WEBVTT - The HBO Story: Part Two

0:00:03.400 --> 0:00:06.440
<v Speaker 1>Get in touch with technology with tech Stuff from how

0:00:06.480 --> 0:00:13.440
<v Speaker 1>Stuff Works dot com. Say that everyone, and welcome to

0:00:13.520 --> 0:00:17.000
<v Speaker 1>tex Stuff. I'm Jovin Strickland and I and we are

0:00:17.079 --> 0:00:20.840
<v Speaker 1>continuing our epic adventure into the story of HBO. This

0:00:20.920 --> 0:00:23.520
<v Speaker 1>is part two. If you haven't listened to part one,

0:00:23.600 --> 0:00:25.840
<v Speaker 1>I highly recommend you do that because otherwise you're just

0:00:25.840 --> 0:00:28.360
<v Speaker 1>gonna be totally lost. And because it's probably you've never

0:00:28.360 --> 0:00:30.200
<v Speaker 1>heard of HBO before. No, but no, but we've covered

0:00:30.240 --> 0:00:33.080
<v Speaker 1>a lot of really is interesting territory. And we've only

0:00:33.120 --> 0:00:36.160
<v Speaker 1>been with the company for eight years since its inceptions.

0:00:36.159 --> 0:00:38.280
<v Speaker 1>That is how much material we had. We just moved

0:00:38.320 --> 0:00:41.760
<v Speaker 1>up to nineteen eighty and HBO launched in nineteen seventy two.

0:00:41.800 --> 0:00:45.120
<v Speaker 1>That just tells you how dense the history of this

0:00:45.320 --> 0:00:49.559
<v Speaker 1>cable station has been. And you know, the reason why

0:00:49.600 --> 0:00:52.080
<v Speaker 1>we're taking so much time. You might think all that

0:00:52.240 --> 0:00:54.600
<v Speaker 1>is that just filler. No, the reason we're taking so

0:00:54.680 --> 0:00:58.480
<v Speaker 1>much time is because HBO as an entity, has heavily

0:00:58.560 --> 0:01:03.200
<v Speaker 1>influenced what cable television is and what entertainment delivery services

0:01:03.240 --> 0:01:06.360
<v Speaker 1>are in general. If it hadn't been for HBO, our

0:01:06.440 --> 0:01:11.160
<v Speaker 1>landscape would be dramatically different today. So that's why we're

0:01:11.160 --> 0:01:14.280
<v Speaker 1>doing it. In fact, think about it. Without HBO, you

0:01:14.319 --> 0:01:19.520
<v Speaker 1>don't have cable companies, cable system operators pushing cable copper

0:01:19.600 --> 0:01:23.280
<v Speaker 1>cable into cities anywhere near as quickly. Right, you might

0:01:23.360 --> 0:01:25.120
<v Speaker 1>not have ever seen it happen, or it might have

0:01:25.160 --> 0:01:27.920
<v Speaker 1>taken a decade longer, which means you would not even

0:01:27.959 --> 0:01:31.600
<v Speaker 1>have the infrastructure that the Internet relies on today. For

0:01:31.800 --> 0:01:35.600
<v Speaker 1>high speed Internet, we'd be using telephone lines. Still. Yeah,

0:01:35.680 --> 0:01:39.120
<v Speaker 1>you might furthermore not have had people adopt as quickly

0:01:39.160 --> 0:01:44.520
<v Speaker 1>the idea of using satellites to beam information, uh television

0:01:44.520 --> 0:01:50.040
<v Speaker 1>information out to many spread networks exactly. So, like we said,

0:01:50.160 --> 0:01:53.280
<v Speaker 1>landscape very different without HBO. Whether you love it or

0:01:53.320 --> 0:01:56.600
<v Speaker 1>hate it, it's a large part of why the world

0:01:56.920 --> 0:01:59.720
<v Speaker 1>is as far as the cable world and entertainment worlds,

0:01:59.720 --> 0:02:02.560
<v Speaker 1>why things are the way they are so so um.

0:02:02.600 --> 0:02:07.080
<v Speaker 1>A little tiny bit of backstory, very tiny. HBO owned

0:02:07.120 --> 0:02:11.679
<v Speaker 1>by Time, Yes, Time Incorporated, not not Time, the the

0:02:11.720 --> 0:02:15.600
<v Speaker 1>physical entity like the actual not Father Time, not the

0:02:15.600 --> 0:02:21.480
<v Speaker 1>progression of changes throughout, not the fourth dimension. Time Incorporated,

0:02:21.520 --> 0:02:24.600
<v Speaker 1>the company that owned Time magazine or still does Time Magazine,

0:02:24.600 --> 0:02:28.840
<v Speaker 1>Fortune Magazine, Sports Illustrated etcetera, etcetera. Correct, So in Time

0:02:28.960 --> 0:02:32.640
<v Speaker 1>launched a second pay TV channel called Cinemax, primarily as

0:02:32.639 --> 0:02:37.680
<v Speaker 1>a competitor to the less expensive Showtime. Yes, so there

0:02:37.680 --> 0:02:39.919
<v Speaker 1>were a couple of different ways to compete against Showtime.

0:02:39.960 --> 0:02:42.800
<v Speaker 1>One was, let's try and grab as much exclusive content

0:02:42.840 --> 0:02:45.760
<v Speaker 1>as we possibly can that Showtime can't have, and thus

0:02:45.760 --> 0:02:48.240
<v Speaker 1>people will say, hey, we want HBO because they have

0:02:48.400 --> 0:02:52.800
<v Speaker 1>these movies and Showtime doesn't. However, that's really expensive. Another

0:02:52.840 --> 0:02:56.400
<v Speaker 1>approach was to create a second page television network, Cinemax,

0:02:56.760 --> 0:02:59.400
<v Speaker 1>and to run a lot of the same programming that

0:02:59.560 --> 0:03:03.600
<v Speaker 1>HBO itself already had, and maybe concentrate on some genres

0:03:03.639 --> 0:03:09.080
<v Speaker 1>that didn't necessarily fit into HBO's corporate appearances, like they're there,

0:03:08.800 --> 0:03:12.080
<v Speaker 1>their their culture, and furthermore, that happened to be a

0:03:12.120 --> 0:03:15.040
<v Speaker 1>lot less expensive to purchase. Like I like cult films

0:03:15.120 --> 0:03:18.280
<v Speaker 1>and kind of obscure noir stuff. One of my favorite

0:03:18.280 --> 0:03:21.440
<v Speaker 1>cult films of all time I first saw on Cinemax.

0:03:21.520 --> 0:03:23.680
<v Speaker 1>I had heard about it, but I've never seen it.

0:03:24.040 --> 0:03:27.919
<v Speaker 1>And that film, of course, is the brilliant movie Shock Treatment.

0:03:28.400 --> 0:03:31.400
<v Speaker 1>The not a sequel, not a prequel, but an equal

0:03:31.560 --> 0:03:34.000
<v Speaker 1>to the Rocky Horror Picture Show and that's how I

0:03:34.040 --> 0:03:36.440
<v Speaker 1>saw it the first time I ever experienced it. It

0:03:36.480 --> 0:03:39.640
<v Speaker 1>was shown on Cinemax because it fit into that realm

0:03:39.760 --> 0:03:42.560
<v Speaker 1>of the Cinemax movie where it were there were some

0:03:42.640 --> 0:03:45.400
<v Speaker 1>of these kind of cult, classic, schlocky, sort of cheap

0:03:45.480 --> 0:03:49.680
<v Speaker 1>movies to license, but they still had their audience. So

0:03:50.600 --> 0:03:55.440
<v Speaker 1>this approach did not come without criticism, specifically from Viacom,

0:03:55.480 --> 0:03:58.440
<v Speaker 1>which was the parent company of Showtime. They said that

0:03:58.480 --> 0:04:01.400
<v Speaker 1>Cinemax was being offered at low cost. In other words,

0:04:01.680 --> 0:04:04.640
<v Speaker 1>HBO was suffering a loss to run Cinemax just so

0:04:04.680 --> 0:04:09.160
<v Speaker 1>that they could undercut Showtime. Uh now, if you remember

0:04:09.720 --> 0:04:12.640
<v Speaker 1>Showtime kind of if Viacom also did this thing in

0:04:12.640 --> 0:04:14.840
<v Speaker 1>the last episode we talked about, where it showed Viacomm

0:04:14.920 --> 0:04:19.800
<v Speaker 1>ended up buying aggressively undercut HBO. They essentially muscled HBO

0:04:19.920 --> 0:04:23.599
<v Speaker 1>out of entire markets because they made this exclusive agreement

0:04:23.640 --> 0:04:26.680
<v Speaker 1>with the largest cable provider in the United States at

0:04:26.680 --> 0:04:29.160
<v Speaker 1>that time. So there's a little bit of a war

0:04:29.320 --> 0:04:32.280
<v Speaker 1>going on. Yeah, a little bit of a oh yeah,

0:04:32.560 --> 0:04:35.280
<v Speaker 1>so yeah, that's that's kind of the technical term. But Cinemax,

0:04:35.480 --> 0:04:38.640
<v Speaker 1>you know, starts doing pretty well. And also in nineteen eight,

0:04:38.880 --> 0:04:41.800
<v Speaker 1>HBO has an affiliate in every single state in the

0:04:41.920 --> 0:04:44.520
<v Speaker 1>United States. Now, if you listen to our last episode,

0:04:44.520 --> 0:04:46.919
<v Speaker 1>you realize that's a big deal. This is the first

0:04:46.960 --> 0:04:49.280
<v Speaker 1>time that any channel has been able to do that,

0:04:49.600 --> 0:04:53.080
<v Speaker 1>and it is because they're using this satellite delivery system

0:04:53.080 --> 0:04:56.320
<v Speaker 1>where the various cable operators across the United States have

0:04:56.520 --> 0:04:59.800
<v Speaker 1>the receiver dishes that bring in the signal and then

0:04:59.839 --> 0:05:02.360
<v Speaker 1>they can distribute it to their customers. So now there's

0:05:02.360 --> 0:05:05.200
<v Speaker 1>an affiliate in every state. Remember it started off justin

0:05:05.279 --> 0:05:09.080
<v Speaker 1>Wilkes Barre, Pennsylvania. Then it's spread through most of Pennsylvania,

0:05:09.160 --> 0:05:11.599
<v Speaker 1>then to New York, and then finally started to creep

0:05:11.600 --> 0:05:14.240
<v Speaker 1>out into the rest of the United States. So big

0:05:14.279 --> 0:05:17.200
<v Speaker 1>moment for HBO. All of this is allowing them to

0:05:17.240 --> 0:05:20.560
<v Speaker 1>have a pretty incredible profit considering that they only hit

0:05:20.600 --> 0:05:25.040
<v Speaker 1>profitability a year or two previously. Um they their profits

0:05:25.080 --> 0:05:30.560
<v Speaker 1>have grown from which again understandable because now they're they're

0:05:30.600 --> 0:05:34.599
<v Speaker 1>available in way more markets. So the company is experiencing

0:05:34.720 --> 0:05:38.159
<v Speaker 1>astronomical growth at this point because because once the cable

0:05:38.200 --> 0:05:41.960
<v Speaker 1>operators decide yes, we will carry HBO, that gives HBO

0:05:42.080 --> 0:05:45.640
<v Speaker 1>the chance to target new customer bases that they had

0:05:45.680 --> 0:05:48.640
<v Speaker 1>no access to before. Oh sure, um and there as

0:05:48.680 --> 0:05:52.400
<v Speaker 1>a result able to offer their employees some pretty ridiculous benefits.

0:05:52.640 --> 0:05:54.920
<v Speaker 1>Um It. Kind of the stories that I've read about

0:05:54.920 --> 0:05:56.920
<v Speaker 1>it at the time remind me a little bit of

0:05:57.000 --> 0:06:00.280
<v Speaker 1>what happened after the Facebook boom um and and just

0:06:00.360 --> 0:06:05.560
<v Speaker 1>that that tiny, free, freewheeling startup culture that turned into

0:06:05.920 --> 0:06:10.359
<v Speaker 1>this very large, very freewheeling startup culture. It reminds me

0:06:10.400 --> 0:06:14.400
<v Speaker 1>a lot of what Google attempts to continue to push

0:06:14.480 --> 0:06:17.120
<v Speaker 1>at the Google Plex. And of course, anyone who's worked

0:06:17.120 --> 0:06:19.880
<v Speaker 1>in one of the satellite offices of Google probably is

0:06:19.960 --> 0:06:22.640
<v Speaker 1>very familiar with what things what what's available at the

0:06:22.640 --> 0:06:25.440
<v Speaker 1>Google Plex versus what's available in some of those satellite offices.

0:06:26.600 --> 0:06:30.720
<v Speaker 1>So there was also some tension between say HBO and

0:06:30.800 --> 0:06:33.720
<v Speaker 1>the folks over at time. Keep in mind that at

0:06:33.720 --> 0:06:36.400
<v Speaker 1>this point they're still all working in the same building.

0:06:36.520 --> 0:06:39.760
<v Speaker 1>They're working in Time Incorporate its headquarters, and so you

0:06:39.839 --> 0:06:44.320
<v Speaker 1>had sort of these freewheeling young guys who are running HBO,

0:06:44.440 --> 0:06:47.000
<v Speaker 1>who are having parties all the time. They said that

0:06:47.160 --> 0:06:50.760
<v Speaker 1>essentially the the motto at HBO is work, work, work, party, party, party,

0:06:50.920 --> 0:06:54.240
<v Speaker 1>and uh and so you know, any excuse to get

0:06:54.320 --> 0:06:56.840
<v Speaker 1>together and have a big dinner and you know, they're

0:06:56.839 --> 0:06:59.520
<v Speaker 1>still getting stuff done. But they also took a lot

0:06:59.520 --> 0:07:03.000
<v Speaker 1>of time and develop this camaraderie. There's still some tension

0:07:03.080 --> 0:07:07.080
<v Speaker 1>actually within the company itself because a very different culture

0:07:07.240 --> 0:07:11.680
<v Speaker 1>existed between Time and Coorporated employees and HBO. Now in

0:07:12.480 --> 0:07:15.160
<v Speaker 1>one Showtime makes a big move, which you could argue

0:07:15.160 --> 0:07:18.640
<v Speaker 1>at the time was mostly posturing. Uh. They decided to

0:07:18.720 --> 0:07:22.320
<v Speaker 1>go to a full twenty four hour schedule, right because

0:07:22.560 --> 0:07:24.960
<v Speaker 1>if you remember from our last episode again, at the time,

0:07:25.040 --> 0:07:27.320
<v Speaker 1>these cable stations would sign off at a certain point

0:07:27.360 --> 0:07:30.640
<v Speaker 1>every night. Yeah, like after midnight they'd say, all right, time,

0:07:30.720 --> 0:07:32.200
<v Speaker 1>time to go to bed, because we don't have anything

0:07:32.200 --> 0:07:34.640
<v Speaker 1>else we can show you. So Showtime goes to twenty

0:07:34.640 --> 0:07:38.160
<v Speaker 1>four hours, not necessarily being able to support that with

0:07:38.360 --> 0:07:42.480
<v Speaker 1>enough content so that they're not incredibly repetitive. But HBO,

0:07:42.560 --> 0:07:45.440
<v Speaker 1>not to be outdone, follow suit. So later on in

0:07:45.520 --> 0:07:49.400
<v Speaker 1>N one, they also become twenty four hour uh. And

0:07:49.480 --> 0:07:51.480
<v Speaker 1>so you with anytime you wanted to turn on HBO

0:07:51.600 --> 0:07:53.080
<v Speaker 1>it was three in the morning, you can turn on

0:07:53.200 --> 0:07:57.600
<v Speaker 1>HBO and something would be playing. Uh. And then they

0:07:57.720 --> 0:08:00.520
<v Speaker 1>end up also hitting the big time on of those

0:08:00.600 --> 0:08:02.760
<v Speaker 1>pre buy movies we talked about. Now, this is where

0:08:02.880 --> 0:08:05.960
<v Speaker 1>HBO puts in money in the pre production phase for

0:08:06.360 --> 0:08:09.520
<v Speaker 1>a movie and in return, they get exclusive rights to

0:08:09.680 --> 0:08:12.360
<v Speaker 1>show that movie on HBO for a certain length of time.

0:08:13.040 --> 0:08:16.320
<v Speaker 1>And in this case, they hit the jackpot. Now, it's

0:08:16.320 --> 0:08:18.880
<v Speaker 1>not a movie that I think a lot of people

0:08:19.000 --> 0:08:21.800
<v Speaker 1>are going to be rip roar and excited about, but

0:08:21.920 --> 0:08:26.160
<v Speaker 1>it was a critically acclaimed success. It was on Golden Pond. Yeah,

0:08:26.240 --> 0:08:30.680
<v Speaker 1>it won multiple Academy Awards yep. So this exclusivity was

0:08:30.720 --> 0:08:33.320
<v Speaker 1>a big deal. It was a movie that people had

0:08:33.360 --> 0:08:35.840
<v Speaker 1>heard about, they knew that it was award winning, and

0:08:36.000 --> 0:08:38.480
<v Speaker 1>HBO was the only place you could see it outside

0:08:38.480 --> 0:08:40.560
<v Speaker 1>of the theater. Keep in mind, this is before the

0:08:40.640 --> 0:08:44.560
<v Speaker 1>home video craze starts, like, this is really before the

0:08:44.800 --> 0:08:48.840
<v Speaker 1>VCR has taken off. So HBO exclusivity in this case

0:08:49.000 --> 0:08:53.040
<v Speaker 1>was really important. Now they started moving to these output deals,

0:08:53.040 --> 0:08:55.199
<v Speaker 1>which is when a pay TV service agrees to take

0:08:55.240 --> 0:08:57.680
<v Speaker 1>on all the movies made by a certain studio over

0:08:57.760 --> 0:09:00.800
<v Speaker 1>a certain time span. Again, tends to be kind of

0:09:00.840 --> 0:09:03.640
<v Speaker 1>a grab bag situation. You might get a few big hits,

0:09:03.760 --> 0:09:05.920
<v Speaker 1>you might have some mediocre films in there that you know,

0:09:06.000 --> 0:09:08.040
<v Speaker 1>some people care about. But most people don't, and you

0:09:08.080 --> 0:09:10.720
<v Speaker 1>can have some outright flops, so a little bit of

0:09:10.720 --> 0:09:13.720
<v Speaker 1>a risky situation. There's also this idea of a multi

0:09:13.800 --> 0:09:16.200
<v Speaker 1>year agreement which HBO would agree to pick up a

0:09:16.200 --> 0:09:18.680
<v Speaker 1>certain number of films the studio would produce over a

0:09:18.679 --> 0:09:20.719
<v Speaker 1>given period of time, but have a little bit more

0:09:20.800 --> 0:09:25.240
<v Speaker 1>safe which one like you made, we want twenty movies

0:09:25.240 --> 0:09:26.720
<v Speaker 1>that you guys are going to make over the course

0:09:26.720 --> 0:09:30.600
<v Speaker 1>of the next five years. Yeah. So once the five

0:09:30.679 --> 0:09:35.600
<v Speaker 1>year period starts coming up, you're like, well, now we're stuck. Yeah,

0:09:35.679 --> 0:09:37.560
<v Speaker 1>but but we got to be choosy at the beginning.

0:09:38.160 --> 0:09:42.640
<v Speaker 1>Either way, these exclusivity deals were really really expensive, and

0:09:42.840 --> 0:09:46.080
<v Speaker 1>it meant that it was tough to to make a

0:09:46.080 --> 0:09:49.360
<v Speaker 1>profit unless you continuously grow. Now, at this time that

0:09:49.440 --> 0:09:53.240
<v Speaker 1>wasn't a problem because cable was still entering in lots

0:09:53.280 --> 0:09:56.319
<v Speaker 1>more markets, which meant you had access to brand new customers.

0:09:56.679 --> 0:09:59.680
<v Speaker 1>So in the early days kind of automatically growing. Yeah. Yeah,

0:09:59.840 --> 0:10:02.960
<v Speaker 1>you didn't have to worry about about boosting your your

0:10:02.960 --> 0:10:05.320
<v Speaker 1>customer base so much because people were still eager to join.

0:10:05.880 --> 0:10:07.719
<v Speaker 1>It wasn't until a couple of years later that things

0:10:07.760 --> 0:10:10.800
<v Speaker 1>got a little tougher. But we'll get there. So companies

0:10:10.800 --> 0:10:12.960
<v Speaker 1>were paying these big bucks for exclusive rights to movies

0:10:13.000 --> 0:10:16.640
<v Speaker 1>for just a couple of years. Eventually those exclusivity rights

0:10:16.679 --> 0:10:19.920
<v Speaker 1>would expire and those movies could be carried on other

0:10:19.960 --> 0:10:23.560
<v Speaker 1>pay television stations like Showtime could pick it up. So

0:10:23.920 --> 0:10:27.280
<v Speaker 1>in the long run, you would have a bank of

0:10:27.360 --> 0:10:31.520
<v Speaker 1>movies that was essentially identical to your competitors. So for

0:10:31.559 --> 0:10:33.840
<v Speaker 1>a couple of years you have exclusivity, but it wasn't

0:10:33.840 --> 0:10:37.040
<v Speaker 1>a long term you would up even out. Yeah. So yeah,

0:10:37.040 --> 0:10:39.560
<v Speaker 1>one of those things that that you know, they really

0:10:39.559 --> 0:10:42.360
<v Speaker 1>had to look at a little bit later because it

0:10:42.400 --> 0:10:44.760
<v Speaker 1>was just it was not the best way to continuously

0:10:44.800 --> 0:10:50.000
<v Speaker 1>grow your revenue. Now we get one of my favorite stories.

0:10:50.320 --> 0:10:52.560
<v Speaker 1>Yeah yeah, okay, this this is a big one. So

0:10:52.559 --> 0:10:56.720
<v Speaker 1>so twenty century Fox negotiated to get Star Wars onto

0:10:56.760 --> 0:11:02.360
<v Speaker 1>pay TV. Yes, so Star Wars big movie. Of course,

0:11:02.360 --> 0:11:04.320
<v Speaker 1>that's when Return of the Jedi came out. So the

0:11:04.320 --> 0:11:07.000
<v Speaker 1>original trilogy, you know, the only one that exists, is

0:11:07.040 --> 0:11:10.040
<v Speaker 1>complete at this time, and Star Wars itself, the movie

0:11:10.080 --> 0:11:14.000
<v Speaker 1>that started it all. Uh, the second big blockbuster following

0:11:14.080 --> 0:11:18.640
<v Speaker 1>Jaws from is available to go on to pay TV. However,

0:11:19.040 --> 0:11:21.360
<v Speaker 1>it's not an exclusive deal. This is something they they

0:11:21.400 --> 0:11:25.240
<v Speaker 1>negotiate to put it on every page television station essentially,

0:11:25.240 --> 0:11:27.960
<v Speaker 1>so Showtime's gonna get HBO is gonna get it now. Normally,

0:11:28.400 --> 0:11:32.119
<v Speaker 1>the way these channels like to try and and position

0:11:32.280 --> 0:11:35.439
<v Speaker 1>the big ticket items that they get is to wait

0:11:35.840 --> 0:11:40.840
<v Speaker 1>and put it out on prime time preferably like eight pm, yeah, Friday, Saturday,

0:11:40.880 --> 0:11:43.959
<v Speaker 1>Sunday night, Sunday night, probably preferably to to really get

0:11:44.000 --> 0:11:46.280
<v Speaker 1>all of the home viewers in right, so you would

0:11:46.320 --> 0:11:49.000
<v Speaker 1>you know when the weekend would come around eight pm.

0:11:49.040 --> 0:11:50.960
<v Speaker 1>That's when you could be guaranteed that that was when

0:11:51.000 --> 0:11:55.360
<v Speaker 1>the biggest movies were going to be uh showcased on

0:11:55.480 --> 0:11:58.640
<v Speaker 1>these pay television stations. However, Star Wars was such a

0:11:58.679 --> 0:12:02.280
<v Speaker 1>big deal, being that summer blockbuster, that both Showtime and

0:12:02.400 --> 0:12:06.400
<v Speaker 1>HBO wanted to make sure they took advantage of it

0:12:06.480 --> 0:12:08.640
<v Speaker 1>and did not allow the other channel to show it

0:12:08.679 --> 0:12:11.280
<v Speaker 1>before they did. So, HBO didn't want Showtime to show

0:12:11.280 --> 0:12:13.559
<v Speaker 1>it first. Showtime didn't want HBO to show it first.

0:12:13.720 --> 0:12:17.320
<v Speaker 1>According to the agreement they signed with Fox, neither could

0:12:17.320 --> 0:12:21.640
<v Speaker 1>show it any time before six am on February one,

0:12:21.760 --> 0:12:24.120
<v Speaker 1>so both of them scheduled the first showing of Star

0:12:24.160 --> 0:12:27.760
<v Speaker 1>Wars to be six am February first, even knowing that

0:12:27.760 --> 0:12:30.720
<v Speaker 1>that's not an ideal time for their customers. They just

0:12:30.760 --> 0:12:32.199
<v Speaker 1>didn't want the other one to get the scoop, and

0:12:32.320 --> 0:12:36.040
<v Speaker 1>HBO went a step further. So remember in that last

0:12:36.080 --> 0:12:38.360
<v Speaker 1>episode where I talked about cable being a cutthroat business

0:12:38.360 --> 0:12:43.120
<v Speaker 1>and nothing is really you know, off limits. That includes bribery.

0:12:43.240 --> 0:12:47.079
<v Speaker 1>That's probably a strong word. HBO didn't bribe twentieth Century Fox. Well,

0:12:47.120 --> 0:12:49.920
<v Speaker 1>they paid them more money. They paid them more money.

0:12:50.000 --> 0:12:52.040
<v Speaker 1>That's very much like a bride. Yeah, so that they

0:12:52.040 --> 0:12:55.400
<v Speaker 1>could be allowed to show Star Wars one minute after

0:12:55.520 --> 0:12:59.520
<v Speaker 1>midnight on February one, so six hours before showtime could

0:12:59.600 --> 0:13:02.400
<v Speaker 1>although they weren't allowed to announce it. Yeah, so you

0:13:02.480 --> 0:13:06.120
<v Speaker 1>had to have been watching HBO at one midnight and

0:13:06.280 --> 0:13:09.280
<v Speaker 1>one minute after midnight on February one to have noticed

0:13:09.320 --> 0:13:12.920
<v Speaker 1>that this had happened. However, the they were able to

0:13:12.960 --> 0:13:17.199
<v Speaker 1>say legitimately that they were the first paid television station

0:13:17.679 --> 0:13:20.160
<v Speaker 1>to carry Star Wars, and that actually carried some weight.

0:13:20.559 --> 0:13:22.400
<v Speaker 1>There were people who said, wait a minute, why is

0:13:22.520 --> 0:13:25.720
<v Speaker 1>HBO showing it before showtime? I should have HBO not showtime.

0:13:25.800 --> 0:13:28.000
<v Speaker 1>Despite the fact that we're talking about a six hour

0:13:28.080 --> 0:13:32.440
<v Speaker 1>window when most people wouldn't be watching television anyway. Um,

0:13:32.520 --> 0:13:37.320
<v Speaker 1>that that part didn't matter. So very interesting that this

0:13:37.760 --> 0:13:40.880
<v Speaker 1>battle happened. It was another expensive battle, but an important one.

0:13:40.960 --> 0:13:42.400
<v Speaker 1>As we all know, Star Wars one of the most

0:13:42.400 --> 0:13:45.560
<v Speaker 1>important pieces of art created in the history. There's like

0:13:47.200 --> 0:13:51.280
<v Speaker 1>the Mona Lisa Star Wars David, that's the order it

0:13:51.320 --> 0:13:56.240
<v Speaker 1>goes in. So three. Also, there was another amazing piece

0:13:56.280 --> 0:14:01.240
<v Speaker 1>of art premiered on HBO and original program aimed at children. Yeah,

0:14:01.320 --> 0:14:04.719
<v Speaker 1>Jim Henson's Fraggle Rock. Yeah, down in Fraggle Rock. So

0:14:04.880 --> 0:14:07.520
<v Speaker 1>I was a huge Fraggle Rock fan to back in

0:14:07.559 --> 0:14:10.679
<v Speaker 1>the day. Um, they actually came to dragon Con and

0:14:10.840 --> 0:14:13.880
<v Speaker 1>we covered the dragon Con parade. We actually shut this coverage.

0:14:13.960 --> 0:14:15.800
<v Speaker 1>Me and Ben Bowlen and Lauren You were there and

0:14:16.240 --> 0:14:18.920
<v Speaker 1>we did it like Macy's Thanksgiving Day parade style. It

0:14:19.000 --> 0:14:21.440
<v Speaker 1>never it never saw the light of day, probably because

0:14:21.480 --> 0:14:24.000
<v Speaker 1>there were long stretches where nothing was happening. Oh we

0:14:24.000 --> 0:14:26.520
<v Speaker 1>we we haven't had anyone had time to edit the

0:14:26.520 --> 0:14:29.280
<v Speaker 1>who whole thing was really long. It was very long. Yeah,

0:14:29.320 --> 0:14:31.360
<v Speaker 1>but the Fraggles were in it. They were in it.

0:14:31.400 --> 0:14:33.480
<v Speaker 1>And there is a photo gallery that I did I

0:14:33.480 --> 0:14:36.120
<v Speaker 1>was running a still camera through the parade and so

0:14:36.280 --> 0:14:38.640
<v Speaker 1>and and she she waved at me. Yeah. I got

0:14:38.680 --> 0:14:41.560
<v Speaker 1>choked up, Yeah, I got choked up watching the Fraggles.

0:14:41.600 --> 0:14:43.560
<v Speaker 1>I mean, I'm not I'm not embarrassed to admit it.

0:14:43.720 --> 0:14:45.280
<v Speaker 1>The Fraggles meant a lot to be I'm getting a

0:14:45.280 --> 0:14:47.840
<v Speaker 1>little tiory right now in fact, but anyway, Jim Henson

0:14:48.240 --> 0:14:52.280
<v Speaker 1>Fraggle Rock. Now, Jim Henson had already had a relationship

0:14:52.320 --> 0:14:55.280
<v Speaker 1>with HBO. HBO had produced a couple of years earlier

0:14:55.520 --> 0:14:59.120
<v Speaker 1>a Christmas special Emitt Otter's jug Band Christmas. So now

0:14:59.280 --> 0:15:03.320
<v Speaker 1>Jim Henson had the freedom to create this entire children's series,

0:15:03.320 --> 0:15:07.160
<v Speaker 1>which lasted five seasons, and it ended up being a

0:15:07.200 --> 0:15:10.440
<v Speaker 1>big success. It was one of the few breakaway successes

0:15:10.560 --> 0:15:12.960
<v Speaker 1>of children's programming on HBO. A lot of the other

0:15:13.000 --> 0:15:16.960
<v Speaker 1>programming UH people liked the idea of but no one

0:15:17.080 --> 0:15:21.200
<v Speaker 1>ever bothered to watch, so Fraggle Rock was not among that.

0:15:21.200 --> 0:15:24.000
<v Speaker 1>That was an incredibly popular show, in fact, so popular

0:15:24.440 --> 0:15:28.760
<v Speaker 1>that HBO would end up making other versions of Fraggle

0:15:28.840 --> 0:15:32.160
<v Speaker 1>Rock for other countries, and some of them would have

0:15:32.480 --> 0:15:36.240
<v Speaker 1>their own version of Doc and Sprocket that wouldn't necessarily

0:15:36.280 --> 0:15:38.320
<v Speaker 1>be called Doc and Sprocket and they would be different

0:15:38.360 --> 0:15:39.920
<v Speaker 1>people like that. I think in England it was like

0:15:40.000 --> 0:15:44.280
<v Speaker 1>a lighthouse keeper who was really crabby. But anyway, they

0:15:44.320 --> 0:15:46.920
<v Speaker 1>would also be dubbed into different languages, so everyone had

0:15:46.960 --> 0:15:49.760
<v Speaker 1>their own version of Fraggle Rock, which was kind of cool.

0:15:49.800 --> 0:15:52.640
<v Speaker 1>It wasn't just a you know, it wasn't just switching

0:15:52.640 --> 0:15:56.640
<v Speaker 1>out the soundtrack. It was actually Taylor made to these nations. Uh.

0:15:56.680 --> 0:15:59.000
<v Speaker 1>And another series that premiered that year, and I remember

0:15:59.040 --> 0:16:02.360
<v Speaker 1>this series too, was not necessarily The News, which was

0:16:02.400 --> 0:16:05.080
<v Speaker 1>kind of a news parody sketch comedy show. It was

0:16:05.200 --> 0:16:09.280
<v Speaker 1>the news thing was kind of the the conceit the

0:16:09.320 --> 0:16:12.600
<v Speaker 1>bookends for these various sketches that may or may not

0:16:12.640 --> 0:16:15.720
<v Speaker 1>be very loosely connected, right, And it was kind of no.

0:16:15.800 --> 0:16:20.040
<v Speaker 1>Brian's very first television writing gig also uh not consistently

0:16:20.160 --> 0:16:23.480
<v Speaker 1>very good, but but one of the examples of HBO

0:16:23.520 --> 0:16:27.360
<v Speaker 1>getting into original programming, which is again they started looking

0:16:27.520 --> 0:16:31.040
<v Speaker 1>at how to differentiate themselves from the showtimes of the world,

0:16:31.560 --> 0:16:34.400
<v Speaker 1>and these exclusivity deals, like we said, could be really

0:16:34.400 --> 0:16:39.040
<v Speaker 1>really expensive, so maybe making original programming would have been

0:16:39.160 --> 0:16:42.840
<v Speaker 1>a better approach. Now they learned that making good original

0:16:42.880 --> 0:16:45.720
<v Speaker 1>programming is very tricky. It might not be expensive, but

0:16:45.840 --> 0:16:48.680
<v Speaker 1>it's very hard to do, and getting people to pay

0:16:48.720 --> 0:16:52.520
<v Speaker 1>attention is also sometimes tricky. Right, Yeah, sometimes they would

0:16:52.520 --> 0:16:56.040
<v Speaker 1>make an amazing show that the critics loved in nobody watched.

0:16:56.120 --> 0:16:58.840
<v Speaker 1>We will talk about several of those in our third episode.

0:16:58.920 --> 0:17:02.600
<v Speaker 1>But meanwhile, in nine, twelve years after its inception, HBO

0:17:02.680 --> 0:17:05.840
<v Speaker 1>finally got their own offices. Yeah, they moved over into

0:17:05.880 --> 0:17:09.399
<v Speaker 1>a building on Avenue, and it had the nickname the

0:17:09.440 --> 0:17:14.520
<v Speaker 1>flash Cube. All right, kids, years ago, like in the eighties,

0:17:15.160 --> 0:17:18.680
<v Speaker 1>cameras which had film in them, none of this digital

0:17:18.680 --> 0:17:23.400
<v Speaker 1>stuff also had flash you know, flashes like a separate

0:17:23.480 --> 0:17:26.760
<v Speaker 1>flash unity had to attach to the top little cube

0:17:27.240 --> 0:17:29.640
<v Speaker 1>that would flash light so you could get some light

0:17:29.760 --> 0:17:33.080
<v Speaker 1>on that image you're trying to capture onto film. That's

0:17:33.080 --> 0:17:34.720
<v Speaker 1>why it was called the flash cube because the building

0:17:34.720 --> 0:17:37.080
<v Speaker 1>looked like one. So this building that looked like something

0:17:37.119 --> 0:17:40.280
<v Speaker 1>you've never seen looked exactly like just just like that thing.

0:17:40.480 --> 0:17:45.360
<v Speaker 1>So now you had a building where the actual departments

0:17:45.359 --> 0:17:48.680
<v Speaker 1>could all sit together. The divisions were no longer divided.

0:17:49.000 --> 0:17:51.919
<v Speaker 1>They could all be in a cohesive unit. So that

0:17:52.080 --> 0:17:55.399
<v Speaker 1>amazing camaraderie they had developed back at Time Incorporated when

0:17:55.400 --> 0:17:58.880
<v Speaker 1>they had this kind of startup mentality went away. It's

0:17:58.920 --> 0:18:02.120
<v Speaker 1>completely ruined. Yeah, Suddenly they were physically closer and yet

0:18:02.280 --> 0:18:06.119
<v Speaker 1>emotionally so distant. Um. It turned out that HBO was

0:18:06.119 --> 0:18:08.280
<v Speaker 1>starting to become more of a business, less of this

0:18:08.359 --> 0:18:11.919
<v Speaker 1>kind of startup entrepreneur approach, and I had more of

0:18:12.000 --> 0:18:15.040
<v Speaker 1>a of a corporate structure. Yeah. And it also was

0:18:15.280 --> 0:18:19.000
<v Speaker 1>when HBO started to notice that growing as a business

0:18:19.040 --> 0:18:21.800
<v Speaker 1>was going to get very difficult, they did what was

0:18:21.840 --> 0:18:26.000
<v Speaker 1>called hitting the wall. The wall in this case was saturation.

0:18:26.280 --> 0:18:29.600
<v Speaker 1>You had a saturation point where cable had pretty much

0:18:29.680 --> 0:18:32.359
<v Speaker 1>entered all the markets that was gonna go into. So

0:18:32.440 --> 0:18:34.920
<v Speaker 1>that meant that you no longer could expect to suddenly

0:18:34.920 --> 0:18:39.360
<v Speaker 1>have access to twenty thousand new subscribers potential new subscribers

0:18:39.800 --> 0:18:43.399
<v Speaker 1>because someone finally built the infrastructure out to this one region.

0:18:43.800 --> 0:18:46.239
<v Speaker 1>Now all the regions pretty much had cable, So they

0:18:46.280 --> 0:18:48.200
<v Speaker 1>were not going to be any of these these gift

0:18:48.240 --> 0:18:51.639
<v Speaker 1>baskets of potential customers just arriving at HBO. They were

0:18:51.640 --> 0:18:54.120
<v Speaker 1>gonna have to work for it. And also on top

0:18:54.160 --> 0:18:56.360
<v Speaker 1>of that, they had a churn rate going on right.

0:18:57.200 --> 0:19:00.000
<v Speaker 1>So churn rate is when you lose a certain number

0:19:00.280 --> 0:19:04.720
<v Speaker 1>of customers over a course of a general amount of time.

0:19:04.760 --> 0:19:08.119
<v Speaker 1>So there's was about two percent per month back in,

0:19:09.200 --> 0:19:11.639
<v Speaker 1>which means that in order to just stay even, you

0:19:11.720 --> 0:19:14.679
<v Speaker 1>have to grow by two percent, right to to just

0:19:14.760 --> 0:19:17.199
<v Speaker 1>maintain the same number of customers from the beginning of

0:19:17.200 --> 0:19:18.560
<v Speaker 1>the month to the end of the month. If you

0:19:18.600 --> 0:19:20.439
<v Speaker 1>want to grow beyond that, then obviously you have to

0:19:20.440 --> 0:19:23.280
<v Speaker 1>get more than two percent new customers to replace the

0:19:23.280 --> 0:19:25.520
<v Speaker 1>two percent who who left. Now, some of the people

0:19:25.520 --> 0:19:28.640
<v Speaker 1>who left, they left because they were relocating and eventually

0:19:28.680 --> 0:19:31.359
<v Speaker 1>maybe they come back, but some of them were just saying, oh,

0:19:31.400 --> 0:19:33.439
<v Speaker 1>I don't want to have this expense anymore. So you

0:19:33.480 --> 0:19:36.840
<v Speaker 1>have to convince them, hey, we're worth the money, or

0:19:36.920 --> 0:19:39.080
<v Speaker 1>you had to convince new people, hey we're worth the money.

0:19:39.119 --> 0:19:41.639
<v Speaker 1>And now there are fewer new people to get access to.

0:19:42.440 --> 0:19:45.639
<v Speaker 1>So this was a very scary time at HBO. You

0:19:45.720 --> 0:19:48.840
<v Speaker 1>had this young company that had been used to this

0:19:48.920 --> 0:19:52.639
<v Speaker 1>incredible growth suddenly realizing, oh, things are not going to

0:19:52.760 --> 0:19:54.919
<v Speaker 1>be as easy anymore. We're not going to have this

0:19:55.600 --> 0:19:58.240
<v Speaker 1>essentially blank check that we can hand out for these

0:19:58.280 --> 0:20:01.920
<v Speaker 1>exclusivity deals. Were not gonna have this this endless line

0:20:01.920 --> 0:20:04.240
<v Speaker 1>of new customers coming in through the door. What are

0:20:04.240 --> 0:20:06.000
<v Speaker 1>we gonna do? And in fact, one of the first

0:20:06.040 --> 0:20:09.040
<v Speaker 1>things they had to do was layoff about a hundred

0:20:09.040 --> 0:20:11.439
<v Speaker 1>and twenty five employees, which was the first time in

0:20:11.600 --> 0:20:15.399
<v Speaker 1>HBO's history that people had been let go like that. Also,

0:20:15.440 --> 0:20:19.080
<v Speaker 1>around the same time, the VCR became a thing, and

0:20:19.160 --> 0:20:23.400
<v Speaker 1>that was a boy talk about a big bite out

0:20:23.400 --> 0:20:26.439
<v Speaker 1>of the business. So keep in mind, remember this is

0:20:26.440 --> 0:20:30.280
<v Speaker 1>the time when HBO their main purpose was to create

0:20:30.920 --> 0:20:33.480
<v Speaker 1>way for people to watch these movies that were uncut

0:20:33.520 --> 0:20:36.840
<v Speaker 1>and uncensored that wouldn't be carried on broadcast television. But

0:20:36.920 --> 0:20:39.280
<v Speaker 1>now with the birth of the VCR and the growth

0:20:39.359 --> 0:20:41.439
<v Speaker 1>of the home video market where you could go to

0:20:41.480 --> 0:20:43.880
<v Speaker 1>a rental store and rent a movie, you can get

0:20:43.920 --> 0:20:47.680
<v Speaker 1>access to all sorts of movies beyond the what we'll

0:20:47.720 --> 0:20:51.040
<v Speaker 1>call the playlist that HBO had access to. Remember, HBO's

0:20:51.080 --> 0:20:53.600
<v Speaker 1>paying licensing fees to be able to show these movies,

0:20:54.040 --> 0:20:56.439
<v Speaker 1>so they don't have licenses for every movie. They have

0:20:56.480 --> 0:20:59.520
<v Speaker 1>to pick and choose, and sometimes they pick before they

0:20:59.560 --> 0:21:01.119
<v Speaker 1>even know what the movie is going to be like,

0:21:01.160 --> 0:21:03.000
<v Speaker 1>and sometimes they lose out on that. Oh sure, and

0:21:03.040 --> 0:21:05.000
<v Speaker 1>they can only air so many things at a time,

0:21:05.040 --> 0:21:07.040
<v Speaker 1>they can only pay to keep so many things on

0:21:07.080 --> 0:21:09.560
<v Speaker 1>the air at a single time, and whatever they happen

0:21:09.640 --> 0:21:12.359
<v Speaker 1>to have might not be what you feel like watching. Once,

0:21:12.760 --> 0:21:18.000
<v Speaker 1>once stores started carrying rentable VHS tapes, it was I

0:21:18.040 --> 0:21:21.199
<v Speaker 1>mean for for younger listeners. I mean, like, I have

0:21:21.240 --> 0:21:24.200
<v Speaker 1>a hard time imagining this, and I remember VHS tapes.

0:21:24.240 --> 0:21:26.919
<v Speaker 1>I remember all of that very clearly, and and it

0:21:27.000 --> 0:21:29.399
<v Speaker 1>still sounds crazy to me that you that there was

0:21:29.440 --> 0:21:32.080
<v Speaker 1>a time when you couldn't just watch whatever you wanted. Yeah.

0:21:32.280 --> 0:21:34.119
<v Speaker 1>Now you would go into the store and you would

0:21:34.119 --> 0:21:37.960
<v Speaker 1>hope that that one copy of Young Einstein was still available,

0:21:38.359 --> 0:21:40.880
<v Speaker 1>because you know what a breakaway hit that was. Um,

0:21:40.960 --> 0:21:44.240
<v Speaker 1>hey that was an important film. Hey yeah, who's serious?

0:21:44.280 --> 0:21:46.840
<v Speaker 1>One of my heroes. Okay, I'm not don't take any

0:21:46.960 --> 0:21:50.199
<v Speaker 1>thing away from the series, but yeah, just just the

0:21:50.240 --> 0:21:52.080
<v Speaker 1>fact that you go into the store, you know, and

0:21:52.160 --> 0:21:54.400
<v Speaker 1>hope that the thing is the movie that you want

0:21:54.440 --> 0:21:56.679
<v Speaker 1>is there. There was an illusion that you had a

0:21:56.880 --> 0:21:59.760
<v Speaker 1>more choice with the home video market. Now, the truth

0:22:00.040 --> 0:22:04.200
<v Speaker 1>as dependent upon how many copies of a certain movie

0:22:04.280 --> 0:22:06.760
<v Speaker 1>the rental store had and how big a customer base

0:22:06.800 --> 0:22:09.000
<v Speaker 1>it had, Because there might be some movies that unless

0:22:09.000 --> 0:22:12.359
<v Speaker 1>you just looked out, we're constantly being checked out. So

0:22:12.359 --> 0:22:16.359
<v Speaker 1>so it even if Blockbuster had thirty copies of whatever

0:22:16.400 --> 0:22:18.600
<v Speaker 1>it was, it might all be gone right. So so

0:22:19.000 --> 0:22:23.080
<v Speaker 1>hypothetically you had a much larger choice, but in practice

0:22:23.160 --> 0:22:25.080
<v Speaker 1>it may or may not have happened. And either way,

0:22:25.080 --> 0:22:27.639
<v Speaker 1>it was probably more than just beast Master over and over. Yes,

0:22:28.280 --> 0:22:31.040
<v Speaker 1>HBO started getting the There was a joke that hbos

0:22:31.080 --> 0:22:35.679
<v Speaker 1>actually stood for hey beast Masters on um. Yeah, that

0:22:35.960 --> 0:22:39.280
<v Speaker 1>was the That was again a comment about the repeats,

0:22:39.880 --> 0:22:42.359
<v Speaker 1>uh and uh, which were the movies that had been

0:22:42.359 --> 0:22:46.280
<v Speaker 1>shown multiple times within a certain licensing period, and returns,

0:22:46.359 --> 0:22:49.000
<v Speaker 1>which were movies that were still under license but had

0:22:49.160 --> 0:22:52.159
<v Speaker 1>been pulled out of the circulation of movies shown on

0:22:52.280 --> 0:22:56.000
<v Speaker 1>HBO and then reinserted later on. So you know, HBO

0:22:56.200 --> 0:22:59.000
<v Speaker 1>licensed out these movies, and those licenses were very specific.

0:22:59.000 --> 0:23:02.240
<v Speaker 1>They would say you can show this movie X number

0:23:02.240 --> 0:23:06.560
<v Speaker 1>of times and during these times of day, Like they

0:23:06.560 --> 0:23:09.080
<v Speaker 1>were very The way you had to program and hbo

0:23:09.400 --> 0:23:12.639
<v Speaker 1>schedule was dependent upon these licenses because some of them

0:23:12.640 --> 0:23:15.200
<v Speaker 1>were like, Okay, we don't want you showing this this

0:23:15.320 --> 0:23:18.960
<v Speaker 1>movie before six pm. Well then they would have to

0:23:19.040 --> 0:23:21.720
<v Speaker 1>plan that out, you know, before six pm and also

0:23:21.840 --> 0:23:24.560
<v Speaker 1>after midnight. I'm sure that FCC regulations and stuff like

0:23:24.600 --> 0:23:28.600
<v Speaker 1>that would prevent some content from being shown during HBO

0:23:28.680 --> 0:23:32.600
<v Speaker 1>specifically police themselves and put they would not allow anything

0:23:32.680 --> 0:23:35.800
<v Speaker 1>that was R rated to go on before eight p m.

0:23:35.920 --> 0:23:38.200
<v Speaker 1>So it had to be after eight pm to to

0:23:38.680 --> 0:23:43.560
<v Speaker 1>go onto HBO. Uh. That was largely a self imposed rule,

0:23:43.720 --> 0:23:45.280
<v Speaker 1>and it was just an easy one for them to

0:23:45.280 --> 0:23:47.360
<v Speaker 1>to go with because they knew that that would be

0:23:47.720 --> 0:23:52.280
<v Speaker 1>something that would most likely fit their subscribers desires and

0:23:52.280 --> 0:23:55.040
<v Speaker 1>would at least mollify the kind of groups that would

0:23:55.040 --> 0:23:59.240
<v Speaker 1>have had complaints otherwise exactly most of them. Yes. So anyway,

0:23:59.280 --> 0:24:02.160
<v Speaker 1>those licenses put limiting factors on HBO how many movies

0:24:02.400 --> 0:24:04.080
<v Speaker 1>they would have access to it a given time, how

0:24:04.080 --> 0:24:06.760
<v Speaker 1>many how frequently they could show it. But then HBO

0:24:06.880 --> 0:24:10.800
<v Speaker 1>also had this model, this business model, where the idea was,

0:24:11.320 --> 0:24:15.080
<v Speaker 1>we're going to get this pool of movies. We're gonna

0:24:15.080 --> 0:24:17.720
<v Speaker 1>make a schedule where we're going to show these movies

0:24:17.760 --> 0:24:20.879
<v Speaker 1>at different times on different days, so that our customers

0:24:21.040 --> 0:24:24.160
<v Speaker 1>can look at the schedule and say, oh, the movie

0:24:24.200 --> 0:24:25.840
<v Speaker 1>I want to see is gonna be on at six

0:24:25.880 --> 0:24:28.800
<v Speaker 1>pm on Wednesday. I'll make sure to watch it on

0:24:28.840 --> 0:24:31.800
<v Speaker 1>Wednesday at six pm. But instead, what they found that

0:24:31.960 --> 0:24:33.840
<v Speaker 1>was that people were treating HBO like it was a

0:24:33.920 --> 0:24:38.640
<v Speaker 1>television channel. That's ridiculous. Well, I mean, you know, once again,

0:24:38.720 --> 0:24:42.080
<v Speaker 1>once BCRs entered the picture and they could just record something, yeah,

0:24:42.200 --> 0:24:43.919
<v Speaker 1>it didn't matter so much about when it was on,

0:24:43.960 --> 0:24:46.680
<v Speaker 1>but they and also yeah, someone would just turn on

0:24:46.720 --> 0:24:49.760
<v Speaker 1>the TV and just be like, oh, what's on right now? Okay, yeah,

0:24:49.840 --> 0:24:53.479
<v Speaker 1>oh it's beast Master again. Yeah. That was the problem

0:24:53.520 --> 0:24:56.080
<v Speaker 1>was that people were not treating it like the way

0:24:56.240 --> 0:25:01.600
<v Speaker 1>the company had thought of the service. And we we've theater, Yeah, exactly.

0:25:01.640 --> 0:25:04.320
<v Speaker 1>We've seen this happen in other industries, right, We've seen

0:25:04.320 --> 0:25:08.800
<v Speaker 1>it where someone creates a service, let's say Twitter, great example,

0:25:09.080 --> 0:25:11.359
<v Speaker 1>someone creates a service and they have in their mind

0:25:11.560 --> 0:25:13.280
<v Speaker 1>the way the service is going to be used by

0:25:13.280 --> 0:25:16.439
<v Speaker 1>the customers, and customers go, oh, this great thing for

0:25:16.520 --> 0:25:20.080
<v Speaker 1>this entirely different purpose. And so if you're a good company,

0:25:20.640 --> 0:25:23.359
<v Speaker 1>you move with the customers and you don't try and

0:25:23.440 --> 0:25:26.600
<v Speaker 1>force them into a model that they don't want, because

0:25:26.640 --> 0:25:30.800
<v Speaker 1>otherwise your your business suffers. So HBO started seeing, oh

0:25:30.880 --> 0:25:33.199
<v Speaker 1>we're gonna have to think of some other way to

0:25:33.320 --> 0:25:36.600
<v Speaker 1>change up our programming so that we don't have the same,

0:25:37.000 --> 0:25:40.120
<v Speaker 1>you know, list of movies showing so frequently, because we're

0:25:40.119 --> 0:25:42.560
<v Speaker 1>going to end up driving customers away. And we're already

0:25:42.600 --> 0:25:45.439
<v Speaker 1>having to deal with this churn issue and the saturation issue.

0:25:45.880 --> 0:25:49.720
<v Speaker 1>So all of these factors were going into HBO and

0:25:50.000 --> 0:25:52.920
<v Speaker 1>the executive's minds thinking, all right, we gotta we gotta

0:25:53.000 --> 0:25:58.080
<v Speaker 1>think of a new way of approaching content. Meanwhile, Michael Folks,

0:25:58.119 --> 0:26:00.239
<v Speaker 1>who we had talked about in the last episode, who

0:26:00.280 --> 0:26:04.679
<v Speaker 1>had come over from a talent agency and had joined HBO,

0:26:04.800 --> 0:26:08.080
<v Speaker 1>he becomes the head of HBO. He replaced Frank Beyondi,

0:26:08.200 --> 0:26:10.920
<v Speaker 1>who had pretty much been forced out. He had made

0:26:10.920 --> 0:26:15.480
<v Speaker 1>a really expensive licensing agreement with Columbia Pictures. Uh, there's

0:26:15.480 --> 0:26:18.359
<v Speaker 1>a little movie called Ghostbusters that nearly broke the bank

0:26:18.440 --> 0:26:21.760
<v Speaker 1>for HBO. We're talking like millions of dollars, like forty

0:26:21.800 --> 0:26:24.639
<v Speaker 1>million dollars just to have this one movie because they

0:26:24.680 --> 0:26:27.800
<v Speaker 1>had agreed beforehand, before knowing what this was going to be,

0:26:27.840 --> 0:26:30.480
<v Speaker 1>and there was no cap on how much they could spend.

0:26:30.520 --> 0:26:33.640
<v Speaker 1>So that deal pretty much melt the in for Beyondi. Yeah,

0:26:33.680 --> 0:26:35.119
<v Speaker 1>well that that was that was the first place that

0:26:35.160 --> 0:26:38.159
<v Speaker 1>I saw Ghostbusters. So wow, I saw it in the

0:26:38.160 --> 0:26:43.000
<v Speaker 1>theater opening day the librarians. What are I was? Two?

0:26:45.040 --> 0:26:47.639
<v Speaker 1>Moving on, We're going to take a quick break while

0:26:47.760 --> 0:26:51.280
<v Speaker 1>I get my walker and make sure I go out

0:26:51.320 --> 0:26:54.040
<v Speaker 1>and get some insure to drink, and then when we

0:26:54.080 --> 0:26:57.400
<v Speaker 1>come back, we'll talk more about HBO. Let's though, take

0:26:57.440 --> 0:27:01.400
<v Speaker 1>this moment to thank our sponsor. All right, We're up

0:27:01.440 --> 0:27:05.720
<v Speaker 1>to nineteen five, and that's when HBO decided to launch

0:27:05.760 --> 0:27:09.800
<v Speaker 1>a big summer advertising campaign. Now, they they saw that

0:27:09.880 --> 0:27:12.720
<v Speaker 1>the wall had hit. They saw this saturation in churn issue,

0:27:13.080 --> 0:27:16.120
<v Speaker 1>they saw the exclusivity issue, and they thought, how can

0:27:16.160 --> 0:27:18.960
<v Speaker 1>we attract more customers so that we can continue to grow?

0:27:19.440 --> 0:27:21.960
<v Speaker 1>And they decided that they would really concentrate in an

0:27:21.960 --> 0:27:25.399
<v Speaker 1>advertising campaign that spanned the summer of n and they

0:27:25.400 --> 0:27:27.320
<v Speaker 1>would repeat this a couple of times. Oh yeah, yeah,

0:27:27.320 --> 0:27:29.720
<v Speaker 1>And why the summer, you ask, Summer is a when

0:27:29.800 --> 0:27:32.560
<v Speaker 1>kids are out of school and parents need something to

0:27:32.600 --> 0:27:36.399
<v Speaker 1>do with these suddenly free tiny humans. Yeah, most of

0:27:36.480 --> 0:27:39.520
<v Speaker 1>us have to continue to work in the summer months.

0:27:39.600 --> 0:27:41.960
<v Speaker 1>And so how do you keep the tiny humans from

0:27:42.040 --> 0:27:46.520
<v Speaker 1>rising up against their masters and enslaving us? All good HBO. Furthermore,

0:27:46.640 --> 0:27:50.000
<v Speaker 1>as most of us know, summer is when many television

0:27:50.000 --> 0:27:52.600
<v Speaker 1>shows are in reruns. All of the all of the

0:27:52.640 --> 0:27:56.160
<v Speaker 1>really big primary prime time sort of things are broken

0:27:56.400 --> 0:27:59.919
<v Speaker 1>for the summer. Yeah, broadcast television is tends to be

0:28:00.280 --> 0:28:03.760
<v Speaker 1>pretty pretty barren over the summer, like you're either watching

0:28:03.800 --> 0:28:06.720
<v Speaker 1>reruns or especially just don't care about especially back in

0:28:06.760 --> 0:28:08.439
<v Speaker 1>those days. These days, it's changing a lot, and it's

0:28:08.440 --> 0:28:10.159
<v Speaker 1>a little bit it's a little bit now where you

0:28:10.240 --> 0:28:14.480
<v Speaker 1>can get interesting programming. Yeah, especially now that you have

0:28:14.600 --> 0:28:20.359
<v Speaker 1>shows that are dividing their seasons up into season breaking bad.

0:28:20.560 --> 0:28:24.440
<v Speaker 1>You don't don't perpetuate the breaking bad problem. I mean,

0:28:24.480 --> 0:28:27.439
<v Speaker 1>breaking bad great show, but you know, splitting up your

0:28:27.440 --> 0:28:32.760
<v Speaker 1>seasons bad, breaking bad bad. All right. But anyway, Yeah,

0:28:32.880 --> 0:28:36.280
<v Speaker 1>HBO decided, hey, we can take this opportunity to really

0:28:36.480 --> 0:28:39.760
<v Speaker 1>grab this this audience that doesn't yet subscribe to HBO.

0:28:39.880 --> 0:28:42.440
<v Speaker 1>So what they did was they sent ads through direct

0:28:42.480 --> 0:28:45.960
<v Speaker 1>mail and they also did telemarketing. They called people, cold

0:28:46.040 --> 0:28:49.920
<v Speaker 1>calling people to convince them to sign up, and as

0:28:49.960 --> 0:28:54.440
<v Speaker 1>irritating as it was, it worked. Yeah. They sent six

0:28:54.560 --> 0:29:00.280
<v Speaker 1>hundred forty million ads to folks between six d pretty

0:29:00.320 --> 0:29:04.760
<v Speaker 1>million twice the population of the United States. They also

0:29:04.800 --> 0:29:08.800
<v Speaker 1>did start investing more in original programming. Yes, um and

0:29:08.800 --> 0:29:10.880
<v Speaker 1>and you know, sports was something that they had been

0:29:10.920 --> 0:29:12.800
<v Speaker 1>doing since the beginning. Yeah, that was one of the

0:29:13.120 --> 0:29:15.560
<v Speaker 1>you remember the two things you could watch on HBO

0:29:15.600 --> 0:29:19.200
<v Speaker 1>when it premiered was a movie uh that that was

0:29:19.240 --> 0:29:23.160
<v Speaker 1>about logging and a hockey game. So sports had always

0:29:23.160 --> 0:29:26.120
<v Speaker 1>been part of HBO. Also, stand up comedy specials had

0:29:26.120 --> 0:29:28.760
<v Speaker 1>been a part of HBO since the early days. Oh yeah, yeah,

0:29:28.760 --> 0:29:31.760
<v Speaker 1>those really great old rap and Williams or Richard pryor special.

0:29:31.880 --> 0:29:33.880
<v Speaker 1>Steve Martin had a good one too. Yeah. You had

0:29:33.880 --> 0:29:36.520
<v Speaker 1>a bunch of people who were the the kind of

0:29:36.640 --> 0:29:40.280
<v Speaker 1>the loudest voices of comedy in the seventies and eighties.

0:29:40.320 --> 0:29:43.960
<v Speaker 1>George Carlin another one. Some amazing comedians who would get

0:29:43.960 --> 0:29:46.520
<v Speaker 1>their HBO special. And even to this day, you'll hear

0:29:46.720 --> 0:29:49.680
<v Speaker 1>comedians talk about, you know, feeling like they made it

0:29:49.720 --> 0:29:52.120
<v Speaker 1>when they got an HBO special like that. That was

0:29:52.160 --> 0:29:54.400
<v Speaker 1>like a mark of success. You know, that's when you

0:29:54.440 --> 0:29:57.560
<v Speaker 1>know you've you've arrived. They continued to do that, so

0:29:57.880 --> 0:30:00.920
<v Speaker 1>stand up comedy also big. They also ended up backing

0:30:00.960 --> 0:30:05.080
<v Speaker 1>several documentary series. They ended up creating several series, including

0:30:05.080 --> 0:30:09.120
<v Speaker 1>a brand called America Undercover. There's several documentaries in that series,

0:30:09.600 --> 0:30:13.320
<v Speaker 1>and that helped to differentiate them again more from the

0:30:13.360 --> 0:30:16.479
<v Speaker 1>showtimes in the world. Now, keep in mind Showtime at

0:30:16.480 --> 0:30:19.240
<v Speaker 1>this point not really getting into original programming that much,

0:30:20.000 --> 0:30:22.520
<v Speaker 1>and they were still very much dependent upon the uncut,

0:30:22.600 --> 0:30:26.280
<v Speaker 1>uncensored versions of movies. HBO was trying to kind of

0:30:26.520 --> 0:30:29.520
<v Speaker 1>break away from that a little bit, while still having

0:30:29.560 --> 0:30:32.840
<v Speaker 1>movies on the channel, but trying to differentiate themselves by

0:30:32.880 --> 0:30:36.120
<v Speaker 1>adding variety that you could not get anywhere else. A right, right,

0:30:36.160 --> 0:30:38.680
<v Speaker 1>it's a little bit if you remember from our cable

0:30:38.840 --> 0:30:42.520
<v Speaker 1>provider and streaming media discussion, or I mean, if you

0:30:42.560 --> 0:30:45.640
<v Speaker 1>pay attention to the Internet these days, a little bit

0:30:45.680 --> 0:30:48.120
<v Speaker 1>of what what Netflix is doing to kind of try

0:30:48.160 --> 0:30:51.680
<v Speaker 1>to move itself forward in front of channels like HBO.

0:30:51.720 --> 0:30:54.040
<v Speaker 1>In fact, if HBO had not done this, we would

0:30:54.040 --> 0:30:57.000
<v Speaker 1>not have a Netflix, and we certainly wouldn't have a

0:30:57.040 --> 0:30:59.640
<v Speaker 1>Netflix that's making its own content. Same thing with Hulu,

0:30:59.680 --> 0:31:02.760
<v Speaker 1>same thing with Amazon. The reason why they're able to

0:31:02.840 --> 0:31:05.920
<v Speaker 1>make their own content, why that's a viable choice, is

0:31:05.960 --> 0:31:08.760
<v Speaker 1>because HBO tried it and made it work. Now, not

0:31:08.880 --> 0:31:12.040
<v Speaker 1>everything HBO did with the independent stuff that they did.

0:31:12.080 --> 0:31:14.280
<v Speaker 1>The original programming stuff worked, and we'll talk a lot

0:31:14.320 --> 0:31:18.080
<v Speaker 1>about some of both the successes and the failures. Um.

0:31:18.160 --> 0:31:21.680
<v Speaker 1>Not everything caught on. However, they also partnered at that

0:31:21.760 --> 0:31:25.040
<v Speaker 1>time with a company called Thorne E m I, which

0:31:25.080 --> 0:31:28.520
<v Speaker 1>was an independent film producer and video distributor. So their

0:31:28.600 --> 0:31:32.120
<v Speaker 1>main business model was to partner with other movie studios

0:31:32.120 --> 0:31:35.280
<v Speaker 1>that did not have a home video distribution market. So

0:31:35.720 --> 0:31:38.600
<v Speaker 1>some of the big ones did they they had they

0:31:38.640 --> 0:31:40.920
<v Speaker 1>had it all in place where either they had their

0:31:40.920 --> 0:31:44.440
<v Speaker 1>own production company or distribution company, or they partnered with

0:31:44.480 --> 0:31:47.560
<v Speaker 1>someone already. Thorny and I would would partner with lots

0:31:47.600 --> 0:31:50.440
<v Speaker 1>of smaller, smaller distribution companies, so they ended up getting

0:31:50.440 --> 0:31:53.640
<v Speaker 1>a lot of um we all those cheap action movies,

0:31:53.800 --> 0:31:56.680
<v Speaker 1>you know, the ones that started Internet, Darling, Chuck Norris,

0:31:56.720 --> 0:32:01.160
<v Speaker 1>those were big ones. But uh. The following year six

0:32:01.360 --> 0:32:05.080
<v Speaker 1>Cannon Pictures bought out thorn em I's interest, so HBO

0:32:05.120 --> 0:32:08.800
<v Speaker 1>and thorny em I had um HBO and thorny em

0:32:08.840 --> 0:32:11.680
<v Speaker 1>I had partnered together. Cannon Pictures comes in buys out

0:32:11.680 --> 0:32:14.080
<v Speaker 1>thorn em I, but still partners with HBO and it

0:32:14.120 --> 0:32:17.960
<v Speaker 1>becomes HBO slash Cannon Video and again most of the

0:32:18.040 --> 0:32:22.840
<v Speaker 1>movies low budget action films, awesome movies, not taking anything

0:32:22.840 --> 0:32:27.440
<v Speaker 1>away from him. By seven, HBO Cannon ends up being

0:32:27.440 --> 0:32:31.080
<v Speaker 1>renamed HBO Video. Short time later, it changes names again

0:32:31.280 --> 0:32:36.400
<v Speaker 1>to HBO Entertainment, and uh, they had a few successes,

0:32:36.440 --> 0:32:39.520
<v Speaker 1>but really it was touch and go for a while.

0:32:39.640 --> 0:32:43.440
<v Speaker 1>It wouldn't be until HBO original programming really took off

0:32:43.800 --> 0:32:47.640
<v Speaker 1>in the nineties when HBO Entertainment had it made because

0:32:47.680 --> 0:32:52.080
<v Speaker 1>now they became the distribution for HBO originals that everybody

0:32:52.120 --> 0:32:53.880
<v Speaker 1>wanted to have, all right, but at the time it

0:32:53.920 --> 0:32:57.800
<v Speaker 1>was really just scraping by moving on to Night six.

0:32:57.840 --> 0:33:01.760
<v Speaker 1>That's when HBO established hbo Ocase, which was an actual

0:33:01.800 --> 0:33:04.880
<v Speaker 1>production company. So they had already moved into distribution, and

0:33:04.920 --> 0:33:07.760
<v Speaker 1>they had a production company over on the West Coast

0:33:07.800 --> 0:33:11.120
<v Speaker 1>in Los Angeles called HBO Pictures, but now they wanted

0:33:11.120 --> 0:33:13.680
<v Speaker 1>to create another production company on the East coast, so

0:33:13.760 --> 0:33:16.200
<v Speaker 1>this one was based in New York and the idea

0:33:16.280 --> 0:33:19.880
<v Speaker 1>was to make grittier, more you know, kind of realistic

0:33:20.240 --> 0:33:24.960
<v Speaker 1>or hard hitting movies than HBO Pictures was known for.

0:33:25.160 --> 0:33:28.400
<v Speaker 1>So their first picture was about a KGB agent who

0:33:28.480 --> 0:33:30.800
<v Speaker 1>was involved in a big CIA operation. This was actually

0:33:30.800 --> 0:33:35.480
<v Speaker 1>a true story about Uri Nasinko, so they they were

0:33:35.640 --> 0:33:38.960
<v Speaker 1>going kind of this this hard, gritty route, and in

0:33:39.040 --> 0:33:42.560
<v Speaker 1>general people said it felt more like HBO, whereas the

0:33:42.560 --> 0:33:46.560
<v Speaker 1>stuff from HBO Pictures a little more you know, glossy

0:33:46.640 --> 0:33:50.920
<v Speaker 1>and glitzy certainly had bigger budgets, had access to bigger names,

0:33:51.000 --> 0:33:56.360
<v Speaker 1>so you saw more movie stars in HBO Pictures productions,

0:33:56.360 --> 0:33:59.080
<v Speaker 1>but the HBO Showcase would be the kind of more

0:33:59.120 --> 0:34:02.800
<v Speaker 1>down to earth stuff. So both of these would eventually

0:34:03.080 --> 0:34:07.840
<v Speaker 1>merge together and become HBO Films, and Colin Callender, who

0:34:07.880 --> 0:34:10.640
<v Speaker 1>had been the head of HBO Showcase, became the head

0:34:10.680 --> 0:34:13.960
<v Speaker 1>of this whole department. I'm sure there were some grumblings

0:34:13.960 --> 0:34:17.680
<v Speaker 1>on both sides. I'm sure the the the Showcase folks

0:34:17.719 --> 0:34:20.719
<v Speaker 1>were thinking, you know, they get all the money and

0:34:20.760 --> 0:34:23.320
<v Speaker 1>they get they get access to all that talent, whereas

0:34:23.360 --> 0:34:26.759
<v Speaker 1>the Pictures folks were probably thinking, they have this crazy reputation,

0:34:26.840 --> 0:34:29.319
<v Speaker 1>which we should have because look at what we're doing.

0:34:29.360 --> 0:34:32.279
<v Speaker 1>So so everyone get together and play nice. Yeah. Uh.

0:34:32.480 --> 0:34:35.600
<v Speaker 1>Fortunately they were separated by the rest of the United States,

0:34:35.640 --> 0:34:37.319
<v Speaker 1>with one being in l a and the other being

0:34:37.320 --> 0:34:39.359
<v Speaker 1>in New York, so I think they could they were

0:34:39.400 --> 0:34:41.960
<v Speaker 1>insulated enough where it wasn't too much of a problem.

0:34:42.000 --> 0:34:46.640
<v Speaker 1>Also in now, this is another big moment in HBO

0:34:46.760 --> 0:34:51.560
<v Speaker 1>history because it established a practice that ended up becoming

0:34:51.600 --> 0:34:55.040
<v Speaker 1>an industry wide standard. It's another reason why we really

0:34:55.040 --> 0:34:58.439
<v Speaker 1>wanted to talk about HBO at length, because so many

0:34:58.480 --> 0:35:02.360
<v Speaker 1>of the things they did influenced multiple industries. In this case,

0:35:02.800 --> 0:35:07.719
<v Speaker 1>they began to scramble or encode signals full time. For

0:35:07.840 --> 0:35:10.600
<v Speaker 1>those satellite signals. Now, if you listen to the first episode,

0:35:10.600 --> 0:35:14.000
<v Speaker 1>you learned about HBO using up links to send a

0:35:14.040 --> 0:35:17.279
<v Speaker 1>signal up to a satellite, which used transponders leased by

0:35:17.440 --> 0:35:20.000
<v Speaker 1>HBO to amplify the signal send it back down to

0:35:20.080 --> 0:35:23.120
<v Speaker 1>down links across the nation to cable providers. Because it

0:35:23.160 --> 0:35:26.200
<v Speaker 1>spread out over the entirety of North America. And at

0:35:26.239 --> 0:35:29.200
<v Speaker 1>this point, the cost of purchasing a satellite dish for

0:35:29.239 --> 0:35:32.480
<v Speaker 1>yourself head lowered to the point where where common families

0:35:32.520 --> 0:35:34.319
<v Speaker 1>could purchase one if they wanted, Yeah, if they if

0:35:34.360 --> 0:35:36.400
<v Speaker 1>they saved up. I mean even back when it was

0:35:36.440 --> 0:35:38.680
<v Speaker 1>still tens of thousands of dollars, you had a few

0:35:38.719 --> 0:35:42.000
<v Speaker 1>crazy people with lots of money buying these things. Because

0:35:42.360 --> 0:35:45.400
<v Speaker 1>the signals weren't scrambled, the signals were clear. So so

0:35:45.480 --> 0:35:47.440
<v Speaker 1>once you bought in what I mean for for the

0:35:47.440 --> 0:35:50.279
<v Speaker 1>purchase price of that satellite dish, you could watch whatever

0:35:50.320 --> 0:35:54.200
<v Speaker 1>you wanted to absolutely free. And so pay TV stations

0:35:54.239 --> 0:35:56.400
<v Speaker 1>didn't like this because you didn't have to subscribe to

0:35:56.520 --> 0:35:59.000
<v Speaker 1>cable at all. Cable companies didn't like it because you

0:35:59.040 --> 0:36:01.239
<v Speaker 1>didn't have to subscribe to cable at all. You just

0:36:01.320 --> 0:36:04.520
<v Speaker 1>had this dish, which at the time was enormous. Uh.

0:36:04.640 --> 0:36:08.080
<v Speaker 1>This was before they had developed the the dishes that

0:36:08.239 --> 0:36:10.520
<v Speaker 1>are more common these days. This is when if you

0:36:10.560 --> 0:36:13.000
<v Speaker 1>remember back in the eighties, the enormous satellite dishes that

0:36:13.080 --> 0:36:14.600
<v Speaker 1>might be out in front of someone's yard or in

0:36:14.640 --> 0:36:16.680
<v Speaker 1>the backyard. That's what I'm talking about, the big like

0:36:16.800 --> 0:36:20.480
<v Speaker 1>nine footers. So you're able to get these signals clear.

0:36:20.600 --> 0:36:23.600
<v Speaker 1>And not only that, broadcast television hated it. And you

0:36:23.680 --> 0:36:25.880
<v Speaker 1>might think, well, why did broadcast television hate it? You

0:36:25.880 --> 0:36:29.520
<v Speaker 1>could get those shows for free using an antenna. Well,

0:36:29.560 --> 0:36:32.160
<v Speaker 1>it's because those shows aren't really free. The reason why

0:36:32.160 --> 0:36:35.320
<v Speaker 1>those shows are are possible at almost because their ads

0:36:35.320 --> 0:36:41.080
<v Speaker 1>supported right advertisers by advertising time on those shows, and

0:36:41.160 --> 0:36:44.680
<v Speaker 1>that money goes to the production companies. They are more

0:36:44.760 --> 0:36:47.719
<v Speaker 1>steps in here, but in general, the production companies are

0:36:47.760 --> 0:36:50.920
<v Speaker 1>able to make shows because the money made through advertising. Well,

0:36:51.000 --> 0:36:53.480
<v Speaker 1>if you're using a satellite to pull down the raw feed,

0:36:53.680 --> 0:36:55.840
<v Speaker 1>you're getting the raw feed, you're getting what's called the

0:36:55.880 --> 0:36:58.759
<v Speaker 1>back haul feed, which is before they put any commercials

0:36:58.800 --> 0:37:02.480
<v Speaker 1>into the content. So you were getting commercial free content

0:37:02.600 --> 0:37:06.320
<v Speaker 1>from all the different providers, something that broadcast and cable

0:37:06.360 --> 0:37:09.840
<v Speaker 1>stations and cable providers all hated. So how do you

0:37:09.840 --> 0:37:12.480
<v Speaker 1>fix this problem? Well, what HBO decided to do was

0:37:12.520 --> 0:37:16.960
<v Speaker 1>to invest in, uh this encoding and scrambling technology. They

0:37:17.520 --> 0:37:20.560
<v Speaker 1>ended up going with General Instruments video cipher to to

0:37:20.760 --> 0:37:24.239
<v Speaker 1>encrypt the audio and video signals. Once they've done that,

0:37:24.320 --> 0:37:27.280
<v Speaker 1>you'd have to have a decryption box on the private

0:37:27.400 --> 0:37:30.760
<v Speaker 1>end in order to decrypt the signals. Right, So cable

0:37:30.840 --> 0:37:34.239
<v Speaker 1>companies had these D scramblers, Right, they can just descramble it,

0:37:34.239 --> 0:37:37.040
<v Speaker 1>and they had an agreement with HBO. Originally it was

0:37:37.120 --> 0:37:40.560
<v Speaker 1>just HBO, but other other channels would follow suit. So

0:37:40.719 --> 0:37:44.080
<v Speaker 1>HBO ended up, like I said, creating this industry standard approach.

0:37:44.480 --> 0:37:47.520
<v Speaker 1>So the cable providers would all have these D scramblers,

0:37:47.520 --> 0:37:50.040
<v Speaker 1>and as a private citizen, you could get a D scrambler,

0:37:50.400 --> 0:37:53.920
<v Speaker 1>but uh, it wouldn't necessarily work. You'd have to pay

0:37:54.160 --> 0:37:56.200
<v Speaker 1>HBO to have access. You could actually go out and

0:37:56.239 --> 0:38:00.680
<v Speaker 1>buy chips that would decrypt things for you, but often

0:38:00.719 --> 0:38:02.879
<v Speaker 1>these chips would only be good for about a month,

0:38:03.280 --> 0:38:05.600
<v Speaker 1>and what would happen is that the provider on the

0:38:05.600 --> 0:38:09.399
<v Speaker 1>other end would see that someone usually it's some fake

0:38:09.480 --> 0:38:14.319
<v Speaker 1>address that's been made out to a customer has not

0:38:14.440 --> 0:38:16.840
<v Speaker 1>paid their bill, and so they cut off the service.

0:38:16.840 --> 0:38:18.760
<v Speaker 1>So for a month you have service, and then suddenly

0:38:18.800 --> 0:38:21.640
<v Speaker 1>you don't. So people kept trying to find ways to

0:38:21.640 --> 0:38:25.000
<v Speaker 1>get around this, but it meant that for the most part,

0:38:25.080 --> 0:38:27.319
<v Speaker 1>it was much harder to pirate a signal. Now, this

0:38:27.480 --> 0:38:32.480
<v Speaker 1>made satellite dish owners very, very angry. They felt entitled

0:38:32.520 --> 0:38:35.120
<v Speaker 1>to the stuff they were stealing because, in their minds,

0:38:35.120 --> 0:38:37.839
<v Speaker 1>they had paid thousands of dollars for a salar dish,

0:38:38.120 --> 0:38:41.000
<v Speaker 1>therefore they should have access to all this content, despite

0:38:41.000 --> 0:38:43.680
<v Speaker 1>the fact that all the content providers are saying, yeah, see,

0:38:43.840 --> 0:38:47.080
<v Speaker 1>the money you spent didn't go to help pay for

0:38:47.120 --> 0:38:50.600
<v Speaker 1>the actual content, and unless we get paid for the

0:38:50.640 --> 0:38:54.560
<v Speaker 1>content we make, we can't make it. So you're actually

0:38:54.680 --> 0:38:58.560
<v Speaker 1>talking about a behavior that ultimately will completely destroy the

0:38:58.600 --> 0:39:02.200
<v Speaker 1>business that you want to to enjoy. You want this content,

0:39:02.360 --> 0:39:04.879
<v Speaker 1>you want to be able to watch stuff, but if

0:39:04.960 --> 0:39:07.080
<v Speaker 1>we're not getting money for it, we can't make the

0:39:07.120 --> 0:39:10.080
<v Speaker 1>stuff you want to watch. But the satellite provide. Satellite

0:39:10.120 --> 0:39:15.359
<v Speaker 1>owners said, I want my free HBO. So Jonathan has

0:39:15.360 --> 0:39:18.359
<v Speaker 1>some opinions. I don't side with the pirates on this one.

0:39:18.800 --> 0:39:22.319
<v Speaker 1>To be honest, I mean I understand. I understand the

0:39:22.400 --> 0:39:25.040
<v Speaker 1>other arguments, which we'll get into when we talk about streaming.

0:39:25.680 --> 0:39:28.400
<v Speaker 1>I'll you know, it's not that I don't feel empathy

0:39:28.440 --> 0:39:31.040
<v Speaker 1>for folks who want to have access to content. It's

0:39:31.080 --> 0:39:33.600
<v Speaker 1>just that if you had the choice of either spending

0:39:34.040 --> 0:39:36.280
<v Speaker 1>thousands of dollars for a satellite dish and then stealing

0:39:36.320 --> 0:39:40.080
<v Speaker 1>everything or the just sub that that is a different issue,

0:39:40.200 --> 0:39:42.719
<v Speaker 1>and it's a little bit on the silly end um.

0:39:42.760 --> 0:39:47.440
<v Speaker 1>But meanwhile, also in six uh, Jeff Bukes became HBO's

0:39:47.520 --> 0:39:51.439
<v Speaker 1>chief financial officer. He wouldn't be finished rising the ranks

0:39:51.440 --> 0:39:53.200
<v Speaker 1>because if you listen to our last episode, we kind

0:39:53.200 --> 0:39:57.400
<v Speaker 1>of gave it away. Seven HBO launches festival. This is

0:39:57.400 --> 0:40:00.520
<v Speaker 1>gonna sound like it's a like it's a deja vu

0:40:00.719 --> 0:40:03.720
<v Speaker 1>all over again. All right, Right, Remember take two. Yeah,

0:40:03.800 --> 0:40:07.480
<v Speaker 1>that was the idea of creating a kid friendly network

0:40:07.600 --> 0:40:10.960
<v Speaker 1>that was lower priced, so people who weren't either willing

0:40:11.000 --> 0:40:14.040
<v Speaker 1>to pay the full subscription price for HBO or objected

0:40:14.080 --> 0:40:17.160
<v Speaker 1>to the content would have an alternative. It also did

0:40:17.200 --> 0:40:19.799
<v Speaker 1>not work. Yeah, apparently they didn't learn anything from Take

0:40:19.840 --> 0:40:22.239
<v Speaker 1>two because Festival, to me, sounds like it was the

0:40:22.320 --> 0:40:24.960
<v Speaker 1>same thing, exactly the same thing. Yeah, it would it

0:40:24.960 --> 0:40:29.040
<v Speaker 1>would find up getting canceled entirely than a year. Yeah.

0:40:29.080 --> 0:40:31.879
<v Speaker 1>The problem was that they were trying to target two

0:40:31.880 --> 0:40:36.240
<v Speaker 1>different populations. They wanted to target the conservative older people

0:40:36.239 --> 0:40:39.040
<v Speaker 1>who didn't want all that filth on their TV, and

0:40:39.080 --> 0:40:42.080
<v Speaker 1>they wanted to target families with young children who wanted

0:40:42.120 --> 0:40:45.040
<v Speaker 1>to have kid friendly programming. But the problem was all

0:40:45.080 --> 0:40:47.279
<v Speaker 1>the older conservatives said, why do you have all this

0:40:47.680 --> 0:40:50.879
<v Speaker 1>children programming on my station? I don't want any of this.

0:40:50.880 --> 0:40:53.320
<v Speaker 1>This is not interesting to me. And all the families

0:40:53.320 --> 0:40:55.799
<v Speaker 1>were saying, I got this channel so that I could

0:40:55.800 --> 0:40:58.000
<v Speaker 1>watch stuff and my kids could watch stuff. But when

0:40:58.000 --> 0:40:59.680
<v Speaker 1>my kids have gone to bed, the only stuff you

0:40:59.760 --> 0:41:02.440
<v Speaker 1>have on is on Golden PONDT times in a row.

0:41:03.239 --> 0:41:07.880
<v Speaker 1>I don't care about that. So neither target audience was satisfied.

0:41:08.360 --> 0:41:11.640
<v Speaker 1>So it's the lesson here is, if you want to

0:41:11.640 --> 0:41:17.799
<v Speaker 1>target two very different audiences, splitting the difference hardly ever works. Yes.

0:41:18.360 --> 0:41:22.000
<v Speaker 1>Um the next year though in something with kids did

0:41:22.040 --> 0:41:24.920
<v Speaker 1>work out. Yes, The Kids in the Hall in fact

0:41:25.120 --> 0:41:29.239
<v Speaker 1>premiered on HBO. Canadian sketch comedy Troupe Brilliant, one of

0:41:29.280 --> 0:41:32.560
<v Speaker 1>my favorites. Seen him live, good stuff. Yeah, yeah, I've

0:41:32.560 --> 0:41:34.600
<v Speaker 1>only seen him live once. My wife seen him live twice.

0:41:35.080 --> 0:41:37.279
<v Speaker 1>She likes to hold that over me, but yeah, no,

0:41:37.520 --> 0:41:40.400
<v Speaker 1>fantastic one of the one of the moves where HBO

0:41:40.400 --> 0:41:43.759
<v Speaker 1>Original programming really started to break away. And we've got

0:41:43.760 --> 0:41:47.440
<v Speaker 1>a lot more to say about HBO Original programming, so

0:41:47.520 --> 0:41:50.680
<v Speaker 1>much so that we've done another episode of HBO coming up.

0:41:51.000 --> 0:41:53.560
<v Speaker 1>So here's the thing, guys, if you have any ideas

0:41:53.600 --> 0:41:57.320
<v Speaker 1>for episodes that we should definitely take on in the future,

0:41:57.800 --> 0:42:00.160
<v Speaker 1>let us know. Send us an email. All address is

0:42:00.239 --> 0:42:03.840
<v Speaker 1>tech Stuff at Discovery dot com, or drop us a

0:42:03.880 --> 0:42:07.120
<v Speaker 1>line on Facebook, whether or Tumbler or handle it. All

0:42:07.160 --> 0:42:10.080
<v Speaker 1>three is tech Stuff hs W and we will talk

0:42:10.080 --> 0:42:16.239
<v Speaker 1>to you again really soon for more on this and

0:42:16.320 --> 0:42:18.879
<v Speaker 1>thousands of other topics. Because it has staff works dot

0:42:18.880 --> 0:42:28.800
<v Speaker 1>Com