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Speaker 1: So programming my smart home, you know, I want, obviously

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Speaker 1: the lights.

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Speaker 2: To change color every time I walk in the room.

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Speaker 1: Yeah, no that And That's what I'm getting to is

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Speaker 1: that it ended up being more of a stupid home.

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Speaker 3: They say that.

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Speaker 2: You could program the name.

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Speaker 1: That you know that you call your smart home to

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Speaker 1: get the response that you could program any name you want,

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Speaker 1: but try getting the name bringer Bread, because because what

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Speaker 1: happens is they go, did you mean Benjamin? And I

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Speaker 1: go no, Actually, I'm mad at Benjamin right now. I

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Speaker 1: want bringer Bread And they'll say did you mean gingerbread?

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Speaker 1: And I'll go no, actually no, that's kind of close

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Speaker 1: to Graham crackers, which my friend and I are to

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Speaker 1: fight about right now. So can you just do Brinch

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Speaker 1: your bread and this and this smart home? Oh and

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Speaker 1: by the way, the color options on the lights are

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Speaker 1: supper limited.

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Speaker 3: Close to crackers to.

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Speaker 1: Me, isn't the flavor of graham crackers basically a gingery

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Speaker 1: type flavor?

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Speaker 3: Well?

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Speaker 2: Am I crazy?

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Speaker 4: You can make a gingerbread house, I guess with Graham crackers.

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Speaker 2: I think people do.

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Speaker 3: If you're one of the poorest people who ever lives.

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Speaker 2: That's me, or I guess I don't think it's worth.

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Speaker 1: I guess the money that I make, and I'm not

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Speaker 1: gonna say how much it is, But the money that

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Speaker 1: I make to me is better spent on helping people,

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Speaker 1: specifically other young white Harvard writers looking for a break.

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Speaker 1: That's a more valuable pursuit than like having like the

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Speaker 1: best gingerbread house that looks so good with the realist gingerbread,

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Speaker 1: when I could slap a couple of Graham crackers and

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Speaker 1: some toothpaste out there and it's gonna pretty much look

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Speaker 1: the same way.

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Speaker 3: So you said you're ordering your house to do like what?

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Speaker 1: For example, I want the lights to all change color

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Speaker 1: when I come in the room. I want them to

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Speaker 1: go absolutely crazy and it's like freaking Studio fifty four

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Speaker 1: up in this piece.

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Speaker 5: Okay, I want uh song to play whenever I leave

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Speaker 5: the room.

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Speaker 1: That's like a sad song about like missing me and

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Speaker 1: how they wish I was still there.

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Speaker 2: Probably the like.

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Speaker 1: Puff Daddy's talk about how how Biggie is this friend

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Speaker 1: has has passed away?

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Speaker 2: Yes, uh? Or maybe the one from the Fast and

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Speaker 2: Furious movie about Paul Walker.

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Speaker 1: So like, basically I come into the kitchen, I'd like

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Speaker 1: open up the fridge I decide that I'm not actually hungry.

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Speaker 2: I closed the.

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Speaker 1: Fridge out to see you again.

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Speaker 3: Yeah, Charlie Pooth plays.

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Speaker 1: And so that would happen all the time. Uh, speaking

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Speaker 1: of opening the fridge. When I opened the fridge, I

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Speaker 1: want to bridge to say hi, Hi, Sean.

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Speaker 4: But you don't get as far as any of this

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Speaker 4: because the house just says, did you mean?

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Speaker 3: Yeah?

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Speaker 1: Well, I've spent the whole time setting up the name,

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Speaker 1: so I'm not getting into these menu options.

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Speaker 2: Why. I mean, what does your smart home do?

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Speaker 1: This?

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Speaker 2: Guy?

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Speaker 3: My smart home?

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Speaker 4: I sorry, stupid home right, No, my smart home is

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Speaker 4: actually really smart. I was smart enough to give it

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Speaker 4: a normal name, John. So I say, what's up?

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Speaker 3: John?

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Speaker 4: Can you help me get this? Get this plug into

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Speaker 4: the wall. My hand hurts, m and jonathick absolutely and

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Speaker 4: kind of sucks.

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Speaker 1: Starts sucking on the kind of like just starts work

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Speaker 1: sucking on the nodes, the nodes in there.

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Speaker 3: Just don't mind me.

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Speaker 2: It's really close. Now tell you what.

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Speaker 1: Let me sort of let me shoot these wires out

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Speaker 1: a little bit more, the wall wires. Yeah, that that's

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Speaker 1: actually sick.

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Speaker 2: That's really nice.

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Speaker 1: I want my you know, I don't always want to

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Speaker 1: go in the shower to get clean. Sometimes I just

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Speaker 1: want to keep watching TV. So I'll bring me Bringe

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Speaker 1: your bread shower time. And what I'm hoping is that

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Speaker 1: because like you know, I've got obviously the sprinkler system

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Speaker 1: set up around my indoors for what I'm cooking. And

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Speaker 1: then I want and I want the oh there's there's

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Speaker 1: my wife.

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Speaker 3: Are we on cam for this?

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Speaker 2: Yeah?

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Speaker 1: And what I want, uh is for it to just

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Speaker 1: start scrubbing me and for something. And I don't care

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Speaker 1: how they do it, but some like basically like a

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Speaker 1: glove on a spring to shoot in off the wall

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Speaker 1: with like a rag kind of scrub me around a

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Speaker 1: little bit. But it's you know, I'm not even getting

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Speaker 1: there because it doesn't know what bringerbread is.

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Speaker 3: And Mitra, what does your house do? And who are you?

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Speaker 6: Hey? My house is analog? So yeah, so my house.

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Speaker 2: Is throwback retro. I love it. I dig that about you.

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Speaker 4: And so when they try to siphon your data and

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Speaker 4: use your data on like how if your house is

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Speaker 4: like hot or cold?

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Speaker 3: Yeah, to be like, oh, she likes it to be cold.

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Speaker 4: Like when it's time to like torture Mitra for her information,

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Speaker 4: we will.

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Speaker 2: Burn her, we will make it hot.

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Speaker 3: Yep, they say, Okay, you can't have that information.

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Speaker 6: You can't have it because I keep boundaries with my

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Speaker 6: home and my home. If my home were to ask

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Speaker 6: me what I would want, I would lie.

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Speaker 2: Okay, that's interesting.

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Speaker 1: Yes, that's a strategy that I have been employing a

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Speaker 1: little bit with Brenderbread, who.

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Speaker 2: Is not named that.

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Speaker 6: Yeah, and how's it going.

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Speaker 2: I'm not a great liar, meaning like, yeah, I do

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Speaker 2: you know?

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Speaker 6: Are you bad heart? Okay?

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Speaker 1: I don't think it's either. I think it's just coming

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Speaker 1: up with the correct lie. Like I think I can

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Speaker 1: sell what I'm saying if I could just think of

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Speaker 1: something to say that wasn't true.

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Speaker 6: So you're a bad improviser, but you're a good actor.

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Speaker 1: I yes, I think that. I think my acting is

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Speaker 1: actually fucking awesome. Yeah, and people really want to see it.

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Speaker 1: But in terms of like the material that's generated, I

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Speaker 1: work much better with a script than like when right now,

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Speaker 1: right now, his name is Benjabing, But I will say,

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Speaker 1: he will say, like what temperature would you like? And

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Speaker 1: I'll go like, I can't tell him because like hey said,

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Speaker 1: like I don't want to get tortured and I'll say,

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Speaker 1: like soda, and then he'll say, I'm sorry I didn't

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Speaker 1: get that, and I'll say, like, oh no, actually I'm

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Speaker 1: going to the store and I'll leave.

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Speaker 2: I will come home all.

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Speaker 1: Night because I'm so embarrassed, you know, So I'll like,

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Speaker 1: I'll sleep in the park or something because I don't

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Speaker 1: want my I don't want my smart house to like

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Speaker 1: confront me about what. I'm just like hoping that enough

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Speaker 1: time will pass that when I come back.

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Speaker 6: Kill it. You should kill it.

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Speaker 3: You have to kill your house.

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Speaker 2: I know, eventually we all do. Huh not?

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Speaker 6: Why well, my house can live. My house is I've

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Speaker 6: got an analog house as long as you have as

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Speaker 6: long as you live in an analog space. So you

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Speaker 6: can live in an analog watch, you can live in

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Speaker 6: an analog purse, you can live in an analog house,

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Speaker 6: whatever analog you choose, as long as it can't ask

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Speaker 6: you questions.

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Speaker 1: I tell you, I wouldn't want to live in an

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Speaker 1: Annabelle house. You see that, dolls.

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Speaker 2: She's fucking nuts, dude, She's out of control. She's fucking

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Speaker 2: grabbing people and hurting them.

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Speaker 1: I do not like annabel I'm sorry, I know, like

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Speaker 1: whatever that might not be popular, but I don't I

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Speaker 1: do not want that.

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Speaker 2: Yeah in my house.

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Speaker 4: No, Yeah, but and we noticed that, and we noticed

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Speaker 4: that how Chucky's getting a free pass and all this.

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Speaker 3: Are we noticing that.

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Speaker 6: Chucky is getting a free pass? Wow, I wonder why.

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Speaker 6: But Chucky, Chucky probably makes much more.

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Speaker 4: Yeah, Oh, but Annabel's crazy.

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Speaker 2: Annabel is insane. Yeah, Chucky just Chucky's just you know,

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Speaker 2: he's gotta be tough.

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Speaker 3: He's assertive. Chucky's just like.

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Speaker 1: Chucky's just direct, He's a direct communicator. But Annabelle's shrill.

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Speaker 6: Animel's shrill, anxious.

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Speaker 2: Meanwhile, Chucky hilarious.

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Speaker 6: An animal is a whrror. But Chucky's just sewing his oats.

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Speaker 1: Yeah, he's got a raw sense of humor. No, look,

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Speaker 1: I'll take it on the chin. That's true. I had

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Speaker 1: one other way I could go with it. I did

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Speaker 1: go with Annabelle house. I also was and there's maybe

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Speaker 1: nothing here but analog cabin.

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Speaker 3: Analog cabin.

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Speaker 6: Sure, Yeah, what was that?

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Speaker 1: That's okay, that got a little I think you chose

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Speaker 1: the right Yeah, because I didn't know what else to

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Speaker 1: do after that.

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Speaker 6: Yeah, we had that amazing sort of tear about the

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Speaker 6: other one.

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Speaker 1: The chucky thing you. Yeah, you two got into that,

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Speaker 1: and I sort of jumped on. Maybe it was wrong

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Speaker 1: choice for me to jump on, because really I'm the

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Speaker 1: target of it. I should be like defending you know,

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Speaker 1: my my choice to say Annabel was crazy. We could

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Speaker 1: take it again, mature who you didn't say?

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Speaker 3: Who are you? Who are you? This week?

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Speaker 6: This week, I'm returning guests to Hollywood Handbook for the

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Speaker 6: first time since twenty twenty.

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Speaker 2: One of our most requested guests.

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Speaker 6: I believe that one I see it, believe that when

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Speaker 6: I come on the pod again.

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Speaker 1: But you're here right now and refreshed. Now, refresh my memory.

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Speaker 1: You've done the podcast before?

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Speaker 6: Yeah, yeah, two yeah, Once a Joel to promote our

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Speaker 6: pilot podcast for Your Wolf that then became our podcast

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Speaker 6: for Your Wolf. And then once Solo Uh to commemorate

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Speaker 6: the time that Hayes and I did love It or

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Speaker 6: leave it together.

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Speaker 3: That's right. We were just so excited. We just like

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Speaker 3: we just had to.

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Speaker 4: I remember us walking out of being like, are we

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Speaker 4: just gonna like not talk about this?

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Speaker 3: Yeah, like, we gotta talk about it.

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Speaker 6: Leave this here. We're not going to continue the insane

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Speaker 6: momentum that we got from I know, the base of

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Speaker 6: that loves me and wanted me back and told me

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Speaker 6: they were nice to me.

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Speaker 7: You did a pro version to MITRA.

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Speaker 6: I did do a pro version. Good wow, overstayed my welcome.

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Speaker 1: The scheduling on love It or Leave It is nuts.

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Speaker 1: I haven't you know, I haven't been able to work

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Speaker 1: it out with that that crew over there getting me on.

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Speaker 2: There, which sucks.

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Speaker 1: Sucks because it's you know, mutual admiration society, like we

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Speaker 1: both want we want to get involved with one another,

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Speaker 1: and it's just like.

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Speaker 2: It's timing, you know, especially with the diseases.

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Speaker 3: With COVID.

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Speaker 4: Yeah, podcasting has become getting so much the schedule.

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Speaker 2: Mm hmmm, it's become really just a nightmare. Uh.

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Speaker 1: But I would do I would probably go on there

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Speaker 1: and maybe not do as well as U Metro, but

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Speaker 1: I think I could bring.

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Speaker 2: Something they hadn't seen before.

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Speaker 6: I think you'd kill you think.

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Speaker 1: So what would it be like? Yeah, what what kind

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Speaker 1: of stuff were they doing?

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Speaker 4: Well?

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Speaker 6: You could talk about like today's news and then you know,

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Speaker 6: perfect equips about.

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Speaker 1: That, perfect for me, today's news.

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Speaker 2: Yes, live in the moment, right, yes, uh, never.

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Speaker 6: Looked back, and then you could talk about sort of

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Speaker 6: something more specific about that week's news.

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Speaker 2: Getting into the nitty the granular, right, yeah.

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Speaker 6: And then probably some sort of interview or like sketch

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Speaker 6: with a celebrity.

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Speaker 2: Big your coordination, Yeah.

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Speaker 6: Yeah, we we wish think Adam Schiff. And then a

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Speaker 6: game probably or two.

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Speaker 3: Sweet no more than no more than seven games?

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Speaker 2: How do I think?

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Speaker 5: I want?

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Speaker 3: No more than like seven eight ten games?

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Speaker 1: I think I could do well at the games, but

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Speaker 1: at least at least eight of the ten games, my

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Speaker 1: hand is hurting me, so that would be a problem.

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Speaker 6: Oh, car tunnel, cuble tunnel, No.

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Speaker 2: Close, cuble cuble tunnel. Are you saying cubeball cuble tunnel? Yeah,

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Speaker 2: it's it's pool player fatigue. Yeah, okay, cuble tunnel. Yeah.

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Speaker 1: I got a fucking sledgehammer of a break.

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Speaker 2: I said them things.

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Speaker 1: Is the recoil careming off one another, Yeah, it's it's

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Speaker 1: nasty recoil. People put in ear plugs when they see

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Speaker 1: me walk into the pool hall.

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Speaker 4: Man.

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Speaker 1: Yeah, it's gonna be loud. It might get really very

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Speaker 1: quite loud. And so you know, obviously I get it.

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Speaker 1: I get into these big break contests, and uh, ultimately

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Speaker 1: it's just it was too much on my damn hand,

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Speaker 1: and I got Cuba tunnel.

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Speaker 2: It's brutal, it's not good.

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Speaker 3: But who are you?

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Speaker 2: What are you doing?

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Speaker 6: Well? I'm in I'm in a pretty much empty room.

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Speaker 6: I guess she didn't ask where, but the room's empty.

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Speaker 6: But I've lived here for almost a year.

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Speaker 1: In otherwise empty room.

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Speaker 2: Rile. You remember that song the Shades Go.

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00:15:54,000 --> 00:15:58,200
Speaker 1: It's really good. Check out Homework for Today. Check out

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00:15:58,440 --> 00:16:03,400
Speaker 1: Pearl Jam. The song is called Daughter. The room they

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Speaker 1: describe at the at the outset of the song is

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Speaker 1: very similar to the room.

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00:16:09,560 --> 00:16:11,880
Speaker 2: The whole situation is a lot like what's going.

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Speaker 6: On here for podcasters.

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Speaker 1: If they wrote that song today, she would be a podcaster.

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Speaker 6: Do you identify as a podcaster?

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Speaker 2: First, Yes, that's what's on my license.

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Speaker 3: Do you not know Daughter song?

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00:16:29,800 --> 00:16:31,680
Speaker 6: I don't know daughter song. I've not her daughter song.

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Speaker 2: It is good, which is crazy.

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Speaker 6: I think of myself as something of a music hit.

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Speaker 3: It goes, it goes like this, don't call me daughter.

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Speaker 4: I told you you know that my name is y.

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Speaker 3: Don't call me daughter.

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Speaker 2: My name's Eddie.

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Speaker 3: Al Right, that down to.

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Speaker 6: You? What about an epic mashup of that and John

297
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Speaker 6: Mayer daughter.

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Speaker 2: Ever think daughters?

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Speaker 3: Daughters? Couldn't mash it up?

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00:17:13,200 --> 00:17:14,760
Speaker 6: You could? I know you could.

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Speaker 3: All right?

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Speaker 6: You sing yours?

303
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Speaker 2: You put the s in parentheses.

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Speaker 6: You sing yours and I'll sing mine.

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Speaker 8: Okay, don't go fathers, be good to become.

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Speaker 2: PM and you've just got a name. Good do getuitar.

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00:17:46,760 --> 00:17:51,800
Speaker 2: They're like violin, but you play them a little different.

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00:17:52,280 --> 00:17:55,800
Speaker 1: You use your handsome and the bell.

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Speaker 8: It's called pearl jay become mothers.

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Speaker 2: That's pretty good.

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00:18:01,560 --> 00:18:04,160
Speaker 6: I mean, proves in the pudding that works.

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Speaker 3: And that song he says, you see that skin?

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Speaker 4: What song?

314
00:18:12,040 --> 00:18:12,679
Speaker 3: Ben daughter?

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00:18:12,840 --> 00:18:18,479
Speaker 4: He says that in the second Yeah, the daughters? You

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00:18:18,520 --> 00:18:22,200
Speaker 4: see that skin? That's a line from that song.

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00:18:23,160 --> 00:18:24,560
Speaker 6: You showed daddy your skin?

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00:18:25,800 --> 00:18:30,520
Speaker 3: So cool? Metra Kevin, Can we lie down for this one?

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00:18:30,840 --> 00:18:31,480
Speaker 3: Is that allowed?

320
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Speaker 2: Hell? Yeah, let's do just lie down, man.

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00:18:34,240 --> 00:18:37,359
Speaker 4: Every every gifted and talented kid from school is lying

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Speaker 4: down right now. If you're in gifted and talented class.

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Speaker 1: Now, when I was growing up, it was called talented

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Speaker 1: and gifted and they just called it tag.

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Speaker 2: Are you a tag kid?

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Speaker 6: Yeah?

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Speaker 3: Yeah, I can't.

328
00:18:58,000 --> 00:18:58,640
Speaker 2: I knew it.

329
00:19:00,080 --> 00:19:02,560
Speaker 3: Odyssey of the mind. You're tired right now?

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Speaker 6: Oh yeah? All of us that are that do Hollywood Handbook,

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00:19:07,200 --> 00:19:09,960
Speaker 6: are podcast, my podcast, or gifted and talented?

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Speaker 1: I still call it tag tired and gutted, God right,

333
00:19:15,040 --> 00:19:15,840
Speaker 1: just gutted.

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Speaker 2: To look at the news of the day, I could

335
00:19:18,359 --> 00:19:21,560
Speaker 2: hardly do love it or leave it. When I see

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00:19:21,600 --> 00:19:23,040
Speaker 2: some of these headlines, I go, how am I going

337
00:19:23,119 --> 00:19:26,240
Speaker 2: to love to do it? That's when we need it.

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00:19:26,560 --> 00:19:31,040
Speaker 4: Yeah, mitre, you're wearing your favorite overalls, your dickies that

339
00:19:31,080 --> 00:19:32,560
Speaker 4: you never go anywhere.

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00:19:32,160 --> 00:19:36,040
Speaker 6: With that, Yeah, my staple. Thank you for noticing I'm

341
00:19:36,080 --> 00:19:38,840
Speaker 6: not feeling uncomfortable talking about like what the woman wears

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00:19:38,840 --> 00:19:39,600
Speaker 6: on the podcast.

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Speaker 2: Thank you, Thank you little dickies. Excuse me, we've littled

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Speaker 2: your daves, your little.

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Speaker 3: Dickies, my little dickies.

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Speaker 2: My daves are day birds.

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Speaker 6: Yeah yeah, back again.

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Speaker 4: And just to point out we've only done that for you,

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Speaker 4: so never done it for any other guests, male or female.

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Speaker 6: Good. I want there to be things about my experience

351
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Speaker 6: that are unique. Yeah, and you're wearing your famous black shirt.

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Speaker 4: Black shirt for I'll say it spills for Can we get.

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00:20:20,359 --> 00:20:27,360
Speaker 1: A long last just confess? Yeah, we spill. Yeah, I'm

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Speaker 1: spilling when I drink. It doesn't all get in my mouth. Yes,

355
00:20:30,800 --> 00:20:34,000
Speaker 1: adult men spill their drink? Would they try to have

356
00:20:34,040 --> 00:20:34,520
Speaker 1: a drink?

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00:20:35,000 --> 00:20:35,240
Speaker 3: Yes?

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00:20:35,920 --> 00:20:42,480
Speaker 9: Yes, okay, yes, yes, I'm not gonna live in this

359
00:20:42,640 --> 00:20:47,080
Speaker 9: shame anymore, just because things basically.

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00:20:47,320 --> 00:20:49,320
Speaker 1: About a third of whatever I put on my spoon

361
00:20:49,400 --> 00:20:50,919
Speaker 1: actually makes it to my mouth.

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00:20:53,200 --> 00:20:58,040
Speaker 2: And the rest of it is on my shirt. That's

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00:20:58,119 --> 00:21:01,400
Speaker 2: just that's me. You can deal with it. Put myself

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00:21:01,480 --> 00:21:02,640
Speaker 2: asses on like the little dog.

365
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Speaker 6: I love when guys can open up.

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Speaker 3: Do you ever spell?

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00:21:09,320 --> 00:21:10,399
Speaker 2: Yeah?

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00:21:10,480 --> 00:21:13,760
Speaker 3: Yeah? What's one time that you made a big.

369
00:21:13,480 --> 00:21:17,960
Speaker 1: Mess, big spill mess. I'm talking you grabbed the paper

370
00:21:18,000 --> 00:21:19,679
Speaker 1: towels and you go. You know what, I think I need.

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00:21:19,560 --> 00:21:21,280
Speaker 2: A real towel, big mess.

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Speaker 6: I'll tell you what.

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Speaker 2: I need, a fucking beach towel.

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Speaker 6: I'll tell you one time I made a big mess.

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Speaker 6: One time my dad and I post my dad and

376
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Speaker 6: my mom getting divorced, took my I've never talked about this,

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00:21:33,400 --> 00:21:35,600
Speaker 6: took my mom's dog for a walk and while we

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Speaker 6: were on the walk, the dog broke its leg. That's

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Speaker 6: when we made a big mess. What he was really

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Speaker 6: upsetting the dog's Okay, now that was a big mess.

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00:21:47,240 --> 00:21:48,760
Speaker 3: You made such a big mess.

382
00:21:48,800 --> 00:21:51,520
Speaker 6: The dog broke its no, no, the dog. The mess

383
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Speaker 6: is the broken leg.

384
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Speaker 2: We didn't breathe.

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00:21:53,720 --> 00:21:55,280
Speaker 6: We just took the dog out for us on like

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Speaker 6: a little walk, and then the dog broke its leg

387
00:21:57,680 --> 00:21:58,800
Speaker 6: and that was a big mess.

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Speaker 3: Why did he do that?

389
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Speaker 6: I don't know. For attention prob it was.

390
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Speaker 3: Do you think he was a gifted and talented school.

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00:22:06,640 --> 00:22:09,160
Speaker 6: Yeah, the gifted and talented kid.

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Speaker 4: If you were a gifted talented kid, it's at school

393
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Speaker 4: you you broke your leg out of the walk.

394
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Speaker 6: Have you ever taken your mom's dog out for a

395
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Speaker 6: walk with your dad after your mom and your dad

396
00:22:21,680 --> 00:22:23,640
Speaker 6: get divorced and then the dog breaks its leg while

397
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Speaker 6: you're out on the walk in the middle of the woods.

398
00:22:25,320 --> 00:22:26,879
Speaker 6: But then you're really far into the hike and you

399
00:22:26,920 --> 00:22:28,760
Speaker 6: have to carry it back and it's a really dark,

400
00:22:28,840 --> 00:22:31,040
Speaker 6: silent walk, and you're having a lot of fun. Yeah,

401
00:22:31,080 --> 00:22:32,960
Speaker 6: then you might have been in the Gifted and talented

402
00:22:33,000 --> 00:22:35,400
Speaker 6: program m hmm.

403
00:22:35,760 --> 00:22:37,600
Speaker 4: Was this close enough to it that you were probably

404
00:22:37,680 --> 00:22:40,280
Speaker 4: talking about the how they got divorced or not?

405
00:22:40,440 --> 00:22:40,720
Speaker 3: Really?

406
00:22:41,280 --> 00:22:45,360
Speaker 4: No, it was years later, okay, so that that had

407
00:22:45,440 --> 00:22:47,159
Speaker 4: nothing to do with No.

408
00:22:47,240 --> 00:22:49,199
Speaker 6: I think it was just interesting that like he was

409
00:22:49,280 --> 00:22:52,200
Speaker 6: there even though it's not his dog, and they were divorced,

410
00:22:52,359 --> 00:22:52,960
Speaker 6: and you.

411
00:22:52,840 --> 00:22:55,720
Speaker 3: Know whose dog is it?

412
00:22:55,840 --> 00:22:59,800
Speaker 6: My mom's Oh wow, yeah, we felt really bad.

413
00:23:00,080 --> 00:23:01,840
Speaker 2: Yeah, women can have dogs.

414
00:23:03,080 --> 00:23:06,960
Speaker 3: It's like one of those puzzles right with the dog?

415
00:23:07,000 --> 00:23:07,639
Speaker 2: Whose dog was?

416
00:23:07,800 --> 00:23:09,960
Speaker 1: The doctor said, I can't operate on his dog. This

417
00:23:10,080 --> 00:23:14,920
Speaker 1: is not your dad's dog. Your parents are divorced, and

418
00:23:14,960 --> 00:23:17,440
Speaker 1: who's whose was the dog?

419
00:23:20,480 --> 00:23:20,680
Speaker 6: Yes?

420
00:23:21,840 --> 00:23:22,720
Speaker 3: What's the dog's name?

421
00:23:23,600 --> 00:23:31,560
Speaker 6: Gizmo? Okay, no reaction, well straight straight at faces, not

422
00:23:31,600 --> 00:23:32,640
Speaker 6: even a blink.

423
00:23:32,560 --> 00:23:33,520
Speaker 2: Short for gizmoto.

424
00:23:34,640 --> 00:23:39,000
Speaker 6: No, I wish short for a box more like it. Also,

425
00:23:39,040 --> 00:23:44,320
Speaker 6: another time I was getting cookies off a spatula and

426
00:23:44,320 --> 00:23:47,359
Speaker 6: they were stuck off of a off of a cookie

427
00:23:47,400 --> 00:23:48,200
Speaker 6: sheet sheet.

428
00:23:48,400 --> 00:23:51,399
Speaker 2: Cookie sheet, Yes, so I used that.

429
00:23:51,480 --> 00:23:55,159
Speaker 6: I was using a metal spatula. I shoved the spatula

430
00:23:55,280 --> 00:23:57,600
Speaker 6: under the cookie so hard that I sliced open my

431
00:23:57,680 --> 00:24:01,240
Speaker 6: thumb and I had to get stitches all down my thumb.

432
00:24:01,280 --> 00:24:03,400
Speaker 6: You you probably can't see it, well, yeah, you won't

433
00:24:03,400 --> 00:24:04,119
Speaker 6: be able to see the car.

434
00:24:05,280 --> 00:24:06,840
Speaker 2: That's let's just grab a beach towel.

435
00:24:08,200 --> 00:24:12,760
Speaker 4: Imagine I do want to get to the messy thumb.

436
00:24:13,440 --> 00:24:15,880
Speaker 4: But imagine like being at someone's house for dinner and

437
00:24:15,920 --> 00:24:18,720
Speaker 4: like their dog is like chewing something or something, and they're.

438
00:24:18,560 --> 00:24:25,200
Speaker 3: Like Fox short for Vox looks Fox Fox Media.

439
00:24:27,560 --> 00:24:34,640
Speaker 6: To stop Slate, Vulture cocker.

440
00:24:36,920 --> 00:24:42,760
Speaker 4: Okay, so your thumb was fully best up. Yeah, with

441
00:24:42,880 --> 00:24:43,680
Speaker 4: a spatula.

442
00:24:44,280 --> 00:24:47,960
Speaker 3: I wasn't really listening. You cut it with a spatula thumb.

443
00:24:47,960 --> 00:24:52,840
Speaker 2: I listen. I listened, so you don't have to. The

444
00:24:52,960 --> 00:24:53,760
Speaker 2: story was.

445
00:24:53,800 --> 00:24:59,480
Speaker 1: All over the place. She's lying. She said she was

446
00:24:59,520 --> 00:25:02,080
Speaker 1: taking the he's off the spatula. Then all of a sudden,

447
00:25:02,080 --> 00:25:04,639
Speaker 1: there was this cookie sheet that had been nowhere to

448
00:25:04,680 --> 00:25:05,560
Speaker 1: be seen earlier.

449
00:25:06,080 --> 00:25:07,719
Speaker 2: Now that's what the story is about.

450
00:25:08,000 --> 00:25:10,680
Speaker 1: Then it's like I shoved dispatchulas so hard it cut

451
00:25:10,720 --> 00:25:11,280
Speaker 1: my finger.

452
00:25:11,760 --> 00:25:15,080
Speaker 2: But it's like what was providing the resistance? Like none

453
00:25:15,080 --> 00:25:15,280
Speaker 2: of it.

454
00:25:16,240 --> 00:25:19,800
Speaker 1: This story changed so many times that I think we

455
00:25:19,880 --> 00:25:21,080
Speaker 1: can just move on.

456
00:25:22,240 --> 00:25:25,119
Speaker 4: The first story wasn't really about a mess, and so

457
00:25:25,240 --> 00:25:27,240
Speaker 4: that's why I can I can see why she would

458
00:25:27,240 --> 00:25:30,600
Speaker 4: be like, Okay, well now I have to make up

459
00:25:30,640 --> 00:25:31,720
Speaker 4: a mess.

460
00:25:31,960 --> 00:25:35,679
Speaker 2: Yes that was this was messier. This was messier for sure.

461
00:25:36,119 --> 00:25:39,359
Speaker 1: But it's like, I guess when we said mess and

462
00:25:39,440 --> 00:25:43,760
Speaker 1: I fault us the assignment wasn't clear. We wanted to

463
00:25:43,800 --> 00:25:48,920
Speaker 1: hear about a messy mess. And not necessarily just like, hey,

464
00:25:49,800 --> 00:25:52,000
Speaker 1: you know, is there anywhere you think you could score

465
00:25:52,040 --> 00:25:56,840
Speaker 1: some pity points, some Internet pity points.

466
00:25:57,640 --> 00:26:01,080
Speaker 6: Well, everyone in both of those stories heal, so there's

467
00:26:01,080 --> 00:26:03,080
Speaker 6: nothing really to pity.

468
00:26:03,240 --> 00:26:05,080
Speaker 2: But the trauma remains, does it not.

469
00:26:05,640 --> 00:26:07,040
Speaker 6: Yeah, that's true.

470
00:26:07,960 --> 00:26:09,160
Speaker 2: You don't think when your dogs.

471
00:26:09,240 --> 00:26:13,640
Speaker 4: No one ever really heals from anything that ever happens. No,

472
00:26:14,520 --> 00:26:18,320
Speaker 4: it's all the same as it was at the beginning.

473
00:26:18,359 --> 00:26:21,160
Speaker 4: Nothing ever gets better fresh trauma.

474
00:26:21,280 --> 00:26:23,320
Speaker 1: There's just so many layers of it that some of

475
00:26:23,320 --> 00:26:28,360
Speaker 1: it gets pushed down further and it's not as impactful

476
00:26:28,440 --> 00:26:31,359
Speaker 1: because you're just now you're dealing with whatever just happened

477
00:26:31,359 --> 00:26:31,640
Speaker 1: to you.

478
00:26:32,680 --> 00:26:33,919
Speaker 2: For me, it's this podcast.

479
00:26:35,560 --> 00:26:37,840
Speaker 1: This now has made me feel less bad about like

480
00:26:39,080 --> 00:26:41,520
Speaker 1: when I was, you know, embarrassed in front of my

481
00:26:41,560 --> 00:26:42,240
Speaker 1: smart home.

482
00:26:49,359 --> 00:26:52,160
Speaker 3: Kevin, do you want to talk about your big mess? Sure?

483
00:26:52,480 --> 00:26:56,280
Speaker 7: I flew back from Washington, d C. On Monday, and

484
00:26:56,600 --> 00:26:59,840
Speaker 7: plan right's going okay, no complaints over here. I just

485
00:27:00,160 --> 00:27:03,360
Speaker 7: or one orange juice with ice. All of a sudden,

486
00:27:03,440 --> 00:27:06,520
Speaker 7: I'm falling asleep and like kind of shake a little bit.

487
00:27:06,600 --> 00:27:10,240
Speaker 7: I think I was having that dream where I like

488
00:27:10,960 --> 00:27:12,840
Speaker 7: the car's coming towards me and I like, wake up

489
00:27:12,880 --> 00:27:16,639
Speaker 7: right before it hits me, and I knocked it all

490
00:27:16,720 --> 00:27:23,160
Speaker 7: over myself. Boo gets all over my navy blue pants

491
00:27:23,280 --> 00:27:28,920
Speaker 7: and it turns bright white, looks like lotion all over

492
00:27:28,960 --> 00:27:33,280
Speaker 7: my legs. And then I have to sit in it

493
00:27:34,080 --> 00:27:36,359
Speaker 7: for the whole flight. And then I walked to the

494
00:27:36,680 --> 00:27:38,200
Speaker 7: I go, I'm at LA And.

495
00:27:38,160 --> 00:27:40,359
Speaker 2: You also had a lot of lotion on your legs.

496
00:27:41,000 --> 00:27:43,440
Speaker 7: Oh yeah, but that was I guess, so I blended

497
00:27:43,440 --> 00:27:46,400
Speaker 7: in a little bit. But when I was walking out

498
00:27:46,440 --> 00:27:50,359
Speaker 7: then at the airport, I was like way more white

499
00:27:50,359 --> 00:27:52,800
Speaker 7: stuff on my pants, Like.

500
00:27:52,960 --> 00:27:56,560
Speaker 4: Then you would normally have leaving a plane, Kevin, if

501
00:27:56,560 --> 00:27:59,359
Speaker 4: you had, I just want to say this, Yeah, if

502
00:27:59,400 --> 00:28:03,159
Speaker 4: you had. If you're on a plane, the plane is

503
00:28:03,200 --> 00:28:06,520
Speaker 4: like shaking around and all this stuff, and you're falling

504
00:28:06,560 --> 00:28:09,080
Speaker 4: asleep and you had an exciting dream.

505
00:28:10,359 --> 00:28:14,840
Speaker 3: On the plane, you can just say that you don't.

506
00:28:14,920 --> 00:28:17,320
Speaker 1: I guess I would ask that we got that version

507
00:28:17,359 --> 00:28:19,680
Speaker 1: of the story rather than the version that you came

508
00:28:19,800 --> 00:28:24,800
Speaker 1: up with a month later to say to say to

509
00:28:24,880 --> 00:28:27,680
Speaker 1: people about what happened on the plane. Again, we weren't there,

510
00:28:28,359 --> 00:28:30,359
Speaker 1: so we don't need to know what. Ever, I would

511
00:28:30,600 --> 00:28:33,080
Speaker 1: never ever ever be there. It goes without saying that

512
00:28:33,119 --> 00:28:36,040
Speaker 1: I wasn't there, so I wouldn't ever ask you any

513
00:28:36,119 --> 00:28:40,560
Speaker 1: questions about this. You don't need a cover. But if

514
00:28:40,560 --> 00:28:42,360
Speaker 1: you want to tell the story, I think I would

515
00:28:42,400 --> 00:28:45,000
Speaker 1: prefer to just hear the real story, minus obviously some

516
00:28:45,040 --> 00:28:49,600
Speaker 1: of the details of what was happening in the dream.

517
00:28:49,760 --> 00:28:52,120
Speaker 7: I was on the plane.

518
00:28:52,360 --> 00:28:55,520
Speaker 3: You were just an orange juice for the whole plane.

519
00:28:55,760 --> 00:28:58,400
Speaker 7: The whole flight attendant goes down the roast, just orange

520
00:28:58,440 --> 00:29:02,280
Speaker 7: juice for me with ice. I take a big sippy

521
00:29:02,600 --> 00:29:09,800
Speaker 7: sugar spikes my ass and then what comes up must

522
00:29:09,840 --> 00:29:13,160
Speaker 7: go now. I fall asleep hard. I don't even make

523
00:29:13,200 --> 00:29:14,280
Speaker 7: it to the second sip.

524
00:29:14,840 --> 00:29:15,160
Speaker 3: Wow.

525
00:29:15,520 --> 00:29:17,160
Speaker 7: And then that dream starts again.

526
00:29:18,280 --> 00:29:21,720
Speaker 8: Sweet dream man.

527
00:29:23,240 --> 00:29:30,920
Speaker 7: The beautiful lady sitting on the car hate Buster. I

528
00:29:31,000 --> 00:29:32,600
Speaker 7: wake up creamed.

529
00:29:33,760 --> 00:29:38,000
Speaker 2: And so yeah she was Lily Buster. Yeah you were.

530
00:29:38,040 --> 00:29:41,400
Speaker 2: She was at Buster at Bust.

531
00:29:41,400 --> 00:29:48,200
Speaker 4: I woke up, Maitra, hmmm, I'm sorry for mentioning your

532
00:29:48,400 --> 00:29:49,320
Speaker 4: overalls before.

533
00:29:51,000 --> 00:29:51,479
Speaker 3: Thank you.

534
00:29:52,000 --> 00:29:52,880
Speaker 1: Yeah.

535
00:29:53,040 --> 00:29:58,320
Speaker 3: Do you want to talk about the painting behind? Yeah?

536
00:29:58,360 --> 00:29:59,280
Speaker 3: You want to bring it over.

537
00:29:59,560 --> 00:30:03,840
Speaker 4: You don't want to talk about that, Mitra, please bring

538
00:30:03,840 --> 00:30:09,200
Speaker 4: it over, Okay, hold on, I love to study. Oh

539
00:30:09,280 --> 00:30:16,920
Speaker 4: my god, oh my god. Trip he almost completely fell

540
00:30:16,960 --> 00:30:17,880
Speaker 4: over and died.

541
00:30:18,880 --> 00:30:20,760
Speaker 2: So this is their first time getting out of a chair.

542
00:30:21,520 --> 00:30:22,760
Speaker 3: Guys, Mitra died.

543
00:30:25,520 --> 00:30:28,200
Speaker 4: What would we do if we're we're like recording a

544
00:30:28,280 --> 00:30:31,479
Speaker 4: podcast that Beatrix just like disappears below frame and like

545
00:30:32,560 --> 00:30:35,360
Speaker 4: we and we have no other information, we'd have to

546
00:30:35,880 --> 00:30:38,360
Speaker 4: We definitely have to call nine on one, but we

547
00:30:38,400 --> 00:30:39,840
Speaker 4: don't know where Mitra lives.

548
00:30:41,520 --> 00:30:44,640
Speaker 3: So what will we do? Or say?

549
00:30:45,160 --> 00:30:46,400
Speaker 6: Beautiful girl in the world.

550
00:30:46,720 --> 00:30:49,640
Speaker 1: Wit is recording a podcast too, so I don't want

551
00:30:49,680 --> 00:30:52,440
Speaker 1: to bother him. No that he's in the same house,

552
00:30:52,520 --> 00:30:54,600
Speaker 1: but I also know that you don't want to get

553
00:30:54,640 --> 00:30:56,960
Speaker 1: a phone called your podcast.

554
00:30:58,480 --> 00:31:00,560
Speaker 4: And also like if he gets it and I don't

555
00:31:00,560 --> 00:31:04,000
Speaker 4: want her to like put me on the podcast, I don't.

556
00:31:04,440 --> 00:31:06,120
Speaker 3: I actually don't like when people.

557
00:31:05,840 --> 00:31:08,960
Speaker 6: Do that pull people into the podcast.

558
00:31:09,320 --> 00:31:12,520
Speaker 4: When like if I get a call from someone who's

559
00:31:12,600 --> 00:31:14,400
Speaker 4: like and I'm like, oh, they're probably doing a podcast

560
00:31:14,400 --> 00:31:18,320
Speaker 4: and they want some of this, like some of what

561
00:31:18,400 --> 00:31:20,680
Speaker 4: I have to offer, but they're not going to tell

562
00:31:20,720 --> 00:31:21,800
Speaker 4: me that I'm on the podcast.

563
00:31:21,800 --> 00:31:24,800
Speaker 1: It'd be sprinkled at magic dust on the podcast.

564
00:31:24,960 --> 00:31:27,920
Speaker 4: Yeah, I actually don't like that, So I probably wouldn't

565
00:31:27,960 --> 00:31:32,320
Speaker 4: call WET. I would call the police. And say you're

566
00:31:32,360 --> 00:31:36,400
Speaker 4: saying that that's the best. So the most beautiful girl

567
00:31:36,440 --> 00:31:39,280
Speaker 4: of the world just fell down.

568
00:31:41,640 --> 00:31:45,320
Speaker 2: H Hello, police, an angel is missing.

569
00:31:47,160 --> 00:31:50,920
Speaker 6: And would you say anything about the painting?

570
00:31:51,720 --> 00:31:55,560
Speaker 4: Yeah, well, i'd go through I'd have to explain like

571
00:31:55,640 --> 00:31:58,160
Speaker 4: how we got to the painting stuff.

572
00:31:59,480 --> 00:32:01,280
Speaker 6: Even though it would make you a little bit culpable

573
00:32:01,320 --> 00:32:05,280
Speaker 6: because you get the painting, see you accept responsibility.

574
00:32:05,640 --> 00:32:07,560
Speaker 4: Yeah, and I'd have to make something up about like

575
00:32:07,760 --> 00:32:11,560
Speaker 4: I would definitely not say to the police that that

576
00:32:11,600 --> 00:32:15,840
Speaker 4: I that I mentioned the guest's clothing before.

577
00:32:16,200 --> 00:32:16,520
Speaker 3: Yeah.

578
00:32:16,720 --> 00:32:18,200
Speaker 1: The police would be like, Okay, do you have a

579
00:32:18,200 --> 00:32:20,160
Speaker 1: description of what she's wearing? And I go, no, I've

580
00:32:20,160 --> 00:32:26,560
Speaker 1: actually never described what she's wearing. How's it come up?

581
00:32:28,120 --> 00:32:30,400
Speaker 4: And I guess we would have to wait on the

582
00:32:30,400 --> 00:32:33,080
Speaker 4: podcast for the police to.

583
00:32:33,120 --> 00:32:35,200
Speaker 2: Come, and I guess we'd have to vamp.

584
00:32:35,640 --> 00:32:37,400
Speaker 3: Yeah, we would have to spend all that time.

585
00:32:37,440 --> 00:32:39,640
Speaker 1: We can't release an episode that is just a silently

586
00:32:39,680 --> 00:32:41,160
Speaker 1: waiting for the police to show up.

587
00:32:43,560 --> 00:32:46,000
Speaker 7: I'd have to talk about a second messy experience.

588
00:32:46,800 --> 00:32:51,040
Speaker 6: No, please don't. Please not to be.

589
00:32:51,000 --> 00:32:54,400
Speaker 2: Rude, but please do I wouldn't so.

590
00:32:55,880 --> 00:33:00,400
Speaker 6: Crass. I hate that ship where the paint in goo

591
00:33:01,280 --> 00:33:02,000
Speaker 6: it's over here.

592
00:33:03,600 --> 00:33:08,160
Speaker 3: Let me see it there. I can't see it at all.

593
00:33:08,400 --> 00:33:11,840
Speaker 6: Yeah it is.

594
00:33:12,760 --> 00:33:15,520
Speaker 3: Oh, I really didn't see it.

595
00:33:15,760 --> 00:33:18,080
Speaker 6: What is it's right here.

596
00:33:18,160 --> 00:33:20,479
Speaker 4: It's not really in the frame. And the light is

597
00:33:20,560 --> 00:33:22,600
Speaker 4: so bad, the lights behind it.

598
00:33:22,760 --> 00:33:25,040
Speaker 3: That was too close? That was too close?

599
00:33:25,800 --> 00:33:27,160
Speaker 6: Do was ask a lot of your guests to hold

600
00:33:27,240 --> 00:33:28,640
Speaker 6: up something heavy while the.

601
00:33:30,320 --> 00:33:36,719
Speaker 4: God, no, get I'm so sorry. I can't believe they

602
00:33:36,720 --> 00:33:39,400
Speaker 4: have to figure out something to tell the police instead

603
00:33:39,440 --> 00:33:40,040
Speaker 4: of that too.

604
00:33:42,760 --> 00:33:44,840
Speaker 3: I didn't know it was that heavy. It didn't look bad.

605
00:33:44,880 --> 00:33:46,280
Speaker 3: First of all, it was really far away, so it

606
00:33:46,320 --> 00:33:47,680
Speaker 3: actually looked really small.

607
00:33:48,360 --> 00:33:51,240
Speaker 1: I'd say, when our guest is in the traditional uniform

608
00:33:51,280 --> 00:33:56,960
Speaker 1: of the working class, yes we may ask them to

609
00:33:57,000 --> 00:33:58,880
Speaker 1: do some kind of manual task.

610
00:34:01,120 --> 00:34:02,720
Speaker 6: All right, that's fair. I'm humbled.

611
00:34:02,920 --> 00:34:10,239
Speaker 3: Thanks boys, Kevin, Hey, gang, are they still on? Are

612
00:34:10,280 --> 00:34:12,040
Speaker 3: you guys still on your Wolf show?

613
00:34:12,920 --> 00:34:13,000
Speaker 2: Me?

614
00:34:13,160 --> 00:34:13,879
Speaker 6: Yeah?

615
00:34:13,960 --> 00:34:16,279
Speaker 3: Yeah, yeah, what's up over there?

616
00:34:16,800 --> 00:34:19,399
Speaker 2: How's it been? Has anybody been asking about us?

617
00:34:19,480 --> 00:34:20,800
Speaker 3: Yeah?

618
00:34:20,880 --> 00:34:21,160
Speaker 7: Yeah.

619
00:34:21,280 --> 00:34:24,480
Speaker 6: It actually takes us a ser to do the podcast

620
00:34:24,520 --> 00:34:26,200
Speaker 6: every time because we have to have a meeting with

621
00:34:26,239 --> 00:34:28,120
Speaker 6: so many people at your Wolf because they're just trying

622
00:34:28,120 --> 00:34:30,919
Speaker 6: to get us to get you guys back.

623
00:34:29,880 --> 00:34:35,279
Speaker 10: It's a lot of like strategizing for how to get

624
00:34:35,280 --> 00:34:38,319
Speaker 10: you guys back, and then you know, talking about like

625
00:34:38,719 --> 00:34:40,759
Speaker 10: other shows that have a lot more listeners than us,

626
00:34:40,760 --> 00:34:43,600
Speaker 10: and then eventually we get around to record the podcast.

627
00:34:43,680 --> 00:34:44,560
Speaker 3: Wow, Oh my.

628
00:34:44,520 --> 00:34:45,360
Speaker 2: God, that sucks.

629
00:34:45,400 --> 00:34:47,640
Speaker 3: Yeah, I heard it sucks ever since because of that.

630
00:34:48,200 --> 00:34:50,160
Speaker 6: Yeah, I missed. I just missed seeing you guys in

631
00:34:50,200 --> 00:34:52,840
Speaker 6: the halls, finding out what's going on with you guys.

632
00:34:53,280 --> 00:34:53,480
Speaker 8: Yeah.

633
00:34:53,520 --> 00:34:56,400
Speaker 1: Well my locker was right across from yours, which actually

634
00:34:56,600 --> 00:35:00,279
Speaker 1: was pretty cool, like so in between periods, it was

635
00:35:00,320 --> 00:35:02,280
Speaker 1: always like, oh, well, this will be nice.

636
00:35:02,760 --> 00:35:06,040
Speaker 2: Uh you know, metric can remind me what my combination is.

637
00:35:07,040 --> 00:35:10,400
Speaker 6: Yeah, and I miss those days. And it's pretty pretty lonely,

638
00:35:10,400 --> 00:35:13,840
Speaker 6: pretty quiet in the hallways, which you know, I'm not

639
00:35:14,000 --> 00:35:15,960
Speaker 6: not saying that to kind of guilt you guys, but

640
00:35:16,239 --> 00:35:21,839
Speaker 6: it is just it's dark. The space is dark, and

641
00:35:21,840 --> 00:35:25,120
Speaker 6: and I'm sad and that's just my life, it's my reality,

642
00:35:25,360 --> 00:35:28,600
Speaker 6: and it sucks. I couldn't feel more. Alum, Jel is

643
00:35:28,640 --> 00:35:34,279
Speaker 6: mean to me and uh me, so yeah, don't mean

644
00:35:34,280 --> 00:35:34,799
Speaker 6: to me in.

645
00:35:34,760 --> 00:35:35,640
Speaker 2: An empty room.

646
00:35:35,800 --> 00:35:38,000
Speaker 6: Yeah, so it's just us sort of we're the only

647
00:35:38,000 --> 00:35:41,160
Speaker 6: ones left at your wolf Wow, and there's I don't

648
00:35:41,160 --> 00:35:42,920
Speaker 6: know if you heard there's no other shows, it's just

649
00:35:43,040 --> 00:35:44,560
Speaker 6: urgent Care and it's.

650
00:35:44,440 --> 00:35:44,799
Speaker 3: A lot of.

651
00:35:46,960 --> 00:35:47,600
Speaker 2: The whole band.

652
00:35:48,840 --> 00:35:58,120
Speaker 4: Joel Caim Booster is Joel kim Buser apostrophe b U

653
00:35:58,280 --> 00:35:58,879
Speaker 4: s e R.

654
00:35:59,600 --> 00:36:02,360
Speaker 6: That's like he's Joel kim Busy. We have no time

655
00:36:02,400 --> 00:36:08,759
Speaker 6: to record the podcast, and yes Boosy, yeah bo Jee.

656
00:36:12,440 --> 00:36:17,000
Speaker 1: Kevin is actually Joel kim Buster as well, according to

657
00:36:17,000 --> 00:36:17,840
Speaker 1: the plane story.

658
00:36:18,440 --> 00:36:20,200
Speaker 7: So there's a lot of Joel Kevin Buster.

659
00:36:20,960 --> 00:36:21,760
Speaker 2: Now is it.

660
00:36:24,360 --> 00:36:25,400
Speaker 3: Kevin Buster?

661
00:36:26,239 --> 00:36:30,799
Speaker 2: Is it true that basically Conan has just like been

662
00:36:30,840 --> 00:36:33,440
Speaker 2: walking into more and more opposite studios and going like

663
00:36:33,600 --> 00:36:37,520
Speaker 2: I'll take this, And yes, are just sort.

664
00:36:37,360 --> 00:36:40,920
Speaker 1: Of like relegated to the this tidy little back bathroom

665
00:36:40,920 --> 00:36:43,080
Speaker 1: that he doesn't know is there yet, and you all

666
00:36:43,120 --> 00:36:46,000
Speaker 1: have to have your meetings in there, do all the recording.

667
00:36:46,160 --> 00:36:48,880
Speaker 6: Yeah, you took the spare Cetic keys to my Mazda.

668
00:36:49,239 --> 00:36:52,680
Speaker 1: Oh no, I know so if yeah, so if the

669
00:36:52,760 --> 00:36:57,200
Speaker 1: Mazda keys that you have stopped working, Conan owns it.

670
00:36:57,440 --> 00:37:00,640
Speaker 4: Met you have to do the new Parks record your podcast.

671
00:37:00,640 --> 00:37:02,000
Speaker 4: Persided by Carlin O'Brien.

672
00:37:03,320 --> 00:37:04,520
Speaker 3: You have to do it.

673
00:37:04,640 --> 00:37:09,520
Speaker 1: You have to parts in recollection. It's important you.

674
00:37:09,560 --> 00:37:14,360
Speaker 2: Must and the Seth Rogan Podcast. Yes, you have to

675
00:37:14,440 --> 00:37:17,360
Speaker 2: do this podcast to get one.

676
00:37:18,120 --> 00:37:22,960
Speaker 1: You've got her parts in recollection, Mouse Rat bassist Alan Yang.

677
00:37:25,400 --> 00:37:28,759
Speaker 2: Walk through the memories of Pawnie.

678
00:37:29,520 --> 00:37:34,680
Speaker 6: Yeah, I'll talk about Mona Lisa, all her stuff. She said,

679
00:37:35,640 --> 00:37:36,880
Speaker 6: just thinking of names from there.

680
00:37:38,080 --> 00:37:40,799
Speaker 2: You gotta that's perfect. You have to.

681
00:37:40,920 --> 00:37:43,600
Speaker 3: That's what you have to at that show. You have

682
00:37:43,680 --> 00:37:44,759
Speaker 3: to think of you have to.

683
00:37:44,680 --> 00:37:45,440
Speaker 2: Think of the names.

684
00:37:45,680 --> 00:37:48,120
Speaker 6: Oh God, remember Mona Lisa. That's what I'll say.

685
00:37:49,000 --> 00:37:51,520
Speaker 2: Remember Mona Lisa. Do you remember that?

686
00:37:51,719 --> 00:37:54,520
Speaker 6: Do you remember? I remember where I was?

687
00:37:54,920 --> 00:37:59,000
Speaker 3: She was so weird And you're not saying.

688
00:37:58,719 --> 00:38:00,880
Speaker 6: Weird stuff like that any more when you turn on

689
00:38:00,920 --> 00:38:06,359
Speaker 6: the TV scene stuff like nine Perfect Strangers, which I

690
00:38:06,400 --> 00:38:07,239
Speaker 6: am up to date.

691
00:38:08,880 --> 00:38:10,720
Speaker 3: Tell me about each of the nine Perfect Strangers.

692
00:38:10,840 --> 00:38:12,440
Speaker 2: Yeah, yeah, okay.

693
00:38:12,600 --> 00:38:16,759
Speaker 6: Number one is Bobby Kinnavali's character. He is a retired

694
00:38:16,840 --> 00:38:20,000
Speaker 6: football player whose career was cut short due to an injury,

695
00:38:20,040 --> 00:38:24,240
Speaker 6: and now he is very uh depressed. Melissa McCarthy plays

696
00:38:24,280 --> 00:38:27,840
Speaker 6: an author whose career is going down the toilet. Michael

697
00:38:27,840 --> 00:38:30,799
Speaker 6: Shannon and then two other women play a father and

698
00:38:31,120 --> 00:38:34,080
Speaker 6: a mother and daughter family. His name is Napoleon and

699
00:38:34,080 --> 00:38:36,360
Speaker 6: their last name is the Marconi's and they are reeling

700
00:38:36,400 --> 00:38:38,840
Speaker 6: from the loss of the son who was the twin

701
00:38:39,280 --> 00:38:43,320
Speaker 6: to the daughter. Then we have Samara Weaving, Hugo Weaving's niece,

702
00:38:43,719 --> 00:38:46,960
Speaker 6: and she's wearing crazy and I know, tell me about it.

703
00:38:47,040 --> 00:38:49,239
Speaker 6: And she looks exactly like Marco Robbie, but not in

704
00:38:49,280 --> 00:38:50,960
Speaker 6: this because they may put a bunch of fig Tanner

705
00:38:50,960 --> 00:38:53,480
Speaker 6: on her. And she is married to a different guy.

706
00:38:53,520 --> 00:38:55,600
Speaker 6: I can't remember his name, and they are a couple

707
00:38:55,680 --> 00:38:59,319
Speaker 6: who won the lottery and now they don't love each

708
00:38:59,320 --> 00:39:03,560
Speaker 6: other anymore. And then you have I don't remember how

709
00:39:03,600 --> 00:39:05,359
Speaker 6: many names I said. Oh yeah. Then there's another guy

710
00:39:05,360 --> 00:39:08,399
Speaker 6: who's like a journalist. And then there's another woman who

711
00:39:08,960 --> 00:39:10,759
Speaker 6: husband cheated on her and now she feels really bad

712
00:39:10,760 --> 00:39:14,680
Speaker 6: about herself. And then there's Nicole Kidman and she's Russian,

713
00:39:15,360 --> 00:39:18,880
Speaker 6: but no reason why, she just is being Russian. And

714
00:39:18,920 --> 00:39:21,560
Speaker 6: then there's many justinto from a good place and he

715
00:39:21,640 --> 00:39:23,640
Speaker 6: works there, and then there's another woman who works there,

716
00:39:23,800 --> 00:39:25,960
Speaker 6: and yeah, that's pretty much the whole cast.

717
00:39:26,160 --> 00:39:30,480
Speaker 2: And wow, the wound, he starts with the wound.

718
00:39:30,760 --> 00:39:32,560
Speaker 6: Yeah, the healing starts with the wound. They're still working

719
00:39:32,560 --> 00:39:32,920
Speaker 6: through it.

720
00:39:34,239 --> 00:39:39,239
Speaker 3: Now. You said that they work there. Yeah, there was

721
00:39:39,320 --> 00:39:39,960
Speaker 3: no place.

722
00:39:40,239 --> 00:39:42,440
Speaker 6: Oh you want to know the name of the place, Tranquil.

723
00:39:43,200 --> 00:39:44,720
Speaker 3: They're all in one place called.

724
00:39:45,080 --> 00:39:48,880
Speaker 6: Tranquil, which is where you go to heal. It's called Tranquilim.

725
00:39:49,320 --> 00:39:50,240
Speaker 3: Oh.

726
00:39:50,360 --> 00:39:54,440
Speaker 6: Yeah, and that's a place that Nicole Kidman character Basha

727
00:39:54,880 --> 00:40:01,719
Speaker 6: who's Russian, runs and everybody's depressed, everybody's doing drugs.

728
00:40:00,960 --> 00:40:04,040
Speaker 1: And sorry, I don't want to talk about this anymore.

729
00:40:04,320 --> 00:40:05,720
Speaker 1: Only murders in the building.

730
00:40:05,920 --> 00:40:06,000
Speaker 3: Go.

731
00:40:08,000 --> 00:40:10,040
Speaker 6: So I haven't seen that show. From what I can gather,

732
00:40:11,160 --> 00:40:13,960
Speaker 6: that is a show about Sleny Gomez, Maria Short and

733
00:40:14,000 --> 00:40:16,319
Speaker 6: Steve Martin and they are in a building where there

734
00:40:16,360 --> 00:40:18,319
Speaker 6: are murders and that's the only thing that happens in

735
00:40:18,320 --> 00:40:20,320
Speaker 6: that building. So every day, another murder. They're trying to

736
00:40:20,360 --> 00:40:23,560
Speaker 6: solve the murders, and you know there's gonna be some laughs.

737
00:40:23,600 --> 00:40:32,560
Speaker 1: Wrong, Wrong, that's not what's happening. They're three friends. Yes,

738
00:40:32,600 --> 00:40:35,640
Speaker 1: they live in a building. Yes, there's murders in the building.

739
00:40:35,920 --> 00:40:37,960
Speaker 1: That's not the only thing that happens in the building.

740
00:40:38,239 --> 00:40:41,880
Speaker 1: But they have a true crime podcast and it only

741
00:40:41,920 --> 00:40:45,240
Speaker 1: covers murders that took place in that building.

742
00:40:45,880 --> 00:40:46,399
Speaker 6: Is that real?

743
00:40:47,480 --> 00:40:47,719
Speaker 9: Yes?

744
00:40:48,800 --> 00:40:49,080
Speaker 6: Really?

745
00:40:49,160 --> 00:40:54,440
Speaker 1: They start a podcast together and that is what's going on.

746
00:40:54,520 --> 00:40:57,040
Speaker 1: So it's not that there's only murders in the building.

747
00:40:57,680 --> 00:41:01,240
Speaker 1: It's that it's only murders in the building.

748
00:41:01,600 --> 00:41:04,439
Speaker 6: Only murders in the podcast is what it should be called.

749
00:41:04,480 --> 00:41:06,600
Speaker 3: Them people know.

750
00:41:09,920 --> 00:41:12,280
Speaker 2: Only no, no, no.

751
00:41:14,920 --> 00:41:16,600
Speaker 3: People are all saying it wrong.

752
00:41:16,760 --> 00:41:21,480
Speaker 4: Everyone is saying only well, I guess they're kind of sager, right.

753
00:41:23,560 --> 00:41:24,720
Speaker 3: Uh, no, I only.

754
00:41:24,640 --> 00:41:27,319
Speaker 2: Murders saying it wrong. They're saying only murders. They're saying

755
00:41:27,440 --> 00:41:32,719
Speaker 2: only murders of the building. But it should be only

756
00:41:32,800 --> 00:41:38,080
Speaker 2: murders in the building. In the building, Yeah, that's better.

757
00:41:41,000 --> 00:41:43,840
Speaker 1: I mean because basically they all live in New York City.

758
00:41:44,440 --> 00:41:47,080
Speaker 1: They all live in New York City. The building's a

759
00:41:47,120 --> 00:41:52,200
Speaker 1: huge character. H it's called or something. It's a very

760
00:41:52,200 --> 00:41:52,880
Speaker 1: big building.

761
00:41:53,680 --> 00:41:54,040
Speaker 3: Uh.

762
00:41:54,080 --> 00:41:58,200
Speaker 1: And the they live in New York City, which is

763
00:41:58,239 --> 00:42:02,080
Speaker 1: a city that forces you to binge dateline so you

764
00:42:02,120 --> 00:42:04,840
Speaker 1: can figure out how not to end up on dateline.

765
00:42:06,239 --> 00:42:08,120
Speaker 6: And would you say it's Lynchian.

766
00:42:09,200 --> 00:42:13,720
Speaker 2: The show itself or the City Jane Lynchion. The City's

767
00:42:13,800 --> 00:42:14,560
Speaker 2: Jane Lynchian.

768
00:42:16,880 --> 00:42:19,080
Speaker 3: The performance is everything.

769
00:42:20,200 --> 00:42:21,560
Speaker 2: Tough, but you gotta laugh.

770
00:42:25,680 --> 00:42:27,440
Speaker 4: And it's Jane lynch me and and she's saying, I'm

771
00:42:27,480 --> 00:42:30,640
Speaker 4: going to make a show that is so funny.

772
00:42:34,280 --> 00:42:37,120
Speaker 6: I'm going to make a mascot that is so random,

773
00:42:37,800 --> 00:42:39,120
Speaker 6: that is so Netflix.

774
00:42:41,239 --> 00:42:41,520
Speaker 2: Jane.

775
00:42:42,520 --> 00:42:46,640
Speaker 4: I saw her? Uh was it?

776
00:42:46,680 --> 00:42:48,080
Speaker 2: Wait together?

777
00:42:48,239 --> 00:42:50,160
Speaker 3: That's the weird Awl Show at the Weird Owl Show.

778
00:42:50,239 --> 00:42:51,600
Speaker 2: Yeah.

779
00:42:51,719 --> 00:42:54,040
Speaker 6: I saw To for Grace a couple of weeks ago.

780
00:42:54,560 --> 00:42:55,840
Speaker 3: Okay, where seen to.

781
00:42:56,280 --> 00:43:04,480
Speaker 6: Yep, restaurant at al Aqua in at Water.

782
00:43:05,080 --> 00:43:09,240
Speaker 2: So that's a restaurant that only right water.

783
00:43:11,880 --> 00:43:13,000
Speaker 6: I've seen everything.

784
00:43:14,800 --> 00:43:17,320
Speaker 1: So it's a whole restaurant, but you can only get water.

785
00:43:17,719 --> 00:43:19,360
Speaker 1: What cost a billion bucks?

786
00:43:19,880 --> 00:43:23,400
Speaker 6: Basically, Yeah, and yeah, tof for Grace was there table

787
00:43:23,440 --> 00:43:29,080
Speaker 6: away and I basically couldn't focus on anything else. It

788
00:43:29,280 --> 00:43:33,600
Speaker 6: was my first It was my first restaurant dining experience

789
00:43:33,840 --> 00:43:36,040
Speaker 6: in months, and To for Grace was there and I

790
00:43:36,520 --> 00:43:37,920
Speaker 6: short circuited.

791
00:43:40,800 --> 00:43:41,240
Speaker 2: Toufer.

792
00:43:41,760 --> 00:43:42,040
Speaker 3: Yeah.

793
00:43:42,239 --> 00:43:45,400
Speaker 1: I guess maybe enough time has passed to say that.

794
00:43:45,440 --> 00:43:51,160
Speaker 1: One of my first LA experiences was just on a

795
00:43:51,200 --> 00:43:53,520
Speaker 1: walk with an actor who had asked me to meet

796
00:43:53,600 --> 00:43:57,040
Speaker 1: him for lunch, and then he got a phone call

797
00:43:57,080 --> 00:43:59,280
Speaker 1: and said sorry, I have to take this and then went.

798
00:43:59,480 --> 00:44:02,600
Speaker 2: Hey, to what's up?

799
00:44:05,760 --> 00:44:07,799
Speaker 1: Like I had a really loud book call and then

800
00:44:07,840 --> 00:44:13,960
Speaker 1: and was like, that's Toe for graces like no, I

801
00:44:14,040 --> 00:44:26,640
Speaker 1: only had one guess, so that just happened.

802
00:44:30,760 --> 00:44:31,400
Speaker 6: That's huge.

803
00:44:32,360 --> 00:44:35,960
Speaker 3: We saw we saw Jane Lynch at the Weird Au show.

804
00:44:36,080 --> 00:44:41,239
Speaker 1: Right, saw Jane Lynch at weird or something bit of

805
00:44:41,239 --> 00:44:44,720
Speaker 1: an issue with her ticket. It seemed like, yeah, something

806
00:44:44,840 --> 00:44:47,400
Speaker 1: was wrong with her ticket or there weren't enough tickets.

807
00:44:47,440 --> 00:44:50,640
Speaker 4: Maybe yes, yes, and they were working on resolving it,

808
00:44:50,760 --> 00:44:54,839
Speaker 4: but maybe not, maybe not as fast as we would

809
00:44:54,840 --> 00:44:55,279
Speaker 4: have liked.

810
00:44:55,600 --> 00:44:57,920
Speaker 2: Yeah, that's right, the I p enough.

811
00:44:59,360 --> 00:45:03,360
Speaker 3: I you know, I'm sure some wires got.

812
00:45:03,280 --> 00:45:03,839
Speaker 2: Am I right.

813
00:45:03,920 --> 00:45:06,759
Speaker 1: She had maybe brought her son and they didn't know

814
00:45:06,840 --> 00:45:08,759
Speaker 1: that it was going to be a party of two

815
00:45:09,400 --> 00:45:12,840
Speaker 1: mm hmm. And they were like, well, miss, you're very famous,

816
00:45:12,880 --> 00:45:16,360
Speaker 1: your son is not. Yeah, so you are going to

817
00:45:16,360 --> 00:45:18,440
Speaker 1: get the second ticket a little slower.

818
00:45:18,640 --> 00:45:21,239
Speaker 3: Your son is one of the least famous people ever.

819
00:45:22,160 --> 00:45:22,520
Speaker 2: Wow.

820
00:45:22,719 --> 00:45:23,560
Speaker 6: Shots fired.

821
00:45:24,280 --> 00:45:26,640
Speaker 3: Jane Lynch's son is.

822
00:45:27,239 --> 00:45:37,120
Speaker 6: Famous person ever? Dot com he's.

823
00:45:33,160 --> 00:45:35,880
Speaker 2: His own face came up, slammed, the computer closed.

824
00:45:38,760 --> 00:45:41,719
Speaker 1: Oh sorry, I'm getting a phone call to.

825
00:45:44,120 --> 00:45:44,560
Speaker 2: Temper.

826
00:45:49,920 --> 00:45:54,440
Speaker 3: Did you see anyone famous? My grandpa was Jane grandpa

827
00:45:54,520 --> 00:45:55,480
Speaker 3: is famous?

828
00:45:56,200 --> 00:45:59,680
Speaker 7: What he was Jane Lynch's principal and I she did

829
00:46:01,120 --> 00:46:04,719
Speaker 7: in high school and uh, she did a comedy bank

830
00:46:04,760 --> 00:46:06,920
Speaker 7: bank and then when she left, they said, hey, my

831
00:46:07,040 --> 00:46:09,520
Speaker 7: grandpa was actually your principal, and she said, what's his name?

832
00:46:09,719 --> 00:46:11,600
Speaker 7: I said his name and she went, that wasn't it

833
00:46:11,719 --> 00:46:15,800
Speaker 7: and then left and uh so, Mike.

834
00:46:15,760 --> 00:46:20,919
Speaker 4: She remembered the principal's name. Yeah, wow, and it wasn't

835
00:46:20,960 --> 00:46:24,360
Speaker 4: your grandpa. And your grandpa lied And then I.

836
00:46:24,120 --> 00:46:25,680
Speaker 2: Stood there stolen.

837
00:46:25,800 --> 00:46:29,440
Speaker 1: She's like, you know, I trust her. She spent so

838
00:46:29,560 --> 00:46:31,560
Speaker 1: much time at that high school, she worked there for

839
00:46:31,600 --> 00:46:32,120
Speaker 1: a long time.

840
00:46:33,480 --> 00:46:35,840
Speaker 7: That might be why. But then my grandma sent me

841
00:46:35,880 --> 00:46:38,120
Speaker 7: a long letter with like your book, photos of Jane

842
00:46:38,160 --> 00:46:41,360
Speaker 7: Lynch and stuff to prove to prove that it was true.

843
00:46:41,560 --> 00:46:44,719
Speaker 1: But you have to go back to her. You should

844
00:46:44,760 --> 00:46:46,520
Speaker 1: have given that stuff to us. So then when she's

845
00:46:46,560 --> 00:46:48,279
Speaker 1: waiting for tickets at the Weird how so.

846
00:46:49,160 --> 00:46:50,560
Speaker 3: Slide that well?

847
00:46:50,560 --> 00:46:52,840
Speaker 6: Maybe send it far and why so everyone has it

848
00:46:52,880 --> 00:46:55,239
Speaker 6: at the ready, and then if anyone runs into Jane Lynch,

849
00:46:55,239 --> 00:46:57,879
Speaker 6: I can be like you you were wrong years ago.

850
00:46:58,760 --> 00:47:02,720
Speaker 4: Evin's going to Scott being like, Jane Lynch was so funny.

851
00:47:03,200 --> 00:47:07,520
Speaker 4: You should have her back on like week really soon.

852
00:47:10,200 --> 00:47:11,720
Speaker 4: He's holding a huge book.

853
00:47:13,480 --> 00:47:16,200
Speaker 1: Look at all these emails from my friends saying how

854
00:47:16,200 --> 00:47:20,640
Speaker 1: funny she was. They want her back. A sap, Kevin.

855
00:47:21,200 --> 00:47:23,280
Speaker 1: These emails are all from you to yourself.

856
00:47:26,200 --> 00:47:27,319
Speaker 6: I'm sorry that happened to you.

857
00:47:27,400 --> 00:47:31,280
Speaker 7: Kevin was probably the biggest spill of the second biggest

858
00:47:31,320 --> 00:47:33,239
Speaker 7: bill of my life. That's the story I wanted to say.

859
00:47:35,239 --> 00:47:42,920
Speaker 6: So that's also not really like a.

860
00:47:41,960 --> 00:47:44,000
Speaker 7: I'm kind of the Chucky of the story.

861
00:47:44,760 --> 00:47:46,240
Speaker 3: Kevin's getting away with it again.

862
00:47:47,280 --> 00:47:52,000
Speaker 4: He's getting paid huge dollars to behave, like to behave

863
00:47:52,120 --> 00:47:59,839
Speaker 4: like this, Mitra, where can we find you?

864
00:47:59,840 --> 00:48:02,240
Speaker 6: You can watch the first season of Three Busy Devers

865
00:48:02,280 --> 00:48:03,720
Speaker 6: on adult swim.

866
00:48:04,000 --> 00:48:04,960
Speaker 2: B I z z y.

867
00:48:05,640 --> 00:48:09,880
Speaker 6: Yeah. Yeah, it's modern.

868
00:48:10,440 --> 00:48:14,560
Speaker 1: Okay, and I'm watching it and what's happening?

869
00:48:14,640 --> 00:48:19,440
Speaker 2: And then yeah, after you watch it, well, what's happening?

870
00:48:19,480 --> 00:48:21,279
Speaker 2: Back up? What's happening? When I watch it?

871
00:48:22,719 --> 00:48:26,320
Speaker 6: You're sitting down, probably with a loved one at some point.

872
00:48:26,800 --> 00:48:27,120
Speaker 3: Not me.

873
00:48:27,239 --> 00:48:30,160
Speaker 2: I'm crouch sit down, yeah because of my back.

874
00:48:30,680 --> 00:48:33,800
Speaker 3: Oh well you're sting, have to crouch. Well I watched TV.

875
00:48:35,320 --> 00:48:36,960
Speaker 6: Okay, well you're you're crouching.

876
00:48:37,760 --> 00:48:39,640
Speaker 2: I've got like this diagonal hammock.

877
00:48:40,800 --> 00:48:41,520
Speaker 6: That's cool.

878
00:48:42,320 --> 00:48:44,879
Speaker 2: Yeah, so I can kind of lean into that.

879
00:48:45,360 --> 00:48:47,839
Speaker 6: Okay, So one crouch and one lean, So you're probably

880
00:48:47,880 --> 00:48:51,399
Speaker 6: watching on two different screens, hopefully in different rooms because

881
00:48:51,440 --> 00:48:55,120
Speaker 6: of the height differences my computers.

882
00:48:55,239 --> 00:48:56,320
Speaker 3: My computer's over.

883
00:48:56,280 --> 00:48:59,400
Speaker 6: For the day, okay, so you can watch on your phone.

884
00:48:59,440 --> 00:49:01,359
Speaker 3: No, but I'm right now. My computer's over.

885
00:49:01,840 --> 00:49:06,239
Speaker 6: Oh bye, okay, bye ray. Seeing you Hollywood.

886
00:49:07,120 --> 00:49:09,600
Speaker 7: This week on the Patreon, Carl and Isssan play would

887
00:49:09,680 --> 00:49:14,160
Speaker 7: You Rather? Dominic Dierkey's joins Bangin' Shunk on Hollywood Masterclass,

888
00:49:14,280 --> 00:49:17,960
Speaker 7: and The flagro Ones are mostly talking all things basketball.

889
00:49:18,440 --> 00:49:21,400
Speaker 7: Check out these bonus podcasts and videos of the full

890
00:49:21,520 --> 00:49:25,520
Speaker 7: episodes at patreon dot com. Slash The Flagrant Ones o

891
00:49:26,000 --> 00:49:27,160
Speaker 7: Hollywood hand Book