1 00:00:00,480 --> 00:00:02,720 Speaker 1: Ridiculous Crime. It's a production of iHeartRadio. 2 00:00:04,080 --> 00:00:07,520 Speaker 2: Did you a? Elizabeth is Saront How you doing, girl? 3 00:00:07,600 --> 00:00:08,520 Speaker 3: I'm good. How are you? 4 00:00:08,960 --> 00:00:10,479 Speaker 2: I've been looking forward to seeing you. 5 00:00:10,800 --> 00:00:12,040 Speaker 3: I've been looking forward to see you. 6 00:00:12,160 --> 00:00:14,200 Speaker 2: Yeah, I got this crazy that I wanted to ask you. 7 00:00:14,240 --> 00:00:15,440 Speaker 2: Do you know what's ridiculous? 8 00:00:15,440 --> 00:00:16,040 Speaker 3: Oh? 9 00:00:16,239 --> 00:00:19,720 Speaker 4: Do I Bradley Books on Instagram. 10 00:00:20,000 --> 00:00:20,520 Speaker 2: I don't know. 11 00:00:21,200 --> 00:00:23,960 Speaker 4: You know, he's a bibliophile in his profile and I'm 12 00:00:24,040 --> 00:00:26,799 Speaker 4: kind of hoping he's also a biblio dick excellent, because 13 00:00:26,840 --> 00:00:27,320 Speaker 4: that's cool. 14 00:00:28,160 --> 00:00:31,360 Speaker 3: Anyway, Bradley tipped me off to something. 15 00:00:31,440 --> 00:00:32,279 Speaker 2: Always a rude dude. 16 00:00:32,600 --> 00:00:35,400 Speaker 3: He's a rude dude. The interns, which, by the way, 17 00:00:35,400 --> 00:00:36,600 Speaker 3: we have a new intern of you matter. 18 00:00:37,040 --> 00:00:39,440 Speaker 2: Yes, I actually I had to contact hr like day 19 00:00:39,440 --> 00:00:40,879 Speaker 2: two because she bit me. 20 00:00:41,000 --> 00:00:47,320 Speaker 3: What yeah, control, Yeah, she like pea in the office. 21 00:00:47,479 --> 00:00:49,680 Speaker 2: Oh yeah yeah. Some of the other interns have complained, 22 00:00:49,680 --> 00:00:51,239 Speaker 2: They're like, are we paying indoors now? Is that what 23 00:00:51,280 --> 00:00:51,879 Speaker 2: that's happening? 24 00:00:52,040 --> 00:00:52,240 Speaker 5: Right? 25 00:00:52,360 --> 00:00:54,680 Speaker 3: Right? And so she's just she goes to town on 26 00:00:55,480 --> 00:00:56,920 Speaker 3: chew toys and I don't know. 27 00:00:57,040 --> 00:00:58,160 Speaker 2: She loves peanut butter though. 28 00:00:58,160 --> 00:01:02,280 Speaker 4: Loves the peanut butter Brosy Rosie. The intern she's problematic. 29 00:01:03,120 --> 00:01:05,360 Speaker 4: I'm worried she's going to break into the studio and 30 00:01:05,400 --> 00:01:07,479 Speaker 4: interrupt things. But you know, if it happens, it happens. 31 00:01:07,520 --> 00:01:09,280 Speaker 2: We just keep going accept life as it is. 32 00:01:09,400 --> 00:01:15,039 Speaker 4: So anyway, Bradley, Right, So the other good intern forward 33 00:01:15,080 --> 00:01:20,759 Speaker 4: to this to me that there's this Brazilian Gelattteria. They 34 00:01:20,920 --> 00:01:23,520 Speaker 4: make a Dorito's ice cream gelatto. 35 00:01:25,000 --> 00:01:27,480 Speaker 3: Yeah, I know, I know, I know. 36 00:01:28,920 --> 00:01:32,080 Speaker 4: Anyway, focus deep breath, and so they have like they 37 00:01:32,120 --> 00:01:33,600 Speaker 4: put the scoop of gelato. 38 00:01:35,200 --> 00:01:36,960 Speaker 2: I'm mad for the Italian and then they put some 39 00:01:37,200 --> 00:01:38,640 Speaker 2: I'm not Italian. 40 00:01:39,160 --> 00:01:40,959 Speaker 3: Because they're so protective of their food. 41 00:01:41,000 --> 00:01:43,679 Speaker 2: I've had it in Italy. Gelatto. It's amazing. 42 00:01:43,800 --> 00:01:45,640 Speaker 4: If you go to Italy, you have to have it, 43 00:01:45,680 --> 00:01:47,480 Speaker 4: like twice a day every day. 44 00:01:47,520 --> 00:01:49,040 Speaker 2: I'd have it. It is a treat. Like in the 45 00:01:49,080 --> 00:01:51,280 Speaker 2: middle after lunch, to be walking around it said, will gelato. 46 00:01:51,320 --> 00:01:53,560 Speaker 2: Step in a park, watch the birds, the old people 47 00:01:53,640 --> 00:01:54,920 Speaker 2: talk forever. Is amazing. 48 00:01:55,320 --> 00:01:57,360 Speaker 3: Wear a linen suit, watch some construction. 49 00:01:57,520 --> 00:01:58,320 Speaker 2: It was incredible. 50 00:01:58,760 --> 00:02:02,280 Speaker 4: So anyway, so I see that, I'm like, oh man. 51 00:02:02,640 --> 00:02:06,200 Speaker 4: But then I started looking that when I was looking 52 00:02:06,200 --> 00:02:08,840 Speaker 4: for Dorito's Gelato to see like is this a thing? 53 00:02:09,880 --> 00:02:13,960 Speaker 4: There's a restaurant inside the Crypto dot Com arena called 54 00:02:14,360 --> 00:02:19,280 Speaker 4: Dorito's after Dark. Okay, they have thirteen menu options, uh 55 00:02:19,480 --> 00:02:22,040 Speaker 4: you know, like loaded Nacho's that kind of stuff. 56 00:02:22,080 --> 00:02:26,079 Speaker 2: But in downtown La for anyone who does know, right, right. 57 00:02:25,919 --> 00:02:29,600 Speaker 4: So that is home of the Lakers, the Hockey's Kings, 58 00:02:29,760 --> 00:02:34,720 Speaker 4: the w NBA Sparks, and Dorito's after Dark like peach 59 00:02:34,760 --> 00:02:37,840 Speaker 4: Pit after Dark, but Dorito's after Dark. So they do 60 00:02:38,000 --> 00:02:40,959 Speaker 4: like you know, they have they have like Dorito's ice 61 00:02:40,960 --> 00:02:45,240 Speaker 4: cream stuff. I almost said a bad word, but they 62 00:02:45,280 --> 00:02:49,280 Speaker 4: also they have like a Dorito's California role and what 63 00:02:49,440 --> 00:02:52,840 Speaker 4: they do imitation crab avocado cucumber, but then like the 64 00:02:52,880 --> 00:02:56,600 Speaker 4: outside is crushed up flame and hot cool ranch Dorito's. 65 00:02:57,600 --> 00:02:58,960 Speaker 3: And then they have this. 66 00:02:59,040 --> 00:03:01,560 Speaker 4: Drink, right, they have a cocktail and I was reading 67 00:03:01,560 --> 00:03:05,519 Speaker 4: it really quickly. It's the Dorrito's Chamoyata, and I really 68 00:03:05,560 --> 00:03:09,160 Speaker 4: thought it so chlamydia when I was reading so as 69 00:03:09,160 --> 00:03:12,360 Speaker 4: it strikes a bounce between spicy and sweet, featuring a 70 00:03:12,360 --> 00:03:16,160 Speaker 4: frozen mango mixture and a flaming, hotly moon infused chimoy 71 00:03:16,200 --> 00:03:19,880 Speaker 4: around the rim beverages served with the tangy tammer and 72 00:03:20,000 --> 00:03:25,200 Speaker 4: candy straw. Uh so you know you were saying bread 73 00:03:25,200 --> 00:03:26,799 Speaker 4: and circuses day. 74 00:03:28,560 --> 00:03:31,760 Speaker 3: There you go. So, Bradley, you sent us down this 75 00:03:31,880 --> 00:03:32,480 Speaker 3: rabbit hole. 76 00:03:32,760 --> 00:03:34,160 Speaker 2: Thanks brad Thank. 77 00:03:34,000 --> 00:03:36,720 Speaker 3: You, Bradley. Uh, there's Dorito's Gelato. 78 00:03:36,760 --> 00:03:41,120 Speaker 4: There's a whole Dorito's restaurant, and uh whatever, I'm gonna 79 00:03:41,160 --> 00:03:45,200 Speaker 4: go hide in a hole filled filled with authentic. 80 00:03:44,760 --> 00:03:47,960 Speaker 2: ITALI after you. 81 00:03:48,000 --> 00:03:49,680 Speaker 3: Now, I kind of do want some Doritos? 82 00:03:50,040 --> 00:03:52,800 Speaker 2: Yeah, well you know on their own excellent. Yeah, right, 83 00:03:52,840 --> 00:03:55,080 Speaker 2: when you start shoving them into things like melon balls, 84 00:03:55,160 --> 00:04:00,400 Speaker 2: you lose me. I got something for you back down. 85 00:04:00,480 --> 00:04:02,600 Speaker 3: Yeah, oh this is ridiculously going to go get. 86 00:04:02,560 --> 00:04:04,800 Speaker 2: Us some Yeah, I know you. I saw it in 87 00:04:04,840 --> 00:04:05,320 Speaker 2: your eyes. 88 00:04:05,240 --> 00:04:07,680 Speaker 3: And the problematic intern to go get it? 89 00:04:07,760 --> 00:04:10,920 Speaker 2: Oh maybe yeah Rosie. Oh I don't even think she 90 00:04:11,000 --> 00:04:13,680 Speaker 2: listens to us. So if you got a second, I 91 00:04:13,680 --> 00:04:17,159 Speaker 2: got one for you. It's it's basically a concept. It's 92 00:04:17,360 --> 00:04:20,719 Speaker 2: using an outrageous accent to gain fame and well not 93 00:04:20,800 --> 00:04:23,200 Speaker 2: exactly fortune, but there was the fame. 94 00:04:23,560 --> 00:04:25,040 Speaker 3: Is this the Zeron Burnette story? 95 00:04:25,320 --> 00:04:50,160 Speaker 2: No, this is Ridiculous Crime, A podcast about absurd and 96 00:04:50,200 --> 00:04:55,080 Speaker 2: outrageous capers, heists, and cons. It's always ninety nine percent 97 00:04:55,160 --> 00:05:01,640 Speaker 2: murder free and one hundred percent ridiculous. Ye, Isabeth, I 98 00:05:01,839 --> 00:05:03,600 Speaker 2: so wanted to tell you this one because I think 99 00:05:03,600 --> 00:05:06,920 Speaker 2: it's a fun story. Yeah, but also it has like 100 00:05:06,960 --> 00:05:10,400 Speaker 2: some like not an emotional we has an emotional arc. 101 00:05:10,440 --> 00:05:12,640 Speaker 2: I don't know. Yeah, there's a surprise in it, right, 102 00:05:12,720 --> 00:05:14,360 Speaker 2: It's like, oh, you go one direction, it comes back 103 00:05:14,360 --> 00:05:17,120 Speaker 2: to the other anyway, Elizabeth, Yes, I want to talk 104 00:05:17,120 --> 00:05:19,880 Speaker 2: to you about making big, big money with a big, 105 00:05:19,960 --> 00:05:23,920 Speaker 2: big time fick accent, a fi accent. 106 00:05:23,960 --> 00:05:26,240 Speaker 3: Hey are you doing a jah make a mob? 107 00:05:26,440 --> 00:05:26,920 Speaker 2: Possibly? 108 00:05:27,080 --> 00:05:28,839 Speaker 3: You know I love that. 109 00:05:29,839 --> 00:05:31,839 Speaker 2: As we've mentioned from time to time, you spent some 110 00:05:31,920 --> 00:05:32,920 Speaker 2: time in Scotland. 111 00:05:33,000 --> 00:05:33,080 Speaker 5: Oh. 112 00:05:33,120 --> 00:05:35,320 Speaker 3: I thought you're gonna say Jamaica. I was like, I've 113 00:05:35,360 --> 00:05:35,680 Speaker 3: never been. 114 00:05:35,839 --> 00:05:37,440 Speaker 2: I've never been to Kingston, right, yeah, no, but you 115 00:05:37,640 --> 00:05:39,760 Speaker 2: went to grad school in Scotland. I came away with 116 00:05:39,800 --> 00:05:43,040 Speaker 2: a masters and a pretty good Scottish accent. Do you 117 00:05:43,120 --> 00:05:46,000 Speaker 2: mind favoring me just for a little bit now? Also, 118 00:05:46,040 --> 00:05:47,800 Speaker 2: I know when you lived in South Carolina as an 119 00:05:47,800 --> 00:05:51,839 Speaker 2: expat from California, you also managed to walk away from 120 00:05:51,880 --> 00:05:53,840 Speaker 2: there with a pretty good South Carolina accent as a 121 00:05:53,880 --> 00:05:54,520 Speaker 2: Georgia board I. 122 00:05:54,560 --> 00:05:57,719 Speaker 4: Approved, And there are many different South Carolina accents, so 123 00:05:57,760 --> 00:05:59,800 Speaker 4: there's like the Charleston, which I really can't do, but 124 00:05:59,920 --> 00:06:00,280 Speaker 4: I can. 125 00:06:00,360 --> 00:06:03,080 Speaker 3: I can do backwards so so easy, honey, it's just. 126 00:06:03,320 --> 00:06:05,120 Speaker 2: Yeah, just look at that. I mean, it takes me 127 00:06:05,200 --> 00:06:06,720 Speaker 2: right back all of a sudden. I'm on a road trip, 128 00:06:07,120 --> 00:06:07,799 Speaker 2: my lord. 129 00:06:08,040 --> 00:06:10,440 Speaker 4: I just I don't know how we're going to get 130 00:06:10,440 --> 00:06:11,640 Speaker 4: to the store this afternoon. 131 00:06:11,960 --> 00:06:13,440 Speaker 3: The roads are so assy. 132 00:06:13,880 --> 00:06:17,679 Speaker 2: It's sing song perfect. Now, would you ever feel comfortable 133 00:06:17,760 --> 00:06:19,839 Speaker 2: doing those types of accents, say, like over the phone 134 00:06:19,839 --> 00:06:21,440 Speaker 2: where someone can't see you, but you got to do 135 00:06:21,480 --> 00:06:22,880 Speaker 2: it for the duration of the phone call. 136 00:06:23,040 --> 00:06:25,120 Speaker 3: Yeah, if I warm up, like right now, the sword's 137 00:06:25,160 --> 00:06:25,800 Speaker 3: so great. 138 00:06:25,760 --> 00:06:28,760 Speaker 2: But like I did call you to the carpet cold, 139 00:06:28,760 --> 00:06:29,919 Speaker 2: but I mean like thank you. 140 00:06:30,040 --> 00:06:30,240 Speaker 6: Yeah. 141 00:06:30,279 --> 00:06:31,960 Speaker 2: But if you do trust yourself to pull off. 142 00:06:31,839 --> 00:06:33,200 Speaker 3: This, I can pull it off. 143 00:06:33,200 --> 00:06:35,360 Speaker 4: I don't know about the Scott's accent because I can 144 00:06:35,400 --> 00:06:38,680 Speaker 4: do like two things, well, I can do three things, right, 145 00:06:38,720 --> 00:06:42,000 Speaker 4: I can do the great. And then there's the one 146 00:06:42,040 --> 00:06:44,680 Speaker 4: that's in my head. An anytime someone thinks they're going 147 00:06:44,760 --> 00:06:48,320 Speaker 4: to like post something political of like a cartoon of 148 00:06:48,400 --> 00:06:51,240 Speaker 4: someone and you know, it's really biting in my head, 149 00:06:51,279 --> 00:06:55,560 Speaker 4: I always hear you got him dead. 150 00:06:55,000 --> 00:06:58,040 Speaker 3: Like, oh yeah, big deal. Oh no, it's not anyway. 151 00:06:58,120 --> 00:07:01,839 Speaker 4: And then the other one is this the Sean Connery 152 00:07:01,880 --> 00:07:02,440 Speaker 4: you're playing. 153 00:07:02,440 --> 00:07:05,440 Speaker 3: Boh, and that's it. That's all I've got for that, 154 00:07:05,520 --> 00:07:06,159 Speaker 3: so classic. 155 00:07:06,320 --> 00:07:09,640 Speaker 4: If if I were on the phone, I can only 156 00:07:09,640 --> 00:07:12,520 Speaker 4: say those three things. 157 00:07:12,520 --> 00:07:14,880 Speaker 3: But a southern accent, like a southern country. 158 00:07:15,120 --> 00:07:16,280 Speaker 2: You can stay in that for a time. 159 00:07:16,440 --> 00:07:18,040 Speaker 3: Let me practice warm up a bit. I could do 160 00:07:18,040 --> 00:07:18,600 Speaker 3: it for hours. 161 00:07:18,760 --> 00:07:21,320 Speaker 2: Okay, excellent? No do you like? You know me? I 162 00:07:21,360 --> 00:07:23,800 Speaker 2: love a lot of accents, and you're kidding, yeah, I know, 163 00:07:23,880 --> 00:07:25,520 Speaker 2: but like also to me that like I don't take 164 00:07:25,560 --> 00:07:27,720 Speaker 2: them seriously. I'm not trying to usually like do it 165 00:07:27,800 --> 00:07:29,680 Speaker 2: accent of another country. I'm trying to do like the 166 00:07:29,920 --> 00:07:33,600 Speaker 2: like the paper, like my paper look French accent? Right, So, 167 00:07:33,960 --> 00:07:36,760 Speaker 2: but I do actually love the sound of real, authentic 168 00:07:36,880 --> 00:07:39,560 Speaker 2: like foreign accents and even regional American accents. You have 169 00:07:39,560 --> 00:07:40,160 Speaker 2: a favorite. 170 00:07:41,840 --> 00:07:45,280 Speaker 4: I love hearing little kids like argue with each other 171 00:07:45,360 --> 00:07:47,240 Speaker 4: in Italian and they get all. 172 00:07:47,200 --> 00:07:51,880 Speaker 3: Hands yes have you seen or like little French kids, 173 00:07:52,120 --> 00:07:55,640 Speaker 3: you know, like lecturing someone. I love that. I love that. 174 00:07:56,520 --> 00:07:59,600 Speaker 3: I Oh yeah, Zaren, what do you like? What do 175 00:07:59,680 --> 00:08:00,320 Speaker 3: you like to hear? 176 00:08:00,520 --> 00:08:02,960 Speaker 2: I'm asking you the question? Sit back down, now the 177 00:08:03,000 --> 00:08:05,040 Speaker 2: only way I found you do would know that I 178 00:08:05,160 --> 00:08:07,360 Speaker 2: like the sound of accent to English, right, Like I'm 179 00:08:07,360 --> 00:08:11,960 Speaker 2: a big fan of Jamaican accents, Irish, the Indian subcontinent. Yeah, Like, 180 00:08:12,360 --> 00:08:14,440 Speaker 2: so there's all these accents are like fun to the 181 00:08:14,520 --> 00:08:19,000 Speaker 2: ear right. Some accents sound more musical, some sound more lyrical. 182 00:08:19,040 --> 00:08:21,200 Speaker 2: Some accents will have like a hank or a whine 183 00:08:21,240 --> 00:08:23,760 Speaker 2: to them, or like a funny intonation that hits your ear. 184 00:08:24,200 --> 00:08:26,440 Speaker 2: Now to keep it more like, we're not making fun 185 00:08:26,480 --> 00:08:28,360 Speaker 2: of other people, just make fun of Americans. Do you 186 00:08:28,400 --> 00:08:30,920 Speaker 2: have a regional American accent that always like, you know, 187 00:08:31,040 --> 00:08:32,920 Speaker 2: you like to listen to regardless, Like it's not like 188 00:08:32,920 --> 00:08:35,319 Speaker 2: how attractive it sounds, but like how funny or fun 189 00:08:35,320 --> 00:08:35,760 Speaker 2: it sounds. 190 00:08:35,960 --> 00:08:37,559 Speaker 3: Um, I don't know. 191 00:08:37,800 --> 00:08:40,600 Speaker 4: I mean I think like the Southern accents. I'm fascinated 192 00:08:40,600 --> 00:08:43,600 Speaker 4: by the variations of them. You can hear and figure 193 00:08:43,640 --> 00:08:45,800 Speaker 4: out where someone just like an English accent, you can 194 00:08:46,040 --> 00:08:50,280 Speaker 4: hear where someone's from. One thing I think is interesting 195 00:08:50,400 --> 00:08:53,640 Speaker 4: is the California accent that I've had People in Europe 196 00:08:53,679 --> 00:08:55,760 Speaker 4: tell me when I talk to them, you sound like 197 00:08:55,800 --> 00:08:59,079 Speaker 4: the television, You sound like movies. And then but then 198 00:08:59,080 --> 00:09:03,000 Speaker 4: there's also a California thing where we drop teas so 199 00:09:03,120 --> 00:09:06,240 Speaker 4: Sacramentou is Sacramento, Sacramento. 200 00:09:05,920 --> 00:09:08,200 Speaker 3: And we just kind of like ellied over those. 201 00:09:08,280 --> 00:09:10,560 Speaker 2: Also, a lot of the hard consonants like we're just 202 00:09:10,679 --> 00:09:12,560 Speaker 2: lazy mouths because it's so chill here. 203 00:09:12,880 --> 00:09:14,040 Speaker 3: It's like, why bother. 204 00:09:14,280 --> 00:09:15,480 Speaker 2: Why do we have to hit that stuff so hard? 205 00:09:15,480 --> 00:09:16,559 Speaker 2: Why do you want to come on so strong? 206 00:09:16,720 --> 00:09:17,000 Speaker 3: I do? 207 00:09:17,120 --> 00:09:20,560 Speaker 4: I kind of like, what's really grating is that question 208 00:09:20,640 --> 00:09:21,600 Speaker 4: at the end of everything? 209 00:09:21,800 --> 00:09:22,960 Speaker 3: Yeah, some people do. 210 00:09:23,120 --> 00:09:24,440 Speaker 2: It's all more generational, I think. 211 00:09:24,280 --> 00:09:26,920 Speaker 3: Then, yeah, definitely, definitely like you didn't ask. 212 00:09:26,960 --> 00:09:29,960 Speaker 2: But my favorite American origional accent is probably the Texas 213 00:09:30,000 --> 00:09:34,120 Speaker 2: Panhandle accent. That's like Whale and Jenny. Think that, Willie Nelson. 214 00:09:34,720 --> 00:09:36,680 Speaker 2: You just want to hear those people tell a story. 215 00:09:36,800 --> 00:09:37,520 Speaker 7: I just love it. 216 00:09:37,600 --> 00:09:38,040 Speaker 3: I love that. 217 00:09:38,440 --> 00:09:42,000 Speaker 2: Now enough about regional and foreign accents. 218 00:09:41,600 --> 00:09:44,200 Speaker 4: Right, although I will say one more thing you can 219 00:09:44,280 --> 00:09:48,400 Speaker 4: tell if someone's an old head, like long time Barry residence, 220 00:09:48,840 --> 00:09:51,439 Speaker 4: if you call San Jose Santa. 221 00:09:51,200 --> 00:09:52,360 Speaker 2: Is like one word. 222 00:09:52,480 --> 00:09:52,880 Speaker 3: One word. 223 00:09:53,559 --> 00:09:55,839 Speaker 2: I've noticed you do that. I've heard you. You've pointed 224 00:09:55,880 --> 00:09:57,320 Speaker 2: out to me a long time ago, and I've noticed 225 00:09:57,520 --> 00:09:59,480 Speaker 2: people do say that, And I'm like, oh, you. 226 00:09:59,280 --> 00:10:04,160 Speaker 4: Lily, especially if they're on the peninsula sama Is. Anyway, 227 00:10:04,559 --> 00:10:06,119 Speaker 4: that's fun fact. 228 00:10:05,960 --> 00:10:08,480 Speaker 2: Well as those indicators. We often you know, can tell 229 00:10:08,520 --> 00:10:10,920 Speaker 2: a lot from a person by their accent when it's real. 230 00:10:11,400 --> 00:10:13,080 Speaker 2: Right today, I want to tell you a story about 231 00:10:13,080 --> 00:10:15,000 Speaker 2: a woman who got famous for an accent that was 232 00:10:15,040 --> 00:10:19,760 Speaker 2: not real, an outrageous accent, a totally exaggerated accent. What 233 00:10:19,920 --> 00:10:24,160 Speaker 2: accent you guessed it earlier, Jim, make an accent. But 234 00:10:24,240 --> 00:10:26,320 Speaker 2: the accent is not the only reason this woman got famous. 235 00:10:26,360 --> 00:10:29,560 Speaker 2: You see, this woman, Elizabeth, was a psychic. She was 236 00:10:29,559 --> 00:10:33,199 Speaker 2: from a long line of spooky pipe as she put it. Now, 237 00:10:33,360 --> 00:10:35,640 Speaker 2: who is this woman? I think we all know and 238 00:10:35,760 --> 00:10:41,360 Speaker 2: love miss Cleo. Miss Cleo, a telephone and television psychic 239 00:10:41,480 --> 00:10:43,160 Speaker 2: was all the rage to the start of this century. 240 00:10:43,360 --> 00:10:45,920 Speaker 2: So you have this Jamaican woman, she's all over cable TV. 241 00:10:46,200 --> 00:10:48,960 Speaker 2: She's promising to tell you her future. And you remember 242 00:10:49,000 --> 00:10:51,679 Speaker 2: her right that, you remember, like she's kind of hard 243 00:10:51,720 --> 00:10:55,240 Speaker 2: to forget. Yeah, she's this warm faced, middle aged black woman. 244 00:10:55,280 --> 00:11:00,679 Speaker 2: She wore these crazy colorful West Indian outfits and head rabs. 245 00:11:00,720 --> 00:11:03,040 Speaker 2: You saw my hands going up to my hands didn't 246 00:11:03,040 --> 00:11:05,000 Speaker 2: even get to the words, And like the head rap 247 00:11:05,480 --> 00:11:07,640 Speaker 2: it all. Yeah, she had that very famous catchphrase she'd 248 00:11:07,640 --> 00:11:09,880 Speaker 2: always say to implore people to call her ca I 249 00:11:09,880 --> 00:11:14,120 Speaker 2: mean now, so Elizabeth, this woman became the face of 250 00:11:14,200 --> 00:11:17,840 Speaker 2: a billion dollar company billion with a B, a B. Yes, 251 00:11:17,880 --> 00:11:19,320 Speaker 2: And it was all built on the backs of the 252 00:11:19,520 --> 00:11:23,400 Speaker 2: hundreds of self professed psychics, all working on dil a 253 00:11:23,480 --> 00:11:27,360 Speaker 2: minute phone calls. Huh, and then it all came crashing down. Yeah, 254 00:11:27,400 --> 00:11:29,760 Speaker 2: you're ready to hear the cautionary tale of Miss Cleo, 255 00:11:29,840 --> 00:11:33,920 Speaker 2: the psychic who didn't see it coming. She made herself 256 00:11:33,960 --> 00:11:37,040 Speaker 2: famous as the face of the Psychic Reader's Network, and 257 00:11:37,080 --> 00:11:40,200 Speaker 2: that's not to be confused with the Psychic Friends Network, 258 00:11:40,360 --> 00:11:41,480 Speaker 2: which came first. 259 00:11:42,040 --> 00:11:42,480 Speaker 3: Yeah. 260 00:11:42,480 --> 00:11:45,400 Speaker 2: Do you remember the nineties and early aughts era one 261 00:11:45,480 --> 00:11:46,520 Speaker 2: nine hundred psychics? 262 00:11:46,640 --> 00:11:46,880 Speaker 4: Yes? 263 00:11:47,120 --> 00:11:49,560 Speaker 2: Do you remember the thirty minute infomercials that were on 264 00:11:49,640 --> 00:11:52,080 Speaker 2: late nineteen Yeah, it would be like an ad starring 265 00:11:52,160 --> 00:11:55,640 Speaker 2: Dion Warwick. Yes, sitting on a couch, she'd be telling 266 00:11:55,640 --> 00:11:58,160 Speaker 2: you to call her psychic Friends and how she or 267 00:11:58,240 --> 00:12:00,440 Speaker 2: they could be your friend. In that way, you could 268 00:12:00,440 --> 00:12:02,600 Speaker 2: find out if it really is love, or you'll get 269 00:12:02,640 --> 00:12:04,600 Speaker 2: that new job, or should you make that movie? 270 00:12:04,640 --> 00:12:06,520 Speaker 3: We forgot that. Miss Dion was in there. 271 00:12:06,640 --> 00:12:09,560 Speaker 2: Yes, not only her, there was other she brought her 272 00:12:09,600 --> 00:12:13,880 Speaker 2: friends or celebrity friends. Friends like Gary Coleman, oh honey, yes, 273 00:12:14,480 --> 00:12:17,560 Speaker 2: or Isaac the bartender from The Love Boat aka ted Lyone. 274 00:12:17,600 --> 00:12:18,839 Speaker 3: Did she bring Patti Leveell? 275 00:12:19,480 --> 00:12:22,640 Speaker 2: I do not remember she brought Patty Levelle. I didn't 276 00:12:22,640 --> 00:12:23,400 Speaker 2: actually look up. 277 00:12:23,440 --> 00:12:24,560 Speaker 3: But she sells its. 278 00:12:24,720 --> 00:12:28,280 Speaker 2: Oh, she will sell anything. Did you sell a pie? Yeah? 279 00:12:28,559 --> 00:12:31,679 Speaker 2: She got that pile on lock. Now, all these aging 280 00:12:31,720 --> 00:12:34,200 Speaker 2: celebrities that they were, they were parlaying their fame to 281 00:12:34,320 --> 00:12:36,640 Speaker 2: cash a check essentially, right, So it kind of had 282 00:12:36,640 --> 00:12:38,959 Speaker 2: like a real love boat energy. But looking back, the 283 00:12:39,000 --> 00:12:41,800 Speaker 2: whole Psychic Friends Network thing that was so popular in 284 00:12:41,840 --> 00:12:44,400 Speaker 2: the nineties, and of course, like it got so popular, 285 00:12:44,400 --> 00:12:47,079 Speaker 2: that's Saturday Night Live did a skit mocking the Psychic 286 00:12:47,120 --> 00:12:49,720 Speaker 2: Friends Network and the skit was in season nineteen if 287 00:12:49,760 --> 00:12:51,920 Speaker 2: you're curious, that would have been the nineteen ninety three 288 00:12:52,040 --> 00:12:55,840 Speaker 2: ninety four season. The skit had it was called Christopher 289 00:12:55,840 --> 00:12:59,560 Speaker 2: Walkin's Celebrity Psychic Friends Network. Oh, I remember that the 290 00:12:59,600 --> 00:13:02,760 Speaker 2: host was not Christopher walking It was Jay Moore, the 291 00:13:02,800 --> 00:13:05,959 Speaker 2: comedian playing Christopher Walking doing his impression, and he was 292 00:13:06,000 --> 00:13:09,240 Speaker 2: like doing things like I can tell you things about yourself, 293 00:13:09,520 --> 00:13:12,400 Speaker 2: things that you don't know right now. It's one of 294 00:13:12,440 --> 00:13:15,280 Speaker 2: those good SNL skits that makes you wonder why it's 295 00:13:15,280 --> 00:13:17,760 Speaker 2: on TV right and how soon it will end? Like 296 00:13:17,840 --> 00:13:20,000 Speaker 2: it just drowns off. I went and watched it. Yeah, 297 00:13:20,040 --> 00:13:22,200 Speaker 2: it makes they have Todd Bridges come on. It's like 298 00:13:22,200 --> 00:13:24,800 Speaker 2: Tim Meadows playing Todd Bridges. He's like threatening to come 299 00:13:24,800 --> 00:13:26,839 Speaker 2: to your house. Right, and it's like, well that's a 300 00:13:26,840 --> 00:13:28,880 Speaker 2: whole joke because he's a mess on there. Yeah, right, 301 00:13:28,920 --> 00:13:31,320 Speaker 2: So anyway, and also you know those like bad at 302 00:13:31,440 --> 00:13:32,600 Speaker 2: ending skits that. 303 00:13:32,600 --> 00:13:35,679 Speaker 3: Has always been the thing they don't know how to strikes. 304 00:13:35,600 --> 00:13:37,240 Speaker 2: And they don't they never think about it. I'm like, 305 00:13:37,240 --> 00:13:39,160 Speaker 2: when you guys write your skits, write the ending first. 306 00:13:39,200 --> 00:13:40,719 Speaker 2: Just just write that, Go how are we going to 307 00:13:40,760 --> 00:13:42,839 Speaker 2: end this thing? And then right to that, right and 308 00:13:42,920 --> 00:13:45,920 Speaker 2: anyway whatever, anyway, Happy fiftieth anniversary SNL. 309 00:13:46,000 --> 00:13:46,199 Speaker 6: I do. 310 00:13:47,040 --> 00:13:48,960 Speaker 2: I bring up that skit as a good measure of 311 00:13:49,000 --> 00:13:52,199 Speaker 2: how popular the Psychic Friends Network was in the nineties. 312 00:13:52,240 --> 00:13:55,120 Speaker 2: The infomercials were everywhere, always on. If you watch late 313 00:13:55,200 --> 00:13:58,160 Speaker 2: night cable TV like I did and like you did now. 314 00:13:58,160 --> 00:14:00,280 Speaker 2: Between nineteen ninety three and nineteen ninety four or the 315 00:14:00,320 --> 00:14:04,520 Speaker 2: Psychic Friends ran twelve thousand and thirty minute long infomercials. 316 00:14:05,280 --> 00:14:07,720 Speaker 2: The company behind the network was paying about half a 317 00:14:07,760 --> 00:14:11,240 Speaker 2: million dollars per week for their late night TV cable 318 00:14:11,240 --> 00:14:14,040 Speaker 2: time ass yes, yeah, so what was that ad investment 319 00:14:14,080 --> 00:14:14,760 Speaker 2: worth to them? 320 00:14:14,840 --> 00:14:16,480 Speaker 3: That's what I say. If you're putting out that kind 321 00:14:16,480 --> 00:14:17,520 Speaker 3: of money. 322 00:14:17,520 --> 00:14:21,720 Speaker 2: One hundred and twenty five million dollars a year off 323 00:14:21,760 --> 00:14:23,960 Speaker 2: of phone calls to a psychic yeah, now, because I 324 00:14:23,960 --> 00:14:26,040 Speaker 2: know you liked the conversion rates, that would be two 325 00:14:26,120 --> 00:14:28,520 Speaker 2: hundred and seventy five million dollars a year in twenty 326 00:14:28,560 --> 00:14:33,000 Speaker 2: twenty five dollars. They were printing money, Elizabeth. As you know, 327 00:14:33,160 --> 00:14:35,520 Speaker 2: when there's heat, where there's success like that, you will 328 00:14:35,560 --> 00:14:37,480 Speaker 2: often find sleazier imitators. 329 00:14:37,880 --> 00:14:38,400 Speaker 3: Completely. 330 00:14:38,440 --> 00:14:41,520 Speaker 2: But if you're sleazier than the Psychic Friends network, watch 331 00:14:41,560 --> 00:14:46,960 Speaker 2: out now. So Intermiss Cleo and the knockoff Psychic Reader's Network, right, 332 00:14:46,960 --> 00:14:49,160 Speaker 2: it's a network, Yes, totally. They had to get the 333 00:14:49,200 --> 00:14:51,720 Speaker 2: exact same language. So people get confused. I heard about 334 00:14:51,720 --> 00:14:53,600 Speaker 2: this the Psychic Readers. I guess that's it. 335 00:14:53,680 --> 00:14:56,800 Speaker 4: Whatever, Well, it's like publisher's clearing house. That's not what 336 00:14:57,080 --> 00:15:01,880 Speaker 4: Ed McMahon apparently he was worth like American in America. 337 00:15:01,960 --> 00:15:02,960 Speaker 2: There you go, something like that. 338 00:15:03,800 --> 00:15:07,120 Speaker 4: But I was we all associated with Publishers Clearinghouse because 339 00:15:07,120 --> 00:15:09,680 Speaker 4: they were like competing. They were like you know when 340 00:15:09,680 --> 00:15:12,720 Speaker 4: you have like a competing asteroid movies. 341 00:15:12,560 --> 00:15:17,320 Speaker 2: Yes, totally, or competing Robinhood movies, competing like Friends with 342 00:15:17,440 --> 00:15:20,760 Speaker 2: Benefits movies, yes, or movies. 343 00:15:20,760 --> 00:15:25,760 Speaker 3: Or good lord, come on now. 344 00:15:25,560 --> 00:15:29,040 Speaker 2: So uh, that's what we have here, is competing, Like 345 00:15:29,400 --> 00:15:33,440 Speaker 2: just how don't you want to call them like entertainment? Yes, 346 00:15:33,680 --> 00:15:35,760 Speaker 2: it is entertainment, but it's so much more than that 347 00:15:37,120 --> 00:15:41,600 Speaker 2: competing cons Well, this is how Miss Cleo comes to 348 00:15:41,640 --> 00:15:45,400 Speaker 2: the world, thanks to the attempt to peel off some 349 00:15:45,440 --> 00:15:47,440 Speaker 2: of that value that they can get from this call 350 00:15:47,440 --> 00:15:49,600 Speaker 2: a one nine hundred psychics or like, we can get 351 00:15:49,600 --> 00:15:51,480 Speaker 2: some of that let's squeeze this in. But we need 352 00:15:51,560 --> 00:15:54,680 Speaker 2: a hook better than Dion Warwick. What can be better 353 00:15:54,720 --> 00:15:59,680 Speaker 2: than Dion Warwick? Cleo, just take a little break and 354 00:15:59,720 --> 00:16:01,960 Speaker 2: have these messages. I will introduce you to. 355 00:16:01,920 --> 00:16:25,680 Speaker 8: The lady himself, Elizabeth zaren you ready to meet Miss Cleo. 356 00:16:26,360 --> 00:16:29,480 Speaker 2: That's not her real name. Her government name is actually 357 00:16:29,960 --> 00:16:34,800 Speaker 2: Eurray del Harris. Originally Miss Cleo wasn't even a psychic. Instead, 358 00:16:34,880 --> 00:16:37,640 Speaker 2: she was a different kind of storyteller. She was originally 359 00:16:37,640 --> 00:16:40,720 Speaker 2: intending to be a playwright. In the early nineties, she 360 00:16:40,760 --> 00:16:43,080 Speaker 2: was living in the Seattle area working in local theater. 361 00:16:43,200 --> 00:16:46,680 Speaker 2: She was known by her stage name Ray Perry, and 362 00:16:46,800 --> 00:16:49,560 Speaker 2: she was also known by many other names, Euray Khleiomilli, 363 00:16:49,920 --> 00:16:55,120 Speaker 2: Urray Del Harris, Urray Paris, Ray Del Harris, Cleo, Milly Paris, 364 00:16:55,120 --> 00:16:58,800 Speaker 2: Euray Cleo, Millie Harris. You can hear the Cleo starting 365 00:16:58,800 --> 00:17:01,760 Speaker 2: to creep in. She wasn't there yet, so she did 366 00:17:01,800 --> 00:17:04,119 Speaker 2: find though, the seeds of her future is Miss Cleo. 367 00:17:04,160 --> 00:17:06,919 Speaker 2: While she was in the theater scene in Seattle. So 368 00:17:06,960 --> 00:17:09,800 Speaker 2: she was performing at the Langston Hughes Performing Center. It 369 00:17:09,880 --> 00:17:12,440 Speaker 2: was this hub for the black arts community scene in Seattle. 370 00:17:13,200 --> 00:17:16,000 Speaker 2: While she's there, she puts on two plays that she wrote. 371 00:17:16,200 --> 00:17:18,280 Speaker 2: In one of the plays called for women only, she 372 00:17:18,280 --> 00:17:21,399 Speaker 2: creates this character named Miss Cleo. Okay, the woman was 373 00:17:21,440 --> 00:17:24,880 Speaker 2: a Jamaican shawman, so trouble was. According to the Seattle 374 00:17:24,920 --> 00:17:28,680 Speaker 2: Post Intelligencer, the future in Miss Cleo Quote was hired 375 00:17:28,720 --> 00:17:31,320 Speaker 2: by the Langston Hughes Nonprofit Advisory Council and provided with 376 00:17:31,320 --> 00:17:33,240 Speaker 2: a budget with which to pay the cast and crew 377 00:17:33,280 --> 00:17:35,960 Speaker 2: of her plays, but only some were even partially paid, 378 00:17:36,000 --> 00:17:39,680 Speaker 2: according to two cast members and two Langston Hughes Center employees. 379 00:17:40,160 --> 00:17:42,719 Speaker 2: So even as a playwright, she's already doing little low 380 00:17:42,760 --> 00:17:45,679 Speaker 2: key scams. Now she basically she kept the money she 381 00:17:45,720 --> 00:17:47,960 Speaker 2: was given from this small nonprofit theater and then she 382 00:17:48,080 --> 00:17:51,000 Speaker 2: cut down. But now she didn't get into any trouble 383 00:17:51,160 --> 00:17:53,560 Speaker 2: even though she walked away with all this cash because 384 00:17:53,600 --> 00:17:55,960 Speaker 2: the amount that she stole was so small it wasn't 385 00:17:56,000 --> 00:17:58,359 Speaker 2: deemed worth the cost it would take to go find 386 00:17:58,400 --> 00:18:01,199 Speaker 2: and prosecutor. Oh okay, so after that, that's how she 387 00:18:01,320 --> 00:18:03,320 Speaker 2: left town. But also there was the issue of how 388 00:18:03,359 --> 00:18:05,479 Speaker 2: she left town. Like first she told everyone in the 389 00:18:05,480 --> 00:18:08,880 Speaker 2: theater that she had bone cancer. Oh, Elizabeth, she did 390 00:18:08,920 --> 00:18:09,840 Speaker 2: not have bone. 391 00:18:09,560 --> 00:18:10,600 Speaker 3: Cancer, no, you know. 392 00:18:10,760 --> 00:18:12,439 Speaker 2: But she did tell the cast and crew that she 393 00:18:12,520 --> 00:18:14,960 Speaker 2: needed to go get treatment for her imaginary bone cancer. 394 00:18:15,000 --> 00:18:16,639 Speaker 2: That's why she was leaving town. And she needed the 395 00:18:16,680 --> 00:18:19,800 Speaker 2: money from the theater stipend for the treatment. And she 396 00:18:19,840 --> 00:18:22,800 Speaker 2: wrote the actors and the crew all letters explaining how 397 00:18:22,880 --> 00:18:25,920 Speaker 2: she planned to pay them back individually. Then she blew town. 398 00:18:26,560 --> 00:18:28,520 Speaker 2: No one got paid, and no one ever heard from 399 00:18:28,520 --> 00:18:31,920 Speaker 2: her again. Yes, now, after she fled Seattle, she left 400 00:18:31,920 --> 00:18:34,320 Speaker 2: this memorable impression on the folks that she had built. 401 00:18:34,760 --> 00:18:37,680 Speaker 2: One woman told the Seattle Post Intelligencer that the future 402 00:18:37,720 --> 00:18:41,640 Speaker 2: Miss Cleo was quote brilliant. Unfortunately she was using all 403 00:18:41,680 --> 00:18:43,960 Speaker 2: that talent and energy not in the best interests of 404 00:18:43,960 --> 00:18:44,880 Speaker 2: people around her. 405 00:18:45,080 --> 00:18:45,159 Speaker 6: No. 406 00:18:45,520 --> 00:18:47,760 Speaker 3: Yeah, and this is like pre GoFundMe. 407 00:18:47,960 --> 00:18:49,560 Speaker 2: Oh, she's just yeah exactly. 408 00:18:49,640 --> 00:18:53,920 Speaker 4: She's like everybody, I have hair cancer. It's very serious. 409 00:18:56,000 --> 00:18:58,879 Speaker 2: To get away. So you guys, you please have have 410 00:18:58,960 --> 00:19:01,439 Speaker 2: support in your hearts for me. Now you want to 411 00:19:01,440 --> 00:19:03,679 Speaker 2: know where she went next, Well, folks in Seattle, they 412 00:19:03,720 --> 00:19:05,480 Speaker 2: also did, but they didn't hear from ever again, So 413 00:19:05,480 --> 00:19:08,080 Speaker 2: they didn't know till years later when suddenly she's all 414 00:19:08,080 --> 00:19:09,000 Speaker 2: over late night TV. 415 00:19:09,160 --> 00:19:10,679 Speaker 3: Oh my god, could you imagine? 416 00:19:11,240 --> 00:19:13,920 Speaker 2: But by then she's this new person. She'd become the 417 00:19:14,040 --> 00:19:16,200 Speaker 2: Jamaican shaman character, Miss Cleo. 418 00:19:16,320 --> 00:19:18,719 Speaker 3: Yeah, but you're watching TV. You see the lady that 419 00:19:18,760 --> 00:19:22,119 Speaker 3: you gave like too? Oh man? 420 00:19:22,680 --> 00:19:25,720 Speaker 2: So now are you ready for things to get extra sensory? 421 00:19:25,840 --> 00:19:26,359 Speaker 3: Of course. 422 00:19:26,560 --> 00:19:29,480 Speaker 2: So after she rips off this local nonprofit theater scene 423 00:19:29,320 --> 00:19:33,200 Speaker 2: and flee Seattle, the future Miss Cleo she goes next 424 00:19:33,240 --> 00:19:36,840 Speaker 2: to where Elizabeth want to guess there's fifty states. Obviously 425 00:19:36,840 --> 00:19:38,439 Speaker 2: not one of them is going to be Washington. So 426 00:19:38,480 --> 00:19:38,960 Speaker 2: what state? 427 00:19:39,240 --> 00:19:39,720 Speaker 3: Florida? 428 00:19:39,920 --> 00:19:43,840 Speaker 2: Yeah, she did. The answer was Florida. I knew you 429 00:19:43,920 --> 00:19:47,159 Speaker 2: would get it. I've heard it said numerous times. If 430 00:19:47,160 --> 00:19:48,959 Speaker 2: you could somehow pick up the country, a pick up 431 00:19:48,960 --> 00:19:51,680 Speaker 2: with America and shake it all the loose nuts would 432 00:19:51,720 --> 00:19:53,879 Speaker 2: end up in either Florida or Los Angeles. 433 00:19:53,920 --> 00:19:55,360 Speaker 3: Oh yeah, that totally makes sense. 434 00:19:55,400 --> 00:19:57,119 Speaker 2: In her case, she wound up in Florida and so 435 00:19:57,280 --> 00:19:59,879 Speaker 2: and specifically in Pompino Beach. It's a beach town just 436 00:20:00,000 --> 00:20:02,480 Speaker 2: at the Fort Lauderdale, about thirty five miles north of 437 00:20:02,520 --> 00:20:05,640 Speaker 2: Miami on the Atlantic coast. Okay, so she finds work 438 00:20:05,680 --> 00:20:08,720 Speaker 2: there as a tarot card reader, a psychic medium. She 439 00:20:08,800 --> 00:20:11,720 Speaker 2: sets up at a table wherever there are people milling about, 440 00:20:11,800 --> 00:20:13,439 Speaker 2: you know, like oh, this farmer's market, let get a 441 00:20:13,440 --> 00:20:15,680 Speaker 2: table out right. She goes to like, you know, open 442 00:20:15,720 --> 00:20:18,240 Speaker 2: air shopping malls. Let me set my table out right, 443 00:20:18,240 --> 00:20:20,400 Speaker 2: and then there she would go and fleece the gullible. 444 00:20:20,600 --> 00:20:23,119 Speaker 2: So she's working in a mall in Pompino Beach, Florida, 445 00:20:23,200 --> 00:20:26,680 Speaker 2: doing her tarot card readings as her Jamaican shaman character. Yeah, 446 00:20:26,680 --> 00:20:28,600 Speaker 2: and that's when these two cousins spot her, and when 447 00:20:28,640 --> 00:20:31,720 Speaker 2: they see her run on her patois inflected Tarot card 448 00:20:31,760 --> 00:20:35,240 Speaker 2: game boom dollar signed. They're like money, money, money. 449 00:20:36,160 --> 00:20:36,320 Speaker 6: Now. 450 00:20:36,359 --> 00:20:39,000 Speaker 2: The two cousins, they were from Fort Lauderdale. Their names 451 00:20:39,000 --> 00:20:42,000 Speaker 2: are Peter Stultz and Steven Fader. They had a company 452 00:20:42,000 --> 00:20:44,600 Speaker 2: called Access Resource Services, which is the kind of name 453 00:20:44,640 --> 00:20:46,639 Speaker 2: that doesn't tell you at all what they do, so 454 00:20:46,680 --> 00:20:49,720 Speaker 2: they can say they do anything. So in nineteen ninety three, 455 00:20:49,760 --> 00:20:52,680 Speaker 2: based on the huge success of the Psychic Friends Network, 456 00:20:52,880 --> 00:20:55,600 Speaker 2: these Florida cousins start their own network of psychics and 457 00:20:55,600 --> 00:20:58,679 Speaker 2: they call it the Psychic Advisors Network, but also it 458 00:20:58,760 --> 00:21:01,320 Speaker 2: was called the Psychic Reader Network, so they got different names, 459 00:21:01,320 --> 00:21:03,840 Speaker 2: all right, So put this in nineteen eighties terms. They 460 00:21:03,840 --> 00:21:07,080 Speaker 2: were basically the gobots to the Psychic Friends Networks transformed. 461 00:21:07,200 --> 00:21:11,439 Speaker 4: That's another one of the okay yes from the cousins. 462 00:21:11,440 --> 00:21:14,600 Speaker 2: Peter Stultan Stephen Fader are standing there in that mall 463 00:21:14,640 --> 00:21:16,639 Speaker 2: in Pompino Beach. They see Miss Cleo work in the 464 00:21:16,680 --> 00:21:19,680 Speaker 2: small crowd using her Jamaican shaman persona, and the cousins 465 00:21:19,800 --> 00:21:21,679 Speaker 2: they see a star and they know this star is 466 00:21:21,680 --> 00:21:24,240 Speaker 2: gonna make them big, big money so they go over 467 00:21:24,560 --> 00:21:27,000 Speaker 2: and they approach her. Now, Elizabeth, I know, like you know, 468 00:21:27,080 --> 00:21:29,199 Speaker 2: I go for some woo woo stuff, right, sure, So 469 00:21:29,480 --> 00:21:32,280 Speaker 2: miss Cleo, is she really like a psychicic call? Does 470 00:21:32,320 --> 00:21:33,560 Speaker 2: she have some real powers? 471 00:21:33,880 --> 00:21:34,080 Speaker 5: Yeah? 472 00:21:34,119 --> 00:21:34,280 Speaker 6: Right? 473 00:21:34,359 --> 00:21:36,320 Speaker 2: The question is like, was she actually gifted in the 474 00:21:36,359 --> 00:21:39,640 Speaker 2: psychic cards or was it all a scam and a grift? Well, 475 00:21:39,720 --> 00:21:41,679 Speaker 2: luckily we have her to answer that question. 476 00:21:41,960 --> 00:21:42,240 Speaker 3: Wow. 477 00:21:42,280 --> 00:21:44,520 Speaker 2: She gave an interview device and she explained how she 478 00:21:44,600 --> 00:21:47,240 Speaker 2: got into this business. And she said, and I quote, 479 00:21:47,640 --> 00:21:50,280 Speaker 2: I come from a family of spooky people. I don't 480 00:21:50,320 --> 00:21:52,639 Speaker 2: know how to see it. I come from a family 481 00:21:52,680 --> 00:21:55,960 Speaker 2: of obeah, which is a neta word for vouru. My 482 00:21:56,000 --> 00:21:58,840 Speaker 2: teacher was hey sh and boy at and I studied 483 00:21:58,920 --> 00:22:02,160 Speaker 2: under half of thirty and then become a mambo myself. 484 00:22:02,400 --> 00:22:04,720 Speaker 2: All right, a mambo. 485 00:22:04,880 --> 00:22:06,440 Speaker 3: She comes from spooky people. 486 00:22:06,200 --> 00:22:08,320 Speaker 2: Spooky people I love. Yeah, And she's a mambo. A 487 00:22:08,320 --> 00:22:11,439 Speaker 2: mambo myself. Well, she's not actually a dance she had. 488 00:22:11,480 --> 00:22:13,480 Speaker 2: Mambo in this case means like a spirit worker. 489 00:22:13,600 --> 00:22:13,800 Speaker 3: Right. 490 00:22:14,119 --> 00:22:16,280 Speaker 2: Anyway, back to miss Cleo, she's got breed to say. 491 00:22:16,400 --> 00:22:18,640 Speaker 2: So they refer to me as psychic because the word 492 00:22:18,720 --> 00:22:22,120 Speaker 2: voodo scares people just about everybody. So they told me, no, no, 493 00:22:22,160 --> 00:22:24,119 Speaker 2: we can't use that word. We're going to call you 494 00:22:24,280 --> 00:22:27,400 Speaker 2: a psychic. I said, but I'm not a psychic. Then 495 00:22:27,400 --> 00:22:29,199 Speaker 2: you would take me somewhere to do an interview. And 496 00:22:29,240 --> 00:22:31,200 Speaker 2: as soon as I'd say, but I'm not the psychic. 497 00:22:31,240 --> 00:22:34,200 Speaker 2: I don't own the company, the handles. No, no, no, 498 00:22:34,359 --> 00:22:35,560 Speaker 2: tell her to shut up. 499 00:22:36,160 --> 00:22:38,760 Speaker 3: So wait, did she have an accent when she was 500 00:22:38,800 --> 00:22:40,760 Speaker 3: in Washington State? 501 00:22:41,280 --> 00:22:42,879 Speaker 2: No? Did she have an accent when she gave the 502 00:22:42,880 --> 00:22:48,160 Speaker 2: interview device? Yes, so I'm reading according to the transcript 503 00:22:48,320 --> 00:22:51,800 Speaker 2: for authenticity. So what do we got so far? According 504 00:22:51,840 --> 00:22:54,159 Speaker 2: to her, she have a woman who came from spooky people, 505 00:22:54,480 --> 00:22:56,800 Speaker 2: and she was trained in voodoo by a Haitian woman 506 00:22:56,840 --> 00:22:59,600 Speaker 2: to be a mambo. But the word voodoo scares white folks. 507 00:22:59,600 --> 00:23:02,439 Speaker 2: So this Florida cousins call her a psychic instead, but 508 00:23:02,520 --> 00:23:05,000 Speaker 2: she says she's not a psychic, even though she will 509 00:23:05,000 --> 00:23:06,760 Speaker 2: play one on TV. Now all clear? 510 00:23:06,800 --> 00:23:07,880 Speaker 3: Yeah, yeah, I got it. 511 00:23:07,960 --> 00:23:10,160 Speaker 2: So anyway, when the cousins offer her the job, obviously 512 00:23:10,160 --> 00:23:12,679 Speaker 2: she takes it. Psychic or not, she takes it. Starting 513 00:23:12,720 --> 00:23:15,439 Speaker 2: in nineteen ninety seven, Miss Cleo becomes the face of 514 00:23:15,480 --> 00:23:20,840 Speaker 2: the new psychic Reader's Network. Each short's Dion Warwick. Now 515 00:23:20,880 --> 00:23:23,760 Speaker 2: the Psychic Friends Network was running half hour long commercials 516 00:23:23,800 --> 00:23:26,800 Speaker 2: that sometimes look like Oprah Winfrey shows. Yeah, the new 517 00:23:26,840 --> 00:23:30,359 Speaker 2: Psychic Reader's Network they ran thirty second and minute long 518 00:23:30,440 --> 00:23:32,720 Speaker 2: late night TV at so like, why thirty minutes when 519 00:23:32,720 --> 00:23:35,080 Speaker 2: you only need thirty seconds to make an impression them. 520 00:23:35,119 --> 00:23:38,880 Speaker 2: Almost instantly, Miss Cleio becomes a budget late night TV celebrity. 521 00:23:39,000 --> 00:23:41,600 Speaker 2: She had obviously her Jamaican shaman x, but she went 522 00:23:41,680 --> 00:23:44,040 Speaker 2: one step further. She started telling folks that she and 523 00:23:44,080 --> 00:23:47,120 Speaker 2: her people were from Trey Lane, Jamaica. She went full 524 00:23:47,200 --> 00:23:49,359 Speaker 2: on fake and Jamaican. At this point, she starts saying 525 00:23:49,400 --> 00:23:50,360 Speaker 2: she's Jamaican. 526 00:23:50,080 --> 00:23:51,000 Speaker 3: Right Ros Trent. 527 00:23:51,200 --> 00:23:53,479 Speaker 2: So she and the totally she and the Florida cousins. 528 00:23:53,520 --> 00:23:55,800 Speaker 2: They knew that her Jamaican persona coded her as like 529 00:23:55,800 --> 00:23:58,640 Speaker 2: this West Indian witch, so she plays all that up. 530 00:23:58,840 --> 00:24:02,080 Speaker 2: She starts wearing bright color the regal head wraps. She 531 00:24:02,160 --> 00:24:04,919 Speaker 2: sits at a table with tarot cards spread before and 532 00:24:04,960 --> 00:24:07,480 Speaker 2: in the ads she'd respond to like a series of 533 00:24:07,520 --> 00:24:10,880 Speaker 2: disembodied voices of callers. Right, you don't see these other 534 00:24:10,960 --> 00:24:13,720 Speaker 2: people usually women, and the callers are almost always young 535 00:24:13,760 --> 00:24:16,359 Speaker 2: to middle aged female voices right, so she's talking to them, 536 00:24:16,680 --> 00:24:19,080 Speaker 2: and this explains why in the ads miss Cleo acted 537 00:24:19,119 --> 00:24:21,040 Speaker 2: like their Jamaican girlfriend who is going to keep it 538 00:24:21,080 --> 00:24:23,360 Speaker 2: real with you, right right. So I watched a few 539 00:24:23,359 --> 00:24:25,280 Speaker 2: of these ads for you as well as you would 540 00:24:25,280 --> 00:24:26,159 Speaker 2: say for shiggles. 541 00:24:26,640 --> 00:24:26,800 Speaker 6: Right. 542 00:24:26,920 --> 00:24:29,119 Speaker 2: In one I watched, she said to a caller his 543 00:24:29,240 --> 00:24:32,360 Speaker 2: eyes are almost spooky, they're so pretty. In the caller response, 544 00:24:32,600 --> 00:24:35,280 Speaker 2: that'd be my ex boyfriend, and Miss Cleo pulls a 545 00:24:35,320 --> 00:24:37,760 Speaker 2: tarot card says, if I have a sword just next 546 00:24:37,760 --> 00:24:40,280 Speaker 2: to him, that me and he is away, and the 547 00:24:40,359 --> 00:24:43,160 Speaker 2: coller says yep, and to which Miss Cleo then says, 548 00:24:43,280 --> 00:24:45,800 Speaker 2: digit think Cleo wasn't going to see that, And the 549 00:24:45,880 --> 00:24:48,680 Speaker 2: caller can see I knew you were, and that makes 550 00:24:48,680 --> 00:24:51,960 Speaker 2: Miss Cleo laugh from recognition, and she replies, you go girl. 551 00:24:52,480 --> 00:24:52,640 Speaker 5: Now. 552 00:24:52,760 --> 00:24:55,760 Speaker 2: There's another thirty second ad that focuses on just one 553 00:24:55,840 --> 00:25:00,600 Speaker 2: call it all totally. You go girl. Now, Miss Cleo 554 00:25:00,640 --> 00:25:03,040 Speaker 2: asked this young woman who asked you to go out 555 00:25:03,040 --> 00:25:05,480 Speaker 2: of town? The stupid young one or the married one? 556 00:25:06,000 --> 00:25:08,720 Speaker 2: Oh right, and the collar says the married one. Miss 557 00:25:08,800 --> 00:25:11,800 Speaker 2: Cleo jumps on this. That's what me taught, don't go. 558 00:25:11,920 --> 00:25:14,640 Speaker 2: You hear me, and you know what, you not listening 559 00:25:14,680 --> 00:25:16,920 Speaker 2: to me because I see you gone. I see you gone, 560 00:25:17,359 --> 00:25:20,199 Speaker 2: and the collar laughs knowing she's caught right. I'm just 561 00:25:20,280 --> 00:25:22,359 Speaker 2: telling you. I'm trying to help you to avoid the 562 00:25:22,400 --> 00:25:25,639 Speaker 2: heartache man. Then comes the appeal to the viewer, don't 563 00:25:25,680 --> 00:25:28,560 Speaker 2: go blindly through life. Let me use the power of 564 00:25:28,600 --> 00:25:30,119 Speaker 2: the terror to show it away. 565 00:25:30,280 --> 00:25:31,200 Speaker 3: Come in now. 566 00:25:31,800 --> 00:25:34,200 Speaker 2: Right so as you can hear. It's mostly women calling 567 00:25:34,240 --> 00:25:37,159 Speaker 2: in about their love lives, their exes, their next loves, 568 00:25:37,160 --> 00:25:40,240 Speaker 2: their futures when it comes to jobs, new homes, new businesses, 569 00:25:40,359 --> 00:25:42,199 Speaker 2: but like they weren't afraid to go for it in 570 00:25:42,240 --> 00:25:46,240 Speaker 2: these ads and bring that full Moury Povich daytime TV energy, 571 00:25:46,280 --> 00:25:49,040 Speaker 2: but the dense down to thirty seconds. I found this 572 00:25:49,080 --> 00:25:51,440 Speaker 2: one ad from nineteen ninety eight. Miss Cleo was seated 573 00:25:51,440 --> 00:25:54,399 Speaker 2: in like a carved wooden like high backed chair like 574 00:25:54,400 --> 00:25:57,119 Speaker 2: an elf would have in its dining room. Right, and 575 00:25:57,200 --> 00:25:59,359 Speaker 2: she's got the background as a shot of clouds and 576 00:25:59,400 --> 00:26:01,560 Speaker 2: it looks like it super red for some reason. It 577 00:26:01,600 --> 00:26:03,760 Speaker 2: looks like like you probably don't know this, but the 578 00:26:03,800 --> 00:26:08,560 Speaker 2: star Wars volcano, Moon of Moustafar. I couldn't think of 579 00:26:08,560 --> 00:26:12,439 Speaker 2: another red sky compared to anyway. 580 00:26:13,720 --> 00:26:15,679 Speaker 3: No, no, I haven't. I've been outside. 581 00:26:16,160 --> 00:26:18,399 Speaker 2: I was touching grass earlier today. 582 00:26:19,560 --> 00:26:21,520 Speaker 3: Red skies at night sailors. 583 00:26:21,080 --> 00:26:23,560 Speaker 4: Delight think of that because I was, you know, in 584 00:26:23,640 --> 00:26:25,200 Speaker 4: the service in the forties. 585 00:26:25,040 --> 00:26:28,119 Speaker 2: Raised by merchant marines. So Miss Cleo, she's wearing a 586 00:26:28,240 --> 00:26:30,679 Speaker 2: sensible black head wrap and a top that's like a 587 00:26:30,680 --> 00:26:32,960 Speaker 2: polo style three button shirt and it looks like she's 588 00:26:33,000 --> 00:26:35,879 Speaker 2: borrowed it from like some West Indian uncle. Right now, 589 00:26:36,240 --> 00:26:39,440 Speaker 2: she's also shuffling a tarot deck as the caller asked, okay, 590 00:26:39,520 --> 00:26:42,840 Speaker 2: I was wondering who the father of my child was. No, 591 00:26:43,000 --> 00:26:46,560 Speaker 2: without missing meat, Miss Cleo starts shuffling the Tarot cards 592 00:26:46,560 --> 00:26:48,960 Speaker 2: with way more purpose, right, like we're about to go 593 00:26:49,000 --> 00:26:52,000 Speaker 2: find out girl. And she folds the tarot cards like 594 00:26:52,040 --> 00:26:54,080 Speaker 2: playing cards, and she does that bridge trick where you 595 00:26:54,119 --> 00:26:56,480 Speaker 2: shuffle the cards like she's playing these cards, right, And 596 00:26:56,560 --> 00:26:58,520 Speaker 2: she said, all right, let's take a look, and as 597 00:26:58,560 --> 00:27:00,760 Speaker 2: she laughs to herself, she starts shaking. She's like the 598 00:27:00,840 --> 00:27:04,359 Speaker 2: Miss Cleo DNA test. Now she does a quick tarot 599 00:27:04,400 --> 00:27:08,000 Speaker 2: card layout. We're slowly searching for the father of your baby. 600 00:27:08,160 --> 00:27:10,600 Speaker 2: Now on screen it says Tarot cards never lie. 601 00:27:11,280 --> 00:27:14,400 Speaker 3: Wait on this, this is for entertainment. 602 00:27:14,440 --> 00:27:16,200 Speaker 2: No, no, it's like in big letters, not that small 603 00:27:16,240 --> 00:27:18,920 Speaker 2: legal brand is in big letters that those letters fade 604 00:27:18,920 --> 00:27:22,080 Speaker 2: away and the replacement the phrase learned the truth. Oh now, 605 00:27:22,080 --> 00:27:24,880 Speaker 2: Miss Cleo delivers a harsh truth to the young woman. 606 00:27:24,920 --> 00:27:28,199 Speaker 2: She says, it's the one that's very unpleasant okay, And 607 00:27:28,240 --> 00:27:31,880 Speaker 2: the caller says okay. But Miss Cleo, it's not done though, 608 00:27:31,920 --> 00:27:34,280 Speaker 2: delivering the bad news. She says, and he's also the 609 00:27:34,280 --> 00:27:36,720 Speaker 2: one that had another girlfriend while he was sleeping with you. 610 00:27:37,520 --> 00:27:40,480 Speaker 2: She's like, the caller astrimate, Yes he did. 611 00:27:41,000 --> 00:27:42,080 Speaker 3: There are great guesses. 612 00:27:42,160 --> 00:27:43,960 Speaker 4: I mean, if you're in that situation, it's like, I 613 00:27:44,000 --> 00:27:46,080 Speaker 4: don't know which one is it that Like, I think 614 00:27:46,119 --> 00:27:48,360 Speaker 4: we can figure out some demographic information. 615 00:27:48,680 --> 00:27:50,560 Speaker 2: Take a wild shot in the dark year. So she 616 00:27:50,640 --> 00:27:52,680 Speaker 2: miss clear she takes her victory lap for being right. 617 00:27:52,840 --> 00:27:55,480 Speaker 2: She's like, yep, that's him, that's the daddy. And the 618 00:27:55,520 --> 00:27:58,920 Speaker 2: woman's like, oh okay. She says it like her Obgyn 619 00:27:59,000 --> 00:28:01,840 Speaker 2: gave her test results, Like okay, there it is. Now, 620 00:28:01,880 --> 00:28:03,879 Speaker 2: Miss Cleo. She stares right at the camera, so right 621 00:28:03,920 --> 00:28:06,480 Speaker 2: at you, the viewer, and she's smuggly now smiling as 622 00:28:06,520 --> 00:28:08,760 Speaker 2: the caller, we can't see that's the knowledge of who 623 00:28:08,840 --> 00:28:10,920 Speaker 2: her baby daddy is sink in. She's like, oh, you 624 00:28:10,920 --> 00:28:14,119 Speaker 2: got get the unpleasant one, right, miss Cleo, she's called 625 00:28:14,200 --> 00:28:18,359 Speaker 2: him now sinks the like the kill shot. Basically, she's like, 626 00:28:18,600 --> 00:28:21,560 Speaker 2: but you knew that, And the colls like, I wasn't sure, 627 00:28:21,680 --> 00:28:24,160 Speaker 2: but miss Cleo, not done yet. I don't know how 628 00:28:24,320 --> 00:28:26,960 Speaker 2: the baby looks just like him? So how is she 629 00:28:27,040 --> 00:28:29,119 Speaker 2: seeing this in the tarot cards? I don't know. But 630 00:28:29,480 --> 00:28:32,400 Speaker 2: the caller doesn't ask, doesn't question it. She goes, yes, 631 00:28:32,520 --> 00:28:35,119 Speaker 2: he does look just like And now at this point, 632 00:28:35,119 --> 00:28:38,080 Speaker 2: this dollar store therapist, Miss Cleo, goes, yeah, you were 633 00:28:38,160 --> 00:28:40,440 Speaker 2: so un denied because and this is where she puts 634 00:28:40,480 --> 00:28:42,720 Speaker 2: like her hand to her face to indicate the size 635 00:28:42,760 --> 00:28:45,240 Speaker 2: of the chin. So she's like pinching her chin, and 636 00:28:45,280 --> 00:28:48,000 Speaker 2: he has this funny little chin, doesn't tea. And the 637 00:28:48,080 --> 00:28:49,440 Speaker 2: woman's like, oh, yes. 638 00:28:49,320 --> 00:28:52,920 Speaker 3: He does, do you nail, You're right? 639 00:28:53,160 --> 00:28:55,800 Speaker 2: And like yeah, and the baby has that same little chin, 640 00:28:55,880 --> 00:28:57,520 Speaker 2: and she's like tapping her own chin like it's just 641 00:28:57,600 --> 00:28:59,760 Speaker 2: a comical thing, like this is how you identify the kid. 642 00:29:00,440 --> 00:29:03,560 Speaker 2: Elizabeth the collar is impressed. She says, like, in this 643 00:29:03,640 --> 00:29:07,560 Speaker 2: breathless way, Oh my god, Like she's. 644 00:29:07,400 --> 00:29:13,520 Speaker 4: Just she's gonna use a cassette in the custody case. 645 00:29:13,320 --> 00:29:17,520 Speaker 2: In People's court and appearing before Judge Wapnet. So another 646 00:29:17,600 --> 00:29:19,720 Speaker 2: satisfied customer. This little mini drama. 647 00:29:19,760 --> 00:29:22,040 Speaker 4: By the way, my baby was born with a goateee. 648 00:29:22,120 --> 00:29:24,440 Speaker 4: He has a goate it has to be it's. 649 00:29:24,280 --> 00:29:26,480 Speaker 2: Got to be him, your honor. This all goes down 650 00:29:26,520 --> 00:29:29,280 Speaker 2: in thirty seconds, right, amazing. So imagine like you're watching 651 00:29:29,280 --> 00:29:32,120 Speaker 2: TV late at night. You're drunk, you're high, you're an insomniac, 652 00:29:32,160 --> 00:29:34,160 Speaker 2: whatever you are, you're waiting for your late night shift. 653 00:29:34,480 --> 00:29:37,000 Speaker 2: You're watching this late night TV and this drops this 654 00:29:37,080 --> 00:29:40,720 Speaker 2: little gem of drama. It's incredible, right. Is this a 655 00:29:40,800 --> 00:29:44,440 Speaker 2: spectacle of unhinged humanity? Yeah, as you can also no 656 00:29:44,520 --> 00:29:47,440 Speaker 2: doubt here these scammer cousins from Florida who are running 657 00:29:47,480 --> 00:29:50,560 Speaker 2: this whole knockoff network of phone psychics. Yeah, they aimed 658 00:29:50,560 --> 00:29:54,200 Speaker 2: at their money vacuums, at the vulnerable, the gullible, the desperate, 659 00:29:54,880 --> 00:29:57,600 Speaker 2: mostly lonely young women in middle aged women who wanted 660 00:29:57,640 --> 00:30:00,280 Speaker 2: to hear pretty little lies right right now, it's this, 661 00:30:00,320 --> 00:30:03,040 Speaker 2: as I said earlier, dollar store therapy. So miss cleil would. 662 00:30:03,240 --> 00:30:06,400 Speaker 2: She's delivering hard trucity women telling them they deserve better. 663 00:30:06,520 --> 00:30:08,360 Speaker 2: Some of it's positive, some of it's like this is 664 00:30:08,400 --> 00:30:10,560 Speaker 2: your baby, daddy, you know. So not all of it's good, 665 00:30:10,920 --> 00:30:13,200 Speaker 2: but like I did like when she'd be like, well 666 00:30:13,240 --> 00:30:16,080 Speaker 2: look girl, dismound's a bumb him always gonna be a bomb, 667 00:30:16,080 --> 00:30:17,760 Speaker 2: and you don't want to have no bum in your laugh. 668 00:30:17,840 --> 00:30:21,000 Speaker 2: You deserve better, girl, Good advice right now. So this 669 00:30:21,080 --> 00:30:24,160 Speaker 2: has real appeal. Obviously, entertainment appeal as well is something 670 00:30:24,200 --> 00:30:27,640 Speaker 2: Americans love. A like pre slavery era stereotype of a 671 00:30:27,680 --> 00:30:30,320 Speaker 2: wholesome fantasy rolled up into one. You get this like 672 00:30:30,360 --> 00:30:34,360 Speaker 2: middle aged, mammified black woman who looks after their emotional 673 00:30:34,400 --> 00:30:37,320 Speaker 2: well being with all of her like earthy old Negro 674 00:30:37,480 --> 00:30:39,520 Speaker 2: wisdom and the power of like the bones and. 675 00:30:39,560 --> 00:30:41,440 Speaker 3: Hoodoo and voodoo, magical Negro. 676 00:30:41,600 --> 00:30:45,200 Speaker 2: Totally so, which is why plenty of Jamaicans hated her. 677 00:30:45,320 --> 00:30:48,640 Speaker 2: Oh I can imagine West Indians found her whole deal offensive. 678 00:30:48,720 --> 00:30:48,840 Speaker 6: Right. 679 00:30:49,200 --> 00:30:53,160 Speaker 4: First of all, I am doubting that she nailed the accent. 680 00:30:53,320 --> 00:30:55,160 Speaker 2: No wait, what you're talking about, gown. 681 00:30:56,680 --> 00:30:58,800 Speaker 3: Now, that's gotta be so insulting. 682 00:30:58,920 --> 00:31:02,000 Speaker 2: So believing aside her wandering come and go Jamaican accent. 683 00:31:02,440 --> 00:31:05,040 Speaker 2: Miss Cleo would also catch hell for like just her 684 00:31:05,120 --> 00:31:07,320 Speaker 2: whole vibe whenever she went out in public and folks 685 00:31:07,360 --> 00:31:09,360 Speaker 2: recognized her and they would tell her about her fake 686 00:31:09,360 --> 00:31:12,280 Speaker 2: and Jamaican routine. And as she told Vice, they are 687 00:31:12,280 --> 00:31:14,640 Speaker 2: places rere I go and people are like yo, Miss Cleo, 688 00:31:14,920 --> 00:31:16,920 Speaker 2: and I try to run. I've had people come to 689 00:31:16,960 --> 00:31:18,960 Speaker 2: me and there it's like a big controversy about miss 690 00:31:19,000 --> 00:31:22,080 Speaker 2: cleis not Jamaican, right, And I'm like, well, yeah, you're 691 00:31:22,160 --> 00:31:22,520 Speaker 2: you're not. 692 00:31:23,040 --> 00:31:23,360 Speaker 3: You're not. 693 00:31:24,200 --> 00:31:26,960 Speaker 2: Though she attempts to set the record straight, Miss Cleo says, 694 00:31:26,960 --> 00:31:28,800 Speaker 2: and I quote, so one day I'm in line to 695 00:31:28,840 --> 00:31:30,720 Speaker 2: pay my phone bell and then there was a Jamaican 696 00:31:30,720 --> 00:31:33,280 Speaker 2: woman dad, and we are chatting and she goes, you 697 00:31:33,360 --> 00:31:35,760 Speaker 2: know who you favor? And I say who She said, 698 00:31:35,760 --> 00:31:39,440 Speaker 2: Miss Cleo, And I say, yeah, I'm on, but miha, 699 00:31:39,560 --> 00:31:42,560 Speaker 2: she's not Jamaican. And she say, yeah, me here that too, 700 00:31:43,000 --> 00:31:45,040 Speaker 2: And I went about my business. She had no idea. 701 00:31:45,880 --> 00:31:48,120 Speaker 2: So obviously Miss Cleo is pleased with the story for 702 00:31:48,120 --> 00:31:50,560 Speaker 2: at least two reasons. Right one, the real Jamaican hears 703 00:31:50,600 --> 00:31:52,240 Speaker 2: her speak and believes her to be one of her 704 00:31:52,280 --> 00:31:55,360 Speaker 2: country women. And then two, she's not recognized as the 705 00:31:55,440 --> 00:31:57,880 Speaker 2: character she plays on late night TV, which proves she 706 00:31:57,960 --> 00:32:00,000 Speaker 2: can be real and the character is something you see 707 00:32:00,120 --> 00:32:02,440 Speaker 2: on TV and that's not real. So she's able to 708 00:32:02,480 --> 00:32:04,720 Speaker 2: divide herself. She's working on mini levels of little. 709 00:32:04,760 --> 00:32:05,720 Speaker 3: Yeah, there's a lot going on. 710 00:32:05,840 --> 00:32:08,000 Speaker 2: It's like you say, with you know your man, Walt Whitman. 711 00:32:08,080 --> 00:32:09,600 Speaker 2: She Miss Cleo contains multitude. 712 00:32:09,600 --> 00:32:10,040 Speaker 3: She does. 713 00:32:10,280 --> 00:32:12,880 Speaker 2: But also, according to her, there was another reason she 714 00:32:12,920 --> 00:32:15,640 Speaker 2: couldn't be real with people in the street. As Miss 715 00:32:15,640 --> 00:32:19,200 Speaker 2: Cleo told Vice and I quote, so, I had some 716 00:32:19,320 --> 00:32:21,680 Speaker 2: Jamaican people who are anger at me, saying that I 717 00:32:21,760 --> 00:32:24,480 Speaker 2: was a bad representative of theirs. I've always said, it's 718 00:32:24,600 --> 00:32:27,320 Speaker 2: not my company. Then they would do this stuff to 719 00:32:27,480 --> 00:32:29,840 Speaker 2: punish me. Now she goes all over there right with 720 00:32:30,040 --> 00:32:33,280 Speaker 2: the pronouns. So what she's saying is I find interesting, 721 00:32:33,360 --> 00:32:35,840 Speaker 2: is she put herself in some distance between her and 722 00:32:35,880 --> 00:32:38,280 Speaker 2: the Jamaicans. She was like, I was a bad representative 723 00:32:38,320 --> 00:32:41,240 Speaker 2: of theirs, not ours. So she kind of tells on 724 00:32:41,280 --> 00:32:43,600 Speaker 2: herself right there, right, and then at the end she says, 725 00:32:43,680 --> 00:32:46,000 Speaker 2: then they would do stuff to punish me, not the Jamaicans. 726 00:32:46,000 --> 00:32:48,560 Speaker 2: The Jamaicans didn't punish her. It was the Florida cousins 727 00:32:48,640 --> 00:32:52,080 Speaker 2: who she's talking about. She's a little hard to follow out. Yeah, 728 00:32:52,120 --> 00:32:53,840 Speaker 2: so anyway back to miss clear. 729 00:32:53,840 --> 00:32:56,240 Speaker 4: That detective work is so like on a on a 730 00:32:56,320 --> 00:32:59,640 Speaker 4: TV show when someone is missing and their spouse refers 731 00:32:59,680 --> 00:33:02,480 Speaker 4: to them the past, and the detectives are like, oh. 732 00:33:02,360 --> 00:33:05,960 Speaker 3: That's interesting. Yes, that's total basically what you just did, 733 00:33:06,000 --> 00:33:06,800 Speaker 3: saren So. 734 00:33:06,880 --> 00:33:10,000 Speaker 2: As mister tells it, they spent a lot of time 735 00:33:10,040 --> 00:33:12,200 Speaker 2: trying to make me into something I was completely not. 736 00:33:12,360 --> 00:33:14,840 Speaker 2: I speak perfect English. When you grew up in America 737 00:33:14,880 --> 00:33:17,320 Speaker 2: and your Caribbean, your parts beat it into you that 738 00:33:17,400 --> 00:33:19,880 Speaker 2: the only way to succeed is by dropping the patois. 739 00:33:20,040 --> 00:33:22,480 Speaker 2: My mother was very deliberate about that, and so was 740 00:33:22,520 --> 00:33:26,360 Speaker 2: my father. Wait, yeah, it doesn't make any sense. She's 741 00:33:26,360 --> 00:33:28,840 Speaker 2: speaking in a fake pat saying that she was told 742 00:33:28,880 --> 00:33:31,000 Speaker 2: to drop it to be successful, which is why she's 743 00:33:31,040 --> 00:33:34,560 Speaker 2: being interviewed just because of the patois. Anyway, none of 744 00:33:34,560 --> 00:33:37,280 Speaker 2: that is why her gravy train came to an abrupt end. 745 00:33:37,840 --> 00:33:39,800 Speaker 2: I'll take a little break, Elizabeth, and when we get back, 746 00:33:39,840 --> 00:33:41,720 Speaker 2: I'll tell you how this thing goes off the rail. 747 00:33:42,280 --> 00:34:05,400 Speaker 7: I can't wait, Elizabeth, you're back. 748 00:34:05,880 --> 00:34:06,680 Speaker 2: Enjoy Miss Cleo. 749 00:34:06,840 --> 00:34:10,600 Speaker 3: I am loving this so much. This is such a great, comfortable, 750 00:34:10,640 --> 00:34:11,240 Speaker 3: fun ride. 751 00:34:11,719 --> 00:34:11,879 Speaker 7: Joy. 752 00:34:12,000 --> 00:34:13,280 Speaker 2: I probably want to give you some giggles. 753 00:34:13,320 --> 00:34:13,800 Speaker 3: Thank you. 754 00:34:13,840 --> 00:34:16,759 Speaker 2: Now, Miss Cleo. She gets, you know, all shook up 755 00:34:16,840 --> 00:34:19,200 Speaker 2: at the end of this tale, obviously, but it's not 756 00:34:19,239 --> 00:34:21,640 Speaker 2: really her fault. It's more about how the Florida Cousins 757 00:34:21,680 --> 00:34:24,640 Speaker 2: are running the company, that she's the face person of 758 00:34:24,719 --> 00:34:26,200 Speaker 2: this very predatory business. 759 00:34:26,320 --> 00:34:26,600 Speaker 3: Yeah. 760 00:34:26,680 --> 00:34:28,799 Speaker 2: Now, the amount that the Florida Cousins were making each 761 00:34:28,880 --> 00:34:31,920 Speaker 2: year is not exactly known, but there are healthy estimates 762 00:34:31,920 --> 00:34:35,800 Speaker 2: by forensic government accountants that put the company's annual income 763 00:34:35,840 --> 00:34:37,879 Speaker 2: at around four hundred million dollars a year. 764 00:34:38,320 --> 00:34:39,759 Speaker 3: Four hundred million a year. 765 00:34:40,360 --> 00:34:42,840 Speaker 2: As Miss c told Vice, I'm going to quote you 766 00:34:42,840 --> 00:34:45,799 Speaker 2: a number from the FBI. They're putting down using my 767 00:34:45,960 --> 00:34:49,160 Speaker 2: face my talent, twenty four million a month for two 768 00:34:49,280 --> 00:34:49,920 Speaker 2: years straight. 769 00:34:50,400 --> 00:34:52,400 Speaker 3: God, that's a lot of phone calls. 770 00:34:52,480 --> 00:34:54,760 Speaker 2: It's insane. And also that's a lot of lonely women. 771 00:34:55,320 --> 00:34:57,279 Speaker 2: That's a lot of people calling in looking for help. 772 00:34:57,320 --> 00:34:59,600 Speaker 2: Instead they talk to some phony psychic who's probably on 773 00:34:59,680 --> 00:35:01,480 Speaker 2: like a wordless phone as they make dinner for their 774 00:35:01,480 --> 00:35:02,040 Speaker 2: two kids. 775 00:35:02,080 --> 00:35:05,000 Speaker 4: Because it's not all miss Cleo. It's not like Miss 776 00:35:05,000 --> 00:35:07,759 Speaker 4: Cleo's twenty two hours. 777 00:35:07,880 --> 00:35:10,479 Speaker 2: And they're all independent contractors, mostly working from home. 778 00:35:10,600 --> 00:35:13,239 Speaker 3: You keep getting a busy signal because like you can't 779 00:35:13,239 --> 00:35:13,760 Speaker 3: get through. 780 00:35:14,480 --> 00:35:16,879 Speaker 2: Everyone trying to get her. Elizabeth. Back in the early 781 00:35:16,920 --> 00:35:18,600 Speaker 2: days of the internet, if I remember correctly, you ran 782 00:35:18,640 --> 00:35:20,160 Speaker 2: an account for a psychic housecat. 783 00:35:20,320 --> 00:35:22,280 Speaker 3: Yes, I did, toty three thousand. 784 00:35:22,480 --> 00:35:24,479 Speaker 2: Now do you think it would be that you would 785 00:35:24,480 --> 00:35:28,359 Speaker 2: make a good phony phone psychic as I. 786 00:35:28,400 --> 00:35:31,680 Speaker 4: Was so good as toty three thousand, because when you know, 787 00:35:31,719 --> 00:35:34,160 Speaker 4: if someone would ask is my boyfriend cheating? 788 00:35:34,440 --> 00:35:35,799 Speaker 3: My answer was always. 789 00:35:35,560 --> 00:35:39,400 Speaker 4: Yes, because if you have to ask a stranger that 790 00:35:39,520 --> 00:35:42,759 Speaker 4: question question, there's a problem. And like if if he's 791 00:35:42,800 --> 00:35:46,200 Speaker 4: not cheating, there's still on his way to it, there's something. 792 00:35:45,880 --> 00:35:48,319 Speaker 3: That your spidy sense, so get out of there. 793 00:35:48,760 --> 00:35:50,640 Speaker 4: I was always just like cut bait, you like, get 794 00:35:50,680 --> 00:35:52,279 Speaker 4: out of there, and you know. 795 00:35:52,360 --> 00:35:54,560 Speaker 3: Or like people, Am I ever going to find a love? 796 00:35:54,760 --> 00:35:54,960 Speaker 5: Yeah? 797 00:35:55,040 --> 00:35:58,399 Speaker 3: Sure, you know, of course tell me about them, you know. 798 00:35:58,320 --> 00:36:00,319 Speaker 2: Whatever, love for salmon fishing. 799 00:36:00,280 --> 00:36:04,080 Speaker 4: But therapy basically, yeah, it's like I approached it like 800 00:36:04,200 --> 00:36:06,960 Speaker 4: I would be talking to friends who wanted advice and 801 00:36:07,160 --> 00:36:09,279 Speaker 4: just kind of also messing with people, you know, because 802 00:36:09,280 --> 00:36:10,280 Speaker 4: I'm an agent of camp. 803 00:36:10,680 --> 00:36:12,520 Speaker 2: There you go. Now you were you a little bit 804 00:36:12,560 --> 00:36:15,120 Speaker 2: of worried that people might actually take your advice. 805 00:36:15,640 --> 00:36:17,319 Speaker 3: Well, I never told him anything. 806 00:36:17,480 --> 00:36:20,799 Speaker 2: You like, anything like you should do this or do that, you. 807 00:36:20,800 --> 00:36:24,480 Speaker 4: Should quit your job and like slash your boss's tires 808 00:36:24,560 --> 00:36:24,879 Speaker 4: and then. 809 00:36:25,200 --> 00:36:27,880 Speaker 2: Start that jam band and maybe the country it's in 810 00:36:27,960 --> 00:36:28,400 Speaker 2: the stars. 811 00:36:28,440 --> 00:36:29,840 Speaker 4: No, what I would do is I'd be like, what, 812 00:36:30,600 --> 00:36:32,839 Speaker 4: I need some information. I need your birthday and your 813 00:36:32,840 --> 00:36:35,120 Speaker 4: favorite color, and I forget what the other one was. 814 00:36:35,440 --> 00:36:37,200 Speaker 4: And then I would always have because it was you know, 815 00:36:37,239 --> 00:36:39,560 Speaker 4: we'd have the newspaper. I'd open up the San Francisco 816 00:36:39,680 --> 00:36:43,799 Speaker 4: Chronicle and then type out whatever their horoscope was, so. 817 00:36:43,800 --> 00:36:45,280 Speaker 2: You were just chat GBT. 818 00:36:48,280 --> 00:36:52,480 Speaker 4: Act patient zero, chat GPT and then you know, and 819 00:36:52,520 --> 00:36:54,480 Speaker 4: they think, well, a favorite color, and then maybe. 820 00:36:54,280 --> 00:36:55,160 Speaker 3: I'd riff on that. 821 00:36:55,280 --> 00:36:57,960 Speaker 4: You know, it's just like some you know, my favorite 822 00:36:57,960 --> 00:37:00,000 Speaker 4: color is blue, and I'd be like, you know, you 823 00:37:00,120 --> 00:37:03,480 Speaker 4: have these aspirations of the sky. Everything is ahead of 824 00:37:03,520 --> 00:37:06,320 Speaker 4: you and open, and you need to tap into that. Interesting, 825 00:37:06,400 --> 00:37:08,480 Speaker 4: that's how you feel that connection, and. 826 00:37:08,400 --> 00:37:10,200 Speaker 2: They are you just hoping that they then interpret it 827 00:37:10,200 --> 00:37:11,360 Speaker 2: the way that would be meaningful. 828 00:37:11,360 --> 00:37:11,680 Speaker 4: To them. 829 00:37:11,760 --> 00:37:13,640 Speaker 3: Of course, you know you're just pushing. 830 00:37:13,719 --> 00:37:16,280 Speaker 4: It's some little pep talks, you know, and then getting 831 00:37:16,280 --> 00:37:21,840 Speaker 4: women to break up with their boyfriend a lot of favors. 832 00:37:22,480 --> 00:37:25,359 Speaker 2: The better place. Yeah, yes, you're like Josh Gondleman out 833 00:37:25,360 --> 00:37:27,160 Speaker 2: there giving pep talks and making the world a better way. 834 00:37:27,200 --> 00:37:29,920 Speaker 4: Boy, your friends will tell you, like, dude, that guy 835 00:37:30,000 --> 00:37:32,880 Speaker 4: is horrible. You have to stop, like block his number. 836 00:37:32,920 --> 00:37:36,400 Speaker 4: And you're like, yeah, but but if a stranger is 837 00:37:36,440 --> 00:37:38,319 Speaker 4: like for real and they don't even know you just 838 00:37:38,320 --> 00:37:41,520 Speaker 4: sometimes sometimes I would amput up, But that's really dangerous. 839 00:37:41,560 --> 00:37:44,720 Speaker 3: You have to get away from I don't. 840 00:37:44,560 --> 00:37:51,240 Speaker 4: Know anything as some nerd doe boyfriend, Like he's very dangerous. Bay, 841 00:37:53,480 --> 00:37:56,320 Speaker 4: So I apologize to all the customers. 842 00:37:55,680 --> 00:37:57,600 Speaker 3: Of it was in America? 843 00:37:57,960 --> 00:37:58,279 Speaker 5: What is it? 844 00:37:58,760 --> 00:37:59,200 Speaker 3: Al? 845 00:37:59,640 --> 00:38:04,960 Speaker 4: Yes, America online AOL room wow, like in the early days. 846 00:38:05,000 --> 00:38:07,920 Speaker 4: And so I would just like toty three thousand psychic readings. 847 00:38:08,760 --> 00:38:11,759 Speaker 3: Love this, like in the evening when you're born, just like. 848 00:38:11,760 --> 00:38:14,440 Speaker 2: Who's in the mood for a reading? Psychic cat is? 849 00:38:14,920 --> 00:38:16,759 Speaker 4: I have my mom and my brother there with me, 850 00:38:16,880 --> 00:38:19,799 Speaker 4: a couple. Yeah, we would just like sit around. 851 00:38:19,760 --> 00:38:22,600 Speaker 2: You run out of like the San Francisco chronicles at the. 852 00:38:22,840 --> 00:38:24,480 Speaker 3: You know, at the in those days you had a 853 00:38:24,480 --> 00:38:25,680 Speaker 3: computer table. 854 00:38:25,440 --> 00:38:27,759 Speaker 2: Or oh yeah the house, yeah, the house, like the 855 00:38:27,880 --> 00:38:29,000 Speaker 2: shared family computer. 856 00:38:29,160 --> 00:38:30,799 Speaker 3: Yeah, so we would all gather around the fan. 857 00:38:32,239 --> 00:38:34,640 Speaker 2: And lightest strangers has a psychic house. 858 00:38:34,680 --> 00:38:36,600 Speaker 3: Guy, I'll tell you, I'll tell you the truth. My 859 00:38:36,680 --> 00:38:38,440 Speaker 3: mom's the one who started the toy. 860 00:38:40,200 --> 00:38:41,040 Speaker 2: You're busting her out. 861 00:38:41,160 --> 00:38:43,120 Speaker 3: We're all just hanging around. She's like, watch this. 862 00:38:43,600 --> 00:38:46,759 Speaker 2: Well, as a former fake psychic, I thought you might 863 00:38:46,800 --> 00:38:49,960 Speaker 2: appreciate how the psychic readers network operation works. Yes, I'm 864 00:38:50,000 --> 00:38:51,480 Speaker 2: fast because they had far more people. You know, it 865 00:38:51,560 --> 00:38:53,880 Speaker 2: was a much bigger operation than your family run operation. 866 00:38:54,719 --> 00:38:57,480 Speaker 2: So from miss Cleo, she really was a telephone operator. 867 00:38:57,480 --> 00:38:59,120 Speaker 2: You really could call and talk to her. 868 00:38:59,200 --> 00:39:01,319 Speaker 3: She really did time on the phone. 869 00:39:01,360 --> 00:39:03,719 Speaker 2: Oh yeah, she worked the phones. And then as her 870 00:39:03,719 --> 00:39:06,000 Speaker 2: fane began to grow, obviously, then she started doing ads 871 00:39:06,040 --> 00:39:08,120 Speaker 2: and traveling. But she's still even then was still ad 872 00:39:08,239 --> 00:39:11,080 Speaker 2: inswering phones apparently, and she was paid for it. And 873 00:39:11,120 --> 00:39:13,120 Speaker 2: while she was like on the TV doing ad, she's 874 00:39:13,160 --> 00:39:14,480 Speaker 2: still being paid as a phone operator. 875 00:39:14,520 --> 00:39:14,880 Speaker 3: Interesting. 876 00:39:14,960 --> 00:39:16,640 Speaker 2: Yeah, and can you guess how much she was making. 877 00:39:16,680 --> 00:39:20,279 Speaker 2: I'll give you some parameters just to help and narrow 878 00:39:20,320 --> 00:39:22,839 Speaker 2: it down. Most of the psychics on the network made 879 00:39:22,880 --> 00:39:25,400 Speaker 2: fourteen to twenty four cents a minute. 880 00:39:25,680 --> 00:39:27,879 Speaker 3: Fourteen to twenty How long is the. 881 00:39:27,840 --> 00:39:29,920 Speaker 2: Average call I'll get I'll tell you that in a second. 882 00:39:29,960 --> 00:39:33,319 Speaker 4: Fourteen and so she that's what the average. So she's 883 00:39:33,440 --> 00:39:36,719 Speaker 4: making what would you say, fourteen to twenty four, So 884 00:39:36,760 --> 00:39:38,960 Speaker 4: she's probably making like twenty seven cents. 885 00:39:38,800 --> 00:39:40,000 Speaker 2: Twenty four she's making she's the. 886 00:39:39,920 --> 00:39:44,080 Speaker 3: Top top burner. Yep, the bottom that calls. 887 00:39:43,920 --> 00:39:47,000 Speaker 2: Out to be about fifteen dollars an hour if you're talking. 888 00:39:46,800 --> 00:39:48,280 Speaker 3: The whole time, fifteen dollars. 889 00:39:48,760 --> 00:39:49,600 Speaker 2: So the hours are. 890 00:39:49,520 --> 00:39:52,719 Speaker 4: Also and they're pulling in what was it, like four 891 00:39:52,800 --> 00:39:55,920 Speaker 4: hundred million a year or something, a. 892 00:39:55,880 --> 00:39:59,359 Speaker 2: Lot of independent contractors. So yeah, the hours of these 893 00:39:59,360 --> 00:40:01,880 Speaker 2: people are long. The customers often would tell them these 894 00:40:01,920 --> 00:40:03,799 Speaker 2: heartbreaking stories, so they got to listen to a lot 895 00:40:03,800 --> 00:40:06,399 Speaker 2: of sad things. Yeah, they're parts of the conversation. The 896 00:40:06,440 --> 00:40:09,319 Speaker 2: customers are real, you know, their emotions are true. So 897 00:40:09,360 --> 00:40:10,880 Speaker 2: the whole goal is to keep them on the phone 898 00:40:10,920 --> 00:40:11,600 Speaker 2: a long time. 899 00:40:12,400 --> 00:40:16,520 Speaker 4: Yeah, because it's a nine hundred numbers, nine hundred number when. 900 00:40:16,320 --> 00:40:18,040 Speaker 3: You call, because that was like dial a minute. 901 00:40:18,080 --> 00:40:21,200 Speaker 4: Yeah, eight hundred obviously was free, toll free nine hundred 902 00:40:21,360 --> 00:40:21,920 Speaker 4: by the minute. 903 00:40:22,000 --> 00:40:23,720 Speaker 2: Yeah, so they get you in the first three minutes 904 00:40:23,719 --> 00:40:24,799 Speaker 2: on the one eight hundred number. 905 00:40:24,880 --> 00:40:25,040 Speaker 6: Yeah. 906 00:40:25,120 --> 00:40:27,239 Speaker 2: Once you call that in, then they go, okay, well 907 00:40:27,320 --> 00:40:28,920 Speaker 2: let's talk a second. They ask you, they put you 908 00:40:28,960 --> 00:40:31,120 Speaker 2: on hold, and they use up your three free minutes, 909 00:40:31,160 --> 00:40:32,799 Speaker 2: and then they go call the one nine hundred number 910 00:40:32,800 --> 00:40:35,000 Speaker 2: and you can talk to psychic Betty or whatever. Right, 911 00:40:35,120 --> 00:40:37,360 Speaker 2: and then that's how they would get you then talking 912 00:40:37,560 --> 00:40:40,440 Speaker 2: for and the average calls were about twelve to fifteen minutes. 913 00:40:40,680 --> 00:40:42,040 Speaker 2: That's what they tried to get him to go to. 914 00:40:42,600 --> 00:40:45,960 Speaker 2: The longest ones are usually about an hour at that rate, 915 00:40:46,000 --> 00:40:49,280 Speaker 2: that's about sixty dollars per average call at twelve minutes 916 00:40:49,320 --> 00:40:51,239 Speaker 2: an average call. So if you have twelve minutes is 917 00:40:51,280 --> 00:40:53,680 Speaker 2: your average call, you are making sixty dollars per average 918 00:40:53,680 --> 00:40:55,080 Speaker 2: call or charging six charges. 919 00:40:55,239 --> 00:40:57,360 Speaker 4: Yeah, so I call, I'm on the phone five dollars 920 00:40:57,400 --> 00:41:00,000 Speaker 4: per minute. I'm going to get my at that time 921 00:41:00,000 --> 00:41:01,960 Speaker 4: I Pacific Bell telephone bill. 922 00:41:02,400 --> 00:41:04,200 Speaker 2: Yeah, and you just see. Yeah, also in the charge 923 00:41:04,239 --> 00:41:07,120 Speaker 2: with three hundred dollars or whatever. Now, once again, as 924 00:41:07,120 --> 00:41:09,160 Speaker 2: they said, we don't have exact numbers, but it's estimated 925 00:41:09,160 --> 00:41:12,000 Speaker 2: by federal investigators from the Federal Trade Commission that over 926 00:41:12,040 --> 00:41:14,800 Speaker 2: a three year period the company pulled in a billion 927 00:41:14,840 --> 00:41:16,280 Speaker 2: dollars in telephone charges. 928 00:41:16,520 --> 00:41:17,600 Speaker 8: A billion. 929 00:41:18,400 --> 00:41:21,120 Speaker 3: Yeah, and we've gone over how much that is. Yes, 930 00:41:21,160 --> 00:41:22,600 Speaker 3: that's a lot, that's a lot, a lot. 931 00:41:22,680 --> 00:41:22,919 Speaker 7: Yeah. 932 00:41:22,960 --> 00:41:27,000 Speaker 2: So if they're pulling that down right, obviously things were 933 00:41:27,160 --> 00:41:29,560 Speaker 2: boom and they got a whole battalion of fake phone psychics, 934 00:41:29,560 --> 00:41:31,880 Speaker 2: not just miss Cleo. So, but they all have to 935 00:41:31,920 --> 00:41:33,920 Speaker 2: maintain the same vibe as her. She has set an 936 00:41:33,920 --> 00:41:37,080 Speaker 2: imprint of what people are expecting. So the company does 937 00:41:37,120 --> 00:41:39,759 Speaker 2: not train their fake psychics. They don't do They don't 938 00:41:39,760 --> 00:41:41,360 Speaker 2: even do like a day long seminar. 939 00:41:41,440 --> 00:41:43,600 Speaker 3: Nope, like a two page PDS. 940 00:41:43,640 --> 00:41:44,960 Speaker 2: No, they do give them that. They give them a 941 00:41:44,960 --> 00:41:47,200 Speaker 2: script to follow, okay, and then they also give them 942 00:41:47,239 --> 00:41:50,319 Speaker 2: like this tarot card like a program, computer program, so 943 00:41:50,360 --> 00:41:53,040 Speaker 2: they can just run. Oh that's just yeah, they'll like 944 00:41:53,280 --> 00:41:54,400 Speaker 2: randomize the tarot. 945 00:41:54,200 --> 00:41:55,759 Speaker 3: Card thought they were going to get. 946 00:41:55,880 --> 00:41:59,520 Speaker 2: They were instructed to focus on money, new jobs, potential moves, 947 00:41:59,760 --> 00:42:02,040 Speaker 2: and love always love and push push love. And then 948 00:42:02,040 --> 00:42:03,680 Speaker 2: also if you get asked, you do know who the 949 00:42:03,680 --> 00:42:06,480 Speaker 2: baby daddy is? Oh no, We obviously do have some 950 00:42:06,520 --> 00:42:08,200 Speaker 2: accounts of what it was like to be a fake psychic 951 00:42:08,239 --> 00:42:10,640 Speaker 2: for the Psychic Reader's Network, But there were some stories 952 00:42:10,680 --> 00:42:14,120 Speaker 2: from major newspapers and outlets, Especially in twenty sixteen. We 953 00:42:14,160 --> 00:42:16,520 Speaker 2: have like author Bennett Madison penned and I account for 954 00:42:16,560 --> 00:42:19,240 Speaker 2: The New York Times entitled I was a hotline psychic 955 00:42:19,280 --> 00:42:19,920 Speaker 2: for Miss Cleo. 956 00:42:20,120 --> 00:42:20,640 Speaker 3: Oh my god. 957 00:42:20,760 --> 00:42:22,919 Speaker 2: Now, as Madison recounts her time as a fake phone 958 00:42:22,920 --> 00:42:25,920 Speaker 2: psychic in two thousand and one, quote that summer, whenever 959 00:42:25,960 --> 00:42:27,719 Speaker 2: I could, I stayed up all nights, smoking out the 960 00:42:27,760 --> 00:42:30,719 Speaker 2: window and guzzling cheap wine while doling out fortunes over 961 00:42:30,760 --> 00:42:33,839 Speaker 2: a landline. For some reason, the customers expecting Miss Cleo 962 00:42:33,880 --> 00:42:36,360 Speaker 2: didn't seem to mind when they got a clueless, depressive 963 00:42:36,480 --> 00:42:39,120 Speaker 2: twenty year old from the suburbs instead. Since I was 964 00:42:39,120 --> 00:42:41,719 Speaker 2: not actually psychic, the Psychic Reader's Network provided me with 965 00:42:41,760 --> 00:42:44,040 Speaker 2: the minimal script to read and a computer program that 966 00:42:44,200 --> 00:42:47,239 Speaker 2: stimulated a Tarot card spread. I used neither. It worked 967 00:42:47,239 --> 00:42:49,600 Speaker 2: better to make it up as I went along. That's 968 00:42:49,640 --> 00:42:51,959 Speaker 2: really the best approach for anything is just keep it lose, 969 00:42:52,040 --> 00:42:52,760 Speaker 2: keep it flexible. 970 00:42:52,840 --> 00:42:54,920 Speaker 3: Middle of the night, wine wine. 971 00:42:54,680 --> 00:42:56,600 Speaker 2: Bus, Yeah, exactly, talking to strangers. 972 00:42:56,640 --> 00:42:57,480 Speaker 3: Man all fuzzy. 973 00:42:58,280 --> 00:43:00,640 Speaker 2: Now, how did she do in her own Miss Cleo 974 00:43:00,840 --> 00:43:05,320 Speaker 2: like way well Madison's self reports quote. I often slipped 975 00:43:05,320 --> 00:43:07,440 Speaker 2: into one of a few personas I had invented to 976 00:43:07,440 --> 00:43:11,920 Speaker 2: make myself feel more authentically magical. Sometimes I was Cassandra, 977 00:43:12,239 --> 00:43:15,880 Speaker 2: a husky voice Southern bell who called everyone on a child. 978 00:43:16,440 --> 00:43:20,359 Speaker 2: Other times I became Gabrielle, a fay mystic with an 979 00:43:20,360 --> 00:43:23,400 Speaker 2: accent that I imagined to be Frenchish. People seem to 980 00:43:23,480 --> 00:43:25,719 Speaker 2: like Cassandra best, but I can never keep rep for 981 00:43:25,760 --> 00:43:28,320 Speaker 2: more than a call or two. She made my throat horse. 982 00:43:28,520 --> 00:43:29,399 Speaker 3: Oh god, So. 983 00:43:29,480 --> 00:43:31,560 Speaker 2: Can you imagine putting on all these different personas for 984 00:43:31,600 --> 00:43:33,840 Speaker 2: callers like a kid playing make believe in their parents' 985 00:43:33,840 --> 00:43:36,880 Speaker 2: old clothes. Right, that's your job. Well, you don't have 986 00:43:36,880 --> 00:43:38,960 Speaker 2: to do that, because I imagined you're doing exactly that. 987 00:43:39,000 --> 00:43:41,239 Speaker 2: But rather than me tell you about Elizabeth, I'd like 988 00:43:41,239 --> 00:43:44,560 Speaker 2: you to close your eyes and I'd like you to 989 00:43:44,719 --> 00:43:48,839 Speaker 2: picture it. You are a telephone psychic, recently hired by 990 00:43:48,880 --> 00:43:51,440 Speaker 2: the Psychic Reader's Network after you lost your old job 991 00:43:51,480 --> 00:43:54,240 Speaker 2: as a makeup artist for photo shoots for people's pets. 992 00:43:54,520 --> 00:43:56,239 Speaker 2: There was that incident with the guinea pig and the 993 00:43:56,239 --> 00:43:58,960 Speaker 2: eyebrow pencil. Anyway, you found new work. At the moment. 994 00:43:59,000 --> 00:44:01,360 Speaker 2: You're seated on the floor of your apartment, cross legged 995 00:44:01,440 --> 00:44:04,680 Speaker 2: on a lush Persian rug, talking on a headset as 996 00:44:04,719 --> 00:44:07,920 Speaker 2: you fill out a crossword puzzle. Your cat, Mickey blue Eyes, 997 00:44:08,160 --> 00:44:11,440 Speaker 2: lies against your leg, gently purring, warmed by a shaft 998 00:44:11,480 --> 00:44:14,000 Speaker 2: of afternoon sunlight. You listen to a caller as she 999 00:44:14,080 --> 00:44:16,000 Speaker 2: asks if she should stay at her well paying job 1000 00:44:16,040 --> 00:44:18,760 Speaker 2: even though she's in a long distance relationship. Her partner 1001 00:44:18,840 --> 00:44:21,360 Speaker 2: is pressuring her to relocate so they can be together, 1002 00:44:21,640 --> 00:44:23,560 Speaker 2: but she's worried she can't get the same type of 1003 00:44:23,640 --> 00:44:25,799 Speaker 2: job she has now. She doesn't know what to do 1004 00:44:26,280 --> 00:44:29,800 Speaker 2: for this call. You decided to speak in an outrageously bad, 1005 00:44:29,960 --> 00:44:34,239 Speaker 2: vaguely Eastern European accent. You sound like Lady Dracula. You 1006 00:44:34,239 --> 00:44:36,319 Speaker 2: flip a tarot card on the rug and you say 1007 00:44:36,320 --> 00:44:39,760 Speaker 2: it to the color. Oh no, that's an interesting spread. 1008 00:44:40,480 --> 00:44:43,279 Speaker 2: What does it say? The caller asked, eager. You take 1009 00:44:43,320 --> 00:44:45,359 Speaker 2: your time answering, since your main goal is to keep 1010 00:44:45,360 --> 00:44:47,120 Speaker 2: this collar on the line as long as you can. 1011 00:44:47,440 --> 00:44:50,160 Speaker 2: You pet your purring cat and wait for a moment 1012 00:44:50,200 --> 00:44:51,279 Speaker 2: before you say. 1013 00:44:51,400 --> 00:44:55,640 Speaker 5: The cards are there's the lovers, there's a harmit and death. 1014 00:44:56,239 --> 00:44:58,160 Speaker 5: They are very powerful cards. 1015 00:44:58,680 --> 00:44:59,520 Speaker 3: But what does it mean? 1016 00:44:59,640 --> 00:45:02,560 Speaker 2: The car eagerly wonders, as your cat swats at the 1017 00:45:02,640 --> 00:45:03,160 Speaker 2: terror cards. 1018 00:45:03,160 --> 00:45:06,680 Speaker 5: You say, the cards show me you're very sensitive and 1019 00:45:07,000 --> 00:45:07,800 Speaker 5: carrict person. 1020 00:45:08,080 --> 00:45:10,120 Speaker 2: You attend to your loved ones very well. 1021 00:45:10,800 --> 00:45:11,160 Speaker 5: I am. 1022 00:45:11,320 --> 00:45:11,560 Speaker 2: Yeah. 1023 00:45:11,640 --> 00:45:14,600 Speaker 5: The caller agrees, you reply, but this makes you very 1024 00:45:14,640 --> 00:45:16,040 Speaker 5: critical of yourself. 1025 00:45:16,920 --> 00:45:19,440 Speaker 2: Yes, that's so true. The caller again is quick to 1026 00:45:19,480 --> 00:45:21,960 Speaker 2: agree as you refill your glass of crystal light. 1027 00:45:22,719 --> 00:45:26,600 Speaker 5: This draw cards tells me you very recently missed out 1028 00:45:26,640 --> 00:45:29,640 Speaker 5: on opportunities in life because of uncertainty. 1029 00:45:29,719 --> 00:45:34,120 Speaker 2: You have one personal level. Yes, I definitely have. The 1030 00:45:34,160 --> 00:45:36,359 Speaker 2: caller says, you're telling her what she wants to hear. 1031 00:45:36,480 --> 00:45:38,319 Speaker 2: Is that so wrong? You think to yourself, and then 1032 00:45:38,400 --> 00:45:40,480 Speaker 2: you hear yourself say what. 1033 00:45:40,320 --> 00:45:42,439 Speaker 5: I see in the cards? As you need to learn 1034 00:45:42,520 --> 00:45:46,960 Speaker 5: to trust yourself again, this is very important. This draw 1035 00:45:47,200 --> 00:45:50,480 Speaker 5: tells me if you adopt trust, you'll get closer to 1036 00:45:50,560 --> 00:45:51,280 Speaker 5: your dreams. 1037 00:45:52,000 --> 00:45:54,359 Speaker 2: One of the cards is the Lovers. That seems good, 1038 00:45:54,400 --> 00:45:56,880 Speaker 2: but the last card is death. Is that bad? The 1039 00:45:56,960 --> 00:45:59,640 Speaker 2: caller asks, you have to fight back a laugh. It's 1040 00:45:59,640 --> 00:46:01,719 Speaker 2: a good question, though you mentally scrambled to think of 1041 00:46:01,760 --> 00:46:03,279 Speaker 2: a reasonable answer. Then it comes to you. 1042 00:46:03,520 --> 00:46:06,640 Speaker 5: The lover's card is very good, and the mental cards, 1043 00:46:06,719 --> 00:46:09,279 Speaker 5: the hermit cards, speaks to where. 1044 00:46:09,000 --> 00:46:13,040 Speaker 2: You are now. You are the lovers and the hermit. 1045 00:46:13,600 --> 00:46:16,239 Speaker 2: But what does the death card mean? Is my relationship 1046 00:46:16,320 --> 00:46:19,919 Speaker 2: not gonna work out? You quickly say no, no, death 1047 00:46:20,040 --> 00:46:24,080 Speaker 2: is what that just means. Change, So I should move 1048 00:46:24,080 --> 00:46:26,399 Speaker 2: across country to be with them. Your cat purrs as 1049 00:46:26,400 --> 00:46:27,839 Speaker 2: you think, you don't know quite what to say. You're 1050 00:46:27,840 --> 00:46:30,040 Speaker 2: trying to avoid the answer, so you say what the 1051 00:46:30,080 --> 00:46:33,239 Speaker 2: card is shown doesn't make it clear. I see if 1052 00:46:33,239 --> 00:46:36,520 Speaker 2: you upset allder of things, what you get is what's 1053 00:46:36,560 --> 00:46:40,520 Speaker 2: important to you. That's not an answer, You suck. I 1054 00:46:40,560 --> 00:46:42,600 Speaker 2: want to talk to miss Cleo. Your no, Miss Cleo. 1055 00:46:42,880 --> 00:46:45,080 Speaker 2: The caller hangs on. You go back to petting your 1056 00:46:45,120 --> 00:46:47,040 Speaker 2: purring cat as you wait for your next call. But 1057 00:46:47,160 --> 00:46:50,040 Speaker 2: you did just make three dollars. 1058 00:46:50,400 --> 00:46:53,080 Speaker 4: This is how it sound like I should be like 1059 00:46:53,480 --> 00:46:55,560 Speaker 4: part of Angelica Houston's family. 1060 00:46:55,600 --> 00:47:00,359 Speaker 2: In John I was kind of also imagining the Rocky 1061 00:47:00,400 --> 00:47:05,080 Speaker 2: and Bullwinkle Natasha exactly. Now. This is what probably at 1062 00:47:05,080 --> 00:47:06,960 Speaker 2: first seemed like a fun, random job for most of 1063 00:47:07,000 --> 00:47:08,640 Speaker 2: these people. Young people were like, Oh, I get to 1064 00:47:08,680 --> 00:47:10,440 Speaker 2: just talk on the phone to strangers and then all 1065 00:47:10,440 --> 00:47:12,160 Speaker 2: of a sudden, it's like, I gotta do this every day, 1066 00:47:12,520 --> 00:47:14,239 Speaker 2: and the job will start to eat at you. Right, 1067 00:47:14,280 --> 00:47:15,880 Speaker 2: And if you do a job like this, it eventually 1068 00:47:15,920 --> 00:47:19,040 Speaker 2: erodes at your sense of self. Or, as Bennett Madison 1069 00:47:19,080 --> 00:47:22,000 Speaker 2: put it, our customers were desperate and sad. They were 1070 00:47:22,040 --> 00:47:24,640 Speaker 2: being evicted, they were about to lose custody of their children. 1071 00:47:24,840 --> 00:47:26,799 Speaker 2: They were lonely enough to pay by the minute to 1072 00:47:26,880 --> 00:47:29,200 Speaker 2: chat with a stranger. The fact that the stranger was 1073 00:47:29,280 --> 00:47:33,080 Speaker 2: me began to seem cruel. Yeah, no kidding. So by 1074 00:47:33,120 --> 00:47:34,920 Speaker 2: two thousand and two, folks across the country start to 1075 00:47:34,920 --> 00:47:37,880 Speaker 2: complain to authorities that they were feeling cheated, taking advantage 1076 00:47:37,920 --> 00:47:40,919 Speaker 2: of defrauded of their heart and income. There is one 1077 00:47:41,080 --> 00:47:43,319 Speaker 2: caller that I found in a newspaper story, Tracy Simms. 1078 00:47:43,400 --> 00:47:45,640 Speaker 2: She received a bill for three hundred dollars right for 1079 00:47:45,840 --> 00:47:48,759 Speaker 2: psychic services. She calls the company to contest what she 1080 00:47:48,800 --> 00:47:51,160 Speaker 2: considers a fraudulent bill. She didn't ever remember calling the 1081 00:47:51,200 --> 00:47:54,120 Speaker 2: psychic hotline. When she's calls, she's told to ignore the 1082 00:47:54,120 --> 00:47:57,000 Speaker 2: bill and she's like, okay, fine. Then she receives another 1083 00:47:57,040 --> 00:48:00,120 Speaker 2: bill because when she called them, she called the one 1084 00:48:00,200 --> 00:48:01,000 Speaker 2: nine hundred. 1085 00:48:00,800 --> 00:48:02,520 Speaker 3: Numbers they charged her. 1086 00:48:03,400 --> 00:48:06,400 Speaker 2: She called back to complain again. That time the service 1087 00:48:06,440 --> 00:48:09,640 Speaker 2: rep argues with her and hung up on her. Yes, 1088 00:48:09,760 --> 00:48:13,160 Speaker 2: So after that she looks up the psychic reader's network online. 1089 00:48:13,239 --> 00:48:15,680 Speaker 2: She finds that she's not alone and feeling cheated by them, 1090 00:48:15,719 --> 00:48:17,440 Speaker 2: and there's a lot of people are complaining about these 1091 00:48:17,440 --> 00:48:19,680 Speaker 2: fake phone psychics. In fact, there are so many people 1092 00:48:19,760 --> 00:48:23,239 Speaker 2: complaining about how they feel cheated, defraud and mistreated that 1093 00:48:23,280 --> 00:48:26,560 Speaker 2: they're filing complaints with the Federal Trade Commission. The Federal 1094 00:48:26,560 --> 00:48:29,840 Speaker 2: Trade Commission is getting hundreds of these complaints. Wow, So 1095 00:48:29,920 --> 00:48:32,120 Speaker 2: finally they're like, Okay, once we cross two hundred, I 1096 00:48:32,160 --> 00:48:34,239 Speaker 2: guess we got to act or whatever it was two 1097 00:48:34,239 --> 00:48:36,839 Speaker 2: thousand and two, the Federal Trade Commission, it springs into action. 1098 00:48:37,160 --> 00:48:40,080 Speaker 2: Not only did they not care that Miss Cleo was 1099 00:48:40,080 --> 00:48:42,640 Speaker 2: a real psychic or not. That wasn't their concern at all. 1100 00:48:42,880 --> 00:48:46,520 Speaker 2: All they cared about was the deceptive advertising. Because when 1101 00:48:46,560 --> 00:48:49,520 Speaker 2: Miss Cleo told the viewers call me now, she told 1102 00:48:49,520 --> 00:48:51,880 Speaker 2: her callers to use a free one eight hundred number, right, 1103 00:48:51,920 --> 00:48:53,880 Speaker 2: and then they switch it to the one nine hundred 1104 00:48:53,880 --> 00:48:55,880 Speaker 2: and they start charging them five dollars a minute and 1105 00:48:55,880 --> 00:48:58,200 Speaker 2: they get kept on the line sometimes, as they said, 1106 00:48:58,200 --> 00:49:00,200 Speaker 2: as long as an hour and then right and they 1107 00:49:00,239 --> 00:49:02,160 Speaker 2: hit an hour, they just disconnect, even if they were 1108 00:49:02,200 --> 00:49:03,640 Speaker 2: in the middle of talking. Yeah, because they would get 1109 00:49:03,640 --> 00:49:05,040 Speaker 2: three hundred dollars or the gut's good to go. 1110 00:49:05,200 --> 00:49:06,520 Speaker 3: They didn't want to just keep racking. 1111 00:49:06,600 --> 00:49:08,640 Speaker 2: No, I don't know why I found that interesting. Yeah, 1112 00:49:08,680 --> 00:49:10,960 Speaker 2: So after their investigation in two thousand and two, the 1113 00:49:11,040 --> 00:49:14,239 Speaker 2: Federal Trade Commission charges the Florida cousins, Steve Fader and 1114 00:49:14,280 --> 00:49:19,040 Speaker 2: Peter Stoltz with deceptive advertising billing collection practices. By this point, 1115 00:49:19,080 --> 00:49:21,480 Speaker 2: the company is charged, as they said, a billion dollars, 1116 00:49:21,880 --> 00:49:25,440 Speaker 2: but they have a five hundred million of outstanding unpaid 1117 00:49:25,520 --> 00:49:27,440 Speaker 2: charges that they're just waiting to collect on at this 1118 00:49:27,520 --> 00:49:29,880 Speaker 2: point when they get caught by the Federal Trade Commission. 1119 00:49:30,080 --> 00:49:32,640 Speaker 2: So the FTC's like, you ain't getting that money. Yeah, yeah, 1120 00:49:33,000 --> 00:49:35,200 Speaker 2: you're gonna give us some money. So they had then 1121 00:49:35,200 --> 00:49:37,359 Speaker 2: you're gonna give those nice people back their money. So 1122 00:49:37,400 --> 00:49:39,440 Speaker 2: they had to pay back the five hundred million, They 1123 00:49:39,480 --> 00:49:41,840 Speaker 2: had to cancel the five hundred million that they'd already gotten, 1124 00:49:41,880 --> 00:49:43,759 Speaker 2: and they had to pay five million dollars on top 1125 00:49:43,800 --> 00:49:46,319 Speaker 2: of all that as a whole I'm sorry kind of 1126 00:49:46,360 --> 00:49:48,600 Speaker 2: like fine, yeah, now if you're keeping a score at home, 1127 00:49:48,640 --> 00:49:52,080 Speaker 2: Miss Cleo not indicted, good, yes, but she was. But 1128 00:49:52,160 --> 00:49:54,360 Speaker 2: she was finally revealed to be a fake in Jamaican. 1129 00:49:54,480 --> 00:49:56,200 Speaker 2: So in March of two thousand and two, the website 1130 00:49:56,280 --> 00:49:58,520 Speaker 2: The Smoking Gun, Oh yeah, yeah, I remember them right, 1131 00:49:58,520 --> 00:50:01,840 Speaker 2: they posted documents obtained by the Attorney General Florida because 1132 00:50:01,880 --> 00:50:04,240 Speaker 2: meanwhile a bunch of states had been suing this company. 1133 00:50:04,560 --> 00:50:07,239 Speaker 2: So they have all these there's like lawsuits in like 1134 00:50:07,280 --> 00:50:10,800 Speaker 2: all over the country. So Florida, Sunshine State, you get. 1135 00:50:10,920 --> 00:50:13,400 Speaker 2: You can now find out what they are able to 1136 00:50:13,880 --> 00:50:17,000 Speaker 2: generate in their lawsuit. So the Psychic Reader's Network and 1137 00:50:17,040 --> 00:50:19,120 Speaker 2: the Florida cousins, this all comes out and then Miss 1138 00:50:19,160 --> 00:50:21,719 Speaker 2: Cleo it comes out as a California native born in 1139 00:50:21,760 --> 00:50:25,040 Speaker 2: Los Angeles on August twelfth, nineteen sixty two. Her parents 1140 00:50:25,360 --> 00:50:28,879 Speaker 2: also not from Jamaica. They were from California and Texas. Yes, 1141 00:50:28,920 --> 00:50:30,920 Speaker 2: so after this everything goes could put for the Psychic 1142 00:50:30,960 --> 00:50:33,200 Speaker 2: Readers in two thousand and two, but this Cleo not 1143 00:50:33,360 --> 00:50:35,359 Speaker 2: done because in two thousand and five she went back 1144 00:50:35,400 --> 00:50:38,880 Speaker 2: on TV doing ads as Miss Cleo, doing ads for 1145 00:50:38,920 --> 00:50:41,799 Speaker 2: a local used car dealership in Florida, a little bit 1146 00:50:41,800 --> 00:50:44,799 Speaker 2: of a fall, But after that she decides I'll lay low. 1147 00:50:44,920 --> 00:50:46,400 Speaker 2: She tries to let the world kind of move on, 1148 00:50:46,520 --> 00:50:48,360 Speaker 2: forget all about her and her fake and jim A 1149 00:50:48,440 --> 00:50:50,920 Speaker 2: can act right. Two thousand and seven, she releases a 1150 00:50:50,920 --> 00:50:55,000 Speaker 2: spoken word album, not a Elizabeth, not a Grammy Award winner. 1151 00:50:55,160 --> 00:50:58,560 Speaker 4: I'm so surprised because every other spoken word album does 1152 00:50:58,640 --> 00:51:00,759 Speaker 4: souch well on the charts. 1153 00:51:00,920 --> 00:51:02,200 Speaker 2: You're always recommended it to me. 1154 00:51:03,480 --> 00:51:07,040 Speaker 3: Yeah, yeah, all at one time, competing with each other. 1155 00:51:07,840 --> 00:51:10,800 Speaker 2: I don't have anything bad against the fact in my family, 1156 00:51:10,840 --> 00:51:12,880 Speaker 2: I've got spoken word artists. I mean, like, I can't 1157 00:51:12,880 --> 00:51:16,840 Speaker 2: really like besmirch them, but go make some money. 1158 00:51:17,000 --> 00:51:18,640 Speaker 3: Yeah no, you don't say, well. 1159 00:51:18,719 --> 00:51:20,640 Speaker 2: I guess let me do a poetry chat book and 1160 00:51:20,719 --> 00:51:26,320 Speaker 2: my spoken word album. I'm buying that big house. Time 1161 00:51:26,360 --> 00:51:29,480 Speaker 2: moves on right. Twenty fourteen, she does a documentary called Hotline. 1162 00:51:29,560 --> 00:51:31,600 Speaker 2: It was as one of the major figures of the 1163 00:51:31,640 --> 00:51:34,359 Speaker 2: late nineties and early two thousands era of Hotline bling. 1164 00:51:34,680 --> 00:51:37,200 Speaker 2: She spoke candidly about her time as Miss Clea Right, 1165 00:51:37,280 --> 00:51:40,000 Speaker 2: and people were loving that. Then the next year, twenty fifteen, 1166 00:51:40,040 --> 00:51:42,359 Speaker 2: she tries to capitalize on her fame again. So she's like, oh, 1167 00:51:42,360 --> 00:51:44,200 Speaker 2: I'm Miss Cleo. She gets a bunch of ads for 1168 00:51:44,440 --> 00:51:47,920 Speaker 2: French Toast Crunch with General Mills like national ads. But 1169 00:51:47,960 --> 00:51:52,320 Speaker 2: then the still operating Psychic Readers Network sued her and said, 1170 00:51:52,440 --> 00:51:55,080 Speaker 2: we own the character, Miss Cleo. Right, series of ads 1171 00:51:55,080 --> 00:51:56,319 Speaker 2: get shelved. She loses all of it. 1172 00:51:56,400 --> 00:51:59,200 Speaker 3: Right, what was it? Cinnamon toast Crunch serial. 1173 00:51:59,040 --> 00:52:02,000 Speaker 2: The French toast Crunch, It's like cinnamon toast scrunch. They 1174 00:52:02,000 --> 00:52:03,520 Speaker 2: had a new flavor, French toast scrunch. 1175 00:52:03,880 --> 00:52:06,160 Speaker 3: So okay, yeah, I don't. 1176 00:52:05,960 --> 00:52:08,280 Speaker 2: Know what that has to do with it. Jim making psychic, 1177 00:52:08,520 --> 00:52:12,000 Speaker 2: But there you go. The world didn't see this come. 1178 00:52:11,840 --> 00:52:14,719 Speaker 3: In, No, nobody did so Sadly. 1179 00:52:14,400 --> 00:52:16,760 Speaker 2: The next year, twenty sixteen, mis Cleo passes away age 1180 00:52:16,840 --> 00:52:20,280 Speaker 2: fifty three. Yeah wow yeah, from cancer. After her passing, 1181 00:52:20,320 --> 00:52:22,520 Speaker 2: there was a documentary made about her that the titles 1182 00:52:22,560 --> 00:52:25,360 Speaker 2: called call Me Miss Cleo. And there's a charming thread 1183 00:52:25,360 --> 00:52:27,600 Speaker 2: that runs through the documentary because the thread is this 1184 00:52:27,760 --> 00:52:29,880 Speaker 2: love that all these folks felt from his Cleo. I'm 1185 00:52:29,920 --> 00:52:32,560 Speaker 2: talking like the real woman. She was loved by her family, 1186 00:52:32,600 --> 00:52:37,280 Speaker 2: her friends, colleagues, college roommates, not people in the Seattle theaters. 1187 00:52:38,320 --> 00:52:40,040 Speaker 2: But these people, they all get choked up as they 1188 00:52:40,160 --> 00:52:43,080 Speaker 2: remembered her like She clearly was a very real and loving, 1189 00:52:43,239 --> 00:52:45,799 Speaker 2: caring person. And the one thing I loved about her 1190 00:52:45,920 --> 00:52:48,520 Speaker 2: personally is how she fully committed to the bit, how 1191 00:52:48,680 --> 00:52:51,840 Speaker 2: she became Miss Cleo. Years later, after she's been debunked, 1192 00:52:51,880 --> 00:52:54,520 Speaker 2: she's still giving an interview in Patois Device. I love 1193 00:52:54,600 --> 00:52:57,359 Speaker 2: that now, despite all the bad psychic advice she gave out, 1194 00:52:57,400 --> 00:52:59,720 Speaker 2: all the lives she affected, all the frauds she committed. 1195 00:52:59,760 --> 00:53:01,640 Speaker 2: I want to forgive her. I want to say it 1196 00:53:01,680 --> 00:53:03,200 Speaker 2: was a different time or something, but it wasn't. It 1197 00:53:03,280 --> 00:53:05,120 Speaker 2: was pretty much just like now. She knew what she 1198 00:53:05,200 --> 00:53:06,880 Speaker 2: was doing. She knew it was a lie. So the 1199 00:53:07,000 --> 00:53:09,120 Speaker 2: question I'm really left with is is can a lie 1200 00:53:09,160 --> 00:53:10,120 Speaker 2: ever be a good thing? 1201 00:53:10,680 --> 00:53:11,000 Speaker 3: Sure? 1202 00:53:11,120 --> 00:53:13,000 Speaker 2: Like not like a white lie to protect someone's feelings, 1203 00:53:13,040 --> 00:53:15,200 Speaker 2: which I think can be a good sometimes, But I 1204 00:53:15,200 --> 00:53:17,480 Speaker 2: mean like a lie that misleads, like makes someone believe 1205 00:53:17,560 --> 00:53:20,480 Speaker 2: a false reality. Can a misleading lie ever be a 1206 00:53:20,480 --> 00:53:22,360 Speaker 2: good thing if it makes someone feel better? 1207 00:53:22,560 --> 00:53:23,080 Speaker 3: I think so. 1208 00:53:23,400 --> 00:53:24,480 Speaker 2: I don't know what it is hurt. 1209 00:53:24,600 --> 00:53:27,359 Speaker 4: I don't know, but I mean she wasn't. She was 1210 00:53:27,360 --> 00:53:29,680 Speaker 4: She knew what she was doing, but she didn't reap 1211 00:53:29,760 --> 00:53:30,719 Speaker 4: the benefits of it. 1212 00:53:30,800 --> 00:53:33,880 Speaker 2: No, she really exploited. She wasn't definitely a victim. But 1213 00:53:33,880 --> 00:53:35,160 Speaker 2: I was saying, but the lie she was telling that 1214 00:53:35,160 --> 00:53:37,480 Speaker 2: these people who were calling in doing their dollar store therapy, 1215 00:53:37,880 --> 00:53:39,319 Speaker 2: was it a good thing that she was telling them, 1216 00:53:39,360 --> 00:53:42,959 Speaker 2: like you can look out for you girls. Yeah, lie, 1217 00:53:43,200 --> 00:53:44,719 Speaker 2: That part wasn't the lie, but the rest of the 1218 00:53:44,719 --> 00:53:47,600 Speaker 2: part was. It's mixed in so either. I rarely think 1219 00:53:47,640 --> 00:53:49,480 Speaker 2: lying is good, but in this case, I think that 1220 00:53:49,600 --> 00:53:52,120 Speaker 2: we do tell ourselves all sorts of pleasing fictions all 1221 00:53:52,160 --> 00:53:54,680 Speaker 2: the time. Right, Is it wrong if we outsource that 1222 00:53:54,760 --> 00:53:57,479 Speaker 2: to someone and pay someone to tell us the same? 1223 00:53:57,760 --> 00:53:58,040 Speaker 6: Please? 1224 00:54:00,080 --> 00:54:02,400 Speaker 2: Exactly? But Ben and Madison will get back to her. 1225 00:54:02,480 --> 00:54:04,640 Speaker 2: The New York Times piece, she said, and I quote, 1226 00:54:04,680 --> 00:54:06,520 Speaker 2: I know better than anyone else that Miss Cleio was 1227 00:54:06,520 --> 00:54:08,440 Speaker 2: a fake. But I always kind of believed in her anyway. 1228 00:54:08,880 --> 00:54:10,640 Speaker 2: And it seems like many of us that we want 1229 00:54:10,680 --> 00:54:12,799 Speaker 2: to believe it, and it sucks when people leverage that 1230 00:54:12,840 --> 00:54:14,960 Speaker 2: desire and use it against us to defraud us and 1231 00:54:15,000 --> 00:54:17,000 Speaker 2: so forth. But like, and so that's why I am 1232 00:54:17,080 --> 00:54:19,080 Speaker 2: more of my anger in this story at the Florida cousins, 1233 00:54:19,080 --> 00:54:21,040 Speaker 2: and I ever do it Miss Cleio, Right, because we 1234 00:54:21,080 --> 00:54:23,839 Speaker 2: want Miss Cleio's in our life. We know she's probably fake. 1235 00:54:23,880 --> 00:54:26,280 Speaker 2: We don't care. We just don't want to be cheated 1236 00:54:26,360 --> 00:54:27,520 Speaker 2: to get the miss QUI do. 1237 00:54:27,600 --> 00:54:29,719 Speaker 3: You want some sort of magic in your life? 1238 00:54:29,760 --> 00:54:31,800 Speaker 2: Yeah, you know exactly, Miss Cleio innocent. 1239 00:54:32,280 --> 00:54:35,120 Speaker 3: I have zero anger for her, everything for the cousins. 1240 00:54:35,200 --> 00:54:37,360 Speaker 2: Yeah. Well, by the way, the Florida cousins, Steve Fader 1241 00:54:37,400 --> 00:54:39,959 Speaker 2: and Peter Stultz are still at it. In fact, best 1242 00:54:40,000 --> 00:54:42,239 Speaker 2: I can tell, Peter Stultz may be the owner of 1243 00:54:42,280 --> 00:54:45,319 Speaker 2: the website sugar Daddy for me. So he's still out 1244 00:54:45,360 --> 00:54:48,920 Speaker 2: there making money exploiting young desperate women looking to improve 1245 00:54:48,960 --> 00:54:52,600 Speaker 2: their lives. So we questionable means, so boom. That's a 1246 00:54:52,680 --> 00:54:54,000 Speaker 2: ridiculous takeaway here, Liza. 1247 00:54:54,800 --> 00:54:56,480 Speaker 4: I was going to go on a rant, but my 1248 00:54:56,560 --> 00:54:59,440 Speaker 4: new ridiculous takeaway is that I was told that if 1249 00:54:59,440 --> 00:55:04,360 Speaker 4: you say you can in an Australian accent, you're saying 1250 00:55:04,560 --> 00:55:06,280 Speaker 4: bacon in a Jamaican accent. 1251 00:55:06,320 --> 00:55:08,840 Speaker 2: It's true, you can, exactly. 1252 00:55:09,280 --> 00:55:11,800 Speaker 3: There you go, that's my takeaway. What's your takeaway? 1253 00:55:12,480 --> 00:55:16,279 Speaker 2: My ridiculous takeaway is I didn't think I could pull 1254 00:55:16,280 --> 00:55:20,080 Speaker 2: that Jamaican accent off that line, and I wasn't thinking 1255 00:55:20,120 --> 00:55:22,200 Speaker 2: about it right, just boom Era was anyway, I just 1256 00:55:22,600 --> 00:55:25,040 Speaker 2: I just have fun with it. Forgive forgive me, Jamaicans. 1257 00:55:25,040 --> 00:55:28,239 Speaker 3: It was nos Trent. I gotta go listen to Russ. 1258 00:55:29,160 --> 00:55:31,960 Speaker 2: That's cute being a cute producer. Do you got a 1259 00:55:32,000 --> 00:55:32,759 Speaker 2: talkback for us? 1260 00:55:35,120 --> 00:55:42,719 Speaker 8: Oh my god, I love get. 1261 00:55:45,560 --> 00:55:48,000 Speaker 6: Hey guys, you mentioned the name of a politician from 1262 00:55:48,000 --> 00:55:50,840 Speaker 6: the eighties on a recent episode who sounded familiar to me, 1263 00:55:51,080 --> 00:55:53,319 Speaker 6: and I was hoping it sounded familiar because it was 1264 00:55:53,480 --> 00:55:55,800 Speaker 6: the same guy my husband had told me a ridiculous 1265 00:55:55,880 --> 00:55:59,279 Speaker 6: fact about. But it wasn't. I thought you'd enjoy the 1266 00:55:59,320 --> 00:56:03,239 Speaker 6: fact anyway. Former Secretary of State George P. Schultz has 1267 00:56:03,280 --> 00:56:06,040 Speaker 6: a tattoo of a tiger on his rear, and his 1268 00:56:06,160 --> 00:56:09,040 Speaker 6: wife said that when the children were young, they used 1269 00:56:09,080 --> 00:56:11,120 Speaker 6: to run up and touch it and he would growl 1270 00:56:11,280 --> 00:56:12,280 Speaker 6: and they would run away. 1271 00:56:12,560 --> 00:56:17,600 Speaker 4: So that's uf I've heard that. 1272 00:56:16,920 --> 00:56:18,960 Speaker 2: I've never heard that. 1273 00:56:18,960 --> 00:56:19,080 Speaker 5: Man. 1274 00:56:19,120 --> 00:56:20,800 Speaker 2: I got a picture George Schultz's rear. 1275 00:56:21,560 --> 00:56:22,600 Speaker 3: The tiger on his rear. 1276 00:56:23,239 --> 00:56:26,880 Speaker 2: Love that tiger in his tank. Well, as always, you 1277 00:56:26,920 --> 00:56:29,040 Speaker 2: can find us online ridiculous crime on the social media 1278 00:56:29,080 --> 00:56:31,200 Speaker 2: is that's mostly Blue Sky and Instagram these days, we 1279 00:56:31,200 --> 00:56:34,120 Speaker 2: also have our website ridiculous Crime dot com. It has 1280 00:56:34,200 --> 00:56:37,960 Speaker 2: most recently been nominated for Country of the Year So 1281 00:56:39,960 --> 00:56:42,719 Speaker 2: from the United Nations exactly that I just made up. 1282 00:56:42,719 --> 00:56:44,880 Speaker 2: So emails if you like the Ridiculous Crime at gmail 1283 00:56:44,960 --> 00:56:47,040 Speaker 2: dot com. We always love to hear from you, and 1284 00:56:47,120 --> 00:56:49,960 Speaker 2: you can get onto the iHeart app record a talkback 1285 00:56:50,000 --> 00:56:52,800 Speaker 2: and maybe hear your voice here. Thanks for listening. We 1286 00:56:52,840 --> 00:57:00,920 Speaker 2: will catch you next crime. Ridiculous Crime is hosted by 1287 00:57:00,920 --> 00:57:03,799 Speaker 2: Elizabeth Utton and Zaron Burnette, produced and edited by the 1288 00:57:03,800 --> 00:57:07,400 Speaker 2: man who put the plastic on Dion Warwick's furniture, Dave Kustin, 1289 00:57:07,600 --> 00:57:10,239 Speaker 2: and starring Annale rutger Is Judah. Research is by a 1290 00:57:10,320 --> 00:57:14,680 Speaker 2: resident fake soussayer, Mistress Marissa Brown and the psychic Warlock 1291 00:57:14,760 --> 00:57:18,080 Speaker 2: Alex French. Our theme song is by Miss Cleo's Jamaican 1292 00:57:18,200 --> 00:57:21,880 Speaker 2: Jerke Chicken dealers Thomas Lee and Travis Dutton. The host 1293 00:57:21,960 --> 00:57:25,160 Speaker 2: wardrobe provided by Bobby five hundred. Guest hair and makeup 1294 00:57:25,200 --> 00:57:29,200 Speaker 2: by Sparkle Shop and Mister Andre. Executive producers are Ben 1295 00:57:29,520 --> 00:57:32,640 Speaker 2: you know I'm a little psychic Bowlin and Noel Well, 1296 00:57:32,760 --> 00:57:43,560 Speaker 2: I'm a big psychic browns QUI say it one more time. 1297 00:57:46,360 --> 00:57:49,720 Speaker 1: Ridiculous Crime is a production of iHeartRadio four more podcasts 1298 00:57:49,840 --> 00:57:53,000 Speaker 1: My heart Radio, visit the iHeartRadio app, Apple podcasts, or 1299 00:57:53,040 --> 00:57:54,760 Speaker 1: wherever you listen to your favorite shows.