1 00:00:00,440 --> 00:00:02,800 Speaker 1: Hey, guys, welcome to Disgraceland, which is brought to you 2 00:00:02,840 --> 00:00:06,360 Speaker 1: by Double Elvis. This week we have our Anthony Bourdain 3 00:00:06,519 --> 00:00:08,760 Speaker 1: story that's in the Disgraceland feed. This is part of 4 00:00:08,760 --> 00:00:12,680 Speaker 1: our Icon series. You're gonna be getting these episodes sprinkled 5 00:00:12,720 --> 00:00:15,040 Speaker 1: in with the normal episodes on musicians. You're gonna be 6 00:00:15,040 --> 00:00:18,080 Speaker 1: getting these other episodes on artists from other walks of life, 7 00:00:18,120 --> 00:00:23,480 Speaker 1: the art world, writing, Hollywood, sports, etc. We kick this off, 8 00:00:23,520 --> 00:00:26,160 Speaker 1: like I said, with the Anthony bourdaines story, which I'm 9 00:00:26,160 --> 00:00:27,800 Speaker 1: pretty stoked on. I think you guys are going to 10 00:00:27,880 --> 00:00:29,920 Speaker 1: be into it. Check it out if you haven't heard it, 11 00:00:30,000 --> 00:00:31,440 Speaker 1: and we're gonna be talking about it more in this 12 00:00:31,520 --> 00:00:34,480 Speaker 1: bonus episode. Also, real quick for the parents out there, 13 00:00:34,479 --> 00:00:36,320 Speaker 1: as has been the case for the last few weeks, 14 00:00:36,360 --> 00:00:39,440 Speaker 1: we have a brand new episode of music Land Stories 15 00:00:39,479 --> 00:00:42,600 Speaker 1: called Opening Night Jitters. That's our fiction show for kids 16 00:00:42,640 --> 00:00:44,960 Speaker 1: and families, and that is available for you now as well. 17 00:00:45,120 --> 00:00:50,560 Speaker 1: All right, let's get into this, hey, discos, need a 18 00:00:50,600 --> 00:00:53,240 Speaker 1: little more disgrace Land in your life, just to touch 19 00:00:53,400 --> 00:00:56,680 Speaker 1: to get you through. Yeah, me too. This is the 20 00:00:56,720 --> 00:01:00,800 Speaker 1: podcast that comes after the podcast Welcome to Disgrace The 21 00:01:00,880 --> 00:01:18,520 Speaker 1: after Partie Welcome to the Disgraceland bonus episode, a little 22 00:01:18,520 --> 00:01:21,080 Speaker 1: thing we like to call the after party. This is 23 00:01:21,120 --> 00:01:23,399 Speaker 1: the show after the show, the party after the party, 24 00:01:23,440 --> 00:01:25,080 Speaker 1: the bridge to get you from one full episode of 25 00:01:25,120 --> 00:01:27,440 Speaker 1: disgrace Land to the other, the backyard to dig into 26 00:01:27,440 --> 00:01:30,600 Speaker 1: the dirt. On this episode, we are talking about our 27 00:01:30,680 --> 00:01:33,280 Speaker 1: new Anthony bourdein episode of Disgraceland that is in your 28 00:01:33,280 --> 00:01:36,120 Speaker 1: feeds right now. Just ahead of this bonus episode. We 29 00:01:36,160 --> 00:01:38,480 Speaker 1: are also talking about the sources that went into the 30 00:01:38,520 --> 00:01:41,600 Speaker 1: creation of our Boardeine episode, giving you guys a quick 31 00:01:41,720 --> 00:01:44,679 Speaker 1: update on the upcoming subjects and Disgraceland, how we're going 32 00:01:44,720 --> 00:01:48,240 Speaker 1: to be choosing them together, and of course your voicemails, texts, 33 00:01:48,360 --> 00:01:52,080 Speaker 1: dms and more, and as always, a whole lot of Rosie. 34 00:01:52,120 --> 00:02:09,000 Speaker 1: All right, discos, let's get into it, all right. Anthony 35 00:02:09,000 --> 00:02:12,480 Speaker 1: Bourdain on the brain this week, understandably thinking a lot 36 00:02:12,480 --> 00:02:14,400 Speaker 1: about him, thinking a lot about the episode, thinking a 37 00:02:14,400 --> 00:02:17,440 Speaker 1: lot about the themes in this episode, thinking about that 38 00:02:17,480 --> 00:02:20,360 Speaker 1: when someone dies, the sense of loss that we have, 39 00:02:20,600 --> 00:02:24,120 Speaker 1: it's subjective obviously to the relationship that we have or 40 00:02:24,200 --> 00:02:26,800 Speaker 1: had with that person. And in the case of Anthony Bourdain, 41 00:02:27,240 --> 00:02:30,120 Speaker 1: most of us had some sort of distant, you know, 42 00:02:30,240 --> 00:02:33,359 Speaker 1: creator slash fan type of relationship with the guy. Most 43 00:02:33,360 --> 00:02:35,160 Speaker 1: of us didn't know him. I know some of you did. 44 00:02:35,200 --> 00:02:36,919 Speaker 1: I did not know him. I have a couple of 45 00:02:36,960 --> 00:02:39,359 Speaker 1: friends who met him a few times, one who knew 46 00:02:39,400 --> 00:02:40,919 Speaker 1: him a little better than others. But I didn't know 47 00:02:40,960 --> 00:02:43,600 Speaker 1: the guy at all. But we felt like we knew him. Okay, 48 00:02:43,680 --> 00:02:48,160 Speaker 1: that's clear. Obviously, he gave so much of himself to 49 00:02:48,880 --> 00:02:51,600 Speaker 1: his art, to his writing, to the television that he 50 00:02:51,680 --> 00:02:54,720 Speaker 1: made so in writing and researching this episode, you know, 51 00:02:54,760 --> 00:02:57,800 Speaker 1: I'm thinking about, obviously, at the beginning of this process, 52 00:02:58,480 --> 00:03:00,600 Speaker 1: how we lost Anthony Bourdain. But by the end, I 53 00:03:00,639 --> 00:03:02,120 Speaker 1: was thinking about a different kind of loss. I was 54 00:03:02,160 --> 00:03:07,000 Speaker 1: thinking about what happens when you lose yourself. Okay, that's 55 00:03:07,040 --> 00:03:10,200 Speaker 1: the piece of the Anthony Bourdain episode that most struck 56 00:03:10,240 --> 00:03:12,040 Speaker 1: me by the time I got done researching it, and 57 00:03:12,040 --> 00:03:14,080 Speaker 1: by the time obviously I got done writing it. You 58 00:03:14,120 --> 00:03:16,079 Speaker 1: can hear it in the episode. But here's this guy 59 00:03:16,120 --> 00:03:20,040 Speaker 1: who built this tremendous identity for lack of a better word, 60 00:03:20,680 --> 00:03:23,399 Speaker 1: identity is something we all talk about a lot these days. 61 00:03:23,000 --> 00:03:26,160 Speaker 1: It permeates our culture, this idea of who we are, 62 00:03:26,480 --> 00:03:30,120 Speaker 1: what we represent, who we align ourselves with, how we 63 00:03:30,200 --> 00:03:35,240 Speaker 1: present ourselves, especially in this postmodern era of social media, 64 00:03:35,720 --> 00:03:39,240 Speaker 1: and identity is just so part of everything in our 65 00:03:39,280 --> 00:03:44,480 Speaker 1: culture right now. And Anthony Bourdain created this tremendous identity 66 00:03:45,160 --> 00:03:49,120 Speaker 1: and then he lost it suddenly or he subverted it, 67 00:03:49,120 --> 00:03:51,840 Speaker 1: I guess is the better way to put it, almost entirely, 68 00:03:52,520 --> 00:03:56,360 Speaker 1: and then he lost his life in the process. Life 69 00:03:56,840 --> 00:04:00,920 Speaker 1: as we know is fragile. Okay, most of us are 70 00:04:00,960 --> 00:04:05,640 Speaker 1: old enough and experienced enough, unfortunately to understand this. But 71 00:04:05,720 --> 00:04:10,240 Speaker 1: this loss that Anthony Bourdain underwent, it got me thinking 72 00:04:10,640 --> 00:04:13,400 Speaker 1: about other artists and what it must be like to 73 00:04:13,440 --> 00:04:17,600 Speaker 1: be under this intense spotlight when you're a name, when 74 00:04:17,640 --> 00:04:19,200 Speaker 1: you have a name, excuse me, and you have this 75 00:04:19,279 --> 00:04:22,880 Speaker 1: personality that is recognized all over the world. You know, 76 00:04:22,880 --> 00:04:25,599 Speaker 1: it's an identity that is forged and that you you 77 00:04:25,720 --> 00:04:29,320 Speaker 1: forge yourself and that you solidify and then it's ripped away. 78 00:04:29,720 --> 00:04:33,200 Speaker 1: And we've seen this before in pop stardom, and we're 79 00:04:33,200 --> 00:04:35,120 Speaker 1: going to see it again. Frankly, It's just it's just 80 00:04:35,160 --> 00:04:37,960 Speaker 1: part of the game, you know. At the moment at 81 00:04:38,000 --> 00:04:40,640 Speaker 1: Double Elvis, we're working on a Bob Dylan episode for 82 00:04:40,680 --> 00:04:44,080 Speaker 1: you guys, and it gets into this subject. Coincidentally, it 83 00:04:44,120 --> 00:04:46,520 Speaker 1: wasn't planned, you know, we weren't trying to like team 84 00:04:46,600 --> 00:04:50,080 Speaker 1: this Dylan episode with the Bourdaine episode. But this, this 85 00:04:50,240 --> 00:04:53,240 Speaker 1: concept of identity, this theme of identity, is very much 86 00:04:53,279 --> 00:04:55,480 Speaker 1: part of the Bob Dylan story. You know, Dylan, as 87 00:04:55,480 --> 00:04:58,480 Speaker 1: most of us know, became larger than life, this huge personality. 88 00:04:58,480 --> 00:05:00,640 Speaker 1: In the nineteen sixties. He was literally thought of as 89 00:05:00,640 --> 00:05:03,520 Speaker 1: a god to some of his fans, which is fucking nuts. 90 00:05:03,520 --> 00:05:06,760 Speaker 1: I mean, can you imagine that? You know, I think 91 00:05:06,800 --> 00:05:09,280 Speaker 1: the closest thing we have to that now is Taylor 92 00:05:09,360 --> 00:05:12,880 Speaker 1: Swift for some reason that you know, I don't understand. 93 00:05:13,480 --> 00:05:15,520 Speaker 1: I tried to understand it. We've talked about that. I 94 00:05:15,560 --> 00:05:17,200 Speaker 1: don't want to digress. I don't want to shit on 95 00:05:17,240 --> 00:05:19,120 Speaker 1: Taylor Swift either. That's not what I'm trying to do. 96 00:05:19,600 --> 00:05:22,360 Speaker 1: I have a tremendous amount of respect for what she does. 97 00:05:23,240 --> 00:05:25,760 Speaker 1: But you know, if I'm being honest, the cult of 98 00:05:25,800 --> 00:05:29,599 Speaker 1: personality that has sprung up around her, it's beyond me. 99 00:05:29,720 --> 00:05:32,320 Speaker 1: I don't get it, you know. I guess the last 100 00:05:32,880 --> 00:05:36,240 Speaker 1: the last time I recognize something like this in pop 101 00:05:36,279 --> 00:05:39,960 Speaker 1: culture was Kurt Cobaine when when when he came about 102 00:05:40,000 --> 00:05:44,719 Speaker 1: and there was very clearly a direct line back from 103 00:05:44,800 --> 00:05:48,080 Speaker 1: Kurt Cobain to Bob Dylan. I can see that then, 104 00:05:48,240 --> 00:05:50,880 Speaker 1: I can see it now. And Kurt obviously struggled with 105 00:05:50,920 --> 00:05:54,279 Speaker 1: those with that pressure. Can you imagine can you imagine 106 00:05:54,279 --> 00:05:57,080 Speaker 1: that pressure back to the Dylan thing, to people thinking 107 00:05:57,120 --> 00:05:59,920 Speaker 1: you're an actual god and you're just some fucking songwriter 108 00:06:00,080 --> 00:06:02,479 Speaker 1: or man, you know, or Anti Bourdain's case, you're just 109 00:06:02,520 --> 00:06:05,719 Speaker 1: you're just a cook. Really, you're not even really a chef. 110 00:06:06,279 --> 00:06:09,520 Speaker 1: You're a cook, you know, and you're a writer, and 111 00:06:09,560 --> 00:06:12,880 Speaker 1: you develop this audience and you become this thing. It's uh, 112 00:06:14,160 --> 00:06:18,279 Speaker 1: that pressure is is it never never fails to surprise me. 113 00:06:19,080 --> 00:06:19,280 Speaker 2: You know. 114 00:06:19,400 --> 00:06:21,760 Speaker 1: John Lennon, we talked about John Lennon before. John Lennon 115 00:06:21,800 --> 00:06:24,840 Speaker 1: struggled with his identity over and over again throughout his 116 00:06:24,839 --> 00:06:28,400 Speaker 1: career and in the end, you know, his turn towards 117 00:06:28,440 --> 00:06:31,560 Speaker 1: domesticity and materialism. It's in part what compelled Mark David 118 00:06:31,600 --> 00:06:34,280 Speaker 1: Chapman to kill him. Jerry Garcia, Kirk Kobe and who 119 00:06:34,279 --> 00:06:36,120 Speaker 1: I mentioned. Their identity is the concept of who they 120 00:06:36,160 --> 00:06:38,839 Speaker 1: were and what they meant to people, to their fans. 121 00:06:39,440 --> 00:06:43,120 Speaker 1: It forced those guys deeper into addiction and ultimately into 122 00:06:43,160 --> 00:06:48,200 Speaker 1: their demise. This you know, this wasn't what did Bordain in. 123 00:06:48,560 --> 00:06:51,680 Speaker 1: You know, ultimately it wasn't. It wasn't just addiction that 124 00:06:51,760 --> 00:06:53,640 Speaker 1: was part of it. Yes, his addiction played a part 125 00:06:53,640 --> 00:06:56,680 Speaker 1: of it, Yes, but ultimately what happened to Boordain is 126 00:06:56,839 --> 00:06:59,359 Speaker 1: he went in all in, I should say, on the 127 00:06:59,400 --> 00:07:02,719 Speaker 1: wrong time of thing, the wrong kind of romance, and 128 00:07:02,760 --> 00:07:07,359 Speaker 1: he lost himself in the process. That loss is hard 129 00:07:07,400 --> 00:07:10,640 Speaker 1: for me to understand. Waking up one day and you're 130 00:07:10,680 --> 00:07:13,440 Speaker 1: just a different person. You're behaving like a different person, 131 00:07:13,440 --> 00:07:15,360 Speaker 1: you're acting like a different person. You're a different person 132 00:07:15,360 --> 00:07:17,880 Speaker 1: to your friends, you're a different person to your family. 133 00:07:18,160 --> 00:07:20,400 Speaker 1: All that matters is the audience of one who you 134 00:07:20,440 --> 00:07:24,040 Speaker 1: are presenting yourself to. And it's just it's hard for 135 00:07:24,160 --> 00:07:28,000 Speaker 1: me to understand. And therefore it became a very compelling 136 00:07:28,040 --> 00:07:30,800 Speaker 1: thing to research and to write about, and I hope 137 00:07:30,800 --> 00:07:32,600 Speaker 1: it came across in the end of the episode. We 138 00:07:32,600 --> 00:07:34,600 Speaker 1: get a lot of great feedback, tremendous amount of great 139 00:07:34,600 --> 00:07:39,440 Speaker 1: feedback on the new episode on Anthony Bourdin. I encourage you, guys, 140 00:07:39,440 --> 00:07:41,480 Speaker 1: if you haven't heard it, to check it out. You 141 00:07:41,560 --> 00:07:43,080 Speaker 1: might be thinking, you know why you guys talking about 142 00:07:43,120 --> 00:07:45,240 Speaker 1: Anthony Bourdain. He's not a musician, And well, I can 143 00:07:45,240 --> 00:07:46,880 Speaker 1: tell you Anthony Bourdin was one of the most rock 144 00:07:46,880 --> 00:07:49,920 Speaker 1: and roll figures that I've ever come across. And there's 145 00:07:50,000 --> 00:07:54,400 Speaker 1: so much music in this episode. Okay, everyone from Stone 146 00:07:54,480 --> 00:07:58,240 Speaker 1: Roses to question Mark and the Mysterians, to the Grateful Dead, 147 00:07:58,600 --> 00:08:01,360 Speaker 1: to the Chambers Brothers to Iggy Pop to Queens of 148 00:08:01,400 --> 00:08:05,480 Speaker 1: the Stone Age. So many great artists are in this 149 00:08:05,560 --> 00:08:09,760 Speaker 1: episode and constitute the makeup of of who Anthony Boardaine 150 00:08:10,000 --> 00:08:12,560 Speaker 1: was and what his story was. And you're going to 151 00:08:12,600 --> 00:08:14,920 Speaker 1: find this that if you haven't heard this, it's pretty 152 00:08:14,960 --> 00:08:17,760 Speaker 1: damn rock and roll. And when you do listen to it, 153 00:08:17,800 --> 00:08:19,840 Speaker 1: I want you to hit me up at Disgrace Lam 154 00:08:19,880 --> 00:08:21,800 Speaker 1: pod on the Social six one seven nine. I was 155 00:08:21,880 --> 00:08:24,920 Speaker 1: six six six three eight voicemail and text and let 156 00:08:24,920 --> 00:08:27,880 Speaker 1: me know what you think. All right, Gonna take a 157 00:08:27,960 --> 00:08:30,280 Speaker 1: quick break back in a flash talk about some of 158 00:08:30,320 --> 00:08:34,160 Speaker 1: the sources, some of the books that I read, in 159 00:08:34,240 --> 00:08:36,760 Speaker 1: some of the films and television that I watched in 160 00:08:36,840 --> 00:08:40,240 Speaker 1: researching and writing the Anthony Bourdain episode. And I want 161 00:08:40,280 --> 00:08:42,320 Speaker 1: to know if you guys have consumed some of this 162 00:08:42,360 --> 00:09:06,440 Speaker 1: stuff as well back in the flash. All right, I'm 163 00:09:06,480 --> 00:09:08,839 Speaker 1: sure that the books that I read, and the documentaries 164 00:09:08,880 --> 00:09:13,040 Speaker 1: that I watched, the television I watched, the films I watched, 165 00:09:13,720 --> 00:09:15,840 Speaker 1: I'm guessing that you guys have read or seen most 166 00:09:15,840 --> 00:09:18,920 Speaker 1: of these as they pertain to Anthony Bourdain. And you 167 00:09:18,960 --> 00:09:22,360 Speaker 1: know that made the research for this episode both fun 168 00:09:22,520 --> 00:09:26,160 Speaker 1: and challenging. Fun from the sense of we're all coming 169 00:09:26,200 --> 00:09:29,920 Speaker 1: at this from a place of general understanding, general excitement. 170 00:09:30,600 --> 00:09:32,520 Speaker 1: You guys know a lot of these stories. You know, 171 00:09:32,559 --> 00:09:36,120 Speaker 1: Anthony Bourdain was a great communicator, a great writer. I mean, 172 00:09:36,240 --> 00:09:38,200 Speaker 1: you guys. I'm sure you guys when you heard I 173 00:09:38,200 --> 00:09:40,160 Speaker 1: was doing the Anthony Bourdain episode, there were a couple 174 00:09:40,720 --> 00:09:43,040 Speaker 1: anecdotes that went off in your head where you were like, 175 00:09:43,400 --> 00:09:45,240 Speaker 1: I hope it talks about this. You know. Maybe it 176 00:09:45,280 --> 00:09:48,040 Speaker 1: was the bride over the barrel scene if you're a 177 00:09:48,080 --> 00:09:52,520 Speaker 1: particularly perverted bastard. But I digress. Anyways, this sort of, 178 00:09:52,559 --> 00:09:56,000 Speaker 1: you know, well established base of knowledge for Anthony Bourdain 179 00:09:56,520 --> 00:09:59,800 Speaker 1: made it challenging to try and find anecdotes to express 180 00:10:00,080 --> 00:10:04,280 Speaker 1: Dane's story that felt fresh and that felt new. Not 181 00:10:04,400 --> 00:10:08,199 Speaker 1: to mention the fact that the guy has an incredible voice. 182 00:10:08,200 --> 00:10:11,040 Speaker 1: This is the first time I've done an episode I 183 00:10:11,080 --> 00:10:12,800 Speaker 1: think first time I've done an episode on a on 184 00:10:12,880 --> 00:10:15,320 Speaker 1: a writer, and that really put me in a box 185 00:10:15,720 --> 00:10:17,640 Speaker 1: and it was like, Okay, how are you gonna how 186 00:10:17,679 --> 00:10:19,280 Speaker 1: are you gonna do this? How are you gonna express 187 00:10:19,360 --> 00:10:23,120 Speaker 1: this in a way that is unique, that feels fresh. 188 00:10:23,240 --> 00:10:24,839 Speaker 1: How are you going to say something that he hasn't 189 00:10:24,880 --> 00:10:26,800 Speaker 1: already said about himself? How are you going to say 190 00:10:26,800 --> 00:10:29,520 Speaker 1: something about Anthony Bourdin that Anthony Bourdain hasn't already said 191 00:10:29,520 --> 00:10:34,600 Speaker 1: about himself. You know, he has those incredible autobiographical books 192 00:10:34,679 --> 00:10:38,040 Speaker 1: Kitchen Confidential and Medium Raw. His whole thing was this 193 00:10:38,200 --> 00:10:41,920 Speaker 1: subjective journalism where he's constantly putting himself in this situation. 194 00:10:42,040 --> 00:10:44,640 Speaker 1: And frankly, that's what I do from a from a 195 00:10:44,679 --> 00:10:48,920 Speaker 1: detached point of view, is is I put these characters 196 00:10:49,000 --> 00:10:52,200 Speaker 1: in these situations that they've already described or someone has 197 00:10:52,200 --> 00:10:54,600 Speaker 1: already described to us that I find in the research, 198 00:10:54,640 --> 00:10:56,960 Speaker 1: and it just made it hard to do, very hard 199 00:10:57,000 --> 00:11:01,199 Speaker 1: to do when it was Boordain had such an established 200 00:11:01,280 --> 00:11:06,280 Speaker 1: voice and aesthetic doing it, So my solution was to 201 00:11:06,320 --> 00:11:09,120 Speaker 1: just lean into it. And you can hear me in 202 00:11:09,200 --> 00:11:14,880 Speaker 1: this episode trying to speak almost as Anthony Bourdain would 203 00:11:14,880 --> 00:11:18,960 Speaker 1: speak in his monologues, and we specifically fucked with the 204 00:11:19,000 --> 00:11:24,040 Speaker 1: sound design in the score to make it seem almost 205 00:11:24,080 --> 00:11:26,079 Speaker 1: like we were doing like a cover version of a 206 00:11:26,559 --> 00:11:30,000 Speaker 1: No Reservations episode at times, to really kind of put 207 00:11:30,080 --> 00:11:32,640 Speaker 1: you in like im im, I am speaking in his 208 00:11:32,760 --> 00:11:36,199 Speaker 1: voice at the beginning of each block. And that came 209 00:11:36,320 --> 00:11:39,120 Speaker 1: from the research. And you read so much, it's like 210 00:11:39,120 --> 00:11:41,439 Speaker 1: if you're a guitar player and you're constantly playing a 211 00:11:41,559 --> 00:11:43,960 Speaker 1: cdc Risks, You're gonna play guitar like Malcolm Young. You 212 00:11:44,080 --> 00:11:47,679 Speaker 1: just are. You know, when you're constantly reading Anthony Bourdain 213 00:11:48,080 --> 00:11:50,199 Speaker 1: and then you go to write about him, you're that's 214 00:11:50,240 --> 00:11:52,920 Speaker 1: gonna have an effect. And rather than try to just 215 00:11:52,960 --> 00:11:55,400 Speaker 1: like you know, push that to the side, I decided 216 00:11:55,440 --> 00:11:58,560 Speaker 1: to kind of lean into it. And you can hear that. 217 00:11:58,720 --> 00:12:03,680 Speaker 1: And that again came from the research, specifically Kitchen Confidential, 218 00:12:03,840 --> 00:12:06,040 Speaker 1: which i'd already read twice before I read it a 219 00:12:06,080 --> 00:12:08,200 Speaker 1: third time. And then I went to read his next book, 220 00:12:08,520 --> 00:12:12,320 Speaker 1: which i'd never read, Medium Raw, and that had this 221 00:12:13,000 --> 00:12:15,679 Speaker 1: a bunch of great anecdotes in it, one of which 222 00:12:15,720 --> 00:12:19,080 Speaker 1: is this anecdote that I didn't do because it's already 223 00:12:19,080 --> 00:12:22,720 Speaker 1: been done. There's a scene in the beginning of Medium Raw. 224 00:12:23,920 --> 00:12:27,839 Speaker 1: This has been done twice, once in Succession and once 225 00:12:28,120 --> 00:12:31,480 Speaker 1: in Billions, the television shows, And it's the scene in 226 00:12:31,520 --> 00:12:33,800 Speaker 1: the beginning of Medium Raw where Anthony Bourdin is invited 227 00:12:33,840 --> 00:12:37,000 Speaker 1: to this super exclusive dinner with a bunch of world 228 00:12:37,000 --> 00:12:39,679 Speaker 1: class chefs and they're all seated at a table and 229 00:12:39,720 --> 00:12:42,400 Speaker 1: I forget what the dishes. If you guys are chefs 230 00:12:42,400 --> 00:12:44,360 Speaker 1: out there, forgive me for not knowing the name of this. 231 00:12:44,480 --> 00:12:49,680 Speaker 1: But it's basically this like super indulgent bird and it's like, 232 00:12:49,800 --> 00:12:51,720 Speaker 1: you know, it's a tiny bird, and I can't remember 233 00:12:51,760 --> 00:12:55,439 Speaker 1: what makes it indulgent, but the idea is you're indulging 234 00:12:55,480 --> 00:12:57,640 Speaker 1: so much that you should feel shame, so you place 235 00:12:57,679 --> 00:13:00,720 Speaker 1: a napkin over your head when you eat this, this 236 00:13:00,720 --> 00:13:05,720 Speaker 1: this appetizer, you know if you will. And it's the 237 00:13:05,760 --> 00:13:08,360 Speaker 1: way he sets it up is incredible, so incredible that, 238 00:13:08,440 --> 00:13:10,880 Speaker 1: like I said, it's been covered twice before. I don't 239 00:13:10,920 --> 00:13:16,000 Speaker 1: I've never I've never read specifically that the creator, the director, 240 00:13:16,040 --> 00:13:20,000 Speaker 1: or the writers of Succession or Billions took this bit 241 00:13:20,160 --> 00:13:24,560 Speaker 1: from Medium Raw for their television shows. But it just 242 00:13:24,720 --> 00:13:28,080 Speaker 1: it's too close to the bone forgive the pun to 243 00:13:28,120 --> 00:13:31,720 Speaker 1: not be directly derived. So if anyone knows anything about this, 244 00:13:32,000 --> 00:13:33,960 Speaker 1: if you know the scenes I'm talking about in Succession, 245 00:13:33,960 --> 00:13:37,600 Speaker 1: it's where the it's where Greg and Tom takes Greg 246 00:13:37,640 --> 00:13:39,920 Speaker 1: out to dinner for the first time. It's this hysterical 247 00:13:39,960 --> 00:13:41,719 Speaker 1: scene and they do this thing where they put the 248 00:13:41,760 --> 00:13:43,120 Speaker 1: napkin over the head and then they you know, they 249 00:13:43,120 --> 00:13:45,600 Speaker 1: eat the bird. But Billions did it first back when 250 00:13:46,080 --> 00:13:48,760 Speaker 1: I used to watch Billions the first few seasons, and 251 00:13:49,000 --> 00:13:51,160 Speaker 1: I don't remember the exact scene. I can't set it 252 00:13:51,240 --> 00:13:53,280 Speaker 1: up for you. But if you guys know if that 253 00:13:53,320 --> 00:13:55,599 Speaker 1: came from somewhere else in those TV shows, let me know. 254 00:13:55,640 --> 00:13:57,960 Speaker 1: But I'm pretty pretty confident it came from that Bordein 255 00:13:58,000 --> 00:14:01,200 Speaker 1: book Medium Raw, which is also interest because I don't 256 00:14:01,200 --> 00:14:03,120 Speaker 1: know if I said this already, but Medium Raw comes 257 00:14:03,320 --> 00:14:08,240 Speaker 1: after Anthony Bourdin has success and becomes famous, which you know, 258 00:14:08,640 --> 00:14:12,320 Speaker 1: alters his point of view significantly, and it's tremendous. It's 259 00:14:12,360 --> 00:14:15,680 Speaker 1: just great. The other two books I read were the 260 00:14:15,840 --> 00:14:20,000 Speaker 1: Charles Leerson Down and Out in Paradise, which is an 261 00:14:20,080 --> 00:14:24,240 Speaker 1: unauthorized biography, and for an unauthorized biography, he gets some 262 00:14:24,400 --> 00:14:30,160 Speaker 1: pretty good access and this book I highly recommend it, 263 00:14:31,040 --> 00:14:33,840 Speaker 1: but I'm also gonna recommend it with a caveat because 264 00:14:34,280 --> 00:14:36,080 Speaker 1: there's a lot in this book that annoys the shit 265 00:14:36,120 --> 00:14:39,800 Speaker 1: out of me. And I'll get to the annoying part 266 00:14:39,840 --> 00:14:41,600 Speaker 1: first and then I'll get to the great part second. 267 00:14:41,640 --> 00:14:43,640 Speaker 1: The annoying part is, I don't know, man, I feel 268 00:14:43,680 --> 00:14:49,840 Speaker 1: like the writer just takes these unnecessary potshots at Bourdein 269 00:14:50,480 --> 00:14:54,000 Speaker 1: in a judgy way, not in a and look, you 270 00:14:54,040 --> 00:14:55,880 Speaker 1: know I do this all the time, so I'm guilty 271 00:14:55,920 --> 00:14:58,480 Speaker 1: of the same thing, you know. But something about it 272 00:14:58,520 --> 00:15:02,480 Speaker 1: just rubbed me the wrong way. In this book, However, 273 00:15:02,760 --> 00:15:05,840 Speaker 1: when the book starts, the first few pages, the first 274 00:15:05,840 --> 00:15:09,360 Speaker 1: two or three pages are so fucking compelling and written 275 00:15:09,480 --> 00:15:12,800 Speaker 1: so well, and it is such a cheeky headfake that 276 00:15:13,960 --> 00:15:16,000 Speaker 1: I was reeling after I read it, and I was 277 00:15:16,160 --> 00:15:19,040 Speaker 1: pissed that I didn't think to do this. Pissed, I 278 00:15:19,080 --> 00:15:20,840 Speaker 1: almost wrote the guy a letter telling him how much 279 00:15:20,840 --> 00:15:22,920 Speaker 1: I liked it. I didn't, though, so I guess this 280 00:15:22,960 --> 00:15:25,600 Speaker 1: is the letter Charles Learson, Down and Out in Paradise, 281 00:15:25,640 --> 00:15:27,920 Speaker 1: great way to open a book. The other book I 282 00:15:27,960 --> 00:15:32,160 Speaker 1: read was Bordained, The Definitive Oral biography by Laurie will Lever, 283 00:15:32,280 --> 00:15:35,800 Speaker 1: which forgive me from pronouncing her name incorrectly, but Laurie 284 00:15:36,000 --> 00:15:39,440 Speaker 1: was she worked very closely with Anthony Bourdain and she 285 00:15:39,520 --> 00:15:42,640 Speaker 1: put this book together which is an oral history of 286 00:15:42,720 --> 00:15:45,120 Speaker 1: Tony from the guys and girls who knew him and 287 00:15:45,560 --> 00:15:48,440 Speaker 1: came up with him and worked with him both and 288 00:15:48,480 --> 00:15:51,560 Speaker 1: knew him both before success and after success. And it's 289 00:15:51,640 --> 00:15:57,400 Speaker 1: really fascinating, particularly the folks who don't hold back, David Chang, 290 00:15:57,920 --> 00:16:01,160 Speaker 1: Josh Hammie, There's a lot of a lot of people 291 00:16:01,240 --> 00:16:04,200 Speaker 1: in here who you know, the loss of of Tony 292 00:16:04,320 --> 00:16:07,440 Speaker 1: is raw, and they all have a different perspective on it, 293 00:16:07,520 --> 00:16:11,240 Speaker 1: and it really helped form my point of view along 294 00:16:11,280 --> 00:16:15,760 Speaker 1: with my own my own history with loss, particularly with 295 00:16:15,840 --> 00:16:19,960 Speaker 1: suicide from people I know, people I love, friends, family, 296 00:16:20,000 --> 00:16:23,080 Speaker 1: et cetera. I found this book to be touching in 297 00:16:23,240 --> 00:16:25,080 Speaker 1: a in a number of different ways, and if you're 298 00:16:25,080 --> 00:16:28,760 Speaker 1: a fan of Anthony Bordaina, highly recommend it. TV shows obviously, 299 00:16:29,320 --> 00:16:33,760 Speaker 1: you know, No Reservations and then Parts Unknown, of course 300 00:16:33,920 --> 00:16:36,680 Speaker 1: I've watched every episode of every single one, the Iggy 301 00:16:36,720 --> 00:16:41,360 Speaker 1: Pop one from the CNN. Parts Unknown obviously had had 302 00:16:41,400 --> 00:16:46,080 Speaker 1: a big hand in framing this episode road Runner is 303 00:16:46,200 --> 00:16:49,320 Speaker 1: just a tremendous documentary, which you know most of you 304 00:16:49,360 --> 00:16:52,240 Speaker 1: have seen that. I'm sure. I just wanted to give 305 00:16:52,440 --> 00:16:57,560 Speaker 1: a particular shout out to the last episode of of 306 00:16:57,720 --> 00:17:01,040 Speaker 1: Parts Unknown that the zero point zero folks put together 307 00:17:01,480 --> 00:17:07,000 Speaker 1: after Anthony Bourdin had died. It is tremendous and it's 308 00:17:07,040 --> 00:17:10,879 Speaker 1: one of those things that where obviously this episode wouldn't 309 00:17:10,880 --> 00:17:14,320 Speaker 1: exist the way it exists had Anthony Bourdeen not died. 310 00:17:15,040 --> 00:17:19,080 Speaker 1: But my goodness, what they put together, the editing, the 311 00:17:19,119 --> 00:17:22,400 Speaker 1: sound design in particular, it's just incredible. It's all about 312 00:17:22,480 --> 00:17:25,520 Speaker 1: Lower East Side Manhattan, and you can really feel it. 313 00:17:25,560 --> 00:17:29,400 Speaker 1: You can really feel that neighborhood in that episode, both 314 00:17:30,200 --> 00:17:34,840 Speaker 1: that neighborhood's past present as well. It's a stunning piece 315 00:17:34,880 --> 00:17:37,679 Speaker 1: of television. And of course I talked about New Roe's Hotel, 316 00:17:37,720 --> 00:17:41,440 Speaker 1: the Aggie Argento film with Willem the Foe and Christopher 317 00:17:41,440 --> 00:17:45,119 Speaker 1: Walking last week. I believe in the last episode of 318 00:17:45,160 --> 00:17:48,520 Speaker 1: After Party, watched the watch that a number of times. 319 00:17:48,600 --> 00:17:50,159 Speaker 1: It's just sort of just sort of had it on 320 00:17:50,240 --> 00:17:52,320 Speaker 1: the background without even listening to it when I was 321 00:17:52,720 --> 00:17:56,080 Speaker 1: writing and researching. You can check that out, all right. 322 00:17:56,160 --> 00:17:59,399 Speaker 1: So those are the sources. I'll talk more about this 323 00:17:59,400 --> 00:18:02,119 Speaker 1: stuff on inta gram and elsewhere. If you guys have 324 00:18:02,359 --> 00:18:09,000 Speaker 1: other Anthony Bourdain resources, movies, films, television. 325 00:18:08,440 --> 00:18:09,040 Speaker 3: What have you? 326 00:18:09,200 --> 00:18:11,080 Speaker 1: One thing you know and one thing I knew but 327 00:18:11,160 --> 00:18:14,280 Speaker 1: forgot about and then and then found out again? Was it? 328 00:18:14,359 --> 00:18:18,320 Speaker 1: Boordeen was a consultant on that show, that David Simon's 329 00:18:18,320 --> 00:18:23,560 Speaker 1: show Tremae, which was an HBO show, David Simon from 330 00:18:23,560 --> 00:18:27,239 Speaker 1: the Wire, which I just can't believe he had that 331 00:18:27,280 --> 00:18:30,320 Speaker 1: going on as well in the height of his fame. Anyways, 332 00:18:30,640 --> 00:18:34,800 Speaker 1: getting off topic, let me know your favorite Bourdain books, 333 00:18:35,040 --> 00:18:36,920 Speaker 1: TV shows, et cetera, and what you thought of the 334 00:18:36,920 --> 00:18:39,000 Speaker 1: episode six one seven nine oh six six six three 335 00:18:39,080 --> 00:18:41,240 Speaker 1: eight ats Grace laand Pod on the socials. I'm gonna 336 00:18:41,240 --> 00:18:43,120 Speaker 1: take a quick break, come back on the other side 337 00:18:43,359 --> 00:18:45,640 Speaker 1: with an update on the subjects for the next round 338 00:18:45,640 --> 00:18:47,399 Speaker 1: of disgrace Land episodes. And I'm going to take some 339 00:18:47,400 --> 00:18:56,960 Speaker 1: of your calls, of course, your text and your dms. 340 00:19:04,560 --> 00:19:09,280 Speaker 1: Andy Warhol, Hunter S Thompson, Peter Tosh, Steve McQueen, Van Hanlan, 341 00:19:09,400 --> 00:19:13,560 Speaker 1: Kobe Bryant, Bascat. Those are the next episodes of Disgraceland 342 00:19:13,600 --> 00:19:15,480 Speaker 1: coming down the Fike in the coming weeks for you, guys. 343 00:19:15,560 --> 00:19:18,600 Speaker 1: It's obvious to me that you guys having a say, 344 00:19:18,680 --> 00:19:20,760 Speaker 1: having your voice heard and the choosing of what episodes 345 00:19:20,760 --> 00:19:23,800 Speaker 1: we cover is incredibly important to you. Of all the 346 00:19:23,800 --> 00:19:25,760 Speaker 1: subjects that I hear from you guys on this is 347 00:19:26,040 --> 00:19:30,080 Speaker 1: the one that you speak up about the most constantly, unsolicited, 348 00:19:30,119 --> 00:19:32,239 Speaker 1: and I love it, so keep it coming. But now 349 00:19:32,280 --> 00:19:35,359 Speaker 1: that we're including other artists, not just musicians in the 350 00:19:35,400 --> 00:19:37,720 Speaker 1: world of Disgrace Land, it's more important than ever that 351 00:19:37,800 --> 00:19:39,920 Speaker 1: you guys speak up. You let me know what subjects 352 00:19:39,960 --> 00:19:42,280 Speaker 1: you want us to cover. There's so many of them 353 00:19:42,280 --> 00:19:43,960 Speaker 1: out there. I don't want to be just doing this 354 00:19:44,000 --> 00:19:47,439 Speaker 1: in a vacuum. Okay, So to that point, we've got 355 00:19:47,480 --> 00:19:50,280 Speaker 1: a handful of episodes already produced, another handful already in production, 356 00:19:50,480 --> 00:19:53,560 Speaker 1: and a third handful, if that's possible, that we've identified 357 00:19:53,600 --> 00:19:55,880 Speaker 1: internally here at Double Elvis, that we want to produce. 358 00:19:56,400 --> 00:19:59,280 Speaker 1: All this amounts to having about half the programming for 359 00:19:59,359 --> 00:20:01,639 Speaker 1: this year already planned out. But we need to select 360 00:20:01,640 --> 00:20:04,080 Speaker 1: the episodes for the second half of this year, guys, 361 00:20:04,400 --> 00:20:06,399 Speaker 1: and I'm gonna be leaning on you to help me 362 00:20:06,480 --> 00:20:10,000 Speaker 1: do that. How exactly I don't know yet. We're gonna 363 00:20:10,000 --> 00:20:12,639 Speaker 1: figure that out together in the coming weeks here in 364 00:20:12,680 --> 00:20:15,919 Speaker 1: the After Party and on Socials, but we're thinking about 365 00:20:16,600 --> 00:20:19,040 Speaker 1: you know here at Double Elvis, we're thinking about it. 366 00:20:19,080 --> 00:20:20,480 Speaker 1: We're trying to figure it out. We're gonna have more 367 00:20:20,520 --> 00:20:22,920 Speaker 1: news here in the coming episodes of After Party and 368 00:20:22,920 --> 00:20:25,160 Speaker 1: these bonus episodes to help us figure this out, figure 369 00:20:25,200 --> 00:20:28,119 Speaker 1: out which episodes we're gonna be producing for the second 370 00:20:28,160 --> 00:20:31,080 Speaker 1: half of this year. I don't know what this is 371 00:20:31,119 --> 00:20:32,960 Speaker 1: going to be exactly. I see it as some sort 372 00:20:32,960 --> 00:20:37,000 Speaker 1: of election process, maybe maybe like a final four bracket process, 373 00:20:37,720 --> 00:20:41,439 Speaker 1: wherein you guys are heavily involved in not just suggesting episodes, 374 00:20:41,480 --> 00:20:44,720 Speaker 1: but voting them up and down, perhaps lobbying each other 375 00:20:44,720 --> 00:20:47,040 Speaker 1: to vote for the subjects that you want, and getting 376 00:20:47,080 --> 00:20:49,560 Speaker 1: to some sort of consensus to help us choose our 377 00:20:49,600 --> 00:20:54,240 Speaker 1: programming slate. More on this, Like I said later, All right, guys, 378 00:20:54,240 --> 00:20:56,199 Speaker 1: we talked about this last week, we talked about it 379 00:20:56,240 --> 00:20:58,200 Speaker 1: on social I'm talking about it again right now. You 380 00:20:58,200 --> 00:21:01,080 Speaker 1: guys can win a personalized discrace slants story. Did you 381 00:21:01,119 --> 00:21:04,920 Speaker 1: know that a five minute episode produced by us, voiced 382 00:21:04,920 --> 00:21:08,119 Speaker 1: by me, just for you on whatever kind of music 383 00:21:08,160 --> 00:21:10,760 Speaker 1: misadventure or really anything. It doesn't have to be just 384 00:21:10,800 --> 00:21:13,080 Speaker 1: you getting arrested at Metallica or trying to sneak in 385 00:21:13,119 --> 00:21:15,240 Speaker 1: to see jay Z or whatever the hell it is 386 00:21:15,280 --> 00:21:17,159 Speaker 1: you got up to in the past. But it can 387 00:21:17,200 --> 00:21:19,919 Speaker 1: be anything. It can be a story of you proposing 388 00:21:19,920 --> 00:21:22,320 Speaker 1: to your wife. It can be a story of I 389 00:21:22,359 --> 00:21:24,520 Speaker 1: don't know that time you accomplished that thing that you 390 00:21:24,560 --> 00:21:26,760 Speaker 1: were really trying to do. Maybe you got into law school, 391 00:21:26,760 --> 00:21:28,959 Speaker 1: maybe you got kicked out of law school. Whatever it is, 392 00:21:29,560 --> 00:21:31,800 Speaker 1: we want to produce a five minute episode about it 393 00:21:31,880 --> 00:21:34,440 Speaker 1: for you. And look, if you don't have any stories, 394 00:21:34,680 --> 00:21:36,600 Speaker 1: you can get this about. You can give this to somebody. 395 00:21:36,600 --> 00:21:38,840 Speaker 1: You can make it about someone else. Okay, go to 396 00:21:38,920 --> 00:21:43,240 Speaker 1: disgracelandcontest dot com and enter your information to win. You're 397 00:21:43,240 --> 00:21:47,199 Speaker 1: gonna unlock prizes just by entering. Okay, you're automatically going 398 00:21:47,280 --> 00:21:49,679 Speaker 1: to get a commemorative one hundredth episode poster, but you 399 00:21:49,680 --> 00:21:52,520 Speaker 1: can download for yourself. This is great art with Avispivik. 400 00:21:52,800 --> 00:21:55,720 Speaker 1: All his great illustrations that are the episode are for 401 00:21:55,760 --> 00:21:58,280 Speaker 1: every episode, They're all on this poster. It looks sick. 402 00:21:58,880 --> 00:22:01,000 Speaker 1: Three runners up are going to get a custom voicemail 403 00:22:01,040 --> 00:22:03,359 Speaker 1: greeting from me. So you know, you know, your mom's 404 00:22:03,400 --> 00:22:05,359 Speaker 1: gonna call and it's gonna be like, hey, you've reached 405 00:22:05,359 --> 00:22:07,040 Speaker 1: blah blah blah blah, and I'm not here mom to 406 00:22:07,080 --> 00:22:09,800 Speaker 1: take your call, but leave a message and uh yeah, yeah, YadA, YadA, YadA, 407 00:22:09,800 --> 00:22:12,320 Speaker 1: et cetera. All right, and then you can earn points 408 00:22:12,440 --> 00:22:14,720 Speaker 1: and access. There's gonna be a group zoom that I'm 409 00:22:14,720 --> 00:22:17,040 Speaker 1: gonna do all this stuff. You're gonna get this top 410 00:22:17,080 --> 00:22:20,159 Speaker 1: ten list for me of my favorite music books, my 411 00:22:20,240 --> 00:22:23,520 Speaker 1: favorite music documentaries. You get this stuff just by entering, 412 00:22:23,600 --> 00:22:26,560 Speaker 1: all right, Go to disgracelandcontest dot com. Enter to win 413 00:22:26,600 --> 00:22:29,879 Speaker 1: your own personalized story produced by Double Evis and voiced 414 00:22:30,000 --> 00:22:36,000 Speaker 1: by me. Now over on Instagram at Disgraceland Pod. Are 415 00:22:36,040 --> 00:22:37,840 Speaker 1: you guys following us over there? You must be? 416 00:22:38,080 --> 00:22:38,560 Speaker 2: You must? 417 00:22:38,680 --> 00:22:40,840 Speaker 1: If you're not, you must? How many of you are 418 00:22:40,880 --> 00:22:43,159 Speaker 1: new here to this podcast right now because you recently 419 00:22:43,200 --> 00:22:47,040 Speaker 1: found us on Instagram at disgrace lamdpod. I know some 420 00:22:47,080 --> 00:22:49,560 Speaker 1: of you are, Okay, I know a lot of you 421 00:22:49,640 --> 00:22:54,000 Speaker 1: are because we've doubled our followers on Instagram in six weeks, doubled, 422 00:22:54,480 --> 00:22:56,640 Speaker 1: and the reason is because we've been releasing these little 423 00:22:56,680 --> 00:22:59,280 Speaker 1: micro videos over there, sixty to ninety second videos on 424 00:22:59,320 --> 00:23:02,560 Speaker 1: the biggest what I call the biggest holy shit moments 425 00:23:02,600 --> 00:23:05,919 Speaker 1: from our podcast episodes. But you know, it's videos, So 426 00:23:05,920 --> 00:23:08,920 Speaker 1: there's pictures in video footage, and you know my pompadoor 427 00:23:09,040 --> 00:23:11,399 Speaker 1: all this stuff, David Bowie and the Dead Body, Iggy 428 00:23:11,440 --> 00:23:13,680 Speaker 1: Pop using Morse code to source the beat for Lust 429 00:23:13,680 --> 00:23:16,679 Speaker 1: for Life, the clash, hanging out with de Niro and Scorsese, 430 00:23:16,800 --> 00:23:20,040 Speaker 1: how the Traveling Wilbury's came together. So we're doing these videos. 431 00:23:20,520 --> 00:23:22,600 Speaker 1: You guys have been sharing the shit out of them, 432 00:23:22,640 --> 00:23:25,159 Speaker 1: So thank you, Okay, that is the point. Thank you. 433 00:23:25,440 --> 00:23:29,320 Speaker 1: I am grateful. One video has already has a million views, 434 00:23:29,320 --> 00:23:31,720 Speaker 1: which is nuts, and there are others that are fast 435 00:23:31,760 --> 00:23:33,600 Speaker 1: approaching that mark. And it's all because you guys have 436 00:23:33,600 --> 00:23:35,600 Speaker 1: been spreading the word and sharing these stories. And I 437 00:23:35,640 --> 00:23:37,400 Speaker 1: just want you to know how incredibly grateful I am. 438 00:23:37,440 --> 00:23:40,199 Speaker 1: So thanks. If you're not following us on Instagram, though, 439 00:23:40,240 --> 00:23:42,760 Speaker 1: you are missing out on some killer content, head over 440 00:23:42,800 --> 00:23:46,080 Speaker 1: there at disgrace lampod give us a follow, also at 441 00:23:46,119 --> 00:23:49,679 Speaker 1: Disgrace lampod on TikTok on x, and we've got a 442 00:23:49,720 --> 00:23:52,240 Speaker 1: YouTube channel as well that you can search and find 443 00:23:52,320 --> 00:23:54,920 Speaker 1: on YouTube, and we're gonna be building out those channels 444 00:23:54,920 --> 00:23:58,600 Speaker 1: with more regularity and more awesome content, different content, not 445 00:23:58,800 --> 00:24:01,199 Speaker 1: just the same content you'll get on Instagram or in 446 00:24:01,240 --> 00:24:04,119 Speaker 1: the podcast feed. All right, So make sure you're following 447 00:24:04,200 --> 00:24:07,600 Speaker 1: at Disgrace Lampod everywhere. Right now, let's do some call, 448 00:24:07,720 --> 00:24:11,840 Speaker 1: some texts, some emails. Disgrace Lampod at gmail dot com. 449 00:24:12,080 --> 00:24:13,880 Speaker 1: You can email me six one seven nine oh six 450 00:24:13,960 --> 00:24:15,639 Speaker 1: six sixty three eight to send me a text or 451 00:24:15,720 --> 00:24:18,399 Speaker 1: leave me a voicemail, just like this listener from the 452 00:24:18,440 --> 00:24:19,440 Speaker 1: eight four to seven. 453 00:24:20,000 --> 00:24:23,760 Speaker 4: Hey Jake, I'd love to hear an episode on Stuart Adamson, 454 00:24:23,880 --> 00:24:28,000 Speaker 4: former guitarist and songwriter for The Skids and lead singer 455 00:24:28,119 --> 00:24:30,360 Speaker 4: and leader of the band Big Country. 456 00:24:30,640 --> 00:24:32,359 Speaker 2: Love what you do. Keep up the good work. 457 00:24:32,640 --> 00:24:35,320 Speaker 1: Thanks man, fine, I gotta tell you man, thanks for 458 00:24:35,359 --> 00:24:37,040 Speaker 1: the call, but I gotta tell you a Big Country. 459 00:24:37,560 --> 00:24:41,240 Speaker 1: I love that single in a Big Country by Big Country, 460 00:24:41,280 --> 00:24:44,240 Speaker 1: and I don't know squat about that band, so I 461 00:24:44,320 --> 00:24:47,320 Speaker 1: am interested. Thank you for the suggestion. I'm going to 462 00:24:47,359 --> 00:24:50,240 Speaker 1: look into it. We shall see. Let's check out this 463 00:24:50,400 --> 00:24:52,560 Speaker 1: voicemail from the nine to seven three. 464 00:24:53,000 --> 00:24:58,240 Speaker 2: Hey Jake, Jerry from the ninety seven three How you doing. 465 00:24:58,760 --> 00:25:01,560 Speaker 2: I just wanted to talk about out that anti Boardain episode. 466 00:25:01,920 --> 00:25:03,320 Speaker 3: I just heard it. 467 00:25:03,320 --> 00:25:07,040 Speaker 2: It was awesome home run. You you really knocked out 468 00:25:07,080 --> 00:25:08,000 Speaker 2: of the park with that one. 469 00:25:08,400 --> 00:25:11,520 Speaker 3: I can really relate to Anthony Bourdain because we're both 470 00:25:11,560 --> 00:25:15,040 Speaker 3: the same age, we both grew up in Jersey, both 471 00:25:15,080 --> 00:25:17,879 Speaker 3: had the same you know, sense of humor and stuff 472 00:25:17,880 --> 00:25:20,359 Speaker 3: like that. Used to love his shows, read all his books, 473 00:25:20,880 --> 00:25:24,000 Speaker 3: and was really devastated when he killed himself. 474 00:25:25,400 --> 00:25:27,760 Speaker 2: We've all been down that road one way or another. 475 00:25:27,560 --> 00:25:30,520 Speaker 3: Maybe not that far, especially in relationships, and I can 476 00:25:30,560 --> 00:25:31,119 Speaker 3: relate to that. 477 00:25:31,280 --> 00:25:34,080 Speaker 2: So I never went that far. But anyway, good job, 478 00:25:34,280 --> 00:25:36,600 Speaker 2: kudos and keep up the good works. Look forward to 479 00:25:36,640 --> 00:25:37,280 Speaker 2: the next one. 480 00:25:37,800 --> 00:25:40,159 Speaker 1: Jerry, thanks to the call. Thanks for the awesome message. 481 00:25:40,160 --> 00:25:44,680 Speaker 1: I appreciate it. Nine to seven three, Jerry in New Jersey. Yeah, guys, 482 00:25:44,680 --> 00:25:46,959 Speaker 1: if you have not heard the Anthony Bourdaine episode, it 483 00:25:47,000 --> 00:25:49,040 Speaker 1: is there. It is ready for you. Give me a call, 484 00:25:49,080 --> 00:25:50,600 Speaker 1: like Jerry in the nine seven three, let me know 485 00:25:50,640 --> 00:25:54,800 Speaker 1: what you thought. You can also text us six one 486 00:25:54,880 --> 00:25:59,680 Speaker 1: seven nine six six six three eight three oh two. 487 00:25:59,760 --> 00:26:03,600 Speaker 1: Rights And I've listened to all Disgraceland and all the 488 00:26:03,640 --> 00:26:06,600 Speaker 1: Badlands episodes, and I've never heard you speak with more 489 00:26:06,680 --> 00:26:09,960 Speaker 1: love and energy than the Anthony Bourdaine episode. That's from 490 00:26:09,960 --> 00:26:12,399 Speaker 1: the three O two Thank You three oh two. I 491 00:26:12,440 --> 00:26:14,560 Speaker 1: appreciate that. The two o three Rights and Hey Jake, 492 00:26:14,600 --> 00:26:16,480 Speaker 1: this is Melissa from the two o three Thank you 493 00:26:16,480 --> 00:26:19,679 Speaker 1: for the rewind episode on run DMC. I loved listening 494 00:26:19,680 --> 00:26:21,080 Speaker 1: to it again. And here's a photo of me and 495 00:26:21,200 --> 00:26:23,480 Speaker 1: Darryl McDaniels, who's doing a signing at one of the 496 00:26:23,480 --> 00:26:25,960 Speaker 1: malls near me. He was really nice. Rock a Roller 497 00:26:26,000 --> 00:26:27,800 Speaker 1: that's from the two o three two oh three I've 498 00:26:27,800 --> 00:26:31,119 Speaker 1: had the I've had the pleasure of meeting Daryl once before, 499 00:26:31,240 --> 00:26:34,080 Speaker 1: not really meeting him. I was standing side stage and uh, 500 00:26:34,320 --> 00:26:36,320 Speaker 1: he just walked in, gave me a fist pump, jumped 501 00:26:36,359 --> 00:26:40,359 Speaker 1: on stage, and proceeded to kick ass. It was very fun. 502 00:26:40,600 --> 00:26:43,320 Speaker 1: Five point eight rights and hey Jake, loved the Boordine episode. 503 00:26:43,359 --> 00:26:46,400 Speaker 1: Met him once after one of his speaking gigs in Kingston, 504 00:26:46,440 --> 00:26:48,760 Speaker 1: New York. He was very gracious. Also for your top 505 00:26:48,800 --> 00:26:51,080 Speaker 1: ten books and docs. I think you missed out on 506 00:26:51,200 --> 00:26:53,240 Speaker 1: cash and the kids are all right. I might also 507 00:26:53,320 --> 00:26:55,280 Speaker 1: throw the Filth and the Fury in there. Too, still 508 00:26:55,320 --> 00:26:58,040 Speaker 1: great LISTA. Yeah, you're right, I did miss out. I've 509 00:26:58,080 --> 00:27:03,080 Speaker 1: read all those and they're incredible. He's only ten. It's hard. 510 00:27:03,119 --> 00:27:05,239 Speaker 1: It's hard to come up with the top ten. That's 511 00:27:05,280 --> 00:27:08,280 Speaker 1: why they're so compelling. All right, six one seven nine 512 00:27:08,280 --> 00:27:10,720 Speaker 1: oh six six six three eight voicemail and text. Hit 513 00:27:10,760 --> 00:27:12,840 Speaker 1: me up, guys on whatever you want to talk about. 514 00:27:12,880 --> 00:27:16,160 Speaker 1: I'm here for it. You can also email me Disgrace 515 00:27:16,240 --> 00:27:19,520 Speaker 1: lampod at gmail dot com to send us an email, 516 00:27:19,680 --> 00:27:24,960 Speaker 1: just like Jason hass here subject Boordain episode another great 517 00:27:25,000 --> 00:27:27,720 Speaker 1: story told message, Dear Jake and company. I just finished 518 00:27:27,720 --> 00:27:30,480 Speaker 1: listening to the newest Disgraceland about Anthony BOURDAINA when word 519 00:27:30,520 --> 00:27:32,280 Speaker 1: came out that Bordain had taken his own life. I 520 00:27:32,280 --> 00:27:34,800 Speaker 1: felt a little heartbroken and some real grief for this guy, 521 00:27:35,200 --> 00:27:37,800 Speaker 1: this perfect stranger who seems to be an embodiment of 522 00:27:37,840 --> 00:27:42,600 Speaker 1: many excellent qualities that you mentioned, empathy, connection, understanding. Even today, 523 00:27:42,800 --> 00:27:44,760 Speaker 1: when I find TV shows that have him making a 524 00:27:44,800 --> 00:27:47,040 Speaker 1: guest appearance, I feel a little stabbed in my heart, 525 00:27:47,320 --> 00:27:50,359 Speaker 1: and I'm grateful to see him still alive. I've always 526 00:27:50,359 --> 00:27:52,400 Speaker 1: had a little obsession with him, I guess, and how 527 00:27:52,400 --> 00:27:54,159 Speaker 1: it felt to lose this person whom I thought of 528 00:27:54,200 --> 00:27:56,520 Speaker 1: as a great anti hero role model. I think this 529 00:27:56,600 --> 00:27:59,280 Speaker 1: episode has helped me fill in some holes in Boordain's story. 530 00:27:59,440 --> 00:28:01,960 Speaker 1: I thought you trade him in very realistic tones, laden 531 00:28:01,960 --> 00:28:05,080 Speaker 1: with your signature effects and style of dark humor, grit, grime, 532 00:28:05,400 --> 00:28:08,080 Speaker 1: facing ugly truth, also pointing out the human side of 533 00:28:08,119 --> 00:28:10,720 Speaker 1: your subjects. It was a fitting tribute to our long 534 00:28:11,080 --> 00:28:14,359 Speaker 1: lost anti hero Anthony Bourdain. I am grateful for that. 535 00:28:14,680 --> 00:28:18,000 Speaker 1: Thanks very much, Jason and Milwaukee, Jason, thanks to the message. 536 00:28:18,080 --> 00:28:20,040 Speaker 1: That's you know, it makes me happy because that's what 537 00:28:20,080 --> 00:28:22,359 Speaker 1: I try to do. I try to give a complete picture, 538 00:28:22,600 --> 00:28:26,080 Speaker 1: or at least a holistic picture, if not complete. And 539 00:28:27,400 --> 00:28:29,320 Speaker 1: you know, I don't know if I'm directly inspired by 540 00:28:29,320 --> 00:28:31,919 Speaker 1: Anthony Bourdain, but I strive for empathy as well in 541 00:28:31,960 --> 00:28:35,480 Speaker 1: my own way and happy to hear that that came across. 542 00:28:35,520 --> 00:28:38,560 Speaker 1: So thank you, guys. Disgrace Sampod at gmail dot com. 543 00:28:38,600 --> 00:28:40,160 Speaker 1: Send me an email on anything you want to talk about. 544 00:28:40,160 --> 00:28:56,480 Speaker 1: I'm gona take a quick break, be back in a flash, 545 00:28:56,760 --> 00:28:59,880 Speaker 1: all right, welcome back again. Six one seven nine six 546 00:29:00,120 --> 00:29:02,240 Speaker 1: six six three eight. Send me a voicemail, lead me 547 00:29:02,280 --> 00:29:05,320 Speaker 1: a text, Hit me up Disgrace lamppod at gmail dot 548 00:29:05,360 --> 00:29:08,680 Speaker 1: com on email and at Disgrace lampod on Instagram, Twitter, 549 00:29:08,800 --> 00:29:12,120 Speaker 1: Facebook as well excuse me x Facebook, and you can 550 00:29:12,200 --> 00:29:15,680 Speaker 1: also follow along on YouTube. Let's recap, shall we right now? 551 00:29:15,760 --> 00:29:17,280 Speaker 1: Number one? Right now in your feed, a brand new 552 00:29:17,280 --> 00:29:19,920 Speaker 1: episode on Anthony Bourdaine number two coming tomorrow. Rewind episode 553 00:29:19,960 --> 00:29:21,760 Speaker 1: on led Zeppe number three. Over in the bad Lands feed, 554 00:29:21,760 --> 00:29:23,600 Speaker 1: we get an episode from the archive on the Poltergeist 555 00:29:23,640 --> 00:29:26,120 Speaker 1: Curse number four. Next week in the Disgrace Land Feed, 556 00:29:26,160 --> 00:29:29,440 Speaker 1: a brand new episode on Andy Warhol number five. My 557 00:29:29,600 --> 00:29:31,840 Speaker 1: number is six one seven nine oh six sixty six 558 00:29:31,920 --> 00:29:33,680 Speaker 1: three eight. You can call me on the telephone or 559 00:29:33,720 --> 00:29:36,080 Speaker 1: you can text me number six. No one cares about 560 00:29:36,080 --> 00:29:38,040 Speaker 1: the music you love more than you do, and well 561 00:29:38,160 --> 00:29:40,920 Speaker 1: that's a disgrace. And now my moment of listen, honor 562 00:29:40,960 --> 00:29:43,160 Speaker 1: this week's episode me reading you. The Billboard Hot one 563 00:29:43,240 --> 00:29:45,280 Speaker 1: hundred from the week of May twentieth, two thousand, the 564 00:29:45,320 --> 00:29:48,600 Speaker 1: same week that Anthony Bourdain released his instant classic nonfiction 565 00:29:48,680 --> 00:29:56,320 Speaker 1: book Kitchen Confidential number one Maria Maria Santana featuring the 566 00:29:56,360 --> 00:30:02,600 Speaker 1: product GMB last week one peak position one weeks on 567 00:30:02,720 --> 00:30:09,560 Speaker 1: chart fifteen, number two Breathe Faith Hill last week three 568 00:30:09,880 --> 00:30:15,720 Speaker 1: peak position two weeks on chart twenty nine, number three 569 00:30:15,720 --> 00:30:22,520 Speaker 1: Thong Song Cisco last week four, peak position three weeks 570 00:30:22,520 --> 00:30:26,920 Speaker 1: on chart, seventeen weeks on number four He Wasn't Man 571 00:30:26,920 --> 00:30:30,600 Speaker 1: in Number Tony Braxton rising Faith last last week two 572 00:30:31,160 --> 00:30:34,760 Speaker 1: peak positions is Peak peaks on chart weeks on ten 573 00:30:35,160 --> 00:30:40,720 Speaker 1: twenty nine, number five, number three Strained last week last 574 00:30:40,720 --> 00:30:46,440 Speaker 1: week six peak positions five weeks on chart fifteen show 575 00:30:46,880 --> 00:30:53,640 Speaker 1: number six number Wit Talking and Start Mixing