dude is that dude can ball?

1333
01:05:45,960 --> 01:05:51,720
Speaker 1: Mike Yeah. But but the two that are the two,

1334
01:05:51,840 --> 01:05:54,800
Speaker 1: the three that are really good in my opinion are

1335
01:05:55,040 --> 01:05:58,360
Speaker 1: James Lezure, Brian mckknight, and Michael b. Jordan.

1336
01:05:59,200 --> 01:06:02,960
Speaker 2: Okay, well, are you having everyone, Uh Donald the celebrity

1337
01:06:03,080 --> 01:06:07,680
Speaker 2: basketball player, How's how's the Doulay Hill?

1338
01:06:08,880 --> 01:06:11,320
Speaker 1: Deulay is not a real He's not. He's not that

1339
01:06:11,480 --> 01:06:13,600
Speaker 1: big of That's another person who could have played Turk

1340
01:06:13,680 --> 01:06:18,520
Speaker 1: as Delay Hill if circumstances were correct. But uh, Delay

1341
01:06:18,760 --> 01:06:23,480
Speaker 1: is not. Jalil is dope. Jalil cabal too. That's another one.

1342
01:06:24,600 --> 01:06:26,480
Speaker 1: That's another one. But I gave and Jalil knows it.

1343
01:06:26,600 --> 01:06:28,760
Speaker 1: I gave him the business one summer league. We had

1344
01:06:28,800 --> 01:06:31,120
Speaker 1: a we had a Nike Summer league, and I gave

1345
01:06:31,200 --> 01:06:33,840
Speaker 1: him the business and he knows it. And to this day,

1346
01:06:34,160 --> 01:06:35,920
Speaker 1: every time, if I ever I mean, I don't play

1347
01:06:35,960 --> 01:06:38,160
Speaker 1: basketball anymore. But from that point on, if I did

1348
01:06:38,200 --> 01:06:42,040
Speaker 1: play Julie White, he was extra aggressive when it came

1349
01:06:42,160 --> 01:06:45,720
Speaker 1: to guarding me, and if I was guarding him to

1350
01:06:45,880 --> 01:06:48,280
Speaker 1: showing me, Yo, that was a fluke. Dude, you ain't

1351
01:06:48,280 --> 01:06:50,560
Speaker 1: never gonna do it again. But I gave him the

1352
01:06:50,720 --> 01:06:52,840
Speaker 1: business one game, so much so that you know, when

1353
01:06:52,880 --> 01:06:56,000
Speaker 1: people are staring at you and you're acting like you

1354
01:06:56,040 --> 01:06:58,720
Speaker 1: can't see him staring at you. I felt the I

1355
01:06:58,840 --> 01:07:02,040
Speaker 1: felt the burn in my peripheral while he's sitting on

1356
01:07:02,120 --> 01:07:05,880
Speaker 1: the bench after I filed his ass out, burning into

1357
01:07:05,960 --> 01:07:07,000
Speaker 1: my free You know.

1358
01:07:07,280 --> 01:07:09,400
Speaker 2: Do they still do this celebrity basketball thing.

1359
01:07:09,720 --> 01:07:11,120
Speaker 1: I don't know. I don't play basketball a nomore.

1360
01:07:11,360 --> 01:07:14,120
Speaker 2: No, I'm saying they do. Okay, yeah right now, I

1361
01:07:14,160 --> 01:07:16,919
Speaker 2: mean in non COVID, in non COVID times. I wonder

1362
01:07:16,960 --> 01:07:17,640
Speaker 2: if it was still a thing.

1363
01:07:18,440 --> 01:07:20,560
Speaker 1: I don't play basketball like that anymore. But it's a

1364
01:07:20,600 --> 01:07:23,919
Speaker 1: big difference when it gets on television and the announcers

1365
01:07:24,000 --> 01:07:26,640
Speaker 1: and the TV timeouts and all of that stuff. It's

1366
01:07:26,720 --> 01:07:28,920
Speaker 1: not the same game, you know what I mean, your rhythms.

1367
01:07:29,200 --> 01:07:31,040
Speaker 1: You have to be hot going in and just stay

1368
01:07:31,120 --> 01:07:34,400
Speaker 1: hot because your rhythms are off and you can't play

1369
01:07:34,440 --> 01:07:36,520
Speaker 1: your way into games like that my opinion.

1370
01:07:37,440 --> 01:07:40,560
Speaker 2: All right, Well, for anyone who tuned out for the

1371
01:07:40,680 --> 01:07:43,120
Speaker 2: last ten minutes, this is.

1372
01:07:44,800 --> 01:07:45,560
Speaker 1: Ken. Just wake up.

1373
01:07:46,360 --> 01:07:50,240
Speaker 2: Ken took a brief nap, Ken, Ken took a brief nap.

1374
01:07:51,400 --> 01:07:54,000
Speaker 2: But we're back banks. Thank you, man. Those were good questions.

1375
01:07:54,920 --> 01:07:59,440
Speaker 2: This great and we appreciate you. And you inspired uh

1376
01:07:59,560 --> 01:08:01,440
Speaker 2: Donald to go have some purple diesel.

1377
01:08:02,040 --> 01:08:03,760
Speaker 1: Well, it's not gonna be purple diesel. It might be

1378
01:08:03,840 --> 01:08:05,880
Speaker 1: that listen, man, it might be that.

1379
01:08:06,000 --> 01:08:09,000
Speaker 2: Lookout, it might be out it's my birthday.

1380
01:08:09,440 --> 01:08:10,680
Speaker 1: You want to count out? Go ahead?

1381
01:08:10,760 --> 01:08:10,920
Speaker 5: Yeah?

1382
01:08:11,440 --> 01:08:13,080
Speaker 1: Happy first of all, Happy birthday.

1383
01:08:13,000 --> 01:08:16,840
Speaker 2: Thank you, Happy birthday. How old are you? Thirty two?

1384
01:08:17,600 --> 01:08:18,200
Speaker 1: Are you young?

1385
01:08:18,280 --> 01:08:20,320
Speaker 2: And all right? The show's not quite over yet, but

1386
01:08:20,400 --> 01:08:22,880
Speaker 2: we'll tell you what we're gonna do. Well, I guess

1387
01:08:22,920 --> 01:08:24,280
Speaker 2: we kind of did it right. We don't have anything

1388
01:08:24,280 --> 01:08:25,000
Speaker 2: else to talk about.

1389
01:08:25,439 --> 01:08:27,840
Speaker 1: I mean, we're Ken. Is there anything else you wanted

1390
01:08:27,880 --> 01:08:28,120
Speaker 1: to say?

1391
01:08:28,520 --> 01:08:31,400
Speaker 5: Yeah, you have to say how good Johnny Castle is?

1392
01:08:32,479 --> 01:08:36,400
Speaker 1: Absolutely Ken? You know what, Absolutely, You're absolutely right.

1393
01:08:36,479 --> 01:08:40,280
Speaker 2: You're right, Ken. Johnny Castle doesn't get enough appreciation. He

1394
01:08:40,360 --> 01:08:44,760
Speaker 2: plays Doug, the nervous guy, and he was always very

1395
01:08:44,840 --> 01:08:47,439
Speaker 2: very funny and always had his little red fanny pack.

1396
01:08:47,400 --> 01:08:50,759
Speaker 1: On and it's always the butt of Kelso and Cox's jokes.

1397
01:08:51,040 --> 01:08:53,800
Speaker 1: They and some of the best one liners, like you

1398
01:08:53,920 --> 01:09:00,559
Speaker 1: know when he's like, my family lives in uh, you'll

1399
01:09:00,560 --> 01:09:03,439
Speaker 1: see them. Yeah, my family lives in Brina. You'll see

1400
01:09:03,479 --> 01:09:05,400
Speaker 1: them around the holiday.

1401
01:09:09,520 --> 01:09:12,360
Speaker 5: Christmas for it, right right right, right right right, And

1402
01:09:12,520 --> 01:09:16,680
Speaker 5: he's he snaps off those ends when when Johnny is

1403
01:09:16,720 --> 01:09:19,759
Speaker 5: always chasing him off, go go, go go, he snaps

1404
01:09:19,840 --> 01:09:21,920
Speaker 5: those ends off so crisply too.

1405
01:09:22,240 --> 01:09:25,519
Speaker 2: Yeah, yeah, so Ken, Uh I just want to say

1406
01:09:25,560 --> 01:09:28,000
Speaker 2: thank you for doing this. Uh. Donald and I talk

1407
01:09:28,080 --> 01:09:30,600
Speaker 2: about a lot how much we we love you and

1408
01:09:30,720 --> 01:09:33,240
Speaker 2: miss you and uh and we were both really really

1409
01:09:33,280 --> 01:09:34,280
Speaker 2: excited that you wanted to do.

1410
01:09:34,360 --> 01:09:38,120
Speaker 1: This, you know, and also you are the m v

1411
01:09:38,280 --> 01:09:41,960
Speaker 1: P of our show. You were talking earlier about how

1412
01:09:42,000 --> 01:09:44,160
Speaker 1: you felt you were so broad and everything like that

1413
01:09:44,280 --> 01:09:48,519
Speaker 1: and you needed to pull it back. But I personally

1414
01:09:48,600 --> 01:09:51,280
Speaker 1: watching you, feel like you were so natural and you

1415
01:09:51,360 --> 01:09:55,960
Speaker 1: were able to bring a natural element to slapstick and

1416
01:09:56,120 --> 01:09:58,960
Speaker 1: broad comedy. And as much as you're like, I feel

1417
01:09:59,000 --> 01:10:00,519
Speaker 1: like I was all. I was all for the top.

1418
01:10:01,080 --> 01:10:06,799
Speaker 1: I personally, uh, I, it's it's it. I I disagree

1419
01:10:06,800 --> 01:10:09,240
Speaker 1: with you, honestly. I think you are right in the

1420
01:10:09,360 --> 01:10:12,760
Speaker 1: pocket and you crush it every time. And I think

1421
01:10:12,880 --> 01:10:17,360
Speaker 1: that's why it started off as Kelso being the bad guy,

1422
01:10:18,240 --> 01:10:21,160
Speaker 1: and as we moved forward, Kelso all of a sudden

1423
01:10:21,240 --> 01:10:24,200
Speaker 1: was telling all of the great jokes and had all

1424
01:10:24,280 --> 01:10:26,479
Speaker 1: of the great one liners. And so that's just my

1425
01:10:27,120 --> 01:10:27,800
Speaker 1: that's just time.

1426
01:10:28,800 --> 01:10:31,960
Speaker 5: I gotta tell you, the only reason that I agreed

1427
01:10:31,960 --> 01:10:34,400
Speaker 5: to come on and do this with you guys was

1428
01:10:34,479 --> 01:10:37,760
Speaker 5: the hopes that you would say some wonderful bullshit like that.

1429
01:10:45,520 --> 01:10:49,240
Speaker 2: Okay, nobody talk. We can't nobody talk. We can't beat that.

1430
01:10:49,680 --> 01:10:51,519
Speaker 2: We can't beat that. That's how you end the show.

1431
01:10:51,680 --> 01:10:53,280
Speaker 2: Thank you, Ken Banks. Count us out.

1432
01:10:56,000 --> 01:11:02,040
Speaker 6: I'm not sure we made I said, nurses Diana Canada,

1433
01:11:02,080 --> 01:11:02,600
Speaker 6: who love me?

1434
01:11:03,080 --> 01:11:08,400
Speaker 1: I said, here's the stories that all should know. So

1435
01:11:08,720 --> 01:11:11,960
Speaker 1: gather around you here, up, gather around you

1436
01:11:12,160 --> 01:11:17,439
Speaker 6: Here, up, scus, we watched your wish