1 00:00:00,520 --> 00:00:02,760 Speaker 1: Hi, Curse Up listeners, I know you miss me on 2 00:00:02,800 --> 00:00:05,560 Speaker 1: your feed. Don't worry. We're working on an all new 3 00:00:05,600 --> 00:00:08,520 Speaker 1: season of Curse Of coming out later this year. In 4 00:00:08,560 --> 00:00:11,879 Speaker 1: the meantime, if you can't stop thinking about the shocking 5 00:00:11,920 --> 00:00:15,320 Speaker 1: stories you heard about America's Next Top Model, you'll definitely 6 00:00:15,360 --> 00:00:18,320 Speaker 1: want to check out our new docuseries from E Dirty 7 00:00:18,400 --> 00:00:21,840 Speaker 1: Rotten Scandals. In the series, you'll hear from the America's 8 00:00:21,840 --> 00:00:24,279 Speaker 1: Next Top Model participants you heard from on Curse Of, 9 00:00:24,680 --> 00:00:27,240 Speaker 1: and a few you didn't like former A and TM 10 00:00:27,320 --> 00:00:32,080 Speaker 1: judge Janis Dickinson. Dirty Rotten Scandals unveils the dark underbelly 11 00:00:32,080 --> 00:00:35,159 Speaker 1: of the long running TV series through the untold stories 12 00:00:35,200 --> 00:00:38,519 Speaker 1: of former contestants, and shows what happens when a golden 13 00:00:38,560 --> 00:00:43,640 Speaker 1: opportunity for aspiring models unravels into a harrowing saga of exploitation, 14 00:00:44,120 --> 00:00:47,560 Speaker 1: shattered dreams, and resilience. You can find the two part 15 00:00:47,640 --> 00:00:51,919 Speaker 1: docuseries Dirty Rotten Scandals America's Next Top Model on E Network. 16 00:00:52,280 --> 00:00:54,120 Speaker 1: Check your local TV provider schedule. 17 00:00:56,160 --> 00:00:57,560 Speaker 2: I want to be on some. 18 00:01:00,680 --> 00:01:10,360 Speaker 1: You want to be on the Welcome to the Curse 19 00:01:10,400 --> 00:01:17,679 Speaker 1: of America's Next Top Model. I'm Bridget Armstrong, the A 20 00:01:17,800 --> 00:01:21,640 Speaker 1: and TM reckoning continues. There's a new docu series out today. 21 00:01:21,720 --> 00:01:24,759 Speaker 1: It's called Dirty Rotten Scandals, and there's a two part 22 00:01:24,840 --> 00:01:28,800 Speaker 1: series all about A and TM. The first episode premiere tonight, 23 00:01:28,920 --> 00:01:32,120 Speaker 1: March eleventh, on E at nine pm ET. In our 24 00:01:32,200 --> 00:01:35,479 Speaker 1: production company, Glass Entertainment Group worked on the docu series. 25 00:01:35,880 --> 00:01:39,240 Speaker 1: I've seen it, and y'all, it's deep. They talk to 26 00:01:39,360 --> 00:01:41,920 Speaker 1: a lot of the models and they're not letting Tyre 27 00:01:42,000 --> 00:01:45,000 Speaker 1: off the hook. It's really an unflinching look at A 28 00:01:45,080 --> 00:01:48,200 Speaker 1: and TM and it's aftermath on them and on us, 29 00:01:48,240 --> 00:01:51,360 Speaker 1: the audience. And so I'm joined today by Lauren saff 30 00:01:51,360 --> 00:01:54,440 Speaker 1: She was the executive producer of Dirty Rotten Scandals. Hey Lauren, 31 00:01:54,480 --> 00:01:55,280 Speaker 1: thanks for joining me. 32 00:01:56,000 --> 00:01:57,920 Speaker 2: Hello, thank you so much for having me. 33 00:01:58,440 --> 00:02:00,360 Speaker 1: So I just want to start off. You know, A 34 00:02:00,480 --> 00:02:03,320 Speaker 1: and TM went off however many years ago, premiered over 35 00:02:03,400 --> 00:02:07,400 Speaker 1: twenty years ago. What made you want to re examine 36 00:02:07,480 --> 00:02:08,639 Speaker 1: this show now? 37 00:02:09,240 --> 00:02:11,520 Speaker 3: Well, first of all, twenty years ago, when America's Next 38 00:02:11,560 --> 00:02:14,960 Speaker 3: Top Model was on, it was my favorite show. I 39 00:02:15,000 --> 00:02:17,240 Speaker 3: loved it. I watched it all the time I was 40 00:02:17,280 --> 00:02:19,560 Speaker 3: in college. It was appointment viewing. My friends and I 41 00:02:19,560 --> 00:02:22,000 Speaker 3: would all gather together and watch it and you know, 42 00:02:22,160 --> 00:02:24,880 Speaker 3: laugh at Tyra and the ridiculous girls, and you know, 43 00:02:24,960 --> 00:02:28,080 Speaker 3: be want to be judges in you know, our dorm 44 00:02:28,160 --> 00:02:33,200 Speaker 3: rooms while we like gorged on Chinese food and raspberry vodka, 45 00:02:33,240 --> 00:02:35,359 Speaker 3: being like, oh my god, like look at her. She'll 46 00:02:35,400 --> 00:02:38,040 Speaker 3: never be America's next Top Model. So you know, I 47 00:02:38,080 --> 00:02:40,520 Speaker 3: had a lot of nostalgia for it. And you know, 48 00:02:40,560 --> 00:02:43,919 Speaker 3: as I have grown and culture has grown, a lot 49 00:02:43,919 --> 00:02:46,200 Speaker 3: of these conversations they were having in America's Next Top 50 00:02:46,240 --> 00:02:48,440 Speaker 3: Model have been examined. 51 00:02:47,960 --> 00:02:49,960 Speaker 2: With a different view, in a different light, and so 52 00:02:50,480 --> 00:02:50,760 Speaker 2: I was. 53 00:02:50,760 --> 00:02:52,920 Speaker 3: Really interested in being a part of that conversation as 54 00:02:52,919 --> 00:02:56,120 Speaker 3: somebody that both really enjoyed it then still kind of 55 00:02:56,200 --> 00:02:59,960 Speaker 3: enjoys it now, but is also aware of how culture 56 00:03:00,080 --> 00:03:04,120 Speaker 3: and conversations about women's beauty and women's bodies have changed 57 00:03:04,200 --> 00:03:06,800 Speaker 3: over the years. And I wanted to examine where Tyra 58 00:03:06,960 --> 00:03:08,720 Speaker 3: and America's Next Top Model fit into that. 59 00:03:09,120 --> 00:03:10,480 Speaker 1: You know, one of the things we talked about on 60 00:03:10,520 --> 00:03:13,680 Speaker 1: Curse of was how A and TM allowed all of 61 00:03:13,760 --> 00:03:16,760 Speaker 1: us to sort of be these judges and how you know, 62 00:03:17,120 --> 00:03:21,359 Speaker 1: sadly it primed us as young women to enjoy sort 63 00:03:21,400 --> 00:03:25,000 Speaker 1: of picking apart or like tearing down other women. I 64 00:03:25,040 --> 00:03:27,600 Speaker 1: wonder when you watch it today, how you feel about 65 00:03:27,639 --> 00:03:29,560 Speaker 1: those times when you were sitting in the dorm room, 66 00:03:30,360 --> 00:03:32,160 Speaker 1: you know, judging the girls and saying they'll never be 67 00:03:32,280 --> 00:03:33,720 Speaker 1: America's next top model. 68 00:03:34,000 --> 00:03:36,560 Speaker 3: You know, Look, I don't think that America's Next Top 69 00:03:36,560 --> 00:03:39,880 Speaker 3: Model invented women tearing down other women. Like I don't 70 00:03:39,880 --> 00:03:42,840 Speaker 3: think that Tyra Banks is responsible for this idea that 71 00:03:42,920 --> 00:03:46,560 Speaker 3: women enjoy critiquing one another. 72 00:03:46,720 --> 00:03:49,160 Speaker 2: I think that she saw a market. 73 00:03:49,240 --> 00:03:52,360 Speaker 3: I think that she saw a aspect of human nature 74 00:03:52,360 --> 00:03:54,560 Speaker 3: and she tapped into it. But it's not even I mean, 75 00:03:54,600 --> 00:03:56,680 Speaker 3: as far as reality TV goes. I mean, I think 76 00:03:56,720 --> 00:03:59,240 Speaker 3: that this is not limited to women tearing down other women. 77 00:03:59,280 --> 00:04:00,960 Speaker 3: I mean, I think we all like watching Top Chef 78 00:04:01,040 --> 00:04:04,080 Speaker 3: because you know, we like tearing down other people's cooking. 79 00:04:04,120 --> 00:04:06,560 Speaker 3: We like watching Project Runway because we, you know, like 80 00:04:06,600 --> 00:04:08,840 Speaker 3: critiquing other people's fashion. 81 00:04:09,080 --> 00:04:11,840 Speaker 2: Like I think that anybody. 82 00:04:11,360 --> 00:04:14,840 Speaker 3: Enjoys the opportunity to sit at home, in the comfort 83 00:04:14,880 --> 00:04:17,880 Speaker 3: of their living room as judge and jury. And this 84 00:04:18,040 --> 00:04:22,760 Speaker 3: was a particularly fun one because you know, most people 85 00:04:22,920 --> 00:04:26,080 Speaker 3: don't walk around this world looking like a model. So 86 00:04:26,160 --> 00:04:28,400 Speaker 3: do have all of these models here and have them 87 00:04:28,440 --> 00:04:31,360 Speaker 3: face the sort of critique that I think all women 88 00:04:31,400 --> 00:04:34,320 Speaker 3: feel that they face all the time was sort of 89 00:04:34,360 --> 00:04:37,560 Speaker 3: satisfying because it was like, oh wow, like, you know, 90 00:04:37,680 --> 00:04:39,800 Speaker 3: these girls were walking around my school. If these girls 91 00:04:39,800 --> 00:04:42,040 Speaker 3: were walking around in real life, like they would have everything, 92 00:04:42,120 --> 00:04:43,880 Speaker 3: their lives would be perfect, and then to see them 93 00:04:43,920 --> 00:04:46,800 Speaker 3: in this environment where they are faced with the same 94 00:04:46,839 --> 00:04:49,359 Speaker 3: insecurities that we are all faced with, I think was 95 00:04:49,440 --> 00:04:51,440 Speaker 3: somewhat satisfying to young women. 96 00:04:52,040 --> 00:04:54,159 Speaker 1: So we're going to get into what you explored on 97 00:04:54,160 --> 00:04:58,080 Speaker 1: the DACU series and your thoughts about all the conversation 98 00:04:58,160 --> 00:05:00,720 Speaker 1: that's been happening about A and TM. I just want 99 00:05:00,720 --> 00:05:03,599 Speaker 1: to know what went into making your docu series. I 100 00:05:03,640 --> 00:05:06,680 Speaker 1: know viewers might see two episodes, but I know from 101 00:05:06,720 --> 00:05:09,520 Speaker 1: experience there's a lot of work that goes into it. 102 00:05:09,600 --> 00:05:12,000 Speaker 1: So you know, how long did you research, how many 103 00:05:12,000 --> 00:05:14,520 Speaker 1: models did you interview? How long did the production take? 104 00:05:15,480 --> 00:05:18,400 Speaker 3: So we interviewed nine models and production actually took a 105 00:05:18,440 --> 00:05:21,600 Speaker 3: really long time. It wasn't really supposed to take such 106 00:05:21,600 --> 00:05:23,040 Speaker 3: a long time, but there was a lot of sort 107 00:05:23,040 --> 00:05:25,760 Speaker 3: of back and forth with the network and us deciding 108 00:05:25,800 --> 00:05:27,480 Speaker 3: and the network deciding exactly what they. 109 00:05:27,480 --> 00:05:29,880 Speaker 2: Wanted the tone of this show to be. 110 00:05:30,600 --> 00:05:35,599 Speaker 3: So we started shooting in December twenty twenty four, and 111 00:05:35,640 --> 00:05:38,320 Speaker 3: then we went into post and we started going back 112 00:05:38,360 --> 00:05:40,679 Speaker 3: and forth with a network on exactly how we wanted 113 00:05:40,680 --> 00:05:43,320 Speaker 3: to tell this story. You know, it was a little 114 00:05:43,320 --> 00:05:47,440 Speaker 3: bit difficult to strike the balance of this really fun, 115 00:05:47,600 --> 00:05:52,400 Speaker 3: sort of like nostalgic show that we all enjoyed, but 116 00:05:52,560 --> 00:05:56,320 Speaker 3: then also listen to these women's stories that were like 117 00:05:56,440 --> 00:05:59,360 Speaker 3: quite traumatic. Like a lot of these women really went 118 00:05:59,400 --> 00:06:02,839 Speaker 3: through some really terrible things, really dealt with some really 119 00:06:02,920 --> 00:06:07,320 Speaker 3: painful experiences as a result of their time on America's 120 00:06:07,360 --> 00:06:10,160 Speaker 3: Next Top Model. So we really wanted to pay reverence 121 00:06:10,839 --> 00:06:15,840 Speaker 3: to the seriousness of their traumas while also being authentic 122 00:06:15,960 --> 00:06:21,880 Speaker 3: to the viewers and their sort of fun, nostalgic memories 123 00:06:21,920 --> 00:06:24,960 Speaker 3: of this show that they once enjoyed. So it took 124 00:06:24,960 --> 00:06:26,520 Speaker 3: a little while to go back and forth with the 125 00:06:26,560 --> 00:06:28,640 Speaker 3: network and really figure out exactly how we were going 126 00:06:28,720 --> 00:06:32,480 Speaker 3: to strike that balance between the fun and the really 127 00:06:32,520 --> 00:06:34,000 Speaker 3: serious nature of. 128 00:06:34,240 --> 00:06:36,440 Speaker 2: What went on in the filming of that show. 129 00:06:37,240 --> 00:06:39,760 Speaker 1: So it's no secret that A and TM is having 130 00:06:39,760 --> 00:06:42,080 Speaker 1: a bit of a moment right now. There's the Dirty 131 00:06:42,160 --> 00:06:45,960 Speaker 1: Rotten Scandals docuseries, there's this podcast, and of course, Netflix 132 00:06:46,000 --> 00:06:49,919 Speaker 1: recently released their own docuseries all about A and TM, 133 00:06:50,000 --> 00:06:53,839 Speaker 1: and in their docuseries, they actually spoke with Tyra Banks 134 00:06:53,880 --> 00:06:55,640 Speaker 1: as well as some of the other judges. And we'll 135 00:06:55,640 --> 00:06:58,039 Speaker 1: talk a little bit later about how Tyra comes off 136 00:06:58,040 --> 00:07:01,720 Speaker 1: in that docuseries and how dirty ryding scandals really sort 137 00:07:01,760 --> 00:07:05,920 Speaker 1: of answers or handles the is tyravillan question. But in 138 00:07:05,960 --> 00:07:10,679 Speaker 1: that Netflix docuseries we see Tyra Banks use an excuse 139 00:07:10,720 --> 00:07:13,040 Speaker 1: that she's used over the years when asked about some 140 00:07:13,080 --> 00:07:16,000 Speaker 1: of the things that happened on A and TM and 141 00:07:16,080 --> 00:07:19,880 Speaker 1: behind the scenes, it's this excuse of it was a 142 00:07:19,920 --> 00:07:23,120 Speaker 1: different time that when A and TM was on, so 143 00:07:23,240 --> 00:07:25,240 Speaker 1: many of the things that really don't sit well with 144 00:07:25,320 --> 00:07:28,640 Speaker 1: us today were acceptable back then. But you know, in 145 00:07:28,720 --> 00:07:32,680 Speaker 1: doing your docuseries, you found that A and TM wasn't 146 00:07:32,840 --> 00:07:35,600 Speaker 1: just a product of its time. It actually went way 147 00:07:35,720 --> 00:07:37,960 Speaker 1: further than a lot of the other shows that were 148 00:07:37,960 --> 00:07:39,440 Speaker 1: on at that time. Could you talk about. 149 00:07:39,200 --> 00:07:42,720 Speaker 3: That, Yeah, I think that calling A and TM a 150 00:07:42,720 --> 00:07:44,720 Speaker 3: product of its time is a bit of a cop out. 151 00:07:44,760 --> 00:07:47,800 Speaker 3: I think that A and TM went further than its time. 152 00:07:48,200 --> 00:07:50,200 Speaker 3: You know, first of all, yes, there are a lot 153 00:07:50,280 --> 00:07:52,640 Speaker 3: of things about ANTM that were products of the time, 154 00:07:53,120 --> 00:07:54,920 Speaker 3: heroin cheeks, super skinny. 155 00:07:54,560 --> 00:07:56,120 Speaker 2: Girls, low slung genes. 156 00:07:56,200 --> 00:07:58,560 Speaker 3: The way that we spoke about women's body is the 157 00:07:58,600 --> 00:08:02,520 Speaker 3: way that we spoke about women's and you know, people's sexuality. 158 00:08:03,040 --> 00:08:05,200 Speaker 3: There was a different language that we used back then. 159 00:08:05,240 --> 00:08:07,680 Speaker 3: There was a different understanding of what was acceptable what 160 00:08:07,840 --> 00:08:11,040 Speaker 3: was not. One hundred percent that is true, but ANTM 161 00:08:11,200 --> 00:08:13,880 Speaker 3: went much further in the way that it tortured these 162 00:08:13,880 --> 00:08:16,440 Speaker 3: girls then, I think, just like the average girl was 163 00:08:16,480 --> 00:08:19,440 Speaker 3: tortured in two thousand and three. Like in two thousand 164 00:08:19,440 --> 00:08:21,640 Speaker 3: and three, we all saw super skinny women on TV, 165 00:08:21,880 --> 00:08:24,240 Speaker 3: like we all were faced with all of those kinds 166 00:08:24,280 --> 00:08:25,080 Speaker 3: of body images. 167 00:08:25,480 --> 00:08:27,960 Speaker 2: But A ANDTM took it further. 168 00:08:28,120 --> 00:08:32,360 Speaker 3: A and TM literally gave people psychological exams to talk about, 169 00:08:32,360 --> 00:08:35,560 Speaker 3: like their childhood traumas and find out their particular phobias 170 00:08:35,559 --> 00:08:37,800 Speaker 3: and trigger points, and then put them in situations to 171 00:08:38,720 --> 00:08:43,079 Speaker 3: exploit those fears and traumas to get a reaction for TV. 172 00:08:43,640 --> 00:08:46,880 Speaker 3: You know, the way that ANTM handled race, I think, 173 00:08:47,000 --> 00:08:49,440 Speaker 3: and the way that the black girls were treated versus 174 00:08:49,480 --> 00:08:52,920 Speaker 3: the white girls, the way the tyras spoke to people 175 00:08:53,040 --> 00:08:55,880 Speaker 3: of queer sexualities, and the way that they were portrayed 176 00:08:55,880 --> 00:08:58,280 Speaker 3: on TV. I don't think that was acceptable in two 177 00:08:58,280 --> 00:09:00,360 Speaker 3: thousand and three as much as it's not acceptable now. 178 00:09:01,000 --> 00:09:03,880 Speaker 3: Blackface was not okay in two thousand and three. I mean, 179 00:09:03,960 --> 00:09:08,079 Speaker 3: black place was never okay. But I think that in 180 00:09:08,120 --> 00:09:14,400 Speaker 3: an effort to be provocative and to be interesting and 181 00:09:14,640 --> 00:09:19,680 Speaker 3: to make good TV, Tyra went above and beyond to 182 00:09:20,120 --> 00:09:23,600 Speaker 3: really torture these girls to make good TV. More so 183 00:09:23,640 --> 00:09:26,520 Speaker 3: than I think we're talking about just like kind of 184 00:09:26,600 --> 00:09:29,960 Speaker 3: insensitive ways that we were talking about women's bodies and 185 00:09:30,000 --> 00:09:32,600 Speaker 3: sexual politics back then, I think that America's Next Top 186 00:09:32,600 --> 00:09:34,920 Speaker 3: Model went further even for the time. 187 00:09:35,559 --> 00:09:39,560 Speaker 1: You know, there's a writer in your DOOCU series who 188 00:09:39,840 --> 00:09:41,959 Speaker 1: I thought this is a really effective thing to do, 189 00:09:42,240 --> 00:09:45,400 Speaker 1: who keeps coming back to the fact that Tyra made 190 00:09:45,440 --> 00:09:48,120 Speaker 1: a promise to these girls. She promised to be different. 191 00:09:48,280 --> 00:09:51,760 Speaker 1: She promised it just changed, you know, societal norms. Could 192 00:09:51,760 --> 00:09:55,480 Speaker 1: you talk a little bit about what that promise I 193 00:09:55,480 --> 00:09:58,200 Speaker 1: think meant for some of the models that you spoke 194 00:09:58,280 --> 00:10:00,800 Speaker 1: with and how Tyrah phil Shore of that promise. 195 00:10:01,480 --> 00:10:01,760 Speaker 2: Yeah. 196 00:10:02,200 --> 00:10:06,040 Speaker 3: So that was ray Sonnie amazing, hilarious, so smart, just 197 00:10:06,880 --> 00:10:08,800 Speaker 3: one of the best interviews that we did. Had some 198 00:10:09,040 --> 00:10:13,960 Speaker 3: super super interesting and really just really smart points about 199 00:10:14,200 --> 00:10:18,120 Speaker 3: Tyra and sort of the inherent problem with America's Next 200 00:10:18,120 --> 00:10:21,760 Speaker 3: Top Model, which is that Tyra made America's next Top 201 00:10:21,800 --> 00:10:24,760 Speaker 3: Model on the premise that she was going to change things. 202 00:10:25,120 --> 00:10:27,559 Speaker 3: She came out and said, America's next Top Model is 203 00:10:27,600 --> 00:10:31,520 Speaker 3: about diversity. America's Next Top Model is about finding girls 204 00:10:31,520 --> 00:10:34,800 Speaker 3: that don't fit beauty standards and telling them they're beautiful 205 00:10:34,800 --> 00:10:37,280 Speaker 3: and giving them a chance to make their dreams come true, 206 00:10:37,600 --> 00:10:41,040 Speaker 3: to change the beauty industry and to change the world 207 00:10:41,200 --> 00:10:43,199 Speaker 3: and let the world know that lots of different things 208 00:10:43,240 --> 00:10:46,480 Speaker 3: can be beautiful, not just like ninety five pound blonde women. 209 00:10:47,080 --> 00:10:49,600 Speaker 3: Tyra made this promise that that's what America's next Top 210 00:10:49,600 --> 00:10:52,079 Speaker 3: Model was going to be. And then she brought these 211 00:10:52,120 --> 00:10:54,880 Speaker 3: girls in. She brought you know, plus sized girls in. 212 00:10:55,000 --> 00:10:58,480 Speaker 3: She brought girls of all different skin tones and racial 213 00:10:58,480 --> 00:11:01,480 Speaker 3: backgrounds in, and as soon as she did, they were 214 00:11:01,559 --> 00:11:02,240 Speaker 3: ken and fodder. 215 00:11:02,559 --> 00:11:04,000 Speaker 2: As soon as those plus size. 216 00:11:03,800 --> 00:11:06,120 Speaker 3: Girls came on, all they were reminded was of that 217 00:11:06,160 --> 00:11:08,160 Speaker 3: they were plus size and that they were different, and 218 00:11:08,200 --> 00:11:11,520 Speaker 3: that the modeling industry was not for them. She treated 219 00:11:11,559 --> 00:11:13,880 Speaker 3: the black girls very, very differently than she treated the 220 00:11:13,880 --> 00:11:16,600 Speaker 3: white girls. There was a very very very specific way 221 00:11:16,720 --> 00:11:19,840 Speaker 3: in which blackness was acceptable and every other way was 222 00:11:19,880 --> 00:11:22,680 Speaker 3: not acceptable. You know, yah Ya was told that she 223 00:11:22,800 --> 00:11:26,000 Speaker 3: was too African. Kelly on season three was told that 224 00:11:26,040 --> 00:11:27,920 Speaker 3: she was too white. You know that she talked with 225 00:11:28,000 --> 00:11:31,800 Speaker 3: a prep school girl, and then you know, Tiffany, Danny, everybody. 226 00:11:31,880 --> 00:11:33,040 Speaker 2: You know, they were too ghetto. 227 00:11:33,760 --> 00:11:35,320 Speaker 3: She didn't like the way they talked, she didn't like 228 00:11:35,320 --> 00:11:37,600 Speaker 3: the way they carried themselves. They were too houci, they 229 00:11:37,600 --> 00:11:40,520 Speaker 3: were too hood, and you know that was unacceptable too. 230 00:11:40,640 --> 00:11:44,800 Speaker 3: So Tyra brought all these girls in from all different backgrounds. 231 00:11:45,520 --> 00:11:48,840 Speaker 3: She kept her promise in terms of making the cast diverse, 232 00:11:49,280 --> 00:11:51,840 Speaker 3: but then as soon as anybody different was in front 233 00:11:51,840 --> 00:11:56,120 Speaker 3: of her, all she did was reinforce the already accepted 234 00:11:56,160 --> 00:12:01,160 Speaker 3: standards of beauty and made these girls feel ashamed and 235 00:12:01,760 --> 00:12:04,839 Speaker 3: punished these girls for being a product of their own circumstances. 236 00:12:05,280 --> 00:12:07,720 Speaker 3: And you know that was really fucked up. She promised 237 00:12:07,720 --> 00:12:10,920 Speaker 3: them this was going to be different, and then it wasn't. 238 00:12:11,559 --> 00:12:14,800 Speaker 1: You know. I'm glad you brought up Tyra's specific interactions 239 00:12:14,800 --> 00:12:17,440 Speaker 1: with her black contestants on this podcast. One of my 240 00:12:17,440 --> 00:12:19,880 Speaker 1: favorite episodes was the episode we did about the way 241 00:12:20,000 --> 00:12:22,720 Speaker 1: race played out on that show. We talked a lot 242 00:12:22,840 --> 00:12:28,480 Speaker 1: on our season about Ebanie, who was on season one 243 00:12:28,520 --> 00:12:30,880 Speaker 1: and she was like sort of labeled the first angry 244 00:12:30,880 --> 00:12:33,679 Speaker 1: black woman of a and TM right, you guys talk 245 00:12:33,760 --> 00:12:36,080 Speaker 1: to Ebanie and there were some really specific, I think, 246 00:12:36,080 --> 00:12:38,720 Speaker 1: and hurtful things that happened to her on that show 247 00:12:39,040 --> 00:12:41,560 Speaker 1: because Tyra was a black woman and she expected that 248 00:12:41,600 --> 00:12:43,320 Speaker 1: Tyra would look out for her or have her back. 249 00:12:43,440 --> 00:12:46,120 Speaker 1: Could you talk a little bit about Ebonie and what 250 00:12:46,200 --> 00:12:47,240 Speaker 1: she told you guys. 251 00:12:47,720 --> 00:12:51,920 Speaker 3: Yeah, you know, Ebanie was really disappointed in her experience 252 00:12:51,960 --> 00:12:54,720 Speaker 3: on America's Next Top Model. A lot of things happened 253 00:12:54,760 --> 00:12:57,679 Speaker 3: to her that shouldn't have, but one of the most 254 00:12:57,800 --> 00:12:59,679 Speaker 3: hurtful things that happened to her was, you know, Ebanie 255 00:12:59,720 --> 00:13:02,520 Speaker 3: was brought in as a dark skinned black woman and 256 00:13:02,520 --> 00:13:05,320 Speaker 3: told that she was beautiful because she was so different, 257 00:13:05,440 --> 00:13:07,920 Speaker 3: because she didn't look like everybody else, because she was 258 00:13:07,960 --> 00:13:10,800 Speaker 3: so interesting, because she was so strange looking, which in 259 00:13:10,800 --> 00:13:12,640 Speaker 3: and of itself is sort of a weird thing to 260 00:13:12,679 --> 00:13:15,960 Speaker 3: tell somebody. Nobody else thinks you're beautiful, but like, we 261 00:13:16,000 --> 00:13:18,280 Speaker 3: see something in you, as sort of a weird thing 262 00:13:18,320 --> 00:13:19,240 Speaker 3: to say to a young woman. 263 00:13:19,880 --> 00:13:21,400 Speaker 2: Then she was put in. 264 00:13:21,320 --> 00:13:24,400 Speaker 3: This position, and you know, she was critiqued for her body. 265 00:13:24,520 --> 00:13:26,160 Speaker 3: They were like, oh, you gotta watch your thighs, you 266 00:13:26,160 --> 00:13:28,280 Speaker 3: gotta watch your butt, and then she was critiqued for 267 00:13:28,320 --> 00:13:31,920 Speaker 3: her skin. Tyra went out of her way to say 268 00:13:31,960 --> 00:13:35,439 Speaker 3: to Ebanie that her skin texture was too rough, and 269 00:13:35,600 --> 00:13:37,080 Speaker 3: again like, this is something. 270 00:13:36,800 --> 00:13:37,960 Speaker 2: That ray Snnie said. 271 00:13:38,080 --> 00:13:40,280 Speaker 3: You know, I don't want to, you know, come off 272 00:13:40,280 --> 00:13:42,880 Speaker 3: as a white woman, like I understand all the nuances 273 00:13:43,360 --> 00:13:46,440 Speaker 3: of what that means. But for a light skinned black 274 00:13:46,440 --> 00:13:48,400 Speaker 3: woman to tell a dark skinned woman that her skin 275 00:13:48,520 --> 00:13:51,160 Speaker 3: is too rough in a public forum like this is 276 00:13:51,200 --> 00:13:56,440 Speaker 3: like a particularly hurtful and pointed comment. And Ebanie was shocked, 277 00:13:56,559 --> 00:13:58,280 Speaker 3: Like Ebanie was like, what are you talking about? My 278 00:13:58,360 --> 00:14:01,760 Speaker 3: skin is beautiful, Like what are you talking about? This 279 00:14:01,800 --> 00:14:05,720 Speaker 3: is crazy? And so then she obsessively started moisturizing, and 280 00:14:05,760 --> 00:14:09,760 Speaker 3: then her whole being greasy became this joke in the 281 00:14:09,800 --> 00:14:12,400 Speaker 3: house and she was again sort of mocked and made 282 00:14:12,440 --> 00:14:15,760 Speaker 3: fun of for being too greasy. And again, like Tira 283 00:14:15,920 --> 00:14:19,160 Speaker 3: is the executive producer of this show, Tyra is the 284 00:14:19,240 --> 00:14:20,440 Speaker 3: person that decides. 285 00:14:20,120 --> 00:14:21,800 Speaker 2: What's going to be on the show and what's not 286 00:14:21,840 --> 00:14:22,720 Speaker 2: going to be on the show. 287 00:14:23,000 --> 00:14:26,200 Speaker 3: So She didn't want these messages about skin texture and 288 00:14:26,280 --> 00:14:28,680 Speaker 3: light skin and dark skin and black skin and light skin, 289 00:14:28,880 --> 00:14:31,480 Speaker 3: you know, and having the girl with dark skin and 290 00:14:31,560 --> 00:14:35,040 Speaker 3: her skin being a plot point to be a joke 291 00:14:35,120 --> 00:14:37,240 Speaker 3: on the show. She wouldn't have included this. She wouldn't 292 00:14:37,240 --> 00:14:39,800 Speaker 3: have done this, but she did. It was an entire 293 00:14:40,400 --> 00:14:43,000 Speaker 3: plot point that everybody was making fun of Ebony for 294 00:14:43,080 --> 00:14:45,360 Speaker 3: being so greasy and getting the door nums greasy. And 295 00:14:45,360 --> 00:14:47,640 Speaker 3: the whole reason this was happening was because Tyra told 296 00:14:47,640 --> 00:14:51,320 Speaker 3: her that she was ashy. That is a really messed 297 00:14:51,400 --> 00:14:55,840 Speaker 3: up thing to put on TV season one of a 298 00:14:55,880 --> 00:14:59,760 Speaker 3: show where you claim that you are here to spread 299 00:14:59,800 --> 00:15:03,120 Speaker 3: love and spread messages of inclusion and tell everybody that 300 00:15:03,120 --> 00:15:06,160 Speaker 3: they are beautiful. It's just it was a really strange 301 00:15:06,200 --> 00:15:08,680 Speaker 3: foot to get off on, and Ebony was really shocked 302 00:15:09,080 --> 00:15:09,480 Speaker 3: and hurt. 303 00:15:10,040 --> 00:15:12,520 Speaker 1: You know, you make such a good point, right because 304 00:15:13,000 --> 00:15:16,520 Speaker 1: when Tyra is asked about her involvement in production, right, 305 00:15:16,720 --> 00:15:19,240 Speaker 1: when Tyra's asked about the storylines and the things we 306 00:15:19,240 --> 00:15:23,120 Speaker 1: saw unfold on A and TM, she usually stands behind 307 00:15:23,120 --> 00:15:26,720 Speaker 1: this whole I wasn't involved in production lines, like she 308 00:15:26,760 --> 00:15:29,760 Speaker 1: said it a million times, but that wasn't true at all. 309 00:15:30,120 --> 00:15:30,880 Speaker 1: Let's hear clip. 310 00:15:31,760 --> 00:15:33,760 Speaker 4: I got into the editing bay and I was like, 311 00:15:34,160 --> 00:15:38,640 Speaker 4: I love this fun putting it together, editing it. 312 00:15:41,040 --> 00:15:45,480 Speaker 5: Not only is Tyra onset, but Tyra goes to every 313 00:15:45,800 --> 00:15:51,840 Speaker 5: single editing session. She really sits there and knows exactly 314 00:15:51,880 --> 00:15:54,080 Speaker 5: what she wants to see fold out on tape. 315 00:15:54,800 --> 00:15:57,680 Speaker 1: So, yeah, what do you make of Tyra trying to 316 00:15:57,720 --> 00:16:00,680 Speaker 1: distance herself from production and what did you find out 317 00:16:00,720 --> 00:16:01,080 Speaker 1: about that? 318 00:16:01,720 --> 00:16:03,200 Speaker 2: Yeah, so that's bullshit. 319 00:16:03,720 --> 00:16:06,640 Speaker 3: Every testimony that we got, every interview that we had, 320 00:16:07,240 --> 00:16:10,440 Speaker 3: confirmed the fact that Tyro was extremely involved in every 321 00:16:10,480 --> 00:16:12,920 Speaker 3: single aspect of the production of America's Next Time Model. 322 00:16:13,080 --> 00:16:15,600 Speaker 3: Tyro was the executive producer. Tyro was the host. Tyro 323 00:16:15,760 --> 00:16:17,760 Speaker 3: was the face. Tyro was in the edit bay, Tyro 324 00:16:18,040 --> 00:16:20,960 Speaker 3: was everywhere. She had her hands all over that show. 325 00:16:21,720 --> 00:16:25,160 Speaker 3: So Tyra often positioned herself, I think on the judging panel, 326 00:16:25,240 --> 00:16:27,720 Speaker 3: like against Janis or against people that. 327 00:16:27,640 --> 00:16:30,000 Speaker 2: Were making like the most problematic comments. 328 00:16:30,520 --> 00:16:33,360 Speaker 3: However, if Tyra didn't want those messages to be put 329 00:16:33,400 --> 00:16:36,240 Speaker 3: on TV and to be perpetuated by her show, they 330 00:16:36,240 --> 00:16:39,440 Speaker 3: wouldn't have been included. Tyra made a conscious effort to 331 00:16:39,440 --> 00:16:42,720 Speaker 3: position herself as this like, oh, I'm here to change everything. 332 00:16:43,080 --> 00:16:46,360 Speaker 3: And Janis represents, you know, the fashion industry and all 333 00:16:46,360 --> 00:16:49,000 Speaker 3: of the problematic messages. But Janis herself told us that 334 00:16:49,040 --> 00:16:51,280 Speaker 3: she was encouraged to speak like that, She was encouraged 335 00:16:51,320 --> 00:16:53,880 Speaker 3: to be mean, she was encouraged to be critical because 336 00:16:53,920 --> 00:16:57,440 Speaker 3: Tyra knew that that would make good TV. Tyra made 337 00:16:57,520 --> 00:16:59,560 Speaker 3: the choices of what she was going to put on 338 00:16:59,600 --> 00:17:02,200 Speaker 3: TV and what she wasn't. Nigel in an interview said, 339 00:17:02,200 --> 00:17:04,679 Speaker 3: you know, Tyra is a control freak ken mock and 340 00:17:04,720 --> 00:17:07,520 Speaker 3: in every interview said, you know, Tyra was his partner 341 00:17:07,520 --> 00:17:10,080 Speaker 3: in every single part of that show. So anything that 342 00:17:10,119 --> 00:17:13,000 Speaker 3: came out on that show was Tyra's decision, was Tyra's call. 343 00:17:13,400 --> 00:17:15,960 Speaker 3: So even if the words weren't coming out of her mouth, 344 00:17:16,320 --> 00:17:18,800 Speaker 3: I think it can still be attributed as something that 345 00:17:18,920 --> 00:17:22,360 Speaker 3: she wanted to put out into the universe. Tyra decided 346 00:17:22,440 --> 00:17:24,320 Speaker 3: what her show was going to be about, and that's 347 00:17:24,320 --> 00:17:26,560 Speaker 3: what that show was going to be about. Regardless of 348 00:17:26,560 --> 00:17:29,640 Speaker 3: whether or not it was her words or the girl's 349 00:17:29,680 --> 00:17:33,280 Speaker 3: words or Janis's words. Tyra made the decision of what 350 00:17:33,440 --> 00:17:35,000 Speaker 3: was going to be aired and what was not going 351 00:17:35,000 --> 00:17:37,320 Speaker 3: to be aired. So to say she was like well, like, 352 00:17:37,400 --> 00:17:39,920 Speaker 3: I had no choice of that. Like, ultimately, if Tyra 353 00:17:40,040 --> 00:17:43,840 Speaker 3: didn't want to show people speaking disparagingly about women's weight, 354 00:17:44,080 --> 00:17:46,800 Speaker 3: about black women, you know, if she didn't want to 355 00:17:46,840 --> 00:17:49,080 Speaker 3: show somebody getting too drunk, if she didn't want to 356 00:17:49,320 --> 00:17:52,200 Speaker 3: show somebody bullied, if she didn't want to show anything 357 00:17:52,200 --> 00:17:54,080 Speaker 3: that was showed on the show, she wouldn't have. 358 00:17:54,280 --> 00:17:54,960 Speaker 2: But she did. 359 00:17:55,520 --> 00:17:57,560 Speaker 1: You know, one question that I've thought about a lot 360 00:17:57,640 --> 00:18:03,160 Speaker 1: since rethinking about A and TM is where Tyra's intentions 361 00:18:03,240 --> 00:18:07,439 Speaker 1: went wrong and if she ever had good intentions? Right like? 362 00:18:07,520 --> 00:18:11,040 Speaker 1: You often hear Tira go back to her intentions when 363 00:18:11,080 --> 00:18:13,480 Speaker 1: we look at things like the black face challenge or 364 00:18:13,520 --> 00:18:15,399 Speaker 1: what have you, Like, I didn't mean for it to 365 00:18:15,400 --> 00:18:17,840 Speaker 1: come off like this, But when we look at like 366 00:18:17,960 --> 00:18:21,359 Speaker 1: the sort of larger issues within A and TM and 367 00:18:21,400 --> 00:18:23,520 Speaker 1: how they continued for years and years and years for 368 00:18:23,560 --> 00:18:26,720 Speaker 1: twenty four seasons, right like, it does make me wonder 369 00:18:26,800 --> 00:18:29,440 Speaker 1: that if Tyra cared so much about changing the industry 370 00:18:29,560 --> 00:18:34,760 Speaker 1: or changing the image of what we consider beautiful, why 371 00:18:34,760 --> 00:18:37,520 Speaker 1: did the show take the direction it did when she 372 00:18:37,600 --> 00:18:39,399 Speaker 1: had so much power? What do you think? 373 00:18:39,880 --> 00:18:43,400 Speaker 3: I think that Tyra's intention was to make a really good, 374 00:18:43,600 --> 00:18:47,520 Speaker 3: really popular, really entertaining TV show and to make herself 375 00:18:48,040 --> 00:18:48,800 Speaker 3: a lot of money. 376 00:18:49,520 --> 00:18:51,600 Speaker 2: Look, I think Tyra got high on her own supply 377 00:18:51,680 --> 00:18:52,200 Speaker 2: a little bit. 378 00:18:52,240 --> 00:18:54,840 Speaker 3: I do think that Tyra did think in some ways 379 00:18:54,880 --> 00:18:58,240 Speaker 3: that just giving these women platforms was helping in some 380 00:18:58,320 --> 00:19:00,959 Speaker 3: kind of way. Shamiri eber He talks about this in 381 00:19:01,000 --> 00:19:03,800 Speaker 3: our show, where the fact that Tyra brought in the 382 00:19:03,800 --> 00:19:08,400 Speaker 3: first trans woman, Tyra, you know, let people that were 383 00:19:08,440 --> 00:19:11,160 Speaker 3: bigger than a size two on TV. You know, Tyra 384 00:19:11,400 --> 00:19:14,960 Speaker 3: plucked girls out of unfortunate circumstances and put them on TV. 385 00:19:15,119 --> 00:19:15,239 Speaker 1: Like. 386 00:19:15,680 --> 00:19:20,639 Speaker 3: I think in Tyra's limited understanding of the world, she 387 00:19:20,760 --> 00:19:21,520 Speaker 3: did think. 388 00:19:21,320 --> 00:19:23,560 Speaker 2: That that was helping in some way. 389 00:19:24,280 --> 00:19:26,639 Speaker 3: But I think that that was really more just to 390 00:19:26,800 --> 00:19:30,520 Speaker 3: serve her own image and to serve the purpose of 391 00:19:30,560 --> 00:19:35,200 Speaker 3: making her look like the queen, you know, martyr, helper, 392 00:19:36,520 --> 00:19:39,520 Speaker 3: godlike figure, you know, of the one who would choose 393 00:19:39,560 --> 00:19:41,840 Speaker 3: these girls to pluck them out of obscurity and then 394 00:19:42,000 --> 00:19:44,960 Speaker 3: bring them out into the world, like without actually really 395 00:19:45,000 --> 00:19:46,880 Speaker 3: doing the work of figuring out what that would look 396 00:19:46,920 --> 00:19:49,720 Speaker 3: like to actually achieve that. I think Tyra's ultimate goal 397 00:19:49,840 --> 00:19:52,520 Speaker 3: was to make entertaining TV and to make herself a 398 00:19:52,520 --> 00:19:53,159 Speaker 3: lot of money. 399 00:19:53,200 --> 00:19:54,720 Speaker 2: And I think she achieved those goals. 400 00:19:55,080 --> 00:19:59,520 Speaker 3: Anything else that happened I think was either collateral damage 401 00:19:59,800 --> 00:20:04,040 Speaker 3: or you know, an unintended positive side effect. But I 402 00:20:04,040 --> 00:20:06,480 Speaker 3: don't think Tyra ever really thought that this show was 403 00:20:06,520 --> 00:20:10,399 Speaker 3: going to launch a supermodel's career. I think that she 404 00:20:10,440 --> 00:20:11,159 Speaker 3: knew better than that. 405 00:20:24,960 --> 00:20:27,160 Speaker 1: You Know. One of the things I think your docuseries 406 00:20:27,240 --> 00:20:30,400 Speaker 1: does really well is sort of looking at, of course 407 00:20:30,520 --> 00:20:34,320 Speaker 1: Tyra's role in this, but also like who Tyra was 408 00:20:34,440 --> 00:20:36,960 Speaker 1: when she came into the show, and maybe some of 409 00:20:37,000 --> 00:20:39,480 Speaker 1: the reasons why she did the things she did, you know, 410 00:20:39,560 --> 00:20:42,879 Speaker 1: beyond like fame and profit right and Tyra, as we know, 411 00:20:43,000 --> 00:20:45,199 Speaker 1: came up as a runway model and probably one of 412 00:20:45,280 --> 00:20:48,040 Speaker 1: the hardest times to be a model. She's talked about 413 00:20:48,320 --> 00:20:50,960 Speaker 1: many times how she was mighty shamed herself. She was 414 00:20:51,000 --> 00:20:54,000 Speaker 1: in the heroin Chic era. She's always been curvier than 415 00:20:54,040 --> 00:20:56,840 Speaker 1: the other models during that era. She talked about being 416 00:20:56,880 --> 00:20:59,920 Speaker 1: overlooked and underpaid because she was a black model, like Tyre, 417 00:21:00,560 --> 00:21:04,000 Speaker 1: was one of two like working black supermodels at the time. 418 00:21:04,440 --> 00:21:10,000 Speaker 1: But it seems like Tyra carried those issues that she 419 00:21:10,119 --> 00:21:13,399 Speaker 1: sort of dealt with onto A and TM without actually 420 00:21:13,400 --> 00:21:14,879 Speaker 1: resolving them. Could you talk about that. 421 00:21:15,520 --> 00:21:18,600 Speaker 3: Yeah, absolutely, you know, I think that something that our 422 00:21:19,080 --> 00:21:22,200 Speaker 3: documentary dives into that the other one did not is 423 00:21:22,840 --> 00:21:26,720 Speaker 3: ANTM being really a vehicle for Tyra's unresolved trauma. I 424 00:21:26,720 --> 00:21:29,479 Speaker 3: think that Tira probably went through a lot being a 425 00:21:29,640 --> 00:21:33,520 Speaker 3: black woman in the nineties, coming up in the fashion industry, 426 00:21:34,000 --> 00:21:36,320 Speaker 3: and you know, I can't imagine the racism she faced. 427 00:21:36,320 --> 00:21:39,440 Speaker 3: I can't imagine the body shaming that she faced. I think, 428 00:21:39,600 --> 00:21:42,119 Speaker 3: you know, even Tyra even before that. I know that 429 00:21:42,160 --> 00:21:46,280 Speaker 3: she is from Englewood and then went to a sort 430 00:21:46,320 --> 00:21:49,160 Speaker 3: of fancier private school for high school where I imagine 431 00:21:49,200 --> 00:21:51,600 Speaker 3: she was probably one of the only black girls in 432 00:21:51,640 --> 00:21:52,240 Speaker 3: school there. 433 00:21:52,720 --> 00:21:54,879 Speaker 2: So, you know, I think that Tyra has probably dealt 434 00:21:54,920 --> 00:21:56,399 Speaker 2: a lot with feeling. 435 00:21:56,119 --> 00:21:58,919 Speaker 3: Marginalized and having people around her that have made her 436 00:21:58,920 --> 00:22:02,240 Speaker 3: feel different or less then. But I think rather than 437 00:22:03,040 --> 00:22:06,120 Speaker 3: healing herself, rather than going to therapy, and rather than 438 00:22:06,160 --> 00:22:10,200 Speaker 3: figuring out how to not enact that trauma on others, 439 00:22:10,520 --> 00:22:12,879 Speaker 3: she was sort of taking out these issues and working 440 00:22:12,880 --> 00:22:15,040 Speaker 3: through her issues on all of these young girls that 441 00:22:15,080 --> 00:22:17,480 Speaker 3: had a dream. I think that, you know, there was 442 00:22:17,520 --> 00:22:21,480 Speaker 3: a little bit of her that was always insecure about 443 00:22:21,520 --> 00:22:23,919 Speaker 3: her position, about her fame about her place and this 444 00:22:24,000 --> 00:22:26,920 Speaker 3: world and this idea that you know, because she was 445 00:22:26,960 --> 00:22:29,160 Speaker 3: sort of always pit against Naomi Campbell. And she says 446 00:22:29,160 --> 00:22:30,840 Speaker 3: this in an interview that we have on our show 447 00:22:30,880 --> 00:22:33,800 Speaker 3: that like she was raised in the industry with this 448 00:22:33,920 --> 00:22:36,280 Speaker 3: idea that like, you know, there was only room for one, 449 00:22:36,720 --> 00:22:38,840 Speaker 3: that Naomi was already there, and so if she wanted 450 00:22:38,880 --> 00:22:40,720 Speaker 3: to be the big black supermodel, she was going to 451 00:22:40,800 --> 00:22:43,359 Speaker 3: have to Naomi out. So then this idea was, then 452 00:22:43,400 --> 00:22:45,479 Speaker 3: if she became so famous, the next person behind her 453 00:22:45,560 --> 00:22:47,320 Speaker 3: was going to come and knock her out. And I 454 00:22:47,359 --> 00:22:49,840 Speaker 3: think that she sort of imparted this on the girls 455 00:22:49,880 --> 00:22:51,720 Speaker 3: behind her. You know, nobody was ever going to be 456 00:22:51,760 --> 00:22:54,280 Speaker 3: as big as her, nobody was ever going to be 457 00:22:54,359 --> 00:22:56,719 Speaker 3: able to touch her, and she kind of kept them 458 00:22:57,040 --> 00:22:58,879 Speaker 3: down in a way so that they wouldn't be a 459 00:22:58,920 --> 00:23:00,959 Speaker 3: threat to her. And you know, she went through all 460 00:23:01,000 --> 00:23:03,200 Speaker 3: this stuff, She heard all of these terrible things about 461 00:23:03,200 --> 00:23:05,720 Speaker 3: her body. She was made to feel ashamed of you know, 462 00:23:05,760 --> 00:23:07,919 Speaker 3: her boobs, of her butt, of being bigger than the 463 00:23:07,960 --> 00:23:10,280 Speaker 3: other girls. You know, she was made to think that, 464 00:23:10,320 --> 00:23:11,960 Speaker 3: you know, she was a black woman and there could 465 00:23:11,960 --> 00:23:15,399 Speaker 3: only be one, and so rather than embracing all of 466 00:23:15,440 --> 00:23:17,520 Speaker 3: these girls and saying like, hey, there's room for all 467 00:23:17,560 --> 00:23:19,880 Speaker 3: of us, like we can all be at the top, 468 00:23:19,920 --> 00:23:22,800 Speaker 3: we can all be beautiful. She sort of imparted this 469 00:23:22,840 --> 00:23:26,520 Speaker 3: trauma on them the way that it was imparted on her. 470 00:23:27,119 --> 00:23:29,000 Speaker 2: You know, there was a lot of attitude that was like. 471 00:23:28,960 --> 00:23:30,879 Speaker 3: Well, you don't know what I've been through, Like I 472 00:23:30,920 --> 00:23:32,560 Speaker 3: went through this, I went through this, so I'm going 473 00:23:32,600 --> 00:23:34,960 Speaker 3: to put you through all of these things to see 474 00:23:34,960 --> 00:23:38,520 Speaker 3: if you can make it too. So rather than breaking 475 00:23:38,560 --> 00:23:40,720 Speaker 3: down the door and then smoothing the path for the 476 00:23:40,720 --> 00:23:43,560 Speaker 3: people behind her, she you know, through the same obstacles 477 00:23:43,560 --> 00:23:45,760 Speaker 3: in front of her, in front of everybody behind her. 478 00:23:46,160 --> 00:23:48,600 Speaker 2: And you know, that's kind of shitty. 479 00:23:48,760 --> 00:23:50,560 Speaker 3: And not only is that kind of shitty, but that 480 00:23:50,640 --> 00:23:54,120 Speaker 3: is exactly what she said she was trying not to do. So, 481 00:23:54,640 --> 00:23:57,199 Speaker 3: you know, while you have to feel for her and 482 00:23:57,240 --> 00:24:00,399 Speaker 3: what she inevitably went through on her way to the top, 483 00:24:01,040 --> 00:24:03,600 Speaker 3: it seems kind of messed up that then she went 484 00:24:03,640 --> 00:24:06,280 Speaker 3: out of her way to put these other girls through 485 00:24:06,480 --> 00:24:10,000 Speaker 3: all that same trauma just because she hadn't worked through 486 00:24:10,200 --> 00:24:11,160 Speaker 3: her own pain yet. 487 00:24:12,160 --> 00:24:14,400 Speaker 1: And you know, when we look at specifically the way 488 00:24:14,480 --> 00:24:17,320 Speaker 1: she treated the black models and her ideas around race. Like, 489 00:24:17,600 --> 00:24:21,120 Speaker 1: Tyra very much positioned herself on that show as the 490 00:24:21,200 --> 00:24:24,560 Speaker 1: only judge of the right and wrong ways to be black, 491 00:24:24,600 --> 00:24:27,320 Speaker 1: And I think we see that play out a lot. 492 00:24:27,560 --> 00:24:31,159 Speaker 1: We saw it play out with Danny Evans. You know, 493 00:24:31,280 --> 00:24:34,800 Speaker 1: in the Netflix doc they talked about Tyra pushing Danny 494 00:24:34,880 --> 00:24:37,880 Speaker 1: to have her gap close, right, But you guys actually 495 00:24:38,000 --> 00:24:42,520 Speaker 1: explored why it's tied to respectability. Can you talk about that? Yeah? 496 00:24:42,720 --> 00:24:45,360 Speaker 3: So you know what our doc does is we sort 497 00:24:45,359 --> 00:24:47,040 Speaker 3: of take a lot of these stories that the girls 498 00:24:47,040 --> 00:24:49,120 Speaker 3: went through and take it a step further and frame 499 00:24:49,160 --> 00:24:52,199 Speaker 3: it in a different, larger cultural conversation about America's next 500 00:24:52,240 --> 00:24:55,720 Speaker 3: time model. For example, the Danny Evans story, Danny Evans 501 00:24:56,520 --> 00:24:59,719 Speaker 3: was a girl from the South and she had a 502 00:24:59,760 --> 00:25:03,560 Speaker 3: gap in her teeth, and Tyra really really was like 503 00:25:03,680 --> 00:25:05,560 Speaker 3: hard on her and was like, hey, you're never going 504 00:25:05,640 --> 00:25:08,000 Speaker 3: to be America's next up model. You know, you're never 505 00:25:08,080 --> 00:25:10,320 Speaker 3: gonna be doing CoverGirl ads with this big gap in 506 00:25:10,359 --> 00:25:13,119 Speaker 3: your teeth. And you know, Danny talks about how messed 507 00:25:13,160 --> 00:25:14,840 Speaker 3: up that was and how she had to have this 508 00:25:14,960 --> 00:25:18,439 Speaker 3: like invasive dental surgery and like how terrible that was. 509 00:25:18,520 --> 00:25:20,439 Speaker 3: But we sort of take that a step further and 510 00:25:20,480 --> 00:25:24,240 Speaker 3: say that we think it's because Tira has this sort 511 00:25:24,280 --> 00:25:28,359 Speaker 3: of idea about acceptable presentations of blackness, where you know, 512 00:25:28,480 --> 00:25:31,680 Speaker 3: Danny's gap was associated with her being like too country, 513 00:25:31,760 --> 00:25:34,320 Speaker 3: her being too Southern, her being this version of black 514 00:25:34,359 --> 00:25:38,280 Speaker 3: that was viewed as unacceptable and unmarketable in the fashion industry, 515 00:25:38,760 --> 00:25:42,680 Speaker 3: and so Tyra was forcing her to close the gap 516 00:25:42,760 --> 00:25:44,040 Speaker 3: so that she could. 517 00:25:43,760 --> 00:25:45,119 Speaker 2: Be black in the right way. 518 00:25:45,480 --> 00:25:47,200 Speaker 3: You know, we talked about that too, like with Yah 519 00:25:47,280 --> 00:25:50,760 Speaker 3: Yah was too African, Tiffany was, you know, too hood. 520 00:25:51,160 --> 00:25:53,600 Speaker 3: There was another model in season nine, I can't remember 521 00:25:53,600 --> 00:25:55,800 Speaker 3: her name, which she kept getting like you're too houci, 522 00:25:55,880 --> 00:25:59,520 Speaker 3: too hoochi. And this also ties into the racewop challenges, 523 00:26:00,040 --> 00:26:04,080 Speaker 3: where you know, putting white women in dark makeup is 524 00:26:04,600 --> 00:26:09,119 Speaker 3: offensive and bad, but the big problem there was applauding 525 00:26:09,160 --> 00:26:13,640 Speaker 3: them for embodying blackness, like saying that you know, we're 526 00:26:13,680 --> 00:26:15,520 Speaker 3: putting you on black makeup, and then when you act 527 00:26:15,560 --> 00:26:17,520 Speaker 3: like you have an attitude, you're doing a good job, 528 00:26:17,560 --> 00:26:20,040 Speaker 3: and then you are representing blackness in this way. 529 00:26:20,240 --> 00:26:21,320 Speaker 2: Like it was a. 530 00:26:21,320 --> 00:26:25,480 Speaker 3: Very strange sort of idea of racial performity and that 531 00:26:25,560 --> 00:26:26,919 Speaker 3: there was a right way to do it and a 532 00:26:26,960 --> 00:26:30,000 Speaker 3: wrong way to do it. And that's what happened with 533 00:26:30,160 --> 00:26:33,200 Speaker 3: Danny and why that was really like uncomfortable and nefarious 534 00:26:33,280 --> 00:26:35,800 Speaker 3: is because like she was equating this gap in her 535 00:26:35,840 --> 00:26:40,080 Speaker 3: teeth with the wrong kind of racial performance, the same 536 00:26:40,359 --> 00:26:42,159 Speaker 3: that you know, then later when a white girl had 537 00:26:42,160 --> 00:26:44,480 Speaker 3: a gap in her teeth, they made the gap bigger 538 00:26:44,720 --> 00:26:47,159 Speaker 3: to make her look like Lauren Hutton. Because when the 539 00:26:47,160 --> 00:26:48,840 Speaker 3: white girl had the gap in her teeth, it wasn't 540 00:26:48,840 --> 00:26:51,239 Speaker 3: associated with race at all. Then it was like a 541 00:26:51,240 --> 00:26:53,760 Speaker 3: cool fashion statement, but on a black girl it was 542 00:26:53,800 --> 00:26:56,359 Speaker 3: something else. And there was a lot of that going 543 00:26:56,359 --> 00:26:58,320 Speaker 3: on in America's Next Top Model, and there was a 544 00:26:58,400 --> 00:27:02,359 Speaker 3: lot of tire being the judge and jury about like 545 00:27:02,480 --> 00:27:05,440 Speaker 3: acceptable ways to be black and unacceptable ways to be black. 546 00:27:05,480 --> 00:27:09,200 Speaker 3: And that again clearly comes from some sort of place 547 00:27:09,240 --> 00:27:12,240 Speaker 3: in Tyra's past where I'm sure she was given all 548 00:27:12,280 --> 00:27:16,439 Speaker 3: sorts of messages about respectability politics and ways that she 549 00:27:16,480 --> 00:27:20,280 Speaker 3: should act in ways that she couldn't act, and to 550 00:27:20,359 --> 00:27:24,320 Speaker 3: impart that on these girls just really felt messed up 551 00:27:24,359 --> 00:27:25,160 Speaker 3: and uncomfortable. 552 00:27:25,640 --> 00:27:28,760 Speaker 1: And you know, on the show, when we saw contestants 553 00:27:29,119 --> 00:27:33,200 Speaker 1: pushed back against that right and wrong way to behave right, 554 00:27:33,560 --> 00:27:35,480 Speaker 1: they would often get punished for it. I think one 555 00:27:35,480 --> 00:27:38,440 Speaker 1: of the most famous interactions is that we were rooting 556 00:27:38,480 --> 00:27:42,040 Speaker 1: for you moment with Tiffany Richardson on season four where 557 00:27:42,119 --> 00:27:44,679 Speaker 1: Tiffany was not behaving the way that Tyra wanted to to. 558 00:27:44,800 --> 00:27:47,320 Speaker 1: Tiffany had been brought back on this show, but she 559 00:27:47,440 --> 00:27:50,560 Speaker 1: was still kind of expected to embody this like ghetto 560 00:27:50,640 --> 00:27:53,680 Speaker 1: girl who's nail changed is going to be a model 561 00:27:53,720 --> 00:27:56,200 Speaker 1: because Tyra gave her this opportunity. She was supposed to 562 00:27:56,240 --> 00:28:00,320 Speaker 1: embody that character, and when she didn't do it to 563 00:28:00,440 --> 00:28:04,920 Speaker 1: Tyra's expectations, we saw Tyra lose it. I don't know 564 00:28:05,200 --> 00:28:08,119 Speaker 1: for you, but for me, when I was researching this show, 565 00:28:08,520 --> 00:28:11,000 Speaker 1: one of the most shocking things was finding out that, 566 00:28:11,160 --> 00:28:13,399 Speaker 1: like as crazy as it seemed on the show what 567 00:28:13,520 --> 00:28:16,760 Speaker 1: Tyra did and said, there was way more that got 568 00:28:16,760 --> 00:28:18,960 Speaker 1: cut out and you talked to a model. We spoke 569 00:28:19,000 --> 00:28:22,160 Speaker 1: with her too, but you guys like really got into 570 00:28:22,560 --> 00:28:25,439 Speaker 1: some of the stuff that Tyra said that didn't make 571 00:28:25,480 --> 00:28:26,240 Speaker 1: it to the episode. 572 00:28:26,520 --> 00:28:27,119 Speaker 2: Yeah, you know. 573 00:28:27,240 --> 00:28:29,480 Speaker 3: On the Netflix doc Ja talks about how there was 574 00:28:29,560 --> 00:28:32,800 Speaker 3: much more said in that altercation that made it to 575 00:28:32,840 --> 00:28:35,240 Speaker 3: the show, and we spoke to Brittany about it, who 576 00:28:35,840 --> 00:28:38,760 Speaker 3: basically said, you know, it was really uncomfortable. It was legit, 577 00:28:38,880 --> 00:28:41,680 Speaker 3: It was not Tyra performing, It was not her doing 578 00:28:41,680 --> 00:28:44,160 Speaker 3: this for the cameras. Like Tyra was genuinely triggered by 579 00:28:44,160 --> 00:28:46,720 Speaker 3: Tiffany in such a way that again I think goes 580 00:28:46,760 --> 00:28:49,640 Speaker 3: into this whole idea that America's next Top Model and 581 00:28:49,680 --> 00:28:51,760 Speaker 3: the things that happened there really come from a place 582 00:28:51,760 --> 00:28:55,160 Speaker 3: of like deep wounding in Tyra. But basically, you know, 583 00:28:55,240 --> 00:28:58,920 Speaker 3: Tyra threw Tiffany's past at her. You know, Tiffany basically 584 00:28:59,160 --> 00:29:01,200 Speaker 3: was kind of over it, according to Brittany, and that 585 00:29:01,280 --> 00:29:02,960 Speaker 3: she just wanted to go home, She wanted to see 586 00:29:02,960 --> 00:29:06,680 Speaker 3: her daughter. She just wasn't sort of feeling this competition anymore. 587 00:29:06,720 --> 00:29:09,440 Speaker 3: And Tyra just like let her have it. And Tyra 588 00:29:09,600 --> 00:29:12,200 Speaker 3: basically like guilted her about, you know, the idea that 589 00:29:12,240 --> 00:29:15,600 Speaker 3: she wasn't doing this for her daughter, and her daughter 590 00:29:15,640 --> 00:29:17,680 Speaker 3: was going to suffer. She wasn't going to take it seriously. 591 00:29:17,760 --> 00:29:19,800 Speaker 3: And her grandmother had her lights turned off so she 592 00:29:19,800 --> 00:29:22,080 Speaker 3: could buy her a bathing suit for the audition. And 593 00:29:22,120 --> 00:29:24,120 Speaker 3: if Tiffany wasn't going to take this seriously, and if 594 00:29:24,120 --> 00:29:28,560 Speaker 3: Tiffany wasn't going to care enough and you know, revere 595 00:29:28,640 --> 00:29:31,720 Speaker 3: Tyra enough and be grateful enough for this opportunity. Then 596 00:29:32,120 --> 00:29:34,440 Speaker 3: she was punishing these other you know, her daughter and 597 00:29:34,480 --> 00:29:37,920 Speaker 3: her grandmother and her family, like basically yelling at Tiffany, 598 00:29:38,040 --> 00:29:40,880 Speaker 3: like the only way for you to take care of 599 00:29:40,920 --> 00:29:43,440 Speaker 3: your family is to do the things that I'm telling 600 00:29:43,440 --> 00:29:45,080 Speaker 3: you to do, and you're not doing that, and so 601 00:29:45,120 --> 00:29:47,920 Speaker 3: that's disrespectful and you're going to suffer and your family 602 00:29:48,000 --> 00:29:50,720 Speaker 3: is going to suffer. It Just it was really dark 603 00:29:50,920 --> 00:29:54,880 Speaker 3: and really just from like an interesting place where it 604 00:29:54,920 --> 00:29:57,760 Speaker 3: makes you wonder, you know, the things that Tyra was told, 605 00:29:57,800 --> 00:30:00,400 Speaker 3: the things that Tyra has been through, and you know, 606 00:30:00,400 --> 00:30:03,400 Speaker 3: it really makes you just feel for Tiffany, who, you know, 607 00:30:03,400 --> 00:30:07,760 Speaker 3: according to Brittany, was really just in an uncomfortable situation. 608 00:30:08,160 --> 00:30:10,160 Speaker 3: You know, she was put in all of these places 609 00:30:10,200 --> 00:30:14,120 Speaker 3: that she didn't feel good, she didn't feel confident, she 610 00:30:14,160 --> 00:30:16,520 Speaker 3: missed her child, and she kind of just wanted to 611 00:30:16,520 --> 00:30:19,600 Speaker 3: go home and be done with it. But Tira just 612 00:30:19,800 --> 00:30:20,800 Speaker 3: wasn't having it. 613 00:30:21,120 --> 00:30:25,960 Speaker 1: She sort of represented everything I think Tyra didn't like 614 00:30:26,040 --> 00:30:29,440 Speaker 1: about like people black people she didn't deem as respectable, 615 00:30:29,480 --> 00:30:31,480 Speaker 1: or black people who didn't see, she didn't feel we're 616 00:30:31,520 --> 00:30:35,240 Speaker 1: grateful for the opportunity. I think she saw Tiffany as 617 00:30:35,280 --> 00:30:38,560 Speaker 1: a stereotype and she wanted her to transcend that stereotype 618 00:30:38,600 --> 00:30:42,120 Speaker 1: to be basically another stereotype, like another type of character. 619 00:30:42,440 --> 00:30:43,200 Speaker 2: Yeah. 620 00:30:43,400 --> 00:30:45,520 Speaker 3: I think she saw an opportunity to sort of mold 621 00:30:45,600 --> 00:30:48,800 Speaker 3: Tiffany into her own image, and then when Tiffany wasn't 622 00:30:48,840 --> 00:30:50,640 Speaker 3: falling in line, she just lost it. 623 00:30:51,040 --> 00:30:53,800 Speaker 1: Yeah, for sure. And you know it wasn't just race. 624 00:30:54,040 --> 00:30:57,200 Speaker 1: It wasn't just with racial issues that we saw Tyra 625 00:30:57,920 --> 00:31:00,960 Speaker 1: working out her or her own trauma. It was also 626 00:31:01,040 --> 00:31:05,800 Speaker 1: with like sexuality and being curvy and like celebrating or 627 00:31:05,920 --> 00:31:10,520 Speaker 1: not celebrating her body. You know, there's a moment that 628 00:31:10,600 --> 00:31:15,200 Speaker 1: you revisit on your series with Gina Turner, who was 629 00:31:15,320 --> 00:31:18,440 Speaker 1: on cycle twenty four. We also talked to Gina, but 630 00:31:18,480 --> 00:31:21,160 Speaker 1: we didn't we didn't talk about this incident on the podcast. 631 00:31:21,480 --> 00:31:25,520 Speaker 1: When Gina auditioned for the show and she was the 632 00:31:25,520 --> 00:31:27,800 Speaker 1: part of the auditions where you actually go before Tyra 633 00:31:27,920 --> 00:31:30,720 Speaker 1: and the judges, they brought up the fact that Gina 634 00:31:30,800 --> 00:31:33,280 Speaker 1: had posed for Playboy before coming on the show, right, 635 00:31:34,360 --> 00:31:39,000 Speaker 1: which you know, Tyra built most of her career as 636 00:31:39,040 --> 00:31:41,160 Speaker 1: a Victoria Secret model, she would think she was the 637 00:31:41,160 --> 00:31:44,880 Speaker 1: first black woman on a sports illustrated But with Gina, 638 00:31:46,000 --> 00:31:49,560 Speaker 1: Tyra basically slept, shamed her, or tried to make her 639 00:31:49,560 --> 00:31:52,160 Speaker 1: feel bad for having posed in Playboy. Let's hear a 640 00:31:52,160 --> 00:31:53,480 Speaker 1: clip of Gina talking about that. 641 00:31:54,360 --> 00:31:57,520 Speaker 4: They were like, so you went from childhood modeling to 642 00:31:57,640 --> 00:32:00,520 Speaker 4: like Vava Boom and Tyra's like looking at me like this, 643 00:32:01,080 --> 00:32:03,520 Speaker 4: And I was like, are you guys referring to Playboy? 644 00:32:05,520 --> 00:32:09,120 Speaker 4: As soon as I said that, I've noticed Tyra's expression 645 00:32:09,240 --> 00:32:13,360 Speaker 4: changed to like kind of smug and like cold. And 646 00:32:13,400 --> 00:32:16,320 Speaker 4: when I said the idea of selling sex worked for me. 647 00:32:16,440 --> 00:32:19,000 Speaker 4: Being sexy in my career worked for me, Tyra didn't 648 00:32:19,040 --> 00:32:23,000 Speaker 4: like that. And her response to me was you selling prostitute? 649 00:32:23,560 --> 00:32:26,640 Speaker 3: Yeah, So Gina, you know, Gina was obsessed with Tyra. 650 00:32:26,760 --> 00:32:29,520 Speaker 3: Gina was obsessed with America's Next Top Model, and Gina, 651 00:32:29,600 --> 00:32:31,240 Speaker 3: you know, it was like her dream to be on it. 652 00:32:31,280 --> 00:32:33,440 Speaker 3: And Gina had done some modeling in the past, and 653 00:32:33,480 --> 00:32:35,840 Speaker 3: so they were obviously asking her about that at the audition, 654 00:32:35,920 --> 00:32:37,920 Speaker 3: you know, and go up and talk to all the girls. 655 00:32:38,160 --> 00:32:41,120 Speaker 3: And Gina had mentioned that she posed for Playboy, and 656 00:32:41,400 --> 00:32:44,239 Speaker 3: apparently Tyra just like laid into her and was like, 657 00:32:44,320 --> 00:32:47,520 Speaker 3: that's unacceptable. She basically slut shamed her because Gina was 658 00:32:47,560 --> 00:32:50,120 Speaker 3: talking about how posing for Playboy and you know, leaning 659 00:32:50,120 --> 00:32:52,400 Speaker 3: into her sexuality had been really healing for her as 660 00:32:52,400 --> 00:32:55,040 Speaker 3: she was losing her hair because she had alopecia, and 661 00:32:55,080 --> 00:32:58,640 Speaker 3: Tyra basically told her she sounded like a prostitute, which 662 00:32:58,680 --> 00:33:03,360 Speaker 3: was really hurtful, especially, you know, to shame somebody for 663 00:33:03,960 --> 00:33:07,200 Speaker 3: closing for Playboy when you have made your entire career 664 00:33:07,920 --> 00:33:11,080 Speaker 3: in Sports Illustrated and Victoria's Secret. 665 00:33:11,400 --> 00:33:13,880 Speaker 2: You know, Tyra has been in her underwear everywhere. 666 00:33:14,040 --> 00:33:18,000 Speaker 3: Tyra has been in bathing suits everywhere, like there's really 667 00:33:18,080 --> 00:33:21,200 Speaker 3: no difference. But for some reason, I think because Tyra, 668 00:33:21,440 --> 00:33:23,480 Speaker 3: you know, has always been told she has boobs, she 669 00:33:23,520 --> 00:33:27,160 Speaker 3: has a butt, like Tyra would often equate like women 670 00:33:27,240 --> 00:33:31,360 Speaker 3: having women's bodies with them being overly sexual. Brittany also talked, 671 00:33:31,400 --> 00:33:33,560 Speaker 3: you know about how she was constantly called a porn star. 672 00:33:34,240 --> 00:33:36,160 Speaker 3: There was another model, I think season one or two 673 00:33:36,320 --> 00:33:38,320 Speaker 3: that you know, had bigger boobs and they were always like, 674 00:33:38,400 --> 00:33:40,160 Speaker 3: be careful, you know, you look like a porn star. 675 00:33:40,280 --> 00:33:41,920 Speaker 2: Be careful, you could look like a porn star. 676 00:33:55,600 --> 00:33:58,880 Speaker 1: So you mentioned it earlier. You guys spoke with Janis Dickinson, 677 00:33:59,240 --> 00:34:01,720 Speaker 1: who was absent from the Netflix Dock. She was also 678 00:34:01,800 --> 00:34:05,160 Speaker 1: absent from this podcast, and Lauren, I had to tell 679 00:34:05,200 --> 00:34:07,560 Speaker 1: you when I was watching the docuseries, I was I 680 00:34:07,560 --> 00:34:10,520 Speaker 1: had a little I I had a little issue with 681 00:34:10,520 --> 00:34:17,160 Speaker 1: with Janie because it felt like she almost wasn't taking 682 00:34:17,200 --> 00:34:20,360 Speaker 1: accountability for her role and everything we saw that happened 683 00:34:20,400 --> 00:34:22,720 Speaker 1: on Antim. I think for a lot of fans, especially 684 00:34:22,840 --> 00:34:26,239 Speaker 1: the early seasons, Janis is kind of the bad guy. 685 00:34:26,400 --> 00:34:30,520 Speaker 1: Like we certainly remember Janis saying like some really awful 686 00:34:30,560 --> 00:34:34,799 Speaker 1: things about women's bodies, and watching the docuseries, for me, 687 00:34:34,920 --> 00:34:37,319 Speaker 1: I was almost like she forgot all the things that 688 00:34:37,360 --> 00:34:39,600 Speaker 1: she said or that or maybe she thought we forgot. 689 00:34:39,920 --> 00:34:42,520 Speaker 1: And you know, we know that Janis was often sort 690 00:34:42,560 --> 00:34:44,480 Speaker 1: of set up to be the bad guy, but I 691 00:34:44,520 --> 00:34:46,839 Speaker 1: still just was like, I don't I don't know. It 692 00:34:46,880 --> 00:34:51,600 Speaker 1: just doesn't feel like she is like really understanding her 693 00:34:51,680 --> 00:34:54,080 Speaker 1: role and everything. And so I talk to you about that, 694 00:34:54,120 --> 00:34:56,919 Speaker 1: and you offered a whole different perspective that I didn't 695 00:34:56,920 --> 00:35:00,040 Speaker 1: even know about. So tell me about Janis's involvement and 696 00:35:00,040 --> 00:35:01,959 Speaker 1: and tell me what you learned about her from talking 697 00:35:02,000 --> 00:35:03,319 Speaker 1: to the models that were on the show. 698 00:35:04,040 --> 00:35:07,880 Speaker 3: So we spoke to Janie and you know, fair Janis 699 00:35:07,960 --> 00:35:10,080 Speaker 3: did say a lot that you know, she was encouraged 700 00:35:10,120 --> 00:35:12,520 Speaker 3: to be mean, like Simon Cow and they were sort 701 00:35:12,560 --> 00:35:15,240 Speaker 3: of provoking her to be this like villain character. 702 00:35:15,680 --> 00:35:17,640 Speaker 2: And you know, I do think that also Janis. 703 00:35:17,640 --> 00:35:20,160 Speaker 3: You know, as we've been saying about Tyra that you know, 704 00:35:20,200 --> 00:35:22,800 Speaker 3: she's probably heard terrible things. She's probably been made to 705 00:35:22,800 --> 00:35:25,799 Speaker 3: feel certain kinds of ways. Janis also said in her 706 00:35:25,840 --> 00:35:30,680 Speaker 3: interview horrible, horrible things that casting producers and designers and 707 00:35:30,719 --> 00:35:32,880 Speaker 3: people look said to her being a woman coming up 708 00:35:32,880 --> 00:35:35,759 Speaker 3: in the time when she came up. So you know, 709 00:35:36,040 --> 00:35:40,359 Speaker 3: I do think that she also has a bit of 710 00:35:40,400 --> 00:35:42,680 Speaker 3: this idea of like, well, you know, this is what 711 00:35:42,719 --> 00:35:44,399 Speaker 3: it's like out there, like you got to be ready, 712 00:35:44,440 --> 00:35:46,960 Speaker 3: you need to have a thick skin. But a lot 713 00:35:47,040 --> 00:35:50,200 Speaker 3: of the girls testified, you know, in their interviews basically 714 00:35:50,239 --> 00:35:52,360 Speaker 3: that Janis would often come up to them and apologize 715 00:35:52,400 --> 00:35:54,920 Speaker 3: after judging that. As soon as the cameras are wore off, 716 00:35:55,000 --> 00:35:56,799 Speaker 3: Janis would go back and she would talk to them 717 00:35:56,800 --> 00:35:59,000 Speaker 3: and she would check on them and she would say, 718 00:35:59,080 --> 00:36:01,080 Speaker 3: don't worry like, you guys are doing great. I know 719 00:36:01,120 --> 00:36:03,080 Speaker 3: how hard this is. You know, I'm sorry I had 720 00:36:03,080 --> 00:36:05,680 Speaker 3: to be so harsh. But all of them said that 721 00:36:05,800 --> 00:36:07,840 Speaker 3: Tyra never spoke to any of them when the cameras 722 00:36:07,840 --> 00:36:09,920 Speaker 3: were not rolling. As soon as the cameras were on, 723 00:36:10,000 --> 00:36:12,400 Speaker 3: Tyra I'd be like, hey, my babies, my girls, Mama, 724 00:36:12,480 --> 00:36:15,480 Speaker 3: Tyra like, I love you guys. I care about you guys, 725 00:36:15,560 --> 00:36:17,720 Speaker 3: like you know, And then as soon as the cameras 726 00:36:17,719 --> 00:36:20,360 Speaker 3: were off. She never spoke to anybody about anything and 727 00:36:20,600 --> 00:36:23,719 Speaker 3: never apologized, never reached out to anybody, never took a 728 00:36:23,760 --> 00:36:26,399 Speaker 3: personal interest in anyone where Janis did so. She did 729 00:36:26,440 --> 00:36:28,600 Speaker 3: say some terrible things and look like I do think 730 00:36:28,600 --> 00:36:32,440 Speaker 3: that Janis is a body woman. I do think that 731 00:36:32,520 --> 00:36:36,000 Speaker 3: her humor is a little cruel. I do think that 732 00:36:36,000 --> 00:36:38,160 Speaker 3: that is just sort of her personality. But I do 733 00:36:38,200 --> 00:36:40,520 Speaker 3: think that Janis is peer of heart. Evani told a 734 00:36:40,520 --> 00:36:42,480 Speaker 3: story about when Tyra was going after her for the 735 00:36:42,480 --> 00:36:45,480 Speaker 3: texture of her skin, Janis overtly said like, this is crazy, 736 00:36:45,480 --> 00:36:47,560 Speaker 3: this is ridiculous. I won't participate in this and came 737 00:36:47,640 --> 00:36:51,200 Speaker 3: up to her afterwards and apologized. Brittany when Tyra was like, 738 00:36:51,239 --> 00:36:54,520 Speaker 3: she's a porn star you know, she's too much. Janis 739 00:36:54,520 --> 00:36:56,840 Speaker 3: came up to her afterward and like said, like that's crazy, 740 00:36:57,160 --> 00:36:59,440 Speaker 3: You're great, You're beautiful. I think you should win. Like 741 00:37:00,280 --> 00:37:02,279 Speaker 3: all of the girls said how nice Janis was when 742 00:37:02,280 --> 00:37:05,359 Speaker 3: the cameras were not rolling, and all of them said 743 00:37:05,440 --> 00:37:07,560 Speaker 3: how Tyra did not give anybody the time of day 744 00:37:07,600 --> 00:37:10,000 Speaker 3: when the cameras were not rolling. So I think that 745 00:37:10,000 --> 00:37:13,360 Speaker 3: that says something about something. And I think that Janis 746 00:37:13,400 --> 00:37:15,400 Speaker 3: was often put in the position to be the villain 747 00:37:15,480 --> 00:37:17,600 Speaker 3: so Tyra could look like the hero while the cameras 748 00:37:17,640 --> 00:37:18,120 Speaker 3: were rolling. 749 00:37:18,960 --> 00:37:21,919 Speaker 1: Why do you think Jannis chose to speak to you 750 00:37:21,960 --> 00:37:25,040 Speaker 1: guys as opposed to like being in the Netflix stock 751 00:37:25,040 --> 00:37:26,400 Speaker 1: where we saw all the other judges. 752 00:37:27,080 --> 00:37:29,279 Speaker 3: Well, we were talking to all of the judges, We 753 00:37:29,320 --> 00:37:33,200 Speaker 3: spoke to Tyra's people, we spoke to Nigel and in talks. 754 00:37:33,239 --> 00:37:35,000 Speaker 3: You know, while we knew, we knew that we were 755 00:37:35,040 --> 00:37:36,719 Speaker 3: casting and shooting this at the same time that the 756 00:37:36,719 --> 00:37:39,279 Speaker 3: Netflix stock was, So it was clear that they were 757 00:37:39,280 --> 00:37:41,839 Speaker 3: talking to both of us, and it was clear that 758 00:37:42,280 --> 00:37:42,960 Speaker 3: the Jays and. 759 00:37:43,000 --> 00:37:45,400 Speaker 2: Nigel were talking to Tyra. 760 00:37:45,560 --> 00:37:47,719 Speaker 3: It was clear that they were all sort of in 761 00:37:47,840 --> 00:37:50,560 Speaker 3: cahoots on the same page that whoever they were going 762 00:37:50,600 --> 00:37:54,160 Speaker 3: to talk to, they were going to talk to together. So, 763 00:37:55,160 --> 00:37:56,680 Speaker 3: you know, we spoke to all of them. We told 764 00:37:56,719 --> 00:37:58,480 Speaker 3: them what we were going to do. I'm guessing Netflix 765 00:37:58,480 --> 00:38:01,200 Speaker 3: did as well. I don't know they offered versus what 766 00:38:01,320 --> 00:38:04,680 Speaker 3: we offered. I don't know any of that. But they 767 00:38:05,120 --> 00:38:08,560 Speaker 3: were all clearly partners in this, and they had all 768 00:38:08,560 --> 00:38:11,440 Speaker 3: clearly spoken behind the scenes and decided that they were 769 00:38:11,440 --> 00:38:12,920 Speaker 3: going to be on the same page, that they were 770 00:38:12,920 --> 00:38:15,239 Speaker 3: going to commit to the same narrative, and that they 771 00:38:15,239 --> 00:38:17,000 Speaker 3: were going to do whatever they were going to do together. 772 00:38:17,080 --> 00:38:19,239 Speaker 3: And Janis was very clearly not a part of that. 773 00:38:19,640 --> 00:38:23,080 Speaker 3: Janis does not like Tyra, does not get along with Tyra, 774 00:38:23,600 --> 00:38:26,120 Speaker 3: was going to do the opposite of whatever Tyra did. 775 00:38:26,200 --> 00:38:31,200 Speaker 3: So I think when the other judges decided that they 776 00:38:31,200 --> 00:38:34,560 Speaker 3: were going to do the Netflix stock, Janis was obviously 777 00:38:35,000 --> 00:38:36,920 Speaker 3: going to do the other one. So that's why she 778 00:38:37,040 --> 00:38:39,840 Speaker 3: spoke to us, or potentially, I actually don't really know 779 00:38:39,880 --> 00:38:42,200 Speaker 3: the order in which it happened. It's possible that Janis 780 00:38:42,200 --> 00:38:43,879 Speaker 3: decided she was going to talk to us, and then 781 00:38:43,920 --> 00:38:46,319 Speaker 3: when the other judges heard that Janis was talking to us, 782 00:38:46,360 --> 00:38:47,560 Speaker 3: they decided to go the other way. 783 00:38:47,640 --> 00:38:49,720 Speaker 2: I don't know the order in which it happened. 784 00:38:50,000 --> 00:38:53,319 Speaker 3: I just know that there were clearly divided lines upon 785 00:38:53,400 --> 00:38:54,719 Speaker 3: who was allied with who. 786 00:38:55,480 --> 00:38:57,959 Speaker 1: There are a few other stories that you guys cover 787 00:38:58,160 --> 00:39:02,040 Speaker 1: in your series that I think have been covered extensively 788 00:39:02,040 --> 00:39:04,400 Speaker 1: in other places, and one of them is about a 789 00:39:04,440 --> 00:39:08,360 Speaker 1: contestant name Marianna Poohar. Could you talk about Marianna, what 790 00:39:08,480 --> 00:39:11,880 Speaker 1: happened to her and what her story sort of tells 791 00:39:11,960 --> 00:39:15,680 Speaker 1: us about A and TM's relationship with the models who 792 00:39:15,680 --> 00:39:16,239 Speaker 1: were on the show. 793 00:39:17,320 --> 00:39:21,600 Speaker 3: Yeah, you know, Marianna Poohar was a contestant on Cycle 794 00:39:21,640 --> 00:39:27,440 Speaker 3: twenty one, and she, you know, unfortunately, after the show ended, 795 00:39:28,000 --> 00:39:31,959 Speaker 3: was involved in a situation where she was killed. Look, 796 00:39:32,040 --> 00:39:33,759 Speaker 3: I am not going to say, by any stretch of 797 00:39:33,800 --> 00:39:37,840 Speaker 3: the imagination that it's America's Next Top Model's fault that 798 00:39:37,920 --> 00:39:40,680 Speaker 3: she was killed, but she is sort of an example 799 00:39:40,760 --> 00:39:43,440 Speaker 3: of somebody that America's Next Top Model went out of 800 00:39:43,480 --> 00:39:46,399 Speaker 3: its way to find girls from rough backgrounds. America's Next 801 00:39:46,400 --> 00:39:48,320 Speaker 3: Top Model went out of its way to find people 802 00:39:48,320 --> 00:39:50,920 Speaker 3: with difficult upbringing. She spoke about how her you know, 803 00:39:51,000 --> 00:39:53,640 Speaker 3: father had abandoned her, she was in an abusive relationship, 804 00:39:54,160 --> 00:39:57,239 Speaker 3: She came from a rough neighborhood, and then America's Next 805 00:39:57,280 --> 00:40:00,719 Speaker 3: Top Model offered her an opportunity. Well the show, she 806 00:40:00,880 --> 00:40:03,239 Speaker 3: was told, you know, she was too street, she was 807 00:40:03,280 --> 00:40:05,399 Speaker 3: too ghetto, she was too whatever, and then they spit 808 00:40:05,440 --> 00:40:08,040 Speaker 3: her back out into this life that you know, was 809 00:40:08,480 --> 00:40:10,239 Speaker 3: just as rough as the one they plugged her out from. 810 00:40:10,640 --> 00:40:12,600 Speaker 3: She went back to this boyfriend who put her in 811 00:40:12,640 --> 00:40:15,720 Speaker 3: an unfortunate situation, and then both of them got killed. 812 00:40:16,280 --> 00:40:18,399 Speaker 3: It's not America's Next Top Model's fault, it's not Tyra 813 00:40:18,440 --> 00:40:21,440 Speaker 3: Banks's fault. It's just sort of an example of how 814 00:40:21,600 --> 00:40:24,359 Speaker 3: America's Next Top Model didn't help these girls. It's an 815 00:40:24,400 --> 00:40:27,560 Speaker 3: example of how after they did what they did for Tyra, 816 00:40:27,920 --> 00:40:30,600 Speaker 3: after they made Tyra money, after they gave Tyra's success, 817 00:40:30,600 --> 00:40:33,120 Speaker 3: they were just spit back out into these lives that 818 00:40:33,320 --> 00:40:35,719 Speaker 3: were hard and that were difficult, with nothing to show 819 00:40:35,760 --> 00:40:39,200 Speaker 3: for what they had done for Tyra. Angelie Preston talks 820 00:40:39,239 --> 00:40:42,600 Speaker 3: about something similar. She you know, the saying came from 821 00:40:42,640 --> 00:40:45,239 Speaker 3: sort of a rough background, came on the show, got 822 00:40:45,280 --> 00:40:48,479 Speaker 3: like a little taste of a dream coming true, got 823 00:40:48,480 --> 00:40:50,879 Speaker 3: this idea that you know, maybe Tyra was gonna help, 824 00:40:50,960 --> 00:40:52,680 Speaker 3: maybe life was going to be better. After this, and 825 00:40:52,719 --> 00:40:55,400 Speaker 3: that again was spit back out into the life that 826 00:40:55,400 --> 00:40:57,160 Speaker 3: she came from, where she was forced to, you know, 827 00:40:57,200 --> 00:40:59,360 Speaker 3: do sex work and do all sorts of things that 828 00:40:59,400 --> 00:41:01,400 Speaker 3: she was hoping that she wouldn't have to do anymore. 829 00:41:01,440 --> 00:41:04,040 Speaker 3: That Tyra had kind of promised them that they weren't 830 00:41:04,040 --> 00:41:05,640 Speaker 3: going to have to do anymore because she was going 831 00:41:05,680 --> 00:41:07,279 Speaker 3: to help them make their dreams come true. And then 832 00:41:07,280 --> 00:41:09,520 Speaker 3: she did not. She did nothing. She didn't reach out 833 00:41:09,560 --> 00:41:13,320 Speaker 3: to anybody, she didn't help anybody, She didn't do anything 834 00:41:13,360 --> 00:41:16,120 Speaker 3: for anybody as soon as they were done making money 835 00:41:16,120 --> 00:41:19,440 Speaker 3: for her on the show. So that's kind of the 836 00:41:19,520 --> 00:41:22,480 Speaker 3: story of Miriann, it's the story of Renee Alway. And 837 00:41:23,040 --> 00:41:25,560 Speaker 3: there were a lot of girls that really faced unfortunate 838 00:41:25,560 --> 00:41:27,120 Speaker 3: circumstances after the show. 839 00:41:27,440 --> 00:41:30,560 Speaker 2: And again that's not America's Next Top Model's fault. 840 00:41:30,760 --> 00:41:33,759 Speaker 3: It's just sort of an example of how America's Next 841 00:41:33,760 --> 00:41:35,120 Speaker 3: Top Model didn't help anybody. 842 00:41:36,120 --> 00:41:38,200 Speaker 1: What would you say is the most surprising thing you 843 00:41:38,360 --> 00:41:40,560 Speaker 1: learned while producing this series? 844 00:41:41,400 --> 00:41:43,320 Speaker 3: You know, I think the most surprising thing I learned 845 00:41:43,400 --> 00:41:46,319 Speaker 3: is just how much these girls were taking advantage of 846 00:41:47,200 --> 00:41:50,759 Speaker 3: you know, none of them were paid, they were you know, 847 00:41:50,880 --> 00:41:54,240 Speaker 3: told to put their entire lives on TV, tell everybody 848 00:41:54,320 --> 00:41:58,799 Speaker 3: their life trauma, their phobias, their every issue they ever 849 00:41:58,880 --> 00:42:01,000 Speaker 3: had on these psychological exams, and then all of that 850 00:42:01,000 --> 00:42:04,600 Speaker 3: stuff was used against them for entertainment, for ratings, to 851 00:42:04,600 --> 00:42:07,239 Speaker 3: make Tyra money, to make the network money, to make 852 00:42:07,280 --> 00:42:10,560 Speaker 3: America's Next Top Model the intellectual property that when international 853 00:42:10,640 --> 00:42:12,959 Speaker 3: it was in one hundred and twenty seven countries, Tyra 854 00:42:13,040 --> 00:42:16,000 Speaker 3: got paid for every single one of those Like, none 855 00:42:16,040 --> 00:42:18,200 Speaker 3: of these girls got paid for any of it. None 856 00:42:18,239 --> 00:42:21,319 Speaker 3: of these girls really were helped in any way by 857 00:42:21,360 --> 00:42:25,320 Speaker 3: America's Next Top Model. All they were was traumatized, given 858 00:42:25,360 --> 00:42:30,600 Speaker 3: body issues, given identity issues, humiliated on national TV, and 859 00:42:30,840 --> 00:42:32,920 Speaker 3: you know, they really have nothing to show for it. 860 00:42:32,960 --> 00:42:36,920 Speaker 3: I think I wasn't really able to quantify exactly what 861 00:42:37,080 --> 00:42:41,040 Speaker 3: these girls sacrificed to be on America's Next Top Model 862 00:42:41,080 --> 00:42:45,040 Speaker 3: and exactly what Tyra gained. So just like the sheer 863 00:42:46,239 --> 00:42:50,960 Speaker 3: magnitude I think of how successful Tyro became and how 864 00:42:51,400 --> 00:42:54,719 Speaker 3: hurt these girls were was the most shocking part to me. 865 00:42:55,480 --> 00:42:58,000 Speaker 1: You know, I think the Dakuse certainly does a great 866 00:42:58,080 --> 00:43:01,600 Speaker 1: job of sort of looking at the aftermath of this show, 867 00:43:01,680 --> 00:43:05,960 Speaker 1: particularly for the models. You know, you get into the 868 00:43:06,000 --> 00:43:09,160 Speaker 1: winners who struggled financially after being on the show. You 869 00:43:09,160 --> 00:43:12,359 Speaker 1: can talk to contestants who say that their careers are 870 00:43:12,360 --> 00:43:14,319 Speaker 1: actually hurt because they were on it. You talk to 871 00:43:14,320 --> 00:43:18,240 Speaker 1: people about their long term psychological trauma, how the body 872 00:43:18,280 --> 00:43:21,600 Speaker 1: shaming created issues that they still carry to this day. 873 00:43:22,000 --> 00:43:23,920 Speaker 1: And I think it really gets at this point that 874 00:43:23,920 --> 00:43:27,399 Speaker 1: the contestants felt betrayed because they were sold one thing 875 00:43:28,200 --> 00:43:31,760 Speaker 1: and sort of left with nothing. What would you say 876 00:43:32,040 --> 00:43:34,560 Speaker 1: they want today? Like, what do they want from Tyra? 877 00:43:34,719 --> 00:43:37,319 Speaker 1: What do they want from ANTM execs? And if they 878 00:43:37,360 --> 00:43:39,520 Speaker 1: get what they want, do you think that will change anything? 879 00:43:39,920 --> 00:43:42,120 Speaker 3: You know, I don't think that anything can change at 880 00:43:42,120 --> 00:43:46,120 Speaker 3: this point. I think what they want is acknowledgment that 881 00:43:46,200 --> 00:43:48,680 Speaker 3: they're not crazy. Like I think they just want Tyra 882 00:43:48,800 --> 00:43:51,480 Speaker 3: to admit that this was never about making. 883 00:43:51,280 --> 00:43:53,680 Speaker 2: Dreams come true. This was never about giving somebody a career. 884 00:43:53,800 --> 00:43:57,040 Speaker 3: This was always about making a successful show to make 885 00:43:57,080 --> 00:43:59,600 Speaker 3: Tyra money and make Tyra more famous. I think that 886 00:43:59,680 --> 00:44:03,240 Speaker 3: they are tired of being gas lit into this idea 887 00:44:03,360 --> 00:44:06,200 Speaker 3: that America's next top model was ever a vehicle for 888 00:44:06,239 --> 00:44:08,800 Speaker 3: their success, was ever going to make anybody famous, was 889 00:44:08,840 --> 00:44:11,319 Speaker 3: ever going to make anybody money. You know, they feel 890 00:44:11,400 --> 00:44:15,320 Speaker 3: like they were betrayed and bamboozled, like they were promised 891 00:44:15,360 --> 00:44:17,200 Speaker 3: they were It was a real bait and switch. They 892 00:44:17,200 --> 00:44:20,080 Speaker 3: were promised one thing and they were given another, and 893 00:44:20,120 --> 00:44:22,879 Speaker 3: then in retrospect, it seems clear that like the thing 894 00:44:22,880 --> 00:44:25,680 Speaker 3: that they were promised was never possible, that America's next 895 00:44:25,680 --> 00:44:28,560 Speaker 3: Top Model was never set up to give anybody a career, 896 00:44:28,640 --> 00:44:31,520 Speaker 3: America's next top Model was never going to really be 897 00:44:31,600 --> 00:44:35,600 Speaker 3: able to catapult somebody from obscurity into the high end 898 00:44:35,640 --> 00:44:36,320 Speaker 3: fashion world. 899 00:44:36,360 --> 00:44:38,240 Speaker 2: Like that just doesn't even really make any sense. 900 00:44:38,880 --> 00:44:40,640 Speaker 3: So I think that they just want to hear from 901 00:44:40,640 --> 00:44:44,799 Speaker 3: Tyra's mouth one an apology for lying to them, and 902 00:44:44,880 --> 00:44:47,320 Speaker 3: to just sort of the acknowledgment of what they already 903 00:44:47,360 --> 00:44:51,160 Speaker 3: know to be true, which is that Tyra lied to them, 904 00:44:51,280 --> 00:44:53,600 Speaker 3: that Tyra promised them one thing but that was never 905 00:44:53,640 --> 00:44:58,480 Speaker 3: really a possibility, and that they were used for Tyra's 906 00:44:58,520 --> 00:45:03,000 Speaker 3: own success. I think that that would it wouldn't change anything. 907 00:45:03,040 --> 00:45:05,000 Speaker 3: It wouldn't give them any money, it wouldn't take their 908 00:45:05,000 --> 00:45:08,160 Speaker 3: trauma away, it wouldn't give them years back on their life, 909 00:45:08,160 --> 00:45:10,560 Speaker 3: it wouldn't help their careers. I think that there's just 910 00:45:10,600 --> 00:45:15,440 Speaker 3: like a satisfaction in hearing something you know to be 911 00:45:15,480 --> 00:45:18,000 Speaker 3: true that nobody's ever said out loud, Like it just 912 00:45:18,080 --> 00:45:21,239 Speaker 3: makes you feel not crazy, Like you know if an 913 00:45:21,239 --> 00:45:23,640 Speaker 3: ex boyfriend years later comes to you and says like, hey, 914 00:45:23,680 --> 00:45:25,839 Speaker 3: you know what, like I was a dick, Like I 915 00:45:25,920 --> 00:45:30,160 Speaker 3: treated you terribly, you deserved better. I am sorry, Like 916 00:45:30,239 --> 00:45:33,880 Speaker 3: that doesn't change anything, but it just is validating to 917 00:45:34,080 --> 00:45:37,080 Speaker 3: know that you're not crazy. And I think that that 918 00:45:37,400 --> 00:45:39,560 Speaker 3: is what these women want from Tyra. 919 00:45:40,680 --> 00:45:43,160 Speaker 1: So let me ask you this, after talking to all 920 00:45:43,200 --> 00:45:47,320 Speaker 1: these models, knowing all the sordid details of what happened 921 00:45:47,680 --> 00:45:50,680 Speaker 1: on the A and TM set, are you still able 922 00:45:50,760 --> 00:45:53,440 Speaker 1: to watch ANTM today and enjoy it? 923 00:45:55,800 --> 00:45:57,880 Speaker 2: I mean, look that it's a complicated question. 924 00:45:58,239 --> 00:46:01,560 Speaker 3: The answer is yes, Like America's textop Model is an 925 00:46:01,560 --> 00:46:05,760 Speaker 3: amazing show, Like it is entertainment. You know, in preparing 926 00:46:05,800 --> 00:46:07,520 Speaker 3: for this show, I went back and I watched a 927 00:46:07,520 --> 00:46:10,960 Speaker 3: lot of these episodes and they are truly even crazier 928 00:46:11,000 --> 00:46:12,239 Speaker 3: than I remembered them being. 929 00:46:12,760 --> 00:46:14,960 Speaker 2: They are doing wild shit to these girls. 930 00:46:14,960 --> 00:46:18,120 Speaker 3: They are saying wild shit to these girls, like purely 931 00:46:18,239 --> 00:46:21,120 Speaker 3: just in terms of shock value, like it is entertaining. 932 00:46:21,640 --> 00:46:24,160 Speaker 3: Now do I struggle a little bit knowing you know, 933 00:46:24,239 --> 00:46:26,960 Speaker 3: what these girls went through, like how cruel it was 934 00:46:27,040 --> 00:46:30,160 Speaker 3: and what they went through afterwards. Yes, like that certainly 935 00:46:30,200 --> 00:46:34,960 Speaker 3: does taint the enjoyment of the show. But as a viewer, 936 00:46:35,640 --> 00:46:40,200 Speaker 3: there's no denying that watching this is good TV. You know, 937 00:46:40,239 --> 00:46:43,840 Speaker 3: you have to give it to production for putting together 938 00:46:44,040 --> 00:46:47,640 Speaker 3: compelling television. It's just really a shame that they had 939 00:46:47,640 --> 00:46:50,440 Speaker 3: to do it at the expense of these girls. I 940 00:46:50,560 --> 00:46:53,400 Speaker 3: kind of wish that, you know, the show was able 941 00:46:53,480 --> 00:46:56,440 Speaker 3: to just be what it was and say, hey, women, 942 00:46:56,760 --> 00:46:58,279 Speaker 3: do you want to come get paid a bunch of 943 00:46:58,280 --> 00:47:00,239 Speaker 3: money to make this really great TV show? That it's 944 00:47:00,360 --> 00:47:02,719 Speaker 3: entertaining people, and that everybody could have been on the 945 00:47:02,719 --> 00:47:04,960 Speaker 3: same page, and that you know, everybody was in on 946 00:47:05,000 --> 00:47:06,720 Speaker 3: the joke and that everybody was in on the secret 947 00:47:06,760 --> 00:47:09,040 Speaker 3: and they all could have worked together to make this entertainment. 948 00:47:09,080 --> 00:47:13,359 Speaker 3: But there is no denying that it's an entertaining show. 949 00:47:13,400 --> 00:47:15,759 Speaker 3: When I had to sit down and watch a bunch 950 00:47:15,760 --> 00:47:18,799 Speaker 3: of episodes for the doc, you know, I was like, 951 00:47:18,840 --> 00:47:20,480 Speaker 3: this is the best day at work ever. Like I'm 952 00:47:20,480 --> 00:47:22,759 Speaker 3: just watching America's Next Top Model all day and it's 953 00:47:22,880 --> 00:47:27,879 Speaker 3: work Like this is great. So while you do feel 954 00:47:27,880 --> 00:47:30,399 Speaker 3: a little conflicted because you know what these people went 955 00:47:30,440 --> 00:47:30,960 Speaker 3: through to do it. 956 00:47:31,000 --> 00:47:33,760 Speaker 2: There's absolutely no denying that the show. 957 00:47:33,560 --> 00:47:36,279 Speaker 3: Was entertaining, and frankly, maybe even more entertaining now than 958 00:47:36,320 --> 00:47:39,560 Speaker 3: it was then, just because it's so crazy, Like the 959 00:47:39,640 --> 00:47:41,680 Speaker 3: shock value of what is happening in front of your 960 00:47:41,680 --> 00:47:45,120 Speaker 3: eyes is so almost unbelievable that people said this, that 961 00:47:45,160 --> 00:47:47,120 Speaker 3: people did this, that people thought about this, that this 962 00:47:47,239 --> 00:47:49,759 Speaker 3: was allowed, like you kind of like can't take your 963 00:47:49,760 --> 00:47:50,239 Speaker 3: eyes away. 964 00:47:50,719 --> 00:47:52,799 Speaker 1: And I think that just speaks to why we are 965 00:47:52,880 --> 00:47:56,480 Speaker 1: still twenty years later talking about A and TM. Yes 966 00:47:56,800 --> 00:48:00,680 Speaker 1: you can catch Dirty Rotten Scandals tonight, March eleven on e. 967 00:48:00,960 --> 00:48:05,120 Speaker 1: It premieres nine pm ET, six pm Central. Make sure 968 00:48:05,160 --> 00:48:08,239 Speaker 1: you watch it. It's really really interesting, y'all. Lauren, thanks so 969 00:48:08,320 --> 00:48:09,000 Speaker 1: much for joining me. 970 00:48:09,239 --> 00:48:12,840 Speaker 3: Thank you so much, Bridget for having me watch tonight. 971 00:48:12,880 --> 00:48:13,680 Speaker 3: It's going to be great. 972 00:48:13,880 --> 00:48:15,880 Speaker 2: And thank you to all the women that we talked to. 973 00:48:16,320 --> 00:48:19,440 Speaker 3: Couldn't have made the show without you, and thank you 974 00:48:19,480 --> 00:48:20,640 Speaker 3: for sharing your stories. 975 00:48:21,239 --> 00:48:23,799 Speaker 2: And it's going to be a really great show. I 976 00:48:23,800 --> 00:48:26,960 Speaker 2: hope everybody watches. 977 00:48:28,080 --> 00:48:30,640 Speaker 1: The Curse of America's Next Top Model is a production 978 00:48:30,719 --> 00:48:34,120 Speaker 1: of Glass Podcast, a division of Glass Entertainment Group in 979 00:48:34,200 --> 00:48:38,200 Speaker 1: partnership with iHeart Podcast. The show is executive produced by 980 00:48:38,320 --> 00:48:42,000 Speaker 1: Nancy Glass, hosted and senior produced by me Bridget Armstrong. 981 00:48:42,719 --> 00:48:46,239 Speaker 1: Our story editor is Monique Leboard, also produced by Ben 982 00:48:46,280 --> 00:48:50,640 Speaker 1: Fetterman and Andrea Gunning. Associate producers are Kristin Melcri and 983 00:48:50,719 --> 00:48:54,920 Speaker 1: Curry Richmond. Our iHeart team is Ali Perry and Jessica Crincheck. 984 00:48:55,600 --> 00:48:58,960 Speaker 1: Audio editing and mixing on this episode by Matt del Vecchio. 985 00:49:00,040 --> 00:49:03,080 Speaker 1: Of America's Next Top Model theme was composed by Oliver Bains. 986 00:49:03,600 --> 00:49:07,400 Speaker 1: Music library provided by myb Music and For more podcasts 987 00:49:07,400 --> 00:49:11,480 Speaker 1: from iHeart, visit the iHeartRadio app, Apple Podcasts, or wherever 988 00:49:11,520 --> 00:49:14,840 Speaker 1: you get your podcast. Also check out the Etglass Podcast 989 00:49:14,960 --> 00:49:17,719 Speaker 1: Instagram for Curse of America's Next Top Model behind the 990 00:49:17,760 --> 00:49:18,480 Speaker 1: scenes content