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Speaker 1: Who's that knocking at the door.

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Speaker 2: It's all your friends.

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Speaker 3: You've filthy horse, your husband's gone, and we've got books

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Speaker 3: and a bottle of wine to kill.

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Speaker 2: It's Hollywood, it's books, it's gossip.

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Speaker 1: I'm sure it's memoir, it's Martinis.

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Speaker 2: Celebrity Book Club, Read it while it's hot. Celebrity poof Club.

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Speaker 2: Tell your secrets.

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Speaker 1: We won't talk celebrity books.

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Speaker 3: No boys are a loud celebrity book say it loud

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Speaker 3: and cloud.

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Speaker 1: Celebrity book Club.

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Speaker 2: Buzz me in. I brought the queer vow.

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Speaker 1: Hey, best friend, So good to see you in beautiful

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Speaker 1: Los Angeles, California.

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Speaker 2: It's so good to see you. It's crazy. It's almost

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Speaker 2: like I haven't been spending really every second of every

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Speaker 2: nine nine six.

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Speaker 1: How long does it take to go on a four

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Speaker 1: city tour?

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Speaker 2: You look fully like Nate from Gossip Girl.

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Speaker 1: Oh thank you. I've insane at an amazing gay apartment

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Speaker 1: in Studio City. Shout out to Blaine and Miles letting

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Speaker 1: me crash at your mid century pad. And I've been

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Speaker 1: so inspired by their wardrobe and wearing a lot of

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Speaker 1: their clothes. To be quite honest, that like you started

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Speaker 1: this thing where like, oh, I hate all the clothes

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Speaker 1: that I brought with you.

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Speaker 2: They're discussed well, so we've been wearing them in the suitcase.

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Speaker 2: You really disgusting.

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Speaker 1: So I tried to kind of like augment my look

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Speaker 1: as much as possible. So I was like, Okay, let

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Speaker 1: me go like more big gen z like loose tie,

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Speaker 1: like big button down.

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Speaker 2: But it's also kind of its Innate meets Avril with

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Speaker 2: the loose tie.

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Speaker 3: Yeah.

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Speaker 1: Anyway, I'm just trying to be like a little bit

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Speaker 1: more like funky crazy fashion girl.

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Speaker 2: I almost went Avril mode yesterday. I was stomping down

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Speaker 2: Melrose going to punk stores and finted stores and like

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Speaker 2: bespoke stores, and I almost bought a fixed fifty six

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Speaker 2: dollars studded belt at a store literally called.

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Speaker 1: Wunk the fuck.

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Speaker 2: I mean, I just had that thought. I didn't almost buy.

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Speaker 2: It was in a glass case, and I looked at

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Speaker 2: it and was like, maybe I need to return to

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Speaker 2: my fourteen year old style and get a studded belt.

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Speaker 1: It would be so great.

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Speaker 2: It would because like I feel like our star of

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Speaker 2: our live show, Cojo is like telling me to be

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Speaker 2: even more rocker.

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Speaker 1: Yeah, I think that maybe he's right about that.

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Speaker 2: Right, Like I'm in my punk band tea, Like, let's

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Speaker 2: just add the stud of belt.

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Speaker 1: Speaking of rock stars, do you have an absolute rock

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Speaker 1: star here today?

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Speaker 2: It's crazy, a celebrity, a creator, a digital content creator,

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Speaker 2: you know.

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Speaker 1: Because I was like, I was like, oh, we're in

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Speaker 1: Los Angeles, we have this like studio, Like, how are

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Speaker 1: we going to use this space? How are we going

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Speaker 1: to activate the space? Like, what's something that we can

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Speaker 1: only do here in the City of Angels.

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Speaker 2: And it's talked to a gay guy from l And

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Speaker 2: that's how you activate the studio.

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Speaker 1: Yeah, talk to someone who literally knows this town up

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Speaker 1: and down, someone who has conquered Tinsel.

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Speaker 2: Yeah, really owns.

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Speaker 1: From the Trousdale Estates to the Long Beach.

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Speaker 2: Pier Paramount lot. They say, come on in. We don't

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Speaker 2: even need to check ideas.

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Speaker 1: No, he's crossing picket lines left and right, and the

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Speaker 1: picketers are just like, let her end. She's a Slagana.

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Speaker 1: Of course, we're talking about none other than you know

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Speaker 1: him from HBO.

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Speaker 2: Max is now known as Max's.

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Speaker 1: From his hilarious Instagram and his fabulous house that he

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Speaker 1: got like ago, and we'll talk.

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Speaker 2: About live Okay. So the podcast is over. We're just

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Speaker 2: gonna go over.

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Speaker 1: Of course we're talking about none of them.

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Speaker 2: Charles Roger, Oh.

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Speaker 3: My god, well, thank you. I'm a huge I told

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Speaker 3: you already. I'm a huge fan.

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Speaker 1: So it's true. It's true.

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Speaker 3: Like in the comedy community, we often don't listen to

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Speaker 3: each other's things, actively try to avoid each other. You're

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Speaker 3: the exception for you. Guys are the exception for me.

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Speaker 3: So and I don't even know you that well, so

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Speaker 3: it makes me feel like a loser.

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Speaker 2: We just met seconds ago. Yeah, yeah, crazy, you're hotter

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Speaker 2: in person.

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Speaker 3: Thank you, I know, And I don't know how to

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Speaker 3: take pictures to make people realize.

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Speaker 1: You know, what's cool is that you know you're a

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Speaker 1: tall guy, which you know, I mean, I think still

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Speaker 1: counts for a lot in this town, I know. And

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Speaker 1: the phone it makes everyone small, right, it makes everyone

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Speaker 1: get three inches? Yeah, so you start to expect that.

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Speaker 1: Do you remember the first time we met? Was it

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Speaker 1: your audition? Yes, okay, yeah, yeah I remember. Well, for

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Speaker 1: the record, your audition was great. It was really good.

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Speaker 2: I'm amazing. Yeah.

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Speaker 3: No, genuinely I feel like maybe it wasn't. I've slightly

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Speaker 3: blocked it out the only reason why you did not.

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Speaker 1: Get that role, and I'm totally happen to be.

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Speaker 3: You should never have been called in for the role

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Speaker 3: of like a straight fifty year old man that was

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Speaker 3: supposed to be impregnating a cult like that casting director

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Speaker 3: I loved her, but friends would get called in for

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Speaker 3: things that was like, well, don't do that, like why

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Speaker 3: you know so like and I kind of knew who

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Speaker 3: you were to and so I was like, Oh, he's

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Speaker 3: really good, he's really funny. It sucks that this isn't

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Speaker 3: the right role for him.

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Speaker 1: It's kind of now like resurfacing in my mind a little.

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Speaker 3: Bit like you would have been married to Parker Posey

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Speaker 3: as like I mean that of course that's fabulous, Like she's.

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Speaker 1: Like the ultimate like fag kuake.

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Speaker 2: And she would be.

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Speaker 3: It would have confused the plot because it was supposed

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Speaker 3: to be like is this cult like a baby making cult?

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Speaker 3: So it needed to be this like very straight archetypem right,

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Speaker 3: very There's no reason why you got called in.

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Speaker 1: Nobody would believe that I'd be emptying my balls into

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Speaker 1: my chick.

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Speaker 2: But I think there's a different indie movie where you

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Speaker 2: are like maybe like in a consensual ancestral relationship with

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Speaker 2: Parker Posy. She's your mother, yeah, and there's something we're

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Speaker 2: going on. It's a very dark film.

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Speaker 3: I love that, you know, it's very very housive, yes,

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Speaker 3: very housive yes.

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Speaker 2: And getting banned in like Canada, right or something.

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Speaker 1: And I'm like struggling to like and she's like every

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Speaker 1: time you win a local like flute wrists idol, like

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Speaker 1: I blow you. And she's trying to get me to

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Speaker 1: be this like champion Flowdess whatever it's called.

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Speaker 2: The and everyone is like, oh my god. There's protests

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Speaker 2: outside the premiere of The Flow. So we're pitching, Yeah.

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Speaker 4: What do you think.

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Speaker 1: Controversial new film? Okay, see now I'm remembering what the

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Speaker 1: audition that like, maybe I did have to kind of

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Speaker 1: like put on an air of strength no.

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Speaker 3: Matter what you were great, like you were like flowing

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Speaker 3: and great. And then truly, there's no reason why you

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Speaker 3: guys weren't in the show, like for real.

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Speaker 1: Didn't know. I don't know you.

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Speaker 2: I think that's the reason, and I'm fine with that.

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Speaker 3: It was up to you to yourself to me earlier.

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Speaker 1: And I love the idea of like all these casting

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Speaker 1: directors just kind of like giving you. They're like, they're like,

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Speaker 1: what about Lily Moran? And you're like, I feel like I.

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Speaker 2: Should have been more like a king Oprah walk driving

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Speaker 2: around with my VHS tape, banging on the door of

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Speaker 2: the casting just being like let me in, and they're like, fine,

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Speaker 2: you have thirty.

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Speaker 1: Seconds, ye show me what you got.

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Speaker 2: And I do, like a Shakespeare monologue lost in accent

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Speaker 2: place for that in a leather jacket, and you're like.

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Speaker 1: It just doesn't work with the world.

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Speaker 2: Yeah, And you're like, look, no, but keep at it,

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Speaker 2: and they're just bad.

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Speaker 1: I think that was Lady Gaga doing her Italian man character.

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Speaker 1: I mean struggling.

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Speaker 3: And when you've got a show, you make a lot

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Speaker 3: of enemies out of like friends, who wants.

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Speaker 1: Does anyone still like you in this town? Or is it?

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Speaker 1: Has every bridge been burnt?

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Speaker 3: I'm just learning to love myself, so it is one yeah,

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Speaker 3: So okay, how are you.

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Speaker 2: Learning to love yourself? Is it by reading You Pray Love,

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Speaker 2: which you revealed that that that you're reading it's.

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Speaker 3: A part of that's in tandem with my self love expression.

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Speaker 3: But I actually went to a legendary retreat called the

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Speaker 3: Hoffmann Institute. If you've ever heard of it.

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Speaker 1: I've only heard of it from you posting about it.

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Speaker 4: Okay, Okay, I'm obsessed with but I definitely like ever

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Speaker 4: since you posted, and I've been thinking to myself, like

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Speaker 4: and Stephen, one day you will go in.

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Speaker 3: There's divine timing around it, where like you go when

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Speaker 3: you're ready, and I wanted to go like five years ago.

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Speaker 3: I've known about it for years.

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Speaker 2: They didn't know about you, though, so they were an.

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Speaker 1: Auditioned for that and they were just like, I don't know,

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Speaker 1: I just don't. We don't see it.

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Speaker 3: And it's fucking intense and you have to do crazy,

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Speaker 3: like really emotionally intense, and it was exactly what I

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Speaker 3: was looking for.

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Speaker 1: So you're being a little vague right now.

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Speaker 2: I think they're like not allowed to like it was

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Speaker 2: really nice.

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Speaker 3: There was a day at the end where they were

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Speaker 3: like there's a right way to frame it, and then

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Speaker 3: there's like a wrong way to frame it, and the

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Speaker 3: and the wrong way to frame it is to be

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Speaker 3: like I had to kill myself, I had to kill

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Speaker 3: my parents. Then I met like this is like the

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Speaker 3: crazy way, but then.

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Speaker 1: Hold on, so like if you said that you had

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Speaker 1: to kill your parents. That would be framing and incorrectly

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Speaker 1: even if you didn't kill your parents.

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Speaker 3: You need to ease people into the idea of what

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Speaker 3: you do there by sort of like first framing it

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Speaker 3: as being like a very reasonable thing to want to do.

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Speaker 2: But okay, so can you tell us the day to day.

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Speaker 1: Or you like, but sorry? Is it psychiatric? Is itasca?

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Speaker 3: Is it like T is? It's a therapy based retreat.

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Speaker 1: Okay, and therapy as in you, as in Freud, as

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Speaker 1: in more like cdtka.

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Speaker 3: Of all of it. So here's what they don't say.

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Speaker 3: And for the record, if any Hoffman really if people

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Speaker 3: are listening, like I will champion Hoffman for the rest

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Speaker 3: of my life. But what they don't like.

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Speaker 1: Very like you're terrified of the Hoffmann it's coming after and.

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Speaker 2: If you're listening Hoffman and you're like X seven three,

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Speaker 2: five four.

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Speaker 3: Forever, So Bob Hoffman, the creator is dead. But what

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Speaker 3: they don't rest kind of what they don't push is

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Speaker 3: that he was a psychic. He was a gay psychic

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Speaker 3: in San Francisco.

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Speaker 2: Same, okay, obsessed already, Okay.

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Speaker 3: Like there's woo woo origins to this place, and they

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Speaker 3: kind of don't like promote that because people from like

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Speaker 3: Tampa common like Christians, and it's like a.

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Speaker 2: Tampa friendly retreat.

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Speaker 1: Okay, it's very like Okay, but Tampa is also worth

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Speaker 1: Scientology is headquartered, so I feel like they wouldn't be

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Speaker 1: left necessarily like afraid of the concept of a psycha.

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Speaker 2: There were definitely, like you're saying, like Tampa lesbian nurses

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Speaker 2: are coming to this retreat.

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Speaker 3: Mostly straight people. But it was it's there are Republicans there,

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Speaker 3: there are people that I was like, you're a Republican

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Speaker 3: from Florida who's like taking a chance on like a

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Speaker 3: California retreat basically.

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Speaker 1: Right, But you don't want to see too much mirroring

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Speaker 1: Williamson nonsense going on if you're a Tampa Republican.

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Speaker 3: But I'll say even those people, everyone.

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Speaker 1: At the end of the week, you're all crying, holding hands.

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Speaker 3: Like everyone is changed by this retreat. And it's so

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Speaker 3: it's boot camp. You wake up like six thirty, you

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Speaker 3: go to bed, it's like barracks, like it's not nice,

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Speaker 3: but then like the facility is really nice. A Michelin

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Speaker 3: chef does the food. It's like, what's the food.

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Speaker 1: It's very Stockholm where it's like.

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Speaker 2: Little salmon, gorgeous espresso, and then like the best qino

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Speaker 2: you've ever had, steamed lemon.

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Speaker 3: It's nineties. It's nineties California.

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Speaker 1: Okay, waters, it's very super freshto masculine the boots, I

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Speaker 1: like my tired child's just like I was.

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Speaker 2: Mainlining couscous in the nineties, Like, yeah, my mom was

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Speaker 2: just like couscous again tofu Pepper's.

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Speaker 1: Done, let's go.

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Speaker 3: Yeah, it's my least favorite kind of food.

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Speaker 1: Actually, do you have to do some sort of like job,

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Speaker 1: you know, to like relinquish.

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Speaker 3: Your It can't work out. You can't masturbate attention, you can't.

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Speaker 3: You can't have sex with other people there, you can't.

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Speaker 3: Like there's a lot of like it's very like sober.

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Speaker 1: You have to be right.

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Speaker 2: You can't take.

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Speaker 1: How do they know?

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Speaker 3: They don't know? And I couldn't.

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Speaker 2: Wonder are you in private barracks or do you have

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Speaker 2: like roomies?

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Speaker 3: Yeah, it's okay, it's not it's that part's not nice.

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Speaker 1: Well, so what's the more monastic part? Like I guess

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Speaker 1: that you're not supposed to mass rate or drink or whatever,

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Speaker 1: but like, do you have to like do some task

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Speaker 1: like you have to clean the buddhistatches the tooth press or.

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Speaker 3: Like the task is to find yourself. So it's all

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Speaker 3: very The shorthand of it is like your parents fucked

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Speaker 3: you up by like giving you a shame message the

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Speaker 3: eve internal like they telegraphed you a shame message eve

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Speaker 3: internalized that you react to in an infinite amount of

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Speaker 3: patterns which are just like unconscious behaviors that rule your life.

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Speaker 1: Okay, it's kind of class I feel like it's classic,

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Speaker 1: like exactly you learn your from your child.

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Speaker 2: Your parents screw you up.

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Speaker 1: And then and then you how loving they are.

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Speaker 3: We are, all of them.

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Speaker 2: I am just saying it on repeat.

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Speaker 3: You know what I mean, right, But yeah, and then

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Speaker 3: you just you do a lot there and you basically

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Speaker 3: go through a cycle of transformation. That's what they make

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Speaker 3: you do. So you go through like awareness and an expression.

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Speaker 3: You do like an entire inventory of like all of

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Speaker 3: your patterns before you.

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Speaker 1: Are you doing this in a circle where everyone is

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Speaker 1: being like, okay, share time, like.

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Speaker 3: You can share as much as little as you want.

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Speaker 3: And like there were people that I was like, oh

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Speaker 3: my god, when like Nancy goes back to Florida, Like

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Speaker 3: is she gonna leave her husband, like I knew her,

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Speaker 3: yeah yeah.

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Speaker 1: And then people I like had no idea what they're

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Speaker 1: so some people have like major plot lines going on. Yeah,

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Speaker 1: I feel like I would go because you're gay, you're

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Speaker 1: a sharer, so like right, And.

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Speaker 2: It does feel like the beginning of like a bachelor

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Speaker 2: when there's like twenty girls. There's three that are like

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Speaker 2: giving you the story and like seven that you're like,

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Speaker 2: I don't even know their names.

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Speaker 3: Right, It's like school. It's like I never really got

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Speaker 3: to know those people, you know, like there's always like yeah, yeah.

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Speaker 3: But the kicker of it is that you do a

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Speaker 3: lot of rage work where you're like trying to screamingkay,

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Speaker 3: like beating the shit out of things and and like

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Speaker 3: that's where you have to kill.

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Speaker 1: Off and is it is it very literal just being

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Speaker 1: like this pillow represents your mother's abandonment and then you

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Speaker 1: take like a pham baseball bat and you beat the

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Speaker 1: pillow and you're like fuck out mom, and.

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Speaker 2: You all in private. I feel like they have. I

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Speaker 2: saw one of those places like in Midtown and it's

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Speaker 2: just all these like old computers and printers and.

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Speaker 3: They oh, yeah, a rage room.

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Speaker 2: Yeah, and it's like a rage room for angry office workers.

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Speaker 3: Yeah.

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Speaker 1: I think the banging that was a big trend, like

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Speaker 1: post release of the film Space people saw it and

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Speaker 1: they're like, let me do this.

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Speaker 2: Tree was also sponsored by Office Space.

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Speaker 1: In the Office of Space, the Office.

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Speaker 2: Did you all leave with Hoffman and journals like Moleskins.

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Speaker 1: Well, so what's the new girl, No, there's a new

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Speaker 1: there's a third.

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Speaker 3: The lead baby moving into first she designed like all

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Speaker 3: the merch.

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Speaker 1: Yeah, and then we're which just nice, not just.

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Speaker 3: Institute.

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Speaker 1: You're telling me there is not a me too scandal

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Speaker 1: coming out of this institute, Honey, you're lying, Like, just wait,

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Speaker 1: in five years, I'm going to see a thirteen thousand

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Speaker 1: word expose in the Atlantic Problem.

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Speaker 2: The newdid is kind of the Gilain Maxwell and she

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Speaker 2: was the ringleader.

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Speaker 1: Parts of it that reminds me of Paris Hilton's like

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Speaker 1: abusive high schools that she went.

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Speaker 3: To, where they would do a little bit of the feast.

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Speaker 1: And famine where they're being like, we love you, You're amazing,

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Speaker 1: But then they do this thing where they all have

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Speaker 1: to insult each other for six hours straight. Right, But

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Speaker 1: you guys weren't doing that to each other you're doing

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Speaker 1: that to more like external ideas. I mean, it's all

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Speaker 1: through the lens of like you need to embody self

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Speaker 1: righteousness about the abuse you experienced as a kid from

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Speaker 1: your parents, which everyone did, because you've probably always enabled

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Speaker 1: it to have some hold over you by not fully

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Speaker 1: feeling the depths of being like, I'm in the right

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Speaker 1: to feel this way. They don't keep you in that.

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Speaker 1: They're just like, for right now, feel this like one

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Speaker 1: hundred percent so that you can move through it, because

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Speaker 1: otherwise you won't move through it right traverse.

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Speaker 2: And if you don't get angry, I mean, now I.

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Speaker 3: Believe in it.

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Speaker 1: Yeah, I want to go.

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Speaker 3: It's incredible. It's the most incredible thing I've ever done

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Speaker 3: in my life.

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Speaker 2: To scream, but also to hear other people's stories. This

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Speaker 2: would be such a bad therapist. I like, I would

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Speaker 2: be like instantly going on a podcast like she's fifty one,

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Speaker 2: her and her husband hadn't had sex and one and

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Speaker 2: a half years, and to.

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Speaker 1: Be honest, I don't think she's ever had an against Yeah,

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Speaker 1: you should have a podcast called my Clients.

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Speaker 3: My version of that is like sitting listening to people

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Speaker 3: and then being like this is such a good character.

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Speaker 3: I can't wait to write them. Like it's such a wait.

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Speaker 1: So are you now writing your own version of like

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Speaker 1: Getting On or whatever that show?

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Speaker 3: I'm writing something. Yeah, this is how I process life.

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Speaker 2: Yes, your art, I observe you know what I mean?

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Speaker 1: Well, like with rage.

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Speaker 3: So I went into the first day of rage thinking

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Speaker 3: that it was like the only day of it. I know,

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Speaker 3: I'm sorry. It just keeps.

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Speaker 2: And by the way, yet we're not doing a book.

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Speaker 2: The book is Hoffman. The book is you. The book

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Speaker 2: is everything that's happening with you today.

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Speaker 3: There are second wins of rage that you start to

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Speaker 3: realize like, oh, this is real. Like I thought I

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Speaker 3: was being rageful, but I was just a factor yeah,

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Speaker 3: and convincing myself. And then you get into like deeper

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Speaker 3: and deeper and deeper, and the stuff that we're all

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Speaker 3: stifling deep down is like what makes us insane in life.

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Speaker 3: That's like, I mean, it's problematic to say probably, but

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Speaker 3: like that's kind of the basis of mental illness.

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Speaker 1: The word insane is problematic. Have you seen that in

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Speaker 1: like the queer community now the word mad is used

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Speaker 1: as like a positive because insane can't be used. It's

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Speaker 1: very like identify as.

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Speaker 2: She's gone mad, they have gone mad. That's that's a

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Speaker 2: retro though it's twenty and.

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Speaker 1: Mad like that.

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Speaker 3: That's like s.

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Speaker 2: Affrican mad new coffee at astute.

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Speaker 3: But that's kind of that's what you're talking about, I

399
00:18:10,520 --> 00:18:14,119
Speaker 3: think kind of, which is that like what's underneath rage

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Speaker 3: is self love and that's like what we're not accessing

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Speaker 3: because of all the Yeah.

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Speaker 1: So I did an acting class once at the Susan

403
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Speaker 1: Batston Institute in Manhattan that Nicole Kindon studied there as well. Yeah,

404
00:18:27,280 --> 00:18:29,000
Speaker 1: and like I had a manager back when I had

405
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Speaker 1: a career and I was like getting auditions for things

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Speaker 1: such as your show. He was once like you should

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Speaker 1: like take an acting class, like it could be like good,

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Speaker 1: And so I did a couple of things. It was

409
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Speaker 1: this black box theater and it was like me and

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Speaker 1: it was like a lot of like Russian girls. But

411
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Speaker 1: there was this thing where you had to like freestyle

412
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Speaker 1: a monologue and she'd be like okay, like your best

413
00:18:48,320 --> 00:18:51,320
Speaker 1: friend in the world is dying and like say everything

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Speaker 1: that you want to say to them, and then you're

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Speaker 1: like crying all of a sudden and you're like, wait,

416
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Speaker 1: am I am I acting? Or am I not? And

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Speaker 1: I'm supposed to be acting, but I'm also I feel

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Speaker 1: like maybe I'm fake crying. I'm supposed to be like

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Speaker 1: real crying. And I remember like doing this one scene

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Speaker 1: and like getting really emotional but then kind of feeling

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Speaker 1: like okay, like I can't do it anymore, and like

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Speaker 1: kind of pulling away and like Susan being just like

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00:19:13,440 --> 00:19:16,520
Speaker 1: that was good, but like you really close down very quickly,

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Speaker 1: like you let it go, but then you pulled it

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Speaker 1: all back.

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Speaker 2: And that's the shame. You got embarrassed just because you

427
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Speaker 2: were afraid to actually cry, which is actually acting, right,

428
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Speaker 2: So why.

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Speaker 3: I don't know if you can learn to be an actor,

430
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Speaker 3: because like I don't. I'm the same way where I'm

431
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Speaker 3: like I can have like little pockets where I'm like, oh,

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Speaker 3: I know that I acted then like I dropped in,

433
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Speaker 3: but then it's like I think you have to be

434
00:19:37,440 --> 00:19:39,920
Speaker 3: a little bit wired in this sort of like dissociation

435
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Speaker 3: and sand.

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Speaker 2: Well, that's atal like the best actors like scientologists, what's

437
00:19:44,200 --> 00:19:47,639
Speaker 2: your name, Elizabeth Moss? You have to be like actually

438
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Speaker 2: kind of blank, right, so you can go there.

439
00:19:50,359 --> 00:19:53,440
Speaker 3: You're always a little dissociative and like muldible and yeah,

440
00:19:53,560 --> 00:19:55,960
Speaker 3: it's so enviable though, like because it's like I want to.

441
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Speaker 2: Go there and then they can go wild. Julia Roberts,

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Speaker 2: I'm sure is sweet, but blank.

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Speaker 3: I mean Meryl is a good version of like actually

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Speaker 3: having a personality or at least like giving the impression

445
00:20:08,359 --> 00:20:10,760
Speaker 3: of a personality in real life so that you like

446
00:20:10,800 --> 00:20:12,040
Speaker 3: think she's because like everyone else.

447
00:20:13,040 --> 00:20:15,600
Speaker 1: I don't know, but like Beyonce, for example, who is

448
00:20:15,640 --> 00:20:18,960
Speaker 1: such a blank personality. She's also not a really good actress.

449
00:20:18,960 --> 00:20:20,000
Speaker 1: I would say no.

450
00:20:20,040 --> 00:20:22,600
Speaker 2: But and have you seen Carmen the Hip Hopera?

451
00:20:22,840 --> 00:20:24,240
Speaker 1: I guess I've seen gold Member.

452
00:20:25,640 --> 00:20:28,840
Speaker 3: Don't feel like she wants I feel like.

453
00:20:28,880 --> 00:20:31,280
Speaker 1: She didn't lay the house on Boots and gold Member

454
00:20:31,320 --> 00:20:33,440
Speaker 1: in my opinion, But I guess like her like she.

455
00:20:33,480 --> 00:20:35,520
Speaker 3: Is acting, like when she's performing, like that's her.

456
00:20:35,560 --> 00:20:38,080
Speaker 1: She's really good on stage, but she doesn't think of

457
00:20:38,119 --> 00:20:39,359
Speaker 1: that as acting, you know what I mean, Like she

458
00:20:39,400 --> 00:20:42,359
Speaker 1: said that as performing, like that's her best acting. But

459
00:20:42,400 --> 00:20:44,359
Speaker 1: like give her a script and then she's flat.

460
00:20:44,440 --> 00:20:47,800
Speaker 3: Yeah, people's just not her road, different frequencies. She doesn't

461
00:20:47,840 --> 00:20:50,040
Speaker 3: want to do like brain. It's like she's more like

462
00:20:50,160 --> 00:20:52,920
Speaker 3: brand body. Yeah, yeah, that's her. Body of her brain

463
00:20:53,080 --> 00:20:54,040
Speaker 3: power flow. Yeah.

464
00:20:54,280 --> 00:20:57,040
Speaker 2: Thing about Meryl and how she's like an amazing actress

465
00:20:57,119 --> 00:20:58,399
Speaker 2: opening her quote.

466
00:20:58,280 --> 00:20:59,400
Speaker 3: Just you know she is in the room.

467
00:20:59,680 --> 00:21:03,600
Speaker 2: Okay, Merril's here. I love her work, don't get me wrong.

468
00:21:04,840 --> 00:21:11,399
Speaker 2: But it's like the Husban now you'd go, I'm a

469
00:21:11,400 --> 00:21:14,280
Speaker 2: little bit just like, what is the difference between all

470
00:21:14,320 --> 00:21:17,679
Speaker 2: of her roles she is such as.

471
00:21:17,800 --> 00:21:20,879
Speaker 3: Her is that she's always fifty percent Merrill and then

472
00:21:20,920 --> 00:21:23,600
Speaker 3: fifty percent something new where you're like she's kind of

473
00:21:23,600 --> 00:21:25,679
Speaker 3: doing a new vibe, but it's.

474
00:21:25,560 --> 00:21:31,439
Speaker 1: Still hers, still Meryl. It's like she's uptight mom, and

475
00:21:31,520 --> 00:21:33,640
Speaker 1: like we've seen her grow up and we saw her

476
00:21:33,680 --> 00:21:36,880
Speaker 1: be kind of like uptight like twenty something, and now

477
00:21:36,920 --> 00:21:37,960
Speaker 1: she's uptight mom.

478
00:21:38,280 --> 00:21:40,359
Speaker 3: I think with Reese though, like I'm not excited to

479
00:21:40,400 --> 00:21:43,000
Speaker 3: see her do anything. This is going to ruin my career.

480
00:21:43,000 --> 00:21:44,040
Speaker 1: And I'm like excited for her.

481
00:21:44,080 --> 00:21:45,920
Speaker 3: I'm not like, oh, I want to see Reese do that,

482
00:21:46,000 --> 00:21:46,560
Speaker 3: you know what I mean?

483
00:21:46,560 --> 00:21:50,040
Speaker 2: Like I could see Reese do really sing.

484
00:21:50,160 --> 00:21:54,760
Speaker 3: Yeah, not Reese two point zero though, like sees do anything.

485
00:21:54,920 --> 00:21:59,800
Speaker 3: I haven't seen her note like this like Southern Comfort Entrepreneur.

486
00:22:00,080 --> 00:22:03,200
Speaker 2: It's like to go back to that movie freeway, even

487
00:22:03,760 --> 00:22:07,280
Speaker 2: where she's like a naughty joy ride joy ride of

488
00:22:07,320 --> 00:22:10,280
Speaker 2: the floody late nineties, right.

489
00:22:10,160 --> 00:22:11,840
Speaker 1: Even though she's still a little bit like why are

490
00:22:11,920 --> 00:22:14,000
Speaker 1: you she's she's kind of like uptight and like pissed

491
00:22:14,000 --> 00:22:15,280
Speaker 1: at the guy she's with, you know what I mean.

492
00:22:15,280 --> 00:22:17,399
Speaker 1: Like that's kind of always her mode, and like, you know,

493
00:22:17,440 --> 00:22:19,920
Speaker 1: she's not going to be that like young and fresh anymore.

494
00:22:21,119 --> 00:22:24,040
Speaker 2: I think maybe let's give Reese twenty years and then

495
00:22:24,080 --> 00:22:25,480
Speaker 2: would you be excited to see her?

496
00:22:25,840 --> 00:22:26,000
Speaker 3: Oh?

497
00:22:26,080 --> 00:22:30,040
Speaker 2: I don't know. It'll be like a remake of Up

498
00:22:30,080 --> 00:22:33,560
Speaker 2: in the Air in twenty five years, and that's what

499
00:22:33,640 --> 00:22:34,560
Speaker 2: they're rebooting.

500
00:22:35,000 --> 00:22:38,000
Speaker 1: They're like frantic Kendrick movie where.

501
00:22:37,840 --> 00:22:41,239
Speaker 3: It's just that's just like George Clooney Traveling, which there

502
00:22:41,320 --> 00:22:43,800
Speaker 3: is another movie that's coming out just like it. I

503
00:22:43,840 --> 00:22:45,399
Speaker 3: met Ryan and David du Coveney.

504
00:22:45,640 --> 00:22:47,359
Speaker 2: Yes that. I'm like, it's gonna be so bad, but

505
00:22:47,400 --> 00:22:48,320
Speaker 2: I'm so excited to see that.

506
00:22:48,359 --> 00:22:50,240
Speaker 3: And it's like them is crazy.

507
00:22:50,000 --> 00:22:52,480
Speaker 2: Exes and it's like shot in an airport and they're

508
00:22:52,520 --> 00:22:55,960
Speaker 2: all like huh, I can't believe I'm running into you and.

509
00:22:55,920 --> 00:22:57,240
Speaker 1: They're lying on the floor.

510
00:22:58,040 --> 00:23:00,639
Speaker 3: It's like the classic like bedshot were two people like it,

511
00:23:00,760 --> 00:23:03,200
Speaker 3: but they're like on the floor of an airport terminal.

512
00:23:03,600 --> 00:23:05,120
Speaker 3: It's like no, just being like.

513
00:23:05,080 --> 00:23:08,239
Speaker 2: Did you ever think we would stay together? And then

514
00:23:08,280 --> 00:23:10,560
Speaker 2: it's like them at a closed down coffee shop in

515
00:23:10,640 --> 00:23:13,280
Speaker 2: an airport, just being like, I hated you when you

516
00:23:13,400 --> 00:23:18,280
Speaker 2: said that in nineteen ninety four. I want Reese to

517
00:23:18,359 --> 00:23:20,480
Speaker 2: just have one line in that movie. That's what I want.

518
00:23:20,600 --> 00:23:22,879
Speaker 1: That looks really fun. Yeah, I would absolutely watch that,

519
00:23:22,920 --> 00:23:24,840
Speaker 1: But that also feels like that weird genre of kind

520
00:23:24,840 --> 00:23:27,200
Speaker 1: of just like whatever you're like, you don't know if

521
00:23:27,200 --> 00:23:30,160
Speaker 1: it's to be or if it's theatres. And it's also

522
00:23:30,280 --> 00:23:34,040
Speaker 1: like Morgan Freeman, like somehow every two years is making

523
00:23:34,080 --> 00:23:36,440
Speaker 1: a movie about how he's about to die, and it's

524
00:23:36,480 --> 00:23:40,800
Speaker 1: always like the Penguin's Age, Yeah, and it's always just

525
00:23:40,840 --> 00:23:43,200
Speaker 1: like what we gotta go on? It's like last holiday,

526
00:23:43,240 --> 00:23:46,520
Speaker 1: but it's like constantly making that movie, like movies bucket

527
00:23:46,520 --> 00:23:48,840
Speaker 1: List five and just like we're going out with a bang.

528
00:23:48,840 --> 00:23:51,480
Speaker 1: It's The Expendables nine and just like are we really

529
00:23:51,560 --> 00:23:55,000
Speaker 1: getting the gang back together? Like, well, there's really dying again.

530
00:23:55,119 --> 00:23:55,840
Speaker 1: There's the other.

531
00:23:55,800 --> 00:23:59,760
Speaker 2: Amazing genre of like what's Morgan Freeman? Tim Allen all

532
00:23:59,840 --> 00:24:02,840
Speaker 2: the all the old guys and they're like all going on,

533
00:24:02,880 --> 00:24:07,240
Speaker 2: like yeah, Vegas and it's the Hangover, but we're ninety.

534
00:24:07,359 --> 00:24:10,440
Speaker 3: I don't like how things about old people are about

535
00:24:10,440 --> 00:24:12,760
Speaker 3: how they're old older people. It's just like, yeah, I

536
00:24:12,800 --> 00:24:14,960
Speaker 3: don't even think they want that, Like I don't think that,

537
00:24:15,040 --> 00:24:17,800
Speaker 3: Like my mom's generation wants to watch a movie that's

538
00:24:17,840 --> 00:24:18,520
Speaker 3: all about.

539
00:24:18,240 --> 00:24:21,920
Speaker 1: Like you did what with him? He's like, no, they did.

540
00:24:21,720 --> 00:24:23,960
Speaker 3: More than we've done in our lives, Like yeah.

541
00:24:24,400 --> 00:24:27,159
Speaker 2: Yeah, star Just no, I know. I just want a

542
00:24:27,240 --> 00:24:28,720
Speaker 2: rom com between seventy.

543
00:24:28,520 --> 00:24:31,280
Speaker 3: Year olds that's like real and fun, yeah, and.

544
00:24:31,320 --> 00:24:34,800
Speaker 2: Doesn't have to be like ooh my hips, right, which

545
00:24:34,880 --> 00:24:36,919
Speaker 2: is something's got to give, which is like an actual

546
00:24:37,000 --> 00:24:38,520
Speaker 2: just old person wrong com that.

547
00:24:38,640 --> 00:24:42,320
Speaker 1: Is maybe the closest to it not just being about age.

548
00:24:42,680 --> 00:24:42,880
Speaker 3: Right.

549
00:24:43,400 --> 00:24:45,399
Speaker 2: Yes, it's so hard attack and stuff, but it's not

550
00:24:45,480 --> 00:24:46,920
Speaker 2: like every second that's a good joke.

551
00:24:47,040 --> 00:24:48,560
Speaker 3: And because it's not in the real it's in Nancy

552
00:24:48,600 --> 00:24:50,560
Speaker 3: Meyers worlds here like yeah, why not just do whatever

553
00:24:50,600 --> 00:25:02,040
Speaker 3: you want?

554
00:25:03,840 --> 00:25:06,480
Speaker 2: I want to talk about kind of Elizabeth Gilbert and

555
00:25:06,560 --> 00:25:07,320
Speaker 2: her love.

556
00:25:07,560 --> 00:25:10,200
Speaker 1: I could talk about Liz Gilbert. Yeah, okay, so wait

557
00:25:10,240 --> 00:25:10,920
Speaker 1: have you met her?

558
00:25:11,160 --> 00:25:13,359
Speaker 3: I have DMed with her. I think I scared her away,

559
00:25:14,040 --> 00:25:14,920
Speaker 3: and well you.

560
00:25:14,960 --> 00:25:16,840
Speaker 1: Just say like, hey, I'm a huge fan, I love you,

561
00:25:16,960 --> 00:25:17,760
Speaker 1: or were you More like.

562
00:25:17,880 --> 00:25:20,560
Speaker 3: I have a Podagram account of like a fake senator

563
00:25:20,600 --> 00:25:23,760
Speaker 3: that was like a joke Instagram account, like during twenty twenty,

564
00:25:23,920 --> 00:25:26,600
Speaker 3: and she started following it and she liked it, and

565
00:25:26,640 --> 00:25:28,680
Speaker 3: then I was like, Hi, this is the owner. You

566
00:25:28,680 --> 00:25:29,960
Speaker 3: don't know how much of a fan I am. And

567
00:25:29,960 --> 00:25:31,680
Speaker 3: then I felt like she She was like, I don't

568
00:25:31,720 --> 00:25:34,160
Speaker 3: know what you want. She sensed need, and I don't

569
00:25:34,160 --> 00:25:35,800
Speaker 3: know what I needed from her, but I just I

570
00:25:35,840 --> 00:25:36,440
Speaker 3: did need.

571
00:25:36,680 --> 00:25:39,000
Speaker 2: Yeah, And she was like, I'm sensing need. I'm not

572
00:25:39,080 --> 00:25:41,439
Speaker 2: ready for need right now. I'm taking care of my

573
00:25:41,560 --> 00:25:44,159
Speaker 2: dying lesbian lover and I'm backing away and that's my boundary.

574
00:25:44,200 --> 00:25:46,920
Speaker 1: She's like, You're like, I'm an endless cavern you can

575
00:25:46,960 --> 00:25:50,680
Speaker 1: never fill up. She's like, I'm blocking you.

576
00:25:50,760 --> 00:25:52,480
Speaker 3: She blogged me, and then she checked off like left

577
00:25:52,480 --> 00:25:57,560
Speaker 3: another person, Like no.

578
00:25:57,720 --> 00:26:01,760
Speaker 1: So she has gone through the world with such excitement

579
00:26:01,760 --> 00:26:03,600
Speaker 1: and lust for life, and like that's why we all

580
00:26:03,640 --> 00:26:07,280
Speaker 1: worship her absolutely, and yet yeah, with this you know,

581
00:26:07,400 --> 00:26:10,680
Speaker 1: incredible calmness.

582
00:26:09,840 --> 00:26:12,560
Speaker 2: But yet she has rage. That's what's so crazy is

583
00:26:12,600 --> 00:26:14,680
Speaker 2: like she is calm, but that whole book you probably

584
00:26:14,720 --> 00:26:16,720
Speaker 2: love is about her trying to calm herself because she

585
00:26:16,760 --> 00:26:18,879
Speaker 2: is full of rage against all her ex'es and like

586
00:26:19,160 --> 00:26:22,120
Speaker 2: James Franco's character and her husband.

587
00:26:21,920 --> 00:26:24,480
Speaker 1: And so she marries Javier Bardem in real life as

588
00:26:24,560 --> 00:26:28,760
Speaker 1: well and then leaves him for her dying lesbian friend.

589
00:26:30,040 --> 00:26:34,080
Speaker 1: And your theory on this Lily is is that she like.

590
00:26:34,440 --> 00:26:37,239
Speaker 2: She sees people with a sense of need. And I

591
00:26:37,280 --> 00:26:40,399
Speaker 2: think she fell in love with the friend because the

592
00:26:40,480 --> 00:26:44,120
Speaker 2: friend was dying, and that's very true. She became attracted.

593
00:26:44,320 --> 00:26:46,520
Speaker 3: I think there's another huge part two, which is that

594
00:26:46,600 --> 00:26:48,240
Speaker 3: she didn't know what the next chapter of her life

595
00:26:48,320 --> 00:26:48,880
Speaker 3: was going to be.

596
00:26:48,840 --> 00:26:50,320
Speaker 1: And big story.

597
00:26:50,520 --> 00:26:51,440
Speaker 2: Yeah, big chapter.

598
00:26:51,480 --> 00:26:54,200
Speaker 3: She's like I did everything but death and this girl's dying.

599
00:26:54,440 --> 00:26:57,080
Speaker 3: Like I'm gonna saddle up because I heard her in

600
00:26:57,119 --> 00:26:59,520
Speaker 3: like an interview where she was saying that she was

601
00:26:59,560 --> 00:27:02,000
Speaker 3: in the room. She was in the room while her

602
00:27:02,080 --> 00:27:03,800
Speaker 3: name was Riyah And honestly, we're all going to get

603
00:27:03,800 --> 00:27:04,920
Speaker 3: seasoned assist for this. No.

604
00:27:05,160 --> 00:27:07,040
Speaker 2: Oh, and Ry, by the way, like was like a

605
00:27:07,119 --> 00:27:09,800
Speaker 2: punk wrote her own memoir about being like a heroin addict,

606
00:27:10,080 --> 00:27:11,240
Speaker 2: living in these village.

607
00:27:11,080 --> 00:27:13,439
Speaker 3: Right, and Rya was dying and there was like a

608
00:27:13,480 --> 00:27:18,399
Speaker 3: little circle of like the women and yes, and like

609
00:27:18,640 --> 00:27:23,080
Speaker 3: Liz was like hypermanaging. No, I think Liz made everyone

610
00:27:23,119 --> 00:27:26,320
Speaker 3: else leave the room while died, and like Liz ended

611
00:27:26,359 --> 00:27:27,920
Speaker 3: up being the only person in the room when she died,

612
00:27:28,080 --> 00:27:30,119
Speaker 3: so like her best friends died and then this like

613
00:27:30,240 --> 00:27:35,600
Speaker 3: famous lady is like leave the room. Yeah, king up

614
00:27:35,640 --> 00:27:37,600
Speaker 3: the entire hierarchy.

615
00:27:37,960 --> 00:27:40,400
Speaker 1: In the last six of her book.

616
00:27:40,520 --> 00:27:42,399
Speaker 2: It's for a book, so you guys understand, right, like

617
00:27:42,640 --> 00:27:45,280
Speaker 2: you'll get life rights. She posted this instagram of her

618
00:27:45,400 --> 00:27:49,639
Speaker 2: with one of the other fems doing a interpretive dance

619
00:27:49,880 --> 00:27:54,000
Speaker 2: around Riyah as Rya was dying and they were doing

620
00:27:54,000 --> 00:27:56,479
Speaker 2: this full like lesbian dance. But then I heard her

621
00:27:56,520 --> 00:27:59,960
Speaker 2: on the glennon another Insane Blonde Woman she broke up

622
00:28:00,119 --> 00:28:03,600
Speaker 2: with Riyah during the whole dying process.

623
00:28:03,400 --> 00:28:09,240
Speaker 1: Because like that's even more because Ria became and.

624
00:28:09,200 --> 00:28:11,679
Speaker 2: Then because Ryah was like went off the wagon, like

625
00:28:11,720 --> 00:28:14,840
Speaker 2: started doing drugs again, like in her possible no in

626
00:28:14,920 --> 00:28:19,080
Speaker 2: an ex's house in Detroit, and so she was like,

627
00:28:19,200 --> 00:28:21,680
Speaker 2: go go to your exes. And then she came back

628
00:28:21,720 --> 00:28:23,560
Speaker 2: and they got back together. And it's just like the

629
00:28:23,640 --> 00:28:27,000
Speaker 2: lesbian drama not ending, like you can be having until

630
00:28:27,040 --> 00:28:30,159
Speaker 2: the last minute, three minutes to live and be like

631
00:28:30,480 --> 00:28:31,320
Speaker 2: I'm done with you.

632
00:28:32,400 --> 00:28:33,320
Speaker 1: But we're also.

633
00:28:34,600 --> 00:28:38,240
Speaker 2: Getting back together. Let's go into like zoom couples therapy

634
00:28:38,320 --> 00:28:41,800
Speaker 2: and like it's like deep deep, She's like, can you

635
00:28:41,840 --> 00:28:43,040
Speaker 2: do couples therapy at three?

636
00:28:43,400 --> 00:28:47,360
Speaker 3: Or yeah, I guess I'll cancel.

637
00:28:47,560 --> 00:28:50,760
Speaker 1: Yeah, you know. She kind of offered it up as

638
00:28:50,760 --> 00:28:54,360
Speaker 1: like a oh, you realize how much someone means to you,

639
00:28:54,360 --> 00:28:57,200
Speaker 1: you know, when they're leaving this plane for the next.

640
00:28:57,320 --> 00:29:04,640
Speaker 1: But in fact, she's actually attracted to the fragility. She is.

641
00:29:04,720 --> 00:29:07,320
Speaker 3: She wants to center herself in a big story like

642
00:29:07,360 --> 00:29:07,920
Speaker 3: no matter what.

643
00:29:08,040 --> 00:29:10,080
Speaker 1: But why is that wrong? It's like, you know, don't

644
00:29:10,120 --> 00:29:14,320
Speaker 1: we all? It's not wrong main character to.

645
00:29:17,000 --> 00:29:19,560
Speaker 2: Me, it's actually the opposite of main character syndrome. It's

646
00:29:19,560 --> 00:29:24,400
Speaker 2: like main writer syndrome. Yeah, she's seeing the best seller yeah, and.

647
00:29:25,920 --> 00:29:26,479
Speaker 1: The string.

648
00:29:26,960 --> 00:29:28,800
Speaker 3: It's triggering because we all know that we have that

649
00:29:28,880 --> 00:29:29,520
Speaker 3: in ourselves.

650
00:29:29,720 --> 00:29:34,840
Speaker 2: What do you think you're most attracted to m Maybe yeah,

651
00:29:34,960 --> 00:29:36,280
Speaker 2: to kind of be Liz.

652
00:29:36,920 --> 00:29:43,960
Speaker 3: I'm attracted to bigness, big spirits and big other spirits.

653
00:29:45,560 --> 00:29:47,480
Speaker 3: I don't need a big dick I just need a

654
00:29:47,520 --> 00:29:48,040
Speaker 3: big spirit.

655
00:29:49,280 --> 00:29:54,760
Speaker 1: Yeah, yeah, I'm also attracted to bigness, but I think

656
00:29:54,800 --> 00:29:57,960
Speaker 1: in more literal sense, you know, I like love the

657
00:29:58,000 --> 00:30:00,800
Speaker 1: idea of big because I want like part of that,

658
00:30:00,840 --> 00:30:02,680
Speaker 1: because I want to feel small, you know what I mean?

659
00:30:03,000 --> 00:30:04,760
Speaker 3: Do you the interesting?

660
00:30:05,520 --> 00:30:07,840
Speaker 1: I guess I say that a lot, but you saying

661
00:30:07,880 --> 00:30:10,800
Speaker 1: do you in that that tone? I don't, and I

662
00:30:10,880 --> 00:30:11,480
Speaker 1: maybe need.

663
00:30:13,600 --> 00:30:17,320
Speaker 2: I feel like you like saying you want to feel small?

664
00:30:18,040 --> 00:30:21,040
Speaker 2: But yeah, now I'm like, do you because I feel

665
00:30:21,080 --> 00:30:24,080
Speaker 2: like when you enter a room, you want to feel big, right,

666
00:30:24,240 --> 00:30:26,120
Speaker 2: not physically, spiritually.

667
00:30:26,280 --> 00:30:28,040
Speaker 3: Anybody with a mic in front of their face wants

668
00:30:28,080 --> 00:30:31,000
Speaker 3: to be heard and seen, right, you know?

669
00:30:31,360 --> 00:30:32,840
Speaker 1: Right? So what is all this about?

670
00:30:32,880 --> 00:30:35,360
Speaker 2: Wanting to do? These mics make me feel so much

671
00:30:35,440 --> 00:30:37,400
Speaker 2: like we can do hard things, somehow more than our

672
00:30:37,440 --> 00:30:39,560
Speaker 2: New York studio. It feels la like I only just

673
00:30:39,560 --> 00:30:41,479
Speaker 2: want to be like, what was the last dream that

674
00:30:41,520 --> 00:30:44,560
Speaker 2: made you cry?

675
00:30:45,840 --> 00:30:48,640
Speaker 1: Okay, so you're just like attracted like a ton of energy. Well,

676
00:30:48,680 --> 00:30:52,320
Speaker 1: I'm attracted to ambition like you're attired to Hillary Clinton.

677
00:30:53,560 --> 00:30:55,360
Speaker 3: I guess, like bigness isn't the word. I think like

678
00:30:55,480 --> 00:30:58,240
Speaker 3: I really want life, to live life to the fullest.

679
00:30:58,800 --> 00:31:00,880
Speaker 3: And I hold myself back that. So the thing I'm

680
00:31:00,880 --> 00:31:03,960
Speaker 3: attracted to is seeing people who are at least telegraphed

681
00:31:04,000 --> 00:31:06,200
Speaker 3: that they're deserving to take something.

682
00:31:05,960 --> 00:31:06,400
Speaker 1: All the way.

683
00:31:06,520 --> 00:31:07,600
Speaker 2: But it is love.

684
00:31:07,800 --> 00:31:11,280
Speaker 1: I feel like that, Like gregariousness is often just kind

685
00:31:11,280 --> 00:31:14,360
Speaker 1: of like a senectity for that. Like you see someone

686
00:31:14,760 --> 00:31:18,080
Speaker 1: with a big personality holding core at the table and

687
00:31:18,080 --> 00:31:20,320
Speaker 1: you're like, that's the person with the lust for life.

688
00:31:20,360 --> 00:31:23,400
Speaker 1: It's like, is that how you process it or do

689
00:31:23,440 --> 00:31:24,520
Speaker 1: you think that maybe that.

690
00:31:24,480 --> 00:31:26,479
Speaker 2: Doesn't you more like, oh, this is a person who

691
00:31:26,520 --> 00:31:28,480
Speaker 2: will like make me go on the hike, This is

692
00:31:28,520 --> 00:31:31,280
Speaker 2: the person to make me try new food, get my

693
00:31:31,400 --> 00:31:32,160
Speaker 2: taxes done.

694
00:31:32,280 --> 00:31:35,000
Speaker 3: Yeah, I'm trying to unlearn the part that's attracted to

695
00:31:35,840 --> 00:31:39,680
Speaker 3: like people who have not done the work on themselves.

696
00:31:40,000 --> 00:31:43,400
Speaker 3: You know, I need to stop being attracted to disregulated

697
00:31:43,480 --> 00:31:49,600
Speaker 3: energy and conflating it for confidence, right and right, because chaos.

698
00:31:49,120 --> 00:31:51,120
Speaker 1: Means that you live life for the plumb.

699
00:31:51,920 --> 00:31:53,400
Speaker 2: Because that's very fun.

700
00:31:53,480 --> 00:31:56,360
Speaker 3: But that is hard of that is true though, It's like, yeah,

701
00:31:56,400 --> 00:31:59,320
Speaker 3: I know, is it possible to be like, you know,

702
00:31:59,560 --> 00:32:03,520
Speaker 3: this brave person you're describing and have the most like

703
00:32:03,600 --> 00:32:07,760
Speaker 3: perfectly circumscribed to existence where everything has a place in

704
00:32:07,800 --> 00:32:10,040
Speaker 3: a home and a time in a schedule. No, no,

705
00:32:10,440 --> 00:32:12,400
Speaker 3: but I need to figure out how to feel safe

706
00:32:12,400 --> 00:32:15,240
Speaker 3: an adventure, because like adventure I can easily few.

707
00:32:15,120 --> 00:32:17,440
Speaker 1: Actually can I If I may be like radically like

708
00:32:17,560 --> 00:32:19,280
Speaker 1: vulnerable and vulnerable mean kind.

709
00:32:19,120 --> 00:32:21,000
Speaker 3: Of expose you.

710
00:32:22,800 --> 00:32:26,040
Speaker 2: I cannot rather call myself at all. I'll never share something.

711
00:32:26,040 --> 00:32:29,280
Speaker 1: Okay, you posted something and it may have been are

712
00:32:29,280 --> 00:32:31,320
Speaker 1: close friends, but it was like a year ago or something.

713
00:32:31,360 --> 00:32:33,400
Speaker 1: But it's something I think about a lot where you

714
00:32:33,440 --> 00:32:35,600
Speaker 1: talked about, like how you lived in like a capuco

715
00:32:35,680 --> 00:32:37,960
Speaker 1: with your parents or something when you were seven, and

716
00:32:38,000 --> 00:32:39,920
Speaker 1: you said this thing and you were just like, you know,

717
00:32:40,400 --> 00:32:45,040
Speaker 1: I miss when life was just a complete adventure, where

718
00:32:45,080 --> 00:32:47,160
Speaker 1: like you just went somewhere and you didn't have any

719
00:32:47,240 --> 00:32:49,200
Speaker 1: say in the matter, you have any choice, Like you

720
00:32:49,280 --> 00:32:51,400
Speaker 1: were just taking places and you had to roll with

721
00:32:51,480 --> 00:32:54,960
Speaker 1: the punches and like figure out how to like have

722
00:32:55,080 --> 00:32:58,560
Speaker 1: fun and exist in that scenario. And you're like and

723
00:32:58,600 --> 00:33:01,120
Speaker 1: now you're like life is now all like restaurants, and

724
00:33:02,200 --> 00:33:06,080
Speaker 1: it is like our life is one hundred restaurants, like

725
00:33:06,280 --> 00:33:08,360
Speaker 1: it used to be this like crazy adventure. And I

726
00:33:08,360 --> 00:33:10,560
Speaker 1: don't know if that's phones or getting older or comedy.

727
00:33:10,840 --> 00:33:11,680
Speaker 1: That is so crazy.

728
00:33:11,760 --> 00:33:14,240
Speaker 2: I was thinking about the other week doing errands when

729
00:33:14,240 --> 00:33:16,360
Speaker 2: I was like, oh no, and like when your weekends were,

730
00:33:16,520 --> 00:33:19,160
Speaker 2: it's like you didn't decide. It was like and this

731
00:33:19,240 --> 00:33:21,280
Speaker 2: isn't crazy, but you're like I'm going to the framing

732
00:33:21,320 --> 00:33:23,800
Speaker 2: store with my dad and I'm just going to discover

733
00:33:23,960 --> 00:33:27,680
Speaker 2: frames and that's the day. And then like you know,

734
00:33:27,760 --> 00:33:29,520
Speaker 2: I don't know, it's like then you're going on errands

735
00:33:29,520 --> 00:33:31,800
Speaker 2: with your parents. You have to have fun totally and

736
00:33:31,960 --> 00:33:34,640
Speaker 2: find the fun in the errands and then just sit in.

737
00:33:34,600 --> 00:33:36,920
Speaker 3: Your room, yeah, and like play. You're like, well I'll

738
00:33:36,920 --> 00:33:39,480
Speaker 3: find a way to play at the frame store like wherever.

739
00:33:39,600 --> 00:33:44,120
Speaker 3: So like yeah, and my dad was like crazy. My

740
00:33:44,200 --> 00:33:46,680
Speaker 3: dad was a larger than life crazy person and so

741
00:33:46,880 --> 00:33:47,920
Speaker 3: like we were always just.

742
00:33:47,840 --> 00:33:50,160
Speaker 2: Going to be factor in the room.

743
00:33:53,280 --> 00:33:55,600
Speaker 1: I know, yeah, but I got to reel it back.

744
00:33:56,080 --> 00:33:58,200
Speaker 2: It was like everyone around him and he was telling

745
00:33:58,280 --> 00:33:59,880
Speaker 2: like a hilarious story.

746
00:34:00,400 --> 00:34:02,120
Speaker 3: Yeah, he was like a cult leader without a cult

747
00:34:02,160 --> 00:34:04,400
Speaker 3: basically kind of had a cult. But yeah, we were

748
00:34:04,440 --> 00:34:06,640
Speaker 3: just like always going on an adventure to find like

749
00:34:06,720 --> 00:34:09,759
Speaker 3: a lost treasure that he found, Like he would send

750
00:34:09,760 --> 00:34:11,560
Speaker 3: his He was a doctor who like send his nurses

751
00:34:11,560 --> 00:34:15,080
Speaker 3: on like trips through Mexico to find evidence of that treasure.

752
00:34:15,120 --> 00:34:18,719
Speaker 3: And then I had a really crazy childhood. And now

753
00:34:18,840 --> 00:34:20,600
Speaker 3: it's like, yeah, I'm like going to go to New

754
00:34:20,680 --> 00:34:22,640
Speaker 3: York for October. And it's like, Okay, I guess I'll

755
00:34:22,640 --> 00:34:27,000
Speaker 3: go to Fire Island one weekend. I'm excited. Rest it's

756
00:34:27,040 --> 00:34:28,560
Speaker 3: just like, I don't know Tobra.

757
00:34:28,640 --> 00:34:31,759
Speaker 2: Fire Island actually is an adventure though, and it will

758
00:34:31,800 --> 00:34:33,880
Speaker 2: be different because it's going to be a little spookier.

759
00:34:34,080 --> 00:34:36,720
Speaker 2: So I feel like, yeah, honestly, it'll be like empty,

760
00:34:36,800 --> 00:34:38,400
Speaker 2: and you're going to be like a little more like

761
00:34:38,520 --> 00:34:45,960
Speaker 2: Elizabeth Gilbert big Hoodie Pierre looking at this, Yeah, like.

762
00:34:48,040 --> 00:34:55,600
Speaker 1: Dying, Like who's dying? You're ready to write. I just

763
00:34:55,680 --> 00:34:57,520
Speaker 1: bought a bench in the Pines, and I really want

764
00:34:57,520 --> 00:34:59,960
Speaker 1: to dedicate it to someone.

765
00:35:02,080 --> 00:35:04,880
Speaker 2: Literally, there's a bench in Fire Island dedicated to Riah.

766
00:35:04,920 --> 00:35:05,800
Speaker 2: Really yeah, literally.

767
00:35:06,160 --> 00:35:09,360
Speaker 1: I think there's an obsession with bench dedications because a

768
00:35:09,360 --> 00:35:11,200
Speaker 1: bench is like contemplated.

769
00:35:11,320 --> 00:35:14,799
Speaker 2: Can I tell the craziest bench story? And I'm in

770
00:35:14,800 --> 00:35:17,800
Speaker 2: the straight Fire Island, the Hampton's. I see this bench

771
00:35:17,920 --> 00:35:22,080
Speaker 2: and it's like dedicated to like three people all with

772
00:35:22,120 --> 00:35:24,640
Speaker 2: the same last name. I look it up. And it

773
00:35:24,719 --> 00:35:27,279
Speaker 2: was this insanely rich family who went on a safari

774
00:35:27,760 --> 00:35:31,680
Speaker 2: and a zebra stormed the jeep and they all turned

775
00:35:31,680 --> 00:35:36,839
Speaker 2: over and died and one survived and he got them

776
00:35:36,840 --> 00:35:37,240
Speaker 2: a bench.

777
00:35:37,400 --> 00:35:41,160
Speaker 1: Can you imagine being that? One said, Blaine, your whole

778
00:35:41,160 --> 00:35:44,560
Speaker 1: family died of zebra because it was like a stampede.

779
00:35:44,880 --> 00:35:50,880
Speaker 2: It was a stampede. I don't think they were eaten.

780
00:35:50,960 --> 00:35:54,560
Speaker 2: It was more of a car accident and kind of madness.

781
00:35:54,680 --> 00:36:01,000
Speaker 2: They went like, yeah, when you us a bench, look

782
00:36:01,040 --> 00:36:03,200
Speaker 2: it up. Okay, you never know.

783
00:36:05,320 --> 00:36:06,840
Speaker 1: Top five cities you want to move to.

784
00:36:07,120 --> 00:36:10,120
Speaker 3: I mean I would say I had a study abroad

785
00:36:10,160 --> 00:36:15,040
Speaker 3: in Paris. I'm forever a Paris, same you guys. I

786
00:36:15,040 --> 00:36:17,560
Speaker 3: would love to be in Paris at any given moment always.

787
00:36:17,719 --> 00:36:19,520
Speaker 3: And then it's it's such a hard question because then I

788
00:36:19,520 --> 00:36:21,200
Speaker 3: would be like, Okay, if I had a second home

789
00:36:21,239 --> 00:36:24,120
Speaker 3: in the US, like I would do like New Orleans,

790
00:36:24,160 --> 00:36:25,399
Speaker 3: Like you know, we're where.

791
00:36:25,560 --> 00:36:27,839
Speaker 1: This isn't second home. This is just live live.

792
00:36:28,600 --> 00:36:31,480
Speaker 3: This is move to away we go style with your

793
00:36:31,520 --> 00:36:34,000
Speaker 3: wife and three year old. So I don't know, I

794
00:36:34,000 --> 00:36:36,560
Speaker 3: mean like to live forever. It's like you're not going

795
00:36:36,600 --> 00:36:39,280
Speaker 3: to live forever. You said.

796
00:36:40,640 --> 00:36:44,880
Speaker 2: Immortal Toronto, but it's.

797
00:36:44,760 --> 00:36:46,000
Speaker 3: Like there's New York LA.

798
00:36:46,239 --> 00:36:47,960
Speaker 1: Let them just say you're gonna move there for at

799
00:36:48,080 --> 00:36:48,960
Speaker 1: least two years?

800
00:36:49,840 --> 00:36:50,040
Speaker 2: Really?

801
00:36:50,920 --> 00:36:53,640
Speaker 3: Okay, Tokyo because that would be fun. Same yeah, and

802
00:36:53,680 --> 00:36:56,400
Speaker 3: then maybe Berlin because I don't know what. Everyone seems

803
00:36:56,400 --> 00:36:57,520
Speaker 3: to love it, but I have a feeling I'm not

804
00:36:57,520 --> 00:36:58,879
Speaker 3: going to love it like other people love it.

805
00:36:59,200 --> 00:37:01,080
Speaker 1: Are you? How would on the scale?

806
00:37:01,200 --> 00:37:01,640
Speaker 3: Careful?

807
00:37:03,040 --> 00:37:04,839
Speaker 2: Okay, let's I'm not asking that question.

808
00:37:05,200 --> 00:37:08,239
Speaker 1: Let's scale up one to like insane? Whrror? Where would

809
00:37:08,239 --> 00:37:08,839
Speaker 1: you fall?

810
00:37:09,200 --> 00:37:13,480
Speaker 3: I am an uneven eight? Okay, I'm an eight for

811
00:37:13,560 --> 00:37:16,799
Speaker 3: a month, I'm a one and two months and for

812
00:37:16,960 --> 00:37:19,239
Speaker 3: a week and then I'm a zero. Like it's not

813
00:37:19,440 --> 00:37:20,880
Speaker 3: it's an uneven expression.

814
00:37:20,880 --> 00:37:21,920
Speaker 1: Wait, you're not a jeminary.

815
00:37:22,360 --> 00:37:23,440
Speaker 3: I'm rising?

816
00:37:23,840 --> 00:37:29,480
Speaker 1: Okncer oh sensetive so with a chaotic center? Right?

817
00:37:29,560 --> 00:37:32,960
Speaker 3: Okay, yeah, because I'm I kind of game or geminis

818
00:37:33,080 --> 00:37:34,080
Speaker 3: or cancers, right.

819
00:37:34,360 --> 00:37:37,560
Speaker 2: I feel like I've never been a summer.

820
00:37:38,000 --> 00:37:40,800
Speaker 3: Yeah, it's true.

821
00:37:40,960 --> 00:37:43,040
Speaker 2: Well, and is that something about all of your parents

822
00:37:43,200 --> 00:37:47,719
Speaker 2: making love on Valentine's Day? Really just like cheesy? Way?

823
00:37:47,840 --> 00:37:50,160
Speaker 1: Well, that doesn't mouth correctly? What is that?

824
00:37:50,320 --> 00:37:50,800
Speaker 2: August?

825
00:37:51,719 --> 00:37:52,600
Speaker 1: And we're all previous.

826
00:37:53,520 --> 00:37:54,240
Speaker 2: You're all previous.

827
00:37:56,120 --> 00:38:00,160
Speaker 3: I mean gay is our Valentine's Day premieues holiday, Bay.

828
00:38:00,320 --> 00:38:02,879
Speaker 1: I was a month premature head.

829
00:38:02,960 --> 00:38:04,319
Speaker 3: Your mom was in a rush.

830
00:38:04,360 --> 00:38:06,440
Speaker 1: I think I was in a rush. Get me out

831
00:38:06,440 --> 00:38:08,279
Speaker 1: of her, as she says, the only time in your

832
00:38:08,320 --> 00:38:09,200
Speaker 1: life you've ever been early.

833
00:38:09,400 --> 00:38:12,640
Speaker 3: Well, this is where that small idea comes from. You're

834
00:38:12,640 --> 00:38:16,360
Speaker 3: always like, I'm a premium heart in a big womb.

835
00:38:16,440 --> 00:38:17,920
Speaker 1: I want to be back in the womb so I

836
00:38:17,920 --> 00:38:18,520
Speaker 1: can get bigger.

837
00:38:18,760 --> 00:38:21,480
Speaker 3: Or I think you might be like questioning whether you

838
00:38:21,600 --> 00:38:25,839
Speaker 3: deserve bigness, and so you're like playing with the idea of.

839
00:38:28,360 --> 00:38:32,759
Speaker 1: Right now, I'm shaking passively. Who knows? Who knows? I'm

840
00:38:32,800 --> 00:38:41,480
Speaker 1: gonna cry.

841
00:38:42,520 --> 00:38:44,240
Speaker 2: Welcome to the Hoffman segment.

842
00:38:44,520 --> 00:38:45,239
Speaker 1: What does she eat?

843
00:38:45,400 --> 00:38:46,040
Speaker 2: What does she wear?

844
00:38:46,120 --> 00:38:48,719
Speaker 1: How does she live? Okay? How does she live?

845
00:38:49,280 --> 00:38:49,600
Speaker 2: Okay?

846
00:38:49,640 --> 00:38:51,279
Speaker 1: I think I've seen photos of your home.

847
00:38:51,560 --> 00:38:54,800
Speaker 2: I haven't really, but I'm guessing it is like modern

848
00:38:55,040 --> 00:38:57,799
Speaker 2: eighties Italian sumptuous California.

849
00:38:58,000 --> 00:39:01,040
Speaker 3: Yeah, yeah, A little pee wee in there, Okay, a

850
00:39:01,040 --> 00:39:02,640
Speaker 3: little five this, a little yeah.

851
00:39:02,680 --> 00:39:04,560
Speaker 2: You have some more Memphis I can Yeah. Are you

852
00:39:04,719 --> 00:39:08,319
Speaker 2: sourcing the one Memphis coffee table for six months? Where

853
00:39:08,320 --> 00:39:11,000
Speaker 2: you were looking or now you see it on cherish and.

854
00:39:10,960 --> 00:39:12,879
Speaker 1: You bought it like you bought everything in a day.

855
00:39:13,800 --> 00:39:16,320
Speaker 1: I mean I do. I mean it is I feel

856
00:39:16,360 --> 00:39:18,319
Speaker 1: like it is that. I think just because you know

857
00:39:18,520 --> 00:39:21,840
Speaker 1: you are, you know what you want next thing, right.

858
00:39:22,000 --> 00:39:27,239
Speaker 3: And I also don't have items from my past, so

859
00:39:27,320 --> 00:39:28,480
Speaker 3: I had to like, yeah.

860
00:39:29,440 --> 00:39:32,280
Speaker 1: Yeah, it's almost like you know you have a reverence

861
00:39:32,280 --> 00:39:33,880
Speaker 1: for the past. But I would say, maybe you're not

862
00:39:34,040 --> 00:39:35,200
Speaker 1: so nostalgic.

863
00:39:35,440 --> 00:39:37,920
Speaker 3: I'm nostalgic for past lives more than like I'm like

864
00:39:37,960 --> 00:39:39,880
Speaker 3: when I see something from like the twenties of the thirties,

865
00:39:39,880 --> 00:39:43,000
Speaker 3: I'm like, I had the best time, Like I was

866
00:39:43,120 --> 00:39:44,600
Speaker 3: just really that was my better life.

867
00:39:44,719 --> 00:39:47,880
Speaker 2: Yeah, I feel like you ran kind of a harem

868
00:39:47,920 --> 00:39:50,520
Speaker 2: of flappers in your twenties past life.

869
00:39:50,560 --> 00:39:53,640
Speaker 1: It was nineteen eighteen in Cairo, which had a small

870
00:39:53,680 --> 00:39:55,440
Speaker 1: but vibrance, and you're like when.

871
00:39:55,320 --> 00:39:58,640
Speaker 2: You buy that mirror on first DIBs from the twenties,

872
00:39:58,880 --> 00:40:00,359
Speaker 2: You're like, I did have that.

873
00:40:00,520 --> 00:40:03,600
Speaker 1: I don't see the first tis. I think no. I

874
00:40:03,640 --> 00:40:05,960
Speaker 1: think it's more that he like has a friend who

875
00:40:06,080 --> 00:40:08,600
Speaker 1: is just like, oh, I can get you all this stuff,

876
00:40:08,640 --> 00:40:11,120
Speaker 1: and you're like, this looks amazing. Let's do it firstis

877
00:40:11,480 --> 00:40:12,120
Speaker 1: thank you.

878
00:40:12,360 --> 00:40:13,480
Speaker 3: I would love to be in the know.

879
00:40:13,920 --> 00:40:17,040
Speaker 2: One point that you had like, don't think he's surfing

880
00:40:17,040 --> 00:40:18,240
Speaker 2: the web on first DIBs.

881
00:40:18,520 --> 00:40:19,320
Speaker 1: I just get high.

882
00:40:19,360 --> 00:40:22,800
Speaker 3: And then I basically I had money from search party

883
00:40:22,880 --> 00:40:25,879
Speaker 3: and now it's all gone, Like its completely gone. I'm

884
00:40:25,880 --> 00:40:28,480
Speaker 3: like completely in the cherish exactly.

885
00:40:28,640 --> 00:40:34,600
Speaker 2: Ye big Shish was living.

886
00:40:36,000 --> 00:40:38,440
Speaker 1: I feel like I feel like I would do the

887
00:40:38,480 --> 00:40:41,840
Speaker 1: exact same thing. I would be so impatient and I

888
00:40:41,840 --> 00:40:44,000
Speaker 1: would just be like, I have the money. We're doing

889
00:40:44,000 --> 00:40:45,560
Speaker 1: this all happening right now.

890
00:40:45,560 --> 00:40:48,000
Speaker 3: I wanted this, and I was like, oh, I'm rich

891
00:40:48,040 --> 00:40:49,920
Speaker 3: for the rest of my life because that's what I'm

892
00:40:49,960 --> 00:40:51,880
Speaker 3: supposed to be. And then it's like that's actually not

893
00:40:51,920 --> 00:40:53,880
Speaker 3: how life works at all. And now there's been a

894
00:40:53,880 --> 00:40:56,040
Speaker 3: strike and the world's ended one hundred times in the

895
00:40:56,120 --> 00:41:03,560
Speaker 3: last five years. Okay, your induction stuff, no, no regular.

896
00:41:03,160 --> 00:41:06,560
Speaker 2: Guys, a guest and to kind of move into like

897
00:41:06,840 --> 00:41:10,279
Speaker 2: what you're eating. I think you are like making the

898
00:41:10,320 --> 00:41:11,760
Speaker 2: stew once a year.

899
00:41:13,080 --> 00:41:18,560
Speaker 3: And live off of it, perpetual stew.

900
00:41:18,800 --> 00:41:24,360
Speaker 1: Yeah, I should have a ton of money my cherished stew. Okay,

901
00:41:24,560 --> 00:41:29,520
Speaker 1: you do not have an arrow on membership? You do? Okay, Yeah,

902
00:41:29,560 --> 00:41:31,040
Speaker 1: we were over the place.

903
00:41:31,360 --> 00:41:33,480
Speaker 3: I mean, I'm basic at heart. I love my ear

904
00:41:33,520 --> 00:41:37,360
Speaker 3: on salmon. Born pescatarian, you've stayed.

905
00:41:37,400 --> 00:41:39,600
Speaker 2: What's your favorite, Well, let's guess your favorite fish.

906
00:41:39,840 --> 00:41:42,160
Speaker 1: You were born a pescatarian. The doctor was, so it's like, okay,

907
00:41:42,160 --> 00:41:43,160
Speaker 1: so he's a prescatarian.

908
00:41:43,400 --> 00:41:45,560
Speaker 3: Literally the doctor.

909
00:41:46,320 --> 00:41:48,239
Speaker 1: Yeah, you had delivered.

910
00:41:47,680 --> 00:41:51,440
Speaker 3: You no, no, no, but my dad delivered me into

911
00:41:51,480 --> 00:41:55,000
Speaker 3: a set of rules. Okay, this is.

912
00:41:54,920 --> 00:41:58,880
Speaker 1: The cut of following the fish.

913
00:41:58,920 --> 00:42:04,960
Speaker 2: Girl, you eat salmon the most, but your favorite just

914
00:42:04,960 --> 00:42:08,000
Speaker 2: like is lobster crab. I actually prefer Oh, you're like

915
00:42:08,000 --> 00:42:13,000
Speaker 2: a Baltimore sud.

916
00:42:14,400 --> 00:42:14,680
Speaker 1: Crab.

917
00:42:15,680 --> 00:42:17,440
Speaker 2: That was actually everything makes sense.

918
00:42:17,480 --> 00:42:19,359
Speaker 3: You are so crab.

919
00:42:19,760 --> 00:42:22,080
Speaker 2: You'll get the crab cakes out like shut toe marmal

920
00:42:22,520 --> 00:42:29,040
Speaker 2: while taking a meeting, All get the cakes, close the menu. Yeah,

921
00:42:29,280 --> 00:42:31,600
Speaker 2: let's do that. Super happy with your choice.

922
00:42:32,000 --> 00:42:36,440
Speaker 1: Financial advisor like, don't get the crab cakes, like okay,

923
00:42:36,440 --> 00:42:38,520
Speaker 1: And then what does she wear? I mean, right now,

924
00:42:38,560 --> 00:42:41,879
Speaker 1: he's wearing like a medium Lacoste tea.

925
00:42:42,440 --> 00:42:45,880
Speaker 2: It's cool the la coste is it's polo textured, but

926
00:42:46,000 --> 00:42:48,040
Speaker 2: it's a T shirt. And I felt that when we

927
00:42:48,760 --> 00:42:49,080
Speaker 2: it's like.

928
00:42:49,000 --> 00:42:50,919
Speaker 3: A little thicker. It's a little vintage.

929
00:42:50,600 --> 00:42:55,759
Speaker 2: Mark and and you're wearing like Dicky's you cropped yourself.

930
00:42:56,760 --> 00:43:04,400
Speaker 3: Crypto crypto, they're pre Crimpton crop.

931
00:43:06,200 --> 00:43:08,520
Speaker 1: And is that is that like you're having like a

932
00:43:08,560 --> 00:43:10,360
Speaker 1: whole day whe were like today, I'm like getting up

933
00:43:10,360 --> 00:43:12,840
Speaker 1: but I'm getting my lavender manchat, I'm going to urban.

934
00:43:12,960 --> 00:43:14,640
Speaker 1: I'm having like a me shopping day. Or is it

935
00:43:14,680 --> 00:43:17,040
Speaker 1: more like, oh, I have forty five minutes before this

936
00:43:17,080 --> 00:43:18,280
Speaker 1: meeting at the Marmot, I'm stopping.

937
00:43:18,800 --> 00:43:23,040
Speaker 2: Yeah, anyone is waking up and making the whole day or.

938
00:43:24,880 --> 00:43:28,200
Speaker 1: So I'm to l A. I'm dedicating day a week

939
00:43:28,239 --> 00:43:31,279
Speaker 1: to urban, every urban. Yeah.

940
00:43:31,880 --> 00:43:34,080
Speaker 2: I have to say when I did my vintage stop

941
00:43:34,160 --> 00:43:36,560
Speaker 2: down Melrose yesterday, I saw the urban and like a

942
00:43:36,600 --> 00:43:38,879
Speaker 2: part of me was like I want to go in,

943
00:43:39,440 --> 00:43:42,879
Speaker 2: but I was like don't, don't, okay.

944
00:43:42,600 --> 00:43:44,840
Speaker 1: But like, why did you say no to that fear,

945
00:43:44,960 --> 00:43:45,560
Speaker 1: because like.

946
00:43:45,640 --> 00:43:48,680
Speaker 2: That was that was my instinct because it was just like.

947
00:43:48,719 --> 00:43:51,760
Speaker 1: Your rage against your mother that was like unexpressed.

948
00:43:51,880 --> 00:43:53,840
Speaker 2: But I was like, I have so many other overpriced

949
00:43:53,880 --> 00:43:56,960
Speaker 2: vintage stores to go into, and going into an urban

950
00:43:57,440 --> 00:43:59,960
Speaker 2: that emotional space is much more me being tired after

951
00:44:00,080 --> 00:44:03,520
Speaker 2: for work, right and just pacing around getting more tired

952
00:44:03,560 --> 00:44:05,560
Speaker 2: and then leaving. Why did I do this?

953
00:44:06,200 --> 00:44:07,160
Speaker 1: It's just low blood sugar.

954
00:44:07,719 --> 00:44:10,040
Speaker 2: Yeah, so that's what I represented it. So I was

955
00:44:10,120 --> 00:44:12,960
Speaker 2: like saying no to that feeling because I was like,

956
00:44:13,000 --> 00:44:13,720
Speaker 2: I'm on vacation.

957
00:44:13,920 --> 00:44:15,400
Speaker 3: I know that, I know what you mean. Do you

958
00:44:15,440 --> 00:44:17,400
Speaker 3: guys think this is a good outfit that I'm worrying?

959
00:44:17,640 --> 00:44:18,120
Speaker 1: I love it.

960
00:44:18,160 --> 00:44:21,759
Speaker 2: I love the Coston Dickies are one of my They're

961
00:44:21,840 --> 00:44:22,800
Speaker 2: my top five favorite.

962
00:44:23,000 --> 00:44:26,680
Speaker 3: I'm worried about my address look really healthy? Oh thank you?

963
00:44:26,800 --> 00:44:33,239
Speaker 1: I think you look like you're just gradiatingarian.

964
00:44:32,320 --> 00:44:35,840
Speaker 3: I'm going to get I'm like fucking three salmons a

965
00:44:35,880 --> 00:44:36,480
Speaker 3: day right now.

966
00:44:36,719 --> 00:44:39,960
Speaker 2: I'm like, are use sugarfish?

967
00:44:40,040 --> 00:44:42,480
Speaker 1: I went there yesterday, was amazing. But go on, when you.

968
00:44:42,400 --> 00:44:45,600
Speaker 3: Moved to l A and you go there fifteen times,

969
00:44:45,640 --> 00:44:47,719
Speaker 3: you're like, oh it's bad. Like you start off being

970
00:44:47,719 --> 00:44:49,319
Speaker 3: like this is the best thing I've ever had, and

971
00:44:49,360 --> 00:44:51,320
Speaker 3: then there's a switch and you're like this is office

972
00:44:51,320 --> 00:44:54,160
Speaker 3: culture food and you can never go back. Okay, but

973
00:44:54,280 --> 00:44:56,720
Speaker 3: I'm envious of where you're at because I miss that I've.

974
00:44:56,600 --> 00:44:57,680
Speaker 2: Been getting thought.

975
00:44:57,760 --> 00:45:01,879
Speaker 1: Honeymoon face was even face with the like the new

976
00:45:02,000 --> 00:45:04,799
Speaker 1: mall in Studio City that just has like a robertas

977
00:45:04,800 --> 00:45:06,160
Speaker 1: in like an outdoor creek.

978
00:45:05,960 --> 00:45:08,040
Speaker 3: And I was, I don't know I should get there's

979
00:45:08,080 --> 00:45:08,959
Speaker 3: a sugarfish there.

980
00:45:08,880 --> 00:45:10,760
Speaker 1: And I was just like this is just so beautiful

981
00:45:10,760 --> 00:45:13,000
Speaker 1: and simple and dumb and like we're all like in

982
00:45:13,040 --> 00:45:16,040
Speaker 1: this gorgeous parking lot. I do love it, sugar, I

983
00:45:16,120 --> 00:45:18,719
Speaker 1: do having a lovely day. Yeah, but you're not.

984
00:45:18,800 --> 00:45:20,000
Speaker 2: Sick of arawon salmon.

985
00:45:20,200 --> 00:45:20,480
Speaker 3: I'm not.

986
00:45:21,560 --> 00:45:23,880
Speaker 2: You're straight up a bear in the last, Like I

987
00:45:23,920 --> 00:45:29,320
Speaker 2: don't want. I got the Hailey Bieber smoothie in June

988
00:45:29,320 --> 00:45:30,480
Speaker 2: and I'm still high off of that.

989
00:45:30,960 --> 00:45:32,120
Speaker 1: Wait, you got the Haley Biber.

990
00:45:32,120 --> 00:45:34,320
Speaker 2: What what is the Hailey Bieber's smoothie?

991
00:45:34,400 --> 00:45:34,840
Speaker 3: Marowan?

992
00:45:34,960 --> 00:45:36,640
Speaker 2: Okay, twenty one dollars.

993
00:45:37,080 --> 00:45:38,640
Speaker 3: And thirty five minutes to make.

994
00:45:38,920 --> 00:45:40,080
Speaker 1: Yeah, thirty five minutes to make.

995
00:45:40,160 --> 00:45:42,920
Speaker 2: And they were making it in like a baseball stadium

996
00:45:42,960 --> 00:45:45,879
Speaker 2: industrial size like smoothie maker.

997
00:45:45,719 --> 00:45:49,200
Speaker 1: And it's just kind of foundation and like highlighter.

998
00:45:49,120 --> 00:45:52,200
Speaker 2: Because there's so much like a new moisturizer in it,

999
00:45:54,520 --> 00:45:58,359
Speaker 2: vacation college and peptides, and then just like a crucifix

1000
00:45:58,560 --> 00:46:01,080
Speaker 2: and then it's like friendly robbery ice cream and they're

1001
00:46:01,120 --> 00:46:03,399
Speaker 2: like blend done.

1002
00:46:03,640 --> 00:46:07,200
Speaker 1: I had a disgusting purple lemonade from eriwon yesterday, and

1003
00:46:07,200 --> 00:46:08,920
Speaker 1: I know what I don't like that one full of

1004
00:46:08,960 --> 00:46:10,400
Speaker 1: like monk fruit sweetener.

1005
00:46:10,560 --> 00:46:13,040
Speaker 3: Yeah, yeah, yeah, I know the one you gotta go,

1006
00:46:13,440 --> 00:46:16,919
Speaker 3: you gotta go orange. God, it's called like something Lovely Day.

1007
00:46:16,960 --> 00:46:19,000
Speaker 3: That's the best juice is a Lovely Day. Wow.

1008
00:46:19,239 --> 00:46:21,000
Speaker 1: Next time, but maybe there won't be a next time

1009
00:46:21,000 --> 00:46:21,920
Speaker 1: because I'm so piste.

1010
00:46:22,040 --> 00:46:23,600
Speaker 2: Wait, what do you get with the membership?

1011
00:46:23,640 --> 00:46:25,960
Speaker 3: It's one hundred dollars and then you get like money

1012
00:46:25,960 --> 00:46:28,239
Speaker 3: off of every purchase. And the fact that it's so

1013
00:46:28,400 --> 00:46:31,880
Speaker 3: fucking expensive. It's like I save like probably a thousand

1014
00:46:31,960 --> 00:46:34,480
Speaker 3: dollars a year, so it's like up. I heard.

1015
00:46:35,880 --> 00:46:37,480
Speaker 1: They were trying to push it on him yesterday. They

1016
00:46:37,520 --> 00:46:39,200
Speaker 1: were like, if you spend more than forty five dollars

1017
00:46:39,239 --> 00:46:42,640
Speaker 1: a week, it's worth it. And he was like huh yeah,

1018
00:46:43,560 --> 00:46:44,759
Speaker 1: and he was like, I don't think I spend that much

1019
00:46:44,760 --> 00:46:48,200
Speaker 1: and the guy was just like, are you sure? Because

1020
00:46:48,239 --> 00:46:52,600
Speaker 1: it's crazy, it is, it really is. Okay, Just to

1021
00:46:52,600 --> 00:46:54,719
Speaker 1: wrap up, what did she wear? Yeah, do you have

1022
00:46:54,760 --> 00:46:57,360
Speaker 1: the rest of the just like formal wear, because like

1023
00:46:57,360 --> 00:47:00,480
Speaker 1: obviously you're going to like events and Premier is constantly

1024
00:47:00,520 --> 00:47:03,279
Speaker 1: it's because you're a Hollywood big wig, but you're also

1025
00:47:03,400 --> 00:47:05,480
Speaker 1: not crossing the piccola. But you're getting permission from the

1026
00:47:05,640 --> 00:47:08,520
Speaker 1: w GA to go to a premiere, and like I,

1027
00:47:08,520 --> 00:47:11,280
Speaker 1: I receive permission to attend the premiere.

1028
00:47:11,480 --> 00:47:17,239
Speaker 2: Premiere is only in like Berlin, and that's why.

1029
00:47:15,200 --> 00:47:17,839
Speaker 1: I can go to the Berlin premiere of this free

1030
00:47:17,840 --> 00:47:18,560
Speaker 1: form original.

1031
00:47:20,120 --> 00:47:25,640
Speaker 2: To me, yeah, you're like suit with no tie at

1032
00:47:25,680 --> 00:47:27,600
Speaker 2: the premiere and it's like a funk.

1033
00:47:30,840 --> 00:47:34,200
Speaker 1: Yeah, so queer eye and it's a really really unbuttoned picked. No,

1034
00:47:34,239 --> 00:47:36,239
Speaker 1: I don't think you're but I'm more just like, does

1035
00:47:36,400 --> 00:47:38,799
Speaker 1: do you have like three really funky suits? There's like

1036
00:47:38,840 --> 00:47:42,080
Speaker 1: a tree suit and then just like many suit in

1037
00:47:42,120 --> 00:47:45,600
Speaker 1: the closet that he's pulling out for the events I have,

1038
00:47:45,480 --> 00:47:47,040
Speaker 1: I have like two or three things.

1039
00:47:47,239 --> 00:47:49,319
Speaker 3: I have like five things that are fancy fancy, and

1040
00:47:49,360 --> 00:47:51,239
Speaker 3: then everything else is just like black teacher. I don't

1041
00:47:51,280 --> 00:47:52,520
Speaker 3: like to I'm in a phase of like.

1042
00:47:54,040 --> 00:47:55,000
Speaker 2: To be black T shirt.

1043
00:47:55,080 --> 00:47:57,240
Speaker 3: I feel like I'm my cutest when I'm not looking

1044
00:47:57,280 --> 00:47:59,319
Speaker 3: like I'm trying to. There's something where I like.

1045
00:47:59,640 --> 00:48:02,120
Speaker 1: Most most people are cious when they're not.

1046
00:48:03,040 --> 00:48:05,600
Speaker 2: Like I'm always surprised, you know, sometimes you just put

1047
00:48:05,640 --> 00:48:07,560
Speaker 2: on a T shirt and someone's like, wait, you look amazing.

1048
00:48:07,600 --> 00:48:09,239
Speaker 2: And then I'm like, the day I put on my

1049
00:48:09,760 --> 00:48:12,520
Speaker 2: craziest funky button app and this and the shoes, and

1050
00:48:12,560 --> 00:48:13,200
Speaker 2: someone's just like.

1051
00:48:15,640 --> 00:48:17,120
Speaker 1: You're trying to yourself.

1052
00:48:17,360 --> 00:48:17,880
Speaker 3: It's working.

1053
00:48:18,239 --> 00:48:20,279
Speaker 2: Yeah, it's the biggest outfit you've ever had. So we

1054
00:48:20,320 --> 00:48:21,520
Speaker 2: all just want to be real.

1055
00:48:23,160 --> 00:48:23,480
Speaker 4: Stuff.

1056
00:48:23,560 --> 00:48:26,280
Speaker 3: Yeah, I'm excited. You guys are going, yeah.

1057
00:48:26,239 --> 00:48:26,839
Speaker 1: I can't wait.

1058
00:48:27,400 --> 00:48:30,400
Speaker 2: If you are deposit yeah, you get me.

1059
00:48:30,440 --> 00:48:33,239
Speaker 1: You actually give me the whole chick. Okay. And if

1060
00:48:33,320 --> 00:48:37,759
Speaker 1: I forgot my check books, it's twenty thousand without the

1061
00:48:37,800 --> 00:48:39,520
Speaker 1: meal plan exactly.

1062
00:48:39,120 --> 00:48:40,880
Speaker 3: And then with the meal plane it's one hundred thousand.

1063
00:48:41,520 --> 00:48:42,719
Speaker 2: What about the wine bear?

1064
00:48:44,520 --> 00:48:45,960
Speaker 1: Yeah? Oh you want that. It's going to be like

1065
00:48:46,080 --> 00:48:48,319
Speaker 1: Bards of a Million. Yeah, and then I want the

1066
00:48:48,440 --> 00:48:53,839
Speaker 1: masturbation loopol. Okay, who are you? Who are you in

1067
00:48:53,840 --> 00:48:54,240
Speaker 1: the book?

1068
00:48:54,760 --> 00:48:57,640
Speaker 2: Okay? I think I'm we're kind of like, are we.

1069
00:48:57,680 --> 00:48:59,200
Speaker 1: The Tampa Republican couple?

1070
00:49:01,080 --> 00:49:03,560
Speaker 2: Like I thought I'd hate it, but I love it,

1071
00:49:03,600 --> 00:49:06,359
Speaker 2: and like we're like we come back to Tampa, We're

1072
00:49:06,440 --> 00:49:07,200
Speaker 2: so much better.

1073
00:49:07,960 --> 00:49:10,040
Speaker 1: But we're I'm like, you were actually kind of not

1074
00:49:10,080 --> 00:49:13,440
Speaker 1: evangelizing because we know our neighbors in Fort Myers are

1075
00:49:13,480 --> 00:49:15,480
Speaker 1: going to be like a little bit weird out right,

1076
00:49:15,520 --> 00:49:16,480
Speaker 1: and we're actually Naples.

1077
00:49:16,960 --> 00:49:20,399
Speaker 2: Yeah wait are you allowed? No photos, no phones.

1078
00:49:20,280 --> 00:49:22,640
Speaker 3: No photos. You can't even say your real name. You

1079
00:49:22,640 --> 00:49:24,399
Speaker 3: have to go about your childhood name, and you can't

1080
00:49:24,440 --> 00:49:25,719
Speaker 3: say your profession either.

1081
00:49:26,120 --> 00:49:29,760
Speaker 2: I love that childhood name, like your nickname.

1082
00:49:30,040 --> 00:49:33,200
Speaker 1: Your nickname, which was what was Rue, which I kind

1083
00:49:33,200 --> 00:49:35,840
Speaker 1: of like wish I as in Hunger Games.

1084
00:49:36,200 --> 00:49:40,160
Speaker 3: That's what I learned. People don't know about that.

1085
00:49:42,600 --> 00:49:43,279
Speaker 2: Or euphoria.

1086
00:49:43,640 --> 00:49:45,839
Speaker 3: Oh right, there's another route. I was Rue. And then

1087
00:49:45,840 --> 00:49:47,840
Speaker 3: there was a pooh Bear in my group too, so

1088
00:49:47,880 --> 00:49:49,520
Speaker 3: there was like this like fifty five year old.

1089
00:49:50,280 --> 00:49:51,839
Speaker 1: We had to call her poo bear.

1090
00:49:52,120 --> 00:49:53,080
Speaker 2: That's actually so sad.

1091
00:49:53,360 --> 00:49:58,120
Speaker 3: Call someone schnickele Frids and they were they were humiliated.

1092
00:49:58,520 --> 00:50:01,040
Speaker 3: The guy was like, he was like, I really don't

1093
00:50:01,280 --> 00:50:03,640
Speaker 3: I really don't want to, like I don't want to

1094
00:50:03,680 --> 00:50:04,560
Speaker 3: be anymore.

1095
00:50:05,280 --> 00:50:07,480
Speaker 2: Oh the parents break you down.

1096
00:50:07,600 --> 00:50:09,360
Speaker 1: Yeah, I know.

1097
00:50:09,440 --> 00:50:13,399
Speaker 3: It's truly affectly break for like strangers to start calling

1098
00:50:13,400 --> 00:50:15,919
Speaker 3: you your childhood nickname is like a real head fuck

1099
00:50:15,920 --> 00:50:18,360
Speaker 3: where you're like no, what, like it's not possible.

1100
00:50:18,880 --> 00:50:20,359
Speaker 2: My childhood nicknames have my.

1101
00:50:20,400 --> 00:50:24,359
Speaker 4: Name in it, though, like yel there's there's Billy Pad,

1102
00:50:24,719 --> 00:50:34,120
Speaker 4: shitty Lily, stupid Lily.

1103
00:50:36,040 --> 00:50:36,440
Speaker 2: What's that?

1104
00:50:37,400 --> 00:50:38,680
Speaker 3: I need to talk to your parents.

1105
00:50:41,440 --> 00:50:44,000
Speaker 1: I was there was this girl who called me skinny

1106
00:50:44,040 --> 00:50:51,280
Speaker 1: bones when we were five. She was so fucking jealous

1107
00:50:51,400 --> 00:50:54,040
Speaker 1: of me. What are you having for lunch?

1108
00:50:57,680 --> 00:51:00,760
Speaker 2: Well, and now she's she's dating a guy from your hometown.

1109
00:51:00,920 --> 00:51:02,799
Speaker 3: Oh he's an exact. He's a film exact too.

1110
00:51:03,320 --> 00:51:05,040
Speaker 1: Using my hometown you mean Newton or I.

1111
00:51:05,080 --> 00:51:06,359
Speaker 2: Mean Newton Mastresses?

1112
00:51:06,840 --> 00:51:07,400
Speaker 1: So crazy?

1113
00:51:07,520 --> 00:51:09,840
Speaker 2: You know, She's like, I'm trying a Chinese place, a

1114
00:51:09,840 --> 00:51:11,840
Speaker 2: new Mastresses. It's actually the best Chinese place I've ever

1115
00:51:11,920 --> 00:51:13,400
Speaker 2: had my entire life. I just stopped in. There's no

1116
00:51:13,400 --> 00:51:13,719
Speaker 2: one here.

1117
00:51:13,760 --> 00:51:14,879
Speaker 1: Wait, did you go to shing you?

1118
00:51:15,160 --> 00:51:17,960
Speaker 2: I'll have to pull up the tip top for later.

1119
00:51:18,080 --> 00:51:22,160
Speaker 1: But yeah, wow, iconic. I give this book absolutely.

1120
00:51:22,440 --> 00:51:26,040
Speaker 2: I give it five out of Puko beaches out of.

1121
00:51:26,080 --> 00:51:29,640
Speaker 1: Five, five out of five, like nurses task with finding

1122
00:51:29,680 --> 00:51:33,080
Speaker 1: buried treasure, and I give your books five out of five.

1123
00:51:34,080 --> 00:51:37,480
Speaker 2: This was so much fun carving out the time in

1124
00:51:37,520 --> 00:51:38,960
Speaker 2: your day, your process.

1125
00:51:39,520 --> 00:51:44,120
Speaker 1: Yeah, tell our listeners where can they find you? Upcoming?

1126
00:51:44,920 --> 00:51:46,359
Speaker 1: Nothing institute?

1127
00:51:46,680 --> 00:51:49,359
Speaker 3: You gotta I dare people to come to my house

1128
00:51:49,400 --> 00:51:53,600
Speaker 3: and look at my laptop to find out what I'm working.

1129
00:51:55,440 --> 00:51:57,600
Speaker 2: Okay, so just give your address and a window of

1130
00:51:57,640 --> 00:51:58,919
Speaker 2: time that works for you.

1131
00:51:59,120 --> 00:52:01,239
Speaker 3: You follow me on Instagram. That's the only thing I

1132
00:52:01,239 --> 00:52:02,360
Speaker 3: have at this point in my life.

1133
00:52:02,719 --> 00:52:06,319
Speaker 1: Cool and your Instagram is so fun and I need

1134
00:52:06,360 --> 00:52:09,000
Speaker 1: to get back into it. I have a real block lately,

1135
00:52:09,120 --> 00:52:11,239
Speaker 1: I think also, but also like listen to that, you

1136
00:52:11,280 --> 00:52:13,359
Speaker 1: know what I mean, because I'm always feeling this too,

1137
00:52:13,360 --> 00:52:15,920
Speaker 1: where I see people like so regularly posting and like

1138
00:52:15,960 --> 00:52:18,440
Speaker 1: following their art, you know, and building whatever on the

1139
00:52:18,480 --> 00:52:19,040
Speaker 1: Instagram at.

1140
00:52:19,000 --> 00:52:21,560
Speaker 2: The same time as all reels of pumas that live

1141
00:52:21,600 --> 00:52:26,640
Speaker 2: in someone's I want to.

1142
00:52:26,600 --> 00:52:27,560
Speaker 1: Get a nine foot.

1143
00:52:27,360 --> 00:52:32,920
Speaker 2: Cat to live in I need a lion, Like you

1144
00:52:32,960 --> 00:52:33,239
Speaker 2: know that.

1145
00:52:33,280 --> 00:52:35,280
Speaker 3: Song that's like in the background of like all tiktoks

1146
00:52:35,280 --> 00:52:41,359
Speaker 3: and reels. It's like, yeah, just like I couldn't even

1147
00:52:41,400 --> 00:52:43,400
Speaker 3: begin to tell you what the song is. I'm sure

1148
00:52:43,440 --> 00:52:47,960
Speaker 3: it's something obvious, but like, listen to.

1149
00:52:47,960 --> 00:52:50,560
Speaker 1: Your body telling you to stay away. Yeah, you're right, Charles,

1150
00:52:50,600 --> 00:52:50,960
Speaker 1: Thank you.

1151
00:52:50,920 --> 00:52:53,959
Speaker 2: Thank you much Love.

1152
00:52:54,600 --> 00:53:02,960
Speaker 3: Best Celebrity Book Club, hosted by Stephen and Lily, was

1153
00:53:03,000 --> 00:53:07,000
Speaker 3: produced and edited by an insane psychopath named Darby Masters.

1154
00:53:07,280 --> 00:53:11,280
Speaker 3: The Supervising producer is an extremely problematic person named Abu Zavar.

1155
00:53:12,160 --> 00:53:18,240
Speaker 3: Executive producer the one and only dead Christina Everts. Graphic

1156
00:53:18,320 --> 00:53:23,680
Speaker 3: design by that boxer Teddy Blinks. Theme song by The Tiny,

1157
00:53:23,800 --> 00:53:28,160
Speaker 3: Tiny Tiny, Stephen Phillips, Horse and Prologue Projects. If you

1158
00:53:28,280 --> 00:53:33,640
Speaker 3: believe the recently shut down because of asbestos company created

1159
00:53:33,680 --> 00:53:42,080
Speaker 3: the show, Yeah,